Source #	92645
Entered by	Matt Vernon
Checksums	ffp , flac-md5
Disc Counts	2 / 3
Media Size
Date Circulated Date Added	07/06/2008 07/07/2008

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Other Sources

• (6104) Amy's Soundboard VHS > Cassette > DAT> CDR; CD...
• (7006) FOB AUD> CM (unknown mics)> Nak DR-10...
• (25000) Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade...
• (27863)  flac16 ; SBD> Master Cassette> PCM> Dat...
• (79382)  flac16 ; Source: SBD > MC >...
• (79558)  flac24/96 ; Source: SBD > MC > DAT(48KHz)....
• (79597)  flac16 ; Source: Nakamichi CM304's + Beyer...
• (92963)  flac16 ; Matrix by Hunter Seamons using Final...
• (106788)  flac16 ; Nakamichi CM-300 (CP-4) x2 > Cassette...
• (112499)  flac16 ; Field Gear:  Nakamichi CM-100's...
• (114489)  flac24 ; Nakamichi CM-300 (CP-4) x2 > Cassette...
• (121563)  flac16 ; Source: 2 Beyer M160 microphones >...
• (126238)  flac24 ; source: (2) audio technica atm 11/...
• (135268)  flac16 ; MAC Sennheiser 441s > Sony TCM-D5 >...
• (135270)  flac24 ; MAC; Sennheiser 441s > Sony TCM-D5 >...
• (141598)  flac24 ; Source: Unknown mics > Sony TC-D5M >...
• (145345)  flac16 ; Source: Unknown mics > Sony TC-D5M >...
• (152626)  flac16/44.1  Microphones: AKG C422|AKG S42 XY...
• (152627)  flac24/48   Microphones: AKG C422|AKG S42 XY...
• (154535)  flac16/48   Source Info: Michael Hessberg's...
• (154536)  flac24/96   Source Info: Michael Hessberg's...
• (158249)  flac1644  Source: Nakamichi 300 Shotguns >...
• (158250)  flac2448   Source: Nakamichi 300 Shotguns >...

Source Summary
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC) See info file for details

Grateful Dead
Saratoga Performing Arts Center
Saratoga Springs, NY
June 27, 1985


SPAC Matrix

----------------------------------------------------
1 SBD:

Recording Info:
SBD -> Master Cassette -> PCM -> Dat

Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
(3 Discs Audio / 2 Discs FLAC)

Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
8/27/04

Notes:
I can't confirm this lineage 100%, but that is how my dat was labled and that is how Rob Eaton has it listed, so I can only assume it's correct. I have also seen it listed as SBD>VHS>Cass>Dat>CD. This version sounds better and is more complete than the etree version.

----------------------------------------------------
3 AUDs:

AUD 1
-----
Recorded by Jim Oade
Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net)

Field:
Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1

Transfer:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac

AUD 2
-----
Source:
Painoman's Master Analog Cassettes
Digital Mastering by Charlie Connor 11/03/01

Lineage:
FOB AUD>CM (unknown mics)>Nak DR-10 (Playback)>
Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>
Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR
redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT)

Correct sector boundaries verified using shntool

Note:

Although, the mics used to record this show are unidentified
it only will take you 5 seconds to realize the deck was patched into  
a veteran FOB taper with good equipment and a great buffer
zone in front of the mics.  This is an awesome "you are there" FOB.

A HUGE special thanks to Painoman for lending me his Master Cassettes,
Which took me a friggin year to digitize. Painoman you have the
patience of a saint.

AUD 3
-----
Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M
Location: *Lawn, Stand at 9 Feet
Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96
Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16
Tapers: Tony Suraci/nak700
Transfer and upload by Tony Suraci.

---------------------------------------------------

Thank you to Charlie Miller for the SBD transfer;
to Jim Oade, Painoman, and Tony Suraci for recording the show;
and to Charlie Connor and Doug Oade for the AUD transfers.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC)
July 6, 2008


Set 1:
-----------
d1t01 - Tuning
d1t02 - In The Midnight Hour ->
d1t03 - Bertha ->
d1t04 - Little Red Rooster
d1t05 - "Get Down From The Balcony"
d1t06 - Stagger Lee ->
d1t07 - El Paso ->
d1t08 - Crazy Fingers ->
d1t09 - Supplication ->
d1t10 - High Time
d1t11 - Hell In A Bucket ->
d1t12 - Don't Ease Me In

Set 2:
-----------
d2t01 - Tuning
d2t02 - Feel Like A Stranger ->
d2t03 - Eyes Of The World ->
d2t04 - Goin' Down The Road Feelin' Bad ->
d2t05 - Man Smart, Woman Smarter ->
d2t06 - Drums ->
d3t01 - Space ->
d3t02 - Truckin' ->
d3t03 - Spoonful ->
d3t04 - Black Peter ->
d3t05 - Turn On Your Lovelight

Encores:
-----------
d3t06 - Tuning
d3t07 - Johnny B. Goode
d3t08 - It's All Over Now, Baby Blue


Notes:

1) There is occasional, minor static in the SBD.

2) Soundtrack Pro was used to reduce/remove static in Rooster, Supplication Jam, Spoonful, and Black Peter. (The static in Drums>Space seems to be instrument related.)

3) While any of the above AUDs could have made a good, interesting matrix, the Force ushered me to choose Oade, and incorporate the other two for the patches, when available.  

4) There is a cut in the Oade Aud during Lovelight (3:23-end of track) Tuning (3) (entire track) and Baby Blue (4:39 to end). Painoman's AUD patches the Lovelight track up to 8:22, and Surac's AUD patches Baby Blue.

5) There are cuts in the SBD during Supplication Jam (0:17-0:29) and Space (3:39-4:39).

6) Some echo effects that the band was using during this time for vocals and instruments can sound like "slippage," but I can confirm that they are not such moments.

7) The show is seamless.  


    length     expanded size    cdr  WAVE problems  fmt   ratio  filename
     3:23.60       35950364 B   ---   --   ---xx  gd85-06-27d1t01.flac
     4:01.33       42590060 B   ---   --   ---xx  gd85-06-27d1t02.flac
     5:12.66       55192076 B   ---   --   ---xx  gd85-06-27d1t03.flac
     8:54.45       94303484 B   ---   --   ---xx  gd85-06-27d1t04.flac
     1:17.06       13596956 B   ---   --   ---xx  gd85-06-27d1t05.flac
     6:44.43       71366780 B   ---   --   ---xx  gd85-06-27d1t06.flac
     5:25.74       57504092 B   ---   --   ---xx  gd85-06-27d1t07.flac
     8:58.15       94938524 B   ---   --   ---xx  gd85-06-27d1t08.flac
     4:40.44       49495532 B   ---   --   ---xx  gd85-06-27d1t09.flac
     9:52.32      104504108 B   ---   --   ---xx  gd85-06-27d1t10.flac
     7:26.16       78712076 B   ---   --   ---xx  gd85-06-27d1t11.flac
     3:53.05       41113004 B   ---   --   ---xx  gd85-06-27d1t12.flac
     1:14.35       13135964 B   ---   --   ---xx  gd85-06-27d2t01.flac
     8:44.42       92532428 B   ---   --   ---xx  gd85-06-27d2t02.flac
     9:15.19       97946732 B   ---   --   ---xx  gd85-06-27d2t03.flac
     4:31.68       47964380 B   ---   --   ---xx  gd85-06-27d2t04.flac
     7:06.70       75311084 B   ---   --   ---xx  gd85-06-27d2t05.flac
    11:21.26      120189596 B   ---   --   ---xx  gd85-06-27d2t06.flac
     8:51.32       93743708 B   ---   --   ---xx  gd85-06-27d3t01.flac
     6:21.41       67304876 B   ---   --   ---xx  gd85-06-27d3t02.flac
     4:36.05       48698204 B   ---   --   ---xx  gd85-06-27d3t03.flac
     8:11.68       86772380 B   ---   --   ---xx  gd85-06-27d3t04.flac
    10:29.62      111101468 B   ---   --   ---xx  gd85-06-27d3t05.flac
     0:17.59        3137612 B   ---   --   ---xx  gd85-06-27d3t06.flac
     4:52.12       51537068 B   ---   --   ---xx  gd85-06-27d3t07.flac
     8:03.32       85276508 B   ---   --   ---xx  gd85-06-27d3t08.flac
   163:49.35     1733919064 B                            0.5772  (26 files)