Music List for Frankie Four Fingers
Last Update: Aug 14, 2008
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Acoustic Allstars --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
07/15/95 Winterhawk Bluegrass Festival AUDIO 1 A+ Source:DSBD DAT from Sean Hawkins Transfer: Panasonic SV-3700 > Tascam CD-RW 700 (pass through)> M-Audio 24/96 > @ 24 Bit to Wavelab > to 16 bit CD WAVE > FLAC; Transfers and Seeded to bt.etree.net by Bill Koucky January 2007

Allman Brothers Band --- Approximate Hours: 165
Show Date Venue Media Type Media Count Sound Quality Notes
02/11/70 Fillmore East (Early Show) audio 1 A Master Soundboard Reel > Cassette > DAT> CDR* > Remastered** > SHN *EAC'ed / SHN'ed by Scott Clugston 7/4/01 **Digitally remastered by Garrett Van Cleef*** (rev. 2) 12/12/01 Posted to gdlive.com by GVC
02/11/70 FIllmore East (Late Show) audio 1 A Allman Brothers Band: Master Soundboard Reel > Cassette > DAT> CDR* > Remastered** > SHN *EAC'ed / SHN'ed by Scott Clugston 7/4/01 **Digitally remastered by Garrett Van Cleef*** (rev. 2) 12/12/01 Posted to gdlive.com by GVC
02/14/70 Fillmore East audio 1 A SBD:MR?
04/04/70 Ludlow's Garage audio 2 A SBD: MR?
07/03/70 Middle Georgia Raceway audio 2 A Master Soundboard Reel > Cassette > DAT > CDR
07/05/70 Atlanta International Pop Festival audio 1 A Soundboard>MR>Cass Master>DAT>SHN
12/13/70 Leonard Gym, American University audio 1 A Hittin' The Note Official SBD Archival Release
06/27/71 Fillmore East audio 1 A SBD>Reel To Reel>DAT>Cass>Montego Beach Digital I/O>CDR>EAC(Secure Mode) >Wav>Shn(MKWACT)
08/17/71 Boston Common audio 1 A SBD: MR?
08/26/71 A&R Studios audio 1 A FM
09/19/71 Gym - State University of NY (SUNY) at Stony Brook audio 2 A Hittin' The Note Official SBD Archival Release
02/11/72 Macon City Auditorium audio 2 A Hittin' The Note Official SBD Archival Release
03/23/72 Price Hall audio 1 A SBD: MR?
05/01/73 Nassau Veterans Memorial Coliseum audio 2 A SBD: MR?
05/01/73 Nassau Veterans Memorial Coliseum audio 2 A Hittin' The Note Official SBD Archival Release
06/10/73 Robert F. Kennedy Stadium audio 1 A 6/10/73, RFK Stadium, Washington D.C., CDR,, SBD>MR>Production Cassette>DAT>CDR>CDR>CDR>CDR>CDR>CDR, 2 discs,
12/31/73 Cow Palace audio 3 A source: master reel-> DAT-> CDR-> SHN>mp3(320kbs)
10/31/86 Madison Square Garden audio 2 A sbd: mr?
07/11/90 Florida Theatre audio 2 A *w/ Derek Trucks, guitar(first ABB appearance?)
06/11/92 Roosevelt Hotel audio 1 A sbd
09/07/92 Lakewood Amphitheatre audio 3 A SBD Comment *w/Derek Trucks on guitar This was a rescheduled show (original date was 09/05/92) due to heavy rainfall
08/14/94 Great Woods Center for the Performing Arts audio 1 A Source: Sennheiser 800's > DAT D3 Master (patched out of another deck) Transfer: DAT 60ES > M-Audio Audiophile USB > WAV > Flac
08/09/95 Jones Beach Music Theater audio 1 A Nak cm300s > DAT > 24 bit ISP Remaster > SHN This is a copy of this seed, decompressed, cleaned up, retracked and reSHN'd by Doug Nawrocki
05/01/96 Memorial Auditorium Audio 2 A SBD
06/24/96 Saratoga Performing Arts Center audio 2 A Nak cm300s > DAT > 24 bit ISP Remaster > SHN This is a copy of this seed, decompressed, cleaned up, retracked and reSHN'd by Doug Nawrocki
08/29/96 The Greek Theatre audio 2 A SBD
03/26/99 Beacon Theatre audio 1 A 1st have no info on . mikes 1st set was all messed up so there was another dat tape with the first set but no info . 2nd set neumann km184 mics > oade pre-amp 248 > benchmark a/d converter > tascam dap1 taper : Mike Springer
08/03/01 Alltel Pavilion audio 1 A Source: Neumann KM143-> Oade M248-> Oade ADC24LP-1 18th row DFC FOB Transfer: Sony D8-> Delta Dio 24/96-> Soundforge 4.5 (@44.1)-> CDWave for splits-> mkwACT
08/01/03 Ford Pavillion at Montage Mountain audio 1 A Source: AKG460+ck61-> ps2 -> zefiro inbox -> d8 -> pcm-r500 -> audiophile2496 -> wav -> shn
08/10/03 Alltel Pavillion audio 1 A Source: AKG 391s->MP-2->Oade mod SBM1->D100 Location: XY(100*), 8 ft high, LOC, 25 feet back (Sect.2, Row G, Seat 21) Conversion: PCM-R300 -> Audiophile 2496-> SoundForge 5.0 -> CD Wave 1.62 > MKWACT (shn)
09/09/03 Santa Barbara Bowl audio 2 A Source: Neumann km184's -> Tascam DA-P1
07/09/04 Red Rocks Ampitheatre audio 2 A Source - AKG D224E>Studio 500 Monster cable>UA5 Oade Custom mod>Hosa Digi Cable>Oade 7 pin passive cable>Sony TCD-D8 Lineage - Sony TCD-D8>Oade 7 pin passive cable>Hosa digi cable>UA5 Oade Custom Mod>USB>IBM R40/Sound Forge 5.0>CDR>flac>wav>CDWav(retracking)>flac
07/10/04 Red Rocks Ampitheatre audio 2 A Source: AKG D224E>Studio 500 Monster cable>UA5 Oade Custom mod> Hosa Digi Cable>Oade 7 pin passive cable>Sony TCD-D8 Lineage - Sony TCD-D8>Oade 7 pin passive cable>Hosa digi cable>UA5 Oade Custom Mod>USB>IBM R40/Sound Forge 5.0>CDR Location - Row 17, left mic seat 63, right mic seat 58 Mic Info - Pointed to outside of each respective PA stack, 7 foot spread
07/15/04 Moondance Ranch audio 2 A Source: FOBDFC 12'>Oktava MC012/h DIN>d-UA5>Opti JB3 44.1khz Transfer: JB3>FW>Adobe Audition>EQ*>CDWave>
09/01/04 Rosemont Theater audio 2 A FOB Schoeps MK4V's > KCY Actives > VMS > SBM-1 > Sony D100 PRO
09/02/04 On The Waterfront, Miller Light Lawn audio 1 A FOB Schoeps MK4V's > KCY Actives > VMS > SBM-1 > Sony D100 PRO
09/05/04 Post-Gazette Pavilion audio 1 A AKGc451b's (factory matched sterio pair) > MP2 > ADC-20 > 7 pin > PCM-M1 @ 48 KHz
09/24/04 Fox Theatre audio 1 A Source: FOB Schoeps MK4V's> KCY Actives> VMS> SBM-1> Sony D100 PRO Conversion: DA-P1> ProdifPlus> Samplitude 2496> CDWAVE> Flac
09/25/04 Fox Theatre audio 1 A Source: FOB Schoeps MK4V's> KCY Actives> VMS> SBM-1> Sony D100 PRO Conversion: DA-P1> ProdifPlus> Samplitude 2496> CDWAVE> Flac
09/26/04 Fox Theatre audio 2 A Source: FOB Schoeps MK4V's> KCY Actives> VMS> SBM-1> Sony D100 PRO Conversion: DA-P1> ProdifPlus> Samplitude 2496> CDWAVE> Flac
10/01/04 Alltel Pavilion audio 1 A SBD
03/15/05 Beacon Theatre audio 3 A Source (for 1st set): Neumann KM 184 mics > Lunatec V2 > Benchmark A/D K2 > Tascam DAP 1 > Sony D8 Source (for 2nd set): Neumann KM 184 mics > Apogee-mini-me > Sony D8 mic location (for 1st set): Floor next to soundboard center mic location (for 2nd set): Front Row Loge Center transfer: DAT > stand alone cd recorder > EAC > flac
03/19/05 Beacon Theatre audio 3 A Source: Neumann KM 184 mics > Lunatec V2 > Benchmark A/D K2 > Tascam DAP 1 > Sony D8 mic location: Floor next to soundboard center transfer: DAT > stand alone cd recorder > EAC > flac
03/21/05 Beacon Theater audio 3 A Source: Neumann KM 184 mics > Apogee-mini-me > Sony D8 mic location: Front Row Loge Center transfer: DAT > stand alone cd recorder > EAC > flac
03/22/05 Beacon Theatre audio 2 A Source: Neumann KM 184 mics > Lunatec V2 > Benchmark A/D K2 > Tascam DAP 1 > Sony D8 mic location: Floor next to soundboard center transfer: DAT > stand alone cd recorder > EAC > flac
07/20/05 Riverbend Music Center audio 2 A Official Soundboard Release ORC;SBD Munchmix Instant LIVE
07/24/05 Saratoga Performing Arts Center audio 1 A Source: Neumann KM184> Oade w-mod UA-5 (44.1)> optical> JB3 [ORTF 110* DFC lawn] Transfer: JB3> firewire> Sound Forge 6.0> cdWave> FLAC Frontend
08/14/05 DTE Energy Music Theatre audio 2 A SBD
03/14/06 Beacon Theater audio 1 A Neumann KM184s, Center Orchestra Row O, mounted on a stand 20 ft up at the sbd > Lunatec V3 > Marantz PMD 671 > recorded to 4 GB compact flash at 24 bit/96 KHz WAV
03/16/06 Beacon Theater audio 3 A Neumann KM184s, Center Orchestra Row O, mounted on a stand 20 ft up at the sbd > Lunatec V3 > Marantz PMD 671 > recorded to 4 GB compact flash at 24 bit/96 KHz WAV
03/17/06 Beacon Theater audio 1 A Neumann KM184s, Center Orchestra Row O, mounted on a stand 20 ft up at the sbd > Lunatec V3 > Marantz PMD 671 > recorded to 4 GB compact flash at 24 bit/96 KHz WAV
04/14/06 Wanee Festival audio 2 A- Source:Peavey PVM480s(dead center fob @ 14')via Canare L-4E3-2P Star Quad cable>Edirol UA-5 @ 24bit 48khz>Toshiba 2060CDS
08/16/06 Post-Gazette Pavilion audio 3 A SBD
08/18/06 Tweeter Center audio 2 A SBD?
08/27/06 Toyota Pavilion audio 1 A Source: FOB 26th Row Neumann TLM170's(hyper's)> MiniMe> D8 Conversion: DA-P1> ProdifPlus> Samplitude 2496> CDWAVE> Flac
08/30/06 Rosemont Theatre audio 1 A Source: 2-Sennheiser ME66/K6->Lunatec V3 (24/96)->Sound Devices 722 (24/96) Transfer: Sound Devices 722(firewire)->Apple Powerbook G4 Editing: Peak 5.0 LE (resample, dither (16/44.1)), Audacity 1.2.3 (track, fades) xACT: fix SBE Burning: Dragon Burn V4.1.20 Lineage: cdr (1 generation) > wav (plextor plexwriter-premium/eac offset correct) > flac (flac frontend 1.7.1/verify/align on sb/level 6)
05/05/07 Fair Grounds Race Course audio 3 A Official Soundboard Release ORC;SBD Munchmix Instant LIVE
07/31/07 Casino Rama audio 3 A Official Soundboard Release ORC;SBD Munchmix Instant LIVE
08/01/07 Casino Rama audio 3 A Official Soundboard Release ORC;SBD Munchmix Instant LIVE
08/03/07 Meadowbrook U.S. Cellular Pavilion audio 3 A Official Soundboard Release ORC;SBD Munchmix
08/04/07 Fort Adams State Park audio 3 A Official Soundboard Release ORC;SBD Munchmix Instant LIVE
08/05/07 Saratoga Performing Arts Center audio 3 A Official Soundboard Release ORC;SBD Munchmix Instant LIVE
08/07/07 Bank of America Pavilion FLAC>WAV 3 A Official Soundboard Release ORC;SBD Munchmix
08/08/07 Bank of America Pavilion Audio 3 A Official Soundboard Release ORC;SBD Munchmix Instant LIVE
08/10/07 Verizon Wireless Amphitheatre audio 3 A Official Soundboard Release ORC;SBD Munchmix Instant LIVE
08/11/07 Walnut Creek Amphitheater FLAC>WAV 3 A Official Soundboard Release ORC;SBD Munchmix
08/14/07 Nissan Pavilion audio 2 A Official Soundboard Release ORC;SBD Munchmix Instant LIVE RATDOG OPENED
08/15/07 Post Gazette Pavillion audio 2 A Official Soundboard Release ORC;SBD Munchmix Instant LIVE; RATDOG OPENED
08/18/07 Mountain Laurel Center audio 2 A Official Soundboard Release ORC;SBD Munchmix Instant LIVE RATDOG OPENED
08/19/07 Darien Lake Performing Arts Center FLAC>WAV 2 A Official Soundboard Release ORC;SBD Munchmix Ratdog OPENED Steve Kimock sat in on "MTN JAM"
08/21/07 Jones Beach Ampitheatre FLAC>WAV 2 A Official Soundboard Release ORC;SBD Munchmix RATDOG OPENED

Avalon Allstars --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
10/14/06 River Theater FLAC16>WAV 1 A AKGC61's xy @ the stage lip center + vocals direct > 744t > mac > flac
12/07/06 The Red Fox Tavern FLAC16>WAV 1 A AKGC61's xy @ the stage lip center + vocals direct > 744t > mac > flac
12/08/06 The Red Fox Tavern FLAC16>WAV 1 A AKGC61's xy @ the stage lip center + vocals direct > 744t > mac > flac
04/06/07 Mexicali Blues FLAC>WAV 1 A (FOB) Neumann KM184> V2 > SBM-1 > IRiver H120 > Sound Forge > CDWav > Flac Taped/transfered by Rob Clarke

Beastie Boys --- Approximate Hours: 0
Show Date Venue Media Type Media Count Sound Quality Notes
08/20/98 First Union Center SHN>WAV 0 A sbd

Bela Fleck & The Flecktones --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
03/23/97 Berks Jazz Fest AUDIO 2 A with BRUCE HORNSBY Source: Schoeps MK8 + MK21H>Schoeps VMS02IB>Sony SBM-1(@44.1khz)>Sony TCD-D10PROII; M/S decoded at the show w/ width level set to "7" on the VMS02IB; DAT MASTER played back on Sony TCD-D10PROII>Edirol R-4>WL5 (Fades)>CDWAV(Tracks Splits)>FLAC

Bluegrass Album Band --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
12/27/89 The Birchmere AUDIO 2 A Source: Audience Master Cassette > DAT from Sean Hawkins; Transfer: Casio DA-7 > Tascam CD-RW 700 (pass through -5) > M-Audio 24/96 > @ 24 Bit to Wavelab > to 16 bit CD WAVE > FLAC Transfers and Seeded to bt.etree.org by Bill Koucky

Bob Dylan --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
04/24/92 Waikiki Shell WAVaudio 0 A SBD
02/27/99 Copa Room, Sands Casino WAVaudio 0 A sbd
06/14/99 EMU Ballroom - University of Oregon audio 2 A+ Source: DSBD; Transfer: D > CDR > EAC > FLAC
05/21/00 NYA Theatre WAVaudio 0 A sbd
04/11/06 Tingley Coliseum WAVaudio 0 A sbd
09/30/07 Arena At Harbor Yard audio 2 a- Unknown AUD

Bruce Hornsby --- Approximate Hours: 13.75
Show Date Venue Media Type Media Count Sound Quality Notes
11/20/93 Cleveland Music Hall FLAC>WAV 2 A+ Source: SBD > DAT > DAT > DAT Transfer: DAT 60ES > M-Audio Audiophile USB > WAV > Flac taper unknown transfer: jbraveman@hotmail.com July 2005 Seeded db.etree.org July 2005 Notes: d1t01 fades in not much missing d2t06 30 second dropout of R channel - was fixed by copying L channel 1st 11 minutes had wide fluctuations in volume. I did my best to even them out. Excellent sounding digital soundboard recording. No other digital glitches noted. md5 verifies flac files.
10/30/98 Yoshi's FLAC16>WAV 3 A unknown Aud *with Steve Kimock*
08/24/01 Garden Theatre - Villa Montalvo SHN>WAV 2 A Source: FOB Schoeps CMC5MK4 > Lunatec V2 > Tascam DA-P1, ORTF 7th row left of center... CDR>EAC>SHN conversion via Exact Audio Copy & MKWact
04/29/05 McDowell Mountain Music Festival FLAC16>WAV 2 A SBD
08/24/05 South Shore Music Circus FLAC16>WAV 2 A Source: sony stereo mic > sony d8

Bruce Hornsby & Steve Kimock --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
10/31/98 Yoshi's FLAC16>WAV 2 A sbd
08/24/01 Garden Theatre at Montalvo FLAC16>WAV 2 A Source: Schoeps CMC5MK4
08/24/01 Garden Theatre at Montalvo AUDIO 2 A *STEVE KIMOCK & BRUCE HORNSBY* SOURCE: SCHOEPS CMC5/MK4

David Bromberg --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
02/12/07 Bennett Studios audio 2 A Source: WFUV Simulcast > Jerry Moore > CD

David Grisman Quintet --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
08/06/95 Fox Theatre FLAC>WAV 2 A+ SBD A+ sound
10/26/97 Spirit of Suwannee Music Park FLAC>WAV 1 A Source: SBD (Main XLR's) > sony SBM-1 > via optical > Sony 59ES Transfer: Sony 59ES > M-Audio USB Pro > wavelab > cd wave > flac
04/15/00 Orpheum Theater FLAC>WAV 1 A sbd

David Nelson & Friends --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
06/01/07 Mexicali Blues DVD-9 1 A+ Source: SBD + Neumann KM 184(sound)MaTriX_Pro-shot DVD

David Nelson Band --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
05/31/07 Mexicali Blues FLAC>WAV 1 A SBD > Tascam DA-P1 > Tascam DA-20 mkII > hhB cdr850 > EAC > Flac

Del McCoury Band --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
08/13/00 Grand Targhee Bluegrass Festival FLAC16>WAV 1 A Source: DSBD > XLR > Tascam DA-P1 DAT Master Recorded by Sean Hawkins Transfer: Casio DA-7 > Tascam CD-RW 700 (pass through -4) > M-Audio 24/96 > @ 24 Bit to Wavelab > to 16 bit CD WAVE > FLAC

Derek Trucks Band --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
12/31/01 Henry J Kaiser SHN>WAV 2 A Source: DSBD> SHN (no other source info)

Doc Watson & David Grisman --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
10/10/97 Catawba Valley Arts & Science Center FLAC>WAV 3 A Source: Digital Aud. (1) Sennheiser K30 + (2) Sennheiser ME 40’s > Sony D-3 DAT Transfer: Casio DA-7 DAT > pass through Tascam CD-RW700 (-5db) > Audiophile 2496 > @ 24 Bit to WaveLab > 16 Bit > CD Wave Editor > EAC > Flac

Elvis Costello --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
09/30/07 Arena At Harbor Yard audio 1 a Unknown AUDience

Everyone Orchestra --- Approximate Hours: 6.25
Show Date Venue Media Type Media Count Sound Quality Notes
09/16/04 12 Galaxies FLAC>WAV 1 A Source: (Stage) Schoeps CMC6/MK4 -> Apogee MiniMe (24bit/48k) -> RME Hammerfall Digiface ->Sharp MV-10 -> Samplitude v7.02 Professional -> FLAC
09/19/04 Earthdance Festival FLAC/AUDIO 1 A Source: (Stage) Schoeps CMC6/MK4 -> Apogee MiniMe (24bit/48k) -> RME Hammerfall Digiface ->Sharp MV-10 -> Samplitude v7.02 Professional -> FLAC Lineage: Dithered to 16bit/44.1k with Samplitude Taped & Transferred by: Charlie Miller
07/23/05 Soo Pass Ranch FLAC>WAV 2 A
01/08/08 Jam Cruise 6 - Pool Deck FLAC/AUDIO 1 A Source: Schoeps mk4/cmc6 -> Sound Devices 722 -> Wavelab 4.0 (dither UV22 HR) -> cdwav -> FLAC Frontend Transfer: SD722 -> pc -> Wavelab 4.0 -> cdwav -> FLAC Frontend

Garcia --- Approximate Hours: 410
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/39 The Garcia Discs FLAC>WAV 8 A The Garcia Discs 99% SBD
06/11/62 Jewish Community Center SHN>WAV 1 A- Sleepy Hollow Hog Stompers: Master Audience (?) Reel (Scotch 150) > playback on Technics RS 1520 @ 7-1/2 ips no dolby > first gen reel (Scotch 207 recorded via Otari MX5050 @ 7-1/2 ips no dolby) > playback on Technics RS1506 > Tascam DA-40 DAT > Tascam CD-RW700 master CD > CDs > HP 9350i extraction using EAC > .shn encoding using mkwACT.
12/16/68 The Matrix WAVaudio 0 A Hartbeats; SBD, no other info; d2t2 was corrupt at first, fixed later (phlash); d2t1 has skips and jumps (could not be fixed after rerip by seeder)
10/28/69 2400 Fulton Street - Jefferson Airplane House SHN>WAV 1 A Source: SBD > MR > Cass > DAT > CDR > WAV > CDR; via EAC/trade from Morgan Evans > EAC > CDWAV > SHN; via Rick Lepley Notes: Great disc! The sound quality is exceptional IMO, it almost sounds like it was recorded in a studio setup. The lineup is reportedly the following: Jerry Garcia - Guitar Jorma Kaukonen - Guitar Jack Cassady - Bass Mickey Hart - Percussion Spencer Dryden - Percussion Known Flaws: A high pitched tone which was present on my CDR copy at roughly 0:12 - 0:23 of track 01 was edited out using EAC's wave editing function. A 1-second pause at about 14:19-14:20 on the master dt06 was edited out also using EAC. Much thanks to Morgan Evans for putting this gem into my hands! Uploaded and distributed by Andy Lepley These shn files are seekable in your shnamp. Please forward any information/corrections to lepleyr@hotmail.com - Thanks!
12/27/70 KPPC Studios SHN>WAV 1 A "Sunday Quartet" (Garcia, Weir, Nelson, Dawson): pre-FM master reels > cassette > digital. See info text for extensive notes.
01/19/72 Lion's Share SHN>WAV 1 A- Garcia & Saunders: sdb> reel master> cassette> dat> cdr; seeded by mike lai, tracked by dan metz; [md5]
01/26/72 Symphony Hall SHN>WAV 2 A+ disc 1 chewed up by puppy...darn it
02/06/72 Pacific High Recording Studio SHN>WAV 1 A Garcia & Saunders: Source: FM > ? > dat > da-20 playback > rme 96/8 pst > cd wave > mkw (shn). Transfer by Tim Rossi. Source information updated 11/5/2004, had been listed as pre-FM.
06/30/72 Keystone Korner SHN/AUDIO 1 A Garcia & Saunders: MSR? > ? > mono reel > TEAC X-2000R playback > possible Nakamichi NR-200 Dolby Decoding (if the reel was a Dolby B reel) > Tascam DA-40 DAT > Tascam CDRW-700 CD > Tascam CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).
01/24/73 Boarding House SHN>WAV 1
01/24/73 Boarding House SHN>WAV 1
06/06/73 Capitol Theater FLAC>WAV 2
07/05/73 Lion's Share FLAC16>WAV 1 A- Garcia & Saunders: MSR > DAT4x > Delta DIO 2496 > Soundforge > WAV > CD Wave Editor > FLAC.
10/02/73 Winterland Arena FLAC16>WAV 1 A- JGMS: MSR > DAT4x > Delta DIO 2496 > Soundforge > WAV > CD Wave Editor > FLAC
03/08/74 Unknown FLAC>WAV 1 A Grisman, Greene, Garcia, Thompson, Wolfe: partial rehearsal, M(?)SC > Sonic > CD > EAC > FLAC, via David Gans (2006 KPFA GD Marathon).
03/09/74 Keystone FLAC>WAV 1 A Garcia & Saunders: MSR > DAT3x > Delta DIO 2496 > Soundforge > WAV > CD Wave Editor > FLAC.((((((((GEMS)))))))
06/13/74 Keystone SHN>WAV 1 A Great American String Band: MS? > ? > CD > EAC > SHN.
09/02/74 Marx Meadow (Golden Gate Park) FLAC>WAV 1 A- Garcia & Saunders, complete: MSR > PCM > DAT > CDR > eac (secure mode/align on sector boundaries checked/no extraction errors) > flac frontend(level 6).
10/31/74 Memorial Gymnasium (University of San Francisco) SHN>WAV 2 A Garcia & Saunders: MSR > R > C > DAT > WAV > SHN, C > SHN Conversion by Cousinit
11/28/74 Great American Music Hall SHN>WAV 3 A
02/14/75 The Generosity FLAC>WAV 2 A
04/09/75 Bottom Line FLAC16>WAV 1 A+ Legion Of Mary early show; SBD/AUD matrix of 2 previously circulating sources: SBD - (shnid=30942) and AUD - (shnid=14606); edited, mixed and converted by Chris Chappell (Sick Bits vol. 19)
05/21/75 Keystone SHN>WAV 2 A+ SBD>15 ips reel>15ips reel> DAT> Sony R500> Genesis Digital Lens> Fostex CR200> CD> WAV(EAC)> SHN
07/04/75 Great American Music Hall SHN>WAV 1 Legion of Mary: SBD > Vault Reel > 1C?(*see note below) > DAT > CD-R > EAC *** This version includes the missing 2 songs not include with the previously circulating copy
07/04/75 Great American Music Hall SHN>WAV 1 Legion of Mary: SBD > Vault Reel > 1C?(*see note below) > DAT > CD-R > EAC *** This version includes the missing 2 songs not include with the previously circulating copy
07/04/75 Great American Music Hall FLAC16>WAV 1 A Legion of Mary: SBD > Vault Reel > 1C?(*see note below) > DAT > CD-R > EAC *** This version includes the missing 2 songs not include with the previously circulating copy
09/20/75 River City SHN>WAV 2 A-
10/12/75 Keystone SHN>WAV 2 A Jerry Garcia Band: AUDMC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 >CD > EAC > CD > EAC > SHN via Jack Warner
10/23/75 Palace Theater SHN>WAV 2 A
10/24/75 Orpheum Theatre SHN>WAV 1 A- JGB, early show: probable MSC (TDK SD90) > 20-bit transfer via TC2000 > SBM2 CD dump > CD clone > extraction (EAC v0.95 beta 4) > FLAC encoding (FLAC Frontend v1.7.1 etree addition) > decode > tracking (CD Wave) > pitching and patching (see notes) > shn > decode (TLH v1.0.0 Beta-1 Build 72) > sector boundary alignment (shntool v2.0.3) > level 8 FLAC encoding (TLH v1.0.0 Beta-1 Build 72). Source CDs from David Gans, editing by BCP.
10/31/75 The Tower Theatre FLAC16>WAV 1 A- Source: A(big)cardboard box :Aud->?-> Maxell XL290(no Dolby)->Nak CR3A->HP computer->Sound Forge->CD Wave-> Flac
11/08/75 Keystone SHN>WAV 2 A- II only MA?
11/22/75 St. Paul Civic Center SHN>WAV 1 A- 1st partial set AUDMC
11/29/75 Keystone SHN>WAV 2 A- MAC
12/19/75 Winterland Arena FLAC>WAV 1 A- Source: A(big)cardboard box.:SBD> Rm Nagra 1/2 Trac (7 1/2ips)>Reel Otari 1/2 Trac (7 1/2ips)>BX300 Nak‘no dolby’(MaxellXLIIS90,cassette)>CR3A Nak‘no dolby’> Hp Compute>Sound Forge> CD Wave> Flac8r
12/19/75 Winterland Arena FLAC/AUDIO 1 A JGB: sirmick matrix of MSR>R>C>CD source and Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 MAC>D>CD source. MaTriX
12/20/75 Winterland Arena FLAC/AUDIO 1 A JGB, flac16 MOTB Release: 0060 16/44.1; Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = Maxell UDXL C90; Analog Lineage: 2 x Sony ECM-270 => Sony TC-152 >> MAC; Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. Taped By: Bob Menke and Louis Falanga. Transfer By: B. Menke. Mastering By: J. Wadell.
12/31/75 Keystone SHN>WAV 2 A+
01/10/76 Sophie's SHN>WAV 2 A-
02/14/76 Keystone SHN>WAV 2 A
02/21/76 La Paloma Theater FLAC>WAV 2 A Source: SBD > MR > C > DAT > WAV > FLAC. Transfer: Sony PCM-R500 > Audiophile 2496 > Wavelab 5.0 (recorded as 24/48 KHz WAV) Mastering: Wavelab (X-Noise and L3 Multimaximizer rendered to 16/44.1 using hi-res CD settings) > CDWAV 1.9 (tracking and FLAC'ing, level 5). Transfer, mastering and encoding by C.Ladner, 2/2006.
02/22/76 La Paloma Theater SHN>WAV 2 A-
02/22/76 La Paloma Theater SHN>WAV 1 A- Jerry Garcia Band: Early Show: MAC > 2C > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > cleaning using Sound Forge Studio 6.0 > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 b)
02/28/76 Crabshaw Corner SHN>WAV 2 A Jerry Garcia Band: MAC (unknown mics, unknown deck) > Reel > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
02/28/76 Crabshaw Corner SHN>WAV 3 A MAC(unknown mics, deck)>Reel>CD>EAC>SHN
03/06/76 Moore's Egyptian Theater FLAC>WAV 2 A-
04/03/76 Lisner Auditorium (George Washington University) FLAC>WAV 1 A- late show, xxxSugareexxx(missing)
07/09/76 Keystone SHN>WAV 1 A+ IIOnly;MSR>1R>P>DAT>CDR>WAV>SHN3
08/16/76 Keystone SHN>WAV 2 A- SBD>MasterReel>CDr
09/10/76 Keystone SHN>WAV 2 A-
09/18/76 Ben Light Gymnasium, Ithaca College SHN>WAV 2 A crisp FoB(unknownSonyStereoMics)
09/20/76 Astor Theater SHN>WAV 3 A MAC(shure mics)
02/05/77 Campbell Hall SHN>WAV 1 A- Jerry Garcia Band, Early and Late Shows: MSR > ? > Cx > CDR > WAV > SHN.
07/23/77 Keystone Palo Alto FLAC>WAV 2 A+ Jerry Garcia Band: SBD -> Cassette Master -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC (2 Discs Audio / 2 Disc FLAC). Transferred and Edited By Charlie Miller.
12/02/77 Orpheum Theater SHN>WAV 2 A Sony ECM 99a>Sony152> MAC
12/08/77 Palace Theatre SHN>WAV 3 A+
12/08/77 Palace Theatre SHN>WAV 3 A+
12/11/77 Rec Hall, Penn State U SHN>WAV 3 A
03/11/78 Leroy Theater SHN>WAV 2 A MAC
03/17/78 Capitol Theater SHN>WAV 1 A MasterFMReel
03/18/78 Warner Theater SHN>WAV 1 A Early Show SBD(preFM RTR)
03/18/78 Warner Theater SHN>WAV 2 A late show
03/22/78 Veteran's Hall SHN>WAV 1 A Source: SBD > CM(x) > CDR > WAV > SHN.
07/08/79 Keystone Palo Alto FLAC>WAV 1 A SBD>MR>2PCM>DAT>CD
07/08/79 Keystone Palo Alto SHN/AUDIO 1 A Reconstruction: Master Soundboard Reels (7" @ 7.5ips) > 2 PCM > DAT > CD; from the Jerry Site's "Release One"; via imgoinmad@home.com
11/18/79 Keystone SHN>WAV 2 A AUD(SonyECM99)
02/02/80 The Stone SHN>WAV 2 A UnknownAUD SHN
02/15/80 Orpheum Theater FLAC16>WAV 2 A Jerry Garcia Band, Early Show: MAC > DAT > WAV > FLAC16. Mics/taper most likely Nak 700s w/ D-5 Recorder by Steve Rolfe
02/17/80 Laker Hall (SUNY) SHN>WAV 2 A AUD Nak300s(taped by K.Gatto)
02/23/80 The Tower Theatre SHN>WAV 2 A Jerry Garcia Band: Early & Late Shows: MAC > DAT > CD, taper and rig unknown
02/26/80 Ocean State Theater SHN>WAV 2 A MAD_NAK700s SteveRolfeMaster(FrontRowBalcony)
02/29/80 Calderone Theatre SHN>WAV 1 A- EarlyShow;MAC(AKG222s)
03/08/80 The Stone SHN>WAV 2 A SBD/AUD matrix mix
03/08/80 The Stone SHN>AUDIO 1 A Jerry Garcia Band: Possibly a SBD-AUD matrix mix, but uncertain (could be FOB). AUD (DAT: MAC>D). De-noised in CoolEdit 96 > CDWav. Some digi-noise in d2t1; mastered by Evan Levy from Mike Lai seed
07/24/80 Bushnell Auditorium SHN>WAV 2 A- Sony ECM280 MAD Jim Wise Maste
07/26/80 Convention Hall SHN>WAV 1 A MAC(Nak300s)
07/27/80 Palace Theatre SHN>WAV 2 A- MAC>DAT>CDR>WAV>SHNv3
11/16/80 Warfield Theater FLAC16>WAV 1 A Bob Dylan with Jerry Garcia; SBD>?>Bootleg CD>CDR>SHN
11/16/80 Warfield Theater FLAC16>WAV 1 A Bob Dylan with Jerry Garcia; SBD>?>Bootleg CD>CDR>SHN
02/07/81 Orpheum Theater SHN>AUDIO 1 A JGB, early & late shows: John Levene's Nak 300 > Marantz CD330 (center balcony row 1 "DFC") > Maxell XLII C-90 MAC; Transfer: Yamaha K-1020 > Sony SBM-1 > Nomad JB3 > Creative Play Center (copying) > Soundforge v6e (prep) > CDWav (tracking, level 8 compression).
02/10/81 Bushnell Auditorium SHN>WAV 2 A Source: MAC(Senn 421's>Sony D-5 >D>CDR>WAV>SHN. Taper: Jim Wise. SHN encoding and FTP via C.Ladner/candyman FTP.
02/11/81 The Palladium SHN>WAV 3 A Source: MAC(Beyer M 160?s, center loge on stand > D5)>D>CDR>WAV>SHN. Taper: Jim Wise. SHN encoding and FTP via C.Ladner/candyman FTP.
02/14/81 Calderone Theatre SHN>WAV 1 A- Jerry Garcai Band: Recorded Sony D5 Sennheiser 421 mikes from balconey front row
03/28/81 Unknown Hotel Room SHN>WAV 1 A- Jerry Garcia Conversation/Interview with Ayatolla H?bsch: master cassette > Sound Forge de-noising > ? > SHN.
07/10/81 Raddison Hotel, Room 1503 SHN>WAV 2 A GARCIA INTERVIEW '81 HILTON
07/26/81 Keystone AUDIO 2 A SOURCE: JGB: MSC > DAT > CD > FLAC...From the Jjoops Tupperware of Treasures;Restored by Jamie Waddell on the GEMS Edit Station; A GEMS Production-Lossless Legs
08/20/81 Keystone SHN>WAV 2 A MAC>CD>EAC>SHN
08/20/81 Keystone SHN>WAV 2 A MAC>CD>EAC>SHN
09/18/81 Keystone SHN>WAV 2 A Jerry Garcia Band: MAC > DAT > CD > EAC > SHN. Taped by Jim Wise. Recorded upstairs, stereo mic > Sony TC-D5 set on floor.
11/03/81 Painter's Mill FLAC>WAV 1 A Set II only: MSC
12/07/81 Club Front FLAC>WAV 2 A JGB, Rehearsals: Source: MSC>C1>CD>WAV>FLAC
01/11/82 Old Waldorf SHNv3>WAV 1 A Jerry Garcia Band: MSC>DAT >CDR>WAV>SHNv3. Multiple track cuts - see info file for details.
04/10/82 Capitol Theatre (Early Show) SHN>WAV 1 A+ JerryGarciaSolo@coustic; SBD>?>DAT>CDR>WAV>SHNv3 via Patrick Murphy
04/10/82 Capitol Theatre (Early Show) SHN>WAV 1 A Patrick Murphy Early SBD
04/21/82 Beacon Theatre SHN>WAV 2 A MSC Late Show Garcia/Kahn
04/21/82 Beacon Theatre SHN>WAV 2 A Garcia/Kahn: Early Show MAC
05/05/82 Oregon State Prison SHN>WAV 1 A Garcia/Kahn OregonStatePen
05/05/82 Oregon State Prison SHN>WAV 1 A Garcia & Kahn: "SBD> dat> cd> wav> shn", too early for a master DAT. Supposedly lacks the overload distortion characteristic of most circulating copies of this show.
06/04/82 Neighbors Of Woodcraft SHN/AUDIO 1 A Source: SBD>CM>DAT>CDR>WAV>SHNv3. Minor flaws - see info file.
06/16/82 Music Mountain SHN>WAV 2 A MAC(Sennheiser421s>Nak550
06/18/82 Cape Cod Coliseum SHN>WAV 2 A JGB: MSC>DAT>CD SHN
08/23/82 Kabuki Theater SHN>WAV 2 A Garcia/Kahn Early&Late FOBnak700s
10/13/82 The Catalyst SHN>WAV 2 A
11/07/82 The Tower Theatre SHN>WAV 2 B+ Source: AUD(mics&taper unknown)>?>CDR>WAV>SHN.
11/09/82 E.M. Loew Center for the Performing Arts SHN>WAV 3 A Jerry Garcia Band: Early and Late shows: MAC (Taped by Steve Rolfe, front row balcony w/Nak 700s > Sony TC-D5) > DAT > CD > WAV > SHN. Extracted, shn'd and posted to abgd by weatherbee.
11/09/82 E.M. Loew Center for the Performing Arts AUDIO 2 A sSOURCE:JGB, early & late: John Levene's Senn 421 > Sony TCM-D5 MAC; Transfer: Yamaha K-1020 > Sony SBM-1 > Nomad JB3 > firewire > SF v6 > Cdwave Soundforge used to prepare wave file for tracking and resample to 44.1k CDwave used to track and flac @ compression
11/11/82 Felt Forum (Madison Square Garden) FLAC>WAV 1 A- JGB, Early & Late Shows: Jim Wise MAC (Early Show: Beyer M160s w/ Senn 421 blend at SB [Maxell XLIIS] > Uher cassette deck; Late Show: Senn 421s at SB > Uher cassette deck [Maxell XLIIS]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC, transfer by David Minches.
03/11/83 Arlington Theater SHN>WAV 2 A Source: SBD>MC>?>CDR>WAV>SHN
05/20/83 Rainbow Theater SHN>WAV 1 early
05/20/83 Rainbow Theater SHN>WAV 1 A Early; MAC>(Sennheiser K-403>D5)>CD SHN
05/20/83 Rainbow Theater SHN>WAV 2 A Late Show: MAC
05/29/83 Bushnell Auditorium SHN>WAV 2 A MAC sennheiser 421s @SBD
05/29/83 Bushnell Auditorium SHN>WAV 2 A Jerry Garcia Band: MAC (Taped by Jim Vita, Sennheiser 421s [at the board] > Sony TCD-5M) > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkw
05/31/83 Roseland Ballroom SHN>WAV 2 A- MAC; FOB Nak 700's
06/01/83 Roseland Ballroom SHN>WAV 2 A Jerry Garcia Band: MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > master played back on Nak Dragon > ART DI/O > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkw
09/30/83 The Country Club FLAC>WAV 2 A Jerry Garcia Band: MAC (unknown details) > 1 cassette > VHS HiFi > Sony SLV626 playback > Harman Kardon CDR2 master CD > 1 CD > EAC > FLAC. VHS > CD transfer by vertiklman.
11/25/83 Cleveland Music Hall SHN>WAV 2 A+ funky '83 MSCsbdSHN
11/25/83 Cleveland Music Hall FLAC16>WAV 2 A+ Jerry Garcia Band: MAC (FOB, unknown taper & gear) > 2 cassette gens > Sony TC-WE475 playback > Sony R500 (Pass Through) > SEK'D Prodif Plus > Samplitude Professional v8.01 -> FLAC/16. Transferred and edited by Charlie Miller. *Best Source IMHO FWIW*
11/25/83 Cleveland Music Hall FLAC>WAV 2 A+ JGB: Matrix (SBD/AUD mix). See info file for details.
11/26/83 Forum Theater SHN>WAV 1 A SBDcomplete
11/27/83 Constitution Hall SHN>WAV 2 A JGB: MSC
01/16/84 Silva Hall, Hult Center SHN>WAV 2 A MAC(sennheiserMD441's)
03/04/84 The Stone FLAC16>WAV 1 A- JGB: SBD > Cm > Dat > Panasonic SV-3700 > Audiophile 2496 > WaveLab > iZotope Ozone > CDWav > Flac
08/10/84 Rocky Glen Amusement Park SHN>WAV 2 A Jerry Garcia Band: Taper: Bill Reutelhuber; Recording Info: (FOB) Nakamichi CM300/CP4 -> Cassette Master (Sony D5/Maxell Metal Tape) Transfer Info: Cassette Master (Nakamichi Deck/Azimuth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k). Process Info: Processed through Nuendo using Waves Q10 and Waves L2 and rendered down to a 16 bit wave file. Recorded and Transfered BY Bill Reutelhuber Tracked and SHN'd By Charlie Miller.
08/11/84 Caldwell College SHN>WAV 2 A Jerry Garcia Band: Recording Info: (FOB) Nakamichi CM300/CP4 -> Cassette Master (Sony D5/Maxell Metal Tape); Transfer Info: Cassette Master (Nakamichi Deck/Azimuth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k); Process Info: Processed through Nuendo using Waves Q10, C4 and L2 and rendered down to a 16 bit wave file; Notes: Tracked and Edited With Samplitude 7.02 Professional; Recorded and Transfered BY Bill Reutelhuber Tracked and SHN'd By Charlie Miller.
08/15/84 Orange County Community College SHN>WAV 2 A Jerry Garcia Band. Final JGB "That's Alright Mama"
11/26/84 Bushnell Aud., Bushnell U. SHN>WAV 1 A JG/JK SBD
11/26/84 Bushnell Aud., Bushnell U. SHN>WAV 2 A-
11/27/84 Auditorium Theater SHN>WAV 2 A JG/JKahn: MAC(mics &taper unknown)>DAT>CD>WAV>SHN
11/27/84 Auditorium Theater 2 2 A- MAC
12/06/84 Starry Night SHN>WAV 2 A Jerry Garcia Band: SBD > CMx > CDR > WAV > SHN. Tangled Up in Blue missing. Midnight Moonlight is truncated
10/13/85 The Stone SHN>WAV 1 A Source: MAC(Nak700s>Sony TCD5M)>CDR>WAV>SHNv3. Taper: John Corley.
10/04/86 The Stone SHN>WAV 1 A Jerry Garcia Band: MAC (Taped by John Corley, Nak 700s ["Silly Hat", FOB] > Sony TC-D5M) > CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).
10/31/86 Henry J. Kaiser Convention Center SHN>WAV 1 A Jerry Garcia Band: Recording Info: (FOB) Beyer M88 -> Cassette Master (Sony TCD5M); Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital ADC8X96 -> Nuendo (24bit/44.1k) -> Samplitude v7.02 Professional -> SHN (1 Disc Audio / 1 Disc SHN); Recorded and Transferred By Bill Reutelhuber; Tracked and Edited By Charlie Miller 2/19/04
12/21/86 The Stone audio 1
08/30/87 Greek Theater FLAC>WAV 2 A FOB AUD PCM
10/17/87 Lunt-Fontanne Theatre SHN>WAV 2 A Jerry Garcia Band: Acoustic and Electric: Late Show: SBD>C>C>Cool Edit>EAC>SHN XX_MissingLast3SongsXX
10/28/87 Lunt-Fontanne Theatre FLAC>WAV 1 A- JGB, early show, electric set: B. Koucky's MAC (Orchestra Nakamichi 300s > D5) > D5 (C1) > C1 playback on Nakamichi DR2 > Presonus Firebox > firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8). Transfer/mastering by C.Ladner.
11/27/87 Warfield Theatre SHN>WAV 1 A- Source: AUD(mic's and taper unknown)>?>C>DAT>WAV>SHN
11/28/87 Warfield Theatre SHN>WAV 1 A- JGABand: 1st Set
11/29/87 Warfield Theatre SHN>WAV 1 A- Jerry Garcia Acoustic Band. Source: AUD(unknown mics and taper)>?>C>DAT>WAV>SHN. Cassette>DAT via J.Powell. DAT>SHN via C.Ladner.
12/04/87 Wiltern Theater FLAC16>WAV 1 A JGAB & JGB: SBD > PCM > DAT > WAV > SLOTH DAW > FLAC16
12/06/87 Wiltern Theater SHN>WAV 2 A
04/26/88 Marin Veterans' Memorial Auditorium 0
04/26/88 Marin Veterans' Memorial Auditorium audio 1 A
04/26/88 Marin Veterans' Memorial Auditorium audio 1 A Garcia, Kahn, Nelson & Rothman: John Corley AUD (likely Nak700) > ? > CD > Wavelab6.0 Edited and Mastered by Jamie Waddell on the GEMS Edit Station Trac'ed Cdwave,Flac'ed Flac Frontend Level 8.
07/10/88 Greek Theater SHN>WAV 2 A+ MAC; FOB Nakamichi700/CP701
10/31/88 Henry J. Kaiser Convention Center SHN>WAV 2 A Jerry Garcia Band: Recording Info: (FOB/Hat) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx 221e type II Encoder -> Cassette Master (Sony TCD5m/Maxell XLIIS); Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> dbx 224x Decoder -> Mytek Digital ADC8X96 -> Nuendo (24bit/44.1k) -> SHN (2 Discs Audio / 1 Disc SHN); Process Info: 1) Processed to a 16 bit file with waves Q10 and L2 2) Tracked and Normailized with Samplitude v7.02 Professional; Recorded, Transfered and Process #1 By Bill Reutelhuber; Process #2 By Charlie Miller 1/6/04
11/26/88 Wiltern Theater SHN>WAV 2 A MSC>DAT>CDR>WAV>SHNv3
05/20/89 Open Air Theater (San Diego State) SHN>WAV 1 A Jerry Garcia Band: SBD -> Dat -> Cm -> SBM2 -> Sonic Solutions -> CD -> EAC -> SHN Last 3 Songs Patched w/ Nakamichi 300/CP1 -> Cm -> CD -> Samplitude v7.02 Pro -> SHN (2 Discs Audio / 1 Disc SHN)
06/10/89 French's Camp on the Eel River SHN>WAV 2 A- MAD (Schoeps CMC3-MK4) > playback > CD-R > SHN
09/02/89 Merriweather Post Pavilion FLAC>WAV 2 A+ from the Jerry Site's "Release One"; via imgoinmad@home.com
09/03/89 The Spectrum FLAC>WAV 2 A FOB(SchoepsCMC34)
10/31/89 Concord Pavilion FLAC16>WAV 1 A Jerry Garcia Band: Jay Ashley remaster of earlier source.
05/12/90 Waikiki Shell AUDIO 2 A- Source:JGB: Recorded by Trip: FOB 2 Neumann km 86 mics (no mic preamp used) > DAT Panasonic sv255; Transfer: Panasonic SV-3700 > Coax S/PDIF > M-Audio 410 (2 v1 dr1.8.2 2006-2 > FireWire400 > PowerMac G5 > Soundtrack Pro v1.0.3 (transfer by Thrak). Edited and Mastered By Jamie Waddell on the GEMS Edit Station *A GEMS Production*
05/12/90 Waikiki Shell SHN/AUDIO 1 A Source: JGB: Recorded by Trip: FOB 2 Neumann km 86 mics (no mic preamp used) > DAT Panasonic sv255; Transfer: Panasonic SV-3700 > Coax S/PDIF > M-Audio 410 (2 v1 dr1.8.2 2006-2 > FireWire400 > PowerMac G5 > Soundtrack Pro v1.0.3 (transfer by Thrak). Edited and Mastered By Jamie Waddell on the GEMS Edit Station.
05/20/90 Auditorium FLAC>WAV 1 A JGB: FOB 2 Neumann km 86 mics (no mic preamp used) > Panasonic sv255 DAT master; Transfer: Panasonic SV-3700 > Coax S/PDIF > M-Audio 410 (2 v1 dr1.8.2 2006-2 > FireWire400 > PowerMac G5 > Soundtrack Pro v1.0.3. Edited and Mastered By Jamie Waddell on the GEMS Edit Station Tracked: Cdwave Flac'd Level 8 TLH.
08/05/90 Greek Theatre @ University of California FLAC>WAV 2 A
12/17/90 The Sweetwater FLAC>WAV 2 A Garcia & Grisman. AUD:D > DAT > CD
03/01/91 Warfield Theater audio 2 A+ Jerry Garcia Band: FOB->B+K 4011->Neumann PS->Dat->CD >EAC>SHN Dat->CD Done by Charlie Miller.
03/01/91 Warfield Theater SHN>WAV 1 A- Jerry Garcia Band: FOB->B+K 4011->Neumann PS->Dat->CD >EAC>SHN Dat->CD Done by Charlie Miller.
04/20/91 Warfield Theater SHN>WAV 2 A Jerry Garcia Band: MAD (FOB Schoeps CMC3/MK4) > CDR > WAV > SHNv3. Taper: unknown at the time of circulation. Thanks to H.Angus for the CDR seeds. SHN encoding / FTP'ing via C.Ladner / candyman FTP.
08/10/91 French's Camp On The Eel River SHN>WAV 2 A- Jerry Garcia Band: Source: AUD(mic's unknown)>DAT>CDR>WAV>SHN. Taper: unknown at this time. Thanks to H. Angus for the CDR seeds. DAE(EAC 0.9 beta 4, offset corrected, high/secure) > editing (soundforge 5) > boundary check (shntool) > SHN (shorten 3.4) >
08/24/91 Goldcoast Concert Bowl SHN>WAV 2 A+ Jerry Garcia Band: DSBD>CDR; flaws: short do at 6:02 in d1t02 (also on the master).
11/12/91 The Spectrum DVD-R 1 A+ dvd-r(mpeg)
11/12/91 The Spectrum SHNv3>WAV 2 A FOB
11/12/91 The Spectrum SHN>WAV 2 A+
11/15/91 Madison Square Garden SHNv3>WAV 2 A- Source: FOB(Schoeps)>DAT>CDR>WAV>SHNv3. Taper Unknown.
12/08/91 Warfield Theater SHN/AUDIO 1 A Source: Garcia & Grisman: John Cutler Soundboard > DAT > ? > CDR/SHN Mastering: NashPhil Edited, boosted/balanced levels, and retracked/burned.
12/09/91 Warfield Theatre SHNv3>WAV 1 A Garcia & Grisman: MAD (rig, location, and taper uncertain) > DATs > Sony PCM-2600 > Egosys 2496 Waveterminal to HD > initial editing/tracking using Cool Edit 2000 > CDx1 > EAC > re-tracking using CD Wave > SHN using mkwACT.
04/30/92 Warfield Theater SHN>WAV 2 A+ JGB4/30/92 DANK FOB Schoeps CMC34's
05/02/92 Warfield Theater FLAC>WAV 2 A+ braverman
05/08/92 Warfield Theater SHN>WAV 1 A Garcia & Grisman: MAD (unknown taper, location, gear) > unknown DAT gens > unknown CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1).
05/10/92 Warfield Theater SHN>WAV 2 A
05/??/92 Warfield Theater FLAC>WAV 1 Garcia Comp5_5/7>11/92 Warfield mix
07/29/92 Universal Amphitheater audio 2
07/29/92 Universal Amphitheater FLAC>WAV 2 A DAUD Beyer201s
08/01/92 Irvine Meadows Amphitheater SHN>WAV 2 A+ Source: The primary source used for this set of SHN's is FOB(Nak700)>SonyD3>DAT>CDR>WAV>SHNv3. Cats Under the Stars and the beginning of Mission In The Rain (which are missing from the FOB source) are from a second source with at least one analog generation of spotty indeterminate lineage. Taper is unknown for both sources. SHN encoding/FTP via C.Ladner/candyman FTP. Jerry's 50th BDay!
10/31/92 Oakland-Alameda County Coliseum Arena SHN>WAV 2 A+ SBD:cass>dAT>cdr>shn Halloween92
10/31/92 Oakland-Alameda County Coliseum Arena SHN>WAV 2 A
09/17/93 NPR Studios 0
10/05/93 Warfield Theater SHN>WAV 2 A- Source: Neumann KM 54's>Sony D7>DAT>CDR>WAV>SHN
01/12/94 Warfield Theater SHN>WAV 2 A Garcia & Grisman: MAD (unknown taper, equipment & location) > DATs > playback on Tascam DA-30 > HHB-800 master CD > 2CD > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT
01/13/94 Warfield Theater SHN>WAV 2 A
02/06/94 Warfield Theater SHN>WAV 2 A Jerry Garcia Band: MAC (Taped by Chuck & Janet Vasseur, Neumann mics [vintage 1957, tube electronics]) > CDR > EAC (Secure mode) > shn (MKWACT). EAC'ed/SHN'ed and seeded to fungus and abgd by Charlie Connor
04/27/94 Warfield Theater 0
05/18/94 Starlight Bowl FLAC>WAV 2 A MAD(NeumannKM140>SV255>D>CDR>EAC>WAV>FLAC)
09/01/94 Warfield Theatre SHN>WAV 2 A
09/02/94 Warfield Theater 0 A
09/10/94 Reno Hilton Ampitheater SHN>WAV 2 A- 2nd public performance of "Johnny2Bad"
11/11/94 Henry J. Kaiser Convention Center SHN>WAV 2 A
01/14/95 Warfield Theater SHN>WAV 2 30minute"ShiningStar"
01/14/95 Warfield Theater SHN>WAV 2 A Source: MAD(vintage Neumann/KM54>DAT)>DAT>CDR>WAV>SHN. Taper: Chuck and Janet Vasseur. This is an upgrade over the other circulating unlineaged source for this date.
03/05/95 Warfield Theater FLAC16>WAV 1 A JGB: Michael B.'s MAD (Sonics [floor, center] > DTR80P > WAV > Cool Edit Pro > CDWAV > FLAC, via Teddy Goodbear.
04/21/95 Warfield Theater SHN>WAV 2 A-
04/23/95 Warfield Theater SHN>WAV 2 A- final JGB show :~(
07/24/05 Garcia Compilation Volume 5 SHN>WAV 1 A+ 5/xx/92 Warfield SF,CA
07/26/05 Garcia Compilation Volume 7 FLAC>WAV 1 A comp7
07/26/05 Garcia Compilation Volume 7 FLAC>WAV 1
07/31/05 Garcia Compilation Volume 8 FLAC>WAV 1 A
07/31/05 Garcia Compilation Volume 8 FLAC>WAV 1 A
??/??/05 Jerry Does Dylan Compilation AUDIO 3 A+ Source: Many, Many Various Acoustic & Electric Garcia Doin' Dylan on 3 Discs 1 Acoustic 2 El xx/xx/2005 Jerry Does Dylan Comp. Various Jerry/Dylan Compilation

Garcia & Kahn --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
06/30/82 Auditorium Theater FLAC>WAV 1 A- Master Audience Cassette>Cassette>Cassette (2nd Gen); Unknown EquipmentTransfer and FLAC encoding by David Minches:

Garcia & Saunders --- Approximate Hours: 25
Show Date Venue Media Type Media Count Sound Quality Notes
09/24/71 The Lion Share SHN>WAV 2 A Filler 12/20/72 Expressway>Jam> Space> Georgia on My Mind
02/06/72 Pacific High Recording SHN>WAV 2 A+
06/30/72 Keystone Korner SHN>WAV 2 A MSR>DAT>CDR>EAC>SHN
01/15/73 Inn Of The Beginning SHN>WAV 1 A Source: MSR>P>D_Transfer:D>cdr>eac>shn by Katy Miller
01/24/73 Boarding House SHN>WAV 2 A Early Show
01/24/73 The Boarding House SHN>WAV 2 A MSR>PCM>DAT>CD>SHN
05/23/73 The Ash Grove SHN>WAV 1 A Late Show
02/09/74 Rheem Theater SHN>WAV 2 A MSR
08/24/74 Great American Music Hall SHN>WAV 2 A
10/31/74 Memorial Gymnasium SHN>WAV 2 A Source:MSR>R>C>DAT>WAV>SHN
11/10/74 Palace Theatre SHN>WAV 2 A-

Gov't Mule --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
03/11/99 Copper Dragon AUDIO 2 A+ Source:(onstage) AIWA CM-30 STERO MIC/SONY D-3 RECORDER>PLAYBACK ON JVC TD-W505>AIWA XC-RW700 STANDALONE BURNER>EAC>FLAC>ETREE *Master On-Stage Recording First-time to cd- Un-circulated* Warren in the left channel Woody in the right channel Matt in both Obviously some bleed-through; **Woody In Yo' Face**
09/20/01 The Warfield FLAC>WAV 1 A Source : DSBD >CDR>EAC>WAV>Flac Probably EAC copy of this fileset.
06/16/07 Bonnaroo Music Festival AUDIO 3 A SOURCE: DSBD (MULE TRACKS) BONNAROO LATE NIGHT SET 6/17/07 OFFICIAL BONNAROO/GOV'T MULE RELEASE (NOT TRADEABLE) (PURCHASED AT BONNAROO)

Grateful Dead --- Approximate Hours: 1788.75
Show Date Venue Media Type Media Count Sound Quality Notes
02/25/66 Ivar Theater SHN>WAV 1 A- MR> DATx> CD; reportedly this date, plus other '66; may also be listed as '??/??/66'- another shn set of t1-8 material circulates as such
02/25/66 Ivar Theater SHN>WAV 1 A- MR> DATx> CD; reportedly this date, plus other '66; may also be listed as '??/??/66'- another shn set of t1-8 material circulates as such
03/19/66 Carthay Studios FLAC16>WAV 1 A- flac16; SBD > Rm > Reel > Dat > CD > EAC > CDWav > Flac EAC and Tracking by Ihor Slabicky Seed provided by Paul Scotton
03/25/66 Trouper's Hall SHN>WAV 1 A- with 7/3/66; see notes in info file; to abgd, later to etree; listener Daniel Kessler reports several digispots
05/19/66 Avalon Ballroom SHN>WAV 1 A- mr> dat> fm broadcast> cdr> shn; via lestatkatt; Cream Puff War filler
05/19/66 Avalon Ballroom FLAC16>WAV 1 A- flac16; SBD > Reel > DAT > Sonic Solutions > DAT > DAT > CDR > EAC > CD Wave > FLAC
07/01/66 Unknown (perhaps Fillmore Auditorium) SHN>WAV 1 A- Source: MSR>DAT>CDR via Andy Lemieux and Kingbee encoded by Matt Vernon
07/01/66 Unknown (perhaps Fillmore Auditorium) SHN>WAV 1 A- Source: MSR>DAT>CDR via Andy Lemieux and Kingbee encoded by Matt Vernon
07/16/66 Fillmore Auditorium SHN>WAV 1 A- SBD -> Reel Master (10 Inch Reels @ 15ips 1/2trk) -> Dat -> Sonic Solutions -> CD -> EAC -> SHN; Converted To SHN By Charlie Miller
07/17/66 Fillmore Auditorium SHN>WAV 1 A- SBD -> Reel Master (10 Inch Reels @ 15ips 1/2trk) -> Dat -> Sonic Solutions -> CD -> EAc -> SHN; Converted To SHN By Charlie Miller
07/29/66 P.N.E. Garden Auditorium SHN>WAV 1 A- probably MR> C> DAT> CDR> EAC> WAV> SHN; from pre-FM David Gans seed; may circulate with or without DSO filler
07/29/66 P.N.E. Garden Auditorium SHN>WAV 1 A- SBD> MR> ??> CDR; Some confusion over date, see info file; via Raoul Duke; Seeded to etree by Matt Vernon
07/30/66 P.N.E. Garden Auditorium SHN>WAV 1 A- SBD> MR> ??> CDR; Some confusion over date, see info file; via Raoul Duke; Seeded to etree by Matt Vernon
10/07/66 Winterland Arena SHN>WAV 1 A- sbd 3 songs originally part of the SF Nights compilation noted here separately
11/19/66 Fillmore Auditorium SHN>WAV 1 A- flac16; Speed corrected version of liberated bootleg sbd: shn id 41
12/01/66 The Matrix SHN>WAV 1 A- SBD> Rm> Reel> Dat> CD> wav> shnv3; DAE(EAC)> boundary check (SHNTOOL)> SHN (MKWACT)> FTP via neo_levo; with thanks to Charlie Miller
12/01/66 The Matrix SHN>WAV 1 A Source: SBD>MR>RR>C>DAT Transfer: Tascam DA-20 mkII>SB Audigy>SF 6.0>CD Wave>mkwACT>.shn
12/05/66 Studio: 1st album outtakes SHN>WAV 1 A- Source: sbd>mc>cass>cd>eac>shn
??/??/66 Viola Lee Blues Rehearsals SHN>WAV 1 A- January 1966 (?) - Viola Lee rehearsals; 47 minutes from unknown generation cassette played back on Nak CR7E; via Uli Teute and Hanno Bunjes
01/14/67 Polo Field, Golden Gate Park SHN>WAV 1 A- SBD>MR >?>CDR; The great human be-in; via Raoul Duke; Seeded to etree by Matt Vernon
01/27/67 Avalon Ballroom SHN>WAV 1 A- AUD C/? cleaned up & patched, 67:40 total time, via Hanno Bunjes & Uli Teute
03/18/67 Winterland Arena SHN>WAV 1 A- MSR> R> DATs> CDRs> EAC> SHN; via Darrin Sacks
04/08/67 KPIX-TV Studios SHN>WAV 1 A- TV > C/? >CDR; various artists including Dead performance; via Hanno Bunjes, Uli Teute
04/08/67 KPIX-TV Studios SHN>WAV 1 B+ TV > C/? >CDR; various artists including Dead performance; via Hanno Bunjes, Uli Teute
05/05/67 Fillmore Auditorium SHN>WAV 1 A- SBD> unknown analog gens> D; via Ben Yerys
06/18/67 Monterey County Fairgrounds SHN>WAV 1 A- SBD: MR> Cass> DAT> ZA2> CD; exception: Alligator -> Caution has no cassette gen, and may not even be from same show; CD seed via D. Hollister; original to abgd, to etree 6/00
06/18/67 Monterey County Fairgrounds SHN>WAV 1 A- SBD> MR> ? > DAT x 2> Sonic Solutions> cd Note: There seems to be no cassette generation between the MR and DAT, which is present on the previously circulated version of this show. Remastered by ?Mandrake?
08/04/67 O'Keefe Center SHN>WAV 1 A- Includes JA Set; Stereo SBD MR>R>DAT(3)>CDR; via Stu Hanson; Seeded to etree by Greg Hurwitt
08/05/67 O'Keefe Center SHN>WAV 1 A- SBD>MR>R>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon
09/03/67 Dance Hall SHN>WAV 1 A- previous shn set with "original mix Midnight Hour" via Terrapin Station
09/03/67 Dance Hall SHN/AUDIO 1 B+ likely seekable reshn of previous shn set by Bob Clevenger (md5s differ)
10/22/67 Winterland Arena SHN>WAV 1 A- SBDmR> Cass> DAT> Sonic Solutions via D. Gans> CDR; via Ben Yerys
11/11/67 Shrine Exhibition Hall SHN>WAV 1 A MSR> R> R> DAT> CDR> EAC > SHN; via Kirby (Chalupa) Bell, Darrin Sacks; note source updated with extra reel gen, based on info from Rob Bertrando
11/14/67 American Studios SHN>WAV 1 A MSR>C(1)>DAT>WAV>SHN. The circulating versions of these songs are different from the versions on the single and on "What a Long Strange trip It's Been" (which are the same) and therefore are listed separately. The md5's differ from the previous shn set listed.
01/17/68 Carousel Ballroom SHN>WAV 1 A- SBD>MR>C>D>CD; via Raoul Duke; Seeded to etree by Matt Vernon & J. Cotsman
01/20/68 The Eureka Municipal Auditorium FLAC16>WAV 1 B+ SBD>4 Track Master Reels>Dat>Sonic Solutions>CD
01/20/68 The Eureka Municipal Auditorium SHN>WAV 1 A- via Julian (Jools) Elliott SBD w/ 1/27/68 //Spanish Jam
01/22/68 Eagles Auditorium SHN>WAV 1 A- SBDMR > DAT > Sonic Solutions > CD > EAC > Soundforge > SHN; plus patches- see notes in info file; patching and cleanup by Noah Weiner; to abgd via Charlie Connor
02/02/68 Crystal Ballroom SHN>WAV 1 A- No source info; Seeded to etree by Jools;
02/03/68 The Crystal Ballroom SHN>WAV 1 A- SBD:MR>DAT>Sonic Solutions>CD ? shntool fixed and seekable version of set uploaded to tol.etree.org Feb.1/03
02/14/68 Carousel Ballroom SHN>WAV 2 A MR> DAT> DAT> CD> EAC> SHN, with portions from another source, probably FM; via Garrett Van Cleef, from Jim Douglas seed; includes supplemental hiss-reduced material (see info files); hosted by gdlive.com
03/03/68 Haight Street SHN>WAV 1 A- AUD: Uher RR>DAT>DALCardDeluxe>WAV>CDR; via Raoul Duke; Seeded to etree by matt vernon
05/21/68 Carousel Ballroom SHN>WAV 0 B+ SBD partial
06/14/68 Fillmore East (Late Show) WAVaudio 0 B+ AUD>MC>R>R>PCM>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; edits/encoding by JCotsman
06/19/68 Carousel Ballroom SHN>WAV 0 B+ SBD> MC> D> CD; start of Lovelight clipped, ragged sound improves later; via thecore@core.com
06/19/68 Carousel Ballroom WAVaudio 0 A- SBD> MC> D> CD; start of Lovelight clipped, ragged sound improves later; via thecore@core.com
08/21/68 Fillmore West WAVaudio 0 A- MSR> DAT> DAT> WAV> SHN; DAT> SHN conversion by Cousinit; see notes in info file
08/22/68 Fillmore West SHN>WAV 1 A SBD portion via Jools, see info file for possible lineage.
08/23/68 Shrine Exposition Hall SHN>WAV 2 A updated lineage: 8 track multitrack Reels> "Sonic Wizardry"> DAT> Cassette> DATs> CDRs> EAC> SHN; via Darrin Sacks, who reports: "Not a note of this material appears on Two From The Vault. It turns out that TFTV is composed exclusively of 8.24.68" (go buy that); with unknown (8/29/68?) filler
08/24/68 Shrine Exposition Hall SHN>WAV 0 A SBD "Two From The Vault"
08/28/68 Avalon Ballroom SHN>WAV 1 A- SBD>??>R>PCM>CD>EAC>SHN; pitch corrected re-shn of previous Vernon seed
08/28/68 Avalon Ballroom SHN>WAV 1 B+ SBD>??>R>PCM>CD>EAC>SHN; pitch corrected re-shn of previous Vernon seed
09/20/68 Berkeley Community Theater SHN>WAV 0 A- may circulate as filler on other discs (has been seen with 1/23/68); info file compiled by Matt Vernon
09/20/68 Berkeley Community Theater WAVaudio 0 A- flac16; SBD > Master Reel > Cassette > Dat > CD > Adobe Audition v1.5 > CD Wave > FLAC; Transfer and Mastering by Charlie Miller
10/08/68 The Matrix SHN>WAV 1 A- Hartbeats; SBD MR->Reel (x2?)->CDR; EAC> SHN by Evan Bellaff, with thanks to Glenn Gillis
10/10/68 The Matrix SHNv3>WAV 1 A SBD> Rm> Reel> CD (May Be SBD> Rm> Reel> Reel> CD); thanks to c.miller for seeds; DAE/shnv3 by neo_levo
10/12/68 Avalon Ballroom SHN>WAV 1 A SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD; via David Gans; de-glitched at the Frisco Refinery, see info file for details; Seeded to etree by eD(efojr
10/12/68 Avalon Ballroom WAVaudio 0 A- SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD; via David Gans; de-glitched at the Frisco Refinery, see info file for details; Seeded to etree by eD(efojr)
10/13/68 Avalon Ballroom FLAC>WAV 1 A flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
10/20/68 Greek Theatre, U. Of California SHN>WAV 1 A Complete; SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD; via Charlie Miller
10/20/68 Greek Theatre, U. Of California SHN>WAV 1 A- SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD Charlie Miller charliemiller87@earthlink.net shntool fix -o shn *shn run by tol 03-02-24, and a new md5-file generated.
10/30/68 The Matrix SHN>WAV 3 A- Hartbeats; most complete version; documented 1st gen reel on revox A-77 r2r deck> digitized @ 96khz/24 bits> downsampled to 44.1k/16bits for CD> EAC> SHN; transfer by Jim Wise; eac/shn by Darrin Sacks; note minor addition of tuning to d3 track list
10/30/68 The Matrix WAVaudio 0 A Hartbeats; most complete version; documented 1st gen reel on revox A-77 r2r deck> digitized @ 96khz/24 bits> downsampled to 44.1k/16bits for CD> EAC> SHN; transfer by Jim Wise; eac/shn by Darrin Sacks; note minor addition of tuning to d3 track list
11/01/68 Armory Building, Silver Dollar Fairgrounds SHN>WAV 1 A- SBD>MR>C>D>CD>EAC>SHN; patched with "barely listenable portion"; Thanks to J. Powell, S. Martin, D. Litfin; edits/encoding by JCotsman
11/01/68 Armory Building, Silver Dollar Fairgrounds WAVaudio 0 A- 2nd Set; SBD>MSR>C>DAT>CDR; via Raoul Duke and Mike Axelrod; Seeded to etree by Matt Vernon
12/07/68 Bellarmine College FLAC>WAV 1 flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
12/20/68 Shrine Exhibition Hall SHN>WAV 0 A- SBD cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN; DAT > CDR conversion via HHb 850; editing, normalization and 5% pitch correction by Jeff Tiedrich via Sound Studio for Macintosh; workup> SHN by Jeff Tiedrich; via G.S. Hamilton to BUDD offer; passes shntool check
12/20/68 Shrine Exhibition Hall WAVaudio 0 A- SBD cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN; DAT > CDR conversion via HHb 850; editing, normalization and 5% pitch correction by Jeff Tiedrich via Sound Studio for Macintosh; workup> SHN by Jeff Tiedrich; via G.S. Hamilton to BUDD offer; passes shntool check
12/20/68 Shrine Exhibition Hall FLAC/AUDIO 1 A- flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
12/21/68 Shrine Exhibition Hall SHN>WAV 1 A SBD cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN; DAT > CDR conversion via HHb 850; editing, normalization and 5% pitch correction by Jeff Tiedrich via Sound Studio for Macintosh; workup> SHN by Jeff Tiedrich; via G.S. Hamilton to BUDD offer; passes shntool check
12/21/68 Shrine Exhibition Hall FLAC/AUDIO 1 A flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
12/24/68 The Matrix WAVaudio 0 A- flac16; 1st generation reel to reel > behringer ultra curve pro deq 2496 audio equalizer > tascam audio cdrw750 > plex tool professional XL > wav > flac
12/29/68 Gulfstream Park Racetrack FLAC>WAV 1 A flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
??/??/68 Unknown or Various SHN>WAV 0 B+ 7 undated '68 fragments circulating together; 5 Vault reels> 4 CDs- see info file for available details; via Music Never Stopped shn project
01/26/69 Avalon Ballroom SHN>WAV 1 A MSR> C> DAT> CD; via Seth Kaplan, Darrin Sacks; with fixed track boundaries; tracked for 1x80; see flaw notes in info file; note material from this date also appeared on Live Dead- go buy it
01/??/69 Aoxomoxoa Outtakes SHN>WAV 1 A aoxomoxoa Studo sessions outtakes '69
02/02/69 Labor Temple SHN>AUDIO 1 A SBD>MR>?>D>CD; via David Litfin; Seeded to etree by J. Cotsman
02/05/69 Soldiers & Sailors Memorial Auditorium SHN>WAV 1 A SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Chuck Gannon
02/05/69 Soldiers & Sailors Memorial Auditorium SHN>WAV 1 A- SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Chuck Gannon
02/06/69 Kiel Auditorium SHN>WAV 2 A- SBD> MC> D> CD> EAC> SHN; Soundforge used for pitch correction and pop removal; edited, encoded, vined by J. Cotsman; with thanks to Paul Hartman
02/07/69 Stanley Theater (Early, Late) SHN>WAV 1 A Early Show; SBD> MC (Bear Owsley)> DAT (Rob Eaton)> (Jim Wise) HHb> CDR ; Seeded to Etree by T. Wiley
02/11/69 Fillmore East (Early show) Audio 1 A SBD(early show) Fillmore East 2.11.69
02/11/69 Fillmore East (Late show) Audio 1 A Late show. Other artist(s): Janis Joplin & Her Band. This date (both late and early shows) is featured on Fillmore East 2/11/69.
02/15/69 Electric Factory SHN>WAV 1 A- MSR (7" @ 7.5 ips 1/2 track) > Tascam 122mkIII 1st gen. cassette > Nak Dragon playback > Sony PCM R-700 DAT > ZA2 > wav (Sound Forge) > CD (CD Architect) > unknown CD gens > EAC (test & copy, secure mode, offset corrected) > sector boundary verification (shntool) > seekable .shn (mkwact). DAT conversion and CD mastering by aoxoa, CD > SHN by D. Winters.
02/21/69 Dream Bowl SHN>WAV 2 A- SCSBD>MR>?>DAT>CDR OwenBros
02/22/69 Dream Bowl SHN>WAV 2 A- SBD
02/22/69 Dream Bowl SHN>WAV 2 A-
02/27/69 Fillmore West SHN>WAV 2 A sbd 1st night Fillmore run
02/27/69 Fillmore West SHN>WAV 2 A SBD
02/28/69 Fillmore West SHN>WAV 3 A+ sbd Fillmore run night 2 of 4
03/01/69 Fillmore West SHN>WAV 2 A+ SBD 3rd of 4night run
03/02/69 Fillmore West SHN>WAV 3 A Bertha SBDremaster
03/15/69 Hilton Hotel SHN>WAV 1 A- Bear's source
03/15/69 Hilton Hotel SHN>WAV 1 A bear's MSC
03/28/69 Student Center, Modesto Jr. College SHN>WAV 1 A- MSR> C> D> CD; via Frank Bove
04/04/69 Avalon Ballroom SHN>WAV 1 A- MSR> C> DATs> CDRs> EAC> SHN; EAC/SHN by Darrin Sacks, from Rango Keshavan seed; see info file for setlist/tracklist commentary
04/04/69 Avalon Ballroom SHN>WAV 2 A-
04/05/69 Avalon Ballroom SHN>WAV 2 A cmSBD
04/21/69 The Ark SHN>WAV 1 A- Bertha Remaster of the Master Reel source; SBD>>MR>>DAT>>CDA>>DAW(Bertha)>>CDA/SHN
04/22/69 The Ark SHN>WAV 1 A- Updated possible gen: SMC>R>D (had been marked MSR > Cassette > DAT x2 > CDR); d1t1,8 have cuts from master;? via Scott Clugston, Lee Revell
04/23/69 The Ark SHN>WAV 1 A- MSR> Cassette> DATs> CDRs> EAC >SHN; via Jim Wise, Rob Bertrando, Darrin Sacks; note this reportedly may be an upgrade compared to previously etreed version; same cuts and splices as in previous version; note d1 tracked for 80 min
04/25/69 Electric Theater WAVaudio 0 A Source: mR> D> Sonic Solutions> CDR
05/03/69 Winterland Arena WAVaudio 0 A- all that circulates; Reel> PCM> Dat> Tascam DA20> Audio Magic Presto> Prodif Plus> Soundforge> cdwav> shn; fits on 1 .shn disc with 5/23/69; via Phunk1; reel splice at beginning of Rag; disc may not have accompanying .md5s; md5s shown here were created by A. Fox- note you may have to modify filenames to match
05/07/69 Polo Field, Golden Gate Park WAVaudio 0 A SBD > MR > C > DAT > CD; via Ernie to abgd; note besides d1 seeking shns, Ernie posted wavs for d2 (wav, rar md5s shown); subsequent d2 shn (v3 seek appended, with md5s shown) by DES
05/10/69 Rose Palace WAVaudio 0 A mC> C> DAT> Sonic Solutions> CDR; via Ben Yerys; stemming from Tzuriel Kastel tree; d1 contains misc pre-filler
05/23/69 Seminole Indian Village WAVaudio 0 A partial Dew>>11//; Reel> PCM> DAT; conversion:Tascam DA-20> Audio Magic Presto> Prodif Plus> Soundforge> cdwav> shn; fits on 1 .shn disc with 5/3/69; via Phunk1; disc may not have accompanying .md5s; md5s shown here were created by A. Fox- note you may have to modify filenames to match (partial)
05/24/69 Seminole Indian Village WAVaudio 0 A SB>MR>??> CD; See info file for editing notes; Unknown seeder
05/29/69 Robertson Gym, U.C.S.B. WAVaudio 0 A Source: reported to be SBD>MR>PCM>DAT>CD(>EAC>WAV>SHN)
05/31/69 McArthur Court, University of Oregon SHN>WAV 1 A- SBD> ?> CDR> EAC> SHN; via J. Oleynick, M. Ferguson; encore shuffled to fit on 2 discs, but songs can be moved to proper order for 3 discs; see info file for flaw notes
05/31/69 McArthur Court, University of Oregon SHN>WAV 1 A- SBD> ?> CDR> EAC> SHN; via J. Oleynick, M. Ferguson; encore shuffled to fit on 2 discs, but songs can be moved to proper order for 3 discs; see info file for flaw notes
06/05/69 Fillmore West SHN>WAV 0 A- complete; MSC> LATVALA C> DAT> CD> EAC> SHN; with Cryptical patch; EAC>SHN by Steve Barbella; d1 tracked for 80 min
06/05/69 Fillmore West SHN>WAV 0 A- complete; MSC> LATVALA C> DAT> CD> EAC> SHN; with Cryptical patch; EAC>SHN by Steve Barbella; d1 tracked for 80 min
07/11/69 NY State Pavilion, Flushing Meadows Park SHN>WAV 1 A- SBD MC>C>D>CD + patch (Alligator > Drums) from AUD master > low-gen reel > cassette > CD, by Hanno Bunjes; to BUDD offer; Hanno's notes
08/02/69 Family Dog at the Great Highway FLAC16>WAV 2 A flac16; SBD -> Cassette Master -> Dat Transferred and Edited By Charlie Miller
08/03/69 Family Dog at the Great Highway FLAC16>WAV 2 A flac16; SBD -> Cassette Master -> Dat Transferred and Edited By Charlie Miller
09/07/69 Family Dog at the Great Highway SHN>WAV 1 A SBD, Deadhead Hour pre-FM (some lineage details in info file); via David Finney
10/25/69 Winterland Arena WAVaudio 0 A SBD> MR> DAT> Sonic Solutions> CDR; reel flip after William Tell , edited by David Gans; via R. Jagla
10/26/69 Winterland Arena WAVaudio 0 A- SBD : MR > C1 > DAT > CD; via Douglas Ferguson; Seeded to etree by Alan Fink
10/28/69 2400 Fulton Street WAVaudio 0 A- Source: MSR>C>DAT>CD Airplane House; SF,CA
10/31/69 San Jose State University SHN/AUDIO 1 A Source: SBD: MC> C1> DAT> CDR; see info file for flaw notes; via Mike Lai; COMMENTS: Casey Jones cuts in just after the first notes of the tune. Lovelight cuts off during the final flourishes. DeadBase IX lists a Mama Tried after I Know You Rider; any info contact usalai@nycap.rr.com seeded by mike lai
11/01/69 Family Dog at the Great Highway SHN/AUDIO 1 A- Source: SBD>MC>C>D>CD>EAC>SHN; edited, shned, vined by J. Cotsman (see info file); vith thanks to Paul Hartman; The sound is not as full or crisp as many others from '69 with a similiar lineage, but the mix is stable and there are very few blemishes. Sound Forge was used for normalization and minor edits. Thanks to Paul Hartman encoding/edits by J. Cotsman
11/02/69 Family Dog at the Great Highway FLAC>WAV 1 A flac16; Recording Info: Disc 1: SBD -> Master Reel -> Cassette -> Dat (44.1k) Disc 2: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC
11/15/69 Lanai Theater SHN/AUDIO 1 A- SBD cassette master > PCM > CDR > iMac > SHN; shntool-fixed version of previous shn set via Nathan Scott, fixed separately by disc; alternate fix (as whole set) also circulates with slight difference
12/29/69 Boston Tea Party SHN/AUDIO 1 A Source: SBD MR (7" reel @7.5 ips)>DAT>DAT>CDR Transfer to CDR from a Sony ES 60 DAT to a Pioneer PDR555 RW Standalone burner via optical cables. CDR was then ripped to the Hard Drive with EAC in secure mode, amplification to 100% in Cool Edit 2000. Poorly placed track markers corrected with CDWave then transferred to shn using mkw SHN. Discs written on a Digital Research 24x burner using Nero.
12/31/69 Boston Tea Party SHN>WAV 1 A EAC of original shn set; via TOL; sbd> reel master> 2 cassette generations> dat> cdr> shn
12/31/69 Boston Tea Party SHN>WAV 1 A EAC of original shn set; via TOL; sbd> reel master> 2 cassette generations> dat> cdr> shn
01/03/70 Fillmore East (Late Show) SHN/AUDIO 1 A Source: SHN(19440)improvements on previous seed: Sound improved on d1t02, by Bill Giles; SBE's corrected; seeded by RET
01/10/70 Golden Hall FLAC/AUDIO 1 A flac16; Recording Info: SBD -> Master Reel -> Reel-> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.0.1 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller
01/16/70 Springer's Inn Portland SHN>WAV 3 A- sbd>??>cdr>eac>shn *not DL series 2*
01/17/70 Gill Coliseum, Oregon State University FLAC>WAV 1 a- Master Soundboard Reel > DAT > CDR; via Scott Clugston
01/23/70 Honolulu Civic Auditorium SHN>WAV 1 A ASBD>DAT>PCM-WAV>SHN; Originally posted to abgd via Teddy Goodbear; seeded to fungus and tol with minor editing by Charlie Connor
02/02/70 The Fabulous Fox Theatre SHN>WAV 1 A- SBD> MR> R> R> PCM> D> CD> EAC> SHN; pitch corrected; edits/encoding by JCotsman
02/14/70 Fillmore East SHN>WAV 1 A complete early/late shows from: SBD> MR> D> CD> EAC> SHN & SBD> MR> PCM> D> CD> EAC> SHN; TMNSP release, encoding by JCotsman
02/27/70 Family Dog at the Great Highway FLAC>WAV 2 A+ SBDviaCMiller
02/28/70 Family Dog at the Great Highway SHN>WAV 2 A SBD>MR>C>D>CD; Missing Casey Jones and Uncle John's Band
03/20/70 Capitol Theater SHN>WAV 1 A- mixed source (SBD> MR> PCM, unknown gen AUD, 2nd gen AUD)> ZA2> CD, mastered by David Hollister; EAC> SHN by G.S. Hamilton with thanks to Brian Voelz
03/24/70 Pirates World FLAC16>WAV 2 A flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC
05/15/70 Fillmore East (Late Show) audio 7 A SBDupgrade5/31/05
05/15/70 Fillmore East (Late Show) SHN>WAV 4 A+ SBD w/o NRPS
06/07/70 Fillmore West SHN>WAV 3 A acoustic and electric; S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD> EAC> shn; splices in Casey, Man's World, Cumberland; CD seeded by D. Hollister, see his editing notes in info file; via A. Cohen to BUDD tree; etreed by R. Nayfield
06/07/70 Fillmore West SHN>WAV 3 A acoustic and electric; S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD> EAC> shn; splices in Casey, Man's World, Cumberland; CD seeded by D. Hollister, see his editing notes in info file; via A. Cohen to BUDD tree; etreed by R. Nayfield
06/24/70 Capitol Theater (Late) FLAC>WAV 1 A early and late shows (see discussion in txt and pub comments); Sony TC124 with unknown Sony dynamic mics
07/16/70 Euphoria Ballroom SHN>WAV 1 A- partial; Master Soundboard Reel > Cassette > Cassette > CDR; CD Mastering by Scott Clugston; to abgd
10/04/70 Winterland Arena SHN>WAV 1 A- SBD> FM> MR> R> R> DAT> WAV> SHN; R>SHN; Conversion By Cousinit, seeded to abgd **Janis Joplin Died This Night**
10/31/70 Gym, S.U.N.Y. (Late) FLAC>WAV 3 A SOURCE INFO: Rating: AR-2, Source: A-SBD, SCMS: 00, Gen: M, DOW: Sat, Time: 180 min., Lineage: SBD > RTR > PCM > D, if necessary, any and all NR and/or EQ processes were performed, using between 95% and 100% analog realm outboard equipment, at Serafin Station Studio A or B; released between 03/94 and 12/96 TRANSFER INFO: Sony PCM-R300 > Audiophile 2496 > Cool Edit Pro2 > .WAV > .FLAC Note: Appeared on bt.etree.org ~ 4/1/2006
10/31/70 Gym, S.U.N.Y. (Late) SHN>AUDIO 1 A SOURCE INFO: Rating: AR-2, Source: A-SBD, SCMS: 00, Gen: M, DOW: Sat, Time: 180 min., Lineage: SBD > RTR > PCM > D, if necessary, any and all NR and/or EQ processes were performed, using between 95% and 100% analog realm outboard equipment, at Serafin Station Studio A or B; released between 03/94 and 12/96 TRANSFER INFO: Sony PCM-R300 > Audiophile 2496 > Cool Edit Pro2 > .WAV > .FLAC Note: Appeared on bt.etree.org ~ 4/1/2006
11/08/70 Capitol Theater SHN>WAV 4 A GD/NRPS
12/12/70 Santa Rosa Fairgrounds SHN>WAV 1 A- Master Soundboard Reel > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; see info file for deadlist.com notes
12/26/70 Legion Stadium SHN>AUDIO 1 A+ Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Patch Info: SBD -> Master Reel -> ? -> Dat -> SHN Edited and Patched By Charlie Miller
12/27/70 Legion Stadium SHN>WAV 1 A SBD -> Master Reel (7inch Master Reels@7.5ips 1/2trk) -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Edited By Charlie Miller
02/18/71 Capitol Theater FLAC16>WAV 1 A flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
02/19/71 Capitol Theatre SHN>WAV 2 B+ unknown AUD suspected BBD
03/24/71 Winterland Arena FLAC16>WAV 1 A flac16; Recording Info: SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Patch Info: Sony Stereo Mic -> Cassette Master (Sony TC-124) supplies: The Other One (6:59 - 7:23) and Beat It On Down The Line (0:00 - 0:32)All Transfers and Mastering By Charlie Miller
04/04/71 Manhattan Center FLAC16>WAV 1 A flac16; MSR>C>DAT3x>Delta DiO 2496>SoundForge 7.0>cdwav>Flac
04/04/71 Manhattan Center FLAC16>WAV 1 A flac16; source: MSR > C >DAT3 > Delta DiO 2496 > SoundForge 7.0 > cdwav > flac > wav > flac; this is a partial clean up of shn id 35252. see text file
04/05/71 Manhattan Center AUDIO 3 A Source: 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens
04/21/71 Rhode Island Auditorium SHN>WAV 1 A MSR> R> D> CD> DAE> SHN; sector boundary fix of previous shn set, by Seth Kaplan
04/26/71 Fillmore East SHN>WAV 2 A-
04/29/71 Fillmore East FLAC>WAV 3 A fake version of the show, seeded by Dan Am-Dig to bt.etree.org, actually a composite including material from 4/27,28 as "patches" or "interleaves" (see notes in 4/6 info)
07/02/71 Fillmore West FLAC>WAV 3 A Pre-FM MSR> DAT> CD?; Transfer: EAC> WAV> FLAC by Sean Cribbs, from Connie Veigh source discs
08/26/71 Gaelic Park FLAC16>WAV 1 A- flac16; Source 1: set 1 and Casey Jones - unknown aud and Source 2: the rest of set 2 - AKG190E > Uher 400L, taped by Marty Weinberg remastered by SIRMick
09/??/71 Keith rehearsals SHN>WAV 1 A- Studio Rehearsals w/ Keith Godchaux: Compilation of 09/29 & 09/30, and 10/01/71; boot cd (unsurpassed vol 5) -> eac-> wav-> shn; Unknown seeder; note this shn set used to be listed on 10/1/71 but would be better moved here- use this date instead for the comp
10/19/71 Northrop Auditorium, U. of Minn. SHN>WAV 3 A Source: PreFM Soundboard Reels > DAT > CDR Keith Godchaux's first show Tennessee Jed, Jack Straw, Mexicali Blues, Comes A Time, One More Saturday Night and Ramble On Rose are performed for the 1st time.
10/23/71 Eastown Theater SHN>WAV 3 A SBD>FM>?>C>Sound Forge>SHN; via Walter Schnell; Seeded to etree by J. Cotsman
10/30/71 Taft Auditorium SHNv3>WAV 2 A-
11/07/71 Harding Theater SHN>WAV 4 A SBD : Pre-FM Reel > DAT > CD; via Seth Kaplan
12/05/71 Felt Forum, Madison Square Garden SHN>WAV 3 A Pre-FM > MR > DAT > CD; stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; notes: no encore, complete Muddy Water, small cut in Casey Jones, chatter edited; see pub comments for md5 notes
12/07/71 Felt Forum, Madison Square Garden SHN>WAV 1 A SBD> MR @ 10.5 IPS> DAT> CD; stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; note large cut in Casey Jones
12/09/71 Fox Theatre SHN>WAV 2 A MSR> LATVALA C> DAT> CDR; EAC> SHN by Seth Kaplan; upload by Darrin Sacks
12/31/71 Winterland Arena SHN>WAV 3 A FM > Reel > Dat > CDR; via G. Lanum
04/14/72 Tivoli Theater FLAC16>WAV 4 A flac16; SBD -> (16 Track) Master Reel -> Dat (44.1k); Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC; Transfers and Mastering By Charlie Miller
04/17/72 Tivoli Concert Hall FLAC16>WAV 3 A flac16; SBD>16 track 2" MR>DAT4x>Delta Dio 2496>Soundforge>WAV>Cd Wave Editor>Flac
04/17/72 Tivoli Concert Hall FLAC16>WAV 1 A flac16; SBD>16 track 2" MR>DAT4x>Delta Dio 2496>Soundforge>WAV>Cd Wave Editor>Flac
05/11/72 Rotterdam Civic Hall SHN>WAV 3 A Jay Ashley (Bertha) remaster of Master Reel source; SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>SHN
05/11/72 Rotterdam Civic Hall SHN/AUDIO 1 A+ mSR>?>CDR "liberated bootleg"; via D. Mezias, A. Gustin; flaw notes: "tracking for the third disc is unorthodox but bearable. The splitting of Dark Star is deplorable"; note pulled after ~48 hr due to misc other flaws- please do not circulate
05/11/72 Rotterdam Civic Hall FLAC/AUDIO 1 A+ mSR>?>CDR "liberated bootleg"; via D. Mezias, A. Gustin; flaw notes: "tracking for the third disc is unorthodox but bearable. The splitting of Dark Star is deplorable"; note pulled after ~48 hr due to misc other flaws- please do not circulate
05/13/72 Lille Fairgrounds SHNv3>WAV 1 A sbd > mr > cass > dat > cda > eac > shn v3; via Chris Ladner to vine and etree; encore missing
07/18/72 Roosevelt Stadium FLAC>WAV 2 A+ Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller
08/27/72 Old Renaissance Faire Grounds SHN>WAV 1 A+ SBD> 16 Track Master Reels> DAT@44.1K> DAT> DAT> WAV> SHN; Banter between songs from the two-track master reels: S:MR> DAT> SS> CD> EAC> SHN; dankseed
11/18/72 Hofheinz Pavilion SHN>WAV 2 A 2nd set only; SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to John Steinhaus
11/19/72 Hofheinz Pavilion SHN>WAV 3 A Source: SBD>MR>Reel>Reel>DAT>CD>EAC>WAV>CoolEdit2000>SHN (Note that there is speculation that this source may contain only one reel generation.) Cool Edit 200 was used to correct various flaws from previously circulating versions.
11/22/72 Austin Municipal Auditorium SHN>WAV 3 A sdb> master reel> dat> cdr; via Mike Lai from Bruce Fried DAT; missing Promised; d2 tracked for 80 min
11/24/72 Dallas Memorial Auditorium SHN>WAV 2 A SBD> MR> DAT> CDR> EAC> SHN; tracked for 2x80; splice in China Cat; seeded by Tony Gardner, from Paul B. discs
12/10/72 Winterland Arena SHN>WAV 1 A MSR > Cass x 3 > DAT > CDR > EAC > SHN; EAC, SHN extraction and etree seeding done by G. Gorinsky; with thanks to Justin Cucci, Mark Perini
12/11/72 Winterland Arena SHN>WAV 1 A SBD > MR > ?? > CDR; EAC > Cool Edit (remove some pops, see info file) > CD Wave (split tracks) > SHN (seekable) by Matt Vernon, from Paul B. seed discs; missing some songs; see info file for other flaw notes
12/12/72 Winterland Arena FLAC16>WAV 1 A SBD (7 inch Master Reel @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> FLAC Transfered and Edited By Charlie Miller
12/15/72 Long Beach Arena SHN>WAV 1 A Lineage: S:MR>Cass>DAT>PCM>DAT>CD, w/ patches from S:MR>R>R>DAT copy. Remastered, transferred to CD, and encoded to SHN by David Hollister
12/31/72 Winterland Arena SHN>WAV 1 A- Bertha Remaster of the patched PreFM source, by Jay Ashley
02/09/73 Roscoe Maples Pavilion, Stanford University SHN>WAV 1 A S : MR > R > DAT > SS > CDR > DAW (Bertha) > CDA > SHN > COOL EDIT PRO > SHN; See info file for 'additional edit' notes from seeder Alan Fink.
02/09/73 Roscoe Maples Pavilion, Stanford University SHN>WAV 1 A MR 2 Track Reel > 7.5 IPS 1/4 tack dolby B reel > DAT > Sonic Solutions > CDR; via D Finney; Seeded to etree by Popi; Note- This is another eac of the same original Finney seed discs according to Popi
02/15/73 Dane County Coliseum SHN>WAV 1 A MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD; upgrade relative to previous shn copies; includes soundcheck and most of encores; via Mike Hall; tracked for 2x74 + 1x80 (with alternate tracking suggestion)
02/17/73 St. Paul Auditorium FLAC16>WAV 3 A flac16; SBD -> Master Reel -> PCM -> Dat -> CD All Transfers and Mastering By Charlie Miller
02/19/73 International Amphitheatre FLAC16>WAV 1 A flac16; Recording Info: SBD -> Cassette Master (Ampex C-90) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
03/19/73 Nassau Veterans Memorial Coliseum SHN>WAV 1 A Playin', plus most of set 2; SBD:MR>Cas>Cas>DAT>CD; Seeded to etree by Jools
03/21/73 Utica Memorial Auditorium FLAC>WAV 3 A+ SBD>MR>PCM>DAT Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Sony D8) -> M-Audio DIO 2448 -> Cool Edit Pro v1.2 -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller
03/22/73 Utica Memorial Auditorium SHN>WAV 3 A MSR> DATs> CDRx1> EAC> SHN; via Darrin Sacks
03/24/73 The Spectrum SHN>WAV 3 A SBD>>MR>>CASS>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN
03/26/73 Civic Center SHN>WAV 4 SBDcmiller
03/26/73 Civic Center FLAC16>WAV 1 A+ flac16; Recording: SBD > Master Reel > Dat (44.1k) Transfer: Dat (Sony R500) > SEK'D Prodif Plus > Samplitude Profesional v8.01 > FLAC; All Transfers and Mastering By Charlie Miller
03/28/73 Springfield Civic Center FLAC16>WAV 1 A flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
03/30/73 Rochester Community War Memorial SHN>WAV 1 A- AUD>MR>?>CD (disc 1); SBD>MR>C>D>CD (remainder); See info file for details; via Paul Hartman & Michael Dixon; Seeded to etree by J. Cotsman
03/31/73 Buffalo Memorial Auditorium SHN>WAV 1 A SBD Reel master > cassette > DAT > CD > EAC > SHN> retrack> reSHN; retracking of previous shn set, by G.S. Hamilton; see info file for listening notes; to BUDD offer
04/02/73 Boston Garden SHN>WAV 3 A+ SBD -> Rm (7.5 ips/2 Track) -> Dat -> Dat. Transfer Info: Dat -> Sonic Solutions -> CD (David Gans' Master Discs) -> EAC (Secure) -> SHN. CD -> SHN Conversion Done By Charlie Miller. Purports to avoid the drop outs present on the previous shn set for this source.
05/13/73 Iowa State Fairgrounds SHN>WAV 1 A Source: MSR>R>?>C>DAT>WAV>SHN except for 4th disc/end of second set which is from previously circulated SHN set (see below).
05/20/73 Campus Stadium, UCSB SHN>WAV 1 A Patched Eyes with AUD source. Replaced AUD patch in Eyes with SBD source.
06/10/73 Robert F. Kennedy Stadium SHN>WAV 4 A SBD>MR(10''reels)>DAT>CD>EAC>SHN
06/22/73 P.N.E. Coliseum FLAC16>WAV 0 A flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
06/22/73 P.N.E. Coliseum SHN>WAV 1 A Master Sounbdoard Reel > PCM > DAT > CDR and likely MSR> C> D> CD, plus AUD patches from 2 sources; d4 tracked for 80 min; some crackle; CD Mastering, EAC'ed / SHN'ed by Scott Clugston
06/26/73 Seattle Center Arena SHN>WAV 1 A Complete; SBD>MR>C>D>CD patched with: AUD>MR>C>D>CD; Slight pitch correction; See info file for details; Seeded to etree by Mark Sweeney & Chuck Gannon
07/01/73 Universal Amphitheatre FLAC16>WAV 1 A- <flac16>Source: SBD>?>Ye Olde Cassette Tape SBD set I only
07/27/73 Grand Prix Racecourse FLAC>WAV 2 A+ SBDcm
09/26/73 Community War Memorial Auditorium FLAC16>WAV 1 A flac16; Matrix 2 Source Mix - SBD (shnid 80198) + AUD (shnid 80665) mixed by Kevin Tobin
10/21/73 Omaha Civic Auditorium SHN>WAV 1 A SBD -> Rm -> ? -> Dat -> Sound Forge -> CD -> EAC -> SHN Converted By Charlie Miller
10/25/73 Dane County Coliseum FLAC16>WAV 2 A flac16; Original source: http://db.etree.org/shninfo_detail.php?shnid=188 MSR>D>CD Disc One patched and re-tracked by Sean Cribbs 7/2003; present source added crossfades at reel splices between Let It Grow and GDTRFB and between OMSN and UJB; removed two spots of static at end of Let It Grow
10/25/73 Dane County Coliseum FLAC16>WAV 1 A+ flac16; Original source: http://db.etree.org/shninfo_detail.php?shnid=188 MSR>D>CD Disc One patched and re-tracked by Sean Cribbs 7/2003; present source added crossfades at reel splices between Let It Grow and GDTRFB and between OMSN and UJB; removed two spots of static at end of Let It Grow; (note: this source is actually a composite of 2 different shows: material from 10/25/73 patched with material from 11/20/73)
11/09/73 Winterland Arena shn>audio 1 A SBD> MR> C> DAT> CDR; EAC> SHN by Seth Kaplan; Correct sector boundaries verified using .shntool; First few seconds of Here Comes Sunshine are clipped; Small splice at the start of Eyes of the World, some channel dropouts and a little static on a few tunes
11/10/73 Winterland Arena Audio 3 A Source: MSR> reel > PCM > DAT > CD; see info file for listening notes
11/11/73 Winterland Arena FLAC>AUDIO 1 A+ flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> Cool Edit Pro v2.01 -> FLAC (Pitch correction of shn id 83318) All Transfers and Mastering By Charlie Miller
11/17/73 Pauley Pavilion, UCLA SHN>WAV 3 A
11/17/73 Pauley Pavilion, UCLA SHN>WAV 3 A
11/17/73 Pauley Pavilion, UCLA SHN>WAV 3 A
11/21/73 Denver Coliseum FLAC>WAV 1 A flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
11/23/73 County Coliseum SHN>WAV 1 A- SBD > Reel > Cassette > Datx2 > CDR; via L. Orf; reel flips in d1t1, d1t7 (smoothed), d3t2; superior version relative to version circulated 3/8
11/25/73 Feyline Field SHN>WAV 1 A MSR> Cass.> DATs> CDRs> EAC> SHN; via Darrin Sacks; see info file for known flaws; note md5s for d2t8-10 filler tracks (12/4/71) added here 1/24/01
12/02/73 Music Hall SHN>WAV 1 A Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston;a few seconds of overlap between d2,3; to abgd
12/04/73 Cincinnati Gardens FLAC>WAV 1 A flac16; SET ONE ONLY SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller
12/04/73 Cincinnati Gardens FLAC/AUDIO 1 A Source: <flac16> Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller (note: this source includes the encore missing from shn id 86839).
12/06/73 Public Hall 3 A SBD MR > 1 cass gen > DAT > (AUD patching)> CD > EAC > SHN> slight retrack for d2t3, d3t1, d3t4> shnv2 on those tracks; d3 tracked for 80 min; see notes in info file; seed via David Gans, Jim Powell, Dave Greenberg; shns via Seth Kaplan, Alan Fink, G.S. Hamilton
12/08/73 Cameron Indoor Stadium, Duke University SHN>WAV 1 A SBD:MR> C> DAT> CD> EAC> SHN; via Kirby (Chalupa) Bell, Andy Gustin; note Beginning of Bertha is clipped, JBG is from an AUD source
12/12/73 The Omni SHN>WAV 1 A nearly complete, with soundcheck; MR > C > DAT > CDR; via Trei Hobbs
12/18/73 Curtis Hixon Convention Hall SHN>WAV 1 A SBD Reel master > cassette > DAT > CDR (unknown gens) > EAC > CDWav retracking> SHN; Extraction, retracking, shortening by G.S. Hamilton (for real). Please use md5s to ID copies in circulation. Note d2 has 9 tracks; alternate shn set in circulation has 7 d2 tracks and is not really via Greg, but is apparently from another CD set. (This has same reel change in Wharf Rat (d3t04) @ 6:36.); note noise reduction notes in pub comments apparently pertain to alternate shn set only, no NR on this entry
12/18/73 Curtis Hixon Convention Hall SHN>WAV 1 A SBD Reel master > cassette > DAT > CDR (unknown gens) > EAC > CDWav retracking> SHN; Extraction, retracking, shortening by G.S. Hamilton (for real). Please use md5s to ID copies in circulation. Note d2 has 9 tracks; alternate shn set in circulation has 7 d2 tracks and is not really via Greg, but is apparently from another CD set. (This has same reel change in Wharf Rat (d3t04) @ 6:36.); note noise reduction notes in pub comments apparently pertain to alternate shn set only, no NR on this entry
02/22/74 Winterland Arena SHN>WAV 1 A- soundcheck, reportedly this date although mislabeled as 2/24/74 on shn set; SBD > RTR @ 7.5 i.p.s. > D > SSSB; no PCM- see info file; via Jay Serafin to gdlive
02/22/74 Winterland Arena SHN>WAV 1 A+ mixed SBD sources: Vault MR> DAT 48k, plus MR> Cassette> DAT 44.1k, with small patches from MR> Cassette> DAT> CD; Transfer: DAT> Audiophile 2496> Samplitude v7.02 Professional> SHN; Transfer, editing, and SHN by Joe Samaritano, with thanks to Michael P. Weitzman, David Gans, Charlie Miller
02/22/74 Winterland Arena SHN>WAV 1 A mixed SBD sources: Vault MR> DAT 48k, plus MR> Cassette> DAT 44.1k, with small patches from MR> Cassette> DAT> CD; Transfer: DAT> Audiophile 2496> Samplitude v7.02 Professional> SHN; Transfer, editing, and SHN by Joe Samaritano, with thanks to Michael P. Weitzman, David Gans, Charlie Miller
02/23/74 Winterland Arena SHN>WAV 0 A complete; Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; d3 tracked for 80 min
02/24/74 Winterland Arena SHN>WAV 1 A SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R->HP 8200i CDRW Drive (EAC)->SHNCD Mastered by Jay Serafin gdtrfb95@flash.net sector boundaries fixed with shntool, new shns and md5s SIRMick(thedarkstar@btinternet.com)
03/23/74 Cow Palace SHN>WAV 1 A Master Soundboard Reel > DAT > CDR, with patches from Master Soundboard Reel > Cassette > DAT source, and Audience source; d2 is 80 min; via Scott Clugston; note upgrade relative to previously circulating shn set; reported sector boundary probs on d2t4, d2t6- see pub comments; update: portions of show are now DP24- go buy it
05/12/74 University Of Nevada SHN>WAV 2 A SBD
05/17/74 P.N.E. Coliseum SHN>WAV 3 A updated source: Andy Gustin and Jay Ashley report this could be the SBD cass master>1 cass> DAT> 1 cass gen> DAT version noted on Tiedrich's site (had been marked mSR> DAT> CDR> Toast Audio Extraction> SHN); via Andy Gustin; 9/11/73 filler
05/17/74 P.N.E. Coliseum FLAC/AUDIO 1 A flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller
05/19/74 Portland Memorial Coliseum SHN/AUDIO 1 A complete; Master Soundboard Reel > PCM > DAT> CDR; EAC'ed / SHN'ed by Scott Clugston
05/25/74 Campus Stadium, UCSB SHN>WAV 2 A MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850> .shn DAE/reSHN of shn id 205 shn set, via Doug Moog. David Hollister reports problems on USB track
06/08/74 Oakland-Alameda County Coliseum SHN>WAV 1 A- Master Audience Reel > Reel to Reel > PCM > DAT, plus Master Soundboard Reel > DAT (Playin' > Wharf Rat> Playin', plus Eyes); mastered and seeded by Scott Clugston with thanks to Skankweed; d3 tracked for 80 min; Ship cut on master
06/16/74 Des Moines State Fair Grandstand SHN>WAV 3 A- SBD (could be MR> C> D); complete version via M. Bryan, G. Hamilton; Bertha- splice @ 4:04- serious mix problems prior to this; Sugaree- MR flip @ 3:59; Playin'- d/o @0:01, d/o @3:16; T.Jed- <1 sec. digi-noise @0:02; W.Rat- MR flip @2:50
06/18/74 Freedom Hall SHN>WAV 3 A SBD> MR>1 cass> DAT> ZA2> SHN; newly circulating crisp version); via D. Sacks, D. Hollister; note d3t2 was bad 11/5, fixed 11/8
06/23/74 Jai-Alai Fronton SHN>WAV 3 A Comments: Remaster of sbd w/ aud patches by Owens Brothers
06/23/74 Jai-Alai Fronton SHN>WAV 3 A Remaster of sbd w/ aud patches by Owens Brothers
06/30/74 Springfield Civic Center SHN>WAV 0 A SBD> MR> cass> DATx2> ZA2> CDRx1> EAC> SHN; via Andy, Tiedrich, Skank, A. Stern; to abgd and etree
07/19/74 Selland Arena SHN>WAV 3 A Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic SV3800/44.1k) Transfer Info: Dat -> Sound Forge 4.0 -> SHN (Jamie Lutch June 2001) Mastering Info: SHN -> Samplitude Professional v7.02 -> FLAC Mastering By Charlie Miller Patch Info: AUD>Cm>Cass>Cass>Dat>CD supplies patches in Row Jimmy and Playing In The Band. It also supplies all of Seastones and One More Saturday Night -- This copy does not have the NR that other patched copies have -- Thanks to Rob Eaton for supplying the source Dat
07/19/74 Selland Arena FLAC16>WAV 1 A Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic SV3800/44.1k) Transfer Info: Dat -> Sound Forge 4.0 -> SHN (Jamie Lutch June 2001) Mastering Info: SHN -> Samplitude Professional v7.02 -> FLAC Mastering By Charlie Miller Patch Info: AUD>Cm>Cass>Cass>Dat>CD supplies patches in Row Jimmy and Playing In The Band. It also supplies all of Seastones and One More Saturday Night -- This copy does not have the NR that other patched copies have -- Thanks to Rob Eaton for supplying the source Dat
07/21/74 Hollywood Bowl FLAC16>WAV 3 A flac16; (FOB) Sony ECM-22P -> Cassette Master (Sony TC-152) -> Reel -> Dat All transfers and Remastering By Charlie Miller
07/29/74 Capital Centre 0 A- SBD:MR> C1> DAT @ 48kHZ > Sony DAT deck PCM-R300 > coaxial s/pdif > pentium II 350 mHz via Turtle Beach "Fiji" soundcard > CoolEdit Pro > convert to 44.1kHz in CoolEdit Pro > Smart & Friendly CDR SCSI drive > CD; some diginoise was fixed, some smaller diginoise was not; tracked for 2x80 plus encore for filler elsewhere, but can fit on 3x74; via Teddy Good Bear, Doug Johnson to abgd
07/31/74 Dillon Stadium FLAC16>WAV 3 A flac16; Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC
07/31/74 Dillon Stadium FLAC16>WAV 1 A flac16; Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC
08/04/74 Philadelphia Civic Arena SHN>WAV 0 A- MSR> DATs> CDRs> EAC> SHN; small aud patches in PITB (14:28-14:41) and LIG (16:20-16:35) and the first few seconds of Sugar Magnolia; via Bob Fishman, Darrin Sacks
08/06/74 Roosevelt Stadium SHN>WAV 4 A fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy"
09/10/74 Alexandra Palace SHN>WAV 1 A- SBD>?>CD; May be missing up to three first set songs; See info file for details; Note- Many tracks appear on DP7, Buy it here ; via Craig Reimer; Seeded to etree by Willy
09/11/74 Alexandra Palace SHN>WAV 1 A Jay Ashley (Bertha) remaster of Master Reel source; SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A
09/14/74 Olympiahalle FLAC16>WAV 1 A flac16; Recording Info: SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller
09/18/74 Parc Des Expositions SHN>WAV 1 A Lineage: SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN via Charlie Miller ((http://db.etree.org/shn/20675) with one track modified to remove a pop (see notes) by Matt Vernon
09/21/74 Palais Des Sports FLAC16>WAV 1 A flac16; SBD -> Master Reel -> Reel -> Dat Transferred and Edited By Charlie Miller
10/16/74 Winterland Arena SHN>WAV 4 A
10/17/74 Winterland Arena SHN>WAV 3 A MultiTrack Master Reel > DAT > Sonic Solutions > CD; see info file for notes; via Steve Barbella, Rich Danyko, Matt Vernon
10/18/74 Winterland Arena SHN>WAV 3 A Set I : SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN Set II : SBD -> Reel Master -> Dat Master (44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN Transfered and Edited By Charlie Miller
10/19/74 Winterland Arena SHN>WAV 3 A+ Recording Info: SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k) Transfer Info: Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) Patch Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD -> EAC -> SHN Transfered and Edited By Charlie Miller charliemiller87@earthlink.net 1/14/04
10/20/74 Winterland Arena SHN>WAV 4 A mixed sources (see info file, and for flaws); via D. Finney, stemming from Frank's Picks tree- more info; note some material from show appears on album Steal Your Face- go buy it; see public comments for quality note
03/23/75 Kezar Stadium SHN>WAV 1 A- SBD>FM>?>DAT>CDR Only flaw listed: One small d/o in the 1st Blues for Allah (Track 2) @ 4:36
09/28/75 Lindley Meadows, Golden Gate Park SHN>WAV 2 A Bertha Remaster of the master reel source; SBD>>MR>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A
09/28/75 Lindley Meadows, Golden Gate Park shn>wav 1 A Bertha Remaster of the master reel source; SBD>>MR>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A
06/03/76 Paramount Theatre SHN>WAV 1 A SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included.
06/03/76 Paramount Theatre SHN/AUDIO 1 B+ SBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; last 2 songs missing; see info file for additional flaw notes; reseed with encores also circulates
06/04/76 Paramount Theatre SHN/AUDIO 1 A SBD>MR>?>D>CD; With aud patches for several songs; See info file for details; via Jeff Cook, Jon Miller, Matt Vernon, & Raoul Duke; Seeded to etree by J. Cotsman
06/09/76 Boston Music Hall SHN/AUDIO 1 A set 2; SBD> MR> DAT> SS> CDR> EAC> SHN; via Tony Gardner, from Paul B. seed discs
06/12/76 Boston Music Hall SHN>WAV 2 A- "liberated" Bootleg CD > EAC > SHN; Promised, Mission missing from set 1; via B. de Vos; see major problems noted by Doug in pub comments (d2t04 apparently fails db md5; discs mislabeled 1 vs 2; Wheel missing from music even though in tracklist)
06/12/76 Boston Music Hall AUDIO 3 A SBD> FM(WBCN)> MR(7.5ips); Conversion: Akai 4000DS MKII > Turtle Beach Tropez > CoolEdit96 > CD Wave > SHN; Taped by Peter Wrenn, Seeded by Stephen Wrenn; to etree via Doug Moog; Wheel from unknown AUD; see notes in info file
06/14/76 Beacon Theatre FLAC16>WAV 1 A flac16; Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell
06/14/76 Beacon Theatre FLAC16>WAV 1 A flac16; Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell
06/14/76 Beacon Theatre FLAC/AUDIO 1 A+ flac16; Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell
06/24/76 The Tower Theatre SHN/AUDIO 1 A Note: This is a remastered version of the 2 prior seeds by Dave Bachkus and Tim Wiley. Source one (Set 1 only) : WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN ; Source two (Set 2 only) : SBD>MR>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) ; Remastering : SHN>WAV>Steinberg Mastering Edition Enhanced>Nuendo2>SHN ; seeded by dudeman 08/25/2004
07/17/76 Orpheum Theatre SHN>WAV 2 A Fix of shn id 243 - patch in Eyes of the World smoothed out....Source: MSR>DAT>CD>EAC>SHN Disc1-Set 1 & E2: Disc2-Set II & E1: remedy
07/17/76 Orpheum Theatre SHN/AUDIO 1 A SBD: Master Reel > DAT > CD (possible "new leak"?); Eyes has a 45-second AUD splice, and 2 sec repeat at 3:30 (is that the splice point?); via J. Fricker
07/18/76 Orpheum Theatre SHN>WAV 3 A Source: SBD > ??? > CDR > CDR > SHN
07/18/76 Orpheum Theatre SHN>WAV 1 A S : PreFM > MR > PCM > DAT > CDA > DAW (Bertha) > CDA - d1t01 and d3 S : FM > R > DAT > CDA > DAW (Bertha) > CDA - d1t02-d2t07 Bertha Remaster by jashley@deadacated.com Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool
09/30/76 Mershon Auditorium, Ohio State University FLAC>WAV 2 A discs 1 & 3 SBD>MR>DAT>CD>FLAC
10/09/76 Oakland-Alameda County Coliseum SHN>WAV 2 A Full show (patched SBD); Set 1: S:GDH PreFM DAT> ZA2> DartPro32 de-hiss w/ 2.7 gain> CD> EAC> SHN (Patched with Unknown aud > ? > DAT); Set 2: SBD> Rm> Dat> Sonic Solutions> CD> EAC> SHN; See info file for edits and flaws; compiled and seeded by Conley Knott
12/31/76 Cow Palace SHN>WAV 3 A FM-SB (KSAN-FM)> ? > CDA; 2 encores missing; via Aaron Farnsworth; noted at gdlive 5/01
02/26/77 Swing Auditorium SHN>WAV 3 A SBD > Master Reel > PCM > DAT > CD-R; via DaveTree; Seeded to etree by AlphaDog
03/18/77 Winterland Arena FLAC16>WAV 0 A SBDMR @ 7.5 ips> DAT> CD> EAC> SHN, with AUD patches; AUD portions: Master (R. Bertrando Sony ECM-270/TC-152SD) Cassette> DAT> CD> EAC> SHN; note skip or maybe reel flip d2t2 5:38; d3t3>4 track marker off by ~1:45; d3t5, 'NFA', has an undocumented AUD splice from 14:20 to 15:06
03/19/77 Winterland Arena FLAC16>WAV 0 A- SBD>MR>DAT>DAT>Sonic Solutions>CDR; original tree and covers; note circ at one site 10/99 w/ problem in d3t5?; note Terrapin has fluttery flaws from master reel
03/20/77 Winterland Arena FLAC16>WAV 0 A Recording Info: SBD -> Master Reel -> Dat x 2 -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Tracked and SHN'd By Charlie Miller
04/22/77 The Spectrum audio 3 A
04/23/77 Springfield Civic Center SHN>WAV 3 A- SBD> MR> DAT> CD, with AUD patch on reel splice (FOB Sony ECM99A mics> Sony TC152> DAT> CD via Darrin Sacks); via Adam Jerugim
04/23/77 Springfield Civic Center FLAC>WAV 1 A flac16; SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
05/01/77 The Palladium SHN>WAV 1 A MSR>DAT>CDR>EAC>SHN
05/05/77 Veterans Memorial Coliseum SHN>WAV 3 A Betty Board reel source transferred to DAT by Rob Eaton, then transferred to CD by Dan Stephens; see info file for details
05/07/77 Boston Garden SHN>WAV 3 A SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard.
05/08/77 Barton Hall, Cornell University SHN>WAV 3 A+
05/09/77 Buffalo Memorial Auditorium SHN>WAV 3 A Sources: Soundboard Source:Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out> Dat @ 48 kHz>Soundforge>Shn: Audience Source:Master Audience Cassette> Sony ecm-33pmics>nak550>reel to reel>cd The audience source supplies patches for the master reel splices at D2T2,TMNS 6:50 - 7:18 and D3T4, NFA 1:43 - 2:10 Seeded via Fungus and abgd by Charlie Connor 3/21/02, with thanks to Joe Samaritano and Scott Clugston
05/11/77 St. Paul Civic Center FLAC16>WAV 3 A flac16; FIXED SBD -> Master Reel -> Dat (44.1k) Transferred and Edited By Charlie Miller
05/15/77 The Arena FLAC16>WAV 3 A+ SBDviaCMiller
05/18/77 Fox Theatre FLAC16>WAV 1 A flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC
05/21/77 Lakeland Civic Center audio 3
05/21/77 Lakeland Civic Center SHN>WAV 1 A SBD>reel>DAT>CD-R; TFBT Tree #5; via D. Boyles; (reportedly there may be 2 different .shn versions of this in circulation, 12/99?
05/25/77 The Mosque SHN>WAV 1 A SBD MR > DAT > CDR > SHN; via Seth Kaplan, Greg Hamilton; upgrade compared to previously etreed version; note two-beat elision at d2t5-6 track break (see George Shannon's pub comment)
05/28/77 Hartford Civic Center SHN>WAV 1 A Bettyboard 7 inch master reel @ 7 ? ips > DAT (zero gen)> CDR (zero gen) (via sony pcm r-700 dat playback > hhb cdr-800) > CDR (first gen) > EAC > .Shn; with AUD patches from Steve Rolfe's FOB; see info file for details; via Seth Kaplan, Jack Warner, Darrin Sacks, Bob Fishman; d3 tracked for 80 min, can shift encore for 74
06/08/77 Winterland Arena SHN>WAV 3 A Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Profesional -> SHN Transferred and Edited By Charlie Miller
06/09/77 Winterland Arena audio 3 A cmSBDupgrade
09/03/77 Raceway Park WAVE AUDIO 3 A flac16; AUD: Unknown mics > JVC KD-1636 portable cassette deck > Maxell UD-90's. Recording Location: "I was right in front of a delay stack in center field." Transfer: MAC > unknown playback > Soundforge > CD-Wave > CDR. Concert recording and transfer to CDR by Tim "Sounddawg" Stiegler. CDR > EAC > TLH > FLAC by Andrew F.
10/06/77 Activity Center, Arizona State University FLAC16>WAV 1 A flac16; FM > C(x2) > Marantz CDR-510 (rec at -0db) > CDR > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, checksums, and FLAC compression) > FLAC
10/11/77 Lloyd Noble Center, University Of Oklahoma FLAC>WAV 1 A flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
10/12/77 Manor Downs SHN>WAV 1 A SBD>MR>C>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN via J. Cotsman; Thanks to S. Milewski for aud patches
10/28/77 Soldiers & Sailors Memorial Hall SHN>WAV 3 A Betty Board>MR>?>CD; via Jens Tilsner; Seeded to etree by Willy
10/29/77 Evans Field House, Northern Illinois University SHN>WAV 3 A SBD > Reel > DAT > WAV (via TB Fiji S/PDIF) > SHN; via Jeff Kempka
10/30/77 Assembly Hall SHN>WAV 3 A Source: SBD > MR > PCM > DAT > CDR > EAC > mkwACT EAC'd/SHN'd by Doug Nawrocki
11/01/77 Cobo Arena SHN>WAV 2 A SBD> Master (Betty Board) Reels> PCM> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M.; includes US Blues encore; d1t05 cuts into friend of the devil (about 1st 20 seconds missing)
11/02/77 Field House, Seneca College SHN>WAV 2 A+ Soundboard Reel> CD> TC2000 EQ> Sonic Solutions (David Gans)> CD> EAC> SHN TC2000; Equalizer Used To Brighten Up The Rather Dull Sound; CD> EAC> SHN By Joe Samaritano; also to abgd via Charlie Connor; note upgrade to previous copy
11/04/77 Cotterell Gym, Colgate University 0
12/27/77 Winterland Arena 0
12/27/77 Winterland Arena SHN>WAV 2 A Betha Remaster
12/27/77 Winterland Arena SHN>WAV 3 A SBD>MR>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN (multigen); originally circulated by David Gans w/ thanks to S. Milewski for the patches
12/31/77 Winterland Arena SHN>WAV 3 A SBD> MR> DAT> standalone burner> CDR> EAC> SHN; EAC> SHN by B. Purvis; via offer to PCP; etreed 5/9/00 via A. Jerugim
01/08/78 Golden Hall, Community Concourse SHN>WAV 1 A Aud>C>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Digitally Mastered by Charlie Connor; with Thanks to Lawrence Peryer
01/08/78 Golden Hall, Community Concourse SHN>WAV 1 a Aud>C>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Digitally Mastered by Charlie Connor; with Thanks to Lawrence Peryer
04/11/78 Fox Theater SHN>WAV 3 A SBD -> Rm -> PCM -> Dat via Charlie Miller
04/15/78 William & Mary Hall FLAC16>WAV 1 A flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> Samplitude Professional v7.02 -> FLAC
04/16/78 Huntington Civic Center SHN>WAV 2 A SBD> Reel > PCM> DAT> CDR> SHN; via Mike Lai, Chris Vinci to etree, via breaker to abgd.hs; note copy a seeded to etree 2/00, copy b seeded to abgd 2/01- these differ by only 1 checksum, d1t12; static for a few seconds at the beginning of Sunshine Daydream
04/16/78 Huntington Civic Center FLAC16>WAV 1 A flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC by Charlie Miller
04/24/78 Horton Field House, Illinois State University SHN>WAV 1 A (3296)MR>?>R>D>Digi96>Soundforge>CDWAV>SHN
07/08/78 Red Rocks Amphitheatre SHN>WAV 3 A SBD> [?]> DAT> CDR; via Jeff Hoelter; see pub comments for additional notes. [Note: A shntool-fixed-be-sets version of this source is available]
09/15/78 Gizah Sound and Light Theater FLAC16>WAV 2 A Recording Info: Set One: SBD -> Reel Master (Multi-track) -> Cass -> Dat -> CD -> EAC -> SHN Set Two: SBD -> Reel Master (10" @ 15 I.P.S. 1/2-track) -> Dat -> CD -> EAC -> SHN Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN All transfers By Charlie Miller charliemiller87@earthlink.net 1/8/04 Notes: The Dat transfers were done sometime in 2000.
09/16/78 Gizah Sound and Light Theater SHN>WAV 3 B+ source missing sunrise
10/17/78 Winterland Arena SHN>WAV 3 A World 2 Give
10/17/78 Winterland Arena AUDIO 2 A Source: flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
10/18/78 Winterland Arena SHN>WAV 3 A SBD > Master Reel > PCM-1 > DAT > CD> EAC > SHN; via shakedown@canada.com; known flaws (from MR): Sugaree, Miracle cut; PITB, WR spliced Download This Source from the Llama
10/20/78 Winterland Arena SHN>WAV 3 A SBD; transferred and seeded to etree by Mike Lai, from Bruce Fried DAT
10/21/78 Winterland Arena FLAC/AUDIO 1 A flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
10/22/78 Winterland Arena SHN>WAV 3 A Sbd: Reel: PCM: Dat; D> CD: Tascam DA30MKII> Opcode Datport> HD (Cool Edit 2000)> Cdwav> SHN; Notes: SRC done by CE2K, and normalization also done by CE2K; via N. "NateDawg" Hifko, tracked for 3 discs by Yubah; etreed 5/10; Jeff K. hosted 5/15 with alternate tracking (q.v.) for d2,3
11/17/78 Rambler Room, Loyola College SHN>WAV 1 A-
11/17/78 Rambler Room, Loyola College FLAC/AUDIO 1 A Lineage: Soundboard->Master Cassette->DAT->Sonic Solutions->CD Transfer: CD->EAC->FLAC EAC, Re-track, and FLAC by Joe Samaritano
11/18/78 Uptown Theater FLAC/AUDIO 1 A flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
11/20/78 Cleveland Music Hall FLAC16>WAV 1 A flac 16; Sick Bits Vol. 16a - matrix: SBD/AUD mix from 2 previously circulating sources; SBD: (shnid=12947)+ AUD: (shnid=302); edited, mixed and transfered by Chris Chappell
02/10/79 Soldiers & Sailors Memorial Hall FLAC/AUDIO 1 A flac16; Recording by Joani Walker: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source)
05/05/79 Baltimore Civic Center FLAC16>WAV 3 A flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
05/05/79 Baltimore Civic Center FLAC16>WAV 3 A flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
05/05/79 Baltimore Civic Center AUDIO 3 A Source: flac16; Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By CMiller
05/09/79 Broome County Arena FLAC16>WAV 1 A flac16; Source: Audience FOB Recording, 50ft. DFC, Hand-Held Nak CM700's Media: Maxell UD-XLII 90 min. Lineage 1: Nakamichi CM700's > Sony 158SD > MAC > Sony 158SD > C1 Lineage 2: Nakamichi CM700's > Sony 158SD > MAC Transfer 1: C1 > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Transfer 2: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky
08/04/79 Oakland Auditorium Arena SHN>WAV 3 A Source:SBD>MC>C>DAT>CDR Fix of shnid 9578 (sbd) by Bill Tetzeli - see info file for details
08/14/79 McNichols Sports Arena flac16>wav 1 A flac16;Recording Info:(2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k) Recorded by Rob Eaton; Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
09/06/79 Madison Square Garden FLAC16>WAV 1 A Sources: Primary Source; Master Soundboard Cassette > Reel to Reel > PCM > CDR; Secondary Source: Barry Glassberg's Master Audience Cassette; Nakamichi CM700's; Secondary source supplies a patch in "Easy to Love You" (d2t03) from 1:14 thru 1:41; Patching/CD Mastering by Scott Clugston; Also to abgd via Charlie Connor
10/27/79 Cape Cod Coliseum FLAC16>WAV 3 A+ Transferred and Edited By Charlie Miller Note: This seed has a fixed Stagger Lee.
10/31/79 Nassau Veterans Memorial Coliseum FLAC>WAV 3 A SBD cmiller
10/31/79 Nassau Veterans Memorial Coliseum FLAC16>WAV 3 A+ SBDcmiller
10/31/79 Nassau Veterans Memorial Coliseum FLAC16>WAV 1 A Source: Audience At SBD Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TCD5 > MAC 50ft. DFC Hand-Held Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick
11/05/79 The Spectrum FLAC>WAV 2 A+ IISBDonlyCMiller
11/08/79 Capital Centre FLAC16>WAV 1 A SBDcm1only
11/09/79 Community War Memorial Auditorium SHN>WAV 3 A Updated source: SBD> Cm> Cass> Dat> Sound Forge> CD; note d1t1 is JBG from 11/8/79 encore; to abgd previously; via A. Stern; note variable right-channel static throughout
11/09/79 Community War Memorial Auditorium FLAC16>WAV 1 A flac16; Fix of shn id 318 - SBD> Cm> Cass> Dat> Sound Forge> CD > WAV > SHN > WAV > FLAC
11/25/79 Pauley Pavilion, UCLA FLAC16>WAV 1 A flac16; Recording Info: SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Patch Info: Nakamichi 700 -> Master Cassette -> Reel -> CD (Possibly One More Reel Gen); repatched version of shn id 25609 (this has a new patch in Bertha)
11/29/79 Cleveland Public Hall audio 3 A cmSBD
11/30/79 Stanley Theatre audio 3 A SBDcmiller
12/01/79 Stanley Theatre audio 3 A SBDcmiller5/31/05
12/03/79 Uptown Theater audio 3 A SBDcmiller
12/05/79 Uptown Theater FLAC16>WAV 1 A flac16; composite of shn id 19418 (set1 aud) + shn id 31959 (set2 sbd) with minor edit to smooth transition.
12/07/79 Indiana Convention Center SHN>WAV 2 A SBD -> Master Cassette -> Cassette -> Dat (48k)Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Dat Supplied By Rob Eaton; Transferred By Charlie Miller
12/09/79 Kiel Auditorium FLAC16>WAV 3 A flac16; SBD> Cassette Master> Reel (Technics)> Dat (3800/48k), plus patch from Nak 700> Cass> Reel source; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; transferred and edited by Charlie Miller
12/11/79 Soldiers & Sailors Memorial Hall FLAC16>WAV 3 A+ Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller charliemiller8
12/26/79 Oakland Auditorium Arena FLAC/AUDIO 1 A flac16; Recording by Joani Walker (Soundcheck by David Gans): Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller
12/27/79 Oakland Auditorium Arena FLAC/AUDIO 1 A flac16; Recording by Joani Walker: Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All *Transfers and Mastering By *Charlie Miller **Recorded by Joani Walker*, sweet Winter '79!
12/28/79 Oakland Auditorium Arena FLAC>WAV 1 A flac16; SBD > MR > PCM > DAT > WAV > FLAC. Seeded by the Green Mountain Bros.
12/28/79 Oakland Auditorium Arena FLAC/AUDIO 1 A Source: flac16; Recording by Joani Walker: Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
12/30/79 Oakland Auditorium Arena FLAC/AUDIO 1 A Source: flac16; Recording by Joani Walker: Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.0.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller
12/30/79 Oakland Auditorium Arena FLAC16>WAV 1 A flac16; Seamless fix of shn id 4797 - SBD>MC>DAT>CD
12/31/79 Oakland Auditorium Arena FLAC16>WAV 1 A flac16; Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16
03/30/80 Capitol Theater FLAC>WAV 2 A SBDviaCMiller
04/01/80 Capitol Theater SHN>WAV 1 A mixed sources: SBD> Rm> Dat> Sonic Solutions> CD> EAC> SHN, SBD> Rm> Cass> Dat> CD> Cool Edit Pro> CD> EAC> SHN, and AUD> Cm> Dat> CD> EAC> SHN; edited, converted, seeded by Charlie Miller
04/28/80 Boutwell Auditorium FLAC>WAV 1 A flac16 MOTB Release: 0040 16/44.1 Source: Master Audience Recording [1st Row Loge, DFC] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe
04/29/80 Fox Theater FLAC/AUDIO 1 A flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
04/29/80 Fox Theater FLAC/AUDIO 1 A flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
05/02/80 Hampton Coliseum FLAC/AUDIO 1 A flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
05/07/80 Barton Hall, Cornell University SHN>WAV 3 A SBD>CassetteMaster>Reel>Dat>CD>EAC>SHN
06/21/80 West High Auditorium SHN>WAV 3 A- Source: Master Soundboard Cassette > Reel To Reel > DAT> CDR; Secondary Source:Master Audience Cassette; AKG 414 mics source supplies the
07/01/80 San Diego Sports Arena SHN>WAV 3 A sbd>?>dat; there are splices from an unknown source at Althea and also for the encore; Seeded to etree by Brian Cole
08/30/80 The Spectrum FLAC16>WAV 1 A flac16; shn id 15408 and fixed version of shn id 8875
09/03/80 Springfield Civic Center SHNv3>WAV 3 A- MAC > ? > CD > EAC > SHNv3; EAC(secure mode) and encoded to shnv3(seek enabled) by Charles Bass
10/06/80 Warfield Theater SHN>WAV 1 A Acoustic set only; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy
10/10/80 Warfield Theater FLAC16>WAV 3 A flac16; SBD/AUD Matrix of 3 previously circulated seeds; prepared by Chris Chappell
10/11/80 Warfield Theater SHN>WAV 1 A Soundboard->Reel->PCM->DAT->CDR->Plexwriter CD-R(EAC)->HP 8200i CDRW Drive(EAC)
10/23/80 Radio City Music Hall SHN>WAV 3 A Mark Cohen AUD from orchestra seats with Nak 700s > Sony D5; Lineage: AUDMC > Cass > DAT > CDR via Jay Jurina, conversion Matt Vernon
10/25/80 Radio City Music Hall SHN>WAV 3 A- Source: AUD>MC>DAT>CDR
10/26/80 Radio City Music Hall SHN>WAV 3 A SBDhinko trade for 3/2/69GDsbd
10/27/80 Radio City Music Hall FLAC>WAV 3 A SBDviaCLarson
10/29/80 Radio City Music Hall SHN>WAV 3 A Source: Master AUD (Wise Sony EMC-280/D-5) Cass> PCM> ZA2> CD
10/29/80 Radio City Music Hall FLAC16>WAV 1 A flac16; Seamless fix/combination of shn id 1953 and shn id 32538
10/29/80 Radio City Music Hall FLAC16>WAV 1 A flac16; Seamless fix/combination of shn id 1953 and shn id 32538
10/30/80 Radio City Music Hall SHN>WAV 3 A Source: Master AUD (Wise Sony EMC-280/D-5) Cass> PCM> ZA2> CD
10/31/80 Radio City Music Hall SHN>WAV 3 A+
11/28/80 Lakeland Civic Center FLAC/AUDIO 1 A flac16; Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky February 7, 2008
11/28/80 Lakeland Civic Center FLAC/AUDIO 1 A flac16; Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky February 7, 2008
11/28/80 Lakeland Civic Center FLAC/AUDIO 1 A flac16; Matrix 2 Source Mix - SBD (shn id 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Encoding/patching by Matt Vernon + AUD (shn id 89932) Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky - matrix mixing by Kevin Tobin
11/29/80 Alligator Alley Gymnasium, University Of Florida FLAC/AUDIO 1 A flac16; Recording by Jim Wise. Source: Beyer M-160's > Sony TC-D5 > CDR > DAT Recording by Jim Wise Mics were on a 15' pole at the SBD Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 7, 2008
12/06/80 Mill Valley Recreation Center SHN>WAV 1 A Betty Cantor-Jackson's Master Audience Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston
12/12/80 Swing Auditorium AUDIO 3 A SOURCE: flac16; MOTB Release: 0059 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x TDK SA-X 90 Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design L
12/31/80 Oakland Auditorium Arena SHN>WAV 3 A Source: SBD > Rm > Cass > Dat > Samplitude > CDR > EAC> SHN
12/31/80 Oakland Auditorium Arena FLAC16>WAV 1 A+ flac16; Seamless fix and patch of shn id 6391 - SBD > Rm > Cass > Dat > Samplitude > CDR > EAC > SHN
03/02/81 Cleveland Music Hall AUDIO 2 A+ flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller *Tapes from Dr.Bob*
03/09/81 Madison Square Garden FLAC16>WAV 1 A flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
05/01/81 Hampton Coliseum 0
05/02/81 The Spectrum FLAC16>WAV 1 A flac16; SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat Transferred By Joe Samaritano Patched and Edited By Charlie Miller
05/04/81 The Spectrum FLAC>WAV 3
05/04/81 The Spectrum FLAC>WAV 3 A- MAC
05/08/81 Nassau Veterans Memorial Coliseum 3 A SBDBarry Glassberg patched w/ FOB Nak700s via Charlie Miller
05/09/81 Nassau Veterans Memorial Coliseum FLAC16>WAV 3 A flac16; SBD -> Cassette Master -> Dat All Transfers and Mastering By Charlie Miller
05/15/81 Athletic Center, Rutgers University FLAC>WAV 3 A MAC>DAT>CD
05/22/81 Warfield Theater 0
07/05/81 Zoo Amphitheater FLAC16>WAV 3 A flac16; SBD -> Master Cassette -> Reel -> Dat Transferred and Edited By Charlie Miller
09/13/81 Greek Theatre, University Of California FLAC16>WAV 1 A flac16; Set 1: SBD -> Cassette Master -> ? -> Cassette -> Sound Forge -> CD Set 2: SBD -> Cassette Master -> Cassette All Transfers and Mastering By Charlie Miller
09/26/81 Community War Memorial Auditorium FLAC>WAV 2 A Sick Bits Vol. 10 SBD/AUDmatrix
10/16/81 Club Melk Weg SHN>WAV 2 A
12/09/81 Events Center, University Of Colorado SHN>WAV 3 A Master Soundboard Cassette > Reel to Reel > DAT> CDR Sennheiser 421 Audience source supplies "Mama Tried" (d1t06), the first 1:38 of "Mexicali Blues" (d1t07), as well as from 4:54 of "Space" (d3t01) thru 4:13 of "The Other One" (d3t02) Patching / CD Mastering by Scott Clugston EAC'ed / Shn'ed by Scott Clugston 10/02/02
12/27/81 Oakland Auditorium Arena FLAC>WAV 2 A Recording Info: SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Dolby B) -> Sonic 24bit -> SBM2 -> CD -> EAC -> FLAC Transferred and Mastered By David Gans Converted To FLAC By Charlie Miller Thanks to Joani Walker and Paul Scotton for the tapes
12/31/81 Oakland Auditorium Arena FLAC16>WAV 4 A+ flac16; SBD> Cassette Master (Dolby B)> Sonic 24bit> SBM2> CD> EAC> FLAC; Transferred and Mastered By David Gans; FLAC By Charlie Miller
03/14/82 Recreation Hall, UC Davis AUDIO 3 A SOURCE: Master Soundboard Cassette > Reel to Reel > DAT > CDR; CD Mastering, SHN'ed by Scott Clugston; d1 tracked for 80 min
04/02/82 Cameron Indoor Stadium, Duke University SHN>WAV 3 A Master Soundboard Cassette > Cassette > DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston *Jerry & Phil swap sides*
04/09/82 Community War Memorial Auditorium FLAC16>WAV 2 A flac16; SBD -> Cassette Master -> Reel -> Dat (48k) All Transfers and Mastering By Charlie Miller
04/12/82 Nassau Coliseum FLAC16>WAV 3 A flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC
04/14/82 Glens Falls Civic Center audio 3 Aud Mac
04/14/82 Glens Falls Civic Center audio 3
04/18/82 Hartford Civic Center SHN>WAV 3 A SBD -> Cm -> PCM -> Dat(48k) via Charlie Miller
04/19/82 Baltimore Civic Center SHN>WAV 3 A Master Soundboard Cassette > Cassette > DAT > CDR; EAC'ed/SHN'ed by Scott Clugston; via David Warren to abgd Final Baltimore Show; "Raven Space"
05/21/82 Greek Theatre, University Of California SHN>WAVE 2 A sbd master cassette > DAT > CDR > EAC > SHN; via Gerald Gorinsky with thanks to Kevin Gills, Mark Perini; see info file for flaw notes
07/28/82 Red Rocks Amphitheatre FLAC>WAV 3 A Source: Soundboard of unknown lineage > ? > Cassette. Transfer: Cassettes > Sony TC-D5M > Sounblaster > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-Fix, Checksums, and FLAC Compression) > FLAC
07/31/82 Manor Downs FLAC16>WAV 3 A flac16; SBD -> Cassette Master -> Dat (44.1k) Transferred and Edited By Charlie Miller
08/03/82 Starlight Theater SHN>WAV 3 A- SBD>MC>PCM>DAT>CDR Missippi Half-Step cuts in at 12 seconds Cassidy has several cuts throughout Let It Grow cuts at tailend as they play out to drums * Aud patch assumed from widely circulated audience source
08/10/82 University Of Iowa Fieldhouse SHN>WAV 3 A+ SBD -> Cm -> Dat -> Samplitude 2496 v6.0 -> CD -> EAC -> SHN; via Charlie Miller
08/28/82 Oregon Country Fair SHN>WAV 3 A sdb> cassette master> cassette> cdr; transfer by Mike Lai from Bruce Fried's seed; reportedly stemming from Rock Scully
09/14/82 University Hall, University Of Virginia FLAC>WAV 2 A Recording Info: 1st Set: Beyer M160 -> Cassette Master (Sony D5) -> Dat -> CD -> EAC -> SHN 2nd Set: SBD -> Cassette Master -> Reel -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller
09/20/82 Madison Square Garden SHN>WAV 1 A+ flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> Cool Edit Pro v.20 -> FLAC All Transfers and Mastering By Charlie Miller (Pitch correction of shn id 77482.)
09/20/82 Madison Square Garden FLAC>AUDIO 1 A+ flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> Cool Edit Pro v.20 -> FLAC All Transfers and Mastering By Charlie Miller (Pitch correction of shn id 77482.)
09/21/82 Madison Square Garden FLAC16>WAV 3 A flac16; SBD -> Cassette Master -> Dat All Transfers and Mastering By Charlie Miller
09/21/82 Madison Square Garden FLAC16>WAV 3 A flac16; SBD -> Cassette Master -> Dat All Transfers and Mastering By Charlie Miller
12/27/82 Oakland Auditorium FLAC16>WAV 2 A+ flac16; Sick Bits Vol. 18a - SBD/AUD Matrix of 3 sources (1 previously circulated SBD for set 1 - shnid=32134 and 2 uncirculated sources) - edited, mixed and encoded by Chris Chappell
12/27/82 Oakland Auditorium FLAC16>WAV 1 A+ flac16; Sick Bits Vol. 18a - SBD/AUD Matrix of 3 sources (1 previously circulated SBD for set 1 - shnid=32134 and 2 uncirculated sources) - edited, mixed and encoded by Chris Chappell
12/28/82 Oakland Auditorium FLAC16>WAV 2 A+ flac16; Sick Bits Vol. 18b - SBD/AUD Matrix of 1 previously circulated SBD source (shnid=31967) and 1 uncirculated AUD source. Edited, mixed and encoded by Chris Chappell.
12/30/82 Oakland Auditorium FLAC16>WAV 1 A flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
12/31/82 Oakland Auditorium FLAC16>WAV 1 A flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
03/14/83 Club Front - Rehearsals SHN/AUDIO 1 A Source: Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03
04/09/83 Hampton Coliseum SHN>WAV 3 A cmSBDSBD>MasterCassette>Reel>DAT(48k) Media Type: Media Count: 0 SHN Info: SBD> Master Cassette> Reel> Dat (48k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Rob Eaton's FOB Senn 441 source; Transferred, Edited and Patched By Charlie Miller
04/10/83 West Virginia University Coliseum SHN>WAV 2 A Source: Audience Recording: Sennheiser 441-->Sony D6
04/12/83 Broome County Arena FLAC16>WAV 2 A+ flac16; Recording Info: SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.0 -> FLAC
04/20/83 Providence Civic Center 0 A cmSBD
04/23/83 Veterans' Memorial Coliseum FLAC>WAV 2 A+ Set2 cmSBD; flac16; SBD -> Cassette Master -> Reel -> Dat -> CD Transferred and Edited By Charlie Miller; Scarlet -> Fire patched from Charlie Miller's Aud: (FOB) Senn 421 -> Cassette Master -> Sound Forge -> CD Notes: SetII cmSBD
04/26/83 The Spectrum 0
05/14/83 Greek Theatre, University Of California FLAC>WAV 2 A Master: Beyer M201's X-Y > Sony TCD5M (Maxell MX 90, no dolby) Location: 85 feet from stage, DFC Transfer: Sony TC-RX 370 > Echo Gina 24@16/48 > BIAS PEAK VST 2.8 > Mac G-4 dual 533 > Adaptec toast > Matshita CD-RW 7573 (internal) > EAC (PC w/pentium III 700) > flac v1.7.1 etree ed. Mastered by the Executive Crew (T.P, K.H.) Transferred by Kyle Holbrook
05/14/83 Greek Theatre, University Of California FLAC>WAV 2 A Master: Beyer M201's X-Y > Sony TCD5M (Maxell MX 90, no dolby) Location: 85 feet from stage, DFC Transfer: Sony TC-RX 370 > Echo Gina 24@16/48 > BIAS PEAK VST 2.8 > Mac G-4 dual 533 > Adaptec toast > Matshita CD-RW 7573 (internal) > EAC (PC w/pentium III 700) > flac v1.7.1 etree ed. Mastered by the Executive Crew (T.P, K.H.) Transferred by Kyle Holbrook
05/14/83 Greek Theatre, University Of California FLAC>WAV 2 A Master: Beyer M201's X-Y > Sony TCD5M (Maxell MX 90, no dolby) Location: 85 feet from stage, DFC Transfer: Sony TC-RX 370 > Echo Gina 24@16/48 > BIAS PEAK VST 2.8 > Mac G-4 dual 533 > Adaptec toast > Matshita CD-RW 7573 (internal) > EAC (PC w/pentium III 700) > flac v1.7.1 etree ed. Mastered by the Executive Crew (T.P, K.H.) Transferred by Kyle Holbrook
06/27/83 Poplar Creek Music Theatre FLAC/AUDIO 1 A flac16; Recording Info: (FOB) Sennheiser 441 -> PCM -> Dat -> CD Transfer Info #1: Dat (Sony D8) -> CD (Tascam CD-RW700) Transfer Info #2: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
06/28/83 Poplar Creek Music Theatre FLAC/AUDIO 1 A flac16; FOB Sennheiser 441> PCM> Dat> CD; Transfer: CD> EAC> Samplitude Professional v8.0> FLAC; plus patch from FOB Sennheiser 421 source; Transferred and Edited By Charlie Miller
08/31/83 Silva Hall, Hult Center FLAC16>WAV 1 A flac16; Lineage: AUD > unknown mics > Sony TC-D5 > MAC > 1st generation cassettes Transfer: Sony UCX-S 90s > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression, and checksums) > FLAC
09/02/83 Boise State University Pavillion 0
09/04/83 Park West Ski Resort FLAC16>WAV 3 A Fix of shnid 2193 Master Soundboard Cassette > Cassette > DAT > CDR; via Scott Clugston to abgd and etree Patch source: MAC (2 Beyer M160s + 1 Sennheiser 441 blend) > Sony TCD5M > Sound Forge 5 > SHN)
09/10/83 Santa Fe Downs FLAC/AUDIO 1 A flac16; Recording Info: (FOB) Sennheiser 441 -> PCM (Technics SV100) -> Dat Transfer Info: Dat (Sony R500) -> VX Pocket v2 -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller
10/08/83 Richmond Coliseum FLAC/AUDIO 1 A flac16; Set 2 Only - Source: Master Audience Cassette Sennheiser 421 > Sony D5 > Sony D6 Location: FOB 8th Row Center Taper: Ross Lipton for Bill Devanney Media: TDK MA 90 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC
10/09/83 Greensboro Coliseum FLAC/AUDIO 1 A flac16; Set 2 Only - Source: Master Audience Cassette Sennheiser 421 > Sony D5 > Sony D6 Location: FOB 8th Row Center Taper: Ross Lipton Media: Maxell XLII 90 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC
10/15/83 Hartford Civic Center SHN>WAV 2 A- Sbd > Cassette Master > Dat x 2 > CDR > SHN; plus AUD patches from Jeff Silberman Senn source (see info file); to etree via Bob Harrell
10/17/83 Olympic Center SHN>WAV 3 A flac16; mixed SBD sources, plus AUD patches: Set 1: SBD> Master Cassette> Dat> Sonic Solutions> CD> EAC> FLAC; Set 2: SBD> Master Cassette> Reel> Dat> CD> EAC> Samplitude v7.02 Professional> FLAC; Patch Info: (FOB/12th Row) Sennheiser 421> Master Cassett
10/17/83 Olympic Center flac16>wav 1 A flac16; Source: DAT Copy of Master Cassette Sennheiser MD 441 U > Sony TCD-5M FOB 10th Row Recorded and Copied to DAT by Chuck Jackson Transfer:Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 48 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/48 KHz WAV > Ozone 3.0 > MBIT+ and > CDWAV 1.9 Converted to 16/44.1 KHz WAV with r8brain > FLAC (level 8). with TLH Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. Transferred by C. Ladner Mastering by B. Koucky
10/21/83 The Centrum FLAC16>WAV 1 A Jay Ashley (Bertha) remaster of SBD>PCM source; SBD>>MPCM>>CASS>>DAT>>CDA>>SHN>>WAV>>DAW(Bertha)>>CDA
12/30/83 San Francisco Civic Auditorium FLAC16>WAV 1 A flac16; SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transferred and Edited By Charlie Miller
12/31/83 San Francisco Civic Auditorium SHN>WAV 3 A SBD -> Rm -> Dat -> M-Audio 2448 -> Samplitude 2496 v6.0 -> CD (SHN) Brokedown Palace patched from Pre-FM>Cm>Cass>Dat>CD Dat -> SHN Transfer Done By Charlie Miller charliemiller87@earthlink.net 8/27/02
03/29/84 Marin County Veterans Auditorium FLAC16>WAV 2 A flac16; SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transferred and Edited By Charlie Miller
04/01/84 Marin County Veterans Auditorium FLAC16>WAV 3 A flac16; FOB: 2 Beyer M160s + 1 Senn. 421>D5>MC>CDR>EAC>FLAC Taper: Jim Quirk
04/01/84 Marin County Veterans Auditorium FLAC16>WAV 3 A flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
04/13/84 Hampton Coliseum 0 A cmSBDupgrade
04/14/84 Hampton Coliseum SHN>WAV 2 A-
04/14/84 Hampton Coliseum FLAC16>WAV 1 A Source: FOB Sennheiser 441s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.KouckyTransfer: MAC playback on cleaned/demagged Nakamich DR-2 > Neutrik inputs on Presonus Firebox preamp/A-D > firewire > 2 GHz P4 PC - XP Pro > Wavelab 5, recorded as 24
04/14/84 Hampton Coliseum FLAC16>WAV 1 A flac16; SBD -> Cassette Master -> Cassette Transferred and Edited By Charlie Miller
04/19/84 Philadelphia Civic Center FLAC>WAV 3 A+ flac16; SBD> Cassette Master> Reel> Dat (SV3800/48k)> Samplitude v7.02 Professional> FLAC; Converted and Edited By Charlie Miller
04/20/84 Philadelphia Civic Center FLAC>WAV 3 A+ cmillerSBDupgrade
04/21/84 Philadelphia Civic Center SHN>WAV 2 A- Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Transfer: MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > SoundForge 5.0 normalization > WAV > CDWave > WAVs > mkwAC > SHNs to end of Throwing stones. Very End of Throwing Stones, Not Fade Away & Brokedown place from LMA Source: Neumann U87's (cardioid) > Sony Pro Mixer > Technics SV100 PCM > DAT > CDR Transfer and seed by Charles Bandrofcheck
04/23/84 Veterans' Memorial Coliseum SHN>WAV 3 A 2nd set only; SBD>CM>Reel>DAT>CD
04/24/84 Veterans' Memorial Coliseum FLAC16>WAV 1 A flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Thanks to Paul Scotton, Joani Walker and Jacob Feinberg for the tapes
04/27/84 Providence Civic Center FLAC16>WAV 2 A Source: FOB 15th Row Ctr Sennheiser 441 > Sony D5.
04/29/84 Nassau Coliseum SHN>WAV 3 A Source: (FOB/14th Row) 3 Beyer M160's -> Cm -> Sound Forge -> CD -> EAC -> SHN
04/30/84 Nassau Coliseum SHN>WAV 3 A Source: aud> senn 441> cassette master> cdr
05/06/84 Silva Hall, Hult Center SHN>WAV 3 A SBD > MC > C > DAT > CD > EAC > SHN
05/07/84 Silva Hall, Hult Center SHN>WAV 3 A SBD> Cass> DAT> cdr; via Chris Vinci, Mike Lai
05/08/84 Silva Hall, Hult Center SHN>WAV 3 A Source: SBD> MR> C> DAT> CDR
06/09/84 Cal Expo SHN>WAV 3 A Source: SBD > MC > DAT > CDR
06/10/84 Cal Expo SHN>WAV 3 A Source: SBD>MC>C>DAT>CDR
06/13/84 Red Rocks Ampitheatre SHN>WAV 3 A Source: SBD>PCM>DAT>CDR
06/14/84 Red Rocks Ampitheatre SHN>WAV 3 A Source: SBD > MC > C > DAT > CD > EAC > SHN
06/21/84 Kingswood Music Theater SHN>WAV 3 A Source: FM>MC>PCM>DAT>Cool Edit Pro>CDR>SHN
06/21/84 Kingswood Music Theater SHN/AUDIO 1 B+ FM>MC>PCM>DAT>Cool Edit Pro>CDR>SHN; Via Andy L; EAC'ed and SHN'ed by tbrame
06/23/84 City Island SHN>WAV 3 A Source: Recording Info:(FOB) Senn 441 -> PCM -> Dat
06/24/84 Saratoga Performing Arts Center audio 3 cmSBDupgrade/transfer/edit
06/26/84 Merriweather Post Pavilion SHN>WAV 3 A Source: SBD>PCM>DAT>CD>SHN. Tennessee Jed and Day Job are patched from an audience recording via Ray Hansen, encoded by Peter Braverman
06/27/84 Merriweather Post Pavilion SHN>WAV 3 A Source: SBD>PCM>C>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN
06/29/84 Blossom Music Center SHN>WAV 3 A Source: Jim Wise Senn 421?s>Sony TC-D5M>MC>DAT>CD
06/29/84 Blossom Music Center FLAC>WAV 2 A **SET 2 SOUNDBOARD** Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
06/29/84 Blossom Music Center FLAC>WAV 1 A **SET 2 SOUNDBOARD** Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
06/29/84 Blossom Music Center FLAC16>WAV 1 A **SET 2 SOUNDBOARD** Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
06/30/84 Indianapolis Sports and Music Center SHN>WAV 3 A Source: SBD>MC>DAT>CDR
06/30/84 Indianapolis Sports and Music Center SHN>WAV 3 A Source: SBD>MC>DAT>CDR
06/30/84 Indianapolis Sports and Music Center SHN>WAV 3 A Source: SBD>MC>DAT>CDR
06/30/84 Indianapolis Sports and Music Center FLAC16>WAV 1 A flac16; AUD: FOB, Sennheiser MD-421's > DBX NX-40 > Sony TC-D5 Taper: Unknown MAC > CD Transfer: Unknown CDR > EAC > WAV > WavMerge > CD-Wave > Soundforge > TLH > FLAC Frontend by Andrew F, Oct 2005. Some of the ID's were missing or in the wrong spot, so I merged the files and re-split them. I used Soundforge to make some small fades for the start and end of discs. I used TLH to verify SBE-OK and to make checksums, and Flac Frontend for lossless compression
07/01/84 Pine Knob Music Theater SHN>WAV 2 A AUD>MC>??>DAT>CDR; via Paul B; Seeded to etree by Willy
07/03/84 Starlight Theater SHN>WAV 2 A AUD>MC>??>DAT>CDR; via Paul B; seeded to etree by Willy
07/04/84 Five Seasons Center SHN>WAV 3 A SBD> Master Cassette> Cassette> Dat, plus patches from FOB Sennheiser 421> Cass; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> Adobe Audition> SHN; Transferred and Patched By Charlie Miller; Speed corrected by +2.37% to match the speed of the FOB, by Jay Ashley
07/06/84 Alpine Valley Music Theatre SHN>WAV 3 A Source: Fob: Sennheiser 441's > MC > Dat > CdEac >cool edit > shntool > cdwav >shnv3Eac >shn (secure with proper offsets) by Ernie Dodd
07/07/84 Alpine Valley Music Theatre SHN>WAV 2 A SBDMC(R?) > DAT > WAV > SHN w/ AUD(Senn 441s > D5 > DAT > CD) patches
07/13/84 Greek Theatre, U. Of California SHN>WAV 3 A SBD > ? > CDR> DAE (cdparanoia)> SHN; via Mark Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an analog generation"
07/14/84 Greek Theatre, U. Of California SHN>WAV 2 A Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller
07/15/84 Greek Theatre, U. Of California FLAC>WAV 3 A flac16; Set 1: SBD -> PCM Master -> Dat/0 -> Samplitude Professional v8.0 -> FLAC Set 2: SBD -> PCM Master -> Dat/0 -> Sonic Solutions -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller
07/21/84 Ventura County Fairgrounds SHN>WAV 2 A Cool Edit fix of previous shn set SBD Master Reel-> DAT->ZA2- >CD, by Matthew Cole
07/21/84 Ventura County Fairgrounds FLAC16>WAV 1 A flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
07/22/84 Ventura County Fairgrounds FLAC16>WAV 3 A+ flac16; SBD -> PCM -> Dat Transferred and Edited By Charlie Miller
07/22/84 Ventura County Fairgrounds FLAC16>WAV 3 A+ flac16; SBD -> PCM -> Dat Transferred and Edited By Charlie Miller
10/05/84 Charlotte Coliseum SHN>WAV 3 A updated source: SBDMC> [no Cass?]> DATs> CDRs> SHN, with FOB Nak 300 patches by Scott Clugston; edited by Darrin Sacks from Blacula's seed; no Sunshine Daydream
10/06/84 Richmond Coliseum SHN>WAV 3 A FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT
10/06/84 Richmond Coliseum SHN>WAV 2 A Unknown shotgun mics > Sony D6 > MC > Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwACT > SHN
10/08/84 The Centrum SHN>WAV 3 A SBD>MC>DAT>CDR ; AUDMC>Nakamichi DR-1>HHB 850 CDR ; SBD with Audience Patches seed text info ; Via Andy L. ; Seeded to Etree by T. Wiley
10/09/84 The Centrum SHN>WAV 3 A SBD>MC>DAT>CDR ; Patch Aud Source: MAC>>Sony D-5>CDR>SHN (previous upgraded SHN release) ; Via Andy L. ; Seeded to Etree by T. Wiley
10/11/84 Augusta Civic Center SHN>WAV 3 A Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable)Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor
10/12/84 Augusta Civic Center SHN>WAV 3 A Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable) ***7.16.03*** Beginning of CR&S patched with alternate FOB Schoeps source, lineage is below. Patched with Cool Edit Pro 2.0 in multitrack view > mkwACT by Doug Nawrocki. d2t01 is the only md5 that differs from the original. Patch source lineage: MAC(FOB 2 Schoeps MK41/CMC4 > Sony TCD-5M) > WAV > SHN digital transfer: Kenwood KX1030 cassette deck > EMI 6|2m (16 bit @ 44.1khz) > Peak 3.21 > WAV > Shorten 1.1a4 > SHN
10/14/84 Hartford Civic Center SHN>WAV 3 A Source: FOB> Nakamichi 300's> CP4Cassette Master
10/15/84 Hartford Civic Center SHN>WAV 2 A+ Recording Info: (FOB) Senn 421 -> Cassette Master -> Dat -> CD Transfer Info: EAC -> Samplitude v7.02 Professional -> SHN - Transfered and Edited By Charlie Miller
10/17/84 Meadowlands Arena SHN>WAV 2 A Source: SBD > MC>DAT via J.Powell encoded by C.Ladner
10/18/84 Meadowlands Arena SHN>WAV 2 A+ (FOB) Nakamichi CM300/CP1 -> Cm (Sony D5) -> Dat (48k) > Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN. All transfers and remastering done by Charlie Miller
10/20/84 Carrier Dome, Syracuse U SHN>WAV 3 A SBD> CM> DAT> computer processing> CDR> EAC> SHNTOOL> MKWACT; Editing by MattMan, from Alan Matta source discs
10/20/84 Carrier Dome, Syracuse U SHN>WAV 1 A SBD> CM> DAT> computer processing> CDR> EAC> SHNTOOL> MKWACT; Editing by MattMan, from Alan Matta source discs
10/27/84 Berkeley Community Theater SHN>WAV 2 A Senn 441?s>Sony D-5. AUD>MC>DAT>CDR via Raoul Duke encoded by Willy and Matt Vernon
10/28/84 Berkeley Community Theater SHN>WAV 2 A Source: SBD>MC>DAT>CDR>WAV>SHN - entire first set except for aud splice during LLR. First three tracks of second set are SBD with the remainder from an unlineaged FOB audience recording.
10/30/84 Berkeley Community Theater SHN>WAV 2 A Source: Set 1: SBD>MC>DAT>CDR>WAV>SHN. Set 2: SBD>MC>DAT>CDR>WAV>SHN & AUD(Senn 441?s>Sony D-5)>MC>DAT>CDR>WAV>SHN
10/31/84 Berkeley Community Theater SHN>WAV 2 A Source: AUD (Sennheiser 441) > CM > CDR > WAV > SHN. Thanks to Dr. B.Fried for the cassette masters. Original SHN conversion by Mike Lai. Note- This is a re-seed of previous seed by C Ladner; See info file for details
11/02/84 Berkeley Community Theater SHN>WAV 3 A Source: Tony G shntool fix of original Braverman SBD seed
11/03/84 Berkeley Community Theater SHN>WAV 3 A SBD> MC> DAT> CD; Seeded to etree by Peter Braverman
12/28/84 San Francisco Civic Auditorium SHN>WAV 3 A Source: Audience cassette > ? > DAT > CDR > SHN
12/29/84 San Francisco Civic Auditorium SHN>WAV 2 A Source: Oade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN
12/31/84 San Francisco Civic Auditorium SHN>WAV 3 A Source: SB > MR > ?? [apparently FM] > DAT > CDR > EAC> SHN
12/31/84 San Francisco Civic Auditorium FLAC16>WAV 1 A flac16; MAC; 2 Sennheiser 421s > Sony D5 > TDK MA-R 90 (Set I & II) & Maxell MX 90 (Set III) Location: 1st row of balcony, Dead Center Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3 (24bit/96kHz) > coax > Audiophile 2496 > WaveLab 5.0 > 24bit/96kHz .wav files (1 per tape side) > Waves L3 UltraMaximizer(dither) > 16bit/44.1kHz > CD Wave Editor > TLH > FLAC16.
02/18/85 Henry J. Kaiser Convention Center FLAC>WAV 1 A flac16; MAC; Sennheiser 421s > Sony TC-MD5 > Maxell MX90s Location: behind SBD Taper: Mark McCue Transfer: MAC > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@2496) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Wave L3 UltraMaximizer (dither to 16 bit 44.1kHz) > CD Wave Editor > Trader's Little Helper > FLAC16. Transfer, dither and conversion by Alex Ford 02/23/2007.
03/13/85 Berkeley Community Theater FLAC>WAV 1 A+ flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90/Dolby B) Transfer Info: Cassette Master (Sony TC-WE475/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
03/21/85 Hampton Coliseum FLAC16>WAV 2 A flac16; (FOB) 2 Sennheiser 421's > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum core (Set II)]. Tapers: Mark McCue, Adam, Monica & John. Transfer, cuts, fades, encoding and seeding to bt.etree.org by Alex Ford
03/22/85 Hampton Coliseum FLAC16>WAV 1 A Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwAC > SHNs Recorded, transfered and seeded by Charles Bandrofcheck
03/24/85 Springfield Civic Center FLAC16>WAV 2 A flac16; MAC: (FOB) 2 Sennheiser 421's > Sony TC-D5 > TDK MA90's Tapers: Mark McCue, Adam, Monica & John Transfer, minor editing, encoding and seeding to bt.etree.org by Alex Ford 05/08/2006.
03/27/85 Nassau Veterans Memorial Coliseum FLAC16>WAV 2 A+ flac16; MAC: (FOB) 2 Sennheiser 421's > Sony D5 > TDK MA90's Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade. Transfer, editing, conversion and seeding by Alex Ford. Master Cassettes provided by Mark McCue.
03/28/85 Nassau Veterans Memorial Coliseum FLAC16>WAV 1 A+ flac16; MAC: (FOB) 2 Nakamichi 700s [modified w/ plexiglass shock mounts@] > Sony D5 > TDK MA 90s. Tapers: Mark McCue, Adam, Monica, Johnny Kelly & Davey the beeker meade. Transfer, edits, conversion & seeding to bt.etree.org by Alex Ford 5/31/2006. Master cassettes provided by Mark McCue.
03/29/85 Nassau Veterans Memorial Coliseum FLAC16>WAV 2 A flac16; MAC: (FOB) 2 Sennheiser 421's > Sony TC-D5 > TDK MA90's Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade. Transfer, minor editing, and encoding by Alex Ford on 5/10/2006.
03/31/85 Cumberland County Civic Center FLAC16>WAV 1 A flac16; MAC: (FOB) Sennheiser 421s > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum shell] (Set II) Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade. Master cassettes provided by Mark McCue. Transfer, edits, conversion, and seeding to bt.etree.org by Alex Ford.
04/01/85 Cumberland County Civic Center FLAC16>WAV 1 A flac16; Source: MAC: (FOB) Sennheiser 421s > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum shell] (Set II) Mic Config: mics on T-Bar, pointed at the stacks, chest high Location: FOB, 20-25 feet from the stage, DFC Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade Transfer: MAC > Nakamichi CD 2 (azimuth adjusted) > rca > xlr > Lunatec V3(@16 bit/44.1 Hz) > coax > Audiophile 2496 > CEP 2.0 > CD Wave Editor > Trader's Little Helper > FLAC16
04/03/85 Providence Civic Center FLAC16>WAV 1 flac16; Source: MAC: Sennheiser 421s > Sony D5 > 2 TDK MA90s Location: Tapers Section Mic Config: Mics on T bar pointed at the stacks, chest high. Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade Transfer: MAC>Nakamichi CD2>Lunatec V3(16/44.1)>Audiophile 2496>CEP 2.0>CD Wave Editor>Traders Little Helper>FLAC16 conversion and seeding to bt.etree.org by Alex Ford
04/06/85 The Spectrum SHN>WAV 2 A SBD>Cm>Cass>Dat>CD>EAC>SHN; Converted to SHN by Charlie Miller
04/13/85 Irvine Meadows FLAC16>WAV 2 A MAC: (FOB) Sennheiser 421's* > Sony D5 > Maxell XLII-S 90(Set I) & Maxell MX 90(Set II) Taper: Mark McCue Transfer, minor editing and conversion by Alex Ford
04/13/85 Irvine Meadows FLAC>WAV 1 A+ flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
04/14/85 Irvine Meadows FLAC16>WAV 2 A MAC: (FOB) Sennheiser 421's > Sony D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II) Tapers: Adam, Justin & Monica Mark McCue Masters Transfer, minor editing and conversion by Alex Ford 03/08/2006.
04/27/85 Frost Amphitheatre FLAC16>WAV 3 A flac16; MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)] Tapers: Adam, Justin & Monica Mark McCue Masters Transfer, minor editing and conversion by Alex Ford 3/10 & 11/2006.
04/28/85 Frost Amphitheatre FLAC>WAV 2 A+ flac16 **NEW UPGRADE** Source Updated CD Burner changed Recording Info: SBD -> Cassette Master -> Cassette -> CD (Marantz CDR 500 Pro) Transfer Info: CD -> EAC -> Samplitude Professional v8.0 -> FLAC Transferred and Edited By Charlie Miller
06/14/85 Greek Theatre, U. Of California SHN>WAV 2 A Source: SBD > DAT > CDR/? Conversion: CDR > EAC (read offset correct) > CDWave > CoolEditPro > mkwACT > SHN (seekable) by Randy Carman rcarman@cogeco.ca
06/14/85 Greek Theatre, U. Of California FLAC16>WAV 2 A Sennheiser 441's > Sony D5 > Sony D5 > Cassettes Tapers: Adam,Justin & Monica Mark McCue Master 1st deck out Conversion, minor editing, and seeding to bt.etree.org by Alex Ford. Sets 1, 1.5, & II &Encore
06/16/85 Greek Theater, U. of California SHN>WAV 3 A Updated source: SBD>MVHS>DAT>CD-R
06/24/85 River Bend Music Center SHN>WAV 0 A fixed version of previous shn set, to boost Samson>He's Gone; via Patrick Murphy; hosted at gdlive.com
06/24/85 River Bend Music Center SHN>WAV 1 A SBD > Cassette Master > PCM > DAT > CD; Transfer: CD > EAC > Cool Edit Pro v2.0 > Samplitude v7.02 Professional > SHN; Transferred and Edited By Charlie Miller; note flaw fix in d3t4 reflected in fixed md5 (see pub comments)
06/27/85 Saratoga Performing Arts Center FLAC16>WAV 3 A flac16; SBD> Master Cassette> PCM> Dat (unconfirmed- could be SBD> VHS> Cass> Dat> CD); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
06/30/85 Merriweather Post Pavilion FLAC16>WAV 2 A+ flac16; SBD -> Cassette Master -> Dat -> CD -> EAC -> FLAC Converted By Charlie Miller
06/30/85 Merriweather Post Pavilion AUDIO 2 A+ SOURCE: flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller
07/01/85 Merriweather Post Pavilion FLAC16>WAV 3 A Unknown shotgun type mics > Sony D6 > Maxell XLII 90's 12" stand
07/13/85 Ventura County Fairgrounds 1 A Source: FOB>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's) Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped & Transferred by Charlie Connor
07/13/85 Ventura County Fairgrounds FLAC16>WAV 1 A Source: FOB>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's) Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped & Transferred by Charlie Connor
09/02/85 Zoo Amphitheater FLAC16>WAV 1 A flac16; MAC; (FOB) Sennheiser 441s > Sony D5 > Sony D5 > 2 Maxell MX90s Tapers: Adam, Justin & Monica Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496 > Waves L2 > WAV @ 1644 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, patches/edits, conversion, and seeding by Alex Ford - June 2007.
09/06/85 Red Rocks Amphitheatre FLAC16>WAV 1 A flac16; Sennheiser 441s > Sony D5 > Maxell MX 90s Tapers: Justin, Adam & Monica Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16 Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford November 2006.
09/07/85 Red Rocks Amphitheatre SHN>WAV 3 A SBD>Cm>Dat>CD>EAC>SHN via Charlie Miller
09/07/85 Red Rocks Amphitheatre FLAC16>WAV 1 A+ flac16; Recording Info: SBD -> PCM Master -> Dat/0 (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> Cool Edit Pro v2.0 -> FLAC; Transfers and Mastering By Charlie Miller
09/11/85 Henry J. Kaiser Convention Center FLAC16>WAV 1 A flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
10/26/85 Sun Dome FLAC16>WAV 2 A flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
10/28/85 Fox Theater FLAC16>WAV 1 A+ flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
10/29/85 Fox Theater FLAC16>WAV 1 A flac16; Pitch-corrected fix of shn id 33704 - Recording: SBD -> Cassette Master (Sony D5/Maxell MX90); Transfer: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
11/02/85 Richmond Coliseum FLAC16>WAV 1 A+ flac16; Matrix from 3 sources: SBD> ?> DAT> CD> EAC> WAV> SHN; AUD - Connor (FOB) Mics: Beyer Dynamic M88's; AUD - Oade (Tapers? Section) Mics: Schoeps (2 x CMC441, 1 x CMC42)> Sony PCM-F1; Matrixed by Chris Chappell
11/20/85 Henry J. Kaiser Convention Center FLAC16>WAV 1 A flac16; Recording Info: SBD -> Cassette Master (Nak 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
11/22/85 Henry J. Kaiser Convention Center FLAC16>WAV 1 A flac16; Recording Info: SBD -> Cassette Master (Nak 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
12/30/85 Oakland-Alameda County Coliseum 2 2 A
02/09/86 Henry J. Kaiser Convention Center FLAC16>WAV 1 A flac16; Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > Sony DTC 2000ES > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (8) GEMS
02/12/86 Henry J. Kaiser Convention Center AUDIO 2 A Source: flac16; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 ; All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net December 14, 2006
03/27/86 Cumberland County Civic Center SHN>WAV 2 A SBD> Cassette Master> Reel> Dat> ?> Dat> CD -> EAC> SHN; plus AUD patch from (FOB) Neumann U87> Cassette Master> CD, using Samplitude v7.02 Professional; SHN Conversion and Patch By Charlie Miller
03/28/86 Cumberland County Civic Center FLAC>WAV 3 A Source: FOB Sennheiser ME88 > D5 > Maxell Metal Cassette master. Transfer: Playbackon Nakamichi BX-100 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > FLAC. Original recording, transfer, and FLAC'ing by Bill K. Mastering: Wavelab 5 (crossfades to smooth flips, minimal Waves L3 (-1 dB threshold)) > CDWAV 1.9 > FLAC by Chris L.
03/28/86 Cumberland County Civic Center flac16>wav 1 A flac16; MOTB Release: 0032 16/44.1Source: Audience FOB Recording Media: MAC = Denon HD8 90 Lineage: 2 x AKG C 460 B-ULS/CK 61-ULS => Uher CR-240 >> MAC Transfer: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [S/PDIF] => TASCAM HD-P2 >> WAV [24/96] Taped by: D. Thompson Transfer by: A. Egert Mastering by: D. McCabe
03/30/86 Providence Civic Center SHN>WAV 2 A Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller
03/31/86 Providence Civic Center SHN>WAV 2 A Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info:Nakamichi 300/CP4 -> Master Cassette (Marantz PMD430) -> CD (Tascam CDRW5000) -> EAC -> Cool Edit Pro v1.2 -> SHN (Taped By Jon Pasternak) via Charlie Miller
04/01/86 Providence Civic Center SHN>WAV 2 A Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info: Nakamichi 300/CP4 -> Master Cassette (Sony D5) -> CD via Charlie Miller
04/03/86 Hartford Civic Center SHN>WAV 3 A Vault PCM Master->10 inch reels at 15 ips->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Michael P. Weitzman Transfer and SHN by Joe Samaritano
04/03/86 Hartford Civic Center FLAC16>WAV 1 A flac16; FOB/TS - Schoeps CMC 44 Cardioids > Sony PCM F1, FOB > Sony PCM 601 > Sony /2000ES DAT > PC > Adobe Audition 1.5 > Shntool > flac lvl 8
04/04/86 Hartford Civic Center FLAC16>WAV 1 A flac16; Schoeps CMC 44 Cardioids > Sony PCM F1, FOB/TS > Sony PCM 601 > Sony /2000ES DAT > PC > Adobe Audition 1.5 > Shntool > flac lvl8
04/18/86 Berkeley Community Theater FLAC16>WAV 2 A+ flac16; Recording Info: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC All Transfers and Mastering By David Gans
04/19/86 Berkeley Community Theater FLAC16>WAV 2 A+ flac16; Recording Info: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC All Transfers and Mastering By David Gans
04/21/86 Berkeley Community Theater FLAC16>WAV 2 A+ flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: SBD -> PCM -> Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By David Gans and Charlie Miller
04/22/86 Berkeley Community Theater FLAC16>WAV 2 A+ flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: SBD -> PCM -> Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By David Gans and Charlie Miller
05/11/86 Frost Amphitheatre FLAC>WAV 3 A flac16; SBD > MC > C > DAT > CD > EAC > FLAC; inlcuding AUD patches from previous Beyer source; EAC/FLAC by Darryl Hinko, from David Feldstein's source discs
06/22/86 Greek Theatre, University Of California FLAC/AUDIO 1 A flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
06/28/86 Alpine Valley Music Theatre FLAC16>WAV 1 A Source: FOB(21st Row)>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's);Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16: Taped by Jim Vita; Transferred by Charlie Connor
06/29/86 Alpine Valley Music Theatre FLAC16>WAV 1 A flac16; Source: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's) Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped and transferred by Charlie Connor
06/30/86 Riverbend Music Center FLAC16>WAV 1 A flac16; Source: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped and transferred by Charlie Connor
07/04/86 Rich Stadium FLAC/AUDIO 1 A+ flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
12/27/86 Henry J. Kaiser Convention Center FLAC16>WAV 1 A flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
12/28/86 Henry J. Kaiser Convention Center FLAC16>WAV 1 A flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
12/31/86 Henry J. Kaiser Convention Center FLAC16>WAV 1 A flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
03/22/87 Hampton Coliseum FLAC>WAV 1 A flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
03/23/87 Hampton Coliseum FLAC>WAV 1 A flac16; taper : Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
04/11/87 UIC Pavilion SHN>WAV 2 A (Re)fix of GDLive source. Please disregard my previous documentation.
04/19/87 Irvine Meadows SHNv3>WAV 1 A source: Beyer Dynamic M88's>Sony TCD5M(CM) Transfer: Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.57 (tracking only)>SHNv3 (MKW ACT; Taped and transferred by Charlie Connor
05/03/87 Frost Amphitheatre FLAC16>WAV 3 A flac16; Seamless fix of shnid 1193 - 65% DSBD PRE-FM SBD/35% FOB Schoeps CMC32S
06/14/87 Ventura County Fairgrounds FLAC16>WAV 1 A flac16; Seamless fix of shn id 11896 - Master Soundboard Cassette > PCM > DAT > CD > WAV > SHN > WAV > FLAC
06/30/87 Kingswood Music Theater SHN>WAV 3 A Seamless fix of shnid 13443 - Ultra Matrix MSC>DAT>CDR>EAC>SHN (Seekable)w/AUD patches
06/30/87 Kingswood Music Theater SHN/AUDIO 1 A Primary Source: Ultra Matrix MSC>DAT>CDR>EAC>SHN (Seekable) Patch Source: AUD (mic. unk) > DAT > CDR > SHN
07/04/87 Sullivan Stadium SHN>WAV 3 A FOB> aud> senn me80> cassette master> cdr; conversion by Mike Lai from Bruce Fried DAT
07/06/87 Civic Arena SHNv3>WAV 1 A AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, and posted to abgd by Charlie Connor
07/08/87 Roanoke Civic Center FLAC/AUDIO 1 A flac16; Recording Info: SBD -> Cassette Master -> Dat -> FLAC Transfer Info: FLAC -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
07/12/87 Giants Stadium SHN>WAV 3 A SBD; via Stephen Agan, Mike Lai; Note- This is an aud recording except (apparently) for a few of the 'w/Dylan' tracks; See the 'user comments' for details
11/08/87 Henry J. Kaiser Convention Center FLAC16>WAV 1 A+ flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
11/14/87 Long Beach Arena FLAC16>WAV 1 A flac16; Recording Info: SBD -> Cassette Master -> Cassette Transfer Info: Cassette (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
12/27/87 Oakland-Alameda County Coliseum FLAC16>WAV 1 A flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
12/28/87 Oakland-Alameda County Coliseum FLAC16>WAV 1 A flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
12/30/87 Oakland-Alameda County Coliseum FLAC16>WAV 1 A flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
12/30/87 Oakland-Alameda County Coliseum FLAC/AUDIO 1 A flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
12/31/87 Oakland-Alameda County Coliseum SHN>WAV 3 A Schoeps FOB
12/31/87 Oakland-Alameda County Coliseum FLAC16>WAV 1 A flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
02/13/88 Henry J. Kaiser Convention Center FLAC16>WAV 1 A flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller
02/13/88 Henry J. Kaiser Convention Center FLAC/AUDIO 1 A+ flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller
02/14/88 Henry J. Kaiser Convention Center FLAC16>WAV 1 A flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller
02/14/88 Henry J. Kaiser Convention Center FLAC/AUDIO 1 A flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller
03/16/88 Henry J. Kaiser Convention Center SHN/AUDIO 1 A Source: SBD>DAT>CDR>EAC>CDR; via Peter Gallagher; Seeded to etree by Willy
03/17/88 Henry J. Kaiser Convention Center SHN/AUDIO 1 A Source: Soundboard->DAT Master->DAT. DAT->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano
03/18/88 Henry J. Kaiser Convention Center SHN/AUDIO 1 A Source: Soundboard->DAT Master->DAT. DAT->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano
03/26/88 Hampton Coliseum WAVE Audio 3 A flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller
03/30/88 Meadowlands Arena flac>WAVE 2 A flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
04/01/88 Meadowlands Arena FLAC>WAVE 2 A flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
04/09/88 The Centrum 0
04/13/88 Rosemont Horizon audio wave 2 A flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
04/15/88 Rosemont Horizon SHN>WAV 3 A SBD> Cass master?-> pre-FM cdr-> EAC-> Gans voiceover removed> shn; via John Zei; see John's comments in info file; Drums cuts into Space
06/25/88 Buckeye Lake Music Center SHN/AUDIO 1 A Source: Schoeps MK2s fob; Unknown seeder_Unknown(only taper=fact) Only source for this show=FACT *1st Bruce show/Appearance for GD* FACT.TRUST.
07/02/88 Oxford Plains Speedway FLAC16>WAV 1 A flac16 Fix of shn id 2328 - SBD>Master Cassette>DAT>CDR>EAC>SHN
07/02/88 Oxford Plains Speedway FLAC>WAV 1 A+ flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
07/15/88 Greek Theatre, U. Of California FLAC16>WAV 3 A flac16; Seamless fix of shn id 10343 - Ultramatrix>DAT>?>CD>SHN>WAV>FLAC
09/06/88 Capital Centre FLAC16>WAV 3 A flac16; SBD> Cassette Master> Dat (SV3800/48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
09/08/88 The Spectrum SHN/AUDIO 1 A SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.; stemming from Uncirculated ?88 SBD Tree
09/09/88 The Spectrum SHN/AUDIO 1 A SBD > Cass Master > DAT > CDR > CDR > EAC > SHN
09/11/88 The Spectrum SHN/AUDIO 1 A- Bertha Remaster of the Soundboard/Cassette source. SBD(Healy Mix)>>DAT>>(*)CASS>>DAT>>>CDR>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN - Sound A- Note- Changes were made to d2t02 and d2t03 immediately before distribution. It is believed that the pre-change shns do not circulate.
09/12/88 The Spectrum SHN/AUDIO 3 A (Healy Mix) SBD>DAT>CDR; Seeded to etree by Tim Wiley
09/15/88 Madison Square Garden SHN>WAV 1 A+ SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min
10/02/88 Shoreline Amphitheatre FLAC16>WAV 3 A flac16; Seamless fix of shnid 7637 - Cassette Soundboard>DAT>CDR>EAC>SHN(seekable)>WAV>FLAC
02/05/89 Henry J Kaiser Convention Center FLAC16>WAV 1 A flac16; SBD -> Cassette Master (TDK MA-XG90) Transferred and Edited By Charlie Miller
02/06/89 Henry J Kaiser Convention Center FLAC16>WAV 2 A Lineage: SBD> Master Cassette> CD (Marantz CDR 500 Pro); Transfer Info: CD (Sony CDP-XE500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> Cool Edit Pro v2.0> FLAC; Transferred and Edited By Charlie Miller, with thanks to Paul Sco
02/06/89 Henry J Kaiser Convention Center FLAC16>WAV 1 A flac16; SBD> Master Cassette> CD (Marantz CDR 500 Pro); Transfer Info: CD (Sony CDP-XE500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> Cool Edit Pro v2.0> FLAC; Transferred and Edited By Charlie Miller, with thanks to Paul Scotton and Joani Walker
02/06/89 Henry J Kaiser Convention Center FLAC16>WAV 1 A flac16; SBD> Master Cassette> CD (Marantz CDR 500 Pro); Transfer Info: CD (Sony CDP-XE500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> Cool Edit Pro v2.0> FLAC; Transferred and Edited By Charlie Miller, with thanks to Paul Scotton and Joani Walker
02/07/89 Henry J Kaiser Convention Center FLAC16>WAV 1 A flac16; SBD -> Cassette Master (TDK MA-X90) Transferred and Edited By Charlie Miller
02/07/89 Henry J Kaiser Convention Center FLAC16>WAV 1 A flac16; SBD -> Cassette Master (TDK MA-X90) Transferred and Edited By Charlie Miller
02/12/89 Great Western LA Forum flac>wave 2 a flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.0.1 -> FLAC All Transfers and Mastering By Charlie Miller
03/31/89 Greensboro Coliseum FLAC16>WAV 2 A flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Set 1: Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
04/08/89 Riverfront Arena SHN>WAV 2 A SBD> Cassette Master> Dat> CD> EAC> SHN; Converted to SHN By Charlie Miller
04/12/89 Rosemont Horizon FLAC16>WAV 1 A+ flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
04/13/89 Rosemont Horizon FLAC16>WAV 1 A+ flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
05/06/89 Frost Amphitheatre SHN>WAV 3 A Seamless fix of shn id 14262 - DSBD
05/07/89 Frost Amphitheatre FLAC16>WAV 2 A flac16; Seamless fix of shn id 3329 - SBD>DAT>DALCardDeluxe>WAV>CD>SHN>WAV>FLAC
06/21/89 Shoreline Amphitheatre SHN>WAV 3 A Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB
06/21/89 Shoreline Amphitheatre SHN>WAV 3 A Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB
07/07/89 John F. Kennedy Stadium SHN>WAV 3 A+ Healy SBD mix
07/07/89 John F. Kennedy Stadium SHN>WAV 1 A flac16; Seamless fix of shn id 7855 - (Healy Mix) SBD>MC>DAT>CDR>EAC>SHN(WAV>FLAC)
07/15/89 Deer Creek Music Center SHN>WAV 3 A SBD > MR > DAT > C > DAT > CDR; Seeded to etree by Doug Nawrocki
07/17/89 Alpine Valley Music Theatre SHN>WAV 3 A sbd
07/18/89 Alpine Valley Music Theatre SHN>WAV 1 A Source: DSBD Transfer: D8 > Waveterminal 2496 (@44.1) > Samplitude 2496 > CDWav > mkwACT Transfer and Seed by Jason Brantley (jason@spreadwidepanic.com) 3/27/2003 -sector boundary error in d1t02 of shn id 9854; disc fixed with shntool -SBE in d1t02 fixed by William at TuneTree ; via TuneTraa and LMA
08/06/89 Cal Expo FLAC/AUDIO 1 A+ flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
08/18/89 The Greek Theatre - University of California SHNv3>WAV 3 A Healy Matrix Digital SBD > DAT > CDR > WAV > SHNv3; DAT > CDR transfer via D-10 > HHb800 by fishman; DAE by neo_levo: EAC (high, secure, offset corrected, with repeated extractions yielding matching wav md5's), tracked using CDWAVE (boundaries confirmed w/ shntool) > mkwact > SHNv3
08/19/89 The Greek Theatre - University Of California SHN>WAV 2 A SBD Cassette Master > DAT > .WAV > .SHN; d2 tracked for 80 min; via Jon Miller to tree; see info file for flaw notes
08/19/89 The Greek Theatre - University Of California audio 2 A flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
09/29/89 Shoreline Amphitheatre FLAC16>WAV 1 A+ flac16; Recording Info: SBD -> Dat Transfer Info: Dat -> M-Audio DIO2448 -> Samplitude -> Cool Edit Pro -> FLAC All Transfers and Mastering By Charlie Miller
09/30/89 Shoreline Amphitheatre FLAC16>WAV 1 A flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
10/01/89 Shoreline Amphitheatre FLAC16>WAV 1 A flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
10/08/89 Hampton Coliseum SHN>WAV 3 A SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN
10/08/89 Hampton Coliseum SHN>WAV 1 A+ SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN
10/09/89 Hampton Coliseum SHN>WAV 3 A Source: SBD > PCM(analog output) > D > D >D >D
10/09/89 Hampton Coliseum SHN>WAV 3 A SBD + AUD Matrix Mix (60%-SBD/40%-AUD); SBD: PCM (analog out) > DAT x 4 > CDR; AUD FOB: Schoeps CMC641 > DAT; Mixed by dan@am-dig.com; related 5.1 mix also circulates
10/09/89 Hampton Coliseum FLAC16>WAV 1 A+ flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
10/12/89 Meadowlands Arena SHN>WAV 3 A Sbd> Cas(m)> Dat> ZA2/PC> SF> CD Architect> CDR?s; via Dave Koehler
10/18/89 The Spectrum FLAC16>WAV 1 A+ flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
10/19/89 The Spectrum FLAC>WAV 3 A DSBD>C?>DAT>CDR
10/19/89 The Spectrum 3 A DSBD>C?>DAT>CDR; via eD O'Connor
10/20/89 The Spectrum SHN>WAV 3 A Ultra-Matrix Soundboard DAT > Cassette > DAT > CDR; Audience source supplies first 0:48 of "Hey Pocky Way" (d2t01); Alternate Sbd source supplies balance of "Hey Pocky Way" (d2t01) as well as the first 4:46 of "Scarlet Begonias" (d2t02);Patching / CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston; to abgd via terrapin flyer
10/23/89 Charlotte Coliseum SHN>WAV 3 A SBD> DAT> Sonic Solutions> CD> FM> DAT> CDR> EAC> SHN; via Jeff M
10/23/89 Charlotte Coliseum SHN>WAV 3 A SBD> DAT> Sonic Solutions> CD> FM> DAT> CDR> EAC> SHN; via Jeff M
10/25/89 Miami Arena FLAC16>WAV 1 A+ flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
10/26/89 Miami Arena SHN>WAV 1 A Set 1 only. SBD -> Cm -> Dat -> CD -> EAC -> Samplitude v7.02 -> SHN by Charlie Miller
10/26/89 Miami Arena SHN>WAV 2 A SBD -> Dat -> Sonic Solutions -> CD -> EAC -> SHN Set 2 only. Converted By Charlie Miller
10/26/89 Miami Arena FLAC16>WAV 1 A flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
12/08/89 Great Western LA Forum SHNv3>WAV 3 A
12/30/89 Oakland-Alameda County Coliseum SHN>WAV 3 A Tony G shntool fix of original Braverman seed; Ultramatrix (SBD/AUD mix); Lineage: DAT> CD> SHN
12/31/89 Oakland-Alameda County Coliseum SHN>WAV 3 A Pre-FM -> Dat -> Samplitude -> CD -> EAC -> SHN; Transfer By Charlie Miller
02/25/90 Oakland-Alameda County Coliseum audio 3 A
02/25/90 Oakland-Alameda County Coliseum FLAC16>WAV 1 A flac16; Matrix 2 Source Mix - SBD (shnid 29345) + AUD (shnid 11805) mixed by Kevin Tobin
02/27/90 Oakland-Alameda County Coliseum SHN>WAV 3 A SBD > DAT > CDR > WAV > SHNv3; DAE (EAC)> tracking/ boundary (CDWAV/SHNTOOL)> SHN(MKWACT) > FTP via neo_levo
03/14/90 Capital Centre SHN>WAV 1 A Source: sbd>mc>dats>Soundforge 4.5>CD; via Tom E; Hosted by candyman.etree.org
03/15/90 Capital Centre SHN>WAV 3 A Nak 300's > Sony D-5 (w/dolby B)> Maxell MX cass, Taper's section recorded by Boyd McHugh; Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks, Transfer by Dave Hanscom; CDWav> EAC> shn by Bzl
03/16/90 Capital Centre FLAC16>WAV 1 A+ flac16; SBD -> Cassette Master -> Dat (44.1k) All Transfers and Mastering By Charlie Miller
03/19/90 Hartford Civic Center SHN>WAV 3 A+ updated source: Pre-FM Soundboard Master Reel (at 15 inches per second) -> DAT -> CDRs -> EAC -> SHN; source CDs from Kirby (Chalupa) Bell/Bob Fishman, eac>shn by Darrin Sacks; see info file for flaw notes
03/19/90 Hartford Civic Center FLAC16>WAV 3 A+ flac16; Seamless fix of shn id 1526 - Pre-FM Soundboard Master Reel (at 15 inches per second) -> DAT -> CDRs -> EAC -> SHN -> WAV -> FLAC
03/22/90 Copps Coliseum FLAC16>WAV 1 A dts of AUD Dave Brotman FOB > Schoeps CMC54 (ORTF) > Aerco PS > DAT & SBD > MC > DAT
03/24/90 Knickerbocker Arena SHN>WAV 3 A SBD > Dat x 3 > CDR > SHN; via drgseeds with thanks to Bob Harrell
03/25/90 Knickerbocker Arena AUDIO 3 A+ flac16; SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller
03/29/90 Nassau Coliseum SHN>WAV 3 A SBD> Dat> CD; SHN Conversion By Charlie Miller
05/05/90 Cal State Dominguez Hills SHN>WAV 1 A DSBD>DAT>CDR; Encore from FM source; via Paul B; Seeded to Etree by T. Wiley
06/10/90 Cal Expo SHN>WAV 3 A+ via CMiller
06/10/90 Cal Expo FLAC>WAV 3 A+ Matrix mix Vol.1 flac16
06/15/90 Shoreline Amphitheatre SHN>WAV 1 A SBD > DAT > CDR > WAV > SHN; plus AUD patch; DAE(EAC) > boundary/ splice/ tracking(SHNTOOL, SF5) > SHN (MKWACT) via neo_levo
06/17/90 Shoreline Amphitheatre SHNv3>WAV 1 A SBD>DAT>CDR; via Paul B; Seeded to etree by neo_levo
06/23/90 Autzen Stadium - University of Oregon SHN>WAV 3 A Source: SBD-matrix>CM>DAT>CDR>WAV>SHN; this is shn id 20695 with undocumented changes to d3t3 via Tol and LMA.
07/04/90 Sandstone Ampitheatre SHN>WAV 3 A SBD> Dat> Cassette Master; Transfer: Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller
07/06/90 Cardinal Stadium SHN>WAV 3 A SBD> Dat> Sonic Solutions> CD; EAC'd and SHN'd By Charlie Miller
07/12/90 Robert F. Kennedy Stadium SHN>WAV 3 A- SBD > DAT > DAT clones > ZA-2 > wave (via Cool Edit) > CD-R; transfer by John McAtee; poss cass gen somewhere- see pub comment
07/16/90 Rich Stadium SHN>WAV 3 A- SBD> DAT> CD's> EAC> SHN; SHN/upload by Randall Ward, seed via Matt Knapp
07/18/90 Deer Creek Music Center 0
07/23/90 World Music Theater DVD-R 2 A Brent's final show
09/07/90 Richfield Coliseum SHN>WAV 1 A SBD> Cassette; Conversion: Tascam DA-20 MK II > (via RCA analog for Emphasis removal) Tascam DA-20 >Delta Dio 2496 > Soundforge XP 4.5 > CDRWIN > EAC > SHN, by Rob (Odeo) Harrison
09/07/90 Richfield Coliseum WAVE AUDIO 3 A flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
09/08/90 Richfield Coliseum FLAC16>WAV 1 A AUD>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley
09/10/90 The Spectrum FLAC16>WAV 1 A flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
09/11/90 The Spectrum FLAC16>WAV 1 A FOB(Nak. 300's>D-5)>CM>??>CDR; See info file for edit notes; via Dan Faust; Seeded to Etree by T. Wiley
09/12/90 The Spectrum SHN>WAV 1 A Schoeps MK4V> DAT> CD-R> EAC> ADDAWAV (for retracking set 1)> CDRWAV> MKWACT> SHN; via JR Fishman
09/14/90 Madison Square Garden SHN>WAV 1 A Dave Brotman FOB (15th row, center) AUD(Schoeps)> DAT> CDR; via Paul B; Seeded to Etree by T. Wiley
09/14/90 Madison Square Garden AUDIO 3 A+ Source: flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
09/15/90 Madison Square Garden SHN>WAV 1 A Recorded by Dave Brotman: FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects).
09/16/90 Madison Square Garden SHN>WAV 1 A Recorded by Dave Brotman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects); Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor
09/18/90 Madison Square Garden FLAC16>WAV 1 A Lineage: SBD->Cm->Dat->CD->Cool Edit Pro->CD via Charlie Miller
09/18/90 Madison Square Garden SHN>WAV 1 A DFOB MAD>D>CD Recorded by Dave Bratman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects). 4, 1 second d/o's were patched w/ an FOB source; See info file for details; Seeded to etree by Darrin Sacks
09/19/90 Madison Square Garden SHN>WAV 1 A MAD>D>CD; FOB B&K 4011's; Seeded to etree by Darrin Sacks
09/19/90 Madison Square Garden 1 A Summary flac16; Recording Info: Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD Set 2: SBD -> Dat Master -> Sonic Solutions -> CD Transfer Info: CD -> Samplitude Professional v9.1.1 -> FLAC Original Transfer and Mastering By David Gans Additional Editing and Tracking By Charlie Miller
09/20/90 Madison Square Garden SHN>WAV 1 A FOB AUD Schoeps (Row 15,Center)> DAT> CDR> EAC> CEP editing> SHN; taped by Dave Brotman; Seeded by Tim Wiley from Paul B. source discs
10/17/90 GrugaHalle FLAC/AUDIO 1 A Source: flac16; Audience Master Cassette Nakamichi 300’s > Marantz PMD-430 Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 12, 2008
10/17/90 GrugaHalle SHN>WAV 2 A DSBD>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley
10/19/90 Internationales Congress Centrum SHN>WAV 1 A DSBD: Healy mix>MD>D>CD; seeded to abgd by dieter
10/20/90 Internationales Congress Centrum SHN>WAV 1 A DSBD: Healy mix>MD>D>CD
10/22/90 Festhalle SHN/AUDIO 1 A Source: DSBD > CD > EAC > SHN; No cut in Bird Song; EAC/SHN by Darryl Hinko {Hornsby}
10/24/90 Sportsahalle FLAC/AUDIO 1 A Source: flac16; SBD->DAT->CDR->EAC->WAV->FLAC {Bruce Hornsby)-grand piano,keys
10/28/90 The Zenith SHN>WAV 0 A SBD> DATx3; Conversion: Sony M-1 > Midiman Optical > SPDIF SB Platinum > CoolEdit WAV > CDWav WAV > SHN (mkw); Shns Produced by JamPhan
10/30/90 Wembley Arena FLAC16>WAV 3 A flac16; Seamless fix of shn id 6678 - dsbd>dat>cd>shn>WAV>FLAC
10/31/90 Wembley Arena SHNv3>WAV 3 A SBD > DAT > CDR > WAV > SHNv3; seed discs via Tim Symons, DAE(EAC) > SHNTOOL > MKWACT via neo_levo; reportedly with Werewolves splice, but fewer pops than previous shn sets
11/01/90 Wembley Arena SHNv3>WAV 3 A Seamless fix of shn id 8068 - SBD > DAT > CDR > WAV > SHN
12/03/90 Oakland-Alameda County Coliseum FLAC/AUDIO 1 A flac16; Recording Info: SBD -> Cassette Master (Maxell Metal Capsule/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
12/04/90 Oakland-Alameda County Coliseum SHN>WAV 3 A SBD>DAT>CDR; Uncle>Big River are from either an Excellent Aud source, or they have a different, Matrix like mix; via neo_levo/candyman ftp - 4/2002
12/04/90 Oakland-Alameda County Coliseum SHN/AUDIO 1 A Source: SBD>DAT>CDR; Uncle>Big River are from either an Excellent Aud source, or they have a different, Matrix like mix; via neo_levo/candyman ftp - 4/2002
12/08/90 Compton Terrace Amphitheatre SHN/AUDIO 1 A S:PCM> DAT> ZA2> CD; no encore; unfortunate diginoise during Victim (on all DATs); seeded by D. Hollister; via Skank, and/or J. Sachs to abgd?; via A. Stern to etree; note d2t3 gives an error when burning with CDRWin- to fix, Adam suggests opening this track in a wav editor (like CEP) and saving before burning
12/09/90 Compton Terrace FLAC/AUDIO 1 A flac16; source: SBD > DAT(x?) DAT from collection of Todd Evans - todd@bluedakota.com DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav tracked in CDWav/44.1 output
12/12/90 McNichols Sports Arena FLAC/AUDIO 1 A flac16; Set 1 only, Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
12/12/90 McNichols Sports Arena FLAC/AUDIO 1 A flac16; Set 2 only, SBD > Healy DAT > PCM > DAT Transfer by: Todd Evans DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 > ? > FLAC
12/13/90 McNichols Sports Arena SHN/AUDIO 1 A Source: Soundboard Matrix:D-> DAT; Transfer: DAT-> Sony PCM R-300 > RME digi 96/8PAD > Soundforge 6.0 @48k by Marc Pujol; Encoding: 48k -> 44.1k via Cool Edit Pro High Accuracy Setting > Cool Edit (diginoise patches) > CDWAV > mkwact (seekable) by Matt Vernon {Hornsby project}
12/14/90 McNichols Sports Arena FLAC/AUDIO 1 A flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16
12/27/90 Oakland-Alameda County Coliseum SHN/AUDIO 1 A+ Set Two: SBD -> Dat -> SHN Recorded By Paul Tumolo Transfered By Charlie Miller and Neil Sturtevant (SET 2 ONLY DLed) )xxSet1_AUDxx(
12/27/90 Oakland-Alameda County Coliseum FLAC/AUDIO 1 A flac16; Seamless edit of shn id 21928 - Set One: AKG 460/CK8X (Front Row Taper's Section) -> Dat (Sony D3) -> PCM -> Dat (Sony R500) -> Samplitude v7.02 Professional -> SHN; Set Two: SBD -> Dat -> SHN
12/30/90 Oakland-Alameda County Coliseum SHN/AUDIO 1 A Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC 2000 -> CD (Tascam CDRW700) -> EAC -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) - All Transfers and Editing By Charlie Miller
12/31/90 Oakland-Alameda County Coliseum SHN>WAV 0 A Satellite Feed > 1/2" reel @ 15 ips > DAT >CDR; Montego II > CDWave > Sound Forge XP 4.5; via Mike Hall
12/31/90 Oakland-Alameda County Coliseum SHN/AUDIO 1 A+ Satellite Feed > 1/2" reel @ 15 ips > DAT >CDR; Montego II > CDWave > Sound Forge XP 4.5; via Mike Hall
12/31/90 Oakland-Alameda County Coliseum AUDIO 3 A SOURCE: Satellite Feed > 1/2" reel @ 15 ips > DAT >CDR; Montego II > CDWave > Sound Forge XP 4.5; via Mike Hall
12/31/90 Oakland-Alameda County Coliseum FLAC/AUDIO 1 A+ flac16; Pre-FM > DAT > CD > EAC > CD > EAC > FLAC; Both EAC steps were done twice with correct setting to ensure accurate rips. Final EAC and FLAC conversion done by Bob Abrams, 2/21/08.
03/17/91 Capital Centre FLAC16>WAV 3 A flac16; SBD> Master Dat> Master Cassette (Tascam 122mkIII)> Dat (SV3800/48k); Transfer: Dat> Cool Edit Pro> Samplitude v7.02 Professional> FLAC; Patch Info: Nakamichi 300/CP4 + Neumann KM84> Cassette Master (Sony D5/Maxell MX-S90); Patched and Edited By Charlie Miller
03/17/91 Capital Centre FLAC/AUDIO 1 A flac16; SBD> Master Dat> Master Cassette (Tascam 122mkIII)> Dat (SV3800/48k); Transfer: Dat> Cool Edit Pro> Samplitude v7.02 Professional> FLAC; Patch Info: Nakamichi 300/CP4 + Neumann KM84> Cassette Master (Sony D5/Maxell MX-S90); Patched and Edited By Charlie Miller
03/20/91 Capital Centre flac16>wav 1 A flac16; Recording Info:SBD -> Dat -> Cassette Master -> Sound Forge -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
03/21/91 Capital Centre AUDIO 3 A+ flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
03/23/91 Knickerbocker Arena FLAC>WAV 1 A- AUD: Nackamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 Dat. Taped onto Maxell DM-120 tape, set up in second row of taper's section, center seat. Mics on stand aprx 7-1/2 feet high, pointing at stacks and kept level (not angled up).Transfer: MAD > Sony DTC-690 > Optical cable > Marantz CDR-500 burner > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression, and checksums) > FLAC > bt.etree. Taped and transferred by Andrew F.
03/23/91 Knickerbocker Arena FLAC>WAV 1 A flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
03/25/91 Knickerbocker Arena FLAC/AUDIO 1 A flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
03/31/91 Greensboro Coliseum SHN>WAV 3 A SBD Dat Master>dat>cd(eac,secure)>SHN
03/31/91 Greensboro Coliseum SHN/AUDIO 1 A Recording info: SBD dat master > dat > cd (eac, secure) > SHN
04/01/91 Greensboro Coliseum FLAC16>WAV 2 A flac16; SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> CD Transferred and Edited By Charlie Miller
04/01/91 Greensboro Coliseum FLAC/AUDIO 1 A flac16; SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> CD Transferred and Edited By Charlie Miller
04/07/91 Orlando Arena SHN>WAV 3 A SBD > ? > SHN; via M. Ferguson
05/05/91 Cal Expo SHN>WAV 3 A DSBD > CD > EAC > SHN; EAC/SHN by Darryl Hinko
06/16/91 Giants Stadium FLAC16>WAV 1 A flac16; Seamless fix of shn id 17028 - DSBD>DAT>WAV>CD>EAC>SHN>WAV>FLAC
06/16/91 Giants Stadium FLAC16>WAV 1 A flac16; Seamless fix of shn id 17028 - DSBD>DAT>WAV>CD>EAC>SHN>WAV>FLAC
06/19/91 Pine Knob Music Theater SHN>WAV 3 A FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer : Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller
06/24/91 Sandstone Ampitheatre FLAC16>WAV 1 A flac16; Fix of shn id 2533 - DSBD>DAT>CDR>WAV>SHN>FLAC
06/25/91 Sandstone Ampitheatre SHN>WAV 3 A SBD> Vault Dat> Dat> Dat (44.1k); Transfer: Dat (Tascam DA20)> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> Cool Edit Pro v2.0> SHN; All Transfers and Editing By Charlie Miller; note upgrade compared to prev sources in circ (NOT from liberated bootleg)
09/08/91 Madison Square Garden FLAC16>WAV 3 A+ flac16; Seamless fix of shn id 1069, fade tracks added - DSBD>DAT>CD>WAV>SHN>WAV>FLAC
09/09/91 Madison Square Garden FLAC16>WAV 3 A+ Fix of shnid 508 DSBD>DAT>CD; via CMiller, JAshley
09/12/91 Madison Square Garden SHN>WAV 3 A Clean up of SHNid=516; SBD > DAT > CDR > SHN; Cleaned by Darryl Hinko. See notes.
09/22/91 Boston Garden FLAC16>WAV 3 A+ flac16; Seamless fix of shn id 7692 - SBD > GD MASTER DIGITAL MULTI-TRACK > MARIN COUNTY DIGITAL MIXDOWN TO DAT > SSSB
09/24/91 Boston Garden SHN>WAV 3 A Source: SBD > MC > DAT > CDR
09/24/91 Boston Garden FLAC16>WAV 1 A flac16; Seamless fix of shn id 25939 - SBD -> Dat x 3 -> CD (Tascam CDRW700) -> EAC -> Samplitude v7.02 Professional -> SHN (-> WAV -> FLAC)
09/26/91 Boston Garden FLAC16>WAV 1 A+ flac16; Set 2 only - DAUD FOB B&K 4011 B&Ks on mic stand from Sec. BB Row 18 Seat 15 recorded by Clay Brennecke > Modified Sony D10 Pro > DAT (1) > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5* 44kHz > flac (8)
12/28/91 Oakland-Alameda County Coliseum SHN>WAV 3 A
12/28/91 Oakland-Alameda County Coliseum SHN>WAV 3 A SBD via D.Gans & cmiller :~)
12/30/91 Oakland-Alameda County Coliseum FLAC/AUDIO 1 A flac16; SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller
05/24/92 Shoreline Amphitheatre SHN>WAV 1 A SBD> MC> DAT> ZA2 (S/PDIF)> Wavelab3.03> SHN; via Roger and Tom; Seeded to etree by Chris Larson
06/25/92 Soldier Field FLAC16>WAV 1 A flac16; Seamless fix of shn id 8959 - SBD > GD MASTER D > D > SSSB
06/25/92 Soldier Field FLAC16>WAV 1 A flac16; Seamless fix of shn id 8959 - SBD > GD MASTER D > D > SSSB
12/11/92 Oakland-Alameda County Coliseum FLAC16>WAV 1 A flac16; Schoeps CMC-441's > Panasonic SV-255> DAT (clone) ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) ; Taped By (likely) Ed Boardman ; Transfer By Scott Swayne (AltheasBoy) in 06/2007
12/13/92 Oakland-Alameda County Coliseum FLAC16>WAV 1 A flac16; Schoeps CMC441's > Panasonic SV-255 > (clone) Teac DA-P20; Transfer: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8)
01/26/93 Oakland-Alameda County Coliseum SHN>WAV 3 A SBD> Dat> Cassette Master> Dat> CD> EAC> SHN; Converted To SHN By Charlie Miller
02/21/93 Oakland-Alameda County Coliseum FLAC16>WAV 1 A flac16; Recording- Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer- DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav May 2006 Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3 type1 dither, Crystal SRC(ultra)> 44.1/16> Trac'ed cdwave,Flac'ed level 8 TLH
02/21/93 Oakland-Alameda County Coliseum 0
03/10/93 Rosemont Horizon SHN>WAV 1 A Fix of shnid 2024:_Source: Sbd > DAT master > analog > DAT > CDR > EAC > SHN
03/10/93 Rosemont Horizon SHN>WAV 1 A Fix of shnid 2024 Sbd > DAT master > analog > DAT > CDR > EAC > SHN; via Doug Nawrocki, Chris Ladner; "no known flaws" reported by seeder
03/24/93 Dean Smith Center FLAC>WAV 3 A Source: Master SBD>DAT via Modified Sony D10 Pro II. Recorded By Ron Keyser (This is from the lead deck from the daisey chain feed to the taper section) Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC
03/24/93 Dean Smith Center FLAC>WAV 3 A Source: Master SBD>DAT via Modified Sony D10 Pro II. Recorded By Ron Keyser (This is from the lead deck from the daisey chain feed to the taper section) Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC
03/24/93 Dean Smith Center FLAC/AUDIO 1 A+ Source: Master SBD>DAT via Modified Sony D10 Pro II. Recorded By Ron Keyser (This is from the lead deck from the daisey chain feed to the taper section) Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC
03/25/93 Dean Smith Center FLAC/AUDIO 1 A flac16; SBD> Panasonic SV255 (Master DAT)> Modified Sony D10 Pro (Master DAT) Recorded By Ron Keyser. Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC Aud. Patch: AMS ST250 FOB DFC> AMS Control Box (Blumlein Technique)> Modified Sony D10 Pro Cloned to another Mod. Sony D10 PRO (This clone was used for this transfer) Master recorded By James Young
03/27/93 Knickerbocker Arena SHN>WAV 3 A Source: Master SBD > Modified Sony D10 Pro II (lead deck) Lineage: Sony D8 (master) > M-AUDIO Audiophile USB via SPDIF > Sound Forge V7.0 > Sony VAIO PCV-RS410 >
05/16/93 Sam Boyd Silver Bowl, U.N.L.V. FLAC16>WAV 1 A flac16; Seamless fix of shn id 32348 - SBD -> Master Dat -> Sonic Solutions -> CD -> EAC -> FLAC
05/25/93 Cal Expo FLAC>WAV 1 A flac16; Source: FOB Schoeps Mk2 Omni Capsule 7' spaced omnis in hat -> Schoeps Active Cables -> Schoeps CMC 5 Mic Body -> Monster M1000 Jumper -> Neumann Supply -> Canare Cable -> Panasonic sv255 Transfer: Transfer by Todd Evans May 2006 - todd@bluedakota.com DAT Clone > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav
06/06/93 Giants Stadium FLAC16>WAV 1 A+ flac16; Seamless fix of shn id 8246
06/06/93 Giants Stadium FLAC16>WAV 1 A+ flac16; Seamless fix of shn id 8246
06/15/93 Freedom Hall SHN>WAV 1 A SBD>DAT>C>DAT>CDR; via Paul; Seeded to etree by Tony G
06/16/93 Freedom Hall SHN>WAV 1 A SBD>DAT>C>DAT>Samplitude>CD>EAC>SHN seeded by Tom Eliason
06/19/93 Soldier Field FLAC16>WAV 1 A flac16; SBD> Dat> CD> EAC> Sampltiude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller; Dat supplied by David Gans, original mastering by Donnie Loeffler, Thanks to Bob Kidder for the vine disc
09/12/93 The Spectrum FLAC16>WAV 1 A flac16/48; Schoeps MK4's>Reutelhuber Preamp>Technics SVM-D1 Recorded FOB in Section 102 Row 13 By Keith Litzenberger & Ed K. Transferred By Watson Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC
09/13/93 The Spectrum SHN>WAV 1 A SBD> DAT> CM> DAT> CDR; Seeded to Etree by T. Wiley
09/25/93 Boston Garden FLAC16>WAV 3 A flac16; Recording Info: Set 1: SBD -> Master Dat -> Dat Clone (48k) set 2: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller
03/31/94 The Omni FLAC16>WAV 1 A flac16; Seamless fix of shn id 10930
07/03/94 Shoreline Amphitheatre FLAC16>WAV 1 A flac16; Sennheiser Me-80s (could be 40s) > Panasonic SV-255 > Teac DA-P20 (clone) > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8)
08/03/94 Giants Stadium FLAC16>WAV 1 A Schoeps CMC54's>Aerco>Sony TCD-D10PROII, FOB (@15th Row Center)
10/10/94 USAir Arena FLAC>WAV 1 A flac16; AKG 460B/ck61 > custom pre-amp > Teac DA-P20 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz) > CD Wave v1.96.1 > FLAC v1.2.1 (Level 8); Taped by Tom McMinn; Transferred by Jason Sobel
10/11/94 USAir Arena FLAC16>WAV 1 A flac16/48; Recorded FOB in Section 2 (Somewhere between 12-17th Row) by Roger Jones and Jim V. Transferred to WAV By Watson WAV>FLAC Conversion & Upload by Keith Litzenberger Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC
10/15/94 Madison Square Garden FLAC>WAV 2 A flac16; SBD> Dat> Sonic Solutions> CD> EAC> FLAC; Converted By Charlie Miller, with thanks to David Gans for the discs
10/15/94 Madison Square Garden AUDIO 2 A flac16; SBD> Dat> Sonic Solutions> CD> EAC> FLAC; Converted By Charlie Miller, with thanks to David Gans for the discs
10/17/94 Madison Square Garden FLAC>WAV 1 A DSBD>DAT>CDR shn encoding by Dan Carr
12/19/94 Sports Arena SHN>WAV 2 A- DATSBD>Cass.>DAT>Cass.>CDR via Andy Lemieux Encoding, patching [Schoeps MK-4 (http://db.etree.org/shn/2521)] , pitching by Matt Vernon
02/21/95 Delta Center SHN>WAV 2 A DSBD > 1C > DAT; Seeded to etree by Dan Stephens
02/21/95 Delta Center flac>wav 1 A DSBD > 1C > DAT; Seeded to etree by Dan Stephens
03/26/95 The Omni SHN>WAV 1 A Fix of shn id 3909 - SBD > MC > DAT > CDR > EAC > SHN
04/05/95 Jefferson Civic Center Coliseum FLAC16>WAV 1 A flac16; Fix of shn id 18097 - pitch-corrected and repatched (SBD > ? > Cassette > CDr with AUD patches)
04/07/95 Tampa Stadium FLAC16>WAV 1 A flac16; Seamless fix of shn id 35148 - SBD>Cass>DAT>ZA2>Samlitude2496(WAV)>SHN>WAV>FLAC
05/26/95 Memorial Stadium SHNv3>WAV 3 A SBD > DAT > Cass/1 > DAT > Montego II S/PDIF > CDWav > SHNv3; d1 tracked for 80 min; DAT Provided by: Paul Gibian; Ripped, Tracked & Encoded By: Evan Saxton
05/26/95 Memorial Stadium SHNv3>WAV 3 A- SBD > DAT > Cass/1 > DAT > Montego II S/PDIF > CDWav > SHNv3; d1 tracked for 80 min; DAT Provided by: Paul Gibian; Ripped, Tracked & Encoded By: Evan Saxton
05/28/95 Portland Meadows SHN>WAV 2 A Source: Sbd > C (x?) > CD > EAC > SHN
06/25/95 Robert F. Kennedy Stadium SHN>WAV 3 A
06/30/95 Three Rivers Stadium SHN>WAV 3 A FOB (~26th row) Schoeps CMC6/MK4s> DAT; Transfer: Sony PCM-R500> Tascam CD-RW700> EAC> SHN; Transferred, SHNed, and seeded by: Ryan Burns; hosted by Mike Lai
06/30/95 Three Rivers Stadium AUDIO 3 A flac16/48; Source: Schoeps mk4->DAT @ 48 kHz (FOB) Transfer: Sony DTC-ZE700->Tascam HDP2->CD Wave->Flac Frontend->.flac
07/09/95 Soldier Field SHN>WAV 2 A+ dsbd (pre-FM)> dat> spdif> cdr> eac> shn; via Tony Gardner from dmac's CD; tracked for 2x80

Hot Tuna --- Approximate Hours: 23.75
Show Date Venue Media Type Media Count Sound Quality Notes
03/03/71 Chateau Liberte FLAC16>WAV 1 As SBD
07/24/75 WQIV Studios SHN>WAV 2 A Source: FM-SBD WQIV Studios(Radio Broadcast)
05/28/77 Santa Clara Univ. audio 3 A unknown @t this time
03/30/88 Lone Star Cafe 2 Source: SBD *w/ Bobby Weir
08/12/88 Chestnut Cabaret FLAC16>WAV 1 A SBD
01/25/92 Berkeley Community Theatre FLAC16>WAV 1 A SBD
07/07/96 Meadows Music Theater SHN>WAV 1 A Source: SBD (Electric Set only:Set 1 of 2) Set 2 was @coustic
12/10/02 The Birchmere FLAC>WAV 2 A Source: SBD @coustic set with Jorma & Jack
11/26/04 The Tabernacle WAVaudio 3 A- unknown AUD A- sound
06/16/07 Bonnaroo Music Festival FLAC>WAV 1 A source: AKG ck61 > JKLabs ECMS-22 > Oade ACM Marantz PMD-671 (16/44.1)
07/21/07 North Fork Theater At Westbury FLAC16>WAV 2 A Source: Stealth mics

Hot Tuna (Acoustic) --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
08/19/06 GOTV - Indian Lookout Country Club WAVaudio 1 A- Source: Neumann KM184's>V3>JB3

Jacob Fred Jazz Odyssey --- Approximate Hours: 13.75
Show Date Venue Media Type Media Count Sound Quality Notes
04/01/03 Harpers Ferry SHN>WAV 2 A Schoeps CMC64V>Sonosax SXM2>Apogee AD1000> Nomad Jukebox 3(WAV 44.1k) On Stage DFC ORTF Transfer: Nomad Jukebox 3>Firewire>CDWAV>MKW>SHNF Lineage: Nomad Jukebox 3 > Firewire > CD Wave > mkwACT > .shn
04/02/03 The Mercury Lounge SHN>WAV 1 A AMS ST250 on Stage > AMS Control Box> Lunatec V2> Mod. Sony D10 Pro II > HHB CDR 850 > CD > EAC > SHN
03/30/04 Yoshi's FLAC16>WAV 3 A Source: SBD > computer > CD > CDR by San Francisco Recording Society (Mastered By Marty Lefkowitz)
03/31/04 Yoshi's FLAC16>WAV 3 A Source: SBD > computer > CD > CDR by San Francisco Recording Society (Mastered By Marty Lefkowitz)
08/17/04 The Green Room FLAC16>WAV 2 A Source: MBHO 603a/actives/KA200 > V3 > M1 (FOB-DFC)

Jam Cruise Jam Room --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
01/05/07 Cotton Club - MSC Opera (Atlantic Ocean) FLAC/AUDIO 1 A+ SBD (Custom Stereo Recording Mix) +(Stage) Schoeps CMC6/MK4 ->Sound Devices 744T (24bit/48k) ->Samplitude Professional v8.01 ->FLAC/16 (5 Discs Audio / 3 Discs FLAC) recorded & mixed by CMiller

Jazz Is Dead --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
04/24/99 Maritime Hall FLAC>WAV 3 A (Stage) Nakamichi 700/CP701 -> Sony D5 (As Mic Pre-Amp) -> Dat (Sony D7/48k)Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> FLAC

Jerry Douglas --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
04/19/98 Station Inn FLAC16>WAV 1 A dsbd

Jerry Garcia Band --- Approximate Hours: 36.25
Show Date Venue Media Type Media Count Sound Quality Notes
12/20/75 Winterland Arena FLAC>WAV 1 A- Source: A(big)cardboard box.:SBD> Rm Nagra 1/2 Trac (7 1/2ips)>Reel Otari 1/2 Trac (7 1/2ips) >BX300 Nak ‘no dolby’ (MaxellXLIIS90”cassette”)>CR3A Nak ‘no dolby’ > Hp Computer>Sound Forge > CD Wave > Flac8
02/21/76 La Paloma Theater FLAC>WAV 2 A Source: SBD > MR > C > DAT > WAV > FLAC. Transfer: Sony PCM-R500 > Audiophile 2496 > Wavelab 5.0 (recorded as 24/48 KHz WAV) Mastering: Wavelab (X-Noise and L3 Multimaximizer rendered to 16/44.1 using hi-res CD settings) > CDWAV 1.9 (tracking and FLAC'ing, level 5). Transfer, mastering and encoding by C.Ladner, 2/2006.
12/02/77 Orpheum Theater SHN>WAV 1 A Early Show: Sony ECM 99a
06/16/82 Music Mountain AUDIO 1 A Source: JGB, set I: SBD > ? > Dat > ? > Flac. Editing and Mastering on the GEMS Edit Station by Jamie Waddell *Set 1 SBD*
11/05/82 Chrysler Auditorium FLAC>WAV 2 A- unknown AUD previously uncirculated
11/09/91 Hampton Coliseum SHN>WAV 2 A FOB Schoeps MK4
11/09/91 Hampton Coliseum DVD-R 2 A DVD-R
02/25/93 Warfield Theater SHN>WAV 2 A Jerry Garcia Band: MAC (Taped by Chuck, Neumann mics [vintage 1957, tube electronics]) > CDR > EAC (Secure mode) > shn(MKWACT).
10/31/93 Brendan Byrne Arena SHNv3>WAV 2 A Source: AUD(Nak700)>DAT(Sony D3)>CDR>WAV>SHNv3 Media Type: Media Count: 0 SHN Info: Jerry Garcia Band: AUD (Nak700) > DAT (Sony D3)> CDR > WAV > SHNv3. Taper: Larry Gindoff. It is unclear at the time of seeding whether the .shn sets seeded in 1999 and 2001 are from the same source, but the lineage on this seed is well-documented.
10/31/93 Brendan Byrne Arena SHN>WAV 2 A
11/05/93 Buffalo Memorial Auditorium SHNv3>WAV 1 A Jerry Garcia Band: AUD (Nak 700) > DAT (Sony D3) > CDR > WAV > SHNv3, taped by Larry Gindoff.
11/09/93 Cumberland County Civic Center SHN>WAV 2 A Source: FOB Schoeps MK4 > Oade custom pre-amp > Sony D10 @48K
11/15/93 The Centrum SHN>WAV 2 A transferred by Chris Larson
11/19/93 Hampton Coliseum SHN>WAV 2 A
11/19/93 Hampton Coliseum SHN>WAV 3 A+ FOB AKG 460
05/18/94 Starlight Bowl, Balboa Park FLAC>WAV 2 A MAD(NEUMANN KM 140'S>SV 255)>D>CDR>EAC>WAV>FLAC

Jimi Hendrix --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
10/10/68 Winterland Ballroom SHN>WAV 1 A sbd
10/10/68 Winterland Ballroom SHN>WAV 1 A
10/11/68 Winterland Arena (Early and Late Show) FLAC16>WAV 2 A SBD_2nd night of 3 night Winterland run
10/12/68 Winterland Arena (Early and Late Show) SHN>WAV 2 A- This is night 3 of the 3 night Winterland run. There is some slight hiss on a few tracks. This is from the master source. This is exactly how I got these, warts and all. Actually it sounds pretty darn good

Jorma Kaukonen --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
06/25/64 Jorma's House SHN>WAV 1 A- unknown (at some point cassette->CD) "The Typewriter Tape" this show is also traded under the name of "janis and jorma"

Jorma Kaukonen & Blue Country Heart --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
01/17/03 Inter-Media Art Center FLAC>WAV 4 A Source: SBD (Early & Late Sets Both: Sets 1 & 2)

Jorma Kaukonen & Jack Casady --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
02/11/88 Lone Star Cafe SHN>WAV 2 A Source: Unknown at this time; Early Show

Keller Williams --- Approximate Hours: 20
Show Date Venue Media Type Media Count Sound Quality Notes
10/22/01 The Patio FLAC>WAV 2 A+ SBD thanks Lou
11/23/03 Melkweg (16th Cannabis Cup) FLAC>WAV 1 A- Sweet#16CCup
01/29/05 Van Duzer Theater audio 2 A HSU harvest the KIND Arcata,CA
02/12/05 The Showbox FLAC>WAV 2 A
02/22/05 Newport Music Hall FLAC>WAV 2 A- Aud FOB
05/20/05 Haymaker Music Festival on the Oakley Farm FLAC>WAV 2 A SBD
07/16/05 All Good Music Festival FLAC>WAV 2 A All Good KW
07/21/05 Prospect Park Bandshell FLAC>WAV 1 A
12/15/07 Caribbean Holidaze; Hedonism III AUDIO 2 A Source: Schoeps ccm4v>Sound devices 722 (FOB/DFC); Taped & Seeded by: Ian Stone (stone.ian@gmail.com)

KimEOTOver --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
11/30/07 Cervantes' Masterpiece Ballroom AUDIO 3 A+ Source: DigitalSoundBoarD DOT NET Matrix transferred & editted by CMiller(no trades_official DSBD.NET release)
12/01/07 Cervantes' Masterpiece Ballroom AUDIO 3 A+ Source: DigitalSoundBoarD DOT NET Matrix transferred & editted by CMiller(no trades_official DSBD.NET release)

Kingfish --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
08/12/86 The Studio AUDIO 3 A+ Recording Info: SBD -> Cassette Master (Maxell UDXL-II/90) Transfer Info: Cassette Master -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
08/14/86 The Studio Club AUDIO 3 A+ Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller

KVHW --- Approximate Hours: 46.25
Show Date Venue Media Type Media Count Sound Quality Notes
04/05/98 Studio E FLAC>WAV 1 A SBD > DAT > Sonic Solutions > CD-R > CD-R > Mac (xAct 1.56) > flac (level 8) [INCOMPLETE]
04/10/98 4th Street Tavern AUDIO 3 A+ SOURCE: (Stage) Nak 700/CP701 -> Sony D5 (As Mic Pre-Amp) -> Dat (Sony D7) -> Dat (Cloned From Master) > Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
08/25/98 Powerhouse Brewing Company FLAC16>WAV 1 A AKGC61's xy @ the stage lip center > da-p1 DAT master > 744t > mac > flac Fresh transfer 2007-03-15
10/02/98 Chester's Place AUDIO 4 A+ SOURCE: {onstage} Gefell M300s > Neumann BS48i-2 > SV-255 (DAT@48kHz); Transfer: Fostex D-5 (DAT-clone) > Zefiro ZA2 > Soundforge 5.0 & CDWav 1.71 > SHN [no DAE]
10/16/98 Wetlands Preserve AUDIO 3 A+ SOURCE: (Stage) Sennheiser 441 -> Sony SBM1 -> DAT (Sony D8)
12/04/98 The Gate AUDIO 3 A+ Source: {onstage} AKG C61 > DA-P1 (DAT); Transfer: Fostex D-5 (DAT-clone) > Zefiro ZA2 > Soundforge 5.0 & CDWav 1.71 > SHN [no DAE]
02/26/99 Fillmore Auditorium FLAC>WAV 1 A+ Recording:(Stage) AKG C61/CK1 -> Dat (Tascam DA-P1/44.1k) Transfer: Dat (Sony D8) -> M-Audio DIO2448 -> Sampltiude Professional v8.0 -> FLAC
04/03/99 Great American Music Hall FLAC>WAV 3 A AKGC61's xy @ the lip center > DA-P1 mac > flac
04/03/99 Great American Music Hall AUDIO 3 A+ Source: {onstage} Nak 700s (Blumlein) > Sony D5M > D7 (DAT); Transfer: Tascam DA-20 mkII (DAT) > Lucid PCI24 > Soundforge 4.5 & CDWav > SHN [no DAE]
05/13/99 Richard's On Richards FLAC>WAV 1 A+ (Stage) AKG C61/CK1 -> Dat (Tascam DA-P1/44.1k) > Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP ->Samplitude v7.02 Professional -> FLAC
05/16/99 McKenzie Ballroom AUDIO 4 A+ SOURCE: (Stage) AKG C61/CK1 -> Dat (Tascam DA-P1/44.1k) > Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP ->Samplitude v7.02 Professional -> FLAC no F.White=no vocals Jimmy Herring on the other guitar
05/17/99 Cafe Tomo SHN>WAV 1 A+ Source: On-stage Neumann KM184 > Lunatec V2 > Apogee AD500 > DAP1 Transfer: ZA2 > SoundForge 5.0 > mkwACT
07/16/99 Wetlands Preserve FLAC16>WAV 1 A+ B&K 4010s w/55mm Balls > Apogee AD 1000 > HHb Portadat PDR 1000 16/44.1 > DAT (1) > Tascam DA 20 Mk II > m-Audio Audiophile 192 > Soundforge 8 (recording) > CDWave (tracking) > FLAC At the soundboard about 20 feet back from the stage, dead center, Emphasis off. DAT courtesy PaulB from Seth Briedbart's master Transfered, edited by Mike Hughey
09/09/99 Crystal Ballroom FLAC>WAV 1 A+ {onstage} Neumann KM143 > Apogee AD-1000 > Tascam DA-P1; Transfer: Tascam DA-20mkII/clone > WAV via Lynx ONE > Samplitude 6.0 > SoundForge 4.5 > FLAC [no DAE]
09/11/99 Cafe Tomo FLAC>WAV 1 A+ Source: (Stage) AKG C61 -> Dat Lineage: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional ->FLAC
12/04/99 Wetlands Preserve FLAC/AUDIO 1 A Source:AKG 391's->Aerco PreAmp->Tascam DA-P1;Transfer:Tascam DA-20 mkII->HHb CDR 850->EAC->Flac
12/07/99 Wetlands FLAC/AUDIO 1 A Source:AKG391's->Tascam DA-P1; Transfer:Tascam DA-20->HHb CDR850->EAC->Flac Taped,Transfered and Uploaded by Frank D'Auria
12/08/99 Stanhope House audio 3 A Recording Info: (Stage) AKG C61/CK1 -> Dat (Tascam DA-P1/44.1k)
12/31/99 Maritime Hall SHN>WAV 1 A Ike Willis replacing Ray White for entire show. This was the last show billed as KVHW unknown mics & lineage (13977)Source & Transfer unknown

KVMW --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
03/16/07 Oriental Theater FLAC16>WAV 1 A+ dsbd, both 16 & 24 bit

Led Zeppelin --- Approximate Hours: 8.75
Show Date Venue Media Type Media Count Sound Quality Notes
05/13/73 Memorial Auditorium FLAC>WAV 2 A Source: (*)SBD>>???>>REEL>>DAT>>DAT>>CDA>>SHN>>DAW(Bertha)>>FLAC Bertha Remaster of the 1st gen reel source Notes: Digitally Remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com. Completed December 8, 2005.
02/12/75 Madison Square Garden AUDIO 3 A- Source: SBD; MSG; NYC,NY
12/10/07 O2 Arena AUDIO 2 A- SOURCE: UNKNOWN STEALTH AUD Comment "A Concert In Aid Of The Ahmet Ertegun Education Fund" First Led Zeppelin Concert Since July 7, 1980 Robert Plant - Vocals, Harmonica Jimmy Page - Electric Guitars John Paul Jones - Electric Bass, Organ Jason Bonham - Drums * - First Time Played

Legion of Mary --- Approximate Hours: 25
Show Date Venue Media Type Media Count Sound Quality Notes
02/14/75 The Generosity 2 A All instrumental
04/10/75 The Bottom Line SHN>WAV 2 A- Early Show
05/21/75 Keystone SHN>WAV 2 A SBD>15 ips reel>15 ips reel>DAT>Sony R500>Digital Lens > Fooler CR200>CD>WAV>SHN
05/21/75 Keystone FLAC>WAV 2 A LOM: flac16: MOTB Release: 0043 16bit/44.1Khz; Sony ECM-270 and ECM-250 Blended [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga Transfer: Bob Menke; Mastering: Jamie Waddell.
05/22/75 Keystone FLAC>WAV 2 A LOM: flac16: MOTB Release: 0044 16bit/44.1Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Jamie Waddell.
06/03/75 Keystone FLAC>WAV 2 A LOM: MOTB Release: 0045 16bit/44.1Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek McCabe.
06/04/75 Keystone FLAC>WAV 2 A LOM: flac16: MOTB Release: 0046 16bit/44.1Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek McCabe.
06/08/75 El Camino Park FLAC/AUDIO 1 A LOM, flac16 MOTB Release: 0061 16/44.1; FOB Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UD C90; Analog Lineage: 1 x Sony ECM-270 + 1 x Sony ECM-250 => Sony TC-152 >> MAC; Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Bob Menke and Louis Falanga; Transfer By: B. Menke; Mastering By: J. Wadell.
06/22/75 Keystone FLAC>WAV 2 A LOM: flac16 MOTB Release: 0048 16/44.1; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek McCabe
07/04/75 Great American Music Hall SHN>WAV 3 A 4th of July '75 MSR

Les Claypool's Fearless Flying Frog Brigade --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
08/19/00 The Fillmore SHN>WAV 2 B+ source: Neumann U89 (hypers)> AD-1000> DA-P1 @ 48k transfer: Fostex D-5> VX Pocket 440> Sound Studio (Rec, fades, tracking)> Spark XL (48>44 conv, track split)> xACT> SHN

Little Women --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
11/04/88 DK's West Indies Bar FLAC/AUDIO 1 A Source: SBD > Sony D5 > ?? > CDR > EAC > SHN *Entire show with an ill S.Kimock*
11/12/88 Oscar's FLAC/AUDIO 1 A Source: SBD > Sony Home Deck > Maxell XLII-S;Transfer: Maxell XLII-S(Master) > Technics RS-TR575 > V3(24/48) > MT2496 > USB > SoundForge(EQ/Norm/Fades) > Wavelab(Dither/Resample UV22HR) > CDWave > FLAC16(8)*"God,Guts & Guns" * dedicated to George Bush & Dan Quayle... "I hate to be an anti-Bush guy, but I think the guy's a fucker."

Merl Saunders --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
10/01/90 The Turning Point AUDIO 2 A Comment ~Early Show~ SOURCE: SBD; MERL STATES THAT KIMOCK IS HIS AND JERRY'S FAVORITE GUITARIST.

Michael Franti & Spearhead --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
09/17/05 Black Oak Ranch FLAC>WAV 2 A+ Source: SBD -> Apogee MiniMe -> Sharp MV10 -> Samplitude Professional v8.0 -> FLAC/16 taped & transferred by C.Miller

Mickey & The Hartbeats --- Approximate Hours: 0
Show Date Venue Media Type Media Count Sound Quality Notes
10/08/68 The Matrix SHN>WAV 0 A- Source: MSR>C>CDR
10/10/68 The Matrix SHN>WAV 0 A- Source: MSR>?>CDR
10/30/68 The Matrix SHN>WAV 0 A- Source: MSR>C>CDR

Miles Davis --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
11/06/67 Salle Pleyel SHN>WAV 1 A-

Neil Young --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
01/19/71 Massey Hall FLAC16>WAV 1 A+ Stereo SBD

Neil Young & Crazy Horse --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
06/13/03 Bonnaroo Music Festival FLAC16>WAV 1 A SBD/REMASTERED, Transfered, Tracked & Seeded By: Michael Wilker Source: DSBD/DAT @48k / Remaster: Tascam DA-45hr~> BehringerDEQ24/96 Ultracurve pro*~> *(3.0db boost overall + 5.0db boost below 160hz + add. boost of 2.0db below 60hz) Lexicon 480~> ART212 Dual COmpressor~> Furman Limiter Compresor~> Gatex Noise Gate~> Furman Pro Conditioner~> Protools 24 @ 24/96~> CDWave(track)~> TLH(sbe)~> Flac(level 8 )
06/13/03 Bonnaroo Music Festival FLAC>AUDIO 1 A Source: Nakamichi CM700/CP701's > Audio Magic Sorcerer XLR Cables > Lunatec V2 > Audio Magic Sorcerer RCA Cables > Sony SBM-1(@48kHz) > Sony D8 Mic location and setup: FOB on left side of rail (in the mud pit!), ORTF Transfer: Sony DTC-60ES > M-Audio FireWire 410 (via coax spdif) > SoundForge 8.0 (Fades at begining and end of set,spliced 1st and 2nd tapes together with a crossfade, resampled 48>44.1 kHz w/ highest accuracy setting (4) & anti-alias filter on) > CDWav v1.95.1 (tracked) > FLAC lVl8

New Riders of the Purple Sage --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
12/28/07 Bearsville Theater FLAC>WAVE 1 A Recording Process: SBD>Rec Out>Tascam HD-P2 Mastering Process: Tascam HD-P2>Dell Vostro 1500>Adobe Audition 3>cdwav>flacfrontend>TLH Recorded/Mastered: Bill Demars wdemarsjr@yahoo.com

The Other Ones --- Approximate Hours: 17.5
Show Date Venue Media Type Media Count Sound Quality Notes
06/04/98 Warfield Theater SHN>WAV 1 A Source: nakamichi's>dat>cd (see notes); Conversion: CD>EAC>WAV>Sound Forge 4.5>MKW>SHN by Dan Carr 10/01/02, posted to db.etree.org by Ben Wirth 10/04/04
06/25/98 Lakewood Amphitheater SHN>WAV 1 A Source: DAUD(Nak 300's w/ CP4 > D7) - Lineage: DAT > CDR via David Minor; Encoding: EAC > CDWAV > mkwact by Matt Vernon
06/26/98 Blockbuster Pavilion SHN>WAV 1 A Source: AUD(Nak 300's w/ CP4 > D7) - Lineage: DAT > CDR via David Minor; Encoding: EAC > CDWAV > mkwact by Matt Vernon
06/30/98 Nassau Veterans Memorial Coliseum SHN>WAV 1 A Source: Digital Soundboard - digitally remastered, edited & SHN(v3)'ed by BRUNO using a Mac G4 w/ Bias Peak 3.0 and various plugins; bruno@kabsi.at
07/03/98 Sony E-Center SHN>WAV 1 A Source: DAUD(unknown mics) > ? > CDR Rudolf E. Zielinski - Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN (secure) by Matt Vernon
07/11/98 Alpine Valley Music Theatre SHN>WAV 1 A Source: Unknown Mics > DAT > CDR > EAC > CDWave > mkwACT; Source discs kindly provided by Dave Jackson, seeded by Doug Nawrocki
07/19/98 Fiddler's Green Amphitheatre SHN>WAV 1 A Lineage: SBD > D (unk. sample rate) > ? > CD-R > SSSB
07/22/98 Irvine Meadows FLAC>WAV 1 A Source:SBD >> DAT >> CDR >> WAV(EAC) >> FLAC >> DAW(Bertha )>> CDA/FLAC; CDR > FLAC by Ben Wirth, remastered by Jay Ashley.
07/24/98 Shoreline Amphitheatre SHNv3>WAV 1 A+ Source: SBD>DAT>CD; Conversion: CD>EAC>WAV>MKW>SHNv3 By Dan Carr
07/25/98 Shoreline Amphitheatre FLAC16>WAV 1 A+ Source: Digital Soundboard - digitally remastered, edited & SHN(v3)'ed by BRUNO using a Mac G4 w/ Bias Peak 3.0 and various plugins; bruno@kabsi.at
08/27/00 The Gorge Ampitheatre FLAC>WAV 1 A **fixed** nak 300> Tascam Da-Pi> CDR> EAC> SHN> CDWAV> FLAC
12/30/00 Universal Amphitheater SHN>WAV 1 A Recording Info: Sennheiser K3U/ME80 -> HHb PDR1000 -> Master Dat (Sony D8/48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> Samplitude Professional v9.11 -> FLAC (2 Discs Audio / 2 Discs FLAC) Recorded By Charlie Miller and Neil Sturtevant All Transfers and Mastering By Charlie Miller
08/03/02 Alpine Valley Music Theatre FLAC24>WAV 1 A+ STAGE MICROPHONES > SEPARATE MIXING CONSOLE AT SBD AREA > DIGITAL SATELLITE FEED TO WXRT > PRE-FM 24-BIT/96 kHz D > SSSB; Originally uploaded exclusively to GDLive.com by: John "Jay" Serafin, owner & chief audio engineer of Serafin Station Studio B
08/04/02 Alpine Valley Music Theatre SHN>WAV 1 A Source: FOB Schoeps MK4V>KC5>CMC6 > Apogee Mini-Me > Sony D8 (48khz);Mics run ORTF @ 6' High from the 28th row center - Transfer: DA-20mkII > RME DIGI96/8 PST > Samplitude > CDWAV > SHN

Page McConnell --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
06/10/07 The Vogue Theatre FLAC16>WAV 1 A (FOB) AKG c480b/ck61 > Edirol UA-5 (Oade digi-mod) > Sony D8 (@ 44.1 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Chris Grider; Transferred by Jason Sobel

PBS (Porter Batiste Stoltz) --- Approximate Hours: 13.75
Show Date Venue Media Type Media Count Sound Quality Notes
02/24/06 Mexicali Blues FLAC16>WAV 1 A Source: Schoeps MK4 (OTFR)
02/24/06 Mexicali Blues AUDIO 3 A Source:Schoeps CMC6/MK4's Comment whole show with Steve Kimock *Darrell Wacker on Trombone
02/25/06 Mexicali Blues FLAC16>WAV 1 A Schoeps MK4's (OTFR)
02/25/06 Mexicali Blues AUDIO 3 A SOURCE: SCHOEPS CMC6/MK4'S Comment whole show w/ Steve Kimock
02/25/06 Mexicali Blues AUDIO 3 A SOURCE: SCHOEPS CMC6/MK4'S; Comment Whole show with SKimock

Peter Rowan --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
04/13/06 Sellersville Theater FLAC16>WAV 1 A dsbd

Phil Lesh & Friends --- Approximate Hours: 203.75
Show Date Venue Media Type Media Count Sound Quality Notes
10/01/76 Keystone Berkeley AUDIO 1 B+ soundboard of unspecified lineage via Joe D'amico
01/31/98 Fillmore Auditorium SHN>WAV 3 A unknown
08/08/98 Fillmore Auditorium SHN>WAV 3 A No source info was given to me for this show appears to be AUD
06/04/99 Warfield Theater SHN>WAV 3 A
07/02/99 Warfield Theater FLAC>WAV 3 A sbd
07/03/99 Warfield Theater DVD-R 2 A Kimock shreds Billy on Drumz
08/12/99 The Fillmore Auditorum SHN>WAV 2 A Source: FOB Schoeps MK4>VMS>SBM-1>DA-P1>CDR>EAC>SHN>CDR
10/22/99 The Fillmore Auditorum SHN>WAV 3 A Source: B&K 4011>LunatecV2>AD1000
10/23/99 The Fillmore Auditorum SHN>WAV 3 A Source: FOB Schoeps CMC6 > MK4 > V2 > DA-P1
11/05/99 Pittsburgh Civic Arena SHN>WAV 2 A FOB, Sony ECM-DS70P > Sony MD > CD > SHN via Brad Hamilton
11/09/99 Temple University SHN>WAV 2 A Source: FOB / Schoeps MK4V (in a hat) > SBM1 > PCM-M1 Transfer: DAT Clone > PCM-R300/Toslink > SB Live Platinum > Soundforge 4.5a > WAV > CDWave (splits) > SHN (via mkwAct-seekable) by Marc Pujol
11/13/99 Continental Airlines Arena SHN>WAV 2 A FOB [floor] Oade Stealth mics-->Oade-modified D8--> DAT-->ZA2/resample*-->shn
12/30/00 Henry J. Kaiser Auditorium AUDIO 2 A+ DAUD Master DAT ATM-35 Hyper Cardioid Capsules > Sony D-7 DAT Recorded by C. Connif (VT taper) FOB 5 feet in front of right speaker stack. Stealth recording with mics in a straw hat. Transfer: Casio DA-7 > M-Audio 2496 digital in [48/16] > WaveLab 5.0 Mastered with iZotope Ozone 3, Dithered to 44.1 > CD Wave > TLH > Flac Transfer and Mastering By B. Koucky, Green Mountain Bros. 2007
12/31/00 Henry J. Kaiser Auditorium SHN>WAV 5 A Source: (FOB) Schoeps MK4>KCY>BRBOX>SBM1>Sony D10 PRO Transfer: Standalone by unknown EAC>SHN: jeff Kempka recieved the Discs and EAC > untracked/assembled > MKWact. SHN>Re-Track>MKWACT SHNv3: Matt Edlhuber (edlhubermj18@mail.uww.edu)
12/31/00 Henry J. Kaiser Auditorium FLAC>WAV 0 A+ Source: DAUD Master ATM-35 Hyper Cardioid Capsules > Sony D-7 DAT Recorded by Casey Connif (VT taper) FOB 5 feet in front of right speaker stack. Stealth recording with mics in a straw hat. Transfer: Panasonic SV-3700 XLR analog outputs > M-Audio Audiophile 24/96 > recorded to 24 bit/44.1 KHz WAV with WaveLab 5.0 > mastered with Waves L3 Multimaximizer (threshold of -4.5 dB, ceiling -0.1 dB)> rendered to 16 bit /44.1 KHz WAV using UV22-HR dithering > tracked with CDWAV 1.9 > FLAC. Transfers, Remastering and Seeded to shnflac.net February 2007 by Bill Koucky
06/29/01 The Greek Theatre AUDIO 3 A Source: DAUD Master DAT ATM-35 Hyper Cardioid Capsules > Sony D-7 DAT Recorded by C. Connif (VT taper) FOB 5 feet in front of right speaker stack. Stealth recording with mics in a straw hat. Transfer: Panasonic SV-3700 > M-Audio 2496 digital in [48/16] > WaveLab 5.0 Mastered with iZotope Ozone 3, Dithered to 44.1 > CD Wave > TLH > Flac Transfer and Mastering By B. Koucky Green Mountain Bros. January 2008
07/01/01 Greek Theater AUDIO 3 A Source: DAUD Master DAT ATM-35 Hyper Cardioid Capsules > Sony D-7 DAT Recorded by C. Connif (VT taper) FOB 5 feet in front of right speaker stack. Stealth recording with mics in a straw hat. Transfer: Panasonic SV-3700 > M-Audio 2496 digital in [48/16] > WaveLab 5.0 Mastered with iZotope Ozone 3, Dithered to 44.1 > CD Wave > TLH > Flac Transfer and Mastering By B. Koucky Green Mountain Bros. January 2008
12/30/01 Henry J. Kaiser Auditorium SHN>WAV 3 A FOB-DFC Neumann KM140(ORTF >LunatecV2>Sbm1>D8. Transfer info: DAT(M) to DAT(1) R300>Coax>R300. DAT(1) to CD R300>Coax>HHB830>CDR Masters all by Matt Lazor. SHN conversion via EAC with normalization by Marc Pujol
12/31/01 Henry J Kaiser Convention Center SHN>WAV 3 A FOB-DFC Neumann KM140(ORTF)>LunatecV2>Sbm1>D8 approx 20 feet from stage on a stand just above head level. Transfer info: DAT(M) to DAT(1) R300>Coax>R300. DAT(1) to CD R300>Coax>HHB830>CDR Masters -- all by Matt Lazor. SHN conversion via EAC with normalization by Marc Pujol.
07/23/02 nTelos Pavillion @ Harbor Center SHN>WAV 3 A Source:FOB-DFC (In the sweet spot) DPA(B&K) 4011's>Luminous Monarchs> V2>AD2K+>M1 taped by Mark Lynn Transfer: Fostex D5>Tascam cdrw700>eac (secure)>mkw>shn SHN conversion by Greg Kerbel
08/31/02 Red Rocks Ampitheatre SHN>WAV 3 A FOB/DFC source: "The Pickel"AKG 522MS sterio mic>V2(MSMode)>SBM2> CDR>EAC>CD Wave(tracked)>SHN(mkw) transfer: D100>HHB850 taped and transfered by Jason Loomis EAC/CD Wave/SHN by jimmy cronk
11/28/03 Tower Theater FLAC>WAV 3 A AkG's 480's w/C63 hypercard caps, the mic's were pointed rectly at the speakers > Edirol UA-5 (w/Oade bros warm mod) > D7 > PM-1. Recorded from the official taper's section (under the balcony, orchestra)
11/29/03 Tower Theater FLAC>WAV 3 A Source:AKG 481's>GP Dmic20>Sony PCM-M1. Recorded by Ken Doughty. Mastered by MattMan
11/30/03 Tower Theater SHN>WAV 3 A+ Official Soundboard Release DSBD(FLAC) converted to SHN
12/04/03 Beacon Theater FLAC>WAV 3 A Source: Neumann KM140>V2>SBM1>DAP1 taped by Yossi Pollak & Frank D'Auria Transferred to WAV:DAP1>M-Audio Audiophile2496 USB>CDWAV > FLAC with FLAC Frontend
12/17/04 Warfield Theater FLAC>WAV 3 A+ Source: DSBD-Official Release from www.phillesh.net
12/18/04 Warfield Theater FLAC>WAV 3 A+ Source: DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard)
12/19/04 Warfield Theater FLAC>WAV 3 A+ Source: DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard)
02/12/05 Bill Graham Civic Center FLAC>WAV 3 A DSBDthanks Phil
02/12/05 Bill Graham Civic Center FLAC>WAV 3 A+ Source: DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard)
07/15/05 The Fillmore Auditorum FLAC>WAV 3 A 1st Row TS/DIN AKG ck63
07/16/05 Red Rocks Ampitheatre FLAC>WAV 3 A RR AKG 481's center, row 20
07/16/05 Red Rocks Ampitheatre FLAC>WAV 3 A AKG 481s DIN row 20 center
11/21/05 Sovereign Center FLAC16>WAV 3 A Source: Schoeps MK4V'S Into Schoeps VMS5U Into Edril R1 FOB/DFC 12 th Row Taped and transferred by Jeff Travitz
11/22/05 New Jersey Performing Arts Center FLAC>WAV 3 A Source: DSBD-Official Release from www.phillesh.net
11/23/05 New Jersey Performing Arts Center FLAC>WAV 3 A Source: DSBD-Official Release from www.phillesh.net
11/25/05 Chicago Theatre FLAC>WAV 3 A Source: AKG 483(fob) > V3 (HPF2) > MT2496 (16/44.1) > CD Wav MNFL4L Row F Seat 409 Taped and transferred by Jeff Frank
11/26/05 Chicago Theater FLAC>WAV 3 A Source: Schoeps MK4V's into Schoeps VMS5U into Edriol R1 (12th row Center) Taped and Transfered by Jeff Travitz
11/29/05 A.J. Palumbo Center, Duquesne University FLAC>WAV 3 A Source: ADK A-51TLs (OTS right side of the board,~7.5'high, hypercardioids DINa) > Canare Starquad XLRs > Edirol UA-5 (Oade digimod) > Nomad Jukebox 3 (@44.1kHz) Transfer: Nomad Jukebox 3 > firewire > Cool Edit Pro (nomalization, fades) > CD Wave > FLAC Frontend Taped and transfered by Alex Herd
12/01/05 Agganis Arena, Boston University FLAC16>WAV 3 A Source: 8th row DFC - Neumann ak40 (XY@110deg)>lc3>ka100 > Oade M248 preamp > Maranatz PMD671 @ 24bit / 48kHz master 24bit .wav files resampled and dithered (apogee uv22hr) with wavlab for redbook version
12/02/05 Patriot Center FLAC>WAV 3 A Source: B&K4022(ortf)>Sonosax>744T Location: fob/dfc, 30' from stage, 6 1/2' high Transfer: 744T>soundforge 7.0(fades/resampling/dithering)>cdwav>flac Taped & transferred by: Craig Davis
12/04/05 Washington St. Armory FLAC>WAV 3 A Source: Neuamnn KM184> Oade w-mod. UA-5 (44.1 kHz)> optical> JB3 Location: [DIN 90*, 1st row OTS 5' LOC] Transfer: JB3> firewire> Sound Forge 6.0 (fades)> cdWave> FLAC Frontend taped/transfered by: Rob Clarke
02/11/06 Beacon Theater FLAC>WAV 3 A Source: Neumann ak43 (ortf)> V3(analog)> 722 (24/96) SF6.0(fade, bit-depth reduce, resample)> CDWave> flac frontend (8) recorded/transfered by Dr.FOB
02/12/06 Beacon Theatre FLAC16>WAV 3 A Source: DSBD - Official Release from www.phillesh.net (Mixed and mastered by Derek Featherstone)
05/19/06 Warfield Theatre FLAC16>WAV 1 A FOB/DFC
06/18/06 Bonnaroo Music Festival FLAC16>WAV 1 A Pleuso Audience
07/14/06 Lifestyle Community Pavilion FLAC16>WAV 1 A Source: Matrix AKG 586's & Nak 300's w/CP-1's > Edirol R-4 Transfer: Edirol R-4 > Wave editor > MKW Taped by Tapecat & the Brain Transferred: Tapecat
07/07/07 Sweetwater Saloon FLAC16>WAV 1 A Neumann skm 140s->sound devices 722 (@ 24/192) via rosemary.dyndns.org
07/21/07 The Independent FLAC16>WAV 1 A LMArchive source
10/06/07 Riviera Theater AUDIO 3 A+ Source: OFFICIAL SBD(NO TRADES) LINEUP: PHIL LESH-BASS JACKIE GREEN-GUITAR, VOCALS LARRY CAMBELL-GUITAR STEVE MOLITZ-KEYS JOHN MOLO-DRUMS
10/07/07 The Riviera AUDIO 3 A+ SOURCE: OFFICIAL SBD (NO TRADES) LINEUP: PHIL LESH-BASS,VOCALS JACKIE GREEN-RHYTHMN GUITAR,VOCALS LARRY CAMBELL-GUITARS,MANDOLIN,ETC STEVE MOLITZ-KEYS(PARTICLE) JOHN MOLO-DRUMS/PERCUSSION 2ND SET WAS @COUSTIC
10/07/07 The Riviera AUDIO 3 Comment Set II was acoustic *first time played
10/07/07 The Riviera AUDIO 3 Comment Set II was acoustic *first time played
10/31/07 Nokia Theater AUDIO 3 A+ Source: FREE SOUNDBOARD (thanks PHIL!) Lineup: Phil Lesh-bass,vox Larry Cambell-string instruments Jackie Greene-guitar,vocals Steve Molitz-keys(particle) JJohn Molo-drums, percussion
11/01/07 Nokia Theater AUDIO 3 A+ Source: FREE SOUNDBOARD (thx Phil) Lineup: Phil Lesh (bass, vocals) Jackie Greene (guitar, vocals) Larry Campbell (guitar & more) Steve Molitz (keyboards) John Molo (drums)
11/02/07 Nokia Theater AUDIO 3 A+ Source: FREE SOUNDBOARD(thx Phil) *1st time played @with Amy Helm & Teresa Williams on vocals; Set 2 Acoustic; Ryan Adams guest for full 3rd Set.
11/03/07 Nokia Theatre AUDIO 3 A+ Source: FREE SOUNDBOARD (Thanks Phil); Lineup: Phil Lesh-bass John Molo-drums Steve Molitz-keys Larry Cambell-stringed instruments Jackie Greene-Rhythmn Guitar,vox
11/06/07 Nokia Theater AUDIO 3 A+ Source: FREE SOUNDBOARD (Thanks Phil) *1st time played Phil Lesh (bass, vocals) Jackie Greene (guitar, vocals) Larry Campbell (guitar & more) Steve Molitz (keyboards) John Molo (drums)
11/08/07 Nokia Theater AUDIO 3 A+ SOURCE: FREE SOUNDBOARD(THX PHIL) Phil Lesh (bass, vocals) Jackie Greene (guitar, vocals) Larry Campbell (guitar & more) Steve Molitz (keyboards) John Molo (drums)
11/08/07 Nokia Theater FLAC/AUDIO 1 A THIS SOUNDBOARD IS **FREE** THANKS TO PHIL & FRIENDS (WWW.PHILLESH.NET) fixed version thanks to muletaper for making the original mono into stereo
11/09/07 Nokia Theatre AUDIO 3 A+ SOURCE: FREE SOUNDBOARD (THX PHIL) Phil Lesh (bass, vocals) Jackie Greene (guitar, vocals) Larry Campbell (guitar & more) Steve Molitz (keyboards) John Molo (drums)
11/09/07 Nokia Theatre FLAC/AUDIO 1 A THIS SOUNDBOARD IS **FREE** THANKS TO PHIL & FRIENDS (WWW.PHILLESH.NET) **note: fixed version, seeded Jan 19, 2008

Phish --- Approximate Hours: 30
Show Date Venue Media Type Media Count Sound Quality Notes
11/04/90 Fort Ram Nightclub SHN>WAV 3 A SBD > DAT > ZA2 (48kHz) > CoolEditPro (48>44.1kHz) > SHN; Note: There are three options for CD-Recording
03/13/92 Campus Club FLAC>WAV 1 A DSBD (@ 48Khz / 16 bit); Panasonic SV-3700 > M-Audio 24/96 Soundcard > WaveLab 5.0 (resample to 44.1Khz); Transferred by B. Koucky
12/08/95 CSU Convocation Center FLAC>WAV 2 A 1st PH show Beatles Encores: Come Together A Day In the Life RockNRoll HOF just opened; 15th Anniversary of J.Lennon's Death
08/13/97 Star Lake Amphitheatre FLAC>WAV 0 A AKG 480/ck61 > Lunatec V2 > Apogee > DA-P1; DAT>CD Conversion by Dave Pecoraro
12/05/97 Convocation Center SHN>WAV 1 A Microtec Geffel m210 > Oade m248 > SBM-1 > DA-P1 (OTS, DFC); Sony R500 > Edirol UA-1D > USB > Soundforge 6.0 > CDWav > mkwACT > SHN; Taped and transferred by Jason Wilhelm
12/07/97 Ervin J. Nutter Center SHN>WAV 2 A SBD > DAT > CDR > EAC > SHN
05/07/98 Bearsville Studios FLAC>WAV 1 A SBD > DAT > CDR > EAC > FLAC
11/02/98 E Centre FLAC>WAV 1 A Schoeps CMC6/mk41 > Lunatec V2 > DA-P1; Fostex D5 > Zoltrix > Sound Forge 6.0 (48>44.1kHz) > CDWav > FLAC; Transferred by Greg Lance *Disc 3 Dark Side of The Moon Set Only* Great cover show by Phish, I used to have this on cassette. Nice to see the same source that I had on tape.
09/18/99 Coors Amphitheater SHN>WAV 2 A- Schoeps CMC6/mk4 > Apogee AD1000 > DA-P1 @44.1kHz; Sony 59ES > Nomad Jukebox 3 > USB > WAV > CDWav > mkwACT > SHN; Transferred by Terry Watts
12/31/99 Big Cypress Seminole Reservation SHN>WAV 8 A AKG480 (Omni), 12' split -> Lunatec V2 -> ADC-20 -> DA-P1 -> digi patch DA-P1, stage left TS; DAT -> SHN: DA-P1 -> 128bit Yamaha Sound Card -> Cool Edit Pro 1.2; via D. McDowell; notes: track breaks not on sectors, but at 0dB spots, ~5 min missing of the start of the tick-tocking, very beginning of Albuquerque spliced in from another source; circulated with 12/30 (d1-5 of the shn set)
10/07/00 Shoreline Amphitheatre SHN>WAV 3 A FOB (sec 102) Schoeps mk4 > BR Box > SBM1 > D100; DTC 690 > Otari CD-R 18 pro standalone burner; Retracked using plextor 12/20 > EAC (as one file) > CDWav > mkwact > SHN

Pink Floyd --- Approximate Hours: 8.75
Show Date Venue Media Type Media Count Sound Quality Notes
11/16/74 Empire Pool FLAC>WAV 3 A sbd
05/09/77 Oakland Coliseum FLAC>WAV 2 A sbd
02/28/80 Nassau Veterans Memorial Coliseum FLAC>WAV 2 A sbd

Psychedelic Guitar Circus --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
01/14/93 Great American Music Hall FLAC/AUDIO 1 A+ Source: SBD > Cm > Cass > Dat > ? > Flac Incomplete (note track seven is 2 songs) seeded to LAMA 10-16-2004
08/01/93 Great American Music Hall FLAC/AUDIO 1 A+ Source: SBD > Cm > Dat > CD > EAC > Flac; Lineage: CDR(m) > EAC (secure) > WAV > FLAC [7] Taped by: Steve Block Transferred(and mastering by) Jim Blackwood;

Psychograss --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
08/13/00 Grand Targhee Bluegrass Festival FLAC16>WAV 1 A Source: DSBD > XLR > Tascam DA-P1 DAT Master Recorded by Sean Hawkins Transfer: Casio DA-7 > Tascam CD-RW 700 (pass through -4) >1

Ratdog --- Approximate Hours: 153.75
Show Date Venue Media Type Media Count Sound Quality Notes
12/02/99 Pompano Beach Amphitheatre SHN>WAV 2 A SBD
10/23/00 Fillmore Auditorium FLAC>WAV 2 A+ "This sbd (and the night before) was taped by me, along with the aud used for the patching (which was done by David Hollister). I have master dats (both sbd and aud) of both nights. cm"
04/13/01 Kalamazoo State Theater audio 3 A
12/31/01 Henry J Kaiser Auditorium SHN>WAV 2 A Source: FOB-DFC Neumann KM140(ORTF)>LunatecV2>Sbm1>D8 by Matt Lazor Approx 20 feet from stage on a stand just above head level Transfer info: DAT(M) to DAT(1) R300>Coax>R300 -- by Matt Lazor DAT(1) to CD R300>Coax>HHB830>CDR Masters -- by Matt Lazor CDR Masters > Plexwriter 16/10/40A > EAC (v0.9 beta 11 with correct offsets) > WAV -- by Marc Pujol WAV > Soundforge 4.5a(build228) to normalize to bring up low record levels from Master DAT -- by Marc Pujol WAV > CD-Wave(splits) > SHN (mkwAct) with seek tables appened. -- by Marc Pujol 01-23-2002
09/27/02 Electric Factory audio 3 A
11/08/03 Promo West Pavilion audio 3 A-
03/19/04 Auditorium Theatre FLAC 2 A ocr
03/19/04 Auditorium Theatre FLAC>WAV 3 A+ also have a orc DSBD which is nice
03/20/04 Landmark Theatre FLAC 2 A OCR dsbd
04/27/05 9:30 Club audio 3 A E: Masters of War > US Blues
04/29/05 The NorVa FLAC16>WAV 3 A Nak 300's > Sony D8; Taper: Pugs - Lineage: Tascam dap 320 > CDR > EAC > WinXP Pro > CDWave Editor* > Flac Frontend > FLAC16; Transfer from CDR through FLAC16 and minor editing by Alex Ford on 09/4-6/2005.
06/08/05 Madison Theater FLAC>WAV 3 A w/ special guests
06/09/05 PromoWest Pavilion, Indoors FLAC>AUDIO 3 A+ Great show I was in attendance with some of my tour associates Chez(Ratdog photographer), Squidley,CFTV, Gr8ful J(had his extra), thinman,Kitty Kat, freekerbyspeaker, etc. Killer show, great people, also Jeff's 500th show, very special night all around, my favorite show since Fall 2003, my favorite Ratdog MK show from 2004 up til this one that I saw which says alot about this show/source.
06/10/05 The Pageant FLAC>WAV 3 A info file gone, bt.etree DL
08/09/05 Powell Convention Center FLAC>WAV 3 A Source: ADK51TL XY 90deg > V3 > JB3; Location: Section 3, Row U Seat 1 - 5 rows FOB, Right side, 12' high. - Transfer: Firewire > Audacity > Flac; Taper: Mark_z (mark@markzee.net)
08/12/05 Indian Lookout Country Club FLAC>WAV 2 A Source: AKG SE 300B/CK 92>Oade w-mod UA-5(44.1kHz)>optical>JB3 Rob Clarke
08/30/05 The Mann Center FLAC16>WAV 2 A Source: AKG 393>UA-5>DA-P1>coax>HOSA276>optical>JB3
09/01/05 Central Park Summerstage - Rumsey Playfield FLAC>WAV 2 A JWmod AKG 461's>V3>JB3 Transfer:JB3>CDwave>FLAC
09/02/05 Meadowbrook Musical Arts Center FLAC>WAV 2 A Source:(FOB/DFC)Neumann DINa AK40>LC3>KM100>Oade advance concert mod Marantz PMD660 16/44.1 master .wavs>CD-WAV
09/04/05 House of Blues FLAC16>WAV 2 A Source: AKG 393>UA-5>DA-P1>coax>HOSA276>optical>JB3
09/05/05 Pepsi Arena FLAC>WAV 2 A Source: AT3031>Edirol UA5(BM2)>NomadJB3
07/05/07 Summerfest FLAC>WAV 2 A Official Soundboard Release ORC SBD
07/07/07 Chastain Park Amphitheatre FLAC16>WAV 2 A Source: ADK A5iTL Cartoid w/ Steve Kimock
07/07/07 Chastain Park Amphitheatre FLAC16>WAV 2 A Official Soundboard Release ORC;SBD w/ Steve Kimock
07/09/07 Central Park (Summerstage) FLAC16>WAV 2 A Source: Digital [24 bit/48khz] Audience Recording: Left of FOB (Facing Stage): SP C4 > HYDRA stereo XLR cables > Lunatec V3 > Core Sound S/PDIF 75-Ohm Coaxial Cable > Marantz PMD 671 [24/48] w/ Steve Kimock
07/10/07 Bank of America Pavilion FLAC>WAV 3 A+ Official Soundboard Release ORC;SBD w/ Steve Kimock
07/11/07 Twin River Event Center FLAC16>WAV 3 A+ Official Soundboard Release ORC;SBD w/Steve Kimock
07/14/07 Charlottesville Pavilion FLAC16>WAV 3 A+ Source: Schoeps mk4v(ORTF)>cmc6>V3>744t + Schoeps mk21(NOS)>Sonosax>744t w/ Steve Kimock
07/14/07 Charlottesville Pavilion audio 3 A Official Soundboard Release ORC;SBD Munchmix w/ Steve Kimock; Mark was absent
07/17/07 LC Pavilion FLAC16>WAV 3 A+ Official Soundboard Release ORC;SBD w/ Steve Kimock
07/19/07 Aragon Ballroom FLAC16>WAV 3 A+ Official Soundboard Release ORC;SBD w/ Steve Kimock
07/20/07 Harrah's Stir Cove mp3 audio 3 A+ Official Soundboard Release ORC;SBD w/ Steve Kimock-lead guitar; Mark was absent
07/20/07 Harrah's Stir Cove audio 3 A Official Soundboard Release ORC;SBD Munchmix w/ Steve Kimock; Mark was absent
07/21/07 10,000 Lakes Festival FLAC16>WAV 3 A+ Official Soundboard Release ORC;SBD w/ Steve Kimock
07/24/07 Red Rocks Amphitheatre FLAC16>WAV 3 A+ Official Soundboard Release ORC;SBD w/ Steve Kimock
07/25/07 Paolo Soleri Amphitheatre FLAC>WAV 2 A+ Official Soundboard Release ORC;SBD w/ Steve Kimock Mark Karan was absent.
07/27/07 Humphrey's Concerts by the Bay FLAC>WAV 2 A Source: Official Ratdog SBD; ORC w/ Steve Kimock (lead guitar) & special guest *w/ Bobby Cochran (Guitar);
07/28/07 Greek Theatre FLAC>WAV 3 A Source: ADK tl51mp(cards)>UA5oadet+>mt2496
08/11/07 Seaside Park FLAC>WAV 3 A Official Soundboard Release ORC;SBD Munchmix Instant LIVE Gathering of the Vibes w/ Steve Kimock-lead guitars; Mark Karan was absent;
08/12/07 Boarding House Park FLAC>WAV 3 A Official Soundboard Release ORC;SBD Munchmix Instant LIVE w/ Steve Kimock; Mark was absent;50th Anniversary "On the Road"_Neil Cassidy only "On the Road Again" @coustic passages were read from OTRoad pre Set II & during TOO
08/14/07 Nissan Pavilion FLAC>WAV 2 A Source: AKG 391(DIN) > PMD660(44khz wav) PMD660>Audacity>trader's little helper last 10seconds of encore cut
08/14/07 Nissan Pavilion FLAC>WAV 2 A+ Official Soundboard Release ORC;SBD w/ Steve Kimock; Mark was absent
08/15/07 Post-Gazette Pavillion audio 2 A Official Soundboard Release ORC;SBD
08/15/07 Post-Gazette Pavillion FLAC>WAV 2 A Source: AKG c451b's > MP2 > Edirol R-09 @ 48 KHz ;Transfer: R-09 > usb > hard drive > cool edit pro > tracks > resampled to 44.1 KHz at highest setting
08/17/07 Tweeter Center FLAC>WAV 2 A Official Soundboard Release ORC;SBD Munchmix Instant LIVE w/ Steve Kimock-lead guitars; Mark Karan was absent
08/18/07 Mountain Laurel Center FLAC>WAV 2 A+ Official Soundboard Release ORC;SBD w/ Steve Kimock; Mark was absent
08/19/07 Darien Lake Performing Arts Center FLAC16>WAV 2 A Official Soundboard Release ORC;SBD Munchmix w/ Steve Kimock; Mark was absent
08/21/07 Nikon Amphitheater at Jones Beach FLAC16>WAV 2 A Source: JWmod AKG 460's>CK1x>MK46 cables>SD722@24/96 Transfer: SD722>Adobe Aud.>16 Bit>Cdwav>flac 16 Location: OTS, Stand at 9 Feet Taper: Tony Suraci w/ Steve Kimock; Mark was absent
08/22/07 PNC Arts Center FLAC>WAV 2 A source: schoeps CMIT 5U > Lunatec V3 > Sony DAT PCM-M1 > cd w/ Steve Kimock; Mark was absent
10/26/07 Casino Ballroom FLAC>WAV 1 A Source: Nak CM300 > Hydra > AD-20 > H120
10/27/07 Hampton Beach Casino FLAC>WAV 1 A Source: Rode NT-4>KindKables>Oade BCM Marantz 671>wav>cd wav>traderslittle helper>flac

Rhythm Devils --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
12/01/06 The Warfield FLAC16>WAV 1 A Recording Info:Schoeps CMC6/MK4 -> Sound Devices 744T (24bit/48k)cmiller sourceTransfer Info: Sound Devices 744T -> Samplitude Professional v8.01 -> FLAC/16

Rob Wasserman & Friends --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
03/26/94 Beacon Theater FLAC>WAV 2 A Schoeps MK21>DATs

Robert Hunter --- Approximate Hours: 17.5
Show Date Venue Media Type Media Count Sound Quality Notes
11/12/80 Toad's Place SHN>WAV 2 A Alan Bershaw's SBD Master (UDXL1 cass master>DAT>CD>WAV>SHN)
10/04/86 The Stone Pony SHN>WAV 1 A unknown source info
10/07/86 The Trocadero Theatre SHN>WAV 1 A unknown source info
10/18/86 Poor David's Pub FLAC>WAV 2 A (Late Show) SBD>MC>DAT>CD>EAC>FLAC
05/02/97 Moore's Egyptian Theater SHN>WAV 1 A Master Soundboard Cassette > CDR with AUD patches
04/03/03 Park West audio 2 A
04/03/03 Park West FLAC>WAV 2 A FLAC reseed to fix SBEs on source 17302; (SBD) Midas Heritage 1000> Sony TCD-D10II (oade mod) > ? > .WAV files > FLAC
06/27/04 Sleep Train Amphitheater FLAC>WAV 1 A unknown source info opened for "The Dead"
08/10/04 PNC Arts Center SHN>WAV 1 A SBD>CDR>EAC>Sound Forge 7.0>CDWAV>SHN
08/11/04 PNC Arts Center FLAC>WAV 1 A unknown source info

Roger Waters --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
09/12/06 Madison Square Garden WAVaudio 2 A- unknown @t this time

Ryan Adams --- Approximate Hours: 17.5
Show Date Venue Media Type Media Count Sound Quality Notes
09/13/07 Paramount Theater FLAC>WAV 1 A Source: sbd/matrix>Sonosax>744T
09/14/07 Paramount Theater FLAC>WAV 1 A Soundboard/Matrix:Luminous Monarch XLRs->V2->Luminous Synchestra Signature XLRs->AD2K@ 24/96->722.
09/19/07 Theatre St-Denis 1 FLAC>WAV 1 A Source: SBD
09/21/07 Massey Hall FLAC>WAV 1 A Sources:KM184 > V2 > EMagic A62 > laptop (Kristal 24/44.1)soundboard > JB3
09/22/07 Michigan Theater FLAC>WAV 1 A Source: SBD>DAT;Lineage: SBD Matrix (w/ three on-stage mics) > Sony M1 > DAT(M) > M1 > digital out > M-Audio 2496 > Adobe Audition 2.0 > CDWAVE > FLAC(8)
09/24/07 State Theater FLAC>WAV 1 A Source: SBD>DAT;Lineage: SBD Matrix (w/ three on-stage mics) > Sony M1 > DAT(M) > M1 > digital out > M-Audio 2496 > Adobe Audition 2.0 > CDWAVE > FLAC(8)
10/17/07 Saenger Theater FLAC>WAV 1 A- Source: MM-HLSC-2 "Sennheiser Driven" Cardioids (loge, mounted,recorded from seat just over head high)>SP-SPSB-6(power, line in)> Edirol R-09@24/48wav
10/19/07 McFarlin Auditorium, Southern Methodist Univ. FLAC>WAV 1 A- Source: Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD)
10/24/07 Murat Theatre FLAC>WAV 3 A Source: SBD > Tascam HD-P2 @ 24/48
10/27/07 Lakewood Civic Auditorium FLAC>WAV 3 A Source: SBD Matrix > Fozzy Belden 1804a silver cable > Edirol R-09 (24/48)

Ryan Adams & the Cardinals --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
06/29/07 Somerville Theatre AUDIO 3 A+ Source: SBD->HD; Lineage: SBD->XLR Cables>Tascam HD-P2 at 24/96->Dell Inspiron 8600 via firewire>Audacity for edits, fade out>cdwave>flacfrontend

Seastones --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
11/28/73 Palace of Fine Arts SHN>WAV 1 A Seastones collection: 4 disc set includes 3 separate sessions labelled as 11/28/73, plus 6/6/75; misc. filler bits; via D. Finney

Steve Kimock --- Approximate Hours: 53.75
Show Date Venue Media Type Media Count Sound Quality Notes
04/08/92 19 Broadway AUDIO 2 A Lineup:Frank Goodman;Billy Goodman Steve Kimock; Bobby Vega *Goodman Brothers*Source:6 mic mix > Ampex M10 tube mixer > Sony 75ES (dat); Transfer: Sony PCM R-500 (DAT) > HHB CDR850 (AUDIO CDR) > WAV via EAC > SHN [DAE step] Sony PCM R-500(dat)>CD via HHB CDR850
06/28/95 19 Broadway AUDIO 3 A+ Source: {onstage} AKG c61s > DAT/Clone;Lineage: D8 (DAT) > WAV via SEK'D Prodif Plus > Samplitude & CDWav > SHN Comment Steve Kimock - Lead Guitar, Banana - Rhythm guitar, Martin Fierro - sax, Lance Dickerson - drums, Steve Wolf - bass, Chip Roland - keyboards
10/11/98 4th Street Tavern 0 SOURCE:[SK&Friends]onstage} Nak 700 > Sony D5M (mic pre) > D7/Clone; Transfer: D8 (DAT) > WAV via SEK'D Prodif Plus > Samplitude & CDWav > SHN [no DAE]
10/17/98 Wetlands Preserve AUDIO 4 A+ SOURCE: (ONSTAGE) SENNHEISER 441'S;Source: Bob's Nak 700's on stage > D7 > digital transfer >CDR > EAC > MKW
10/17/98 Wetlands Preserve 0 Comment Band is KVHW with Steve Kimock - Lead Guitar, Bobby Vega- bass, Alan Herz - Drums, Ray White - Rhythm Guitar and Vocals
12/24/99 4th Street Tavern AUDIO 3 A Source: {onstage} AKG C-61 > DA-P1 (DAT);Lineage: DAT > WAV via Midiman 2496 > SHN; Alan Hertz' Marijuana Jazz Band: Steve Kimock-guitar Bobby Vega-bass Alan Hertz-drums Terry Haggerty-guitar Chip Roland-organ Kendrick Freeman-percussion
10/30/02 Chester's Place SHN/AUDIO 1 A+ **Steve Kimock Acoustic With Banana**Source: {onstage} Schoeps cmc6/mk4 (ORTF) > Apogee Mini-Me (16bit/44.1khz) > Sharp MV10 > Samplitude 6.0 > SHN [no DAE] Recording by Arielle Phares & Charlie Miller
10/31/02 Chester's Place SHN/AUDIO 1 A+ *Steve Kimock Electric Band*SKEB**Source: SBD + {onstage} Schoeps CMC6/MK4 (ORTF) > Allen Heath GL2200 24 channel mixer > Apogee Mini-Me (16bit/44.1khz) > Sharp MV10 > Samplitude 6.0 > SHN [no DAE]
11/24/02 Boulevard Cafe SHN/AUDIO 1 A+ Source: *Steve Kimock & Pete Sears*SBD + (Stage) Schoeps CMC6/MK4 ->Sound Devices MP2 ->Behringer MX1604A ->Apogee Mini-Me ->Sharp MV10 ->Samplitude v6.0 ->SHN (2 Discs SHN / 3 Discs Audio)
11/24/02 Boulevard Cafe SHN>WAV 3 A SBD + (Stage) Schoeps CMC6/MK4 ->Sound Devices MP2 ->Behringer MX1604A ->Apogee Mini-Me ->Sharp MV10 ->Samplitude v6.0 ->SHN (2 Discs SHN / 3 Discs Audio)CMiller
11/24/02 Boulevard Cafe AUDIO 3 A+ SKIMOCK & PETE SEARS (MATRIX) SOURCE: SBD + (onstage) Schoeps CMC6/MK4 > Sound Devices MP2 > Behringer MX1604A > Apogee Mini-Me > Sharp MV10 > Samplitude v6.0 > SHN [no DAE]
12/15/02 Anahola Taro Patch AUDIO 2 A *Steve Kimock with Billy Kreutzmann & Friends* Source: (FOB) Nakamichi 700 > Sound Devices MP-2 > Sony TCD-D7 (DAT)Lineage: D8 (DAT) > WAV via SEK'D Prodif Plus > Samplitude Pro > SHN LINEUP: Steve Kimock-guitars Billy Kreutzmann-drums Don Parslow-guitar Calvin Schaeffer-bass Jim Winkler-keys
12/15/02 Anahola Taro Patch AUDIO 2 A+ STEVE KIMOCK W/ BILLY K & FRIENDS* SOURCE: (FOB) {AUD} Nakamichi CM-700's (blumlein) > Sound Devices MP-2 >Sony D7 (DAT); Transfer: D8 (DAT) > WAV via SEK'D Prodif Plus > Samplitude Project & CDWav > SHN [no DAE]
07/01/03 Jenner Playhouse SHN/AUDIO 1 A **Steve Kimock & Banana** Source: {onstage} Schoeps CMC6/MK4 > Lunatec V2 > Swissonic AD96 > RME Hammerfall Digiface > Sharp MV10 > Samplitude v7.02 > SHN [no DAE]
07/04/03 HSMF - Workshop AUDIO 1 A *STEVE KIMOCK & PETE SEARS* SOURCE: {onstage} Nakamichi 700 (ortf) > Nakamichi MX-100 > Sony D8 (DAT@48kHz); Transfer: Conner CTD8000H/R-S DDS > VDAT > Wavelab 4.0 > CD Wave > FLAC [no DAE]
09/11/03 Chester's Place SHN>WAV 1 A {AUD} Nakamichi 701's > Minime > SonyM1 (DAT) Transfer: Panasonic SV3800 (DAT) > Philips 870 (AUDIO CDR) > SHN [DAE step] Steve Kimock - guitars Rodney Holmes - drums Reed Mathis - bass Pete Sears - keyboards * Earl Cate on his telecaster ^ Debut of Steve's new white triple-neck stringmaster
09/11/03 Chester's Place audio 3 A {AUD} Nakamichi 701's > Minime > SonyM1 (DAT) Transfer: Panasonic SV3800 (DAT) > Philips 870 (AUDIO CDR) > SHN [DAE step] lineup: Steve Kimock-guitars Rodney Holmes-drums Reed Mathis-bass Pete Sears-keys
09/12/03 Chester's Place SHN>WAV 1 A {AUD} Nakamichi 701's > Minime > SonyM1 (DAT) Transfer: Panasonic SV3800 (DAT) > Philips 870 (AUDIO CDR) > SHN [DAE step]
09/12/03 Chester's Place audio 4 A+ {AUD} Nakamichi 701's > Minime > SonyM1 (DAT) Transfer: Panasonic SV3800 (DAT) > Philips 870 (AUDIO CDR) > SHN [DAE step] Lineup: Steve Kimock-guitars Rodney Holmes-drums Reed Mathis-bass Pete Sears-keys Sonny Landereth-guitars sets 1 & 2 Kathy Martin(Sister Soul)*-vocals
11/13/04 Temple Ball Book Store AUDIO 1 A Source: Source: SBD + Aud > ? Lineage: > ? Notes Pre-show Meet and Greet with Steve Kimock Steve Kimock: Mohan Veena (Track 1); Regal Squareneck (Track 3) Mike Babyak: London Koa Studios Weissenborn reproduction (Tracks 1 and 3)
11/13/04 Temple Ball Book Store audio 1 A Source: SBD + Aud > ? > FLAC
03/19/05 George's Majestic FLAC>WAV 1 A+ Source: AKG 460's w/ck8> Lunatec V2> HHb PortaDAT (16/48) Transfer: Fostex D5> Apogee Mini-DAC(usb)> Audacity(16/44.1)> CD Wave Editor> FLAC
06/04/05 Record & Tape Traders FLAC/AUDIO 1 A+ AMS ST250 (Close Mic Technique ...inches from Steves guitars)> AMS Control Box "Blumlein Pattern"> Sound Devices 744T Recorded/Transfer and Upload by Ron Keyser
10/05/05 George's Majestic Theater FLAC>WAV 3 A Source: 2 Gefell MV692?s + M94 (L/R) + 1 Nakamichi CM1000 (center) -> Mackie 1202 VLZPro -> Sony M1 DAT (48kHz) Lineage: Fostex D5 -> HHb CDR-830 (44.1) -> EAC -> CDWave -> FLAC

Steve Kimock & Fareed Haque --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
07/02/05 High Sierra Music Festival Workshop FLAC>WAV 1 A HSMF Aud

Steve Kimock & Friends --- Approximate Hours: 53.75
Show Date Venue Media Type Media Count Sound Quality Notes
01/19/96 Last Day Saloon AUDIO 3 A Dr Bob's Nak 700s in hat > Sony D-3 transfer (by Rich Selleseth): Tascam DA-20mkII > LynxONE > Samplitude 6.0 > SoundForge 4.5 > CDWav > flac
02/17/96 Last Day Saloon AUDIO 3 A Source: FOB (stealth) Dr. Bob's Nak 700's in hat; taper:Robert "Doctor Bob" Wagner
06/22/96 Fireman's Benefit AUDIO 2 A+ SOURCE: [ONSTAGE] NEUMANN KM84'S *FIREMEN'S BENEFIT JUNE 22,1996* SHOW A, SOUND A+
01/25/97 Maritime Hall SHN/AUDIO 1 A *Steve Kimock & Friends* Source: DSBD > Tascam DA-P1 (DAT); Transfer: DA-P1 (DAT) > WAV via ADB Pro 18 > Sound Forge 4.5 > SHN [no DAE]
10/11/98 4th Street Tavern SHN>WAV 3 A Source: {onstage} Nakamichi 700 > Sony D5M (mic pre) > Sony TCD-D7 (DAT) Lineage: D8 (DAT) > Wav via SEK'D Prodif Plus > Samplitude & CDWav > SHN
07/19/00 Cafe Tomo SHN>WAV 2 A Source: (Stage) AKG C61 > DAT > Samplitude > CD
10/31/02 Chester's SHN>WAV 3 A+ Source: SBD + (Stage) Schoeps CMC6/MK4 (ORTF) > Allen Heath GL2200 24 channel mixer > Apogee Mini-Me > Sharp MV10 > Samplitude 6.0 > SHN
09/13/03 Chester's Place SHN>WAV 1 A Source: {AUD} Nakamichi 701's > Minime > SonyM1 (DAT)Lineage: Panasonic SV3800 (DAT) > Philips 870 (AUDIO CDR) > ? > Audio CDR > SHN [DAE steps]
03/13/04 Chester's Place AUDIO 3 A Source: Schoeps CMC6MK21 > Lunatec V2 > >Tascam DA-T1; Lineage: Tascam DA-20>HHB Burnit830>EAC>Plex8/4/32>SHN **Final show at Chester's Place**
03/16/05 Granada Theater FLAC>WAV 3 A+ fob 2 Nak 701's
03/17/05 George's Majestic FLAC>WAV 1 A+ Source: DSBD.NET Charlie Miller/Brian Abrason House Mix *II: IU2U is (53:08) only one other song OFBMike closed the set.
03/18/05 George's Majestic FLAC>WAV 2 A akg 460's
03/19/05 George’s Majestic FLAC>WAV 2 A AKG 460's
03/20/05 Cain's Ballroom WAVaudio 3 A+ Source: DSBD.NET Charlie Miller/Brian Abrason House Mix
07/28/05 12 Galaxies FLAC>WAV 3 A skbnut AUD
07/29/05 12 Galaxies FLAC>WAV 3 A nice AUD
09/17/05 Black Oak Ranch FLAC>WAV 1 A Source: Schoeps CCM4->SX-M2->UA5->M1 - mics @ 90 degrees at 11', DFC about 60' from stage
09/08/07 George's Majestic FLAC>WAV 2 A+ Digital Soundboard DOT net DSBD I was there, great fuckin' show
09/09/07 George’s Majestic FLAC>WAV 2 A Source: Milab VM44 Link -> V2 -> Korg MR-1000 (1bit/5.6MHz DSD)Transfer: Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC I was there, great fuckin' shows!

Steve Kimock Band --- Approximate Hours: 503.75
Show Date Venue Media Type Media Count Sound Quality Notes
02/11/00 Wetlands Preserve FLAC>WAV 3 A+ (Stage) AMS ST250 Soundfield > Lunatec V2 > Dat > SPDIF > M-Audio Audiophile USB > Sony Vaio PCV-RS410 > Sound Forge > CDWav > Flac Recorded by Bill Kase on Ron Keyer's gear Transferred & Converted by Ron Keyser
02/12/00 Wetlands Preserve SHN>WAV 3 A+ (Stage) Soundfield AMS ST250 -> Dat -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN
02/12/00 Wetlands Preserve DVD 2 A+ Beautiful (Stage) Soundfield AMS ST250 mics; Pro-shot DVDs
02/17/00 Great American Music Hall SHN>WAV 3 A+ {onstage} Nak 700/CP701 > Sony D5 (Mic Pre-Amp) > DAT; Transfer: Sony R500 (DAT) > WAV via prodif plus > Samplitude > AUDIO CDR > WAV via EAC > SHN [DAE step]
02/18/00 Great American Music Hall SHN>WAV 3 A+ Recording Info: (Stage) Nakamichi 700/CP701 -> Sony D5 (As Mic Pre-Amp) -> Dat (Sony D7/48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN
02/19/00 Cal-Neva Lodge SHN>WAV 3 A+ {onstage} Schoeps CMC6/MK4 > DAT; Transfer: DAT > ? > AUDIO CDR > WAV via EAC > SHN [DAE Step]
02/20/00 Cal-Neva Lodge SHN>WAV 3 A {on-stage} AKG C61s > DA-P1 (DAT); Transfer: DAT > ? > AUDIO CDR > WAV via EAC > SHN [DAE step] The alt. .md5s appear on archive.org and may be an SBE-fixed version.
02/23/00 Cafe Tomo SHN>WAV 3 A+ (Stage) AKG C61/CK1 -> Dat (Tascam DA-P1) > (Stage) AKG C61/CK1 -> Dat (Tascam DA-P1) -> CD -> EAC -> SHN
02/24/00 The Crystal Ballroom SHN>WAV 3 A+ {onstage} AKG 414 TLIIs (omni split about 4') > Graham Patten DMIC-20 > DA-P1 DAT; Transfer: Otari DTR-8s (DAT) > WAV via LynxONE > Samplitude 6.0 > SHN [no DAE]
02/25/00 Vogue Theatre SHN>WAV 3 A+ {onstage} AKG 414 TLIIs (omni split about 4') > Graham Patten DMIC-20 > DA-P1 (DAT); Transfer: Otari DTR-8s (DAT) > WAV via LynxONE > Samplitude 6.0 > SHN [no DAE]
02/26/00 Boot Pub SHN>WAV 3 A (Stage) Unknown Mics > Dat > CD > EAC > mkw > SHN
02/27/00 Boot Pub SHN>WAV 3 A Source: (Stage) AKG C61/CK1 > DA-P1 > CDR > EAC > SHN Lineup: Steve Kimock-guitars Bobby Vega-Fender Bass Pete Sears-Keys Prarie Prince-Drums
03/30/00 Chester's Place SHN>WAV 3 A+ Source: {onstage} AKG C61/CK1 > Tascam DAP1 (DAT@48kHz); Lineage: Sony D8 (master DAT) > WAV via VX Pocket V2 > Sony Vaio C1VP (DAARWIN-24) > Sound Forge & Samplitude > SHN [no DAE] Lineup: Steve Kimock - Guitars Bobby Vega - Bass Chip Roland - Keys Prarie Prince - Drums pat Cooper + CM + AP joint
03/31/00 Chester's Place AUDIO 4 A+ {onstage} AKG C61/CK1 > Tascam DAP1 (DAT@48kHz); Transfer: Sony D8 (master DAT) > WAV via VX Pocket V2 > Sony Vaio C1VP (DAARWIN-24) > Sound Forge & Samplitude > SHN [no DAE] Lineup: Steve Kimock-guitars Bobby Vega-Fender bass Chip Roland-keys Prarie Prince-drums
04/01/00 Chester's Place AUDIO 3 A+ {onstage} AKG C61/CK1 > Tascam DAP1 (DAT@48kHz); Transfer: Sony D8 (master DAT) > WAV via VX Pocket V2 > Sony Vaio C1VP (DAARWIN-24) > Sound Forge & Samplitude > SHN [no DAE] Lineup: Steve Kimock-guitars Bobby Vega-Fender bass Chip Roland-keys Rodney Holmes-drums
04/02/00 Chester's Place AUDIO 3 A+ {onstage} AKG C61/CK1 > Tascam DAP1 (DAT@48kHz); Transfer: Sony D8 (master DAT) > WAV via VX Pocket V2 > Sony Vaio C1VP (DAARWIN-24) > Sound Forge & Samplitude > SHN [no DAE] Lineup: Steve Kimock-guitars Bobby Vega-Fender bass Chip Roland-keys Rodney Holmes-drums 8Earl Cate-guitar
04/21/00 Emerson Theater Audio 3 A {onstage} Four Sennheiser ME64/K6P > SQN-4S > DA-P1 (DAT); Transfer: DAT > ? > AUDIO CDR > WAV via EAC > SHN [DAE step] *1ST Montana Steve Kimock show* featuring: Steve Kimock-guitars Prarie Prince-drums, percussion Bobby Vega-Fender Bass Pete Sears-keyboards
04/23/00 Wilma Theater AUDIO 3 A Source: {onstage} Four Sennheiser ME64/K6P > SQN-4S > DA-P1 (DAT); Transfer: DAT > AUDIO CDR > WAV via EAC > SHN [DAE step] *Easter Sunday Performance* featuring: Steve Kimock-guitars Bobby Vega-Fender Bass Pete Sears-keys Prarie Prince-drums
04/26/00 Quixote's True Blue Cafe AUDIO 3 A Source: (FOB) AUD -> Dat (48k) -> Dat (Cloned From Master) -> Prodif Plus -> Samplitude v7.02 Professional -> SHN
04/27/00 Boulder Theater AUDIO 3 A Source: AKG C61 > Dat > CD Personnel: Steve Kimock - Guitar Bobby Vega - Bass Prairie Prince - Drums Pete Sears - Keys
04/28/00 Bluebird Theater SHN>WAV 3 A {onstage} AKG-C61s > DA-P1 > ? > D8 (DAT); Transfer: DAT > ? > AUDIO CDR > WAV via EAC > SHN [DAE step]
04/28/00 Bluebird Theater AUDIO 3 A {onstage} AKG-C61s > DA-P1 > ? > D8 (DAT); Transfer: DAT > ? > AUDIO CDR > WAV via EAC > SHN [DAE step] Notes: This is identical to this seed with corrected filenames.
05/01/00 Quixote's True Blue Cafe AUDIO 3 A SOURCE: (Stage) Unknown Mics > Dat > CD > EAC > SHN
05/02/00 Quixote's True Blue Cafe AUDIO 3 A SOURCE: {onstage} AKG C61/CK-1 (XY @ 100 degrees) > Panasonic SV-255 > DAP-1 (DAT); Transfer: Panasonic 3800 > AUDIO CDR via Tascam CD-RW5000 > WAV via EAC > SHN [DAE step(s)]
07/02/00 High Sierra Music Festival AUDIO 3 A+ Source: {onstage} AKG C61 (XY) > DA-P1 (DAT); Transfer: DAT > ? > AUDIO CDR > WAV via EAC > SHN [DAE step]
07/02/00 High Sierra Music Festival AUDIO 3 A+ {onstage} AKG C61 (XY) > DA-P1 (DAT); Transfer: DAT > ? > AUDIO CDR > WAV via EAC > SHN [DAE step]
07/03/00 High Sierra Music Festival AUDIO 2 A {onstage} Nak 700's > Sony D5M (preamp) > D7 (DAT); Transfer: DAT > ? > AUDIO CDR > WAV via EAC > SHN [DAE step]
07/15/00 Palookaville AUDIO 3 A+ Source: {onstage} AKG-C61s > DA-P1 (DAT); Transfer: DAT > ? > AUDIO CDR > WAV via EAC > SHN [DAE step] Howard Danchik-FOHsound Featuring: Steve Kimock-guitars Bobby Vega-Fender Bass Alan Hertz-drums,cymbals Tom Coster-keys
07/19/00 Cafe Tomo SHN>WAV 3 A Source: (Stage) AKG C61>DAT>Samplitude>CD
07/19/00 Cafe Tomo AUDIO 3 A Source: (Stage) AKG c61 > Dat > Samplitude > CD > EAC > mkw > Shn
07/21/00 Crystal Ballroom AUDIO 3 A+ Source: {onstage} AKG C61 (XY) > Tascam DA-P1 (DAT); Transfer: Sony R500 (DAT) > WAV via Prodif Plus > Samplitude v6.0 > SHN [no DAE]
07/29/00 Tamarack Mountain Music Festival AUDIO 2 A Source: (Stage) AKG C61/CK1 > Dat (Tascam DA-P1/44.1k) Lineage: Dat > ZA2 > Sound Forge > CD > EAC > SHN
10/27/00 The Resort at the Mountain AUDIO 3 A+ onstage) AKG 414TLIIS (omni, split about 3') > GP DMIC-20 > DAT; Transfer: Otari DTR-8 (DAT) > WAV via Lynx One > Samplitude > SHN [no DAE] Featuring: Steve Kimock-guitars Bobby Vega-Fender Bass Pete Sears-keys Prarie Prince-drums Banana-@coutic 4 string
10/28/00 The Resort at the Mountain AUDIO 4 A+ Source: {onstage) AKG 414TLIIS (omni, split about 4') > GP DMIC-20 > DAT; Transfer: Otari DTR-8 (DAT) > WAV via Lynx One > Samplitude > SHN [no DAE] lINEUP: STEVE KIMOCK-GUITARS BOBBY VEGA-FENDER BASS PETE SEARS-KEYS PRARIE PRINCE-DRUMS BANANA-RHYTHMN GUITAR & VOCALS
10/28/00 The Resort at the Mountain SHN>WAV 1 A {onstage) AKG 414TLIIS (omni, split about 4') > GP DMIC-20 > DAT; Transfer: Otari DTR-8 (DAT) > WAV via Lynx One > Samplitude > SHN [no DAE]
11/30/00 Wetlands Preserve AUDIO 3 A+ Source: AUD: {ontage} Mics (unknown) Rodney Holmes 1st show!
12/01/00 Wetlands Preserve SHN>WAV 3 A onstage Ams st-250
12/01/00 Wetlands Preserve AUDIO 3 A+ Source: {onstage} AMS ST-250 "Soundfield" (blumlein) > Lunatec V2 > modified Sony D-10 II > Casio DA-R100 (DAT@48kHz); Transfer: Sony R500 (DAT) > WAV via ? > CoolEditPro & CDWav > SHN [no DAE] [Rodney's 2nd show!]
12/02/00 Wetlands Preserve AUDIO 3 A Source: {AUD} Neumann tlm170 (cardiods, nos) > Lunatec v2 > Apogee ad1000 > DAT@48kHz; Transfer: DAT > WAV via Zoltrix Nightingale > Soundforge 4.5 & CDWav > SHN [no DAE]
12/30/00 Universal Ampitheater SHN/AUDIO 1 A Source: {AUD} Sennheiser K3U/ME80 > HHb PDR1000 > Sony D8 (DAT); Transfer: Sony R500 (DAT) > Behringer UltraMatch SRC2000 > WAV via Dio 2448 > Samplitude v6.0 & Cool Edit Pro v1.2 > SHN [no DAE]Taped & Transferred by CM
12/31/00 Oakland Coliseum SHN/AUDIO 1 A Source: {AUD} Sennheiser K3U/ME80 > Boss BX4 > Sony SBM1 > Sony D8 (DAT); Transfer: Sony R500 (DAT) > Behringer UltraMatch SRC2000 > WAV via Dio 2448 > Samplitude v6.0 & Cool Edit Pro v1.2 > SHN [no DAE] Taped & Transferred by CM
03/04/01 Powerhouse Brewery SHN/AUDIO 1 A+ Source: (Stage) Neumann KM100/AK50 > Dat > SEK'D Prodif Plus > Samplitude > Shn Recorded on the stage lip by Art Granoff & Transferred by CMiller. *Mitch "Moose" Stein's 1st Show*
03/05/01 Powerhouse Brewery SHN/AUDIO 1 A+ Source: {onstage} AKG C61 > DA-P1 (DAT); Transfer: D8 (DAT) > WAV via SEK'D Prodif Plus > Soundforge & CDWav > SHN [no DAE]
05/02/01 Chester's Place audio 2 A+ {onstage} AKG C61 > Tascam DA-P1 (DAT@44.1kHz); Transfer: Sony R500 (DAT) > WAV via Prodif Plus > Samplitude v6.0 > SHN [no DAE] Lineup: Steve Kimock-guitars Bobby Vega-Fender Bass Rodney Holmes-drums Mitch Stein-guitars
05/02/01 Chester's Place SHN/AUDIO 1 A+ Source: {onstage} AKG C61 > Tascam DA-P1 (DAT@44.1kHz); Transfer: Sony R500 (DAT) > WAV via Prodif Plus > Samplitude v6.0 > SHN [no DAE] (1st Chester's featuring Rodney & the final Chester's show for Bobby Vega*)
05/03/01 Chester's Place audio 2 A {onstage} AKG C61 > Tascam DA-P1 (DAT@44.1kHz); Transfer: Sony R500 (DAT) > WAV via Prodif Plus > Samplitude v6.0 > SHN [no DAE] Lineup: Steve Kimock-guitars Bobby Vega-Fender Bass Rodney Holmes-drums/percussion Mitch "Moose" Stein-guitars
05/03/01 Chester's Place SHN/AUDIO 1 A Source: {onstage} AKG C61 > Tascam DA-P1 (DAT@44.1kHz); Transfer: Sony R500 (DAT) > WAV via Prodif Plus > Samplitude v6.0 > SHN [no DAE]
05/04/01 Chester's Place audio 4 A+ {onstage} AKG C61 > Tascam DA-P1 (DAT@44.1kHz); Transfer: Sony R500 (DAT) > WAV via Prodif Plus > Samplitude v6.0 > SHN [no DAE] Lineup: Steve Kimock-guitars Bobby Vega-Fender Bass Rodney Holmes-drums Mitch Stein-guitars
05/04/01 Chester's Place AUDIO 4 A+ Source: {onstage} AKG C61 > Tascam DA-P1 (DAT@44.1kHz); Transfer: Sony R500 (DAT) > WAV via Prodif Plus > Samplitude v6.0 > SHN [no DAE] Featuring: Steve Kimock-guitars Bobby Vega-Fender Bass Rodney Holmes-drums Mitch "Moose" Stein-guitars
05/25/01 Crystal Ballroom FLAC16>WAV 1 A (Stage) DPA 4011 > Lunatec V2 > Sonic AD2K > Dat > CD > EAC > Flac
07/01/01 The State Theatre SHN/AUDIO 1 A Source:{onstage} AMS-ST250 "SoundField" (blumlein) > Lunatec V2 > Modified Sony D10 Pro II > D8(DAT@48kHz); Transfer: DAT > ? > AUDIO CDR; Encoding: AUDIO CDR > WAV via EAC > SHN [DAE step] **Bobby Vega's final SKB show**
07/06/01 Grandstand Stage, High Sierra Music Festival AUDIO 1 A Source: NeumannU89i's(omni-FOB large spread , just inside each stack)>apogeeA/D1000(uv16))>tascamDA-P1(48khz) Lineage: DAT>ZA-2>soundforge4.5(fades,tracks,norm.,resampled48>44.1khz)>flac frontend
09/01/01 Black Oak Ranch SHN/AUDIO 1 A+ Source: (Stage) Nakamichi 700/CP701 -> Sony D5 (As Mic Pre-Amp) -> Sony D7 (Line Out) -> Sony SBM1 -> Dat (Sony D8)Lineage: Dat (Sony D8) -> Behringer UltraMatch SRC2000 -> M-Audio Dio 2448 -> Cool Edit Pro v1.2 -> SHN **CM & AP patched from Dr. Bob**
09/02/01 Black Oak Ranch SHN/AUDIO 1 A+ Recording Info: (Stage) Nakamichi 700/CP701 -> Sony D5 (As Mic Pre-Amp) -> Sony D7 (Line Out) -> Sony SBM1 -> Dat (Sony D8) Transfer Info: Dat (Sony D8) -> Behringer UltraMatch SRC2000 -> M-Audio Dio 2448 -> Cool Edit Pro v1.2 -> SHN
10/22/01 Starr Hill Music Hall SHN/AUDIO 1 A Source:{onstage} AMS ST-250 Soundfield (blumlein) > Lunatec V2 > Modified Sony D10 Pro II (DAT) > DAT > ... > AUDIO CDR > WAV via EAC > SHN [DAE step]
11/03/01 Abbey Pub SHN>WAV 3 A {onstage} Rode NT2 > MP2 > SBM1 > Digital Patch Bay > Sony CDP1V; Mastering: WaveLab; Encoding: WAV > SHN [NO DAE Charlie Miller's BDay!
11/04/01 Abbey Pub WAVaudio 2 A+ Source: (Stage) Rode NT2 -> Sound Devices MP2 -> Sony sbm1 -> Dat ->Samplitude ->CD (shn)
11/08/01 Club Laga AUDIO 3 A+ {onstage} Microtech Geffell M300 (DFC) > V2 > DA-P1 (DAT); Transfer: DAT > ? > AUDIO CDR; Encoding: AUDIO CDR > WAV via EAC > SHN [DAE step] *My 1st "Steve Kimock Band" show*
11/11/01 Bearsville Theatre SHN>WAV 3 A Source: {onstage} AMS ST-250 Soundfield (blumlein) > Lunatec V2 > Modified Sony D10 Pro II (DAT)
11/11/01 Bearsville Theatre SHN/AUDIO 1 A+ onstage AMS ST250 "SoundField"->Lunatec V2->Mod. Sony D10 Pro II->CDR->EAC->MKWAct->shn NOTE: original seed had sector boundary errors on d1:t1, d2:t1&2 and d3:t1. This was corrected in October 2002
11/25/01 Bay Hall SHN>WAV 3 A Source: {AUD} Rode NT2 > Denecke PS-2 > Zefiro InBox > Sony D-100 (DAT)
11/25/01 Bay Hall SHN/AUDIO 1 A+ Source: AKG480B/CK69 taper section behind SBD > SX-M2 > SBM-1 > DAT > USB Pre > Sony C1VP Laptop > SAMPLITUDE 5.9 (tracked) > MKW (shns) [NO DAE] taped by Arielle Phares
11/25/01 Bay Hall SHN/AUDIO 1 A+ Source: {AUD} Rode NT2 > Denecke PS-2 > Zefiro InBox > Sony D-100 (DAT) > DAT > WAV via SEK'D Prodif Plus > Soundforge & CDWave > SHN [no DAE]
02/01/02 Bowery Ballroom SHN/AUDIO 1 A Source: {onstage} AMS ST-250 Soundfield (blumlein) > Lunatec V2 > Modified Sony D10 Pro II (DAT) > DAT > ? > CDR Master > CD (1st gen) > WAV via EAC > SHN
02/02/02 Bowery Ballroom SHN/AUDIO 1 A Source: {onstage} AMS ST-250 "Soundfield" (blumlein) > Lunatec V2 > Modified D10 Pro II > M1 (DAT) ; Transfer: D8 (DAT) > WAV via SEK'D Prodif Plus > Samplitude & CDWav > WAV; Encoding: WAV > SHN [no DAE] **Alphonso's BDay Show** Filler: ZERO 7.11.1996
02/04/02 Recher Theatre SHN/AUDIO 1 A Source: {onstage} AMS-ST250 "SoundField" (blumlein) > Lunatec V2 > Modified Sony D10 Pro II {DAT}; Transfer: Sony PCM R500 (DAT) > HHB CDR850 (master AUDIO CDR) via Coax "Al-Sync" mode > Compro CD Master Express Duplicator (AUDIO CDR clone) [DAE step]; Encoding: AUDIO CDR clone > WAV via EAC > SHN [DAE step]
02/06/02 9:30 Club SHN/AUDIO 1 A Source: {onstage} AMS-ST250 "SoundField" (blumlein) > Lunatec V2 > Modified Sony D10 Pro II (DAT); Transfer: Sony PCM R500 (DAT) > HHB CDR850 via Coax "Al-Sync" mode (master AUDIO CDR) > Compro CD Master Express Duplicator (AUDIO CDR clone) [DAE step]; Encoding: AUDIO CDR clone > WAV via EAC > SHN [DAE step]
04/20/02 House Of Blues FLAC>WAV 3 A+ this one's hot
04/22/02 Chester's Place SHN/AUDIO 1 A Source: {onstage} Rode NT2 > MP2 > SBM1 > USB Pre > Sony Vaio C1VP; Mastering: Samplitude 2496 v5.9; Encoding: WAV > SHN [no DAE]
04/23/02 Chester's Place SHN/AUDIO 1 A Source: {onstage} Rode NT2 > MP2 > SBM1 > DAT; Transfer: DAT > USB Pre > Sony Vaio C1VP > WAV via Samplitude 2496 v5.9; Encoding: WAV > SHN [no DAE](SHN#9909)
06/08/02 Vanhoy Farm SHN/AUDIO 1 A Source: {FOB} Core Sound CSBs (hung over the rail) > Goodwin Industries Battery Box > Sony D3 (DAT)Lineage: Sony 59ES (DAT) > WAV via Zoltrix NG Pro (coax) > CoolEdit Pro & CDWAV > WAV; Encoding: WAV > SHN [no DAE]
06/08/02 Vanhoy Farm SHN/AUDIO 1 A Source: {AUD} Neumann 184 > Lunatec V2 > Edirol UA-5 @48k/24bit > Sony VIAO FX-A36; Mastering: WavLab4.0 & CDWAV; Encoding: WAV > SHN [no DAE]
06/14/02 Horning's Hideout SHN/AUDIO 1 A+ Source: {onstage} Rode NT2 > Sound Devices MP2 > Sony SBM1 (Modified) > Sound Devices USB Pre > Sony Vaio C1VP > Samplitude v6.0 > SHN Taped by: Charlie Miller and Arielle Phares
07/03/02 Mercury Lounge FLAC/AUDIO 1 A Source:Neumann SKM 140's->Lunatec V2->Sony SBM1->Tascam DA-P1 Transfer:Tascam DA-20 MKII->HHb CDR850->EAC->Flac Taped,Transfered and Uploaded by Frank D'Auria
08/10/02 The State Theatre FLAC>WAV 3 A Source: {onstage} Schoeps mk4v > Sonosax SX-M2 > Modified Sony SBM-1 > HHB PDR1000 > coax/Oade cable/7 pin > Sony PCM-M1 (DAT@44.1kHz)
08/31/02 Marvin's Mountaintop SHN/AUDIO 1 A Source: (Stage) Rode NT2 -> Sound Devices MP2 -> Sony SBM1 (Modified) -> VX Pocket v2 -> Sharp MV10W -> Samplitude v6.0 -> CD *and/or* Source: {onstage} Rode NT2 > MP2 > SBM1 > VX Pocket v2.0 > Sharp MV10W; Mastering: Samplitude 2496 v6.0; Encoding: WAV > SHN [no DAE] CM & AP recording
11/22/02 Black Orchid Supper Club SHN/AUDIO 1 A+ Source: {onstage} Rode NT2 > MP2 > SBM1 > Sony D8 (DAT@48k); Transfer: Sony R500 (DAT) > WAV via SEK'D Prodif Plus > Samplitude v6.0 > WAV; Encoding: WAV > SHN [no DAE] **Rex Benefit**
12/07/02 Club Quattro SHN/AUDIO 1 A Source: {onstage} Schoeps MK4> KC5/CMC6 > Apogee Mini-Me > Sharp MV10 > Samplitude v6.0 > SHN **Recorded By Arielle Phares** arielle@kimocksphere.com
02/20/03 Darress Theatre SHN/AUDIO 1 A Source: {onstage} AMS-ST250 "Soundfield" (blumlein) > Lunatec V2 > Modified Sony D10 Pro II (DAT@48kHz); Transfer: DAT > HHB CDR (AUDIO CDR) > AUDIO CDR clone [DAE step]; Encoding: AUDIO CDR clone > WAV via EAC (logfiles included) > SHN (seek tables appended) [DAE Step]
02/21/03 The Trocadero Theatre SHN/AUDIO 1 A Source: {onstage} Schoeps CMC6/MK4 > Lunatec V2 > Apogee Mini-Me > Sharp MV10 > Samplitude 2496 v6.0 > SHN [no DAE] *CM&AP*
02/21/03 The Trocadero Theatre SHN/AUDIO 1 A Source:{onstage} AMS-ST250 "Soundfield" (blumlein) > Lunatec V2 > Mod. Sony D10 Pro II > Sony D8 > Sturtevant 8 port dig patchbay > Tascam DA-P1 (DAT@48kHz); Transfer: Tascam DA-P1 (DAT) > WAV via Delta Dio 2496 > Sound Forge 5 & CDWav > SHN [no DAE] **Ron Keyser/Mike Hall**
02/21/03 The Trocadero Theatre SHN/AUDIO 1 A Source: {onstage} AMS-ST250 "Soundfield" (blumlein) > Lunatec V2 > Mod. Sony D10 Pro II > Sony D8 > Sturtevant 8 port dig patchbay > Tascam DA-P1 (DAT@48kHz); Transfer: Tascam DA-P1 (DAT) > WAV via Delta Dio 2496 > Sound Forge 5 & CDWav > SHN [no DAE]**Ron Keyser/Mike Hall**
02/22/03 The State Theatre SHN>WAV 3 A+ Source: (on-stage) AMS ST-250 Soundfield (blumlein) > Lunatec V2 > Modified Sony D10 Pro II (DAT)
02/28/03 Bowery Ballroom FLAC/AUDIO 1 A Source: AMS ST250 (Soundfield, onstage, Blumlein) > AMS Control Box > Mod Sony D10 ProII > Panasonic SV3700 > Sony D8, DA-P1 > Delta Dio 2496
03/04/03 Lincoln Theatre SHN>WAV 3 A+ onstage} Schoeps CMC6/MK4 (ORTF) > Lunatec V2 > Apogee Mini-Me > Sharp MV10 > Samplitude 2496 v6.0 > SHN [no DAE]
03/07/03 Variety Playhouse SHN>WAV 3 A onstage} Schoeps CMC6/MK4 > Lunatec V2 > Apogee Mini-Me > Sharp MV10 > Samplitude 2496 v6.0 > SHN [no DAE]
03/08/03 Side Bar SHN>WAV 3 A onstage} Schoeps CMC6/MK4 > Apogee Mini-Me > Sony Vaio C1VP (DAARWIN-24) > Sound Forge v6.0 & Samplitude v6.0 > SHN [no DAE
03/14/03 Culture Room SHN>WAV 3 A onstage} Schoeps CMC6/MK4 > Lunatec V2 > Apogee Mini-Me > Sharp MV10 > Samplitude 2496 v6.0 > SHN [no DAE]
03/22/03 Chester's Place SHN>WAV 1 A+ {onstage} Schoeps CMC6/MK4 > Lunatec V2 > Apogee Mini-Me > Sharp MV-10 > Samplitude v6.0 > SHN [no DAE] CM&AP
03/23/03 Chester's Place SHN>WAV 1 A+ Source: {onstage} Schoeps CMC6/MK4 > Lunatec V2 > Apogee Mini-Me > Sharp MV-10 > Samplitude v6.0 > SHN taped by CMiller & Arielle Phares SKB "Acoustic" Show. Mitch on acoustic and Arne on electric bass for the entire performance. * dedicated to Arielle Phares ** with Steve Pyror
04/10/03 The Catalyst SHN/AUDIO 1 A Recording/Source Info: {onstage} Schoeps CMC6/MK4 > Lunatec V2 > Apogee Mini-Me > Sharp MV-10 > Samplitude v6.0 > SHN [no DAE] *CM & AP MK4 recording*
04/11/03 Fillmore Auditorium AUDIO 2 A+ SOURCE: {onstage} Schoeps CMC6/MK4 > Lunatec V2 > Apogee Mini-Me > Sharp MV-10 > Samplitude v6.0 > SHN [no DAE] CM & ARIELLE PHARES RECORDING
04/11/03 Fillmore Auditorium SHN/AUDIO 1 A Recording Info/Source: {onstage} Schoeps CMC6/MK4 > Lunatec V2 > Apogee Mini-Me > Sharp MV-10 > Samplitude v6.0 > SHN [no DAE] **Opened for Soulive (co-bill)**
04/12/03 Fillmore Auditorium SHN/AUDIO 1 A Recording/Source Info: {onstage} Schoeps CMC6/MK4 > Lunatec V2 > Apogee Mini-Me > Sharp MV-10 > Samplitude v6.0 > SHN [no DAE] *with Pete Sears #with Martin Fierro
04/13/03 Mystic Theatre SHN/AUDIO 1 A Recording/Source Info: {onstage} Schoeps CMC6/MK4 > Lunatec V2 > Apogee Mini-Me > Sharp MV-10 > Samplitude v6.0 > SHN [no DAE]
04/18/03 Crystal Ballroom SHN/AUDIO 1 A+ Source: {onstage} Schoeps CMC6/MK4 > Lunatec V2 > Apogee Mini-Me > Sharp MV-10 > Samplitude v6.0 > SHN [no DAE] *CMiller & Arielle Phares(tapers)*
04/20/03 The Annex SHN/AUDIO 1 A Source: (Stage) Schoeps CMC6/MK4 > Lunatec V2 > Apogee Mini-Me > Sharp MV-10 > Samplitude v6.0 > Shn **Recorded by Charlie Miller & Arielle Phares** archive@kimock.com
07/11/03 The Mangy Moose SHN/AUDIO 1 A+ Source: {onstage} Schoeps CMC6/MK4 > PreSonus DigiMax > RME Hammerfall Digiface > Sharp MV10 > Samplitude v7.02 Professional > SHN [no DAE] **No "Moose @t the Moose** CM & AP's recording =)
07/12/03 Mangy Moose SHN/AUDIO 1 A+ Source: {onstage} Schoeps CMC6/MK4 > PreSonus DigiMax > RME Hammerfall Digiface > Sharp MV10 > Samplitude v7.02 Professional > SHN [no DAE]*No Moose @ the Moose* CM & AP recording =)
08/30/03 Hookahville - Frontier Ranch SHN/AUDIO 1 A Source: {onstage} Schoeps CMC6/MK4 > PreSonus DigiMax > RME Hammerfall Digiface > Sharp MV10 > Samplitude v7.02 Professional > SHN [no DAE] *filler a couple of songs SK sat in with E.Hookah*
08/30/03 Hookahville - Frontier Ranch APE/AUDIO 2 A+ Source: (Stage) Schoeps CMC6/MK4 > (Stage) Schoeps CMC6/MK4 ->PreSonus Digimax ->RME Hammerfall Digiface ->Sharp MV10 ->Samplitude v7.02 Professional ->APE; Notes: This recording is 24bit/48k
09/26/03 Bowery Ballroom SHN/AUDIO 1 A Source: AMS ST250 Soundfield On Stage "Blumlein" (Crossed Pair Figure Eights @ 90 degrees)->AMS Control Box->Lunatec V2->Modified Sony D10 Pro II Lineage: D8->SEK'D Prodif Plus->Samplitude Project->CDWav->MKWAct->shn (seek tables appended)
10/04/03 The Funk Box FLAC/AUDIO 1 A Source: {AUD} Schoeps CMC5MK4 (ORTF) Dead Center Balcony > Lunatec V3 > Tascam DA-P1; Transfer: DA-P1 > M/Audio Firewire 410 > Soundforge 6.0 & SHNTOOL > FLAC [no DAE]
11/01/03 410 Club SHN/AUDIO 1 A+ *** 16 Bit Source *** {onstage} Schoeps CMC6/MK4 > PreSonus Digimax96 > RME Hammerfall Digiface > Sony Vaio V505 ->Samplitude v7.02 Professional > SHN Private Party; Billed as: "A Few of Our Favorite Things" Recorded By Charlie Miller and Arielle Phares archive@kimock.com
03/19/04 The State Theatre FLAC>WAV 3 A Source: Neumann skm140's (ORTF) > Mic2496 (24/96) > PDaudio (Spidif)Lineage: Wav > Soundforge (2496 > 1644) / CDwave Splits > Flac
03/27/04 BB Kings Blues Club & Grill FLAC16>WAV 2 A+ Source: (Stage) Schoeps CMC6/MK4 ->PreSonus Digimax96 ->Alesis HD24 (24bit/48k
05/27/04 InterFM FLAC>WAV 1 A Source: Pre-FM SBD -> Master Dat (Production Console) Lineage: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
07/09/04 Marvin's Mountaintop FLAC>WAV 1 A Source: ADK A-51TLs (FOB,~ 4'LOC,~ 8'high, hyper-cardioids DIN) > Lunatec V3
08/21/04 Yasgur Road Renunion FLAC/AUDIO 1 A Source: Neumann KM184> Oade w-mod. UA-5 (44.1 kHz)> optical> JB3 [ORTF 110* FOB DFC] Rransfer: JB3> firewire> Sound Forge 6.0> cdWave> FLAC Frontend Jim Kost absent as was CM, thank G_d for Ron Keyser & Rob Clarke=)
11/05/04 The Trocadero Theatre FLAC16>WAV 3 A Source: AKG 393 (NOS) > Oade UA-5 > Optical > JB3
11/13/04 The ArtsCenter:Second Annual EAB Charity Fund Bene FLAC>WAV 2 A+ Source: Soundfield AMS-250 > Lunatec V3 > Ipaq 3835 (PDAudio, Live 2496), recorded fob dfc
11/13/04 The ArtsCenter:Second Annual EAB Charity Fund Bene AUDIO 2 A Source: SoundField ST-250 >> SF control box (figure 8s at 90-ish degrees) >> Lunatec V3 (ANSR engaged) >> Sony M1@ 16bit 48kHz via Oade DIGI I/O 7-pin solution Transfer: Oade DIGI I/O >> Digidesign DIGI 002 >> saved as AES/Broadcast WAVE >> DC Offset removed,tracked and encoded using MacFLAC 2.1.2 at 48kHz.
12/10/04 American Legion Hall FLAC>WAV 1 A Source: (Stage) Rode NT2 -> PreSonus Digimax96 -> Alesis HD24
12/29/04 Great American Music Hall FLAC16>WAV 3 A Source: Nuemann TLM-103's> Lunatec v2> Apogee Mini Me (48/16)>M Audio Co2> JB3> Audacity> DB Poweramp(44.1/16)> FLAC
12/31/04 The Crystal Ballroom FLAC16>WAV 3 A Source: AKG 483's > Audio Magic X-Streamz > UA-5 (Oade Warm mod) > VX Pocket 440 (s/pdif) > Samplitude 7.02 @ 24bit/48kHz on an Acer Aspire 2300 Lineage: Wavelab 5.0 (gain applied, fades, resample, and dither) > CD Wave 1.94.2 > Flac16 (8)_CLarson
01/01/05 The Showbox FLAC>WAV 2 A Source: Rode NT-5 microphones > Tascam DA-P1 Lineage: DA-P1 -> Coaxial-In Creative Soundblaster -> Cool Edit Pro -> CD Wav
01/05/05 8150 Club FLAC16>WAV 3 A Source: DPA 4022(ORTF-clamped to L-bracket on ceiling)->V3->M-Audio FW410->Toshiba 1905->Wavelab(24/96)
01/06/05 Fox Theatre FLAC>WAV 3 A Source: DPA 4022(DINa-OTS)->V3->M-Audio FW410->Toshiba 1905->Wavelab 5(24/96)
01/07/05 32 Bleu FLAC>WAV 1 A Source: DPA mics (4021or 4023) > Lunatec V3 > Sony D8
01/08/05 Gothic Theater FLAC16>WAV 3 A Source: dpa 4023>w-ua5>jb3>pc>soundforge>cdwave>flac (fob)(front rail)
01/09/05 Levelz FLAC>WAV 3 A Source: DPA 4022(X/Y)->V3->JB3->CDWave->FLAC
01/31/05 BB King Blues Club FLAC>WAV 1 A+ Source: (Stage) Schoeps CMC6/MK4 -> Apogee MiniMe -> RME Hammerfall Digiface ->Sony Vaio C1VP -> Samplitude v7.02 Professional -> FLAC 16bit Audio
02/13/05 Free Bird Lounge FLAC>WAV 2 A Source: Microtech Gefell M210 > Apogee AD1000 > JB3 Lineage: JB3 > firewire > CDWAVE > FLAC16
03/04/05 Mexicali Blues Cafe FLAC>WAV 3 A Source: AKG CK93/SE 300B> Oade w-mod. UA-5> USB> Soundforge 6.0 (24/48)> Vaio VGN S270
03/05/05 Higher Ground FLAC>WAV 3 A+ dsbd
04/24/05 Port O' Call FLAC 2 A Source: Neumann AK40/LC3/KM100 > Lunatec V2 > Audio Magic Excalibur IIs > Apogee Minime@16/44.1 > Powerbook G4 (FOB/DFC/ORTF) 25' from stage
05/01/05 The Jungle FLAC>WAV 3 A ADK TL mics
05/04/05 KPFA Studio FLAC>WAV 2 A+ KPFA FM_SF,CA
05/05/05 Fillmore Auditorium FLAC>WAV 3 A+ Source: Microtech Gefell M300s (T-bar, left balcony) > Lunatec V2 > Tascam DA-P1 > DAT (44.1K)*All Request Live Show*
05/06/05 The Mystic FLAC>WAV 3 A Source: Nuemann TLM-103's> Lunatec v2> Apogee Mini Me (48/16)> Lineage: JB3> Audacity> DB Poweramp(44.1/16)> FLAC taped by Jeff Brooks
05/07/05 Mystic Theatre FLAC>WAV 3 A
05/21/05 Haymaker Festival FLAC>WAV 1 A+ sbdcm
06/03/05 The Funk Box FLAC>WAV 3 A Aud
06/10/05 The Trocadero Theatre FLAC>WAV 3 A Source: DPA 4022(DINa - FOB/DFC)->V3->JB3
06/17/05 The Stone Church FLAC>WAV 3 A- ource: Peluso CEMC6/mk41 > R4 @ 24/48 Lineage: master 24bit files > wavlab for edits/dither > FLAC frontend
06/18/05 Revolution Hall FLAC>WAV 3 A Aud
06/25/05 The Middle East FLAC>WAV 3 A Source: Studio Projects LSD2(Cards X/Y 90*)>MiAGi II custom cable>Edirol UA-5(Oade T-mod plus)>Nomad JB3 .wav @ 44.1 Lineage: JB3>firewire>pc>CD Wave> Flac Frontend 1.7.1
07/01/05 High Sierra Music Festival FLAC16>WAV 1 A microtech gefel 200 (omnis)
07/02/05 High Sierra Music Festival FLAC>WAV 1 A
08/20/05 State Bridge Lodge FLAC16>WAV 2 A Source: DPA 4027(DFC/rooftop - 90deg/16")->V3->JB3 Lineage: CDWave->FLAC
08/21/05 State Bridge Lodge FLAC>WAV 3 A Source: DPA 4027(DFC/rooftop - 90deg/18")->V3->JB3 Lineage: CDWave->FLAC DSBD rawks also!
08/26/05 Evolve Festival - Main stage SHN>WAV 2 A Source :(FOB,DFC,10')AKG 391's > AKG B18's > MZ-N707; Lineage:MZ-N707 > Soundforge v6.0 > CDWave v1.76 > Shorten-3.5.1 > SHN (MitchStein's last show)new lineup starts 9.9.05
09/11/05 Mystic Theatre FLAC16>WAV 3 A Source: AUD, left center, 1st tier -> Sonic DSM mics -> D8 -> DAT
09/11/05 Mystic Theatre FLAC>WAV 3 A Source: Schoeps CCM4 (DFC @ rail)->SX-M2->UA5->M1 Lineage: Sony D8(DAT masters)->SEK'D Prodif Plus->Samplitude Project->CDWav->FLAC frontend->flac taped by Doug Lantelme Tranferred by Ray Brooks :~)
09/27/05 Club Congress AUDIO 2 A SOURCE: SONIC SOLUTIONS DSM-6'S STEVE KIMOCK-GUITARS REED MATHIS-BASS RODNEY HOLMES-DRUMS ROBERT WALTER-KEYS
09/30/05 The Parish FLAC>WAV 2 A Source: AKG 483 (DINa @8') > Warm Mod UA5 > Jb3 (SVU-1) Transfer: JB3 (firewire) > Creative Playcenter > Soundforge 7.0 (fades) > CDWave (tracking) > flac level 6
10/01/05 Granada Theatre FLAC16>WAV 2 A+ Source: SBD + (Stage) Rode NT2 -> PreSonus Digimax96 -> Alesis HD24
10/04/05 The Granada FLAC>WAV 3 A Source: Neumann KM184 > Lunatec V3 > Tascam DA-P1 > Echo Gina 24 > Cool Edit 2000 > CD Wave > FLAC Fronten
10/07/05 Mississippi NIghts FLAC16>WAV 3 A Source: Neumann 140 (XY) > Lunatec V3 ( analog out) >DAP-1( for A>D)
10/08/05 The Park West FLAC16>WAV 3 A- Source: rob km-184 @ DIN > v3 > vx pocket > sony vaio pcg-4a1l > wavlab 4 @ 24 bit 48 Hz (resample and dithered to 16 bit 44.1 Hz in wavlab 4) > cd wave editor > flac frontend > .flac16
10/09/05 The Magic Bag FLAC>WAV 2 A Source: DPA4023 (ORTF) > Lunatec V3 @ 24bit/48kHz > VXPocket v2 > Vegas 3.0
10/20/05 Starr Hill Music Hall FLAC16>WAV 3 A Source: MG 210(xy 25ftcenter)>M148>SBM1(mod)>D8>audiophile usb 2>SF8(48>44.1)>cdwave>flac16
10/21/05 State Theater FLAC16>WAV 3 A Source: Set 1: AKG ck63s (DIN)->JK Labs DVC V20->Mod SBM-1 (@48)->M1Set 2: Neumann USM 69 i (mt) (hyper setting)(x/y)->m148->(line) minime (@48)->m1
10/22/05 North Star Bar FLAC16>WAV 2 A+ Source: SBD + (Stage) Rode NT2 -> PreSonus Digimax96 -> Alesis HD24
10/23/05 8 x 10 Club FLAC>WAV 2 A Source: DPA 4027(ORTF/DFC/clamped to balcony)->V3->MT2496(24/48
10/26/05 Revolution Hall FLAC>WAV 2 A Source: (16 bit) Neumann KM184> Oade w-mod UA-5 (24/48)> USB> Soundforge 6.0> Sony Viao VGN S270
10/27/05 The Stone Church FLAC>WAV 2 A Source: Neumann ak40(ortf)>lc3>ka100>m248>PMD671 @ 24/44.1kHzLineage: master .wav files dithered with wavlab, encoded with FLAC frontend
10/31/05 Mexicali Blues FLAC>WAV 3 A Source: Neumann KM184> Oade w-mod UA-5 (44.1 kHz)> optical> JB3 [DIN 90* FOB DFC]
12/08/05 Aggie Theater FLAC>WAV 2 A Source: fob(front rail)dpa4023>v3>jb3
12/09/05 Fox Theatre FLAC>WAV 3 A+ Source: SBD + (Stage) Rode NT2 -> PreSonus Digimax96 -> Alesis HD24_cm*MATRIX*
12/09/05 Fox Theatre AUDIO 3 A+ SOURCE: DIGITALSOUNDBOARD.NET (DSBD.NET) CM MIX(MATRIX?) Comment * Small break due to power problems onstage
12/10/05 Cervantes' Masterpiece Ballroom FLAC16>WAV 3 A Source: MBHO 603a/actives/KA200 > V3 > M1 Lineage: ARCHIVE Python 01931-XXX5AC > DAT2WAV > SoundForge > CDWave > FLAC16 Taped by: Eric Foelske Transferred by: Eric Foelske Lineage: ARCHIVE Python 01931-XXX5AC > DAT2WAV > SoundForge > CDWave > FLAC16
12/11/05 Club 8150 FLAC>WAV 2 A Source: MK4>ORTF>KC5>CMC6>KindKables>V3>SPDIF>MT 24/48 (HPF 0)
12/11/05 Club 8150 AUDIO 2 A SOURCE: MK4 > (ORTF) KC5 >CMC6 > KIND KABLES > V8 > SPDIF > MT 24/48; LINEUP: SKIMOCK-GUITARS,ETC REED MATHIS-BASS RODNEY HOLMES-DRUMS/PERCUSSION ROBERT WALTER-KEYS
12/15/05 ShowBox FLAC>WAV 3 A unknown @t this time
12/15/05 ShowBox AUDIO 3 A SOURCE: Show-bought CD thanks to cmiller. STEVE KIMOCK-GUITARS,ETC REED MATHIS-BASS ROBERT WALTER-KEYS RODNEY HOLMES-DRUMS/PERCUSSION
12/16/05 Crystal Ballroom AUDIO 3 A+ SOURCE: DIGITALSOUNDBOARD.NET (DSBD.NET) CM MIX(MATRIX?) *NO TRADING COPYRIGHTED MATERIAL* LINEUP:SKIMOCK-GUITARS,KALIMBA REED MATHIS-BASS RODNEY HOLMES-DRUMS/PERCUSSION ROBERT WALTER-KEYS
12/17/05 WOW Hall FLAC>WAV 3 A Source: ADK TL>Apogee Mini-Me(24bit 48kHz)>VX-Pocket V2(DIN XY 90* hung from ceiling)
12/17/05 WOW Hall AUDIO 3 A Source: (dfc/ots) DPA 4011's>Lunatec V2>Sound Devices 722 @ 24/96 using Van den Hul "Integration Hybrid" Mic Cables and Van den Hul "The Second" XLR Interconnects Mics spread 90 degrees on a 9' stand, approx. 55 ft. from stage A QRT Symphony Pro was running in the tapers section. Transfer: Sound Devices 722 > Firewire > Dell 8600 Laptop>Samplitude 6.0 > CDWave fades, set breaks, resampling and dithering done in 32 bit float mode Vibrapods were used under the 722 and laptop during the file transfer and mastering process. A QRT Symphony Pro was running next to the 722 and laptop during the file transfer and mastering process.
12/28/05 Great American Music Hall AUDIO 3 A+ DSBD.NET RECORDING(NO TRADES) Comment: * with Martin Fierro on tenor sax Lineup: Steve Kimock - Guitars, Lap Steel Rodney Holmes - Drums Robert Walter - Keys Reed Mathis - Bass With Martin Fierro on Saxophone
12/30/05 Great American Music Hall AUDIO 2 A Source: Microtech Gefell M300s (ORTF, center balcony) > Lunatec V2 > Tascam DA-P1 > DAT (44.1K) Transfer: Sony R500 > Lucid PCI24 > Mac (Peak+Waves) > wavs > flacs DAT recording, mastering & transfer by Michael Zelner Lineup: Steve Kimock - Guitars, Lap Steel, Kalimba Rodney Holmes - Drums Robert Walter - Keys, Kalimba Reed Mathis - Bass, Kalimba * With Sikiru Adepoju on Talking Drum ** With Freddie Roulette on Lap Steel, Vocals
01/07/06 The Broadway Theater, MSC Lirica FLAC>WAV 2 A Source: MK4>ORTF>KC5>CMC6>KindKables>V3>SPDIF>MT 24/48 (HPF 0) Location: 30'-40' back,center. Transfer: MT24/48>USB2.0>CDWave>Fades with Wavelab 5.0>FLAC (level 7)
01/07/06 The Broadway Theater, MSC Lirica AUDIO 2 A Source: MK4>ORTF>KC5>CMC6>KindKables>V3>SPDIF>MT 24/48 (HPF 0) LINEUP: STEVE KIMOCK-GUITARS,ETC REED MATHIS-BASS RODNEY HOLMES-DRUMS/PERCUSSION ROBERT WALTER-KEYS
01/10/06 The Broadway Theater FLAC>WAV 2 A Source: MK4>ORTF>KC5>CMC6>KindKables>V3>SPDIF>MT 24/48 (HPF 0)
01/10/06 The Broadway Theater 0 Comment Buddy Cage* (Steel Pedal)
01/10/06 The Broadway Theater AUDIO 2 A+ SOURCE: Recording Info:SBD (Stereo Feed From Brian Abramson's House Mix) + 24BIT *W/ BUDDY CAGE-PEDAL STEEL
01/19/06 Grey Eagle Tavern & Music Hall FLAC16>WAV 3 A Nakamichi Cm300 (active p48 mod)/cp1 (DIN, FOB, DFC, 8' high)> Edirol UA-5> JB3 (wav @ 44.1 khz) || Taped and Transferred by Patrick Moore (pat@taperssection.com)
01/19/06 Grey Eagle Tavern & Music Hall AUDIO 3 A Source: Nakamichi Cm300 (active p48 mod)/cp1 (DIN, FOB, DFC, 8' high)> Edirol UA-5> JB3 (wav @ 44.1 khz) || Taped and Transferred by Patrick Moore (pat@taperssection.com)
01/20/06 Variety Playhouse FLAC16>WAV 3 A Source: Neumann ak40+ak20 > lc3 > km100 > Lunatec V3(opti) > Nomad Jukebox 3 @ 44.1khz Location: dfc, ~25? from stage, mid-side(decoded on fly), 10? stand Transfer: Nomad Jukebox 3 > Firewire > Cool Edit Pro > CDWave > FLAC(level 6)
01/20/06 Variety Playhouse AUDIO 3 A Source: Neumann ak40+ak20 > lc3 > km100 > Lunatec V3(opti) > Nomad Jukebox 3 @ 44.1khz Location: dfc, ~25? from stage, mid-side(decoded on fly), 10? stand Transfer: Nomad Jukebox 3 > Firewire > Cool Edit Pro > CDWave > FLAC(level 6)
01/21/06 Visulite Theater FLAC16>WAV 3 A Source: SP-CMC-4(AT853c just slightly left of center, FOB @ 8.5ft, DIN)>Beachtek DXA-10>Sony RH-10(PCM 44.1/16) Transfer: Sony Sonic Stage>CD WAV (splits and FLAC conversions)
01/22/06 Cat's Cradle FLAC16>WAV 3 A Source: Schoeps MK4 (ORTF) > KC5 > CMC6 > Lunatec V2 > Marantz PMD-671 Location: Front of board on riser, 30 feet from stage, microphones 8 foot high Conversion: 24 bit 48 k wav files resampled to 44.1 with Sound Forge 6.0 at highest quality settings and dithered to 16 bit, split into tracks with CD Wave, fades at beginning & end of sets with Sound Forge 6.0
01/22/06 Cat's Cradle AUDIO 3 A Source: Schoeps MK4 (ORTF) > KC5 > CMC6 > Lunatec V2 > Marantz PMD-671 Location: Front of board on riser, 30 feet from stage, microphones 8 foot high Conversion: 24 bit 48 k wav files resampled to 44.1 with Sound Forge 6.0 at highest quality settings and dithered to 16 bit, split into tracks with CD Wave, fades at beginning & end of sets with Sound Forge 6.0

Steve Kimock Electric Band --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
10/31/02 Chester's Place SHN>WAV 3 A+ Source: SBD + (Stage) Schoeps CMC6/MK4 (ORTF) > Allen Heath GL2200 24 channel mixer > Apogee Mini-Me > Sharp MV10 > Samplitude 6.0 > SHN

String Cheese Incident --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
12/31/99 Oregon Convention Center SHN>WAV 3 A Jono's SBD mix > DAT > SP/DIF > Sound Forge > WAV > .shn (I don't believe this source was a matrix.)
08/01/01 Greek Theatre SHN>WAV 3 A Schoeps cmc6/mk41 > Sound Devices MP-2 > Sonic/Benchmark AD2k+ > DAT (48k) > Zoltrix Nightingale > SoundForge 4.5 (48>44,fades) > CDWav (splits) > .shn

Tim O'Brien --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
07/20/90 Winterhawk Bluegrass Festival FLAC16>WAV 1 A Flac16 Source: DSBD from Sean Hawkins Transfer: Casio DA-7 > Tascam CD-RW 700 (pass through -2) > M-Audio 24/96 > @ 24 Bit to Wavelab > to 16 bit CD WAVE > FLAC Transfers and Seeded to bt.etree.org by Bill Koucky

Tim O'Brien, Bela Fleck & Tony Rice --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
07/30/94 Frontier Ranch FLAC16>WAV 1 A Source: DSBD > DATx?Transfer: Panasonic SV-3700 > Audiophile CD Wave > EAC > Flac June 10, 2006

Todd Snider --- Approximate Hours: 33.75
Show Date Venue Media Type Media Count Sound Quality Notes
01/26/07 WFPK Friday Drive Home audio 2 A Source:(FOB/DFC) AKG ck61>Active Cables >JK Labs DVC>Sound Devices 722 @ 24/96
02/08/07 KUT Radio AUDIO 1 A Source: FM>WAV>FLAC
02/08/07 Cactus Cafe AUDIO 2 A Source: SBD+StereoApexCondenserMICS>MarantzCDR420>WAV
02/09/07 Cactus Cafe AUDIO 2 A Source: MATRIX SBD+StereoApexCondenserMICS>MarantzCDR420>WAV>FLAC
02/10/07 Floore's Country Store AUDIO 2 A Source: SBD>MarantzCDR420>WAV>FLAC
02/23/07 Celebrity Showroom @ John Ascuaga's Nugget AUDIO 1 A- Source: [AUD] (78:07)
02/24/07 The Celebrity Showroom @ John Ascuaga's Nugget AUDIO 1 A- Source: [AUD] (73:08)
03/07/07 Soiled Dove AUDIO 2 A Source: SBD > MarantzCDR420(44.1kHz,16bit) > WAV > FLAC Jeff Austin-mandolin,vocals on (*)
03/16/07 The Bluebird AUDIO 2 A Source: SBD > Sony D8(DAT) *Night 1 of 2*
05/18/07 Hockhocking Folk Festival AUDIO 1 A- Source:[AUD] Peluso CEMC-6 > Edirol UA-5 > Iriver h120 *HockHocking Festival_Hocking College-Nelsonville,OH *My 1st Todd Snider Show*
05/19/07 Ohio River Valley Folk Festival AUDIO 2 A Source: SBD recording *Ohio River Folk Festival* Madison,Indiana
06/22/07 Midtown Music Hall AUDIO 1 A- Source: [AUD] Lineage: Studio Projects B-3's > Nomad JB3 (44.1) > USB > HD > Audio Cleaning Lab (tracks & fades) > WAV
08/05/07 Dunegrass AUDIO 1 A Source: [FOB] Schoeps 4VCMC6 > LUNATEC > APOGEE AD1000 > Sony D8[DAT]; Master: PCM R500 > TASCAM CDRw700 Digital Digital Transfer
09/15/07 Rio Theatre AUDIO 2 A Source: [AUD] > ? > CDR
09/21/07 Canal Street Tavern AUDIO 2 A Source: SBD *Dayton,OH Night 1 of 2*
09/22/07 Canal Street Tavern AUDIO 2 A Source: SBD Comment: [Holiday Inn Story] Todd had a run-in with the Dayton County Sheriff that morning, and tells the crowd about it. He is being heckled quite a bit by some drunks in the crowd and cuts the 2nd set short.(KEEP OFF THE GRASS)
10/12/07 The Vogue AUDIO 1 A+ Source: SBD > Sony D8 (DAT); Transfer: Sony D8 > Audiophile 24/96 > CD WAVE > Audio Cleaning Lab > FLAC (Level 6)

Tony Rice Unit --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
04/08/90 Mechanics Hall FLAC16>WAV 1 A Source: SBD – AUD Matrix > ? Recorded by Billy Wolf to DAT from Sean Hawkins

The Valentines (Weir, Welnick, Kaiser, Vega & Prince) --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
02/14/95 Fillmore Auditorium SHN>WAV 1 A Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN 1 Disc SHN / 1 Disc Audio Transfered By Charlie Miller charliemiller87@earthlink.net 11/20/02

Warren Haynes --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
08/16/03 Sunshine Daydream Campground FLAC16>WAV 1 A Sure ksm 137> MP2> Adc-20> Sony M1(48kbps)> SPDIF> Sound Blaster> Cool Edit Pro> 44.1 kbps> Flac (Taped/Transfrd by Jim Duncan)

Warren Haynes (acoustic) --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
06/26/97 Atomic Studios FLAC16>WAV 2 A+ Early_Source: Soundboard/audience mix. Soundboard: DAT Soundboard master;Late_**Late show** SBD/AUD mix. Soundboard: DAT Soundboard master transfered to computer via a Digidesigns Audio Media III card (Macintosh). Audience: Microtech Gefell 210->Sonosax-

Willie Nelson --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
07/04/07 The Gorge audio 2 A Source: Official Soundboard Release Download;SBD

Willie Nelson & Family --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
01/09/05 Austin Music Hall FLAC>WAV 2 A SBD via Jim O'Brien

Zero --- Approximate Hours: 101.25
Show Date Venue Media Type Media Count Sound Quality Notes
12/26/84 The Stone SHN>WAV 1 A Source: Nak 700>D-5 cass master>DAT Lineage: Tascam DA-20> HHB 850> CDRW>EAC>Cool Edit Pro>CD WAV>SHN
07/17/85 New George's AUDIO 1 A Source: SBD; Lineage: D5 Master Cassette > D5 DAT > SHN
07/17/85 New George's FLAC>WAV 1 A Source: SBD Lineage: D5 Master Cassette > D5 > Box/Protools > AIFF > FLAC
03/02/86 The Ritz SHN>WAV 1 A Source: SBD>DAT>CDR>EAC>SHN
09/07/86 Ranch Rock 86 1 A Source: SBD
06/18/87 New Horizon Cafe FLAC>WAV 2 A Source: Soundboard -> Sony D5 Cassette Transfer: Nakamichi CR-7A -> HHb CDR830 -> EAC -> CD Wave -> FLAC
06/18/87 New Horizon Cafe AUDIO 2 A Source: Soundboard -> Sony D5 Cassette Lineage: Tascam DA-20> HHB 850> CDRW>EAC>Cool Edit Pro>CD WAV>SHN
06/27/87 Shriver Hall, John Hopkins University AUDIO 1 A SOURCE: SBD > DAT > CD
07/16/88 Golden Gate Park FLAC>WAV 1 A Recording Info: SBD -> Dat (48k) Transfer Info: at (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Tansferred and Edited by Charlie Miller archive@kimock.com
04/13/89 Ambler Cafe SHN>WAV 1 A Source: SBD>CassM>DAT
04/16/89 Lloyds audio 2 a Recording Info: (20 feet from stage) Beyer M201 -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Nakamichi CR1A) -> MT 24/96 -> WAV -> FLAC Mastering Info: FLAC -> WAV -> Samplitude Professional v10.02 -> FLAC (2 Discs Audio / 1 Disc FLAC) Recorded By Dave Hyun Transferred By John Dailey Mastered BY Charlie Miller
03/21/92 The Starry Plough AUDIO 3 A SOURCE: Unknown Mics > Dat > Cm > BX100 > Cool Edit 96 > Shn
05/03/92 8 x 10 Club AUDIO 2 A+ SSOURCE: B&K4011?s ORTF On Stand DFC about 10 feet from the stage (Sweet Spot)->Modified Canare Cables->Neumann BS48i?2 Power Supply->Modified Sony D10 Projects Ron Keyser(taper)Ray Brooks(transfer)
07/31/92 Great American Music Hall SHN/AUDIO 1 A Source: SBD->DAT/Clone->SEK'D Prodif Plus->Soundforge->CDWav->Easy CD Creator->Plexwriter 8/20
12/04/93 Ballard Firehouse Audio 2 A Source: DSBD DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: Nomad LM-662 plugin in WaveLab > CD Wave > TLH > FLAC
12/11/93 Blue Star Cafe audio 3 a Zero 1993-12-11 dsbd Blue Star Cafe, Hartford CT ~ Green Mountain Bros. ~ Fresh Transfer
07/21/94 Bojangles FLAC16>WAV 1 A Source: Sennheiser MD421N's (fob, DFC,din)>Denon DTR-80P@16/48 Transfer: Denon DTR-80P>M/Audio Audiophile 2496>Dell Dimension 4600> Wavelab 5.0 (normalized, downsampled to 44.1)>CDwave 1.93.3 (tracked)> Flac Frontend 1.7.1 (level 8)>flac16. (shntoolverified)
03/31/95 Brew & Beets AUDIO 3 A+ TRANSFER BY RAY BROOKS; SOURCE: Matrix: [on stage AKG c61] + [DSBD] > DAT > D8 > SEK'D Prodif Plus > Samplitude > CD Wave > mkwACT > .shn
04/08/95 Mr. Q's AUDIO 2 A SOURCE: SBD + (Stage) AKG C61 -> Mackie 1604 -> Yamaha AD-20 -> Cassette Master xfer: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC *MATRIX MADE POSSIBLE BY CMILLER*
08/11/95 Catalyst FLAC>WAV 3 A+ Bertha(Jay Ashley) Remaster of SBD
09/01/95 Cubby Bear shn>audio 1 a Source: Unknown Mics > ? > CD > EAC > Shn
07/10/96 Manhattens 1 Recording Info: (Stage) AKG 451 -> Dat (Tascam DA-P1)
07/10/96 Manhattens shn>audio 1 A Recording Info: (Stage) AKG 451 -> Dat (Tascam DA-P1)
07/11/96 Little Bear Pub FLAC>WAVE 2 A Recording Info:(Stage) AKG 451 -> Dat (Tascam DA-P1); Recorded By Art Granoff; Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
07/15/96 Josha's audio 2 A Recording Info: (Stage) AKG 451 -> Dat (Tascam DA-P1) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
02/24/97 San Jose Live SHN>WAV 2 A {onstage} Neumann KM150s (XY) > DAT; Transfer: D8 (DAT) > WAV via SEK'D Prodif Plus > Samplitude Project & CDWav > SHN [no DAE]
09/13/97 Fillmore Auditorium SHN/AUDIO 1 A Source: Source : (on-stage) Nak 700 cardioids > Sony D5M as mic preamp > Sony D7 Transfer: Sony R-500 DAT > HHb 850 > EAC > MKW > SHN
09/19/97 Gunnerz SHN>WAV 2 A Source: Microtek Gefell M300 -> Aphex 107 > Tubessence micpre -> Philips 5022 ISP-> Tascam DAP-1 > ? > CD-R
12/15/97 Rafters AUDIO 3 A SOURCE: (FOB) Schoeps MK4 > KCY Active Cables > Schoeps VMS 21b > Dat > MT2496 > WaveLab > CDWav > Flac
12/31/97 Mystic Theater SHN/AUDIO 1 A Source: KMi84->DAT > D8->SEK'D Prodif Plus->Samplitude Project->CDWav->MKWAct->shn
03/07/98 Anaehoomalu Bay SHN>WAV 2 A Dr. Bob's Nak 700's on stage > D7 > digital transfer > CDR > EAC > MKW
03/07/98 Anaehoomalu Bay AUDIO 2 A Source: Dr. Bob's Nak 700's on stage > D7 > digital transfer > CDR > EAC > MKW *with Bill Kreutzmann on Drums Kona,Hawaii
03/07/98 Anaehoomalu Bay AUDIO 2 A SOURCE: Dr. Bob's Nak 700's on stage > D7 > digital transfer > CDR > EAC > MKW
03/09/06 Cervantes' Masterpiece Ballroom FLAC16>WAV 3 A Source: (fob-discoball)dpa4023>v3>jb3
03/09/06 Cervantes' Masterpiece Ballroom FLAC>WAV 3 A Source: (fob-discoball)dpa4023>v3>jb3
03/10/06 Cervantes' Masterpiece Ballroom FLAC>WAV 3 A Source: (fob-discoball)dpa4023>v3>jb3
03/11/06 Cervantes' Masterpiece Ballroom FLAC>WAV 3 A Source: (fob-discoball)dpa4023>v3>jb3
06/29/06 High Sierra Music Festival - Funk & Jamhouse FLAC>WAV 1 A Equipment: Neumann km140s>Oade ACM Marantz PMD 660 Transfer: Wav>SoundForge 7.0>CD Wave Editor>FLAC
06/30/06 High Sierra Music Festival - Big Meadows Stage FLAC16>WAV 1 A Equipment: Neumann km140s>Oade ACM Marantz PMD 660 Location: FOB right side, 7' high Transfer: Wav>CD Wave Editor>FLAC
07/08/06 Oregon Country Fair Mainstage FLAC>WAV 1 A source: FM Broadcast > Pioneer FT-V70 Tuner > Panasonic SV-3800 44.1 kHz DAT Master > EGO-SYS WT2496 Soundcard > Soundforge 6 > CD WAVE 1.94.5 > Flac
11/17/06 Crystal Ballroom FLAC16>WAV 1 A Source: 4 mic mix #1 AKG 414 TLII's (cards,din, dfc, 8ft)>Segue Dogstar interconnects#> Grace Design Lunatec V2>Atlas Quadstar interconnects>Edirol R4 @24/48. #2 AKG 480's w/ ck63's (aimed just inside each stack, dfc, 7ft. same stand)> Zaolla M15 silver interconnects#>Grace Design Lunatec V3>Silverpath interconnects> Edirol R4 @24/48 Transfer: Edirol R-4>USB>Dell Dimension 4600>Samplitude 7.02 (Sources joined and mixed, etc 60% #2, 40% #1 approx)>Wavelab 5.0 (downsampled to 44.1, dithered to 16 bit using Apogee UV22R algorythym)>CDwave 1.93.3 (tracked)>Flac Frontend 1.7.1 (level 8)>flac16.
11/18/06 WOW Hall FLAC16>WAV 1 A+ Source: ADK TL mics > Apogee Mini-Me (24bit 44.1kHz) > VX-Pocket V2 > Sound Forge 6 Lineage: SF 6 used for bit depth conversion, fades etc. > CDWAVE 1.93.3 > FLAC frontend 1.7.1 Details: FOB ceiling mount/DIN/Cardiod/Atlas Quadstar mic cables
02/02/07 The Fillmore FLAC16>WAV 1 A Location: Tapers Section, ~10' high (thanks Dan) Equipment: Neumann km140s>Oade ACM Marantz PMD 660 Transfer: Wav>SoundForge 7.0>CD Wave Editor>FLAC
02/03/07 The Fillmore Auditorium FLAC16>WAV 1 A Source: MG210 -> Neve Portico 5012 w/Silk -> Edirol R4 (24/48) Location: front left corner of soundboard, 9’ stand Transfer: Edirol R4 -> Audacity (16/44) -> CD Wave -> FLAC
04/18/07 State Theatre FLAC>WAV 1 A- AKG 414 (hyper)>kind cables>722 @16/48>SF8 for tracking of set 1 (tracks 1-5) tracks 6-encore were tracked using the 722 (pressing record between songs for a gap free split) Flaced using FE @ level 8
04/19/07 Rams Head Live FLAC>WAV 1 A- Source: ADK A51 TL's (hyper) XY90 > V3(analog out) > Sound Devices 744t @ 24/48 Neumann AK50/AK40 M/S > Sound Devices 744t @ 24/48 Location: Back of board, DFC 7' Transfer: 744t > HDD > Audacity 1.3.2b (join mono files, m/s matrix, normalize, 4ch to 2ch mixdown, fades) > Wave Editor 1.2.10 (resample w/ iZotope, dither w/ MBIT+) > Sound Studio 3.5 (splits) > FLA
04/21/07 Vanderbilt Ave @ Grand Central Station FLAC>WAV 1 A- Source: AKG 414's> Apogee Mini-Me (24/48) > Tascam HD-P2 (24/48) Source: CF> USB> Wavelab (normalizing)> CDWAV (tracking) >FLAC
05/19/07 Crystal Bay Club FLAC16>WAV 1 A- LMArchive AUD
05/25/07 The Catalyst FLAC16>WAV 1 A Source: Neumann TLM103 > SD 702 > NJB3 Lineage: NJB3 > CDWav > Cool Edit Pro > TLH
07/06/07 Nelson Ledges Quarry Park audio 1 A+ Digital Soundboard DOT net DSBD


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Cached: Thu, 25 Apr 2024 10:35:13 EDT