Grateful Dead
--- Approximate Hours: 1788.75
|
Show Date |
Venue |
Media Type |
Media Count |
Sound Quality |
Notes |
02/25/66
|
Ivar Theater |
SHN>WAV |
1 |
A- |
MR> DATx> CD; reportedly this date, plus other '66; may also be listed as '??/??/66'- another shn set of t1-8 material circulates as such |
02/25/66
|
Ivar Theater |
SHN>WAV |
1 |
A- |
MR> DATx> CD; reportedly this date, plus other '66; may also be listed as '??/??/66'- another shn set of t1-8 material circulates as such |
03/19/66
|
Carthay Studios |
FLAC16>WAV |
1 |
A- |
flac16; SBD > Rm > Reel > Dat > CD > EAC > CDWav > Flac
EAC and Tracking by Ihor Slabicky Seed provided by Paul Scotton |
03/25/66
|
Trouper's Hall |
SHN>WAV |
1 |
A- |
with 7/3/66; see notes in info file; to abgd, later to etree; listener Daniel Kessler reports several digispots |
05/19/66
|
Avalon Ballroom |
SHN>WAV |
1 |
A- |
mr> dat> fm broadcast> cdr> shn; via lestatkatt; Cream Puff War filler |
05/19/66
|
Avalon Ballroom |
FLAC16>WAV |
1 |
A- |
flac16; SBD > Reel > DAT > Sonic Solutions > DAT > DAT > CDR > EAC > CD Wave > FLAC |
07/01/66
|
Unknown (perhaps Fillmore Auditorium) |
SHN>WAV |
1 |
A- |
Source: MSR>DAT>CDR via Andy Lemieux and Kingbee encoded by Matt Vernon |
07/01/66
|
Unknown (perhaps Fillmore Auditorium) |
SHN>WAV |
1 |
A- |
Source: MSR>DAT>CDR via Andy Lemieux and Kingbee encoded by Matt Vernon |
07/16/66
|
Fillmore Auditorium |
SHN>WAV |
1 |
A- |
SBD -> Reel Master (10 Inch Reels @ 15ips 1/2trk) -> Dat -> Sonic Solutions -> CD -> EAC -> SHN; Converted To SHN By Charlie Miller |
07/17/66
|
Fillmore Auditorium |
SHN>WAV |
1 |
A- |
SBD -> Reel Master (10 Inch Reels @ 15ips 1/2trk) -> Dat -> Sonic Solutions -> CD -> EAc -> SHN; Converted To SHN By Charlie Miller |
07/29/66
|
P.N.E. Garden Auditorium |
SHN>WAV |
1 |
A- |
probably MR> C> DAT> CDR> EAC> WAV> SHN; from pre-FM David Gans seed; may circulate with or without DSO filler |
07/29/66
|
P.N.E. Garden Auditorium |
SHN>WAV |
1 |
A- |
SBD> MR> ??> CDR; Some confusion over date, see info file; via Raoul Duke; Seeded to etree by Matt Vernon |
07/30/66
|
P.N.E. Garden Auditorium |
SHN>WAV |
1 |
A- |
SBD> MR> ??> CDR; Some confusion over date, see info file; via Raoul Duke; Seeded to etree by Matt Vernon |
10/07/66
|
Winterland Arena |
SHN>WAV |
1 |
A- |
sbd 3 songs originally part of the SF Nights compilation noted here separately |
11/19/66
|
Fillmore Auditorium |
SHN>WAV |
1 |
A- |
flac16; Speed corrected version of liberated bootleg sbd: shn id 41 |
12/01/66
|
The Matrix |
SHN>WAV |
1 |
A- |
SBD> Rm> Reel> Dat> CD> wav> shnv3; DAE(EAC)> boundary check (SHNTOOL)> SHN (MKWACT)> FTP via neo_levo; with thanks to Charlie Miller |
12/01/66
|
The Matrix |
SHN>WAV |
1 |
A |
Source: SBD>MR>RR>C>DAT Transfer: Tascam DA-20 mkII>SB Audigy>SF 6.0>CD Wave>mkwACT>.shn |
12/05/66
|
Studio: 1st album outtakes |
SHN>WAV |
1 |
A- |
Source: sbd>mc>cass>cd>eac>shn |
??/??/66
|
Viola Lee Blues Rehearsals |
SHN>WAV |
1 |
A- |
January 1966 (?) - Viola Lee rehearsals; 47 minutes from unknown generation cassette played back on Nak CR7E; via Uli Teute and Hanno Bunjes |
01/14/67
|
Polo Field, Golden Gate Park |
SHN>WAV |
1 |
A- |
SBD>MR >?>CDR; The great human be-in; via Raoul Duke; Seeded to etree by Matt Vernon |
01/27/67
|
Avalon Ballroom |
SHN>WAV |
1 |
A- |
AUD C/? cleaned up & patched, 67:40 total time, via Hanno Bunjes & Uli Teute |
03/18/67
|
Winterland Arena |
SHN>WAV |
1 |
A- |
MSR> R> DATs> CDRs> EAC> SHN; via Darrin Sacks |
04/08/67
|
KPIX-TV Studios |
SHN>WAV |
1 |
A- |
TV > C/? >CDR; various artists including Dead performance; via Hanno Bunjes, Uli Teute |
04/08/67
|
KPIX-TV Studios |
SHN>WAV |
1 |
B+ |
TV > C/? >CDR; various artists including Dead performance; via Hanno Bunjes, Uli Teute |
05/05/67
|
Fillmore Auditorium |
SHN>WAV |
1 |
A- |
SBD> unknown analog gens> D; via Ben Yerys |
06/18/67
|
Monterey County Fairgrounds |
SHN>WAV |
1 |
A- |
SBD: MR> Cass> DAT> ZA2> CD; exception: Alligator -> Caution has no cassette gen, and may not even be from same show; CD seed via D. Hollister; original to abgd, to etree 6/00 |
06/18/67
|
Monterey County Fairgrounds |
SHN>WAV |
1 |
A- |
SBD> MR> ? > DAT x 2> Sonic Solutions> cd Note: There seems to be no cassette generation between the MR and DAT, which is present on the previously circulated version of this show. Remastered by ?Mandrake? |
08/04/67
|
O'Keefe Center |
SHN>WAV |
1 |
A- |
Includes JA Set; Stereo SBD MR>R>DAT(3)>CDR; via Stu Hanson; Seeded to etree by Greg Hurwitt |
08/05/67
|
O'Keefe Center |
SHN>WAV |
1 |
A- |
SBD>MR>R>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon |
09/03/67
|
Dance Hall |
SHN>WAV |
1 |
A- |
previous shn set with "original mix Midnight Hour" via Terrapin Station |
09/03/67
|
Dance Hall |
SHN/AUDIO |
1 |
B+ |
likely seekable reshn of previous shn set by Bob Clevenger (md5s differ) |
10/22/67
|
Winterland Arena |
SHN>WAV |
1 |
A- |
SBDmR> Cass> DAT> Sonic Solutions via D. Gans> CDR; via Ben Yerys |
11/11/67
|
Shrine Exhibition Hall |
SHN>WAV |
1 |
A |
MSR> R> R> DAT> CDR> EAC > SHN; via Kirby (Chalupa) Bell, Darrin Sacks; note source updated with extra reel gen, based on info from Rob Bertrando |
11/14/67
|
American Studios |
SHN>WAV |
1 |
A |
MSR>C(1)>DAT>WAV>SHN. The circulating versions of these songs are different from the versions on the single and on "What a Long Strange trip It's Been" (which are the same) and therefore are listed separately. The md5's differ from the previous shn set listed. |
01/17/68
|
Carousel Ballroom |
SHN>WAV |
1 |
A- |
SBD>MR>C>D>CD; via Raoul Duke; Seeded to etree by Matt Vernon & J. Cotsman |
01/20/68
|
The Eureka Municipal Auditorium |
FLAC16>WAV |
1 |
B+ |
SBD>4 Track Master Reels>Dat>Sonic Solutions>CD |
01/20/68
|
The Eureka Municipal Auditorium |
SHN>WAV |
1 |
A- |
via Julian (Jools) Elliott
SBD w/ 1/27/68
//Spanish Jam |
01/22/68
|
Eagles Auditorium |
SHN>WAV |
1 |
A- |
SBDMR > DAT > Sonic Solutions > CD > EAC > Soundforge > SHN; plus patches- see notes in info file; patching and cleanup by Noah Weiner; to abgd via Charlie Connor |
02/02/68
|
Crystal Ballroom |
SHN>WAV |
1 |
A- |
No source info; Seeded to etree by Jools; |
02/03/68
|
The Crystal Ballroom |
SHN>WAV |
1 |
A- |
SBD:MR>DAT>Sonic Solutions>CD ? shntool fixed and seekable version of set uploaded to tol.etree.org Feb.1/03 |
02/14/68
|
Carousel Ballroom |
SHN>WAV |
2 |
A |
MR> DAT> DAT> CD> EAC> SHN, with portions from another source, probably FM; via Garrett Van Cleef, from Jim Douglas seed; includes supplemental hiss-reduced material (see info files); hosted by gdlive.com |
03/03/68
|
Haight Street |
SHN>WAV |
1 |
A- |
AUD: Uher RR>DAT>DALCardDeluxe>WAV>CDR; via Raoul Duke; Seeded to etree by matt vernon |
05/21/68
|
Carousel Ballroom |
SHN>WAV |
0 |
B+ |
SBD
partial |
06/14/68
|
Fillmore East (Late Show) |
WAVaudio |
0 |
B+ |
AUD>MC>R>R>PCM>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; edits/encoding by JCotsman |
06/19/68
|
Carousel Ballroom |
SHN>WAV |
0 |
B+ |
SBD> MC> D> CD; start of Lovelight clipped, ragged sound improves later; via thecore@core.com |
06/19/68
|
Carousel Ballroom |
WAVaudio |
0 |
A- |
SBD> MC> D> CD; start of Lovelight clipped, ragged sound improves later; via thecore@core.com |
08/21/68
|
Fillmore West |
WAVaudio |
0 |
A- |
MSR> DAT> DAT> WAV> SHN; DAT> SHN conversion by Cousinit; see notes in info file |
08/22/68
|
Fillmore West |
SHN>WAV |
1 |
A |
SBD portion via Jools, see info file for possible lineage. |
08/23/68
|
Shrine Exposition Hall |
SHN>WAV |
2 |
A |
updated lineage: 8 track multitrack Reels> "Sonic Wizardry"> DAT> Cassette> DATs> CDRs> EAC> SHN; via Darrin Sacks, who reports: "Not a note of this material appears on Two From The Vault. It turns out that TFTV is composed exclusively of 8.24.68" (go buy that); with unknown (8/29/68?) filler |
08/24/68
|
Shrine Exposition Hall |
SHN>WAV |
0 |
A |
SBD "Two From The Vault" |
08/28/68
|
Avalon Ballroom |
SHN>WAV |
1 |
A- |
SBD>??>R>PCM>CD>EAC>SHN; pitch corrected re-shn of previous Vernon seed |
08/28/68
|
Avalon Ballroom |
SHN>WAV |
1 |
B+ |
SBD>??>R>PCM>CD>EAC>SHN; pitch corrected re-shn of previous Vernon seed |
09/20/68
|
Berkeley Community Theater |
SHN>WAV |
0 |
A- |
may circulate as filler on other discs (has been seen with 1/23/68); info file compiled by Matt Vernon |
09/20/68
|
Berkeley Community Theater |
WAVaudio |
0 |
A- |
flac16; SBD > Master Reel > Cassette > Dat > CD > Adobe Audition v1.5 > CD Wave > FLAC; Transfer and Mastering by Charlie Miller |
10/08/68
|
The Matrix |
SHN>WAV |
1 |
A- |
Hartbeats; SBD MR->Reel (x2?)->CDR; EAC> SHN by Evan Bellaff, with thanks to Glenn Gillis |
10/10/68
|
The Matrix |
SHNv3>WAV |
1 |
A |
SBD> Rm> Reel> CD (May Be SBD> Rm> Reel> Reel> CD); thanks to c.miller for seeds; DAE/shnv3 by neo_levo |
10/12/68
|
Avalon Ballroom |
SHN>WAV |
1 |
A |
SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD; via David Gans; de-glitched at the Frisco Refinery, see info file for details; Seeded to etree by eD(efojr |
10/12/68
|
Avalon Ballroom |
WAVaudio |
0 |
A- |
SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD; via David Gans; de-glitched at the Frisco Refinery, see info file for details; Seeded to etree by eD(efojr) |
10/13/68
|
Avalon Ballroom |
FLAC>WAV |
1 |
A |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller |
10/20/68
|
Greek Theatre, U. Of California |
SHN>WAV |
1 |
A |
Complete; SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD; via Charlie Miller |
10/20/68
|
Greek Theatre, U. Of California |
SHN>WAV |
1 |
A- |
SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD Charlie Miller charliemiller87@earthlink.net shntool fix -o shn *shn run by tol 03-02-24, and a new md5-file generated. |
10/30/68
|
The Matrix |
SHN>WAV |
3 |
A- |
Hartbeats; most complete version; documented 1st gen reel on revox A-77 r2r deck> digitized @ 96khz/24 bits> downsampled to 44.1k/16bits for CD> EAC> SHN; transfer by Jim Wise; eac/shn by Darrin Sacks; note minor addition of tuning to d3 track list |
10/30/68
|
The Matrix |
WAVaudio |
0 |
A |
Hartbeats; most complete version; documented 1st gen reel on revox A-77 r2r deck> digitized @ 96khz/24 bits> downsampled to 44.1k/16bits for CD> EAC> SHN; transfer by Jim Wise; eac/shn by Darrin Sacks; note minor addition of tuning to d3 track list |
11/01/68
|
Armory Building, Silver Dollar Fairgrounds |
SHN>WAV |
1 |
A- |
SBD>MR>C>D>CD>EAC>SHN; patched with "barely listenable portion"; Thanks to J. Powell, S. Martin, D. Litfin; edits/encoding by JCotsman |
11/01/68
|
Armory Building, Silver Dollar Fairgrounds |
WAVaudio |
0 |
A- |
2nd Set; SBD>MSR>C>DAT>CDR; via Raoul Duke and Mike Axelrod; Seeded to etree by Matt Vernon |
12/07/68
|
Bellarmine College |
FLAC>WAV |
1 |
|
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller |
12/20/68
|
Shrine Exhibition Hall |
SHN>WAV |
0 |
A- |
SBD cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN; DAT > CDR conversion via HHb 850; editing, normalization and 5% pitch correction by Jeff Tiedrich via Sound Studio for Macintosh; workup> SHN by Jeff Tiedrich; via G.S. Hamilton to BUDD offer; passes shntool check |
12/20/68
|
Shrine Exhibition Hall |
WAVaudio |
0 |
A- |
SBD cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN; DAT > CDR conversion via HHb 850; editing, normalization and 5% pitch correction by Jeff Tiedrich via Sound Studio for Macintosh; workup> SHN by Jeff Tiedrich; via G.S. Hamilton to BUDD offer; passes shntool check |
12/20/68
|
Shrine Exhibition Hall |
FLAC/AUDIO |
1 |
A- |
flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller |
12/21/68
|
Shrine Exhibition Hall |
SHN>WAV |
1 |
A |
SBD cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN; DAT > CDR conversion via HHb 850; editing, normalization and 5% pitch correction by Jeff Tiedrich via Sound Studio for Macintosh; workup> SHN by Jeff Tiedrich; via G.S. Hamilton to BUDD offer; passes shntool check |
12/21/68
|
Shrine Exhibition Hall |
FLAC/AUDIO |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller |
12/24/68
|
The Matrix |
WAVaudio |
0 |
A- |
flac16; 1st generation reel to reel > behringer ultra curve pro deq 2496 audio equalizer > tascam audio cdrw750 > plex tool professional XL > wav > flac |
12/29/68
|
Gulfstream Park Racetrack |
FLAC>WAV |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller |
??/??/68
|
Unknown or Various |
SHN>WAV |
0 |
B+ |
7 undated '68 fragments circulating together; 5 Vault reels> 4 CDs- see info file for available details; via Music Never Stopped shn project |
01/26/69
|
Avalon Ballroom |
SHN>WAV |
1 |
A |
MSR> C> DAT> CD; via Seth Kaplan, Darrin Sacks; with fixed track boundaries; tracked for 1x80; see flaw notes in info file; note material from this date also appeared on Live Dead- go buy it |
01/??/69
|
Aoxomoxoa Outtakes |
SHN>WAV |
1 |
A |
aoxomoxoa Studo sessions outtakes '69 |
02/02/69
|
Labor Temple |
SHN>AUDIO |
1 |
A |
SBD>MR>?>D>CD; via David Litfin; Seeded to etree by J. Cotsman |
02/05/69
|
Soldiers & Sailors Memorial Auditorium |
SHN>WAV |
1 |
A |
SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Chuck Gannon |
02/05/69
|
Soldiers & Sailors Memorial Auditorium |
SHN>WAV |
1 |
A- |
SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Chuck Gannon |
02/06/69
|
Kiel Auditorium |
SHN>WAV |
2 |
A- |
SBD> MC> D> CD> EAC> SHN; Soundforge used for pitch correction and pop removal; edited, encoded, vined by J. Cotsman; with thanks to Paul Hartman |
02/07/69
|
Stanley Theater (Early, Late) |
SHN>WAV |
1 |
A |
Early Show; SBD> MC (Bear Owsley)> DAT (Rob Eaton)> (Jim Wise) HHb> CDR ; Seeded to Etree by T. Wiley |
02/11/69
|
Fillmore East (Early show) |
Audio |
1 |
A |
SBD(early show)
Fillmore East
2.11.69 |
02/11/69
|
Fillmore East (Late show) |
Audio |
1 |
A |
Late show. Other artist(s): Janis Joplin & Her Band. This date (both late and early shows) is featured on Fillmore East 2/11/69. |
02/15/69
|
Electric Factory |
SHN>WAV |
1 |
A- |
MSR (7" @ 7.5 ips 1/2 track) > Tascam 122mkIII 1st gen. cassette > Nak Dragon playback > Sony PCM R-700 DAT > ZA2 > wav (Sound Forge) > CD (CD Architect) > unknown CD gens > EAC (test & copy, secure mode, offset corrected) > sector boundary verification (shntool) > seekable .shn (mkwact). DAT conversion and CD mastering by aoxoa, CD > SHN by D. Winters. |
02/21/69
|
Dream Bowl |
SHN>WAV |
2 |
A- |
SCSBD>MR>?>DAT>CDR
OwenBros |
02/22/69
|
Dream Bowl |
SHN>WAV |
2 |
A- |
SBD |
02/22/69
|
Dream Bowl |
SHN>WAV |
2 |
A- |
|
02/27/69
|
Fillmore West |
SHN>WAV |
2 |
A |
sbd 1st night Fillmore run |
02/27/69
|
Fillmore West |
SHN>WAV |
2 |
A |
SBD |
02/28/69
|
Fillmore West |
SHN>WAV |
3 |
A+ |
sbd Fillmore run night 2 of 4 |
03/01/69
|
Fillmore West |
SHN>WAV |
2 |
A+ |
SBD 3rd of 4night run |
03/02/69
|
Fillmore West |
SHN>WAV |
3 |
A |
Bertha SBDremaster |
03/15/69
|
Hilton Hotel |
SHN>WAV |
1 |
A- |
Bear's source |
03/15/69
|
Hilton Hotel |
SHN>WAV |
1 |
A |
bear's MSC |
03/28/69
|
Student Center, Modesto Jr. College |
SHN>WAV |
1 |
A- |
MSR> C> D> CD; via Frank Bove |
04/04/69
|
Avalon Ballroom |
SHN>WAV |
1 |
A- |
MSR> C> DATs> CDRs> EAC> SHN; EAC/SHN by Darrin Sacks, from Rango Keshavan seed; see info file for setlist/tracklist commentary |
04/04/69
|
Avalon Ballroom |
SHN>WAV |
2 |
A- |
|
04/05/69
|
Avalon Ballroom |
SHN>WAV |
2 |
A |
cmSBD |
04/21/69
|
The Ark |
SHN>WAV |
1 |
A- |
Bertha Remaster of the Master Reel source; SBD>>MR>>DAT>>CDA>>DAW(Bertha)>>CDA/SHN |
04/22/69
|
The Ark |
SHN>WAV |
1 |
A- |
Updated possible gen: SMC>R>D (had been marked MSR > Cassette > DAT x2 > CDR); d1t1,8 have cuts from master;? via Scott Clugston, Lee Revell |
04/23/69
|
The Ark |
SHN>WAV |
1 |
A- |
MSR> Cassette> DATs> CDRs> EAC >SHN; via Jim Wise, Rob Bertrando, Darrin Sacks; note this reportedly may be an upgrade compared to previously etreed version; same cuts and splices as in previous version; note d1 tracked for 80 min |
04/25/69
|
Electric Theater |
WAVaudio |
0 |
A |
Source: mR> D> Sonic Solutions> CDR |
05/03/69
|
Winterland Arena |
WAVaudio |
0 |
A- |
all that circulates; Reel> PCM> Dat> Tascam DA20> Audio Magic Presto> Prodif Plus> Soundforge> cdwav> shn; fits on 1 .shn disc with 5/23/69; via Phunk1; reel splice at beginning of Rag; disc may not have accompanying .md5s; md5s shown here were created by A. Fox- note you may have to modify filenames to match |
05/07/69
|
Polo Field, Golden Gate Park |
WAVaudio |
0 |
A |
SBD > MR > C > DAT > CD; via Ernie to abgd; note besides d1 seeking shns, Ernie posted wavs for d2 (wav, rar md5s shown); subsequent d2 shn (v3 seek appended, with md5s shown) by DES |
05/10/69
|
Rose Palace |
WAVaudio |
0 |
A |
mC> C> DAT> Sonic Solutions> CDR; via Ben Yerys; stemming from Tzuriel Kastel tree; d1 contains misc pre-filler |
05/23/69
|
Seminole Indian Village |
WAVaudio |
0 |
A |
partial Dew>>11//; Reel> PCM> DAT; conversion:Tascam DA-20> Audio Magic Presto> Prodif Plus> Soundforge> cdwav> shn; fits on 1 .shn disc with 5/3/69; via Phunk1; disc may not have accompanying .md5s; md5s shown here were created by A. Fox- note you may have to modify filenames to match (partial) |
05/24/69
|
Seminole Indian Village |
WAVaudio |
0 |
A |
SB>MR>??> CD; See info file for editing notes; Unknown seeder |
05/29/69
|
Robertson Gym, U.C.S.B. |
WAVaudio |
0 |
A |
Source: reported to be SBD>MR>PCM>DAT>CD(>EAC>WAV>SHN) |
05/31/69
|
McArthur Court, University of Oregon |
SHN>WAV |
1 |
A- |
SBD> ?> CDR> EAC> SHN; via J. Oleynick, M. Ferguson; encore shuffled to fit on 2 discs, but songs can be moved to proper order for 3 discs; see info file for flaw notes |
05/31/69
|
McArthur Court, University of Oregon |
SHN>WAV |
1 |
A- |
SBD> ?> CDR> EAC> SHN; via J. Oleynick, M. Ferguson; encore shuffled to fit on 2 discs, but songs can be moved to proper order for 3 discs; see info file for flaw notes |
06/05/69
|
Fillmore West |
SHN>WAV |
0 |
A- |
complete; MSC> LATVALA C> DAT> CD> EAC> SHN; with Cryptical patch; EAC>SHN by Steve Barbella; d1 tracked for 80 min |
06/05/69
|
Fillmore West |
SHN>WAV |
0 |
A- |
complete; MSC> LATVALA C> DAT> CD> EAC> SHN; with Cryptical patch; EAC>SHN by Steve Barbella; d1 tracked for 80 min |
07/11/69
|
NY State Pavilion, Flushing Meadows Park |
SHN>WAV |
1 |
A- |
SBD MC>C>D>CD + patch (Alligator > Drums) from AUD master > low-gen reel > cassette > CD, by Hanno Bunjes; to BUDD offer; Hanno's notes |
08/02/69
|
Family Dog at the Great Highway |
FLAC16>WAV |
2 |
A |
flac16; SBD -> Cassette Master -> Dat Transferred and Edited By Charlie Miller |
08/03/69
|
Family Dog at the Great Highway |
FLAC16>WAV |
2 |
A |
flac16; SBD -> Cassette Master -> Dat Transferred and Edited By Charlie Miller |
09/07/69
|
Family Dog at the Great Highway |
SHN>WAV |
1 |
A |
SBD, Deadhead Hour pre-FM (some lineage details in info file); via David Finney |
10/25/69
|
Winterland Arena |
WAVaudio |
0 |
A |
SBD> MR> DAT> Sonic Solutions> CDR; reel flip after William Tell , edited by David Gans; via R. Jagla |
10/26/69
|
Winterland Arena |
WAVaudio |
0 |
A- |
SBD : MR > C1 > DAT > CD; via Douglas Ferguson; Seeded to etree by Alan Fink |
10/28/69
|
2400 Fulton Street |
WAVaudio |
0 |
A- |
Source: MSR>C>DAT>CD Airplane House; SF,CA |
10/31/69
|
San Jose State University |
SHN/AUDIO |
1 |
A |
Source: SBD: MC> C1> DAT> CDR; see info file for flaw notes; via Mike Lai; COMMENTS:
Casey Jones cuts in just after the first notes of the tune.
Lovelight cuts off during the final flourishes. DeadBase IX lists a Mama Tried after I Know You Rider;
any info contact usalai@nycap.rr.com seeded by mike lai |
11/01/69
|
Family Dog at the Great Highway |
SHN/AUDIO |
1 |
A- |
Source: SBD>MC>C>D>CD>EAC>SHN; edited, shned, vined by J. Cotsman (see info file); vith thanks to Paul Hartman;
The sound is not as full or crisp as many others from '69 with a similiar
lineage, but the mix is stable and there are very few blemishes. Sound
Forge was used for normalization and minor edits.
Thanks to Paul Hartman
encoding/edits by J. Cotsman
|
11/02/69
|
Family Dog at the Great Highway |
FLAC>WAV |
1 |
A |
flac16; Recording Info: Disc 1: SBD -> Master Reel -> Cassette -> Dat (44.1k) Disc 2: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC |
11/15/69
|
Lanai Theater |
SHN/AUDIO |
1 |
A- |
SBD cassette master > PCM > CDR > iMac > SHN; shntool-fixed version of previous shn set via Nathan Scott, fixed separately by disc; alternate fix (as whole set) also circulates with slight difference |
12/29/69
|
Boston Tea Party |
SHN/AUDIO |
1 |
A |
Source: SBD MR (7" reel @7.5 ips)>DAT>DAT>CDR
Transfer to CDR from a Sony ES 60 DAT to a Pioneer PDR555 RW Standalone burner via optical cables. CDR was then ripped to the Hard Drive with EAC in secure mode, amplification to 100% in Cool Edit 2000. Poorly placed track markers corrected with CDWave then transferred to shn using mkw SHN. Discs written on a Digital Research 24x burner using Nero. |
12/31/69
|
Boston Tea Party |
SHN>WAV |
1 |
A |
EAC of original shn set; via TOL; sbd> reel master> 2 cassette generations> dat> cdr> shn |
12/31/69
|
Boston Tea Party |
SHN>WAV |
1 |
A |
EAC of original shn set; via TOL; sbd> reel master> 2 cassette generations> dat> cdr> shn |
01/03/70
|
Fillmore East (Late Show) |
SHN/AUDIO |
1 |
A |
Source: SHN(19440)improvements on previous seed: Sound improved on d1t02, by Bill Giles; SBE's corrected; seeded by RET |
01/10/70
|
Golden Hall |
FLAC/AUDIO |
1 |
A |
flac16; Recording Info: SBD -> Master Reel -> Reel-> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.0.1 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller |
01/16/70
|
Springer's Inn Portland |
SHN>WAV |
3 |
A- |
sbd>??>cdr>eac>shn
*not DL series 2* |
01/17/70
|
Gill Coliseum, Oregon State University |
FLAC>WAV |
1 |
a- |
Master Soundboard Reel > DAT > CDR; via Scott Clugston |
01/23/70
|
Honolulu Civic Auditorium |
SHN>WAV |
1 |
A |
ASBD>DAT>PCM-WAV>SHN; Originally posted to abgd via Teddy Goodbear; seeded to fungus and tol with minor editing by Charlie Connor |
02/02/70
|
The Fabulous Fox Theatre |
SHN>WAV |
1 |
A- |
SBD> MR> R> R> PCM> D> CD> EAC> SHN; pitch corrected; edits/encoding by JCotsman |
02/14/70
|
Fillmore East |
SHN>WAV |
1 |
A |
complete early/late shows from: SBD> MR> D> CD> EAC> SHN & SBD> MR> PCM> D> CD> EAC> SHN; TMNSP release, encoding by JCotsman |
02/27/70
|
Family Dog at the Great Highway |
FLAC>WAV |
2 |
A+ |
SBDviaCMiller |
02/28/70
|
Family Dog at the Great Highway |
SHN>WAV |
2 |
A |
SBD>MR>C>D>CD; Missing Casey Jones and Uncle John's Band |
03/20/70
|
Capitol Theater |
SHN>WAV |
1 |
A- |
mixed source (SBD> MR> PCM, unknown gen AUD, 2nd gen AUD)> ZA2> CD, mastered by David Hollister; EAC> SHN by G.S. Hamilton with thanks to Brian Voelz |
03/24/70
|
Pirates World |
FLAC16>WAV |
2 |
A |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC |
05/15/70
|
Fillmore East (Late Show) |
audio |
7 |
A |
SBDupgrade5/31/05 |
05/15/70
|
Fillmore East (Late Show) |
SHN>WAV |
4 |
A+ |
SBD w/o NRPS |
06/07/70
|
Fillmore West |
SHN>WAV |
3 |
A |
acoustic and electric; S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD> EAC> shn; splices in Casey, Man's World, Cumberland; CD seeded by D. Hollister, see his editing notes in info file; via A. Cohen to BUDD tree; etreed by R. Nayfield |
06/07/70
|
Fillmore West |
SHN>WAV |
3 |
A |
acoustic and electric; S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD> EAC> shn; splices in Casey, Man's World, Cumberland; CD seeded by D. Hollister, see his editing notes in info file; via A. Cohen to BUDD tree; etreed by R. Nayfield |
06/24/70
|
Capitol Theater (Late) |
FLAC>WAV |
1 |
A |
early and late shows (see discussion in txt and pub comments); Sony TC124 with unknown Sony dynamic mics |
07/16/70
|
Euphoria Ballroom |
SHN>WAV |
1 |
A- |
partial; Master Soundboard Reel > Cassette > Cassette > CDR; CD Mastering by Scott Clugston; to abgd |
10/04/70
|
Winterland Arena |
SHN>WAV |
1 |
A- |
SBD> FM> MR> R> R> DAT> WAV> SHN; R>SHN; Conversion By Cousinit, seeded to abgd
**Janis Joplin Died This Night** |
10/31/70
|
Gym, S.U.N.Y. (Late) |
FLAC>WAV |
3 |
A |
SOURCE INFO: Rating: AR-2, Source: A-SBD, SCMS: 00, Gen: M, DOW: Sat, Time: 180 min., Lineage: SBD > RTR > PCM > D, if necessary, any and all NR and/or EQ processes were performed, using between 95% and 100% analog realm outboard equipment, at Serafin Station Studio A or B; released between 03/94 and 12/96 TRANSFER INFO: Sony PCM-R300 > Audiophile 2496 > Cool Edit Pro2 > .WAV > .FLAC Note: Appeared on bt.etree.org ~ 4/1/2006 |
10/31/70
|
Gym, S.U.N.Y. (Late) |
SHN>AUDIO |
1 |
A |
SOURCE INFO: Rating: AR-2, Source: A-SBD, SCMS: 00, Gen: M, DOW: Sat, Time: 180 min., Lineage: SBD > RTR > PCM > D, if necessary, any and all NR and/or EQ processes were performed, using between 95% and 100% analog realm outboard equipment, at Serafin Station Studio A or B; released between 03/94 and 12/96 TRANSFER INFO: Sony PCM-R300 > Audiophile 2496 > Cool Edit Pro2 > .WAV > .FLAC Note: Appeared on bt.etree.org ~ 4/1/2006 |
11/08/70
|
Capitol Theater |
SHN>WAV |
4 |
A |
GD/NRPS |
12/12/70
|
Santa Rosa Fairgrounds |
SHN>WAV |
1 |
A- |
Master Soundboard Reel > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; see info file for deadlist.com notes |
12/26/70
|
Legion Stadium |
SHN>AUDIO |
1 |
A+ |
Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Patch Info: SBD -> Master Reel -> ? -> Dat -> SHN Edited and Patched By Charlie Miller |
12/27/70
|
Legion Stadium |
SHN>WAV |
1 |
A |
SBD -> Master Reel (7inch Master Reels@7.5ips 1/2trk) -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Edited By Charlie Miller |
02/18/71
|
Capitol Theater |
FLAC16>WAV |
1 |
A |
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. |
02/19/71
|
Capitol Theatre |
SHN>WAV |
2 |
B+ |
unknown AUD
suspected BBD |
03/24/71
|
Winterland Arena |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Patch Info: Sony Stereo Mic -> Cassette Master (Sony TC-124) supplies: The Other One (6:59 - 7:23) and Beat It On Down The Line (0:00 - 0:32)All Transfers and Mastering By Charlie Miller |
04/04/71
|
Manhattan Center |
FLAC16>WAV |
1 |
A |
flac16; MSR>C>DAT3x>Delta DiO 2496>SoundForge 7.0>cdwav>Flac |
04/04/71
|
Manhattan Center |
FLAC16>WAV |
1 |
A |
flac16; source: MSR > C >DAT3 > Delta DiO 2496 > SoundForge 7.0 > cdwav > flac > wav > flac; this is a partial clean up of shn id 35252. see text file |
04/05/71
|
Manhattan Center |
AUDIO |
3 |
A |
Source: 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens |
04/21/71
|
Rhode Island Auditorium |
SHN>WAV |
1 |
A |
MSR> R> D> CD> DAE> SHN; sector boundary fix of previous shn set, by Seth Kaplan |
04/26/71
|
Fillmore East |
SHN>WAV |
2 |
A- |
|
04/29/71
|
Fillmore East |
FLAC>WAV |
3 |
A |
fake version of the show, seeded by Dan Am-Dig to bt.etree.org, actually a composite including material from 4/27,28 as "patches" or "interleaves" (see notes in 4/6 info) |
07/02/71
|
Fillmore West |
FLAC>WAV |
3 |
A |
Pre-FM MSR> DAT> CD?; Transfer: EAC> WAV> FLAC by Sean Cribbs, from Connie Veigh source discs |
08/26/71
|
Gaelic Park |
FLAC16>WAV |
1 |
A- |
flac16; Source 1: set 1 and Casey Jones - unknown aud and Source 2: the rest of set 2 - AKG190E > Uher 400L, taped by Marty Weinberg remastered by SIRMick |
09/??/71
|
Keith rehearsals |
SHN>WAV |
1 |
A- |
Studio Rehearsals w/ Keith Godchaux: Compilation of 09/29 & 09/30, and 10/01/71; boot cd (unsurpassed vol 5) -> eac-> wav-> shn; Unknown seeder; note this shn set used to be listed on 10/1/71 but would be better moved here- use this date instead for the comp |
10/19/71
|
Northrop Auditorium, U. of Minn. |
SHN>WAV |
3 |
A |
Source: PreFM Soundboard Reels > DAT > CDR
Keith Godchaux's first show
Tennessee Jed, Jack Straw, Mexicali Blues, Comes A Time,
One More Saturday Night and Ramble On Rose are performed
for the 1st time.
|
10/23/71
|
Eastown Theater |
SHN>WAV |
3 |
A |
SBD>FM>?>C>Sound Forge>SHN; via Walter Schnell; Seeded to etree by J. Cotsman |
10/30/71
|
Taft Auditorium |
SHNv3>WAV |
2 |
A- |
|
11/07/71
|
Harding Theater |
SHN>WAV |
4 |
A |
SBD : Pre-FM Reel > DAT > CD; via Seth Kaplan |
12/05/71
|
Felt Forum, Madison Square Garden |
SHN>WAV |
3 |
A |
Pre-FM > MR > DAT > CD; stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; notes: no encore, complete Muddy Water, small cut in Casey Jones, chatter edited; see pub comments for md5 notes |
12/07/71
|
Felt Forum, Madison Square Garden |
SHN>WAV |
1 |
A |
SBD> MR @ 10.5 IPS> DAT> CD; stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; note large cut in Casey Jones |
12/09/71
|
Fox Theatre |
SHN>WAV |
2 |
A |
MSR> LATVALA C> DAT> CDR; EAC> SHN by Seth Kaplan; upload by Darrin Sacks |
12/31/71
|
Winterland Arena |
SHN>WAV |
3 |
A |
FM > Reel > Dat > CDR; via G. Lanum |
04/14/72
|
Tivoli Theater |
FLAC16>WAV |
4 |
A |
flac16; SBD -> (16 Track) Master Reel -> Dat (44.1k); Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC; Transfers and Mastering By Charlie Miller |
04/17/72
|
Tivoli Concert Hall |
FLAC16>WAV |
3 |
A |
flac16; SBD>16 track 2" MR>DAT4x>Delta Dio 2496>Soundforge>WAV>Cd Wave Editor>Flac |
04/17/72
|
Tivoli Concert Hall |
FLAC16>WAV |
1 |
A |
flac16; SBD>16 track 2" MR>DAT4x>Delta Dio 2496>Soundforge>WAV>Cd Wave Editor>Flac |
05/11/72
|
Rotterdam Civic Hall |
SHN>WAV |
3 |
A |
Jay Ashley (Bertha) remaster of Master Reel source; SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>SHN |
05/11/72
|
Rotterdam Civic Hall |
SHN/AUDIO |
1 |
A+ |
mSR>?>CDR "liberated bootleg"; via D. Mezias, A. Gustin; flaw notes: "tracking for the third disc is unorthodox but bearable. The splitting of Dark Star is deplorable"; note pulled after ~48 hr due to misc other flaws- please do not circulate |
05/11/72
|
Rotterdam Civic Hall |
FLAC/AUDIO |
1 |
A+ |
mSR>?>CDR "liberated bootleg"; via D. Mezias, A. Gustin; flaw notes: "tracking for the third disc is unorthodox but bearable. The splitting of Dark Star is deplorable"; note pulled after ~48 hr due to misc other flaws- please do not circulate |
05/13/72
|
Lille Fairgrounds |
SHNv3>WAV |
1 |
A |
sbd > mr > cass > dat > cda > eac > shn v3; via Chris Ladner to vine and etree; encore missing |
07/18/72
|
Roosevelt Stadium |
FLAC>WAV |
2 |
A+ |
Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller |
08/27/72
|
Old Renaissance Faire Grounds |
SHN>WAV |
1 |
A+ |
SBD> 16 Track Master Reels> DAT@44.1K> DAT> DAT> WAV> SHN; Banter between songs from the two-track master reels: S:MR> DAT> SS> CD> EAC> SHN; dankseed |
11/18/72
|
Hofheinz Pavilion |
SHN>WAV |
2 |
A |
2nd set only; SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to John Steinhaus |
11/19/72
|
Hofheinz Pavilion |
SHN>WAV |
3 |
A |
Source: SBD>MR>Reel>Reel>DAT>CD>EAC>WAV>CoolEdit2000>SHN (Note that there is speculation that this source may contain only one reel generation.) Cool Edit 200 was used to correct various flaws from previously circulating versions. |
11/22/72
|
Austin Municipal Auditorium |
SHN>WAV |
3 |
A |
sdb> master reel> dat> cdr; via Mike Lai from Bruce Fried DAT; missing Promised; d2 tracked for 80 min |
11/24/72
|
Dallas Memorial Auditorium |
SHN>WAV |
2 |
A |
SBD> MR> DAT> CDR> EAC> SHN; tracked for 2x80; splice in China Cat; seeded by Tony Gardner, from Paul B. discs |
12/10/72
|
Winterland Arena |
SHN>WAV |
1 |
A |
MSR > Cass x 3 > DAT > CDR > EAC > SHN; EAC, SHN extraction and etree seeding done by G. Gorinsky; with thanks to Justin Cucci, Mark Perini |
12/11/72
|
Winterland Arena |
SHN>WAV |
1 |
A |
SBD > MR > ?? > CDR; EAC > Cool Edit (remove some pops, see info file) > CD Wave (split tracks) > SHN (seekable) by Matt Vernon, from Paul B. seed discs; missing some songs; see info file for other flaw notes |
12/12/72
|
Winterland Arena |
FLAC16>WAV |
1 |
A |
SBD (7 inch Master Reel @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> FLAC Transfered and Edited By Charlie Miller |
12/15/72
|
Long Beach Arena |
SHN>WAV |
1 |
A |
Lineage: S:MR>Cass>DAT>PCM>DAT>CD, w/ patches from S:MR>R>R>DAT copy. Remastered, transferred to CD, and encoded to SHN by David Hollister |
12/31/72
|
Winterland Arena |
SHN>WAV |
1 |
A- |
Bertha Remaster of the patched PreFM source, by Jay Ashley |
02/09/73
|
Roscoe Maples Pavilion, Stanford University |
SHN>WAV |
1 |
A |
S : MR > R > DAT > SS > CDR > DAW (Bertha) > CDA > SHN > COOL EDIT PRO > SHN; See info file for 'additional edit' notes from seeder Alan Fink. |
02/09/73
|
Roscoe Maples Pavilion, Stanford University |
SHN>WAV |
1 |
A |
MR 2 Track Reel > 7.5 IPS 1/4 tack dolby B reel > DAT > Sonic Solutions > CDR; via D Finney; Seeded to etree by Popi; Note- This is another eac of the same original Finney seed discs according to Popi |
02/15/73
|
Dane County Coliseum |
SHN>WAV |
1 |
A |
MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD; upgrade relative to previous shn copies; includes soundcheck and most of encores; via Mike Hall; tracked for 2x74 + 1x80 (with alternate tracking suggestion) |
02/17/73
|
St. Paul Auditorium |
FLAC16>WAV |
3 |
A |
flac16; SBD -> Master Reel -> PCM -> Dat -> CD All Transfers and Mastering By Charlie Miller |
02/19/73
|
International Amphitheatre |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master (Ampex C-90) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller |
03/19/73
|
Nassau Veterans Memorial Coliseum |
SHN>WAV |
1 |
A |
Playin', plus most of set 2; SBD:MR>Cas>Cas>DAT>CD; Seeded to etree by Jools |
03/21/73
|
Utica Memorial Auditorium |
FLAC>WAV |
3 |
A+ |
SBD>MR>PCM>DAT
Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Sony D8) -> M-Audio DIO 2448 -> Cool Edit Pro v1.2 -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller |
03/22/73
|
Utica Memorial Auditorium |
SHN>WAV |
3 |
A |
MSR> DATs> CDRx1> EAC> SHN; via Darrin Sacks |
03/24/73
|
The Spectrum |
SHN>WAV |
3 |
A |
SBD>>MR>>CASS>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN |
03/26/73
|
Civic Center |
SHN>WAV |
4 |
|
SBDcmiller |
03/26/73
|
Civic Center |
FLAC16>WAV |
1 |
A+ |
flac16; Recording: SBD > Master Reel > Dat (44.1k) Transfer: Dat (Sony R500) > SEK'D Prodif Plus > Samplitude Profesional v8.01 > FLAC; All Transfers and Mastering By Charlie Miller |
03/28/73
|
Springfield Civic Center |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller |
03/30/73
|
Rochester Community War Memorial |
SHN>WAV |
1 |
A- |
AUD>MR>?>CD (disc 1); SBD>MR>C>D>CD (remainder); See info file for details; via Paul Hartman & Michael Dixon; Seeded to etree by J. Cotsman |
03/31/73
|
Buffalo Memorial Auditorium |
SHN>WAV |
1 |
A |
SBD Reel master > cassette > DAT > CD > EAC > SHN> retrack> reSHN; retracking of previous shn set, by G.S. Hamilton; see info file for listening notes; to BUDD offer |
04/02/73
|
Boston Garden |
SHN>WAV |
3 |
A+ |
SBD -> Rm (7.5 ips/2 Track) -> Dat -> Dat. Transfer Info: Dat -> Sonic Solutions -> CD (David Gans' Master Discs) -> EAC (Secure) -> SHN. CD -> SHN Conversion Done By Charlie Miller. Purports to avoid the drop outs present on the previous shn set for this source. |
05/13/73
|
Iowa State Fairgrounds |
SHN>WAV |
1 |
A |
Source: MSR>R>?>C>DAT>WAV>SHN except for 4th disc/end of second set which is from previously circulated SHN set (see below). |
05/20/73
|
Campus Stadium, UCSB |
SHN>WAV |
1 |
A |
Patched Eyes with AUD source. Replaced AUD patch in Eyes with SBD source. |
06/10/73
|
Robert F. Kennedy Stadium |
SHN>WAV |
4 |
A |
SBD>MR(10''reels)>DAT>CD>EAC>SHN |
06/22/73
|
P.N.E. Coliseum |
FLAC16>WAV |
0 |
A |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller |
06/22/73
|
P.N.E. Coliseum |
SHN>WAV |
1 |
A |
Master Sounbdoard Reel > PCM > DAT > CDR and likely MSR> C> D> CD, plus AUD patches from 2 sources; d4 tracked for 80 min; some crackle; CD Mastering, EAC'ed / SHN'ed by Scott Clugston |
06/26/73
|
Seattle Center Arena |
SHN>WAV |
1 |
A |
Complete; SBD>MR>C>D>CD patched with: AUD>MR>C>D>CD; Slight pitch correction; See info file for details; Seeded to etree by Mark Sweeney & Chuck Gannon |
07/01/73
|
Universal Amphitheatre |
FLAC16>WAV |
1 |
A- |
<flac16>Source: SBD>?>Ye Olde Cassette Tape
SBD set I only |
07/27/73
|
Grand Prix Racecourse |
FLAC>WAV |
2 |
A+ |
SBDcm |
09/26/73
|
Community War Memorial Auditorium |
FLAC16>WAV |
1 |
A |
flac16; Matrix 2 Source Mix - SBD (shnid 80198) + AUD (shnid 80665) mixed by Kevin Tobin |
10/21/73
|
Omaha Civic Auditorium |
SHN>WAV |
1 |
A |
SBD -> Rm -> ? -> Dat -> Sound Forge -> CD -> EAC -> SHN Converted By Charlie Miller |
10/25/73
|
Dane County Coliseum |
FLAC16>WAV |
2 |
A |
flac16; Original source: http://db.etree.org/shninfo_detail.php?shnid=188 MSR>D>CD Disc One patched and re-tracked by Sean Cribbs 7/2003; present source added crossfades at reel splices between Let It Grow and GDTRFB and between OMSN and UJB; removed two spots of static at end of Let It Grow |
10/25/73
|
Dane County Coliseum |
FLAC16>WAV |
1 |
A+ |
flac16; Original source: http://db.etree.org/shninfo_detail.php?shnid=188 MSR>D>CD Disc One patched and re-tracked by Sean Cribbs 7/2003; present source added crossfades at reel splices between Let It Grow and GDTRFB and between OMSN and UJB; removed two spots of static at end of Let It Grow; (note: this source is actually a composite of 2 different shows: material from 10/25/73 patched with material from 11/20/73) |
11/09/73
|
Winterland Arena |
shn>audio |
1 |
A |
SBD> MR> C> DAT> CDR; EAC> SHN by Seth Kaplan; Correct sector boundaries verified using .shntool; First few seconds of Here Comes Sunshine are clipped; Small splice at the start of Eyes of the World, some channel dropouts and a little static on a few tunes |
11/10/73
|
Winterland Arena |
Audio |
3 |
A |
Source: MSR> reel > PCM > DAT > CD; see info file for listening notes |
11/11/73
|
Winterland Arena |
FLAC>AUDIO |
1 |
A+ |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> Cool Edit Pro v2.01 -> FLAC (Pitch correction of shn id 83318) All Transfers and Mastering By Charlie Miller |
11/17/73
|
Pauley Pavilion, UCLA |
SHN>WAV |
3 |
A |
|
11/17/73
|
Pauley Pavilion, UCLA |
SHN>WAV |
3 |
A |
|
11/17/73
|
Pauley Pavilion, UCLA |
SHN>WAV |
3 |
A |
|
11/21/73
|
Denver Coliseum |
FLAC>WAV |
1 |
A |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller |
11/23/73
|
County Coliseum |
SHN>WAV |
1 |
A- |
SBD > Reel > Cassette > Datx2 > CDR; via L. Orf; reel flips in d1t1, d1t7 (smoothed), d3t2; superior version relative to version circulated 3/8 |
11/25/73
|
Feyline Field |
SHN>WAV |
1 |
A |
MSR> Cass.> DATs> CDRs> EAC> SHN; via Darrin Sacks; see info file for known flaws; note md5s for d2t8-10 filler tracks (12/4/71) added here 1/24/01 |
12/02/73
|
Music Hall |
SHN>WAV |
1 |
A |
Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston;a few seconds of overlap between d2,3; to abgd |
12/04/73
|
Cincinnati Gardens |
FLAC>WAV |
1 |
A |
flac16; SET ONE ONLY SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller |
12/04/73
|
Cincinnati Gardens |
FLAC/AUDIO |
1 |
A |
Source: <flac16> Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller (note: this source includes the encore missing from shn id 86839). |
12/06/73
|
Public Hall |
|
3 |
A |
SBD MR > 1 cass gen > DAT > (AUD patching)> CD > EAC > SHN> slight retrack for d2t3, d3t1, d3t4> shnv2 on those tracks; d3 tracked for 80 min; see notes in info file; seed via David Gans, Jim Powell, Dave Greenberg; shns via Seth Kaplan, Alan Fink, G.S. Hamilton |
12/08/73
|
Cameron Indoor Stadium, Duke University |
SHN>WAV |
1 |
A |
SBD:MR> C> DAT> CD> EAC> SHN; via Kirby (Chalupa) Bell, Andy Gustin; note Beginning of Bertha is clipped, JBG is from an AUD source |
12/12/73
|
The Omni |
SHN>WAV |
1 |
A |
nearly complete, with soundcheck; MR > C > DAT > CDR; via Trei Hobbs |
12/18/73
|
Curtis Hixon Convention Hall |
SHN>WAV |
1 |
A |
SBD Reel master > cassette > DAT > CDR (unknown gens) > EAC > CDWav retracking> SHN; Extraction, retracking, shortening by G.S. Hamilton (for real). Please use md5s to ID copies in circulation. Note d2 has 9 tracks; alternate shn set in circulation has 7 d2 tracks and is not really via Greg, but is apparently from another CD set. (This has same reel change in Wharf Rat (d3t04) @ 6:36.); note noise reduction notes in pub comments apparently pertain to alternate shn set only, no NR on this entry |
12/18/73
|
Curtis Hixon Convention Hall |
SHN>WAV |
1 |
A |
SBD Reel master > cassette > DAT > CDR (unknown gens) > EAC > CDWav retracking> SHN; Extraction, retracking, shortening by G.S. Hamilton (for real). Please use md5s to ID copies in circulation. Note d2 has 9 tracks; alternate shn set in circulation has 7 d2 tracks and is not really via Greg, but is apparently from another CD set. (This has same reel change in Wharf Rat (d3t04) @ 6:36.); note noise reduction notes in pub comments apparently pertain to alternate shn set only, no NR on this entry |
02/22/74
|
Winterland Arena |
SHN>WAV |
1 |
A- |
soundcheck, reportedly this date although mislabeled as 2/24/74 on shn set; SBD > RTR @ 7.5 i.p.s. > D > SSSB; no PCM- see info file; via Jay Serafin to gdlive |
02/22/74
|
Winterland Arena |
SHN>WAV |
1 |
A+ |
mixed SBD sources: Vault MR> DAT 48k, plus MR> Cassette> DAT 44.1k, with small patches from MR> Cassette> DAT> CD; Transfer: DAT> Audiophile 2496> Samplitude v7.02 Professional> SHN; Transfer, editing, and SHN by Joe Samaritano, with thanks to Michael P. Weitzman, David Gans, Charlie Miller |
02/22/74
|
Winterland Arena |
SHN>WAV |
1 |
A |
mixed SBD sources: Vault MR> DAT 48k, plus MR> Cassette> DAT 44.1k, with small patches from MR> Cassette> DAT> CD; Transfer: DAT> Audiophile 2496> Samplitude v7.02 Professional> SHN; Transfer, editing, and SHN by Joe Samaritano, with thanks to Michael P. Weitzman, David Gans, Charlie Miller |
02/23/74
|
Winterland Arena |
SHN>WAV |
0 |
A |
complete; Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; d3 tracked for 80 min |
02/24/74
|
Winterland Arena |
SHN>WAV |
1 |
A |
SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R->HP 8200i CDRW Drive (EAC)->SHNCD Mastered by Jay Serafin gdtrfb95@flash.net sector boundaries fixed with shntool, new shns and md5s SIRMick(thedarkstar@btinternet.com) |
03/23/74
|
Cow Palace |
SHN>WAV |
1 |
A |
Master Soundboard Reel > DAT > CDR, with patches from Master Soundboard Reel > Cassette > DAT source, and Audience source; d2 is 80 min; via Scott Clugston; note upgrade relative to previously circulating shn set; reported sector boundary probs on d2t4, d2t6- see pub comments; update: portions of show are now DP24- go buy it |
05/12/74
|
University Of Nevada |
SHN>WAV |
2 |
A |
SBD |
05/17/74
|
P.N.E. Coliseum |
SHN>WAV |
3 |
A |
updated source: Andy Gustin and Jay Ashley report this could be the SBD cass master>1 cass> DAT> 1 cass gen> DAT version noted on Tiedrich's site (had been marked mSR> DAT> CDR> Toast Audio Extraction> SHN); via Andy Gustin; 9/11/73 filler |
05/17/74
|
P.N.E. Coliseum |
FLAC/AUDIO |
1 |
A |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller |
05/19/74
|
Portland Memorial Coliseum |
SHN/AUDIO |
1 |
A |
complete; Master Soundboard Reel > PCM > DAT> CDR; EAC'ed / SHN'ed by Scott Clugston |
05/25/74
|
Campus Stadium, UCSB |
SHN>WAV |
2 |
A |
MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850> .shn DAE/reSHN of shn id 205 shn set, via Doug Moog. David Hollister reports problems on USB track |
06/08/74
|
Oakland-Alameda County Coliseum |
SHN>WAV |
1 |
A- |
Master Audience Reel > Reel to Reel > PCM > DAT, plus Master Soundboard Reel > DAT (Playin' > Wharf Rat> Playin', plus Eyes); mastered and seeded by Scott Clugston with thanks to Skankweed; d3 tracked for 80 min; Ship cut on master |
06/16/74
|
Des Moines State Fair Grandstand |
SHN>WAV |
3 |
A- |
SBD (could be MR> C> D); complete version via M. Bryan, G. Hamilton; Bertha- splice @ 4:04- serious mix problems prior to this; Sugaree- MR flip @ 3:59; Playin'- d/o @0:01, d/o @3:16; T.Jed- <1 sec. digi-noise @0:02; W.Rat- MR flip @2:50 |
06/18/74
|
Freedom Hall |
SHN>WAV |
3 |
A |
SBD> MR>1 cass> DAT> ZA2> SHN; newly circulating crisp version); via D. Sacks, D. Hollister; note d3t2 was bad 11/5, fixed 11/8 |
06/23/74
|
Jai-Alai Fronton |
SHN>WAV |
3 |
A |
Comments: Remaster of sbd w/ aud patches by Owens Brothers
|
06/23/74
|
Jai-Alai Fronton |
SHN>WAV |
3 |
A |
Remaster of sbd w/ aud patches by Owens Brothers |
06/30/74
|
Springfield Civic Center |
SHN>WAV |
0 |
A |
SBD> MR> cass> DATx2> ZA2> CDRx1> EAC> SHN; via Andy, Tiedrich, Skank, A. Stern; to abgd and etree |
07/19/74
|
Selland Arena |
SHN>WAV |
3 |
A |
Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic SV3800/44.1k) Transfer Info: Dat -> Sound Forge 4.0 -> SHN (Jamie Lutch June 2001) Mastering Info: SHN -> Samplitude Professional v7.02 -> FLAC Mastering By Charlie Miller Patch Info: AUD>Cm>Cass>Cass>Dat>CD supplies patches in Row Jimmy and Playing In The Band. It also supplies all of Seastones and One More Saturday Night -- This copy does not have the NR that other patched copies have -- Thanks to Rob Eaton for supplying the source Dat |
07/19/74
|
Selland Arena |
FLAC16>WAV |
1 |
A |
Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic SV3800/44.1k) Transfer Info: Dat -> Sound Forge 4.0 -> SHN (Jamie Lutch June 2001) Mastering Info: SHN -> Samplitude Professional v7.02 -> FLAC Mastering By Charlie Miller Patch Info: AUD>Cm>Cass>Cass>Dat>CD supplies patches in Row Jimmy and Playing In The Band. It also supplies all of Seastones and One More Saturday Night -- This copy does not have the NR that other patched copies have -- Thanks to Rob Eaton for supplying the source Dat |
07/21/74
|
Hollywood Bowl |
FLAC16>WAV |
3 |
A |
flac16; (FOB) Sony ECM-22P -> Cassette Master (Sony TC-152) -> Reel -> Dat All transfers and Remastering By Charlie Miller |
07/29/74
|
Capital Centre |
|
0 |
A- |
SBD:MR> C1> DAT @ 48kHZ > Sony DAT deck PCM-R300 > coaxial s/pdif > pentium II 350 mHz via Turtle Beach "Fiji" soundcard > CoolEdit Pro > convert to 44.1kHz in CoolEdit Pro > Smart & Friendly CDR SCSI drive > CD; some diginoise was fixed, some smaller diginoise was not; tracked for 2x80 plus encore for filler elsewhere, but can fit on 3x74; via Teddy Good Bear, Doug Johnson to abgd |
07/31/74
|
Dillon Stadium |
FLAC16>WAV |
3 |
A |
flac16; Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC |
07/31/74
|
Dillon Stadium |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC |
08/04/74
|
Philadelphia Civic Arena |
SHN>WAV |
0 |
A- |
MSR> DATs> CDRs> EAC> SHN; small aud patches in PITB (14:28-14:41) and LIG (16:20-16:35) and the first few seconds of Sugar Magnolia; via Bob Fishman, Darrin Sacks |
08/06/74
|
Roosevelt Stadium |
SHN>WAV |
4 |
A |
fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" |
09/10/74
|
Alexandra Palace |
SHN>WAV |
1 |
A- |
SBD>?>CD; May be missing up to three first set songs; See info file for details; Note- Many tracks appear on DP7, Buy it here ; via Craig Reimer; Seeded to etree by Willy |
09/11/74
|
Alexandra Palace |
SHN>WAV |
1 |
A |
Jay Ashley (Bertha) remaster of Master Reel source; SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A |
09/14/74
|
Olympiahalle |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller |
09/18/74
|
Parc Des Expositions |
SHN>WAV |
1 |
A |
Lineage: SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN via Charlie Miller ((http://db.etree.org/shn/20675) with one track modified to remove a pop (see notes) by Matt Vernon |
09/21/74
|
Palais Des Sports |
FLAC16>WAV |
1 |
A |
flac16; SBD -> Master Reel -> Reel -> Dat Transferred and Edited By Charlie Miller |
10/16/74
|
Winterland Arena |
SHN>WAV |
4 |
A |
|
10/17/74
|
Winterland Arena |
SHN>WAV |
3 |
A |
MultiTrack Master Reel > DAT > Sonic Solutions > CD; see info file for notes; via Steve Barbella, Rich Danyko, Matt Vernon |
10/18/74
|
Winterland Arena |
SHN>WAV |
3 |
A |
Set I : SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN Set II : SBD -> Reel Master -> Dat Master (44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN Transfered and Edited By Charlie Miller |
10/19/74
|
Winterland Arena |
SHN>WAV |
3 |
A+ |
Recording Info: SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k) Transfer Info: Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) Patch Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD -> EAC -> SHN Transfered and Edited By Charlie Miller charliemiller87@earthlink.net 1/14/04 |
10/20/74
|
Winterland Arena |
SHN>WAV |
4 |
A |
mixed sources (see info file, and for flaws); via D. Finney, stemming from Frank's Picks tree- more info; note some material from show appears on album Steal Your Face- go buy it; see public comments for quality note |
03/23/75
|
Kezar Stadium |
SHN>WAV |
1 |
A- |
SBD>FM>?>DAT>CDR Only flaw listed: One small d/o in the 1st Blues for Allah (Track 2) @ 4:36 |
09/28/75
|
Lindley Meadows, Golden Gate Park |
SHN>WAV |
2 |
A |
Bertha Remaster of the master reel source; SBD>>MR>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A |
09/28/75
|
Lindley Meadows, Golden Gate Park |
shn>wav |
1 |
A |
Bertha Remaster of the master reel source; SBD>>MR>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A |
06/03/76
|
Paramount Theatre |
SHN>WAV |
1 |
A |
SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included. |
06/03/76
|
Paramount Theatre |
SHN/AUDIO |
1 |
B+ |
SBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; last 2 songs missing; see info file for additional flaw notes; reseed with encores also circulates |
06/04/76
|
Paramount Theatre |
SHN/AUDIO |
1 |
A |
SBD>MR>?>D>CD; With aud patches for several songs; See info file for details; via Jeff Cook, Jon Miller, Matt Vernon, & Raoul Duke; Seeded to etree by J. Cotsman |
06/09/76
|
Boston Music Hall |
SHN/AUDIO |
1 |
A |
set 2; SBD> MR> DAT> SS> CDR> EAC> SHN; via Tony Gardner, from Paul B. seed discs |
06/12/76
|
Boston Music Hall |
SHN>WAV |
2 |
A- |
"liberated" Bootleg CD > EAC > SHN; Promised, Mission missing from set 1; via B. de Vos; see major problems noted by Doug in pub comments (d2t04 apparently fails db md5; discs mislabeled 1 vs 2; Wheel missing from music even though in tracklist) |
06/12/76
|
Boston Music Hall |
AUDIO |
3 |
A |
SBD> FM(WBCN)> MR(7.5ips); Conversion: Akai 4000DS MKII > Turtle Beach Tropez > CoolEdit96 > CD Wave > SHN; Taped by Peter Wrenn, Seeded by Stephen Wrenn; to etree via Doug Moog; Wheel from unknown AUD; see notes in info file |
06/14/76
|
Beacon Theatre |
FLAC16>WAV |
1 |
A |
flac16; Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell |
06/14/76
|
Beacon Theatre |
FLAC16>WAV |
1 |
A |
flac16; Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell |
06/14/76
|
Beacon Theatre |
FLAC/AUDIO |
1 |
A+ |
flac16; Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell |
06/24/76
|
The Tower Theatre |
SHN/AUDIO |
1 |
A |
Note: This is a remastered version of the 2 prior seeds by Dave Bachkus and Tim Wiley. Source one (Set 1 only) : WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN ; Source two (Set 2 only) : SBD>MR>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) ; Remastering : SHN>WAV>Steinberg Mastering Edition Enhanced>Nuendo2>SHN ; seeded by dudeman 08/25/2004 |
07/17/76
|
Orpheum Theatre |
SHN>WAV |
2 |
A |
Fix of shn id 243 - patch in Eyes of the World smoothed out....Source:
MSR>DAT>CD>EAC>SHN
Disc1-Set 1 & E2:
Disc2-Set II & E1:
remedy |
07/17/76
|
Orpheum Theatre |
SHN/AUDIO |
1 |
A |
SBD: Master Reel > DAT > CD (possible "new leak"?); Eyes has a 45-second AUD splice, and 2 sec repeat at 3:30 (is that the splice point?); via J. Fricker |
07/18/76
|
Orpheum Theatre |
SHN>WAV |
3 |
A |
Source: SBD > ??? > CDR > CDR > SHN |
07/18/76
|
Orpheum Theatre |
SHN>WAV |
1 |
A |
S : PreFM > MR > PCM > DAT > CDA > DAW (Bertha) > CDA - d1t01 and d3 S : FM > R > DAT > CDA > DAW (Bertha) > CDA - d1t02-d2t07 Bertha Remaster by jashley@deadacated.com Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool |
09/30/76
|
Mershon Auditorium, Ohio State University |
FLAC>WAV |
2 |
A |
discs 1 & 3 SBD>MR>DAT>CD>FLAC |
10/09/76
|
Oakland-Alameda County Coliseum |
SHN>WAV |
2 |
A |
Full show (patched SBD); Set 1: S:GDH PreFM DAT> ZA2> DartPro32 de-hiss w/ 2.7 gain> CD> EAC> SHN (Patched with Unknown aud > ? > DAT); Set 2: SBD> Rm> Dat> Sonic Solutions> CD> EAC> SHN; See info file for edits and flaws; compiled and seeded by Conley Knott |
12/31/76
|
Cow Palace |
SHN>WAV |
3 |
A |
FM-SB (KSAN-FM)> ? > CDA; 2 encores missing; via Aaron Farnsworth; noted at gdlive 5/01 |
02/26/77
|
Swing Auditorium |
SHN>WAV |
3 |
A |
SBD > Master Reel > PCM > DAT > CD-R; via DaveTree; Seeded to etree by AlphaDog |
03/18/77
|
Winterland Arena |
FLAC16>WAV |
0 |
A |
SBDMR @ 7.5 ips> DAT> CD> EAC> SHN, with AUD patches; AUD portions: Master (R. Bertrando Sony ECM-270/TC-152SD) Cassette> DAT> CD> EAC> SHN; note skip or maybe reel flip d2t2 5:38; d3t3>4 track marker off by ~1:45; d3t5, 'NFA', has an undocumented AUD splice from 14:20 to 15:06 |
03/19/77
|
Winterland Arena |
FLAC16>WAV |
0 |
A- |
SBD>MR>DAT>DAT>Sonic Solutions>CDR; original tree and covers; note circ at one site 10/99 w/ problem in d3t5?; note Terrapin has fluttery flaws from master reel |
03/20/77
|
Winterland Arena |
FLAC16>WAV |
0 |
A |
Recording Info: SBD -> Master Reel -> Dat x 2 -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Tracked and SHN'd By Charlie Miller |
04/22/77
|
The Spectrum |
audio |
3 |
A |
|
04/23/77
|
Springfield Civic Center |
SHN>WAV |
3 |
A- |
SBD> MR> DAT> CD, with AUD patch on reel splice (FOB Sony ECM99A mics> Sony TC152> DAT> CD via Darrin Sacks); via Adam Jerugim |
04/23/77
|
Springfield Civic Center |
FLAC>WAV |
1 |
A |
flac16; SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller |
05/01/77
|
The Palladium |
SHN>WAV |
1 |
A |
MSR>DAT>CDR>EAC>SHN |
05/05/77
|
Veterans Memorial Coliseum |
SHN>WAV |
3 |
A |
Betty Board reel source transferred to DAT by Rob Eaton, then transferred to CD by Dan Stephens; see info file for details |
05/07/77
|
Boston Garden |
SHN>WAV |
3 |
A |
SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard. |
05/08/77
|
Barton Hall, Cornell University |
SHN>WAV |
3 |
A+ |
|
05/09/77
|
Buffalo Memorial Auditorium |
SHN>WAV |
3 |
A |
Sources: Soundboard Source:Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out> Dat @ 48 kHz>Soundforge>Shn: Audience Source:Master Audience Cassette> Sony ecm-33pmics>nak550>reel to reel>cd The audience source supplies patches for the master reel splices at D2T2,TMNS 6:50 - 7:18 and D3T4, NFA 1:43 - 2:10 Seeded via Fungus and abgd by Charlie Connor 3/21/02, with thanks to Joe Samaritano and Scott Clugston |
05/11/77
|
St. Paul Civic Center |
FLAC16>WAV |
3 |
A |
flac16; FIXED SBD -> Master Reel -> Dat (44.1k) Transferred and Edited By Charlie Miller |
05/15/77
|
The Arena |
FLAC16>WAV |
3 |
A+ |
SBDviaCMiller |
05/18/77
|
Fox Theatre |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC |
05/21/77
|
Lakeland Civic Center |
audio |
3 |
|
|
05/21/77
|
Lakeland Civic Center |
SHN>WAV |
1 |
A |
SBD>reel>DAT>CD-R; TFBT Tree #5; via D. Boyles; (reportedly there may be 2 different .shn versions of this in circulation, 12/99? |
05/25/77
|
The Mosque |
SHN>WAV |
1 |
A |
SBD MR > DAT > CDR > SHN; via Seth Kaplan, Greg Hamilton; upgrade compared to previously etreed version; note two-beat elision at d2t5-6 track break (see George Shannon's pub comment) |
05/28/77
|
Hartford Civic Center |
SHN>WAV |
1 |
A |
Bettyboard 7 inch master reel @ 7 ? ips > DAT (zero gen)> CDR (zero gen) (via sony pcm r-700 dat playback > hhb cdr-800) > CDR (first gen) > EAC > .Shn; with AUD patches from Steve Rolfe's FOB; see info file for details; via Seth Kaplan, Jack Warner, Darrin Sacks, Bob Fishman; d3 tracked for 80 min, can shift encore for 74 |
06/08/77
|
Winterland Arena |
SHN>WAV |
3 |
A |
Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Profesional -> SHN Transferred and Edited By Charlie Miller |
06/09/77
|
Winterland Arena |
audio |
3 |
A |
cmSBDupgrade |
09/03/77
|
Raceway Park |
WAVE AUDIO |
3 |
A |
flac16; AUD: Unknown mics > JVC KD-1636 portable cassette deck > Maxell UD-90's. Recording Location: "I was right in front of a delay stack in center field." Transfer: MAC > unknown playback > Soundforge > CD-Wave > CDR. Concert recording and transfer to CDR by Tim "Sounddawg" Stiegler. CDR > EAC > TLH > FLAC by Andrew F. |
10/06/77
|
Activity Center, Arizona State University |
FLAC16>WAV |
1 |
A |
flac16; FM > C(x2) > Marantz CDR-510 (rec at -0db) > CDR > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, checksums, and FLAC compression) > FLAC |
10/11/77
|
Lloyd Noble Center, University Of Oklahoma |
FLAC>WAV |
1 |
A |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller |
10/12/77
|
Manor Downs |
SHN>WAV |
1 |
A |
SBD>MR>C>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN via J. Cotsman; Thanks to S. Milewski for aud patches |
10/28/77
|
Soldiers & Sailors Memorial Hall |
SHN>WAV |
3 |
A |
Betty Board>MR>?>CD; via Jens Tilsner; Seeded to etree by Willy |
10/29/77
|
Evans Field House, Northern Illinois University |
SHN>WAV |
3 |
A |
SBD > Reel > DAT > WAV (via TB Fiji S/PDIF) > SHN; via Jeff Kempka |
10/30/77
|
Assembly Hall |
SHN>WAV |
3 |
A |
Source: SBD > MR > PCM > DAT > CDR > EAC > mkwACT EAC'd/SHN'd by Doug Nawrocki |
11/01/77
|
Cobo Arena |
SHN>WAV |
2 |
A |
SBD> Master (Betty Board) Reels> PCM> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M.; includes US Blues encore; d1t05 cuts into friend of the devil (about 1st 20 seconds missing) |
11/02/77
|
Field House, Seneca College |
SHN>WAV |
2 |
A+ |
Soundboard Reel> CD> TC2000 EQ> Sonic Solutions (David Gans)> CD> EAC> SHN TC2000; Equalizer Used To Brighten Up The Rather Dull Sound; CD> EAC> SHN By Joe Samaritano; also to abgd via Charlie Connor; note upgrade to previous copy |
11/04/77
|
Cotterell Gym, Colgate University |
|
0 |
|
|
12/27/77
|
Winterland Arena |
|
0 |
|
|
12/27/77
|
Winterland Arena |
SHN>WAV |
2 |
A |
Betha Remaster |
12/27/77
|
Winterland Arena |
SHN>WAV |
3 |
A |
SBD>MR>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN (multigen); originally circulated by David Gans w/ thanks to S. Milewski for the patches |
12/31/77
|
Winterland Arena |
SHN>WAV |
3 |
A |
SBD> MR> DAT> standalone burner> CDR> EAC> SHN; EAC> SHN by B. Purvis; via offer to PCP; etreed 5/9/00 via A. Jerugim |
01/08/78
|
Golden Hall, Community Concourse |
SHN>WAV |
1 |
A |
Aud>C>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Digitally Mastered by Charlie Connor; with Thanks to Lawrence Peryer |
01/08/78
|
Golden Hall, Community Concourse |
SHN>WAV |
1 |
a |
Aud>C>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Digitally Mastered by Charlie Connor; with Thanks to Lawrence Peryer |
04/11/78
|
Fox Theater |
SHN>WAV |
3 |
A |
SBD -> Rm -> PCM -> Dat via Charlie Miller |
04/15/78
|
William & Mary Hall |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> Samplitude Professional v7.02 -> FLAC |
04/16/78
|
Huntington Civic Center |
SHN>WAV |
2 |
A |
SBD> Reel > PCM> DAT> CDR> SHN; via Mike Lai, Chris Vinci to etree, via breaker to abgd.hs; note copy a seeded to etree 2/00, copy b seeded to abgd 2/01- these differ by only 1 checksum, d1t12; static for a few seconds at the beginning of Sunshine Daydream |
04/16/78
|
Huntington Civic Center |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC by Charlie Miller |
04/24/78
|
Horton Field House, Illinois State University |
SHN>WAV |
1 |
A |
(3296)MR>?>R>D>Digi96>Soundforge>CDWAV>SHN |
07/08/78
|
Red Rocks Amphitheatre |
SHN>WAV |
3 |
A |
SBD> [?]> DAT> CDR; via Jeff Hoelter; see pub comments for additional notes. [Note: A shntool-fixed-be-sets version of this source is available] |
09/15/78
|
Gizah Sound and Light Theater |
FLAC16>WAV |
2 |
A |
Recording Info: Set One: SBD -> Reel Master (Multi-track) -> Cass -> Dat -> CD -> EAC -> SHN Set Two: SBD -> Reel Master (10" @ 15 I.P.S. 1/2-track) -> Dat -> CD -> EAC -> SHN Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN All transfers By Charlie Miller charliemiller87@earthlink.net 1/8/04 Notes: The Dat transfers were done sometime in 2000. |
09/16/78
|
Gizah Sound and Light Theater |
SHN>WAV |
3 |
B+ |
source missing sunrise |
10/17/78
|
Winterland Arena |
SHN>WAV |
3 |
A |
World 2 Give |
10/17/78
|
Winterland Arena |
AUDIO |
2 |
A |
Source: flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller |
10/18/78
|
Winterland Arena |
SHN>WAV |
3 |
A |
SBD > Master Reel > PCM-1 > DAT > CD> EAC > SHN; via shakedown@canada.com; known flaws (from MR): Sugaree, Miracle cut; PITB, WR spliced
Download This Source from the Llama
|
10/20/78
|
Winterland Arena |
SHN>WAV |
3 |
A |
SBD; transferred and seeded to etree by Mike Lai, from Bruce Fried DAT |
10/21/78
|
Winterland Arena |
FLAC/AUDIO |
1 |
A |
flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller |
10/22/78
|
Winterland Arena |
SHN>WAV |
3 |
A |
Sbd: Reel: PCM: Dat; D> CD: Tascam DA30MKII> Opcode Datport> HD (Cool Edit 2000)> Cdwav> SHN; Notes: SRC done by CE2K, and normalization also done by CE2K; via N. "NateDawg" Hifko, tracked for 3 discs by Yubah; etreed 5/10; Jeff K. hosted 5/15 with alternate tracking (q.v.) for d2,3 |
11/17/78
|
Rambler Room, Loyola College |
SHN>WAV |
1 |
A- |
|
11/17/78
|
Rambler Room, Loyola College |
FLAC/AUDIO |
1 |
A |
Lineage: Soundboard->Master Cassette->DAT->Sonic Solutions->CD Transfer: CD->EAC->FLAC EAC, Re-track, and FLAC by Joe Samaritano |
11/18/78
|
Uptown Theater |
FLAC/AUDIO |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller |
11/20/78
|
Cleveland Music Hall |
FLAC16>WAV |
1 |
A |
flac 16; Sick Bits Vol. 16a - matrix: SBD/AUD mix from 2 previously circulating sources; SBD: (shnid=12947)+ AUD: (shnid=302); edited, mixed and transfered by Chris Chappell |
02/10/79
|
Soldiers & Sailors Memorial Hall |
FLAC/AUDIO |
1 |
A |
flac16; Recording by Joani Walker: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source) |
05/05/79
|
Baltimore Civic Center |
FLAC16>WAV |
3 |
A |
flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
05/05/79
|
Baltimore Civic Center |
FLAC16>WAV |
3 |
A |
flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
05/05/79
|
Baltimore Civic Center |
AUDIO |
3 |
A |
Source: flac16; Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By CMiller |
05/09/79
|
Broome County Arena |
FLAC16>WAV |
1 |
A |
flac16; Source: Audience FOB Recording, 50ft. DFC, Hand-Held Nak CM700's Media: Maxell UD-XLII 90 min. Lineage 1: Nakamichi CM700's > Sony 158SD > MAC > Sony 158SD > C1 Lineage 2: Nakamichi CM700's > Sony 158SD > MAC Transfer 1: C1 > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Transfer 2: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky |
08/04/79
|
Oakland Auditorium Arena |
SHN>WAV |
3 |
A |
Source:SBD>MC>C>DAT>CDR
Fix of shnid 9578 (sbd) by Bill Tetzeli - see info file for details
|
08/14/79
|
McNichols Sports Arena |
flac16>wav |
1 |
A |
flac16;Recording Info:(2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k) Recorded by Rob Eaton; Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
09/06/79
|
Madison Square Garden |
FLAC16>WAV |
1 |
A |
Sources: Primary Source; Master Soundboard Cassette > Reel to Reel > PCM > CDR; Secondary Source: Barry Glassberg's Master Audience Cassette; Nakamichi CM700's; Secondary source supplies a patch in "Easy to Love You" (d2t03) from 1:14 thru 1:41; Patching/CD Mastering by Scott Clugston; Also to abgd via Charlie Connor |
10/27/79
|
Cape Cod Coliseum |
FLAC16>WAV |
3 |
A+ |
Transferred and Edited By Charlie Miller Note: This seed has a fixed Stagger Lee. |
10/31/79
|
Nassau Veterans Memorial Coliseum |
FLAC>WAV |
3 |
A |
SBD
cmiller |
10/31/79
|
Nassau Veterans Memorial Coliseum |
FLAC16>WAV |
3 |
A+ |
SBDcmiller |
10/31/79
|
Nassau Veterans Memorial Coliseum |
FLAC16>WAV |
1 |
A |
Source: Audience At SBD Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TCD5 > MAC 50ft. DFC Hand-Held Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick |
11/05/79
|
The Spectrum |
FLAC>WAV |
2 |
A+ |
IISBDonlyCMiller |
11/08/79
|
Capital Centre |
FLAC16>WAV |
1 |
A |
SBDcm1only |
11/09/79
|
Community War Memorial Auditorium |
SHN>WAV |
3 |
A |
Updated source: SBD> Cm> Cass> Dat> Sound Forge> CD; note d1t1 is JBG from 11/8/79 encore; to abgd previously; via A. Stern; note variable right-channel static throughout |
11/09/79
|
Community War Memorial Auditorium |
FLAC16>WAV |
1 |
A |
flac16; Fix of shn id 318 - SBD> Cm> Cass> Dat> Sound Forge> CD > WAV > SHN > WAV > FLAC |
11/25/79
|
Pauley Pavilion, UCLA |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Patch Info: Nakamichi 700 -> Master Cassette -> Reel -> CD (Possibly One More Reel Gen); repatched version of shn id 25609 (this has a new patch in Bertha) |
11/29/79
|
Cleveland Public Hall |
audio |
3 |
A |
cmSBD |
11/30/79
|
Stanley Theatre |
audio |
3 |
A |
SBDcmiller |
12/01/79
|
Stanley Theatre |
audio |
3 |
A |
SBDcmiller5/31/05 |
12/03/79
|
Uptown Theater |
audio |
3 |
A |
SBDcmiller |
12/05/79
|
Uptown Theater |
FLAC16>WAV |
1 |
A |
flac16; composite of shn id 19418 (set1 aud) + shn id 31959 (set2 sbd) with minor edit to smooth transition. |
12/07/79
|
Indiana Convention Center |
SHN>WAV |
2 |
A |
SBD -> Master Cassette -> Cassette -> Dat (48k)Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Dat Supplied By Rob Eaton; Transferred By Charlie Miller |
12/09/79
|
Kiel Auditorium |
FLAC16>WAV |
3 |
A |
flac16; SBD> Cassette Master> Reel (Technics)> Dat (3800/48k), plus patch from Nak 700> Cass> Reel source; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; transferred and edited by Charlie Miller |
12/11/79
|
Soldiers & Sailors Memorial Hall |
FLAC16>WAV |
3 |
A+ |
Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller charliemiller8 |
12/26/79
|
Oakland Auditorium Arena |
FLAC/AUDIO |
1 |
A |
flac16; Recording by Joani Walker (Soundcheck by David Gans): Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
12/27/79
|
Oakland Auditorium Arena |
FLAC/AUDIO |
1 |
A |
flac16; Recording by Joani Walker: Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All *Transfers and Mastering By *Charlie Miller **Recorded by Joani Walker*, sweet Winter '79! |
12/28/79
|
Oakland Auditorium Arena |
FLAC>WAV |
1 |
A |
flac16; SBD > MR > PCM > DAT > WAV > FLAC. Seeded by the Green Mountain Bros. |
12/28/79
|
Oakland Auditorium Arena |
FLAC/AUDIO |
1 |
A |
Source: flac16; Recording by Joani Walker: Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
12/30/79
|
Oakland Auditorium Arena |
FLAC/AUDIO |
1 |
A |
Source: flac16; Recording by Joani Walker: Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.0.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
12/30/79
|
Oakland Auditorium Arena |
FLAC16>WAV |
1 |
A |
flac16; Seamless fix of shn id 4797 - SBD>MC>DAT>CD |
12/31/79
|
Oakland Auditorium Arena |
FLAC16>WAV |
1 |
A |
flac16; Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 |
03/30/80
|
Capitol Theater |
FLAC>WAV |
2 |
A |
SBDviaCMiller |
04/01/80
|
Capitol Theater |
SHN>WAV |
1 |
A |
mixed sources: SBD> Rm> Dat> Sonic Solutions> CD> EAC> SHN, SBD> Rm> Cass> Dat> CD> Cool Edit Pro> CD> EAC> SHN, and AUD> Cm> Dat> CD> EAC> SHN; edited, converted, seeded by Charlie Miller |
04/28/80
|
Boutwell Auditorium |
FLAC>WAV |
1 |
A |
flac16 MOTB Release: 0040 16/44.1 Source: Master Audience Recording [1st Row Loge, DFC] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe |
04/29/80
|
Fox Theater |
FLAC/AUDIO |
1 |
A |
flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
04/29/80
|
Fox Theater |
FLAC/AUDIO |
1 |
A |
flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
05/02/80
|
Hampton Coliseum |
FLAC/AUDIO |
1 |
A |
flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
05/07/80
|
Barton Hall, Cornell University |
SHN>WAV |
3 |
A |
SBD>CassetteMaster>Reel>Dat>CD>EAC>SHN |
06/21/80
|
West High Auditorium |
SHN>WAV |
3 |
A- |
Source: Master Soundboard Cassette > Reel To Reel > DAT> CDR; Secondary Source:Master Audience Cassette; AKG 414 mics source supplies the |
07/01/80
|
San Diego Sports Arena |
SHN>WAV |
3 |
A |
sbd>?>dat; there are splices from an unknown source at Althea and also for the encore; Seeded to etree by Brian Cole |
08/30/80
|
The Spectrum |
FLAC16>WAV |
1 |
A |
flac16; shn id 15408 and fixed version of shn id 8875 |
09/03/80
|
Springfield Civic Center |
SHNv3>WAV |
3 |
A- |
MAC > ? > CD > EAC > SHNv3; EAC(secure mode) and encoded to shnv3(seek enabled) by Charles Bass |
10/06/80
|
Warfield Theater |
SHN>WAV |
1 |
A |
Acoustic set only; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy |
10/10/80
|
Warfield Theater |
FLAC16>WAV |
3 |
A |
flac16; SBD/AUD Matrix of 3 previously circulated seeds; prepared by Chris Chappell |
10/11/80
|
Warfield Theater |
SHN>WAV |
1 |
A |
Soundboard->Reel->PCM->DAT->CDR->Plexwriter CD-R(EAC)->HP 8200i CDRW Drive(EAC) |
10/23/80
|
Radio City Music Hall |
SHN>WAV |
3 |
A |
Mark Cohen AUD from orchestra seats with Nak 700s > Sony D5; Lineage: AUDMC > Cass > DAT > CDR via Jay Jurina, conversion Matt Vernon |
10/25/80
|
Radio City Music Hall |
SHN>WAV |
3 |
A- |
Source: AUD>MC>DAT>CDR |
10/26/80
|
Radio City Music Hall |
SHN>WAV |
3 |
A |
SBDhinko
trade for 3/2/69GDsbd |
10/27/80
|
Radio City Music Hall |
FLAC>WAV |
3 |
A |
SBDviaCLarson |
10/29/80
|
Radio City Music Hall |
SHN>WAV |
3 |
A |
Source: Master AUD (Wise Sony EMC-280/D-5) Cass> PCM> ZA2> CD |
10/29/80
|
Radio City Music Hall |
FLAC16>WAV |
1 |
A |
flac16; Seamless fix/combination of shn id 1953 and shn id 32538 |
10/29/80
|
Radio City Music Hall |
FLAC16>WAV |
1 |
A |
flac16; Seamless fix/combination of shn id 1953 and shn id 32538 |
10/30/80
|
Radio City Music Hall |
SHN>WAV |
3 |
A |
Source: Master AUD (Wise Sony EMC-280/D-5) Cass> PCM> ZA2> CD |
10/31/80
|
Radio City Music Hall |
SHN>WAV |
3 |
A+ |
|
11/28/80
|
Lakeland Civic Center |
FLAC/AUDIO |
1 |
A |
flac16; Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky February 7, 2008 |
11/28/80
|
Lakeland Civic Center |
FLAC/AUDIO |
1 |
A |
flac16; Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky February 7, 2008 |
11/28/80
|
Lakeland Civic Center |
FLAC/AUDIO |
1 |
A |
flac16; Matrix 2 Source Mix - SBD (shn id 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Encoding/patching by Matt Vernon + AUD (shn id 89932) Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky - matrix mixing by Kevin Tobin |
11/29/80
|
Alligator Alley Gymnasium, University Of Florida |
FLAC/AUDIO |
1 |
A |
flac16; Recording by Jim Wise. Source: Beyer M-160's > Sony TC-D5 > CDR > DAT Recording by Jim Wise Mics were on a 15' pole at the SBD Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 7, 2008 |
12/06/80
|
Mill Valley Recreation Center |
SHN>WAV |
1 |
A |
Betty Cantor-Jackson's Master Audience Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston |
12/12/80
|
Swing Auditorium |
AUDIO |
3 |
A |
SOURCE: flac16; MOTB Release: 0059 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x TDK SA-X 90 Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design L |
12/31/80
|
Oakland Auditorium Arena |
SHN>WAV |
3 |
A |
Source: SBD > Rm > Cass > Dat > Samplitude > CDR > EAC> SHN |
12/31/80
|
Oakland Auditorium Arena |
FLAC16>WAV |
1 |
A+ |
flac16; Seamless fix and patch of shn id 6391 - SBD > Rm > Cass > Dat > Samplitude > CDR > EAC > SHN |
03/02/81
|
Cleveland Music Hall |
AUDIO |
2 |
A+ |
flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller *Tapes from Dr.Bob* |
03/09/81
|
Madison Square Garden |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller |
05/01/81
|
Hampton Coliseum |
|
0 |
|
|
05/02/81
|
The Spectrum |
FLAC16>WAV |
1 |
A |
flac16; SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat Transferred By Joe Samaritano Patched and Edited By Charlie Miller |
05/04/81
|
The Spectrum |
FLAC>WAV |
3 |
|
|
05/04/81
|
The Spectrum |
FLAC>WAV |
3 |
A- |
MAC |
05/08/81
|
Nassau Veterans Memorial Coliseum |
|
3 |
A |
SBDBarry Glassberg patched w/ FOB Nak700s via Charlie Miller |
05/09/81
|
Nassau Veterans Memorial Coliseum |
FLAC16>WAV |
3 |
A |
flac16; SBD -> Cassette Master -> Dat All Transfers and Mastering By Charlie Miller |
05/15/81
|
Athletic Center, Rutgers University |
FLAC>WAV |
3 |
A |
MAC>DAT>CD |
05/22/81
|
Warfield Theater |
|
0 |
|
|
07/05/81
|
Zoo Amphitheater |
FLAC16>WAV |
3 |
A |
flac16; SBD -> Master Cassette -> Reel -> Dat Transferred and Edited By Charlie Miller |
09/13/81
|
Greek Theatre, University Of California |
FLAC16>WAV |
1 |
A |
flac16; Set 1: SBD -> Cassette Master -> ? -> Cassette -> Sound Forge -> CD Set 2: SBD -> Cassette Master -> Cassette All Transfers and Mastering By Charlie Miller |
09/26/81
|
Community War Memorial Auditorium |
FLAC>WAV |
2 |
A |
Sick Bits Vol. 10
SBD/AUDmatrix |
10/16/81
|
Club Melk Weg |
SHN>WAV |
2 |
A |
|
12/09/81
|
Events Center, University Of Colorado |
SHN>WAV |
3 |
A |
Master Soundboard Cassette > Reel to Reel > DAT> CDR Sennheiser 421 Audience source supplies "Mama Tried" (d1t06), the first 1:38 of "Mexicali Blues" (d1t07), as well as from 4:54 of "Space" (d3t01) thru 4:13 of "The Other One" (d3t02) Patching / CD Mastering by Scott Clugston EAC'ed / Shn'ed by Scott Clugston 10/02/02 |
12/27/81
|
Oakland Auditorium Arena |
FLAC>WAV |
2 |
A |
Recording Info: SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Dolby B) -> Sonic 24bit -> SBM2 -> CD -> EAC -> FLAC Transferred and Mastered By David Gans Converted To FLAC By Charlie Miller Thanks to Joani Walker and Paul Scotton for the tapes |
12/31/81
|
Oakland Auditorium Arena |
FLAC16>WAV |
4 |
A+ |
flac16; SBD> Cassette Master (Dolby B)> Sonic 24bit> SBM2> CD> EAC> FLAC; Transferred and Mastered By David Gans; FLAC By Charlie Miller |
03/14/82
|
Recreation Hall, UC Davis |
AUDIO |
3 |
A |
SOURCE: Master Soundboard Cassette > Reel to Reel > DAT > CDR; CD Mastering, SHN'ed by Scott Clugston; d1 tracked for 80 min |
04/02/82
|
Cameron Indoor Stadium, Duke University |
SHN>WAV |
3 |
A |
Master Soundboard Cassette > Cassette > DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston
*Jerry & Phil swap sides* |
04/09/82
|
Community War Memorial Auditorium |
FLAC16>WAV |
2 |
A |
flac16; SBD -> Cassette Master -> Reel -> Dat (48k) All Transfers and Mastering By Charlie Miller |
04/12/82
|
Nassau Coliseum |
FLAC16>WAV |
3 |
A |
flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC |
04/14/82
|
Glens Falls Civic Center |
audio |
3 |
|
Aud Mac |
04/14/82
|
Glens Falls Civic Center |
audio |
3 |
|
|
04/18/82
|
Hartford Civic Center |
SHN>WAV |
3 |
A |
SBD -> Cm -> PCM -> Dat(48k) via Charlie Miller |
04/19/82
|
Baltimore Civic Center |
SHN>WAV |
3 |
A |
Master Soundboard Cassette > Cassette > DAT > CDR; EAC'ed/SHN'ed by Scott Clugston; via David Warren to abgd
Final Baltimore Show; "Raven Space" |
05/21/82
|
Greek Theatre, University Of California |
SHN>WAVE |
2 |
A |
sbd master cassette > DAT > CDR > EAC > SHN; via Gerald Gorinsky with thanks to Kevin Gills, Mark Perini; see info file for flaw notes |
07/28/82
|
Red Rocks Amphitheatre |
FLAC>WAV |
3 |
A |
Source: Soundboard of unknown lineage > ? > Cassette. Transfer: Cassettes > Sony TC-D5M > Sounblaster > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-Fix, Checksums, and FLAC Compression) > FLAC |
07/31/82
|
Manor Downs |
FLAC16>WAV |
3 |
A |
flac16; SBD -> Cassette Master -> Dat (44.1k) Transferred and Edited By Charlie Miller |
08/03/82
|
Starlight Theater |
SHN>WAV |
3 |
A- |
SBD>MC>PCM>DAT>CDR
Missippi Half-Step cuts in at 12 seconds Cassidy has several cuts throughout Let It Grow cuts at tailend as they play out to drums * Aud patch assumed from widely circulated audience source |
08/10/82
|
University Of Iowa Fieldhouse |
SHN>WAV |
3 |
A+ |
SBD -> Cm -> Dat -> Samplitude 2496 v6.0 -> CD -> EAC -> SHN; via Charlie Miller |
08/28/82
|
Oregon Country Fair |
SHN>WAV |
3 |
A |
sdb> cassette master> cassette> cdr; transfer by Mike Lai from Bruce Fried's seed; reportedly stemming from Rock Scully |
09/14/82
|
University Hall, University Of Virginia |
FLAC>WAV |
2 |
A |
Recording Info: 1st Set: Beyer M160 -> Cassette Master (Sony D5) -> Dat -> CD -> EAC -> SHN 2nd Set: SBD -> Cassette Master -> Reel -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller |
09/20/82
|
Madison Square Garden |
SHN>WAV |
1 |
A+ |
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> Cool Edit Pro v.20 -> FLAC All Transfers and Mastering By Charlie Miller (Pitch correction of shn id 77482.) |
09/20/82
|
Madison Square Garden |
FLAC>AUDIO |
1 |
A+ |
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> Cool Edit Pro v.20 -> FLAC All Transfers and Mastering By Charlie Miller (Pitch correction of shn id 77482.) |
09/21/82
|
Madison Square Garden |
FLAC16>WAV |
3 |
A |
flac16; SBD -> Cassette Master -> Dat All Transfers and Mastering By Charlie Miller |
09/21/82
|
Madison Square Garden |
FLAC16>WAV |
3 |
A |
flac16; SBD -> Cassette Master -> Dat All Transfers and Mastering By Charlie Miller |
12/27/82
|
Oakland Auditorium |
FLAC16>WAV |
2 |
A+ |
flac16; Sick Bits Vol. 18a - SBD/AUD Matrix of 3 sources (1 previously circulated SBD for set 1 - shnid=32134 and 2 uncirculated sources) - edited, mixed and encoded by Chris Chappell |
12/27/82
|
Oakland Auditorium |
FLAC16>WAV |
1 |
A+ |
flac16; Sick Bits Vol. 18a - SBD/AUD Matrix of 3 sources (1 previously circulated SBD for set 1 - shnid=32134 and 2 uncirculated sources) - edited, mixed and encoded by Chris Chappell |
12/28/82
|
Oakland Auditorium |
FLAC16>WAV |
2 |
A+ |
flac16; Sick Bits Vol. 18b - SBD/AUD Matrix of 1 previously circulated SBD source (shnid=31967) and 1 uncirculated AUD source. Edited, mixed and encoded by Chris Chappell. |
12/30/82
|
Oakland Auditorium |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
12/31/82
|
Oakland Auditorium |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
03/14/83
|
Club Front - Rehearsals |
SHN/AUDIO |
1 |
A |
Source: Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03 |
04/09/83
|
Hampton Coliseum |
SHN>WAV |
3 |
A |
cmSBDSBD>MasterCassette>Reel>DAT(48k)
Media Type: Media Count: 0
SHN Info: SBD> Master Cassette> Reel> Dat (48k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Rob Eaton's FOB Senn 441 source; Transferred, Edited and Patched By Charlie Miller
|
04/10/83
|
West Virginia University Coliseum |
SHN>WAV |
2 |
A |
Source: Audience Recording: Sennheiser 441-->Sony D6 |
04/12/83
|
Broome County Arena |
FLAC16>WAV |
2 |
A+ |
flac16; Recording Info: SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.0 -> FLAC |
04/20/83
|
Providence Civic Center |
|
0 |
A |
cmSBD |
04/23/83
|
Veterans' Memorial Coliseum |
FLAC>WAV |
2 |
A+ |
Set2 cmSBD; flac16; SBD -> Cassette Master -> Reel -> Dat -> CD Transferred and Edited By Charlie Miller; Scarlet -> Fire patched from Charlie Miller's Aud: (FOB) Senn 421 -> Cassette Master -> Sound Forge -> CD
Notes: SetII cmSBD
|
04/26/83
|
The Spectrum |
|
0 |
|
|
05/14/83
|
Greek Theatre, University Of California |
FLAC>WAV |
2 |
A |
Master: Beyer M201's X-Y > Sony TCD5M (Maxell MX 90, no dolby) Location: 85 feet from stage, DFC Transfer: Sony TC-RX 370 > Echo Gina 24@16/48 > BIAS PEAK VST 2.8 > Mac G-4 dual 533 > Adaptec toast > Matshita CD-RW 7573 (internal) > EAC (PC w/pentium III 700) > flac v1.7.1 etree ed. Mastered by the Executive Crew (T.P, K.H.) Transferred by Kyle Holbrook |
05/14/83
|
Greek Theatre, University Of California |
FLAC>WAV |
2 |
A |
Master: Beyer M201's X-Y > Sony TCD5M (Maxell MX 90, no dolby) Location: 85 feet from stage, DFC Transfer: Sony TC-RX 370 > Echo Gina 24@16/48 > BIAS PEAK VST 2.8 > Mac G-4 dual 533 > Adaptec toast > Matshita CD-RW 7573 (internal) > EAC (PC w/pentium III 700) > flac v1.7.1 etree ed. Mastered by the Executive Crew (T.P, K.H.) Transferred by Kyle Holbrook |
05/14/83
|
Greek Theatre, University Of California |
FLAC>WAV |
2 |
A |
Master: Beyer M201's X-Y > Sony TCD5M (Maxell MX 90, no dolby) Location: 85 feet from stage, DFC Transfer: Sony TC-RX 370 > Echo Gina 24@16/48 > BIAS PEAK VST 2.8 > Mac G-4 dual 533 > Adaptec toast > Matshita CD-RW 7573 (internal) > EAC (PC w/pentium III 700) > flac v1.7.1 etree ed. Mastered by the Executive Crew (T.P, K.H.) Transferred by Kyle Holbrook |
06/27/83
|
Poplar Creek Music Theatre |
FLAC/AUDIO |
1 |
A |
flac16; Recording Info: (FOB) Sennheiser 441 -> PCM -> Dat -> CD Transfer Info #1: Dat (Sony D8) -> CD (Tascam CD-RW700) Transfer Info #2: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller |
06/28/83
|
Poplar Creek Music Theatre |
FLAC/AUDIO |
1 |
A |
flac16; FOB Sennheiser 441> PCM> Dat> CD; Transfer: CD> EAC> Samplitude Professional v8.0> FLAC; plus patch from FOB Sennheiser 421 source; Transferred and Edited By Charlie Miller |
08/31/83
|
Silva Hall, Hult Center |
FLAC16>WAV |
1 |
A |
flac16; Lineage: AUD > unknown mics > Sony TC-D5 > MAC > 1st generation cassettes Transfer: Sony UCX-S 90s > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression, and checksums) > FLAC |
09/02/83
|
Boise State University Pavillion |
|
0 |
|
|
09/04/83
|
Park West Ski Resort |
FLAC16>WAV |
3 |
A |
Fix of shnid 2193
Master Soundboard Cassette > Cassette > DAT > CDR; via Scott Clugston to abgd and etree
Patch source: MAC (2 Beyer M160s + 1 Sennheiser 441 blend) > Sony TCD5M > Sound Forge 5 > SHN)
|
09/10/83
|
Santa Fe Downs |
FLAC/AUDIO |
1 |
A |
flac16; Recording Info: (FOB) Sennheiser 441 -> PCM (Technics SV100) -> Dat Transfer Info: Dat (Sony R500) -> VX Pocket v2 -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller |
10/08/83
|
Richmond Coliseum |
FLAC/AUDIO |
1 |
A |
flac16; Set 2 Only - Source: Master Audience Cassette Sennheiser 421 > Sony D5 > Sony D6 Location: FOB 8th Row Center Taper: Ross Lipton for Bill Devanney Media: TDK MA 90 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC |
10/09/83
|
Greensboro Coliseum |
FLAC/AUDIO |
1 |
A |
flac16; Set 2 Only - Source: Master Audience Cassette Sennheiser 421 > Sony D5 > Sony D6 Location: FOB 8th Row Center Taper: Ross Lipton Media: Maxell XLII 90 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC |
10/15/83
|
Hartford Civic Center |
SHN>WAV |
2 |
A- |
Sbd > Cassette Master > Dat x 2 > CDR > SHN; plus AUD patches from Jeff Silberman Senn source (see info file); to etree via Bob Harrell |
10/17/83
|
Olympic Center |
SHN>WAV |
3 |
A |
flac16; mixed SBD sources, plus AUD patches: Set 1: SBD> Master Cassette> Dat> Sonic Solutions> CD> EAC> FLAC; Set 2: SBD> Master Cassette> Reel> Dat> CD> EAC> Samplitude v7.02 Professional> FLAC; Patch Info: (FOB/12th Row) Sennheiser 421> Master Cassett |
10/17/83
|
Olympic Center |
flac16>wav |
1 |
A |
flac16; Source: DAT Copy of Master Cassette Sennheiser MD 441 U > Sony TCD-5M FOB 10th Row Recorded and Copied to DAT by Chuck Jackson Transfer:Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 48 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/48 KHz WAV > Ozone 3.0 > MBIT+ and > CDWAV 1.9 Converted to 16/44.1 KHz WAV with r8brain > FLAC (level 8). with TLH Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. Transferred by C. Ladner Mastering by B. Koucky |
10/21/83
|
The Centrum |
FLAC16>WAV |
1 |
A |
Jay Ashley (Bertha) remaster of SBD>PCM source; SBD>>MPCM>>CASS>>DAT>>CDA>>SHN>>WAV>>DAW(Bertha)>>CDA |
12/30/83
|
San Francisco Civic Auditorium |
FLAC16>WAV |
1 |
A |
flac16; SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transferred and Edited By Charlie Miller |
12/31/83
|
San Francisco Civic Auditorium |
SHN>WAV |
3 |
A |
SBD -> Rm -> Dat -> M-Audio 2448 -> Samplitude 2496 v6.0 -> CD (SHN) Brokedown Palace patched from Pre-FM>Cm>Cass>Dat>CD Dat -> SHN Transfer Done By Charlie Miller charliemiller87@earthlink.net 8/27/02 |
03/29/84
|
Marin County Veterans Auditorium |
FLAC16>WAV |
2 |
A |
flac16; SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transferred and Edited By Charlie Miller |
04/01/84
|
Marin County Veterans Auditorium |
FLAC16>WAV |
3 |
A |
flac16; FOB: 2 Beyer M160s + 1 Senn. 421>D5>MC>CDR>EAC>FLAC Taper: Jim Quirk |
04/01/84
|
Marin County Veterans Auditorium |
FLAC16>WAV |
3 |
A |
flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
04/13/84
|
Hampton Coliseum |
|
0 |
A |
cmSBDupgrade |
04/14/84
|
Hampton Coliseum |
SHN>WAV |
2 |
A- |
|
04/14/84
|
Hampton Coliseum |
FLAC16>WAV |
1 |
A |
Source: FOB Sennheiser 441s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.KouckyTransfer: MAC playback on cleaned/demagged Nakamich DR-2 > Neutrik inputs on Presonus Firebox preamp/A-D > firewire > 2 GHz P4 PC - XP Pro > Wavelab 5, recorded as 24 |
04/14/84
|
Hampton Coliseum |
FLAC16>WAV |
1 |
A |
flac16; SBD -> Cassette Master -> Cassette Transferred and Edited By Charlie Miller |
04/19/84
|
Philadelphia Civic Center |
FLAC>WAV |
3 |
A+ |
flac16; SBD> Cassette Master> Reel> Dat (SV3800/48k)> Samplitude v7.02 Professional> FLAC; Converted and Edited By Charlie Miller |
04/20/84
|
Philadelphia Civic Center |
FLAC>WAV |
3 |
A+ |
cmillerSBDupgrade |
04/21/84
|
Philadelphia Civic Center |
SHN>WAV |
2 |
A- |
Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Transfer: MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > SoundForge 5.0 normalization > WAV > CDWave > WAVs > mkwAC > SHNs to end of Throwing stones. Very End of Throwing Stones, Not Fade Away & Brokedown place from LMA Source: Neumann U87's (cardioid) > Sony Pro Mixer > Technics SV100 PCM > DAT > CDR Transfer and seed by Charles Bandrofcheck |
04/23/84
|
Veterans' Memorial Coliseum |
SHN>WAV |
3 |
A |
2nd set only; SBD>CM>Reel>DAT>CD |
04/24/84
|
Veterans' Memorial Coliseum |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Thanks to Paul Scotton, Joani Walker and Jacob Feinberg for the tapes |
04/27/84
|
Providence Civic Center |
FLAC16>WAV |
2 |
A |
Source: FOB 15th Row Ctr Sennheiser 441 > Sony D5. |
04/29/84
|
Nassau Coliseum |
SHN>WAV |
3 |
A |
Source: (FOB/14th Row) 3 Beyer M160's -> Cm -> Sound Forge -> CD -> EAC -> SHN |
04/30/84
|
Nassau Coliseum |
SHN>WAV |
3 |
A |
Source: aud> senn 441> cassette master> cdr |
05/06/84
|
Silva Hall, Hult Center |
SHN>WAV |
3 |
A |
SBD > MC > C > DAT > CD > EAC > SHN
|
05/07/84
|
Silva Hall, Hult Center |
SHN>WAV |
3 |
A |
SBD> Cass> DAT> cdr; via Chris Vinci, Mike Lai |
05/08/84
|
Silva Hall, Hult Center |
SHN>WAV |
3 |
A |
Source: SBD> MR> C> DAT> CDR |
06/09/84
|
Cal Expo |
SHN>WAV |
3 |
A |
Source: SBD > MC > DAT > CDR |
06/10/84
|
Cal Expo |
SHN>WAV |
3 |
A |
Source: SBD>MC>C>DAT>CDR |
06/13/84
|
Red Rocks Ampitheatre |
SHN>WAV |
3 |
A |
Source: SBD>PCM>DAT>CDR |
06/14/84
|
Red Rocks Ampitheatre |
SHN>WAV |
3 |
A |
Source: SBD > MC > C > DAT > CD > EAC > SHN |
06/21/84
|
Kingswood Music Theater |
SHN>WAV |
3 |
A |
Source: FM>MC>PCM>DAT>Cool Edit Pro>CDR>SHN |
06/21/84
|
Kingswood Music Theater |
SHN/AUDIO |
1 |
B+ |
FM>MC>PCM>DAT>Cool Edit Pro>CDR>SHN; Via Andy L; EAC'ed and SHN'ed by tbrame |
06/23/84
|
City Island |
SHN>WAV |
3 |
A |
Source: Recording Info:(FOB) Senn 441 -> PCM -> Dat |
06/24/84
|
Saratoga Performing Arts Center |
audio |
3 |
|
cmSBDupgrade/transfer/edit |
06/26/84
|
Merriweather Post Pavilion |
SHN>WAV |
3 |
A |
Source: SBD>PCM>DAT>CD>SHN. Tennessee Jed and Day Job are patched from an audience recording via Ray Hansen, encoded by Peter Braverman
|
06/27/84
|
Merriweather Post Pavilion |
SHN>WAV |
3 |
A |
Source: SBD>PCM>C>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN |
06/29/84
|
Blossom Music Center |
SHN>WAV |
3 |
A |
Source: Jim Wise Senn 421?s>Sony TC-D5M>MC>DAT>CD |
06/29/84
|
Blossom Music Center |
FLAC>WAV |
2 |
A |
**SET 2 SOUNDBOARD** Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
06/29/84
|
Blossom Music Center |
FLAC>WAV |
1 |
A |
**SET 2 SOUNDBOARD** Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
06/29/84
|
Blossom Music Center |
FLAC16>WAV |
1 |
A |
**SET 2 SOUNDBOARD** Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
06/30/84
|
Indianapolis Sports and Music Center |
SHN>WAV |
3 |
A |
Source: SBD>MC>DAT>CDR |
06/30/84
|
Indianapolis Sports and Music Center |
SHN>WAV |
3 |
A |
Source: SBD>MC>DAT>CDR |
06/30/84
|
Indianapolis Sports and Music Center |
SHN>WAV |
3 |
A |
Source: SBD>MC>DAT>CDR |
06/30/84
|
Indianapolis Sports and Music Center |
FLAC16>WAV |
1 |
A |
flac16; AUD: FOB, Sennheiser MD-421's > DBX NX-40 > Sony TC-D5 Taper: Unknown MAC > CD Transfer: Unknown CDR > EAC > WAV > WavMerge > CD-Wave > Soundforge > TLH > FLAC Frontend by Andrew F, Oct 2005. Some of the ID's were missing or in the wrong spot, so I merged the files and re-split them. I used Soundforge to make some small fades for the start and end of discs. I used TLH to verify SBE-OK and to make checksums, and Flac Frontend for lossless compression |
07/01/84
|
Pine Knob Music Theater |
SHN>WAV |
2 |
A |
AUD>MC>??>DAT>CDR; via Paul B; Seeded to etree by Willy |
07/03/84
|
Starlight Theater |
SHN>WAV |
2 |
A |
AUD>MC>??>DAT>CDR; via Paul B; seeded to etree by Willy |
07/04/84
|
Five Seasons Center |
SHN>WAV |
3 |
A |
SBD> Master Cassette> Cassette> Dat, plus patches from FOB Sennheiser 421> Cass; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> Adobe Audition> SHN; Transferred and Patched By Charlie Miller; Speed corrected by +2.37% to match the speed of the FOB, by Jay Ashley |
07/06/84
|
Alpine Valley Music Theatre |
SHN>WAV |
3 |
A |
Source: Fob: Sennheiser 441's > MC > Dat > CdEac >cool edit > shntool > cdwav >shnv3Eac >shn (secure with proper offsets) by Ernie Dodd
|
07/07/84
|
Alpine Valley Music Theatre |
SHN>WAV |
2 |
A |
SBDMC(R?) > DAT > WAV > SHN w/ AUD(Senn 441s > D5 > DAT > CD) patches |
07/13/84
|
Greek Theatre, U. Of California |
SHN>WAV |
3 |
A |
SBD > ? > CDR> DAE (cdparanoia)> SHN; via Mark Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an analog generation" |
07/14/84
|
Greek Theatre, U. Of California |
SHN>WAV |
2 |
A |
Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller |
07/15/84
|
Greek Theatre, U. Of California |
FLAC>WAV |
3 |
A |
flac16; Set 1: SBD -> PCM Master -> Dat/0 -> Samplitude Professional v8.0 -> FLAC Set 2: SBD -> PCM Master -> Dat/0 -> Sonic Solutions -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller |
07/21/84
|
Ventura County Fairgrounds |
SHN>WAV |
2 |
A |
Cool Edit fix of previous shn set SBD Master Reel-> DAT->ZA2- >CD, by Matthew Cole |
07/21/84
|
Ventura County Fairgrounds |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
07/22/84
|
Ventura County Fairgrounds |
FLAC16>WAV |
3 |
A+ |
flac16; SBD -> PCM -> Dat Transferred and Edited By Charlie Miller |
07/22/84
|
Ventura County Fairgrounds |
FLAC16>WAV |
3 |
A+ |
flac16; SBD -> PCM -> Dat Transferred and Edited By Charlie Miller |
10/05/84
|
Charlotte Coliseum |
SHN>WAV |
3 |
A |
updated source: SBDMC> [no Cass?]> DATs> CDRs> SHN, with FOB Nak 300 patches by Scott Clugston; edited by Darrin Sacks from Blacula's seed; no Sunshine Daydream |
10/06/84
|
Richmond Coliseum |
SHN>WAV |
3 |
A |
FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT |
10/06/84
|
Richmond Coliseum |
SHN>WAV |
2 |
A |
Unknown shotgun mics > Sony D6 > MC > Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwACT > SHN |
10/08/84
|
The Centrum |
SHN>WAV |
3 |
A |
SBD>MC>DAT>CDR ; AUDMC>Nakamichi DR-1>HHB 850 CDR ; SBD with Audience Patches seed text info ; Via Andy L. ; Seeded to Etree by T. Wiley |
10/09/84
|
The Centrum |
SHN>WAV |
3 |
A |
SBD>MC>DAT>CDR ; Patch Aud Source: MAC>>Sony D-5>CDR>SHN (previous upgraded SHN release) ; Via Andy L. ; Seeded to Etree by T. Wiley |
10/11/84
|
Augusta Civic Center |
SHN>WAV |
3 |
A |
Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable)Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor |
10/12/84
|
Augusta Civic Center |
SHN>WAV |
3 |
A |
Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable) ***7.16.03*** Beginning of CR&S patched with alternate FOB Schoeps source, lineage is below. Patched with Cool Edit Pro 2.0 in multitrack view > mkwACT by Doug Nawrocki. d2t01 is the only md5 that differs from the original. Patch source lineage: MAC(FOB 2 Schoeps MK41/CMC4 > Sony TCD-5M) > WAV > SHN digital transfer: Kenwood KX1030 cassette deck > EMI 6|2m (16 bit @ 44.1khz) > Peak 3.21 > WAV > Shorten 1.1a4 > SHN |
10/14/84
|
Hartford Civic Center |
SHN>WAV |
3 |
A |
Source: FOB> Nakamichi 300's> CP4Cassette Master |
10/15/84
|
Hartford Civic Center |
SHN>WAV |
2 |
A+ |
Recording Info: (FOB) Senn 421 -> Cassette Master -> Dat -> CD Transfer Info: EAC -> Samplitude v7.02 Professional -> SHN - Transfered and Edited By Charlie Miller |
10/17/84
|
Meadowlands Arena |
SHN>WAV |
2 |
A |
Source: SBD > MC>DAT via J.Powell encoded by C.Ladner |
10/18/84
|
Meadowlands Arena |
SHN>WAV |
2 |
A+ |
(FOB) Nakamichi CM300/CP1 -> Cm (Sony D5) -> Dat (48k) > Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN. All transfers and remastering done by Charlie Miller |
10/20/84
|
Carrier Dome, Syracuse U |
SHN>WAV |
3 |
A |
SBD> CM> DAT> computer processing> CDR> EAC> SHNTOOL> MKWACT; Editing by MattMan, from Alan Matta source discs |
10/20/84
|
Carrier Dome, Syracuse U |
SHN>WAV |
1 |
A |
SBD> CM> DAT> computer processing> CDR> EAC> SHNTOOL> MKWACT; Editing by MattMan, from Alan Matta source discs |
10/27/84
|
Berkeley Community Theater |
SHN>WAV |
2 |
A |
Senn 441?s>Sony D-5. AUD>MC>DAT>CDR via Raoul Duke encoded by Willy and Matt Vernon |
10/28/84
|
Berkeley Community Theater |
SHN>WAV |
2 |
A |
Source: SBD>MC>DAT>CDR>WAV>SHN - entire first set except for aud splice during LLR. First three tracks of second set are SBD with the remainder from an unlineaged FOB audience recording. |
10/30/84
|
Berkeley Community Theater |
SHN>WAV |
2 |
A |
Source: Set 1: SBD>MC>DAT>CDR>WAV>SHN. Set 2: SBD>MC>DAT>CDR>WAV>SHN & AUD(Senn 441?s>Sony D-5)>MC>DAT>CDR>WAV>SHN
|
10/31/84
|
Berkeley Community Theater |
SHN>WAV |
2 |
A |
Source: AUD (Sennheiser 441) > CM > CDR > WAV > SHN. Thanks to Dr. B.Fried for the cassette masters. Original SHN conversion by Mike Lai. Note- This is a re-seed of previous seed by C Ladner; See info file for details |
11/02/84
|
Berkeley Community Theater |
SHN>WAV |
3 |
A |
Source: Tony G shntool fix of original Braverman SBD seed
|
11/03/84
|
Berkeley Community Theater |
SHN>WAV |
3 |
A |
SBD> MC> DAT> CD; Seeded to etree by Peter Braverman |
12/28/84
|
San Francisco Civic Auditorium |
SHN>WAV |
3 |
A |
Source: Audience cassette > ? > DAT > CDR > SHN |
12/29/84
|
San Francisco Civic Auditorium |
SHN>WAV |
2 |
A |
Source: Oade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN |
12/31/84
|
San Francisco Civic Auditorium |
SHN>WAV |
3 |
A |
Source: SB > MR > ?? [apparently FM] > DAT > CDR > EAC> SHN |
12/31/84
|
San Francisco Civic Auditorium |
FLAC16>WAV |
1 |
A |
flac16; MAC; 2 Sennheiser 421s > Sony D5 > TDK MA-R 90 (Set I & II) & Maxell MX 90 (Set III) Location: 1st row of balcony, Dead Center Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3 (24bit/96kHz) > coax > Audiophile 2496 > WaveLab 5.0 > 24bit/96kHz .wav files (1 per tape side) > Waves L3 UltraMaximizer(dither) > 16bit/44.1kHz > CD Wave Editor > TLH > FLAC16. |
02/18/85
|
Henry J. Kaiser Convention Center |
FLAC>WAV |
1 |
A |
flac16; MAC; Sennheiser 421s > Sony TC-MD5 > Maxell MX90s Location: behind SBD Taper: Mark McCue Transfer: MAC > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@2496) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Wave L3 UltraMaximizer (dither to 16 bit 44.1kHz) > CD Wave Editor > Trader's Little Helper > FLAC16. Transfer, dither and conversion by Alex Ford 02/23/2007. |
03/13/85
|
Berkeley Community Theater |
FLAC>WAV |
1 |
A+ |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90/Dolby B) Transfer Info: Cassette Master (Sony TC-WE475/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
03/21/85
|
Hampton Coliseum |
FLAC16>WAV |
2 |
A |
flac16; (FOB) 2 Sennheiser 421's > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum core (Set II)]. Tapers: Mark McCue, Adam, Monica & John. Transfer, cuts, fades, encoding and seeding to bt.etree.org by Alex Ford |
03/22/85
|
Hampton Coliseum |
FLAC16>WAV |
1 |
A |
Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwAC > SHNs Recorded, transfered and seeded by Charles Bandrofcheck |
03/24/85
|
Springfield Civic Center |
FLAC16>WAV |
2 |
A |
flac16; MAC: (FOB) 2 Sennheiser 421's > Sony TC-D5 > TDK MA90's Tapers: Mark McCue, Adam, Monica & John Transfer, minor editing, encoding and seeding to bt.etree.org by Alex Ford 05/08/2006. |
03/27/85
|
Nassau Veterans Memorial Coliseum |
FLAC16>WAV |
2 |
A+ |
flac16; MAC: (FOB) 2 Sennheiser 421's > Sony D5 > TDK MA90's Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade. Transfer, editing, conversion and seeding by Alex Ford. Master Cassettes provided by Mark McCue. |
03/28/85
|
Nassau Veterans Memorial Coliseum |
FLAC16>WAV |
1 |
A+ |
flac16; MAC: (FOB) 2 Nakamichi 700s [modified w/ plexiglass shock mounts@] > Sony D5 > TDK MA 90s. Tapers: Mark McCue, Adam, Monica, Johnny Kelly & Davey the beeker meade. Transfer, edits, conversion & seeding to bt.etree.org by Alex Ford 5/31/2006. Master cassettes provided by Mark McCue. |
03/29/85
|
Nassau Veterans Memorial Coliseum |
FLAC16>WAV |
2 |
A |
flac16; MAC: (FOB) 2 Sennheiser 421's > Sony TC-D5 > TDK MA90's Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade. Transfer, minor editing, and encoding by Alex Ford on 5/10/2006. |
03/31/85
|
Cumberland County Civic Center |
FLAC16>WAV |
1 |
A |
flac16; MAC: (FOB) Sennheiser 421s > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum shell] (Set II) Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade. Master cassettes provided by Mark McCue. Transfer, edits, conversion, and seeding to bt.etree.org by Alex Ford. |
04/01/85
|
Cumberland County Civic Center |
FLAC16>WAV |
1 |
A |
flac16; Source: MAC: (FOB) Sennheiser 421s > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum shell] (Set II) Mic Config: mics on T-Bar, pointed at the stacks, chest high Location: FOB, 20-25 feet from the stage, DFC Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade Transfer: MAC > Nakamichi CD 2 (azimuth adjusted) > rca > xlr > Lunatec V3(@16 bit/44.1 Hz) > coax > Audiophile 2496 > CEP 2.0 > CD Wave Editor > Trader's Little Helper > FLAC16 |
04/03/85
|
Providence Civic Center |
FLAC16>WAV |
1 |
|
flac16; Source: MAC: Sennheiser 421s > Sony D5 > 2 TDK MA90s Location: Tapers Section Mic Config: Mics on T bar pointed at the stacks, chest high. Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade Transfer: MAC>Nakamichi CD2>Lunatec V3(16/44.1)>Audiophile 2496>CEP 2.0>CD Wave Editor>Traders Little Helper>FLAC16 conversion and seeding to bt.etree.org by Alex Ford |
04/06/85
|
The Spectrum |
SHN>WAV |
2 |
A |
SBD>Cm>Cass>Dat>CD>EAC>SHN; Converted to SHN by Charlie Miller |
04/13/85
|
Irvine Meadows |
FLAC16>WAV |
2 |
A |
MAC: (FOB) Sennheiser 421's* > Sony D5 > Maxell XLII-S 90(Set I) & Maxell MX 90(Set II) Taper: Mark McCue Transfer, minor editing and conversion by Alex Ford |
04/13/85
|
Irvine Meadows |
FLAC>WAV |
1 |
A+ |
flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
04/14/85
|
Irvine Meadows |
FLAC16>WAV |
2 |
A |
MAC: (FOB) Sennheiser 421's > Sony D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II) Tapers: Adam, Justin & Monica Mark McCue Masters Transfer, minor editing and conversion by Alex Ford 03/08/2006. |
04/27/85
|
Frost Amphitheatre |
FLAC16>WAV |
3 |
A |
flac16; MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)] Tapers: Adam, Justin & Monica Mark McCue Masters Transfer, minor editing and conversion by Alex Ford 3/10 & 11/2006. |
04/28/85
|
Frost Amphitheatre |
FLAC>WAV |
2 |
A+ |
flac16 **NEW UPGRADE** Source Updated CD Burner changed Recording Info: SBD -> Cassette Master -> Cassette -> CD (Marantz CDR 500 Pro) Transfer Info: CD -> EAC -> Samplitude Professional v8.0 -> FLAC Transferred and Edited By Charlie Miller |
06/14/85
|
Greek Theatre, U. Of California |
SHN>WAV |
2 |
A |
Source: SBD > DAT > CDR/? Conversion: CDR > EAC (read offset correct) > CDWave > CoolEditPro > mkwACT > SHN (seekable) by Randy Carman rcarman@cogeco.ca |
06/14/85
|
Greek Theatre, U. Of California |
FLAC16>WAV |
2 |
A |
Sennheiser 441's > Sony D5 > Sony D5 > Cassettes Tapers: Adam,Justin & Monica Mark McCue Master 1st deck out Conversion, minor editing, and seeding to bt.etree.org by Alex Ford.
Sets 1, 1.5, & II &Encore |
06/16/85
|
Greek Theater, U. of California |
SHN>WAV |
3 |
A |
Updated source: SBD>MVHS>DAT>CD-R
|
06/24/85
|
River Bend Music Center |
SHN>WAV |
0 |
A |
fixed version of previous shn set, to boost Samson>He's Gone; via Patrick Murphy; hosted at gdlive.com |
06/24/85
|
River Bend Music Center |
SHN>WAV |
1 |
A |
SBD > Cassette Master > PCM > DAT > CD; Transfer: CD > EAC > Cool Edit Pro v2.0 > Samplitude v7.02 Professional > SHN; Transferred and Edited By Charlie Miller; note flaw fix in d3t4 reflected in fixed md5 (see pub comments) |
06/27/85
|
Saratoga Performing Arts Center |
FLAC16>WAV |
3 |
A |
flac16; SBD> Master Cassette> PCM> Dat (unconfirmed- could be SBD> VHS> Cass> Dat> CD); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller |
06/30/85
|
Merriweather Post Pavilion |
FLAC16>WAV |
2 |
A+ |
flac16; SBD -> Cassette Master -> Dat -> CD -> EAC -> FLAC Converted By Charlie Miller |
06/30/85
|
Merriweather Post Pavilion |
AUDIO |
2 |
A+ |
SOURCE: flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller |
07/01/85
|
Merriweather Post Pavilion |
FLAC16>WAV |
3 |
A |
Unknown shotgun type mics > Sony D6 > Maxell XLII 90's 12" stand |
07/13/85
|
Ventura County Fairgrounds |
|
1 |
A |
Source: FOB>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's) Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped & Transferred by Charlie Connor |
07/13/85
|
Ventura County Fairgrounds |
FLAC16>WAV |
1 |
A |
Source: FOB>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's) Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped & Transferred by Charlie Connor |
09/02/85
|
Zoo Amphitheater |
FLAC16>WAV |
1 |
A |
flac16; MAC; (FOB) Sennheiser 441s > Sony D5 > Sony D5 > 2 Maxell MX90s Tapers: Adam, Justin & Monica Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496 > Waves L2 > WAV @ 1644 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, patches/edits, conversion, and seeding by Alex Ford - June 2007. |
09/06/85
|
Red Rocks Amphitheatre |
FLAC16>WAV |
1 |
A |
flac16; Sennheiser 441s > Sony D5 > Maxell MX 90s Tapers: Justin, Adam & Monica Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16 Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford November 2006. |
09/07/85
|
Red Rocks Amphitheatre |
SHN>WAV |
3 |
A |
SBD>Cm>Dat>CD>EAC>SHN via Charlie Miller |
09/07/85
|
Red Rocks Amphitheatre |
FLAC16>WAV |
1 |
A+ |
flac16; Recording Info: SBD -> PCM Master -> Dat/0 (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> Cool Edit Pro v2.0 -> FLAC; Transfers and Mastering By Charlie Miller |
09/11/85
|
Henry J. Kaiser Convention Center |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
10/26/85
|
Sun Dome |
FLAC16>WAV |
2 |
A |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
10/28/85
|
Fox Theater |
FLAC16>WAV |
1 |
A+ |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
10/29/85
|
Fox Theater |
FLAC16>WAV |
1 |
A |
flac16; Pitch-corrected fix of shn id 33704 - Recording: SBD -> Cassette Master (Sony D5/Maxell MX90); Transfer: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
11/02/85
|
Richmond Coliseum |
FLAC16>WAV |
1 |
A+ |
flac16; Matrix from 3 sources: SBD> ?> DAT> CD> EAC> WAV> SHN; AUD - Connor (FOB) Mics: Beyer Dynamic M88's; AUD - Oade (Tapers? Section) Mics: Schoeps (2 x CMC441, 1 x CMC42)> Sony PCM-F1; Matrixed by Chris Chappell |
11/20/85
|
Henry J. Kaiser Convention Center |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master (Nak 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
11/22/85
|
Henry J. Kaiser Convention Center |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master (Nak 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
12/30/85
|
Oakland-Alameda County Coliseum |
2 |
2 |
A |
|
02/09/86
|
Henry J. Kaiser Convention Center |
FLAC16>WAV |
1 |
A |
flac16; Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > Sony DTC 2000ES > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (8)
GEMS |
02/12/86
|
Henry J. Kaiser Convention Center |
AUDIO |
2 |
A |
Source: flac16; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 ;
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
December 14, 2006 |
03/27/86
|
Cumberland County Civic Center |
SHN>WAV |
2 |
A |
SBD> Cassette Master> Reel> Dat> ?> Dat> CD -> EAC> SHN; plus AUD patch from (FOB) Neumann U87> Cassette Master> CD, using Samplitude v7.02 Professional; SHN Conversion and Patch By Charlie Miller |
03/28/86
|
Cumberland County Civic Center |
FLAC>WAV |
3 |
A |
Source: FOB Sennheiser ME88 > D5 > Maxell Metal Cassette master. Transfer: Playbackon Nakamichi BX-100 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > FLAC. Original recording, transfer, and FLAC'ing by Bill K. Mastering: Wavelab 5 (crossfades to smooth flips, minimal Waves L3 (-1 dB threshold)) > CDWAV 1.9 > FLAC by Chris L. |
03/28/86
|
Cumberland County Civic Center |
flac16>wav |
1 |
A |
flac16; MOTB Release: 0032 16/44.1Source: Audience FOB Recording Media: MAC = Denon HD8 90 Lineage: 2 x AKG C 460 B-ULS/CK 61-ULS => Uher CR-240 >> MAC Transfer: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [S/PDIF] => TASCAM HD-P2 >> WAV [24/96] Taped by: D. Thompson Transfer by: A. Egert Mastering by: D. McCabe |
03/30/86
|
Providence Civic Center |
SHN>WAV |
2 |
A |
Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller |
03/31/86
|
Providence Civic Center |
SHN>WAV |
2 |
A |
Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info:Nakamichi 300/CP4 -> Master Cassette (Marantz PMD430) -> CD (Tascam CDRW5000) -> EAC -> Cool Edit Pro v1.2 -> SHN (Taped By Jon Pasternak) via Charlie Miller |
04/01/86
|
Providence Civic Center |
SHN>WAV |
2 |
A |
Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info: Nakamichi 300/CP4 -> Master Cassette (Sony D5) -> CD via Charlie Miller |
04/03/86
|
Hartford Civic Center |
SHN>WAV |
3 |
A |
Vault PCM Master->10 inch reels at 15 ips->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Michael P. Weitzman Transfer and SHN by Joe Samaritano |
04/03/86
|
Hartford Civic Center |
FLAC16>WAV |
1 |
A |
flac16; FOB/TS - Schoeps CMC 44 Cardioids > Sony PCM F1, FOB > Sony PCM 601 > Sony /2000ES DAT > PC > Adobe Audition 1.5 > Shntool > flac lvl 8 |
04/04/86
|
Hartford Civic Center |
FLAC16>WAV |
1 |
A |
flac16; Schoeps CMC 44 Cardioids > Sony PCM F1, FOB/TS > Sony PCM 601 > Sony /2000ES DAT > PC > Adobe Audition 1.5 > Shntool > flac lvl8 |
04/18/86
|
Berkeley Community Theater |
FLAC16>WAV |
2 |
A+ |
flac16; Recording Info: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC All Transfers and Mastering By David Gans |
04/19/86
|
Berkeley Community Theater |
FLAC16>WAV |
2 |
A+ |
flac16; Recording Info: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC All Transfers and Mastering By David Gans |
04/21/86
|
Berkeley Community Theater |
FLAC16>WAV |
2 |
A+ |
flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: SBD -> PCM -> Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By David Gans and Charlie Miller |
04/22/86
|
Berkeley Community Theater |
FLAC16>WAV |
2 |
A+ |
flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: SBD -> PCM -> Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By David Gans and Charlie Miller |
05/11/86
|
Frost Amphitheatre |
FLAC>WAV |
3 |
A |
flac16; SBD > MC > C > DAT > CD > EAC > FLAC; inlcuding AUD patches from previous Beyer source; EAC/FLAC by Darryl Hinko, from David Feldstein's source discs |
06/22/86
|
Greek Theatre, University Of California |
FLAC/AUDIO |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
06/28/86
|
Alpine Valley Music Theatre |
FLAC16>WAV |
1 |
A |
Source: FOB(21st Row)>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's);Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16: Taped by Jim Vita; Transferred by Charlie Connor |
06/29/86
|
Alpine Valley Music Theatre |
FLAC16>WAV |
1 |
A |
flac16; Source: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's) Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped and transferred by Charlie Connor |
06/30/86
|
Riverbend Music Center |
FLAC16>WAV |
1 |
A |
flac16; Source: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped and transferred by Charlie Connor |
07/04/86
|
Rich Stadium |
FLAC/AUDIO |
1 |
A+ |
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller |
12/27/86
|
Henry J. Kaiser Convention Center |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
12/28/86
|
Henry J. Kaiser Convention Center |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
12/31/86
|
Henry J. Kaiser Convention Center |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
03/22/87
|
Hampton Coliseum |
FLAC>WAV |
1 |
A |
flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend |
03/23/87
|
Hampton Coliseum |
FLAC>WAV |
1 |
A |
flac16; taper : Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend |
04/11/87
|
UIC Pavilion |
SHN>WAV |
2 |
A |
(Re)fix of GDLive source. Please disregard my previous documentation. |
04/19/87
|
Irvine Meadows |
SHNv3>WAV |
1 |
A |
source: Beyer Dynamic M88's>Sony TCD5M(CM) Transfer: Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.57 (tracking only)>SHNv3 (MKW ACT; Taped and transferred by Charlie Connor |
05/03/87
|
Frost Amphitheatre |
FLAC16>WAV |
3 |
A |
flac16; Seamless fix of shnid 1193 - 65% DSBD PRE-FM SBD/35% FOB Schoeps CMC32S |
06/14/87
|
Ventura County Fairgrounds |
FLAC16>WAV |
1 |
A |
flac16; Seamless fix of shn id 11896 - Master Soundboard Cassette > PCM > DAT > CD > WAV > SHN > WAV > FLAC |
06/30/87
|
Kingswood Music Theater |
SHN>WAV |
3 |
A |
Seamless fix of shnid 13443 - Ultra Matrix MSC>DAT>CDR>EAC>SHN (Seekable)w/AUD patches |
06/30/87
|
Kingswood Music Theater |
SHN/AUDIO |
1 |
A |
Primary Source: Ultra Matrix MSC>DAT>CDR>EAC>SHN (Seekable) Patch Source: AUD (mic. unk) > DAT > CDR > SHN |
07/04/87
|
Sullivan Stadium |
SHN>WAV |
3 |
A |
FOB> aud> senn me80> cassette master> cdr; conversion by Mike Lai from Bruce Fried DAT |
07/06/87
|
Civic Arena |
SHNv3>WAV |
1 |
A |
AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, and posted to abgd by Charlie Connor |
07/08/87
|
Roanoke Civic Center |
FLAC/AUDIO |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master -> Dat -> FLAC Transfer Info: FLAC -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller |
07/12/87
|
Giants Stadium |
SHN>WAV |
3 |
A |
SBD; via Stephen Agan, Mike Lai; Note- This is an aud recording except (apparently) for a few of the 'w/Dylan' tracks; See the 'user comments' for details |
11/08/87
|
Henry J. Kaiser Convention Center |
FLAC16>WAV |
1 |
A+ |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
11/14/87
|
Long Beach Arena |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master -> Cassette Transfer Info: Cassette (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
12/27/87
|
Oakland-Alameda County Coliseum |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
12/28/87
|
Oakland-Alameda County Coliseum |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
12/30/87
|
Oakland-Alameda County Coliseum |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
12/30/87
|
Oakland-Alameda County Coliseum |
FLAC/AUDIO |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
12/31/87
|
Oakland-Alameda County Coliseum |
SHN>WAV |
3 |
A |
Schoeps FOB |
12/31/87
|
Oakland-Alameda County Coliseum |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
02/13/88
|
Henry J. Kaiser Convention Center |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
02/13/88
|
Henry J. Kaiser Convention Center |
FLAC/AUDIO |
1 |
A+ |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
02/14/88
|
Henry J. Kaiser Convention Center |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
02/14/88
|
Henry J. Kaiser Convention Center |
FLAC/AUDIO |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
03/16/88
|
Henry J. Kaiser Convention Center |
SHN/AUDIO |
1 |
A |
Source: SBD>DAT>CDR>EAC>CDR; via Peter Gallagher; Seeded to etree by Willy |
03/17/88
|
Henry J. Kaiser Convention Center |
SHN/AUDIO |
1 |
A |
Source: Soundboard->DAT Master->DAT. DAT->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano |
03/18/88
|
Henry J. Kaiser Convention Center |
SHN/AUDIO |
1 |
A |
Source: Soundboard->DAT Master->DAT. DAT->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano |
03/26/88
|
Hampton Coliseum |
WAVE Audio |
3 |
A |
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
03/30/88
|
Meadowlands Arena |
flac>WAVE |
2 |
A |
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
04/01/88
|
Meadowlands Arena |
FLAC>WAVE |
2 |
A |
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
04/09/88
|
The Centrum |
|
0 |
|
|
04/13/88
|
Rosemont Horizon |
audio wave |
2 |
A |
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
04/15/88
|
Rosemont Horizon |
SHN>WAV |
3 |
A |
SBD> Cass master?-> pre-FM cdr-> EAC-> Gans voiceover removed> shn; via John Zei; see John's comments in info file; Drums cuts into Space |
06/25/88
|
Buckeye Lake Music Center |
SHN/AUDIO |
1 |
A |
Source: Schoeps MK2s fob; Unknown seeder_Unknown(only taper=fact) Only source for this show=FACT *1st Bruce show/Appearance for GD*
FACT.TRUST. |
07/02/88
|
Oxford Plains Speedway |
FLAC16>WAV |
1 |
A |
flac16 Fix of shn id 2328 - SBD>Master Cassette>DAT>CDR>EAC>SHN |
07/02/88
|
Oxford Plains Speedway |
FLAC>WAV |
1 |
A+ |
flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller |
07/15/88
|
Greek Theatre, U. Of California |
FLAC16>WAV |
3 |
A |
flac16; Seamless fix of shn id 10343 - Ultramatrix>DAT>?>CD>SHN>WAV>FLAC |
09/06/88
|
Capital Centre |
FLAC16>WAV |
3 |
A |
flac16; SBD> Cassette Master> Dat (SV3800/48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller |
09/08/88
|
The Spectrum |
SHN/AUDIO |
1 |
A |
SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.; stemming from Uncirculated ?88 SBD Tree |
09/09/88
|
The Spectrum |
SHN/AUDIO |
1 |
A |
SBD > Cass Master > DAT > CDR > CDR > EAC > SHN |
09/11/88
|
The Spectrum |
SHN/AUDIO |
1 |
A- |
Bertha Remaster of the Soundboard/Cassette source. SBD(Healy Mix)>>DAT>>(*)CASS>>DAT>>>CDR>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN - Sound A- Note- Changes were made to d2t02 and d2t03 immediately before distribution. It is believed that the pre-change shns do not circulate. |
09/12/88
|
The Spectrum |
SHN/AUDIO |
3 |
A |
(Healy Mix) SBD>DAT>CDR; Seeded to etree by Tim Wiley |
09/15/88
|
Madison Square Garden |
SHN>WAV |
1 |
A+ |
SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min |
10/02/88
|
Shoreline Amphitheatre |
FLAC16>WAV |
3 |
A |
flac16; Seamless fix of shnid 7637 - Cassette Soundboard>DAT>CDR>EAC>SHN(seekable)>WAV>FLAC |
02/05/89
|
Henry J Kaiser Convention Center |
FLAC16>WAV |
1 |
A |
flac16; SBD -> Cassette Master (TDK MA-XG90) Transferred and Edited By Charlie Miller |
02/06/89
|
Henry J Kaiser Convention Center |
FLAC16>WAV |
2 |
A |
Lineage: SBD> Master Cassette> CD (Marantz CDR 500 Pro); Transfer Info: CD (Sony CDP-XE500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> Cool Edit Pro v2.0> FLAC; Transferred and Edited By Charlie Miller, with thanks to Paul Sco
|
02/06/89
|
Henry J Kaiser Convention Center |
FLAC16>WAV |
1 |
A |
flac16; SBD> Master Cassette> CD (Marantz CDR 500 Pro); Transfer Info: CD (Sony CDP-XE500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> Cool Edit Pro v2.0> FLAC; Transferred and Edited By Charlie Miller, with thanks to Paul Scotton and Joani Walker |
02/06/89
|
Henry J Kaiser Convention Center |
FLAC16>WAV |
1 |
A |
flac16; SBD> Master Cassette> CD (Marantz CDR 500 Pro); Transfer Info: CD (Sony CDP-XE500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> Cool Edit Pro v2.0> FLAC; Transferred and Edited By Charlie Miller, with thanks to Paul Scotton and Joani Walker |
02/07/89
|
Henry J Kaiser Convention Center |
FLAC16>WAV |
1 |
A |
flac16; SBD -> Cassette Master (TDK MA-X90) Transferred and Edited By Charlie Miller |
02/07/89
|
Henry J Kaiser Convention Center |
FLAC16>WAV |
1 |
A |
flac16; SBD -> Cassette Master (TDK MA-X90) Transferred and Edited By Charlie Miller |
02/12/89
|
Great Western LA Forum |
flac>wave |
2 |
a |
flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.0.1 -> FLAC All Transfers and Mastering By Charlie Miller |
03/31/89
|
Greensboro Coliseum |
FLAC16>WAV |
2 |
A |
flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Set 1: Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
04/08/89
|
Riverfront Arena |
SHN>WAV |
2 |
A |
SBD> Cassette Master> Dat> CD> EAC> SHN; Converted to SHN By Charlie Miller |
04/12/89
|
Rosemont Horizon |
FLAC16>WAV |
1 |
A+ |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
04/13/89
|
Rosemont Horizon |
FLAC16>WAV |
1 |
A+ |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
05/06/89
|
Frost Amphitheatre |
SHN>WAV |
3 |
A |
Seamless fix of shn id 14262 - DSBD |
05/07/89
|
Frost Amphitheatre |
FLAC16>WAV |
2 |
A |
flac16; Seamless fix of shn id 3329 - SBD>DAT>DALCardDeluxe>WAV>CD>SHN>WAV>FLAC |
06/21/89
|
Shoreline Amphitheatre |
SHN>WAV |
3 |
A |
Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB |
06/21/89
|
Shoreline Amphitheatre |
SHN>WAV |
3 |
A |
Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB |
07/07/89
|
John F. Kennedy Stadium |
SHN>WAV |
3 |
A+ |
Healy SBD mix |
07/07/89
|
John F. Kennedy Stadium |
SHN>WAV |
1 |
A |
flac16; Seamless fix of shn id 7855 - (Healy Mix) SBD>MC>DAT>CDR>EAC>SHN(WAV>FLAC) |
07/15/89
|
Deer Creek Music Center |
SHN>WAV |
3 |
A |
SBD > MR > DAT > C > DAT > CDR; Seeded to etree by Doug Nawrocki |
07/17/89
|
Alpine Valley Music Theatre |
SHN>WAV |
3 |
A |
sbd |
07/18/89
|
Alpine Valley Music Theatre |
SHN>WAV |
1 |
A |
Source: DSBD Transfer: D8 > Waveterminal 2496 (@44.1) > Samplitude 2496 > CDWav > mkwACT Transfer and Seed by Jason Brantley (jason@spreadwidepanic.com) 3/27/2003 -sector boundary error in d1t02 of shn id 9854; disc fixed with shntool -SBE in d1t02 fixed by William at TuneTree ; via TuneTraa and LMA |
08/06/89
|
Cal Expo |
FLAC/AUDIO |
1 |
A+ |
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
08/18/89
|
The Greek Theatre - University of California |
SHNv3>WAV |
3 |
A |
Healy Matrix Digital SBD > DAT > CDR > WAV > SHNv3; DAT > CDR transfer via D-10 > HHb800 by fishman; DAE by neo_levo: EAC (high, secure, offset corrected, with repeated extractions yielding matching wav md5's), tracked using CDWAVE (boundaries confirmed w/ shntool) > mkwact > SHNv3 |
08/19/89
|
The Greek Theatre - University Of California |
SHN>WAV |
2 |
A |
SBD Cassette Master > DAT > .WAV > .SHN; d2 tracked for 80 min; via Jon Miller to tree; see info file for flaw notes |
08/19/89
|
The Greek Theatre - University Of California |
audio |
2 |
A |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
09/29/89
|
Shoreline Amphitheatre |
FLAC16>WAV |
1 |
A+ |
flac16; Recording Info: SBD -> Dat Transfer Info: Dat -> M-Audio DIO2448 -> Samplitude -> Cool Edit Pro -> FLAC All Transfers and Mastering By Charlie Miller |
09/30/89
|
Shoreline Amphitheatre |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
10/01/89
|
Shoreline Amphitheatre |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
10/08/89
|
Hampton Coliseum |
SHN>WAV |
3 |
A |
SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN |
10/08/89
|
Hampton Coliseum |
SHN>WAV |
1 |
A+ |
SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN |
10/09/89
|
Hampton Coliseum |
SHN>WAV |
3 |
A |
Source: SBD > PCM(analog output) > D > D >D >D |
10/09/89
|
Hampton Coliseum |
SHN>WAV |
3 |
A |
SBD + AUD Matrix Mix (60%-SBD/40%-AUD); SBD: PCM (analog out) > DAT x 4 > CDR; AUD FOB: Schoeps CMC641 > DAT; Mixed by dan@am-dig.com; related 5.1 mix also circulates |
10/09/89
|
Hampton Coliseum |
FLAC16>WAV |
1 |
A+ |
flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
10/12/89
|
Meadowlands Arena |
SHN>WAV |
3 |
A |
Sbd> Cas(m)> Dat> ZA2/PC> SF> CD Architect> CDR?s; via Dave Koehler |
10/18/89
|
The Spectrum |
FLAC16>WAV |
1 |
A+ |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
10/19/89
|
The Spectrum |
FLAC>WAV |
3 |
A |
DSBD>C?>DAT>CDR |
10/19/89
|
The Spectrum |
|
3 |
A |
DSBD>C?>DAT>CDR; via eD O'Connor |
10/20/89
|
The Spectrum |
SHN>WAV |
3 |
A |
Ultra-Matrix Soundboard DAT > Cassette > DAT > CDR; Audience source supplies first 0:48 of "Hey Pocky Way" (d2t01); Alternate Sbd source supplies balance of "Hey Pocky Way" (d2t01) as well as the first 4:46 of "Scarlet Begonias" (d2t02);Patching / CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston; to abgd via terrapin flyer |
10/23/89
|
Charlotte Coliseum |
SHN>WAV |
3 |
A |
SBD> DAT> Sonic Solutions> CD> FM> DAT> CDR> EAC> SHN; via Jeff M |
10/23/89
|
Charlotte Coliseum |
SHN>WAV |
3 |
A |
SBD> DAT> Sonic Solutions> CD> FM> DAT> CDR> EAC> SHN; via Jeff M |
10/25/89
|
Miami Arena |
FLAC16>WAV |
1 |
A+ |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
10/26/89
|
Miami Arena |
SHN>WAV |
1 |
A |
Set 1 only. SBD -> Cm -> Dat -> CD -> EAC -> Samplitude v7.02 -> SHN by Charlie Miller |
10/26/89
|
Miami Arena |
SHN>WAV |
2 |
A |
SBD -> Dat -> Sonic Solutions -> CD -> EAC -> SHN Set 2 only. Converted By Charlie Miller |
10/26/89
|
Miami Arena |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
12/08/89
|
Great Western LA Forum |
SHNv3>WAV |
3 |
A |
|
12/30/89
|
Oakland-Alameda County Coliseum |
SHN>WAV |
3 |
A |
Tony G shntool fix of original Braverman seed; Ultramatrix (SBD/AUD mix); Lineage: DAT> CD> SHN |
12/31/89
|
Oakland-Alameda County Coliseum |
SHN>WAV |
3 |
A |
Pre-FM -> Dat -> Samplitude -> CD -> EAC -> SHN; Transfer By Charlie Miller |
02/25/90
|
Oakland-Alameda County Coliseum |
audio |
3 |
A |
|
02/25/90
|
Oakland-Alameda County Coliseum |
FLAC16>WAV |
1 |
A |
flac16; Matrix 2 Source Mix - SBD (shnid 29345) + AUD (shnid 11805) mixed by Kevin Tobin |
02/27/90
|
Oakland-Alameda County Coliseum |
SHN>WAV |
3 |
A |
SBD > DAT > CDR > WAV > SHNv3; DAE (EAC)> tracking/ boundary (CDWAV/SHNTOOL)> SHN(MKWACT) > FTP via neo_levo |
03/14/90
|
Capital Centre |
SHN>WAV |
1 |
A |
Source: sbd>mc>dats>Soundforge 4.5>CD; via Tom E; Hosted by candyman.etree.org |
03/15/90
|
Capital Centre |
SHN>WAV |
3 |
A |
Nak 300's > Sony D-5 (w/dolby B)> Maxell MX cass, Taper's section recorded by Boyd McHugh; Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks, Transfer by Dave Hanscom; CDWav> EAC> shn by Bzl |
03/16/90
|
Capital Centre |
FLAC16>WAV |
1 |
A+ |
flac16; SBD -> Cassette Master -> Dat (44.1k) All Transfers and Mastering By Charlie Miller |
03/19/90
|
Hartford Civic Center |
SHN>WAV |
3 |
A+ |
updated source: Pre-FM Soundboard Master Reel (at 15 inches per second) -> DAT -> CDRs -> EAC -> SHN; source CDs from Kirby (Chalupa) Bell/Bob Fishman, eac>shn by Darrin Sacks; see info file for flaw notes |
03/19/90
|
Hartford Civic Center |
FLAC16>WAV |
3 |
A+ |
flac16; Seamless fix of shn id 1526 - Pre-FM Soundboard Master Reel (at 15 inches per second) -> DAT -> CDRs -> EAC -> SHN -> WAV -> FLAC |
03/22/90
|
Copps Coliseum |
FLAC16>WAV |
1 |
A |
dts of AUD Dave Brotman FOB > Schoeps CMC54 (ORTF) > Aerco PS > DAT & SBD > MC > DAT |
03/24/90
|
Knickerbocker Arena |
SHN>WAV |
3 |
A |
SBD > Dat x 3 > CDR > SHN; via drgseeds with thanks to Bob Harrell |
03/25/90
|
Knickerbocker Arena |
AUDIO |
3 |
A+ |
flac16; SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller |
03/29/90
|
Nassau Coliseum |
SHN>WAV |
3 |
A |
SBD> Dat> CD; SHN Conversion By Charlie Miller |
05/05/90
|
Cal State Dominguez Hills |
SHN>WAV |
1 |
A |
DSBD>DAT>CDR; Encore from FM source; via Paul B; Seeded to Etree by T. Wiley |
06/10/90
|
Cal Expo |
SHN>WAV |
3 |
A+ |
via CMiller |
06/10/90
|
Cal Expo |
FLAC>WAV |
3 |
A+ |
Matrix mix Vol.1
flac16 |
06/15/90
|
Shoreline Amphitheatre |
SHN>WAV |
1 |
A |
SBD > DAT > CDR > WAV > SHN; plus AUD patch; DAE(EAC) > boundary/ splice/ tracking(SHNTOOL, SF5) > SHN (MKWACT) via neo_levo |
06/17/90
|
Shoreline Amphitheatre |
SHNv3>WAV |
1 |
A |
SBD>DAT>CDR; via Paul B; Seeded to etree by neo_levo |
06/23/90
|
Autzen Stadium - University of Oregon |
SHN>WAV |
3 |
A |
Source: SBD-matrix>CM>DAT>CDR>WAV>SHN; this is shn id 20695 with undocumented changes to d3t3 via Tol and LMA. |
07/04/90
|
Sandstone Ampitheatre |
SHN>WAV |
3 |
A |
SBD> Dat> Cassette Master; Transfer: Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller |
07/06/90
|
Cardinal Stadium |
SHN>WAV |
3 |
A |
SBD> Dat> Sonic Solutions> CD; EAC'd and SHN'd By Charlie Miller |
07/12/90
|
Robert F. Kennedy Stadium |
SHN>WAV |
3 |
A- |
SBD > DAT > DAT clones > ZA-2 > wave (via Cool Edit) > CD-R; transfer by John McAtee; poss cass gen somewhere- see pub comment |
07/16/90
|
Rich Stadium |
SHN>WAV |
3 |
A- |
SBD> DAT> CD's> EAC> SHN; SHN/upload by Randall Ward, seed via Matt Knapp |
07/18/90
|
Deer Creek Music Center |
|
0 |
|
|
07/23/90
|
World Music Theater |
DVD-R |
2 |
A |
Brent's final show |
09/07/90
|
Richfield Coliseum |
SHN>WAV |
1 |
A |
SBD> Cassette; Conversion: Tascam DA-20 MK II > (via RCA analog for Emphasis removal) Tascam DA-20 >Delta Dio 2496 > Soundforge XP 4.5 > CDRWIN > EAC > SHN, by Rob (Odeo) Harrison |
09/07/90
|
Richfield Coliseum |
WAVE AUDIO |
3 |
A |
flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
09/08/90
|
Richfield Coliseum |
FLAC16>WAV |
1 |
A |
AUD>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley |
09/10/90
|
The Spectrum |
FLAC16>WAV |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
09/11/90
|
The Spectrum |
FLAC16>WAV |
1 |
A |
FOB(Nak. 300's>D-5)>CM>??>CDR; See info file for edit notes; via Dan Faust; Seeded to Etree by T. Wiley |
09/12/90
|
The Spectrum |
SHN>WAV |
1 |
A |
Schoeps MK4V> DAT> CD-R> EAC> ADDAWAV (for retracking set 1)> CDRWAV> MKWACT> SHN; via JR Fishman |
09/14/90
|
Madison Square Garden |
SHN>WAV |
1 |
A |
Dave Brotman FOB (15th row, center) AUD(Schoeps)> DAT> CDR; via Paul B; Seeded to Etree by T. Wiley |
09/14/90
|
Madison Square Garden |
AUDIO |
3 |
A+ |
Source: flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller |
09/15/90
|
Madison Square Garden |
SHN>WAV |
1 |
A |
Recorded by Dave Brotman: FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects). |
09/16/90
|
Madison Square Garden |
SHN>WAV |
1 |
A |
Recorded by Dave Brotman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects); Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor |
09/18/90
|
Madison Square Garden |
FLAC16>WAV |
1 |
A |
Lineage: SBD->Cm->Dat->CD->Cool Edit Pro->CD via Charlie Miller |
09/18/90
|
Madison Square Garden |
SHN>WAV |
1 |
A |
DFOB MAD>D>CD Recorded by Dave Bratman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects). 4, 1 second d/o's were patched w/ an FOB source; See info file for details; Seeded to etree by Darrin Sacks |
09/19/90
|
Madison Square Garden |
SHN>WAV |
1 |
A |
MAD>D>CD; FOB B&K 4011's; Seeded to etree by Darrin Sacks |
09/19/90
|
Madison Square Garden |
|
1 |
A |
Summary flac16; Recording Info: Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD Set 2: SBD -> Dat Master -> Sonic Solutions -> CD Transfer Info: CD -> Samplitude Professional v9.1.1 -> FLAC Original Transfer and Mastering By David Gans Additional Editing and Tracking By Charlie Miller |
09/20/90
|
Madison Square Garden |
SHN>WAV |
1 |
A |
FOB AUD Schoeps (Row 15,Center)> DAT> CDR> EAC> CEP editing> SHN; taped by Dave Brotman; Seeded by Tim Wiley from Paul B. source discs |
10/17/90
|
GrugaHalle |
FLAC/AUDIO |
1 |
A |
Source: flac16; Audience Master Cassette Nakamichi 300’s > Marantz PMD-430 Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 12, 2008 |
10/17/90
|
GrugaHalle |
SHN>WAV |
2 |
A |
DSBD>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley |
10/19/90
|
Internationales Congress Centrum |
SHN>WAV |
1 |
A |
DSBD: Healy mix>MD>D>CD; seeded to abgd by dieter |
10/20/90
|
Internationales Congress Centrum |
SHN>WAV |
1 |
A |
DSBD: Healy mix>MD>D>CD |
10/22/90
|
Festhalle |
SHN/AUDIO |
1 |
A |
Source: DSBD > CD > EAC > SHN; No cut in Bird Song; EAC/SHN by Darryl Hinko
{Hornsby} |
10/24/90
|
Sportsahalle |
FLAC/AUDIO |
1 |
A |
Source: flac16; SBD->DAT->CDR->EAC->WAV->FLAC
{Bruce Hornsby)-grand piano,keys |
10/28/90
|
The Zenith |
SHN>WAV |
0 |
A |
SBD> DATx3; Conversion: Sony M-1 > Midiman Optical > SPDIF SB Platinum > CoolEdit WAV > CDWav WAV > SHN (mkw); Shns Produced by JamPhan |
10/30/90
|
Wembley Arena |
FLAC16>WAV |
3 |
A |
flac16; Seamless fix of shn id 6678 - dsbd>dat>cd>shn>WAV>FLAC |
10/31/90
|
Wembley Arena |
SHNv3>WAV |
3 |
A |
SBD > DAT > CDR > WAV > SHNv3; seed discs via Tim Symons, DAE(EAC) > SHNTOOL > MKWACT via neo_levo; reportedly with Werewolves splice, but fewer pops than previous shn sets |
11/01/90
|
Wembley Arena |
SHNv3>WAV |
3 |
A |
Seamless fix of shn id 8068 - SBD > DAT > CDR > WAV > SHN |
12/03/90
|
Oakland-Alameda County Coliseum |
FLAC/AUDIO |
1 |
A |
flac16; Recording Info: SBD -> Cassette Master (Maxell Metal Capsule/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
12/04/90
|
Oakland-Alameda County Coliseum |
SHN>WAV |
3 |
A |
SBD>DAT>CDR; Uncle>Big River are from either an Excellent Aud source, or they have a different, Matrix like mix; via neo_levo/candyman ftp - 4/2002 |
12/04/90
|
Oakland-Alameda County Coliseum |
SHN/AUDIO |
1 |
A |
Source: SBD>DAT>CDR; Uncle>Big River are from either an Excellent Aud source, or they have a different, Matrix like mix; via neo_levo/candyman ftp - 4/2002 |
12/08/90
|
Compton Terrace Amphitheatre |
SHN/AUDIO |
1 |
A |
S:PCM> DAT> ZA2> CD; no encore; unfortunate diginoise during Victim (on all DATs); seeded by D. Hollister; via Skank, and/or J. Sachs to abgd?; via A. Stern to etree; note d2t3 gives an error when burning with CDRWin- to fix, Adam suggests opening this track in a wav editor (like CEP) and saving before burning |
12/09/90
|
Compton Terrace |
FLAC/AUDIO |
1 |
A |
flac16; source: SBD > DAT(x?) DAT from collection of Todd Evans - todd@bluedakota.com DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav tracked in CDWav/44.1 output |
12/12/90
|
McNichols Sports Arena |
FLAC/AUDIO |
1 |
A |
flac16; Set 1 only, Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller |
12/12/90
|
McNichols Sports Arena |
FLAC/AUDIO |
1 |
A |
flac16; Set 2 only, SBD > Healy DAT > PCM > DAT Transfer by: Todd Evans DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 > ? > FLAC |
12/13/90
|
McNichols Sports Arena |
SHN/AUDIO |
1 |
A |
Source: Soundboard Matrix:D-> DAT; Transfer: DAT-> Sony PCM R-300 > RME digi 96/8PAD > Soundforge 6.0 @48k by Marc Pujol; Encoding: 48k -> 44.1k via Cool Edit Pro High Accuracy Setting > Cool Edit (diginoise patches) > CDWAV > mkwact (seekable) by Matt Vernon
{Hornsby project} |
12/14/90
|
McNichols Sports Arena |
FLAC/AUDIO |
1 |
A |
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 |
12/27/90
|
Oakland-Alameda County Coliseum |
SHN/AUDIO |
1 |
A+ |
Set Two: SBD -> Dat -> SHN Recorded By Paul Tumolo Transfered By Charlie Miller and Neil Sturtevant (SET 2 ONLY DLed)
)xxSet1_AUDxx( |
12/27/90
|
Oakland-Alameda County Coliseum |
FLAC/AUDIO |
1 |
A |
flac16; Seamless edit of shn id 21928 - Set One: AKG 460/CK8X (Front Row Taper's Section) -> Dat (Sony D3) -> PCM -> Dat (Sony R500) -> Samplitude v7.02 Professional -> SHN; Set Two: SBD -> Dat -> SHN |
12/30/90
|
Oakland-Alameda County Coliseum |
SHN/AUDIO |
1 |
A |
Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC 2000 -> CD (Tascam CDRW700) -> EAC -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) - All Transfers and Editing By Charlie Miller |
12/31/90
|
Oakland-Alameda County Coliseum |
SHN>WAV |
0 |
A |
Satellite Feed > 1/2" reel @ 15 ips > DAT >CDR; Montego II > CDWave > Sound Forge XP 4.5; via Mike Hall |
12/31/90
|
Oakland-Alameda County Coliseum |
SHN/AUDIO |
1 |
A+ |
Satellite Feed > 1/2" reel @ 15 ips > DAT >CDR; Montego II > CDWave > Sound Forge XP 4.5; via Mike Hall |
12/31/90
|
Oakland-Alameda County Coliseum |
AUDIO |
3 |
A |
SOURCE: Satellite Feed > 1/2" reel @ 15 ips > DAT >CDR; Montego II > CDWave > Sound Forge XP 4.5; via Mike Hall |
12/31/90
|
Oakland-Alameda County Coliseum |
FLAC/AUDIO |
1 |
A+ |
flac16; Pre-FM > DAT > CD > EAC > CD > EAC > FLAC; Both EAC steps were done twice with correct setting to ensure accurate rips. Final EAC and FLAC conversion done by Bob Abrams, 2/21/08. |
03/17/91
|
Capital Centre |
FLAC16>WAV |
3 |
A |
flac16; SBD> Master Dat> Master Cassette (Tascam 122mkIII)> Dat (SV3800/48k); Transfer: Dat> Cool Edit Pro> Samplitude v7.02 Professional> FLAC; Patch Info: Nakamichi 300/CP4 + Neumann KM84> Cassette Master (Sony D5/Maxell MX-S90); Patched and Edited By Charlie Miller |
03/17/91
|
Capital Centre |
FLAC/AUDIO |
1 |
A |
flac16; SBD> Master Dat> Master Cassette (Tascam 122mkIII)> Dat (SV3800/48k); Transfer: Dat> Cool Edit Pro> Samplitude v7.02 Professional> FLAC; Patch Info: Nakamichi 300/CP4 + Neumann KM84> Cassette Master (Sony D5/Maxell MX-S90); Patched and Edited By Charlie Miller |
03/20/91
|
Capital Centre |
flac16>wav |
1 |
A |
flac16; Recording Info:SBD -> Dat -> Cassette Master -> Sound Forge -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
03/21/91
|
Capital Centre |
AUDIO |
3 |
A+ |
flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
03/23/91
|
Knickerbocker Arena |
FLAC>WAV |
1 |
A- |
AUD: Nackamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 Dat.
Taped onto Maxell DM-120 tape, set up in second row of taper's section,
center seat. Mics on stand aprx 7-1/2 feet high, pointing at stacks
and kept level (not angled up).Transfer: MAD > Sony DTC-690 > Optical cable > Marantz CDR-500 burner >
EAC > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression, and
checksums) > FLAC > bt.etree. Taped and transferred by Andrew F.
|
03/23/91
|
Knickerbocker Arena |
FLAC>WAV |
1 |
A |
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
03/25/91
|
Knickerbocker Arena |
FLAC/AUDIO |
1 |
A |
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
03/31/91
|
Greensboro Coliseum |
SHN>WAV |
3 |
A |
SBD Dat Master>dat>cd(eac,secure)>SHN |
03/31/91
|
Greensboro Coliseum |
SHN/AUDIO |
1 |
A |
Recording info: SBD dat master > dat > cd (eac, secure) > SHN |
04/01/91
|
Greensboro Coliseum |
FLAC16>WAV |
2 |
A |
flac16; SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> CD Transferred and Edited By Charlie Miller |
04/01/91
|
Greensboro Coliseum |
FLAC/AUDIO |
1 |
A |
flac16; SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> CD Transferred and Edited By Charlie Miller |
04/07/91
|
Orlando Arena |
SHN>WAV |
3 |
A |
SBD > ? > SHN; via M. Ferguson |
05/05/91
|
Cal Expo |
SHN>WAV |
3 |
A |
DSBD > CD > EAC > SHN; EAC/SHN by Darryl Hinko |
06/16/91
|
Giants Stadium |
FLAC16>WAV |
1 |
A |
flac16; Seamless fix of shn id 17028 - DSBD>DAT>WAV>CD>EAC>SHN>WAV>FLAC |
06/16/91
|
Giants Stadium |
FLAC16>WAV |
1 |
A |
flac16; Seamless fix of shn id 17028 - DSBD>DAT>WAV>CD>EAC>SHN>WAV>FLAC |
06/19/91
|
Pine Knob Music Theater |
SHN>WAV |
3 |
A |
FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer : Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller |
06/24/91
|
Sandstone Ampitheatre |
FLAC16>WAV |
1 |
A |
flac16; Fix of shn id 2533 - DSBD>DAT>CDR>WAV>SHN>FLAC |
06/25/91
|
Sandstone Ampitheatre |
SHN>WAV |
3 |
A |
SBD> Vault Dat> Dat> Dat (44.1k); Transfer: Dat (Tascam DA20)> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> Cool Edit Pro v2.0> SHN; All Transfers and Editing By Charlie Miller; note upgrade compared to prev sources in circ (NOT from liberated bootleg) |
09/08/91
|
Madison Square Garden |
FLAC16>WAV |
3 |
A+ |
flac16; Seamless fix of shn id 1069, fade tracks added - DSBD>DAT>CD>WAV>SHN>WAV>FLAC |
09/09/91
|
Madison Square Garden |
FLAC16>WAV |
3 |
A+ |
Fix of shnid 508 DSBD>DAT>CD; via CMiller, JAshley |
09/12/91
|
Madison Square Garden |
SHN>WAV |
3 |
A |
Clean up of SHNid=516; SBD > DAT > CDR > SHN; Cleaned by Darryl Hinko. See notes. |
09/22/91
|
Boston Garden |
FLAC16>WAV |
3 |
A+ |
flac16; Seamless fix of shn id 7692 - SBD > GD MASTER DIGITAL MULTI-TRACK > MARIN COUNTY DIGITAL MIXDOWN TO DAT > SSSB |
09/24/91
|
Boston Garden |
SHN>WAV |
3 |
A |
Source: SBD > MC > DAT > CDR
|
09/24/91
|
Boston Garden |
FLAC16>WAV |
1 |
A |
flac16; Seamless fix of shn id 25939 - SBD -> Dat x 3 -> CD (Tascam CDRW700) -> EAC -> Samplitude v7.02 Professional -> SHN (-> WAV -> FLAC) |
09/26/91
|
Boston Garden |
FLAC16>WAV |
1 |
A+ |
flac16; Set 2 only - DAUD FOB B&K 4011 B&Ks on mic stand from Sec. BB Row 18 Seat 15 recorded by Clay Brennecke > Modified Sony D10 Pro > DAT (1) > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5* 44kHz > flac (8) |
12/28/91
|
Oakland-Alameda County Coliseum |
SHN>WAV |
3 |
A |
|
12/28/91
|
Oakland-Alameda County Coliseum |
SHN>WAV |
3 |
A |
SBD via D.Gans & cmiller :~) |
12/30/91
|
Oakland-Alameda County Coliseum |
FLAC/AUDIO |
1 |
A |
flac16; SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller |
05/24/92
|
Shoreline Amphitheatre |
SHN>WAV |
1 |
A |
SBD> MC> DAT> ZA2 (S/PDIF)> Wavelab3.03> SHN; via Roger and Tom; Seeded to etree by Chris Larson |
06/25/92
|
Soldier Field |
FLAC16>WAV |
1 |
A |
flac16; Seamless fix of shn id 8959 - SBD > GD MASTER D > D > SSSB |
06/25/92
|
Soldier Field |
FLAC16>WAV |
1 |
A |
flac16; Seamless fix of shn id 8959 - SBD > GD MASTER D > D > SSSB |
12/11/92
|
Oakland-Alameda County Coliseum |
FLAC16>WAV |
1 |
A |
flac16; Schoeps CMC-441's > Panasonic SV-255> DAT (clone) ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) ; Taped By (likely) Ed Boardman ; Transfer By Scott Swayne (AltheasBoy) in 06/2007 |
12/13/92
|
Oakland-Alameda County Coliseum |
FLAC16>WAV |
1 |
A |
flac16; Schoeps CMC441's > Panasonic SV-255 > (clone) Teac DA-P20; Transfer: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) |
01/26/93
|
Oakland-Alameda County Coliseum |
SHN>WAV |
3 |
A |
SBD> Dat> Cassette Master> Dat> CD> EAC> SHN; Converted To SHN By Charlie Miller |
02/21/93
|
Oakland-Alameda County Coliseum |
FLAC16>WAV |
1 |
A |
flac16; Recording- Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer- DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav May 2006 Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3 type1 dither, Crystal SRC(ultra)> 44.1/16> Trac'ed cdwave,Flac'ed level 8 TLH |
02/21/93
|
Oakland-Alameda County Coliseum |
|
0 |
|
|
03/10/93
|
Rosemont Horizon |
SHN>WAV |
1 |
A |
Fix of shnid 2024:_Source: Sbd > DAT master > analog > DAT > CDR > EAC > SHN |
03/10/93
|
Rosemont Horizon |
SHN>WAV |
1 |
A |
Fix of shnid 2024
Sbd > DAT master > analog > DAT > CDR > EAC > SHN; via Doug Nawrocki, Chris Ladner; "no known flaws" reported by seeder |
03/24/93
|
Dean Smith Center |
FLAC>WAV |
3 |
A |
Source: Master SBD>DAT via Modified Sony D10 Pro II. Recorded By Ron Keyser (This is from the lead deck from the daisey chain feed to the taper section) Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC |
03/24/93
|
Dean Smith Center |
FLAC>WAV |
3 |
A |
Source: Master SBD>DAT via Modified Sony D10 Pro II. Recorded By Ron Keyser (This is from the lead deck from the daisey chain feed to the taper section) Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC |
03/24/93
|
Dean Smith Center |
FLAC/AUDIO |
1 |
A+ |
Source: Master SBD>DAT via Modified Sony D10 Pro II. Recorded By Ron Keyser (This is from the lead deck from the daisey chain feed to the taper section) Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC |
03/25/93
|
Dean Smith Center |
FLAC/AUDIO |
1 |
A |
flac16; SBD> Panasonic SV255 (Master DAT)> Modified Sony D10 Pro (Master DAT) Recorded By Ron Keyser. Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC Aud. Patch: AMS ST250 FOB DFC> AMS Control Box (Blumlein Technique)> Modified Sony D10 Pro Cloned to another Mod. Sony D10 PRO (This clone was used for this transfer) Master recorded By James Young |
03/27/93
|
Knickerbocker Arena |
SHN>WAV |
3 |
A |
Source: Master SBD > Modified Sony D10 Pro II (lead deck)
Lineage: Sony D8 (master) > M-AUDIO Audiophile USB via SPDIF > Sound Forge V7.0 > Sony VAIO PCV-RS410 > |
05/16/93
|
Sam Boyd Silver Bowl, U.N.L.V. |
FLAC16>WAV |
1 |
A |
flac16; Seamless fix of shn id 32348 - SBD -> Master Dat -> Sonic Solutions -> CD -> EAC -> FLAC |
05/25/93
|
Cal Expo |
FLAC>WAV |
1 |
A |
flac16; Source: FOB Schoeps Mk2 Omni Capsule 7' spaced omnis in hat -> Schoeps Active Cables -> Schoeps CMC 5 Mic Body -> Monster M1000 Jumper -> Neumann Supply -> Canare Cable -> Panasonic sv255 Transfer: Transfer by Todd Evans May 2006 - todd@bluedakota.com DAT Clone > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav |
06/06/93
|
Giants Stadium |
FLAC16>WAV |
1 |
A+ |
flac16; Seamless fix of shn id 8246 |
06/06/93
|
Giants Stadium |
FLAC16>WAV |
1 |
A+ |
flac16; Seamless fix of shn id 8246 |
06/15/93
|
Freedom Hall |
SHN>WAV |
1 |
A |
SBD>DAT>C>DAT>CDR; via Paul; Seeded to etree by Tony G |
06/16/93
|
Freedom Hall |
SHN>WAV |
1 |
A |
SBD>DAT>C>DAT>Samplitude>CD>EAC>SHN seeded by Tom Eliason |
06/19/93
|
Soldier Field |
FLAC16>WAV |
1 |
A |
flac16; SBD> Dat> CD> EAC> Sampltiude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller; Dat supplied by David Gans, original mastering by Donnie Loeffler, Thanks to Bob Kidder for the vine disc |
09/12/93
|
The Spectrum |
FLAC16>WAV |
1 |
A |
flac16/48; Schoeps MK4's>Reutelhuber Preamp>Technics SVM-D1 Recorded FOB in Section 102 Row 13 By Keith Litzenberger & Ed K. Transferred By Watson Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC |
09/13/93
|
The Spectrum |
SHN>WAV |
1 |
A |
SBD> DAT> CM> DAT> CDR; Seeded to Etree by T. Wiley |
09/25/93
|
Boston Garden |
FLAC16>WAV |
3 |
A |
flac16; Recording Info: Set 1: SBD -> Master Dat -> Dat Clone (48k) set 2: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller |
03/31/94
|
The Omni |
FLAC16>WAV |
1 |
A |
flac16; Seamless fix of shn id 10930 |
07/03/94
|
Shoreline Amphitheatre |
FLAC16>WAV |
1 |
A |
flac16; Sennheiser Me-80s (could be 40s) > Panasonic SV-255 > Teac DA-P20 (clone) > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) |
08/03/94
|
Giants Stadium |
FLAC16>WAV |
1 |
A |
Schoeps CMC54's>Aerco>Sony TCD-D10PROII, FOB (@15th Row Center) |
10/10/94
|
USAir Arena |
FLAC>WAV |
1 |
A |
flac16; AKG 460B/ck61 > custom pre-amp > Teac DA-P20 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz) > CD Wave v1.96.1 > FLAC v1.2.1 (Level 8); Taped by Tom McMinn; Transferred by Jason Sobel |
10/11/94
|
USAir Arena |
FLAC16>WAV |
1 |
A |
flac16/48; Recorded FOB in Section 2 (Somewhere between 12-17th Row) by Roger Jones and Jim V. Transferred to WAV By Watson WAV>FLAC Conversion & Upload by Keith Litzenberger Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC |
10/15/94
|
Madison Square Garden |
FLAC>WAV |
2 |
A |
flac16; SBD> Dat> Sonic Solutions> CD> EAC> FLAC; Converted By Charlie Miller, with thanks to David Gans for the discs |
10/15/94
|
Madison Square Garden |
AUDIO |
2 |
A |
flac16; SBD> Dat> Sonic Solutions> CD> EAC> FLAC; Converted By Charlie Miller, with thanks to David Gans for the discs |
10/17/94
|
Madison Square Garden |
FLAC>WAV |
1 |
A |
DSBD>DAT>CDR shn encoding by Dan Carr |
12/19/94
|
Sports Arena |
SHN>WAV |
2 |
A- |
DATSBD>Cass.>DAT>Cass.>CDR via Andy Lemieux Encoding, patching [Schoeps MK-4 (http://db.etree.org/shn/2521)] , pitching by Matt Vernon |
02/21/95
|
Delta Center |
SHN>WAV |
2 |
A |
DSBD > 1C > DAT; Seeded to etree by Dan Stephens |
02/21/95
|
Delta Center |
flac>wav |
1 |
A |
DSBD > 1C > DAT; Seeded to etree by Dan Stephens |
03/26/95
|
The Omni |
SHN>WAV |
1 |
A |
Fix of shn id 3909 - SBD > MC > DAT > CDR > EAC > SHN |
04/05/95
|
Jefferson Civic Center Coliseum |
FLAC16>WAV |
1 |
A |
flac16; Fix of shn id 18097 - pitch-corrected and repatched (SBD > ? > Cassette > CDr with AUD patches) |
04/07/95
|
Tampa Stadium |
FLAC16>WAV |
1 |
A |
flac16; Seamless fix of shn id 35148 - SBD>Cass>DAT>ZA2>Samlitude2496(WAV)>SHN>WAV>FLAC |
05/26/95
|
Memorial Stadium |
SHNv3>WAV |
3 |
A |
SBD > DAT > Cass/1 > DAT > Montego II S/PDIF > CDWav > SHNv3; d1 tracked for 80 min; DAT Provided by: Paul Gibian; Ripped, Tracked & Encoded By: Evan Saxton |
05/26/95
|
Memorial Stadium |
SHNv3>WAV |
3 |
A- |
SBD > DAT > Cass/1 > DAT > Montego II S/PDIF > CDWav > SHNv3; d1 tracked for 80 min; DAT Provided by: Paul Gibian; Ripped, Tracked & Encoded By: Evan Saxton |
05/28/95
|
Portland Meadows |
SHN>WAV |
2 |
A |
Source: Sbd > C (x?) > CD > EAC > SHN |
06/25/95
|
Robert F. Kennedy Stadium |
SHN>WAV |
3 |
A |
|
06/30/95
|
Three Rivers Stadium |
SHN>WAV |
3 |
A |
FOB (~26th row) Schoeps CMC6/MK4s> DAT; Transfer: Sony PCM-R500> Tascam CD-RW700> EAC> SHN; Transferred, SHNed, and seeded by: Ryan Burns; hosted by Mike Lai |
06/30/95
|
Three Rivers Stadium |
AUDIO |
3 |
A |
flac16/48; Source: Schoeps mk4->DAT @ 48 kHz (FOB) Transfer: Sony DTC-ZE700->Tascam HDP2->CD Wave->Flac Frontend->.flac |
07/09/95
|
Soldier Field |
SHN>WAV |
2 |
A+ |
dsbd (pre-FM)> dat> spdif> cdr> eac> shn; via Tony Gardner from dmac's CD; tracked for 2x80 |