Grateful Dead and Related Artists · 1975
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Ace's
Mill Valley
CA

The First Day
Personnel: Jerry Garcia - Lead Guitar Bob Weir - Guitar Keith Godchaux - Keyboards Phil Lesh - Bass Bill Kruetzman - Drums Mickey Hart - Drums Notes: This reel contains what I believe to be the first 1975 Grateful Dead studio session, with the musicians recording an embryonic version of the "Blues For Allah" title track. Its also the earliest recording for what would become the "SNACK Jam," that they'd soon begin rehearsing with additional musicians (Ned Lagin, Merle Saunders and David Crosby) the following month. This is not to be confused with any of the content on those February 1975 SNACK rehearsals for the Kezar Stadium gig, as Crosby and Saunders are not present here. It also does not match any other "Blues For Allah" studio outtakes tapes that I'm aware of. It's questionable whether or not Ned Lagin is present here, but I only hear Keith Godchaux playing electric piano. This leads me to believe that this is just the core band with Mickey Hart back on board. There are no vocals, so Donna Godchaux is not present on this recording. The reel case only contains the notation "The First Day" and a date of "January." I have a few theories for this notation. It could mean that it was literally the first day of 1975, as in January 1, 1975. I think a more likely theory is that it was simply the first day of 1975 studio sessions sometime in January. Bob Gurman, who I inherited this reel from, thought it was the actual working title of this composition, since it was still an instrumental and prior to Robert Hunter's lyrics being written. I've also speculated that this could have been recorded as a guide reference for the band and additional Kezar musicians prior to those rehearsals. It may also have been recorded for Hunter as a template for writing lyrics. Or some combination of all of these possibilitiesÉ I should also add that I'm aware of another version of this recording. I also have a DAT that I think I received in trade from Steven Martin back in the early 1990s. That contains this same recording, but with it divided into two sequences, with a short break in the middle. On this reel, those two sequences are seamlessly spliced together. Despite this spliced version originating from the same two sequences, the reel sounds significantly better and has considerably more dynamic range than the two sequences found on the DAT. I've scoured through all known notation for 1975 Grateful Dead studio sessions, outtakes and rehearsals, but can find no mention or match to this particular recording - or of any January 1975 studio recordings for that matter. Surprising, since this is such remarkable quality. It very well may be the earliest recording of the Grateful Dead's return following the 1974 retirement. Have a listen. I don't think anyone will be disappointed. Alan Bershaw - January 2017

Bob Weir's Studio
Mill Valley
CA

distorto (crazy fingers) jam - ends with drum roll distorto (crazy fingers) jam bouncey jam Weir chording "bouncey jam" while band talks about how to play "...you're playing fours in there, it sounds like, Bobby..." (fade in) studio talk > stronger than dirt jam > talk about chording while keyboard noodling > drum noodling and talk > stronger than dirt jam > studio talking (fade in) "girl from ipanema jam > "...ah ha-ah..." spacey noodling jam more spacey noodling jam "tleother-ish" jam > slow "nfaway-ish" jam > "oh, yeah, i almost had it there..." > "tleother-ish" jam > slow "nfaway-ish" jam > noodling > studio talk & g t; "...can you play that back for us, please?" "shakedown streetish" funky jam > noodling > "hey, dan, turn the snare drum up in my ears, please." > noodling and short jam > tom-tom drum rolls > talk about mics > noodling > "...there's something ringing out here, ned..." > "don't worry about it" > show tune one jam > drum kit rolls and noodling > fast show tune two jam > jgarcia plays slow show tune > "...hey, record every precious moment of this." > jgarcia jam and drum rolls > "...you know what they are? they're slow triplet synchopations,man..." > killer groove jam > studio talk > "jungle music" jam > "...i'm playing threes and you should play a four-four line against that..." > studio talk and noodling > "...and, healy, the name of that tune is pock-a-way..." > "slipknot" noodling > "the music never stopped" jam five or more "the music never stopped" theme jams > "the music never stopped" jam > ""...oh, gawd..." > several yelps

Ace's
Mill Valley
CA

Low Down Payment Homeward Through The Haze Stronger Than Dirt Or Milking The Turkey The Music Never Stopped Frozen Logger
Students Need Athletics Culture & Kicks - SNACK Benefit Rehearsal Jerry Garcia - Guitar Bob Weir - Guitar Keith Godchaux - Keyboards Phil Lesh - Bass Bill Kreutzmann - Drums Mickey Hart - Drums Donna Jean Godchaux - Vocals David Crosby - Vocals, Guitar

Ace's studio
Mill Valley
CA

Stronger than Dirt Tuning and goofing off Stronger than Dirt Stronger than Dirt Stronger than Dirt->Blues for Allah Reprise Stronger than Dirt->Blues for Allah Reprise //Blues for Allah->Stronger than Dirt Unidentified Instrumental Stronger than Dirt// (bit) Stronger than Dirt// (bit)

Kezar Stadium
San Francisco
CA

Blues For Allah > Stronger Than Dirt Or Milking The Turkey > Drums > Stronger Than Dirt Or Milking The Turkey > Blues For Allah Johnny B. Goode
Students Need Athletics Culture & Kicks - SNACK Benefit FM Broadcast KIOI Jerry Garcia - Guitar Bob Weir - Guitar Keith Godchaux - Keyboards Phil Lesh - Bass Bill Kreutzmann - Drums Mickey Hart - Drums Merl Saunders - Keyboards Ned Lagin - Keyboards

Ace's Studio
Mill Valley
CA

Tuning, Noodling, Ect Some Bits Of Lazy Lightning And Some Tuning And Banter More Bits Of Lazy Lightning And Slipknot, Banter, Ect Some Blues For Allah Bits Jamming With Slipknot-type Theme
I was unable to independently confirm the given date for these rehearsals. This was part of a 6 disc set originally posted on abgd. Tracks 01 and 02 were re-shn'ed to make them seekable like the rest of the set. Renamed to meet Etree guidelines.

Studio (Blues for Allah Outtakes)
Unknown
CA

Help on the Way (instrumental #1), Franklin's Tower (#1), Help On the Way (Instrumental #2), Lazy Ligtning (instrumental), The Music Never Stopped (instrumental), Franklin's Tower (#2), Crazy Fingers (instrumental)
Blues For Allah outtakes; setlist as tracked on "Blues For Allah" Bootleg CD-Triangle Records #PYCD097

Bob Weir's Studio
Mill Valley
CA

J. Garcia Soloing > "yeah, That's Where I Meant That To Be In Relations To The Nine." > "nines" Jam Tape Rewind "nines" Jam > Spacely Jam > "nines" Jam > Space And Out Jam > Faint Cheers In Studio Blues For Allah Intro-like Jam > Jam > Stronger Than Dirt Jam > Slipknot! Jam > Jam > Jam > Jam > Blues For Allah Outro Staccato Jam > Jam > Jam Jg: "1, 2, Ah, 1, 2, 3, 4." > Help On The Way > Slipknot Help On The Way > Slipknot Noodling > Help On The Way > Slipknot > Franklin's Tower > Jg: "stunning." Slipknot-type Jam > Slipknot Jam > Slipknot Jam > Slipknot Jam > Slipknot-spacely Jam > J. Garcia And Drums Lazy Lightning J. Garcia: "ah Two, Ah, One, Two, Three, Four." > Franklin's Tower > "show (?)" And "a-ow! (?) At End While Still Playing > "well, Tha."> Tape Rewind > J. Garcia: "two, Three, Four." > Franklin's Tower > Just Guitars > Franklin's Tower > Just Guitars And Talk J. Garcia: "ah Two, Ah, One, Two, Three, Four." > Franklin's Tower > "show (?)" And "a-ow! (?) At End While Still Playing > "well, Tha (x)."

Ace's Studio
Mill Valley
CA

From Deadbase: The Walk, Blue Noodle Soap, Toast & Jam, Lazy Lightning, Basic Reading Work, Music Never Stopped, Help on the Way
I tried to create more of an info file, but what can I say? Snippets of various songs in progress, chatter, tuning, ect. The Deadbase notation pretty much sums it up. Some interesting stuff here embryonic versions of Blues For Allah-era material.

Ace's Studio
Mill Valley
CA

Stronger Than Dirt Jam X 2 Mind Left Body Thing Music Never Stopped Refrains X 4 Jam X 2 Music Never Stopped Jam Jam Low Down Pavement Jam (Crosby, Lagin & May Be Others) X 2
Jam X 2 Stronger Than Dirt X 3 Lagin & Kreutzman Jam Stronger Than Dirt X 2 Jam Stronger Than Dirt X 5 Jam X 2
Blues For Allah Recording Sessions & Rehearsals

Studio
Unknown
CA

King Solomons Marbles x2
About 15 mins of workout on K.S.M. and 5 min interview with David Crosby

Club Front
San Rafael
CA

Lazy Lightning Lazy Lightning Lazy Lightning Attics of my life Attics of my life Cassidy Cassidy Cosmic Charlie

Ace's Studio
Mill Valley
CA

Blues Jam Crazy Fingers intro (mostly Garcia) Crazy Fingers intro (mostly Weir) Crazy Fingers intro Crazy Fingers intro Crazy Fingers intro tuning Crazy Fingers (instrumental) Crazy Fingers (instrumental) Crazy Fingers (instrumental) - "it's getting there" tuning Crazy Fingers (instrumental) Crazy Fingers (instrumental)
Blues Jam, Crazy Fingers

Ace's Studio
Mill Valley
CA

Franklin's Tower - "still can't hear this microphone for shit" dead air dead air - "turn this microphone down a little bit" - Franklin's jamming Franklin's Tower Franklin's Tower getting the Franklin's Tower riff right - "I don't understand the rhythm of it really" Franklin's Tower jamming Franklin's Tower (cassette flip overlap removed) dead air - "that's a better way to do it" Franklin's Tower Franklin's Tower Franklin's Tower Franklin's Tower jamming Franklin's Tower jamming Franklin's Tower Franklin's Tower
Franklin's Tower rehearsals

Club Front
San Rafael
CA

Rehearsals for Help on The Way, Slipknot, Franklin's Tower, and Stronger Than Dirt.

Dominican College
San Rafael
CA

Space

Bob Weir's Studio
Mill Valley
CA

Crazy Fingers (instr.) (ends With Long Reverb And Then Faint Studio Talk In Background Crazy Fingers (instr.) J. Garcia: "(x) Zhuuum, Ah 1, 2, 3, 4..." > Franklin's Tower (with Vocals) > J. Garcia: "huh?" Lazy Lightning (instr.) The Music Never Stopped (instr.) Jam (funky Stylish?) Drum Intro > Help On The Way (instr., One Drummer, Played Fast) > Slipknot Slipknot Spacely Noodling Jam > Staccato Jam Stronger Than Dirt Jam > Drummers (bk: "mick! 1, 2, 3, 4, 5, 6, 7.") > Stronger Than Dirt Jam (with J. Garcia Playing Stronger Than Dirt Riff) > Stronger Than Dirt Jam (with J. Garcia Soloing Over Jam) > Stronger Than Dirt Riff (only J. Garcia) J. Garcia Playing Stronger Than Dirt Riff > Drummers > J. Garcia Playing Short Stronger Than Dirt Riffs Stronger Than Dirt (riffs By J. Garcia With Band Joining In Randomly) Jam

Winterland Arena
San Francisco
CA

Crazy Fingers * Beat It On Down The Line Deal Big River Peggy-O Me & My Uncle Help On The Way > * Slipknot! > Franklin's Tower *
Blues For Allah > Drums > Stronger Than Dirt Or Milking The Turkey > Blues For Allah Sugar Magnolia U.S. Blues
Bob Fried Memorial Boogie First time performed * Kingfish opened Keith & Donna Band opened The Mirrors opened Jerry Garcia - Guitar Bob Weir - Guitar Keith Godchaux - Keyboards Phil Lesh - Bass Bill Kreutzmann - Drums Mickey Hart - Drums Donna Jean Godchaux - Vocals

Club Front Rehearsals
San Rafael
CA

Grateful Dead June 1975 San Rafael - Club Front rehearsals digitized from a low-gen cassette played back on a Nak CR7E with azimuth adjustment. DISC ONE (70:08) ---- June 3, 1975 - Crazy Fingers rehearsals 01 05:58 Blues Jam 02 02:26 Crazy Fingers intro (mostly Garcia) 03 01:02 Crazy Fingers intro (mostly Weir) 04 00:25 Crazy Fingers intro 05 00:23 Crazy Fingers intro 06 00:26 Crazy Fingers intro 07 00:54 tuning 08 02:00 Crazy Fingers (instrumental) 09 01:42 Crazy Fingers (instrumental) 10 06:42 Crazy Fingers (instrumental) - "it's getting there" 11 02:04 tuning 12 01:09 Crazy Fingers (instrumental) 13 07:46 Crazy Fingers (instrumental) ---- June 4, 1975 - Franklin's Tower rehearsals 14 00:43 // Franklin's Tower - "still can't hear this microphone for shit" 15 02:10 dead air 16 00:51 // dead air - "turn this microphone down a little bit" - Franklin's jamming 17 03:27 Franklin's Tower 18 01:13 Franklin's Tower 19 00:51 getting the Franklin's Tower riff right - "I don't understand the rhythm of it really" 20 01:03 Franklin's Tower jamming 21 07:03 Franklin's Tower (cassette flip overlap removed) 22 01:09 dead air - "that's a better way to do it" 23 03:58 Franklin's Tower 24 02:04 Franklin's Tower 25 02:06 Franklin's Tower 26 00:41 Franklin's Tower jamming 27 00:55 Franklin's Tower jamming 28 04:38 Franklin's Tower 29 05:10 Franklin's Tower DISC TWO (21:26) ---- June 5, 1975 - Help On The Way rehearsals 01 03:19 Help On The Way (instrumental) 02 02:15 Franklin's Tower 03 05:56 Franklin's Tower 04 03:16 Help On The Way (instrumental) 05 00:39 Help On The Way (instrumental) 06 01:09 Help On The Way (instrumental) 07 00:52 Help On The Way (instrumental) 08 01:30 Help On The Way (instrumental) 09 01:02 Help On The Way (instrumental) 10 01:03 Help On The Way (instrumental) 11 00:25 Help On The Way (instrumental) (tape cuts)
seeded by Hanno Bunjes, January 2004 thanks to Uli for the transfer, T.S. & S.M. for the tapes

Ace's Studio
Mill Valley
CA

Crazy Fingers Crazy Fingers Crazy Fingers TLEO TLEO TLEO TLEO King Solomon's Marbles King Solomon's Marbles King Solomon's Marbles King Solomon's Marbles King Solomon's Marbles King Solomon's Marbles King Solomon's Marbles King Solomon's Marbles King Solomon's Marbles King Solomon's Marbles King Solomon's Marbles King Solomon's Marbles King Solomon's Marbles King Solomon's Marbles King Solomon's Marbles King Solomon's Marbles King Solomon's Marbles Franklin's Tower
Multiple takes of Crazy Fingers, TLEO, and King Solomon's Marbles, and Franklin's Tower

Club Front Studio
San Rafael
CA

Bo's Blues #1
Notes: Grateful Dead studio outtake. This would later develop into the bridge section of the rearranged "Dancing In The Streets." It would first surface in a live context when they hit the road again in 1976, becoming the destination for every jam within that revamped song. This recording reveals that it existed as it's own composition a year prior to that. Another version was recorded the following day, which will also be forthcoming. - Alan Bershaw

Club Front Studio
San Rafael
CA

Bo's Blues #2
Notes: Grateful Dead studio outtake. This would later develop into the bridge section of the rearranged "Dancing In The Streets." It would first surface in a live context when they hit the road again in 1976, becoming the destination for every jam within that revamped song. This recording reveals that it existed as it's own composition a year prior to that. Another version of this was recorded the previous day, which has already been shared. - Alan Bershaw

Great American Music Hall
San Francisco
CA

Help On The Way > Slipknot! > Franklin's Tower > The Music Never Stopped * It Must Have Been The Roses Eyes Of The World > Drums > King Solomon's Marbles
Around & Around Sugaree Big River Crazy Fingers > Drums > The Other One > Sage & Spirit > * Goin' Down The Road Feeling Bad U.S. Blues Blues For Allah
This date is featured on One from the Vault. First time performed * Jerry Garcia - Guitar Bob Weir - Guitar Keith Godchaux - Keyboards Phil Lesh - Bass Bill Kreutzmann - Drums Mickey Hart - Drums Donna Jean Godchaux - Vocals

Club Front Studio
San Rafael
CA

Comes A Time They Love Each Other
Notes: Grateful Dead studio outtakes recorded during the sessions for Garcia's "Reflections" album. Not to be confused with other circulating "Reflections" session outtakes or rehearsals. - Alan Bershaw

Club Front Studio
San Rafael
CA

Catfish John (Take 9)
Notes: A Grateful Dead attempt at studio recording "Catfish John" notated as take 9. The session for "Catfish John" on Garcia's "Reflections" album featured the 1975-era Garcia Band lineup of Garcia, Hopkins, Kahn and Tutt as the core unit, although it did feature additional overdubs by Mickey, Keith & Donna. Not to be confused with other circulating "Reflections" outtakes or rehearsals. Short and sweet. - Alan Bershaw

Lindley Meadows, Golden Gate Park
San Francisco
CA

Help On The Way > Slipknot! The Music Never Stopped They Love Each Other Beat It On Down The Line * Franklin's Tower Big River It Must Have Been The Roses Truckin' > The Eleven Jam > Drums > King Solomon's Marbles > Not Fade Away > Goin' Down The Road Feeling Bad > One More Saturday Night
Jefferson Starship opened Jerry Garcia - Guitar Bob Weir - Guitar Keith Godchaux - Keyboards Phil Lesh - Bass Bill Kreutzmann - Drums Mickey Hart - Drums Donna Jean Godchaux - Vocals Mathew Kelly - Harmonica *

Rehearsals
Mill Valley
CA

Disc 1 3/17/75 - Ace's, Mill Valley, CA Soundboard: jams with David Crosby [45 minutes] sbd>?>PCM>SEK'D Prodif96Pro>wav>SHN 03/26/75 - Ace's, Mill Valley, CA Soundboard: [45 minutes] sbd>?>PCM>SEK'D Prodif96Pro>wav>SHN Disc 2 03/26/75 - Ace's, Mill Valley, CA Soundboard: [45 minutes] sbd>?>PCM>SEK'D Prodif96Pro>wav>SHN 06/17/75 - Winterland Arena, San Francisco, CA Soundboard: missing Crazy Fingers through Deal [45 minutes] sbd>? gen cass>PCM>SEK'D Prodif96Pro>wav>SHN
Disc 3 04/02/75 - Ace's, Mill Valley, CA Soundboard: rehearsal [90 minutes] 1st Gen cass>PCM>SEK'D Prodif96Pro>wav>SHN The Walk, Blue Noodle Soap, Toast & Jam, Lazy Lightning, Basic Reading Work, Music Never Stopped, Help on the WayDisc 4 04/17/75 - Club Front, San Rafael, CA Soundboard: studio jams with Bobby, Billy, Phil, Ned Lagin, David Crosby [45 minutes] sbd>? gen cass>PCM>SEK'D Prodif96Pro>wav>SHN 04/17/75 - Club Front, San Rafael, CA Soundboard: studio jams with Bobby, Billy, Phil, Ned Lagin, John Cippolina, David Crosby [45 minutes] sbd>? gen cass>PCM>SEK'D Prodif96Pro>wav>SHN
Disc 5 06/04/75 - Club Front, San Rafael, CA Soundboard: rehearsal (Franklin's Tower; Stronger Than Dirt) [15 minutes] 2nd gen cass>PCM>SEK'D Prodif96Pro>wav>SHN 06/05/75 - Club Front, San Rafael, CA Soundboard: rehearsal (Help On The Way>Slipknot>Franklin's Tower) [25 minutes] 2nd gen cass>PCM>SEK'D Prodif96Pro>wav>SHN 06/05/75 - Club Front, San Rafael, CA Soundboard: rehearsal (Slipknot) sbd>? gen cass>PCM>SEK'D Prodif96Pro>wav>SHN 06/05/75 - Club Front, San Rafael, CA Soundboard: rehearsal (>Franklin's Tower>Help On The Way>Franklin's Tower) sbd>? gen cass>PCM>SEK'D Prodif96Pro>wav>SHN Disc 6 07/07/75 - Ace's, Mill Valley, CA Soundboard: rehearsal (King Solomon's Marbles) sbd>? gen cass>PCM>SEK'D Prodif96Pro>wav>SHN 07/07/75 - Ace's, Mill Valley, CA Soundboard: rehearsal (TLEO) sbd>? gen cass>PCM>SEK'D Prodif96Pro>wav>SHN
No one seems to know exact details of these sessions anywhere, but the most thorough details available are shown based on what was written on the PCM tapes and other sources.] These recordings are of specific interest to completists, but marginal interest to the casual listener. To those of us who really missed the band during the year 1975 when they went into isolation, these recordings give a rare glimpse into the studio where they were working out the bugs developing tunes to be put on "Blues for Allah".

Rehearsals
Mill Valley
CA

Help On The Way>Slipknot>Franklin's Tower Stronger Than Dirt Slipknot>Frankin's Tower Crazy Fingers Help On The Way>Slipknot Lazy Lightning

Bob Weir's Studio
Mill Valley
CA

Disc 1 of 4 June 7, 1975 1. (x) Crazy Fingers (instr.) (ends with long reverb and then faint studio talk in background (6.56) 2. Crazy Fingers (instr.) (6.57) 3. J. Garcia: "(x) zhuuum, ah 1, 2, 3, 4..." > Franklin's Tower (with vocals) > J. Garcia: "Huh?" (6.44) 4. Lazy Lightning (instr.) (5.03) 5. (x) The Music Never Stopped (instr.) (x) (6.08) 6. (x) Jam (funky stylish?) (fadeout) (6.46) 7. drum intro > Help On The Way (instr., one drummer, played fast) (7.27) > 8. Slipknot (x) (0.56) disc 2 ( 64.59 ) of 4 1. (x) Slipknot (x) (overlap with ending of track 8 on disc 1 of 4 above) (0.17) 2. Spacely Noodling jam (23.01) > 3. Staccato jam (x) (7.25) 4. (x) Stronger Than Dirt jam (1.15) > 5. drummers (BK: "Mick! 1, 2, 3, 4, 5, 6, 7.") > Stronger Than Dirt jam (with J. Garcia playing Stronger Than Dirt riff) (3.41) > 6. Stronger Than Dirt jam (with J. Garcia soloing over jam) (4.46) > 7. Stronger Than Dirt riff (only J. Garcia) (0.25) 8. (x) J. Garcia playing Stronger Than Dirt riff > drummers > J. Garcia playing short Stronger Than Dirt riffs (1.03) 9. Stronger Than Dirt (riffs by J. Garcia with band joining in randomly) jam (5.21) Blues For Allah rehearsal - March xx 1975 10. J. Garcia soloing > "Yeah, that's where I meant that to be in relations to the nine." > "Nines" jam (x) (1.11) 11. tape rewind (0.08) 12. (x) "Nines" jam (8.36) > 13. Spacely jam (2.12) > 14. "Nines" jam (1.50) > 15. Space and Out jam > faint cheers in studio (3.54) Set II disc 3 ( 66.58 ) of 4 Blues For Allah rehearsals - March xx 1975 1. (x) Blues For Allah intro-like jam (3.03) > 2. Jam (0.43) > 3. Stronger Than Dirt Jam (0.42) > 4. Slipknot! Jam (4.06) > 5. Jam (3.20) > 6. Jam (0.45) > 7. Jam (4.47) > 8. Blues For Allah outro (2.42) 9. (x) Staccato Jam (6.16) > 10. Jam (4.52) > 11. Jam (5.38) (total = ) 12. JG: "1, 2, ah, 1, 2, 3, 4." > Help On The Way > Slipknot (8.25) 13. (slight 60Hz hum in L channel at start) Help On The Way > Slipknot (6.11) 14. (x) noodling > Help On The Way > Slipknot (7.20) > 15. Franklin's Tower (v) > JG: "Stunning." (8.13) disc 4 ( 63.02 ) of 4 March xx 1975 1. (x) Slipknot-type jam (3.07) > 2. Slipknot jam (4.14) > 3. Slipknot jam (1.54) > 4. Slipknot jam 0.53) >> 5. Slipknot-spacely jam 1.21) > 6. J. Garcia and drums (x) (1.32) 7. (x) lazy lightning (fadeout) (0.16) 8. J. Garcia: "ah two, ah, one, two, three, four." > Franklin's Tower (v) > "Show (?)" and "A-ow! (?) at end while still playing > "Well, tha (x)." (4.52)>. 9. (x) tape rewind > J. Garcia: "two, three, four." > Franklin's Tower (V) > just guitars (x) (4.49) > 10. (x) Franklin's Tower (v) > just guitars and talk (x) (4.48) 06-07-75 11. (x) noodling > Help On The Way > Slipknot (7.15) > 12. Franklin's Tower (v) > JG: "Stunning." (7.58) 13. J. Garcia: "one, two, ah one, two, three, four." >> Help On The Way > Slipknot (8.00) 14. Lazy Lightning (instr.) (4.50) 15. (x) The Music Never Stopped (instr.) (x) (5.56) 16. Jam (funky stylish?) (fadeout) (6.30) March xx 1975 17. J. Garcia: "ah two, ah, one, two, three, four." > Franklin's Tower (v) > "Show (?)" and "A-ow! (?) at end while still playing > "Well, tha (x)." (4.54)>

Ace's Studio
Mill Valley
CA

Sound FX for Allah
Likely between March and May 1975 Notes: "...studio outtake from the "Blues For Allah" album sessions. It's Jerry Garcia and Mickey Hart creating sound effects intended as background for the title track."

Ace's Studio
Mill Valley
CA

Franklin's Tower Stronger Than Dirt They Love Each Other Disco Slipknot, take 1 Disco Slipknot, take 2 Disco Slipknot, take 3 Train Kept A-Rollin' Jam Low Down Payment Chatter with David Crosby Hideaway Blues Groove, take 1 Blues Groove, take 2 Blues Groove, take 3 Lazy Lightnin', take 1 Lazy Lightnin', take 2
Dates: Franklin's Tower* 5-5-75 Stronger Than Dirt* 5-12-75 They Love Each Other 7-7-75 Disco Slipknot* 3-12-75 Train Kept A-Rollin' Jam 3-26-75 (with guests) Low Down Payment, Chatter 3-17-75 (with David Crosby) Hideaway, Blues Jams, Lazy Lightnin' 4-2-75 Notes: Dates are from the session tapes. Tracks marked * are new to circulation. Franklin's Tower & Slipknot are very early versions. John Cipollina may be playing in the Train Kept A-Rollin' jam. At the end of Blues Groove #3 there is a duet between Otis & Jerry. This is a sampler from cassettes made by Steve Brown for Jerry Garcia to listen to after the sessions.

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Cached: Fri, 29 Mar 2024 05:44:34 EDT