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9-5-67 I Am The Walrus, take 9 I Am The Walrus, take 17 9-6-67 Fool On The Hill, demo 9-7-67 Blue Jay Way, take 3 9-67 The Bus, instr. from MMT film 9-8-67 Flying Your Mother Should Know, take 27 10-2-67 Hello Goodbye, take 1- instr. 10-19-67 Hello Goodbye, take 16 11-1-67 Yellow Submarine All You Need Is Love 11-28-67 Christmas Time is Here Again Christmas Time is Here Again, 1995 remix 1-12-68 Inner Light, instr. 2-3-68 Lady Madonna Lady Madonna, 1982 remix & 1995 remix Across The Universe, take 2 mix #1

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A Day In The Life 04:20 RM1 Take 6 20 Jan 1967 SS.SGT.13.06.RM1 Strawberry Fields Forever 02:53 (date unknown) Take 1 (Slightly edited start) Strawberry Fields Forever 01:47 (date unknown) Take 2 Strawberry Fields Forever 01:03 (date unknown) Take 3 Strawberry Fields Forever 00:13 (date unknown) False Start Strawberry Fields Forever 03:09 (date unknown) Take 4 Strawberry Fields Forever 00:41 (date unknown) False Start Strawberry Fields Forever 03:24 (date unknown) Take 5 Strawberry Fields Forever 00:31 (date unknown) Ending only of take 6 Strawberry Fields Forever 03:28 (date unknown) Take 7 Strawberry Fields Forever 03:42 (date unknown) Backing track - Orchestra only Strawberry Fields Forever 03:31 (date unknown) Full Orchestra version w/ full unfaded ending Only A Northern Song 03:22 (date unknown) Original Mono Mix - Not processed like on CD Penny Lane 03:12 Mix (date unknown) Stereo with trumpets at end All You Need Is Love 02:30 Take 57 TV 25 Jun 1967 Live TV Broadcast intro segments All You Need Is Love 04:31 Take 58 TV 25 Jun 1967 It's All Too Much 02:30 Take (date unknown) Version from film with extra verse It's All Too Much 06:22 Take (date unknown) Vocal Booth - mainly vocals and brass overdubs A Day In The Life 05:08 RS Unknown Take 6, 7 & Edit Piece 9 20 Jan 1967 SS.SGT.13.0607.RSa Magical Mystery Tour 02:33 (unidentified) (date unknown) Original vocals/mix from the TV film Magical Mystery Tour 01:53 Mix - Reprise Medley from Film - has Hello goodbye reprise at end The Fool On The Hill 02:42 Demo (date unknown) Original Demo from acetate Blue Jay Way 03:40 Regular Stereo (date unknown) Your Mother Should Know 02:17 (unidentified) (date unknown) Basic Version before overdubs I Am The Walrus 04:21 (unidentified) (date unknown) Basic original track without overdubs

1) Take 6 features new vocals by John, a bass line, Paul's vocals and Ringo's drums. Paul's part (from take 6) was edited on take 2 on Anthology 2. RM1 (30 Jan 1967) is a very rough mix intended for demo acetate. Acetate, early Mix No Orchestra. Source was obviously scratched ! 16) Live TV Broadcast w/alternate vocals & full ending 19) This alternate stereo mix (# unknown) is very much like the official release except for some details. John's count in still present. Unlike the other previous attempts, this one is complete and features the Edit Piece 9 (note that some bootlegs present this version without the edit piece 9) Full start, alternate mix Tilleul's notes: Probably unknown RS from Take 6 & 7 (+edit piece 9). 23) UK: Parlophone SMMT 1 (EP) Magical Mystery Tour 1967. US: Capitol SMAL 2835 Magical Mystery Tour 1967. CD: EMI CDP 7 48062 2 Magical Mystery Tour 1987, EMI EP box set 1991. Stereo mix of original version without extra sound effects

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Sgt. Pepper Outtakes.

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Sgt. Pepper Studio Outtakes.

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Vocals Instruments Orchestra Bass & Drums

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My Bonnie (Mein Herz ist nur bei dir) Stereo version with German intruduction. Thank You Girl Stereo version containing three extra harmonica fills. Money Stereo version with echo and alternate piano introduction without hand claps. All My Loving Stereo version with five tap hi-hat cymbal introduction. Sie Liebt Dich Stereo version. Komm Gib Mir Deine Hand Stereo version with various screams, shouts and talk over intro. I'll Cry Instead Stereo version with the first verse repeated before the last verse. And I Love Her Stereo version featuring Paul's lead vocal double tracked, and then triple tracked riff repeated 6 times. Slow Down Stereo version, different lead vocal than the mono version. (Includes John shouting "Ow" just before the last few bars.) She's A Woman Stereo version, mixed with additional reverb and Paul sings "She's A Woman" three times in the fade out. Stereo version mixed with additional reverb and has mysterious whispering at beginning. Help! Stereo version with James Bond intro. I'm Looking Through You Stereo version with two false starts. I'm Only Sleeping Mono version. Extra backwards guitar during third verse. 15. Tomorrow Never Knows Mono version. Fewer of the various tape loops are present and they fade completely in and out of the track. Sgt. Pepper's Lonely Hearts Club Band (Reprise) Mono version. Reprise features John's background comment before Paul's count in and crowd laughter during drumbeat opening. She's Leaving Home Mono version. Plays in a higher key than the stereo version. Being For The Benefit Of Mr. Kite! Mono version. Contains more tape loops after "Henry The Horse Dances The Waltz". Penny Lane Stereo version with the seven note trumpet ending. I Am The Walrus Stereo version includes the organ intro repeated six times and the extra measure after "I'm Crying". All You Need Is Love Stereo version. Alternate mix features John's lead vocal predominantly up front. Happiness Is A Warm Gun Mono version contains background tapping from start of song until drum intro. The bass is mixed louder than the stereo version and has laughter before the final drumbeat. The Road Mono version with no hand clapping in the introduction. Hey Bulldog Stereo version alternate mix. The bass is mixed to center and right & left channels are reversed. The Beatles Movie Medley Stereo version.

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promos, home movies, etc.

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A chronological compilation of images from the photo session for the cover of the Sgt Pepper's album. 6-minute PAL DVD Also included in the torrent is a pdf of an accompanying article looking at the chronology of the shoot. This was made as a 'Photoshop showreel' and this DVD uses the MPEG source.

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DISC 1 1. George Martin And Paul McCartney 4'33'' 2. Sgt. Pepper's Lonely Hearts Club Band 4'28'' 3. With A Little Help From My Friend 3'36'' 4. Being For The Benefit Of Mr. Kite! 3'17'' 5. Only A Northern Song 3'26'' 6. Fixing A Hole 3'17'' 7. Lucy In The Sky With Diamonds 4'43'' 8. Lucy In The Sky With Diamonds 3'50'' 9. Getting Bettter 3'02'' 10. She's Leaving Home 3'45'' 11. Strawberry Fields Forever 16'35'' 12. Strawberry Fields Forever 4'38'' 13. Penny Lane 4'48'' 14. Penny Lane 2'57'' 15. The Beatles Joking Around In The Studio early 1967. 1'39''

DISC 2 1. Within You Without You 7'31'' 2. Within You Without You 5'48'' 3. When I'm Sixty-Four 2'36'' 4. Lovely Rita 3'14'' 5. Good Morning Good Morning 4'54'' 6. Good Morning Good Morning 3'20'' 7. Sgt. Pepper's Lonely Hearts Club Band (Reprise) 4'44'' 8. A Day In The Life 5'54'' 9. A Day In The Life 4'19'' 10. Everywhere It's Christmas 6'21'' 11. Excerpts of "THE FAMILY WAY" Soundtrack 3'42'' 12. All You Need Is Love 7'01'' 13. It's All Too Much 8'09'' 14. Sgt. Pepper's Lonely Hearts Club Band played by Jimi Hendrix on a club gig in summer 1967 / Sgt. Pepper Inner Groove 3'20''

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"MAGICAL MYSTERY TOUR" ERA SESSIONS: 01. Magical Mystery Tour - take 9, RM5 or RM7 (2:46) 02. The Fool On The Hill - take 4, RS95 (2:47) 03. The Fool On The Hill - take 4, RS95 (3:43) 04. Flying - take 8, RM4 (2:02) 05. Flying - take 8, RM6 unedited (9:36) 06. I Am The Walrus - take 7, monitor mix (1:48) 07. I Am The Walrus - take 8, monitor mix (0:40) 08. I Am The Walrus - take 9, monitor mix (4:14) 09. I Am The Walrus - take 17, RM4 (4:33) 10. I Am The Walrus - take 17, RS95 (4:00) 11. Blue Jay Way - take 3, RM1 (3:49) 12. Your Mother Should Know - take 9, rough mono mix (2:29) 13. Your Mother Should Know - take 27, RS95 (3:01) 14. Hello Goodbye - take 1, RS82 (5:08) 15. Hello Goodbye - take 16, RS95 (3:17) 16. Hello Goodbye - take 22, RS82 (3:19) THE "FOOL ON THE HILL" REHEARSAL TAPE 17. part one (0:52) 18. part two (0:20) 19. part thre (1:53) 20. part four (4:15) 21. part five (6:47)

THE MONO "MMT" EP AND SINGLES 01. Magical Mystery Tour - take 9, RM10 (2:48) 02. The Fool On The Hill - take 6, RM12 (2:58) 03. Flying - take 8, RM6 edited (2:14) 04. I Am The Walrus - take 17, RM23, UK Version (4:34) 05. Blue Jay Way - take 3, RM27 (3:49) 06. Your Mother Should Know - take 52, RM25 (2:28) 07. Hello Goodbye - take 22, RM6 (3:23) 08. I Am The Walrus - take 17, RM23, U.S. Version (4:30) THE 1988 STEREO VIDEO SOUNDTRACK 09. Magical Mystery Tour (2:43) 10. The Fool On The Hill (2:57) 11. Flying (2:01) 12. The Magicians (1:17) 13. I Am The Walrus / Five Little Dickie Birds (4:53) 14. Jessie's Dream / Song Of The Volga Boatmen (3:33) 15. Blue Jay Way (4:09) 16. I Wonder What The Magicians Are Cooking Up Now? (0:52) 17. "Accordion Medley" (2:41) 18. Your Mother Should Know (2:23) 19. Magical Mystery Tour / Hello Goodbye (1:48) THE BBC RADIO INTERVIEWS 20. George on 'Scene & Heard' (5:04) 21. John on 'Where It's At' (2:47)

Silent Sea Productions ss067-68

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http://www.bootlegzone.com/album.php?name=EPC-CD044§ion=1

http://www.bootlegzone.com/album.php?name=EPC-CD045§ion=1

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Sgt. Pepper's Lonely Hearts Club Band With A Little Help From My Friends Being For The Benefit Of Mr Kite! Fixing A Hole Lucy In The Sky With Diamonds Getting Better She's Leaving Home Within You Without You When I'm Sixty-Four Lovely Rita Good Morning Good Morning Sgt Pepper's Lonely Hearts Club Band (Reprise) A Day In The Life Strawberry Fields Forever Penny Lane Lucy In The Sky With Diamonds Good Morning Good Morning A Day In The Life Only A Northern Song Strawberry Fields Forever Strawberry Fields Forever Sgt. Pepper's Lonely Hearts Club Band Penny Lane Intro: Crowd Noise Billy Shears Applause Good Morning Animal Noises Sgt. Pepper Inner Groove

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DISC ONE - stereo single Strawberry Fields Forever Penny Lane Sgt. Pepper's Lonely Hearts Club Band With A Little Help From My Friends Lucy In The Sky With Diamonds Getting Better Fixing A Hole She's Leaving Home Being For The Benefit Of Mr. Kite! Within You Without You When I'm Sixty-Four Lovely Rita Good Morning Good Morning Sgt. Pepper's Lonely Hearts Club Band (Reprise) A Day In The Life inner groove soundtrack Only A Northern Song alternate stereo mixes Strawberry Fields Forever (US mix) A Day In The Life (1982 mix) Sgt. Pepper's Lonely Hearts Club Band (Y.S. Songtrack) With A Little Help From My Friends (Y.S. Songtrack) Lucy In The Sky With Diamonds (Y.S. Songtrack) When I'm Sixty-Four (Y.S. Songtrack) Penny Lane (2000 mix) A Day In The Life(1988 mix) DISC TWO - mono single Strawberry Fields Forever Penny Lane Sgt. Pepper's Lonely Hearts Club Band With A Little Help From My Friends Lucy In The Sky With Diamonds Getting Better Fixing A Hole She's Leaving Home Being For The Benefit Of Mr. Kite! Within You Without You When I'm Sixty-Four Lovely Rita Good Morning Good Morning Sgt. Pepper's Lonely Hearts Club Band (Reprise) A Day In The Life inner groove soundtrack Only A Northern Song alternate mono mixes Penny Lane (US promo RM11) Lucy In The Sky With Diamonds (unused movie mix with Dick Emery) Anthology DVD stereo mixes Strawberry Fields Forever Penny Lane A Day In The Life

DISC THREE - Sessions Strawberry Fields Forever - take 1 (INTB + Anthology 2) Strawberry Fields Forever - take 1+overdubs (It's Not Too Bad) Strawberry Fields Forever - take 2 (It's Not Too Bad) Strawberry Fields Forever - take 3 (It's Not Too Bad) Strawberry Fields Forever - take 4 (It's Not Too Bad) Strawberry Fields Forever - take 5 (It's Not Too Bad) Strawberry Fields Forever - take 6 (It's Not Too Bad) Strawberry Fields Forever - rehearsals (It's Not Too Bad) Strawberry Fields Forever - take 7 (It's Not Too Bad) When I'm Sixty-Four - take 4 - complete, original speed Strawberry Fields Forever - take 24 partial drum track (Anthology 2) Strawberry Fields Forever - take 25 (INTB + UM) Strawberry Fields Forever - take 26 - RM9 (MM + TMODM) Strawberry Fields Forever - take 26 (Itís Not Too Bad) Penny Lane - take 9 (More Masters + TMODM + Anthology 2) Penny Lane - overdub session (unbootlegged) monitor mixes: Strawberry Fields Forever - take 25 (CCRMM) Strawberry Fields Forever - take 26 (CCRMM) alternate mixes: Strawberry Fields Forever - take 7 - RM3 (MM + TMODM) Penny Lane - RM8 - complete (More Masters + Turn Me On Dead Man) DISC FOUR A Day In The Life - take 1 composite fragments (Anthology 2 + Anthology DVD + Anthology Director's Cut + As It Happened, Baby!) A Day In The Life - take 2 + overdubs (from Anthology 2) A Day In The Life - take 4 (Anthology Director's Cut) A Day In The Life - take 6 (RM1) - (Anthology DC + ARVS + Acetates) Sgt. Pepper's Lonely Hearts Club Band - take 9 (RM1) (Acetates 2002) A Day In The Life - orchestra overdub (Anthology DVD) A Day In The Life - edit piece take 11 (Anthology Director's Cut) Good Morning Good Morning - take 9 (RM1) (Anthology 2) Being For The Benefit Of Mr. Kite! - rehearsal take 7 (Anthology DVD) Being For The Benefit Of Mr. Kite! - dialogue fragment (Liverpool Sound Collage) Being For The Benefit Of Mr. Kite! - take 1 (Anthology 2) Being For The Benefit Of Mr. Kite! - take 2 (Anthology 2) Being For The Benefit Of Mr. Kite! - take 7 (+9) (Anthology 2) A Day In The Life - edit piece take 9 (Anthology Directorís Cut) Lucy In The Sky With Diamonds - takes 6+7+8 (Anthology 2) Sgt. Pepper's Lonely Hearts Club Band (reprise) - take 5 (Anthology 2) Within You Without You - take 2 instrumental (Anthology 2) Only A Northern Song - takes 3+12 (Anthology 2 speed corrected) Intro To Sgt. Pepper (applause) RM20 (Secret Songs In Pepperland) Billy Shears (applause) RM 20 (Secret Songs In Pepperland) Good Morning, Good Morning (sound effects) RM 20 (Secret Songs In Pepperland) alternate mixes Being For The Benefit Of Mr. Kite! - rehearsal take 7 (Anthology Video) Strawberry Fields Forever - take 25 (INTB + UM) Strawberry Fields Forever - take 26 - RM9 (MM + TMODM) Strawberry Fields Forever - take 26 (It's Not Too Bad) Strawberry Fields Forever - take 25 (CCRMM) Strawberry Fields Forever - take 26 (CCRMM) When I'm Sixty-Four - mono speed corrected (DESS) Penny Lane - stereo with trumpet coda (DESS + secret Purple Chick magic) She's Leaving Home - mono speed corrected (DESS)

DISC FIVE - Monitor Mixes and Remixes: Strawberry Fields Forever - take 1 (The Making Of Sgt. Pepper) Strawberry Fields Forever - take 7 (The Making Of Sgt. Pepper) Strawberry Fields Forever - take 26 (The Making Of Sgt. Pepper) Sgt. Pepper's Lonely Hearts Club Band (Arrive Without Aging) With A Little Help From My Friends (Arrive Without Aging) Lucy In The Sky With Diamonds - take 6 `(Arrive Without Aging) Being For The Benefit Of Mr. Kite (Arrive Without Aging) Good Morning Good Morning (Arrive Without Aging) A Day In The Life - take 1 (Anthology DVD+Arrive Without Aging) A Day In The Life - take 1 (Anthology Director's Cut) A Day In The Life - take 6 (Anthology Director's Cut) A Day In The Life - orchestra overdub (Anthology Director's Cut) Penny Lane - RM 9 (More Masters + Turn Me On Dead Man) Penny Lane - RM 10 (More Masters + Turn Me On Dead Man) A Day In The Life - RS 1 (A Day In The Life) A Day In The Life - RS 2 (A Day In The Life) A Day In The Life - RS 3 (A Day In The Life) A Day In The Life - RS 4 (A Day In The Life) A Day In The Life - RS 5 (called as RS7) (A Day In The Life) A Day In The Life - RS 6 (A Day In The Life) A Day In The Life - RS 7 (A Day In The Life) A Day In The Life - RS 8 (A Day In The Life) A Day In The Life - RS 9 (A Day In The Life) Strawberry Fields Forever - take 1 (Abbey Road Video Show) Strawberry Fields Forever - take 7 (Abbey Road Video Show) Strawberry Fields Forever - take 26 (Abbey Road Video Show) Strawberry Fields Forever - take 1 (Anthology DVD) Strawberry Fields Forever - take 7 RM3 + take 25 drums (Anthology 2) Penny Lane - takes 6+7+9 (Anthology 2) A Day In The Life - takes 1+2+take 6 RM1+orchestra session (Anthology 2) Only A Northern Song - takes 3+12 (Anthology 2) DISC SIX - Multitrack Mixes Sgt. Pepper's Lonely Hearts Club Band Applause and crowd noise Backing track Lead and backing vocals Lead guitar and brass With A Little Help From My Friends Percussion, bass guitar, guitar Backing track Lead and backing vocals, organ Backing vocals, guitar She's Leaving Home Strings #1 Strings #2 Lead and backing vocals Harmony and backing vocals A Day In The Life Piano and lead vocals Guitar and tambourine Jangle piano, orchestra Bass guitar and drums Full Multitrack Remixes Sgt. Pepper's Lonely Hearts Club Band With A Little Help From My Friends She's Leaving Home A Day In The Life When I'm Sixty Four

Sgt. Pepper's Lonely Hearts Club Band - Deluxe Edition (Purple Chick) Disc 4 #'s 23-27 speed corrected to the key of B

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DISC-1 "Sgt.Pepper" Era Sessions and More 1. John intro and "Sgt.Pepper's..." edit,BBC "Where It's At" 0'49'' 2. "With A Little..." edit and Kenny Everett,BBC "Where It's At" 1'05'' 3. Sgt.Pepper's Lonely Hearts Club Band - effects tape 1 0'53'' 4. Sgt.Pepper's Lonely Hearts Club Band - take 10 w/George Martin 1'31'' 5. Sgt.Pepper's Lonely Hearts Club Band - effects tape 2 0'37'' 6. Lucy In The Sky With Diamonds - take 6 with George Martin 1'03'' 7. Lucy In The Sky With Diamonds - edit takes 6-8,RS'95 3'06'' 8. Kenny,Ringo & John into and "Lucy..." edit,BBC "Where It's At" 2'11'' 9. Kenny and "Fixing A Hole" edit,BBC "Where It's At" 1'06'' 10. Being for The Benefit Of Mr.Kite - takes 1 & 2,RS'95 1'07'' 11. Being for The Benefit Of Mr.Kite - take 7,RS'95 2'33'' 12. Being for The Benefit Of Mr.Kite - take 7 fragment,RM'95 0'12'' 13. Being For The Benefit Of Mr.Kite - take 9 with George Martin 0'59'' 14. John and Kenny and "Being For..." edit,BBC "Where It's At" 1'07'' 15. A Day In The Life - take 1 with George Martin 1'13'' 16. A Day In The Life - edit takes 1 & 2,RS'95 3'22'' 17. A Day In The Life - take 6,RM1 4'21'' 18. A Day In The Life - take 7 fragment,RS'95 0'48'' 19. A Day In The Life - take 7,RS'88 5'07'' 20. Kenny and "When I'm 64" edit,BBC "Where It's At" 1'06'' 21. Kenny & Paul and "She's Leaving Home" edit,BBC "Where It's At" 1'54'' 22. interview with Brian Matthew,BBC "Top Of The Pops" 1'04'' 23. Within You Without You - take 2 with George Martin 1'18'' 24. Within You Without You - take 2,instrument tracks,RS'95 5'26'' 25. Kenny and "Lovely Rita" edit,BBC "Where It's At" 1'34'' 26. Sgt.Pepper's Lonely Hearts Club Band (reprise) - take 5,RM'95 1'27'' 27. Kenny and Paul and "Getting Better" edit,BBC "Where It's At" 1'29'' 28. Good Morning Good Morning - home demo 1'06'' 29. Good Morning Good Morning - take 8,RS'95 2'40'' 30. Good Morning Good Morning - take 11 with George Martin 0'35'' 31. Good Morning Good Morning - sound effects 1'37'' 32. Kenny,"Good Morning..." edit, Paul, credits, BBC "Where It's At" 1'40'' 33. Only A Northern Song - edit takes 3,11,12;RS'95 2'45'' 34. Magical Mystery Tour - take 9,RM7 2'45'' 35. Across The Universe - home tape 1'31'' 36. She's Walkin' Past My Door(?) - home tape 1'41'' 37. You Know My Name(Look Up The Number) - home tape 1'11'' 38. All You Need Is Love - take ?,RM'95 0'27'' 39. All You Need Is Love - take 58,telecast 6'53''

DISC-2 Mono Mixes and a Mixing Session The mono "Sgt.Pepper's Lonely Hearts Club Band" LP 1. Sgt.Pepper's Lonely Hearts Club Band - take 10,RM3 2'01'' 2. With A Little Help From My Friends - take 11,RM15 2'45'' 3. Lucy In The Sky With Diamonds - take 8,RM4 3'27'' 4. Getting Better - take 15,RM3 2'47'' 5. Fixing A Hole - take 3,edit RM3 & 6 2'37'' 6. She's Leaving Home - take 9,RM6 3'24'' 7. Being For The Benefit Of Mr.Kite - take 9,RM4 2'36'' 8. Within You Without You - take 2,edit of RM10 & 12 5'08'' 9. When I'm Sixty-Four - take 4,RM8 2'39'' 10. Lovely Rita - take 11,edit of RM11 & 14 2'45'' 11. Good Morning Good Morning - take 11,RM23 2'35'' 12. Sgt.Pepper's Lonely Hearts Club Band (reprise) - take 9,RM9 1'19'' 13. A Day In The Life - take 7,RM9 5'04'' 14. Edit For LP End - take 1,RM1 0'35'' Other "Sgt.Pepper" era mono mixes 15. Only A Northern Song - edit takes 3,11,12;RM6 3'28'' 16. Baby You're Rich Man - take 2,RM1 3'05'' 17. All Together Now - take 9,RM6 2'17'' 18. It's All Too Much - take 2,RM1 8'17'' 19. All You Need Is Love - take 58,RM4 4'00'' 20. All You Need Is Love - take 58,RM11 4'24'' A stereo mixing session 21. A Day In The Life - take 7,RS4-RS6 4'56'' Other mono mix 22. Lucy In The Sky With Diamonds - prepared for "Yellow Submarine" film,RM20 3'37''

Every known "Sgt. Pepper" era rarity - two & a half hours of outtakes,alternate takes,alternate mixes,home tapes and broadcasts - incliding the premier release of BBC Radio's first airing of the LP!

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All Together On The Wireless Machine [Paul On The BBC] (10/12/67) Magical Mystery Tour [Take 9 Rm5; Film Version] (04/27/67) Fool On The Hill [Demo; Paul On Piano] (09/06/67) Magical Mellotron Music [Film Incidental Music] (00/00/67) Aerial Tour Instrumental [Take 6 Rm4] (09/08/67) Where's The Bus? [Dialogue] (00/00/67) I Am The Walrus [Take 7; Instrumental] (09/05/67) I Am The Walrus [Take 9; Instrumental] (09/05/67) I Am The Walrus [Take 16; Final Version W/o Overdubs] (09/06/67) Jessie's Dream [Film Incidental Music] (10/00/67) Blue Jay Way [Take 3 Rm1] (09/07/67) They're Having A Lovely Time [Dialogue] (00/00/67) Your Mother Should Know [Take 3] (08/22/67) Hello Goodbye [Take 1; Instrumental] (10/02/67) All You Need Is Love [Take 58 Rm4; Original Mono Mix, Longer Fade-Out] (06/25/67) It's All Too Much [Take 4; Film Version] (05/25/67) New Blue Meanies [Dialogue] (00/00/68) Altogether Now [Take 9 Rm6; Mono Mix] (05/12/67) Hey Bulldog [Take 10 Rm1; Mono Mix] (02/11/68) Across The Universe [Take 7 Rm2; Alt Mix] (02/04/68) It's All Too Much [Take 4; Unedited Long Version] (05/25/67) Think For Yourself [Studio Talk 1965, Part Of Which Is Used In The 'Yellow Submarine' Film] (11/08/65)

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One After 1999 Catswalk Bad To Me How DO You Do It? Do You Wnat to Know A Secret Leave My Kitten Alone If You've GOt Trouble SHout Medley of Hits Yes It Is Paperback Writer Paperback Writer Your Mother Should Know Birthday Goodbye I've Got A Feeling I Me Mine A Day In the Life TOmorrow Never Knows Strawberry Fields Revolution Yer Blues A Case of the Blues Across the Universe

A/k/a/ "Not For Sale Outtakes"

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interview with Paul interview with George

In the summer of 1967, two young girls visited London and set out to meet the Beatles. One afternoon - possibly July 31st - they lucked out. Both Paul McCartney and George Harrison were not only at home and open to a visit, but allowed the girls to run a tape. The result is unusual in that it shows McCartney and Harrison (who was also entertaining Klaus Voorman at his home) in a more casual mood than is typically heard on recordings of press conferences and formal interviews. - - - - - In July of 1967, two teenagers from the United States, convinced their parents to send them to Oxford for a summer course on Britain Today. The girls had other plans, however, and after spending one morning (maybe) in class, they headed for London and wound up on Paul's doorstep. One girl is burdened with pictures from her friends, what seem to be millions of gifts for the Beatles, and most importantly for us all these years later, a tape recorder. She has pictures of the Beatles that her many friends and pen pals back in the States want autographed. One has a note attached, "Here is my fave pic of George. Please ask him to sign it or breathe on it, whatever...." Paul and George both read the inscription and the "little girl," not knowing that she will later meet George, has Paul sign it first. She also has gifts for them, some of which are sort of Pepper-related buttons that say "All you need is love" or something similar. Apparently she had sent some to the boys by mail, they'd worn them, and she got a photographer to send her pictures with "youse all wearing them." Anyway, she must have tons of stuff because the tape sounds like the microphone is bouncing off of a kitchen's worth of pots and pans and she's continually pulling stuff out to ask them about or show them. "Were George and John at Monterey?" "Did you get the thing from Al Brodax?" The girl has some article from International Times she asks both Paul and George about. "You're deep!" In chatting with Paul, she asks him lots of questions about the meaning of Sgt. Pepper, the inspiration for "She's Leaving Home," the difference between the Parlophone recordings versus the Capitol recordings and where to find Radio Caroline on the dial. Jane Asher, "the local farm maid," serves them lemonade. The Little Girl has Paul say hello to about 100 of her friends by name and Paul introduces her to his cat's new kittens. She has a recording that she has just picked up in Paris after hearing Murray the K insist that Lord Sitar is George using an alias. She asks Paul about it, and he says, no, he doesn't think it's George. The girl later asks George himself, and he says, "Oh, it's sitar. No, that's not me." She says, "It's not very good and you wouldn't do that," to which George mimics, "I wouldn't DO that." From Paul's house, they head to George's and find him at home with Klaus Voorman. George graciously entertains them as well, even recognizing The Little Girl's name, apparently from the enormous amount of mail she sends him. "Please, stop sending so much paper, there's only so much the dustbin can handle!" When asked, George tells them about his new song, a rocker, "It's All Too Much" and they chat about his passion for the sitar, why he hasn't quit smoking, ("I was off it for a while and now I'm back on again."), and the new paint job on his house. Our Little Girl kept her wits and she must have had a list of questions for them a mile long. No music, just a curiousity piece, but very interesting to hear how accessible Paul and George were to these two girls who just wandered by on a summer's day.

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http://www.bootlegzone.com/album.php?name=PMC7027§ion=1

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9-5-67 I Am The Walrus, take 9 I Am The Walrus, take 17 9-6-67 Fool On The Hill, demo 9-7-67 Blue Jay Way, take 3 9-67 The Bus, instr. from MMT film 9-8-67 Flying Your Mother Should Know, take 27 10-2-67 Hello Goodbye, take 1- instr. 10-19-67 Hello Goodbye, take 16 11-1-67 Yellow Submarine All You Need Is Love 11-28-67 Christmas Time is Here Again Christmas Time is Here Again, 1995 remix 1-12-68 Inner Light, instr. 2-3-68 Lady Madonna Lady Madonna, 1982 remix & 1995 remix Across The Universe, take 2 mix #1

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Revolution Yer Blues Not Guilty Lady Madonna Tomorrow Never Knows The Bus Strawberry Fields Forever Jealous Guy Mucho Mungo Many Rivers To Cross How Do You Sleep Subterranean Homesick Blues One After 909 Get Back Mailman, Bring Me No More Blues The Walk Two Of Us Don't Let Me Down Save The Last Dance For Me Ob-La-Di Ob-La-Da Strawberry Fields Forever Dig It Let It Be

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Magical Mystery Tour The Fool On The Hill (Take 4) Flying Blue Jay Way Your Mother Should Know (Take 1) I Am The Walrus (Take 17) Hello Goodbye (Take 16) Strawberry Fields Forever (Take 1) Penny Lane Baby You're A Rich Man All You Need Is Love The Fool On The Hill (Demo) Magical Mellotron Music Magical Mystery Tour I Am The Walrus (Take 7) Your Mother Should KNow (Take 27) Where's The Bus I Am The Walrus (Take 9) Blue Jay Way Your Mother Should Know I Am The Walrus (Take 16) They're Having A Lovely Time Flying Flying #2 Flying #3 Flying #4 Flying #5

Strawberry Fields Forever (Demo 1) Strawberry Fields Forever (Demo 2) Strawberry Fields Forever (Demo 3) All You Need Is Love (Take 58) Hello Goodbye (Take 1) Penny Lane Strawberry Fields Forever (Take 1) Strawberry Fields Forever (Take 2) Strawberry Fields Forever (Take 3) Strawberry Fields Forever (Take 4) Strawberry Fields Forever (Take 5) Strawberry Fields Forever (Take 6) Strawberry Fields Forever (Take 7) Strawberry Fields Forever (Take 25) Strawberry Fields Forever (Take 26) Strawberry Fields Forever (Edit Piece) Strawberry Fields Forever (Alt. Mix) All You Need Is Love Penny Lane All You Need Is Love

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Hello Goodbye (video)

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Magical Mystery Tour - stereo All You Need Is Love Baby You're A Rich Man Hello Goodbye Magical Mystery Tour Your Mother Should Know I Am The Walrus The Fool On The Hill Flying Blue Jay Way Lady Madonna The Inner Light All Together Now Hey Bulldog It's All Too Much Across The Universe Christmas Time (Is Here Again) Alternate stereo mixes I Am The Walrus (US mix) Magical Mystery Tour (video mix) Blue Jay Way (video mix) Your Mother Should Know (video mix) All You Need Is Love (anthology mix) I Am The Walrus (anthology mix) Hello Goodbye (anthology mix) Lady Madonna (anthology mix)

Magical Mystery Tour - mono All You Need Is Love Baby You're A Rich Man Hello Goodbye Magical Mystery Tour Your Mother Should Know I Am The Walrus The Fool On The Hill Flying Blue Jay Way Lady Madonna The Inner Light All Together Now Hey Bulldog It's All Too Much Across The Universe Christmas Time (Is Here Again) Alternate mono mixes I Am The Walrus (US mix) All You Need Is Love (film mix) Magical Mystery Tour (film mix) I Am The Walrus (film mix) Your Mother Should Know (film mix) Anthology DVD medley

Sessions Free Now (Liverpool Sound Collage) Magical Mystery Tour - RM4 (Another Tracks of Magical Mystery Tour) Magical Mystery Tour - RM7 (Acetates) All You Need Is Love - take unknown (ant vid) All You Need Is Love - warmup (Rare Tracks + UM3 (UT)) All You Need Is Love - take 58 (UM3 (UT)) Your Mother Should Know - take 8 (Acetates 2002) I Am The Walrus - take 7 (CCRMM) I Am The Walrus - take 8 (CCRMM) I Am The Walrus - take 9 (CCRMM) I Am The Walrus - rehearsal (CCRMM) I Am The Walrus - takes 16+17 (Anthology 2) I Am The Walrus - take 17 RM4 (Acetates 2002) The Fool On The Hill - demo take 1 (Anthology 2) Blue Jay Way - RM1 (Acetates 2002) Flying - RM4 (UM 3 + SPLHCB:AHOTBY) Your Mother Should Know - take 27 (Anthology 2) The Fool On The Hill - take 4 (Anthology 2) Flying - take 8 + overdub takes 1-5 (Miscellaneous Tracks) I Am The Walrus - 'King Lear' overdub Hello Goodbye - take 1 (CCRMM + Miscellaneous Tracks 2005) Hello Goodbye - take (Anthology 2) Christmas Time (Is Here Again) - (Sessions + As It Happened, Baby!) The Inner Light (stereo backing track) Lady Madonna - take 3 complete (unbooted composite) Across The Universe - take 2 (CCRMM + Ant 2 + CCRMM) Across The Universe - take 7, original speed Lady Madonna - take 4 vocal overdubs (CCRMM) Lady Madonna - take 4 (A Day In The Life) Lady Madonna - take 4 + overdubs (Abbey Road Video Show) Lady Madonna - take 5 false starts (UM 4) Lady Madonna - take 5 (UM 4 + Love) Alternate stereo mixes: All You Need Is Love - master (Y.S. Songtrack) Baby You're A Rich Man - master (Y.S.S.) All Together Now - master (Y.S. Songtrack) Hey Bulldog - master (Y.S. Songtrack) It's All Too Much - master (Y.S. Songtrack) Hello Goodbye - master (video 1) Across The Universe - take 2 (Anthology 2) Lady Madonna - takes 3+4+5 (Anthology 2) All You Need Is Love ñ unk. take (Ant. DVD) Rumitape - parts i-v Monitor mixes: Across The Universe - take 2 Lady Madonna - take 5a Lady Madonna - take 5b Lady Madonna - take 5c

Magical Mystery Tour LP - Deluxe Edition (Purple Chick)

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Magical Mystery Tour The Fool On The Hill (Take 4) Flying Blue Jay Way Your Mother Should Know (Take 1) I Am The Walrus (Take 17) Hello Goodbye (Take 16) Strawberry Fields Forever (Take 1) Penny Lane Baby You're A Rich Man All You Need Is Love The Fool On The Hill (Demo) Magical Mellotron Music Magical Mystery Tour I Am The Walrus (Take 7) Your Mother Should KNow (Take 27) Where's The Bus I Am The Walrus (Take 9) Blue Jay Way Your Mother Should Know I Am The Walrus (Take 16) They're Having A Lovely Time Flying Flying #2 Flying #3 Flying #4 Flying #5

Strawberry Fields Forever (Demo 1) Strawberry Fields Forever (Demo 2) Strawberry Fields Forever (Demo 3) Strawberry Fields Forever (Demo 4) All You Need Is Love (Take 58) Hello Goodbye (Take 1) Penny Lane Strawberry Fields Forever (Take 1) Strawberry Fields Forever (Take 2) Strawberry Fields Forever (Take 3) Strawberry Fields Forever (Take 4) Strawberry Fields Forever (Take 5) Strawberry Fields Forever (Take 6) Strawberry Fields Forever (Take 7) Strawberry Fields Forever (Take 25) Strawberry Fields Forever (Take 26) Strawberry Fields Forever (Edit Piece) Strawberry Fields Forever (Alt. Mix) All You Need Is Love Penny Lane All You Need Is Love

Magical Mystery Tour outtakes

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The Movie

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Rain Backwards Speech Tommorow Never Knows I'm Only Sleeping For No One Here There & Everywhere Got To Get You Into My Life Backwards Speech Strawberry Fields Forever Pantomine: Everywhere It's Christmas You Know My Name (Look Up The Number) A Day In The Life Penny Lane Only A Northern Song Magical Mystery Tour I Am The Walrus Christmas Time (Is Here Again) All Together On The Wireless Machine

ARTIFACTS: The Definitive Collection Of Beatles rarities 1960-1969; Northern Song 1966-1967

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Besame Mucho, How do You Do it, I Saw Her standing There, There's A Place, Misery, One After 909, From me to you, Can't Buy Me Love, A Hard Day's Night, Leave My Kitten Alone, She's A Woman, If You've Got Troubles, I'm Looking Through you, Norwegian Wood, We Can Work it Out, Day Tripper, Paperback Writer, Straweberry Fields Forever, Penny Lane, The fool On The Hill, I Am The Walrus, That Means A Lot, Do You Want To Know A Secret, Aerial Tour (Instrumental)

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Good Morning Good Morning Demo Lucy From Little Town A Fairytale Featuring John Impersonating Peter Sellers Strawberry Fields Forever T1 Strawberry Fields Forever T2, 3 & 4 You Know My Name Demo It's All Too Much (Unedited) Strawberry Fields Forever T5,6 & 7 Strawberry Fields Forever Orchestral Only A Northern Song (Mono) A Day In The Life T4 You Know My Name (B Side) Christmas Time Mono Mixes: With A Little Help From My Friends Being For The Benefit Of Mr. Kite Fixing A Hole Lucy In The Sky With Diamonds She's Leaving Home Within You, Without You

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Disc 1: Sgt. Pepper's Lonely Hearts Club Band With a Little Help From My Friends Lucy in the Sky with Diamonds Getting Better Fixing a Hole Being for the Benefit of Mr. Kite Within You, Without You When I'm Sixty-Four Lovely Rita Good Morning, Good Morning Sgt. Pepper's Lonely Hearts Club Band A Day in the Life Intro to Sgt. Pepper / Sgt. Pepper's Lonely Hearts Club Band / Billy Shears Applause Lucy in the Sky With Diamonds Good Morning, Good Morning A Day in the Life Being for the Benefit of Mr. Kite Sgt. Pepper's Lonely Hearts Club Band Within You, Without You A Day in the Life

Disc 2: (The Making of Sgt. Pepper's) Intro The End of Touring and Changes Strawberry Fields Forever Story Penny Lane Story Session Story Part 1 George Martin and Ravi Shankar and The Beach Boys Session Story Part 2 Outro Lucy in the Sky With Diamonds A Day in the Life Only a Northern Song Good Morning, Good Morning Good Morning Animal Noises A Day in the Life Being for the Benefit of Mr. Kite

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All You Need Is Love Lucy In The Sky With Diamonds Good Morning, Good Morning (Sound Effects Only) Intro To Sgt Peppers (Applause Only) Billy Shears (Applause "Sgt Peppers" To "From My Friends") Yellow Submarine It's All Too Much All Together Now Only A Northern Song Sgt. Pepper's Lonely Heart's Club Band (Mono) 9 Sgt. Pepper's Lonely Hearts Club Band With A Little Help From My Friends Lucy In The Sky With Diamonds Getting Better Fixing A Hole She's Leaving Home Being For The Benefit Of Mr. Kite Within You, Without You When I'm Sixty Four Lovely Rita Good Morning, Good Morning Sgt. Pepper's Lonely Hearts Club Band (Reprise) A Day In The Life

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All My Loving All You Need Is Love Don't Let Me Down Hey Bulldog Lucy In The Sky With Diamonds From Me To You We Can Work It Out Help You've Got To Hide Your Love Away I'm Down I Feel Fine I Want To Hold Your Hand Long Tall Sally Mr. Postman Sgt. Peppers Lonely Hearts Club Band She Loves You Something Fool On The Hill Twist And Shout Ticket To Ride Yesterday 4 minutes of behind the scenes footage from the making of Hard Day's Night 3.5 more minutes of some foolish TV show that the boys were obviously committed to.

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-singing over 'Rockin' Rollin' 50's song playing in background -'try to see it my way' -'we can work it out' solo acoustic (cut) -? -John singing 'Lucy from Littletown' over orchestra (cut) -Michelle - acoustic guitar, instrumental -Paul 'he said' - acoustic guitar -'i know what it's like to be dead' -'i know what it's like to be dead' - but bit differently -John 'he said' -John lst half of Strawberry Fields - solo guitar -John lst half of Strawberry Fields - solo guitar bit differently -John Strawberry Fields - solo guitar -John Strawberry Fields - organ + ? -John Strawberry Fields - solo guitar -John speaking German -John solo - ? -instrumental w/ keyboard -instrumental - sound effects -instrumental - keyboard -instrumental - flute + -instrumental - keyboard + guitar + ? -instrumental -instrumental -instrumental -'you're a stranger in my arms' - sung to old timey music -instrumental -John bit of Ed Sullivan imitation introducing a Cuban act over music then sings in Spanish or Portugese then German? -'I'm Pedro the fisherman' with guitar and piano (cut) -'stop the band, the mic's not on' - verbal horseplay -intro with music background -'you're daddy's little sunshine boy' -'you know my name, look up the number' - " with different vocals - " with different vocals & samba music w/ John sorta shouting in the background - " with different vocals - " with different vocals -John 'she can talk to me' - piano + other vocalist -working out 'she can talk to me' on piano with other vocalist -working out ? on piano + ? -working out ? on piano & vocals -Paul 'we'll be together forever'

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George Martin & Paul McCartney - about Sgt. Pepper Sgt. Pepper's Lonely Hearts Club Band - mono remix 3 from take 10 With A Little Help From My Friends - mono remix 15 from take 11 Being For The Benefit Of Mr. Kite - mono remix 4 from take 9 Only A Northern Song - remixed mono version from take 3 and 11 Fixing A Hole - mono remix from take 2 Lucy In The Sky With Diamonds (one) - remix 11 from take 7 Lucy In The Sky With Diamonds (two) - mono remix 4 from take 8 Getting Better - mono remix 3 from take 15 She's Leaving Home - mono remix 6 from take 9 Strawberry Fields Forever (one) - John demo tape and the songs development Strawberry Fields Forever (two) - trumpet & cello development Penny Lane (one) - overdub sessions Penny Lane (two) - remix 11 from take 9 Joking - like! your having a laugh !

Within You Without You (one) - the basic track was recorded 15th March 1967 Within You Without You (two) - mono remix from take 2 When I'm Sixty-four - mono remix 8 from take 4 Lovely Rita - mono remix 15 from take 11 Good Morning Good Morning (one) - rough stereo mix of take 8 Good Morning Good Morning (two) - mono remix 2 of take 11 Sgt. Pepper's Lonely Hearts Club Band (Reprise) - rough mix of take 5 A Day In The Life (one) - rough mix of take 5 (five) A Day In The Life (two) - early mix of take 7 Everywhere It's Christmas - excerpt from fourth fan club xmas flexi disc Excerpts From The Family Way Soundtrack - George Martin Orchestra (written by Paul McCartney - 1966) All You Need Is Love - take 58 - with pre-recorded rhythm track take 11 (basically the ‘live’ version) It's All Too Much - from the alternative ‘magical submarine tour’ CD Sgt. Pepper's Lonely Hearts Club Band - Jimi Hendrix Version

The Alternate Sgt. Pepper's Lonely Hearts Club Band & A Little More (1966-67)

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Disc 1 Apr 25th 1967 – Studio Three, 7:00pm-3:45am 01. Magical Mystery Tour (Coach sound effect) 02. Magical Mystery Tour (Take 3) Apr 26th 1967 – Studio Three, 7:00pm-2:00a 03. Magical Mystery Tour (SI onto take 8) Apr 27th 1967 – Studio Three, 7:00pm-12:45am 04. Magical Mystery Tour (SI onto take 9) 05. Magical Mystery Tour (Mono mix RM4) May 3rd 1967 – Studio Three, 7:00pm-12:15am 06. Magical Mystery Tour (SI onto take 9) May 4th 1967 – Studio Three (control room only), 7:00-11:15pm 07. Magical Mystery Tour (Mono mix RM7) May 11th 1967 – Studio One at Olympic Sound, 9:00pm-3:00am 08. Baby You’Re A Rich Man (Take 12) 09. Baby You’Re A Rich Man (SI onto take 12) 10. Baby You’Re A Rich Man (SI onto take 12) 11. Baby You’Re A Rich Man (SI onto take 2 from take 12) 12. Baby You’Re A Rich Man (SI onto take 2 from take 12) 13. Baby You’Re A Rich Man (Mono mix RM1) May 12th 1967 – Studio Two, 7:00pm-12:30 14. All Together Now (Take 9) 15. All Together Now (SI onto take 9) 16. All Together Now (SI onto take 9) 17. All Together Now (Mono mix) May 17th 1967 – Studio Two, 7:00pm-2:30am 18. You Know My Name (Look Up the Number) (Part 1 take 9) May 25th 1967 – De Lane Lea Music Recording Studios, time unknown 19. It’S All Too Much (Take 4) May 26th 1967 - De Lane Lea Music Recording Studios, time unknown 20. It’S All Too Much (SI onto take 2 from take 4) June 2nd 1967 - De Lane Lea Music Recording Studios, 8:30pm-2:00am 21. It’S All Too Much (SI onto take 2 from take 4) June 9th 1967 – Studio Two (control room only), 7:00-11:00pm 22. You Know My Name (Look Up the Number) (Parts 1-5) ____________________________________________________________________________________________ Disc 2 June 14th 1967 – Studio One, Olympic Sound, time unknown 01. All You Need Is Love (Take 10) June 19th 1967 – Studio Three, 7:00pm-1:45am 02. All You Need Is Love (SI onto take 10) June 21st 1967 – Room 53, 4:30-5:00pm and Studio Three (control room only), 7:00-11:30pm 03. All You Need Is Love (Rough mono mix sim) June 23rd 1967 – Studio One, 8:00-11:00pm 04. All You Need Is Love (Takes 34-43 sim) June 24th 1967 – Studio One, 5:00-8:00pm 05. All You Need Is Love (Takes 44-47 sim) June 25th 1967 – Studio One, 2:00pm-1:00am 06. All You Need Is Love (Take 58) 07. All You Need Is Love (SI onto take 58) June 26th 1967 – Studio Two (control room only), 2:00-5:00pm 08. All You Need Is Love (Mono mix RM14) Aug 22nd 1967 – Chappell Recording Studios, time unknown 09. Your Mother Should Know (Take 8) Aug 23rd 1967 - Chappell Recording Studios, time unknown 10. Your Mother Should Know (SI onto take 9) 11. Your Mother Should Know (SI onto take 9) Sept 5th 1967 – Studio One, 7:00pm-1:00am 12. I Am The Walrus (Take 7) 13. I Am The Walrus (Take 8) 14. I Am The Walrus (Take 9) 15. I Am The Walrus (Rehearsal) 16. I Am The Walrus (Take 16 + 17) Sept 6th 1967 – Studio Two, 7:00pm-3:00am 17. I Am The Walrus (SI onto take 17) 18. I Am The Walrus (SI onto take 17) 19. I Am The Walrus (Mono mix RM4) 20. The Fool On The Hill (Demo) 21. Blue Jay Way (Take 1) Sept 7th 1967 – Studio Two, 7:00pm-3:15am 22. Blue Jay Way (SI onto take 2) 23. Blue Jay Way (SI onto take 3) Sept 8th 1967 – Studio Three, 7:00pm-2:45am 24. Flying (Take 6) 25. Flying (SI onto take 8) 26. Flying (Mono mix RM4) ____________________________________________________________________________________________ Disc 3 Sept 16th 1967 – Studio Three, 7:00pm-3:45am 01. Your Mother Should Know (Take 27) 02. Blue Jay Way (RM1) Sept 25th 1967 – Studio Two, 7:00pm-3:00am 03. The Fool On The Hill (Take 3 + 4) 04. The Fool On The Hill (SI onto take 4) 05. The Fool On The Hill (SI onto take 4) 06. The Fool On The Hill (SI onto take 4) Sept 26th 1967 – Studio Two, 7:00pm-4:15am 07. The Fool On The Hill (SI onto take 5) 08. The Fool On The Hill (SI onto take 6) Sept 27th 1967 – Studio One, 2:30-5:30pm 09. I Am The Walrus (Take 20) Sept 27th 1967 – Studio Two, 7:00pm-3:30am 10. I Am The Walrus (SI onto take 25) Sept 28th 1967 – Studio Two, 7:00pm-3:00am 11. Flying (SI onto take 8) 12. Flying (Take 8 + overdub takes 1-5) 13. Flying (Mono mix RM6) Sept 29th 1967 – Studio Two, 7:00pm-5:00am 14. I Am The Walrus (RM23) 15. King Lear 16. Your Mother Should Know (SI onto take 52) 17. Your Mother Should Know (SI onto take 52) 18. Your Mother Should Know (RM20 simulated) Oct 2nd 1967 – Studio Two, 10:00pm-2:30am 19. Your Mother Should Know (Mono mix RM25) 20. Hello Goodbye (Take 1) 21. Hello Goodbye (Take 14) ____________________________________________________________________________________________ Disc 4 Oct 6th 1967 – Studio Two, 7:00-12:00pm 01. Blue Jay Way (SI onto take 3) Oct 12th 1967 – De Lane Lea Music, 2:30-8:00pm 02. It’s All Too Much (Mono mix) Oct 19th 1967 – Studio One, 7:00pm-3:30am 03. Hello Goodbye (SI onto take 16) 04. Hello Goodbye (SI onto take 16) Oct 20th 1967 – Studio Three, 7:00pm-3:45am 05. The Fool On The Hill (SI onto take 6) 06. Hello Goodbye (SI onto take 17) Oct 25th 1967 – Studio Two, 7:00pm-3:00am 07. The Fool On The Hill (Mono mix RM12) 08. Hello Goodbye (SI onto take 21) Nov 1st 1967 – Room 53, 10:00am-1:00pm 09. All You Need Is Love (YS mono mix) 10. Lucy In The Sky With Diamonds (YS mono mix) Nov 1st 1967 – Studio Three (control room only), 2:30-6:00pm 11. The Fool On The Hill (Stereo mix RS5) Nov 2nd 1967 – Studio Three, 2:30-6:00pm 12. Hello Goodbye (Mono mix RM6) Nov 6th 1967 – Studio Three (control room only), 2:30-6:00pm 13. Hello Goodbye (Stereo mix RS2) 14. Your Mother Should Know (Stereo mix RS2) Nov 7th 1967 – Studio Two (control room only), 2:30-5:45pm 15. Flying (Stereo mix RS1) Nov 7th 1967 – Studio One, 9:00pm-4:30am 16. Blue Jay Way (Mono mix RM27) 17. Blue Jay Way (Stereo mix RS12) 18. Magical Mystery Tour (Stereo mix RS6) 19. Magical Mystery Tour (Mono mix RM10) Nov 17th 1967 – Room 53, 10:00am-1:15pm 20. I Am The Walrus (Stereo mix RS25)

Sources used: Anthology 2 CD, Anthology DVD, Yellow Submarine Songtrack, Magical Mystery Tour CD, Purple Chick MMT Deluxe, MMT '88 Laserdisc, Loveology, Five Point Wonderful, CD Singles & EP sets, The Lost Pepperland Reel

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Sgt Pepper Promo video 6/9 Paul's LSD interview 6/25 Our World broadcast of All You Need is Love with intro and outro All You Need is Love (color version) 7/67 John's Rolls Royce 7/27 Julian's Caravan 7/22-30 Greek Holiday - Color Home Movies (3 sources) 7/31 London Airport 8/20 Jason is Born (2 sources) 8/24 London Hilton (2 sources) 8/25 Euston Train Station & Bangor Arrival (many sources) 8/26 Normal College, Bangor 8/27 London - Brian's Death 8/27 Bangor - Brian's Death (Paul & Jane leave Bangor; John, George & Ringo interview (multiple sources)) 9/13 Southwest at 6 Report on MMT 9/13 Plymouth raw footage (2 sources) 9/13 Holywell Color Home Movies 9/13 Newquay Color Home Movies 9/15 The Bus Ride 9/24 Your Mother Should Know (with raw footage) 1967 Beatles Cartoon Intro Penny Lane Cartoon Strawberry Fields Cartoon 9/29 David Frost Show Clips (many sources) 10/17 New London Synagogue How I Won The War Trailer #1 How I Won The War Trailer #2 10/18 London Pavilion - Premiere of the movie (3 sources) 10/67 9 min Man Behind the Beatles Richard Lester Documentary, 10/29 Paul in Nice, France 11/17 TVC Studios 11/21 Step Inside Love Rehearsal with Paul & Cilla with original rehearsal audio! 11/26 Ed Sullivan Show Hello Goodbye #1 (Sgt. Pepper costumes) remaster Hello Goodbye #2 (mod clothes) Hello Goodbye #3 (the boys clown around and in collarless suits) Hello Goodbye 1993 (Mod clothes, blue border and different stereo mix), Hello Goodbye 2000 (Sgt Pepper costumes with Mod clothes ending and clowning around and yet another different stereo mix!) 12/4 Royal Art Institute (2 sources) 12/5 Apple Boutique Opening (3 sources) Magical Mystery Tour Trailer I AM The Walrus (with outtake footage) 12/67 Beat Club with Beatles in the charts!

Various interviews and performances June thru December, 1967 FAB Productions DVD

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A Day In The Life #1 A Day In The Life #2 She's Leaving Home #1 She's Leaving Home #2 Sgt. Pepper's LHCB #1 Sgt. Pepper's LHCB #2 Sgt. Pepper's LHCB #3 With A Little Help From My Friends #1 With A Little Help From My Friends #2

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01 Magical Mystery Tour ~ Acetates without backing vocals 02 The Fool on the Hill ~ Take 1 03 Magical Mellotron Music 04 Aerial Tour Instumental 05 Whers the Bus 06 I am the Walrus ~ Take 7 07 I am the Walrus ~ Take 9 08 I am the Walrus ~ Acetate 09 Jessie's Dream 10 Blue Jay Way ~ Overdub Session 11 They're having a lovely time 12 You're Mother Should Know ~ Take 1 13 Hello Goodbye ~ Take 1 14 It's all too much ~ Rough 15 New Blue Meanies 16 Christmastime is here again ~ Alternate

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Not Only But Also Reporting 66 Strawberry Fields Forever / Penny Lane A Day In The Life All You Need Is Love Hello Goodbye v1 / Hello Goodbye v2 Hello Goodbye v3 Lady Madonna promo1 Lady Madonna promo2 Hey Bulldog Step Inside Love Experiment in TV Helter Skelter / Blackbird Weird' Album Sessions Hey Jude promo1 Hey Jude promo2 Hey Jude promo3 Revolution About Apple and his artists Goodbye Wonderwall Yer Blues Get Back Don't Let Me Down The Ballad of John and Yoko Something Last public sighting of J, G & R John with Yoko and last interview as a Beatle Let It Be

Collects lots of stuff captured on video between 1967 - 1970, Promos, TV-Appearances, Interviews.

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Disc 1 Nov 24th 1966 - Studio Two, 7:00pm-2:30am STRAWBERRY FIELDS FOREVER Rehearsal STRAWBERRY FIELDS FOREVER Take 1 The basic instrumentation was all recorded to track 1, panned left in the Anthology version. STRAWBERRY FIELDS FOREVER SI onto take 1 Lead and then backing vocals, in a stereo vocal mix from a sync of the Anthology version and the boot version. George’s mellotron contribution was oddly recorded to the same track as John’s lead vocal. The pitch of the vocals has been adjusted down by one semitone to sound more natural, although no tape speed variations are noted in any of the sources. Nov 28th 1966 - Studio Two, 7:00pm-1:30am STRAWBERRY FIELDS FOREVER Take 2 For this first remake they switched from the key of C major to the key of A major, which was to have significant consequences later on. STRAWBERRY FIELDS FOREVER Take 3 Aborted early when John says “….it loud,” probably having a problem with his headphones. STRAWBERRY FIELDS FOREVER Take 4 The basic take, plus George’s mellotron (utilizing the pitch wheel) and Paul’s bass overdubs to a second track. John’s vocal and guitar are on the other two tracks. The available stereo mix has the overdub panned left with the other instruments, making it impossible to isolate. STRAWBERRY FIELDS FOREVER SI onto take 4 John’s lead vocal overdub. Nov 29th 1966 - Studio Two, 2:30-8:00pm STRAWBERRY FIELDS FOREVER Rehearsals Found at the end of the reel after the proper takes. STRAWBERRY FIELDS FOREVER Take 5 Paul practices the intro while John tunes his guitar. STRAWBERRY FIELDS FOREVER Take 6 The basic take plus overdubs. Again the pan position of the overdub in the mix makes isolating it impossible. STRAWBERRY FIELDS FOREVER SI onto take 6 John’s lead vocal overdub, a center channel extraction from the boot mix. STRAWBERRY FIELDS FOREVER SI onto take 7 Stereo vocals from sync of takes 6 and 7, though the mix is a bit rough the take 6 vocal can be heard on the right and the new take 7 vocal on the left. According to RTB the take 7 vocal was recorded at 53 cps, so this track has been pitch-adjusted upward by one semitone. STRAWBERRY FIELDS FOREVER SI onto take 7 On the last available track another mellotron part was recorded. The performer isn’t identified. STRAWBERRY FIELDS FOREVER Take 7 RM 3 Remix mono 3 of the finished take 7. Dec 6th 1966 - Studio Two, 6:45pm-1:50am WHEN I'M SIXTY-FOUR Take 2 The basic take has bass, drums and piano, all on one track; most likely it’s George Martin performing the piano part, judging from the embellishments at the two minute mark. All versions of this song have been lowered by one semitone as they were originally played. Dec 8th 1966 - Studio One, 2:30-5:30pm WHEN I'M SIXTY-FOUR SI onto take 2 The lead vocal was also performed one semitone lower than heard on record. Paul was the only Beatle present for this afternoon session in Studio One. Dec 8th 1966 - Studio Two, 7:00pm-3:40am STRAWBERRY FIELDS FOREVER Takes 9-24. Two reversed sections were utilized in the final percussion track; the first section was used in both the first and second verses, and the second section was used during the third verse. Both sections have been re-reversed to play as they were recorded. STRAWBERRY FIELDS FOREVER Edit of takes 15 and 24 into take 25. This is the full percussion track with reversed inserts, isolated from take 26, but with quite a bit of leakage of the later-overdubbed vocals. Dec 9th 1966 - Studio Two, 2:30-10:00pm STRAWBERRY FIELDS FOREVER SI onto take 25 Svaramandel from George, electric guitar from Paul and the ‘swinging flutes’ mellotron bit from John were overdubbed onto track 2, as well as the mellotron part that utilizes the pitch wheel. This rough remix attempts to highlight those elements recorded to this track. One has to wonder what sort of accompaniment these overdubs were played to, since the orchestra hadn’t been recorded yet, but they were clearly done before the orchestra because they can be heard in the background coming through the studio floor monitors during the orchestra performances. Dec 15th 1966 - Studio Two, 2:30-12:00pm STRAWBERRY FIELDS FOREVER SI onto take 25 First orchestra overdub, panned left in the take 25 boot mix. This performance wasn’t used in the mixdown to take 26. STRAWBERRY FIELDS FOREVER SI onto take 25 Second orchestra overdub, panned right in the boot mix, a complete second performance of the score. The percussion track and the track 2 overdubs can be heard in the background playing back through the studio floor monitors. STRAWBERRY FIELDS FOREVER Take 25 monitor mix. An offline recording that contains everything that’s on tape prior to the reduction to take 26. STRAWBERRY FIELDS FOREVER SI onto take 26 The double-tracked lead vocals recorded this day were preserved on RM9 of take 26, but they were wiped six days later by new overdubs. Dec 20th 1966 - Studio Two, 7:00pm-1:00am WHEN I'M SIXTY-FOUR SI onto take 2 Backing vocals and bells overdubs, isolated from the Yellow Submarine DVD 5.1 mix. Dec 21st 1966 - Studio Two, 7:00-11:45pm WHEN I'M SIXTY-FOUR SI onto take 4 Clarinet overdub, from the YSS right channel. All the vocals can be heard in the background playing back through the studio floor monitors. Afterwards three mono mixes were made, none of which was used. STRAWBERRY FIELDS FOREVER SI onto take 26 Panned center in the take 26 boot mix are all of the newest overdubs that wiped John’s previously recorded double-tracked vocals: two new Lennon vocals, George’s re-recorded svaramandel, Ringo on snare, and John’s piano in the coda. The pitch has been adjusted down by one semitone to match the 47 cycle notation in RTB. STRAWBERRY FIELDS FOREVER Take 26 monitor mix Offline recording of the complete take 26 with all overdubs. Dec 22nd 1966 - Studio Two, 7:00pm-11:30pm STRAWBERRY FIELDS FOREVER Mono mix rm12 From the CD single. An edit of RM10 from take 7 and RM11 from take 26. Disc 2 Dec 29th 1966 - Studio Three, 2:30-5:40pm STRAWBERRY FIELDS FOREVER RS3 US stereo mix. STRAWBERRY FIELDS FOREVER RS5 UK stereo mix. At the beginning of this session more mono mixes of When I’m Sixty Four were made but none were used. Dec 29th 1966 - Studio Two, 7:00pm-2:15am PENNY LANE Take 6 Paul’s basic piano part, taken from the Anthology DVD 5.1 SLSR channels. PENNY LANE SI onto take 6 Three piano parts, all played by Paul, and a harmonium part were recorded across all 4 tracks. The third piano part can be heard on this track just right of center, along with the tambourine, starting at the chorus. As noted in RTB, this is the part played through the Vox amplifier with tremolo. Dec 30th 1966 - Studio Two, 7:00pm-3:00am WHEN I'M SIXTY-FOUR Mono mix PENNY LANE SI onto take 7 Following a reduction mix, a lead vocal was overdubbed, nicely isolated on the Anthology DVD 5.1 soundtrack. The pitch has been adjusted down by one semitone to more closely match the recording speed of 47.5 cycles. Jan 4th 1967 - Studio Two, 7:00pm-2:45am PENNY LANE SI onto take 7 Overdub of a second vocal from Paul, piano by John and guitar by George. These performances were wiped the next day by new overdubs. No audio available. Jan 5th 1967 - Studio Two, 7:00pm-12:15am PENNY LANE SI onto take 7 This is a stereo split-vocal track from the Anthology DVD 5.1 channels, with the first vocal plus the new second vocal recorded this day, which wiped the previous day’s vocal in the process. This track also has the clearest representation of the low and high harmonium notes from track 4 of take 6, some of which were probably recorded at half speed. CARNIVAL OF LIGHT No audio available. :( Jan 6th 1967 - Studio Two, 7:00pm-1:00am PENNY LANE SI onto take 7 Overdub of bass, guitar, drums and congas, which replaced the piano/guitar parts from 1/4, taken from the Anthology DVD 5.1 FLFR center channel extraction. Probably George on guitar since John is on congas. No varispeed shenanigans are noted in RTB, but RS says this overdub was performed at 47.5 cycles so this track has been speed-adjusted down a semitone. Also the second piano from take 6 can be most clearly heard here. The trumpet solo hadn’t been recorded yet so as usual pretend it isn’t there. Jan 9th 1967 - Studio Two, 7:00pm-1:45am PENNY LANE SI onto take 9 Flutes and trumpets tracking session, the full 14 minute version with the low-volume parts faded up. This recording was made by John, fiddling about in the control room. PENNY LANE SI onto take 9 Overdub of flutes and trumpets, from the right channel of the RS95 video mix. The oboes were overdubbed three days later. The Vox-amplified piano overdub from take 6 is prominent. Jan 10th 1967 - Studio Three, 7:00pm-1:40am PENNY LANE SI onto take 9 Overdub of hand-bell and backing vocals, from the Anthology DVD 5.1 SLSR center channel. Jan 12th 1967 - Studio Three, 2:30-11:00pm PENNY LANE SI onto take 9 This overdub consisted of two oboes, two trumpets, two cor anglais and a double-bass. The mix utilizes mostly the left channel isolation from the RS95 video mix, then at the end switches to RM8 from Turn Me On Dead Man to pick up the oboes again. PENNY LANE RM8 The second of two mono mixes done following the session. Jan 17th 1967 - Studio Two, 7:00pm-12:30am PENNY LANE SI onto take 9 The oboes were replaced by a piccolo trumpet solo. The mix is an edit of the Anthology DVD 5.1 center channel and the ending of the RS95 left channel isolation. PENNY LANE RM9 PENNY LANE RM10 PENNY LANE RM11 Jan 19th 1967 - Studio Two, 7:30pm-2:30am A DAY IN THE LIFE Take 1 This take 1 composite is from Purple Chick, with some of George Martin’s voiceover with a bit of take 1 underneath. A DAY IN THE LIFE Take 2 PC also did this composite of take 2. A DAY IN THE LIFE Take 4 The basic take direct from track 1 of the leaked multitrack. John also recorded his lead vocal on track 4, which can be heard faintly in the background. A DAY IN THE LIFE SI onto take 4 John’s lead vocal as heard on the multitrack is actually a comp of John vocals from tracks 2, 3 and 4 of take 4, combined onto track 4 of the take 6 reduction. Paul added some more piano on one of these tracks as well, and Mal’s counting is on one of the three tracks. Paul’s vocal was dropped in later. Disc 3 Jan 20th 1967 - Studio Two, 7:00pm-1:10am A DAY IN THE LIFE SI onto take 6 Paul and Ringo overdubbed bass and drums, and Paul inserted his vocal onto track 4, all of which were erased later. This RM1 rough mix was made on the 30th for acetate cutting. Jan 25th 1967 - Studio One, 6:30-8:30pm PENNY LANE Mono mix RM14 From the CD single. Jan 30th 1967 - Studio Three, 7:00-8:30pm A DAY IN THE LIFE RM1 The RM1 acetate was mixed on this day while the Beatles were off filming the Strawberry Fields Forever promo video. Feb 1st 1967 - Studio Two, 7:00pm-2:30am SGT PEPPER’S LONELY HEARTS CLUB BAND Take 9 The basic take as heard on the leaked multitrack. Paul overdubbed the bass on track 2 after he and George played the guitars on track 1 along with Ringo’s drums. Feb 2nd 1967 - Studio Two, 7:00pm-1:45am SGT PEPPER’S LONELY HEARTS CLUB BAND SI onto take 9 Vocals were recorded to tracks 3 and 4 of take 9, and during the take 10 reduction combined into one track as heard on the multitracks. Both of these vocal tracks have backing vocals in the chorus. This first vocal track is an edit of the lead vocal from the multitrack and the backing vocal track heard in the center channel of the Yellow Submarine DVD 5.1 mix. SGT PEPPER’S LONELY HEARTS CLUB BAND SI onto take 9 The best isolation of the second backing vocal track is in the right channel of the Yellow Submarine Songtrack remix. Paul’s lead guitar was overdubbed later. SGT PEPPER’S LONELY HEARTS CLUB BAND take 10 RM1 At the end of the session a demo remix was made for cutting an acetate. Feb 3rd 1967 - Studio Two, 7:00pm-1:15am A DAY IN THE LIFE SI onto take 6 Paul and Ringo re-recorded their bass and drum parts, accompanied by John and George on percussion during the middle 8. A DAY IN THE LIFE SI onto take 6 Paul re-records his middle-8 vocal with a punch-in onto track 4, accompanied by John (on high falsetto) and George (on the low ooh’s) as Paul sings the ahh’s, all in one pass. Feb 8th 1967 - Studio Two, 7:00pm-2:15am GOOD MORNING GOOD MORNING Take 8 The basic take may have been just guitar and drums, unless Paul played a placeholder bass part on a separate track which would have been replaced by his overdub on the 16th. Feb 9th 1967 - Regent Sound Studio, time unknown FIXING A HOLE Take 2 Recorded at Regent Sound, with George Martin on harpsichord. Paul’s guide vocal can be heard in the background. FIXING A HOLE SI onto take 2 Lead guitar and backing vocals, most likely overdubbed at Regent Sound. Sources differ as to who the guitar player is; both George and Paul have been credited. The most likely overdub scheme for this song is outlined in TMF. Feb 10th 1967 - 8:00pm-1:00am A DAY IN THE LIFE SI onto take 7 The orchestra overdub for this song was performed several times to a separate machine cued by a 50hz sync tone. As they reportedly had trouble getting the synced 4-track to start when it was supposed to, the different orchestra takes should all begin at different times. All 4 tracks from the extra machine are mixed to the FL FR SL and SR channels in the Anthology DVD 5.1 mix. First we have the FR and FL channel isolations presented separately because they sound like unique performances of the entire orchestra recorded in mono to just one track, based primarily on the timing of when the orchestra comes in. A DAY IN THE LIFE SI onto take 7 The previous track was from the isolated FR channel, and this one is from the isolated FL channel. Either could have been performed first. A DAY IN THE LIFE SI onto take 7 The SL and SR channels have common elements in the center when they’re listened to together in stereo, and start up at the same time, leading to the possibility that they might have made one orchestra recording in stereo. A DAY IN THE LIFE SI onto take 7 One last orchestra overdub was recorded onto the 4th track of the original tape. Because it therefore syncs perfectly, it was easy to identify as the C channel in the 5.1 mix, and later to compare to the multitrack. A DAY IN THE LIFE Edit piece takes 8-11 The first attempt at a grand conclusion. Feb 13th 1967 - Studio Two, 7:00pm-3:30am ONLY A NORTHERN SONG Take 3 From the left and right channel isolations of the Anthology CD version. Several mono mixes of A Day in the Life were attempted at the beginning of the session. Perhaps the Beatles were late to arrive… Feb 14th 1967 - Studio Two, 7:00pm-12:30am ONLY A NORTHERN SONG SI onto take 12 Lead vocal overdubs from the Anthology CD center channel isolation. These vocals were unused in the original released version. New vocals were later added to the take 11 reduction mix from this session. Feb 16th 1967 - Studio Three, 7:00pm-1:45am GOOD MORNING GOOD MORNING SI onto take 8 Overdubs of John’s lead vocal and Paul’s bass. The vocal isolation is from the Anthology remix. The bass can be heard on the earlier rhythm track. Feb 17th 1967 - Studio Two, 7:00pm-3:00am BEING FOR THE BENEFIT OF MR KITE rehearsal take From Purple Chick. BEING FOR THE BENEFIT OF MR KITE studio chat The bit with the “Massed Alberts,” also from Purple Chick. BEING FOR THE BENEFIT OF MR KITE Take 1 From PC’s Sgt Pepper Deluxe set. BEING FOR THE BENEFIT OF MR KITE Take 2 From PC. BEING FOR THE BENEFIT OF MR KITE Take 7 From PC. BEING FOR THE BENEFIT OF MR KITE SI onto take 9 John overdubbed a new lead vocal following a reduction mix. Feb 20th 1967 - Studio Three, 7:00pm-2:15am BEING FOR THE BENEFIT OF MR KITE Sound effects tape The calliope tape was compiled this day but not added to the song yet. From PC. In George Martin’s book he mentions the calliope tape running fast at 56.5 cycles, so this track has been adjusted down by two semitones to how it may originally have sounded. Feb 21st 1967 - Studio Two, 7:00pm-12:45am FIXING A HOLE SI onto take 3 Take 2 from Regent Sound was reduced into take 3 and Paul overdubbed two vocals, presented here in semi-stereo as best as can be derived from the official stereo mix. FIXING A HOLE Mono mix edit of 3 and 6 Disc 4 Feb 22nd 1967 - Studio Two, 7:00pm-12:45am A DAY IN THE LIFE Edit piece 1-9 Track 1 of the piano ending from the SL and SR channels of the 5.1 mix, this is the first piano part that they slowed to half-speed to double the sustain time as noted in RTB, first heard at normal speed as they played it, then half-speed as on record. A DAY IN THE LIFE Edit piece 1-9 Track 2 from the FL channel, this is a guess as the second performance since the playing is fairly precise. A DAY IN THE LIFE Edit piece 1-9 Track 3 from the FR channel, another guess based on the less precise hitting of the chord, which wouldn’t have mattered as much at this point. A DAY IN THE LIFE Edit piece 1-9 Track 4 from the C channel is George Martin overdubbing harmonium. A DAY IN THE LIFE Mono mix A DAY IN THE LIFE RS 1 A DAY IN THE LIFE RS 2 A DAY IN THE LIFE RS 3 A DAY IN THE LIFE RS 4 A DAY IN THE LIFE RS 5 A DAY IN THE LIFE RS 6 A DAY IN THE LIFE RS 7 A DAY IN THE LIFE RS 8 A DAY IN THE LIFE RS 9 ANYTHING aka DRUM TRACK 1 Wishful thinking again. No audio available. Feb 23rd 1967 - Studio Two, 7:00pm-3:45am A DAY IN THE LIFE Stereo mix From the 67-70 CD with the clean intro. LOVELY RITA Take 8 Left channel isolation from the stereo mix, with Paul on piano, and John and George on acoustic guitars. The final mixes of this song were done with the tape running at 48.75 cycles, making the song sound a bit slower and lower in pitch than originally performed, so this track has been adjusted upward by 42 cents to bring it back in key. LOVELY RITA SI onto take 8 Bass overdub. This one is heavily EQ’d, and also pitch-adjusted like the previous track. Feb 24th 1967 - Studio Two, 7:00pm-1:15am LOVELY RITA SI onto take 9 The lead vocal was recorded at 46.5 cycles to sound higher in pitch on replay at normal speed. With the mixes having been done at 48.75 cycles, a bit of math is required to figure out what speed this track should play back at to sound normal. Paul’s vocal ordinarily would play back more than a semitone higher than it should because of the slower speed it was recorded at, but because the mixing speed was slowed a bit, that would in turn lower the pitch of Paul’s voice again, as in 120 cents minus 42 cents = 78 cents or roughly 4/5ths of a semitone. The backing vocals and piano solo weren’t recorded until March. Feb 28th 1967 - Studio Two, 7:00pm-3:00am LUCY IN THE SKY WITH DIAMONDS Rehearsals No audio available. Photos from this session show John and George both playing their Epiphone Casinos during the rehearsals. Mar 1st 1967 - Studio Two, 7:00pm-2:15am A DAY IN THE LIFE SI onto take 6 A piano overdub was recorded after the final mixing had already been done, but it was never used and remained a mystery until copies of the multitracks became available. It’s at the beginning of track 4, the orchestra track. LUCY IN THE SKY WITH DIAMONDS Takes 6, 7, and 8 A comp from Anthology 2. LUCY IN THE SKY WITH DIAMONDS SI onto take 7 George overdubbed a tamboura drone onto take 7, following which a reduction mix was made putting all of the take 7 instrumentation on one track, heard far left in the stereo mix. Mar 2nd 1967 - Studio Two, 7:00pm-3:30am LUCY IN THE SKY WITH DIAMONDS SI onto take 8 George and Paul overdub guitar and bass to another track, heard far right in the stereo mix. LUCY IN THE SKY WITH DIAMONDS SI onto take 8 John and Paul recorded vocals to the two remaining tracks, at different speeds. One set of vocals was recorded at 45 cycles and the other at 48.5. This stereo vocal track derived from the CD is slowed by a semitone, a compromise half-way between the two speeds. Mar 3rd 1967 - Studio Two, 7:00pm-2:15am SGT PEPPER’S LONELY HEARTS CLUB BAND SI onto take 10 Lead guitar and french horn overdubs were recorded this day, both to track 3 as heard on the booted multitracks. RTB says the horns were recorded first, but Paul’s lead guitar could have been, since it sounds like his last descending riff is cut off (which would occur because of the punching-in of the horns onto the same track); however it might just be the tape-op stopping the tape and cutting off Paul’s performance in order not to erase the previously-recorded horns. LUCY IN THE SKY WITH DIAMONDS Mono mix Disc 5 Mar 6th 1967 - Studio Two, 7:00pm-12:30am SGT PEPPER’S LONELY HEARTS CLUB BAND SI onto take 10 Audience sound effects overdub, straight from the multitrack. SGT PEPPER’S LONELY HEARTS CLUB BAND Mono mix SGT PEPPER’S LONELY HEARTS CLUB BAND Stereo mix Mar 7th 1967 - Studio Two, 7:00pm-2:30am LOVELY RITA SI onto take 11 The backing vocals are isolated from the right channel of the stereo mix. None of the usual sources mention whether the backing vocals were subject to recording at a different speed. Adjusting upward by 42 cents to compensate for the 48.75 cycle mixing speed made them sound too fast though, so they were left as is. Mar 9th 1967 - Studio Two, 7:00pm-3:30am GETTING BETTER Take 7 The basic take can be heard left in the stereo mix, with Paul on guitar and George Martin on pianet. The tamboura was overdubbed the next day. Mar 10th 1967 - Studio Two, 7:00pm-4:00am GETTING BETTER SI onto take 12 Tamboura, snare, and bass were all overdubbed to separate tracks following a tape reduction. This heavily-EQ’d track highlights the bass overdub. Mar 13th 1967 - Studio Two, 7:00pm-2:30am GOOD MORNING GOOD MORNING SI onto take 10 The brass overdub was performed by Sounds Inc. The backing vocals and animal noises are from later overdubs, all panned far right in the stereo mix and making them impossible to separate. Mar 15th 1967 - Studio Two, 7:00pm-1:30am WITHIN YOU WITHOUT YOU Take 1 The tabla and tamboura from the basic take are in the stereo left channel. This track has been adjusted down by one semitone to how it was recorded. During the final mixing it was played back at 53 cycles. Mar 17th 1967 - Studio Two, 7:00pm-12:45am SHE'S LEAVING HOME Take 1 Mike Leander composed the score. Both takes 1 and 6 were marked as best, but take 1 is the one they decided to use. Mar 20th 1967 - Studio Two, 7:00pm-3:30am SHE'S LEAVING HOME SI onto take 9 The first vocal overdub, from the multitracks. SHE'S LEAVING HOME SI onto take 9 The second vocal overdub, from the multitracks. Note the unused low harmony part. SHE'S LEAVING HOME Mono mix The mono mix was done with the tape playing at 53 cycles, one semitone higher than the stereo version which wasn’t mixed until almost a month later. Mar 21st 1967 - Studio Two, 7:00pm-2:45am GETTING BETTER SI onto take 14 Two vocal overdubs were recorded this day but were later wiped. This is the session where John had taken some LSD by accident and ended up on the studio roof, soon to be fetched down by his bandmates. No audio available, either of the overdub or John’s acid trip. LOVELY RITA SI onto take 11 The piano solo was recorded at 41.25 cycles, and mixed along with everything else at 48.75 cycles. This track has been lowered by 3 semitones to approximate this (and avoid doing the math!). LOVELY RITA Mono mix Mar 22nd 1967 - Studio Two, 7:00pm-2:15am WITHIN YOU WITHOUT YOU SI onto take 1 According to RS the dilrubas were overdubbed at 52.5 cycles, but with the final mixdown being done at 53 cycles the dilrubas would sound on record pretty much at the same speed as they were recorded, so no speed adjustments have been made. A reduction mix was done afterwards. Strings were overdubbed two weeks later. Mar 23rd 1967 - Studio Two, 7:00pm-3:45am GETTING BETTER SI onto take 14 Two tracks of new vocals from Paul backed by John and George were recorded to replace the ones done two days earlier. Bass is a prior overdub from the 10th. GETTING BETTER SI onto take 15 After still another reduction, the one freed-up track was filled with guitar, handclaps, piano and bongos, panned right in the stereo mix. GETTING BETTER Mono mix Mar 28th 1967 - Studio Two, 7:00pm-4:45am GOOD MORNING GOOD MORNING SI onto take 10 John doubled and harmonized with parts of his lead vocal, isolated from the CD center channel. Paul’s lead guitar was overdubbed afterwards. GOOD MORNING GOOD MORNING SI onto take 11 Backing vocals and Paul’s lead guitar were both recorded to track 3, but panned right and center respectively in the stereo mix. GOOD MORNING GOOD MORNING Sound effects The animal noises were compiled from the Abbey Road sound effects library, but not added to the tape yet. BEING FOR THE BENEFIT OF MR KITE SI onto take 9 Harmonicas, organ and lead guitar, all overdubbed at half speed to the middle section of the song, isolated from the LOVE 5.1 mix. Mar 29th 1967 - Studio Two, 7:00pm-5:45am GOOD MORNING GOOD MORNING SI onto take 11 The animal noises sound effects were added to the multitrack tape at this session. BEING FOR THE BENEFIT OF MR KITE SI onto take 9 RS only mentions the sound effects tape being dubbed in, as well as a “swirling organ” played by George Martin. However photos taken at this session show John and George playing big bass harmonicas into a microphone, with George Martin in the background at the keyboard. This must be the overdub of the intro and bits at the end of the verses, as described in RTB, but performed after the half-speed middle section. Both overdubs went onto track 3, as well as the dubbed in calliope tape at the end. WITH A LITTLE HELP FROM MY FRIENDS Take 10 The basic take from the multis. WITH A LITTLE HELP FROM MY FRIENDS SI onto take 11 Vocals from the multitrack. Mar 30th 1967 - Studio Two, 11:00pm-7:30am WITH A LITTLE HELP FROM MY FRIENDS SI onto take 11 Overdub of bass and tambourine from the multis. WITH A LITTLE HELP FROM MY FRIENDS SI onto take 11 Backing vocals and guitar were added to the last track. Disc 6 Mar 31st 1967 - Studio Two, 7:00pm-3:00am WITH A LITTLE HELP FROM MY FRIENDS Mono mix BEING FOR THE BENEFIT OF MR KITE Excerpt of the song’s ending, to which they added an overdub of organ and glockenspiel, panned right in the stereo mix. BEING FOR THE BENEFIT OF MR KITE Mono mix Apr 1st 1967 - Studio One, 7:00pm-6:00am SGT PEPPER’S LONELY HEARTS CLUB BAND (REPRISE) Take 5 The version on the Anthology CD. SGT PEPPER’S LONELY HEARTS CLUB BAND (REPRISE) Take 9 The basic take from the center channel isolation of the stereo, with some bleed-through from the later vocal overdubs. SGT PEPPER’S LONELY HEARTS CLUB BAND (REPRISE) SI onto take 9 Vocal overdub from the stereo right channel. SGT PEPPER’S LONELY HEARTS CLUB BAND (REPRISE) SI onto take 9 Percussion is on a separate track, heard left in the stereo mix. Vocals are ADT’d and/or doubled. SGT PEPPER’S LONELY HEARTS CLUB BAND (REPRISE) Mono mix Apr 3rd 1967 - Studio Two, 7:00pm-3:00am WITHIN YOU WITHOUT YOU SI onto take 2 The strings were overdubbed onto track 3, then George added his vocals and the sitar to track 4. All are panned center in the stereo mix. WITHIN YOU WITHOUT YOU SI onto take 2 An excerpt from the song’s middle with a slightly better isolation of the sitar overdub. Apr 4th 1967 - Studio Two, 7:00pm-12:45am WITHIN YOU WITHOUT YOU Mono mix edit of RM10 and RM12 Laughter edited on afterwards. WITHIN YOU WITHOUT YOU Stereo mix edit of RS3 and RS5 Laughter edited on afterwards. Apr 6th 1967 - Studio Two, 7:00pm-1:00am GOOD MORNING GOOD MORNING Stereo mix RS5 Also done this day were the crossfades for the mono lp. Apr 7th 1967 - Studio Two, 7:00pm-1:00am WITH A LITTLE HELP FROM MY FRIENDS Stereo mix RS3 BEING FOR THE BENEFIT OF MR KITE Stereo mix RS8 FIXING A HOLE Stereo mix RS1 LUCY IN THE SKY WITH DIAMONDS Stereo mix RS5 Apr 17th 1967 - Studio Two, 7:00-10:30pm GETTING BETTER Stereo mix RS1 SHE’S LEAVING HOME Stereo mix RS6 For the mono mix the tape had been played back at 53 cycles, speeding up everything in the process. This stereo mix was done at normal speed. Why it wasn’t done at the same speed as the mono mix is a bit of a mystery, since the following stereo mix of When I’m Sixty Four was adjusted to match its mono counterpart. WHEN I’M SIXTY-FOUR Stereo mix RS1 LOVELY RITA Stereo mix RS2 Apr 19th 1967 - Studio Two, 7:00pm-12:30am GOOD MORNING GOOD MORNING Mono mix RM23 Apr 20th 1967 - Studio Three, 5:00-6:15pm SGT PEPPER’S LONELY HEARTS CLUB BAND (REPRISE) Stereo mix RS10 Apr 20th 1967 - Studio Two, 7:00pm-2:15am ONLY A NORTHERN SONG SI onto take 3 Bass, trumpet and other sounds were overdubbed onto take 3, wiping the original vocals in the process. ONLY A NORTHERN SONG SI onto take 11

magoocus compilation.

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Apple Introduction Reporting 1966 raw footage It’s so far out Strawberry fields forever Penny lane American Bandstand Sgt Peppers Lonely Hearts club band A day in the life #1 A day in the life #2 Paul & Mal in Dever Alexandra palace Paul admits to taking LSD All you need is love #! Our world All you need is love #2 John’s Rolls Royce John’s Caravan London Airport Jason Starkey is born London Hilton Eliston Station, Bangor with the Maharishi Brian’s Death Spotlight South West MMT home movies David Frost Show New London Synagogue How I won the war trailer #1 How I won the war trailer #2 London premiere Man behind the Beatles MMT trailer Ed Sullivan show Hello goodbye #1 Hello goodbye #2 Hello goodbye #3 Hello goodbye #4 Royal Institute Galleries Apple Boutique opening Beat club

faux Capitol DVD (120m)

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What A Shame Mary Jane (Stereo Remix 5) The National Health Cow (Poetry Reading 18/6/65) The Fat Budgie (Poetry Reading 18/6/65) I Sat Belonely (Poetry) Oh My Love (Beatles Version) Gimme Some Truth (Beatles Version) Jealous Guy (Beatles Version) Voulez Vous Couchez Avec Moi? (1975) Baby Please Don't Go/Rock Island Line/Maybe Baby/Peggy Sue My Carnival (TV Film Version) Complaint To The Queen (Dutch Radio) Oriental Nightfish (Demo 1973) Momma's Little Girl (Outtake 1972) I've Just Seen A Face (Live 1976 - World Tour) Blackbird (Live 1976 - World Tour) Hi Hi Hi/C Moon (Commercial) Gotta Sing Gotta Dance (From James Paul McCartney) The Pirate Song (1975 With Eric Idle) Ding Dong (Demo) Dark Horse (Demo) Roll It Over (With Eric Clapton) In My Life (From 1974 Tour) Down And Out (Flipside Single) Six O'Clock (Long Version) Heart On My Sleeve (From TV Special) Hard Times (From TV Special) A Man Like Me (From TV Special)

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