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Two Sounds for two players (1960) - 14 min, LaMonte Young & Terry Riley, April 1960 (likely New York) Composition 1960 #7 (excerpt 1961) for some drone creating device (1961) - 8 min LaMonte Young is involved as performer - other details unknown 5th Day of the Hammer : Bb Dorian Blues for ensemble (1963) - 12 min probably The Theatre of Eternal Music (Young, Cale, Conrad, MacLise & Zazeela), 1963 (New York) 28th/63 Bb Dorian Blues (excerpt) (1963) for ensemble - 19 min probably The Theatre of Eternal Music (Young, Cale, Conrad, MacLise & Zazeela), late 1963 (New York) Early Tuesday Morning Blues (1962/1964) for ensemble - 13 min probably The Theatre of Eternal Music (Young, Cale & Zazeela), ca. March 1964 (New York) 12/63 Evening New York City: the fire is a mirror (1963) - 15 min probably The Theatre of Eternal Music (Young, Cale & Zazeela), late 1963? (New York) Day of the Antler (The Obsedion Ocelot) (1964) for ensemble - 26 min probably The Theatre of Eternal Music (Young, Cale, Zazeela & ?), 1964 (New York) Ocean (attempted) two voices + ocean + wind (1968) - 13 min likely LaMonte Young & Marian Zazeela, other details unknown Drift Study (excerpt) for some drone creating device (1967 or later) - 4 min LaMonte Young is involved as performer - other details unknown 13/73 (from "The Tortoise, his dreams and journeys"?) for drone and voices (1973) - 5 min LaMonte Young & unidentified vocalists/performers, 1973 (maybe New York)

All the material listed above came on 2 CDRs. Some of the tracks likely are taken from the bootleg CD-box "The Purple Set" and from some LP. Others seem to be from radio broadcasts or personal recordings of LaMonte Young. I researched lots of the track infos myself, and I hope it's basically accurate.

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