|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
03/02/93 |
Barrowland Ballroom
Glasgow, Scotland |
0 FLAC |
|
PFM |
SOurce: Pre-FM > DAT > CDR ('Bad Dream' bootleg) > EAC > SHN > FLAC |
|
|
06/19/93 |
The Gorge Amphitheatre Parking Lot
George, WA |
0 FLAC |
|
AUD |
Recording Equipment: PC-62 -> Sony D3 -> TDK SA 90 cassette
Lineage: TDK SA 90 cassette -> Denon 790R -> Kenwood A-522 amplifier -> DAT line out -> line in on Tascam DR-2D -> WAV -> Wav Pad Editor(track splitting) -> TLH (align,Encode,ffp) -> FLAC |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
08/08/93 |
Wallace Civic Center
Fitchburg, MA |
0 FLAC |
|
FM |
WBCN 104.1 Boston FM radio (hosted by "Metal Mike" of Heavy Metal from Hell) > Yamaha 500 reciever with wire FM antenna > Nak. BX 100 cassette deck (dolby off) > Maxell XLII 90 min. master cassette > played on Nak. 300 into soundforge w/Realrek soundcard (wav) > flac (sb's aligned) |
|
|
09/05/93 |
Irvine Meadows
Irvine, CA |
0 FLAC |
|
FM |
Lineage : FM broadcast > Maxell CD's II-60 > Onkyo USB Digital Audio Processor SE-U55 > WAV > WaveZ ver. 1.64 (wave file spiltter) > FLAC Level 8 |
|
|
11/25/93 |
De Vereeniging
Nijmegen, Netherlands |
0 FLAC |
|
AUD |
Sony WM D3 Walkman Stereo Recorder |
|
|
04/12/94 |
The Ritz
Charlotte, NC |
0 FLAC |
|
SBD |
CD-R>Wav>Flac 8(with TLH) |
|
|
04/17/94 |
The Stone Pony
Asbury Park, NJ |
0 FLAC |
|
AUD |
Equipment: Sony D3 cassette w/stock mic
Lineage: Master cassette > Tascam 202MKV > Edirol R09 (16/44) > Adobe Audition 5.5 (level boost/hiss reduction) > CD Waveditor (track) > flac8 |
|
|
11/24/95 |
Birch Hill
Old Bridge, NJ |
0 FLAC |
|
AUD |
Sony WM-D3 > Maxell XLII 90 cassette > Nakamichi Deck 1 > Monster RCAs > M-Audio Delta > Goldwave 5.65 > Audacity (tracking) > TLH > flac L8
Playback azimuth was adjusted. Sound was raised.
There was no EQing or other modifying of any kind. |
|
|
01/22/98 |
Hampton Coliseum
Hampton, VA |
0 FLAC |
|
AUD |
1st Gen DAT transfer |
|
|
09/12/98 |
Rockstock Festival
Chicago, IL |
0 FLAC |
|
AUD |
Lineage: Sonic Studios DSM6-P mics > Sony D6 > Maxell XL-IIS 100 cassette > Denon 790R > Kenwood A-522 amplifier > Kenwood GE-622 Equalizer > Audacity (boosting/splicing) > wav file > CD Waveditor (track) > flac8 |
|
|
10/13/98 |
The Astoria Theatre
London, England |
0 FLAC |
|
AUD |
source: CSB>batt.box>WM-D6C>ana(M)
transfer: ana(M)>M-Audio Audiophile 2496>WAV>CEP(level fixes/normalise/fades)>
CDWave(splits)>Traders Little Helper>FLAC |
|
|
12/10/98 |
Velódromo Del Estadio Nacional
Santiago, Chile |
0 FLAC |
|
SBD |
SBD |
|
|
02/12/00 |
House Of Blues
West Hollywood, CA |
0 FLAC |
|
SBD |
Lineage:CD-R>Wav>Flac(8)with TLH |
|
|
07/05/00 |
E Center
Salt Lake City, UT |
0 FLAC |
|
SBD |
Lineage:CD>Wav>Flac(8)with TLH
"Maximum Metal" bootleg |
|
|
09/12/01 |
The Starlight
Fort Collins, CO |
0 FLAC |
|
AUD |
Source: Coresound CSB's > Sharp 722 minidisc
Transfer: MD-722 (Analog) > SBLive > Cooledit > CDWave > FLAC |
|
|
03/07/03 |
Barrowlands
Glasgow, GBR |
0 FLAC |
|
AUD |
Transfer info: MD Master->MDS-JE770->optical output->iRiver H120 [rockboxed]->USB->Adobe Audition 2 [fades->+6db]->TLH FLAC Level 8 |
|
|
04/26/04 |
The Metro Theatre
Sydney, Australia |
0 FLAC |
|
AUD |
Audio Technica AT 829 (cardioid stereo mic) > Sony MZ-N10 MD (in LP mode) > Line out (analog) > Line in Sound Blaster Live > Cool Edit 2000 > wav > flac |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
06/04/10 |
V Club
Huntington, WV |
0 FLAC |
|
SBD |
Lineage: CD-R -> EAC -> WAV -> FLAC
|
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
03/03/16 |
Le Trabendo
Paris, France |
0 FLAC |
|
AUD |
Lineage
CA11’s > CA BB > EdirolR09HR > Adobe Audition 7.2 > xACT 2.37 > Flac8 |
Incomplete show : weird problem after 55 minutes, the recorder still recorded but the file becomes empty. When I switched off, the battery from battery box was very hot, so probably a short-circuit somewhere |
|
08/17/16 |
The Waiting Room
Buffalo, NY |
0 FLAC |
|
AUD |
CoreSound Stealths + Sony PCM-M10(24bit x 48k) ->
Goldwave (Tracking + volume tweaks + convert to 44.1x16) ->
Flac Frontend (conversion to Flac) |
|
|
08/30/16 |
The Observatory
North Park, San Diego, CA |
0 FLAC |
|
AUD |
AT943 (w/ Church mod.)>Sony PCM-D50 @ 24/96>Amadeus Pro>16/44.1 |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
12/20/70 |
L'Olympia
Paris, France |
0 SHN |
|
SBD |
Source: Soundboard > TV Transmission > Unkown Television Capture > Unknown Transfer > Original Silver CDR(s) > EAC > SHN |
|
|
08/05/75 |
Convention Hall
Asbury Park, NJ |
0 FLAC |
|
SBD |
Reel To Reel (Master) > CDR(2) > EAC > WAV > FLAC(8) |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
12/31/78 |
Winterland
San Francisco, CA |
0 FLAC |
|
SBD |
SBD |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
08/04/93 |
Peabody's Down Under
Cleveland, OH |
0 FLAC |
|
AUD |
ECM-903>Sony WM-D3> Sony TC-WE835S> Soundblaster Live Analog in> Sound Forge (for Tracking)> CDR> EAC> FLAC 8 |
|
|
03/22/96 |
Roseland
New York, NY |
0 FLAC |
|
AUD |
Denon DAT tape > Sony D8 > 8-pin > M-Audio Delta > Goldwave 5.65 > TLH > flac L8
Resampled 48k > 44.1k. Raised volume. There was no EQing or other modifying of any kind. |
|
|
07/17/99 |
Hammerstein
New York, NY |
0 FLAC |
|
AUD |
TDK DAT tape > Sony D8 > 7-pin > M-Audio Delta > Goldwave 5.65 > TLH > flac L8
Raised volume. There was no EQing or other modifying of any kind. |
|
|
10/10/01 |
Recher Theater
Towson, MD |
0 FLAC |
|
SBD |
SBD>MZ-R700(MD)
Soundforge 4.5(edits&fades)>CD Wave Editor(trackmarks)>Wav(Master CDR)>EAC>Flac |
|
|
12/14/02 |
Rexplex
Elizabeth, NJ |
0 FLAC |
|
SBD |
SBD>MZ-R700(MD)
Soundforge 4.5(edits&fades)>CD Wave Editor(trackmarks)>Nero(CD-R) |
|
|
05/09/03 |
The Recher Theatre
Towson, MD |
0 FLAC |
|
SBD |
SBD>MZ-R700(MD)
Soundforge XP(fades&edits)>CD Wave Editor(trackmarks)>flac |
|
|
07/11/03 |
Ziggy's
Winston-Salem, NC |
0 FLAC |
|
SBD |
SBD>MZ-R700>SF6.0(volume +12db)>CDWave Editor>mkw(shn)>mkw(wav)>flac |
|
|
12/30/03 |
Recher Theater
Towson, MD |
0 FLAC |
|
SBD |
Ripping: CDR > Max 0.7.1 (cdparanoia mode) > xACT 1.62 (FLAC conversion) |
|
|
02/13/04 |
Starland Ballroom
Sayreville, NJ |
0 FLAC |
|
SMX |
Source:SBD Matrix patch master DAT:
SBD > AKG393's (ORTF,LCFOB) >UA-5pmod>24/48(SF5.0)Toshiba Portege3480> D8 @48 Khz
Transfer:
D8 > Oade 7pin> Delta Dio 24/96> Soundforge 6.0(48>44.1)> CDWav> FLAC front end
Fades were added to the beginning and end of the set in Soundforge.
Resampling done in Soundforge using highest quality setting w/ anti-alias filter.
Patch, Transfer and encoding by Kevin Kaye |
|
|
04/24/04 |
The Trocadero Theatre
Philadelphia, PA |
0 SHN |
|
SMX |
SBD MAtrix(DFC@SBD)[X/Y]AKG391's>UA-5Wmod>
24/48(SF5.0)Toshiba Portege3480>16/44(SF6.0)>
CDWave>Nero |
|
|
08/04/04 |
Ogden Theatre
Denver, CO |
0 FLAC |
|
AUD |
Source: Coresound CSB's > Sharp 722 minidisc
Transfer: MD-722 (Analog) > SBLive > Cooledit > CDWave > FLAC |
|
|
03/20/08 |
Mr. Small's Theatre
Millvale, PA |
0 FLAC |
|
AUD |
Source: Sony ECM-719 > Sony NF610 MD > Audacity > wav > flac |
|
|
04/28/08 |
The Sound Factory
Charleston, WV |
0 FLAC |
|
AUD |
Source: Sony ECM-719 > Sony NF610 MD > SoundBlaster Audigy 4 > Audacity > wav > flac |
|
|
07/03/08 |
Dyrskuepladsen
Roskilde, Denmark |
0 FLAC |
|
FM |
SOURCE (SBD):
soundboard > unknown (FM)
TRANSFER:
Cable FM > WinFast TV2000 XP Expert > RealTek HD in > Adobe Audition 3.0 > CD Wave Editor 1.98 > Trader´s Little Helper 2.4.1
GENERATION:
FM > WAV [48kHz] > WAV [44.1kHz] > FLAC [Level 8] |
|
|
12/31/08 |
The Orbit Room
Grand Rapids, MI |
0 FLAC |
|
AUD |
Neumann km184's(FOB ~70-80'/LOC ~6'/10' High) > MOTU Ultralite mk3 > PC(Sonar 7 16-Bit/48kHz) > FLAC(16/44.1)
|
|
|
06/04/10 |
V-Club
Huntington, WV |
0 FLAC |
|
SBD |
Lineage: CD-R -> EAC -> WAV -> FLAC
|
|
|
03/10/11 |
Marquee Theatre
Tempe, AZ |
0 FLAC |
|
AUD |
ST-11 > R09 (24-bit/48kHz)
R09 > MacPro > Wave Editor 1.3.3 (EQ) > Audacity 1.3.11 (tracking) > FLAC 24-bit/48kHz |
|
|
07/14/12 |
Fishbone Gill & Grill
Vienna, WV |
0 FLAC |
|
AUD |
Recording info: ZOOM H1 (X/Y Pattern) @ 96kHz/24bit (Stage Right ~50 Yards)
Transfer info: Audacity (Tracking) > Proprietary Software (EQ/Dynamics) > FLAC |
|
|
12/29/12 |
Newport Music Hall
Columbus, OH |
0 FLAC |
|
AUD |
Source: ZOOM H1 (X/Y Pattern) @ 96kHz/24bit (Stage Right)
Transfer: Audacity (Tracking) > Proprietary Software (EQ/Dynamics) > FLAC |
|
|
12/30/12 |
Crocodile Rock
Allentown, PA |
0 FLAC |
|
AUD |
Source: Zoom H1(internal mics)>micro SD card>Wav(16/44)>CD Wave(track and flac) |
|
|
03/10/13 |
Pops
Sauget, IL |
0 FLAC |
|
AUD |
Core Sound Binaurals/Battery Box > Olympus LS-10 > Audacity/Trader's Little Helper (SBE Fix/FLAC8) > Dime |
|
|
05/19/13 |
The Vogue
Indianapolis, IN |
0 FLAC |
|
AUD |
Zoom H1 - Internal Mics - WAV 48/24 - Tracksplitting & Fading w/ Audacity - WAV - AIFF - FLACer - FLAC |
|
|
10/31/13 |
The Expo Five
Louisville, KY |
0 FLAC |
|
AUD |
Zoom H1 - Internal Mics - WAV 48/24 - Tracksplitting & Fading w/ Audacity - WAV - AIFF - FLACer - FLAC |
|
|
09/10/14 |
Buster's Billiard & Ballroom
Lexington, KY |
0 FLAC |
|
AUD |
Zoom H1 - AT831 Cardoid Mics - WAV 48/24 - Tracksplitting & Fading w/ Audacity - WAV - FLACer - FLAC |
|
|
09/23/14 |
The Vogue
Indianapolis, IN |
0 FLAC |
|
AUD |
Zoom H1 - AT 831 Cardoid Mics - WAV 48/24 - Tracksplitting & Fading w/ Audacity - WAV - xACT - FLAC |
|
|
12/27/14 |
Bogarts
Cincinnati, OH |
0 FLAC |
|
AUD |
Zoom H1 - AT831 Cardoid Mics - WAV 48/24 - Tracksplitting & Fading w/ Audacity - WAV - xACT - FLAC |
|
|
05/19/15 |
Central Park Summer Stage
New York, NY |
0 AUD |
|
AUD |
Source: SP-CMC-8 (Cards)->SP-R09 Battery Box-> Ed R09 16/44.1
Lineage: SD Card->Pro Tools->xAct->Flac
|
|
|
05/20/15 |
The Rapids Theatre
Niagara Falls, NY |
0 FLAC |
|
AUD |
MBHO KA200N > Naiant Tinybox > Sony PCM-M10
|
|
|
10/06/15 |
Marathon Music Works
Nashville, TN |
0 FLAC |
|
AUD |
Zoom H1 - AT831 Cardoid Mics - WAV 48/24 - Tracksplitting & Fading w/ Audacity - AIFF - xACT - FLAC |
|
|
10/13/15 |
The Vogue
Indianapolis, IN |
0 FLAC |
|
AUD |
Zoom H1 - AT831 Cardoid Mics - WAV 48/24 - Tracksplitting & Fading w/ Audacity - AIFF - xACT - FLAC |
|
|
05/20/16 |
Rock N Derby Festival
Schaghticoke, NY |
0 FLAC |
|
AUD |
Lineage: Church Audio CAFS mics > CA-9200 > Edirol R05 > Adobe Audition 5.5 (level boost) > CD Waveditor (track) > flac8 |
|
|
05/17/17 |
The Capitol Theatre
Port Chester, NY |
0 FLAC |
|
AUD |
Recording: Schoeps MK41s > Nbob actives > Nbox Platinum (ABS) > Sony PCM-M10
Transfer: SD Card > 24/96 Wav > usb > iMac > Audacity > 16/44.1 Aiff > xAct > FLAC (level 8)
|
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
01/22/98 |
Hampton Coliseum
Hampton, VA |
0 FLAC |
|
AUD |
First generation DAT transfer. |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
09/23/94 |
Peppermint Beach Club
Virginia Beach, VA |
0 FLAC |
|
AUD |
Lineage:1st gen cassette>playback on Sony TC-W305 deck>TDK DA-3826 standalone burner>CDR>EAC>Flac frontend>Trader's Little Helper |
|
|
10/06/96 |
NEC
Birmingham, England |
0 FLAC |
|
SBD |
SBD > DAT > Cassette (unknown equipment)
> Denon 770R > MOTU 2408 > Cubase > Wavelab 5 (Tracking/Gain Correction) > Flac level 8 |
|
|
04/01/97 |
Continental Arena
East Rutherford, NJ |
0 FLAC |
|
AUD |
Equipment: Realistic mic > Sony D3 cassette recorder
Lineage: Master Maxell XLII 90 cassette > Tascam 202MKV > Edirol R09 (16/44) > Adobe Audition 5.5 (level boost/hiss reduction) > CD Waveditor (track) > flac8 |
|
|
08/23/97 |
Glass House
Pomona, CA |
0 FLAC |
|
|
lineage: Sonic Studios DSM-6P mics used with Sonic Studios 3 way-lo cut module > Sony D6 > Denon 790R > Kenwood A-522 amplifier > Kenwood GE-622 Equalizer > Audacity (boosting/splicing) > wav file > Adobe Audition 5.5 (level boost) > CD Waveditor (track) > flac8 |
|
|
08/24/97 |
Electric Ballroom
Tempe, AZ |
0 FLAC |
|
AUD |
Recording Equipment: Sonic Studios DSM-6P w/ 3-way lo-cut filter, position unknown (most likely @ 80hz, middle setting) > Sony WM-D6
Lineage: Denon 790R > Kenwood A-522 amplifier > Kenwood GE-622 Equalizer > DAT out > line in on Tascam DR-2D >WAV>Flashdrive>AUDACITY>WAV (16bit)>TLH>FLAC (8) |
|
|
12/21/00 |
9:30 Club
Washington, DC |
0 FLAC |
|
AUD |
Unknown Audience Recording - CDR - AIFF - FLACer - FLAC |
|
|
10/06/15 |
Marathon Music Works
Nashville, TN |
0 FLAC |
|
AUD |
Zoom H1 - AT831 Cardoid Mics - WAV 48/24 - Tracksplitting & Fading w/ Audacity - AIFF - xACT - FLAC |
|
|
10/11/15 |
Toad's Place
New Haven, CT |
0 FLAC |
|
AUD |
Recording: Schoeps MK41s > Nbob actives > Tinybox (OT) > Sony PCM-M10
Transfer: SD Card > 24/96 Wav > usb > iMac > Audacity > 16/44.1 Aiff > xAct > FLAC (level 8) |
|
|
10/13/15 |
The Vogue
Indianapolis, IN |
0 FLAC |
|
AUD |
Zoom H1 - AT831 Cardoid Mics - WAV 48/24 - Tracksplitting & Fading w/ Audacity - AIFF - xACT - FLAC |
|
|
11/23/15 |
Summit Music Hall
Denver, CO |
0 FLAC |
|
AUD |
Source: AT933 >SP-SPSB-1 > M10
Transfer: M10 > USB > Cooledit > CDWave > FLAC |
|
|
04/10/16 |
Met
Pawtucket, RI |
0 FLAC |
|
AUD |
SP-CMC-8c===SP-SPSB-11 (12v) Bass Roll Off set @ 69hz to Sony PCM-M10 (Line In)===SDHC SanDisk 16GB Micro Memory Card @ 48/24(Downsampled to 44.1/16)
|
|
|
05/14/16 |
Spicoli's Grill and The Reverb Rock Garden
Waterloo, IA |
0 FLAC |
|
AUD |
Device: Sony PCM-M10
Recorded Quality: Lossless PCM
Sampling Rate: 48 kHz
Bit Depth: 24-bit
Editing: .WAV file split with Sony Sound Forge Audio Studio 9.0d LE
Conversion: Poikosoft's EZ CD Audio Converter v4.0.4 (Build 2) [64-Bit] - Ultimate
Checksums: .MD5 & .ST5 files created with Trader's Little Helper v 2.7.0 (build 172)
Lineage: Sony PCM-M10 > .WAV > .FLAC (Level 8) |
|
|
05/20/16 |
Rock N Derby Festival
Schaghticoke, NY |
0 FLAC |
|
AUD |
Lineage: Church Audio CAFS mics > CA-9200 > Edirol R05 > Adobe Audition 5.5 (level boost) > CD Waveditor (track) > flac8 |
|
|
08/12/16 |
Catton Park
Walton-on-Trent, England |
0 FLAC |
|
AUD |
Sound Professionals SP-CMC-8 Microphones
Sound Professionals SP-SPSB-11 Mini Battery Module with Bass Roll-Off (16Hz)
Edirol R-09HR 44.1kHz / 16 bit
CD Wave Editor>Trader's Little Helper>FLAC level 8>Dime |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
09/10/93 |
Hilton Ballroom
Burbank, CA |
0 FLAC |
|
AUD |
standard Sony Cassette Recorder with internal mic
Analog Master -> CDRW700 -> EAC -> Soundforge -> FLAC Frontend |
|
|
11/17/99 |
Ogden Theatre
Denver, CO |
0 FLAC |
|
AUD |
Source: Coresound CSB's > Sharp 722 minidisc
Transfer: Sony MDS-JE330 (Analog) > SBLive > Cooledit > CDWave > FLAC |
|
|
03/01/14 |
Corporation
Sheffield, England |
0 FLAC |
|
AUD |
SP-CMC-22 > Zoom H1 > Cooledit Pro > .wav > .flac |
|
|
05/17/14 |
Fox Theater Pomona
Pomona, CA |
0 FLAC |
|
AUD |
DSM6 -> PAC6LC3B -> R-09HR -> Soundforge -> FLAC |
|
|
08/09/14 |
Catton Park
Walton-on-Trent, England |
0 FLAC |
|
AUD |
Sound Professionals SP-CMC-8 Microphones
Sound Professionals SP-SPSB-11 Mini Battery Module with Bass Roll-Off (16Hz)
Edirol R-09HR 44.1kHz / 16 bit
USB>PC>CD Wave Editor>Trader's Little Helper>FLAC level 8>Dime |
|
|
03/23/16 |
Massey's Entertainment Venue
Danville, KY |
0 FLAC |
|
AUD |
Zoom H1 - AT831 Cardoid Mics - WAV 48/24 - Tracksplitting & Fading w/ Audacity - AIFF - xACT - FLAC |
|
|
07/30/16 |
Mercury Ballroom
Louisville, KY |
0 FLAC |
|
AUD |
Zoom H1 - AT831 Cardoid Mics - WAV 48/24 - Tracksplitting & Fading w/ Audacity - FLAC |
|
|
09/14/16 |
Bogart's
Cincinnati, OH |
0 FLAC |
|
AUD |
Zoom H1 - AT831 Cardoid Mics - WAV 48/24 - Tracksplitting & Fading w/ Audacity - FLAC |
|
|
10/03/16 |
Manchester Music Hall
Lexington, KY |
0 FLAC |
|
AUD |
Zoom H1 - AT831 Cardoid Mics - WAV 48/24 - Tracksplitting & Fading w/ Audacity - FLAC |
Kirk had problems with the vocals all night, so they are overblown a tad in the mix. Also took the sound guy a couple songs to figure out the mix overall. |
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
05/12/07 |
Spanish Moon
Baton Rouge, LA |
0 FLAC |
|
AUD |
Source : DPA 4061 (matched pair) > CSBB > Line In > Sony MZRH10 (HiSP mode)
Lineage: HiMD master > PC (remastering) > .WAV > FLAC
Transfer: HiMD > Sonicstage (via USB cable) > Wavelab 3.04a (EQ, compression, normalize) > CD Wave Editor > FLAC Frontend
|
|
|
08/06/10 |
Walter's on Washington
Houston, TX |
0 FLAC |
|
SMX |
Source 1: Church Audio AT831 > 9v batt box > Edirol R-09 (WAV @ 24 bit, 48 kHz)
Location: Soundboard (40' from stage, 8' high)
Source 2: Soundboard > Edirol R-09 (WAV @ 24 bit, 48 kHz)
Transfer: SD card > card reader (USB) > WAV
Mastering: Wavlab 3.04 (EQ, dynamic compression, matrixing, dithering and resampling to 16 bit, 44.1 kHz) > CD Wave Editor (track splits) > FLACfrontend |
|
|
08/20/11 |
Hartley/Vey Studio at the Shaw Center
Baton Rogue, LA |
0 FLAC |
|
SMX |
Source 1: DPA 4061 mics > 9v batt box > Edirol R-09 (WAV @ 24 bit, 48 kHz)
Location: 40' from stage
Source 2: Soundboard > Edirol R-09 (WAV @ 24 bit, 48 kHz)
Transfer: SD card > card reader (USB) > WAV
Mastering: Wavlab 3.04 (EQ, dynamic compression, matrix, dithering and resampling to 16 bit, 44.1 kHz) > CD Wave Editor (track splits) > FLACfrontend |
|
|
01/26/13 |
Chelsea's Cafe
Baton Rogue, LA |
0 FLAC |
|
SMX |
SBD Matrix...
Source 1: Soundboard > Edirol R-09 (WAV @ 24 bit, 44.1 kHz)
Source 2: Church Audio AT831 mics > 9v batt box > Edirol R-09 (WAV @ 24 bit, 44.1 kHz)
Location: 25 feet from stage, 6 feet high
Transfer: SD card > card reader (USB) > WAV
Mastering: Wavlab 6.10 (soft dynamic compression, slight EQ, matrixing, dithering and resampling to 16 bit, 44.1 kHz) > CD Wave Editor (track splits) > Trader's Little Helper (FLAC) |
|
|
05/10/14 |
Spanish Moon
Baton Rouge, LA |
0 FLAC |
|
SMX |
Source 1: DPA 4061 mics > 9v batt box > Edirol R-09 (WAV @ 24 bit, 48 kHz)
Location: Front of stacks, stage left
Source 2: Soundboard > Edirol R-09 (WAV @ 24 bit, 48 kHz)
Transfer: SD card > card reader (USB) > WAV
Mastering: Wavlab 6.10 (soft dynamic compression, slight EQ, dithering and resampling to 16 bit, 44.1 kHz) > CD Wave Editor (track splits) > Trader's Little Helper (FLAC) |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
08/08/03 |
Zeppelin's
New Orleans, LA |
0 FLAC |
|
SBD |
Soundboard |
|
|
01/03/04 |
Toy's Record Store
Lafayette, LA |
0 FLAC |
|
AUD |
Source: MASTER - CSB > SPSB-3 > Sony MZ-R910 |
|
|
01/24/04 |
Grant Street Dance Hall
Lafayette, LA |
0 FLAC |
|
SBD |
Source: MASTER - Soundboard > Sony MZ-R910
|
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
09/21/95 |
Metroplex
Dallas, TX |
0 FLAC |
|
AUD |
Video was audience source, other video info unknown
VOB > XMedia Recode > WAV > Audacity tracksplitting > TLH > FLAC (level 8) |
|
|
09/26/95 |
Odeon
Cleveland, OH |
0 FLAC |
|
AUD |
Master Cassette>Playback on JVC TD-W709>Tascam DR-1>Hard Drive>flac>Dime |
|
|
09/29/95 |
Fillmore
San Francisco, CA |
0 FLAC |
|
AUD |
VOB - AIFF - Tracksplitting w/ Audacity - WAV - AIFF - FLACer - FLAC.
Converted this from the video that was up on Dime, great early unique Down show. |
|
|
08/10/02 |
Tweeter Center
Tinley Park, IL |
0 FLAC |
|
AUD |
Unknown |
|
|
11/02/02 |
City Park
New Orleans, LA |
0 FLAC |
|
AUD |
Lineage: Sharp MT877 Recorder, SP-SPSB-624S bass filter (160hz), SP-BMC-3 binatural microphones |
|
|
11/10/02 |
House of Blues
Chicago, IL |
0 FLAC |
|
AUD |
Lineage unknown - AUD |
|
|
10/05/07 |
Showbox Sodo
Seattle, WA |
0 FLAC |
|
AUD |
aud - Edirol 16/44 wav 20 ft from stage zososhane69 recording
cd Wave editor - TLH/flac - you |
|
|
01/20/08 |
Grant Street Dancehall
Lafayette, LA |
0 FLAC |
|
AUD |
Source: Danish Pro Audio 4061s > 9V BattBox > Line In > Edirol R-09 (@ 24/48)
Lineage: Master > PC (remastering) > .WAV (24/48 to 16/44.1) > FLAC
Transfer: SD card > Wavelab 3.04a (EQ, compression, normalize, resampling, dithering) > CD Wave Editor > FLACfrontend |
|
|
02/02/08 |
Murat Egyptian Room
Indianapolis, IN |
0 FLAC |
|
AUD |
Lineage:Core Sound low cost stealth cardoid mics>Sony D8>CD Wave>CDR>EAC>FLAC |
|
|
03/29/08 |
Stodo a
Warsaw, Poland |
0 FLAC |
|
AUD |
Source: SP-CMC-8 (3-wire mod)> DIY 3-wire battery box > line in > MZ-NH700 (Hi-Sp) > USB cable > SonicStage > CEPro2 (simple mastering) > FLAC Frontend > Flac[8] |
|
|
04/11/08 |
Maida Vale Studios
London, England |
0 FLAC |
|
SBD |
Source: BBC Radio 1 stream > Freecorder > WAV > Audacity to split WAV > TLH > FLAC |
|
|
01/30/13 |
Bogart's
Cincinnati, OH |
0 FLAC |
|
AUD |
Zoom H1 - Internal Mics - WAV 48/24 - Tracksplitting & Fading w/ Audacity - WAV -AIFF - FLACer - FLAC |
|
|
05/28/13 |
Exit/In
Nashville, TN |
0 FLAC |
|
AUD |
Zoom H1 - Internal Mics - WAV 48/24 - Tracksplitting & Fading w/ Audacity - WAV - AIFF - FLACer - FLAC |
|
|
12/17/14 |
Summit Music Hall
Denver, CO |
0 FLAC |
|
AUD |
Source: AT933 >SP-SPSB-1 > M10
Transfer: M10 > USB > Cooledit > CDWave > FLAC |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
04/10/15 |
The Summit Music Hall
Denver, CO |
0 FLAC |
|
AUD |
Source: AT933 >SP-SPSB-1 > M10
Transfer: M10 > USB > Cooledit > CDWave > FLAC |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
06/17/14 |
Diamond Pub Concert Hall
Louisville, KY |
0 FLAC |
|
AUD |
Zoom H1 - AT831 Cardoid Mics - WAV 48/24 - Tracksplitting & Fading w/ Audacity - WAV - AIFF - FLACer - FLAC |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
08/31/90 |
Salle Du Cosec
Libourne, France |
0 FLAC |
|
SBD |
PreFM -> DAT(M) -> ANA(1) -> WAV [44.1kHz] -> FLAC [Level 8] |
|
|
02/06/93 |
Gothic Theatre
Englewood, CO |
0 FLAC |
|
SBD |
Source: Soundboard > DAT (M)
Transfer: DAT(M) > DAT(1) > CDR(2) > WAV > FLAC > Audacity > wav > Wave Pad > FLAC8 |
|
|
07/15/95 |
Phoenix Festival
Stratford-Upon-Avon, England |
0 FLAC |
|
SBD |
Source: Silver Disk > dbpoweramp > flac |
|
|
09/08/15 |
Red Rocks Amphitheatre
Morrison, CO |
0 FLAC |
|
AUD |
Source: AT933 >SP-SPSB-1 > M10
Transfer: M10 > USB > Cooledit > CDWave > FLAC |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
07/03/02 |
Justice League
San Francisco, CA |
0 FLAC |
|
AUD |
RECORDING:
Schoeps MK4's > Ruetelhuber Preamp > Sony M1 > DAT Master (44.1kHz/16 bit)
TRANSFER:
DAT Master > Sony PCM-R300 > Digi 002 Rack > MacBook Pro > ProTools 8.0.5 > WAV
MASTERING:
WAV > MacBook Pro > ProTools 8.0.5(EQ, compression, mixing, mastering) > WAV (44.1kHz/16 bit) > FLAC |
|
|
07/19/02 |
Bowery Ballroom
New York, NY |
0 FLAC |
|
AUD |
Core Sound HEB mics > Sony M1 DAT |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
09/24/92 |
Oakland Coliseum
Oakland, CA |
0 FLAC |
|
AUD |
uM > uR > analog gen ? [possibly sourced from VHS gen ?] CDR |
|
|
11/21/02 |
Palace of Auburn Hills
Detroit, MI |
0 FLAC |
|
AUD |
Lineage: uR > uM > CDR > unknown software > FLAC |
|
|
04/08/16 |
T-Mobile Arena
Las Vegas, NV |
0 FLAC |
|
AUD |
Lineage: Church Audio CA-14 Cardoid Mics - > Church Audio Ugly 2 Preamp (Gain setting +30db) -> Sony PCM-M10 -> 24/96 WAV -> Sony Vegas 10 Pro -> 16/44.1 -> Adobe Audition - > Audacity 2.1.2 (tracking) -> Trader's Little Helper 2.7.0 (FLAC level 8 lossless compression & verification) -> YOU
|
During the beginning of Knockin' On Heaven's Door the cable connecting my preamp to my M10 recorder became dislodged. This lead to 22 minutes of audio drop outs. |
|
04/08/16 |
T-Mobile Arena
Las Vegas, NV |
0 FLAC |
|
AUD |
Lineage: external microphones -> 24bit/96khz harddisc recording -> USB/PC -> dEQ -> 16bit/44.1khz -> dED
-> FLAC frontend 1.7.1 (level 8 with verifying, align on SBE enabled) |
complete audience recording (no cuts) |
|
04/09/16 |
T-Mobile Arena
Las Vegas, NV |
0 FLAC |
|
AUD |
Lineage: Church Audio CA-14 Cardoid Mics - > Church Audio Ugly 2 Preamp (Gain setting +15db) -> Sony PCM-M10 -> 24/96 WAV -> Sony Vegas 10 Pro -> 16/44.1 -> Adobe Audition - > Audacity 2.1.2 (tracking) -> Trader's Little Helper 2.7.0 (FLAC level 8 lossless compression & verification) -> YOU
|
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
07/03/09 |
Lincoln Theatre
Raleigh, NC |
0 FLAC |
|
AUD |
Realistic 33-1065 > Edirol R-09 > USB > Soundforge 8.0 > Wav > CD Wave Editor > FLAC |
Country set, Hellbilly set, Assjack set |
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
06/27/97 |
Summerfest
Milwaukee, WI |
0 FLAC |
|
SBD |
Source: soundboard > ?? > CDR(n) > EAC > SHN (mkw) > FLAC |
|
|
07/23/97 |
The Troubador
Los Angeles, CA |
0 FLAC |
|
FM |
Source: silver CDs produced for the radio station > WinDAC (paranoid mode) > CoolEdit > SHN |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
04/05/16 |
The Palace
Auburn Hills, MI |
0 FLAC |
|
AUD |
Recorded with Sony PCM-M10 --> 96,000 KHz sample rate/24 Bits WAV --> 44,100 KHz sample rate/16 Bits FLAC in xACT (mac) |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
09/18/06 |
Allstate Arena
Rosemont, IL |
0 FLAC |
|
AUD |
source- Sound Pro CMC-8's,(Card Caps)> SPSP-9 BB>
Sony Hi MD MZ-M100 (PCM 44.1) Line-In
Transfer- USB Upload from Sony MZ-M100 to Sonic Stage> FLAC Frontend |
|
|
04/26/08 |
Epicerie Moderne
Lyon, France |
0 FLAC |
|
AUD |
Source : DAT Master > .Wav (48kHz) > .Wav (44.1kHz) > FLAC 7
Lineage : Core Sound HEB (DPA 4061) > Sony TCD-D8
> Sony POC-DA 12P > Terratec EWX 24/96 > Soundforge 7.0 > CD Wave Editor 1.95 > CUE Splitter > FLAC Fontend |
|
|
11/10/09 |
Proxima
Warsaw, Poland |
0 FLAC |
|
AUD |
Source: AT943 Cardioid> DIY 3-wire battery box > line in > MZ-NH700 (Hi-Sp) > USB cable > SonicStage > AA3.0.1 (L/R normalize) > FLAC Frontend > Flac[8]
|
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
03/20/14 |
Zanzabar
Louisville, KY |
0 FLAC |
|
AUD |
Zoom H1 - AT831 Cardoid Mics - WAV 48/24 - Tracksplitting & Fading w/ Audacity - WAV - AIFF - FLACer - FLAC |
|
|
05/17/14 |
Fox Theater Pomona
Pomona, CA |
0 FLAC |
|
|
DSM6 -> PAC6LC3B -> R-09HR -> Soundforge -> FLAC |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
02/07/07 |
HI Dive
Denver, CO |
0 FLAC |
|
AUD |
Source: MBHO KA-200N > JK Labs DVC-V12 > JB3
Transfer: JB3 > USB > Cooledit > CDWave > FLAC |
|
|
04/16/09 |
The Marquee Theater
Tempe, AZ |
0 FLAC |
|
AUD |
Source: ST-11 Cardioids > Church Audio 9100 > R-09 (24-bit WAV 48.0kHz)
Transfer: R-09 usb > Wave Editor 1.3 (EQ, tracking) > FLAC |
|
|
05/27/13 |
Star Theater
Portland, OR |
0 FLAC |
|
AUD |
Recorder: Zoom Q3HD
Audio Settings: 24-bit, 48 kHz stereo PCM lossless
Storage Media: Kingston 32 GB ultimateX 100X SDHC
Batteries: Energizer Ultimate Lithium AA (two)
Transfer: SDHC (.mov file) > SDHC reader > HDD
Audacity (.mov > .wav) > CD Wave (splits) > dBpoweramp (.wav > .flac, tags)
Original recording, no EQ, +5 dB volume |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
02/28/75 |
Assembly Center
Baton Rouge, LA |
0 FLAC |
|
SBD |
lineage: my silver > EAC > Flac (level 8 )
from "Rampaging Cajun" CD |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
05/18/92 |
Bulletsound Studio
Nederhorst den Berg, Netherlands |
0 FLAC |
|
SBD |
SBD |
|
|
05/17/94 |
KCRW Studios
Santa Monica, CA |
0 FLAC |
|
FM |
FM |
|
|
02/11/95 |
Bulletsound Studio
Nederhorst den Berg, Netherlands |
0 FLAC |
|
SBD |
SBD |
|
|
04/07/00 |
Wisseloord
Hilversum, Netherlands |
0 FLAC |
|
SBD |
SBD |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
04/29/95 |
Moore Theatre
Seattle, WA |
0 FLAC |
|
AUD |
Source: SS (DSM6) > DAT > CDR > EAC > WAV > FLAC |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
03/29/17 |
The Pyramid Scheme
Grand Rapids, MI |
0 FLAC |
|
AUD |
Zoom H1 - AT839 Cardoid Mics - WAV 48/24 - Tracksplitting & Fading w/ Audacity - FLAC |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
09/19/06 |
Cervantes
Denver, CO |
0 FLAC |
|
AUD |
Source: MBHO KA-200N > JK Labs DVC-V12 > JB3
Transfer: JB3 > USB > Cooledit > CDWave > FLAC |
|
|
06/05/09 |
Corporation
Sheffield, UK |
0 FLAC |
|
AUD |
Lineage: SP-CMC-22 > Sony MZ-R55 > Cooledit Pro > .wav > .flac |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
03/06/87 |
Hammersmith Odeon
London, England |
0 FLAC |
|
FM |
Trade - CDR - EAC - FLAC |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
06/07/11 |
Music Hall Of Williamsburg
New York, NY |
0 FLAC |
|
AUD |
Equipment: Schoeps Mk41>CMC6>Sound Devices USBpre2 + DPA 4061>CA9200>>Edirol R-44 [Oade Concert Mod] (24/48)
mk41s PAS, 4061s 2ft split
Mastering: 2x24bit/48kHz WAV>Audacity (mixdown, EQ, set fades, tracking, amplify and balance, downsample to 16/44.1)>FLAC ( level 8 )
|
|
|
07/15/13 |
Summit
Denver, CO |
0 FLAC |
|
AUD |
Source: MBHO KA-500N > Niaant Littlebox > M10
Transfer: M10 > USB > Cool Edit > Audacity > CDWave > FLAC |
|
|
07/06/15 |
Mercury Ballroom
Louisville, KY |
0 FLAC |
|
AUD |
Zoom H1 - AT831 Cardoid Mics - WAV 48/24 - Tracksplitting & Fading w/ Audcacity - WAV - xACT - FLAC |
|
|
07/17/15 |
Summit Music Hall
Denver, CO |
0 FLAC |
|
AUD |
Source: AT933 >SP-SPSB-1 > M10
Transfer: M10 > USB > Cooledit > CDWave > FLAC |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
06/24/94 |
Ionia Free Fair
Ionia, MI |
0 FLAC |
|
AUD |
Linage: Sony D-7 > Realistic 33-1065 Stereo Electret Microphone > Maxell DM-120 Sony PCM-R300 > Sony STR-DE945 > PC > WavePad > TLH > Flac |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
11/11/00 |
The Arena
Stockholm, Sweden |
0 FLAC |
|
FM |
FM |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
12/10/92 |
Stadthalle
Offenbach, Germany |
0 FLAC |
|
AUD |
Original silver->dbpoweramp/flac level 6/Trader's Little Helper for ffp and Md5->DaD->You |
|
|
03/10/11 |
Marquee Theatre
Tempe, AZ |
0 FLAC |
|
AUD |
ST-11 > R09 (24-bit/48kHz)
R09 > MacPro > Wave Editor 1.3.3 (EQ) > Audacity 1.3.11 (tracking) > FLAC 24-bit/48kHz |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
09/10/93 |
HBS Auditorium
Hollywood, CA |
0 FLAC |
|
AUD |
D3 Master -> Untracked CDR to me
CDR -> EAC -> Soundforge -> FLAC Frontend Level 8 |
|
|
11/28/04 |
Theatre of Living Arts
Philadelphia, PA |
0 FLAC |
|
SBD |
SBD (or matrix) > ? > CDR > EAC > flac (untracked) > wav > CD Wave Editor > CDR |
|
|
12/02/12 |
The Forum
London, England |
0 FLAC |
|
AUD |
Zoom H2 digital recorder with internal microphone WAV 48kHz/24 bit
Mic set to low gain throughout
EDITING: MAGIX Audio Cleaning Lab 16 deluxe - editing & conversion to FLAC 44.1 KHz, 24 bit |
|
|
06/28/14 |
Graspop Metal Meeting
Dessel, Belgium |
0 FLAC |
|
AUD |
Sound Professionals SP-SPSB-11 Mini Battery Module with Bass Roll-Off (16Hz)
Edirol R-09HR 44.1kHz / 16 bit
USB>PC>CD Wave Editor>Trader's Little Helper>FLAC level 8>Dime |
|
|
08/04/15 |
Expo Five
Louisville, KY |
0 FLAC |
|
AUD |
Zoom H1 - AT831 Cardoid Mics - WAV 48/24 - Tracksplitting & Fading w/ Audacity - AIFF - xACT - FLAC |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
07/28/81 |
Théâtre St-Denis
Montreal, QC |
0 FLAC |
|
SBD |
CDR~EAC~WAV~FLAC |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
11/05/14 |
Fitzgerald's Downstairs
Houston, TX |
0 FLAC |
|
AUD |
Lineage: Zoom Q3HD (Recording (24/96 stereo .wav)) > Audacity (hard limit, normalize, split tracks & convert to 16/44.1 wav) > Trader's Little Helper (Convert to flac8)
|
|
|
12/19/14 |
The Firebird
St. Louis, MO |
0 FLAC |
|
AUD |
Core Sound Binaurals/Battery Box > Olympus LS-10 > Audacity/Trader's Little Helper (SBE Fix/FLAC8) |
|
|
04/06/15 |
House of Blues
Chicago, IL |
0 FLAC |
|
AUD |
Zoom H1 - AT831 Cardoid Mics - WAV 48/24 - Tracksplitting & Fading w/ Audacity - WAV - xACT - FLAC |
|
|
02/28/16 |
Zanzibar
Louisville, KY |
0 FLAC |
|
AUD |
Zoom H1 - AT831 Cardoid Mics - WAV 48/24 - Tracksplitting & Fading with Audacity - AFIF - xAct - FLAC
|
|
|
08/17/16 |
The Waiting Room
Buffalo, NY |
0 FLAC |
|
AUD |
CoreSound Stealths + Sony PCM-M10(24bit x 48k) ->
Goldwave (Tracking + volume tweaks + convert to 44.1x16) ->
Flac Frontend (conversion to Flac) |
|
|
03/23/17 |
The End
Nashville, TN |
0 FLAC |
|
AUD |
Zoom H1 - AT831 Cardoid Mics - WAV 48/24 - Tracksplitting & Fading w/ Audacity - FLAC
|
|
|
04/09/17 |
The Ruby Lounge
Manchester, England |
0 FLAC |
|
AUD |
Sound Professionals SP-CMC-8 Microphones
Sound Professionals SP-SPSB-11 Mini Battery Module with Bass Roll-Off (16Hz)
Edirol R-09HR 44.1kHz / 16 bit
CD Wave Editor>Trader's Little Helper>FLAC level 8>Dime
|
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
07/??/89 |
Unknown
Dallas, TX |
0 FLAC |
|
SBD |
Original Silver CD > Cool Edit Pro 2.0 > Wav > Flacfrontend > FLAC |
|
|
08/30/90 |
Bogart's
Cincinnati, OH |
0 FLAC |
|
AUD |
Sony D-3 Pro Walkman > Realistic 33-1065 Electret Stereo Microphone > Fuji FR-IIx100 >
Sony TC-WR570 > Philips CDR-200 > CDR > EAC > FLAC |
|
|
11/18/90 |
Diamond Club
Toronto, ON |
0 FLAC |
|
AUD |
AUD |
|
|
02/04/91 |
Icehall
Helsinki, Finland |
0 FLAC |
|
AUD |
Lineage: 2nd gen analog cassette > Sony Walkman WM-EX194 > SoundBlaster Live! 5.1 > Adobe Audition 1.5 > WAV > CD Wave Editor > SHN |
|
|
02/18/91 |
Stadthalle Offenbach
Offenbach, Germany |
0 FLAC |
|
AUD |
CASSETTE TAPE>>RAW SOUND>>HARD-DRIVE>>>>TRADER'S LITTLE HELPER FLAC>>DIME>YOU |
|
|
03/17/91 |
Le Zenith
Paris, France |
0 FLAC |
|
AUD |
AUD |
|
|
04/10/91 |
Bogart's
Cincinnati, OH |
0 FLAC |
|
AUD |
Sony D-3 Pro Walkman > Realistic 33-1065 Electret Stereo Microphone > Fuji FR-IIx100 >
Sony TC-WR570 > Philips CDR-200 > CDR > EAC > FLAC |
|
|
05/26/91 |
Bogart's
Cincinnati, OH |
0 FLAC |
|
AUD |
Sony D-3 Datman > Sony EM-?? microphone > Sony DT-90 DAT >
Philips CDR-200 > CDR >EAC > FLAC |
|
|
06/12/91 |
Peppermint Beach Club
Virginia Beach, VA |
0 FLAC |
|
AUD |
Lineage:1st gen cassette>playback on Sony TC-W305 deck>TDK DA-3826 standalone burner>CDR>EAC>Flac frontend>Trader's Little Helper
|
|
|
03/14/92 |
Irvine Meadows
Irvine, CA |
0 FLAC |
|
AUD |
Recording Equipment: Aiwa CM-Z3>Sony WM-D6C
Lineage: 1st Generation Analog (TDK-D90)>TC-WE475>PC>AUDACITY>WAV (16bit)>TLH>FLAC (8) |
|
|
05/01/92 |
Hara Arena
Dayton, OH |
0 FLAC |
|
AUD |
Sony D-3 DAT walkman > Realistic 33-1065 Electret Stereo Microphone > Sony DT-120 > Philips cdr-200 > CDR > EAC > FLAC |
|
|
06/09/92 |
CNE Coliseum
Toronto, ON |
0 FLAC |
|
AUD |
First generation cassette > Tascam 202MKV > Edirol R09 (16/44) > Adobe Audition (level boost/hiss reduction) > CDWAVE (track) > FLAC8 |
|
|
06/29/92 |
Palace
Hollywood, CA |
0 FLAC |
|
AUD |
Cassette Master -> CDRW700 -> EAC -> Soundforge -> FLAC Frontend Level 8 |
|
|
07/11/92 |
Midoh Kaikan
Osaka, Japan |
0 FLAC |
|
AUD |
Source: AUD > ? > Trade CDR > EAC(Secure) > WAV > FLAC8 |
|
|
09/30/92 |
Hammersmith
London, England |
0 FLAC |
|
AUD |
Lineage: Cassette (unknown gen) - ION Tape2PC - Audacity - CD Wave - Flac (level 6) |
|
|
11/08/92 |
The Paramount Theater
Seattle, WA |
0 FLAC |
|
AUD |
GEN.:
----------------
ANA(M) -> WAV [48kHz] -> WAV [44.1kHz] -> FLAC [Level 8]
SOURCE: (AUD#1)
-----------------
Sony WM-D6 > Sonic Studios DSM-6P w/ 3-way lo-cut filter, position unknown (most likely @ 80hz, middle setting) |
|
|
01/20/93 |
The Marquee
London, England |
0 FLAC |
|
AUD |
Lineage: Cassette (unknown gen) - ION Tape2PC - Audacity - CD Wave - Flac (level 6) |
|
|
02/02/93 |
Noorderlicht
Tilburg, Holland |
0 FLAC |
|
AUD |
lineage: pressed silver cd -> eac -> wav -> flac frontend -> flac
|
|
|
02/04/93 |
Frankfurt Music Hall
Frankfurt, Germany |
0 FLAC |
|
AUD |
Source: Silver CD, 1993 Teenage Wasteland-Records, Hongkong
|
|
|
02/11/93 |
Town & Country Club
London, England |
0 FLAC |
|
AUD |
lineage: pressed silver cd -> eac -> wav -> flac frontend -> flac |
|
|
03/06/93 |
The Concert Hall
Toronto, ON |
0 FLAC |
|
AUD |
Lineage: Silver Cd > DMC Audio CD > TLH > Flac(8)
|
|
|
03/07/93 |
Spectrum de Montreal
Montreal, QC |
0 FLAC |
|
AUD |
AUD |
|
|
12/04/93 |
Estadio Obras
Buenos Aires, Argentina |
0 FLAC |
|
AUD |
Ripped from the Original Unofficial Silver CD. "Vulgar Display At Buenos Aires"
CD SILVER > FLAC Level 08 |
|
|
04/10/94 |
Metropolis
Montreal, QC |
0 FLAC |
|
AUD |
Lineage: Silver Pressed Bootleg cd "Far Beyond Live" (Angry Dino AD1011) >
EAC Secure > Lossless convesrion to Flac (level 5) |
|
|
04/12/94 |
Roseland Ballroom
New York, NY |
0 FLAC |
|
AUD |
Source: AUD > ? > Trade CDR > EAC(Secure) > WAV > FLAC8 |
|
|
04/19/94 |
Eagle's Auditorium
Milwaukee, WI |
0 FLAC |
|
SBD |
Source: AUD > ? > CDR > Trade > EAC > FLAC |
|
|
04/30/94 |
Civic Auditorium
Santa Monica, CA |
0 FLAC |
|
AUD |
Both are first gen cassette (D3) to DAT to CDR to EAC to Soundforge to FLAC.
|
|
|
05/02/94 |
Civic Center
Santa Monica, CA |
0 FLAC |
|
AUD |
AUD |
|
|
07/15/94 |
Event Center Arena
San Jose, CA |
0 FLAC |
|
AUD |
Snail Mail Trade-->EAC-->Traders Little Helper |
|
|
07/29/94 |
Starplex Amphitheater
Dallas, TX |
0 FLAC |
|
AUD |
AUDIENCE DAT MASTER(44.1KHZ)>SONY PCM R-300 DAT>CREATIVE SOUNDBLASTER (16/48KHZ) > Adobe Audition 5.5 (level boost) > CD Waveditor (tracking) > flac8
RECORDED USING A SONY D7 DAT AND A SONY ECM-155 MIC
TDK DA-R120 MASTER DAT |
|
|
08/19/94 |
Nassau Coliseum
Uniondale, NY |
0 FLAC |
|
AUD |
Original lineage unknown
Transfer: "Support the Madmen" CD > EAC .wav > TLH Flac Level 8
Transferred by labattblueleaf |
|
|
02/17/95 |
State Fairground
Detroit, MI |
0 FLAC |
|
AUD |
Sony D-7 > Realistic 33-1065 Stereo Electret Microphone >
Philips CDR-200 > CDR > EAC >Flac |
|
|
02/22/95 |
The Gardens
Louisville, KY |
0 FLAC |
|
AUD |
Sony D-7 > Realistic 33-1065 Stereo Electret Microphone >
Philips CDR-200 > CDR > EAC >Flac |
|
|
07/23/96 |
Arco Arena
Sacramento, CA |
0 FLAC |
|
AUD |
Lineage: 2nd gen cassette>playback on Sony TC-W305 deck>TDK DA-3826 standalone burner>CDR>EAC>Flac frontend>Trader's Little Helper |
|
|
08/14/96 |
Hara Arena
Dayton, OH |
0 FLAC |
|
AUD |
Sony D-7 > Realistic 33-1065 Stereo Electret Microphone > Sony DT-90 >
Philips CDR-200 > CDR >EAC > FLAC |
|
|
08/24/96 |
Continental Airlines Arena
East Rutherford, NJ |
0 FLAC |
|
AUD |
Equipment: Realistic mic > Sony D3 cassette recorder
Lineage: Master Maxell XLII 90 cassette > Tascam 202MKV > Edirol R09 (16/44) > Adobe Audition 5.5 (level boost/hiss reduction) > CD Waveditor (track) > flac8 |
|
|
09/08/96 |
NK Hall
Tokyo, Japan |
0 FLAC |
|
AUD |
Source: AUD > ? > Trade CDR > EAC(Secure) > WAV > FLAC8 |
|
|
12/05/96 |
Music Hall
Austin, TX |
0 FLAC |
|
AUD |
Recording Equipment: Sonic Studios DSM-6P w/ 3-way lo-cut filter, position unknown (most likely @ 80hz, middle setting) > Sony WM-D6
Lineage: Denon 790R > Kenwood A-522 amplifier > Kenwood GE-622 Equalizer > DAT out > line in on Tascam DR-2D >WAV>Flashdrive>AUDACITY>WAV (16bit)>TLH>FLAC (8) |
|
|
03/11/97 |
Estadio Nacional
Santiago, Chile |
0 FLAC |
|
FM |
FLAC - FM Recording |
|
|
05/28/97 |
Blockbuster Pavilion
Charlotte, NC |
0 FLAC |
|
AUD |
Lineage: Sony Walkman Monaural cassette recorder with built-in microphone > Maxell XLII cassette tape
(MASTER) > Soundblaster Audigy sound card > Sound Forge 9 (Normalized to 98.1% only) > Uncompressed 44.1 WAV -> Traders Little Helper (Fixed SBE’s) > FLAC 8
|
|
|
06/29/97 |
Blockbuster Pavilion
Devore, CA |
0 FLAC |
|
AUD |
first gen cassette (D3) to DAT to CDR to EAC to Soundforge to FLAC |
|
|
07/01/97 |
Sullivan Arena
Anchorage, AK |
0 FLAC |
|
AUD |
SOURCE: (AUD#1)
-----------------
Sony WM-D6 > Sonic Studios DSM-6P w/ 3-way lo-cut filter, position unknown (most likely @ 80hz, middle setting)
TRANSFER:
-----------------
Denon 790R > Kenwood A-522 amplifier > Kenwood GE-622 Equalizer > Audacity (boosting/splicing) > WAV -> CDWave (Splitting/Tracking - FLAC.lvl8 Encoding) |
|
|
01/22/98 |
Hampton Coliseum
Hampton, VA |
0 FLAC |
|
AUD |
AUD
Notes file lists as first generation DAT transfer. |
|
|
06/09/98 |
Parque Sarmiento Stadium
Buenos Aires, Argentina |
0 FLAC |
|
SBD |
Silver CD 2 flac = PowerISO (flac lvl 8) |
|
|
06/20/98 |
National Bowl
Milton Keynes, England |
0 FLAC |
|
AUD |
RECORDED USING SONY MINIDISC ( CANT REMEMBER MODEL )
AKG C1000S MICROPHONE
MD RECORDING TRANSFERRED TO CASSETTE FROM MY BROTHERS MASTER MD.
CASSETTE TRANSFERRED FROM ION TAPE 2 PC VIA AUDACITY.
WAV FILE SPLIT AND SAVED IN MAGIX AUDIO CLEANING LAB
ENCODED TO FLAC LEVEL 6 USING TRADERS LITTLE HELPER |
|
|
01/06/99 |
Great Western Forum
Inglewood, CA |
0 FLAC |
|
AUD |
SOURCE: (AUD#1)
-----------------
Sony WM-D6 > Sonic Studios DSM-6P w/ 3-way lo-cut filter, position unknown (most likely @ 80hz, middle setting)
TRANSFER:
-----------------
Denon 790R > Kenwood A-522 amplifier > Kenwood GE-622 Equalizer > Audacity (boosting/splicing) > WAV -> CDWave (Splitting/Tracking - FLAC.lvl8 Encoding) |
|
|
01/08/99 |
San Jose Arena
San Jose, CA |
0 FLAC |
|
AUD |
GENERATION:
-----------------
ANA(M) -> WAV [48kHz] -> WAV [44.1kHz] -> FLAC [Level 8]
SOURCE: (AUD#1)
-----------------
Sony WM-D6 > Sonic Studios DSM-6P w/ 3-way lo-cut filter, position unknown (most likely @ 80hz, middle setting)
TRANSFER:
-----------------
Denon 790R > Kenwood A-522 amplifier > Kenwood GE-622 Equalizer > Audacity (boosting/splicing) > WAV -> CDWave (Splitting/Tracking - FLAC.lvl8 Encoding)
|
|
|
01/11/99 |
Rose Garden
Portland, OR |
0 FLAC |
|
AUD |
GENERATION:
-----------------
ANA(M) -> WAV [48kHz] -> WAV [44.1kHz] -> FLAC [Level 8]
SOURCE: (AUD#1)
-----------------
Sony WM-D6 > Sonic Studios DSM-6P w/ 3-way lo-cut filter, position unknown (most likely @ 80hz, middle setting)
TRANSFER:
-----------------
Denon 790R > Kenwood A-522 amplifier > Kenwood GE-622 Equalizer > Audacity (boosting/splicing) > WAV -> CDWave (Splitting/Tracking - FLAC.lvl8 Encoding) |
|
|
01/12/99 |
Key Arena
Seattle, WA |
0 FLAC |
|
AUD |
Source: ECM-MS907> MZ-R30 (MDmaster>CDRmaster>EAC>FLAC)
|
Complete show |
|
01/12/99 |
Key Arena
Seattle, WA |
0 FLAC |
|
AUD |
GENERATION:
-----------------
ANA(M) -> WAV [48kHz] -> WAV [44.1kHz] -> FLAC [Level 8]
SOURCE: (AUD#1)
-----------------
Sony WM-D6 > Sonic Studios DSM-6P w/ 3-way lo-cut filter, position unknown (most likely @ 80hz, middle setting)
TRANSFER:
-----------------
Denon 790R > Kenwood A-522 amplifier > Kenwood GE-622 Equalizer > Audacity (boosting/splicing) > WAV -> CDWave (Splitting/Tracking - FLAC.lvl8 Encoding)
|
Notes: Incomplete recording, "Domination", "A New Level", "Walk", and Becoming were not taped. |
|
01/19/99 |
Rosemont Horizon
Rosemont, IL |
0 FLAC |
|
AUD |
Neumann km 140's > sonsax sx-m2 > Sony tcd-d8 |
|
|
02/12/99 |
Nutter Arena
Dayton, OH |
0 FLAC |
|
AUD |
Sony D-7 > Realistic 33-1065 Stereo Electric Microphone > Maxell R-124DA >
Philips CDR-200 > CDR > EAC > FLAC |
|
|
02/14/99 |
Palace Of Auburn Hills
Auburn Hills, MI |
0 FLAC |
|
AUD |
Sony D-7 > Realistic 33-1065 Stereo Electric Microphone > Maxell R-124DA >
Philips CDR-200 > CDR > EAC > FLAC |
|
|
08/06/00 |
Alpine Valley
East Troy, WI |
0 FLAC |
|
AUD |
Linage: CD trade (Maxell CD-R 80) > audacity for lossless test > FLAC 6 |
|
|
08/08/00 |
Riverbend Music Center
Cincinnati, OH |
0 FLAC |
|
AUD |
Source: AUD > ? > CDR |
|
|
02/04/01 |
House of Blues
Las Vegas, NV |
0 FLAC |
|
AUD |
AUD |
|
|
03/18/01 |
Pepsi Coliseum
Indianapolis, IN |
0 FLAC |
|
AUD |
source:CoreSound low cost stealth cardioid mics>Sony MD>
TDK DA-3826 Standalone CD recorder>CDR>wav>flac |
|
|
05/03/01 |
William A. Egan Civic and Convention Center
Anchorage, AK |
0 FLAC |
|
AUD |
GENERATION: ANA(M) -> WAV [48kHz] -> WAV [44.1kHz] -> FLAC [Level 8]
SOURCE: (AUD#1): Sony WM-D6 > Sonic Studios DSM-6P w/ 3-way lo-cut filter, position unknown (most likely @ 80hz, middle setting)
TRANSFER: Denon 790R > Kenwood A-522 amplifier > Kenwood GE-622 Equalizer > Audacity (boosting/splicing) > WAV -> CDWave (Splitting/Tracking - FLAC.lvl8 Encoding) |
Taper notes indicate he thinks four songs were missed. Based on Seoul, South Korea setlist, probably only missing three full songs: "Hellbound" and "A New Level", and "Slaughtered" only catches last couple notes. |
|
06/30/01 |
Cobo Arena
Detroit, MI |
0 FLAC |
|
AUD |
Sony D-7 > Realistic 33-1065 Stereo Electric Microphone > Maxell R-124DA >
Philips CDR-200 > CDR > EAC > FLAC |
|
|
07/19/01 |
Long Beach Arena
Long Beach, CA |
0 FLAC |
|
AUD |
Source: Sound Professionals AT853 (Cardoid Element) > Sound Professionals Mini Battery Box w/Bass Roll Off @ 160Hz > Sharp MD-SR60 MiniDisc > 5 Memorex 80 Min Clear MiniDisc's
Transfer: Master MD's > Yamaha MDX-783 MiniDisc Optical Out > Sound Blaster Audigy MP3+ Optical In > Sound Forge 7 > ME Compressor > CDWav > FLAC Frontend
|
|
|
07/22/01 |
Centennial Gardens
Bakersfield, CA |
0 FLAC |
|
AUD |
AUD |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
03/17/95 |
Flinders Park Tennis Centre
Melbourne, Australia |
0 FLAC |
|
SBD |
Source: Sirius XM PJ Satellite Radio
Lineage: DAB-S Receiver -> Adobe Audition 3.0 -> CD-R/FLAC Frontend 8 -> TLH |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
05/22/09 |
Spanish Moon
Baton Rouge, LA |
0 FLAC |
|
AUD |
Source : DPA 4061 (matched pair) > 9v batt box > Edirol R-09 (WAV @ 24 bit, 48 kHz)
Transfer: SD card > card reader (USB) > WAV
Mastering: Wavlab 3.04 (EQ, dynamic compression, dithering and resampling to 16 bit, 44.1 kHz) > CD Wave Editor (track splits) > FLACfrontend |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
09/02/99 |
The Key Club
Hollywood, CA |
0 FLAC |
|
AUD |
source: Core Sound Binaurals>Sony DAT D8
unknown cdr lineage
transfer: CDR > EAC > mkwACT > SHN |
|
|
09/01/00 |
The Fillmore Auditorum
Denver, CO |
0 FLAC |
|
AUD |
Source: Coresound CSB's > Sharp 722 minidisc
Transfer: Sony MDS-JE330 (Analog) > SBLive > Cooledit > CDWave > FLAC |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
08/23/98 |
Butzweiler Hof
Köln, Germany |
0 FLAC |
|
FM |
FM source - Unknown generation |
|
|
11/29/98 |
De Loft
Berlin, Germany |
0 FLAC |
|
SBD |
SBD > ANAX > BOOT CD > SHN |
|
|
12/02/98 |
Arena
Vienna, Austria |
0 FLAC |
|
FM |
source: master (from CABLE)
FM (FM4) broadcast => JVC EX-TD77R Receiver =>
Line In to Terratec Six Pack 5.1 => edited with Wavelab 4.0 =>
CD0 => EAC v0.9b4 => mkwACT 0.96f => SHN => FLAC (level 8) |
|
|
02/08/99 |
Pyramid Cabaret
Winnipeg, MB |
0 FLAC |
|
FM |
lineage: FM > Toshiba m752c > hi-fi vhs(m) > Panasonic AG-1980
> Canopus ADVC300 > firewire > PC > wav > audition > wav > flac |
|
|
06/25/99 |
Glastonbury Festival
Glastonbury, England |
0 FLAC |
|
FM |
FM |
|
|
12/20/99 |
The Forum
Los Angeles, CA |
0 FLAC |
|
AUD |
Source: Schoeps MK4's>Rmod Box>SBM-1>Sony Dat |
|
|
05/08/00 |
Bottom of the Hill
San Francisco, CA |
0 FLAC |
|
AUD |
akgSE300B+CK91[ORTF]FOB>LunatecV2>SonyD8>
SGIindy(digi-in)>SoundForge4.5[cdArchitect]>
.wav>FLAC Frontend[8]>.flac |
|
|
08/26/02 |
Virgin Megastore
San Francisco, CA |
0 FLAC |
|
AUD |
RECORDING:
Schoeps MK4's > Ruetelhuber Preamp > Sony M1 > DAT Master (44.1kHz/16 bit)
TRANSFER:
DAT Master > Sony PCM-R300 > Digi 002 Rack > MacBook Pro > ProTools 8.0.5 > WAV
MASTERING:
WAV > MacBook Pro > ProTools 8.0.5 (EQ, compression, mixing, mastering) >
WAV (44.1kHz/16 bit) > FLAC |
|
|
10/13/07 |
WAMU Theater at Madison Square Garden
New York, NY |
0 FLAC |
|
AUD |
AKG 391's>MME>(2448)Microtracker>SF6.0(1644; fades)>CDWave(trackmarks)>Flac |
|
|
06/03/13 |
Oui FM
Paris, France |
0 |
|
FM |
GENERATION
----------------
FM [OUIFM] > .WAV[16bits/44kHz] > .FLAC Lvl.8[16bits/44kHz]
TRANSFER
-------------
FM(AIWA XR-MN75) > Edirol r-09hr > SD > PC > MAGIX Audio Cleanic 16 |
|
|
06/05/13 |
Ed Sullivan Theater-Letterman
New York, NY |
0 FLAC |
|
SBD |
Lineage: HD over fm>Sangean HDT-1>Rotel-05 SE>SoundBlaster (Live! 24 bit External)>wav(CD Wave Editor)>flac |
|
|
07/20/13 |
Meca Beach
Sesimbra, Portugal |
0 FLAC |
|
FM |
Lineage: SONY XO-D20 FM Receiver -> Sony 5 bands EQ -> M-Audio Quattro -> Audacity (tracksplitting and fades) -> TLH -> Flac (level 8) |
|
|
08/10/13 |
Armoury Studios
Vancouver, BC |
0 FLAC |
|
SBD |
Downloaded from "Bootlegs" section of QOTSA Brasil website as individual .wav files
Lineage: Studio soundboard > unknown transfer/fading/tracking > wav > TLC > FLAC (level 6) |
|
|
09/17/13 |
Murat
Indianapolis, IN |
0 FLAC |
|
AUD |
Zoom H1 - Internal Mics - WAV 48/24 - Tracksplitting & Fading w/ Audacity - WAV - AIFF - FLACer - FLAC |
|
|
09/18/13 |
The Louisville Palace
Louisville, KY |
0 FLAC |
|
AUD |
Zoom H! - Internal Mics - WAV 48/24 - Tracksplitting & Fading w/ Audacity - WAV - AIFF - FLACer - FLAC |
|
|
01/30/14 |
Raleigh Memorial Auditorium
Raleigh, NC |
0 FLAC |
|
AUD |
Zoom H4n(wav)> SD card> PC> Final Cut Pro(for track splitting and editing)>dataDVD(back to me)>
I then used dBpoweramp R15 to convert the wav to flac5 and resample/dither to 16bit/44.1kHz
|
|
|
07/14/14 |
Providence Performing Arts Center
Providence, RI |
0 FLAC |
|
AUD |
AT853 > Ugly Battery Box > Tascam DR-05 > WAV > Audacity > xACT > FLAC |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
02/18/09 |
The Double Door
Chicago, IL |
0 FLAC |
|
AUD |
Neumann km184's(~25' FOB/Left Side Of Board/9' High) > MOTU Ultralite mk3 > PC(Sonar 7 16-Bit/48kHz) > CDWave(Tracking) > FLAC(16-Bit/44.1kHz/Level 8)
|
|
|
05/17/14 |
Fox Theater Pomona
Pomona, CA |
0 FLAC |
|
AUD |
DSM6 -> PAC6LC3B -> R-09HR -> Soundforge -> FLAC |
|
|
08/07/14 |
Josefov Fortress
Jaroměř, Czech Republic |
0 FLAC |
|
AUD |
Lineage: ZoomQ2HD -> PCM 44.1/24 (WAV) -> Gold Wave (track splitting) -> TLH(FLAC level 8) -> Dime |
|
|
12/19/14 |
The Palladium
Worcester, MA |
0 FLAC |
|
AUD |
Recording Equipment: Teac VR-10 using internals mic with input level set to +4
Post Production: SDHC>WAV>Audacity(tracked only, no other editing done)>flac>
Traders Little Helper>Re-encode flac files @ level 8>Test Re-encoded flac files
and create checksum file |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
07/16/99 |
T99 Festival
Lisbon, Portugal |
0 FLAC |
|
FM |
Amplifier Technics SU-V500>Tuner Denon TU-460>Minidisk Deck Sony MDS JE-510 |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
11/13/98 |
Church Of The Holy Trinity
Toronto, ON |
0 FLAC |
|
SBD |
SBD |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
05/29/91 |
Deer Creek Music Center
Noblesville, IN |
0 FLAC |
|
AUD |
Sony D-3 Datman > Realistic 33-1065 Electret microphone >
Sony DT-120 DAT > Philips CDR-200 > CDR >EAC > FLAC |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
09/05/10 |
Gothic Theater
Denver, CO |
0 FLAC |
|
AUD |
Source: MBHO KA-200N > JK Labs DVC-V12 > JB3
Transfer: JB3 > USB > Cooledit > CDWave > FLAC |
|
|
05/06/12 |
Hornstull Strand
Stockholm, Sweden |
0 FLAC |
|
AUD |
Lineage: Soundprofessionals AT 943 External Stereo Microphones >> Soundprofessionals Batteribox >> Olympus LS 10 >> 4 GB Memory Card >> WavePad Music Editor >> Fade In/Fade Out >> 24 Bit / 48 Khz >> Wave >> Songsplit >> FLAC Level 8 |
|
|
06/05/12 |
Fox Theater
Oakland, CA |
0 FLAC |
|
AUD |
Source: AT822 [first row, right center Loge] -> SD722 (24-bit/44.1kHz)
Transfer: SD722 -> Mac -> FLACs
|
|
|
04/20/15 |
Ogden Theatre
Denver, CO |
0 FLAC |
|
AUD |
Source: AT933 >SP-SPSB-1 > M10
Transfer: M10 > USB > Cooledit > CDWave > FLAC
Run time: (104:34.44) |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
07/13/96 |
New York State Fairgrounds
Syracuse, NY |
0 FLAC |
|
AUD |
recording info:
Schoeps MK4(ORTF) > KC5 > CMC6 > SXM2 > Sony TCD-D10 Pro II @ 16bit/48KHz
- on stand
pedigree:
DAT Master > billydee's DAT
processing:
IBM CTD-8000 DDS2 (5.ac firmware) > DAT2WAV 1.2 > WAV
- Transfered by Richard C.
WAV > adobe audition > cdwav > tlh flac 8 |
|
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
04/09/14 |
Skully's Music-Diner
Columbus, OH |
0 FLAC |
|
AUD |
Recording info:SONY MZ-M200 Hi-MD Portable Minidisc Recorder>w/MARANTZ EM-8 Mic>SONY Premium Gold 80 Minute Minidiscs.
Transfer info: SONY MDS-JE440 Standalone Minidisc Recorder>BSR 3000 EQ>AIWA XC-RW700 CD Burner>MAXELL(GOLD) 80 Minute Music Only CDR
CDR>EAC>WAV>TLH>FLAC |
|
|
04/10/14 |
Rockstar Pro Arena
Dayton, OH |
0 FLAC |
|
AUD |
Recording info:SONY MZ-M200 Hi-MD Portable Minidisc Recorder>w/MARANTZ EM-8 Mic>SONY Premium Gold 80 Minute Minidiscs.
Transfer info: SONY MDS-JE440 Standalone Minidisc Recorder>BSR 3000 EQ>AIWA XC-RW700 CD Burner>MAXELL(GOLD) 80 Minute Music Only CDR
CDR>EAC>WAV>TLH>FLAC>DIME |
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04/10/14 |
Rockstar Pro Arena
Dayton, OH |
0 FLAC |
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AUD |
Source: Sound Professionals CMC-08s->SP-SB11(no bass roll-off)->Edirol R09HR->
CoolEditPro->CD Wave->TLH |
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04/15/14 |
Saint Vitus Bar
Brooklyn, NY |
0 FLAC |
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SBD |
Lineage: sbd lineout>ZoomH4N>Soundforge 9(dither to 44100/16 bit)>CD-r>EAC(secure mode)>CD Wave Editor(track splitting)>Audacity(fade in/out)>TLH(FLAC level 8) |
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06/27/15 |
Cafe 611
Frederick, MD |
0 FLAC |
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AUD |
Recording info:SONY MZ-M200 Hi-MD Portable Minidisc Recorder>w/(French)MARANTZ EM-8 Mic>SONY Premium Gold 80 Minute Minidiscs.
Transfer info: SONY MDS-JE440 Standalone Minidisc Recorder>BSR 3000 EQ>TASCAM CD-RW900mkII Professional CD Recorder>MAXELL(GOLD) 80 Minute Music Only CDR
CDR>EAC>WAV>TLH>FLAC |
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Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
07/15/98 |
Wings Stadium
Kalamazoo, MI |
0 FLAC |
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SBD |
Source: SBD - ASBM > DDC2 32khz
Transfer: 2G DAT Clone > 1G CD > EAC > FLAC
Generation: 3rd |
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Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
12/05/99 |
Circus
Stockholm, Sweden |
0 FLAC |
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SBD |
SBD |
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Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
03/14/11 |
Yucca Tap Room
Tempe, AZ |
0 FLAC |
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AUD |
ST-11 > R09 (24-bit/48kHz)
R09 > MacPro > Wave Editor 1.3.3 (EQ) > Audacity 1.3.11 (tracking) > FLAC 24-bit/48kHz |
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Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
08/24/96 |
Continental Airlines Arena
East Rutherford, NJ |
0 FLAC |
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AUD |
Equipment: Realistic mic > Sony D3 cassette recorder
Lineage: Master TDK SA90 cassette > Tascam 202MKV > Edirol R09 (16/44) > Adobe Audition 5.5 (level boost/hiss reduction) > CD Waveditor (track) > flac8 |
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Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
03/29/80 |
The Spectrum
Philadelphia, PA |
0 FLAC |
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FM |
CDR>WAV>Flac level 8
Based on crowd noise/fades between songs, this was mixed for some sort of a release. I'd tend to lean towards FM versus SBD as SBD rarely picks up prominent crowd noise, and is not AUD as AUD sources doesn't eliminate crowd noise during songs. |
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04/15/80 |
Pine Knob
Clarkston, MI |
0 FLAC |
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SBD |
Source: Low Gen Analog Soundboard Recording > CD-R > EAC > Sound Forge 4.5 (speed correction) > FLAC
This is the speed-corrected version of an earlier seed which ran too slow. The speed was increased using Sonic Foundry Sound Forge 4.5's Pitch effect. This was increased by 80.0 Cents on each track. The resulting pitch is that of the original tuning used on the Deguello LP. This was done cross referencing the first track of each recording which turns out to be, "I Thank You".
In addition, this seed has had the previously present TAO silence removed from e |
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blues custom color classic by thumper
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