Grateful Dead
--- Approximate Hours: 0
|
Show Date |
City, State, Venue |
State |
Venue |
Media Type |
Source Notes |
Notes |
Source Link |
03/19/66
|
Los Angeles |
CA |
Carthay Studios |
FLAC |
flac16; SBD > Rm > Reel > Dat > CD > EAC > CDWav > Flac EAC and Tracking by Ihor Slabicky Seed provided by Paul Scotton |
|
Source Detail |
03/18/67
|
San Francisco |
CA |
Winterland Arena |
FLAC |
SBD > MR > ? > CD; Seeded to etree by A.J. Fink |
|
Source Detail |
10/22/67
|
San Francisco |
CA |
Winterland Arena |
FLAC |
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
Source Detail |
03/16/68
|
San Francisco |
CA |
Carousel Ballroom |
FLAC |
flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
Source Detail |
03/30/68
|
San Francisco |
CA |
Carousel Ballroom |
FLAC |
flac16; Recording Info:Recording Info:SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.03 -> FLAC;
All Transfers and Mastering By Charlie Miller |
|
Source Detail |
08/21/68
|
San Francisco |
CA |
Fillmore West |
FLAC |
flac16; SBD > Master Reels > Dat; Charlie Miller Transfer: Dat (Sony PCM-R500) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/44; Checksum & tags created in xACT; the original version of this source was off pitch; please don't circulate that version |
|
Source Detail |
09/02/68
|
Sultan |
WA |
Betty Nelson's Organic Raspberry Farm |
FLAC |
flac16; Recording Info: SBD -> Master Reel (1/2-inch 4-track reels recorded on Ampex 440) -> Dat (Tascam DA30/44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
Used first mix only |
Source Detail |
02/06/69
|
St. Louis |
MO |
Kiel Auditorium |
FLAC |
SBD> MC> D> CD> EAC> SHN; Soundforge used for pitch correction and pop removal; edited, encoded, vined by J. Cotsman; with thanks to Paul Hartman |
|
Source Detail |
02/07/69
|
Pittsburgh |
PA |
Stanley Theater (Early, Late) |
FLAC |
Early Show; SBD> MC (Bear Owsley)> DAT (Rob Eaton)> (Jim Wise) HHb> CDR ; Seeded to Etree by T. Wiley |
|
Source Detail |
02/07/69
|
Pittsburgh |
PA |
Stanley Theater (Early, Late) |
FLAC |
Late Show ; SBD> MC(Bear Owsley)> DAT (Rob Eaton)> (Jim Wise) HHb>CDR ; Seeded to Etree by T. Wiley |
|
Source Detail |
02/22/69
|
Vallejo |
CA |
Dream Bowl |
FLAC |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC |
|
Source Detail |
02/27/69
|
San Francisco |
CA |
Fillmore West |
FLAC |
flac16; Ampex MM-1000 16 Track Master Two Inch Wide Tape; Multi Track Mix-down To DAT By Dan Healy @ 44.1KHz) circa 1995?; DAT x ONE by Dick Latvala- DAT x TWO via either Dick or Rob Bertrando; Editing (Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); Jim Wise; This is a 100% Flat transfer from the DAT no signal processing what-so-ever |
|
Source Detail |
03/01/69
|
San Francisco |
CA |
Fillmore West |
FLAC |
flac16; Ampex MM-1000 16 Track Master Two Inch Wide Tape- Multi Track Mix-down To DAT By Dan Healy @ 44.1KHz); DAT x ONE by Dick Latvala- DAT x TWO(Mine); Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Jim Wise; This is a 100% Flat transfer from the DAT no signal processing what-so-ever. Some Pitch Correction Implemented |
|
Source Detail |
03/15/69
|
San Francisco |
CA |
Hilton Hotel |
FLAC |
flac16; Source: SBD > Bear's cassette > ??? > Sony ESXHiFi/L-750 beta tape; Transfer: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k); Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018 |
|
Source Detail |
04/21/69
|
Boston |
MA |
The Ark |
FLAC |
flac16; Remastered version of the SBD -> Master Reel -> Dat -> CD -> Samplitude Professional v9.12 -> FLAC source by TomP; see Info File for details |
|
Source Detail |
11/02/69
|
San Francisco |
CA |
Family Dog at the Great Highway |
FLAC |
Fixed version of previous file set. Same source info as 32273, but w/fixed Dark Star. |
|
Source Detail |
01/23/70
|
Honolulu |
HI |
Honolulu Civic Auditorium |
FLAC |
|
No MD5s |
|
02/12/70
|
New York |
NY |
Ungano's Night Club |
FLAC |
SBD > 8 TRACK 1" RTR @ 7.5 I.P.S. > MASTER ARCHIVE 24-BIT D > SSSB (note: a SBE fixed file set also circulates) |
|
Source Detail |
02/13/70
|
New York |
NY |
Fillmore East (Late Show) |
FLAC |
flac16; Recording Info: SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller (Fixed version now in circulation) |
|
Source Detail |
03/20/70
|
Port Chester |
NY |
Capitol Theater |
FLAC |
flac16; SBD MR > ? > R @ 7.5 ips > CD > EAC > WAV > FLAC |
|
Source Detail |
03/24/70
|
Dania |
FL |
Pirates World |
FLAC |
flac16/48kHz; Source: Soundboard > Master Reel > Cassette > Dat (48k) |
|
Source Detail |
05/02/70
|
Binghamton |
NY |
Harpur College |
FLAC |
flac16/48kHz; Recording Info: SBD > Master Reel (7inch @ 7.5ips 1/2trk) > Dat/48k; Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller |
|
Source Detail |
06/06/70
|
San Francisco |
CA |
Fillmore West |
FLAC |
flac16; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bear on a Sony 770 Reel 2 Reel)- 1st Generation Cassettes (TDK SAX-100's) Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No Dolby); Analog to Digital Transfer(Cassettes played back on Nakamichi Dragon-Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa late 1990's) Zero Gen DAT play back on a Sony PCM R-500-Digital Out @ 16/44.1kHz-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); Jim Wise |
|
Source Detail |
06/07/70
|
San Francisco |
CA |
Fillmore West |
FLAC |
flac16/48kHz; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)- 1st Generation Cassettes (TDK SA-X 100's) Taped By Dick Latvala(Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no dolby); Analog to Digital Transfer(Dick's Cassettes played back on Nakamichi Dragon- Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa 1997); DAT play back on a Sony PCM R-500-Analog out-Sony PCM R-700 Analog in @ 48KHz-Digital Audio Labs Carddeluxe-WAV @ 16/48kHz; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name) |
|
Source Detail |
09/20/70
|
New York |
NY |
Fillmore East |
FLAC |
flac16; Source Info: Master Soundboard Reels (borrowed by Peter Kafer) > Will Boswell's reel @ 7 1/2 ips; Transfer Info: Reel (Technics RS1506) > Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496 |
|
Source Detail |
10/30/70
|
Stony Brook |
NY |
Gym, SUNY (Early Show) |
FLAC |
flac16; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/44.1k; Dat supplied By Dan De Luca; Transferred By Digitalrbb; Mastered By Charlie Miller; the original files had a flaw in s3t01 which was later fixed (2012/09/06) |
|
Source Detail |
02/18/71
|
Port Chester |
NY |
Capitol Theater |
FLAC |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
Source Detail |
02/21/71
|
Port Chester |
NY |
Capitol Theater |
FLAC |
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
Source Detail |
02/23/71
|
Port Chester |
NY |
Capitol Theater |
FLAC |
flac116; Recording Info:SBD -> Master Reel -> CD; Transfer Info:
CD -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
Source Detail |
03/20/71
|
Iowa City |
IA |
University of Iowa |
FLAC |
SBD > MR > cass > dat > CD > SHN (seekable); DAT>CD transfer by Mandrake; EAC> shn by Steve Barbella |
|
Source Detail |
03/24/71
|
San Francisco |
CA |
Winterland Arena |
FLAC |
flac16; Recording Info: SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Patch Info: Sony Stereo Mic -> Cassette Master (Sony TC-124) supplies: The Other One (6:59 - 7:23) and Beat It On Down The Line (0:00 - 0:32)All Transfers and Mastering By Charlie Miller |
|
Source Detail |
04/24/71
|
Durham |
NC |
Wallace Wade Stadium, Duke University |
FLAC |
flac16/48kHz; Source Info: Master 7" 1/2 track Soundboard Reels @ 7.5 ips > Will Boswell's Reels > Matt Smith's 2nd generation Reels; Transfer Info: 2nd (possibly 3rd) Generation Reels (Technics RS-1506) > Apogee Mini Me (24-bit/96k) > Adobe Audition 3.01 (24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp |
|
Source Detail |
04/29/71
|
New York |
NY |
Fillmore East |
FLAC |
flac16; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit ->
Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller |
|
Source Detail |
10/31/71
|
Columbus |
OH |
Ohio Theatre |
FLAC |
flac16; Recording Info: SBD > Master Reel (7in @ 7.5ips 1/2trk) > Dat (Panasonic SV-3700/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller |
|
Source Detail |
11/14/71
|
Fort Worth |
TX |
Texas Christian University |
SHN |
SBD -> Master Reel (10 inch) -> CD -> Sonic Solutions -> CD -> EAC -> SHN; Converted By Charlie Miller |
|
Source Detail |
12/06/71
|
New York |
NY |
Felt Forum, Madison Square Garden |
FLAC |
flac16; Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
Source Detail |
12/14/71
|
Ann Arbor |
MI |
Hill Auditorium |
FLAC |
flac16; Source Info: Betty's 7" 2-track Master Soundboard Reels > PCM > PCM (14 bit)(Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
|
Source Detail |
03/21/72
|
New York |
NY |
Academy Of Music |
FLAC |
flac16; Source: sbd > cassette master > dat(48k) |
|
Source Detail |
03/22/72
|
New York |
NY |
Academy of Music |
FLAC |
flac16; Source: sbd > master reel > dat (48k) |
|
Source Detail |
03/23/72
|
New York |
NY |
Academy of Music |
FLAC |
flac16; Source: sbd > master reel > dat (48k) |
|
Source Detail |
03/25/72
|
New York |
NY |
Academy of Music |
FLAC |
flac16/48kHz; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller |
|
Source Detail |
03/27/72
|
New York |
NY |
Academy of Music |
FLAC |
flac16/48kHz; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller |
|
Source Detail |
04/08/72
|
London |
England |
Wembley Empire Pool |
FLAC |
flac16; Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller |
|
Source Detail |
04/14/72
|
Copenhagen |
Denmark |
Tivoli Theater |
FLAC |
flac16 This is a pitch/speed fixed version of shn id 34552 The lineage is extended as follows: SBD -> (16 Track) Master Reel -> Dat (44.1k); Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC -> Adobe Audition 1.5 -> pitch/speed correction* -> flac -> TraLiHe -> sbe's fixed |
|
Source Detail |
05/03/72
|
Paris |
France |
Olympia Theater |
FLAC |
flac16; Recording Info: SBD -> 16 Track Master Reels (purportedly Healy's rough mix)-> DAT; Transfer Info: DAT(Sony R500)-> Tascam DA-3000-> Adobe Audition 3.0-> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston |
|
Source Detail |
05/23/72
|
London |
England |
Lyceum Ballroom |
FLAC |
flac16; 2 track soundboard recording Transferred by Matt Smith Reels > Apogee Mini ME 24/96 > Apogee Mini DAC(monitoring) > Wavelab 5.0(dithered to 16/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station in Wavelab 6.1 with UA DSP FLAC Level8 in TLH MetaData in Tag and Rename |
|
Source Detail |
08/27/72
|
Veneta |
OR |
Old Renaissance Faire Grounds |
FLAC |
SBD> 16 Track Master Reels> DAT@44.1K> DAT> DAT> WAV> SHN; Banter between songs from the two-track master reels: S:MR> DAT> SS> CD> EAC> SHN; dankseed |
|
Source Detail |
02/09/73
|
Palo Alto |
CA |
Roscoe Maples Pavilion, Stanford University |
FLAC |
flac16; Recording Info: MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith |
|
Source Detail |
02/15/73
|
Madison |
WI |
Dane County Coliseum |
FLAC |
flac16; Recording Info: SBD MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith |
|
Source Detail |
02/22/73
|
Urbana |
IL |
Assembly Hall, Univ. Of Illinois Urbana-Champaign |
FLAC |
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
Source Detail |
02/26/73
|
Lincoln |
NE |
Pershing Municipal Auditorium |
FLAC |
S:MR > cassette > DAT > CDR > EAC > SHN; EAC/SHN by Seth Kaplan; upload by Greg Hamilton; note D3t02 (Eyes): splice @ 3:25 |
|
Source Detail |
03/15/73
|
Uniondale |
NY |
Nassau Veterans Memorial Coliseum |
FLAC |
flac16; Source: Soundboard > Reel Master > Cassette > DAT (48k) |
|
Source Detail |
03/16/73
|
Uniondale |
NY |
Nassau Veterans Memorial Coliseum |
FLAC |
flac16; Recording Info: Set 1: SBD -> Master Reel -> PCM -> Dat (44.1k) Set 2: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional -> FLAC |
|
Source Detail |
03/19/73
|
Uniondale |
NY |
Nassau Veterans Memorial Coliseum |
FLAC |
flac24/96 Recording Info: SBD > Master Reels > Dat (16-bit/44.1k) > upsampled to 24-bit/96k;
Mastering Info:
WAV > Samplitude Pro X3 Suite > FLAC/24; Master Reel Transferred by Rob Eaton; All Mastering By Charlie Miller; the original version of this source had a 2 second dropout in track 16 (Playing In The Band) |
|
Source Detail |
03/21/73
|
Utica |
NY |
Utica Memorial Auditorium |
FLAC |
Recording Info: SBD -> Master Reel -> PCM -> Dat
Transfer Info: Dat (Sony D8) -> M-Audio DIO 2448 -> Cool Edit Pro v1.2 -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller
Notes:I originally transferred my Dat back in 2000. At that time, I only made Audio
discs. Someone asked me to circulate this source since the circulating source has NR applied to it. My source DOES NOT have any NR applied to it. I made these FLAC's off of my Master Audio Discs. Enjoy...cm
|
|
Source Detail |
03/22/73
|
Utica |
NY |
Utica Memorial Auditorium |
FLAC |
flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm; Wavelab 7.1 for Minor Edits by Jamie Waddell
16 bit 44.1kHz |
|
Source Detail |
03/24/73
|
Philadelphia |
PA |
The Spectrum |
FLAC |
flac16; Primary Source: Betty's 10" MSR -> PCM -> DAT supplies the 2nd Set; Secondary Sources: MSR -> C -> DAT (gd73-03-24.sbd.hamilton.shnid1216) supplies the majority of the 1st set; Betty's 10" MSR -> PCM -> S/PDIF out -> disk -> digital noise reduction w/Sound Forge 6.0 (shnid83407) supplies from 7:38 of "Here Comes Sunshine" (t15)thru the end of the 1st Set; Transfer Info: DAT -> Sony PCM R500-> Tascam DA-3000-> Adobe Audition 3.0-> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston |
|
Source Detail |
03/26/73
|
Baltimore |
MD |
Civic Center |
FLAC |
flac16; Recording: SBD > Master Reel > Dat (44.1k) Transfer: Dat (Sony R500) > SEK'D Prodif Plus > Samplitude Profesional v8.01 > FLAC; All Transfers and Mastering By Charlie Miller |
|
Source Detail |
05/26/73
|
San Francisco |
CA |
Kezar Stadium |
FLAC |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller |
|
Source Detail |
06/10/73
|
Washington |
DC |
Robert F. Kennedy Stadium |
FLAC |
flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. This is a fixed version of shn id 89640 |
Tagged version of 89730 |
Source Detail |
06/22/73
|
Vancouver |
BC |
P.N.E. Coliseum |
FLAC |
flac16; SBD/AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
|
Source Detail |
09/11/73
|
Williamsburg |
VA |
College Of William & Mary Hall |
FLAC |
flac16; SBD:MR>C1>DAT>Edit (see info file)>CD |
|
Source Detail |
11/11/73
|
San Francisco |
CA |
Winterland Arena |
FLAC |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> Cool Edit Pro v2.01 -> FLAC (Pitch correction of shn id 83318) All Transfers and Mastering By Charlie Miller |
Listed as tagged version of 82574 |
Source Detail |
02/23/74
|
San Francisco |
CA |
Winterland Arena |
FLAC |
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
Source Detail |
02/24/74
|
San Francisco |
CA |
Winterland Arena |
FLAC |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
Source Detail |
03/23/74
|
Daly City |
CA |
Cow Palace |
FLAC |
modification of previously-circulating shn set- d2 retracked by Leigh Orf; update: portions of show are now DP24- go buy it |
|
Source Detail |
05/12/74
|
Reno |
NV |
University Of Nevada |
FLAC |
MSR> C> DAT> CDRs> EAC> SHN; via Darrin Sacks; previously uncirculated; see notes in info file |
|
Source Detail |
05/14/74
|
Missoula |
MT |
Adams Field House, University Of Montana |
FLAC |
flac16; Recording Info: Set 1: SBD -> Master Reel -> Cassette -> Dat (48k); Set 2: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professionl v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
Source Detail |
05/19/74
|
Portland |
OR |
Portland Memorial Coliseum |
FLAC |
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
Source Detail |
06/18/74
|
Louisville |
KY |
Freedom Hall |
FLAC |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> SHN -> Cool Edit Pro -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller |
Tagged version of 89690 |
Source Detail |
06/23/74
|
Miami |
FL |
Jai-Alai Fronton |
FLAC |
flac 16; Sick Bits Vol. 21b - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=213) + AUD (shnid=14265). Matrixed by Chris Chappell. |
|
Source Detail |
06/26/74
|
Providence |
RI |
Providence Civic Center |
FLAC |
flac16; Recording Info: SBD > Master Reel > Dat (Panasonic SV-3800/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller |
|
Source Detail |
07/29/74
|
Landover |
MD |
Capital Centre |
FLAC |
flac16; Sick Bits Vol. 8 - SBD/AUD Matrix of 2 previously circulating sources: (SBD - SHN ID# 2277, and AUD - SHN ID# 17968); edited and transfered by Chris Chappell |
|
Source Detail |
08/06/74
|
Jersey City |
NJ |
Roosevelt Stadium |
SHN |
fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" |
|
Source Detail |
10/19/74
|
San Francisco |
CA |
Winterland Arena |
FLAC |
flac16; Source: sbd > 2nd gen cassette > dat (44.1k) - provided by Rich Gastwirt; Transfer: Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audion 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick; Fixed version in circulation |
|
Source Detail |
03/23/75
|
San Francisco |
CA |
Kezar Stadium |
FLAC |
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
Source Detail |
06/17/75
|
San Francisco |
CA |
Winterland Arena |
FLAC |
flac16; SBD Source: MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station |
|
Source Detail |
09/28/75
|
San Francisco |
CA |
Lindley Meadows, Golden Gate Park |
SHN |
Bertha Remaster of the master reel source; SBD>>MR>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A
|
|
Source Detail |
06/03/76
|
Portland |
OR |
Paramount Theatre |
FLAC |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 and FLAC16 > AIFF > Final Cut w/EQ > Soundtrack Pro for some click removal in AUD > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging) |
|
Source Detail |
06/04/76
|
Portland |
OR |
Paramount Theatre |
FLAC |
flac24; Partial Show Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
|
Source Detail |
06/10/76
|
Boston |
MA |
Boston Music Hall |
FLAC |
flac16; Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller |
|
Source Detail |
06/11/76
|
Boston |
MA |
Boston Music Hall |
FLAC |
flac16; Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; the original version of this source had an error in Looks Like Rain (track 08); Fixed Version in circulation |
|
Source Detail |
06/15/76
|
New York |
NY |
Beacon Theatre |
FLAC |
flac16; Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16 |
|
Source Detail |
06/17/76
|
Passaic |
NJ |
Capitol Theater |
FLAC |
MATRIX MIX: SBD/AUD (About 60%/40%) by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>SHN) |
|
Source Detail |
06/21/76
|
Upper Darby |
PA |
The Tower Theatre |
FLAC |
flac16; Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; This is a cleaned up version of source ID 112191 |
Tagged version of 124828, no MD5s |
Source Detail |
06/29/76
|
Chicago |
IL |
Auditorium Theatre |
FLAC |
flac16; Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM > DAT; Transfer Info: DAT(Sony PCM-R500)-> Tascam DA-3000-> Adobe Audition-> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston |
|
Source Detail |
10/09/76
|
Oakland |
CA |
Oakland-Alameda County Coliseum |
FLAC |
flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD): SBD > RM > Dat>Sonic Solutions > CD > EAC > SHN (shn id 12519) and Unknown aud > ? > DAT Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit(rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn (shn id 10179) |
|
Source Detail |
02/26/77
|
San Bernardino |
CA |
Swing Auditorium |
SHN |
SBD>MR>DAT>CD; Editing and mastering by The Wizard |
|
Source Detail |
03/18/77
|
San Francisco |
CA |
Winterland Arena |
FLAC |
flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Mastering Info:
CD -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
Source Detail |
03/19/77
|
San Francisco |
CA |
Winterland Arena |
FLAC |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 123190 & 139354 |
|
Source Detail |
03/20/77
|
San Francisco |
CA |
Winterland Arena |
FLAC |
flac16; Recording Info: SBD > Master Reel (7in 7.5ips 1/2trk dbx) > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; Fixed Version in circulation |
|
Source Detail |
04/23/77
|
Springfield |
MA |
Springfield Civic Center |
FLAC |
flac16; SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller |
|
Source Detail |
05/05/77
|
New Haven |
CT |
Veterans Memorial Coliseum |
SHN |
Betty Board reel source transferred to DAT by Rob Eaton, then transferred to CD by Dan Stephens; see info file for details |
|
Source Detail |
05/07/77
|
Boston |
MA |
Boston Garden |
FLAC |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller |
|
Source Detail |
05/08/77
|
Ithaca |
NY |
Barton Hall, Cornell University |
SHN |
freshly remastered Betty Board with AUD splices, by Rob Eaton; see info file for extensive notes and credits; etreed by Darrin |
|
Source Detail |
05/09/77
|
Buffalo |
NY |
Buffalo Memorial Auditorium |
FLAC |
flac16; Recording Info: SBD -> Master Reel (DBX-1 Encoded) -> Sony PCM501ES (44.055k); Transfer Info: Sony PCM501ES (Analog Out) -> DBX-1 Decoder> Sony PCM501ES (Analog In) -> Dat (48k/Analog In) -> Sound Forge -> SHN; Mastering Info: SHN -> FLAC -> Samplitude Professional v11.2.1 -> FLAC; Original Mastering By Charlie Connor; Remastered By Charlie Miller |
|
Source Detail |
05/17/77
|
Tuscaloosa |
AL |
Memorial Coliseum, University Of Alabama |
SHN |
SBDMR > DAT > CD > EAC > SHN note: Sugar Magnolia encore supplied by AUD source. Added to etree by Noah Weiner |
|
Source Detail |
05/18/77
|
Atlanta |
GA |
Fox Theatre |
FLAC |
flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC |
|
Source Detail |
05/19/77
|
Atlanta |
GA |
Fox Theatre |
FLAC |
flac16/48kHz; Source: sbd > master reel > dat (48k); from Dick Latvala; Transfer: dat > Sony pcm-r500 > Tascam da-3000 > wav 16/48; transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick September 2017 |
|
Source Detail |
11/06/77
|
Binghamton |
NY |
Broome County Arena |
FLAC |
flac16; Soundboard Master Reels > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44 |
|
Source Detail |
12/29/77
|
San Francisco |
CA |
Winterland Arena |
FLAC |
flac16; Source Info: Analog Soundboard > Cassette > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
|
Source Detail |
04/15/78
|
Williamsburg |
VA |
William & Mary Hall |
FLAC |
flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick December 2019 |
|
Source Detail |
04/16/78
|
Huntington |
WV |
Huntington Civic Center |
FLAC |
flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick November 2019 |
|
Source Detail |
04/24/78
|
Normal |
IL |
Horton Field House, Illinois State University |
FLAC |
flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
Source Detail |
07/08/78
|
Morrison |
CO |
Red Rocks Amphitheatre |
FLAC |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Roland SRC-2 -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
Source Detail |
12/31/78
|
San Francisco |
CA |
Winterland Arena |
FLAC |
flac16; Source: sbd > master reel (15ips half track) > pcm > dat (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000; wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16
edited and mastered SIRMick |
|
Source Detail |
10/27/79
|
South Yarmouth |
MA |
Cape Cod Coliseum |
FLAC |
flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller (This is a fix of shnid=29411, 29490 and 98561.) |
|
Source Detail |
02/26/81
|
Chicago |
IL |
Uptown Theater |
FLAC |
flac16; Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/44; Transfer Info: Sony PCM-R500 > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16 |
|
Source Detail |
03/20/81
|
London |
England |
Rainbow Theatre |
FLAC |
flac16; master soundboard cassettes > Nak Dr-1 > Lynx2 Studio Interface 24 bit 48kHz. Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz MetaData with Tag and Rename TLH for FLAC Level 8 SBE FREE Seeded on The Winter Solstice 2009 (Note: The original 12-21-2009 version of this source had flaws and should not be circulated.) |
|
Source Detail |
10/03/81
|
London |
England |
Rainbow Theatre |
FLAC |
flac16/48kHz; Master Soundboard Cassettes > 1st generation reels (Technics)> Dat(Panasonic SV-3800)(16-bit/48k)> Tim Dalton's Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)(16-bit/48k)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/48k) > Adobe Audition 3.01 > TLH flac1648 |
|
Source Detail |
08/28/82
|
Veneta |
OR |
Oregon Country Fair |
FLAC |
flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
|
Source Detail |
10/09/82
|
Palo Alto |
CA |
Frost Amphitheatre |
FLAC |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) August 3, 2008 |
|
Source Detail |
10/10/82
|
Palo Alto |
CA |
Frost Amphitheatre |
FLAC |
flac16; Source Info: Master Soundboard Cassettes (TDK MA-R90/Dolby B > Tim Dalton's PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
|
Source Detail |
10/11/83
|
New York |
NY |
Madison Square Garden |
SHN |
Sbd > Cassette Master > Dat x 2 > CDR > SHN; plus AUD patches from Jeff Silberman Senn source (see info file); to etree via Bob Harrell ; upgrade in circulation
|
|
Source Detail |
06/24/85
|
Cincinnati |
OH |
River Bend Music Center |
FLAC |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
|
Source Detail |
08/20/87
|
Park City |
UT |
Park West Ski Resort |
FLAC |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
|
Source Detail |
04/30/88
|
Palo Alto |
CA |
Frost Amphitheatre |
FLAC |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
No MD5 |
Source Detail |
03/22/90
|
Hamilton |
ON |
Copps Coliseum |
FLAC |
flac16; Recording Info: SBD (Recording Mix) > Dat Master > PCM (Sony Beta L-750); Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16 |
|
Source Detail |
03/25/90
|
Albany |
NY |
Knickerbocker Arena |
FLAC |
flac16; SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller; Upgrade in circulation |
|
Source Detail |
03/28/90
|
Uniondale |
NY |
Nassau Coliseum |
FLAC |
SBD> 24 Track Mixdown> DAT> C> PCM> FC/DD2496> CD; via David Hollister; Brian Voelz |
|
Source Detail |
03/29/90
|
Uniondale |
NY |
Nassau Coliseum |
FLAC |
flac16; matrix of shnid=33925 and shnid=91347 by Roger Eichorn (Fresh Legs, vol. 9) |
|
Source Detail |
03/30/90
|
Uniondale |
NY |
Nassau Coliseum |
FLAC |
24 track SBD MR>John Cutler 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky |
|
Source Detail |
07/23/90
|
Tinley Park |
IL |
World Music Theater |
FLAC |
flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
|
Source Detail |
03/27/91
|
Uniondale |
NY |
Nassau Veterans Memorial Coliseum |
FLAC |
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; the original files had errors on d1t05 and d1t10. |
|
Source Detail |
Phil Lesh & Friends
--- Approximate Hours: 0
|
Show Date |
City, State, Venue |
State |
Venue |
Media Type |
Source Notes |
Notes |
Source Link |
04/15/99
|
San Francisco |
CA |
Warfield Theatre |
FLAC |
Source Info: SBD > DAT > CDR > EAC > SHN |
SBD, from Llama |
Source Detail |
04/16/99
|
San Francisco |
CA |
Warfield Theater |
FLAC |
SBD > DAT > CD > EAC > SHN |
SBD, from Llama |
Source Detail |
04/17/99
|
San Francisco |
CA |
Warfield Theatre |
FLAC |
SBD > DAT > CD |
SBD, from Llama |
Source Detail |
05/29/99
|
Angels Camp |
CA |
Mountain Aire Music Festival, Calavaras County Fai |
FLAC |
flac16; SBD (24 Track Recording Mix) -> Master Dat -> Dat Clone (44.1k)
Transfered and Edited By Charlie Miller |
|
Source Detail |
06/04/99
|
San Francisco |
CA |
Warfield Theater |
FLAC |
flac16; SBD (24 Track Recording Mix) -> Master Dat -> Dat Clone (44.1k)
Transfered and Edited By Charlie Miller
|
|
Source Detail |
03/10/00
|
Oakland |
CA |
Henry J. Kaiser Auditorium |
FLAC |
Bertha Remaster of unofficial soundboard source. SBD>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA |
From Llama |
Source Detail |
05/27/00
|
Angels Camp |
CA |
Calaveras County Fairgrounds |
FLAC |
SOUNDBOARD > DAT |
|
Source Detail |
10/01/00
|
Burlington |
VT |
Memorial Auditorium |
FLAC |
Official Phil Release Digitally Remastered by jashley@deadacated.com SBD>> DAT>> CDA>> SHN>> DAW(Bertha)>> CDA - Sound A+ Show A |
From Llama, no MD5 |
Source Detail |
10/06/00
|
Boston |
MA |
Orpheum Theatre |
FLAC |
Official Phillesh.net DSBD release
Mix by John Cutler
Remastered by jashley@deadacated.com
SBD>>DAT>>SHN>>WAV>>Bertha>>CDA - Sound A+ Show A |
From Llama |
Source Detail |
10/16/00
|
New York |
NY |
Beacon Theatre |
FLAC |
Source: DSBD > DAT > SHN
Official phillesh.net release! |
From Llama |
Source Detail |
10/21/00
|
Chicago |
IL |
Riviera Theatre |
FLAC |
Source: SBD > DAT (44.1kHz)
Transfer: DA-20mkII > ZA2 > CDWAV > SHN |
From Llama |
Source Detail |
10/24/00
|
Denver |
CO |
The Fillmore Auditorum |
FLAC |
Master DSBD -> Mac Hard disc -> Peak -> CDR
3rd Official SBD release courtesy of thephilzone.com |
From Llama |
Source Detail |
10/27/00
|
Las Vegas |
NV |
House of Blues |
FLAC |
Source: DSBD > SHN
Officially released for free trade via http://www.thephilzone.com |
From Llama |
Source Detail |
10/28/00
|
Los Angeles |
CA |
The Wiltern Theatre |
FLAC |
Source: SBD > ? > SHN (www.thephilzone.com> |
From Llama |
Source Detail |
02/18/01
|
San Francisco |
CA |
Maritime Hall |
FLAC |
Jay Ashley remaster of soundboard release Official Phil Release SBD>>DAT>>CDA>>
DAW(Bertha)>>CDA |
From Llama |
Source Detail |
04/20/01
|
Charlotte |
NC |
Independence Hall - Cricket Arena |
FLAC |
Digitally Remastered from the official Phil release by jashley@deadacated.com
SBD>>DAT>>SHN>>DAW(Bertha)>>CDA - Sound A+ Show A+ |
From Llama |
Source Detail |
04/29/01
|
Asbury Park |
NJ |
Asbury Park Convention Hall |
FLAC |
Bertha Remaster of the official phil SBD release by jashley@deadacated.com
SBD>>DAT>>SHN>>WAV>>DAW(Bertha)>>CDA - Sound A Show A |
From Llama |
Source Detail |
04/30/01
|
New York |
NY |
Roseland Ballroom |
FLAC |
Digital Remaster of the official Phil release by jashley@deadacated.com
Thank you Phil!
SBD>>DAT>>SHN>>WAV>>DAW(Bertha)>>CDA - Sound A+ Show A+ |
From Llama |
Source Detail |
07/07/01
|
Morrison |
CO |
Red Rocks Ampitheatre |
FLAC |
Bertha Remaster of the Official Soundboard Release by jashley@deadacated.com.
SBD>>DAT>>SHN>>WAV>>DAW(Bertha)>>CDA |
From Llama |
Source Detail |
07/05/02
|
Mariaville |
NY |
GOTV |
FLAC |
Source: SBD>DAT>CDR. Converted and Seeded by Skankweed. (Note: SBD origin might be incorrect) |
|
Source Detail |
09/25/03
|
San Francisco |
CA |
Warfield Theater |
FLAC |
Bertha Remaster of the Official Phillesh.net Soundboard release. SBD>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN via Jay Ashley |
From Llama
|
Source Detail |
09/26/03
|
San Francisco |
CA |
Warfield Theater |
FLAC |
Bertha Remaster of the official soundboard release.
SBD>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A |
From Llama |
Source Detail |
09/27/03
|
San Francisco |
CA |
Warfield Theatre |
FLAC |
Bertha Remaster of the official soundboard release.
SBD>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A |
From Llama |
Source Detail |
11/30/03
|
Upper Darby |
PA |
Tower Theater |
FLAC |
Bertha Remaster of the official soundboard release. SBD>>DAT>>CDA>>WAV(EAC)>>FLAC>>DAW(Bertha)>>CDA/SHN |
From Llama |
Source Detail |
12/17/04
|
San Francisco |
CA |
Warfield Theater |
FLAC |
Source: DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard) |
From Llama |
Source Detail |
12/18/04
|
San Francisco |
CA |
Warfield Theater |
FLAC |
Bertha Remaster of the DSBD
SBD>>DAT>>CDA>>FLAC>>DAW(Bertha)>>CDA/SHN |
From Llama |
Source Detail |
12/19/04
|
San Francisco |
CA |
Warfield Theater |
FLAC |
Bertha Remaster of the DSBD
SBD>>DAT>>CDA>>FLAC>>DAW(Bertha)>>CDA/SHN |
From Llama |
Source Detail |
02/12/05
|
San Francisco |
CA |
Bill Graham Civic Center |
FLAC |
Source: Matrix (SBD/AUD mixdown):
SBD: DSBD - Official Release from www.phillesh.net (CDs mastered by Wizard)
AUD: Mbho603aHypers-> V3-> Neundo 24/96 Audiolink Multiset-> Sony PCG-C1VPK-> Wavelab 4.0 24bit 96kHz; Transfer: Wavelab 4.0->Apogee dithering algorithm 24bit 96kHz to 16bit 44.1kHz (Taped and transferred by Marty S|Jack Russel) - Matrix mixdown by -Ben Scott-Killian (shruggy1987)
bscottk@gmail.com |
From Llama |
Source Detail |
05/13/05
|
San Francisco |
CA |
The Warfield |
FLAC |
Official Free DSBD release from Phillesh.net |
|
Source Detail |
02/12/06
|
New York |
NY |
Beacon Theatre |
FLAC |
Source: DSBD - Official Release from www.phillesh.net (Mixed and mastered by Derek Featherstone) |
From Llama |
Source Detail |
06/25/06
|
Atlanta |
GA |
Vinyl |
FLAC |
Pre-FM SBD
Transfer: CD-R(1st gen)>LG SP60NB50>CDex(DAE)>WAV>Trader'sLittle Helper>FLAC16
Transferred by BigTuna (BigTuna842@hotmail.com) |
|
Source Detail |
07/09/06
|
Bethel |
NY |
Bethel Woods Center for the Arts |
FLAC |
THIS SOUNDBOARD IS **FREE** THANKS TO PHIL & FRIENDS (WWW.PHILLESH.NET)
Mixed and mastered by Wiz
CD covers can be found at www.phillesh.net
Big thanks to all the mirror sites! |
|
Source Detail |
10/31/07
|
New York |
NY |
Nokia Theater |
FLAC |
FREE SOUNDBOARD |
From Llama |
Source Detail |
11/01/07
|
New York |
NY |
Nokia Theater |
FLAC |
FREE SOUNDBOARD |
From Llama |
Source Detail |
11/02/07
|
New York |
NY |
Nokia Theater |
FLAC |
FREE SOUNDBOARD |
From Llama |
Source Detail |
11/03/07
|
New York |
NY |
Nokia Theatre |
FLAC |
FREE SOUNDBOARD |
From Llama |
Source Detail |
11/06/07
|
New York |
NY |
Nokia Theater |
FLAC |
FREE SOUNDBOARD |
From Llama |
Source Detail |
11/08/07
|
New York |
NY |
Nokia Theater |
FLAC |
THIS SOUNDBOARD IS **FREE** THANKS TO PHIL & FRIENDS (WWW.PHILLESH.NET)
**note: this is a fix of the fixed version, seeded Jan 19, 2008 |
From Llama |
Source Detail |
11/09/07
|
New York |
NY |
Nokia Theatre |
FLAC |
THIS SOUNDBOARD IS **FREE** THANKS TO PHIL & FRIENDS (WWW.PHILLESH.NET)
**note: fixed version, seeded Jan 19, 2008 |
From Llama |
Source Detail |
05/13/08
|
San Francisco |
CA |
Warfield Theatre |
FLAC |
FREE SBD from PHILLESH.NET |
|
Source Detail |
02/16/12
|
Broomfield |
CO |
1st Bank Center |
FLAC |
SBD
The aud patch is from http://etreedb.org/shn/119030 |
From Llama |
Source Detail |
02/17/12
|
Broomfield |
CO |
1st Bank Center |
FLAC |
Soundboard (Thanks!) |
|
Source Detail |
05/28/16
|
Port Chestre |
NY |
Capitol Theatre |
FLAC |
flac16; Matrix 2 Source Mix - SBD (shnid=none) From Internet Video + AUD (shnid=135922) flac24: Schoeps MK41v's (Front right corner of Soundboard cage)>Schoeps KCY 250/05i>Schoeps VST62iu>Grace Design Lunatec V3>AES Out>Sound Devices 744t (recorded at 24 Bit/96khz) SD744t>Sound Forge Pro 11(Fades)>CDWAV(Tracking)>Trader's Little Helper (FLAC) Recorded By Keith Litzenberger - matrix mixing by Kevin Tobin |
|
Source Detail |