Garcia
Approximate hours: 1161.25
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Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
07/??/61
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Boar's Head Coffeehouse
San Carlos, CA |
1 shn |
|
|
Aud > ? > CDR |
- Bolshevik in Hell has different hiss level and little above 4kHz while other tunes go to ~ 8kHz. This is
consistent with the comment in Deadlists that this may be from a different date
Deadlists COMMENTS
Jerry Garcia, acoustic guitar; Marshall Leicester, banjo; Robert Hunter, bass?. This performance took place at the Boar's Head Coffeehouse, located in the upstairs loft of the Carlos Bookstall.
(1) Robert Hunter acapella. This set and the 01/??/62 Burlingame set also circulate together as "Garcia, Hunter and Albin '62." It can be argued that the 'room ambience'
and recording quality of both tapes are identical; they -sound- like they were recorded at the same time. |
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06/11/62
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Jewish Community Center
San Carlos, CA |
1 shn |
|
|
Master Audience (?) Reel (Scotch 150) |
According to Deadlists, the band consists of
Jerry Garcia (guitar and banjo), Marshall Leicester
(banjo and guitar), and Dick Arnold (fiddle). The
performance took place at the 'new' Boar's Head
Coffeehouse, relocated in the San Carlos Jewish
Community Center. Deadlists also hypothesizes
that this is an audience recording, possibly with
onstage mics. |
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02/23/63
|
Top of the Tangent
Palo Alto, CA |
1 shn |
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|
audience master reel->reel->FM->cassette->DAT->CD |
wildwood boys.
shns w/jg+friends 7/??/61. |
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05/04/63
|
Top of the Tangent
Palo Alto, CA |
1 shn |
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|
likely AUD>R>R>FM>Cass>DAT>CDR |
shns w/jgb03-01-80A
Jerry and his first wife Sara a week after their wedding. He traded wedding gifts and Sara's guitar for his new banjo. Recorded by the manager of the club at the time and aired on KFOG's dead hour. |
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07/??/64
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Top of the Tangent
Palo Alto, CA |
1 shn |
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Master Tape > Rosoft Audio Tools > CD > EAC > WAV > SHN |
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??/??/64
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Unknown
Palo Alto, CA |
1 shn |
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|
Stage Mic?> C> CDR> PCM> SHN |
wildwood boys.
the rub w/pigpen.
shns w/jg+friends 7/??/61. |
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04/01/67
|
KMPX Studios
San Francisco, CA |
2 cdr/shn |
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|
Pre-FM-MR>R>DAT>CDR |
THE CELESTIAL JUKEBOX (Special Radio Flashback Edition "The Phil 'n' Jerry Show" April 1967) |
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05/21/68
|
Carousel Ballroom (Tuesday Night Jam)
San Francisco, CA |
1 shn |
|
|
SB > R > DAT > CD |
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05/21/68
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Carousel Ballroom (Tuesday Night Jam)
San Francisco, CA |
2 shn |
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|
SBD -> Master Reel -> Dat (48k) |
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07/28/68
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Rancho Olompali
Marin County, CA |
1 flac |
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|
SBD > ? > CD |
archived w/jg+ms 9-2-74
Jerry Garcia, Jack Casady, Mickey Hart
Notes:
- static @ 0:53, 17:28, 17:55, 18:24, 19:48
- tick @ 12:32 fixed using SoundForge Studio 6.0.
- digi-chirp @ 29:39 |
|
12/16/68
|
The Matrix
San Francisco, CA |
2 shn |
|
|
SBD>Rm>Reel>CD (May Be SBD>Rm>Reel>Reel>CD) |
aka Mickey and the Heartbeats
gotta love this setlist.
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12/24/68
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The Matrix
San Francisco, CA |
2 shn |
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|
SBD>unknown generation cass>wav>shn |
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02/19/69
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Matrix
San Francisco, CA |
1 shn |
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SBD>?>PCM>WAV>CDR |
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10/28/69
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2400 Fulton Street - Jefferson Airplane House
San Francisco, CA |
1 cdr |
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Lineup: Jerry Garcia - Guitar, Jorma Kaukonen - Guitar, Jack Cassady - Bass, Mickey Hart - Percussion, Spencer Dryden - Percussion |
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10/21/70
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Matrix
San Francisco, CA |
1 shn |
|
|
SB > R > DAT > CD |
"matrix tuesday night jam session"
w/Jorma Kaukonen, Jack Casady, John Cipollina, David Freiberg, Papa John Creach & Nicky Hopkins. |
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12/15/70
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The Matrix
San Francisco, CA |
1 shn |
|
|
SBD>MR>?>DAT>ZA2>CD |
12/15/70 is part of a soundcheck or
rehearsal, almost certainly a tape run by the band for work purposes (as we know was Jerry's practice); reportedly there is a 49 minute version of this rehearsal tape also in circulation, but unexamined at this writing. DeadBase IX lists gigs by these musicians at the Matrix on December 15, 16 & 17, billed as "Jerry Garcia & Friends."
(from Dead List Reader)
This is Crosby, Garcia, Lesh & Hart, sometimes known as David And The Dorks. 12/17/70 is of the band in performance; it may be a complete set. 12/15/70 is part of a soundcheck or rehearsal, almost certainly a tape run by the band for work purposes (as we know was Jerry's practice); reportedly there is a 49 minute version of this rehearsal tape also in circulation, but unexamined at this writing. DeadBase IX lists gigs by these musicians at the Matrix on December 15, 16 & 17, billed as "Jerry Garcia & Friends."
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12/17/70
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The Matrix
San Francisco, CA |
2 cdr |
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|
David & the Dorks |
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12/20/70
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The Matrix
San Francisco, CA |
1 cdr/shn |
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SBD>Rn>DAT>CD>EAC>SHN |
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12/27/70
|
KPPC Studios
Pasadena, CA |
1 shn |
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|
pre FM MR > CD > SHN |
Disc Jockey Ted Alvy (Cosmos Topper)
Interviews members of The Grateful Dead
Jerry Garcia & Bob Weir and members of
The New Riders of the Purple Sage
David Nelson & Marmaduke (John Dawson)
[NRPS demo "Louisiana Lady"]
[They All Perform Four Gospel Songs Live] |
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??/??/70
|
Studio Jam
Unknown, Unknown |
1 cdr/shn |
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|
sbd>mr>??>Dat>cdr Eac >cool edit > shntool > cdwav >shnv3 |
shns w/gd09-00-71
..fade in
* 2:00 do in RC
& digi static at 6:49
A little bit of hiss.
actual date unknown. Jerry Garcia, Jorma Kaukonen, Jack Cassady,
John Cippollina, David Freiberg, Nicky Hopkins, Papa John Creach. |
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05/11/71
|
The Matrix
San Francisco, CA |
1 flac |
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|
Unknown source > reel > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (FLAC Frontend v1.7.1 Etree edition) |
partial
- Mono recording, hissy but basically very nice. The Jerry Site lists a soundboard, but I'd guess it's an upfront audience recording. I don't know anything else about the lineage.
- Track 1 banter (1) @ 0:10: "Hey Merl, you wanna do that tune in 'G'? Get spaced out a little?"
- Track 2 banter (2) @ 0:30: JG: "What's that?" MS: "I don't know." JG: "Hey, c'mon man, the orange one, now it's the orange one, whatever that is. Amber. That one. Do away with it. That's the exit light. It's plenty. No, no, man. Thanks. Photo field [?]." |
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09/24/71
|
Lion's Share
San Anselmo, CA |
2 cd-r |
|
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d2 fill: 12-20-72 expressway > jam > space > georgia |
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09/24/71
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Lion's Share
San Anselmo, CA |
2 shn |
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|
MSR -> 1C -> D -> Digi001 -> SHN |
approximately 1/4 second dropout removed from "Down Around Biloxi" |
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12/09/71
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Scotty's Music
St. Louis, MO |
1 cdr |
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01/15/72
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Keystone Korner
San Francisco, CA |
2 cdr/shn |
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MAR > 2C > D > CD > EAC > SHN |
d1t01 CD skips @ 1:00, 1:07
d1t04 some "flits" @ ca. 2:30?
d1t07 first few notes cut
d1t08 cuts in
d2t01 saturation/warbling
d2t01 cuts in, a few minutes missing?
d2t02 cuts in, not much missing
d2t02 @ 30:18-30:35 fades to low volume
d2t03 cuts in
d2t04 cuts in, not much missing
d2t05 first few notes clipped
d2t06 cut/splice @ 3:06
d2t06 SQ problems after ca. 3:00 |
|
01/19/72
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Lion's Share
San Anselmo, CA |
1 cdr/shn |
|
|
sdb>>reel master>>cassette>>dat>>cdr |
** Fixed sector boundries using shntool on 4/19/2001 ** |
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01/20/72
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Lion's Share
San Anselmo, CA |
2 cdr |
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01/26/72
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Symphony Hall
Boston, MA |
2 cdr/shn |
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FMSBD>RR>CD>EAC>SHN |
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02/06/72
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Pacific High Recording Studio
San Francisco, CA |
2 cdr/shn |
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Pre-FM > ? >dat > da-20 > rme 96/8 pst > cd wave > mkw(shn) |
errors: the crowd noise is missing between tracks d2t01 > d2t02, and d2t04 |
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02/06/72
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Pacific High Recording Studio
San Francisco, CA |
2 cdr/shn |
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|
FM Broadcast, KSAN |
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06/30/72
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Keystone Korner
San Francisco, CA |
2 cdr/shn |
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|
MSR? > ? > mono reel > DAT > CD > EAC > shn |
w/Tom Fogerty.
- d2t01 Train to Cry fades in
- d2t02 After Midnight channel fluctuations throughout; subtle
splice @ 8:52
- d2t06 Jam fades out where the reel supposedly ends. |
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11/23/72
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Armadillo World Headquarters
Austin, TX |
3 cd-r |
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12/20/72
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Keystone
Berkeley, CA |
2 cdr/shn |
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shns don't match |
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12/20/72
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Keystone
Berkeley, CA |
2 shn |
|
|
MSR>D>1C>D |
complete.
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|
01/24/73
|
Boarding House
San Francisco, CA |
2 cdr/shn |
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|
early show
w/Sarah Fulcher
d2filler:01/24/73b
04. Expressway To Your Heart
There is a bit of random digi-noise at various points in the show, though most is very minor. The one exception to this being Dixie Down. There is some pronounced digi-noise throughout the first 30 seconds of the song. Two silent dropouts totaling approximately 2.5 seconds were removed. |
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01/25/73
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Boarding House
San Francisco, CA |
3 cd-r |
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01/25/73
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Boarding House
San Francisco, CA |
3 shn |
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S:R>C>D>CD |
Slightly re-tracked using WavMerge and CDWave,
.shn encoding using mkwACT, and proper sector
boundaries verified using shntool.
A variety of mostly harmless light snaps, crackles, and pops
d1t02 Save Mother Earth two ticks @ 0:01
d1t02 lots of static and crackles through ca. 3:00
d1t05 Biloxi static buzz @ 1:00
d2t04 static throughout, rarely heavy
d3t01 System cut/splice @ 1:35
d3t04 It's a Sin cut/splice @ track 3:02
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03/02/73
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The Record Plant
Sausalito, CA |
1 cd-r |
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old and in the way |
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04/21/73
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The Record Plant
Sausalito, CA |
1 cd-r |
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old and in the way |
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05/05/73
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Homer's Warehouse
Palo Alto, CA |
1 cdr/shn |
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MSR>DATs>CDRs>EAC>SHN |
dick's gift
w/filler --
12/31/75 set 3 -- JGB, Keystone, Berkeley, CA
5. Tore Up Over You (1)
6. C. C. Rider (1)
7. (I'm A) Road Runner (1)
Comments: Entire show with Mickey Hart and Greg Errico. (1) with Weir |
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05/23/73
|
Ash Grove
Los Angeles, CA |
1 cdr/shn |
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MAC > ? > low-gen reel (probable 2nd gen) > D > CD > EAC > SHN |
d1t01 Train to Cry cuts in, not much missing
d1t04 Instrumental brief cut/splice @ 17:29 |
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06/05/73
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Orpheum Theater
Boston, MA |
2 cd-r |
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AUD - MA?>?>D>CD |
old and in the way late show |
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06/06/73
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Capitol Theater
Passaic, NJ |
2 cd-r |
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AUD - MA?>?>D>CD |
old and in the way |
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07/08/73
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Record Plant
Sausalito, CA |
2 cdr |
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pre-fm
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07/08/73
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Record Plant
Sausalito, CA |
2 shn |
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KSAN FM > MR > DAT > CD |
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07/10/73
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Keystone
Berkeley, CA |
1 cdr/shn |
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S:R>2P>3D>CD |
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07/10/73
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Keystone
Berkeley, CA |
2 flac |
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Master soundboard cassette > PCM > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0) |
*Tape flip at 10:34 of My Funny Valentine |
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07/11/73
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Keystone
Berkeley, CA |
1 cdr/shn |
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S:R>2P>3D>CDx1>EAC>SHN |
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07/19/73
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Great American Music Hall
San Francisco, CA |
1 shn |
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MSR > PCM > C > C > DAT > WAV >SHN |
partial.
Comments from the Jerrysite: Set 2 with Martin Fierro, his first known appearance with Garcia/Saunders.
Third performance of Harder They Come.
CassetteDAT transfer by Sugarnugz420@247.net: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II.
DAT>WAV>SHN transfer by Dazed Dailee: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV(Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact). |
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07/21/73
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Lion's Share
San Anselmo, CA |
1 cd-r |
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old and in the way |
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07/23/73
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Boarding House
San Francisco, CA |
2 cd-r |
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old and in the way |
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07/24/73
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Homer's Warehouse
Palo Alto, CA |
1 cd-r |
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FM MSR>D>CD |
old and in the way |
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09/06/73
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Capitol Theater
Passaic, NJ |
3 cdr |
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|
AUD |
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09/06/73
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Capitol Theater
Passaic, NJ |
3 cdr/shn |
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AUD:C > D > CD |
d2t04 That's Alright Mama drop @ 6:52
d3t04 4th Street lite pops @ 1:52, 1:54, 8:52 |
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09/30/73
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Community Center
Stinson Beach, CA |
2 cd-r |
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AUD (DAT: MAR>D>CD) |
old and in the way |
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10/??/73
|
Unknown
Unknown, Unknown |
2 cdr/shn |
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MSR>R>R>D>CD |
old and in the way |
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11/04/73
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California State College Sonoma
Cotati, CA |
2 cdr/shn |
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old and in the way |
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??/??/73
|
Demos for 2nd Garcia LP
Various, Various |
1 cdr |
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unknown live gd filler.
shns do not have md5. |
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01/17/74
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Keystone
Berkeley, CA |
2 cdr/shn |
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|
SBD=>MR =>DAT (44.1KHz) =>CDR > EAC > .shn |
Disc 1, Track 1- fades in, and the first few seconds of intro are missing. Disc 1, Track 1-Digi noise: :21-:25; :52-:55; 1:04-1:05; 1:18-1:26;
1:34-1:36;
1:45; 2:21
Disc 1 Track 1- Right Channel is low until: 1:39 Also, levels are being
adjusted, and full instrumentation does not occur until 2:04 Disc 2, Track 5- vocals out of the mix, entire song. Disc 2, Track 7- 10:44 Jerry says: Sure is quiet for Berkeley. (pause)
This is
Martin Fierro.
Disc 2, Track 9 Intro and first line (They tell me there's a pie up
in the sky) is missing.
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01/18/74
|
Keystone
Berkeley, CA |
1 cdr/shn |
|
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MSR>DATs>CDRs>EAC>SHN |
dick's gift excerpts
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01/18/74
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Keystone
Berkeley, CA |
4 shn |
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|
MAC > D > CD > EAC > SHN |
+
MSR > D > CD patches (ca. 40 seconds at
the cut in My Funny Valentine, plus the
first few notes of Finders Keepers) from
sbd portion that usually circulates as
part of "Dick's Gift."
flaws:
d1t04 Second That Emotion light tick @ 4:22
d1t05 My Funny Valentine cut/splice @ 16:08
d2t02 Finders Keepers cuts in, not much missing
d2t02-03 pop just before track marker
d2t06 Lonely for Me (master?) anomalies @ 10:36-11:04
d2t06 Lonely for Me cuts out
d2t07 It's No Use cuts in, not much missing
d3t04 Like a Road crackles @ 1:17, 1:24, 1:43, 3:02, 2:03-2:05, 2:14
d3t05 Mystery Train cut/splice @ 3:11
d4t05 C.C. Rider guest vocalist, maybe Roger Troy?
Additional Notes:
Variable speed problems throughout, though absent
those problems (which really aren't that distracting)
this is an excellent recording. I will not note specific
speed-related anomalies in these flaw notes.
UPDATED NOTES:
Turns out this is indeed a composite of 1/17/74 and 1/18/74, as follows:
Keystone Berkeley 1/17/74: I: Someday Baby, La-la, I Second That Emotion, My Funny Valentine, Who's Lovin' You Tonight; II: Finders Keepers, Think, Are You Lonely For Me Baby, The Harder They Come
Keystone Berkeley 1/18/74: I: It's No Use, Expressway, Roadrunner, Like A Road, Mystery Train, The Night They Drove Old Dixie Down; II: The Harder They Come, Wonderin Why, C.C. Rider (w/ female vocalist) [set is incomplete on this tape].
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01/19/74
|
Pauley Ballroom, U. of California
Berkeley, CA |
1 shn |
|
|
S:R > P > D > CD > EAC > SHN |
* w/ Matthew Kelly on harmonica
Equipment issues produced fairly consistent crackling, etc.
d1t01 Think cuts in, first few notes clipped |
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02/05/74
|
Great American Music Hall
San Francisco, CA |
3 cdr/shn |
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|
Probable MSR > ?R > DATs > CDs > EAC > SHN |
d1t01 Someday Baby cuts in
d1t03 Roadrunner brief drop @ 2:18
d1t05 Problems Got Problems crackling @ 4:21-4:50
d2t03 Wonderin' Why may clip in
d3t02 Mystery Train fades in, not much missing |
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02/05/74
|
Great American Music Hall
San Francisco, CA |
3 flac |
|
|
MSR (Sony TC-377, 7" reels @ 7.5ips by Ed Perlstein)>PCM>DAT>DAT>WAV>FLAC |
This source is an upgrade over the currently circulating source (SHNID=11254) with none of the previously noted flaws:
- complete version of "Someday Baby"
- no dropouts in "Road Runner"
- no crackles in "My Problems Got Problems"
- "Mystery Train" fades in very quickly but I think all of the notes are there.
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02/09/74
|
Rheem Theater
Moraga, CA |
2 cdr/shn |
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Master soundboard reels (7" 1/4 track @ 7.5ips recorded with Sony |
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02/16/74
|
Keystone
Berkeley, CA |
2 shn |
|
|
AUDMC (Louis Falanga's FOB Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN |
d1t06 Lonely for Me distortion @ 0:51
d1t06 Lonely for Me drop @ 8:27
d2t05 Roadrunner numerous ticks, clicks, and pops after
ca. 5:30. These sound digital in nature but are apparently
on the master cassette. |
|
02/??/74
|
Unknown
Unknown, Unknown |
1 shn |
|
|
AUDMC (Louis Falanga's Sony ECM-250 > Sony TC-110) > DATx1 > CD1 > EAC > CD2 > EAC > SHN |
The master cassette was simply labeled "2/74"
Hissier, boomier, and slightly more muffled vocals than
other Menke/Falanga auds.
d1t01 HAGYN level fluctuations first 30 seconds or so
d1t02 Expressway cuts out @ 13:36
|
|
03/08/74
|
Unknown
Stinson Beach, CA |
1 flac |
|
|
Master(?) cassette > 20-bit transfer to Sonic via TC2000; SBM2 CD;\ CD clone > EAC > FLAC level 8 |
archived w/ jg+ms 9-2-74
David Grisman, Richard Greene, Jerry Garcia, Eric Thompson, Bill Wolfe |
|
03/09/74
|
Keystone
Berkeley, CA |
2 flac |
|
|
SMR>DAT3x>Delta DIO 2496>Soundforge>WAV>CD Wave Editor>FLAC |
|
|
04/20/74
|
Pilgrimage Theater
Los Angeles, CA |
1 cdr/shn |
|
|
MS? > ? > CD > EAC > SHN |
*shns bundled w/g+s 5-23-73
with Maria Muldaur
Numerous ticks and scratches, but no major flaws noted. |
|
04/27/74
|
Golden State College
San Rafael, CA |
1 cd-r |
|
|
AUD - MA?>?>D>CD |
old and in the way very poor sound quality. don't bother. |
|
06/04/74
|
Lion's Share
San Anselmo, CA |
2 cdr/shn |
|
|
MSR > PCM > DAT > CDR > SHN |
d2: jgb 03-09-78
*NYC w/ Alice Stuart |
|
06/05/74
|
Lion's Share
San Anselmo, CA |
1 cdr/shn |
|
|
S:R?>?>CD |
set 2
Alice Stuart plays on Dixie Down >> end of the show.
d2t01 Kansas City Blues cuts in, not much missing?
|
|
06/06/74
|
Keystone
Berkeley, CA |
2 shn |
|
|
A:C>D>CD |
Specific genealogy:
MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 >
CD > EAC > CD > EAC > SHN
d1t05 My Funny Valentine gap @ 8:53-8:58
d1t05 My Funny Valentine skip/pop/click @ 10:10-10:11
d2t03 Problems Got Problems drop @ 19:40 |
|
06/12/74
|
Keystone
Berkeley, CA |
2 cd-r |
|
|
R>C>D>CDx1>EAC>SHN |
|
|
06/13/74
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
MS? > ? > CD > EAC > SHN |
Flaws:
d1t01 Colored Aristocracy fades in
d1t07 Swing '42 tiny splice @ 5:41
d2t01 Bud's Bounce fades in
d2t01 Bud's Bounce tiny splice @ 1:16
d2t07 Dawg's Rag fades out |
|
07/02/74
|
Bottom Line
New York, NY |
2 cdr/shn |
|
|
MAC > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn |
- Show without Martin Fierro (horns), with Maria Muldaur (vocals)
and Roger Troy (a.k.a. "Jellyroll") (bass, vocals)
- (1) Roger Troy lead vocals
- This represents a niceupgrade over the currently-circulating
version of this show, which has an additional analog generation
and requires speed correction (runs slow).
Flaws:
- d1t05 My Funny Valentine cut/splice @ 11:41 (tape flip);
A Moore's Masters Production.
|
|
07/03/74
|
Bottom Line
New York, NY |
2 cdr/shn |
|
|
MAC > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > minor re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta |
- (1) with Maria Muldaur (vocals)
- (2) with Roger Troy (a.k.a. Jellyroll) (bass, vocals)
- A terrific recording of what may be the best East coast show
of the year for Garcia/Saunders. The big jam in set II is truly
excellent.
- No flaws noted.
A Moore's Masters Production. |
|
07/22/74
|
Keystone
Berkeley, CA |
2 cdr |
|
|
|
|
|
08/11/74
|
Keystone
Berkeley, CA |
2 cd-r |
|
|
|
|
|
08/15/74
|
Great American Music Hall
San Francisco, CA |
2 cdr/shn |
|
|
AUDMC > DATx1 > CD > EAC > CD > EAC > SHN |
d1t04 People Make the World Go Round static @ 1:20
d2t04 Favela static @ 10:32
d2t06 Sitting in Limbo drop @ 1:31 |
|
08/23/74
|
Berkeley Community Theater
Berkeley, CA |
1 shn |
|
|
MAC > C > R > D > CD > EAC > SHN |
t01 L channel out after ca. 8:00
t05 set break announcement after Limbo?
t06 Favela a bit of a train wreck, unique ending
t07 warbling |
|
08/24/74
|
Great American Music Hall
San Francisco, CA |
2 cd-r |
|
|
|
|
|
08/30/74
|
Freeborn Hall (University of California Davis)
Davis, Ca |
2 shn/cdr |
|
|
MSR>C>DAT>CDRs>EAC>SHN |
text file mistakenly labled "Legion of Mary"
A brief dropout at the very beginning of Favela, minor mix/level issues here and there, minor tape degradation here and there.
Notes from the anonymous seed provider: The 8/30/74 is slightly out of order when compared to Deadbase & my old analog copy. However, this came from Dick->my source->me, so I left it as-is. I have always really enjoyed this one & the upgrade took me 5 years to track down. |
|
08/31/74
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
AUDMC > DATx1 > CD > EAC > CD > EAC > SHN |
one mic directly in front of Jerry's amp, the other pointed stage center to catch the rest of the band
d1t03 My Funny Valentine cuts in |
|
09/02/74
|
Marx Meadow (Golden Gate Park)
San Francisco, CA |
1 flac |
|
|
MSR>PCM>DAT>CDR>EAC>FLAC |
|
|
10/04/74
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
AUDMC > DATx1 > CD > EAC > SHNDisc |
d1t01 TWLWMYD cuts in
d1t04 It's No Use cuts in
d2t04 Ain't No Mountain High Enough static @ 2:40 |
|
10/06/74
|
Great American Music Hall
San Francisco, CA |
1 shn |
|
|
MSR > ? > D > CD > EAC > SHN |
partial 1st set.
According to The Jerry Site, Jim Nelson replaces
Paul Humphrey on drums.
This material is pretty amazing, at times positively
hair-raising.
|
|
10/27/74
|
Golden Bear
Huntington Beach, CA |
2 shn |
|
|
MAC>C>C>DAT>WAV>SHN |
late show.
Comments from thejerrysite.com:
(1) Ringo on drums
(2) Unknown female (vocals)
Tracking note: I tracked this recording with multiple "deadspace/tuning" tracks which by in large contain chatter/crowd/tuning. If you would like to avoid listening to the chatter and fit this otherwise 83 minute recording onto 80 minute CDR of music, eliminate a few of these deadspaces and you are set.
misSHN in the rain, 5/04. |
|
10/31/74
|
Memorial Gymnasium (University of San Francisco)
San Francisco, CA |
2 cdr/shn |
|
|
MSR>R>C>DAT>WAV>SHN |
Very slight splice in He Ain't Give You None at 6:01
Maybe one or two notes missing |
|
11/05/74
|
Bottom Line
New York, NY |
2 cdr/shn |
|
|
MAC > DAT > CD > EAC > SHN |
|
|
11/06/74
|
Bottom Line
New York, NY |
2 cdr/shn |
|
|
MAC > Tascam 122 MK III playback > Tascam DA-40 master DAT >Tascam DA-30 playback > HD > Cool Edit 2000 > master CD >HP 9350i extraction (EAC v0.9 beta 4) > minor editing(Sound Forge Studio 6.0) > sector boundary verification(s |
early show.
- (1) Audience member: "Jerry, is it really ovah?" Jerry:
"It's always been over, man."
- d1t02 Think R channel scratch @ 1:28.864-1:29.078 patched
over from L channel using Sound Forge Studio 6.0.
|
|
11/07/74
|
Bottom Line
New York, NY |
2 cdr/shn |
|
|
MAC > DAT > CD |
early show.
This can be condensed to one audio disc by clipping out
some of the tuning. |
|
11/08/74
|
The Dome - C.W. Post College
Brookville, NY |
3 shn |
|
|
MAC > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam CD-RW700 master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
- d1t01 How Sweet It Is fades in, not much missing
A Moore's Masters Production, April 2003. |
|
11/09/74
|
Capitol Theater
Passaic, NJ |
2 cdr/shn |
|
|
AUD:C > DAT > CD > EAC > WavMerge > CD Wave > SHN |
Late show.
d1t04 Let it Rock cuts in;
d1t05 Problems Got Problems cuts in;
d2t01 HAGYN cuts in;
d2t04 How Sweet cuts in |
|
11/10/74
|
Palace Theatre
Albany, NY |
2 shn |
|
|
SB:A> MR> DAT 48k> PCM> CDR> PCM> SHN |
|
|
11/14/74
|
Paul's Mall
Boston, MA |
2 cdr/shn |
|
|
MAC > Sony TC-152SD [Dolby B]) > Sony TC-152SD playback > Teac A2300SD1st gen reel [Dolby B off] > Pioneer RT-701 playback > Teac AN-180 Dolby decoder > Fostex D5 DAT (A>D only) > Turtle Beach Montego II Digital I/O > shn > |
early show. |
|
11/14/74
|
Paul's Mall
Boston, MA |
2 shn |
|
|
MAC > R > D > shn > wav > shn |
- (1) a female audience member joins on vocals toward the
end of Mystery Train
- d2t01 My Funny Valentine cuts in, probably not much missing
- d2t02 People Make the World Go 'Round cuts out, unknown
missing. |
|
11/14/74
|
Paul's Mall
Boston, MA |
2 shn |
|
|
Uher hand-held mic-->Uher 4000 5" master reel-->playback on a Teac 2300 reel to reel-->MacIntosh pre-amp-->Teac 2300 7" reel-->CDR-->EAC-->SHN |
No DAT stage, 7" reel run directly to CDR in sound studio
EAC'ed and Shortened by Paul Lucente w/ Ultraplex 40max
"Picks From 1066" Volume 3. Personal vault release series,
thanks to Jeff Siniawsky and Neil Merin. Show mastered by
Jeff and Neil. |
|
11/15/74
|
Worcester Polytechnic Institute
Worcester, MA |
2 cdr/shn |
|
|
sdb>>master reel>>cassette>>dat>>cdr |
late show. |
|
11/16/74
|
Tower Theatre
Upper Darby, PA |
2 cdr/shn |
|
|
MAC > DAT > CD > EAC > SHN |
early show. |
|
11/16/74
|
Tower Theatre
Upper Darby, PA |
2 cdr/shn |
|
|
MAC > DAT > CD > EAC > SHN |
late show. |
|
11/28/74
|
Great American Music Hall
San Francisco, CA |
3 cdr/shn |
|
|
MSR>PCM>DAT |
|
|
12/15/74
|
EMU Ballroom (University of Oregon)
Eugene, OR |
1 shn |
|
|
S:R>P>D>CD |
partial.
The recording is slightly oversaturated and generally
less crisp than many with equivalent lineages.
t01 Leave Your Hat on first few notes clipped
t04 It's No Use first few notes clipped
t06 Second That Emotion cuts out abruptly
t06 opening notes of Let it Rock audible at end of track
|
|
12/29/74
|
Golden Bear
Huntington Beach, CA |
2 cdr/shn |
|
|
MAR > DAT > CD > EAC > SHNv3 |
d1t02 La-La light digi-tick @ 11:57
d1t04 Roadrunner it is possible that the first few notes are clipped
d2t02 Expressway light digi-static @ 7:18, 7:25, 13:40
d2t02 Expressway last few seconds clipped
This seed appears to be identical to one done by Joe Jupille, but this seed may have one CD additional generation. |
|
??/??/74
|
Unknown
Unknown, CA |
1 cd-r |
|
|
MSR>DATs>CDRs>EAC>SHN |
legion of mary
"dick's gift" d2 |
|
??/??/74
|
Unknown
Unknown, CA |
1 cd-r |
|
|
MSR>DATs>CDRs>EAC>SHN |
legion of mary
"dick's gift" d1 |
|
02/14/75
|
The Generosity
San Francisco, CA |
2 cdr/shn |
|
|
MAC > 1/4" Sony TC-377 7" reel > Teac X-300R playback > HHB Burn-It master CD-RW > Easy CD-DA Extractor > Dell Inspiron 4100 laptop > possible volume adjustment (Cool Edit 2000) > tracking (CD Wave) > CDR using EZ-CD Creator > |
- This is a mono recording.
- Most songs clip in.
- Favela faded to a splice @ 10:42 on the original CD copy,
but this turned out to be during an 18-second repeated section.
Similarly, Bossa Martin faded to a splice @ 7:57, but this was
during a 48 second repeated section. Both obviously stem from
analog generations somewhere up the line. They were edited out,
and the tunes are seamlessly intact.
- Pennies From Heaven splice @ 10:46. This is most probably a
tape flip from the master. There is also a bit of very light
static around 16:55-16:56.
- This is probably not the whole show, since the band is tuning
when the tape cuts out. |
|
03/08/75
|
Pitchell Players Cabaret
Los Angeles, CA |
2 cdr/shn |
|
|
MAC > ? > PCM > CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) >slight editing (SF Studio 6.0) > sector boundaryverification (shntool v1.01) > .shn |
- d1t01 Harder They Come oversaturation @ start, level
fluctuations @ 6:13-6:20 (glitch @ 7:39 removed)
- d1t02 Wondering Why splice @ 19:24
- d1t04 How Sweet ending barely clipped |
|
03/15/75
|
Keystone
Berkeley, CA |
3 cdr/shn |
|
|
AUD + SBD compilation |
d1=aud set 1
d2=aud set 2
d3=aud+sbd set 2
Audience portions: MAC > 1/4" Sony TC-377 7" reel > Teac
X-300R playback > > HHB Burn-It master CD-RW > Easy
CD-DA Extractor > Dell Inspiron 4100 laptop > possible
volume adjustment (Cool Edit 2000) > tracking (CD Wave) >
CDR using EZ-CD Creator > HP 9350i extraction (EAC v0.9
beta 4) > tracking (CD Wave) > slight editing (SF Studio
6.0) > sector boundary verification (shntool v1.01) > .shn
encoding (mkwACT v0.97 beta 1). Reel > CD by Ed Perlstein,
EAC > SHN by Joe Jupille.
Soundboard portions: MSR > ? > Andy Lemieux's cassette >
Nakamichi Dragon playback > ART DI/O > hard drive > tracking
(Cool Edit 2000) > master CD (Easy CD Creator) > HP 9350i
extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector
boundary verification (shntool v1.01) > .shn encoding (mkwACT
v0.97 beta 1). Cassette > CD by David Minches, EAC > SHN by Joe
Jupille.
- A number of songs clip in.
- This is a mono recording.
- d1t04 Every Word You Say blip @ 2:32, possibly tiny splice
- d1t05 Boogie on Reggae Woman faded to a splice @ 11:50 of the
original discs. It turns out that this was during a 1:06 section
of repeated music, likely derived from upstream analog gens. |
|
03/16/75
|
Macky Auditorium, CU
Boulder, CO |
1 shn |
|
|
AUD > ? > CDR > WAV > SHN |
Comments: Relative B grade audience source
from performance with no other known source -
likely appreciated my LOM devotees and garcia
completists (but then who isn't).
you've been warned. |
|
04/04/75
|
Whitman Auditorium, Brooklyn College
Brooklyn, NY |
3 cdr/shn |
|
|
MSR > 1R > 2D > 1C > DATs > CDs |
Could be from the WBAI broadcast (presumably from post-cassette DATs?) referred to at the Jerry Site. |
|
04/05/75
|
Capitol Theater
Passaic, NJ |
1 cdr/shn |
|
|
MSC > DAT > CD > EAC > SHN |
partial |
|
04/06/75
|
Orpheum Theater
Boston, MA |
2 cd-r |
|
|
|
|
|
04/06/75
|
Orpheum Theater
Boston, MA |
1 cdr |
|
|
|
early show |
|
04/06/75
|
Orpheum Theater
Boston, MA |
3 shn |
|
|
Master Soundboard Cassette> DAT> CDR |
|
|
04/08/75
|
Bottom Line
New York, NY |
2 cdr/shn |
|
|
MAC > master CD > shn |
early show. |
|
04/09/75
|
Bottom Line
New York, NY |
2 cd-r |
|
|
|
|
|
04/10/75
|
Bottom Line
New York, NY |
2 cdr/shn |
|
|
MAC > CD > EAC > SHN |
early show.
A Moore's Masters Production. |
|
04/10/75
|
Bottom Line
New York, NY |
1 cdr/shn |
|
|
MAC > WAV > SHN |
late show.
- It is not clear if this is the whole show.
- This might fall into the "for completists only" category.
All tunes clip in, there are significant level fluctuations
throughout, and the recording is somewhat muffled. But this
is far from the worst aud out there, and at times is pretty
good.
|
|
04/11/75
|
The Tower Theatre
Upper Darby, PA |
2 cdr/shn |
|
|
MAC > master CD > shn |
early show.
- d1t05 Last Train from Poor Valley warbles @ 7:52-8:09
- d2t03 Expressway Fierro quotes Greensleeves @ very end
A Moore's Masters Production. |
|
04/11/75
|
The Tower Theatre
Upper Darby, PA |
2 cdr/shn |
|
|
MAC > master CD > shn |
late show.
- d2t02 Mississippi Moon background crackling comes from the
show PA, and is not a recording (analog or digital) artifact.
A Moore's Masters Production. |
|
04/12/75
|
Masonic Temple
Scranton, PA |
2 cd-r |
|
|
|
|
|
04/13/75
|
Kennedy Center
Washington, DC |
1 cdr |
|
|
|
partial
w/filler 1-27-76 |
|
04/13/75
|
Kennedy Center
Washington, DC |
1 shn |
|
|
MSR -> 1R -> P -> DATs -> Digi001 -> SHN |
late show partial |
|
04/18/75
|
Arie Crown Theater
Chicago, IL |
1 cd-r |
|
|
|
|
|
04/19/75
|
Oriental Theater
Milwaukee, WI |
2 cdr |
|
|
|
|
|
04/19/75
|
Oriental Theater
Milwaukee, WI |
2 shn |
|
|
MSR>1R>P>D>ZA/2>SHN |
This show is from a different source than another copy recently
appearing on etree, however the original soundboard source is the
same. The cut in you can leave your hat on is substantial, and from
the master reel. Disc split is merely a suggestion, many people
prefer to burn shows like this 50/50 on two discs. I included
harder they come with the orphan track from 4-12-75 |
|
05/15/75
|
Great American Music Hall
San Francisco, CA |
3 cd-r |
|
|
AUD MC>D>CD |
AUDMC (Bob Menke and Louis Falanga's Sony ECM-270 +
Sony ECM-250 [upfront but not onstage] > Sony TC-152) >
DATx1 > CD > EAC > SHN; via Jack Warner.
|
|
05/21/75
|
Keystone
Berkeley, CA |
2 cd-r |
|
|
|
|
|
06/03/75
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
MAC>DAT/2>CD |
d1t01 ITALTL, ITATTC cuts in;
d1t01 ITALTL, ITATTC major cut @ 2:28;
d1t01 ITALTL, ITATTC L channel out @ 2:28-2:33;
d1t01 ITALTL, ITATTC level fluctuations @ 2:56ff;
d1t02 originally contained both Dynamite and Day by Day,
track split using CDWAVE;
d1t02 Dynamite comes in abruptly, a note or two may be missing;
d1t02 Dynamite distortion @ 0:36-0:38
|
|
06/04/75
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
AUDMC > R > D > CD |
d1t01 Think crackle @ 0:32;
d1t04 Boogie on Reggae Woman L channel drop 10:25-10:42;
d2t01 Mystery Train splice @ 8:13;
d2t02 I'll Take a Melody fades in |
|
06/06/75
|
Dominican College
San Rafael, CA |
1 cdr/shn |
|
|
SBD>?>DAT>CDR>EAC>WAV>SHN |
|
|
06/08/75
|
El Camino Park
Palo Alto, CA |
1 cdr/shn |
|
|
MAC > DAT > CD > EAC > SHN |
t04 Tore Up fades down @ 1:37-1:38
t05 Little Sunflower cuts in, not much missing |
|
06/21/75
|
Keystone
Berkeley, CA |
2 cd-r |
|
|
Sony ECM-270 + Sony ECM-250 (onstage)>Sony TC-152>DAT>CDR>EAC>SHN |
|
|
06/22/75
|
Keystone
Berkeley, CA |
3 cdr/shn |
|
|
AUDMC > DATx1 > CD. EAC > CD >EAC > SHN |
Consistent R-channel buzzing (PA?) throughout
d1t01 Think fades in |
|
07/04/75
|
Great American Music Hall
San Francisco, CA |
2 cdr/shn |
|
|
SBD > Vault Reel > 1C? > DAT > CD-R > EAC >SHN |
|
|
08/20/75
|
Great American Music Hall
San Francisco, CA |
1 cdr |
|
|
|
|
|
08/20/75
|
Great American Music Hall
San Francisco, CA |
2 shn |
|
|
MSC>1 Reel>DAT>CDR>WAV>SHN |
Per __the jerry site__ "This appears to be the complete Set 1 of a two-set show" |
|
09/20/75
|
River City
Fairfax, CA |
2 shn |
|
|
MA>C3>DAT>WAV>SHN |
MISSING Edward (listed on thejerrysite.com)
Nicky sings lead on d2t02 and d2t03. Weird sounding 2nd electric performance of "Catfish John".
Fairly hissy but listenable, previously uncirculated recording.
misSHN in the rain, 4/04.
|
|
10/11/75
|
Keystone
Berkeley, CA |
2 cdr |
|
|
AUD |
|
|
10/12/75
|
Keystone
Berkeley, CA |
2 cdr |
|
|
|
|
|
10/17/75
|
Concord Pavillion
Concord, CA |
2 cdr |
|
|
|
|
|
10/17/75
|
Concord Pavillion
Concord, CA |
2 shn |
|
|
Sbd>Mreel>PCM>Dat |
7. Mystery Train(missing)
8. Mission in the rain(missing)
Small static burst in lady sleeps@ 3:45 is from the show not a
diginoise or transfer error
The last 2 songs reportadly circulate with the following
source Sbd>mreel>reel>pcm>Dat |
|
10/23/75
|
Palace Theater
Providence, RI |
2 cdr/shn |
|
|
FOB MAC |
|
|
10/24/75
|
Orpheum Theatre
Boston, MA |
3 cdr/shn |
|
|
FOB MAC > 1 reel >master CD > EAC > shn |
Several tunes barely clip in, especially during the early show.
There are numerous very minor digital zaps. |
|
10/31/75
|
The Tower Theatre
Upper Darby, PA |
2 cdr/shn |
|
|
MAR > R?> DAT > CD > EAC > SHN |
There may be an
additional reel after the master reel.
After How Sweet It is the mics were
dismounted and hand-held for the rest of
the show.
d1t01 Let it Rock digi-scratch @ 1:44
d1t01 Let it Rock mix/level fluctuations until ca. 2:00
d1t03 Russian Lullaby digi-scratch @ 1:13
d1t05 It's Too Late cuts in (reel change #1)
d1t05 It's Too Late pop @ 4:33
d1t08 Money Honey blip @ 8:39
d2t01 Positively 4th Street clips in, not much missing
d2t01 Positively 4th Street digi-snit @ 4:26
d2t01 Positively 4th Street last few seconds clipped (reel change #2)
d2t02 How Sweet cuts in, ca. 15-20 seconds missing (reel change #2)
d2t03 Dixie Down audible contact w/ mics as they are dismounted
d2t03 Dixie Down drop @ 8:25-8:27
d2t04 LSTNT digi-snit @ 1:19
d2t05 Edward digi-scratch @ 3:13
T digi-snit @ 1:19
d2t05 Edward digi-scratch @ 3:13
|
|
11/08/75
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
MS? > ? > CD > EAC > SHN |
d1t02 How Sweet mix & level fluctuations
d1t02 How Sweet light static @ ca. 0:45
d1t03 Let it Rock light and brief static blips @ 7:00-7:10
d1t04 FOTD static @ 4:38
d2t04 Edward levels drop @ ca. 1:20
|
|
11/18/75
|
Keystone
Berkeley, CA |
2 cdr |
|
|
AUD |
|
|
11/22/75
|
St. Paul Civic Center
St. Paul, MN |
1 shn |
|
|
AUDMC > ? > WAV > SHN |
*Note - This is a B to B+ audience recording of a very well performed first set.
*Note - The Jerry Site indicates that Pig's Boogie was performed inbetween TLEO and MS Moon.
*Note - The Jerry Site indicates that Lady Sleeps was not performed on 22 November 1975.
*Note - The veracity of the specific set list for 22 November 1975 is in question. There are
three sources of information indicating different set lists for this date. |
|
11/23/75
|
Macky Auditorium, CU
Boulder, CO |
2 shn |
|
|
MAC > ? > CDR > EAC > SHN |
(unknown lineage) sounds like at least 1 cass gen.
some loud audience chatter |
|
11/29/75
|
Keystone
Berkeley, CA |
3 cd-r |
|
|
|
|
|
11/29/75
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
AUD:C>D>CD |
AUDMC (Bob Menke and Louis Falanga's Sony ECM-270 +
Sony ECM-250 [onstage] > Sony TC-152) > DATx1 >
CD > EAC > CD > EAC > SHN.
|
|
12/19/75
|
Winterland Arena
San Francisco, CA |
2 cdr/shn |
|
|
SBD>Rm>Reel>PCM>Dat>CD |
|
|
12/20/75
|
Winterland Arena
San Francisco, CA |
1 cdr/shn |
|
|
sdb>Mreel>1r>P>Dat>Cdr |
*w/ Matt Kelly on Harmonica |
|
12/20/75
|
Winterland Arena
San Francisco, CA |
2 shn |
|
|
Baked reels "last run" transfer 44.k (about 1993) |
|
|
12/31/75
|
Keystone
Berkeley, CA |
2 cd-r |
|
|
|
|
|
12/31/75
|
Keystone
Berkeley, CA |
2 shn |
|
|
Source: SBD>Analog>DAT>CD>?>SHN |
"fixed."
Remastering: SHN>WAV>CE2K>CDWAV>SHNTOOL>mkwACT
Remastering Notes:
-Original source (shnid=6646) was 3% too slow (pitched approximately 1/2 step too low)
-I used CE2K to pitch- and speed-correct by compressing from 100 to 97%.
-Pitch is now Dead on A = 440Hz
-No other remastering was performed (except for retracking) |
|
01/07/76
|
Club Front
San Rafael, CA |
1 cdr/shn |
|
|
|
|
|
01/09/76
|
Sophie's
Palo Alto, CA |
2 cdr/shn |
|
|
MSR > ? > 1C > 1D > 1CD > EAC > SHN |
A very light, intermittent clicking reoccurs throughout the
recording, though it is primarily audible during tuning breaks.
d1t01 All By Myself fades in, not much missing
d1t01 All By Myself very light pops @ 0:02, 0:05, 0:07
d1t01 All By Myself mix/level fluctuations first 0:20
d1t02 Goodnight Irene painful static and mix fluctuations, ca. 1:30
d1t06 Train to Cry cuts out
d1t07 Tore Up cuts in
d1t07 Tore Up static
d2t01 Neighbor Neighbor fades in
d2t05 Fandango cut/splice @ 0:35, unknown missing |
|
01/25/76
|
Club Front
San Rafael, CA |
2 shn |
|
|
MSC > DATs > Sony PCM R500 > HHB 800 CD/0 > HHB 800 CD/1 > HP 9350i extraction using EAC > .shn encoding using mkwACT. |
The last
two songs are MSR > 1R > 1C > DATs > Sony PCM
R500 > HHB 800 master CD > HHB 800 first gen
CD > HP 9350i extraction using EAC > .shn encoding
using mkwACT. Proper sector boundaries verified
using shntool.
d1t01 Knockin' cuts in
d1t02 Second That Emotion cuts in
d1t08 Knockin' drop @ 0:08
d1t10 Tore Up cuts in
d2t02 Who Was John gap @ 2:08-2:14
|
|
01/27/76
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
MSR (2 track 7" reels @ 15ips) > cassette (TDK SA-X100) > NAK-CR-7a playback > Lucid AD9624 24-bit A/D > Fostex D5master DAT > Sony CDR-W33 master CD > EAC > SHN (non-seekable) > patching using Sound Forge Studio 6.0 > sectorbo |
|
|
01/28/76
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
MAC > DAT > CD > EAC > SHN |
- d1t01 Every Word You Say pop @ 2:31.
- d1t04 Who Was John pops @ 9:30, 9:50.
- d2t02 Harder They Come tapping on mic @ start.
- d2t03 Knockin' pop @ 9:09. |
|
02/14/76
|
Keystone
Berkeley, CA |
2 cd-r |
|
|
|
|
|
02/21/76
|
La Paloma Theater
Encinitas, CA |
3 cdr/shn |
|
|
SBD: MR > C > DAT > CD |
CDead JGB Mega Vine Batch 5 |
|
02/22/76
|
La Paloma Theater
Encinitas, CA |
1 cdr/shn |
|
|
MAC > 2C > DATs > CDs > HP 9350i extraction (EAC v0.9beta 4) > cleaning using Sound Forge Studio 6.0 > re-tracking (CD Wave v1.6) > sector boundary verification(shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
early show.
- a few songs clip in, but just barely
- a number of drops were cleaned out and the ends of some tracks were faded using Sound Forge Studio 6.0.
Thanks to Andy Lemieux for the source discs!
A MisSHN in the Rain Installment of the Music Never Stopped Project. |
|
02/22/76
|
La Paloma Theater
Encinitas, CA |
2 cdr/shn |
|
|
MAC > 2C > DATs > CDs > HP 9350i extraction (EAC v0.9beta 4) > cleaning using Sound Forge Studio 6.0 > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
late show.
|
|
02/24/76
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
MAC > DAT > 2 or 3 CD gens > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > normalization (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
- The source CDs peaked at 30.1% and 25.1%, respectively. Both were normalized to 98% using Sound Forge Studio 6.0.
- d1t01 Tore Up mix & level fluctuations throughout.
- d1t04 Second That Emotion L channel out intermittently during
first minute. |
|
02/28/76
|
Crabshaw Corner
Sacramento, CA |
3 shn |
|
|
MAC (unknown mics, unknown deck) > Reel > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
**D3T3 tape flip at 10:32
|
|
03/06/76
|
Moore's Egyptian Theater
Seattle, WA |
3 cd-r |
|
|
|
|
|
04/01/76
|
The Palace Theater
Waterbury, CT |
3 cdr/shn |
|
|
AUD > DAT > CDR > WAV > SHN > CD > EAC > SHN |
*tape splice near end of lonesome
|
|
04/03/76
|
Lisner Auditorium (George Washington University)
Washington, DC |
2 cdr/shn |
|
|
MAC > DAT > 3CD > HP 9350i extraction (EAC v0.9 beta 4) >tracking (CD Wave) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
Late show.
- This is not the same as an earlier-circulating version
of this show, also an excellent master and also missing
Sugaree (security was seemingly very tight), which is
often misattributed to Jerry Moore and circulates as
MAC > reel > DAT > CD.
- No flaws noted.
A MisSHN in the Rain Installment of the Music Never Stopped
Project, 5/2003. |
|
07/08/76
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
sbd>?>dat>wav(via analog cables)>shn |
|
|
07/09/76
|
Keystone
Berkeley, CA |
1 cd-r |
|
|
|
|
|
07/09/76
|
Keystone
Berkeley, CA |
1 shn |
|
|
MSR>1R>P>DAT>CDR>wav>shn3 |
set 2 only. |
|
07/20/76
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
SBD > Master Reel > PCM > DAT > CD > SHN |
Known Flaws (on source DAT):
d1t02: blip at 6:32, 7:32; static/reel flutter at ~07:46-7:48
d1t04: fades in at beginning; static/reel flutter at ~9:27-9:30
d2t04: reel splice at ~3:53-3:55 |
|
08/16/76
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
SBD R/? > CDR |
cut in Midnight Moonlight at 1:09 |
|
08/22/76
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
MSR (2 track 7" reels @ 7.5ips) > 1C > DAT > CD > EAC > SHN |
- d1t01 Second That Emotion fades in, not much missing
- d1t04 TWLWMYD cut/splice @ 1:48
- d2t04 Strange Man cut/splice @ 4:30
A MisSHN in the Rain Installment of the Music Never Stopped Project.e Music Never Stopped Project. |
|
09/10/76
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
MSR (2 track 7 |
MA? > 1R > DAT > CD > EAC > SHN recently put into circulation
by Hanno Bunjes patches cuts in After Midnight (2:24-3:54) and
Mystery Train (the first 5:03), and to include the entire Strange
Man.
A MisSHN in the Rain Installment of the Music Never Stopped Project. |
|
09/11/76
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
MSR (2 track 7" reels @ 7.5ips) > 1 cassette > 2 DAT > Sony R500 playback > Sony CDR-W33 (master CD) > HP 9350i extraction (EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) >sector boundary verification (shntool v1.01) > .shn encodin |
- d2t03 Don't Let Go splice @ 21:05
A MisSHN in the Rain Installment of the Music Never Stopped Project.he Music Never Stopped Project. |
|
09/12/76
|
Keystone
Berkeley, CA |
2 shn |
|
|
MSR > C > DAT > SHN |
Recording Info
Rm (2 track 7" reels @ 7.5ips) ->
Cass (TDK SA-X100 played back on Nakamichi CR-7A cassette deck Dolby off) ->
Lucid 9624 A-D converter @ 44.1kHz ->
Dat (Fostex D5 by Ryan Shriver 2/10/00)
Transfer Info:
Dat (Sony R500) ->
Prodif Plus ->
Samplitude v6.0 ->
SHN (1 Disc SHN / 2 Discs Audio) |
|
09/20/76
|
Astor Theater
Reading, PA |
1 cd-r |
|
|
|
how sweet from early show, mystery train to end from late show.
|
|
11/15/76
|
Keystone
Berkeley, CA |
1 cdr/shn |
|
|
Master Soundboard Reel > DAT > CD |
first set.
The following flaws in this recording are VERY minor, in that
they are in no way damaging to your speakers (or detrimental to
the vibe, imo). Most would go completely unnoticed without this
annotation.
Stop That Train: digisqueal at 6:33 and 16:00
Tore Up: digibrushing around 6:42 and 7:39
Catfish: digisqueal 7:30
Mystery Train: more digi 6:09 and 6:18
Dixie: (fixed) d/o 1:20, digibrush 4:11
|
|
11/19/76
|
Pismo Theater
Pismo Beach, CA |
2 shn |
|
|
MSC>C3>DAT>WAV>SHN |
Scarcely circulated (until now) multianalog generation SBD recording.
The setlist on this recording differs from thejerrysite.com which reports "Mission In The Rain" was played after "A Strange Man", but was missing from the tape but confirmed by person in attendence. This recording has "I'll Take A Melody" (which is truncated) and "Stop That Train". There is no gross difference in the recorded sources preceding A Strange Man and I'll Take A Melody to suggest they come from a different source than the remainder of the recording. If you don't believe it's real, just don't burn the short disc 2 :-p
Flaws:
d1t04 - d/o @ 5:45 removed with SF6.
d2t01 - painfully cut short
Pauses between tracks.
The only editing was to increase the overall level of the recording by + 3.0 dB using SF6. No noise reduction or selective frequency attenuation/augmentation was performed.
misSHN in the rain, 2/04. |
|
11/19/76
|
Pismo Theater
Pismo Beach, CA |
2 shn |
|
|
MSC>C3>DAT>WAV>SHN |
late show.
Scarcely circulated (until now) multianalog generation SBD recording.
The setlist on this recording differs from thejerrysite.com which reports "Mission In The Rain" was played after "A Strange Man", but was missing from the tape but confirmed by person in attendence. This recording has "I'll Take A Melody" (which is truncated) and "Stop That Train". There is no gross difference in the recorded sources preceding A Strange Man and I'll Take A Melody to suggest they come from a different source than the remainder of the recording. If you don't believe it's real, just don't burn the short disc 2 :-p
Flaws:
d1t04 - d/o @ 5:45 removed with SF6.
d2t01 - painfully cut short
Pauses between tracks.
The only editing was to increase the overall level of the recording by + 3.0 dB using SF6. No noise reduction or selective frequency attenuation/augmentation was performed.
misSHN in the rain, 2/04. |
|
11/20/76
|
Pismo Theater
Pismo Beach, CA |
3 shn |
|
|
MSC>C3>DAT>WAV>SHN |
early and late shows.
Scarcely circulated multianalog generation SBD recording. It has hiss - you've been warned. This is the raw transfer without any noise reduction.
The setlist of this recording differs from that on thejerrylist.com on the last 2 songs of the late show which lists "Tore Up Over You" and "Ride Mighty High" as the final two tracks. The end of DLG is not cut on this recording as listed on thejerrysite, though there was a small drop out on the master which was seamlessly removed (see below). There is no audible break in the music between the end of Don't Let Go and How Sweet It Is. Quiet on-stage banter can be heard at a low level from the end of DLG that continues on through the countoff into How Sweet It Is. The version of "How Sweet It Is" is different than the one played during the early show and at the end Jerry says "Goodnight".
Flaws:
d1t01 - first few notes missing
d1t04 - d/o at 08:41 removed using SF6 with a small amount of music missing.
d2t02 - d/o @ 07:08 with truncation of "yankee laid him in his grave" and the rest of the verse.
d2t06 - d/o @ 10:26 with small subsecond bit of missing music.
d3t03 - d/o @ 19:33 with a "BEEP" in the middle deleted with no apparent missing music.
There are a few tape pauses between tracks however the overall recording quality/level of hiss remains the same for the entire show, suggesting the entire recording is from a single source. The pitch was flat and I increased by .02 semitones corresponding to a transposition ratio of 1.01162 using SF6.
another installment of the misSHN in the rain, 2/04. |
|
12/21/76
|
Keystone
Berkeley, CA |
2 shn |
|
|
MAC (no taping information) > Richard Foster's 1st gen reels > Uher Royal DeLuxe reel to reel playback @ 7.5 ips > Tascam DA-20 DAT @ 48khz > Fostex master CD > EAC > SHN. |
- Show with John Rich on pedal steel guitar, to very nice effect IMO!
- recording is thin (very little bass), a little quiet, a little hissy.
But it's altogether listenable.
- d1t04 setbreak announcement "We're gonna try to get ourselves
together"
- d2t06 Ride Mighty High starts off low volume, ends up being a pretty
cool version, here again with the two guitars working well together.
|
|
12/22/76
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
MSR > DATs > CD > EAC > SHN |
- John Rich plays pedal steel guitar on all but Let it Rock and
Ride Mighty High.
- There is some oversaturation throughout the recording, most
prominently during Mystery Train and Ride Mighty High, but it
isn't too bad.
|
|
02/05/77
|
Campbell Hall
Goleta, CA |
3 cdr/shn |
|
|
SBD > cassette? > CD > EAC > SHN v3 |
According to the Jerry Site (www.thejerrysite.com), the early show ends with How Sweet It Is (To Be Loved By You), not Midnight Moonlight. These are 2 different version of Midnight Moonlight, and there is osme uncertainty whether How Sweet It Is is correct being that it comes from a different tape, so it is possible that the early show was indeed closed by Midnight Moonlight.
d2t02 - Midnight Moonlight is incomplete and fades out
d3t06 - My Sisters and Brothers is incomplete and fades out. |
|
02/05/77
|
Campbell Hall
Goleta, CA |
3 shn |
|
|
MSR>?>Cx>CDR>WAV>SHN |
upgrade. see notes.
Some dude is yelling throughout the first set during the quiet parts (especially during Simple Twist of Fate) he comes across the stage microphones. You can hear other audience members distantly cajoling him to "SHUTUP!". Likewise some future soccer grandma loses her psychic cookies periodically with some screaming, also to the chorus of "SHUTUP!". |
|
06/23/77
|
Santa Rosa High School
Santa Rosa, CA |
1 shn |
|
|
Sony ECM -> Sony TC-152 MAC -> D -> CD |
: Quite excellent, both sound and performance. Rich bass.
: Set 2 only. All that circulates as of this seeding.
: First couple notes of Don't Let Go missing, but the edit (prior to my copy) is seamless. |
|
07/03/77
|
Keystone Palo Alto
Palo Alto, CA |
1 cd-r |
|
|
|
|
|
07/08/77
|
Calderone Concert Hall
Hempstead, NY |
2 cdr/shn |
|
|
MAC > CD > EAC > SHN |
early show.
- As of this .shn'ing (5/2003) the cassette with Tough Mama has
not been located. Hopefully it will turn up, and can just be added
to this set.
- Some might wish to cut out some crowd & tuning to fit this onto
one disc, but for purposes of archiving to .shn I chose to retain
everything.
- d1t03 Simple Twist of Fate tape flip @ 13:19 |
|
07/08/77
|
Calderone Concert Hall
Hempstead, NY |
2 cdr/shn |
|
|
MAC > CD > EAC >SHN |
late show.
- As of this .shn'ing (5/2003) the cassette with Tangled Up in
Blue cannot be located. It is patched in here from an older
transfer.
- This set improves on the older set at least insofar as both
Harder They Come and Midnight Moonlight are now intact (respectively
faded and clipped in on the old transfer).
- d2t04 Tangled Up fades in |
|
07/09/77
|
Convention Hall
Asbury Park, NJ |
2 cdr/shn |
|
|
AUD:C > DATx1 > CDx1 > EAC > SHN |
d3t03 Not Fade Away first few notes/beats clipped |
|
07/23/77
|
Keystone Palo Alto
Palo Alto, CA |
2 flac |
|
|
SBD -> Cassette Master -> Dat -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC |
|
|
08/06/77
|
Keystone
Berkeley, CA |
1 cd-r |
|
|
|
|
|
08/07/77
|
Keystone
Berkeley, CA |
1 cd-r |
|
|
|
|
|
11/21/77
|
The Playhouse (Hofstra University)
West Hempstead, NY |
2 shn |
|
|
MAC > 1 DAT > CD > SHN |
late show.
- d2t02 Reuben & Cherise is the public debut of this song, as
far as is currently known. This could have been tracked as much
as forty seconds earlier, since there is a long setup to the song.
The song itself is a bit confused.
- d2t03 Russian Lullaby barely clips in;
- d2t04 LAALWFH cuts in, not much missing.
|
|
11/23/77
|
The Palace Theater
Waterbury, CT |
2 cdr/shn |
|
|
AUD>Rm>Dat>CDR>WAV>SHNv3 |
|
|
11/23/77
|
The Palace Theater
Waterbury, CT |
1 shn |
|
|
AUD--CASS--TASCAM Portastudio 424Mk II--DAT--CD |
Flaws - Distortion at the very end of Midnight Moonlight. It is in the source tape, so not my doing. |
|
11/27/77
|
The Palladium
New York, NY |
3 cdr/shn |
|
|
|
|
|
11/27/77
|
The Palladium
New York, NY |
2 cdr/shn |
|
|
MAC > DAT > WAV > SHN |
early show. |
|
11/27/77
|
The Palladium
New York, NY |
2 cdr/shn |
|
|
MAC > DAT > WAV > SHN |
late show.
|
|
12/02/77
|
Orpheum Theater
Boston, MA |
2 cdr/shn |
|
|
DAT: Sony ECM 99a>Sony152>MAC>D>EAC>MKWact>SHN |
|
|
12/02/77
|
Orpheum Theater
Boston, MA |
4 flac |
|
|
Master Audience Cassette; Sony ECM-99 Stereo mic> Sony TC-152; Maxell UDs Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC |
This show was originally put into circulation as a 2 disc set. For completeness I have not edited any of the time in between songs. Thus, each show is now over 80 minutes, necessitating 2 discs per show.
The only edit needed was in Tore Up. The is was a tape flip at 10:47. I did a cross fade at that point to keep the beat, resulting in smooth, albeit abbreviated chorus. |
|
12/06/77
|
The Dome, C.W. Post College
Greenvale, NY |
2 cdr/shn |
|
|
SDB>>MR>>C>>D>>CD |
|
|
12/08/77
|
Palace Theatre
Albany, NY |
3 cdr |
|
|
|
|
|
12/10/77
|
Warner Theater, Early show
Washington, DC |
3 flac |
|
|
(FOB) Electra Voice Omni Mics > Cass/0 > DAT > CDR > EAC > WAV > Wavelab (Mastering) > FLAC |
*The taper never seems to get fully situated or happy with the way things are going as there are numerous spots of volume drops/changes, channel drops, channel swaps, and some dropouts at various points. It is also of note that almost none of the track transitions are continuous...the taper seems to like pausing the tape after every song...this causes the start of almost all the tracks to be missing some material...I tried my best to edit this in a way in which it is a more smooth listen than the original hard cuts |
|
12/11/77
|
Rec Hall, Penn State U
State College, PA |
3 cd-r |
|
|
sdb>>master reel>>cassette>>pcm>>dat>>cdr |
|
|
02/18/78
|
Marin County Veterans Auditorium
San Rafael, CA |
2 shn |
|
|
MSC > ? > DAT > CD > SHN |
- There are at least three sources in circulation for this show,
none of them quite complete. Eldon Porray's excellent audience
tape (usually said to be Nak 700s, but it's too early for those
mics) is all of set I and Midnight Moonlight from set II. The
sbd has cuts in Knockin' and Lonesome and is missing Love in the
Afternoon and all but the last 20 second of Tore Up. Menke's
master is the most complete, with everything up to 17:30 of
Lonesome, a few starts of songs clipped. I decided to put together
this composite using the soundboard as the basic recording. I
had hoped that the three sources could be combined to provide
the whole show, but unfortunately the sbd and Menke's master do
not overlap so as to cover the whole missing portion of Lonesome.
Menke's tape (I am not sure about the equipment he was using)
supplies 9:38-9:49 of Knockin', all of Tore Up and Love in the Afternoon, and 13:28-17:40 of Lonesome.
- d2t06 LAALWFH splice @ 17:40, unknown amount missing. |
|
02/19/78
|
Santa Cruz Civic Auditorium
Santa Cruz, CA |
2 shn |
|
|
aud composite |
Disc One:
MAC (unknown taper/rig) > reel > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
A > D by Steven Martin
Disc Two, Track One:
MAC (unknown taper/rig [same as Porray master]) > ? > cassette > Nak Dragon playback > ART DI/O > HD > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
A > D by David Minches
Disc Two, Tracks Two through Five:
MAC (Taped by Eldon Porray/unknown rig) > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
A > D by Scott Zarnegar |
|
03/09/78
|
Cleveland Music Hall
Cleveland, OH |
2 cdr/shn |
|
|
MSC > ? > DAT > CD > EAC > SHN |
d2: jg+ms 06-04-74
The ? probably represents a cassette gen.
d1t01 How Sweet cuts in
d1t04 Knockin' cuts in, not much missing
d1t04 Knockin' light pop @ 3:44
d1t04 Knockin' cut/splice @ 10:58, not much missing
d1t05 Harder They Come first few notes clipped
d1t05 Harder They Come light tick @ 3:12
d2t01 Mission cuts in, missing ca. 10 seconds
d2t04 Midnight Moonlight cut/splice @ 6:26
|
|
03/11/78
|
Leroy Theater
Pawtucket, RI |
3 shn |
|
|
MAC > DAT > CDR > WAV >SHN. |
d1t03 - d/o @ 08:06, 08:08 removed
d1t07 - d/o removed from after song crowd noise @ 10:03, 10:05, and 10:07.
+2.5 dB gain applied to entire show using soundforge 5.
Thanks to S. Aserkoff for the CDR seeds.
DAE(EAC 0.9 beta 4, offset corrected, high/secure) > editing (soundforge 5) > tracking (cdwav) > boundary check (shntool) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP.
A MisShn in the Rain Installment of the Music Never Stopped Project - 2/03. Music Never Stopped Project - 2/03. |
|
03/12/78
|
Suffolk Forum
Commack, NY |
2 cdr/shn |
|
|
FOB Shure Audience > Cassette Master > DAT > CD |
** May Contain Additional Analog Generation(s)
Transfer: DA-P1 > Zafiro ZA-2 > NT 4.0/SoundForge XP 4.0 > CDRWIN |
|
03/14/78
|
Music Hall
Boston, MA |
2 shn |
|
|
AUD > CM > DAT > CDR > WAV >SHN |
Mystery Train originally tracked on disc 2 as first track with a Mystery Train fade out at the end of disc 1. Retracked seamlessly to first disc. |
|
03/16/78
|
Spectrum Theatre
Philadelphia, PA |
2 flac |
|
|
Unknown mics/taper>Cx>DAT>CDR>WAV>FLAC |
Poor recording quality with multiple analog
generations and age-related degradation. No other sources
from this date circulate. Third public performance of "Cats
Under The Stars".
The original recording as transferred to CDR was flat and
fixed using a 1.075 transposition ratio using soundforge 6.
d1t05 - dropout at 3:54 fixed using SF6.
d2t01 - first 53 seconds are mono because the right channel
signal is intermittent with microphone adjustment noises
fixed with a left channel splice. |
|
03/17/78
|
Capitol Theater
Passaic, NJ |
2 cdr |
|
|
FM > reel > cdr |
|
|
03/17/78
|
Capitol Theater
Passaic, NJ |
2 shn |
|
|
master FM reel > TEAC X2000R playback > Nakamichi NR200 Dolby Unit > Tascam DA-40 (master DAT) > Tascam CDRW700 master CD > 1 CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encodi |
early show.
- There is a touch of fuzzy distortion, but overall this sounds very nice.
- d2t05 Cats cuts in, not much missing.
|
|
03/18/78
|
Warner Theater
Washington, DC |
2 cdr/shn |
|
|
??>DATC>HD>DSP*>DataCDR>CDWave1.6>mkwACTb0.97 |
Late show
Doug Oade performed the DSP on the transferred wav files using Waves REQ, RCL, and C4 plug ins. Dithering via Waves IDR at 16bit. Original source info is unknown. |
|
03/18/78
|
Warner Theater
Washington, DC |
1 shn |
|
|
MAC>DAT>CDRs>EAC>SHN (seekable) |
early show. |
|
03/18/78
|
Warner Theater
Washington, DC |
2 shn |
|
|
??>DATC>HD>DSP*>DataCDR>CDWave1.6>mkwACTb0.97 |
Doug Oade performed the DSP on the transferred wav files using Waves REQ, RCL, and C4 plug ins.
Dithering via Waves IDR at 16bit. Original source info is unknown. |
|
03/19/78
|
Stanley Theater
Pittsburgh, PA |
2 cdr/shn |
|
|
|
|
|
03/22/78
|
Veteran's Hall
Sebastopol, CA |
2 cdr/shn |
|
|
SBD > CM(x) > CDR > WAV > SHN |
Last Show with Maria Muldaur. Multiple analog generations with a significant amount of hiss. Sound quality is a bit spotty and gets even spottier by the end of the second set. End of last song of each set is clipped. Very primitive and open-ended jamming sounding 'Cats Under the Stars' in its lucky #7 performance. Sounds like a band having a great time.
|
|
06/18/78
|
Keystone Palo Alto
Palo Alto, CA |
2 cdr/shn |
|
|
MAC > CD > EAC > SHN |
There is a touch of oversaturation throughout, but it
is quite minor. The first few notes of most songs are
clipped. |
|
10/03/78
|
Shady Grove
San Francisco, CA |
1 cdr/shn |
|
|
Master audience tape (unknown mics, unknown deck, taped by A. Tsukada) > unknown analog generations > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding |
Merl Saunders Band, w/special guest Jerry Garcia
**T3 tape flip at 7:03
**T7 cuts |
|
10/07/78
|
Keystone Palo Alto
Palo Alto, CA |
2 cdr/shn |
|
|
MAC > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction > (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1 |
Flaws:
d1t02 Second That Emotion mix and level fluctuations first minute
d1t05 Mystery Train very end clipped, very little missing |
|
10/08/78
|
Keystone Palo Alto
Palo Alto, CA |
2 shn |
|
|
MAC(Sony mics?)>D>CD>WAV>SHN |
Jerry makes comment about trying to get things fixed at the end of Mystery Train.
CDR source provided by J.Powell. DAE(EAC0.9b4, offset corrected, secure mode, QPS QUE 2410)>tracking(cdwav editor)>sector boundaries confirmed(shntool)>SHN(shorten3.4) via C.Ladner.
misSHN in the rain, 12/03. |
|
10/10/78
|
Keystone
Berkeley, CA |
1 cdr/shn |
|
|
Master Soundboard Cassette > DAT > CDR |
Missing from set 2:
It's Too Late
Gomorrah
Rhapsody In Red
jerrry site comments:
Set 1 is most likely missing the opening song.
The tape contains Set 1 (with the beginning of
They Love Each Other cut) and the first two
songs of Set 2 (with the end of Mission In The
Rain cut).
|
|
10/10/78
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
AUD |
|
|
10/24/78
|
Keystone
Berkeley, CA |
2 shn |
|
|
MAC > Sony TC-D5 > Roland UA-30 USB > MAC G3 Powerbook > master CD > EAC v0.9 beta 4 > Sound Forge Studio 6.0 > CD Wave v1.6 > shntool v1.01 > mkwACT v0.97 beta 1 |
* w/ Lee Oskar on harmonica
A solid recording of a quite nice show.
Flaws:
d1t02 Love in the Afternoon cut/splice @ ca. 10:07, not much missing
d1t03 It's No Use cuts in, not much missing
d1t04 Second That Emotion tape slowdown @ 2:55-2:57
d1t06 Mystery Train clips in, not much missing
d2t02 Harder They Come pop @ 0:05 removed using Sound Forge
d2t02 Harder They Come levels rise @ 1:45
d2t04 Gomorrah crackle @ 0:01 smoothed using Sound Forge |
|
10/26/78
|
Paramount Theatre
Portland, OR |
1 cdr/shn |
|
|
MSC > Cassette > DAT > CD > EAC > SHN |
partial set 2 |
|
10/26/78
|
Paramount Theatre
Portland, OR |
2 shn |
|
|
MAC>CD>EAC>WAV>CE2k (retracking, glitch removal)>SHN |
: High end boost to help somewhat muddy sound
: D/O's & glitches removed from the middle of Mystery Train and Long Way From Home; resulting splices aren't ideal, but are a good deal less shocking than the crack of the original glitches
: I'll Be With Thee cut by a few seconds at the beginning
: Between-track audience chatter cut down between songs in an earlier generation (master?)
: All digital audio editing done with Cool Edit 2000
|
|
10/27/78
|
Pavillion East (Eastern Washington University)
Cheney, WA |
1 shn |
|
|
MA? > ? > CD > EAC > SHN |
set 1, partial set 2
- t01 How Sweet fades in, ca. 10-15 secs. missing?
- t03 Russian Lullaby digi-scratch @ 8:02 |
|
10/28/78
|
Paramount Northwest Theater
Seattle, WA |
2 cdr/shn |
|
|
MAC > 1 reel > DATs > CDs > EAC > SHN |
A bit flat and echoey sounding, but extremely solid.
Flaws:
d2t09 (late show) Lonesome small drop @ 7:37 |
|
11/03/78
|
Keystone Palo Alto
Palo Alto, CA |
2 cdr/shn |
|
|
MAC > R > CDx2 > EAC > SHN (I & IIp) |
MSR? > ? > CD > EAC > SHN (end of set II).
d1t01 Harder They Come cuts in (- ca. 10 seconds)
d1t02 Mission in the Rain cuts in at first lyrics (- ca. 15 seconds?)
d1t03 Simple Twist of Fate cuts in (- ??)
d1t05 Love in the Afternoon first few notes clipped
d2t06 Reuben & Cherise light pop @ 1:35
The aud tape, recorded by Mike Riley with
unknown gear, supplies set I and the first
two songs of set II. The taper was busted
after Gomorrah. For that material, Michael
Parrish's first gen reels were transferred
directly to CD, w/ no DAT stage. An unknown-
provenance but very nice soundboard,
probably reel master and probably at most
one cassette gen, supplies the end of set II.
Shntool confirms proper sector boundaries for
all tracks. |
|
03/07/79
|
Rancho Nicasio
San Rafael, CA |
2 cd-r |
|
|
|
|
|
03/08/79
|
Cabaret Cotati
Cotati, CA |
2 cdr/shn |
|
|
MSR > PCM (VHS) > DAT > DAT > CD > EAC > SHN |
* The widely circulating material with this date is
actually from 3/9/79. The present material appears
to be the real 3/8/79 show.
* The levels on the source CDs were very low (28% peaks),
so I normalized to 98% using EAC's Process Wave function.
* d1t08 Make it Better first few seconds appear to be at
very high speed. Not sure where this anomaly comes from,
but it might be fixable.
|
|
03/09/79
|
Cabaret Cotati
Cotati, CA |
2 cdr |
|
|
|
|
|
04/23/79
|
Old Waldorf
San Francisco, CA |
2 cdr |
|
|
AUD |
|
|
05/19/79
|
Old Waldorf
San Francisco, CA |
1 cdr |
|
|
MA?>CD |
Reconstruction
|
|
06/08/79
|
Rio Theater
Rodeo, CA |
2 shn |
|
|
MSR>PCM>C>C>DAT>WAV>SHN |
Previously uncirculated SBD with minimal hiss (despite the lineage) and pauses between most tracks occasionally clipping the beginning of the track.
Excellent horny performance of TWLWMYD and some extended blazing soloing during I'll Take A Melody.
The total recording was about 85 minutes. If you want you can fit the first 8 tracks on a single 80 minute disc and then just burn a single track disc 2 with filler. |
|
06/16/79
|
Keystone Palo Alto
Palo Alto, CA |
2 cd-r |
|
|
|
reconstruction |
|
06/17/79
|
Keystone Palo Alto
Palo Alto, CA |
2 flac |
|
|
Master soundboard reel > PCM > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0) |
|
|
06/22/79
|
Keystone Palo Alto
Palo Alto, CA |
2 cd-r |
|
|
|
reconstruction |
|
07/06/79
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
MAC > DAT > CD > EAC > SHN |
Reconstruction.
According to Jim Wise (BUDD Digest #894, 7/31/2002),
no-one was using the D5 until late fall 1979 at the
earliest, so the deck is less than 100% sure.
Flaws:
d2t03 Just Want to Stop comes close to clipping in |
|
07/07/79
|
Keystone Palo Alto
Palo Alto, CA |
2 cdr/shn |
|
|
MAC > D > CD > EAC > SHN |
Reconstruction
d1t03 TWLWMYD anomalies @ 1:08, 1:14
d1t04 Do I Move You L channel muffled @ ca. 10:56-12:08
d2t09 Instrumental #6 cuts out, probably not much missing
d2t10 Dear Prudence cuts in, not much missing
d2t10 Dear Prudence light analog tick @ start |
|
07/08/79
|
Keystone Palo Alto
Palo Alto, CA |
2 cdr/shn |
|
|
Source: Master Soundboard Reels (7" @ 7.5ips) > 2 PCM > DAT > CD |
Reconstruction Betty Board |
|
07/22/79
|
Civic Auditorium
Santa Monica, CA |
1 shn |
|
|
MS?> ? > CD > EAC > SHN |
d1t01 Welcome to the Basement fades in @ very start
d1t10 Dear Prudence fades in @ very start
The excellent sound quality suggests a reel master,
with no or few subsequent analog generations. |
|
08/10/79
|
Temple Beautiful
San Francisco, CA |
2 shn |
|
|
MAC (Taped by Phil Jarret, JVC stereo mic > TEAC PC 10) > 3CD > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT |
This is not a great audience recording, but it is solid.
The Sama Layuca -> Jam -> Dear Prudence alone makes this
one worth having (IMO!).
Flaws:
d1t05 TWLWMYD fades in, not much missing |
|
09/15/79
|
Keystone Palo Alto
Palo Alto, CA |
2 shn |
|
|
MAC>CDR>WAV>SHN |
Tellin' My Friends is spliced and That's What Love Will Make You Do has a spot of diginoise.
|
|
10/21/79
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
MAC> 1 cassette > DAT > CD > HP 9350i > EAC > CD Wave > SHN |
only circulating recording.
Flaws:
d1t01 After Midnight fades in
d1t01 After Midnight digi-static @ 0:16, 0:33-0:34
-a few other warts here and there, but nothing major |
|
11/16/79
|
Keystone Palo Alto
Palo Alto, CA |
2 cdr/shn |
|
|
AUD(SONY ECM99's)>Sony TCD5>Roland UA-30 USB A/D > MAC G3 Powerbook>CDR>WAV>SHNv3 |
|
|
11/18/79
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
AUD>SONY TCD5>DAT>CDR>WAV>SHNv3 |
Tape paused between some tracks. First notes of d1t05 cut. |
|
12/21/79
|
Keystone Palo Alto
Palo Alto, CA |
2 cd-r |
|
|
|
|
|
12/21/79
|
Keystone Palo Alto
Palo Alto, CA |
2 cdr/shn |
|
|
SBD:MR>DAT>CD |
|
|
01/20/80
|
Keystone Palo Alto
Palo Alto, CA |
2 cdr/shn |
|
|
SBD:MSC>1C>DAT >CDR>WAV>SHN |
The ends of Friend of the Devil and Russian Lullaby are cut. This is a fairly hissy recording, however it is still highly listenable with the first recognized "Eleanor Rigby Jam" in the middle of a smokin' 18 minute plus "after midnight" show closer. |
|
02/07/80
|
The Catalyst
Santa Cruz, CA |
2 cdr/shn |
|
|
MAC > DAT > CD > EAC > CD WAVE > SHNTOOL > SHN |
- d2t04 Harder They Come cross-faded tape flip @ 12:33 |
|
02/12/80
|
Lisner Auditorium (George Washington University)
Washington, DC |
3 cd-r |
|
|
|
|
|
02/12/80
|
Lisner Auditorium (George Washington University)
Washington, DC |
1 shn |
|
|
MSC > C > CDR > WAV > SHN except for encore from previously circulated FOB Shure recording. |
APPARENT MISLABEL
MAY BE 3-1-80
Smoking performance with a wicked kewl setlist. Epic Catfish soloing wails with the fat sound sound that makes me smile everytime. Guitar is prominent in the mix (as is some supercheezy early80s synth soloing). The levels on the source CDR were extremely low so I applied a +6 dB gain to the entire show prior to tracking, making sure there was no peaking/clipping after this relatively drastic increase in volume, bringing the recording levels in line with the aud encore splice as well.
*I spliced in the encore from the previously circulated Scott Jones FOB SHure recording (http://db.etree.org/shninfo_detail.php?shnid=11019).
CDR source via slipnut.
DAE(EAC)>editing(SF6)>tracking(cdwav)>sector boundaries confirmed(shntool)>SHN(mkwact) via neo_levo.
misSHN 6/04. |
|
02/15/80
|
Orpheum Theater
Boston, MA |
3 cdr |
|
|
AUD |
early and late shows. |
|
02/15/80
|
Orpheum Theater
Boston, MA |
3 flac |
|
|
Master Audience Cassette; 2 Nak 700s> Sony TC-D5; Maxell UD-XLIIs on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC |
|
|
02/17/80
|
Laker Hall (SUNY)
Oswego, NY |
3 cd-r |
|
|
|
|
|
02/17/80
|
Laker Hall (SUNY)
Oswego, NY |
2 cd-r |
|
|
AUD |
|
|
02/22/80
|
The Barn, Rutgers University
New Brunswick, NJ |
2 cdr |
|
|
AUD |
|
|
02/22/80
|
The Barn, Rutgers University
New Brunswick, NJ |
2 shn |
|
|
Nak 700's>Sony TC-158>Cassette Master Playback on Nak Dragon & ran the signal right through Sony PCM R-700 directly to hard disc via ZA-2>CDR>EAC>SHN |
|
|
02/23/80
|
The Tower Theatre
Upper Darby, PA |
1 shn |
|
|
MAC > DAT > CD, taper and rig unknow |
late show.
No flaws noted on the late show recording. Tracks are
labeled as Disc Two ("d2t01" etc), early show (Disc One)
not present in this file set. |
|
02/26/80
|
Ocean State Theater
Providence, RI |
2 shn |
|
|
SBD > CMx > CDR > WAV > SHN |
*d1t02 from previously circulating Rolfe Nakamichi recording.
(1) with Robert Hunter. First of only 4 JGB performances of "Tiger Rose" and "Promontory Rider", all in a 5 day stretch.
Brief drop out @ 5:22 TLEO & @ 2:32 Promontory Rider spliced from audience source. D1t02 spliced from audience source. Beginning notes of Mission are cut. The whole show sounded like it was on 'ludes and using the audience source as a reference, the pitch on the SBD was off by -0.79 semitones with a transposition ratio of 1.047. This was corrected using SF6.
Cassette transfer to CDR via Harry_A. DAE, editing, and sbe-free SHN encoding via Chris_L./candyman FTP.
MisSHN in the rain, 10/03.
|
|
02/29/80
|
Calderone Theatre
Hempstead, NY |
2 cdr/shn |
|
|
pre-FM sdb>>cassette master>>cdr |
tiger rose, promontory rider w/robert hunter
Pre-FM feed from WLIR-FM recording truck
All stage mics wired to air mix soundboard in recording truck to
Maxell XLII cassette (no dolby) on a (then brand spankin' new)
Nakamichi 550 cassette machine. |
|
03/01/80
|
Capitol Theater
Passaic, NJ |
1 cdr/shn |
|
|
MSC>DAT>CDRs>TAE>WAV>SHN |
early show
1-2 sec. clipping due to fade ins on both Sugaree and How Sweet It Is Slight 2-3 sec. flutter during beginning of SugareeNo other known flaws
Simple Twist of Fate source FM>C>WAV>SHN
ToF was cut on sector bountries and slight fades added to match the rest of the show
|
|
03/07/80
|
The Stone
San Francisco, CA |
2 shn |
|
|
MAC > Sony TC-D5 > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > HP 9350i extraction (EAC v0.9 beta 4) > slight editing (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > |
Flaws:
- d2t03 Catfish John fades in with almost nothing missing
- d2t05 TWLWMYD very end clipped, almost nothing missing
|
|
03/08/80
|
The Stone
San Francisco, CA |
2 cd-r |
|
|
aud? |
|
|
03/26/80
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
AUD(SONY ECM99's)>Sony TCD5>Cassette Master>Roland UA-30 USB A/D > MAC G3 Powerbook>CDR>WAV>SHNv3 |
|
|
07/24/80
|
Bushnell Auditorium
Hartford, CT |
2 cdr |
|
|
Sony ECM280>D5>DAT>CDR>EAC>SHN > shntool > FLAC |
Trivia: 1 day after Keith Godchaux's death. |
|
07/25/80
|
Orpheum Theater
Boston, MA |
2 cdr |
|
|
|
early and late shows.
|
|
07/25/80
|
Orpheum Theater
Boston, MA |
1 cdr/shn |
|
|
MAC > DAT? > CD > EAC > SHNv3 |
early show. |
|
07/25/80
|
Orpheum Theater
Boston, MA |
2 cdr/shn |
|
|
MAC > ? > CD > EAC > SHNv3 |
late show.
sugaree on separate disc. |
|
07/26/80
|
Convention Hall
Asbury Park, NJ |
1 cdr/shn |
|
|
MAC > Nak Dragon playback > Egosys Waveterminal 2496 > CD Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
Late show.
First few notes of Tangled Up in Blue cut. |
|
07/26/80
|
Convention Hall
Asbury Park, NJ |
2 flac |
|
|
MAC > DAT > CD > EAC > FLAC |
early show.
MAC (Taped by Peter Jaeger, Nak 300s [rear
of floor, center] > Sony D5) > Tascam 122
mkIII playback > Lucid ADA 1000 A-D converter >
Tascam DA30 mkII master DAT > Tascam 700 CD >
Plexwriter PX-W4824A extraction (EAC v0.9 beta
4) > tracking (CD Wave v1.6) > editing (Sound
Forge Studio 6.0) > sector boundary verification
(shntool v1.01) > FLAC encoding (Flac Frontend
v.1.7.1 etree edition, level 6). Cassette transfer
and CD mastering by John Jay Hance, FLAC encoding
by jjoops.
- Decent recording, more or less what you might
expect from the back of the floor. But this is a
pretty stellar show, featuring standout versions
of Sugaree and Tore Up and what may be my favorite
Mission in the Rain.
- There seems to be more hiss for the first half of
Sugaree than later, and overall perhaps a bit more
than I would have expected. There are a few very
light clicks audible in places, for example Simple
Twist, when the music is very quiet. But the only
edits undertaken were to smooth a number of tape
transitions.
- d2t02 Mission in the Rain clips in.
|
|
07/27/80
|
Palace Theatre
Albany, NY |
2 shn |
|
|
AUD(mic unknown)>CM>DAT>CDR>WAV>SHNv3 |
Comments: Tape pause between several tracks.
|
|
11/16/80
|
Warfield Theater
San Francisco, CA |
1 cdr |
|
|
AUD |
|
|
02/05/81
|
Stabler Arena (Lehigh University)
Bethlehem, PA |
2 cdr/shn |
|
|
AUDMC > CDR |
Small cut in d1t1 at 2:15
Cassette > Digital transfer by Jim Wise using a Nakamichi Dragon > HHB 800 CD burner.
SHN converstion via EAC from clone of master CDRs.
Proper sector boundaries verified with shntool.
|
|
02/06/81
|
The Tower Theatre
Upper Darby, PA |
2 shn |
|
|
MAC >Sony TC-D5M>CDR>DAT>CDR |
|
|
02/10/81
|
Bushnell Auditorium
Hartford, CT |
2 cdr/shn |
|
|
MAC>D>CDR>WAV>SHN |
Tape pauses between tracks. |
|
02/11/81
|
The Palladium
New York, NY |
3 cdr/shn |
|
|
MAC>D>CDR>WAV>SHN |
Tape is paused between some tracks. There were a couple of gaps between Mission and Sugaree that were spliced out using SF6.
|
|
02/13/81
|
Capitol Theater
Passaic, NJ |
4 cdr |
|
|
AUD |
early and late shows. |
|
02/13/81
|
Capitol Theater
Passaic, NJ |
3 shn |
|
|
cass. master >
Nak Dragon > HHb CDR-800 > TAE (overlap) > shn |
|
|
02/14/81
|
Calderone Theatre
Hempstead, NY |
2 cd-r |
|
|
|
|
|
02/14/81
|
Calderone Theatre
Hempstead, NY |
2 shn |
|
|
aud |
|
|
02/15/81
|
Esby Gymnasium (Glassboro State College)
Glassboro, NJ |
2 cdr |
|
|
AUD |
|
|
02/15/81
|
Esby Gymnasium (Glassboro State College)
Glassboro, NJ |
2 shn |
|
|
master cassette > DAT > CDR > shn |
|
|
02/22/81
|
The Stone
San Francisco, CA |
2 cdr/shn |
|
|
MAC > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
Flaws:
- d1t01 How Sweet It Is cuts in harshy, not much missing
- d2t04 Dear Prudence clips in, very little missing
|
|
05/22/81
|
Warfield Theater
San Francisco, CA |
1 flac |
|
|
MAC > CD > EAC > FLAC |
- Patch material was provided by Willy Munder's
seed of this show, shnid 9829. This included
the first 3:14 of the opening track, everything
from the final reverb note of Oh Babe It Ain't
No Lie through 0:46 of On the Road Again (likely
tape flip from the master), and everything from
about ten seconds after the end of Oh Boy (i.e.,
about three minutes of tuning and end-of-show
talk). That seed is pretty good but is plagued
by intermittent static (which you can hear in
the first second or so of the emcee talk on t01). |
|
06/26/81
|
Warfield Theater
San Francisco, CA |
1 cdr/shn |
|
|
MS? > ? > CD |
[Missing] I'll Take A Melody
[Missing] How Sweet It Is (To Be Loved By You)
- pitch correction using highest accuracy setting (original was 3.44% too fast)
- all tracks had gaps/glitches near track boundaries which were cleaned up as well as possible
- some clipping on waveforms at times |
|
07/10/81
|
Raddison Hotel, Room 1503
St. Paul, MN |
2 shn |
|
|
MC>Cx3>AIFF>WAV>SHN |
different shn set from db |
|
08/22/81
|
Fairfax Pavilion
Fairfax, CA |
1 shn |
|
|
MAC > CD > DAT > CD > EAC > SHN |
Entire show with Phil Lesh on bass.
t05 Tangled Up in Blue anomaly @ 5:21, unsure what it is.
t07 Melody quick anomalies @ 9:28, 9:29, 9:43.
Missing show-closing Midnight Moonlight. |
|
11/03/81
|
Painter's Mill
Owings Mills, MD |
1 cdr/shn |
|
|
sbd>cm>cx2>wav>shn |
the master cassette was puased between songs and as result the
first few seconds of knockin,dont let go & dixie are clipped.
cassette flip on master during dixie @ 5:45
midnight moonlight cuts @ 6:34
|
|
11/08/81
|
Alumni Gymnasium
Lawrenceville, NJ |
2 shn |
|
|
MAC > Nak Dragon playback > HHb 800 master CD > CDs > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1) |
Flaws:
d1t01 TWYDTTYD fades in, considerable missing
d1t06 Tangled Up cut/splice @ 0:18, 5:37
d2t01 Melody cuts in, ca. 15 secs. missing
d2t02 Tore Up barely clips in
d2t06 How Sweet fades in, very little missing |
|
11/10/81
|
The Palladium
New York, NY |
2 cd-r |
|
|
1 st Row Lodge Center 2 Beyer M160 > Sony TCD5M > Cassette Master Tape>Sound Forge 5 to break into tracks Sound Stream to normalize MKW to convert to SHN |
|
|
11/10/81
|
The Palladium
New York, NY |
2 cdr |
|
|
|
|
|
11/12/81
|
Symphony Hall
Springfield, MA |
2 cdr/shn |
|
|
AUD:C >DAT > CD |
Overall SQ is decent, a bit distant and slightly boomy.
d2t02 Russian Lullaby first few notes clipped
d2t06 Tangled Up in Blue cut/splice @ 2:52
|
|
11/13/81
|
Orpheum Theater
Boston, MA |
2 cdr/shn |
|
|
NAK700s>Sony D5>MAC>D>EAC>MKWact>SHN |
early and late shows.
late show ended early due to a power outage caused by a nearby fire. |
|
11/15/81
|
Performing Arts Center
Providence, RI |
2 shn |
|
|
MAC > CD > EAC > SHN (seekable) |
d2t4 - the last note of the Night They Drove Old Dixie Down sustains into the beginning of d2t5.
d2t5 - according the jerry site, Dear Prudence goes into Midnight Moonlight. However, there is a gap between these two songs.
a gap between these two songs. |
|
01/11/82
|
Old Waldorf
San Francisco, CA |
2 shn |
|
|
MSC>DAT >CDR>WAV>SHNv3 |
Very clean SBD with several minor cuts.
Flaws:
d1t01 - most of beginning of track is missing
d1t04 - beginning clipped.
d1t05 - pop @ 01:32, 01:34 removed using pencil tool, SF6,
d1t06 - Deal is cut.
d2t05 - First two verses are missing.
d2t07 - Tangled Up In Blue is painfully cut.
Thanks to J.Powell for CDR source. DAE(EAC0.9b4, offset corrected, secure mode, QPS QUE 2410)>removal of pop/silent gaps(SF6)>tracking(cdwav)>sector boundaries confirmed(shntool)>SHN(shorten3.4) via C.Ladner.
another installment of the misSHN in the rain division of TMNSP, 11/03. |
|
02/04/82
|
Keystone Palo Alto
Palo Alto, CA |
2 cd-r |
|
|
|
|
|
02/05/82
|
Keystone Palo Alto
Palo Alto, CA |
1 cdr/shn |
|
|
MSC > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
shns bundled w/jgb1-19-72
partial set 2
The Jerry Site also lists Valerie
during set II, but questions whether it was performed.
- The material is not TAO. But because the material is so tightly
edited, the track markers fell most naturally in the small silences
between tape stoppages and startups.
|
|
02/26/82
|
Keystone
Berkeley, CA |
2 shn |
|
|
MSC -> DAT -> CDRs -> Track Thief -> SHN |
There are some level changes/adjustments that happen during Tangled Up In Blue
|
|
02/27/82
|
Keystone Palo Alto
Palo Alto, CA |
2 cdr/shn |
|
|
SBD>MC>DAT>CDR |
|
|
02/28/82
|
The Stone
San Francisco, CA |
1 cdr/shn |
|
|
MSC -> DAT -> CDRs -> Track Thief -> ProTools 5.0.1 ->SHN |
From thejerrysite.com:
Comments: The beginnings of They Love Each Other and Sugaree are cut. The DAT is missing How Sweet It Is, but this does appear on the analog version.
Recordings: 73 SBD (DAT: MSC>D), 80 SBD |
|
03/07/82
|
The Saddlerack
San Jose, CA |
2 shn |
|
|
FM > MC > CDR |
Set 2 with Dave Torbert
Comments:
The discs came with Mystery Train as the last song on the 1st disc. To agree with the Jerry Site and the other source listed in the db Mystery Train was moved to it's rightful place.
Most tracks fade in/out
D1T02 Removed some DJ talking at the end of the track with CDwav, no music was lost, slight fade added with Soundforge 5.0
D2T01 Removed some DJ talking at the end of the track with CDwav, no music was lost
D2T04 Removed some DJ talking at the end of the track with CDwav, no music was lost
D2T05 Removed some DJ talking at the end of the track with CDwav, no music was lost
|
|
03/17/82
|
Acker Gym, Chico State University
Chico, CA |
2 cdr |
|
|
|
|
|
03/18/82
|
Mojo's
Arcata, CA |
2 cdr/shn |
|
|
MAC > C > SBM > PCM-R500 @44.1k (A/D only - no DAT) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN |
|
|
03/19/82
|
Mojo's
Arcata, CA |
2 cdr/shn |
|
|
MAC > C > SBM > PCM-R500 @44.1k (A/D only - no DAT) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN |
|
|
03/27/82
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
probably MSC>dat |
a little hiss on quiet parts,some level
change weirdness on set2 which may be splices, cuts or weaker splicing attempts most obvious
at cd1t5 6:40 cd2t3 1:36, 2:20 cd2t5 0:27; (these do not look like digital anomalies) |
|
04/10/82
|
Capitol Theatre (Early Show)
Passaic, NJ |
1 cd-r |
|
|
|
solo acoustic early show |
|
04/10/82
|
Capitol Theatre (Early Show)
Passaic, NJ |
1 cdr/shn |
|
|
AUDMC > DAT > CD > EAC > SHN |
early show.
Encore:
Rueben And Cherise (missing) |
|
04/10/82
|
Capitol Theatre (Early Show)
Passaic, NJ |
1 cdr/shn |
|
|
AUDMC > DAT > WAV > CD > EAC > SHN |
late show.
SoundForge processing by Noah:
Low shelf boost from 250Hz down.
It needed a good deal of help in the low end because the highs were so damn shrill.
The bass boost allowed for a more even tone without dropping the highs.
|
|
04/10/82
|
Capitol Theatre (Early Show)
Passaic, NJ |
1 cdr/shn |
|
|
SBD > ? > DAT > CDR > WAV > SHNv3 |
early show.
first ~34sec of To Lay Me Down patched with AUDMC > CD > EAC > SHN
first few notes of Reuben & Cherise cut
SBEs fixed
|
|
04/10/82
|
Capitol Theatre (Early Show)
Passaic, NJ |
1 cdr/shn |
|
|
SBD > ? > DAT > CD > WAV > SHN |
late show.
last ~4:04 of Reuben & Cherise patched with AUDMC > DAT > WAV > CD > EAC > SHN |
|
04/21/82
|
Beacon Theatre
New York, NY |
2 cdr/shn |
|
|
MSC > PCM > DAT > CDs > HP 9350i extraction (EAC v0.9 beta 4) > patching (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
Garcia + Kahn
Late show
- (1) w/ Dr. John on piano
- This copy compiles two slightly incomplete copies that have
tended to circulate. The opening tuning, the first few seconds
of Train to Cry, and the encore all come from a slightly inferior
(though still excellent) copy of the show, with the rest coming
from the slightly better copy (which was missing those parts).
Sound Forge Studio 6.0 was used for the patches.
Flaws:
- d1t03 Stagger Lee warble @ 5:10 (unfixable, probably on master)
- d1t09 Deep Elem Blues fades in, not much missing (probable tape flip)
- d2t03 Babe It Ain't No Lie SQ change (less crowd & high end) @ 0:05
- d2t05 Going Going Gone splice @ 0:45
- d2t06 Ripple fades in, not much missing |
|
04/21/82
|
Beacon Theatre
New York, NY |
1 shn |
|
|
MAC > DAT > CD |
|
|
04/21/82
|
Beacon Theatre
New York, NY |
2 shn |
|
|
MAC > DAT > CD |
late show. |
|
05/05/82
|
Oregon State Prison
Salem, OR |
1 cd-r |
|
|
|
jerry and john kahn acoustic |
|
05/05/82
|
Oregon State Prison
Salem, OR |
1 shn |
|
|
SBD> dat> cd> wav> shn |
too early for a master DAT
likely mp3 sourced |
|
05/08/82
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
MSC > CD > EAC > CD Wave > Sound Forge Studio 6.0 > shntool > shn > EAC > shn |
- Slightly flat and oversaturated, but a pretty nice soundboard
for the period. There were a fair number of pops, etc., of
unknown origin.
- d1t02 Roadrunner mix and level fluctuations, guitar mixed low
- d1t03 Knockin' crackles/ticks @ 16:35, 17:07-17:08 (tuning)
- d1t04 Tore Up tick @ 0:06, static @ 0:41-0:42
- d1t05 Tangled Up cuts out, maybe 1 minute missing
- d2t05 Harder They Come cuts out, most missing
- missing Midnight Moonlight |
|
05/15/82
|
Keystone Palo Alto
Palo Alto, CA |
2 cdr |
|
|
AUD |
|
|
05/15/82
|
Keystone Palo Alto
Palo Alto, CA |
2 shn |
|
|
MAC > Nak Dragon playback > HHb 800 master CD > unknown CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 be |
This is a very nice audience recording. It represents the
the club atmosphere well and is quite a strong, energetic show.
Flaws:
d1t03 TLEO cuts in, very little missing
d2t05 HTC cassette flip @ track 6:54
d2t06 Midnight Moonlight fades out, considerable missing
A MissSHN in the Rain Installment of the Music Never Stopped Project. |
|
06/04/82
|
Neighbors Of Woodcraft
Portland, OR |
2 cdr/shn |
|
|
SBD>CM>DAT>CDR>WAV>SHNv3 |
Transient speed fluctuations during the first minute of Stagger Lee. Jaw dropping "To Lay Me Down" tarnished with some some brief annoying digital static on the source discs at 06:09-06:12. |
|
06/04/82
|
Neighbors Of Woodcraft
Portland, OR |
2 cdr/shn |
|
|
SBD>CM>DAT>CDR>WAV>SHNv3 |
Garcia + Kahn.
Transient speed fluctuations during the first minute of Stagger Lee. Jaw dropping "To Lay Me Down" tarnished with some some brief annoying digital static on the source discs at 06:09-06:12. |
|
06/12/82
|
Keystone Palo Alto
Palo Alto, CA |
2 cdr/shn |
|
|
MAC > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > PlexwriterPX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wavev1.6) > sector boundary verification (shntool v1.01) > . |
- d2t03 Russian Lullaby some static and channel fluctuations @ 0:15-0:23, 12:16
- d2t06 Tangled Up splice @ 11:20 |
|
06/16/82
|
Music Mountain
South Fallsburg, NY |
2 cd-r |
|
|
AUD |
new |
|
06/16/82
|
Music Mountain
South Fallsburg, NY |
2 cdr/shn |
|
|
Sennheiser 441s (FOB) > Nak 550 > cass. XLII-S > SV3700@48khz > D8 > Delta DiO 2496 > Samplitude 2496 > CDWAVE > SHN v3 |
all with Bill Kreutzman
Previously listed as Neumann U-87 mics. Mic information updated
5/2002 per information given by Jeff Silberman to Craig Hillwig:
"According to Silberman, it was raining that day and at the last
minute, the call was made to run Sennheiser 441s and keep the
Neumanns out of the rain. Silberman speculated that
the mislabelling was caused by a patcher who labelled his tape
before the last minute switch." |
|
06/16/82
|
Music Mountain
South Fallsburg, NY |
2 shn |
|
|
FOB AudMC > CD > EAC > SHN |
no processing of MC |
|
06/17/82
|
Veterans Memorial Coliseum
New Haven, CT |
2 cdr/shn |
|
|
aud:421's>d5 10th row center (hand held) > playback on Nak Dragon > sony pcm r-700 >ZA2 > wav >cd via sound forge & cd architect |
d2:
4. E: Man Smart, Woman Smarter*
5. E: Deal*
*w/ Bob Weir
|
|
06/18/82
|
Cape Cod Coliseum
South Yarmouth, MA |
2 cdr/shn |
|
|
MSC > DAT > CD > EAC > WavMerge v2.1 > SF Studio 6.0 > CD Wave v1.6 > shntool v1.01 > SHN |
The levels on the
source CDs were pretty low (highest peak around 50%), so joined
the wavs were joined and normalized to about 98%. The only editing undertaken
involved smoothing tape transitions. |
|
06/20/82
|
Cumberland County Civic Center
Portland, ME |
2 shn |
|
|
MAC >DAT>CDR>WAV>SHNv3 |
*Bob Weir and Bobby Cochran (both on guitar) come out for the encore. Can't really hear Weir clearly on Deal, but he sings lead on Johnny B.Goode - only time every played by JGB.
Overall, a beautiful performance from the middle of a legendary stretch of shows Mystery Train and the fat melodic autofilter soloing in Run For the Roses are especially kewl. Outstanding audience recording with minor quiet close up clapping/yelling at times. Fade out at end of first disc on master splits up the single set show with the remainder of the show and a 2 song encore on a second disc. Small tape warble/flip at the start of Run For the Roses.
Thanks to J.Powell for providing the source CDRs.
DAE(EAC0.9b4 offset corrected secure mode, QPS QUE 2410)>removal of silent gaps at tape flips/adjustment of level fluctuations in first track(SF6)>tracking(cdwav editor)>sector boundaries confirmed (shntool) > SHN(shorten3.4) via C.Ladner.
another installment of misSHN in the rain/TMNSP, 11/03. |
|
06/24/82
|
Capitol Theater
Passaic, NJ |
2 shn |
|
|
Senn 421's > Sony TC-D5 > Cassette Master Playback on Nak Dragon & ran the signal right through Sony PCM R-700 > wave tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 |
late show.
The original shns that I got 4/01 from Katy Miller failed sector boundary check. Encoded to wave>
tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97
beta 1) as seekable V3 shn. re-retracking and re-.shn by Kevin Tobin. Seeded to etree 7/03 |
|
06/28/82
|
Opera House
Boston, MA |
2 cdr/shn |
|
|
AUD:MC > DAT > CDRs > EAC > SHN |
|
|
08/23/82
|
Kabuki Theater
San Francisco, CA |
2 cdr/shn |
|
|
AUD Cassette Master > Echo Event Gina A/D>Sound Forge 4.5> CDR> EAC(secure mode)> CDWave(retracked on sb's)>SHN (MKWACT) |
Flaws:
d1t06 - dropouts at 11:05 & 11:07
d2t03 - dropout at 1:32
d2t07 - dropout at 1:41
The dropouts were tightened up using Steinberg's Wavelab 3.0
|
|
11/05/82
|
Chrysler Auditorium
Norfolk, VA |
2 flac |
|
|
MAC > C > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums, and lossless compression) > FLAC |
The recording has some minor distortion in the high-end,
and is somewhat lacking in clarity. But it's a great performance,
and Jerry's guitar and vocals are heard loud and clear. The sound
improves in the second set, so it's possible that the taper moved
seats during intermission. The deck was shut of between most songs,
and the end of Valerie and start of Deal are slightly clipped.
Soundforge was used for numerous operations: to make fades, adjust
levels, repair some drop-outs, clean up around the breaks between
songs and tape-flips, and to correct the pitch (+0.6 semitone). |
|
11/07/82
|
The Tower Theatre
Upper Darby, PA |
2 shn |
|
|
AUD(mics&taper unknown)>?>CDR>WAV>SHN |
Solid B grade audience recording of a great performance from what sounds like a hand held mic, though the taper was able to individually adjust the levels of each channel. There were noisy tape pauses with silent gaps between some tracks with slight clipping of the start of a couple tracks, cleaned up using SF6. The recording was slow, corrected with a +0.6 semitone transposition using SF6. Tape flip at the ~ 45 minute mark occurs in the middle of Simple Twist of Fate. The whole recording is a little over 86 minutes - the tracking of the disc break was artbitary.
DAE(EAC)>WAV editing as above(SF6)>tracking(cdwav)>sector boundaries confirmed(shntool)>SHN(mkwact).
misSHN in the rain, 6/04. |
|
11/11/82
|
Felt Forum (Madison Square Garden)
New York, NY |
2 cdr/shn |
|
|
MAC > Nak Dragon playback > ART DI/O > HD > WAV (Cool Edit2000) > shntool > SHN |
early show. |
|
11/11/82
|
Felt Forum (Madison Square Garden)
New York, NY |
2 cdr/shn |
|
|
MAC > Nak Dragon playback > ART DI/O > HD > WAV (Cool Edit 2000) > SHN (mkwACT) > wav (mkwACT) > minor patching (SF 6.0) > shn |
late show.
- There was a very brief splice on the master recording @
11:29 of Knockin'. This was covered with a very brief patch
(0.5s front and back crossfades, ~1s patch) from Jim Wise's
excellent master (Senn 421s in an X-Y pattern @ the sbd on a
stand > Uher cassette deck). This may not have been necessary
given the brevity of the cut, but it seemed worth doing for
an otherwise flawless seed.
|
|
11/13/82
|
Bushnell Auditorium
Hartford, CT |
2 shn |
|
|
Aud>C>CDR>EAC>SHN |
possibly as many as three cassette gens between the master and the digitized copy.
There are few glitches in Dear Prudence (Drop-out at 01:45) |
|
11/13/82
|
Bushnell Auditorium
Hartford, CT |
1 shn |
|
|
Aud >Sony D-5 > DAT> CDR > WAV > SHN. |
set 2 only
Tape paused between songs. There were some fairly large differences in overall levels between some tracks which I've smoothed out by applying gain/attenuation with soundforge 6. |
|
11/15/82
|
Wilkins Theatre (Kean College)
Union, NJ |
1 shn |
|
|
MSC>C>DAT>WAV>CDR>SHN |
late show.
Very clean SBD recording - possibly MSC>DAT. |
|
01/22/83
|
Phoenix Theater
Petaluma, CA |
2 cdr |
|
|
|
|
|
01/23/83
|
Keystone
Berkeley, CA |
1 cdr/shn |
|
|
SBD>MC>PCM>DAT>WAV>SHN |
set 1.
|
|
01/24/83
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
SBD>MC>PCM>DAT>WAV>SHN |
|
|
01/24/83
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
SBD>MC>PCM>DAT>WAV>SHN |
Minor flaws:
d2t01 - minor subsecond digital static @ 03:58, 04:05, 04:39, 04:42 penciled out of existence using SF6.
d2t02 - 03:19-20 - hideous digistatic beyond repair so i attenuated it using SF6.
|
|
01/24/83
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
SBD>MC>PCM>DAT>WAV>SHN |
Minor flaws:
d2t01 - minor subsecond digital static @ 03:58, 04:05, 04:39, 04:42 penciled out of existence using SF6.
d2t02 - 03:19-20 - hideous digistatic beyond repair attenuated using SF6. |
|
02/28/83
|
Keystone
Berkeley, CA |
1 shn |
|
|
MAC>DAT>CDR>WAV>SHN |
CAUTION - soloing in "Valerie" is so hot it may leave a smoking crater in your mind. Small drop/fade during t06. Midnight Moonlight is clipped. Recording is a warm, close up, noisy audience recording.
|
|
03/02/83
|
San Francisco Civic Auditorium
San Francisco, CA |
1 cdr |
|
|
|
|
|
03/05/83
|
Civic Auditorium
Santa Cruz, CA |
2 cdr/shn |
|
|
SBD>MC>DAT>CDR |
Splice in Tangled Up in Blue.
|
|
03/12/83
|
Beverly Theatre
Beverly Hills, CA |
2 shn |
|
|
AUD >C>?>CDR>WAV>SHN |
early show |
|
03/12/83
|
Beverly Theatre
Beverly Hills, CA |
2 shn |
|
|
MAC > Sony D5 [Dolby B, Maxell XLIIS "chrome"]) > Sony TC-D5M playback > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > ascam DA-20mkII DAT playback > Marigo Audio Lab Apparition Reference Coaxial / RCA cable & |
late show
- d1t01 HTC fades in, not much missing
- d1t01 HTC levels drop @ 1:29, reducing the touch of overload
to that point, some level fluctuations through first two mins.
- d1t02 Mission R-channel briefly out @ 0:53-0:56
- d1t01 Sugaree cuts in, not much missing
- d1t01 Sugaree anomaly (probably analog) @ 0:25 |
|
05/20/83
|
Rainbow Theater
Denver, CO |
3 shn |
|
|
MAC(Sennheiser K-403>D5)>CDR>SHN |
early and late shows. |
|
05/23/83
|
Stages
Granite City, IL |
2 shn |
|
|
MAC > C > CDR > SHN |
Disc 1
Track 1 cut @ 8:18
Track 2 cut @10:14
Track 3 cut @ 8:08
Track 6 cuts @ the end of Run For The Roses
Faded out
Disc 2
Mission in The Rain Fade out at end
I'll Take A Melody fades in at beginning
Dead Prudence, drop out @8:47
All cuts where on the master seed. All in the "crowd noise".
Cuts were smoothed out with Sound forge
AddaWav was used to reconnect all tracks and CDWwave was used to retrack
shn'd using mkw with appended seek table
Another installment of MisSHN in the Rain branch of TMNSP.
06/04 |
|
05/31/83
|
Roseland Ballroom
New York, NY |
2 cdr/shn |
|
|
AUD |
|
|
05/31/83
|
Roseland Ballroom
New York, NY |
2 shn |
|
|
MAC > master played back on Nak Dragon > ART DI/O > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
- This is an absolutely stellar recording of a great high energy
show!
- No flaws noted.
|
|
06/01/83
|
Roseland Ballroom
New York, NY |
2 cd-r |
|
|
|
|
|
06/01/83
|
Roseland Ballroom
New York, NY |
2 shn |
|
|
MAC > master played back on Nak Dragon > ART DI/O > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
- One of at least three amazing masters to make it out of this
show, this maybe the best of the bunch. This is really a great
recording of a fun, high energy show.
- d1t04 TLEO clips in |
|
06/04/83
|
The Chance
Poughkeepsie, NY |
1 cd-r |
|
|
|
|
|
06/04/83
|
The Chance
Poughkeepsie, NY |
1 shn |
|
|
MAC > master played back on Nak Dragon > ART DI/O > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
early show
- This is another excellent Mark Cohen recording. The vocals
are a bit low but the music is crystal clear.
- Cats Under the Stars cuts in
|
|
06/04/83
|
The Chance
Poughkeepsie, NY |
2 shn |
|
|
composite aud |
This is a composite of two different sources. The majority
(set I and the encore) derives from Mark Cohen's FOB Nak 700s >
Sony TC-D5. The rest (set II) derives from Jim Vita's FOB Senn
421s > Sony TC-D5M. I don't know details on the Vita transfer,
but Cohen's was transferred as follows: master played back on
Nak Dragon > ART DI/O > Cool Edit 2000 (including patching in of
the Vita material) > master CD > HP 9350i extraction (EAC v0.9
beta 4) > minor editing using SF Studio 6.0 > sector boundary
verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta
1).
- There is a touch of light static during Mission in the Rain
and Gomorrah. I have confirmed that it is on some other copies
of Vita's master, though I don't know if it's on all of them.
In any event, it's pretty light.
- The Run for the Roses -> Deal transition had a short gap and a
one-second repeat, which were edited out using SF Studio 6.0.
|
|
07/24/83
|
Nevada County Fairgrounds
Grass Valley, CA |
1 shn |
|
|
MAC > C > CD>WAV>SHN |
Energetic performance. Lots of loud close up clapping.
|
|
11/12/83
|
Keystone Palo Alto
Palo Alto, CA |
2 shn |
|
|
MSC>C4>DAT>WAV>SHN |
Splice in d2t01 from 08:17 - 08:33 from previously circulated J.Corley Nakamichi Pauses between some tracks.
misSHN in the rain, 2/04. |
|
11/14/83
|
The Stone
San Francisco, CA |
2 cdr |
|
|
|
|
|
11/25/83
|
Cleveland Music Hall
Cleveland, OH |
2 cdr |
|
|
|
|
|
11/25/83
|
Cleveland Music Hall
Cleveland, OH |
2 flac |
|
|
(FOB) Unknown Mics -> Master Cassette -> Cassette -> Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC/16 |
|
|
11/26/83
|
Forum Theater
Binghamton, NY |
2 cdr/shn |
|
|
SBD>MC>DAT>CDR>WAV>SHNv3 |
Seeded in time for the 20th anniversary, this source includes the complete show - previously circulated SHN set was missing the last 2 tracks from the second set. Tape flip at end of d1t05 and d2t05. d1t02 - tape warble at 7:49. |
|
11/27/83
|
Constitution Hall
Washington, DC |
2 cdr/shn |
|
|
MSC>DAT>CDR>WAV>SHN |
The endings of both Deal and How Sweet It Is (To Be Loved By You) are cut with a fade out on the masters. At the very beginning of d1t01 and d2t02 in the space before the song starts, there were subsecond dropouts on the source CDRs which were removed using soundforge 5. Minor blemish at 03:03 d2t05. Tape is paused between many of the tracks to exclude crowd/deadspace. |
|
11/29/83
|
Veterans Memorial Auditorium
Providence, RI |
2 cdr/shn |
|
|
SBD > CM > DAT > CDR > WAV > SHNv3 |
Master tape paused between some tracks, first notes clipped on some tracks. While the lineage was only 'SBD' >DAT>CDR, I'm pretty sure this is from a master cassette given the tape flip in d2t05.
* Tape flip w/ drop out @ 05:08.420 removed using SF5.
|
|
11/30/83
|
Hartford Agora
Hartford, CT |
2 shn |
|
|
MAC >DAT > WAV > SHN |
Muchas garcias to the taper for trusting us with the actual taper master for digital transfer. Up until now, no recording of this show was known to exist. There were a couple of minor subsecond single channel blemishes likely related to tape age which were fixed to sonic imperceptibility by copying the other channel using Soundforge 6. Pauses between some tracks.
another installment of the misSHN in the rain, 4/04. |
|
12/02/83
|
Tower Theater
Upper Darby, PA |
2 cdr/shn |
|
|
MSC > DAT > Digi001 > WAV > SHN |
|
|
12/03/83
|
Orpheum Theater
Boston, MA |
3 shn |
|
|
Master Soundboard Cassette > DAT > CDR |
|
|
12/04/83
|
Gymnasium (SUNY)
Stony Brook, NY |
2 shn |
|
|
MAC > Nakamichi DR-3 (playback) > Sony Super Bit Mapping > EGOSYS 2496 (soundcard) >SF 4.5 > CD Wave > MKWACT |
Missing the last 2 songs from the first set & the beginning of the 1st song
from the second set due to security which you can hear at the 11:00 min
mark begin the 'shutdown' with a big "YO"..
Beginning of Deal there is a barely audible splice (new tape)
There is a rumble at the beginning of Don't Let Go and during the middle of
the song as people bump into the stand, one of whom looks into the stand
and says "I want to be on your recording." It was a tough nite to tape!
*Missing songs from end of first set
Run For The Roses*
Cats Under The Stars*
-------------------------------------
additional notes:
There are sector boundary errors on d1t03, d1t04, and d2t04. I fixed these using SHNTOOL. No changes were made to d1t01 or d1t02, however, because the original SHN's were not seekable, the md5s differ from the original version i am hosting (these shn's are seekable). |
|
12/06/83
|
Flynn Theater, Early Show
Burlington, VT |
2 cdr/shn |
|
|
MAC>Nak DM-500's>Sony TC-D5M> CM > DAT > CDR > WAV > SHN** |
** this is updated source info.
Pure fall '83. Very clean audience recording with minimal close up crowd noise.
d1t01: Small pop @ 00:29.761-784 removed using pencil tool.
d1t05: Dropout @ 06:29 removed using pencil tool.
d1t07 Dropout @ 04:18 removed using pencil tool.
d2t07 Subsecond cord static @ 03:34 |
|
12/07/83
|
Calvin Coolidge Cage, Amherst College
Amherst, MA |
2 cdr/shn |
|
|
MAC>PCM>DAT>CD |
Tape paused between tracks with occasional clipping of the first note. This is a complete recording and separate from the previous seed of the first set where the taper gets busted during intermission. |
|
12/09/83
|
Beacon Theater
New York, NY |
2 cdr/shn |
|
|
MAC >Tascam 122MKIII playback > Tascam DA-40 master DAT > Tascam DA-30 playback > WAV > .shn > sector boundary fix (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
Early show.
|
|
12/09/83
|
Beacon Theater
New York, NY |
2 cdr/shn |
|
|
MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > Tascam 122MKIII playback > Tascam DA-40 master DAT > Tascam DA-30 playback > WAV > .shn > sector boundary fix (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
Late show.
|
|
12/13/83
|
Kean College
Union, NJ |
2 cd-r |
|
|
|
|
|
03/02/84
|
Keystone Palo Alto
Palo Alto, CA |
2 cd-r |
|
|
|
|
|
03/02/84
|
Keystone Palo Alto
Palo Alto, CA |
2 cdr/shn |
|
|
SB Master Reel > Cassette > DAT > CD |
how sweet fades in to start.
|
|
03/04/84
|
The Stone
San Francisco, CA |
2 cdr/shn |
|
|
MSC > DAT > CDR > WAV > SHN |
Tape paused between tracks with clipping of the first notes on a few tracks. Overall levels were very low throughout - a + 2.5 dB gain was applied to both sets using soundforge 5 and tracked with cdeave. Subsecond dropout in Deal removed at 06:06 using SF5. Minor digifuzz at 07:17 of Midnight Moonlight fixed using 1:1 magnification and pencil tool. Short sets - just barely too long to fit both on an 80 minute disc.
|
|
03/09/84
|
Keystone Palo Alto
Palo Alto, CA |
2 cdr/shn |
|
|
MAC > DAT > WAV > SHN |
Note: Beginning of "Tore Up" is missing due to cassette flip.
|
|
03/10/84
|
Keystone
Berkeley, CA |
2 cdr/shn |
|
|
AUD MC > SBM > DAT @44.1k (PCM-R500)>VXPocket v2>Sound Forge (v. 4.5a)>WAV>CDWAV (v.1.71)>mkwACT (v.0.97b1)>SHN |
|
|
03/22/84
|
Keystone
Berkeley, CA |
1 shn |
|
|
MAC>D>CD>WAV>SHN |
Outstanding audience recording. Show stars out a little wobbly with solos beginning in some interesting keys, but energy buils rapidly and superfast Jerry guitar playing comes on out. This comes, at times, at the expense of remembering the words/notes. Still I think 82-early 84 JGB is perhaps the best incarnation in terms of overall performances having a lot of energy and perceptible excitement that comes across on the tapes (at least for me) and that's evident on this recording.
Pauses between some tracks. Tape flip during space between t05-t06. t09 - the orjersmic build up @ the end of the main solo section beginning at 04:56 is punctuated by a seemingly? precisely timed either jerry glass breaking somewhere close by @ 05:13 - guaranteed to make your pets stand up and take note.
Thanks to J.Powell for the CDR source.
DAE(EAC0.9b4, offset corrected, secure mode)>Soundforge 6.0 (+2.0 dB gain)>tracking(cdwav editor)>sector boundaries confirmed (shntool)>SHN(mkwact) via C.Ladner.
misSHN in the rain, 2/04.
|
|
06/03/84
|
Kabuki Theater
San Francisco, CA |
2 cd-r |
|
|
SBD : MC > DAT > CDR |
jerry and john kahn acoustic |
|
07/28/84
|
Keystone Palo Alto
Palo Alto, CA |
2 cdr |
|
|
|
d2 filler:
03. interview w/jerry. date unknown.
04. tangled up in blue. acoustic practice session. date unknown.
05. dear prudence
06 . tangled up
|
|
07/31/84
|
The Stone
San Francisco, CA |
2 cdr/shn |
|
|
SBD > MC (Sony TCD-D5M) > PCM(unk. model) > Cass(Sony TCD-D5M) > Nak CR7A > Sony PCM-R500 DAT > ZA2 > CDR > WAV > SHNv3. |
Master tape paused between tracks. One huge section during Like A Road at 8:29 had numerous digital artifacts which were removed using pencil tool in soundforge by D. Hollister but are still barely noticable now that you've been biased.
*d1t05 - dropout (tape flip?) at 09:44. |
|
08/10/84
|
Rocky Glen Amusement Park
Moosic, PA |
2 shn |
|
|
AUD Cassette Master (Nakamichi Deck/Azimuth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) |
|
|
08/11/84
|
Caldwell College
Caldwell, NJ |
2 shn |
|
|
(FOB) Nakamichi CM300/CP4 -> Cassette Master (Sony D5/Maxell Metal Tape) |
Transfer Info:
Cassette Master (Nakamichi Deck/Azimuth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k)
Process Info:
Processed through Nuendo using Waves Q10, C4 and L2 and rendered down to a 16 bit wave file.
Notes:
Tracked and Edited With Samplitude 7.02 Professional. |
|
08/12/84
|
Club Casino Ballroom
Hampton Beach, NH |
2 flac |
|
|
Aud(Sennheiser 441>FOB)- C1> DAT> CD-R> EAC> WaveLab 4.0> CD Wave Editor> FLAC |
Let me start first by saying that 'Yes!', this is from a first gen cassette,
not the master. I received this (as well as 8/13, 8/15 & 8/16) show about 15
years ago from a fellow taper/trader from VT who had "borrowed" the masters
from the taper (name?). He ran first gen copies for himself (and me) on XLIIS
and, due to the superb sound, I felt it was worthy of a DAT transfer sometime
in the mid 90's. I then transferred it over to CD about 3 years ago and have
yet to see it in circulation, so I figured it was a good candidate for a BT seed.
Just recently, I remember someone asking for some more '84 JGB...so here you go.
FYI, before seeding, I tried to track down the source of the original master cassette,
but to no avail. Do not be fooled by the knowledge of an extra cassette gen...
this show is an absolute smoker...in performance as well as sound quality. This
will make a nice addition to any Memorial Day barbeque jamboree. Enjoy! |
|
08/16/84
|
Port Haven/Good Skates
East Setauket, NY |
2 shn |
|
|
MAC > Ultracurve Pro-Digital 24 bit DSP mainframe > HHb master CD > CDs > HP 9350i extraction (EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
- This is quite a nice recording of a solid show;
- d1t06 Like a Road barely clips in;
- The signal strength seems to weaken during Love in the
Afternoon and Mission in the Rain, with hiss more noticeable. |
|
11/18/84
|
Avery Fisher Hall
New York, NY |
1 cdr/shn |
|
|
MAC > DAT > CDx1 > EAC > SHN |
|
|
11/23/84
|
Chrysler Hall
Norfolk, VA |
2 shn |
|
|
MAC (mics and taper unknown)>CDR>WAV>SHN |
plus Robert Hunter set.
First of only 4 non-GD Peggy-Os ever played. The other 3 were played over the next 4 nights, all Garcia/Kahn. This is one of the highest quality Garcia & Kahn audience recordings I have heard - you will enjoy.
The recording is less than 81 minutes long and can be overburnt on a single audio disc. I tracked it by set for 2 discs. There were pauses with fades between most tracks with small silent gaps which I removed/cleaned up using Soundforge 6. The opening Robert Hunter set formed filler at the end of both master CDRs which I have removed and will distribute separately.
CDR source via slipnut.
DAE(EAC0.9b5), minor editing as above (Soundforge 6), and SHN encoding (mkwact) by C.Ladner.
misSHN in the rain, 6/04.
|
|
11/26/84
|
Bushnell Aud., Bushnell U.
Hartford, CT |
2 cd-r |
|
|
AUD |
|
|
11/26/84
|
Bushnell Aud., Bushnell U.
Hartford, CT |
2 shn |
|
|
MSC > C > DAT > WAV > SHN |
Very clean SBD . Third of only 4 non-GD Garcia Peggy-Os. 18 minute plus acoustic "Bird Song". |
|
11/27/84
|
Auditorium Theater
Rochester, NY |
2 shn |
|
|
MAC (mics and taper unknown)>DAT>CD>WAV>SHN |
Final of only four non-GD Garcia performances of "Peggy-O".
Very good audience recording with minor level fluctuations largely related to the taper turning down the gain because of audience noise - most notable at the beginning of sets and at the first notes of Ripple. There were some pauses between tracks with a couple instances of the clipping of the first note. Silent gaps between pauses were removed and the overall level of the recording was increased by 1.5 dB using SF6.
DAE(EAC) > minor editing as above (SF6) > tracking (cdwav) > sector boundaries confirmed (shntool) > SHN (mkwact).
misSHN 7/04.
|
|
12/06/84
|
Starry Night
Portland, OR |
2 shn |
|
|
SBD > CMx > CDR > WAV > SHN |
Clean low gen MSC with minimal hiss. A few dropouts at the end of d1t04 (5:30, 06:10) were removed using SF6. d2t02 - Brief minor flaw at 04:18. Tangled Up in Blue missing. Midnight Moonlight is painfully truncated.
|
|
03/02/85
|
The Stone
San Francisco, CA |
1 shn |
|
|
MAC(Nak 700's>Sony TC-D5M)>D>CD>WAV>SHN |
Set 1 is incomplete. No info on missing songs...
Some rough pauses between some tracks were smoothed using SF6.
Thanks to J.Powell for the CDR source.
DAE(EAC 0.9b4, offset corrected secure mode QPS2410)>wav editing(SF6)>tracking(cdwav)>sector boundaries confirmed(shntool)>SHN(mkwact) via C.Ladner.
misSHN 3/04 |
|
03/03/85
|
The Stone
San Francisco, CA |
2 shn |
|
|
MAC > Sony TC-D5m > CDR > EAC > SHNv3 |
d1t01 - the beginning of Cats Under The Stars is clipped
d1t05 - the beginning of Run for the Roses is clipped.
|
|
06/01/85
|
The Stone
San Francisco, CA |
2 shn |
|
|
MAC>D>CD>WAV>SHN |
From thejerrysite.com: Jerry played a Modulus guitar.
Tape flip nicks the start of Deal. |
|
06/03/85
|
Keystone Palo Alto
Palo Alto, CA |
2 shn |
|
|
MAC>CDR>WAV>SHNv3 |
Jerry played a Modulus guitar.
Tape flip truncates the first note of d1t05. Some clipping/distortion at times in the right channel. Cable static at beginning of d2t02. Short second set. |
|
08/04/85
|
The Stone
San Francisco, CA |
1 cd-r |
|
|
AUD |
|
|
08/05/85
|
The Stone
San Francisco, CA |
2 cd-r |
|
|
AUD |
|
|
08/09/85
|
The Stone
San Francisco, CA |
2 shn |
|
|
MAC >Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) >Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 >Steinberg's Wavelab 3.0 (bit resolution & resampling toCDR redbook 16/44.1 > CDWav beta1.6 (tracking only) >SHNv3 (MKW ACT) |
|
|
08/10/85
|
Keystone Palo Alto
Palo Alto, CA |
1 cd-r |
|
|
AUD |
|
|
08/17/85
|
River Theater
Guerneville, CA |
2 shn |
|
|
MAC (Nak 700s >Sony TC-D5M>CD>WAV>SHN |
d1t01 - master recording levels during the first 25 seconds were extremely low, i applied a +10 dB gain to this small segment using SF6 to bring it line with the remainder of the recording.
|
|
08/18/85
|
Dunsmuir House And Gardens
Oakland, CA |
1 shn |
|
|
AUD Cassette Master>Echo Event Gina A/D>Sound Forge 4.5> CDR> EAC(secure mode)>SHN (MKWACT). |
Garcia + Kahn.
|
|
10/16/85
|
The Catalyst
Santa Cruz, CA |
2 shn |
|
|
SBD > DAT > Cas > CD > EAC > SHN |
|
|
01/27/86
|
The Ritz
New York, NY |
1 cd-r |
|
|
|
jerry and john kahn acoustic |
|
01/28/86
|
The Ritz
New York, NY |
1 cd-r |
|
|
|
jerry and john kahn acoustic |
|
01/31/86
|
Capitol Theater
Passaic, NJ |
1 shn |
|
|
MAC > Nak Dragon playback > Egosys Waveterminal 2496 > Cool Edit 2000 > shntool > .shn (mkwACT) |
archived w/jg+jk 4-21-82 a+b
Notes/Flaws/Comments:
- This was originally laid out for two discs. I did nothing
more than rename the files for one-disc layout. The md5s remain
otherwise unchanged.
- Extreme mix & level fluctuations @ start, obviously from the
PA given the crowd's response as things improve. This then becomes
quite a nice recording!
- d1t01 Deep Elem cut/splice @ 1:13
|
|
05/30/86
|
The Stone
San Francisco, CA |
2 shn |
|
|
FOB Master - NAK 300's>Sony D5>Cool Edit>CD Wave>SHN |
|
|
05/31/86
|
The Stone
San Francisco, CA |
2 shn |
|
|
FOB Master - NAK 300's>Sony D5>Cool Edit>CD-Wave>SHN |
|
|
10/04/86
|
The Stone
San Francisco, CA |
2 cdr/shn |
|
|
MAC> CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
- Jerry's first post-coma public performance!
- A really nice recording of an historic and good show.
- d1t01 Get Out of My Life Woman fades in, not much missing |
|
10/18/86
|
The Stone
San Francisco, CA |
2 shn |
|
|
MAC>CDR>WAV>SHNv3 |
First performance of "And It Stoned Me". Strong performances of Run For The Roses and Harder They Come, and a utterly fantastic Dear Prudence.
The recording of the first set is very clean without any significant technical flaws (minor wind screen noise ~ 3 minutes into d1t02). Second set is a little overdriven during the first track with a few minor dropouts, likely unrelated to digital transfer but on the cassette master as there was detectable hiss during the silent gaps. The beginning of the second song of the second set had stop and or a flip followed by major fluctuations in levels for about a second from clipping to no signal - sounds like some knobs were getting twisted ;-), Subsequent to level stabilization, peak levels in the left channel were consistently ~4-5 dB lower than the right channel, which was disruptive to the stereo image. A + 3.5 dB gain to the left channel was applied to the second set from the drop in level on. Intermittent close up clapping periodically. |
|
11/10/86
|
The Stone
San Francisco, CA |
2 cdr/shn |
|
|
MAC > Sony TCD5M > CDR > EAC > CDWave (retracked) > Shn |
d2t03 Splice at 8:51 tightened up using Steinberg's Wavlab |
|
11/11/86
|
The Stone
San Francisco, CA |
2 cdr/shn |
|
|
MAC > Sony TCD5M > CDR > EAC > CDWave (retracked) > Shn |
|
|
11/14/86
|
Marin County Veterans Auditorium
San Rafael, CA |
1 cdr/shn |
|
|
SBD>PCM>DATs>CDRs>SHN |
jerry and john kahn acoustic.
|
|
11/30/86
|
The Stone
San Francisco, CA |
2 shn |
|
|
MAC(FOB Nak 700's, Stealth in Hat>Sony TC-D5M) > CD > WAV > SHN |
Jerry continues the Van Moondance themed comaback with a young performance of Forever Young.
Tape flips at start of Deal and end of Dear Prudence with silent gaps removed using SF6.
Thanks to J.Powell for the CDR source.
DAE(EAC0.9b4, offset corrected, secure mode, QPS QUE2410)>edit (as above - Soundforge 6.0)>tracking(cdwav editor)>sector boundaries confirmed(shntool)>SHN(shorten3.4) via C.Ladner.
misSHN in the rain, 12/03. |
|
12/08/86
|
The Stone
San Francisco, CA |
2 shn |
|
|
FOB MAC w/ Nak 700s>SonyTC-D5M>CDR>WAV>SHN |
First note of d2t01 clipped. Rare performance of "I Want To Tell You".
CDR source via J.Powell.
DAE(EAC0.9b4, offset corrected, secure mode, QPS QUE 2410)>removal of silent gaps, adjustment of signal level fluctuations(SF6)>tracking(cdwav editor)>sector boundaries confirmed(shntool)>SHN(shorten3.4) via C.Ladner.
misSHN in the rain/tmnsp, 11/03. |
|
12/21/86
|
The Stone
San Francisco, CA |
2 shn |
|
|
MAC (Taped by John Corley, Nak 700s ["Silly Hat", FOB] > Sony TC-D5M) > CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn |
- d1t01 Get Out of My Life clips in, very little missing
- d2t01 Harder They Come clips in, very little missing |
|
03/06/87
|
USS Carl Vinson (Alameda Naval Air Station)
Alameda, CA |
1 cdr |
|
|
|
|
|
03/09/87
|
The Stone
San Francisco, CA |
2 cdr/shn |
|
|
MAC > CDR>EAC>CDWav (Retracking)>Shn |
|
|
04/24/87
|
The Stone
San Francisco, CA |
2 shn |
|
|
MAC(Nak700s)>CDR>WAV>SHNv3 |
Small dropout during the first bar of Deal.
Thanks to J.Powell for providing the lineaged CDR source for me to extract.
DAE(EAC0.9b4, offset corrected, secure mode with track quality >99.%)>tracking(cdwav editor)>sector boundaries confirmed(shntools)>SHN(shorten3.4)>FTP via C.Ladner/candyman FTP.
misSHN 12/03. |
|
08/29/87
|
French's Camp on the Eel River
Piercy, CA |
3 cd-r |
|
|
|
|
|
08/30/87
|
Greek Theater
Berkeley, CA |
2 cdr/shn |
|
|
AUD |
w/Bonnie Raitt
Drop Out at ~06:25 of d1t04 cut.
|
|
08/30/87
|
Greek Theater
Berkeley, CA |
2 cdr/shn |
|
|
FOB Audience PCM Master PCM 601 > SV-3700 > Edirol UA-1D > SoundForge 5.0 |
* with Bonnie Raitt |
|
10/15/87
|
Lunt-Fontanne Theatre
New York, NY |
2 shn |
|
|
FOB NAK 300's>Sony D5>Cool Edit>CD Wave>SHN |
|
|
10/17/87
|
Lunt-Fontanne Theatre
New York, NY |
2 cdr/shn |
|
|
SBD>C>C>Cool Edit>EAC>SHN |
late show.
|
|
10/21/87
|
Lunt-Fontanne Theatre
New York, NY |
2 cd-r |
|
|
|
|
|
10/28/87
|
Lunt-Fontanne Theatre
New York, NY |
1 cd-r |
|
|
|
|
|
11/27/87
|
Warfield Theatre
San Francisco, CA |
1 shn |
|
|
AUD(mic's and taper unknown)>?>C>DAT>WAV>SHN |
JGAB.
Partial unlineaged multigen analog audience recording.
Cassette deck (Nakamichi DR-2)>DAT (Tascam DA-30 Mk II) transfer via J.Powell.
DAT(Sony PCM-R500)>coaxial>Audiophile 2496>P4 2.0 GHz>Soundforge 6.0>tracking (CDWave editor)>sector boundaries confirmed (shntool)>SHN(mkwact) via C.Ladner.
misSHN in the rain, 2/04.
|
|
11/28/87
|
Warfield Theatre
San Francisco, CA |
1 shn |
|
|
MAC(unknown mics and taper)>C>C>DAT>WAV>SHN |
JGAB.
Scarecely circulated unlineaged multianalog gen recording. First performance of "Oh The Wind And Rain".
Cassette deck (Nakamichi DR-2)>DAT (Tascam DA-30 Mk II) transfer via Jim Powell.
DAT(Sony PCM-R500)>coaxial>Audiophile 2496>P4 2.0 GHz>Soundforge 6.0>tracking (CDWave editor)>sector boundaries confirmed (shntool)>SHN(mkwact) via Chris Ladner. |
|
11/29/87
|
Warfield Theatre
San Francisco, CA |
1 shn |
|
|
AUD(unknown mics and taper)>?>C>DAT>WAV>SHN |
shns w/11-28-87.
Unlineaged multianalog gen scarecely circulated recording.
Transfer: Cassette > DAT by J.Powell (Nakamichi DR-2)>DAT (Tascam DA-30 Mk II)> with playback on Sony PCM-R500>coaxial>Audiophile 2496>P4 2.0 GHz>Soundforge 6.0>tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN(mkwact) via the misSHN in the rain. |
|
12/04/87
|
Wiltern Theater
Los Angeles, CA |
1 cd-r |
|
|
|
jerry garcia acoustic band |
|
12/05/87
|
Wiltern Theater
Los Angeles, CA |
2 cdrs/hn |
|
|
MAC > playback on master Sony WM-D6C "B" nr > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial/ RCA cable > Tascam 700 CDRW maste |
This is a listenable aud of what appears to have been a tough
show to tape. There were lots of drops and splices here and
there, most of which were basically unfixable, but which
were made less harsh with Sound Forge Studio 6.0.
Flaws:
d1t01 Deep Elem fades in, not much missing
d1t01 Deep Elem harsh drops removed @ 3:12, 3:14, now quick splices
d1t04 Turtle Dove harsh drop removed @ 1:33, now quick splice
d1t07 Crossroads Bar harsh drop removed @ 1:43, now quick splice
d1t09 Rosalie McFall tape flip @ 1:53
d1t10 Goodnight Irene drop/splice @ 5:52
d2t01 How Sweet cuts in, missing ca. 15 seconds?
d2t05 Gomorrah clips out, not much missing
d2t06 Sisters & Brothers clips in, not much missing |
|
12/06/87
|
Wiltern Theater
Los Angeles, CA |
2 cdr/shn |
|
|
MAC > playback on master Sony WM-D6C "B" nr > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial/ RCA cable > Tascam 700 CDRW master |
(1) dedicated to Elizabeth Cotton
Flaws:
d1t10 Ripple fades in
d2t01 How Sweet levels drop @ start
d2t07 Sisters & Brothers crackle @ 1:40
|
|
04/26/88
|
Marin Veterans' Memorial Auditorium
San Rafael, CA |
1 cdr |
|
|
AUD |
(1) with David Nelson on lead vocals
(2) with Bob Weir and Brent Mydland
t01 Deep Elem Blues fades in |
|
05/06/88
|
Old Fillmore
San Francisco, CA |
2 cd-r |
|
|
|
|
|
07/07/88
|
Cotati Cabaret
Cotati, CA |
2 shn |
|
|
A:C>CD |
Early Show
Recorded at Front Row Table. Audio-Technica AT 831R
mics > Marantz PMD-430 > Tascam CD-RW700.
Recorded and mastered by Dan Ward.
Late Show
Recorded in front of left PA stack. Radio Shack
behind the ear mics > Sony TC-D6.
Recorded and mastered by CNM.
# = w/ Eric Thompson (mandolin), Suzy Thompson (fiddle), and Ken Frankel (banjo) |
|
07/10/88
|
Greek Theater
Berkeley, CA |
1 cdr/shn |
|
|
AUD>??>Cass>Formac Studio>Sound Studio>Shorten>SHN |
partial (how sweet and mission), after brent and bob sets.
shns bundled w/11-21-70 wbcn studio. |
|
07/10/88
|
Greek Theater
Berkeley, CA |
2 shn |
|
|
Cassette Master (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital ADC8X96 -> Nuendo (24bit/44.1k) -> Samplitude v7.02 Professional -> SHN |
|
|
10/31/88
|
Henry J. Kaiser Convention Center
Oakland, CA |
2 shn |
|
|
Cm played back on Nakamichi Cassette Deck 1 (Azimuth adjusted)>Mytek 8x96 ADC>Nuendo @44.1khz/24 bits>16 bit render using Waves Q10 and L2 |
|
|
11/05/88
|
Caesars Tahoe
Stateline, NV |
2 shn |
|
|
MAC>D>CDR>WAV>SHN |
not taped by Bob Menke, as previously listed.
Second performance of "Life Line". |
|
11/25/88
|
Wiltern Theater
Los Angeles, CA |
2 cdr/shn |
|
|
SBD:MSD>1C>DAT>CDR>WAV>SHN |
I'll Take A Melody is missing in its entireity. The end of Midnight Moonlight is cut. |
|
11/26/88
|
Wiltern Theater
Los Angeles, CA |
2 cdr/shn |
|
|
SBD > Cassette Master > DAT > CDR > WAV > SHNv3 |
Outstanding recording with one major and a few minor glitches -
d1t01 - static @ 07:05 - left as is.
d1t02 - static @ 00:42, 03:49 repaired.
d1t07 - static pop @01:46 repaired.
d2t01 - Lt channel static @ 00:04 repaired.
d2t04 - CUTS OFF at the end...
Clapping (in time) by either Gloria or Jaclyn can be heard throughout. |
|
12/04/88
|
Oakland-Alameda County Coliseum Arena
Oakland, CA |
1 cdr/shn |
|
|
SBD>??>DAT>CDR |
shns w/??-??-70 workingmans' outtakes.
-Acoustic Bridge School Benefit
* w/ Neil Young
-Three or four spots of mics (on stage) being bumped, all during first three minutes WDD |
|
01/28/89
|
Orpheum Theatre
San Francisco, CA |
1 cdr/shn |
|
|
MSC -> 1V (Hi-Fi) -> DATs -> Digi001 -> SHN |
second set. |
|
05/22/89
|
Universal Amphitheatre
Universal City, CA |
2 shn |
|
|
sbd>mdat>cass>sonic solutions>cdr>mkw>shn |
*missing last two songs of second set (That Lucky Old Sun and Midnight Moonlight)
*cdr wav disks provided by Matt Zerbini
*cdr > mkw > shn performed by Robert Goetz (winterland121072@yahoo.com) on 11/11/2003 |
|
08/26/89
|
Greek Theatre, U. Of California
Berkeley, CA |
2 cdr |
|
|
AUD |
w/jimmy cliff on harder they come |
|
09/02/89
|
Merriweather Post Pavilion
Columbia, MD |
2 cd-r |
|
|
AUD |
|
|
09/05/89
|
Hartford Civic Center
Hartford, CT |
2 cdr/shn |
|
|
Master Soundboard Cassette > Cassette > DAT > CDR |
Don't Let Go is complete, sbd cuts after 1st few notes of Lonesome & A Long Way from Home |
|
09/06/89
|
Nassau Coliseum
Uniondale, NY |
2 shn |
|
|
Aud CM W/ Dolby C > Cass> >Nak DR-10 (Playback)>Midiman Flying Cow A/D>RME Digi96/8> Steinberg's Wavelab 3.0>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT) |
|
|
09/10/89
|
Great Woods Center for the Performing Arts
Mansfield, MA |
2 flac |
|
|
MSC > Cx > WAV > FLAC |
Entire show with Clarence Clemons.
Final performance of "Hope It Won't Be This Way, Always".
Overall this is a surprisingly clean SBD/low analog generation without any major tape/mechanical glitches beyond the flips and very little hiss. The tape speed was slow requiring a pitch transposition of 1.0386.
Splices:
d1t05 - audience source splice from 00:02 - 00:25
d2t03 - audience source splice from 02:42 - 04:06
Splice source: FOB(Schoeps CMC34) - http://db.etree.org/shninfo_detail.php?shnid=14311
|
|
09/11/89
|
The Centrum
Worcester, MA |
2 shn |
|
|
MSD > C3 > D > WAV > SHN |
Outstanding performance with one of my favorite Stop That Train and Harder They Come. Second setlist is unbelievable. The melvin keyboard jam during Harder is a guaranteed flashback smile. Second to last of only seven post-'78 performances of "Lonesome" - this one is pretty sweet.
Above average '89 SBD (which is pretty poor year to begin with in terms of recording quality) with mild hiss, marred by some digiglitches in the second set. FWIW, Clarence Clemmons plays the _whole_show from start to finish.
Flaws: There are several digiglitch dropouts on the DAT master during the second set (Mission, Prudence, and Miracle - ouch). I smoothed these as best as possible using SF6, however they are still annoyingly perceptible.
misSHN in the rain, 2/04. |
|
09/13/89
|
Seashore Performing Arts Center
Old Orchard Beach, ME |
2 shn |
|
|
MAC>DAT>CDR>WAV>SHN |
Great performance and recording. Between tracks paused removed on master without clipping any of the performance. d2t03 - subsecond dropout @ 06:19 repaired using soundforge 6.
|
|
09/15/89
|
Alpine Valley Music Theatre
East Troy, WI |
2 shn |
|
|
MAC > VHS > > M-Audio Delta Audiophile/Audacity > Wav > shn32 |
w/Clarence Clemons
There is some saturation in vocals. |
|
09/15/89
|
Alpine Valley Music Theatre
East Troy, WI |
2 shn |
|
|
MAC > VHS > > M-Audio Delta Audiophile/Audacity > Wav > shn32 |
w/Clarence Clemons
There is some saturation in vocals. |
|
09/16/89
|
Poplar Creek Music Theatre
Hoffman Estates, IL |
2 shn |
|
|
MAC > VHS > M-Audio Delta Audiophile/Audacity > Wav > shn32 |
* = Taper gets busted. But this tenacious bastard doesn't give up. Only the last moments of "Prudence" and the begining of "Let's Spend" get cut.
The recorder used here was an early Sony stereo cassette recorder. I forget the model. Probably a precursor to the TC-152.
Just for the record - The original tape head in this machine had very poor treble response. I replaced it with a tape head out of a Sony Car Stereo...! Hey - It worked, and sounded worlds better than the thing that was in there.
There is some saturation in vocals. But it is still a fairly listenable tape. A clever person could clean this up significantly. I'm fairly certain the taper was in the shed. Not sure how close.
Don't know about the quality of the existing sources on this one. But try this one out. |
|
10/31/89
|
Concord Pavilion
Concord, CA |
2 cdr/shn |
|
|
AUD > DAT > CD > EAC > SHN |
|
|
04/14/90
|
Warfield Theater
San Francisco, CA |
2 cdr/shn |
|
|
FOB(AUD) > DAT > CDR > WAV > SHNv3 |
|
|
04/29/90
|
South Of Market Cultural Center
San Francisco, CA |
1 shn |
|
|
SBD>DAT>CD>WAV>SHN |
Jerry Garcia, Nick Gravenites, Pete Sears and Animal Mind
Brian Wilson Defense Fund benefit |
|
05/12/90
|
Waikiki Shell
Honolulu, HI |
2 cdr/shn |
|
|
MAC> WAV > SHN |
***Midnight Moonlight missing (taper got shut down during Lucky Old Sun) |
|
08/05/90
|
Greek Theatre @ University of California
Berkeley, CA |
2 shn |
|
|
FOB -> Nakamichi 700 -> Dat -> CD -> Cool Edit Pro -> CD |
(1) with Bela Fleck |
|
08/07/90
|
The Warfield
San Francisco, CA |
2 shn |
|
|
MAC(unknown mics/taper) > C > C > DAT > WAV > SHN |
|
|
11/11/90
|
Wiltern Theatre
Los Angeles, CA |
2 flac |
|
|
Audmc/Toa DM1200d(1st Row Balcony)>D-6>Jb3>Goldwave>Cdwav>Flac |
|
|
11/20/90
|
Warfield Theater
San Francisco, CA |
2 shn |
|
|
AUD > ? > CDR > WAV > SHNv3 |
"Lifeline" returns for its fourth performance, after a nearly 2 year abscence. Crowd noise between several tracks is clipped. Beginning of Mission is clipped. Suspect this is a cassette master though lineage is given as "digital audience". First Cie La Vie.
Thanks to C.Davis for the source CDRs. DAE(EAC0.9b4, offset corrected, secure mode) > tracking (cdwav) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP.
Part of the MisSHN in the Rain jerry shn initiative - 8/03. |
|
11/24/90
|
Henry J. Kaiser Convention Center
Oakland, CA |
2 cdr/shn |
|
|
AUD Master Cassette>Dat>CD>EAC>SHN |
This was a NO TAPING SHOW!
Tape was recorded Front Row Balcony. Mics were separated by the whole row
(40 foot separation).
AKG C1000S (cardioids)>Sony D5 Master Cassette>Dat>CD
(I put my masters onto Dat then to CD)
Due to the fact that we couldn't put the mics on a stand, the recording came
out sounding a little distant, but it still sounds great.
-cm |
|
12/22/90
|
San Francisco Civic Auditorium
San Francisco, CA |
3 cdr/shn |
|
|
FOB > DAT > CDR > WAV > SHNv3 |
|
|
12/22/90
|
San Francisco Civic Auditorium
San Francisco, CA |
3 shn |
|
|
FOB (Nak700s) > DAT > CDR > WAV > SHNv3 |
Outstanding performance and superb audience recording with minimal close up crowd interference during performance.
* end of track has 'We Wish You a Jerry Christmas' noodle right before the start of Tore Up.
Minor level changes during the beginning of d1t01.
Originally there were fades at the end of d2t05/start of d3t01 - i was able to restore these to seamlessness using soundforge 5. |
|
01/31/91
|
Warfield Theater
San Francisco, CA |
3 shn |
|
|
Schoeps CMC3-MK4 (110 degrees ORTF hand held under sweatshirt at drink rail)>Oade pre-amp>Panasonic SV255>D>D>WAV>SHN |
Outstanding audience recording of a superb performance. Final performance of "Tears Of Rage". The show could be fit on to 2 90 minute discs, but I tracked it over 3 discs. No fades - its all seamless.
Thanks to J.Powell for providing the DAT source.
Transfer: Sony PCM-R500 > coaxial > Audiophile 2496 > Soundforge 6.0 (48>44.1) > tracking (CDwav editor) > sector boundaries confirmed (shntool) > SHN (mkwact) via C.Ladner.
misSHN in the rain, 2/04. |
|
02/02/91
|
Warfield Theater
San Francisco, CA |
2 cdr/shn |
|
|
AUD > DAT > CDR > WAV > SHN |
garcia + grisman. |
|
02/03/91
|
Warfield Theater
San Francisco, CA |
1 cd-r |
|
|
|
|
|
02/03/91
|
Warfield Theater
San Francisco, CA |
2 shn |
|
|
Set One: SBD -> Dat -> Cassette Master -> ? -> Cass -> Dat -> Samplitude -> SHN |
Set Two: SBD -> Dat -> Cassette Master -> Dat -> SHN |
|
03/01/91
|
Warfield Theater
San Francisco, CA |
2 cdr/shn |
|
|
AUD |
|
|
04/19/91
|
Warfield Theater
San Francisco, CA |
1 shn |
|
|
Schoeps CMC3-MK4>D>D>WAV>SHN |
shns w/11-27-87.
first set.
First public performances of "Shining Star" and "Twilght" (only played on 3 other occasions). Any help with a second set source (analog or digital) is __greatly__ appreciated.
DAT source provided by Jim Powell.
DAT>WAV>SHN Transfer by Chris Ladner: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496 > WAV recording and 48>44.1 (Soundforge 6.0) > tracking (CDwav editor) > sector boundaries confirmed (shntool) > SHN (mkwact).
misSHN in the rain, 4/04.
|
|
04/21/91
|
Warfield Theatre
San Francisco, CA |
2 cd-r |
|
|
AUD > DAT clone (Sony DTC-A6) > Dio 2448 > Soundforge 4.5 > CD WAV > Shn |
|
|
04/21/91
|
Warfield Theatre
San Francisco, CA |
2 shn |
|
|
AUD > DAT clone (Sony DTC-A6) > Dio 2448 > Soundforge 4.5 > CD WAV > Shn |
*Dankseed Certification received 01-08-14* |
|
05/23/91
|
Warfield Theater
San Francisco, CA |
2 cd-r |
|
|
AUD > Dat>CDR>WAV>SHNv3 |
|
|
08/25/91
|
Goldcoast Concert Bowl
Squaw Valley, CA |
2 cd-r |
|
|
|
garcia/grisman |
|
11/07/91
|
Capital Centre
Landover, MD |
2 shn |
|
|
AUD > Oade > SV-255 > DAT >CDR>WAV>SHNv3 |
Great performance, pretty good recording, at times persistent annoying background chatter. |
|
11/15/91
|
Madison Square Garden
New York, NY |
2 shn |
|
|
AUD>DAT>CDR>WAV>SHNv3 |
Fourth of only five performances of Van Morrison's "Bright Side Of The Road".
**I normally prefer not to track the encore at the end of disc 1, but this is the only way it can be done without burning a third disc with only the encore on it.
Flaw: There were fadeouts between each track on the original discs which i have removed using SF6. |
|
11/16/91
|
Knickerbocker Arena
Albany, NY |
2 cdr/shn |
|
|
FOB SCHOEPS> TASCAM DAT> CDR> WAV> SHNv3 |
|
|
11/17/91
|
Hartford Civic Center
Hartford, CT |
2 cdr/shn |
|
|
FOB SCHOEPS> TASCAM DAT> CDR> WAV> SHNv3 |
|
|
12/08/91
|
Warfield Theater
San Francisco, CA |
2 cd-r |
|
|
AUD |
|
|
12/09/91
|
Warfield Theatre
San Francisco, CA |
2 shn |
|
|
MAD (Vintage 1950s Neumann 257s)>Denon DAT deck (model unknown)) > DAT > WAV > SHNv3. |
(1) Garcia and Grisman duet on banjos. (2) Garcia and Grisman only.
First of only 3 performances of "Tell It to Me (Cocaine Blues)"
I selectively attenuated the very loud cheers at the end of some songs by - 3dB using Soundforge 6.0. Overall a great recording with moderate close up noise/chatter.
This source is different than the previously seeded recording and also has a complete second set.
misSHN in the rain, 3/04. |
|
05/02/92
|
Warfield Theater
San Francisco, CA |
2 shn |
|
|
AUD > MAD >DAT > CDR > WAV> SHN |
Last "Let's Spend the Night Together" - now i need jer more than ever. Saturday night after the Rodney King riots in LA from which my wife, my jerry-chums and i were fleeing. Included for your enjoyment is a .jpg of the "Garcia Gazette" that was handed out prior to the show outside the Warfield that evening. |
|
05/07/92
|
Warfield Theater
San Francisco, CA |
2 cdr/shn |
|
|
AUD > DATx? >CDx? > EAC > SHN |
shns bundled w/marin county bluegrass festival d3
Several drops where track markers had originally been
placed were removed using Sound Forge Studio 6.0.
d2t01 Walkin' Boss fades out, very little missing |
|
05/08/92
|
Warfield Theater
San Francisco, CA |
2 cdr/shn |
|
|
MAD > DAT x ? > CD x ? > EAC > Sound Forge Studio 6.0 > CD Wave 1.6 > shntool 1.01 > shn |
Garcia + Grisman.
Several drops where track markers had originally been
placed were removed using Sound Forge Studio 6.0.
d1t01 Jack-a-Roe fades in, not much missing
d1t01 Jack-a-Roe digital static @ 4:54, 5:00, 5:26
d1t06 Russian Lullaby ending barely clipped
d2t01 First Unto This Country barely clips in |
|
05/09/92
|
Warfield Theater
San Francisco, CA |
2 cdr/shn |
|
|
MAD > DAT x ? > CD x ? > EAC > Sound Forge > CD Wave > shntool > shn |
Garcia + Grisman.
- Several small drops and a roughly three-minute gap
in Arabia were removed using Sound Forge Studio 6.0.
- (1) Garcia & Grisman duet
- (2) Garcia & Grisman both on banjo
- d2t01 Walkin' Boss clips in, not much missing
- d2t09 Milestons fades in, most missing
?
- missing Ripple encore |
|
05/10/92
|
Warfield Theater
San Francisco, CA |
2 cdr/shn |
|
|
MAD > DATs > CDs > EAC > CD Wave > shntool > shn |
Garica + Grisman.
d1t01 Jack-a-Roe fades in, very little missing
d1t08 very light pop during tuning just before So What
d2t10 Drink Up & Go Home considerable overload distortion |
|
05/??/92
|
The Warfield
San Francisco, CA |
1 cd-r |
|
|
DSBD>DATs>CDRs>EAC>SHN |
|
|
07/29/92
|
Universal Amphitheater
Universal City, CA |
2 cd-r |
|
|
|
|
|
10/31/92
|
Oakland-Alameda County Coliseum Arena
Oakland, CA |
0 |
|
|
SBD>CM?>DAT>?>DAT>CDR |
*splice in Deal at 03:19 - 6 second dropout between sources removed with soundforge 5. Source from this point on including all of second set appears to have fewer/one analog generation(s).
Thanks to Cosmic Chuck Frolio for the seeds.
DAE(EAC 0.9 beta 4) > splice trimming (soundforge 5) > tracking (cdwav) > boundaries confirmed (shntool) > SHN (shorten 3.4) > FTP via MisSHN. |
|
04/12/93
|
Candlestick Park
San Francisco, CA |
1 shn |
|
|
tv > cassette > .wav (CoolEdit) > .shn |
Jerry, Bob and Vince: The Star Spangled Banner |
|
01/12/94
|
Warfield Theater
San Francisco, CA |
2 flac |
|
|
MAD>DATs>CD(David Minches)>EAC(jjoops)>SHn>AU@96k32bit(loy)>16bitWAV@44100 hz>FLAC |
digitally remastered by Bob Loy(The Other One)>16 bit signed pcm wav @ 44100 hz
>tracked@16bit>FLAC |
|
02/06/94
|
Warfield Theater
San Francisco, CA |
2 cdr/shn |
|
|
AUD |
|
|
08/14/94
|
Warfield Theater
San Francisco, CA |
3 cd-r |
|
|
|
|
|
09/01/94
|
Warfield Theatre
San Francisco, CA |
2 cd-r |
|
|
AUD > DAT>Tascam CDRW 700>CD |
|
|
09/02/94
|
Warfield Theater
San Francisco, CA |
2 cdr/shn |
|
|
AUD>DAT>CDR>WAV>SHNv3 |
fade-outs at the end of every track with the majority of the intervening crowd noise removed, except for 10-30 seconds at the beginning of the next track preceding the start of the next song. |
|
|
Date |
Venue |
Media |
Show Quality |
Sound Quality |
Source |
Notes |
11/03/65
|
Golden State Studios
San Francisco, CA |
1 cdr/shn |
|
|
SBD>MR>??>DAT>CDR |
Autumn Records Demo, The Warlocks
1. Caution fades out at 3:10
2. shntool confirms tracks on sector boundaries
3. small spikes at the start of some tracks were silenced using Cool Edit
|
|
03/12/66
|
Danish Center
Los Angeles, CA |
1 shn |
|
|
??? > CD > EAC > CDWave > SHN |
|
|
03/25/66
|
Trouper's Hall
Los Angeles, CA |
1 cd-r |
|
|
|
|
|
05/19/66
|
Avalon Ballroom
San Francisco, CA |
1 cdr/shn |
|
|
mr>dat>fm broadcast>cdr>shn |
18-19. you don't // have to ask *fade in/out of tape flip
filler: maze t.v., s.f., california 1966
20. cream puff war
|
|
07/01/66
|
Unknown (perhaps Fillmore Auditorium)
San Francisco, CA |
1 cdr/shn |
|
|
MSR>DAT>CDR>EAC(secure)>mkwact>SHN(seekable) |
As noted in the message posted below by David Gans, tracks 2 - 6 suffer from brief partial loss in the right channel numerous places
- The first track listed by Deadlists (Big Boss Man [#0:00]) was not on this source
- Dancin cuts after about 7 minues
- Deadlists assigns these tunes to a Fillmore Auditorium performance, but others list the venue as unknown
David Gans posted to -- MESSAGE gdh.v001.n144.11 ---:
From: David Gans Subject: 7/16-17/66
Date: tue, 16 Sep 1997 14:12:48
7/17/66? Date unknown: (Date unknown.15ips. Tape curl causes dropouts in R channel):
#Big Boss Man, Cold Rain and Snow, It's All Over Now Baby Blue, Cream Puff War, King Bee, Stealin', Dancin' in the Streets# |
|
07/16/66
|
Fillmore Auditorium
San Francisco, CA |
1 cd-r |
|
|
|
|
|
07/17/66
|
Fillmore Auditorium
San Francisco, CA |
1 cd-r |
|
|
|
|
|
09/16/66
|
Avalon Ballroom
San Francisco, CA |
1 cdr |
|
|
|
|
|
11/19/66
|
Fillmore Auditorium
San Francisco, CA |
1 cdr |
|
|
|
|
|
12/05/66
|
Studio: 1st album outtakes
San Francisco, CA |
1 shn |
|
|
sbd>mc>cass>cd>eac>shn |
08. Your Sons and Daughters *
09. Fire in the City *
* Jon Hendricks and the Warlocks
|
|
01/27/67
|
Avalon Ballroom
San Francisco, CA |
1 cdr |
|
|
|
|
|
03/18/67
|
Winterland Arena
San Francisco, CA |
2 cdr/shn |
|
|
MR > ? > CD > EAC > Cool Edit 96 (Resampled to correct pitch) > SHN > CD |
The Same Thing and Viola Lee Blues cut @ 13:34 to 13:37
patched in from higher gen source by A.J. Fink
To see the concert art:
< http://www.pompano.net/~goodbear/concert_art/03_17-19_67.html >
sb notes:
there were originally sector boundary errors on tracks
d1t02, and d2t3, 4 and 6. shntool was used to
fix alltracks, and then they were re-shn'd using
mkw v.97 seek enabled - sb 6-02 |
|
08/04/67
|
O'Keefe Center
Toronto, ON |
1 cdr/shn |
|
|
Stereo SBD MR>R>DAT(3)>CDR(unknown number of CD gens)>EAC> |
* Tracks 11 & 12: Stereo SBD MR>R>C>C>DAT(3)>CDR(unknown number of CD
gens)>EAC>Cool Edit 2000>CD Wave>SHN
** Track 13: Mono Cassette unknown generation>DAT(3)>CDR(unknown number
of CD gens)>EAC>Cool Edit 2000>CD Wave>SHN |
|
09/03/67
|
Dance Hall
Rio Nido, CA |
1 cd-r |
|
|
|
|
|
10/22/67
|
Winterland Arena
San Francisco, CA |
1 cd-r |
|
|
|
|
|
01/17/68
|
Carousel Ballroom
San Francisco, CA |
1 cdr |
|
|
|
|
|
01/20/68
|
The Eureka Municipal Auditorium
Eureka, CA |
1 cdr/shn |
|
|
sbd |
|
|
01/22/68
|
Eagles Auditorium
Seattle, WA |
1 cdr |
|
|
|
|
|
01/27/68
|
Eagles Auditorium
Seattle, WA |
1 cdr/shn |
|
|
SBD:MR>DAT>PCM>DAT>CD |
This is all that circulates. The date is uncertain, but is believed to
be from this night. EAC > SHN from audio
CD by David Hollister 1/21/03. |
|
02/02/68
|
Crystal Ballroom
Portland, OR |
1 cdr |
|
|
|
|
|
02/03/68
|
The Crystal Ballroom
Portland, OR |
1 cdr |
|
|
|
|
|
02/14/68
|
Carousel Ballroom
San Francisco, CA |
2 cd-r |
|
|
|
|
|
02/14/68
|
Carousel Ballroom
San Francisco, CA |
3 shn |
|
|
SBD>MR>DAT>CD>EAC>SHN |
Midnight Hour patched with: FM>Reel>Reel>DAT>CDR
There is a cut in the Jam on all circulating copies
|
|
03/03/68
|
Haight Street
San Francisco, CA |
1 cdr/shn |
|
|
DHH pre-FM |
|
|
03/16/68
|
Carousel Ballroom
San Francisco, CA |
2 cdr |
|
|
|
|
|
03/26/68
|
Melodyland Theater
Anaheim, CA |
1 cd-r |
|
|
|
|
|
03/26/68
|
Melodyland Theater
Anaheim, CA |
1 cdr |
|
|
|
|
|
03/26/68
|
Melodyland Theater
Anaheim, CA |
1 cdr/shn |
|
|
AUD>MR>D>PCM>D>CD>EAC>SHN |
w/05-24-69 shn |
|
03/30/68
|
Carousel Ballroom
San Francisco, CA |
1 cd-r |
|
|
|
|
|
03/30/68
|
Carousel Ballroom
San Francisco, CA |
1 cdr |
|
|
|
|
|
05/??/68
|
Unknown
Unknown, Unknown |
1 cd-r |
|
|
|
unlabeled vault reel |
|
06/14/68
|
Fillmore East (Early Show)
New York, NY |
1 cdr |
|
|
|
|
|
06/19/68
|
Carousel Ballroom
San Francisco, CA |
2 cd-r |
|
|
|
|
|
08/21/68
|
Fillmore West
San Francisco, CA |
2 cdr |
|
|
|
All but 20 sec of Cryptical Envelopment is missing on track 1.
Jam in Alligator is only Garcia and Drums.
Mountain Jam and AWBYGN themes during last part of Alligator.
Very beginning of Dark Star missing
Digi-errors track d2t05 at 13:36 and 13:41-:44. These have been confirmed to exist on the source DAT.
|
|
08/21/68
|
Fillmore West
San Francisco, CA |
2 cdr/shn |
|
|
MSR>DAT>DAT>WAV>SHN |
|
|
08/23/68
|
Shrine Exposition Hall
Los Angeles, CA |
2 cdr/shn |
|
|
8 track multitrack Reels> |
Not a note of this material appears on Two From The Vault. It turns out that TFTV is composed exclusively of 8.24.68.
d1 leading fill:
Unknown Date, thought to be August 29, 1968, Matrix)
Source unknown (but crispy)
1. St. Stephen (fades in)
2. Cryptical>
3. TOO>
4. Cryptical
5. Mountains
6. Alligator
7. Caution Jam
|
|
09/02/68
|
Betty Nelson's Organic Raspberry Farm
Sultan, WA |
1 cd-r |
|
|
|
|
|
09/02/68
|
Betty Nelson's Organic Raspberry Farm
Sultan, WA |
2 shn |
|
|
SBD -> Master Reel (Three half-inch four track reels, recorded on Ampex 440) -> Dat (Tascam DA30/44.1k) |
Transfer Info:
Master Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional ->
Cool Edit Pro v2.0 -> SHN |
|
10/08/68
|
The Matrix
San Francisco, CA |
3 shn |
|
|
SBD MR->Reel (x2?)->CDR |
show billed as "Mickey and the Heartbeats". Bobby and Pigpen
were absent.
(1) all of third set with Elvin Bishop.
(2) Jack Casady, Hart, and Bishop only. |
|
10/10/68
|
The Matrix
San Francisco, CA |
3 cdr |
|
|
SBD > ? > DAT>ZA2>wav>(sound forge for cutting to track size)>shn |
show billed as "Mickey and the Heartbeats". Bobby and Pigpen were absent. |
|
10/12/68
|
Avalon Ballroom
San Francisco, CA |
1 cdr/shn |
|
|
SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD |
seeded by David Gans on GDH-Trading
de-glitched at the Frisco Refinery, 6/02: (the following glitches were
removed)
t01: 14:55
t02: :10, :20
t04: 1:10, 6:08, 8:23
t.11: 7:12
no portion of the wave was deleted in fixing these flaws.
individual sectors were repositioned to eliminate glitch.
the following (minor) glitches couldn't be removed
t01: 8:00 - 8:20
t04: 1:02 - 1:07
flaws were too small to locate.
tracks 1-3 re-tracked
Conversion Notes:
DAE (EAC: High, Secure, Offset Corrected) all track quality > 99.8%
All sector boundaries verified using SHNTOOL
SHN(seekable) using shortn32 via eD(efojr) - 07/20/02
Another installment of The Music Never Stopped Project!
Thanks to Frisco for the seed discs. |
|
10/13/68
|
Avalon Ballroom
San Francisco, CA |
1 cdr/shn |
|
|
SBD |
shns w/1-27-68
Defects:
d1t01 0:02-0:04 - fluttering ticks (Dark Star)
d1t01 0:58-1:00 - left channel dropout
d1t01 1:00-1:01 - right channel dropout
d1t01 1:00-2:42 - slightly degraded sound?
d1t01 8:44-9:19 - intermittent quiet noise in left channel
d1t01 10:23, 10:27 - static in left channel
d1t02 0:00 - pop in right channel (Stephen)
d1t02 0:03, 0:04 - click in right channel
d1t02 0:08 - quiet static in left channel
d1t02 2:59 - quiet static in left channel
d1t02 3:16 - splice
d1t03 12:28 - splice (or click?) (Eleven)
d1t11 1:23 - pop (not part of the feedback?) (Feedback)
|
|
10/30/68
|
The Matrix
San Francisco, CA |
3 cdr/shn |
|
|
1st gen reels > CD > EAC > SHN |
show billed as "Mickey and the Heartbeats". Bobby and Pigpen were absent. (1) contains Clementine hints. (2) with Elvin Bishop |
|
11/01/68
|
Armory Building, Silver Dollar Fairgrounds
Chico, CA |
1 cdr/shn |
|
|
SBD>MSR>C>DAT>CDR |
|
|
11/22/68
|
Columbus Veterans Hall
Columbus, OH |
2 cdr |
|
|
|
AUD |
|
12/07/68
|
Bellarmine College
Louisville, KY |
2 cdr |
|
|
SBD>CM>C1>DAT>CDR>CDR |
shns did not match db.etree.org |
|
12/20/68
|
Shrine Exhibition Hall
Los Angeles, CA |
1 cdr/shn |
|
|
Soundboard cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN |
The Eleven fades in |
|
12/21/68
|
Shrine Exhibition Hall
Los Angeles, CA |
2 cd-r |
|
|
|
|
|
12/21/68
|
Shrine Exhibition Hall
Los Angeles, CA |
2 shn |
|
|
Soundboard cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN |
D2t02-t03: cut/splice between Drums and Alligator
D2t06 (AWBYGN): end cut off
DAT > CDR conversion via HHb 850, November 1999
Editing, normalization and 5% pitch correction by Jeff Tiedrich via Sound Studio for Macintosh, 28 April 2002
|
|
12/24/68
|
The Matrix
San Francisco, CA |
1 cdr/shn |
|
|
SBD>MR>??>DAT>CDR |
|
|
12/29/68
|
Gulfstream Park Racetrack
Hallandale, FL |
1 cd-r |
|
|
|
|
|
??/??/68
|
Unknown or Various
Unknown, Unknown |
4 cdr/shn |
|
|
|
|
|
01/17/69
|
Robertson Gym, U.C.S.B.
Santa Barbara, CA |
2 cdr/shn |
|
|
Master Soundboard Reel > Cassette > DAT > CDR |
|
|
01/24/69
|
Avalon Ballroom
San Francisco, CA |
1 cd-r |
|
|
|
|
|
01/24/69
|
Avalon Ballroom
San Francisco, CA |
1 cdr/shn |
|
|
MSR>C>DAT>CD |
From Deadlists:
COMMENTS Pigpen plays harp on Dupree's. The Avalon Ballroom insisted that
bands, including the Dead, play short sets of an hour or less. This may
well be the complete first set.
* NOTE *
A few tracks were not properly sector aligned. Fixed via shntool and new md5
checksum files were made available (12/7/00)
|
|
01/24/69
|
Avalon Ballroom
San Francisco, CA |
2 shn |
|
|
SBD>MSR>C>DAT>CD>SHN |
From Deadlists:
COMMENTS Pigpen plays harp on Dupree's. The Avalon Ballroom insisted that
bands, including the Dead, play short sets of an hour or less. This may
well be the complete first set.
Notes:
The length of all these sets supports the short set restriction by the Avalon.
Lovelight fades in.
* Announcement made at the start of disc two indicating the Dead leaving the stage,
Sons of Champlin being introduced and that the Dead will be back for another
set.
(Extraction and.shn encoding by Seth Kaplan (Sdk022769@aol.com) via EAC
and MKW. Accurate extraction and properly aligned sector boundaries verified
via EAC and .shntool. Various digital and master reel flaws cleaned up via
Cool Edit 2000) |
|
01/25/69
|
Avalon Ballroom
San Francisco, CA |
1 cdr/shn |
|
|
MSR>C>DAT>CD |
And We Bid You Good Night cuts @ 02:39
* NOTE *
A few tracks were not properly sector aligned. Fixed via shntool and new md5
checksum files were made available (12/7/00)
|
|
01/25/69
|
Avalon Ballroom
San Francisco, CA |
2 shn |
|
|
SBD>MSR>C>DAT>CD>SHN |
Dark Star fades in (T.C. is high in the mix)
Brief light static around the middle of St. Stephen.
Small splice in Lovelight @ 16:27. And We Bid
You Good Night cuts @ 02:38.
(Extraction and.shn encoding by Seth Kaplan (Sdk022769@aol.com) via EAC
and MKW. Accurate extraction and properly aligned sector boundaries verified
via EAC and .shntool. Various digital and master reel flaws cleaned up via
Cool Edit 2000) |
|
01/26/69
|
Avalon Ballroom
San Francisco, CA |
1 cdr/shn |
|
|
MSR>C>D>CD |
|
|
02/02/69
|
Labor Temple
Minneapolis, MN |
2 cdr/shn |
|
|
SBD>MR>?>D>CD>EAC>SHN |
--first few notes clipped off Schoolgirl
--small splice @ 2:02 in Schoolgirl
--tiny left channel dropout @ 3:07 in Schoolgirl
--digisnit @ 6:30 in Dark Star
--@ 7:01 in Dark Star: increased hiss in left channel due to low original levels
--@ 2:46 in Eleven: left channel loses amplitude for several seconds
--cut near the end of Eleven; several minutes of Death Don't are lost
--splice in Lovelight @ 16:51
--some degradation for the last few minutes of Lovelight
|
|
02/04/69
|
The Music Box
Omaha, NE |
2 cd-r |
|
|
|
|
|
02/05/69
|
Soldiers & Sailors Memorial Auditorium
Kansas City, KS |
1 cdr/shn |
|
|
SBD>MC>C>D>CD>EAC>SHN |
(missing Lovelight)
tape warble @ 5:10 Caution
|
|
02/06/69
|
Kiel Auditorium
St. Louis, MO |
2 cdr/shn |
|
|
SBD>MC>D>CD>EAC>SHN |
Sound Forge was used to adjust the pitch for portions of the recording and to remove several small pops. |
|
02/07/69
|
Stanley Theater (Early, Late)
Pittsburgh, PA |
1 cdr/shn |
|
|
SBD>MC(Bear Owsley)>DAT(Rob Eaton)>(Jim Wise) HHb>CDR |
early show.
D1t01(Dark Star) Pops @ :20 both channels removed,
Pop @ :54 both channels removed, Pop @ 1:01 both channels removed. D1t04(Lovelight) Digi
Zaps @ 1:46 filtered , Also from 1:49-1:53 filtered as well no more zaps present, Nasty pops
from 7:45-7:50 on different channels at random deleted and replaced with opposite channel
the ones that were on both channels were filtered, At 7:48 a cut (some music is missing).
|
|
02/07/69
|
Stanley Theater (Early, Late)
Pittsburgh, PA |
1 cdr/shn |
|
|
SBD>MC(Bear Owsley)>DAT(Rob Eaton)>(Jim Wise)HHb>CDR |
late show.
D1t04(Cryptical Envelopment) Minor static @ :48 filtered to remove static, Pop @ 3:35
filtered to remove the pop.
|
|
02/12/69
|
Fillmore East (Late Show)
New York, NY |
1 cdr/shn |
|
|
SBD>Cassette Master>DAT>CD |
|
|
02/14/69
|
Electric Factory
Philadelphia, PA |
2 cdr/shn |
|
|
SBD>MC>C>C>D>CD>SHN |
It is possible that there is one less analog generation in the lineage (as
listed at Deadlists). The sound quality is rather ragged despite fairly low
levels of hiss, so this may simply be from old and degraded cassettes with
only one analog generation. Be warned.
There is a minor splice just before the 7:00 mark in Schoolgirl from what
sounds like a cassette recording overdub. It has been cut out and smoothed
over with Sound Forge. There is a minor dropout in Dark Star roughly 18
minutes in. The splice in Lovelight occurs just after the 6:00 mark. The
quality of the recording diminishes during the Cryptical Reprise where tape
(not from the master) ran out. Overlapping tape segments were spliced
seamlessly at this point using Sound Forge. Therefore, no music is lost
although there is diminishing sound quality for the first half of the
reprise. Alligator>Caution>Feedback>AWBYGN often mistakenly circulates at
the end of this show, but is actually from 8-22-68. This show may or may
not be complete. Edits, tracking, and pitch correction for various portions
were performed using Sound Forge and CDWave.
|
|
02/15/69
|
Electric Factory
Philadelphia, PA |
3 cdr/shn |
|
|
SBD>MR>Cassette>DAT>CD>EAC>SHN |
- The beginning of Doin That Rag is cut - no vocals are missing.
- Lovelight has a cut near the end at 15:54.
- The Eleven cuts off at 7:04.
- The first half of Death Don't is missing - it cuts in during Jerry's solo.
- Caution has a cut at 7:43.
- The track marker at the start of The Eleven was adjusted.
- TIFTOO and Gator Jam>AWBYG each came as one long track and were retracked with CDWave.
- A few small clicks were removed with Cool Edit 2000.
|
|
02/21/69
|
Dream Bowl
Vallejo, CA |
2 cd-r |
|
|
|
|
|
02/22/69
|
Dream Bowl
Vallejo, CA |
2 cd-r |
|
|
|
|
|
02/27/69
|
Fillmore West
San Francisco, CA |
2 cdr/shn |
|
|
16-Track Master Reel > Rough Mix DAT > DATx3 >Digital Sound Card > WAV > SHN > WAV > Cool Edit >CDWAV > SHN |
|
|
02/28/69
|
Fillmore West
San Francisco, CA |
3 cd-r |
|
|
|
|
|
03/01/69
|
Fillmore West
San Francisco, CA |
2 cd-r |
|
|
|
|
|
03/01/69
|
Fillmore West
San Francisco, CA |
2 cd-r |
|
|
16-Track Master Reel > DAT > DAT > CD > EAC > SHN > MKW .WAV file conversion >Cool Edit 2000 > MKW .shn file conversion >shntool > MKW .WAV file conversion > CD |
|
|
03/01/69
|
Fillmore West
San Francisco, CA |
1 cdr/shn |
|
|
16-Track Master Reel > DAT > DAT > CD > EAC > SHN > MKW .WAV file conversion > CD |
(DAT conversion to CD by Aoxoa =====> THANKS!)
(Extraction and initial .shn encoding by R. Keshavan)
(Subsequent editing and.shn encoding by Seth Kaplan)
(Properly aligned sector boundaries verified via .shntool)
Known flaws:
Light static of unknown origin on the last thirty seconds of
Dark Star(22:52.611-23:22.480) > the first twenty five seconds
of St. Stephen(0:00.000-0:25.467)
Splice in Lovelight cuts at 0:17.815 on the master. A 0:01.355
silent gap after the splice was removed as well as a 0:00.300
segment prior to the splice in order to create a better flow from
the splice > the section in which the selection continues. The start
of Lovelight through to the splice was normalised +7.5db to better
match the flow of the selection up to the splice with the segment
in which the selection continues.
The Lovelight cut is on ALL known sources. One possible suggested
explanation for this is the possibility of a temporary power outage
common to the areas where the various taping equipment setups were
located. Sounds like a logical explanation for a bizarre happening!
Anyway, it seems to have been only a couple of minutes (if anything)
that were effected here.
Various segments of tunings and onstage banter prior to the Bill Graham
intros and the Hey Jude encore have been cut from the multi-track source.
These were subsequently spliced in from the alternate sources noted below.
The following alternate sources were used in editing the multi-track source:
1. SBD > Cassette Master > C > DAT > ZA2 > WAVs >SHN > CDR > DAT > WAV
2. SBD > 2-Track MSR > D > D > D > D > CD
3. SBD > 16-Track MSR > C2 > DAT > CD
Alternate source info for spliced portions:
0:59.372 seconds of pre-Bill Graham Set One intro tuning: 2-Track MSR > D > D >
D > D > CD
0:31.200 seconds of pre-Bill Graham Set Two intro tuning: 2-Track MSR > D > D >
D > D > CD
2:26.538 seconds of pre-encore stage banter: 2-Track MSR > D > D > D > D > CD
3:32.318 seconds of pre-encore stage banter: Cassette Master > C > DAT > ZA2 >
WAVs >SHN > CDR > DAT > WAV
The majority of the show was re-tracked after completing the above edits.
|
|
03/02/69
|
Fillmore West
San Francisco, CA |
3 cd-r |
|
|
|
|
|
03/02/69
|
Fillmore West
San Francisco, CA |
3 cdr/shn |
|
|
Multi-track reel master > DAT > CD > EAC > SHN |
|
|
03/22/69
|
Rose Palace
Pasadena, CA |
1 cdr/shn |
|
|
SBD>MC>C>D>CD>EAC>SHN |
The recording was pitch corrected and normalized using Sound Forge. Track boundary errors were also fixed.
|
|
04/05/69
|
Avalon Ballroom
San Francisco, CA |
2 cd-r |
|
|
SBD > REEL > REEL > DAT > SP/DIF > HD > SHN |
|
|
04/06/69
|
Avalon Ballroom
San Francisco, CA |
2 cdr |
|
|
FM > MR > C1 > DAT > CD |
|
|
04/11/69
|
University Auditorium, U. of Az.
Tucson, AZ |
1 cd-r |
|
|
|
|
|
04/12/69
|
Student Union Ballroom, University of Utah
Salt Lake City, UT |
2 shn |
|
|
SBD>MC>C>D>CD>EAC>SHN |
--It seems like a good 10 minutes or so is missing from the first set, as all of what one must assume to be The Other One is gone as well as several minutes of the Cryptical reprise.
--perhaps a minute or so of Dark Star is missing
--Sound Forge was used for normalization and pitch correction
part of The Music Never Stopped Project 2003 |
|
04/13/69
|
Ballroom, U. of Co.
Boulder, CO |
2 shn |
|
|
SBD>MR>C>D>CD>EAC>SHN |
Several minutes are lost in the cuts at the end of Lovelight and the
beginning of Doin' That Rag. There is a minor splice roughly 10 minutes
into Dark Star. The end of this show is obviously missing and probably
consisted of Caution as the jam out of drums suggests.
|
|
04/15/69
|
The Music Box
Omaha, NE |
1 shn |
|
|
SBD>MC>?>CD>EAC>SHN |
This excerpt of the show represents all that circulates from Bear's master
cassette. The rest of the setlist that is missing is unknown. It is likely
that at least one generation was involved before the digital transfer. |
|
04/18/69
|
Memorial Union Ballroom, Purdue U.
Lafayette, IN |
2 shn |
|
|
SBD>MC>C>DAT>CD>EAC>shn |
shns w/4-15-69
d1t1: ? @ 0:20 (mix change/adjustment?)
d1t5: tape flip in here? or Bobby flubs big-time!
d1t8: tape pause @ 9:08
d1t9: cut (likely for tape flip) @ 7:17
d2t1: Lovelight cuts in after a tape pause, maybe a few seconds
missing (tape pause in cheering after song as well.)
d2t1: very low crackle in left channel @ 3:59
d2t2: tape pause @ 6:53
|
|
04/20/69
|
Clark University
Worcester, MA |
2 cdr/shn |
|
|
SBD>Cassette Master (Ampex C-90, no Dolby)> DAT(M)@ 44.1K via Panasonic SV3700>DAT(1)>DAT(2)>WAV via Sony SDT9000 DDS drive using VDAT0.6f>Soundforge 4.0 |
edits:
crossfades of two short dropouts in Morning Dew at 3:29 and 7:19
crossfade of reel flip in the beginning of The Eleven
fades to begin and end the set
all other crossfades were edits of flips between songs where no music was disturbed
no DAE, resampling, or bulk processing of waveform was performed
Source DAT from Rob Eaton
DAT>SHN by Jamie Lutch 6/2001 |
|
04/21/69
|
The Ark
Boston, MA |
2 cdr/shn |
|
|
MSR > DAT > CDR |
Updated possible gen: MSR> DAT > CDR (had been marked MSR > Cassette > DAT > CDR);
intro from alternate SBD; d1t6, d3t2 have cuts from reel;
1/20/68 filler; via S. Clugston, L. Revell
|
|
04/23/69
|
The Ark
Boston, MA |
3 cd-r |
|
|
|
|
|
04/23/69
|
The Ark
Boston, MA |
3 shn |
|
|
MSR>Cassette>DATs>CDRs>EAC>SHN |
This newly-circulating source is confirmed to be MSR>C>DATs>CDRs -- previously circulating version contained an additional cassette generation and was MSR>C>D>C>D. This version contains all of the splices/cuts contained in the previously-circulating version. |
|
04/25/69
|
Electric Theater
Chicago, IL |
1 cd-r |
|
|
|
|
|
04/26/69
|
Electric Theater
Chicago, IL |
3 cd-r |
|
|
|
|
|
05/23/69
|
Seminole Indian Village
Hollywood, FL |
2 cdr/shn |
|
|
SBD>MR>PCM>D>CD>EAC>SHN |
Source 2:
SBD>MC>R>C>D>EAC>SHN (?)
source 2 provides:
--all of Hard To Handle
--from 2:53 in The Eleven to the end of the show
Notes:
--Source 2 originated from a Serafin edit and originally was listed as a reel master, though there is reason to believe it was mastered on cassette, as noted on Eaton's list. There are remnants of digital processing in the recording, including distortion from what is likely to be digital moise reduction. Sound Forge was used to correct the pitch and patch in the portions from the higher quality reel source.
--this exact shn set may have seen limited circulation in early 2002 with the 2nd source listed as unknown
|
|
05/24/69
|
Seminole Indian Village
Hollywood, FL |
2 cdr/shn |
|
|
Cass>DAT>DAT>SONIC SOLUTIONS>CD>CD >EAC[secure] >SHN |
|
|
05/31/69
|
McArthur Court, University of Oregon
Eugene, OR |
2 cd-r |
|
|
SBD>?>CDR>EAC>SHN |
The encore has been moved out of order so this will fit onto 2 discs, but nothing was cut so you can restore its original order by moving Friend of Mine..Cosmic Charlie and the encore onto a 3rd disc.
|
|
06/06/69
|
Fillmore West
San Francisco, CA |
1 cdr/shn |
|
|
SBD>MC>C>D>CD>EAC>SHN |
For unknown reasons, it appears that Jerry Garcia is missing for the first 5 songs, and Elvin Bishop plays lead guitar. The crowd, Phil & Bob acknowledge the missing Garcia after Smokestack, which must be the opener. Wayne Ceballos adds vocals for Checkin' Up and BIODTL. A faintly heard voice off microphone could be Garcia's just before Checkin' Up. Two days later during the same run, Pigpen ended up a spectator for some songs while Bishop & Ceballos sat in, so it seems possible that this is the case with Jerry, given a laid back atmosphere.
Deadlists vaguely indicates that this represents all of 6-6-69. However, it seems likely that some music may be missing before Lovelight. The guests are not present during Lovelight, and Garcia is playing on this version. This is perhaps the longest version of Lovelight known to have been played, clocking in at just under 47 minutes. |
|
06/07/69
|
Fillmore West
San Francisco, CA |
2 cd-r |
|
|
|
|
|
06/08/69
|
Fillmore West
San Francisco, CA |
2 cd-r |
|
|
|
w/elvin bishop and wayne ceballos |
|
06/13/69
|
Fresno Convention Center
Fresno, CA |
2 cd-r |
|
|
Master Soundboard Cassette > Cass > DAT > ZA2 > SF > CD |
|
|
06/14/69
|
Monterey Performing Arts Center
Monterey, CA |
2 cd-r |
|
|
|
|
|
06/27/69
|
Veterans Auditorium
Santa Rosa, CA |
2 cd-r |
|
|
|
|
|
06/28/69
|
Veterans Auditorium
Santa Rosa, CA |
1 cd-r |
|
|
|
|
|
07/07/69
|
Piedmont Park
Atlanta, GA |
2 cdr/shn |
|
|
Master Soundboard Cassette > Cassette > DAT > CDR |
|
|
07/11/69
|
NY State Pavilion, Flushing Meadows Park
Queens, NY |
2 cdr/shn |
|
|
SBD MC>C>D>CD |
patch (Alligator > Drums) from AUD master > low-gen reel > cassette > CD
|
|
07/12/69
|
NY State Pavilion, Flushing Meadows Park
Queens, NY |
2 cdr/shn |
|
|
SBD MC>C>D>CD |
CD 1: low-gen AUD |
|
08/02/69
|
Family Dog at the Great Highway
San Francisco, CA |
2 flac |
|
|
SBD -> Cassette Master -> Dat |
|
|
08/03/69
|
Family Dog at the Great Highway
San Francisco, CA |
2 flac |
|
|
SBD -> Cassette Master -> Dat |
|
|
08/03/69
|
Family Dog at the Great Highway
San Francisco, CA |
2 flac |
|
|
SBD -> Cassette Master -> Dat |
-- Seamless transition between discs.
-- There is an unknown Violin and Sax player.
-- There is some weird stuff going on with the tape during Caution.
|
|
08/16/69
|
Max Yasgur's Farm
Bethel, NY |
2 cdr/shn |
|
|
SBD? |
|
|
08/23/69
|
Pelletier Farm
St. Helens, OR |
2 cd-r |
|
|
sdb>>Master Cassette>>Cassette>>Dat>>CD |
|
|
08/29/69
|
Family Dog at the Great Highway
San Francisco, CA |
1 cd-r |
|
|
Sdb>>?>>Dat>>CD |
|
|
08/30/69
|
Family Dog at the Great Highway
San Francisco, CA |
2 cd-r |
|
|
|
|
|
09/01/69
|
Baton Rouge International Speedway
Prairieville, LA |
2 cdr/shn |
|
|
MSC (Ampex C-90 cassette) > DAT > CD-R > EAC(secure) > Cool Edit > CDWAV > mkwact > SHN(seekable) |
shns bundled w/09-01-69
- this source differs from the most recent previously circulating copy (http://db.etree.org/shninfo_detail.php?shnid=5216) in that
a). Casey Jones is not clipped
b). The Yellow Dog Story which appears before Dark Star is not on this tape. The transition from the end of Easy Wind to the start of Dark Star on this tape is continuous. This would suggest that the Yellow Dog Story on the other source may not be from this date.
c). The version of Lovelight on this source is complete (~24 minutes) except for a brief gap. The previous source cut after ~ 9 minutes
|
|
09/07/69
|
Family Dog at the Great Highway
San Francisco, CA |
1 cd-r |
|
|
|
w/members of jefferson airplane |
|
10/25/69
|
Winterland Arena
San Francisco, CA |
1 cd-r |
|
|
|
|
|
11/02/69
|
Family Dog at the Great Highway
San Francisco, CA |
1 cd-r |
|
|
|
|
|
12/10/69
|
Thelma Theater
Los Angeles, CA |
2 cd-r |
|
|
|
|
|
12/11/69
|
Thelma Theater
Los Angeles, CA |
2 cdr/shn |
|
|
SBD>MC>C>Beta>PCM>D>CD>EAC>SHN (?) (last verse Dark Star>end of show) |
AUD>MR>R>Beta>PCM>D>CD>EAC>SHN (intro through last verse of Dark Star) |
|
12/12/69
|
Thelma Theater
Los Angeles, CA |
3 cdr/shn |
|
|
Master Soundboard Reel > Reel to Reel > DAT > CDR |
|
|
12/13/69
|
Swing Auditorium
San Bernardino, CA |
2 cdr/shn |
|
|
7" Master Soundboard Reels > Cassette > DAT > CDR |
(plug gets pulled)
|
|
12/19/69
|
Fillmore Auditorium
San Francisco, CA |
2 cd-r |
|
|
|
|
|
12/20/69
|
Fillmore Auditorium
San Francisco, CA |
1 cdr/shn |
|
|
SBD>MR>?>FM>?>CD |
This is not the complete show, and is missing Me & My Uncle, Hard To Handle, Cumberland Blues, Black Peter, and Dark Star>St. Stephen in the span between High Time and The Eleven. The missing songs are quite possibly missing from the vault reels as well. This is the first known version of New Speedway, which has some very off-key harmonies, ----that sound as if they are almost intentional and sarcastic ????. |
|
12/26/69
|
McFarlin Auditorium, Southern Methodist Univ.
Dallas, TX |
2 cdr/shn |
|
|
MSR>C>DAT>CD-R |
There are cuts at the beginning of China Cat, the end of Dark Star (midway through the second verse of lyrics), and the beginning of New Speedway Boogie. These cuts are on all circulating versions.
|
|
12/26/69
|
McFarlin Auditorium, Southern Methodist Univ.
Dallas, TX |
2 flac |
|
|
MSR> CASS> DAT> CDR> EAC> FLAC |
Most currently circulating CDR copies of this show have either the beginning or the concluding couple minutes of "Cold Rain & Snow" cut and are also missing the beginning of "China Cat Sunflower". This version has these defects corrected using a 2nd gen cassette source.
MSR> CASS> DAT> CASS> DAT> CDR> EAC> FLAC |
|
12/29/69
|
Boston Tea Party
Boston, MA |
2 cd-r |
|
|
|
|
|
12/30/69
|
Boston Tea Party
Boston, MA |
3 cd-r |
|
|
|
|
|
12/31/69
|
Boston Tea Party
Boston, MA |
3 cd-r |
|
|
|
|
|
01/02/70
|
Fillmore East early show
New York, NY |
3 cdr/shn |
|
|
SBD>MR>C>D>CD>EAC>SHN |
early and late shows.
patched with AUD>??>CD>EAC>SHN
--aud patch for Zarathustra intro and first 5 seconds of Mason's
--reel flip at 0:47 in Other One
--Cosmic Charlie cuts out just before the end
--beginning of Easy Wind clipped
--large cut in between China Cat & Rider
--Tighten Up jam in Dark Star starting at 22:43, lasting about a full 5 minutes
--Dark Star cuts out during the final verse; at least a couple minutes are missing by the time Stephen cuts in well after its beginning
--reel flip at 14:19 in Lovelight
--Sound Forge was used for normalization and a slight pitch correction
|
|
01/03/70
|
Fillmore East (Late Show)
New York, NY |
3 cdr/shn |
|
|
SBD:MR > DAT > Cass. > DAT > CDR |
early and late shows.
Here are Bill's notes:
"I've played with this. Problem is stoned man on vol and pan controls -
Weir's guitar which is the main offender in the variable volume stakes
moves from right to left early on, then gets cranked up during Garcia's
solo and at various other points..... So I've done what I can to moderate
the extremes of channel volume fluctuations, but I've left Weir's guitar
still quite high in the mix, as that seems more faithful to this recording.
Given that Weir seems to speed up the tempo during the song, one can
assume that he was playing with extra bounce :)) " |
|
01/16/70
|
Springer's Inn Portland
Portland, OR |
3 cd-r |
|
|
|
|
|
01/30/70
|
The Warehouse
New Orleans, LA |
2 cd-r |
|
|
|
|
|
01/31/70
|
The Warehouse
New Orleans, LA |
2 cdr/shn |
|
|
|
|
|
02/01/70
|
The Warehouse
New Orleans, LA |
2 cd-r |
|
|
|
|
|
02/04/70
|
Family Dog at the Great Highway
San Francisco, CA |
1 cdr/shn |
|
|
SBD>Rm>Cass>Dat>CD>EAC>SHN |
|
|
02/05/70
|
Fillmore West
San Francisco, CA |
1 cdr/shn |
|
|
SBD MR>C>D>CD + AUD low-gen |
Tracks 1 to 4 are from the AUD tape.
Track 5 is SBD except 7:12 onwards patched from AUD.
Tracks 6 to 12 are SBD.
This is all that currently circulates according to Deadlists. |
|
02/06/70
|
Fillmore West
San Francisco, CA |
2 cd-r |
|
|
|
|
|
02/07/70
|
Fillmore West
San Francisco, CA |
1 cd-r |
|
|
|
|
|
02/11/70
|
Fillmore East (late show)
New York, NY |
2 cd-r |
|
|
|
|
|
02/12/70
|
Ungano's Night Club
New York, NY |
1 cd-r |
|
|
SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D > SSSB |
|
|
02/13/70
|
Fillmore East
New York, NY |
1 cd-r |
|
|
|
|
|
02/14/70
|
Fillmore East
New York, NY |
1 cd-r |
|
|
|
|
|
02/27/70
|
Family Dog at the Great Highway
San Francisco, CA |
1 cd-r |
|
|
|
|
|
02/27/70
|
Family Dog at the Great Highway
San Francisco, CA |
2 flac |
|
|
SBD -> Master Reel (7.5ips 1/2trk) -> Dat/0 (48k) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC |
Patch Info:
Black Peter, Casey Jones and Cumberland Blues are patched
from SBD -> Master Reel -> Cass -> Dat -> CD (shnid 2191)
Notes:
-- Seamless transition between discs.
-- Very end of Lovelight is cut. |
|
03/08/70
|
Star Theatre
Phoenix, AZ |
2 cdr/shn |
|
|
SBD>?>DAT>CDR |
|
|
03/24/70
|
Pirates World
Dania, FL |
2 cdr/shn |
|
|
S:MR>Cass>DAT>Cass>DAT>ZA2>CDWAV>SHN |
The first half of Morning Dew is missing on the circulating tape,
and there is a tape flip in the Dark Star at 4:51, before the first vocals; the remaining 8:54 fragment cuts in during the space following the vocals; probably around 2-4 minutes are lost here. These defects aside (and they are likely on the master) this is the complete show. In the pause after Me And My Uncle somebody says "Our time's up. See ya' later." Probably there wasn't an encore.
|
|
04/03/70
|
Field House, U. of Cincinnati
Cincinnati, OH |
2 cd-r |
|
|
|
|
|
04/15/70
|
Winterland Arena
San Francisco, CA |
1 cd-r |
|
|
|
|
|
04/24/70
|
Mammoth Gardens
Denver, CO |
2 shn |
|
|
AUD master C-120 > reel 3.75ips > DAT > CD |
* This seed is an upgrade over all circulating copies. The reel tape was
carefully transferred by Gerhard Schinzel, reducing the speed problems
that marred previous copies. Gerhard has had a 1st generation copy
off Richard Wethey's master recording since 1976.
* The first seconds of Dire Wolf and Dark Star are cut.
* The d2t8 jam cuts off.
* About 2 minutes are missing from the beginning of Man's World.
The following are details of the tape speed correction that was performed digitally.
The numbers express the amount of semitones the source tape ran too fast:
* acoustic set: constant 0.4
* Gradual speed-up from 0.4 to 0.6 during Easy Wind & Cumberland,
* Dire Wolf: 0.6
* Dark Star: 0.5; almost constant
* Man's World: varying between 0.4 to 0.5
The attribution of the 4/24/70 date to this tape is debatable. Richard's notes
accompanying Gerhard's reel copy do not mention any specific day; the only information
given is "Mammoth Gardens Denver 1970", which leaves the choice between 4/24 and 4/25.
There is a newspaper article reviewing the second show; this article is transcribed at
http://www.mail-archive.com/deadlists@nemesis.cs.berkeley.edu/msg02287.html . The fact
that Man's World appears on this tape points to 4/25.
Uli Teute writes on Deadlists, "I don't know how the 24th got attributed to what richard
taped, but if he taped the 24. and the newspaper article is correct that would make 3 Dark
Stars in a row (the 26th also has a Dark Star) - very unlikely - plus the article
matches our tape just perfect. maybe we have the 25th. and do not know a bit about 4-24". |
|
05/01/70
|
Alfred College
Alfred, NY |
2 cdr/shn |
|
|
Master Soundboard Reel > DAT > Sonic Solutions > CDR |
Master Soundboard Reel > Reel to Reel > DAT > Sonic Solutions > CDR
supplies the balance of "Drums" (d2t04) thru the end of the show |
|
05/06/70
|
Kresge Plaza, M.I.T.
Cambridge, MA |
2 cd-r |
|
|
|
speaker-blowing distortion in r channel during dancin |
|
05/07/70
|
Dupont Gymnasium, MIT
Cambridge, MA |
4 cdr/shn |
|
|
AudMC > ? > 7 |
d4 shn bundled w/10-24-72p.
first known Darkness Jam.
w/NRPS set.
patched w/MC>C>D>CD.
Soundforge was used for normalization and pitch
correction. The 7" reel contained many glitches associated
with an old tape. Most were removed, or subdued. There
are, no doubt, occasional reel flaws that have gone unnoted.
Some digital errors remain as it proved unrealistic to
re-transfer the reel due to circumstances including the
physical condition of the tape itself. |
|
05/14/70
|
Meramec Community College
Kirkwood, MO |
2 cdr |
|
|
|
|
|
05/15/70
|
Fillmore East (Late Show)
New York, NY |
5 cd-r |
|
|
|
|
|
05/24/70
|
Newcastle-Under-Lyme
Newcastle, England |
2 cd-r |
|
|
SBD MR>C>D>CD + AUD MR>C>D>CD |
The AUD supplies the beginning of the show and the middle part of St. Stephen.
Both are missing on the SBD |
|
06/05/70
|
Fillmore West
San Francisco, CA |
2 cdr/shn |
|
|
SBD MR>C>D>CD |
AUD patch from low-gen cassette
the audience tape supplies the following segments missing on the SBD:
- the intro and Dire Wolf
- the first 0:20 of New Speedway Boogie
- the first 0:53 of Cold Rain & Snow
- PA test banter between Cold Rain & Snow and Easy Wind
- 2:27 to 6:17 of Easy Wind
- 8:59 of Cryptical reprise to 5:38 of Attics Of My Life
(with a cut in the AUD tape at 9:31 of Cryptical reprise)
- the first 0:26 of St. Stephen
|
|
06/06/70
|
Fillmore West
San Francisco, CA |
2 cd-r |
|
|
|
|
|
06/07/70
|
Fillmore West
San Francisco, CA |
3 cd-r |
|
|
MR>Cass>DAT>ZA2>CD>EAC>shn |
|
|
06/13/70
|
Red Vest
Oahu, HI |
2 cdr/shn |
|
|
SBD MR>R>D>CD + AUD low-gen |
* with Gary Duncan and Dino Valenti
The AUD is spliced in to supply the following segments:
- beginning through D1T2 (Easy Wind) 3:16
- D2T1 (Speedway) 2:24 through the end
|
|
06/24/70
|
Capitol Theater (Late)
Port Chester, NY |
5 flac |
|
|
MAC > baked > Tascam 122 MK-III > Lucid ADA1000 > Tascam CDRW 700 > CDR > Peak 3.2.1 > FLAC |
This is the best sounding yet from the Ken & Judy Lee collection.
The late show has long been regarded as one the Dead's finest, and to hear it, in what is up till now the cleanest source available, is truly awesome. There are four TDK 120 cassettes from this night, however we have only three. Tape 1, 3 and 4. Tape 2 is missing. We will have to fill in the puzzle as the pieces emerge. And this poses a problem. We naturally want to bring you the complete show, but we have no idea when the missing piece will be found, so it was decided to release what we have. I included a text file for the missing sets in the torrent for the sake of continuity. This will have to do until the last tape is found.
Noise Reduction was applied to the acoustic Dead set only. Some deterioration on the master tape during 83968 (Disc1 t5), and some other small glitches, none of which should detract from enjoying this show. |
|
07/11/70
|
Fillmore East
New York, NY |
3 shn |
|
|
AUD>MC>C>C>D>CD>EAC>SHN |
*with David Nelson & John Dawson
**Bob Weir sings lead on Good Lovin'
--This is the only known Dead performance of the Everly Brothers song, So Sad To See Good Love Go Bad
--This is the 1st known Dead rendition of Rosalie McFall
Garcia plays pedal steel guitar with the New Riders
For unknown reasons, Pigpen does not sing on any song during the show, although he does play keyboard.
The recording is rather distant and includes crowd chatter. In order to save batteries, the tape was stopped and started by the recorder just as songs started and ended. The beginnings and ends of most songs are therefore clipped, though this has not been noted except for the more severe cases. Sound Forge was used to normalize, pitch correct, and smooth over the cuts.
|
|
07/16/70
|
Euphoria Ballroom
San Rafael, CA |
1 cd-r |
|
|
|
w/janis joplin on lovelight |
|
07/30/70
|
Lion's Share
San Anselmo, CA |
1 cdr |
|
|
|
|
|
08/05/70
|
Golden Hall Community Concourse
San Diego, CA |
1 cdr/shn |
|
|
SBD>MR>PCM>D>CD>SHN |
|
|
08/18/70
|
Fillmore West
San Francisco, CA |
2 shn |
|
|
AUD mC>Rx2>DAT>CDR |
1. Truckin *
5. Ripple > *
6. Brokedown Palace *
7. Operator *
* - First performance
2. Other One > (1)
3. Cryptical > (2)
(1) - digi removed @ 1.12
(2) - rt channel static removed @ 0.07 - 0.09
|
|
09/18/70
|
Fillmore East
New York, NY |
1 cd-r |
|
|
|
|
|
09/19/70
|
Fillmore East
New York, NY |
1 cdr/shn |
|
|
SBD > Reel(0) > DAT > Mac (via Lucid PCI24) > CD-R |
DAT from "3 Decades of Dead" Tree |
|
09/20/70
|
Fillmore East
New York, NY |
3 cd-r |
|
|
|
|
|
10/23/70
|
McDonough Arena, Georgetown U.
Washington, DC |
2 cdr/shn |
|
|
AUD-MCass>DAT>DAT>CDR |
DAT speed-corrected by David Gans
Various glitches edited out by CW
Filler:
Red Vest, Oahu, HI 6-13-70
Source: SBD>?>CDR
|
|
10/31/70
|
Gym, S.U.N.Y. (Early)
Stony Brook, NY |
1 cd-r |
|
|
SBD > Reel > DAT |
|
|
10/31/70
|
Gym, S.U.N.Y. (Late)
Stony Brook, NY |
2 cdr/shn |
|
|
MSR>C>DAT>WAV>SHN |
|
|
11/05/70
|
Capitol Theater
Port Chester, NY |
1 cdr |
|
|
AUD |
|
|
11/08/70
|
Capitol Theater
Port Chester, NY |
3 cd-r |
|
|
|
|
|
11/08/70
|
Capitol Theater
Port Chester, NY |
4 shn |
|
|
AUDMC>DAT>CDR>SHN |
inc. NRPS set
The original audience master cassettes (4 Ampex
C361-90) were recorded on a Sony TC124 with unknown dynamic mics,
spread approx. 25-30 ft. across the balcony, by Ken & Judy Lee. The
cassette tape was baked and re-shelled, then transferred via Tascam 122
MK-III > Lucid ADA1000 > Tascam DA30-II (DAT) > Tascam CDRW 700 (CDR)
by John Jay Hance. Editing By Peter G. via Soundforge. No noise
reduction was applied. Audio extraction and further editing via Peak
4.0, compressed to .shn with xACT 1.3, and seeded by BoldCaptain via
Azureus 2.1.
Tape flutter in Baby Blue, and in Truckin'. Tape flip in Dancin' In The
Streets was seemlessly pieced together. |
|
11/09/70
|
Action House
Island Park, NY |
1 shn |
|
|
AUD low gen |
tape pitch corrected: 3% speed-up |
|
11/16/70
|
Fillmore East
New York, NY |
2 cdr/shn |
|
|
SBD:MR>CD>EAC>SHN |
* Steve Winwood on Pigpen's Hammond Organ. Steve Winwood also provides vocal accompaniment on NFA>GDTRFB>NFA and 1st vocal verse of NFA.
+ Will Scarlet on harmonica.
Notes:
D1T03 - Analog distortions and channel dropouts from unknown source,
possibly a loose plug in the master reel to reel deck.
D1T04 - Approximately 30 seconds missing.
D1T11 - First few seconds clipped.
D1T14 - Some distortion of Steve Winwood's vocals at the very end.
As with any 30-year-old tape, various analog gremlins and anomalies exist.
This is the concert formerly thought to have taken place on 11/23/70 at the Anderson Theater in New York City. |
|
11/21/70
|
Sargent Gym, Boston University
Boston, MA |
1 cdr/shn |
|
|
SBD C/? > CDR |
shn w/05-23-69 |
|
11/21/70
|
WBCN-FM Studios
Boston, MA |
1 cdr/shn |
|
|
SBD>FM>MC>C>C>SHN |
The recording is fairly degraded, and there are a number of dropouts and volume fluctuations throughout.
Notes:
--Sound Forge was used for pitch correction, normalization, and other edits. |
|
12/12/70
|
Santa Rosa Fairgrounds
Santa Rosa, CA |
2 cdr/shn |
|
|
Master Soundboard Reel > Cassette > DAT > CDR |
copied from http://www.deadlists.com : There are two tapes in the vault from Santa
Rosa, December 1970 -- a 41 minute reel marked "12/11/70" (listed here as
SET 1) and an 80 minute tape marked "12/12/70" (listed here as SET 2).
However, it is thought that there was only one Santa Rosa December 70 show,
on the 12th, and that the vault tape marked the 11th is mislabeled.
Jerry announces a break after I Know You Rider. Me And My Uncle could be
the first tune or we could be missing several tunes before it. There was
also a NRPS set. |
|
12/26/70
|
Legion Stadium
El Monte, CA |
2 cdr/shn |
|
|
SBD>??(maybe 2 reel gens)>PCM>WAV>CDR>EAC>SHN |
Missing:
Good Lovin' >
Uncle John's Band |
|
12/27/70
|
Legion Stadium
El Monte, CA |
2 cd-r |
|
|
|
|
|
12/28/70
|
Legion Stadium
El Monte, CA |
2 cd-r |
|
|
|
|
|
12/31/70
|
Winterland Arena (aftershow)
San Francisco, CA |
1 cdr |
|
|
|
|
|
??/??/70
|
Pacific High Recording Studio
San Francisco, CA |
1 cdr/shn |
|
|
studio MR>?>C>SF>CDR |
*5-8 are same material with EQ and Dolby A |
|
01/24/71
|
Seattle Center Arena
Seattle, WA |
2 cd-r |
|
|
|
|
|
02/18/71
|
Capitol Theater
Port Chester, NY |
3 cd-r |
|
|
|
|
|
02/18/71
|
Capitol Theater
Port Chester, NY |
3 shn |
|
|
7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > Apogee filter > analog in PCMF1 ; PCM501ES analog out > Fostex D5 @ 48 kHz > 3 DAT generations DAT > WAV > SHN |
This is a direct copy of the WBOTB tape circulated in 1996. No digital processing has
been performed other than resampling, leaving intact the "nasty mic feedback" during Bertha and the "annoying whine" which "hovers around 8000Hz" throughout the whole show. Other copies circulate with these problems removed, but I still enjoy the tape more when it has not been noise reducted. Not recommended for the non-puristic listener. |
|
02/19/71
|
Capitol Theatre
Port Chester, NY |
3 cd-r |
|
|
|
|
|
02/23/71
|
Capitol Theater
Port Chester, NY |
3 cd-r |
|
|
|
|
|
03/14/71
|
Camp Randall Field House, University of Wisconsin
Madison, WI |
2 cd-r |
|
|
|
|
|
03/20/71
|
University of Iowa
Iowa City, IA |
2 cd-r |
|
|
|
|
|
03/20/71
|
University of Iowa
Iowa City, IA |
2 cd-r |
|
|
|
|
|
03/24/71
|
Winterland Arena
San Francisco, CA |
1 cd-r |
|
|
SBD>MR>D>CD>EAC>SHN |
This is all that circulates from the SBD.
Sound Forge was used for normalization, and to remove or stifle a number of static pops.
Notes:
---the start of Truckin' is distorted for a few seconds
|
|
03/24/71
|
Winterland Arena
San Francisco, CA |
2 flac |
|
|
SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC |
-- The hiss in the first minute of Sugar Mags is due to low levels on the Master Reel.
-- The setlist on the Dat does not match Deadlists.
-- Benefit for the Sufi Choir of San Francisco, who also opened the show. |
|
04/05/71
|
Manhattan Center
New York, NY |
3 cdr/shn |
|
|
7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHzPCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi)PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4DAT > WAV > SHN |
d3 shns w/??-??/70 workingmans' outtakes.
*Me & Bobby McGee w/John "Marmaduke" Dawson
** first "Sing Me Back Home" ; includes on stage warm up
Notes:
At least 3 other SHN versions of this show circulate as of
April 14, 2003. All of these copies suffer from unknown numbers
of digital audio extractions and various remastering attempts.
This seed is a direct copy from DAT WBOTB (11/1996) source.
No whine removal, no noise reduction, no remastering, no fades,
jarring reel flips left intact. |
|
04/06/71
|
Manhattan Center
New York, NY |
3 cdr |
|
|
|
|
|
04/08/71
|
Music Hall
Boston, MA |
2 cdr/shn |
|
|
SMR>PCM>WAV>Shn |
filtered the right channel to reduce 60-cycle hum using narrowband filter
reducing it a few db's.
|
|
04/10/71
|
East Hall, Franklin & Marshall College
Lancaster, PA |
2 cd-r |
|
|
|
|
|
04/13/71
|
Catholic Youth Center
Scranton, PA |
1 cdr/shn |
|
|
Master Soundboard Reel > DAT> CDR |
set 2 partial |
|
04/17/71
|
Dillon Gym, Princeton University
Princeton, NJ |
3 cd-r |
|
|
|
|
|
04/17/71
|
Dillon Gym, Princeton University
Princeton, NJ |
0 |
|
|
|
|
|
04/17/71
|
Dillon Gym, Princeton University
Princeton, NJ |
1 shn |
|
|
SBD> Reel> DAT> ZA2 (48>44.1)> CD |
|
|
04/17/71
|
Dillon Gym, Princeton University
Princeton, NJ |
2 shn |
|
|
SBD>Reel>?>D |
set 2 |
|
04/24/71
|
Wallace Wade Stadium, Duke University
Durham, NC |
2 cd-r |
|
|
SBD>MR>PCM>CD |
mkw notes:
---> I moved Casey Jones D2 to D1. While the file names within the
md5 files have changed, the md5 signatures themselves have not.
---> This recording is afflicted with a dozen or two very brief
(tenths of seconds) PCM dropouts. While that is unfortunate,
this appears to be the best recording of 4/24/71 in circulation.
---> Good Lovin' is *not* cut (contrary to deadbase) |
|
04/26/71
|
Fillmore East
New York, NY |
3 cd-r |
|
|
|
|
|
04/27/71
|
Fillmore East
New York, NY |
3 cd-r |
|
|
|
|
|
04/27/71
|
Fillmore East
New York, NY |
3 shn |
|
|
MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R |
Errata: Lodi fades in already in progress. Hard To Handle starts late and has some sound fluctuations in the first minute or two. Sugar Magnolia fades in already in progress. There is a splice in the segue between Uncle John's Band and Lovelight. The faults listed above are consistent with previous versions |
|
04/28/71
|
Fillmore East
New York, NY |
4 cd-r |
|
|
|
inc. new riders set
|
|
04/29/71
|
Fillmore East
New York, NY |
5 cd-r |
|
|
|
inc. acoustic, new riders sets
|
|
07/02/71
|
Fillmore West
San Francisco, CA |
3 cd-r |
|
|
|
|
|
07/31/71
|
Yale Bowl, Yale University
New Haven, CT |
3 cdr/shn |
|
|
AudMR > CD > EAC > WAV > SHN |
*switch to AudMR > C > DAT > CD > EAC > SHN
at 0:23 into Bertha running through JBG.
note: there are some very slight digital ticks on
tracks d2t12, d2t13 and d3t01. These are confirmed
on the DAT that the transfer came from.
|
|
08/06/71
|
Hollywood Palladium
Hollywood, CA |
2 cd-r |
|
|
aud |
|
|
08/14/71
|
Berkeley Community Theater
Berkeley, CA |
2 cd-r |
|
|
|
|
|
08/15/71
|
Berkeley Community Theater
Berkeley, CA |
2 shn |
|
|
mSR>cass.>DAT>Serafin digital editing>CDR |
These discs are not 100% flawless (eg. reel flip in Rider, sporadic anomalies)
but they are absolutely worth getting. To my knowledge this is the best that
circulates. They do sound amazing. |
|
08/21/71
|
Mickey's Barn
Novato, CA |
2 cdr/shn |
|
|
AUDMC > Nakamichi Dragon (no Dolby) > Sony D7 DAT > optical digital cable (DTC-700 was the playback |
jam at mickey's barn.
The tape was stopped and restarted between each track; there is no major
loss at the start of any of the tracks except perhaps the very first
one. |
|
08/26/71
|
Gaelic Park
Bronx, NY |
3 cdr/shn |
|
|
SDBMR>DAT>WAV>SHN |
Reel started late on start of SetII (Me&MyUncle). Cut out startup noise and faded in.
Sound levels seem to be slightly different between sets I & II. No changes were made.
|
|
09/??/71
|
Keith rehearsals
Santa Venetia, CA |
1 cdr/shn |
|
|
boot cd (unsurpassed vol 5) ->eac->wav->shn |
Compilation of the following dates:
09/29 & 09/30, and 10/01/71 |
|
10/21/71
|
Auditorium Theatre
Chicago, IL |
1 cdr |
|
|
|
|
|
10/23/71
|
Eastown Theater
Detroit, MI |
2 cdr/shn |
|
|
SBD>FM>?>C>Sound Forge>SHN |
This is a low gen recording of a live FM broadcast, and therefore is somewhat muddy and hissy, though easily listenable. I have not seen this show anywhere in digital (June 2002).
Sound Forge was used to correct the pitch of the recording.
part The Music Never Stopped Project 2002
|
|
10/24/71
|
Eastown Theater
Detroit, MI |
1 cdr/shn |
|
|
SBD>MR>C1>DAT>CDR |
|
|
10/29/71
|
Allen Theatre
Cleveland, OH |
1 cd-r |
|
|
|
second set
|
|
10/29/71
|
Allen Theatre
Cleveland, OH |
2 cdr/shn |
|
|
SBD>MR>DAT>CDR>EAC>SHN |
|
|
11/06/71
|
Harding Theater
San Francisco, CA |
3 cdr/shn |
|
|
SBD>MR>C>DAT>CR |
good quality, but PA problems with the Piano throughout the entire show, sounds like scratching or something, painful in some spots, but this is on ALL copies of this show |
|
11/07/71
|
Harding Theater
San Francisco, CA |
4 cd-r |
|
|
|
|
|
11/11/71
|
Atlanta Municipal Auditorium
Atlanta, GA |
2 cd-r |
|
|
|
|
|
11/12/71
|
San Antonio Civic Auditorium
San Antonio, TX |
2 cdr/shn |
|
|
Master Soundboard Reel > Cassette > DAT > CDR |
|
|
11/14/71
|
Texas Christian University
Fort Worth, TX |
3 cd-r |
|
|
|
|
|
11/15/71
|
Austin Municipal Auditorium
Austin, TX |
2 cdr/shn |
|
|
SBD>MR>C>D>CD>EAC>SHN |
This shn set is compiled from two different sources, both listed with one cassette generation. The secondary source is slightly degraded, but was more complete and supplies:
--tracks d1t04-->d1t08
--tracks d2t01-->d2t02
--Sound Forge was used to correct the pitch of the secondary source, and to remove a number of minor crackles within several songs.
part of The Music Never Stopped Project 2002
|
|
11/20/71
|
Pauley Pavilion, UCLA
Los Angeles, CA |
3 cdr/shn |
|
|
SBD>FM>R>DAT>CDR |
-d1t04 (BIODTL) cuts in @ 'Runnin out of money'
-d1t07 (BEW); The right channel was 'muffled' from :20-:32; I corrected it by patching in the left channel; cuts in @ 'Sound of the thunder'
-d1t11 (Cumberland) cuts in @ 'The sun is getting high'
-d2t02 (Playin') cuts in @ '...on the land'
-d2t04 (OMSN) cuts in @ end of intro
-d2t07 (Other One); The left channel had 'static bursts' from 3:24-3:31; I corrected it by patching in the right channel; d/o @ 22:17
|
|
12/01/71
|
Music Hall
Boston, MA |
1 cdr |
|
|
|
|
|
12/04/71
|
Felt Forum, Madison Square Garden
New York, NY |
2 cd-r |
|
|
SBD>MR>DAT>C>DAT>CDR |
|
|
12/05/71
|
Felt Forum, Madison Square Garden
New York, NY |
3 cd-r |
|
|
|
|
|
12/06/71
|
Felt Forum, Madison Square Garden
New York, NY |
3 cd-r |
|
|
|
|
|
12/07/71
|
Felt Forum, Madison Square Garden
New York, NY |
2 cd-r |
|
|
|
|
|
12/10/71
|
Fox Theatre
St. Louis, MO |
3 cdr/shn |
|
|
MR>Latvala's Cassette>D>CDR>EAC>SHN |
-China Cat tease before GDTRFB- |
|
12/14/71
|
Hill Auditorium
Ann Arbor, MI |
3 cdr/shn |
|
|
7" BBD reel>PCM501ES(beta)>PCM501ES analog out>Fostex D5 @ optical out 48KHz>HD |
Tuning between songs has been preserved and
is found at the end of the tracks. |
|
12/15/71
|
Hill Auditorium
Ann Arbor, MI |
1 cd-r |
|
|
|
second set |
|
12/31/71
|
Winterland Arena
San Francisco, CA |
3 cdr/shn |
|
|
FM? |
md5s do not match db. |
|
01/02/72
|
Winterland Arena
San Francisco, CA |
2 cdr/shn |
|
|
Soundboard Master > Reel > CD > SonicSolutions Workstation > CD> SHN |
|
|
03/05/72
|
Winterland Arena
San Francisco, CA |
1 cd-r |
|
|
sbd>cass>cass>cass>dat>cd |
|
|
03/21/72
|
Academy Of Music
New York, NY |
2 cdr/shn |
|
|
SBD>MR>DAT>CDR |
second set.
d1t2 ~2:57 spot of dn cleaned up
d1t2 ~7:00 - 7:10 has a brief spell of mild diginoise
d1t9 first 2 minutes has many instances of sub-second loss of high frequencies which sound like amplitude changes or warble
d2t4 has distortion from overloaded bass throughout
Many other isolated "pops" were fixed with Cool Edit's single click removal tool |
|
03/21/72
|
Academy Of Music
New York, NY |
1 cdr/shn |
|
|
Master Soundboard Reel (2 track)->Dat->Dat->Sonic Solutions->CD->EAC->SHN |
*This is a new shn set of disc 1 only, the previous shn set was missing
Big RxR Blues* |
|
03/22/72
|
Academy of Music
New York, NY |
1 cdr/shn |
|
|
A:?>Cass>Reel>CD>EAC>SHN |
Playin' In The Band
//Ca//ution
Notes: This is a somewhat rough audience recording, but it is the only known
circulating copy other than the cassette version that was taken from this
reel. The reel was played back on my Pioneer RT-707 reel to reel through my
Art DiO at 24-bits/96KHz into my Delta DiO 2496 soundcard and recorded with
SoundForge 6.0. The resultant wave file was normalized, pitch shifted down
79.3 centones, resampled to 44.1KHz at the highest quality, then bit-rate
converted to 16-bit with the high-pass triangular dither e='mrithm and
high-pass contour noise shaping. |
|
03/23/72
|
Academy of Music
New York, NY |
1 shn |
|
|
Betty Board > Gans CD > CD > DAE > SHN |
|
|
03/25/72
|
Academy of Music
New York, NY |
2 cdr/shn |
|
|
AUD composite |
The following sources were used in this compilation:
set one:
source A - low-gen reel > C > CDR
source B - MC > C > CDR; different master than source A
Wow Wow Hey Hey 1:30 tape warbles; 7:09 tape cut.
Jam (d1t11) 0:37 and 0:40 tape cuts.
set two:
source C - low-gen cassette > CDR
source B - MC > C > CDR, patch only, inferior sound than source C
beginning through Take It All Off 1:13 is from source A, the rest
is from source B except for Take It All Off 3:53 through 0:20 of Mona,
which were missing on source B and have been spliced in from source A.
Smokestack Lightning 11:40 through 12:08 spliced in from source B. |
|
03/26/72
|
Academy of Music
New York, NY |
1 cdr/shn |
|
|
AUD C/3 > SoundForge > CDR |
This is from the first set. The Deadlists entry for this set
includes El Paso and Good Lovin' after Playin' In The Band,
but also says that the AUD tape is only 60 minutes. |
|
03/27/72
|
Academy of Music
New York, NY |
3 cdr/shn |
|
|
AUD C/? > SoundForge > CDR |
Cuts in Playing In The Band and Good Lovin' as per Deadlists
"contrary to deadlists this sounds shitty again..but yeah what the heck...
by now if you listen to this run day by day you have gotten to a level of
abstraction you easily imagine a better sound. if you sit thru this evening
you will get a great good lovin (honestly it's a monster) some 25 min of it
and it tells the one to come in europe 72"
(Uli Teute) |
|
03/28/72
|
Academy of Music
New York, NY |
3 cdr/shn |
|
|
AUD C/5 > SoundForge > CDR |
This is an audience recording that requires serious efforts to listen to.
Garcia plays pedal steel on Looks Like Rain.
El Paso cut at 0:51
Sugaree cuts off
The Other One cuts off |
|
04/07/72
|
Wembley Empire Pool
London, England |
3 cdr/shn |
|
|
AUD MR>C>CDR + M?>low-gen reel>CDR |
the first AUD master supplies most of this show
the missing tracks are spliced in from the second (and worse) AUD master:
Greatest Story through Loser and Truckin' 8:33 through The Other One 9:25
the beginning of Mr. Charlie and the end of Sunshine Daydream are missing on both
masters |
|
04/08/72
|
Wembley Empire Pool
London, England |
3 cd-r |
|
|
|
|
|
04/08/72
|
Wembley Empire Pool
London, England |
3 cdr/shn |
|
|
SBD>MR (16 track)>DAT>[Disc 3 only: SS]>Sound Forge 4.5>CDR |
First the bad news: First note or two of Bertha (d1t1) is missing there is a momentary irrepairable drop out at 5.05 in Truckin' (d2t4) on the original sources. There's also a miniscule drop out in Dark Star (d3t1) at 14.45 - but hardly noticeable there are a few whirrs and bangs that seem to originate from the bass, noticeable mainly in Casey Jones and OMSN. These originate from the master reel. Virtually all the breaks between songs were cut on the source CD: these have been tidied with fades and pauses. ....
General:
Left channel balance increased + 2.5 dB in all songs (except Cumberland) to place drums in stereo centre. (The stereo balance was noticeably right biased.) Various minor pops, crackles, glitches removed or scrubbed in varioussongs (mainly Bertha, T Jed, Playing, Truckin')
.... |
|
04/11/72
|
Newcastle City Hall
Newcastle, England |
3 cd-r |
|
|
|
very muddy |
|
04/11/72
|
Newcastle City Hall
Newcastle, England |
3 cdr/shn |
|
|
SBD MC>D>CD>SoundForge>CD |
sound is generally a bit muddy, some hiss
Pigpen's voice is almost inaudible at times
and sometimes distortion & pops from Keith's piano pick-up,
the best & most complete version currently in circulation
a lot of minor anomalies (mainly clicks) throughout discs 1 + 2
d3t03: tape warble @18:47-18:52, sounds like a master cassette flaw
d1t06: very beginning is missing (a few seconds worth) |
|
04/14/72
|
Tivoli Theater
Copenhagen, Denmark |
3 cd-r |
|
|
|
|
|
04/14/72
|
Tivoli Theater
Copenhagen, Denmark |
4 cdr/shn |
|
|
SBD>mR>C>D>CD master |
except
Me And Bobby McGee, Cumberland Blues (d1t8 5:05 thru d1t9 end) SBD>FM>mR>C>C>D>CD master
It Hurts Me Too alternate source SBD>mR>C>D>CD master
Caution tape flip (d3t6 0:01-0:34) SBD>FM>mR>C>D>CD master
- Ripped with EAC V0.9b2 (test and copy tracks with all track CRC's
verified OK).
- There were about a dozen clicks on my CD copy that were not present
on the CD master. I used Cool Edit 2000 V1.0 to remove these. I
also used Cool Edit to remove audible artifacts at about a half dozen
track boundaries. All click removal was done on very narrowly targetted
(usually 3-4 sector) sections of music.
- Verified all tracks cut on sector boundaries with shntool V1.01.
- Used mkwACT V0.97b1 to create SHN's (SHN v3 with seek data embedded).
Remaining digital flaw: There is a digi-drop (about 4 sectors long)
at d4t6 1:14. |
|
04/16/72
|
Stakladen, Aarhus University
Aarhus, Denmark |
3 cdr/shn |
|
|
SBD>Rm>Dat>Sonic Solutions>CD>EAC>Samplitude>SHN |
Set 1: SBD>Rm>?>Cass>Sound Forge>SHN
--Beginning of Greatest Story is clipped; perhaps a minute missing
--First few notes of China Cat clipped
--Splice @ 0:58 in I Know You Rider
--I Know You Rider cuts out; several minutes missing
--First few notes of Mexicali clipped
--Playin cuts in during the minor key jam, at least 5 minutes are missing
--Samplitude v6.0 was used to re-track set 2 and to remove numerous cuts in the 2nd NFA with crossfades
--This can fit onto 2 discs by putting Good Lovin' on the end of set 1
--The shn from set 1 had a SBE on gd72-04-16d1t10.shn. I fixed it with shntool and made a new md5 for the track
--Thanks to Walter Schnell for providing the first set source
|
|
04/16/72
|
Stakladen, Aarhus University
Aarhus, Denmark |
2 cdr/shn |
|
|
source 1: SBD>MR>?>C>Sound Forge>SHN source 2: SBD>MR>D>CD>EAC>SHN |
source 1: provides d1t01-->d1t10 & d2t07-->d2t09
source 2: provides d2t01-->d2t06
Caveat:
Source 1 is a degraded SBD with frequent cuts (all noted at deadlists). There is occasional tape warble throughout this source.
Notes:
--beginning of Greatest Story is clipped; perhaps a minute missing
--first few notes of China Cat clipped
--splice @ 0:58 in I Know You Rider
--I Know You Rider cuts out; several minutes missing
--first few notes of Mexicali clipped
--Playin cuts in during the minor key jam, at least 5 minutes are missing
--there is a great deal missing from the O1 Jam->Me & My Uncle->O1 sequence; probably 15-20 minutes are gone
--GDTRFB cuts out just as the NFA reprise begins.
part of The Music Never Stopped Project 2002
|
|
04/17/72
|
Tivoli Concert Hall
Copenhagen, Denmark |
1 cd-r |
|
|
|
mpeg video |
|
04/17/72
|
Tivoli Concert Hall
Copenhagen, Denmark |
2 cdr/shn |
|
|
SBD>??>French TV Broadcast>C>DAT>CDR |
partial show.
d2t3 ~1:47 partial drop out hurts me 2 |
|
04/17/72
|
Tivoli Concert Hall
Copenhagen, Denmark |
3 flac |
|
|
SBD>24 track 2 |
PLease note that several songs are not in what was previously considered the correct order (prior to this seed). To the best of our knowledge, Mr. Charlie was not performed that night, but you never know.
A GEMS production -+-+- www.shnflac.net -+-+- April 2006 |
|
04/21/72
|
Beat Club
Bremen, Germany |
1 cdr/shn |
|
|
SBD>FM>MR>PCM>DAT>CDR |
The tape in circulation contains the soundcheck (Loser, BT Wind) and the show except Mr. Charlie, Sugaree and Saturday Night. There is also a fragment of Saturday Night with poor sound from the TV broadcast. One More Saturday Night is on the commercially released MTV video "Closet Classics".
1. shntool confirms tracks on sector boundaries
d1t1 ~01:52.07 brief sub-second splice from fix of gap
d1t1 ~03:12:25 some warbly sound in right channel from partial loss of high frequencies
d1t5 ~2:13 fixed a gap
d1t7 ~2:42 fixed a gap |
|
04/24/72
|
Rheinhalle
Düsseldorf, Germany |
3 cdr/shn |
|
|
source 1: AUD>MR>C>D>CD>EAC>SHN source 2: SBD>??>D>CD>EAC>SHN |
The SBD supplies Good Lovin', Casey Jones, Dark Star-->Sugar Magnolia,
and most of One More Saturday Night
Caveat:
--The sources for this recording are well below par. The audience
recording is decent for some portions (for the era) and is merely
listenable for other portions. The SBD is rather degraded, and shows
signs of tape stretching, especially for the tracks following Me &
My Uncle. Sound Forge was used to adjust a significant and varying
pitch problem for the SBD portions as well as to correct the pitch of
the AUD portions. This SBD has been circulating listed as
SBD>MR>C>D>CD, which seems unlikely. Besides the profound Dark Star,
this recording might only be suited for completists.
Notes:
--first few notes of China Cat are clipped
--first few notes of Loser are clipped
--first few notes of Good Lovin' are clipped
--audience patch from 18:15 to 20:30 in Dark Star (d3t01)
--first few notes of Not Fade Away are clipped
--reel flip in Not Fade Away reprise
--audience patch for final 45 seconds of Saturday Night
part of The Music Never Stopped Project 2003
|
|
04/26/72
|
Jahrhundert Halle
Frankfurt, Germany |
1 cdr/shn |
|
|
SBD>MR>DAT>SS>CDR |
"Hundred Year Hall" outtakes. |
|
04/29/72
|
Musikhalle
Hamburg, Germany |
1 cdr/shn |
|
|
SBD>MR>??>DAT>CDR |
shns bundled w/04-29-72 2/2
Aud Patch Source: MR*>cass>SB Live!>.wav>.shn>CD-R. (* believed to be Uher Reel Machine at 4.75 cm/sec). |
|
04/29/72
|
Musikhalle
Hamburg, Germany |
3 cdr/shn |
|
|
MR*>cass>SB Live!>.wav>.shn>CD-R |
believed to be Uher Reel Machine at 4.75 cm/sec |
|
04/29/72
|
Musikhalle
Hamburg, Germany |
3 cdr/shn |
|
|
SBD>MR>??>DAT>CDR |
Aud Patch Source: MR*>cass>SB Live!>.wav>.shn>CD-R. (* believed to be Uher Reel Machine at 4.75 cm/sec).
- sbd was pitched to match the aud source. The pitched varied thoroughout and for the longer songs
multiple pitch corrections for different segments were required. There are still artifacts, especially
before reel or cassette flips.
- Cool Edit Pro used for pitching, crossfades, etc... with highest accuracy settings
- there is little audio above 8kHz on this sbd so it pales in comparison to the better E72 boards available
- d1t1 (fades in and out) 1:06-1:09 hiss level changes briefly 5:37-5:40 overload distortion (as Keith mixed in higher?)
- d1t4 some overload like distortion at times when everyone plays chords together and on Bob's vocals
- d1t5 & d1t6 some distortion on Phil's bass and Garcia's guitar and vocals at times
- d1t7 overload distortion most promient on harmonica
- d1t8 mild overload distortion occasionally on vocals, piano, guitars
- d1t9 spots where bass and vocals have mild overload distortion
- d2t1 residual speed variation before some reel flips
- d2t2 mixes changes at the start
- d2t3 some distortion and a few very brief partial drop outs. 2:51 volume briefly drops
- d2t4 distortion on vocals and some of phils chords
- d3t1 reel flip cross faded with aud
- d3t2 reel flip cross faded with aud
- d3t5 opening notes cross faded from aud, hiss level different than preceeding tracks, more "aud" like ambiance |
|
05/03/72
|
Olympia Theater
Paris, France |
4 cdr/shn |
|
|
SBD > reel > DAT > CDR > EAC > shn |
|
|
05/04/72
|
Olympia Theater
Paris, France |
4 cd-r |
|
|
|
|
|
05/07/72
|
Bickershaw Festival
Wigan, England |
2 cd-r |
|
|
|
|
|
05/07/72
|
Bickershaw Festival
Wigan, England |
4 cdr/shn |
|
|
combo |
|
|
05/10/72
|
Concertgebouw
Amsterdam, Netherlands |
4 cdr/shn |
|
|
S:MR > Cassette > DAT > CDR > SHN |
Bertha fades in |
|
05/11/72
|
Rotterdam Civic Hall
Rotterdam, Netherlands |
4 cd-r |
|
|
10" MR@7.5ips->DAT>CDR |
|
|
05/11/72
|
Rotterdam Civic Hall
Rotterdam, Netherlands |
4 shn |
|
|
10" MR@7.5ips->DAT>CDR |
|
|
05/13/72
|
Lille Fairgrounds
Lille, France |
3 cd-r |
|
|
|
|
|
05/18/72
|
Kongressaal Deutsches Museum
München, Germany |
3 cd-r |
|
|
master reel>>sdb>>?>>dat>>cdr |
|
|
05/23/72
|
Lyceum Ballroom
London, England |
4 cd-r |
|
|
|
|
|
05/25/72
|
Lyceum Ballroom
London, England |
1 cd-r |
|
|
|
|
|
05/26/72
|
Lyceum Ballroom
London, England |
4 cd-r |
|
|
|
|
|
07/18/72
|
Roosevelt Stadium
Jersey City, NJ |
3 cd-r |
|
|
|
|
|
07/25/72
|
Paramount Theater
Portland, OR |
4 cdr/shn |
|
|
SBD>MR>C>D>CD>EAC>SHN |
The splice in BIODTL is minor. Only the first few notes of Sing Me Back
Home are clipped. The Other One contains a short bass solo that follows a
thematic jam that I have not heard anywhere else. |
|
07/26/72
|
Paramount Theater
Portland, OR |
4 cdr/shn |
|
|
Master Soundboard Reel > DAT > ZA2 > CDR x2 |
This differs from the currently circulating copy in that this one includes "He's Gone", has a complete "Greatest Story Ever Told" and the master reel flips in "Casey Jones" and "Brown Eyed Women" have been smoothed over (the flip in "BEW" is virtually transparent, however, it appears that several verses are missing). |
|
08/12/72
|
Sacramento Memorial Auditorium
Sacramento, CA |
3 cdr |
|
|
|
|
|
08/21/72
|
Berkeley Community Theater
Berkeley, CA |
3 cd-r |
|
|
|
|
|
08/22/72
|
Berkeley Community Theater
Berkeley, CA |
2 cd-r |
|
|
|
second set |
|
08/24/72
|
Berkeley Community Theater
Berkeley, CA |
2 cdr/shn |
|
|
|
There's a little digi-noise over the first line of Sing Me Back Home. These .shns came from CD-Rs burned from the circulating DAT SBD; |
|
08/25/72
|
Berkeley Community Theater
Berkeley, CA |
1 cd-r |
|
|
|
|
|
08/27/72
|
Old Renaissance Faire Grounds
Veneta, OR |
3 cd-r |
|
|
|
|
|
09/03/72
|
Folsom Field, U of Colorado
Boulder, CO |
4 cdr/shn |
|
|
primary source: SBD>MR>C>D>CD>EAC>SHN (provides most of sets 2 and 3) |
secondary source: AUD>?>C>CD>EAC>SHN (provides all of set 1 plus patches in sets 2 and 3)
Caveat:
--The audience recording that supplies the first set is fairly decent through Tennessee Jed, though the quality drops to quite poor once BTW begins, and never improves for the rest of the first set.
Notes:
--the tape was stopped between songs on the audience master, leaving many minor cuts at the beginnings of songs during the first set.
--minor tape stoppage at 5:50 in Bird Song
--Bertha is provided by the audience recording
--aud patch in O1 from 12:23 to 13:57; (from 13:41 to 13:57, a higher gen aud was needed for the patch); there is still some missing material here at 13:57, as both the AUD and SBD sources had overlapping tape/reel flips.
--the first few seconds of Cold Rain are clipped
--aud patch provides the end of Sugar Magnolia
--the encore, OMSN, is provided by the audience recording (first few notes are clipped)
--Sound Forge was used for normalization, minor pitch corrections, and other edits
|
|
09/09/72
|
Hollywood Palladium
Hollywood, CA |
3 cdr/shn |
|
|
SBDmR>Cass>D>CDR |
missing PITB |
|
09/17/72
|
Baltimore Civic Center
Baltimore, MD |
3 cdr |
|
|
|
|
|
09/19/72
|
Roosevelt Stadium
Jersey City, NJ |
2 cdr |
|
|
|
|
|
09/21/72
|
The Spectrum
Philadelphia, PA |
4 cd-r |
|
|
|
|
|
09/23/72
|
Palace Theater
Waterbury, CT |
3 cd-r |
|
|
|
|
|
09/24/72
|
Palace Theater
Waterbury, CT |
3 cd-r |
|
|
|
|
|
09/26/72
|
Stanley Theatre
Jersey City, NJ |
3 cd-r |
|
|
|
|
|
09/28/72
|
Stanley Theatre
Jersey City, NJ |
2 cd-r |
|
|
|
second set |
|
09/28/72
|
Stanley Theatre
Jersey City, NJ |
2 cdr/shn |
|
|
SBD (probably sbd>mr>dat>cdr) |
|
|
10/17/72
|
Fox Theatre
St. Louis, MO |
3 cd-r |
|
|
MSR>C>DATs>CDRs>EAC>SHN |
|
|
10/18/72
|
Fox Theatre
St. Louis, MO |
3 cdr/shn |
|
|
SBD > MR > Cass > DAT > CDR D2 fixes SHN > WAV (MKW) > CE 2K + Clickfix > SHN (MKW) |
Flaws:
d1t06 - brief cut at 0:24
d2t02 - 0.5s dropout @ ~0:54
The following analog flaws were selectively cleaned up using Cool Edit 2000 with Clickfix plugin by cwier60@yahoo.com; flaws are still detectable but not nearly as offensive.
d2t01 (China Cat) - static from 2:21-2:28 cleaned
d2t06 (Morning Dew) - transient noise @ 10:43.9-10:44.2 (23 impulses) &
10:59-10:59.5 (37 impulses) cleaned
|
|
10/19/72
|
Fox Theatre
St. Louis, MO |
3 cd-r |
|
|
|
|
|
10/24/72
|
Milwaukee Performing Arts Center
Milwaukee, WI |
1 cdr/shn |
|
|
MR > DAT > CDR 2x |
"philo stomp" |
|
10/27/72
|
Veterans' Memorial Hall
Columbus, OH |
2 cd-r |
|
|
aud |
|
|
10/28/72
|
Cleveland Public Hall
Cleveland, OH |
1 cd-r |
|
|
|
dark star > philo stomp > tiger jam > morning dew |
|
10/28/72
|
Cleveland Public Hall
Cleveland, OH |
3 cdr/shn |
|
|
SBD>MC>D>CD>EAC>SHN |
Ampex C-90 cassette master
--the overall mix is generally light on bass, and sometimes piano
--significant mix problems from Box Of Rain into Me & My Uncle
--splice at 1:52 in Bobby McGee
--dropout at 3:12 in Bobby McGee
--splice at 17:51 in Playin'
--splice at 1:52 in BIODTL
--"Philo Stomp" from 16:53 to 18:32 in Dark Star
--Sound Forge was used for normalization and to fix track boundaries
Part of The Music Never Stopped Project 2003 |
|
10/30/72
|
Ford Auditorium
Detroit, MI |
3 cd-r |
|
|
|
|
|
11/13/72
|
Soldiers and Sailors Memorial Hall
Kansas City, KS |
2 cd-r |
|
|
aud |
/playin, second set |
|
11/14/72
|
Civic Center Music Hall
Oklahoma City, OK |
3 cd-r |
|
|
SBD>Rm>Cass>Dat>CD |
|
|
11/17/72
|
Century II Convention Hall
Wichita, KS |
3 cdr/shn |
|
|
sdb>>reel master>>cassette>>dat>>cdr |
|
|
11/18/72
|
Hofheinz Pavilion
Houston, TX |
2 cdr/shn |
|
|
SBD>MC>C>D>CD>EAC>SHN |
This came to me with a reported SBD>MC>D>CD lineage, though I have reason to believe that there is an analog generation before the transfer to digital. There is some light oversaturation throughout the recording.
|
|
11/19/72
|
Hofheinz Pavilion
Houston, TX |
3 cdr/shn |
|
|
|
'Stars & Stripes Forever' tuning before
'Tomorrow Is Forever' 'Nickelodeon' tuning before
'Playin' 'Dixie' tuning before 'Dark Star"
There are sound adjustments during Bertha.
There is some minor digi-noise at the end of Jack Straw. |
|
11/22/72
|
Austin Municipal Auditorium
Austin, TX |
3 cdr/shn |
|
|
sdb>>master reel>>dat>>cdr |
shn2: jgb78-03-18late
Promised Land (missing) |
|
11/24/72
|
Dallas Memorial Auditorium
Dallas, TX |
2 cd-r |
|
|
|
|
|
11/26/72
|
San Antonio Civic Auditorium
San Antonio, TX |
1 cdr |
|
|
|
partial second set. |
|
12/11/72
|
Winterland Arena
San Francisco, CA |
3 cdr/shn |
|
|
SBD > MR > ?? > CDR |
Missing Promised Land, Sugar Magnolia and Encore Casey Jones |
|
12/31/72
|
Winterland Arena
San Francisco, CA |
3 cd-r |
|
|
|
|
|
12/31/72
|
Winterland Arena
San Francisco, CA |
4 cdr/shn |
|
|
Vault pre-FM reels > DAT > WAV > SHN |
Patch Source: pre-FM KSAN reel (http://db.etree.org/shninfo_detail.php?shnid=6340)
DAT > WAV : Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0
General:
- this source is a substantial upgrade in sound quality over the previously circulating version used here as the patch source. It has a larger dynamic range and significantly less hiss with different omissions, enabling a more complete version of the show to be assembled.
flaws:
- Start of Casey Jones, patch in Morning Dew and all of JBG, UJB and OMSN from previous circulating "prefm" source, which spectral analysis suggests was derived from multiple sources with perhaps some signal processing applied.
- some percussion sounding anomalies in left channel in TJed, referenced in banter after song ends
- Casey Jones patch at start ~ 24 seconds
- Morning Dew cross faded patch ~90 seconds
- d4t04 fades in
|
|
02/09/73
|
Roscoe Maples Pavilion, Stanford University
Palo Alto, CA |
3 cd-r |
|
|
SBD>MR>Cass>DAT>CDR>EAC>SHN |
|
|
02/15/73
|
Dane County Coliseum
Madison, WI |
3 cd-r |
|
|
|
|
|
02/17/73
|
St. Paul Auditorium
St. Paul, MN |
3 flac |
|
|
SBD -> Master Reel -> PCM -> Dat -> CD |
The following songs are patched from SBD->?->Cassette->CD
Bird Song, BIODTL, Loose Lucy, Me And Bobby McGee & Stella Blue
Notes:
-- Thanks to Matt Smith for the patch source
-- Some pops and level problems fixed with Cool Edit Pro v2.0
-- This still isn't perfect, but it's a lot better and complete |
|
02/21/73
|
Assembly Hall, Univ. Of Illinois Urbana-Champaign
Urbana, IL |
2 shn |
|
|
SBD : MC > C > DAT > SS > CDR > EAC > SHN |
set 2
d1t7 cut @ 7:18
d2t1 comes in at the opening notes
Cut in The Other One is on all copies,
including the Sonic Solutions version that circulates |
|
02/22/73
|
Assembly Hall, Univ. Of Illinois Urbana-Champaign
Urbana, IL |
2 cd-r |
|
|
SBD:MR>Cas>DAT>CD |
|
|
02/26/73
|
Pershing Municipal Auditorium
Lincoln, NE |
3 cdr/shn |
|
|
S:MR > cassette > DAT > CDR > EAC > SHN |
D1t09 (Looks Like Rain): intermittent light static throughout
D3t02 (Eyes): splice @ 3:25 |
|
03/15/73
|
Nassau Veterans Memorial Coliseum
Uniondale, NY |
3 shn |
|
|
AUD>??>CD>EAC>SHN |
source 2: SBD>MR>C>D>CD>EAC>SHN
The SBD source provides Playin' and Sugaree through China Doll (just under half of the show)
The SBD supplies nearly half of the show. There are some fluctuations in the mix and amplitude of the SBD portions, especially late in the 2nd set. The audience recording fills in the rest of the show, and is of decent quality. Sound Forge was used for normalization and pitch corrections for some portions.
Notes:
--audience patch in Playin' from 4:16 to 5:06
--during the latter half of Playin', several portions of the track were converted to mono to compensate for lengthy channel dropouts
--audience patch in Jack Straw from 3:39 to 4:04
--during O1, there is an area converted to mono due to a large channel dropout
--minor glitch at 5:37 in Eyes
--noticeable mix/volume fluctuations during Eyes
--audience patch in Eyes from 8:25 to 10:54
part of The Music Never Stopped Project 2002 |
|
03/16/73
|
Nassau Veterans Memorial Coliseum
Uniondale, NY |
3 cdr/shn |
|
|
Set 1: Betty MSR > PCM > DAT > CDR > EAC > SHN Set 2: MSR > Reel > DAT > CD > EAC > SHN |
Known flaws (many are due to the usual '73 sound system problems or
waterlogging of the set 1 reels):
D1t02 (Rider): brief bits of static/diginoise @ 2:37, 2:39, 4:34, 4:36
D1t03 (Jack Straw): some hum in right chanel at beginning (sound system problem); some
mix problems
D1t08 (BIODTL) some mix problems
D2t04 (Playin'): dropout @ 19:03
D2t05 (Promised Land): bit of staticky sound first minute
D2t09 (Big River): dropout/splice @ 1:21
D3t03 (Dark Star): brief minor bit of diginoise @ 5:00;
brief dropout @ 18:18.
D3t04 (Truckin'): reel splice @ 7:37 |
|
03/21/73
|
Utica Memorial Auditorium
Utica, NY |
4 cdr/shn |
|
|
SBD>MR>?>D>CD>SHN |
This is a Betty Board that likely suffered water damage in the
Marin County floods. As a result, there is some varying distortion
throughout the recording that at times affects the vocals.
It is significantly noticeable that noise reduction was performed
from The Race is On through the end of the show, probably to remove
the slight whine evident on disc 1 that may have increased as the
show went on. The mix is also low on bass. Sound Forge was used
to normalize and to remove a few minor glitches. Despite the handicaps
mentioned, this is an otherwise clean and full sounding recording. |
|
03/21/73
|
Utica Memorial Auditorium
Utica, NY |
3 flac |
|
|
SBD -> Master Reel -> PCM -> Dat |
source DOES NOT have any NR applied to it |
|
03/24/73
|
The Spectrum
Philadelphia, PA |
3 cd-r |
|
|
|
|
|
03/26/73
|
Civic Center
Baltimore, MD |
4 cdr/shn |
|
|
SBD>>MR>>DAT>>CDA |
|
|
03/28/73
|
Springfield Civic Center
Springfield, MA |
2 cdr/shn |
|
|
SBD>MR>D>CD>EAC>SHN |
discs 1 & 2 are from the audience source
AUD>MC>R>D>CD>EAC>SHN Notes:
--splice @ 2:36 in Loser
--minor warble @ 1:00 & 3:50 in Jack Straw
--minor warble @ 0:30 in Box Of Rain
--the 2nd set audience portions are in mono
The audience portion was provided by a reel copy (from Bill Degan) and a separate reel>DAT copy of the same master. This well made audience recording was mastered by Andy Nourse. Originally, SHNs for the audience recording were encoded by Noah Weiner, and only minor edits were added for this SHN set. The SBD portion is a minor edit of a previous SHN seed made by Jack Warner & Darrin Sacks.
part of The Music Never Stopped Project 2002 |
|
03/30/73
|
Rochester Community War Memorial
Rochester, NY |
3 cdr |
|
|
|
|
|
03/31/73
|
Buffalo Memorial Auditorium
Buffalo, NY |
3 cd-r |
|
|
|
|
|
04/02/73
|
Boston Garden
Boston, MA |
3 cd-r |
|
|
|
|
|
05/13/73
|
Iowa State Fairgrounds
Des Moines, IA |
4 cdr/shn |
|
|
MR > R > DAT > CDR |
casey jones encore moved to d3 after playing
disc 4 patched w/ MR > ? > DAT > CD > EAC > Cool Edit 96 (Resampled to correct pitch) > SHN |
|
05/20/73
|
Campus Stadium, UCSB
Santa Barbara, CA |
4 cd-r |
|
|
|
|
|
05/26/73
|
Kezar Stadium
San Francisco, CA |
4 cd-r |
|
|
|
|
|
05/26/73
|
Kezar Stadium
San Francisco, CA |
4 shn |
|
|
MSR>DAT>CD>EAC>WAV>SHN |
|
|
06/09/73
|
Robert F. Kennedy Stadium
Washington, DC |
4 cd-r |
|
|
|
|
|
06/10/73
|
Robert F. Kennedy Stadium
Washington, DC |
4 cd-r |
|
|
|
|
|
06/22/73
|
P.N.E. Coliseum
Vancouver, BC |
4 cd-r |
|
|
|
|
|
06/26/73
|
Seattle Center Arena
Seattle, WA |
0 |
|
|
SBD>MR>C>D>CD>EAC>SHN |
patched with: AUD>MR>C>D>CD>EAC>SHN
Audience recording provides:
--Casey Jones through Brown Eyed Women
--patch in Loser from 2:55 to 3:22
--all of Black Peter
--patch in Truckin' from 4:18 to 4:42
--the final few seconds of Sugar Magnolia
Notes:
--many areas of digital damage (DAT?) during first 2:15 of Bertha, and final 5 seconds of Bertha as well. Sound Forge was used to lessen the offensiveness.
--the first few seconds of He's Gone are clipped (they are clipped on the audience recording as well)
--Sound Forge was used for a slight pitch correction throughout
|
|
06/29/73
|
Universal Amphitheatre
Universal City, CA |
2 cdr |
|
|
|
|
|
06/30/73
|
Universal Amphitheatre
Universal City, CA |
3 cdr/shn |
|
|
SBD>?>DAT>CD>EAC>SHN |
Known Flaws:
- Some digi-noise at the beginning of Promised Land (d1t1)
- Reel flip in the middle of Bird Song (d1t6).
- Reel flip seconds before Eyes begins (d3t2).
|
|
07/01/73
|
Universal Amphitheatre
Universal City, CA |
1 cd-r |
|
|
aud |
first set |
|
07/01/73
|
Universal Amphitheatre
Universal City, CA |
3 cd-r |
|
|
|
|
|
07/27/73
|
Grand Prix Racecourse
Watkins Glen, NY |
2 cd-r |
|
|
|
|
|
07/28/73
|
Grand Prix Racecourse
Watkins Glen, NY |
4 cd-r |
|
|
|
|
|
08/01/73
|
Roosevelt Stadium
Jersey City, NJ |
1 cd-r |
|
|
|
dark star > el paso > eyes > morning dew
|
|
08/01/73
|
Roosevelt Stadium
Jersey City, NJ |
3 cd-r |
|
|
|
|
|
08/??/73
|
Record Plant
Sausalito, CA |
1 cdr/shn |
|
|
|
shns don't match |
|
09/07/73
|
Nassau Veterans Memorial Coliseum
Uniondale, NY |
3 cd-r |
|
|
Sbd, Reel M->Cass 1->Dat 0 -> DAT 1(?) -> CD |
|
|
09/08/73
|
Nassau Veterans Memorial Coliseum
Uniondale, NY |
3 cd-r |
|
|
|
|
|
09/11/73
|
College Of William & Mary Hall
Williamsburg, VA |
3 cd-r |
|
|
|
|
|
09/12/73
|
College Of William & Mary Hall
Williamsburg, VA |
2 cdr/shn |
|
|
SBD>MR>C>DAT>CDR>EAC>MKWact |
* With Martin Fierro & Joe Ellis on Horns
notes: The first 5 tunes of Set I suffer a variety of flaws due to equipment problems and a degraded MR.
Bertha has a tough start and nastiness at 03:53 that lasts for 30 secs.
El Paso has a glitch at 00:14
Here Comes Sunshine is missing altogether. |
|
09/15/73
|
Providence Civic Center
Providence, RI |
2 cdr/shn |
|
|
SBD:Master Reel>DAT>Sonic Solutions workstation>CD>(EAC)WAV>SHN |
second set.
w/Martin Fierro and Joe Ellis on horns (from Truckin' on)
|
|
09/17/73
|
Onondaga County War Memorial
Syracuse, NY |
3 cdr/shn |
|
|
SBD>MR>D>CD>EAC>SHN |
*with Martin Fierro & Joe Ellis on horns
--most of Tennessee Jed is gone
--Loser cuts in at "...size of Abilene.."
--perhaps a minute of Casey Jones is clipped
--splice at 7:52 in Eyes
--Keith plays a theremine during Looks Like Rain, and Weather Report Suite Prelude and Part 1.
SBD>MR>C>C>D>CD>EAC>SHN (d1t01-->d1t09) |
|
09/20/73
|
The Spectrum
Philadelphia, PA |
1 cdr/shn |
|
|
Master Soundboard Reel > Reel to Reel > PCM > CDR |
partial. |
|
09/26/73
|
Community War Memorial Auditorium
Buffalo, NY |
3 cd-r |
|
|
|
|
|
10/21/73
|
Omaha Civic Auditorium
Omaha, NE |
3 cd-r |
|
|
|
|
|
10/25/73
|
Dane County Coliseum
Madison, WI |
3 cdr/shn |
|
|
SBD Master Reel > ? > DAT > CD-R > EAC (secure) > SHN |
d1t01: level changes and some minor panning from left to right as
things are adjusted from the board.
d1t08: cuts in
Missng from 1st set:
Tenn Jed
Looks Like Rain
Deal
|
|
10/27/73
|
Indianapolis State Fair Coliseum
Indianapolis, IN |
3 cdr/shn |
|
|
MSR > R > C > D > CD |
patched with MAC > ? > D
Comments:
1/ AUD -- missing on SBD
2/ with a cut at 3:03 for a tape change; this track is missing on the AUD
3/ glitch fixed at 3:30 - 3:42
4/ patched with AUD
5/ Slight pitch warble at beginning of track - left as-is
6/ At 4:45 Wharf Rat cuts to a second SBD source of unknown lineage. At 5:57 it cuts to the AUD source.
7/ There are a couple cuts in the AUD Stella Blue. |
|
10/29/73
|
Kiel Auditorium
St. Louis, MO |
2 cdr/shn |
|
|
MSR>C>DAT>Circulation>EAC>SHN |
Analog anomalies between CRS and BIODTL and between Eyes and China Doll digitally removed with Soundforge. Track boundary error between Bertha and GSET automatically corrected by Exact Audio Copy.
|
|
10/30/73
|
Kiel Auditorium
St. Louis, MO |
3 cdr/shn |
|
|
Reel master > 1 cassette gen > DAT > CD > EAC > SHN |
d2 tracks out of order. four discs needed to play songs in proper sequence.
Some of the tuning, crowd noise, etc. between songs appears
to have been edited out slightly. Alan J. Fink retracked disc 2;
the resulting disc now sounds smoother at the track transistions
than the original source discs.
D1t01 (Me and My Uncle): cuts into beginning, split second lost
D1t06 (Mexicali) Cuts @ 1:21
D2t01 (China Cat) Volume change @ 3:39
D3t03 (Eyes) Cut/splice @ 6:27
|
|
11/01/73
|
McGaw Memorial Hall, Northwestern University
Evanston, IL |
2 cd-r |
|
|
|
|
|
11/01/73
|
McGaw Memorial Hall, Northwestern University
Evanston, IL |
2 shn |
|
|
MSR>C>DAT>PCM>DAT>CD |
* An alternate version of Uncle John's Band is provided as a work around for the splice on the master reel at about 5:25 into the song. This alternate track (d1t03alt) is missing approximately 10 seconds but masks the splice very nicely.
* About 2 seconds were removed near the start of He's Gone to mask a splice from the 1st-gen cassette.
** Splice in Wharf Rat at 4:49. An alternate track (d2t05alt) patches the splice in the master reel with about 19 seconds of material from 11/14/73.
*** Levels drop at end of Sugar Magnolia at about 9:05. I boosted the levels 4db from 9:05 to the end. |
|
11/09/73
|
Winterland Arena
San Francisco, CA |
3 cd-r |
|
|
|
|
|
11/11/73
|
Winterland Arena
San Francisco, CA |
3 cd-r |
|
|
|
|
|
11/14/73
|
San Diego Sports Arena
San Diego, CA |
4 cdr/shn |
|
|
SBD > MR > DAT > CD > EAC (secure) > SHN (seekable) |
|
|
11/17/73
|
Pauley Pavilion, UCLA
Los Angeles, CA |
3 cd-r |
|
|
|
|
|
11/20/73
|
Denver Coliseum
Denver, CO |
2 cdr/shn |
|
|
sbd > ? > CDR |
|
|
11/21/73
|
Denver Coliseum
Denver, CO |
3 cd-r |
|
|
|
|
|
11/23/73
|
County Coliseum
El Paso, TX |
4 cdr/shn |
|
|
SBD > Reel > Cassette > Datx2 > CDR > ? > WAV > DARTPro > SHN |
|
|
11/25/73
|
Feyline Field
Tempe, AZ |
3 cdr/shn |
|
|
MSR>Cass.>DATs>CDRs>EAC>SHN |
Known flaws:
Promised 3.14 rt chan ?
China 3.55 Splice?
r Jimmy 6:37-8 Static
Playin' 7.29 splice
WRSPre :02 pop rt chan
"" 1:23 "" "" ""
LTG 0:01 pop
"" 6.34 reel change
SMAG 8.14 click
|
|
11/30/73
|
Music Hall
Boston, MA |
3 cdr/shn |
|
|
sbd > ? > CDR > EAC(secure) > mkwact(seekable) |
Some songs from this date are featured on Dick's Picks 14.
|
|
12/01/73
|
Music Hall
Boston, MA |
4 shn |
|
|
Master Soundboard Reels > PCM > DAT> CDR |
by re-assembling the discs, this 4 disc set can fit on 3 discs.
However, the noodling/segue betweeen "Mississippi Half-Step" (d4t01)
and "Playin' in the Band" (d4t02) would either
be lost in a disc change, or, necessitate an overlap of music between
disc 2 and disc 3. This segue has been left in place in this 4 disc set.
there is a 0:01 burst of static at the 4:01 mark of "Big River" (d2t01)
made possible thru the usual group of suspects/mental patients
|
|
12/02/73
|
Music Hall
Boston, MA |
3 cdr/shn |
|
|
Master Soundboard Reel > Cassette > DAT > CDR |
|
|
12/08/73
|
Cameron Indoor Stadium, Duke University
Durham, NC |
4 cd-r |
|
|
SBD:MR>C>DAT>CD |
|
|
12/12/73
|
The Omni
Atlanta, GA |
3 cdr/shn |
|
|
SBD : MR > C > DAT > CDR |
The complete show except for Sugar Magnolia and Casey Jones
COMMENTS FROM DEADLISTS
13-beat Beat It On Down The Line. After I Know You Rider is a Merry
Go Round Brokedown tuning. On cassette tapes the first set flip follows El
Paso. The second set flip occurs during Let It Grow, though nothing is missing. |
|
12/18/73
|
Curtis Hixon Convention Hall
Tampa, FL |
3 cd-r |
|
|
|
|
|
02/22/74
|
Winterland Arena
San Francisco, CA |
3 cdr/shn |
|
|
SBD > ? > SHN |
missing Sugar Mag, UJB
soundcheck listed separately |
|
02/23/74
|
Winterland Arena
San Francisco, CA |
3 cd-r |
|
|
SBD > Reel > PCM > DAT > CD > EAC > SHN |
Missing Big River, Ramble On Rose, Me And My Uncle, Casey Jones |
|
02/24/74
|
Winterland Arena
San Francisco, CA |
4 cd-r |
|
|
|
|
|
03/23/74
|
Cow Palace
Daly City, CA |
3 cd-r |
|
|
|
|
|
05/12/74
|
University Of Nevada
Reno, NV |
3 cd-r |
|
|
|
|
|
05/14/74
|
Adams Field House, University Of Montana
Missoula, MT |
3 cd-r |
|
|
|
|
|
05/17/74
|
P.N.E. Coliseum
Vancouver, BC |
3 cd-r |
|
|
|
|
|
05/19/74
|
Portland Memorial Coliseum
Portland, OR |
3 cd-r |
|
|
|
|
|
05/21/74
|
Edmundson Pavilion, University Of Washington
Seattle, WA |
3 cd-r |
|
|
|
|
|
05/25/74
|
Campus Stadium, UCSB
Santa Barbara, CA |
3 cd-r |
|
|
Master Soundboard Reel > Dick Latvala's Cassette > DAT > mastered to CD-R on an HHB CDR-850 > .shn > CDR > EAC > SHN |
|
|
06/08/74
|
Oakland-Alameda County Coliseum
Oakland, CA |
3 cd-r |
|
|
Master Audience Reel > Reel to Reel > PCM > DAT |
Master Soundboard Reel > DAT supplies Playin' in the Band>Wharf Rat>Playin' in the Band, as well as Eyes of the World |
|
06/16/74
|
Des Moines State Fair Grandstand
Des Moines, IA |
4 cdr/shn |
|
|
SBDMR>DAT>CD>EAC>SHN |
Bertha- splice @ 4:04; serious mix problems prior to this
Sugaree- MR flip @ 3:59
Playin'- d/o @0:01, d/o @3:16
T.Jed- <1 sec. digi-noise @0:02
W.Rat- MR flip @2:50
|
|
06/18/74
|
Freedom Hall
Louisville, KY |
3 cd-r |
|
|
|
|
|
06/23/74
|
Jai-Alai Fronton
Miami, FL |
3 cdr/shn |
|
|
MSR>DAT>CD |
This source features an uncut Row Jimmy.
Patches supplied by the following AUD source:
AudMC > DAT > WAV > SHN
Recorded by Jerry Moore about 15 rows from the stage on center axis
with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120
cassettes, with Dolby B ON.
|
|
06/30/74
|
Springfield Civic Center
Springfield, MA |
3 shn |
|
|
SBDMR > DATx2 > CD > SHN > WAV > SHN |
DAT > via optical cable > CD (via HHb CDR-800 Pro) >
WinDAC32 > WAV > MKW Audio Compression Toolkit (shn) >
WAV > Sound Forge (track edits, normalizing, cross fades) >
SHNTOOL (SBE fix) > MKW Audio Compression Toolkit (shn)
AUD portions and patches from:
AudMC > DAT > WAV > SHN Recorded by Jerry Moore, 1st level
off floor, audience right, roughly center court with 2 hand
held AKG D-1000E mics > Sony 152 deck. Maxell UD-120
cassettes, with Dolby B ON.
SBD patches from:
SBDMR > DATx3 > C > DATx2 > ZA2 > CDRx1 > EAC > SHN
(see technical notes below)
*SBDMR flip in Cumberland patched with AUD,
cross faded 05:12 to 05:35
*set 1.5 is taken from AUD; missing on SBDMR
*SBDMR flip in Eyes patched with AUD,
cross faded 10:27 to 10:54
note: Truckin' contains a loose Nobody's Fault But Mine Jam
technical notes:
There are mix adjustments, typical of this era of GD
SBD recordings, in the early minutes of Don't Ease Me In
There were a number of spots on the source DAT that
exhibited digital snits and pops. These were either
removed with the pencil tool in Sound Forge, or, when
they were of the nature that could not be eliminated
by digital tools, patched over with the previously
circulating SBD version, SBDMR > DATx3 > C > DATx2 >
ZA2 > CDRx1 > EAC > SHN (source 2), as listed below:
d01t04 00:54 - digi-zap patched from source 2
d01t05 00:03 - digi-zap patched from source 2
d01t05 00:05 to 00:08 - digi-crackle patched from source 2
d02t06 02:06 - digi-zap patched from source 2
d03t02 10:13 - digi-pop penciled out
d03t02 13:15 - digi-pop penciled out
One digi-snit appearing in US Blues (d03t01 at 01:34)
existed on both sources and thus could not eliminated
completely.
|
|
07/19/74
|
Selland Arena
Fresno, CA |
3 cd-r |
|
|
|
|
|
07/19/74
|
Selland Arena
Fresno, CA |
3 shn |
|
|
MSR > D > CD patched with MAC > C > C > D |
A tape-flip cut in Row Jimmy is patched from the AUD, and another in Playing In The Band.
The Seastones patched in from AUD in previously circulating copies has been upgraded to the 2nd gen AUD source,
and the Saturday Night has been added from the AUD source.
0:51-1:18 in d2t8 patched from SBD:MR>C>DAT>CD to cover bad digi-glitches
|
|
07/21/74
|
Hollywood Bowl
Los Angeles, CA |
3 cd-r |
|
|
AUD Sony ECM-22p > Sony TC-152 master cassette > reel > DAT > CDR |
|
|
07/25/74
|
International Amphitheater
Chicago, IL |
2 cd-r |
|
|
|
|
|
07/27/74
|
Roanoke Civic Center
Roanoke, VA |
2 cd-r |
|
|
|
|
|
07/31/74
|
Dillon Stadium
Hartford, CT |
4 cd-r |
|
|
|
|
|
08/04/74
|
Philadelphia Civic Arena
Philadelphia, PA |
3 cd-r |
|
|
|
|
|
08/04/74
|
Philadelphia Civic Arena
Philadelphia, PA |
3 cdr/shn |
|
|
AUDMC > DAT > WAV > SHN |
-d1t02 "Bertha": Drop out (less than .5 sec) on new DAT at
02:03 patched from previously circulated version. Lineage
was MC>DAT for patch, but this is certainly suspect after
comparing the two DATs. More likely patch is simply MC>?>DAT.
-d3t06 "Let It Grow": Master Cassette tape flip at 8:28 cross
faded in Soundforge. |
|
08/05/74
|
Philadelphia Civic Arena
Philadelphia, PA |
3 cd-r |
|
|
MSR>C>C>DATs>CDRs>EAC |
The last half of Seastones and the last part of
Stella Blue > end of show were patched with Jerry Moore's MC>D>CD (AKG D1000s>Sony TC-152) audience recording.
|
|
08/06/74
|
Roosevelt Stadium
Jersey City, NJ |
4 cd-r |
|
|
|
|
|
09/09/74
|
Alexandra Palace
London, England |
2 cdr |
|
|
|
|
|
09/09/74
|
Alexandra Palace
London, England |
2 cdr/shn |
|
|
SBD>Rm>Dat>CD>EAC>SHN |
|
|
09/10/74
|
Alexandra Palace
London, England |
3 cdr |
|
|
|
|
|
09/11/74
|
Alexandra Palace
London, England |
4 cd-r |
|
|
|
|
|
09/11/74
|
Alexandra Palace
London, England |
4 cdr/shn |
|
|
SBD Reel master > DAT > CDR > EAC > SHN |
Discs 2 and 4 are short discs in order to preserve the original playing
order of the show.
D1t01 (Scarlet Begonias): Major sound system/mix problems 2:06-3:10
D4t04 (Sugar Mag): cuts at Sunshine Daydream |
|
09/14/74
|
Olympiahalle
Munich, Germany |
3 cdr/shn |
|
|
AUD MR>D>CD |
Sugar Magnolia dropout at 3:50 (seems to be on all copies)
This version also includes *all* of the dead air. |
|
09/14/74
|
Olympiahalle
Munich, Germany |
3 flac |
|
|
SBD -> Master Reel -> Dat |
-- Bertha through 5:20 of Scarlet patched from AUD>Rm>Dat>CD.
-- I did a 10db bass boost on the AUD patch (not that you can tell).
-- Cut in Truckin' Jam removed with crossfade.
-- Last few seconds of Sugar Magnolia missing (Fade Out).
-- Cut in U.S. Blues. |
|
09/18/74
|
Parc Des Expositions
Dijon, France |
3 cd-r |
|
|
SBD > pre-FM master (reel?) > DAT CD |
patched with SBD > master reel > PCM > DAT > CD > SoundForge >CD |
|
09/18/74
|
Parc Des Expositions
Dijon, France |
3 cdr/shn |
|
|
SBD > pre-FM master (reel?) > DAT CD, patched with SBD > master reel > PCM > DAT > CD > SoundForge >CD |
- the MR>P>D>CD version is almost complete but has two dropouts and flatter dynamics.
So, the bulk of the show comes from the incomplete preFM version and the MR>P>D>CD
supplies Mexicali >> Deal and the entire CD2.
- Mexicali >>> Deal flattened (app 2.5 %) to concert pitch; Mexicali volume increased
- note to the perfectionists: there?s a small click when the final note of Scarlet Begonias
rings out (@ 8:31). this is NOT due to patching there. The patch actually occurs 0.5 sec later.
The small click is present on both sources.
- missing Phil & Ned (not in circ.) and the E: U.S: Blues
- Disc 2: Playing (app 3%) and Loose Lucy >>> China Doll (app 4.6%) flattened to concert pitch,
Playing has slight warble from ~20:00 to the end |
|
09/20/74
|
Palais Des Sports
Paris, France |
3 cd-r |
|
|
|
|
|
09/21/74
|
Palais Des Sports
Paris, France |
2 cdr/shn |
|
|
SBD > master reel > reel to reel > DAT > CD > SoundForge > CD |
- set I doesn?t circulate
- 3:40 added from SBD cassette at start of Seastones.
master reel (probably) dropout between Seastones and Playin? repaired with a crossfade
- Around & Around patched in from unknown generation AUD tape by Alasdair Macdonald
- 1-24-69 Filler is the first set and all that circulates from that date.
Lineage: Master reel > cassette > DAT > CD. This complements the 1-25 & 26-69 shows from tree #6.
|
|
10/16/74
|
Winterland Arena
San Francisco, CA |
4 cdr/shn |
|
|
Reel Master>Cassette>DAT>EAC 0.93b>MKWACT |
new |
|
10/17/74
|
Winterland Arena
San Francisco, CA |
3 cd-r |
|
|
|
|
|
10/18/74
|
Winterland Arena
San Francisco, CA |
2 cd-r |
|
|
|
|
|
10/19/74
|
Winterland Arena
San Francisco, CA |
3 cd-r |
|
|
|
|
|
??/??/74
|
China-Rider Compilation
Various, Various |
2 shn |
|
|
SBD>?>CDR |
'74 Mars Hotel Sessions
Disc 1 For songs with multiple takes, each version is
completely different
Disc 2 All songs are performed instrumentally |
|
03/23/75
|
Kezar Stadium
San Francisco, CA |
1 cdr/shn |
|
|
SBD |
md5s not listed. |
|
06/17/75
|
Winterland Arena
San Francisco, CA |
2 cdr/shn |
|
|
AUD CM > DAT > CD > EAC > SHN |
Help On The Way no lyrics |
|
08/13/75
|
Great American Music Hall
San Francisco, CA |
2 cdr/shn |
|
|
FM Source: SBD>FM>MC>DAT>WAV>SHN SBD Source: MSR>R(2)>C>DAT>WAV>SHN |
*FM broadcast on 9/1/75 - Metromedia Network
SBD portion normalized via SoundForge to match FM levels
Donated for The Music Never Stopped Project 2003 |
|
09/28/75
|
Lindley Meadows, Golden Gate Park
San Francisco, CA |
2 cd-r |
|
|
|
|
|
05/30/76
|
Orpheum Theatre
San Francisco, CA |
1 cdr |
|
|
|
fill: 07-02-89 w/los lobos |
|
06/03/76
|
Paramount Theatre
Portland, OR |
3 cd-r |
|
|
|
|
|
06/09/76
|
Boston Music Hall
Boston, MA |
3 cd-r |
|
|
|
|
|
06/11/76
|
Boston Music Hall
Boston, MA |
3 cd-r |
|
|
|
|
|
06/12/76
|
Boston Music Hall
Boston, MA |
3 cdr/shn |
|
|
SBD> FM(WBCN)> MR(7.5ips) > Akai 4000DS MKII > Turtle Beach Tropez > CoolEdit96 > CD Wave > SHN |
The entire recording is included on these discs, including radio announcer (Old Saxophone Joe) intro and outro. Only material missing are two promos for Ampex tape.
- ~2 sec. dropout on Mission (3:28) was during broadcast and not a tape artifact.
- d2t05 - The Wheel from unknown AUD source (not included in original broadcast).
- d3t05 - 5:54 Around ends; remainder of track consists of crowd noise waiting for encore; 7:27 radio announcer comes on discussing encore.
- d3t08 - 2:56 Weir says "Thank y'all and good night"; 3:17 radio announcer comes in and continues through end of track. |
|
06/14/76
|
Beacon Theatre
New York, NY |
3 cdr |
|
|
|
|
|
06/17/76
|
Capitol Theater
Passaic, NJ |
3 cdr |
|
|
AUD |
|
|
06/18/76
|
Capitol Theater
Passaic, NJ |
3 cdr |
|
|
AUD |
|
|
06/19/76
|
Capitol Theater
Passaic, NJ |
2 cdr |
|
|
AUD |
|
|
06/21/76
|
The Tower Theatre
Upper Darby, PA |
3 cd-r |
|
|
AUD >[Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable |
|
|
06/22/76
|
The Tower Theatre
Upper Darby, PA |
3 cd-r |
|
|
AUD > [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable |
|
|
06/23/76
|
The Tower Theatre
Upper Darby, PA |
3 cd-r |
|
|
AUD > [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable) |
|
|
06/24/76
|
The Tower Theatre
Upper Darby, PA |
2 cd-r |
|
|
AUD > [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable) |
|
|
06/24/76
|
The Tower Theatre
Upper Darby, PA |
2 shn |
|
|
SBD>MR>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
(Set 1 only) : WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN
|
|
06/26/76
|
Auditorium Theatre
Chicago, IL |
3 cdr |
|
|
AUD |
|
|
06/27/76
|
Auditorium Theatre
Chicago, IL |
3 cdr |
|
|
AUD |
|
|
06/28/76
|
Auditorium Theatre
Chicago, IL |
2 cdr |
|
|
AUD |
|
|
06/28/76
|
Auditorium Theatre
Chicago, IL |
2 cdr/shn |
|
|
AUDMR > ? > DAT > SHN |
Patch Source: AUDMR > DAT > CD > EAC > SHN (Noah Weiner) |
|
06/29/76
|
Auditorium Theatre
Chicago, IL |
3 cd-r |
|
|
|
|
|
07/12/76
|
Orpheum Theatre
San Francisco, CA |
4 cd-r |
|
|
|
inc. sound check |
|
07/13/76
|
Orpheum Theatre
San Francisco, CA |
2 cd-r |
|
|
SBD>>MR>>Reel>>Reel>>Reel>>Dat>>CDA>>DAW(Bertha)>>CD |
|
|
07/14/76
|
Orpheum Theatre
San Francisco, CA |
2 cdr/shn |
|
|
SBD MR > ??? > CD-R > EAC > .SHN |
Missing: They Love Each Other |
|
07/16/76
|
Orpheum Theatre
San Francisco, CA |
3 shn |
|
|
SBD -> Master Reel -> Master Dat (44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN |
Set 1 Recording Info:
(Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152) -> Dat ->
CD -> EAC -> SHN (Recorded by Bob Menke)
-- Patch in Samson (4:35-6:05) same source as Set 1.
-- Encore: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152) -> Reel ->
Dat -> CD -> EAC -> SHN (Recorded by Bob Menke)
|
|
07/18/76
|
Orpheum Theatre
San Francisco, CA |
3 cd-r |
|
|
aud? |
|
|
08/04/76
|
Roosevelt Stadium
Jersey City, NJ |
3 cd-r |
|
|
|
|
|
10/03/76
|
Cobo Arena
Detroit, MI |
3 cdr/shn |
|
|
1st set: AUD>?>CD>EAC>SHN 2nd set: SBD>MR>D>CD>EAC>SHN |
*Not Fade Away contains a China Cat Sunflower Jam
--several minutes are missing from the beginning of Sugaree
--dropout at 2:32 in Sugaree
--it sounds like someone is tapping the microphone/stand(?) during Sugaree
--the first minute (roughly) of Loser is missing
--first few notes of Scarlet are clipped
--audience patch starts at 9:40 in Playin', and continues to 0:47 in Drums
--FM SBD patch in Dancin' from 0:57 to 1:31 |
|
10/09/76
|
Oakland-Alameda County Coliseum
Oakland, CA |
2 cd-r |
|
|
|
|
|
10/10/76
|
Oakland-Alameda County Coliseum
Oakland, CA |
2 cd-r |
|
|
Master Soundboard Reel > DAT > CDR |
|
|
12/31/76
|
Cow Palace
Daly City, CA |
3 cdr/shn |
|
|
FM-SB (KSAN-FM)>?>CDA |
Uncle John's Band > (MISSING)
And We Bid You Good Night (MISSING) |
|
12/31/76
|
Cow Palace
Daly City, CA |
3 shn |
|
|
PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
Cool Edit 2000 was used to fix pops at the following spots in Jack Warner's Pre-FM version of 12/31/76. I re-encoded to shorten and generated new MD5's with MKW.
Loud pops were noticed at:
Slipknot! - 6:20
Dew - 4:50, 7:40, 7:50
8 Uncle John's Band* [8:19] >
9 And We Bid You Good Night* [3:23]
* from MAR (unknown equipment) > Reel > Beta HiFi > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
|
|
02/26/77
|
Swing Auditorium
San Bernardino, CA |
3 cd-r |
|
|
|
|
|
02/26/77
|
Swing Auditorium
San Bernardino, CA |
3 shn |
|
|
SBD > Master Reel > PCM > DAT > CD-R>EAC>SHN |
REEL PROBLEMS:
Sugaree (d1t05) 6:59 - 7:01 there is a funny reel generated boo boo
PITB (d2t01) 8:42 another reel problem
Franklin's (d2t09) there is a reel change in there that is one of the better ones we've heard.
d3 FILLER: Scarlet > Fire > Good Lovin
from 5-5-77 |
|
03/18/77
|
Winterland Arena
San Francisco, CA |
3 cd-r |
|
|
|
|
|
03/19/77
|
Winterland Arena
San Francisco, CA |
3 cd-r |
|
|
|
|
|
03/20/77
|
Winterland Arena
San Francisco, CA |
3 cd-r |
|
|
|
|
|
03/20/77
|
Winterland Arena
San Francisco, CA |
2 shn |
|
|
SBD -> Master Reel -> Dat x 2 -> Sonic Solutions -> CD |
-- Tracked with Samplitude v7.02 Professional |
|
04/22/77
|
The Spectrum
Philadelphia, PA |
2 cdr/shn |
|
|
Source 1: AUD>MC>D>CD>EAC>SHN Source 2: SBD>MR>D>CD>EAC>SHN Source 3: SBD>MR>?>CD>EAC>SHN |
*first performance of I've Got My Mojo Workin'
Notes:
--Source 1 is a decent audience recording with fairly loud crowd noise, and provides all of the 1st set except for Estimated, and It Must Have Been The Roses from set 2.
--Source 2 is a pretty crisp SBD, and provides Estimated from set 1, and Dancin' through to the end of Terrapin from set 2.
--Source 3 is a slightly lesser quality SBD, and provides Scarlet through Samson.
--there is a blemish from recording levels @ 1:55 in El Paso
--dropout @ 5:06 in Playin'
--no encore was played
--Sound Forge was used to normalize the audience portion of the recording, and to remove several crackles from the SBDs.
part of The Music Never Stopped Project 2002 |
|
04/22/77
|
The Spectrum
Philadelphia, PA |
3 flac |
|
|
SBD (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> Dat (44.1k) Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> |
Patch Info:
(FOB) Sony ECM99A -> Cassette Master (Sony TC152) -> Dat -> CD
All of Promised Land, and patches for the reel flips in PITB and Terrapin Station.
Notes:
-- All disc changes are seamless.
-- There are about 3 seconds of static in The Wheel. |
|
04/23/77
|
Springfield Civic Center
Springfield, MA |
3 cdr/shn |
|
|
SBD->MR->DAT->CD |
d3t3 patched with audience source (FOB Sony ECM99A mics->Sony TC152->DAT->CD via D.Sacks)
to cover missing SBD source due to reel flip. No other known flaws.
Discs #1 and #2 have tuning tracks between songs. |
|
05/01/77
|
The Palladium
New York, NY |
1 cd-r |
|
|
|
second set |
|
05/04/77
|
The Palladium
New York, NY |
1 cd-r |
|
|
|
second set
|
|
05/04/77
|
The Palladium
New York, NY |
2 cdr/shn |
|
|
MASTER REEL>DAT>DAT>CD |
DISK1 (SBD>CASSM?R?>DAT; except for BEW which is MRSBD>CDR; BEW came from the "Around the Fire" soundtrack) |
|
05/05/77
|
Veterans Memorial Coliseum
New Haven, CT |
3 cd-r |
|
|
|
|
|
05/07/77
|
Boston Garden
Boston, MA |
3 cd-r |
|
|
|
|
|
05/07/77
|
Boston Garden
Boston, MA |
3 shn |
|
|
Master 1/2 trk 7" reels @7.5ips (DBX encoded)->PCM beta digital->Sony 2500 dat->DB Technologies DB3000S for digital emphisis decode->DB Technologies 924 for D->A conversion->Dolby 361 modules W/K9-22 DBX cards for DBX decode->Neve Ca |
Here is what was used for the AUD patches:
AudMC > DAT > Soundforge > CDWAV > SHN
Taper: Steve Rolfe Sony ECM 33P mic > TC-152 deck
A > D transfer by Noah Weiner - November, 2001
AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only)
Soundforge was used for normalizing and editing. |
|
05/08/77
|
Barton Hall, Cornell University
Ithaca, NY |
3 cd-r |
|
|
aud |
|
|
05/08/77
|
Barton Hall, Cornell University
Ithaca, NY |
3 cdr/shn |
|
|
remastered Betty Board w/AUD splices (Eaton version) |
|
|
05/09/77
|
Buffalo Memorial Auditorium
Buffalo, NY |
3 cd-r |
|
|
|
|
|
05/11/77
|
St. Paul Civic Center
St. Paul, MN |
3 cd-r |
|
|
|
|
|
05/12/77
|
Auditorium Theatre
Chicago, IL |
2 cdr/shn |
|
|
Master Audience Reel > unknown mics/deck> DAT > CDR |
this version represents a fresh transcription of the 3 disc set
already in circulation. This copy has been normalized to 98%,
the in-between song transitions smoothed, digital anomalies
removed, as well as re-tracked and re-formatted to fit on 2 discs
disc 1 requires an 80 minute disc |
|
05/15/77
|
The Arena
St. Louis, MO |
3 flac |
|
|
SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC |
|
|
05/17/77
|
Memorial Coliseum, University Of Alabama
Tuscaloosa, AL |
3 cdr/shn |
|
|
SBD>MR 7 |
|
|
05/18/77
|
Fox Theatre
Atlanta, GA |
2 cdr/shn |
|
|
SBD > MR > DAT > CDR > WAV > SHNv3 |
|
|
05/19/77
|
Fox Theatre
Atlanta, GA |
3 cd-r |
|
|
|
|
|
05/21/77
|
Lakeland Civic Center
Lakeland, FL |
2 cdr/shn |
|
|
SBD>reel>DAT>CD-R |
|
|
05/25/77
|
The Mosque
Richmond, VA |
3 cd-r |
|
|
|
|
|
05/26/77
|
Baltimore Civic Center
Baltimore, MD |
3 cd-r |
|
|
|
|
|
05/28/77
|
Hartford Civic Center
Hartford, CT |
3 cd-r |
|
|
|
|
|
06/04/77
|
The Forum
Inglewood, CA |
3 cdr/shn |
|
|
AUD > cassette > CDR? > Rich Plumb DAT > GoodBear Computer (no edit) > SHN |
|
|
06/07/77
|
Winterland Arena
San Francisco, CA |
3 cdr/shn |
|
|
Soundboard -> Vault Reels ->DAT -> David Gans' Sonic Solutions Digital Editing -> CDR -> EAC -> CDR -> EAC -> SHN |
unconfirmed lineage. |
|
06/08/77
|
Winterland Arena
San Francisco, CA |
3 cd-r |
|
|
|
|
|
06/09/77
|
Winterland Arena
San Francisco, CA |
3 cd-r |
|
|
|
|
|
06/09/77
|
Winterland Arena
San Francisco, CA |
3 flac |
|
|
SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD |
Patch Info:
AKG D224 -> Master Reel (Tandberg 10XD) -> Reel -> Dat -> CD
Patch in d3t02 (St. Stephen) from 4:50 - 4:54
Patch in d3t07 (Sugar Magnolia) from 0:53 - 1:14
All other reel flips take place between songs, no patches needed.
Notes:
-- This is an upgrade to all circulating copies.
-- Thanks to Paul Scotton for the source discs.
-- There are some kind of low-frequency pops in Franklin's Tower.
-- Mind Left Body tease at end of Not Fade Away. |
|
10/01/77
|
Paramount Theatre
Portland, OR |
3 cd-r |
|
|
|
|
|
10/02/77
|
Paramount Theatre
Portland, OR |
3 cd-r |
|
|
|
static mess
|
|
10/06/77
|
Activity Center, Arizona State University
Tempe, AZ |
3 cdr/shn |
|
|
Reel Master > Cassette > DAT > CD |
|
|
10/14/77
|
Hofheinz Pavilion
Houston, TX |
3 cdr |
|
|
|
|
|
10/16/77
|
Assembly Center, Lousiana State University
Baton Rouge, LA |
3 cd-r |
|
|
|
|
|
10/28/77
|
Soldiers & Sailors Memorial Hall
Kansas City, KS |
3 cdr |
|
|
Betty Board>MR>?>CD |
|
|
10/29/77
|
Evans Field House, Northern Illinois University
DeKalb, IL |
2 cd-r |
|
|
|
static mess
|
|
10/29/77
|
Evans Field House, Northern Illinois University
DeKalb, IL |
3 shn |
|
|
SBD > Reel > DAT > WAV (via TB Fiji S/PDIF) > SHN |
|
|
10/29/77
|
Evans Field House, Northern Illinois University
DeKalb, IL |
3 shn |
|
|
MAC>R>D>CD |
|
|
10/30/77
|
Assembly Hall
Bloomington, IN |
3 cd-r |
|
|
|
|
|
11/01/77
|
Cobo Arena
Detroit, MI |
2 cd-r |
|
|
|
|
|
11/02/77
|
Field House, Seneca College
Toronto, ON |
3 cd-r |
|
|
|
|
|
11/04/77
|
Cotterell Gym, Colgate University
Hamilton, NY |
3 flac |
|
|
Matrix: (SBD/AUD mix) |
Sick Bits Vol. 5
SBD: MR > DAT > CD-R (shn ID #2595)
AUD: MAC: Sony ECM 33Ps > Sony TC-158 > CDR (shn ID #15208)
Taped by Jerry Moore
|
|
11/06/77
|
Broome County Arena
Binghamton, NY |
3 cd-r |
|
|
|
|
|
12/27/77
|
Winterland Arena
San Francisco, CA |
3 cd-r |
|
|
|
|
|
12/31/77
|
Winterland Arena
San Francisco, CA |
3 cdr/shn |
|
|
SBD > Master Reel > DAT > CDR > EAC > SHN |
|
|
01/06/78
|
Swing Auditorium
San Bernardino, CA |
2 cd-r |
|
|
|
|
|
01/07/78
|
Golden Hall, Community Concourse
San Diego, CA |
3 cd-r |
|
|
|
|
|
01/08/78
|
Golden Hall, Community Concourse
San Diego, CA |
3 cd-r |
|
|
|
|
|
01/22/78
|
McArthur Court, University Of Oregon
Eugene, OR |
2 cd-r |
|
|
|
missing bertha>good lovin, ship of fools, samson |
|
01/22/78
|
McArthur Court, University Of Oregon
Eugene, OR |
3 shn |
|
|
sbd>??>cd>eac>shn |
Disc 2: Source: Audience FOB Sony TC-640 reel to reel > TCD-D8
Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3
>mkw>wav>mkw appended w/seek files>shn |
|
01/31/78
|
Uptown Theater
Chicago, IL |
2 cd-r |
|
|
|
let it grow, second set |
|
02/01/78
|
Uptown Theater
Chicago, IL |
2 cd-r |
|
|
|
|
|
04/07/78
|
The Sportatorium
Pembroke Pines, FL |
3 cd-r |
|
|
7" Two Track Reel@ 7 1/2 ips>PCM501ES @44.055kHz>PCM analog out> |
|
|
04/10/78
|
Fox Theater
Atlanta, GA |
3 cdr/shn |
|
|
SBD -> Rm -> PCM -> Dat |
Samplitude was used to normalize and re-track each disc,
and to clean up what sounded like pauses on either the Master Reel or PCM.
|
|
04/11/78
|
Fox Theater
Atlanta, GA |
3 cdr/shn |
|
|
SBD -> Rm -> PCM -> Dat |
Samplitude was used to normalize and re-track each disc,
and to clean up what sounded like pauses on either the Master Reel or PCM.
|
|
04/12/78
|
Cameron Indoor Stadium, Duke University
Durham, NC |
3 cdr/shn |
|
|
SBD>MR>PCM>D>CD>Toast Audio Extractor>Peak>SHN |
No/Low Jerry vocals on d1t1 &t2 (Jack Straw and Dire Wolf)
Reduced sound "burst" at 0:45 on d1t2 (Dire Wolf)
Patched the dropout at 8:32 on d2t5 (Eyes Of The World)
Reel flip/dropout between d3t2 & t3 (Wharf Rat and Around & Around |
|
04/15/78
|
William & Mary Hall
Williamsburg, VA |
3 cd-r |
|
|
|
|
|
04/19/78
|
Veterans Memorial Hall
Columbus, OH |
3 cd-r |
|
|
MSR> DAT > Sonic > CD mastered by David Gans |
|
|
04/24/78
|
Horton Field House, Illinois State University
Normal, IL |
3 cd-r |
|
|
MR>?>R>D>Digi96>Soundforge>CDWAV>SHN |
|
|
05/11/78
|
Springfield Civic Center
Springfield, MA |
3 cd-r |
|
|
|
|
|
05/13/78
|
The Spectrum
Philadelphia, PA |
3 cdr/shn |
|
|
Sony ECM33P7 + AKGD1000E > Teac PC-10 > Master Audience Cass > DAT's Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > |
No dae, no normalizing, no eq or processing of any kind.
*editing-
d1t01- at around the minute mark, the volume dropped. in addition, it
sounded like the source changed. i opted to start d1 at this point and
left off the first minuite of crowd noise entirely.
d1t05 tape flip after "el paso", gap removed
d2t02 tape flip after "good lovin", gap removed with a crossfade
d2t04 has PA distortion several places from ~3:50 thru ~5:00
d3t01 tape flip during "space", thud removed gap remains
d3t04 tape flip after "sugar magnolia" gap removed
|
|
06/25/78
|
Autzen Stadium, University Of Oregon
Eugene, OR |
2 shn |
|
|
SBD>MC>?>D>CD>EAC>SHN |
4. //Drums*-->
5. Space*-->
*with Ken Babbs and The Thunder Machine
There is some noticeable oversaturation during the 2nd set. There may or
may not be an anolog cassette generation before the transfer to digital.
|
|
07/05/78
|
Omaha Civic Auditorium
Omaha, NE |
3 cd-r |
|
|
|
|
|
07/07/78
|
Red Rocks Amphitheatre
Morrison, CO |
3 cd-r |
|
|
|
|
|
07/08/78
|
Red Rocks Amphitheatre
Morrison, CO |
3 cd-r |
|
|
|
|
|
08/18/78
|
Club Front
San Rafael, CA |
1 shn |
|
|
SBD>MR>??>DAT>CDR>EAC(secure)>CD WAV>SHN(seekable) |
Another Installment Of The Music Never Stopped Project! |
|
08/30/78
|
Red Rocks Amphitheatre
Morrison, CO |
2 cdr/shn |
|
|
SBD>MC>DAT>CDR |
First of three performances of
"If I Had The World To Give"
a portion of Drums may be overlapped between the 2 discs.
Deadlists does not provide accurate drums timing at this time
(info compiled Jan '02).
|
|
09/02/78
|
Giants Stadium
East Rutherford, NJ |
3 cd-r |
|
|
Master Soundboard Cassette > Cassette > DAT |
Master Audience Cassette; Shure SM-57 mics> Sony TC-158 source supplies the entire 1st set, the final 6:11 of "Sugar Magnolia" (d3t05), as well as "One More Saturday Night" (d3t06)
|
|
09/13/78
|
Gizah Sound and Light Theater
Cairo, Egypt |
1 cdr/shn |
|
|
SBD>MR>??>CDR |
|
|
09/14/78
|
Gizah Sound and Light Theater
Cairo, Egypt |
3 cd-r |
|
|
Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder |
|
|
09/15/78
|
Gizah Sound and Light Theater
Cairo, Egypt |
2 cd-r |
|
|
SBD > 10" RTR @ 15 I.P.S. 2-track > Sony 601 PCM > Panasonic 3700 DAT > Neve "Capricorn" digital console > DB3000s sample-rate converter & noise shaper > Panasonic 4100 DAT > Panasonic 3700 DAT > SSSB |
second set |
|
09/16/78
|
Gizah Sound and Light Theater
Cairo, Egypt |
3 cd-r |
|
|
SBD Reel > DAT > Montego II Plus > CDRWAV > CD-R > SHN |
|
|
10/17/78
|
Winterland Arena
San Francisco, CA |
3 cdr/shn |
|
|
SBD:Master Reel>PCM>DAT>CD>(EAC)WAV>SHN |
One splice in Eyes
U.S. Blues cuts off missing approximately 45 seconds |
|
10/21/78
|
Winterland Arena
San Francisco, CA |
3 cd-r |
|
|
|
|
|
10/22/78
|
Winterland Arena
San Francisco, CA |
3 cdr/shn |
|
|
Sbd:Reel:PCM:Dat D>CD: Tascam DA30MKII>Opcode Datport>HD(Cool Edit 2000)>Cdwav>SHN |
*W Hamza El Din,
**W Lee Oskar,
***W John Cippolina
|
|
11/17/78
|
Rambler Room, Loyola College
Chicago, IL |
1 cdr |
|
|
|
acoustic |
|
11/18/78
|
Uptown Theater
Chicago, IL |
2 cdr/shn |
|
|
SBD>MC>C>DAT>CDR |
D1t01 Jack Straw cuts in @ (right outside the fence). D1t06
El Paso cuts off @ 3:59. D2t02 D/O @ 3:30.950 removed. D2t06 D/O @
end of track removed. |
|
11/20/78
|
Cleveland Music Hall
Cleveland, OH |
1 cdr/shn |
|
|
Master SBD Cassette > Cassette > DAT > CD-R > EAC > SHN |
Audience patches abound |
|
11/24/78
|
Capitol Theatre
Passaic, NJ |
3 cd-r |
|
|
|
|
|
12/19/78
|
Memorial Coliseum, Mississippi State Fairgrounds
Jackson, MS |
3 cd-r |
|
|
aud |
|
|
12/28/78
|
Golden Hall, Community Concourse
San Diego, CA |
3 cd-r |
|
|
|
|
|
12/30/78
|
Pauley Pavilion, UCLA
Los Angeles, CA |
3 cd-r |
|
|
SBD>MR>PCM>DAT>CDR |
with Hamza el-Din
splice at 3:41 of Stagger Lee, missing about 10 seconds,
slight tape fade in minglewood @ approx 2:00
splice at 1:52 of Playin', missing about 2 minutes of vocals
fades at end of d2 and start of d3 are from source discs
end of Saint Stephen (starting approx 6:20) to end of show is a patch |
|
12/31/78
|
Winterland Arena
San Francisco, CA |
4 cd-r |
|
|
|
|
|
01/05/79
|
The Spectrum
Philadelphia, PA |
3 shn |
|
|
Nakamichi 300/CP1 -> Cm -> Cass -> Dat(48k)(Sony R500) -> Prodif plus -> Samplitude v6.0 -> CD |
Entire show was pitch corrected and remastered. D1t01(Sugaree) First couple notes
are clipped, Static left channel from :47-1:05 filtered some minor static is still present,
Drop out @ 12:18 both channels removed. D1t10(The Music Never Stopped) 4:22 possible cut
where a section is missing. D2t01(Bertha) First few notes are clipped. D2t03
(It Must Have Been The Roses) Cuts off at 6:02 of the song. D2t06(Drums) Cuts off at 2:25.
D3t01(Space) Cuts in with 5:33 intacked. |
|
01/08/79
|
Madison Square Garden
New York, NY |
3 shn |
|
|
AUD>MC>DAT>CDR |
Known flaws:
d1t05 First 30 sec missing in right channel. SoundForge 5.0 was used to copy the left channel over.
Eac in secure mode with proper offsets, 100% track quality, no errors.
Shntool used to confirm sector boundries
MKWact was used to convert to shn, seekable.
Convertion/Seeding done 6-29-02 by Glyde (glyde@masonschildren.org)
Thanks to Paul for the discs |
|
01/10/79
|
Nassau Veterans Memorial Coliseum
Uniondale, NY |
3 cdr/shn |
|
|
AUD > Cass Master > DAT > CD |
|
|
01/15/79
|
Springfield Civic Center
Springfield, MA |
3 cd-r |
|
a |
aud |
|
|
01/20/79
|
Shea's Buffalo Theater
Buffalo, NY |
0 |
|
|
(FOB) Nakamichi 700>Rm>PCM>Dat>Samplitude>Cool Edit Pro>CD |
Donna was absent
Show was mastered on a Nagra reel-to-reel.
|
|
02/03/79
|
Market Square Arena
Indianapolis, IN |
2 cd-r |
|
|
aud |
second set |
|
02/03/79
|
Market Square Arena
Indianapolis, IN |
1 shn |
|
|
MAC (Unknown equipment) > Unknown analog generations > Cassette > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
Set One only |
|
02/11/79
|
Kiel Auditorium
St. Louis, MO |
2 cdr/shn |
|
|
AUD > MC > R > CDR > EAC(secure) > Cool Edit > CDWAV > mkwact > SHN (seekable) |
d2t08: gd07/27/82 1/2
[Missing] U.S. Blues
- recording has Lesh very prominent, sounds somewhat far back in the hall, "shotgunish"
- first notes clipped in set 1 from prior editing
- tape flip at start of NFA
|
|
04/16/79
|
Studio Rehersal, Club Front
San Rafael, CA |
3 cd-r |
|
|
|
rehearsal with brent
|
|
04/22/79
|
Spartan Stadium, San Jose State University
San Jose, CA |
2 cdr/shn |
|
|
SBD>MR>??>DAT>CDR |
second set.
-There is some 'minor' right channel static in spots throughout the first disc.
-He's Gone fades out and Drums fades in.
-First show with Brent Mydland |
|
05/09/79
|
Broome County Arena
Binghamton, NY |
2 cdr/shn |
|
|
Nak700>MC>DAT>CDR |
** first east coast China>Rider since '74
This is show number 6 of the May '79 project |
|
09/04/79
|
Madison Square Garden
New York, NY |
3 cd-r |
|
|
Master Soundboard Cassette > Reel to Reel > PCM > CDR |
Barry Glassberg's Master Audience Cassette; Nakamichi CM700 mics source supplies the
first 0:21 of "Jack Straw" (d1t01), the final 3:00 of "Minglewood Blues" (d1t07), the first 2:01
of "China Cat Sunflower" (d2t01), "Looks Like Rain" (d2t03) in its entirety, as well as
a patch in "Wharf Rat" (d3t05) from 2:37 thru 3:11
|
|
09/05/79
|
Madison Square Garden
New York, NY |
3 cd-r |
|
|
|
|
|
09/06/79
|
Madison Square Garden
New York, NY |
3 cd-r |
|
|
Master Soundboard Cassette > Reel to Reel > PCM > CDR |
Barry Glassberg's Master Audience Cassette; Nakamichi CM700's source supplies
a patch in "Easy to Love You" (d2t03) from 1:14 thru 1:41 |
|
10/24/79
|
Springfield Civic Center
Springfield, MA |
3 cdr/shn |
|
|
AUD>MC>DAT>CD |
-Some d/o's & static in 3rd minute Drums |
|
10/27/79
|
Cape Cod Coliseum
South Yarmouth, MA |
3 cdr/shn |
|
|
SBD>DAT(Dante DiProsa>TB Montego Digi i/o (44.1)>.wav>.shn |
|
|
10/27/79
|
Cape Cod Coliseum
South Yarmouth, MA |
2 shn |
|
|
Master SBD Cassette > Master DAT > CDR > EAC > SHN |
set 2
* 0:17.227 of Dancin' in the Streets was patched in and normalised +3.99db(L)/+3.90db(R)
from the circulating AUD listed below
** 0:34.455 of The Other One was patched in and normalised +3.32db(L)/+3.17db(R) from the
circulating AUD listed below . 0:00.129 of dead space at the tape flip was removed from
the SBD prior to splicing in the AUD segment.
MAC (Taped by Steve Rolfe, Nakamichi CM-700 mics) > Sony TC-158 > DAT > CD > EAC > SHN
Known flaws:
Dancin' in the Streets - minor static 9:26.165-9:27.853/9:34.683-9:37.816 |
|
10/31/79
|
Nassau Veterans Memorial Coliseum
Uniondale, NY |
3 flac |
|
|
Set 1: SBD -> Cassette Master -> Reel -> Dat -> CD Set 2: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) |
Transfer Info:
Set 1: CD -> EAC -> Samplitude Professional v8.0 -> FLAC
Set 2: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC
Patch Info:
The middle of Wharf Rat through the end of the show is patched from:
(FOB) Nakamichi CM700 -> Cassette Master -> Dat -> CD
Notes:
-- Seamless transition between discs 2 and 3.
-- The first few notes of China Cat are cut and the end of Big River is cut too.
-- I remastered the first set, which only helped a little. |
|
11/01/79
|
Nassau Veterans Memorial Coliseum
Uniondale, NY |
3 cd-r |
|
|
|
|
|
11/04/79
|
Providence Civic Center
Providence, RI |
3 cd-r |
|
|
|
|
|
11/05/79
|
The Spectrum
Philadelphia, PA |
3 cd-r |
|
|
|
|
|
11/08/79
|
Capital Centre
Landover, MD |
2 shn |
|
|
SDB>MR>D>CDR |
-This shn set combines into a single seed the set 1 and set 2 shn sets previously seeded to etree as singles.
- * A note in the set 1 shn set text file dated 2/10/03 states: Revised source 02-10-03: SBD>Cm>Cass>Dat>CD.
Nothing is stated if this revised source info pertains to the second set also.
- The first few seconds of Minglewood Blues is missing
- Some digi-noise at the beginning of the audience cheering at the end of Stagger Lee
- The first few verses of It's All Over Now are probably missing
- Scarlet Begonias cuts in at: she had rings on her fingers ...."
- SHNTOOL used to correct SBEs and append a 4.0 second trk to the end of Johnny B. Goode
- CD Wave used to remove 1.49 seconds of digital dead air at the end of d2t6 |
|
11/09/79
|
Community War Memorial Auditorium
Buffalo, NY |
3 shn |
|
|
SBD>MR>DAT>Sonic Solutions>CD |
|
|
11/10/79
|
Crisler Arena
Ann Arbor, MI |
3 cd-r |
|
|
SBD>MR>DAT>CDR |
-Recording starts in the middle of El Paso
-High Time cuts in during the intro
-Splice @ 12:50 of Terrapin; During the post song jam
-Splice @ 9:33 of Black Peter
|
|
11/23/79
|
Golden Hall, Community Concourse
San Diego, CA |
3 cd-r |
|
|
|
|
|
11/24/79
|
Golden Hall, Community Concourse
San Diego, CA |
2 cd-r |
|
|
|
|
|
11/25/79
|
Pauley Pavilion, UCLA
Los Angeles, CA |
3 cd-r |
|
|
|
|
|
11/29/79
|
Cleveland Public Hall
Cleveland, OH |
2 cdr/shn |
|
|
Master Soundboard Cassette > Cassette > DAT> Cassette > DAT > CDR |
|
|
11/30/79
|
Stanley Theatre
Pittsburgh, PA |
3 flac |
|
|
SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC |
Patch Info:
The tape flips in El Paso, Playing In The Band and Drums were patched
with Nakamichi CM700 -> Cassette Master (Sony TC-158) -> Dat -> CD
Notes:
-- Seamless transition between discs 1 and 2.
-- This has a fixed d1t09. You need d1t08 through d2t01 for fix. |
|
12/01/79
|
Stanley Theatre
Pittsburgh, PA |
2 cdr |
|
|
|
second set. |
|
12/01/79
|
Stanley Theatre
Pittsburgh, PA |
3 cdr/shn |
|
|
Master Soundbaord Reel > Cassette > DAT > CDR |
set 1 audio. |
|
12/01/79
|
Stanley Theatre
Pittsburgh, PA |
3 shn |
|
|
SBD>Rm>Cass>Dat>CD>EAC>SHN |
Set 1: SBD>Rm>Cass>Dat>CD>EAC>SHN
missing easy to love you
Looks Like Rain-open splice for about 10 seconds
He's Gone> Gloria Jam> |
|
12/03/79
|
Uptown Theater
Chicago, IL |
3 cd-r |
|
|
|
|
|
12/04/79
|
Uptown Theatre
Chicago, IL |
3 cd-r |
|
|
|
|
|
12/10/79
|
Soldiers & Sailors Memorial Hall
Kansas City, KS |
3 cd-r |
|
|
|
|
|
12/11/79
|
Soldiers & Sailors Memorial Hall
Kansas City, KS |
3 cdr |
|
|
SBD>Cm>Cass>Dat>CD (Tascam CDRW700)>EAC (Copy and Test Tracks)>CD |
d1t01 closed gap on tape 1:24
d2t02 drop out 5:18 |
|
12/11/79
|
Soldiers & Sailors Memorial Hall
Kansas City, KS |
3 flac |
|
|
SBD -> Cassette Master -> Cassette -> Dat (44.1k) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif plus -> Samplitude v7.02 Professional -> FLAC |
Patch Info:
Drop outs in Jack Straw patched with
Nak 700 -> Cassette Master -> Reel -> Dat -> CD -> Samplitude -> WAV.
Notes:
-- Seamless transition between discs 2 and 3.
|
|
12/28/79
|
Oakland Auditorium Arena
Oakland, CA |
2 cdr/shn |
|
|
SBD |
|
|
12/30/79
|
Oakland Auditorium Arena
Oakland, CA |
3 cdr/shn |
|
|
SBD>MC>DAT>CD |
16 sector blip of silence removed from d2t2 with cdwav & addawav. Truckin' is from the aud source |
|
12/31/79
|
Oakland Auditorium Arena
Oakland, CA |
3 cd-r |
|
|
|
|
|
04/01/80
|
Capitol Theater
Passaic, NJ |
3 cd-r |
|
|
SBD>MC>??>CDR |
|
|
05/01/80
|
Greensboro Coliseum
Greensboro, NC |
2 cdr/shn |
|
|
FOB > MC > DAT > CDR > CDR > EAC > Soundforge > CD WAV > SHNv3 |
The sound on Alabama Getaway is a bit muffled, but gradually gets better |
|
05/02/80
|
Hampton Coliseum
Hampton, VA |
2 cdr/shn |
|
|
AUD |
Known Flaws:
The first few notes of Music never stopped were missing on the master cassette.
Two flaws existing on the master cassette were edited using the second pass on soundforge.
The first was a 1.5 second snippet of Mama Tried (~2:23 into the track), which was patched
cleanly from another verse of the song. The second is abrupt level change near the end of
Music Never Stopped (6:30 into the track). This was normalized somewhat, however audible
artifacts do exist on this one. Both original snippets are incluided in the 'covers+archive'
folder on the shn discs. All other editing was crossfading of cassette cuts and flips, all
of these fell in crowd noise, and no music was disturbed. |
|
05/07/80
|
Barton Hall, Cornell University
Ithaca, NY |
3 shn |
|
|
SBD -> Cassette Master -> Reel -> Dat -> CD -> EAC -> SHN |
|
|
05/12/80
|
Boston Garden
Boston, MA |
2 cdr/shn |
|
|
AudMC > DAT > Soundforge > CDWAV > SHN |
*Phil plays around the Caution theme for the first few minutes.
note: master tape flips repaired at 9:22 in He's Gone
and 7:19 in Drums
Soundforge was used for normalizing and editing. |
|
06/20/80
|
West High Auditorium
Anchorage, AK |
3 cdr/shn |
|
|
MAC > [DAT?] > CDR > EAC(secure) > Cool Edit Pro > CDWAV > shntool > mkwact > SHN(seekable) |
- disk 1 and 2 are continuous so set 1 can be joind using longer media
- Easy to Love You is listed after FOTD on Deadlists but appears after Althea on the recording I received. Since the between song tuning/banter is not continuous here, I left the song order as I received it.
- there is a cut between TOO and drums but it happens during a slight pause so no music is missing as far as I can tell
- This is an excellent audience recording and one of the best shows of 1980!
Part of The Music Never Stopped Project 2003!
|
|
06/21/80
|
West High Auditorium
Anchorage, AK |
3 cdr/shn |
|
|
Master Soundboard Cassette > Reel To Reel > DAT> CDR |
Master Audience Cassette; AKG 414 mics source supplies the
"Announcements / Intro"(d1t01), the first 0:49 of "Sugaree" (d1t02),
from 4:44 thru 5:27 of "Loser" (d1t08), the first 2:03 of
"Big Railroad Blues" (d2t04), as well as from 4:24 thru 5:50 of
"Drums" (d3t03)
|
|
08/21/80
|
Uptown Theater
Chicago, IL |
2 cd-r |
|
|
|
|
|
08/26/80
|
Cleveland Public Hall
Cleveland, OH |
2 cdr/shn |
|
|
SBD>MC>DAT>CDR |
-Don't Ease cuts in, 30 seconds missing
-MCFlip @ :48 of Space |
|
08/26/80
|
Cleveland Public Hall
Cleveland, OH |
2 shn |
|
|
sbd-> cassette-> unknown digital xfer(s)-> Sonic-> CD-> CD-> EAC-> SHN |
The source discs were a preFM of Grateful Dead Hours 732, 733 and 734
Don't Ease Me In is not cut on this version. |
|
09/04/80
|
Providence Civic Center
Providence, RI |
2 cdr/shn |
|
|
Soundboard Cassette Master > Reel > Dat > CDR > EAC(secure) > Cool Edit Pro > CDWAV > mkwact > SHN(seekable) |
Set 2
aud patchs at start of Samson, 2 places in drums and end of Good Lovin and encore
- there is a skip in US Blues
Patch Source: AUD>MC>DAT>SF>CD |
|
09/06/80
|
State Fairgrounds
Lewiston, ME |
3 cdr/shn |
|
|
Nak Dragon > Sony PCM r-500 DAT > CDR |
|
|
09/06/80
|
State Fairgrounds
Lewiston, ME |
3 shn |
|
|
SBD -> Master Cassette -> ? -> Cass -> Fostex D5 (pass-through only) ->ZA2 -> Samplitude v7.02 Professional -> SHN |
Recording Info (Source 2):
(FOB) Nakamichi 700 -> Master Cassette (Sony D5) -> Dat -> CD
Supplies patch at end of d1t06 and also provieds d2t04 through of the show.
(Taped By Jim Wise) |
|
09/25/80
|
Warfield Theater
San Francisco, CA |
3 cd-r |
|
|
aud |
|
|
09/25/80
|
Warfield Theater
San Francisco, CA |
1 cdr/shn |
|
|
SBD > MR > C > DAT > CD > EAC > SHN |
first "Ain't No Lie"
last "All Around This World": 02-14-70 [706]
last "Bird Song": 09-15-73 [382]
last "Dark Hollow": 04-29-71 [550]
last "Monkey & Engineer": 12-31-70 [589]
last "Ripple": 04-29-71 [550]
last "Rosalie McFall": 11-08-70 [609]
last "Roses": 01-12-79 [118]
- A very slight hiss through the first 5 1/2 tracks
- Birdsong has a tiny amount of static for less then a second at 3:30
- At 2:25 of It Must Have Been the Roses the hiss disappears
|
|
09/26/80
|
Warfield Theater
San Francisco, CA |
3 cd-r |
|
|
aud |
|
|
09/26/80
|
Warfield Theater
San Francisco, CA |
1 cdr/shn |
|
|
SBD > MR > C > DAT > CD > EAC > SHN |
Acoustic Set Only
last "China Doll": 05-08-79 [99]
last "On The Road Again": 12-01-66 [1131]
last "To Lay Me Down": 10-19-74 [311]
- Slight hiss through the set
- To Lay Me Down has 2 pops at 5:33 and 5:35. The pop at 5:35 sounds
like it has reverb on it so that might come from the stage.
- Tuning is cut between some songs |
|
09/27/80
|
Warfield Theater
San Francisco, CA |
4 cd-r |
|
|
aud |
|
|
10/04/80
|
Warfield Theater
San Francisco, CA |
1 cdr/shn |
|
|
SBD>?>CDR |
acoustic and partial second set.
-t01 (Deep Elem) cuts in during the intro
-t04 (Monkey And The Engineer) cuts in during the intro
-t08 (On The Road Again); 3 d/o's in the first :01, and the track cuts @ 2:27
-t09 (Babe It Ain't No Lie) cuts in during the intro
-t09 (Babe It Ain't No Lie); Static & d/o's from 4:50 to 4:53
-t11 (Alabama); d/o's @ 1:39 & 2:25 |
|
10/06/80
|
Warfield Theater
San Francisco, CA |
1 cdr/shn |
|
|
SBD>?>CDR |
-t01 (Dire Wolf) cuts in during intro
-t04 (Monkey And The Engineer); 3 d/o's in the first :01
-t09 (Bird Song) cuts in at 'Dont you cry'
-t09 (Bird Song); Static and d/o from 2:40 to 2:42, and d/o @ 5:29
-t09 & t10 (Bird Song & Ripple); d/o @ the '>' between tracks |
|
10/09/80
|
Warfield Theater
San Francisco, CA |
3 cd-r |
|
|
|
|
|
10/10/80
|
Warfield Theater
San Francisco, CA |
1 cdr/shn |
|
|
SBD>?>CDR |
acoustic set.
-t05 (Dark Hollow); Static & d/o's from 1:14-1:28
-t09 (Ripple); 3 d/o's in the first :01
|
|
10/26/80
|
Radio City Music Hall
New York, NY |
2 cdr/shn |
|
|
CAUD >D>CD>EAC>WAV>SHN |
Filler 10/18/88 New Orleans, LA
Source : Matrix SBD > VHS Hi Fi > DAT>CD>WAV>SHN
Birdsong
Scarlet Begonias >
Fire On the Mountain
Estimated (fades out) |
|
10/31/80
|
Radio City Music Hall
New York, NY |
3 shn |
|
|
MSR>R>C>DAT>WAV>SHN |
Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN
Phil was non-existent in the Acoustic Set until Cassidy due to bass problems.
Little Red Rooster contains several drop-outs.
Brown-Eyed Women cuts after the intro and is missing the first verse.
Drums is cut with unknown amount missing.
|
|
11/28/80
|
Lakeland Civic Center
Lakeland, FL |
3 cd-r |
|
|
aud |
|
|
11/28/80
|
Lakeland Civic Center
Lakeland, FL |
2 cdr/shn |
|
|
Soundboard Cassette Master > Reel > DAT > CDR > EAC(secure) > Cool Edit Pro > CDWAV > mkwact > SHN(seekable) |
Patch Source: Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR
d1t01 - brief partial loss left channel at 2:14, 2:28 and right channel at 3:55, 3:57
d1t02 - brief partial loss right channel 0:48, left channel 1:17
d1t04 - brief partial loss right channel 5:14
d1t05 - brief partial loss left channel 1:53
d1t07 - brief partial loss right channel 4:59
d2t01 - opening notes cut patched with aud
d2t03 - some minor hum at start
d2t04 ~ 1:16 cut patched with aud
d2t08 - 8:21 brief partial loss right channel
d2t09 - overload distortion on end of US Blues
Part of The Music Never Stopped Project 2003
|
|
11/30/80
|
Fox Theater
Atlanta, GA |
3 cd-r |
|
|
|
|
|
12/06/80
|
Mill Valley Recreation Center
Mill Valley, CA |
1 cd-r |
|
|
aud |
|
|
02/26/81
|
Uptown Theater
Chicago, IL |
3 cd-r |
|
|
|
|
|
02/27/81
|
Uptown Theater
Chicago, IL |
3 cd-r |
|
|
|
|
|
02/28/81
|
Uptown Theater
Chicago, IL |
3 cd-r |
|
|
|
|
|
02/28/81
|
Uptown Theater
Chicago, IL |
3 cdr/shn |
|
|
SBD > Cassette Master > DAT(0) (Reel>DAT transfer by Dick)DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > CDR Master > EAC > Soundforge > CDWAV > SHNv3 w/seek tables appended |
Known Flaws:
Beginning of Jack Straw abrupt start
Beginning of Althea abrupt start
Beginning of Ship of Fools abrupt start w/ reel warble
End of Good Lovin cuts, faded out
|
|
03/02/81
|
Cleveland Music Hall
Cleveland, OH |
2 cd-r |
|
|
AUD>Nak 700s>TC-D5>MC>DAT>CDR |
-MC Flip @ 11:20 Drums |
|
03/05/81
|
Stanley Theater
Pittsburgh, PA |
3 cdr/shn |
|
|
AUDMC >CD>EAC>SHN |
|
|
03/06/81
|
Stanley Theater
Pittsburgh, PA |
3 cdr/shn |
|
|
AUD |
Known Flaws: One cassette flip and one CD flip in Drums>Space. These were crossfaded in the second pass through soundforge. The only other editing done was crossfading of cassette flips between songs - no music was disturbed.
|
|
03/09/81
|
Madison Square Garden
New York, NY |
3 cdr/shn |
|
|
Audf:Cm>D>CD>EAC>CD>SHN |
|
|
03/10/81
|
Madison Square Garden
New York, NY |
3 cdr/shn |
|
|
Audf:Cm>D>CD>EAC>CD>SHN |
|
|
03/28/81
|
Grugahalle
Essen, Germany |
3 cd-r |
|
|
|
w/pete townsend
|
|
05/01/81
|
Hampton Coliseum
Hampton, VA |
3 cdr/shn |
|
|
Master FOB Audience Cassette > DAT > CDR > EAC > SHN |
|
|
05/01/81
|
Hampton Coliseum
Hampton, VA |
3 flac |
|
|
SBD > MC > C > DAT > CD > EAC > FLAC |
Patch Source:
Jim Wise's Master FOB Audience Cassette > Sennheiser 421 mics>
Sony D5 cassette deck > DAT > CDR
http://db.etree.org/shninfo_detail.php?shnid=2218
Notes:
- Crossfade from 4:03 d1t02 through 0:02 of d1t03; a couple of
notes were clipped from FOTD.
- d1t06 Althea: Crossfade from 0:00 - 0:05 to fill in a couple of
notes.
- Crossfade from 10:45 d2t02 through 0:15 of d2t03
- d3t02 The Wheel: Crossfade from 0:02 - 0:06
- d3t04 Sugar Magnolia: Crossfade from 5:18 - 5:25; This is really
just audience fill, but when I cut out the dropout it didn't sound
natural, so I filled in some of the highhat beats.
- d3t05 US Blues: Crossfade from 4:01 - 4:44
|
|
05/09/81
|
Nassau Veterans Memorial Coliseum
Uniondale, NY |
3 cd-r |
|
|
AUD>MC>DAT>CDR |
-Halfstep cuts in @ 'Southern Skies' (first chorus)
-MC flip at 11:28 of Eyes
-Brief d/o/static @ 9:31 of Black Peter
-Brokedown missing |
|
05/12/81
|
Veterans Memorial Coliseum
New Haven, CT |
3 cd-r |
|
|
|
|
|
07/04/81
|
Manor Downs
Austin, TX |
3 cd-r |
|
|
FOB Nak 700's>CM>DAT>CD |
|
|
07/14/81
|
McNichols Sports Arena
Denver, CO |
3 cd-r |
|
|
AUD>MC>DAT>CDR |
-Right channel d/o's throughout d1; Repaired by patching in the left channel; Largest patch was from 2:25-2:45 of Minglewood
-Minor static @ 5:42 of To Lay Me Down
-Very end of Mexicali fades out
-Levels adjust for first :18 of Big Railroad
-Half second d/o @ 5:28 of Lost Sailor
-d/o @ 6:03 Eyes; Significant amount of music missing (Deadlists estimates 1 min) during the jam between verses 2 & 3
-MC Flip @ :13 Drums
|
|
08/28/81
|
Long Beach Arena
Long Beach, CA |
3 cd-r |
|
|
|
|
|
08/31/81
|
Aladdin Theater
Las Vegas, NV |
3 cd-r |
|
|
AUD>MC>DAT>CDR |
Certified Owens Brothers Vault Release,
processed with DC Art Millenium Software
on a Dell Optiplex GX300 Workstation
|
|
09/11/81
|
Greek Theatre, University Of California
Berkeley, CA |
2 cdr/shn |
|
|
AUD > Sennheiser 421 mics > Sony TC D-5 |
|
|
09/12/81
|
Greek Theatre, University Of California
Berkeley, CA |
2 cdr/shn |
|
|
AUD > Sennheiser 421 mics > Sony TC D-5 |
|
|
09/13/81
|
Greek Theatre, University Of California
Berkeley, CA |
3 cd-r |
|
|
aud |
|
|
09/26/81
|
Community War Memorial Auditorium
Buffalo, NY |
2 cd-r |
|
|
AUD>MC>?>CD |
|
|
09/30/81
|
Playhouse Theatre
Edinburgh, Scotland |
2 cdr/shn |
|
|
SBD>?>C>C>WAV>SHN |
: Tape flip between Estimated & Drums; Estimated cuts off during outro; Good Lovin' cuts off after 3:19; U.S. Blues missing
: Levels on instruments vary during Alabama & GSET, very high at beginning of Alabama; sorted out by TLEO
: noise reduction applied in Cool Edit Pro to reduce cassette hiss. While some hiss remains, and the editing gives some dead air a bit of a strange sound on the recording, this IMO far improves *significant* hiss previously present from multiple cassette gens, and brings out the music a good deal more.
|
|
10/06/81
|
Rainbow Theatre
London, England |
3 cdr |
|
|
|
|
|
10/11/81
|
Club Melk Weg
Amsterdam, Netherlands |
1 cd-r |
|
|
AUD |
jerry and bob acoustic |
|
10/13/81
|
Walter Koebel Halle
Russelsheim, Germany |
3 cdr/shn |
|
|
SBD>?>C>C>WAV>SHN |
Jerry's guitar super low in mix through Alabama, pretty much sorted out by Greatest Story.
: First few notes of Peggy-O cut
: First couple notes of CR&S cut
: Splice near end of Lost Sailor (apparently tape flip in an earlier gen)
: Crackly noise for a second or two at the beginning of Black Peter (sounds like equipment problem)
: Cool Edit Pro used for tracking and to apply noise reduction to reduce considerable
cassette hiss. |
|
10/16/81
|
Club Melk Weg
Amsterdam, Netherlands |
2 cd-r |
|
|
|
|
|
10/16/81
|
Club Melk Weg
Amsterdam, Netherlands |
2 cdr/shn |
|
|
SBD:MCASS>CASS>DAT>CDR |
Playin' - first 3:00 FOB patch
Sugar Mag - FOB patch at 4:59
Patch source - FOB:MCASS>CASS>DAT>CDR
Some hiss due to 2 analog gens
Sugar Mag also has some minor distortion at 3:23-3:33
|
|
10/19/81
|
Sports Palace
Barcelona, Spain |
3 cdr |
|
|
|
|
|
11/29/81
|
Civic Arena
Pittsburgh, PA |
0 |
|
|
AUD>MC>DAT>CDR |
-Jam after He's Gone teases Nobody's Fault, Truckin' & Other One
-d2t06 (Jam); Splice @ 1:10
-d2t07 (Drums); MC Flip @ 2:51 |
|
12/03/81
|
Dane County Coliseum
Madison, WI |
2 cdr/shn |
|
|
AUD |
|
|
12/03/81
|
Dane County Coliseum
Madison, WI |
3 flac |
|
|
2 Nak 700 shotguns > Sony TC-D5M > Maxell XLIIS tape Nak ZX7 > Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC (no errors)> WinXP Pro > Disc 3 joined and retracked* > FLAC Frontend > FLAC16 |
|
|
12/09/81
|
Events Center, University Of Colorado
Boulder, CO |
3 cd-r |
|
|
SBD>Rm>Dat>CD |
Comments: Reel Splice between Space, & The Other One and during Fire. Fades in after Bird Song
missing Mama Tried
|
|
12/27/81
|
Oakland Auditorium Arena
Oakland, CA |
2 cd-r |
|
|
Master Soundboard Cassette > CDR |
|
|
12/31/81
|
Oakland Auditorium Arena
Oakland, CA |
4 cd-r |
|
|
|
|
|
04/02/82
|
Cameron Indoor Stadium, Duke University
Durham, NC |
3 cd-r |
|
|
|
|
|
04/14/82
|
Glens Falls Civic Center
Glens Falls, NY |
3 cd-r |
|
|
|
|
|
04/17/82
|
Hartford Civic Center
Hartford, CT |
2 cd-r |
|
|
|
second set
|
|
04/18/82
|
Hartford Civic Center
Hartford, CT |
3 shn |
|
|
SBD -> Cm -> PCM -> Dat(48k)(Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN |
Tracked and Normalized with Samplitude v6.0 |
|
04/19/82
|
Baltimore Civic Center
Baltimore, MD |
3 cdr |
|
|
|
d3: unknown shakedown filler |
|
04/19/82
|
Baltimore Civic Center
Baltimore, MD |
3 shn |
|
|
Master Soundboard Cassette > Cassette > DAT > CDR |
undocumented change to d2t05 |
|
07/27/82
|
Red Rocks Amphitheatre
Morrison, CO |
2 cdr/shn |
|
|
FOB - Senn 421's>Sony TC-D5 (at "mouth" of the stage)>Nak Dragon Playback>HHB CDR-850 (no DAT gen)>CDR |
There was actually a tape flip between d2t03 & d2t04 (drumz>space).
Crossfade applied between the two (at track break) to smooth out the transition. |
|
07/29/82
|
Red Rocks Amphitheatre
Morrison, CO |
3 cd-r |
|
|
FOB - Senn 421's>Sony TC-D5 (at "mouth" of the stage)>Nak Dragon Playback>HHB CDR-850 (no DAT gen)>CDR |
|
|
08/01/82
|
Zoo Amphitheater
Oklahoma City, OK |
2 cd-r |
|
|
SBD>MC>DAT>CD |
|
|
08/03/82
|
Starlight Theater
Kansas City, MO |
3 cdr/shn |
|
|
AUD : MC > DAT > CD |
d1t5 "El Paso" 4:37 - 4:42 and
d1t6 "Cumberland Blues" 0:00 - 0:08
SBD: ? > C patch by "Alan J. Fink, MCP" |
|
08/04/82
|
Kiel Auditorium
St. Louis, MO |
2 cd-r |
|
|
SBD>MasterCass>DAT>CD |
|
|
08/06/82
|
St. Paul Civic Center
St. Paul, MN |
3 cdr/shn |
|
|
MC > C1 > DAT > CDR > SHN |
|
|
08/07/82
|
Alpine Valley Music Theatre
East Troy, WI |
3 cd-r |
|
|
|
|
|
08/08/82
|
Alpine Valley Music Theatre
East Troy, WI |
3 cdr/shn |
|
|
SBD : MC > MR > DAT > CDR |
Drums through end of show with Zakir Hussain
NFA through end of show with John Cippolina
Loser cuts in. An estimated 2-3 minutes are missing.
Estimated Prophet > Jam > Drums > moved to end of disc 2 |
|
08/10/82
|
University Of Iowa Fieldhouse
Iowa City, IA |
2 cdr/shn |
|
|
SBD -> Cm -> Dat -> Samplitude 2496 v6.0 -> CD -> EAC -> SHN |
|
|
09/09/82
|
Saenger Performing Arts Center
New Orleans, LA |
2 cdr/shn |
|
|
SBD>MC>PCM>DAT>CD |
-*Poor aud source supplies Halfstep & first 8 seconds of Franklin's
-d/o 3:33 Franklins; Missing 3/4 of the 'harvest wind' verse; and half-second level drop at 3:20
-d/o 3:40 Stranger; Small portion of the jam missing
-First notes of UJB missing
-End Drums cut (tape flip)
-Missing both encores
|
|
09/15/82
|
Capital Centre
Landover, MD |
1 cdr/shn |
|
|
Master Sondboard Cassette > PCM > CDR |
Audience source supplies "Playin' in the Band" (d1t01) and first 4:31 of "Crazy Fingers" (d1t02),
the first 0:20 of "Playin' noodle"(d1t08), the final 1:51 of "Day Job (d1t10),
a patch in "Saint of Circumstance" (d2t03) from 3:24 thru 6:30, as well as from 0:09 of "Drums" (d2t04) thru "Space" (d2t05), and the first 1:33 of "Jam" (d2t06), as well as the first few seconds of "Touch of Grey" (d2t11)
|
|
09/17/82
|
Cumberland County Civic Center
Portland, ME |
3 cdr/shn |
|
|
AUD > C > D > CD |
d2t05 ~7:30 brief volume drop
d2t07 ~ 4:10 some brief distortion in the sound
d2t07 ~4:36 sound changes (as though different drum mics are feed into the PA)
d2t07 - some distortion on loudest drum beats
d3t04 - some PA distortion during loudest moments |
|
09/18/82
|
Boston Garden
Boston, MA |
2 cdr |
|
|
|
|
|
09/21/82
|
Madison Square Garden
New York, NY |
3 shn |
|
|
csbd>dat>cd (unconfirmed) |
|
|
09/24/82
|
Carrier Dome, Syracuse University
Syracuse, NY |
3 cd-r |
|
|
|
|
|
10/09/82
|
Frost Amphitheatre
Palo Alto, CA |
3 cdr |
|
|
AUD |
|
|
10/09/82
|
Frost Amphitheatre
Palo Alto, CA |
3 cdr/shn |
|
|
sbd>?>?>cd>eac>wav>mkw>shn |
|
|
10/09/82
|
Frost Amphitheatre
Palo Alto, CA |
3 cdr/shn |
|
|
SBD>MR>PCM>DAT>CD-R |
Patch Source B : Rango Keshavan's FOB Master Audience Cassette, Sony ECM-220T mics > Sony TC-D5M > DAT > CDR |
|
10/10/82
|
Frost Amphitheatre
Palo Alto, CA |
3 cdr/shn |
|
|
MC>DAT>ZA2>CD>EAC>SHN |
Known Flaws:
> small cut in Crazy Fingers
> momentary "blip" during Saint
> cut in Drums (tape flip)
> momentary dropout during The Wheel
> the very end of Sunshine Daydream is cut
|
|
12/31/82
|
Oakland Auditorium
Oakland, CA |
3 cd-r |
|
|
|
|
|
03/25/83
|
Compton Terrace Amphitheatre
Tempe, AZ |
2 cdr/shn |
|
|
AUD MC>DAT>CD |
First Help on the Way since 10-11-77
Splice/Cut @ 1:56 of Big RR
Splice/Cut @ 11:45 of Playin>Drums |
|
03/26/83
|
Aladdin Theater
Las Vegas, NV |
3 cdr/shn |
|
|
AUD>MC>DAT>CDR |
|
|
03/27/83
|
Irvine Meadows
Irvine, CA |
3 cdr/shn |
|
|
AUD>MC>DAT>CDR > Eac >cool edit > shntool > cdwav >shnv3 >Eac >shn |
* 8:10 mics bumped or possibly dropped, 3 pops removed as
mics drop and/or are repositioned.
+ 00:25 mics bumped again, pops removed
& 1:46 MC flip |
|
04/13/83
|
Patrick Gymnasium, U of Vermont
Burlington, VT |
3 cd-r |
|
|
|
|
|
04/15/83
|
Community War Memorial Auditorium
Rochester, NY |
2 cdr/shn |
|
|
SBD>PCM>DAT>Sonic Solutions>CDR >Eac>cooledit 2k>cdwav>shntool>shnv3 |
set 2
First Bob Star
Spoonful tease out of Bob Star |
|
04/15/83
|
Community War Memorial Auditorium
Rochester, NY |
3 shn |
|
|
AUD Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface -> Sony V505 -> Samplitude v7.02 Professional -> SHN |
--Recorded 15 feet in front of sbd, about 10 feet to the right.
--I don't remember which Audio Technica mics we used.
--For some stupid reason (I think time issues), I didn't record Drums.
--Drums patched from Senn 421>Cm>Dat>CD. <http://db.etree.org/shninfo_detail.php?shnid=9974>
--This was the first Grateful Dead show I taped.
--The deck I was patched out of fliped at the end of He's Gone and start of Around & Around.
--My deck fliped between He's Gone and Bob Star. |
|
04/16/83
|
Meadowlands Arena
East Rutherford, NJ |
2 cdr/shn |
|
|
AudMC > DAT > CDWAV > SHN |
JBG encore ends d1
Black Queen>Iko Iko, JBG w/Stephen Stills
O1 contains Little Star |
|
04/17/83
|
Meadowlands Arena
East Rutherford, NJ |
3 shn |
|
|
SBD : MC > C > DAT > CDR |
*w/Stephen Stills |
|
04/19/83
|
Alfond Arena, University Of Maine
Orono, ME |
3 shn |
|
|
aud > mc > cd > eac > shn |
|
|
04/23/83
|
Veterans' Memorial Coliseum
New Haven, CT |
2 flac |
|
|
SBD -> Cassette Master -> Reel -> Dat -> CD |
set 2.
Patch Info:
Scarlet -> Fire patched from Charlie Miller's Aud:
(FOB) Senn 421 -> Cassette Master -> Sound Forge -> CD |
|
05/13/83
|
Greek Theatre, University Of California
Berkeley, CA |
3 cdr |
|
|
AUD |
|
|
05/14/83
|
Greek Theatre, University Of California
Berkeley, CA |
2 cdr |
|
|
AUD |
|
|
05/15/83
|
Greek Theatre, University Of California
Berkeley, CA |
3 cdr |
|
|
AUD |
|
|
06/18/83
|
Saratoga Performing Arts Center
Saratoga Springs, NY |
3 cd-r |
|
|
aud |
|
|
06/18/83
|
Saratoga Performing Arts Center
Saratoga Springs, NY |
2 shn |
|
|
aud > pcm > cd > dat > cd > eac > shn |
second set. |
|
06/20/83
|
Merriweather Post Pavilion
Columbia, MD |
3 cd-r |
|
|
AUD |
|
|
06/20/83
|
Merriweather Post Pavilion
Columbia, MD |
3 shn |
|
|
Set 1 and Set 2 up to Drums is: FOB-Sennheiser 421>MasterCass>Dat>CD |
Notes: Just before the start of the 2nd set, listen for the
thunder in the background. At several points during the show
the power goes out and back on, creating a big pop.
Distortion in Wharf Rat is on the master.
Flaws:
~2 sec dropout @ 2:14 of Minglewood (d1t01)
Level attenuated from 8:16-8:21 of W LA (d1t08)
Skip @ 5:12, significant distortion 5:14-5:27 of Wharf Rat (d3t04) is on the master.
Distortion near end of Sugar Mag (d3t05) |
|
06/22/83
|
City Island
Harrisburg, PA |
2 cd-r |
|
|
|
|
|
08/29/83
|
Silva Hall, Hult Center
Eugene, OR |
3 cd-r |
|
|
|
|
|
08/30/83
|
Silva Hall, Hult Center
Eugene, OR |
2 flac |
|
|
MAC > C > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > FLAC |
|
|
09/06/83
|
Red Rocks Amphitheatre
Morrison, CO |
3 cd-r |
|
|
|
|
|
09/10/83
|
Santa Fe Downs
Santa Fe, NM |
2 shn |
|
|
Master Audience PCM > DAT > CDR |
Secondary:
Aud>CM>C>NakDR10(Playback Only)>PCM
Note: Secondary aud source used to patch in approximately 15 seconds
missing from Minglewood. |
|
09/11/83
|
Santa Fe Downs
Santa Fe, NM |
3 cd-r |
|
|
|
|
|
10/08/83
|
Richmond Coliseum
Richmond, VA |
2 cd-r |
|
|
aud |
|
|
10/11/83
|
Madison Square Garden
New York, NY |
3 cd-r |
|
|
|
|
|
10/15/83
|
Hartford Civic Center
Hartford, CT |
2 cd-r |
|
|
|
|
|
10/21/83
|
The Centrum
Worcester, MA |
3 cd-r |
|
|
aud |
d3 fill: 4-22-83 |
|
10/22/83
|
Carrier Dome, Syracuse University
Syracuse, NY |
2 cd-r |
|
|
aud |
|
|
10/31/83
|
Marin County Veterans Auditorium
San Rafael, CA |
3 cdr/shn |
|
|
Master Soundboard Cassette > DAT > CDR > EAC > SHN |
the 1st 2:36 of "Wang Dang Doodle" sounds like some sort of a matrix mix, with the Audience source most prominent, the mix then changes to one where the Soundboard source is predominant. |
|
12/27/83
|
San Francisco Civic Auditorium
San Francisco, CA |
3 cdr/shn |
|
|
SBD > MC > C > DAT > CD > EAC > SHN |
- First 5 minutes of Cold Rain and Snow has what sounds like a hot drum. Might be the Bass Drum. This is also on an alternate SBD.
- From 3:57 - 4:00 of C. C. Rider has the same problem as above.
- Level adjustments from the Soundboard throughout Fire on the Mountain.
- Tape flip between Sugar Mag and Sunshine Daydream spliced in from the Charlie Miller AUD seed. (FOB) Senn 441>PCM>Dat. Splice from 6:39 - 6:52.
|
|
12/28/83
|
San Francisco Civic Auditorium
San Francisco, CA |
2 cd-r |
|
|
SBD>MC>C>DAT>CDREac >cool edit > shntool > cdwav >shnv3Eac >shn (secure with proper offsets) by Ernie Dodd |
encore at end of d1 |
|
03/28/84
|
Marin County Veterans Auditorium
San Rafael, CA |
1 cdr |
|
|
AUD |
second set. |
|
03/29/84
|
Marin County Veterans Auditorium
San Rafael, CA |
2 cdr |
|
|
AUD |
|
|
03/31/84
|
Marin County Veterans Auditorium
San Rafael, CA |
1 cdr |
|
|
AUD |
second set. |
|
04/01/84
|
Marin County Veterans Auditorium
San Rafael, CA |
2 cdr |
|
|
AUD |
second set. |
|
04/01/84
|
Marin County Veterans Auditorium
San Rafael, CA |
2 cdr |
|
|
|
|
|
04/06/84
|
Aladdin Theater
Las Vegas, NV |
1 cdr |
|
|
AUD |
second set. |
|
04/13/84
|
Hampton Coliseum
Hampton, VA |
3 flac |
|
|
SBD -> Cassette Master -> Cassette -> Dat (Panasonic SV3800/48k) Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> FLAC |
Patch Info:
(FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat -> CD (Recorded By Rob Eaton)
End of Fire On The Mountain through start of Estimated Prophet (76 seconds long)
End of Truckin' through start of Goin Down The Road Feelin' Bad (32 seconds long)
Notes:
-- Seamless transition between discs 2 and 3. |
|
04/17/84
|
Niagara Falls Convention Center
Niagara Falls, NY |
3 cd-r |
|
|
aud |
|
|
05/06/84
|
Silva Hall, Hult Center
Eugene, OR |
3 cdr/shn |
|
|
SBD > MC > C > DAT > CD > EAC > SHN |
d3: gd 9-3-85 1/2
patched w/unknown sbd |
|
06/09/84
|
Cal Expo
Sacramento, CA |
2 cdr/shn |
|
|
SBD > MC > DAT > CD > EAC > SHN |
d2: jg+friends 12-15-70
* Sunshine Daydream was not performed
- Level fluctuations on Iko Iko, also the song was much louder then
the rest of the show so I cut the amplification by -3dBs. Some
clipping occured.
- Some light pops in Hell in a Bucket one major pop at 2:13. Also a
couple of short periods where the vocals distort for a couple of
seconds.
- Cassidy has the drums disappear at 3:35 and 3:37 for less then a
second each time.
- Loser has vocal problems that came from the Soundboard. There are
2 large spikes with Jerry's vocals coming in. When the problem is
solved Jerry starts the vocals over. Also a pop at 0:29.
- First 31 seconds of Deal spliced in from Charlie Miller's seed.
Patched from Nak 700>Cm>Dat>CD
- Playing in the Band after Space was cut. Patched from 0:21 - 1:48
patched with AUD (Nak 700?s)>MC>DAT>CD |
|
07/07/84
|
Alpine Valley Music Theatre
East Troy, WI |
2 cdr/shn |
|
|
SBDMC(R?) > DAT > WAV > SHN |
set 2
*AUD(Senn 441s > D5 > DAT > CD) cross faded in:
Playin' 10:28 > 10:52
all of Drums
first 8 seconds of Space
1st Not Fade Away 00:10 > 00:16
2nd Not Fade Away from 04:06 through Brokedown Palace
|
|
07/13/84
|
Greek Theatre, U. Of California
Berkeley, CA |
3 cd-r |
|
|
|
|
|
10/11/84
|
Augusta Civic Center
Augusta, ME |
3 cd-r |
|
|
Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). |
|
|
10/12/84
|
Augusta Civic Center
Augusta, ME |
2 cd-r |
|
|
|
much noise at end of d1 |
|
10/12/84
|
Augusta Civic Center
Augusta, ME |
3 cdr/shn |
|
|
Schoeps CMC 441> Oade M118 > Sony TC D5 > DATs (@44.1k) > SHN |
|
|
10/20/84
|
Carrier Dome, Syracuse U
Syracuse, NY |
3 cdr |
|
|
|
|
|
10/31/84
|
Berkeley Community Theater
Berkeley, CA |
2 cdr |
|
|
AUD |
|
|
11/02/84
|
Berkeley Community Theater
Berkeley, CA |
3 cdr |
|
|
|
|
|
02/19/85
|
Henry J. Kaiser Convention Center
Oakland, CA |
2 cd-r |
|
|
aud |
|
|
02/19/85
|
Henry J. Kaiser Convention Center
Oakland, CA |
2 cd-r |
|
|
SBD>MC>C>DAT>C>C>ZA2>CDR |
|
|
03/09/85
|
Berkeley Community Theater
Berkeley, CA |
2 cdr |
|
|
AUD |
|
|
03/10/85
|
Berkeley Community Theater
Berkeley, CA |
2 cdr |
|
|
AUD |
|
|
03/12/85
|
Berkeley Community Theater
Berkeley, CA |
2 cdr |
|
|
AUD |
|
|
03/13/85
|
Berkeley Community Theater
Berkeley, CA |
2 cd-r |
|
|
|
|
|
03/13/85
|
Berkeley Community Theater
Berkeley, CA |
2 cdr |
|
|
AUD |
|
|
03/21/85
|
Hampton Coliseum
Hampton, VA |
1 cdr/shn |
|
|
AUD>MC>CDR |
|
|
03/24/85
|
Springfield Civic Center
Springfield, MA |
2 cd-r |
|
|
AUD: MC > Cool Edit > Tascam > CD |
|
|
03/24/85
|
Springfield Civic Center
Springfield, MA |
1 cdr/shn |
|
|
SBD>?>CDR |
second set
-Bob's lyrics missing until 2nd verse of Samson
-Tape flip; Drums cut @ 4:57 |
|
03/25/85
|
Springfield Civic Center
Springfield, MA |
2 cd-r |
|
|
AUD: MC > Cool Edit > Tascam > CD |
d1 fill: 3-29-85 |
|
03/27/85
|
Nassau Veterans Memorial Coliseum
Uniondale, NY |
2 cd-r |
|
|
|
|
|
03/29/85
|
Nassau Veterans Memorial Coliseum
Uniondale, NY |
2 cd-r |
|
|
AUD>MC>DAT>CDR |
Digicrackle in Cold Rain @ 5:09
flip fade in space @ 0:42 |
|
04/03/85
|
Providence Civic Center
Providence, RI |
2 cd-r |
|
|
AUD |
d2 fill: 3-31-85
d3 fill: 4-28-85 |
|
04/07/85
|
The Spectrum
Philadelphia, PA |
2 cd-r |
|
|
|
|
|
04/08/85
|
The Spectrum
Philadelphia, PA |
2 cdr/shn |
|
|
SB> MC> DAT> CD > EAC > SHN |
|
|
04/28/85
|
Frost Amphitheatre
Palo Alto, CA |
2 cd-r |
|
|
aud |
|
|
06/14/85
|
Greek Theatre, U. Of California
Berkeley, CA |
2 shn |
|
|
SBD > DAT > CDR/? > CDR > EAC (read offset correct) > CDWave > CoolEditPro > mkwACT > SHN (seekable) |
1. time compressed using CoolEditPro to 98.666% of original speed to approximate the Oade audience source speed
2. patches used from Oade audience source:
d1t10: patched in Bobby's "we're gonna take a real break, and then we'll be back in a little bit" banter at end of Deal (6:08 to end)(was cut on sbd)
d2t06: patched in 2 minutes missing from Space (4:14 to 6:24)
3. no sector boundary errors verified with shntool v1.2.0 |
|
06/15/85
|
Greek Theatre, U. Of California
Berkeley, CA |
2 cdr/shn |
|
|
SBD> ?> CD-R |
Known errors:
Minor dropout before d2t05.
Dropout between d3t04 & d3t05.
|
|
06/16/85
|
Greek Theater, U. of California
Berkeley, CA |
2 cd-r |
|
|
? |
|
|
06/22/85
|
Alpine Valley Music Theatre
East Troy, WI |
2 cdr/shn |
|
|
SBD > ? > PCM > DAT > DAT > CD > SHN |
Brokedown encore at end of d1. |
|
06/24/85
|
River Bend Music Center
Cincinnati, OH |
3 cd-r |
|
|
|
|
|
06/27/85
|
Saratoga Performing Arts Center
Saratoga Springs, NY |
3 cd-r |
|
|
|
|
|
06/28/85
|
Hershey Park Stadium
Hershey, PA |
2 cd-r |
|
|
AUD |
|
|
06/30/85
|
Merriweather Post Pavilion
Columbia, MD |
3 cd-r |
|
|
|
d3 tracking problems |
|
07/02/85
|
Civic Arena
Pittsburgh, PA |
2 cd-r |
|
|
AUD |
|
|
07/13/85
|
Ventura County Fairgrounds
Ventura, CA |
2 cdr |
|
|
AUD |
mac says: master cass tdk ma 90>sennhiser md441's>sony d5>tascam cdr on a stand 20 feet from stage.awesome
|
|
07/14/85
|
Ventura County Fairgrounds
Ventura, CA |
3 cd-r |
|
|
|
|
|
07/14/85
|
Ventura County Fairgrounds
Ventura, CA |
3 cdr |
|
|
AUD |
macdoogle says: master cass tdk ma 90>sennhiser md441's>sony d5>tascam cdr on a stand 20 feet from stage.awesome |
|
08/30/85
|
Southern Star Amphitheater
Houston, TX |
2 cd-r |
|
|
aud |
|
|
08/31/85
|
Manor Downs
Austin, TX |
3 cdr/shn |
|
|
Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR>EAC(Secure mode)>Shn(MKW ACT) |
The only editing done was to break the tuning/crowd out into
separate tracks on the beginning of d1 and d3. |
|
09/02/85
|
Zoo Amphitheater
Oklahoma City, OK |
1 cd-r |
|
|
aud |
partial, w/filler |
|
09/02/85
|
Zoo Amphitheater
Oklahoma City, OK |
3 cdr/shn |
|
|
SBD > MC > C > DAT > CD > EAC > SHN |
- Bertha has what sounds like an overdriven bass at 4:03. This happens
about 10 more times in this show. I tried removing it but even
after that was finished the sound was still there. All other
occurences of this will be marked by overdriven bass in these notes.
Most if not all are less then 1/2 second long.
- Promised land has 2 problems in the very beginning at 0:02 and 0:05
The first seems to be from a guitar the second is the bass. AUD has
same problem.
- Me and My Uncle has 2 bass problems at 2:00 each very short. Also
bass problem at 3:10. AUD has same problems
- Stagger Lee has the bass problem at 4:23, 4:27 and 4:55. AUD has
same problems.
- First 42 seconds of Ramble on Rose has issues. This is an on stage
problem.
- Hell in a Bucket has 3 minor bass problems between 3:23 - 3:24.
Same problem at 3:45. AUD has same problems.
- I Know You Rider has issues from 4:37 - 4:38. Also bass distortion
at 6:21
- Ship of Fools has a patch from 0:00 - 0:16
- China Doll has what sounds like a stage problem twice at 4:14 and
once at 4:20
- Day Job has static for 1 second at 3:51 and 3:59
|
|
09/03/85
|
Starlight Theater
Kansas City, MO |
2 cdr/shn |
|
|
Oade Master -- 9-3-85 was 90 degree X-Y CMC441 + CMC42s (spaced 10') -> Oade mixer->Oade mod PCM-F1 first row behind board > ? (no digital processing performed) > Audio CDR from Doug Oade > EAC > SHN (seekable) |
*Don't Need Love w/o Jerry |
|
09/05/85
|
Red Rocks Amphitheatre
Morrison, CO |
2 cdr/shn |
|
|
SBD >> ? > CDR > EAC > SHN |
-d1t08: cut of indeterminate length @ 3:13
-d2t09: patched a 1 min 26 second section of Wharf Rat (3:54 - 5:20) missing from the SBD source
with an audience source
-original SBD courtesy of Howard Weiner
-original source of Aud used for patch: a 1st gen analog cassette from a master taped
by Dan Michael, equipment unknown
-there are a few places, especially in Cold Rain & Snow, where the vocals drop out for a split second.
This was a PA issue, as the same d/os are present on the audience source.
|
|
09/07/85
|
Red Rocks Amphitheatre
Morrison, CO |
3 shn |
|
|
aud > dat > cd > eac > shn |
|
|
09/12/85
|
Henry J. Kaiser Convention Center
Oakland, CA |
1 cdr/shn |
|
|
Master Soundboard Cassette > DAT > CDR |
recording comments:
-minor static at 1:19 of Bertha
-little glitch at 0:58 of Help
-drop out in Franklins * 8:10
-drop out pitb 3:40
-MC flip at 0:04 of Space
-glitch at 5:00 of NFA |
|
09/15/85
|
Devore Field, Southwestern U
Chula Vista, CA |
2 cdr |
|
|
AUD |
|
|
10/29/85
|
Fox Theater
Atlanta, GA |
3 shn |
|
|
SBD > MC > C > DAT > CD > EAC > SHN |
- d1t07 Deal: Diginoise at 7:07
- d2t06 Crazy Fingers: Amp Buzz at 0:08
- d2t08 Drums: Odd distortion at 0:20; Slight skip at 1:56, probably
from cassette
flip, not much missing. Some overloading distortion
between 2:03 - 2:05, not much and
it isn't that bad.
- d2 and d3 are seamless. |
|
10/31/85
|
Carolina Coliseum, University Of South Carolina
Columbia, SC |
2 cd-r |
|
|
aud |
|
|
11/01/85
|
Richmond Coliseum
Richmond, VA |
3 cdr/shn |
|
|
Master PCM > DAW (via SEKD card) > DSP* > CD data > HD > compressed with mkwACT0.97b (mkw) > CDR > HD > verified mkw signature file - converted mkw to wav (mkwACT0.97b) > Tracked with CD Wave v.1.91 > compressed with mkwACT0 |
Even though this show is available as Dick?s Pick #23 ? you might want to consider giving this show a listen (or the Oades? earlier non-DSP Etree?d version) ? especially if you were at this show. The Oades really caught the presence of this show in their recording. |
|
11/05/85
|
The Centrum
Worcester, MA |
3 cd-r |
|
|
SBD>RM>CM>C>CDR |
|
|
11/08/85
|
Community War Memorial Auditorium
Rochester, NY |
2 cdr |
|
|
AUD |
re-shn from tunes.kael.org |
|
11/10/85
|
Meadowlands Arena
East Rutherford, NJ |
1 cdr/shn |
|
|
Master Soundboard Cassette > DAT > Sonic Solutions > CD |
there is occasional very light static, exampled near
the 2-3 min. mark of Stagger. this appears on other
soundboard sources as well and is not unique to this
transcription.
|
|
11/11/85
|
Meadowlands Arena
East Rutherford, NJ |
2 cd-r |
|
|
aud |
|
|
12/31/85
|
Oakland-Alameda County Coliseum
Oakland, CA |
3 cdr |
|
|
AUD |
|
|
03/19/86
|
Hampton Coliseum
Hampton, VA |
2 cdr |
|
|
AUD |
|
|
03/20/86
|
Hampton Coliseum
Hampton, VA |
2 cdr |
|
|
AUD |
|
|
03/21/86
|
Hampton Coliseum
Hampton, VA |
2 cdr |
|
|
AUD |
|
|
03/24/86
|
The Spectrum
Philadelphia, PA |
3 cd-r |
|
|
|
|
|
04/21/86
|
Berkeley Community Theater
Berkeley, CA |
2 cd-r |
|
|
|
|
|
12/27/86
|
Henry J. Kaiser Convention Center
Oakland, CA |
2 cdr/shn |
|
|
SBD > MC > DAT > CDR > WAV > SHN |
Set 1: SBD > MC > ? > DAT > CDR> WAV > SHN
//splice/cut in drums. Space begins with long dead space. |
|
12/30/86
|
Henry J. Kaiser Convention Center
Oakland, CA |
3 cd-r |
|
|
|
|
|
01/30/87
|
San Francisco Civic Auditorium
San Francisco, CA |
3 cdr/shn |
|
|
SBD > MC > C > DAT > CD > EAC > SHN |
- Touch of Grey has some level adjustments
- Small skip at 4:55 of Drums. Not much missing.
- Throwing Stones has a couple of scraping sounds in the left channel
at 1:57 and 1:59. These seem to eminate from one of the instruments,
also at 7:23 sounds like Bass distortion.
|
|
03/22/87
|
Hampton Coliseum
Hampton, VA |
3 cdr/shn |
|
|
AUD MC > DAT > CDWAV > SHN |
dankseed
|
|
03/23/87
|
Hampton Coliseum
Hampton, VA |
3 cdr/shn |
|
|
AUD MC > DAT > CDWAV > SHN |
|
|
04/06/87
|
Meadowlands Arena
East Rutherford, NJ |
2 cdr/shn |
|
|
Healy Matrix TDK MA-90 cassette > Dick's Reel (Technics 1506) > PCM > CD (HHB CDR 800) > EAC > SHN |
final Dancin' in the streets
- Odd sound at 1:33 of Dancin in the Streets
- Little Red Rooster patched from - 0:00 - 0:42
- Terrapin Station patched from 0:12 - 0:23
- Audience after Sugar Magnolia fades out as Black Muddy River was
originally placed at the end of disc 1. I faded Black Muddy River
in so there isn't an abrupt start. No Music is missing just fans
fading in and out.
- This show can fit on 2 74 minute CDs by placing the Encore on disc 1
|
|
04/19/87
|
Irvine Meadows
Irvine, CA |
1 cd-r |
|
|
AUD |
|
|
06/20/87
|
Greek Theatre, University Of California
Berkeley, CA |
2 cdr/shn |
|
|
Master Soundboard Cassette> DAT> CDR |
|
|
07/06/87
|
Civic Arena
Pittsburgh, PA |
2 cd-r |
|
|
aud |
|
|
08/15/87
|
Town Park
Telluride, CO |
3 cdr/shn |
|
|
PreFM SBD(Healy Mix)>MC>DAT>CDR>EAC>WAVE LAB>CD WAVE>MKW>SHN (Seekable) |
d2t1 - First few notes missing |
|
08/23/87
|
Calaveras County Fairgrounds
Angels Camp, CA |
3 cd-r |
|
|
|
|
|
09/18/87
|
Madison Square Garden
New York, NY |
2 cdr/shn |
|
|
|
|
|
09/20/87
|
Madison Square Garden
New York, NY |
3 cdr/shn |
|
|
Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN |
recut kpfa fund-raiser version. |
|
10/03/87
|
Shoreline Amphitheatre
Mountain View, CA |
2 cd-r |
|
|
|
|
|
03/27/88
|
Hampton Coliseum
Hampton, VA |
3 cd-r |
|
|
|
|
|
04/01/88
|
Meadowlands Arena
East Rutherford, NJ |
2 shn |
|
|
Ultramatrix (SBD/AUD mix)> DAT> ?> CD> SHN |
There is no break between I Know You Rider and Estimated Prophet,
so those who want to assemble this as a three-disk show can do
so seamlessly.
Tape flip between drums and space suggests a cassette generation
in there somehwere; missing very little.
|
|
06/28/88
|
Saratoga Performing Arts Center
Saratoga Springs, NY |
3 shn |
|
|
FM (matrix) DAT> CD> Track Thief> AIFF> Peak> WAV> SHN |
Drums and space do not have fades and can be reattached seamlessly if desired.
Originally these discs were listed as SBD> DAT> CD, but this was obviously an FM source, as it contained much DJ blather, including station ID as WPYX in Albany. All of that is now one big elision on the dustbin of GD history. I don't think it's a pre-FM, as the top end is slightly constricted, consistent with a 15 KHz cutoff on FM broadcasts. But I'm speculating. |
|
07/01/88
|
The Inn By The Sea Tape
Cape Elizabeth, ME |
0 |
|
|
SBD>DAT>CT>CD>EAC>SHN |
?The Inn By The Sea? tape
This tape was left in a room occupied
by The Dead at The Inn By The Sea,
Cape Elizabeth ME when they were
doing the 7/2 & 3/88 shows at Oxford Plains, Maine. Recorded at Club Front?
Tape travel problems at the beginning of track 9.
|
|
07/02/88
|
Oxford Plains Speedway
Oxford, ME |
3 cd-r |
|
|
|
|
|
07/03/88
|
Oxford Plains Speedway
Oxford, ME |
2 cd-r |
|
|
|
|
|
09/12/88
|
The Spectrum
Philadelphia, PA |
3 cd-r |
|
|
|
|
|
09/14/88
|
Madison Square Garden
New York, NY |
2 cd-r |
|
|
|
|
|
09/18/88
|
Madison Square Garden
New York, NY |
3 shn |
|
|
SBD>MC>C?>DAT>CDR |
Purported lineage of this was SBD>MC>DAT>CDR. |
|
09/19/88
|
Madison Square Garden
New York, NY |
2 shn |
|
|
SBD>MC>DAT>CDR |
It appears that this entire show has Noise Reduction applied to it. Also every track on this entire show had tiny drop outs before the actual songs were
removed with Cool Edit. D1t01(Touch Of Gray)Pop @ 2:15 both channels
removed, Level change @ 3:55. D1t07(Let It Grow) First couple of notes are clipped. Cass.
flip between Drums and Space. D2t08(Space) Click or space? @ :20, 4:13 and 4:14 left alone. |
|
04/05/89
|
Crisler Arena
Ann Arbor, MI |
3 cd-r |
|
|
|
|
|
05/06/89
|
Frost Amphitheatre
Palo Alto, CA |
3 cd-r |
|
|
|
|
|
05/07/89
|
Frost Amphitheatre
Palo Alto, CA |
3 cd-r |
|
|
|
|
|
07/09/89
|
Giants Stadium
East Rutherford, NJ |
3 cdr/shn |
|
|
AUD(FOB/AKG414TL)>>???>>SHN>>DAW(Bertha)>>CDA |
|
|
10/09/89
|
Hampton Coliseum
Hampton, VA |
3 cd-r |
|
|
|
|
|
10/25/89
|
Miami Arena
Miami, FL |
3 cd-r |
|
|
|
|
|
10/26/89
|
Miami Arena
Miami, FL |
3 cd-r |
|
|
|
|
|
12/27/89
|
Oakland-Alameda County Coliseum
Oakland, CA |
3 cd-r |
|
|
|
|
|
03/25/90
|
Knickerbocker Arena
Albany, NY |
3 cd-r |
|
|
|
|
|
03/29/90
|
Nassau Coliseum
Uniondale, NY |
3 cd-r |
|
|
|
|
|
03/29/90
|
Nassau Coliseum
Uniondale, NY |
3 shn |
|
|
SBD -> Dat -> CD |
-- Branford Marsalis plays saxophone on Bird Song and Promised in Set 1 and
the entire 2nd Set, except for Drums and Knockin'.
--This source doesn't have any of the flaws that the other etree sources have. |
|
07/04/90
|
Sandstone Ampitheatre
Bonner Springs, KS |
3 cd-r |
|
|
|
|
|
07/14/90
|
Foxboro Stadium
Foxboro, MA |
3 cd-r |
|
|
|
|
|
07/21/90
|
World Music Theater
Tinley Park, IL |
2 cdr/shn |
|
|
Master Soundboard DAT > CDR |
|
|
09/14/90
|
Madison Square Garden
New York, NY |
3 cd-r |
|
|
|
|
|
09/15/90
|
Madison Square Garden
New York, NY |
3 cd-r |
|
|
|
|
|
09/18/90
|
Madison Square Garden
New York, NY |
3 cdr/shn |
|
|
SBD->Cm->Dat->CD->Cool Edit Pro->CD |
Numerous gaps and cuts removed. |
|
09/19/90
|
Madison Square Garden
New York, NY |
3 cdr/shn |
|
|
SBD>DAT>CDR>EAC>SHN |
|
|
09/20/90
|
Madison Square Garden
New York, NY |
3 cd-r |
|
|
FOB MAD>D>CD |
Healy SBD/AUD Ultramix > DAT > CD-R supplies patches in Truckin' at 6:30-6:32 and at 8:40-8:42
|
|
09/20/90
|
Madison Square Garden
New York, NY |
2 cdr/shn |
|
|
SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN |
|
|
09/28/90
|
Front Street
San Rafael, CA |
1 cdr/shn |
|
|
Unknown SBD>????(possible cassette gen)>CDR>EAC>SHN |
shns bundled w/jg 1-21-83.
This is an interesting glimpse into the state of the band immediately following Brent's untimely demise. This comes right on the heels of the highly innovative fall '90 MSG run (Hornsby's first few shows with the boyz),and directly precedes the Fall European tour. All 3 songs rehearsed find their way into the European setlists. |
|
10/28/90
|
The Zenith
Paris, France |
3 cdr/shn |
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Source: SB DATx3 > Sony M-1 > Midiman Optical > SPDIF SB Platinum > CoolEdit WAV > CDWav WAV > SHN |
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10/31/90
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Wembley Arena
London, England |
3 cd-r |
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SBD > DAT > CDR > WAV > SHNv3 |
splice/d.o. at beginning of Werewolves.
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12/28/90
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Oakland-Alameda County Coliseum
Oakland, CA |
2 cdr/shn |
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(Healy Mix)SBD>??>DAT>CDR |
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12/31/90
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Oakland-Alameda County Coliseum
Oakland, CA |
3 cd-r |
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04/01/91
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Greensboro Coliseum
Greensboro, NC |
2 shn |
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SBD>D>A>D>SSSB |
Secondary Source:
SBD>DAT>CDR (Musicfan's seed to abgd)
Secondary Source provides d1t01-t04; the last 5 seconds of d1t07;
the last 2:01 of d1t09
The sector boundary errors present on Jay's seed were removed using
shntool.
d1t02 - Removed milisecond dropout between t01 & t02 However it is still
slightly noticeable.
d1t04 - Removed a slight digisnit at 2:07, Still slightly noticeable
d1t07 - Jay's seed fades at the last seconds of this track. The
Secondary source supplies the last 5 seconds which includes
the set break announcement.
d1t09 - Secondary source supplies the last 2:01. While the static
present on Jay's seed was only within the last 30 seconds
a patch at that point would have been difficult to make
transparent. This patch is completely transparent IMHO.
d2t03 - I retracked Drums>Space into two tracks. |
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05/05/91
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Cal Expo
Sacramento, CA |
3 cdr/shn |
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DSBD > CD > EAC > SHN |
Rex Foundation benefit
Bruce Hornsby was not with the band on this night.
Patch source - http://db.etree.org/shninfo_detail.php?shnid=9367
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06/17/91
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Giants Stadium
East Rutherford, NJ |
3 cd-r |
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06/17/91
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Giants Stadium
East Rutherford, NJ |
1 cd-r |
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mpeg video |
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06/17/91
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Giants Stadium
East Rutherford, NJ |
3 shn |
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SBD -> Master Dat (44.1k) -> Dat Clone -> SHN |
-- There is an Other One tease before and after the Dark Star Jam before drums.
-- Hornsby is teasing Dark Star in almost every song...listen closely.
-- There are other Dark Star Teases that I didn't track due to being too short.
-- Seamless transition between discs 2 and 3.
-- All Flaws in Eyes Of The world have been fixed. |
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06/20/91
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Pine Knob Music Theater
Clarkston, MI |
3 cdr/shn |
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DSBD>CASS>DAT>CDR>EAC>MKWact>SHN |
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09/10/91
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Madison Square Garden
New York, NY |
3 cd-r |
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09/12/91
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Madison Square Garden
New York, NY |
3 shn |
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soundboard > DAT > CDR > SHN |
fore "We'll be Back" there was a dropout. 00:01.796 was cut
out.
- Dropout in Foolish Heart repaired. It occurs around 1 minute into
the song. 00:00.12 was cut out.
- Between Drums and Space there was 00:00.603 of silence. I cut this
out to make d2 and d3 seemless.
- Between Sunshine Daydream and the encore there was a tiny skip. I
cut out 00:00.045 to make it a bit more seemless. |
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09/26/91
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Boston Garden
Boston, MA |
3 shn |
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SBD(1)>DAT>CD>EAC>CDWAVE>MKWACT>SHN |
(1) - This may be a digital soundboard. There is no wow and flutter in Eyes of the World as existed in older versions of the 9/26/91 SBD. Thanks to an old friend Dougal Donaldson for providing me with the source DATS some years back.
Listener reports probably one cassette generation.
Discs 2 and 3 are seamless.
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12/28/91
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Oakland-Alameda County Coliseum
Oakland, CA |
3 shn |
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SBD -> Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN |
Set 1: SBD -> Dat -> Sonic Solutions -> CD -> EAC -> SHN |
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03/16/92
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The Spectrum
Philadelphia, PA |
3 cd-r |
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05/21/92
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Cal Expo
Sacramento, CA |
3 shn |
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Pre-FMDSBD>DAT(48kHz) DAT>ZA2(S/PDIF)>Samplitude2496>CD-r or shn |
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05/31/92
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Sam Boyd Silver Bowl, U.N.L.V
Las Vegas, NV |
3 cd-r |
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06/15/92
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Giants Stadium
East Rutherford, NJ |
3 cd-r |
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FOB>DAT>CDR |
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12/17/92
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Oakland-Alameda County Coliseum
Oakland, CA |
3 cdr/shn |
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SBD > DAT > C > CD > SHN |
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09/17/93
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Madison Square Garden
New York, NY |
2 dcr/shn |
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SBD>DAT>CDR Remastering: SHN>WAV>Shntool(join)>ADWS>CD WAV>Shntool(check)>SHN(seekable) |
set 2 |
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09/22/93
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Madison Square Garden
New York, NY |
3 shn |
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DAUD/FOB Schoeps mk21(ORTF) > KC5 actives > CMC5 > Sonosax SX-M2 > Apogee AD-500e > Sony D10 @48kHz Master (from D10) > R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (fade in/out/48>44.1 at highest setting[4of4] wi |
(*) with David Murray; (**) with David Murray and James Cotton
*Dankseed Certification received 2002-03-30* |
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10/14/94
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Madison Square Garden
New York, NY |
3 shn |
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Sbd > C > Dat > CDR > EAC > CDR > EAC > Shn |
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03/17/95
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The Spectrum (soundcheck)
Philadelphia, PA |
1 cdr/shn |
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Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes |
Unbroken Chain Sound check
This tape came from a member of the Grateful Dead's crew. This is not from the scanner in the parking lot. It was taped by the crewmember himself.
http://db.etree.org/shninfo_detail.php?shnid=17951 |
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03/17/95
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The Spectrum
Philadelphia, PA |
3 shn |
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DSBD >?>Bootleg CD>EAC>SHN |
Secondary audience source (Schoeps MK4) used for drums > space.
Flaws: d1t01 digifuzz 00:29-00:31. Very first note of Truckin' is missing.
Comments: This source represents a composite of the two previously released sources. An audience source for drums and space has been relatively seamlessly spliced in. A droupout in Loose Lucy in the SBD source was removed using soundforge 5.
The audience source wav's were normalized to the SBD levels and splicing was done using soundforge 5. Tracking of the both sets using CDWAVE. WAV's were compressed using shorten 3.4. |
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03/23/95
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Charlotte Coliseum
Charlotte, NC |
3 cd-r |
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SBD>D>A>D>CD-R>EAC>SHN; A=analog cassette |
Bruce Hornsby on grand piano for entire show. If any minor editing, noise reduction, and/or minor EQ processes were necessary, they were performed between 80% and 100% in the digital realm at Serafin Station Studio B (http://home.flash.net/~gdtrfb95/).
Known Flaws:
d1t01: ~3:15 to ~3:25 Jerry's vocals trail off in volume
d2t02: ~1:21 to ~1:43 Jerry's vocals trail off in volume
Unknown if these flaws are equipment problems or Jerry.
d2t05: One of the percussion instruments is notably hot in the mix (sounds like beads or coloshakers)
d2t06: as above
d3t02: as above
d3t04: as above
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03/29/95
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The Omni
Atlanta, GA |
1 cdr/shn |
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Phil's Ear Monitor Feed > C > C > Kenwood CT-2050 > RCA analog (Monster cables)> RME digi96/8PAD > Soundforge 6.0 recorded at 96kHz/24bit |
bundled w/3-17-95 soundcheck shns.
partial second set.
This tape came from a member of the Grateful Dead's crew. This is not from the scanner in the parking lot. |
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06/18/95
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Giants Stadium
East Rutherford, NJ |
2 cd-r |
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FOB 30th row, DEAD fuckin center, Nak 300's Hand Held (Arm still sore) into my Sony d7. Dat > Sblive > CDwave > mkw Audio tools > Shn |
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07/09/95
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Soldier Field
Chicago, IL |
2 cd-r |
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DSBD (pre FM) (@48kHz) |
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