Music List for cbass Last Update: Apr 16, 2024
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Allman Brothers Band --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
02/11/70	Fillmore East (Early Show)	New York	NY	Master Soundboard Reel > Cassette > DAT> CDR* > Remastered** > SHN EAC'ed / SHN'ed by Scott Clugston 7/4/01 Digitally remastered by Garrett Van Cleef*** (rev. 2) 12/12/01 Posted to gdlive.com by GVC FLAC conversion in 2006 from the original fileset	Source Detail
07/03/70	Middle Georgia Raceway	Byron	GA	Master Soundboard Reel > Cassette > DAT > CDR	Source Detail
07/26/70	S.U.N.Y. Gym	Stony Brook	NY	Source: Sbd->Reel->DAT->CDR->SHN	Source Detail
08/26/71	A&R Studios	New York	NY	FM via Leigh Orf	Source Detail
09/16/71	The Warehouse	New Orleans	LA	Aud: cdr>yamaha400t>eac>hd>mkw>shn	Source Detail
12/31/72	Warehouse	New Orleans	LA	Lineage: SBD>DAT>CASS>wAVELAB LITE>FRONTEND>FLAC	Source Detail	FLAC
06/09/73	RFK Stadium	Washington	DC	sbd>mr>production cassette>dat>cdr>shn>wav> sek'd red roaster for editing***(no eq, no compresion, no noise reduction or processing)>cdwav>mkw all shn files verified with shntool re-seeded to etree november 2001	Source Detail
07/28/73	Watkins Glen Grand Prix Circuit	Watkins Glen	NY	Various SBD/AUD (unk equipment)>CDR Circulating on Furthur, 12/2002	Source Detail
12/31/73	Cow Palace	Daly City	CA	source: master reel-> DAT-> CDR-> SHN	Source Detail	FLAC

Bob Dylan & Neil Young --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
03/23/75	Kezar Stadium	San Francisco	CA			FLAC

Bob Marley & The Wailers --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
06/18/75	Wollman Skating Rink - Central Park	New York	NY			FLAC
06/21/75	The Manhattan Center	New York	NY			FLAC
06/17/78	Madison Square Garden	New York	NY			FLAC
06/27/80	Stadio San Siro	Milan	Italy			FLAC

Bobby & the Midnites --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
11/07/80	Orpheum Theatre	Boston	MA	Unknown Mics > Cm > Cass > Cass > Sony CDR-W33 > CDR > EAC > CDWave (for tracking) > Flac	Source Detail	FLAC

Dickey Betts & Great Southern --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
04/19/77	The Bottom Line	New York	NY	Source: fm simulcast reel master 10.5"@7.5 ips on sony tc-755 w/teac an180 nr taped by Jerry Moore lineage: reel master on sony tc-765>teac an-180>sbm1>dat>cdr>eac>cd wave>flac transfers by Rob Berger	Source Detail	FLAC

Diga Rhythm Band --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
05/30/75	Golden Gate Park	San Francisco	CA	SBD > Rm > Cass > Reel > CD > WaveLab > Gems Edit Station > Flac	Source Detail	FLAC
05/30/75	Golden Gate Park	San Francisco	CA	SBD > Rm > Cass > Reel > CD > EAC > Flac	Source Detail

Garcia --- Approximate Hours: 2.5
Show Date	Venue	City	State	Comments	SHN Info	Media
??/??/39	Unknown	Unknown	Unknown	JGB; flac1644: sbd >> cassette >> ??	Source Detail	FLAC
07/??/61	Boar's Head Coffeehouse	San Carlos	CA	Garcia, Leicester & Hunter: MA? (Probably MAR taped by Rodney Albin, mics onstage) > ? > CD > EAC (secure) > Cool Edit > CDWAV > mkwact > SHN(seekable), EAC>SHN by Matt Vernon.	Source Detail
06/11/62	Jewish Community Center	San Carlos	CA	Sleepy Hollow Hog Stompers: AUD > R2R? > C? > CDR > SHN. Posted to abgd by Greenbaum.	Source Detail
06/11/62	Jewish Community Center	San Carlos	CA	Sleepy Hollow Hog Stompers: Master Audience (?) Reel (Scotch 150) > playback on Technics RS 1520 @ 7-1/2 ips no dolby > first gen reel (Scotch 207 recorded via Otari MX5050 @ 7-1/2 ips no dolby) > playback on Technics RS1506 > Tascam DA-40 DAT > Tascam CD-RW700 master CD > CDs > HP 9350i extraction using EAC > .shn encoding using mkwACT.	Source Detail
06/11/62	Jewish Community Center	San Carlos	CA	Sleepy Hollow Hog Stompers, flac16: MOTB Release: 0051 16/44.1; Master Audience Reel [Possibly from mics placed on stage, onto Scotch 150 1/4" tape] > Technics RS-1520 [No Dolby, 7.5 IPS] playback > Otari MX-5050 [No Dolby, 7.5 IPS, Scotch 207 1/4" tape] 1st gen reel > Technics RS-1506 playback > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 DSD-DDF 1-bit 5.6448 MHz Stereo > Audio Gate Dissemination > 24/96 WAV; no downsampling info.	Source Detail	FLAC
11/10/62	College of San Mateo	San Mateo	CA	CSM Folk Festival; flac16 Recording Info: Unknown stage mics -> unknown reel recorder. Transfer Info: Master reel -> Dennis McNally's cassettes (Nakamichi DR-1) -> Sound Devices 788T (24bit/96kHz) -> Peak Pro 5 /Izotope RX Advanced -> FLAC 16/44.1 (Xact).	Source Detail	FLAC
02/23/63	Top of the Tangent	Palo Alto	CA	Wildwood Boys: Garcia, David Nelson, Robert Hunter and Norm Van Mastricht. Aud (unknown Source) Master Reel > Reel > FM > Cass > Dat > CD > EAC > SHN. DAT > CD and EAC > SHN by Scott Mogol.	Source Detail
05/04/63	Top of the Tangent	Palo Alto	CA	Jerry & Sara Garcia: Possibly MAR > R > FM > Cass > DAT > CDR.	Source Detail
05/04/63	Top of the Tangent	Palo Alto	CA	Jerry & Sarah Garcia 1963-05-04 Top Of The Tangent Palo Alto, Ca MR > FM > CASS > CD * REMASTERED	Source Detail	FLAC
03/06/64	Top of the Tangent	Palo Alto	CA	Black Mountain Boys: SBD->Cassette->CDR->TAE->SHN via David Backus and Wagner	Source Detail
03/07/64	Top of the Tangent	Palo Alto	CA	Black Mountain Boys, partial set: SBD-> Cassette -> CDR -> TAE -> SHN.	Source Detail
03/07/64	Top of the Tangent	Palo Alto	CA	Black Mountain Boys; flac1644; Aud MR > ? > cass. Transferred at 24-bit, 96kHz and edited by Dan McDonald. Transferred using the flat transfer method, using my converted Nakamichi BX1. Correct curve applied through DC9 (alpha). No noise reduction. This recording is in dual-channel mono. Gain-normalized to -1.0 dB. Converted to 16/44.1 using triple precision and triangular dithering.	Source Detail	FLAC
04/14/64	Unknown	Unknown	CA	Banjo Lesson: ambient reel to reel recording by unknown student > ? > 7 1/2 ips reel > Matt Smith [Akai GX-625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring/mastering > Wavelab 5.0 (dithered to 20/44))] > CD; CD > EAC (tracking and mastering) > CD by Ihor Slabicky.	Source Detail	FLAC
??/??/64	Unknown	Palo Alto	CA	Wildwood Boys: MA? (Stage Mic?) > C > CDR > PCM > SHN. Note filenames are not per etree convention.	Source Detail
??/??/64	Boar's Head	Palo Alto	CA	Black Mountain Boys: SBD->Cassette->CDR->TAE->SHN (partial)	Source Detail	SHN
??/??/64	Unknown	Palo Alto	CA	Black Mountain Boys: flac/fix of shnid 24073 by Bob Loy.	Source Detail	FLAC
10/02/66	San Francisco State University	San Francisco	CA	recieved in a snail-mail trade from Ed Perlstein (in one large wav file) who recovered the Master Reel. MR>Remastered DAT>CDR>CDR1>EAC>FLAC	Source Detail	FLAC
03/??/67	710 Ashbury Street	San Francisco	CA	Jerry Garcia interview by Randy Groenke and Mike Cramer; master reel @ 3.75 ips speed > (?) > cassette > my TDK MA90 cassette > Nakamichi Dragon > Macintosh with Digidesign AudioMedia III sound card > Pro Tools (minor "nip and tuck" edits, normalization and many clicks and pops manually removed - no noise reduction or equalization) > AIFF > xACT (Flac level 8 files with sector boundaries verified).	Source Detail	FLAC
05/21/68	Carousel Ballroom (Tuesday Night Jam)	San Francisco	CA	Tuesday Night Jam: MSR > DAT > CD > EAC > WAV > SHN.	Source Detail
05/21/68	Carousel Ballroom (Tuesday Night Jam)	San Francisco	CA	"Tuesday Night Jam": Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v.20 -> SHN (2 Discs Audio / 1 Disc SHN) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net, 2/17/04.	Source Detail
07/28/68	Rancho Olompali	Marin County	CA	Garcia, Casady & Hart: MS?>?>CD>EAC>FLAC, via David Gans.	Source Detail
07/28/68	Rancho Olompali	Marin County	CA	Garcia, Casady, Hart; flac1644; SBD > Master Reel > Dat. Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC, Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
10/08/68	The Matrix	San Francisco	CA	Hartbeats; flac24, most likely lineage of these are MR>R @ 7.5 ips>R @ 7.5 ips>?>flac24. This is a mix down of the line feed left channel, and the more ambient miced right channel	Source Detail	FLAC
10/21/68	Jefferson Airplane House	San Francisco	CA	SBD > MR > Cass > DAT > CDR > WAV > CDR; via EAC/trade from Morgan Evans; EAC > minor wav editing> CDWAV > seeking SHN by Rick Lepley; Uploaded by Andy Lepley; note shn set is labelled as 10/28/69, but material typically circulates as 10/21/68	Source Detail
10/21/68	Jefferson Airplane House	San Francisco	CA	flac 2448: Recording Info: SBD > ?? > 2 Maxell UDXLII C90 Cassettes Transfer Info: GEMS Lossless Legs production knudsen.0002.jg_friends1968-10-21.flac2448 refer to the original info file (knudsen.0002.jg+friends.1968-10-21.txt) which is part of the fileset. Editing and Mastering: Mark Fulton (mdfunes) Goldwave audio editing software. 4/21/2019	Source Detail	FLAC
10/30/68	The Matrix	San Francisco	CA	flac2496; GEMS; MR (Abrams) > R @ 7.5 ips (Kafer) > R @ 7.5 ips (Will Boswell); playback on Akai GX636 - Direct tape head out >> custom built Bottlehead tube tape preamp with a pair of Tesla 6922 tubes >> Apogee Mini Me/Mini Dac 24/96 >> Lynx One soundcard >> FLAC by Matt Smith. Mixed and Mastered by Jamie Waddell.	Source Detail	FLAC
10/30/68	The Matrix	San Francisco	CA	flac24: sbd unknown gen reel, Jerry Moore's copy, transfer/seeded by Rob Berger	Source Detail	FLAC
12/16/68	The Matrix	San Francisco	CA	SBD> Rm> Reel> CD (May Be SBD> Rm> Reel> Reel> CD); DAE/shnv3/ftp via neo_levo, from Charlie Miller seed	Source Detail	CDR
12/16/68	The Matrix	San Francisco	CA	Hartbeats: MSR (Abrams) > R (Peter Kafer) > R @ 7 1/2 ips (Will Boswell); Transfer info: reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16.	Source Detail	FLAC
12/24/68	The Matrix	San Francisco	CA	Jerry Garcia, Harvey Mandel & Elvin Bishop: SBD > unknown generation cass > wav > shn. Posted to abgd 12/2002. Notes: d2t01 has a sector boundary error.	Source Detail
12/24/68	The Matrix	San Francisco	CA	Garcia, Harvey Mandel & Elvin Bishop: MSR > PCM > SHN. Uncertain how, if at all, this relates to existing .shn sets listed under Garcia (#15051) and Grateful Dead (#9475).	Source Detail	SHN
12/24/68	The Matrix	San Francisco	CA	"Harvey Mandel Band w/ Garcia": soundboard 4-track reel master > 2-track reel > CDR/0 > CDR/1 > CDR/2 > iMac > SHN. Editing (Sound Studio for Macintosh) and shn compression (Shorten for Macintosh) by Jeff Tiedrich on 24 and 28 April 2002.	Source Detail	SHN
02/19/69	Matrix	San Francisco	CA	sdb>Mreel>???>Dat>CD any info help send to usalai@nycap.rr.com and or jerrylives2000@aol.com ripped by Mike Lai and seeded to etree jan 28, 2001 via jerrylives2000.etree.org filler 2-94 garcia, grisman and rice: Shady groove studio sessions	Source Detail
02/19/69	Matrix	San Francisco	CA	Jerry Garcia (banjo), David Nelson, and Frank Wakefield: SBD > ? > PCM > WAV > CDR; transfer Sony PCM-601ESD (electrical) > SEK'D ProdifPro96 > Samplitude > Wav; some edits, see info file for details.	Source Detail
02/19/69	Matrix	San Francisco	CA	High Country w/ Garcia & Nelson: SBD (orAUD?) > Mreel > Reel > Dat > CD > EAC > wav > flac.	Source Detail
02/19/69	Matrix	San Francisco	CA	High County(Garcia & Nelson Sitting in):SBD> Mreel> Reel> Dat >Wav>Shn	Source Detail
02/19/69	Matrix	San Francisco	CA	High Country w/ Garcia & Nelson: MSR > ? > DAT > CD.	Source Detail	SHN
02/19/69	Matrix	San Francisco	CA	Garcia, Nelson et al; via Teddy GoodBear to alt.binaries.gdead	Source Detail	shn
02/19/69	Matrix	San Francisco	CA	MR(Bill Abrams)>R@7.5 ips.(Peter Kafer)>R@ 7.5 ips(Will Boswell)>CD Transfered and mastered by Matt Smith 5/11 Cd to Flac dbpoweramp, checksums TLH gballen 5/26/2011	Source Detail	FLAC
02/19/69	Matrix	San Francisco	CA	High Country: SBD > Master Reel > Reel > Dat; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > WAV 16/48; Transfer by Charlie Miller. Edited & Mastered (Adobe Audition) by Joe Noel October 02, 2020.	Source Detail	FLAC
08/07/69	Matrix	San Francisco	CA	NRPS; flac16; MR > R (Peter Kafer) > 7.5 ips reel (Will Boswell); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC. Mastered By Matt Smith.	Source Detail	FLAC
08/28/69	Family Dog at the Great Highway	San Francisco	CA	Hartbeats; flac1644; SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/06/69	Family Dog at the Great Highway	San Francisco	CA	JG sitting in w/ Jefferson Airplane: Sbd, A0D1, Cass M->Dat 1, 44k; Ampex C-90 Master Cass/no dolby->3700 x 0->3800 x 1; FOLLOWED BY: CD > EAC > FLAC, via Teddy Goodbear.	Source Detail	FLAC
10/28/69	2400 Fulton Street - Jefferson Airplane House	San Francisco	CA	Source: SBD > MR > Cass > DAT > CDR > WAV > CDR; via EAC/trade from Morgan Evans > EAC > CDWAV > SHN; via Rick Lepley Notes: Great disc! The sound quality is exceptional IMO, it almost sounds like it was recorded in a studio setup. The lineup is reportedly the following: Jerry Garcia - Guitar Jorma Kaukonen - Guitar Jack Cassady - Bass Mickey Hart - Percussion Spencer Dryden - Percussion Known Flaws: A high pitched tone which was present on my CDR copy at roughly 0:12 - 0:23 of track 01 was edited out using EAC's wave editing function. A 1-second pause at about 14:19-14:20 on the master dt06 was edited out also using EAC. Much thanks to Morgan Evans for putting this gem into my hands! Uploaded and distributed by Andy Lepley These shn files are seekable in your shnamp. Please forward any information/corrections to lepleyr@hotmail.com - Thanks!	Source Detail	SHN
09/??/70	CBS Studios	San Francisco	CA	flac16: Howard Wales & Jerry Garcia, Studio Outtakes from the "Hooteroll?" LP Sessions, Source: Maxell UDXL2 Cassette with Dolby B Lineage: Studio -> ? -> Cassette -> (Nakamich Dragon playback with Dolby B) -> Lexicon Lambda -> Logic @ 24/96 (tracking, speed correction & dithering) -> 16/44.1 wav -> xAct (sbe correction) -> wav -> flac Transfer and mastering by Alan Bershaw (April 25, 2018)	Source Detail	FLAC
10/21/70	Matrix	San Francisco	CA	Garcia & others: Supposed MSR > DAT > CD. This material travels under many different names, including "Hot Dead Messenger Service", though the info file's identification of this as a "Matrix Tuesday Night Jam Session" seems implausible, since 10/21/70 was a Wednesday.	Source Detail
10/21/70	Matrix	San Francisco	CA	Matrix Jam Session (Garcia and others): 1st generation reel to reel > revox > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac.	Source Detail	FLAC
11/20/70	WBCN-FM Studios	Boston	MA	Garcia, Weir & Duane Allman: MFR > 2nd gen (?) reel > M-Audio Transit > Cool Edit > CD Wave Editor > FLAC, via Dave Tamarkin.	Source Detail
11/20/70	WBCN-FM Studios	Boston	MA	Garcia, Weir & Duane Allman: FM > ? > remastering > FLAC encoding, by Pink Robert.	Source Detail	FLAC
11/21/70	WBCN-FM Studios	Boston	MA	Garcia, Weir & Allman: FM MASTER REEL > 2ND GEN (?) REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC, via Dave Tamarkin.	Source Detail	FLAC
11/21/70	WBCN-FM Studios	Boston	MA	Garcia, Weir, and Duane Allman: MFC > 2C > SHN, via Chuck Kiefe, Jeff Cotsman.	Source Detail	shn
12/15/70	The Matrix	San Francisco	CA	David & the Dorks: sbd > mr > ? > dat > xa2 > cdr > shn > wav > flac, fixing and seeding by Sir Mick; see info file for more details.	Source Detail
12/15/70	The Matrix	San Francisco	CA	David & the Dorks: sbd > Reel(?) > ? > DAT(?) > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav, via Todd Evans.	Source Detail	FLAC
12/15/70	The Matrix	San Francisco	CA	David & the Dorks: SBD>MR>?>DAT>ZA2>CD	Source Detail	shn
12/15/70	The Matrix	San Francisco	CA	David & The Dorks: SBD > Reel to Reel > Cassette > CD > Adobe Soundbooth > Flac > TLH; Recorded by Gary Medeiros; Mastered By Scott Medeiros	Source Detail	FLAC
12/15/70	The Matrix	San Francisco	CA	flac16; Recording info: Reel source (unknown gen) > Tim Dalton's PCM; Transferred by Charlie Miller; Mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
12/17/70	The Matrix	San Francisco	CA	David & the Dorks: SBD>MR>?>DAT>ZA2>CD	Source Detail	shn
12/20/70	The Matrix	San Francisco	CA	David and the Dorks: David Crosby, Jerry Garcia, Mickey Hart, Phil Lesh; mSR>Rn?>DAT>CD>EAC>SHN; via G. Tremblay	Source Detail	SHN
12/27/70	KPPC Studios	Pasadena	CA	"Sunday Quartet" (Garcia, Weir, Nelson, Dawson): pre-FM master reels > cassette > digital. See info text for extensive notes.	Source Detail
??/??/70	Studio Jam	Unknown	Unknown	Garcia and Friends: MSR? > ? > DAT > CD > Eac > cool edit > shntool > cdwav > shnv3.	Source Detail	SHN
??/??/70	Pacific High Recorders	San Francisco	CA	Garcia, Weir, Cipollina & Sears: 1st gen analog tape > behringer ultra curve pro deq 2496 audio equalizer > tascam audio cdrw750 > plex tool professional XL > wav > flac. Seeded by '38f' to Dimeadozen as part of compilation "JOHN CIPOLLINA - ULTRA RARE TRACKS, HOME RECORDINGS AND DEMOS 1970/1985, volume two".	Source Detail	FLAC
??/??/70	Studio Jam	Unknown	Unknown	KSAN-FM BROADCAST > LINEAGE UNKNOWN > REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC via davmar to Lossleggs	Source Detail	FLAC
??/??/70	Tarot Music	Unknown	CA	"Tarot" outtakes; flac1644; unkn cassette gen from late 70s trade > Pioneer CT-F1000 > sony pcm-r700 > sbm 44k > delta dio 2496 > cooledit200 > levels raised > shn > wav > flac	Source Detail	FLAC
??/??/70	Pacific High Recorders	San Francisco	CA	Garcia, Weir, Cipollina & Sears: 1st gen analog tape > behringer ultra curve pro deq 2496 audio equalizer > tascam audio cdrw750 > plex tool professional XL > wav > flac. Seeded by '38f' to Dimeadozen as part of compilation "JOHN CIPOLLINA - ULTRA RARE TRACKS, HOME RECORDINGS AND DEMOS 1970/1985, volume two".	Source Detail	FLAC
01/02/71	Wally Heider's Studio	San Francisco	CA	PERRO Sessions: MSR> Dat > CD > EAC > mkw > Shn. Recorded by Stephen Barncard 1970-1971. Transferred at A&M Tape Copy 1/23/91	Source Detail
01/02/71	Wally Heider's Studio	San Francisco	CA	Planet Earth Rock & Roll Orchestra (PERRO): misc "rough cuts", 1/2/71 plus assorted dates; more info; via Darrin Sacks	Source Detail	SHN
01/02/71	Wally Heider's Studio	San Francisco	CA	PERRO: Master Soundboard Reels Recorded by Stephen Barncard 1970 - 1971 Transferred at A & M Tape Copy 01/23/1991 to DAT; Transfer: Panasonic SV-3700 M-Audio Audiophile 2496 at 48 khz 16 bit into Wavelab 5.0; Mastering with iZotope Ozone 3 dithered to 44.1 khz 16 bit > CDWAV1.9 > FLAC (level 8). Transferred and mastered by Bill Koucky September 30, 2007. Seeded by Green Mountain Brothers.	Source Detail	FLAC
01/02/71	Wally Heider's Studio	San Francisco	CA	PERRO: Source: Master Soundboard Reels Recorded by Stephen Barncard 1970 - 1971 Transferred at A & M Tape Copy 01/23/1991 to DAT jcannon dat copy > cd > eac - files renamed and tagged. Per Barncard's notes, this appears to be the complete copy in order. Circulated November 2011	Source Detail	FLAC
05/11/71	The Matrix	San Francisco	CA	Garcia & Saunders: Unknown source > reel > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (FLAC Frontend v1.7.1 Etree edition).	Source Detail	FLAC
05/20/71	Keystone Korner	San Francisco	CA	JGMS; flac2496k; Most likely lineage MR@ 7 1/2 ips >> Reel(owned by Jerry Garcia) >> Reel(made and owned by Will Boswell) @ 7 1/2 ips >> 2496 PCM WAV [by Matt Smith]; Transfer info: Revox A77 > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC	Source Detail	FLAC
05/20/71	Keystone Korner	San Francisco	CA	JGMS; flac1644; Most likely lineage.. MR@ 7 1/2 ips >> Reel(owned by Jerry Garcia) >> Reel(made and owned by Will Boswell) @ 7 1/2 ips >> 2496 PCM WAV [by Matt Smith]; Transfer info: Revox A77 > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC	Source Detail	FLAC
05/20/71	Keystone Korner	San Francisco	CA	JGMS; flac1648 Recording Info: MR@ 7 1/2 ips > Reel (owned by Jerry Garcia) > Reel(made and owned by Will Boswell) @ 7 1/2 ips > 2496 PCM WAV [by Matt Smith] Mastering Info: Samplitude Pro X5 > Flac24 (fresh 2021 mastering included phase correction, hum removal, channel flip to match 1971-05-21 official release, etc.) > RX8 (Flac16) Mastering by Jim Blackwood Speed Correction by Jason Chastain Track, FLAC and Pack by Steve Gravel	Source Detail	FLAC
09/24/71	Lion's Share	San Anselmo	CA	Garcia & Saunders: early and late shows; MSR > 1C > D > Digi001 > SHN; d2 filler: 12/20/72 Keystone Berkeley; via R. Shriver and D. Metz. With Tom Fogerty	Source Detail
09/24/71	Lion's Share	San Anselmo	CA	JGMS; early and late; flac1644; sbd > reel master > Dat, edited and mastered SIRMick.	Source Detail	FLAC
09/24/71	Lion's Share	San Anselmo	CA	JGMS; flac2694; late show; MSR > HD, 2022 transfer of the master reels by Lou Judson	Source Detail	FLAC
09/25/71	Lion's Share	San Anselmo	CA	JGMS; flac2496; early and late shows; MSR > HD 2022 transfer by Lou Judson. This material historically identified as 9/24/71, actually 9/25/71.	Source Detail	FLAC
12/09/71	Scotty's Music	St. Louis	MO	Garcia, Cage, and others : 7" mono open reel > 24 bit transfer > resample > CD-R > SHN. Note that this often circulates with other dates/venues, including 5/14/70 Scotty's Music Store in St. Louis, MO.	Source Detail
12/09/71	Scotty's Music	St. Louis	MO	flac1648; "Scotty's Jam"; 7" mono open masater reel > 24 bit wav > resampled to16 bit wav > cdr > shn > tlhv28 > Flac > Audition 8CC > Isotope RX7 > cdwave splitter > Flac16	Source Detail	FLAC
12/31/71	Winterland Arena	San Francisco	CA	Yogi Phlegm with Garcia and Lesh	Source Detail	FLAC
??/??/71	The Matrix	San Francisco	CA	JGMS: MSR @ 7.5ips > reel @ 7.5ips > reel @ 7.5ips > Apogee Mini ME 24/96 > Apogee Mini DAC (monitoring) > Wavelab 5.0 (dithered to 20/44) > CD > EAC > FLAC. Transfer by Matt Smith, FLAC encoding by ecocats.	Source Detail	FLAC
01/15/72	Keystone Korner	San Francisco	CA	MAR > 2C > D > CDx1 > EAC > SHN	Source Detail
01/19/72	Lion's Share	San Anselmo	CA	Garcia & Saunders, set I only: MSR > C > D > CD > EAC > SHN > WAV > sector boundary fix using shntool > SHN. This set fixes sector boundary errors on the previous shn set.	Source Detail
01/19/72	Lion's Share	San Anselmo	CA	Garcia & Saunders: sdb> reel master> cassette> dat> cdr; seeded by mike lai, tracked by dan metz; [md5]	Source Detail
01/19/72	Lion's Share	San Anselmo	CA	JGMS; flac1644; sbd > reel master > Dat 44.1k provided by Paul Scotton. Transfer: Dat > Sony R500 > Sound Devices 744T > wav 16/44.1, transferred by Charlie Miller. Lineage: wav 16/44.1 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16, edited and mastered SIRMick.	Source Detail	FLAC
01/20/72	Lion's Share	San Anselmo	CA	Garcia & Saunders: 10" master SBD reels @ 7.5 ips > 1 cassette generation (Maxell XLIIS 100 Nakamichi CR-7A playback) > Lucid AD9624 24 bit A/D converter (44.1kHz) > Sony R500 DATx0 > DATs > CD > EAC > SHN.	Source Detail
01/20/72	Lion's Share	San Anselmo	CA	flac1644; Recording info: SBD > 10" master reels @ 7.5 ips > Dick Latvala's DAT > Rob Eaton's DAT > DAT (provided by Anon); 2023 DAT transfer and mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
01/26/72	Symphony Hall	Boston	MA	Howard Wales & Friends featuring Jerry Garcia: FMSBD>RR>CD>EAC>SHN	Source Detail
01/26/72	Symphony Hall	Boston	MA	FM > ?? > PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatach Pro > Tascam DA-3000 > Flac	Source Detail	FLAC
02/06/72	Pacific High Recording Studio	San Francisco	CA	Garcia & Saunders: Kahn, Kreutzmann, Vitt; FM Broadcast, KSAN	Source Detail
02/06/72	Pacific High Recording Studio	San Francisco	CA	Garcia & Saunders: Source: FM > ? > dat > da-20 playback > rme 96/8 pst > cd wave > mkw (shn). Transfer by Tim Rossi. Source information updated 11/5/2004, had been listed as pre-FM.	Source Detail
02/06/72	Pacific High Recording Studio	San Francisco	CA	JGMS; flac1644; KSAN FM broadcast; likely DAT from Pre-FM reels; Mastered by Jamie Waddell	Source Detail	FLAC
06/30/72	Keystone Korner	San Francisco	CA	Garcia & Saunders: With tom fogerty Mreel>Dat>Cdr>Eac>Pro tools> shn Seeded by Mike Lai	Source Detail
06/30/72	Keystone Korner	San Francisco	CA	Garcia & Saunders: MSR? > ? > mono reel > TEAC X-2000R playback > possible Nakamichi NR-200 Dolby Decoding (if the reel was a Dolby B reel) > Tascam DA-40 DAT > Tascam CDRW-700 CD > Tascam CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
06/30/72	Keystone Korner	San Francisco	CA	Garcia & Saunders. MSR -> DAT -> CDRs -> EAC -> SHN -> ProTools 5.0.1 -> SHN -> mkwACT -> sector boundary errors fixed via shntool -> SHN via mkwACT. This set fixes sector boundary errors on previous shn set.	Source Detail	shn
06/30/72	Keystone Korner	San Francisco	CA	JGMS; flac 16; Barry Glassberg's Unknown SBD Reel [ shnid 18059 ] > Speed correction and tracking by Jason Chastain > Mixed and mastered by Jamie Waddell	Source Detail	FLAC
09/01/72	Keystone Korner	San Francisco	CA	JGMS: MSR > R (JG) @ 7 1/2ips > R (WB) @ 7 1/2ips; Transfer info: BASF reel (Baked) > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > FLAC.	Source Detail
09/01/72	Keystone Korner	San Francisco	CA	JGMS, flac2496; Master Reel > Reel from Jerry Garcia's Own Collection @ 7 1/2ips > Reel from Will BosweLL @ 7 1/2ips. A reel from the Debbie Stash. a **NEW** 24 bit transfer - BASF reel (Baked) > AKAI GX636 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 > FLAC24 by Matt Smith. Mastered by Jamie Waddell. MetaData with Tag and Rename TLH for FLAC Level8.	Source Detail	FLAC
11/23/72	Armadillo World Headquarters	Austin	TX	Garcia, Lesh, Kreutzmann, Leon Russell, Mary Egan, Doug Sahm, and others: MSC > 1 cassette > DAT > CD	Source Detail
11/23/72	Armadillo World Headquarters	Austin	TX	Dough Sahm & Friends: supposedly "Dick's version" Master (reel) - DAT - DAT (clone) - CDR - Flac, via seed to Dimeadozen, but there are strong doubts about this lineage.	Source Detail	FLAC
12/20/72	Keystone	Berkeley	CA	Garcia & Saunders: 166FM[WBAI]SBD.DAT(MSR>DAT>1c>DAT)>CDR>SHN. Incomplete, missing The System. The correct date of this performance is 12/28/72.	Source Detail
12/20/72	Keystone	Berkeley	CA	Garcia & Saunders: MSR>D>1C>D. The correct date of this performance is 12/28/72.	Source Detail
12/28/72	Lion's Share	San Anselmo	CA	Garcia & Saunders, incomplete: gives only standard Jerry Site lineage of 166FM [WBAI] SBD. DAT (MSR > DAT > 1c > DAT) > CDR > SHN.	Source Detail	shn
12/28/72	Lion's Share	San Anselmo	CA	JGMS; flac1648 Soundboard Recording. DAT provided and transferred by Stuccoholmes. Mastered by Jamie Waddell on Dec 20, 2016.	Source Detail	FLAC
01/15/73	Inn Of The Beginning	Cotati	CA	Garcia & Saunders: MSR>PCM>DAT>CD. Find A Rainbow has a substantial cut.Go Climb A Mountain has a 12 second splice presumably due to reel flips. The sound is greatly distorted for first 2 songs and partly distorted for songs 3 and 4 due to problems on the reels. This is one of the shows discovered in the Betty Cantor auction.	Source Detail
01/15/73	Inn Of The Beginning	Cotati	CA	Garcia & Saunders: MSR > PCM > DAT > CD > EAC > SHN. This set has an edited disc one from the existing .shn set, intended to improve upon the grievous problems (from the master reels) of this material. Disc two is identical. See info file for details.	Source Detail
01/16/73	The Boarding House	San Francisco	CA	Mislabel of 1/24/73, confirmed by a user. Do not circulate.Was said to be Jerry Garcia & Merl Saunders: Early Show - FM > reel > cassette (?) > PCM > flac	Source Detail	FLAC
01/24/73	Boarding House	San Francisco	CA	Garcia & Saunders: Early Show: MSR > P > D > Digi001 > SHN; d2 filler: Expressway from late show; via R. Shriver and D. Metz	Source Detail
01/24/73	Boarding House	San Francisco	CA	Garcia & Saunders, Late Show: MSR > PCM > DAT > CD > EAC > SHN	Source Detail
01/24/73	Boarding House	San Francisco	CA	Early & Late: MSR > ? > DAT; Transfer: DAT > Sony D10P > Coax SPDIF > Audiophile-2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644.	Source Detail	FLAC
01/25/73	Boarding House	San Francisco	CA	JGMS; early & late Shows: MSR>C>D>CD. Slightly re-tracked using WavMerge and CDWave, .shn encoding using mkwACT, and proper sector boundaries verified using shntool.	Source Detail
03/02/73	The Record Plant	Sausalito	CA	Old & In the Way: FM MSR>R>D>CD; appears to be identical to /shninfo_detail.php?shnid=11886 seed but with different md5s; obtained from tol.	Source Detail
03/02/73	The Record Plant	Sausalito	CA	OAITW: KSAN-FM BROADCAST > OFF THE AIR REEL MASTER > CD > EAC > WAVE > FLAC, via Dave Tamarkin.	Source Detail	FLAC
03/02/73	The Record Plant	Sausalito	CA	Old & In The Way: Probable MFR > R > D > CD > SHN.	Source Detail	shn
03/07/73	Keystone	Berkeley	CA	Garcia & Saunders, partial set II: MSR > DAT3x > Delta Dio 2496 > Soundforge > WAV > FLAC.	Source Detail	SHN
04/16/73	Boarding House	San Francisco	CA	Old & In The Way, set I: Unknown source FM-SBD (WBAI Morning Dew show) > ? > CD > EAC > SHN.	Source Detail
04/21/73	The Record Plant	Sausalito	CA	Old & In The Way: Possible MFR > D > CD > EAC > SHN.	Source Detail
05/04/73	Homer's Warehouse	Palo Alto	CA	Garcia & Saunders: MSR > DAT3x > Delta DIO 2496 > Soundforge > wav > flac.	Source Detail
05/05/73	Homer's Warehouse	Palo Alto	CA	Garcia & Saunders: MSR > DAT3x > Delta Dio 2496 soundcard > Soundforge > Flac.	Source Detail	SHN
05/05/73	Homer's Warehouse	Palo Alto	CA	Garcia & Saunders, "Dick's Gift": mSR> DAT> circulation; Jam through After Midnight portion of 5/5/73 Set 1 circulates as part of "Dick's Gift", rest is assorted from winter '73- spring '74 (material allegedly found unlabeled by Dick Latvala in the vault, supposedly came into circulation via a gift to some of Dick's "special friends"); see thejerrysite.com for updated info	Source Detail	SHN
05/23/73	Ash Grove	Los Angeles	CA	JGMS, Late Show: MAR (The Night Crew's Sony ECM-22Ps > Sony 770) > 2R > CD > EAC > SHN.	Source Detail
06/05/73	Orpheum Theater	Boston	MA	Old & In The Way: MA? > ? > D > CD > SHN.	Source Detail
06/05/73	Orpheum Theater	Boston	MA	OAITW: allsoundz's mono master audience cassette (unknown mic > Sony deck) > Tascam 122MKIII playback > Numark 20 Band Equalizer > HHB CDR 830 Tracked and slight editing in CD Wave > cdr > eac (secure mode) > flac (level 6).	Source Detail	FLAC
06/05/73	Orpheum Theater	Boston	MA	flac1644; composite AUDs shnid-11889 and shnid-83303. Transfer: SHN & FLAC > TLH > WavMerge > Wavelab > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
06/06/73	Capitol Theater	Passaic	NJ	Old & In The Way: MA? > ? > D > CD > SHN.	Source Detail
06/06/73	Capitol Theater	Passaic	NJ	OAITW: 7" 1/2 track master soundboard reels @ 7.5ips > Sony TC-388 (4-track) playback > Revox A77 1st gen reel (no Dolby) > AKAI GX-625 playback > Apogee Mini Me @ 24 bit/48K > Apogee Mini DAC (for monitoring) > Lynx One soundcard > Wavelab 5.0 > CD > EAC > FLAC.	Source Detail	FLAC
06/06/73	Capitol Theater	Passaic	NJ	Old & In the Way: SBD master reel > 3rd gen cassette; playback on Nak CR7E; via Hanno Bunjes & Uli Teute	Source Detail	FLAC
06/06/73	Capitol Theater	Passaic	NJ	Old & In The Way: MATRIX> FLAC+SHN> WAV> Adobe Audition> FLAC-16T; Matrix Source: Legacy 1: SBRM>3rd Gen C>Nakamichi CR7E> DAT> CDR> FLAC,Legacy 2: AUDMA?> ?> DAT> CD> SHN and Legacy 3: AUDMA?> ?> DAT> CD> SHN Matrix Mastering by RJ 13-Apr-2005 Posting to a.b.gdead.hs	Source Detail
06/07/73	Graneray Park Hotel	New York	NY	interview; flac1644; Dennis McNally's recorder > cass >>> trade. Transfer: Dragon nr-out > zoomH4 16/44.1 > hcsd 8gb > Audacity > TLH > flac16.	Source Detail	FLAC
06/08/73	Lake Whippoorwill	Warrenton	VA	Old & In The Way: MAC (Taped by Jerry Moore, Sony 126 w/ built-in mic, right in front of stage) > ? > digital cleanup > CD. NB this originally circulated as "unknown aud" but has been confirmed to be from the Moore master.	Source Detail
07/05/73	Lion's Share	San Anselmo	CA	Garcia & Saunders: MSR > DAT4x > Delta DIO 2496 > Soundforge > WAV > CD Wave Editor > FLAC.	Source Detail	FLAC
07/05/73	Lion's Share	San Anselmo	CA	JGMS; Soundboard > Master Reel (10" reel @ 7.5 ips ½ track) > Dat (48k)	Source Detail	FLAC
07/08/73	Record Plant	Sausalito	CA	JGMS; flac16: KSAN Pre-FM Master Reel > DAT source from Anon; DAT Transfer, restoration, and mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel.	Source Detail	FLAC
07/08/73	Record Plant	Sausalito	CA	Source: KSAN FM > MR > DAT > CD	Source Detail
07/08/73	Record Plant	Sausalito	CA	Garcia & Saunders: Probable MSR (pre-FM) > 1C > D > CDs > EAC > SHN	Source Detail
07/10/73	Keystone	Berkeley	CA	JGMS: MSC > PCM > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0).	Source Detail
07/10/73	Keystone	Berkeley	CA	JGMS, partial: MSR > 2P > 3D > 1CD > EAC > SHN.	Source Detail
07/11/73	Keystone	Berkeley	CA	Garcia & Saunders: MSR > 2P > 3D > 1CD > EAC > SHN.	Source Detail
07/19/73	Great American Music Hall	San Francisco	CA	Saunders & Garcia (w/Martin Fierro). Source: MSR > PCM > C > C > DAT > WAV >SHN. Partial recording of second set.	Source Detail
07/21/73	Lion's Share	San Anselmo	CA	Old & in the Way, rehearsal: SBD (unknown lineage). Unclear how this might relate to other circulating .shn sets for this date.	Source Detail
07/21/73	Lion's Share	San Anselmo	CA	Old & In the Way: Pitch-corrected version of previous .shn set. AUD C/? > CoolEdit (hiss reduction) > CDR > EAC > 4% tape pitch correction > SHN. Pitch correction and EAC > SHN by Hanno Bunjes.	Source Detail
07/21/73	Lion's Share	San Anselmo	CA	Old & in the Way: This was a rehearsal session in a back room at The Lion Share. SBD> ???> Cass> cdr	Source Detail	shn
07/21/73	Lion's Share	San Anselmo	CA	Old & in the Way: SBD (unknown lineage) From Bluegrassbox ftp.	Source Detail	shn
07/23/73	Boarding House	San Francisco	CA	Old & In The Way: Possible MSR > ? > D > CD > SHN.	Source Detail
07/23/73	Boarding House	San Francisco	CA	Old and in the Way; MSR>D>CD; Wicked Path Of Sin, Blue Mule and Hobo Song are all cut and appear to be cut on the Master SBD Reel; Filler: O&ITW "Reunion" - AUD ??/??/9?; via T. MacLachlan	Source Detail	shn
07/23/73	Boarding House	San Francisco	CA	Source: sbd > master reel > pcm > dat (48k) provided by Rich Gastwirt Tranfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 Transfered by Charlie Miller Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16 edited and mastered SIRMick July 2017	Source Detail	FLAC
07/24/73	Homer's Warehouse	Palo Alto	CA	Old & In The Way: Possible MSR > D > CD > EAC > SHN.	Source Detail
09/05/73	S.S. Bay Belle (NYC Harbor)	New York	NY	JGMS, I/IIp: SBD > ? > Maxell XLII90 > Nak CR3A > HP Computer > Sound Forge > CDWav > Flac.	Source Detail	FLAC
09/06/73	Capitol Theater	Passaic	NJ	Garcia & Saunders: MAC (Taped by Jerry Moore, single AKG D-1000E [hand-held from left mezzanine, Row N, Seat 10A for first song, then on ledge from first row of mezzanine] > Sony TC-110 [TDK C-120SD]) > Tascam 112MK-II playback > Sony R500 {SBM} > Delta Dio 24/96 > wav > .shn (mkwACT) > wav (mkwACT) > tracking (CD Wave v1.6) > miniscule editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn (mkwACT).	Source Detail
09/06/73	Capitol Theater	Passaic	NJ	Garcia & Saunders: MAC (Jerry Moore, AKG D1000Es > Sony TC-110) > D > CD.	Source Detail	SHN
09/06/73	Capitol Theater	Passaic	NJ	JGMS; sbd > master-reel > dat(48k)	Source Detail	FLAC
09/30/73	Community Center	Stinson Beach	CA	Old & In The Way: Possible FOB MAR > D > CD > EAC > SHN.	Source Detail
09/30/73	Community Center	Stinson Beach	CA	OAITW; flac1648; Ambient recording > ? >Jeff Knudsen's cassette; Transfer by Tom Markson; Speed Correction by Jason Chastain; Critical Listening assistance from John Wenzel; Mastering by Jamie Waddell	Source Detail	FLAC
10/12/73	Keystone	Berkeley	CA	JGMS; flac1648; phase-shift fix of shnid-136779	Source Detail	FLAC
10/??/73	Unknown	Unknown	Unknown	Old & In The Way: MSR > 2R > DAT > CD [> SHN]	Source Detail	SHN
11/04/73	California State College Sonoma	Cotati	CA	Old & In The Way: MSR > ? > D > CD.	Source Detail
11/04/73	California State College Sonoma	Cotati	CA	OAITW: SB REEL MASTER > CD > EAC > WAVE > FLAC, via Dave Tamarkin.	Source Detail	FLAC
11/05/73	Keystone	Berkeley	CA	JGMS; flac1648: Source: sbd > master-reel > dat(48k)	Source Detail	FLAC
11/28/73	Palace of Fine Arts Theatre	San Francisco	CA	Garcia & Hart; flac1644; MOTB 0153; Robert Castelli's Sony ECM 270 >> Sony TC-110 (mono)  >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [>> FLAC1644]. Transfer By: Bob Menke; Mastering By: David Minches.	Source Detail	FLAC
12/31/73	Cow Palace	Daly City	CA	Interview by Tom Donahue with Jerry Garcia. Unknown lineage from radio.	Source Detail	FLAC
??/??/73	Unknown-Rehearsal Session	Unknown	Unknown	Old & in the Way, rehearsal session: SBD->Cassette->CDR->Peak->SHN. NB that the actual date of this material is uncertain, probably from later in 1973. It is listed under this date to facilitate .shn listing.	Source Detail
??/??/73	The Record Plant	Sausalito	CA	Demos for 2nd Garcia LP, sourced from Bootleg CD "Unsurpassed Vol. 7".	Source Detail
??/??/73	The Record Plant	Sausalito	CA	Old And In The Way; Two discs containing two seperate rehearsal sessions on two unknown dates in 1973; Session One (disk 1) SBD M?>?>D>CD; Session Two (disk 2) M?>?>D>CD	Source Detail
??/??/73	Unknown	Unknown	CA	OAITW: MSR > ? > R @ 7.5 ips > AKAI GX 625 > Apogee Mini Me(24/96) > Apogee MiniDac (monitoring/mastering) > Wavelab 5.0 (dithered to 16/44 via Apogee) > CD > EAC > WAV (TLH confirms no sbes) > FLAC (TLH).	Source Detail	FLAC
??/??/73	Unknown-Rehearsal Session	Unknown	Unknown	Old & in the Way. Rehearsal Session, date unknow. This source is the seek tables appended version of shnid 21855. The date as "197x" but is listed as 01/01/1973 to facilitate listing the .shns. Information from other sources suggest that the actual date is sometime later in 1973.	Source Detail	shn
??/??/73	Unknown	Unknown	Unknown	OAITW: unknown sbd; MA-R 90 Cassette Transfer: Tascam mkII > Korg MR1000 at 1bit/5.6mHZ > Korg Audio Gate Software > 32 bit float/96kHz > GEMS Edit Station > Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz TLH for FLAC8 SBE FREE Transfers and Mastering by Jamie Waddell.	Source Detail	FLAC
??/??/73	unknown	unknown	unknown	OAITW: Unknown sbd > dat (48k), provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48, transferred by Charlie Miller Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017	Source Detail	FLAC
01/17/74	Keystone	Berkeley	CA	Garcia & Saunders: primary source MAC > D > CD > EAC > SHN. Recorded by Louis Falanga, Sony ECM 250 > Sony TC-110 from shnid 76399 with additional audience material added to complete show	Source Detail	FLAC
01/17/74	Keystone	Berkeley	CA	Garcia & Saunders; SBD=>MR =>DAT (44.1KHz) =>CDR	Source Detail
01/17/74	Keystone	Berkeley	CA	JGMS; flac16; Matrix 4 Source Mix - SBD1 & 2 (shn id 76474) Compilation of speed corrected SBD=>MR =>DAT (44.1KHz) =>CDR (shnid = 20678) and disk 1 of Dick's Gift (MSR>DATs>CDRs>EAC>SHN) (unknown shnid) with beginning of Harder They Come patched in; upgrade of 76398 + AUD1 & 2 (shn id 76471) primary source MAC > D > CD > EAC > SHN. Recorded by Louis Falanga, Sony ECM 250 > Sony TC-110 from shnid 76399 with additional audience material added to complete show - matrix mixing by Kevin Tobin	Source Detail	FLAC
01/17/74	Keystone	Berkeley	CA	Garcia & Saunders; Compilation of speed corrected SBD=>MR =>DAT (44.1KHz) =>CDR (shnid = 20678) and disk 1 of Dick's Gift (MSR>DATs>CDRs>EAC>SHN) (unknown shnid); fix by kevtobin	Source Detail
01/17/74	Keystone	Berkeley	CA	Garcia & Saunders: MAC > D > CD > EAC > SHN. Recorded by Louis Falanga, Sony ECM 250 > Sony TC-110. This matches the sbd of 1/17/74 and portions of audience from shnid=10024; speed correction and patching by kevtobin	Source Detail	FLAC
01/17/74	Keystone	Berkeley	CA	Garcia & Saunders; DTS Audio 5.1 Mix; SBD: Compilation of SBD1 Dick's Gift (MSR>DATs>CDRs>EAC>SHN) & SBD2 (SBD=>MR =>DAT (44.1KHz) =>CDR); AUD: MAC > D > CD > EAC > SHN; mixed by kevtobin	Source Detail	FLAC
01/17/74	Keystone	Berkeley	CA	Garcia & Saunders; Compilation of speed corrected SBD=>MR =>DAT (44.1KHz) =>CDR (shnid = 20678) and disk 1 of Dick's Gift (MSR>DATs>CDRs>EAC>SHN) (unknown shnid) with beginning of Harder They Come patched in; fix of 76398	Source Detail	FLAC
01/17/74	Keystone	Berkeley	CA	JGMS; Soundboard > Master Reel > DAT (48k)	Source Detail	FLAC
01/18/74	Keystone	Berkeley	CA	Garcia & Saunders: MAC > D > CD > EAC > SHN. Recorded by Louis Falanga, Sony ECM 250 > Sony TC-110.	Source Detail
01/19/74	Pauley Ballroom, U. of California	Berkeley	CA	Garcia & Saunders: MSR > P > D > CD > EAC > SHN.	Source Detail
01/19/74	Pauley Ballroom, U. of California	Berkeley	CA	JGMS; flac16; Recording info: Master SBD reel > PCM > DAT via Anon; Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
02/05/74	Great American Music Hall	San Francisco	CA	Garcia & Saunders: Probable MSR > ?R > DATs > CDs > EAC > SHN	Source Detail
02/05/74	Great American Music Hall	San Francisco	CA	Garcia & Saunders: MSR (Sony TC-377, 7" reels @ 7.5ips by Ed Perlstein)> PCM > DAT > DAT (plyback on Sony PCM-R500) > S/PIDF coaxial > Audiophile 2496/P4 2 GHz > recorded as 24 bit/48 KHz WAV with Wavelab 5 > Waves L3 Multimaximizer using hi res CD rendering settings > 16 bit/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 5).	Source Detail
02/09/74	Rheem Theater	Moraga	CA	Garcia & Saunders: Source: MSR > D @ 48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > Downsampled to 44.1/Normalized to 98% > SHN (no extraction)	Source Detail
02/09/74	Rheem Theater	Moraga	CA	Garcia & Saunders: Master soundboard reels (7" 1/4 track @ 7.5ips recorded with Sony TC-377) > Teac X-300R playback > HHB Burn-It master CD-RW > Easy CD-DA Extractor > Dell Inspiron 4100 laptop > possible volume adjustment (Cool Edit 2000) > tracking (CD Wave) > CDR using EZ-CD Creator > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). More complete than the previously circulating version.	Source Detail
02/09/74	Rheem Theater	Moraga	CA	Garcia & Saunders: SB Reel 15 IPS (baked & transfered to DAT about '93) / 48khz low-gen clone - Sony PCM-1 / 7 pin - Nightengale PCI / Optical (reverse format) - Ce Pro 2000 Record 48k - Ce Pro 2000 Downsample to 44k / highest quality, pre-post filter - CDWav / ShnTool / FLAC - seeded by kung@steve-behan.com 10/03	Source Detail	FLAC
02/09/74	Rheem Theater	Moraga	CA	JGMS; flac1644; Will Boswell's 7.5 ips reels "Do not know the exact lineage but they sound pristine and think they were recorded and never played" > Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC, via Matt Smith.	Source Detail	FLAC
02/09/74	Rheem Theater	Moraga	CA	JGMS; flac 1648; SBD > Master Reel > ? > DAT (48k); Transfer Info: DAT (Panasonic SV-3900) > Tascam DA-3000 (16-bit-48k) > Samplitude Pro X6 Suite > Flac16-48. All Transfers and Mastering by Charlie Miller. December 15, 2023	Source Detail	FLAC
02/16/74	Keystone	Berkeley	CA	Garcia & Saunders: MAC (Louis Falanga's FOB Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN.	Source Detail
02/16/74	Keystone	Berkeley	CA	JGMS: MSR > DAT3x > Delta Dio 2496 soundcard > Soundforge > Flac.	Source Detail	FLAC
02/16/74	Keystone	Berkeley	CA	JGMS; Soundboard > Master Reel (10" reel @ 7.5 ips ½ track) > Dat (48k)	Source Detail	FLAC
02/??/74	Unknown	Unknown	Unknown	Garcia & Saunders, specific date and location unknown: MAC (Louis Falanga's Sony ECM-250 > Sony TC-110) > DATx1 > CDx1 > EAC > CDx1 > EAC > SHN	Source Detail
03/08/74	Unknown	Stinson Beach	CA	Grisman, Greene, Garcia, Thompson, Wolfe: partial rehearsal, M(?)SC > Sonic > CD > EAC > FLAC, via David Gans (2006 KPFA GD Marathon).	Source Detail
03/09/74	Keystone	Berkeley	CA	Garcia & Saunders: MSR > DAT3x > Delta DIO 2496 > Soundforge > WAV > CD Wave Editor > FLAC.	Source Detail	FLAC
03/09/74	Keystone	Berkeley	CA	JGMS; Soundboard > Master Reel > DAT (48k)	Source Detail	FLAC
03/??/74	Fantasy Studios	Berkeley	CA	Compliments of Garcia Outtakes, Source: Soundboard Reels > ? > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab Mastering: In WaveLab with Nomad Factory Plug ins > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky.	Source Detail
04/20/74	Pilgrimage Theater	Los Angeles	CA	Great American String/Music Band: multi gen cass/soundboard > BBE362NR > DAT > Sek'd Prodif Plus > Soundforge > Cdwin > SHN	Source Detail
04/20/74	Pilgrimage Theater	Los Angeles	CA	Great American Music Band: SBD MR (House Source) > Will Boswell's reel (Akai GX625 @ 7.5 ips) > apogee mini me (24/96) > apogee mini dac (monitoring) > wavelab 5.0 (dithered to 20/44) > CD > EAC > WAV (shntool confirms no sbes) > FLAC (TLH). A>D by Matt Smith.	Source Detail	FLAC
04/27/74	Golden State College	San Rafael	CA	incorrect dating and lineage"Old & In The Way: AUD - MA? > ? > D >CD". See admin note.	Source Detail
06/04/74	Lion's Share	San Anselmo	CA	Garcia & Saunders: MSR > PCM > DAT > CDR [> SHN]	Source Detail
06/04/74	Lion's Share	San Anselmo	CA	JGMS; flac 16; SBD > Recorded on two 10" 1/2trk 7.5ips reels Master Reels > PCM transfer at 16 bit / 44.056kHz; recording was gratefully supplied by PO and Stucco TINA Holmes	Source Detail	FLAC
06/05/74	Lion's Share	San Anselmo	CA	Garcia & Saunders: MSR? > ? > CD, set II only.	Source Detail
06/06/74	Keystone	Berkeley	CA	Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN	Source Detail
06/12/74	Keystone	Berkeley	CA	Great American String Band: S:R>C>D>CDx1>EAC>SHN	Source Detail
06/12/74	Keystone	Berkeley	CA	GASB: Louis Falanga's MAC (Sony ECM 270 or 280 mics > Sony TC-110 [mono]) > 7" 1/4 track Scotch 203 Reel @ 7.5 ips w/Dolby nr (on a Sony TC-755 w/Teac an-180 nr: Jerry Moore's 1st gen copy), reel transfer 1/07 by Rob Berger: Sony TC-850 > Teac an-180 nr > sbm1 > cdr > eac > cd wave > flac.	Source Detail	FLAC
06/12/74	Keystone	Berkeley	CA	SBD > Rm > Dat > CD > EAC > Shn. Appears to be a re-shn of shnid 7331.	Source Detail	shn
06/13/74	Keystone	Berkeley	CA	Great American String Band: MS? > ? > CD > EAC > SHN.	Source Detail
07/02/74	Bottom Line	New York	NY	Garcia & Saunders: MAC (Taped by Jerry Moore, two AKG D1000Es [from table a few feet from stage, mics on an overturned ashtray and canted upward toward the PA] > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
07/03/74	Bottom Line	New York	NY	Garcia & Saunders: Probable AUDMC (Taper Jerry Moore, AKG D1000e mics > Sony TC-152) > DAT x 1 > CD. Transfer: DA-P1 > Zafiro ZA-2 > NT 4.0/SoundForge XP 4.0 > CDRWIN	Source Detail
07/03/74	Bottom Line	New York	NY	Garcia & Saunders: MAC (Taped by Jerry Moore, two AKG D1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > minor re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
07/12/74	Keystone	Berkeley	CA	Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN.	Source Detail
07/13/74	Keystone	Berkeley	CA	Garcia & Saunders: Mislabel of 2/9/74. Source given as SBD > ? > C > DAT > WAV > SHN. This .shn set should not be traded.	Source Detail
07/21/74	Keystone	Berkeley	CA	JGMS; flac1644; MSR > PCM > DAT > ZA2 > CDR (xx) > EAC > flac1644. Uncertain date, uncertain venue.	Source Detail	FLAC
07/22/74	Keystone	Berkeley	CA	Garcia & Saunders: source unknown; Jerry Site lists circulating mSR>PCM>DAT.	Source Detail	SHN
07/22/74	Keystone	Berkeley	CA	Garcia & Saunders: MSR > C > DAT > CDRs > EAC > SHN	Source Detail
07/22/74	Keystone	Berkeley	CA	Garcia & Saunders: MSR > PCM > DAT Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with L3 Multimaximizer > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by B. Koucky.	Source Detail	FLAC
08/09/74	Keystone	Berkeley	CA	Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN	Source Detail
08/11/74	Keystone	Berkeley	CA	Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN, plus missing songs from Lou Tamboukas's MAR > R > DAT > CD; via Jack Warner.	Source Detail
08/15/74	Great American Music Hall	San Francisco	CA	JGMS; shnf; Menke MAC [had been listed as Louis Falanga's upfront Sony ECM-250 > Sony TC-110] > DATx1 > CD > EAC > CD > EAC > SHN. **Note that this originally circulated as 8/14/74, but is now believed to be 8/15/74**	Source Detail
08/15/74	Great American Music Hall	San Francisco	CA	JGMS; flac1644; Bob Menke's Sony F-995 => Sony TC-124 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [> flac1644]	Source Detail	FLAC
08/23/74	Berkeley Community Theater	Berkeley	CA	Garcia & Saunders: MAC > C > R > D > CD > EAC > SHN.	Source Detail
08/24/74	Great American Music Hall	San Francisco	CA	Garcia & Saunders: 10" MSR > C > DAT > CD > EAC > SHN.	Source Detail
08/24/74	Great American Music Hall	San Francisco	CA	JGMS; flac16; Recording info: Master SBD reel > cassette (likely) > DAT via Anon; DAT transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
08/30/74	Freeborn Hall (University of California Davis)	Davis	Ca	Garcia & Saunders: MSR > C > DAT > CDRs > EAC > SHN	Source Detail
08/31/74	Keystone	Berkeley	CA	MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN; via Jack Warner.	Source Detail
09/02/74	Marx Meadow (Golden Gate Park)	San Francisco	CA	Garcia & Saunders, complete: MSR > PCM > DAT > CDR > eac (secure mode/align on sector boundaries checked/no extraction errors) > flac frontend(level 6).	Source Detail	SHN
09/02/74	Marx Meadow (Golden Gate Park)	San Francisco	CA	Garcia & Saunders, partial show: MR > ? > CD > EAC > MKW > SHN.	Source Detail	SHN
09/02/74	Marx Meadow (Golden Gate Park)	San Francisco	CA	Garcia & Saunders, partial show: probable lineage MSR > P > D > CD, per The Jerry Site.	Source Detail	SHN
10/04/74	Keystone	Berkeley	CA	MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > SHN.	Source Detail
10/05/74	Keystone	Berkeley	CA	Garcia & Saunders: MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN	Source Detail	SHN
10/06/74	Great American Music Hall	San Francisco	CA	partial 1st set: MSR > ? > D > CD > EAC > SHN	Source Detail
10/06/74	Great American Music Hall	San Francisco	CA	complete 1st set; SBD > master reel > DAT(48k)	Source Detail	FLAC
10/27/74	Golden Bear	Huntington Beach	CA	Garcia and Saunders. Late show. Source: MAC>C>C>DAT>WAV>SHN. Taper and mics unknown.	Source Detail
10/31/74	Memorial Gymnasium (University of San Francisco)	San Francisco	CA	Garcia & Saunders: MSR > R > C > DAT > WAV > SHN, C > SHN Conversion by Cousinit.	Source Detail
11/02/74	Keystone	Berkeley	CA	flac1644; MOTB 0158; Robert Castelli's 1 x Sony ECM 270 >> Sony TC 110 >> MA C; MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] ... FLAC1644. Transfer By: Bob Menke; Mastering By: Derek McCabe.	Source Detail	FLAC
11/05/74	Bottom Line	New York	NY	Garcia & Saunders, Early Show: MAC (Taped by Jerry Moore, AKG D1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
11/05/74	Bottom Line	New York	NY	JGMS; flac1644; Late Show; Source: Audience Cassette> ? > CD > HD. Recorded by Mike Gold; Unknown cassette deck with a single mic	Source Detail	FLAC
11/06/74	Bottom Line	New York	NY	Garcia & Saunders, Early Show: MAC (Taped by Jerry Moore, AKG D1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
11/07/74	Bottom Line	New York	NY	Garcia & Saunders: Early Show: MAC (Taped by Jerry Moore [front of the third tier of tables, dead center], AKG 1000Es > Sony TC-152) > Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT deck (record) > Fostex D5 DAT deck (playback) > Turtle Beach Montego II Digital I/O > Soundforge (wav editing and track IDs) > SHNTOOL (SBE fix) > master CD > HP 9350i extraction (EAC v0.9 beta 4) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
11/08/74	The Dome - C.W. Post College	Brookville	NY	Garcia & Saunders: MAC (Taped by Jerry Moore, AKG D1000Es [front of orchestra about ten feet in front of PA, right side of stage] > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam CD-RW700 master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
11/08/74	The Dome - C.W. Post College	Brookville	NY	Garcia & Saunders: MAC > DAT > CD > EAC > SHN Recorded by Jerry Moore, AKG D1000Es > Sony TC-152.	Source Detail	SHN
11/08/74	The Dome - C.W. Post College	Brookville	NY	JGMS: Gerry Moskal's Sony Stereo ECM > SONY TCD126 MAC > 1 reel > 1 cassette > Nakamichi BX300 > Macintosh > Peak Bias > JAM > cdr > EAC > MKW > shn. Transfer/SHN Conversion by Brian Mandel.	Source Detail	SHN
11/09/74	Capitol Theater	Passaic	NJ	Garcia & Saunders, Late Show: MAC (Ihor Slabicky, AKG d190e mics > Sony TC-152sd deck onto Ampex 90min High Frequency Master Cassette) > played on a Nak CR-3A > Lucid AD9624 24-bit A/D converter (44.1kHz) > DAT (Sony R500) > CD	Source Detail
11/10/74	Palace Theatre	Albany	NY	Garcia & Saunders/Legion of Mary: MSR > DAT 48k > PCM > CDR > PCM > SHN.	Source Detail
11/10/74	Palace Theatre	Albany	NY	JGMS: sbd 2nd generation reel (Jerry Moore's reel); Lineage: sbd reel master > reel > 10.5" reel @ 7.5 ips, dolby b; Transfer by Rob Berger: Technics RS-1506 playback > Sony NR-335 >Tascam HD-P2 24/48. Editing, downsampling and FLAC encoding by David Minches.	Source Detail	FLAC
11/13/74	Paul's Mall	Boston	MA	Garcia & Saunders: Early Show: Uher hand-held mic > Uher 4000 5" master reel > playback on a Teac 2300 reel to reel > MacIntosh pre-amp > Teac 2300 7" reel > CD > EAC > SHN. No DAT stage, 7" reel run directly to CDR in sound studio. EAC'ed and Shortened by Paul Lucente w/ Ultraplex 40max. "Picks From 1066" Volume 3. Personal vault release series, thanks to Jeff Siniawsky and Neil Merin. Show mastered by Jeff and Neil.	Source Detail
11/13/74	Paul's Mall	Boston	MA	JGMS; Late show; Unknown AUD cassette, kindly supplied by Seaweed1010; Transfer: XLIIS-100 > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. July 2012	Source Detail	FLAC
11/13/74	Paul's Mall	Boston	MA	JGMS; Late show; flac2448; Source: Unknown AUD cassette, marked "1st Gen", liberated from ebay. Transfer: XLII > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit) > TLH > FLAC 2448 tagged, Andrew F. 03/2023	Source Detail	FLAC
11/13/74	Paul's Mall	Boston	MA	JGMS; Early Show; flac2448; Source: Unknown AUD cassette, marked "1st Gen", liberated from ebay. Transfer: XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit) > TLH > FLAC 2448 tagged, Andrew F. 04/2023	Source Detail	FLAC
11/14/74	Paul's Mall	Boston	MA	Garcia & Saunders: Early Show: MAC (Taped by Jimmy Warburton, single Sony ECM-99 stereo mic [on a table, 8' from stage, left-of-center] > Sony TC-152SD [Dolby B]) > Sony TC-152SD playback > Teac A2300SD 1st gen reel [Dolby B off] > Pioneer RT-701 playback > Teac AN-180 Dolby decoder > Fostex D5 DAT (A>D only) > Turtle Beach Montego II Digital I/O > shn (mkwACT) > wav (mkwACT) > tracking (CD Wave) > .shn (mkwACT).	Source Detail
11/14/74	Paul's Mall	Boston	MA	Garcia & Saunders: Late Show: Uher hand-held mic-->Uher 4000 5" master reel--> playback on a Teac 2300 reel to reel-->MacIntosh pre-amp-->Teac 2300 7" reel-->CDR-->EAC-->SHN No DAT stage, 7" reel run directly to CDR in sound studio EAC'ed and Shortened by Paul Lucente w/ Ultraplex 40max	Source Detail
11/14/74	Paul's Mall	Boston	MA	JGMS; flac1644; early show: AUD marked "1st Gen" rescued from ebay for coupla bucks. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016	Source Detail	FLAC
11/15/74	Worcester Polytechnic Institute	Worcester	MA	Garcia & Saunders: Late Show. Sbd> Mreel> Cass> Dat> CDR. Seeded by Mike Lai. (Note: probable cassette master. See Comments and updated shn set for details.)	Source Detail
11/15/74	Worcester Polytechnic Institute	Worcester	MA	Garcia & Saunders: Late Show: MSC > 1C > 2D > CD (Sony PCM R500 > HHB 800) > EAC > SHN via Ryan Shriver and Andy Lemieux. This version is a slight quality upgrade of the previously circulating copy, is more complete, and has a documented lineage.	Source Detail
11/16/74	Tower Theatre	Upper Darby	PA	Garcia & Saunders, Early Show: MAC (Taped by Jerry Moore, AKG D1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
11/16/74	Tower Theatre	Upper Darby	PA	Garcia & Saunders, Late Show: MAC (Taped by Jerry Moore, AKG D1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
11/28/74	Great American Music Hall	San Francisco	CA	Garcia & Saunders: MSR>PCM>DAT	Source Detail
11/28/74	Great American Music Hall	San Francisco	CA	Source: MSR > PCM > DAT Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by B. Koucky and Seeded by Green Mountain Bros. June 2007	Source Detail	FLAC
12/15/74	EMU Ballroom (University of Oregon)	Eugene	OR	JGMS: MSR>P>D>CD>EAC>SHN	Source Detail
12/28/74	Golden Bear	Huntington Beach	CA	Garcia & Saunders. Source: MA (mics/taper unknown) > ? > C > DAT > WAV > SHN.	Source Detail
12/28/74	Golden Bear	Huntington Beach	CA	JGMS; flac1644; Shure Unidyne IV mics > Uher 4400 reel master @ 3.75 ips > 1st gen 7" reel @ 3.75 ips, no nr; Transfer: Technics RS-1506 > Tascam HD-P2 24/96 compact flash > PC > Adobe Audition 2.0 (levels) > CD Wave (tracking) > TLH FLAC level 8; Jimmy Warburton copy of Charlie DiSalvo master; Transfer and Organic Pitch Correction by Rob Berger	Source Detail	FLAC
12/29/74	Golden Bear	Huntington Beach	CA	Garcia & Saunders: MAR > DAT > CD > EAC > SHNv3. Recorded by Charlie Disalvo, spaced Shure Unidyne IVs [one in front of Garcia, one in front of Fierro an unknown distance away]. This seed seems to derive from audio discs related to the earlier .shn set, but introduces seekability and possibly small cosmetic changes.	Source Detail
12/29/74	Golden Bear	Huntington Beach	CA	Garcia & Saunders: Late Show: MAR (Charlie Disalvo, spaced Shure Unidyne IVs [one in front of Garcia, one in front of Fierro an unknown distance away] > Uher 4400 @ 3.75ips) > D > CD > EAC > SHN.	Source Detail
12/29/74	Golden Bear	Huntington Beach	CA	JGMS, early show: Charlie Disalvo's 2x Shure Unidyne IVs (spaced ca. 15') > Uher 4400 (3.75ips master reels) > taperpat's 3.75ips 1st gen reel > Akai GX 625 playback > Apogee Mini ME (@24/96) > Apogee Mini DAC (monitoring) > Wavelab 5.0 (dithered to 20/44) > CD > EAC > CD Wave > Sony Sound Forge Studio 7.0 > Trader's Little Helper (FLAC8 encoding).	Source Detail	FLAC
12/29/74	Golden Bear	Huntington Beach	CA	JGMS; flac16 Remaster and Packaging of shnid-8643 and shnid-93978 Speed Corrections by Jason Chastain, Mastering by Jamie Waddell, Track FLAC and Pack by Steve Gravel.	Source Detail	FLAC
01/05/75	WDAI-FM	Chicago	IL	interview; flac1644; taped in 1974 (d1t10). broadcast jan 5, 1975. WDAI in Chicago. Studio tracks replaced with live non-offical excerpts of songs (liberty with additional jams-tc3). FM edits were on tape copied (June 1986) from Rich Petlock (R.I.P.). Tape label was a copy of "cue-sheet" or listener's notes. Jerry Garcia interview on radio 1975-01-05 (pre-recorded 1974-xx-xx) Lineage: FM>?>Rich>nak>nak dolby B> XLII C90, from Rich Petlock in 1986. Transfer: Dragon dolby B>zoomH4 16/44.1>hcsd 8gb >Audacity>TLH>flac16. taperchuck3 dec, 2014	Source Detail	FLAC
02/01/75	Jim Rennie's 8 Track Studio Judah Street	San Francisco	CA	Cutler's Heroes with Jerry Garcia; flac16; Pre-FM DAT -> DAT (16/44.1) Lineage: DAT -> Lexicon Lambda -> LogicPro -> wav -> xAct -> flac	Source Detail	FLAC
02/02/75	Wally Hieder's Studio	San Francisco	CA	Cutler's Heroes with Jerry Garcia; flac16; Pre-FM DAT -> DAT (16/44.1) Lineage: DAT -> Lexicon Lambda -> LogicPro -> wav -> xAct -> flac	Source Detail	FLAC
02/14/75	The Generosity	San Francisco	CA	Rob Castelli's MAC > 1/4" Sony TC-377 7" reel > Teac X-300R playback > HHB Burn-It master CD-RW > Easy CD-DA Extractor > Dell Inspiron 4100 laptop > possible volume adjustment (Cool Edit 2000) > tracking (CD Wave) > CDR using EZ-CD Creator > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
02/28/75	Great American Music Hall	San Francisco	CA	LOM: unknown source.	Source Detail
03/02/75	Keystone	Berkeley	CA	LOM, set II fragment: MSR (Betty Cantor, 7" reels @ 15ips) > PCM > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > normalization & slight editing (Sound Forge Studio 6.0) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille.	Source Detail	SHN
03/07/75	Pitschell Players Cabaret	Los Angeles	CA	LOM: AUD (mics and taper unknown) > ? > C > DAT > WAV > SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C. Ladner.	Source Detail
03/07/75	Pitschell Players Cabaret	Los Angeles	CA	LOM; flac1648; Unknown Audience Cassette > FLAC	Source Detail	FLAC
03/08/75	Pitchell Players Cabaret	Los Angeles	CA	Legion of Mary, Late Show: MAC (Taped by Dave Philips) > ? > PCM > CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
03/08/75	Pitchell Players Cabaret	Los Angeles	CA	Legion of Mary. Complete show. Source: Early show: SBD>?>C>D>WAV>SHN. Late show: AUD(unknown mic/taper)>?>C>D>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by Jim Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) via Chris Ladner.	Source Detail
03/08/75	Pitschel Player's Cabaret	Los Angeles	CA	LOM; flac24; Unknown AUD->FLAC24	Source Detail	FLAC
03/08/75	Pitschel Player's Cabaret	Los Angeles	CA	LOM; flac1648; 16 bit of 141893	Source Detail	FLAC
03/15/75	Keystone	Berkeley	CA	Legion of Mary: AUD + SBD compilation, see text file for details. Set includes alternatve versions of disc two, one pure aud, the other primarly sbd w/ aud patches.	Source Detail
03/16/75	Macky Auditorium, CU	Boulder	CO	Legion Of Mary; Early Show; Source: AUD > ? > CDR > WAV > SHN; Taper unknown	Source Detail
03/17/75	Bob Weir's Studio ("Ace's")	Mill Valley?	CA	Ned Lagin's Birthday Jam (see info file for performers): MSC > Sonic Solutions > CD > SHN	Source Detail	SHN
04/04/75	Whitman Auditorium, Brooklyn College	Brooklyn	NY	Legion of Mary: MSR > 1R > 2D > 1C > DATs > CDs > HP 9350i extraction and normalization to 98% using EAC > tracking using CDWave > SHN using mkwACT. Could be from the WBAI broadcast (presumably from post-cassette DATs?) referred to at the Jerry Site. EAC > SHN by Joe Jupille.	Source Detail
04/04/75	Whitman Auditorium, Brooklyn College	Brooklyn	NY	LOM, set II flac16: LOM, set II flac24: Mike McGraph's MAC ( AKG D1000e + Sony ECM-220 > Sony TC-152SD) > Jerry Moore's 1st gen reel (7" @ 7.5 ips, dolby b) > technics rs-1506 > sony nr-335 > hd-p2 24/48 > cd wave > adobe 2.0 16/44 > flac. Transferred by Rob Berger.	Source Detail	FLAC
04/05/75	Capitol Theater	Passaic	NJ	Legion of Mary: partial early show: MSC > played back on Nak Dragon > Apogee A/D 1000 > Panasonic sv3800 (master DAT) > played back on Sony R500 > Sony CDR-W33 (master CD) > HP 9350i extraction using EAC > .shn encoding using mkwACT. EAC>SHN by Joe Jupille.	Source Detail
04/05/75	Capitol Theater	Passaic	NJ	LOM; flac2496; Late show: Unknown AUD > 7" Reel @ 3 3/4 ips; Transfer: Teac A-2300S playback > Tascam DA-3000 (96k 24bit) > Samplitude Pro X3 > Flac24 (@ 96k). EBay tape liberation by Tom Markson, Speed Correction by Jason Chastain, Transferred, Edited and Mastered by gsarchivist.	Source Detail	FLAC
04/05/75	Capitol Theater	Passaic	NJ	Legion Of Mary; flac16; late show; remaster of shnid-147646; Source: Unknown AUD > 7" Reel @ 3 3/4 ips. Original Transfer: Teac A-2300S playback > Tascam DA-3000 (96k/24bit) > Samplitude Pro X3 > Flac24 (@ 96k) > ID-147646. Remaster: ID-147646 > TLH > WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH FLAC 1644.	Source Detail	FLAC
04/06/75	Orpheum Theater	Boston	MA	Legion of Mary: Master Soundboard Cassette> DAT> CDR	Source Detail
04/06/75	Orpheum Theater	Boston	MA	LOM, early and late: Jimmy Warburton's MAC (Sony ECM-99As > Sony TC-152SD [Dolby B]) > Sony TC-152SD playback > Teac A2300SD 1st gen reel [Dolby B off] > Pioneer 707 playback > DAT (A>D only) > Soundforge > SHN (By Noah) > SHN >Cool Edit 2000 > Feurio (by David Minches). Editing and Mastering on the GEMS Edit Station by Jamie Waddell.	Source Detail	FLAC
04/06/75	Orpheum Theater	Boston	MA	LOM; Early Show; Source: MAC>C>DAT>WAV>SHN; C>SHN Conversion by Cousinit	Source Detail	FLAC
04/06/75	Orpheum Theater	Boston	MA	Recording Info: SBD > Cassette Master (TDK-60) Cassette Transfer: Cassette Master (Nakamichi Dragon) > Apogee AD1000 (16-bit/48k) > DAT (Panasonic SV-3700) DAT Transfer: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC/48k	Source Detail	FLAC
04/08/75	Bottom Line	New York	NY	Legion of Mary: Early Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.	Source Detail
04/08/75	Bottom Line	New York	NY	LOM; MISLABEL of material from 4/9/75 and 4/12/75	Source Detail	FLAC
04/09/75	Bottom Line	New York	NY	Legion of Mary: early and late shows; SBD (DAT: MSR>1R>P>D>???>CD>SHN); this copy missing reels 3,5 of the Betty Boards; via T. Livingston	Source Detail
04/09/75	Bottom Line	New York	NY	Legion of Mary: Early Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.	Source Detail
04/09/75	Bottom Line	New York	NY	Legion Of Mary early show; SBD/AUD matrix of 2 previously circulating sources: SBD - (shnid=30942) and AUD - (shnid=14606); edited, mixed and converted by Chris Chappell (Sick Bits vol. 19)	Source Detail
04/09/75	Bottom Line	New York	NY	LOM, partial late show: MAC (Taped by Ihor Slabicky, Sony ECM-99As > Sony TC-152) > Nak Dragon playback > ART DI/O > WAV > Cool Edit 2000 > sector boundary verification (shntool) > .shn encoding (mkwACT). Transfer by David Minches, documentation by Joe Jupille.	Source Detail	SHN
04/09/75	Bottom Line	New York	NY	Legion of Mary: Betty-Board [reels] > DAT > FLAC file (as reported by D. Oade) > Flac Frontend > CD Wave Editor(tracks) > Flac Frontend > FLAC16. Seeded to bt.etree.org by David Barfield on 9/13/2005.	Source Detail	FLAC
04/09/75	Bottom Line	New York	NY	LOM; flac1644; early and late material, more complete. Lineage: MSR > Cass. x 2 > DAT > CDR > EAC > WAV > TLH > FLAC.	Source Detail	FLAC
04/10/75	Bottom Line	New York	NY	Legion of Mary: Early Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.	Source Detail
04/10/75	Bottom Line	New York	NY	Legion of Mary, Late Show: MAC (Taped by Ihor Slabicky, Sony ECM-99As > Sony TC-152) > Nak Dragon playback > ART DI/O > WAV > Cool Edit 2000 > sector boundary verification (shntool) > .shn encoding (mkwACT). Transfer by David Minches, documentation by Joe Jupille. Note: db links this .shn entry to the early show.	Source Detail
04/10/75	Bottom Line	New York	NY	LOM; late show; flac1644; AUD > Uher 4400 reel master > 1st gen 7" reel @ 3.75 ips, no nr; Transfer: Technics RS-1506 > Tascam HD-P2 24/96 compact flash > PC > Adobe Audition 2.0 (levels) > CD Wave (tracking) > TLH FLAC level 8; Jimmy Warburton copy of Charlie DiSalvo master; Transfer by Rob Berger	Source Detail	FLAC
04/11/75	The Tower Theatre	Upper Darby	PA	Legion of Mary: Early Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.	Source Detail
04/11/75	The Tower Theatre	Upper Darby	PA	Legion of Mary: Late Show: MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.	Source Detail
04/12/75	Masonic Temple	Scranton	PA	LOM; flac1644; sbd > ? > cassette, unknown gen, Maxell XLII-90, Lot# I1990411; Transfer: Trade cassette > Harmon Kardon TD 302, Dolby off, Heads aligned to tape side > Zoom H2 @16/44.1 > SDHC card > PC > tracked & edited with wavepad > flac level 8 & checksums with traderslittlehelper.	Source Detail	FLAC
04/12/75	Masonic Temple	Scranton	PA	Legion of Mary: late show; SBD (DAT: MSR> 1R> P> D> ZA/2> SHN); d1t2, splice at 11:52; d2 has 1 track- could burn with 4/19/75 orphan; via T. Langston, T. Livingston; covers	Source Detail
04/12/75	Masonic Temple	Scranton	PA	Legion of Mary, Late Show: sbd > reel > dat > cdr > cdwave > flac > wav > flac.	Source Detail	FLAC
04/12/75	Masonic Temple	Scranton	PA	LOM; late show; flac1644; unknown sbd > ? > TDK DAT > Tascam DA20 playback > Lynx2 > Wavelab7; WeissSaracon for 16bit 44.1kHz FLAC8 SBE Free. DAT via Thrak, Mastering by Jamie Waddell.	Source Detail	FLAC
04/12/75	Masonic Temple	Scranton	PA	LOM; Early show; partial; Soundboard Reel > DAT > CDR > CDWave > Flac; Editing by miogi: flac > tlh > wav > wavmerge > audacity (snaps, crackles, pops) > cdwav > tlh > flac level 8. NB lineage probably incorrect, probable analog and possible PCM generation between master reels and DAT.	Source Detail	FLAC
04/12/75	Masonic Temple	Scranton	PA	LOM; flac2448; Source: Unknown AUD cassette (sounds low-gen) via Jon Pasternak & Marc Lee. Transfer: XLII > Nakamichi CR-5 > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit) > TLH > FLAC 2448 tagged, Andrew F. 05/2023.	Source Detail	FLAC
04/12/75	Masonic Temple	Scranton	PA	LOM; flac1644; early show (partial); sbd composite of shnid-118788, shnid-118754 and shnid-117832, by Rob Darst.	Source Detail	FLAC
04/12/75	Masonic Temple	Scranton	PA	LOM; flac1644; MSR > PCM > DAT (44.1), provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1, transferred by Charlie Miller Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16, edited and mastered SIRMick June 2017.	Source Detail	FLAC
04/13/75	Kennedy Center	Washington	DC	Legion of Mary: late show partial; MSR -> 1R -> P -> DATs -> Digi001 -> SHN; via Ryan Shriver, Dan Metz	Source Detail
04/18/75	Arie Crown Theater	Chicago	IL	Legion of Mary: Mreel> Reel> Pcm> Dat> Cd> Eac> Shn.Very Brief PCM pop before the begining of Mississippi Moon; [txt/md5s]	Source Detail
04/18/75	Arie Crown Theater	Chicago	IL	LOM; flac1644; s2p; MSR > DAT (48k), provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48, transfetred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16, edited and mastered SIRMick June 2017.	Source Detail	FLAC
04/19/75	Oriental Theater	Milwaukee	WI	Legion of Mary: MSR>1R>P>D>ZA/2>SHN; transfer by tsl; d1 t4 cut on master reel; note d2 has 1 track- could burn with 4/12/75 orphan; via langston, tsl	Source Detail
04/19/75	Oriental Theater	Milwaukee	WI	Legion of Mary: betty board > dat > one track flac (many thanks to doug oade) > flac frontend > cdwav (tracks) > flac.	Source Detail
04/19/75	Oriental Theater	Milwaukee	WI	LOM: Betty Board MSR > PCM > DAT x ?; Cloned: From Dr. Bruce Fried 06/03/1996 Casio DA-7 > Panasonic SV-3700; Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.01a; Mastering with: iZotope Ozone 3 > CD Wave > TLH > FLAC; Transfer and Mastered by Bill Koucky; Green Mountain Bros.	Source Detail	FLAC
04/19/75	Oriental Theater	Milwaukee	WI	LOM; flac1644; sbd master reel > pcm > dat (44k), provided by Rich Gastwirt; transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1, transferred by Charlie miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16, edited and mastered SIRMick August 2017.	Source Detail	FLAC
04/20/75	Capitol City Theater	Madison	WI	Legion of Mary: MSR > DAT > CDR > CDWAVE > Flac, seeded to Dimeadozen.	Source Detail	SHN
04/20/75	Capitol City Theater	Madison	WI	Legion of Mary: MSC > played back on Nak Dragon > Apogee A/D 1000 > Panasonic sv3800 (master DAT) > played back on Sony R500 > Sony CDR-W33 (master CD) > HP 9350i extraction using EAC > .shn encoding using mkwACT. EAC>SHN by Joe Jupille.	Source Detail	SHN
05/15/75	Great American Music Hall	San Francisco	CA	Legion of Mary: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [upfront but not onstage] > Sony TC-152) > DATx1 > CDx1 > EAC > CDx1 > EAC > SHN	Source Detail
05/21/75	Keystone	Berkeley	CA	Legion of Mary: SBD>15 ips reel>15ips reel> DAT> Sony R500> Genesis Digital Lens> Fostex CR200> CD> WAV(EAC)> SHN; How Sweet It Is cut on master reel; via Tom Livingston; different mastering from other shn set	Source Detail
05/21/75	Keystone	Berkeley	CA	LOM; flac1644; MSR > DAT (48k), provided by Rich Gastwirt; transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48, transferred by Charlie Miller; lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16, edited and mastered SIRMick June 2017.	Source Detail	FLAC
05/22/75	Keystone	Berkeley	CA	LOM, Ip/IIp: MSR (Betty Cantor, 7" reels @ 15ips) > PCM > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > normalization & slight editing (Sound Forge Studio 6.0) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail	SHN
05/30/75	Golden Gate Park	San Francisco	CA	Diga Rhythm Band: Master Soundboard Reel > Cassette > Reel > CD > Ultra Safe Mode in Wavelab 6.0 at 32bit float/44.1kHz for Montage Adjustments. Source from Steve Martin-Editing and Mastering on the GEMS Edit Station by Jamie Waddell.	Source Detail	FLAC
06/03/75	Keystone	Berkeley	CA	JGMS: Menke / Falanga Sony ECM-270 + sony ECM-250 (onstage) > Sony TC-152> Mcas> Dat> Cdr. It Take a lot to laugh cuts in. Major cut at 2:28 level fluctations at 2:56. 1st few notes of Dynamite may be missing [txt/md5s]	Source Detail
06/04/75	Keystone	Berkeley	CA	Legion of Mary: Sony ECM-270 + sony ECM-250(on Stage) > Sony TC-152> MReel> Dat> Cdr. Crackle during Think @ :32, L channel drop 10:25-10:42, mystery Train splice @8:13 and i'll take a Melody Fades In. [txt/md5s]	Source Detail
06/06/75	Dominican College	San Rafael	CA	Garcia, Hart, Lesh & Lagin: MS? > DAT > CDR > EAC > WAV > SHN.	Source Detail
06/08/75	El Camino Park	Palo Alto	CA	Legion of Mary: MAC > DAT > CD > EAC > SHN. Recorded by David Gans, Sony ECM-? > Sony TC-152.	Source Detail
06/08/75	El Camino Park	Palo Alto	CA	LOM: Bob Menke & Louis Falanga FOB MAC w/ Sony ECM-250 & Sony ECM-270 > Sony TC-152 > WAV > CD-R > EAC > WAV > FLAC.	Source Detail
06/08/75	El Camino Park	Palo Alto	CA	LOM, flac24 MOTB Release: 0061 24/96; Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = Maxell UD C90; Analog Lineage: 1 x Sony ECM-270 + 1 x Sony ECM-250 => Sony TC-152 >> MAC; Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Bob Menke and Louis Falanga; Transfer By: B. Menke; Mastering By: J. Wadell.	Source Detail	FLAC
06/08/75	El Camino Park	Palo Alto	CA	JGMS; flac24; David Gans's (FOB) 1 x Sony Condenser Mic > Cassette Master (Sony TC-152SD-Fuji Chrome Cassette); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit-96k) > Samplitude Pro X6 Suite > FLAC24 (1 DVD FLAC). All Transfers and Mastering by Charlie Miller. charliemiller87@earthlink.net. July 11, 2021.	Source Detail	FLAC
06/08/75	El Camino Park	Palo Alto	CA	JGMS; flac16/44; David Gans's (FOB) 1 x Sony Condenser Mic > Cassette Master (Sony TC-152SD-Fuji Chrome Cassette); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit-96k) > Samplitude Pro X6 Suite > FLAC24 (1 DVD FLAC). All Transfers and Mastering by Charlie Miller. charliemiller87@earthlink.net. July 11, 2021. - This is 152853 2496 > 1644	Source Detail	FLAC
06/18/75	Great American Music Hall	San Francisco	CA	LOM, partial: Gene Taback's MAC (Sony TC-124 w/ built-in mic [model number 46-99S]) > Nakamichi Dragon playback > Digital Audio Labs CardDeluxe (24/96) > Edited, dithered and downsampled to 16/44.1 in Adobe Audition 2.0) > Shntool > Flac. Transfer by David Minches.	Source Detail	FLAC
06/21/75	Keystone	Berkeley	CA	Legion of Mary: Sony ECM-270 + sony ECM-250 (on Stage) > Sony TC-152> MReel> Dat> Cdr.; [txt/md5s]	Source Detail
06/21/75	Keystone	Berkeley	CA	LOM, partial: MSR (Betty Cantor, 7" reels @ 15ips) > PCM > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > normalization & slight editing (Sound Forge Studio 6.0) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail	SHN
06/22/75	Keystone	Berkeley	CA	Legion of Mary: MAC (Bob Menke and Louis Falanga's onstage Sony ECM-270 + Sony ECM-250 > Sony TC-152) > DATx1 > CD/0 > EAC > CD/1 > EAC > SHN	Source Detail
06/22/75	Keystone	Berkeley	CA	Mislabeled as "Soundboard recording > ? > FLAC", but confirmed to be the Menke/Falanga recording.	Source Detail	FLAC
06/22/75	Keystone	Berkeley	CA	LOM, partial: MSR (Betty Cantor, 7" reels @ 15ips) > PCM > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > normalization & slight editing (Sound Forge Studio 6.0) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail	SHN
07/04/75	Great American Music Hall	San Francisco	CA	LOM; flac16; Matrix 2 Source Mix - SBD (shn id 6633) SBD > Vault Reel > 1C?(*see note below) > DAT > CD-R > EAC + AUD (shn id 91465) MOTB Release: 0067 16/44.1; Reinhart Hohlwein FOB Master Cassette (MAC), 2 x Sony ECM-280 > Sony SD 152; Nakamichi DR-8 playback > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg MR-1000 > Korg AudioGate > WAV [24/96]; Transfer by: Bob Menke; Mastering by: Jamie Waddell - matrix mixing by Kevin Tobin	Source Detail	FLAC
07/04/75	Great American Music Hall	San Francisco	CA	Legion of Mary: SBD > Vault Reel > 1C?(*see note below) > DAT > CD-R > EAC *** This version includes the missing 2 songs not include with the previously circulating copy	Source Detail
07/04/75	Great American Music Hall	San Francisco	CA	LOM; flac16; pitched/patched SBD (shn id 6633); SBD > Vault Reel > 1C?(*see note below) > DAT > CD-R > EAC - patches and speed correction by Kevin Tobin.	Source Detail	FLAC
07/04/75	Great American Music Hall	San Francisco	CA	LOM flac16 MOTB Release: 0067 16/44.1; Reinhart Hohlwein FOB Master Cassette (MAC), 2 x Sony ECM-280 > Sony SD 152; Nakamichi DR-8 playback > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg MR-1000 > Korg AudioGate > WAV [24/96]; Transfer by: Bob Menke; Mastering by: Jamie Waddell; Special: Rhinotrocity#2.	Source Detail	FLAC
07/06/75	Keystone	Berkeley	CA	flac1644; MOTB 0146; Robert Castelli's Sony ECM 270's >> Sony TC 152sd >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [> flac1644]	Source Detail	FLAC
08/20/75	Great American Music Hall	San Francisco	CA	Keith & Donna Band, probably set I only: MSC>1 Reel > DAT > CDR > WAV > SHN; Shn converted with Mkw by Robert Goetz.	Source Detail
08/20/75	Great American Music Hall	San Francisco	CA	Keith & Donna Band; flac 1644; MOTB 0135; Reinhart Holwein's 2x Sony ECM280's > Sony TC 152SD MAC (2 x Maxell UD c90's) > Nakamichi CR7a playback => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > unknown downsample to 16/44.	Source Detail	FLAC
08/30/75	The Orphanage	San Francisco	CA	MSR (Sony deck) > 1 reel (Black Maxell UDXL35-90B @ 3.75ips) > AKAI GX-625 playback > Copperhead audio cables > Apogee Mini Me (24/96) > Apogee Mini DAC (Monitoring/Mastering) > Wavelab 5.0 (dithered to 20 bit/44K) > CD > EAC > CDWave > FLAC. Digital transfer by Matt Smith, CD > FLAC by jjoops.	Source Detail	FLAC
09/18/75	Sophie's	Palo Alto	CA	Jerry Garcia Band: MAC > 2 Reel > DAT > CDR > EAC (secure) > SHN	Source Detail	SHN
09/20/75	River City	Fairfax	CA	Source: MA>C3>DAT>WAV>SHN. Mics and taper unknown. Cassette > DAT by Jim Powell. DAT > WAV recording/editing > SHN by Chris Ladner.	Source Detail
09/??/75	Studio Rehearsals	Unknown	Unknown	JGB; flac1644; SB UNKNOWN LINEAGE > REEL > EDIROL USB UA-1EX AUDIO INTERFACE > COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC, via Dave Tamarkin.	Source Detail	FLAC
10/08/75	Del Mar Theatre	Santa Cruz	CA	JGB, fragment: MSR (Baked reels "last run" transfer 44.k [about 1993] > DATx2 > M-1 > 7-pin > Co2 > SB Live > CDWav > FLAC. Had been included as filler on shnid 15849 (baked sbd reels source for 12/20/75), listed here separately without other changes.	Source Detail	FLAC
10/10/75	Flint Center, De Anza College	Cupertino	CA	flac1644; MOTB 0155; Robert Castelli's 2 x Sony ECM 270s >> Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [>> FLAC1644]. Transfer By: Bob Menke; Mastering By: Derek McCabe.	Source Detail	FLAC
10/11/75	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN	Source Detail
10/11/75	Keystone	Berkeley	CA	Jerry Garcia Band: MSR @ 15 ips > 1 reel @ 7.5 ips > Sony PCM 501 > unknown PCM/Beta gens > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Shntool > FLAC.	Source Detail	FLAC
10/11/75	Keystone	Berkeley	CA	JGB; flac1648; s1; SBD->REEL->DAT. DAT Archived and Transferred By Stuccoholmes 2018. Edited and Mastered by Jamie Waddell in Wavelab 7.2. Tracked, packed and flac'd by Jason Chastain, 16 bit 48 kHz Flac level8.	Source Detail	FLAC
10/12/75	Keystone	Berkeley	CA	JGB; shnf; MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 >CD > EAC > CD > EAC > SHN via Jack Warner	Source Detail
10/12/75	Keystone	Berkeley	CA	JGB; flac16; s1 only; MSR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC	Source Detail	FLAC
10/17/75	Concord Pavillion	Concord	CA	Jerry Garcia Band: MSR > PCM > D > CD (+ last two songs presumably from MSR > R > P > D > CD, per The Jerry Site). This .shn set bears uncertain relationship to the existing seed, except that it seems to postdate it and comes with different md5s, identical text, and the two songs missing from the other source.	Source Detail
10/17/75	Concord Pavillion	Concord	CA	Jerry Garcia Band: Sbd>Mreel>PCM>Dat	Source Detail	FLAC
10/17/75	Concord Pavillion	Concord	CA	JGB; flac1648: From the Gastwirt Collection; SBD: Master Reel > PCM > DAT. Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48. Joe Noel Edits: Track, Flac, & Pack: Wave > Audacity > track/label > export multiple > flac 16/48.	Source Detail	FLAC
10/22/75	Wolsey Hall, Yale University	New Haven	CT	Unknown Audience Recording, Unknown Generation. Transfer: Tascam MKII >> Korg MR1000 at 1bit/5.6mHZ. Korg AudioGate Software for DSD >> PCM WAV at 32bit float/44.1kHz. Editing and Mastering by Jamie Waddell on the **GEMS** Edit Station. Weiss Saracon for Bit Rate Conversion and Pow-r3 Dither 16bit 44.1 kHz.	Source Detail	FLAC
10/23/75	Palace Theater	Providence	RI	JGB: FOB MAC (taped by Jimmy Warburton, ca. 23rd row center, Sony ECM-99 stereo mic on a cane > Sony TC 152SD master cassette [Dolby B]) > playback on Sony TC152SD > Teac A2300SD 1st gen reel [Dolby B off] > playback on Akai GX-4000D > Teac AN-80 Dolby B decoding > A/D using an ART DI/O into an Egosys Waverterminal 2496 digital sound card > master CD > HP 9350i extraction using EAC > .shn encoding using mkwACT.	Source Detail
10/23/75	Palace Theater	Providence	RI	JGB: Unknown equipment (likely Sony recorder) > Maxell UD-90 normal bias cassettes. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-8 (Dolby on) > Edirol FA-66 > WaveLab > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F. March 2009.	Source Detail	FLAC
10/24/75	Orpheum Theatre	Boston	MA	Jerry Garcia Band: Early & Late shows: FOB MAC (taped by Jimmy Warburton, Sony ECM-99 stereo mic > Sony TC 152SD master cassette [Dolby B]) > playback on Sony TC152SD > Teac A2300SD 1st gen reel [Dolby B off] > playback on Akai GX-4000D > Teac AN-80 Dolby B decoding > A/D using an ART DI/O into an Egosys Waverterminal 2496 digital sound card > master CD > HP 9350i extraction using EAC > .shn encoding using mkwACT. A>D by David Minches, EAC > SHN by Joe Jupille.	Source Detail
10/24/75	Orpheum Theatre	Boston	MA	JGB, early and late shows: Steve Rolfe's MAC (Sony ECM-99 Stereo mic > Sony TC-152 [Maxell UDs]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches.	Source Detail
10/24/75	Orpheum Theatre	Boston	MA	JGB, early show: probable MSC (TDK SD90) > 20-bit transfer via TC2000 > SBM2 CD dump > CD clone > extraction (EAC v0.95 beta 4) > FLAC encoding (FLAC Frontend v1.7.1 etree addition) > decode > tracking (CD Wave) > pitching and patching (see notes) > shn > decode (TLH v1.0.0 Beta-1 Build 72) > sector boundary alignment (shntool v2.0.3) > level 8 FLAC encoding (TLH v1.0.0 Beta-1 Build 72). Source CDs from David Gans, editing by BCP.	Source Detail
10/25/75	Auditorium Theater	Rochester	NY	JGB; flac 2448: set 2; Maxell UD 35-90 3.5ips Dolby B; Transferred on a Restored Tandberg 3600XD > Lynx Hilo at 32 bit float 192kHz > Audacity	Source Detail	FLAC
10/27/75	Bailey Hall, Cornell University	Ithaca	NY	JGB: MAC (Unknown Taper and Equipment) > 2C; Transfer and FLAC encoding by David Minches: 2nd Generation Cassette played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac.	Source Detail
10/28/75	Beacon Theater	New York	NY	Jerry Garcia Band: Late Show: MAC (Recorded by Jerry Moore, AKG 1000e's (floor center section, halfway back) > Sony TC-152 master cassette > DAT > CD > EAC > SHN.	Source Detail
10/28/75	Beacon Theater	New York	NY	JGB; late show; flac1644; 16 bit: aud cassette master, taped by Jim Cooper, transfer/seeded by Rob Berger.	Source Detail	FLAC
10/28/75	Beacon Theater	New York	NY	JGB; late show; flac2496; aud cassette master, taped by Jim Cooper, transfer/seeded by Rob Berger	Source Detail	FLAC
10/28/75	Beacon Theater	New York	NY	JGB; early show; flac2448; Source: AUD of unknown lineage, rescued from ebay for five bucks. Transfer: Maxell XLI (normal bias) > Nakamichi CR-5A (Dolby off) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2016, 2448 file-set 08/2022.	Source Detail	FLAC
10/28/75	Beacon Theater	New York	NY	JGB; early & late show; flac2448; Source: Unknown AUD cassettes (sounds low-gen) via Jon Pasternak & Marc Lee. Transfer: XLII's > Nakamichi CR-5 > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit) > TLH > FLAC 2448 tagged, Andrew F. 06/2023.	Source Detail	FLAC
10/30/75	Queens College	New York	NY	JGB: Gerry Moskal's Sony Stereo ECM mics > SONY TCD126; Location: "A Sweet Spot"; Analog Lineage: Gerry Moskal Master Cassette Transfer > RR > Cassette; Transfer/SHN Conversion: Brian Mandel Cassette Transfer Nakamichi BX300 > Macintosh > Peak Bias > JAM > cdr > EAC > MKW > shn.	Source Detail	SHN
10/30/75	Queens College	New York	NY	JGB; flac1644; aud cassette master, taped by Jim Cooper, transfer/seeded by Rob Berger	Source Detail	FLAC
10/30/75	Queens College	New York	NY	JGB; flac2496; aud cassette master, taped by Jim Cooper, transfer/seeded by Rob Berger	Source Detail	FLAC
10/31/75	The Tower Theatre	Upper Darby	PA	Jerry Garcia Band: Late Show: MAR > R?> DAT > CD > EAC > SHN. Recorded by Charlie Disalvo (about 20th row, center section, left side), Shure Unidyne 4s (above head-level on a spreader bar) > Uher 4400 (5", 1800' BASF reels @ 7.5 ips). There may be an additional reel after the master reel.	Source Detail
10/31/75	The Tower Theatre	Upper Darby	PA	Source: AUD > cassette(x) > CDR > WAV > SHN. CDR source via H.Angus. SHN encoding via C.Ladner.	Source Detail	SHN
10/31/75	The Tower Theatre	Upper Darby	PA	JGB, early show: AUD > ? > Maxell XL290(no Dolby) > Nak CR3A > HP computer > Sound Forge > CD Wave > Flac, transferred and seeded by John Moses.	Source Detail	FLAC
10/31/75	The Tower Theatre	Upper Darby	PA	JGB, late show: unknown audience tape > 1st gen cassette > Nakamichi Dragon playback > ART DI/O > Cool Edit 2000 > CD/0 > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (Sound Forge Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (FLAC Frontend etree edition v1.7.1). Transfer by David Minches, EAC >> FLAC by jjoops. Admin note: had been listed as taped by Bob Minkin, but this was incorrect.	Source Detail	FLAC
10/31/75	The Tower Theatre	Upper Darby	PA	JGB; flac1644; early and late; Sony TC-126(F99S mic)>Master cassette(TDK-D90)>JVC TD-R462>Audacity>TLH Flac8, Taper: Dave Peters	Source Detail	FLAC
11/01/75	Capitol Theater	Passaic	NJ	JGB, early & late shows: Ihor Slabicky's MAC (AKG d190e mics > Sony TC-152SD [Ampex 90m HF]) > Nakamichi CR-3A playback > Lucid AD9624 24 bit A/D converter (44.1 kHz) > DAT (Sony R500) > CD > FLAC via GEMS.	Source Detail	FLAC
11/02/75	Constitution Hall	Washington	DC	JGB, set I: MAC > 7" reel @ 7.5 ips (no nr) > Sony TC-850 playback > sbm1 > cdr > audobe audition 2.0 > cd wave > flac. Transfer of Don Grossinger's reel by Rob Berger 2005.	Source Detail
11/02/75	Constitution Hall	Washington	DC	JGB: MAC > CD > FLAC, via GEMS.	Source Detail	FLAC
11/08/75	Keystone	Berkeley	CA	Jerry Garcia Band, set II only: MA? > ? > CD > EAC > SHN. Note added 4/2005: Had been listed as a sbd, but is almost certainly an excellent audience recording.	Source Detail
11/17/75	Keystone	Berkeley	CA	JGB; flac1644: 2 x Sony ECM-270 > Sony TC-152 >> MAC >> Nakamichi CR7a > Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 > Korg AudioGate >> WAV [24/96] >> MOTB.0078. Taped By: Reinhart Hohlwein. Transfer By: Bob Menke. Mastering By: Jamie Waddell.	Source Detail	FLAC
11/18/75	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN	Source Detail
11/21/75	Auditorium Theatre	Chicago	IL	JGB, flac1644; Source: Mono AUD of unknown lineage > ? > Cassettes rescued from ebay. Transfer: Maxell-UD (tape 1) & Maxell-LN (tape 2) > Nakamichi CR-7A > ADC > WAV 2448 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
11/22/75	St. Paul Civic Center	St. Paul	MN	Jerry Garcia Band, partial 1st set: AUDMC > ? > WAV > SHN	Source Detail
11/22/75	St. Paul Civic Center	St. Paul	MN	JGB, flac1644; Compilation of three sources: ID-20552, plus two unknown AUD cassettes, kindly provided from the collection of DL. Recording lineage said to be: Shure 545's > Nakamichi 550, set-up very close to the stage. Transfer: Maxell XLII's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 07/2017	Source Detail	FLAC
11/22/75	St. Paul Civic Center	St. Paul	MN	JGB; flac1648; Greg Overlid's Front Row Shure 545 Microphones > Nakamichi 550 Cassette Deck > ? cassette > FLAC1648.	Source Detail	FLAC
11/23/75	Macky Auditorium, CU	Boulder	CO	JGB: MAC > ? > CDR > EAC > SHN (unknown lineage) sounds like at least 1 cass gen. some loud audience chatter.	Source Detail
11/29/75	Keystone	Berkeley	CA	JGB: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN	Source Detail
12/17/75	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN	Source Detail	SHN
12/19/75	Winterland Arena	San Francisco	CA	Jerry Garcia Band: AUDMC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [mic placement unknown] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN	Source Detail
12/19/75	Winterland Arena	San Francisco	CA	JGB: MSR (Nagra 1/2 track @ 7 1/2ips) > 1st gen reel reel (Otari 1/2 Trac @ 7 1/2ips) > cassette (Nakamichi BX300 ‘no dolby’, MaxellXLIIS90) > Nakamichi CR3A ‘no dolby’ > Hp Computer > Sound Forge > CD Wave > Flac8, via John Moses.	Source Detail	FLAC
12/19/75	Winterland Arena	San Francisco	CA	Jerry Garcia Band: MSR > Reel > PCM > DAT > CD [> SHN].	Source Detail
12/19/75	Winterland Arena	San Francisco	CA	Matrix of MSR>R>C>CD source and Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 MAC>D>CD source.	Source Detail	FLAC
12/19/75	Winterland Arena	San Francisco	CA	Jerry Garcia Band: SBD >> MR >> REEL >> PCM >>> DAT >> CDA >> Wav(EAC) >> FLAC.	Source Detail	FLAC
12/19/75	Winterland Arena	San Francisco	CA	JGB, flac16: pitched & patched sbd; primary source: master soundboard reel > 1 Reel > PCM > DAT > CD > Dime A Dozen secondary source for splices between the songs: Bob Menke cassette master: Sony ECM-270 or ECM-250 mics > Sony TC-152 cassette deck > CD's received in trade; Approximately 3.3 % speed-up to the SBD source was done to match the audience recording which was at the correct speed. Edits with Pro Tools	Source Detail	FLAC
12/19/75	Winterland Arena	San Francisco	CA	JGB; flac1644; SBD > Reel > PCM > Analog > DAT; DAT > RME DIGI96/8 PST > Sound Forge > CDR > FLAC	Source Detail	FLAC
12/20/75	Winterland Arena	San Francisco	CA	Jerry Garcia Band:sdb>Mreel>1r>P>Dat>Cdr	Source Detail
12/20/75	Winterland Arena	San Francisco	CA	Keith & Donna Band: MAC > ? > CD > EAC > SHN.	Source Detail
12/20/75	Winterland Arena	San Francisco	CA	Jerry Garcia Band: Baked soundboard reels "last run" transfer 44.k (about 1993) > DAT x 2 > M-1 > 7-pin > Co2 > SB Live > CDWav > FLAC.	Source Detail	FLAC
12/20/75	Winterland Arena	San Francisco	CA	JGB: SBD > Rm > Reel > PCM > Dat > CD > EAC > Shn. Most likely a re-shn of 14929.	Source Detail	FLAC
12/20/75	Winterland Arena	San Francisco	CA	JGB; flac16; Matrix 2 Source Mix - SBD (shn id 15849) Baked soundboard reels "last run" transfer 44.k (about 1993) > DAT x 2 > M-1 > 7-pin > Co2 > SB Live > CDWav > FLAC + AUD (shn id 89578) 2 x Sony ECM-270 => Sony TC-152 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke and Louis Falanga Transfer By: B. Menke Mastering By: J. Wadell - matrix mixing by Kevin Tobin.	Source Detail	FLAC
12/20/75	Winterland Arena	San Francisco	CA	JGB, flac16 MOTB Release: 0060 16/44.1; Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = Maxell UDXL C90; Analog Lineage: 2 x Sony ECM-270 => Sony TC-152 >> MAC; Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. Taped By: Bob Menke and Louis Falanga. Transfer By: B. Menke. Mastering By: J. Wadell.	Source Detail	FLAC
12/20/75	Winterland Arena	San Francisco	CA	Jerry Garcia Band: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [mic placement unknown] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN	Source Detail	SHN
12/20/75	Winterland Arena	San Francisco	CA	01-23-2013 Cool Edit EQ by Phil Matera Amplitudes balanced, and overall sound improved. For the two solo Nicky tunes, I centered the sound and added some ambience. This version based on Garcia1975-12-20.89589 89589 flac > wav > cool edit > wav > flac	Source Detail	FLAC
12/20/75	Winterland Arena	San Francisco	CA	Master Reels > DAT > CD > FLAC.	Source Detail	FLAC
12/20/75	Winterland Arena	San Francisco	CA	JGB; flac1648; MSR > Dat (48k), provided by Rich Gastwirt; transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48, transferred by Charlie Miller; lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick.	Source Detail	FLAC
12/20/75	Winterland Arena	San Francisco	CA	JGB, flac1644; pitched and patched Gastwirt sbd (shnid-138824).	Source Detail	FLAC
12/31/75	Keystone	Berkeley	CA	Jerry Garcia Band: Sbd> Mreel> Reel> Pcm> Dat> CDr	Source Detail
12/31/75	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN	Source Detail	FLAC
12/31/75	Keystone	Berkeley	CA	JGB: SBD > Analog > DAT > CD > ? > SHN; Remastering: SHN > WAV > CE2K > CDWAV > SHNTOOL > mkwACT. Remaster of < A HREF="/shninfo_detail.php?shnid=6646">shnid 6646.	Source Detail	SHN
12/31/75	Keystone	Berkeley	CA	Jerry Garcia Band: mSR>reel>PCM>DAT>CDR>EAC>shn; via Katy Miller; entire show with Mickey Hart, set 3 with Weir	Source Detail	SHN
12/31/75	Keystone	Berkeley	CA	Sick Bits #33 Matrixed (edited, mixed and converted) by Chris Chappell scarfireATliquidcityDOTcom 4/20/08 SBD: (SHNID=87686) MSR (Nagra 1/2track @ 7 1/2ips) > 1st gen reel (Otari 1/2track @ 7 1/2ips) > 1 cassette gen (Nak BX300, no Dolby, MaxellXLIIS90) > Nak CR3A playback (no Dolby) > HP Computer > Sound Forge > CD Wave> Flac8, via John Moses AUD: (SHNID=8664) MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN	Source Detail	FLAC
??/??/75	Reflections outtakes	Unknown	Unknown	flac1644; Reflections outtakes; unknown sbd, via Joe D'Amico.	Source Detail	FLAC
??/??/75	Reflections outtakes	Unknown	Unknown	shnid# 122575-> Wavelab 7.1 Phase Correction by Jamie Waddell tracking with Audacity-> flac level 8->tagged with Tag&Rename and checksums with TLH by Norm _________________________ Studio Soundboard Editing : Joe D'Amico ''AKA'' Joebeacon Nak Dragon > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper	Source Detail	FLAC
??/??/75	Rehearsal	Unknown	Unknown	JGB; flac1644; Recording Info: Part of the Debbie Stash dubbed in 1978. Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC.	Source Detail	FLAC
??/??/75	Rehearsal	Unknown	Unknown	JGB; flac2496; Recording Info: Part of the Debbie Stash dubbed in 1978. Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC	Source Detail	FLAC
01/07/76	Club Front	San Rafael	CA	Jerry Garcia Band: Rehearsals: SBD> Cass> ???> Dat> Cdr: This is different rehesals from what is listed at the jerry site for this date. Both tapes most likely taken from the same rehersals.	Source Detail
01/07/76	Club Front	San Rafael	CA	JGB w/ James Booker Rehearsals: ?>CD>EAC>FLAC	Source Detail
01/07/76	Club Front	San Rafael	CA	Jerry Garcia Band w/ James Booker, rehearsal: MSR > ? > 1C > 1D > 1CD > EAC > SHN. Slightly more complete than the previously circulating version, with slightly clearer lineage, via Ryan Shriver.	Source Detail	FLAC
01/09/76	Sophie's	Palo Alto	CA	Jerry Garcia Band, with James Booker: MSR > ? > 1C > 1D > 1CD > EAC > SHN. This version, via Ryan Shriver, is more complete than the previously circulating version.	Source Detail
01/09/76	Sophie's	Palo Alto	CA	JGB; flac2448; Source: SBD (mono) > MSC > 1st-Gen cassette. Transfer: Maxell UDXL's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2022	Source Detail	FLAC
01/10/76	Sophie's	Palo Alto	CA	A:C>?>CD. May have been recorded by David Cook with unknown mics into a Sony TC-110 deck.	Source Detail
01/10/76	Sophie's	Palo Alto	CA	JGB; flac1648; s2p; MSC (Supertape C-90 no Dolby) > Sony 3800 DAT (kingbee) > DAT (TJS) > unremembered transfer setup, pitch diagnosis (+2.5%) by JBJ, pitch fix by minches, TLH flac, Foobar tag.	Source Detail	FLAC
01/10/76	Sophie's	Palo Alto	CA	JGB; flac2448; Source: SBD (Set-1 mono, Set-2 stereo) > MSC > 1st-Gen cassette. Transfer: Maxell UDXL's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2022	Source Detail	FLAC
01/19/76	KPIX-TV Studios	San Francisco	CA	JG interview: MC > CD > EAC > FLAC1644	Source Detail	FLAC
01/25/76	Club Front	San Rafael	CA	Jerry Garcia Band: Studio Rehearsal: MSC > DATs > Sony PCM R500 > HHB 800 CD/0 > HHB 800 CD/1 > HP 9350i extraction using EAC > .shn encoding using mkwACT. The last two songs are MSR > 1R > 1C > DATs > Sony PCM R500 > HHB 800 master CD > HHB 800 first gen CD > HP 9350i extraction using EAC > .shn encoding using mkwACT.	Source Detail
01/27/76	Keystone	Berkeley	CA	Jerry Garcia Band: MSR (2 track 7" reels @ 15ips) > cassette (TDK SA-X100) > NAK-CR-7a playback > Lucid AD9624 24-bit A/D > Fostex D5 master DAT > Sony CDR-W33 master CD > EAC > SHN (non-seekable) > patching using Sound Forge Studio 6.0 > sector boundary verification using shntool > .shn encoding (seekable) using mkwACT.	Source Detail
01/27/76	Keystone	Berkeley	CA	Jerry Garcia Band:Mreel> Cass> Dat> Cdr. Cassette played back on NAK-CR-7a>Lucid AD9624 24-bit A/D >Fostex D5 > Sony CDR-W33. From Ryan at the Jerry Site. EAC and SHN conversion by Kevin Tobin. The very end of How Sweet It Is is clipped and splice in Mystery Train due to MSR tape flip.	Source Detail	SHN
01/27/76	Keystone	Berkeley	CA	JGB; flac2448; Source: SBD > TDK Audua cassettes (see note). Transfer: TDK Audua 90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2022	Source Detail	FLAC
01/28/76	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (Taped by Bob Menke and Louis Falanga, Sony ECM 250+270 [onstage] > Sony TC-152) > DAT > CD > Plextor Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
01/28/76	Keystone	Berkeley	CA	JGB; MSR > Cass. > DAT > CD-R > XLD > FLAC.	Source Detail	FLAC
01/28/76	Keystone	Berkeley	CA	JGB; flac2448; Source: SBD > Maxell UDXL & TDK Audua cassettes (see note). Transfer: Cassettes > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2022	Source Detail	FLAC
02/13/76	Keystone	Berkeley	CA	JGB: AUD of uncertain origin > DAT > CD > EAC > SHN.	Source Detail	shn
02/13/76	Keystone	Berkeley	CA	JGB; flac1644; master soundboard reel > reel > Technics RS1506 > Apogee Mini Me > Apogee Mini Dac > wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16. Transfer by Matt Smith, supplied via Charlie Miller, edited and mastered SIRMick.	Source Detail	FLAC
02/14/76	Keystone	Berkeley	CA	Jerry Garcia Band: SBD> MSReel> cass> DAT> CD> (EAC)WAV	Source Detail
02/14/76	Keystone	Berkeley	CA	Jerry Garcia Band: Bertha Remaster of the Master Reel > Cassette source (SBD > MR > CASS > DAT > CDA > WAV(EAC) > SHN > FLAC > DAW(Bertha) > CDA/SHN).	Source Detail	SHN
02/14/76	Keystone	Berkeley	CA	JGB; flac2448; Source: SBD > TDK Audua cassettes (see note). Transfer: TDK Audua 90's (re-shelled) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2022	Source Detail	FLAC
02/15/76	Sophie's	Palo Alto	CA	Jerry Garcia Band, set I only: MAC (Taped by Bob Menke and Louis Falanga, Sony ECM-250 + Sony ECM-270 mics > Sony TC-152) > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)	Source Detail
02/15/76	Sophie's	Palo Alto	CA	flac16; JGB; Sony cassette recorder with built-in mono mic, taped by Michael Parrish, MAC > Reel > DAT > CDR > WAV, via the jjoops tupperware collection. (Lineage as per the Jerrysite) Transfer: Wavelab > CD-Wave > TLH > FLAC 1644 tagged. June 2015	Source Detail	FLAC
02/15/76	Sophie's	Palo Alto	CA	JGB; flac1644; MR > R (Will Boswell's reel from the Debbie stash). Transfer Info: Technics 1506 > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC. Transfered By Matt Smith.	Source Detail	FLAC
02/21/76	La Paloma Theater	Encinitas	CA	Jerry Garcia Band: Via JGB Mega Vine #5 Early & Late Shows. SBD: MR > C > DAT > CD	Source Detail
02/21/76	La Paloma Theater	Encinitas	CA	JGB, Early Show; Source: SBD > MR > C > DAT > WAV > FLAC Transfer: Sony PCM-R500 > Audiophile 2496 > Wavelab 5.0 (recorded as 24/48 KHz WAV) Mastering: Wavelab (X-Noise and L3 Multimaximizer rendered to 16/44.1 using hi-res CD settings) > CDWAV 1.9 (tracking and FLAC'ing, level 5) Transfer, mastering and encoding by C.Ladner, 2/2006	Source Detail
02/21/76	La Paloma Theater	Encinitas	CA	Jerry Garcia Band: early show; mSR> cass> DAT> CD	Source Detail	SHN
02/21/76	La Paloma Theater	Encinitas	CA	JGB; flac2448; Early & Late Shows; Source: SBD > TDK-SA and Sony-UHF cassettes (see note). Transfer: TDK & Sony's (re-shelled) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2022	Source Detail	FLAC
02/22/76	La Paloma Theater	Encinitas	CA	Jerry Garcia Band: Early Show: MAC > 2C > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > cleaning using Sound Forge Studio 6.0 > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille.	Source Detail
02/22/76	La Paloma Theater	Encinitas	CA	Jerry Garcia Band: Late Show: MAC > 2C > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > cleaning using Sound Forge Studio 6.0 > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille.	Source Detail
02/24/76	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (Taped by Bob Menke and Louis Falanga, Sony ECM-250 + Sony ECM-270 mics > Sony TC-152) > DAT > 2 or 3 CD gens > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > normalization (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
02/26/76	Del Mar Theater	Santa Cruz	CA	Jerry Garcia Band: Early Show: MAC (Taped by Michael Parrish, condensor mic > Sony mono cassette deck) > reel > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille.	Source Detail
02/28/76	Crabshaw Corner	Sacramento	CA	Jerry Garcia Band: MAC (unknown mics, unknown deck) > Reel > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)	Source Detail
03/03/76	Lane County Fairgrounds	Eugene	OR	Jerry Garcia Band, set II only: MAC > R > D > CD > EAC > SHN. Recorded by Don Wolfe, Sony ECN-18Ns > Sony TC-152.	Source Detail
03/06/76	Moore's Egyptian Theater	Seattle	WA	Jerry Garcia Band: MAC (Taped by Pat Lee, Sony ECM 18N mics > Sony TC-152 [Maxell UD C120s] from 4th or 5th row) > master CD > EAC > SHN. A > D by Pat Lee, CD > SHN and seeding to Furthur by David Hollister.	Source Detail
03/06/76	Moore's Egyptian Theater	Seattle	WA	Jerry Garcia Band: AUD > MAC > DAT > CD unknown taper and rig	Source Detail	SHN
03/12/76	Cahn Auditorium (Northwestern University)	Evanston	IL	Jerry Garcia Band, partial early & late shows: AUDMC > C > DAT > WAV > SHN Recorded 2nd row, center left; with unknown deck with built in mics. 1st gen source tape from Eric Coplen. Cass > DAT by Ryan Shriver. DAT > SHN by Noah Weiner. Added to etree by Noah Weiner	Source Detail
03/12/76	Cahn Auditorium (Northwestern University)	Evanston	IL	JGB, late show, flac1644; Unknown (mono) AUD MAC > ? > Cassette rescued from Ebay. Transfer: Maxell UDXL 90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > Wavelab (adding 16-bit patch) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2017	Source Detail	FLAC
03/13/76	Finney Chapel, Oberlin College	Oberlin	OH	JGB, I/IIp: AUD (unk.mics/taper) > 1C > DAT > WAV > FLAC, via Ryan Shriver and Noah Weiner.	Source Detail
03/14/76	Ohio Theatre	Columbus	OH	Jerry Garcia Band. Source: AUD(unk.mics/taper):MAC>1C>DAT>WAV>FLAC. See info file for transfer details.	Source Detail
03/14/76	Ohio Theatre	Columbus	OH	JGB, flac1644; Source: AUD (unknown equipment) > MAC, recording by Doc West. Transfer: MAC > Nakamichi DR-3 > Roland Tri-Capture > Audacity > WAV 2496 single-channel mono > FLAC, via Doc West. Additional mastering: WAV > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 03/2018	Source Detail	FLAC
03/20/76	Armadillo World Headquarters	Austin	TX	Jerry Garcia Band, set II only: Unknown source > CD > EAC > FLAC.	Source Detail
03/26/76	Music Hall	Kansas City	MO	Jerry Garcia Band: MAC > 1C > 2D > CDx3 > EAC > SHN	Source Detail
03/27/76	Ambassador Theater	St. Louis	MO	JGB; flac 16; AUD > unknown > maybe 2nd gen Cassette Tape > Magnovox Stereo Boom Box > Tascam DR-07 Portable Recorder	Source Detail	FLAC
03/27/76	Ambassador Theater	St. Louis	MO	flac1644; Master audience cassette (stereo) -> 2 Maxell UDXL C90s -> Tascam 112 -> M-Audio 24/96 -> 24 bit, 48kHz . 24-bit, 48kHz -> 16-bit, 44.1kHz using Diamond Cut DC8 (no dither). Taper unknown. Transfer, editing, flac encoding and notes by Dan McDonald. Metadata added by B. Proctor.	Source Detail	FLAC
03/30/76	Calderone Theatre	Hempstead	NY	JGB, early and late shows: MAC (unk.mics/taper) > 1C > DAT > WAV > FLAC. See info file for transfer details.	Source Detail
04/01/76	The Palace Theater	Waterbury	CT	Jerry Garcia Band: AUD > DAT > CDR > WAV > SHN *tape splice near end of lonesome	Source Detail
04/01/76	The Palace Theater	Waterbury	CT	Jerry Garcia Band: MAC (Taped by Jerry Moore, Sony ECM-33p mics > Sony TC-153 [Maxell XL cassettes]) > Tascam 122MKIII playback > Tascam DA-40 master DAT > Tascam CDRW 700 master CD > maybe 1 CD > EAC > SHN.	Source Detail
04/01/76	The Palace Theater	Waterbury	CT	JGB: Steve Rolfe's MAC (2 Sony ECM 99s> Sony TC-152 [Maxell UD]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches.	Source Detail
04/01/76	The Palace Theater	Waterbury	CT	JGB; flac2496: aud cassette master, taped by Jerry Moore, transferred & seeded by Rob Berger	Source Detail	FLAC
04/03/76	Lisner Auditorium (George Washington University)	Washington	DC	Jerry Garcia Band, Late Show: MAC (Taped by Scott Jones, Shure mics > Sony TC-158) > DAT > 3CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
04/03/76	Lisner Auditorium (George Washington University)	Washington	DC	JGB, Early Show: MAC > C? > CD > EAC > WAV > SHNv3 Transfer to CD by Slipnut	Source Detail
04/03/76	Lisner Auditorium (George Washington University)	Washington	DC	JGB; late show; sure mics, sony cassette, master cassette, cd, eac, wav, shn, recorded 13th row center, flaws, tape filp inbetween songs,busted during sugaree, recorded by jeff stevenson	Source Detail	FLAC
04/03/76	Lisner Auditorium (George Washington University)	Washington	DC	JGB; late show; flac1648; Kathy Sublette's Master Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
04/03/76	Lisner Auditorium (George Washington University)	Washington	DC	JGB; flac1644; early show; Sony TC-126(F99S mic)>Master cassette(TDK-D90)>JVC TD-R462>Audacity>TLH Flac8, Taper: Dave Peters	Source Detail	FLAC
04/04/76	Page Auditorium, Duke U.	Durham	NC	JGB, early and late; flac16: unknown master audience tape > Alan Richman's 1st gen 7" 3.75ips reel recorded on a Teac deck. Reel played back on Sony RT-707 > Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 6.0 > FLAC encoding (by dminches).	Source Detail	FLAC
05/20/76	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (Taped by Bob Menke and Louis Falanga, Sony ECM-250 + Sony ECM-270 mics > Sony TC-152) > DAT > 2 or 3 CD gens > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > minor editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
05/21/76	Orpheum Theatre	San Francisco	CA	JGB; Unknown audience recording > HK 302 > Zoom H2, transfer by John Wenzel.	Source Detail	FLAC
05/23/76	Santa Monica Civic Auditorium	Santa Monica	CA	JGB; flac1644; Tarzwell and Martin masters; unknown Sony Microphone > Sony TC-50 (mono, auto-leveling cassette recorder); Transfer: Nakamichi CR7A w/ Azimuth alignment, no Dolby & Bias @ 120 usec > Korg MR2000-s @ 1 bit 5.6 MHz DSDIFF; AudioGate (32-96) > iZotope RX6 advanced (prep & 24-96) > CD Wave > AudioGate Aqua (16-44) > TLH	Source Detail	FLAC
07/08/76	Keystone	Berkeley	CA	Jerry Garcia Band: MS? > ? > DAT > WAV (via analog cables) > SHN	Source Detail
07/08/76	Keystone	Berkeley	CA	Jerry Garcia Band. ource: MSC>Cx>DAT>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C. Ladner.	Source Detail
07/08/76	Keystone	Berkeley	CA	JGB; flac1648 Bob Minkin's 3rd generation cassette Transfer Info: 3rd generation cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496	Source Detail	FLAC
07/09/76	Keystone	Berkeley	CA	Jerry Garcia Band: set II only: MSR > 1R > P > DAT > CDR > wav > shn3.	Source Detail
07/09/76	Keystone	Berkeley	CA	flac1644; set II; Unknown soundboard from the collection of Rich Gastwirt. Lineage: unknown dat > Sony DTC-2000ES > Delta 410 > Adobe Audition > wav 16/48 > Wavelab (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > Flac16. Admin note added 1/22/2011: lineage used to mention a cassette, but this has been corrected	Source Detail	FLAC
07/09/76	Keystone	Berkeley	CA	JGB; flac1644; From the Gastwirt Collection; SBD: Master Reel > DAT. Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48. Joe Noel Edits: Track, Flac, & Pack: Wave > Audacity > track/label > export multiple > flac 16/48.	Source Detail	FLAC
07/20/76	Keystone	Berkeley	CA	Jerry Garcia Band: SBD > Master Reel > PCM > DAT (44.1khz) > Conner CTD8000H/R-S DDS > Wavelab 4.0 > mkwACT by JJ Clifton.	Source Detail
07/20/76	Keystone	Berkeley	CA	JGB; flac1648; SBD > 7 inch reel at 7.5ips 1/2trk > pcm > dat (44k) - recorded by Betty Cantor-Jackson and provided by Jim Wise. Transfer: dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Jim Wise. Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac1648. edited and mastered SIRMick April 2019	Source Detail	FLAC
07/21/76	His Masters Wheels Studio	San Francisco	CA	JGB; flac16 Studio Recording-> ?-> Cassette-> Cassette Maxell UDXL2 C90 with Dolby B (playback on Nakamichi Dragon with Dolby B)-> Lexicon Lambda-> Logic-> wav 16/44.1 -> flac	Source Detail	FLAC
08/16/76	Keystone	Berkeley	CA	Jerry Garcia Band: SBD R/? > CDR > SHN, via Hanno Bunjes.	Source Detail
08/17/76	His Masters Wheels Studio	San Francisco	CA	JGB flac16Studio Recording-> ?-> Cassette-> Cassette Maxell UDXL2 C90 with Dolby B (playback on Nakamichi Dragon with Dolby B)-> Lexicon Lambda-> Logic-> wav 16/44.1 -> flac	Source Detail	FLAC
08/22/76	Keystone	Berkeley	CA	Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) > 1C > DAT > CD > EAC > SHN.	Source Detail
08/22/76	Keystone	Berkeley	CA	JGB: Unknown AUD > ? > CD > EAC > tracking (CD Wave v1.94.8) > editing (Sony Sound Forge Audio Studio 7.0) > sector boundary alignment (shntool) > level 8 FLAC encoding (FLAC Frontend v1.7.1 etree edition) > speed correction and patching. EAC>>FLAC by missingfinger, pitching and patching by Kevtobin.	Source Detail
08/22/76	Keystone	Berkeley	CA	Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) > 1C > DAT > CD > EAC > SHN (shnid 15672) patched with Unknown AUD > ? > CD (shnid 80165), patching/Flac by Kevin Tobin	Source Detail
08/22/76	Keystone	Berkeley	CA	JGB: flac16; Matrix 2 Source Mix; SBD (shnid 15672) MSR (2 track 7" reels @ 7.5ips) > 1C > DAT > CD; Unknown AUD (shnid 80165) > ? > CD; mixed by Kevin Tobin.	Source Detail	FLAC
09/10/76	Keystone	Berkeley	CA	Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) > 1C > DAT > CD > EAC > SHN + patched with MA? > 1R > DAT > CD > EAC > SHN.	Source Detail
09/10/76	Keystone	Berkeley	CA	Jerry Garcia Band: AUD R/1 > DAT > CDR > SHN	Source Detail	SHN
09/11/76	Keystone	Berkeley	CA	Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) > 1 cassette > 2 DAT > Sony R500 playback > Sony CDR-W33 (master CD) > HP 9350i extraction ((EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). D>CD by Ryan Shriver, CD > SHN by Joe Jupille.	Source Detail
09/12/76	Keystone	Berkeley	CA	Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) > 1C (TDK SA-X100) > played back on Nakamichi CR-7A cassette deck (Dolby off) > Lucid 9624 A-D converter @ 44.1kHz > Fostex D5 master DAT > unknown DAT and CD gens > EAC > SHN. A>D by Ryan Shriver, EAC>SHN by Joe Jupille.	Source Detail
09/12/76	Keystone	Berkeley	CA	Jerry Garcia Band: MSR (2 track 7" reels @ 7.5ips) -> Cass (TDK SA-X100 played back on Nakamichi CR-7A cassette deck Dolby off) -> Lucid 9624 A-D converter @ 44.1kHz -> Dat (Fostex D5 by Ryan Shriver 2/10/00) -> Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN.	Source Detail
09/12/76	Keystone	Berkeley	CA	Jerry Garcia Band: Bertha remaster: SBD >> MR >> CASS >> DAT >> SHN >> DAW(Bertha)>> CDA/SHN	Source Detail	SHN
09/15/76	S.S. Duchess "Pirates Ball"	New York Harbor	NY	JGB: unknown aud master > Ohr Weinberg's unknown gen cassette (Maxell UDXLII C90) Dolby b (d1 and d2t1-t2) and John Hance's unknown gen cassette (Fuji FX-II 90) Dolby b (d2t3-5) > Nakamichi Dragon (Dolby b) playback > HHB CDR 830 plus > EAC > Sound Forge 6.0 > CD Wave 1.94.5. Transfer and Editing by Anne Cohen 4-2006.	Source Detail	FLAC
09/15/76	S.S. Duchess "Pirates Ball"	New York Harbor	NY	JGB: apparent re-flac of shnid 86326; (taper unknown) Ohr Weinberg's cassette (Maxell UDXLII C90) dolby b (d1 and d2t1-t2), John Hance's cassette (Fuji FX-II 90) dolby b (d2t3-5); Cassette>Nakamichi Dragon (Dolby b)>HHB CDR 830 plus>EAC>Sound Forge 6.0 > CD Wave 1.94.5. Transfer and Editing by Anne Cohen.	Source Detail	FLAC
09/16/76	The Dome (C.W. Post College)	Greenvale	NY	Jerry Garcia Band: MAC (Recorded by Barry Glassberg, Sony ECM99 stereo single point mic > Sony TC-153D) > DAT > CDs > EAC > SHN.	Source Detail
09/16/76	The Dome (C.W. Post College)	Greenvale	NY	flac2496; Jerry Moore's aud cassette master; lineage: aud > sony ecm33p's > sony tc-152/b; nak dragon/b > hd-p2 24/96 > adobe audition 2.0 > cd wave > tlh flac 8; transfer/seeded by Rob Berger.	Source Detail	FLAC
09/17/76	Seton Hall University	South Orange	NJ	Jerry Garcia Band: MAC > 1C > dbx 163x Compression > Tascam M30 Board EQ > Echo Mia 24 Bit Sound Card > CDWave > Wav > SHN.	Source Detail
09/17/76	Seton Hall University	South Orange	NJ	JGB; set II; flac1648; Kathy Sublette's Master Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
09/18/76	Ben Light Gymnasium, Ithaca College	Ithaca	NY	Jerry Garcia Band: FOB > Sony stereo mics > unknown deck* > D > CDX2 > eac > shn. * deck was originally given as 'D5?', but the D5 wasn't yet available at this point, as far as the admin knows.	Source Detail
09/20/76	Astor Theater	Reading	PA	Jerry Garcia Band, Early and Late Shows: MAC (Shure mics, unknown model, unknown deck) > C > Unknown DAT gens > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)	Source Detail
09/20/76	Astor Theater	Reading	PA	JGB; flac1644; late show; Sony TC-126(F99S mic)>Master cassette(TDK-D90)>JVC TD-R462>Audacity>TLH Flac8, Taper: Dave Peters	Source Detail	FLAC
11/12/76	Freeborn Hall (U.C. Davis)	Davis	CA	Jerry Garcia Band, partial show: MSR > D > CD > EAC > SHN	Source Detail
11/12/76	Freeborn Hall (U.C. Davis)	Davis	CA	1648: partial set II; Recorded By Betty Cantor-Jackson 7 Inch Nagra Master(Serial # SL11183) 1/2 Track @ 7.5 IPS Reel #4 only (#1,2,& 3 MIA). Analog to Digital: Playback on Otari MX5050-Meyer VX-1 signal processor-Sony PCM R-700 DAT @ 48KHz (circa 1999). Original zero gen DAT played back on a Sony PCM R-500-Digital Audio Labs Card deluxe-16 bit 48KHz Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name). Digital Transfer,Editing & Processing By JW: February 2015.	Source Detail	FLAC
11/12/76	Freeborn Hall (U.C. Davis)	Davis	CA	JGB; flac1644; AUD > Cassette Master > DAT source from Anon; DAT transfer and mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain.	Source Detail	FLAC
11/13/76	Humbolt State College	Arcata	CA	Jerry Garcia Band, incomplete late show: MSR > DAT > CD > EAC > SHN.	Source Detail
11/13/76	Humbolt State College	Arcata	CA	flac1648; JGB; partial set II; Recorded By Betty Cantor-Jackson 7 Inch Nagra Master(Serial # SL11183) 1/2 Track @ 7.5 IPS Reel #4 only (#1,2,& 3 MIA). Analog to Digital: Playback on Otari MX5050-Meyer VX-1 signal processor-Sony PCM R-700 DAT @ 48KHz (circa 1999). 1648: Original zero gen DAT played back on a Sony PCM R-500-Digital Audio Labs Card deluxe-16 bit 48KHz. Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name). Digital Transfer,Editing & Processing By JW: February 2015.	Source Detail	FLAC
11/15/76	Keystone	Berkeley	CA	Jerry Garcia Band, set I only: MSR > DAT > CD > SHN. Uploaded by Steve Barbella, discs provided by CozChuck.	Source Detail
11/15/76	Keystone	Berkeley	CA	flac1648: Recorded By Betty Cantor-Jackson; 7 Inch Nagra Master(Serial # SL11183) 1/2 Track @ 7.5 IPS, Reels # 1,2,& 4 (#3 MIA); Analog to Digital: Playback on Otari MX5050-Meyer VX-1 signal processor-Sony PCM R-700 DAT @ 48KHz (circa 1999); Original zero gen DAT played back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-16 bit 48KHz Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Digital Transfer,Editing & Processing By JW:January 2015.	Source Detail	FLAC
11/16/76	Sophie's	Palo Alto	CA	JGB: Michael Parrish's MAC > reel > plaback on Uher reel-to-reel machine > Marantz standalone CD recorder > Plextor CDR extraction using EAC (high, secure, offset-corrected) > .shn encoding using mkwACT. Reel > CD by Thomas Donhauser. EAC>SHN and etree seeding by Hanno.	Source Detail
11/19/76	Pismo Theater	Pismo Beach	CA	Jerry Garcia Band. Source: MSC>C3>DAT>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J.Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV(Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C.Ladner.	Source Detail
11/20/76	Pismo Theater	Pismo Beach	CA	Jerry Garcia Band. Source: MSC>C3>DAT>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C. Ladner.	Source Detail
12/21/76	Keystone	Berkeley	CA	Jerry Garcia Band: MAC > R/1 > CD > EAC > SHN, via Hanno Bunjes	Source Detail
12/22/76	Keystone	Berkeley	CA	Jerry Garcia Band: MSR > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Extraction and .shn encoding by Joe Jupille.	Source Detail
12/22/76	Keystone	Berkeley	CA	Jerry Garcia Band: MSR (MD) > Cass (MD) > Cass (me) > Nero (EQ) > flac > sbe fixed.	Source Detail	FLAC
12/22/76	Keystone	Berkeley	CA	JGB; flac1644: SBD -> Master Reel -> CD -> Samplitude Professional v11.2.1 -> FLAC Recorded and Supplied by Mike Dolgushkin, Mastered By Charlie Miller	Source Detail	FLAC
??/??/76	Unknown Studio	San Francisco	CA	JGB; Recording Info: SBD > ? > CD > Samplitude Pro X6 Suite > flac16.	Source Detail	FLAC
01/29/77	Keystone	Berkeley	CA	Jerry Garcia Band: MAC > R/1 > CD > EAC > SHN, via Hanno Bunjes	Source Detail
01/29/77	Keystone	Berkeley	CA	Flac16: 2 x ECM280 => SONY TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] motb.0089	Source Detail	FLAC
01/30/77	Keystone	Berkeley	CA	Flac16: Reinhart Hohlwein's 2 x ECM280 => SONY TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] motb.0090.	Source Detail	FLAC
02/05/77	Campbell Hall	Goleta	CA	Jerry Garcia Band, Early & Late Shows: SBD > cassette? > CD > EAC > SHN v3. See info file for setlist notes and questions.	Source Detail
02/05/77	Campbell Hall	Goleta	CA	Jerry Garcia Band, Early and Late Shows: MSR > ? > Cx > CDR > WAV > SHN.	Source Detail
02/05/77	Campbell Hall	Goleta	CA	24 bit Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/48k) > Samplitude Pro X5 > Flac24	Source Detail	FLAC
04/09/77	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MAC (unknown taper, equipment, location) > reel > playback on Uher reel-to-reel machine > Marantz standalone CD recorder master CD > Plextor CD extraction using EAC (high, secure, offset-corrected) > .shn encoding using mkwACT.	Source Detail
06/23/77	Santa Rosa High School	Santa Rosa	CA	JGB; shnf; set II only; Sony ECM -> Sony TC-152 MAC -> D -> CD (Ryan at thejerrysite.com indicates the taper was Bob Menke).	Source Detail
06/23/77	Santa Rosa High School	Santa Rosa	CA	JGB; flac1644; set 1; Dave McClary's MAC (Realistic stereo electret condenser mic > Aiwa portable recorder) > cdr > eac >wav 16/44.1, extracted by Charlie Miller, edited and mastered SIRMick.	Source Detail	FLAC
07/02/77	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MAC > Reel > CD [> SHN], via Hanno Bunjes.	Source Detail
07/03/77	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band, set II only: MSC > 1C > DAT > CD > EAC > SHN	Source Detail
07/03/77	Keystone Palo Alto	Palo Alto	CA	JGB, set II: SBD > CM > 1 Cassette > DAT > Sony D8(modified) > DAT(Clone)@48K > WAVELAB5.0 > WAV@44K > FLAC 16; Transfer, conversion and edits by Ben Dover 08/27/2006.	Source Detail
07/03/77	Keystone Palo Alto	Palo Alto	CA	JGB, set II: MSC > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and Seeded by Green Mountain Bros. March 2007.	Source Detail	FLAC
07/08/77	Calderone Concert Hall	Hempstead	NY	Jerry Garcia Band: Late Show: MAC (Probably taped by Jerry Moore from the front of the balcony, spaced AKG D-200E's > Sony TC-153 [Maxell XLII]) > DAT > CD > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT.	Source Detail
07/08/77	Calderone Concert Hall	Hempstead	NY	Jerry Garcia Band, Early Show: MAC (Taped by Jerry Moore, spaced AKG D-200Es [front of the balcony] > Sony TC-153 [Maxell XLII]) > Nakamichi Dragon playback > ART DI/O A-D converter > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
07/08/77	Calderone Concert Hall	Hempstead	NY	Jerry Garcia Band, Late Show: MAC (Taped by Jerry Moore, spaced AKG D-200Es [from the orchestra, hand held, fairly close] > Sony TC-153 [Maxell XLII]) > Nakamichi Dragon playback > ART DI/O A-D converter > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
07/08/77	Calderone Concert Hall	Hempstead	NY	Early Show Source: A:C:CD Recorded by Jerry Moore; Sony ECM-33Ps> Sony TC-152 Master played backed on a Nak Dragon> ART DI/O> Waveterminal 2496> Hard Drive Tracking in Cool Edit 2000; Burned with Feurio Error checked with SHNTOOL; .wav>SHN with mkwACT A>D>SHN by David Minches	Source Detail
07/08/77	Calderone Concert Hall	Hempstead	NY	JGB; flac1644; late show; Ken & Judy Lee's 2x Sony F50 Mics > Sony TC124 > Master Cassette, from 1st row Balcony.	Source Detail	FLAC
07/09/77	Convention Hall	Asbury Park	NJ	Jerry Garcia Band, Early & Late shows: MAC (unknown equipment, taped by Mark Mattson) > DATx1 > CDx1 > EAC > SHN	Source Detail
07/09/77	Convention Hall	Asbury Park	NJ	JGB, early and late shows: Mark Mattson's MAC > CD > SHN. Transfer by Mark Mattson, shn encoding by Teddy Goodbear.	Source Detail
07/09/77	Convention Hall	Asbury Park	NJ	JGB; flac1644; late show; Steve Strange's hand-held recorder (built-in mics) > cassette master; transfer by Charlie Miller. According to nfagdtrfb, some of this material is from the night before.	Source Detail	FLAC
07/09/77	Convention Hall	Asbury Park	NJ	JGB; flac1644; partial early and complete late; Mono SBD > ? > FLAC; "I won't go into details about the transfer, but I used proper tools with quality settings maxed." Transferred and prepared for circulation by Mr. Completely in November 2014	Source Detail	FLAC
07/09/77	Convention Hall	Asbury Park	NJ	JGB; flac2496; early and late shows; Master Audience Cassette To HD; Recorded by: Mark Mattson, unknown equipment; Transfer and mastering by David Minches. February 2022; Transfer: Master played back on Nakamichi Dragon > Tascam DA-3000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24-96]; Mastering: Adobe Audition 2022 - Ozone 9 Advanced. Pitch correction by Joe B. Jones.	Source Detail	FLAC
07/23/77	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: SBD -> Cassette Master -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC (2 Discs Audio / 2 Disc FLAC). Transferred and Edited By Charlie Miller.	Source Detail
07/23/77	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: "Bertha" remaster of Charlie Miller seed #30662.	Source Detail
07/29/77	Theatre 1839	San Francisco	CA	Jerry Garcia Band: MAC (Taped by Bob Menke, setup not yet established at this time) > CDs > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > minor editing (Sound Forge Studio 6.0) > sector boundary fixing (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
07/30/77	Theatre 1839	San Francisco	CA	Jerry Garcia Band: MAC (Taped by Bob Menke, setup not yet established at this time) > CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > minor editing (Sound Forge Studio 6.0) > sector boundary fixing (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
07/30/77	Theatre 1839	San Francisco	CA	flac1644; mixed unlineaged sbd cassette tape sources; Nak Dragon dolby out > usb DAD > Audacity 1.3.13 beta, DC offset, 96/24 > 44k/16 flac level 8 > TLH cksum, verify, torrent.	Source Detail	FLAC
08/06/77	Keystone	Berkeley	CA	Jerry Garcia Band:set 2 partial; MSC -> DAT -> Digi001 -> SHN; via Ryan Shriver, Dan Metz	Source Detail
08/06/77	Keystone	Berkeley	CA	JGB, set II partial: MSC > DAT > Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8).	Source Detail
08/07/77	Keystone	Berkeley	CA	Jerry Garcia Band: Master Cassette SB > DAT > CD	Source Detail
08/07/77	Keystone	Berkeley	CA	JGB, Ip/II: MSC > DAT > Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) - Green Mountain Bros.	Source Detail	FLAC
10/02/77	Paramount Theater	Portland	OR	Jerry Garcia Interview: Unknown source. See info file for some details.	Source Detail
10/02/77	Paramount Theater	Portland	OR	Jerry Garcia Interview: Unknown source, recorded backstage prior to the Grateful Dead's performance on this date. Possible re-.shn of earlier seed.	Source Detail
11/20/77	West Gym	Binghamton	NY	JGB; flac1644; s2; sbd, unknown gen cassette transferred & seeded by Rob Berger	Source Detail	FLAC
11/20/77	West Gym	Binghamton	NY	JGB; flac1644; mono sbd composite for complete show	Source Detail	FLAC
11/21/77	The Playhouse (Hofstra University)	West Hempstead	NY	Jerry Garcia Band, Late Show: MAC (Taped by Mark Mattson, unknown equipment) > 1 DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
11/21/77	The Playhouse (Hofstra University)	West Hempstead	NY	JGB, early & late shows: Mark Mattson's MAC > CD > SHN. Transfer by Mark Mattson, shn encoding by Teddy Goodbear.	Source Detail
11/21/77	The Playhouse (Hofstra University)	West Hempstead	NY	JGB; flac2496; early and late; Recorded by: Mark Mattson, unknown equipment; Transfer and mastering by David Minches. February 2022; Transfer: Master played back on Nakamichi Dragon> Tascam DA-3000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24-96]; Mastering: Adobe Audition 2022 - Ozone 9 Advanced; Pitch correction by Joe B. Jones.	Source Detail	FLAC
11/23/77	The Palace Theater	Waterbury	CT	Jerry Garcia Band: MAC (Taped by Jerry Moore, Sony ECM-33Ps [ledge of the opera box, right side facing stage] > Sony TC-158) > Tascam 122MKIII playback > Tascam DA-40 master DAT > Tascam DA-30 playback > HD > Cool Edit 2000 > .shn. A > D by Mark Cohen, D > SHN by David Minches.	Source Detail
11/23/77	The Palace Theater	Waterbury	CT	Jerry Garcia Band: AUD--CASS--TASCAM Portastudio 424Mk II--DAT--CD, via vamarty.	Source Detail
11/23/77	The Palace Theater	Waterbury	CT	flac1644; "The Commander"'s aud cassette master, transfer by Rob Berger.	Source Detail	FLAC
11/23/77	The Palace Theater	Waterbury	CT	JGB; flac2496; Jerry Moore's aud cassette master, updated transfer by Rob Berger.	Source Detail	FLAC
11/25/77	The Tower Theatre	Upper Darby	PA	Jerry Garcia Band, Early Show: Unknown AUD > Cassette? > CD > EAC > SHN v3.	Source Detail
11/25/77	The Tower Theatre	Upper Darby	PA	Late Show: Unknown low-end mics (2) > Cassette Master (Panasonic stereo cass recorder (unknown model)/Memorex MRX2 Oxide C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Orchestra Section L/C, Row DD, Seat 110 by Bob Morris (note: 2 versions included: without & with equalization)	Source Detail	FLAC
11/25/77	The Tower Theatre	Upper Darby	PA	JGB; flac16; late show; Unknown mono AUD recording > Cx? > CDR > WAV, via the jjoops tupperware collection. Transfer: Wavelab > CD-Wave > TLH > FLAC 1644 tagged. June 2015.	Source Detail	FLAC
11/25/77	The Tower Theatre	Upper Darby	PA	JGB; flac1644; early show; Sony TC-126(F99S mic)>Master cassette>JVC TD-R462>Audacity>TLH Flac8, Taper : Dave Peters	Source Detail	FLAC
11/26/77	Capitol Theater	Passaic	NJ	JGB, early & late shows: MAC > CASS > DAT > CDR > EAC > SHN (seekable) Taper and equipment unknown.	Source Detail
11/26/77	Capitol Theater	Passaic	NJ	JGB, Late Show: Jim Anderson's AKG D200e > Cm > 1st gen cass > SBM1 > CD > EAC > CDWav > Flac, transferred by Rob Berger.	Source Detail	FLAC
11/27/77	The Palladium	New York	NY	Jerry Garcia Band:Early & Late Show: AUD (DAT: MAC>D>CDR>EAC>SHN)	Source Detail
11/27/77	The Palladium	New York	NY	Jerry Garcia Band, Early Show: MAC (Taped by Barry Glassberg, Sony ECM 270s [1st row loge, 30' separation] > Sony TC-153SD [Maxell UDXLII, Dolby]) > Tascam 122 MK III playback > Tascam DA-40 master DAT (44.1) > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT).	Source Detail
11/27/77	The Palladium	New York	NY	Jerry Garcia Band, Late Show: MAC (Taped by Barry Glassberg, Sony ECM 270s [1st row loge, 30' separation] > Sony TC-153SD [Maxell UDXLII, Dolby]) > Tascam 122 MK III playback > Tascam DA-40 master DAT (44.1) > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT).	Source Detail
11/29/77	S.U.N.Y.	New Paltz	NY	JGB; flac1644; Jim Cooper's MAC (2x Sony ECM22P > Hitachi TRQ-232, Maxell UDXLII-C90 and Maxell UD-C90, Dolby B); transfer by Rob Berger: Nakamichi Dragon (Dolby B) > Benchmark ADC1 24/96 > PC > Adobe Audition 2.0 > CD Wave > flac, March 2013.	Source Detail	FLAC
11/29/77	S.U.N.Y.	New Paltz	NY	JGB; flac2448; 2nd Set; Source: AUD of unknown lineage > ? > cassette via Richie & Rip. Transfer: XLII-S > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 06/2019	Source Detail	FLAC
11/30/77	Gymnasium, Buffalo State College SUNY	Buffalo	NY	Jerry Garcia Band: MAC > Reel > DAT > CDx1 > EAC > SHN. Taper, equipment, and location currently uncertain, but probably recorded by Steve Spitalny, Sony ECM-99A > Nak 550.	Source Detail
11/30/77	Gymnasium, Buffalo State College SUNY	Buffalo	NY	JGB; flac1644; aud 1st gen reel, sony ecm-99a > nak 550, taped by Steve Spitalny, transfer - Rob Berger	Source Detail	FLAC
12/02/77	Orpheum Theater	Boston	MA	Jerry Garcia Band: Early & Late. Sony ECM 99a> Sony152> MAC> D >EAC >MKWact >SHN	Source Detail
12/02/77	Orpheum Theater	Boston	MA	JGB, Early & Late Shows: Steve Hopkins MAC (Sony ECM-99a > Sony TC-158SD; Maxell UD-XLI; some patches from Steve Rolfe MAC, Sony ECM-99a > Sony TC-158SD) > Nakamichi Dragon playback > ART DI/O (96Mhz/24 bit)> Digital Audio Labs Card Deluxe soundcard > HD Editing performed in Adobe Audition; Dithered and downsampled to 44.1 MHz / 16 bit; Flac Encoded. Transfer by David Minches.	Source Detail
12/02/77	Orpheum Theater	Boston	MA	JGB, early and late shows: Steve Rolfe's MAC (Sony ECM-99 Stereo mic> Sony TC-152 [Maxell UDs]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches.	Source Detail
12/03/77	Binder Gymnasium, Hartwick College	Oneonta	NY	JGB; flac2444.1; Partial unknown audience recording > unknown transfer > flac 24 Bit 44.1 kHz,	Source Detail	FLAC
12/03/77	Binder Gymnasium, Hartwick College	Oneonta	NY	JGB; flac2496; Composite of Slow Recording (source 1) and Russell transfer of unknown recording (source 2); Source 1: Recorded by Evan Slow: Unknown microphones and tape deck; Transfer, mastering and editing by David Minches; July 2023: Master cassette played on Nakamichi Dragon > Tascam DA-3000 (24 bit; 96 kHz) > Adobe Audition 2023; Source 2: unknown audience cassette transferred by Scott Russell. EAC (extraction) > CD Wave (tracking) > Wavelab (editing) > TLH (fix & strip, flac8 encoding) > foobar2000 (tagging) by JGMF. Source 2 was upsampled to 24-96 so the entire file set would be at the same bit depth and sample rate.	Source Detail	FLAC
12/04/77	The Barn (Rutgers U.)	New Brunswick	NJ	Jerry Garcia Band: Set I + one song from set II: MSC > DAT > CD > EAC > SHN.	Source Detail
12/04/77	The Barn (Rutgers U.)	New Brunswick	NJ	flac1648 Recording info: Soundboard master cassette > DAT source from Anon Mastering by Jim Blackwood Additional mastering assistance by Jamie Waddell Speed/pitch adjusted by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
12/06/77	The Dome, C.W. Post College	Greenvale	NY	Jerry Garcia Band: MSR > C > D > CD > EAC > shntool > SHNv3. This seed corrects sector boundary errors on the original .shn set.	Source Detail
12/06/77	The Dome, C.W. Post College	Greenvale	NY	Jerry Garcia Band: MSR > Cass > Dat > Cdr. Seeded by Mike Lai.	Source Detail
12/06/77	The Dome, C.W. Post College	Greenvale	NY	JGB: Mark Mattson's MAC > CD > SHN. Transfer by Mark Mattson, shn encoding by Teddy Goodbear.	Source Detail
12/06/77	The Dome, C.W. Post College	Greenvale	NY	JGB, flac1648; Recording info: Soundboard master cassette > DAT source from Anon Mastering by Jim Blackwood Speed/pitch adjusted by Jason Chastain Listening assistance, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
12/08/77	Palace Theatre	Albany	NY	Jerry Garcia Band: Unknown AUD > Cassette? > CD > EAC > SHN v3	Source Detail
12/08/77	Palace Theatre	Albany	NY	Jerry Garcia Band: SBD -> Cm -> Apogee AD1000 -> Dat (Panasonic SV3800); transferred by Charlie Miller	Source Detail
12/08/77	Palace Theatre	Albany	NY	JGB, flac1648; Recording info: Soundboard master cassette > DAT source from Anon; Mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Listening assistance, track, FLAC, and pack by Steve Gravel.	Source Detail	FLAC
12/08/77	Palace Theatre	Albany	NY	Jerry Garcia Band: mSC>DAT; DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > downsampled to 44.1k/de-hissed > SHN (no extraction); via Jon Seff	Source Detail	FLAC
12/09/77	Gym, S.U.N.Y.	Stony Brook	NY	JGB; flac1644; s2; Master cassette > DAT; Transferred and seeded by Michael Buzzeo	Source Detail	FLAC
12/09/77	Gym, S.U.N.Y.	Stony Brook	NY	JGB, set II only: Unknown AUD > ? > CD > EAC > SHN v3. This is an apparently redundant re-shn of < A HREF="/shninfo_detail.php?shnid=4444">shnid 4444.	Source Detail
12/09/77	Gym, S.U.N.Y.	Stony Brook	NY	JGB; shnf; s2; FOB Nakamichi CM-300 Mics; MAC -> DAT -> Digi001 -> SHN; via Ryan Shriver, Dan Metz	Source Detail
12/09/77	Gym, S.U.N.Y.	Stony Brook	NY	JGB, set II: pitch-corrected version of shnid 4444 (Nak 300s MAC > DAT > CD).	Source Detail
12/09/77	Gym, S.U.N.Y.	Stony Brook	NY	JGB; flac1644; Phil Matera's Mc-> Reel 1st gen Reel (Maxell-UD135) 1/4trk@3-3/4 Teac X2000R-> Korg MR1000 DSD DFF@ 5.6MHz->AudioGate-> 24/88.2 Wave-> Wavelab6-> OzoneRx4a-> Ozone6A > CD Wave > r8brainpro > 16/44.1 > TLH > Flac16.	Source Detail	FLAC
12/09/77	Gym, S.U.N.Y.	Stony Brook	NY	JGB; flac 1644; (fix of shnid-137721) Phil Matera's Mc-> Reel 1st gen Reel (Maxell-UD135) 1/4trk@3-3/4 Teac X2000R-> Korg MR1000 DSD DFF@ 5.6MHz->AudioGate-> 24/88.2 Wave-> Wavelab6-> OzoneRx4a-> Ozone6A > CD Wave > r8brainpro > 16/44.1 > TLH > Flac16	Source Detail	FLAC
12/09/77	Gym, S.U.N.Y.	Stony Brook	NY	JGB; set II; flac1648; Kathy Sublette's Master Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
12/10/77	Warner Theater, Early show	Washington	DC	Jerry Garcia Band: (FOB) Electra Voice Omni Mics > Cass/0 > DAT > CDR > EAC > WAV > Wavelab (Mastering) > FLAC	Source Detail
12/10/77	Warner Theater, Late show	Washington	DC	Jerry Garcia Band Unknown Aud> Mreel> Dat> Cdr. Seeded by Mike Lai	Source Detail
12/11/77	Rec Hall, Penn State U	State College	PA	Jerry Garcia Band:sdb>>master reel>>cassette>>pcm>>dat>>cdr There is a brief "Close Encounters of the Third Kind" tease in Lonesome And A Long Way From Home . The SBD tape contains splices in Sitting In Limbo, Mission In The Rain and Lonesome And A Long Way From Home.	Source Detail
12/11/77	Rec Hall, Penn State U	State College	PA	Jerry Garcia Band: MSR > C > P > D > CD > EAC > shntool > SHNv3. This set, via Chris Ladner, fixes sector boundary errors on the original .shn set.	Source Detail
12/11/77	Rec Hall, Penn State U	State College	PA	Jerry Garcia Band: MSR > PCM > unknown analog gens > DAT > CD > SSSB processing.	Source Detail
12/11/77	Rec Hall, Penn State U	State College	PA	JGB: MSR > C > PCM > DAT > CD, remaster of shnid6622 via sirmick.	Source Detail
12/11/77	Rec Hall, Penn State U	State College	PA	JGB, flac1648; Soundboard master cassette > DAT source from Anon; Mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel.	Source Detail	FLAC
12/23/77	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: FM > ?? > R > CD > EAC > SHN, via Hanno Bunjes	Source Detail
02/15/78	Keystone	Berkeley	CA	JGB; flac1644; Partial Unknown AUD kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017	Source Detail	FLAC
02/18/78	Marin County Veterans Auditorium	San Rafael	CA	Jerry Garcia Band: MSC > ? > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave) > patching (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
02/19/78	Santa Cruz Civic Auditorium	Santa Cruz	CA	Jerry Garcia Band: Currently optimal composite from multiple audience sources. Composite and SHN encoding by Jack Warner.	Source Detail
02/19/78	Santa Cruz Civic Auditorium	Santa Cruz	CA	JGB; flac1648 Fixed version of Source ID 155925. Set 2 only. Source: Master Cassette from ANON 24 bit 96kHz, Mystery Train patch from Source ID 21460, taped by Eldon Porray. Speed Correction by Jason Chastain; Mastering by Jamie Waddell; Track, FLAC, and Pack by Steve Gravel.	Source Detail	FLAC
02/19/78	Santa Cruz Civic Auditorium	Santa Cruz	CA	FLAC 1644 Audience cassette master recorded from the house right balcony over the first doorway. Two Electrovoice RE10 mics > Nakamichi 350 > two Dolby B encoded Maxell UD C90 cassettes. Recorded, transferred and mastered by grner1.	Source Detail	FLAC
03/09/78	Cleveland Music Hall	Cleveland	OH	Jerry Garcia Band: MSC > ? > DAT > CD > EAC > SHN. The ? probably represents a cassette gen.	Source Detail
03/10/78	Auditorium Theater	Rochester	NY	JGB, incomplete: Unknown Taper and Equipment, Unknown Lineage cassette > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac, transfer by David Minches.	Source Detail
03/10/78	Auditorium Theater	Rochester	NY	JGB: Alan Zimmerman's MAC (Sony 54P or Sony ECM 99s > Teac PC-10 [1st Set on Sony FeCr-90; 2nd Set on Maxell UD XLII-90]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding; transfer by David Minches.	Source Detail
03/10/78	Auditorium Theater	Rochester	NY	Garcia, Kahn & Donna Godchaux interview: Alan Zimmerman's MFC > Nakamichi Dragon playback > Digital Audio Labs Card Deluxe soundcard > Adobe Audition > flac encoding > FLAC. Transfer by David Minches.	Source Detail
03/11/78	Leroy Theater	Pawtucket	RI	Jerry Garcia Band: MAC (Taped by Tom Dalti, Sony ECM-99a mics > Technics 646ds cassette deck > DAT > CDR > EAC (v0.9 beta 4, offset corrected, high/secure) > editing Soundforge 5) > tracking (CD Wave) > boundary check (shntool) > SHN (shorten 3.4) > FTP via C. Ladner/ candyman FTP.	Source Detail
03/11/78	Leroy Theater	Pawtucket	RI	JGB: pre-show interview: unknown FM-SBD > SHN, via Andy Gefen and Teddy Goodbear; show: unknown AUD > SHN, via Teddy Goodbear.	Source Detail	SHN
03/11/78	WBRU-FM Studios	Pawtucket	RI	JGB: Tim Friend's 1x AKG D200E (mono recording) > Sony TC-153SD > Maxell UD-XLII 90's, with no Dolby. Fifth row orchestra, left center section; Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 by Andrew F.	Source Detail	FLAC
03/11/78	Leroy Theater	Pawtucket	RI	JGB; flac1644; set II; MSC > DAT > CDR > XLD > FLAC.	Source Detail	FLAC
03/12/78	Suffolk Forum	Commack	NY	FOB Shure Audience > CassMaster> Dat> Cdr Transfer Da-P1> Zafiro ZA-2> NT4.0/Soundforge xp 4.0 > Cdrwin **May Contain Additional Analog Generations	Source Detail
03/12/78	Suffolk Forum	Commack	NY	JGB: Unknown MAC > CD, discs provided by Jim Wise. Transfer: CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC.	Source Detail
03/12/78	Suffolk Forum	Commack	NY	JGB; flac1648 Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
03/14/78	Music Hall	Boston	MA	Jerry Garcia Band: MAC (Taped by Tom Dalti [NOT Steve Rolfe as previously listed], Sony ECM-99a mics > Technics 646ds cassette deck) DAT > CDR > EAC (version 0.9 beta 4, offset corrected, high/secure) > editing (soundforge 5) > tracking (cdwav) > boundary check (shntool) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP.	Source Detail
03/14/78	Music Hall	Boston	MA	JGB: Claudette Gardel's AKG 501E mics > Sony TC-153SD MAC; Nakamichi unknown deck playback > Powerbook G4 > Sound Edit version 2 > CD; Edited and Mastered by Jamie Waddell on the GEMS Edit Station; Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither; Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8; Tag & Rename for FLAC Meta-Tagging.	Source Detail	FLAC
03/14/78	Music Hall	Boston	MA	JGB; flac1644: Taped by Claudette Gardel, AKG 501E mics > Sony TC-153SD; Nakamichi ??deck?? playback > Powerbook G4 > Sound Edit version 2 > CD, Edited and Mastered by Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.	Source Detail	FLAC
03/16/78	Spectrum Theatre	Philadelphia	PA	Jerry Garcia Band. Source: Unknown mics/taper>Cx>DAT>CDR>WAV>FLAC.	Source Detail
03/16/78	Spectrum Theatre	Philadelphia	PA	JGB; 1644; Rich Petrunis Audience Cassette master (Sony hand-held recorder > Lafayette low bias tape, no NR); transfer/seed by Rob Berger: Nak Dragon > Tascam HD-P2 24/96 > PC > Adobe Audition 2.0 > CD Wave > TLH, March 2013.	Source Detail	FLAC
03/16/78	Spectrum Theatre	Philadelphia	PA	JGB; flac1644; Dave Peters's Sony F99s mic > Sony TC-126 > Master cassette > JVC TD-R462 > Audacity > TLH Flac8. NB t02 currently flawed, awaiting replacement as of 5/2017.	Source Detail	FLAC
03/17/78	Capitol Theater	Passaic	NJ	Jerry Garcia Band: Early Show: Barry Glassberg's master FM reel > TEAC X2000R playback > Nakamichi NR200 Dolby Unit > Tascam DA-40 (master DAT) > Tascam CDRW700 master CD > 1 CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Mark Cohen, EAC > SHN by Joe Jupille.	Source Detail
03/17/78	Capitol Theater	Passaic	NJ	JGB, early show, flac16: Jerry Moore's FM simulcast 10/5" reel master @ 7.5 ips (Ampex tape, baked) > technics rs-1506 playback > sony nr-335 > hd-p2 24/48 > flac. Baking & transfer by Rob Berger.	Source Detail	FLAC
03/17/78	Capitol Theater	Passaic	NJ	JGB; late show; flac1644; sbd audio from vhs video, via Rob Berger.	Source Detail	FLAC
03/17/78	Capitol Theater	Passaic	NJ	JGB, early show: FM > ? > Maxell C90 > Nak CR3A > HP computer > Sound Forge > CD Wave > Flac.	Source Detail	FLAC
03/17/78	Capitol Theater	Passaic	NJ	JGB; early show; flac1644; aud 1st gen, akg d200e's>sony tc-152, taped by Jim Anderson, transfer by Rob Berger	Source Detail	FLAC
03/17/78	Capitol Theater	Passaic	NJ	interview; flac1644; Susan Klein for Creem; tape is labeled backstage after JGB Capitol Theater, Passaic NY; lineage: interviewer's recorder > cass >> ? > trade > flac. Transfer: Dragon nr-out > zoomH4 16/44.1 > hcsd 8gb > Audacity > TLH > flac16.	Source Detail	FLAC
03/18/78	Warner Theater	Washington	DC	Jerry Garcia Band, Late Show: July 2003 Oade seed (shnid 18733) patched with FMSBD > 2C >(C?) > CDR by gcsadoti. See info file for extensive editing notes.	Source Detail	SHN
03/18/78	Warner Theater	Washington	DC	Jerry Garcia Band: Lineage: SBD > PRE-FM RTR > CASS (Dolby B encoded) > SSSB (Dolby B decoded) serifin station seed	Source Detail
03/18/78	Warner Theater	Washington	DC	Jerry Gracia Band: Early Show. Master Audience Cassette (Nak CM700s>cassette deck)>DAT>CDRs>EAC>SHN (seekable). Thanks to Andy for the source disks. EAC>Shn by darrin (dnsacks@usa.net) 3/2002	Source Detail
03/18/78	Warner Theater	Washington	DC	Jerry Garcia Band, Late Show: ?? > DATC > HD > DSP* > DataCDR > CDWave1.6 > mkwACTb0.97.	Source Detail
03/18/78	Warner Theater	Washington	DC	Jerry Garcia Band: late show; SBD> FM> A> D> CdR> shn; via "JTFC"	Source Detail	FLAC
03/19/78	Stanley Theater	Pittsburgh	PA	Jerry Garcia Band: Sndbd->Cassette->Cassette->DAT->CDR->Audio Grabber->TC Native Spectralizer->TC Native Multiband Compressor->SoundForge->TC Native Loudness Maximizer->CDR .	Source Detail
03/22/78	Veteran's Hall	Sebastopol	CA	Source: SBD > CM(x) > CDR > WAV > SHN.	Source Detail
06/11/78	Keystone	Berkeley	CA	Jerry Garcia Band, missing last two songs: MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
06/11/78	Keystone	Berkeley	CA	JGB,Partial Soundboard; Recording Info: SBD -> Cassette Master -> CD; Transfer Info:CD -> Samplitude Professional v10.2 -> CD; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/18/78	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MAC > CD > EAC > SHN. Taped by John Angus and Scott Hart, Sony ECM99 (first tier, center) > Sony TC-158 (Maxell UD-XLIIs) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > HP 9350i extraction using EAC > speed correction (pitch shifted up by 40 cents) using Sound Forge XP version 5 > tracking using CD Wave > .shn encoding using mkwACT. Proper sector boundaries verified using shntool.	Source Detail
08/12/78	Keystone	Berkeley	CA	Jerry Garcia Band. Source: MAC(mics unknown, possibly Sony) > HD > CD>WAV>SHN. Taper: Mike Riley	Source Detail
10/03/78	Shady Grove	San Francisco	CA	Merl Saunders Band, with special guest Jerry Garcia. Master audience tape (unknown mics, unknown deck, taped by A. Tsukada) > unknown analog generations > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)	Source Detail
10/03/78	Shady Grove	San Francisco	CA	Merl Saunders Band, with special guest Jerry Garcia, MAC>C>C>WAV>FLAC; C>FLAC Encoding by Cousinit	Source Detail
10/07/78	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
10/07/78	Keystone Palo Alto	Palo Alto	CA	flac1644: Recorded by John Angus and Scott Hart; Sony ECM-99> Sony TC-158; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0 (dither/downsample)> FLAC encoding.	Source Detail	FLAC
10/08/78	Keystone Palo Alto	Palo Alto	CA	Source: MAC(Sony mics?)>D>CD>WAV>SHN Taper: Mike Riley	Source Detail
10/10/78	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
10/10/78	Keystone	Berkeley	CA	Jerry Garcia Band: MSC > DAT > CDR > EAC > WAV > SHN. Almost certainly has another cassette generation.	Source Detail	shn
10/10/78	Keystone	Berkeley	CA	JGB: aud-sbd combination of shnid 14113 (Angus/Hart Sony ECM 99 aud) and shnid 14005 (sbd). See info file for details.	Source Detail	SHN
10/24/78	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Sony ECM99 > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > very slight editing (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
10/26/78	Paramount Theatre	Portland	OR	Jerry Garcia Band: Partial set II only: MSC > Cassette > DAT > CD > EAC > SHN.	Source Detail
10/26/78	Paramount Theatre	Portland	OR	Jerry Garcia Band: MAC > CD > EAC > WAV > CE2k (retracking, glitch removal) > SHN.	Source Detail
10/26/78	Paramount Theatre	Portland	OR	JGB: Pat Lee's Sony ECM 18n's (Front row balcony w/ mics on railing) > Sony 152SD MAC; Master played back on Nak Dragon> ART DI/O> Egosys Waverterminal 2496; Edited and tracked in Cool Edit 2000; boundary verification with Shntool; shn encoding; shn > flac in shntool, using shntool conv -o flac *.shn.	Source Detail	FLAC
10/26/78	Paramount Theatre	Portland	OR	flac1648 Source Info: Mark Severson's Master Audience Cassettes; Sony ECM 270 mics > Sony TC-158 Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
10/26/78	Paramount Theatre	Portland	OR	8 microphone re-amplification treatment using the acoustics of the Historic Rialto Theatre in Tucson Az on March 25, 2011 MSC > Cassette > DAT > CD > EAC > SHN	Source Detail	FLAC
10/27/78	Pavillion East (Eastern Washington University)	Cheney	WA	Jerry Garcia Band, I/IIp: MA? > ? > CD > EAC > SHN	Source Detail
10/27/78	Pavillion East (Eastern Washington University)	Cheney	WA	JGB: MAC > ? > CD > EAC > FLAC.	Source Detail	FLAC
10/27/78	Pavillion East (Eastern Washington University)	Cheney	WA	JGB; flac1644; Recording info: SBD > Cassette Master (with possible extra cassette gen) > CD > DAT from Anon; Transfer info: Tascam DA45HR DAT > Sound Devices 744T > Samplitude Pro X6 > 24 bit 44.1 kHz FLAC; Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
10/28/78	Paramount Northwest Theater	Seattle	WA	Jerry Garcia Band: MAC (Taped by Mike McCaw, Nak 700s > Sony TC-158) > 1 reel > DATs > CDs > EAC > SHN	Source Detail
10/28/78	Paramount Northwest Theater	Seattle	WA	JGB, early & late: Mark Severson's 2 Sony ECM-270s> Sony TC-158D (2 Maxell UD XL-IIs) MAC (Recorded from front row, center balcony; Mics on railing); Nak Dragon playback > Grace Lunatec V3 (24/96) > Digital Audio Labs Card Deluxe > Adobe Audition 2.0 > (dither/downsample) > FLAC encoding. Transfer and FLAC encoding by dminches.	Source Detail	FLAC
10/28/78	Paramount Northwest Theater	Seattle	WA	JGB; flac1648 Early & Late Shows; Mark Severson's Master Audience Cassette; Sony ECM 270 mics > Sony TC-158; Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496, 24-bit > 16-bit via dBpoweramp.	Source Detail	FLAC
11/03/78	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: complete show, aud + sbd composite. MAC (Mike Riley, unknown gear) > R > CDx2 > EAC > SHN (I & IIp) + MC > 2C > CD > EAC > SHN (end of set II).	Source Detail
01/30/79	Keystone	Berkeley	CA	Reconstruction: MAC > CD > EAC > SHN. Recorded by Steve Spitalny and John Angus, Sony ECM-990 (balcony rail, stage left) > Nak 550 > patched out to Sony TC-158 master cassette (UD XLII) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > HP 9350i extraction using EAC > speed correction (pitch shifted down by 40 cents) using Sound Forge XP version 5 > tracking using CD Wave > .shn encoding using mkwACT.	Source Detail
02/27/79	Keystone	Berkeley	CA	Reconstruction: MAC > DAT > CD > EAC > SHN. Recorded by Eldon Porray, Nakamichi CM-700 mics (front row balcony, left of soundboard) > Sony TC-D5 cassette master (Maxell XL-II no Dolby) > playback on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 (master DAT) > DATs > CDs > EAC > SHN.	Source Detail
02/27/79	Keystone	Berkeley	CA	flac1644: MOTB 0124: Eldon Porray's 2 x Sony ECM 280 >> Sony TC 153SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96] ... ; transfered by Bob Menke, mastered by Bill Koucky and Derek McCabe.	Source Detail	FLAC
03/07/79	Rancho Nicasio	San Rafael	CA	Reconstruction: MSR -> PCM -> DAT -> Digi001 -> SHN	Source Detail
03/07/79	Rancho Nicasio	San Rafael	CA	Reconstruction; flac16xx; MSR > PCM > DAT (48k), provided by Rich Gastwirt; transfer: DAT > Sony PCM-R500 > Sound Devices 744T > wav 16/48, by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017	Source Detail	FLAC
03/07/79	Rancho Nicasio	San Rafael	CA	Reconstruction; flac1644; Soundboard; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11. Mastering and editing by acetboy on Pro Tools LE. Track, FLAC and Pack by Copperdomebodhi. 16 bit 44.1kHz. a project **GEMS** Betamania Release February 4, 2017	Source Detail	FLAC
03/08/79	Cabaret Cotati	Cotati	CA	mislabel of 3/9/79; SBD > master reel > DAT(s), with some lineage uncertainty. Tascam DA-20 @ 48.0 kHz > ZA-2 resample to 44.1kHz on the fly > HD using Cool Edit > CDWave > track waves > CD-R master using CDRWin. Extraction: CD-R master > EAC > HD > MKW shorten > .shn, via Uncle John.	Source Detail
03/08/79	Cabaret Cotati	Cotati	CA	MSR > PCM (VHS) > Sony 501? PCM (Beta) > Sony 501? playback > Panasonic 3800 master DAT > backup DAT > Sony R500 playback > Sony CDR-W33 master CD > HP 9350i extraction and normalization (98%) using EAC > tracking using CD Wave > sector boundary verification using shntool > .shn encoding using mkwACT. Note that this is the actual show played on this date, and not a mislable of the 3/9/79 as is the existing .shn set.	Source Detail
03/09/79	Cabaret Cotati	Cotati	CA	Reconstruction: MSR > DAT > CD. DAT > CD by David Hollister, seeded by Justin Walther.	Source Detail
03/30/79	The Catalyst	Santa Cruz	CA	Reconstruction: MAC > DAT > CD > EAC > SHN. Recorded by Eldon Porray, FOB Nakamichi CM-700 mics > Sony TC-D5 cassette master (Maxell XL-II no Dolby) > playback on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 (master DAT) > DATs > CDs > EAC > SHN	Source Detail
03/30/79	The Catalyst	Santa Cruz	CA	flac1644; MOTB 0128: Eldon Porray's 2 x Sony ECM 280s >> Sony TC 153SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96] ... flac.	Source Detail	FLAC
04/08/79	Cabaret Cotati	Cotati	CA	Reconstruction: MSR > PCM > DAT > CD > EAC > SHN.	Source Detail
04/11/79	Rainbow Music Hall	Denver	CO	Reconstruction: Early & Late Shows: MAC > CD > EAC > SHN. Likely misdated performance from April 12 Rough quality, probably lossy sourced, for completists only.	Source Detail
04/12/79	Rainbow Music Hall	Denver	CO	Reconstruction; flac1644; Late Show; AUD compilation. Source 1, tracks 01 & 02: Mono AUD Reel > ? > DAT(?) > SHN, with thanks to JGMF. Source 2, tracks 04 thru 08: Mono AUD > ? > Cassette, liberated from ebay. Transfer Source 1: Unknown transfer to SHN > TLH > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Transfer Source 2: Maxell XLII > Nakamichi CR-5 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
04/12/79	Rainbow Music Hall	Denver	CO	Reconstruction; flac1644; Early Show; Source 1, tracks 01 thru 08: Mono AUD Reel > ? > DAT(?) > SHN, with thanks to JGMF. Source 2, tracks 09 thru 12: Mono AUD > ? > Cassette, liberated from ebay. Transfer Source 1: Unknown transfer to SHN > TLH > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Transfer Source 2: Maxell XLII > Nakamichi CR-5 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
04/13/79	Rainbow Music Hall	Denver	CO	Reconstruction; flac2448; MSC (TDK SA) > 1st gen cassette (TDK AD) recorded on Sony 158SD deck. This is a misdated copy of the previous night's late show.	Source Detail	FLAC
04/23/79	Old Waldorf	San Francisco	CA	Reconstruction: Early & Late shows: MAC (Taped by Eldon Porray, Nak CM-700s > Sony TC-D5) > DATs > CDs > EAC > SHN.	Source Detail
04/28/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction, set I only: MAC > DAT > CD > EAC > SHN. Recording details unknown. Master cassette played back on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 (master DAT) > Sony CDR-W33 (master CD) > EAC > tracking (CD Wave) > .shn (mkwACT).	Source Detail
04/28/79	Keystone Palo Alto	Palo Alto	CA	Master Audience Cassette (Sony ECM 990F> Nakamichi 550) > Sony D5 (Maxell UDXLII C90 No Dolby) Nakamichi 582Z > Korg MR2000S DFF@5.6 > Audiogate > 24/96 Wave > Wavelab 6 > Ozone RX7A > Ozone 5A > Ozone Rx7A > CDWave > Flac24	Source Detail	FLAC
05/18/79	Old Waldorf	San Francisco	CA	Reconstruction: Master audience cassette > ? > cassette > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0)	Source Detail
05/18/79	Old Waldorf	San Francisco	CA	Reconstruction; flac 2496; early + partial late; Source: Unknown equipment and taper > snail mail trade on a single Maxell UD90 with Dolby. Transfer (November 2020): Nakamichi CR7A with Dolby (azimuth aligned, bias @ 120usec) > Korg MR2000-S @ 1 bit 5.6 MHz dsdiff. AudioGate (24-96) > Har-Bal 3.7 & iZotope RX8 advanced > Goody* > CD Wave > TLH Flying -M-	Source Detail	FLAC
05/18/79	Old Waldorf	San Francisco	CA	Reconstruction; flac1644, early and partial late shows; MAC (Unknown equipment and taper) > 1979 snail mail trade on a single Maxell UD90 with Dolby (1st gen cassette from the collection of John Musgrave); Transfer (November 2020): Nakamichi CR7A with Dolby (azimuth aligned, bias @ 120usec) > Korg MR2000-S @ 1 bit 5.6 MHz dsdiff; AudioGate (24-96) > Har-Bal 3.7 & iZotope RX8 advanced > Goody (Capstan & Audition-Pitch adjustments, various amounts; Align & center channels) > CD Wave > TLH. Likely the same recording as SHNID 27919.	Source Detail	FLAC
05/19/79	Old Waldorf	San Francisco	CA	MA? > unknown cassette generations > NAK MR-1 w/ balanced lines > MOT4 828 286/48k > Cassette to CD via Cakewalk Sonar > normalization & downsampling via Cooledit 2000K > tracking via CDWAV > CD clone > EAC using plextor 241040A secure mode with c2> SHN via mkwWACT. Extraction & encoding by Ron Sinko.	Source Detail
05/30/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction: SOUNDBOARD > ?? > CD > GEMS edit station > FLAC.	Source Detail	FLAC
06/08/79	Rio Theater	Rodeo	CA	MSR > PCM > 2C > DAT > WAV > SHN, via Jim Powell and Chris Ladner.	Source Detail
06/13/79	Early show, Late show, River Theater	Guerneville	CA	Garcia; Reconstruction; partial early show; flac 16: Nakamichi mics w/CP3 caps -> Nakamichi 550 master cassette (played back on a Nakamichi 582 back in the early 1980s) -> 1st Gen Reel@7.5ips -> 2nd Gen Reel @3.75ips Transfer: 2nd Gen Reel @3.75ips (played back on TEAC A-4010SL: same deck it was originally recorded on) -> Lexicon Lambda -> LogicPro (tracking only) -> wav 16/44.1 -> xAct (sbe correction) -> wav -> flac16 (transferred by Alan Bershaw on January 21, 2010)	Source Detail	FLAC
06/13/79	Early show, Late show, River Theater	Guerneville	CA	Garcia; Reconstruction; late show; flac 16:Nakamichi mics w/CP3 caps -> Nakamichi 550 master cassette (played back on a Nakamichi 582 back in the early 1980s) -> 1st Gen Reel@7.5ips -> 2nd Gen Reel @3.75ips; Transfer: 2nd Gen Reel @3.75ips (played back on TEAC A-4010SL: same deck it was originally recorded on) -> Lexicon Lambda -> LogicPro (tracking only) -> wav 16/44.1 -> xAct (sbe correction) -> wav -> flac16 (transferred by Alan Bershaw on January 21, 2010)	Source Detail	FLAC
06/16/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction: MSR -> PCM -> DATs -> Digi001 -> SHN DAT@48 -> Optical S/PDIF -> HD (24 bit @48) -> ProTools LE 5.0.1 (tracking, 16 bit/44.1) -> WAVE -> SHN	Source Detail
06/16/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction: Set 2 Partial, SBD > ?? > CDR > EAC(secure mode, c2, filled up leading & trailing silent blocks w/silence) > TLH > Flac Level 8.	Source Detail	FLAC
06/17/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction: Master soundboard reel > PCM > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0)	Source Detail
06/17/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction: MSC > C > WAV > CE2k (11db NR, tracking) > SHN	Source Detail
06/22/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction: SBD > Master reel > PCM > DAT > CD > SHN.	Source Detail
06/22/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction: SBD> Master Reel> PCM> DAT> ZA2> Soundforge 4.0> CDWAV> SHNv3 (no DAE); via J. Lutch	Source Detail
07/06/79	Keystone	Berkeley	CA	Reconstruction: MAC > DAT > CD > EAC > SHN. Recorded by Eldon Porray, Nakamichi CM-700 mics (front row balcony, left of soundboard) > Sony TC-D5 cassette master (Maxell XL-II no Dolby) > playback on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 Master DAT) > DATs > CDs > EAC > SHN	Source Detail
07/07/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction: MAC > D > CD > EAC > SHN. Taped by Eldon Porray (patched out of Bob Menke's deck), Nakamichi CM-700 mics > Sony TC-D5 > Maxell XL-II cassette master > Nakamichi CR-3A playback (no Dolby) > Lucid AD9624 24-bit A/D converter @ 44.1 kHz > Sony R500 (master DAT) > Sony CDR-W33 (master CD) > EAC > tracking (CD Wave) > .shn (mkwACT)	Source Detail
07/07/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction, set I: matrix of MSC source (shnid 83723) and Eldon Porray MAC source (shnid 10142), via sirmick.	Source Detail	FLAC
07/07/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction, set I: MSC > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and Seeded by Green Mountain Bros. March 2007.	Source Detail	FLAC
07/07/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction:Recording Info:SBD -> Cassette Master (Nakamichi 350/Maxell UDXLI90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/08/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction: Master Soundboard Reels (7" @ 7.5ips) > 2 PCM > DAT > CD; from the Jerry Site's "Release One"; via imgoinmad@home.com	Source Detail
07/08/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction; flac1648; SBD > Reels (7" @15 ips) > 48 kHz DAT from Tom Rumland (aka THRAK at LL); Recorded by Betty Cantor-Jackson; DAT tape transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
07/20/79	Rio Theater	Rodeo	CA	Reconstruction; partial; flac1644; unknown very good audience recording to CD, Restored by Jamie Waddell in Walebab 7.1 June 2016.	Source Detail	FLAC
07/22/79	Civic Auditorium	Santa Monica	CA	Reconstruction: hodgepodge of 6/16 and 6/22 material; MS?> ? > CD > EAC > SHN	Source Detail
07/22/79	Civic Auditorium	Santa Monica	CA	Reconstruction: hodgepodge of 6/16 and 6/22 material; MSC > PCM > DAT > CDR > EAC > WAV > MKW > SHNv3, by Dan Carr. Note: textfile incorrectly suggests that this is less complete than the previously circulating .shn set. This looks to be the same material, but without the actual song names, tracked differently, and with a clearer lineage.	Source Detail	shn
07/22/79	Civic Auditorium	Santa Monica	CA	Reconstruction; flac16; Recorded by The Los Angeles tape eXchange (LAX); Source: 2 Sennheiser MKH-404 tu mics (handheld, about 4 ft. separation) > Teac PC-10 w Dolby B using (2) TDK SA-90 cassettes and sitting in the center section, 7th row near the isle on the left; Transfer (August 24, 2022): Nakamichi CR7A (w Dolby B, azimuth alignment and 70usec Bias) > Korg MR2000s @ 5.6 MHz DSDIFF AudioGate (24-96) > iZotope RX8 advanced & Har-Bal 3.7 (clean-up & prep) > Adobe Audition 3.0 (pitch bender) > CD Wave > TLH	Source Detail	FLAC
07/22/79	Civic Auditorium	Santa Monica	CA	Reconstruction; flac2496; SBD Master Cass ? > ? > MZ cassette dubbed 9/25/79 > Nakamichi Dragon playback > Tascam DA-3000 (WAV (24/96) > Adobe Audition 2022. Transfer, mastering and editing by David Minches, June 2022. Pitch diagnosis by AF.	Source Detail	FLAC
08/10/79	Temple Beautiful	San Francisco	CA	Reconstruction: MAC (Taped by Phil Jarret, JVC stereo mic > TEAC PC 10) > 3CD > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT.	Source Detail
08/10/79	Temple Beautiful	San Francisco	CA	Reconstruction: Bob Menke's FOB MAC w/ Nak 700s > Sony TC-D5 > WAV > CD-R > EAC > WAV > FLAC.	Source Detail
09/15/79	Keystone Palo Alto	Palo Alto	CA	Reconstruction. Source: MAC(Nakamichi CM-700 mics > Sony TC-D5)>CDR>WAV>SHN. Taper: Bob Menke.	Source Detail
09/22/79	Keystone	Berkeley	CA	Reconstruction: MAC > D > CD > EAC > SHN. Taped by Eldon Porray (front row balcony, left of soundboard), Nakamichi CM-700 mics > Sony TC-D5 > Maxell XL-II cassette master > Nakamichi CR-3A playback (no Dolby) > Lucid AD9624 24-bit A/D converter @ 44.1 kHz > Sony R500 (master DAT) > Sony CDR-W33 (master CD) > EAC > tracking (CD Wave) > .shn (mkwACT)	Source Detail
10/07/79	Keystone	Berkeley	CA	JGB: MAC (Taped by John Angus & Scott Hart, Sony mics > Technics deck) > Sony TCD5 playback > Roland UA-30 interface > Mac Powerbook via Peak 4.1 > CD (Toast v5.2) > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (FLAC Frontend v.1.7.1 etree edition). Analog > CD transfer by slip, EAC > FLAC by jjoops.	Source Detail
10/14/79	Keystone Palo Alto	Palo Alto	CA	JGB; flac; aud 2nd gen cassette, Jerry Moore's copy, Rob Berger transfer/seed	Source Detail	FLAC
10/21/79	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (recorded by Steve Spitalny, unknown mics > Sony D-5M) > 1 cassette > DAT > CD > HP 9350i extraction using EAC > re-tracking using CD Wave > .shn encoding using mkwACT.	Source Detail
11/07/79	WMMR-FM Radio Station Studio	Philadelphia	PA	interview; flac1644; Jerry Garcia WMMR-FM Radio interview with Lyn Kratz & Michael Tearson at 2:30AM; TDK D90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 1644 Transferred and tagged by Andrew Faintych.	Source Detail	FLAC
11/16/79	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: AUD (SONY ECM99's) > Sony TCD5 > Master Cassette > Roland UA-30 USB A/D > MAC G3 Powerbook > WAV > CDR > WAV > SHNv3. Taper: John Angus.	Source Detail
11/16/79	Keystone Palo Alto	Palo Alto	CA	flac1644: Recorded by John Angus and Scott Hart; 2 AKG D224Es> Sony TCD-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0 (dither/downsample)> FLAC encoding.	Source Detail	FLAC
11/18/79	Keystone	Berkeley	CA	Jerry Garcia Band: AUD(SONY ECM 99) > SONY TCD5 > DAT > CDR > WAV > SHNv3, taped by John Angus and Scott Hart.	Source Detail
12/17/79	Keystone	Berkeley	CA	flac1644; Recording Info:Unknown Mics -> ? -> Cassette (Maxell UDXLII); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
12/20/79	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band. Source: SBD>?>C>D>WAV>SHN. Cassette>DAT transfer by J.Powell. DAT>WAV editing>SHN encoding by C.Ladner.	Source Detail
12/20/79	Keystone Palo Alto	Palo Alto	CA	JGB: SBD > ? > Cassette; Transfer: Maxell XL-II > Nakamichi DR-8 (Dolby off) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, by Andrew F. (May 2008)	Source Detail	FLAC
12/20/79	Keystone Palo Alto	Palo Alto	CA	flac1648Source: Master > Reel > DAT at 16/48 from ANON Speed Correction by Jason Chastain 2022 DAT Transfer and Mastering by Jim Blackwood Listening Assistance, Track, FLAC, and Pack by Steve Gravel	Source Detail	FLAC
12/21/79	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: SBD:MR> DAT> CD	Source Detail
12/21/79	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: SBD>>MR>>DAT>>CDA>>DAW(Bertha)>>CDA/SHN	Source Detail
12/21/79	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MSR > DAT > CD > SHN	Source Detail	shn
12/21/79	Keystone Palo Alto	Palo Alto	CA	JGB; flac1648; sbd > master reel > dat (48k), provided by Rich Gastwirt; transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48, transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > Adobe Audition 1.5 > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16, edited and mastered SIRMick June 2017.	Source Detail	FLAC
01/20/80	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MSC > 1C > DAT > CDR > WAV > SHN.	Source Detail
01/24/80	Rio Theater	Rodeo	CA	Jerry Garcia Band: MSC -> DAT -> Digi001 -> SHN; via Ryan Shriver, Dan Metz; Filler is Club Front Rehearsal 9/18/81, MSR>P> D	Source Detail
01/24/80	Rio Theater	Rodeo	CA	JGB; flac2448; Source: SBD > ? > Cassette, liberated from ebay. Transfer: Maxell XLIIS-100 > Nakamichi CR-5 (Dolby out) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit) > TLH > FLAC 2448 tagged, Andrew F. 03/2024	Source Detail	FLAC
02/01/80	The Stone	San Francisco	CA	Jerry Garcia Band: MAC > CD > EAC > SHN. Recorded by John and Harry Angus, mics uncertain (on the rail, directly in front of Jerry) > Sony TC-D5 (Maxell UD-XLIIs) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > EAC > tracking using CD Wave > mkwACT > shn	Source Detail
02/02/80	The Stone	San Francisco	CA	JGB, IIp: SBD > ? > Maxell XL2S > Nak CR3A > HP Computer > Sound Forge (Vol@5.6DB) > CD Wave > Flac.	Source Detail	FLAC
02/02/80	The Stone	San Francisco	CA	Jerry Garcai Band: Unknown Aud, re-tracked complete show SHN'ed with seeling enabled.	Source Detail
02/02/80	The Stone	San Francisco	CA	JGB: John Angus and Scott Hart's uncertain mics > Sony TC-D5 (Maxell UD-XLIIs) MAC; Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > CD/0 > EAC > CDWave > FLAC level 8. Cassette transfer by slipnut.	Source Detail	FLAC
02/02/80	The Stone	San Francisco	CA	JGB: 6th Gen AUD(TDK SA90) > NAK DR-3 > SB X-Fi Xtreme music SC > NERO 8 > 24/96 > WavePad > TLH > flac 8 via smole.	Source Detail	FLAC
02/07/80	The Catalyst	Santa Cruz	CA	Jerry Garcia Band: MAC (Taped by Lee Bittner, Audio Technica 801 mics > Sony TC-D5) > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). CD > SHN by Joe Jupille.	Source Detail
02/07/80	The Catalyst	Santa Cruz	CA	Jerry Garcia Band. Source: MSC>DAT>CDR>WAV>SHN, all of first set except very beggining of Sugaree and the first two songs of the second set. Remainder of the source is from MAC (Taped by Lee Bittner, Audio Technica 801 mics > Sony TC-D5) > DAT > CD > WAV > SHN.	Source Detail
02/12/80	Lisner Auditorium (George Washington University)	Washington	DC	Jerry Garcia Band: Early and Late Shows: MAC > D > CD > SHN. Taped by Scott Jones, FOB Shure mics > Sony TC-158 > master cassettes > DAT. DAT > CD by Andy L, EAC > wav > shn by Don Chase.	Source Detail
02/12/80	Lisner Auditorium (George Washington University)	Washington	DC	Jerry Garcia Band, apparent mislabel, see comments below. Early show. Source: MSC > C > CDR > WAV > SHN except for encore from previously circulated FOB Shure recording.	Source Detail
02/12/80	Lisner Auditorium (George Washington University)	Washington	DC	JGB, flac1644, Late Show; Source: AUD of unknown lineage > MAC > ? > CDR, kindly provided from the collection of of Jeffrey Knudsen. Transfer: CDR > EAC > Wavelab > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
02/12/80	Lisner Auditorium (George Washington University)	Washington	DC	JGB; early show; flac1648; Kathy Sublette's Master Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
02/12/80	Lisner Auditorium (George Washington University)	Washington	DC	Cassetter->TASCAM Portastudio 424 mkII->DAT->SHN>CDR>EAC>SHN	Source Detail	FLAC
02/13/80	Palace Theatre	Albany	NY	JGB: AUD > ? > Cass > CD > EAC > Sound Forge > CD Wave Audio Editor > CD > EAC > TLH > Flac.	Source Detail
02/15/80	Orpheum Theater	Boston	MA	Jerry Garcia Band: Early and Late. Aud (unkown Source) Mcass> Dat> Cdr. Late show Missing Harder They come and They Love Each Other	Source Detail
02/15/80	Orpheum Theater	Boston	MA	Jerry Garcia Band, Early Show: MAC > DAT > WAV > FLAC16. Mics/taper most likely Nak 700s w/ D-5 Recorder by Steve Rolfe.	Source Detail
02/15/80	Orpheum Theater	Boston	MA	JGB, Early & Late: Steve Rolfe's MAC (2 Nak 700s> Sony TC-D5 [Maxell UD-XLIIs]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC. Transfer by David Minches.	Source Detail
02/15/80	Orpheum Theater	Boston	MA	JGB; early & late; flac1644; Bob Morris's 2x Sony unknown model mics > Marantz Superscope CD320 cassette master (Maxell UDXLII); Nakamichi DR-1 playback > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). Taped and transferred by Bob Morris.	Source Detail	FLAC
02/16/80	Gymnasium (University of New Haven)	West Haven	CT	Jerry Garcia Band: MAC > ? > DAT > CD > SHN (seeking enabled). Taper and taping equipment unknown. DAE > CDWav > shntools > SHN via cbass.	Source Detail
02/16/80	Gymnasium (University of New Haven)	West Haven	CT	Jerry Garcia Band: MAC (Taped by Scott Vid, FOB Akai mic > Superscope deck) > Tascam 122 mkII playback > Lucid ADA 1000 A-D converter > Tascam DA30 mkII master DAT > Tascam 700 CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (Sound Forge Audio Studio 7.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition). Cassette transfer by John Hance.	Source Detail
02/16/80	Gymnasium (University of New Haven)	West Haven	CT	JGB; flac1644; unlineaged cassette > Sony TD-We405 > MacBook Pro > Adobe Audition > Flac > xACT, via Scott Medeiros.	Source Detail	FLAC
02/17/80	Laker Hall (SUNY)	Oswego	NY	Jerry Garcia Band: MAC(taped by Keith Gatto Nak 300s>Sony TC-D5)>DAT>CD>WAV>SHN. Updated source info.	Source Detail
02/19/80	Landmark Theater	Syracuse	NY	Source: Binaural headphone mics > Nakamichi cassette deck > CDR > WAV > SHN. Taper and transfer to CDR by B.Raskin. WAV editing and SHN encoding by C.Ladner	Source Detail	SHN
02/19/80	Landmark Theater	Syracuse	NY	JGB: MAC (Taped by Lee Cohen & Doug Mow, unknown condenser mics [on spreader bar pointed at stacks, balcony, midway back] > Sony 158 > JVC cassette deck > Maxell II 90) > Sony TC-D5M playback > UA-5 Oade Custom Mod > IBM R40 > WinXP Pro > Sound Forge 5.0 > CDR > EAC (no errors) > WinXP Pro > Flac Frontend > FLAC16. Transfer by Doug Mow, FLAC encoding by Alex Ford.	Source Detail
02/20/80	Fine Arts Center, University of Massachusetts	Amherst	MA	Jerry Garcia Band: MAC (sounds like a handheld mic) > DAT > CDR > WAV > FLAC16(level 8); Taper: unknown.	Source Detail
02/20/80	Fine Arts Center, University of Massachusetts	Amherst	MA	JGB; early and late shows: early: MAC > Cx > standalone CDR > WAV > FLAC; late: MAC (2x Sony ECM 23f > Nakamichi 550) > C1 (Maxell type I), playback on Sony TC-KE400S (no NR) > audiophile 2496 analog in > Soundforge 7 (recorded as 24 bit / 48 KHz WAV) > Wavelab (processing & 16 bit rendering - see below) > CDWave 1.9 (tracking) > FLAC. Taper: unknown [see notes]	Source Detail	FLAC
02/20/80	Fine Arts Center, University of Massachusetts	Amherst	MA	flac2448; late show; Naks - model and deck unknown. Set II: MAC > C1 (Maxell type I), playback on Sony TC-KE400S (no NR) > audiophile 2496 analog in > Soundforge 7 > recorded as 24 bit / 48 KHz WAV > CDWave (tracking) > FLAC.	Source Detail	FLAC
02/22/80	The Barn, Rutgers University	New Brunswick	NJ	Jerry Garcia Band: MAC (Taped by Barry Glassberg, FOB Nak CM-700s > Sony TC-D5) > Tascam 112 MKII playback > Sony PCM-R500A > HHB 800 master CD > 2 CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
02/22/80	The Barn, Rutgers University	New Brunswick	NJ	Jerry Garcia Band:Nak 700's > Sony TC-158 > Cassette Master. Playback on Nak Dragon, signal passed through Sony PCM R-700 directly to hard disc via ZA-2 > CDR > EAC > SHN. Transfer by Jime Wise. This recording is usually attributed to Mark Cohen ("Mark C."), but it is not his.	Source Detail
02/22/80	The Barn, Rutgers University	New Brunswick	NJ	JGB, Flac16: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]MOTB0083	Source Detail	FLAC
02/22/80	The Barn, Rutgers University	New Brunswick	NJ	JGB, Flac24: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]MOTB0083	Source Detail	FLAC
02/22/80	The Barn, Rutgers University	New Brunswick	NJ	JGB; partial; flac1648; Kathy Sublette's Master Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
02/23/80	The Tower Theatre	Upper Darby	PA	Jerry Garcia Band: Early & Late Shows: MAC > DAT > CD, taper and rig unknown	Source Detail
02/23/80	The Tower Theatre	Upper Darby	PA	JGB, Late Show: Charlie Connor's FOB Sony-ECM990 (Stereo Mic) > JVC 1636-MKII (TDK SA-C90) MAC; Transfer: Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1 > CDWav beta1.57 (tracking only) > flac16. Transferred by Charlie Connor.	Source Detail
02/23/80	The Tower Theatre	Upper Darby	PA	early and late shows; Unknown mics (2) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII). Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). Taped and transferred by Bob Morris.	Source Detail	FLAC
02/23/80	The Tower Theatre	Upper Darby	PA	JGB, early show: aud > old maxell cassette > sb audigy > audacity > cd wav > flac	Source Detail	FLAC
02/23/80	The Tower Theatre	Upper Darby	PA	JGB, flac1644, Late Show; Source: AUD of unknown lineage > ? > Cassette rescued from Ebay. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patch) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2018	Source Detail	FLAC
02/24/80	Gym (SUNY)	Stony Brook	NY	Jerry Gracia Band: AUD : MC > DAT > CDR Unknow taper or rig	Source Detail
02/24/80	Gym (SUNY)	Stony Brook	NY	Jerry Garcia Band: MAC (Taped by Mark Cohen, 3 Nakamichi CM-700 shotguns [in front of and slightly left of sbd] > Nakamichi 550) > Tascam 122mkIII playback > Tascame DA-40 DAT > Tascam CDRW-700 master CD > Tascam CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). May be the same source material as other seeds, but has certified lineage.	Source Detail
02/24/80	Gym (SUNY)	Stony Brook	NY	JGB: Charlie Connor's FOB MAC (Sony-ECM990 [Stereo Mic] > JVC 1636-MKII [Maxell UDXLII])> Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1 > CDWav beta 1.57 (tracking only) > flac16. Taped and transferred by Charlie Connor.	Source Detail
02/24/80	Gym (SUNY)	Stony Brook	NY	Jerry Garcia Band: There is some ambiguity about the lineage of this seed. It has circulated with this lineage: Nak 700's > Sony TC-158 > Nak Dragon > Sony PCM R-700 directly to hard disc via > ZA-2 (Jim Wise Transfer). Recorded by "Mark C." However, it has recently been suggested that this is instead the correct lineage: MAC (Taped by Mark Cohen, three Nakamichi CM-700 shotguns > Nak 550 master cassette [slightly in front of and to the side of the soundboard]) > Tascam 122MKIII playback > Tascam DA-40 master DAT >Tascam CDRW 700 master CD > CDs > EAC > SHN, A>D transfer by Mark Cohen	Source Detail	shn
02/24/80	Gym (SUNY)	Stony Brook	NY	16 bit: AUD: 2x AKG D222E > Nakamichi 550, FOB "in the sweet spot". Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 11/2013	Source Detail	FLAC
02/24/80	Gym (SUNY)	Stony Brook	NY	[b]JGB; flac1644[/b]; Mark Cohen's patch out of Barry Glassberg, 3x Nakamichi CM-700 shotguns > Sony TC-D5) > Nakamichi 550 > Cassette Master, from in front of and slightly left of sbd; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k) - Transferred by Charlie Miller; Lineage: Wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick November 2018	Source Detail	FLAC
02/26/80	Ocean State Theater	Providence	RI	JGB; shnf; Steve Rolfe's Nak 700s (Front Row, Balcony) > SonyTC-D5 (XLII-s Cassette Master)> DAT > (Jim Wise Transfer) Sony PCM R-700 > ZA-2 > SoundForge > CDR [ > ... shn]	Source Detail
02/26/80	Ocean State Theater	Providence	RI	JGB; shnf; SBD > CMx > CDR > WAV > SHN. CDR source via H.Angus. Extraction, edits (see info file), and SHN encoding via C.Ladner.	Source Detail
02/26/80	Ocean State Theater	Providence	RI	JGB; flac1644; Steve Rolfe's MAC 2 Nak 700s> Sony TC-D5 [Maxell UD-XLIIs]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches.	Source Detail	FLAC
02/26/80	Ocean State Theater	Providence	RI	JGB; flac2496: Tim Friend's AKG-D200E (left mic) + Shure Dynamic (right mic) > Sony TC-153SD > Maxell UD-XLII's, 10th row orchestra, six seats left of center. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. Source includes Robert Hunter set.	Source Detail	FLAC
02/26/80	Ocean State Theater	Providence	RI	JGB; flac1644: Tim Friend's AKG-D200E (left mic) + Shure Dynamic (right mic) > Sony TC-153SD > Maxell UD-XLII's, 10th row orchestra, six seats left of center. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F. Source includes Robert Hunter set.	Source Detail	FLAC
02/28/80	Wilkins Theatre (Kean College)	Union	NJ	Jerry Garcia Band: Early & Late Shows: MAC > DAT > CDR, Recorded by Eddie Claridge w/ Sony ECM-280s > Sony TC-D5	Source Detail
02/28/80	Wilkins Theatre (Kean College)	Union	NJ	JGB; flac1644; aud 1st gen, nak 300's>D5, taped by Fredo, transfer/seed by Rob Berger	Source Detail	FLAC
02/28/80	Wilkins Theatre (Kean College)	Union	NJ	JGB; flac24; aud 1st gen, nak 300's>D5, taped by Fredo, transfer/seeded by Rob Berger	Source Detail	FLAC
02/29/80	Calderone Theatre	Hempstead	NY	Jerry Garcia Band: Late Show: pre-FM sdb>>cassette master>>cdr	Source Detail
02/29/80	Calderone Theatre	Hempstead	NY	Jerry Garcia Band, Late Show: Bertha Remaster of the PreFM soundboard; SBD(PreFM) >> MC >> CDA >> DAW (Bertha) >> CDA/SHN.	Source Detail
02/29/80	Calderone Theatre	Hempstead	NY	Jerry Garcia Band, Early Show: MAC (Taped by John Jay Hance, AKG 222s [spread, 1st row balcony] > Technics 686 [Dolby B]) > Tascam 122 mkII playback > Lucid ADA 1000 A-D converter > Tascam DA30 mkII master DAT > Tascam 700 CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition).	Source Detail
02/29/80	Calderone Theatre	Hempstead	NY	JGB, Early Show: Charlie Connor's FOB (Ctr Orch,Row R, Seat 101) Sony-ECM990 (Stereo Mic) > JVC 1636-MKII MAC (Maxell UDXLII); Transfer: Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1 > CDWav beta1.57 (tracking only) > flac. Transferred by Charlie Connor.	Source Detail
02/29/80	Calderone Theatre	Hempstead	NY	JGB, Late Show: Charlie Connor's FOB Sony-ECM990 (Stereo Mic) > JVC 1636-MKII MAC (Maxell UDXLII)> Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1 > CDWav beta1.57 (tracking only) > flac. Transferred by Charlie Connor.	Source Detail
03/01/80	Capitol Theater	Passaic	NJ	Jerry Garcia Band, Early Show: MSC > DAT > CDRs; early show; 1-2 sec. clipping due to fade ins on both Sugaree and How Sweet It Is Slight 2-3 sec. flutter during beginning of Sugaree; via Dan Metz, Mike Lai.	Source Detail
03/01/80	Capitol Theater	Passaic	NJ	Jerry Garcia Band, Late Show: MAC > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Extraction and .shn encoding by Joe Jupille.	Source Detail
03/01/80	Capitol Theater	Passaic	NJ	Jerry Garcia Band, Early Show: MFR (Taped by Barry Glassberg from WNEW-FM, New York) > TEAC X-2000R playback @ 7.5 ips (no Dolby) > Tascam DA-40 DAT > Tascam CDRW-700 master CD > Tascam CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
03/07/80	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Sony ECM 99 [right at Jerry's feet] > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > HP 9350i extraction (EAC v0.9 beta 4) > slight editing (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Harry Angus, CD > SHN by Joe Jupille.	Source Detail
03/07/80	The Stone	San Francisco	CA	JGB; flac2448; Partial; Source: SBD (Mono) > unknown deck (likely Sony TC-D5) > Maxell UDXLII. Transfer: MSC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2022	Source Detail	FLAC
03/08/80	The Stone	San Francisco	CA	Jerry Garcia Band: Possibly a SBD-AUD matrix mix, but uncertain (could be FOB). AUD (DAT: MAC>D). De-noised in CoolEdit 96 > CDWav. Some digi-noise in d2t1; mastered by Evan Levy from Mike Lai seed	Source Detail
03/08/80	The Stone	San Francisco	CA	JGB: Unknown Mics > ? > CD > EAC > Shn.	Source Detail	SHN
03/08/80	The Stone	San Francisco	CA	JGB: Audience Recording > ? > FLAC	Source Detail	FLAC
03/26/80	Keystone	Berkeley	CA	Jerry Garcia Band: AUD (SONY ECM99's) > Sony TCD5 > Cassette Master > Roland UA-30 USB A/D > MAC G3 Powerbook > CDR > WAV > SHNv3. Taper: John Angus.	Source Detail
07/18/80	The Stone	San Francisco	CA	JGB; flac1644; 2nd Set AUD (marked 3rd Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017	Source Detail	FLAC
07/19/80	The Stone	San Francisco	CA	JGB; flac; aud 2nd gen cassette, Jerry Moore's copy, Rob Berger transfer/seed	Source Detail	FLAC
07/24/80	Bushnell Auditorium	Hartford	CT	JGB, shnf; Jim Wise's MAC (Sony ECM280 > D5, 10th row center) > DAT > CDR > EAC > SHN (sector boundary errors fixed)	Source Detail
07/24/80	Bushnell Auditorium	Hartford	CT	JGB, shnf: unlineaged copy of Jim Wise's MAC (Sony ECM280 > D5, 10th row center)	Source Detail	shn
07/25/80	Orpheum Theater	Boston	MA	Jerry Garcia Band, Late Show: MAC > ? > CD > EAC > SHNv3	Source Detail	SHN
07/25/80	Orpheum Theater	Boston	MA	Jerry Garcia Band, Early Show: MAC > DAT? > CD > EAC > SHNv3	Source Detail	SHN
07/25/80	Orpheum Theater	Boston	MA	Jerry Garcia Band, Late Show: MAC (Taped by Bob Wagner, 2 Nak 700s/bass eq [center balcony ledge] > Sony TC-D5M) > Nakamichi Dragon playback > Art DI/O > Egosys Waveterminal 2496 > Cool Edit 2000 > Shntool > .shn encoding (non-seekable) > wav > FLAC (seekable). Transfer by David Minches, FLAC encoding and info by Joe Jupille.	Source Detail	FLAC
07/25/80	Orpheum Theater	Boston	MA	Jerry Garcia Band, Early Show: MAC (Taped by Bob Wagner, 2 Nak 700s/bass eq [center balcony ledge] > Sony TC-D5M) > Nakamichi Dragon playback > Art DI/O > Egosys Waveterminal 2496 > Cool Edit 2000 > Shntool > .shn encoding (non-seekable) > wav > .shn encoding (seekable).	Source Detail
07/26/80	Convention Hall	Asbury Park	NJ	Jerry Garcia Band, Late Show: MAC (Taped by Fredo Johnson, Nak 300s > Sony D5) > Nak Dragon playback > Egosys Waveterminal 2496 > CD Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)	Source Detail
07/26/80	Convention Hall	Asbury Park	NJ	Jerry Garcia Band, Early Show: MAC (Taped by Peter Jaeger, Nak 300s [rear of floor, center] > Sony D5) > Tascam 122 mkIII playback > Lucid ADA 1000 A-D converter > Tascam DA30 mkII master DAT > Tascam 700 CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > editing (Sound Forge Studio 6.0) > sector boundary verification (shntool v1.01) > FLAC encoding (Flac Frontend v.1.7.1 etree edition, level 6).	Source Detail	FLAC
07/26/80	Convention Hall	Asbury Park	NJ	early and late shows; Unknown mics (2) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). Taped and transferred by Bob Morris.	Source Detail	FLAC
07/26/80	Convention Hall	Asbury Park	NJ	JGB; flac1644; Late Show; Sources: Matrix of SBD ID-139465 & AUD ID-102003. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 02/2018	Source Detail	FLAC
07/26/80	Convention Hall	Asbury Park	NJ	JGB; early show; flac1648; Kathy Sublette's Master Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496.	Source Detail	FLAC
07/26/80	Convention Hall	Asbury Park	NJ	JGB; flac1644; late show; Bob Gurman's 1st Generation 3/4" Unmatic videotape with soundboard line feed Lineage: Closed Circuit In-House Videotape Master -> 3/4" Umatic videotape Transfer: 1st Generation 3/4" Umatic videotape-> transfered by Alan Bershaw on a Sony VO-2600-> Lexicon Lambda -> Logic (track indexing) -> wav 16/44.1-> xAct (sbe correction)-> FLAC.	Source Detail	FLAC
07/27/80	Palace Theatre	Albany	NY	MAC > DAT > CDR > WAV > SHNv3. SHN encoding/FTP via C.Ladner / Candyman FTP. Source update: this is from Mark Cohen's master. A better transfer is found at shnid 109247.	Source Detail
07/27/80	Palace Theatre	Albany	NY	JGB; flac1644; David Dyche's Nak 700's > Superscope cd-320 > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > flac.	Source Detail	FLAC
07/27/80	Palace Theatre	Albany	NY	JGB, Source: Nak CM-700s (shotgun) > Sony TC-D > Cassette Master - Recorded by Mark Cohen (towards back of the floor with mics high on a pole) Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k) - Transferred by Charlie Miller Lineage: Wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24	Source Detail	FLAC
07/27/80	Palace Theatre	Albany	NY	[b]JGB, flac1644[/b]: Mark Cohen's Nakamichi CM-700s (shotgun) > Sony TC-D > Cassette Master, recorded towards back of the floor with mics high on a pole; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k) - Transferred by Charlie Miller Lineage: Wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24. This file set is 16 bit @ 44.1	Source Detail	FLAC
08/07/80	Keystone	Berkeley	CA	JGB, end set I, flac1644; MS? > ? > CD > EAC > WAV > normalization and tracking (Adobe Audition 2022) > flac.	Source Detail	FLAC
08/09/80	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band, partial show: MSC > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > slight editing (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition).	Source Detail	FLAC
11/16/80	Warfield Theater	San Francisco	CA	Bob Dylan with Jerry Garcia; SBD>?>Bootleg CD>CDR>SHN	Source Detail
11/16/80	Warfield Theater	San Francisco	CA	This is the complete Warfield Theatre show (including gospel openers) from 11-16-80 compiled from the recently circulating incomplete PA tape and the best quality audience tape. Audience sourced tracks are marked with an *. Jerry Garcia's playing on "To Ramona" is only one of the many treats to be found here. Conversion: CDR>EAC(secure)>MKW Audio Compression Tool>shn Conversion by: tbuick6 Sound Quality: Excellent	Source Detail	FLAC
01/22/81	Keystone Palo Alto	Palo Alto	CA	JGB, partial: Dick Latvala's MAC > cassette 1 (J Knudsen) > Manley SLAM! > Anagram ADC (16/44.1) > HHB CDR 850 > CD > EAC > WAV > FLAC (level 8).	Source Detail	FLAC
01/23/81	Keystone Palo Alto	Palo Alto	CA	JGB: Dick Latvala's MAC > cassette 1 (J Knudsen) > Manley SLAM! > Anagram ADC (16/44.1) > HHB CDR 850 > CD > EAC > WAV > FLAC (level 8).	Source Detail	FLAC
01/27/81	Old Waldorf	San Francisco	CA	Jerry Garcia Band, incomplete: MAC? > ? > cassette > CD > EAC > CD Wave > FLAC.	Source Detail
01/29/81	The Catalyst	Santa Cruz	CA	Jerry Garcia Band: MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5 cassette deck [Maxell XLII]) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > unknown CD gens > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
01/29/81	The Catalyst	Santa Cruz	CA	Source: Set 1: MAC (Nakamichi CM-700s>Sony TC-D5, taper Steve Martin)>Nak Dragon playback>CDR>WAV>SHN (from previously circulated shn set shnid=17145). Set 2: MSC>DAT>CDR>WAV>SHN. Second set SBD recording is complete and does not cut after TWLWMYD (as listed on thejerrysite.com).	Source Detail	SHN
01/29/81	The Catalyst	Santa Cruz	CA	flac1644; Recorded, transferred, edited and mastered by JS; 2x Electrovoice RE-10 microphones > Sony TC-D5m; Transfer: Nakamichi Dragon (Dolby B decoded) > Macintosh with Digidesign AudioMedia III sound card(A/D 44.1/16) > Pro Tools (minor "nip and tuck" edits, normalization and tracking - no EQ or digital noise reduction) > AIFF > CD > Toast > xACT (FLAC level 8 files with sector boundaries verified). This originally listed as shnid 17145 with incorrect attribution and lineage.	Source Detail	FLAC
01/29/81	The Catalyst	Santa Cruz	CA	FLAC 1644 Audience cassette master recorded from the front table on the house left balcony. 2 x Electrovoice RE10 mics > Sony TC-D5 > two Dolby B encoded Maxell UD XLI C90 cassettes. Recorded, transferred and mastered by grner1.	Source Detail	FLAC
01/29/81	The Catalyst	Santa Cruz	CA	JGB; flac2448; 2nd Set: Source: SBD > Low-gen cassette, with thanks to Seaweed1010. Transfer: Maxell XLII-100 > Nakamichi CR-5 (Dolby out) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit) > TLH > FLAC 2448 tagged, Andrew F. 03/2024	Source Detail	FLAC
01/31/81	Keystone	Berkeley	CA	Source: SBD > Cassette(x) > CDR >WAV >SHN. A>D transfer via Harry A. DAE + SHN encoding via neo_levo.	Source Detail
01/31/81	Keystone	Berkeley	CA	Jerry Garcia Band, set II only: MSC > DAT(x) 48khz; Transfer: DAT 60ES > M-Audio Audiophile USB > WAV > Flac; transfer by jbraveman@hotmail.com.	Source Detail	FLAC
02/01/81	Keystone	Berkeley	CA	JGB; flac1644; Sdb > ? > ? > cassetes > Harmon Kardon TD 302 > Zoom H2 at 16/44.1.	Source Detail	FLAC
02/04/81	Warner Theater	Washington	DC	JGB: Jim Vita's MAC (undetermined gear [TDK SA-90s]) > Nakamichi Dragon playback > Art DI/O > Egosys Waveterminal 2496 > Cool Edit 2000 > Shntool > FLAC encoding. Transfer by David Minches.	Source Detail
02/04/81	Warner Theater	Washington	DC	Jerry Garcia Band: Dave Redman's Nak 300s > Sony TC-D5M cassette master > DAT > CD > EAC > FLAC.	Source Detail
02/04/81	Warner Theater	Washington	DC	JGB; flac1648; Jim Vita's Master Audience Cassettes; most likely Nakamichi DM-500 mics > Sony D5M (TDK-SA90). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. Mastered by Scott Clugston. April 2021.	Source Detail	FLAC
02/04/81	Warner Theater	Washington	DC	JGB; flac1648; pitch fix of Vita shnid-152387	Source Detail	FLAC
02/05/81	Stabler Arena (Lehigh University)	Bethlehem	PA	Jerry Garcia Band: MAC > CDRx1 > EAC > SHN. Recorded by Ted Eng (Nak 300s > Sony D5M, just behind SBD). A>D transfer by Jim Wise, Nakamichi Dragon > HHB 800 CDRx0 > CDx? > EAC > SHN.	Source Detail
02/05/81	Stabler Arena (Lehigh University)	Bethlehem	PA	JGB: Jim Vita's Nakamichi DM-500s (BOB, on a riser at the rear end of hall, straight back center) > Sony TC-D5M master cassette (Maxell UDXLII-S) > Nakamichi Dragon playback > Art DI/O > Egosys Waveterminal 2496 > Cool Edit 2000 > Shntool > FLAC encoding. Transfer by David Minches.	Source Detail	FLAC
02/05/81	Stabler Arena (Lehigh University)	Bethlehem	PA	JGB; flac1644; AUD (likely 1st-Gen) from the Brian Schley tape collection. Transfer: Hitachi UDEX (Chrome) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2016	Source Detail	FLAC
02/05/81	Stabler Arena (Lehigh University)	Bethlehem	PA	JGB; flac1644; Sony D6C(NAK mics)>Master cassette>JVC TD-R462>Audacity>TLH Flac8, Taper: Dave Peters	Source Detail	FLAC
02/05/81	Stabler Arena (Lehigh University)	Bethlehem	PA	JGB; flac1648; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp (24-96) > Adobe Audition CC 2020 > TLH flac2496 Mastered by Scott Clugston April 2021. 24-bit > 16-bit via dBpoweramp.	Source Detail	FLAC
02/06/81	The Tower Theatre	Upper Darby	PA	Jerry Garcia Band: Jim Vita's MAC w/ Nak DM-500's > Sony TC-D5M > CDR > DAT > CDR; Missing Heaven's Door; via Andy Lemieux. Seeded to etree by Willy.	Source Detail
02/06/81	The Tower Theatre	Upper Darby	PA	JGB; flac1648; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp (24-96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. April 2021.	Source Detail	FLAC
02/06/81	The Tower Theatre	Upper Darby	PA	JGB;16-48 File Set. 24-bit > 16-bit via dBpoweramp; Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. Mastered by Scott Clugston, April 2021	Source Detail	FLAC
02/07/81	Orpheum Theater	Boston	MA	Early & Late: Steve Rolfe's 2x Nakamichi 700s (Front Row Balcony) > Sony TC-D5); Nakamichi BX-300 playback > Sony PCM-R500 master DAT; Sony PCM-R500 > HHB-800-81 CD; ? > shn.	Source Detail
02/07/81	Orpheum Theater	Boston	MA	JGB, late show: Jim Vita's Nakamichi DM-500s> Sony TC-D5M; TDK SA-90s > Nakamichi Dragon playback > Art DI/O > Digital Audio Labs CardDeluxe > Cool Edit 2000 > Shntool > FLAC encoding. Transfer by David Minches.	Source Detail	FLAC
02/07/81	Orpheum Theater	Boston	MA	JGB, early & late shows: John Levene's Nak 300 > Marantz CD330 (center balcony row 1 "DFC") > Maxell XLII C-90 MAC; Transfer: Yamaha K-1020 > Sony SBM-1 > Nomad JB3 > Creative Play Center (copying) > Soundforge v6e (prep) > CDWav (tracking, level 8 compression).	Source Detail	FLAC
02/07/81	Orpheum Theater	Boston	MA	JGB; Early and Late Shows; flac1644; Recording Info: Frank Streeter's AKG D330BT -> Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
02/07/81	Orpheum Theater	Boston	MA	JGB; flac1648; late show; Jim Vita's Master Audience Cassette; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S); Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. April 2021.	Source Detail	FLAC
02/09/81	Ocean State Theater	Providence	RI	Jerry Garcia Band: MAC (Taped by Steve Rolfe, Nakamichi CM-700 mics [front row of balcony] > Sony TC-D5M) > Nakamichi BX300 playback > Sony PCM-R500 DAT > CD > EAC > SHN (seekable). A>D by Glenn Gardner and Walter Keenan, EAC and conversion to SHN by cbass.	Source Detail
02/09/81	Ocean State Theater	Providence	RI	JGB: Jim Vita's FOB Nakamichi DM-500s (25th row center) > Sony TC-D5M master cassette (Maxell UDXLII-S w/ Dolby) > Nakamichi Dragon playback > Art DI/O > Digital Audio Labs CardDeluxe > Cool Edit 2000 > Shntool > FLAC encoding. Transfer by David Minches.	Source Detail	FLAC
02/09/81	Ocean State Theater	Providence	RI	JGB flac16: 2x Nakamichi CM-300's (CP-1 cardioids) plus 1x AKG D200E blend mic > Nakamichi 550 > Maxell UDXL-II 90's, from 18th row, right center section. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F.	Source Detail	FLAC
02/09/81	Ocean State Theater	Providence	RI	JGB; flac1644; Frank Streeter's AKG D330BT -> Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
02/09/81	Ocean State Theater	Providence	RI	JGB; flac1648; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. April 2021.	Source Detail	FLAC
02/10/81	Bushnell Auditorium	Hartford	CT	Source: MAC(Senn 421's>Sony D-5 >D>CDR>WAV>SHN. Taper: Jim Wise. SHN encoding and FTP via C.Ladner/candyman FTP.	Source Detail
02/10/81	Bushnell Auditorium	Hartford	CT	JGB: Jim Wise Master Audience Cassette; Senn MD-421s> Sony D-5 at SB; Maxell UDXLII; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding.	Source Detail
02/10/81	Bushnell Auditorium	Hartford	CT	JGB: Jim Vita's Nakamichi DM-500s (center balcony) > Sony TC-D5M master cassette (Maxell UDXLII-S w/ Dolby) > Nakamichi Dragon playback > Art DI/O > Digital Audio Labs CardDeluxe > Cool Edit 2000 > Shntool > FLAC encoding. Transfer by David Minches.	Source Detail	FLAC
02/10/81	Bushnell Auditorium	Hartford	CT	JGB; flac1648; George Sterry's Master Audience Cassettes; Unknown mics (possibly Jim Wise's Sennheiser 421's)> Sony TC-158(Maxell UDXL-II) > Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4(.wav 24-bit/96k)> Adobe Audition 3.01 (.wav 24-bit/96k). 24-bit > 16-bit via dBpoweramp.	Source Detail	FLAC
02/10/81	Bushnell Auditorium	Hartford	CT	JGB; flac1648; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. April 2021.	Source Detail	FLAC
02/11/81	The Palladium	New York	NY	JGB; shnf; Jim Wise's MAC (Beyer M 160's, center loge on stand > D5) > D > CDR > WAV > SHN. SHN encoding and FTP via C.Ladner/candyman FTP.	Source Detail
02/11/81	The Palladium	New York	NY	JGB; flac1644; Jim Vita's MAC (2 Nakamichi 500s > Sony D5) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe > Cool Edit > Flac. Transfer by David Minches.	Source Detail
02/11/81	The Palladium	New York	NY	JGB: flac1644; Jim Wise Master Audience Cassette; Beyer M160s> Sony D-5; 1st Balcony; direct center; Maxell UDXLII; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding.	Source Detail	FLAC
02/11/81	The Palladium	New York	NY	JGB; flac1644; David Dyche's Nak 300s > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16.	Source Detail	FLAC
02/11/81	The Palladium	New York	NY	JGB; flac2496; Ohr Weinberg's 2x Sony ECM-23F Microphones -> Nakamichi 550 Cassette Recorder (2 TDK SA-X C90 Cassettes w/ Dolby B); Transfer by Ohr Weinberg : Master Cassettes -> Nakamichi Dragon -> SONY PCM-D50 -> (24/96)WAV -> flac	Source Detail	FLAC
02/11/81	The Palladium	New York	NY	JGB; flac1648; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. April 2021	Source Detail	FLAC
02/13/81	Capitol Theater	Passaic	NJ	Jerry Garcia Band: Early & Late Shows: MAC (Taped by Ohr Weinberg, two Sony ECM-23Fs with Nak DM-500 blend > Nak 550) > Nak Dragon playback > HHb CDR-800 master CD > TAE (overlap) > shn. A>D by Jim Wise, CD>SHN by Andy Gustin.	Source Detail
02/13/81	Capitol Theater	Passaic	NJ	JGB; flac1648; early-late; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. April 2021.	Source Detail	FLAC
02/14/81	Calderone Theatre	Hempstead	NY	Jerry Garcia Band: MAC (Taped by Ohr Weinberg, two Sony ECM-23Fs with Nak DM- 500 blend [first two songs were Nak CM-300 blend] > Nak 550). Nak Dragon playback > HHb CDR-800 master CD > CDs > EAC > SHN.	Source Detail
02/14/81	Calderone Theatre	Hempstead	NY	Jerry Garcai Band: Recorded Sony D5 Sennheiser 421 mikes from balconey front row	Source Detail
02/14/81	Calderone Theatre	Hempstead	NY	JGB; flac2496; Recorded by John Jay Hance, Sennheiser 421 mics (6 Ft Spread balcony Rail) > Sony D5M (no dolby) (2)Maxell UDXLII C90; Transfer: Nakamichi 582Z > Korg MR2000S (DFF@5.6) Audiogate > 24-96 Wave > Wavelab6 > Ozone Rx7A > Ozone 5 Advance > Ozone Rx7A > CDwave > Flac24.	Source Detail	FLAC
02/15/81	Esby Gymnasium (Glassboro State College)	Glassboro	NJ	Jerry Garcia Band: Nak DM500 > master cassette > DAT > CDR > shn. Originally recorded by Jim Vita.	Source Detail
02/15/81	Esby Gymnasium (Glassboro State College)	Glassboro	NJ	JGB; flac16; Source: AUD (1st or 2nd gen) from the Craig L. tape collection. Transfer: Maxell XLI (normal) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2016	Source Detail	FLAC
02/15/81	Esby Gymnasium (Glassboro State College)	Glassboro	NJ	JGB; flac1648; Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. April 2021.	Source Detail	FLAC
02/22/81	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (Taped by John Angus and Scott Hart, Technics stereo mic > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
02/22/81	The Stone	San Francisco	CA	flac1644: Recorded by John Angus and Scott Hart; Technics Stereo mic> Sony TC-D5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0 (dither/downsample)> FLAC encoding. Pitch Correction by Joe B. Jones. Thanks to Harry Angus for providing the master tapes.	Source Detail	FLAC
02/22/81	The Stone	San Francisco	CA	flac2496: Recorded by John Angus and Scott Hart; Technics Stereo mic> Sony TC-D5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0 > FLAC encoding. Pitch Correction by Joe B. Jones. Thanks to Harry Angus for providing the master tapes.	Source Detail	FLAC
02/23/81	The Stone	San Francisco	CA	JGB, flac1644; Unknown AUD kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII-S > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 04/2017	Source Detail	FLAC
03/20/81	A Kensington Hotel	London	England	Interview; flac16; Source: Cassette (unknown gens) from the collection of Tim McKenzie Transfer: Cassette > Nakamichi CR-7A > Tascam DA-3000 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > wav 16/44.1 > CD Wave > flac 16 edited and mastered	Source Detail	FLAC
03/28/81	Unknown Hotel Room	Essen	Germany	Jerry Garcia Conversation/Interview with Ayatolla H?bsch: master cassette > Sound Forge de-noising > ? > SHN.	Source Detail
04/18/81	Phoenix Theater	Petaluma	CA	JGB: Phil Jaret's JVC M-201 Electret condenser stereo microphone (center floor) > Sony TC-D5 (TDK-SA 90 Dolby B on record and playback); Playback on a Sony TC-K615S cassette deck directly to HHB CDR-800 burner. Note that the initial seed was flawed, with a cut in TUIB. This was quickly fixed, but not before numerous completed downloads. Hence we have listed both FLAWED and FIXED fingerprints under this shnid.	Source Detail	FLAC
04/18/81	Phoenix Theater	Petaluma	CA	flac1644; Phil Jaret's JVC M-201 Stereo Microphone> Teac PC-10; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 3.0> Ozone 4.0> FLAC encoding. Pitch Correction by Joe B. Jones.	Source Detail	FLAC
04/21/81	The Catalyst	Santa Cruz	CA	Source: MAC(Nakamichi CM-700 mics > Sony TC-D5)>CDR>WAV>SHN. Taper: Steven Martin	Source Detail
04/21/81	The Catalyst	Santa Cruz	CA	FLAC 1644 Audience cassette master recorded from the front table on the house left balcony. 2 x Electrovoice RE10 mics > Sony TC-D5 > one Dolby B encoded Maxell UD XLII C90 cassette and one Dolby B encoded TDK SA C90 cassette (from track 7 to the end). Recorded, transferred and mastered by grner1.	Source Detail	FLAC
04/23/81	Keystone	Berkeley	CA	JGB: Steven Martin's modified Nakamichi CM-700 mics > Sony TC-D5) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). shn > flac in shntool, using shntool conv -o flac *.shn.	Source Detail	FLAC
04/24/81	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
04/25/81	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
04/25/81	The Stone	San Francisco	CA	Garcia, Weir, Kruetzman, Hart, J. Kahn; matrix recording master cass > cass Nak Dr-1 > Lynx2 Studio Interface at 32 bit float 88.2 kHz. tape ran a hair fast, adjusted in Cubase4 Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz MetaData with Tag and Rename TLH for FLAC Level 8 SBE FREE	Source Detail	FLAC
05/22/81	Warfield Theater	San Francisco	CA	Jerry Garcia & Friends: MAC (Taped by John Angus & Scott Hart, unknown mics > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > patching (SF Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition).	Source Detail
05/22/81	Warfield Theater	San Francisco	CA	Jerry Garcia & Friends: remaster of shnid 26437 (see text file).	Source Detail
05/28/81	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band, partial show: MSC > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition).	Source Detail
05/30/81	Phoenix Theater	Petaluma	CA	Jerry Garcia Band, IIp: MSC > ? > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (Sound Forge Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition).	Source Detail
05/30/81	Phoenix Theater	Petaluma	CA	JGB; flac1644: Anon's 2x Nak 300 > Sony TC-152SD > MAC; MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.8 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [16/44].	Source Detail	FLAC
05/31/81	The Stone	San Francisco	CA	JGB, flac1644; Unknown AUD (1st Gen) kindly provided from the collection of DL. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2017	Source Detail	FLAC
06/25/81	Civic Auditorium	Santa Cruz	CA	Jerry Garcia Band, with Phil Lesh on bass: aud(unknown mics) > ? > cdr > eac(secure) > mkwact(seekable).	Source Detail
06/25/81	Civic Auditorium	Santa Cruz	CA	JGB: Recorded by Richard Senicola and Jaime Poris using Mark Severson's equipment; 2 Nak 300s + 1 Nak 700> (Nak 550)> Sony TC-D5M (2 Maxell MX cassettes) (Recorded from 35 feet back from right center of stage); Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.	Source Detail	FLAC
06/25/81	Civic Auditorium	Santa Cruz	CA	JGB; flac1648 Richard Senicola and Jaime Poris' Master (FOB) Audience Cassettes (Mark Severson's equipment, 35' back from right center of stage); (2) Nakamichi 300 mics + (1) Nakamichi 700 mic> Nakamichi 550 > Sony TC-D5M (Maxell MX 90); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac[1648]	Source Detail	FLAC
06/26/81	Warfield Theater	San Francisco	CA	JGB (Phil Lesh on bass): MS? > ? > CDs > EAC (secure) > Cool Edit (cleanup/pitch correction) > CDWAV > mkwact(seekable) > shn. EAC > SHN by Matt Vernon.	Source Detail
06/26/81	Warfield Theater	San Francisco	CA	JGB; flac1648; Richard Senicola and Jaime Poris' Master Audience Cassettes (front row, left center balcony using Mark Severson's equipment); (3) Nakamichi 700 mics > Nakamichi 550 > Sony TC-D5M (Maxell MX 90). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp 2496 > Adobe Audition CC 2020 > TLH flac2496. Mastered by Scott Clugston. April 2020. 24-bit > 16-bit via dBpoweramp.	Source Detail	FLAC
07/10/81	Raddison Hotel, Room 1503	St. Paul	MN	JG Interview: Source: MC>Cx3>AIFF>WAV>SHN	Source Detail	SHN
07/24/81	Keystone Palo Alto	Palo Alto	CA	FLAC16 aud, unknown lineage, transferred & seeded by Rob Berger 2014	Source Detail	FLAC
07/26/81	Keystone	Berkeley	CA	JGB: MSC > DAT > CD > FLAC.	Source Detail	FLAC
08/06/81	Sherwood Hall	Salinas	CA	Unknown low gen FOB audience cassette>Nak CR-3A>AudigySE>Audacity>CDWave>TLH	Source Detail	FLAC
08/07/81	Freeborn Hall, U. of California	Davis	CA	JGB; flac1644; Source: Unknown gen AUD cassette, via the JGMF "Closet Call" Project. Original A>D Transfer: Maxell XLII-90 > Nakamichi BX-300 playback (no Dolby) > Pyle Pro cables > WaveTerminal 2496 > Samplitude 10.1 Download Version (record @ 24 bits/48kHz) > CDWave 1.9.8 (tracking) > Wavelab 5.0.1a (cross-fades, etc.) > shntool (stripped non-canonical headers) > Traders Little Helper 2.4.1 (FLAC encoding, level 8) > Foobar (tagging). September 2016, 16bit/44.1kHz file-set mastering: FLAC 2448 > TLH > WAV > Wavelab > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
08/08/81	Fox Theater	Stockton	CA	JGB; flac1644; partial: Recorded by Gene Taback, "Main floor, right center, ten rows back. Unknown recorder". Transferred properly on a NakCr7a.	Source Detail	FLAC
08/20/81	Keystone	Berkeley	CA	Jerry Garcia Band: MAC > CD > EAC > SHN. Taped by Jim Vita, front row balcony, Nak CM-300s w/ CP-4 capsules > Sony TC-D5M master cassette > HHb 800 CDRx0 > CDx? > EAC > SHN.	Source Detail
08/20/81	Keystone	Berkeley	CA	JGB: Jim Vita's MAC (2 Nak 300s) > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Flac, transfer by David Minches.	Source Detail
08/20/81	Keystone	Berkeley	CA	16-48 Source Info: Jim Vita's Master Audience Cassettes: Nakamichi 300 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. Mastered by Scott Clugston. May 2021.	Source Detail	FLAC
08/21/81	Keystone	Berkeley	CA	Jerr Garcia Band: MSC > 2C > DAT >CDR > WAV > SHN (lineage via The Jerry Site)	Source Detail
08/21/81	Keystone	Berkeley	CA	JGB, I/IIp: Jim Vita's MAC (2 Nak 300s > Sony D5 [Maxell UD-XLIIS]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Flac, transfer by David Minches.	Source Detail
08/21/81	Keystone	Berkeley	CA	JGB; flac 1644; Source: SBD > C (x1 or 2) > Lo-gen Cassette, kindly provided by Craig L. Transfer: Maxell XLII's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 08/2017	Source Detail	FLAC
08/21/81	Keystone	Berkeley	CA	JGB; flac1648; s1s2p; Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. May 2021.	Source Detail	FLAC
08/22/81	Fairfax Pavilion	Fairfax	CA	Jim Vita's MAC (2 Nak 300s > Sony D5) > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Flac, transfer by David Minches. Show with Phil Lesh.	Source Detail	FLAC
08/22/81	Fairfax Pavilion	Fairfax	CA	Jerry Garcia Band, w/ Phil Lesh on bass: MAC > CD > DAT > CD > EAC > SHN. Taped by Jim Vita at the soundboard, Nak CM-300s w/ CP-4 caps > Sony TC-D5m master cassette > HHb 800 CDRx0 > CDx? > EAC > re-tracking using CD Wave > SHN using mkwACT.	Source Detail
08/22/81	Fairfax Pavilion	Fairfax	CA	16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics + CP4 caps > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
08/23/81	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band. MAC(unknown mics/taper)>?>CDR>WAV>SHN. Partial recording with several missing tracks (see info file).	Source Detail
08/23/81	Keystone Palo Alto	Palo Alto	CA	JGB: Jim Vita's MAC (2 Nakamichi 300s > Sony D-5 [Maxell UD-XLII-S]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches.	Source Detail
08/23/81	Keystone Palo Alto	Palo Alto	CA	16/48 Source Info:Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
09/07/81	Concord Pavilion	Concord	CA	FLAC 1644 Audience cassette master recorded from the front table on the house left balcony. Two ElectroVoice RE10 microphones > Sony TC-D5 > two Dolby B encoded Maxell UD XLI C90 cassettes. Recorded, transferred and mastered by grner1.	Source Detail	FLAC
09/18/81	Keystone	Berkeley	CA	Jerry Garcia Band: MAC > DAT > CD > EAC > SHN. Taped by Jim Wise. Recorded upstairs, stereo mic > Sony TC-D5 set on floor.	Source Detail
09/18/81	Club Front	San Rafael	CA	JGB rehearsals, shnf; MSR -> P -> D [presumably > ? > SHN].	Source Detail
09/18/81	Keystone	Berkeley	CA	JGB: Jim Wise Master Audience Cassette; Recorded upstairs, stereo mic > Sony D5 (Maxell UDXLI-S); Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding.	Source Detail	FLAC
09/19/81	The Stone	San Francisco	CA	JGB; flac1644; Partial, Unknown AUD (marked 1st Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017	Source Detail	FLAC
10/11/81	Melk Weg	Amsterdam	Netherlands	flac16/48; Source: AUD, unknown mics: CM > 1C > DAT DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 7.0 (build 214) (record only) > CDWav 1.93 > FLAC Frontend (no DAE, 48kHz)	Source Detail	FLAC
10/11/81	Melk Weg	Amsterdam	Netherlands	Jerry Garcia & Bob Weir: Source: AUD, unknown mics: CM > 1C > DAT DAT > WAV > SHN: Dan Stephens (dms@well.com) Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Tool	Source Detail
10/31/81	The Tower Theatre	Upper Darby	PA	JGB, early & late: John Levene's Nak 300 + cp4 (shotguns) > Marantz CD330; Yamaha K-1020 playback > Sony SBM-1 > Nomad JB3 > Creative Play Center > Soundforge v6e > CDWav; Creative Play Center software used to copy to laptop. Soundforge used to prep file for tracking. CDWave used to track and flac at level 8 compression.	Source Detail	FLAC
10/31/81	The Tower Theatre	Upper Darby	PA	JGB; early; flac16; Stankiewicz & Schley, Beyers mics > patched thru Sony D5 > Sony TC-D5 > Maxell MX-90, front of balcony(?). Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016	Source Detail	FLAC
11/01/81	Tuttle North Gym, SUNY Brockport	Brockport	NY	JGB, flac1644; Partial; Source: Unknown AUD kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 07/2017	Source Detail	FLAC
11/01/81	Tuttle North Gym, SUNY Brockport	Brockport	NY	JGB; Recorded by Bob Gates; Nak 100 (with either a CP-4 shotgun or a CP-1 Omni)> Superscope 320; Lineage: Master cassette audience> cassette> CD> EAC> HD Transfer and FLAC encoding by David Minches: Extracted tracks processed in Adobe Audition 2.0> FLAC encoding.	Source Detail	FLAC
11/03/81	Painter's Mill	Owings Mills	MD	JGB, set II: MSC > 2C > Aiwa F810 playback > Tascam DA30-mkII > Zoltrix Nightengale 6.0 @ 44.1 > SF 6.0 > CD Wave > .shn.	Source Detail	SHN
11/03/81	Painter's Mill	Owings Mills	MD	JGB, flac1644; Set One: AUD (marked 2nd Gen) kindly provided by wk & http://jgmf.blogspot.com/ Set Two: AUD (unknown lineage) kindly provided from the collection of DL. Transfer: Maxell XLII's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 04/2017	Source Detail	FLAC
11/03/81	Painter's Mill	Owings Mills	MD	JGB, flac1644; 2nd Set, Sources: Matrix of SBD ID-15099 & AUD ID-138117. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 04/2017	Source Detail	FLAC
11/04/81	Palace Theater	Albany	NY	Jerry Garcia Band. Source: MAC(Nak 300s> Sony TC-D5M)>CDR>WAV>SHN. Taper: Jim Vita. Simple Twist of fate is missing.	Source Detail
11/04/81	Palace Theater	Albany	NY	JGB: Jim Vita's MAC (Unknown mics> Sony D5 [UD-XLIIs]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, xfer by David Minches.	Source Detail
11/04/81	Palace Theater	Albany	NY	16/48 Source Info:Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M (1st set Maxell UDXLII-S, 2nd set TDK MA-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
11/06/81	Capitol Theater	Passaic	NJ	Jerry Garcia Band, early show: MAC (Recorded by Ohr Weinberg, Sony ECM 23f's [front floor] > Sony TC-D5M Dolby B) > Nakamichi Dragon playback > HHB CDR830plus > EAC > Sound Forge 5.0 > CD Wave Editor > SHNv3 (seek tables embedded). A>CD by Anne Cohen, EAC>SHN by cbass.	Source Detail
11/06/81	Capitol Theater	Passaic	NJ	JGB, partial Late Show: Nakamichi CM-300's > Sony TC-D5, recorded FOB, by unknown taper. Lineage: Unknown MAC > CDR transfer. CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC	Source Detail	FLAC
11/06/81	Capitol Theater	Passaic	NJ	JGB; flac1648; early/late; Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M (Maxell UDXLII-S). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. May 2021.	Source Detail	FLAC
11/07/81	McDonough Arena (Georgetown U.)	Washington	DC	JGB: Taped by Tim S., Nak300 (Handheld/Stealth) > Cm > Cass > CD > EAC > Izotope Ozone > Flac. Remastered by SIRMick.	Source Detail	FLAC
11/07/81	McDonough Arena (Georgetown U.)	Washington	DC	Jerry Garcia Band: MA? > 1 cassette > Tascam 322 > Marantz CD500 > EAC > SHN	Source Detail	SHN
11/07/81	McDonough Arena (Georgetown U.)	Washington	DC	Jerry Garcia Band, set II only: probable MSC > DAT, subsequent pitch-correction & patching prior to shn encoding.	Source Detail	SHN
11/08/81	Alumni Gymnasium	Lawrenceville	NJ	Jerry Garcia Band: MAC (recorded by John Hance, Beyer M160s > Sony TCD-5M) > Nak Dragon playback > HHb 800 master CD > CDs > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by Jim Wise, CD > SHN by Joe Jupille.	Source Detail
11/10/81	The Palladium	New York	NY	Jerry Garcia Band: Late Show: MAC > CD, two Beyer M160s (1 st Row Loge Center) > Sony TCD5M > Cassette Master Tape> Sound Forge 5 to break into tracks > Sound Stream to normalize > MKW to convert to SHN.	Source Detail
11/10/81	The Palladium	New York	NY	Jerry Garcia Band, Early Show: MAC (Taped by Ohr Weinberg, Sony ECM-23f mics > Sony TC-D5M) > Nakamichi Dragon playback > HHb CDR-800 CD > EAC > SHN v3.	Source Detail
11/10/81	The Palladium	New York	NY	JGB, Late Show: MAC (Nakamichi CM-300s > Sony TC-D5M) > 1C > Sony TC-D5M (Dolby On) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums, and FLAC compression) > FLAC, by Andrew F (September 2006).	Source Detail
11/10/81	The Palladium	New York	NY	Jerry Garcia Band, Early Show: MAC (Taped by Mark Cohen, Nak CM-700s > Sony TC-D5) > Tascam 122mkIII playback > Tascam DA-40 DAT > Tascam CDRW-700 master CD > unknown CD gens (probably one) > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition).	Source Detail	FLAC
11/10/81	The Palladium	New York	NY	JGB; flac2496; Recorded by Richie Stankiewicz, Sony TCD-5m > Beyer M-160 1st Row Balcony Transfer MAC>Sony TCKA3ES>USBPre 2; transferred by Richie Stankiewicz	Source Detail	FLAC
11/10/81	The Palladium	New York	NY	JGB; flac1644; early show AUD: Stankiewicz & Schley's Beyers mics > patched thru Sony D5 > Sony TC-D5 > Hitachi ME-90, front of balcony(?). Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017.	Source Detail	FLAC
11/12/81	Symphony Hall	Springfield	MA	Jerry Garcia Band. AUD:C (Jim Stone, front row balcony, Nak 300s > Sony D5) > DAT > CD > EAC > SHN.	Source Detail
11/13/81	Orpheum Theater	Boston	MA	Jerry Garcia Band: Early & Late Shows: Nak 700s > Sony D5 > MAC > D > CD> EAC > MKWact > SHN	Source Detail
11/13/81	Orpheum Theater	Boston	MA	JGB, Late Show: master: John Levene's Nak 300 (center balcony row 1) > Marantz CD330 > Maxell XLII C-90 MAC; Transfer: Yamaha K-1020 > Sony SBM-1 > Nomad JB3 > Creative Play Center > Soundforge v6e > CDWav Creative Play Center software used to copy to laptop. Soundforge used to prep file for tracking. CDWave used to track and flac at level 8 compression.	Source Detail	FLAC
11/13/81	Orpheum Theater	Boston	MA	JGB: flac1644; Early and Late Shows; Frank Streeter's Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/14/81	Patrick Gymnasium, UVM	Burlington	VT	Jerry Garcia Band: Two audience tapes of unknown source and lineage. Source "A" provides Set One and Roadrunner. Source "B" provides I'll Take A Melody thru Tangled Up In Blue. See info file for additional information.	Source Detail
11/14/81	Patrick Gymnasium, UVM	Burlington	VT	JGB; flac1648; s1s2p; Jeff Silberman FOB Recording: Nakamichi 300's (w/shotguns) > Sony D5 (Dolby B) > Master Cassette > DAT; John Ammons Transfer: Cassette Master > Nakamichi Dragon (Dolby B) > Sony 75ES > DAT > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > WAV. Edited & Mastered by Joe Noel: WAV > Audacity > Flac 16/48, July 23, 2018.	Source Detail	FLAC
11/14/81	Patrick Gymnasium, UVM	Burlington	VT	JGB; flac1648; s1s2p; Jeff Silberman FOB Recording: Nakamichi 300's (w/shotguns) > Sony D5 (Dolby B) > Master Cassette > DAT; John Ammons Transfer: Cassette Master > Nakamichi Dragon (Dolby B) > Sony 75ES > DAT > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > WAV. Edited & Mastered by Joe Noel: WAV > Audacity > Flac 16/48, July 23, 2018.	Source Detail	FLAC
11/15/81	Performing Arts Center	Providence	RI	Jerry Garcia Band: MAC (Taped by Steve Rolfe, Nakamichi CM-700 mics [front row of balcony] > Sony TC-D5M) > CD > EAC > SHN (seekable). EAC and conversion to SHN by cbass.	Source Detail
11/15/81	Performing Arts Center	Providence	RI	JGB, flac16: Tim Friend's 3x Nakamichi CM-300's (CP-1 cardioids) > Nakamichi 550 > Maxell UDXL-II. Mics hand held, 20th row right side orchestra. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F.	Source Detail
11/15/81	Performing Arts Center	Providence	RI	JGB, flac24: Tim Friend's 3x Nakamichi CM-300's (CP-1 cardioids) > Nakamichi 550 > Maxell UDXL-II. Mics hand held, 20th row right side orchestra. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F.	Source Detail	FLAC
11/15/81	Performing Arts Center	Providence	RI	flac2496; Richie Stankiewicz taped and transferred; Recorded on Sony TCD-5M two Beyer M-88 1st Row Balcony; Transfer MAC > Sony TCKA-3es (parts 1st gen > Sony TCKA-3es).	Source Detail	FLAC
11/15/81	Performing Arts Center	Providence	RI	flac1644; Richie Stankiewicz taped and transferred; Recorded on Sony TCD-5M two Beyer M-88 1st Row Balcony; Transfer MAC > Sony TCKA-3es (some songs 1st gen > Sony TCKA-3es) > 24/96 > r8brain (16/44).	Source Detail	FLAC
11/17/81	Uptown Theater	Chicago	IL	JGB: 2nd gen aud, maybe 1st ("my friend made more than one copy off Gary's Master Cass") > NakCR3A > Hard Drive > Flac16.	Source Detail
11/17/81	Uptown Theater	Chicago	IL	JGB, Early & Late Shows: MAC (unknown taper and gear ) > 1 cassette gen > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC, transfer by David Minches.	Source Detail
11/17/81	Uptown Theater	Chicago	IL	JGB; flac1644; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones	Source Detail	FLAC
11/19/81	Rainbow Music Hall	Denver	CO	Jerry Garcia Band: Unknown Audience Recording	Source Detail
12/07/81	Club Front	San Rafael	CA	Jerry Garcia Band, Rehearsals: MSC > C1 > CD > WAV > FLAC. NB date reflects date on which John Kahn mixed the material, not the date on which it was performed.	Source Detail
12/17/81	Keystone Palo Alto	Palo Alto	CA	JGB; flac1644; Partial, Unknown AUD kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017	Source Detail	FLAC
12/18/81	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5 cassette deck [Maxell XLII]) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > patching (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
12/19/81	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5 cassette deck [Maxell XLII]) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
01/11/82	Old Waldorf	San Francisco	CA	Jerry Garcia Band: MSC>DAT >CDR>WAV>SHNv3. Multiple track cuts - see info file for details.	Source Detail
01/11/82	Old Waldorf	San Francisco	CA	JGB: MSC > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8).	Source Detail	FLAC
01/13/82	Old Waldorf	San Francisco	CA	JGB, I/IIp: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac.	Source Detail	FLAC
01/13/82	Old Waldorf	San Francisco	CA	JGB: unknown MAC > 1st gen cassette > Apogee Mini ME (24/96 > Apogee Mini DAC > Wavelab 5.0 (dithered via 'UV22HR' to 16/44) > CD by Matt Smith; Edits and Mastering: Jamie Waddell on the GEMS workstation.	Source Detail	FLAC
02/02/82	The Catalyst	Santa Cruz	CA	MAC* > CDR > WAV > SHN. * admin noted 12/20/2010: the taper and gear were originally listed as unknown, then attributed to Steven Martin, but the tape was actually mastered by N Hoey, 2x Nakamichi CM 300s > Sony TC-D5m (Dolby B); Nakamichi Dragon (Dolby B decoded) > Panasonic 3700 DAT (tracking) > HHB CD.	Source Detail
02/02/82	The Catalyst	Santa Cruz	CA	JGB; flac2496; Recorded and Mastered by N Hoey: 2 Nakamichi CM 300s > Sony TC-D5m (Dolby B)(Maxell XL IIS 90) Nakamichi Dragon (Dolby B decoded) > A/D - Apogee Mini Me (96/24) > Peak 7 OSX (editing) > xACT (flac-tagging).	Source Detail	FLAC
02/03/82	The Catalyst	Santa Cruz	CA	MAC* > CDR > WAV > SHN. * admin note added 12/20/2010: this was recorded by N Hoey. It was listed as unknown, and then attributed to Steven Martin, but Hoey confirms that it is his master. 2x Nakamichi CM 300s > Sony TC-D5m (Dolby B); Nakamichi Dragon (Dolby B decoded) > Panasonic 3700 DAT (tracking) > HHB CD.	Source Detail
02/03/82	The Catalyst	Santa Cruz	CA	JGB; flac2496; Recorded and Mastered by N Hoey with: 2 Nakamichi CM 300s > Sony TC-D5m (Dolby B)(Maxell XLIIS 90) Nakamichi Dragon (Dolby B decoded) > A/D - Apogee Mini Me (96/24) > Peak 7 OSX (editing) > xACT (flac-tagging).	Source Detail	FLAC
02/04/82	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band :mSC> DAT> CDR> TAE> WAV> SHN; via Dan Metz, Mike Lai	Source Detail
02/04/82	Keystone Palo Alto	Palo Alto	CA	JGB, flac1644; AUD (marked 2nd Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 01/2018	Source Detail	FLAC
02/04/82	Keystone Palo Alto	Palo Alto	CA	JGB: MSC > Dat > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transfered, Remastered and Seeded by Green Mountain Bros.	Source Detail	FLAC
02/05/82	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band, partial set II: MSC > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
02/05/82	Keystone Palo Alto	Palo Alto	CA	JGB, set I: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac.	Source Detail	FLAC
02/05/82	Keystone Palo Alto	Palo Alto	CA	JGB; flac2448; Taped by Jeff Knudsen, gear used lost to the fog of history; Nakamichi CR-7A (Rebuilt by ESL August 2019) -> Sound Devices MixPre-3M; Transfers by Jay Haines April 2020 at 24bit 48kHz; Shared at LL in the Raw Tape Project; Speed Correction by Jason Chastain; Audio Mastering by Jamie Waddell; Additional audio mastering by Joe Noel, using Adobe Audition 2020.	Source Detail	FLAC
02/26/82	Keystone	Berkeley	CA	Jerry Garcia Band: MSC -> DAT -> CDRs -> Track Thief -> SHN; Transfer by: D. Metz	Source Detail
02/26/82	Keystone	Berkeley	CA	JGB: Recorded by Ohr Weinberg: 2 Sony ECM-23F microphones -> Sony TC-D5M -> 2 Maxell XLII-S 90 Cassettes w/ Dolby B. Transfer by Ohr Weinberg: Master Cassette -> Nakamichi Dragon -> HHB CDR830 Plus -> EAC -> CDWave -> FLAC.	Source Detail	FLAC
02/26/82	Keystone	Berkeley	CA	Jerry Garcia Band:SBD:MCass>DATx3>ZA2>CD	Source Detail	FLAC
02/27/82	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MSC > DAT > CDR; via M.Perini; seeded to etree by eD	Source Detail
02/28/82	The Stone	San Francisco	CA	JGB; shnf; MSC > Dat> Cdr> Protools> shn. Missing How sweet it is which does circulate. Missing begining of They love each other and Sugaree	Source Detail
02/28/82	The Stone	San Francisco	CA	JGB: MSC > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and Seeded by Green Mountain Bros. April 2007.	Source Detail	FLAC
03/03/82	Barbary Coast Room (San Francisco State)	San Francisco	CA	Source: AUD (microphone and taper unknown) > CM > CD > WAV > SHN. Partial - see info file for details.	Source Detail
03/07/82	The Saddlerack	San Jose	CA	Jerry Garcia Band: SBD : FM > DAT > CDR. Originaly broadcast on KFAT. Set 2 with Dave Torbert. This version is missing Sugaree but it does circulate.	Source Detail
03/07/82	The Saddlerack	San Jose	CA	Jerry Garcia Band, complete: MFC > Tascam 322 playback > Marantz CDR500 > CDR [> SHN].	Source Detail
03/07/82	The Saddlerack	San Jose	CA	JGB: KFAT FM MCass > DAT > CD; Encoded from CD > shn via EAC and mkwACT by khensu (David Hollister).	Source Detail	SHN
03/07/82	The Saddlerack	San Jose	CA	JGB: MFC (KFAT over-air broadcast) > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and Seeded by Green Mountain Bros. March 2007.	Source Detail	FLAC
03/07/82	The Saddlerack	San Jose	CA	JGB; flac1644; Pre-FM > Master Reel > Dat, Dat > Samplitude Pro X3 Suite > FLAC (2 Discs Audio / 1 Disc FLAC), All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
03/17/82	Acker Gym, Chico State University	Chico	CA	Jerry Garcia Band: MSC > DAT > CDR > EAC > SHN, originally seeded to furthur by David Hollister.	Source Detail
03/18/82	Mojo's	Arcata	CA	Jerry Garcia Band: MAC (Taped by Tim Vallee) > cassette > NAD 6050C playback > SBM > PCM-R500 @44.1k (A/D only - no DAT) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale.	Source Detail
03/19/82	Mojo's	Arcata	CA	Jerry Garcia Band: MAC (Taped by Tim Vallee) > cassette > NAD 6050C playback > SBM > PCM-R500 @44.1k (A/D only - no DAT) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale.	Source Detail
03/19/82	Mojo's	Arcata	CA	Jerry Garcia Band, Sir Mick remaster of shnid 15194, see info file for remastering notes.	Source Detail	FLAC
03/20/82	Fireman's Hall	Garberville	CA	Jerry Garcia Band: SB > FM > C > ? > WAV > SHN.	Source Detail
03/27/82	Keystone	Berkeley	CA	Jerry Garcia Band: probably MSC>dat , excellent sound, a little hiss on quiet parts,some level change weirdness on set2 which may be splices, cuts or weaker splicing attempts most obvious at cd1t5 6:40 cd2t3 1:36, 2:20 cd2t5 0:27; (these do not look like digital anomalies)	Source Detail
04/10/82	Capitol Theatre (Early Show)	Passaic	NJ	Jerry Garcia Solo:SBD > ? > DAT > CDR > WAV > SHNv3. Posted to abgd 11/01	Source Detail
04/10/82	Capitol Theatre (Early Show)	Passaic	NJ	Jerry Garcia Solo Acoustic: Late Show: MAC > SoundForge bass boost > CD > EAC > SHN (seekable). Recorded by Glenn Gardner (row MM, seat 15, left side), Realistic Stereo Mic > Sony TCM-16 TDK SA-C90 (dolby off). A > D by Noah Weiner. Extraction (EAC), .shn encoding (mkwACT), and seeding by Stephen Kinsch.	Source Detail
04/10/82	Capitol Theatre (Early Show)	Passaic	NJ	Jerry Garcia Solo Acoustic: Early Show: SBD > ? > DAT > CDR > WAV > SHNv3, with patching, smoothing, pitch shift, & other fixing by Patrick Murphy.	Source Detail
04/10/82	Capitol Theatre (Early Show)	Passaic	NJ	Jerry Garcia Solo Acoustic: Late Show: SBD > ? > DAT > CD > WAV > SHN, with various fixing by Patrick Murphy.	Source Detail
04/10/82	Capitol Theatre (Early Show)	Passaic	NJ	Jerry Garcia Solo Acoustic: Early Show: MAC > CD > EAC > SHN (seekable). Recorded by Ohr Weinberg, Sony ECM 23-F's > Sony TC-D5m (Dobly B). A > D by Jim Wise, Nakamichi Dragon (Dolby B) > HHB CDR-800. Extraction (EAC), .shn encoding (mkwACT), and seeding by Stephen Kinsch.	Source Detail
04/10/82	Capitol Theatre (Early Show)	Passaic	NJ	flac1644; early show. Nak 700s w/ unknown deck; Lineage: MAC > C > WAV > FLAC; C > FLAC Encoding by Cousinit.	Source Detail	FLAC
04/10/82	Capitol Theatre (Early Show)	Passaic	NJ	JG solo acoustic, Late Show: matrix; 1) (shnid 15848) SBD > ? > DAT > CD > WAV > SHN and 2) (shnid 11281) AUDMC > DAT > WAV > CD > EAC > SHN (seekable) Realistic Stereo Mic > Sony TCM-16 TDK SA-C90 (dolby off) recorded by Glenn Gardner, row MM, seat 15, left side.	Source Detail	FLAC
04/10/82	Capitol Theatre (Early Show)	Passaic	NJ	Garcia solo, late show: MSC > 2 track reel > DAT > CD > EAC > FLAC level 8.	Source Detail	FLAC
04/10/82	Capitol Theatre (Early Show)	Passaic	NJ	flac1644; Richie Stankiewicz recorded and transferred; Recorded 2nd row center Sony D-5M Beyer M-88 (ribbon microphones); Transfered MAC > Sony TCKA3es > sound device usbpre2 > 24/96 > r8brain > 16/44.1. Special thanks to Andrew F	Source Detail	FLAC
04/10/82	Capitol Theatre (Late Show)	Passaic	NJ	Garcia solo; flac1644; Mason B. Taylor's Senn421 > Sony D5 recorded on maxell xlII chrome tapes dolby on	Source Detail	FLAC
04/10/82	Capitol Theatre (Late Show)	Passaic	NJ	flac1644; late show; John Hance's Sennheiser 421 -> D5M Dolby B Maxell XLIIS; Tascam 112 MKII -> MR2000S DFF 5.6 Audiogate-> 24/88.2-> Rx4A-> Wavelab6-> Ozone 6A > CD Wave > r8brainpro > 16/44.1 > TLH (level 8) > Flac16. Taped & Transferred by: John Hance.	Source Detail	FLAC
04/21/82	Beacon Theatre	New York	NY	Garcia & Kahn, Late Show: MSC > PCM > DAT > CDs > HP 9350i extraction (EAC v0.9 beta 4) > patching (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). EAC > SHN by Joe Jupille.	Source Detail
04/21/82	Beacon Theatre	New York	NY	Garcia & Kahn, Early Show: MAC > DAT > CD. 2 Sennheiser MD421's > Sony TC-D5M dolby b, 3rd row center. Maxell UDXLII C90 cassettes. master audience cassette recorded by Bill Nolan. MAC > DAT and DAT > CD transfers by Anne Cohen: MC > DAT 6/1991: JVC TD-V711 > Technics SV-DA10. DAT > CD 6/2004: Sony PCM-R500 > HHB CDR-830plus. EAC > Sound Forge 5.0 (4/21/05) > CDWave 1.71 > WAV > SHN.	Source Detail
04/21/82	Beacon Theatre	New York	NY	Garcia & Kahn, Late Show: MAC > DAT > CD. 2 Sennheiser MD421's > Sony TC-D5M Dolby B, 4th row center. Maxell UDXLII C90 cassettes. Master audience cassette recorded by Bill Nolan. MAC > DAT and DAT > CD transfers by Anne Cohen: MAC > DAT 6/1991: JVC TD-V711 > Technics SV-DA10. DAT > CD 6/2004: Sony PCM-R500 > HHB CDR-830plus. EAC > Sound Forge 5.0 (4/21/05) > CDWave 1.71 > WAV > SHN.	Source Detail
04/21/82	Beacon Theatre	New York	NY	JGJK, late show: Sennheiser MD421s FOB (within the first 8 rows) Taper: Tom G; Generation: 2nd Gen off his Masters Transfer: Sony TCW-21(analog out)>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>Media Join(join tape flips)>FlacFrontend (level-8)>flac-16	Source Detail	FLAC
04/21/82	Beacon Theatre	New York	NY	JGJK; late show; flac1644; Frank Streeter's Beyer M160 > Sony TC-D5M/Dolby B > Cassette Master, recorded Fob 2nd row center, patched out of Richie Stankiewicz. Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG Audiogate 4 > flac 24/96 (dolby decoded), transferred by Charlie Miller. Lineage: wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 CD Wave > TLH > Flac16, edited and mastered SIRMick.	Source Detail	FLAC
04/25/82	The Stone	San Francisco	CA	JGB: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac.	Source Detail	FLAC
04/26/82	The Stone	San Francisco	CA	"Unknown low gen aud (possibly andy/jeff)"; Transfer Info: nakdr-1 cass > tascam5000 > cdr > wav > flac, uploaded by brad tenner. Admin note: this is a multigen tape from Jeff Knudsen's master. Note2: the ffp and md5 included here are for files renamed to etree standards.	Source Detail	FLAC
04/26/82	The Stone	San Francisco	CA	JGB; flac1644; Taped By Jeff Knudsen using Marantz SuperScope Mics > Aiwa HS1 Deck, from the center front row of tables overlooking the dance floor. Transfer: MAC > 1 cassette >Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0 > DVD > Audacity 2.0.0 to 16 bit torrent.	Source Detail	FLAC
04/30/82	Keystone	Berkeley	CA	16 bit source: sbd William Keats' unknown gen cassette nakamichi dragon > benchmark adc1 a/d converter 24/96 > adobe audition > xACT flac transferred by Rob Berger August 2023 24/96 > 16/44 and sbe fix by mgoldey 8/09/2023 NOTE: THIS ORIGINALLY CIRCULATED MISDATED 04/30/82. The audio files are the same, but the names and metadata have been corrected, and this SHNID re-assigned to the correct date.	Source Detail	FLAC
05/01/82	Keystone	Berkeley	CA	Jerry Garcia Band. Source: MSC > Cx > D > CDR > WAV > SHN. Missing Tangled Up In Blue.	Source Detail
05/01/82	Keystone	Berkeley	CA	JGB: Jeff Knudsen's MAC > 1 cassette; Transfer: MAC(1) > Apogee Mini ME (24/96 > Apogee Mini DAC > Wavelab 5.0 (dithered via 'UV22HR' to 16/44) > CD by Matt Smith > Eac > wav > Gems Edit Station > flac.	Source Detail	FLAC
05/01/82	Keystone	Berkeley	CA	JGB; 24 bit. Source: sbd William Keats' 2nd gen cassette; Nakamichi dragon > benchmark adc1 a-d converter 24-96 > adobe audition > xACT flac; transferred by Rob Berger August 2023. Patched and pitched adjusted by David Minches. August 2023. Patch source: SHNID# 97549	Source Detail	FLAC
05/05/82	Oregon State Prison	Salem	OR	Garcia & Kahn: "SBD> dat> cd> wav> shn", too early for a master DAT. Supposedly lacks the overload distortion characteristic of most circulating copies of this show.	Source Detail
05/05/82	Oregon State Prison	Salem	OR	Garcia & Kahn: No source information given.	Source Detail	shn
05/08/82	Keystone	Berkeley	CA	Jerry Garcia Band: MSC > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
05/08/82	Keystone	Berkeley	CA	JGB, set II: Ohr Weinberg's MAC (2 Sennheiser MD421's > Sony TC-D5M [Maxell UD XLII C90 with Dolby B]) Transferred by Ohr Weinberg (7/3/2004): Master Cassette > Nakamichi Dragon (Modified by Stephen Sank) > HHB CDR830plus > CD > EAC > Soundforge 5.0 (tape flip spliced) > CDWave > WAV > SHN/FLAC.	Source Detail
05/08/82	Keystone	Berkeley	CA	JGB; Flac1644; Source: Sony TCS-310 (stereo Walkman) > Maxell UD-XLII's (no NR). Recording by John Anzaldo, three feet from the stage in the center. Transfer: MAC > Nakamichi CR-7A > Creative SB Audigy 2 > Creative WaveStudio > CDR by John Anzaldo, EAC > WAV 1644 via JGMF. Editing: WAV 1644 > Wavelab > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
05/14/82	Keystone Palo Alto	Palo Alto	CA	JGB; flac1644; patched version of shnid-102403 with shnid-106663.	Source Detail	FLAC
05/14/82	Keystone Palo Alto	Palo Alto	CA	JGB: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac.	Source Detail	FLAC
05/14/82	Keystone Palo Alto	Palo Alto	CA	JGB; flac1644; Jeff Knudsen's Marantz SuperScope Mics > borrowed unknown model Aiwa Deck from front row of tables; Transfer: MAC > 1 cassette >Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0 (dithered via 'UV22HR' to 16/44) > CD by Matt Smith. Edits and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. Weiss Saracon for POWR-3 Dither.	Source Detail	FLAC
05/15/82	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MAC (recorded by Steve Aprea, Senn MKH421 > Uher CR-240) > Nak Dragon playback > HHb 800 master CD > unknown CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by Jim Wise, CD > SHN by Joe Jupille.	Source Detail
05/15/82	Keystone Palo Alto	Palo Alto	CA	Taped By Jeff Knudsen Marantz SuperScope Mics > borrowed unknown model Aiwa Deck front row of tables Transfer: MAC > 1 cassette >Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0(dithered via 'UV22HR' to 16/44) > CD by Matt Smith Edits and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. Weiss Saracon for POWR-3 Dither	Source Detail	FLAC
05/31/82	River Theater	Guerneville	CA	JGB: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac.	Source Detail	FLAC
06/04/82	Neighbors Of Woodcraft	Portland	OR	Source: SBD>CM>DAT>CDR>WAV>SHNv3. Minor flaws - see info file.	Source Detail
06/04/82	Neighbors Of Woodcraft	Portland	OR	Early and late shows. Fix and remaster of 20578.	Source Detail	FLAC
06/05/82	Auditorium, South Eugene High School	Eugene	OR	Garcia and Kahn. Source: AUD>CM>Cx>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C. Ladner.	Source Detail
06/05/82	Auditorium, South Eugene High School	Eugene	OR	JGJK: Recorded by Don Eggiman and Tom Navarre using Mark Severson's equipment; 2 Nak 700s w/ 6 DB eq> Sony TC-D5M (2 Maxell MX cassettes); Recorded from 50' from stage with mics on railing; Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.	Source Detail	FLAC
06/05/82	Auditorium, South Eugene High School	Eugene	OR	JGJK: MAC (Taped by Otto Rice, Sony stereo mic > Aiwa deck); Lineage: Marantz PMD 510 playback > HHb 850 > CD > Wavelab 6.0 > CDWave > FLAC8.	Source Detail	FLAC
06/05/82	Auditorium, South Eugene High School	Eugene	OR	JGJK; flac1648 Source Info: Don Eggiman and Tom Navarre's Master Audience Cassettes; Mark Severson's Nakamichi 700 mics (with 6DB EQ)(50' from stage , mics on railing) > Sony TC-D5M (2 x Maxell MX cassettes) Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
06/05/82	Auditorium, South Eugene High School	Eugene	OR	JGJK; correct date of prison show; unknown soundboard > dat (48k) provided by Rich Gastwirt; Transfer: Dat > Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48, transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > Adobe Audition 1.5 > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16, edited and mastered SIRMick July 2017.	Source Detail	FLAC
06/06/82	Auditorium, South Eugene High School	Eugene	OR	Garcia & Kahn: MSC > C > D > CD > EAC > SHN	Source Detail	shn
06/06/82	Auditorium, South Eugene High School	Eugene	OR	JGJK; flac1648 Source Info: Don Eggiman and Tom Navarre's Master Audience Cassettes; Mark Severson's Nakamichi 700 mics (with 6DB EQ)(50' from stage , mics on railing) > Sony TC-D5M (2 x Maxell MX cassettes) Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
06/12/82	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
06/12/82	Keystone Palo Alto	Palo Alto	CA	JGB, missing 2 songs: Jeff Knudsen, MAC (Marantz Superscope mics > AIWA-HS1) > 1 cassette > Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0 (dithered via 'UV22HR'to 16/44) > CD by Matt Smith; Eac > wav > Gems Edit Station (balanced levels and tape pauses smoothed) > flac > tracking (Cdwave) > Flac8 (TLH) by Jamie Waddell.	Source Detail
06/16/82	Music Mountain	South Fallsburg	NY	Jerry Garcia Band: (Updated source info) Sennheiser 441s (FOB) > Nak 550 > cass. XLII-S > SV3700@48khz. Recorded by Jeff Silberman. Transfer: D8 > Delta DiO 2496 > Samplitude 2496 > CDWAVE > SHN v3.	Source Detail
06/16/82	Music Mountain	South Fallsburg	NY	Jerry Garcia Band: FOB MAC (Sennheiser 421s w/ PZM blend > NAK550 [Rob Eaton] > patched Sony D5 [Jim Wise]) > CD/0 > EAC > SHN via mkwACT. This is a fresh transcription of the master cassettes, without the digital processing on earlier transfers. A>D by Jim Wise, EAC>SHN by flipp.	Source Detail
06/16/82	Music Mountain	South Fallsburg	NY	JGB: Jim Wise Master Audience Cassette; 2 Senn 421s/PZM Blend> Nak 550> Sony D-5 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding.	Source Detail
06/16/82	Music Mountain	South Fallsburg	NY	Jerry Garcia Band: Sennheiser 441's> MCassette > DAT > CD> (EAC)WAV	Source Detail
06/16/82	Music Mountain	South Fallsburg	NY	JGB, set I: SBD > ? > Dat > ? > Flac.	Source Detail	FLAC
06/16/82	Music Mountain	South Fallsburg	NY	JGB, flac16 MOTB Release: 0057 16/44.1; John Steinthal's FOB MAC (2 x Nakamichi CM-300 > Sony TC-D5M > Sony TC-D5M (??) playback > TEAC AN-300 [Dolby Encode] > Technics RS-1506US [3.75 IPS] 1st gen reel > Technics RS-1506 playback > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg MR-1000 > Korg AudioGate > WAV [24/96]. Edited, mastered and downsampled to 16/44.1 on the GEMS Edit Station.	Source Detail	FLAC
06/16/82	Music Mountain	South Fallsburg	NY	Jerry Garcia Band: MAC (Taped by Jim Holvey, AT815a > Sony D5 [3/4 of the way up the hill]) > Cool Edit Pro > wav > shn, transfer by Michael J. Joyce.	Source Detail	shn
06/16/82	Music Mountain	South Fallsburg	NY	JGB; flac1644; David Dyche's Nak 300's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > flac.	Source Detail	FLAC
06/16/82	Music Mountain	South Fallsburg	NY	JGB; flac1648; Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R90). Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. May 2021.	Source Detail	FLAC
06/17/82	Veterans Memorial Coliseum	New Haven	CT	JGB: Jim Wise Master Audience Cassette; Senn MD-421s> Sony D-5 (10th Row; Maxell UDXLII) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac.	Source Detail	FLAC
06/17/82	Veterans Memorial Coliseum	New Haven	CT	Jerry Garcia Band: MAC (Taped by Jim Wise, Senn 421's [hand held, 10th row center] > Sony D5) > playback on Nak Dragon > Sony PCM R-700 > ZA2 > WAV > CD via Sound Forge & CD Architect > EAC > shn via MKW. Fresh and unadulterated transcription from the masters by Jim Wise.	Source Detail
06/17/82	Veterans Memorial Coliseum	New Haven	CT	Jerry Garcia Band: Senn 421s (hand-held, 10th row center) > D5 > CD > EAC > SHN. Recorded by Jim Wise.	Source Detail	FLAC
06/18/82	Cape Cod Coliseum	South Yarmouth	MA	Jerry Garcia Band: MSC > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > joined wavs (WavMerge v2.1) > normalization and minor editing (SF Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
06/18/82	Cape Cod Coliseum	South Yarmouth	MA	JGB: MAC (Nakamichi CM-300's [in the stands, side of the stage] > Sony TC-D5) > 1st gen cassette (Dolby B) > Sony TC-D5M (Dolby on) playback > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums, and FLAC compression) > FLAC, by Andrew F (August 2006).	Source Detail
06/18/82	Cape Cod Coliseum	South Yarmouth	MA	JGB: SBD > DAT > CD > ... appears to be a variant of shnid 18065.	Source Detail	shn
06/18/82	Cape Cod Coliseum	South Yarmouth	MA	flac1644; JGB; AUD Source: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Nakamichi ZX-90s, set up in center riser straight back, about ten rows off the floor, taped by Joe Morrone and Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.	Source Detail	FLAC
06/20/82	Cumberland County Civic Center	Portland	ME	Jerry Garcia Band: Steve Rolfe's FOB MAC w/ Nak 700's>Sony TC-D5m>DAT>CDR>WAV>SHNv3. With Bob Weir and Bobby Cochran on the encore.	Source Detail
06/20/82	Cumberland County Civic Center	Portland	ME	flac1644; Steve Rolfe's Nakamichi 700 > Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) > Sound Devices 744T (24bit/48k) > Adobe Audition v3.0 > Samplitude Professional v11.1 > FLAC/16; All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
06/20/82	Cumberland County Civic Center	Portland	ME	JGB; Doug Lamarre: Sennheisser 441s > Sony D5 > DAT > PC > flac. Cassette masters and dat transfers by Rob Berger, seeded July 2012.	Source Detail	FLAC
06/20/82	Cumberland County Civic Center	Portland	ME	JGB; flac16; aud cassette master, nak 300's>sony d5, taped by Doug Lamarre, transferred & seeded by Rob Berger	Source Detail	FLAC
06/23/82	Stanley Theater	Pittsburgh	PA	JGB: Unknown Aud -> Cassette Master -> ? -> Cassette (Maxell UDXL I); Transfer Info:Cassette (Maxell UDXL I) -> Ion Tape2PC -> Audacity -> wav -> FLAC.	Source Detail	FLAC
06/23/82	Stanley Theater	Pittsburgh	PA	JGB, flac1644; Sources: AUD composite of two recordings; Set One, JGMF's closet-call tape, and Set Two, uncle-duke ID-90876. Transfer: Both AUD FLACs > Wavelab > R8Brain (Set One material) > CD-Wave > TLH > FLAC 1644 tagged. Project assembly & edited by Andrew F. Dec 2019.	Source Detail	FLAC
06/24/82	Capitol Theater	Passaic	NJ	Jerry Garcia Band, Late show: Jim Wise's Senn 421s > Sony TC-D5 > Cassette Master Playback on Nak Dragon & ran the signal right through Sony PCM R-700 directly to hard disc via ZA-2 (Jim Wise master/transfer). Encoded to wave>tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) as seekable V3 shn.	Source Detail
06/24/82	Capitol Theater	Passaic	NJ	JGB, early and late shows. Early show: Jim Wise Master Audience Cassette; Senn MD-421s> Sony D-5 (10th Row; Maxell UDXLII); Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Late Show: Jim Wise Master Audience Cassette; Senn MD-421s> Sony D-5 (Row Q Center; Maxell UDXLII) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac.	Source Detail
06/24/82	Capitol Theater	Passaic	NJ	JGB, late show: SBD > CM > DAT > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC, via Andrew F.	Source Detail
06/24/82	Capitol Theater	Passaic	NJ	Jerry Garcia Band, Early Show: Jim Wise's Senn 421s > D5 at SBD > Sony PMCR-700 DAT for (A>D only)> ZA2 > CD(x1) > EAC > SHN (A>D by Jim Wise)	Source Detail	FLAC
06/25/82	Palladium	New York	NY	Garcia & Kahn: Jim Wise Master Audience Cassette; Senn 421s (Center, 1st Loge) > Sony D5 master cassette (Maxell UDXLII) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac.	Source Detail
06/26/82	Warner Theater	Washington	DC	Garcia & Kahn: Early Show: MSC > CD > EAC > SHN > Pro Tools > SHN. Seeded by Mike Lai, retracked by Dan Metz.	Source Detail
06/27/82	The Tower Theatre	Upper Darby	PA	Late show: David Weidner's Senn mics (Center 1st row of balcony) > Nakamichi deck; transfer: 1st Gen Cass -> Nak CD2 -> Phillips CDR -> CD WavEditor for Tracking -> flac. Transfer by: Dan Brown.	Source Detail	FLAC
06/27/82	The Tower Theatre	Upper Darby	PA	JGJK; late show; flac2448; Source: Nakamichi CM-300's > Sony TC-D5 > MAC > 1st-Gen cassette very kindly provided by Doug Lamarre. Transfer: UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2021	Source Detail	FLAC
06/28/82	Opera House	Boston	MA	Garcia & Kahn: MAC (Nak 700s > Sony TC-D5M, taped FOB by Steve Rolfe) > CD > EAC > SHN	Source Detail
06/28/82	Opera House	Boston	MA	Garcia & Kahn: aud> senn 441> D-5 cassette master> cdr;	Source Detail	shn
06/28/82	Opera House	Boston	MA	jgjk; flac1644: aud cassette master taped by Doug Lamarre, transfer/seeded by Rob Berger	Source Detail	FLAC
06/28/82	Opera House	Boston	MA	JGJK; flac1644; Senn 441's > cassette (1st gen); Transfer: Cassette > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz. Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > iZotope RX 6 Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16. edited and mastered SIRMick August 2017	Source Detail	FLAC
06/30/82	Auditorium Theater	Rochester	NY	Garcia & Kahn: Jamie Herbst MAC > Cassette > Cassette (2nd Gen); Transfer and FLAC encoding by David Minches: 2nd gen cassette played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC.	Source Detail
06/30/82	Auditorium Theater	Rochester	NY	JGJK, early and late shows: Unknown audience recording > cassette/1st gen; Transfer: Yamaha K-1020 > Sony SBM-1 > Nomad JB3 > firewire > SF v6 > Cdwave.	Source Detail	FLAC
07/01/82	Auditorium Theatre	Chicago	IL	Garcia & Kahn: Sony Walkman (condenser mic)> Cass > DAT > CDR > SHN	Source Detail
07/01/82	Auditorium Theatre	Chicago	IL	JGJK; flac1644; unknown audience recording>Harmon Kardon TD 302>Zoom H2, transfer by John Wenzel; different recording than shnid 013424.	Source Detail	FLAC
07/01/82	Auditorium Theatre	Chicago	IL	JGJK, flac1644; Unknown condenser mics > Sony WM-D6, taped by Tony Albano	Source Detail	FLAC
07/01/82	Auditorium Theatre	Chicago	IL	JGJK, flac1648; Cassette of unknown origin>PC>Soundforge for editing	Source Detail	FLAC
07/02/82	Macky Aud., U. of Colorado	Boulder	CO	Garcia & Kahn: Early Show: Unknown MAC > 2 cassette gens > CD > EAC > SHN. A>D by Paul Gibian, EAC>SHN by Joe Jupille.	Source Detail
07/02/82	Macky Aud., U. of Colorado	Boulder	CO	Garcia & Kahn: Late Show: Unknown MAC > 2 cassette gens > CD > EAC > SHN. A>D by Paul Gibian, EAC>SHN by Joe Jupille.	Source Detail	shn
07/02/82	Macky Aud., U. of Colorado	Boulder	CO	JGJK; flac1648; Early and Late Shows; Recording info: Unknown mics > Sony TC-D5 > master audience cassette (TDK SA-C90); Transfer info: Nakamichi CR-7A > Tascam DA-3000 at 24 bit 96 kHz; Recorded by Bill Swan; Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
08/23/82	Kabuki Theater	San Francisco	CA	Garcia & Kahn, early and late shows: Source: FOB (25' from stage DFC) > Nak 700's > Sony D5M (Dolby B, Maxell metal cassette), recorded by Bob Menke; transfer: cassette master > Echo Event Gina A/D > Sound Forge 4.5 > CDR > EAC (secure mode) > CDWave (retracked on sb's) > SHN (MKWACT). A>D by Bob Menke, EAC/Shn'ed by Charlie Connor.	Source Detail
08/23/82	Kabuki Theater	San Francisco	CA	flac1644; early show; Recorded by Phil Jaret; Unknown Equipment (MAC). Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Grace Lunatec V3 (24/96) > Digital Audio Labs Card Deluxe > Adobe Audition 3.0 > FLAC encoding. Pitch Correction by Joe B. Jones.	Source Detail	FLAC
09/06/82	The Stone	San Francisco	CA	JGJK; s1; flac1644; taped By Jeff Knudsen using Marantz SuperScope Mics > Aiwa HS1 Deck, from the (stage left) table on the Dance floor; Transfer: MAC > Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0 > DVD > Audacity 2.0.0 to 16bit	Source Detail	FLAC
09/07/82	The Stone	San Francisco	CA	unknown low gen aud; Transfer Info: nakdr-1 cass> tascam5000>cdr>wav>flac via brad tenner	Source Detail	FLAC
09/07/82	The Stone	San Francisco	CA	JGJK; flac1648 Source: SBD Cass > DAT at 16 bit 48 kHz from ANON. Patches from Source ID 121115, taped by Jeff Knudsen. Speed Correction by Jason Chastain; Mastering by Jamie Waddell; Track, FLAC, and Pack by Steve Gravel.	Source Detail	FLAC
10/13/82	The Catalyst	Santa Cruz	CA	Jerry Garcia Band: MAC (Taped by N Hoey*) > CD > WAV > SHN. * admin note 12/20/2010: this recording used to be attributed to Steven Martin, but Hoey confirms that it is his master.	Source Detail
10/21/82	The Stone	San Francisco	CA	flac1644; Jeff Knudsen's MAC (AIWA HS-1 > Superscope mics, Maxell XLIIS cassettes) > 1st gen cassettes; Transfer: cass (1) > Apogee Mini ME 24/96 > Apogee Mini DAC > Wavelab 6.0 by Matt Smith; Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station at 24 bit 96kHz; Weiss-Saracon for conversion to 16 bit 44.1kHz.	Source Detail	FLAC
10/22/82	Keystone Palo Alto	Palo Alto	CA	flac1644; Jeff Knudsen's MAC (AIWA HS-1 > Superscope mics, Maxell XSII-S cassettes) > 1st gen cassettes; Transfer: cass (1) > Apogee Mini ME 24/96 > Apogee Mini DAC > Wavelab 6.0 by Matt Smith; Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station at 24 bit 96kHz Weiss-Saracon for conversion to 16 bit 44.1kHz.	Source Detail	FLAC
10/23/82	Keystone Palo Alto	Palo Alto	CA	flac1644; Jeff Knudsen's MAC (AIWA HS-1 > Superscope mics, Maxell XSII-S cassettes) > 1st gen cassettes; Transfer: cass (1) > Apogee Mini ME 24/96 > Apogee Mini DAC > Wavelab 6.0 by Matt Smith; Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station at 24 bit 96kHz Weiss-Saracon for conversion to 16 bit 44.1kHz.	Source Detail	FLAC
10/24/82	River Theater	Guerneville	CA	JGB: unknown aud > ? > flac.	Source Detail
10/27/82	Rissmiller's Country Club	Reseda	CA	JGB, flac1644; Unknown AUD (marked 4th Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2017	Source Detail	FLAC
10/28/82	Rissmiller's	Reseda	CA	Jerry Garcia Band, Early & Partial Late Shows: MAC > WAV > SHN. Recorded by Rango Keshavan, front of the balcony, Sony ECM220T mics > SonyTCD5M metal cassette masters (no dolby) > playback on a Nak DR1 > Sony PCMR500 (SBM on) > Turtle Beach Montego II sound card > WAV > SHN.	Source Detail
10/30/82	Mesa Ampitheater	Mesa	AZ	JGB: AUD (unknown lineage) > CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH (checksums, SBE-fix, FLAC compression)	Source Detail
10/30/82	Mesa Ampitheater	Mesa	AZ	JGB; flac1644; Recorded by Kaj Maurins; Aiwa cassette recorder and unknown mics; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding. Speed/pitch Correction by Joe B. Jones.	Source Detail	FLAC
11/01/82	Opry House	Austin	TX	JGB: MAC > ? > Maxell XL2S90 (Dolby C) > Nak CR3A(Dolby C EQ Out) > HP computer > Sound Forge (vol@5.6DB) > CD Wave > Flac.	Source Detail	FLAC
11/01/82	Opry House	Austin	TX	JGB: s1s2p; Unlineaged multianalog generation audience recording	Source Detail
11/03/82	Riverboat President	New Orleans	LA	Jerry Garcia Band, S:C>C>D>CD>EAC>SHN	Source Detail
11/03/82	Riverboat President	New Orleans	LA	JGB; flac1644; SBD > MSC > 3rd-Gen Cassettes. Transfer: Maxell XLII-S > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patch) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017.	Source Detail	FLAC
11/05/82	Chrysler Auditorium	Norfolk	VA	JGB: Brent Z.'s MAC (hand-held stereo recorder, likely an early Walkman) > first generation cassettes (Maxell XL-II's) > Sony TC-D5M playback > Soundblaster > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums, and lossless compression) > FLAC, by Andrew F. May 2006.	Source Detail
11/05/82	Chrysler Auditorium	Norfolk	VA	JGB: AUD, reportedly recorded by Dave Allen in the balcony. Unknown equipment and lineage.	Source Detail
11/06/82	Ritchie Coliseum (U. MD)	College Park	MD	Unknown Audience Recording > ? > FLAC, via GEMS.	Source Detail	FLAC
11/06/82	Ritchie Coliseum (U. MD)	College Park	MD	flac1644: Tracks 1-9: unlineaged aud recording > CD, via John Herrold; Transfer: Eac (secure Mode) > Wav; Tracks 10-13: shnid 100364. Assembly: AA3 For edits, fades; TLH For Flac7, Foobar For Tags. Transferred and assembled by Mike Schuncke.	Source Detail	FLAC
11/06/82	Ritchie Coliseum (U. MD)	College Park	MD	JGB; flac2448; Source: Nakamichi CM100/CP4 shotguns > unknown deck > MAC > 1st Gen copy, cassettes liberated from ebay. Transfer: Sony FR-II's > Nakamichi CR-5 (Dolby out) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit) > TLH > FLAC 2448 tagged, Andrew F. 04/2023	Source Detail	FLAC
11/07/82	The Tower Theatre	Upper Darby	PA	Jerry Garcia Band. Late show. Source: AUD(taper&mics unknown)>?>CDR>WAV>SHN.	Source Detail
11/07/82	The Tower Theatre	Upper Darby	PA	JGB, early & late shows: Brent Z.'s MAC (hand-held stereo recorder, likely an early Walkman) > 1st gen cassettes > Sony TC-D5M playback > Soundblaster > Soundforge > CD-Wave > TLH (for SBE-OK, checksums, and lossless compression) > FLAC > bt.etree, by Andrew F.	Source Detail
11/07/82	The Tower Theatre	Upper Darby	PA	JGB; flac1644; early and late shows; Sony D6C(NAK mics)>Master cassette>JVC TD-R462>Audacity>TLH Flac8, Taper: Dave Peters	Source Detail	FLAC
11/09/82	E.M. Loew Center for the Performing Arts	Worcester	MA	JGB, early show: Doug Lamarre's Sennheiser 441's> D-5 MAC > CDR > EAC > Wav [>shn].	Source Detail
11/09/82	E.M. Loew Center for the Performing Arts	Worcester	MA	Jerry Garcia Band: Early and Late shows: MAC (Taped by Steve Rolfe, front row balcony w/Nak 700s > Sony TC-D5) > DAT > CD > WAV > SHN. Extracted, shn'd and posted to abgd by weatherbee.	Source Detail
11/09/82	E.M. Loew Center for the Performing Arts	Worcester	MA	JGB, early and late shows: SBD(x) > unknown gen TDKSA90 cassette Played on a Nak CR3A > hp computer > Sound Forge (vol@5.5db) > CD wave > Flac.	Source Detail	FLAC
11/09/82	E.M. Loew Center for the Performing Arts	Worcester	MA	JGB, early & late: John Levene's Senn 421 > Sony TCM-D5 MAC; Transfer: Yamaha K-1020 > Sony SBM-1 > Nomad JB3 > firewire > SF v6 > Cdwave Soundforge used to prepare wave file for tracking and resample to 44.1k CDwave used to track and flac @ compression level 8.	Source Detail	FLAC
11/09/82	E.M. Loew Center for the Performing Arts	Worcester	MA	JGB; flac; early and late shows; sbd, Jerry Moore's low gen cassette, transfer/seed by Rob Berger	Source Detail	FLAC
11/09/82	E.M. Loew Center for the Performing Arts	Worcester	MA	JGB, early show: Doug Lamarre's Senn 441s > Sony D-5) > CD > EAC > SHN > shntool > SHN. Fixes sector boundary errors on previous .shn set, fixed and seeded by Chris L.	Source Detail	FLAC
11/09/82	E.M. Loew Center for the Performing Arts	Worcester	MA	JGB; flac2448; Early Show; Source: Sennheiser MD-441's > Sony TC-D5 > Maxell XLII-90, set up front row balcony, recording by Doug Lamarre. Transfer: MAC > Nakamichi CR-5A (Dolby B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2021	Source Detail	FLAC
11/09/82	E.M. Loew Center for the Performing Arts	Worcester	MA	JGB, flac1644; early and late shows; Matrix of SBD ID-123034 & AUD ID-89126. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 12/2021	Source Detail	FLAC
11/09/82	E.M. Loew Center for the Performing Arts	Worcester	MA	flac1648 Source: 24 bit 96kHz files most likely from first generation soundboard cassette via Anon, patched with audience source ID 110490 to make both early and late shows complete. Mastered by Jim Blackwood; Speed Correction by Jason Chastain; Track, FLAC, and Pack by Steve Gravel	Source Detail	FLAC
11/10/82	Livingston Gym (Livingston College - Rutgers U.)	Piscataway	NJ	Source: MAC>D>CDR>WAV>SHNv3. Microphone and taper unknown at this time. CDR source via J.Darr. SHN encoding/FTP via C.Ladner/candyman FTP.	Source Detail
11/10/82	Livingston Gym (Livingston College - Rutgers U.)	Piscataway	NJ	JGB: Steve Adelman's MAC (Nak100s > D5) > 1st gen cassette > playback on cleaned/demagged Nakamichi DR-2 tape deck > Presonus Firebox (pre-amp and A-D conversion) > firewire/PC/XP > Wavelab 5, recorded as 24 bit/96 KHz WAV > digital subtraction NR using Waves XNoise, mastering with L3 Multimaxmizer and rendered to 16 bit/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). 1st gen cassette provided by Bill Koucky.	Source Detail
11/10/82	Livingston Gym (Livingston College - Rutgers U.)	Piscataway	NJ	JGB; flac1644; David Dyche's Nak 700's (FOB) > Bass Box > Sony TCD-5m > PDA Audio Card 24/48 > Sound Forge Audio Studio 10 16/44.1 > CD Wave > flac.	Source Detail	FLAC
11/10/82	Livingston Gym (Livingston College - Rutgers U.)	Piscataway	NJ	JGB; flac1648; Master Audience Cassettes (unknown taper): Nakamichi 300 mics + CP4 caps > Jim Vita's 1st generation cassettes. Transfer Info: 1st generation cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit Via DBpoweramp. Mastered by Scott Clugston. May 2021.	Source Detail	FLAC
11/11/82	Felt Forum (Madison Square Garden)	New York	NY	Jerry Garcia Band: Early & Late Shows: MAC > ? > CD > SHN. Taped by Jim Wise, extracted, .shn'd, and posted to abgd by weatherbee.	Source Detail
11/11/82	Felt Forum (Madison Square Garden)	New York	NY	JGB, Early & Late Shows: Jim Wise MAC (Early Show: Beyer M160s w/ Senn 421 blend at SB [Maxell XLIIS] > Uher cassette deck; Late Show: Senn 421s at SB > Uher cassette deck [Maxell XLIIS]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC, transfer by David Minches.	Source Detail
11/11/82	Felt Forum (Madison Square Garden)	New York	NY	Jerry Garcia Band, Early Show: MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > Nak Dragon playback > ART DI/O > HD > WAV (Cool Edit 2000) > shntool > SHN (mkwACT). Cassette > SHN by David Minches.	Source Detail
11/11/82	Felt Forum (Madison Square Garden)	New York	NY	JGB; flac1644; early show; David Dyche's Nak 700's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > flac.	Source Detail	FLAC
11/11/82	Felt Forum (Madison Square Garden)	New York	NY	JGB; flac1644; late show; David Dyche's 2x Sennheiser 421 & 1x Beyer M160 > Nak Blend Box > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > flac.	Source Detail	FLAC
11/11/82	Felt Forum (Madison Square Garden)	New York	NY	JGB; flac1648; late show; Master Audience Cassettes (unknown taper); Nakamichi 300 mics + CP4 caps > Jim Vita's 1st generation cassettes. Transfer Info: 1st generation cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit-96k) > Adobe Audition CC 2020 > TLH flac2496. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. May 2021.	Source Detail	FLAC
11/11/82	Felt Forum (Madison Square Garden)	New York	NY	JGB; flac2496; Late Show. Recorded by Matthew Caffrey, UrbanSurfer. AudioTechnica mics > Sony D5; Transfer, mastering and editing by David Minches, June 2023. Master cassette played on Nakamichi Dragon> Tascam DA-3000 (24 bit; 96 kHz)> Adobe Audition 2023.	Source Detail	FLAC
11/13/82	Bushnell Auditorium	Hartford	CT	Jerry Garcia Band, I/IIp: MAC > ?? > C > CD > EAC > SHN, possibly as many as three cassette gens between the master and the digitized copy.	Source Detail
11/13/82	Bushnell Auditorium	Hartford	CT	Jerry Garcia Band, set II only: MAC (Taped by Jim Wise, Sennheiser 421's > Sony D5 [7th row center, hand held]) > CD > EAC > SHN. A>D by Jim Wise, EAC>SHN by flipp. The set I tape was "marred" and not transferred. As of this submission (9/2003), no md5s were available. If you have these .shns, please submit the md5s.	Source Detail	SHN
11/13/82	Bushnell Auditorium	Hartford	CT	JGB: Jim Wise Master Audience Cassette; Senn 421s (7th row center, hand-held) > Sony D5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac.	Source Detail
11/13/82	Bushnell Auditorium	Hartford	CT	JGB; flac1644; aud casette master, senn 441's>d5, taped by Doug Lamarre, transfer/seeded by Rob Berger	Source Detail	FLAC
11/13/82	Bushnell Auditorium	Hartford	CT	[b]JGB; flac1644[/b]; Ted Mattes's Beyer M600 > Sony TCD-5 (No Dolby encoding) Nkakmichi Dragon > Thomas Mayer 10Y Preamp > QES Labs Pad II LE (A/D 96/24) > Bias Peak 7 OSX (edits, tracking) > xACT (flac, tagging). 30 second patch taken from Jim Wise source (shnid 33422) for the beginning of The Night They Drove Ol;d Dixie Down. This file set is 16 bit @ 44.1	Source Detail	FLAC
11/14/82	Shapiro Gym, Brandeis University	Waltham	MA	JGB: unknown aud, unknown gens > Cassette (Nak playback) -> RME DIGI -> Samplitude 6.0 -> CD-Wav -> Mkwact -> SHN, transferred by Patrick H.	Source Detail
11/15/82	Wilkins Theatre (Kean College)	Union	NJ	Jerry Garcia Band. Late show. Source: MSC>C>DAT>WAV>CDR>SHN.	Source Detail
11/15/82	Wilkins Theatre (Kean College)	Union	NJ	JGB, late show: Jim Vita's MAC (2 Sennheiser 421s [16th row center] > Sony D5) > Nakamichi Dragon playbac > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches.	Source Detail
01/13/83	Keystone	Berkeley	CA	Jerry Garcia Band: MSC > ? > DAT > Marantz 631 w/ 110 ohm AES cord(resampled 48 > 44.1 & tracked) > CD > EAC > MKW > SHN	Source Detail
01/13/83	Keystone	Berkeley	CA	JGB: MSC > DAT > Panasonic SV-3700 playback > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > Flac (8). Transferred, Remastered and Seeded by Green Mountain Brothers.	Source Detail	FLAC
01/15/83	The Stone	San Francisco	CA	unknown low gen aud via brad tenner Transfer Info: nakdr-1 cass> tascam5000>cdr>wav>flac	Source Detail	FLAC
01/18/83	The Catalyst	Santa Cruz	CA	JGB; flac1644; missing last song; unknown low gen aud via brad tenner; Transfer Info: nakdr-1 cass> tascam5000>cdr>wav>flac	Source Detail	FLAC
01/18/83	The Catalyst	Santa Cruz	CA	JGB; flac 2448, Partial Show; Source: Unknown mic & deck > TDK SA-X cassette master recording by Gene Taback. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2020	Source Detail	FLAC
01/21/83	KVRE-FM 101.7 Radio Station	Santa Rosa	CA	Jerry Garcia telephone interview; KVRE-FM 101.7; Santa Rosa, CA; 01-21-1983 09:45 a.m.; FM>C>CD>EAC>SHN.	Source Detail
01/22/83	Phoenix Theater	Petaluma	CA	Jerry Garcia Band: MSC (TDK SA-90) > DAT > CDR > EAC > SHN	Source Detail	SHN
01/22/83	Phoenix Theater	Petaluma	CA	JGB: MSC (unknown deck) > cassette copy (unknown deck, Dolby off) transfer: Sony TC-K71 (Dolby off) > Sek'd Prodif Plus > Sound Forge 8 (24 bit, normalize, track, bit depth conversion, export to .wav files) > FLAC level 8 encoding align on sector boundaries.	Source Detail	FLAC
01/22/83	Phoenix Theater	Petaluma	CA	JGB; flac1648; Sbd > Master Cassettes; Transfer - Nak BX-300 > Sony 75ES > DAT	Source Detail	FLAC
01/23/83	Keystone	Berkeley	CA	Source: SBD>MC>PCM>DAT>WAV>SHN, set 1 only.	Source Detail
01/23/83	Keystone	Berkeley	CA	Jerry Garcia Band, set II only: MAC > CD > EAC > SHN. Taped by Andrew Jones (Nak 100s > Sony TC-D5M), transferred from the master cassettes via Nak DR380 > DA-P1 > ZA-2 > Sound Forge 4.5 > WAV (no DAE) > CD x 1 > EAC > SHN.	Source Detail	SHN
01/24/83	Keystone	Berkeley	CA	Source: SBD>MC>PCM>DAT>WAV>SHN.	Source Detail
01/24/83	Keystone	Berkeley	CA	JGB, flac1644; Matrix of SBD ID-19966 & AUD ID-23943. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F 04/2018	Source Detail	FLAC
01/24/83	Keystone	Berkeley	CA	Jerry Garcia Band: Master audience cassette (Taped by Steven Martin, 2 modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding	Source Detail	FLAC
02/26/83	Keystone Palo Alto	Palo Alto	CA	JGB; shn; s2: MAC>1C>CD>WAV>SHNv3 CDR source provided by Jim Powell. DAE (EAC) > tracking (cdwav editor) > sector boundaries confirmed (shntool) > SHN (mkwact) by Chris Ladner.	Source Detail	SHN
02/26/83	Keystone Palo Alto	Palo Alto	CA	unknown low gen aud via brad tenner Transfer Info: nakdr-1 cass> tascam5000>cdr>wav>flac	Source Detail	FLAC
02/27/83	Keystone Palo Alto	Palo Alto	CA	Source: SBD>MC>DAT>CDR>WAV>SHN. Partial -missing the middle of the second set. See info file.	Source Detail
02/27/83	Keystone Palo Alto	Palo Alto	CA	unknown low gen aud via by brad tenner Transfer Info: nakdr-1 cass> tascam5000>cdr>wav>flac	Source Detail	FLAC
02/27/83	Keystone Palo Alto	Palo Alto	CA	JGB; flac1648; s1s2p; Sbd > Master Cassettes; Transfer - Nak BX-300 > Sony 75ES > DAT	Source Detail	FLAC
02/28/83	Keystone	Berkeley	CA	Source: MAC(Nak 700s>Sony D-6)>DAT>CDR>WAV>SHN. Taper: John Corley	Source Detail
02/28/83	Keystone	Berkeley	CA	JGB; flac1648; s2; Sbd > Master Cassettes; Transfer - Nak BX-300 > Sony 75ES > DAT	Source Detail	FLAC
03/02/83	San Francisco Civic Auditorium	San Francisco	CA	Garcia & Weir: Walter Keenan's master FM cassette > Nakamichi Dragon playback > Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> HD; Editing and downsampling performed in Adobe Audition; Flac Encoded. Transfer by David Minches.	Source Detail	FLAC
03/02/83	San Francisco Civic Auditorium	San Francisco	CA	flac1644; BAMmies; KFOG-FM broadcast > master cassette, by Phil Jaret; Transfer and FLAC encoding by David Minches: 1st generation cassette played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding. Speed/pitch correction by Joe B. Jones.	Source Detail	FLAC
03/05/83	Civic Auditorium	Santa Cruz	CA	Jerry Garcia Band: MSC > DAT > CDR; seeded by eD	Source Detail
03/05/83	Civic Auditorium	Santa Cruz	CA	Jerry Garcia Band: MSC > DAT > CD [> SHN], extraction, conversion, and seeding by Todd Sanders.	Source Detail	SHN
03/05/83	Civic Auditorium	Santa Cruz	CA	JGB: MSC > DAT; Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0; Mastering with: iZotope Ozone 3 > r8brain dithered to [16/44.1] > CD Wave > TLH > FLAC; Transferred and Mastered by Bill Koucky March 18, 2008, Green Mountain Bros.	Source Detail	FLAC
03/05/83	Civic Auditorium	Santa Cruz	CA	JGB; flac1648; Sbd > Master Cassettes; Transfer - Nak BX-300 > Sony 75ES > DAT	Source Detail	FLAC
03/07/83	The Stone	San Francisco	CA	unknown low gen aud via brad tenner Transfer Info: nakdr-1 cass> tascam5000>cdr>wav>flac	Source Detail	FLAC
03/07/83	The Stone	San Francisco	CA	JGB; flac1644; SBD > ? > CDR > WAV, via the jjoops tupperware collection. Transfer: Wavelab > CD-Wave > TLH > FLAC 1644 tagged. June 2016.	Source Detail	FLAC
03/11/83	Arlington Theater	Santa Barbara	CA	Source: SBD>MC>?>CDR>WAV>SHN. Missing tracks - see info file for details.	Source Detail
03/12/83	Beverly Theatre	Beverly Hills	CA	Jerry Garcia Band, Late Show: MAC ("Tapers from Hell", Nakamichi CM-300 mics (hand-held in X-Y pattern, 15th row left of center] > Sony D5 [Dolby B, Maxell XLIIS "chrome"]) > Sony TC-D5M playback > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > Tascam DA-20mkII DAT playback > Marigo Audio Lab Apparition Reference Coaxial / RCA cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD clone (DAO, 1x) > CD clone (no details) > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
03/12/83	Beverly Theatre	Beverly Hills	CA	Jerry Garcia Band. Complete Early show. MAC>?>CDR>WAV>SHN.	Source Detail
05/06/83	The Stone	San Francisco	CA	JGB; flac1644; AUD (marked 2nd Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2017	Source Detail	FLAC
05/07/83	The Stone	San Francisco	CA	JGB; flac; aud 2nd gen cassette, Jerry Moore's copy, Rob Berger transfer/seed	Source Detail	FLAC
05/07/83	The Stone	San Francisco	CA	JGB, flac1644; 2nd Set Unknown AUD (mono) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 04/2017	Source Detail	FLAC
05/20/83	Rainbow Theater	Denver	CO	Jerry Garcia Band: MAC (Sennheiser K-403 > D5) > CDR > SHN. Taper: unknown. (Admin note: David White taped this show with these mics, but whether this is from his master remains TBD.)	Source Detail
05/20/83	Rainbow Theater	Denver	CO	JGB: Recorded by David White; Sennheiser K-403 mics> Sony TC-D5M (back of the hall); Nakamichi BX-300 playback > HHB 830 CD recorder > EAC > HD; Minor editing and tracking in Adobe Audition 2.0> FLAC encoding; Transfer and FLAC encoding by David Minches.	Source Detail	FLAC
05/21/83	Rainbow Theater	Denver	CO	JGB: Recorded by Craig Johnson with a Panasonic 610 (cassette deck with a built-in stereo mic); Lineage: Master cassette audience> cassette; Transfer and FLAC encoding by David Minches: 1st generation cassette played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.	Source Detail	FLAC
05/21/83	Rainbow Theater	Denver	CO	JGB: Bill Moran's Marcsound mics> Sony D-5; Original Transfer: Master > CD > EAC > SoundForge > CD; Additional mastering: CD > EAC > Adobe Audition 2.0 > FLAC encoding.	Source Detail
05/21/83	Rainbow Theater	Denver	CO	2 Sennheiser 421 FOB >Sony TCD5M Master Cassette>SHN	Source Detail	FLAC
05/21/83	Rainbow Theater	Denver	CO	JGB; flac1644; Recorded by an unknown man in wheelchair with unknown mics in his hat brim who copied his original masters for the seeder. Unknown stereo mics & deck > MC > TDK > CD > EAC > TLH	Source Detail	FLAC
05/23/83	Stages	Granite City	IL	Jerry Garcia Band. Source: MAC(Sony D-6 hand-held cassette recorder with internal microphones recorded by Steven Shayman)>C>CDR>WAV>SHN.	Source Detail
05/25/83	Shea's Auditorium	Buffalo	NY	JGB; flac2448; 3rd gen aud (Maxell XLII90, no Dolby) > Nakamichi BX-300 playback (no Dolby) > Pyle Pro cables > WaveTerminal 2496 > Samplitude 10.1 Download Version (record @ 24 bits/48kHz) > CDWave 1.9.8 (tracking) > Adobe Audition 3.0 (cross-fades, etc.) > Traders Little Helper 2.4.1 (FLAC encoding, level 8) (flac2448).	Source Detail	FLAC
05/26/83	Auditorium Theater	Rochester	NY	JGB: Recording by Don Crandel, equipment unknown. Unknown MAC > CDR transfer; CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC.	Source Detail	FLAC
05/26/83	Auditorium Theater	Rochester	NY	JGB, flac1644; unknown AUD (lo-gen) kindly provided from the collection of DL. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 06/2017	Source Detail	FLAC
05/28/83	Cape Cod Coliseum	South Yarmouth	MA	Jerry Garcia Band. Source: MAC(Jim Vita FOB Sennheiser 421 > Sony TC-D5M cassette deck)>D>CDR>WAV>SHN.	Source Detail
05/28/83	Cape Cod Coliseum	South Yarmouth	MA	JGB: Mark Horvath's 3 Audio Technica ATM 11s > Sony TCM D-5 > Master Cass; Sony TC-we 435 playback > analog Coax Cables > analog inputs > Philips CDR 870 > CD-R > EAC > Cool Edit (rejoin tracks and fades)# > CD-WAV (Re-Tracking) > MKW ACT 0.96 > SHN. Cass > CD by Mark Horvath, CD > SHN by Jan Welch .	Source Detail	SHN
05/28/83	Cape Cod Coliseum	South Yarmouth	MA	JGB: Jim Vita's MAC (2 Sennheiser 421s with Beyer mic blend, recorded on right-hand side in front of the SB > unknown deck [Maxell XLIIS]); Transfer and FLAC encoding by David Minches: Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac.	Source Detail	FLAC
05/28/83	Cape Cod Coliseum	South Yarmouth	MA	flac24; JGB: lineage: chasingwilma's 3x audio technica atm 11 fob > optimus > tcm-d-5 > mc > sony tc we435 > sony pcm m-10 96khz/24bit > soundforge > cdwave > traders little helper encoding option 8.	Source Detail	FLAC
05/28/83	Cape Cod Coliseum	South Yarmouth	MA	JGB; flac24; Rudy Huston's Beyer M160 > Nakamichi 550 > Cassette Master (Maxell UDXL-II); Transfer: Cassette Master > Nakamichi CR-7A > > wav 24/96, by Charlie Miller. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24, edited and mastered SIRMick May 2018.	Source Detail	FLAC
05/28/83	Cape Cod Coliseum	South Yarmouth	MA	JGB; flac1644; Rudy Huston's Beyer M160 > Nakamichi 550 > Cassette Master (Maxell UDXL-II); Transfer: Cassette Master > Nakamichi CR-7A > > wav 24/96, by Charlie Miller. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24, edited and mastered SIRMick May 2018, This file set is 16 bit @ 44.1	Source Detail	FLAC
05/28/83	Cape Cod Coliseum	South Yarmouth	MA	JGB; flac1644; Jeff Silberman (FOB) Recording: Nak 300 Shotguns > Nak 550 deck > Master Cassette; Bryan Bowen transfer: Cassette master > Apogee Ensemble > Dat > AIFF (44Hz/16bits). Edited & Mastered by Joe Noel: AIFF > Audacity > Flac 16/44, August 27, 2018.	Source Detail	FLAC
05/29/83	Bushnell Auditorium	Hartford	CT	Jerry Garcia Band: MAC (Taped by Jim Vita, Sennheiser 421s [at the board] > Sony TCD-5M) > DAT > CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
05/29/83	Bushnell Auditorium	Hartford	CT	JGB: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, transfer by David Minches.	Source Detail	FLAC
05/29/83	Bushnell Auditorium	Hartford	CT	JGB; flac24; Rudy Huston's Beyer M160 > Uher deck > Nakamichi 550 > Cassette Master (Maxell UDXL-II) (patched out of Marc Erdheims); Transfer: Cassette Master > Nakamichi CR-7A > > wav 24/96 - Transferred by Charlie Miller Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24, edited and mastered SIRMick May 2018.	Source Detail	FLAC
05/29/83	Bushnell Auditorium	Hartford	CT	JGB; flac1644; Rudy Huston's Beyer M160 > Uher deck > Nakamichi 550 > Cassette Master (Maxell UDXL-II) (patched out of Marc Erdheims); Transfer: Cassette Master > Nakamichi CR-7A > > wav 24/96 - Transferred by Charlie Miller Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24, edited and mastered SIRMick May 2018. This file set is 16 bit @ 44.1	Source Detail	FLAC
05/29/83	Bushnell Auditorium	Hartford	CT	JGB; flac1648; Jeff Silberman FOB Recording: Sennheiser 441's w/421 blend > Nakamichi 550 deck > Master Cassette (Row 17)Transfer: Cassette Master > Nakamichi Dragon (Dolby B) > Sony 75ES > DAT > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > WAV.	Source Detail	FLAC
05/30/83	Bushnell Auditorium	Hartford	CT	JGB; flac2448; AUD: AKG mics (unknown model) > patched thru one deck > Marantz PMD-340 > TDK SA-90s, mics placed on ledge of center mezzanine. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit) > TLH > FLAC 2448 tagged. June 2013, Andrew F. Upgrade to shnid-18181.	Source Detail	FLAC
05/30/83	Bushnell Auditorium	Hartford	CT	Jerry Garcia Band: MAC (Taped by Andrew Faintych using a Marantz 340 cassette deck and AKG mics resting on the rail of the balcony) > CD > EAC > SHN v3. EAC and SHN by cbass@usa.net.	Source Detail
05/30/83	Bushnell Auditorium	Hartford	CT	Jerry Garcia Band. Source: MAC(Sennheiser 441, 17th row center) > D > D. Taper: unknown @ this time, probably Jim Vita. DAT>WAV transfer: Sony PCM-R500>S/PIDF>Audiophile 2496>P4 2.0 GHz/Soundforge6.0>WAV>SHN via C.Ladner & J.Powell.	Source Detail
05/30/83	Bushnell Auditorium	Hartford	CT	JGB: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, transfer by David Minches.	Source Detail
05/30/83	Bushnell Auditorium	Hartford	CT	JGB; flac1644; Joe Morrone's AUD: 2x Nakamichi CM300/CP4 shotguns, 1x Nakamichi CM300/CP1 cardioid blend mic > Nakamichi 550 > Maxell UDXL-II's, set up in the balcony. Taped by Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F.	Source Detail	FLAC
05/30/83	Bushnell Auditorium	Hartford	CT	JGB; flac2448; AUD: AKG mics (unknown model) > patched thru one deck > Marantz PMD-340 > TDK SA-90s, mics placed on ledge of center mezzanine. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit) > TLH > FLAC 2448 tagged. June 2013, Andrew F. Upgrade to shnid-18181.	Source Detail	FLAC
05/30/83	Bushnell Auditorium	Hartford	CT	JGB; flac1648; Jeff Silberman FOB Recording: Sennheiser 441 > Nakamichi 550 deck > Master Cassette (Row 17); Transfer: Cassette Master > Nakamichi Dragon (Dolby B) > Sony 75ES > DAT > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > WAV.	Source Detail	FLAC
05/31/83	Roseland Ballroom	New York	NY	JGB: Sennheiser 441's > ?? >DAT; Transfer: DA-P1 > Zafiro ZA-2 > NT 4.0/SoundForge XP 4.0 > CDRWIN.	Source Detail
05/31/83	Roseland Ballroom	New York	NY	Jerry Garcia Band: MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > master played back on Nak Dragon > ART DI/O > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.	Source Detail
05/31/83	Roseland Ballroom	New York	NY	Jerry Garcia Band: mAC> DAT> CDR> TAE> WAV> SHN; mics unknown; via Dan Metz, Mike Lai	Source Detail	SHN
05/31/83	Roseland Ballroom	New York	NY	JGB: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII)]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, xfer by David Minches.	Source Detail	FLAC
06/01/83	Roseland Ballroom	New York	NY	Jerry Garcia Band: MAC > DAT > SHN. Recorded by Chris Beach, 3 Nak 701s > Mx-100 pre-amp (modified) > Sony D-5 cassette master > D10 > SHN	Source Detail
06/01/83	Roseland Ballroom	New York	NY	Jerry Garcia Band: MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > master played back on Nak Dragon > ART DI/O > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.	Source Detail
06/01/83	Roseland Ballroom	New York	NY	JGB, I/IIp: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > FLAC, transfer by David Minches.	Source Detail	FLAC
06/03/83	Capitol Theater	Passaic	NJ	JGB, early and late shows: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, transfer by David Minches.	Source Detail	FLAC
06/04/83	The Chance	Poughkeepsie	NY	Jerry Garcia Band: Early Show: MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > master played back on Nak Dragon > ART DI/O > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.	Source Detail
06/04/83	The Chance	Poughkeepsie	NY	Jerry Garcia Band: Late Show: This is a composite of two different sources. The majority (set I and the encore) derives from Mark Cohen's FOB Nak 700s > Sony TC-D5. The rest (set II) derives from Jim Vita's FOB Senn 421s > Sony TC-D5M. I don't know details on the Vita transfer, but Cohen's was transferred as follows: master played back on Nak Dragon > ART DI/O > Cool Edit 2000 (including patching in of the Vita material) > master CD > HP 9350i extraction (EAC v0.9 beta 4) > minor editing using SF Studio 6.0 > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.	Source Detail
06/04/83	The Chance	Poughkeepsie	NY	JGB, late show: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > FLAC, transfer by David Minches.	Source Detail
06/04/83	The Chance	Poughkeepsie	NY	JGB: Late Show: not really a soundboard, despite given lineage of MS? > ? > SHN, seeded by Mike Lai.	Source Detail	FLAC
06/04/83	The Chance	Poughkeepsie	NY	JGB; flac2496; Late Show. Recorded by Matthew Caffrey-UrbanSurfer Sennheiser 421s> Sony D5; Transfer, mastering and editing by David Minches, June 2023: Master cassette played on Nakamichi Dragon> Tascam DA-3000 (24 bit; 96 kHz)> Adobe Audition 2023 Patch Information, Source: SHNID# 15620; Tracks 1-4, 9: Recorded by Mark Cohen FOB Nak 700s> Sony TC-D5; Tracks 5-8; Recorded by Jim Vita FOB Senn 421s> Sony TC-D5M.	Source Detail	FLAC
06/04/83	The Chance	Poughkeepsie	NY	JGB; flac2496; Early Show. Recorded by Matthew Caffrey,UrbanSurfer, AudioTechnica mics > Sony D5. Transfer, mastering and editing by David Minches, June 2023. Master cassette played on Nakamichi Dragon> Tascam DA-3000 (24 bit; 96 kHz)> Adobe Audition 2023.	Source Detail	FLAC
06/05/83	The Tower Theatre	Upper Darby	PA	JGB, early & late shows: 2 Nakamichi 300s > Sony D-5 MAC > 1 cassette > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David Minches.	Source Detail
06/05/83	The Tower Theatre	Upper Darby	PA	JGB; flac1644; early and late; Sony D6C(NAK mics)>Master cassette>JVC TD-R462>Audacity>TLH Flac8, Taped by: Dave Peters	Source Detail	FLAC
07/20/83	Keystone Palo Alto	Palo Alto	CA	JGB; flac1644; AUD (marked 2nd Gen) kindly provided by wk & http://jgmf.blogspot.com/; Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017.	Source Detail	FLAC
07/21/83	The Stone	San Francisco	CA	FLAC16: aud, unknown gen, transferred & seeded by Rob Berger 2014	Source Detail	FLAC
07/24/83	Nevada County Fairgrounds	Grass Valley	CA	Source: Nak700s>MAC > C > CD>WAV>SHN. Taper: Bob Menke	Source Detail
07/24/83	Nevada County Fairgrounds	Grass Valley	CA	JGB; flac1644; aud: Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11, Editing and Mastering by Jamie Waddell in Wavelab 7.1.	Source Detail	FLAC
09/30/83	The Country Club	Reseda	CA	Jerry Garcia Band: MAC (unknown details) > 1 cassette > VHS HiFi > Sony SLV626 playback > Harman Kardon CDR2 master CD > 1 CD > EAC > FLAC. VHS > CD transfer by vertiklman.	Source Detail	FLAC
10/01/83	Beverly Theatre	Beverly Hills	CA	Jerry Garcia Band: Taped by Joe Pinedo, Sony 939 > Sony D6 > 1st Gen Cassette (Maxell XLII 90 with Dolby B) > Nakamichi BX300 > Macintosh > Peak Bias > JAM > cdr > eac > mkw > shntools. Transfer & CD mastering/shn conversion by Brian Mandel.	Source Detail
10/01/83	Beverly Theatre	Beverly Hills	CA	Jerry Garcia Band, set I: MAC (unknown details) > 1 cassette > VHS HiFi > Sony SLV626 playback > Harman Kardon CDR2 master CD > 1 CD > EAC > FLAC. VHS > CD transfer by vertiklman.	Source Detail	FLAC
10/03/83	Palamino Station	Riverside	CA	JGB; flac2448; Source: AUD (unknown gear) > MAC > 1st-Gen cassette, with a big thanks to Jon Bernstein for providing this recording. Transfer: TDK SA-X 90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 03/2019.	Source Detail	FLAC
11/12/83	Keystone Palo Alto	Palo Alto	CA	Source: MSC>C4>DAT>WAV>SHN, except for d1t01 and brief splice in d2t01 which are from John Corley's Nakamichi source. Cassette > DAT via J.Powell. DAT>WAV>SHN via C.Ladner.	Source Detail
11/12/83	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: SBD > CM > DAT Transfer: DAT (60ES) > Waveterminal U2A (48 > 44.1) > CDWAV > Goldwave used to normalize to 100% > CDWAV used for tracking and conversion to Flac.	Source Detail	FLAC
11/12/83	Keystone Palo Alto	Palo Alto	CA	JGB, flac1644; Source: Unknown AUD > ? > CDR. Transfer: EAC > WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F 03/2018	Source Detail	FLAC
11/12/83	Keystone Palo Alto	Palo Alto	CA	JGB, flac1644; Matrix of SBD ID-25629 & AUD ID-141450. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F 03/2018	Source Detail	FLAC
11/12/83	Keystone Palo Alto	Palo Alto	CA	JGB, flac1644; John Corley's Nakamichi CM-700's > Sony WM-D6 > MAC > Cassette (marked 4th-gen), kindly provided from the collection of DL. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2018	Source Detail	FLAC
11/12/83	Keystone Palo Alto	Palo Alto	CA	JGB; flac1648; Sbd > Master Cassettes; Transfer - Nak BX-300 > Sony 75ES > DAT	Source Detail	FLAC
11/14/83	The Stone	San Francisco	CA	MSC>DAT>CDR>WAV>SHN. The beginning/first notes of several tracks are clipped by in-between song tape pauses including: d1t01, d1t02, d2t01.	Source Detail
11/15/83	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (Taped by John Corley, gear not certain at this time) > DAT? > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
11/23/83	Arie Crown Theater	Chicago	IL	Jerry Garcia Band, early and late shows: Dave Cohen's Senn 421s > Sony D5 > unknown playback deck to Panasonic 3700 > Tascam DA-30 playback > Digial Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches.	Source Detail
11/23/83	Arie Crown Theater	Chicago	IL	JGB: Nakamichi 300 w/ CP4 & WMD5, recorded from 1st row balcony.	Source Detail	SHN
11/25/83	Cleveland Music Hall	Cleveland	OH	Jerry Garcia Band: Probable MSC > DAT > CD > EAC > slight modifications > SHN. This is a retracked and slightly processed upgrade, via Jake Mercatoris, of the previously circulating .shn set.	Source Detail
11/25/83	Cleveland Music Hall	Cleveland	OH	Jerry Garcia Band: MAC (FOB, unknown taper & gear) > 2 cassette gens > Sony TC-WE475 playback > Sony R500 (Pass Through) > SEK'D Prodif Plus > Samplitude Professional v8.01 -> FLAC/16. Transferred and edited by Charlie Miller.	Source Detail
11/25/83	Cleveland Music Hall	Cleveland	OH	JGB: Matrix (SBD/AUD mix). See info file for details.	Source Detail
11/25/83	Cleveland Music Hall	Cleveland	OH	JGB; flac1644; sbd > d-5sony > mc > tc we435 > soundcard > cdwave 44100/stereo/16 bit > traders little helper encoding option 8; taper: chasingwilma; conversion: chasingwilma.	Source Detail	FLAC
11/25/83	Cleveland Music Hall	Cleveland	OH	JGB; flac 1648: Master Soundboard Cassettes, Provided by ANON. Transfer - Nak BX-300 > Sony 75ES > DAT. Speed Correction by Jason Chastain. Mastering by Jamie Waddell. FLAC8 in TLH 16bit 48kHz	Source Detail	FLAC
11/26/83	Forum Theater	Binghamton	NY	Jerry Garcia Band: Early Show. Sbd> Mcas> ??> Dat> Cdr. Seeded by Mike Lai	Source Detail
11/26/83	Forum Theater	Binghamton	NY	Source: SBD>MC>DAT>CDR>WAV>SHNv3. Complete show.	Source Detail
11/26/83	Forum Theater	Binghamton	NY	Jerry Garcia Band, Early and Late Shows: Taped by Ray Ackerman, Shure Mics > Sony TC-D6 from front row balcony; MAC > CD transfer by Ray Ackerman, equipment unknown. CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC Frontend, by Andrew F.	Source Detail
11/26/83	Forum	Binghamton	NY	JGB; flac1644; sbd > d-5sony > mc > tc we435 > soundcard > cdwave 44100/stereo/16 bit > traders little helper encoding option 8; taper: chasingwilma; conversion: chasingwilma.	Source Detail	FLAC
11/26/83	Forum Theater	Binghamton	NY	JGB; flac1644; Shure PE9's (Front row balcony, dfc) > Sony TC-D6; Transfer: Sony TCK 71 (cass master) > Lunatec V3 > Microtracker II @ 24/96 > Wavelab (editing and mastering); Master wave file > pc > cd wave > traders little helper (flac level 8). Crystal Resampler (high), & dither w/ iZotope Ozone 5 done in wavelab 6.1. Taped, transferred and mastered by Ray Ackerman; tracked, flaced, resample & dither by Gordon Wilson.	Source Detail	FLAC
11/26/83	Forum Theater	Binghamton	NY	flac2496:FOB (row F), 2x Nakamichi 100 > Sony TC-D5M; Playback master on Sony TC-D5m to Sony PCM-M10 96kHz/24bit	Source Detail	FLAC
11/26/83	Forum	Binghamton	NY	flac2496: flac2496:Row P, 2x Nakamichi 100 > Sony TC-D5M; Playback master on Sony TC-D5m to Sony PCM-M10 96kHz/24bit	Source Detail	FLAC
11/26/83	Forum Theater	Binghamton	NY	JGB; flac2496; early and late; Ray Ackerman's Shure PE9 Mics > Sony D6.. This appears to be the same root source as shnid-126144 and shnid-126145 except that there is no resampling or dither by Gordon Wilson. This is "Tracking, flac, tagging by MattMan."	Source Detail	FLAC
11/27/83	Constitution Hall	Washington	DC	Jerry Garcia Band: MSC > DAT > CDR > WAV > SHN. DAT transfer to CDR via D.Minches. SHN encoding/initial FTP transmission via C.Ladner/candyman FTP.	Source Detail
11/27/83	Constitution Hall	Washington	DC	JGB, flac1644; Set One Partial, Unknown AUD (1st or low-gen) kindly provided from the collection of DL. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 04/2017	Source Detail	FLAC
11/29/83	Veterans Memorial Auditorium	Providence	RI	Jerry Garcia Band: MSC > DAT > CDR > WAV > SHNv3.	Source Detail
11/29/83	Veterans Memorial Auditorium	Providence	RI	JGB; flac1644, Nakamichi CM300/CP1 cardioids > Sony TC-D5M > TDK SA-X 90s, set up in Orchestra Row N, taped by Joe Morrone & Tim Friend. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. Feb 2013.	Source Detail	FLAC
11/29/83	Veterans Memorial Auditorium	Providence	RI	JGB; flac2496; 3x audio technica atm 11 fob > optimus > tcm-d-5 > mc > sony tc we435 > sony pcm m-10 96khz/24bit > soundforge > cdwave > traders little helper encoding option 8; taper: chasingwilma.	Source Detail	FLAC
11/30/83	Hartford Agora	Hartford	CT	Jerry Garcia Band: MAC (Taped by Michael Laurentus, Stereo Aiwa mics [hidden in wrist splint @ cheek level] > unknown deck) > DAT > WAV > SHN.	Source Detail
11/30/83	Hartford Agora	Hartford	CT	JGB; flac16; Commander's Nak 300s > Sony D5 Maxell udxl-II90 master cassettes; transferred & seeded by Rob Berger & Taperchuck.	Source Detail	FLAC
12/02/83	Tower Theater	Upper Darby	PA	Jerry Garcia Band: MSC -> DAT -> Digi001 -> SHN. This set, via Chris Ladner, fixes sector boundary errors on the existing .shn set.	Source Detail
12/02/83	Tower Theater	Upper Darby	PA	JGB: MAC (2 Sennheiser 441s > Sony D-5) > 1st gen cassette > Nakamichi Dragon playyback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, xfer by David Minches.	Source Detail
12/02/83	Tower Theater	Upper Darby	PA	JGB; flac 1644; Sources: Matrix of SBD ID-13730 & AUD ID-138201. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, Andrew F 05/2020	Source Detail	FLAC
12/03/83	Orpheum Theater	Boston	MA	Jerry Garcia Band: early and late; Master Soundboard Cassette > DAT > CDR, Seeded by Scott Clugston	Source Detail
12/03/83	Orpheum Theater	Boston	MA	JGB, early and late shows: MAC (2 Sennheiser 421s > Sony D-5 [Maxell MX-90s]) > 1 cassette > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, transfer by David Minches.	Source Detail
12/03/83	Orpheum Theater	Boston	MA	flac1644; early and late shows; Bob Morris's Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits).	Source Detail	FLAC
12/03/83	Orpheum Theater	Boston	MA	JGB; early show and late show set I; flac1644: sbd. No Source or Lineage info available. Transfer by Buzzeo.	Source Detail	FLAC
12/04/83	Gymnasium (SUNY)	Stony Brook	NY	Jerry Garcia Band: MAC (Sennheiser MD-421 mics > D-5 > D-5 [patch] > Nakamichi DR-3 (playback) > Sony Super Bit Mapping > EGOSYS 2496 (soundcard) > SF 4.5 > CD Wave > MKWACT (original .shn set) > sector boundary error fix using .shntool > re-.shn (seekable). Taped, transferred, and originally .shn'd by Dean, fixed and re-.shn'd by Chris L.	Source Detail
12/04/83	Gymnasium (SUNY)	Stony Brook	NY	JGB: Mixed sources; set I: MSC>DAT>CDR>WAV>SHN; set II from previously circulating Senn 421 SHN set.	Source Detail
12/04/83	Gymnasium (SUNY)	Stony Brook	NY	Jerry Garcia Band: 2 Beyer M160s FOB > Sony TCD5M Cassette Master > SHN; Recorded, digitally mastered and seeded to abgd via Walstib.	Source Detail
12/04/83	Gymnasium (SUNY)	Stony Brook	NY	flac1644; Recorded by The Weasel - "Da Weez"; Transferred and mastered to .wav files by D5scott. Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac.	Source Detail	FLAC
12/06/83	Flynn Theater, Early Show	Burlington	VT	Source: AUD* > CM > DAT > CDR > WAV > SHN *Microphone and taper unknown. Thanks to David Minches for CDR source; CDR > SHN via C.Ladner	Source Detail
12/06/83	Flynn Theater, Early Show	Burlington	VT	JGB; early and late; flac1644; mixed 1st gen auds; First Generation Tapes From JB\'s Collection, Transfer By Keo. Early Show: Sennheiser 441\'s>Sony D5,Recorded Orchestra Left Row D. Late Show: Nakamichi CM300/CP1\'s>Sony D5,Recorded Orchestra Left Row Q. Tapes: Maxell XLII\'s 90 Minute. Transfer Information:Nakamichi MR-1>Korg MR-1000 @ 1Bit/5.6MHz. Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Khz Wave. Dithered/Flacked With Korg Aqua To 16/44. SBE\'s Checked/Fixed With Trader\'s Litlle Helper. Metadata Tagging With Tag&Rename.	Source Detail	FLAC
12/06/83	Flynn Theater, Late Show	Burlington	VT	JGB; late show; flac2496; 2x Sennheiser 441 > Sony TC-D5m, Row Q; Transfer: Playback master on Sony TC-D5m to Sony PCM-M10 96kHz/24bit.	Source Detail	FLAC
12/06/83	Flynn Theater, Late Show	Burlington	VT	JGB; late show; flac1644; unknown aud	Source Detail	FLAC
12/07/83	Calvin Coolidge Cage, Amherst College	Amherst	MA	Jerry Garcia Band: Set I only: MAC (Taped by Mark Horvath, 3 Audio Technica ATM 11s > Sony TCM D-5) > Sony TC-we 435 playback > analog Coax Cables > analog inputs > Philips CDR 870 > master CD > EAC 3x > .wavs compared by MD5s and EAC's .wav compare tool > Cool Edit (rejoin tracks and fades)# > CD-WAV (Re-Tracking) > MKW ACT 0.96 > SHN > SHN conversion by Jan Welch.	Source Detail
12/07/83	Calvin Coolidge Cage, Amherst College	Amherst	MA	Jerry Garcia Band: MAC > PCM > DAT > CD > WAV > SHN. This is the complete show.	Source Detail
12/07/83	Calvin Coolidge Cage, Amherst College	Amherst	MA	JGB; flac2496; 3x audio technica atm 11 fob > optimus > tcm-d-5 > mc > sony tc we435 > sony pcm m-10 96khz/24bit > soundforge > cdwave > traders little helper encoding option 8; taper: chasingwilma	Source Detail	FLAC
12/09/83	Beacon Theater	New York	NY	Jerry Garcia Band: Late Show: MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > Tascam 122MKIII playback > Tascam DA-40 master DAT > Tascam DA-30 playback > WAV > .shn > sector boundary fix (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Mark Cohen, D > CD by David Minches, CD > SHN by Joe Jupille.	Source Detail
12/09/83	Beacon Theater	New York	NY	Jerry Garcia Band: Early Show: MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > Tascam 122MKIII playback > Tascam DA-40 master DAT > Tascam DA-30 playback > WAV > .shn > sector boundary fix (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Mark Cohen, D > CD by David Minches, CD > SHN by Joe Jupille.	Source Detail
12/09/83	Beacon Theater	New York	NY	JGB, flac1644; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLIIS 90, front of balcony(?) recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2017	Source Detail	FLAC
12/10/83	Capitol Theatre	Passaic	NJ	Jerry Garcia Band, Early and Late Shows: Senn 421s @ the sbd > Sony D5 (unknown taper) > DAT(x) > Tascam DA-30 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches.	Source Detail
12/11/83	Laker Hall- SUNY	Oswego	NY	Jerry Garcia Band: Taped by Ray Ackerman, handheld Shure mics (10th row center) > Sony TC-D6 > unknown transfer details > CD > EAC > FLAC. Transfer by Ray Ackerman.	Source Detail
12/11/83	Laker Hall- SUNY	Oswego	NY	JGB; flac2496; Ray Ackerman's Shure PE9's (10th row handheld, dfc) > Sony TC-D6; Transfer: Sony TCK 71 (cass master) > Lunatec V3 > Microtracker II @ 24/96 > Wavelab (editing and mastering); Master wave file > pc > cd wave > traders little helper (flac level 8). Taped, transferred and mastered by Ray Ackerman; tracked & flaced by Gordon Wilson.	Source Detail	FLAC
12/11/83	Laker Hall- SUNY	Oswego	NY	JGB; flac1644; Ray Ackerman's Shure PE9's (10th row handheld, dfc) > Sony TC-D6; Transfer: Sony TCK 71 (cass master) > Lunatec V3 > Microtracker II @ 24/96 > Wavelab (editing and mastering); Master wave file > pc > cd wave > traders little helper (flac level 8); Crystal Resampler (high), & dither w/ iZotope Ozone 5 done in wavelab 6.1. Taped, transferred and mastered by Ray Ackerman; tracked, flaced, resample & dither by Gordon Wilson.	Source Detail	FLAC
12/11/83	Laker Hall- SUNY	Oswego	NY	flac24962x Beyer M201 (XY Pattern) > Sony TC-D5M; Playback master on Sony TC-D5m to Sony PCM-M10 96kHz/24bit.	Source Detail	FLAC
12/11/83	Laker Hall- SUNY	Oswego	NY	JGB; flac1644; Audience Recording. Taper And Equipment Unknown. Transfer: Playback Master On Sony TC-D5m To Sony PCM-M10, 96kHz-24bit. Patch Source: 2 Beyer M201s (XY Pattern) And Sony TC-D5m. Mastering And Patching By David Minches. March 2022	Source Detail	FLAC
12/13/83	Kean College	Union	NJ	Jerry Garcia Band, early and late shows: MAC (unknown taper & gear) > Nakamichia CR7A playback > Panasonic 3700 DAT > Tascam DA-30 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC.	Source Detail
12/13/83	Kean College	Union	NJ	JGB, early and late: John Newberger's MAC (Nak 300s > Sony D6) > GoodBear Cassettes > GoodBear Computer (perhaps minor editing) > GoodBear CD's > EAC > FLAC.	Source Detail
12/13/83	Kean College	Union	NJ	JGB; flac16; Early Show. AUD: *Nakamichi CM300s > lead decks(?) > Sony WM-D6 > MAC recording by John Newberger > Low-gen copy kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, by Andrew F. 06/2015	Source Detail	FLAC
12/13/83	Kean College	Union	NJ	JGB; flac1644; late show; unknown taper, Nak 300 Mics > Sony D5; Sony UX Pro 90 Cassette > Nak Dragon > Korg MR1000 DFF @5.6mhz > Audiogate @ 24-88.2 Wave > Wavelab 6 > Ozone Rx7A > 24 Bit Files > Adobe Audition > Traders Little Helper. Editing : John Jay Hance and Joe D'Amico ''AKA'' Joebeacon.	Source Detail	FLAC
01/08/84	The Stone	San Francisco	CA	JGB; flac1644; Unknown AUD > 1st-gen cassette, via the JGMF "Closet Call" Project. Original A>D Transfer: Maxell XLII-90 > Nakamichi BX-300 playback (no Dolby) > Pyle Pro cables > WaveTerminal 2496 > Samplitude 10.1 Download Version (record @ 24 bits/48kHz) normalization (98%, set II only) > CD Wave 1.98 (tracking) > Trader's Little Helper v2.4.1 (FLAC encoding) > foobar2000 (tagging). September 2016, 16bit/44.1kHz file-set mastering: FLAC 2448 > TLH > WAV > Wavelab > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
01/13/84	Paramount Northwest Theater	Seattle	WA	Jerry Garcia Band: MAC (Taped by Pat Lee, Sony ECM 270s > Sony D5M) > Nakamichi Dragon playback > Egosys Waveterminal 2496 > Cool Edit 2000 > shntool > .shn (mkwACT) > wav (mkwACT v0.97 beta 1) > slight editing (Sony SoundForge Audio Studio 7.0) > shntool > level 8 flac encoding (FLAC Frontend).	Source Detail
01/13/84	Paramount Northwest Theater	Seattle	WA	JGB; flac1648; Mark Severson's Master Audience Cassettes: Nakamichi 700 mics on railing of center balcony > Sony D5. Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp 24-96 > Adobe Audition CC 2020 > TLH flac2496. This is a 16-48 fileset. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. July 2020.	Source Detail	FLAC
01/14/84	Civic Auditorium	Portland	OR	Jerry Garcia Band: AUD>?>CDR>EAC>CoolEdit 2000 (Tracking, Equalization)>WAV>SHN (seekable)	Source Detail
01/14/84	Civic Auditorium	Portland	OR	Jerry Garcia Band: Taped by Andrew F., Sony ECM-99A stereo mic (resting on the balcony rail just to stage-left of center, in "Center Box 9") > Marantz PMD-340 (Maxell XL-II 90s) > Sony TC-D5M playback > Soundblaster > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (SBE-OK, Flac compression, checksums), transfer by Andrew F.	Source Detail
01/14/84	Civic Auditorium	Portland	OR	Jerry Garcia Band: MAC (Taped by Otto Rice, Senn 441s > Sony D5M) > Marantz PMD 510 playback > HHB 850 CDR/0 > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (Sound Forge Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (FLAC Frontend v1.7.1 Etree edition).	Source Detail	FLAC
01/14/84	Civic Auditorium	Portland	OR	JGB; fac1648; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5. Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp 24-96 > Adobe Audition CC 2020 > TLH flac2496. This is a 16-48 fileset. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. July 2020.	Source Detail	FLAC
01/14/84	Civic Auditorium	Portland	OR	JGB; flac2448; Source: Sony ECM-99A stereo mic > Marantz PMD-340 > Maxell XLII's w/no Dolby. Mic placed on the balcony ledge in "Center Box 9". Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Recorded and transferred by Andrew F. 12/2021	Source Detail	FLAC
01/16/84	Silva Hall, Hult Center	Eugene	OR	Jerry Garcia Band: AUD>?>CD>EAC>WAV>CE2k (tracking, equalization)>SHN	Source Detail
01/16/84	Silva Hall, Hult Center	Eugene	OR	Jerry Garcia Band: MC > C > CD > WAV > SHN* Sennheiser MD441's > Sony TC-D5(M?)no Dolby center orchestra, taper unknown. Sony TC-D5M > Marantz PMD340, no Dolby Maxell UDXLII90 (XLII90 Tangled & Midnight Moonlight)1st gen by Andrew Faintych 1/84. *[Cats Under The Stars separate source, shn txt provides: "AUD>?>CD>EAC>WAV>Cool Edit 2000(eq, reduce overall volume, boost bass)>SHN. Thanks Chuck Gannon for the discs, EAC/SHN by jim@juddcreek.com 4/03"] A-D transfer: 1st gen cassette > Nakamichi Dragon > HHB CDR830plus > WAV (EAC) > Sound Forge 5.0 > CD Wave Audio Editor 1.71 > WAV > SHN. Cats SHN > (mkwACT)WAV > Sound Forge 5.0 > CD Wave 1.71 > SHN Transfer 9/04, editing, tracking > CD > SHN(seekable)10/04 by Anne Cohen (taper@optonline.net)	Source Detail	SHN
01/16/84	Silva Hall, Hult Center	Eugene	OR	Jerry Garcia Band, IIp: Sbd > Analog Master > 4th Gen Cassette (Sony UX-PRO 90) Transfer: 4th Gen Cassette (NAD 6050C) > SBM > PCM R500 (pass through for A/D only @44.1kHz) > VXPocket v2 > Sound Forge (v. 6.0) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC	Source Detail	FLAC
01/16/84	Silva Hall, Hult Center	Eugene	OR	JGB; flac1644; Set 2 end only. Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell XL-II) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller. This file set is 16 bit @ 44.1	Source Detail	FLAC
01/16/84	Silva Hall, Hult Center	Eugene	OR	flac24 96khz Set 2 end only. Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell XL-II) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/02/84	Keystone Palo Alto	Palo Alto	CA	JGB: SBD > Cm > Dat > Panasonic SV-3700 > Audiophile 2496 > WaveLab > iZotope Ozone > CDWav > Flac.	Source Detail	FLAC
03/02/84	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band:Source:SB Master Reel > Cassette > DAT > CD Transfer: DA-P1 > Zafiro ZA-2 > NT 4.0/SoundForge XP 4.0 > CDRWIN	Source Detail
03/02/84	Keystone Palo Alto	Palo Alto	CA	JGB; flac1648; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Transfer Info: Master Cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp 24-96 > Adobe Audition CC 2020 > TLH flac2496. This is a 16-48 fileset. 24-bit > 16-bit via dBpoweramp. Mastered by Scott Clugston. July 2020.	Source Detail	FLAC
03/04/84	The Stone	San Francisco	CA	Jerry Garcia Band: MSC > DAT > CDR > WAV > SHN.	Source Detail
03/04/84	The Stone	San Francisco	CA	JGB: SBD > Cm > Dat > Panasonic SV-3700 > Audiophile 2496 > WaveLab > iZotope Ozone > CDWav > Flac	Source Detail	FLAC
03/09/84	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MAC (Taped by Dan Gale, Sony ECM939LT [from tables just behind dance floor] > Sony TCS-350) > NAD 6050C playback > SBM > DAT @44.1k (PCM-R500) > VXPocket v2 > Sound Forge (v.4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN, transfer by Dan Gale.	Source Detail
03/09/84	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MAC (Taped by John Corley, Nak 700s > Sony TC-D5M) > D > CD > WAV > SHN.	Source Detail
03/10/84	Keystone	Berkeley	CA	Jerry Garcia Band: MSC > DAT > CDR > WAV > SHN	Source Detail
03/10/84	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (Taped by Dan Gale, Sony ECM939LT [front of balcony] > Sony TCS-350) > NAD 6050C playback > SBM > DAT @ 44.1k (PCM-R500) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale.	Source Detail	SHN
03/21/84	Keystone	Berkeley	CA	Jerry Garcia Band: MSC > DAT > CDR > WAV > SHNv3.	Source Detail
03/21/84	Keystone	Berkeley	CA	Primary source: SBD > cassette master > DAT > CDR > DAE (EAC 0.9 beta 4) > tracking (cdwav) > SHN (shorten3.4) > FTP via neo_levo/candyman FTP. Patch source (first 5 seconds plus all of The Harder They Come and When I Paint My Masterpiece): SBD > cassette master.	Source Detail	FLAC
03/21/84	Keystone	Berkeley	CA	JGB; flac1648; Recording info: Soundboard mono cassette master (Sony TC-D5M / TEAC MDX 90 / Maxell XLII-S 90); Transfer info: Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor > Samplitude Pro X6 > 24-bit 96 kHz FLAC; Recorded by Charlie Kaiser; Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
03/22/84	Keystone	Berkeley	CA	Jerry Garcia Band: MAC (Taped by John Corley, Nak700) > D > CD > WAV >SHN.	Source Detail
05/12/84	The Stone	San Francisco	CA	Jerry Garcia Band: Realistic 'Pzm' mics > D-6 > Eq > Cas > Jb3 > Goldwave > Cdwav > Flac Transferred And Flac Encoded By Jason Flair. See comments for end of set II patch from John Corley's master.	Source Detail
05/12/84	The Stone	San Francisco	CA	JGB: Don Dearth's MAC (Sony D6C w/Sony Stereo Microphone [TDKSA90]) > Nakamichi CR3A (No Dolby) > HP computer > Sound Forge (Vol@5.6db) > CD Wave > Flac.	Source Detail	FLAC
05/17/84	Beverly Theater	Beverly Hills	CA	JGB; flac2448; Source: AUD of unknown lineage liberated from ebay. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2023	Source Detail	FLAC
05/18/84	Irvine Meadows Ampitheater	Irvine	CA	Jerry Garcia Band: Senn md421's 90* just past xy (early n.c. pattern) hand held 9th row dfc > Sony TC-D5 udxlII 90min cass. "B"n.r; Transfer: Master cass. playback via sony tc-d5m "B"n.r. (not master deck)> Tas DA-20mkII 48k, > Tascam cdrw700 for cdr master; Marantz cdr 500 dual well -> CD-r (copy of master CDR); Up to this point all taping and transfer was done by Mike French; Additional transfer: CDR-> EAC -> FLAC Frontend (16/44.1); (Transfer done by Brian Costigan -BCostigan@taperssection.com). A .shn version of this master also circulates.	Source Detail	FLAC
05/18/84	Irvine Meadows Ampitheater	Irvine	CA	Jerry Garcia Band: FM-SBD > MC > Cx > CD > EAC > WAV > FLAC (level 5).	Source Detail
05/18/84	Irvine Meadows Ampitheater	Irvine	CA	JGB: Mike French's Sennheiser MD-421's (modified XY90, hand-held @ 6', 9th row center orchestra) > Sony TC-D5 no n.r., Maxell UD-XLII 90 master cassette; unknown transfer > CD, via Mike French. NB: Robert Hunter set also included.	Source Detail
05/18/84	Irvine Meadows Ampitheater	Irvine	CA	Jerry Garcia Band: MAC (Taped by Mike French, hand-held Sennheiser 421 mics [90 degrees X-Y, 9th row center] > Sony TC-D5) > CD > WAV > SHN.	Source Detail	SHN
05/18/84	Irvine Meadows Ampitheater	Irvine	CA	JGB; flac1648; Doug Schnetlage's Nakamichi 300s w/ CP-4 shotgun capsules > Sony D5 (Maxell XLII-S 90s) 10 rows in front of FOH - DFC; Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496. Flac 24Bit 96kHz to 16Bit 48kHz by dBpoweramp. Transferred and Mastered by Jim Blackwood. Speed Correction by Jason Chastain. Track, FLAC and pack by John Wenzel	Source Detail	FLAC
05/19/84	Arlington Theater	Santa Barbara	CA	JGB; flac1644; 1st Gen; Nakamichi 300 > Sony D5 > Master Cassette (taped by Adam Rossi); Master Cassette > Sony D6 > unknown Akai home deck > TDK SA90; Transfer/Lineage: 1st Gen Audience Cassette (TDK SA90)> Nakamichi Dragon > Lunatec V3 (24/88.1)> Lynx AES 16AES(e)> WaveLab 7.2.1 (UAD-2)> .wav @24/88.2 > Apogee UV22HR/Crystal Resampler> .wav @16/44.1> xAct(conversion and tagging)> flac16. Transferred, edited and mastered by Alex Ford - June 2013.	Source Detail	FLAC
05/19/84	Arlington Theater	Santa Barbara	CA	Complete show. Updated version of shnid 124791. Source: 1st Gen; Nakamichi 300 > Sony D5 > Master Cassette **Newly located Master Cassette supplies long lost "Tangled Up In Blue"**. Master Cassette > Sony D6 > unknown Akai home deck > TDK SA90. Transfer/Lineage: 1st Gen Audience Cassette (TDK SA90)> Nakamichi Dragon> Lunatec V3 (24/88.1)> Lynx AES 16AES(e)> WaveLab 7.2.1 (UAD-2)> .wav @24/88.2> Apogee UV22HR/Crystal Resampler> .wav @16/44.1> xAct(conversion and tagging)> flac16. Taped by Adam Rossi. Transferred and mastered by Alex Ford.	Source Detail	FLAC
05/20/84	The Country Club	Reseda	CA	JGB: 2 Nak CM 300s w/CP-1 caps (no guns) > Sony D-5 > DAT > HHB 830 CD Recorder (Stand Alone) > ? > FLAC.	Source Detail
06/03/84	Kabuki Theater	San Francisco	CA	Garcia&Kahn: SBD : MC > DAT > CDR	Source Detail
06/03/84	Kabuki Theater	San Francisco	CA	Garcia & Kahn: MSC > Dat > CD > EAC > mkw > Shn.	Source Detail	SHN
06/03/84	Kabuki Theater	San Francisco	CA	Garcia & Kahn: MSC > DAT > CD > EAC > SHN, extracted and shortened by Katy Miller.	Source Detail	SHN
07/28/84	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MSC > PCM > Cass > DAT > ZA2 > CDR > WAV > SHNv3. CDR seeds via JR Wolk, SHN/FTP via C.Ladner/candyman FTP.	Source Detail
07/28/84	Keystone Palo Alto	Palo Alto	CA	JGB; flac1644; missing last two songs; TB's 2x Sennheiser MK 441 Microphones - Sony WM-D06 analog master cassettes.	Source Detail	FLAC
07/29/84	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] >Sony TCD5M > CDR > EAC > CDWave (retracked) > Shn. A>D transfer by Dan Ward, EAC'ed / retracked / Shn'ed by Charlie Connor.	Source Detail
07/31/84	The Stone	San Francisco	CA	Jerry Garcia Band: MSC > PCM > Cass > DAT > ZA2 > CDR > WAV > SHNv3, seeded via neo_levo/candyman FTP.	Source Detail
07/31/84	The Stone	San Francisco	CA	JGB; flac1644; 2x Sennheiser MK 441 Microphones - Sony WM-D06 analog master cassettes, recorded by TB.	Source Detail	FLAC
08/01/84	The Stone	San Francisco	CA	Jerry Garcia Band: MAC > DAT > CD > EAC > SHN. Taped by Craig and Kenny [Mance] at the "lip of the stage," AKG CE-1 > Uher CR-240. A>D by aoxoa, Uher CR-240 > Sony PCM R-500.	Source Detail
08/01/84	The Stone	San Francisco	CA	JGB; flac1644; 2x Sennheiser MK 441 Microphones - Sony WM-D06 analog master cassettes, recorded by TB.	Source Detail	FLAC
08/07/84	Mann Music Center	Philadelphia	PA	Jerry Garcia Band: FOB 10th row center, 2 Beyer Dynamic 160s > Sony TCD5M > Sony CDR-W66 > EAC > CDWave > SHN. Taped and Transferred by John Ficca.	Source Detail
08/07/84	Mann Music Center	Philadelphia	PA	JGB; flac1644; Analog Low Gen > Nakamichi CR7A > Korg MR-1> 1 bit/ 2.8 mhz DSD > Audiogate 2.2.1 > 24/96 wav > adobe audition 7 > xACT 2.36 > flac 16; taper :unknown (from the Tom The Taper Collection); transferred & uploaded: edtyre; everything else : nicky c.	Source Detail	FLAC
08/08/84	D.A.R. Constitution Hall	Washington	DC	Jerry Garcia Band: Senn441's on stand FOB -> Cassette Master (Sony TCD5M/UDXL-II) -> 1st gen UDXLII -> Yamaha KX800u cassette deck -> Apogee AD500e rev02 -> SonyR500 DAT -> HHB850 CDR -> EAC Secure Mode -> FLAC7.	Source Detail
08/10/84	Rocky Glen Amusement Park	Moosic	PA	Jerry Garcia Band: MAC (Nak CM-300s > Sony D5 [Dolby]) > Cool EditPro > CD > WAV > SHN	Source Detail
08/10/84	Rocky Glen Amusement Park	Moosic	PA	Jerry Garcia Band: Taper: Bill Reutelhuber; Recording Info: (FOB) Nakamichi CM300/CP4 -> Cassette Master (Sony D5/Maxell Metal Tape) Transfer Info: Cassette Master (Nakamichi Deck/Azimuth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k). Process Info: Processed through Nuendo using Waves Q10 and Waves L2 and rendered down to a 16 bit wave file. Recorded and Transfered BY Bill Reutelhuber Tracked and SHN'd By Charlie Miller.	Source Detail
08/10/84	Rocky Glen Amusement Park	Moosic	PA	JGB: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > FLAC, transfer by David Minches.	Source Detail	FLAC
08/11/84	Caldwell College	Caldwell	NJ	JGB: Steve Ziemba's MAC (Nak 300s> Sony D5) > CD; CD -> EAC -> SHN -> ProTools 5.0.1 -> SHN; Via Mike Lai and Dan Metz; [md5s]	Source Detail
08/11/84	Caldwell College	Caldwell	NJ	Source: Most probably re-eac of FOB Stealth Mics (see notes)	Source Detail
08/11/84	Caldwell College	Caldwell	NJ	JGB: Jim Vita mac (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC, transfer by David Minches.	Source Detail
08/11/84	Caldwell College	Caldwell	NJ	JGB: Joe D'Amico's Nak 300s (DFC, FOB) > Sony D5 MAC > Nakamichi Dragon playback > Sony SBM1 > Creative Extigy Soundcard > Cool Edit Pro > Flac Frontend.	Source Detail	FLAC
08/11/84	Caldwell College	Caldwell	NJ	Jerry Garcia Band: MAC > DATx2 > CDx? > EAC > SHN. Recorded by Jeff Silberman, Sennheiser 441s > unknown deck.	Source Detail	SHN
08/11/84	Caldwell College	Caldwell	NJ	JGB; flac2448; Nakamichi 100 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On); Transfer: Master Cassette > Nakamichi CR7a playback with no dolby > Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq and software dolby B decode using Nuendo and DDICodec. Recorded, Transferred & Mastered by Anon. Edited & add'l Mastered in Adobe Audition by Joe Noel. February 18, 2021.	Source Detail	FLAC
08/12/84	Club Casino Ballroom	Hampton Beach	NH	JGB; shnf; S. Ziemba MAC (Nakamichi 300 > Sony D5) > ?? > cdr > EAC > SHN, via Mike Lai.	Source Detail
08/12/84	Club Casino Ballroom	Hampton Beach	NH	JGB: shnf; Jeff Silberman MAC (Senn 441s > unknown deck) > DAT > CD > EAC > SHN.	Source Detail	SHN
08/12/84	Club Casino Ballroom	Hampton Beach	NH	JGB; unknown FOB Sennheiser 441 MAC > C1 > DAT > CD-R > EAC > WaveLab 4.0 > CD Wave Editor > FLAC.	Source Detail	FLAC
08/12/84	Club Casino Ballroom	Hampton Beach	NH	JGB; flac 2448: Doug Lamarre MAC; Sennheiser 421 mics next to soundboard > Sony D5 > D5 - Maxell UDXLII Cassette Masters. Transfer info: Nakamichi CR-7A (Rebuilt by ESL August 2019) -> Sound Devices MixPre-3M. Transfer by: Jay Haines on April 13, 2020. Speed Correction by Jason Chastain.Audio Mastering by Jamie Waddell.	Source Detail	FLAC
08/13/84	Club Casino Ballroom	Hampton Beach	NH	JGB; aud>>nak300>>D5>>cdr	Source Detail
08/13/84	Club Casino Ballroom	Hampton Beach	NH	JGB; Lineage: AUD > ??? > DATc (@48kHz); Transfer: Panasonic SV-3700 > S/PDIF > M-Audio 410 > FireWire400 > PowerMac G5 > Soundtrack Pro v1.0.1 (tracking & 48k > 44.1k resample) > WAV > xACT > flac 8	Source Detail
08/13/84	Club Casino Ballroom	Hampton Beach	NH	JGB: Bill Reutelhuber's FOB 7 Feet High - 18" Spread Nakamichi CM300/CP4 Sony TCD5M Dolby B ; Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.01a @ [16/48] Mastering with: iZotope Ozone 3 > dithered to [16/44.1] > CD Wave > TLH > FLAC; Transfer and Mastered by Bill Koucky, Green Mountain Bros.	Source Detail	FLAC
08/13/84	Club Casino Ballroom	Hampton Beach	NH	JGB; flac 2448; Doug Lamarre's Sennheiser 441 mics "30 foot front of Jerry" > Sony D5 - Maxell UDXLII Cassette Masters; Transfer info: Nakamichi CR-7A (Rebuilt by ESL August 2019) > Sound Devices MixPre-3M. Transfer by: Jay Haines on April 13, 2020. Speed Correction by Jason Chastain; Audio Mastering by Jamie Waddell.	Source Detail	FLAC
08/15/84	Orange County Community College	Middletown	NY	Jerry Garcia Band: MAC (Luke R.'s Senn MD-441's > Sony TC-D5M, no Dolby) > Sony TC-D5M playback > Marantz PMD-340 (no Dolby) first gen cassette > Nakamichi Dragon playback > HHB CDR830plus > EAC > Sound Forge 6.0 > CDWave 1.94.5 > wav > shn. First gen cassettes from Andrew F., transfer by Anne Cohen.	Source Detail
08/15/84	Orange County Community College	Middletown	NY	Jerry Garcia Band: Rick Pauline & Rob Berger, Senn 421s (20 feet in front of the board) > Sony D5 master cassette > Nakamichi Dragon playback > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > shntool > flac encoding > wav > slight modifications (see notes) > flac encoding.	Source Detail	FLAC
08/15/84	Orange County Community College	Middletown	NY	JGB; flac1644; Urban Surfer's Audio Technica > Sony D5 (FOB DFC) > MAC > Nakamichi CR-4A > HHb 850 > CD > EAC > FLAC	Source Detail	FLAC
08/15/84	Orange County Community College	Middletown	NY	JGB; flac2448; Source: (fob, Center) Nakamichi Cm100 Shotguns > Sony Tc-d5m > 1st Gen Cassette (set I All, Set Ii T01 - T03), Master Cassette (set Ii T04 & T05)* (maxell Mx90s, Dolby B On); Transfer: Master Cassette > Nakamichi Cr7a Playback With No Dolby > Korg Mr2000 (1 Bit,mhz). Render From 1 Bit To 24 48 Wave File Using Audiogate. Pre Dolby Nr Decode Eq And Software Dolby B Decode Using Nuendo And Ddicodec. Recorded, Transferred By Anon. Edited & Mastered In Adobe Audition By Joe Noel.	Source Detail	FLAC
08/16/84	Port Haven/Good Skates	East Setauket	NY	Jerry Garcia Band: MAC (Taped by Joe D'Amico, Nakamichi CM-300 mics > Sony D5) > Ultracurve Pro-Digital 24 bit DSP mainframe > HHb master CD > CDs > HP 9350i extraction (EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
08/16/84	Port Haven/Good Skates	East Setauket	NY	JGB: Joe D'Amico's Nak 300s > Sony D-5 > Nakamichi Dragon playback > Sony SBM1 > creative extigy soundcard> cool edit pro> flac frontend	Source Detail	FLAC
08/18/84	UIC Pavilion	Chicago	IL	Jerry Garcia Band: Sennheiser 421 > D5 > DAT; Transfer: D8 > MAudio DiO 2448 > Soundforge 5.0 > CDWave 1.62 >cdr>eac>shn	Source Detail
08/18/84	UIC Pavilion	Chicago	IL	Jerry Garcia Band: AUDMC (Taped by Brian O'Connell: 10th row center, Nak 100's w/ shotgun caps > D5) > DAT > CDR > EAC > SHN	Source Detail	SHN
08/18/84	UIC Pavilion	Chicago	IL	JGB; flac1648; Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5 ; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496.	Source Detail	FLAC
08/24/84	The Stone	San Francisco	CA	JGB; flac1644; set 1 only; unlineaged aud via gems.	Source Detail	FLAC
08/24/84	The Stone	San Francisco	CA	JGB, flac1644; Unknown AUD (low-gen) kindly provided from the collection of DL. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2017	Source Detail	FLAC
08/26/84	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band. Source: MAC(Nak 700s > Sony TC-D5M) > D > CD > WAV > FLAC(level 8). Taper: John Corley. DAE and FLAC encoding via C.Ladner.	Source Detail
08/26/84	Keystone Palo Alto	Palo Alto	CA	JGB: Don Dearth's Sony stereo mic > Sony D6C MAC > Nakamichi CR3A playback > Hp Computer (no dolby) > Sound Forge Vol@ 5.5DB and normalized > Flac7, transferred by John Moses.	Source Detail	FLAC
08/27/84	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M) > CDR > EAC > CDWave (retracked) > SHN. EAC'ed / retracked / Shn'ed by Charlie Connor, via Bob Menke.	Source Detail
08/28/84	Wolfgang's	San Francisco	CA	JGJK: aud > dat > wav > flac > wav > flac.	Source Detail	FLAC
08/28/84	Wolfgang's	San Francisco	CA	JGJK; flac16; Patched & Pitch Corrected Audience - AUD (original shnid = 31801) JGJK: aud > dat > wav > flac > wav > flac. - pitch correction and patches by Kevin Tobin	Source Detail	FLAC
09/15/84	The Stone	San Francisco	CA	Jerry Garcia Band: Master soundboard cassette > cassette x 2 > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0)	Source Detail
09/16/84	The Stone	San Francisco	CA	JGB: MA? > ? > CD > Eac > Wav > Gems Edit Station > flac. Edited and mastered by Jamie Waddell.	Source Detail
09/28/84	River Theater	Guerneville	CA	JGJK: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth > Sony TCD5M > CD > EAC> Flac. New flac from audio CDs, since previous source (shnid 19149) apparently never circulated.	Source Detail	FLAC
11/16/84	Eisenhower Auditorium (Penn. State U.)	University Park	PA	Garcia & Kahn: AUD (unknown mics and taper) > ? > CDR > WAV >SHN.	Source Detail
11/17/84	Orpheum Theatre	Boston	MA	Garcia & Kahn: MAC (Taper = Mark ___; unknown mics, dfc 1st row); Transfer 1: MC > C(1) (Scotch XSM-90 Metal tape via G. Reynolds (mako21)); Transfer 2: C(1) > Aiwa AD-F180 > THC cables > Edirol UA-5 > PC (USB) > Wavelab 5.01 @ 24/96. Mastering: Wavelab 5.01a (X-noise to reduce hiss; L3 Multimaximizer to increase gain & dither to 16 bits) > resample to 44.1 khZ > FLAC.	Source Detail	FLAC
11/17/84	Orpheum Theatre	Boston	MA	Garcia & Kahn: speed correction of shnid 30874.	Source Detail	FLAC
11/17/84	Orpheum Theatre	Boston	MA	flac1644; aud > ? > ? > low gen tape, Two Maxell XLII90 minute tapes (mid-80's vintage) source tape > Harmon Kardon TD 302 cassette deck, heads aligned to each tape segment > Zoom H2 (16/44.1) > edited and tracked with wavepad > FLAC (level 8 ) & checksums via traderslittlehelper. Analog>digital transfer and all other mastering by arfarf.	Source Detail	FLAC
11/17/84	Orpheum Theatre	Boston	MA	JGJK; flac1644; aud cassette master, senn 441's>d5, taped by Doug Lamarre, transfer/seed by Rob Berger	Source Detail	FLAC
11/18/84	Avery Fisher Hall	New York	NY	Garcia & Kahn: MAC > DAT > CDx1 > EAC > SHN Taped by Kenny Mance: 4th row center, AKG CE-1 mics > Uher Cr-240 onto TDK SA-X 90 cassettes (no Dolby). A>D conversion by Jim Wise: Playback on Uher Cr-240 > Sony PCM p-700 DAT @ 44.1k > HHB CDR-800 > CD. shn conversion by Todd Norman norma023@tc.umn.edu. Proper sector boundaries verified using shntool.	Source Detail
11/18/84	Avery Fisher Hall	New York	NY	Garcia & Kahn: 2 Beyer M160 FOB > Sony TCD5M Master Cassette > FLAC.	Source Detail	FLAC
11/18/84	Avery Fisher Hall	New York	NY	JGJK; flac1644; Kenny Mance's MAC (AKG CE-1 mics > Uher Cr-240, 4th row center) > TDK SA-X 90 cassettes (no Dolby); Transfer: Master cassette > Uher Cr-240 > Sony PCM p-700 DAT @ 44.1k > Digital Audio Labs Card Deluxe > wav 16/44.1 by Jim Wise.	Source Detail	FLAC
11/20/84	Constitution Hall	Washington	DC	Garcia & Kahn: Taped by One Drop Productions; FOB (up front) Audio Technica (pin point stereo mic) > D6 > MC; Transfer by ggjskl@yahoo.com 9/20/05: 1st gen cass > Sony TC-WE305 > Rotel 1090 > Raine ME60 analog processor > Tascam CD-RW 750 > CD > Eac (secure) > cdwav > CE pro 2.1(fades) > flac 16(level 8).	Source Detail
11/21/84	The Tower Theatre	Upper Darby	PA	Garcia & Kahn: MAC (Unknown taper, Nakamichi CM100 shotguns > unknown deck) > 1st gen cassette (Eric) > Sony TCD5 playback > Roland UA-30 interface via Peak > Mac G3 > tracking (Pro Tools) > CD (Toast) > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > slight editing (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (FLAC Frontend v1.7.1 Etree edition).	Source Detail	FLAC
11/21/84	The Tower Theatre	Upper Darby	PA	Source: Cassette Master/Soundboard -> Nakamichi DR-1 Cassette Deck -> Tascam DA-P1 DAT Transferred in 2003 by Dan McGonagle (Darkstar Dan) + Azimuth adjust by Betty Cantor-Jackson Transferred in 2023 by Dan McGonagle (Darkstar Dan) - DAT/SBD 16bit/44.1Khz	Source Detail	FLAC
11/21/84	The Tower Theatre	Upper Darby	PA	JGJK; flac1644; Sbd-Aud MTX; Peak Pro 5/Izotope RX Advanced > Final Cut Pro (16/44.1) > Peak Pro 5 > xAct > FLAC/16. Created by Brian Miksis January 2, 2024	Source Detail	FLAC
11/23/84	Chrysler Hall	Norfolk	VA	Garcia & Kahn. Source: MAC (mics and taper unknown)>CDR>WAV>SHN.	Source Detail
11/23/84	Chrysler Hall	Norfolk	VA	JGJK; flac1644; Michael Hessberg's Sennheiser ME80s > Sony TC-D5M > Master Cassette - Taped from Row 15 DFC, Mics 15' in air; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Wav 24/96 - Transferred by Charlie Miller. Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16, edited and mastered SIRMick April 2019.	Source Detail	FLAC
11/24/84	Capitol Theater	Passaic	NJ	Garcia & Kahn. MAC(Stealth Handheld Audio Technica 835 mics recorded right paracentral 10th row > Sony TC-D6 cassette deck with Dolby B noise reduction)>CD>WAV>SHN. Taper: Ray Ackerman. DAE/Encoding by C.Ladner.	Source Detail
11/26/84	Bushnell Aud., Bushnell U.	Hartford	CT	Garcia & Kahn: MAC (FOB Nak 300 cardioids > Sony D5) > Sound Forge 4.5 > Dell Dim 4100 > EZCD > CD EAC > Sound Forge XP > SHN. A > D transfer by Bryan Tartus, EAC > SHN by TimOC.	Source Detail
11/26/84	Bushnell Aud., Bushnell U.	Hartford	CT	Garcia & Kahn: Blend of circulating FOB Nak 300s and MSC>C sources, via RJ Hythloday.	Source Detail
11/27/84	Auditorium Theater	Rochester	NY	Garcia & Kahn: MAC (mics and taper unknown) > DAT > CD > WAV > SHN	Source Detail
11/27/84	Auditorium Theater	Rochester	NY	Source: Cassette Master/Soundboard -> Nakamichi DR-1 Cassette Deck -> Tascam DA-P1 DAT Transferred in 2003 by Dan McGonagle (Darkstar Dan) + Azimuth adjust by Betty Cantor-Jackson Transfered in 2023 by Dan McGonagle (Darkstar Dan) - DAT/SBD 16bit/44.1Khz	Source Detail	FLAC
12/02/84	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M) > CDR > EAC > Shn. A>D Transfer via Dan Ward, EAC'ed / Shn'ed by Charlie Connor.	Source Detail
12/02/84	The Stone	San Francisco	CA	JGB: Tazuo Yamaguchi's Sennheiser Binaural 2002 > Sony TC-D5M MAC; Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.	Source Detail	FLAC
12/05/84	Silva Concert Hall	Eugene	OR	JGB, Set II: AUD > ? > C > Sony TC-D5M > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC.	Source Detail
12/05/84	Silva Concert Hall	Eugene	OR	JGB; flac2448; Source: AUD of unknown lineage > ? > Cassette rescued from ebay. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2020	Source Detail	FLAC
12/06/84	Starry Night	Portland	OR	Jerry Garcia Band: SBD > CMx > CDR > WAV > SHN. Tangled Up in Blue missing. Midnight Moonlight is truncated.	Source Detail
12/06/84	Starry Night	Portland	OR	JGB; s1s2p; flac1644; MAC (Taped by Otto Rice, Senn 441s [front row balcony] > Sony D5M) > Marantz PMD 510 > HHB 850 CD/0 > extraction, mastering, encoding, sharing by GEMS.	Source Detail	FLAC
12/06/84	Starry Night	Portland	OR	JGB; flac1644; Recording by Bruce Young: Master Audience Cassette; 2 Sony or Nakamichi Mics> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding	Source Detail	FLAC
12/06/84	Starry Night	Portland	OR	JGB; flac2496; Recording by Bruce Young: Master Audience Cassette; 2 Sony or Nakamichi Mics> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding	Source Detail	FLAC
12/07/84	Starry Night	Portland	OR	JGB: AUD > ? > C > Sony TC-D5M > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC, October 2006 by Andrew F.	Source Detail
12/07/84	Starry Night	Portland	OR	Jerry Garcia Band: Nak CM 100's shotguns > CM > CDR > WAV > SHN. Taper: unknown. Ending of Midnight Moonlight clipped.	Source Detail	SHN
12/08/84	Paramount Theater	Seattle	WA	JGB: Pat Lee's Sony ECM-270s> Sony D-5; Master played back on Nak Dragon> Art DI/O> Waveterminal 2496> Cool Edit 2000> Feurio. Transfer, editing and shn encoding by David Minches.	Source Detail	SHN
12/08/84	Paramount Theater	Seattle	WA	JGB: Mark Severson's 2 Nakamichi mini 700s cardioids> 2 mic pre-amp> DBX NX-40> Sony TC-D5M (2 Maxell MX-90s); Mics in 5" tube, 10' apart on front row center balcony center railing. Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.	Source Detail	FLAC
12/08/84	Paramount Theater	Seattle	WA	Jerry Garcia Band: SBD > MC > C > CDR > WAV > SHN.	Source Detail	SHN
??/??/84	Unknown Radio Station	Portland	OR	Jerry Garcia Radio Interview. FM -> Cass. (x?) -> Denon DRW840 -> SoundBlaster -> CD Wav -> SHN. CD Wav'd, SHN'd and seeded by Jim Bennett.	Source Detail
03/02/85	The Stone	San Francisco	CA	JGB, shn: MAC(Nak 700's>Sony TC-D5M)>D>CD>WAV>SHN. Taper: John Corley.	Source Detail
03/02/85	The Stone	San Francisco	CA	handheld stereo mic > portable Aiwa cassette deck > master cassette > Yamaha tape deck > Yama 10 band graphic equalizer > wav (Audacity - 24 bit/48 khz) > CDWav > TLH (16/44.1 conversion, SBE's fixed) > flac.	Source Detail	FLAC
03/03/85	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (Nakamichi 700?s) > Sony TC-D5m > CDR > EAC > SHNv3.	Source Detail
05/23/85	Rainbow Theater	Denver	CO	JGJK, flac1644; Late show(?) Unknown AUD kindly provided from the collection of DL. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2017	Source Detail	FLAC
05/31/85	Beverly Theatre	Beverly Hills	CA	early show; Joe Pinedo's MAC (Sony 939 > Sony D5) > 1st gen cassette (Maxell XLII 90, Dolby B) > Nakamichi BX300 playback > Macintosh > Peak Bias > JAM > cdr > eac > mkw > shntool.	Source Detail
05/31/85	Beverly Theatre	Beverly Hills	CA	JGJK; flac2448; s1+s2p; Source: AUD (unknown gear) > MAC > 2nd-Gen copy via the Doug Lamarre tape collection. Transfer: Maxell XLIIS-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2023	Source Detail	FLAC
06/01/85	The Stone	San Francisco	CA	Source: MAC(Nak 700's>Sony TC-D5M)>D>CD>WAV>SHN. Taper: John Corley	Source Detail
06/03/85	Keystone Palo Alto	Palo Alto	CA	Source: MAC(Nak700s>Sony TCD5M)>CDR>WAV>SHNv3. Taper: John Corley.	Source Detail
06/03/85	Keystone Palo Alto	Palo Alto	CA	JGB: Tazuo Yamaguchi's 2 Uher mics> Sony TC-D5; Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.	Source Detail	FLAC
06/03/85	Keystone Palo Alto	Palo Alto	CA	JGB: Hat-Mounted realistic pzm's with Sony WMD6-C Maxell UDS-II 90 No nr 10 feet away, left of center 5 feet Master > D6 > HD > Audacity > CDWave > TLH.	Source Detail	FLAC
08/04/85	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT). Analog and Digital Mastering by Charlie Connor.	Source Detail
08/05/85	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT). Analog and Digital Mastering by Charlie Connor.	Source Detail
08/09/85	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT). Analog and Digital Mastering by Charlie Connor.	Source Detail
08/10/85	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT). Analog and Digital Mastering by Charlie Connor.	Source Detail
08/17/85	River Theater	Guerneville	CA	Source: MAC (Nak 700s >Sony TC-D5M>CD>WAV>SHN. Taper: John Corley.	Source Detail
08/18/85	Dunsmuir House And Gardens	Oakland	CA	Garcia & Kahn: Taped by Bob Menke, Nak 700s (15' from stage slightly off-center > Sony D5M master cassette (Dolby B, Maxell Metal) > Echo Event Gina A/D > Sound Forge 4.5 > CDR > EAC (secure mode) > SHN (MKWACT). A>D by Bob Menke, EAC>SHN by Charlie Connor.	Source Detail
08/18/85	Dunsmuir House And Gardens	Oakland	CA	JGJK 16/44.1: Recorded by Greg Holtz using 2 Nakamichi CM100 mics with CP-4 Shotgun capsules > Sony D-5 cassette tape deck. All transfers and mastering by Jamie Waddell on the GEMS Edit Station	Source Detail	FLAC
08/18/85	Dunsmuir House And Gardens	Oakland	CA	JGJK; flac16; Jonathan Mow's Nak 700s > Sony TC-D5M > Master Cassette - recorded from right in front of the speakers; Transfer: Master Cassette > Nakamichi CR-7A > Tascam DA-3000 > DSF 1-bit/5.6MHz; Lineage: DSF 1-bit/5.6MHz > dBpoweramp > wav 24/96 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16. edited and mastered SIRMick May 2020	Source Detail	FLAC
08/18/85	Dunsmuir House And Gardens	Oakland	CA	JGJK; flac1648 trade dat described as "Sandy Troy audience RxR>dat HHB PDR1000" transfer 6/2/17 by rumrunners - 48k dat> tascam da-20> m-audio audiophile 2496 > cooledit > 48k wav editting in cooledit to fix flaws - digipops corrected by re-drawing samples at 45:28, 48:39, 56:36, 65:04 (48k) 74 minutes	Source Detail	FLAC
09/27/85	The Stone	San Francisco	CA	JGJK: Don Dearth's MAC (Sony D6C w/Sony Stereo Mic [MaxellXL2S90]) > Nakamichi CR3A playback (no Dolby) > HP Computer > Sound Forge Vol@ 5.5DB and normalized > CD Wave to make tracks->Flac7. Transferred by John Moses.	Source Detail	FLAC
09/28/85	Keystone Palo Alto	Palo Alto	CA	flac1644: Beyer M88's > Sony TC-D5 > Maxell XLIIS 90. Mics on stand at head height. Taped by Jim Quirk. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F.	Source Detail	FLAC
10/11/85	River Theater	Guerneville	CA	Garcia & Kahn, set I: MSC(?) > ? > cassette > CD > EAC > FLAC. Cassette transfer by slip, EAC > FLAC by jjoops.	Source Detail
10/11/85	River Theater	Guerneville	CA	JGJK: Source: 1st Gen Soundboard Cassette TDK MA-X 90 Transfer: Playback on azimuth adjusted Nakamichi CR-7A > Lynx RCA-XLR cables > Lunatec V3 (96KHz) > AES/EBU digital out > LynxTwo Soundcard, Pro-mode Sync > recorded to hard drive with Wavelab 5 as 24 bit/96 KHz PCM WAV > Waves X-Noise and Ozone 3 > MBIT+ > 16/44.1 > CDWAV 1.9 > FLAC (level 8), via Green Mountain Brothers.	Source Detail	FLAC
10/11/85	River Theater	Guerneville	CA	JGJK; flac2496; Taped By Keith Prior; From The Collection Of Jay Abrams. Source Sony TCD-5M Nakamichi 700's TDK Metal Master; Transfer 1st Gen Maxell IIs Cassette > Nakamichi Dr3 > Presonus Studio 24C > Logic Pro 2496 > CD Wav - xAct 2496. Transferred by Jay Abrams 02-22-2023	Source Detail	FLAC
10/13/85	The Stone	San Francisco	CA	Source: MAC(Nak700s>Sony TCD5M)>CDR>WAV>SHNv3. Taper: John Corley.	Source Detail	SHN
10/14/85	The Stone	San Francisco	CA	JGB, flac1644; Unknown AUD (marked 2nd Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2017	Source Detail	FLAC
10/16/85	The Catalyst	Santa Cruz	CA	Garcia & Kahn: early and late shows?;	Source Detail
10/16/85	The Catalyst	Santa Cruz	CA	Garcia & Kahn: SBD > DAT > Cas > CD > EAC > SHN	Source Detail
10/16/85	The Catalyst	Santa Cruz	CA	Garcia & Kahn: MSC > DAT > CDR > SHN	Source Detail	SHN
10/16/85	The Catalyst	Santa Cruz	CA	Garcia & Kahn, early and late shows: Digital mix from 4 channel cassette master - Soundboard plus Microphones over stage. See info file for details.	Source Detail
10/16/85	The Catalyst	Santa Cruz	CA	JGJK; flac1648; early and late; Source: SBD; Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader's Little Helper > FLAC; Taper Unknown; Transferred from DAT by Bill Graves	Source Detail	FLAC
12/14/85	The Stone	San Francisco	CA	JGB; flac1644; AUD (marked 3rd Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017	Source Detail	FLAC
12/15/85	The Stone	San Francisco	CA	JGB; flac1644; AUD (marked 3rd Gen) kindly provided by wk & http://jgmf.blogspot.com/; Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017	Source Detail	FLAC
12/21/85	Keystone Palo Alto	Palo Alto	CA	Jerry Garcia Band: MAC (Taped by Dan Gale, Sony ECM-939LT [center of the dance floor] > Sony TC-D6C) > NAD 6050C playback > SBM > PCM-R500 @ 44.1k > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale.	Source Detail
12/22/85	Keystone Palo Alto	Palo Alto	CA	JGB: MAC (Taped by Dan Gale, Sony ECM-939LT [center of the dance floor] > Sony TC-D6C) > NAD 6050C playback > SBM > PCM-R500 @ 44.1k > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale.	Source Detail
01/16/86	Keystone Palo Alto	Palo Alto	CA	16bit/44.1kHz file set. Second Set only. Source: SBD > 2nd Gen cassette, kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 11/2011	Source Detail	FLAC
01/18/86	The Stone	San Francisco	CA	JGJK, flac1644; Unknown AUD (mono) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2017	Source Detail	FLAC
01/24/86	Constitution Hall	Washington	DC	JGJK, flac1644; AUD (marked 2nd Gen) kindly provided by wk & http://jgmf.blogspot.com/ Transfer: TDK SA90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 04/2017	Source Detail	FLAC
01/25/86	The Tower Theatre	Upper Darby	PA	Garcia & Kahn: MAC > CD > EAC > SHN. Taped by Ray Ackerman, 2 rows BOB (Orchestra Row E, Sec. L/C, Seat 108), Audio Technica 835b w/ low roll off + AKG D12e on mic stand @ 6' > Sony TC-D5 master cassette (Maxell metal tape, dolby off) > SBM 2600 processor (Rega Planet-Canare LV61S/Neutric RCA's) > Marantz CDR630 CDRx0 > CDx? > EAC > retracking (WavMerge & CD Wave) > SHN (mkwACT).	Source Detail
01/27/86	The Ritz	New York	NY	Garcia & Kahn: Master Soundboard > Soundcraftsman 16x4 > Sony D5 > Cool Edit > CD Wave > SHN	Source Detail
01/28/86	The Ritz	New York	NY	Garcia & Kahn: Master Soundboard Soundcraftsman 16x4>Sony D5>Cool Edit>CD Wave>SHN	Source Detail
01/30/86	Bushnell Auditorium	Hartford	CT	JGJK; flac1644; Source: AUD unknown equipment & lineage, lo-gen tape kindly provided by Seaweed1010, "Got it soon after the show". Transfer: Maxell UR > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. March 2013.	Source Detail	FLAC
01/31/86	Capitol Theater	Passaic	NJ	Garcia & Kahn: MAC (Taped by Fredo Johnson, Nak 300s > Sony D5) > Nak Dragon playback > Egosys Waveterminal 2496 > Cool Edit 2000 > shntool > .shn (mkwACT). Transfer and .shn by David Minches.	Source Detail
02/01/86	Orpheum Theater	Boston	MA	Garcia & Kahn: B. Koucky's MAc (Orchestra Sennheiser 441 > Sony D5 Maxell [MX-S 90] out of Steve Adleman’s mics & D-5) > Nakamichi DR2 playback > Presonus Firebox > firewire / PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8). Transfer/mastering by C.Ladner.	Source Detail	FLAC
02/01/86	Orpheum Theater	Boston	MA	Garcia & Kahn: MAC > DATs > CDs > EAC > SHN Recorded by J. Pasternak, Sony ECM 939s > Sony WM-D6. EAC > SHN by Joe Jupille.	Source Detail	SHN
02/02/86	Orpheum Theater	Boston	MA	Garcia & Kahn: AUD (unknown mics) > CM > DAT > CDR > WAV > SHN	Source Detail
02/02/86	Orpheum Theater	Boston	MA	Garcia & Kahn: B. Koucky's MAC (Orchestra Sennheiser 441 > Sony D5 [Maxell MX-S] out of Steve Adleman’s mics & D-5) > Nakamichi DR2 playback > Presonus Firebox > firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8) Transfer/mastering by C.Ladner.	Source Detail	FLAC
02/21/86	The Stone	San Francisco	CA	Jerry Garcia Band. Source: MAC(Nak700s)>CDR>WAV>SHNv3. Taper: John Corley.	Source Detail
02/28/86	Marin County Veterans Auditorium	San Rafael	CA	Garcia & Kahn: Master: Sony ECM-939LT > Cassette Master (Sony TC-D6C); Transfer: Cassette Master (NAD 6050C) > SBM > DAT @ 44.1k (PCM-R500) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Recorded and Transferred by Dan Gale.	Source Detail
03/09/86	Keystone Palo Alto	Palo Alto	CA	Source: MAC(FOB Nak 700's, Stealth in Hat>Sony TC-D5M) > CD > WAV > SHN. Taper: John Corley. SHN encoding via C.Ladner.	Source Detail
03/10/86	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M > CDR > EAC > CDWave > Shn	Source Detail
05/15/86	Berkeley Community Theater	Berkeley	CA	JGJK; flac1644; SBD cassette unknown source (? gen) Lineage: C(?) > WAV > FLAC ; Transfer: Sony TC-WA7-ES (playback without Dolby B) > PreSonus Firebox 24bit/96kHz A/D > Steinberg's Cubase LE 1.0.8 (bit resolution & resampling to CDR redbook 16/44.1) > CD Wave1.95 (tracking only) > TLH 2.4.1 Build 160 (encode FLAC Level 8 + sector boundaries verified + generated md5/ ffp & st5). Actual transfer on April 14, 2007.	Source Detail	FLAC
05/23/86	California Theatre	San Diego	CA	JGB; flac1644; Unknown AUD kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017	Source Detail	FLAC
05/24/86	Wiltern Theater	Los Angeles	CA	JGB: Joe Pinedo's Sony 939 > Sony D6; xfer: 1st Gen Cassette Maxell XLII 90 > Nakamichi BX300 playback > Macintosh > Peak Bias > JAM > cdr > eac > mkw >s hntool. Transfer & CD mastering/shn conversion Brian Mandel.	Source Detail	SHN
05/30/86	The Stone	San Francisco	CA	Jerry Garcia Band:FOB Master - NAK 300's>Sony D5>Cool Edit>CD Wave>SHN	Source Detail
05/31/86	The Stone	San Francisco	CA	Jerry Garcia Band: FOB Master - NAK 300's>Sony D5>Cool Edit>CD-Wave>SHN	Source Detail
10/04/86	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (Taped by John Corley, Nak 700s ["Silly Hat", FOB] > Sony TC-D5M) > CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
10/04/86	The Stone	San Francisco	CA	JGB; flac2448; 1st gen audience recording by Bob A, 2x Sennheiser 441 microphones -> Sony TCD5-M.	Source Detail	FLAC
10/05/86	The Stone	San Francisco	CA	Source: MAC(Nak700s>Sony TCD5M)>CDR>WAV>SHNv3. Taper: John Corley. First 2 tracks of the second set are omitted from the recording.	Source Detail	SHN
10/18/86	The Stone	San Francisco	CA	Source: MAC(Nak700s>Sony TCD5M)>CDR>WAV>SHNv3. Taper: John Corley.	Source Detail
10/18/86	The Stone	San Francisco	CA	flac1648; MSC > 1C > 1DAT (16bit/48kHz) > Panasonic SV-3700 playback > Pyle Pro cables > WaveTerminal 2496 > Wavelab v5.0.1a record (16/48 wav) > CDWave v1.9.8 (tracking) > Traders Little Helper v2.4.1 (FLAC encoding, level 8) > foobar2000 v0.9.6.8 (tagging).	Source Detail	FLAC
10/18/86	The Stone	San Francisco	CA	Source: ID-112794 (mono SBD) with patches from ID-21300 (AUD) Transfer: SHN's & FLAC's > TLH > WavMerge > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. October 2011.	Source Detail	FLAC
10/19/86	The Stone	San Francisco	CA	JGB; flac1644; Jeff Knudsen's Marantz Superscope mics (Front row tables) > AIWA HS-1 with autolevels (used Maxell xL-IIs) > 1 cassette; Transfer: MAC(1) > Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0 (dithered via 'UV22HR' to 16/44) > CD by Matt Smith; Edits on the GEMS Edit Station by Jamie Waddell: Weiss Saracon for POWR-3 Dither TLH for FLAC8 SBE FREE Meta-data with Tag&ReName.	Source Detail	FLAC
10/19/86	The Stone	San Francisco	CA	JGB; flac1644; s1 only; AUD/2 (XLIIS) > NAD 6100 > Mytek 192(24/96) > UV22HR(16/44.1) > CDWave > FLAC.	Source Detail	FLAC
10/31/86	Henry J. Kaiser Convention Center	Oakland	CA	Jerry Garcia Band: AUD/FOB Schoeps MK4 44k DAT > Midiman Deltadio 2496 > Cool Edit 2000 > WAV > SHN.	Source Detail
10/31/86	Henry J. Kaiser Convention Center	Oakland	CA	Jerry Garcia Band: Recording Info: (FOB) Beyer M88 -> Cassette Master (Sony TCD5M); Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital ADC8X96 -> Nuendo (24bit/44.1k) -> Samplitude v7.02 Professional -> SHN (1 Disc Audio / 1 Disc SHN); Recorded and Transferred By Bill Reutelhuber; Tracked and Edited By Charlie Miller 2/19/04	Source Detail
10/31/86	Henry J. Kaiser Convention Center	Oakland	CA	Jerry Garcia Band: Speed-corrected version of previous AUD/FOB Schoeps MK4 source; See info file for details; Seeded to etree by CWier.	Source Detail
10/31/86	Henry J. Kaiser Convention Center	Oakland	CA	JGB; flac24; soundcheck; SBD > Cassette Master (TDK SA-X90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC).	Source Detail	FLAC
10/31/86	Henry J. Kaiser Convention Center	Oakland	CA	FLAC 1644 Source: 2x Nak Shotguns + 1x Nak 100 > Nak 550 > MC by Barry and Liza Levitt Transfer: MC (XLII-S 90) > Nak Dragon > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (tracking, fix panning, pitch correction, patching, resample, Lin dither) > FLAC 1644	Source Detail	FLAC
11/10/86	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M) > CDR > EAC > CDWave (retracked) > Shn	Source Detail
11/11/86	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M) > CDR > EAC > CDWave (retracked) > Shn; EAC'ed / retracked / Shn'ed by Charlie Connor with thanks to Bob Menke.	Source Detail
11/11/86	The Stone	San Francisco	CA	JGB: Tazuo Yamaguchi's 1x Nakamichi 100 (5' from stage) > Sony TC-D5M MAC; Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.	Source Detail	FLAC
11/14/86	Marin County Veterans Auditorium	San Rafael	CA	Garcia & Kahn: Bread and Roses Benefit: SBD > PCM > DATs > CDRs > SHN	Source Detail
11/14/86	Marin County Veterans Auditorium	San Rafael	CA	Garcia & Kahn: Soundboard PCM > DAT Transfer: Transfer: Panasonic SV-3700 > M-Audio 24/96 > Wavelab 5.0 (L3 multimaximizer) > CDWAVE > FLAC Transfers, Remastering and Seeded to bt.etree.org February 7, 2007 by Bill Koucky	Source Detail	FLAC
11/22/86	Warfield Theater	San Francisco	CA	Garcia, Weir & Hart acoustic; flac1644; Unknown AUD kindly provided by wk & http://jgmf.blogspot.com/ Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2017	Source Detail	FLAC
11/23/86	The Log Cabin	San Anselmo	CA	Log Cabin Boys; Sony ECM-939T -> Cassette Master (Sony D6/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
11/30/86	The Stone	San Francisco	CA	Source: MAC(FOB Nak 700's, Stealth in Hat>Sony TC-D5M) > CD > WAV > SHN. Taper: John Corley.	Source Detail
12/08/86	The Stone	San Francisco	CA	Source: FOB MAC w/ Nak 700s>SonyTC-D5M>CDR>WAV>SHN. Taper: John Corley.	Source Detail
12/21/86	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (Taped by John Corley, Nak 700s ["Silly Hat", FOB] > Sony TC-D5M) > CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
12/21/86	The Stone	San Francisco	CA	JGB, flac1644; Ultramix (marked 3rd Gen) kindly provided from the collection of DL. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 05/2017	Source Detail	FLAC
01/24/87	The Stone	San Francisco	CA	flac1644 Matt Muir's 2x AKG460 > Sony WM-D5 MAC (2x Maxell MX90); Transfer: MAC > Nakamichi BX-125E > EMU 0202 > Wavelab 6 > wav 24/96 > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16, via sirmic Taped by Matt Muir	Source Detail	FLAC
01/25/87	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (Taped by John Corley, Nak700s ) > CDR > WAV > SHNv3. CDR source via J.Powell. SHN encoding/FTP via C.Ladner/candyman FTP.	Source Detail
02/10/87	The Stone	San Francisco	CA	Source: MAC(Nak700s)>CDR>WAV>SHNv3. Taper: John Corley.	Source Detail
02/15/87	Veteran's Memorial Auditorium	Petaluma	CA	Olatunji & His Drums Of Passion: MSC (Maxell MX90) > Sony TC-WE475 playback > Sony R500 (Pass Through) > SEK'D Prodif Plus > Samplitude Professional v8.01 > FLAC, transferred and edited by Charlie Miller.	Source Detail
02/20/87	Marin County Veterans Auditorium	San Rafael	CA	Jerry Garcia Band: MAC (Taped by Dan Gale, Sony ECM-939LT > Sony TC-D6C) > NAD 6050C playback > SBM > PCM-R500 @ 44.1k (A/D only - no DAT) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale.	Source Detail	SHN
02/21/87	Lawlor Events Center (Univ. of Nevada)	Reno	NV	Jerry Garcia Band: MAC (Taped by Dan Gale, Sony ECM-939LT > Sony TC-D6C) > NAD 6050C playback > SBM > PCM-R500 @ 44.1k (A/D only - no DAT) > VXPocket v2 > Sound Forge (v. 4.5a) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN. Transferred by Dan Gale.	Source Detail	SHN
02/24/87	Civic Auditorium	Santa Cruz	CA	JGB: Tom Pinney MAC (Beyer M88 [FOB Center, 20' from stage, XY 90 degrees] > Sony D5) > 1st gen cassette > JVC TD-V1050 cassette deck > Lynx Two A/D (24-bit, 44.1kHz) > Wavelab 6.0.	Source Detail	FLAC
03/06/87	USS Carl Vinson (Alameda Naval Air Station)	Alameda	CA	unknown aud > ? > CD > EAC > FLAC.	Source Detail	FLAC
03/06/87	USS Carl Vinson (Alameda Naval Air Station)	Alameda	CA	aud > ??? > cdr > ??? > cdr > eac > flac > wav > shn. Remaster of shnid 26179.	Source Detail
03/08/87	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (Disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M > CDR > EAC > CDWav (Retracking) > Shn. Taped by John Corley, A>D transfer by Dan Ward, EAC'ed / retracked / shn'd by Charlie Connor.	Source Detail
03/09/87	The Stone	San Francisco	CA	Jerry Garcia Band: MAC (Disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] > Sony TCD5M > CDR > EAC > CDWav (Retracking) > Shn. Taped by John Corley, A>D transfer by Dan Ward, EAC'ed / retracked / shn'd by Charlie Connor.	Source Detail
03/10/87	The Stone	San Francisco	CA	Source: MAC(Nak700s)>CDR>WAV>SHNv3. Taper: John Corley. Midnight Moonlight missing.	Source Detail
03/13/87	Wiltern Theater	Los Angeles	CA	JGB, flac1644; AUD: Sennheiser MD-441's > unknown deck > MAC > 1st-Gen cassettes, kindly provided from the collection of Alabama Bob. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2018	Source Detail	FLAC
03/13/87	Wiltern Theater	Los Angeles	CA	Jerry Garcia Band: MAC (Joe Pinedo, Sony 939 > Sony D5) > one cassette > NaNakamichi BX300 playback > Macintosh > Peak Bias > JAM > cd > eac > mkw > shntool. Transfer & CD mastering/shn conversion by Brian Mandel.	Source Detail
03/13/87	Wiltern Theater	Los Angeles	CA	JGB; flac1648; Doug Schnetlage's Master Audience Cassettes Neumann Km 86 > Sony D6 (maxell Mx90) Transfer Info: Cassette Master (nakamichi Cr-7a) > Tascam Da-3000 > Samplitude Pro X5 > Flac2496 Transferred And Mastered By Jim Blackwood Speed Correction By Jason Chastain Track Flac Pack By Steve Gravel 16 Bit 48 Khz Flac Level 8 From 24 Bit 96 Khz Source Via Izotope Rx8 With Mbit+ Dither	Source Detail	FLAC
03/14/87	Wiltern Theater	Los Angeles	CA	Jerry Garcia Band: Sony 939 > Sony D5 > ? > 2nd gen cassettes > Nakamichi BX300 playback > Macintosh > Peak Bias > JAM > cdr > eac > mkw > shntool.	Source Detail
03/14/87	Wiltern Theater	Los Angeles	CA	JGB; flac1648; Doug Schnetlage's Master Audience Cassettes Neumann KM 86 > Sony D6 (Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Track FLAC Pack by Steve Gravel 16 Bit 48 kHz FLAC Level 8 from 24 Bit 96 kHz source via Izotope RX8 with MBIT+ dither	Source Detail	FLAC
03/18/87	Fillmore Auditorium	San Francisco	CA	JGAB; shnf; source: AUD (mics and taper unknown) > ? > C > DAT > WAV > SHN.	Source Detail	SHN
03/18/87	Fillmore Auditorium	San Francisco	CA	JGAB; flac1644: SBD > 2nd Gen Cassette (DBX type 2.) Transfer: Cassette > Tascam 122 MK£> DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > iZotope RX7 Advanced > wav 16/44.1 >CD Wave > Flac 16 edited and mastered SIRMick November 2020	Source Detail	FLAC
03/18/87	Fillmore Auditorium	San Francisco	CA	JGAB; flac16; Matrix 2 Source Mix - SBD (shn id 150922) SBD > 2nd Gen Cassette (DBX type 2.) Transfer: Cassette > Tascam 122 MK£> DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > iZotope RX7 Advanced > CD Wave > Flac 24 edited and mastered SIRMick November 2020 + AUD (shn id 22299) Jerry Garcia Acoustic Band. Source: AUD (mics and taper unknown)>?>C>DAT>WAV>SHN. Matrix mixing by Kevin Tobin	Source Detail	FLAC
03/18/87	Fillmore Auditorium	San Francisco	CA	JGAB; flac1648; Recording info: Soundboard cassette master (Sony TC-D5M / Maxell XLII-S 90); Transfer info: Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor > Samplitude Pro X6 > 24-bit 96 kHz FLAC; Recorded by Charlie Kaiser; Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
04/06/87	Lone Star Cafe	New York	NY	California Brothers, JG guest: 2nd gen AUD cassette (Maxell XLII 90) > Nak D-R2 > Digigram VXpocket v2 > Sony VAIO Picturebook PCG-C1VPK 24bit/48kHz wav > unknown downsample to 16/44.1 > CD Wave > TLH (FLAC encoding). Transfer by Michael Scottelaro, track and FLAC by jj.	Source Detail	FLAC
04/23/87	The Stone	San Francisco	CA	Source: MAC(Nak700s)>CDR>WAV>SHNv3. Taper: John Corley. First verse in Deal cut. Source CDRs via J.Powell. SHN encoding via C.Ladner.	Source Detail
04/24/87	The Stone	San Francisco	CA	Source: MAC(Nak700s)>CDR>WAV>SHNv3. Taper: John Corley. Source CDR via J.Powell. SHN encoding via C.Ladner.	Source Detail
05/27/87	The Stone	San Francisco	CA	Source: MAC(Nak 700s)>DAT>CDR>WAV>SHNv3. Taper: John Corley. via the misSHN in the rain/TMNSP	Source Detail
05/28/87	The Stone	San Francisco	CA	Source: MAC(Nak 700s)>DAT>CDR>WAV>SHNv3. Taper: John Corley. via misSHN in the rain/TMNSP.	Source Detail
08/29/87	French's Camp on the Eel River	Piercy	CA	JGAB & JGB: Source: Sean Webber Small, FOB Schoeps CMC44s > Sony PCM F1; Transfer: Unknown gen Beta > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P (for sample rate conversion and anti-jitter) > Digital Audio Labs Card Deluxe soundcard; CD mastering & encoding: hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches.	Source Detail
08/29/87	French's Camp on the Eel River	Piercy	CA	JGAB & JGB: MSC > CDR > EAC (for tracking) > CDR > EAC > FLAC16; by pscotton.	Source Detail
08/29/87	French's Camp on the Eel River	Piercy	CA	JGAB/JGB: unknown soundboard > ? > CD > EAC > WAV > SHN.	Source Detail	SHN
08/29/87	French's Camp on the Eel River	Piercy	CA	JGB & JGAB: SBD + AUD Matrix Mix (60%-SBD/40%-AUD)	Source Detail
08/29/87	French's Camp on the Eel River	Piercy	CA	flac1644; JGAB & JGB; SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
08/29/87	French's Camp on the Eel River	Piercy	CA	JGAB & JGB; flac 16: Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell XL-II). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC	Source Detail	FLAC
08/29/87	French's Camp on the Eel River	Piercy	CA	JGAB & JGB; flac 24: Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell XL-II). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24	Source Detail	FLAC
08/29/87	French's Camp on the Eel River	Piercy	CA	JGAB & JGB; flac16; Michael Hessberg's Sennheiser ME-80 mics > Sony D5M > Master Audience Cassettes; Transfer: Nakamichi DR-1 > Cassette Master > Tascam DA-3000 > DSF 1-bit/5.6 MHz > dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH > flac24. Lineage: flac 24/96 > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick August 2020	Source Detail	FLAC
08/30/87	Greek Theater	Berkeley	CA	Jerry Garcia Band: Source: Unknown AUD DAT provided by: mattamiss@hotmail.com Transfer: D8 > Waveterminal 2496 > Soundforge > CD Wave > mkwACT Transfer by jason@spreadwidepanic.com	Source Detail
08/30/87	Greek Theater	Berkeley	CA	Jerry Garcia Band: FOB Audience PCM Master PCM 601 > SV-3700 > Edirol UA-1D > SoundForge 5.0 > CD Wave Editor > shn (mkw).	Source Detail
08/30/87	Greek Theater	Berkeley	CA	Jerry Garcia Band: unknown equipment/taper MAD/P > ? > DAT (44.1); Transfer: DAT (60ES) > M-Audio Audiophile USB > CDWAV > Goldwave (minor edits) > CDWAV > Flac Frontend.	Source Detail
08/30/87	Greek Theater	Berkeley	CA	JGB; flac1644; Unknown audience recording > dat (44.1k), Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1, transferred by Charlie Miller; Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16, edited and mastered SIRMick Jun 2017.	Source Detail	FLAC
10/15/87	Lunt-Fontanne Theatre	New York	NY	Jerry Garcia Acoustic Band & Jerry Garcia Band: FOB NAK 300's (2nd row, 2 seats right of center) > Sony D5 > Cool Edit > CD Wave > SHN, recorded by Dan Cole.	Source Detail
10/15/87	Lunt-Fontanne Theatre	New York	NY	JGB, Set II: Karl from NJ's MAC (Nakamichi CM-100s [handheld, 10th row orchestra, just left of center] > Sony WM-D6) > Dolby B 1st gen cassette > Sony TC-D5M (w/Dolby-B) playback > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums, and FLAC compression) > FLAC, December 2006 by Andrew F.	Source Detail
10/15/87	Lunt-Fontanne Theatre	New York	NY	JGAB & JGB: Joe D'Amico's Nak 300 Mics > Sony D-5; Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Cool Edit Pro > Flac Frontend.	Source Detail	FLAC
10/15/87	Lunt-Fontanne Theatre	New York	NY	JGB, Set 2, flac16; Source: FOB AUD of unknown lineage > ? > Cassette rescued from Ebay. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > Wavelab (adding 16-bit patch) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2017	Source Detail	FLAC
10/16/87	Lunt-Fontanne Theatre	New York	NY	JGAB/JGB: cdr of unknown aud; Edited and Mastered by Jamie Waddell on the GEMS Edit Station. Admin note: taper is Joe D'Amico, Nak 300s > Sony D5.	Source Detail	FLAC
10/16/87	Lunt-Fontanne Theatre	New York	NY	flac1644; aud cassette master, nak 300's>sony d5, taped by Chuck Doll & Bob Messina, transfer, mastering, seed by Rob Berger	Source Detail	FLAC
10/17/87	Lunt-Fontanne Theatre	New York	NY	JGAB & JGB; shn; Late Show: SBD>C>C>Cool Edit>EAC>SHN	Source Detail
10/17/87	Lunt-Fontanne Theatre	New York	NY	JGAB & JGB; flac16; early show; Nakamichi 300's > Sony TC-D5M > Master Cassettes (2 x Maxell XLII-S) Recorded from 6th row, Just right of center by Roger Remandino and John Hance. Low gen cassette provided by Rob (Xghs) Feldman John wore the mics extending out from the collar of his sweatshirt and Roger was behind him operating the deck. Transfer I: low gen cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Transfer II: 1st gen cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Neutron 2 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16 edi8ted and mastered SIRMick December 2020	Source Detail	FLAC
10/17/87	Lunt-Fontanne Theatre	New York	NY	JGAB & JGB; flac1644; late show; SBD cassette master > dat > dat > cdr > adobe audition 2.0 > cd wave > flac. Taped and transferred by Rob Berger.	Source Detail
10/17/87	Lunt-Fontanne Theatre	New York	NY	JGAB & JGB; flac1644; late show; Chuck Doll and Bob Messina aud cassette master, nak 300's>sony d5; transfer, mastering, seed by Rob Berger	Source Detail	FLAC
10/17/87	Lunt-Fontanne Theatre	New York	NY	JGAB & JGB; flac1644; late show; repaired/improved SBD (mono) via basement repeater speaker, See shnid-83514; Repaired version: FLACs > TLH > WavMerge > WaveLab > CD-Wave > TLH > FLAC 1644 tagged, by Andrew F.	Source Detail	FLAC
10/17/87	Lunt-Fontanne Theatre	New York	NY	JGAB & JGB; flac2448; early show; Source: AUD of unknown lineage > ? > Lo-Gen Cassette copy kindly provided by Rob "xghs". Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2020	Source Detail	FLAC
10/20/87	Lunt-Fontanne Theatre	New York	NY	JGB, set II: Karl from NJ's MAC (1 Nakamichi CM-100 > Sony WM-D6 [mono]) > Maxell XLII-S 1st gen cassette (Dolby On) > Sony TC-D5M > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC, November 2006 by Andrew F.	Source Detail
10/21/87	Lunt-Fontanne Theatre	New York	NY	Jerry Garca Band: Acoustic and Electric:SBD Master Cass>Sony D5>Cool Edit>CD Wave>SHN	Source Detail
10/21/87	Lunt-Fontanne Theatre	New York	NY	JGB, Late Show, Electric Set: Nakamichi CM-300's > Sony WM-D6; Second generation cassette w/Dolby B used for transfer (MAC > C > C) Transfer: 2nd-Gen tape (Maxell XL-II) > Sony TC-D5M (Dolby On) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC, November 2006 by Andrew F.	Source Detail	FLAC
10/21/87	Lunt-Fontanne Theatre	New York	NY	JGAB; flac1644, Late Show Acoustic (partial) SBD repaired, Source: SBD > ID-6350 > SHN > TLH > Wavelab > TLH > FLAC 1644 tagged. See /shn/6350 for full details on original source.	Source Detail	FLAC
10/23/87	Lunt-Fontanne Theatre	New York	NY	JGB-JGAB: stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.	Source Detail
10/23/87	Lunt-Fontanne Theatre	New York	NY	flac1644; aud cassette master, nak 300's>sony d5, taped by Chuck Doll & Bob Messina, transfer, mastering, seed by Rob Berger	Source Detail	FLAC
10/24/87	Lunt-Fontanne Theatre	New York	NY	flac1644; aud cassette master, nak 300's > sony d5, taped by Chuck Doll & Bob Messina, transfer/mastering/seed by Rob Berger.	Source Detail	FLAC
10/25/87	Lunt-Fontanne Theatre	New York	NY	JGAB: MISLABEL OF 10/28/87 matinee acoustic set (sbd), should not be further propagated.	Source Detail
10/25/87	Lunt-Fontanne Theatre	New York	NY	JGB & JGAB, Early Show: Sony ECM-939LT stereo mic (center orchestra, ca. 15th row) > Sony WM-D6C Pro-Walkman Onto Maxell MX-90 cassette tape, Dolby Off for recording and playback; Transfer playback on Nakamichi MR-2 > Tascam CDRW-700 > EAC > SHN.	Source Detail
10/25/87	Lunt-Fontanne Theatre	New York	NY	JGB-JGAB, late show: Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC (level 8). Electric set: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Acoustic recording remastered version of previously circulating shnid=15616. Electric band analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.	Source Detail
10/28/87	Lunt-Fontanne Theatre	New York	NY	Jerry Garcia Acoustic Band: Early Show: MS? > DAT > CDR > EAC > SHN. DAT > CD by Jeremy Davis, extraction and compression by mlindsey.	Source Detail	SHN
10/28/87	Lunt-Fontanne Theatre	New York	NY	Jerry Garcia Band, Early Show: Recording: Sony ECM-939LT Stereo Mic (third row orchestra, just off center and directly in front of Jerry) > Sony WM-D6C Pro-Walkman Onto Maxell MX-90 cassette, Dolby Off during recording and playback; Transfer playback on Nakamichi MR2 > Tascam CDRW-700 > EAC > SHN. Tracked with CDWave, no EQ or sound editing was used.	Source Detail
10/28/87	Lunt-Fontanne Theatre	New York	NY	JGB & JGAB, Late Show: Orchestra Nakamichi 300s > D5 (MAC) > D5 (C1) > C1 playback on Nakamichi DR2 > Presonus Firebox > firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8). Recording via B.Koucky. Transfer/mastering by C.Ladner.	Source Detail
10/28/87	Lunt-Fontanne Theatre	New York	NY	JGB, early show, electric set: B. Koucky's MAC (Orchestra Nakamichi 300s > D5) > D5 (C1) > C1 playback on Nakamichi DR2 > Presonus Firebox > firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8). Transfer/mastering by C.Ladner.	Source Detail
10/28/87	Lunt-Fontanne Theatre	New York	NY	JGAB, Early Show: Digital Soundboard -> DAT 16/48 Transfer By Todd Evans Editing by Jamie Waddell in Wavelab6.0 SBE FREE 16/44.1 L2 Type2Ultra Noise Shape	Source Detail
10/28/87	Lunt-Fontanne Theatre	New York	NY	JGAB, early show: DSBD, pitch fix for shnid 82275 via FLAC > WAV > Vegas 6.0d > FLAC by mattman.	Source Detail	FLAC
10/30/87	Lunt-Fontanne Theatre	New York	NY	JGB: MAC (Nak 300s [orchestra] > D5) > 2 cassette gens > C2 (Maxell XLII-90) Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8), via B. Koucky and C. Ladner.	Source Detail
10/30/87	Lunt-Fontanne Theatre	New York	NY	JGAB/JGB; flac2448; Source: Nakamichi CM-300 w/CP-1 caps > Sony TC-D5 > MAC, 5th row balcony left; 1st Gen cassettes, kindly provided by Doug Lamarre. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2021	Source Detail	FLAC
10/31/87	Lunt-Fontanne Theatre	New York	NY	JGB, early show: MAC (Nak 300s [orchestra] > Sony D5) > 2 cassette gens > C2 (Maxell XLII-90) Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8), via B. Koucky and C. Ladner.	Source Detail
10/31/87	Lunt-Fontanne Theatre	New York	NY	JGB; flac 1644; late show; Joe D'Amico's Nak 300s > Sony D5	Source Detail	FLAC
10/31/87	Lunt-Fontanne Theatre	New York	NY	JGAB/JGB; flac2448; Early Show; Source: AUD of unknown lineage, kindly provided by Doug Lamarre. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2021	Source Detail	FLAC
11/27/87	Warfield Theatre	San Francisco	CA	Source: AUD(mic's and taper unknown)>?>C>DAT>WAV>SHN.	Source Detail
11/27/87	Warfield Theatre	San Francisco	CA	JGAB & JGB: Sennheiser MKE-2002 mics > Sony TC-D5 > 2 cassette gens > Sony TC-D5M (Dolby on) playback > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, plus material from shnid 22298 (see notes), November 2006 by Andrew F.	Source Detail
11/27/87	Warfield Theatre	San Francisco	CA	JGAB/JGB: Nak 700's > dbx > D5 MAC > NakCR-3A > dbx224 > audigyse > audacity > CDWave > tlh.	Source Detail	FLAC
11/28/87	Warfield Theatre	San Francisco	CA	Jerry Garcia Acoustic Band performance (first set). Source: AUD(unknown mics and taper)>?>C>DAT>WAV>SHN. Cassette>DAT via J.Powell. DAT>SHN via C.Ladner.	Source Detail
11/28/87	Warfield Theatre	San Francisco	CA	JGAB & JGB; flac1644; Taz Yamaguchi's 2x Nakamichi 700 w/cardiod caps > dbx > D5 MAC > NakCR-3A > dbx224 > audigySE > Audacity > CDWave > TLH	Source Detail	FLAC
11/29/87	Warfield Theatre	San Francisco	CA	Jerry Garcia Acoustic Band. Source: AUD(unknown mics and taper)>?>C>DAT>WAV>SHN. Cassette>DAT via J.Powell. DAT>SHN via C.Ladner.	Source Detail
12/03/87	Wiltern Theater	Los Angeles	CA	Jerry Garcia Acoustic Band & Jerry Garcia Band: MAC (Taped by Mike French, floor right of center, Senn MKE2002 [HRTF] > Sony WM-D6C [Dolby B]) > playback on master Sony WM-D6C "B" nr > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial/ RCA cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD clone (DAO,1x) > CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by Mike French, EAC > SHN by Joe Jupille.	Source Detail
12/03/87	Wiltern Theater	Los Angeles	CA	JGAB & JGB (24 bit/48kHz): tdarian's Radio Shack Lavalier omnis (9th Row Floor DFC) > Sony WM-D6C "B" n.r., Denon HD-M 90 Metal master cassettes > Sony WM-D6C w/ Dolby "B" n.r azimuth adjusted playback > Belden 1804a spc > Sound Devices 722 @ 24.48. Transfer to digital realm, and editing/processing/dithering, by Mike French.	Source Detail	FLAC
12/03/87	Wiltern Theater	Los Angeles	CA	JGAB & JGB (16bit/44.1kHz): tdarian's Radio Shack Lavalier omni's > Sony WM-D6C "B" n.r., Denon HD-M 90 Metal Cassettes, From 9th Row Floor DFC. Transfer to the Digital Realm (2007-01-20): TD Master Cassettes // MF Sony WM-D6C w/ Dolby "B" n.r azimuth adjusted playback-> Belden 1804a spc > Sound Devices 722 @ 24.48. Transfer to digital realm, and editing/processing/dithering, by Mike French.	Source Detail	FLAC
12/04/87	Wiltern Theater	Los Angeles	CA	Jerry Garcia Acoustic Band & Jerry Garcia Band: MAC (Taped by Mike French, center of the floor, Senn MKE2002 [HRTF] > Sony WM-D6C [Dolby B]) > playback on master Sony WM-D6C "B" nr > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial/ RCA cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD clone (DAO,1x) > CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by Mike French, EAC > SHN by Joe Jupille.	Source Detail
12/04/87	Wiltern Theater	Los Angeles	CA	JGAB & JGB: SBD > PCM > DAT > WAV > SLOTH DAW > FLAC16	Source Detail
12/04/87	Wiltern Theater	Los Angeles	CA	JGAB & JGB (16 bit/44.1kHz): Mike French's Sennheiser MKE2002 HRTF -> Sony WM-D6C "B" n.r., From the floor, near center, Orchestra Row B seat 118. High Resolution Digital Transfer Lineage: MF Master Cassettes / MF Sony WM-D6C master deck w/ Dolby "B" n.r azimuth adjusted playback -> Belden 1804a spc -> Sound Devices 722 @ 24.48 Transfered by Mike French.	Source Detail	FLAC
12/04/87	Wiltern Theater	Los Angeles	CA	JGAB & JGB (24 bit/48kHz): tdarian's Sennheiser MKE2002 HRTF (floor 4th Row DD, near center, Jerry side) > Sony WM-D6C mic-in "B" n.r. > Sony WM-D6C w/ Dolby "B" n.r azimuth adjusted playback > Belden 1804a spc > Sound Devices 722 @ 24.48 Transferred by Mike French.	Source Detail	FLAC
12/04/87	Wiltern Theater	Los Angeles	CA	JGAB & JGB (16 bit/44.11kHz): tdarian's Sennheiser MKE2002 HRTF -> Sony WM-D6C mic-in "B" n.r., Recorded on floor 4th Row DD, near center - Jerry's side (from tape card notes). High Resolution Digital Transfer Lineage: TD Master Cassettes // MF Sony WM-D6C w/ Dolby "B" n.r azimuth adjusted playback -> Belden 1804a spc -> Sound Devices 722 @ 24.48, transferred by Mike French.	Source Detail	FLAC
12/05/87	Wiltern Theater	Los Angeles	CA	Jerry Garcia Acoustic Band & Jerry Garcia Band: MAC (Senn MKE2002 [HRTF] from the orchestra pit > Sony WM-D6C [Dolby B]) > playback on master Sony WM-D6C "B" nr > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial/ RCA cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD clone (DAO,1x) > CD > HP 9350i extraction using EAC (v0.9 beta 4) > minor editing using Sound Forge Studio 6.0 > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). JGAB taped by Mike French, JGB taped by Tom D. A > D by Mike French, EAC > SHN by Joe Jupille.	Source Detail
12/05/87	Wiltern Theater	Los Angeles	CA	JGAB & JGB (16 bit/44.1kHz): tdarian's Sennheiser MKE2002 HRTF -> Sony WM-D6C "B" n.r. Balcony Row CC, center (balcony, 3rd row, center).High Resolution Digital Transfer Lineage:TD Master Cassettes // MF Sony WM-D6C w/ Dolby "B" n.r azimuth adjusted playback -> Belden 1804a spc -> Sound Devices 722 @ 24.48 Transfered by Mike French	Source Detail	FLAC
12/06/87	Wiltern Theater	Los Angeles	CA	Jerry Garcia Acoustic Band & Jerry Garcia Band: MAC (Taped by Tom D., 6th row-FF-4th seat left of center, RadioShack Tie Pin Lavalier Omni mics > Sony WM-D6C) > playback on master Sony WM-D6C "B" nr > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial/ RCA cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD clone (DAO,1x) > CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by Mike French, EAC > SHN by Joe Jupille.	Source Detail
12/17/87	The Warfield	San Francisco	CA	An AIDS benefit concert, Humanitas International and BGP presents Joan Baez and Friends: A Christmas Concert: S:C>D>CD	Source Detail
12/17/87	The Warfield	San Francisco	CA	Garcia, Weir & Kahn; flac2496; Recording Info: Live TV Broadcast (KQED) > VHS HiFi Master > Beta HiFi (Maxell HGX HiFi). Transfer Info: Beta HiFi (Sony SL-HF860D) > Tascam DA-3000 (24-bit-48k) > Samplitude Pro X5 Suite > FLAC24. All Transfers and Mastering by Charlie Miller. December 7, 2020.	Source Detail	FLAC
12/17/87	The Warfield	San Francisco	CA	Garcia, Weir & Kahn; flac16/44; Recording Info: Live TV Broadcast (KQED) > VHS HiFi Master > Beta HiFi (Maxell HGX HiFi). Transfer Info: Beta HiFi (Sony SL-HF860D) > Tascam DA-3000 (24-bit-48k) > Samplitude Pro X5 Suite > FLAC24. All Transfers and Mastering by Charlie Miller. December 7, 2020. - This is 151287 2448 > 1644	Source Detail	FLAC
01/23/88	Henry J. Kaiser Convention Center	Oakland	CA	"Blues for Salvador": Unknown audience master > ? > CD > eac > shntool > shnv3 by Ernie Dodd.	Source Detail
02/05/88	Veterans Memorial Auditorium	Santa Rosa	CA	flac2448; AUD > Unknown Gen Cassette (Maxell XLII90 no Dolby) > Nakamichi BX-300 playback (no Dolby) > Pyle Pro cables > WaveTerminal 2496 > Samplitude 10.1 Download Version (record @ 24 bits/48kHz) > CDWave 1.9.8 (tracking) > Wavelab 5.0.1a (cross-fades, etc.) > shntool (stripped non-canonical headers) > Traders Little Helper 2.4.1 (FLAC encoding, level 8) > Foobar (tagging); Transferred 9/6/2009 by JGMF	Source Detail	FLAC
02/05/88	Veterans Memorial Auditorium	Santa Rosa	CA	JGB; flac1644; remaster of JGMF's Closet Call SHNID-121594. Source: Unknown AUD transferred to FLAC 2448 by JGMF > ID-121594. Remaster: FLAC 2448 > TLH > WAV > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Andrew F. 09/20	Source Detail	FLAC
02/06/88	The Warfield	San Francisco	CA	Jerry Garcia Band: MAC (Taped by Danny Lucian, unknown gear from the lower balcony) > 1 cassette > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).	Source Detail
03/05/88	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MSC > DAT > CDR > WAV > SHN. Missing last 3 tracks of the second set. CDR source via D.Minches. SHN encoding/initial FTP propagation via C.Ladner/candyman FTP.	Source Detail
04/26/88	Marin Veterans' Memorial Auditorium	San Rafael	CA	JGAB: MAC (Taped by Dan Cole, FOB Sony ECM-77B > Sony D5) > Cool Edit > CD Wave > SHN > CD > EAC > SHN. Proper sector boundaries verified using shntool. This is an accidental re-DAE of the earlier .shn set, albeit one that is slightly re-tracked.	Source Detail
04/26/88	Marin Veterans' Memorial Auditorium	San Rafael	CA	Garcia, Kahn, Nelson & Rothman: John Corley AUD (likely Nak700) > ? > CD > Wavelab6.0 Edited and Mastered by Jamie Waddell on the GEMS Edit Station Trac'ed Cdwave,Flac'ed Flac Frontend Level 8.	Source Detail	FLAC
04/26/88	Marin Veterans' Memorial Auditorium	San Rafael	CA	JGAB: Hat Mounted Realistic PZM's with Sony WMD6-C No nr Maxell MX-90 80 ft away, left of center Orchestra Section Left Row 13 Seat 49 Master > Sony D6 > HD > Audacity > CDWave > TLH	Source Detail	FLAC
04/26/88	Marin Veterans' Memorial Auditorium	San Rafael	CA	Garcia, Kahh, Nelson, & Rothman: MAC (Taped by Dan Cole, FOB Sony ECM-77B > Sony D5) > Cool Edit > CD Wave > SHN.	Source Detail	shn
05/06/88	Old Fillmore	San Francisco	CA	Jerry Garcia Band: FOB Schoeps CMC3 + MK4 > DAT > CD > EAC > SHN	Source Detail
05/06/88	Old Fillmore	San Francisco	CA	JGB; flac16; Neumann KMi-84s >Sony PCMF-1/sl2000 PCM - transferred, tracked and tagged by OldNeumanntapr - Recorded By Daspyknows taping crew	Source Detail	FLAC
05/07/88	Orpheum Theatre	San Francisco	CA	Jerry Garcia Band: Taper: Bill Reutelhuber; Recording Info: (FOB/Hat) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx type II Encoder -> Cm (Sony TCD5m). Transfer Info: Cm (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) -> SHN. Process Info: 1) Slight eq on the computer with waves linear eq plugin followed by waves L2 plugin and rendered down to 16 bit 44.1kHz file. 2) Tracked and Normalized with Samplitude v7.02 Professional. Recorded, Transfered and Process #1 By Bill Reutelhuber. Process #2 By Charlie Miller.	Source Detail
05/07/88	Orpheum Theatre	San Francisco	CA	Jerry Garcia Band: MAC (Taped by Dan Cole, row AA in the middle, Sony ECM 77-B > Sony D5) > Cool Edit > CD Wave > SHN.	Source Detail
07/07/88	Cotati Cabaret	Cotati	CA	Jerry Garcia Acoustic Band: Early Show: Recorded at Front Row Table, Audio-Technica AT 831R mics > Marantz PMD-430 > Tascam CD-RW700 (recorded and mastered by Dan Ward); Late Show: Recorded in front of left PA stack, Radio Shack behind the ear mics > Sony TC-D6 (recorded and mastered by CNM).	Source Detail
07/09/88	Frost Ampitheater (Stanford University)	Palo Alto	CA	JGAB: fixed version of the Teddy "Goodbear" seed shnid 82171, via SirMick.	Source Detail	SHN
07/09/88	Frost Ampitheater (Stanford University)	Palo Alto	CA	JGAB: John Corley's FOB Nakamichi 700s > Cassette Master (Sony TCD5m) Dat > CD > EAC> Flac	Source Detail
07/10/88	Greek Theater	Berkeley	CA	Jerry Garcia Band: MAC (Taped by John Corley, Nak 700s > Sony TC-D5M) > CD > EAC > SHN	Source Detail
07/10/88	Greek Theater	Berkeley	CA	Jerry Garcia Band: set II only: MAC (Taped by Dan Cole, FOB AKG 460's > Sony D5) > Cool Edit > CD Wave > SHN.	Source Detail	SHN
07/16/88	Golden Gate Park	San Francisco	CA	flac2448 1st GEN AUD microphones: AKG ck61 > recorder: Sony TC-D10 DAT location: FOB about 70 feet from stage First transfer- DAT to Sony TC5M	Source Detail	FLAC
10/31/88	Henry J. Kaiser Convention Center	Oakland	CA	Jerry Garcia Band: FOB Schoeps CMC34 (Hand held, ORTF) > Oade M118 pre > Panasonic SV-250 > Soundforge 4.5 > CD; Taped by Jeff Travitz, shn'd by Bill Gardner	Source Detail
10/31/88	Henry J. Kaiser Convention Center	Oakland	CA	Jerry Garcia Band: Recording Info: (FOB/Hat) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx 221e type II Encoder -> Cassette Master (Sony TCD5m/Maxell XLIIS); Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> dbx 224x Decoder -> Mytek Digital ADC8X96 -> Nuendo (24bit/44.1k) -> SHN (2 Discs Audio / 1 Disc SHN); Process Info: 1) Processed to a 16 bit file with waves Q10 and L2 2) Tracked and Normailized with Samplitude v7.02 Professional; Recorded, Transfered and Process #1 By Bill Reutelhuber; Process #2 By Charlie Miller 1/6/04	Source Detail	SHN
10/31/88	Henry J. Kaiser Convention Center	Oakland	CA	Jerry Garcia Band: MAC (Nak CM700/CP701 Cards > Custom Preamp > DBX Box > Sony TCD5M) > Sound Forge (slight NR used) > DBX Type II Decoder NR Unit > HD > CD	Source Detail	shn
11/04/88	Caesars Tahoe	Stateline	NV	Jerry Garcia Band: Nak 700 mics > DBX Encoded > Cassette Master; Transfer: Cassette master> DBX Decoded > DATx 2 > Echo Event Gina > Sound Forge 4.5 > CDR > EAC(Secure Mode) > SHN (MKWACT); EAC'ed/Shn'ed and seeded to fungus by Charlie Connor. File modifed 2/7/2004: NOT taped by Bob Menke, as previously listed.	Source Detail
11/05/88	Caesars Tahoe	Stateline	NV	Jerry Garcia Band: Early and Late Shows: MAC(Nak700s) > D > CDR > WAV >SHN. File modified 2/7/2004: not taped by Bob Menke, as previously listed.	Source Detail
11/05/88	Caesars Tahoe	Stateline	NV	Late Show: MSC > 1st gen cassette > Nak Dragon playback > Grace Lunatec V3 (24/96) > Digital Audio Labs Card Deluxe > Adobe Audition 2.0 > (dither/downsample) > FLAC encoding. Transfer by David Minches.	Source Detail	FLAC
11/25/88	Wiltern Theater	Los Angeles	CA	Jerry Garcia Band: MSD > 1C > DAT > CDR > WAV > SHN	Source Detail
11/25/88	Wiltern Theater	Los Angeles	CA	JGB: Mike French's MAC, undetermined gear and transfer > CD > EAC > FLAC.	Source Detail	FLAC
11/25/88	Wiltern Theater	Los Angeles	CA	JGB: tdarian and John Corso (Tapers From Hell), Sennheiser MKE2002 (mfrench mics) as AB omni's on bill of cap > Sony TC-D5M "B" n.r.; Row B - center of floor (apprx. 10th row center); Sony TC-D5M (with Dolby B) playback > Tascam DA-20mkII DAT deck at 48k; Then DAT marked with programs that were transferred as track marks on the fly, by the Tas. CDRW700, with dither to 44.1, on-the-fly, by the tas.700.	Source Detail	FLAC
11/25/88	Wiltern Theater	Los Angeles	CA	JGB; flac16; Master Soundboard Dat > Dick Latvala's Cassettes; Transfer Info: Dick Latvala’s cassettes (Nakamichi BX-300)> HHb CDR850 > CDR > EAC > Adobe Audition CC2019 > TLH flac16	Source Detail	FLAC
11/26/88	Wiltern Theater	Los Angeles	CA	Jerry Garcia Band: MSC > DAT > CDR > WAV > SHNv3.	Source Detail
11/26/88	Wiltern Theater	Los Angeles	CA	JGB: tdarian and John Corso (Tapers From Hell), Sennheiser MKE2002 (mfrench mics) as AB omni's on bill of cap > Sony WM-D6C (From the Floor - Row A - Jerry Side) (tape notes say center - maybe Jerry side of center section??); Sony TC-D5M (with Dolby B) playback > Tascam DA-20mkII DAT deck at 48k > Tascam CDRW700, with dither to 44.1, on-the-fly, by the tas.700.	Source Detail	FLAC
11/26/88	Wiltern Theater	Los Angeles	CA	JGB: flac1644; SBD > Cassette Master > DAT > CDR > WAV > SHNv3; Remaster by FlyingM: iZotope RX8 advanced > Goody* > CD Wave > TLH (flac)	Source Detail	FLAC
11/27/88	Wiltern Theater	Los Angeles	CA	Jerry Garcia Band: MAC ("Tapers from Hell", Senn MKE2002 [HRTF, balcony 3rd row center] > Sony WM-D6C [Dolby B]) > playback on master Sony WM-D6C "B" nr > Canare custom (shielded) cable > Tascam DA-20mkII DAT 48khz master DAT > playback on Tascam DA-20mkII DAT > Marigo Audio Lab Apparition Reference Coaxial/ RCA cable > Tascam 700 CDRW master CD > Marantz CDR 500 Dual Well Recorder CD clone (DAO,1x) > CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1).	Source Detail	SHN
11/27/88	Wiltern Theater	Los Angeles	CA	JGB: tdarian and John Corso (Tapers From Hell), Sennheiser MKE2002 (mfrench mics) as AB omni's on bill of cap > Sony WM-D6C (3rd row center - balcony) > Sony TC-D5M (with Dolby B) playback > Tascam DA-20mkII 48k DAT > Tascam CDRW700, with dither to 44.1, on-the-fly, by the tas.700.	Source Detail	FLAC
12/02/88	Orpheum Theatre	San Francisco	CA	JGB; shnf; MAP (Schoeps CMC44> Sony F1) > PCM > CDR > WAV > SHN. Source CDR via J.Powell. Extraction and SHN encoding via C.Ladner.	Source Detail
12/03/88	Orpheum Theatre	San Francisco	CA	JGB; MAP(Schoeps CMC44> Sony F1)>PCM>CDR>WAV>SHN. Source CDRs via J.Powell. Extraction and SHN encoding via C.Ladner.	Source Detail
12/03/88	Orpheum Theatre	San Francisco	CA	JGB; Bill Reutelhuber's (FOB/Hat) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx type II Encoder -> Cm (Sony TCD5m); Transfer Info: Cm (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) -> SHN; Process Info: Processed through Nuendo using Waves Q10 and Waves C4 and rendered down to a 16 bit wave file. Recorded and Transferred by Bill Reutelhuber; Tracked and SHN'd By Charlie Miller.	Source Detail
12/04/88	Oakland-Alameda County Coliseum Arena	Oakland	CA	Garcia, Weir & Wasserman; Acoustic Bridge School Benefit; SBD>??>DAT>CDR; via Paul B; Seeded to etree by Willy	Source Detail
12/04/88	Oakland-Alameda County Coliseum Arena	Oakland	CA	Garcia, Weir and Wasserman; flac16; UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24(2 DVD's FLAC). All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
01/27/89	Orpheum Theatre	San Francisco	CA	Jerry Garcia Band: MAC (Taped by Dan Cole, FOB [2nd row] Sony ECM-77B > Sony D5) > Cool Edit > CD Wave > SHN. This is identical to the previous .shn set except for fixed sector boundary errors (last track of each disc/set).	Source Detail	SHN
01/27/89	Orpheum Theatre	San Francisco	CA	JGB: SBD > 2nd or 3rd gen cassette (dolby B) > eq out >hp computer > Sound Forge (vol@5.5db) > CD wave > Flac.	Source Detail	FLAC
01/27/89	Orpheum Theatre	San Francisco	CA	Jerry Garcia Band: MAC (Taped by Dan Cole, FOB [2nd row] Sony ECM-77B > Sony D5) > Cool Edit > CD Wave > SHN	Source Detail	SHN
01/27/89	Orpheum Theatre	San Francisco	CA	JGB, flac16; Source 1 (tracks 1-12): Source ID 084866 (John Moses), remastered by Jim Blackwood and speed/pitch adjusted by Jason Chastain; Source 2 (tracks 13-15): SBD source (with likely cassette generation) > DAT via Anon, transferred and mastered by Jim Blackwood and speed/pitch adjusted by Jason Chastain; Minor repairs (both sources), track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
01/28/89	Orpheum Theatre	San Francisco	CA	Jerry Garcia Band:set 2 only; MSC > 1V (Hi-Fi) > DATs > Digi001 > SHN; via Ryan Shriver and D. Metz	Source Detail
01/28/89	Orpheum Theatre	San Francisco	CA	Jerry Garcia Band: Soundboard > ?? > wav > shn	Source Detail
01/28/89	Orpheum Theatre	San Francisco	CA	JGB, flac1648; Source: SBD Master Cassette > DAT at 16/48 (with possible extra analog generation) from Anon; DAT transfer and mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
03/03/89	Orpheum Theatre	San Francisco	CA	Jerry Garcia Band: FOB (Schoeps CMC34s) > DAT (Panasonic SV-250) > CDR > WAV > SHN	Source Detail
03/03/89	Orpheum Theatre	San Francisco	CA	Jerry Garcia Band: Recording Info: (FOB/Hat/Row L) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx type II Encoder -> Cassette Master (Sony TCD5m); Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> dbx 224x Decoder -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) -> SHN (2 Discs Audio / 2 Discs SHN); Process Info: 1) Processed to a 16 bit file with waves Q10, C4 and L2; 2)Tracked and Normailized with Samplitude v7.02 Professional; Recorded, Transfered and Process #1 By Bill Reutelhuber; Process #2 By Charlie Miller 12/5/03.	Source Detail
03/03/89	Orpheum Theatre	San Francisco	CA	JGB: DAUD FOB Schoeps CMC34 > Panasonic SV-250 DAT (?); Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by B. Koucky and Seeded by Green Mountain Bros. July 8, 2007.	Source Detail	FLAC
03/03/89	Orpheum Theatre	San Francisco	CA	flac1644; JGB, Set 2; Source: SBD > ? > Cassette rescued from ebay, marked 3rd-Gen. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2021	Source Detail	FLAC
03/04/89	Orpheum Theatre	San Francisco	CA	Jerry Garcia Band: Recording Info: (FOB/Hat/Row L)Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx type II Encoder -> Cassette Master (Sony TCD5m; Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> dbx 224x Decoder -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) -> SHN (2 Discs Audio / 2 Discs SHN); Process Info: 1) Processed to a 16 bit file with waves Q10, C4 and L2; 2) Tracked and Normailized with Samplitude v7.02 Professional; Recorded, Transfered and Process #1 By Bill Reutelhuber; Process #2 By Charlie Miller 12/5/03	Source Detail
03/22/89	Gift Center Pavilion	San Francisco	CA	Country Joe McDonald, Garcia guest: PS's FOB 2x Nakamichi 700 mics (modified, caps and attenuators worn in hat) > Reutelhuber pre-amp > dbx 221e > Sony TCd5M master cassette (Maxell MX90); Nakamichi CR1a playback > dbx 224xds decode > Macintosh 1.2 GHZ Power PC G4 OSX 10.5.4, with M-Audio Audiophile 2496 MIDI Digital Recording Interface. Recorded with Bias Peak Lite. File re-saved from raw audio as Wave with Bias Peak Lite version 5.2; CD Wave 1.94.8 > Sony Sound Forge Studio 7.0 (t01 fade-in and t09 fade-out) > Trader's Little Helper v2.4.1 (FLAC8 encoding). Transfer by PS, FLAC encoding by jj.	Source Detail	FLAC
03/22/89	Gift Center Pavilion	San Francisco	CA	Garcia, Weir & Kahn: FOB 2x Nakamichi 700 mics (modified, caps and attenuators worn in hat) > Reutelhuber pre-amp > dbx 221e > Sony TCd5M master cassette (Maxell MX90); Nakamichi CR1a playback > dbx 224xds decode > Macintosh 1.2 GHZ Power PC G4 OSX 10.5.4, with M-Audio Audiophile 2496 MIDI Digital Recording Interface. Recorded with Bias Peak Lite. File re-saved from raw audio as Wave with Bias Peak Lite version 5.2; CD Wave 1.94.8 > Sony Sound Forge Studio 7.0 (t01 fade-in and t07 fade-out) > Trader's Little Helper (FLAC8 encoding).	Source Detail	FLAC
04/24/89	Sweetwater	Mill Valley	CA	Elvis Costello, Garcia & Others: SBD? > Dat > Goodbear's computer (minor edit) > Wav > CD (minor edit) > EAC > FLAC, via Teddy Goodbear.	Source Detail
05/19/89	Irvine Meadows Ampitheater	Irvine	CA	Jerry Garcia Band: FOB (DFC, Section 2 Orchestra -CenterSenn MKE2002 ORTF) > Sony TC-D10 > CDR > WAV > SHN. "Tapers from Hell" Group Effort - (Tom D., John H., Mike F., John C.). SHN encoding/FTP via Nick Georges.	Source Detail
05/19/89	Irvine Meadows Ampitheater	Irvine	CA	Jerry Garcia Band: Senn MKE2002 HRTF stealth fob/dfc > Sony TCD-D10 1/4" mic in Ambient master by "Tapers From Hell", a large dedicated group effort. John H. on DAT knobs. DAT Clone #1 used for CDR master; Transfer: DAT #1 via Tas DA20mkII > Tas cdrw700 for cdr master -> Marantz 500 dual well-> CDR. Above taping and transfer done by Mike French + "Tapers from Hell" Additional Transfer: CDR-> EAC -> FLAC Frontend (16/44.1) by Brian Costigan (BCostigan@taperssection.com)	Source Detail	FLAC
05/19/89	Irvine Meadows Ampitheater	Irvine	CA	JGB; flac1648: Audience Recording by Mike French + Tapers from Hell Senn MKE2002 HRTF stealth fob/dfc > Sony TCD-D10 1/4" mic in DFC, Section 2 Orchestra DAT Archived and Transferred by Stucco. Audio Mastering by Jason Chastain and Jamie Waddell	Source Detail	FLAC
05/19/89	Irvine Meadows Ampitheater	Irvine	CA	JGB; Flac16; FOB; Sony ECM 909 Stereo Cardioid >Sony WM D3 Cass Recorded By John Lech. Cass 1 Transfer, Audacity, FLAC, Tags + Front Cover Artwork By OldNeumanntapr	Source Detail	FLAC
05/19/89	Irvine Meadows Ampitheater	Irvine	CA	JGB; flac1644; Mike Millard First- and Second-Generation Tapes via JEMS - The Lost and Found Mike the MICrophone Tapes Volume 203. Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder. JEMS 2023 Transfer: Nakamichi Cassette Deck 1 azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 3.1 capture > iZotope RX > iZotope RX8 Advanced and Ozone 10 > MBIT+ resample to 16/44.1 > Audacity > xACT 2.50 > FLAC	Source Detail	FLAC
05/20/89	Open Air Theater (San Diego State)	San Diego	CA	Jerry Garcia Band: SBD -> Dat -> Cm -> SBM2 -> Sonic Solutions -> CD -> EAC -> SHN Last 3 Songs Patched w/ Nakamichi 300/CP1 -> Cm -> CD -> Samplitude v7.02 Pro -> SHN (2 Discs Audio / 1 Disc SHN)	Source Detail
05/20/89	Open Air Theater (San Diego State)	San Diego	CA	JGB; flac1644; Field Recordist: Matt Xavier. field recording gear: 2x Nakamichi 300 > Sony D5; Lineage: Sony TC-WR635S playback > powerpc MAC, soundedit II software > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > CD by Matt Xavier, EAC > SHN by Joe Jupille (5.7.2003). shn2flac jgmf August 2, 2010: shn md5 checksum verification and shn > flac8 conversion using TLH 2.4.1 (Build 160). Tagging with Foobar 2000. Additional editing and tagging. David Minches, December 2023	Source Detail	FLAC
05/22/89	Universal Amphitheatre	Universal City	CA	JGB; shnf; s1s2p; sbd > mdat > cass > sonic solutions > cdr > mkw > shn	Source Detail
05/22/89	Universal Amphitheatre	Universal City	CA	JGB; flac 2448; Source: AUD of unknown lineage > ? > Cassette rescued from ebay. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2020	Source Detail	FLAC
05/26/89	New George's	San Rafael	CA	Los Lobos w/ Garcia sitting in: MAV (recorded by Rick Ovalle) > 2 VHS HiFi gens > CD. Transferred by pantagruel.	Source Detail	FLAC
05/26/89	New George's	San Rafael	CA	Taped by Rob Darroch - RIP; unknown mics >> SV255; DAT >> CD >> FLAC via TLH	Source Detail	FLAC
05/27/89	Oakland-Alameda County Stadium	Oakland	CA	John Fogerty, Jerry Garcia, Bob Weir, & Others: MSC > Nak DR-3 > RME 96/8 PST > CDR [> EAC]. Note: filenames not per etree standard.	Source Detail
05/27/89	Oakland-Alameda County Stadium	Oakland	CA	John Fogerty et al: SBD > Cassette > Nak DR-3 > RME 96/8 PST > CDR. Relationship to other seed with this lineage uncertain.	Source Detail	FLAC
05/27/89	Oakland-Alameda County Stadium	Oakland	CA	Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/27/89	Oakland-Alameda County Stadium	Oakland	CA	flac1644; Neumann KMi84 (FOB, DFC) > BlackBox > Panasonic SV-250 Transfer: 3800 > UA5w > PowerMac733G4 > Audio Recorder 1.4 > Peak 4.1 > aiff > xACT > FLAC Recorded, Post-Produced & Seeded by Chris Hecht	Source Detail	FLAC
06/10/89	French's Camp on the Eel River	Piercy	CA	Jerry Garcia Band: MAD (Schoeps CMC3-MK4) > playback on Panasonic SV-3800 > HHb CDR-850 > CDR > WAV > SHN	Source Detail
07/02/89	Sullivan Stadium Parking Lot	Foxboro	MA	Jerry Garcia, Bob Weir, & Los Lobos: Unknown source (probable pro-shot video) > ? > CD > EAC > SHN	Source Detail	SHN
08/26/89	Greek Theatre, U. Of California	Berkeley	CA	Jerry Garcia Band: MAD (recorded by Marcus Buick and Sean Webber-Small, B&K 4011's @ 110 ORTF [BuStand-1st Set, SeanStand-2nd Set] > Monster M1000 > Neumann 48VPS > MonsterM1000 > Panasonic SV250 [CLB FOB DFC- 2nd tier]), Panasonic SV250 playback > Sony PCM601 > Sony SL360, Sony SL360 plabyack > Sony PCM701 > Digidesign 442 / Quadra 650, edited w/ ProTools3.1, mastered with Masterlist1.2 > Sony920s 2x master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). D > CD by Marcus Buick, CD > SHN by Joe Jupille.	Source Detail
08/26/89	Greek Theatre, U. Of California	Berkeley	CA	Jerry Garcia Band: Recording Info: (FOB/Split/Hat) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx 221e type II Encoder -> Cassette Master (Sony TCD5m); Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> dbx 224x Decoder -> Mytek Digital ADC8X96 -> Nuendo (24bit/44.1k) -> SHN (2 Discs Audio / 1 Disc SHN)	Source Detail	SHN
09/01/89	Merriweather Post Pavilion	Columbia	MD	Jerry Garcia Band: MAD (FOB Schoeps CMC 34s)> CDR > WAV > SHN. SHN encoding and FTP'ing via C.Ladner/candyman FTP.	Source Detail
09/01/89	Merriweather Post Pavilion	Columbia	MD	JGB; flac1648; Ted Mattes FOB Recording: FOB Schoeps CMC34 @ 110º ORTF > DAT (Panasonic SV-250). Mics were hand held. John Ammons Transfer: from DAT clone of the Master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave. Edited & Mastered by Joe Noel Wave > Audacity > 16/48.	Source Detail	FLAC
09/02/89	Merriweather Post Pavilion	Columbia	MD	Jerry Garcia Band: Schoeps CMC-44 (FOB) > Oade pre-amp > Sony PCM-F1 > Sony SL 2000 (Beta). Possible re-DAE and re-.shn of existing .shn set.	Source Detail
09/02/89	Merriweather Post Pavilion	Columbia	MD	Jerry Garcia Band:FOB Schoeps CMC44 > Oade pre-amp > Sony PCM-F1 digital processor > Sony SL 2000 recorder (Beta); PCM master > DAT > CDR; Taper: Jim Oade; from the Jerry Site's "Release One"; via imgoinmad@home.com	Source Detail	SHN
09/02/89	Merriweather Post Pavilion	Columbia	MD	JGB; flac16; Michael Hessberg's Nakamichi 300’s > Sony TC -D5M > Cassette Master; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Wav 24/96 - Transferred by Charlie Miller; Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16. edited and mastered SIRMick March 2019.	Source Detail	FLAC
09/03/89	The Spectrum	Philadelphia	PA	Jerry Garcia Band: MAD (Taped by Jeff Travitz, FOB hand-held Schoeps CMC34 [ORTF] > Oade power supply > SV250) > ? > SHN.	Source Detail
09/03/89	The Spectrum	Philadelphia	PA	Jerry Garcia Band: 48k FLAC of Travitz master: Schoeps CMC34 (hand held FOB,ORTF) > Oade M118 pre > Panasonic SV-250 @48kHz by Jeff Travitz. Transfer: DAT clone; Sony PCM-2600 > Audioquest coax > Turtlebeach Fiji > Soundforge 4.5 > CDWave 1.71 > FLAC 1.1.0 by Craig Hillwig.	Source Detail	FLAC
09/03/89	The Spectrum	Philadelphia	PA	Jerry Garcia Band: MAC (Taped by Todd W. of Lancaster, PA and others, FOB Sennheiser 421's [approximate Y-configuration, hand-held > Sony D6) > Sony D6 playback > 1st gen cassette (modified Sony D6) > Denon DRW-840 playback > Sony DTC-59ES (48K A/D conversion) > optical > Sound Blaster MP3 (SPDIF Optical to USB conversion) > Creative Wave Studio (recording to .wav, 48K to 44.1K sample rate converison and tracking) > mkwATC (.wav to .shn conversion and .md5 creation).	Source Detail	SHN
09/03/89	The Spectrum	Philadelphia	PA	JGB: AKG C568B short shotgun mics > Marantz PMD-340 > Sony TC-D5M > Triad MG-X Metal, with no Dolby. Set up in 15th row center. Taped by the 89 Wheel Chair Crew. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.	Source Detail	FLAC
09/03/89	The Spectrum	Philadelphia	PA	JGB; flac1644?; Dave Boedicker's Realistic stereo mic (floor, section F, row 4, seat 9) > Sony WM-D6C cassette deck > 2x Maxell XL-II-S 90 minute master cassette tapes > Sony TC-D5M cassette deck (playback) > Edirol R-09 HR (24/44.1 KHZ) > CD Wav Editor > Traders Little Helper > Flac Level 8.sector boundaries aligned using Traders Little Helper.	Source Detail	FLAC
09/05/89	Hartford Civic Center	Hartford	CT	Jerry Garcia Band:SBD MCass > Cassette > DAT > CDR, Dont let go is complete but the sbd cuts after the first few notes of Lonesome and a longway from home. Seeded by Scott Clugston; [md5s]	Source Detail
09/05/89	Hartford Civic Center	Hartford	CT	Jerry Garcia Band: Taped by John Bulger, Sennheiser Audio 2000 Mic setup (FOB) > Dolby C cassette master > 1 cassette > >Nak DR-10 (Playback)> Midiman Flying Cow A/D>RME Digi96/8> Steinberg's Wavelab 3.0>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT; Digital Conversion/shn'ed by Charlie Connor with Thanks to Rob R.	Source Detail
09/05/89	Hartford Civic Center	Hartford	CT	JGB: sbd-aud combination of shnid 4374 (sbd) and shnid 24221 (Senn 2000s aud). See info file for details.	Source Detail	SHN
09/05/89	Hartford Civic Center	Hartford	CT	JGB: Ted Gidley's Nakamichi CM-300's > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics hand-held from the floor. Transfer: MAC > Nakamichi DR-8 (no Dolby) Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.	Source Detail	FLAC
09/05/89	Hartford Civic Center	Hartford	CT	JGB: Nakamichi CM300's with CP-1 cardioid capsules > Sony TC-D5M > Triad MG-X Metal, with no Dolby. Set up in 17th row center. Taped by the 89 Wheel Chair Crew. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.	Source Detail	FLAC
09/06/89	Nassau Coliseum	Uniondale	NY	Jerry Garcia Band: Taper: John Bulger; FOB Aud > Sennheiser Audio 2000 Mic setup > CM W/ Dolby C > Cass > Nak DR-10 (Playback)> Midiman Flying Cow A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 > CDWav v1.6 (tracking only) > SHNv3 (MKW ACT; Digital Conversion/shn'ed by Charlie Connor With thanks to Rob R.	Source Detail
09/06/89	Nassau Coliseum	Uniondale	NY	JGB, Set II: Tim Alexander's MAC (FOB AKG 414s > Sony D5 [Dolby B on]) > Nakamichi DR-1 playback (Dolby B off) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC.	Source Detail
09/06/89	Nassau Coliseum	Uniondale	NY	Jerry Garcia Band: audience-unknown> dat> cd> soundforge> shn by tim rossi tape errors: tape fades into How Sweet It Is, and tape also cuts at end of tangled.	Source Detail	SHN
09/06/89	Nassau Coliseum	Uniondale	NY	JGB, Set II, 48k: Tim Alexander's MAC (FOB AKG 414s > Sony D5 [Dolby B on]) > Nakamichi DR-1 playback (Dolby B off) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC.	Source Detail	FLAC
09/06/89	Nassau Coliseum	Uniondale	NY	JGB, set I only: AKG C-460b mics (15th row center) > Marantz PMD-340 > Sony TC-D5M > Triad MG-X Metal (no Dolby). Taped by the 89 Wheel Chair Crew. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.	Source Detail	FLAC
09/06/89	Nassau Coliseum	Uniondale	NY	JGB; flac1648: AKG 414s > DAT DAT Archived and Transferred by Stucco. Audio Mastering by Jason Chastain and Jamie Waddell.	Source Detail	FLAC
09/07/89	Meadowlands Arena	East Rutherford	NJ	Jerry Garcia Band: AUD (Unknown taper, Schoeps CMC34) > DAT > CDR > WAV > SHNv3.	Source Detail
09/07/89	Meadowlands Arena	East Rutherford	NJ	JGB: Unknown taper, Sennheiser 2002's (FOB, left of center) > Sony D5 (3rd deck in chain) > master cassette > 1st gen cassette > Nakamichi Cassette Deck 2 playback > RCA > UA-5 > USB > WinXP Pro > CEP 2.0 > CD Wave Editor > Flac Frontend > FLAC16.	Source Detail
09/07/89	Meadowlands Arena	East Rutherford	NJ	JGB, Set II: Tim Alexander's MAC (FOB AKG 414s > Sony D5 [Dolby B on]) > Nakamichi DR-1 plaback (Dolby B on) > Edirol R-09 (analog pass-through) > Nomad Jukebox 3 > WAV > FLAC.	Source Detail	FLAC
09/09/89	Great Woods Center for the Performing Arts	Mansfield	MA	JGB: MAD > DAT > CD > EAC > SHN. Stealth upfront Nakamichi 700 (cardiods) customized (run without the bodies), powered by a Reutelhuber pre/ps > Panasonic SV250 > DAT/0 > DAT(clone) > Sony R300 @ 48k > ZA-2 @ 44.1k > Soundforge 4.0c > CD Architect > CD/0 > EAC > MkWToolkit > SHN. D>CD>SHN by Frank Venezia.	Source Detail	SHN
09/09/89	Great Woods Center for the Performing Arts	Mansfield	MA	JGB: AUD: Unknown equipment, 1st Gen tapes used for transfer. Transfer: Maxell XLII-S 90's > Nakamichi DR-8 (w/no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644.	Source Detail	FLAC
09/09/89	Great Woods Center for the Performing Arts	Mansfield	MA	JGB; flac1644; D.S.F.'s 2x Nakamichi 300 CP1 caps > sony tcd5m cassette master (Dolby On); playback Master Cassette (No Dolby) > Nakamachi 582 > Sanaui PCM > Early 1990 PCM 12-19 > Cool Edit Pro 16-441.	Source Detail	FLAC
09/09/89	Great Woods Center for the Performing Arts	Mansfield	MA	JGB; flac1644; Frank Streeter's Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16. Patch Info: (FOB) Nakamichi 700 -> Dat -> CD -> SHN (shnid=9718).	Source Detail	FLAC
09/10/89	Great Woods Center for the Performing Arts	Mansfield	MA	Jerry Garcia Band: FOB (Unknown taper, Schoeps CMC34) > DAT > CDR > WAV > SHNv3.	Source Detail
09/10/89	Great Woods Center for the Performing Arts	Mansfield	MA	Jerry Garcia Band: MSC > Cx > WAV > FLAC. Transfer: Cassette > FLAC (playback on Sony TC-KE400S, dolby disabled > Sony PCM-R500 with Super Bit Mapping enabled > coaxial S/PIDF output > M Audio Audiophile 2496 > recording with Soundforge 6.0) > tracking (cdwav) > sector boundaries confirmed (shntool) > SHN by C.Ladner, 10/04.	Source Detail
09/10/89	Great Woods Center for the Performing Arts	Mansfield	MA	JGB: matrix of SBD (shnid 27358) and AUD (shnid 14311) by dan at amdig dot com.	Source Detail	FLAC
09/10/89	Great Woods Center for the Performing Arts	Mansfield	MA	JGB: Ted Carpenter's Nakamichi CM-300's w/CP-1 cardioid capsules > Sony TC-D5M > Maxell XL-II 90's, w/no Dolby. Mics crossed X-Y pattern, on a 6-foot stand, middle of shed near SBD. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.	Source Detail	FLAC
09/10/89	Great Woods Center for the Performing Arts	Mansfield	MA	JGB: FOB Sennheiser MKE-2002 binaural mics > Sony TC-D5 > Maxell XLII-S, with no Dolby. 17th row, taped by the 89 Wheel Chair Crew. Transfer: MAC > Nakamichi DR-8 (Dolby off) > Edirol FA-66 > WaveLab > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F.	Source Detail	FLAC
09/10/89	Great Woods Center for the Performing Arts	Mansfield	MA	JGB; flac1644; aud cassette master, senn 441's, taped by Doug Lamarre, transfer/seeded by Rob Berger	Source Detail	FLAC
09/11/89	The Centrum	Worcester	MA	Jerry Garcia Band, set I only: Unknown Taper; FOB Schoeps>?>wav>mkw>shn; shn encoding by Robert Goetz	Source Detail
09/11/89	The Centrum	Worcester	MA	Jerry Garcia Band. Source: MSD > C3 > D > WAV > SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C. Ladner.	Source Detail
09/13/89	Seashore Performing Arts Center	Old Orchard Beach	ME	Jerry Garcia Band: MAC (Taped by Glenn Gardner, Sennheiser ME80s > Sony D-5) > DAT > CDR > WAV > SHN. CDR and SHN encoding via A.Lemieux and C.Ladner.	Source Detail
09/13/89	Seashore Performing Arts Center	Old Orchard Beach	ME	JGB: 2x Nakamichi CM300's w/CP4 shotguns, plus 1x Nakamichi CM300 w/CP1 Cardioid blend mic > Nakamichi 550 cassette deck > Sony TC-D5M > Triad MG-X Metal (Set One) and That's CD-IV Metal (Set Two), with no Dolby. Mics on six foot stand, thirty feet from stage, in the center. Taped by the 89 Wheel Chair Crew. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.	Source Detail	FLAC
09/13/89	Seashore Performing Arts Center	Old Orchard Beach	ME	JGB; flac1644; aud casette master, senn 441's, taped by Doug Lamarre, transfer/seeded by Rob Berger	Source Detail	FLAC
09/15/89	Alpine Valley Music Theatre	East Troy	WI	JGB: 2 Nakamichi CM-100 Mics, CP-1 capsules>Sony D-6 analog tape recorder (FOB inside Pavilion - Alpine Valley Dead Center); Transfer/mastering: Nak MR-1 -> Behringer Ultra-DI Pro DI800 -> Behringer Ultramizer Pro DSP-1424P -> (2) Presonus EQ3B Parametric EQ's -> Behringer Composer Pro-XL: side chain loop Behringer Ultragraph Pro FBQ1502: -> Behringer Ultraflex Pro EX3200 -> Presonus Blue Tube Pre-amp -> BBE 882i -> dbx 231 EQ -> Behringer Ultramatch Pro SRC2496 -> Apogee SPDIF -> M-Audio 1010LT -> Wavelab @ 24/96 (fixed pops, dropouts, fades at flips, limited noise reduction, L3 to 16/44). Compression/checks: Flac Frontend L8 -> Traders Little Helper (sbe check, ffp, md5's) taped by Greg Holtz	Source Detail	FLAC
09/15/89	Alpine Valley Music Theatre	East Troy	WI	Jerry Garcia Band: Realistic Stereo Mic on stand > Realistic Mixer > Sony Recorder; Master cassettes were transfered to Hi-Fi VHS circa 1990; Transfer: VHS > M-Audio Delta Audiophile/Audacity > Wav > shn32.	Source Detail
09/15/89	Alpine Valley Music Theatre	East Troy	WI	MAC > DAT > CDR > EAC > SHN	Source Detail
09/15/89	Alpine Valley Music Theatre	East Troy	WI	JGB: 2 Nakamichi CM-100 Mics, CP-1 capsules>Sony D-6 analog tape recorder (FOB inside Pavilion - Stage Right); Transfer/mastering: Nak MR-1 -> Behringer Ultra-DI Pro DI800 -> Behringer Ultramizer Pro DSP-1424P -> (2) Presonus EQ3B Parametric EQ's -> Behringer Composer Pro-XL: side chain loop Behringer Ultragraph Pro FBQ1502: -> Behringer Ultraflex Pro EX3200 -> Presonus Blue Tube Pre-amp -> BBE 882i -> dbx 231 EQ -> Behringer Ultramatch Pro SRC2496 -> Apogee SPDIF -> M-Audio 1010LT -> Wavelab @ 24/96 (fixed pops, dropouts, fades at flips, limited noise reduction, L3 to 16/44). Compression / checks: Flac Frontend L8 -> Traders Little Helper (sbe check, ffp, md5's) taped by Greg Holtz	Source Detail	FLAC
09/15/89	Alpine Valley Music Theatre	East Troy	WI	JGB; flac1644; Master audience recording by SJ. 2x Audio Technica ATR-35 mics > Sony PC-39 > Sony WM-D6C (2x Maxell MX-90); Transfer: Master tapes > Harmon Kardon TD-302, heads aligned to tape > Zoom H2 wav recorder @16/44.1 > SDHD > tracking and editing w/wavepad > flac and checksums w/traderslittlehelper Analog > digital transfer by arfarf.	Source Detail	FLAC
09/15/89	Alpine Valley Music Theatre	East Troy	WI	JGB; flac16; s2; Tom Markson's Sony ECM-909-> Sony D6C-> XLII Master Cassette; Mastered: XLII Master Cassette-> Nakamichi 7a-> Denon ADC 24bit@48khz-> Wavelab-> WAV-> FLAC24	Source Detail	FLAC
09/15/89	Alpine Valley Music Theatre	East Troy	WI	JGB; flac16; Source: Crown PZM180’s (Hemispherical Omni’s) > Marantz PMD430; Location: 1/3 Up Lawn, In-Line w/ Meyer Sound MSL-3 Right Side Pavilion Delay Array; Conversion: PMD430 > Foster D5 > Canare AES > Motu Traveler > FW > MacBook Pro; Processing/Edits: Peak Pro (ID’s & Fades) > XACT (flac Level 8); Recorded By: Ted C. & Nat F. Upped: By Ted C.	Source Detail	FLAC
09/16/89	Poplar Creek Music Theatre	Hoffman Estates	IL	Jerry Garcia Band: FOB MAC > DAT > CD > EAC > SHN. Taped by Brian O'Connell (5th row, left side in front of Melvin), hand-held Nak 100's > Sony D6. EAC > SHN by Todd Norman.	Source Detail	SHN
09/16/89	Poplar Creek Music Theatre	Hoffman Estates	IL	Jerry Garcia Band: Realistic Stereo Mic on stand > Realistic Mixer > Sony Recorder; Master cassettes were transfered to Hi-Fi VHS circa 1990; Transfer: VHS > M-Audio Delta Audiophile/Audacity > Wav > shn32	Source Detail	SHN
09/16/89	Poplar Creek Music Theatre	Hoffman Estates	IL	Jerry Garcia Band: Entire show with Clerence Clemons. Source:soundboard->analog->pioneer PDR-509->CDRW->audio catalyst 2.1-> wav->cool edit 2000->mkw audio compression tool->shn	Source Detail	SHN
09/16/89	Poplar Creek Music Theatre	Hoffman Estates	IL	JGB; flac16 Master Audience Recorded By Mr. Darby; AKG C451E/ck1s(PAS/DFC/Handheld Halfway Up Lawn)> AKG9V Phantoms>Sony TC-D5M; Transfer Information: Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/Flac8) Renamed Tracks/Dithered/Flacked With AudioGate Software And Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software	Source Detail	FLAC
09/16/89	Poplar Creek Music Theatre	Hoffman Estates	IL	JGB; flac16; s2; Tom Markson's Sony ECM909 -> Sony D6C -> Master Cassette -> Nak 7a -> Tascam DA3000 @24 bit / 48khz-> Wavelab -> Flac. This file set is 16 bit @ 44.1	Source Detail	FLAC
10/31/89	Concord Pavilion	Concord	CA	Jerry Garcia Band: Jay Ashley remaster of earlier source.	Source Detail
10/31/89	Concord Pavilion	Concord	CA	Jerry Garcia Band: MAD (taped by Sean Webber-Small, Marcus Buick, and others, B&K 4011's @ 110 ORTF [handheld, Section FF, Row F, Seat 104]) > Monster M1000 > TAO Research (Oade designed supply) > Monster M1000 > Panasonic SV250, Panasonic SV250 > Sony PCM601 > Sony SL360, Sony SL360 > Sony PCM701 > Digidesign 442/Quadra650, edited w/ProTools 3.1, mastered with Masterlist 1.2 > Sony920s 2x CD mastering burner master CD > HP 9350i extraction using EAC (v0.9 beta 4) > sector boundary alignment using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1).	Source Detail
12/01/89	Warfield Theatre	San Francisco	CA	110' B&K 4011 @ Drink Rail -> SV255 Submitted to db.etree w/o a text file. The following text file circulates with filesets marked as SHNID # 6348 but may not be correct	Source Detail	SHN
12/01/89	Warfield Theatre	San Francisco	CA	JGB, flac16: AKG C1000S > Master Cassette (Marantz PMD-430/Dolby B) > Cassette (Dolby B); Transfer Info: Cassette (Nakamichi DR-1/Dolby B) > Sound Devices 744T (24bit/96k) > Samplitude Professional v10.1 > Adobe Audition v1.5 > FLAC/16; Recorded By Charlie Miller.	Source Detail	FLAC
12/02/89	Warfield Theater	San Francisco	Ca	JGB: MSC>Cx>DAT>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J. Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact) by C. Ladner.	Source Detail
12/02/89	Warfield Theater	San Francisco	Ca	JGB; flac1644; Marcus Buick's MAD (B&K 4011s [handheld in balcony seats 107-109 Row D,E] > Aerco PS @ 29.3dB > Panasonic SV-250); master DAT > Sony PCM 601 > Sony SL-360 beta/0 > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. Transfer by David "The Machine" Minches.	Source Detail	FLAC
12/02/89	Warfield Theater	San Francisco	Ca	JGB: Sbd> ???> Dat> Cdr	Source Detail	SHN
12/02/89	Warfield Theater	San Francisco	Ca	JGB; flac1644; set II only; (FOB) Schoeps CMC3/MK4 -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
12/11/89	Westwood One Studios	San Francisco	CA	Garcia & Weir Interview: FM Broadcast ("Rockline") cassette master > Sound Forge 6.0 > wav > shn.	Source Detail
12/16/89	Club Front	San Rafael	CA	Edie Brickell, Rob Wasserman & Jerry Garcia: SBD -> Master -> ? -> Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
12/16/89	Club Front	San Rafael	CA	Edie Brickell, Rob Wasserman & Jerry Garcia; 24mins; sbd > ? > cd > ? > eac > flac16 (level8)	Source Detail	FLAC
02/02/90	Warfield Theater	San Francisco	CA	JGB: MAC (Taped by Rob Darroch & Sara Paul, Neumann KM 140s ["The Spot", first tier, front drink rail center] > Sony D5) > Nakamichi LX5 playback > Sony PCM 601 > Sony SL-HF 360 Beta/0 > Sony SL-HF 360 playback > Sony PCM 701 > ProTools 3.1/Masterlist 1.2 (no dynamics used) > CD/0 > EAC > FLAC level 8.	Source Detail	SHN
02/03/90	Warfield Theater	San Francisco	CA	Jerry Garcia Band: set I only: SBD > CASS > ? > CDR > WAV > SHNv3.	Source Detail
02/03/90	Warfield Theater	San Francisco	CA	JGB, set I: Katzeff, Hughes and Buick's MAD (Josephson KD200/C-603 @ 110 ORTF [upper balcony, row M] > Aerco PS > uncertain deck [probably Panasonic SV 250]) > Tascam DA-30 playback > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches.	Source Detail
02/03/90	Warfield Theater	San Francisco	CA	Source: SBD > Line feed to hallway speakers (mono) > stealth spliced to MSC. Low gen tapes (1st or 2nd) kindly provided by Seaweed1010. Transfer: Metal cassettes > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F. June 2011.	Source Detail	FLAC
02/04/90	The Warfield	San Francisco	CA	JGB: Marcus Buick's MAD (Josephson KD-200/C-603 [1st person on the right front stack] > Aerco 20dB power supply > Panasonic SV-250) > Tascam DA-30 playback > Digital Domain VSP-P (for sample rate conversion and anti-jitter) > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer by David Minches.	Source Detail	FLAC
03/01/90	Warfield Theater	San Francisco	CA	JGB, flac1644; Source: Unknown AUD > 2nd-gen cassette, via the JGMF "Closet Call" Project. Original A>D Transfer: Maxell XLII-100's > Nakamichi BX-300 (Dolby C) > Pyle Pro cables > WaveTerminal 2496 > Wavelab v5.0.1a record (16/48 wav) > CDWave v1.98 (tracking) > Traders Little Helper v2.4.1 (FLAC encoding, level 8) > foobar2000 v0.9.6.8 (tagging) > FLAC 2448. June 2017, 16bit/44.1kHz file-set mastering: FLAC 2448 > TLH > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
03/02/90	Warfield Theater	San Francisco	CA	JGB; master audience VHS, camera mic; unknown subsequent information to DVD [AC3, 192 kbs, 16 bit, 48 kHz] > DVD Audio Extractor set to 16/44 flac > MD5's created with TLH.	Source Detail	FLAC
03/02/90	Warfield Theater	San Francisco	CA	JGB; flac2448; Set One; Source: MAC > C > 2nd-Gen AUD cassette, via the JGMF Closet Call Project. Transfer: Maxell XLII-100 > Nakamichi BX-300 playback (Dolby C) > Pyle Pro cables > WaveTerminal 2496 > Samplitude 10.1 > WAV 2448, via JGMF. Edits: WAV 2448 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.	Source Detail	FLAC
04/13/90	Warfield Theatre	San Francisco	CA	Jerryy Garcia Band: FOB > Nakamichi 700 > DAT > CD > WAV. Thanks to C.Miller for the CDR seeds. DAE (EAC), boundary checking (shntool), shn (mkwact) via neo_levo/candyman FTP.	Source Detail
04/13/90	Warfield Theatre	San Francisco	CA	JGB: Rob Darroch & Sara Paul's Neumann KM140s (FOB, handheld) > Sony D5 w/ Dolby C > PCM 601 beta/0 > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches.	Source Detail	FLAC
04/14/90	Warfield Theater	San Francisco	CA	JGB: Bill Reutelheuber's MAD (Nak 700s > Panasonic SV-250) > DAT > CDR > WAV > SHNv3. thanks to C.Miller for Dat>CDR transfers and seeding this show. DAE/FTP via neo_levo/candyman FTP. 12/2003: Info file updated to reflect taper and gear information provided by Bill Reutelheuber.	Source Detail
04/15/90	The Warfield	San Francisco	CA	JGB, set I: Rob Darroch & Sara Paul's MAC (Neumann KM140s [FOB, handheld] > Sony D5 w/ Dolby C) > PCM 601 Beta/0 > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC Frontend decode to wav > minor editing (Sony Sound Forge Audio Studio 7.0) > sector boundary fix (shntool v2.0.3) > flac re-encoding (FLAC Frontend etree edition v1.7.1).	Source Detail	FLAC
04/15/90	The Warfield	San Francisco	CA	JGB, flac1644; Unknown AUD kindly provided by wk & http://jgmf.blogspot.com/ ("for completists only"); Transfer: Maxell XLII's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 05/2017.	Source Detail	FLAC
04/15/90	The Warfield	San Francisco	CA	JGB FLAC24: SBD > Dat Master > Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24, (1 Disc FLAC), All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/29/90	South Of Market Cultural Center	San Francisco	CA	Jerry Garcia, Nick Gravenites, Pete Sears and Animal Mind, Complete Show: SBD > DAT > CD > WAV >SHN.	Source Detail
05/12/90	Waikiki Shell	Honolulu	HI	Jerry Garcia Band: MAC(Recorded by Frank Streeter, 2 FOB Neumann KM 86 mics > Sony TC-D5M) > WAV > SHN	Source Detail
05/12/90	Waikiki Shell	Honolulu	HI	JGB: Recorded by Trip: FOB 2 Neumann km 86 mics (no mic preamp used) > DAT Panasonic sv255; Transfer: Panasonic SV-3700 > Coax S/PDIF > M-Audio 410 (2 v1 dr1.8.2 2006-2 > FireWire400 > PowerMac G5 > Soundtrack Pro v1.0.3 (transfer by Thrak). Edited and Mastered By Jamie Waddell on the GEMS Edit Station.	Source Detail	FLAC
05/19/90	Hotel Room	Kona	HI	Garcia Interview: microphone in the middle of a hotel room > Cassette received in trade > Cool Edit Pro (convert to .wav) > flac	Source Detail	FLAC
05/20/90	Auditorium	Hilo	HI	Jerry Garcia Band: MAC(Sony TCD-5M (Felix): FOB 2 Neumann km 86 mics no mic preamp used) > WAV > SHN Recorded by Frank Streeter	Source Detail
05/20/90	Auditorium	Hilo	HI	JGB: FOB 2 Neumann km 86 mics (no mic preamp used) > Panasonic sv255 DAT master; Transfer: Panasonic SV-3700 > Coax S/PDIF > M-Audio 410 (2 v1 dr1.8.2 2006-2 > FireWire400 > PowerMac G5 > Soundtrack Pro v1.0.3. Edited and Mastered By Jamie Waddell on the GEMS Edit Station Tracked: Cdwave Flac'd Level 8 TLH.	Source Detail	FLAC
06/12/90	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAD (Taper, equipment, and location unknown) > DATs > Tascam DA-30 playback > HHB-800 master CD > HHB-800 CD/1 > HP 9350i extraction and normalization to 98% using EAC > tracking using CD Wave > .shn encoding using mkwACT.	Source Detail	SHN
06/13/90	Warfield Theater	San Francisco	CA	JGB: set I: Marcus Buick & Rick Katzeff, Neumann KM140s @ 110 ORTF > Panasonic SV-255 (5' behind 1st rail, 1st tier, center); set II: Schoeps CMC 521s @ 90 > Oade PS > Panasonic SV-SV255 (1st row tables, 2nd tier, left center); Transfer: Beta/0 > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > shntool > FLAC. Transfer and FLAC encoding by David Minches.	Source Detail	FLAC
06/13/90	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAD (Taper, equipment, and location unknown) > DATs > Tascam DA-30 playback > HHB-800 master CD > HHB-800 CD/1 > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT.	Source Detail	SHN
08/05/90	Greek Theatre @ University of California	Berkeley	CA	Jerry Garcia Band:FOB -> Nakamichi 700 -> Dat -> CD -> Cool Edit Pro -> CD Dat -> CD Transfer and editing done by Charlie Miller	Source Detail
08/05/90	Greek Theatre @ University of California	Berkeley	CA	Jerry Garcia Band: Recording Info:(FOB) Nakamichi 700/CP701 -> Dat; Transfer Info: Dat (Sony D8) -> CD (Tascam CDRW700) -> EAC -> Cool Edit Pro v1.2 -> CD -> EAC -> SHN (2 Discs Audio / 2 Discs SHN); Recorded By Bill Reutelhuber; All Transfers By Charlie Miller July 2001	Source Detail	SHN
08/07/90	The Warfield	San Francisco	CA	MAC (unknown mics/taper) > C > C > DAT > WAV > SHN. Digital transfer via C.Ladner & J.Powell. Note added 1/9/2010: this was taped by Charlie Miller, 2nd row center balcony, Sony stereo mic > Sony D6.	Source Detail
08/07/90	The Warfield	San Francisco	CA	Jerry Garcia Band: MAD (Rob Darroch and Sara Paul, Neumann KM140s handheld @ 110 ORTF ['The Spot', Rail-1st, 2nd row] > Panasonic SV-255) > unknown playback > Sony PCM 601 > SL 360 master Beta > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. PCM > FLAC by David Minches.	Source Detail
08/07/90	The Warfield	San Francisco	CA	JGB; flac16; source: Vintage Neumann KM54s > DAT - lineage: CDR > EAC > TLH > flac Recorded By Chuck and Janet Vasseur FLAC Tags Via xACT 2.53 By OldNeumanntapr	Source Detail	FLAC
08/08/90	The Warfield	San Francisco	CA	Jerry Garcia Band. Source: MAC(unknown mics/taper) > C > C > DAT > WAV > SHN. Digital transfer via C.Ladner & J.Powell.	Source Detail
08/08/90	The Warfield	San Francisco	CA	Jerry Garcia Band: MAD (Rob Darroch and Sara Paul, Neumann KM140s handheld @ 110 ORTF ['The Spot', Rail-1st, 2nd row] > Panasonic SV-255) > unknown playback > Sony PCM 601 > SL 360 master Beta > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding. PCM > FLAC by David Minches.	Source Detail	FLAC
08/08/90	The Warfield	San Francisco	CA	KGB, flac1648; Audience Recording. Hand Held SchoepsCMC44 > Panasonic SV 255 > Denon R90-DT DAT Master. 110 degrees ORTF First Row of Tables. DAT Archived and Transferred By Stuccoholmes 2018. Edited and Mastered by Jamie Waddell in Wavelab 7.2. 16bit 48kHz FLAC Level8 in TLH.	Source Detail	FLAC
08/09/90	Warfield Theater	San Francisco	CA	Jerry Garcia Band. Source: MAC(unknown mics/taper) > C > C > DAT > WAV > SHN. Digital transfer via C.Ladner & J.Powell.	Source Detail
08/09/90	Warfield Theater	San Francisco	CA	JGB, set I: Schoeps CMC 44s ORTF (center table 1/2 back ["rear"], mics on table) > JE 16 > Panasonic SV-255 master DAT > DAT(x) > Tascam DA-30 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches.	Source Detail	FLAC
09/01/90	Shoreline Amphitheatre	Mountain View	CA	Jerry Garcia Band: Recording Info: (FOB) Nakamichi 700/CP701 -> Dat; Transfer Info: Dat (Sony D8) -> CD (Tascam CDRW700) -> EAC -> SHN(2 Discs Audio / 2 Discs SHN); Recorded By Bill Reutelhuber; All Transfers By Charlie Miller July 2001	Source Detail
09/01/90	Shoreline Amphitheatre	Mountain View	CA	SBD > DAT (SONY D8) > CD (TASCAM CDRW700) EAC > FLAC8 The file set came from the collection of Mark Martin Mastering by Craig Rogers Decoded, Reflaced at level 5 and checksums created using TLH Audio derived from the official DVD release and should not be traded	Source Detail	FLAC
11/11/90	Wiltern Theatre	Los Angeles	CA	Audmc/Toa DM1200d(1st Row Balcony)>D-6>Jb3>Goldwave>Cdwav>Flac Flac fingerprints included in text file.	Source Detail	FLAC
11/11/90	Wiltern Theatre	Los Angeles	CA	JGB, flac1644; Audmc/Toa K1(1st Row Balcony)>D-6>Jb3>Goldwave>Cdwav>Flac; (jvc td-w354>jb3@ 0 db gain>goldwave normalized to 100%>cdwav for tracking); (flac compression with 'verify' and 'align on sector boundaries' options used); Taped By John DeTally; Transfered And Flac Compression By Jason Flair; Remastered 9-2017 - remaster of shn id# 23855	Source Detail	FLAC
11/12/90	Wiltern Theatre	Los Angeles	CA	JGB flac24: Archival Audio's Toa k1's "active" (about 6'high) > Sony WM-TCD-6C > Maxell MX-90's x 2 (Dolby C on); Tascam 302 Dolby C on playback > Monster Y (RCA splitter) > Monster interlink 101 RCA > 1/4"> Fostex (stock) FR2-LE 24bit/48khz (dual mono) BWF > Transcend 133x CF card; > usb > iBook G4 1.2 GHZ / 1.25 GB RAM OSX 10.4.1 1> BWF opened in Peak5.2 [tracked and faded] [DC bias removal] [Carbon MDA VST effects-Image-plugin- MS->LR : regions [labels] exported .wav > xACT v1.62 to FLAC (level 8 ) generate ffp and len (shntool) output.	Source Detail	FLAC
11/12/90	Wiltern Theatre	Los Angeles	CA	FOB Master Audience: Seats Orch Row H Seat 118 (Aisle 4) = 12 Row. MAC: Toa k1's "active" (about 6'high) > Sony WM-TCD-6C > Maxell MX-90's x 2 (Dolby C on) PlayBack: MAC: Tascam 302 Dolby C on > Monster Y (RCA splitter) > Monster interlink 101 RCA > 1/4"> Fostex (stock) FR2-LE 24bit/48khz (dual mono) BWF > Transcend 133x CF card. Transfer info: > usb > iBook G4 1.2 GHZ / 1.25 GB RAM OSX 10.4.1 1> BWF opened in Peak5.2 [tracked and faded] [DC bias removal] [Carbon MDA VST effects-Image-plugin- MS->LR] regions exported .wav24 48khz wav24 opened in Sample Manager 3.1.3 [iZotope resampler - MBIT+] (iZotope 64-bit SRC utilizes a hyrbrid algorithm | MBIT+ dithering algorithm features psychoacoustic noise shaping) > 16 bit 44.1khz > xACT v1.62 to FLAC (level 8 ) fix SBE's generate ffp and len (shntool) output. Recorded, Transfered, Mastered & Seeded by Ian Stoy aka ArchivalAudio	Source Detail	FLAC
11/12/90	Wiltern Theatre	Los Angeles	CA	JGB, Set-2; Flac2448; Source: AUD of unknown lineage > ? > Cassette rescued from ebay. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2020	Source Detail	FLAC
11/13/90	Wiltern Theatre	Los Angeles	CA	Jerry Garcia Band: Source: Audmc(ff n2 orch)/Toa DM1200d>D-6>Jb3>Goldwave>Cdwav>Flac. The second set has an additional analog genereation. Taped by John DeTally. Transferred and FLAC encoding by Jason Flair.	Source Detail	FLAC
11/13/90	Wiltern Theatre	Los Angeles	CA	JGB, flac1644; Set 1 Audmc(ff n2 orch)/Toa K1>D-6>Jb3>Goldwave>Cdwav>Flac; Set 2 Audmc(ff n2 orch)/Toa K1>D-6>Cas>Jb3>Goldwave>Cdwav>Flac; (jvc td-w354>jb3@ 0 db gain>goldwave normalized to 100%>cdwav for tracking); (flac compression with 'verify' and 'align on sector boundaries' options used); Taped By John DeTally; Transfered And Flac Compression By Jason Flair; Remastered 9-2017 - remaster of shn id# 23743	Source Detail	FLAC
11/15/90	Wiltern Theatre	Los Angeles	CA	Jerry Garcia Band: Source: MAC(Toa DM1200d>D-6>Jb3>Goldwave>Cdwav>Flac. Taped by John DeTally. Transferred and FLAC encoding by Jason Flair.	Source Detail	FLAC
11/15/90	Wiltern Theatre	Los Angeles	CA	JGB; flac 2448; Partial; Source: AUD of unknown lineage > ? > Cassette rescued from ebay. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2020	Source Detail	FLAC
11/15/90	Wiltern Theatre	Los Angeles	CA	JGB, flac1644; Audmc/Toa K1>D-6>Jb3>Goldwave>Cdwav>Flac; (jvc td-w354>jb3@ 0 db gain>goldwave normalized to 100%>cdwav for tracking); (flac compression with 'verify' and 'align on sector boundaries' options used); Taped By John DeTally Transfered And Flac Compression By Jason Flair; Remastered 9-2017 - remaster of shn id# 23774	Source Detail	FLAC
11/16/90	Wiltern Theater	Los Angeles	CA	Jerry Garcia Band: MAC (Toa DM1200d > Sony D-6) > Jb3 > Goldwave > Cdwav > Flac. Flac fingerprints included in text file.	Source Detail	FLAC
11/16/90	Wiltern Theater	Los Angeles	CA	JGB; flac1644; John DeTally's MAC, remaster of shnid-23829.	Source Detail	FLAC
11/20/90	Warfield Theater	San Francisco	CA	Source: AUD > ? > CDR > WAV > SHNv3 Microphones and taper unknown @ this time. CDR source via C.Davis. SHN encoding/FTP via C.Ladner/candyman FTP.	Source Detail
11/20/90	Warfield Theater	San Francisco	CA	Jerry Garcia Band, currently set I only: Recording Info: (FOB) Nakamichi 700/CP701 -> Dat; Transfer Info: Dat (Sony D8) -> CD (Tascam CDRW700) -> EAC -> SHN (1 Disc Audio / 1 Disc SHN); Recorded By Bill Reutelhuber; All Transfers By Charlie Miller July 2001	Source Detail	SHN
11/21/90	Warfield Theater	San Francisco	CA	Jerry Garcia Band: Recording Info: (FOB) Nakamichi 700/CP701 -> Dat; Transfer Info: Dat (Sony D8) -> CD (Tascam CDRW700) -> EAC -> SHN; (2 Discs Audio / 1 Disc SHN); Recorded By Bill Reutelhuber; All Transfers By Charlie Miller July 2001	Source Detail
11/24/90	Henry J. Kaiser Convention Center	Oakland	CA	Jerry Garcia Band: MAC (Taped by Charlie Miller, front row balcony 40' spaced AKG C1000S [cardioids] > Sony D5 master cassette) > DAT > CD > .shn encoding by TomE.	Source Detail
11/24/90	Henry J. Kaiser Convention Center	Oakland	CA	JGB: FOB B&K 4011 mics (ORTF) > master DAT (taper unknown); DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans; Editing and Mastering by Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging.	Source Detail	FLAC
12/17/90	The Sweetwater	Mill Valley	CA	JGDG; shnf; AUD:D > DAT > CD.	Source Detail
12/22/90	San Francisco Civic Auditorium	San Francisco	CA	JGB: FOB (Nak700s) > DAT > CDR > WAV > SHNv3	Source Detail
12/22/90	San Francisco Civic Auditorium	San Francisco	CA	JGB; flac1648; (FOB) Nakamichi 700 (mini cards in hat) > rbox Preamp > DAT (Panasonic SV-250-48k); Transfer Info: DAT (Tascam DA-20) > CD (Tascam CD-RW700) > Samplitude Pro X4 Suite > FLAC16.	Source Detail	FLAC
01/29/91	Warfield Theater	San Francisco	CA	Jerry Garcia Band, mixed sources: Set I: Schoeps CMC3-MK4>D>D>WAV>FLAC, taper unknown at this time; Set II: Taped by Jeff Geer, Nak700 > CM > D > WAV > FLAC.	Source Detail	FLAC
01/30/91	Warfield Theater	San Francisco	CA	JGB, set I: Schoeps CMC34s (at the drink rail) > m1000 cables > Oade power supply > Panasonic SV-255 DAT master > unknown gen DAT > Tascam DA-30 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches.	Source Detail	FLAC
01/30/91	Warfield Theater	San Francisco	CA	FOB NAK 700>DAT>CD>Cool Edit Pro>CD	Source Detail	FLAC
01/31/91	Warfield Theater	San Francisco	CA	Source: Schoeps CMC3-MK4 (110 degrees ORTF hand held under sweatshirt at drink rail)>Oade pre-amp>Panasonic SV255>D>D>WAV>SHN. Taper: unknown at this time.	Source Detail
01/31/91	Warfield Theater	San Francisco	CA	JGB; flac1648; schoeps cmc3/mk4>oade pre>?, fob by Andy C./DAT1 from JK transfer: DAT1/sony pcm r-500>marantz pmd661>cdwave>tlh 16b/48/khz by john m 2013-03-31	Source Detail	FLAC
02/02/91	Warfield Theater	San Francisco	CA	Garcia & Grisman, complete show: DSBD > DATs > CDs > EAC > SHN.	Source Detail
02/02/91	Warfield Theater	San Francisco	CA	JGJK: Team-taped (Rob Darroch, Sara Paul, John Ammons, Rick Katzeff, Marcus Buick and others) B&K 4011s (110 ORTF from "The Spot," 2nd tier, 2nd row from drink rail) > Neumann 48V power supply > Panasonic SV255 master DAT; Transfer: Panasonic SV3500 playback > Sony PCM601 DSP > Sony SL 360 Betamax master Beta > Sony SL360 playback > Sony PCM701 DSP > ProTools 442 (on Mac Quadra 650, captured in ProTools 3.1, mastered with MasterList 1.1) > CD/0. No EQ or dynamics added; master gain level for the CD was performed in Masterlist and was done completely in the digital domain. CD mastering by Marcus Buick. Level 8 FLAC encoding from the master CDs by jjoops.	Source Detail	FLAC
02/02/91	Warfield Theater	San Francisco	CA	Garcia & Grisman: AUD > DAT > CDR > WAV > SHN	Source Detail	shn
02/03/91	Warfield Theater	San Francisco	CA	Garcia & Grisman: second set only; DSBD> cass.> DAT> CDR	Source Detail
02/03/91	Warfield Theater	San Francisco	CA	Garcia & Grisman, two sources: Set One: SBD -> Dat -> Cassette Master -> ? -> Cass -> Dat -> Samplitude -> SHN; Set Two: SBD -> Dat -> Cassette Master -> Dat -> SHN; (2 Discs Audio / 2 Discs SHN); Transfered By Charlie Miller.	Source Detail
02/03/91	Warfield Theater	San Francisco	CA	Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII) > DAT (Panasonic SV-3700/48k) Transfer Info: DAT (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X6 Suite > FLAC/48k	Source Detail	FLAC
02/28/91	Warfield Theater	San Francisco	CA	JGB: Schoeps MK4 > DAT > CDR > WAV > FLAC16.	Source Detail
02/28/91	Warfield Theater	San Francisco	CA	Jerry Garcia Band. FOB(Schoeps CMC3-MK4>D>D>WAV>SHN. Partial recording - first set only.	Source Detail	SHN
02/28/91	Warfield Theater	San Francisco	CA	JGB; s2 only; flac1644; "Da Weez" 2x Neumann KMF4 microphones > Sony TC-D5M - analog master cassette. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files. Recorded by "Da Weez" Transferred and mastered to .wav files by D5scott.	Source Detail	FLAC
02/28/91	Warfield Theater	San Francisco	CA	JGB; flac1648: Schoeps CMC34s @110 degrees ORTF > Oade Power Supply > M1000 Cables > Panasonic SV255 hand-held at stomach level at Drink Rail > DAT Master > DAT [ Panasonic 90m ] DAT Archived and Transferred by Stuccoholmes Mastered by Jamie Waddell in Wavelab7 Track FLAC and Pack by Jason Chastain 16 bit 48kHz FLAC Level8	Source Detail	FLAC
03/01/91	Warfield Theater	San Francisco	CA	Jerry Garcia Band: FOB->B+K 4011->Neumann PS->Dat->CD >EAC>SHN Dat->CD Done by Charlie Miller.	Source Detail
03/01/91	Warfield Theater	San Francisco	CA	Jerry Garcia Band:FOB->B+K 4011->Neumann PS->Dat->CD>eac>shn ****EAC Version***** a non eac'd version circulates	Source Detail	shn
03/01/91	Warfield Theater	San Francisco	CA	JGB; flac1648; B&K 4011's > Neuman Power Supply > Panasonic SV-255 ORTF 110 degrees, Hand Held, 6 foot high, in the sweet spot. DAT Copy Archived and Transferred By Stuccoholmes 2018. Edited and Mastered by Jamie Waddell in Wavelab 7.2 16bit 48kHz FLAC Level8 in TLH.	Source Detail	FLAC
03/02/91	Warfield Theater	San Francisco	CA	Jerry Garcia Band: Source: AUD (unknown mics) > DAT > CDR > SHNv3; Taper: unknown. Seeder suspects lineage to be FOB (Schoeps CMC3/MK4) - confirmation pending.	Source Detail
03/02/91	Warfield Theater	San Francisco	CA	Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (up front-center) > Sony TCD5M - analog master cassettes Transfer: Sony TCD5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files	Source Detail	FLAC
03/02/91	Warfield Theater	San Francisco	CA	JGB; flac1648: Schoeps CMC34 > Oade Power Supply > Panasonic SV-255 ORTF 110 degrees, Hand Held, 6 foot high, in the sweet spot. DAT Copy Archived and Transferred By Stuccoholmes 2018. Edited and Mastered by Jamie Waddell in Wavelab 7.2.	Source Detail	FLAC
04/19/91	Warfield Theater	San Francisco	CA	Jerry Garcia Band. Partial recording - first set. Source: Schoeps CMC3-MK4>D>D>WAV>SHN. First public performances of 'Shining Star' and 'Twilight'.	Source Detail	SHN
04/20/91	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAD (FOB Schoeps CMC3/MK4) > CDR > WAV > SHNv3. Taper: unknown at the time of circulation. Thanks to H.Angus for the CDR seeds. SHN encoding / FTP'ing via C.Ladner / candyman FTP.	Source Detail
04/21/91	Warfield Theatre	San Francisco	CA	Jerry Garcia Band: Dank Certified: FOB Schoeps CMC34> Oade Power Supply > Panasonic SV-255 Tranfer: DAT clone (Sony DTC-A6) > Dio 2448 > Soundforge 4.5 > CD WAV > Shn by Bill Gardner, bgardner@telocity.com	Source Detail
05/22/91	Warfield Theater	San Francisco	CA	JGB, flac1644; 1st Set, Unknown AUD > ? > C > WAV, kindly provided by Carl Eric, via http://jgmf.blogspot.com/ Transfer: Cassette > Unknown transfer > WAV 1696 > R8Brain > Wavelab > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 06/2017	Source Detail	FLAC
05/22/91	Warfield Theater	San Francisco	CA	JGB, flac2448; Unknown AUD > Cassette rescued from ebay marked 1st-Gen. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2021	Source Detail	FLAC
05/22/91	Warfield Theater	San Francisco	CA	JGB; flac1648 of shnid-151452; Unknown AUD > Cassette rescued from ebay marked 1st-Gen. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2021 24/48 -> 16/48 of shnid 151452 via Saracon	Source Detail	FLAC
05/23/91	Warfield Theater	San Francisco	CA	Jerry Garcia Band: (FOB) Schoeps mk4>Dat>CDR>WAV>SHNv3. Thanks to C. Miller for the DAT > CDR conversion and seeding this show. DAE (EAC) > boundary check (SHNTOOL) > shn (MKWACT) via neo_levo. hosted on candyman server, 2/2002.	Source Detail
05/23/91	Warfield Theater	San Francisco	CA	JGB; flac1648; Schoeps MK-4 capsules > Sony TCD-D3, transferred By Stuccoholmes 2018	Source Detail	FLAC
05/23/91	Warfield Theater	San Francisco	CA	JGB; flac2448; Source: Unknown AUD > Cassette rescued from ebay marked 1st-Gen. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2021	Source Detail	FLAC
08/10/91	French's Camp On The Eel River	Piercy	CA	Jerry Garcia Band: Source: AUD(mic's unknown)>DAT>CDR>WAV>SHN. Taper: unknown at this time. Thanks to H. Angus for the CDR seeds. DAE(EAC 0.9 beta 4, offset corrected, high/secure) > editing (soundforge 5) > boundary check (shntool) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP.	Source Detail
08/10/91	French's Camp On The Eel River	Piercy	CA	JGB: Schoeps CCM4 Cardiods ORTF>Panasonic SV255 Dat>Pansonic 3700 DAT>Card Deluxe Digital I/O Card>Soundforge 6.0>Flac.	Source Detail	FLAC
08/10/91	French's Camp On The Eel River	Piercy	CA	Jerry Garcia Band: Marcus Buick, Rick Katzeff and Tom Hughes, Schoeps CMC32s, spaced omnis ca. 6-6.5' center/right > TAO/Oade PS > Panasonic SV-255; Transfer: Tascam DA-30 > Digital Domain VSP-P (for sample rate conversion and anti-jitter) > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > Shntool > FLAC.	Source Detail	FLAC
08/10/91	French's Camp On The Eel River	Piercy	CA	JGB; flac1648; JC Mahoney & Dan O'Neill's Schoeps CMC34 (ortf) > M1000 cables > Tao Research - Oade supply > Panasonic SV-255 (48k); Location: FOB-DFC, mics handheld both sets; Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16-48; Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 18, 2021. Fresh transfer and remaster of shnid-142025.	Source Detail	FLAC
08/24/91	Goldcoast Concert Bowl	Squaw Valley	CA	Jerry Garcia Band: DSBD>CDR; flaws: short do at 6:02 in d1t02 (also on the master).	Source Detail
08/24/91	Goldcoast Concert Bowl	Squaw Valley	CA	Jerry Garcia Band: Bill Reutelhuber DAUD/DSBD matrix > FLAC. See text file for details.	Source Detail	FLAC
08/24/91	Goldcoast Concert Bowl	Squaw Valley	CA	JGB: Poorly documented SBD source w/ song titles in the file names: SB>DAT>WAV>FLAC	Source Detail	FLAC
08/25/91	Goldcoast Concert Bowl	Squaw Valley	CA	Garcia & Grisman: DSBD> DAT> CDR> EAC> SHN; via Eric Walker	Source Detail
08/25/91	Goldcoast Concert Bowl	Squaw Valley	CA	JGDG: Rob Darroch's B&K 4011s > Panasonic SV-255 DAT; Source: PCM-Beta tape, unknown gen but close to master; Transfer: Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard; CD mastering & encoding: hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer by David Minches.	Source Detail	FLAC
08/25/91	Goldcoast Concert Bowl	Squaw Valley	CA	Garcia & Grisman: SBD-AUD matrix: DSBD > 2D > WAV; MAD (Taped by Bill Reutelhuber, Schoeps MK2 omnis [FOB Center] > Panasonic SV-255). See info file for additional details.	Source Detail	FLAC
08/25/91	Goldcoast Concert Bowl	Squaw Valley	CA	JGDG: SBD DAT > TASCAM DA-20 MKII > Tascam CD-RW5000 > CDR > Extracted Sony Sound Forge 7.0 > CDWAV > Flac.	Source Detail	FLAC
11/06/91	Capital Centre	Landover	MD	Jerry Garcia Band: FOB (Schoeps 34 > Oade) > DAT > CDR > WAV > SHN. Taper: unknown. CDR source via H.Angus. DAE,SHN encoding, FTP hosting via C.Ladner/candyman FTP.	Source Detail
11/06/91	Capital Centre	Landover	MD	JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT; Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 16, 2020.	Source Detail	FLAC
11/06/91	Capital Centre	Landover	MD	JGB; flac1648; FOB Schoeps MK4s > Dat (Panasonic SV-255/48k); edited and mastered SIRMick.	Source Detail	FLAC
11/07/91	Capital Centre	Landover	MD	Jerry Garcia Band: AUD (Schoeps CMC34) > Oade > SV-255 > DAT > CDR > WAV > SHNv3, taper unknown.	Source Detail
11/07/91	Capital Centre	Landover	MD	JGB (16bit/48kHz): Clay Brennecke 's IFOB (Floor Section 5 - Row M) ~ Schoeps MK4's > Custom Oade Pre Amp > Panasonic SV-255 Transferred: John E. Herrold Transfer Linage: Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Sound Forge 8.0 > WAV	Source Detail	FLAC
11/07/91	Capital Centre	Landover	MD	JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT; Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 16, 2020.	Source Detail	FLAC
11/09/91	Hampton Coliseum	Hampton	VA	JGB (16bit/48kHz): Taper: Clay Brennecke Location Rig: IFOB (in sweet spot, DFC 35' from stage) ~ Schoeps MK4's > Custome Oade Pre Amp > Panasonic SV-255 Transfered: John E. Herrold Transfer Linage: Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV	Source Detail	FLAC
11/09/91	Hampton Coliseum	Hampton	VA	JGB; flac16; partial set I; SBD feed -> Pro shot local news video -> DVD Audio Extractor 6.30 -> .wav files @ 16/48 > Flac Frontend level 8.	Source Detail	FLAC
11/09/91	Hampton Coliseum	Hampton	VA	JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT (location: 20th row DFC, mics on stand @ 7'); Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 15, 2020.	Source Detail	FLAC
11/09/91	Hampton Coliseum	Hampton	VA	JGB; flac16; (FOB) Sennheiser MD421 > D-5 by unknown; Source of Dat and Transfer by John Lynch; Audacity(Fades,Gain) > Fission, xACT > flac16	Source Detail	FLAC
11/10/91	Charlotte Coliseum	Charlotte	NC	Jerry Garcia Band: AUD (mics unknown) > DAT > CDR > WAV > SHN. SHN encoding/FTP via Chris L./candyman FTP.	Source Detail
11/10/91	Charlotte Coliseum	Charlotte	NC	JGB; flac16; Michael Hessberg's AKG C522s > Sony TC -D5M > Cassette Master, transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k) - Transferred by Charlie Miller. Lineage: Wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16, edited and mastered SIRMick March 2019.	Source Detail	FLAC
11/10/91	Charlotte Coliseum	Charlotte	NC	JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT; Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 17, 2020.	Source Detail	FLAC
11/12/91	The Spectrum	Philadelphia	PA	Jerry Garcia Band: FOB (NAK 700's) > DAT > CDR > WAV > SHNv3. Taper: unknown.	Source Detail
11/12/91	The Spectrum	Philadelphia	PA	JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT; Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 18, 2020.	Source Detail	FLAC
11/13/91	The Centrum	Worcester	MA	Jerry Garcia Band: FOB (Schoeps CMC3 + MK4) > DAT CDR > WAV >SHN. Taper: unknown at this time.	Source Detail
11/13/91	The Centrum	Worcester	MA	JGB: John Mutterperl' s FOB Schoeps CMC 44 blue dot cards with 90 degree capsule offsets > 6' Monster M1000 cable -> Oade PS-> 1' Monster M1000 > Oade mod'd Panasonic Sv-255. Mics were hung from a necklace, just under chin height with roughly a 4 inch spread and 90 degree angle. Transfer: MAD > B. Fried DAT > B. Koucky DAT > Sony PCM-R500 playback > S/PDIF > Presonus Firebox > Firewire > PC, XP Pro > Wavelab 5 (recorded as 24 bit/48 KHz WAV) > Waves L3 Multimaximizer, high res CD rendering settings (Waves IDR type I dither/ultra shaping) > 16 bit/44.1 KHz WAV > CDWAV 1.9 > WAV > FLAC (level 8). Transfer and encoding by C.Ladner,	Source Detail
11/15/91	Madison Square Garden	New York	NY	Source: FOB(Schoeps)>DAT>CDR>WAV>SHNv3. Taper Unknown.	Source Detail
11/15/91	Madison Square Garden	New York	NY	16bit/44.1kHz file-set: AUD: Sonics DSM-6 mics (hat mounted) > Sony TC-D5M > Maxell MV-90's, recorded from the 10th row center, by Richie Stankiewicz. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. December 2011	Source Detail	FLAC
11/15/91	Madison Square Garden	New York	NY	JGB; flac1648; Dave Brotman & Jeff Metchick's FOB Schoeps CMC34 (mics on stand, ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (48/16) > Master DAT. Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648.Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel, December 13, 2020.	Source Detail	FLAC
11/15/91	Madison Square Garden	New York	NY	Tapers : Anne Cohen & Ohr Weinberg Editing : Anne Cohen, John Hance & Joe D'Amico ''AKA'' Joebeacon Beyer M160's > Sony D3 Dat @ 16/48 (FOB) Sony D3 Dat > CD >Wavelab 6 > Ozone RX5a > Wave Files > Adobe Audition > Traders Little Helper	Source Detail	FLAC
11/16/91	Knickerbocker Arena	Albany	NY	Jerry Garcia Band: FOB SCHOEPS> TASCAM DAT> CDR> WAV> SHNv3(seekable)	Source Detail
11/16/91	Knickerbocker Arena	Albany	NY	JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT; Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 19, 2020.	Source Detail	FLAC
11/16/91	Knickerbocker Arena	Albany	NY	Master DAT recording by Anne Cohen & Ohr Weinberg: 2 Beyerdynamic M160 hypercardiod double ribbon microphones(110 degrees coincident, on 5 foot high stand) > Vafiades Acoustics MicroAmp PRO II preamp > Sony TCD-D3 DAT recorder (Set 1 - Sony DT-90 Tape, Set 2 - DA-R120 Tape) FOB - front floor section, Row S, Seat 12	Source Detail	FLAC
11/17/91	Hartford Civic Center	Hartford	CT	Jerry Garcia Band: FOB SCHOEPS> TASCAM DAT> CDR> WAV> SHNv3(seekable)	Source Detail
11/17/91	Hartford Civic Center	Hartford	CT	JGB: John Mutterperl's FOB Schoeps CMC 44 blue dot cards with 90 degree capsule offsets > 6' Monster M1000 cable -> Oade PS-> 1' Monster M1000 > Oade mod'd Panasonic Sv-255. Mics were hung from a necklace, just under chin height with roughly a 4 inch spread and 90 degree angle. MAD > B. Fried DAT > B. Koucky DAT > Sony PCM-R500 playback > S/PDIF > Presonus Firebox > Firewire > PC, XP Pro > Wavelab 5 (recorded as 24 bit/48 KHz WAV) > Waves L3 Multimaximizer, high res CD rendering settings (Waves IDR type I dither/ultra shaping) > 16 bit/44.1 KHz WAV > CDWAV 1.9 > WAV > FLAC (level 8). Transfer and encoding by C.Ladner.	Source Detail
11/17/91	Hartford Civic Center	Hartford	CT	JGB; flac1644;fob/schoeps cmc6/mk4 (rich g./master>DAT1/JK); transfer: DAT1/sony pcm-r500>marantz pmd661>audiogate(16/44.1)>cdwave>tlh by john m.	Source Detail	FLAC
11/17/91	Hartford Civic Center	Hartford	CT	JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT; Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 19, 2020.	Source Detail	FLAC
11/19/91	Providence Civic Center	Providence	RI	Jerry Garcia Band: MAD (Taped by Bob M. ["Sideshow Bob"], AKG 451/CK1 [26th row center] > B18 > D3. Seeded by Patrick Hayes.	Source Detail
11/19/91	Providence Civic Center	Providence	RI	Jerry Garcia Band: Fixed sector boundaries and slight editing of previous seed: Schoeps CMC54 (hand held 4th row)--> Peter Grace power supply 12V--> DAT--> ZA2 (48/44.1)--> CEP--> SHN. Master recording by Captain Joe LeClair. DAT transfer and shn mastering by Tony Masiello.	Source Detail	SHN
11/19/91	Providence Civic Center	Providence	RI	JGB: Alabama Bob's Sennheiser MD-421's > Sony TC-D5M > Maxell MX-110's, with no Dolby, FOB 15th row center. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F.	Source Detail	FLAC
11/19/91	Providence Civic Center	Providence	RI	JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT > Safety Copy. Transfer: Safety Copy > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 20, 2020.	Source Detail	FLAC
11/20/91	Rochester Community War Memorial	Rochester	NY	Jerry Garcia Band: Taped by Larry Gindoff, Nakamichi 700s in a hat > Reutelhuber P/S > Sony D3 master DAT > CD > EAC > FLAC level 8.	Source Detail
11/20/91	Rochester Community War Memorial	Rochester	NY	JGB: Anne Cohen's Schoeps CMC5’s (FOB, handheld) > Panasonic SV255 > Sony TCD-D3 (48k DAT); Sony PCM500 > Zefiro Acoustics ZA2 > Tracked using Sound Forge 4.5 and CD Architect.	Source Detail
11/20/91	Rochester Community War Memorial	Rochester	NY	JGB: flac16/44.1kHz; Master Audience Nakamichi CM300/CP1>Sony D5; Taper Baker,Transfer By Keo; Tapes:Maxell MX 100's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper	Source Detail	FLAC
11/20/91	Rochester Community War Memorial	Rochester	NY	JGB; flac1648; Dave Brotman and Jeff Metchick's FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16-48) > Master DAT > Safety Copy. Transfer: Safety Copy > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648. Transfer by Anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. December 20, 2020.	Source Detail	FLAC
11/22/91	Rosemont Horizon	Chicago	IL	Jerry Garcia Band: FOB Schoeps> PCM> DAT> CDR> WAV> SHNv3(seekable).	Source Detail
11/23/91	Bradley Center	Milwaukee	WI	Jerry Garcia Band: FOB AUD Nak CM300 > Dat > CD	Source Detail
11/23/91	Bradley Center	Milwaukee	WI	Jerry Garcia Band: DAUD > D8> USB Mobile Pre > hdd (via Sony Soundforge7) > FLAC	Source Detail	FLAC
11/23/91	Bradley Center	Milwaukee	WI	JGB; flac1644: Sonic Studios Omnis > Sony TCD-D5>Cass(m) recorded FOB by Alan Schmit; Conversion: Cass(m) > Onkyo TA-6711 > Tascam DA-20 (A/D) > Microtrack 24/96 > WAV > Sound Studio 2.2.4 > xACT 2.13 > FLAC, by Dave Mallick.	Source Detail	FLAC
11/24/91	Target Center	Minneapolis	MN	Jerry Garcia Band: FOB Schoeps > PCM > DAT > CDR > WAV > SHNv3(seekable).	Source Detail
12/07/91	Warfield Theater	San Francisco	CA	Garcia & Grisman: Ip/II: MAD (ORTF Schoeps CMC34 [cardioids]) > DATs > Wavelab 3.0 M-S Processor @ 24 bits, dithering to 16 bits > master CD > HP 9350i extraction using EAC > patching using Sound Forge Studio 6.0 > tracking using CD Wave > sector boundary alignment using shntool > .shn encoding using mkwACT.	Source Detail
12/07/91	Warfield Theater	San Francisco	CA	MAD (Vintage 1950s Neumann KM54s)>Denon DAT deck (model unknown)) > DAT > WAV > SHNv3. Tapers: J.& C. Vasseur. DAT material provided by J.Powell. DAT > SHN by C.Ladner: Sony PCM-R500 > coaxial S/PDIF > M Audio Audiophile 2496 > WAV recording/editing (Soundforge 6) > tracking (cdwav editor) > sector boundaries confirmed (shntool) > SHN (mkwact). Complete source. Clipping and distortion early on.	Source Detail
12/08/91	Warfield Theater	San Francisco	CA	Garcia & Grisman: sbd > dat > cdr > eac > shn. Seeded by Chris Ladner	Source Detail
12/08/91	Warfield Theater	San Francisco	CA	JGDG: MAD (Schoeps MK4 mod [FOB, mics in hat] > Reutelhuber PS > Panasonic SV255 > unknown transfer(s) to unknown gen PCM/Beta > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches.	Source Detail	FLAC
12/08/91	Warfield Theater	San Francisco	CA	Garcia & Grisman: John Cutler Soundboard > DAT > ? > CDR/SHN Mastering: NashPhil Edited, boosted/balanced levels, and retracked/burned.	Source Detail	SHN
12/08/91	Warfield Theater	San Francisco	CA	JGDG; flac1644; Source: Master SBD DAT from ANON; Mastering by Jamie Waddell; Track, FLAC, and Pack by Steve Gravel.	Source Detail	FLAC
12/09/91	Warfield Theatre	San Francisco	CA	Garcia & Grisman. MAD (Vintage 1950s Neumann KM54s>DAT)>DAT>WAV>SHNv3. Tapers: J.& C. Vasseur. DAT material provided by J.Powell. DAT > WAV > SHN by C.Ladner: Sony PCM-R500 > coaxial S/PDIF > M Audio Audiophile 2496 > WAV recording/editing (Soundforge 6) > tracking (cdwav editor) > sector boundaries confirmed (shntool) > SHN (mkwact).	Source Detail
12/09/91	Warfield Theatre	San Francisco	CA	JGDG; flac1644; Master Soundboard Provided By Anon; Mastering By Jason Chastain And Jamie Waddell; 16 Bit 44.1 kHz Flac Level 8 Sbe Free	Source Detail	FLAC
02/07/92	Henry J. Kaiser Convention Center	Oakland	CA	Jerry Garcia Band:FOB Shoeps CMC54's->Panasonic 255 (DAT)->CD->EAC->CDWave->SHN conversion and seed by AJ - a2k@pacbell.net	Source Detail
02/07/92	Henry J. Kaiser Convention Center	Oakland	CA	Jerry Garcia Band: unknown taper, FOB Schoeps CMC34 Cardiod (ORTF) > MIT Cables > Oade Power Supply > Panasonic sv255. Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging.	Source Detail	FLAC
02/07/92	Henry J. Kaiser Convention Center	Oakland	CA	flac16 Source: (FOB) Neumann KM54s (vintage 1957, tube electronics) > Master DAT > CD Recording by Chuck Vasseur CDR transfer by Kyle Porter CD shared by Ted Mattes & Live Funk Edited & Mastered (Adobe Audition) by Joe Noel December 23, 2021	Source Detail	FLAC
04/25/92	Event Center Arena, San Jose State Univ.	San Jose	CA	Jerry Garcia Band: Chris Cate's MAC (Sony 939 stereo mic [hand-held] > Sony D-6 [Maxell Capsule Metal 100s]) > Nakamichi BX300 playback > Harmann Kardon CDR2 CD/0 > CD clone > extraction (EAC v0.95 beta 4) > flac encoding (FLAC Frontend v1.7.1 etree edition).	Source Detail
04/25/92	Event Center Arena, San Jose State Univ.	San Jose	CA	Jerry Garcia Band: MAC (Taped by Chuck and Linda Vasseur, Neumann mics [vintage 1957, tube electronics]) > CDR > EAC (Secure mode)> shn (MKWACT). Eac'd/shn'd by Charlie Connor.	Source Detail
04/25/92	Event Center Arena, San Jose State Univ.	San Jose	CA	Jerry Garcia Band: Schoeps CMC 34 (handheld, FOB) > Oade PS > Panasonic SV 255; Source tape: unknown gen beta via Sony PCM 601; Transfer: Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard; CD mastering & encoding: hard drive > Cool Edit 2000 > Shntool > FLAC; Transfer and FLAC encoding by David Minches.	Source Detail
04/29/92	Warfield Theater	San Francisco	CA	Jerry Garcia Band: FOB>Schoeps mk4>Dat>CD (Dat>CD Transfer done by Charlie Miller)	Source Detail	SHN
04/30/92	Warfield Theater	San Francisco	CA	Jerry Garcia Band: DANK CERTIFIED: FOB Schoeps CMC34 > Oade Custom Power Supply > Panasonic SV-255 DAT @48KTranfer: DAT Clone (Sony DTC-A6) > Dio 2448 > Soundforge 4.5 (resample, addfades) > CD WAV > SHN via MKW .97 (no DAE) by Bill Gardner, bgardner@telocity.com	Source Detail
04/30/92	Warfield Theater	San Francisco	CA	JGB; flac1648; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka "Shark").	Source Detail	FLAC
04/30/92	Warfield Theater	San Francisco	CA	JGB; flac1644; (Stage) Audio Technica Mini Shotguns > Cassette Master (Sony WM-D6C-TDK MA110-D90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit-96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC16 (2 Discs Audio - 1 DVD FLAC); Recorded by Michael Katz, Transferred by Charlie Miller, June 29, 2022	Source Detail	FLAC
05/01/92	Warfield Theatre	San Francisco	CA	JGB; flac1648; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka "Shark").	Source Detail	FLAC
05/02/92	Warfield Theater	San Francisco	CA	Jerry Garcia Band: AUD (Nak 700's > Sony D-10) > MAD >DAT > CDR > WAV> SHN. Taper unknown @ this time.	Source Detail
05/02/92	Warfield Theater	San Francisco	CA	Jerry Garcia Band: Neumann KM150 > MAD > DATs (taper unknown); Transfer: DAT 60ES > M-Audio Audiophile USB > WAV > Flac, by jbraveman@hotmail.com August 2005.	Source Detail
05/02/92	Warfield Theater	San Francisco	CA	JGB; flac1648; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka "Shark").	Source Detail	FLAC
05/03/92	Warfield Theater	San Francisco	CA	Jerry Garcia Band: FOB Schoeps CMC34>Oade Custom Power Supply>Panasonic SV-255 DAT @48K>DAT>CDR	Source Detail	SHN
05/03/92	Warfield Theater	San Francisco	CA	JGB; flac16; Set 1 only - source: Vintage Neumann KM54s > DAT - lineage: CDR > EAC > TLH > flac Recorded By Chuck and Janet Vasseur FLAC Tags Via xACT 2.53 By OldNeumanntapr	Source Detail	FLAC
05/07/92	Warfield Theater	San Francisco	CA	Garcia & Grisman: MAD (unknown taper, location, gear) > unknown DAT gens > unknown CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1).	Source Detail
05/07/92	Warfield Theater	San Francisco	CA	Garcia & Grisman: Marcus Buick's MAD (Schoeps CMC34s [handheld @ 110 ORTF, 2nd person, 1st drink rail] > MIT > TAO > MIT > Panasonic SV-255) > Tascam DA-30 playback > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > hard drive > Cool Edit 2000 > shntool > FLAC. Transfer and FLAC encoding by David Minches.	Source Detail
05/08/92	Warfield Theater	San Francisco	CA	Garcia & Grisman: MAD (unknown taper, location, gear) > unknown DAT gens > unknown CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1).	Source Detail
05/09/92	Warfield Theater	San Francisco	CA	Garcia & Grisman: MAD (unknown taper, location, gear) > unknown DAT gens > unknown CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1).	Source Detail
05/10/92	Warfield Theater	San Francisco	CA	Garcia & Grisman: MAD (unknown taper, location, gear) > unknown DAT gens > unknown CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1).	Source Detail
05/??/92	Warfield Theater	San Francisco	CA	Garcia & Grisman: MSD > Cass. > DATs > playback on Sony PCM R500 > HHB 800 master CD > HHB 800 first gen CD > HP 9350i extraction using EAC > SHN using mkwACT. DAT > CD by AJL, EAC > SHN by Joe Jupille. This is a slightly longer version of the same compilation found in a previously circulating .shn set, though the latter claims no cassette generation.	Source Detail	FLAC
07/24/92	Cal Expo Amphitheater	Sacramento	CA	Jerry Garcia Band: Chris Cate's MAC (hand-held Sony 939 stereo mic > Sony D-6 using Maxell Capsule Metal 100s) > Nakamichi BX300 playback > Harmann Kardon CDR2 CD/0 > CD clone > EAC > FLAC.	Source Detail	FLAC
07/24/92	Cal Expo Amphitheater	Sacramento	CA	Jerry Garcia Band: AUD (mics and taper unknown) > DAT > CDR > WAV > SHN. CDR source provided by J.Steinhaus. DAE (EAC 0.9 beta 4, offset corrected, secure mode) > tracking (CDWAVE) > SHN (Shorten 3.4) > FTP via C.Ladner/candyman FTP.	Source Detail	SHN
07/24/92	Cal Expo Amphitheater	Sacramento	CA	JGB; flac1644; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
07/26/92	Shoreline Amphitheatre	Mountain View	CA	Jerry Garcia Band: Master audience DAT (Sonics DSM-3s FOB @ 16/48)> DAT> Digital Domain VSP-P (SRC to 44.1)> Adobe Audition> Shntool> FLAC Unknown Taper Transfer and Flac encoding by David Minches.	Source Detail	FLAC
07/26/92	Shoreline Amphitheatre	Mountain View	CA	Jerry Garcia Band: Schoeps MK4 mod > Panasonic SV-255, from 102 boxes; Transfer: Unknown gen PCM/Beta > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard; CD mastering & encoding: hard drive > Cool Edit 2000 > Shntool > FLAC. Transfer and FLAC encoding by David Minches.	Source Detail
07/26/92	Shoreline Amphitheatre	Mountain View	CA	JGB; flac1644; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
07/29/92	Universal Amphitheater	Universal City	CA	Jerry Garcia Band:DAUD (Beyer 201s, 90 degrees, up front, DFC) Conversion: DAT-> CD Master-> EAC(in Secure Mode)-> CDWave-> SHN	Source Detail
07/29/92	Universal Amphitheater	Universal City	CA	Jerry Garcia Band: Chip Copeland's FOB Beyer 201's (90º) > Panasonic sv255; Transfer: 16 bit – 48kHz DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither; Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging.	Source Detail	FLAC
07/31/92	Ventura County Fairgrounds	Ventura	CA	Jerry Garcia Band: Set 1 - FOB (AKG480) > DAT > CDR> WAV > SHN; Set 2 - FOB (Senn 421) > DAT > CDR > WAV > SHN, via Chris Ladner.	Source Detail	SHN
07/31/92	Ventura County Fairgrounds	Ventura	CA	JGB; flac16; Set 2 only - source: Vintage Neumann KM54s > DAT - lineage: CDR > EAC > TLH > flac Recorded By Chuck and Janet Vasseur FLAC Tags Via xACT 2.53 By OldNeumanntapr	Source Detail	FLAC
08/01/92	Irvine Meadows Amphitheater	Laguna Hills	CA	Jerry Garcia Band: The primary source used for this set of SHN's is FOB(Nak700)>SonyD3>DAT>CDR>WAV>SHNv3. Cats Under the Stars and the beginning of Mission In The Rain (which are missing from the FOB source) are from a second source with at least one analog generation of spotty indeterminate lineage. Taper is unknown for both sources. SHN encoding/FTP via C.Ladner/candyman FTP.	Source Detail
08/01/92	Irvine Meadows Amphitheater	Laguna Hills	CA	Jerry Garcia Band: flac1648; FOB > Schoeps > DAT @ 48k; Transfer: Fostex D5 > Zoltrix 24/96 > Wavelab 5.0 @ 48k(normalized to -1db, edits,crossfades) > Cd Wave > 16/48 FLAC.	Source Detail	FLAC
08/01/92	Irvine Meadows Amphitheater	Laguna Hills	CA	Jerry Garcia Band: flac1644: FOB Schoeps DAT @ 48k; Fostex D5 > Zoltrix 24/96 > Wavelab 5.0 @ 48k (normalized to -1db, edits, crossfades) > Cd Wave > 16/48 FLAC [> downsample to 44.1kHz].	Source Detail	FLAC
08/01/92	Irvine Meadows Amphitheater	Laguna Hills	CA	JGB; flac16; Troy Morentin's Neumann KM-140's on stand > SV-250 (Stage Right FOB); 48kHz DAT MASTER > SV-250 dig out > Sound Devices 722 > Samplitude Pro X3 > Flac16. Transferred, Mastered and Seeded to LL by gsarchivist on August 1, 2019 (Happy 77th birthday Jerry)	Source Detail	FLAC
08/02/92	Devore Field (Southwestern College)	Chula Vista	CA	Jerry Garcia Band: FOB (Unknown taper, AKG 480s) > DAT > CDR > WAV > SHNv3.	Source Detail	SHN
08/02/92	Devore Field (Southwestern College)	Chula Vista	CA	Jerry Garcia Band: unknown taper, FOB Sennheiser MD 421 > Panasonic sv255; Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither. Encoding by Dazed64. Tracked in CDwave, FLACd Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging.	Source Detail	FLAC
10/31/92	Oakland-Alameda County Coliseum Arena	Oakland	CA	Jerry Garcia Band:Schoeps MK-4V (FOB); DA-20 > Apogee SPDIF > ZA2 > CDR; via Andy Gustin	Source Detail
10/31/92	Oakland-Alameda County Coliseum Arena	Oakland	CA	Jerry Garcia Band: SBD > CM? > DAT > ? > DAT > CDR (see comments), bears uncertain relationship to existing sbd-sourced .shn set from this show.	Source Detail
10/31/92	Oakland-Alameda County Coliseum Arena	Oakland	CA	Jerry Garcia Band: Keith Litzenberger's Sennheiser MD421s (T-bar hand-held at chest height FOB) > Sony TCD-D3 (Maxell R-120DM DAT masters) > Sony TCD-D10PROII playback > Edirol R-4 > Wavelab 5.0 (Fades & Sample Rate Conversion) > FLAC	Source Detail
10/31/92	Oakland-Alameda County Coliseum Arena	Oakland	CA	Jerry Garcia Band: set II: FOB Schoeps CMC54 DAUD > DAT(x) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav (both 44.1 and 48k versions) > tracking (CD Wave) > level 8 FLAC encoding (TLH). Lossless Legs "GEMS" project, via Todd Evans (DAT > WAV) and keysareme (tracking and FLAC encoding).	Source Detail	FLAC
10/31/92	Oakland-Alameda County Coliseum Arena	Oakland	CA	JGB; flac1644; Jim Dupree's audience tape	Source Detail	FLAC
10/31/92	Oakland-Alameda County Coliseum Arena	Oakland	CA	JGB; flac1644; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
12/19/92	Warfield Theater	San Francisco	CA	Jerry Garcia Band: AUD (SCHOEPS CMC32) > DAT > CDR > WAV > SHNv3.	Source Detail	SHN
12/19/92	Warfield Theater	San Francisco	CA	JGB; flac1644; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
12/21/92	Warfield Theater	San Francisco	CA	Jerry Garcia Band: FOB (Schoeps) DAUD > CDR ; fixed shn of already circulated shn copy, by T. Wiley.	Source Detail
12/21/92	Warfield Theater	San Francisco	CA	JGB; flac1644; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
01/28/93	Warfield Theater	San Francisco	CA	JGB; flac1644; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
01/29/93	Warfield Theater	San Francisco	CA	JGB; flac1644; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
01/30/93	Warfield Theater	San Francisco	CA	JGB; flac1648; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
04/17/93	Pauley Pavillion	Los Angeles	CA	JGB; flac1648; aud: Schoeps FOB (48 khz); Transfer: Sony PCM-2600 (Apogee AES/EBU) > Sound Devices 722 (16/48) > Firewire > Macbook > Sound Studio 3.6 (fades, normalize peak, +gain, track) > xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ). Taped by: unknown; DAT seed provided by: Eric Vandercar (ericv) #4EV; Transferred and seeded by: Lenny Stubbe.	Source Detail	FLAC
04/17/93	Pauley Pavillion	Los Angeles	CA	JGB flac16: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter) ; Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark)	Source Detail	FLAC
04/17/93	Pauley Pavillion	Los Angeles	CA	JGB; flac16; Taper Troy's Neumann KM-140's in Kangol > SV-250 (5th Row DFC); 48kHz DAT MASTER > SV-3700 > Apogee Duet/Mac > Adobe Audition > Flac16. Taped, Transferred, and Mastered by Taper Troy Morentin @ la2v.com.	Source Detail	FLAC
04/18/93	Sports Arena	San Diego	CA	JGB flac16: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter) ; Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark)	Source Detail	FLAC
04/23/93	Warfield Theater	San Francisco	CA	JGB flac16: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter) ; Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark)	Source Detail	FLAC
04/24/93	Warfield Theater	San Francisco	CA	JGB flac16: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter) ; Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark)	Source Detail	FLAC
04/25/93	Warfield Theater	San Francisco	CA	JGB flac16: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter) ; Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark)	Source Detail	FLAC
06/26/93	Robert F. Kennedy Stadium	Washington	DC	Sting w/ JG sit-in; SBD Master; Lineage: HI-FI-Beta > HI-FI-VHS > CDR > SHN > AIFF > Flac	Source Detail	FLAC
08/07/93	Memorial Stadium	Seattle	WA	JGB, flac1644: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
08/07/93	Memorial Stadium	Seattle	WA	JGB; flac1644; Taped by Mark: Peavy vocal mic > Denon DAT recorder > DAT > cassette Maxell XL-II (Scott); Transfer: cassette Maxell XL-II (Scott) > Sony TCR303 > Zoom H4n (24/96) > Audition > shntool > TLH, transfer by jchastain, 2015-11-25.	Source Detail	FLAC
08/07/93	Memorial Stadium	Seattle	WA	JGB; flac16; Primo Williams's Sony D6 -> MAC > Sony TCM-TE425 (azumth adjed) -> Sound Blaster Audigy 4! > Sound Forge 5.0 > CD Wav -> flac16. SBEs fixed using TLH. Tape flips and dead spots > crossfaded using Sound Forge 5.0. xfer Charles Bandrofcheck	Source Detail	FLAC
08/08/93	Portland Meadows	Portland	OR	JGB: Mark Severson; 2 Sonic Studios DSM-6P #1045> Sony TC-D5M (2 Maxell MX-100s); Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.	Source Detail	FLAC
08/08/93	Portland Meadows	Portland	OR	JGB, flac1644: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
08/08/93	Portland Meadows	Portland	OR	JGB; flac16; Primo Williams's Sony D6 -> MAC > Sony TCM-TE425 (azumth adjed) -> Sound Blaster Audigy 4! > Sound Forge 5.0 > CD Wav -> flac16. SBEs fixed using TLH. Tape flips and dead spots > crossfaded using Sound Forge 5.0. xfer Charles Bandrofcheck	Source Detail	FLAC
09/17/93	NPR Studios	New York	NY	Garica & Grisman: SBD: DAT (pre-FM) -> DAT -> CDR -> EAC -> SHN (seekable).	Source Detail
10/05/93	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAD (Taped by Kyle Porter, Neumann KM 54's [from the drink rail] > Sony D7) > CDR > WAV > SHN	Source Detail
10/05/93	Warfield Theater	San Francisco	CA	JGB, flac1644: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
10/06/93	Warfield Theater	San Francisco	CA	JGB: DAUD > Nak CR3A (maxell XL11, Dolby B) cassette > Nak CR3A playback (Dolby B, eq) > HP computer > Sound Forge (vol@4.2DB) > CD Wave > Flac6. Transfer by John Moses.	Source Detail	FLAC
10/06/93	Warfield Theater	San Francisco	CA	JGB, flac1644: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
10/07/93	Warfield Theater	San Francisco	CA	JGB, flac1644: Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
10/31/93	Brendan Byrne Arena	East Rutherford	NJ	JGB: Schoeps MK41's > Reutelhuber preamp > Casio DAR-100 (Recorded at 44.1khz) FOB in Section 8; DAT CLONE directly from Master played back on Sony TCD-D10PROII > Edirol R-4 > WL5 (Fades) > CDWAV > FLAC.	Source Detail	FLAC
10/31/93	Brendan Byrne Arena	East Rutherford	NJ	JGB; flac1648/flac1644; Neumann KM54 > D3 (Set 1 @ 16/48, Set 2 @ 16/44.1). Transfer: DAT/c > Sony PCM R300 > Tascam DR680 > Audacity > xACT(FLAC/TAG). DiGiHoArDeRs: 4/5/2020	Source Detail	FLAC
11/03/93	Knickerbocker Arena	Albany	NY	JGB (16 bit/48kHz): Clay Brennecke IFOB (Floor Section 2, Row 13, Sets 8 & 10) ~ Schoeps MK4's > Custome Oade Pre Amp > Panasonic SV-255 Transfered: John E. Herrold Transfer Linage: Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV.	Source Detail	FLAC
11/04/93	Rochester War Memorial	Rochester	NY	JGB (16bit/48kHz)): Clay Brennecke IFOB (Floor Section 42, Row 23, Sets 13 & 15) ~ Schoeps MK4's > Custome Oade Pre Amp > Panasonic SV-255 Transfered: John E. Herrold Transfer Linage: Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV	Source Detail	FLAC
11/05/93	Buffalo Memorial Auditorium	Buffalo	NY	JGB: Todd Evans IFOB (Floor Section Row L, Sets 7 & 8) ~ Schoeps MK4's > Custom Oade Pre Amp > Panasonic SV-255; Transferred by John E. Herrold, Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV. Admin note (6/14/2009): this had been listed as a Clay Brennecke master, but Todd Evans claims that he made this tape.	Source Detail	FLAC
11/05/93	Buffalo Memorial Auditorium	Buffalo	NY	JGB: Todd Evans's Schoeps CMC34 > Panasonic sv255 DAT Master > TASCAM DA-20 playback > M-Audio FireWire solo > Soundforge 8.0 wav, transferred by Todd Evans.	Source Detail	FLAC
11/07/93	US Air Arena	Landover	MD	JGB: Clay Brennecke's FOB Schoeps MK4's > Custome Oade Pre Amp > Panasonic SV-255 Master Dat> Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV > Flac	Source Detail	FLAC
11/08/93	Hartford Civic Center	Hartford	CT	JGB: Keith Litzenberger's FOB Schoeps MK4 > Reutelhuber Preamp > Sony TCD-D7 > VX pocket v2 > WaveLab 5 > CDWav > Flac	Source Detail	FLAC
11/09/93	Cumberland County Civic Center	Portland	ME	JGB flac16;Recording Info:(FOB) Schoeps MK4 -> Dat (48K); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
11/09/93	Cumberland County Civic Center	Portland	ME	JGB; flac1644; daud:Sanken COS-11BP lavalier mics (Dan Liff’s r.i.p.) > Denon DTR-80P center, 1/2 way between stage and soundboard, taped by Doug Lamarre, transfer/seeded by Rob Berger.	Source Detail	FLAC
11/11/93	Providence Civic Center	Providence	RI	JGB: Alabama Bob's Sennheiser MD-421's > Sony TC-D5M > Sony SR-90 (set-1) and Denon HD8-100 (set-2), with no Dolby. FOB from 15th row center; Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F.	Source Detail	FLAC
11/12/93	Madison Square Garden	New York	NY	JGB: Schoeps MK4s > Schoeps KC5 Active Cables > Schoeps CMC3 > Oade Mic Preamp > Panasonic SV-255. Recorded by Clay Brennecke and Keith Litzenberger FOB in Section 2 Row U. DAT>TASCAM DA-30MKII>M-Audio Audiophile 192>Wavelab 5.0 (Fades & Sample rate conversion)>CDWAV>FLAC.	Source Detail	FLAC
11/12/93	Madison Square Garden	New York	NY	JGB: Clay Brennecke and Keith Litzenburger, Schoeps MK4 Cardiod Capsules (ORTF, handheld, FOB DFC Section 2, Row U, Seats 4 & 5) > Schoeps KC5 Active Cables > Schoeps CMC3 Mic Body > Oade Mic Preamp > Monster M1000 Jumper Cable > Panasonic sv255 DAT Deck; Transfer: DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans April 6, 2008; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC'd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.	Source Detail	FLAC
11/12/93	Madison Square Garden	New York	NY	JGB; Master DAT recording by Ohr Weinberg: 2 Beyerdynamic M160 hypercardiod double ribbon microphones (110 degrees coincident) > Vafiades MicroAMP PRO II preamp > Sony TCD-D3 DAT recorder (2 Hewlett Packard DDS 60 meter tapes) FOB (Section 2, Row V, Seat 8) - Transfer by Ohr Weinberg: Master DAT played on Sony PCM-R500 > Sound Devices USBPre 2 > WAV (16/48) > FLAC1648	Source Detail	FLAC
11/12/93	Madison Square Garden	New York	NY	JGB; flac1648; FOB/Schoeps Mics. Recorded on dat>clone; to me snail mailed back in 93>File cloned in Microtrack using Tascam Dat deck>Goldwave tracking>TLH8	Source Detail	FLAC
11/14/93	Onondaga War Memorial	Syracuse	NY	JGB: Dan Sisler; FOB, 15th row center Sonic Studios DSM-6> DAT > CDR > EAC > SHNv3.	Source Detail	shn
11/14/93	Onondaga War Memorial	Syracuse	NY	JGB: flac1644: Dave Boedicker's Realistic Stereo Mic>Sony WM-D6C Cassette Master Tapes(2 Maxell MX-90 Minute Metal Tapes)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Setor Boundaries Aligned Using Traders Little Helper. Taped from Mezzanine Section,Section 20,Row AX,Seat 1.	Source Detail	FLAC
11/15/93	The Centrum	Worcester	MA	JGB; flac1648; s2; Rich Gastwirt's FOB Schoeps mk4 > Oade modified Panasonic SV-255 > Dat (48k); Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > Cd Wave > TLH > Flac 1648, edited and mastered SIRMick October 2017.	Source Detail	FLAC
11/19/93	Hampton Coliseum	Hampton	VA	JGB; flac1648; Greg Clark's FOB Schoeps MK4's > Panasonic SV-255 Dat (48k); Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > WAV - Transferred by Charlie Miller Lineage: wav > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac1648. edited and mastered SIRMick March 2019.	Source Detail	FLAC
01/12/94	Warfield Theater	San Francisco	CA	Garcia & Grisman: MAD (unknown taper, equipment & location) > DATs > playback on Tascam DA-30 > HHB-800 master CD > 2CD > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT.	Source Detail
01/12/94	Warfield Theater	San Francisco	CA	JGDG; flac1648: Neumann KM54s > DAP-20 > DAT Drink Rail Recorded by Steve Fink. DAT Archived and Transferred by Stucco. Mastering by Jamie Waddell.	Source Detail	FLAC
01/13/94	Warfield Theater	San Francisco	CA	Garcia & Grisman: MAD (unknown taper, equipment & location) > DATs > playback on Tascam DA-30 > HHB-800 master CD > 2CD > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT.	Source Detail
01/13/94	Warfield Theater	San Francisco	CA	Garcia & Grisman: Digitial FOB Audience Tape Nuemann km 54's > Teac > DAT(x); Transfer: Panasonic SV-3700 > M-Audio 24/96 > Wavelab 5.0 (L3 multimaximizer) > CD WAVE > FLAC, transfer by Bill Koucky.	Source Detail
01/13/94	Warfield Theater	San Francisco	CA	Garcia & Grisman (16bit/48kHz): Keith Litzenberger's Schoeps MK4s > Reutelhuber preamp > Sony TCD-D7, recorded on 1st tier center; DAT MASTER PLAYED BACK ON SONY TCD-D10PROII > Edirol R-4 > Soundforge 8 > CD WAVE EDITOR (Track Splitting) > FLAC.	Source Detail	FLAC
01/13/94	Warfield Theater	San Francisco	CA	Garcia & Grisman: 16/44: Schoeps MK4's>Reutelhuber>Sony TCD-D7 Recorded on 1st tier center by Keith Litzenberger DAT MASTER PLAYED BACK ON SONY TCD-D10PROII>Edirol R-4>Soundforge 9 (Sample Rate Conversion to 44.1khz)>CD WAVE EDITOR (Track Splitting)>FLAC	Source Detail	FLAC
01/13/94	Warfield Theater	San Francisco	CA	JGDG; flac1648; Neumann KM54 > DAP-20 > DAT Drink Rail DAT Archived and Transferred by Stucco Recorded by Steve Fink. Mastering by Jamie Waddell.	Source Detail	FLAC
02/04/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAC (Taped by Chuck & Janet Vasseur, Neumann mics [vintage 1957, tube electronics]) > CDR > EAC (Secure mode) > shn (MKWACT). EAC>SHN by Charlie Connor.	Source Detail
02/04/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: (16 bit/48kHz) Neumann KM54's>Casio DA-7? DAT MASTER>DAT,Sony DTC-A7>Sony TCD-D10PROII, Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades)>CDWAV>FLAC Recorded By Chuck Vasseur Transferred By Keith Litzenberger	Source Detail	FLAC
02/04/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: Neumann KM54's>Casio DA-7? DAT MASTER>DAT,Sony DTC-A7>Sony TCD-D10PROII, Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades)>CDWAV>FLAC Recorded By Chuck Vasseur Transferred By Keith Litzenberger	Source Detail	FLAC
02/05/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAC (Taped by Chuck & Janet Vasseur, Neumann mics [vintage 1957, tube electronics]) > CDR > EAC (Secure mode) > shn (MKWACT). EAC'ed/SHN'ed and seeded to fungus and abgd by Charlie Connor.	Source Detail
02/05/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: SBD>>MR>>DAT>>(*)CASS>>DAT>>CDA>>WAV(EAC)>> DAW(Bertha)>>CDA/SHN	Source Detail
02/05/94	Warfield Theater	San Francisco	CA	flac1648; unknown taper, DAT > 1st gen cassette (given to josiah babcock who gave chasingwilma the tape to convert and share) > sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; unknown> dat> cassette> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8.	Source Detail	FLAC
02/05/94	Warfield Theater	San Francisco	CA	JGB; flac2496; unknown > dat > cassette > sony tc we435 > sony pcm m-10 24bit/96khz > soundforge > cdwave > traders little helper encoding option 8; taper: unknown (first gen cassette was given to Josiah Babcock who gave me the tape to convert and share); conversion: chasingwilma; conversion rate: 96000/24 bit.	Source Detail	FLAC
02/06/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAC (Taped by Chuck & Janet Vasseur, Neumann mics [vintage 1957, tube electronics]) > CDR > EAC (Secure mode) > shn (MKWACT). EAC'ed/SHN'ed and seeded to fungus and abgd by Charlie Connor.	Source Detail
02/06/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: mixed sources: Set 1 - SBD > Dat > Cm > Dat > CD; Set 2 - (FOB) Neumann KM104 > Panasonic SV-255 > Dat > CD. Seeded to etree by Todd Sanders.	Source Detail
02/06/94	Warfield Theater	San Francisco	CA	JGB; flac2496; unknown audience > dat > cassette > sony tc we435 > sony pcm m-10 24bit/96khz > soundforge > cdwave > traders little helper encoding option 8; taper: unknown (first gen cassette was given to Josiah Babcock who gave seeder the tape to convert and share).	Source Detail	FLAC
02/06/94	Warfield Theater	San Francisco	CA	JGB; flac1648; unknown taper, DAT > 1st gen cassette (given to josiah babcock who gave chasingwilma the tape to convert and share) > sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; unknown> dat> cassette> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8.	Source Detail	FLAC
03/09/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: FOB (Neumann KM 54's) > DAT > CDR > WAV > SHNv3. Tapers: Chuck and Linda Vasseur.	Source Detail
04/18/94	Warfield Theater	San Francisco	CA	Jerry Garcia BAnd: FOB (Neumann KM54) > DAT > CDR > WAV > SHNv3.Taper unknown @ this time. DAE, SHN encoding, and initial FTP propagation via C.Ladner/candyman FTP.	Source Detail
04/18/94	Warfield Theater	San Francisco	CA	JGB; flac1648; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka "Shark").	Source Detail	FLAC
04/18/94	Warfield Theater	San Francisco	CA	JGB; flac1648: Neumann KM54s > DAP-20 > DAT Drink Rail Center DAT Archived and Transferred by Stucco Recorded by Steve Fink. Mastering by Jamie Waddell, with help from Jason Chastain.	Source Detail	FLAC
04/19/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band. Source: MAD(Neumann 257s>Denon DAT)>C>DAT>WAV>SHN. Taper: J. & C.Vasseur. Cass>DAT by J.Powell. DAT>WAV>SHN by C.Ladner.	Source Detail
04/19/94	Warfield Theater	San Francisco	CA	JGB; flac1644; DAT clone (no cassette) gen of MAD (Neumann 257s > Denon DAT). Tapers: J. & C. Vasseur Transfer: DAT > CD > FLAC > EAC > TLH.	Source Detail	FLAC
04/19/94	Warfield Theater	San Francisco	CA	JGB; flac1648; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
04/20/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAD("vintage neumann"/KM54s?)>DAT>CDR>WAV>SHN. Taper: Chuck and Janet Vasseur.	Source Detail
04/20/94	Warfield Theater	San Francisco	CA	JGB; flac1648; Chuck Vasseur's Neumann KM54's > DAT; Transfer: DAT Master > CDR (Kyle Porter); Extract: CDR clone > EAC > WAV > FLAC16 (Bill Shaw aka Shark).	Source Detail	FLAC
04/25/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: set II only: SBD > Dat > Cm > Dat > CD > EAC > .shn using mkwACT. Seeded by Todd Sanders.	Source Detail
04/25/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: set II: SBD > 1C? > DAT? > CD > flac.	Source Detail	FLAC
04/25/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: FOB - Neumann KM 54->DAT->CDR->WAV->FLAC. Tapers: Chuck and Janet Vasseur (assumed, but not confirmed). Transfer: Dat Clone > Panasonic SV3700 > Marantz CDR 615 > CDR Ripped with EAC (No Errors) Tracks Named > Flaced with Traders Little Helper and Tagged with Foobar 2000. DAT->CDR 1999, CDR->Flac2009. Transfers by Pete Ebel.	Source Detail	FLAC
04/26/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAD(Neumann KM54s>D)>DAT>CDR>WAV>SHN. Taper: Chuck and Janet Vasseur. SHN encoding via C.Ladner	Source Detail
04/27/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: Lineage given as DSBD > DAT > CDR > EAC > shn, but Charlie Miller says the correct lineage is SBD>Dat>Cass Master (Dolby C)>Dat>CD.	Source Detail
04/27/94	Warfield Theater	San Francisco	CA	flac16/44.1khz Set 2 Only Source Info: FOB Neumann KM 54-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel	Source Detail	FLAC
05/04/94	Warfield Theater	San Francisco	CA	Garcia & Grisman: MAD (Schoeps CMC 34 > SV255, taper and location unknown) > DATs > Sony PCM-2600 > Egosys 2496 Waveterminal to HD > initial editing/tracking using Cool Edit 2000 > CD/0 > EAC > re-tracking using CD Wave > SHN using mkwACT. Note: mic and deck information updated 8/2002.	Source Detail	SHN
05/05/94	Warfield Theater	San Francisco	CA	Garcia & Grisman: MAD? > ? > CD > EAC > SHN	Source Detail
05/13/94	Blockbuster Pavilion	Glen Helen	CA	flac16/44.1khz Source Info: FOB Neumann KM 140-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel	Source Detail	FLAC
05/14/94	Ventura Raceway (Fairgrounds)	Ventura	CA	Jerry Garcia Band: AUD(mics and taper unknown)>DAT>CDR>WAV>SHNv3	Source Detail
05/14/94	Ventura Raceway (Fairgrounds)	Ventura	CA	Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (up front-center) > Sony TCD5M - analog master cassettes Transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files	Source Detail	FLAC
05/15/94	Irvine Meadows Ampitheater	Irvine	CA	Jerry Garcia Band: DAUD>(DATgens)>ISIS>Sound Forge 4.5>CD>EAC>Shn NO MIC INFO	Source Detail
05/15/94	Irvine Meadows Ampitheater	Irvine	CA	flac16/44.1khz Source Info: FOB Neumann KM 140-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel	Source Detail	FLAC
05/17/94	Starlight Bowl	San Diego	CA	Jerry Garcia Band: AUD (unk. mics) > DAT > CDR > WAV > SHN. Source CDRs via H.Angus. DAE and SHN encoding via C.Ladner/candyman FTP.	Source Detail
05/17/94	Starlight Bowl	San Diego	CA	flac16/44.1khz Source Info: FOB Neumann KM 140-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel	Source Detail	FLAC
05/18/94	Starlight Bowl	San Diego	CA	Jerry Garcia Band: MAD (AT831b > D7 FOB) > D > CDR > EAC > WAV > FLAC. Taper: unnamed. Note: this originally circulated as Neumann KM140s > Panasonic SV 255, but the AT setup has apparently been confirmed by the taper.	Source Detail
05/18/94	Starlight Bowl	San Diego	CA	flac16/44.1khz Source Info: FOB Neumann KM 140-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel	Source Detail	FLAC
05/19/94	Desert Sky Pavillion	Phoenix	AZ	Jerry Garcia Band: unknown aud source; Transfer: Dat Clone->Panasonic SV3700-> Marantz CDR 615-> CDR Ripped with EAC (No Errors); Tracks Named -> Flaced with Traders Little Helper. DAT->CDR 1999, CDR->Flac 2009 by Pete Ebel.	Source Detail
08/04/94	Giants Stadium	East Rutherford	NJ	Traffic w/ JG sit-in; unknown AUD > CDR > DAE (wav) EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries).	Source Detail	FLAC
08/12/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: FOB (Neumann KM54) > DAT > CDR > DAE (EAC 0.9 beta 4, offset corrected, high&secure) > tracking (cdwave) > shorten 3.4.	Source Detail
08/12/94	Warfield Theater	San Francisco	CA	flac16/44.1khz Source Info: FOB Neumann KM 54-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel	Source Detail	FLAC
08/13/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: FOB (Neumann KM54) > DAT > CDR > WAV > SHNv3. Taper unknown. CDR seeds via S.Aserkoff. SHN encoding and FTP hosting via C.Ladner/candyman FTP.	Source Detail
08/14/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: DSBD> Dat> Cass> Cdr;	Source Detail
08/14/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: DSBD > D > CM > CD > EAC > slight alterations (see info file) > SHN. This is a slightly modified upgrade, via Jake Mercatoris, of the existing .shn set.	Source Detail	SHN
08/14/94	Warfield Theater	San Francisco	CA	flac16/44.1khz Source Info: FOB Neumann KM 54-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel	Source Detail	FLAC
09/01/94	Warfield Theatre	San Francisco	CA	Jerry Garcia Band: FOB Neumann KM-140 > SV255 > DAT > Tascam CDRW 700 > CD > EAC > SHN.	Source Detail
09/02/94	Warfield Theater	San Francisco	CA	Jerry Garcia Band: AUD (Neumann54s)>DAT>CDR>WAV>SHNv3, seeded by Chris L.	Source Detail
09/10/94	Reno Hilton Ampitheater	Reno	NV	Jerry Garcia Band. Source: MAD(Vintage Neumanns)>D>C>CDR>WAV>SHN. Taper: C&J. Vasseur. DAE and lossless encoding via C.Ladner.	Source Detail
11/11/94	Henry J. Kaiser Convention Center	Oakland	CA	Jerry Garcia Band: FOB (Neumann KM440) > DAT > CDR > WAV > SHN. Taper: pending at this time. DAE (EAC 0.9 beta 4, offset corrected, secure mode) > editing (d1t01 only, soundforge 5) > tracking (cdwave) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP.	Source Detail
11/11/94	Henry J. Kaiser Convention Center	Oakland	CA	flac16/44.1khz Source Info: FOB Schoeps CMC5 Mk4-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel	Source Detail	FLAC
11/11/94	Henry J. Kaiser Convention Center	Oakland	CA	flac16/44.1khz Source Info: FOB Schoeps CMC5 Mk4-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel	Source Detail	FLAC
01/13/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: Chuck & Janet Vasseur's MAD ("vintage Neumann"/KM54s > unknown deck) > DAT > CDR > WAV > SHN. SHN encoding via C.Ladner.	Source Detail
01/13/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: set II, 48k: Dan Sisler's MAD (Schoeps MK4 > Reutelhuber power supply > Denon DTR80p > Sony D7) > DAT > FLAC, via Teddy Goodbear.	Source Detail	FLAC
01/14/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAD(vintage Neumann/KM54>DAT)>DAT>CDR>WAV>SHN. Taper: Chuck and Janet Vasseur. This is an upgrade over the other circulating unlineaged source for this date.	Source Detail
01/14/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAD (mics unknown) > CDR > WAV > SHNv3, via Chris Ladner.	Source Detail	SHN
01/14/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: set II, 48k: Dan Sisler's MAD (Schoeps MK4 [1st row balcony, aisle seats left of the SBD] > Reutelhuber power supply > Denon DTR80p > Sony D7) > Sony PCM R300 playback > S/PDIF I/O > Fuji sound card > HD w/ CoolEdit Pro v2.1 at 48kHz > CDWAVE v1.95.1 (direct FLAC encoding) > FLAC (48khz).	Source Detail	FLAC
01/14/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: set II: Dan Sisler's MAD (Schoeps MK4 [1st row balcony, aisle seats left of the SBD] > Reutelhuber power supply > Denon DTR80p > Sony D7) > DAT > cassette > CD , via Teddy Goodbear.	Source Detail	FLAC
01/15/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAD(vintage Neumann/KM54>DAT)>DAT>CDR>WAV>SHN. Taper: Chuck and Janet Vasseur. SHN encoding via C.Ladner.	Source Detail
01/15/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: set II: Dan Sisler's MAD (Schoeps MK4 > Reutelhuber power supply > Denon DTR80p > Sony D7) > CDWAV > FLAC, via Teddy Goodbear. There is no cassette gen in this copy.	Source Detail	FLAC
03/04/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: Vasseurs' MAD (Neumann KM54) > DAT > CDR > WAV > SHN.	Source Detail
03/04/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: set II: Uncertain lineage, possibly Dan Sisler master, via Teddy Goodbear.	Source Detail	FLAC
03/04/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: Russ B.'s MAD (Schoeps MK4 [floor, center right under the drink rail] > Reutelhuber power supply > Denon DTR80p > Sony D7) > DAT > WAV > Cool Edit Pro > CDWAV > FLAC, via Teddy Goodbear.	Source Detail	FLAC
03/04/95	Warfield Theater	San Francisco	CA	JGB; flac16; source: Vintage Neumann KM54s > DAT - lineage: CDR > EAC > TLH > flac Recorded By Chuck and Janet Vasseur FLAC Tags Via xACT 2.53 By OldNeumanntapr	Source Detail	FLAC
03/05/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band. Set 2 only. Source: MAD(Neumann KM54s>unk. deck)>D>CDR>WAV>SHN. Taper: C. & J. Vasseur.	Source Detail
03/05/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: Michael B.'s MAD (Sonics [floor, center] > DTR80P > WAV > Cool Edit Pro > CDWAV > FLAC, via Teddy Goodbear.	Source Detail
04/14/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAD (Taped by Chuck & Janet Vasseur, vintage Neumanns > unk. deck > D ) > D > CDR > WAV > SHN.	Source Detail
04/15/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: Vintage Neumann KM54s>D>D>CDR>WAV>SHN. Tapers: Chuck & Janet Vasseur.	Source Detail
04/21/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: Vintage Neumann (KM54s?)>DAT>DAT >CDR>WAV>SHN. Tapers: Chuck and Janet Vasseur.	Source Detail
04/22/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: FOB Neumann KM 150's >??p/s> Teac Da-p20> Cdr;	Source Detail
04/22/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: Sonic Studios DSM-6 > Sony D7 (fob at drink rail) Transfer: DAT master > HHb CDR830 > EAC > CD Wave > FLAC	Source Detail
04/23/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: AUD (mics and taper unknown) > DAT > CDR > WAV > SHN. Last JGB show. Several minor technical flaws - see info file for details.	Source Detail
04/23/95	Warfield Theater	San Francisco	CA	JGB; flac16; Troy Wallwork's AKG 391 (actives) > Sony TCD-D3 @ 48k location: under a hat on the front center table; transfer: Tascam DA-P1 (DAT master) > Scarlett Focusrite > Pro Tools > wav > SHN > THL (wav) > Wavelab 6.1 (gain, fades, crystal resampler) > CD Wave > THL (flac 8) > Foobar (tags). recorded by Troy Wallwork transferred by Troy Wallwork & Gordon Wilson	Source Detail	FLAC

Garcia & Grisman --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
12/17/90	The Sweetwater	Mill Valley	CA	JGDG; flac 1648: stereo SBD 48kHz Dat master first rip by grner1 - 2023-05-17: Panasonic SV-3700 (S-PDIF digital output) > Zen Go Synergy Core interface > Pro Tools (normalize, minor seamless fixes and tracking on sector boundaries - no EQ or noise reduction) > 16-48 .wav files > xACT (tagged Flac level 8 files).	Source Detail	FLAC
02/02/91	Warfield Theatre	San Francisco	CA	flac1644; Recorded and transferred by fobaud. Source: Aud-> B&K 4011 -> Oade Power Supply -> Prolink Cables -> Panasonic SV-255; mics at 110 degrees ORTF on Schoeps t-bar hand held at about 5' 10" 2nd person behind the "drink rail", center. New transfer June, 2015: Playback on Tascam DA20 -> Roland SRC-2 -> Mac Mini -> Audacity 2.1 -> WAV. Droncit lowered audience noise between songs and occasional clapping. Some minor mic adjustment noise lowered. Slight equalization to account for distance from the stacks, light de-essing to counter the sibilance from the mics, then gain normalized using Diamond Cut Forensics 8.5, July, 2015.	Source Detail	FLAC
02/03/91	Warfield Theatre	San Francisco	CA	JGDG, set II: Unknown mics> unknown DAT; Transfer: DAT played back on Sony PCM-500> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding Transfer and FLAC encoding by David Minches.	Source Detail

Garcia & Kahn --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
06/04/82	Neighbors Of Woodcraft (Early)	Portland	OR	JGJK: MAC (Taped by Otto Rice, Sony stereo mic > Aiwa deck); Lineage: Marantz PMD 510 playback > HHb 850 > CD > Wavelab 6.0 > CDWave > FLAC8.	Source Detail	FLAC
06/06/82	South Eugene High School Auditorium	Eugene	OR	JGJK: Recorded by Don Eggiman and Tom Navarre using Mark Severson's equipment; 2 Nak 700s w/ 6 DB eq> Sony TC-D5M (2 Maxell MX cassettes); Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.	Source Detail	FLAC
06/26/82	Warner Theater	Washington	DC	Early and Late Shows. AUD: Aiwa HS-F1 with built-in mics > Maxell MX 90's. Taped by Brent Z. Transfer: MAC > Nakamichi DR-8 (Dolby off) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F.	Source Detail	FLAC
06/26/82	Warner Theater	Washington	DC	flac1644; late show; MSC > Cx > WAV > FLAC	Source Detail	FLAC
06/27/82	Tower Theater	Upper Darby	PA	flac1644; late show; MSC > Cx > WAV > FLAC	Source Detail	FLAC
06/28/82	Opera House	Boston	MA	(FOB) Nakamichi CM-300 (CP-1) x1 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). Taped and transferred by Bob Morris.	Source Detail	FLAC
06/28/82	Opera House	Boston	MA	JGJK: John Levene's Nak 300 (front row right center balcony) > Marantz CD330 (cassette master); Yamaha K-1020 playback > Sony SBM-1 > Nomad JB3 > firewire > SF v6 > Cdwave > Flac. Transfer by John Levene.	Source Detail	FLAC
07/01/82	Auditorium Theater	Chicago	IL	JGJK: Sony Walkman (condenser mic) > cass >dat > cdr > shn > wav > flac; sirmick remaster of shnid 13424.	Source Detail	FLAC
06/03/84	Kabuki Theater	San Francisco	CA	JGJK: Jay Abrams's Nakimichi 300's > Sony WMD6C > Sound Studio > CDwav on MacPro > PeakPro6 > xAct Flac16.	Source Detail	FLAC
11/17/84	Orpheum Theatre	Boston	MA	flac1644; AUD, Unknown mics > Sony TC-D5 > MAC > 1st Gen cassette. Tape kindly provided by Drew and Seaweed1010. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.	Source Detail	FLAC
11/23/84	Chrysler Hall	Norfolk	VA	Lineage: Sennheiser ME80s->Sony TC-D5M->Master Cassette Transfer: Sony TC-D5M->WaveTerminal U2A->USB->PC->CDWAVE->WAV->MkwV097.B1->SHN Location: Row 15 DFC Mics 15' in air	Source Detail	shn
11/26/84	Bushnell Auditorium	Hartford	CT	flac 2496; MSC > C > C (2nd Gen), with thanks to Jon Pasternak; Transfer: Maxell XLII-S > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged.	Source Detail	FLAC
01/25/86	The Tower Theatre	Upper Darby	PA	jgjk; flac1644; Ray Ackerman's Audio Technica 835b (LR) + 1 AKG D12e (center) > Radioshack 4 Channel Stereo Mixer 32-1105A > Sony TC-D5; location: Orchestra Row E, Sec. L/C, Seat 108 on stand @ 6'; Transfer: Sony TCK 71 (cass master) > Lunatec V3 > Microtracker II @ 24/96 > Wavelab (editing and mastering) Master wave file > pc > cd wave > traders little helper (flac level 8), crystal Resampler (high), & dither w/ iZotope Ozone 5 done in wavelab 6.1 Taped, transferred and mastered by Ray Ackerman; tracked, flaced, resample & dither by Gordon Wilson.	Source Detail	FLAC
01/30/86	Bushnell Auditorium	Hartford	CT	Garcia & Kahn: Dave H.'s Nak 100's w/shotguns > Sony D5 MAC > Oleo86's first gen cassette > JVC TD-V1050 playback > Apogee Mini Me A/D (24-bit, 44.1kHz) > Wavelab 6.0 (Ozone and L2 for dither) > FLAC. Cassette transfer by Todd Evans, final editing by Jamie Waddell.	Source Detail	FLAC

Garcia & Saunders --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
05/20/71	Keystone Korner	San Francisco	CA	Most likely lineage: MR @ 7 1/2 ips > Reel (owned by Jerry Garcia) > Reel (made and owned by Will Boswell) @ 7 1/2 ips > 2496 PCM WAV [by Matt Smith]. Careful listening, 3 basic crossfades and minor adjustments applied by Jamie Waddell on the GEMS Edit Station. Note this exact reel was transferred and seeded previously as xx/xx/1971 (in 16bit/44.1kHz) at LL and is listed as shnid 93137. The music is the same but this transfer is in 2496 and has no conversions, limiters or dither applied. This is as close to the reel as you can get unless you visit Matt's House. a Project **GEMS** August2009	Source Detail	FLAC
01/19/73	Keystone	Berkeley	CA	Betty Cantor's 10" master sbd reels @ 7.5ips 1/2trk > ? > CD > EAC > CDWave > TLH (FLAC level 8).	Source Detail	FLAC
07/10/73	Keystone	Berkeley	CA	flac1644: Matt Smith 24bit 96kHz Reel Transfer.Multitracks (Bob and Betty Ampex MM110)>2 track mixdown MR>R @ 7 1/2 ips.(WB) > DVD; Editing and Mastering by Jamie Waddell on the **GEMS** Edit Station. Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1kHz. Tracked in CDWAV Tag&Rename for Meta_Data. TLH for FLAC Level 8 by Patrick White (wharfratpat@shnflac.net).	Source Detail	FLAC
10/02/73	Winterland Arena	San Francisco	CA	JGMS: MSR > DAT4x > Delta DIO 2496 > Soundforge > WAV > CD Wave Editor > FLAC.	Source Detail	FLAC
10/11/73	Keystone	Berkeley	CA	jgms, flac1648: sbd > master-reel > dat(48k)	Source Detail	FLAC
10/12/73	Keystone	Berkeley	CA	JGMS; sbd > master-reel > dat(48k)	Source Detail	FLAC
11/03/73	Keystone	Berkeley	CA	analog source tapes 1) Betty Cantor Jackson’s 10" master soundboard reel [MSR] @ 7.5ips 1/2 trk (Nagra IV-S, uncertain tape stock) (3rd Betty Batch, tape #53, 11/3/73 reel #1, set I, 83 minutes) 2) Betty Cantor Jackson’s 10" MSR @ 7.5ips 1/2 trk (Nagra IV-S, uncertain tape stock) (3rd Betty Batch, tape #36, 11/3/73 reel #2, end of show	Source Detail	FLAC
06/04/74	The Lion's Share	San Anselmo	CA	JGMS: MSR > PCM > DAT; Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.01a; Mastering with: iZotope Ozone 3 > CD Wave > TLH > FLAC; Transfer and Mastered by Bill Koucky; Green Mountain Bros. February 13, 2008.	Source Detail	FLAC
07/02/74	Bottom Line	New York	NY	flac1644; Recorded by Jerry Moore; two AKG D1000Es [from table a few feet from stage, mics on an overturned ashtray and canted upward toward the PA] > Sony TC-152; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> r8brain Pro> FLAC encoding. Speed/pitch Correction by Joe B. Jones. Thanks to Rob Berger for supplying the master cassettes.	Source Detail	FLAC
07/03/74	Bottom Line	New York	NY	flac1644; Recorded by Jerry Moore; two AKG D1000Es> Sony TC-152; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding.	Source Detail	FLAC
11/05/74	Bottom Line	New York	NY	flac1644; early show; Jerry Moore's aud cassette master, AKG D1000Ee's > Sony TC-152 (Dolby B); nak dragon (Dolby B) > tascam hd-p2 24/96 > adobe audition 2.0 > cd wave > tlh flac 8; transfer/seed by Rob Berger.	Source Detail	FLAC
11/05/74	Bottom Line	New York	NY	flac24; early show; Jerry Moore's aud cassette master, AKG D1000Ee's > Sony TC-152 (Dolby B); nak dragon (Dolby B) > tascam hd-p2 24/96 > adobe audition 2.0 > cd wave > tlh flac 8; transfer/seed by Rob Berger.	Source Detail	FLAC
11/10/74	Palace Theatre	Albany	NY	JGMS flac2448: sbd reel master > reel > Jerry Moore's 10.5" reel @ 7.5 ips, dolby b; Transfer by Rob Berger: playback on Technics RS-1506 > Sony NR-335 > Tascam HD-P2 24/48. Editing and FLAC encoding by David Minches.	Source Detail	FLAC
11/27/74	Keystone	Berkeley	CA	JGMS, complete: mixed sbd sources; source 1: sdb-?- cd > wavelab 6.0 (pitch correction, edits) provides all except first 1:30 of Bossa Martin and last two songs; source 2: MSR > P > D > CD > wavelab 6.0; Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station.	Source Detail	FLAC
11/27/74	Keystone	Berkeley	CA	JGMS, incomplete: MSR > PCM > Dat > CD > EAC > ? > Flac. Transfer and unknown editing by Jamie Waddell.	Source Detail	FLAC
12/07/74	Keystone	Berkeley	CA	flac1644; motb 0160; Robert Castelli; Sony ECM270 mic >> Sony TC110 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] ... FLAC1644. Transfer By: Bob Menke; Mastering By: Derek McCabe.	Source Detail	FLAC

Garcia Interviews --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
??/??/39	All In The Mind - BBC Radio 4	unknown	United Kingdom	Source: 3 Cassettes (uknown gens) Transfer: Cassettes > Nakamichi CD1 > DSF 1-bit/5.6 MHz > Tascam DA-3000 > Tascam Hi Res Editor > wav 24/96 Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMIck	Source Detail	FLAC

Grateful Dead --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
??/??/39	Compilation	Compilation	US	flac1644 direct transfer from original 45 singles to CD using a 199? Sony standalone Record Player with a direct analog lines to a 1997 Sony CD Burner.	Source Detail	FLAC
07/??/64	The Tangent	Palo Alto	CA	Mother McCree's Uptown Jug Champions: Master Tape > Rosoft Audio Tools > CD > EAC > WAV > SHN.	Source Detail
11/03/65	Golden State Studios	San Francisco	CA	Autumn Records Demo, The Warlocks; SBD> MR> ??> DAT> CDR; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
01/29/66	Sound City Acid Test	San Francisco	CA	flac16; vinyl>7" reel @ 7.5 ips Rob Berger transfer	Source Detail	FLAC
02/05/66	The Questing Beast	Berkeley	CA	flac16; Soundboard Master-Reel > DAT (48 kHz)	Source Detail	FLAC
02/25/66	Ivar Theater	Los Angeles	CA	MR> DATx> CD; reportedly this date, plus other '66; may also be listed as '??/??/66'- another shn set of t1-8 material circulates as such	Source Detail
02/25/66	Ivar Theater	Los Angeles	CA	MR>DATx>CD SBEs fixed and seeking added 04/26/2003 by terrapinstation	Source Detail	SHN
03/09/66	Bear's House	Los Angeles	CA	flac16; SBD > ?? > wav > cdr > wav via EAC > FLAC	Source Detail	FLAC
03/09/66	Bear's House	Los Angeles	CA	flac16; Source: sbd > 7 inch Master Reel @ 7.5ips 1/2 track > dat(48k)	Source Detail	FLAC
03/10/66	Bear's House	Los Angeles	CA	flac16; Source: sbd > 7 inch Master Reel @ 7.5ips 1/2 track > dat(48k)	Source Detail	FLAC
03/12/66	Danish Center	Los Angeles	CA	??> CD> EAC> CDWave> SHN; EAC (secure mode, offset corrected), track spliting, and shorten encoding (MKW) by D.Winters, with Thanks to T.Doherty for the seed disc	Source Detail
03/19/66	Carthay Studios	Los Angeles	CA	flac16; SBD > Rm > Reel > Dat > CD > EAC > CDWav > Flac EAC and Tracking by Ihor Slabicky Seed provided by Paul Scotton	Source Detail
03/19/66	Carthay Studios	Los Angeles	CA	flac16/44 Soundboard - provided by Paul Scotton (MSR > R > D > CDR > EAC > CD Wave > Flac) remastered by SIRMick October 2021	Source Detail	FLAC
03/25/66	Trouper's Hall	Los Angeles	CA	with 7/3/66; see notes in info file; to abgd, later to etree; listener Daniel Kessler reports several digispots	Source Detail
05/19/66	Avalon Ballroom	San Francisco	CA	mr> dat> fm broadcast> cdr> shn; via lestatkatt; Cream Puff War filler	Source Detail
05/19/66	Avalon Ballroom	San Francisco	CA	flac16; SBD > Reel > DAT > Sonic Solutions > DAT > DAT > CDR > EAC > CD Wave > FLAC	Source Detail	FLAC
05/19/66	Avalon Ballroom	San Francisco	CA	flac16; Recording Info:SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info:CD -> Samplitude Professional v11.03 -> FLAC; Original Transfers and Mastering By David Gans; Additional Transfers and Mastering By Charlie Miller; Upgrade in circulation	Source Detail	FLAC
05/19/66	Avalon Ballroom	San Francisco	CA	flac16; Set 1 Source: sbd > 10 inch Master Reels @ 15 ips 1/2 track > Dat (48k)	Source Detail	FLAC
06/??/66	Scorpio Studio Outtakes	San Francisco	CA	Scorpio studio outtakes; SBD> MR> DAT> CDR; Conversion: CDR > EAC (secure) > CDWav (retracking) > mkwact (seekable) by Matt Vernon, with thanks to Raoul Duke; via The Music Never Stopped Project	Source Detail
07/01/66	Unknown (perhaps Fillmore Auditorium)	San Francisco	CA	Source: MSR>DAT>CDR via Andy Lemieux and Kingbee encoded by Matt Vernon	Source Detail
07/03/66	Fillmore Auditorium	San Francisco	CA	with 3/25/66; see notes in info file; to abgd, later to etree	Source Detail	SHN
07/16/66	Fillmore Auditorium	San Francisco	CA	SBD > RTR > PCM > SSSB; via Jay Serafin to gdlive	Source Detail
07/16/66	Fillmore Auditorium	San Francisco	CA	SBD -> Reel Master (10 Inch Reels @ 15ips 1/2trk) -> Dat -> Sonic Solutions -> CD -> EAC -> SHN; Converted To SHN By Charlie Miller. Upgrade now in circulation.	Source Detail
07/16/66	Fillmore Auditorium	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> EAC -> SHN -> WAV -> FLAC; Transferred and Edited By Charlie Miller. This is a fix of shn id 21063	Source Detail	FLAC
07/17/66	Fillmore Auditorium	San Francisco	CA	SBD > RTR @ 15 I.p.s. > PCM > D > SSSB; via Jay Serafin to gdlive	Source Detail
07/17/66	Fillmore Auditorium	San Francisco	CA	SBD -> Reel Master (10 Inch Reels @ 15ips 1/2trk) -> Dat -> Sonic Solutions -> CD -> EAc -> SHN; Converted To SHN By Charlie Miller	Source Detail
07/29/66	P.N.E. Garden Auditorium	Vancouver	BC	probably MR> C> DAT> CDR> EAC> WAV> SHN; from pre-FM David Gans seed; may circulate with or without DSO filler	Source Detail
07/29/66	P.N.E. Garden Auditorium	Vancouver	BC	SBD> MR> ??> CDR; Some confusion over date, see info file; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
07/29/66	P.N.E. Garden Auditorium	Vancouver	BC	flac16; SBD>10" 1/2 track 15ips MR>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>cdwave>Flac	Source Detail	FLAC
07/30/66	P.N.E. Garden Auditorium	Vancouver	BC	SBD> MR> ??> CDR; Some confusion over date, see info file; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
07/30/66	P.N.E. Garden Auditorium	Vancouver	BC	flac16; SBD>10" 1/2 track 15ips MR>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>cdwave>Flac	Source Detail	FLAC
09/16/66	Avalon Ballroom	San Francisco	CA	Soundboard> Vinyl (Vintage- Historic Dead); Seeded to abgd by Tzuriel	Source Detail
09/16/66	Avalon Ballroom	San Francisco	CA	SBD> MR> ??> CDR; via Raoul Duke; Seeded to etree by Matt Vernon; Note- There are two shn sets listed for this show, one 'original' and one 'de-popped'. ONLY 'de-popped' versions circulate for the last two tracks.	Source Detail
09/16/66	Avalon Ballroom	San Francisco	CA	flac16; Source: SBD>MR>?>LP>WAV>WAV>FLAC Transfer: Lyra Helikon phono cartridge, Linn LP12/Lingo turntable, Linn Ittok tonearm, Audioquest LeoPard tonearm cable, PS Audio PS2 preamplifier, Kimber PBJ interconnect, M-Audio Audiophile USB A/D converter.	Source Detail	FLAC
09/16/66	Avalon Ballroom	San Francisco	CA	Mix from SBD>MR>??>CDR, in order of Vintage Dead and Historic Dead	Source Detail
10/07/66	Winterland Arena	San Francisco	CA	sbd 3 songs originally part of the SF Nights compilation noted here separately	Source Detail
11/19/66	Fillmore Auditorium	San Francisco	CA	SBD; liberated bootleg source; extraction/SHN by Jon Seff	Source Detail
11/19/66	Fillmore Auditorium	San Francisco	CA	flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/19/66	Fillmore Auditorium	San Francisco	CA	flac16; Speed corrected version of liberated bootleg sbd: shn id 41	Source Detail	FLAC
11/19/66	Fillmore Auditorium	San Francisco	CA	It Crawled Out of the Vaults of KSAN; Dead material is d1 of 6-disc misc 1966-68 SF band compilation (see info); other md5s are included here for reference	Source Detail
11/29/66	The Matrix	San Francisco	CA	SBD from bootleg CD> EAC> SHN; via thecore; reportedly distant, thin sound	Source Detail
11/29/66	The Matrix	San Francisco	CA	SBD of unknown lineage. This is the previous seed (shnid=4940) with the missing tracks added.	Source Detail
11/29/66	The Matrix	San Francisco	CA	flac16; SBD MR>?>Bill Graham Archive>Reel>CDR>CDR>EAC>FLAC	Source Detail	FLAC
11/29/66	The Matrix	San Francisco	CA	flac24/96 Source: Soundboard * Transfer: Cassette > Tascam 122 MK3 > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > iZotope RX8 Advanced edited and mastered SIRMick 2021	Source Detail	FLAC
11/??/66	KFRC studio	San Francisco	CA	flac16; Track 1: original November 1966 broadcast (incomplete): Source: FM -> ?? -> Sorochty's unknown gen cassette -> wav -> FLAC; Track 2: early 1967 rebroadcast (compete): Source: Tom Ordon's Master FM reel -> 1st gen Hi-Fi VHS -> wav -> FLAC	Source Detail	FLAC
12/01/66	The Matrix	San Francisco	CA	SBD> Rm> Reel> Dat> CD> wav> shnv3; DAE(EAC)> boundary check (SHNTOOL)> SHN (MKWACT)> FTP via neo_levo; with thanks to Charlie Miller	Source Detail
12/01/66	The Matrix	San Francisco	CA	remastered (NR, cleanup) version of previous shn set, by SIRMick; Noise reduction was done with Waves X-Noise plugin using WaveLab as the host	Source Detail
12/01/66	The Matrix	San Francisco	CA	Source: SBD>MR>RR>C>DAT Transfer: Tascam DA-20 mkII>SB Audigy>SF 6.0>CD Wave>mkwACT>.shn	Source Detail
12/01/66	The Matrix	San Francisco	CA	flac16; Source: SBD>MR>RR>C>DAT; Transfer: Tascam DA-20 mkII>SB Audigy>SF 6.0>CD Wave>mkwACT>SHN>Sound Forge 11>Flac; Pitch Correction and minor editing/crossfading; Fixed by Michael Lestatkatt	Source Detail	FLAC
12/01/66	The Matrix	San Francisco	CA	flac16: SBD > ? > FLAC	Source Detail	FLAC
12/05/66	Studio: 1st album outtakes	San Francisco	CA	1st Album Outtakes - San Francisco CA Studio Rehearsals Source: sbd>mc>cass>cd>eac>shn via Teri Kimbro; upgrade in circulation	Source Detail
12/05/66	Studio: 1st album outtakes	San Francisco	CA	Source: sbd>mc>cass>cd>eac>shn by Teri Kimbro. This is an sbefix of shnid 21295.	Source Detail	SHN
??/??/66	Compilation	Compilation	CA	Acid Test compilation; via Alan Bershaw, Thomas Wulf; includes 1/8/66, 1/29/66, 3/12/66, 10/2/66, 10/31/66, ??/??/65, 7/23/67, ??/??/67; supplements to this set also circulate	Source Detail
??/??/66	Viola Lee Blues Rehearsals	Unknown	CA	January 1966 (?) - Viola Lee rehearsals; 47 minutes from unknown generation cassette played back on Nak CR7E; via Uli Teute and Hanno Bunjes	Source Detail
??/??/66	Compilation	Compilation	CA	SBD:MR> ?> CD; via Jools; venue unknown	Source Detail
??/??/66	Various	Various	Compilation	flac16; SMRs>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>CD Wave Editor>FLAC	Source Detail
??/??/66	Acid Tests	Various	CA	Acid Test compilation; via Alan Bershaw, Thomas Wulf; includes 1/8/66, 1/29/66, 3/12/66, 10/2/66, 10/31/66, ??/??/65, 7/23/67, ??/??/67; supplements to this set also circulate	Source Detail
??/??/66	Acid Tests	Various	CA	Acid Test material, labelled with numbers 5,6 in supplement to previous 4 disc set; additional or alternate material from 2/12/66, 3/12/66, 10/2/66	Source Detail	SHN
??/??/66	Acid Tests	Various	CA	Acid Test compilation; via Alan Bershaw, Thomas Wulf; includes 1/8/66, 1/29/66, 3/12/66, 10/2/66, 10/31/66, ??/??/65, 7/23/67, ??/??/67; supplements to this set also circulate	Source Detail
??/??/66	Compilation	Compilation	CA	SBD; 1st Gen FM GDH 557; FM>CD transfer: STB Systems, Inc. PCI DesktopTV Tuner Card, Model number DTV3F > Turtle Beach Montego A3D 64 Voice PCI Sound Card > WAV > CD; note this material is tentatively labeled 2/25/66 in a separate shn set	Source Detail	shn
??/??/66	Unknown	Unknown	CA	flac16; Source: sbd > 10 inch Master Reels @1 5ips 1/2 track > dat(48k)	Source Detail	FLAC
??/??/66	Acid Tests	Various	CA	flac16; Source: sbd > 10 inch Master Reels @ 15 ips 1/2 track > Dat (48k)	Source Detail	FLAC
??/??/66	Unknown	Unknown	Unknown	flac16; Source: sbd > 10 inch Master Reels @1 5ips 1/2 track > dat(48k)	Source Detail	FLAC
01/14/67	Polo Field, Golden Gate Park	San Francisco	CA	SBD>MR >?>CDR; The great human be-in; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
01/27/67	Avalon Ballroom	San Francisco	CA	AUD C/? cleaned up & patched, 67:40 total time, via Hanno Bunjes & Uli Teute	Source Detail
01/27/67	Avalon Ballroom	San Francisco	CA	Unknown AUD source > ? > shn; upgrade now in circulation	Source Detail
02/12/67	Fillmore Auditorium	San Francisco	CA	2 songs most likely from studio (see notes)	Source Detail
03/18/67	Winterland Arena	San Francisco	CA	SBD > MR > ? > CD; Seeded to etree by A.J. Fink	Source Detail
03/18/67	Winterland Arena	San Francisco	CA	MSR> R> DATs> CDRs> EAC> SHN; via Darrin Sacks; upgrade now in circulation	Source Detail
03/18/67	Winterland Arena	San Francisco	CA	flac1648 Source Info: Master Soundboard Reels > ?? > CD > .wav > flac This came from an anonymous source via CD. Provided and prepared by Brian Flegel.	Source Detail	FLAC
04/08/67	KPIX-TV Studios	San Francisco	CA	TV > C/? >CDR; various artists including Dead performance; via Hanno Bunjes, Uli Teute	Source Detail
04/??/67	KMPX Radio Show	San Francisco	CA	Pre-FM-MR> R> DAT> CDR; Conversion: CDR > EAC(secure) > Cool Edit(remove gaps) > CDWav (retrack) > mkwact(seekable) by Matt Vernon	Source Detail
05/05/67	Fillmore Auditorium	San Francisco	CA	SBD> unknown analog gens> D; via Ben Yerys	Source Detail
06/18/67	Monterey County Fairgrounds	Monterey	CA	SBD: MR> Cass> DAT> ZA2> CD; exception: Alligator -> Caution has no cassette gen, and may not even be from same show; CD seed via D. Hollister; original to abgd, to etree 6/00; upgrade now in circulation	Source Detail
06/18/67	Monterey County Fairgrounds	Monterey	CA	SBD> MR> ? > DAT x 2> Sonic Solutions> cd Note: There seems to be no cassette generation between the MR and DAT, which is present on the previously circulated version of this show. Remastered by ?Mandrake?	Source Detail
06/18/67	Monterey County Fairgrounds	Monterey	CA	flac16; Lineage: SBD Master Reels > DAT (Panasonic 3700) > Delta DiO 2496 > PC hard drive > CDR > CDWAV > Cool Edit > Traders Little Helper	Source Detail	FLAC
07/23/67	Straight Theater	San Francisco	CA	flac16; Source Info: track 1 - aud recording > ?? > CD > wav > flac; track 2 - aud recording > ?? > flexi-disc > ?? > cassette x? > wav > flac	Source Detail	FLAC
08/04/67	O'Keefe Center	Toronto	ON	Includes JA Set; Stereo SBD MR>R>DAT(3)>CDR; via Stu Hanson; Seeded to etree by Greg Hurwitt; upgrade now in circulation	Source Detail
08/04/67	O'Keefe Center	Toronto	ON	SBD MR>?>2R>C>CD; slight upgrade; via Hanno Bunjes and Uli Teute	Source Detail
08/04/67	O'Keefe Center	Toronto	ON	SBD> MR> R> DAT> CDR; via Raoul Duke; Seeded to etree by Matt Vernon; upgrade now in circulation	Source Detail
08/05/67	O'Keefe Center	Toronto	ON	Includes JA Set; Multiple SBD sources, see info file for details; via Stu Hanson; Seeded to etree by Greg Hurwitt; upgrade now in circulation	Source Detail
08/05/67	O'Keefe Center	Toronto	ON	SBD MR>?>2R>C>CD; more complete and slightly better-sounding version; via Hanno Bunjes and Uli Teute	Source Detail
09/03/67	Dance Hall	Rio Nido	CA	RM > C > DAT > CD > EAC > SHN; see flaw notes in info file; seed via Jim Wise; via Tim O'Connell shn vine to BUDD, later to etree (via Jon Miller?); note Midnight Hour from this run is on Phil Zone CD- go buy it; upgrade now in circulation	Source Detail
09/03/67	Dance Hall	Rio Nido	CA	previous shn set with "original mix Midnight Hour" via Terrapin Station	Source Detail	SHN
09/04/67	Dance Hall	Rio Nido	CA	SBD:MR> Cass> DAT> CD; via Jools	Source Detail
09/15/67	Hollywood Bowl	Hollywood	CA	AUD>MC>R>R>NR>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
10/20/67	American Studios	North Hollywood	CA	flac16; Hunter's MSR > BETA > ??? > cdr > eac(secure mode) wav > flac	Source Detail	FLAC
10/22/67	Winterland Arena	San Francisco	CA	SBDmR> Cass> DAT> Sonic Solutions via D. Gans> CDR; via Ben Yerys; upgrade now in circulation	Source Detail
10/22/67	Winterland Arena	San Francisco	CA	SBD -> Rm -> Cass -> Dat via Charlie Miller	Source Detail
10/22/67	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/22/67	Winterland Arena	San Francisco	CA	flac16; SBD > Master Reels > DAT; Lineage/Recording Info detail/Editing detail: SBD > Master Reels > DAT (Panasonic 3700) > Sound card (Delta DiO 2496) > PC hard drive > CDR > CDWAV (tracking) > Cool Edit/WavePad (editing) > xACT Audio Compression Toolkit 2.13	Source Detail	FLAC
11/10/67	Shrine Exposition Hall	Los Angeles	CA	MR> R> R> DAT> CD> EAC > SHN; via Kirby (Chalupa) Bell, Darrin Sacks; with 7/23/67 Cassady rap filler; note source updated with extra reel gen, based on info from Rob Bertrando	Source Detail
11/10/67	Shrine Exposition Hall	Los Angeles	CA	flac16; Updated Lineage: SBD Reel from WB Vault to reel @ 7.5 IPS to reel@ 7.5 IPS to digital domain. Korg MR 1000 at 1 bit 5.6 mhz to 24-96 via Korg software. Taped by: Dan Healy; Transfer By: Matt Smith & Bob Menke; Mastering By: Derek McCabe	Source Detail	FLAC
11/10/67	Shrine Exposition Hall	Los Angeles	CA	flac16; Source: 8 Track Master Reel > 1st Gen Reel (7.5ips) > PCM (Sony Beta ESXHiFi/L-750) - Given to Tim Dalton by Bob Menke; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred By Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018	Source Detail	FLAC
11/11/67	Shrine Exhibition Hall	Los Angeles	CA	MSR> R> R> DAT> CDR> EAC > SHN; via Kirby (Chalupa) Bell, Darrin Sacks; note source updated with extra reel gen, based on info from Rob Bertrando	Source Detail
11/11/67	Shrine Exhibition Hall	Los Angeles	CA	flac16; Updated Lineage: SBD Reel from WB Vault to reel @ 7.5 IPS to reel@ 7.5 IPS to digital domain. Korg MR 1000 at 1 bit 5.6 mhz to 24-96 via Korg software. Taped by: Dan Healy; Transfer By: Matt Smith & Bob Menke; Mastering By: Derek McCabe	Source Detail	FLAC
11/11/67	Shrine Exhibition Hall	Los Angeles	CA	flac16; Source: 8 Track Master Reel > 1st Gen Reel (7.5ips) > PCM (Sony Beta ESXHiFi/L-750) - Given to Tim Dalton by Bob Menke; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred By Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018	Source Detail	FLAC
11/14/67	American Studios	North Hollywood	CA	MSR>C(1)>DAT>WAV>SHN. The circulating versions of these songs are different from the versions on the single and on "What a Long Strange trip It's Been" (which are the same) and therefore are listed separately. The md5's differ from the previous shn set listed.	Source Detail
11/14/67	American Studios	North Hollywood	CA	Source: Healy SBD	Source Detail	FLAC
11/??/67	Studio Sessions for Anthem of the Sun	Unknown	CA	flac16; Lineage: Track 01 thru 04: SBD > ? > Cx? > Cassette. Track 05: SBD > ? > Bootleg Vinyl LP > Cassette. Transfer: Cassettes > Sony TC-D5M > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC	Source Detail
??/??/67	Unknown Studio	Unknown	Unknown	flac16; Recording Info: Source #1: SBD -> ?? -> 7th gen cassette (stereo) -> wav -> FLAC; Source #2: SBD -> ?? -> unknown gen cassette (mono) -> CDR -> wav via EAC -> FLAC	Source Detail	FLAC
01/17/68	Carousel Ballroom	San Francisco	CA	MSR> cass> dat> cdrs, eac> wav> cooledit2000> wav> shn; via Jeff "notimetohate"; see info file for listening notes	Source Detail
01/17/68	Carousel Ballroom	San Francisco	CA	SBD>MR>C>D>CD; via Raoul Duke; Seeded to etree by Matt Vernon & J. Cotsman	Source Detail
01/17/68	Carousel Ballroom	San Francisco	CA	MSR> cass> dat> cdrs, eac> wav> cooledit2000> wav> shn; via Jeff "notimetohate"; see info file for listening notes; same as previous shn set through d1t09. d1t10 through d2t04 now circulate with an unexplained 'fix'.	Source Detail	SHN
01/20/68	The Eureka Municipal Auditorium	Eureka	CA	circulated as half of a single CD with a version of 2/3/68; via Abe	Source Detail
01/20/68	The Eureka Municipal Auditorium	Eureka	CA	via Julian (Jools) Elliott	Source Detail
01/20/68	The Eureka Municipal Auditorium	Eureka	CA	flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
01/20/68	The Eureka Municipal Auditorium	Eureka	CA	fragment; unconfirmed: SBD > MReel > DAT > CD-R > EAC > SHN; pre-FM GDH?; via R. Ward	Source Detail
01/22/68	Eagles Auditorium	Seattle	WA	SBDMR > DAT > Sonic Solutions > CD > EAC > Soundforge > SHN; plus patches- see notes in info file; patching and cleanup by Noah Weiner; to abgd via Charlie Connor	Source Detail
01/22/68	Eagles Auditorium	Seattle	WA	flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
01/23/68	Eagles Auditorium	Seattle	WA	Soundboard > MC > R > DAT > CDR; via David Finney, stemming from Merry Prankster tree; 9/20/68 filler	Source Detail
01/23/68	Eagles Auditorium	Seattle	WA	Uploaded 2003/ 02/ 15 by Julian (Jools) Elliott	Source Detail	SHN
01/23/68	Eagles Auditorium	Seattle	WA	flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
01/27/68	Eagles Auditorium	Seattle	WA	1 track (all that circ); SBD:MR> DAT> PCM> DAT> CD; EAC > SHN from audio CD by David Hollister; upload by Julian (Jools) Elliott	Source Detail
01/27/68	Eagles Auditorium	Seattle	WA	flac16; Recording Info:SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
02/02/68	Crystal Ballroom	Portland	OR	No source info; Seeded to etree by Jools;	Source Detail
02/02/68	Crystal Ballroom	Portland	OR	Shntool fix of previous Julian (Jools) Elliott seed	Source Detail
02/02/68	Crystal Ballroom	Portland	OR	flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
02/03/68	The Crystal Ballroom	Portland	OR	circulated as half of a single CD with a version of 1/20/68; via Abe	Source Detail
02/03/68	The Crystal Ballroom	Portland	OR	SBD:MR>DAT>Sonic Solutions>CD ? shntool fixed and seekable version of set uploaded to tol.etree.org Feb.1/03	Source Detail
02/03/68	The Crystal Ballroom	Portland	OR	flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
02/14/68	Carousel Ballroom	San Francisco	CA	MR> DAT> DAT> CD> EAC> SHN, with portions from another source, probably FM; via Garrett Van Cleef, from Jim Douglas seed; includes supplemental hiss-reduced material (see info files); hosted by gdlive.com	Source Detail
02/14/68	Carousel Ballroom	San Francisco	CA	Source: SBD>MR>DAT>CD>EAC>SHN + Midnight Hour patched with: FM>Reel>Reel>DAT>CDR	Source Detail
02/14/68	Carousel Ballroom	San Francisco	CA	flac16; Recording Info: SBD -> (8 Track) Master Reel -> Dat -> CD -> FLAC Transfer Info: FLAC -> Samplitude Professional v10.02 -> FLAC Transferred and Remastered By Charlie Miller (note: this source contains officially released, copyrighted material)	Source Detail	FLAC
02/14/68	Carousel Ballroom	San Francisco	CA	flac16; Lineage: SBD>MR>DAT>CD>EAC>SHN>WAV>Cool Edit Pro v2.0>FLAC via D. Winters (note: this source contains officially released, copyrighted material)	Source Detail
02/14/68	Carousel Ballroom	San Francisco	CA	SBD 8 track MR>D>CD with some alternate SBD patches; See info file for details; patches by H.B. 12/01 from tapes supplied by Konstantin and Uli	Source Detail
03/03/68	Haight Street	San Francisco	CA	Deadhead Hour pre-FM; via David Finney	Source Detail
03/03/68	Haight Street	San Francisco	CA	AUD: Uher RR>DAT>DALCardDeluxe>WAV>CDR; via Raoul Duke; Seeded to etree by matt vernon	Source Detail
03/03/68	Haight Street	San Francisco	CA	Unknown Audience Recording; Extracted with EAC and cut with CD Wav by Julian (Jools) Elliott	Source Detail	SHN
03/16/68	Carousel Ballroom	San Francisco	CA	SBD>MR>C>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
03/16/68	Carousel Ballroom	San Francisco	CA	flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/16/68	Carousel Ballroom	San Francisco	CA	flac1644 Recording Info: SBD > (4 Track) Master Reels > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Sound Devices 744T > Adobe Audition > Samplitude Pro X6 Suite > FLAC	Source Detail	FLAC
03/26/68	Melodyland Theater	Anaheim	CA	AUD> MR> D> PCM> D> CD> EAC> SHN; circulates as filler for 5/7/69; via J. Cotsman to vine	Source Detail
03/29/68	Carousel Ballroom	San Francisco	CA	AUD > ?? > CDR; via Raoul Duke; seeded to etree by Matt Vernon	Source Detail
03/29/68	Carousel Ballroom	San Francisco	CA	flac16; Recording Info:SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/30/68	Carousel Ballroom	San Francisco	CA	Partial; AUD>MR>D>PCM>D>CD	Source Detail
03/30/68	Carousel Ballroom	San Francisco	CA	AUD>MR>D>PCM>D>CD>EAC>SHN; the most complete form of this show in circulation; Thanks to Andy Lemieux, edits/encoding JCotsman	Source Detail
03/30/68	Carousel Ballroom	San Francisco	CA	flac16; Recording Info:Recording Info:SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/31/68	Carousel Ballroom	San Francisco	CA	AUD>MR>D>PCM>D>CD>EAC>SHN; excerpt (all that circulates); Thanks to Andy Lemieux; edits/encoding JCotsman	Source Detail
03/31/68	Carousel Ballroom	San Francisco	CA	flac16; Recording Info:SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/18/68	Santa Clara County Fairgrounds	San Jose	CA	Audience Master > ? > SHN	Source Detail
05/18/68	Santa Clara County Fairgrounds	San Jose	CA	flac 16; Source: Jorma's AUD Master > 3rd Gen Cassette > Soundforge Extraction > Cool Edit > CD Wave Editor, except first few seconds of Alligator, which are AUD Master > Reel > CD > Soundforge Extraction > Cool Edit > CD Wave Editor	Source Detail
05/18/68	Santa Clara County Fairgrounds	San Jose	CA	flac16; Source: Jorma Kaukonen’s On Stage Mic > Reel to Reel Master > DAT x 1 Transfer: playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard > HD as 24 bit/96 KHz WAV Mastering: WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer by Chris Ladner July 2007, Mastering Bill Koucky September 18, 2008 Green Mountain Bros	Source Detail	FLAC
05/18/68	Santa Clara County Fairgrounds	San Jose	CA	AUD?; filler on 11/22/68; via Teddy Good Bear to abgd; view info; view poster	Source Detail	SHN
05/??/68	Unknown	Unknown	Unknown	Vault Reel> DAT> CD> EAC> SHN; via J. Currier to gdlive	Source Detail
06/14/68	Fillmore East (Late Show)	New York	NY	AUD>MC>R>R>PCM>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; edits/encoding by JCotsman	Source Detail
06/14/68	Fillmore East (Late Show)	New York	NY	aud> mics?> master cassette> reel> reel> PCM> CDR; via Mike Lai; note info file lists as early show, but Deadlists and elsewhere list as late show	Source Detail	SHN
06/14/68	Fillmore East (Late Show)	New York	NY	aud> mics?> master cassette> reel> reel> PCM> CDR; via Mike Lai; note info file lists as early show, but Deadlists and elsewhere list as late show	Source Detail
06/14/68	Fillmore East (Late Show)	New York	NY	flac16; Source: Audience Cassette Master > Reel > pcm (sony HG tape) provided by Tim Dalton; Transfer: ocm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred By Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018	Source Detail	FLAC
06/19/68	Carousel Ballroom	San Francisco	CA	SBD> MC> D> CD; start of Lovelight clipped, ragged sound improves later; via thecore@core.com	Source Detail
08/21/68	Fillmore West	San Francisco	CA	sdb> reel master> cassette> dat> cdr; via Mike Lai	Source Detail
08/21/68	Fillmore West	San Francisco	CA	MSR> DAT> DAT> WAV> SHN; DAT> SHN conversion by Cousinit; see notes in info file	Source Detail	SHN
08/21/68	Fillmore West	San Francisco	CA	SDB>MR>C>D>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; edits/encoding by D Litfin	Source Detail	SHN
08/22/68	Fillmore West	San Francisco	CA	SBD>MR>C>D>CD>EAC>SHN; (two cassette sources, one in mono, one in stereo); see info file regarding confusion over this date; Thanks to David(s) Litfin, Sorochty, Gans, et al; edits/encoding JCotsman	Source Detail
08/22/68	Fillmore West	San Francisco	CA	SBD portion via Jools, see info file for possible lineage.	Source Detail
08/22/68	Fillmore West	San Francisco	CA	flac16; Source: Soundboard Reels > ? > DAT Transfer: Panasonic SV-3700 > Korg MR-1 DSD [1 Bit/2.8 Mhz] Mastering: AudioGate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > AudioGate to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. July 8, 2008	Source Detail	FLAC
08/23/68	Shrine Exposition Hall	Los Angeles	CA	updated lineage: 8 track multitrack Reels> "Sonic Wizardry"> DAT> Cassette> DATs> CDRs> EAC> SHN;? via Darrin Sacks, who reports: "Not a note of this material appears on Two From The Vault.?It turns out that TFTV is composed exclusively of 8.24.68" (go buy that); with unknown (8/29/68?) filler	Source Detail
08/23/68	Shrine Exposition Hall	Los Angeles	CA	flac16; SBD > Various Transfers / Edits (see original info attached) > .flac	Source Detail	FLAC
08/23/68	Shrine Exposition Hall	Los Angeles	CA	flac16 Recording Info: Vault Master 8-track Reel > Studio 2-track Mixdown (Dan Healy) > CAS > DAT Mastering Info: Samplitude Pro X5 > Flac16 Source provided by Anon Mastering by Jim Blackwood Speed Correction by Jason Chastain Track, FLAC and Pack by Steve Gravel	Source Detail	FLAC
08/28/68	Avalon Ballroom	San Francisco	CA	SBD:?>Latvala's reel>PCM>CDR; via Steve Martin; Seeded to etree by Matt Vernon	Source Detail
08/28/68	Avalon Ballroom	San Francisco	CA	SBD>??>R>PCM>CD>EAC>SHN; pitch corrected re-shn of previous Vernon seed	Source Detail	SHN
08/28/68	Avalon Ballroom	San Francisco	CA	flac16; AUD UNKNOWN LINEAGE > REEL > EDIROL USB UA-1EX AUDIO INTERFACE > COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC	Source Detail	FLAC
08/28/68	Avalon Ballroom	San Francisco	CA	flac16: Source: AUD > Low Gen Reel, kindly provided by Steve Martin. Transfer: Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644	Source Detail	FLAC
09/02/68	Betty Nelson's Organic Raspberry Farm	Sultan	WA	SBD> Reel> DAT> WAV via ZA2> CD> EAC> SHN; via Pat Volkerding	Source Detail
09/02/68	Betty Nelson's Organic Raspberry Farm	Sultan	WA	Recording Info: SBD -> Master Reel (Three half-inch four track reels, recorded on Ampex 440) -> Dat (Tascam DA30/44.1k); Transfer Info: Master Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (1 Disc Audio / 1 Disc SHN); Transfered and Edited By Charlie Miller 2/5/04	Source Detail
09/02/68	Betty Nelson's Organic Raspberry Farm	Sultan	WA	flac16; Recording Info: SBD -> Master Reel (1/2-inch 4-track reels recorded on Ampex 440) -> Dat (Tascam DA30/44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/12/68	Unknown (possibly Pacific High Recording)	Unknown	CA	flac16; Source: sbd > 7 inch Master Reel @ 7.5ips 1/2 track > dat(48k)	Source Detail	FLAC
09/20/68	Berkeley Community Theater	Berkeley	CA	may circulate as filler on other discs (has been seen with 1/23/68); info file compiled by Matt Vernon	Source Detail	SHN
09/20/68	Berkeley Community Theater	Berkeley	CA	flac16; SBD > Master Reel > Cassette > Dat > CD > Adobe Audition v1.5 > CD Wave > FLAC; Transfer and Mastering by Charlie Miller	Source Detail
09/20/68	Berkeley Community Theater	Berkeley	CA	flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC	Source Detail	FLAC
09/21/68	Pacific High Recording	San Mateo	CA	Flac16 but from a lossy source (only known source at this time) Sbd GDM Tapers section	Source Detail	FLAC
10/08/68	The Matrix	San Francisco	CA	Hartbeats; SBD MR->Reel (x2?)->CDR; EAC> SHN by Evan Bellaff, with thanks to Glenn Gillis	Source Detail
10/08/68	The Matrix	San Francisco	CA	Disc 1 only; optimal composite source free of diginoise. SBD MR>2R>D>CD; via Jens Tilsner and Hanno Bunjes	Source Detail
10/09/68	The Matrix	San Francisco	CA	Hartbeats; note date corrected from previous 10/9/68 listing- see Deadlists; ?> DAT> ZA2> wav> (sound forge for cutting to track size)> shn; DAT> ZA2> wav? by David Hollister; SF by Konstantin; recut on sector boundaries by Jeff Hoelter; jam in set 2 is complete; set 1 sounds different than set 2; some NR applied (see info file for details)	Source Detail
10/10/68	The Matrix	San Francisco	CA	SBD> Rm> Reel> CD (May Be SBD> Rm> Reel> Reel> CD); thanks to c.miller for seeds; DAE/shnv3 by neo_levo	Source Detail
10/10/68	The Matrix	San Francisco	CA	Hartbeats; note date corrected from previous 10/9/68 listing- see Deadlists; ?> DAT> ZA2> wav> (sound forge for cutting to track size)> shn; DAT> ZA2> wav? by David Hollister; SF by Konstantin; recut on sector boundaries by Jeff Hoelter; jam in set 2 is complete; set 1 sounds different than set 2; some NR applied (see info file for details)	Source Detail	SHN
10/12/68	Avalon Ballroom	San Francisco	CA	SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD; via David Gans; de-glitched at the Frisco Refinery, see info file for details; Seeded to etree by eD(efojr)	Source Detail
10/12/68	Avalon Ballroom	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/12/68	Avalon Ballroom	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/12/68	Avalon Ballroom	San Francisco	CA	flac16; Recording Info: SBD -> ?? -> cdr -> wav via EAC -> FLAC	Source Detail	FLAC
10/12/68	Avalon Ballroom	San Francisco	CA	MSR> DAT> Sonic Solutions> CD; via David Gans; Charlie Miller; seeded to etree by Michael Owen	Source Detail	FLAC
10/12/68	Avalon Ballroom	San Francisco	CA	flac16; SHNID #115593 > Adobe Audition 3.0 > Flac16	Source Detail	FLAC
10/13/68	Avalon Ballroom	San Francisco	CA	via John Oleynick, Lee Revell; tracked for 1x80 min; Lee comments: "sound's a bit rough... but we're fairly certain that this is the best available source"; see info file for misc flaw notes	Source Detail
10/13/68	Avalon Ballroom	San Francisco	CA	SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD; via David Gans; de-glitched at the Frisco Refinery, see info file for details; Seeded to etree by eD(efojr)	Source Detail
10/13/68	Avalon Ballroom	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/13/68	Avalon Ballroom	San Francisco	CA	SBD: MR> DAT> CD> DC-Art Millennium> CD> SHN; tracked for 1x80; stemming from VTree Round 4, Michael Owen, Charlie Miller; see info file for flaw notes	Source Detail
10/13/68	Avalon Ballroom	San Francisco	CA	MSR> DAT> Sonic Solutions> CD; via David Gans; Charlie Miller; seeded to etree by Michael Owen; Note- This shn set is identical to the previous Owen/Miller entry, except for differing md5's on the first and last track.	Source Detail	shn
10/13/68	Avalon Ballroom	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/20/68	Greek Theatre, U. Of California	Berkeley	CA	Complete; SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD; via Charlie Miller	Source Detail
10/30/68	The Matrix	San Francisco	CA	Hartbeats; most complete version; documented 1st gen reel on revox A-77 r2r deck> digitized @ 96khz/24 bits> downsampled to 44.1k/16bits for CD> EAC> SHN; transfer by Jim Wise; eac/shn by Darrin Sacks; note minor addition of tuning to d3 track list	Source Detail
11/01/68	Armory Building, Silver Dollar Fairgrounds	Chico	CA	2nd Set; SBD>MSR>C>DAT>CDR; via Raoul Duke and Mike Axelrod; Seeded to etree by Matt Vernon	Source Detail
11/01/68	Armory Building, Silver Dollar Fairgrounds	Chico	CA	MSR > R > D > CD by Jim Powell EAC > SHN by J.Barnes (heyitsmejess@aol.com) EAC log files are included	Source Detail
11/01/68	Armory Building, Silver Dollar Fairgrounds	Chico	CA	MSR > R > D > CD by Jim Powell EAC > SHN by J.Barnes (heyitsmejess@aol.com) Track 5a edited by Seth Kaplan (alligator69@optonline.net) Uploaded to tol 06/21/2003 by Seth Kaplan	Source Detail	SHN
11/01/68	Armory Building, Silver Dollar Fairgrounds	Chico	CA	MSR>C>D>CD; Seeded to etree by Seth Kaplan	Source Detail
11/01/68	Armory Building, Silver Dollar Fairgrounds	Chico	CA	flac16; This is a restoration/rework using shnid 18100 (Cotsman) and 09580 (Axelrod); Diamond Cut Forensics versions 8.5 and Alpha 9 for the editing.	Source Detail	FLAC
11/01/68	Armory Building, Silver Dollar Fairgrounds	Chico	CA	flac16/44.1khz Recording Info: SBD > (8-track) Master Reel (10in 15ips) > DAT (Panasonic SV-3700) > DAT (Panasonic SV-3700) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit-44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC. (1 Disc Audio) Original Transfer and Mastering by Rob Eaton. Additional Mastering by Charlie Miller.	Source Detail	FLAC
11/06/68	Pacific High Recording	San Mateo	CA	Recording Info: SBD > Master Reel (TC) > Cassette (Gans) Transfer Info: Cassette (Tascam 122mkII) > Focusrite Scarlett (24-bit/96k) Mastering Info: WAV > Samplitude Pro X6 Suite > FLAC/24	Source Detail	FLAC
11/06/68	Pacific High Recording	San Mateo	CA	flac16; Reel> PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif interconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 by Jamie Waddell	Source Detail
11/06/68	Pacific High Recording	San Mateo	CA	flac1644; Recording Info: SBD > Master Reel (TC) > Cassette (Gans) Transfer Info: Cassette (Tascam 122mkII) > Focusrite Scarlett (24-bit/96k) Mastering Info: WAV > Samplitude Pro X6 Suite > FLAC/24 - This is 153017 24 > 1644	Source Detail	FLAC
11/22/68	Columbus Veterans Hall	Columbus	OH	AUD>MR>C>C>C>CD; 'Edited' version (speed correction, normalization, etc) of original Goodbear seed; See info file for details; Seeded to etree by J Cotsman	Source Detail
11/22/68	Columbus Veterans Hall	Columbus	OH	AUD>MR>C>C>C>CD>SHN This is an edited shn set direct from the previously seeded shn set from Teddy Goodbear. The pitch has been corrected with Sound Forge and the recording has been normalized and retracked. shntool fix -o shn *shn run by tol 03-02-24, and a new md5-file generated.	Source Detail	FLAC
12/07/68	Bellarmine College	Louisville	KY	SBD> CM> C1> DAT> CDR; see info file for details; seeded to etree via D Litfin; shn encoding by Wilbur Haines	Source Detail
12/07/68	Bellarmine College	Louisville	KY	SBD>CM>C1>DAT>CDR>CDR via Mike Lai	Source Detail
12/07/68	Bellarmine College	Louisville	KY	flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/20/68	Shrine Exhibition Hall	Los Angeles	CA	SBD cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN; DAT > CDR conversion via HHb 850; editing, normalization and 5% pitch correction by Jeff Tiedrich via Sound Studio for Macintosh; workup> SHN by Jeff Tiedrich; via G.S. Hamilton to BUDD offer; passes shntool check	Source Detail
12/20/68	Shrine Exhibition Hall	Los Angeles	CA	flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/21/68	Shrine Exhibition Hall	Los Angeles	CA	SBD cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN; DAT > CDR conversion via HHb 850; editing, normalization and 5% pitch correction by Jeff Tiedrich via Sound Studio for Macintosh; workup> SHN by Jeff Tiedrich; via G.S. Hamilton to BUDD offer; passes shntool check	Source Detail
12/21/68	Shrine Exhibition Hall	Los Angeles	CA	flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/24/68	The Matrix	San Francisco	CA	30 minute jam; See info file for details; SBD>MR>??>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
12/24/68	The Matrix	San Francisco	CA	Garcia, Bishop, Mandel, Hart & Miller: SBD > 1st generation reel to reel > behringer ultra curve pro deq 2496 audio equalizer > tascam audio cdrw750 > plex tool professional XL > wav > flac, seeded by 38f. Longer version, correct speed.	Source Detail	FLAC
12/29/68	Gulfstream Park Racetrack	Hallandale	FL	MSC> D> CD> EAC> SHN; Dropouts d2 7:22, d3 7:17; via Steve Barbella with thanks to Seth Kaplan	Source Detail
12/29/68	Gulfstream Park Racetrack	Hallandale	FL	flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
12/29/68	Gulfstream Park Racetrack	Hallandale	FL	SBD> MC> D> CD> EAC> SHN; via J. Cotsman to mail distribution;	Source Detail	shn
??/??/68	Unknown or Various	Unknown	Unknown	Alembic rehearsals, composite of sources; via Tzuriel to abgd; upgrade now in circulation	Source Detail
??/??/68	Unknown or Various	Unknown	Unknown	7 undated '68 fragments circulating together; 5 Vault reels> 4 CDs- see info file for available details; via Music Never Stopped shn project	Source Detail
??/??/68	Unknown or Various	Unknown	Unknown	Hartbeats "Mystery Fragments", via Michael Parrish.	Source Detail
??/??/68	Unknown or Various	Unknown	Unknown	flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
01/17/69	Robertson Gym, U.C.S.B.	Santa Barbara	CA	Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston	Source Detail
01/17/69	Robertson Gym, U.C.S.B.	Santa Barbara	CA	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
01/18/69	Playboy Club	West Hollywood	CA	flac16; Source: PCM wav audio from U.K. Mutt's DVD release	Source Detail
01/24/69	Avalon Ballroom	San Francisco	CA	MSR> C> DAT> CD; via Seth Kaplan, Darrin Sacks; with fixed track boundaries	Source Detail
01/24/69	Avalon Ballroom	San Francisco	CA	MSR> C> DAT> CD; via Seth Kaplan; same as other fixed shn set except a couple of md5s differ; [DSH note- not sure if this is pre-fixed or separately fixed version]; noted at easywind and at gdlive	Source Detail	SHN
01/24/69	Avalon Ballroom	San Francisco	CA	Complete; SBD> MSR> C> DAT> CD> SHN; via Seth Kaplan	Source Detail	SHN
01/24/69	Avalon Ballroom	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller, this is a cleaned up version of source ID 109640	Source Detail	FLAC
01/24/69	Avalon Ballroom	San Francisco	CA	Master reel > cassette > DAT > CD; filler on 9/21/74 shn set; whole shn set's info and md5s listed here (not sure which specific md5s correspond to 1/24/69); to a tree?	Source Detail	shn
01/24/69	Avalon Ballroom	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation	Source Detail	FLAC
01/25/69	Avalon Ballroom	San Francisco	CA	Complete; SBD> MSR> C> DAT> CD> SHN; via Seth Kaplan	Source Detail
01/25/69	Avalon Ballroom	San Francisco	CA	set 2; SBD:MR> Cass> DAT> ZA2> CD; via David Hollister, Jeff Sachs to abgd; 12/00: noted at gdlive.com	Source Detail	shn
01/25/69	Avalon Ballroom	San Francisco	CA	set 2; MSR> C> DAT> CD; via Seth Kaplan, Darrin Sacks; with fixed track boundaries	Source Detail	shn
01/25/69	Avalon Ballroom	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
01/26/69	Avalon Ballroom	San Francisco	CA	MSR> C> DAT> CD; via Seth Kaplan, Darrin Sacks; with fixed track boundaries; tracked for 1x80; see flaw notes in info file; note material from this date also appeared on Live Dead- go buy it	Source Detail
01/26/69	Avalon Ballroom	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
01/??/69	Aoxomoxoa Outtakes	San Mateo	CA	Aoxomoxoa Studio Sessions Outtakes 1969; Tracks 1-11: Sandy Troy's TC366 3.75ips Reel> DAT2> CDR; Tracks 12-13: Alan Bershaw's A1040SL 7.5ips Reel> DAT> CDR; Discs kindly provided by Stu Hanson; Cd > eac > cool edit pro > shntool > cdwav > shnv3 by Ernie Dodd	Source Detail
02/02/69	Labor Temple	Minneapolis	MN	SBD>MR>?>D>CD; via David Litfin; Seeded to etree by J. Cotsman	Source Detail
02/04/69	The Music Box	Omaha	NE	SBD> CM> C> D> CD; EAC> SHN (seekable) transfer by Steve Barbella	Source Detail
02/04/69	The Music Box	Omaha	NE	flac24; Partial Show; Source: Audience recording > Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Cassette (TDK D-90) recorded by Leon Komar; Tranafer: Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG Audiogate 4 > flac 24/96; transfered by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick	Source Detail	FLAC
02/05/69	Soldiers & Sailors Memorial Auditorium	Kansas City	KS	SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Chuck Gannon	Source Detail
02/06/69	Kiel Auditorium	St. Louis	MO	SBD> MC> D> CD> EAC> SHN; Soundforge used for pitch correction and pop removal; edited, encoded, vined by J. Cotsman; with thanks to Paul Hartman	Source Detail
02/06/69	Kiel Auditorium	St. Louis	MO	flac16; Source: Soundboard > 7 1/2' Reel Master @ 7.5 ips (Recorded By Bear) > 1st gen cassette (Ampex C-90/no dolby) > Dat (from Rob Eaton); Transfer: DAT play back and transfer on a Sony PCM R-500 > Digital Audio Labs Carddeluxe > WAV 16/48; Lineage: wav 16/48 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > wav 16/44.1 > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited and mastered by SIRMick	Source Detail	FLAC
02/07/69	Stanley Theater (Early, Late)	Pittsburgh	PA	Early Show; SBD> MC (Bear Owsley)> DAT (Rob Eaton)> (Jim Wise) HHb> CDR ; Seeded to Etree by T. Wiley	Source Detail
02/07/69	Stanley Theater (Early, Late)	Pittsburgh	PA	Late Show ; SBD> MC(Bear Owsley)> DAT (Rob Eaton)> (Jim Wise) HHb>CDR ; Seeded to Etree by T. Wiley	Source Detail
02/07/69	Stanley Theater (Early, Late)	Pittsburgh	PA	flac16; Source: Soundboard > master cassette (recorded by Bear (Owsley) on a "Concord" cassette deck model unknown > Ampex 90-minute cassette > Restoration & Preservation by Rob Eaton; Transfer: Playback on a Tascam 122 mk111 (azimuth adjusted) > db 926 a/d converter > db 3000 s sample rate converter (variable speed) > panasonic 3800 DAT @ 44.1 kHz By Rob Eaton > DAT > Sony PCM R-500 > Digital Audio Labs Card Deluxe > Adobe Audition C.C.2014 > wav 16/44.1; Lineage: wav 16/44.1 >Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick	Source Detail	FLAC
02/12/69	Fillmore East (Late Show)	New York	NY	late show; SBD> MR> C> D> CD> EAC> SHN; edited, shned, vined by J. Cotsman; with thanks to Jeff Cook; Missing Dupree's, Mountains	Source Detail
02/12/69	Fillmore East (Late Show)	New York	NY	SBD> Cassette Master> DAT> CD; More complete version of original Kaplan seed, see info file for details; Seeded to etree by Seth Kaplan	Source Detail
02/14/69	Electric Factory	Philadelphia	PA	SBD> MC> C> C(?)> D> CD> SHN; edited (see notes in info), shned, vined by J. Cotsman; with thanks to Jim Hale	Source Detail
02/15/69	Electric Factory	Philadelphia	PA	MSR (7" @ 7.5 ips 1/2 track) > Tascam 122mkIII 1st gen. cassette > Nak Dragon playback > Sony PCM R-700 DAT > ZA2 > wav (Sound Forge) > CD (CD Architect) > unknown CD gens > EAC (test & copy, secure mode, offset corrected) > sector boundary verification (shntool) > seekable .shn (mkwact). DAT conversion and CD mastering by aoxoa, CD > SHN by D. Winters.	Source Detail
02/15/69	Electric Factory	Philadelphia	PA	SBD MR>C1>DAT; via Teddy Goodbear to abgd	Source Detail	shn
02/15/69	Electric Factory	Philadelphia	PA	flac 1644 This is a remaster of shnid=16664 Recording Info: SBD > Master Reel (7inch 7.5ips Half-track) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamichi Dragon) > DAT (Panasonic SV-3800-48k) DAT (Sony PCM-R700) > Sound Forge > CD > FLAC Mastering Info: FLAC > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC Master Reel > Cassette by Dick Latvala. Cassette > DAT by Rob Eaton DAT > CD by Jim Wise Remastered by Charlie Miller	Source Detail	FLAC
02/21/69	Dream Bowl	Vallejo	CA	Speed corrected SBD >MR> ?> DAT> CDR; via The Owen Brothers Vault; See info file for details	Source Detail
02/21/69	Dream Bowl	Vallejo	CA	flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
02/22/69	Dream Bowl	Vallejo	CA	SBD > MR > R > R > DAT > CDR; EAC> Cool Edit (see info)> SHN (seeking) by Matt Vernon, from Paul B. seed discs; see flaw notes in info file	Source Detail
02/22/69	Dream Bowl	Vallejo	CA	SBD>MR>DAT>CDR; Mastering by The Owen Brothers Vault; see info file for details	Source Detail
02/22/69	Dream Bowl	Vallejo	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC	Source Detail	FLAC
02/27/69	Fillmore West	San Francisco	CA	SBD 16-Track Master Reel > Rough Mix DAT > DATx3 > Digital Sound Card > WAV > SHN > WAV > Cool Edit > CDWAV > SHN; via Aoxoa, R. Keshavan, Seth Kaplan; see info file for notes on patches and edits; d2 tracked for 80 min; note material from this date also appeared on Live Dead- go buy it	Source Detail
02/27/69	Fillmore West	San Francisco	CA	16 track RTR (multiple decks) > MCS Master Mixdown D > SSSB; see notes in info file; to gdlive by Jay Serafin	Source Detail
02/27/69	Fillmore West	San Francisco	CA	flac16; Ampex MM-1000 16 Track Master Two Inch Wide Tape; Multi Track Mix-down To DAT By Dan Healy @ 44.1KHz) circa 1995?; DAT x ONE by Dick Latvala- DAT x TWO via either Dick or Rob Bertrando; Editing (Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); Jim Wise; This is a 100% Flat transfer from the DAT no signal processing what-so-ever	Source Detail	FLAC
02/27/69	Fillmore West	San Francisco	CA	flac16: Source: AUD > Low Gen Reel, kindly provided by Steve Martin. Transfer: Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644	Source Detail	FLAC
02/27/69	Fillmore West	San Francisco	CA	flac16; Patched & Pitch Corrected Audience - (original shnid = 153331) Source: AUD > Low Gen Reel, kindly provided by Steve Martin. Transfer: Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 - pitch correction and patches by Kevin Tobin	Source Detail	FLAC
02/28/69	Fillmore West	San Francisco	CA	16-Track Master Reel> DAT> CD> EAC> SHN, with various patches (see info file); via Charlie Miller, Aoxoa, Seth Kaplan; upload by Darrin Sacks	Source Detail
02/28/69	Fillmore West	San Francisco	CA	flac16/48kHz; Ampex MM-1000 16 Track Master Reels Two Inch Wide Tape @ 15 ips; Multi Track Mix-down To a Sony PCM 1630 By Dan Healy @ 44.1KHz); Set #1 DAT x ONE by Dick Latvala-DAT x TWO; Set #2 DAT x ? by Rob Bertrando-DAT x; Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)-Sample Rate Conversion(r8brain); This is a 100% Flat transfer from the DAT no signal processing what-so-ever. Some pitch correction implemented Jim Wise	Source Detail	FLAC
03/01/69	Fillmore West	San Francisco	CA	SBD> 16-Track Master Reel > DAT > DAT > CD > EAC > SHN > MKW .WAV file conversion > Cool Edit 2000 > MKW .shn file conversion > shntool > MKW .WAV file conversion > CD; via Aoxoa, Rango Keshavan, Seth Kaplan; d2 tracked for 80 min; see various notes in info file, including about patches for banter and tuning	Source Detail
03/01/69	Fillmore West	San Francisco	CA	SBD > DUAL RTR DECKS AT 15 I.P.S. > LESH DIGITAL MIXDOWN IN 1998 > MCS D > SSSB (Jay Serafin remaster)	Source Detail
03/01/69	Fillmore West	San Francisco	CA	Jay Ashley (Bertha) remaster of previous multi-track source; SBD>>MTMR>>DAT>>CDA>>DAW(Bertha)>>CDA	Source Detail
03/01/69	Fillmore West	San Francisco	CA	flac16/48kHz; SBD > 2-track Master Reels > Dat; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48; Joe Noel Edited & Mastered in Audacity: Wave > Flac 16/48; Checksum & tags created in xACT	Source Detail	FLAC
03/01/69	Fillmore West	San Francisco	CA	flac16; Ampex MM-1000 16 Track Master Two Inch Wide Tape- Multi Track Mix-down To DAT By Dan Healy @ 44.1KHz); DAT x ONE by Dick Latvala- DAT x TWO(Mine); Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Jim Wise; This is a 100% Flat transfer from the DAT no signal processing what-so-ever. Some Pitch Correction Implemented	Source Detail	FLAC
03/02/69	Fillmore West	San Francisco	CA	Jay Ashley (Bertha) remaster of previous multi-reel source; SBD>>MTMR>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A Show A	Source Detail
03/02/69	Fillmore West	San Francisco	CA	Multi-track reel master > DAT > CD > EAC > SHN; via Seth Kapln, Darrin Sacks; see info file for relation to previous seeds	Source Detail
03/02/69	Fillmore West	San Francisco	CA	flac16; Ampex MM-1000 16 Track Master Two Inch Wide Tape-Multi Track Mix-down By Dan Healy @ 44.1KHz); DAT x ONE by Dick Latvala- DAT x TWO; Editing (Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)by Jim Wise; This is a 100% Flat transfer from the DAT no signal processing what-so-ever	Source Detail	FLAC
03/15/69	Hilton Hotel	San Francisco	CA	SBD> ?> boot CD> retrack> SHN; significant hiss, splice in Eleven; via thecore@core.com	Source Detail
03/15/69	Hilton Hotel	San Francisco	CA	MSC> C> D> CD; This tape is sourced from Bear's cassette master; Pitch correction was performed via Cool Edit 2000; WAV's >.shn by Seth Kaplan	Source Detail
03/15/69	Hilton Hotel	San Francisco	CA	flac16; Source: SBD > Bear's cassette > ??? > Sony ESXHiFi/L-750 beta tape; Transfer: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k); Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018	Source Detail	FLAC
03/22/69	Rose Palace	Pasadena	CA	SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Andrew Clarke	Source Detail
03/28/69	Student Center, Modesto Jr. College	Modesto	CA	MSR> C> D> CD; via Frank Bove	Source Detail
03/28/69	Student Center, Modesto Jr. College	Modesto	CA	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
03/28/69	Student Center, Modesto Jr. College	Modesto	CA	flac16; Source: Master Soundboard Cassette Medium Stock Brands: Master Cassette ampex c120 Analog Lineage: SBD >> Unknown Deck >> MSC Analog Sound Preservation: MSC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bear Transfer By: Bob Menke Mastering By: David Minches, Derek McCabe (This source was originally seeded with errors in the tags. Please don't circulate the original fileset.)	Source Detail	FLAC
03/28/69	Student Center, Modesto Jr. College	Modesto	CA	flac16; Recording Info: SBD > low generation analog > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11	Source Detail	FLAC
03/28/69	Student Center, Modesto Jr. College	Modesto	CA	flac16; Recording Info: Bear's Master Soundboard Cassettes > Harvey Lubar's 1st generation Reels > Tim Dalton's PCM (Sony HG beta tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16	Source Detail	FLAC
03/29/69	Ice Palace	Las Vegas	NV	SBD> ?> BOOT CD> CDR; EAC> WAV> SHN by Dan Vinson, seed via Greg Mohr; End of Lovelight is cut on the boot cd; fits on 1x80	Source Detail
03/29/69	Ice Palace	Las Vegas	NV	Fix for Charlie Miller source, patched with 4th-gen cassette.	Source Detail	FLAC
03/29/69	Ice Palace	Las Vegas	NV	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/04/69	Avalon Ballroom	San Francisco	CA	MSR> C> DATs> CDRs> EAC> SHN; EAC/SHN by Darrin Sacks, from Rango Keshavan seed; see info file for setlist/tracklist commentary	Source Detail
04/04/69	Avalon Ballroom	San Francisco	CA	Source: SBD>FM>MR>C1>DAT>CD	Source Detail	shn
04/04/69	Avalon Ballroom	San Francisco	CA	flac1644 SBD > Master Reel > Cassette > DAT > CD > FLAC Mastering Info: FLAC > Samplitude Pro X6 Suite > FLAC/16	Source Detail	FLAC
04/05/69	Avalon Ballroom	San Francisco	CA	SBD > REEL > REEL > DAT > SP/DIF > HD > SHN; via S. Leonard; see pub comments for flaw notes	Source Detail
04/05/69	Avalon Ballroom	San Francisco	CA	Recording Info: SBD -> Rm (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat -> Sonic Solutions -> CD -> EAC -> Samplitude -> SHN Conversion By Charlie Miller	Source Detail
04/05/69	Avalon Ballroom	San Francisco	CA	flac16; Source: Soundboard > Reel Master > Dat (48k)	Source Detail	FLAC
04/06/69	Avalon Ballroom	San Francisco	CA	SBD>FM>MR>C>D>CD; via Joe Jupille; Seeded to etree by J. Cotsman	Source Detail
04/06/69	Avalon Ballroom	San Francisco	CA	SBD : FM > MR > C1 > DAT > CD; via Keith Hunter; seeded to etree by Alan J. Fink	Source Detail	SHN
04/06/69	Avalon Ballroom	San Francisco	CA	flac16; Unknown analog recording > PCM Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums with TLH-> tagged with Mp3tag; Editing and Mastering by Jamie Waddell in Wavelab 7.1; 16bit 44.1kHz Track, FLAC and Pack by John Wenzel	Source Detail	FLAC
04/06/69	Avalon Ballroom	San Francisco	CA	flac16/48kHz; Recording Info: SBD > Master Reel > Cassette (Tascam 122mkIII) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k	Source Detail	FLAC
04/11/69	University Auditorium, U. of Az.	Tucson	AZ	SBD>MC>C>D>CD>EAC>SHN pitch corrected and normalized by J. Cotsman	Source Detail
04/11/69	University Auditorium, U. of Az.	Tucson	AZ	Master Soundboard Cassette > cass > dat > cd; via Steve Barbella; With thanks and praise to Peter Braverman	Source Detail	SHN
04/11/69	University Auditorium, U. of Az.	Tucson	AZ	flac16/44 Recording Info- Bear's SBD cassette > DAT -transferred by Dick Latvala for KXCI's Dead Air program - originally broadcast on Sept 27, 1997 Fresh 2021 DAT transfer by Jim Blackwood - Sony R500 > Tascam DA-3000 Mastered by Jim Blackwood + Jamie Waddell. Pitch correction by Jason Chastain	Source Detail	FLAC
04/12/69	Student Union Ballroom, University of Utah	Salt Lake City	UT	SBD>MC>C>D>CD>EAC>SHN; pitch corrected & normalized; edits/encoding by JCotsman	Source Detail
04/13/69	Ballroom, U. of Co.	Boulder	CO	SBD> MR> C> D> CD> EAC> SHN; edited, shned, vined by J. Cotsman; with thanks to Dan Zymanski; see flaw notes in info file	Source Detail
04/13/69	Ballroom, U. of Co.	Boulder	CO	flac16; SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/15/69	The Music Box	Omaha	NE	SBD> Bear's MC> ?> CD> EAC> SHN; partial, all that circulates; vined by J. Cotsman	Source Detail
04/15/69	The Music Box	Omaha	NE	flac16; Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Alesis Masterlink 9600 -> Hard Drive -> CD. Recorded by Leon Komar; Remastered by Charlie Miller	Source Detail
04/15/69	The Music Box	Omaha	NE	flac16; Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Alesis Masterlink 9600 -> Hard Drive -> CD patched with SBD>Cm>Cass>Dat>CD. Remastered by Charlie Miller	Source Detail
04/15/69	The Music Box	Omaha	NE	flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD); Mixed by dan am-dig; see info file for details	Source Detail	FLAC
04/15/69	The Music Box	Omaha	NE	flac16; Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Alesis Masterlink 9600 -> Hard Drive -> CD; Flaw in d2t05 fixed on November 15, 2005 Remastered by Charlie Miller	Source Detail	FLAC
04/15/69	The Music Box	Omaha	NE	Unedited version without processing or SBD patching as recorded by the taper. AUDMR->Alesis Masterlink 9600->HD->CD; tracking and editing in SoundEdit 16 for Macintosh platform by Bob Bihlmayer (howlin_bob@hotmail.com) 11/5-6/2005: CD->EAC->SoundEdit 16->FLAC Taper: Leon Komar Equipment: portable Aiwa 5" reel-to-reel, stock Aiwa hand-held microphone; "Automatic Volume Control" (compressor/limiter?) switch ON. Tape: Audiotape, Formula 10, 1/2 mil "T" Mylar, 3 3/4 ips, 2-track mono. Real-time transfer, no edits; EQ flat; no boosts/filters applied. source discs and equipment information provided by Iver McLeod. Seeded to etree 11/24/2005 by Seth Kaplan	Source Detail	FLAC
04/17/69	Washington University	St. Louis	MO	Recording Info: SBD > Cassette Master (Ampex C-90) Transfer Info: Cassette Master > DAT (44.1k) > FLAC Mastering Info: FLAC > Samplitude Pro X6 Suite > FLAC/16 Recorded by Bear, Cassette Transfer by Dick Latvala, DAT Transfer by Rob Eaton, Mastered by Charlie Miller	Source Detail	FLAC
04/18/69	Memorial Union Ballroom, Purdue U.	Lafayette	IN	SBD>MC>C>DAT>CD; Tony Gardner EAC of previous source;	Source Detail
04/18/69	Memorial Union Ballroom, Purdue U.	Lafayette	IN	flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/20/69	Clark University	Worcester	MA	complete; Cassette Master (Ampex C-90, no Dolby)> DAT(M)@ 44.1K via Panasonic SV3700> DAT(1)> DAT(2)> WAV via Sony SDT9000 DDS drive using VDAT0.6f> Soundforge 4.0 (see edits in info file); Source DAT from Rob Eaton, DAT> SHN by Jamie Lutch	Source Detail
04/21/69	The Ark	Boston	MA	Updated possible gen: MSR> DAT > CDR (had been marked MSR > Cassette > DAT > CDR); intro from alternate SBD; d1t6, d3t2 have cuts from reel; 1/20/68 filler; via Scott Clugston, Lee Revell	Source Detail
04/21/69	The Ark	Boston	MA	Bertha Remaster of the Master Reel source; SBD>>MR>>DAT>>CDA>>DAW(Bertha)>>CDA/SHN	Source Detail
04/21/69	The Ark	Boston	MA	flac16; SBD -> Master Reel -> Dat -> CD All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/21/69	The Ark	Boston	MA	flac16; Remastered version of the SBD -> Master Reel -> Dat -> CD -> Samplitude Professional v9.12 -> FLAC source by TomP; see Info File for details	Source Detail	FLAC
04/21/69	The Ark	Boston	MA	flac16; Soundboard => Unknown Deck >> MSC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > ? > flac/16	Source Detail	FLAC
04/22/69	The Ark	Boston	MA	Updated possible gen: SMC>R>D (had been marked MSR > Cassette > DAT x2 > CDR); d1t1,8 have cuts from master;? via Scott Clugston, Lee Revell	Source Detail
04/22/69	The Ark	Boston	MA	flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/23/69	The Ark	Boston	MA	MSR> Cassette> DATs> CDRs> EAC >SHN; via Jim Wise, Rob Bertrando, Darrin Sacks; note this reportedly may be an upgrade compared to previously etreed version; same cuts and splices as in previous version; note d1 tracked for 80 min	Source Detail
04/23/69	The Ark	Boston	MA	MSR>C>D>CD; fix of shnid=70, by Sean Cribbs	Source Detail
04/23/69	The Ark	Boston	MA	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/23/69	The Ark	Boston	MA	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade of 98892	Source Detail	FLAC
04/23/69	The Ark	Boston	MA	flac16; SBD -> Master Reel -> Cassette -> Dat -> CD -> Samplitude Professional v9.12 -> FLAC (source ID 88501) patched, fixed, and re-mastered by Monte Barry	Source Detail	FLAC
04/23/69	The Ark	Boston	MA	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation	Source Detail	FLAC
04/23/69	The Ark	Boston	MA	flac16; Source: processed and edited in Samplitude v7.22 transferred by Monte Barry; New Source is speed corrected, dehissed, and repatched version of source ID 98820	Source Detail	FLAC
04/25/69	Electric Theater	Chicago	IL	Source: mR> D> Sonic Solutions> CDR	Source Detail
04/25/69	Electric Theater	Chicago	IL	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
04/26/69	Electric Theater	Chicago	IL	flac16; Source: Soundboard Cassette x 1 > DAT Encore Source: 7 inch Master Reels @ 7.5ips 1/2trk > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab Mastering: In WaveLab with Nomad Factory Plugins > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 20, 2008, Green Mountain Bros.	Source Detail	FLAC
04/26/69	Electric Theater	Chicago	IL	Soundboard complete show, MCas > Cas > DAT >circulation. Minor tracking differences with first etree shn source but that version is rare if it exists at all.	Source Detail
04/26/69	Electric Theater	Chicago	IL	updated source: cassette master> 1 cassette generation> DAT> CDR (see pub comment); via Ben Yerys; (not T. Wulf's "de-noised" version?)	Source Detail
04/26/69	Electric Theater	Chicago	IL	flac16; Source: Soundboard Cassette x 1 > DAT Encore Source: 7 inch Master Reels @ 7.5ips 1/2trk > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab Mastering: In WaveLab with Nomad Factory Plugins > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 20, 2008, Green Mountain Bros.	Source Detail
04/26/69	Electric Theater	Chicago	IL	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
04/27/69	Labor Temple	Minneapolis	MN	SBD> MR> D> CD> SHN; EAC/shn encoding/minor Sound Forge edits by J. Cotsman, with thanks to Jeff Krakowka	Source Detail
05/03/69	Winterland Arena	San Francisco	CA	all that circulates; Reel> PCM> Dat> Tascam DA20> Audio Magic Presto> Prodif Plus> Soundforge> cdwav> shn; fits on 1 .shn disc with 5/23/69; via Phunk1; reel splice at beginning of Rag; disc may not have accompanying  .md5s; md5s shown here were created by A. Fox- note you may have to modify filenames to match	Source Detail
05/03/69	Winterland Arena	San Francisco	CA	flac16; Recording Info:SBD -> Master Reel -> ? -> Cassette -> Apogee Ensemble -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/03/69	Winterland Arena	San Francisco	CA	flac16; SBD/PA Reel: TASCAM 22-2 modified for flat transfer. Reel-> Tascam 22-2 -> Tascam MKII DR-07 (24-bit, 96kHz) - DC8Forensics for editing and modification	Source Detail	FLAC
05/03/69	Winterland Arena	San Francisco	CA	flac16; Recording Info: (Stage) Sony Stereo Mic > Master Reel > PCM; Transfer Info: PCM (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramtch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/07/69	Polo Field, Golden Gate Park	San Francisco	CA	SBD > MR > C > DAT > CD; via Ernie to abgd; note besides d1 seeking shns, Ernie posted wavs for d2 (wav, rar md5s shown); subsequent d2 shn (v3 seek appended, with md5s shown) by DES	Source Detail
05/07/69	Polo Field, Golden Gate Park	San Francisco	CA	retracking and edit of previous shn set, by J. Cotsman: SBD> MR> C> D> CD> EAC> SHN; with 3/26/68 filler; via J. Cotsman to vine	Source Detail
05/10/69	Rose Palace	Pasadena	CA	mC> C> DAT> Sonic Solutions> CDR; via Ben Yerys; stemming from Tzuriel Kastel tree; d1 contains misc pre-filler	Source Detail
05/10/69	Rose Palace	Pasadena	CA	flac16; Cassette Master (Recorded By Bear on a Concord F-400 Cassette Deck) - Cassette (Ampex C-90) Playback Tascam 122 MK111 Cassette Deck No Dolby - Panasonic SV-3700 DAT @ 44.1KHz (DL)	Source Detail	FLAC
05/11/69	Aztec Bowl, San Diego State U.	San Diego	CA	FM SBD> ?> CDR; edited, shned, vined by J. Cotsman; with thanks to Paul Hartman; see notes in info file	Source Detail
05/11/69	Aztec Bowl, San Diego State U.	San Diego	CA	flac1648 Recoring Info: FM (KPRI) > Cassette Master > ? > DAT (48k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 2022 > Samplitude Pro X6 Suite > FLAC/48k	Source Detail	FLAC
05/16/69	Campolindo High School	Moraga	CA	Master Soundboard Cassette > Cassette > DAT (speed corrected) > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston	Source Detail
05/16/69	Campolindo High School	Moraga	CA	SBD> MC> C> D> CD> EAC> SHN; edited, shned, vined by J. Cotsman (see info file); with thanks to Paul Hartman	Source Detail	shn
05/23/69	Seminole Indian Village	Hollywood	FL	partial Dew>>11//; Reel> PCM> DAT; conversion:Tascam DA-20> Audio Magic Presto> Prodif Plus> Soundforge> cdwav> shn; fits on 1 .shn disc with 5/3/69; via Phunk1; disc may not have accompanying .md5s; md5s shown here were created by A. Fox- note you may have to modify filenames to match	Source Detail
05/23/69	Seminole Indian Village	Hollywood	FL	complete show from compilation of reel master and what is believed to be the cassette master; Source 1: SBD> MR> PCM> D> CD> EAC> SHN ; Source 2: SBD> MC> R> C> D> CD> EAC> SHN (?); See info file for details; via Jim Hale; Seeded to etree by Seth Kaplan & JCotsman	Source Detail
05/23/69	Seminole Indian Village	Hollywood	FL	flac16; Source: Soundboard Master Reels > PCM > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz] Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky January 1, 2009, Green Mountain Bros.	Source Detail
05/23/69	Seminole Indian Village	Hollywood	FL	flac16; Recording Info: Master Soundboard Reels > 1st generation reels > 2nd generation reels > PCM (Sony HG beta tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16	Source Detail	FLAC
05/24/69	Seminole Indian Village	Hollywood	FL	SB>MR>??> CD; See info file for editing notes; Unknown seeder	Source Detail
05/24/69	Seminole Indian Village	Hollywood	FL	Cass>DAT> DAT> SONIC SOLUTIONS> CD> CD> EAC[secure] >SHN from 2003 KPFA Dead Marathon	Source Detail
05/29/69	Robertson Gym, U.C.S.B.	Santa Barbara	CA	Source: reported to be SBD>MR>PCM>DAT>CD(>EAC>WAV>SHN)	Source Detail
05/30/69	Springer's Inn	Portland	OR	flac16; SBD -> Cassette Master (Ampex C-90) -> Dat (48k) All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/31/69	McArthur Court, University of Oregon	Eugene	OR	SBD> ?> CDR> EAC> SHN; via J. Oleynick, M. Ferguson; encore shuffled to fit on 2 discs, but songs can be moved to proper order for 3 discs; see info file for flaw notes	Source Detail
06/05/69	Fillmore West	San Francisco	CA	complete; MSC> LATVALA C> DAT> CD> EAC> SHN; with Cryptical patch; EAC>SHN by Steve Barbella; d1 tracked for 80 min	Source Detail
06/05/69	Fillmore West	San Francisco	CA	SBD>MC>C>D>CD>EAC>SHN; pitch corrected; patch in Cryptical Reprise from alt sbd; edits/encoding by JCotsman	Source Detail
06/05/69	Fillmore West	San Francisco	CA	flac16/48kHz; Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Samplitude Professional 11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/05/69	Fillmore West	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Samplitude Professional 11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/06/69	Fillmore West	San Francisco	CA	partial; SBD> MC> C> D> CD; static in Lovelight; via thecore@core.com	Source Detail
06/06/69	Fillmore West	San Francisco	CA	SBD>MC>C>D>CD; via Joe Jupille; Seeded to etree by J. Cotsman	Source Detail
06/07/69	Fillmore West	San Francisco	CA	MR > DAT > CD > EAC > Cool Edit 96 (Resampled to correct pitch) > SHN > CD > SHN; via A.J. Fink; Seeded to etree by Seth Kaplan	Source Detail
06/07/69	Fillmore West	San Francisco	CA	flac16; Composite from 3 different source reels; Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)-Processing (izotope oZone 6) by Jim Wise	Source Detail	FLAC
06/08/69	Fillmore West	San Francisco	CA	SBD> MR or MC> C> D> CD> SHN, possible; see info file for flaw notes; via thecore@core.com	Source Detail
06/08/69	Fillmore West	San Francisco	CA	set 1: SBD> MR> C> D> CD> EAC> SHN; set 2: SBD> MC> C> D> CD> EAC> SHN, pitch corrected via J. Cotsman	Source Detail	shn
06/11/69	California Hall	San Francisco	CA	flac16/44.1khz Lineage: Master Audience Reel @ 3.75 ips>Reel>A>Reel>A>A>A Transfer: Maxell XLII > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644	Source Detail	FLAC
06/13/69	Fresno Convention Center	Fresno	CA	Master Soundboard Cassette > Cass > DAT > ZA2 > SF > CD; via Steve Barbella	Source Detail
06/14/69	Monterey Performing Arts Center	Monterey	CA	SBD: MCass> Cass> DAT> ZA2> SF> CD; normalized and pitch-shifted; seeded by Jeff Tiedrich, transfer and mastering by David Hollister, SHN by Jim Skinner	Source Detail
06/14/69	Monterey Performing Arts Center	Monterey	CA	flac16/48kHz; Source: SBD > Bear’s master cassette (Ampex C90) > Dick’s cassette (TDK-SA-X100) > DAT 16bit/48kHz; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > WAV 16/48; Transfer by Charlie Miller; Edited & Mastered by Joe Noel	Source Detail	FLAC
06/20/69	Aoxomoxoa original mix	San Mateo	CA	This is the original mix of Aoxomoxoa, which was released commercially between June 1969 and late 1971. In September, 1971, Jerry Garcia did a major remix of the entire album, eliminating a considerable amount of the backing material and trimming the beginning and end of a few songs. The LPs, cassettes, and CDs available commercially since that time contain the remix. There appear to be no plans to commercially release this original mix, so it is being made available to the broader community.	Source Detail	SHN
06/21/69	Fillmore East (Late)	New York	NY	late show; BDMC(Bear's) > Dick's C > DAT > CDR; via Frank Bove, stemming from MerryPrankster tree; note d2t2 is labeled as "fixed"	Source Detail
06/21/69	Fillmore East (Late)	New York	NY	early show; AUD> MR> C> R> R> R> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Jeff Cook	Source Detail
06/21/69	Fillmore East (Late)	New York	NY	early and late; Early Show: AUD> MR> C> R> R> R> D> CD> EAC> SHN; Late Show: SBD> MC> C> D> CD> EAC> SHN; via Jeff Cook, encoded by Jeff Cotsman	Source Detail
06/22/69	Central Park	New York	NY	AUD low gen (complete show), plus alternate SBD MC> C> D> CD (only 20 minutes circulate); via Hanno Bunjes (see notes in info file); with thanks to Julian and Uli	Source Detail
06/22/69	Central Park	New York	NY	flac1644 Recording Info: SBD > Cassette Master > Cassette > Dat (48k) > SHN > wav Lineage: wav > Izotope RX10 Advanced > Audacity > WAV > TLH > Flac 16 Mastered by Daniel	Source Detail	FLAC
06/27/69	Veterans Auditorium	Santa Rosa	CA	SBD: MR>?>Cas>CDR;Slightly modified version of David Finney's prior seed; seeded by cpelz@alaska.net; To abgd via eric	Source Detail
06/27/69	Veterans Auditorium	Santa Rosa	CA	SBD> MR> Cassette> DAT> DAT; DAT> ZA2> Soundforge> wav> mkw> SHN; DAT seed provided by Michael P. Weitzman; Transfer and SHN by Joe Samaritano	Source Detail	SHN
06/27/69	Veterans Auditorium	Santa Rosa	CA	SBD Reel > ? > cassette (Latvala) > CDR, transfer by David Finney; see info file for flaw notes	Source Detail	shn
06/27/69	Veterans Auditorium	Santa Rosa	CA	flac16; Recording info: SBD master reel > DAT > AIFF via Anon; Mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
06/28/69	Veterans Auditorium	Santa Rosa	CA	complete; sbd> mr> cass> dat> cd; Conversion: Kenwood TrueX> EAC> shn V3 (seekable); Seed: Brian Cole	Source Detail
06/28/69	Veterans Auditorium	Santa Rosa	CA	SBD> MR> Cassette> DAT> DAT; DAT> ZA2> Soundforge> wav> mkw> SHN; DAT seed provided by Michael P. Weitzman; Transfer and SHN by Joe Samaritano	Source Detail	SHN
06/28/69	Veterans Auditorium	Santa Rosa	CA	flac16; Recording info: SBD master reel > DAT > AIFF via Anon; Mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
06/??/69	Home Recordings	San Francisco	CA	misc "Home recordings"; AUD> cheap mic> portable recorder; via Tzuriel to abgd	Source Detail
07/03/69	Reed's Ranch	Colorado Springs	CO	flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/03/69	Reed's Ranch	Colorado Springs	CO	flac16; Recording Info: SBD -> Cassette Master -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Pro X Suite -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/03/69	Reed's Ranch	Colorado Springs	CO	flac16; Recording Info: SBD -> Cassette Master -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; (note: this source contains a significant amount of lossy material)	Source Detail	FLAC
07/04/69	Electric Theater	Chicago	IL	SBD> MC> D>CD> Soundforge pitch correction> SHN; see info file for flaw notes; via thecore@core.com	Source Detail
07/04/69	Electric Theater	Chicago	IL	sbd > mc > d >cd > shn > wav > shn; SHN by SirMick	Source Detail	SHN
07/05/69	Electric Theater	Chicago	IL	SBD>MC>D>CD; see listening notes in info file; via thecore@core.com	Source Detail
07/07/69	Piedmont Park	Atlanta	GA	Master Soundboard Cassette > Cassette > DAT > CDR; EAc'ed / SHN'ed by Scott Clugston	Source Detail
07/07/69	Piedmont Park	Atlanta	GA	flac16; Recording Info: SBD -> Cassette Master (Ampex C-90) -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/11/69	NY State Pavilion, Flushing Meadows Park	Queens	NY	SBD MC>C>D>CD + patch (Alligator > Drums) from AUD master > low-gen reel > cassette > CD, by Hanno Bunjes; to BUDD offer; Hanno's notes	Source Detail
07/11/69	NY State Pavilion, Flushing Meadows Park	Queens	NY	flac16; Recording Info: SBD Master Cassette > DAT (Panasonic 3700) > Transfer Info: Delta DiO 2496 sound card > HD > CD-R > Mastering Info: CD WAV > Cool Edit > xACT 2.25 FLAC 8; Mastering by Seth Kaplan March 02, 2014	Source Detail	FLAC
07/11/69	NY State Pavilion, Flushing Meadows Park	Queens	NY	flac1644; Source: Unknown mono AUD from collection of Rich Petrunis. Transfer: TDK Audua-90's (normal bias) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2021	Source Detail	FLAC
07/12/69	NY State Pavilion, Flushing Meadows Park	Queens	NY	d1: low-gen AUD; d2: SBD MC> C> D> CD; via Hanno Bunjes to BUDD offer; Hanno's notes	Source Detail
07/12/69	NY State Pavilion, Flushing Meadows Park	Queens	NY	flac16; Partial SBD Recording Info: Pat Lee from Dick Latvala 1985; Technics 1506> Yamaha K2000 MSC > R > C > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith	Source Detail	FLAC
07/12/69	NY State Pavilion, Flushing Meadows Park	Queens	NY	flac16; Source: Soundboard > Cassette Master > DAT (44k)	Source Detail	FLAC
07/12/69	NY State Pavilion, Flushing Meadows Park	Queens	NY	flac1644; Source: Unknown mono AUD from collection of Rich Petrunis. Transfer: TDK Audua-90's (normal bias) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2021	Source Detail	FLAC
08/02/69	Family Dog at the Great Highway	San Francisco	CA	flac16; SBD -> Cassette Master -> Dat Transferred and Edited By Charlie Miller	Source Detail
08/03/69	Family Dog at the Great Highway	San Francisco	CA	flac16; Recording Info: SBD -> Cassette Master -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC Transferred and Edited By Charlie Miller	Source Detail
08/03/69	Family Dog at the Great Highway	San Francisco	CA	flac24; Recording Info: SBD > Reel Master (10" 1/2 track 15ips); Transfer Info: Reel Master (Studer A80) > Sonoma Systems DSD > Dobly Stretched Decode > WAV (24-bit/96k); Mastering Info: WAV > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Reel Transfer by Rob Eaton; Mastered By Charlie Miller	Source Detail	FLAC
08/16/69	Max Yasgur's Farm	Bethel	NY	SBD?; via David Finney; note needs to be split into 2 discs- see pub comment	Source Detail
08/16/69	Max Yasgur's Farm	Bethel	NY	SBD>MR>D>CD>EAC>SHN; 8trk Master Reels @ 15ips; Thanks to David Litfin; edits/encoding by JCotsman	Source Detail
08/16/69	Max Yasgur's Farm	Bethel	NY	flac16; Source: 8 Track Master Reels @ 15ips > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with L3 Waves Multimaximizer . Rate Conversion with r8brain to [16bit/44.1 khz] > TLH > Flac Transfer and mastering by Bill Koucky, (Fixed version now circulates)	Source Detail
08/16/69	Max Yasgur's Farm	Bethel	NY	flac16; Source: sbd > 8 Track Master Reels @ 15ips (mixed by Mark Linette via Joe Gastwirt) > Dat (44k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 - Transfered by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick November 2017	Source Detail	FLAC
08/21/69	Aqua Theater	Seattle	WA	partial; Soundboard -> Bear's Cassette master -> Cassette -> DAT -> CD; CD>EAC>SHN by Glenn Tremblay; via Frank Bove; cuts into China Cat	Source Detail
08/21/69	Aqua Theater	Seattle	WA	SBD>MC>C>D>CD>EAC>SHN; complete show; edits/encoding by JCotsman	Source Detail
08/23/69	Pelletier Farm	St. Helens	OR	sdb> Master Cassette> Cassette> Dat> CD; via Mike Lai with thanks to Wayne Gucwa; d2 tracked for 80 min	Source Detail
08/23/69	Pelletier Farm	St. Helens	OR	flac1644 Goody's Speed/Pitch-adjusted Remaster	Source Detail	FLAC
08/28/69	Family Dog at the Great Highway	San Francisco	CA	SBD > CM > Cass > DAT > CDR > WAV; via EAC/Trade from Morgan Evans > CDR > EAC > CDWAV > seekable SHN; via Rick Lepley	Source Detail
08/29/69	Family Dog at the Great Highway	San Francisco	CA	Sdb> ?> Dat> CD; via Mike Lai with thanks to Wayne Gucwa; tracked for 1x80	Source Detail
08/29/69	Family Dog at the Great Highway	San Francisco	CA	SBD> MR> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Jeff Cook	Source Detail	SHN
08/29/69	Family Dog at the Great Highway	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a fixed version of shnid=123075 (Easy Wind fixed)	Source Detail	FLAC
08/30/69	Family Dog at the Great Highway	San Francisco	CA	Master Soundboard Reel > Cass > DAT > CD; via Seth Kaplan; Seeded to etree by Steve Barbella	Source Detail
08/30/69	Family Dog at the Great Highway	San Francisco	CA	flac16; Source: AUD > 4th Gen Cassette, kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. September 2012	Source Detail	FLAC
08/30/69	Family Dog at the Great Highway	San Francisco	CA	flac16: Source: AUD > 2nd Gen Ampex Reel, kindly provided by Steve Martin. Transfer: Ampex Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644	Source Detail	FLAC
08/30/69	Family Dog at the Great Highway	San Francisco	CA	flac16; Patched & Pitch Corrected Audience - (original shnid = 153150) Source: AUD > 2nd Gen Ampex Reel, kindly provided by Steve Martin. Transfer: Ampex Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 - pitch correction and patches by Kevin Tobin	Source Detail	FLAC
09/01/69	Baton Rouge International Speedway	Prairieville	LA	SBD> Cm> Dat> CD; EAC> SHN by Seth Kaplan; Tape warble on a few spots in Morning Dew. Lovelight cuts @ 9:06	Source Detail
09/01/69	Baton Rouge International Speedway	Prairieville	LA	Source: MSC (Ampex C-90 cassette) > DAT > CD-R via Andy Lemieux and Kingbee encoded by Matt Vernon	Source Detail
09/01/69	Baton Rouge International Speedway	Prairieville	LA	SBD>MC>DAT>CDR>EAC>SHN; via Tony Gardner, Steve Goodrich; first bar of Casey is clipped	Source Detail	SHN
09/01/69	Baton Rouge International Speedway	Prairieville	LA	flac1644 Source 1 (unedited): cassette master > ? > CD's received in trade. Source 2 (edited): MSC (Ampex C-90 cassette) > DAT > CD-R (via Andy Lemieux and Kingbee). Remastering notes: (grner1): Pro Tools (normalization and seamless fixes - no EQ or noise reduction) > Wav files > (goody): Audition (pitch-adjustments of various amounts; Lovelight splice and retracking) > TLH (FLAC Level 8; Align sector boundaries; .ffp) > foobar2000 (tags)	Source Detail	FLAC
09/06/69	Family Dog at the Great Highway	San Francisco	CA	Ampex C-90 Master Cassette Soundboard (No Dolby)->DAT->CD; CD->EAC->SHN By Joe Samaritano. Includes Airplane Set.	Source Detail
09/06/69	Family Dog at the Great Highway	San Francisco	CA	sdb> reel master> cassette> dat> cdr; via Mike Lai	Source Detail	SHN
09/07/69	Family Dog at the Great Highway	San Francisco	CA	SBD, Deadhead Hour pre-FM (some lineage details in info file); via David Finney	Source Detail
09/11/69	The Family Dog at the Great Highway (?)	San Francisco	CA	Partial, one song; See info file for details; AUD>?>CD; via Dave Litfin; Seeded to etree by JCotsman	Source Detail
09/26/69	Fillmore East	New York	NY	AUD>?>R>CD; show cuts in and fades out; via JJoops & Jack Warner; Seeded to etree by J. Cotsman	Source Detail
09/27/69	Fillmore East (late)	New York	NY	early show; A:?>C>CD; via Jack Warner; Seeded to etree by j jupille	Source Detail
09/27/69	Fillmore East (early)	New York	NY	AUD C/?, early show, upgrade compared to the previous version, from Uli Teute & Hanno Bunjes	Source Detail	FLAC
09/29/69	Cafe au Go-Go	New York	NY	early show; AUD> ?> Reel> Cass (Maxell UD w/dolby B, playback on Sony TCK-909ES) > DAT (SV-3700 w/Oade +15dB input gain mod) > ZA2 > DiamondCut Noise Reduction > CD; upload by R. Nayfield, stemming from tree run by J. Miller, seeded by D. Hollister; covers	Source Detail
09/30/69	Cafe au Go-Go	New York	NY	early show; AUD> ? > Cass X 2 > XLR into SV-3700 > ZA2 > SoundForge Noise Reduction > CD; upload by R. Nayfield, stemming from tree run by J. Miller, seeded by D. Hollister; covers	Source Detail
10/24/69	Winterland Arena	San Francisco	CA	Low generation audience > CD via Jools	Source Detail
10/24/69	Winterland Arena	San Francisco	CA	flac16; Source: AUD > ? > Cassette, kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. September 2012	Source Detail	FLAC
10/25/69	Winterland Arena	San Francisco	CA	SBD> MR> DAT> Sonic Solutions> CDR; reel flip after William Tell , edited by David Gans; via R. Jagla	Source Detail
10/25/69	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X4 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
10/26/69	Winterland Arena	San Francisco	CA	SBD : MR > C1 > DAT > CD; via Douglas Ferguson; Seeded to etree by Alan Fink	Source Detail
10/31/69	San Jose State University	San Jose	CA	SBD: MC> C1> DAT> CDR; see info file for flaw notes; via Mike Lai	Source Detail
11/01/69	Family Dog at the Great Highway	San Francisco	CA	SBD>MC>C>D>CD>EAC>SHN; edited, shned, vined by J. Cotsman (see info file); vith thanks to Paul Hartman	Source Detail
11/02/69	Family Dog at the Great Highway	San Francisco	CA	mr> c1> dat> turtle bch "Fiji"> SHN; via Teddy GoodBear, Doug Johnson; to abg, later to etree; note track names by title, have spaces and/or special characters; see pub comments for flaw note	Source Detail
11/02/69	Family Dog at the Great Highway	San Francisco	CA	flac16; Recording Info: Disc 1: SBD -> Master Reel -> Cassette -> Dat (44.1k) Disc 2: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC	Source Detail
11/02/69	Family Dog at the Great Highway	San Francisco	CA	flac16; Recording Info: Disc 1: SBD -> Master Reel -> Cassette -> Dat (44.1k) Disc 2: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC	Source Detail
11/02/69	Family Dog at the Great Highway	San Francisco	CA	Fixed version of previous file set. Same source info as 32273, but w/fixed Dark Star.	Source Detail	FLAC
11/07/69	Fillmore Auditorium	San Francisco	CA	SBD> MR> C> D> CD> EAC> SHN; edited, shned, vined by J. Cotsman; vith thanks to Paul Hartman; see listening notes in info file	Source Detail
11/07/69	Fillmore Auditorium	San Francisco	CA	Stated lineage: MR > DAT > CD > EAC > CDWAV > Cool Edit Pro Noise Filter > SHN > CDR; (Except for * which is MR > DAT > CD) (Deadlists lists a probable cassette generation); via Seth Kaplan	Source Detail
11/07/69	Fillmore Auditorium	San Francisco	CA	Stated lineage: MR > DAT > CD > EAC > CDWAV > Cool Edit Pro Noise Filter > SHN > CDR (Except for * which is MR > DAT > CD) (Deadlists lists a probable cassette generation) sbe fixed 2004-01-18 with shntool same as /shninfo_detail.php?shnid=19783 with sbe fixed.	Source Detail	shn
11/07/69	Fillmore Auditorium	San Francisco	CA	flac16;Recording Info:SBD -> Master Reel -> Dat; Transfer Info:Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/08/69	Fillmore Auditorium	San Francisco	CA	MR (Dick Latvala) > DAT > SoundForge (Jim Wise) > CD; extensively cleaned up (see info file); via Primal Dead Latvala Tribute Tree; d2t8 apparently bonus track of tuning (with slide whistle) from 11/7/69; note not the entire show, just the "Picks"; flaws not on master, first copy (a): d1t04 Dropout @ 11:01; d1t06 Dropout @ 00:27; d1t07 Dropout @ 00:09, another bump 1:37; d2t02 Dropout/Slight Hesitation @ 05:34 (sounds similar to a track ID error); flawed source went to abgd as well as etree; flawless source (b) obtained by M. Parrillo, up by 11/30 though not at all sites; caution- new version had some track name/ordering mixups; note a third source (c) may be up too, no dropouts; note this show is now released as Dick's Picks 16- go buy it	Source Detail
11/08/69	Fillmore Auditorium	San Francisco	CA	flac16; AKG190E> Uher 400L, Recorded by Marty Weinberg; Audience master reel > (possibly one extra reel gen?) > modified Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > CD > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding; EAC > FLAC by Jack Warner	Source Detail
11/15/69	Lanai Theater	Crockett	CA	SBD cassette master > PCM > CDR > iMac > SHN; shntool-fixed version of previous shn set via Nathan Scott, fixed separately by disc; alternate fix (as whole set) also circulates with slight difference	Source Detail
11/21/69	Cal Expo, Building A	Sacramento	CA	mixed source: SBD> MR> (C in set 1, not set 2)> D> CD> EAC> SHN; vined by J. Cotsman	Source Detail
11/21/69	Cal Expo, Building A	Sacramento	CA	flac16; Set 2 only; Source: Soundboard Master Reels > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 28, 2008, Green Mountain Bros.	Source Detail
12/04/69	Fillmore West	San Francisco	CA	SBD>MC>?>CD; via Joe Jupille; Seeded to etree by J. Cotsman	Source Detail
12/04/69	Fillmore West	San Francisco	CA	Owlsley's Cassette (SBD: MC>DAT>DAT>CD>EAC>DC5>CD) ; Owen Brother Vault. The Wizard 05/08/04	Source Detail
12/05/69	Fillmore West	San Francisco	CA	Harry Ely Sony F995 > Sony TC-124 > Master Cassette > PCM > DAT > CD; Seeded to etree by Seth Kaplan	Source Detail
12/05/69	Fillmore West	San Francisco	CA	flac16/48kHz; Source: Sony F995 > Sony TC-124 > Cassette Master > DAT (48k) - Recorded by Harry Ely and provided by Tim Dalton; Tansfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac1648; edited and mastered SIRMick April 2018	Source Detail	FLAC
12/07/69	Fillmore West	San Francisco	CA	SBD> MC> DAT> CDR> EAC> DCart Millennium> CDR; CD's From Julian Elliott; CD Editing and mastering by The Wizard - Owenbrothersvault; see editing notes in info file	Source Detail
12/10/69	Thelma Theater	Los Angeles	CA	(set 1: SBD> MR), (set 2: AUD> MR> R) > D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Andrew Clarke & Jack Warner	Source Detail
12/10/69	Thelma Theater	Los Angeles	CA	MSR > D > CD, plus MSR > ? > D > CD; via Deadlists Poject, circulated with 12/11,12/69- see notes and credits in info file	Source Detail
12/11/69	Thelma Theater	Los Angeles	CA	MSR > R > PCM > CD, plus MSR > ? > Beta PCM > D > CD, plus MSR > R > C > D > CD; via Deadlists Poject, circulated with 12/10,12/69- see notes and credits in info file	Source Detail
12/11/69	Thelma Theater	Los Angeles	CA	mixed AUD/SBD (see notes); edits (see notes), encoding, vined by J. Cotsman; with thanks to Paul B. & Jack Warner	Source Detail
12/11/69	Thelma Theater	Los Angeles	CA	flac16; MOTB Release: 0063 16/44.1 Analog Audience Source: FOB Master Cassette (MAC) Medium Stock Brands: MAC = Maxell C-90 Analog Lineage: 1 x Sony Microphone => Sony Portable Cassette Recorder [Monophonic] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rion Brady Transfer By: Aadm Egert Mastering By: Derek McCabe	Source Detail	FLAC
12/11/69	Thelma Theater	Los Angeles	CA	flac16; MOTB Release: 0064 16/44.1 Stereo Source, Analog Audience Source: FOB Master Cassette (MAC) Medium Stock Brands: MAC = Maxell C-90 Analog Lineage: 1 x Sony Microphone => Sony Portable Cassette Recorder [Monophonic] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rion Brady Transfer By: Adam Egert Mastering By: Derek McCabe This is a synthesized stereo version of original monaural source	Source Detail	FLAC
12/11/69	Thelma Theater	Los Angeles	CA	flac16; Partial Set 1 source: aud>mac>wav>flac; fob recording by Rion Brady	Source Detail	FLAC
12/12/69	Thelma Theater	Los Angeles	CA	Master Soundboard Reel > Reel to Reel > DAT > CDR; EAC>SHN by Scott Clugston	Source Detail
12/12/69	Thelma Theater	Los Angeles	CA	MSR > R > D > CD, plus MSR > R > C > D; via Deadlists Poject, circulated with 12/10,11/69- see notes and credits in info file	Source Detail
12/12/69	Thelma Theater	Los Angeles	CA	MSR > R > D > CD, plus MSR > R > C > D; via Deadlists Poject, circulated with 12/10,11/69- see notes and credits in info file	Source Detail	FLAC
12/13/69	Swing Auditorium	San Bernardino	CA	7" Master Soundboard Reels > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston	Source Detail
12/19/69	Fillmore Auditorium	San Francisco	CA	7" Master Soundboard Reels > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston	Source Detail
12/19/69	Fillmore Auditorium	San Francisco	CA	previous Clugston seed, with AUD patches added by Hanno Bunjes, with thanks to Uli Teute (see info)	Source Detail	SHN
12/19/69	Fillmore Auditorium	San Francisco	CA	Recording Info: SBD > Master Reel (7inch 7.5ips 1/2trk) > DAT Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC (2 Discs Audio / 1 Disc FLAC)	Source Detail	FLAC
12/19/69	Fillmore Auditorium	San Francisco	CA	flac1644 AUD 4th generation cassette played back on NAK LX-5 -> Edirol R04 (@ WAV 24/48) >HD -> Audacity (edit) -> WAV 24/48 > Flac 8 uli teute aka hanwaker 2022-12 - This is 161117 2448 > 1644	Source Detail	FLAC
12/19/69	Fillmore Auditorium	San Francisco	CA	flac2448 AUD 4th generation cassette played back on NAK LX-5 -> Edirol R04 (@ WAV 24/48) >HD -> Audacity (edit) -> WAV 24/48 > Flac 8 uli teute aka hanwaker 2022-12	Source Detail	FLAC
12/20/69	Fillmore Auditorium	San Francisco	CA	SBD> MR> ?> FM> ?> CD> EAC> SHN; edited, shned, vined by J. Cotsman; with thanks to Paul Hartman; partial- see info file	Source Detail
12/21/69	Fillmore Auditorium	San Francisco	CA	Source: MR > C > D > CDR(s) via Raoul Duke. Shn conversion Matt Vernon. partial show	Source Detail
12/26/69	McFarlin Auditorium, Southern Methodist Univ.	Dallas	TX	MSR> C> DAT> CD-R; via Bob Murphy	Source Detail
12/26/69	McFarlin Auditorium, Southern Methodist Univ.	Dallas	TX	flac16; Source: Soundboard ; Lineage: MSR> CASS> DAT> CDR> EAC> FLAC; Patched & remastered by Jack Warner; DAE and FLAC encoding by Marc Evans	Source Detail
12/26/69	McFarlin Auditorium, Southern Methodist Univ.	Dallas	TX	flac16/48kHz; Set 2 Source: sbd > Master Reel > Cassette > Dat (48k)	Source Detail	FLAC
12/28/69	International Speedway	Hollywood	FL	SBD> MC> D> CD> EAC> SHN; see info file for quality notes- patching, pitch correction, probable noise reduction; EAC/edits by J. Cotsman, with thanks to David Litfin; via J. Cotsman to vine	Source Detail
12/28/69	International Speedway	Hollywood	FL	flac16; Source: Soundboard master Reels > Cassette > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab > CD Wave > TLH > Flac	Source Detail
12/28/69	International Speedway	Hollywood	FL	mixed source SBD> (MC or MR>C)> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to David Litfin & Jay von Lehe; note d1t1-7 same, later tracks differ from previous Cotsman seed	Source Detail	SHN
12/29/69	Boston Tea Party	Boston	MA	SBD MR (7" reel @7.5 ips)>DAT>DAT>CDR	Source Detail
12/29/69	Boston Tea Party	Boston	MA	SBD>MR>C>D>CD>EAC>SHN; Likely reDAE of 6302	Source Detail	SHN
12/29/69	Boston Tea Party	Boston	MA	flac16 Source: Previously uncirculated SBD Vault Reel > Cassette > DAT source from Anon Speed/pitch adjusted by Jason Chastain Mastering by Jim Blackwood, Jamie Waddell, and Steve Gravel Track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
12/30/69	Boston Tea Party	Boston	MA	SBD> ?> DAT> CDR	Source Detail
12/30/69	Boston Tea Party	Boston	MA	Recording Info: SBD -> Cass Master (Ampex C-90 Master Cass/no dolby) -> Cass (Tascam 122mkIII Cass 1st Gen) -> Dat (Technics 3800/44.1k) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN	Source Detail
12/30/69	Boston Tea Party	Boston	MA	Source: SBD > MC > C > D > CD > SHN	Source Detail	SHN
12/31/69	Boston Tea Party	Boston	MA	EAC of original shn set; via TOL; sbd> reel master> 2 cassette generations> dat> cdr> shn	Source Detail
12/31/69	Boston Tea Party	Boston	MA	flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/31/69	Boston Tea Party	Boston	MA	significantly edited version of previous shn set: >MKWact> DART Pro98> EAC WAV Processor> MKWact, by Bob Clevenger	Source Detail
01/02/70	Fillmore East early show	New York	NY	late show, partial; SBD-> MR-> DAT (x)-> CDR (x)-> EAC; via S. Windsor abgd; via D. Sacks to etree 12/15; cut in end of Dark Star/ beginning St. Stephen from reel change	Source Detail
01/02/70	Fillmore East early show	New York	NY	likely early show, had been marked late show; SBD plus AUD patches; via Hanno Bunjes, Uli Teute	Source Detail
01/02/70	Fillmore East early show	New York	NY	complete early/late shows; SBD> MR> C> D> CD> EAC> SHN with aud patch; Thanks to A. Lemiex, Uli & Hanno	Source Detail
01/02/70	Fillmore East - late show	New York	NY	flac16; Soundboard > 7 1/2' Reel Master @ 7.5 ips (Recorded By Bear on a Sony 770 Reel Deck) > 1st gen (TDK SAX-100 cassette) from Dick Latvala (Master Reel Playback on a Technics 1506 Reel to Reel > Tascam 122 MK111 Cassette Deck No dolby) > Analog to Digital (Cassettes played back on Nakamichi Dragon > Sony PCM-R700 DAT @ 44.1 by Jim Wise 1998); Edited and mastered SIRMIck	Source Detail	FLAC
01/03/70	Fillmore East (Late Show)	New York	NY	early and late; SBD > MR > DAT > C > DAT > CDR; via Mike Lai, with thanks to Wayne Gucwa; info file by Jeff Hannan	Source Detail
01/03/70	Fillmore East (Late Show)	New York	NY	flac16; Source: Soundboard Master Reels > DAT Master [44.1] Transfer: Panasonic SV-3700 > UA-5 > USB > WaveLab Mastering in WaveLab with iZotope Ozone 4 > CD Wave > TLH > Flac Transfer and Mastering Bill Koucky March 6, 2009, Green Mountain Bros.	Source Detail	FLAC
01/03/70	Fillmore East (Late Show)	New York	NY	improvements on previous seed: Sound improved on d1t02, by Bill Giles; SBE's corrected; seeded by RET	Source Detail	SHN
01/03/70	Fillmore East (Late Show)	New York	NY	flac16/48kHz; Source: sbd > 1st gen reel > dat (48k); provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; transferred by Charlie Miller; Lineage: iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick July 2017	Source Detail	FLAC
01/10/70	Golden Hall	San Diego	CA	Master Soundboard Reel > Reel to Reel > DAT> CDR; CD Mastering by Scott Clugston; to abgd	Source Detail
01/10/70	Golden Hall	San Diego	CA	flac16; Recording Info: SBD -> Master Reel -> Reel-> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.0.1 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
01/10/70	Golden Hall	San Diego	CA	flac16; source: MR > R1 >RX (purported 2nd gen) transfer: RX (purported 2nd gen) > Technics RS-1506 > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > wav [24/96]	Source Detail	FLAC
01/10/70	Golden Hall	San Diego	CA	flac16; Recording Info: SBD -> Master Reel -> Reel-> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.0.1 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
01/10/70	Golden Hall	San Diego	CA	flac16; Recording Info: SBD -> Master Reel -> Reel (Maxell UD 35 @7.5ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-Dac -> Wavelab 5 -> FLAC/16; Mastering Info: FLAC/24 -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller	Source Detail	FLAC
01/16/70	Springer's Inn Portland	Portland	OR	sbd> ??> cdr> eac> shn; a few cuts (see tracklist); eac>shn by popi n. feeldz, with thanks to Moss Willow	Source Detail
01/16/70	Springer's Inn Portland	Portland	OR	flac16; Source: sbd > reel master > reel > pcm (sony beta tape ESX-HiFi/L-750) - Given to Tim Dalton by the late Harvey Lubar; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) - transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018	Source Detail	FLAC
01/17/70	Gill Coliseum, Oregon State University	Corvallis	OR	Master Soundboard Reel > DAT > CDR; via Scott Clugston	Source Detail
01/17/70	Gill Coliseum, Oregon State University	Corvallis	OR	SBD>MR>D>CD>EAC>SHN; pitch corrected via J. Cotsman	Source Detail
01/23/70	Honolulu Civic Auditorium	Honolulu	HI	Updated lineage: SBD > MASTER REEL > CASS > DAT > CD; Originally posted to abgd via Teddy Goodbear; seeded to fungus and tol with minor editing by Charlie Connor	Source Detail
01/23/70	Honolulu Civic Auditorium	Honolulu	HI	Updated lineage: SBD > MASTER REEL > CASS > DAT > CD; Originally posted to abgd via Teddy Goodbear; seeded to fungus and tol with minor editing by Charlie Connor	Source Detail	FLAC
01/24/70	Honolulu Civic Auditorium	Honolulu	HI	SBD: Master Reel > cassette > DAT > CD > SHN; T06 (Black Peter): subsecond dropout/splice @ 7:44; T07 (Good Lovin'): cuts right before last verse; via Seth Kaplan, upload by G.S. Hamilton	Source Detail
01/30/70	The Warehouse	New Orleans	LA	SBD>MR>C>DAT>CDR; via Raoul Duke; seeded to etree by Matt Vernon	Source Detail
01/31/70	The Warehouse	New Orleans	LA	SBD> MR> C> D> CD> EAC> SHN; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman	Source Detail
01/31/70	The Warehouse	New Orleans	LA	SBD>MR>C>D>CD>EAC>SHN 7inch Master Reel@7.5ips SBE fix of shn ID 7045; shntool was used to fix sector boundary errors and seek tables were appended.	Source Detail	SHN
02/01/70	The Warehouse	New Orleans	LA	SBD>MSR>C>DAT>CD; Seeded to etree by Seth Kaplan	Source Detail
02/01/70	The Warehouse	New Orleans	LA	flac16; Lineage: Source 1 SBD > MSR > C > DAT (Biodtl thru O1(7:27); Source 2 MR > Revox A77 > tube pre (O1@7:27 thru Lovelight); Transfer info: Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC	Source Detail	FLAC
02/02/70	The Fabulous Fox Theatre	St. Louis	MO	SBD>MR>R>R>PCM>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
02/02/70	The Fabulous Fox Theatre	St. Louis	MO	SBD> MR> R> R> PCM> D> CD> EAC> SHN; pitch corrected; edits/encoding by JCotsman	Source Detail	shn
02/02/70	The Fabulous Fox Theatre	St. Louis	MO	Partial, Source: SBD>Bill Gadsen Reels>C>DAT>WAV>SHN C>SHN Conversion by Cousinit	Source Detail	FLAC
02/04/70	Family Dog at the Great Highway	San Francisco	CA	SBD>Rm>Cass>Dat>CD>EAC>SHN; Converted to SHN by Charlie Miller	Source Detail
02/04/70	Family Dog at the Great Highway	San Francisco	CA	Lineage: MSR>C>D>CD Tracks 2-7 ** - Two added tracks sourced from PBS TV broadcast via Seth Kaplan	Source Detail
02/04/70	Family Dog at the Great Highway	San Francisco	CA	Composite of "crisp" Charlie Miller sbd seed and additional mono tuneage from PBS TV broadcast; via Jeff Cotsman	Source Detail	SHN
02/05/70	Fillmore West	San Francisco	CA	SBD MR> C> D> CD + AUD low-gen; more material than previous versions, >80 min including bonus track; pitch correction, EQ, CD mastering by Hanno Bunjes, with thanks to Uli Teute	Source Detail
02/05/70	Fillmore West	San Francisco	CA	SBD> MR> C> D> CD; via Don Bean	Source Detail	SHN
02/05/70	Fillmore West	San Francisco	CA	Flac16 Reel To Reel > CD Burner > Roxio Sound Editor > Wav > Flac Frontend --Recorded my Reel with a TEAC 2300S reel to reel into a 1997 Sony CD Burner (Analogue to Digital with RCA cable output on the TEAC and input to the burner). Ripped the CD's that were burned using Roxio import CD function on my Windows 7 computer and saved them as 14H kbps / 44 kHz .wav files . Tracked and adjusted volume of the .wav files using Roxio Sound Editor (2009). converted to Flac Frontend - flac 16. All work done by Brian Flegel - brianflegel@gmail.com - 02/29/2024 & 03/01/2024	Source Detail	FLAC
02/05/70	Fillmore West	San Francisco	CA	flac1644 Soundboard Aud composite, speed corrected by Brian Flegel	Source Detail	FLAC
02/06/70	Fillmore West	San Francisco	CA	SBD> MR> C> D> CD; via Don Bean	Source Detail
02/07/70	Fillmore West	San Francisco	CA	SBD MR>C>D>CD + AUD MC>4C>CD patches; via Uli Teute; Seeded to etree by Hanno Bunjes; Note- This is an eac of the 'same' source discs as the previous Hanno seed; See info file for Hanno's comment	Source Detail
02/07/70	Fillmore West	San Francisco	CA	SBD> MR> C> D> CD; via Don Bean	Source Detail	SHN
02/07/70	Fillmore West	San Francisco	CA	SBD> MR> C> D> CD; EAC> SHN by naked_jaybird	Source Detail	S
02/08/70	Fillmore West	San Francisco	CA	MAC> R> PCM> DAT> CD; MSR> C> DAT> CD; MSR> ?> C> DAT> CD (end of Lovelight); Source discs supplied by Andy Lemieux, CD> EAC> WAV> SHN by Sean Cribbs	Source Detail
02/08/70	Fillmore West	San Francisco	CA	AUD Source: MAC>R>C>DAT>WAV>SHN SBDa Source: MSR>R>Cassettes>DAT>WAV>SHN SBDb Source: MSR>R>C>DAT>WAV>SHN C>SHN Conversions By Cousinit	Source Detail
02/08/70	Fillmore West	San Francisco	CA	composite: AUD>MC>R>PCM>D>CD>EAC>SHN; SBD>MR>C>D>CD>EAC>SHN; several other sources used as patches; differs from previous seeds as having SBD source for Smokestack & SOTOTW; Thanks to Andy Lemieux	Source Detail	SHN
02/11/70	Fillmore East (late show)	New York	NY	early and late shows; MSR> DATs> CDRs> EAC> shn; see info file for flaws and notes; shn and u/l by Darrin Sacks; also, Ben Yerys reports UJB encore pops (not sure if from CD or DAT source): 3.23?; 4.35, 5.26??, 5.27??; note d2alt.md5 also shown for a version noted at gdlive 7/01+, having a different d2t3 md5- reason unknown	Source Detail
02/11/70	Fillmore East (late show)	New York	NY	flac16; late show conclusion; Soundboard (except misc patches as noted): MSR> DAT> CDR> EAC> FLAC; Patched, remastered by Dave Greenberg; DAE> FLAC by Marc Evans; Project coordinated by Jim Powell with a special thanks to DW	Source Detail
02/11/70	Fillmore East (late show)	New York	NY	flac16; portions of early and late shows; Master soundboard reels > DAT > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0); includes Patch for Dark Star: Master audience tape > ? > DAT > CD; EAC> FLAC by Jack Warner, with thanks to anonymous and Bob Murphy for patch material	Source Detail	FLAC
02/11/70	Fillmore East (late show)	New York	NY	SBD> RR> RR> DAT (tapers John Chester and Alan Mande recorded this show in the basement of the Fillmore using a Revox reel-to-reel tape deck with 15" reels.)l Transfer: DAT> HD-P2> Sound Forge 6.0> CD Wave> mkwAct> .shn	Source Detail	SHN
02/11/70	Fillmore East (late show)	New York	NY	MAR > ? > R @ 3 ¾ ips. > DAT > CD > EAC > WAV > FLAC	Source Detail	FLAC
02/11/70	Fillmore East (late show)	New York	NY	flac16; Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3&3/4ips) > Alesis Masterlink ML-9600 > CDR > EAC > Cool Edit Pro > TLH > FLAC16	Source Detail	FLAC
02/11/70	Fillmore East (late show)	New York	NY	flac16; SBD MR w/ AUD Patches * > DAT > CD > EAC > WAV > FLAC	Source Detail	FLAC
02/11/70	Fillmore East	New York	NY	flac16; SBD MR > DAT (disc 1 and first part of Star, last part lovelight via a DAT transfer so is not from circ. source); MAR > ? > R @ 3 @ ips. (aud patch source used in Dark Star and Lovelight); SBD MR > A77 > A77@ 71/2 ips (primary source for disc 2); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC	Source Detail	FLAC
02/12/70	Ungano's Night Club	New York	NY	SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D > SSSB; EAC (High, Secure) > WAV > SHNv3 by Patrick Murphy, from Jay Serafin seed discs; see Jay's extensive notes; note could really be 2/13/70 early show- see discussion in pub comments	Source Detail
02/12/70	Ungano's Night Club	New York	NY	SBD > 8 TRACK 1" RTR @ 7.5 I.P.S. > MASTER ARCHIVE 24-BIT D > SSSB (note: a SBE fixed file set also circulates)	Source Detail	SHN
02/13/70	Fillmore East (Late Show)	New York	NY	early show; Sbd > Master reel >DAT >Sonic Solutions workstation >CDR >EAC >shn; Seeded by David Gans; posted to abgd	Source Detail
02/13/70	Fillmore East (Late Show)	New York	NY	early and late; mostly from SBD> MR> D> CD> EAC> SHN, with patches from SBD> MR> PCM> D> CD >EAC> SHN and SBD> MR> R> D> CD> EAC> SHN; mastered on 7" reels @ 15ips; encoding by JCotsman, with thanks to Paul Hartman, David Litfin et al	Source Detail
02/13/70	Fillmore East	New York	NY	reportedly early show, though the shns have been circulated as reported 2/12/70 (see alternate entry); SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D > SSSB , via Jay Serafin, Patrick Murphy	Source Detail	SHN
02/13/70	Fillmore East (Late Show)	New York	NY	flac16; Recording Info: SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller (Fixed version now in circulation)	Source Detail
02/13/70	Fillmore East (Late Show)	New York	NY	flac16; Recording Info: SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller (This sources fixes a flaw in d2t08 of source ID 97613)	Source Detail	FLAC
02/13/70	Fillmore East	New York	NY	flac16; 5th gen aud casette from unknown source > WAV	Source Detail	FLAC
02/13/70	Fillmore East (Late Show)	New York	NY	flac16; Late show. Recorded by Jim Cooper from seat # BB 108 (2nd row Center) Hitachi trq-222, 2 Hitachi mikes; Transferred > sony d5pro2 > dbx 2231 EQ > sony rcd w500c	Source Detail	FLAC
02/13/70	Fillmore East (Late Show)	New York	NY	flac16; Early Show Source: SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D >SSSB > EAC (High, secure) > WAV > SHNv3 by Patrick Murphy > ? > .flac	Source Detail	FLAC
02/14/70	Fillmore East	New York	NY	complete early/late shows from: SBD> MR> D> CD> EAC> SHN & SBD> MR> PCM> D> CD> EAC> SHN; TMNSP release, encoding by JCotsman	Source Detail
02/14/70	Fillmore East	New York	NY	flac16; Recording Info:SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k);Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
02/14/70	Fillmore East	New York	NY	flac16; source: aud cassette master taped by Jim Cooper; hitachi trq-222 deck nak bx-300 > benchmark adc1 > adobe audition cs6 > tlh flac; transferred & seeded by Rob Berger	Source Detail	FLAC
02/14/70	Fillmore East	New York	NY	flac16; Late Show Recording Info: Master Soundboard Reels (recorded by the Fillmore crew from under the stage) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; the original version of this source had a 0:02 digital anomaly in "Uncle John's Band" (t11)	Source Detail	FLAC
02/14/70	Fillmore East	New York	NY	flac1644 Soundboard source: Master Soundboard Reels (recorded by the Fillmore crew from under the stage) > PCM - shnid 141007 - from the Tim Dalton coilleted, transferred by Charlie Miller and mastered by Scott Clugston. Audience source: hitachi trq-222 > cassette master - shnid 124495 - recorded by Jim Cooper, transferred and mastered Rob Berger. Matrix mix sbd 80% / aud 20%	Source Detail	FLAC
02/23/70	The Auditorium	Austin	TX	SBD>MR>C>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
02/27/70	Family Dog at the Great Highway	San Francisco	CA	Master Soundboard Reel > Cassette > DAT > CDR; via Scott Clugston to abgd and etree; note includes Casey and Cumberland	Source Detail
02/27/70	Family Dog at the Great Highway	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel (7.5ips 1/2trk) -> Dat/0 (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller	Source Detail
02/28/70	Family Dog at the Great Highway	San Francisco	CA	SBD>MR>C>D>CD; Missing Casey Jones and Uncle John's Band	Source Detail
03/01/70	Family Dog at the Great Highway	San Francisco	CA	SBD MR>C>D>CD; patch of circulating SBD with AUD by Hanno Bunjes: 3rd gen cassette > CD > SoundForge (5% speed correction/amplify) > CD; to BUDD offer; Hanno's notes	Source Detail
03/01/70	Family Dog at the Great Highway	San Francisco	CA	S:MR> C> D> CDR; not complete show, but all that's available of this version; via Dave Goldstein, Ben Yerys; note reel splice @ 5:29 of King Bee	Source Detail
03/01/70	Family Dog at the Great Highway	San Francisco	CA	flac16; Source: Soundboard > Mater Reel > Dat (44.1k)	Source Detail	FLAC
03/01/70	Family Dog at the Great Highway	San Francisco	CA	flac16; Recording Info: SBD Master Reels -> Dat (Panasonic 3700); Transfer Info: Delta DiO 2496 sound card > HD > CD-R; Mastering Info: HD > CD WAV > Cool Edit > Trader's Little Helper 2.7 > xACT 2.35 FLAC 8; Mastering by Seth Kaplan (alligator69@optonline.net) March 25, 2015	Source Detail	FLAC
03/07/70	Civic Auditorium	Santa Monica	CA	low-gen AUD; shn'ed by Hanno Bunjes, with thanks to Uli Teute for the AUD source; Hanno's notes	Source Detail
03/08/70	Star Theatre	Phoenix	AZ	SBD>?>DAT>CDR uploaded by theotherwayne@yahoo.com	Source Detail
03/08/70	Star Theatre	Phoenix	AZ	SBD MR>C>D>CD; Unknown seeder	Source Detail	SHN
03/08/70	Star Theatre	Phoenix	AZ	flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/20/70	Capitol Theater	Port Chester	NY	mixed source (SBD> MR> PCM, unknown gen AUD, 2nd gen AUD)> ZA2> CD, mastered by David Hollister; EAC> SHN by G.S. Hamilton with thanks to Brian Voelz	Source Detail
03/20/70	Capitol Theater	Port Chester	NY	S:mR> ?> DAT> CDR; EAC/SHN by Ben Yerys, from Jared Minkoff seed; see info file for misc flaw notes	Source Detail	SHN
03/20/70	Capitol Theater	Port Chester	NY	flac16; SBD MR > ? > R @ 7.5 ips > CD > EAC > WAV > FLAC	Source Detail	FLAC
03/21/70	Capitol Theater (Early)	Port Chester	NY	early electric; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes- (although these may not even be true- see user comment); Usher tree shn branch	Source Detail
03/21/70	Capitol Theater (Late)	Port Chester	NY	late acoustic, electric-2; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes; Usher tree shn branch	Source Detail
03/21/70	Capitol Theater (Early)	Port Chester	NY	early show; Cassette Master> Soundforge> cd> EAC> SHN; Recorded by Ken & Judy Lee on a Sony 124 cassette deck with Sony dynamic mics on a Norelco 120 normal bias tape. Microphones were set up in the balcony with a 20 foot spread; Original tape was baked in "Susie Q", shell replaced and transferred on a Tascam 122mk3 via a Lucid ADA1000 Analog to Digital Converter directly to disc on a Tascam CDRW700 by John Jay Hance.; Cleanup performed by Peter G with Soundforge; EAC performed with correct offsets. SHN conversion with MKWact & retracking done with CD Wave and EAC by Evan Bellaff; Port Chester "Resurrection" Project #2	Source Detail
03/21/70	Capitol Theater (Early)	Port Chester	NY	late show; Cassette Master> Soundforge> cd> SHN; see more details in txt; Port Chester Resurrection Project	Source Detail
03/21/70	Capitol Theater (Late)	Port Chester	NY	flac16; Late Show: Source: Sony F95's > Sony TC124 > Master Cassette - Recorded by Ken and Judy Lee; Lineage: CD > Wavelab 6 > wav 16/44.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; further editing by John Hance and myself; remastered by SIRMick January 2019	Source Detail	FLAC
03/21/70	Capitol Theater (Late)	Port Chester	NY	flac16; Late Show Audience Recording Information: unknown mono reel-to-reel equipment -> master reel-to-reel tape -> 1st generation Maxell XLII-90 cassettes, Dolby B on. Playback 2012-01-20: 1st generation Maxell XLII-90 cassettes on Nakamichi BX-300 cassette deck, Dolby B on, azimuth & pitch adjusted, heads cleaned & demagnatized -> Tascam CD-RW900SL pro CD recorder -> CD-RW -> computer, EAC secure -> wavs -> Audacity (as little as possible... some fades &/or glitches, dropouts, minor volume adjustments, no EQ) -> CD Wave (track splits) -> Trader's Little Helper -> flacs.	Source Detail	FLAC
03/21/70	Capitol Theater (Late)	Port Chester	NY	flac16; source: AUD Cassette Master taped by Jim Cooper; Hitachi mics > Hitachi trq-222 deck; Nakamichi Dragon > Benchmark ADC1 24/96 > pc > adobe audition 2.0 > cd wave > flac; transfer & mastering by Rob Berger	Source Detail	FLAC
03/21/70	Capitol Theater (Late)	Port Chester	NY	flac16; Late Show; Recording Information: unknown mono reel-to-reel recorder & mike -> master 3" reel-to-reel tapes -> unknown digital transfer, except #14-17 from 1st generation 7 1/2 IPS Maxell UD35-90 reel -> wavs; Playback 2018-12-xx: M & M1 wavs -> Audacity (very little work done... some fades, popmute on clapping in a few places for volume control, minor volume adjustments, pitch (speed) OK on master reel transfers but M1 trax #14-17 used +0.8% fix with single pass after frequency analysis & with pitchpipe verification, no EQ or NR applied) -> CD Wave (track splits) -> Trader's Little Helper	Source Detail	FLAC
03/24/70	Pirates World	Dania	FL	S:MR> Cass> DAT> Cass> DAT> ZA2> CDWAV> SHN; note differs from previous shn set in fille (8/4/67) and tracking; presumably transferred by David Hollister; see info file for notes; upload by Ben Yerys?	Source Detail
03/24/70	Pirates World	Dania	FL	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC	Source Detail
03/24/70	Pirates World	Dania	FL	flac16/48kHz; Source: Soundboard > Master Reel > Cassette > Dat (48k)	Source Detail	FLAC
04/03/70	Field House, U. of Cincinnati	Cincinnati	OH	SBD; Monitor Noise throughout show; noted at gdlive 5/01; via Aaron Farnsworth	Source Detail
04/03/70	Field House, U. of Cincinnati	Cincinnati	OH	SBD > ?> bootleg CD> pitch correction and retracking > SHN; see info file for notes; via thecore@core.com	Source Detail	SHN
04/03/70	Field House, U. of Cincinnati	Cincinnati	OH	flac16; SBD MR>R>FLAC; Converted to 16 bit via r8brain high > TLH level 6 flac; tranfer Matt Smith 7/2011	Source Detail	FLAC
04/03/70	Field House, U. of Cincinnati	Cincinnati	OH	flac16; MR>R>FLAC (shnid: 114616) Used Diamond Cut/Forensics 8.1 to clean up the monitor noise (sounds like an unshielded cable) and a little of the over saturation (analog recorder clipping) on the source.	Source Detail	FLAC
04/03/70	Field House, U. of Cincinnati	Cincinnati	OH	flac16; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018	Source Detail	FLAC
04/03/70	Field House, U. of Cincinnati	Cincinnati	OH	flac16; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018	Source Detail	FLAC
04/03/70	Field House, U. of Cincinnati	Cincinnati	OH	flac16/44 Source: Reel Master (7 inch Master Reel @ 7.5ips 1/2trk) > Cassette >Tascam 122mkIII > Panasonic SV-3700 > DAT (44k) > wav 16/44.1 - All Transfers by Rob Eaton Lineage: wav > Adobe Audition 3 > iZotope RX9 Advanced > CD Wave > Flac 16 edited and mastered SIRMick November 2021	Source Detail	FLAC
04/09/70	Fillmore West	San Francisco	CA	complete; SBD MR> C> D> CD + AUD MC> 4C> D> CD; AUD taper Harry Ely; sources assembled by Hanno Bunjes, with thanks to Julian for the SBD and Uli for the AUD; Hanno's notes	Source Detail
04/09/70	Fillmore West	San Francisco	CA	flac16; Source: Unknown Taper+Equipment>MA>Cass(Unk); Conversion: NAK Dragon>Cass>WAV>FLAC; FLAC encoding via TLH	Source Detail	FLAC
04/09/70	Fillmore West	San Francisco	CA	flac16; 1) sbd > Dick's Cassette (start through to "UJB") Transfer: Cassette > Nakamichi Dragon > Sony PCM-R700 > wav 16/44.1 - Transferred by Jim Wise; 2) unknown audience recording (through to "Cryptical Envelopment" shnid 137104 seeded by Cousinit) and 3) unknown audience recording ("NFA > Turn On Your Lovelight shnid 6157, seeded by Hanno Bunjes); Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick March 2019	Source Detail	FLAC
04/11/70	Fillmore West	San Francisco	CA	Partial; 30 min Lovelight and ~2 mins NFA; See info file for details; SBD>MR>C>D>CD; via Chuck Gannon; Seeded to etree by JCotsman	Source Detail
04/11/70	Fillmore West	San Francisco	CA	flac16; Partial Show Source: sbd > Reel Master > Cassette > DAT (44k)	Source Detail	FLAC
04/12/70	Fillmore West	San Francisco	CA	combination (SBD Reel master > Sonic Solutions > DAT ) plus (Aud cassette master > PCM > DAT > Sonic Solutions) > CD > EAC > SHN; see info file for notes; seed via Seth Kaplan	Source Detail
04/12/70	Fillmore West	San Francisco	CA	flac16; One song audience > unk gen > xlII 90 dolby C, tape trade Dec 1984	Source Detail	FLAC
04/12/70	Fillmore West	San Francisco	CA	flac16; FM broadcast of source id 3820 Source: SBD for all except Casey Jones through Deep Elem Blues; Small fixes and audio massage by Jamie Waddell; pitch correction by Jason Chastain [100.25%]	Source Detail	FLAC
04/15/70	Winterland Arena	San Francisco	CA	sdb> Master Reel> Cassette> Dat> CD; via Mike Lai, with thanks to Wayne Gucwa	Source Detail
04/15/70	Winterland Arena	San Francisco	CA	MSR>DAT>CD>EAC>SHN (mkwACT) via Seth Kaplan includes 5 additional songs from a prior seed	Source Detail
04/15/70	Winterland Arena	San Francisco	CA	flac16; Sony 770 7 Inch Half Track Reel Master @ 7.5 ips-(Bob Mathews); DAT x Zero (DL) > DAT x One (RE) > DAT x Two (JW); play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise (note: A fixed version of this source was seeded on 03/28/2015 to address tagging errors. Please don't circulate the original fileset.)	Source Detail	FLAC
04/24/70	Mammoth Gardens	Denver	CO	AUD>MC>C>D>CD; via Chuck Gannon; Seeded to etree by J. Cotsman; Note- Original d2 was 'messed up' and scrapped early. Likely it does not circulate.	Source Detail
04/24/70	Mammoth Gardens	Denver	CO	MAR> Reel> DAT> Cool Edit Pro> CDR (From Gergard S' first gen reels) via Glen Gillis	Source Detail
04/24/70	Mammoth Gardens	Denver	CO	AUD master C-120 > reel 3.75ips > DAT > CD ; improvement over all circulating copies, via Hanno Bunjes, Uli Teute, Carsten Baumann, Gerhard Schinzel	Source Detail
04/24/70	Mammoth Gardens	Denver	CO	sources: aud master C-120 > reel 3.75ips > dat > cd > eac > shn > wav > shn.This is a re-master of shn id 19531;see txt file for details. Seeded by SirMick (thedarkstar@btinternet.com)December 2004	Source Detail
05/01/70	Alfred College	Alfred	NY	Master Soundboard Reel > (reel to reel, for part)> DAT > Sonic Solutions > CDR; EAC'ed / SHN'ed by Scott Clugston	Source Detail
05/01/70	Alfred College	Alfred	NY	flac16; SBD > Rm > Dat > Sonic Solutions > CD > Samplitude > Flac Seeds provided by David Gans, Remastered by Charlie Miller	Source Detail	FLAC
05/01/70	Alfred College	Alfred	NY	flac16 ; Recording Info: Source 1: SBD -> Master Reel -> CD Source 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD Source 3: SBD -> Master Reel -> Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
05/02/70	Harpur College	Binghamton	NY	flac16; Gen 4 SBD Cassettes > SonyTC-W320 > Marantz 510 > CD > EAC > CD Wave Editor > Flac level 8; see info file for details	Source Detail	FLAC
05/02/70	Harpur College	Binghamton	NY	flac16/48kHz; Recording Info: SBD > Master Reel (7inch @ 7.5ips 1/2trk) > Dat/48k; Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/02/70	Harpur College	Binghamton	NY	flac24; reel> cass > cass Nak Dr-1 > Lynx Studio Interface at 32 bit float / 96 kHz Weiss Saracon for BRC to 24 bit / 96 kHz by Jamie Waddell	Source Detail	FLAC
05/03/70	Field House, Wesleyan University	Middletown	CT	AUD>MC>?>C>D>CD; via Jeff Cook; Seeded to etree by J Cotsman	Source Detail
05/03/70	Field House, Wesleyan University	Middletown	CT	AUD>MR>?>CD>EAC>SHN. Digital editing by Jim Goldman, wavs provided by, minor editing and retracking SIRMick (The Sugarmegs Restoration Krewe)	Source Detail
05/03/70	Field House, Wesleyan University	Middletown	CT	flac16; Audience cassette master (not sbd as previously thought) > ? > CDr > EAC > Soundforge - editing > shn > aiff (xACT) > flac	Source Detail	FLAC
05/03/70	Field House, Wesleyan University	Middletown	CT	flac16; Recording Information: unknown stereo(?) recording equipment -> master AUD cassette (NOT a SBD as noted in shnid 9770) -> ? -> unknown generation tape used for shnid 9770 -> CDr > EAC > Soundforge (normalize & pitch correction -> shn -> aiff (xACT) -> flacs; flacs -> TLH -> wavs -> Audacity using right channel for mono signal [fades, manual one-at-a-time glitch, bump, pop, click, dropout & dullspot repairs, volume adjustments, NO equalisation] -> CD Wave (track splits) -> flacs (Trader's Little Helper)	Source Detail	FLAC
05/06/70	Kresge Plaza, M.I.T.	Cambridge	MA	MSR (MIT WMBR Reels) 10", 2-sided, 1/2 Track Mono (no extra reel gen)-> Otari MX 55 2 track (playback) ->  TC 2000 Studio Effects Processor (using only the A->D converter, no effects) ->  Sonic Solutions (at 20 bits resolution) -> mastered to CD using Sony SBM 2  (No DAT generations) -> CD (from Gans) > EAC > SHN; (note updated source details); via E. Polonsky, D. Gans,  R. Keshavan, D. Sacks; note reel splice at China/Rider transition (track boundary at splice)	Source Detail
05/06/70	Kresge Plaza, M.I.T.	Cambridge	MA	flac16; Source: Master Soundboard Reels 10", 2-sided, 1/2 Track Mono > DAT x 1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with Nomad Factory Plugins Rate Conversion with r8brain to [16bit/44.1 mhz] > TLH > Flac Transfer and Mastering: Bill Koucky, Green Mountain Bros. November 15, 2008 Transfer from Reels to DAT was done in 1994 by Eli Polansky from WMBR MIT Radio Archives for Jim Birkhead, and cloned to Bill Koucky	Source Detail
05/06/70	Kresge Plaza, M.I.T.	Cambridge	MA	Gans version as for other shn set, SHNed by M. Hall (not sure if this copy got into wide circulation)	Source Detail	shn
05/06/70	Kresge Plaza, M.I.T.	Cambridge	MA	Source: MSR (MIT Reels) > Sonic Solutions Digital Editing (gans) > DATs > CDRs > EAC > SHN; 2022 reseed: SBE repaired in track 04, SHN files re-encoded to FLAC-8: SHN>WAV>FLAC-8	Source Detail	FLAC
05/07/70	Dupont Gymnasium, MIT	Cambridge	MA	AudMC > ? > 7" R > DAT > HD > SHN; Taper, mics, and deck unknown; A > D transfer by Noah Weiner; almalgam of different sources; pitch corrected; see info file for mastering and flaw notes; via Audience Devotional Tree	Source Detail
05/07/70	Dupont Gymnasium, MIT	Cambridge	MA	main source: AudMC > ? > 7" R > DAT > HD > SHN Taper, mics, and deck unknown A > D transfer by Noah Weiner - noahbw@home.com This is a remaster of shnid 5439. See text file for full details	Source Detail
05/07/70	Dupont Gymnasium, MIT	Cambridge	MA	flac16; Source: Audience Cassette Master > Reel > PCM (Sony HG) - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred By Charlie Miller; New Riders Of The Purple Sage Source: Audience Cassette Master > ? > 7" Reel > DAT; Transfer: DAT > HD > SHN - Transferred by Noah Weiner; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018; the original version of this source had a tracking error in the set 3 files	Source Detail	FLAC
05/08/70	Farrell Hall	Delhi	NY	flac16; Recording Info: (Stage) Unknown Mic -> Cassettte Master Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC	Source Detail
05/09/70	Worcester Polytechnic Institute	Worcester	MA	Acoustic; SBD>MR>?>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman	Source Detail
05/14/70	Meramec Community College	Kirkwood	MO	Master Soundboard Reel > Cassette > DAT> CDR; via Scott Clugston	Source Detail
05/14/70	Meramec Community College	Kirkwood	MO	SBD>MR>?>D>CD>EAC>SHN (acoustic set); SBD>MR>D>CD>EAC>SHN (electric set); complete show except for Dire Wolf and Cold Jordan, which are probably not on the masters; Thanks to Dan Capshaw and Walter Schnell; edits/encoding by JCotsman	Source Detail
05/14/70	Meramec Community College	Kirkwood	MO	Acoustic Set; Source: Soundboard of unspecified provenence; CD Re-Mastering / Shn'ed by Scott Clugston 2/15/03	Source Detail	SHN
05/14/70	Meramec Community College	Kirkwood	MO	flac16; Source: Soundboard Lineage: MSR> DAT> CDR> EAC> FLAC except * = MSR> DAT> CASS> ?> CASS> DAT> CDR> EAC> FLAC	Source Detail
05/14/70	Meramec Community College	Kirkwood	MO	flac16; Set 2 Source: Soundboard > Reel Master > DAT (48k)	Source Detail	FLAC
05/15/70	Fillmore East (Late Show)	New York	NY	acoustic and electric, early and late, includes NRPS; MR > DAT > ZA2 > CDR, except the NRPS sets which have 2 cass gens; this is apparently the best possible available copy- one fewer cass gen than first etreed version, complete NRPS 2nd set, less hifreq hiss; more details in info file; via D. Hollister, J. Tiedrich, D. Finney. L. Orf; note L. Orf did very minor editing, mostly putting tasteful fades where there were cuts in the original- no NR	Source Detail
05/15/70	Fillmore East (Late Show)	New York	NY	New Master Reel transfer: SBD:10" 1/2 track Master Reels @ 7.5 ips>Revox A700 playback deck>Alesis Masterlink ML 9600>CD. No PCM generation in GD/NRPS sets. No analog gens in NRPS sets. Upgrade from previously circulating source. Seeded to etree 5/31/2005 by Chuck Reynolds and Seth Kaplan.	Source Detail
05/15/70	Fillmore East (Late Show)	New York	NY	flac16; source: aud cassette master; taped by Jimmy Cooper; 2 hitachi mics > hitachi trq-222; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger	Source Detail	FLAC
05/16/70	Temple University	Philadelphia	PA	AUDMC > ? > C > CD/0 > EAC > WAV > SHN via Noah Weiner	Source Detail
05/24/70	Newcastle-Under-Lyme	Newcastle	England	SBD MR> C> D> CD + AUD MR> C> D> CD patches; mastered by Hanno Bunjes, with thanks to Uli for the AUD source; Hanno's notes	Source Detail
05/24/70	Newcastle-Under-Lyme	Newcastle	England	AUD MR> C> D> CD; mastered by Hanno Bunjes; source supplied by Uli Teute; Hanno's notes	Source Detail
05/24/70	Newcastle-Under-Lyme	Newcastle	England	flac16; Unknown Board MR > Maxell XLII-S90 cassette (unknown generation) > Audacity via soundcard > Goldwave (to increase volume) > FLAC	Source Detail	FLAC
05/24/70	Newcastle-Under-Lyme	Newcastle	England	flac16/48kHz; Source: sbd > reel master > cassette > dat (48k)	Source Detail	FLAC
05/24/70	Newcastle-Under-Lyme	Newcastle	England	flac16; MSR > CDR > PC > my edits in Goldwave > CDR > FLAC; patched with unknown MR > cassette > PC; further patched with shnid 6481	Source Detail	FLAC
06/04/70	Fillmore West	San Francisco	CA	Partial; Last three songs; See info file for details; SBD->Rm->Cass->?>Dat>CD; Seeded to etree by Charlie Miller	Source Detail
06/04/70	Fillmore West	San Francisco	CA	flac16; Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape. Lineage via Dan McDonald (droncit@yahoo.com): Master Audience Cassette->Nakamichi BX-1 (modified for flat transfer)-> Tascam DR-07MK2 (24-bit, 96kHz); DC8Forensics was used to apply the NAB curve for normal bias cassettes. Converted to 16-bit, 44.1kHz using 32-bit interpolation and a triangular high pass dither. After the NAB curve in a multifilter I applied a virtual vale and overtone generator for lost harmonics and used a channel blender to blend below 150 Hz to mono to minimize mic handling noise.	Source Detail	FLAC
06/04/70	Fillmore West	San Francisco	CA	flac16; Partial SBD Recording; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bear on a Sony 770 Reel Deck)-1st Generation(TDK SAX-100 cassette)Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No dolby); Analog to Digital(Cassettes on Nakamichi Dragon-Sony PCM-R700 DAT @ 44.1KHz by Jim Wise); DAT X Zero play back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Jim Wise	Source Detail	FLAC
06/05/70	Fillmore West	San Francisco	CA	SBD MR>C>D>CD + AUD patch from low-gen cassette courtesy Uli Teute (see info); via Hanno Bunjes; Hanno's notes	Source Detail
06/05/70	Fillmore West	San Francisco	CA	flac16; Source: Soundboard (except where patched with low gen AUD as noted) Lineage: MSR> CASS> DAT> CDR> EAC> FLAC	Source Detail	FLAC
06/05/70	Fillmore West	San Francisco	CA	flac16; Unknown gen cassettes from unknown aud source > WAV; see info file for details	Source Detail	FLAC
06/05/70	Fillmore West	San Francisco	CA	flac16; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)-1st Generation Cassettes Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no Dolby); Analog to Digital Transfer(Cassettes played back on Nakamichi Dragon-Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa late 1990's); Zero Gen DAT play back on a Sony PCM R-500-Digital Out @ 16/44.1kHz-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) JW:February 2015	Source Detail	FLAC
06/06/70	Fillmore West	San Francisco	CA	electric set; SBD Reel master > cassette > DAT > CD > SHN; Seeded by Jay Ashley; see info file for listening notes	Source Detail
06/06/70	Fillmore West	San Francisco	CA	flac16; Electric Set Only: Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC. All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
06/06/70	Fillmore West	San Francisco	CA	flac16 Acoustic Set Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/06/70	Fillmore West	San Francisco	CA	flac16; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bear on a Sony 770 Reel 2 Reel)- 1st Generation Cassettes (TDK SAX-100's) Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No Dolby); Analog to Digital Transfer(Cassettes played back on Nakamichi Dragon-Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa late 1990's) Zero Gen DAT play back on a Sony PCM R-500-Digital Out @ 16/44.1kHz-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); Jim Wise	Source Detail	FLAC
06/07/70	Fillmore West	San Francisco	CA	acoustic and electric; S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD> EAC> shn; splices in Casey, Man's World, Cumberland; CD seeded by D. Hollister, see his editing notes in info file; via A. Cohen to BUDD tree; etreed by R. Nayfield	Source Detail
06/07/70	Fillmore West	San Francisco	CA	flac16/48kHz; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)- 1st Generation Cassettes (TDK SA-X 100's) Taped By Dick Latvala(Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no dolby); Analog to Digital Transfer(Dick's Cassettes played back on Nakamichi Dragon- Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa 1997); DAT play back on a Sony PCM R-500-Analog out-Sony PCM R-700 Analog in @ 48KHz-Digital Audio Labs Carddeluxe-WAV @ 16/48kHz; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name)	Source Detail	FLAC
06/13/70	Red Vest	Oahu	HI	Complete; SBD MR> R> D> CD + AUD low-gen; patched by Hanno Bunjes, with thanks to Paul B. and Uli	Source Detail
06/21/70	Pauley Ballroom, U. of California	Berkeley	CA	AUD C/3 > CD; extracted/ shortened by Hanno Buunjes, with thanks to Uli for the AUD tape; Hanno's notes	Source Detail
06/21/70	Pauley Ballroom, U. of California	Berkeley	CA	flac1648; AUD said to have been recorded by Harry Ely > unknown transfer to WAV-1648 marked 2nd-Gen > Wavelab (small edits & speed adjust) > CD-Wave > TLH > FLAC 1648 tagged.	Source Detail	FLAC
06/24/70	Capitol Theater (Late)	Port Chester	NY	late show, plus 7/10/70 mislabled as 6/24 early; reportedly AUD; via Mike Lai to etree and furthur; with thanks to Wayne Gucwa	Source Detail
06/24/70	Capitol Theater (Late)	Port Chester	NY	Late Show--Electric Set; center lodge, mics mounted on rails->120-min. Sony cassette audience master-> analog cassette XL II, no dolby->Sony TC D5M DAT->playback on Sony PCM R-700-> HDD via za2->CDR master via CD Architect->EAC->Sound Forge->SHN; via Crazy Jimi; Seeded to etree by Harlan	Source Detail
06/24/70	Capitol Theater (Late)	Port Chester	NY	early and late shows (see discussion in txt and pub comments); Sony TC124 with unknown Sony dynamic mics	Source Detail	FLAC
06/24/70	Capitol Theater (Late)	Port Chester	NY	Audience tape recorded by J.Cooper: Hitachi trq-222 stereo casstte recoder using 2 hitachi mics and a 120 minute tape. Transferred by Coopernicus March 2006: Sony tcd5pro2>dbx223> Sonyrcdw500c MC>EQ>CDR>EAC>FLAC	Source Detail
06/24/70	Capitol Theater (Late)	Port Chester	NY	late electric; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes; Usher tree shn branch	Source Detail	SHN
06/24/70	Capitol Theater (Late)	Port Chester	NY	flac16; Late Show partial source: aud reel lineage: aud>?>7" reel @ 3.75 ips, dolby b; transferred & seeded by Rob Berger; pitch correction by Moose	Source Detail	FLAC
06/24/70	Capitol Theater (Late)	Port Chester	NY	flac16; source: AUD Cassette Master taped by Jim Cooper; Hitachi mics > Hitachi trq-222 deck; Nakamichi Dragon > Benchmark ADC1 24/96 > pc > adobe audition 2.0 > cd wave > flac; transfer & mastering by Rob Berger	Source Detail	FLAC
06/24/70	Capitol Theater (Late)	Port Chester	NY	flac16; Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3&3/4ips) > Alesis Masterlink ML-9600 > CDR > EAC(secure, offset corrected) > Cool Edit Pro > TLH > FLAC16 Analog to Digital by Bill Gadsden, April 2009	Source Detail	FLAC
06/24/70	Capitol Theater (Late)	Port Chester	NY	flac16; Source: Sony F95's > Sony TC124 > Master Cassette - Recorded by Ken and Judy Lee; Transfer: The cassettes were baked, processed and transfered via Tascam 122 MK-III > Lucid ADA1000 > Tascam CDRW 700 (CDR) by John Jay Hance; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 > CD Wave . Flac 16; edited and mastered SIRMick February 2019	Source Detail	FLAC
07/01/70	Winnipeg Fairgrounds	Winnipeg	MB	SBD>?>VHS>CD; assumed to be a portion taken from the raw video footage shot during the Trans Continental Pop Festival Tour across Canada by train; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman	Source Detail
07/10/70	Fillmore East	New York	NY	AUD>MR>CD>EAC>SHN recorded by Marty Weinberg on an Uher 5 inch open reel deck encoding/edits by Jeff Cotsman	Source Detail
07/11/70	Fillmore East	New York	NY	AUD>MC>C>C>D>CD; via Andrew Clarke; Seeded to etree by J. Cotsman	Source Detail
07/12/70	Fillmore East	New York	NY	source: aud > ??? > shn > wav > shn via SirMick	Source Detail
07/12/70	Fillmore East	New York	NY	flac16; unknown audience recording; edited and mastered by Jamie Waddell; all transfers and work performed in the 24 bit realm Weiss-Saracon for 16 BIT 44.1kHz; SBE Free, Flac Level 8 with TLH, Meta Data with Tag & Rename	Source Detail	FLAC
07/12/70	Fillmore East	New York	NY	flac16; Combination of the two audience recordings shnid 9379 and shnid 122707; edits were limited to volume, speed, cross-fades at the beginning and end of patches, and such elimination or reduction of drops, static, clicks, and bumps as I could obtain without losing any music; see info files for details	Source Detail	FLAC
07/12/70	Fillmore East	New York	NY	flac16; Jim Cooper's Hitachi TRQ-222 Cassette recording > CDR > WAV > FLAC	Source Detail	FLAC
07/14/70	Euphoria Ballroom	San Rafael	CA	both sets; SBD> MR> C> D> CD> EAC> SHN; aud patch for Don't Ease; edits/encoding by JCotsman	Source Detail
07/14/70	Euphoria Ballroom	San Rafael	CA	sbdmr> dat> cd> shn> cd> ?> shn; this source is possibly derived from source id 1030	Source Detail	SHN
07/16/70	Euphoria Ballroom	San Rafael	CA	partial; Master Soundboard Reel > Cassette > Cassette > CDR; CD Mastering by Scott Clugston; to abgd	Source Detail
07/16/70	Euphoria Ballroom	San Rafael	CA	Set 2; SBD>MR>?>C>CD>SHN	Source Detail
07/30/70	Lion's Share	San Anselmo	CA	SBD>??>CD>EAC>SHN via Chuck Gannon edits/encoding by Jeff Cotsman	Source Detail
07/30/70	Lion's Share	San Anselmo	CA	flac16; MR(Abrams)>R@ 7.5 ips.(Peter Kafer)>R @ 7.5 ips.(Will Boswell) > CD; Transfered and mastered by Matt Smith 5/11; cd > flac dbpoweramp cd ripper	Source Detail	FLAC
07/??/70	Trans Continental Pop Festival?	Various	Various	flac16; Recording Info: Unknown Mics -> ? -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/??/70	Festival Express Train	Unknown	Canada			FLAC
08/05/70	Golden Hall Community Concourse	San Diego	CA	SBD> MR> PCM> D> CD> EAC> SHN; some normalization and editing with Soundforge; via thecore	Source Detail
08/05/70	Golden Hall Community Concourse	San Diego	CA	MSR > Reel > PCM > DAT > CDR > EAC > SHN via Andy Lemieux, encoding Joe Jupile	Source Detail
08/17/70	Fillmore West	San Francisco	CA	Partial; 2+ songs & date is 'uncertain'; See info file for details; AUD>MC>D>CD; via Chuck Gannon; Seeded to etree by JCotsman	Source Detail
08/18/70	Fillmore West	San Francisco	CA	AUD mC> Rx2> DAT> CDR; EAC and SHN'd by Ben Yerys from Jared Minkoff's seed; DAT>CD transfer by Miles Garret	Source Detail
08/18/70	Fillmore West	San Francisco	CA	flac16/48kHz; Unknown Audience Cassette > FLAC	Source Detail	FLAC
08/18/70	Fillmore West	San Francisco	CA	flac24; Unknown Audience Cassette > FLAC; Fixed version in circulation	Source Detail	FLAC
08/18/70	Fillmore West	San Francisco	CA	flac16; AUD mC> Rx2> DAT> CDR; this new version has been pitch adjusted with the following ratios: acoustic set with a 'slight' sliding time scale/pitch shift of +0.123%; 2) electric set with a sliding time scale/pitch shift of +9.678%; (electric [lower volume level] set has also been amplified by +3.9%)	Source Detail	FLAC
08/19/70	Fillmore West	San Francisco	CA	AUD>MC>R>PCM>D>CD; Missing several songs; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon & JCotsman	Source Detail
08/19/70	Fillmore West	San Francisco	CA	flac16; Recording by Gene Taback: Master Audience Cassette; Sony TC-124 with Sony Stereo Mic Acoustic Set: Master Electric Set: 1st generation cassette Transfer and FLAC encoding by David Minches: Master/1st generation cassettes played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard (96Mhz/24 bit)> HD Editing performed in Adobe Audition; Dithered and downsampled to 44.1 MHz / 16 bit; Flac Encoded	Source Detail
08/19/70	Fillmore West	San Francisco	CA	flac16; Set 1: AUD>MC>D>FLAC>AIFF>FLAC Set 2: AUD>MC>R>PCM>D>CD>EAC>SHN>AIFF>FLAC	Source Detail
08/30/70	KQED Studios	San Francisco	CA	FM-> 7inch MR-> DAT-> CDR-> EAC-> SHN V.3; via D. Backus	Source Detail
08/30/70	KQED Studios	San Francisco	CA	Master FM Reel (Taped by Michael Parrish, Sony TC-366 Reel to Reel using "Concert" polyester tape) > 3 CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > .shn encoding using mkwACT. Proper sector boundaries verified using .shntool. EAC > SHN by Joe Jupille, with thanks to Andy Lemieux for the source CDs.	Source Detail
09/17/70	Fillmore East	New York	NY	MAC> Reel> Cassette> DAT> CD> EAC> SHN; submitted by user seabass; note slightly different tracking from previous shn set	Source Detail
09/17/70	Fillmore East	New York	NY	mixed sources: MAC> R> C> CD recorded by Jack Toner, with a Sony TC-110 with built-in microphone; plus MAC> ?> C> R> CD and MAC> ?> C> R> R> CD, Unknown tapers/equipment; Source tapes from Dwight Holmes, Transfer to digital by David Minches, Patches and SHN encoding by Jack Warner	Source Detail
09/17/70	Fillmore East	New York	NY	remaster of shnid 16090, by SIRMick	Source Detail
09/17/70	Fillmore East	New York	NY	flac16; Partial Set 3 Source: AKG190E > Uher 400L > Master Audience Reel > ??? > Reel 3.75 ips (low gen) - Recorded by Marty Weinberg and provided by Don Wolfe; Transfer: Reel > Akai GX636 > Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > wav 24/96; Lineage: wav 24/96 >Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac16; edited and mastered SIRMick March 2019	Source Detail	FLAC
09/18/70	Fillmore East	New York	NY	SBD > MR > R > DAT > CDR > EAC (Secure, Test and Copy) > SHN; EAC, SHN extraction and etree seeding done by Gerald Gorinsky, from Paul Botiglio's CD	Source Detail
09/18/70	Fillmore East	New York	NY	Soundboard (via Andy Lemieux) and Jack Toner audience tape (via Jack Warner) composite edited and encoded by Jeff Cotsman. Include NRPS, Dead Acoustic and Electric sets	Source Detail
09/18/70	Fillmore East	New York	NY	flac16; SBD -> Master Reel -> CD -> EAC(secure, offset corrected) -> TLH(flac encoding) -> FLAC Circulated by Chuck Reynolds, February 13, 2009	Source Detail	FLAC
09/19/70	Fillmore East	New York	NY	SBD > Reel(0) > DAT > Mac (via Lucid PCI24) > CD-R; DAT from "3 Decades of Dead" Tree CDR; Conversion by Tim Buller	Source Detail
09/19/70	Fillmore East	New York	NY	MSR > DAT > CD or SBD> Rm> Reel> Dat> Sonic Solutions> CD; EAC> SHN by Seth Kaplan; more complete than previously etreed versions	Source Detail
09/19/70	Fillmore East	New York	NY	Composite Audience Source (Master audience cassette Taped by Jack Toner, Sony TC-110 with built-in microphone and Master audience reel Taped by Marty Weinberg, AKG190E>Uher 400L) via Dwight Holmes and Dr. Michael Parrish. Patches and EAC > SHN by Jack Warner	Source Detail
09/19/70	Fillmore East	New York	NY	flac16; (disc 3 only) Sick Bits 14; matrix: SBD/AUD mix of 2 previously circulating sources (SBD: shnid=5217 & AUDs (composite): shnid=25473) edited, mixed and converted by Chris Chappell	Source Detail	FLAC
09/19/70	Fillmore East	New York	NY	flac16; SBD -> Master Reel -> CD -> EAC(secure, offset corrected) -> CoolEdit Pro -> TLH -> FLAC16; Circulated by Chuck Reynolds	Source Detail	FLAC
09/19/70	Fillmore East	New York	NY	flac16; source: aud 1st gen reel; Jerry Moore's copy; lineage: aud reel master>reel @ 3.75 ips master taped by Marty Weinberg: akg d190e>Uher 4000L reel; technics rs-1506>hd-p2 24/96 compact flash > pc > cd wave >adobe audition 2.0 > flac; transferred & seeded by Rob Berger	Source Detail	FLAC
09/19/70	Fillmore East	New York	NY	flac1644 ; AUD fragment; Source: Unknown mono AUD via the collection of Rich Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2021	Source Detail	FLAC
09/19/70	Fillmore East	New York	NY	flac16; Set 1 Source unknown, thought to be Jack Toner's audience recording; Lineage: AUD > ?? > CD WAV > FLAC	Source Detail	FLAC
09/20/70	Fillmore East	New York	NY	mixed sources (see info file for details, plus additional details in pub comments); seed assembled and distributed by Jim Wise; CD> EAC> SHN by Darrin Sacks; Darrin comments: "Has a fair amount of hiss and analog tape wear, but is the best we're probably ever going to hear, as this show isn't in the Vault."	Source Detail
09/20/70	Fillmore East	New York	NY	This is a remaster of shn id 1190; hiss has been reduced, a number of clicks and pops have been removed and some other artifacts cleaned up, a number of volume adjustments have been made, final mastering using iZotope Ozone	Source Detail
09/20/70	Fillmore East	New York	NY	flac16; AUD MR>CD Marty Weinberg master 5" Uher open-reel. via Jack Warner, Hanno Bunjes	Source Detail
09/20/70	Fillmore East	New York	NY	flac16; MR > R Heavily Edited > R @ 71/2ips > CD * Transfer info: reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16	Source Detail
09/20/70	Fillmore East	New York	NY	flac16; This is a restored version of shind: 97364; MR > R (Buddy Miller) HEAVILY EDITED > R @ 71/2ips (Will Boswell) > CD; Transfer info: reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16 Restoration completed with Diamond Cut Forensics 10.2.	Source Detail	FLAC
09/20/70	Fillmore East	New York	NY	flac16; Set One: Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Set Two: DAT-> PANASONIC SV-3700-> TASCAM DA-30 (Spring 1996)-> DAT-> Panasonic SV-3800-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> Adobe Audition 3.0.1; Wavelab 7.1 mastering by Jamie Waddell; Track, FLAC and Pack by John Wenzel; a project **GEMS**	Source Detail	FLAC
10/04/70	Winterland Arena	San Francisco	CA	SBD FM> MR> R> ?> CD> SHN; via thecore; see info file for flaw notes	Source Detail
10/04/70	Winterland Arena	San Francisco	CA	SBD> FM> MR> R> R> DAT> WAV> SHN; R>SHN; Conversion By Cousinit, seeded to abgd	Source Detail
10/04/70	Winterland Arena	San Francisco	CA	KSAN-FM Master Reel> Barry Glassberg's 1st gen Reel (Dolby B Decoded)> PCM> CDR> EAC> CoolEdit2000 (see notes)> SHN; EAC> seekable SHN by D.Winters, with thanks to Harvey Lubar, Tony Cortazzo, Chuckles	Source Detail
10/04/70	Winterland Arena	San Francisco	CA	flac16; Source: KSAN-FM > Reel Master > Barry Glassberg's 1st Gen 1/4 tr Reel > PCM > CD > Wav - Received from an anonymous benefactor; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick March 2019	Source Detail	FLAC
10/10/70	Colden Auditorium - Queens College	Flushing	NY	AUD, from low (< 5th) generation tape; via Hanno Bunjes, with thanks to Ulie Teute; Hanno's notes	Source Detail
10/10/70	Colden Auditorium - Queens College	Flushing	NY	flac16/48kHz; Source: Sony F95's > Sony TC124s > Master Cassette (Ampex 361) > Cassette (Maxell XL2S) > DAT(48k) - Recorded by Ken and Judy Lee; Transfer: DAT > Sony PCM-M1 > Edirol HR09 > Wave > 24/88.2 - Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3 > iZotope RX7 Advanced > wav 16/48 > iZotope Ozone 5 Advanced > CD Wave > Flac 1648; edited and mastered SIRMick January 2019	Source Detail	FLAC
10/11/70	Marion Shea Aud., Paterson State Col.	Wayne	NJ	AUD>MC>?>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman	Source Detail
10/17/70	Cleveland Music Hall	Cleveland	OH	flac16;Recording Info:Unknown Mic -> Cassette Master (Mono); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/23/70	McDonough Arena, Georgetown U.	Washington	DC	Source: AUD-MCass>DAT>DAT>CDR DAT speed-corrected by David Gans. Various glitches edited out by CW posted to abgd 11/2002. SBE's on all tracks except d2t03	Source Detail
10/23/70	McDonough Arena, Georgetown U.	Washington	DC	flac16; Source: Audience Media: Mallory Duratape C-60 Lineage: AUD > Sony TC-124 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Marantz PMD671 > WAV Taped by: Cary Wolfson Transfer by: D. McCabe Mastering by: D. McCabe	Source Detail	FLAC
10/23/70	McDonough Arena, Georgetown U.	Washington	DC	includes NRPS; source (a guess?): AUD Taper: Cary Wolfson, Sony TC124 with a 1 point stereo mic 15 feet back from stage > MC > C > DAT > ??? > CD > EAC > shn; seeded by Sketchy; shn info submitted by user jamballyho	Source Detail	FLAC
10/24/70	Kiel Opera House	St. Louis	MO	S:MReel> Reelx2> DATx2> ZA2> DartPro32 NR (weight .03/ V.L. smoothing/ Normal frame size /Large freq. carving /V.L. overlay)> CD; cut at beginning of NFA (reel flip?); via D. Hollister, J. Ayers; w/ 12/31/70 filler; 12/31/70 filler	Source Detail
10/24/70	Kiel Opera House	St. Louis	MO	flac16; SBDMR->R->R->DAT->DAT->ZA2->DartPro32 NR (weight .03/ V.L. smoothing/ Normal frame size /Large freq. carving /V.L. overlay)-> CD "via D. Hollister, J. Ayers" pitch correction using SoundEdit 16 on the Macintosh platform by Bob Bihlmayer (howlin_bob@hotmail.com) 7/16/05: SHN->xACT->AIFF->SoundEdit16->FLAC	Source Detail	FLAC
10/24/70	Kiel Opera House	St. Louis	MO	flac16; Recording: SBD > Master Reel > Reel > (7.5ips) > PCM (Sony HG tape); Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)	Source Detail	FLAC
10/24/70	Kiel Opera House	St. Louis	MO	flac16; Source: Unknown mono soundboard (low gen) - provided by Will Boswell; Transfer: low gen Reel > Technics RS-1506 > Apogee Mini Me > Mini DAC > WaveLab 5 > .wav 24-bit/96k; edited and mastered SIRMick; This file set is 16 bit @ 44.1	Source Detail	FLAC
10/30/70	Gym, SUNY (Late Show)	Stony Brook	NY	early show; SDB> MR> PCM> CD; via Mike Lai to etree and furthur; with thanks to Wayne Gucwa	Source Detail
10/30/70	Gym, SUNY (Late Show)	Stony Brook	NY	SBD>MR>PCM>D>CD>EAC>SHN; complete early/late shows via Jeff Cotsman	Source Detail
10/30/70	Gym, SUNY (Early Show)	Stony Brook	NY	Early Show: MSR>C>DAT>WAV>SHN via Cousinit (Cassette Source recorded directly from Master Reels)	Source Detail	SHN
10/30/70	Gym, SUNY (Late Show)	Stony Brook	NY	Late Show: MSR>C>DAT>WAV>SHN Circulated via alt.binaries.gdead usenet group in 4/2003 Going through old discs I realized that this was missing an md5. I added the md5 I had for this txt file. Darryl Hinko 3/4/09	Source Detail
10/30/70	Gym, SUNY (Early Show)	Stony Brook	NY	flac16; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/44.1k; Dat supplied By Dan De Luca; Transferred By Digitalrbb; Mastered By Charlie Miller; the original files had a flaw in s3t01 which was later fixed (2012/09/06)	Source Detail	FLAC
10/30/70	Gym, SUNY (Late Show)	Stony Brook	NY	flac1644; 1-song only; Source: Unknown mono AUD via the collection of Rich Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2021	Source Detail	FLAC
10/30/70	Gym, SUNY (Early Show)	Stony Brook	NY	flac16/44 Source: SBD > Gordon Healy's Master Reel 1st transfer: Master Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick August 2021	Source Detail	FLAC
10/31/70	Gym, S.U.N.Y. (Late)	Stony Brook	NY	early electric; SBD > Reel > DAT; Transfer: D7 > Coresound > Prodif Plus > Samplitude 5.5 > CDwav > SHN, by Mike Fischer	Source Detail
10/31/70	Gym, S.U.N.Y. (Late)	Stony Brook	NY	Late Show, includes NRPS set; MSR> C> DAT> WAV> SHN; Cassette Source recorded directly from Master Reels; C>SHN Conversion by Cousinit; note parens in filenames	Source Detail
10/31/70	Gym, S.U.N.Y. (Late)	Stony Brook	NY	SOURCE INFO: Rating: AR-2, Source: A-SBD, SCMS: 00, Gen: M, DOW: Sat, Time: 180 min., Lineage: SBD > RTR > PCM > D, if necessary, any and all NR and/or EQ processes were performed, using between 95% and 100% analog realm outboard equipment, at Serafin Station Studio A or B; released between 03/94 and 12/96 TRANSFER INFO: Sony PCM-R300 > Audiophile 2496 > Cool Edit Pro2 > .WAV > .FLAC Note: Appeared on bt.etree.org ~ 4/1/2006	Source Detail
10/31/70	Gym, S.U.N.Y. (Late)	Stony Brook	NY	Early Show: MSR>C>DAT>WAV>SHN Circulated via alt.binaries.gdead usenet group in 4/2003 Going through old discs I realized that this was missing an md5. I added the md5 I had for this txt file. Darryl Hinko 3/4/09	Source Detail
10/31/70	Gym, S.U.N.Y. (Early)	Stony Brook	NY	flac16; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/44.1k; Transferred By Digitalrbb; Mastered By Charlie Miller	Source Detail	FLAC
10/31/70	Gym, S.U.N.Y. (Early)	Stony Brook	NY	flac16/44 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) > Gordon Healy's Reel 1st transfer: Gordon Healy's Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick August 2021	Source Detail	FLAC
10/31/70	Gym, S.U.N.Y. (Late)	Stony Brook	NY	flac16/44 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) Transfer: Master Reel > Kenny Mance’s Revox 77A > Korg MR1000 > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16	Source Detail	FLAC
11/05/70	Capitol Theater	Port Chester	NY	Electric Set; center lodge, mics mounted on rails->Sony cassette audience master-> analog cassette XL II, no dolby->Sony TC D5M DAT->playback on Sony PCM R-700-> HDD via za2->CDR master via CD Architect; via Crazy Jimi; Seeded to etree by Harlan	Source Detail
11/05/70	Capitol Theater	Port Chester	NY	D1T1 through D2T2: MAC>C>D>CD>EAC>SHN>WAV>FLAC D2T3 through D2T5: MAC>?>C>D>CD>EAC>SHN>WAV>FLAC Recorded by Ken Leigh with a Sony TC-110 with built-in microphone, from center loge. This is remaster of shnid 17182 I decided to track it a little differently to the original seed	Source Detail
11/05/70	Capitol Theater	Port Chester	NY	Mastered and encoded by Jack Warner. Recorded by Ken Leigh with a Sony TC-110 with built-in microphone, from center loge. D1T1 through D2T2: MAC>C>D>CD>EAC>SHN. D2T3 through D2T5: MAC>?>C>D>CD>EAC>SHN	Source Detail	FLAC
11/06/70	Capitol Theater	Port Chester	NY	Complete with NRPS sets mastered and encoded by Jack Warner. Acoustic set through 1:50 of El Paso, entire electric set is MAC>C>D>CD>EAC>SHN, from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in microphone. *Uncle John's Band and NRPS set is MAC>C>R>D>CD>EAC>SHN, from Ken Leigh's master. *From 1:50 of El Paso through 0:03 of Uncle John's Band is MAC>R>D>CD>EAC>SHN, from Dave Tamarkin's master, recorded from the floor with a Sony Dictaphone	Source Detail
11/06/70	Capitol Theater	Port Chester	NY	disc 3 of previous seed (17183) patched to include Marty Weinberg's audience recording (MAR > CD), via Hanno Bunjes	Source Detail
11/06/70	Capitol Theater	Port Chester	NY	see info file; 5/00 to abgd via Teddy Goodbear, Doug Johnson; 3/01 to etree via Morgan Evans, Rick Lepley lepleyr@hotmail.com; note in absence of md5s for 5/00 set, not sure whether there are 2 different shn sets or not; note 3/01 discs labelled as 1,3,4 (d2 reportedly NRPS?)	Source Detail	SHN
11/07/70	Capitol Theater	Port Chester	NY	Mixed audience sources; See info file for details; Including NRPS set; via Ken Leigh, Jack Toner, Marty Weinberg; Seeded to etree by Jack Warner	Source Detail
11/07/70	Capitol Theater	Port Chester	NY	flac16; source: aud 1st gen 7" reel @ 3.75 ips, dolby b mastered on uher reel w/akg d190e mics taped by Marty Weinberg lineage: aud reel master>reel technics rs-1506>sony nr-335>hd-p2 24/48> cd wave>adobe 2.0 16/44>flac tranferred & seeded by Rob Berger	Source Detail	FLAC
11/07/70	Capitol Theater	Port Chester	NY	flac16; source: aud reel master; taped by Marty Weinberg; akg d190e > uher 4000L; transferred by Michael Parish; seeded by Rob Berger	Source Detail	FLAC
11/08/70	Capitol Theater	Port Chester	NY	Multiple audience sources mastered by Jack Warner (see info file for details) including MAR>C>D>CD>EAC>SHN, from Marty Weinberg's master, recorded from the floor, AKG 190E mic > Uher 4000 Report-L 5" reel machine; MAC>C>D>CD>EAC>SHN, MAC>C>R>D>CD>EAC>SHN and MAC>C2>D>CD>EAC>SHN from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in mic; and an unknown third master.	Source Detail
11/08/70	Capitol Theater	Port Chester	NY	THE OWEN BROTHERS VAULT ; (AUD:Various sources ); Editing and Mastering by The Wizard ; Please see txt for details. 04/14/2004	Source Detail
11/08/70	Capitol Theater	Port Chester	NY	The Port Chester Resurrection Project #7 Taped by Ken and Judy Lee. See txt file for details.	Source Detail
11/08/70	Capitol Theater	Port Chester	NY	flac16; source: aud reel master taped by Marty Weinberg; akg d190e > uher 4000L; transferred by Michael Parish; the following were used as patch sources: Jerry Moore's 1st gen reel of Marty's mar and Ken Lee's aud cassette master; assembled by Rob Berger	Source Detail	FLAC
11/08/70	Capitol Theater	Port Chester	NY	Source: MAR>C>D>WAV>SHN; MAR source seems to be from Marty Weinberg's master, recorded from the floor, AKG 190E mic > Uher 4000 Report-L 5" reel machine; C>SHN Conversion by Cousinit; includes some tracks from the Jack Warner shn set.	Source Detail	FLAC
11/08/70	Capitol Theater	Port Chester	NY	AudMC > DAT > CD > EAC > SHN Note: This is a patched fix for the most recent upgrade of this show, put into circulation by The Port Chester Resurrection Project (/shninfo_detail.php?shnid=26975). Added to etree by Noah Weiner	Source Detail	FLAC
11/08/70	Capitol Theater	Port Chester	NY	flac24/96 Source: AKG 190E mic > Uher 4000 Report-L > Master Reels - recorded by Marty Weinberg and from the collection of Steve Martin Transfer Master Reels > Akai GX625 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 edited and mastered SIRMick November 2021	Source Detail	FLAC
11/09/70	Action House	Island Park	NY	AUD low gen; via Hanno Bunjes, with thanks to Uli Teute; pitch corrected up 3%; Hanno's notes	Source Detail
11/10/70	Action House	Island Park	NY	partial; AUD; see notes in info file; via Hanno Bunjes; with thanks to Uli and Jack Warner	Source Detail
11/10/70	Action House	Island Park	NY	AUD>MR>?>CD>EAC>SHN (most of NFA from Weinberg source). AUD>?>C>CD>EAC>SHN (two other aud sources that provide the patch in NFA and all of The Other One); see info file for details; seeded to etree via D Litfin; edits/encoding by JCotsman	Source Detail
11/11/70	46th Street Rock Palace	Brooklyn	NY	AUD>MC>C>C>C>C>D>CD>EAC>SHN; See info file for quality notes; via Chuck Kiefe encoding and edits by Jeff Cotsman	Source Detail
11/16/70	Fillmore East	New York	NY	SBD:MR>Revox deck (model unknown): 10" ? track Reel @ 7.5ips > Revox B77 playback deck > Alesis Masterlink ML9600 > CD > EAC > Cool Edit 2000 > SHN. A>D by Bill Gadsden. encoding Dave Winters. (Note: Other shn sets assign this music to 11/23/70).	Source Detail
11/16/70	Fillmore East	New York	NY	SBDMR> DAT> CD-r> EAC> SHN; fits on 1x80; retracked and seeded by Mike Lai; reportedly chopped up, as are previous seeds	Source Detail	SHN
11/16/70	Fillmore East	New York	NY	flac16; Partial; Lineage: aud>?>Rich>nak>nak dolby C> XLII C90, from Rich Petlock; Transfer: Dragon dolby C>UA55>usb> Audacity>TLH>flac16	Source Detail	FLAC
11/20/70	The Palestra, U. of Rochester	Rochester	NY	AUD (Marty Wienberg)> MR> PCM> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Jeff Cook	Source Detail
11/21/70	Sargent Gym, Boston University	Boston	MA	Partial; SBD C/?; See info file for detail; From Uli Teute & Hanno Bunjes	Source Detail
11/29/70	Club Agora	Columbus	OH	AUD low gen; a few cuts; via Hanno Bunjes with thanks to Uli Teute; pitch corrected; Hanno's notes	Source Detail
12/12/70	Santa Rosa Fairgrounds	Santa Rosa	CA	Master Soundboard Reel > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; see info file for deadlist.com notes	Source Detail
12/12/70	Santa Rosa Fairgrounds	Santa Rosa	CA	flac1644; partial; Gene Taback's Master Audience Cassette (Sony TC-124 with Sony Stereo Mic); Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard> HD. Editing performed in Adobe Audition; Flac Encoded	Source Detail	FLAC
12/17/70	Winterland	San Francisco	CA	flac16; SBD > Master Reel > Master Cassette? > Cassette > CoolEdit > Flac	Source Detail	FLAC
12/23/70	Winterland Arena	San Francisco	CA	Partial; SBD>MR>R>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
12/23/70	Winterland Arena	San Francisco	CA	flac16; Source: SBD > Master Reel? > Master Cassette > Cassette > CoolEdit > Flac	Source Detail
12/23/70	Winterland Arena	San Francisco	CA	flac16; Recording Info: (d1t01 - d1t06) SBD -> Master Reel -> CD -> FLAC; (d1t07 - d1t11) SBD -> Master Reel -> Cassette -> Cassette -> FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/26/70	Legion Stadium	El Monte	CA	sdb> R> pcm> cd; via Mike Lai to etree and furthur; with thanks to Wayne Gucwa	Source Detail
12/26/70	Legion Stadium	El Monte	CA	Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Patch Info: SBD -> Master Reel -> ? -> Dat -> SHN Edited and Patched By Charlie Miller	Source Detail
12/26/70	Legion Stadium	El Monte	CA	SBD> ?? (maybe 2 reel gens)> PCM> WAV> CDR> EAC> SHN; Transfer: SPDIF> SEK'D Prodif96Pro, Speed corrected via Samplitude	Source Detail	SHN
12/27/70	Legion Stadium	El Monte	CA	MSR> C> D> CD; via Steve Barbella with thanks to Seth Kaplan	Source Detail
12/27/70	Legion Stadium	El Monte	CA	SBD -> Master Reel (7inch Master Reels@7.5ips 1/2trk) -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Edited By Charlie Miller	Source Detail
12/28/70	Legion Stadium	El Monte	CA	SBD> MR> C> DAT> CD> EAC> SHN> WAV (for edits)> SHN; with patches from AUD Sony ECM-22> Rm> Dat> CD> Sound Forge> CD> EAC> .wav; by Steve Barbella, from Seth Kaplan SBD seed; d2 tracked for 80 min	Source Detail
12/28/70	Legion Stadium	El Monte	CA	SBD> Master Reel> Cassette> Dat> CD> EAC> Samplitude v7.02 Professional> SHN, Patched with Sony ECM-22> Rm> Dat> CD; All Editing Done By Charlie Miller	Source Detail
12/28/70	Legion Stadium	El Monte	CA	AUD : MR > DAT > CD via Alan Fink	Source Detail
12/28/70	Legion Stadium	El Monte	CA	flac16; Matrix 2 Source Mix - SBD (shn id 22313) SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN + AUD (shn id 17706) MR > DAT > CD - matrix mixing by Kevin Tobin	Source Detail	FLAC
12/28/70	Legion Stadium	El Monte	CA	flac16; AUD : MR > Reel > DAT > CD original via Alan Fink - patched and speed correction by Kevin Tobin	Source Detail
12/31/70	Winterland Arena	San Francisco	CA	"aftershow" and promos; sbd> ?reel?> dat> cd> EAC > CDWav (split)> shn V3; EAC>SHN by Brian Cole, from Jim Oade seed	Source Detail
12/31/70	Winterland Arena	San Francisco	CA	Complete; Mixed Sources; FMS (KSAN)> ??> Cass> DAT> CDR; SBD MR> Cass> DAT> CDR (Pre-FM GDH)	Source Detail
12/31/70	Winterland Arena	San Francisco	CA	partial; S:MReel> DAT> Satellite Feed> DAT> ZA2> SoundForge NR (removed hum)> DartPro32 de-hissed (gain 3.0)> CD; filler on 10/24/70	Source Detail	shn
12/31/70	Winterland Arena	San Francisco	CA	flac16; Partial Show, source: sony ecm-22p's>sony tc-770 reel @ 7.5 ips; lineage: aud reel master>7" reel @ 7.5 ips technics rs-1506>hd-p2 24/96>hd>cd wave>adobe 16/44>flac; transferred & seeded by Rob Berger 9/24/09	Source Detail	FLAC
12/??/70	Radio	Unknown	Unknown	Unknown source.	Source Detail
??/??/70	Pacific High Recording Studio	San Francisco	CA	studio MR> ?> C> SF> CDR; includes repeat of some material with EQ, Dolby A	Source Detail
??/??/70	Pacific High Recording Studio	San Francisco	CA	flac16; studio sessions transfer and mastering by matt smith soundboard > master reel > Kidd Candelario dub > will boswell 7 1/2 ips reel > Apogee 24/96 (dithered to 16/44 via Wavelab 5.0) > CD	Source Detail	FLAC
??/??/70	Unknown	Unknown	Unknown	flac16 Source: Restoration of SHNID 017271 Thanks to Joe Jupille and Andy Lemiuex for the original source Transfer: MSR > Reel > PCM > DAT > CDR > EAC > SHN	Source Detail	FLAC
01/21/71	Freeborn Hall, University of California	Davis	CA	flac16; Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller	Source Detail	FLAC
01/21/71	Freeborn Hall, University of California	Davis	CA	flac16/48 Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496	Source Detail	FLAC
01/22/71	Lane Community College	Eugene	OR	SBD> (unknown analog gens)> C> CD> EAC> SHN; Walter Schnell analog-> CD conversion; shn encoding Jeff Cotsman	Source Detail
01/24/71	Seattle Center Arena	Seattle	WA	SBD> MR> C> DAT> CDR; Truckin? is missing the opening notes, Good Lovin? reprise cuts at 0:24; via Mike Lai with thanks to Paul B.	Source Detail
01/24/71	Seattle Center Arena	Seattle	WA	flac16; Recording Info: SBD > Master Reel > Cassette > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitide Pro X5 Suite > FLAC	Source Detail	FLAC
02/18/71	Capitol Theater	Port Chester	NY	SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)	Source Detail
02/18/71	Capitol Theater	Port Chester	NY	direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson	Source Detail
02/18/71	Capitol Theater	Port Chester	NY	flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.	Source Detail	FLAC
02/18/71	Capitol Theater	Port Chester	NY	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
02/18/71	Capitol Theater	Port Chester	NY	flac24; Source Info: Source A: Master Audience Cassettes; unknown taper, unknown equipment > 1st generation reels; Source B: Master Audience Cassette; unknown taper, unknown equipment > 1st generation reels; Transfer Info (both sources): 1st generation reels (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (.wav 24/96) > Adobe Audition 2019 > TLH flac2496	Source Detail	FLAC
02/18/71	Capitol Theater	Port Chester	NY	flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger	Source Detail	FLAC
02/18/71	Capitol Theater	Port Chester	NY	flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show	Source Detail	FLAC
02/18/71	Capitol Theater	Port Chester	NY	flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC	Source Detail	FLAC
02/18/71	Capitol Theater	Port Chester	NY	flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented	Source Detail	FLAC
02/19/71	Capitol Theatre	Port Chester	NY	7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine reduced with notch filter (see info file for details and other flaw notes); via WBOTB tree (site includes covers)	Source Detail
02/19/71	Capitol Theatre	Port Chester	NY	flac16; unknown mono audience recording source: 1st gen reel> Teac A-2300SX> RCA out> Audiophile 2496> Wavelab 4.0 lineage: Wavelab 4.0> CD Wave> MKWact> WAV> FLAC recordist unknown transfered and remastered by Clinton Vadnais (cleantone@hotmail.com)	Source Detail
02/19/71	Capitol Theatre	Port Chester	NY	flac 16; Sick Bits Vol. 13 - SBD/AUD matrix of two previosly circulated sources (SBD - shnid=1029 + AUD - shnid=30230), edited and encoded by Chris Chappell.	Source Detail	FLAC
02/19/71	Capitol Theatre	Port Chester	NY	flac16; Partial 1st Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented	Source Detail	FLAC
02/19/71	Capitol Theatre	Port Chester	NY	flac16/44khz Recording Info: SBD > Master Reel (Sony TC-770/Scotch 7in 1/4 track 7.5ips) Transfer Info: Master Reel (Technics RS-1506) > Sony PCM-R500 (pass through) > Sound Forge > CD Mastering Info: CD > Samplitude Pro X5 Suite > FLAC/16	Source Detail	FLAC
02/20/71	Capitol Theater	Port Chester	NY	7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs	Source Detail
02/20/71	Capitol Theater	Port Chester	NY	flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.	Source Detail	FLAC
02/20/71	Capitol Theater	Port Chester	NY	likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)	Source Detail	SHN
02/20/71	Capitol Theater	Port Chester	NY	flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
02/21/71	Capitol Theater	Port Chester	NY	flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner.	Source Detail	FLAC
02/21/71	Capitol Theater	Port Chester	NY	SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from previously-circulating Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different	Source Detail
02/21/71	Capitol Theater	Port Chester	NY	flac16; SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; 03/19/09: This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.)	Source Detail	FLAC
02/21/71	Capitol Theater	Port Chester	NY	flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
02/21/71	Capitol Theater	Port Chester	NY	flac16; source: aud cassette master; taped by Jim Cooper; two unknown mics > hitachi trq-222 deck tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger; Upgrade in circulation	Source Detail	FLAC
02/21/71	Capitol Theater	Port Chester	NY	flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger feb. 2013	Source Detail	FLAC
02/23/71	Capitol Theater	Port Chester	NY	SBD> MR> DAT> SFNR>C D-R; via Leigh Orf; WBOTB source> distortion removed digitally (see notes)	Source Detail
02/23/71	Capitol Theater	Port Chester	NY	flac16; Source Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 and Ozone. Dithered L2 type 1 ultra by Jamie Waddell	Source Detail
02/23/71	Capitol Theater	Port Chester	NY	flac16; Partial Set 2 source: aud 1st gen 7" reel @ 3.75 ips, dolby b mastered on uher reel by Marty Weinberg lineage: aud reel master>reel technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 2.0 16/44>flac	Source Detail	FLAC
02/23/71	Capitol Theater	Port Chester	NY	flac116; Recording Info:SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
02/23/71	Capitol Theater	Port Chester	NY	flac16/44.1khz Source: Unknown aud (3rd gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick January 2021	Source Detail	FLAC
02/24/71	Capitol Theater	Port Chester	NY	flac1644 Source: akg d190e > Uher 4000 5" reel > cassette (unknown gens) from the collection of Doug Lamarre. Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 Hz) > Tascam Hi Res Editor (DSF concatenate & 24/96 PCM) Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > iZotope Neutron 3 Advanced > iZotope RX 10 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick	Source Detail	FLAC
02/24/71	Capitol Theater	Port Chester	NY	via Leigh Orf; WBOTB source > distortion removed digitally (see notes)	Source Detail
02/24/71	Capitol Theater	Port Chester	NY	flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris Ladner.	Source Detail	FLAC
02/24/71	Capitol Theater	Port Chester	NY	retracked version of previous shn set, by Bob Clevenger	Source Detail	SHN
02/24/71	Capitol Theater	Port Chester	NY	flac16; akg d190e > Uher 4000 5" open reel; reel master > Marantz CD-RW700; aud reel master, taped by Marty Weinberg, transfer by Michael Parish, seeded by Rob Berger	Source Detail	FLAC
02/??/71	Unknown	Unknown	Unknown	flac16; unknown low gen Maxell XLII Cassette>Wav via Teac Stand Alone CD Burner > ? > SBE found - fix (TLH) shift backwards > MD5 + FFP made with (TLH)	Source Detail	FLAC
03/03/71	Fillmore West	San Francisco	CA	SBD> MR> (cass gen?)> DAT> CDR, plus possible patch; see info file for flaw notes; via Mike Lai, with thanks to Paul B.	Source Detail
03/03/71	Fillmore West	San Francisco	CA	flac16; Recording Info: SBD > MR > ? > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; Upgrade of existing SBD source. First four tracks are stereo, balance of show is 2 track MONO. Transferred, tracked and mastered by Bill Guarneri, August 18, 2014	Source Detail	FLAC
03/03/71	Fillmore West	San Francisco	CA	flac16/48kHz; Source Info: Master Soundboard Reels > Pat Lee's 1st generation reels; Transfer Info: 1st generation reels (Revox A77) > Tascam DA-3000 > dBpoweramp 2496 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
03/14/71	Camp Randall Field House, University of Wisconsin	Madison	WI	Sbd> MR> Dat> CD; EAC >CDWav (split)> shn V3 by Brian Cole; parent seed courtesy Jim Oade; some editing in d1t6, d2t1	Source Detail
03/14/71	Camp Randall Field House, University of Wisconsin	Madison	WI	SBD> MR> C> DAT> CDR; disc # 1 is 80 minutes, Truckin? fades in at "typical daydream", splice in Hard To Handle; via Mike Lai, with thanks to Paul B.	Source Detail	shn
03/14/71	Camp Randall Field House, University of Wisconsin	Madison	WI	flac16; Recording Info: SBD > MR > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC	Source Detail	FLAC
03/18/71	Fox Theatre	St. Louis	MO	SBD (7") MR> Cass> DAT> CD; via Ben Yerys, M. Wienke	Source Detail
03/18/71	Fox Theatre	St. Louis	MO	flac16; Set 2 Only; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bob Mathews)- Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Sony PCM-R500 DAT Deck @ 44.1KHz); DAT x ONE play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)	Source Detail	FLAC
03/20/71	University of Iowa	Iowa City	IA	SBD > MR > cass > dat > CD > SHN (seekable); DAT>CD transfer by Mandrake; EAC> shn by Steve Barbella	Source Detail
03/21/71	Exposition Center	Milwaukee	WI	AUD>MC>LP>R>CD; Missing Truckin'; See info file for details; via Chuck Kiefe; Seeded to etree by JCotsman	Source Detail
03/24/71	Winterland Arena	San Francisco	CA	Partial; SBD>MR>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman	Source Detail
03/24/71	Winterland Arena	San Francisco	CA	Recording Info: SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transfered and Edited By Charlie Miller	Source Detail	FLAC
03/24/71	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Patch Info: Sony Stereo Mic -> Cassette Master (Sony TC-124) supplies: The Other One (6:59 - 7:23) and Beat It On Down The Line (0:00 - 0:32)All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/24/71	Winterland Arena	San Francisco	CA	flac16; Source: unknown aud > cdr > eac > wav > flac	Source Detail
04/04/71	Manhattan Center	New York	NY	AUD>?>C>Sound Forge>SHN; via Walter Schnell; Seeded to etree by J. Cotsman	Source Detail
04/04/71	Manhattan Center	New York	NY	flac16; MSR>C>DAT3x>Delta DiO 2496>SoundForge 7.0>cdwav>Flac	Source Detail
04/04/71	Manhattan Center	New York	NY	flac16; source: MSR > C >DAT3 > Delta DiO 2496 > SoundForge 7.0 > cdwav > flac > wav > flac; this is a partial clean up of shn id 35252. see text file (note: this source was originally seeded with some files out of order)	Source Detail	FLAC
04/04/71	Manhattan Center	New York	NY	flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/05/71	Manhattan Center	New York	NY	remastered de-whined version? (see notes) of version circulating 8/99, via Leigh Orf; his other comments: "I also fixed track sector boundaries (urk why can't people get this right the 1st time), cut a couple of annoying micro-dropouts, put smooth fades in/out where the reel stopped/started, and did a seamless crossfade-merge on the reel flip in Lovelight" and retracked d3	Source Detail
04/05/71	Manhattan Center	New York	NY	7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens	Source Detail	SHN
04/05/71	Manhattan Center	New York	NY	flac16; Partial show source: aud of unknown origin lineage: mono aud>?>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger 7/7/09	Source Detail	FLAC
04/05/71	Manhattan Center	New York	NY	flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips > PCM501ES (beta) PCM501ES analog out > dolby A decoder > analog in PCMF1 > analog out > Fostex D5 Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 6, 2008, Green Mountain Bros.	Source Detail	FLAC
04/05/71	Manhattan Center	New York	NY	flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; This source is a fix of shnid=110127 (Fixed track mark on d2t04); All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/06/71	Manhattan Center	New York	NY	7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens	Source Detail
04/06/71	Manhattan Center	New York	NY	SBD; via M. Lai	Source Detail	SHN
04/06/71	Manhattan Center	New York	NY	flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips > PCM501ES (beta) PCM501ES analog out > dolby A decoder > analog in PCMF1 > analog out > Fostex D5 Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 8, 2008, Green Mountain Bros.	Source Detail
04/06/71	Manhattan Center	New York	NY	flac16; source: aud of unknown origin; lineage: mono aud>?>7" reel @ 3.34 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger 7/6/09	Source Detail	FLAC
04/06/71	Manhattan Center	New York	NY	flac16/44 Betty Cantor-Jackson's Master Soundboard Reels (7" 1/2 track @ 7 1/2 ips w/ dolby A) > Steve Whitaker's Sony PCM-501 (PCM/0); Steve Whitaker's PCM/0 (Sony PCM-601; digital out) > Rob Eaton's Panasonic SV-3700 DAT (16/44.1); Rob Eaton's DAT (16/44.1)(Panasonic SV-3700) > Dolby A361 > Rob Eaton's Panasonic SV-3700 (16/44.1) Transfer Info: DAT (16/44.1)(Tascam DA-40) > Tascam DA-3000 (16/44.1) > .wav (16/44.1) > Adobe Audition 2020 > TLH flac16	Source Detail	FLAC
04/06/71	Manhattan Center	New York	NY	Source: Original transfer Betty Cantor Jackson;s Master Reels ((7" 1/2 track @ 7 1/2 ips w/ dolby A)) > Sony TCD-D10 Pro DAT (Oade Brothers mod) > DAT (44k) Final transfer: DAT > Sony PCM-2600 > Tascam DA-3000 > wav 16/44.1 Lineage: wav 16/44.1 > iZotope RX 9 Advanced > CD Wave > flac 16	Source Detail	FLAC
04/07/71	Music Hall	Boston	MA	Betty Board, details as outlined in Compendium; via Leigh Orf; corrupt d2t7 replaced 3/17; note Phil low/absent in mix	Source Detail
04/07/71	Music Hall	Boston	MA	flac16; 7" BBD Reel > PCM501ES > Fostex D5 > Fostex D5 optical S/PDIF out (Jace's tape) > disk Transferred by Tim Deibert 1-12-02 WBOTB Project	Source Detail	FLAC
04/07/71	Music Hall	Boston	MA	flac16; Source: Betty Cantor 7" two track reel w@ 7 1/2 ips> PCM501ES @ 44.055 kHz CM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz Jace Crouch’s original source WBOTB DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 5, 2008, Green Mountain Bros.	Source Detail	FLAC
04/07/71	Music Hall	Boston	MA	flac16; Soundboard, unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11	Source Detail	FLAC
04/08/71	Music Hall	Boston	MA	SBD; via Mike Lai; updated info file with tracklist and notes provided by Cosmic Chuck	Source Detail
04/08/71	Music Hall	Boston	MA	flac16; 7" Betty Board Reel > PCM501ES analog out > Dolby A Decoder > Analog in PCMF1 PCM501ES analog out > Fostex D5 optical S/PDIF out > disk Transferred by Tim Deibert 9-16-02 WBOTB	Source Detail
04/08/71	Music Hall	Boston	MA	flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky January 1, 2009, Green Mountain Bros.	Source Detail
04/08/71	Music Hall	Boston	MA	SMR>PCM>WAV>Shn; Conversion via SEK'd Prodif96Pro, editing via Samplitude filtered the right channel to reduce 60-cycle hum using narrowband filter reducing it a few db's; uploaded by theotherwayne@yahoo.com	Source Detail	shn
04/08/71	Music Hall	Boston	MA	sbd; same as /shninfo_detail.php?shnid=120 with SBEs fixed and seektables appended with shntool.	Source Detail	shn
04/10/71	East Hall, Franklin & Marshall College	Lancaster	PA	SBD>MR>C>DAT>CD; via Mark Pfortmiller; Seeded to etree by Willy	Source Detail
04/12/71	Civic Arena	Pittsburgh	PA	flac16; SBD -> Reel Master -> Dat -> Sound Forge -> CD Transferred By Charlie Miller	Source Detail
04/13/71	Catholic Youth Center	Scranton	PA	set 2 partial; Master Soundboard Reel > DAT> CDR	Source Detail	SHN
04/13/71	Catholic Youth Center	Scranton	PA	flac16; MSR>DAT3x>Delta Dio 2496 soundcard>Soundforge>Flac16	Source Detail
04/14/71	Davis Gymnasium	Lewisburg	PA	SBD> MR> DAT> CDR; several spots of irreparable reel static; via Mike Lai with thanks to Paul B.; note 4 tracks in d2 had been misnumbered, corrections shown in fixed md5s: 1> 3, 2>4, 3>1, 4>2	Source Detail
04/14/71	Davis Gymnasium	Lewisburg	PA	flac16/48kHz; Static reduced, speed corrected, slightly eq'ed & gain normalized version of source ID 132543 (SBD> MR> DAT) by Dan McDonald	Source Detail	FLAC
04/14/71	Davis Gymnasium	Lewisburg	PA	flac16; Recording Info: SBD > MR > ? > DAT > CDR; Transfer Info: CDR > WAV > Sound Forge 10 > TLH > Flac; Cleaned up, retracked, remastered version of shnid 6250. Cleaned up, retracked and mastered by Bill Guarneri, August 9, 2014	Source Detail	FLAC
04/14/71	Davis Gymnasium	Lewisburg	PA	flac16/48kHz: 7 Inch 1/4 Track Reel Master @ 7.5 ips (Recorded By Bob Mathews); Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel to Reel-Sony PCM-R500 DAT Deck @ 48KHz); DAT x ONE play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 16/48KHz; Editing (Adobe Audition CC)-Mastering & Processing (iZotope Ozone 6)-FLAC encoding(dBpoweramp)- Tagging(Tag & Re-name)	Source Detail	FLAC
04/15/71	Allegheny College	Meadville	PA	SBD>MR>DAT>CD; missing 5 songs; See info file for details; via Bill O; Seeded to etree by eD(efojr)	Source Detail
04/17/71	Dillon Gym, Princeton University	Princeton	NJ	set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield	Source Detail
04/17/71	Dillon Gym, Princeton University	Princeton	NJ	set1; SBD> Reel> ?> DAT> ZA2 (48>44.1)> CD; via R. Nayfield	Source Detail
04/17/71	Dillon Gym, Princeton University	Princeton	NJ	flac16; source: soundboard lineage: MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav	Source Detail	FLAC
04/17/71	Dillon Gym, Princeton University	Princeton	NJ	flac16; Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith	Source Detail	FLAC
04/17/71	Dillon Gym, Princeton University	Princeton	NJ	flac16/48kHz; SBD Master Reel originally recorded with analog equipment on a 7 inch, 7.5 i.p.s half-track master reel; Transferred to 16 48 WAV February 2017	Source Detail	FLAC
04/18/71	Lusk Field House, S.U.C.N.Y	Cortland	NY	SBD : MR > RR > DAT > CD; Extraction, editing and .shn encoding by Alan J. Fink, from John Valter seed; patch in UJB; see info file for additional notes	Source Detail
04/18/71	Lusk Field House, S.U.C.N.Y	Cortland	NY	SBD> MR> ??> DAT> CDR; splice at 4:20 of Casey Jones, missing a couple seconds, UJB cuts at 3:21; via Mike Lai, with thanks to Paul B.	Source Detail	SHN
04/21/71	Rhode Island Auditorium	Providence	RI	sdb> MR> PCM> CD; via Mike Lai	Source Detail
04/21/71	Rhode Island Auditorium	Providence	RI	MSR> R> D> CD> DAE> SHN; sector boundary fix of previous shn set, by Seth Kaplan	Source Detail
04/21/71	Rhode Island Auditorium	Providence	RI	Recording Info: SBD > R > DAT >CD; Transfer Info: CD >WAV > Sound Forge 10 > TLH > FLAC; Remastered, retracked version of Source ID 8227	Source Detail	FLAC
04/22/71	Bangor Municipal Auditorium	Bangor	ME	Master Soundboard Reel > DAT > CDR; shn encoded/uploaded by Scott Clugston; to abgd, 11/00 to etree	Source Detail
04/24/71	Wallace Wade Stadium, Duke University	Durham	NC	sdb> MR> PCM> CD; via Mike Lai; 3/10, Michael Weise provided modified tracking (alt md5s, same checksums) and updated info file	Source Detail
04/24/71	Wallace Wade Stadium, Duke University	Durham	NC	flac16/48kHz; Source Info: Master 7" 1/2 track Soundboard Reels @ 7.5 ips > Will Boswell's Reels > Matt Smith's 2nd generation Reels; Transfer Info: 2nd (possibly 3rd) Generation Reels (Technics RS-1506) > Apogee Mini Me (24-bit/96k) > Adobe Audition 3.01 (24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
04/25/71	Fillmore East	New York	NY	Partial set 2; sbd>RM>?>DAT>CD; via Charlie Miller; Seeded to etree by Grote	Source Detail
04/25/71	Fillmore East	New York	NY	flac16; Source: SBD -> ? -> C -> CDR via Dave Minor, encoding Matt Vernon	Source Detail	FLAC
04/25/71	Fillmore East	New York	NY	flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/26/71	Fillmore East	New York	NY	MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; includes (wrong) NRPS; note 4 CD best-of-run is available from the Dead	Source Detail
04/26/71	Fillmore East	New York	NY	GD: MR> CDR> SHN; NRPS material: MR> C> CDRx?> SHN, note NRPS is newly seeded, date-accurate; via Bill Gadsden, Jim Wise, John Oleynick et al; see info file for additional source and flaw details; to BUDD tree, nycheads; d1,3 tracked for 80 min; Tzuriel's covers	Source Detail
04/26/71	Fillmore East	New York	NY	flac16; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller	Source Detail	FLAC
04/26/71	Fillmore East	New York	NY	source not specified; includes (wrong) NRPS; see info file for listening notes; tracked out same as previous shn set (likely same source), but md5s differ; via vine?	Source Detail	shn
04/26/71	Fillmore East	New York	NY	Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim>CD Transfered and mastered by Matt Smith 5/11	Source Detail	FLAC
04/26/71	Fillmore East	New York	NY	flac16; MR 7.5 ips > R > FLAC Will Boswells from Peter Kafer; Transfer: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; remastered by Matt Smith 2013	Source Detail	FLAC
04/26/71	Fillmore East	New York	NY	flac16; Source: Master Soundboard Rell 7.5 ips > Reel - Will Boswell's copy Peter Kafer; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered by SIRMick September 2018; This file set is 16 bit @ 44.1	Source Detail	FLAC
04/27/71	Fillmore East	New York	NY	MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; d1,3 are tracked for 80 min; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead	Source Detail
04/27/71	Fillmore East	New York	NY	mixed reel sources (see info file for details and notes); includes complete NRPS; via Bill Gadsden, Jim Wise?, John Oleynick et al; to BUDD tree; d1,4 tracked for 80 min (A SBE fixed flac version was circulated on 2008-07-06.)	Source Detail	FLAC
04/27/71	Fillmore East	New York	NY	flac16; Recording Info Source One:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Recording Info Source Two:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips); Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two:Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller	Source Detail	FLAC
04/27/71	Fillmore East	New York	NY	SBD> MR> R> D> CD; EAC > SHN & upload to Stonebear.etree.org by Abe Stundel; disks came from the Fillmore Tree run on BUDD by Keith Bode. Bode's source disks came from Justin Hoffman who got *his* copies from the Merry Prankster's Tree. Lineage comes from Merry Prankster info; ; note 4 CD best-of-run is available from the Dead	Source Detail
04/27/71	Fillmore East	New York	NY	MR> CDR and MR> R> CDR; includes NRPS and Beach Boys; via vine?	Source Detail	shn
04/27/71	Fillmore East	New York	NY	flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/27/71	Fillmore East	New York	NY	flac16; Source Info: Master Soundboard Reels > PCM (Sony ESX HiFi/L-750 beta tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16	Source Detail	FLAC
04/28/71	Fillmore East	New York	NY	Complete; Previous splices patched with 'official release' material; See info file for details; Truckin'through Bird Song 02:07.38: MSR>Reel>Alesis Masterlink>CDR; Bird Song 02:08.70 through end of show: MSR 7 inch (7.5 ips) Revox A 77> Alesis Masterlink> CDR (previous splices patched via multi- track sources as noted below); Seeded to etree by Seth D Kaplan and Alan J Fink	Source Detail
04/28/71	Fillmore East	New York	NY	MR> R> CDR and MR> CDR; includes NRPS; see info file for listening notes; tracked out same as previous shn set (likely same source), but md5s differ; via vine?	Source Detail	shn
04/28/71	Fillmore East	New York	NY	MSR > (Reel post-Bird Song) >Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead	Source Detail
04/28/71	Fillmore East	New York	NY	MR>R>CDR and MR>CDR with alt. SBD patches; Refined, patched, re-tracked and SHN'ed by Chris Frisco.	Source Detail
04/28/71	Fillmore East	New York	NY	flac16; Recording Info: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Samplitude Professional v11.03 -> FLAC/16; All Mastering By Charlie Miller	Source Detail	FLAC
04/28/71	Fillmore East	New York	NY	flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636 > Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > CD FLAC; Transfered and mastered by Matt Smith	Source Detail	FLAC
04/28/71	Fillmore East	New York	NY	flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Truckin thru Bird Song is from a second gen reel. Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Transfered and mastered by Matt Smith	Source Detail	FLAC
04/28/71	Fillmore East	New York	NY	MR> R> CDR and MR> CDR; includes NRPS; see info file for listening notes; tracked out same as previous shn set (likely same source), but md5s differ; via vine?	Source Detail	FLAC
04/29/71	Fillmore East	New York	NY	complete, including NRPS; MSR 7 inch (Revox A-77) @ 7.5 ips > Alesis Masterlink >CD-R; via Bob Murphy, Dan Stephens; stemming from Jim Wise seed of Well vine; note d5 tracked for 80 min; see highly detailed commentary in pub comments; note 4 CD best-of-run is available from the Dead	Source Detail
04/29/71	Fillmore East	New York	NY	Lineage: (mostly) SB> MR> CD; Refined by Chris Frisco, 20 glitches painstakingly removed without deleting any of the wav; Bird Song patched; See info file for further details; Circ's w/ NRPS opening set	Source Detail
04/29/71	Fillmore East	New York	NY	fake version of the show, seeded by Dan Am-Dig to bt.etree.org, actually a composite including material from 4/27,28 as "patches" or "interleaves" (see notes in 4/6 info)	Source Detail
04/29/71	Fillmore East	New York	NY	SBD > 8 track RTR @ 15 i.p.s. (Vault Master) > 2 track RTR @ 15 i.p.s. (Phil Lesh 1987 mixdown Safety) > 24/96 DAT > SSSB (SHNTOOL used and verified)	Source Detail	SHN
04/29/71	Fillmore East	New York	NY	MR> R> DAT> CDR; note 4 CD best-of-run is available from the Dead	Source Detail
04/29/71	Fillmore East	New York	NY	flac16; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller	Source Detail	FLAC
04/29/71	Fillmore East	New York	NY	flac16; SBD MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636 > Apogee Mini Me @24/96>Mini DAC(monitoring/mastering) > Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > FLAC	Source Detail	FLAC
04/29/71	Fillmore East	New York	NY	flac16; Recording Info: SBD -> 16 Track Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/29/71	Winterland Arena	San Francisco	CA	source 1: AUD>M?>C>CD>EAC>SHN; source 2: AUD>M?>C>D>SHN; see caveat for sound quality; Thanks to Jim Powell and others	Source Detail
05/29/71	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC (1 Disc Audio / 1 Disc FLAC)	Source Detail	FLAC
05/30/71	Winterland Arena	San Francisco	CA	flac16; Unknown Mics -> ? -> Cassette -> Dat (44.1k) Transferred and Edited By Charlie Miller	Source Detail
05/30/71	Winterland Arena	San Francisco	CA	flac16; SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/21/71	Chateau D'Herouville	Herouville	France	SBD MR> ?> D> CD patched with AM MR> R> C> CD, 5% speed correction, by Hanno Bunjes; see info file for notes; to BUDD offer, later to etree	Source Detail
06/21/71	Chateau D'Herouville	Herouville	France	flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/02/71	Fillmore West	San Francisco	CA	FM; Bob Clevenger's clean-up of Leigh Orf's hosting of Mike Lai's previous shn set; see notes in info file	Source Detail
07/02/71	Fillmore West	San Francisco	CA	sdb (suspected FM); via Mike Lai; Sector boundaries fixed, files renamed correctly and txt file cleaned up by Dave Backus	Source Detail
07/02/71	Fillmore West	San Francisco	CA	Pre-FM MSR> DAT> CD?; Transfer: EAC> WAV> FLAC by Sean Cribbs, from Connie Veigh source discs	Source Detail	FLAC
07/02/71	Fillmore West	San Francisco	CA	Source: Master Reel (Pre-FM) > PCM > DAT Conversion: M-1 > 7-pin optical > Co2 > SB Live > CDwav Record and Index > FLAC (1.1GB)	Source Detail	FLAC
07/02/71	Fillmore West	San Francisco	CA	flac16; Partial Set 2, FM>Reel>CDR>TLH>FLAC and Pre-FM MSR>DAT>CDR>TLH>FLAC	Source Detail	FLAC
07/02/71	Fillmore West	San Francisco	CA	flac16; Pre Broadcast Recording > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Audacity and Wavelab 7.1 mastering by Jamie Waddell; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH	Source Detail	FLAC
07/31/71	Yale Bowl, Yale University	New Haven	CT	AKG 190E mic > Uher 4000 Report-L 5" Reel deck, Taper: Marty Weinberg; mixed genealogy: I: AudMR > CD > EAC > WAV > SHN, II: AudMR > C > DAT > CD > EAC > WAV >SHN; final digital version assembled by: Noah Weiner; see info file for details and flaw notes; via Audience Devotional Tree	Source Detail
07/31/71	Yale Bowl, Yale University	New Haven	CT	flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/04/71	Terminal Island Correctional Fac.	San Pedro	CA	flac16; Recording Info:SBD -> Master Reel -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/05/71	Hollywood Palladium	Hollywood	CA	AUD>MR>R>D>CD; via Jeff Krakowka & Jim Hale; Seeded to etree by J. Cotsman	Source Detail
08/05/71	Hollywood Palladium	Hollywood	CA	flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/05/71	Hollywood Palladium	Hollywood	CA	flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/05/71	Hollywood Palladium	Hollywood	CA	flac 16; Sick Bits Vol. 29a - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=96540) + AUD (shnid=94260) as well as patch AUD sources (shnid=88859 and shnid=9768). Matrixed by Chris Chappell.	Source Detail
08/05/71	Hollywood Palladium	Hollywood	CA	flac16; Source: (FOB) Sony ECM-22P's > Sony 770 > Master Reel > Reel - Recorded by Harvey Kaslow and Craig Todd, provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; this file set is 16 bit @ 44.1	Source Detail	FLAC
08/05/71	Hollywood Palladium	Hollywood	CA	flac16; MR > R > CD > EAC > WAV > FLAC MAR (Harvey Kaslow)* @ 7 1/2 ips. > R @ 7 1/2 ips. (Will Boswell via Rob Bertrando) Maxell UD tape > CD 'loser' was missing on this reel but used Don Wolfe's MAR>R>R @ 3 3/4 ips copy... One of the mics malfunctioned before the second set resulting in a mono recording on set 2 R copied @ 7.5 ips using a Revox A-77>A-77 --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD ** > EAC > WAV (shntool confirms no sbes) > FLAC (TLH)	Source Detail	FLAC
08/05/71	Hollywood Palladium	Hollywood	CA	flac16; Recording Info: SBD -> Master Reel -> FLAC/24; Transfer Info: FLAC/24 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; Mastered By Charlie Miller	Source Detail	FLAC
08/05/71	Hollywood Palladium	Hollywood	CA	flac24; Recording Info: SBD -> Master Reel -> FLAC/24; Transfer Info: FLAC/24 -> Samplitude Professional v11.2.1 -> FLAC/24; Mastered By Charlie Miller	Source Detail	FLAC
08/06/71	Hollywood Palladium	Hollywood	CA	updated source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando et al; (info file had given AKG 330 etc); D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro; via Ben Kasper, Ben Yerys	Source Detail
08/06/71	Hollywood Palladium	Hollywood	CA	flac16; fix of the flaws in shn id 30224 source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Harv Kaslow D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) notes: I've been aware for some time that when I originally did the pitch corrction, I didn't get it right on the first 4 tracks. They have now been corrected	Source Detail
08/06/71	Hollywood Palladium	Hollywood	CA	flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> SHN Transfer Info: SHN -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/06/71	Hollywood Palladium	Hollywood	CA	flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/06/71	Hollywood Palladium	Hollywood	CA	flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) January 3, 2009	Source Detail
08/06/71	Hollywood Palladium	Hollywood	CA	flac24; FOB Sony ECM-22P mics New Riders - MAR>R@ 7.5 ips.>DVD; GD - lineage: MAR>R@ 7.5 ips>DVD; Akai GX636 (a rare black model) > Apogee Mini Me @24bit/96kHz > Apogee mini DAC (monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC	Source Detail	FLAC
08/06/71	Hollywood Palladium	Hollywood	CA	flac16; MR > R > CD > EAC > WAV > FLAC MAR (Harvey Kaslow)* @ 7 1/2 ips. > R @ 7 1/2 ips. (Will Boswell via Rob Bertrando) Maxell UD tape > CD --- R copied @ 7.5 ips using a Revox A-77>A-77 --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD ** > EAC > WAV (shntool confirms no sbes) > FLAC (TLH)	Source Detail	FLAC
08/06/71	Hollywood Palladium	Hollywood	CA	source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) Remaster of SHNid=129 by Sir Mick	Source Detail	FLAC
08/14/71	Berkeley Community Theater	Berkeley	CA	SBD MR->DAT->CD; to abgd; info courtesy Trip, 9/13/00	Source Detail
08/14/71	Berkeley Community Theater	Berkeley	CA	Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski. Original SHNs were nonseekable and were not named according to etree convention. I renamed the files, cleaned up the splice in d1t06, performed a shntool fix to get rid of the resulting sbe, and re-encoded to seekable SHN. - C.Ladner Another installment of TMNSP, 12/03.	Source Detail
08/15/71	Berkeley Community Theater	Berkeley	CA	mSR> cass> DAT> Serafin remaster> CDR; via Andy Gustin; Andy's comments: "not 100% flawless (eg. reel flip in Rider, sporadic anomalies) but they are absolutely worth getting. To my knowledge this is the best that circulates. They do sound amazing."	Source Detail
08/15/71	Berkeley Community Theater	Berkeley	CA	Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski. edits by C.Ladner	Source Detail
08/21/71	Mickey's Barn	Novato	CA	AUDMC(Sony TC-24 with supplied Sony stereo mic) > Nakamichi Dragon (no Dolby) > Sony D7 DAT > optical digital cable (DTC-700 was the playback unit) through a Zefiro ZA2 soundcard tracked and normalized in Sound Forge. Known as "Mickey's Barn Jam"	Source Detail
08/21/71	Mickey's Barn	Novato	CA	flac16; listed as SBD from John Cipollina's reels > 1st generation reel to reel > revox > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac (this is actually an audience recording)	Source Detail
08/23/71	Auditorium Theatre	Chicago	IL	AUD>MR>C>R>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman	Source Detail
08/23/71	Auditorium Theatre	Chicago	IL	flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/23/71	Auditorium Theatre	Chicago	IL	flac1644 Audio Cassette (3rd gen) from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 11 Advanced > iZotope Neutron 3 > iZotope RX 11 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick September 2023	Source Detail	FLAC
08/26/71	Gaelic Park	Bronx	NY	SDBMR> DAT> WAV> SHN; via Dopey; faded in on reel cut into d2t3; apparently level differences between sets 1 and 2	Source Detail
08/26/71	Gaelic Park	Bronx	NY	flac16; SBD -> Master Reel (7in @ 7.5ips 1/2 Track) -> Cassette (Tascam 122mkII) -> Dat (48k) Transferred and Edited By Charlie Miller	Source Detail
08/26/71	Gaelic Park	Bronx	NY	flac16; Source 1: set 1 and Casey Jones - unknown aud and Source 2: the rest of set 2 - AKG190E > Uher 400L, taped by Marty Weinberg remastered by SIRMick	Source Detail	FLAC
08/26/71	Gaelic Park	Bronx	NY	flac16; taped by Marty Weinberg: akg d190e mic > Uher 4000L; source: aud 1st gen reel lineage: aud 5" reel masters>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96> hd>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger 7/25/09	Source Detail	FLAC
08/26/71	Gaelic Park	Bronx	NY	Fixed version of previous file set. Source info same as 32303, but with fix for static in one channel during the last second of d1t12.	Source Detail	FLAC
08/26/71	Gaelic Park	Bronx	NY	flac16; source: aud cassette master taped by Jim & Laurie Cooper; 2 unknown mics > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger 2013	Source Detail	FLAC
09/29/71	Studio Rehearsals with Keith Godchaux	Santa Venetia	CA	MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt	Source Detail
09/29/71	Studio Rehearsals with Keith Godchaux	Santa Venetia	CA	flac16 Bootleg CDs "Unsurpassed Master Vol 4" And "Unsurpassed Master Vol 6" > EAC > Wav > FLAC	Source Detail	FLAC
09/30/71	Studio Rehearsals with Keith Godchaux	Santa Venetia	CA	Studio rehersal with Keith Godchaux MSR>C>DAT>WAV>SHN via Cousinit	Source Detail
09/??/71	Keith rehearsals	Santa Venetia	CA	flac16/48khz omplied from multiple sources including analog tapes (from the Jeff Knudsen Archive, curated by Tom Markson, and Blackwood archives) as well as existing shn and bootleg cd sources. Regarding accuracy of dates within the sets of rehearsals: this is as-is as it may not all be 100% correct. Cassette source transfers (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496 Transfers and Mastering by Jim Blackwood Speed Corrections by Jason Chastain Project assistance from Jamison Waddell	Source Detail	FLAC
10/01/71	Studio	Santa Venetia	CA	Studio Rehearsals w/ Keith Godchaux: Compilation of 09/29 & 09/30, and 10/01/71; boot cd (unsurpassed vol 5) -> eac-> wav-> shn; Unknown seeder; note this shn set used to be listed on 10/1/71 but would be better moved here- use this date instead for the comp	Source Detail
10/01/71	Studio	Santa Venetia	CA	MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt. [An alternate shn set was seeded by Cousinit since original shns were not archived].	Source Detail
10/19/71	Northrop Auditorium, U. of Minn.	Minneapolis	MN	PreFM Soundboard Reels > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston	Source Detail
10/21/71	Auditorium Theatre	Chicago	IL	flac16; Recording Info:SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/21/71	Auditorium Theatre	Chicago	IL	Master Soundboard Reel > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston	Source Detail
10/21/71	Auditorium Theatre	Chicago	IL	Jay Ashley (Bertha) remaster of original MR source; SBD>>MR>>Cass>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA	Source Detail	SHN
10/21/71	Auditorium Theatre	Chicago	IL	SBD> MR> C> D> CD> EAC>S HN; EAC/ shn encoding/ edits by J. Cotsman, with thanks to Jeff Cook; see listening notes in info file	Source Detail	SHN
10/22/71	Auditorium Theatre	Chicago	IL	flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/22/71	Auditorium Theatre	Chicago	IL	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/23/71	Eastown Theater	Detroit	MI	SBD>FM>?>C>Sound Forge>SHN; via Walter Schnell; Seeded to etree by J. Cotsman	Source Detail
10/23/71	Eastown Theater	Detroit	MI	SBD>FM>?>CASS>CD>EAC>DC5>CD Thanks to the Wizard; seedeD	Source Detail
10/23/71	Eastown Theater	Detroit	MI	flac16; Recording Info:SBD -> Master Reel (7 Inch - 1/2 Track) -> Sound Devices 744T (24bit/96k) -> FLAC/24; Transfer Info:FLAC/24 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/23/71	Eastown Theater	Detroit	MI	FM C/3; via Uli Teute and Hanno Bunjes	Source Detail	shn
10/24/71	Eastown Theater	Detroit	MI	Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston	Source Detail
10/24/71	Eastown Theater	Detroit	MI	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/26/71	The Palestra, U. of Rochester	Rochester	NY	Source 1: (all material on discs 1 & 2) SBD>MR>R>C>D>CD(pre FM) Source 2: (all material on disc 3) SBD>MR>?>D>CD; via Matt Vernon, Raoul Duke, and Jeff Cook; Seeded to etree by J. Cotsman	Source Detail
10/27/71	Onondaga County War Memorial	Syracuse	NY	Missing 3 2nd set tracks, see info file for details; SBD>FM>MR>?>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman	Source Detail
10/27/71	Onondaga County War Memorial	Syracuse	NY	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC	Source Detail
10/29/71	Allen Theatre	Cleveland	OH	Complete; 1st set: SBD> FM> ?> C> Sound Forge> SHN; 2nd set: SBD> MR> D> CD> EAC> SHN; via Walter Schnell, Tony Gardner & Paul B.; Seeded to etree by J. Cotsman	Source Detail
10/29/71	Allen Theatre	Cleveland	OH	Recording Info: SBD (7inch Master Reels@7.5ips 1/2trk) -> Cass (Tascam 122mkIII) -> Dat (3800/48k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sharp MV10 -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller	Source Detail
10/29/71	Allen Theatre	Cleveland	OH	set 2; SBD> MR> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B. CD	Source Detail	shn
10/30/71	Taft Auditorium	Cincinnati	OH	FM> Pioneer RT-707 (7" reel @ 19 ips)> CD; Conversion: Kenwood TrueX > EAC > shn v3 (seekable); via Brian Cole	Source Detail
10/30/71	Taft Auditorium	Cincinnati	OH	mixed sources; primary: Pre-FM MR (1/2 track, 7.5 ips), Transfer: Revox PR99-MKIII > Panasonic SV3800 (48)/Sony 60ES > M-Audio Audiophile USB > CDWave > Goldwave (resample to 44.1 and edits) > CDwave > mkwACT, Primary source supplied by Josh Braveman; Secondary: FM > Pioneer RT-707 (7" reel @ 19 ips) > CD, Conversion: Kenwood TrueX > EAC > shn v3 (seekable); edited (patching, pitch correction, d/o repair) by Doug Nawrocki et al (see notes)	Source Detail
10/30/71	Taft Auditorium	Cincinnati	OH	flac16; Updated Recording Info: Pre FM SBD > MR > RR @ 7 1/2 IPS; Transfer Info: RR > 1978 Teac 3440 > WAV > Sound Forge 10 > TLH > FLAC; Transfered, tracked and mastered by Bill Guarneri, August 1, 2014	Source Detail	FLAC
10/30/71	Taft Auditorium	Cincinnati	OH	flac16; Recording of the FM Broadcast on WEBN Cincinnati, DAT provided and transferred by Stuccoholmes, Editing and Mastering by Jamie Waddell in Wavelab 7.1, Critical Listening assitance by John Wenzel. Track, FLAC and Pack by Norm	Source Detail	FLAC
10/31/71	Ohio Theatre	Columbus	OH	partial SBD pre-fm GDH Dick Pick's leftovers	Source Detail
10/31/71	Ohio Theatre	Columbus	OH	flac16; Set 1 & Encore: Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC	Source Detail
11/06/71	Harding Theater	San Francisco	CA	SBD> MR> C> DAT> CDR; note PA problems with the piano throughout show; via Mike Lai, with thanks to Paul B.	Source Detail
11/07/71	Harding Theater	San Francisco	CA	updated lineage: sdb> MR> [FM> ?>] D> CD; via Mike Lai	Source Detail
11/07/71	Harding Theater	San Francisco	CA	SBD : Pre-FM Reel > DAT > CD; via Seth Kaplan	Source Detail
11/07/71	Harding Theater	San Francisco	CA	flac16; Lineage: FM MR @ 3/ 3.4 ips(Peter Kafer???)>R @ 3 & 3/4 ips(Will Boswell); Transfer info: Akai GX636 direct tape head output > Telefunken tubes tape pre w/a pair of 1960s era Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC	Source Detail	FLAC
11/07/71	Harding Theater	San Francisco	CA	flac16; FM or Pre-FM > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm; Audacity and Wavelab 7.1 Mastering by Jamie Waddell	Source Detail	FLAC
11/07/71	Harding Theater	San Francisco	CA	flac24/96 Recording Info: FM > Master Reel (3.75ips) > Reel (3.75ips) Transfer Info: Reel (Akai GX636) Apogee Mini-Me (24-bit/96k) > FLAC Mastering Info: FLAC > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 Remastered version of shnid=127490	Source Detail	FLAC
11/11/71	Atlanta Municipal Auditorium	Atlanta	GA	Sbd>MR>?>Dat>cd; via Yubah, Ernie Dodd	Source Detail
11/11/71	Atlanta Municipal Auditorium	Atlanta	GA	flac1644 (Bootleg Tape - from FM broadcast) FM-Cassx?>CD>.wav>flac via Brian Flegel	Source Detail	FLAC
11/12/71	San Antonio Civic Auditorium	San Antonio	TX	sdb> master reel> pcm> cdr; via Mike Lai	Source Detail
11/12/71	San Antonio Civic Auditorium	San Antonio	TX	Master Soundboard Reel > Cassette > DAT > CDR	Source Detail
11/12/71	San Antonio Civic Auditorium	San Antonio	TX	2nd set only; S : MC > C > SONIC SOLUTIONS > CDR > EAC > COOL EDIT PRO >CD (patched with SBD : MR > PCM > CDR source); See info file for details; via Charlie Miller; Seeded to etree by Alan J Fink;	Source Detail	FLAC
11/12/71	San Antonio Civic Auditorium	San Antonio	TX	flac16; Source: Sbd > master reel (vault) > reel (dick latvala) > dat 48k (rob Eaton); Transfer: Dat > Sony R500 > Sound Devices 744T > wav 16/48; transfer by Charlie Miller; Lineage: wav 16/48 > Adobe Audition 3.0.1 > iZotope Ozone 5 Advanced > iZotope RX4 advanced > wav 16/44.1 > CD Wave > TLH > Flac 16; edited and mastered SIRMick	Source Detail	FLAC
11/12/71	San Antonio Civic Auditorium	San Antonio	TX	flac16; Partial Set 2 Source: Sbd > Master reel (vault) > Dick's dat (44.1) - Provided by Rob Eaton; Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 advanced > iZotope Ozone 5 Advanced >CD Wave >Flac 16; edited and mastered SIRMick June 2018	Source Detail	FLAC
11/14/71	Texas Christian University	Fort Worth	TX	SBD> MR> C> (additional analog gens?)> DAT> CDR; minor background noise from 3:21-3:23 of IKYR; via Mike Lai, with thanks to Paul B.	Source Detail
11/14/71	Texas Christian University	Fort Worth	TX	SBD -> Master Reel (10 inch) -> CD -> Sonic Solutions -> CD -> EAC -> SHN; Converted By Charlie Miller	Source Detail
11/14/71	Texas Christian University	Fort Worth	TX	Charles Weir fix of original SBD source; including a written txt file	Source Detail	SHN
11/15/71	Austin Municipal Auditorium	Austin	TX	SBD>MR>C>D>CD>EAC>SHN (patched with slightly degraded SBD, also listed with one cassette generation in the lineage); complete show; Thanks to Michael Dixon & Chuck Kiefe; edits/encoding by JCotsman	Source Detail
11/15/71	Austin Municipal Auditorium	Austin	TX	flac16; MSR>C>DAT2x>Delta Dio 2496>Soundforge>WAV>FLAC This is from a new single source (seeded 11/15/05)	Source Detail
11/15/71	Austin Municipal Auditorium	Austin	TX	partial: "Big Jam" portion; SBD:MR > Cassette > Sonic Solutions > CDR > EAC > SHN; CD mastering by David Gans. Extraction (EAC), re-tracking (CD Wave and WavMerge), and .shn encoding (mkwACT) by Joe Jupille	Source Detail	SHN
11/15/71	Austin Municipal Auditorium	Austin	TX	flac1644 Source Info: FM Broadcast > Unknown gear > ?? > DAT (16/44.1) Transfer Info: DAT (Sony PCM R-500)(16.44.1) > Tascam DA-3000 > 16./44.1 .wav > Adobe Audition 2023 > TLH flac16	Source Detail	FLAC
11/15/71	Austin Municipal Auditorium	Austin	TX	flac1644 Fixed: Recording Info: SBD > Master Reel > DAT > CD > WAV (16-bit/44.1k) Transfer Info: WAV > Samplitude Pro X6 Suite > Adobe Audition CC2022 > FLAC/16	Source Detail	FLAC
11/15/71	Austin Municipal Auditorium	Austin	TX	flac16; Recording Info: SBD > Master Reel > DAT > WAV (16-bit/44.1k); Transfer Info: WAV > Samplitude Pro v10.2.1 > Izotope RX8 Advanced > Adobe Audition CC2022 > FLAC/16	Source Detail	FLAC
11/17/71	Albuquerque Civic Auditorium	Albuquerque	NM	SBD>FM>MC>C>D>CD; Patched with SBD>FM>MC>?>C>Sound Forge>SHN (higher gen than primary source); See info file for details; via Jeff Cook & Walter Schnell; Seeded to etree by J. Cotsman	Source Detail
11/20/71	Pauley Pavilion, UCLA	Los Angeles	CA	SBD>FM>R>DAT>CDR; via Rick Martin; Seeded to etree by Willy	Source Detail
11/20/71	Pauley Pavilion, UCLA	Los Angeles	CA	flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/01/71	Music Hall	Boston	MA	set 2; sbd; via Mike Lai	Source Detail
12/01/71	Music Hall	Boston	MA	flac16; Recording Info: SBD -> Reel Master -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC; upgrade in circulation	Source Detail
12/01/71	Music Hall	Boston	MA	flac16; Partial Set 2 Matrix. Mix Ratio = +3 db sbd (shnid=76424) / -5.5 db aud (shnid=24765) via Matt Vernon	Source Detail	FLAC
12/01/71	Music Hall	Boston	MA	flac16; Set 2 Only; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC; All Mastering done By Charlie Miller (This source fixes a flaw in the Big Boss Man on the previous source.)	Source Detail	FLAC
12/01/71	Music Hall	Boston	MA	Source: Unknown aud via David Minor. Likely Lineage: AUDMC > C > C > CDR > EAC > Pitch Correction / editing > SHN Pitch correction and general fixup by David Minches. Minor assistance by Matt Vernon	Source Detail	FLAC
12/02/71	Music Hall	Boston	MA	SBD> MR> R> DAT> CDR; see info file for flaw notes; via Mike Lai, with thanks to Paul B. (SBE fixed version via SIRMick, January, 2006.)	Source Detail
12/04/71	Felt Forum, Madison Square Garden	New York	NY	SBD> MR> DAT> C> DAT> CDR; missing JB Goode, Cumberland fades in; via Mike Lai, with thanks to Paul B.; note d2t2,3 had been misnumbered (reversed) intially- md5s for correctly named tracks are now shown here	Source Detail
12/04/71	Felt Forum, Madison Square Garden	New York	NY	flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/04/71	Felt Forum, Madison Square Garden	New York	NY	flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation	Source Detail	FLAC
12/04/71	Felt Forum, Madison Square Garden	New York	NY	flac16: aud reel master>reel>dat, taped by Marty Weinberg, Jerry Moore's copy transferred by Rob Berger	Source Detail	FLAC
12/05/71	Felt Forum, Madison Square Garden	New York	NY	Updated lineage: FM > MR > DAT > CD; (had been marked pre-FM) stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; notes: no encore, complete Muddy Water, small cut in Casey Jones, chatter edited; see pub comments for md5 notes	Source Detail
12/05/71	Felt Forum, Madison Square Garden	New York	NY	Updated lineage: FM>MR>DAT>CD>SHN (had been marked as pre-FM)	Source Detail
12/05/71	Felt Forum, Madison Square Garden	New York	NY	flac16; FM -> Master Reel -> CD -> EAC -> FLAC. This is a complete show and a real nice upgrade from the so-called Pre-FM.	Source Detail	FLAC
12/05/71	Felt Forum, Madison Square Garden	New York	NY	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/06/71	Felt Forum, Madison Square Garden	New York	NY	MSR> DAT> CD; via Seth Kaplan	Source Detail
12/06/71	Felt Forum, Madison Square Garden	New York	NY	flac16; Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/07/71	Felt Forum, Madison Square Garden	New York	NY	SBD> MR @ 10.5 IPS> DAT> CD; stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; note large cut in Casey Jones	Source Detail
12/09/71	Fox Theatre	St. Louis	MO	MSR> LATVALA C> DAT> CDR; EAC> SHN by Seth Kaplan; upload by Darrin Sacks	Source Detail
12/10/71	Fox Theatre	St. Louis	MO	MR> DAT> Latvala's Cassette> D> CDR (slightly updated lineage); EAC/SHN, Ben Yerys; seed via Seth Kaplan, Jared Minkoff	Source Detail
12/10/71	Fox Theatre	St. Louis	MO	Source: MSR>C>DAT>CD; with FM patch	Source Detail	SHN
12/10/71	Fox Theatre	St. Louis	MO	flac16; Set 1 Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/14/71	Hill Auditorium	Ann Arbor	MI	7" BBD reel> PCM501ES(beta)> PCM501ES analog out> Fostex D5 @ optical out 48KHz> HD; DAT-1 > Soundforge 4.5 > WAV/SHN mastering by Tim Deibert; includes Tuning between songs	Source Detail
12/14/71	Hill Auditorium	Ann Arbor	MI	SBD > Master Reel > PCM > DAT x3> CDR > SHN > WAV > Sound Forge Noise Reduction > SHN; 7" two track Betty Cantor Reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz / PCM501ES analog out > Fostex D5 @ 48 kHz; Mastered to CD using a Tascam DA302 > HHB 850; via jeffk; report by L. Orf- NR version lacking fullness relative to orig- more NR discussion	Source Detail	SHN
12/14/71	Hill Auditorium	Ann Arbor	MI	flac16; Source Info: Betty's 7" 2-track Master Soundboard Reels > PCM > PCM (14 bit)(Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16	Source Detail	FLAC
12/15/71	Hill Auditorium	Ann Arbor	MI	set 2; SBD> ?> CDR> EAC> SHN; via J. Oleynick, M. Ferguson; see info file for flaws	Source Detail
12/15/71	Hill Auditorium	Ann Arbor	MI	both sets, 2 different SBD sources (see notes); via Walter Schnell; encoding and mastering by Jeff Cotsman	Source Detail
12/15/71	Hill Auditorium	Ann Arbor	MI	set 1; MR> ?> C> CD, from Hank Harrison cass, presumed lower-gen than previous versions (see notes); via Uli Teute, Hanno Bunjes & Carsten Baumann	Source Detail	SHN
12/15/71	Hill Auditorium	Ann Arbor	MI	flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/15/71	Hill Auditorium	Ann Arbor	MI	flac16; Recording Info: SBD > Master Reel > Pro Tools > FLAC/24; Mastering Info: FLAC/24 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1	Source Detail	FLAC
12/15/71	Hill Auditorium	Ann Arbor	MI	flac24; Recording Info: SBD > Master Reel > Pro Tools > FLAC/24; Mastering Info: FLAC/24 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24	Source Detail	FLAC
12/31/71	Winterland Arena	San Francisco	CA	FM > Reel > Dat > CDR; via G. Lanum	Source Detail
12/31/71	Winterland Arena	San Francisco	CA	flac16; Source: KSAN > FM Master reel > cassette > pcm ( Sony ESX HiFil-750) - Provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick	Source Detail	FLAC
12/31/71	Winterland Arena	San Francisco	CA	flac16/48 Recording Info: SBD > Master Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller; fixed version in circulation	Source Detail	FLAC
??/??/71	Unknown Studio	Unknown	Unknown	flac16/44 Source: Alan Bershaw's low generation cassette (Maxell UDXL2 with Dolby B) Transfer: Maxell UDXL2 with Dolby B (Nakamichi Dragon playback with Dolby B) > Lexicon Lambda > Logic 1644.1 (tracking only) > wav > xAct (sbe correction) > FLAC	Source Detail	FLAC
01/02/72	Winterland Arena	San Francisco	CA	updated lineage: SBD> Reel Master> Reel> CD> Sonic Solutions Workstation> CD; via Charlie Miller; Seeded to etree by eD	Source Detail
01/02/72	Winterland Arena	San Francisco	CA	flac16 Recording info: SBD > Master Reel > DAT source from Anon; Mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
03/05/72	Winterland Arena	San Francisco	CA	Partial 1st set and complete 2nd set; See info file for details and 'cuts'; sbd>cass>cass>cass>dat>cd; Seeded to etree by Jools	Source Detail
03/05/72	Winterland Arena	San Francisco	CA	AUD -> ? -> Reel (Mono) -> DAT -> WAV -> SHN Taper, mic, and deck unkown. Analog > DAT by Neil Sturtevant. DAT > SHN & final edits by Charlie Miller. Added to etree by Noah Weiner	Source Detail
03/05/72	Winterland Arena	San Francisco	CA	SBD -> ?m -> Cass -> Cass -> Cass -> Cass -> Dat -> SHN Patched w/AUD -> ? -> Reel (Mono) -> Dat -> Samplitude -> SHN via Charlie Miller; upgrade now in circulation	Source Detail
03/05/72	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/21/72	Academy Of Music	New York	NY	Set 2; SBD>MR>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
03/21/72	Academy Of Music	New York	NY	Master Soundboard Reel (2 track)->Dat->Dat-> Sonic Solutions->CD->EAC->SHN CD->EAC->SHN Done By Joe Samaritano; samaritano@adelphia.net, 2/5/03	Source Detail
03/21/72	Academy Of Music	New York	NY	flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat/0 (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/21/72	Academy Of Music	New York	NY	flac16; Source: sbd > cassette master > dat(48k)	Source Detail	FLAC
03/22/72	Academy of Music	New York	NY	Partial Audience Recording via David Hollister. Lineage: A:?>Cass>Reel>CD>EAC>SHN	Source Detail
03/22/72	Academy of Music	New York	NY	flac16; Source: sbd > master reel > dat (48k)	Source Detail	FLAC
03/22/72	Academy of Music	New York	NY	flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/23/72	Academy of Music	New York	NY	set II; Gans Betty; Source: ?>Jim Wise BBD (Betty Board)> Gans CD> Goodbear's Gans CD clone> SHN; via Teddy Goodbear to abgd, ~10/16; etreed ~10/29; more info; note slight buzz & a touch of hiss	Source Detail
03/23/72	Academy of Music	New York	NY	Lineage: Betty Board > Gans CD > CD > DAE > SHN SBEs fixed and seeking added with SHNTool. New MD5 generated with MD5Sum. By Gary Field (dark_hollow@comcast.net). No other changes made.	Source Detail
03/23/72	Academy of Music	New York	NY	flac16;Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info:Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/23/72	Academy of Music	New York	NY	flac16; Source: sbd > master reel > dat (48k)	Source Detail	FLAC
03/23/72	Academy of Music	New York	NY	flac2496 Source: Unknown audience cassette - from the collection of Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24	Source Detail	FLAC
03/23/72	Academy of Music	New York	NY	flac1644 Source: Unknown audience cassette - from the collection of Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 2 Advanced > iZotope RX 9 Advanced > wav 16/44.1 > CD Wave > Flac 16	Source Detail	FLAC
03/25/72	Academy of Music	New York	NY	AUD composite- see notes in info file; via Hanno Bunjes, with thanks to Uli Teute	Source Detail
03/25/72	Academy of Music	New York	NY	flac16; source: aud reel; lineage: aud>?>7" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger 7/29/09	Source Detail	FLAC
03/25/72	Academy of Music	New York	NY	flac16; Source: sbd > master reel > dat (48k)	Source Detail	FLAC
03/25/72	Academy of Music	New York	NY	flac16; Source: Audience recording > Sony S95 > Sony TC-124S > cassette Maxell UDXLII (1st gen); Recorded by Ken and Judy Lee; Transfer: cassette > Tascam 112MKII (No Dolby) > Korg MR 2000S DFF DSD @ 5.6 MHz > Audiogate > wave @ 24/88.2; Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac16; edited and mastered SIRMick	Source Detail	FLAC
03/26/72	Academy of Music	New York	NY	AUD C/3 > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes	Source Detail
03/26/72	Academy of Music	New York	NY	flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/27/72	Academy of Music	New York	NY	AUD C/? > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes	Source Detail
03/27/72	Academy of Music	New York	NY	flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/27/72	Academy of Music	New York	NY	flac16/48kHz; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/28/72	Academy of Music	New York	NY	AUD C/5 > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes	Source Detail
03/28/72	Academy of Music	New York	NY	flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/07/72	Wembley Empire Pool	London	England	2 AUD sources: MR> C> CDR + M?> low-gen reel> CDR (see info file); mastered by Hanno Bunjes from compilation tape by Uli Teute; Hanno's notes	Source Detail
04/07/72	Wembley Empire Pool	London	England	flac16; source: mac (2 sources) > c > cdr + M? > low-gen reel > cdr > ??? > wav > shn > wav > flac; remaster of shnid 6161 by SIRMick	Source Detail	FLAC
04/08/72	Wembley Empire Pool	London	England	SBD; Discs 1 and 2: MR > DAT > CD > EAC > SHN; Disc 3: MR > DAT > Sonic Solutions > CD > EAC > SHN; Extraction, retracking of discs 1 and 2, and SHN encoding by G.S. Hamilton, from Seth Kaplan's copy; d3 is identical to previously circulated shn; note 1/01: cleaned version of this now in shn	Source Detail
04/08/72	Wembley Empire Pool	London	England	SBD> MR (16 track)> DAT> [Disc 3 only: SS]> Sound Forge 4.5>CDR; remastering by Bill Giles, with disc 3 work by David Gans; EAC> SHN by Jeff M.; see detailed notes in info file	Source Detail
04/08/72	Wembley Empire Pool	London	England	flac16; Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/11/72	Newcastle City Hall	Newcastle	England	remastered by Bill Giles - source is SBD MC>D>CD>SoundForge>CD See info file for flaws & Bill's mastering notes	Source Detail
04/11/72	Newcastle City Hall	Newcastle	England	flac16; Source: SBD Lineage: MR(recorded by Rex Jackson)>R(JG)>R(WB)>CD transfer info:Maxell UD XL reel tape @ 3 3/4 ips>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring)>LYNX ONE soundcard>Wavelab 5.0(dithered to 20/44)>CD.	Source Detail	FLAC
04/11/72	Newcastle City Hall	Newcastle	England	SBD> MC> D> CD> SHN; some Soundforge editing; see info file for flaw notes; via thecore	Source Detail
04/14/72	Tivoli Theater	Copenhagen	Denmark	MSR> Cass> DATs> CDRs (not the previously circulating FM version); via D. Sacks; note silence track is presumably to mark set break midway through d2; note info file here updated to reflect reel splice d1t8-9; see flaw notes in public comments	Source Detail
04/14/72	Tivoli Theater	Copenhagen	Denmark	SBD>mR>C>D>CD; See info file for various patches; via Jack Warner; Jim Powell; seeded to etree by Greg Hurwitt	Source Detail
04/14/72	Tivoli Theater	Copenhagen	Denmark	flac16; SBD -> (16 Track) Master Reel -> Dat (44.1k); Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC; Transfers and Mastering By Charlie Miller	Source Detail
04/14/72	Tivoli Theater	Copenhagen	Denmark	flac16 This is a pitch/speed fixed version of shn id 34552 The lineage is extended as follows: SBD -> (16 Track) Master Reel -> Dat (44.1k); Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC -> Adobe Audition 1.5 -> pitch/speed correction* -> flac -> TraLiHe -> sbe's fixed	Source Detail	FLAC
04/14/72	Tivoli Theater	Copenhagen	Denmark	flac16; SBD > MR (16 Track) > Dat > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a ReSampler (High Quality) > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 34552	Source Detail	FLAC
04/16/72	Stakladen, Aarhus University	Aarhus	Denmark	Partial set 1 & 2; Mixed SBD sources; SBD>MR>?>C>Sound Forge>SHN; SBD>MR>D>CD>EAC>SHN; See info file for 'caveat'; via Walter Schnell, Mark Sweeney; Seeded to etree by J. Cotsman	Source Detail
04/16/72	Stakladen, Aarhus University	Aarhus	Denmark	Set 1: SBD>Rm>?>Cass>Sound Forge>SHN Set 2: SBD>Rm>Dat>Sonic Solutions>CD>EAC>Samplitude>SHN Set 2 Conversion and Editing By Charlie Miller	Source Detail	SHN
04/16/72	Stakladen, Aarhus University	Aarhus	Denmark	set 1 from a slightly better sounding cassette source; via Uli Teute and Hanno Bunjes	Source Detail	SHN
04/16/72	Stakladen, Aarhus University	Aarhus	Denmark	Partial set 2; SBD>MR>??>CDR; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail	SHN
04/17/72	Tivoli Concert Hall	Copenhagen	Denmark	SBD>??>French TV Broadcast>C>DAT>CDR; Several missing tracks, see info file for details; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
04/17/72	Tivoli Concert Hall	Copenhagen	Denmark	flac16; SBD>16 track 2" MR>DAT4x>Delta Dio 2496>Soundforge>WAV>Cd Wave Editor>Flac	Source Detail
04/17/72	Tivoli Concert Hall	Copenhagen	Denmark	flac16; source: sbd > 16 track 2" MR>DAT4x > Delta Dio 2496 > Soundforge > wav > Cd Wave Editor > flac > wav > flac This is a further clean up of shn id 33802, which incorporates those already made on shn id 34302	Source Detail	FLAC
04/17/72	Tivoli Concert Hall	Copenhagen	Denmark	flac16/48kHz; Source: sbd > 14" 16 track Master Reel @15ips > DAT (48k)	Source Detail	FLAC
04/21/72	Beat Club	Bremen	Germany	SBD>FM>MR>PCM>DAT>CDR; Including soundcheck, missing 3 songs, see info file for details; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
04/21/72	Beat Club	Bremen	Germany	Source: SBD -> ? (Remaster of shinid 9380 soundcheck portion). Transfer: CDR>EAC>Adobe Audition 2.0 pitch adjusted +78 cents>CD Wave>FLAC. Seeded by Rob Berger.	Source Detail	FLAC
04/24/72	Rheinhalle	Düsseldorf	Germany	mixed SBD + AUD: RM> C> DAT> CD; see info file for notes	Source Detail
04/26/72	Jahrhundert Halle	Frankfurt	Germany	This is probably the original FM broadcast No generational info given with original shn set. See text file.	Source Detail
04/26/72	Jahrhundert Halle	Frankfurt	Germany	Source : SBD > ? > CE2K (minor cleanup) > mkwact > SHN(seekable) This is an upgrade to the previous shn set via Matt Vernon	Source Detail
04/26/72	Jahrhundert Halle	Frankfurt	Germany	flac16/48kHz; Source: Soundboard > Master Reel > Dat (48k)	Source Detail	FLAC
04/29/72	Musikhalle	Hamburg	Germany	AUD MR (poss. Uher Reel Machine at 4.75 cm/sec)> 2 reels> cass> SB Live!> .wav> .shn> CD-R; EAC > SHN (seekable) by Matt Vernon from eurodead.net seed disks	Source Detail
04/29/72	Musikhalle	Hamburg	Germany	SBD Source: MSR*>R>R>C>DAT>WAV>SHN (* Possibly Monitor Board See Notes Below); AUD Patch Source: MR*>cass>SB Live!>.wav>.shn>CD-R. (* Believed to be Uher Reel Machine at 4.75 cm/sec); AUD seed disks provided by eurodead.net; SBD seed by Cousinit; SBD C>SHN Conversion by Cousinit; AUD SHN Conversion by mvernon54@home.com	Source Detail
04/29/72	Musikhalle	Hamburg	Germany	SBD/AUD Matrix of the Set 2 Jam via Matt Vernon from etree aud and sbd sources	Source Detail
04/29/72	Musikhalle	Hamburg	Germany	This is a remaster of shnid 17026 by Sir Mick	Source Detail	FLAC
04/29/72	Musikhalle	Hamburg	Germany	flac16; Recording Info: SBD -> Master Reel (14 inch 16 track Master Reels @ 15ips) -> Dat (44.1k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/03/72	Olympia Theater	Paris	France	possible reDAE/reshn by unIDed person of previous shn set- md5s do not match; same info file with added note; noted at gdlive	Source Detail
05/03/72	Olympia Theater	Paris	France	flac16; fixed fly away channel problem on SHNid=21923. Soundboard->Master Reel (multi-track)->DAT x 5. DAT->Audiophile 2496->Samplitude v7.02 Professional->FLAC. Transfer and FLAC by Joe Samaritano	Source Detail
05/03/72	Olympia Theater	Paris	France	SBD > multitrack 2" MR > rough mix by J. Norman/D. Latvala> DAT > CDR > EAC > shn;?? Extraction, shortening, and uploading by Mike Masse; note "honeymoon theft" source: China-Rider, Jed spliced in from E72 album (they were snipped from master reel)	Source Detail
05/04/72	Olympia Theater	Paris	France	SBD > reel > DAT > CDR; via J. Serafin, C. Gannon; extraction, .shn by G.S. Hamilton; note d1t12 1:33-1:43 digi-noise; Casey Jones beginning cut (on master?)	Source Detail
05/04/72	Olympia Theater	Paris	France	flac16; SBD -> (16 Track) Master Reel -> Dat All Transfers and Mastering By Charlie Miller	Source Detail
05/07/72	Bickershaw Festival	Wigan	England	Discs 1 & 2 are a compilation of multiple Audience sources; Discs 3 & 4 are supplied from a Master Soundboard Reel > DAT source; There is a 5th disc which contains the NRPS set; Seeded by Scott Clugston	Source Detail
05/07/72	Bickershaw Festival	Wigan	England	flac16/48kHz; Set 1 Recording Info: SBD -> Master Reel (10 inch - 1/2 track) -> Dat/48k; Transfer Info: Dat -> Sound Devices 744T -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/07/72	Bickershaw Festival	Wigan	England	flac16; Partial Set 2 Source Info: Betty's Master Soundboard Reel > PCM > PCM (14-bit)(Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16	Source Detail	FLAC
05/07/72	Bickershaw Festival	Wigan	England	flac16 This has been compiled from three different sources but I only know one of the tapers. The two unknown sources have been used for Set I and Simon Phillips' master for the whole of Set II edited and mastered SIRMick February 2022	Source Detail	FLAC
05/10/72	Concertgebouw	Amsterdam	Netherlands	S:MR > Cassette > DAT > CDR > SHN; Extraction and SHN encoding by Seth Kaplan; upload by Greg Hamilton; known flaw: Bertha fades in	Source Detail
05/11/72	Rotterdam Civic Hall	Rotterdam	Netherlands	10" MR@7.5ips->DAT>CDR; Note This seed does not have the splice in IKYR and it includes OMSN. Shn'ed & uploaded to fungus by Joe Samaritano 12/29/01; Seeded to abgd via Charlie Connor 01/02.	Source Detail
05/11/72	Rotterdam Civic Hall	Rotterdam	Netherlands	Jay Ashley (Bertha) remaster of Master Reel source; SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>SHN	Source Detail
05/13/72	Lille Fairgrounds	Lille	France	sbd > mr > cass > dat > cda > eac > shn v3; via Chris Ladner to vine and etree; encore missing	Source Detail
05/13/72	Lille Fairgrounds	Lille	France	SBD -> Rm -> Dat -> CD -> EAC -> SHN (1 Disc Audio / 1 Disc SHN); Converted To SHN BY Charlie Miller	Source Detail
05/16/72	Theatre Hall	Luxembourg	Luxembourg	SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN; Initial DAT Transfer via Panasonic 3700 DAT-> Tascam 122mkII (MX-S Cassette)-> Fostex D5-> Sony 59ES DAT-> DAT-Heads Tree Summer '96-> Sony D7-> Audiophile 2496 Soundcard@48kHz. Editing via Cool Edit: Normalized to 99; 44.1kHzSample rate conversion @ 350 quality; pitch correction: 102 ratio stretch. Tracks inserted via CDWave and SHN conversion via mkwACT; d1 tracked for 80 min	Source Detail
05/16/72	Theatre Hall	Luxembourg	Luxembourg	Source: SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN Apparently, d1t06 is from etree seed 7089 and the rest of the show is from 10353. Seeded to Etree via Tol.	Source Detail	SHN
05/16/72	Theatre Hall	Luxembourg	Luxembourg	flac16; CD "Dead de luxe", Live in Luxembourg "European Bootleg" Source: Soundboard Transfer: CDR>EAC>Wave>Flac Frontend (Level 6)>Flac16 Transfered by: Scott Brown	Source Detail	FLAC
05/16/72	Theatre Hall	Luxembourg	Luxembourg	Shntool fix of previous sbd/reel source; SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN	Source Detail	SHN
05/16/72	Theatre Hall	Luxembourg	Luxembourg	flac16; Set 1 Source Info: Radio Luxembourg FM Broadcast > 1st generation Reel > PCM > Dat (16 bit/44.1 kHz); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 > dBpoweramp > Adobe Audition 3.0 > TLH flac16	Source Detail	FLAC
05/18/72	Kongressaal Deutsches Museum	München	Germany	MSR> ?> dat> cdr; via Mike Lai; see public comments for flaw notes	Source Detail
05/18/72	Kongressaal Deutsches Museum	München	Germany	MSR> ?> dat> cdr; Repaired version of previous shn set; See info file for details; via Mike (Unicorn) to abgd; Note- md5's/txt from shn set hosted on tol.etree.org added 4-27-03	Source Detail
05/18/72	Kongressaal Deutsches Museum	München	Germany	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC	Source Detail
05/18/72	Kongressaal Deutsches Museum	München	Germany	flac16; source info: Master Soundboard Reel (Rex Jackson) > Reel (Jerry Garcia)> Reel (Will Boswell) @ 3 3/4 ips) > CD; CDs copied in EAC and Repairs and Adjustments in Wavelab 6.0 on the **GEMS* Edit Station by Jamie Waddell	Source Detail	FLAC
05/23/72	Lyceum Ballroom	London	England	partial; sdb> MR> PCM> CD; via Mike Lai	Source Detail
05/23/72	Lyceum Ballroom	London	England	Another shn set claiming this lineage "lineage unknown, but believed to be 10" 2-track reel master>1 cassette generation>DAT> 1 cassette generation > circulation listed at www.resourcesfortraders.com" with different md5's than prior etree seeds with this info file	Source Detail
05/23/72	Lyceum Ballroom	London	England	Lineage (most likely):10" 2-track RM > C > D > C speed corrected, complete 4 disk version via Unicorn	Source Detail
05/23/72	Lyceum Ballroom	London	England	flac16; Set 2 partial; MSR>C>DAT>CD; EAC>WAV>FLAC by Sean Cribbs, from Lemieux source	Source Detail
05/23/72	Lyceum Ballroom	London	England	flac16; 2 track soundboard recording Transferred by Matt Smith Reels > Apogee Mini ME 24/96 > Apogee Mini DAC(monitoring) > Wavelab 5.0(dithered to 16/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station in Wavelab 6.1 with UA DSP FLAC Level8 in TLH MetaData in Tag and Rename	Source Detail
05/24/72	Lyceum Ballroom	London	England	AUD: mono crappy Pye cassette recorder with hand-held mike > Ampex R2R > CD-R > EAC > CEP > CDWAV > .shn & CD-R; Original recording by Chris Jones. Transferred (untracked) to CDR by Graham Harper; EAC> all subsequent modification by Alasdair Macdonald; see extensive notes in info file; d1 tracked for 80 min	Source Detail
05/24/72	Lyceum Ballroom	London	England	flac16; Partial Set 2, Source: MSR>DAT>CDR>EAC>.WAV>TLH>.FLAC	Source Detail	FLAC
05/24/72	Lyceum Ballroom	London	England	flac16; source : aud > Pye mono cassette recorder (crappy model) with hand-held mike > mac transfer : mac > ampex R2R > cdr > eac > cep > cdwav > shn taped by Chris Jones transferred (untracked) to CDR by Graham Harper. Remastered by Sir Mick from the raw wav files.	Source Detail	FLAC
05/25/72	Lyceum Ballroom	London	England	set 2 partial; MSBDR > 2 casstte gens > DAT > CDR > EAC > SHN; Dick cass leak; u/l via G. Hamilton; note fits on 1 shn disc w/ 6/24/73 disc; update: redundant material in Dark Star, patch of d1t3 circulates	Source Detail
05/25/72	Lyceum Ballroom	London	England	fix of d1t3 Dark Star in previous shn set to remove redundant material, by Sean Cribbs	Source Detail
05/25/72	Lyceum Ballroom	London	England	flac16; Recording Info: SBD -> Master Reel 10 inch reels recorded at 7.5 ips (1/2 track) -> Apogee AD500 -> Dat/0 (48k) Transfer Info: Dat/0 (Sony 500) -> Samplitude Professional 9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/26/72	Lyceum Ballroom	London	England	S:MR> DATx5> CD, including patches (see info file for specifics; transfer by David Hollister; reported "superior to all circulating copies"	Source Detail
05/26/72	Lyceum Ballroom	London	England	flac16; SBD Reel > DAT > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 All editing and mastering by Jamie Waddell on the GEMS Edit Station. Trac'ed Cdwave,Flac'ed TLH level 8	Source Detail	FLAC
05/26/72	Lyceum Ballroom	London	England	Master SBD reel > DAT > CD-R >EAC > CDR; D2T7 some music lost at start; splices in Sugaree, Dew; to etree via Matt Vernon; passes shntool check	Source Detail	SHN
05/26/72	Lyceum Ballroom	London	England	flac16; Source: Soundboard Lineage: MR(film crew feed) at 7 1/2 i.p.s.>R at 7 1/2 i.p.s (Don Wolfe) >CD transfer info:Maxell UD XL reel tape>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring)>LYNX ONE soundcard>Wavelab 5.0(dithered to 20/44)>CD by Matt Smith	Source Detail	FLAC
06/17/72	Hollywood Bowl	Hollywood	CA	set 1,2p; AUD C/?; pitch corrected; via Hanno Bunjes, Uli Teute and Carsten Baumann	Source Detail
06/17/72	Hollywood Bowl	Hollywood	CA	flac16; Recording Info: (FOB) Shure Unidyne III -> Cassette Master (Sony TC-40); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC/16; Recorded By Dave and Jim Melton in Box 52; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/16/72	Dillon Stadium	Hartford	CT	source 1: SBD>MR>C>D>CD>EAC>SHN source 2: AUD>?>SHN the audience recording supplies: --all of disc 1, --on disc 2, the final portion of Me & My Uncle through to the end of Sing Me Back Home; See info file for details; via Glenn Gillis and Paul B; Seeded to etree by Tim O'Connel & J. Cotsman	Source Detail
07/18/72	Roosevelt Stadium	Jersey City	NJ	SBD with Aud Patches (missing OMSN), see info file for details; via David Hollister; Seeded to etree by Sean Cribbs	Source Detail
07/18/72	Roosevelt Stadium	Jersey City	NJ	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
07/18/72	Roosevelt Stadium	Jersey City	NJ	sdb>>master reel>>reel>>pcm>>cdr; Likely a re-eac of the original Lai seed; Unknown seeder	Source Detail
07/18/72	Roosevelt Stadium	Jersey City	NJ	sdb> master reel> reel> pcm> cdr; via Mike Lai	Source Detail	shn
07/18/72	Roosevelt Stadium	Jersey City	NJ	AUD MC> ?> R> D> SHN> CDR, with change to A:MC> ?> C> D source toward end; A > D transfer by Noah Weiner; via Audience Devotional Tree	Source Detail	FLAC
07/21/72	Paramount Northwest Theater	Seattle	WA	SBD> MR> CX3(?)> D> CD> EAC> SHN; edits (pitch corrected, normalized), encoding, vined by J. Cotsman, with thanks to Mark Sweeney	Source Detail
07/21/72	Paramount Northwest Theater	Seattle	WA	flac16/48kHz; Source Info: Bear's Master Soundboard Cassettes > 1st generation Cassettes > 2nd generation Cassettes > Tim Dalton's Dat (16/48); Transfer Info: Dat (Sony PCM-R500) (16/48) > Tascam DA-3000 (16/48)> Adobe Audition CC 2019 > TLH flac1648	Source Detail	FLAC
07/22/72	Paramount Northwest Theater	Seattle	WA	SBD MR>PCM>D>CD via Hanno	Source Detail
07/22/72	Paramount Northwest Theater	Seattle	WA	flac16; Sound Board Master Reel>DAT 16/48 > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav	Source Detail	FLAC
07/22/72	Paramount Northwest Theater	Seattle	WA	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/22/72	Paramount Northwest Theater	Seattle	WA	flac16; Recording Info: Betty's 7" 2-track Master Soundboard Reels > PCM (Sony beta HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; this is a fixed version of source ID 141122	Source Detail	FLAC
07/25/72	Paramount Theater	Portland	OR	SBD> MR> C> D> CD> EAC> SHN; encoding, vined by J. Cotsman; with thanks to Mark Sweeney	Source Detail
07/25/72	Paramount Theater	Portland	OR	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/26/72	Paramount Theater	Portland	OR	nearly complete; updated info: Master Soundboard Reel > PCM> DAT > ZA2 > CDR x2; DAT seed via Jeff Tiedrich, original DAT>CD transfer by David Hollister; subsequent CD remastering and SHN by Scott Clugston; see info file and pub comments for notes	Source Detail
07/26/72	Paramount Theater	Portland	OR	flac16; Lineage: (from DAT J-Card) MR -> DAT (the DAT is 16-bit; 44.1kHz which could indicate MR->PCM->DAT) DAT from collection of Todd Evans - todd@bluedakota.com DAT > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0 - Transferred January 18, 2007 Mastering By Jamie Waddell on the GEMS Edit Station. Trac'ed cdwave,Flac'ed TLH level 8	Source Detail	FLAC
08/12/72	Sacramento Memorial Auditorium	Sacramento	CA	SBD Reel master > DAT > CDR > EAC > SHN; seed via Seth Kaplan; Retracked (Cool Edit/CDWav) by G.S. Hamilton; see info file for listening notes	Source Detail
08/12/72	Sacramento Memorial Auditorium	Sacramento	CA	flac16; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Apogee DAC> Apogee Mini Me > Wavelab 5.0 @ 24 bit 96kHz Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1kHz tracked in CDWAV Tag&Rename for Meta_Data TLH for FLAC Level 8 by Patrick White (wharfratpat@shnflac.net)	Source Detail	FLAC
08/12/72	Sacramento Memorial Auditorium	Sacramento	CA	flac16; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Transferred by Matt Smith March 2014	Source Detail	FLAC
08/20/72	San Jose Civic Auditorium	San Jose	CA	Set 1 SBD; source SBD>?>CDR>WAV>CE2k (*Serious* cleanup)>SHN; Missing Bertha; see notes	Source Detail
08/20/72	San Jose Civic Auditorium	San Jose	CA	SBD>MC>R>C>C>C>D>CD>EAC>SHN (?) see notes on lineage via Chuck Kiefe edits/encoding by Jeff Cotsman	Source Detail
08/20/72	San Jose Civic Auditorium	San Jose	CA	flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
08/20/72	San Jose Civic Auditorium	San Jose	CA	flac16; Recording by Olaf Schiappacasse (using Gene Taback's equipment): Master Audience Cassette; Sony TC-124 with Sony Stereo Mic (Pacific Stereo Cassettes) Transfer and FLAC encoding by David Minches: Master cassettes played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard (96Mhz/24 bit)> HD Editing performed in Adobe Audition; L3 Multimaximizer>Waves Z-Noise; Dithered and downsampled to 44.1 MHz / 16 bit; Flac Encoded	Source Detail
08/20/72	San Jose Civic Auditorium	San Jose	CA	flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/21/72	Berkeley Community Theater	Berkeley	CA	S:MR > PCM > DAT > CD > EAC > SHN; via D. Hollister, G. Hamilton; see info file for list of minor flaws	Source Detail
08/21/72	Berkeley Community Theater	Berkeley	CA	flac16; Source: SBD > Master Reels @ 7.5ips (10 Inch half-track ) > PCM > DAT (44.1k) - Recorded by Betty Cantor-Jackson, provided by Charlie Miller; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017; the original version of this had pitch correction incorrectly applied	Source Detail	FLAC
08/22/72	Berkeley Community Theater	Berkeley	CA	2nd Set; S:MR > PCM > DAT > CDR > EAC > SHN via Seth Kaplan; NFA end cuts off; passes shntool check	Source Detail
08/22/72	Berkeley Community Theater	Berkeley	CA	SBD>MR>?>CD>EAC>SHN: (low gen); (set 1) SBD>MR>PCM>D>CD>EAC>SHN: (set 2); Missing first 3 1/2 songs; See info file for details; via Mike Dolgushkin & Seth Kaplan; Seeded to etree by J. Cotsman	Source Detail
08/22/72	Berkeley Community Theater	Berkeley	CA	mixed sources: Set 1: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> Apogee AD500> Master Dat (Panasonic SV3800/48k); Set 2: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> PCM> Dat> CD; Transferred and Edited (see cleanup notes) by Charlie Miller	Source Detail
08/24/72	Berkeley Community Theater	Berkeley	CA	SBD> ?> DAT> CDR> SHN; d3t5,6 duplic fixed 5/24; note d1t1 only 4 sec	Source Detail
08/24/72	Berkeley Community Theater	Berkeley	CA	SBD>Rm>Dat(48k) with missing songs patched from SBD>Rm>Cass>Cass>Cass>Dat>Samplitude>SHN via Charlie Miller	Source Detail
08/24/72	Berkeley Community Theater	Berkeley	CA	flac16 Source: Master SBD Reel > DAT from ANON Mastered by Jamie Waddell and Jim Blackwood Pitch correction by Jason Chastain Listening assistance, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
08/25/72	Berkeley Community Theater	Berkeley	CA	set 1 partial; 7" Betty Board Reel > PCM501ES analog out > Fostex D5 optical S/PDIF out (Jace's tape) > disk (Tim Deibert); some Soundforge editing (see notes)	Source Detail
08/25/72	Berkeley Community Theater	Berkeley	CA	Partial Set 1: SBD> MR> PCM> DAT; Partial Set 2: FMSBD> ???	Source Detail
08/25/72	Berkeley Community Theater	Berkeley	CA	flac16; Recording Info:SBD -> Master Reel -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/27/72	Old Renaissance Faire Grounds	Veneta	OR	SBD MR> DAT> CDR> EAC> SHN; via S. Kaplan, G. Hamilton; known flaws: sound system disortion/buzziness at places; d1t7 d/o @ 11:14; d2t6 discontinuity @ 3:36, static @ 5:07; note least-flawed of several versions assayed (no clicks/pops in Dark Star); 12/00 update: an upgrade version is now circulating	Source Detail
08/27/72	Old Renaissance Faire Grounds	Veneta	OR	SBD> 16 Track Master Reels> DAT@44.1K> DAT> DAT> WAV> SHN; see info file for details, fixes and flaw notes; note most banter edited out; Reel>DAT transfer by Dick Latvala; DAT clone supplied by Rob Eaton; DAT>SHN by Jamie Lutch; QC courtesy dankseeds	Source Detail
08/27/72	Old Renaissance Faire Grounds	Veneta	OR	SBD > 4-TRACK RTR @ 7.5 i.p.s. > PCM> (PCM) > D > SSSB; via Jay Serafin to gdlive; see info file for extensive notes	Source Detail
08/27/72	Old Renaissance Faire Grounds	Veneta	OR	Bertha Remaster of the Braverman/Dank 16 track source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A (Between songs from the two-track master reels)	Source Detail
08/27/72	Old Renaissance Faire Grounds	Veneta	OR	SBD> 16 Track Master Reels> DAT@44.1K> DAT> DAT> WAV> SHN; Banter between songs from the two-track master reels: S:MR> DAT> SS> CD> EAC> SHN; dankseed	Source Detail	FLAC
09/03/72	Folsom Field, U of Colorado	Boulder	CO	primary source: SBD>MR>C>D>CD>EAC>SHN (provides most of sets 2 and 3); secondary source: AUD>?>C>CD>EAC>SHN (provides all of set 1 plus patches in sets 2 and 3); aud source is pretty weak (see caveat); Thanks to John Steinhaus, Uli Teute, and Hanno Bunjes	Source Detail
09/03/72	Folsom Field, U of Colorado	Boulder	CO	Composite aud/sbd - entire show speed corrected, static removed; includes encore. via Carsten Baumann and Hanno Bunjes	Source Detail
09/03/72	Folsom Field, U of Colorado	Boulder	CO	flac16; Composite sources: MR>cass, MR>cass>cass and multi generation sources; transfers were TascamMKII >Korg MR1000 at 1bit/5.6mHZ and cass> Apogee Mini Me>apogeeDAC>LynxOne at 24/96 PCM WAV; all edits and mastering by Jamie Waddell on the **GEMS** Edit Station at 32bitfloat/88.2kHz Weiss Saracon for SRC and POW-r3 dither to 16 bit/44.1 kHz	Source Detail	FLAC
09/03/72	Folsom Field, U of Colorado	Boulder	CO	flac1648; Recording info: SBD > Bear's Master Reels > Cassette; Transfer info: Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz; Recorded by Augustus Owsley Stanley III (aka Bear); 2023 transfer and mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
09/09/72	Hollywood Palladium	Hollywood	CA	Sbd: MR>DAT>CDR>SHN Audio discs provided by Dyer O' Connor eac>mkw>shn by popi n. feeldz	Source Detail
09/09/72	Hollywood Palladium	Hollywood	CA	flac16; Main source: mac > cass (u/k gen) > wav > flac > wav > flac transfer: nak dr3 > audacity > cdwav. Second source: sbd: mr> dat > cdr > shn > wav > flac via SirMick	Source Detail	FLAC
09/09/72	Hollywood Palladium	Hollywood	CA	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Cool Edit Pro v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/09/72	Hollywood Palladium	Hollywood	CA	flac16; AUD MR> Cassette (unknown gen) > WAV > FLAC speed-corrected of prior seed ; by Zeb	Source Detail	FLAC
09/09/72	Hollywood Palladium	Hollywood	CA	flac24; lineage: MAR > R > R > R; master taped by Bruce Harvie; sony ecm 22p's > sony tc-770; transfer: maxell ud-35-90 7" reel @ 3.75 ips, dolby b: technics rs-1506 > teac an-180 > benchmark adc1 24/96 > tascam hd-p2, adobe audition cs6 > cd wave > flac; transfer & seeded by Rob Berger 2014	Source Detail	FLAC
09/09/72	Hollywood Palladium	Hollywood	CA	flac16; Recording Info: MC (Uher deck) > Will Boswell's reel @3.75 ips reel; Transfer Info: Technics 1506 > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith, April 2015	Source Detail	FLAC
09/09/72	Hollywood Palladium	Hollywood	CA	flac16/48kHz; Source Info: Master Soundboard Cassettes (Uher deck) > Will Boswell's 1st generation reels @3.75 ips; Transfer Info: 1st generation reels (Technics 1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
09/10/72	Hollywood Palladium	Hollywood	CA	SBD > [MR > C > DAT(s) ??] > CDR(s) > EAC > SHN > SHNTOOL (fix sector boundaries by sets) > mkwact (seekable); via Mike Lai, Matt Vernon; boundary fixed version of previous shn set	Source Detail
09/10/72	Hollywood Palladium	Hollywood	CA	sdb; via Mike Lai; note boundary-fixed version of this shn set also circulates	Source Detail
09/10/72	Hollywood Palladium	Hollywood	CA	MSR>C>CD patched with MSR>C>D>C>D; Patches & remaster by Dave Greenberg.	Source Detail
09/10/72	Hollywood Palladium	Hollywood	CA	flac16; Soundboard Master-Reel > Reel (1st gen) > DAT 2x (44.1 kHz)	Source Detail	FLAC
09/10/72	Hollywood Palladium	Hollywood	CA	flac16; Vault master SBD reel source (with assumed DAT generation) provided by Charlie Miller; Mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
09/15/72	Music Hall	Boston	MA	partial set 2; SBD: MR > cassette > DAT > CD > SHN; SHNed by Seth Kaplan; via G.S. Hamilton to BUDD	Source Detail
09/15/72	Music Hall	Boston	MA	MAC > Reel > Cassette > DAT > CD; Lower quality aud provides many patches, see info file for details; via Noah Weiner; Jack Warner; Seeded to etree by Matt Vernon	Source Detail
09/15/72	Music Hall	Boston	MA	flac16; this is a remaster by SirMick of shnid 7924. Source 1: MAC > Reel > Cassette > DAT > CD Recorded by Bill Degen from balcony front row. Source 2: MAC > ? > DAT (supplied by Dave Minor) > CD provides additional patch and missing material	Source Detail
09/15/72	Music Hall	Boston	MA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/16/72	Music Hall	Boston	MA	mixed source (AUD>MC>) and (SBD>MR>) C> D> CD> EAC> SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Mark Sweeney and unIDed patcher	Source Detail
09/16/72	Music Hall	Boston	MA	AUDMC > C > DAT > CD > SHN recorded by Bill Degen from orchestra seats mic and deck unknown. A > D & shn conversion by Noah Weiner	Source Detail
09/16/72	Music Hall	Boston	MA	flac 16; Sick Bits Vol. 20 - SBD/AUD Matrix: SBD (shnid=6683) + AUD (shnid=12932); edited, mixed and converted by Chris Chappell	Source Detail
09/16/72	Music Hall	Boston	MA	Flac 24/44.1 Vault Master Reel to DAT Provided by ANON WAV > Samplitude Pro X5 > Flac24 Mastered by Jim Blackwood with assistance provided by Jamison Waddell Speed Correction by Jason Chastain	Source Detail	FLAC
09/17/72	Baltimore Civic Center	Baltimore	MD	SBDMR > Cass > DAT > SonicSolutions > CD > EAC > SHN; Extraction and SHN encoding by G.S. Hamilton, from D. Hollister seed; known flaws: Missing Saturday Night; small digi-snit during UJB; update: show is now DP23- go buy it	Source Detail
09/17/72	Baltimore Civic Center	Baltimore	MD	Audience Recording (taper Cary Wolfson) > Cassette > DAT > SHN; Extraction and SHN encoding by David Minches	Source Detail
09/19/72	Roosevelt Stadium	Jersey City	NJ	AUD>MC>?>D>CD; Many songs are clipped due to taper conservation, though almost all such cuts are minor; See info file for details; via Paul Hartman; Seeded to etree by JCotsman	Source Detail
09/19/72	Roosevelt Stadium	Jersey City	NJ	flac2448; s1-s2p; Source: Unknown mono AUD via the collection of Rich Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2021	Source Detail	FLAC
09/19/72	Roosevelt Stadium	Jersey City	NJ	flac16/44 Source Info: Ed Deal's Master Audience Cassettes (Sony C-90); Unknown equipment Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini-Me (24-bit/96k) > WaveLab (16-bit/44.1k) > Adobe Audition CC 2022 > TLH flac16	Source Detail	FLAC
09/21/72	The Spectrum	Philadelphia	PA	SBD > reel > DAT > CDR > EAC > shn; via Mike Masse; see flaw notes in info file; a clean-up of d1t11 also circulates; see public comments for details	Source Detail
09/21/72	The Spectrum	Philadelphia	PA	flac16; Recording Info: SBD > Master Reel (7-inch 7.5ips 1/2trk) > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
09/21/72	The Spectrum	Philadelphia	PA	flac16/44 Source: uknown audience cassette from the collection pf Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick May 2021	Source Detail	FLAC
09/21/72	The Spectrum	Philadelphia	PA	flac16/44 Source: uknown audience cassette from the collection pf Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick May 2021	Source Detail	FLAC
09/23/72	Palace Theater	Waterbury	CT	SBD> MR> Cass> DAT> CDR> EAC> SHN; via Jeff M.; see listening notes in revised info file	Source Detail
09/23/72	Palace Theater	Waterbury	CT	flac16; Recording Info: SBD > MR > C > DAT > CDR > SHN; Transfer Info: SHN > WAV > Sound Forge 10 > TLH > FLAC; Sonically enhanced, remastered, retracked upgrade of shnid 2201; Mastered and tracked by Bill Guarneri, July 25, 2014	Source Detail	FLAC
09/23/72	Palace Theater	Waterbury	CT	flac16; Source: SBD>MR>Cass>DAT>CDR>EAC>SHN; This is a flac encoded & tagged restoration of shnid 2201; Restoration done with Diamond Cut Forensics 10 (beta1 through RC3)	Source Detail	FLAC
09/24/72	Palace Theater	Waterbury	CT	SBD> MR> CASS> DAT> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes	Source Detail
09/24/72	Palace Theater	Waterbury	CT	Source:SBD Lineage: Reel master > ? > cassette > DAT > CDR > EAC > SHN Edits by Sean Cribbs - see info file for details	Source Detail
09/24/72	Palace Theater	Waterbury	CT	flac16; Recording Info: SBD > MR > ? > C > DAT > SHN; Transfer Info: SHN > TLH > WAV > Sound Forge 10 > TLH > FLAC; Tracked, patched and mastered by Bill Guarneri, July 28, 2014	Source Detail	FLAC
09/26/72	Stanley Theatre	Jersey City	NJ	SBD > MR > DAT(48kHz) > za2 > CD; See user comments for flaw notes	Source Detail
09/26/72	Stanley Theatre	Jersey City	NJ	SBD Reel> unknown dat gens> digital noise reduction> 3dat gens> za/2 48-41; for flaws see revised info file; note next night 9/27/72 is available as Dick's Picks 11- go buy it	Source Detail
09/26/72	Stanley Theatre	Jersey City	NJ	Splice upgrade (d1t7,d3t1) to previous source Splice source: MAC > Cx > DAT > WAV >SHN; Cassette> DAT transfer by J.Powell: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II; DAT> WAV> SHN transfer by C.Ladner: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)> sector boundaries confirmed (shntool) > SHN (mkwact).	Source Detail
09/26/72	Stanley Theatre	Jersey City	NJ	Cleaned up disc 3 of previous SBD by Charles Wier; d1 & d2 are unchanged. See text file for details.	Source Detail	SHN
09/26/72	Stanley Theatre	Jersey City	NJ	flac16 Soundboard Master-Reel > Reel (1st gen) > DAT (44.1 kHz)	Source Detail	FLAC
09/27/72	Stanley Theatre	Jersey City	NJ	SBD Reel>Reel>PCM>DAT from "People's Choice tree" via Jeff Blaney, encoded by Matt Vernon	Source Detail
09/28/72	Stanley Theatre	Jersey City	NJ	SBD (probably sbd>mr>dat>cdr) Seeded by Bill from Monterey to clone.etree.org 9/02 any setlist help send to nick@burgis.org	Source Detail
09/28/72	Stanley Theatre	Jersey City	NJ	flac16; Primary Source: SBD> MR> DAT> CDR> WAV> SHN; patches and missing track from Unknown audience > C > ? > DAT >WAV > FLAC (level 8); AUD material courtesy Uli Teute via Jim Powell; via Chris Ladner?	Source Detail
09/28/72	Stanley Theatre	Jersey City	NJ	set 2; master reel> pcm> dat> cdr; via M. Lai; note previous night 9/27/72 is available as Dick's Picks 11- go buy it	Source Detail
09/28/72	Stanley Theatre	Jersey City	NJ	flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/28/72	Stanley Theatre	Jersey City	NJ	flac16; source: aud; lineage: aud>?>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac	Source Detail	FLAC
09/28/72	Stanley Theatre	Jersey City	NJ	flac16; Bear's Cassette Copies Nakamichi Dr-1 > Lynx Studio Interface at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1 kHz Transfered and Lightly Mastered by Jamie Waddell	Source Detail	FLAC
09/30/72	American University	Washington	DC	Master 7" Soundboard Reels @ 7 1/2 ips > Cassette > DAT> CDR; CD Mastering by Scott Clugston; EAC'ed / SHN'ed by Scott Clugston to abgd via Wyatt Earp	Source Detail
09/30/72	American University	Washington	DC	SB> MR> Cassette> DAT> CD; except OMSN SB> MR>cass(2)> DAT> CD; CD> cleanup> SHN; see info file for fixes and flaw notes; via Matt Vernon	Source Detail	FLAC
10/02/72	Springfield Civic Center	Springfield	MA	master reel sdb> cass> dat> cdr; via M. Lai; listeners report hiss level sounds closer to 2 cass gens	Source Detail
10/02/72	Springfield Civic Center	Springfield	MA	flac16; Recording Info:SBD -> Master Reel -> Dat -> Data DVD; Transfer Info: Data DVD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/09/72	Winterland Arena	San Francisco	CA	SBD > MR > C > DAT > CDR; EAC > Cool Edit (remove some pops, see info file) > SHN (seekable); SHN Conversion by Matt Vernon from Paul B. seed discs	Source Detail
10/09/72	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD > MR > C > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC	Source Detail	FLAC
10/17/72	Fox Theatre	St. Louis	MO	MSR> C> DATs> CDRs> EAC> SHN; via Darrin Sacks, from Jack Warner's seed; previously uncirculated	Source Detail
10/18/72	Fox Theatre	St. Louis	MO	SBD > MR > Cass > DAT > CDR; see flaw notes in info file; Note- d2 fix now circulates via Charles Weir; See info file for details	Source Detail
10/18/72	Fox Theatre	St. Louis	MO	flac16; Unknown SBD source (probably shnid 7295) CD > wav > cool edit 2000 > flac	Source Detail	FLAC
10/18/72	Fox Theatre	St. Louis	MO	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/19/72	Fox Theatre	St. Louis	MO	SBD > MR > Cass > DAT > CDR; via DES; cuts into Promised	Source Detail
10/21/72	Alumni Lawn, Vanderbilt University	Nashville	TN	flac16; Partial Set 2 Source: MSR>DAT>CDR>EAC>.WAV>TLH>.FLAC	Source Detail	FLAC
10/21/72	Alumni Lawn, Vanderbilt University	Nashville	TN	flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/23/72	Milwaukee Performing Arts Center	Milwaukee	WI	AUD>MR>?>D>CD; See info file for 'warning'; via Paul Hartman; seeded to etree by J. Cotsman	Source Detail
10/23/72	Milwaukee Performing Arts Center	Milwaukee	WI	flac16; Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-124/BASF Normal Bias 120 Min Tapes); Transfer Info: Cassette Master (Nakamichi Dragon) -> Dat -> CD; Mastering Info:CD -> Samplitude Professional v10.2 -> Adobe Audition v1.5 -> FLAC; All Mastering By Charlie Miller	Source Detail	FLAC
10/24/72	Milwaukee Performing Arts Center	Milwaukee	WI	Set 2, Truckin' through Johnny B. Goode; MR > 1 cass. > DAT > CDR 2x; DAE/.shn conversion by G. Hamilton	Source Detail
10/24/72	Milwaukee Performing Arts Center	Milwaukee	WI	flac16; Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-153/BASF Normal Bias 120 Min Tapes) Transfer Info: Cassette Master (Nakamichi Dragon) -> Dat -> CD Mastering Info: CD -> Samplitude Professional v10.2 -> Adobe Audition v1.5 -> FLAC; All Mastering By Charlie Miller	Source Detail	FLAC
10/24/72	Milwaukee Performing Arts Center	Milwaukee	WI	flac16; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/26/72	Cincinnati Music Hall	Cincinnati	OH	SBD -> Rm -> Cass -> Cass -> Dat -> Samplitude -> SHN (1 Disc SHN / 2 Discs Audio); Seeded to etree by Charlie Miller	Source Detail
10/26/72	Cincinnati Music Hall	Cincinnati	OH	flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
10/27/72	Veterans' Memorial Hall	Columbus	OH	Set 1: SBD>?>C>SHN; Set 2: AUD>MR>C>D>CD; See info file for 'warning'; via Paul Hartman, Chris Masciangelo; Seeded to etree by J. Cotsman	Source Detail
10/27/72	Veterans' Memorial Hall	Columbus	OH	SBD C/? upgrade of first set; via Hanno Bunjes and Uli Teute	Source Detail
10/27/72	Veterans' Memorial Hall	Columbus	OH	Sources: SBD(a) Source: MSR>R>C>DAT>WAV>SHN SBD(b) Source: MSR>Many Gens??>C>DAT>WAV>SHN AUD Source: MAR>C>D>CD>EAC>SHN SBD conversions by Cousinit AUD portion from previously circulating shn set from Paul Hartman edited/encoded by J. Cotsman	Source Detail
10/28/72	Cleveland Public Hall	Cleveland	OH	Partial; 2 songs; See info file for details; SBD>MR>D>Sonic Solutions>CD	Source Detail
10/28/72	Cleveland Public Hall	Cleveland	OH	Complete SBD>MC>D>CD>EAC>SHN Ampex C-90 cassette master via King Bee and Andy Lemieux, encoding etc. by Cotsman	Source Detail	SHN
10/30/72	Ford Auditorium	Detroit	MI	AUD>MR>C>C>C>D>CD; via John Steinhaus; Seeded to etree by J. Cotsman	Source Detail
11/12/72	Soldiers' and Sailors' Memorial Hall	Kansas City	KS	SBD>MC>C>D>CD; This recording has 'mix problems'; See info file for details; via Mark Sweeney; Seeded to etree by J. Cotsman	Source Detail
11/13/72	Soldiers and Sailors Memorial Hall	Kansas City	KS	partial; AUD> MR> C> D> CD> EAC> SHN; via J. Cotsman, with thanks to Jeff Cook; see notes in info file	Source Detail
11/13/72	Soldiers and Sailors Memorial Hall	Kansas City	KS	master #1: AUD MR>C>D>CD recorded by Bear (//Playing through Casey Jones// is all that circulates from this source) master #2: low generation AUD (supplies the rest of the show); via Uli and Julian; Seeded to etree by Hanno B	Source Detail	SHN
11/13/72	Soldiers and Sailors Memorial Hall	Kansas City	KS	AUD(unknown mics) > C(x3) > Nak > Fostex D5 A/D @ 44.1 > CD by Kevin Weil, encoded by Matt Vernon. Note this aud will appeal chiefly to completists and audience tape collectors. It is almost complete except for tape flips and includes more between song banter/crowd than the other sources already circulating.	Source Detail
11/13/72	Soldiers and Sailors Memorial Hall	Kansas City	KS	flac16; Dick's copy of Owsley's AUD; Transfer is Apogeee DAT > Tascan DA-20 > s/pdif > Lynx2 Studio Reference Interface > Wavelab 6.01 at 16 BIT 48Khz Weiss-Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz TLH Flac Level 8 Tag & Rename for Meta-Data SBE FREE	Source Detail	FLAC
11/13/72	Soldiers and Sailors Memorial Hall	Kansas City	KS	flac1648 Karl Ryan's Master Audience Reels (unknown mics-deck); Tim Welch's 1st generation cassettes > DAT (16-48kHz) Transfer Info: 1st generation cassettes (Harmon Kardon TD392) > DAT Sony 59ES)(16-48kHz); DAT 16-48kHz (Sony PCM-R500) > Tascam DA-3000 (.wav 16-48kHz) > Adobe Audition 2022 > TLH 1648 This appears to be the same as master #2 of shnid10089, albeit complete and several analog generations closer to the master. Mastered by Scott Clugston,November 2022.	Source Detail	FLAC
11/14/72	Civic Center Music Hall	Oklahoma City	OK	SBD>Rm>Cass>Dat>CD; Seeded to etree by Charlie Miller	Source Detail
11/14/72	Civic Center Music Hall	Oklahoma City	OK	Recording Info: Source One: SBD -> Master Reel -> Cassette x 3 -> Dat (d1t01 -> d2t09) Source Two: SBD -> Master Reel -> Cassette -> Dat (d2t10 -> d3t07) Transfer Info: Dat (Sony R500) -> M-Audio Dio 2448 -> Samplitude v6.0 -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) All Transfers By Charlie Miller charliemiller87@earthlink.net 1/30/04 Notes: --I forgot to make shn's off of my Dats which is why I had to use EAC. --This is a new conversion since the last one was missing GSET.	Source Detail
11/14/72	Civic Center Music Hall	Oklahoma City	OK	SBD>MC>C>D>CD>EAC>SHN (?); May be a MC; See info file for details and flaw notes; via Jeff Cook, Matt Vernon, & Raoul Duke; Seeded to etree by J. Cotsman	Source Detail	shn
11/15/72	Civic Center Music Hall	Oklahoma City	OK	Partial; SBD>MR>C>C>C>D>CD; Pitch corrected; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon & J. Cotsman	Source Detail
11/15/72	Civic Center Music Hall	Oklahoma City	OK	flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Dat (48k) Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/15/72	Civic Center Music Hall	Oklahoma City	OK	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/17/72	Century II Convention Hall	Wichita	KS	Master Soundboard Reel > Cassette > DAT > CR > EAC > WAV > SHN; with patches Master Audience Cassette > ? > Cassette > CD; Upgrade to existing SHN copy	Source Detail
11/17/72	Century II Convention Hall	Wichita	KS	sdb> reel master> cassette> dat> cdr; via Mike Lai; note Jeff Tiedrich reports this is more likely MR> C> C> DAT	Source Detail
11/18/72	Hofheinz Pavilion	Houston	TX	2nd set only; SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to John Steinhaus	Source Detail
11/18/72	Hofheinz Pavilion	Houston	TX	set 2 (listed as d2,d3); Owsley MC> ?> D> CD; via Mike Lai with thanks to Wayne Gucwa	Source Detail
11/19/72	Hofheinz Pavilion	Houston	TX	SBD; sound adjustments during Bertha, minor digi-noise at the end of Jack Straw; Transferred and seeded to etree by Mike Lai, from Bruce Fried DAT	Source Detail
11/19/72	Hofheinz Pavilion	Houston	TX	flac16; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; Upgrade in circulation	Source Detail	FLAC
11/19/72	Hofheinz Pavilion	Houston	TX	Source: SBD>MR>Reel>Reel>DAT>CD>EAC>WAV>CoolEdit2000>SHN (Note that there is speculation that this source may contain only one reel generation.) Cool Edit 200 was used to correct various flaws from previously circulating versions.	Source Detail
11/19/72	Hofheinz Pavilion	Houston	TX	flac16; Source: SBD > Master Reel > 1st Gen Reel > DAT (44.1k) - Provided by Tim Dalton; Lineage: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac16; edited and mastered SIRMick June 2018; the original version of this source was missing s2t13	Source Detail	FLAC
11/19/72	Hofheinz Pavilion	Houston	TX	flac16; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; This is a cleaned up version of source ID 122783	Source Detail	FLAC
11/19/72	Hofheinz Pavilion	Houston	TX	flac16; Recording Info: SBD > Master Reel > Revox A77(Menke) > A77(Pat Lee) > Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC	Source Detail	FLAC
11/22/72	Austin Municipal Auditorium	Austin	TX	sdb> master reel> dat> cdr; via Mike Lai from Bruce Fried DAT; missing Promised; d2 tracked for 80 min	Source Detail
11/22/72	Austin Municipal Auditorium	Austin	TX	flac16; Recording Info: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC. fix of shnid 115730	Source Detail	FLAC
11/22/72	Austin Municipal Auditorium	Austin	TX	flac16; Recording Info: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/22/72	Austin Municipal Auditorium	Austin	TX	flac16; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels (dolby b decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
11/24/72	Dallas Memorial Auditorium	Dallas	TX	SBD> MR> DAT> CDR> EAC> SHN; tracked for 2x80; splice in China Cat; seeded by Tony Gardner, from Paul B. discs	Source Detail
11/26/72	San Antonio Civic Auditorium	San Antonio	TX	SBD> MR> (set 1 ?; set 2 C)> D> CD> EAC>SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Paul B.	Source Detail
11/26/72	San Antonio Civic Auditorium	San Antonio	TX	flac16; This is a restored version of SHNID 9248 combined with SHNID 123022 to produce the full show. It is not based on any new sources. Modifications by Dan McDonald (droncit@yahoo.com).	Source Detail	FLAC
11/26/72	San Antonio Civic Auditorium	San Antonio	TX	flac1644 SBD > Master Reel > Reel > PCM > DAT (44.1k)	Source Detail	FLAC
12/10/72	Winterland Arena	San Francisco	CA	MSR > Cass x 3 > DAT > CDR > EAC > SHN; EAC, SHN extraction and etree seeding done by G. Gorinsky; with thanks to Justin Cucci, Mark Perini	Source Detail
12/10/72	Winterland Arena	San Francisco	CA	flac16; Restored version of source ID 5801 (MSR > Cass x 3 > DAT > CDR > EAC > SHN) by Droncit; Diamond Cut 8.5 Forensics was used for equalization and virtual valve simulation, an enhancer and some slight noise reduction.	Source Detail	FLAC
12/10/72	Winterland Arena	San Francisco	CA	flac16/48kHz; Partial Show Source Info: Master Soundboard Reels > 2 cassette generations > Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500) (16-bit/48k)> Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/48k)> Adobe Audition 3.0 > TLH flac1648	Source Detail	FLAC
12/11/72	Winterland Arena	San Francisco	CA	SBD > MR > ?? > CDR; EAC > Cool Edit (remove some pops, see info file) > CD Wave (split tracks) > SHN (seekable) by Matt Vernon, from Paul B. seed discs; missing some songs; see info file for other flaw notes	Source Detail
12/11/72	Winterland Arena	San Francisco	CA	flac16; Source: SBD>MR>R>C>WAV>FLAC Patch Source: Unknown AUD>??>C>WAV>FLAC; C>FLAC Conversion by Cousinit	Source Detail	FLAC
12/11/72	Winterland Arena	San Francisco	CA	flac16; Lineage: 7" MR @ 7 1/2 ips.>R@ 3 3/4 ips.>R @ 3 3/4 ips>DVD Tape stock: Black Maxell UDII reel tape. Transfer info: Akai GX 636 >> Apogee Mini Me(24/96) >> Apogee Mini Dac(monitoring/mastering) >> LynxOne Soundcard >> Wavelab 5.0 >> DVD at 24 bit 96 kHz; All transfers, edits and mastering done in the 24 bit realm Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDWAV | Tag&Rename for Meta_Data TradersLittleHelper for FLAC Level 8	Source Detail	FLAC
12/11/72	Winterland Arena	San Francisco	CA	flac16; Taped from balcony External Stereo Mic >> Sony TC-124 >> MAC; MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke	Source Detail	FLAC
12/11/72	Winterland Arena	San Francisco	CA	flac16/48 Primary Source Info: Master 7" Soundboard Reels @ 7 1/2 ips > Reel to Reel @ 3 3/4 ips (Kidd dub for Jerry) > Reel to Reel @ 3 3/4 ips(Will Boswell) Secondary Source Info: Master Soundboard Reels > Taper's Section Stream Transfer Info: 2nd generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2021 > TLH flac2496	Source Detail	FLAC
12/12/72	Winterland Arena	San Francisco	CA	partial; mixed source SBD, AUD: MR > ? > DAT > CDR > EAC > SHN; Aud: Mcass > DAT > ZA2 > CDR > EAC > SHN; EAC, SHN extraction and etree seeding done by G. Gorinsky; with thanks to Mark Wienke, Mark Perini; to CDead vine	Source Detail
12/12/72	Winterland Arena	San Francisco	CA	SBD (7 inch Master Reel @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> FLAC Transfered and Edited By Charlie Miller	Source Detail
12/15/72	Long Beach Arena	Long Beach	CA	SBDmR> C> D> CDR; via Ben Yerys, M. Weinke; reportedly stemming from David Gans; includes possibly extraneous Box of Rain, JGB repeats in d3?	Source Detail
12/15/72	Long Beach Arena	Long Beach	CA	Lineage: S:MR>Cass>DAT>PCM>DAT>CD, w/ patches from S:MR>R>R>DAT copy. Remastered, transferred to CD, and encoded to SHN by David Hollister	Source Detail	SHN
12/15/72	Long Beach Arena	Long Beach	CA	flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT	Source Detail	FLAC
12/31/72	Winterland Arena	San Francisco	CA	Pre-FM KSAN Reel > DAT > .SHN; to abgd; note out of order tracking	Source Detail
12/31/72	Winterland Arena	San Francisco	CA	Main Source: Vault pre-FM reels > DAT Patch Source: pre-FM KSAN reel (/shninfo_detail.php?shnid=6340) DAT > WAV : Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0 by Marc Pujol WAV > SHN editing, encoding & patching by Matt Vernon	Source Detail
12/31/72	Winterland Arena	San Francisco	CA	cleaned up version of previous shn set, by Charles Weir; tracked in as-played order; sector boundaries corrected with shntool; d1,d3 now tracked for 80 min	Source Detail	SHN
12/31/72	Winterland Arena	San Francisco	CA	flac16; Recording of FM Broadcast on KSAN > ? > DAT provided and transferred by Stuccoholmes; Mastering & Editing by Jason Chastain in Audition CC 2015; Final Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by Norm	Source Detail	FLAC
12/31/72	Winterland Arena	San Francisco	CA	flac16/48kHz; Source Info: Vault Master Soundboard Reels > Dat (16/48k); Transfer Info: Dat (Sony PCM-R500) 16/48k > Tascam DA-3000 (16-bit/48k) > Adobe Audition 3.0 (16/48k)> TLH flac1648; the original source had errors in track 6	Source Detail	FLAC
??/??/72	Alembic Studios	San Francisco	CA	flac16/44 Source: Alan Bershaw's low generation cassette (Maxell UDXL2 with Dolby B) Transfer: Maxell UDXL2 with Dolby B (Nakamichi Dragon playback with Dolby B) > Lexicon Lambda > Logic 1644.1 (tracking only) > wav > xAct (sbe correction) > FLAC	Source Detail	FLAC
02/09/73	Roscoe Maples Pavilion, Stanford University	Palo Alto	CA	SBD> MR> R> DAT> CD; Show SHNed by Bob Allred; md5 / shn renaming and txt file by Patrick Hitt, who notes that "slightly different edit times indicate a different dat source or editor" than previous shn set	Source Detail	FLAC
02/09/73	Roscoe Maples Pavilion, Stanford University	Palo Alto	CA	MR 2 Track Reel > 7.5 IPS 1/4 tack dolby B reel > DAT > Sonic Solutions > CDR; via D Finney; Seeded to etree by Popi; Note- This is another eac of the same original Finney seed discs according to Popi	Source Detail
02/09/73	Roscoe Maples Pavilion, Stanford University	Palo Alto	CA	flac16; Recording Info: MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith	Source Detail	FLAC
02/09/73	Roscoe Maples Pavilion, Stanford University	Palo Alto	CA	flac16; SBD>>MR>>REEL>>DAT>>SS>>CDR>>DAW(Bertha)>>CDA>>SHN>>COOL EDIT PRO>>SHN; Speed-corrected using Celemony Capstan done for each track individually; Reencoded to flac (level 8); SBE's fixed using Trader's Little Helper	Source Detail	FLAC
02/09/73	Roscoe Maples Pavilion, Stanford University	Palo Alto	CA	flac16; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (44.1k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
02/15/73	Dane County Coliseum	Madison	WI	MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD; upgrade relative to previous shn copies; includes soundcheck and most of encores; via Mike Hall; tracked for 2x74 + 1x80 (with alternate tracking suggestion)	Source Detail
02/15/73	Dane County Coliseum	Madison	WI	flac16; Lineage: sbd>?>?>CDR(s)(borrowed) & aud>?>?>cassette(s)(my tape); Transfer: audience tapes>Sony TD-C690 (heads aligned to each tape segment)> Phillips CDR-765>CDDA-R80 X 3>EAC>flac level 8> flacs & checksums with traderslittlehelper CDR > CDR and Analog > CDR transfer October 1999 by arfarf CDR > flac 2011-04-10 by arfarf	Source Detail	FLAC
02/15/73	Dane County Coliseum	Madison	WI	flac16; Recording Info: SBD MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith	Source Detail	FLAC
02/15/73	Dane County Coliseum	Madison	WI	flac16/48kHz; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (Panasonic SV-3800/48k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC	Source Detail	FLAC
02/17/73	St. Paul Auditorium	St. Paul	MN	SBD:MR> PCM> DAT> CD; retracking etc of previous shn set, by Randy Carman	Source Detail
02/17/73	St. Paul Auditorium	St. Paul	MN	flac16; SBD -> Master Reel -> PCM -> Dat -> CD All Transfers and Mastering By Charlie Miller	Source Detail
02/17/73	St. Paul Auditorium	St. Paul	MN	flac16/48kHz; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (Panasonic SV-3800/48k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC	Source Detail	FLAC
02/19/73	International Amphitheatre	Chicago	IL	set 2 partial; SBD> MC> C> DAT> CDR> WAV> SHN; Jeffrey Williams, Jim	Source Detail
02/19/73	International Amphitheatre	Chicago	IL	SBD : MC > C > DAT > SS > CDR > EAC > SHN Extraction, Retracking and SHN encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. Thanks to Paul B. for the seeds. Seeded to etree on 3/2/03	Source Detail
02/21/73	Assembly Hall, Univ. Of Illinois Urbana-Champaign	Urbana	IL	complete; MR > DAT > 1 cass > DAT > CDR 3x; via G. Hamilton; see info file for misc flaws, esp d1; 4-disc set with 2/22	Source Detail
02/21/73	Assembly Hall, Univ. Of Illinois Urbana-Champaign	Urbana	IL	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
02/22/73	Assembly Hall, Univ. Of Illinois Urbana-Champaign	Urbana	IL	reworking of previous shn set, by Randy Carman (see notes in info file)	Source Detail
02/22/73	Assembly Hall, Univ. Of Illinois Urbana-Champaign	Urbana	IL	Partial; According to Deadlists this is missing the 4 songs after Playin' in Set 1, and Around from Set 2; See info file for details; SBD:MR>Cas>DAT>CD; Seeded to etree by Julian Elliot	Source Detail	SHN
02/22/73	Assembly Hall, Univ. Of Illinois Urbana-Champaign	Urbana	IL	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
02/24/73	Field House, University Of Iowa	Iowa City	IA	Partial Set I - Last four songs SBD> MR> DAT> CDR by Sly_Wow Thanks to Raoul Duke	Source Detail
02/24/73	Field House, University Of Iowa	Iowa City	IA	Single track jam segment; see info file for details; SBD>?>GDH CD; seeded to etree by Jools	Source Detail	SHN
02/26/73	Pershing Municipal Auditorium	Lincoln	NE	S:MR > cassette > DAT > CDR > EAC > SHN; EAC/SHN by Seth Kaplan; upload by Greg Hamilton; note D3t02 (Eyes): splice @ 3:25	Source Detail
02/28/73	Salt Palace	Salt Lake City	UT	SBD:MR>?>DAT>CD; Missing several songs at the end of show; See info file for details; Seeded to etree by Jools	Source Detail
02/28/73	Salt Palace	Salt Lake City	UT	Multiple sources SBMR via Noah Weiner and David Gans encoded by Noah Weiner (see info file for details). Upgrade to previous copies with complete EOTW & AWBYGN.	Source Detail
03/15/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	composite source 1: AUD>??>CD>EAC>SHN source 2: SBD>MR>C>D>CD>EAC>SHN via JackeySack, Matt Vernon, and Paul Hartman edits/encoding by JCotsman	Source Detail
03/15/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	Source (~complete): Unknown AUD > ? cdr via JackeySack, converted by Matt Vernon	Source Detail
03/15/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; Source: Soundboard > Reel Master > Cassette > DAT (48k)	Source Detail	FLAC
03/15/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette (Circa 1984) Transfer/Flac Conversion 02-27-21 Brian Mandel gdplusmore@aol.com Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLH->Flac	Source Detail	FLAC
03/16/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	SBD, complete; Set 1: Betty MSR > PCM > DAT > CDR > EAC > SHN; Set 2: MSR > Reel > DAT > CD > EAC > SHN; see info file for misc flaws; via G.S. Hamilton	Source Detail
03/16/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	fixup by Seth Jackson of 5 tracks from the previous shn set	Source Detail
03/16/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	Source: Audience Lineage: ? > C > CDR > EAC > CE Pro > CDWAV > FLAV (level 8) Thanks to Dave Minor for the source. EAC etc by Matt Vernon	Source Detail
03/16/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; Recording Info: Set 1: SBD -> Master Reel -> PCM -> Dat (44.1k) Set 2: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional -> FLAC	Source Detail
03/16/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16/44 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette (Circa 1984) Transfer/Flac Conversion 03-01-21 Brian Mandel gdplusmore@aol.com Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLH->Flac	Source Detail	FLAC
03/19/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	Playin', plus most of set 2; SBD:MR>Cas>Cas>DAT>CD; Seeded to etree by Jools	Source Detail
03/19/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; Taper Gerry Moskal Sony Stereo ECM x 2 -->SONY TCD126 Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/editing//flac Conversion: Brian Mandel Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac	Source Detail
03/19/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac24/96 Recording Info: SBD > Master Reels > Dat (16-bit/44.1k) > upsampled to 24-bit/96k; Mastering Info: WAV > Samplitude Pro X3 Suite > FLAC/24; Master Reel Transferred by Rob Eaton; All Mastering By Charlie Miller; the original version of this source had a 2 second dropout in track 16 (Playing In The Band)	Source Detail	FLAC
03/19/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; Recording Info: SBD > Master Reels > Dat (16-bit/44.1k) > upsampled to 24-bit/96k; Mastering Info: WAV > Samplitude Pro X3 Suite > FLAC/24; Master Reel Transferred by Rob Eaton; All Mastering By Charlie Miller; the original version of this source had a 2 second dropout in thrack 16 (Playing In The Band)	Source Detail	FLAC
03/21/73	Utica Memorial Auditorium	Utica	NY	SBD> MR> ?> D> CD> SHN; shn EAC/ shn encoding/ edits by J. Cotsman, with thanks to Jeff Krakowka; see listening notes in info file	Source Detail
03/21/73	Utica Memorial Auditorium	Utica	NY	Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Sony D8) -> M-Audio DIO 2448 -> Cool Edit Pro v1.2 -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller Notes:I originally transferred my Dat back in 2000. At that time, I only made Audio discs. Someone asked me to circulate this source since the circulating source has NR applied to it. My source DOES NOT have any NR applied to it. I made these FLAC's off of my Master Audio Discs. Enjoy...cm	Source Detail
03/21/73	Utica Memorial Auditorium	Utica	NY	flac16/44 Source: Audience Cassette (low gen) - from the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick March 2021	Source Detail	FLAC
03/21/73	Utica Memorial Auditorium	Utica	NY	flac16/48 Source Info: Kevin Ryan's Audience source of unknown provenance; low gen Cassette (Maxell UDXL-II) Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496	Source Detail	FLAC
03/22/73	Utica Memorial Auditorium	Utica	NY	MSR> DATs> CDRx1> EAC> SHN; via Darrin Sacks	Source Detail
03/22/73	Utica Memorial Auditorium	Utica	NY	flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm; Wavelab 7.1 for Minor Edits by Jamie Waddell 16 bit 44.1kHz	Source Detail	FLAC
03/22/73	Utica Memorial Auditorium	Utica	NY	flac 16; Source: 10" Betty Board Reel > PCM501ES analog out > Fostex D5 optical S/PDIF out (Jace's Tape) > disk; Transferred by Tim Deibert 6-10-2002	Source Detail
03/22/73	Utica Memorial Auditorium	Utica	NY	flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm; Wavelab 7.1 for Minor Edits by Jamie Waddell 16 bit 44.1kHz	Source Detail	FLAC
03/22/73	Utica Memorial Auditorium	Utica	NY	flac1644 Unknown audience recording > Cassettes (low gen) * - from the collection of Doug Lamarre Transfer: Cassettes > Nakamichi CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor > wav 24/96 Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX10 Advanced > iZotope Neutron 4 > iZotope Ozone 11 > iZotope RX10 Advanced > wav 16/44.1 CD Wav > flac16 edited and mastered SIRMick March 2024	Source Detail	FLAC
03/24/73	The Spectrum	Philadelphia	PA	S:MR > cassette > DAT > CDR; note updated source info- actually only 1 cass gen, not 2; via Mike Bryan, Greg Hamilton; see info file for listening notes	Source Detail
03/24/73	The Spectrum	Philadelphia	PA	SBD>>MR>>CASS>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN	Source Detail
03/24/73	The Spectrum	Philadelphia	PA	flac16; 10" Betty Board Reel > PCM501ES > Fostex D5 (Jace's tape) optical S/PDIF out > disk Transferred by Tim Deibert 5-18-02	Source Detail	FLAC
03/26/73	Civic Center	Baltimore	MD	SBD> MR> DAT> CDA> CDA> EAC> SHN; via Charlie Miller, Jay Ashley; note info file updated 9/13; see pub comments for flaw notes	Source Detail
03/26/73	Civic Center	Baltimore	MD	flac16; Recording: SBD > Master Reel > Dat (44.1k) Transfer: Dat (Sony R500) > SEK'D Prodif Plus > Samplitude Profesional v8.01 > FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
03/28/73	Springfield Civic Center	Springfield	MA	set 2 partial; MSR> DATs> CDRs> EAC> SHN; without steady whine that marred previously-circulating copies; via Jack Warner, Darrin Sacks	Source Detail
03/28/73	Springfield Civic Center	Springfield	MA	Discs 1&2; AUD>MC>R>D>CD; Disc 3; SBD>MR>D>CD; Seeded to etree by J Cotsman	Source Detail
03/28/73	Springfield Civic Center	Springfield	MA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
03/28/73	Springfield Civic Center	Springfield	MA	flac16; Recording Info: Beyer Mics -> Cassette Master Transfer Info: Cassette Master -> Apogee MiniMe -> Samplitude Professional 8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail
03/28/73	Springfield Civic Center	Springfield	MA	flac16; SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony 500) -> Samplitude Professional 9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/28/73	Springfield Civic Center	Springfield	MA	flac16; Matrix 2 Source Mix - SBD (shn id 86459) SBD -> Master Reel -> Dat (44.1k) + AUD (shn id 74682) Beyer Mics -> Cassette Master - matrix mixing by Kevin Tobin	Source Detail	FLAC
03/28/73	Springfield Civic Center	Springfield	MA	AudMC > R > DAT > WAV > SHN; taper: Andy Nourse - equipment unknown; via Noah Weiner; see background in txt	Source Detail	FLAC
03/30/73	Rochester Community War Memorial	Rochester	NY	AUD>MR>?>CD (disc 1); SBD>MR>C>D>CD (remainder); See info file for details; via Paul Hartman & Michael Dixon; Seeded to etree by J. Cotsman	Source Detail
03/30/73	Rochester Community War Memorial	Rochester	NY	flac1644; Source: Unknown mono AUD, composite source, see notes below. Transfer Source-1: ID-11616 AUD tracks > SHN > TLH > WAV > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Transfer Source-2: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
03/30/73	Rochester Community War Memorial	Rochester	NY	flac16/44.1khz Recording Info: SBD > Reel Master (10in 7.5ips 1/2trk) > Apogee AD-500 > DAT (Panasonic SV-3700/48k) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit/44.1k)	Source Detail	FLAC
03/31/73	Buffalo Memorial Auditorium	Buffalo	NY	Master Soundboard Reel > Cassette > DAT > CD-R; via Morgan Evans, Ben Yerys; see info file for listening notes; note some offbeat tracking	Source Detail
03/31/73	Buffalo Memorial Auditorium	Buffalo	NY	flac16; SBD > MC > CASS > DAT > CDA > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered to from 24-16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2	Source Detail
04/02/73	Boston Garden	Boston	MA	mSR > cassette > DAT > CDR; via B. Yerys	Source Detail
04/02/73	Boston Garden	Boston	MA	Master 7.5 ips 2 Track reel> DAT> DAT> SONIC SOLUTIONS> CD> CD > EAC[secure] > SHN	Source Detail
04/02/73	Boston Garden	Boston	MA	Bertha remaster of the Master Reel Soundboard source. SBD>>MR>>DAT>>SS>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+	Source Detail
04/02/73	Boston Garden	Boston	MA	SBD -> Rm (7.5 ips/2 Track) -> Dat -> Dat. Transfer Info: Dat -> Sonic Solutions -> CD (David Gans' Master Discs) -> EAC (Secure) -> SHN. CD -> SHN Conversion Done By Charlie Miller. Purports to avoid the drop outs present on the previous shn set for this source.	Source Detail
05/13/73	Iowa State Fairgrounds	Des Moines	IA	Complete; d1,2,3,5-SBD : MR > R > DAT > CDR via Paul B.; d4-SBD : MR > ? > DAT > CD > EAC > Cool Edit 96 (Resampled to correct pitch) > SHN via David Minches	Source Detail
05/13/73	Iowa State Fairgrounds	Des Moines	IA	Source: MSR>R>?>C>DAT>WAV>SHN except for 4th disc/end of second set which is from previously circulated SHN set (see below).	Source Detail	SHN
05/13/73	Iowa State Fairgrounds	Des Moines	IA	flac16; Lineage-MR>??>TDK C90 cassettes(3)>R>Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs by Jamie Waddell on the GEMS Edit Station>Trac'ed Cdwave Flac'ed level 8 TLH	Source Detail	FLAC
05/13/73	Iowa State Fairgrounds	Des Moines	IA	flac16; Set 3 Recording Info:SBD -> Master Reel -> Dat -> CD -> EAC -> FLAC; EAC -> FLAC conversion By Charlie Miller; fixed version now in circulation	Source Detail	FLAC
05/13/73	Iowa State Fairgrounds	Des Moines	IA	flac16; Set 3 Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version of source ID 100239	Source Detail	FLAC
05/20/73	Campus Stadium, UCSB	Santa Barbara	CA	AUD (Sony Condenser): MC> R> C> DAT> HD> SHN> CD; see notes in info file; via Audience Devotional Tree	Source Detail
05/20/73	Campus Stadium, UCSB	Santa Barbara	CA	7" Master Reels at 7.5ips half-track > Panasonic SV-3700 DAT > Panasonic SV-3800 DAT > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)	Source Detail
05/20/73	Campus Stadium, UCSB	Santa Barbara	CA	flac16; SBD > Master Reel (7 inch reels @ 7.5ips 1/2trk) > Dat > CD > EAC > Samplitude Professional v9.11 > FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/26/73	Kezar Stadium	San Francisco	CA	Re-eac of previous shn set; Betty Board SBD> Reel> PCM> DAT> Digi I/O> wav; via "Datsit, Other1 and Ripple"; note some low levels, brief d/o's; Row Jimmy splice	Source Detail
05/26/73	Kezar Stadium	San Francisco	CA	MSR>DAT>CD>EAC>WAV>SHN CD>EAC>WAV>SHN by Sean Cribbs 4/19/2003	Source Detail
05/26/73	Kezar Stadium	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
05/26/73	Kezar Stadium	San Francisco	CA	flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES (Beta HiFi) ( @ 44.055 kHz) > PCM501ES analog out > analog in Fostex D5 ( @ 48kHz) > Fostex D5 optical S/PDIF out (Jace's tape) > Sound Forge 5.0 > wav/shn Transferred by Tim Deibert 12-15-01	Source Detail
05/26/73	Kezar Stadium	San Francisco	CA	flac16; Source: SBD Reel Master > PCM > PCM; Transfer: PCM > Sony PCM601esd (spdif out) > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered (Adobe Audition) by Joe Noel; original version had flaws	Source Detail	FLAC
05/26/73	Kezar Stadium	San Francisco	CA	flac16; Recording by Gene Taback: Master Audience Cassette; Sony TC-124 with Sony Stereo Mic; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard> HD; Editing performed in Adobe Audition; Flac Encoded	Source Detail	FLAC
05/26/73	Kezar Stadium	San Francisco	CA	flac1644; Partial; Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
05/26/73	Kezar Stadium	San Francisco	CA	flac1644; Partial; Sources: Matrix of SBD ID-83438 & AUD ID-154514. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
06/09/73	Robert F. Kennedy Stadium	Washington	DC	SBD MR > cassette> DAT > CD > EAC > SHN, except Promised Land, Half Step, and Sugar Mag are S:MR > PCM > cassette > DAT > CD > EAC > SHN, and Patch in Box of Rain (very small) from 2nd source; via D. Hollister, G. Hamilton; 8/16 note formerly error in info file at this site, and possibly distributed with show- cass gen in main portion of show had been omitted, (although info file at Hamiltons' CDR list has apparently always been correct)- sorry!	Source Detail
06/09/73	Robert F. Kennedy Stadium	Washington	DC	AUDMR > DAT > SHN - Recorded by Adam Grow with an Electro-Voice RE-15 super cardioid dynamic microphone > Nagra III Reel to Reel deck at 7.5 ips. Added to etree by Noah Weiner	Source Detail
06/09/73	Robert F. Kennedy Stadium	Washington	DC	flac16; Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft, w/arm raised up FOB center infield, between sbd platform and stage platform Lineage: MR cassette > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry; Upgrade in circulation	Source Detail	FLAC
06/09/73	Robert F. Kennedy Stadium	Washington	DC	Original SBD Source (shnid = 172); Monte Barry patched Sugar Magnolia w/his AUD source (shnid = 91236). (This is a pitch corrected version of the previous patched SBD source.)	Source Detail	SHN
06/10/73	Robert F. Kennedy Stadium	Washington	DC	SBD MR (10'' reels)> DAT > CD > EAC > SHN; via David Hollister, G.S. Hamilton; known flaws: d2t01 (Bird Song: very brief tape waver @ 2:44, 2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54, d4t06 (GDTRFB): reel flip/splice @ 6:42; not noted on original info file: sounds like loose cord to board: d1t09 (The Race Is On) 1:33, 1:34, 1:36, 1:44; d1t2 BIODTL begining cut; reportedly "best version available"	Source Detail
06/10/73	Robert F. Kennedy Stadium	Washington	DC	flac16; Original SBD (shnid = 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC patched and speed corrected	Source Detail	FLAC
06/10/73	Robert F. Kennedy Stadium	Washington	DC	flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. A fixed version now circulates	Source Detail	FLAC
06/10/73	Robert F. Kennedy Stadium	Washington	DC	flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. This is a fixed version of shn id 89640	Source Detail	FLAC
06/10/73	Robert F. Kennedy Stadium	Washington	DC	flac16; Composite Audience - AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - mixing\speed correction by Kevin Tobin	Source Detail	FLAC
06/10/73	Robert F. Kennedy Stadium	Washington	DC	flac16; Matrix 3 Source Mix - SBD (shn id 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller + AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - matrix mixing by Kevin Tobin	Source Detail	FLAC
06/10/73	Robert F. Kennedy Stadium	Washington	DC	flac16; Partial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg 200 series mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger	Source Detail	FLAC
06/22/73	P.N.E. Coliseum	Vancouver	BC	Master Sounbdoard Reel > PCM > DAT > CDR and likely MSR> C> D> CD, plus AUD patches from 2 sources; d4 tracked for 80 min; some crackle; CD Mastering, EAC'ed / SHN'ed by Scott Clugston	Source Detail
06/22/73	P.N.E. Coliseum	Vancouver	BC	AUDMC > Reel > Reel > CD > DAT > WAV > SHN recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips > Matt Williams' Reel at 3-3/4ips w/ Dolby(Teac AN-60). A > D by Matt Williams and Noah Weiner, encoded by Noah Weiner	Source Detail
06/22/73	P.N.E. Coliseum	Vancouver	BC	composite: MSR> PCM> DAT> CD> EAC> WAV> SHN for Bertha> Other One//; MAC> R> R> CD> DAT> WAV> SHN for patches, JGB (see notes); MSR> C> DAT> CD> EAC> WAV> SHN for //Other One> end of set 2; EAC> CEP2K edits> encoding by Sean Cribbs	Source Detail
06/22/73	P.N.E. Coliseum	Vancouver	BC	flac16; partial set 1: Lineage: Master cassette > reel @ 3.75 ips > cassette > HD Encoding: CDWave > flac frontend > flac Taped by: ? Transfered by: Pantagruel; reportedly fixed some flaws in the previous SBD source.	Source Detail	FLAC
06/22/73	P.N.E. Coliseum	Vancouver	BC	flac16; Main source MSR>PCM>DAT>CD>EAC>WAV; re-patched and re-tracked version of shn id 17270. See info file for details	Source Detail	FLAC
06/22/73	P.N.E. Coliseum	Vancouver	BC	flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/22/73	P.N.E. Coliseum	Vancouver	BC	flac16; SBD/AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)	Source Detail	FLAC
06/24/73	Memorial Coliseum	Portland	OR	set 2 partial; MSBDR > 1 cass > CD > EAC > SHN; u/l via G. Hamilton; note fits on 1 shn disc w/ 5/25/72 disc	Source Detail
06/24/73	Memorial Coliseum	Portland	OR	partials of both sets; set 1: SBD> ?>C> CD> EAC> SHN (unknown analog generations); set 2: SBD> MR> C> D> CD> EAC> SHN, edited from previous shn set; the first set is a degraded SBD; Thanks to S. Milewski, G. Hamilton; edits/encoding by JCotsman	Source Detail
06/24/73	Memorial Coliseum	Portland	OR	flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/26/73	Seattle Center Arena	Seattle	WA	Complete; SBD>MR>C>D>CD patched with: AUD>MR>C>D>CD; Slight pitch correction; See info file for details; Seeded to etree by Mark Sweeney & Chuck Gannon	Source Detail
06/26/73	Seattle Center Arena	Seattle	WA	AUDMC > Reel > Reel > DAT > WAV > SHN. Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-152 master cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby). A > D and shn encoding by Noah Weiner	Source Detail
06/26/73	Seattle Center Arena	Seattle	WA	flac16; Recorded by Don Amick; Lineage: MAC(Sony TC-126)>R@7.5 ips.(Don's edited copy)>R@3.3/4 ips(Matt Williams reel)>FLAC	Source Detail	FLAC
06/26/73	Seattle Center Arena	Seattle	WA	flac16:Taped and Transferred By: JEMS; Taping Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic; Lineage: Master Reels @ full track mono>Tandberg Model 11>>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac. Originally seeded at Dime-A-Dozen ~ 2/4/2010	Source Detail	FLAC
06/29/73	Universal Amphitheatre	Universal City	CA	Partial; SBD>MR>R>D>CD; Missing first 11 songs and Around and Casey Jones; via Mark Sweeney; Seeded to etree by JCotsman	Source Detail
06/30/73	Universal Amphitheatre	Universal City	CA	SBD> ?> DAT> CD> EAC> SHN; (note Tiedrich's site lists a circulating? SBD> reel master> 1 reel gen> DAT> 1 cass gen> DAT> circulation); Known Flaws: Some digi-noise beginning d1t1, Reel flip middle d1t6,? Reel flip beginnning d3t2; via A. Jerugim; note "E2 USB" is not listed in databases as an encore- may be filler? (has 2 drummers?)- thanks to J. Grimes for alert	Source Detail
06/30/73	Universal Amphitheatre	Universal City	CA	flac16; Sick Bits Vol. 9 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 177, and AUD - SHN ID# 6019); edited and transfered by Chris Chappell	Source Detail
06/30/73	Universal Amphitheatre	Universal City	CA	flac16; AudMR(C?) > ? > DAT > WAV > FLAC : Alternate copy originating from same original master recording as source ID 6019. Transferred by Noah Weiner	Source Detail	FLAC
06/30/73	Universal Amphitheatre	Universal City	CA	flac16; AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96)/Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > downsampled to 16/44 in r8brain (with dithering) > FLAC(level 8)	Source Detail	FLAC
06/30/73	Universal Amphitheatre	Universal City	CA	SBD>?>DAT>CD>EAC>SHN patched with AudMR>R>DAT>WAV>SHN. This is a patched and re-tracked version of the previously circulating soundboard source.	Source Detail	SHN
06/30/73	Universal Amphitheatre	Universal City	CA	flac16; remaster of shn id 6019: AudMR > R > DAT	Source Detail	FLAC
07/01/73	Universal Amphitheatre	Universal City	CA	daud> Sony ec M22P mics >Sony 770 MR> R1> DAT> CDR; via M. Lai; note info file lists as 2 CDs but shn set is tracked for 3 CDs	Source Detail
07/01/73	Universal Amphitheatre	Universal City	CA	flac16 Source: SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA	Source Detail
07/01/73	Universal Amphitheatre	Universal City	CA	flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)	Source Detail	FLAC
07/01/73	Universal Amphitheatre	Universal City	CA	flac16; Recording Info: SBD -> Master Reel -> Sound Devices 744T (24bit/96k); Transfer Info: WAV (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/27/73	Grand Prix Racecourse	Watkins Glen	NY	no regular info file (covers only); see 2 "history" posts; reported flaws: d2t3 (jam > wharf rat) has pops at 4:37, 9:22, 23:42; see pub comments for other flaw notes; circulated with 7/28/73	Source Detail
07/27/73	Grand Prix Racecourse	Watkins Glen	NY	flac16; SBD> Master Reel (but see note)> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller	Source Detail
07/27/73	Grand Prix Racecourse	Watkins Glen	NY	flac16; Lineage: cassette (unknown gen) > HD Encoding: CDWave > flac frontend > flac Taped by: Unknown Transfered by: Pantagruel	Source Detail
07/27/73	Grand Prix Racecourse	Watkins Glen	NY	flac16; source: aud (unknown gen) > ??? > wav > flac; remaster of shn id 28882	Source Detail	FLAC
07/27/73	Grand Prix Racecourse	Watkins Glen	NY	flac16; Recording Info: Recorded by Kidd at the soundboard - MAR > R > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith	Source Detail	FLAC
07/27/73	Grand Prix Racecourse	Watkins Glen	NY	flac16; source: aud cassette master; taped by Jim Cooper; sony ecm 22p’s > hitachi trq-222; nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission 16/44.1 > xACT flac; transferred and seeded by Rob Berger 3/2016	Source Detail	FLAC
07/27/73	Grand Prix Racecourse	Watkins Glen	NY	flac24; source: aud cassette master; taped by Jim Cooper; sony ecm 22p’s > hitachi trq-222; nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger 3/2016	Source Detail	FLAC
07/27/73	Grand Prix Racecourse	Watkins Glen	NY	Soundcheck: Recording by Jeffrey Siniawsky and Joel Smith front row, 15' from stage, mic attached to top of lean-to tent via Noah Weiner Audience Devotional Tree Round 11 - Note: Soundcheck separated from 7/28/73	Source Detail	FLAC
07/28/73	Grand Prix Racecourse	Watkins Glen	NY	no regular info file (covers only); see 2 "history" posts; reported flaw: d2t6 (truckin) has pop at 2:15; see pub comments for other flaw notes; circulated with 7/27/73	Source Detail
07/28/73	Grand Prix Racecourse	Watkins Glen	NY	Soundboard Master Reel>DAT>CD>SHN, with FM, AUD, and other-source SBD patches. Fits to two .shn discs by placing d1 & d4 .shns on one 80 min. disc, d2 & d3 .shns on another.	Source Detail
07/28/73	Grand Prix Racecourse	Watkins Glen	NY	Uher mic > Uher 4000 Report L 5" reels > MacIntosh pre-amp > TEAC 1230 7" reel; via Jeffrey Siniawsky and Joel Smith; Seeded to etree by Noah Weiner. [Note: Circulates with 7/27 Soundcheck which has a separate entry]	Source Detail
07/28/73	Grand Prix Racecourse	Watkins Glen	NY	flac16; taped by Jerry Moore source: aud cassette master, lineage: aud>akg d1000e>sony tc-110, tdk c-120sd cassettes, no nr nak dragon>hd-p2 24/48>hd>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger 8/11/09	Source Detail	FLAC
07/28/73	Grand Prix Racecourse	Watkins Glen	NY	flac16: AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96) Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > downsampled to 16/44 in r8brain (with dithering) > FLAC(level 8)	Source Detail	FLAC
07/28/73	Grand Prix Racecourse	Watkins Glen	NY	flac16; source: aud cassette master; taped by Jim Cooper; sony ecm22p’s > hitachi trq-232; transfer: nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission 16/44.1 > xACT flac; transferred and seeded by Rob Berger	Source Detail	FLAC
07/28/73	Grand Prix Racecourse	Watkins Glen	NY	flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (48k)	Source Detail	FLAC
07/28/73	Grand Prix Racecourse	Watkins Glen	NY	flac16; Composite of 1. Source: SBD > Master Reels > DAT (Master Reels transferred by Rob Eaton); Mastering Info: DAT> Adobe Audition 3.0 24/96 > TLH > flac16; 2. Source: sony ecm22p’s > hitachi trq-232 > MAC; taped by Jim Cooper; transfer: nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission 16/44.1 > xACT flac; transferred by Rob Berger; 3. shnid 14196; Soundboard Master Reel > ? > Cassette > DAT > CDR > SHN; see info file for more details	Source Detail	FLAC
07/31/73	Roosevelt Stadium	Jersey City	NJ	FOB>CM>C>DAT>CDR; via Greg Weister; seeded to etree by Willy	Source Detail
07/31/73	Roosevelt Stadium	Jersey City	NJ	AudMC > DAT > CD > EAC > SHN Recorded by Jerry Moore with AKG 1000 mic > Sony 110 deck. TDK C-120SD master cassettes EAC & SHN transfer by Noah Weiner	Source Detail
07/31/73	Roosevelt Stadium	Jersey City	NJ	flac16; taped by Monte Barry, Nakamichi 550 portable stereo cassette recorder, taped with Dolby NR on Maxell UD C90 normal bias cassettes, Sony ECM-99 single-point stereo mic, mic is mounted on a 12-foot pole, FOB. Lineage: transferred by Matt Smith, mastered by Monte Barry. MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag	Source Detail	FLAC
07/31/73	Roosevelt Stadium	Jersey City	NJ	flac16; source: aud cassette master; taped by Jerry Moore; mastered: AKG 1000e > Sony TC-110; TDK c-120sd’s (re-shelled for transfer); Nakamichi Dragon > Benchmark ADC1 24/96 > Tascam HD-P2, compact flash > Mac > Adobe Audition CC > Flac; transferred and seeded by Rob Berger	Source Detail	FLAC
08/01/73	Roosevelt Stadium	Jersey City	NJ	Soundboard > 7.5ips Master Reel > Cassette > 20 bit A/D > CDR; CD Mastering by D. Gans; EAC and encoding by M. Jungeblut	Source Detail
08/01/73	Roosevelt Stadium	Jersey City	NJ	AudMR > R > DAT > WAV > SHN; via ADT; Seeded to etree by Noah Weiner	Source Detail
08/01/73	Roosevelt Stadium	Jersey City	NJ	complete show from most up to date SBD sources with AUD patches; compiled from S. Kaplan and N. Weiner seeds; source 1: SBD>MR>R>R>D>CD>EAC>SHN; source 2: SBD>MR>C>D>CD>EAC>SHN; source 3: AUD>MR>C>C>C>CD>EAC>SHN; See info file for details; Seeded to etree by JCotsman; With thanks to Alan Schlissel & Jeff Cook	Source Detail
08/01/73	Roosevelt Stadium	Jersey City	NJ	flac16; This is a remaster of shnid 12222 remastered by SIRMick June 2008	Source Detail
08/01/73	Roosevelt Stadium	Jersey City	NJ	aud cassette master, akg d1000e>sony tc-110, taped by Jerry Moore, transfer by Rob Berger	Source Detail	FLAC
08/01/73	Roosevelt Stadium	Jersey City	NJ	flac16; Complete show AUD: source - ElectroVoice RE-15 mic > Nakamichi 550 cassette recorder w/ Dolby NR > Maxell UD C90 Chromium Tapes. Taped, transferred, and remastered by Monte Barry. lineage - MR cassette > Nakamichi LX-3 > Lexicon Alpha > 24-bit / 48KHz > USB > Samplitude > 16-bit / 44.1KHz WAV > TLH > Flac-16 SBE fixed > CD Tag.	Source Detail	FLAC
08/01/73	Roosevelt Stadium	Jersey City	NJ	flac16; Source: taped and remastered by Monte Barry; Nakamichi 550 portable stereo cassette recorder; taped with Dolby NR on Maxell UD C90 normal bias cassettes Sony ECM-99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up, FOB; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag	Source Detail	FLAC
08/01/73	Roosevelt Stadium	Jersey City	NJ	AudMR > C > C > C > CD; Reported upgrade to previous Weiner seed, see info file for details; Seeded to etree by Noah Weiner	Source Detail	FLAC
08/01/73	Roosevelt Stadium	Jersey City	NJ	flac16; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-c90sd’s; nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transfer & seeded by Rob Berger	Source Detail	FLAC
08/??/73	Record Plant	Sausalito	CA	Wake of Flood outtakes; Betty Cantor reels > PCM > DAT > DIO 2448 > SHN; date(s) (including month) uncertain, this is best guess; via Dave F.	Source Detail
08/??/73	Record Plant	Sausalito	CA	Betty> BCM> DAT> DAT> DIO 2448> SHN	Source Detail	FLAC
08/??/73	Record Plant	Sausalito	CA	flac16; Source: SBD Master Reels > PCM - Recorded by Betty Cantor and provided by Tim Dalton; Transfer: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k) - Transferred by Charlie Miller; Lineage: Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16 edited and mastered SIRMick February 2018	Source Detail	FLAC
09/07/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	Sbd, Reel M->Cass 1->Dat 0 -> DAT 1(?) -> CD; 7inch Master Reel: 7.5ips 1/2trk->Tascam 122mkIII 1st Gen Cass->DAT 1(?); via Teddy GoodBear to abgd; later to etree; see flaw notes in pub comments	Source Detail
09/07/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	SBD>MR>C>D>CD>EAC>SHN; patched with AUD>MC>D>CD>EAC>SHN; sourced from previous seeds	Source Detail
09/07/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	AUDMC > DAT > CD > EAC > SHN: Recorded by Jerry Moore, AKG 1000 mic > Sony 110 deck. TASCAM 112MKII cassette deck (MC playback) > Sony PCM-500 DAT deck > HHB800 stand alone burner (CD) > EAC (secure) > mkwact (SHN). Added to etree by Noah Weiner.	Source Detail	FLAC
09/08/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wulf: Tascam DA20> coax> rme digi96 PCI card> centered the waves and edited and smoothed the track boundaries. Only? minor corrections were applied; no crossfading, no hiss or noise reduction; from Honey Vine #14 via T. Wulf, to etree via M. Bolen (who made .md5s)	Source Detail
09/08/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wulf:(original shn 183) - pitch correction and patches by Kevin Tobin	Source Detail	FLAC
09/08/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger	Source Detail	FLAC
09/08/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac24; source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger	Source Detail	FLAC
09/11/73	College Of William & Mary Hall	Williamsburg	VA	MSR> one cassette gen> DAT> CDR> shn); via George Lanum; see info file and pub comments for flaw notes	Source Detail
09/11/73	College Of William & Mary Hall	Williamsburg	VA	flac16; source: aud; Jimmy Warburton's reel; lineage: aud>?>7" reel @ 3.75 ips, no nr technics rs-1506>hd-p2 24/96>cd wave>adobe audition 2.0>flac; patched/seeded by Rob Berger 2011-03-03	Source Detail	FLAC
09/11/73	College Of William & Mary Hall	Williamsburg	VA	flac16; Original source: AUD Jimmy Warburton's reel; Lineage: AUD>?>7" Reel @ 3.75 ips, No NR Technics RS-1506>hd-p2 24/96>CD Wav>Adobe Audition 2.0>flac Transferred/Seeded by Rob Berger; Patch source 1: Lineage: MAUD>?>R>C>WAV>FLAC Transferred and Encoded by Cousinit; Patch source 2: Lineage: Unknown Provided by Micgram	Source Detail	FLAC
09/11/73	College Of William & Mary Hall	Williamsburg	VA	flac16; SBD:MR>C1>DAT>Edit (see info file)>CD	Source Detail	FLAC
09/11/73	College Of William & Mary Hall	Williamsburg	VA	flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1)	Source Detail	FLAC
09/11/73	College Of William & Mary Hall	Williamsburg	VA	flac16; Source Information: Master Soundboard Reels to DAT 16 bit 44.1kHz from ANON. Also, a Kind LL member shared uncirculated lo-fi audience tapes to patch a few spots. Transfer Information: Mastering by Jamie Waddell and Jim Blackwood Speed corrections by Jason Chastain Listening assistance and track, FLAC and pack by Steve Gravel FLAC Level 8 at 16 bit 44.1kHz	Source Detail	FLAC
09/12/73	College Of William & Mary Hall	Williamsburg	VA	SBD>MR>C>DAT>CDR most of show (minus Here comes sunshine) by Sly_Wow	Source Detail
09/12/73	College Of William & Mary Hall	Williamsburg	VA	flac16; Source Information: Master Soundboard Reels to DAT 16 bit 44.1kHz from ANON. Also, a Kind LL member shared uncirculated lo-fi audience tapes to patch a few spots. Transfer Information: Mastering by Jamie Waddell and Jim Blackwood Speed corrections by Jason Chastain Listening assistance and track, FLAC and pack by Steve Gravel FLAC Level 8 at 16 bit 44.1kHz	Source Detail	FLAC
09/12/73	College Of William & Mary Hall	Williamsburg	VA	flac1644 Source: Cassettes (unknown gens) from the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 Hz) > Tascam Hi Res Editor (DSF concatenate & 24/96 PCM) Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > iZotope Nectar 3 > iZotope Ozone 9 Maximiser > iZotope RX 10 Advanced > wav 16/44.1 > CD Wave > Flac 16 Edited and Mastered SIRMick February 2023	Source Detail	FLAC
09/15/73	Providence Civic Center	Providence	RI	set 2; SBD :Master Reel> DAT> Sonic Solutions workstation> CD> (EAC) WAV> SHN; EAC, tracking, shn and upload by Evan Levy	Source Detail
09/15/73	Providence Civic Center	Providence	RI	set 1: AUD> M?> C> C> D> SHN; set 2: SBD> MR> D> CD> EAC> SHN; Thanks to Jim Powell, Marc Pujol, and Evan Levy; final edits/encoding by JCotsman	Source Detail
09/17/73	Onondaga County War Memorial	Syracuse	NY	SBD>MR>D>CD>EAC>SHN (all but tracks d1t01-->d1t09)); SBD>MR>C>C>D>CD>EAC>SHN (tracks d1t01-->d1t09); Thanks to Peter Braverman; edits/encoding by JCotsman; Note- Fixed d3 now circulates, see public comments for details	Source Detail
09/17/73	Onondaga County War Memorial	Syracuse	NY	Source:MSR>C>DAT>DAT Conversion: DA-40>U2A>CDWave>MkW with seek tables appended	Source Detail	SHN
09/17/73	Onondaga County War Memorial	Syracuse	NY	flac16; Source:MR>C>DAT>DAT provided by Jeff Tiedrich>Andrew Gustin Conversion: DA-40>U2A>CDWave>MkW with seek tables appended Transferred by Tyler Jensen tylerlundby@yahoo.com	Source Detail	FLAC
09/17/73	Onondaga County War Memorial	Syracuse	NY	Recording Info: SBD > Reel Master (7in 7.5ips 1/2trk) > DAT (Panasonic SV-3700/44.1k) > DAT (Panasonic SV-3700/44.1k) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit/44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC	Source Detail	FLAC
09/20/73	The Spectrum	Philadelphia	PA	Complete; Mixed Aud/SBD sources; See info file for details; via Michael Dixon and Scott Clugston; Seeded to etree by JCotsman	Source Detail
09/20/73	The Spectrum	Philadelphia	PA	Partial; Master Soundboard Reel > Reel to Reel > PCM > CDR; CD Re-Mastering, EAC'ed & SHN'ed by Scott Clugston; To fungus and abgd via Charlie Connor	Source Detail
09/21/73	The Spectrum	Philadelphia	PA	SBD; via Mike Lai from Bruce Fried DAT; encore missing	Source Detail
09/21/73	The Spectrum	Philadelphia	PA	SBD -> Rm -> Reel -> PCM -> Dat Transfer Info: Dat (Sony R500) -> Samplitude v6.0 -> Cool Edit Pro v1.2 -> CD -> EAC -> SHN via Charlie Miller	Source Detail
09/21/73	The Spectrum	Philadelphia	PA	flac16; Lineage is most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriends house done by Will Boswell was done back in the Spring of '79; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC	Source Detail	FLAC
09/21/73	The Spectrum	Philadelphia	PA	flac16; analog>cd recorder on stereo>pc>goldwave>flac I used goldwave to only take the pop/clicks out. Casey Jones with Joe Ellis on trumpet and Martin Fierro on saxophone, last song of the 2'nd set right before the encore This is missing from all other copies out there. I got it from the tape I bought years ago.	Source Detail
09/21/73	The Spectrum	Philadelphia	PA	flac16; Source: Most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriend's house done by Will Boswell back in the Spring of '79; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick September 2018; This file set is 16 bit @ 44.1	Source Detail	FLAC
09/21/73	The Spectrum	Philadelphia	PA	flac1644; Partial; Source: Unknown mono Lo-Fi AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2021	Source Detail	FLAC
09/24/73	Civic Arena	Pittsburgh	PA	Mixed AUD/SBD sources; See info file for details; via Michael Dixon, Alan Fink, & Dan Stephens; Seeded to etree by JCotsman	Source Detail
09/24/73	Civic Arena	Pittsburgh	PA	flac16; MAR>R>CD CD's supplied by Matt Smith; Edited and Mastered by Jamie Waddell as a GEMS production; audio patches by Kevin Tobin	Source Detail
09/24/73	Civic Arena	Pittsburgh	PA	partial sets 1,2; Unknown gen SBD > PCM > DAT > WAV > SHN DAT > WAV > SHN by Dan Stephens; Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Tool	Source Detail
09/24/73	Civic Arena	Pittsburgh	PA	flac16; Mixed SBD\AUD with new sbd material to make a more complete show MR>R@7 1/2 ips(JG)>R@ 7 1/2 ips.(WB)>CD; CD's supplied by Matt Smith; audio patches by Kevin Tobin	Source Detail	FLAC
09/24/73	Civic Arena	Pittsburgh	PA	flac16; SBD (shnid=95740) patched with the vault master reel from dead.net taper's section lossy stream; All remastering was done by Charlie Miller	Source Detail	FLAC
09/26/73	Community War Memorial Auditorium	Buffalo	NY	SBD: Rm > DAT > CD / Patched with unknown AUD > WAV > SHN; DAE(EAC0.9 beta 4)> tracking(cdwav)> SHN (MKWAct.96f)> FTP by Tripp; with thanks to Darryl Hinko, Tommy Brame	Source Detail
09/26/73	Community War Memorial Auditorium	Buffalo	NY	flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller. This is a re-patch of the original source (it's a more complete version). On 11/23/2006 a version of this source was circulated without the patches in d1t14 and d2t01.	Source Detail
09/26/73	Community War Memorial Auditorium	Buffalo	NY	DTS Audio 5.1; Mix of SBD: SBD -> Master Reel -> Dat (48k) and AUD:Unknown lineage transferred by SIRMick; mixed by kevtobin	Source Detail
09/26/73	Community War Memorial Auditorium	Buffalo	NY	flac16; Matrix 2 Source Mix - SBD (shnid 80198) + AUD (shnid 80665) mixed by Kevin Tobin	Source Detail	FLAC
10/19/73	Oklahoma City Fairgrounds Arena	Oklahoma City	OK	mR> DAT> CDR; complete; E2 is tracked for d2, but could fit on 80min d3; via JW Norris, R. Nayfield; update 10/23/00: this date is now released as Dick's Picks 19- go buy that	Source Detail
10/21/73	Omaha Civic Auditorium	Omaha	NE	MSR->C->D->CD; Some static in spots, see info file for details; via Jeff Fishman; Steve Barbella	Source Detail
10/21/73	Omaha Civic Auditorium	Omaha	NE	SBD -> Rm -> ? -> Dat -> Sound Forge -> CD -> EAC -> SHN Converted By Charlie Miller	Source Detail
10/23/73	Metropolitan Sports Center	Bloomington	MN	partial of set 1 and set 2; source:MR>Dat>cdr using EAC v0.9 prebeta 11 in secure mode to extract, and mkw ver 0.97 beta1 to create shn's conversion to .shn done by Todd Norman norma023@tc.umn.edu	Source Detail
10/23/73	Metropolitan Sports Center	Bloomington	MN	MSR>D>CD via M. Goetz encoded by Morgan Evans. Note: Has additional OMSN (see info file for discussion) compared to previous etree shn sets.	Source Detail
10/23/73	Metropolitan Sports Center	Bloomington	MN	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/25/73	Dane County Coliseum	Madison	WI	SBD Master Reel > ? > DAT > CD-R > EAC (secure) > Cool Edit(minor cleanup) > CDWAV > mkwact(seekable) via wi-jams, cleanup and encoding by Matt Vernon.	Source Detail
10/25/73	Dane County Coliseum	Madison	WI	flac16; MSR > D > CD > EAC > WAV > CD > EAC > WAV > FLAC; DAE(EAC) of shn id 29668 by Sean Cribbs (note: this source is actually a composite of 2 different shows: material from 10/25/73 patched with material from 11/20/73)	Source Detail	FLAC
10/25/73	Dane County Coliseum	Madison	WI	flac16; Original source: /shninfo_detail.php?shnid=188 MSR>D>CD Disc One patched and re-tracked by Sean Cribbs 7/2003; present source added crossfades at reel splices between Let It Grow and GDTRFB and between OMSN and UJB; removed two spots of static at end of Let It Grow; (note: this source is actually a composite of 2 different shows: material from 10/25/73 patched with material from 11/20/73)	Source Detail
10/25/73	Dane County Coliseum	Madison	WI	SBD MR> DAT> Sound Forge> CDR; set 2; (shn discs have 10/19/73 filler); a few brief volume drops/noises in Let It Grow; via G. Hamilton; see public comments for a few more flaw notes	Source Detail
10/25/73	Dane County Coliseum	Madison	WI	Unsure if this is the "best in circ", but it is the most complete. SBD:MR>DAT>CD	Source Detail
10/25/73	Dane County Coliseum	Madison	WI	flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1k)	Source Detail	FLAC
10/27/73	Indianapolis State Fair Coliseum	Indianapolis	IN	Source: MSR > R > C > D > CD patched with MAC > ? > D Conversion: CDR > EAC > CDWave > CoolEditPro > shntool > mkwACT > SHN (seekable) by Charles Wier From the Deadlists vine	Source Detail
10/27/73	Indianapolis State Fair Coliseum	Indianapolis	IN	flac16; Unknown Mics >> Unknown Deck >> MAC >> Reel 7.5 ips Revox A77 Reel @ 7.5 ips >> Revox A77 >> Akai GX636>Apogee Mini Me(24/96)>Apogee Mini Dac(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>FLAC Taped By: David Boswell	Source Detail	FLAC
10/29/73	Kiel Auditorium	St. Louis	MO	MSR> C> DAT> Circulation> EAC> SHN; no El Paso, otherwise complete show; Source disks from Bob Murphy, eac/shn by Darrin Sacks; Analog anomalies between CRS and BIODTL and between Eyes and China Doll digitally removed with Soundforge. Track boundary error between Bertha and GSET automatically corrected by Exact Audio Copy; Bob Murphy reports seed sounds cleaner than corresponding 10/30/73	Source Detail
10/29/73	Kiel Auditorium	St. Louis	MO	Source: MSR > C > D > CD patched with AUD Conversion: CD > EAC > WAV > retracking (shntool) > SHN Complete show in SBD w/ AUD patches (including AUD El Paso) via Dave Greenberg and Jim Powell. Retracked from CDA seed of this source circulated 3/2003 (incorporated brief separate crowd tracks into song tracks). Sector boundaries verified w/ shntool.	Source Detail
10/29/73	Kiel Auditorium	St. Louis	MO	flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC	Source Detail
10/29/73	Kiel Auditorium	St. Louis	MO	flac16; Taper: Unknown; Source: Unknown Mics and Deck>??>C>WAV>FLAC; Transferred and Encoded by Cousinit	Source Detail	FLAC
10/30/73	Kiel Auditorium	St. Louis	MO	Reel master > 1 cassette gen > DAT > CD > EAC > SHN; seed via J. Merdler, DAE>SHN by G.S. Hamilton, retracking of d2 by A. J. Fink; some editing between songs; known flaws: d1t1 split-second cut into beginning, d1t6 cuts at 1:21, d2t1 volume change at 3:39, d3t3 cut/splice at 6:27	Source Detail
10/30/73	Kiel Auditorium	St. Louis	MO	Source: MSR > D > PCM > D > CD patched with AUD Conversion: CD > EAC > WAV > retracking (shntool) > SHN Complete show with AUD patches via Dave Greenberg and Jim Powell. Retrack of CDA seed circulated 3/2003 to incorporate separate crowd tracks into song tracks. Different lineage from previous seed. Cut to start Me & My Uncle patched w/ AUD, no cut in Mexicali. Does have anomolies in China Cat & Eyes noted in that seed.	Source Detail
10/30/73	Kiel Auditorium	St. Louis	MO	flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC	Source Detail
10/30/73	Kiel Auditorium	St. Louis	MO	flac1644; 1st Set; Source: Unknown AUD, rescued from ebay with thanks to John Petrunis. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2021	Source Detail	FLAC
11/01/73	McGaw Memorial Hall, Northwestern University	Evanston	IL	2nd set only; SBDMR> Cass> DAT> CDR> EAC> Soundforge> DePopper> SHN; via Howling Bob; Seeded to etree by Mike Parrillo	Source Detail
11/01/73	McGaw Memorial Hall, Northwestern University	Evanston	IL	Source: Set 2 MR > C1 > DAT > CD > Toast Audio Extractor (overlap) > WAV > SHN SHNed and seeded by Jon Seff (jon@seff.net)	Source Detail
11/01/73	McGaw Memorial Hall, Northwestern University	Evanston	IL	flac16; Set 2 only MR>C1>DAT>SHN (shnid=2178)>CD>EAC>CoolEdit Pro hiss reduction & minor other edits	Source Detail
11/01/73	McGaw Memorial Hall, Northwestern University	Evanston	IL	flac16; Set 2 Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1k)	Source Detail	FLAC
11/09/73	Winterland Arena	San Francisco	CA	SBD> MR> C> DAT> CDR; EAC> SHN by Seth Kaplan; Correct sector boundaries verified using .shntool; First few seconds of Here Comes Sunshine are clipped; Small splice at the start of Eyes of the World, some channel dropouts and a little static on a few tunes	Source Detail
11/10/73	Winterland Arena	San Francisco	CA	MSR> reel > PCM > DAT > CD; see info file for listening notes	Source Detail
11/11/73	Winterland Arena	San Francisco	CA	Source: Disks 1-2 MSR> Cass> Cass> DATs> CDRs> EAC> SHN; Disk 3 MSR> Cass> DATs> CDRs> EAC> SHN; via Bob Murphy, Darrin Sacks; see pub comment for flaw note; note apparent upgrade with patch now circulating	Source Detail
11/11/73	Winterland Arena	San Francisco	CA	Shntool fix (by Tony Gardner) of previous Tony Gardner 'patched eyes' seed; See info file for details; Disks 1-2 MSR>Cass>Cass>DATs>CDRs; Disk 3 MSR>Cass>DATs>CDRs; With Eyes patched from MSR>?>DAT>CDR	Source Detail
11/11/73	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
11/11/73	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> Cool Edit Pro v2.01 -> FLAC (Pitch correction of shn id 83318) All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/11/73	Winterland Arena	San Francisco	CA	flac1648; Recorded by Charles Conner from dead center 10 rows back with a Sony ECM-22P mic (mono)> Sony TC-55 > BASF C90 master cassettes; Transfer and mastering of re-shelled master cassettes by Jim Blackwood on November 11, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz; Speed/pitch adjusted by Jason Chastain	Source Detail	FLAC
11/14/73	San Diego Sports Arena	San Diego	CA	Updated lineage: SBD > MR > cass > DAT > CD > EAC (secure) > SHN (seekable); EAC> SHN by Matt Vernon, from Eurodead Vine source discs; see tracking suggestions in info file	Source Detail
11/14/73	San Diego Sports Arena	San Diego	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC	Source Detail
11/14/73	San Diego Sports Arena	San Diego	CA	edit of previous shn set by Bob Clevenger; see info file for notes	Source Detail	FLAC
11/14/73	San Diego Sports Arena	San Diego	CA	flac1648; Recorded by Charles Conner from center right with a Sony ECM-22P mic (mono)> Sony TC-55 > BASF C90 master cassettes; Transfer of re-shelled master cassettes on November 12, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 13, 2023 by Jim Blackwood; Speed/pitch adjusted by Jason Chastain	Source Detail	FLAC
11/17/73	Pauley Pavilion, UCLA	Los Angeles	CA	SBD> MR> C> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B.'s discs; Splice between ROR and Playin' (no music affected)	Source Detail
11/17/73	Pauley Pavilion, UCLA	Los Angeles	CA	SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN >>DAW(Bertha)>>CDA/SHN via Jay Ashley	Source Detail
11/17/73	Pauley Pavilion, UCLA	Los Angeles	CA	This is a FLAC composite of different sources that all have cassette/reel flip cuts at various points of the show. See text document for further info.	Source Detail	FLAC
11/17/73	Pauley Pavilion, UCLA	Los Angeles	CA	flac1648; Recorded by Charles Conner from floor level seats on the right side with a Sony ECM-22P mic (mono) > Sony TC-55 > BASF C90 master cassettes; Transfer of re-shelled master cassettes on November 15, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 16, 2023 by Jim Blackwood; Speed/pitch adjusted by Jason Chastain	Source Detail	FLAC
11/20/73	Denver Coliseum	Denver	CO	S:MR > DAT > CD > EAC > SHN; via David Hollister, G. S. Hamilton; note UJB may be from different source?; note portions of set 2 on these discs are in "SBD order" vs. "true" order- see public comments for details	Source Detail
11/20/73	Denver Coliseum	Denver	CO	MAC (Taped by Cary Wolfson, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) A > D by David Minches EAC > SHN by Jack Warner (jackmw1ATsbcglobalDOTnet)	Source Detail
11/20/73	Denver Coliseum	Denver	CO	flac16; Partial set 2 matrix mix using Cary Wolfson AUD shnid=22879 and sbd shnid=1234 by Matt Vernon	Source Detail	FLAC
11/20/73	Denver Coliseum	Denver	CO	flac16; main source: S:MR > DAT > CD > EAC > SHN (shnid 1234) patch source: MAC (Taped by Cary Wolfson, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) (shnid 22879)	Source Detail	FLAC
11/20/73	Denver Coliseum	Denver	CO	flac16/48kHz; Master Soundboard Cassettes > Will Boswell's 1st generation Reels @ 3.75 ips There is speculation that there may be an additional cassette generation before Will Boswell's Reels (Garcia's?); This is part of the Debbie Stash; Transfer Info: 1st (possibly 2nd) Generation Reels (Akai GX-636)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
11/21/73	Denver Coliseum	Denver	CO	via D. Barrick (hurtsme2); B. Yerys reports digiprobs at d1t1 ~0:42, d1t4 ~1:10, d2t2 ~10:38	Source Detail
11/21/73	Denver Coliseum	Denver	CO	MSR > DAT > CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > CDWave v1.71 (tracking) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) Patches: MAC (Taped Taped by Glen Finley, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4)	Source Detail
11/21/73	Denver Coliseum	Denver	CO	flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller (This source fixes swapped channels on source id 88612.)	Source Detail
11/21/73	Denver Coliseum	Denver	CO	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation	Source Detail	FLAC
11/21/73	Denver Coliseum	Denver	CO	MAC (Taped by Glen Finley, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)	Source Detail	FLAC
11/23/73	County Coliseum	El Paso	TX	SBD > Reel > Cassette > Datx2 > CDR; via L. Orf; reel flips in d1t1, d1t7 (smoothed), d3t2; superior version relative to version circulated 3/8	Source Detail
11/23/73	County Coliseum	El Paso	TX	flac16; Recording Info:SBD -> Reel Master -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/25/73	Feyline Field	Tempe	AZ	MSR> Cass.> DATs> CDRs> EAC> SHN; via Darrin Sacks; see info file for known flaws; note md5s for d2t8-10 filler tracks (12/4/71) added here 1/24/01	Source Detail
11/25/73	Feyline Field	Tempe	AZ	flac16; Recording Info:SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/25/73	Feyline Field	Tempe	AZ	flac16/44.1khz Recording Info: SBD > Reel Master > Dat (44.1k) Transfer Info: Dat (Tascam DA-40) > Tascam DA-3000 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC	Source Detail	FLAC
11/25/73	Feyline Field	Tempe	AZ	flac16/44khz 1Recording Info: SBD > Reel Master > Dat (44.1k) Transfer Info: Dat (Tascam DA-40) > Tascam DA-3000 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC	Source Detail	FLAC
11/30/73	Music Hall	Boston	MA	sbd > ? > CDR; Some songs from this date are featured on Dick's Picks 14; go buy it	Source Detail
11/30/73	Music Hall	Boston	MA	unknown audience recording via David Minor encoded by Matt Vernon and Marc Pujol	Source Detail	FLAC
11/30/73	Music Hall	Boston	MA	flac1644; Partial; Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2022	Source Detail	FLAC
12/01/73	Music Hall	Boston	MA	Master Soundboard Reels > PCM > DAT> CDR; CD Mastering by Scott Clugston	Source Detail
12/01/73	Music Hall	Boston	MA	flac16; Audience Analog Master>cdr>eac>flac; Joe Maloney Master Recording	Source Detail
12/01/73	Music Hall	Boston	MA	SBD> MR> DAT> Sonic Solutions> CDR; shn by Tony Gardner, from Paul B.'s discs; note more complete than previous shn versions	Source Detail
12/01/73	Music Hall	Boston	MA	flac16; FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. This transfer is 1st Gen cassettes, kindly provided by Tim Friend. Transfer: Maxell UD90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.	Source Detail	FLAC
12/01/73	Music Hall	Boston	MA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional 11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/01/73	Music Hall	Boston	MA	flac1644 Source: Recorded using a Sony TC-110A deck with built in microphone by Joe Maloney. Transfer (2022): Audience analog master cassette>Nakamichi DR-1 (w/manual azimuth adjustment)>Creative Soundblaster X-Fi HD Model #SB1240 WAV(24/96kHz)>MAGIX Audio Cleaning Lab for KRW track marks, volume adjustment, and edits>WAV(16/44.1kHz)>Trader's Little Helper FLAC (level 8)	Source Detail	FLAC
12/02/73	Music Hall	Boston	MA	same info file as previous shn set, but md5s differ; poss reDAE/reshn by unIDed person?; hosted by Mike Lai	Source Detail	SHN
12/02/73	Music Hall	Boston	MA	Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston;a few seconds of overlap between d2,3; to abgd	Source Detail
12/02/73	Music Hall	Boston	MA	unknown audience tape via David Minor encoded by Matt Vernon and Marc Pujol	Source Detail
12/02/73	Music Hall	Boston	MA	flac16; FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. This transfer is 1st Gen cassette, kindly provided by Tim Friend. Transfer: Maxell UD90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.	Source Detail	FLAC
12/02/73	Music Hall	Boston	MA	flac16/48kHz; Set 2 Recording Info: SBD > Master Reel > DAT (48k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
12/04/73	Cincinnati Gardens	Cincinnati	OH	Partial; Last two songs and encore; See info file for details; master soundboard cassette > reel > pcm > dat > cdr; Seeded to etree by Jools	Source Detail
12/04/73	Cincinnati Gardens	Cincinnati	OH	flac16; SET ONE ONLY SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller	Source Detail
12/04/73	Cincinnati Gardens	Cincinnati	OH	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller (note: this source includes the encore missing from shn id 86839).	Source Detail	FLAC
12/06/73	Public Hall	Cleveland	OH	SBD MR > 1 cass gen > DAT > (AUD patching)> CD > EAC > SHN> slight retrack for d2t3, d3t1, d3t4> shnv2 on those tracks; d3 tracked for 80 min; see notes in info file; seed via David Gans, Jim Powell, Dave Greenberg; shns via Seth Kaplan, Alan Fink, G.S. Hamilton	Source Detail
12/06/73	Public Hall	Cleveland	OH	partial; S:MR> Cass> SonicSolutions> DAT> ZA2> CD; via R. Nayfield (from Gans seed?); Reel Splice in Eyes from master	Source Detail
12/06/73	Public Hall	Cleveland	OH	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of source ID 4452	Source Detail	FLAC
12/06/73	Public Hall	Cleveland	OH	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/06/73	Public Hall	Cleveland	OH	flac16; Recording Info: SBD > Master Reel > Dat; Transfer Info: Dat > Samplitude Professional v11.2.1 > FLAC; Remastering Info: FLAC > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/16	Source Detail	FLAC
12/06/73	Public Hall	Cleveland	OH	flac1644 Source: Unknown audience cassette from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick April 2023	Source Detail	FLAC
12/06/73	Public Hall	Cleveland	OH	flac1648 Recorded by Dave Cubbedge on a Sony portable stereo recorder with a stereo mic. LINEAGE: Master > TDK SA copy > WAV > FLAC	Source Detail	FLAC
12/08/73	Cameron Indoor Stadium, Duke University	Durham	NC	Stereo Soundboard > Master Reel > ? > CD > SHN; via unknown person; May be a re-eac of previous shn set	Source Detail
12/08/73	Cameron Indoor Stadium, Duke University	Durham	NC	SBD:MR> C> DAT> CD> EAC> SHN; via Kirby (Chalupa) Bell, Andy Gustin; note Beginning of Bertha is clipped, JBG is from an AUD source	Source Detail
12/08/73	Cameron Indoor Stadium, Duke University	Durham	NC	flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid 1811	Source Detail	FLAC
12/08/73	Cameron Indoor Stadium, Duke University	Durham	NC	flac16; Sbd > MR > C > DAT > CD Re-master of shnid 1811	Source Detail	FLAC
12/08/73	Cameron Indoor Stadium, Duke University	Durham	NC	flac16; source: aud 1st gen reel* taped by Jerry Moore mastered on sony tc-110 lineage: aud cassette master>7" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 2496>pc>adobe audition 2.0(levels, dc offset)>cd wave>16/44.1>flac transferred & seeded by Rob Berger	Source Detail	FLAC
12/08/73	Cameron Indoor Stadium, Duke University	Durham	NC	flac16/44 Source: Unknown Audience Cassette (high gen) - from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick June 2021	Source Detail	FLAC
12/10/73	Charlotte Coliseum	Charlotte	NC	Partial; Half of last song and encore; See info file for details; master soundboard cassette > reel > pcm > dat > cdr; Seeded to etree by Jools	Source Detail
12/12/73	The Omni	Atlanta	GA	nearly complete, with soundcheck; MR > C > DAT > CDR; via Trei Hobbs	Source Detail
12/12/73	The Omni	Atlanta	GA	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of source ID 6023; Upgrade in circulation	Source Detail	FLAC
12/12/73	The Omni	Atlanta	GA	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a re-master of source ID 105561	Source Detail	FLAC
12/18/73	Curtis Hixon Convention Hall	Tampa	FL	SBD Reel master > cassette > DAT > CDR (unknown gens); info file circulating with the shn set falsely says this is via G.S. Hamilton- it is not. Please use md5s to ID copies in circulation. This copy has 7 tracks in d2, Greg's real shn set has 9. Reel change in Wharf Rat (d3t04) @ 6:36; reported noise reduction on this copy- see comments	Source Detail
12/18/73	Curtis Hixon Convention Hall	Tampa	FL	SBD Reel master > cassette > DAT > CDR (unknown gens) > EAC > CDWav retracking> SHN; Extraction, retracking, shortening by G.S. Hamilton (for real). Please use md5s to ID copies in circulation. Note d2 has 9 tracks; alternate shn set in circulation has 7 d2 tracks and is not really via Greg, but is apparently from another CD set. (This has same reel change in Wharf Rat (d3t04) @ 6:36.); note noise reduction notes in pub comments apparently pertain to alternate shn set only, no NR on this entry	Source Detail
12/18/73	Curtis Hixon Convention Hall	Tampa	FL	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller; Upgrade in circulation	Source Detail
12/18/73	Curtis Hixon Convention Hall	Tampa	FL	further retracking and slight editing of previous retracked shn set, by Bob Clevenger	Source Detail	FLAC
12/18/73	Curtis Hixon Convention Hall	Tampa	FL	flac16; Audience Cassette->Nakamichi Dragon->Sony PCMR300 Dat (16/44.1)->Sound Forge eq and normalization	Source Detail	FLAC
12/19/73	Curtis Hixon Convention Hall	Tampa	FL	"DP 1 Leftovers"; via Gans, D. Finney; rest is on Dick's Picks 1- go buy it	Source Detail
12/19/73	Curtis Hixon Convention Hall	Tampa	FL	Audience; MAC>PCM>Cassette>CD; Seeded to etree by Scott Clugston; Note- Parts of this show appear on DP1; go buy it	Source Detail
12/19/73	Curtis Hixon Convention Hall	Tampa	FL	flac16; Recording Info:SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
12/19/73	Curtis Hixon Convention Hall	Tampa	FL	flac16; soundboard source shnid=97361: (Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC); Patch source: Sony EMC-22 mic-> cheap mono cassette (probably Sony) - TDK SD C90s -> Tascam 112-> M-Audio Audiophile 24/96 at 24 bit, 96 kHz. Converted to 16-bit, 44.1 kHz and edited using Diamond Cut 7.5 Forensics. Also used DC 7.5 to correct for a slight azimuth alignment problem, cross-faded and cut on sector boundaries. Converted to flac with trader's little helper	Source Detail	FLAC
12/19/73	Curtis Hixon Convention Hall	Tampa	FL	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
??/??/73	Studio Rehearsals	Various	CA	flac16; Lineage: Unknown Studio Recording -> Sonic Solutions -> CD Transfer: CD -> EAC ->FLAC by Joe Samaritano	Source Detail	FLAC
??/??/73	Record Plant	Sausalito	CA	Flac1648 Dead Net Mixer > Tascam SS-CDR200 (16-bit/48k) > Samplitude Pro X6 Suite > FLAC/16 Mixed and Mastered by charliemiller87@earthlink.net 2023-10-03	Source Detail	FLAC
02/22/74	Winterland Arena	San Francisco	CA	SBD > ? > SHN; Missing Sugar Mag's & UJB; Unknown seeder	Source Detail
02/22/74	Winterland Arena	San Francisco	CA	mixed SBD sources: Vault MR> DAT 48k, plus MR> Cassette> DAT 44.1k, with small patches from MR> Cassette> DAT> CD; Transfer: DAT> Audiophile 2496> Samplitude v7.02 Professional> SHN; Transfer, editing, and SHN by Joe Samaritano, with thanks to Michael P. Weitzman, David Gans, Charlie Miller	Source Detail
02/22/74	Winterland Arena	San Francisco	CA	Lineage: SBD > D > CD > SSSB *12-14-2002* Files were run through shntool to correct sector boundary errors. The date was also corrected as the soundcheck does not circulate from the 24th, because there wasn't one....FLAC encoding and shntool processing done by Mr. Marmar 12/2002 Converted from flac to shn by SIRMick (thedarkstar@btinternet.com)	Source Detail	SHN
02/22/74	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
02/22/74	Winterland Arena	San Francisco	CA	flac1648 Audience source (a Louis Falanga master?); Unknown Equipment; Don Wolfe's Low Gen Reels (2nd/3rd generation?) Transfer Info: Low Gen Reels (Technics RS-1506) > Apogee Mini-Me > .wav 24/96 > Adobe Audition 2023 > TLH flac2496	Source Detail	FLAC
02/23/74	Winterland Arena	San Francisco	CA	incomplete; SBD > Reel > PCM > DAT > CD > EAC > SHN; via Jay Serafin, Seth Kaplan, G.S. Hamilton; missing Big River, Ramble On Rose, Me And My Uncle, Casey Jones; note complete copy now in shn	Source Detail
02/23/74	Winterland Arena	San Francisco	CA	complete; Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; d3 tracked for 80 min	Source Detail
02/23/74	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
02/23/74	Winterland Arena	San Francisco	CA	flac16/44 Fixed version of Recording Info: SBD > Master Reel > Dat Transfer Info: Dat (Tascam DA-20) > Tascam SS-R05 > Samplitude Professional v11.2 > FLAC	Source Detail	FLAC
02/24/74	Winterland Arena	San Francisco	CA	SBD> Master Reel> PCM> DAT> Fostex D5 DAT> Marantz Professional? PMD-320 CD Master> Ricoh MP-6200 series CD-R> HP 8200i CDRW Drive (EAC)> SHNCD; via Jay Serafin, Stephen Windsor; note d4 is 73:52, not 74:06 as stated in accompanying info file, and thus does not require overburning (possibly was EZCD artifact?); no flaws noticed	Source Detail
02/24/74	Winterland Arena	San Francisco	CA	soundcheck, reportedly this date although mislabeled as 2/24/74 on shn set; SBD > RTR @ 7.5 i.p.s. > D > SSSB; no PCM- see info file; via Jay Serafin to gdlive	Source Detail
02/24/74	Winterland Arena	San Francisco	CA	Shntool fix of original Jay Serafin seed; Note- This is part of a group effort to fix 'all' of Jay Serafin's seeds so that they conform to redbook standards regarding sector boundary errors; Read more about the effort at etree forums; SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R-> HP 8200i CDRW Drive (EAC)->SHNCD	Source Detail	FLAC
02/24/74	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
02/24/74	Winterland Arena	San Francisco	CA	flac16; Unknown Audience Recording > PCM; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums with TLH-> tagged with Mp3tag; Pitch Corrected By Kevin Tobin In Adobe Audition; Mastering in Wavelab 7.1 by Jamie Waddell; 16bit 44.1kHz Track, FLAC and Pack by John Wenzel	Source Detail	FLAC
02/24/74	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/23/74	Cow Palace	Daly City	CA	Master Soundboard Reel > DAT > CDR, with patches from Master Soundboard Reel > Cassette > DAT source, and Audience source; d2 is 80 min; via Scott Clugston; note upgrade relative to previously circulating shn set; reported sector boundary probs on d2t4, d2t6- see pub comments; update: portions of show are now DP24- go buy it	Source Detail
03/23/74	Cow Palace	Daly City	CA	flac16; Master Audience Cassette > Dat (or PCM?) Edits & Tracking in Wavelab 6.0 by **__** : BBE processing, Crystal Sample Rate converter, L3 multimaximizer>dithered44.1k/16>FLACfrontend SBE FREE Patches by Michael Hughey in Adobe Audition	Source Detail
03/23/74	Cow Palace	Daly City	CA	modification of previously-circulating shn set- d2 retracked by Leigh Orf; update: portions of show are now DP24- go buy it	Source Detail	SHN
03/??/74	Mars Hotel Outtakes	San Francisco	CA	Mars Hotel Outtakes; SBD>?>CDR	Source Detail	FLAC
05/12/74	University Of Nevada	Reno	NV	MSR> C> DAT> CDRs> EAC> SHN; via Darrin Sacks; previously uncirculated; see notes in info file	Source Detail
05/12/74	University Of Nevada	Reno	NV	Partial 2nd Set; AUD>?>CD; via Jack Warner; Seeded to etree by Matt Vernon	Source Detail	SHN
05/12/74	University Of Nevada	Reno	NV	flac16; Recording Info: SBD > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC	Source Detail	FLAC
05/14/74	Adams Field House, University Of Montana	Missoula	MT	MSR> cassette> DAT> CD-R> TAE> shn; via Bob Murphy	Source Detail
05/14/74	Adams Field House, University Of Montana	Missoula	MT	flac16; Recording Info: Set 1: SBD -> Master Reel -> Cassette -> Dat (48k); Set 2: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professionl v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/14/74	Adams Field House, University Of Montana	Missoula	MT	flac1644 Source: Audience Cassettes (up to El Paso described on j-card as 7th gen and the rest of show 8th gen) from collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope Neutron 3 > iZotope RX 10 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick February 2023	Source Detail	FLAC
05/17/74	P.N.E. Coliseum	Vancouver	BC	updated source: Andy Gustin and Jay Ashley report this could be the SBD cass master>1 cass> DAT> 1 cass gen> DAT version noted on Tiedrich's site (had been marked mSR> DAT> CDR> Toast Audio Extraction> SHN); via Andy Gustin; 9/11/73 filler	Source Detail
05/17/74	P.N.E. Coliseum	Vancouver	BC	flac16; set 1,2p; hand-held external stereo mic> portable Sony cassette deck> BASF LH C120 MC> [1 cass gen for Promised only] > HD> CDWave > flac frontend > flac; Taped by: Mike Kent, transferred by Pantagruel	Source Detail	FLAC
05/17/74	P.N.E. Coliseum	Vancouver	BC	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/19/74	Portland Memorial Coliseum	Portland	OR	SBDMR -> DAT; DAT -> CD -> EAC -> SHN; via A. Jerugim; 5/21: copy retracked on sector boundaries by J. Kempka; see public comments for detailed flaw notes	Source Detail
05/19/74	Portland Memorial Coliseum	Portland	OR	complete; Master Soundboard Reel > PCM > DAT> CDR; EAC'ed / SHN'ed by Scott Clugston	Source Detail
05/19/74	Portland Memorial Coliseum	Portland	OR	flac16; Remastered version of shn id 6957: Master Soundboard Reel > PCM > DAT> CDR with tweaks to the spectrum (Waves REQ 4-band), light compression (Waves R-Comp), slight warmth enhancement to the low-end (BBE2 lo-contour) and digitally maximized with the Waves L3 Multimaximizer.	Source Detail	FLAC
05/19/74	Portland Memorial Coliseum	Portland	OR	flac16; Recording Info: Source 1: SBD -> Master Reel -> Cassette (Maxell XLII-S90/Sony D6/Dolby C); Source 2: SBD -> Master Reel -> Cassette -> Dat -> CD (shnid=6957); Source 3: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Source 1: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Source 2: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Source 3: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation	Source Detail	FLAC
05/19/74	Portland Memorial Coliseum	Portland	OR	flac16; Recording Info: Source 1: SBD -> Master Reel -> Cassette (Maxell XLII-S90/Sony D6/Dolby C) Source 2: SBD -> Master Reel -> Cassette -> Dat -> CD (shnid=6957) Source 3: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Source 1: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16 Source 2: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16 Source 3: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/19/74	Portland Memorial Coliseum	Portland	OR	flac16; Source: Sony ECM18N mics>Sony 152SD deck; Recorded by Pat Lee; Lineage: MAC>R>R>C>WAV>FLAC; Transferred and Encoded by Cousinit	Source Detail	FLAC
05/21/74	Edmundson Pavilion, University Of Washington	Seattle	WA	flac16; Matrix 2 Source Mix - SBD (shn id 2597) MSR>C>Dats>CD>EAC>SHN>.WAV + AUD (shn id 10150) AudMC > WAV > SHN - matrix mixing by Kevin Tobin	Source Detail	FLAC
05/21/74	Edmundson Pavilion, University Of Washington	Seattle	WA	flac16; Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony (patched version of shn id 10150 see info file for details)	Source Detail	FLAC
05/21/74	Edmundson Pavilion, University Of Washington	Seattle	WA	MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN; Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip; remastered version of previous shn set, courtesy Josh Belkin	Source Detail
05/21/74	Edmundson Pavilion, University Of Washington	Seattle	WA	AudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony; via David Minches; Seeded to etree by Noah Weiner	Source Detail
05/21/74	Edmundson Pavilion, University Of Washington	Seattle	WA	MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496 (shn id 2597) patched with AudMC > WAV > SHN (10150) via Charles Wier	Source Detail	SHN
05/21/74	Edmundson Pavilion, University Of Washington	Seattle	WA	flac16; Recording Info: Sony ECM18N -> Cassette Master (Sony 152SD) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Pat Lee	Source Detail	FLAC
05/21/74	Edmundson Pavilion, University Of Washington	Seattle	WA	flac16; Updated source: Audience recording by Don Amick; Transcription Pathway: Maxell XLII-90 cassettes (unknown generation) ? Nakamichi DRAGON (no Dolby, EQ 120 µsec) ? ADC Sound Shaper Two Mk II stereo frequency equalizer ? Edirol UA-5 T-MOD PLUS (custom-modified by the Oade Brothers) (driven by MME, in advanced mode; set to Red Book Standard for LPCM streaming) ? USB 2.0 ? Audacity 1.2.6 (set to 32-bit float/44.1kHz resolution for recording LPCM stream; set to Red Book Standard and, with snap-to on, to cdda min:sec:frames 75 fps for cutting tracks on sector boundaries and exporting them as .wav’s); Transcribed by George M. Prescott Jr. on October 14, 2010	Source Detail	FLAC
05/21/74	Edmundson Pavilion, University Of Washington	Seattle	WA	flac16/48khz Source Info: Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD Transfer Info: Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
05/25/74	Campus Stadium, UCSB	Santa Barbara	CA	flac16; Soundboard Reel >DAT >CDR >FLAC Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o by OldNeumanntapr	Source Detail	FLAC
05/25/74	Campus Stadium, UCSB	Santa Barbara	CA	MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850> .shn DAE/reSHN of shn id 205 shn set, via Doug Moog. David Hollister reports problems on USB track	Source Detail
05/25/74	Campus Stadium, UCSB	Santa Barbara	CA	MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850> .shn; via Jonathan Miller, Adam Roux; David Hollister reports problems on USB track	Source Detail
05/25/74	Campus Stadium, UCSB	Santa Barbara	CA	flac16; Recording Info: FOB Audience Recording by Jeremy Witt Preserved in posterity for 36 years by Jay Abrams (jra-sm) Recording Equipment: Sony TC-152, Sony Mics, BASF 120 minute cassettes, Dolby B Analog to Analog Transfer June 1974: Sony TC-152 -> Teac 1230 - Scotch 150, 7" Reels at 3 3/4 ips Transfer by Jim Blackwood Dec 23 2010 Editing and Mastering by Jamie Waddell on the GEMS Edit Station at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1kHz conversion TLH for FLAC8 SBE Free	Source Detail	FLAC
05/25/74	Campus Stadium, UCSB	Santa Barbara	CA	flac16; Matrix: 60%sbd/40% aud; Sources: Master Soundboard Reel > Dick Latvala's Cassette > DAT > mastered to CD-R on an HHB CDR-850 > .shn (shnid 2635) Originally seeded to phlash.etree.org by Johnathan Miller. FOB Audience Recording by Jeremy Witt (shnid 111301) Preserved in posterity for 36 years by Jay Abrams (jra-sm) Recording Equipment: Sony TC-152, Sony Mics, BASF 120 minute cassettes, Dolby B Analog to Analog Transfer June 1974: Sony TC-152 -> Teac 1230 - Scotch 150, 7" Reels at 3 3/4 ips Transfer by Jim Blackwood Dec 23 2010 Editing and Mastering by Jamie Waddell on the GEMS Edit Station at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1kHz conversion TLH for FLAC8 SBE Free	Source Detail	FLAC
06/08/74	Oakland-Alameda County Coliseum	Oakland	CA	Master Audience Reel > Reel to Reel > PCM > DAT, plus Master Soundboard Reel > DAT (Playin' > Wharf Rat> Playin', plus Eyes); mastered and seeded by Scott Clugston with thanks to Skankweed; d3 tracked for 80 min; Ship cut on master	Source Detail
06/08/74	Oakland-Alameda County Coliseum	Oakland	CA	flac16; Analog Lineage: 1 x Sony ECM250 => Sony TC-110 >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> Audition 3.0 >> Wavelab 5.0 >> Izotope Ozone3(dithering) >> CDWave >> TLH >> Flac 1644 Taped By: Louis Falanga Transfer By: Bob Menke Mastering By: Paul Gilbert Tagged By: Jeff Thomas	Source Detail	FLAC
06/08/74	Oakland-Alameda County Coliseum	Oakland	CA	flac16; Recording Info: Set 1 + Encores: SBD -> Master Reel -> Reel -> Reel -> Wavelab -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Wavelab -> FLAC; Mastering Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; Re-mastered By Charlie Miller	Source Detail
06/08/74	Oakland-Alameda County Coliseum	Oakland	CA	flac16; Set 1 & encores MR>R(JG)>R(WB & Pat Lee)@ 3 3/4 ips. Set 2 Lineage: MR>DAT Transfer info: Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs on the GEMS Edit Station>Trac'ed Cdwave Flac'ed level 8 TLH	Source Detail
06/16/74	Des Moines State Fair Grandstand	Des Moines	IA	SBD (could be MR> C> D); complete version via M. Bryan, G. Hamilton; Bertha- splice @ 4:04- serious mix problems prior to this; Sugaree- MR flip @ 3:59; Playin'- d/o @0:01, d/o @3:16; T.Jed- <1 sec. digi-noise @0:02; W.Rat- MR flip @2:50	Source Detail
06/16/74	Des Moines State Fair Grandstand	Des Moines	IA	mixed SBD sources: Set 1: MSR> C> DAT> CD Set 2 & 3: MSC> DAT> CD (except for patch in Wharf Rat which is MSR> ?> DAT> CD), lineage reported by Andy Lemieux; assembled/fixed by Sean Cribbs from Alan Fink's, Steve Windsor's and Andy's source material (see notes in txt)	Source Detail
06/16/74	Des Moines State Fair Grandstand	Des Moines	IA	flac16; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger	Source Detail	FLAC
06/18/74	Freedom Hall	Louisville	KY	SBD> MR>1 cass> DAT> ZA2> SHN; newly circulating crisp version); via D. Sacks, D. Hollister; note d3t2 was bad 11/5, fixed 11/8	Source Detail
06/18/74	Freedom Hall	Louisville	KY	Bertha Remaster of the digitized Master Reel source. SBD>>MR>>DAT>>ZA2>>SHN>>DAW(Bertha) - Sound A	Source Detail
06/18/74	Freedom Hall	Louisville	KY	flac16; Speed Corrected Version of the SBD>MR>1 cass>DAT>ZA2>SHN source Additional lineage for this version: SHN (id=209) > WAV > Cool Edit Pro (see notes) > FLAC(8)	Source Detail
06/18/74	Freedom Hall	Louisville	KY	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> SHN -> Cool Edit Pro -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
06/20/74	The Omni	Atlanta	GA	Master 7", 2 track Soundboard Reel > Cassette > DAT > CDR; uploaded by Scott Clugston; via "the usual"; to abgd, later to etree; note d1 tracked for 80 min	Source Detail
06/20/74	The Omni	Atlanta	GA	Set II, E; SBD reel -> ??? -> CD; t4 8:50 small reel blip; via D. Finney; additional source info not forthcoming	Source Detail
06/22/74	Jai-Alai Fronton	Miami	FL	MR> C> DAT2> CDR3> EAC> SHN; via Darrin Sacks	Source Detail
06/22/74	Jai-Alai Fronton	Miami	FL	AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT transfer by Mark Cohen, December 2002 DAT > SHN/CD by Noah Weiner (noahbw@attbi.com) December, 2002 Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT deck (record) > Fostex D5 DAT deck (playback) > Turtle Beach Montego II Digital I/O > Soundforge (wav editing and track ids) > SHNTOOL (SBE fix) > MKW (shn)	Source Detail
06/22/74	Jai-Alai Fronton	Miami	FL	flac 16; Sick Bits Vol. 21a - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=212) + AUD (shnid=14193). Matrixed by Chris Chappell.	Source Detail
06/22/74	Jai-Alai Fronton	Miami	FL	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/22/74	Jai-Alai Fronton	Miami	FL	flac16; source: aud cassette master; taped by Jerry Moore; new "master" created with the original shn #105825 files; Work done in ProTools LE with final eq tweaks in ocenaudio; see info file for details	Source Detail	FLAC
06/23/74	Jai-Alai Fronton	Miami	FL	SBD, with patches (see updated info file for details, including about "blank" tracks); "painstakingly complete" version assembled by J. Belkin; also see additional comments from D. Sacks: contrary to original info file, primary SBD was not subject to NR; report from Skank: only discs 1&2 were posted? to abgd at first, fixed d3 before completing; to etree via A. Stern 2/2; pre-fixed d3 may have been etreed earlier- note fixed d3 has 10 tracks	Source Detail
06/23/74	Jai-Alai Fronton	Miami	FL	MSR>DAT>CD w/ MAC>DAT patches	Source Detail
06/23/74	Jai-Alai Fronton	Miami	FL	flac16; source: aud cassette master akg d1000e's>Sony TC-152 taped by Jerry Moore lineage: aud c.m.>dat>cdr>eac>cd wave>flac transfered by Rob Berger '99, tracking by John Tallmadge	Source Detail	FLAC
06/23/74	Jai-Alai Fronton	Miami	FL	Remaster of sbd w/ aud patches by Owens Brothers	Source Detail
06/23/74	Jai-Alai Fronton	Miami	FL	AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON.	Source Detail
06/23/74	Jai-Alai Fronton	Miami	FL	flac16; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010; 16 bit 44.1 khz version	Source Detail	FLAC
06/23/74	Jai-Alai Fronton	Miami	FL	flac16; sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith	Source Detail	FLAC
06/23/74	Jai-Alai Fronton	Miami	FL	AudMC > DAT>CD>DC6>CD Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT, DAT > SHN/CD Editing and Mastering by The Wizard, see info file for details	Source Detail	FLAC
06/23/74	Jai-Alai Fronton	Miami	FL	flac16; source: aud cassette master; taped by Jerry Moore; new "master" created from the original files from shn #105755; Work done in ProTools LE with final eq tweaks in ocenaudio; see info file for details	Source Detail	FLAC
06/26/74	Providence Civic Center	Providence	RI	MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2); seeded by J. Oleynick; note original d1 contains some static blemishes from 'River through Row Jimmy; fixed d1 provided by S. Agan, 2/28, with different source info: SBD> MR> C> DAT> CDR; note most of set II is available as Dick's 12- go buy it	Source Detail
06/26/74	Providence Civic Center	Providence	RI	AudMC > WAV > CD > EAC > SHN recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. A > D by David Minches, encoding by Noah Weiner, gdADT Round 17. Complete with Seastones.	Source Detail
06/26/74	Providence Civic Center	Providence	RI	flac16; source: aud cassette master; taped by Jimmy Cooper; sony ecm22p’s > hitachi trq-232; nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger	Source Detail	FLAC
06/26/74	Providence Civic Center	Providence	RI	flac16/44 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Brian Mandel gdplusmore@aol.com Master Cassette Nakamichi BX-150 Transfer->Nakamichi BX300 Cassette Maxell XL11-S90 x3 circa 1984 Wave/ Flac Conversion & Editing 2-20-21 Brian Mandel gdplusmore@aol.com Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLH->Flac Edits Tape Flips - Audacity	Source Detail	FLAC
06/28/74	Boston Garden	Boston	MA	set 1; SBD> MR> DAT> Sonic Solutions> CD> ?> EAC> SHN; EAC'ed / SHN'ed by Tom Snider, Jr., with thanks to Jeff Cook; other material from show is featured on Dick's Picks 12 itself, go buy it	Source Detail
06/28/74	Boston Garden	Boston	MA	complete; AudMC > WAV > CD > EAC > SHN recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. A > D by David Minches, encoded by Noah Weiner gdADT Round 18	Source Detail
06/30/74	Springfield Civic Center	Springfield	MA	SBD> MR> cass> DATx2> ZA2> CDRx1> EAC> SHN; via Andy, Tiedrich, Skank, A. Stern; to abgd and etree	Source Detail
06/30/74	Springfield Civic Center	Springfield	MA	AudMC > DAT > WAV > SHN Recorded by Jerry Moore, 1st level off floor, audience right, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT by Mark Cohen encoding Noah Weiner gdADT Round #16	Source Detail
06/30/74	Springfield Civic Center	Springfield	MA	flac16; Set II matrix sources: sbd: mr > datx2 > cd > shn > wav > shn (shnid 17814) and aud: mc > dat > wav > shn (shnid 15537)	Source Detail
06/30/74	Springfield Civic Center	Springfield	MA	flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/30/74	Springfield Civic Center	Springfield	MA	flac24; Source: Sony ECM99 > Sony TC 152 SD > Cassette Master > Teac 2300 SD > Reel ( Maxell) - Taped By Jimmy Warburton from 50 feet back left of centre in general admission; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018	Source Detail	FLAC
06/30/74	Springfield Civic Center	Springfield	MA	flac16; source: aud cassette master taped by Jerry Moore; lineage: aud>akg d1000e's>sony tc-152sd (4)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac; transferred & seeded by Rob Berger; This file set is 16 bit @ 44.1	Source Detail	FLAC
06/30/74	Springfield Civic Center	Springfield	MA	flac16; Source: Sony ECM99 > Sony TC 152 SD > Cassette Master > Teac 2300 SD > Reel ( Maxell) - Taped By Jimmy Warburton from 50 feet back left of centre in general admission; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018; This file set is 16 bit @ 44.1	Source Detail	FLAC
06/30/74	Springfield Civic Center	Springfield	MA	flac1644; 1st Set, Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2021	Source Detail	FLAC
07/19/74	Selland Arena	Fresno	CA	set 2 partial; MR> DAT> CDR; seed via D. Gans, D. Finney; md5s for shns and wavs given (complete show now in circulation (Upgrade now in circulation.)	Source Detail
07/19/74	Selland Arena	Fresno	CA	complete; Master Reel> Cassette(1)> DAT@44.1K> DAT> WAV> Soundforge 4.0> CDWAV> SHN w/seek tables appended; DAT> WAV via Sony SDT-9000 DDS Drive using VDat DAT seed from Rob Eaton, DAT>SHN by Jamie Lutch, QC by dankseeds; see info file for flaw and editing notes; see pub comments for d2 md5 notes (Upgrade now in circulation.)	Source Detail
07/19/74	Selland Arena	Fresno	CA	flac16; Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic SV3800/44.1k) Transfer Info: Dat -> Sound Forge 4.0 -> SHN (Jamie Lutch June 2001) Mastering Info: SHN -> Samplitude Professional v7.02 -> FLAC Mastering By Charlie Miller Patch Info: AUD>Cm>Cass>Cass>Dat>CD supplies patches in Row Jimmy and Playing In The Band. It also supplies all of Seastones and One More Saturday Night -- This copy does not have the NR that other patched copies have -- Thanks to Rob Eaton for supplying the source Dat	Source Detail
07/19/74	Selland Arena	Fresno	CA	flac 16 Source: Recorded by AS and friends with borrowed UC Santa Cruz AV gear; 2 Shure omni mics > Sony portable (152 possibly) cassette recorder; Nakamichi Dragon > Panasonic 3800 DAT > Apple G4 (Peak editing) > Xact; Pitch corrected -72 cents from master playback	Source Detail	FLAC
07/21/74	Hollywood Bowl	Los Angeles	CA	Sony ECM-22p > Sony TC-152 master cassette > reel > DAT > CDR; taper Rob Bertrando; via Andy Gustin, Tony Gardner; end of Scarlet cut	Source Detail
07/21/74	Hollywood Bowl	Los Angeles	CA	flac16; (FOB) Sony ECM-22P -> Cassette Master (Sony TC-152) -> Reel -> Dat All transfers and Remastering By Charlie Miller	Source Detail
07/21/74	Hollywood Bowl	Los Angeles	CA	flac16; MOTB Release: 0056 16/44.1 Analog Audience Source: FOB Cassette (MAC) Analog Copy Instances: Reel 1 (R1) Medium Stock Brands: MAC = Sony C90 [CrO2], R1 = Maxell UD 35-90 Analog Lineage: 2 x Sony ECM-22P => Sony TC-152SD >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [3.75 IPS] >> R1 Analog Medium Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rob Bertrando R1 Supplied By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe	Source Detail	FLAC
07/21/74	Hollywood Bowl	Los Angeles	CA	Rob Bertrando's Sony ECM-22P mics > Sony TC-152 Cassette Master; AudMC >Reel > DAT > CD; Seeded to etree by Noah Weiner	Source Detail	FLAC
07/25/74	International Amphitheater	Chicago	IL	SBD MR > CASS > DAT > CD; original seed via Jim Wise; via Jon Miller, Alan J. Fink, Greg Hamilton; see info file and addendum for notes	Source Detail
07/25/74	International Amphitheater	Chicago	IL	SBD -> Rm -> Dat -> Sonic Solutions -> CD seeded by Charlie Miller	Source Detail
07/25/74	International Amphitheater	Chicago	IL	flac16 Source: SBD -> Vault Master Reel -> Dat -> Sonic Solutions -> CD Remastered by Jim Blackwood Pitch Correction by Jason Chastain	Source Detail	FLAC
07/27/74	Roanoke Civic Center	Roanoke	VA	SBD> MR> C> DAT> CDR; via Seth Kaplan	Source Detail
07/27/74	Roanoke Civic Center	Roanoke	VA	flac16; unknown gen audience recording > ? > FLAC	Source Detail	FLAC
07/27/74	Roanoke Civic Center	Roanoke	VA	flac16; Source: Audience Recording > AKG D200e's > Sony TCC152 SD > mac > rr > dat > cdr; Lineage: cdr > eac > wav > Adobe Audition 1.5 > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16	Source Detail	FLAC
07/27/74	Roanoke Civic Center	Roanoke	VA	flac1644 SBD > Master Reel > Cassette > Dat > CD Transfer Info: CD > Adobe Audition v3.0 > Samplitude Professional v11.03 > FLAC	Source Detail	FLAC
07/29/74	Capital Centre	Landover	MD	SBD:MR> C1> DAT @ 48kHZ > Sony DAT deck PCM-R300 > coaxial s/pdif > pentium II 350 mHz via Turtle Beach "Fiji" soundcard > CoolEdit Pro > convert to 44.1kHz in CoolEdit Pro > Smart & Friendly CDR SCSI drive > CD; some diginoise was fixed, some smaller diginoise was not; tracked for 2x80 plus encore for filler elsewhere, but can fit on 3x74; via Teddy Good Bear, Doug Johnson to abgd	Source Detail
07/29/74	Capital Centre	Landover	MD	flac16; Sick Bits Vol. 8 - SBD/AUD Matrix of 2 previously circulating sources: (SBD - SHN ID# 2277, and AUD - SHN ID# 17968); edited and transfered by Chris Chappell	Source Detail
07/29/74	Capital Centre	Landover	MD	AudMC > DAT > WAV > SHN. Recorded by Jerry Moore(see notes), 1st level off floor, audience left, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON, Analog > DAT transfer by Mark Cohen, DAT > SHN/CD by Noah Weiner	Source Detail	SHN
07/29/74	Capital Centre	Landover	MD	AudMC > DAT > WAV > SHN. Recorded by Jerry Moore(see notes), 1st level off floor, audience left, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON, Analog > DAT transfer by Mark Cohen, DAT > SHN/CD by Noah Weiner	Source Detail	SHN
07/29/74	Capital Centre	Landover	MD	flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/29/74	Capital Centre	Landover	MD	flac16; Source: 2nd Set Mono AUD, 3rd Gen tape, kindly provided by Seaweed1010. Transfer: MX-S > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. Feb 2013	Source Detail	FLAC
07/29/74	Capital Centre	Landover	MD	flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut (2496) > AIFF CD tracking via Audacity [w/dither] > FLAC1644 via xAct)	Source Detail	FLAC
07/31/74	Dillon Stadium	Hartford	CT	SBDMR> DATx> CD> DAT> CD> EAC> SHN; via Ziggy, Jack Warner, Kirby "Chalupa" Bell, Darrin Sacks; see info file for minor anomalies	Source Detail
07/31/74	Dillon Stadium	Hartford	CT	flac16; Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC	Source Detail
07/31/74	Dillon Stadium	Hartford	CT	flac16; source: aud 1st gen reel; master taped by Jim Anderson; lineage: aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac	Source Detail	FLAC
07/31/74	Dillon Stadium	Hartford	CT	flac16; source: aud cassette master; taped by Jimmy & Laurie Cooper; sony ecm22p’s > hitachi trq-222; tdk sd-c90, (2)tdk ed-c90’s, 4 starr c-90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 > xACT flac; power by furman p-2400; transfer & mastering - Rob Berger	Source Detail	FLAC
08/04/74	Philadelphia Civic Arena	Philadelphia	PA	MSR> DATs> CDRs> EAC> SHN; small aud patches in PITB (14:28-14:41) and LIG (16:20-16:35) and the first few seconds of Sugar Magnolia; via Bob Fishman, Darrin Sacks	Source Detail
08/04/74	Philadelphia Civic Arena	Philadelphia	PA	AUDMC > DAT > WAV > SHN Recorded by Jerry Moore w/ 2 AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT transfer by Mark Cohen DAT > SHN/CD by Noah Weiner	Source Detail
08/04/74	Philadelphia Civic Arena	Philadelphia	PA	SBD> MR> DAT> CDR; transfer by Stephen Agan; via Bob Allred to vines, offer; tracked differently from Sacks shn set, but with same AUD patches: in PITB (14:28-14:41) and LIG (16:20-16:35) and the first few seconds of Sugar Magnolia; see pub comments for additional notes	Source Detail
08/04/74	Philadelphia Civic Arena	Philadelphia	PA	I: AudMC > DAT > WAV > SHN II: AudMC > R? > Beta Hi-Fi PCM > CASS > WAV > CD > EAC > SHN; Seeded to etree by Noah Weiner	Source Detail	FLAC
08/05/74	Philadelphia Civic Arena	Philadelphia	PA	MSR> C> C> DATs> CDRs> EAC, with AUD patches from Jerry's Moore's MC>D>CD (AKG D1000s>Sony TC-152); via Darrin Sacks	Source Detail
08/05/74	Philadelphia Civic Arena	Philadelphia	PA	AUDMC > DAT > WAV > SHN - Recorded by Jerry Moore w/ 2 AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Added to etree by Noah Weiner.	Source Detail
08/05/74	Philadelphia Civic Arena	Philadelphia	PA	flac16; Source: MSR>C>C>DAT Conversion : DAT @ 48k - > HT OMega 7.1 Soundcard (Optical Inputs)>WAV (48)> Syntillium Cool Edit Downsample to 44.1 WAV>CD WAV (Track Split)>FLAC	Source Detail	FLAC
08/05/74	Philadelphia Civic Arena	Philadelphia	PA	flac16; Recording Info: Soundboard > ?? > PCM (16 bit) (Sony HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16. Note this originally circulated as a soundcheck for 6/22/1974 but was identified as the jam from 8/5/1974 and has been moved to the correct date.	Source Detail	FLAC
08/05/74	Philadelphia Civic Arena	Philadelphia	PA	flac16/44.1khz Recording Info: SBD > Reel Master (7in 7.5ips 1/2trk) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamkichi Dragon) > DAT (Panasonic SV-3800/48k) > Avid MBox Pro > Pro Tools 12 > WAV (44.1k)	Source Detail	FLAC
08/06/74	Roosevelt Stadium	Jersey City	NJ	fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy"	Source Detail
08/06/74	Roosevelt Stadium	Jersey City	NJ	flac16; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 xACT flac; transfer & seeded by Rob Berger	Source Detail	FLAC
08/06/74	Roosevelt Stadium	Jersey City	NJ	flac1644; Recording info: Master reel > DAT (via Anon); Transfer info: Tascam DA-302 > Sound Devices 722 (digital transfer); Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
09/09/74	Alexandra Palace	London	England	SBD>MR>DAT(X2)>CDR; Note- Missing 6 of last 8 songs; Seeded to etree by Sly_Wow	Source Detail
09/09/74	Alexandra Palace	London	England	flac 16; Source: sbd > mr > dat (x2) > cdr > eac > mkwact > wav > flac	Source Detail	FLAC
09/09/74	Alexandra Palace	London	England	Dick's Picks Vol 7 Outtakes by Sir Mick	Source Detail	FLAC
09/09/74	Alexandra Palace	London	England	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/09/74	Alexandra Palace	London	England	flac16; Partial SBD > ? > flac	Source Detail	FLAC
09/09/74	Alexandra Palace	London	England	flac16/44 Unknown audience with unknown lineage via Brian Flegel	Source Detail	FLAC
09/10/74	Alexandra Palace	London	England	SBD>?>CD; May be missing up to three first set songs; See info file for details; Note- Many tracks appear on DP7, Buy it here ; via Craig Reimer; Seeded to etree by Willy	Source Detail
09/10/74	Alexandra Palace	London	England	Vault Soundboard Reels->Cassette->DAT->PCM->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano	Source Detail
09/10/74	Alexandra Palace	London	England	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/11/74	Alexandra Palace	London	England	complete; SBD Reel master > DAT > CDR > EAC > SHN; Extraction and .shn encoding by Seth Kaplan; Slight retracking of discs 2 and 3 (CoolEdit/CDWav) and re-shn (v2) by G.S. Hamilton; to BUDD and etree; note parts of the run are on Dick's Picks 7- go buy it	Source Detail
09/11/74	Alexandra Palace	London	England	Candelario Matrix MSR D CD except first 15:22 of Seastones (on Disc #2): AUD end of Sunshine Daydream and encore: AUD See info file for details; Mastering by Dave Greenberg; via Jed Distler; Seeded to etree by Jim Powell and Jay Gerland; See note in 'public comment' area regarding d3fix md5's	Source Detail
09/11/74	Alexandra Palace	London	England	flac16; Partial SBD > Master Reel > DAT > Sonic Solutions > DAT > CD > FLAC	Source Detail	FLAC
09/11/74	Alexandra Palace	London	England	flac16; Recorded by unknown taper; Gen 2 Cassettes; Transferred on a NakCr7a	Source Detail	FLAC
09/11/74	Alexandra Palace	London	England	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version in circulation	Source Detail	FLAC
09/11/74	Alexandra Palace	London	England	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; this source fixes the flaws in source ID 135802	Source Detail	FLAC
09/14/74	Olympiahalle	Munich	Germany	AUD MR> D> CD; via Hanno Bunjes; Sugar Magnolia has dropout (seems to be on all copies); Hanno's notes	Source Detail
09/14/74	Olympiahalle	Munich	Germany	flac16; Set 2, plus Phil/Ned; SBD> Master Reel (7in @ 7.5ips 1/2tr)> Dat (3700/44.1k)> Dat (3800/44.1k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller	Source Detail
09/14/74	Olympiahalle	Munich	Germany	flac16; Recording Info: SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller	Source Detail
09/14/74	Olympiahalle	Munich	Germany	Philips mic> Telefunken reel deck, taper Gerhard Schinzel; master AUD reel > CD with "safety cass" patch in WRS, transferred to CD by Uli Teute and were re-mastered by Dave Greenberg; SHN conversion by Jay Gerland, with thanks to Jason Chastain; circulated via Deadlists Project; see listening notes in info file	Source Detail	FLAC
09/18/74	Parc Des Expositions	Dijon	France	SBD> MR> ?> DAT> CDR> EAC> SHN; DAE(EAC) and SHN Encoding By Jeff M.; Phil & Ned and Encore are missing	Source Detail
09/18/74	Parc Des Expositions	Dijon	France	Lineage: SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) SHN'd By Charlie Miller from Pre-FM GDH Production Discs charliemiller87@earthlink.net 11/19/03	Source Detail
09/18/74	Parc Des Expositions	Dijon	France	Bertha Remaster of the master reel source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B+	Source Detail
09/18/74	Parc Des Expositions	Dijon	France	flac16: **SOUNDCHECK ONLY** Lineage: SBD -> Master Reel -> Dat Transfer Info: Dat -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC Transferred and Mastered By Charlie Miller	Source Detail
09/20/74	Palais Des Sports	Paris	France	SBD > master reel > reel to reel > DAT > CD > SoundForge > CD; stemming from Marcello Gasperini?s and Julian's source material; see info file for various fixes and flaws; to a tree?, runs a bit slow? (see notes in info for companion 9/21/74 shns)	Source Detail
09/20/74	Palais Des Sports	Paris	France	flac1644; 1st Set; Source: Unknown mono Lo-Fi AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2021	Source Detail	FLAC
09/21/74	Palais Des Sports	Paris	France	sets 2,3; SBD > master reel > reel to reel > DAT > CD > SoundForge > CD, plus patches; see info file for fixes and flaws; d2 tracked for 80 min; to a tree?; reportedly runs a bit fast; includes 1/24/69 filler	Source Detail
09/21/74	Palais Des Sports	Paris	France	flac16; SBD -> Master Reel -> Reel -> Dat Transferred and Edited By Charlie Miller	Source Detail
09/21/74	Palais Des Sports	Paris	France	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/16/74	Winterland Arena	San Francisco	CA	SBD: MR> R> C> D> CD> EAC> SHN, with Aud patches: Aud master> Rx2> C> D> CD; via A. Kowalski to BUDD and GDH-Trading; 10/22/67 filler; PITB split into 2 tracks at d/o removal (md5 version d2b); d2a.md5 likely reflects pre-split PITB and may not circulate	Source Detail
10/16/74	Winterland Arena	San Francisco	CA	Source: Reel Master>Cassette>DAT>EAC 0.93b>MKWACT via JR Fishman	Source Detail
10/16/74	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/16/74	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/16/74	Winterland Arena	San Francisco	CA	flac16; Set 2 Source: Master Audience Reel > Reel; Transfer: Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > iZotope RX5 Advanced > wav 16/44.1 > CD Wave > TLH > flac16; edited and mastered SIRMick	Source Detail	FLAC
10/17/74	Winterland Arena	San Francisco	CA	MSR>DAT>CDR; Seeded to etree by Carl Royer	Source Detail
10/17/74	Winterland Arena	San Francisco	CA	MultiTrack Master Reel > DAT > Sonic Solutions > CD; see info file for notes; via Steve Barbella, Rich Danyko, Matt Vernon	Source Detail
10/17/74	Winterland Arena	San Francisco	CA	flac16; Black Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for SRC POWr3 Dither 16bit/44.1 kHz, TradersLilHelper for FLAC 8 SBE Free Tag&Rename for MetaData	Source Detail	FLAC
10/18/74	Winterland Arena	San Francisco	CA	sets 2,3; SBD MR > PCM > DAT 44.1kHz > CD > shn; via Jack Romanski to gdlive	Source Detail	SHN
10/18/74	Winterland Arena	San Francisco	CA	SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN. SHN'd By Charlie Miller	Source Detail
10/18/74	Winterland Arena	San Francisco	CA	Recording Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude -> CD -> EAC -> SHN All Transfers Done By Charlie Miller	Source Detail
10/18/74	Winterland Arena	San Francisco	CA	set 2 (d1) seeded 3/00, set 3 (d2) seeded 4/00; SBD MR > PCM > DAT > CDR; via A. Fink, R. Nayfield, M. Ferguson; 12/26/69 filler; known flaws: d2 Cut in Promised Land @ 2:29, Filler Black Peter cuts after 2:06; note some material from show appears on album Steal Your Face- go buy it; see public commnets for flaw note on d2t5	Source Detail	FLAC
10/18/74	Winterland Arena	San Francisco	CA	flac16; Recording Info: Set 1: SBD -> Master Reel -> Reel -> Reel -> PCM -> Dat (44.1k); Set 2: SBD -> Master Reel -> Dat (44.1k); Set 3: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/18/74	Winterland Arena	San Francisco	CA	flac16; Bear's reel [1974] > a cassette made at bears house [1996] > mastering room capture in the analog domain in real time to digital [2010] no eq, limiting or compression or color was applied at any stage; Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell	Source Detail	FLAC
10/18/74	Winterland Arena	San Francisco	CA	flac24; Multi-track SBD reels > ? > reel > ? > FLAC; Presented by Jamie Waddell; A **GEMS** Production January 2011	Source Detail	FLAC
10/19/74	Winterland Arena	San Francisco	CA	SBD multitrack > DAT > CD; via A. Fink, M. Ferguson; known flaw: d3 Beginning of Sugar Magnolia is cut; note some material from show appears on album Steal Your Face- go buy it	Source Detail
10/19/74	Winterland Arena	San Francisco	CA	Recording Info: SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k) Transfer Info: Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) Patch Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD -> EAC -> SHN Transfered and Edited By Charlie Miller charliemiller87@earthlink.net 1/14/04	Source Detail
10/19/74	Winterland Arena	San Francisco	CA	flac24; 24 bit 88.2kHz SBD Reel > cass Recorded by the Immortal Owsley Stanley;	Source Detail	FLAC
10/19/74	Winterland Arena	San Francisco	CA	flac16; reel > cass recorded by Owsley Stanley cass > 24bit/88.2kHz by Blackwood/Waddell dithered/tracked by SteveSw	Source Detail	FLAC
10/19/74	Winterland Arena	San Francisco	CA	flac16; Source: sbd > 2nd gen cassette > dat (44.1k) - provided by Rich Gastwirt; Transfer: Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audion 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick; Fixed version in circulation	Source Detail	FLAC
10/19/74	Winterland Arena	San Francisco	CA	flac1644; Source: Unknown AUD from the collection of Rich Petrunis. Transfer: TDK Audua-90's (normal bias) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2021	Source Detail	FLAC
10/20/74	Winterland Arena	San Francisco	CA	mixed sources (see info file, and for flaws); via D. Finney, stemming from Frank's Picks tree- more info; note some material from show appears on album Steal Your Face- go buy it; see public comments for quality note	Source Detail
10/20/74	Winterland Arena	San Francisco	CA	flac16; SBD>7" 1/2 track 7 1/2 IPS MR>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>cdwave>Flac	Source Detail	FLAC
10/20/74	Winterland Arena	San Francisco	CA	flac16; Lineage: Multitrack MR>2 track mixdown>?R>R>CD Transfer info: Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs>Trac'ed Cdwave Flac'ed level 8 TLH	Source Detail
10/20/74	Winterland Arena	San Francisco	CA	flac16; Lineage: 16 track "truck monitor mix" > 2 track mixdown reel(Garcia's) > R @ 3 3/4 ips; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered December 2014 by Matt Smith	Source Detail	FLAC
??/??/74	China-Rider Compilation	Various	Various	Mars Hotel Outtakes; SBD>?>CDR	Source Detail
01/??/75	Ace's	Mill Valley	CA	flac16; Source: Studio Reel - Bob Gurman's TDK LX 35/90B @7.5ips; Lineage: Studio Master Reel -> ?-> Reel @7.5ips (TEAC A-4010 SL playback)-> Lexicon Lambda-> Logic 24/96 AIFF -> wav conversion to 16bit-44.1k-> xAct -> flac	Source Detail	FLAC
02/28/75	Bob Weir's Studio	Mill Valley	CA	flac16; SBD MR > R > R > CD * > EAC > WAV > FLAC	Source Detail	FLAC
03/17/75	Ace's	Mill Valley	CA	SBD>MR>DAT>CDR; David Crosby and the Dead from weir's Studio; via Raoul Duke; seeded to etree by Matt Vernon	Source Detail
03/17/75	Ace's	Mill Valley	CA	flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)	Source Detail	FLAC
03/21/75	Ace's studio	Mill Valley	CA	SNACK rehearsals, poss compilation of dates; ??> cass> cooledit> mkw> shn; Tracking/ re-shn (v3) from original single shn file, by terrapinstation	Source Detail
03/23/75	Kezar Stadium	San Francisco	CA	SBD>FM>?>DAT>CDR Only flaw listed: One small d/o in the 1st Blues for Allah (Track 2) @ 4:36	Source Detail
03/23/75	Kezar Stadium	San Francisco	CA	SBD>Pre-FM SBD MR>DAT>Digi-Remaster>CD>CD>EAC>MKW>SHN	Source Detail	SHN
03/23/75	Kezar Stadium	San Francisco	CA	flac16; FMMR (Peter Kafer) @ 7 1/2 ips > R @ 7 1/2 ips (Pat Lee)* > CD. Reel to reel transfer by Taper Pat - (R copied @ 7.5 ips using a Revox A-77>A-77) --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD > EAC > WAV (shntool confirms no sbes) > FLAC (TLH)	Source Detail	FLAC
03/23/75	Kezar Stadium	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/23/75	Kezar Stadium	San Francisco	CA	Unknown SBD Note: This is disc 1 of a 5 disc set containing all of the sets from the 3/23/1975 SNACK Benefit. Other artists were Tower of Power, Santana, Doobie Brothers, Jefferson Starship, Joan Baez and, finally, Neil Young, Bob Dylan & The Band.	Source Detail	FLAC
03/23/75	Kezar Stadium	San Francisco	CA	flac24; FMMR (Peter Kafer) @ 7 1/2 ips > R @ 7 1/2 ips (Will Boswell); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC	Source Detail	FLAC
03/26/75	Ace's Studio	Mill Valley	CA	rehearsals; sbd> ?> PCM> SEK'D Prodif96Pro> wav> SHN; 1-disc portion of 6 discs seeded to abgd, with seeking reshn on t1,2 by terrapinstation	Source Detail
03/??/75	Studio (Blues for Allah Outtakes)	Unknown	CA	liberated bootleg CD-> EAC-> WAV-> SHN; via Dave Backus	Source Detail
03/??/75	Bob Weir's Studio	Mill Valley	CA			FLAC
04/02/75	Ace's Studio	Mill Valley	CA	rehearsals; 1st Gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; There's some question as to the accuracy of this date; via terrapinstation to etree	Source Detail
04/17/75	Ace's Studio	Mill Valley	CA	rehearsals; sbd> ? gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; SBEs fixed with shntool, renamed to fit Etree standards and re-shn'ed by terrapinstation	Source Detail
04/17/75	Ace's Studio	Mill Valley	CA	flac16; Straight from my reel to reel masters	Source Detail	FLAC
06/03/75	Ace's Studio	Mill Valley	CA	flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)	Source Detail	FLAC
06/04/75	Ace's Studio	Mill Valley	CA	flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)	Source Detail	FLAC
06/05/75	Club Front	San Rafael	CA	rehearsals; SBD: 2nd gen cass> PCM>SEK'D Prodif96Pro> wav> SHN; SBEs fixed (with shntool), files renamed, re-shn'ed, text file created by terrapinstation	Source Detail
06/05/75	Club Front	San Rafael	CA	rehearsal sessions from June 3, 4 & 5, 1975 from low-generation cassette. via Hanno Bunjes, Uli Teute	Source Detail
06/07/75	Bob Weir's Studio	Mill Valley	CA	flac16; "Blues Ruffs" : SBD MR > R > Rs > CD * > EAC > WAV > FLAC via Matt Smith	Source Detail	FLAC
06/17/75	Winterland Arena	San Francisco	CA	AUD CM>DAT>CD> EAC> SHN; Recorded by Rob Bertrando: Sony ECM-280 mics > Sony TC-152 SD cassette > playback on Nak Dragon > DAT; audience from Winterland floor, about 30-35' back, just to the? left of dead center; via Alan Fink, Mark Ferguson	Source Detail
06/17/75	Winterland Arena	San Francisco	CA	flac24; 1 x ECM 250, 1 x ECM 270 => Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped by Bob Menke & Louis Falanga; Edited By Derek McCabe; MOTB 0033	Source Detail	FLAC
06/17/75	Winterland Arena	San Francisco	CA	flac16; 1 x ECM 250, 1 x ECM 270 => Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped by Bob Menke & Louis Falanga; Edited By Derek McCabe; MOTB 0033	Source Detail	FLAC
06/17/75	Winterland Arena	San Francisco	CA	sbd>? gen cass>PCM>SEK'D Prodif96Pro>wav>SHN via David Backus	Source Detail
06/17/75	Winterland Arena	San Francisco	CA	flac16; AUD/SBD Matrix of 2 previously circulating sources: AUD - (shn ID #233) and SBD - (shn ID #20084). Edited and converted by Chris Chappell.	Source Detail
06/17/75	Winterland Arena	San Francisco	CA	flac16; Sony ECM-280's > Sony TC-152SD playback on Nak Dragon > Sony PCM 601ES > Beta Beta > Sony R500 DAT >HHb-850 CDR Pitch correction and slight EQ in Audacity	Source Detail	FLAC
06/17/75	Winterland Arena	San Francisco	CA	flac16; SBD Source: MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station	Source Detail	FLAC
07/07/75	Ace's Studio	Mill Valley	CA	sbd>? gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; via terrapinstation to etree	Source Detail
07/23/75	Club Front Studio	San Rafael	CA			FLAC
07/24/75	Club Front Studio	San Rafael	CA			FLAC
08/13/75	Great American Music Hall	San Francisco	CA	FM Source: SBD>FM>MC>DAT>WAV>SHN SBD Source: MSR>R(2)>C>DAT>WAV>SHN With full intro and tunings- these are missing from the OFTV release.	Source Detail
08/13/75	Great American Music Hall	San Francisco	CA	Pitch corrected version of FM broadcast originally seeded by CousinIt by Matt Vernon	Source Detail
08/13/75	Great American Music Hall	San Francisco	CA	flac16/44 (Bootleg Tape - from FM broadcast - 9/1/75) via Brian Flegel	Source Detail	FLAC
09/01/75	Club Front Studio	San Rafael	CA	flac16; source/lineage: studio reel-> ?-> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda-> Logic Pro-> wav -> xAct -> flac	Source Detail	FLAC
09/16/75	Club Front Studio	San Rafael	CA			FLAC
09/28/75	Lindley Meadows, Golden Gate Park	San Francisco	CA	sbd> reel (mic mix)> DAT> CD; via Mike Lai; modified info file courtesy Dave Laesser; note TLEO not included	Source Detail
09/28/75	Lindley Meadows, Golden Gate Park	San Francisco	CA	SBD : MR > DAT > CDR (HHb850); DAT > CDR transfer by Dan Sisler; Seeded to etree by Alan J. Fink	Source Detail
09/28/75	Lindley Meadows, Golden Gate Park	San Francisco	CA	flac16; Source: On Stage Mic's (BY Band) > ? > Dat @ 44.1 Transfer: Fostex D5 > Zoltrix > Sf 6.0 (fades,normalized,patches) > Cd Wave > Flac 16/44.1	Source Detail	FLAC
09/28/75	Lindley Meadows, Golden Gate Park	San Francisco	CA	flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UD 120 Analog Lineage: 2 x Sony ECM-270 => Sony TC-152 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke and Louis Falanga Transfer By: Bob Menke Mastering By: Derek McCabe	Source Detail
09/28/75	Lindley Meadows, Golden Gate Park	San Francisco	CA	Source: ?? > Turtle Tree > CD > SHN; via B. Beggs; note some confusion on this etreed material, needs sorting out	Source Detail
??/??/75	Ace's Studio	Mill Valley	CA	flac16 Studio Recording-> ?-> Cassette Maxell UDXL2 C90 with Dolby B (playback on Nakamichi Dragon with Dolby B)-> Lexicon Lambda-> Logic-> wav 16/44.1 -> flac	Source Detail	FLAC
04/20/76	Mickey's Barn	Novato	CA			FLAC
05/28/76	Orpheum Theatre	San Francisco	CA	Studio Rehersal Tapes; SBD>?>CD; Actually a compilation of material recorded on 5-28,29,30-76; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
05/28/76	Orpheum Theatre	San Francisco	CA	flac16; Lineage R2 > D Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif interconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 by Jamie Waddell (compilation of material recorded on 5-28,29,30-76; See info file for details)	Source Detail
06/03/76	Paramount Theatre	Portland	OR	last 2 songs missing; MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR; noted at gdlive	Source Detail
06/03/76	Paramount Theatre	Portland	OR	SBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; last 2 songs missing; see info file for additional flaw notes; reseed with encores also circulates; upgrade in circulation	Source Detail
06/03/76	Paramount Theatre	Portland	OR	Bertha Remaster of the Master Reel/Reel source. SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA - Sound A+ ; upgrade in circulation	Source Detail
06/03/76	Paramount Theatre	Portland	OR	SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included.	Source Detail
06/03/76	Paramount Theatre	Portland	OR	SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN Pitch correction of shn id 20004 by Hunter Seamons using Final Cut Pro (8/10/07)	Source Detail	SHN
06/03/76	Paramount Theatre	Portland	OR	flac16; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/03/76	Paramount Theatre	Portland	OR	flac16; Updated Recording Info: Sony ECM-280 -> Cassette Master -> FLAC; Mastering Info: FLAC -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Reinhardt Holwein; All Mastering By Charlie Miller	Source Detail	FLAC
06/03/76	Paramount Theatre	Portland	OR	MATRIX MIX: SBD/AUD (About 60%/40%): SBD: Bertha Remaster of the Master Reel Source and AUD: MC > DAT > WAV > SHN Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008	Source Detail	SHN
06/03/76	Paramount Theatre	Portland	OR	flac16; aud 1st gen reel; unknown equipment/taper; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac	Source Detail	FLAC
06/03/76	Paramount Theatre	Portland	OR	Complete; unknown aud > ? > DAT >; via Dale Shepherd; Matt Vernon. [Dolby decoded version added 7/2003]	Source Detail	FLAC
06/04/76	Paramount Theatre	Portland	OR	SBD>MR>?>D>CD; With aud patches for several songs; See info file for details; via Jeff Cook, Jon Miller, Matt Vernon, & Raoul Duke; Seeded to etree by J. Cotsman	Source Detail
06/04/76	Paramount Theatre	Portland	OR	unknown aud > ? > DAT; via Dale Shepherd; Seeded to etree by Matt Vernon	Source Detail
06/04/76	Paramount Theatre	Portland	OR	flac16; unknown equipment/taper; source: aud 1st gen reel; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac	Source Detail	FLAC
06/04/76	Paramount Theatre	Portland	OR	flac24; Partial Show Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
06/04/76	Paramount Theatre	Portland	OR	flac1644Analog Audience Source: ECM 280 mics Front row Loge on 152SD Medium Stock Brands: MAC = Maxell UD c 120's Analog Sound Preservation: MAC > Nak Dragon -> Audio Techica ATM 400 Line Amp/ Mixer-> Korg at 5.6 mhz	Source Detail	FLAC
06/09/76	Boston Music Hall	Boston	MA	set 1 SBD>MR>R>D>CD>EAC>SHN with patches from AUD>MC>D>CD>EAC>SHN by J. Cotsman	Source Detail
06/09/76	Boston Music Hall	Boston	MA	FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes.	Source Detail
06/09/76	Boston Music Hall	Boston	MA	set 2; SBD> MR> DAT> SS> CDR> EAC> SHN; via Tony Gardner, from Paul B. seed discs	Source Detail
06/09/76	Boston Music Hall	Boston	MA	flac16; SBD/AUD Matrix of 3 previously circulated seeds (SBD I - SHN ID# 12382, SBD II - SHN ID# 5426, AUD - SHN ID #5982); prepared by Chris Chappell	Source Detail
06/09/76	Boston Music Hall	Boston	MA	flac16; Recording Info: Set 1: SBD -> Master Cassette -> CD; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; Set 2: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/09/76	Boston Music Hall	Boston	MA	flac16; source: aud 1st gen reel lineage: mac>reels @ 7.5 ips, dolby b set I on maxell 7" reel, set II on ampex 10.5" (baked), technics rs-1506>teac an-180>hd-p2 24/48>cd wave>flac; master taped by Steve Maizner; transferred & seeded by Rob Berger	Source Detail	FLAC
06/09/76	Boston Music Hall	Boston	MA	flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK SD C90 & C120 (normal bias). Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2021	Source Detail	FLAC
06/10/76	Boston Music Hall	Boston	MA	FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min.	Source Detail
06/10/76	Boston Music Hall	Boston	MA	Bertha Remaster of the Master Reel source. SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>WAV/SHN	Source Detail
06/10/76	Boston Music Hall	Boston	MA	flac16; Source Info: SBD Master Reel -> PCM -> Dat (44.1k) Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 and Ozone. Dithered L2 Type-1 Ultra by Jamie Waddell	Source Detail
06/10/76	Boston Music Hall	Boston	MA	flac16; Matrix 2 Source Mix - SBD (shnid 82891) + AUD (shnid 18425) by Kevin Tobin	Source Detail	FLAC
06/10/76	Boston Music Hall	Boston	MA	Recorded by Jerry Moore; AKG 200Es> Sony TC-153, close to stage in orchestra mics hand held. AUDMC > DAT by Mark Cohen. DAT > SHN by David Minches.	Source Detail	FLAC
06/10/76	Boston Music Hall	Boston	MA	Recorded by Jimmy Warburton AKG 1000Es> Sony TC-152. Reel -> DAT conversion by Mark Cohen. DAT -> SHN conversion by David Minches.	Source Detail	FLAC
06/10/76	Boston Music Hall	Boston	MA	flac16; Source: AKG 1000Es > Sony TC-152 (Dolby b) > MAC - Recorded by Jimmy Warburton from right-hand side of log; Transfer: MAC (played back on Sony TC-152) > TEAC A-2300SD > Reel > Technics 1506 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > FLAC 2496; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick August 2018; This file set is 16 bit @ 44.1	Source Detail	FLAC
06/10/76	Boston Music Hall	Boston	MA	flac16; Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
06/11/76	Boston Music Hall	Boston	MA	SBD> ?> liberated bootleg; via Alan McCarty	Source Detail
06/11/76	Boston Music Hall	Boston	MA	Recorded by Jerry Moore; AKG 200Es> Sony TC-153, mics split along front of loge. AUDMC > DAT conversion by Mark Cohen, DAT > SHN conversion by David Minches	Source Detail
06/11/76	Boston Music Hall	Boston	MA	MR>DAT>DAT Clone @ 44.1 kHz (Tascam DA20)>SBLive Platinum SPDIF In>WAV Edit (Sound Forge)>SHN (mkw audio compression tool)>CDR (HP 8200); via GDLive [Note: An sbe-fixed-by-set version also circulates]	Source Detail
06/11/76	Boston Music Hall	Boston	MA	FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades/sbd splice with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min.	Source Detail	FLAC
06/11/76	Boston Music Hall	Boston	MA	flac16; Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; the original version of this source had an error in Looks Like Rain (track 08); Fixed Version in circulation	Source Detail	FLAC
06/12/76	Boston Music Hall	Boston	MA	FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d3 tracked for 80 min.	Source Detail
06/12/76	Boston Music Hall	Boston	MA	SBD> FM(WBCN)> MR(7.5ips); Conversion: Akai 4000DS MKII > Turtle Beach Tropez > CoolEdit96 > CD Wave > SHN; Taped by Peter Wrenn, Seeded by Stephen Wrenn; to etree via Doug Moog; Wheel from unknown AUD; see notes in info file	Source Detail
06/12/76	Boston Music Hall	Boston	MA	flac16; Recording Info: Stereo Microphone -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller	Source Detail	FLAC
06/12/76	Boston Music Hall	Boston	MA	flac16; Source: FM Reel Master taped by Jerry Moore Sony TC-755 reel/Teac AN-180 dolby unit Maxell UD 35-180 tape; lineage: WBCN simulcast>10.5" reels @ 7.5 ips, dolby b Technics RS1506>Teac AN-180>HD-P2 24/96>hd>cd wave 16/44>flac transferred & seeded by Rob Berger 7/27/09	Source Detail	FLAC
06/12/76	Boston Music Hall	Boston	MA	flac16; aud 1st gen reel, akg d1000e's>sony tc-152, taped by Jimmy Warburton, transfer by Rob Berger	Source Detail	FLAC
06/12/76	Boston Music Hall	Boston	MA	flac16/48kHz; FM Broadcast; Master Reel to Reel > Jim Warburton's 1st generation 7" reels @ 3 3/4 ips Transfer Info: 1st generation reels (baked)(Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
06/14/76	Beacon Theatre	New York	NY	Sony TC 153 Sony SCM 99A Mikes > Cassette x 2; See info file for transfer notes; via Dave Minor and Dale Shepherd; Seeded to etree by Matt Vernon	Source Detail
06/14/76	Beacon Theatre	New York	NY	SBD Reels> D> CD-R ; via Leigh Orf; caution: d2 t2,4 may be switched?; note md5s here were submitted 7/2001, not sure if originals- see pub comments; upgrade in circulation	Source Detail
06/14/76	Beacon Theatre	New York	NY	S:MR>PCM>DAT>CD>EAC>SHN Note: This shn set was modified by replacing the incomplete encore at end of disk 3 with the complete encore (previously on end of disk 2) and removing it from end disk 2	Source Detail
06/14/76	Beacon Theatre	New York	NY	flac16; Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell	Source Detail
06/14/76	Beacon Theatre	New York	NY	flac16; Source Info: Primary Source: Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM > Dat (16-bit/44.1k); Secondary Source: Betty's 7" two track Master Soundboard Reel @ 7 1/2 ips > PCM (16-bit/44.1k); Transfer Info: Primary Source: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/44.1k) > Adobe Audition 3.01 > TLH flac16; Secondary Source: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16	Source Detail	FLAC
06/15/76	Beacon Theatre	New York	NY	flac16; Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16	Source Detail	FLAC
06/15/76	Beacon Theatre	New York	NY	SBD>DAT(s)>Tascam DA-20MKII>WaveTerminal 2596> CDWave>SHN; See txt file for details on splices; to abgd via BUG	Source Detail
06/15/76	Beacon Theatre	New York	NY	Jay Ashley (Bertha) remaster of original reel source; SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CD	Source Detail
06/15/76	Beacon Theatre	New York	NY	SBD > Master Reel > PCM > DAT; Transfer:? DAT > WAV (via TB Fiji S/PDIF) > SHN; via Andy Gustin, Jeff Kempka; see info file and pub comments for flaw notes	Source Detail
06/15/76	Beacon Theatre	New York	NY	Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; See info file for transfer details; via Dale Shepherd, Dave Minor; Seeded to etree by Matt Vernon	Source Detail	SHN
06/15/76	Beacon Theatre	New York	NY	flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/17/76	Capitol Theater	Passaic	NJ	Sony TC 153 Sony ECM 99A Mikes Master Cassette > Reel > DAT; via Dave Minor, Raoul Duke; Transfer by Dale Shepherd; Seeded to etree by Matt Vernon	Source Detail
06/17/76	Capitol Theater	Passaic	NJ	flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
06/17/76	Capitol Theater	Passaic	NJ	MATRIX MIX: SBD/AUD (About 60%/40%) by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>SHN)	Source Detail	SHN
06/17/76	Capitol Theater	Passaic	NJ	flac1648 Source Info: Master Audience Cassettes (unknown mics/deck); Bob Wagner's 1st generation cassettes Transfer Info: 1st generation cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496	Source Detail	FLAC
06/18/76	Capitol Theater	Passaic	NJ	Aud3> CDR> EAC> Pristine Sounds NR> SHN; SHN'd and seeded by Seth Jackson to abgd	Source Detail
06/18/76	Capitol Theater	Passaic	NJ	AUDCM>C>DAT>CDR; via Raoul Duke and Dave Minor; Seeded to etree by Matt Vernon; upgrade in circulation	Source Detail
06/18/76	Capitol Theater	Passaic	NJ	Sony ECM 99's > Sony TC-152 MC > Teac 2300 @ 3.75 ips Reel > Reel played back on Akai GX-4000D > Teac AN-80 Dolby B Noise Reduction Unit > ART DI/O A/D Convertor > Hard Drive > CD. Taper: Jimmy Warburton,30-35 rows right center. A/D Transfer, editing and tracking by David Minches, shn encoding Matt Vernon	Source Detail
06/18/76	Capitol Theater	Passaic	NJ	flac1644 Recording Info: (FOB) Sony ECM-99 > Cassette Master (Sony TC-152) > Cassette (Maxell UDXLI-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 155902 2496 > 1644	Source Detail	FLAC
06/19/76	Capitol Theater	Passaic	NJ	FM > ? > DAT; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > SHN; via Jon Seff	Source Detail
06/19/76	Capitol Theater	Passaic	NJ	PRE-FM; SBD master reel > DAT > CD (x2); Unknown seeder	Source Detail
06/19/76	Capitol Theater	Passaic	NJ	Source: FM>MC>DAT>WAV>SHN via Cousinit	Source Detail
06/19/76	Capitol Theater	Passaic	NJ	flac16; Recording Info:SBD -> Master Cassette (Nakamichi 550); Transfer Info:Master Cassette (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info:AIFF -> Samplitude Professional v10.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller	Source Detail	FLAC
06/19/76	Capitol Theater	Passaic	NJ	PRE-FM SBD master reel > DAT > CD (x2) > EAC (secure) > SHN (non seekable)	Source Detail	shn
06/19/76	Capitol Theater	Passaic	NJ	flac16; Source: WNEW FM > Teac A3300 7.5 ips Dolby > Master Reel (Scotch Classic 3600 10,5) > Teac A3300 > Reel 1 @3.75 ips (Maxell UD35-90) - Recorded by Barry Glassberg, Jimmy Warburton's copy; Transfer. Reel 1 > Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018; This file set is 16 bit @ 44.1	Source Detail	FLAC
06/21/76	The Tower Theatre	Upper Darby	PA	flac16; Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; Upgrade in circulation	Source Detail	FLAC
06/21/76	The Tower Theatre	Upper Darby	PA	flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller	Source Detail	FLAC
06/21/76	The Tower Theatre	Upper Darby	PA	Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson	Source Detail
06/22/76	The Tower Theatre	Upper Darby	PA	flac16; Recording Info:SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/22/76	The Tower Theatre	Upper Darby	PA	Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson	Source Detail
06/22/76	The Tower Theatre	Upper Darby	PA	flac16; Source: audience 1st generation reel; AKG D1000es>sony tc-152sd cassette Lineage: Master cassette audience> sony tc-755 reel w/teac an-180 dolby b (10.5" @ 7.5 ips) Transfer by Rob Berger 1st generation reel play back on Technics RS-1506>Sony NR-335>Tascam HD-P2 24/48 Editing, downsampling and FLAC encoding by David Minches	Source Detail	FLAC
06/22/76	The Tower Theatre	Upper Darby	PA	flac16; Recording Info: Unknown Mics -> Master Cassette (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller	Source Detail	FLAC
06/23/76	The Tower Theatre	Upper Darby	PA	Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson; d1 tracked for 80 min	Source Detail
06/23/76	The Tower Theatre	Upper Darby	PA	AudMC > HD > WAV > SHN Recorded by Jerry Moore from 1st row loge, w/ a pretty good spread on mikes with 2 hand held Sony ECM-33Ps > Sony TC-152 deck with Dolby B ON. Analog > Digital transfer David Minches, encoded by Matt Vernon	Source Detail
06/23/76	The Tower Theatre	Upper Darby	PA	flac16; Recording Info: Unknown Mics -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/24/76	The Tower Theatre	Upper Darby	PA	flac16; Matrix 3 Source Mix - SBD Set 1 (shn id 25478) WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN + SBD Set 2 (shn id 14498) SBD>MR>DAT>CDR>EAC + AUD (shn id 6682) [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC - matrix mixing by Kevin Tobin	Source Detail	FLAC
06/24/76	The Tower Theatre	Upper Darby	PA	Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson; d1 tracked for 80 min	Source Detail
06/24/76	The Tower Theatre	Upper Darby	PA	Set 2 only ; SBD>MR>DAT>CDR ; Via PT. ; Seeded to etree by T. Wiley	Source Detail
06/24/76	The Tower Theatre	Upper Darby	PA	Note: This is a remastered version of the 2 prior seeds by Dave Bachkus and Tim Wiley. Source one (Set 1 only) : WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN ; Source two (Set 2 only) : SBD>MR>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) ; Remastering : SHN>WAV>Steinberg Mastering Edition Enhanced>Nuendo2>SHN ; seeded by dudeman 08/25/2004	Source Detail
06/24/76	The Tower Theatre	Upper Darby	PA	flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; All Mastering By Charlie Miller	Source Detail	FLAC
06/26/76	Auditorium Theatre	Chicago	IL	Aud > ??? > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); via Matt Vernon	Source Detail
06/26/76	Auditorium Theatre	Chicago	IL	flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)	Source Detail	FLAC
06/26/76	Auditorium Theatre	Chicago	IL	flac16; Recording Info:SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/26/76	Auditorium Theatre	Chicago	IL	flac16; Set 2, Recording Info: Unknown Mics -> Master Cassette (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller	Source Detail	FLAC
06/26/76	Auditorium Theatre	Chicago	IL	flac16; 2nd set; Source: Lo-fi mono AUD of unknown lineage > ? > cassette. Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644	Source Detail	FLAC
06/26/76	Auditorium Theatre	Chicago	IL	flac2448 Recording Info: AKG D200E > Cassette Master (Sony TC-153SD) > Cassette (TDK SA-C90/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24	Source Detail	FLAC
06/27/76	Auditorium Theatre	Chicago	IL	aud > ?? > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); via Matt Vernon	Source Detail
06/27/76	Auditorium Theatre	Chicago	IL	flac16; Source: audience 1st generation reel (Jerry Moore's reel) Lineage: Master cassette audience> sony tc-755 reel w/teac an-180 dolby b (10.5" @ 7.5 ips) Transfer by Rob Berger 1st generation reel play back on Technics RS-1506>Sony NR-335>Tascam HD-P2 24/48 Editing, downsampling and FLAC encoding by David Minches Thanks to Joe B. Jones for pitch correction	Source Detail	FLAC
06/27/76	Auditorium Theatre	Chicago	IL	flac16; Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Mastering By Charlie Miller	Source Detail	FLAC
06/28/76	Auditorium Theatre	Chicago	IL	AUDMR > ? > DAT > SHN with patches from the Weiner seed; See info file for details; via Dale Shepherd; Seeded to etree by Matt Vernon	Source Detail
06/28/76	Auditorium Theatre	Chicago	IL	flac16;Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; All Mastering By Charlie Miller	Source Detail	FLAC
06/28/76	Auditorium Theatre	Chicago	IL	Recorded with Shure 545s> Nak 550 via Bob Wagner. Lineage: AUDMC > Reel > WAV > SHN conversion by David Minches.	Source Detail	FLAC
06/29/76	Auditorium Theatre	Chicago	IL	CD (Left In The Vaults Vol. 1) -> EAC-> SHN; liberated bootleg?; note all tracks are labelled as 10/29/77, but this date is 6/29/76, as marked within info file; noted 1/01 at gdlive	Source Detail
06/29/76	Auditorium Theatre	Chicago	IL	7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > DAT > ZA2 > CDR > EAC > SHN; via Jeff Tiedrich, David Hollister, Mike (Dank Star) Parrillo, Andy Gustin; with interleaved reel splices for completeness	Source Detail
06/29/76	Auditorium Theatre	Chicago	IL	flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; All Mastering By Charlie Miller	Source Detail	FLAC
06/29/76	Auditorium Theatre	Chicago	IL	flac16; Set 2 Recording Info: SBD -> Cassette Master (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller	Source Detail	FLAC
06/29/76	Auditorium Theatre	Chicago	IL	flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)	Source Detail	FLAC
06/29/76	Auditorium Theatre	Chicago	IL	flac16; Source: Betty Cantor’s SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44	Source Detail	FLAC
07/12/76	Orpheum Theatre	San Francisco	CA	Soundcheck - SBD-> Master VHS-> DAT-> CD; Set One - SBD-> RM-> Reel-> Reel-> Reel-> DAT-> CD; Set Two - SBD-> RM-> DAT-> Sonic Solutions-> CD; Tennessee Jed from Set One patched from Bob Menke's Aud Recording AUD->RM->DAT->CDCD->EAC (in secure mode)-> SHN conversion by AJ; with thanks to Charlie Miller, David Gans; shn branch of KPFA tree	Source Detail
07/12/76	Orpheum Theatre	San Francisco	CA	Includes Soundcheck; Soundcheck, SBD>VHS Master>DAT>CDR; Disc 1 SBD>MR>R>R>R>DAT>CDR; Disc 2 SBD>MR>DAT>Sonic Solutions>CDR; Disc 3 SBD>MR>DAT>Sonic Solutions>CDR;	Source Detail	SHN
07/12/76	Orpheum Theatre	San Francisco	CA	flac16; Sony ECM 270's => Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]	Source Detail	FLAC
07/12/76	Orpheum Theatre	San Francisco	CA	flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/12/76	Orpheum Theatre	San Francisco	CA	Recorded by Bob Menke; Sony ECM-270s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN. DAT > SHN conversion by David Minches.	Source Detail	FLAC
07/12/76	Orpheum Theatre	San Francisco	CA	flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell XLII/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC (24-bit/48k); except Soundcheck: SBD > VHS > DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC	Source Detail	FLAC
07/12/76	Orpheum Theatre	San Francisco	CA	flac16; Recording Info: SBD > Cassette Master > Cassette (Maxell XLII/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC (24-bit/48k); except Soundcheck: SBD > VHS > DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC, This file set is 16 bit @ 44.1	Source Detail	FLAC
07/13/76	Orpheum Theatre	San Francisco	CA	Jay Ashley (Bertha) Remaster of Multi-Gen Reel source; SBD>>MR>>Reel>>Reel>>Reel>>Dat>>CDA>>DAW(Bertha)>>CDA	Source Detail
07/13/76	Orpheum Theatre	San Francisco	CA	MSR>?(1st or 2nd gen.Cass.)> CDR with AUD Patch source: MAC w/ Sony ECM 270s>Reel>DAT>CDR via Andy Lemieux, encoded by Matt Vernon	Source Detail	shn
07/13/76	Orpheum Theatre	San Francisco	CA	flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/13/76	Orpheum Theatre	San Francisco	CA	Recorded by Bob Menke; Sony ECM-270s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN. DAT > SHN conversion by David Minches.	Source Detail	FLAC
07/13/76	Orpheum Theatre	San Francisco	CA	flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; the original version has a dropout in s1t05	Source Detail	FLAC
07/13/76	Orpheum Theatre	San Francisco	CA	flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; All Transfers and Mastering by Charlie Miller; This is from a different source tape than source ID 150753	Source Detail	FLAC
07/13/76	Orpheum Theatre	San Francisco	CA	flac16/44.1khz reMaster of shnid 150867 by Ray Ackerman & Joe Noel Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 (1 DVD FLAC) Patch Info: Sony ECM-270 > Cassette Master > DAT (shnid=123475) supplies: Crazy Fingers (13:44-14:07) The Music Never Stopped (0:19-1:07) Saint Stephen (9:02-9:43) Transfer & Mastering by Charlie Miller November 11, 2020 Notes: -- This is a Dolby decoded version of shnid=150847 -- Thanks to Dennis Koda for the cassettes -- Thanks to Bob Menke for the patch source -- Thanks to Joe B. Jones for the pitch correction settings - Dither info: WAV (24-bit/48k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Nov 27, 2020	Source Detail	FLAC
07/13/76	Orpheum Theatre	San Francisco	CA	flac16/44 ; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; All Transfers and Mastering by Charlie Miller - 150847 24 -> 16 @ 44.1	Source Detail	FLAC
07/13/76	Orpheum Theatre	San Francisco	CA	flac16/44 ; Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 - 150867 24 -> 16 @ 44.1	Source Detail	FLAC
07/14/76	Orpheum Theatre	San Francisco	CA	SBD MR > ??? > CD-R; via Jonathan Miller; Seeded to etree by Dave Backus; upgrade in circulation	Source Detail
07/14/76	Orpheum Theatre	San Francisco	CA	SBD > Cassette Master > Cassette (Maxell UD/Dolby B) Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24	Source Detail	FLAC
07/14/76	Orpheum Theatre	San Francisco	CA	MAR > Reels > DAT > CD recorded by Bob Menke with Sony ECM-280 mics into a Sony TC-152. Patch Source: SBD>MR>C>DAT>CDR. Thanks to David Minches for the disks and Jeff Cotsman for the pitch corrections. Encoding and patching by Matt Vernon.	Source Detail
07/14/76	Orpheum Theatre	San Francisco	CA	SBD>MR>C>DAT>CDR patched with the Bob Menke audience recording via Raoul Duke encoding/patching by Matt Vernon	Source Detail
07/14/76	Orpheum Theatre	San Francisco	CA	flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/14/76	Orpheum Theatre	San Francisco	CA	flac1644; SBD > Cassette Master > Cassette (Maxell UD/Dolby B) Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 - This is 153042 2448 > 1644	Source Detail	FLAC
07/16/76	Orpheum Theatre	San Francisco	CA	AUD : MC (FOBalcony SonyECM-180 > SonyTC-152 -update: taped by Bob Menke using Rob Bertrando's mics) > R > DAT > DAW (Bertha by Jay Ashley) > CD	Source Detail
07/16/76	Orpheum Theatre	San Francisco	CA	flac16; SBD + AUD Matrix Mix (50% SBD/50% AUD), seeded by Dan	Source Detail
07/16/76	Orpheum Theatre	San Francisco	CA	Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony; MAC > DAT > CD, except U.S. Blues encore, which is MAC > R > DAT > CD (Menke could not locate his master recording of the encore when this new transfer was done). EAC> WAV> SHN by Sean Cribbs	Source Detail	SHN
07/16/76	Orpheum Theatre	San Francisco	CA	Sony ECM 280 Sony TC-152 Cm (update: taped by Bob Menke using Dr. Rob Bertrando's mics - Front of Balcony) > R > C > DAT; via Dave Minor, Dale Shepherd; Seeded to etree by Matt Vernon	Source Detail
07/16/76	Orpheum Theatre	San Francisco	CA	flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/17/76	Orpheum Theatre	San Francisco	CA	SBD: Master Reel > DAT > CD (possible "new leak"?); Eyes has a 45-second AUD splice, and 2 sec repeat at 3:30 (is that the splice point?); via J. Fricker	Source Detail
07/17/76	Orpheum Theatre	San Francisco	CA	Recorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN via David Minches	Source Detail
07/17/76	Orpheum Theatre	San Francisco	CA	Fix of shn id 243 - patch in Eyes of the World smoothed out (MSR>DAT>CD>EAC>SHN)	Source Detail	SHN
07/17/76	Orpheum Theatre	San Francisco	CA	flac16; Matrix: SBD Source: shnid=34708; AUD Source: shnid=18389 : Matrix created by Chris Chappell. Final matrix seed discs provided by Rob Betrando. EAC > FLAC by Noah Weiner (May 2008)	Source Detail	FLAC
07/17/76	Orpheum Theatre	San Francisco	CA	flac Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC (3 Discs Audio / 1 DVD FLAC) Recorded By Bob Menke All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/17/76	Orpheum Theatre	San Francisco	CA	flac1644 Analog Soundboard Source: gd76-07-17.sbd.34708 Analog Audience Source: ECM 280's 152 Medium Stock Brands: MAC = TDK SA c90's Analog Sound Preservation: MAC > Nak DR-1 > Korg at 5.6 mhz	Source Detail	FLAC
07/18/76	Orpheum Theatre	San Francisco	CA	S : PreFM > MR > PCM > DAT > CDA > DAW (Bertha) > CDA - d1t01 and d3 S : FM > R > DAT > CDA > DAW (Bertha) > CDA - d1t02-d2t07 Bertha Remaster by jashley@deadacated.com Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool.	Source Detail
07/18/76	Orpheum Theatre	San Francisco	CA	SBD > ??? > CDR > CDR > SHN (via EAC and mkwACT); via M. Ferguson; no digiflaws, some amplifier hum, "dead air" spaces cut	Source Detail
07/18/76	Orpheum Theatre	San Francisco	CA	flac16; Recording Info: (KSAN) Pre-FM > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
07/18/76	Orpheum Theatre	San Francisco	CA	flac16; Recording Info: (KSAN) Pre-FM > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; This is a remastered version of source ID 150187 (fixes previous issues)	Source Detail	FLAC
07/18/76	Orpheum Theatre	San Francisco	CA	flac16/44.1khz --This is a Flying -M- remaster reducing the buzz and hum with iZotope RX8 advanced (Oct. 29, 2020) Recording Info: (KSAN) Pre-FM > Reel Master > DAT (44.1k) Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16 (3 Discs Audio / 1 DVD FLAC)	Source Detail	FLAC
08/02/76	Colt Park	Hartford	CT	K. Gatto's AUD (Sony tc-152 cassette> DAT> CD); seed via J. Wise, T. OConnell et al; EAC, shn, upload by A. Jerugim	Source Detail
08/02/76	Colt Park	Hartford	CT	flac24/96; Taper: E. Singer Source: FOB (mics ??? either Senn441s or AKG ???) Uher CR-134 > Maxell UD-XL1 C90min. Lineage: Transfer: MAC > Nak DR-1 > Apogee Rosetta 200 > Firewire > Apple G5 > Bias Peak (24/96 WAV) by D.McCabe. Mastering: SIRMick	Source Detail
08/02/76	Colt Park	Hartford	CT	flac16; Source: Audience FOB Recording Media: Maxell UD-XL1 C90 Master Tapes Lineage: MAC? (we can't for sure indicate that this is a master cassette, this might be a 1st gen copy) > Nak DR-1 > Apogee Rosetta 200 > Firewire > Apple G5 > Bias Peak 24/96 wav > FLAC > WAV > See Editing notes Taped by: E. Singer Transfer by: Derek McCabe Mastered by: SIRMick	Source Detail
08/02/76	Colt Park	Hartford	CT	flac16; Cassette Audience Master recorded By Keith Gatto; Shure SM 94 microphones-Sony TC 152sd Cassette Recorder; Analog to Digital:Cassette Masters played back on Sony TC 152sd-DAT; Transfer by Keith Gatto; DAT-CD JW; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6); CD-WAV-FLAC(dBpoweramp music converter)-Tagging(Tag & Re-name) by Jim Wise	Source Detail	FLAC
08/02/76	Colt Park	Hartford	CT	flac16; Source: Sony ECM 99A > Sony TC 152 > Cassette Master > reel - Recorded by Jimmy Warburton and provided by Pat Lee; Transfer: Baked reel > Technics 1506 > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; 24 > 16 by Norm	Source Detail	FLAC
08/02/76	Colt Park	Hartford	CT	flac2448 ; Source: Mono Sony hand-held recorder (model unknown) > Memorex MRX-2 C90's (normal bias). Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2021	Source Detail	FLAC
08/04/76	Roosevelt Stadium	Jersey City	NJ	MSR-> C-> DAT-> CDR-> EAC-> SHN V.3; via Dave of Terrapin Station FTP; see info file for flaw notes; upgrade in circulation	Source Detail
08/04/76	Roosevelt Stadium	Jersey City	NJ	flac16; SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin	Source Detail
08/04/76	Roosevelt Stadium	Jersey City	NJ	flac16; source: sbd 2nd gen reel; lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe 16/44>flac	Source Detail	FLAC
08/04/76	Roosevelt Stadium	Jersey City	NJ	flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK-SD (normal bias) back-up tapes. Concert recording by Rich Petrunis. Transfer: 1st-gen > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2021	Source Detail	FLAC
08/26/76	Club Front Studio	San Rafael	CA	flac16; source/lineage: studio reel -> ? -> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda -> Logic Pro -> wav -> xAct -> flac	Source Detail	FLAC
09/23/76	Cameron Indoor Stadium, Duke University	Durham	NC	Primary source - SBD: Cm-> C-> Cx2-> DAT-> CDR->EAC->SHN Aud patch sources: AUD: Cm->?-> C-> DAT-> CDR. DAE and shn encoding done by D.Backus	Source Detail
09/23/76	Cameron Indoor Stadium, Duke University	Durham	NC	flac16; This is a restored version of shnid=14687. It did not involve an upgrade in the source material. A short portion contains a transfer from an open reel tape I received in trade in 1977 (unknown generations).	Source Detail	FLAC
09/24/76	College Of William & Mary Hall	Williamsburg	VA	AUD Reel > 48kDATs > midiman delta dio 2496 > cooledit2000 > wav >shn	Source Detail
09/25/76	Capital Centre	Landover	MD	SBDMR> CASS/1> DAT> CD> EAC> SHN; via A. Jerugim; known flaws: 1 sec distortion d3t3 6:22; Sunshine Daydream cuts @0:27; 4/26 update- error in d1- reseeded ~4/27; this date later released as part of Dick's Picks 20	Source Detail
09/25/76	Capital Centre	Landover	MD	flac16/48kHz; Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
09/27/76	Community War Memorial Auditorium	Rochester	NY	Sony ECM-33Ps> Sony TC-152 (Cass. master)> DAT> CDR> EAC> Sound Forge (no sound processing)> SHN; via Mike "dankstar" Parrillo; to etree and abgd; update- not taped by Jerry Moore	Source Detail
09/27/76	Community War Memorial Auditorium	Rochester	NY	flac16; Matrix 2 source mix - SBD (shn id 87664): SBD -> Master Reel -> Dat (48k) + AUD: (shn id 3821): Sony ECM-33Ps>Sony TC-152 (Cass. master)>DAT>CDR>EAC>Sound Forge (no sound processing)>SHN - matrix mixing by Kevin Tobin	Source Detail	FLAC
09/27/76	Community War Memorial Auditorium	Rochester	NY	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/27/76	Community War Memorial Auditorium	Rochester	NY	flac1644 Source Info: FOB Sony ECM-33Ps-> Sony TC-152-> Cassette-> DAT Unknown Taper Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/44.1)	Source Detail	FLAC
09/28/76	Onongada County War Memorial	Syracuse	NY	Source: Unknown aud (FOB) via Dave Minor patched with SBD. DAT > SHN transfer by Dale Shepherd, shn encoding, pitch correction and patching by Matt vernon	Source Detail
09/28/76	Onongada County War Memorial	Syracuse	NY	Source: SBD > ? > SHN > Cool Edit(see notes) > CDWAV > mkwact(seekable). shn encoding and patching (unkown FOB aud)by Matt Vernon	Source Detail	SHN
09/28/76	Onongada County War Memorial	Syracuse	NY	flac16; Set 2 only Source: AUD of unknown lineage, Transfer: TDK SA-90 (c1979) > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F.	Source Detail	FLAC
09/30/76	Mershon Auditorium, Ohio State University	Columbus	OH	FOB - AUD master cass > Cass > DAT > CD; Scarlet from: SBD master reel > PCM > cass > CD; See info file for details; via Jonathan Miller; Seeded to etree by Dave Backus	Source Detail
09/30/76	Mershon Auditorium, Ohio State University	Columbus	OH	Partial Set 1,2 SBD>Rm>Dat>Sonic Solutions>CD>EAC>SHN via Charlie Miller	Source Detail	SHN
09/30/76	Mershon Auditorium, Ohio State University	Columbus	OH	SBD>MR>DAT>CD; Disc 1&3; Disc 2 = SHNid=18107	Source Detail	SHN
10/01/76	Market Square Arena	Indianapolis	IN	flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; Transferred and Mastered by David Gans; Re-tracked and converted to FLAC By Charlie Miller	Source Detail	FLAC
10/01/76	Market Square Arena	Indianapolis	IN	AudMC > DAT > WAV > SHN -- Recorded by Jerry Moore about 20 rows from the stage on center axis with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON.	Source Detail
10/01/76	Market Square Arena	Indianapolis	IN	flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/02/76	Riverfront Coliseum	Cincinnati	OH	AudMC > DAT > WAV > SHN taped by Jerry Moore with 2 hand held Sony ECM-33Ps > Sony TC-153 deck, Maxell UD-120 cassettes, with Dolby B ON. A>D and shn encoding by Noah Weiner.	Source Detail
10/02/76	Riverfront Coliseum	Cincinnati	OH	flac16; restored version of source ID 14560: AudMC > DAT > WAV > SHN; Recorded by Jerry Moore on the left side, maybe a third of the way out from the stage and two thirds in front of center court, about 20 rows off the floor with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON;multi-filter with a paragraphic equalizer, three virtual valve amplifers, one dynamic noise filter in enhancer mode and a spectral filter for final equalization; see info file for details	Source Detail	FLAC
10/03/76	Cobo Arena	Detroit	MI	complete; 1st set: AUD> ?> CD> EAC> SHN; 2nd set: SBD> MR> D> CD> EAC> SHN; with patches in second set from the audience recording as well as an FM SBD; Thanks to Jeff Cook, Doug Moog; edits/encoding by JCotsman	Source Detail
10/03/76	Cobo Arena	Detroit	MI	flac16; Set 2 Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascm SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/03/76	Cobo Arena	Detroit	MI	flac16; Set 2 Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascm SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/03/76	Cobo Arena	Detroit	MI	SET ONE: AUD > ? > CD > EAC > SHN edits/encoding by JCotsman. Taken from this version. SET TWO: AUD > ? > CASS > DAT > WAV > SHN A > D by Noah Weiner - August, 2003. Added to etree by Noah Weiner.	Source Detail	FLAC
10/09/76	Oakland-Alameda County Coliseum	Oakland	CA	Set 2; SBD>Rm>Dat>Sonic Solutions>CD; Seeded to etree by Charlie Miller	Source Detail
10/09/76	Oakland-Alameda County Coliseum	Oakland	CA	partial; S:GDH PreFM DAT> ZA2> DartPro32 de-hiss w/ 2.7 gain> CD> EAC> SHN; No noise reduction on disc 2; via D. Hollister, J. Ayers; w/ 5/1/70 filler; etreed 3/24/00; 5/1/70 filler	Source Detail
10/09/76	Oakland-Alameda County Coliseum	Oakland	CA	Unknown aud > ? > DAT; via Dave Minor; Transfer by Marc Pujol; Seeded to etree by Matt Vernon	Source Detail
10/09/76	Oakland-Alameda County Coliseum	Oakland	CA	flac16; master taped by Louis Falanga on a sony tc-152sd lineage: MAC>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 16/44>flac agfa reel baked/transferred/seeded by Rob Berger	Source Detail	FLAC
10/10/76	Oakland-Alameda County Coliseum	Oakland	CA	Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; tracked for 2x80	Source Detail
10/10/76	Oakland-Alameda County Coliseum	Oakland	CA	Reinhardt Hollwein Sony ECM-220 + Sony ECM-280>Sony TC-15; via JackySack; Seeded to etree by Matt Vernon	Source Detail	SHN
10/10/76	Oakland-Alameda County Coliseum	Oakland	CA	Recording Info: (FOB) Unknown Mics > Cassette Master (Uher Deck) Mastering Info: WAV (16-bit/44.1k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/16	Source Detail	FLAC
10/14/76	Shrine Auditorium	Los Angeles	CA	Source: MAC>R>D > ? > D, Recorded by Rob Bertrando, Sony ECM-280s>Sony TC-152; via Dave Minor; Dat transfer by Marc Pujol; Seeded to etree by Matt Vernon	Source Detail
10/14/76	Shrine Auditorium	Los Angeles	CA	composite and patched: AUD> MC> R> D> ?> D> CD> EAC> SHN (Bertrando recording) plus SBD> MR> D> CD> EAC> SHN; see notes; via Jeff Cotsman	Source Detail	shn
10/14/76	Shrine Auditorium	Los Angeles	CA	SBD MR > C1 > DAT	Source Detail	FLAC
10/14/76	Shrine Auditorium	Los Angeles	CA	Flac16: Analog Audience Source: Sony ECM 270 Microphones -> Sony TC 152SD Medium Stock Brands: Nakamichi CRO-2 tapes X 3 Analog Sound Preservation: MAC -> CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg MR 2000 at 5.6 mhz Recorded by: Bob Menke, Transferred by: Bob Menke, Mastering by: Derek McCabe	Source Detail	FLAC
10/15/76	Shrine Auditorium	Los Angeles	CA	Source: Recorded by Rob Bertrando, Sony ECM-280s>Sony TC-152 Lineage: MAC>D>CD; via JackySack; Seeded to etree by Matt Vernon	Source Detail
10/15/76	Shrine Auditorium	Los Angeles	CA	MSR> DATs> CDRs> EAC> SHN; via D. Sacks; Flaws: Slight digi-static at beginning of Might as well; Mama Tried Cut at beginning; reel flip at @ 2:18 in Lazy Lightning; Splice @ 2:00 in Samson	Source Detail
10/15/76	Shrine Auditorium	Los Angeles	CA	flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/15/76	Shrine Auditorium	Los Angeles	CA	MSR>DATs>CDRs>EAC>SHN Fixed SBE of shnid=251	Source Detail	shn
10/15/76	Shrine Auditorium	Los Angeles	CA	flac16; Sony ECM 270's >> Sony TC 152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe	Source Detail	FLAC
12/31/76	Cow Palace	Daly City	CA	FM-SB (KSAN-FM)> ? > CDA; 2 encores missing; via Aaron Farnsworth; noted at gdlive 5/01	Source Detail
12/31/76	Cow Palace	Daly City	CA	PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) 2nd encores from MAR (unknown equipment) > Reel > Beta HiFi > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) [Note: A de-popped version created by Dave Winters for disk 3 also circulates. Check the .md5 for d3t03 to determine which version you have.]	Source Detail
12/31/76	Cow Palace	Daly City	CA	flac2448; Source: Mono Sony hand-held recorder (model unknown) > 3x TDK SD C90's (normal bias). Concert recording by Rich Petrunis, standing center floor about 30 feet out from the stage. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2021	Source Detail	FLAC
02/17/77	Sound City	Van Nuys	CA	Source:SBD>Master Reel>DAT>CDR>SHN; Terrapin Station and Mars Hotel studio outtakes; DAE(EAC0.9 beta 4)>tracking(CDWAV)>SHN(MKWAct.96f)>FTP via Tripp	Source Detail
02/17/77	Sound City	Van Nuys	CA	flac16; Derived from the tagged version of source ID 16745; Source:SBD> Master Reel> DAT> CDR> SHN; DAE (EAC0.9 beta 4)> tracking(CDWAV)> SHN (MKWAct.96f)> FTP via Tripp; flac files from internet > xACT > WAV > Pro Tools LE > xACT > flac	Source Detail	FLAC
02/20/77	Sound City	Van Nuys	CA	Terrapin Station Outtakes; sbd>?>cdr; Seeded to etree by Paul Moreno	Source Detail
02/26/77	Swing Auditorium	San Bernardino	CA	SBD > Master Reel > PCM > DAT > CD-R; via DaveTree; Seeded to etree by AlphaDog	Source Detail
02/26/77	Swing Auditorium	San Bernardino	CA	From the Owen Brothers Vault. Main source: SBD>MR>DATs>CDR>EAC>CDR>EAC>CDWAV>SHN. With AUD patches from: Sony ECM-280>Sony TC-153SD>MC>RR>DAT>CDR and between song tuning patches from: SBD>MR>C>C>CD.	Source Detail	SHN
02/26/77	Swing Auditorium	San Bernardino	CA	flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk (Tim Deibert) WBOTB	Source Detail
02/26/77	Swing Auditorium	San Bernardino	CA	Sony ECM-22P's > 153SD cassette (Maxell UDXLII Dolby) > Technics 1506 reel 3.75 ips Dolby > Tascam CDR > dbPoweramp > wav > FLAC. Recording and transfer by Rob Bertrando. Pitch adjustments, tracking and FLACing by Hunter Seamons.	Source Detail	FLAC
02/26/77	Swing Auditorium	San Bernardino	CA	flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)	Source Detail	FLAC
02/26/77	Swing Auditorium	San Bernardino	CA	flac16 This is a remaster & partial upgrade to shnid 83283 - Source #1: 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk Transferred by Tim Deibert 2-17-2002. Remastered by Joe Noel February 17, 2020 - Source #2: Betty Board > Reel Master > PCM (original) > pcm clone > sony 601esd > spdif digital clone to dat > vx pocket > laptop Playback & dbx decode; laptop > vx pocket spdif out > mytek stereo 96 dac > balanced analog out > dbx150X type I dbx decoder > balanced analog out to mr2000 balanced in, 1 bit recorded > Audiogate WAV 24/48 DAT transferred & provided by anonymous Edited & Mastered using Adobe Audition by Joe Noel February 16, 2020	Source Detail	FLAC
02/27/77	Robertson Gym, U.C.S.B.	Santa Barbara	CA	Sony ECM-280> Sony TC-153SD ACM> R>DAT> CDR taped by Dr. Rob Bertrando; via Raoul Duke; Seeded to etree by Matt Vernon; Note- d2t06 does not exist, this was merely a naming error and the show is complete as is.	Source Detail
02/27/77	Robertson Gym, U.C.S.B.	Santa Barbara	CA	flac16/48kHz; Rob Bertrando's Master Audience Cassettes; Sony ECM-280 mics > Sony TC-153SD > Rob Bertrando's 1st generation reels @ 3.75 ips; Transfer Info: 1st generation reels (Akai GX636)> Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
02/27/77	Robertson Gym, U.C.S.B.	Santa Barbara	CA	flac16; Partial Set 2 Pitch Corrected Version Recording Info: SBD > Master Reel (7.5ips 1/2trk) > FLAC; Mastering Info: FLAC > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; Transferred by Rob Eaton; Mastered by Charlie Miller	Source Detail	FLAC
02/27/77	Robertson Gym, U.C.S.B.	Santa Barbara	CA	flac16; Partial Set 2 Recording Info: SBD > Master Reel (7.5ips 1/2trk) > FLAC; Mastering Info: FLAC > Samplitude Pro X3 Suite > FLAC/16; Transferred by Rob Eaton; Mastered by Charlie Miller	Source Detail	FLAC
03/18/77	Winterland Arena	San Francisco	CA	SBDMR @ 7.5 ips> DAT> CD> EAC> SHN, with AUD patches; AUD portions: Master (R. Bertrando Sony ECM-270/TC-152SD) Cassette> DAT> CD> EAC> SHN; note skip or maybe reel flip d2t2 5:38; d3t3>4 track marker off by ~1:45; d3t5, 'NFA', has an undocumented AUD splice from 14:20 to 15:06	Source Detail
03/18/77	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Mastering Info: CD -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/18/77	Winterland Arena	San Francisco	CA	flac16; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; fixed version of source ID 140916	Source Detail	FLAC
03/18/77	Winterland Arena	San Francisco	CA	flac16; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; 141163 24 > 16	Source Detail	FLAC
03/19/77	Winterland Arena	San Francisco	CA	SBD>MR>DAT>DAT>Sonic Solutions>CDR; original tree and covers; note circ at one site 10/99 w/ problem in d3t5?; note Terrapin has fluttery flaws from master reel	Source Detail
03/19/77	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC; Mastered By Charlie Miller	Source Detail	FLAC
03/19/77	Winterland Arena	San Francisco	CA	flac16/44 Recording Info: SBD > Reel Master > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC	Source Detail	FLAC
03/19/77	Winterland Arena	San Francisco	CA	flac1644; Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 152613 2496 > 1644	Source Detail	FLAC
03/20/77	Winterland Arena	San Francisco	CA	SBD > Reel(1) > ?? > DAT > WAV > SHN; Transfer via TB Fiji (S/PDIF) by J. Kempka; DAT seeded by T. Buller; no Terrapin encore on this source; some hiss. [Note: A version circulates with the sbe's fixed on set 1]; upgrade in circulation	Source Detail
03/20/77	Winterland Arena	San Francisco	CA	Recording Info: SBD -> Master Reel -> Dat x 2 -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Tracked and SHN'd By Charlie Miller	Source Detail
03/20/77	Winterland Arena	San Francisco	CA	flac16; Partial Second Set Audience Tape Unknown Gen TDK Cassette-> SB Audigy-> Audacity-> CD Wav-> Flac	Source Detail	FLAC
03/20/77	Winterland Arena	San Francisco	CA	flac16; Partial Recording by Gene Taback center-right balcony toward the front, deck and mics unlabeled and forgotten	Source Detail	FLAC
03/20/77	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD > Master Reel (7in 7.5ips 1/2trk dbx) > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; Numerous flaws cleaned up	Source Detail	FLAC
03/20/77	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD > Master Reel (7in 7.5ips 1/2trk dbx) > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; Fixed Version in circulation	Source Detail	FLAC
04/22/77	The Spectrum	Philadelphia	PA	Multiple sources; AUD>MC>D>CD; SBD>MR>D>CD; SBD>MR>?>CD; See info file for details; via Matt Vernon, Raoul Duke, & Jools; Seeded to etree by J. Cotsman	Source Detail
04/22/77	The Spectrum	Philadelphia	PA	flac16; SBD (7 inch Master Reels @ 7.5ips 1/2trk)> Dat> Dat (44.1k), plus patches from FOB Sony ECM99A> Cassette; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller	Source Detail
04/22/77	The Spectrum	Philadelphia	PA	FOB Sony ECM99A mics > Sony TC152 > Cass > DAT > CDR; Samson is missing due to a tape flip; Seeded to etree by Dave Luzenske	Source Detail	FLAC
04/22/77	The Spectrum	Philadelphia	PA	flac1644; Source: Mono Sony hand-held recorder (model unknown) > Maxell-UD Set 1 & TDK-SD Set 2 (normal bias). Recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2021	Source Detail	FLAC
04/23/77	Springfield Civic Center	Springfield	MA	SBD> MR> DAT> CD, with AUD patch on reel splice (FOB Sony ECM99A mics> Sony TC152> DAT> CD via Darrin Sacks); via Adam Jerugim; upgrade in circulation	Source Detail
04/23/77	Springfield Civic Center	Springfield	MA	flac16; Recorded by Steve Hopkins Master Audience Cassette; Sony ECM-99a > Sony TC-152sd with dolby b encoding (see info file for details) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> Adobe Audition > Downsample/Dither> flac encoding > FLAC * Patch source; Recorded by Jerry Moore; Sony ECM-33Ps> Sony TC-152	Source Detail	FLAC
04/23/77	Springfield Civic Center	Springfield	MA	Recorded by Jerry Moore; Sony ECM-33Ps> Sony 153 pole mounted from floor back of center line. AUDMC > SHN by David Minches.	Source Detail	shn
04/23/77	Springfield Civic Center	Springfield	MA	flac16; SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/23/77	Springfield Civic Center	Springfield	MA	AUDMC(Sony ECM99A > Sony152TC) > DAT > CD taped by Steve Hopkins via David Minor encoded by Matt Vernon; upgrade in circulation	Source Detail	FLAC
04/23/77	Springfield Civic Center	Springfield	MA	flac16; Recording Info: (FOB) AKG D200E > Cassette Master (Sony TC-153SD/Maxell UD-C90) > CD Master (Tascam CD-RW700); Transfer Info: CD Master (Tascam SS-CDR200/Pitch +.8%) > Tascam DA-3000 (16-bit/44.1k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; Recorded by Dave Weidner; fixed version in circulation	Source Detail	FLAC
04/23/77	Springfield Civic Center	Springfield	MA	flac16; Recording Info: (FOB) AKG D200E > Cassette Master (Sony TC-153SD/Maxell UD-C90) > CD Master (Tascam CD-RW700); Transfer Info: CD Master (Tascam SS-CDR200/Pitch +.8%) > Tascam DA-3000 (16-bit/44.1k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; Recorded by Dave Weidner; fixed version of source ID 143220	Source Detail	FLAC
04/23/77	Springfield Civic Center	Springfield	MA	flac16/44 Source: Sony ECM-99a > Sony TC-152 > Master Cassettes - taped by Jimmy Warburton. The microphone was taped to a walking stick and held about 3 feet above my head. 1st transfer: Master Cassettes > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick July 2021	Source Detail	FLAC
04/25/77	Capitol Theater	Passaic	NJ	SBD:MR>?>DAT>CDR; Pitch corrected and de-clicked by Tim Symons; See info file for details	Source Detail
04/25/77	Capitol Theater	Passaic	NJ	AUD, via Teddy Good Bear's tree #1; note reported "unlistenable"	Source Detail
04/25/77	Capitol Theater	Passaic	NJ	flac24; Set 1 Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
04/26/77	Capitol Theater	Passaic	NJ	AUD, via Teddy Good Bear's tree #1; note quality reported on a par with 4/25 from same source	Source Detail
04/27/77	Capitol Theater	Passaic	NJ	sbd(fm)>mr>dat>cd; via Ray Hansen; Peter Braverman ; upgrade in circulation	Source Detail
04/27/77	Capitol Theater	Passaic	NJ	Pre-FM Master Reel Soundboard->DAT x ?. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Dan Lynch. DAT patch provided by Joe Samaritano. Transfer and SHN by Joe Samaritano	Source Detail
04/27/77	Capitol Theater	Passaic	NJ	flac16; source: FM reel master taped by Jerry Moore lineage: wnew simulcast>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger	Source Detail	FLAC
04/29/77	The Palladium	New York	NY	AUD MC> D> CDR> SHN; Jerry Moore recording Sony ECM-33P/Sony TC-158; via CDead	Source Detail
04/30/77	The Palladium	New York	NY	Sony ECM-33p mics> Sony TC-152 deck, taper Jerry Moore; Conversion: MC> DAT/1> CD> EAC> SHN (mkw with seek tables appended); SHN and upload by Matt Vernon; CDRs supplied by Noah Weiner; see info file for listening notes; upgrade in circulation	Source Detail
04/30/77	The Palladium	New York	NY	Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge. A>D by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon	Source Detail	shn
05/01/77	The Palladium	New York	NY	Set 2; MSR> DAT> CDR> EAC> SHN; via PJ to abgd	Source Detail
05/01/77	The Palladium	New York	NY	Aud Cass master > Reel > PCM > DAT > CD-R > EAC > .SHN: (Loge 1st row AUD center>Cm>Blake Reel (maxell ??? @ 3.75ips) > PCM R500 w/SBM > DAT @ 48 kHz > computer > DAT @ 44.1 kHz or CDRs. Originally taped by Barry Glassberg w/sony ecm 99p's > tc 152 sd deck.); Ending of Samson, 25:47 filler on CD2 & 20:10 filler on CD3 supplied by "Good Bear Source": Panasonic AM/FM Stereo 'boom box like' w/condenser mics) -> cass master -> computer -> CD > EAC > .SHN; See info file for extensive 'mastering' notes; Note- This shn set may circ with the abgd sbd of set 2; via Teddy "Good Bear", Jonathan Miller; Seeded to etree by Dave Backus	Source Detail
05/01/77	The Palladium	New York	NY	flac16; Set 2 Only, Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/01/77	The Palladium	New York	NY	Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge. A>D conversion by David Minches, EAC by Rango Keeshevan, shn encoding Matt Vernon	Source Detail	shn
05/01/77	The Palladium	New York	NY	flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16	Source Detail	FLAC
05/03/77	The Palladium	New York	NY	AUD> MR> DAT> CDR > EAC (secure mode, test and copy) > SHN; EAC, SHN extraction and etree seeding done by G.Gorinsky, with thanks to Ron Speer; d1 tracked for 80 min	Source Detail
05/03/77	The Palladium	New York	NY	Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge or orchestra row 6 or 8. A>D by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon	Source Detail	SHN
05/03/77	The Palladium	New York	NY	flac16; Source: Audience 1st Row Loge Media: TDK-SA 90 min. Lineage: Sony ECM XXX > Sony TCD5 X> MAC Mics spaced 30ft. Transfer: MAC > Nakamichi DR-1 (deck Guitar Tuned) > Grace Design Lunatec V3 > s/pdif > Tascam HD-P2 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: Derek McCabe	Source Detail	FLAC
05/03/77	The Palladium	New York	NY	SBD -> Cm -> ? -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Edited And SHN'd By Charlie Miller	Source Detail	shn
05/03/77	The Palladium	New York	NY	flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16	Source Detail	FLAC
05/04/77	The Palladium	New York	NY	d1: SBD> CASSM?R?> DAT, except for BEW which is SBD> ?> CDR; d2: MASTER REEL> DAT> DAT> CD; via Joe McCarthy to vines; tracked for 2x80; assembled with help from various seeders; see info file for misc flaws and credits. [Note: An sbe-fixed-by-set version also circulates]; upgrade in circulation	Source Detail
05/04/77	The Palladium	New York	NY	Sony ECM-33Ps> Sony TC-152 taped by Jerry Moore from orchestra row 6 or 8. A>D conversion by David Minches, EAC by Rango Keeshevan, final shn encoding by Matt Vernon	Source Detail
05/04/77	The Palladium	New York	NY	Set 1 SBD S: MC > C > CDR patched with Jerry Moore audience tape. A>D Conversion and aud patches by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon	Source Detail	SHN
05/04/77	The Palladium	New York	NY	flac16; Set 2, Matrix About 55% SBD/45% AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)	Source Detail
05/04/77	The Palladium	New York	NY	flac16; Recording Info:Set 1: SBD -> Master Cassette -> Cassette -> ART DIO -> Cool Edit 2000 -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: FLAC -> Sampltiude Professional v9.02 -> FLAC Set 2: CD -> EAC -> FLAC. All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/05/77	Veterans Memorial Coliseum	New Haven	CT	Betty Board master reels > dat tascam dap1 > zefiro za2 > soundforge >cdwave > shn; via Troy Wallwork; upgrade in circulation	Source Detail
05/05/77	Veterans Memorial Coliseum	New Haven	CT	Betty Board reel source transferred to DAT by Rob Eaton, then transferred to CD by Dan Stephens; see info file for details	Source Detail
05/05/77	Veterans Memorial Coliseum	New Haven	CT	Betty Board; reported flaws: d1: Small digi-snit during Sugaree at 8:53, Drop at 8:19 in T. Jed, Drop at 6:48 in Deal; d2: Snit during Bertha @ 5:29; listener Jason Palmer asserts that there may be NR applied to this version?; upgrade in circulation	Source Detail	shn
05/05/77	Veterans Memorial Coliseum	New Haven	CT	flac24; Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate; Source & Transfer by Anonymous; Edited & Mastered using Adobe Audition by Joe Noel	Source Detail	FLAC
05/05/77	Veterans Memorial Coliseum	New Haven	CT	flac24/96 Source Info: Audience source of unknown provenance; Doug Lamarre's 2nd gen cassettes Transfer Info: 2nd generation cassettes(Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
05/07/77	Boston Garden	Boston	MA	SBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN; USB missing, Around has a couple of uncorrectable blems; (note missing USB- one might infer this stemmed from the WBOTB source distribution- their USB was intended to become filler on a 4/78 show which did not end up getting around)	Source Detail
05/07/77	Boston Garden	Boston	MA	Sony ECM 33P mic > TC-152 deck, Taper: Steve Rolfe; AudMC > DAT > Soundforge > CDWAV > SHN; A > D transfer by Noah Weiner: AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only); Soundforge was used for normalizing and editing	Source Detail
05/07/77	Boston Garden	Boston	MA	SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard.	Source Detail
05/07/77	Boston Garden	Boston	MA	flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/07/77	Boston Garden	Boston	MA	flac24; Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate; Source & Transfer by Anonymous; Edited & Mastered using Adobe Audition by Joe Noel; fix of source ID 148736	Source Detail	FLAC
05/07/77	Boston Garden	Boston	MA	flac24; Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate; Source & Transfer by Anonymous; Edited & Mastered using Adobe Audition by Joe Noel	Source Detail	FLAC
05/08/77	Barton Hall, Cornell University	Ithaca	NY	w/AUD splices? to patch reel flips: Betty Board Soundboard sections (all but 47 seconds of the show): 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz.; Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES;? PCM501ES analog out > Fostex D5 @ 48 kHz >ZA2>CD; Audience Splices -- Panasonic AM/FM Stereo 'boom box' (w/condenser mics) >? CM (Cassette Masters) > various equalizers & editors > CD (teddy goodbear); EAC extracted and encoded by Darrin Sacks; note number of tracks on discs: 10-7-8; note SBD portion is clear, AUD portion is muddy; reportedly digital error-free; 5/01 note: fixed shn set now in circulation; upgrade in circulation	Source Detail
05/08/77	Barton Hall, Cornell University	Ithaca	NY	freshly remastered Betty Board with AUD splices, by Rob Eaton; see info file for extensive notes and credits; etreed by Darrin	Source Detail
05/08/77	Barton Hall, Cornell University	Ithaca	NY	flac16; MAC> R> CD Audience Recording by Jerry Moore; seeded by clarson; possibly different source CDR> DAE compared to similar-looking shn set; upgrade in circulation	Source Detail	FLAC
05/08/77	Barton Hall, Cornell University	Ithaca	NY	flac16; Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC Recording And Transfer:Jeff Stevenson	Source Detail	FLAC
05/08/77	Barton Hall, Cornell University	Ithaca	NY	Source Info: "3 Source Matrix Mix, SBD + AUD1 + AUD2"	Source Detail	FLAC
05/08/77	Barton Hall, Cornell University	Ithaca	NY	MAC> R> CD; recorded by Jerry Moore: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B ; Transfer by Rob Berger: Sony TC 850> Teac AN-180> Sony SBM1 super bit mapper> Tascam CD-Rw4U (see additional source notes in txt); EAC> WAV> SHN by Sean Cribbs	Source Detail	shn
05/08/77	Barton Hall, Cornell University	Ithaca	NY	flac16; source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller	Source Detail	FLAC
05/08/77	Barton Hall, Cornell University	Ithaca	NY	Lineage: -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive by Karen Hicks	Source Detail	FLAC
05/08/77	Barton Hall, Cornell University	Ithaca	NY	flac24; source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger	Source Detail	FLAC
05/08/77	Barton Hall, Cornell University	Ithaca	NY	flac24; Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48; Edited & Mastered by Joe Noel; WAV > Abobe Audition > Flac 24/48	Source Detail	FLAC
05/08/77	Barton Hall, Cornell University	Ithaca	NY	flac2448; Source: Mono Sony hand-held recorder (model unknown) > Maxell-LN Set 1 & Maxell-UD Set 2 (normal bias). Recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2021	Source Detail	FLAC
05/09/77	Buffalo Memorial Auditorium	Buffalo	NY	S:bReel>P>D>CD; tunings and splice (in Music) edited; via Trick and Jason; note Music d1t10 is missing from one circulating version of the shn set (md5s listed here as d1p); complete md5 with d1t10 is listed here as d1tot; thanks to Patrick Murphy for assistance; upgrade in circulation	Source Detail
05/09/77	Buffalo Memorial Auditorium	Buffalo	NY	Sources: Soundboard Source:Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out> Dat @ 48 kHz>Soundforge>Shn: Audience Source:Master Audience Cassette> Sony ecm-33pmics>nak550>reel to reel>cd The audience source supplies patches for the master reel splices at D2T2,TMNS 6:50 - 7:18 and D3T4, NFA 1:43 - 2:10 Seeded via Fungus and abgd by Charlie Connor 3/21/02, with thanks to Joe Samaritano and Scott Clugston	Source Detail
05/09/77	Buffalo Memorial Auditorium	Buffalo	NY	flac16; Recording Info: SBD -> Master Reel (DBX-1 Encoded) -> Sony PCM501ES (44.055k); Transfer Info: Sony PCM501ES (Analog Out) -> DBX-1 Decoder> Sony PCM501ES (Analog In) -> Dat (48k/Analog In) -> Sound Forge -> SHN; Mastering Info: SHN -> FLAC -> Samplitude Professional v11.2.1 -> FLAC; Original Mastering By Charlie Connor; Remastered By Charlie Miller	Source Detail	FLAC
05/09/77	Buffalo Memorial Auditorium	Buffalo	NY	Sony ECM-33Ps > Nak 550>MAC>R>D>CD; Taped by Steve Maizner; via Jack Warner; Seeded to etree by Matt Vernon	Source Detail	FLAC
05/11/77	St. Paul Civic Center	St. Paul	MN	SBD> Rm> Dat> Sonic Solutions> CD, Patched w/SBD> Rm> Dat> Cass> Dat> CD; via Charlie Miller; Seeded to etree by Steve Barbella; upgrade in circulation	Source Detail
05/11/77	St. Paul Civic Center	St. Paul	MN	flac16; FIXED SBD -> Master Reel -> Dat (44.1k) Transferred and Edited By Charlie Miller ; upgrade in circulation	Source Detail	FLAC
05/11/77	St. Paul Civic Center	St. Paul	MN	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC Transferred and Edited By Charlie Miller	Source Detail	FLAC
05/11/77	St. Paul Civic Center	St. Paul	MN	master soundboard reel @ 7.5 IPS (baked) > DAT > Cassette > DAT > CD; via yubah, with thanks to Jools; to abgd; upgrade in circulation	Source Detail	FLAC
05/12/77	Auditorium Theatre	Chicago	IL	Updated lineage: Master Audience Cassette > unknown mics/deck> DAT > CDR; fresh transcription of a previously circulating copy (see notes in txt); Re-Mastering by Scott Clugston; missing Cassidy, splice in NFA; d1 tracked for 80 min	Source Detail
05/12/77	Auditorium Theatre	Chicago	IL	flac16; Source: Master Audience cassette> DAT> CDR; Recorded by Keith Gatto; Shure 96s> Sony TC-152; Transfer information unknown	Source Detail	FLAC
05/13/77	Auditorium Theatre	Chicago	IL	Pre-FM > Master Reel > DAT > CD; upgrade in circulation	Source Detail
05/13/77	Auditorium Theatre	Chicago	IL	SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD; (Post Drums - Fp -> Dat -> CD); Seeded to etree by Charlie Miller	Source Detail
05/15/77	The Arena	St. Louis	MO	SBD MR>??>CDR; different text file and md5s than the other circulating SBD MR>??>CDR; upgrade in circulation	Source Detail
05/15/77	The Arena	St. Louis	MO	flac16; Master audience cassette> cassette Recording by Steve Maizner: Sony mic> Sony TC-153; Master played back on Sony TC-153> Awia 760? Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding	Source Detail	FLAC
05/15/77	The Arena	St. Louis	MO	flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller charliemiller87@earthlink.net	Source Detail
05/15/77	The Arena	St. Louis	MO	flac16; Matrix, Sources: 1) Bertha Remaster of the Master Reel source sbd > mr > dat > wav > flac > daw(Bertha) > wav (24/48) > audio dvd > dvd audio ripper > wav > adobe audtion > flac, and 2) Master audience cassette> cassette Recording by Steve Maizner: Sony mic> Sony TC-153; Master played back on Sony TC-153> Awia 760? Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding Matrixed by SIRMick May 2008	Source Detail	FLAC
05/15/77	The Arena	St. Louis	MO	flac16; source: aud 1st gen reel taped by Steve Maizner on a sony tc-153 lineage: mac>10.5" reels @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/48>cd wave>adobe 16/44>flac	Source Detail	FLAC
05/15/77	The Arena	St. Louis	MO	flac1644 Keith Gatto's Master (FOB) Audience Cassettes; Sony Stereo mic > Sony TC-158 > PCM (x1) > Tim McKenzies' DAT (x1)(TDK DA-R) Transfer Info: DAT (Sony PCM-M1) > Sony 7-pin/Oade digi I/O> Hosa DRA-501 coaxial cable> Tascam CD-RW750 CD	Source Detail	FLAC
05/17/77	Memorial Coliseum, University Of Alabama	Tuscaloosa	AL	SBD>MR 7" (Baked)> DAT> Cass> DAT> CD; via Chuck Kiefe, Andy Singer, Brian Leonard; note tuning pauses have been shortened in some cases, very slight hiss, encore missing; upgrade in circulation	Source Detail
05/17/77	Memorial Coliseum, University Of Alabama	Tuscaloosa	AL	SBDMR > DAT > CD > EAC > SHN note: Sugar Magnolia encore supplied by AUD source. Added to etree by Noah Weiner	Source Detail
05/17/77	Memorial Coliseum, University Of Alabama	Tuscaloosa	AL	S:Rm (7" - baked), D, C, D - 1x90Meter (and Potentially 2x60Meter?); CDR>EAC>Shn; missing encore; stemming from 10/00 BUDD tree, via Stretch N to etree; upgrade in circulation	Source Detail	shn
05/17/77	Memorial Coliseum, University Of Alabama	Tuscaloosa	AL	flac16; Recording by Steve Maizner: Sony ECM-990s>Sony TC153 Transfer of 1st Generation Cassette Transfer and FLAC encoding by David Minches: 1st Generation Cassette played back on Nakamichi Dragon > Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> HD Editing and downsampling performed in Adobe Audition; Flac Encoded	Source Detail	FLAC
05/18/77	Fox Theatre	Atlanta	GA	SBD > MR > DAT > CDR > WAV > SHNv3; DAE: EAC (high n' secure, offset corrected) > shntool (boundaries confirmed) > mkwact > ftp via neo_levo from bear g.'s seed; upgrade in circulation	Source Detail
05/18/77	Fox Theatre	Atlanta	GA	flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC	Source Detail
05/19/77	Fox Theatre	Atlanta	GA	Master Reel (7-inch @ 7.5 ips) > CD > EAC > SHN; seed supplied by Jim Wise, DAE and re-tracking by DireWolf	Source Detail
05/19/77	Fox Theatre	Atlanta	GA	Jay Ashley (Bertha) Remaster of the Jim Wise Master Reel Source. SBD>>MR>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA	Source Detail
05/19/77	Fox Theatre	Atlanta	GA	Master Soundboard Reel > Reel to Reel > DAT > CDR; includes patches from 2 alternate SBD sources (see info file for details); mastered by Scott Clugston; to abgd; note info file here is the updated copy; upgrade relative to previous shn set	Source Detail	shn
05/19/77	Fox Theatre	Atlanta	GA	flac16/48kHz; Source: sbd > master reel > dat (48k); from Dick Latvala; Transfer: dat > Sony pcm-r500 > Tascam da-3000 > wav 16/48; transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick September 2017	Source Detail	FLAC
05/21/77	Lakeland Civic Center	Lakeland	FL	flac16; Source: sbd > master reel > dat (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017	Source Detail	FLAC
05/21/77	Lakeland Civic Center	Lakeland	FL	SBD>reel>DAT>CD-R; TFBT Tree #5; via D. Boyles; (reportedly there may be 2 different .shn versions of this in circulation, 12/99?	Source Detail
05/21/77	Lakeland Civic Center	Lakeland	FL	flac1644Source: Unknown audience recording (low gen) from the collection of Doug Lamarre. Transfer: Nakamichi CR-7A #1 (azimuth adjusted, Dolby) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate} > wav 24/96 Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 3 > iZotope RX 9 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick	Source Detail	FLAC
05/22/77	The Sportatorium	Pembroke Pines	FL	SBD>MR>C>D>CD>Toast>SHN	Source Detail
05/22/77	The Sportatorium	Pembroke Pines	FL	WBAI 99.5fm > Akai Pro Glass Head Cassette Deck(no dolby nr) > CDR Via Rosoft Audio Tools/Track Spliter at 44,100/16 Bit Stereo	Source Detail	FLAC
05/22/77	The Sportatorium	Pembroke Pines	FL	flac16/44.1khz Recording Info: SBD > Master Reel (7in 7.5ips Half trk) > dbx922 > DAT (Panasonic SV-3700-44.1k) Transfer Info: DAT (Panasonic SV-3800) > Pro Tools > WAV (16-bit-44.1k) Mastering Info: WAV > Samplitude Pro X5 Suite > FLAC16 Transferred by Rob Eaton. Mastered By Charlie Miller. November 22, 2020	Source Detail	FLAC
05/22/77	The Sportatorium	Pembroke Pines	FL	flac16/48 Source: uknown audience cassette from the collection of Doug Lamarre Transfer: cassette > Nakamichi CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick April 2021	Source Detail	FLAC
05/25/77	The Mosque	Richmond	VA	SBD MR > DAT > CDR > SHN; via Seth Kaplan, Greg Hamilton; upgrade compared to previously etreed version; note two-beat elision at d2t5-6 track break (see George Shannon's pub comment); upgrade in circulation	Source Detail
05/25/77	The Mosque	Richmond	VA	Source: SBD Genealogy: MR > DAT > CDR > SHN > CDR > SHN ; upgrade in circulation George Shannon added 0.80 seconds of material to disk 2 track 3 at 0:05 to fill the gap in the version downloaded from etree. The material used was received in trade and was from the same show but a different source. The tracks were also re-sequenced so they now appear in original show order with the encore at the end. EAC and Soundforge were the tools used.	Source Detail
05/25/77	The Mosque	Richmond	VA	flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation	Source Detail	FLAC
05/25/77	The Mosque	Richmond	VA	flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed dropout in d3t02 Wharf Rat of source ID 87539	Source Detail	FLAC
05/25/77	The Mosque	Richmond	VA	flac16; Genealogy: MR > DAT > CDR > SHN > CDR > SHN > shntool > FLAC; SBE fix of shn id 13399; upgrade in circulation	Source Detail	FLAC
05/25/77	The Mosque	Richmond	VA	flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
05/25/77	The Mosque	Richmond	VA	flac16; Recorded with Nakamichi CM-300s> Nakamichi 550 (except for Cassidy through Promised Land; recorded with Sony ECM-99> Sony 158) Transfer and FLAC encoding by David Minches: 3rd generation reel played back on Otari MX-5050BII> Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC - patched version of shnid 107757 by Kevin Tobin	Source Detail	FLAC
05/26/77	Baltimore Civic Center	Baltimore	MD	Soundboard > 7 inch Master Reels @7.5ips 1/2 track -> DAT(s) -> ZA2 -> CDR (x1)-> EAC -> SHN; with AUD patches (and other fixes) by Scott Clugston, using Master Audience Cassette: Sony ECM-33p mics > Sony TC-158 > D source, taped by Jerry Moore; to etree via Darrin Sacks; see info file for details, other comments and credits	Source Detail
05/26/77	Baltimore Civic Center	Baltimore	MD	SBD > 7" RTR half-track recording @ 7.5 i.p.s. 1/2 track > Marin County Mixdown ADAT > SSSB; Seeded to etree by Jay Serafin	Source Detail
05/26/77	Baltimore Civic Center	Baltimore	MD	AUD>MC>DAT>CDR>EAC>WAV>DC6>WAV Unknown microphones Patch Source: SBD>MSR>DAT>SS>CD>EAC>WAV>DC6>SHN	Source Detail	SHN
05/26/77	Baltimore Civic Center	Baltimore	MD	flac 16; Sick Bits Vol. 30a - SBD/AUD mix of 2 previously circulating primary sources: SBD (shnid=11614) + AUD (shnid=32092) as well as a patch SBD source (shnid=3224). Matrixed by Chris Chappell.	Source Detail
05/26/77	Baltimore Civic Center	Baltimore	MD	SBD>MSR>DAT>SS>CD>EAC>WAV>DC6>SHN Source: Bettyboard 7 inch master reel @ 7 ? ips > DAT>SS>CD Patch Source: AUD>MC>DAT>CDR (contrary to popular belief, Jerry Moore did not record this show) Editing and Mastering by The Wizard	Source Detail	shn
05/26/77	Baltimore Civic Center	Baltimore	MD	AUD>MC>DAT>CDR via Raoul Duke encoded by Matt Vernon	Source Detail	FLAC
05/28/77	Hartford Civic Center	Hartford	CT	Bettyboard 7 inch master reel @ 7 ? ips > DAT (zero gen)> CDR (zero gen) (via sony pcm r-700 dat playback > hhb cdr-800) > CDR (first gen) > EAC > .Shn; with AUD patches from Steve Rolfe's FOB; see info file for details; via Seth Kaplan, Jack Warner, Darrin Sacks, Bob Fishman; d3 tracked for 80 min, can shift encore for 74	Source Detail
05/28/77	Hartford Civic Center	Hartford	CT	flac16; For all of Set 1 & from "NFA" to the end of Set 2: Jim Wise used: 2 Sony 54P mics w/ Sennheiser 441 blend mic > Nakamichi 550 cassette deck FOB > reel @ 3 3/4 ips > DAT @ 48kHz > my computer > DAT @ 44.1kHz or CD. For Set 2, "Samson" through "Drums": (Panasonic AM/FM Stereo 'boom box like' w/condenser mics) -> CM (Cassette Masters) -> my computer* -> CD or DAT @ 44.1kHz 1) Sony 3-head cassette deck (TC-K615S) > 10 band equalizer > My computer using "CoolEdit96" see info file for details (note: The originally seeded shn files were seeded c. 1999; those checksums added to this listing June, 2007.)	Source Detail
05/28/77	Hartford Civic Center	Hartford	CT	SBD>MSR>DAT>CD>EAC>SHN>DC6>SHN	Source Detail	SHN
05/28/77	Hartford Civic Center	Hartford	CT	Recorded by Jerry Moore; Sony ECM-33Ps>Sony TC-153 mounted on pole 1st tier of seats off floor. AUDMC > SHN by David Minches.	Source Detail	SHN
05/28/77	Hartford Civic Center	Hartford	CT	flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16	Source Detail	FLAC
05/28/77	Hartford Civic Center	Hartford	CT	flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK-SD/AD (normal bias) back-up tapes. Concert recording by Rich Petrunis. Transfer: 1st-gen > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2021	Source Detail	FLAC
05/28/77	Hartford Civic Center	Hartford	CT	flac16/44 Source: Sony ECM 99A > Sony TC 152 > Master Cassette - recorded by Jimmy Warburton from about 70" centre. 1st transfer: Master cassette > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick May 2021	Source Detail	FLAC
06/04/77	The Forum	Inglewood	CA	Rob Bertrando - FOB akg D224Es > Sony TC-153 cassette > CDR? > Rich Plumb DAT > Teddy GoodBear Computer (no edit) > SHN; to abgd; note track names with punctuated song titles may cause probs for some	Source Detail
06/04/77	The Forum	Inglewood	CA	flac16; 2 x AKG 224E => Sony TC-158SD >> MAC >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] MOTB.0096	Source Detail	FLAC
06/07/77	Winterland Arena	San Francisco	CA	Soundboard -> Vault Reels ->DAT -> David Gans' Sonic Solutions Digital Editing -> CDR -> EAC -> CDR -> EAC -> SHN> unknown steps > shn; note the txt file lists Darrin Sacks as seeder, but md5s do not match his already-circulating shn set; the provenance of this set is therefore unconfirmed- info file and lineage shown here may or may not be correct; upgrade in circulation	Source Detail
06/07/77	Winterland Arena	San Francisco	CA	flac16; AUD, Likely: MAR > Reel > DAT > CDs (See note below)	Source Detail
06/07/77	Winterland Arena	San Francisco	CA	SBD> MR> DAT, plus AUD patches (AKG D220 mics> Tandberg 10X MR taped by Bob Menke and Reinhardt Hollwein> Rob Bertrando's first-gen reel> DAT); DAT> CD transfer, patching by David Hollister; EAC> volume editing> SHN by Keith Bode	Source Detail	shn
06/07/77	Winterland Arena	San Francisco	CA	flac16; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018; This file set is 16 bit @ 44.1	Source Detail	FLAC
06/08/77	Winterland Arena	San Francisco	CA	SBDMR > PCM > DAT > CDR > EAC > SHN> wav> retrack> seeking shn; initial EAC > SHN by Jason Parmer; retracking> seekable shn by Tony Gardner; upgrade in circulation	Source Detail
06/08/77	Winterland Arena	San Francisco	CA	Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Profesional -> SHN Transferred and Edited By Charlie Miller	Source Detail
06/08/77	Winterland Arena	San Francisco	CA	AUD> MR> Reel> DAT> CD(s)> EAC> SHN; Recorded by Bob Menke/Reinhardt Hollwein with AKG D224s> Tandberg 10XD; DAT transfer info unknown; EAC (secure, offset corrected)> SHN by D. Winters	Source Detail	FLAC
06/09/77	Winterland Arena	San Francisco	CA	SBD> Reel> PCM> DAT> DAT> CD; transfer: Fostex D10> hhb 800 professional stand-alone player; no editing; via Jeff Fishman; reportedly fuller-sounding than previously etreed copies; see flaw notes in info file; no Sunrise; upgrade in circulation	Source Detail
06/09/77	Winterland Arena	San Francisco	CA	SBD hybrid source, including encore: retracking of previous shn set with encore patched in from another previous shn set; Patching, retracking, and SHNv3 conversion by Patrick Murphy; see info file for details and flaw notes; upgrade in circulation	Source Detail
06/09/77	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Profesional v8.0 -> FLAC Transferred and Edited By Charlie Miller Patch Info: AKG D224 -> Master Reel (Tandberg 10XD) -> Reel -> Dat -> CD	Source Detail
06/09/77	Winterland Arena	San Francisco	CA	AUD> MR> Reel> DAT> CD(s)> EAC> SHN; Recorded by Dr. Rob Bertrando with AKG D220s>Tandberg 10XD; DAT transfer info unknown; EAC> SHN by D. Winters	Source Detail	FLAC
06/09/77	Winterland Arena	San Francisco	CA	flac16; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018; This file set is 16 bit @ 44.1	Source Detail	FLAC
09/03/77	Raceway Park	Englishtown	NJ	Two-track Pre-FM reel > DAT > CD-R, except for encore, which is unknown AUD; note d1t1,2 (intro and Promised) are apparently really from 4/27/77!; this show is now released as Dick's Picks 15- go buy it [Note: An sbe-fixed version circulates.]	Source Detail
09/03/77	Raceway Park	Englishtown	NJ	flac16; Recording by Bob Wagner: 2 Sony ECM 270s> Sony TC-158 Transfer and FLAC encoding by David Minches: Master audience cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding Patch source used: SHNID 91230 AUD: Unknown mics > JVC KD-1636 portable cassette deck > Maxell UD-90's	Source Detail	FLAC
09/03/77	Raceway Park	Englishtown	NJ	flac16; AUD: Unknown mics > JVC KD-1636 portable cassette deck > Maxell UD-90's. Recording Location: "I was right in front of a delay stack in center field." Transfer: MAC > unknown playback > Soundforge > CD-Wave > CDR. Concert recording and transfer to CDR by Tim "Sounddawg" Stiegler. CDR > EAC > TLH > FLAC by Andrew F.	Source Detail	FLAC
09/28/77	Paramount Theatre	Seattle	WA	Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out>Dat @ 48 kHz>Tascam DA-20MKII (playback only)>RME Digi96/8>Steinberg's Wavelab 3.0 (resampling & editing)>CDWav beta1.6(tracking only)>SHNv3 (MKW ACT) Source DAT via Joe Samaritano DAT>Shn conversion, ditital editing via Charlie Connor;Seeded to fungus and abgd by Charlie Connor	Source Detail
09/28/77	Paramount Theatre	Seattle	WA	flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48] Mastering: In WaveLab with Nomad Blue Tube Plugins Rate Conversion with r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky	Source Detail	FLAC
09/28/77	Paramount Theatre	Seattle	WA	flac1644 Analog Audience Source: AKG D224E Microphones > Sony TC 158SD; front row loge just right of center Medium Stock Brands: Maxell UDXL II Cassettes Analog Sound Peservation: MAC > CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg at 5.6 mhz	Source Detail	FLAC
09/29/77	Paramount Theatre	Seattle	WA	SBD> MR> PCM> PCM> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Chuck Gannon. [Note: an alternate md5 file for d3 circulates.]	Source Detail
09/29/77	Paramount Theatre	Seattle	WA	Betty's Master Soundboard Reels > PCM x2> DAT > CDR; numerous blips, ticks, crackles, glitches believed to be on the master reels; via Scott Clugston	Source Detail	shn
10/01/77	Paramount Theatre	Portland	OR	SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA; Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com	Source Detail
10/01/77	Paramount Theatre	Portland	OR	Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set; upgrade in circulation	Source Detail
10/01/77	Paramount Theatre	Portland	OR	flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0	Source Detail	FLAC
10/01/77	Paramount Theatre	Portland	OR	flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation	Source Detail	FLAC
10/01/77	Paramount Theatre	Portland	OR	flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/02/77	Paramount Theatre	Portland	OR	WBOTB tree; Complete show-- source tape: MR>P2>D1); 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder > analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz; Casey Jones, brief low-level crackle, poss bad mic; Wharf Rat ~30 sec section of analog tape damage leading to a cut during the song. There is an illegal bootleg available that apparently has no cut in Wharf Rat, but the cut has been edited out and the song is about 30 sec shorter than on the Betty reel. No EQ has been performed. You hear what is on the Betty reels.; note md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 7/99 shn set; upgrade in circulation	Source Detail
10/02/77	Paramount Theatre	Portland	OR	flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2).	Source Detail	SHN
10/06/77	Activity Center, Arizona State University	Tempe	AZ	Source: Reel Master > Cassette > DAT > CD; DAE, SHN encoding by Brian Heath; upgrade in circulation	Source Detail
10/06/77	Activity Center, Arizona State University	Tempe	AZ	flac16; FM > C(x2) > Marantz CDR-510 (rec at -0db) > CDR > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, checksums, and FLAC compression) > FLAC	Source Detail	FLAC
10/06/77	Activity Center, Arizona State University	Tempe	AZ	SBD: Unknown Lineage > CDR > MKWACT > SHN	Source Detail	FLAC
10/06/77	Activity Center, Arizona State University	Tempe	AZ	flac1648 Audience source of unknown provenance from Dan Gale's collection Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 > 24/96 .wav > Adobe Audition 2023 > 16/48 .wav > TLH flac1648	Source Detail	FLAC
10/06/77	Activity Center, Arizona State University	Tempe	AZ	flac16; lineage: King Biscuit Flower Hour FM broadcast > Sansui 8 receiver > unknown reel recorder @ 3.3/4 ips > Maxell UD 35-90 7" reel > Teax X-700R > soundforge (16 bit 44.1 khz wav) > flac (sb's aligned)	Source Detail	FLAC
10/06/77	Activity Center, Arizona State University	Tempe	AZ	Recording Info: SBD > Cassette Master > DAT (48k) > WAV Mastering Info: WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16	Source Detail	FLAC
10/06/77	Activity Center, Arizona State University	Tempe	AZ	Recording Info: SBD > Cassette Master > DAT (48k) > WAV Mastering Info: WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16 Patch Info: FM (KBFH) > Reel Master > FLAC (shnid=113809) supplies: Promised Land (0:00 - 0:13) AUD > ? > Cassette supplies: They Love Each Other (3:35 - 4:38) Eyes Of The World (9:36 - 10:35) Uncle John's Band (0:00 - 1:26) (7:46 - end of track) All Mastering by Charlie Miller. charliemiller87@earthlink.net. July 27, 2018 (original mastering) April 10, 2023 (dozens of clicks cleaned up) May 22, 2023 (patched tape flips)	Source Detail	FLAC
10/07/77	University Arena, University Of New Mexico	Albuquerque	NM	partial set 2 (all that circ); SBD-> Master Reels-> DAT-> DAT-> Sonic Solutions-> CD-> CD-> SHN; CD seed via David Gans; via Chuck Kiefe and Chuck Fiske to GDH-T offer; hosted at gdlive.com [Note: A sbe-fixed version also circulates]; upgrade in circulation	Source Detail
10/07/77	University Arena, University Of New Mexico	Albuquerque	NM	flac16; Set 2 only: Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC; upgrade in circulation	Source Detail
10/07/77	University Arena, University Of New Mexico	Albuquerque	NM	flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/09/77	McNichols Sports Arena	Denver	CO	SBD> ?> CDR> EAC> SHN; via Doug Moog?; missing Casey Jones; upgrade in circulation	Source Detail
10/09/77	McNichols Sports Arena	Denver	CO	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/09/77	McNichols Sports Arena	Denver	CO	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/09/77	McNichols Sports Arena	Denver	CO	flac16/48kHz; Source Info: Sandy Troy's 7" Soundboard Reels @ 3.75 ips (reels were not labeled, except to denote the date & dolby b) Transfer Info: Soundboard Reels (Akai GX-636)> Lamb Labs dolby decoder > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
10/11/77	Lloyd Noble Center, University Of Oklahoma	Norman	OK	Soundboard Betty MR> D> C> D> CD> SHN DAE[EAC secure mode], SHN encoding[mkw], and upload by Brian Heath; upgrade in circulation	Source Detail
10/11/77	Lloyd Noble Center, University Of Oklahoma	Norman	OK	SBD; poss genealogy: Betty MR> D> C1> D> CD> SHN; some hiss or static, poss partly from MR (though note MR>D copies do circ); Dat > wav > shn> orig upload by S. Anderson; post-processing (minor cuts/fades) by L. Orf ; diginoise in NFA; upgrade in circulation	Source Detail
10/11/77	Lloyd Noble Center, University Of Oklahoma	Norman	OK	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/11/77	Lloyd Noble Center, University Of Oklahoma	Norman	OK	flac24/96 Source: Unknown udience cassettes from the collection of Doug Lamarre. Each set is from a difference source. Transfer: Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac24 edited and mastered SIRMick June 2021	Source Detail	FLAC
10/11/77	Lloyd Noble Center, University Of Oklahoma	Norman	OK	flac16/44 Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net October 1, 2007	Source Detail	FLAC
10/12/77	Manor Downs	Austin	TX	no source listed; "Compendium Crew release"; d2 tracked for 80 min; via Teddy Goodbear to abgd, 5/01 to etree; upgrade in circulation	Source Detail
10/12/77	Manor Downs	Austin	TX	SBD>MR>C>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN via J. Cotsman; Thanks to S. Milewski for aud patches	Source Detail
10/12/77	Manor Downs	Austin	TX	flac16; Set 2 Only. Recording Info: Unknown Mics -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/44.1K; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/14/77	Hofheinz Pavilion	Houston	TX	SBD>MC>R>DAT>CDR > EAC (secure mode, test and copy) > SHN; EAC, SHN extraction and etree seeding done by G.Gorinsky; woth thanks to Bill Golden	Source Detail
10/14/77	Hofheinz Pavilion	Houston	TX	flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Fix of shnid 110400	Source Detail	FLAC
10/14/77	Hofheinz Pavilion	Houston	TX	flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation	Source Detail	FLAC
10/15/77	Moody Coliseum, S.M.U	Dallas	TX	SBD : MC > R > DAT > CD; via Steve Tobani, Alan J. Fink; upgrade in circulation	Source Detail
10/15/77	Moody Coliseum, S.M.U	Dallas	TX	SBD>MC>R>D>CD>EAC>SHN; declicked and pitch corrected	Source Detail
10/15/77	Moody Coliseum, S.M.U	Dallas	TX	flac16; Master AUD -> 1st gen Hi-Fi VHS -> wav ->flac	Source Detail	FLAC
10/15/77	Moody Coliseum, S.M.U	Dallas	TX	flac16; Recording Info: SBD > mc > r > d > CD; Transfer Info: CD > wav > Sound Forge 10 > TLH > flac	Source Detail	FLAC
10/16/77	Assembly Center, Lousiana State University	Baton Rouge	LA	sdb> MR> C> D> CD; via Mike Lai	Source Detail
10/16/77	Assembly Center, Lousiana State University	Baton Rouge	LA	flac16; partial Set 1: Sony CR-O2 C-90 Cassette tape MASTER > JVC TD-W209 cassette playback deck >JVC XL-R5010 stand-alone>cdr (0)>your cdr	Source Detail	FLAC
10/16/77	Assembly Center, Lousiana State University	Baton Rouge	LA	Flac 1648 Source Info: Analog Audience source (unknown equipment) > Reel to Reel @ 3ips > John Brennan's Cassettes Transfer Info: John Brennan's Cassettes (most likely 2nd generation)(Nakamichi Dragon) > Tascam DA-3000 (DSF 1-bit/5.6MHz)> Sound Forge (.wav 24-bit/48k) > Adobe Audition 2021 > TLH flac24/48	Source Detail	FLAC
10/28/77	Soldiers & Sailors Memorial Hall	Kansas City	KS	Betty Board>MR>?>CD; via Jens Tilsner; Seeded to etree by Willy	Source Detail
10/28/77	Soldiers & Sailors Memorial Hall	Kansas City	KS	flac16; Recording Info: Sony ECM-990 -> Cassette Master -> Reel -> FLAC Transfer and FLAC encoding by David Minches: Reel played back on Akai GX-4000D> ART DI/O> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (speed correction/dither/downsample)> FLAC encoding	Source Detail
10/28/77	Soldiers & Sailors Memorial Hall	Kansas City	KS	flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
10/28/77	Soldiers & Sailors Memorial Hall	Kansas City	KS	flac16; Source: Betty SBD > Reel Master > PCM > pcm clone; Transfer: PCM clone > Sony PCM601esd > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44	Source Detail	FLAC
10/29/77	Evans Field House, Northern Illinois University	DeKalb	IL	Sony ECM-990s>Sony TC-158>MAC>R>D>CD; Taped by Steve Maizner; via Jack Warner; Seeded to etree by Matt Vernon	Source Detail
10/29/77	Evans Field House, Northern Illinois University	DeKalb	IL	SBD > Reel > DAT > WAV (via TB Fiji S/PDIF) > SHN; via Jeff Kempka	Source Detail
10/29/77	Evans Field House, Northern Illinois University	DeKalb	IL	flac16; MSR>PCM>DAT>CDx?>EAC>WAV>FLAC; patch source: shnid=8035; EAC extraction, editing, and FLAC encoding by Sean Cribbs 3/11/05	Source Detail
10/29/77	Evans Field House, Northern Illinois University	DeKalb	IL	flac16 Recording Info:SBD -> Master Reel -> PCM -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
10/29/77	Evans Field House, Northern Illinois University	DeKalb	IL	flac16; Recording Info: Sony ECM-990 -> Cassette Master (Sony TC-158) -> AIFF; Transfer Info: AIFF -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; Recorded By Steve Maizner; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/29/77	Evans Field House, Northern Illinois University	DeKalb	IL	flac16; Source: Betty SBD > Reel Master > PCM > pcm clone; Transfer: PCM clone > Sony PCM601esd > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; the original source had a "nearly undetectable" flaw in d2t06 which had to be fixed for nearly undetectable reasons	Source Detail	FLAC
10/30/77	Assembly Hall	Bloomington	IN	sbd> mr> pcm> dat> cdr> eac >shn via mkwAct 0.97 beta 1; via Bob Allred GDH-Trading tree; see flaw notes in info file; upgrade in circulation	Source Detail
10/30/77	Assembly Hall	Bloomington	IN	flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version now in circulation	Source Detail	FLAC
10/30/77	Assembly Hall	Bloomington	IN	flac16; Recorded by Steve Maizner Sony ECM-990> Master Cassette; Master cassette> reel> FLAC 1st generation reel played back on Akai Gx-4000D> ART DI/O > Digital Audio Labs Card Deluxe soundcard > Adobe Audition> flac encoding > FLAC Transfer and FLAC encoding by David Minches Pitch correction by Joe B. Jones	Source Detail	FLAC
10/30/77	Assembly Hall	Bloomington	IN	flac16; source: aud 1st gen reel taped by Steve Maizner sony ecm 990s>sony tc-158sd; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96> hd>cd wave>adobe 2.0 16/44>flac	Source Detail	FLAC
11/01/77	Cobo Arena	Detroit	MI	SBD> Master (Betty Board) Reels> PCM> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M.; includes US Blues encore; d1t05 cuts into friend of the devil (about 1st 20 seconds missing); upgrade in circulation	Source Detail
11/01/77	Cobo Arena	Detroit	MI	flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
11/02/77	Field House, Seneca College	Toronto	ON	Soundboard Reel> CD> TC2000 EQ> Sonic Solutions (David Gans)> CD> EAC> SHN TC2000; Equalizer Used To Brighten Up The Rather Dull Sound; CD> EAC> SHN By Joe Samaritano; also to abgd via Charlie Connor; note upgrade to previous copy	Source Detail
11/02/77	Field House, Seneca College	Toronto	ON	flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC	Source Detail
11/02/77	Field House, Seneca College	Toronto	ON	flac16; SBD/AUD Matrix by SIRMick; Soundboard Reel> CD> TC2000 EQ> Sonic Solutions (David Gans)> CD> EAC> SHN (shn id 14743) and Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Recorded by Alan Zimmerman (shn id 81012)	Source Detail	FLAC
11/04/77	Cotterell Gym, Colgate University	Hamilton	NY	SBD:MR > DAT > CD-R; noted at gdlive (also to abgd?); upgrade in circulation	Source Detail
11/04/77	Cotterell Gym, Colgate University	Hamilton	NY	MAC (Taped by Jerry Moore, Sony ECM 33Ps* [directly behind the soundboard] > Sony TC-158** [Dolby B, Maxell UDXLIIC90s]) > Tascam 112 MK-II playback > HHB 800 master CD > HP 9350i extraction (EAC v0.9 beta 4) > editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by John Steinthal, CD > SHN by Joe Jupille and Noah Weiner.	Source Detail
11/04/77	Cotterell Gym, Colgate University	Hamilton	NY	flac 16; SBD/AUD Matrix of 2 previously circulated seeds (SBD - shn ID #2595 & AUD - shn ID #15208); prepared by Chris Chappell	Source Detail
11/04/77	Cotterell Gym, Colgate University	Hamilton	NY	flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC	Source Detail
11/04/77	Cotterell Gym, Colgate University	Hamilton	NY	flac24; Source: Audience Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick February 2018	Source Detail	FLAC
11/04/77	Cotterell Gym, Colgate University	Hamilton	NY	flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16	Source Detail	FLAC
11/05/77	Community War Memorial Auditorium	Rochester	NY	Master Soundboard Cassette > 1 Reel to Reel gen > DAT, with AUD patches (see info file); Patching, CD Mastering, EAC'ed, SHN'ed by Scott Clugston; to abgd	Source Detail
11/05/77	Community War Memorial Auditorium	Rochester	NY	A:C:D:Cool Edit:CD recorded by Jerry Moore; Sony ECM-33Ps> Sony 158 via David Minches encoded by Sean Cribbs	Source Detail
11/05/77	Community War Memorial Auditorium	Rochester	NY	flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC	Source Detail
11/05/77	Community War Memorial Auditorium	Rochester	NY	flac16/48 Source Info: Jimmy Warburton's Master Audience Cassettes; most likely AKG d1000e mics > unknown deck (dolby on); master cassettes (Nakamichi 550, dolby off) > 1st generation reel (Teac 3300, dolby off) @ 3.75 ips Transfer Info: 1st generation reels (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
11/06/77	Broome County Arena	Binghamton	NY	Reel -> DAT -> CDR; Transfer: EAC -> SHN by D. Nawrocki	Source Detail
11/06/77	Broome County Arena	Binghamton	NY	flac16; MATRIX MIX: SBD/AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) June 13, 2008	Source Detail
11/06/77	Broome County Arena	Binghamton	NY	flac16; MR>PCM>DAT>HD>CDR>EAC>Flac level 8 via TLH	Source Detail	FLAC
11/06/77	Broome County Arena	Binghamton	NY	A:C:D:Cool Edit:CD recorded by Jerry Moore; Sony ECM-33Ps> Sony 158 via David Minches encoded by Sean Cribbs	Source Detail	shn
11/06/77	Broome County Arena	Binghamton	NY	flac1648 1st Set Recording Info:Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
11/06/77	Broome County Arena	Binghamton	NY	flac16; Soundboard Master Reels > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44	Source Detail	FLAC
12/27/77	Winterland Arena	San Francisco	CA	Master Reel > DAT > Sonic Solutions remastering > Gans CD-R; via redbeard to abgd; possibly different extraction relative to previous circulation?; "F*cker" in Wharf Rat was muted out during remastering; sonic glitch in Around is present on the master reel; missing Samson; upgrade in circulation	Source Detail
12/29/77	Winterland Arena	San Francisco	CA	Dick's Picks 10 outtakes SBD>?>SHN via Terrapin Station	Source Detail
12/29/77	Winterland Arena	San Francisco	CA	Set I & Encore MSR>R>R>R>C>DAT>WAV>SHN Set II MSR>R>C>DAT>WAV>SHN C>SHN Conversions by Cousinit	Source Detail
12/29/77	Winterland Arena	San Francisco	CA	flac16; Partial set 2 only, unknown generation maxell cassette-> sb audigy-> audacity-> cd wav-> flac	Source Detail
12/29/77	Winterland Arena	San Francisco	CA	flac16; Reinhardt Holwein Audience Reel > ???? > DAT > CDR > EAC Secure Mode > WAV > FLAC	Source Detail	FLAC
12/29/77	Winterland Arena	San Francisco	CA	flac16; Recording Info: master recorded from the balcony on a Tandberg 10X reel to reel @ 7.5 ips. The reel is from Sandy Troy's collection; Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith	Source Detail	FLAC
12/29/77	Winterland Arena	San Francisco	CA	flac16/48kHz; Set 2 Recording Info: SBD > Master Reel > Dat (48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC/48k; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/30/77	Winterland Arena	San Francisco	CA	partial; SBD> MR> DAT> CD; via Candyman	Source Detail
12/30/77	Winterland Arena	San Francisco	CA	SBDMR>DAT>Sonic Solutions>CD>EAC>SHN	Source Detail	SHN
12/30/77	Winterland Arena	San Francisco	CA	flac16; Audience Recording by Gene Taback; One Casette Master Transferred by Jim Blackwood at 24bit 96 kHz Edited and Mastered by Jamie Waddell Weiss-Saracon for 16 bit 44.1 kHz TLH for FLAC8 Tag&Rename for MetaData	Source Detail	FLAC
12/30/77	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Dat -> FLAC; Transfer Info: FLAC -> Samplitude Professional v11.2.1 -> FLAC; fixed version levels were increased approximately 14db; please do not circulate the original files; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/30/77	Winterland Arena	San Francisco	CA	flac24; Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017	Source Detail	FLAC
12/30/77	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller; This is a patched version of shnid=132379	Source Detail	FLAC
12/31/77	Winterland Arena	San Francisco	CA	SBD> MR> DAT> standalone burner> CDR> EAC> SHN; EAC> SHN by B. Purvis; via offer to PCP; etreed 5/9/00 via A. Jerugim	Source Detail
12/31/77	Winterland Arena	San Francisco	CA	Seamless fix of shn id 286 - SBD > Master Reel > DAT > CDR > EAC > SHN	Source Detail	SHN
12/31/77	Winterland Arena	San Francisco	CA	flac16; Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24 bit > 16 bit via dBpoweramp	Source Detail	FLAC
12/31/77	Winterland Arena	San Francisco	CA	flac16; Patched/Pitch Corrected Soundboard (original shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy (dkonrad99@hotmail.com) - pitch correction and patches by Kevin Tobin	Source Detail	FLAC
12/31/77	Winterland Arena	San Francisco	CA	flac16; Source: SBD > Umatic videotape masters (noted as "remote") - From Bob Gurman; Transfer: Umatic masters > Sony VO-2600 > Tascam CDRW-700 > CDR - Transfered by Alan Bershaw November 26, 2002; Lineage: CDR > wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and master SIRMick April 2018	Source Detail	FLAC
12/31/77	Winterland Arena	San Francisco	CA	flac16/48khz Recording Info: Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones). Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Patched where needed (mostly between song tunings) using shnid=141799 + 20596 16 Bit 48 kHz FLAC Level 8 from 24 Bit 96 kHz source via Izotope RX8 with MBIT+ dither -- v2 This fixed version was created on December 30, 2020. The previous version (Source ID 151250) had the L&R channels reversed on tracks 1-15. Keith is now on the left side of the mix where he belongs ;-) 16 Bit 48 kHz FLAC Level 8 from 24 Bit 96 kHz source via Izotope RX8 with MBIT+ dither	Source Detail	FLAC
12/31/77	Winterland Arena	San Francisco	CA	flac1648 Recording Info: Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones). Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Patched where needed (mostly between song tunings) using shnid=141799 + 20596. This updated "version three" was created on January 1, 2021. ...and you may ask yourself, how did we get here? Uncharacteristically, we did a couple fixes to make this show right. The original seed had one of the two tapes channels reversed by accident, so we fixed that. Upon listening, scholars let us know that while Keith was on the left side of the stage physically, the mix was done to put him in the right channel, therefore our second fix had the mix flipped channels wise. Though it represented the stage position of Keith, it had the drummers and band in the wrong locations. Thanks for understanding the process and our desire to present the most accurate possible version. This version three also includes a tiny adjustment to the speed. If you have the previous two versions (151250 + 151297), please don't continue to share them elsewhere. 16 Bit 48 kHz FLAC Level 8 from 24 Bit 96 kHz source via Izotope RX8 with MBIT+ dither	Source Detail	FLAC
01/06/78	Swing Auditorium	San Bernardino	CA	Master Soundboard Cassette > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; d2 tracked for 80 min; upgrade in circulation	Source Detail
01/06/78	Swing Auditorium	San Bernardino	CA	SBD: MC>RR>DAT>CD>EAC>DC5>CD Discs From Jools Elliott AUD patches from Noah Weiner AUD: MC>RR>DAT>CD Taper=Bob Menke - Sony ECM280s>Sony TC-158 CD Editing and Mastering by The Wizard - Owenbrothersvault@hotmail.com.	Source Detail
01/06/78	Swing Auditorium	San Bernardino	CA	flac16/44 Source: Sbd > Cassette Master > Cassette (1st gen) Transfer: Cassette (1st gen) > Nakamichi CR7A > PCM > wav 16/44.1 via: Bob Menke Lineage: wav > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > Cd Wave > Flac16 edited and mastered SIRMick August 2021	Source Detail	FLAC
01/07/78	Golden Hall, Community Concourse	San Diego	CA	Master Soundboard Cassette > Reel to Reel > DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; beginning and end cuts; low volume digiwhiz in mingle @ ~2:10; upgrade in circulation	Source Detail
01/07/78	Golden Hall, Community Concourse	San Diego	CA	SBD> MC> R> D> CD> EAC> SHN from previous Scot Clugston seed, patched with AUD> ??> CD> EAC> SHN; final edits/encoding by JCotsman	Source Detail
01/07/78	Golden Hall, Community Concourse	San Diego	CA	flac16; Source: audience recording on a Marantz pro cassette deck, don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac	Source Detail	FLAC
01/07/78	Golden Hall, Community Concourse	San Diego	CA	Recording Info: SBD > Cassette Master > DAT > CD Transfer Info: CD > Samplitude Professional v10.1 > Adobe Audition v1.5 > FLAC	Source Detail	FLAC
01/08/78	Golden Hall, Community Concourse	San Diego	CA	Master Soundboard Cassette > Cassette > DAT> CDR, with AUD patch in Other One; CD Mastering / Patching, EAC'ed / SHN'ed by Scott Clugston; with thanks to Lawrence Peryer, Charlie Connor; d1 tracked for 80 min; upgrade in circulation	Source Detail
01/08/78	Golden Hall, Community Concourse	San Diego	CA	Aud>C>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Digitally Mastered by Charlie Connor; with Thanks to Lawrence Peryer	Source Detail
01/08/78	Golden Hall, Community Concourse	San Diego	CA	flac16; Analog Audience Source: Master Audience Cassettes (MAC); Medium Stock Brands: MAC = 3 x Maxell UDXL II; Analog Lineage: 2 x AKG D224E's => Sony TC 158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein; Transfer By: Bob Menke; Mastering By: Derek McCabe; MOTB Release: 0109	Source Detail	FLAC
01/08/78	Golden Hall, Community Concourse	San Diego	CA	flac24; Analog Audience Source: Master Audience Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0109 24/96 (The original release of this source from 2009-11-03 had errors in the tags.)	Source Detail	FLAC
01/08/78	Golden Hall, Community Concourse	San Diego	CA	flac16/44 Recording Info: SBD -> Cassette Master -> AIFF Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC	Source Detail	FLAC
01/10/78	Shrine Auditorium	Los Angeles	CA	SBD>MC>?>CD>EAC>SHN; (see lineage info); Thanks to Raoul Duke & Hanno Bunjes; edits/encoding by JCotsman	Source Detail
01/10/78	Shrine Auditorium	Los Angeles	CA	flac16 Matrix: MAC = 3 x Maxell UDXL II A2 x AKG D224E's => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96] and SBD>MC>?>CD>EAC>SHN (Source ID 14523)	Source Detail	FLAC
01/10/78	Shrine Auditorium	Los Angeles	CA	flac16; Recording Info: SBD -> Cassette Master (Dolby B) -> FLAC (24bit/44.1k); Transfer Info: FLAC -> Samplitude Professional v11.1.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; the original files had a flaw in Wharf Rat (d3t02)	Source Detail	FLAC
01/11/78	Shrine Auditorium	Los Angeles	CA	SBD master reel > Cass > DAT > CD-R > EAC > .SHN ; upgrade in circulation	Source Detail
01/11/78	Shrine Auditorium	Los Angeles	CA	SBD>MC>R>PCM>D>CD>EAC>SHN (??); see comments on lineage; Thanks to Raoul Duke edits/encoding by Matt Vernon & JCotsman	Source Detail	SHN
01/11/78	Shrine Auditorium	Los Angeles	CA	flac16; Matrix, Sources used: 1) SBD > MC > R > PCM > D > CD > EAC > SHN and 2) audience recording on a Marantz pro cassette deck, don't recall the model & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac Matrixed by SIRMick	Source Detail
01/11/78	Shrine Auditorium	Los Angeles	CA	flac16; Source: audience recording on a Marantz pro cassette deck, don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac	Source Detail	FLAC
01/11/78	Shrine Auditorium	Los Angeles	CA	flac16; Matrix: Analog Aud: 2 x AKG D224E >> Sony TC-158SD  >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] and Analog SBD: SBD >> MSC (dolby C) >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > flac16	Source Detail	FLAC
01/13/78	Arlington Theater	Santa Barbara	CA	Master Soundboard Cassette> Cassette> DAT> CDR> EAC> SHN	Source Detail
01/13/78	Arlington Theater	Santa Barbara	CA	flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD  >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe	Source Detail	FLAC
01/14/78	Bakersfield Memorial Auditorium	Bakersfield	CA	SBD> [MR>C ?] >DAT>CDR via Raoul Duke encoded by Matt Vernon	Source Detail
01/14/78	Bakersfield Memorial Auditorium	Bakersfield	CA	flac16; source: aud > ??? > cdr > eac > wav > flac	Source Detail	FLAC
01/14/78	Bakersfield Memorial Auditorium	Bakersfield	CA	flac16; Source: Unknown Audience recording, believed to be a 3rd gen cass Transfer: cass > Nakamichi DR-1 > Tascam HD-P2 > wav 24/96 > Adobe Audition > Wavelab(with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > Flac16	Source Detail	FLAC
01/14/78	Bakersfield Memorial Auditorium	Bakersfield	CA	flac16; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller	Source Detail	FLAC
01/15/78	Selland Arena	Fresno	CA	mixed source: set 1: SBD> ?> C> SHN (low number of analog gens); set 2: AUD> MC> C> D> CD> EAC> SHN; Thanks to Hanno Bunjes, Chuck Kiefe; final edits/encoding by JCotsman. Additional material from the audience recording used for this source can be found here.	Source Detail
01/15/78	Selland Arena	Fresno	CA	flac16; AUD>MC>C>D>CD>EAC>SHN>?>FLAC; These are from the same source as the audience portion of shn id 13252. This completes what circulates from that aud.	Source Detail	FLAC
01/15/78	Selland Arena	Fresno	CA	flac16; 2 x AKG D224E >> Sony TC-158SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein	Source Detail	FLAC
01/17/78	Sacramento Memorial Auditorium	Sacramento	CA	SBD>MR>C>D>CD>SHN; missing Around & US Blues; Thanks to Raoul Duke; edits/encoding by Matt Vernon & JCotsman	Source Detail
01/18/78	Stockton Civic Auditorium	Stockton	CA	SBD> MR> ?> D> CD> EAC> SHN; patched with AUD> MC> C> D> CD> EAC> SHN; technical problems with SBD (see caveat); Thanks to Mike Tausig and Jack Warner; edits/encoding by JCotsman	Source Detail
01/18/78	Stockton Civic Auditorium	Stockton	CA	Set Two AUD>MC>??>DAT>CDR via Raoul Duke encoded by Matt Vernon	Source Detail	SHN
01/22/78	McArthur Court, University Of Oregon	Eugene	OR	Source: DNC Close Encounters Tree; SBD> M?> C> PCM> Sound Forge> CD-R> SHN; show is missing some tracks in the middle, but it's the only part of the show that circulates in a clean SBD	Source Detail
01/22/78	McArthur Court, University Of Oregon	Eugene	OR	Source: Audience FOB Sony TC-640 reel to reel > TCD-D8 Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 see additional notes in info file via John D'Auria	Source Detail
01/22/78	McArthur Court, University Of Oregon	Eugene	OR	flac 16; Please note Info file and md5 changed. SBD/AUD Matrix of 2 previously circulated seeds (SBD - ID #4974 & AUD - ID #2014); prepared by Chris Chappell	Source Detail	FLAC
01/22/78	McArthur Court, University Of Oregon	Eugene	OR	flac16; SBD, 1st 4 songs in 2nd set AUD	Source Detail	shn
01/22/78	McArthur Court, University Of Oregon	Eugene	OR	flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette -> FLAC; Set 2: (1st 4 songs) (FOB) AKG D224E -> Cassette Master -> FLAC (shnid=101436); Set 2: (Terrapin through Saint Stephen) SBD -> Cassette Master > FLAC; Set 2: (Not Fade Away through U.S. Blues) SBD -> Reel Master > FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
01/30/78	Uptown Theatre	Chicago	IL	Tim Powell recording (Sony ECM-99/Sony TC-152) AUD>MC>R>DAT>CDR via Raoul Duke.	Source Detail
01/30/78	Uptown Theatre	Chicago	IL	flac16; SBD -> Master Reel -> Dat -> CD -> FLAC Audio discs provided by Jim Wise Converted to FLAC By Charlie Miller	Source Detail
01/30/78	Uptown Theatre	Chicago	IL	flac16; Source Info: Master Soundboard Reel > Dick Latvala's Dat (16/44.1); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> 16/44.1 .wav > Adobe Audition CC 2019 > TLH flac16	Source Detail	FLAC
01/31/78	Uptown Theater	Chicago	IL	set 1 mostly AUD>MC>R>CD>EAC>SHN, set 2 SBD>MR>C>D>CD>EAC>SHN with aud patches via Jack Warner and Mike Parrillo encoded/edits by Jeff Cotsman and Matt Vernon; upgrade in circulation	Source Detail
01/31/78	Uptown Theater	Chicago	IL	flac16; SBD -> Master Reel -> Dat -> CD -> FLAC Audio discs provided by Jim Wise Converted to FLAC By Charlie Miller	Source Detail
01/31/78	Uptown Theater	Chicago	IL	AUD> MC> R> CD> EAC> SHN; patched with SBD> MR> C> D> CD> EAC> SHN; Thanks to Jack Warner; edits/encoding by Matt Vernon & JCotsman; note d1t1-7 md5s same as in previous seed, others differ	Source Detail	SHN
01/31/78	Uptown Theater	Chicago	IL	flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Mastering By Charlie Miller	Source Detail	FLAC
01/31/78	Uptown Theater	Chicago	IL	flac1644 Source Info: Master FOB Audience Cassettes (possibly Tim Powell); Sony ECM-99 mics > (most likely) Sony TC-152 > Reel to Reel > Tim McKenzie's DAT 16 bit/44.1 kHz (KAO Gold 460m) > CDR Transfer Info: DAT (Sony PCM-M1) > Sony 7-pin/Oade digi I/O > Hosa DRA-501 coax cable > Tascam CD-RW750 > CDR CDR (Tascam SS-CDR200) > Tascam DA-3000 > .wav(16bit/44.1 kHz) > Adobe Audition 2022 > TLH flac16	Source Detail	FLAC
02/01/78	Uptown Theater	Chicago	IL	MSR> C> DATs> CDRs> EAC> SHN; EAC/SHN by Mike (Dank Star) Parrillo; u/l via Darrin Sacks	Source Detail
02/01/78	Uptown Theater	Chicago	IL	flac16; MAC>R>C>WAV>FLAC	Source Detail	FLAC
02/03/78	Dane County Coliseum	Madison	WI	Set 2 Only: Soundboard->Master Reel->DAT->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano.	Source Detail
02/03/78	Dane County Coliseum	Madison	WI	Master audience cassette (unknown equipment) > PCM > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)	Source Detail
02/03/78	Dane County Coliseum	Madison	WI	flac16; Set 2 Only; 7 Inch Half Track Nagra Reel Master @ 7.5 IPS Recorded By Betty; Analog to Digital:By Dick Latvala(Technics 1506 Reel 2 Reel-Sony PCM R-500 DAT @ 44.1KHz; DAT Zero-(DL) > DAT#1 > DAT#2; 100% flat transfer-DAT#2(JW) play back on Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16bit 44.1 KHz; Editing(Adobe Audition CC)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise	Source Detail	FLAC
02/03/78	Dane County Coliseum	Madison	WI	flac16; Recording Info: SBD > Master Reel > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller; Six songs from Set 1 are .mp3 sourced	Source Detail	FLAC
02/03/78	Dane County Coliseum	Madison	WI	flac1648 Source Info: Master Audience Cassettes; AKG mics > unknown deck > 1st generation cassettes > Tim McKenzie's 2nd generation cassettes Transfer Info: 2nd generation cassettes (Nakamichi DR-1) > Tascam DA-300 (24/96 .wav) > Adobe Audition 2023 > TLH flac2496	Source Detail	FLAC
02/04/78	Milwaukee Auditorium	Milwaukee	WI	AUD> MC> R> C> DAT> CDR> EAC> CD; Re-mastered via the Owens?s Brothers Vault. ; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
02/04/78	Milwaukee Auditorium	Milwaukee	WI	flac16; Set 2 Only; 7 Inch Half Track Nagra Reel Master @ 7.5 IPS; Recorded By Betty; Analog to Digital:By Dick Latvala(Technics 1506 Reel 2 Reel-Sony PCM R-500 DAT @ 44.1KHZ; DAT Zero-DAT#1 (Rob Bertrando); 100% flat transfer-DAT#2(JW) play back on Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16bit 44.1 KHz; Editing(Adobe Audition CC)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise	Source Detail	FLAC
02/05/78	Uni Dome, University Of Northern Iowa	Cedar Falls	IA	Set Two only Master audience cassette (unknown equipment) > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)	Source Detail
02/05/78	Uni Dome, University Of Northern Iowa	Cedar Falls	IA	Set 2 Only: Soundboard->Master Reel->DAT->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. Dat seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano.	Source Detail
02/05/78	Uni Dome, University Of Northern Iowa	Cedar Falls	IA	flac16; SBD Master Reel > Cassette > DAT; 16 bit 44.1kHz FLAC Level8 SBE Free; Speed Correction and Patching by Jason Chastain in Audition CC; Mastering by Jamie Waddell in Wavelab 7.2.1	Source Detail	FLAC
02/05/78	Uni Dome, University Of Northern Iowa	Cedar Falls	IA	flac16; Set 2; Source: Unknown FOB AUD (mono) from Brian Schley tape collection; Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2017	Source Detail	FLAC
04/06/78	Curtis Hixon Convention Hall	Tampa	FL	Recorded by Bob Wagner; Sony 54Ps> Sony TC-158. AUDMC > SHN conversion by David Minches; upgrade in circulation	Source Detail
04/06/78	Curtis Hixon Convention Hall	Tampa	FL	mSR -> PCM -> DAT 48k -> Turtle Beach Fiji Digi I/O -> AFResamp -> wav2cdr -> CDR; upgrade in circulation	Source Detail
04/06/78	Curtis Hixon Convention Hall	Tampa	FL	flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
04/06/78	Curtis Hixon Convention Hall	Tampa	FL	flac16; SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD) Mix consisting of SBD - shn id 81307, AUD - shn id 81494	Source Detail	FLAC
04/06/78	Curtis Hixon Convention Hall	Tampa	FL	flac16/48kHz; Source Info: Bob Wagner's Master Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
04/07/78	The Sportatorium	Pembroke Pines	FL	7" Two Track Reel@ 7 1/2 ips>PCM501ES @44.055kHz>PCM analog out>DAT@48kHZ>Tascam DA-20MKII(playback only)>RME Digi96/8> Steinberg's Wavelab 3.0 (resampling & editing)>CDWav beta1.6(tracking only)>SHNv3 (MKW ACT; Source DAT via Joe Samaritano; upgrade in circulation DAT>Shn conversion, ditital editing via Charlie Connor;Seeded to fungus and abgd by Charlie Connor	Source Detail
04/07/78	The Sportatorium	Pembroke Pines	FL	flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/07/78	The Sportatorium	Pembroke Pines	FL	flac16; Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick January 2018	Source Detail	FLAC
04/07/78	The Sportatorium	Pembroke Pines	FL	flac16; Source: Betty Cantor’s Master SBD Reel > PCM > PCM; Transfer: PCM > Sony PCM601esd (spdif out) > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44	Source Detail	FLAC
04/07/78	The Sportatorium	Pembroke Pines	FL	flac1644 SBD > Master Reel (7in 7.5ips 1/2trk) > PCM > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC/16	Source Detail	FLAC
04/08/78	Veterans Memorial Coliseum	Jacksonville	FL	SBD; transferred and seeded by Mike Lai, from Bruce Fried DAT; upgrade in circulation	Source Detail
04/08/78	Veterans Memorial Coliseum	Jacksonville	FL	SBD> Bettyboard 7" reels @ 7.5ips> PCM> DAT> CDR> SHN; seeded by Katy Miller; upgrade in circulation	Source Detail
04/08/78	Veterans Memorial Coliseum	Jacksonville	FL	flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > Fostex D5 > optical S/PDIF out (Jace's tape) > disk WBOTB Transferred by Tim Deibert 3-10-02	Source Detail
04/08/78	Veterans Memorial Coliseum	Jacksonville	FL	flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/08/78	Veterans Memorial Coliseum	Jacksonville	FL	flac24; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
04/08/78	Veterans Memorial Coliseum	Jacksonville	FL	flac16; Source: Betty Cantor’s Master SBD Reel > PCM > PCM; Transfer: PCM > Sony PCM601esd (spdif out) > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44	Source Detail	FLAC
04/10/78	Fox Theater	Atlanta	GA	SBD -> Rm -> PCM -> Dat via Charlie Miller	Source Detail
04/10/78	Fox Theater	Atlanta	GA	flac16; Recorded by Alan Zimmerman Master Audience Cassette; 2 Sennheiser 421s (or 441s) + Sony 54P> passed through Nakamichi 550> Teac PC-10 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC * Patches supplied by SB>MR>PCM>DAT>CD (Note: On 12/28/2006 David Minches circulated a fixed version of d3t04 through d3t07)	Source Detail
04/10/78	Fox Theater	Atlanta	GA	flac16; Source: Betty Cantor's Master SBD Reel > PCM > DAT; Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44; Edited & Mastered by Joe Noel May 16, 2020	Source Detail	FLAC
04/10/78	Fox Theater	Atlanta	GA	Betty Board>?>CD; Unknown seeder; upgrade in circulation	Source Detail	shn
04/10/78	Fox Theater	Atlanta	GA	flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k); Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick December 2019	Source Detail	FLAC
04/10/78	Fox Theater	Atlanta	GA	flac2448; Source: Unknown mics & deck > MAC > 1st Gen back-up copy, concert recording by John Hicks & Dennis Fong. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > WAV 2448 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2023	Source Detail	FLAC
04/11/78	Fox Theater	Atlanta	GA	SBD> Reel > PCM> DAT> CDR> SHN; note missing last 2 songs- Sugar Magnolia, encore JGB; known flaws: noticable clicking on d1t8, possibly from bad DAE; reel Glitch d/o d2t3 10:56 - 11:00; via M. Lai, C. Vinci; upgrade in circulation	Source Detail
04/11/78	Fox Theater	Atlanta	GA	SBD -> Rm -> PCM -> Dat via Charlie Miller; upgrade in circulation	Source Detail
04/11/78	Fox Theater	Atlanta	GA	flac16; Source: Betty Cantor's Master SBD Reel > PCM > DAT; Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44; Edited & Mastered by Joe Noel May 17, 2020	Source Detail	FLAC
04/11/78	Fox Theater	Atlanta	GA	flac2448; Source: Handheld deck (mono) > Maxell XLII, concert recording by John Hicks & Dennis Fong. Transfer: MAC(?) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2022	Source Detail	FLAC
04/11/78	Fox Theater	Atlanta	GA	flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav >Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick April 2018	Source Detail	FLAC
04/12/78	Cameron Indoor Stadium, Duke University	Durham	NC	Bertha Remaster of Master Reel source. SBD>>MR>>PCM>>DAT>>CDA(Toast)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+	Source Detail
04/12/78	Cameron Indoor Stadium, Duke University	Durham	NC	SBD>MR>PCM>D>CD; via Jeff Cotsman; Seeded to etree by J. Henry	Source Detail
04/12/78	Cameron Indoor Stadium, Duke University	Durham	NC	SBD > GD Master 2" 8 Track RTR 15 i.p.s. (2 decks) > GD Vault 1" Mixdown Safety RTR @ 15 i.p.s. > MCS 24 bit/96 kHz ADAT > SSSB (SHNTOOL used and verified)	Source Detail	SHN
04/12/78	Cameron Indoor Stadium, Duke University	Durham	NC	SBD>MR>PCM>D>CD>Toast Audio Extractor>Peak>SHN	Source Detail	SHN
04/12/78	Cameron Indoor Stadium, Duke University	Durham	NC	flac16; Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/12/78	Cameron Indoor Stadium, Duke University	Durham	NC	flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation	Source Detail	FLAC
04/12/78	Cameron Indoor Stadium, Duke University	Durham	NC	flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
04/12/78	Cameron Indoor Stadium, Duke University	Durham	NC	flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick April 2018	Source Detail	FLAC
04/14/78	Cassell Coliseum, Virginia Polytechnic	Blacksburg	VA	Betty's 7 inch, 2 track, Master Soundboard Reels> PCM x2> DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; drop out followed by a short digi-snit in JBG ~ 0:28	Source Detail
04/14/78	Cassell Coliseum, Virginia Polytechnic	Blacksburg	VA	flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/14/78	Cassell Coliseum, Virginia Polytechnic	Blacksburg	VA	flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2019	Source Detail	FLAC
04/14/78	Cassell Coliseum, Virginia Polytechnic	Blacksburg	VA	flac16/48kHz; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
04/14/78	Cassell Coliseum, Virginia Polytechnic	Blacksburg	VA	flac16; Source: Betty Cantor’s SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel	Source Detail	FLAC
04/15/78	William & Mary Hall	Williamsburg	VA	Recorded by Bob Wagner; Sony 54Ps> Sony TC-158, transferred and encoded by David Minches	Source Detail
04/15/78	William & Mary Hall	Williamsburg	VA	SBD> MR> PCM> D> CD> EAC> SHN; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman; missing encore, splice in NFA; upgrade in circulation	Source Detail
04/15/78	William & Mary Hall	Williamsburg	VA	flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> Samplitude Professional v7.02 -> FLAC	Source Detail
04/15/78	William & Mary Hall	Williamsburg	VA	flac 16; Sick Bits Vol. 24 - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=33683) + AUD (shnid=18556). Matrixed by Chris Chappell.	Source Detail	FLAC
04/15/78	William & Mary Hall	Williamsburg	VA	flac16 Source: (single) Nakamichi CM300 with CP1 cardioid capsule front of board> Nakamichi 550 deck with dolby B on; Transfer: (original) Nak 550 Dolby B on> Apogee Mini-Me @ 16/44> wav; Assembly: AA3 for fades and edits, CDWav for tracks, TLH for Flac7, Foobar for tags; Recorded by Mark Olkon; Transferred and Assembled by Mike Schuncke	Source Detail	FLAC
04/15/78	William & Mary Hall	Williamsburg	VA	flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
04/15/78	William & Mary Hall	Williamsburg	VA	flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick December 2019	Source Detail	FLAC
04/15/78	William & Mary Hall	Williamsburg	VA	flac16; Source: Betty Cantor's SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel	Source Detail	FLAC
04/15/78	William & Mary Hall	Williamsburg	VA	flac2448; Partial AUD; Source: Mono Sony hand-held recorder (model unknown) > Maxell-UD (normal bias) cassette. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2021	Source Detail	FLAC
04/16/78	Huntington Civic Center	Huntington	WV	SBD> Reel > PCM> DAT> CDR> SHN; via Mike Lai, Chris Vinci to etree, via breaker to abgd.hs; note copy a seeded to etree 2/00, copy b seeded to abgd 2/01- these differ by only 1 checksum, d1t12; static for a few seconds at the beginning of Sunshine Daydream; upgrade in circulation	Source Detail
04/16/78	Huntington Civic Center	Huntington	WV	flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC by Charlie Miller	Source Detail
04/16/78	Huntington Civic Center	Huntington	WV	flac16; Recording by Bob Wagner: 3 Sony ECM-54 Ps> Sony 158 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding 16 bit/ 44.1 kHz version	Source Detail	FLAC
04/16/78	Huntington Civic Center	Huntington	WV	flac16; source: aud 1st gen reel mastered: (3)sony ecm54p's>nak 550>patch>sony tc-158sd lineage: mac>7" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave> adobe 2.0 16/44>flac transferred & seeded by Rob Berger	Source Detail	FLAC
04/16/78	Huntington Civic Center	Huntington	WV	flac16; Source: Betty Soundboard Media: master reels Lineage: SBD > Nagra IV (7.5ips) > R1 Nagra IVs > SR1 > Phillips SuperCD 24/28 > Presonus DigiMax 96 > SB Audigy II Pro > HD WAV > Adobe Audition 1.5 > Izotope Ozone 1.5 > Izotope Ozone 3.5 > WAV16 > flac Taped by: Betty Cantor Transfer by: Jim Goldman Mastered by: Jim Goldman	Source Detail	FLAC
04/16/78	Huntington Civic Center	Huntington	WV	flac16/48kHz; 1st Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
04/16/78	Huntington Civic Center	Huntington	WV	flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick November 2019	Source Detail	FLAC
04/16/78	Huntington Civic Center	Huntington	WV	flac16; Source: Betty Cantor's SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel	Source Detail	FLAC
04/18/78	Civic Arena	Pittsburgh	PA	SBD>MC(?)>?>C>CD>EAC>SHN (several analog generations) patched with aud via Joey Browning, Matt Vernon, & Raoul Duke mastered by Jeff Cotsman	Source Detail
04/18/78	Civic Arena	Pittsburgh	PA	Source: Shure SM57s>Sony TC-158 > MAC > DAT > CDR via Rauol Duke. shn encoding Matt Vernon	Source Detail
04/18/78	Civic Arena	Pittsburgh	PA	flac16; Recorded by Alan Zimmerman Master Audience Cassette; 2 Sennheiser 421s (Alan thinks)> Teac PC-10 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC Patches supplied by A:C:D:CD recorded with Shure SM57s> Sony TC-158	Source Detail	FLAC
04/18/78	Civic Arena	Pittsburgh	PA	flac16; Set 2 Source: MAC>XL-IIS>XL-IIS (FOB,2); Transfer: Maxell XL-IIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged	Source Detail	FLAC
04/19/78	Veterans Memorial Hall	Columbus	OH	SBD > Master Reel > CD > Sonic Solutions > CD mastered by David Gans; Source shns from Bob Murphy; partial retrack by Darrin Sacks	Source Detail
04/19/78	Veterans Memorial Hall	Columbus	OH	flac16; Recording Info: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/19/78	Veterans Memorial Hall	Columbus	OH	flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)	Source Detail	FLAC
04/21/78	Rupp Arena, University Of Kentucky	Lexington	KY	SBD>MR>C>D>CD; Patched with AUD>MC>R>D>CD; Missing US Blues & most of Dire Wolf; See info file for details; via Jim Ballinger & Jeff Cook; Seeded to etree by J. Cotsman	Source Detail
04/21/78	Rupp Arena, University Of Kentucky	Lexington	KY	flac16; Recording Info:SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
04/21/78	Rupp Arena, University Of Kentucky	Lexington	KY	flac16/48 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
04/22/78	Nashville Municipal Auditorium	Nashville	TN	Source: Sony 54P's>Nak 550--10th Row; FOB MAC>Cass>DAT>CDR. via Willy shn encoding Matt Vernon	Source Detail
04/22/78	Nashville Municipal Auditorium	Nashville	TN	flac16; Recording Info:Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90);Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/22/78	Nashville Municipal Auditorium	Nashville	TN	flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/24/78	Horton Field House, Illinois State University	Normal	IL	MR> ?> R> D> Digi96> Soundforge> CDWAV> SHN; Mike McCaw; see info file for lineage notes; upgrade in circulation	Source Detail
04/24/78	Horton Field House, Illinois State University	Normal	IL	SBD Master Cass>DAT>Cass>DAT>CD>EAC>SHN. Remastered by Mattman from source discs supplied by David Hollister. ; upgrade in circulation	Source Detail
04/24/78	Horton Field House, Illinois State University	Normal	IL	flac16; SBD > Cassette Master > Dat > Cassette > Dat > CD > Samplitude Professional v7.02 > FLAC; Transfer and Mastering by Charlie Miller	Source Detail
04/24/78	Horton Field House, Illinois State University	Normal	IL	flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
04/24/78	Horton Field House, Illinois State University	Normal	IL	flac16; Recorded on a small mono cassette recorder with built-in Wollensak 402 mic; First Generation Cassette>Tascam130>Pro Tools LE>wav>flac	Source Detail	FLAC
05/05/78	Thompson Arena, Dartmouth College	Hanover	NH	flac16; Recording Info: SBD -> Reel Master -> Dat -> Data DVD; Transfer Info: Data DVD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/05/78	Thompson Arena, Dartmouth College	Hanover	NH	Sony ECM-99A's>Sony TC-152 > Master Audience Cass > DAT's; Taper: Steve Rolfe; dat> sek'd prodif+ card> hard drive> cdwav > shntool (pad zeros @ end of sets to have complete sectors) >mkw (seekable); dat>shn transfer by dale shepherd, from Matt Vernon DAT; see info file for flaw notes	Source Detail
05/05/78	Thompson Arena, Dartmouth College	Hanover	NH	Source: Recorded NAK CM700, Sony 158SD by Barry Glassberg Lineage: AUDMC> TASCAM 112MKII > Sony PCM-500 > HHB800 by John Steinthal SHN Encoding: EAC(secure) > mkwact > SHN(seekable) by Matt Vernon via Mark Cohen; upgrade in circulation	Source Detail
05/05/78	Thompson Arena, Dartmouth College	Hanover	NH	flac16; Source: FOB Audience Recording (30 Rows Back) Media: Maxell UD-XLII C90 min / C60 min Lineage: Nakamichi CM300's > Sony 1535D (Dolby B on) > MAC Transfer: MAC > Nakamichi DR-1 (Dolby B off) > Benchmark ADC-1 > AES > Sound Devices 722 (24/96 WAV) Taper: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe	Source Detail
05/06/78	Patrick Gymnasium, University Of Vermont	Burlington	VT	1st set: SBD>MC>?>CD>EAC>SHN; 2nd set: AUD>MC>D>SHN; probably not more than one analog gen for the sbd portion; Thanks to Alex MacDonald, Dale Shepherd, and Matt Vernon; edits/encoding by JCotsman	Source Detail
05/06/78	Patrick Gymnasium, University Of Vermont	Burlington	VT	flac16; Source: FOB Audience Recording (25th Row DFC) Media: Maxell UD-XLII C90 min / C60 min Lineage: Nakamichi CM300's > Sony 1535D (Dolby B on) > MAC Transfer: MAC > Nakamichi DR-1 (Dolby B off) > Benchmark ADC-1 > AES > Sound Devices 722 (24/96 WAV) Taper: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe	Source Detail	FLAC
05/06/78	Patrick Gymnasium, University Of Vermont	Burlington	VT	Sony ECM-99A's> Sony TC-152 > Master Audience Cass > DAT's; Dat Tascam DA-P1 > Sek'd Prodif+ card > Sek'd Red Roaster (edits, fades- see txt) > Cdwav (splits) > mkw; Boundaries verified with Shntool; No dae, no eq, no signal processing; Recorded by Steve Rolfe; Dat > shn transfer by Dale Shepherd; Source Dats from Matt Vernon	Source Detail	SHN
05/06/78	Patrick Gymnasium, University Of Vermont	Burlington	VT	flac16; source: aud cassette master taped by Jerry Moore 3 mics blended through nak 550>sony tc-153sd maxell xlII90 tapes, dolby b lineage: nak dragon>hd-p2 24/48>cd wave>adobe 16/44>flac	Source Detail	FLAC
05/07/78	Field House, Rensselaer Polytechnic Institute	Troy	NY	SBDMC>PCM>DAT>CD w/Aud MC>DAT>CD; via Jeff Cook; Seeded to etree by Matt Vernon	Source Detail
05/07/78	Field House, Rensselaer Polytechnic Institute	Troy	NY	flac16; Source: Audience FOB Recording Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe	Source Detail	FLAC
05/07/78	Field House, Rensselaer Polytechnic Institute	Troy	NY	MAC(1 Sony ECM-33P + 1 AKG D1000e>Teac PC-10)>DAT; with SBD patches; via Dale Shepherd; seeded to etree by Matt Vernon	Source Detail	FLAC
05/07/78	Field House, Rensselaer Polytechnic Institute	Troy	NY	flac1644; Source: Stereo mic & recorder (models unknown) > TDK AD-90's (normal bias) cassettes. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2021	Source Detail	FLAC
05/09/78	Onongada County War Memorial	Syracuse	NY	AUD (Sony 54P's) > MC > DAT > CDR or AUD (Sony 54P's) > MC > C > DAT > CDR; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
05/09/78	Onongada County War Memorial	Syracuse	NY	flac16/48kHz; Cassette Audience Master recorded By Eddie Claridge; Sony ECM 280 Cardioid Condenser Microphones-Stand Mounted-Sony TC 158 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded Cassette Masters played back on Nakamichi Dragon-Sony PCM R-700 DAT (original A-D by J.W.); DAT Master played back on a Sony PCM R-500-Digital Audio Labs Card deluxe-16 bit 48KHz WAV; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise	Source Detail	FLAC
05/09/78	Onongada County War Memorial	Syracuse	NY	flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
05/10/78	Veterans Memorial Coliseum	New Haven	CT	SBD; via Mike Lai	Source Detail
05/10/78	Veterans Memorial Coliseum	New Haven	CT	Aud, Set 1: Sony 54-Ps>Sony TCD158>CM>C>D>CD>EAC .093B>WAV>SHN Set 2: Sony 54-Ps>Sony TCD158>CM>D>CD>EAC .093B>WAV>SHN Via JR Fishman	Source Detail
05/11/78	Springfield Civic Center	Springfield	MA	sdb> reel master> cassette> dat> cdr; via Mike Lai; upgrade in circulation	Source Detail
05/11/78	Springfield Civic Center	Springfield	MA	Recorded by Moore, Maisner, and Spitalny; Nak 700s> Nak 550> Sony TC-152 from the floor just to the right of the center Lineage: AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT by David Minches	Source Detail	FLAC
05/11/78	Springfield Civic Center	Springfield	MA	flac16/48kHz 2nd Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158 > Cassette; Transfer Info:1st generation cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
05/13/78	The Spectrum	Philadelphia	PA	Sony ECM33P7 + AKGD1000E > Teac PC-10 > Master Audience Cass > DAT's; Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > Sek'd Red Roaster (edits) > Cdwav > Mkw; Source tapes from Matt Vernon; Dat > shn transfer by Dale Shepherd; see info file for editing and flaw notes; d1 tracked for 80 min; upgrade in circulation	Source Detail
05/13/78	The Spectrum	Philadelphia	PA	flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/13/78	The Spectrum	Philadelphia	PA	flac2448; Partial AUD; Source: Mono Sony hand-held recorder (model unknown) > TDK-Audua (normal bias) cassette. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2021	Source Detail	FLAC
05/14/78	Providence Civic Center	Providence	RI	Sony ECM33P7 + AKGD1000e> Teac PC-10 > Master Audience Cass > DAT's; Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > Sek'd Red Roaster (edits*) > Cdwav; via Matt Vernon; Dale Shepherd	Source Detail
05/14/78	Providence Civic Center	Providence	RI	flac16;AUD: 1x AKG D200E (mono recording) > Sony TC-153SD > Maxell UD-XLII 90's. Recorded from lower arena riser, first section to left of stage, Section 110 Row G. Taped by Tim Friend. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 07/2010	Source Detail	FLAC
05/14/78	Providence Civic Center	Providence	RI	flac16; Recording Info:SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/14/78	Providence Civic Center	Providence	RI	flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK-AD (normal bias) cassettes. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2021	Source Detail	FLAC
05/16/78	Uptown Theater	Chicago	IL	AKG D202E mics > Sony TC-152; AUDMC > R > DAT > CDWAV; via Noah Weiner	Source Detail
05/16/78	Uptown Theater	Chicago	IL	flac16; Recorded by Phil Jaret; JVC M-201 Stereo Microphone> Teac PC-10 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 3.0> Ozone 4.0> FLAC encoding Pitch Correction by Joe B. Jones	Source Detail	FLAC
05/16/78	Uptown Theater	Chicago	IL	flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones	Source Detail	FLAC
05/17/78	Uptown Theater	Chicago	IL	AKG D202E mics > Sony TC-152; AUDMC > R > DAT > CDWAV; via Noah Weiner	Source Detail
05/17/78	Uptown Theater	Chicago	IL	flac16; Recorded by Phil Jaret; JVC M-201 Stereo Microphone> Teac PC-10 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/pitch Correction by Joe B. Jones. The beginning of many songs were clipped and patched with SHNID 8334.	Source Detail	FLAC
05/17/78	Uptown Theater	Chicago	IL	flac16; Recording Info:SBD -> Cassette Master -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/17/78	Uptown Theater	Chicago	IL	flac1648 Source Info: Master Audience Cassettes (unknown mics/deck) > Tim McKenzie's 2nd generation cassettes Transfer Info: 2nd generation cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition 2022 > TLH flac2496	Source Detail	FLAC
06/04/78	Campus Stadium, UC Santa Barbara	Goleta	CA	SBD>MC>C>D>CD; patched with AUD>MC>R>D>CD; See info file for details; via Raoul Duke and Mike Tausig; Seeded to etree by Matt Vernon & J. Cotsman	Source Detail
06/04/78	Campus Stadium, UC Santa Barbara	Goleta	CA	flac16; Master audience cassettes> Open Reel (Sony 153>Tandberg 9141) > DAT (Tandberg 9141>Tascam DA-20 @ 44.1kHz)	Source Detail	FLAC
06/04/78	Campus Stadium, UC Santa Barbara	Goleta	CA	flac16; Recording Info: SBD (Betty's Recording Mix) -> Master Cassette (Maxell UD C-90) -> Dat (44.1k);Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/04/78	Campus Stadium, UC Santa Barbara	Goleta	CA	flac16; Set One & Set Two Partial; Source: FOB AUD unknown lineage, from Brian Schley tape collection. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (insert patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2016	Source Detail	FLAC
06/04/78	Campus Stadium, UC Santa Barbara	Goleta	CA	flac1644; Source: Lo-Fi mono AUD from the tape collection of Rich Petrunis. Transfer: Old TDK's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2022	Source Detail	FLAC
06/25/78	Autzen Stadium, University Of Oregon	Eugene	OR	SBD> MC> ?> D> CD> EAC> SHN; ; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman; see notes in info file; d2 tracked for 80 min	Source Detail
06/25/78	Autzen Stadium, University Of Oregon	Eugene	OR	flac16; Recording Info: SBD > MC? > ? > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC; Remastered, retracked upgrade of shnid 7048.	Source Detail	FLAC
06/25/78	Autzen Stadium, University Of Oregon	Eugene	OR	flac16/48kHz; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
06/25/78	Autzen Stadium, University Of Oregon	Eugene	OR	flac1648 Recording Info: Bear's Master Cassette (Set 1) + Bear's Master Reel > Cassette (Set 2) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 > RX8 > Flac16 Recorded by Augustus Owsley Stanley III (aka Bear) Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain	Source Detail	FLAC
07/01/78	Arrowhead Stadium	Kansas City	MO	Robert Wagner Recording: Sony 54p's>Sony TC-158, Aud>MC>Da>Cdr	Source Detail
07/01/78	Arrowhead Stadium	Kansas City	MO	flac16; Recording by Bob Wagner: Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding	Source Detail
07/03/78	St. Paul Civic Center	St. Paul	MN	Robert Wagner Recording: Sony 54p's>Sony TC-158, Aud>MC>Da>Cdr	Source Detail
07/03/78	St. Paul Civic Center	St. Paul	MN	flac16; Recording by Bob Wagner: Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding	Source Detail
07/03/78	St. Paul Civic Center	St. Paul	MN	flac16; Low-gen Audience Cassette (Set 1: TDK SA-90; Set 2: Maxell UDXL-II C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (DFF 1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > Soundforge 9 (pitch, edit) > CD Wave Editor (track) > Trader's Little Helper (wav > flac) > Flac16; Transfer, edit/patch, pitch correction by Bob Morris, May 2012	Source Detail	FLAC
07/05/78	Omaha Civic Auditorium	Omaha	NE	AUD(Sony 54P?s>Sony TC-158)>MC>C>DAT>CD; via Paul B; Seeded to Etree by T. Wiley	Source Detail
07/05/78	Omaha Civic Auditorium	Omaha	NE	flac16; Recorded by Bob Wagner Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding	Source Detail
07/05/78	Omaha Civic Auditorium	Omaha	NE	flac16; MOTB Release: 0070 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Sony Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight Transfer By: Adam Egert Mastering By: Derek McCabe	Source Detail	FLAC
07/07/78	Red Rocks Amphitheatre	Morrison	CO	SBD> MR> PCM> DAT, from Betty Board; DAT> CD> EAC> SHN conversion & upload by Adam Jerugim; known flaw: d3t02 d/o @ 10:14; note summary of Jason Palmer's and AJ's reports: This is not in stereo: the same channel is spread over both using a splitter technique. The channel that should contain Keith, half of Jerry, Billy, and possibly some of Phil, is missing; Keith is minimally audible. This the only SBD source available. If you have a superior source, please contact AJ. [Note: A shntool-fixed-by-set version also circulates]. ; upgrade in circulation	Source Detail
07/07/78	Red Rocks Amphitheatre	Morrison	CO	Source: FOB-MAR>C>C>DAT>WAV>SHN SBD Patch MSR>R>C>C>DAT>WAV>SHN Source C>SHN Conversion By Cousinit SBD Patch C>SHN Conversion By Cousinit	Source Detail
07/07/78	Red Rocks Amphitheatre	Morrison	CO	flac16; AUD Source: Recording by Bob Wagner. Sony ECM-54P's > Sony TC-158. Transfer: MAC > Teac AN-180 outboard Dolby unit > Sony TC 755 open reel deck > Scotch Classic reels at 7.5 IPS, Dolby-B, by Jerry Moore. Reels > Sony TC 850 open reel deck > Teac AN-180 Dolby unit > Sony SBM-1 (super bit mapper) > Tascam CD-Rw4U stand alone burner, by Rob Berger. CDR > EAC > WavMerge > CD-Wave (new track ID's) > TLH (SBE-OK, lossless compression, and checksums) > FLAC, Feb 2007	Source Detail
07/07/78	Red Rocks Amphitheatre	Morrison	CO	Fix of shnid 293 - SBD> MR> PCM > DAT; DAT> CD> EAC> SHN by Bill Tetzeli	Source Detail	SHN
07/07/78	Red Rocks Amphitheatre	Morrison	CO	flac16; MOTB Release: 0071 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Sony Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight Transfer By: Adam Egert Mastering By: Derek McCabe	Source Detail	FLAC
07/07/78	Red Rocks Amphitheatre	Morrison	CO	flac2448 Source: Unknown mics & deck (up front) > Maxell XLII's, concert recording by John Hicks & Dennis Fong. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2022	Source Detail	FLAC
07/07/78	Red Rocks Amphitheatre	Morrison	CO	flac16; Mono Soundboard; lineage from shnid 293 listed as SBD> MR> PCM> DAT, from Betty Board; DAT> CD> EAC> SHN; This is a flac encoded & tagged version of reworked shnid 33817	Source Detail	FLAC
07/07/78	Red Rocks Amphitheatre	Morrison	CO	flac2448 Source: Unknown mics & deck (up front) > Maxell XLII's, concert recording by John Hicks & Dennis Fong. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2022	Source Detail	FLAC
07/08/78	Red Rocks Amphitheatre	Morrison	CO	SBD> [?]> DAT> CDR; via Jeff Hoelter; see pub comments for additional notes. [Note: A shntool-fixed-be-sets version of this source is available]; upgrade in circulation	Source Detail
07/08/78	Red Rocks Amphitheatre	Morrison	CO	flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight	Source Detail	FLAC
07/08/78	Red Rocks Amphitheatre	Morrison	CO	flac16; SBD> [?]> DAT> CDR; via Jeff Hoelter - patched and pitch correction by Kevin Tobin	Source Detail	FLAC
07/08/78	Red Rocks Amphitheatre	Morrison	CO	flac2448; AUD Source: Unknown mics & deck > MAC > 1st-Gen back-up tapes, concert recording by John Hicks & Dennis Fong. Transfer: Maxell XLII's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2022	Source Detail	FLAC
07/08/78	Red Rocks Amphitheatre	Morrison	CO	flac16; Recording Info: SBD -> Master Reel -> PCM -> Roland SRC-2 -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/18/78	Club Front	San Rafael	CA	Shakedown Street sessions with Lowell George (Sbd>??>Cdr); Seeded to etree by Tzuriel	Source Detail
08/18/78	Club Front	San Rafael	CA	SBD> MR> ??> DAT> CDR> EAC (secure)> CD WAV> SHN (seekable); EAC> etree by Tim Wiley; with thanks to Paul B. for source discs	Source Detail
08/30/78	Red Rocks Amphitheatre	Morrison	CO	set 2; SBD> MC> DAT> CDR; via Charlie Miller; Cozmcchuck; Steve Barbella	Source Detail
08/30/78	Red Rocks Amphitheatre	Morrison	CO	AUD>MC>DAT>CD; Seeded to Etree by T. Wiley	Source Detail
08/30/78	Red Rocks Amphitheatre	Morrison	CO	flac16; Recording Info: SBD -> Cassette Master (Maxell UDXLI) -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/30/78	Red Rocks Amphitheatre	Morrison	CO	flac16/48kHz; 1st Set: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (row 20, seats 73-75)> Sony TC-158SD (Maxell UDXLII); 2nd Set: Mark Severson's Master Audience Cassettes; Nakamichi 301 mics (row 20, seats 73-75)(patched out of Barry Glassberg) > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
08/30/78	Red Rocks Amphitheatre	Morrison	CO	flac2448; Partial AUD; Source: Handheld deck (mono) > MAC > 1st-Gen mix tape, concert recording by John Hicks & Dennis Fong. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2022	Source Detail	FLAC
08/31/78	Red Rocks Amphitheatre	Morrison	CO	Partial 2nd set; See info file for details; SBD>MR>DAT>CDR; Seeded to Etree by T. Wiley ; upgrade in circulation	Source Detail
08/31/78	Red Rocks Amphitheatre	Morrison	CO	AUD>MC>DAT>CD; via Paul B; Seeded to Etree by T. Wiley	Source Detail
08/31/78	Red Rocks Amphitheatre	Morrison	CO	Lineage: Source 1: AUD>Cm>Dat>CD>EAC>Samplitude v7.02>SHN Source 2: SBD>Rm>PCM>Dat>Samplitude v7.02>SHN All edits and conversions done by Charlie Miller charliemiller87@earthlink.net 11/12/03	Source Detail	SHN
08/31/78	Red Rocks Amphitheatre	Morrison	CO	flac2448; AUD Source: Handheld deck (mono) > Maxell-XLII, concert recording by John Hicks & Dennis Fong. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2022	Source Detail	FLAC
08/31/78	Red Rocks Amphitheatre	Morrison	CO	flac16; Recording Info: SBD -> Cassette Master (Maxell UDXLI-C90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/31/78	Red Rocks Amphitheatre	Morrison	CO	flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 301 mics (row 20, seats 77-80)(patched out of Barry Glassberg) > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
09/02/78	Giants Stadium	East Rutherford	NJ	mixed source: set 1 et al: Master Audience Cassette; Shure SM-57 mics> Sony TC-158; bulk of set 2: Master Soundboard Cassette > Cassette > DAT; CD Mastering, EAC'ed / SHN'ed by Scott Clugston	Source Detail
09/02/78	Giants Stadium	East Rutherford	NJ	AUDMC > DAT > WAV > SHN recorded by Steve Rolfe with two Sony EMC-33P mics > Sony TC-152 deck 50-60 feet left center from the stage, converted and encoded by Noah Weiner	Source Detail
09/02/78	Giants Stadium	East Rutherford	NJ	flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/02/78	Giants Stadium	East Rutherford	NJ	flac1644 Keith Gatto's Master (FOB) Audience Cassettes; Shure SM57 mics> Sony TC-158 > Tim McKenzies' DAT (x3)(Maxell HS-4/90s) @48kHz Transfer Info: DAT (Sony PCM-M1) > Sony 7-pin/Oade digi I/O> Hosa DRA-501 coaxial cable> Tascam CD-RW750 CD	Source Detail	FLAC
09/13/78	Gizah Sound and Light Theater	Cairo	Egypt	Soundcheck from night before the shows; SBD>MR>??>CDR; Seeded to Etree by T. Wiley	Source Detail
09/13/78	Gizah Sound and Light Theater	Cairo	Egypt	flac16; Soundcheck - Recording Info: Unknown Mics -> Cassette Master -> ? -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/13/78	Gizah Sound and Light Theater	Cairo	Egypt	soundcheck; Aud Cassette Master -> ?? -> CD; via Jim Bennett	Source Detail	FLAC
09/13/78	Gizah Sound and Light Theater	Cairo	Egypt	flac16; Source: Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; shn CD import > xACT for flac fingerprints and md5 verification > FLAC by Dave Schall	Source Detail	FLAC
09/14/78	Gizah Sound and Light Theater	Cairo	Egypt	Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; via John D'Auria; note one less reel gen than previous version	Source Detail
09/14/78	Gizah Sound and Light Theater	Cairo	Egypt	Recording Info: SBD -> Master Reel (2 track) -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN)Transfered By Charlie Miller; upgrade in circulation	Source Detail
09/14/78	Gizah Sound and Light Theater	Cairo	Egypt	flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC Transfered By Charlie Miller	Source Detail	FLAC
09/14/78	Gizah Sound and Light Theater	Cairo	Egypt	flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x ECM280 >> Sony TC-158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Eldon Porray Transfer By: Bob Menke Mastering By: Brion Green	Source Detail	FLAC
09/15/78	Gizah Sound and Light Theater	Cairo	Egypt	set 2; SBD > 10" RTR @ 15 I.P.S. 2-track > Sony 601 PCM > Panasonic 3700 DAT > Neve "Capricorn" digital console > DB3000s sample-rate converter & noise shaper > Panasonic 4100 DAT > Panasonic 3700 DAT > SSSB; EAC (High, Secure) > WAV > SHNv3 by Patrick Murphy, from Jay Serafin seed; upgrade in circulation	Source Detail
09/15/78	Gizah Sound and Light Theater	Cairo	Egypt	Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; Transferred and seeded by John D'Auria; d2 tracked for 80 min;see info file for flaw notes	Source Detail
09/15/78	Gizah Sound and Light Theater	Cairo	Egypt	Recording Info: Set One: SBD -> Reel Master (2 track) -> Cass -> Dat -> CD -> EAC -> SHN Set Two: SBD -> Reel Master (10" @ 15 I.P.S. 1/2-track) -> Dat -> CD -> EAC -> SHN Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN All transfers By Charlie Miller; upgrade in circulation	Source Detail
09/15/78	Gizah Sound and Light Theater	Cairo	Egypt	flac16; Recording Info: Set One: SBD -> Master Reel -> Cassette -> Dat (48k) Set Two: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/15/78	Gizah Sound and Light Theater	Cairo	Egypt	flac16; 2 x Sony ecm 280 mics >> Sony 153sd >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > flac16; Taped By: Eldon Porray	Source Detail	FLAC
09/16/78	Gizah Sound and Light Theater	Cairo	Egypt	SBD Reel > DAT > Montego II Plus > CDRWAV > CD-R > SHN; no Sunrise; via Leigh Orf- reextraction from CDR copy; upgrade in circulation	Source Detail
09/16/78	Gizah Sound and Light Theater	Cairo	Egypt	flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/16/78	Gizah Sound and Light Theater	Cairo	Egypt	flac16; 2 x Sony ecm 280 mics >> Sony 153sd >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > flac16; Taped By: Eldon Porray	Source Detail	FLAC
09/16/78	Gizah Sound and Light Theater	Cairo	Egypt	flac16; Source: Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; shn CD import > xACT for flac fingerprints and md5 verification > FLAC by Dave Schall	Source Detail	FLAC
10/17/78	Winterland Arena	San Francisco	CA	SBD: Master Reel> PCM> DAT> CD> (EAC) WAV> SHN; EAC, tracking, shn and upload by Evan Levy; notes: one splice in Eyes, U.S. Blues cuts off missing ~45 seconds; see pub comments for additional notes; upgrade in circulation	Source Detail
10/17/78	Winterland Arena	San Francisco	CA	SBD>Master Reel>Cassette>DAT>WAV>FLAC>WAV>SHN; upgrade in circulation	Source Detail	SHN
10/17/78	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/17/78	Winterland Arena	San Francisco	CA	flac16; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000>> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe	Source Detail	FLAC
10/17/78	Winterland Arena	San Francisco	CA	flac16; Source: Soundboard > Master Reel > PCM > Dat (44k); Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1; Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017	Source Detail	FLAC
10/18/78	Winterland Arena	San Francisco	CA	SBD > Master Reel > PCM-1 > DAT > CD> EAC > SHN; via shakedown@canada.com; known flaws (from MR): Sugaree, Miracle cut; PITB, WR spliced; upgrade in circulation	Source Detail
10/18/78	Winterland Arena	San Francisco	CA	Source: SBD>Master Reel>Cassette>DAT>WAV>FLAC Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step; upgrade in circulation	Source Detail	FLAC
10/18/78	Winterland Arena	San Francisco	CA	flac16; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000>> DSF >> Korg MR-1000 => Korg AudioGate >> WAV [16/44.1] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Adam Egert	Source Detail	FLAC
10/20/78	Winterland Arena	San Francisco	CA	SBD; transferred and seeded to etree by Mike Lai, from Bruce Fried DAT	Source Detail
10/20/78	Winterland Arena	San Francisco	CA	flac16; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [16/44.1] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe	Source Detail	FLAC
10/20/78	Winterland Arena	San Francisco	CA	Source: SBD>Master Reel>Cassette>DAT>WAV>FLAC Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step	Source Detail	FLAC
10/20/78	Winterland Arena	San Francisco	CA	flac16; Recorded by: Mike Martin and Mark Bunton with Chuck helping out. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8)	Source Detail	FLAC
10/20/78	Winterland Arena	San Francisco	CA	flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD > 1st generation cassettes; Transfer Info: 1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
10/20/78	Winterland Arena	San Francisco	CA	flac16; Set 1 & partial Set 2 Recording Info: AKG C12A > Cassette Master (Nakamichi 550) > Cassette (Nakamichi 1000/Maxell UDXLI); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1	Source Detail	FLAC
10/21/78	Winterland Arena	San Francisco	CA	sbd> mr> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT seed; see info file for flaw and patch notes; upgrade in circulation	Source Detail
10/21/78	Winterland Arena	San Francisco	CA	flac16; SBD> Master Reel> Cassette> DAT> WAV> FLAC; Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step; upgrade in circulation	Source Detail	FLAC
10/21/78	Winterland Arena	San Francisco	CA	flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/21/78	Winterland Arena	San Francisco	CA	flac16; MOTB.0015 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHzStereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5	Source Detail	FLAC
10/22/78	Winterland Arena	San Francisco	CA	Sbd: Reel: PCM: Dat; D> CD: Tascam DA30MKII> Opcode Datport> HD (Cool Edit 2000)> Cdwav> SHN; Notes: SRC done by CE2K, and normalization also done by CE2K; via N. "NateDawg" Hifko, tracked for 3 discs by Yubah; etreed 5/10; Jeff K. hosted 5/15 with alternate tracking (q.v.) for d2,3	Source Detail
10/22/78	Winterland Arena	San Francisco	CA	Source: SBD>Master Reel>Cassette>DAT>WAV>FLAC Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step	Source Detail	FLAC
10/22/78	Winterland Arena	San Francisco	CA	flac16; MOTB0018 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastered By: Derek McCabe Tagged By: Jeff Thomas	Source Detail
11/13/78	Music Hall	Boston	MA	AUD>MC>DAT>CDR; Seeded to Etree by T. Wiley	Source Detail
11/13/78	Music Hall	Boston	MA	flac16; Low-generation Audience Cassette (C2?) (Maxell UDXL-II C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > Trader's Little Helper > Flac16; Transfer & edits (patched via Soundforge 9.0) by Bob Morris, April 2012.	Source Detail	FLAC
11/14/78	Music Hall	Boston	MA	AUD(Sony ECM-280?s)>MC>DAT>CDR; Seeded to etree by T. Wiley	Source Detail
11/14/78	Music Hall	Boston	MA	flac16; Recording Info: Nakamichi 300/CP1 -> Cassette Master (Maxell UDXLI/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; Taped By Steve Rolfe; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/16/78	Uptown Theater	Chicago	IL	AUD(Nak CM-300's>Sony TC-158)>MC>R>CoolEdit>CDR; Seeded to etree by T. Wiley	Source Detail
11/16/78	Uptown Theater	Chicago	IL	flac16; Source: SBD > ? > Cassette, from the Brian Schley tape collection. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2016	Source Detail	FLAC
11/16/78	Uptown Theater	Chicago	IL	flac16; Partial 2nd Set; Source: SBD (mono) unknown lineage > Cassette rescued from ebay. Transfer: XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 07/2020	Source Detail	FLAC
11/17/78	Rambler Room, Loyola College	Chicago	IL	sbd > ?? > shn; via Ernie Dodd; upgrade in circulation	Source Detail
11/17/78	Rambler Room, Loyola College	Chicago	IL	2nd set plus Shakedown opener; See info file for details; AUD>MC>??>DAT>CDR; Seeded to etree by T. Wiley	Source Detail
11/17/78	Rambler Room, Loyola College	Chicago	IL	Bob Weir & Friends: MSC > DAT > Sonic Solutions > CD > CD > extraction using adobe audition 1.5 > flac level 8, via David Gans.	Source Detail	FLAC
11/17/78	Rambler Room, Loyola College	Chicago	IL	flac16; sbd > ?? > shn > Wav > remaster > Flac; All editing done on Cool Edit Pro 2.1 by Audiohead22	Source Detail	FLAC
11/17/78	Rambler Room, Loyola College	Chicago	IL	flac1644 Source: unknown audience recording (unk gens) - from the collection of Doug Lamarre Transfer: Nakamichi CR-7A #1 (azimuth adjusted, Dolby) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate} > wav 24/96 Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 3 > iZotope RX 9 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick August 2022	Source Detail	FLAC
11/17/78	Uptown Theater	Chicago	IL	flac16; Partial Source: SBD > ? > Cassette, from the Brian Schley tape collection; Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F.	Source Detail	FLAC
11/18/78	Uptown Theater	Chicago	IL	SBD>MC>C>DAT>CDR; Seeded to etree by T. Wiley; upgrade in circulation	Source Detail
11/18/78	Uptown Theater	Chicago	IL	flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
11/20/78	Cleveland Music Hall	Cleveland	OH	partial sets 1,2; revised source: MR> Cass Master> Lynxone 24 bit A/D converter> CD; seed via M. Mcleod; abupt cut in the end of Peggy-o; via P. Lucente to BUDD offer; upgrade in circulation	Source Detail
11/20/78	Cleveland Music Hall	Cleveland	OH	Complete show. Set1: SBD> ??> CAS> CD> EAC> WAV; Set2: MSR> CAS> LYNXONE 24 Bit A/D Converter> CD> SHN> WAV; Set2 patches: MSC> CAS> DAT> CD-R> EAC> SHN> WAV; and MAC> R1> R2> (possibly R3>) DATs> CDRs> EAC> SHN> WAV. Set 2 derives from all three previous seeds. See info file for edits and flaws.	Source Detail
11/20/78	Cleveland Music Hall	Cleveland	OH	flac 16; Sick Bits Vol. 16a - matrix: SBD/AUD mix from 2 previously circulating sources; SBD: (shnid=12947)+ AUD: (shnid=302); edited, mixed and transfered by Chris Chappell	Source Detail
11/20/78	Cleveland Music Hall	Cleveland	OH	complete set 2; AUD, precise source is unknown? (but thought to be Nak 300s), lineage? MAC> Reel> Reel (>Possible 3rd Reel Generation>) DATs> CDRs> EAC> SHN; via Rob Bertrando, Darrin Sacks	Source Detail	SHN
11/20/78	Cleveland Music Hall	Cleveland	OH	flac16; Recording Info: Source 1: SBD -> ? -> Cassette -> CD; Source 2: SBD -> Master Cassette -> Dat -> CD; Source 3: Nakamichi 300 -> Reels? -> Dat -> CD; Source 4: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller (Upgrade now in circulation)	Source Detail	FLAC
11/20/78	Cleveland Music Hall	Cleveland	OH	flac16; Recording Info: Source 1: SBD -> ? -> Cassette -> Sound Devices 744T -> Samplitude Source 2: SBD -> Master Cassette -> Dat -> CD Source 3: Nakamichi 300 -> Reels? -> Dat -> CD Source 4: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller (This is an upgrade to source id 95244)	Source Detail	FLAC
11/20/78	Cleveland Music Hall	Cleveland	OH	flac16; Source: Unknown AUD (marked 4th gen) kindly provided by Seaweed1010. Transfer: XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. December 2011	Source Detail	FLAC
11/20/78	Cleveland Music Hall	Cleveland	OH	flac16/48kHz; Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
11/21/78	Community War Memorial Auditorium	Rochester	NY	AUD>MC>DAT>CDR; Seeded to Etree by T. Wiley	Source Detail
11/21/78	Community War Memorial Auditorium	Rochester	NY	flac16; Partial SBD > ? > Cassette Transfer: Cassette > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC. Soundforge for fades & edits, CD-Wave for tracking, Trader's Little Helper for SBE-OK and checksums, FLAC Frontend for lossless compression.; upgrade in circulation	Source Detail
11/21/78	Community War Memorial Auditorium	Rochester	NY	flac16; Lineage: SBD > ? > Cassettes Transfer: Maxell XL-II's > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC	Source Detail	FLAC
11/21/78	Community War Memorial Auditorium	Rochester	NY	flac16; Partial Set 2 Source: Low-generation (C2?) Audience Cassette (Maxell UDXL-I C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > Soundforge 9.0 > CD Wave Editor > Trader's Little Helper > Flac16; Transfer & edits by Bob Morris, April 2012.	Source Detail	FLAC
11/23/78	Capital Centre	Landover	MD	Master Soundboard Reel > Reel to Reel > Cassette > DAT> CDR; Aud patch for 4 songs; Missing 4 songs; See info file for details; Seeded to etree by Jools; upgrade in circulation	Source Detail
11/23/78	Capital Centre	Landover	MD	SBD>MR>R>C>D>CD>EAC>SHN; patched with: AUD>MC>D>CD>EAC>SHN; composite compiled from previous SBD & AUD sources	Source Detail
11/23/78	Capital Centre	Landover	MD	flac16 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette (circa 1984) Transfer/Flac Conversion Brian Mandel gdplusmore@aol.com 02-23-21 Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLP->Flac	Source Detail	FLAC
11/24/78	Capitol Theatre	Passaic	NJ	SBD (2- or more?- songs from FM source)> MR> DAT> CDA; reportedly has been in abgd, 5/21 to etree; upgrade in circulation	Source Detail
11/24/78	Capitol Theatre	Passaic	NJ	flac16; Recording Info: WBCN Pre-FM -> Studer Console -> Master Reel -> Dat/0 (Sony ES/48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/24/78	Capitol Theatre	Passaic	NJ	flac16; Source: PreFM SBD MR > DAT (48Khz) > DAT > WAV > FLAC. DAT > WAV transfer: Playback on Sony PCM-R500 > Neutrik input on Presonus Firebox preamp/A:D > firewire/XP Pro PC > Wavelab 5, recorded as 24 bit/96 KHz WAV > Waves L3 Multimaximizer (mastered to 16 bit/44.1 KHz WAV using hi res CD dither settings) > CDWAV 1.9 (tracking and FLAC encoding) > FLAC (level 8).	Source Detail	FLAC
11/24/78	Capitol Theatre	Passaic	NJ	flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD1 (shnid=87642) Recording Info: WBCN Pre-FM -> Studer Console -> Master Reel -> Dat/0 (Sony ES/48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + SBD2 (shn id 32876) SBD(PreFM) > MR>DAT > CDA > Wav(EAC) > SHN > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 13948 + VID (no shn id) low generation video supplied in dvd format for video project - surround mixing by Kevin Tobin	Source Detail	FLAC
11/25/78	Veterans Memorial Coliseum	New Haven	CT	flac16; source: aud 1st gen cassette (mastered: akg d200e's> Sony TC-158) taped by Jim Anderson lineage: aud c.m.>cassette>cdr>eac>flac transfer by Rob Berger	Source Detail	FLAC
12/12/78	Jai-Alai Fronton	Miami	FL	Master Soundboard Reel> Cassette> DAT> CDR> EAC> SHN; d1 tracked for 80 min; Mastered, EAC'ed / SHN'ed by Scott Clugston; to abgd ; upgrade in circulation	Source Detail
12/12/78	Jai-Alai Fronton	Miami	FL	SBD>MR>C>D>CD>EAC>SHN; patched with AUD>MC>SHN; pitch corrected	Source Detail
12/13/78	Curtis Hixon Convention Hall	Tampa	FL	AUD>MC>DAT>CDR; Seeded to Etree by T. Wiley	Source Detail
12/13/78	Curtis Hixon Convention Hall	Tampa	FL	Source: SBD -> Cassette Master > Cassette > Reel > Dat > CD -> EAC -> WAV Transfer Info:WAV -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller	Source Detail
12/15/78	Boutwell Auditorium	Birmingham	AL	AUD(Sony 54P?s)>MC>DAT>CDR; Seeded to etree by Tim W	Source Detail
12/15/78	Boutwell Auditorium	Birmingham	AL	flac16; Source: unknown aud Master Cassette > 10” Reels > PCM; Transfer: PCM > Sony SL-HF360 >Modified Sony 601 > Marantz PMD 661 > wav 16/44.1 - Transferred by the late Kris Westcott; Lineage: wav 16/44.1 > iZotope RX7 Advanced > iZotope Ozone 5 > CD Wave > Flac 16; edited and mastered SIRMick November 2018	Source Detail	FLAC
12/16/78	Nashville Municipal Auditorium	Nashville	TN	Robert Wagner Nak 300?s>Sony TC-158>MC>DAT>CDR; Seeded to Etree by Tim W	Source Detail
12/16/78	Nashville Municipal Auditorium	Nashville	TN	flac16; Recording Info: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source)	Source Detail
12/16/78	Nashville Municipal Auditorium	Nashville	TN	flac16; Recording Info: (FOB) Sony ECM250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: Dolby was used in the transfer of this source)	Source Detail	FLAC
12/16/78	Nashville Municipal Auditorium	Nashville	TN	Source: AUD, unknown mics: CM > 1C > DAT; Seeded to etree by Dan Stephens	Source Detail	FLAC
12/17/78	Fox Theater	Atlanta	GA	SBD>MR>R>C>D>CD>EAC>SHN; patched with AUD>MC>D>CD>EAC>SHN; the SBD is slightly degraded; Thanks to Mike Tausig & Chuck Kiefe; edits/encoding by JCotsman	Source Detail
12/17/78	Fox Theater	Atlanta	GA	ACM(Sony 54P's)>DAT>CDR; Seeded to etree by Tim W	Source Detail
12/17/78	Fox Theater	Atlanta	GA	flac16; Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/17/78	Fox Theater	Atlanta	GA	flac1644; Source: Handheld deck (mono) > MAC > 1st-Gen back-up tapes, concert recording by John Hicks & Dennis Fong. Transfer: Maxell XLII's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2022	Source Detail	FLAC
12/19/78	Memorial Coliseum, Mississippi State Fairgrounds	Jackson	MS	FOB AUD Sony 540> Sony TC158> DAT> SoundForge> CD-R> EAC> SHN; via D. Barrick	Source Detail
12/19/78	Memorial Coliseum, Mississippi State Fairgrounds	Jackson	MS	flac1644 Recording Info: (FOB) Sony 54P > Cassette Master (Sony TC-158SD/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2021 > Samplitude Pro X6 Suite > FLAC/24 This is 156949 2496 -> 1644	Source Detail	FLAC
12/19/78	Memorial Coliseum, Mississippi State Fairgrounds	Jackson	MS	flac16; Set 1 Only, Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5) Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; All Mastering By Charlie Miller	Source Detail	FLAC
12/19/78	Memorial Coliseum, Mississippi State Fairgrounds	Jackson	MS	flac16; Recording Info: (FOB) Sony 54P -> Cassette Master (Sony TC-158SD); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner	Source Detail	FLAC
12/19/78	Memorial Coliseum, Mississippi State Fairgrounds	Jackson	MS	flac16; Sony 54-P/Sony TC-158; Master AUD Cass> DAT> CD> DAE> FLAC; taped by Bob Wagner; reported retransfer of the same original source as previous seed, with different flaws- see pub comments	Source Detail	FLAC
12/19/78	Memorial Coliseum, Mississippi State Fairgrounds	Jackson	MS	flac2496 Recording Info: (FOB) Sony 54P > Cassette Master (Sony TC-158SD/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2021 > Samplitude Pro X6 Suite > FLAC/24	Source Detail	FLAC
12/21/78	The Summit	Houston	TX	AUD>MC>?>D>CD>EAC>SHN; pitch corrected, normalized; Thanks to Chuck Kiefe; edits/encoding by JCotsman	Source Detail
12/21/78	The Summit	Houston	TX	flac16/44 Source: unknown sbd cassette (low gen) - from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick July 2021	Source Detail	FLAC
12/22/78	Dallas County Convention Center Arena	Dallas	TX	AUD>MC>?>D>CD>EAC>SHN most set 1 & 2 via Chuck Kiefe, encoding Jeff Cotsman	Source Detail
12/27/78	Golden Hall, Community Concourse	San Diego	CA	Mixed sources; SBD>MR>??>DAT>CDR; AUD(Unknown)>?>CDR; Post Drums missing; See info file for details; Seeded to etree by Tim W	Source Detail
12/27/78	Golden Hall, Community Concourse	San Diego	CA	MAR (Taped by Greg Schug, 2 Neumann SM69 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)	Source Detail
12/27/78	Golden Hall, Community Concourse	San Diego	CA	flac16; Source 1: speed corrected version of shnid 9480: SBD>MR>??>DAT>CDR; Source 2: AUD MR Taped by Greg Schug, 2 Neumann SM69 mics (shnid 21480); Source 3: AUD(Unknown)>?>CDR (shnid 9480)	Source Detail	FLAC
12/27/78	Golden Hall, Community Concourse	San Diego	CA	flac16/48kHz; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (section 404, row 8, seats 12-14) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
12/28/78	Golden Hall, Community Concourse	San Diego	CA	Master Soundboard Reel > Cassette > CDR; via Dave Cohen; Scott Clugston	Source Detail
12/28/78	Golden Hall, Community Concourse	San Diego	CA	MAR (Taped by Greg Schug, 2 Neumann SM69 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)	Source Detail	FLAC
12/28/78	Golden Hall, Community Concourse	San Diego	CA	flac16/48kHz Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (section 404, row 8, seats 12-14) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
12/28/78	Golden Hall, Community Concourse	San Diego	CA	flac16/44.1kHz & 48kHz; Source Info: 1st Set: Master Soundboard Cassettes > Cassette > Dat (16-bit/44.1k); 2nd Set: Master Soundboard Cassettes > Dat (16-bit/48k); Transfer Info: 1st Set: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16; 2nd Set: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/48k)> Adobe Audition 3.01 > TLH flac1648	Source Detail	FLAC
12/30/78	Pauley Pavilion, UCLA	Los Angeles	CA	SBD> MR> PCM> DAT> CDR; Seeded to etree by Tony G; upgrade in circulation	Source Detail
12/30/78	Pauley Pavilion, UCLA	Los Angeles	CA	MAR (Taped by Greg Schug, 2 Neumann KM84 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)	Source Detail
12/30/78	Pauley Pavilion, UCLA	Los Angeles	CA	SBD>Rm>Reel>Cass>Dat with aud patches via Charlie Miller	Source Detail	SHN
12/30/78	Pauley Pavilion, UCLA	Los Angeles	CA	SBD>Rm>Reel>Cass>Dat with aud patches via Charlie Miller	Source Detail	SHN
12/30/78	Pauley Pavilion, UCLA	Los Angeles	CA	flac16; Recording Info: SBD -> Master Reel -> Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/30/78	Pauley Pavilion, UCLA	Los Angeles	CA	flac16; Source: Audience recording > Neumann KM 88's > Nagra > reel master; taped by Sandy Troy; Transfer: reel master > Technics RS1506 > Apogee Mini Me > Apogee Mini Dac> wav 24/96); transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3.0.01 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac16; edited and mastered SIRMick	Source Detail	FLAC
12/30/78	Pauley Pavilion, UCLA	Los Angeles	CA	flac16; Set 1 Source Info: Master Soundboard Cassette (dbx) > Dat (Panasonic SV-3700) (16-bit/48k) > Dat (Panasonic SV-3800) (16-bit/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16	Source Detail	FLAC
12/30/78	Pauley Pavilion, UCLA	Los Angeles	CA	flac16/48kHz; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (left side, first row of seats above bleachers next to railing, even with the soundboard) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
12/31/78	Winterland Arena	San Francisco	CA	via Jay Ashley; third and final EAC/SHN (this one 4x-verified bit-identical) of same seed CDs as other 2 previous shn sets	Source Detail
12/31/78	Winterland Arena	San Francisco	CA	flac16; Source: sbd > master reel (15ips half track) > pcm > dat (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000; wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16 edited and mastered SIRMick	Source Detail	FLAC
12/31/78	Winterland Arena	San Francisco	CA	flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD  >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein	Source Detail	FLAC
12/31/78	Winterland Arena	San Francisco	CA	flac16/48kHz; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (mounted on railing, right balcony, even with the soundboard)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
12/31/78	Winterland Arena	San Francisco	CA	flac16/44.1khz Source: SBD Reel Master > Beta tape > Beta VCR > PCM. Transfer: PCM > Sony PCM601esd (spdif out) > Digigram VX Pocket Sound Card > laptop (spdif in) > Steinberg Nuendo > Waves q10 > WAV 1644. Recording by Betty Cantor Jackson. PCM source & transfer by anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. November 02, 2020.	Source Detail	FLAC
12/31/78	Winterland Arena	San Francisco	CA	flac16/44.1khz Recording Info: AKG 414 (Omni) > Cassette Master (Nakamichi 550/Maxell UDXLI). Recorded front row center balcony by Dennis Koda. Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24. All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
??/??/78	unknown	unknown	unknown	flac16 Studio Recording-> ?-> Cassette Maxell UDXL1 C-60 with Dolby B (playback on Nakamichi )-> Lexicon Lambda-> Logic-> wav 16/44.1 -> flac	Source Detail	FLAC
01/05/79	The Spectrum	Philadelphia	PA	Taper Unknown: Nakamichi 300/CP1 -> Cm -> Cass -> Dat(48k)Dat (Sony R500) -> Prodif plus -> Samplitude v6.0 -> SHN ; SHN>WAV>Shntool(join)>ADWS>CD WAV>Shntool(Check/fix)>SHN(seekable)-NO DAE ; Via Charlie Miller ; remastered and seeded by T. Wiley	Source Detail
01/05/79	The Spectrum	Philadelphia	PA	flac2406 Recording Info: (FOB) Sony 54P > Cassette Master (Sony TC-158SD/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24	Source Detail	FLAC
01/07/79	Madison Square Garden	New York	NY	AUD> MC> DAT> CDR; via Raoul Duke, encoded by Matt Vernon	Source Detail
01/07/79	Madison Square Garden	New York	NY	flac16; Recording by Bob Wagner: Nakamichi 300/CP1 -> Cassette Master (Maxell UDXL-II/Sony TC-158) (Set 2 has a Sennheiser 441 mixed in) All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
01/08/79	Madison Square Garden	New York	NY	Recording by Keith Gatto: Nak 300's>MC>DAT>CD; via Paul; Seeded to etree by Glyde (updated lineage; had been marked Shure SM57's)	Source Detail
01/08/79	Madison Square Garden	New York	NY	flac16; Recording by Robert Wagner: Nakamichi 300/CP1 -> Cassette Master (Maxell UDXL-II/Sony TC-158) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
01/10/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	Recording by Keith Gatto: FOB made with Nak 300's and Sony TC-158 > DAT > Soundforge > CDR > Cdparanoia > SHN; Master Cassette was played back on a Nak Dragon > Sony PCM R-700 for the A > D; via R. Donnelly, J. Kempka.	Source Detail
01/10/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	Recording by Bob Wagner: Master Audience Cassette; 2 Sony ECM-4 Ps w/ Senn 421 blend> Sony 158 Transfer and SHN encoding by David Minches: Master played back on Nak Dragon> Egosys Waveterminal 2496>Art DI/O>Cool Edit 2000> SHN encoding > SHN Note: d3t02 is will not play or decompress to .wav; d3t03 is missing. upgrade now in circulation .	Source Detail	FLAC
01/10/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; Recording by Bob Wagner: Master Audience Cassette; 2 Sony ECM-4 Ps w/ Senn 421 blend> Sony 158 Transfer and SHN encoding by David Minches: Master played back on Nak Dragon> Egosys Waveterminal 2496>Art DI/O>Cool Edit 2000> SHN encoding > SHN > FLAC	Source Detail	FLAC
01/10/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16;Recording Info:(FOB) Sony 54P + (1) Sennheiser 441 -> Namakichi 550 -> Cassette Master (Sony TC-158SD/Maxell UDXLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded By Bob Wagner. upgrade of shnid# 77328	Source Detail	FLAC
01/10/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; source: aud cassette master taped by Jim Cooper; sony ecm22p's > sony tc-158sd, dolby bset I, end of II: TDK SA-C90's, set II: Maxell UDXLII-C90; nak dragon/b > benchmark adc1 24/96 > hd-p2 > adobe audition cs6 > 16/44.1 > flac; transferred & seeded by Rob Berger 2013	Source Detail	FLAC
01/10/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16/48kHz; Cassette Audience Master Recorded By Dr Keith J. Gatto; Nakamichi CM-300 Electret Condenser Microphones -Sony TCD 158 Cassette Recorder; Location @ FOB; Analog to Digital Transfer by Keith Gatto: Cassette Master played back on Sony TC-158 SD to a "Unknown Model" DAT deck @ 48KHz; Original zero gen DAT played back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-32 bit float 48KHz WAV; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); Digital Transfer,Editing & Processing performed in the 32 bit float digital domain By JW; This is a dithered 16 bit 48KHz file set	Source Detail	FLAC
01/10/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac2496 Recording Info: (FOB) (2)Sony 54P + (1)Sennheiser 441 > Namakichi 550 > Cassette Master (Sony TC-158SD/Maxell UDXLII-S90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24	Source Detail	FLAC
01/11/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	Recording by Keith Gatto: FOB (Nak 300's > Sony TC-158 )Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; ; Master Cassette was played back on a Nak Dragon > Sony PCM R-700 for the A > D; via R. Donnelly for, J. Kempka	Source Detail
01/11/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; source: aud cassette master taped by Jim Cooper; sony ecm22p's > sony tc-158sd, dolby b; set I, end of II: TDK SA-C90's, set II: Maxell UDXLII-C90; nak dragon/b > benchmark adc1 24/96 > hd-p2 > adobe audition cs6 16/44.1 > flac; transferred & seeded by Rob Berger 2013	Source Detail	FLAC
01/11/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16/48kHz; Cassette Audience Master Recorded By Dr Keith J. Gatto; Nakamichi CM-300 Electret Condenser Microphones -Sony TCD 158 Cassette Recorder Location @ FOB; Analog to Digital Transfer by Keith Gatto: Cassette Master played back on Sony TC-158 SD to a "Unknown Model" DAT deck @ 48KHz (circa 1991); Original zero gen DAT played back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-32 bit float 48KHz WAV; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); Digital Transfer,Editing & Processing performed in the 32 bit float digital domain By JW	Source Detail	FLAC
01/12/79	The Spectrum	Philadelphia	PA	Recording by E. Claridge: Split 30' on the balcony with Sony ECM-280 mics > Sony TC158: Transfer: FOB Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; ; Digital Remaster by J. Wise; via R. Donnelly, J. Kempka	Source Detail
01/12/79	The Spectrum	Philadelphia	PA	Unknown audience recording - set 2 only; downloaded from a.b.gd 01/03;	Source Detail	FLAC
01/12/79	The Spectrum	Philadelphia	PA	flac16: Source: FOB Aud -> CM -> C -> C Transfer: Dec-2000 D5 > Turtle Beach sound card > Goldwave > WAV > CD CD > dbPoweramp > FLAC 8 Transfer and mastering by Mark D Fulton (mdftunes)	Source Detail	FLAC
01/14/79	Utica Memorial Coliseum	Utica	NY	Taper unknown: (FOB) Nakamichi 300/CP1 -> Cm -> Cass -> Cass -> Cass -> Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN > WAV>Shntool(join)>ADWS>CD WAV>Shntool(check)>SHN(seekable) ; Via Charlie Miller ; Remastered by T. Wiley 07/16/2003.	Source Detail
01/14/79	Utica Memorial Coliseum	Utica	NY	flac2448; 2nd Set: Source: Nakamichi CM300/CP1's > MAC > Lo-Gen tape, with thanks to Seaweed1010. Transfer: Maxell XLIIS-100 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Andrew F. 10/2023	Source Detail	FLAC
01/14/79	Utica Memorial Coliseum	Utica	NY	flac1648 Master Audience Cassettes; AKG 220E mics > Technics 646D cassette deck; Doug Lamarre's 1st generation cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2024 > TLH flac 2496	Source Detail	FLAC
01/14/79	Utica Memorial Coliseum	Utica	NY	flac2448; 1st Set: Source: Nakamichi CM300/CP1's > MAC > Lo-Gen tape, with thanks to Seaweed1010. Transfer: Maxell XLIIS-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Andrew F. 03/2024	Source Detail	FLAC
01/15/79	Springfield Civic Center	Springfield	MA	Recording by Steve Rolfe: Nakamichi 300's w/Cardoid Capsules > Master Audience Cassette > Sony TC158; Played back on a Nak DR1 > Sony PCMR500 DAT with SBM ON @ 48KHz > (done by Rango Keshavan); Soundforge (noise reduction, bass boost) > CDR (done by Jim Wise) > EAC > SHN; see info file for additional details;; upgrade now in circulation.	Source Detail
01/15/79	Springfield Civic Center	Springfield	MA	flac16; Recording by Steve Rolfe :(FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
01/15/79	Springfield Civic Center	Springfield	MA	flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; All Mastering By Charlie Miller	Source Detail	FLAC
01/15/79	Springfield Civic Center	Springfield	MA	flac16; Sick Bits Vol. 32 - matrix by Chris Chappell; Source: SBD: (shnid 102389) via Charlie Miller; AUD: (shnid 90095) recorded by Steve Rolfe via Charlie Miller	Source Detail	FLAC
01/15/79	Springfield Civic Center	Springfield	MA	flac16; Recorded by Steve Rolfe: Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B); Section 61 Row S Seat 7; Transfer and masteringg by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 6.0> FLAC encoding	Source Detail	FLAC
01/15/79	Springfield Civic Center	Springfield	MA	flac16/48kHz; 1st Set, 2nd Set partial Recording Info: Kathy Sublette's Master (FOB)Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
01/17/79	Veterans Memorial Coliseum	New Haven	CT	Updated lineage: Recording by Steve Rolfe:TEAC PC-10 with nak 300 mic's pole-mounted fob; via Dave Minor; seeded to etree by Marc Pujol & Matt Vernon (had been marked as Nak 700 mics); upgrade now in circulation.	Source Detail
01/17/79	Veterans Memorial Coliseum	New Haven	CT	flac16; SBD: MC > EQ > CDR > EAC > SHN > > FLAC patched w/ shn id 1220;; upgrade now in circulation.	Source Detail
01/17/79	Veterans Memorial Coliseum	New Haven	CT	flac16; Recording by Barry Glassberg: Source: Audience FOB Recording, Sec 9f Seat 4 Orchestra - 9ft pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick	Source Detail	FLAC
01/17/79	Veterans Memorial Coliseum	New Haven	CT	flac16; Matrix mix of new SBD Cassette > Nakamichi DR-1 > Lunatec V2 > Korg MR-1000 > DSD > AudioGate > WAV and AUD Source Recording by Barry Glassberg FOB Recording, Sec 9f Seat 4 Orchestra - 9ft pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav (Source ID 85101) Mastered by: D. McCabe Mastering Tools: Matrix created in Adobe Audition 3.0. Plugins included Nomad Factory and Izotope. Matrix is set at 50/50 blend	Source Detail	FLAC
01/17/79	Veterans Memorial Coliseum	New Haven	CT	flac16; Recording Info: (FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded by Steve Rolfe (Left Center 17th Row); All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
01/17/79	Veterans Memorial Coliseum	New Haven	CT	flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller	Source Detail	FLAC
01/18/79	Providence Civic Center	Providence	RI	Updated lineage: Recording by Steve Rolfe: TEAC PC-10 with nak 300 mic's fob encoded by Matt Vernon (had been marked nak 700 mics)	Source Detail
01/18/79	Providence Civic Center	Providence	RI	flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller	Source Detail	FLAC
01/18/79	Providence Civic Center	Providence	RI	Source: FOB AUD Master Cassette > DAT >CD-R > SHN. Mikes are allegedly Sennheiser 441's via Fishman	Source Detail	SHN
01/18/79	Providence Civic Center	Providence	RI	flac16; Recording Info: (FOB) Nakamichi 300/CP1 -> Cassette Master (Maxell UDXLI/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Steve Rolfe	Source Detail	FLAC
01/18/79	Providence Civic Center	Providence	RI	flac16; FOB AUD: AKG D200E (left mic) plus Shure Dynamic (right mic) > Sony TC-153SD > Maxell UD-XLII 90's. Mics on stand, set up FOB floor "dead center" Sec 5 Row H, taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 03/2010	Source Detail	FLAC
01/20/79	Shea's Buffalo Theater	Buffalo	NY	Recording by Eddie Claridge: FOB (Split 30' on the balcony with Sony ECM-280 mics > Sony tc158) Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; ; Digital Remaster by Jim Wise; via Robert Donnelly, Jeff Kempka	Source Detail
01/20/79	Shea's Buffalo Theater	Buffalo	NY	flac16; Recording Info: (FOB/6th Row) Nakamichi 700 (Sony D5/Dolby B) -> Cassette Master -> Dat -> CD -> FLAC Transfer Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC; Recorded By Jerry Moore; All Transfers and Mastering By Charlie Miller; This is a remaster of source ID 86374	Source Detail	FLAC
01/20/79	Shea's Buffalo Theater	Buffalo	NY	flac16; source: aud cassette master Nak 700's>Sony d5 w/dolby, 6th row center taped by Jerry Moore lineage: c.m.>dat>cdr>eac>cd wave>flac (c.m. played back w/correct eq setting...) transfered '99/encoded by Rob Berger tracked by Johnny(rider) Tallmadge	Source Detail	FLAC
01/21/79	Masonic Temple	Detroit	MI	Source: Unknown AUD>?>SHN. Editing: SHN>WAV>CE2K>CDWAVE>shntool>mkwACT. Edited & seeded to etree by MattMan.	Source Detail
02/03/79	Market Square Arena	Indianapolis	IN	set 2; Master FOB Audience Cassette; Nakamichi CM700 mics > Nakamichi 550 cassette deck> DAT > CDR; CD Mastering, EAC\'ed / SHN\'ed by Scott Clugston	Source Detail
02/03/79	Market Square Arena	Indianapolis	IN	Set One only MAC (Unknown equipment) > Unknown analog generations > Cassette > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)	Source Detail
02/03/79	Market Square Arena	Indianapolis	IN	flac16; **set 1 Only** Recording Info:SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller; This is an upgrade/fix to source ID 102851	Source Detail	FLAC
02/03/79	Market Square Arena	Indianapolis	IN	flac16; Set 1 only, Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller; upgrade in circulation	Source Detail	FLAC
02/03/79	Market Square Arena	Indianapolis	IN	Source: Master Audience Cassettes; Unknown Equipment > 1st generation cassettes > .wav 1644 Transfer Info: Unknown	Source Detail	FLAC
02/04/79	Dane County Coliseum	Madison	WI	Set 2 Nak 700's>MC>DAT>CDR>EAC>SHN	Source Detail
02/04/79	Dane County Coliseum	Madison	WI	flac16/48 Source Info: Master Audience Cassettes; Unknown Equipment > 1st generation cassettes > .wav 2496 Transfer Info: Unknown	Source Detail	FLAC
02/07/79	SIU Arena, Southern Illinois University	Carbondale	IL	SBD>??>C>CD>EAC>SHN (low gen); incomplete; portions of both sets; Thanks to Joey Browning; edits/encoding by JCotsman	Source Detail
02/07/79	SIU Arena, Southern Illinois University	Carbondale	IL	flac16; Set 1 only, Lineage: SBD > ? > Cassette Transfer: Maxell XL-II > Nakamichi BX-125 > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Aug 2007, by Andrew F.	Source Detail	FLAC
02/09/79	Soldiers & Sailors Memorial Hall	Kansas City	KS	3 Nak CM-300's>Nak 550>MC>R>CDR>EAC>SHN; Seeded to etree by Glyde	Source Detail
02/09/79	Soldiers & Sailors Memorial Hall	Kansas City	KS	flac16/48kHz; Source Info: Audience Master (unknown equipment)> ?? > 7" reel @ 3.75ips (Maxell XL135-90B); Transfer Info: 7" reel @ 3.75 ips (Akai GX-636) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
02/10/79	Soldiers & Sailors Memorial Hall	Kansas City	KS	AUD>MC>DAT>CDR>EAC>SHN; Seeded to etree by Glyde	Source Detail
02/10/79	Soldiers & Sailors Memorial Hall	Kansas City	KS	flac16; Recording by Joani Walker: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source)	Source Detail
02/10/79	Soldiers & Sailors Memorial Hall	Kansas City	KS	flac16; Recording Info: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> Adobe Audition v1.5 -> FLAC/16; Recording by Joani Walker; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
02/10/79	Soldiers & Sailors Memorial Hall	Kansas City	KS	flac16; **Set 2 Only-Soundboard** Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
02/10/79	Soldiers & Sailors Memorial Hall	Kansas City	KS	flac16; Recording by Joani Walker: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: Dolby was used in the transfer of this source)	Source Detail	FLAC
02/10/79	Soldiers & Sailors Memorial Hall	Kansas City	KS	flac24/88.2khz Audience Sound check from John Hance, Joe Beacon	Source Detail	FLAC
02/11/79	Kiel Auditorium	St. Louis	MO	AUD (3 Nak CM-300?s >Nak 550) > MC > R > CDR; via Raoul Duke, encoded by Matt Vernon	Source Detail
02/17/79	Oakland-Alameda County Coliseum	Oakland	CA	SBD > Reel > DAT > TB Fiji (S/PDIF) > WAV > SHN; Source DAT via T. Buller from Family Tree Batch #6; transfer by J. Kempka; some splices from source DAT cleaned up : upgrade now in circulation.	Source Detail
02/17/79	Oakland-Alameda County Coliseum	Oakland	CA	flac1648 Soundboard Reels @ 3.75 ips (Maxell) of unknown provenance (eBay tape liberation) Transfer Info: Soundboard reels (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (.wav 2496)> Adobe Audition CC 2024 > TLH flac2496	Source Detail	FLAC
02/17/79	Oakland-Alameda County Coliseum	Oakland	CA	flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe	Source Detail	FLAC
02/17/79	Oakland-Alameda County Coliseum	Oakland	CA	flac16/48kHz; Master Soundboard Cassettes > 1st generation reels > Sandy Troy's 2nd generation reels @ 3.75 ips; Transfer Info: 2nd generation reels > Technics RS-1506 > Apogee Mini Me (.wav 2496)> Mini DAC > Adobe Audition CC 2109 > TLH flac2496; 24-bit > 16-bit via dBpweramp	Source Detail	FLAC
04/16/79	Studio Rehersal, Club Front	San Rafael	CA	sbd> mr> dat> cd; DAE (EAC) by Chris Ladner, from Bear Greider seed; hosted by tol	Source Detail
04/16/79	Studio Rehersal, Club Front	San Rafael	CA	flac1648 Source: Master Cassette > DAT at 16/48 (with possible extra cassette generation) Speed Correction by Jason Chastain 2022 DAT Transfer and Mastering by Jim Blackwood Track, FLAC, and Pack by Steve Gravel	Source Detail	FLAC
04/22/79	Spartan Stadium, San Jose State University	San Jose	CA	2nd set; SBD>MR>??>DAT>CDR; via Paul B; Seeded to etree by Willy	Source Detail
04/22/79	Spartan Stadium, San Jose State University	San Jose	CA	Complete; Mixed sbd sources; Set 1 Source: SBD>?>C>C>WAV>SHN Set 2 Source: SBD MC>C>DAT>CDR>WAV>SHN; See info file for details; via Dave Morris, Jeffrey Smith; Seeded to etree by Jim Bennett	Source Detail
04/22/79	Spartan Stadium, San Jose State University	San Jose	CA	Partial Set 2; WBOTB-CD Source: master reel > PCM-1 > DAT-1 > SHN; See info file for further details; Seeded to etree by Tim Deibert	Source Detail
04/22/79	Spartan Stadium, San Jose State University	San Jose	CA	flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG d2243 >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rhineheart Holwein	Source Detail	FLAC
04/22/79	Spartan Stadium, San Jose State University	San Jose	CA	flac16; Recorded by Mark Severson; 2 Sony ECM-270s> Sony TC-D5 (2 Maxell UD XL-IIs + 1 TDK SA-90) Mics mounted on 2 poles, 3'-5' apart; 20' in front of sound board Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding	Source Detail	FLAC
04/22/79	Spartan Stadium, San Jose State University	San Jose	CA	flac16; 1st Set, Source: SBD > ? > Cassette, from the Brian Schley tape collection. Transfer: XLII (c.1981) > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. 09/2015	Source Detail	FLAC
05/03/79	Charlotte Coliseum	Charlotte	NC	Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon; upgrade now in circulation.	Source Detail
05/03/79	Charlotte Coliseum	Charlotte	NC	flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/04/79	Hampton Coliseum	Hampton	VA	Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon; upgrade now in circulation.	Source Detail
05/04/79	Hampton Coliseum	Hampton	VA	flac16; Recording by Barry Glassberg: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Tascam HD-P2 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick	Source Detail	FLAC
05/04/79	Hampton Coliseum	Hampton	VA	flac16; Recording by Joani Walker: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/04/79	Hampton Coliseum	Hampton	VA	Recording by Barry Glassberg: FOB Nakamichi 700's> Sony D5> Master Cassette> DAT> CDR> EAC> SHN; DAE(EAC) and SHN Encoding by Jeff M.: upgrade now in circulation.	Source Detail	FLAC
05/04/79	Hampton Coliseum	Hampton	VA	flac16; Source: AKG-222E x2 > Nakamichi 550, FOB recording by Richie Stankiewicz. Transfer: Back-up tapes (1st or 2nd gen) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2019	Source Detail	FLAC
05/05/79	Baltimore Civic Center	Baltimore	MD	Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon	Source Detail
05/05/79	Baltimore Civic Center	Baltimore	MD	flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC: upgrade now in circulation.	Source Detail
05/05/79	Baltimore Civic Center	Baltimore	MD	flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/05/79	Baltimore Civic Center	Baltimore	MD	flac16; Pitch and tempo adjusted version of soundboard shn id 34577 by fishmanj using Cool Edit 2000 and Adobe Audition correcting speed by 3%	Source Detail	FLAC
05/07/79	Allan Kirby Field House, Lafayette College	Easton	PA	Recording by Barry Glassberg: Master Audience Cassette; Nakamichi CM700 mics>Sony TC-158> DAT> CDR; Seeded to etree by Scott Clugston : upgrade now in circulation.	Source Detail
05/07/79	Allan Kirby Field House, Lafayette College	Easton	PA	set 1; aud> mics?> master cassette> dat> cdr; via Mike Lai	Source Detail	FLAC
05/07/79	Allan Kirby Field House, Lafayette College	Easton	PA	Recording by Barry Glassberg: Nak CM700, Sony 158SD . A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon	Source Detail	FLAC
05/07/79	Allan Kirby Field House, Lafayette College	Easton	PA	flac16/48kHz; Recording Info: SBD > Cassette Master > Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
05/08/79	Recreation Hall, Penn State University	State College	PA	Recording by Barry Glassberg: Nak 700's>Sony D5>MC>DAT>CDR; Seeded to etree by Willy: upgrade now in circulation.	Source Detail
05/08/79	Recreation Hall, Penn State University	State College	PA	flac16 Recording by Barry Glassberg: MOTB Release: 0028 16/44.1 Source: Audience FOB Recording, Right Center Soundboard Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: J. Waddell	Source Detail	FLAC
05/08/79	Recreation Hall, Penn State University	State College	PA	flac24; Recording by Barry Glassberg: MOTB Release: 0028 24/96 Source: Audience FOB Recording, Right Center Soundboard Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: J. Waddell	Source Detail	FLAC
05/08/79	Recreation Hall, Penn State University	State College	PA	flac16/48kHz; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
05/08/79	Recreation Hall, Penn State University	State College	PA	flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
05/09/79	Broome County Arena	Binghamton	NY	FOB Naks > Teac PC-10 (cassette master) > DAT x2; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (tracking, downsampling [Set II only]) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff; flips after Minglewood and Drums [Note: A sbe fixed version also circulates]	Source Detail
05/09/79	Broome County Arena	Binghamton	NY	flac16; Recording by Barry Glassberg: Source: Audience FOB Recording, 50ft. DFC, Hand-Held Nak CM700's Media: Maxell UD-XLII 90 min. Lineage 1: Nakamichi CM700's > Sony 158SD > MAC > Sony 158SD > C1 Lineage 2: Nakamichi CM700's > Sony 158SD > MAC Transfer 1: C1 > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Transfer 2: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky	Source Detail	FLAC
05/09/79	Broome County Arena	Binghamton	NY	flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded by Steve Rolfe; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/09/79	Broome County Arena	Binghamton	NY	Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon: upgrade now in circulation.	Source Detail	FLAC
05/09/79	Broome County Arena	Binghamton	NY	flac16/48kHz; 2nd Set Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
05/09/79	Broome County Arena	Binghamton	NY	flac1648 Source Info: FOB NAK 700-> Cassette-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48)	Source Detail	FLAC
05/11/79	Billerica Forum	Billerica	MA	FOB Sony ECM 280's > cassette master > 48k DAT; Transfer: DA20 mkII > Audiowerk2 > Waveburner > Peak > Jam > Plex 8/2/20 (on-the-fly card resampling); via A. Gustin	Source Detail
05/11/79	Billerica Forum	Billerica	MA	flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded by Steve Rolfe; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/12/79	Alumni Stadium, University Of Massachusetts	Amherst	MA	Recording by Barry Glassberg: Nak CM700s> MC>DAT>CD; via Paul B; Seeded to etree by Willy: upgrade now in circulation.	Source Detail
05/12/79	Alumni Stadium, University Of Massachusetts	Amherst	MA	flac16; Recording by Barry Glassberg: MOTB 0034: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM300's > Sony 158SD > MAC 50ft. DFC Hand-Held Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick	Source Detail	FLAC
05/12/79	Alumni Stadium, University Of Massachusetts	Amherst	MA	flac16; Set 2, FOB AUD: 3x Nakamichi CM-300's > Nakamichi 550 (lead deck) > Sony TC-153SD (Tim's deck) > Maxell UD-XLII's. Set up FOB center aprx sixty feet from stage. Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 03/2010	Source Detail	FLAC
05/12/79	Alumni Stadium, University Of Massachusetts	Amherst	MA	flac16/44.1khz Source: Audience FOB Recording Lineage: Nakamichi CM300's > Sony 158SD Hand-Held Transfer: MAC > Dat@44.1( K. Goto) Taped by: K. Gotto Transfer: MAC > Dat@44.1( K. Gotto) rebuilt Dat(taken Apart to Slice) Transfer Sony M1 analogue out > Edirol R09hr@24/88.2 > Wavelab6 > OzoneRx7A > Ozone6A > R8brain > CDWave	Source Detail	FLAC
05/13/79	Cumberland County Civic Center	Portland	ME	Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon : upgrade now in circulation.	Source Detail
05/13/79	Cumberland County Civic Center	Portland	ME	flac16; Recording by Barry Glassberg: MotB Release: 0036 16/44.1 Source: Audience FOB Recording Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: Andy Foust	Source Detail	FLAC
06/28/79	Sacramento Memorial Auditorium	Sacramento	CA	Recording by Reinhardt Hollwein: Sony ECM>Sony-158>Cass>Reel>CD; 'Minor' static/distortion in spots; All Over Now, Fire, Samson, Ship, NFA, Peter; via David Minches & Paul B; Seeded to etree by Willy	Source Detail
06/28/79	Sacramento Memorial Auditorium	Sacramento	CA	Set 2; SBD:MR> Cassettes x?> Pioneer 509 >CD; via Jools	Source Detail	SHN
06/30/79	Portland International Speedway	Portland	OR	Senn. 441's>MC>DAT>CD; via Paul B; Seeded to etree by Willy	Source Detail
06/30/79	Portland International Speedway	Portland	OR	flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly right of center, 40' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpowweramp	Source Detail	FLAC
07/01/79	Seattle Center Coliseum	Seattle	WA	no source info; via D. Barrick; d3 now tracked out; update 7/00: listener Joe Doss reports that this sounds like a SBD, and Rob Bertrando points out that a SMC> VHS HiFi> R> D version circulates- one might infer that this is that version; see flaw notes in public comment section;; upgrade now in circulation	Source Detail
07/01/79	Seattle Center Coliseum	Seattle	WA	flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x Nak CM 700's >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe	Source Detail	FLAC
07/01/79	Seattle Center Coliseum	Seattle	WA	flac16; Recording Info:SBD -> Cassette Master -> Cassette -> PCM -> AIFF; Transfer Info:AIFF -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/11/79	Studio Rehersal, Club Front	San Rafael	CA	flac16/44 From the collection of John Musgrave Source: Studio > ? > Akai GX650DB @ 3 3/4 ips using Dolby B (most likely?) Transfer: Revox B77 > Korg MR2000-s @ 1 bit 5.6 MHz DSD (November 2020) AudioGate (24-96) > iZotope RX8 advanced > Goody * > Korg Aqua (16-44) > TLH Goody Lineage: Speed/Pitch-adjustments using Adobe Audition -M-	Source Detail	FLAC
07/11/79	Studio Rehersal, Club Front	San Rafael	CA	flac1644 Version 2 - Studio > ? > Akai GX650DB @ 3 3/4 ips using Dolby B (most likely?) Transfer: Revox B77 > Korg MR2000-s @ 1 bit 5.6 MHz DSD (November 2020) AudioGate (24-96) > iZotope RX8 advanced > Goody * > Korg Aqua (16-44) > TLH Goody Lineage: Speed/Pitch-adjustments using Adobe Audition	Source Detail	FLAC
08/04/79	Oakland Auditorium Arena	Oakland	CA	SBD>MC>C>DAT>CDR; Missing Jack Straw; via Paul B; Seeded to etree by Willy;; upgrade now in circulation	Source Detail
08/04/79	Oakland Auditorium Arena	Oakland	CA	flac16; Recorded by Mark Severson; 2 Sony ECM-270s on pole 40' from stage> Sony TC-158SD (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding	Source Detail	FLAC
08/04/79	Oakland Auditorium Arena	Oakland	CA	flac16/44.1khz Source Info: Master Soundboard Cassettes > Cassette > PCM > Dat (16-bit/44.1k) Transfer Info: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16	Source Detail	FLAC
08/04/79	Oakland Auditorium Arena	Oakland	CA	flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, right center, held shoulder high, 40' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
08/05/79	Oakland Auditorium Arena	Oakland	CA	SBD>MC>C>DAT>CDR; Some cuts, see info file for details; via Paul B; Seeded to etree by Willy; Note- Fixed versions of d1t09 & d1t10 now circ, courtesy of PainoMan. The 'splice' in Althea was found to be a skip and was fixed, and shntool fixed the resulting sbe for the remaining tracks on d1; 'original' and 'fixed' md5's are listed here	Source Detail
08/05/79	Oakland Auditorium Arena	Oakland	CA	flac16; Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXLII 90 Analog Lineage: Nak CM 700s => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe	Source Detail	FLAC
08/05/79	Oakland Auditorium Arena	Oakland	CA	flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, held shoulder high, DFC, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
08/05/79	Oakland Auditorium Arena	Oakland	CA	flac1648; Source and transfer info: Set 1 and Scarlet Begonias: Bear-sourced cassette. Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz. Set 2 starting at Fire on the Mountain: Anon sourced file (same mix as Bear tape) upsampled to 96kHz to match Bear source Recorded by Augustus Owsley Stanley III (aka Bear) Transferred (July 2022) and mastered by Jim Blackwood Speed/pitch adjusted by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
08/12/79	Red Rocks Ampitheatre	Morrison	CO	Master Soundboard Cassette > Reel to Reel > PCM > CDR; CD Mastering, Eac'ed & Shn'ed by Scott Clugston; to fungus & abgd via Charlie Connor;; upgrade now in circulation	Source Detail
08/12/79	Red Rocks Ampitheatre	Morrison	CO	flac16; Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXLII 90 Analog Lineage: Nak CM 700s => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke	Source Detail	FLAC
08/12/79	Red Rocks Ampitheatre	Morrison	CO	flac16; Seamless fix of soundboard shn id 9288 - MSC>R>PCM>CD>EAC>SHN>WAV>FLAC by Bil Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details	Source Detail	FLAC
08/12/79	Red Rocks Ampitheatre	Morrison	CO	flac16; Master AUD>C>C>WAV>FLAC	Source Detail	FLAC
08/12/79	Red Rocks Ampitheatre	Morrison	CO	flac16; Recording Info: SBD > MC > R > PCM > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC	Source Detail	FLAC
08/12/79	Red Rocks Ampitheatre	Morrison	CO	flac16/kHz48; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (row 13, seats 68 & 69 - 1st set held head high, 2nd set mounted on pole)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 126-bit via dBpoweramp	Source Detail	FLAC
08/12/79	Red Rocks Ampitheatre	Morrison	CO	flac1644; Source: Handheld deck (mono) > MAC > 1st-Gen back-up tapes, concert recording by John Hicks & Dennis Fong. Transfer: Maxell XLII's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2022	Source Detail	FLAC
08/13/79	McNichols Sports Arena	Denver	CO	Sources: Primary: Master Soundboard Cassette > Reel to Reel > PCM > CDR; Sedondary Source: Master Audience Cassette; Nakamichi CM700 mics > 1 Reel to Reel gen > DAT > CDR Aud source supplies portions of "Friend of the Devil", "MInglewood Blues" , "Tuning / Announcements" , and "I Need A Miracle" ;Patching / CD Re-Mastering, EAC'ed / SHN'ed by Scott Clugston; to fungus and abgd via Charlie Connor	Source Detail
08/13/79	McNichols Sports Arena	Denver	CO	Master Audience Cassette; Nakamichi CM700 mics > Sony TC-158 cassette deck > Revox Reel to Reel (DBX encoded) > DBX decoded > DAT > CDR > Flac (unknown taper at this time); "Phil's Big Night!"; converted 01 April 2006 by winterland121072@yahoo.com	Source Detail
08/13/79	McNichols Sports Arena	Denver	CO	flac16; Set 1 only: SBD -> Cassette Master -> Dat/0 (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/13/79	McNichols Sports Arena	Denver	CO	flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat (48k); Set 2: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/13/79	McNichols Sports Arena	Denver	CO	FLAC 1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496	Source Detail	FLAC
08/14/79	McNichols Sports Arena	Denver	CO	FOB-AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy	Source Detail
08/14/79	McNichols Sports Arena	Denver	CO	flac16;Recording Info:(2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k) Recorded by Rob Eaton; Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/31/79	Glens Falls Civic Center	Glens Falls	NY	AUD(Nak 300's)>MC>DAT>CDR; via Paul; Seeded to etree by Glyde	Source Detail
08/31/79	Glens Falls Civic Center	Glens Falls	NY	flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/31/79	Glens Falls Civic Center	Glens Falls	NY	flac16; AUD: Set One, AKG D222E's > Nakamichi 550; Set Two, Nak 300's > Nakamichi 550. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 05/2014.	Source Detail	FLAC
09/01/79	Holleder Memorial Stadium	Rochester	NY	master SBD cassette (Dolby B) > cassette (Dolby C) > TC 2000 @ 24 bits > HHb 830 Patched wtih AUD>MC>DAT>CDR. Encoding and patching Ernie Dodd. SBD source from David Gans via Zeb Weber.	Source Detail
09/01/79	Holleder Memorial Stadium	Rochester	NY	flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5M/Maxell UDXLII); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner	Source Detail	FLAC
09/01/79	Holleder Memorial Stadium	Rochester	NY	flac16; AUD: 2x AKG D222E > Nakamichi 550, FOB center aprx 20 feet from the stage. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. August 2013.	Source Detail	FLAC
09/01/79	Holleder Memorial Stadium	Rochester	NY	flac16; Recording Info: SBD -> Cassette Master (Dolby B) -> Cassette (Dolby C) -> TC2000 EQ (24bit) -> Sonic Solutions -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/01/79	Holleder Memorial Stadium	Rochester	NY	flac16; Source: (FOB) Nakamichi 700 > Sony D5M Cassette Master (Maxell UDXLII) - taped by Bob Wagner; Transfer: Cassette > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz; Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24 edited and mastered SIRMick 2017; This file set is 16 bit @ 44.1	Source Detail	FLAC
09/02/79	Augusta Civic Center	Augusta	ME	Recording by Steve Rolfe: Nak700's > D5: MC>DAT>CDR; via Paul B; Seeded to etree by Willy	Source Detail
09/02/79	Augusta Civic Center	Augusta	ME	flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/02/79	Augusta Civic Center	Augusta	ME	flac16; Source: (FOB) Nakamichi 700 > Sony TC-D5M > Cassette Master (Maxell UDXL-II) - Recorded by Bob Wagner; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz - Conversion by Charlie Miller: DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017; This file set is 16 bit 44.1	Source Detail	FLAC
09/02/79	Augusta Civic Center	Augusta	ME	flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
09/02/79	Augusta Civic Center	Augusta	ME	flac16/44.1khz Recorded by Keith Gatto Nak 300s> Sony TC-158 location: FOB Keith transferred his cassettes to Dat 16/44.1 *Dat clone playback Sony M-1(analogue out) > Edirol R09HR @ 24/88.2 Wav WaveLab 6 > Ozone RX4A > Ozone6A > R8brainPro	Source Detail	FLAC
09/02/79	Augusta Civic Center	Augusta	ME	Source: Nakamichi 300 cardioids > Sony D5 Location: FOB speed-pitch correction : original flacs > Wav > Magix Music Studio > TLH > Flac 8 sidewindersf 2021	Source Detail	FLAC
09/04/79	Madison Square Garden	New York	NY	Recording by Barry Glassberg: FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR; Hosted by Candyman.etree.org	Source Detail
09/04/79	Madison Square Garden	New York	NY	Sources: Primary Source: Master Soundboard Cassette > Reel to Reel > PCM > CDR: Secondary Source: Barry Glassberg's Master Audience Cassette; Nakamichi CM700 mics; Secondary source supplies portions of "Jack Straw", "Minglewood Blues", "China Cat Sunflower", "Looks Like Rain" in its entirety, as well as a patch in "Wharf Rat" ; Patching / CD Mastering by Scott Clugston; also to abgd via Charlie Connor : upgrade now in circulation.	Source Detail
09/04/79	Madison Square Garden	New York	NY	flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> PCM -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/04/79	Madison Square Garden	New York	NY	flac16; Nakamichi 700s > Sony TC-158, 14th row recording by Barry Glassberg. Transferred MAC > CDR by Jim Wise (c2000) CDR > EAC > TLH > FLAC 1644 tagged (Dec 2011)	Source Detail	FLAC
09/04/79	Madison Square Garden	New York	NY	flac1648 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496	Source Detail	FLAC
09/05/79	Madison Square Garden	New York	NY	Recording by Barry Glassberg: FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR; Hosted by Candyman.etree.org	Source Detail
09/05/79	Madison Square Garden	New York	NY	Sources: Primary Source;Master Soundboard Cassette > Reel to Reel > PCM > CDR; Secondary source: Barry Glassberg's Master Audience Cassette; Nakamichi CM700's; Secondary source supplies "Loser", "Promised Land", patches in "Scarlet Begonias", "Estimated Prophet", "Eyes of theWorld", "Black Peter", "Bertha". Both the Soundboard and Audience sources are missing the begining of "Mississippi Half-step"; Patching/CD Mastering by Scott Clugston; also to abgd via Charlie Connor : upgrade now in circulation.	Source Detail
09/05/79	Madison Square Garden	New York	NY	flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> PCM -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/05/79	Madison Square Garden	New York	NY	Recording by Barry Glassberg: Nak 700's> Sony TC-158> DAT> ZA-2> CDR> EAC> SHN; A>D Transfer by Jim Wise from Barry Glassberg Master; EAC> SHN> upload by Mike 'Dank Star' Parrillo	Source Detail	FLAC
09/05/79	Madison Square Garden	New York	NY	flac1648 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496	Source Detail	FLAC
09/06/79	Madison Square Garden	New York	NY	Recording by Barry Glassberg: FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR; Hosted by Candyman.etree.org	Source Detail
09/06/79	Madison Square Garden	New York	NY	Sources: Primary Source; Master Soundboard Cassette > Reel to Reel > PCM > CDR; Secondary Source: Barry Glassberg's Master Audience Cassette; Nakamichi CM700's; Secondary source supplies a patch in "Easy to Love You" (d2t03) from 1:14 thru 1:41; Patching/CD Mastering by Scott Clugston; Also to abgd via Charlie Connor : upgrade now in circulation.	Source Detail
09/06/79	Madison Square Garden	New York	NY	flac16 Source: Sony Stereo ECM -->SONY TCD126 Location: PA behind Stage Transfer: Master Cassette Transfer->RR ->Cassette Transfer/Flac Conversion by Brian Mandel - Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLP->Flac Taper: Gerry Moskal	Source Detail	FLAC
09/06/79	Madison Square Garden	New York	NY	flac2448; Partial AUD; Source: Mono Sony hand-held recorder (model unknown) > TDK-AD (normal bias) cassettes. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 06/2021	Source Detail	FLAC
10/24/79	Springfield Civic Center	Springfield	MA	AUD(Senn 421's>Nak 350)>MC>DAT>CD; via Craig Reimer; seeded to etree by Willy	Source Detail
10/24/79	Springfield Civic Center	Springfield	MA	Recording by Steve Rolfe: Sony D5 w/ nak 700's Lineage: AUDMC > DAT > WAV(48K) > SHN AUDMC > DAT by David Minor. DAT > WAV transfer by Marc Pujol. SHN encoding by Matt Vernon	Source Detail
10/24/79	Springfield Civic Center	Springfield	MA	flac16; Set 2 only, Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
10/24/79	Springfield Civic Center	Springfield	MA	flac16; Recording Info:(2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k)-Recorded by Rob Eaton;Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/24/79	Springfield Civic Center	Springfield	MA	flac16; Set 1 lineage: SBD > ? > FLAC	Source Detail	FLAC
10/24/79	Springfield Civic Center	Springfield	MA	flac16; Recording Info: Master Soundboard Cassettes > DAT Transfer Info: Speed Corrections by Jason Chastain Mastering by Jamie Waddell with assistance from Jim Blackwood Track, FLAC and Pack by Steve Gravel 16bit 44.1kHz FLAC Level 8	Source Detail	FLAC
10/24/79	Springfield Civic Center	Springfield	MA	flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496	Source Detail	FLAC
10/25/79	Veterans Memorial Coliseum	New Haven	CT	Aud:M?>?>CD (It may be either Aud:MC>Cas>DAT>CD or Aud:MC>DAT>CD) via Jools	Source Detail
10/25/79	Veterans Memorial Coliseum	New Haven	CT	flac16; Recording Info:(2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k)-Recorded by Rob Eaton;Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/25/79	Veterans Memorial Coliseum	New Haven	CT	flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496	Source Detail	FLAC
10/27/79	Cape Cod Coliseum	South Yarmouth	MA	SBD> [?]> DAT (D. DiProsa)> TB Montego Digi i/o (44.1)> .wav> .shn; transfer by A. Walton; see pub comments for listening notes : upgrade now in circulation.	Source Detail
10/27/79	Cape Cod Coliseum	South Yarmouth	MA	Master Soundboard Cassette > Cass > DAT > CD; Patches made with Audience recording mastered by Steve Rolfe (Nak CM300 > Sony TC-158); See info file for details; via Scott Clugston; Seeded to etree by Steve Barbella : upgrade now in circulation.	Source Detail
10/27/79	Cape Cod Coliseum	South Yarmouth	MA	Recording by Steve Rolfe: MAC(Nakamichi CM-700 mics > Sony TC-158) > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)	Source Detail
10/27/79	Cape Cod Coliseum	South Yarmouth	MA	flac16; SBD and Audience Matrix Mix of about a 60% SBD to 40% Audience.	Source Detail	FLAC
10/27/79	Cape Cod Coliseum	South Yarmouth	MA	flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC;All Transfers and Mastering By Charlie Miller; ( upgrade now in circulation).	Source Detail	FLAC
10/27/79	Cape Cod Coliseum	South Yarmouth	MA	flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller (This is a fix of shnid=29411, 29490 and 98561.)	Source Detail	FLAC
10/27/79	Cape Cod Coliseum	South Yarmouth	MA	flac16; AUD: 3x Nakamichi CM-300's > Nakamichi 550 (lead deck) > Sony TC-153SD (Tim's deck) > Maxell UD-XLII 90's. Set up behind the soundboard. Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 09/2010	Source Detail	FLAC
10/28/79	Cape Cod Coliseum	South Yarmouth	MA	SBD : MC > R > DAT > CDR Beginning through Ship of Fools courtesy of Jim Wise AUD : MC ( NAK 700's > TC-158 by Steve Rolfe) > DAT > CDR Playin' through end of show From Peter Teitelbaum; via Peter Braverman : upgrade now in circulation.	Source Detail
10/28/79	Cape Cod Coliseum	South Yarmouth	MA	Recording by Steve Rolfe: Sony D5 w/ nak 700's Lineage: AUDMC > DAT > WAV(48K) > SHN AUDMC > DAT by David Minor. DAT > WAV transfer by Marc Pujol. SHN encoding by Matt Vernon	Source Detail
10/28/79	Cape Cod Coliseum	South Yarmouth	MA	flac16; SBD -> Master Cassette -> Reel -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation	Source Detail
10/28/79	Cape Cod Coliseum	South Yarmouth	MA	flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional 10.22 -> Adobe Audition v1.5 -> FLAC; Transferred and Edited By Charlie Miller; This is a re-master of source ID 30655	Source Detail	FLAC
10/28/79	Cape Cod Coliseum	South Yarmouth	MA	flac16; AUD: 3x Nakamichi CM300/CP1's > patched thru Nakamichi 550 > Sony TC-153SD > Maxell UDXLII's, set up directly behind the soundboard, taped by Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 05/2011	Source Detail	FLAC
10/28/79	Cape Cod Coliseum	South Yarmouth	MA	flac16; Recording Info: SBD -> Master Cassette -> Dat; Transfer Info: Dat -> Adobe Audition v3.0 -> Samplitude Professional 11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/31/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	D1 (set 1) SBD> MR> C> DAT> CD; D2 (set 2a) SBD> MR> Dick Latvala's Cass> DAT> CD; D3 (set 2b) AUDMC (Nak 700's> Sony TC158)> DAT> CD; Seeded to etree by Dave Shepard, w/ thanks to Chuck Reynolds; also to abgd : upgrade now in circulation.	Source Detail
10/31/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	Set1: SBD>>MC>>REEL>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A- Set2: SBD>>MC>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A- Last 20 minutes of show: MAC(Nak 700's)>>SonyTC-158>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B	Source Detail
10/31/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; Set 1: SBD -> Cassette Master -> Reel -> Dat -> CD Set 2: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller	Source Detail
10/31/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; Recording by Barry Glassberg: MOTB 0039: Source: Audience At SBD Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TCD5 > MAC 50ft. DFC Hand-Held Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick	Source Detail	FLAC
10/31/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: unknown Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/flac Conversion Brian Mandel Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac	Source Detail	FLAC
11/01/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	Master Soundboard Cassette, played back via Nakamichi DR-3> RME 96/8 PST > Harddrive > SHN; with patches from Master Soundboard Cassette > Cassette > Hi-Fi VHS> CDR, and Master Audience Cassette; Nakamichi CM300 mics > Nakamichi 550 > CDR sources (see info file); Patching / CD Mastering, SHN'ed by Scott Clugston, with thanks to Don Goodwin for new source; d1 tracked for 80 min : upgrade now in circulation	Source Detail
11/01/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info:Master Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN; Transferred and Edited By charliemiller87@earthlink.net Charlie Miller; Note: had originally circulated only as set 2; upgrade now in circulation	Source Detail
11/01/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; SBD and Audience Matrix Mix from SBD: shnid 23445 SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller and Audience: shnid 22316 Recording by Pete Jaeger: Master Audience Cassette; 2 Nakamichi 300s> Nakamichi 550	Source Detail	FLAC
11/01/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; Recording Info: SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Master Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; This is a repatch of shn id 23445 & shn id 77363	Source Detail	FLAC
11/01/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; Recording Info:SBD -> Master Cassette (Sony TC-D5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info:Dat (Sony R500) -> Tascasm SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/01/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; Recording by Pete Jaeger: Master Audience Cassette; 2 Nakamichi 300s> Nakamichi 550 via David Minches	Source Detail	FLAC
11/02/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	SBD> MR> Dick's cassette> DAT> CD; via Alasdair Macdonald	Source Detail
11/02/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	AUD> MC> DAT> CDR; via Paul B, Alan Schlissel	Source Detail
11/02/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; 2 x Nakamichi CM-700's => Sony TCD5 >> 37th Row Center on the Pole >> MAC >> Nakamichi DR-1 >> Benchmark ADC-1 >> AES >> Sound Devices 722 >> 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Green	Source Detail	FLAC
11/02/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: Behind Stage Right 30' 300 Section elevation Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/flac Conversion: Brian Mandel Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac	Source Detail
11/02/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16/48kHz; Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II) > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k	Source Detail	FLAC
11/02/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16/44 Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools > WAV (24-bit/96k) Additional Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 Recorded, Transferred and Mastered by Rob Eaton Additional Editing by Charlie Miller - This is 154424 2496 > 1644	Source Detail	FLAC
11/02/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac24/96 Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools > WAV (24-bit/96k) Additional Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 Recorded, Transferred and Mastered by Rob Eaton Additional Editing by Charlie Miller	Source Detail	FLAC
11/02/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac1644 Master Audience Cassettes - recorded by Ohr Weinberg: 2 Cardiod Microphones (don't remember which ones) > Marantz Superscope CD-320 (no NR, Set 1 & 2 - Maxell UD-XLII 90 Cassettes, Encore - Fuji FX-II 90 Cassette) (Way up front on the floor with stand) Transfer: Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR-830plus > CD Ohr : CD > EAC > WAV > FLAC	Source Detail	FLAC
11/04/79	Providence Civic Center	Providence	RI	Master Soundboard Cassette > Cassette > DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; misc cuts, missing USB	Source Detail
11/04/79	Providence Civic Center	Providence	RI	flac16; Unknown Taper: Master recorded with 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Master played back on unknown deck to unknown deck to record 1st Generation Cassette 1st Generation Cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding Transfer and FLAC encoding by David Minches	Source Detail	FLAC
11/04/79	Providence Civic Center	Providence	RI	SB>MR>Dick Latvala's cass>DAT>CD>EAC>minor editing>.shn & CD-R; Reported upgrade to previous shn set; see info file for details; Timings are the same; via Alasdair Macdonald	Source Detail
11/04/79	Providence Civic Center	Providence	RI	flac16; AUD: AKG D200's > Technics RS-646DS (lead deck) > Sony TC-153SD (Tim's deck) > Maxell XL-II 90's. Mics on stand, set up behind the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain TLH > FLAC 1644. Transfer by Andrew F. 09/2009	Source Detail	FLAC
11/04/79	Providence Civic Center	Providence	RI	flac16/48kHz; Recording Info: SBD > Cassette Master (Sony TC-D5/Maxell UDXL-II) > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k	Source Detail	FLAC
11/05/79	The Spectrum	Philadelphia	PA	Master Soundboard Cassette > Cassette > DAT > CDR; pitch corrected and with AUD Nak CM300 patches (see info file for details); mastered by Scott Clugston : upgrade now in circulation	Source Detail
11/05/79	The Spectrum	Philadelphia	PA	flac16; Recording by Joel Barnehama: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding	Source Detail	FLAC
11/05/79	The Spectrum	Philadelphia	PA	flac16; Unknown Taper; Recorded with 3 Nak 300s> Nak 550 2nd Generation Audience Cassette provided by Gordon Sharpless Transfer and FLAC encoding by David Minches: 2nd Generation Cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding	Source Detail	FLAC
11/06/79	The Spectrum	Philadelphia	PA	Master Soundboard Cassette > Cassette > DAT > CDR; mastered by Scott Clugston: upgrade now in circulation	Source Detail
11/06/79	The Spectrum	Philadelphia	PA	flac16; SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat/0 (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller	Source Detail
11/06/79	The Spectrum	Philadelphia	PA	flac16; Source: SBD > Nakamichi 550 > Cassette > Cassette. Transfer: Cassette > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
11/06/79	The Spectrum	Philadelphia	PA	flac16; Soundboard; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering & Editing by Jason Chastain in Audition CC 2015; Final Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by Norm	Source Detail	FLAC
11/06/79	The Spectrum	Philadelphia	PA	flac24/96khz Recording Info: SBD > Cassette Master (Nakamichi 550/TDK-SA90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24	Source Detail	FLAC
11/06/79	The Spectrum	Philadelphia	PA	flac24/96khz Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k)	Source Detail	FLAC
11/08/79	Capital Centre	Landover	MD	set 1; updated source: SBD> Cm> Cass> Dat> Sound Forge> CD (including digital noise reduction) [Had been marked sdb> master reel> dat> cdr] via Mike Lai, with thanks to Scott Kolber; meant to accompany previous set 2 shn set (with inclusive txt file), but circulates separately : upgrade now in circulation	Source Detail
11/08/79	Capital Centre	Landover	MD	This shn set combines into a single seed the set 1 and set 2 shn sets previously seeded to etree as singles; see info file for details; seeded to etree via D Litfin; edits/encoding by D Litfin; updated source: both sets SBD> Cm> Cass> Dat> Sound Forge> CD (including digital noise reduction) [Had been marked SDB> MR> D> CDR] : upgrade now in circulation	Source Detail
11/08/79	Capital Centre	Landover	MD	flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC	Source Detail	FLAC
11/08/79	Capital Centre	Landover	MD	flac16; AUD of unknown lineage; TDK D90's (c1979) > Nakamichi CR-5A > Edirol FA-66 Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F 01/2015	Source Detail	FLAC
11/08/79	Capital Centre	Landover	MD	flac16; mac > hd or maybe the label was swapped and this is a first gen; unk equip. could be 2xshure sm58>sony 152	Source Detail	FLAC
11/08/79	Capital Centre	Landover	MD	flac16; Set 2 Only; SBD > ? > FLAC	Source Detail	FLAC
11/09/79	Community War Memorial Auditorium	Buffalo	NY	Updated source: SBD> Cm> Cass> Dat> Sound Forge> CD; 6ote d1t1 is JBG from 11/8/79 encore; to abgd previously; via A. Stern; note variable right-channel static throughout. : upgrade now in circulation	Source Detail
11/09/79	Community War Memorial Auditorium	Buffalo	NY	flac16; Audience tape of unknown lineage Transfer: C > Sony TC-D5M > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC, by Andrew F. November 2006	Source Detail
11/09/79	Community War Memorial Auditorium	Buffalo	NY	flac16; Soundboard Cassette Master > ? > flac; Speed Corrections by Jason Chastain; Audio Mastering by Jamie Waddell	Source Detail	FLAC
11/10/79	Crisler Arena	Ann Arbor	MI	Master Soundboard Cassette > Reel to Reel > DAT> CDR, with AUD patches (see notes); via Scott Clugston; to abgd	Source Detail
11/10/79	Crisler Arena	Ann Arbor	MI	Source Info: Master Soundboard Cassettes > 1st generation cassettes > Tim Dalton's Beta PCM Transfer Info: Tim Dalton's Beta PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1 > Adobe Audition 2020 > TLH flac16	Source Detail	FLAC
11/23/79	Golden Hall, Community Concourse	San Diego	CA	SBD:MC>Cas>DAT>CD, patches from 3rd generation reel source	Source Detail
11/23/79	Golden Hall, Community Concourse	San Diego	CA	flac16; 2 x Nak cm700's >> Sony TC-D5  >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]	Source Detail	FLAC
11/23/79	Golden Hall, Community Concourse	San Diego	CA	flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Mastering Info: Audition CC 2015 -> Samplitude Pro 11.2.1 -> FLAC; All Mastering By Charlie Miller	Source Detail	FLAC
11/24/79	Golden Hall, Community Concourse	San Diego	CA	Sources:Primary Source:MSC>??>DAT>CDR>EAC>Shn;Alternate Soundboard Source MSC>C>CDR supplies patches in Lost Sailor, Sugar Mag, OMSN,. 2nd Alt Source; Master Aud Cassette>NakCM700>Sony TC-158>Reel>DAT>CDR source supplies patches in China Cat Sunflower , Playin, and Sugar Mag. This source is missing the material needed to patch "Althea" (d1t08). Primary Source Shs via Eric Salmassy; Cd remastered; patched and reshn'ed by Scott Clugston; to Fungus and abgd via Charlie Connor (Note: A sbe-fixed version is circulating as of 4/2008.)	Source Detail
11/24/79	Golden Hall, Community Concourse	San Diego	CA	flac16; Recording Info: SBD -> Cassette Master; Transfer Info: Cassette Master (Tascam 122MKII) -> Sound Devices 744T -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; All Mastering By Charlie Miller	Source Detail	FLAC
11/24/79	Golden Hall, Community Concourse	San Diego	CA	flac16; 2 x Nak cm700's >> Sony TC-D5 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]	Source Detail	FLAC
11/24/79	Golden Hall, Community Concourse	San Diego	CA	flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (DFC, section 401, row 8 seats 7 & 8)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
11/25/79	Pauley Pavilion, UCLA	Los Angeles	CA	SBD Cassmaster-> PCM-> DAT-> CDRs-> EAC-> SHN (Unconfirmed); Small splices in The Other One and Bertha, some digipops; via Cozmichuck and Dan : upgrade now in circulation	Source Detail
11/25/79	Pauley Pavilion, UCLA	Los Angeles	CA	Recording Info: SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info: Nakamichi 700 -> Master Cassette -> Reel -> CD (Possibly One More Reel Gen) via Charlie Miller : upgrade now in circulation	Source Detail
11/25/79	Pauley Pavilion, UCLA	Los Angeles	CA	flac16; Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe	Source Detail	FLAC
11/25/79	Pauley Pavilion, UCLA	Los Angeles	CA	flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (DFC, 40' from stage)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
11/29/79	Cleveland Public Hall	Cleveland	OH	Master Soundboard Cassette > Cassette > DAT> Cassette > DAT > CDR complete via Scott Clugston : upgrade now in circulation	Source Detail
11/29/79	Cleveland Public Hall	Cleveland	OH	flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid 29421	Source Detail	FLAC
11/30/79	Stanley Theatre	Pittsburgh	PA	Master Soundboard Cassette > Cassette > DAT > CDR, with patches from AUD Nakamichi CM700 source (see info file for details); patching, CD mastering, EAC> SHN by Scott Clugston; d3 tracked for 80 min : upgrade now in circulation	Source Detail
11/30/79	Stanley Theatre	Pittsburgh	PA	Recording by Charlie Connor: (FOB, 10th Row Center Stage)>Sony ECM 990>JVC 1636mkII(CM)Transfer:Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.57 (tracking only)>SHNv3 (MKW ACT)Taped and Transferred by Charlie Connor	Source Detail
12/01/79	Stanley Theatre	Pittsburgh	PA	mixed source: set 1: SBD> Rm> Cass> Dat> CD> EAC> SHN, Set 2: SBD> Rm> Dat> CD> EAC> SHN; via Skip Jenkins vine, from Charlie Miller seed; EAC>SHN by Steve Barbella; missing Easy to Love You, Splice in LLR, otherwise complete : upgrade now in circulation	Source Detail
12/01/79	Stanley Theatre	Pittsburgh	PA	flac16; AUD (unknown equipment and lineage, speculated to have been taped by Scott Jones with Shure > Sony TC-158) via Andrew F	Source Detail
12/01/79	Stanley Theatre	Pittsburgh	PA	flac16; Sick Bits Vol. 15: SBD/AUD Matrix[SBD: (shnid=29429) AUD: (shnid=31330)] via Chris Chappell	Source Detail	FLAC
12/01/79	Stanley Theatre	Pittsburgh	PA	flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller; this is a re-master of source id 29429	Source Detail	FLAC
12/01/79	Stanley Theatre	Pittsburgh	PA	flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted on railing in front of the soundboard)> Sony TC-158 (see notes); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
12/01/79	Stanley Theatre	Pittsburgh	PA	flac24/96 Recording Info: Set 1: AUD (Unknown Mics) > Cassette Master (Nakamichi 350) Set 2: SBD > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k)	Source Detail	FLAC
12/03/79	Uptown Theater	Chicago	IL	SBD > Cassette Master > C0 > DAT > SHN (Latvala vault leak); via L. Orf; known flaws: from master, first few seconds of some songs clipped (Orf smoothed with fades), levels low from DAT- left alone (note encore louder) : upgrade now in circulation	Source Detail
12/03/79	Uptown Theater	Chicago	IL	flac16; Set 1: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Set 2: SBD -> Cassette Master -> Cassette -> Dat -> CD Transferred and Edited By Charlie Miller	Source Detail	FLAC
12/03/79	Uptown Theater	Chicago	IL	flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding * from 1st generation cassette from same master; master played back on Nak 550> Nak 250	Source Detail	FLAC
12/04/79	Uptown Theatre	Chicago	IL	Master Soundboard Cassette -> Cassette -> DAT; DAT -> CD -> EAC -> SHN conversion by Scott Clugston; to etree via Adam Jerugim; static from MR in d1t3,6 : seamless version upgrade now in circulation	Source Detail
12/04/79	Uptown Theatre	Chicago	IL	flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding	Source Detail
12/05/79	Uptown Theater	Chicago	IL	flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) -> Data DVD; Transfer Info: Data DVD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/05/79	Uptown Theater	Chicago	IL	2nd set minus ship of fools and don't ease; See info file for details; SBD>MC>DAT>CDR; via neo_levo/candyman FTP: upgrade now in circulation	Source Detail
12/05/79	Uptown Theater	Chicago	IL	MAC (Unknown equipment) > Unknown analog generations > Nakamichi RX-505 cassette > 20-bit conversion with Burr-Brown ADC, dithered to 16-bit for output > HHB CDR8930 > EAC > CoolEdit > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)	Source Detail
12/05/79	Uptown Theater	Chicago	IL	flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and SHN encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding	Source Detail
12/05/79	Uptown Theater	Chicago	IL	flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones	Source Detail	FLAC
12/07/79	Indiana Convention Center	Indianapolis	IN	(3) Nak 300>Cm>Reel>CD shn'd by Charlie Miller : same source as shnid 9114	Source Detail
12/07/79	Indiana Convention Center	Indianapolis	IN	Updated source info: SBD ->Cass Master > Reel > Dat (48k) Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Dat Supplied By Rob Eaton; Transferred By Charlie Miller (had been marked: BD -> Master Cassette -> Cassette -> Dat (48k))	Source Detail
12/09/79	Kiel Auditorium	St. Louis	MO	MAC(Nak CM-700s-> Sony TC-158)>R>D>CD; via Jack Warner; Don Chase	Source Detail
12/09/79	Kiel Auditorium	St. Louis	MO	flac16; SBD> Cassette Master> Reel (Technics)> Dat (3800/48k), plus patch from Nak 700> Cass> Reel source; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; transferred and edited by Charlie Miller	Source Detail
12/10/79	Soldiers & Sailors Memorial Hall	Kansas City	KS	SBD> Cm> (set 1 = Reel, set 2 = ?)> Dat> CD> EAC> SHN; with AUD patch; see info file for notes; via Steve;upgrade now in circulation	Source Detail
12/10/79	Soldiers & Sailors Memorial Hall	Kansas City	KS	flac16; AUD of unknown lineage Transfer: Cassette > Sony TC-D5M (no Dolby) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-fix, FLAC compression, and checksums) > FLAC via Andrew F	Source Detail
12/10/79	Soldiers & Sailors Memorial Hall	Kansas City	KS	flac16; Source: A:C:R:D Recorded with Nak 700s>Sony TC-D5 Played back on Akai GX-4000D R2R; Edited and normalized with Cool Edit Transfer and Flac encoding by David Minches	Source Detail	FLAC
12/10/79	Soldiers & Sailors Memorial Hall	Kansas City	KS	flac16; Recording by Joani Walker: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/10/79	Soldiers & Sailors Memorial Hall	Kansas City	KS	flac1644; Recording info: SBD Cassette Master > DAT > AIF via Anon; Mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Track, FLAC, and pack by Steve Gravel v2 - The previous release (Source ID 165179) had brief digital crackles in 'Space'. They've been removed from this version.	Source Detail	FLAC
12/11/79	Soldiers & Sailors Memorial Hall	Kansas City	KS	Nak CM-700s-> Sony TC-D5; MAC>R>D>CD; via Jack Warner; Seeded to etree by Don Chase	Source Detail
12/11/79	Soldiers & Sailors Memorial Hall	Kansas City	KS	flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (44.1k). Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller charliemiller87@earthlink.net : upgrade now in circulation	Source Detail
12/11/79	Soldiers & Sailors Memorial Hall	Kansas City	KS	flac16; Recording by Joani Walker: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/11/79	Soldiers & Sailors Memorial Hall	Kansas City	KS	flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on a Nak CR 7A	Source Detail	FLAC
12/26/79	Oakland Auditorium Arena	Oakland	CA	Recording by Steve Rolfe: Nak 700's > d5 > DAT > cdr via Dave Minor encoded by Matt Vernon with Soundcheck.	Source Detail
12/26/79	Oakland Auditorium Arena	Oakland	CA	AUD>Cm>?>Cass>MiniDisc>Samplitude>SHN Soundcheck via Charlie Miller : upgrade now in circulation	Source Detail
12/26/79	Oakland Auditorium Arena	Oakland	CA	flac16; Lineage: SBD Transfer: SBD -> ? -> DAT; DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing:- All editing and mastering by Jamie Waddell Wavelab 6.0- BBE, L3(type 1 dither)>16/44.1 SBE FREE	Source Detail	FLAC
12/26/79	Oakland Auditorium Arena	Oakland	CA	flac16; Recording by Joani Walker (Soundcheck by David Gans): Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/26/79	Oakland Auditorium Arena	Oakland	CA	flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
12/26/79	Oakland Auditorium Arena	Oakland	CA	flac16/48kHz; Set 2 Recording Info: SBD > Master Reel > DAT (48k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
12/27/79	Oakland Auditorium Arena	Oakland	CA	Recording by Steve Rolfe: Master Audience Cassette; Nakamichi CM700 mics > Sony TC-158 cassette deck > DBX encoded Reel to Reel > DBX decoded > Panasonic SV3700 DAT > CDR; EAC'ed / SHN'ed by Scott Clugston : upgrade now in circulation	Source Detail
12/27/79	Oakland Auditorium Arena	Oakland	CA	flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding	Source Detail	FLAC
12/27/79	Oakland Auditorium Arena	Oakland	CA	flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (1st Set + Encore -Maxell UDXLII 90, 2nd set Scotch Chrome Type II 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496	Source Detail	FLAC
12/28/79	Oakland Auditorium Arena	Oakland	CA	SBD; transferred and seeded by Mike Lai, from Bruce Fried DAT; 7/26/01 update: d2t1 md5 had been missing here, complete md5s now shown : upgrade now in circulation	Source Detail
12/28/79	Oakland Auditorium Arena	Oakland	CA	flac16; SBD > MR > PCM > DAT > WAV > FLAC. Seeded by the Green Mountain Bros.	Source Detail	FLAC
12/28/79	Oakland Auditorium Arena	Oakland	CA	flac16; Recording by Joani Walker: Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/28/79	Oakland Auditorium Arena	Oakland	CA	flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)	Source Detail	FLAC
12/28/79	Oakland Auditorium Arena	Oakland	CA	flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/30/79	Oakland Auditorium Arena	Oakland	CA	Recording by Steve Rolfe: Nak 700's > d5 > DAT > cdr via Dave Minor, encoding Matt Vernon	Source Detail
12/30/79	Oakland Auditorium Arena	Oakland	CA	flac16; Recording by Joani Walker: Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.0.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/31/79	Oakland Auditorium Arena	Oakland	CA	Recording by Steve Rolfe: Master Audience Cassette: Nakamichi CM700 mics > Sony TC-158 cassette deck > DAT > CDR; CD Remastering, EAC'ed / SHN'ed by Scott Clugston; d3 tracked for 80 min : upgrade now in circulation	Source Detail
12/31/79	Oakland Auditorium Arena	Oakland	CA	SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko	Source Detail
??/??/79	Go To Heaven Outtakes	Unknown	CA	flac16; Recording Info: SBD > Master Reels (24-track) > Betty's Cassette (Maxell UD-XLII); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, Thiss is 137649 24 bit > 16 bit with r8brain	Source Detail	FLAC
??/??/79	Go To Heaven Outtakes	Unknown	CA	flac24; Recording Info: SBD > Master Reels (24-track) > Betty's Cassette (Maxell UD-XLII); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
01/13/80	Oakland-Alameda County Coliseum	Oakland	CA	sbd> mr> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT	Source Detail
01/13/80	Oakland-Alameda County Coliseum	Oakland	CA	flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
01/13/80	Oakland-Alameda County Coliseum	Oakland	CA	flac16; Recorded by BEAR. Transferred by Jim Blackwood at 32 bit 88.2 kHz Edited and Mastered by Jamie Waddell Weiss Saracon for 16 bit 44.1 kHz conversion	Source Detail	FLAC
03/30/80	Capitol Theater	Passaic	NJ	Recording by Barry Glassberg: nak 700 > sony tc d5m fob tascam 112 > sony pcm r-500 > hhb cdr-850, taper Barry G.; nonseeking shns via Steve Barbella to CDead	Source Detail
03/30/80	Capitol Theater	Passaic	NJ	flac16; SBD> Cassette Master> Dat, plus patch from FOB Nak 700> Cass; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller	Source Detail
03/30/80	Capitol Theater	Passaic	NJ	flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 & v10.1 -> Adobe Audition v1.5 -> FLAC	Source Detail
03/31/80	Capitol Theater	Passaic	NJ	Recording by Rob Eaton: sennnheiser 421 > nak 550 fob analog mastering AND analog to digital by rob eaton; dat > cd was sony pcm r-700 > hhb cdr-800; nonseeking shns via Steve Barbella to CDead; some cuts and missing songs (see info file)	Source Detail
04/01/80	Capitol Theater	Passaic	NJ	SBD>MC>??>CDR; 35 seconds of He's Gone and the Other One, as well as the Shakedown encore are provided by an audience source; See info file for details; via Paul B; Seeded to etree by Willy	Source Detail
04/01/80	Capitol Theater	Passaic	NJ	mixed sources: SBD> Rm> Dat> Sonic Solutions> CD> EAC> SHN, SBD> Rm> Cass> Dat> CD> Cool Edit Pro> CD> EAC> SHN, and AUD> Cm> Dat> CD> EAC> SHN; edited, converted, seeded by Charlie Miller	Source Detail	SHN
04/01/80	Capitol Theater	Passaic	NJ	Recording by Barry Glassberg: nak 700 > sony tc d5m fob tascam 112 > sony pcm r-500 > hhb cdr-850, taper Barry G.; nonseeking shns via Steve Barbella to CDead	Source Detail	FLAC
04/01/80	Capitol Theater	Passaic	NJ	flac16/44.1khz Recording Info: SBD > Cassette Master > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/16	Source Detail	FLAC
04/05/80	Saturday Night Live, NBC Studios	New York	NY	flac16; Recorded by Jim Wise; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > 16/44.1 wav encoding; Wav > TLH (level 8) > flac + metadata B. Proctor 2/19/12	Source Detail	FLAC
04/28/80	Boutwell Auditorium	Birmingham	AL	Recording by Barry Glassberg: non-dank version, with differing md5s; FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)> Sony R500 @44.1; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII CD>SHN: EAC (see info file)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch> additional step(s) (reDAE, reSHN?) by unIDed person; to abgd and etree; upgrade in circulation	Source Detail
04/28/80	Boutwell Auditorium	Birmingham	AL	flac16; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009	Source Detail	FLAC
04/28/80	Boutwell Auditorium	Birmingham	AL	flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones	Source Detail	FLAC
04/29/80	Fox Theater	Atlanta	GA	Recording by Barry Glassberg; possible reshn or reDAE (in d1) by unIDed person, of Jamie's version: FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; upgrade in circulation	Source Detail	FLAC
04/29/80	Fox Theater	Atlanta	GA	flac1644; Source: Handheld deck (mono) > Maxell XLII's, concert recording by John Hicks & Dennis Fong. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2022	Source Detail	FLAC
05/01/80	Greensboro Coliseum	Greensboro	NC	Recording by Barry Glassberg: possible reshn or reDAE by unIDed person, of Jamie's version: FOB (Nakamichi 700)> Master Cassette (Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; d2 tracked for 80 min; to abgd; upgrade in circulation	Source Detail
05/01/80	Greensboro Coliseum	Greensboro	NC	flac16; 1st Set: Shure mics; 2nd Set: Beyer mics (unknown models) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009	Source Detail	FLAC
05/01/80	Greensboro Coliseum	Greensboro	NC	flac16; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]	Source Detail	FLAC
05/01/80	Greensboro Coliseum	Greensboro	NC	flac2448; Source: AKG-414's (mid-side configuration) > Sony TC-D5 > Maxell UDXLII's, set up at the soundboard, recording by the GD crew. Transfer: MAC > Nakamichi CR-5A (Dolby-B) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2022	Source Detail	FLAC
05/02/80	Hampton Coliseum	Hampton	VA	Recordings by John Hance and Jim Wise: Mixed Source AUD: FOB (NAK 700 (set 1, John Hance) & AKG 1000E (set 2, Jim Wise))> Master Cassette (Sony TC-D5); Master Cassette (Nakamichi Dragon)> A/D Conversion via Sony R700> COAX to ZA2> Soundforge> MASTER CDR> EAC in Secure Mode> Soundforge> CD WAV> SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD> SHN by Jamie Lutch; via Tim L. to etrade offer; QC courtesy dankseeds; see info file for listening notes etc	Source Detail
05/02/80	Hampton Coliseum	Hampton	VA	flac16; (FOB) Beyer mics (unknown model) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009	Source Detail	FLAC
05/02/80	Hampton Coliseum	Hampton	VA	flac2448; 2nd Set; Source: AKG-414's (mid-side configuration) > Sony TC-D5 > Maxell UDXLII, set up at the soundboard, recording by the GD crew. Transfer: MAC > Nakamichi CR-5A (Dolby-B) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2022	Source Detail	FLAC
05/04/80	Baltimore Civic Center	Baltimore	MD	Nak 300's>MC>DAT>CD; via Paul B; Seeded to etree by Willy	Source Detail
05/04/80	Baltimore Civic Center	Baltimore	MD	flac16; Recorded by Bob Morris Nakamichi shotguns>Marantz Superscope CD320>Maxell XLII Nak Transfer: DR-1>Korg MR-1000>Audiogate>16/44>cdwav by Bob Morris, June, 2009	Source Detail	FLAC
05/04/80	Baltimore Civic Center	Baltimore	MD	flac16; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037 (This source fixes the flaws in the previous MOTB seed.)	Source Detail	FLAC
05/06/80	Recreation Hall, Pennsylvania State University	State College	PA	Recording by Rob Eaton: Sennnheiser 421 > Nak 550 fob analog; mastering and analog to digital by Rob Eaton; dat > cd: sony pcm r-700 > hhb cdr-800; via Seth Kaplan, Steve Barbella	Source Detail
05/06/80	Recreation Hall, Pennsylvania State University	State College	PA	flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded by Bob Morris; transferred & mastered by Bob Morris, June, 2009; Patched upgrade in circulation	Source Detail	FLAC
05/06/80	Recreation Hall, Pennsylvania State University	State College	PA	Unknown Audience Recording: ??> cassette> wav> shn; playback: Sony es> soundblasterlive platinum> cooledit> cdwave editor> MKWact; A>D conversion, shn, seeded By Popi n. Feeldz; missing encore	Source Detail	FLAC
05/07/80	Barton Hall, Cornell University	Ithaca	NY	Master Audience Cassette; Nakamichi CM700 + Nakamichi CM300 blend> Sony TC-D5M > DAT > CDR; CD Mastering> EAC> SHN by Scott Clugston	Source Detail
05/07/80	Barton Hall, Cornell University	Ithaca	NY	SBD> Cassette Master> Reel> Dat> CD> EAC> SHN; Converted By Charlie Miller	Source Detail
05/07/80	Barton Hall, Cornell University	Ithaca	NY	flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
05/08/80	Glens Falls Civic Center	Glens Falls	NY	Master Soundboard Cassette > Cassette > DAT> CDR; via Scott Clugston; patched upgrade in circulation	Source Detail
05/08/80	Glens Falls Civic Center	Glens Falls	NY	Master Soundboard Cassette > Cassette > DAT> CDR (Primary Source) patched with the Jim Wise audience source: Recorded by Jim Wise (via Jeff Hellman), 2 Nak 700s + Nak 300 blend>Sony TC-D5: AUD>MC>DAT>CDR>EAC>mkwACT>SHN; Patched by R.Carman	Source Detail	SHN
05/08/80	Glens Falls Civic Center	Glens Falls	NY	flac16; 3-Nak 700 Shotguns > Superscope CD-320 > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche	Source Detail	FLAC
05/08/80	Glens Falls Civic Center	Glens Falls	NY	flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
05/10/80	Hartford Civic Center	Hartford	CT	Recording by Steve Rolfe: Nak 700's (was listed as Nak 300's) > Sony D5; Seeded to etree by Willy; upgrade in circulation	Source Detail
05/10/80	Hartford Civic Center	Hartford	CT	flac16; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 05/2010	Source Detail	FLAC
05/10/80	Hartford Civic Center	Hartford	CT	flac16; Recording by Jim Wise: AUD Source: Three Nakamichi CM-300\'s > patched thru Nakamichi 550 > Sony TC-D5. Mics on a stand, next to the soundboard. Taped and transferred (MAC > CDR) by Jim Wise. Transfer: MAC > CD (likely equipment: Nakamichi Dragon > HHB CDR burner). CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC, by Andrew F	Source Detail
05/10/80	Hartford Civic Center	Hartford	CT	flac16; Source:(FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Section B, Row R, Seat 12 by Bob Morris with thanks to Sam R and Charlie Connor	Source Detail	FLAC
05/10/80	Hartford Civic Center	Hartford	CT	flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Recorded right beside the soundboard on the left side Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding	Source Detail	FLAC
05/10/80	Hartford Civic Center	Hartford	CT	flac16; 2 X Nak CM700 with eq > Sony TC-D5M with Dolby > MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Barry Glassberg	Source Detail	FLAC
05/10/80	Hartford Civic Center	Hartford	CT	flac16; Recording Info: (3) Nakamichi CM700 Shotguns -> Namakmichi 550 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/10/80	Hartford Civic Center	Hartford	CT	Recording by Steve Rolfe: Nak 700's > Sony D5 Master Cassette recorded by Steve Rolfe from "right beside the soundboard on the left side" AUDMC > DAT > wav(48K) > Cool Edit > CDWAV > mkwact > SHN(seekable) via Dave Minor, converted and shn'd by Marc Pujol and Matt Vernon	Source Detail	FLAC
05/10/80	Hartford Civic Center	Hartford	CT	flac16/48kHz; Cassette Audience Master recorded By Jim Wise (patched out of Jeff Hellman); Nakamichi CM-700 Electret Condenser Microphones w/ CP-4 Shotgun Capsules-Sony TC D-5 Cassette Recorder; Location @ Sound Board; Analog to Digital: Dolby B Decoded Maxell UD-XL11 C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp)Tagging(Tag & Re-name)Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise	Source Detail	FLAC
05/10/80	Hartford Civic Center	Hartford	CT	flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
05/11/80	Cumberland County Civic Center	Portland	ME	SBD> C (Dick's master)> C (Dick copied for Patrick)> DAT> CDR> EAC> SHN V.3 except for Brokedown, which is from an unknown AUD source; EAC and SHN'ed by terrapinstation ; patched upgrade in circulation	Source Detail
05/11/80	Cumberland County Civic Center	Portland	ME	SBD> C (Dick's master)> C (Dick copied for Patrick)> DAT> CDR> EAC> SHN V.3 - Patched version of the earlier soundboard version by Bill Tetzeli (upgrade in circulation). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details	Source Detail
05/11/80	Cumberland County Civic Center	Portland	ME	flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5; Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding; Thanks to Joe B. Jones for pitch correction.	Source Detail	FLAC
05/11/80	Cumberland County Civic Center	Portland	ME	flac16; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand "next to the soundboard". Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 04/2010	Source Detail	FLAC
05/11/80	Cumberland County Civic Center	Portland	ME	flac2496 Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24	Source Detail	FLAC
05/12/80	Boston Garden	Boston	MA	Recording by Steve Rolfe: Nak 700's > Sony TC158 Master Cassette, recorded by Steve Rolfe, front row balcony; A>D by Noah Weiner: AudMC > DAT > Soundforge normalizing and editing > CDWAV > SHN; via Audience Devotional Tree; tracked for 2x80	Source Detail
05/12/80	Boston Garden	Boston	MA	flac16 Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller; this source has a patch in a cut in d2t09 of the previous Miller source (source ID 91931)	Source Detail	FLAC
05/12/80	Boston Garden	Boston	MA	flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation	Source Detail	FLAC
05/12/80	Boston Garden	Boston	MA	flac16; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand, set up in center of upper balcony behind the stage, mics pointed at rear-facing P.A. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Re-shelled > Nakamichi DR-8 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 04/2010	Source Detail	FLAC
05/12/80	Boston Garden	Boston	MA	flac1648 Source Info: Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496	Source Detail	FLAC
05/14/80	Nassau Veterans Memorial Coliseum	Uniondale	NY	Master Soundboard Cassette > Reel to Reel > DAT > CDR; CD Mastering> EAC> SHN by Scott Clugston	Source Detail
05/14/80	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac24; Recording by Jim Wise: Master Audience Cassette; 2 Nakamichi 700's with 1 Nakamichi 300 Blend> Nak 550> Sony D-5 at the SBD; Transfer and FLAC encoding by David Minches: October 25 2013; Master played back on: Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding	Source Detail	FLAC
05/14/80	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor; Recorded by Bob Morris (from a not-so-good location -- sorry)	Source Detail	FLAC
05/14/80	Nassau Veterans Memorial Coliseum	Uniondale	NY	FLAC 1644 Recording Info: FOB Nakamichi CM700 > Cassette Master (Maxell UDXLII) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition > Samplitude Pro X5 Suite > WAV (24-bit/96k) 2496 > 1644 using Wavelab 10.0 (resample, MBit+ dither) Recorded by Bob Wagner Mastered by Scott Clugston and Charlie Miller	Source Detail	FLAC
05/15/80	Nassau Veterans Memorial Coliseum	Uniondale	NY	AUD> MC> DAT> CDR; via Alan Schlissel, with thanks to Paul B	Source Detail
05/15/80	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; Recording Info:SBD -> Cassette Master -> Dat (48k); Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/15/80	Nassau Veterans Memorial Coliseum	Uniondale	NY	FLAC 1644 Recording Info: FOB Nakamichi CM700 > Cassette Master (Maxell UDXLII) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition > Samplitude Pro X5 Suite > WAV (24-bit/96k) Tracking & 2496 > 1644: Wavelab 10.0 (resample, MBit+ dither) Recorded by Bob Wagner Mastered by Scott Clugston and Charlie Miller	Source Detail	FLAC
05/16/80	Nassau Veterans Memorial Coliseum	Uniondale	NY	Master Soundboard Cassette > Cassette > DAT> CDR; via Scott Clugston	Source Detail	SHN
05/16/80	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; Source 1: Master Soundboard Cassette > Cassette > DAT> CDR (shnid 7472) Supplies whole show up to half way through D3T5 Source 2: Recording: FM broadcast > cassette (TDK SA-90). Transfer: Cassette > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > CD-Wave > TLH > FLAC (shnid 34685) Supplies d3t7 Source 3: Unknown nth generation audience cassette > Sony TC-KE500S > TheCard > CoolEdit > shntool > FLAC Supplies end of D3T5 and all of D3T6 Seeded by Thomas Hempel 10-Jan-2008	Source Detail	FLAC
05/29/80	Des Moines Civic Center	Des Moines	IA	Source: A:C:C:D > CDR via David Minches, shn encoding Matt Vernon	Source Detail
05/30/80	Milwaukee Auditorium	Milwaukee	WI	Source: A:C:C:D > CDR via David Minches shn encoding Matt Vernon	Source Detail
05/30/80	Milwaukee Auditorium	Milwaukee	WI	flac16 Recording Info:Set 1: SBD -> ? -> 5th Gen Cassette Set 2: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info:Set 1: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) ->Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16; Set 2: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC/16; Set 1 Transferred By Charlie Miller; Set 2 Transferred By Rob Eaton; All Mastering By Charlie Miller	Source Detail	FLAC
05/30/80	Milwaukee Auditorium	Milwaukee	WI	flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/30/80	Milwaukee Auditorium	Milwaukee	WI	flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones	Source Detail	FLAC
05/31/80	Metropolitan Sports Center	Bloomington	MN	AUD>MC>DAT>CD; via Paul B; Seeded to etree by Willy	Source Detail
06/05/80	Compton Terrace Amphitheatre	Tempe	AZ	FOB (Sennheiser 421's)> Master Cassette> DAT> CDR> EAC> SHN; Processed with DCArt Millenium software; DAE (EAC) and SHN Encoding by Jeff M.; tracked for 2x80; missing encore	Source Detail
06/05/80	Compton Terrace Amphitheatre	Tempe	AZ	flac16; Source: (FOB) Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLI); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor	Source Detail	FLAC
06/05/80	Compton Terrace Amphitheatre	Tempe	AZ	flac24; Set 2 Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
06/07/80	Folsom Field, University Of Colorado	Boulder	CO	Aud>?>CD; Distortion throughout post drums segment; via Tom G; Seeded to etree by Willy	Source Detail
06/07/80	Folsom Field, University Of Colorado	Boulder	CO	flac16; mac > 1st gen cass > cdr > eac > flac; tapes provided by Jeff "Mr Tapes" Maas (1980); transfer by Paul "ESPN" Epstein (2005); via SIRMick	Source Detail
06/07/80	Folsom Field, University Of Colorado	Boulder	CO	flac16; Source: Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII except d3t01-d3t12: UDXLI); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor	Source Detail	FLAC
06/07/80	Folsom Field, University Of Colorado	Boulder	CO	flac2448; Source: Unknown mics & deck > Maxell XLII's (low-gen or possible master) via Richie & Rip. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 06/2022	Source Detail	FLAC
06/08/80	Folsom Field, University Of Colorado	Boulder	CO	Master Audience Cassette; Sennheiser 421 mics > Sony D5> DAT> CDR, CD Mastering by Scott Clugston, EAC'ed / SHN'ed by Scott Clugston, Posted to abgd via Charlie Connor	Source Detail
06/08/80	Folsom Field, University Of Colorado	Boulder	CO	Recording by Rob Eaton: FOB Senn 421's> Nak 550 Cm> DAT> CD> EAC> Soundforge4> SHN; Recorded By Rob Eaton; includes alternate AUD patches (see info for notes and flaws); stemming from DNC tree Round 9 (1/01); via Tome	Source Detail
06/08/80	Folsom Field, University Of Colorado	Boulder	CO	flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris	Source Detail	FLAC
06/08/80	Folsom Field, University Of Colorado	Boulder	CO	flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496	Source Detail	FLAC
06/12/80	Portland Memorial Coliseum	Portland	OR	set 2; Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; Shn'ed by Scott Clugston	Source Detail
06/12/80	Portland Memorial Coliseum	Portland	OR	AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy	Source Detail
06/12/80	Portland Memorial Coliseum	Portland	OR	flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from the left-side riser by Bob Morris	Source Detail	FLAC
06/12/80	Portland Memorial Coliseum	Portland	OR	flac16; Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
06/12/80	Portland Memorial Coliseum	Portland	OR	flac24; Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
06/12/80	Portland Memorial Coliseum	Portland	OR	flac16; Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
06/12/80	Portland Memorial Coliseum	Portland	OR	flac24; Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This fixes the out of phase left channel on source ID 141798	Source Detail	FLAC
06/13/80	Seattle Center Arena	Seattle	WA	Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; CD Mastering, Shn'ed by Scott Clugston	Source Detail
06/13/80	Seattle Center Arena	Seattle	WA	flac16; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII except: d3t03-d3t08 UDXLI) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded "extreme fob" at the stage barricade, center, by Bob Morris	Source Detail	FLAC
06/14/80	Spokane Coliseum	Spokane	WA	Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; CD Mastering, Shn'ed by Scott Clugston	Source Detail
06/14/80	Spokane Coliseum	Spokane	WA	flac16; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris	Source Detail	FLAC
06/19/80	West High Auditorium	Anchorage	AK	SBD>MC>??>DAT>CDR; via paul B; Seeded to etree by Willy; upgrade in circulation	Source Detail
06/19/80	West High Auditorium	Anchorage	AK	flac 16; Source: SBD -> Cassette Master; Transfer Info: Cassette Master -> Sonic Solutions -> SBM2 -> CD; Mastering Info: CD -> Samplitude Professional v8.01 -> FLAC; Cassette Masters supplied by Richard Hale; Transferred By David Gans; Patch Source Recorded By Mark Severson; Additional Mastering By Charlie Miller	Source Detail	FLAC
06/19/80	West High Auditorium	Anchorage	AK	flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs + 1 Maxell UD XL-I) Recorded from Row M, Seat 12, Left Side Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding	Source Detail	FLAC
06/19/80	West High Auditorium	Anchorage	AK	flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller	Source Detail	FLAC
06/20/80	West High Auditorium	Anchorage	AK	both sets; SBD> MC> 1C> WAV (via SBLive)> CDR; Conversion/Editing: SBLive!> COOLEDIT2000 (Noise reduction, tracking at sector boundaries and bass boost)> mkwACT> SHN; via Brian Donohue; see editing notes in info file; upgrade in circulation	Source Detail
06/20/80	West High Auditorium	Anchorage	AK	Recording Info: SBD -> Cassette Master -> Sonic Solutions (20bit) -> SBM2 (Dithered To 16bit) -> CD (Master Production Discs) -> EAC -> SHN (3 Discs Audio / 2 Discs SHN)Patch Info: Patches in Let It Grow and Drums supplied By AKG 414 -> Cm -> Dat -> CD -> EAC -> SHN via Charlie Miller	Source Detail
06/20/80	West High Auditorium	Anchorage	AK	flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller	Source Detail	FLAC
06/21/80	West High Auditorium	Anchorage	AK	Sources:Primary Source:Master Soundboard Cassette > Reel To Reel > DAT> CDR; Secondary Source:Master Audience Cassette; AKG 414 mics source supplies the "Announcements/Intro", portions of "Sugaree", "Loser", "Big Railroad Blues" "Drums". Patching/CD Mastering & shn'ed by Scott Clugston; To fungus and abgd via Charlie Connor ; upgrade in circulation	Source Detail
06/21/80	West High Auditorium	Anchorage	AK	Source: Recorded by Eddie Claridge at the soundboard patched from Dan Healy. AKG 414 stereo mic -> Sony TC-158 deck Lineage: MAC > [DAT?] > CDR (no intermediate cassette generations) Encoding: EAC(secure) > Cool Edit Pro > CDWAV > shntool > mkwact > SHN(seekable) by Matt Vernon via John Gaetzi	Source Detail
06/21/80	West High Auditorium	Anchorage	AK	flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded from Row M, Seat 2, Right Center Floor Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding	Source Detail	FLAC
06/21/80	West High Auditorium	Anchorage	AK	flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller	Source Detail	FLAC
06/29/80	Pauley Pavilion, UCLA	Los Angeles	CA	2nd set; SBD>MC>??>DAT>CDR; Missing Sunshine Daydream & US Blues; via Paul B; Seeded to etree by Willy	Source Detail
06/29/80	Pauley Pavilion, UCLA	Los Angeles	CA	set 1; SBD > ? > C > CDR; via Joey Browning, encoded by Matt Vernon	Source Detail
06/29/80	Pauley Pavilion, UCLA	Los Angeles	CA	flac16; Unknown Mikes> Sony D5 (Maxel XL2s) (master cassette)> Denon DRW-840G (Maxel XL2s) (1st gen cassette)> sony PCM-R300 (via sony 750es & monster interlink cables) (1st DAT gen) > HD (via CTD8000H-S SGI/Seagate Audio Capable DDS-2 DAT running dat2wav) > cdwav 1.54> converted to .flac w/ dbpowerAMP 11 using FLAC codec 1.1.2)	Source Detail
06/29/80	Pauley Pavilion, UCLA	Los Angeles	CA	flac16; Recorded by Mason Taylor; set one master tape; set two first generation safety copy	Source Detail	FLAC
07/01/80	San Diego Sports Arena	San Diego	CA	sbd>?>dat; there are splices from an unknown source at Althea and also for the encore; Seeded to etree by Brian Cole	Source Detail
07/01/80	San Diego Sports Arena	San Diego	CA	flac16; Source: Unknown AUD, from the collection of Brian Schley. Transfer: Old TDK SA90s > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
08/16/80	Southern Illinois University	Edwardsville	IL	Source: MAC>DAT>CDR & MAC>Cass. x ?>DAT>CDR via Andy Lemieux shn encoding by Matt Vernon	Source Detail
08/16/80	Southern Illinois University	Edwardsville	IL	Recording by Joani Walker: FOB MAC w/ Sony ECM-250s>Sony TC-158>CDR via Paul Scotton, tracking & tweaking by Scott Clugston, SHN encoding by Andy Lemieux ; upgrade in circulation	Source Detail
08/17/80	Kansas City Municipal Auditorium	Kansas City	MO	AUD>?>CD; via Paul B; Seeded to etree by Willy	Source Detail
08/17/80	Kansas City Municipal Auditorium	Kansas City	MO	flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/19/80	Uptown Theater	Chicago	IL	Recording by Dougal Donaldson: FOBalcony Nak 700's w/shotgun caps>Sony TC-158 MC>DAT>CD; via Mark Lindenbaum; Seeded to etree by Willy	Source Detail
08/19/80	Uptown Theater	Chicago	IL	flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> ? -> Dat (48k) Transfer Info: Set 1: Cassette -> Apogee MiniMe -> Samplitude Professional v9.11 -> FLAC Set 2: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/19/80	Uptown Theater	Chicago	IL	Flac1644 Source: Sennheiser MD-421's (1st row balcony) > TC-D5 > MAC > Low-Gen (1st or 2nd) tapes from the collection of Brian Schley. Transfer: TDK-SA (Set1) & Maxell-XLII (Set2) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F.	Source Detail	FLAC
08/20/80	Uptown Theater	Chicago	IL	Recording by Dougal Donaldson: FOBalcony Nak 700's w/shotgun caps>Sony TC-158 MC>DAT>CD; via Mark Lindenbaum; Seeded to etree by Willy	Source Detail
08/20/80	Uptown Theater	Chicago	IL	flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones	Source Detail	FLAC
08/20/80	Uptown Theater	Chicago	IL	flac24; Source: AUD of unknown lineage > ? > lo-gen cassette via Richie & Rip. Transfer: TDK SA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 03/2020	Source Detail	FLAC
08/20/80	Uptown Theater	Chicago	IL	flac24; Set 1 Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
08/21/80	Uptown Theater	Chicago	IL	SBD>MC>C>DAT>CD; via Scott Shindell; Seeded to etree by Willy	Source Detail
08/21/80	Uptown Theater	Chicago	IL	flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/21/80	Uptown Theater	Chicago	IL	flac16; AUD: 2 AKG D222E + 1 Beyer M160 > Nakamichi 550, Orch 20th row right center. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 12/2013	Source Detail	FLAC
08/23/80	Alpine Valley Music Theatre	East Troy	WI	Unknown audience equipment>Cass>CDR; Seeded to etree by Glenn Gillis	Source Detail
08/23/80	Alpine Valley Music Theatre	East Troy	WI	flac16; Recording Info: Unknown Mics -> Cassette Master -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/24/80	Grand Center	Grand Rapids	MI	Recording by Rob Eaton: FOB Nakamichi 300> Sony TC-D5> DAT> CDs(3X?); via Dr. Sketchy; Seeded to etree by jim@juddcreek	Source Detail	FLAC
08/26/80	Cleveland Public Hall	Cleveland	OH	SBD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy	Source Detail
08/26/80	Cleveland Public Hall	Cleveland	OH	sbd-> cassette-> unknown digital xfer(s)-> Sonic-> CD-> CD-> EAC-> SHN Note: Beginning gap in Don't Ease Me In patched by David Gans using a piece of the chorus in. This is not a "new" source	Source Detail
08/26/80	Cleveland Public Hall	Cleveland	OH	flac16; Recorded by Joel Barnhama Master Audience Cassette; 2 Sennheiser 421s + center mike> Nakamichi 550 (Fuji FX-1) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard (24/96)> Adobe Audition > Downsample/Dither> flac encoding > FLAC	Source Detail
08/26/80	Cleveland Public Hall	Cleveland	OH	flac16:source: master cassette recorded by Nick Millner Nak 300 mics -> Sony D5 patched out of "Gus from Arkansas" 1st gen cassette: Sony D5 -> unknown cassette recorder this recording: 1st gen cassette p/b in Sony D-5 -> sound card -> CDWav editor -> Wav -> FLAC. Seeded at Dime-A-Dozen ~ 2/26/2010	Source Detail	FLAC
08/27/80	Pine Knob Music Theater	Clarkston	MI	AUD>MC>??>DAT>CDR; Multiple analog gens suspected; via Paul B; Seeded to etree by Willy	Source Detail
08/27/80	Pine Knob Music Theater	Clarkston	MI	flac16; Recording Info: SBD -> Master Cassette -> Dat; Transfer Info: Dat -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/29/80	The Spectrum	Philadelphia	PA	1st Set; Senn 421's>MC>DAT>CDR 2nd Set; SBD>MC>C>DAT>CDR, with ~1 min of aud patches during Other One & Drums, see info file for details; via Paul B; Seeded to etree by Willy	Source Detail
08/29/80	The Spectrum	Philadelphia	PA	flac16; Recording Info: SBD -> Master Cassette -> Cassete -> Dat (48k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/29/80	The Spectrum	Philadelphia	PA	flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/29/80	The Spectrum	Philadelphia	PA	flac16; Set 2 only, AUD, unknown equipment & lineage. Pitch adjusted. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > TLH > FLAC 1644, January 2013.	Source Detail	FLAC
08/30/80	The Spectrum	Philadelphia	PA	1st Set Only; SBD>?>CD; Entire set pitch corrected; via Joey Browning; Seeded to etree by Willy	Source Detail
08/30/80	The Spectrum	Philadelphia	PA	2nd set only; SBD>MC>DAT>DAT Clone>CDR; via Rich Graboyes; Seeded to etree by Willy (update source info)	Source Detail
08/30/80	The Spectrum	Philadelphia	PA	flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/30/80	The Spectrum	Philadelphia	PA	flac16; Recording Info:Set 1: SBD -> Cassette Master -> ? -> CD; Set 2: SBD -> Cassette Master -> Dat -> Sonic Solutions -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/30/80	The Spectrum	Philadelphia	PA	flac16; First Set only. Source: SBD > 3rd Gen cassette (Dolby C) with thanks to Jon Pasternak. Transfer: XLII (Dolby C) > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
08/31/80	Capital Centre	Landover	MD	Recording by Jim Wise: Master Audience Cassette > DAT > Hard disk (Sound Forge) > CD; , at the soundboard with Sennheiser 421's; via Popi	Source Detail
08/31/80	Capital Centre	Landover	MD	flac16; Recording by Mark Cohen: Master cassette audience>DAT>CD ; Nak 700s> Sony TC-D5	Source Detail
08/31/80	Capital Centre	Landover	MD	AUD, SBD combo: Set 1: Sennheiser 421> Cassette Master> Dat> Sound Forge> CD> EAC> SHN; Set 2: SBD> Cassette Master> Cassette> Dat> CD> EAC> SHN; Converted To SHN By Charlie Miller	Source Detail	SHN
08/31/80	Capital Centre	Landover	MD	flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris	Source Detail	FLAC
08/31/80	Capital Centre	Landover	MD	flac16/48kHz; Mark Cohen's (FOB) Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
09/02/80	Community War Memorial Auditorium	Rochester	NY	AUD (FOB, unknown mics)> MC> DAT> CDR> EAC> SHN; complete version of SHN ID 4954, ; reEAC> SHN from the original source audio CDs; CD Mastering, EAC> SHN> seeding to abgd by Skankweed	Source Detail
09/02/80	Community War Memorial Auditorium	Rochester	NY	flac16; FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand FOB, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 11/2009	Source Detail	FLAC
09/02/80	Community War Memorial Auditorium	Rochester	NY	flac16 Set 2 AUD: 2x Beyers M160's > Nakamichi 550, FOB center. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 03/2014	Source Detail	FLAC
09/02/80	Community War Memorial Auditorium	Rochester	NY	flac16/44.1kHz; 2nd Set Source Info: Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M > Rich Gastwirt's Dat (16/44.1); Transfer Info: Dat (Sony PCM-R500)(16/44.1) > Tascam DA-3000 > .wav (16/44.1) > Adobe Audition 2020 > TLH flac16	Source Detail	FLAC
09/03/80	Springfield Civic Center	Springfield	MA	MAC > ? > CD > EAC > SHNv3; EAC(secure mode) and encoded to shnv3(seek enabled) by Charles Bass	Source Detail
09/03/80	Springfield Civic Center	Springfield	MA	flac16:FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up in the arena riser center, end of floor facing the stage. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 12/2009	Source Detail	FLAC
09/04/80	Providence Civic Center	Providence	RI	AUD>MC>DAT>SF>CD; Transferred with Nakamichi Dragon to Sony PCM R-700; via Paul B; Seeded to etree by Willy	Source Detail
09/04/80	Providence Civic Center	Providence	RI	Set 1 SBD>?>DAT>CDR>EAC>WAVE LAB>CD WAVE>MKW>SHN(Seekable)	Source Detail	SHN
09/04/80	Providence Civic Center	Providence	RI	Set 2 Soundboard Cassette Master > Reel > Dat > CDR via Andy Lemieux and Kingbee Patch Source: AUD>MC>DAT>SF>CD; encoding by Matt Vernon	Source Detail	SHN
09/04/80	Providence Civic Center	Providence	RI	flac16; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/04/80	Providence Civic Center	Providence	RI	flac16; FOB AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up FOB aprx 20th row, center right. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 12/2009	Source Detail	FLAC
09/06/80	State Fairgrounds	Lewiston	ME	MAC > ? > CD > EAC > SHNv3; EAC (secure mode) and encoded to shnv3 (seek enabled) by Charles Bass; missing encores	Source Detail
09/06/80	State Fairgrounds	Lewiston	ME	Nak Dragon > Sony PCM r-500 DAT > CDR	Source Detail
09/06/80	State Fairgrounds	Lewiston	ME	Recording by Jim Wise: FOB Nak 700s > Sony TC-D5 (Steve Rolfe?s) > Sony TC-D5 (Jim Wise?s) > MAC (Maxell XII; Dolby B encoded) > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV > CD (untracked) > EAC > WAV > CD Wave tracking > SHN or CD. Original recording, transfer and CD mastering by Jim Wise. Subsequent tracking and SHN encoding by Sean Cribbs.	Source Detail
09/06/80	State Fairgrounds	Lewiston	ME	Recording Info (Source 1): SBD -> Master Cassette -> ? -> Cass -> Fostex D5 (pass-through only) -> ZA2 -> Samplitude v7.02 Professional -> SHN Supplies d1t01 through d2t03 (Provided By Joe Samaritano) Recording Info (Source 2): (FOB) Nakamichi 700 -> Master Cassette (Sony D5) -> Dat -> CD Supplies patch at end of d1t06 and also provides d2t04 through of the show. (Taped By Jim Wise). Remastering by Charlie Miller	Source Detail	SHN
09/06/80	State Fairgrounds	Lewiston	ME	flac16; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XL-II 90's. Mics on stand FOB, near the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F. 09/2009	Source Detail	FLAC
09/06/80	State Fairgrounds	Lewiston	ME	flac16; source: aud cassette master; taped by The Commander; audio-technica condensor mics > sony tc-152, tdk sa-c90's, no nr; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer/seed by Rob Berger & Taperchuck	Source Detail	FLAC
09/06/80	State Fairgrounds	Lewiston	ME	flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
09/25/80	Warfield Theater	San Francisco	CA	Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5; via Douglas Ferguson, Matt Vernon	Source Detail
09/25/80	Warfield Theater	San Francisco	CA	Acoustic Set only; SBD > MR > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko	Source Detail
09/25/80	Warfield Theater	San Francisco	CA	flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
09/26/80	Warfield Theater	San Francisco	CA	Recording (attributed to ) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5; via Douglas Ferguson, Matt Vernon	Source Detail
09/26/80	Warfield Theater	San Francisco	CA	Acoustic Set only; SBD > MR > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko	Source Detail
09/26/80	Warfield Theater	San Francisco	CA	flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
09/27/80	Warfield Theater	San Francisco	CA	Acoustic set: Master Soundboard Reel > PCM > DAT > CDR;Electric Sets: Master Audience Cassette:(3) Nakamichi CM700 mics> Mixer>Sony D5>1 cassette gen> DAT> CDR;The Audience source supplies "The Race Is On" (d1t01), the first 1:15 of "Jackaroe"(d1t02), from 0:04 - 0:42 and from 5:09 - 6:42 of "Bird Song" (d1t06), as well as from 2:58 thru the end of "Ripple" (d1t09). The Audience source was missing the beginning of "The Race Is On";The multiple patches in "Bird Song" were necessary due to problems on the Master Reels; Acoustic SBD DAT source from Joe Samaritano; Patching/CD Re-Mastering & Shn'ed by Scott Clugston; Uploaded to fungus and posted to abgd via Charlie Connor; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments)	Source Detail
09/27/80	Warfield Theater	San Francisco	CA	Recording (attributed to Bob Menke): Nakamichi CM700 Mics (3)>Mixer>Sony D-5; via Douglas Ferguson, Matt Vernon	Source Detail
09/27/80	Warfield Theater	San Francisco	CA	flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
09/27/80	Warfield Theater	San Francisco	CA	flac16; Set 1; Source: Mono AUD unknown lineage > ? > Cassette, via Richie & Rip. Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F. 12/2018; This file set is 16 bit @ 44.1	Source Detail	FLAC
09/29/80	Warfield Theater	San Francisco	CA	Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 from center balcony Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson SHN Conversion: CDR > EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) > mkwact > shn (seekable) by Matt Vernon	Source Detail
09/29/80	Warfield Theater	San Francisco	CA	SBD > MC > C > DAT > CD > EAC > SHN; To Lay Me Down patched with current AUD source; EAC/SHN by Darryl Hinko	Source Detail
09/29/80	Warfield Theater	San Francisco	CA	flac16; Recording by Ron Elner: Source: Master Cassette >Teac Reel > CD Nakamichi 700’s > Sony TC D-5 Location: FOB either on the floor or 1st row balcony Recorded and archived by Ron Elner, the master cassettes were stolen. CD Extraction with EAC > TLH > FLAC level 8 CD Extraction and seeded by B. Koucky Green Mountain Bros. December 2007	Source Detail	FLAC
09/30/80	Warfield Theater	San Francisco	CA	Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 from balcony center taped by Bob Menke Remaster by Douglas Ferguson: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 SHN Conversion by Matt Vernon: CDR > EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) > mkwact > shn (seekable)	Source Detail
09/30/80	Warfield Theater	San Francisco	CA	flac16; Recording Info: SBD -> Cassette Master -> FLAC; Transfer Info: FLAC -> Adobe Audition v5.5 -> Samplitude Pro X2 Suite -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/02/80	Warfield Theater	San Francisco	CA	acoustic and electric sets; Nak300 > Sony TC-152; via Charles Gannon, encoded by Matt Vernon	Source Detail
10/02/80	Warfield Theater	San Francisco	CA	set 3; SBD-> Master Cassette-> DAT-> Sonic Solutions-> CD; CD-> EAC-> SHN conversion and upload by Adam Jerugim; seed via David Gans, Chris Meyer, Charlie Miller	Source Detail
10/02/80	Warfield Theater	San Francisco	CA	flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700’s > Sony TC D-5 > Teac Reel > Transfer to PC tracked & burned to CD Location: FOB either on the floor or 1st row balcony CD Extraction with EAC > TLH > FLAC level 8 Recorded and archived by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Peter Mandell CD Extraction and seeded by Bill Koucky Green Mountain Bros. December 2007	Source Detail	FLAC
10/02/80	Warfield Theater	San Francisco	CA	flac16; Acoustic Set, Matrix sources: a) (shnid 8039) sbd > mr > cass > dat > cdr > eac > shn and b) (shnid 89111) Master Cassette > Nakamichi 700s > Sony TC D-5 > Teac Reel > Transfer to PC tracked & burned to CD Location: FOB either on the floor or 1st row balcony CD Extraction with EAC > TLH > FLAC level 8 Matrix by SIRMick June 2008	Source Detail
10/02/80	Warfield Theater	San Francisco	CA	flac16; SBD > ? > cassette > CD > WAV > FLAC	Source Detail	FLAC
10/03/80	Warfield Theater	San Francisco	CA	Nak300 > Sony TC-152 > AMC > CoolEdit Pro > CD; via Charles Gannon; encoded by Matt Vernon	Source Detail
10/03/80	Warfield Theater	San Francisco	CA	flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700’s > Sony TC D-5. Location: FOB either on the floor or 1st row balcony 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction: EAC > TLH > FLAC level 8. Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction and seeded by Bill Koucky. Green Mountain Bros. December 2007.	Source Detail	FLAC
10/04/80	Warfield Theater	San Francisco	CA	Acoustic and partial set 2; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy	Source Detail
10/04/80	Warfield Theater	San Francisco	CA	complete SBD>?>CDR>EAC>Cool Edit(minor cleanup, normalization)>CDWAV(tracking)>mkwact(seekable) via Joey Browning, Steve Blanchard	Source Detail
10/04/80	Warfield Theater	San Francisco	CA	flac24/96khz Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24	Source Detail	FLAC
10/04/80	Warfield Theater	San Francisco	CA	flac1648 Low Gen audience recording; unknown equipment, from the Dan Gale collection Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 > .wav 24-bit/96k) > Adobe Audition 2023 > TLH 2496	Source Detail	FLAC
10/06/80	Warfield Theater	San Francisco	CA	Acoustic set only; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy	Source Detail
10/06/80	Warfield Theater	San Francisco	CA	Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 tfrom Balcony, Center. Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson. shn conversion by Matt Vernon via Raoul Duke	Source Detail
10/06/80	Warfield Theater	San Francisco	CA	flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700s > Sony TC D-5. Location: FOB either on the floor or 1st row balcony. 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction with EAC > TLH > FLAC level 8. Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction and seeded by Bill Koucky; Green Mountain Bros. December 2007.	Source Detail	FLAC
10/07/80	Warfield Theater	San Francisco	CA	Recording (attributed to) Bob Menke: Balcony, Center Nakamichi CM700 Mics (3)>Mixer>Sony D-5. Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson shn encoding by Matt Vernon via Raoul Duke	Source Detail
10/07/80	Warfield Theater	San Francisco	CA	Source: Acoustic and partial set 1 electric: MSR>C>DAT>WAV>SHN C>SHN Encoding by Cousinit Seeded to abgd	Source Detail
10/07/80	Warfield Theater	San Francisco	CA	flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700s > Sony TC D-5M. Location: FOB either on the floor or 1st row balcony. 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction with EAC > TLH > FLAC level 8. Masters Recorded by Ron Ellner and archived to Reels by Peter Mandell, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction by Bill Koucky. Green Mountain Bros. December 2007.	Source Detail	FLAC
10/07/80	Warfield Theater	San Francisco	CA	flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
10/07/80	Warfield Theater	San Francisco	CA	flac16/44.1khz Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24 -- 151264 24 -> 16 @ 44.1	Source Detail	FLAC
10/09/80	Warfield Theater	San Francisco	CA	labelled as SBD> R> DAT> CD, but see info file notes; note same txt file as other shn set, but md5s differ	Source Detail
10/09/80	Warfield Theater	San Francisco	CA	flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit viadBpweramp	Source Detail	FLAC
10/09/80	Warfield Theater	San Francisco	CA	flac16/44.1khz Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24, 151344 24 -> 16 @ 44.1	Source Detail	FLAC
10/10/80	Warfield Theater	San Francisco	CA	Acoustic set only; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy	Source Detail
10/10/80	Warfield Theater	San Francisco	CA	Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 from Balcony, Center Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson, via Roual Duke, SHN Conversion by Matt Vernon	Source Detail
10/10/80	Warfield Theater	San Francisco	CA	flac16; SBD/AUD Matrix of 3 previously circulated seeds; prepared by Chris Chappell	Source Detail	FLAC
10/10/80	Warfield Theater	San Francisco	CA	MSR>C>C>DAT>WAV>SHN; C>DAT Conversion by Cousinit Patch Source: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700	Source Detail	FLAC
10/10/80	Warfield Theater	San Francisco	CA	flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5(Maxell UDXLI); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
10/11/80	Warfield Theater	San Francisco	CA	acoustic set; SBD> Reel> PCM> DAT> CDR> Plexwriter CD-R (EAC)> HP 8200i CDRW Drive (EAC); via Andy "Bear" Greider, Stephen Windsor, Darrin Sacks	Source Detail
10/11/80	Warfield Theater	San Francisco	CA	SBD:MC >? >CDR >EAC >cool edit 2000 (minor clean up,normalization) >CDWAV (tracking) >mkwact(seekable) w/expanded drums this becomes a 3 disc show.	Source Detail
10/11/80	Warfield Theater	San Francisco	CA	flac16; Recorded by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008.	Source Detail	FLAC
10/11/80	Warfield Theater	San Francisco	CA	Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24	Source Detail	FLAC
10/13/80	Warfield Theater	San Francisco	CA	Acoustic set only; SBD>MR>PCM>DAT>CDR; via Paul B; Seeded to etree by Willy	Source Detail
10/13/80	Warfield Theater	San Francisco	CA	Recording Info: Set 1: SBD -> Master Reel -> PCM -> Dat -> CD -> EAC -> SHN Set 3: SBD -> 3rd Gen Pro Shot Video Transfer Info: 3rd Gen Pro Shot Video -> Dat (Sony R500/48k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller	Source Detail
10/13/80	Warfield Theater	San Francisco	CA	flac16; sbd composite upgrade by Alan Bershaw; see info file for details	Source Detail	FLAC
10/13/80	Warfield Theater	San Francisco	CA	flac16; source: unknown audience recording > cassette x2 > CDR (using Nakamichi BX300 playback > H/K CDR2 (stand alone CD recorder); transfer: CDR > MacBook using Xact to create flac files, no other work has been done on this recording	Source Detail	FLAC
10/14/80	Warfield Theater	San Francisco	CA	SBD> MR> DAT> CDR> EAC> SHN; note Acoustic first set and encore missing; via Tony Gardner; note upgrade in circulation	Source Detail
10/14/80	Warfield Theater	San Francisco	CA	Set 1 and encores: unknown audience> ?> CDR> EAC> SHN; Sets 2,3: SBD> MR> DAT> CDR> EAC> SHN; via Tony Gardner, with thanks to Paul B., Mario Mancilla; update to Tony's previous shn set, his comments: "I found another source for the acoustic set and called it disc 0. encores are added on disc 3. I cut about two minutes of silence from the end of disc 1 and 2, no other changes"; see info file for more comments	Source Detail
10/14/80	Warfield Theater	San Francisco	CA	flac24/96 Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24	Source Detail	FLAC
10/18/80	Saenger Performing Arts Center	New Orleans	LA	FOB Neumann km84> Cm> Dat> CD via Mike McCarthy and Raoul Duke, encoding subcontracted to Matt Vernon by The Miami SHN Machine	Source Detail
10/18/80	Saenger Performing Arts Center	New Orleans	LA	flac16; Recording Info: SBD -> Cassette Master -> Dat -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/19/80	Saenger Performing Arts Center	New Orleans	LA	unknown FOB aud source electric sets 2-3 via Raoul Duke and Mike McCarthy, encoding by Matt Vernon	Source Detail
10/19/80	Saenger Performing Arts Center	New Orleans	LA	AUDMC(unknown mics) > C > C > WAV; set 1 acoustic only (other sets already circulate); via Hanno Bunjes, encoded by Matt Vernon	Source Detail
10/19/80	Saenger Performing Arts Center	New Orleans	LA	flac16; AUD: 2x Beyer M160's > Sony TC-D5, 20-foot spread, front edge of balcony. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013.	Source Detail	FLAC
10/19/80	Saenger Performing Arts Center	New Orleans	LA	flac16; Set 3 Source: Unknown AUD, lo-gen tape kindly provided by Seaweed1010. Transfer: XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 07/2013	Source Detail	FLAC
10/19/80	Saenger Performing Arts Center	New Orleans	LA	flac16/48kHz; s1 described as aud, s2 and s3 described as fob aud cas> R2; see info file for details; Transfer: trade dats at 48k > m-audio audiophile 2496 > cooledit2000 > 48k wav > flac	Source Detail	FLAC
10/22/80	Radio City Music Hall	New York	NY	AUD(Sony ECM-280's)>MC>DAT>CDR; Seeded to etree by Tim Wiley	Source Detail
10/22/80	Radio City Music Hall	New York	NY	flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/22/80	Radio City Music Hall	New York	NY	flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Orchestra Row SS, Seat 109 by Bob Morris	Source Detail	FLAC
10/23/80	Radio City Music Hall	New York	NY	Recording by Mark Cohen: AUD from orchestra seats with Nak 700s > Sony D5; Lineage: AUDMC > Cass > DAT > CDR via Jay Jurina, conversion Matt Vernon	Source Detail
10/25/80	Radio City Music Hall	New York	NY	AUD>MC>DAT>CDR; Seeded to etree by Tim W	Source Detail
10/25/80	Radio City Music Hall	New York	NY	flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/25/80	Radio City Music Hall	New York	NY	flac16; Recording Info:(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/25/80	Radio City Music Hall	New York	NY	flac16; AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. 10/2011	Source Detail	FLAC
10/26/80	Radio City Music Hall	New York	NY	Source: CAUD >D>CD>EAC>WAV>SHN Location: 1st row, Lowest Balcony, Center Seats Source Recording: Sony ECM 270 Condensors > Cassette With 10/18/88 (Matrix) filler; See info file for details; Seeded to etree by JR Fishman	Source Detail
10/26/80	Radio City Music Hall	New York	NY	PLEASE NOTE: This is a Remaster of the original SBD SHN Seed released by Darryl Hinko. Main Source: SBD>MR>DAT>CD>EAC>SHN ; Patch Source: AUD(Wise Sony ECM 280?s)>Sony D-5>MC Playback on Nak Dragon>Sony PCM-R700>Hard Drive via ZA2>CDR>EAC(secure)>Cool Edit Pro>CD WAV>SHN(seekable) ; Remaster Conversion: SHN>WAV>ADWS>SHN(Seekable); Via Hinks ; Seeded by T. Wiley 08/15/2003.	Source Detail
10/26/80	Radio City Music Hall	New York	NY	flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/26/80	Radio City Music Hall	New York	NY	flac16; AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 10/2011	Source Detail	FLAC
10/27/80	Radio City Music Hall	New York	NY	Recording by Jim Wise: senn. 441 > d-5 center lower balcony several rows back; playback on nak dragon & ran the signal right through sony pcm r-700 directly to hard disc via za2; no other processing apart form minor editing and normalization; recording, transfer by J. Wise; EAC> SHN by R. Donnelly> CD > SHN by M. Lai; known flaw: some sporadic wow & flutter (mainly on elec#1); Donnelly's 4/00 original shns may not have gotten mirrored from stellablue before a loss- 5/00 reextraction (md5s shown) by M. Lai	Source Detail
10/27/80	Radio City Music Hall	New York	NY	flac16: AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine front row, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 09/2011	Source Detail	FLAC
10/29/80	Radio City Music Hall	New York	NY	Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd	Source Detail
10/29/80	Radio City Music Hall	New York	NY	flac16; AUD: 2x Beyer M160's > Sony TC-D5, Fifth row center orchestra. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 02/2014	Source Detail	FLAC
10/29/80	Radio City Music Hall	New York	NY	flac16; SBD DAT-> Panasonic SV-3700-> SP; DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Mastering, Patching & Editing by Jason Chastain in Audition CC 2015; Final Mastering by Jamie Waddell in Wavelab 7.1	Source Detail	FLAC
10/29/80	Radio City Music Hall	New York	NY	flac1644 Master Audience Cassettes - recorded by Ohr Weinberg: 2 Sony ECM-23F microphones > Nakamichi 550 Cassette Deck (Maxell UD-XLII 90 Cassettes), Dolby B (1st Row Mezzanine rail) Transfer: Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR-830plus > CD Ohr : CD > EAC > WAV > FLAC	Source Detail	FLAC
10/30/80	Radio City Music Hall	New York	NY	Recording by Jim Wise. Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd	Source Detail
10/30/80	Radio City Music Hall	New York	NY	flac16; Source: 10Ó 1/4 track SBD Feed Master Reels @ 7.5ips; Lineage: 10Ó 1/4 track Reels (Revox A-77 playback) -> Lexicon Lambda (24/96) -> Logic (mastering: speed correction, track indexing, dithering to 16/44.1) -> AIFF -> Xact (sbe correction) -> wav -> flac; Transfer (November 2009) and mastering (October 2017) by Alan Bershaw	Source Detail	FLAC
10/31/80	Radio City Music Hall	New York	NY	Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd	Source Detail
10/31/80	Radio City Music Hall	New York	NY	flac16; Loge Dead front center Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0; Tracked in Audacity 2.0 by dusborne 06-20-2012	Source Detail	FLAC
10/31/80	Radio City Music Hall	New York	NY	flac16; Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN; Electric: MSR>R>C>DAT>WAV>SHN; Edits: SHNs > WAV > Cool Edit 2000/Cool Edit Pro > shntool > FLAC Edited and seeded by Bill Tetzeli	Source Detail	FLAC
10/31/80	Radio City Music Hall	New York	NY	flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded by Jim Wise; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/26/80	The Sportatorium	Pembroke Pines	FL	Recording by Jim Wise: Beyer M-160?s>Sony TC-D5>MC>DAT>CDR; via Paul B; Seeded to etree by Willy	Source Detail
11/26/80	The Sportatorium	Pembroke Pines	FL	flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/26/80	The Sportatorium	Pembroke Pines	FL	flac16/48kHz; Cassette Audience Master recorded By Jim Wise (patched out of Richie Stankiewicz); Beyerdynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Cassette Masters (TDK SA-90) played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; This is the properly dithered 16 bit 48 KHz file set; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing performed in the 24 bit digital domain By Jim Wise	Source Detail	FLAC
11/26/80	The Sportatorium	Pembroke Pines	FL	flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/28/80	Lakeland Civic Center	Lakeland	FL	Source: Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Patch Source: Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR via Scott Clugston Encoding/patching by Matt Vernon	Source Detail
11/28/80	Lakeland Civic Center	Lakeland	FL	Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR; via Scott Clugston	Source Detail
11/28/80	Lakeland Civic Center	Lakeland	FL	flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/28/80	Lakeland Civic Center	Lakeland	FL	flac16; Recording by Bob Wagner/Jim Wise: Master Audience Cassette; FOB 2 Nakamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding	Source Detail	FLAC
11/29/80	Alligator Alley Gymnasium, University Of Florida	Gainesville	FL	Recording by Jim Wise: FOB - Beyer M-160's> Sony TC-D5> CDR via Alesis Masterlink; Mics were on a 15'? pole at the SBD; Taped by Jim Wise; via Darrin Sacks, Rango Keshavan and Dankstar; note upgrade relative to previous shn set	Source Detail
11/29/80	Alligator Alley Gymnasium, University Of Florida	Gainesville	FL	flac16; Recording by Jim Wise. Source: Beyer M-160's > Sony TC-D5 > CDR > DAT Recording by Jim Wise Mics were on a 15' pole at the SBD Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 7, 2008	Source Detail	FLAC
11/29/80	Alligator Alley Gymnasium, University Of Florida	Gainesville	FL	flac16; AUD: Unknown mics > unknown lead deck > Sony TC-D5 > TDK-SA (1st Set) and Maxell XLII (2nd Set), recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2015	Source Detail	FLAC
11/29/80	Alligator Alley Gymnasium, University Of Florida	Gainesville	FL	flac16/48kHz; Cassette Audience Master recorded By Jim Wise (patched out of MadRiverRich); Beyer dynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded TDK SA-C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96]; Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name)-Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise	Source Detail	FLAC
11/29/80	Alligator Alley Gymnasium, University Of Florida	Gainesville	FL	flac24; Set 2 Recording Info: SBD > Multi-Gen Cassette (Maxell XLII 90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/29/80	Alligator Alley Gymnasium, University Of Florida	Gainesville	FL	flac16/44 Master Audience Cassettes - recorded by Ohr Weinberg: 2 Sony ECM-23F microphones > Nakamichi 550 Cassette Deck (Maxell UD-XLII 90 Cassettes), Dolby B Transfer: Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR-830plus > CD Ohr : CD > EAC > WAV > FLAC	Source Detail	FLAC
11/29/80	Alligator Alley Gymnasium, University Of Florida	Gainesville	FL	Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24	Source Detail	FLAC
11/30/80	Fox Theater	Atlanta	GA	complete; MSC> Reel> DATs> CDRs> EAC> SHN (set I and Scarlet>Fire from Set II); remainder Jim Wise's Sony ECM280s> D5> DATs> CDRs> EAC> SHN, also with patches from other AUDs (see info file); via Scott Clugston, Dankstar, Darrin Sacks; upgrade relative to previous shn set; note copy a noted at shakedown- has fixed track boundaries, copy b noted at gdlive does not (d3 is same for both)- see pub comments	Source Detail
11/30/80	Fox Theater	Atlanta	GA	flac2448; Source: Unknown mics & deck > Sony Fe-Cr 90's, concert recording by John Hicks & Dennis Fong. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2022	Source Detail	FLAC
12/06/80	Mill Valley Recreation Center	Mill Valley	CA	Betty Cantor-Jackson's Master Audience Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston	Source Detail
12/06/80	Mill Valley Recreation Center	Mill Valley	CA	flac16/44.1khz AKG C414 Stereo Pair > Sony D5 - Betty Cantor-Jackson's Master Cassette (UD-XL II 60) Betty's Master Cassette (Dennon DN-770R) > Sony R500 Sony R500 > Tascam DA-3000 > Samplitude Pro X5 > FLAC (16-bit/44.1k)	Source Detail	FLAC
12/12/80	Swing Auditorium	San Bernardino	CA	2nd set only; AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy	Source Detail
12/12/80	Swing Auditorium	San Bernardino	CA	set 1; aud (unknown mics); via Brad Kelsey; encoded by Matt Vernon.	Source Detail
12/12/80	Swing Auditorium	San Bernardino	CA	flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette Transfer Info: Cassette (Nak CR7A) -> Dat (Sony R500/SBM On) Transferred By Neil Sturtevant Dat (Sony D8) -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC; Transferred and Remastered Charlie Miller	Source Detail
12/12/80	Swing Auditorium	San Bernardino	CA	flac16; Recorded by Ron Ellner: MOTB Release: 0059 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x TDK SA-X 90 Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Ron Ellner MAC Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: SIRMick	Source Detail	FLAC
12/12/80	Swing Auditorium	San Bernardino	CA	flac16; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 70us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes); Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave	Source Detail	FLAC
12/13/80	Long Beach Arena	Long Beach	CA	set 2; Master Audience Cassette; Sony ECM-280 mics > Sony D5> DAT > CDR; via Scott Clugston, Lee Revell	Source Detail
12/13/80	Long Beach Arena	Long Beach	CA	Complete; (FOB) Nak 700 -> Cm -> Reel -> Dat shn encoding Charlie Miller	Source Detail
12/13/80	Long Beach Arena	Long Beach	CA	flac16; Recording by Joani Walker: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/13/80	Long Beach Arena	Long Beach	CA	flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/13/80	Long Beach Arena	Long Beach	CA	flac1644 Mike Millard First Generation Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 127 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard First Generation Cassettes > Nakamichi Cassette Deck 1 azimuth-adjusted playback > Sound Devices USBPre2 > Sound Forge Audio Studio 13.0 capture > Adobe Audition > iZotope RX8 > iZotope Ozone 8 > MBIT+ resample to 16/44.1 > Audacity > TLH > FLAC	Source Detail	FLAC
12/14/80	Long Beach Arena	Long Beach	CA	AUD(Nak 700?s)>MC>DAT>CDR; via Paul B; Seeded to etree by Willy; upgrade in circulation	Source Detail
12/14/80	Long Beach Arena	Long Beach	CA	flac16; MSC>C (originally listed as nnknown generation cassette from sound board master) Transfer and FLAC encoding by David Minches: Cassette played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/pitch Correction by Joe B. Jones. Missing sections were patched with SHNID 89058. Patch Info: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Thanks to Michael Parrish for the sound board recording.	Source Detail	FLAC
12/14/80	Long Beach Arena	Long Beach	CA	flac16; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 70us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes); Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave	Source Detail	FLAC
12/26/80	Oakland Auditorium Arena	Oakland	CA	Recording by Joani Walker: Nak 300's > D5 > ACM recorded by Joani Walker(1), ACM > CDR by Paul Scotton, encoding Matt Vernon ; upgrade in circulation	Source Detail
12/26/80	Oakland Auditorium Arena	Oakland	CA	MSR>C>DAT>WAV>SHN w/ Aud Patch - NAK 700's FOB>MAC>C>DAT>WAV>SHN. C>SHN Conversion by Cousinit	Source Detail	SHN
12/27/80	Oakland Auditorium Arena	Oakland	CA	MSR>C>DAT>WAV>SHN; Conversion by Cousinit	Source Detail
12/27/80	Oakland Auditorium Arena	Oakland	CA	flac16; Recording by Joani Walker: Nakamichi 300/CP4 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/27/80	Oakland Auditorium Arena	Oakland	CA	flac16; Recording Info:(FOB) Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/27/80	Oakland Auditorium Arena	Oakland	CA	flac16; Fix of shnid.135987 - Soundboard, unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums with TLH-> tagged with Mp3tag; Editing and Mastering by Jamie Waddell in Wavelab 7.1; shnid.135987 had the channels reversed in Set 1, this fixes that issue	Source Detail	FLAC
12/27/80	Oakland Auditorium Arena	Oakland	CA	flac16; Soundboard, unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums with TLH-> tagged with Mp3tag; Editing and Mastering by Jamie Waddell in Wavelab 7.1	Source Detail	FLAC
12/27/80	Oakland Auditorium Arena	Oakland	CA	flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496	Source Detail	FLAC
12/28/80	Oakland Auditorium Arena	Oakland	CA	SB:>?>DAT>Tascam DA-20>EgoSys WaveTermanial 2496>CD-Wave > SHN; via Peter Gallagher; Seeded to etree by Willy	Source Detail
12/28/80	Oakland Auditorium Arena	Oakland	CA	MSR>C>DAT>WAV>SHN via Cousin-It	Source Detail
12/28/80	Oakland Auditorium Arena	Oakland	CA	flac16; Recording Info:(FOB) Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/28/80	Oakland Auditorium Arena	Oakland	CA	AUD (Nak 300's)>MC>DAT>CD; via Paul B; Seeded to etree by Willy	Source Detail
12/28/80	Oakland Auditorium Arena	Oakland	CA	flac16; Soundboard, unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums and tagged with xACT; Editing and Mastering by Jamie Waddell in Wavelab 7.1	Source Detail	FLAC
12/28/80	Oakland Auditorium Arena	Oakland	CA	flac1644 Source: AUD of unknown lineage > Lo-gen cassette via Richie & Rip. Transfer: SA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 07/2022	Source Detail	FLAC
12/30/80	Oakland Auditorium Arena	Oakland	CA	Recording by Steve Rolfe: AUD (nak 300's)>MC>DAT>CD; via Paul B; Seeded to etree by Willy	Source Detail
12/30/80	Oakland Auditorium Arena	Oakland	CA	flac16; Soundcheck Recording Info: Sennheiser 421 -> Cassette Master -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/30/80	Oakland Auditorium Arena	Oakland	CA	flac24; Source: AUD of unknown lineage > Lo-gen cassette via Richie & Rip. Transfer: SA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F. 05/2019	Source Detail	FLAC
12/31/80	Oakland Auditorium Arena	Oakland	CA	SBD > Rm > Cass > Dat > Samplitude > CDR > EAC> SHN; plus AUD patches (see info file for notes and flaws); EAC, SHN, etreed by G.Gorinsky; with thanks to Bill Golden	Source Detail
12/31/80	Oakland Auditorium Arena	Oakland	CA	flac16; - SBD > Rm > Cass > Dat > Samplitude > CDR > EAC > SHN - Seamless fix and patch of shn id 6391 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details	Source Detail	FLAC
12/31/80	Oakland Auditorium Arena	Oakland	CA	flac16; SBD master cassette > cassette; Nak Dr-1 > Lynx2 Studio Interface at 32 bit float 88.2 kHz	Source Detail	FLAC
02/17/81	Club Front	San Rafael	CA	flac24; Recording Info: Rough Mixes > Cassette (TDK SA-X90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
02/26/81	Uptown Theater	Chicago	IL	SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes	Source Detail
02/26/81	Uptown Theater	Chicago	IL	Taped by Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B. Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) > Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal via Mark Cohen. Encoded by Matt Vernon	Source Detail
02/26/81	Uptown Theater	Chicago	IL	flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell	Source Detail
02/27/81	Uptown Theater	Chicago	IL	SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes; note encore missing	Source Detail
02/27/81	Uptown Theater	Chicago	IL	Taped by Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B. Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) > Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal via Mark Cohen. Encoded by Matt Vernon	Source Detail
02/27/81	Uptown Theater	Chicago	IL	flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell	Source Detail
02/28/81	Uptown Theater	Chicago	IL	SBD > Cassette Master > DAT(0) (Reel> DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > CDR Master (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes; d1 tracked for 80 min	Source Detail
02/28/81	Uptown Theater	Chicago	IL	flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell	Source Detail
02/28/81	Uptown Theater	Chicago	IL	Taped by Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B. Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) > Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal via Mark Cohen. Encoded by Matt Vernon	Source Detail	FLAC
02/28/81	Uptown Theater	Chicago	IL	flac16/44 Source Info: Master Soundboard Cassette > ? > DAT (16/44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 (16/44.1k) > Adobe Audition 2020 > TLH flac16	Source Detail	FLAC
03/02/81	Cleveland Music Hall	Cleveland	OH	Recording by Bob Wagner: Nak 700's> TC-D5> MC> DAT> CDR; via Paul B; Seeded to etree by Willy; upgrade in circulation	Source Detail
03/02/81	Cleveland Music Hall	Cleveland	OH	flac16; Recording by Mason Taylor and Mark Radnor: : NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer: Cassette Master > HHB Porta-a-DAT DAT Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing Info- Wavelab 6.0 using Ozone and L2 for dither	Source Detail	FLAC
03/02/81	Cleveland Music Hall	Cleveland	OH	flac16; Recording by Bob Wagner: MOTB Release: 0058 16/44.1 Analog Audience Source: Master Cassettes [FOB, 15th Row] (MAC) Analog Copy Instances: Reel Set 1 (R1) Medium Stock Brands: MAC = Maxell XLIIS-90, R1 = 2 x Maxell UD 35-90 Analog Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] => Sony TC-D5M >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [7.5 IPS] >> R1 Analog Sound Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner R1 Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: D. McCabe	Source Detail	FLAC
03/02/81	Cleveland Music Hall	Cleveland	OH	flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> AIFF -> Adobe Audition v1.5 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller	Source Detail	FLAC
03/03/81	Cleveland Music Hall	Cleveland	OH	Recording by Mark Horvath: fob> Sennheiser 421s> master cassette> cdr; via Mark Horvath; Seeded to etree by Sean Cheadle; Note- New d2t05 now circ's; See 'user comments' for details	Source Detail
03/03/81	Cleveland Music Hall	Cleveland	OH	flac16; Recording by Mason Taylor and Mark Radnor: NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer: Cassette Master > HHB Porta-a-DAT DAT Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing Info- Wavelab 6.0 using Ozone and L2 for dither	Source Detail	FLAC
03/03/81	Cleveland Music Hall	Cleveland	OH	flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/03/81	Cleveland Music Hall	Cleveland	OH	flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> AIFF -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; Upgrade in circulation	Source Detail	FLAC
03/03/81	Cleveland Music Hall	Cleveland	OH	aud> mics?> cassette master> dat> cdr; via Mike Lai	Source Detail	FLAC
03/03/81	Cleveland Music Hall	Cleveland	OH	Recording by Bob Wagner; Nak 700s>Sony TC-D5. AUDMC > SHN conversion by David Minches	Source Detail	FLAC
03/04/81	Club Front	San Rafael	CA	flac24; Lineage: The tape was labelled "2nd generation off master", taken to mean MSR or MSC > Cass1 > Cass2; Transfer: Maxell UD-XLI > Nakamichi DR-8 (Dobly Off) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC1644	Source Detail	FLAC
03/04/81	Club Front	San Rafael	CA	flac24; Recording Info: Master Production Disc > Cassette Master (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/05/81	Stanley Theater	Pittsburgh	PA	Audience recording by Jim Wise (Sennheiser 421>D5) set up loge center; Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam cd-d4000mkII > EAC in secure mode(see below) > Soundforge > CD WAV > SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD>SHN by Jamie Lutch; QC courtesy dankseeds	Source Detail
03/05/81	Stanley Theater	Pittsburgh	PA	Set 2 soundboard, minus encore, last song cut; See info file for details; S : MC > C > D > CD > EAC > SHN Extraction, tracking and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool.	Source Detail
03/05/81	Stanley Theater	Pittsburgh	PA	flac16; Recording by Mason Taylor and Mark Radnor: : NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Location: 1st Row of lower balcony Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer by: Adam Gross - Cassette Master > HHB Porta-a-DAT DAT Transfer by: Todd Evans DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 (note: this was originally seeded with the files named incorrectly. The info file below reflects the corrected file names and a renamed md5 file has been included.)	Source Detail
03/05/81	Stanley Theater	Pittsburgh	PA	flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
03/05/81	Stanley Theater	Pittsburgh	PA	flac2448; 2nd Set; Source: SBD > ? > Cassette via Seaweed1010. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.	Source Detail	FLAC
03/06/81	Stanley Theater	Pittsburgh	PA	Audience recording by Jim Wise (Sennheiser 421>D5) set up loge center; Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam cd-d4000mkII > EAC in secure mode(see below) > Soundforge > CD WAV > SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD>SHN by Jamie Lutch; QC courtesy dankseeds	Source Detail
03/06/81	Stanley Theater	Pittsburgh	PA	Set 2 soundboard, minus encore; S : MC > C > D > CDR > EAC > SHN Extraction, tracking and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool.	Source Detail
03/06/81	Stanley Theater	Pittsburgh	PA	flac16; Recording by Mason Taylor and Mark Radnor: : NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Location: 1st Row of lower balcony Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer: Cassette Master > HHB Porta-a-DAT DAT Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing Info- Wavelab 6.0 using Ozone and L2 for dither	Source Detail	FLAC
03/06/81	Stanley Theater	Pittsburgh	PA	flac2448; 2nd Set; Source: SBD > ? > Cassette via Seaweed1010. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.	Source Detail	FLAC
03/07/81	Cole Field House, University Of Maryland	College Park	MD	FOB> Nak 700 mics> Sony TCD5M> MC> Sony D8> DAT@48k> ZA2> @44.1khz> SF & CD Architect4.5> CD; EAC/SHN by Willy, from Scott Shindell seed discs; missing Passenger, cut in LLR; tracked for 2x80	Source Detail
03/07/81	Cole Field House, University Of Maryland	College Park	MD	Recording by Jim Wise: Senn 421 mics, > SonyD5> MC> CD> ?> EAC> SHN	Source Detail
03/07/81	Cole Field House, University Of Maryland	College Park	MD	flac16; Recording by Barry Glassberg; MOTB-0008 Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner	Source Detail
03/07/81	Cole Field House, University Of Maryland	College Park	MD	flac16; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5; Location: set up at the SBD; Transfer and FLAC encoding by David Minches; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding	Source Detail	FLAC
03/09/81	Madison Square Garden	New York	NY	Recording by Barry Glassberg: Improved 'transfer' of original fob source; via Barry glassberg; Jim Wise; upgrade in circulation	Source Detail
03/09/81	Madison Square Garden	New York	NY	Sources: Master Soundboard Cassette > Cassette > DAT > CDR; Jim Wise's Master Audience Cassette; Nakamichi CM700 mics >Sony TC-D5 supplies the tuning and first few notes of "Deep Elem Blues" (d1t06), approximately 0:38. ; upgrade in circulation	Source Detail
03/09/81	Madison Square Garden	New York	NY	flac16; Recording by Barry Glassberg: MOTB-0009 Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner	Source Detail
03/09/81	Madison Square Garden	New York	NY	flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Steve Rolfe; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/10/81	Madison Square Garden	New York	NY	Recording by Barry Glassberg: Improved 'transfer' of original fob source; via Barry glassberg; Jim Wise; ; upgrade in circulation	Source Detail
03/10/81	Madison Square Garden	New York	NY	flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/10/81	Madison Square Garden	New York	NY	flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
03/12/81	Boston Garden	Boston	MA	Recording by Steve Rolfe: Nak 700's > Sony D5 Master Cassette; 16th Row ; A>D by Noah Weiner; d1 tracked for 80 min; passes shntool check	Source Detail
03/12/81	Boston Garden	Boston	MA	flac16; AUD: 3x Nakamichi CM300/CP4's shotguns > Nakamichi 550 > Maxell XLII-S 90's, set up center balcony facing stage, section 102. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 09/2010	Source Detail	FLAC
03/13/81	Utica Memorial Auditorium	Utica	NY	Recording by Jim Wise: Sennheiser 421>D5 , set up at SBD; Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam CD-D4000mkII > EAC> Soundforge > CD WAV > SHNv3 w/seek; A>D>CD Conversion by Jim Wise; CD>SHN by Jamie Lutch, 5/2001; QC courtesy dankseeds; see info file for flaws etc	Source Detail
03/13/81	Utica Memorial Auditorium	Utica	NY	flac16; Second Set Only; Source: Mono Soundboard of unknown lineage Transfer: Cassette > Sony TC-D5M > Soundblaster > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-fix, checksums, and FLAC compression)	Source Detail
03/13/81	Utica Memorial Auditorium	Utica	NY	flac16; Recorded by Alan Zimmerman Master Audience Cassette; 2 Sennheiser 421s (Alan thinks)> Sony TC-158 (Fuji FX-I 90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC	Source Detail
03/13/81	Utica Memorial Auditorium	Utica	NY	flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding	Source Detail	FLAC
03/13/81	Utica Memorial Auditorium	Utica	NY	flac16; Partial Set 1, Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Mastered By Charlie Miller; Upgrade of Shn ID 112659	Source Detail	FLAC
03/13/81	Utica Memorial Auditorium	Utica	NY	flac16/48kHz; Cassette Audience Master recorded by Jim Wise; Sennheiser MD 421 mic's mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Maxell XL-11 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96]; Transfer by David Minches; Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name)-Sample Rate Conversion(r8brain) by Jim Wise	Source Detail	FLAC
03/14/81	Hartford Civic Center	Hartford	CT	Aud (?)-> CD-> EAC-> SHN; via Andy Hayum;Admin note:This is the Glassberg recording as noted in comments by C. Ladner. upgrade now in circulation.	Source Detail
03/14/81	Hartford Civic Center	Hartford	CT	flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
03/14/81	Hartford Civic Center	Hartford	CT	flac16; Recording by Barry Glassberg: MOTB-0029 Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner	Source Detail	FLAC
03/14/81	Hartford Civic Center	Hartford	CT	flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/14/81	Hartford Civic Center	Hartford	CT	flac16; AUD: 3x Nakamichi CM300/CP4's shotguns > Nakamichi 550 > Maxell XLII-S 90's, set up in arena riser "all the way back" center, facing the stage. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 09/2010	Source Detail	FLAC
03/14/81	Hartford Civic Center	Hartford	CT	flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:at (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Mastered By Charlie Miller	Source Detail	FLAC
03/14/81	Hartford Civic Center	Hartford	CT	flac2496 Recording Info: (FOB/8th Row) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXL-IIS) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24	Source Detail	FLAC
03/20/81	Rainbow Theatre	London	England	MAC > C > C > D > CD; via Jack Warner; seeded to etree by Matt Vernon	Source Detail
03/20/81	Rainbow Theatre	London	England	flac16; master soundboard cassettes > Nak Dr-1 > Lynx2 Studio Interface 24 bit 48kHz. Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz MetaData with Tag and Rename TLH for FLAC Level 8 SBE FREE Seeded on The Winter Solstice 2009 (Note: The original 12-21-2009 version of this source had flaws and should not be circulated.)	Source Detail	FLAC
03/20/81	Rainbow Theatre	London	England	flac16: Soundcheck Source: AUD cassette (Unknown equipment & lineage). Tape kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 1644 Tagged, May 2011.	Source Detail	FLAC
03/21/81	Rainbow Theatre	London	England	Master Soundboard Cassette > Cassette > CDR, with AUD Senn 421 patches (see info file); CD Mastering, Patching, EAC, SHN by Scott Clugston; tracked for 2x80; to abgd	Source Detail
03/21/81	Rainbow Theatre	London	England	Senn 421's> Sony TC-D5 positioned at SBD> MC> DAT> CDR> EAC> CDWAV (retrack)> SHN (W/seek tables appended); Frank Streeter recording; A>D by Rich Gastwirt; D>CD Sony R-700> HHB CDR 800 by Jim Wise; EAC/SHN by Charles Hogan; d2 tracked for 80 min	Source Detail
03/23/81	Rainbow Theatre	London	England	AUD> MC> DAT> CD	Source Detail
03/23/81	Rainbow Theatre	London	England	flac16; Recording by B.Koucky. Source: Condenser mics, portable JVC Boombox, 20 ft from stage left, hand held on a riser 6ft off floor > Maxell UDXL-Is Transfer: MAC playback on Nakamichi DR-2, no NR > Presonus Firebox > firewire > PC, XP-Pro > recorded as 24 bit/96 KHz PCM WAV, Wavelab 5 > Waves X-Noise and L3 Multimaximizer @ 24 bit > UVHR-22 (dither to 16/44.1) > CDWAV 1.9 > WAV > FLAC	Source Detail
03/24/81	Rainbow Theatre	London	England	Recording by Frank Streeter: Senn 421's> TC-D5> MC> DAT> CDR; via Paul B; Seeded to etree by Alan Schlissel	Source Detail
03/28/81	Grugahalle	Essen	Germany	stereo FM -> reel master -> DAT -> CDWAV -> SoundForge -> CDR, with other FM patches; via Hanno Bunjes et al; see info file for detailed notes; Hanno's notes	Source Detail
03/28/81	Grugahalle	Essen	Germany	updated lineage: copy of bootleg CD "Trippin Around", not SBRD> Pre-FM> DAT> CD-R> EAC> SHN ("unconfirmed"); to abgd by Jeremy Duncan; 3/01 note- upgrade now in circulation	Source Detail
03/28/81	Grugahalle	Essen	Germany	flac16; FM (live broadcast) > Revox A76 Tuner > Revox A77 (1/2 track, 3 1/2 ips, TDK LX 35) March 2007: TDK LX 35 > Revox A77 > Audiophile 2496 > WaveLab > CDWave > Flac frontend	Source Detail	FLAC
04/25/81	Berkeley Community Theater	Berkeley	CA	Sing Out For Sight Benefit; Garcia, Weir, Kruetzman, Hart, JKahn; Acoustic; AUD>MC>??>DAT>CDR; via Paul B; Seeded to etree by Willy	Source Detail
04/25/81	Berkeley Community Theater	Berkeley	CA	flac2496 Recording Info: TDK MA90 cassette from Bear via Jamie Waddell Transfer Info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Recorded by Augustus Owsley Stanley III (aka Bear) Transferred and mastered by Jim Blackwood Speed/pitch adjustment by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
04/30/81	Greensboro Coliseum	Greensboro	NC	Recording by Jim Wise: mixed-source AUD: set 1, Beyer M160's > Sony D5 @ SBD; set 2: NAK 700's > Sony D5 12th row center; Master cass> DAT> CD> EAC> (Tracked in)CoolWave> SHN> CD; EAC> tracking> shn by Seth Kaplan; etreed by Steve Bertoni; see info file for flaw notes	Source Detail
04/30/81	Greensboro Coliseum	Greensboro	NC	flac16; Recording Info:SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info:Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/30/81	Greensboro Coliseum	Greensboro	NC	flac24; Cassette Audience Master recorded By Jim Wise; Set 1 Beyerdynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Set 2 Nakamichi 700's -Sony TC D-5; Location @ 12 row center stage; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000 (DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing (Adobe Audition CC)-Mastering (iZotope Ozone 6)-FLAC ; encoding (dBpoweramp)-Tagging (Tag & Re-name); All Editing & Processing Jim Wise	Source Detail	FLAC
04/30/81	Greensboro Coliseum	Greensboro	NC	flac2448; AUD Source: Unknown mics & deck > Sony-FeCr & Maxell-XLII, concert recording by John Hicks & Dennis Fong. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2022	Source Detail	FLAC
05/01/81	Hampton Coliseum	Hampton	VA	Recording by Jim Wise: Master FOB Audience Cassette > Sennheiser 421 mics> Sony D5 cassette deck > DAT > CDR; via Scott Clugston; upgrade in circulation	Source Detail
05/01/81	Hampton Coliseum	Hampton	VA	flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
05/01/81	Hampton Coliseum	Hampton	VA	flac2448; AUD Source: Unknown mics & deck > Sony-FeCr 90's, concert recording by John Hicks & Dennis Fong. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave (24bit-output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2022	Source Detail	FLAC
05/01/81	Hampton Coliseum	Hampton	VA	flac16; SBD > MC > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko	Source Detail	FLAC
05/01/81	Hampton Coliseum	Hampton	VA	flac16; CM-700 => Sony TCD5-M >> Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taper Bob Wagner, Transfer: aegert, Edit: dmccabe MOTB.0074	Source Detail	FLAC
05/01/81	Hampton Coliseum	Hampton	VA	flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of shnid 29087	Source Detail	FLAC
05/01/81	Hampton Coliseum	Hampton	VA	flac16; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLII-S 90's, Recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 07/2016	Source Detail	FLAC
05/01/81	Hampton Coliseum	Hampton	VA	flac1648 Source Info: Master Soundboard Cassettes > Cassettes > DAT (16-bit/48kHz) Transfer Info: DAT (Sony PCM-R500)(16-bit/48kHz) > Tascam DA-3000 > .wav 16/48 > Adobe Audition 2023 > TLH flac1648	Source Detail	FLAC
05/02/81	The Spectrum	Philadelphia	PA	Recording by Jim Wise. (FOB) Senn 421> Cm> Dat> CD; via Craig Reimer; Seeded to etree by Willy ; upgrade in circulation.	Source Detail
05/02/81	The Spectrum	Philadelphia	PA	AUD : MC (FOB Senn 421s > Sony TC-D5M by Jim Wise) > DAT > CD > EAC > SHN Extraction, Retracking and SHN encoding by Alan J Fink (aj.fink@verizon.net); Thanks to Charlie Miller for the seeds	Source Detail
05/02/81	The Spectrum	Philadelphia	PA	flac16; SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat Transferred By Joe Samaritano Patched and Edited By Charlie Miller	Source Detail	FLAC
05/04/81	The Spectrum	Philadelphia	PA	Master Soundboard Cassette > Cassette > DAT > CDR, with patches from AUD Nakamichi CM300 mics > Sony D5 source; via Scott Clugston; see info file for notes	Source Detail
05/04/81	The Spectrum	Philadelphia	PA	Recording by Ohr Weinberg. Master Audience Cassette : 2 Sony ECM-23F microphones > Nakamichi 550 Cassette Deck (Maxell XLII-S 90 Cassettes), Dolby B. Transfer: Master Cassette > Nakamichi Dragon > HHB CDR-830 Plus (by Ohr)> EAC > Sound Forge 5.0 (spliced tape flip during drums, fades, and cleanup) > CD Wave 1.71 > WAV > SHN (by Anne Cohen) 5/2005.	Source Detail
05/04/81	The Spectrum	Philadelphia	PA	flac24; Cassette Audience Master recorded By Jim Wise Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)	Source Detail	FLAC
05/04/81	The Spectrum	Philadelphia	PA	flac16/48khz Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
05/05/81	Glens Falls Civic Center	Glens Falls	NY	flac24; Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXLII-S/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; Recorded by Bob Wagner	Source Detail	FLAC
05/05/81	Glens Falls Civic Center	Glens Falls	NY	Recording by Jim Wise. Master Audience Cassette: Sennheiser 421 mics > Sony TC-D5 > DAT> CDR; Seeded to etree by Scott Clugston	Source Detail
05/05/81	Glens Falls Civic Center	Glens Falls	NY	flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies); Mic Config: "primitive DIN" pointing the mics directly at the stacks forming a "Y"; Mic Location: first row behind the soundboard cage; Sony D5 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; taped and transferred by Doug Mow; CDR> flac by Alex Ford	Source Detail	FLAC
05/05/81	Glens Falls Civic Center	Glens Falls	NY	flac16; Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXLII-S/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; Recorded by Bob Wagner, This file set is 16 bit @ 44.1	Source Detail	FLAC
05/06/81	Nassau Veterans Memorial Coliseum	Uniondale	NY	Recording by Barry Glassberg. Nak 700's > Sony TC-D5M > MC > DAT > CD; via Jay Jurina; Seeded to etree by Matt Vernon; Note- This show is available as Dick's Picks 13 ; upgrade in circulation	Source Detail
05/06/81	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; Recording by Jim Wise. Sennheiser 421's > Sony TC-D5, set up near the soundboard. Taped and transferred (MAC > CD) by Jim Wise. Transfer: MAC > CD (likely equipment: Nakamichi Dragon > HHB CDR burner). CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC, by Andrew F	Source Detail
05/06/81	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger	Source Detail	FLAC
05/06/81	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac24; AUD: Unknown mics & lead deck > Sony TC-D5 > Maxell XLII-S 90's. Recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2020	Source Detail	FLAC
05/08/81	Nassau Veterans Memorial Coliseum	Uniondale	NY	Recording by Jim Wise: FOB Senn 421's> Sony D5> MC> DAT> CDR; via Mark Linden; Seeded to etree by Willy	Source Detail
05/08/81	Nassau Veterans Memorial Coliseum	Uniondale	NY	SBD> Master Cassette> Dat (44.1k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Barry Glassberg's FOB Nakamichi 700 source; Transferred and Patched By Charlie Miller	Source Detail	SHN
05/08/81	Nassau Veterans Memorial Coliseum	Uniondale	NY	Recording by Barry Glassberg. FOB NAK-700's > SONY TC-D5M Dolby On via Mark Cohen, John Steinthal encoded by Matt Vernon	Source Detail	FLAC
05/08/81	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger	Source Detail	FLAC
05/08/81	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - standing on a chair 35' from stage)> custom mixer by Jamie Poris > Sony TC-D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
05/08/81	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; Set 2 AUD: Unknown mics & lead decks > Sony TC-D5 > Maxell XLIIS-90, FOB recording by Brian Schley; Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged; Transferred by Andrew F. 09/2017	Source Detail	FLAC
05/09/81	Nassau Veterans Memorial Coliseum	Uniondale	NY	Recording by Jim Wise. AUD> MC> DAT> CD; Missing encore; via Paul B; Seeded to etree by Willy	Source Detail
05/09/81	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
05/09/81	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; MATRIX MIX: 1 SBD/2 AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) June 10, 2008	Source Detail
05/09/81	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; SBD -> Cassette Master -> Dat All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/09/81	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16;Recording By Rob Eaton. Recording Info: (FOB) Sennheiser 421 + PZM -> Cassette Master (Nak 500) -> Dat (48k). Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC. All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/09/81	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell MX); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
05/11/81	Veterans Memorial Coliseum	New Haven	CT	FOB Healy authorized master audience cassette > 48k dats > delta dio 2496 > cooledit2000 > wav > shn; circulating via trades?; note d1 tracked for 80 min	Source Detail
05/11/81	Veterans Memorial Coliseum	New Haven	CT	flac16; SBD -> Master Cassette -> Reel -> Dat; Transferred and Edited By Charlie Miller (A version with a SBD version of To Lay Me Down (d2t04) sourced from .mp3 circulates.)	Source Detail	FLAC
05/11/81	Veterans Memorial Coliseum	New Haven	CT	flac16; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550 > Maxell XL-II 90's. Mics handheld, recorded from left side (stage right) first-level riser, about half way back. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 10/09	Source Detail	FLAC
05/11/81	Veterans Memorial Coliseum	New Haven	CT	flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)	Source Detail	FLAC
05/11/81	Veterans Memorial Coliseum	New Haven	CT	flac16; source: (2) nakamichi 300> d-5; conversion: sony tc we435> soundcard> cdwave 48000/stereo/16 bit 44.1kHz> traders little helper encoding option 8; conversion rate: 48000/stereo/16 bit 44.1kHz; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate	Source Detail	FLAC
05/11/81	Veterans Memorial Coliseum	New Haven	CT	flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies); Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16; Taped and transferred by Doug Mow; CDR> FLAC by Alex Ford	Source Detail	FLAC
05/11/81	Veterans Memorial Coliseum	New Haven	CT	flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; behind the stage speakers; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger	Source Detail	FLAC
05/12/81	Veterans Memorial Coliseum	New Haven	CT	SBD> Master Cassette> Cassette > DAT> CDR; via Jeff M.	Source Detail
05/12/81	Veterans Memorial Coliseum	New Haven	CT	flac24; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550 > Maxell XL-II 90's. Mics handheld, recorded from left side (stage right) first-level riser, about half way back. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448. Transfer by Andrew F. 10/2009	Source Detail	FLAC
05/12/81	Veterans Memorial Coliseum	New Haven	CT	flac16; Set 1 Source: Senn 421>?>Cassette, Set 2 Source: Senn 421>Cassette Master Lineage: AUD>MC>DAT>CD>EAC>WAV>FLAC Encoding Post DAE Editing: 1st Set was somewhat too speedy and needed to be reprocessed. 1st set was speed corrected by 2.2 percent with Audacity.	Source Detail	FLAC
05/12/81	Veterans Memorial Coliseum	New Haven	CT	flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/12/81	Veterans Memorial Coliseum	New Haven	CT	flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
05/12/81	Veterans Memorial Coliseum	New Haven	CT	flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
05/13/81	Providence Civic Center	Providence	RI	Nak 300's>MC>DAT>CDR; Missing Mama Tried>Mexicali; via Paul B; Seeded to etree by Willy	Source Detail
05/13/81	Providence Civic Center	Providence	RI	flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/13/81	Providence Civic Center	Providence	RI	flac16; Matrix 3 Source Mix - SBD (shn id 86780) SBD -> Master Cassette -> Reel -> Dat (48k) + AUD1 (shn id 8918) Nak 300's>MC>DAT>CDR + AUD2 Master VHS -> David Minor friend's 1st GEN VHS-> standalone dvd recorder - matrix mixing by Kevin Tobin	Source Detail	FLAC
05/13/81	Providence Civic Center	Providence	RI	flac16; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550. Mics on stand, 25th row right center. Taped by Tim Friend & Joe Morrone. MAC copied to 1st Gen Maxell XL-II 90's on Nakamichi 680ZX. Transfer: 1st Gen cassettes > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 10/09	Source Detail	FLAC
05/13/81	Providence Civic Center	Providence	RI	flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; recorded from the floor; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger	Source Detail	FLAC
05/15/81	Athletic Center, Rutgers University	Piscataway	NJ	(FOB) Senn 421> Cm> Dat> CD; via Charlie Miller; Seeded to etree by Willy	Source Detail
05/15/81	Athletic Center, Rutgers University	Piscataway	NJ	flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/15/81	Athletic Center, Rutgers University	Piscataway	NJ	MAC>DAT>CD. Recording by Kenny Mance. AKG CE-1 microphones > Uher CR-240 cassette deck, no dolby, TDK SA C90 cassettes. audience cassette master recorded by Kenny Mance. Transfer: MAC > Uher CR-240 > Sony PCM-M1(2/05). Sony PCM-R500 > HHB CDR830plus > EAC > Sound Forge 5.0 > CD Wave 1.71 > cd. *1/2 step patch source: (downloaded 4/2005 from tol- gd1981-05-15.senn.munder.9008) fob Senn 421>Cm>Dat>CD (0 to 6:48). a-d transfer 2/05, editing, tracking and shn conversion by Anne Cohen 4/05.	Source Detail
05/16/81	Barton Hall, Cornell University	Ithaca	NY	Recording by Jim Wise. Main Source:FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise).(Previous SHN release); Patch Source: Eddie Claridge's 421 mics(set up on the SBD)>(Eddie's)D-5>(Jim Wise's)D-5>D-5>D-5>CDR ; Please see text file for further details on sources ; Via Torbjorn & Tommy Dunscuk ; Seeded to Etree by T. Wiley	Source Detail
05/16/81	Barton Hall, Cornell University	Ithaca	NY	flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape; Transferred Nak ZX7> CDR by Doug Mow; CDR> FLAC16, minor editing by Alex Ford	Source Detail	FLAC
05/16/81	Barton Hall, Cornell University	Ithaca	NY	flac16; Set 1: SBD -> Master Cassette -> Reel -> Dat Set 2: SBD -> Master Cassette -> Dat Transferred and Edited By Charlie Miller	Source Detail	FLAC
05/16/81	Barton Hall, Cornell University	Ithaca	NY	flac16/48kHz; Set 2 Source Info: George Sterry's Master Audience Cassettes; Unknown mics > Sony D3 (TDK-SA90); Transfer Info: Cassette Masters (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; ; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
05/17/81	Onondaga County War Memorial	Syracuse	NY	Possible Jim Wise Recording: AUD>MC>SF>CDR; via Paul B; Seeded to etree by Willy	Source Detail
05/17/81	Onondaga County War Memorial	Syracuse	NY	flac16;set2: Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Mastered By Charlie Miller	Source Detail	FLAC
05/22/81	Warfield Theater	San Francisco	CA	AUD>MC>DAT>CDR; Nuclear Disarmament Benefit; Garcia, Weir, Hart, Kreutzman, Mydland, Kahn; Acoustic; Note- There are numerous spots with digi-static, from 'minor' to 'annoying'; See info file for details; via Paul B; Seeded to etree by Willy	Source Detail
05/22/81	Warfield Theater	San Francisco	CA	flac24/88.2khz Taper : Steve Aprea Editing : John Jay Hance & Joe D'Amico ''AKA'' Joebeacon (All I Did Was Tracked ,Flac'd And Tagged Files John Did All Other Editing) Sennheisser421->D5M (Front Row Balcony) NakCR7A-> Sony A/D SBM-1-> Sony PCM-1 Dat(16/48.1) circa 1997 Dat(analogue out)-> Edirol R09HR@ 24/88.2 Wave-> Wavelab 6-> OzoneRx7A-> 24/88 Files > Adobe Audition > Traders Little Helper	Source Detail	FLAC
07/02/81	The Summit	Houston	TX	Senn 421's>MC>DAT>CD; Missing US Blues Encore; via Paul B; Seeded to etree by Willy	Source Detail
07/02/81	The Summit	Houston	TX	flac16; Source: 1st Set AUD tape kindly provided by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015	Source Detail	FLAC
07/02/81	The Summit	Houston	TX	flac16; 2nd Set AUD: Unknown Mics > lead deck > Sony TC-D5 > Hitachi ME Metal tape, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015	Source Detail	FLAC
07/02/81	The Summit	Houston	TX	flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony TC-D5M (Maxell XLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
07/04/81	Manor Downs	Austin	TX	Master FOB Audience Cassette: Nakamichi CM700 mics > Sony D5 > DAT > CDR; via Scott Clugston	Source Detail
07/04/81	Manor Downs	Austin	TX	flac16; SBD -> Cassette Master -> Dat (48k) Transferred By Joe Samaritano Patched and Edited By Charlie Miller	Source Detail
07/04/81	Manor Downs	Austin	TX	flac16; Nakamichi CM-300 Shotgun (CP-4) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Recorded by Bob Morris	Source Detail	FLAC
07/04/81	Manor Downs	Austin	TX	flac16; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLIIS-90's, FOB recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015	Source Detail	FLAC
07/04/81	Manor Downs	Austin	TX	flac16/48kHz; Source Info: Jim Vita's Master (FOB) Audience Cassette; Nakamichi CM300 mics > Sony TC-D5 > Dat 16/48; Transfer Info: Dat 16/48 (Sony PCM-R500) > Tascam DA-3000 16/48 > Adobe Audition 3.0 > TLH flac16/48	Source Detail	FLAC
07/04/81	Manor Downs	Austin	TX	flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony TC-D5M (Maxell XLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
07/05/81	Zoo Amphitheater	Oklahoma City	OK	Nak CM700?s> Sony D-5> MC> DAT> CD; via Paul B; Seeded to etree by Willy	Source Detail
07/05/81	Zoo Amphitheater	Oklahoma City	OK	flac16; SBD -> Master Cassette -> Reel -> Dat Transferred and Edited By Charlie Miller	Source Detail	FLAC
07/05/81	Zoo Amphitheater	Oklahoma City	OK	flac16; Set 2 only, audience tape trade cdrs -> flac	Source Detail	FLAC
07/05/81	Zoo Amphitheater	Oklahoma City	OK	flac16; 2nd Set AUD: Nakamichi CM300/CP4 shotguns > unknown lead deck > Sony TC-D5M > Hitachi ME-Metal, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 02/2016	Source Detail	FLAC
07/07/81	Kansas City Municipal Auditorium Arena	Kansas City	MO	Complete; Aud (Neumann KMi84's)>MC>DAT>CD; via Tommy Danscuk; Seeded to etree by Willy	Source Detail
07/07/81	Kansas City Municipal Auditorium Arena	Kansas City	MO	1st Set Only; SBD> Cm> Reel> Dat> CD via Charlie Miller; Seeded to etree by Willy ; upgrade in circulation	Source Detail
07/07/81	Kansas City Municipal Auditorium Arena	Kansas City	MO	flac16; SBD -> Master Cassette -> Reel -> Dat Transferred and Edited By Charlie Miller	Source Detail	FLAC
07/07/81	Kansas City Municipal Auditorium Arena	Kansas City	MO	flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015	Source Detail	FLAC
07/08/81	Kiel Auditorium	St. Louis	MO	(FOB) Neumann KM84>Cm>Dat>Cool Edit Pro>CD; via Charlie Miller; Seeded to etree by Willy	Source Detail
07/08/81	Kiel Auditorium	St. Louis	MO	flac16; AUD: Nakamichi CM300's > lead deck > Sony TC-D5 > Maxell XLII's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015	Source Detail	FLAC
07/08/81	Kiel Auditorium	St. Louis	MO	flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496	Source Detail	FLAC
07/10/81	St. Paul Civic Center	St. Paul	MN	Originally mislabeled as "Behind (Stage) Nak 300/cp1>Cm>Cass>Dat>CD; via Charlie Miller; Seeded to etree by Willy", actually (FOB) Sennheiser 421; upgrade in circulation	Source Detail
07/10/81	St. Paul Civic Center	St. Paul	MN	flac16; AUD: Unknown mics & lead deck > Sony TC-D5 > Maxell XLII-S 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016	Source Detail	FLAC
07/10/81	St. Paul Civic Center	St. Paul	MN	flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics (behind the stage, patched out of John Steinthal)> Sony TC-D5M (Maxell XLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
07/11/81	Alpine Valley Music Theatre	East Troy	WI	Senn 421>CM>DAT>CD; via Rick Martin; Seeded to etree by Willy	Source Detail
07/11/81	Alpine Valley Music Theatre	East Troy	WI	Set 2; S : MC > C > D > CDR > EAC > SHN Extraction, tracking and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool.	Source Detail
07/11/81	Alpine Valley Music Theatre	East Troy	WI	flac16/48 Source Info: Master Audience Cassettes; Sennheiser 421 mics > unknown deck; Jim Vita's 1st generation cassettes Transfer Info: 1st generation cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
07/13/81	McNichols Sports Arena	Denver	CO	SBD; via Mike Lai	Source Detail
07/13/81	McNichols Sports Arena	Denver	CO	flac16; Recording and transfer info: SBD > MC? > C? > C? > C > CD; CD > wav > Sound Forge 10 > TLH > flac	Source Detail	FLAC
07/13/81	McNichols Sports Arena	Denver	CO	flac16; AUD: Nakamichi CM300/CP4 shotguns > unknown lead deck > Sony TC-D5M > Maxell XLII's, FOB(?) recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2016	Source Detail	FLAC
07/13/81	McNichols Sports Arena	Denver	CO	flac16/44 Master Cassettes recorded by Ohr Weinberg: 2 Nakamichi CM-100 microphones w/ CP-4 Shotgun Capsules > Sony TC-D5M Cassette Deck (1st Set: Maxell XLII-S 90 Cassette, 2nd Set: TDK MA-C90 Cassette), Dolby B Transfer: Anne Cohen: AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR-800 > CD Ohr: CD > EAC > WAV > FLAC	Source Detail	FLAC
07/14/81	McNichols Sports Arena	Denver	CO	AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy	Source Detail
07/14/81	McNichols Sports Arena	Denver	CO	flac16; AUD: Nakamichi CM100/CP4 shotguns > unknown lead deck > Sony TC-D5M > TDK MA-Metal, FOB(?) recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2016	Source Detail	FLAC
07/14/81	McNichols Sports Arena	Denver	CO	flac16/48 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
08/12/81	Salt Palace	Salt Lake City	UT	SBD>MC>R>DAT>CDR (with unknown aud patches); See info file for details; via paul B; Seeded to etree by Willy	Source Detail
08/12/81	Salt Palace	Salt Lake City	UT	flac16; Source: aud > ??? > cass (unknown gens) Transfer: cass > Nakamichi BE-125E > EMU 0202 > Wavelab > wav (24/96) > flac	Source Detail
08/12/81	Salt Palace	Salt Lake City	UT	flac16/48 Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) Transfer Info: 1st generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496. Mastered by Scott Clugston.	Source Detail	FLAC
08/12/81	Salt Palace	Salt Lake City	UT	flac16/48kHz; Recording Info: SBD > Cassette Master (Sony TC-D5M) > Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
08/12/81	Salt Palace	Salt Lake City	UT	flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sony Stereo mic > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
08/14/81	Seattle Center Coliseum	Seattle	WA	NAK 700's>Sony TC-D5M>MC>R>DAT>CDR; Seeded to etree by Tony Gardner	Source Detail
08/14/81	Seattle Center Coliseum	Seattle	WA	flac16; Recorded by Mark Severson; 3 Nak 700s with 2 carcoid, center omni head> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded 45' from stage center Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding	Source Detail	FLAC
08/14/81	Seattle Center Coliseum	Seattle	WA	flac16; Set 2 AUD: Unknown mics > unknown lead deck > Sony TC-D5 > Maxell MX, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2015	Source Detail	FLAC
08/15/81	Portland Memorial Coliseum	Portland	OR	Recording by Mark Severson. 3 Nak 700s>Sony D5M>MC>Reel>CDR; Distortion throughout first three songs; See info file for details; via David Minches & Paul B; Seeded to etree by Willy	Source Detail
08/15/81	Portland Memorial Coliseum	Portland	OR	flac16; Recorded by Mark Severson; 3 Nak 700s with 2 carcoid, center omni head> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded 35' from stage, left side Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding	Source Detail	FLAC
08/16/81	McArthur Court, University Of Oregon	Eugene	OR	Recording by Jim Vita. Nakamichi CM300 mics with shotgun capsules >Sony TC-D5m cassette > HHb 800 master CD > SV-3800 DAT > CD (originally noted as Nak 300's>MC>DAT>CDR)	Source Detail
08/16/81	McArthur Court, University Of Oregon	Eugene	OR	flac16; SBD > ? > (Cx?) > CDR > EAC > WAV > WavMerge > Soundforge > CD-Wave > TLH (for checksums and SBE-OK) > FLAC Frontend	Source Detail
08/16/81	McArthur Court, University Of Oregon	Eugene	OR	flac16; AUD: Nakamichi CM300/CP4 shotguns > lead Sony D5 > Sony TC-D5M > Maxell MX-90's, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016	Source Detail	FLAC
08/16/81	McArthur Court, University Of Oregon	Eugene	OR	flac16/48 Source Info: Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLII-S) Transfer Info: Master cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
08/27/81	Long Beach Arena	Long Beach	CA	FOB (unknown mics)> Master Cassette> DAT> CDR; processed with DC ART Millenium software; DAE(EAC) and SHN Encoding by Jeff M.	Source Detail
08/27/81	Long Beach Arena	Long Beach	CA	flac16; Frank Streeter FOB Recording: Sennheiser 421 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2	Source Detail	FLAC
08/27/81	Long Beach Arena	Long Beach	CA	flac16/48 Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLII-S) Transfer Info: Master cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496	Source Detail	FLAC
08/28/81	Long Beach Arena	Long Beach	CA	SBD>?>CD>EAC 0.9b3 (Secure Mode)>Sound Forge 4.5>CDWave 1.7>MKWact 0.97b1 (Seeking SHN); Seeded to etree by PainoMan ; upgrade in circulation	Source Detail
08/28/81	Long Beach Arena	Long Beach	CA	SBD>?>CD; w/ patches from AUD>MC>DAT>CD; upgrade to previous Paino seed; via Willy; Chris Cantergiani; Seeded to etree by PainoMan	Source Detail	SHN
08/28/81	Long Beach Arena	Long Beach	CA	flac16 MOTB Release:0065 - 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell XLIIS 90 Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Ron Ellner MAC Supplied By: Barry Glassberg Transfer By: Adam Egert Mastering By: Adam Egert (EQU) Mastering By: Bill Koucky (Edits/Tracking)	Source Detail	FLAC
08/28/81	Long Beach Arena	Long Beach	CA	flac16; Recording Info: SBD -> Cassette Master -> ? -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional 11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/28/81	Long Beach Arena	Long Beach	CA	flac16; Frank Streeter FOB Recording: Sennheiser 421 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2	Source Detail	FLAC
08/28/81	Long Beach Arena	Long Beach	CA	flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 304 mics > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496	Source Detail	FLAC
08/30/81	Compton Terrace Amphitheatre	Tempe	AZ	FOB Senn 441's>SonyTC-150>CM>DAT>CD; via Mike Rogers; Seeded to etree by Willy	Source Detail
08/30/81	Compton Terrace Amphitheatre	Tempe	AZ	flac16; Pitch and tempo adjusted version of shn id 30118 by JR Fishman to 96.92% using audience recording	Source Detail	FLAC
08/30/81	Compton Terrace Amphitheatre	Tempe	AZ	flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/30/81	Compton Terrace Amphitheatre	Tempe	AZ	flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of shnid 30118	Source Detail	FLAC
08/30/81	Compton Terrace Amphitheatre	Tempe	AZ	flac16/48 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLIIS) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
08/31/81	Aladdin Theater	Las Vegas	NV	AUD>MC>DAT>CDR; Certified Owens Brothers Vault Release, processed with DC Art Millenium Software on a Dell Optiplex GX300 Workstation; via Paul B; Seeded to etree by Willy	Source Detail
08/31/81	Aladdin Theater	Las Vegas	NV	flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller Patch Info: The beginning of Stranger and the middle Of Dew through the end of the show are patched with AUD>Cm>DAT>CD (shnid=9619).	Source Detail	FLAC
08/31/81	Aladdin Theater	Las Vegas	NV	flac16; Recording Info:SBD -> Cassette Master -> ? -> Cassette -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/31/81	Aladdin Theater	Las Vegas	NV	flac16/48 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLIIS) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
09/11/81	Greek Theatre, University Of California	Berkeley	CA	Recording by Jim Wise. Sennheiser 421 mics > Sony TC D-5,(see Jim Wise notes in info file); d3 tracked for 80 min; via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy	Source Detail
09/11/81	Greek Theatre, University Of California	Berkeley	CA	flac16; 2 nak 300 mics>Sony TC-5m(Dolby B)>Nak Dragon(dolby decoded)>Panasonic 3800 DAT (A-D)>Soundforge-CD Architect>cdr>roxio toast>Apple G4(Xact); Recorded by Ned Hoey	Source Detail
09/11/81	Greek Theatre, University Of California	Berkeley	CA	flac16; Recorded, Transferred and Mastered by N. Hoey (tagged version)(flac16); 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(TDK SA-X C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing, sample rate conversion, dithering) > xACT (flac-tagging)	Source Detail	FLAC
09/11/81	Greek Theatre, University Of California	Berkeley	CA	flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 80 degree angle; 6db bass EQ, omni center pointed straight at stage, 45' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
09/12/81	Greek Theatre, University Of California	Berkeley	CA	Recording by Jim Wise. Sennheiser 421 mics > Sony TC D-5, (see Jim Wise's notes in info file); d3 tracked for 80 min; via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy	Source Detail
09/12/81	Greek Theatre, University Of California	Berkeley	CA	flac16;Recording Info:Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/12/81	Greek Theatre, University Of California	Berkeley	CA	flac1648 Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496	Source Detail	FLAC
09/12/81	Greek Theatre, University Of California	Berkeley	CA	flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 75 degree angle; 6db bass EQ, omni center pointed straight at stage, 40' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
09/13/81	Greek Theatre, University Of California	Berkeley	CA	Recording by Jim Wise. Sennheiser 421 mics > Sony TC D-5, (see Jim Wise's notes in info file); via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy	Source Detail
09/13/81	Greek Theatre, University Of California	Berkeley	CA	flac16; Set 1: SBD -> Cassette Master -> ? -> Cassette -> Sound Forge -> CD Set 2: SBD -> Cassette Master -> Cassette All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/13/81	Greek Theatre, University Of California	Berkeley	CA	Set 1 Soundboard of unknown lineage. Transfer: Cassette > Sony TC-D5M > Soundblaster > WAV > Soundforge > CD-Wave > TLH (SBE-OK, FLAC compression, checksums) > bt.etree 01/06. ; upgrade in circulation	Source Detail
09/13/81	Greek Theatre, University Of California	Berkeley	CA	flac24; Recorded, Transferred and Mastered by N. Hoey (tagged version); 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B) (tracks 01-11 TDK SA-X C 90 ~ tracks 14-26 Maxell UDXL IIS C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing) > xACT (flac-tagging)	Source Detail	FLAC
09/13/81	Greek Theatre, University Of California	Berkeley	CA	flac16/48kHz; Source Info: Master Soundboard Cassette > Cassette; Transfer Info: 1st generation cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
09/13/81	Greek Theatre, University Of California	Berkeley	CA	flac16;Recording Info:Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/25/81	Stabler Arena, Lehigh University	Bethlehem	PA	Master Soundboard Cassette > Cassette > CDR, with AUD patches from Sennheiser 441 and Nakamichi CM300's + CP4's; via Scott Clugston; see extensive notes in info file ; upgrade in circulation	Source Detail
09/25/81	Stabler Arena, Lehigh University	Bethlehem	PA	Recording by Steve Rolfe. AUDMC > DAT > WAV > SHN from 1st row off the floor, center stage with two Nak 700 mics into a Sony D-5 deck. Added to etree by Noah Weiner	Source Detail	SHN
09/25/81	Stabler Arena, Lehigh University	Bethlehem	PA	Source: MAC>DAT>CDR (x2)>EAC>CoolEdit 2000>WAV>SHN (seekable); Note- TMNSP may be from another (unknown) source; See info file for detail	Source Detail	shn
09/25/81	Stabler Arena, Lehigh University	Bethlehem	PA	flac16; Sources Info: Master Soundboard Cassettes > Dick Latvala's Cassettes; Transfer Info: Dick Latvala's Cassettes (Nakamichi BX-300) > HHb CDR850 > CDR > EAC > Adobe Audition CC2019 > TLH flac16	Source Detail	FLAC
09/25/81	Stabler Arena, Lehigh University	Bethlehem	PA	flac16/48 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 microphones > Sony TC-D5M (TDK MA-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496	Source Detail	FLAC
09/26/81	Community War Memorial Auditorium	Buffalo	NY	AUD>MC>?>CD; via Scott Shindell; Seeded to etree by Willy	Source Detail
09/26/81	Community War Memorial Auditorium	Buffalo	NY	flac16; Sick Bits Vol. 10 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 18110, and AUD - SHN ID# 12554); edited and transfered by Chris Chappell	Source Detail
09/26/81	Community War Memorial Auditorium	Buffalo	NY	SBD>Cm>Cass>Dat>CD with aud patches via Charlie Miller	Source Detail	SHN
09/26/81	Community War Memorial Auditorium	Buffalo	NY	flac16: AUD: 2x Sennheiser mics > Sony TC-D5. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged.	Source Detail	FLAC
09/26/81	Community War Memorial Auditorium	Buffalo	NY	flac1648; Set 1 AUD; Source: Unknown mics (Beyers?) > Nakamichi deck, set up aprx 10th row, MAC > ? > DAT, with thanks to AMIII & BFOQ. Transfer: Maxell DM-DAT > Sony DAT player > SPDIF > Focusrite Scarlett 6i6 > WAV-1648 > Wavelab (adjust speed, edits) > CD-Wave > TLH > FLAC-1648 tagged.	Source Detail	FLAC
09/27/81	Capital Centre	Landover	MD	SBD>Cm>PCM>Dat>CD; via Charlie Miller; Seeded to etree by Willy; Upgrade in circulation	Source Detail
09/27/81	Capital Centre	Landover	MD	flac16; Set 2 Source: Unknown AUD (cassette circa 1982) Transfer: Maxell UD90 > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC Tagged.	Source Detail	FLAC
09/27/81	Capital Centre	Landover	MD	flac16; Set 1 Source: AUD (unknown equipment) MAC > 2nd Gen cassette. Transfer: Maxell UDXLII > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged.	Source Detail	FLAC
09/30/81	Playhouse Theatre	Edinburgh	Scotland	SBD> ?> C > C> WAV> noise reduction applied in Cool Edit Pro> SHN; EAC/SHN by jim; see info file for flaw notes ; upgrade in circulation	Source Detail
09/30/81	Playhouse Theatre	Edinburgh	Scotland	Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16	Source Detail	FLAC
10/02/81	Rainbow Theatre	London	England	sbd> reel> ?> dats> wave> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT; missing Mama Tried, Mexicali	Source Detail
10/02/81	Rainbow Theatre	London	England	flac16; Source: Audience recording > Sony ECM-99 > JVC CD-1635 > Master Cassettes (C90 Maxell UD XLII x 2); Taped by Peter Williams from the balcony, about halfway between centre and right wall; Transfer: Cassette > Nakamichi CD1 > Tascam DR-100mkIII > wav 24/176.4; Lineage: wav 24/176.4 > Adobe Audition CC > iZotope RX4 Advanced > iZotope 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > > CD Wave > TLH > Flac 16; edited and mastered SIRMick	Source Detail	FLAC
10/02/81	Rainbow Theatre	London	England	Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick December 2020	Source Detail	FLAC
10/02/81	Rainbow Theatre	London	England	FLAC 16 Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick February 2021	Source Detail	FLAC
10/03/81	Rainbow Theatre	London	England	complete; SBD> MC> DAT> CDR; EAC> SHN by Jeff M.	Source Detail
10/03/81	Rainbow Theatre	London	England	flac16; Recording Info: SBD -> Cassette Master -> Dat Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> Cool Edit Pro v2.0 -> FLAC ; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/03/81	Rainbow Theatre	London	England	flac16/48kHz; Master Soundboard Cassettes > 1st generation reels (Technics)> Dat(Panasonic SV-3800)(16-bit/48k)> Tim Dalton's Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)(16-bit/48k)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/48k) > Adobe Audition 3.01 > TLH flac1648	Source Detail	FLAC
10/04/81	Rainbow Theatre	London	England	Source 1: SBD>?>C>C>WAV>SHN; Source 2: SBD>?>C>C>WAV>SHN; See info file for detail; Seeded to etree by jim@juddcreek	Source Detail
10/04/81	Rainbow Theatre	London	England	flac16; Source: SBD > ? > Cassette, kindly provided by Seaweed1010 & Bernie Brown. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. Januray 2012	Source Detail	FLAC
10/04/81	Rainbow Theatre	London	England	flac16/44.1hz Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick January 2021	Source Detail	FLAC
10/06/81	Rainbow Theatre	London	England	Master Soundboard Cassette > Cassette > CDR ; EAC > SHN by Brian Polgar; to abgd; cuts are master tape flips or ends. The first few words of Sunshine Daydream are also clipped	Source Detail
10/06/81	Rainbow Theatre	London	England	flac16; Soundboard; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by John Wenzel	Source Detail	FLAC
10/06/81	Rainbow Theatre	London	England	flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/06/81	Rainbow Theatre	London	England	flac16; AUD 2nd Set Only: 2x Beyer M-88 > Sony TC-D5, taped from the orchestra (stalls) section. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 01/2014.	Source Detail	FLAC
10/08/81	Forum Theater	Copenhagen	Denmark	SBD: CM > CASS > DAT > Pro CDR; via Neil Sturvetant; John Martin; Alasdair Macdonald; Seeded to etree by Matt Vernon	Source Detail
10/08/81	Forum Theater	Copenhagen	Denmark	flac16; Partial, AUD: 2x Beyer M-88 > Sony TC-D5, center floor area, MAC. Transfer: 1st-gen tape > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 11/2013.	Source Detail	FLAC
10/08/81	Forum Theater	Copenhagen	Denmark	flac16/44.1khz Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick February 2021	Source Detail	FLAC
10/08/81	Forum Theater	Copenhagen	Denmark	flac16/44 Source: Sony ECM-150 -> Sony TCD-D5 Transfer: Master Casette -> B&O Beocord 9000 -> Sony pcm-a1 (96/24) -> audition -> cdwav -> flac Taper: G. [2021-03-31 transfer by W.- No EQ - Only downsampled to 44,1/16]	Source Detail	FLAC
10/10/81	Stadthalle	Bremen	Germany	SBD>?>C>C>WAV>SHN; Seeded to etree by jim@juddcreek	Source Detail
10/10/81	Stadthalle	Bremen	Germany	flac16/44 Source: Soundboard Cassette Master Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick February 2021	Source Detail	FLAC
10/12/81	Olympia Halle	Munich	Germany	SBD: MC > CASS > DAT > CDR; via Jens Tilsner; Alasdair Macdonald; Seeded to etree by Matt Vernon	Source Detail
10/12/81	Olympia Halle	Munich	Germany	flac16/48kHz; Master Soundboard Cassettes > Dick Latvala's 1st generation cassettes (Tascam 122mkIII)> Rob Eaton's 2nd generation cassettes (Nakamichi Dragon) > Rob Eaton's Dat (Panasonic SV-3800)(16-bit/48k) > Tim Dalton's Dat (16-bit/48k) Transfer Info: Dat (Sony PCM-R500)(16-bit/48k)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/48k) > Adobe Audition 3.01 > TLH flac1648	Source Detail	FLAC
10/12/81	Olympia Halle	Munich	Germany	flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette -> Dat -> CD (shnid=7916); Set 2: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90); Transfer Info: Set 1: CD -> Samplitude Professional v11.1 -> FLAC; Set 2: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/13/81	Walter Koebel Halle	Russelsheim	Germany	SBD> ?> C> C> WAV> SHN; via Jim; caution- d1 does not fit on 80 min, see pub comments	Source Detail
10/13/81	Walter Koebel Halle	Russelsheim	Germany	flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Dat -> CD (shnid=13143); Set 2: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90); Transfer Info: Set 1: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; Set 2: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/15/81	Club Melk Weg	Amsterdam	Netherlands	AUD (FOB by unknown Belgian taper with unknown equipment)> CM> C> DAT> CDRx1> EAC> SHN; via Stephen Agan to abgd	Source Detail
10/15/81	Club Melk Weg	Amsterdam	Netherlands	flac16; Aud master tapes > CDwave > Flac - One Shure and one Senheiser attached together in "V" on a round battery and held by hand (heavy !). The recorder was a brand new Marrantz (superscope) lookalike Sony TC-D5. The cassette tapes were TDK-SA90.	Source Detail
10/15/81	Club Melk Weg	Amsterdam	Netherlands	flac16; AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 11/2013.	Source Detail	FLAC
10/16/81	Club Melk Weg	Amsterdam	Netherlands	SBD:MCASS> CASS> DAT> CDR, with aud patches: FOB:MCASS> CASS> DAT> CDR; EAC> SHN by Dan Vinson; patched in Playin' and Sugar Mag- see info file for notes	Source Detail
10/16/81	Club Melk Weg	Amsterdam	Netherlands	Source:Senheiser-pro-direction.>New Marantz cass.rec.(looking like SonyTC-D5>TDK-SA-C90(master tape) Master cass.>SonyTC-D5M>CDwave>Mkw>Shn. ; upgrade in circulation	Source Detail
10/16/81	Club Melk Weg	Amsterdam	Netherlands	flac16; Aud master tapes > CDwave > Flac - One Shure and one Senheiser attached together in "V" on a round battery and held by hand (heavy !). The recorder was a brand new Marrantz (superscope) lookalike Sony TC-D5. The cassette tapes were TDK-SA90.	Source Detail
10/16/81	Club Melk Weg	Amsterdam	Netherlands	flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/16/81	Club Melk Weg	Amsterdam	Netherlands	flac16; AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013.	Source Detail	FLAC
10/17/81	The Hippodrome	Paris	France	SBD: MC > DAT > CDR; via Neil Sturvetant; John Martin; Alasdair Macdonald; Seeded to etree by Matt Vernon	Source Detail
10/17/81	The Hippodrome	Paris	France	flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/17/81	The Hippodrome	Paris	France	AUD > MC > CD > EAC > SHN Sony TCD 5M, Sennheiser MK 2002, Dolby B Mastering: MC via Nakamichi DR-1 > HD > CD by Bernd Weiskircher	Source Detail	FLAC
10/19/81	Sports Palace	Barcelona	Spain	SBD: CM > CASS > DAT > Pro CDR; via Neil Sturvetant; John Martin; Alasdair Macdonald; Seeded to etree by Matt Vernon	Source Detail
10/19/81	Sports Palace	Barcelona	Spain	flac16: recording: aud master recording lineage: master analog tape SONY low noise 90 x 2 > aiwa wx 220 > audacity> cd wave ed.>TLH> flac equipment: unknown recorded : by Zappa edited by carbobueno	Source Detail	FLAC
10/19/81	Sports Palace	Barcelona	Spain	flac16; Source: Beyer M-160>Sony TC-D5M. Transfer 1st set: MAC > Sony TC-K3es > USBPre2. Transfer 2nd set: 1st Gen > Sony TC-K3es > USBPre2. Recorded center directly in back of soundboard. Recorded and transferred to 24bit/96kHz by Richie Stankiewicz. 16bit: ID-131465 > TLH > R8Brain > Wavelab > CD-Wave > TLH > FLAC 1644 tagged	Source Detail	FLAC
11/29/81	Civic Arena	Pittsburgh	PA	Senn 421's>MC>DAT>CDR; via Paul B; seeded to etree by Willy	Source Detail
11/29/81	Civic Arena	Pittsburgh	PA	flac16;Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.03 -> FLAC. All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/29/81	Civic Arena	Pittsburgh	PA	flac16/48 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300mics + CP4 caps > Sony TC-D5M (Maxell XLII-S 90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition 2021 > TLH flac2496	Source Detail	FLAC
11/30/81	Hara Arena	Dayton	OH	Nak 300?s>Sony D-5>MC>DAT>CD; via Paul B; Seeded to etree by Willy	Source Detail
11/30/81	Hara Arena	Dayton	OH	flac16;Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC. All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/30/81	Hara Arena	Dayton	OH	flac16/48kHz; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Beyer M-160 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
11/30/81	Hara Arena	Dayton	OH	flac16/48 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 caps > Sony TC-D5M (Maxell XLII-S 90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition 2021> TLH flac2496	Source Detail	FLAC
12/02/81	Assembly Hall, University Of Illinois	Champaign	IL	(FOB) Senn 421>Cm>Dat>CD; Missing Drums & Don't Ease encore; via Charlie Miller; Seeded to etree by Willy	Source Detail
12/02/81	Assembly Hall, University Of Illinois	Champaign	IL	flac16;Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC. All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/02/81	Assembly Hall, University Of Illinois	Champaign	IL	flac16; Set 1 Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This file set is 16 bit @ 44.1	Source Detail	FLAC
12/03/81	Dane County Coliseum	Madison	WI	Nak 300's > Sony D5; via Peter Gallagher, Willy	Source Detail
12/03/81	Dane County Coliseum	Madison	WI	flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/03/81	Dane County Coliseum	Madison	WI	flac16/48 Source Info: Jim Vita's Master Audience Cassettes ; Nakamichi 300 mics + CP4 capsules > Sony D5M (TDK SA-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
12/05/81	Market Square Arena	Indianapolis	IN	Master Soundboard Cassette > Reel to Reel > DAT > CDR, with Audience source for Ramble on Rose d1t7; CD Re-mastering, EAC'ed / SHN'ed by Scott Clugston	Source Detail
12/05/81	Market Square Arena	Indianapolis	IN	flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/05/81	Market Square Arena	Indianapolis	IN	flac16; Updated Info: NAK 300>CM>DAT (Up Front Audience)>DAT @ 44.1k -> HT OMega 7.1 Soundcard (Optical Inputs)>WAV (44.1> >CD WAV (Track Split)>FLAC	Source Detail	FLAC
12/05/81	Market Square Arena	Indianapolis	IN	flac16; Recording by Doug Mow. Nak 700 shotguns (mics pointed at stacks) > Sony TC D5M > Maxell XLIIS Transfer: D5 > Edirol UA5 custom Oade mod > USB > IBM R40 > Soundforge > WAV > CDR > EAC > WinXP Pro > Flac Frontend > FLAC16. Transferred By Doug Mow EAC, conversion & upload to bt.etree.org by Alex Ford 12/23/05	Source Detail	FLAC
12/05/81	Market Square Arena	Indianapolis	IN	flac16; AUD: Beyers mics > lead deck (Richie Stankiewicz) > Sony TC-D5 > Hitachi UD-90's, FOB recording by Craig L (patched out). Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. 08/2017	Source Detail	FLAC
12/05/81	Market Square Arena	Indianapolis	IN	flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M (TDK-MA C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
12/06/81	Rosemont Horizon	Rosemont	IL	Unknown Aud>DAT>CDR; via Glenn Gillis; Seeded to etree by Peter Braverman	Source Detail
12/06/81	Rosemont Horizon	Rosemont	IL	flac16;Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell MX 90 transferred by Doug Mow Conversion and seeding to bt.etree.org by Alex Ford	Source Detail
12/06/81	Rosemont Horizon	Rosemont	IL	flac24; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496	Source Detail	FLAC
12/06/81	Rosemont Horizon	Rosemont	IL	flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC. All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/06/81	Rosemont Horizon	Rosemont	IL	flac16; Recorded by the late George "Fingers" Bethke; FOB, Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz); 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen February 2011	Source Detail	FLAC
12/06/81	Rosemont Horizon	Rosemont	IL	flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421's + Nakamichi 300 + CP4 capsule blend > Sony D5M (Maxell XLIIS 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2021 > TLH flac2496	Source Detail	FLAC
12/07/81	Des Moines Civic Center	Des Moines	IA	2nd set only; SBD> MC> C> DAT> CD; seeded by Charlie Miller	Source Detail
12/07/81	Des Moines Civic Center	Des Moines	IA	Unknown Audience Source; via Scot Mellor; Seeded to etree by Willy; upgrade in circulation	Source Detail
12/07/81	Des Moines Civic Center	Des Moines	IA	flac24; SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
12/09/81	Events Center, University Of Colorado	Boulder	CO	Master Soundboard Cassette > Reel to Reel > DAT> CDR Sennheiser 421 Audience source supplies "Mama Tried" (d1t06), the first 1:38 of "Mexicali Blues" (d1t07), as well as from 4:54 of "Space" (d3t01) thru 4:13 of "The Other One" (d3t02) Patching / CD Mastering by Scott Clugston EAC'ed / Shn'ed by Scott Clugston 10/02/02 ; upgrade in circulation	Source Detail
12/09/81	Events Center, University Of Colorado	Boulder	CO	flac16; Recording by Jim Wise. AUD Source: Sennheiser 421's > Sony TC-D5, set up near the sbd. transferred (MAC > CD) by Jim Wise. Transfer: MAC > CD likely Nakamichi Dragon > HHB CDR burner. CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC	Source Detail
12/09/81	Events Center, University Of Colorado	Boulder	CO	flac16; SBD -> Master Reel (7 inch Reel @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/11/81	Club Front	San Rafael	CA	flac2496 SBD > Cassette Master (Dolby B) > Cassette (TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24	Source Detail	FLAC
12/12/81	Fiesta Hall, San Mateo County Fairgrounds	San Mateo	CA	MAC w/ Nak 300's>Sony TC-D5M (w/ Dolby B)>DAT>CDR via Andy Lemieux encoded by Matt Vernon	Source Detail
12/26/81	Oakland Auditorium Arena	Oakland	CA	Recording by Bob Menke. AUD> MC> R> DAT> CDR> EAC> SHN; Senn 421s>Sony TC-D5; via Paul; Seeded to etree by Glyde	Source Detail
12/26/81	Oakland Auditorium Arena	Oakland	CA	flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette -> LynxOne -> CD Set 2: SBD -> Cassette Master (Maxell UDXLII-90) Set 1 Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC Set 2 Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; note: this version has the 2 drop outs in shn id 83996 d3t02 fixed	Source Detail	FLAC
12/26/81	Oakland Auditorium Arena	Oakland	CA	flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XL-II (S1 + Encore) and Sony UCX-S (S2), FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2016	Source Detail	FLAC
12/26/81	Oakland Auditorium Arena	Oakland	CA	flac16/48kHz; Source Info: 1st Set: Joani Walker's Master Audience Cassettes; Sennheiser 421 mics > Nakamichi 550(Maxell UDXLII-90)(patched out of Jim Voss, located at the soundboard) 2nd Set: Joani Walker's 1st generation Audience Cassettes; Sennheiser 421 mics > Nakamichi 550 (Maxell UDXLII-90) (copy of Jim Voss's Sennheiser 421 master, located at the soundboard); 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
12/27/81	Oakland Auditorium Arena	Oakland	CA	Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; To abgd via Charlie Connor. ; upgrade in circulation	Source Detail
12/27/81	Oakland Auditorium Arena	Oakland	CA	flac16; Recording Info: SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Dolby B) -> Sonic 24bit -> SBM2 -> CD -> EAC -> FLAC Transferred and Mastered By David Gans Converted To FLAC By Charlie Miller Thanks to Joani Walker and Paul Scotton for the tapes	Source Detail	FLAC
12/27/81	Oakland Auditorium Arena	Oakland	CA	flac16; Source: Audience Recording Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Wavelab 5 > Plugins > r8brain Pro > 16/44.1 Wave > CD Wave > flac16	Source Detail
12/28/81	Oakland Auditorium Arena	Oakland	CA	AUD (Senn. 421?s)> MC> DAT> CD; via Paul; Seeded to etree by Glyde	Source Detail
12/28/81	Oakland Auditorium Arena	Oakland	CA	flac16; Set 2 Source Info: Master Soundboard Cassette; Sony D5 (Maxell UDXLIIS-90); Transfer Info:Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
12/28/81	Oakland Auditorium Arena	Oakland	CA	flac16; Audience Recording Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Wavelab 5.0 > Waves L3 UltraMaximizer > 16/44.1 Wave > CD Wave > TLH > flac16. Taped by Mark Severson, he who wishes to remain anonymous, and Jamie Poris. Transferred & Edited by Bgreen. Edited and Mastered by Alex Ford.	Source Detail
12/30/81	Oakland Auditorium Arena	Oakland	CA	1st Set SBD> MC> DAT> CD; 2nd Set Pre Drums SBD> Cm> PCM> Dat> CD>Cool Edit Pro> CD; 2nd Set Post Drums SBD> Cm> Reel> Cass> CD; via Charlie Miller; Seeded to etree by Willy	Source Detail
12/30/81	Oakland Auditorium Arena	Oakland	CA	flac16; Set 1 + Set 2 Partial; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > TDK MA-90. Recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2017	Source Detail	FLAC
12/30/81	Oakland Auditorium Arena	Oakland	CA	flac24; Source: BeyerDynamic M88's > Sony TC-D5M > Maxell XLII-S 90's, recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2019	Source Detail	FLAC
12/31/81	Oakland Auditorium Arena	Oakland	CA	electric sets; Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB; via Jay Serafin to gdlive; see extensive notes in txt files	Source Detail
12/31/81	Oakland Auditorium Arena	Oakland	CA	Jay Ashley (Bertha) remaster of Jay Serafin's 4 TRACK RTR source; SBD> MR> PCM> DAT> CDR> SHN> DAW(Bertha)> CDA; Note- Joan Baez set missing	Source Detail
12/31/81	Oakland Auditorium Arena	Oakland	CA	Acoustic set only (w/ Joan Baez); SBD > MR > CASS > DAT > CDR > EAC > SHN via Chris Warren; upgrade in circulation	Source Detail
12/31/81	Oakland Auditorium Arena	Oakland	CA	flac16; SBD> Cassette Master (Dolby B)> Sonic 24bit> SBM2> CD> EAC> FLAC; Transferred and Mastered By David Gans; FLAC By Charlie Miller	Source Detail
12/31/81	Oakland Auditorium Arena	Oakland	CA	flac16; Recording by Matt Field. Source: FOB Nak 100's > D-5 > D-5 > Maxell UDXL I cassettes. Transfer and Mastering: Cassette (1st Gen) playback on Nakamichi CR-7A, azimuth adjusted, no Dolby > Grace Lunatec V3, sample rate at 96 KHz > AES digital connection > LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. Transfer and mastering by Chris L.	Source Detail	FLAC
??/??/81	Unknown	Various	CA	flac16; Source: FM > Cassette > Cassette/1 Transfer: Yamaha K-1020 > Sony SBM-1 > Nomad JB3 > Creative Play Center > Soundforge v6e > CDWav Creative Play Center software used to copy to laptop with firewire cable. Soundforge used to prep file for tracking. CDWave used to track and flac at level 8 compression.	Source Detail	FLAC
01/01/82	Mickey's ranch studio	Novato	CA	studio recording by Mickey Hart, Barry Melton, Bill Graham and others - 'The Bugs' - unreleased radio play. from 3rd gen cassette via Hanno Bunjes, Uli Teute	Source Detail
02/16/82	Warfield Theater	San Francisco	CA	Set 1 and Encore Audience (unknown mics) via Barry Bryson. C > WAV conversion by Peter Braverman, encoded by Matt Vernon	Source Detail
02/16/82	Warfield Theater	San Francisco	CA	MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape, about 20 feet in front of the soundboard) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)	Source Detail
02/16/82	Warfield Theater	San Francisco	CA	flac16: Recorded, Transferred and Mastered by N. Hoey 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(Maxell UDXL-IIS 90) (lower loge) Nakamichi Dragon (Dolby B decoded) > RME PAD 96(A/D conversion) > Apple G4 (Peak editing) > Xact (SBE Fixed version seeded 01/08/2011.)	Source Detail	FLAC
02/17/82	Warfield Theater	San Francisco	CA	Source: SBD Lineage: Master Cassette> DAT> CD> SHN; Seeded by Peter Braverman	Source Detail
02/17/82	Warfield Theater	San Francisco	CA	Main source: MSC>DAT>CD (/shn_downloadtxt.php?shnid=15033) Patch source: Steven Martin's MAC>DAT>CD (/shninfo_detail.php?shnid=21916) via Sean Cribbs	Source Detail
02/17/82	Warfield Theater	San Francisco	CA	flac16;Recording Info:Set 1: SBD -> Cassette Master (TDK MA-R90); Set 2: SBD -> Cassette Master -> Cassette (Dolby C); Transfer Info:Set 1: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> FLAC/16; Set 2: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
02/17/82	Warfield Theater	San Francisco	CA	MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding (flac 1.1.0, compression level 8)	Source Detail	FLAC
02/17/82	Warfield Theater	San Francisco	CA	flac16; Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(Maxell UDXL-IIS 90) (Lower Loge Section 3 Row AA Seats 3-7) Nakamichi Dragon (Dolby B decoded) > TC Electronics Konnekt8 (A/D conversion)(transferred @ 88.2/24-resampled to 44.1k/dithered to 16 bit) > Apple OS X 10.5.8 (Peak 6 editing-resampling-dithering) > Xact (SBE Fixed version seeded 01/10/2011.)	Source Detail	FLAC
02/19/82	Golden Hall, Community Concourse	San Diego	CA	Sony ECM200T>SonyTCD5>C>NakDR1>PCM> PC>CoolEditBass Boost>DAT>CDR via Rick Martin, encoding by Willy, The Miami SHn Machine	Source Detail
02/19/82	Golden Hall, Community Concourse	San Diego	CA	flac2448; Source: BeyerDynamic mics > Sony TC-D5M > Maxell-MX. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022	Source Detail	FLAC
02/19/82	Golden Hall, Community Concourse	San Diego	CA	flac 16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME-Metal. FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015	Source Detail	FLAC
02/19/82	Golden Hall, Community Concourse	San Diego	CA	flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (55' from stage, 10' right of center, section 201, row 10, seat 4); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
02/20/82	Golden Hall, Community Concourse	San Diego	CA	AUD>MC>DAT>CD; via Scott Shindell; seeded to etree by Willy	Source Detail
02/20/82	Golden Hall, Community Concourse	San Diego	CA	flac16; Recording Info: (FOB/6th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji FeCr Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller	Source Detail
02/20/82	Golden Hall, Community Concourse	San Diego	CA	flac16; Set 1 AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME-Metal, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017	Source Detail	FLAC
02/20/82	Golden Hall, Community Concourse	San Diego	CA	flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (50' from stage, 5' right of center, section 201, row 11, seat 5); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
02/21/82	Pauley Pavilion, UCLA	Los Angeles	CA	Sbd> cassette > dat> cdr> Eac > cool edit pro > shntool > cdwav > shnv3; eac > shnv3 (secure with proper offsets) by Ernie Dodd; Discs kindly provided by Mark Horvath	Source Detail
02/21/82	Pauley Pavilion, UCLA	Los Angeles	CA	flac24; 2nd set only; Source: BeyerDynamic M88's > Sony TC-D5M > Maxell XLIIS. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2019	Source Detail	FLAC
02/21/82	Pauley Pavilion, UCLA	Los Angeles	CA	flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5 (Maxell XLII-S 90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496	Source Detail	FLAC
02/21/82	Pauley Pavilion, UCLA	Los Angeles	CA	flac16/44 Master Cassettes recorded by Ohr Weinberg: 2 unknown microphones (don't remember) -> Sony TC-D5M (Maxell MX-90 Cassettes with Dolby B) Transfer: Anne Cohen: AD Transfer - Master cassettes played on Nakamichi Dragon -> HHB CDR-800 -> EAC -> CD Ohr: CD > EAC >WAV > FLAC	Source Detail	FLAC
03/13/82	Reno Centennial Coliseum	Reno	NV	Set 2 Neumann M-25?s via Raoul Duke encoded by Matt Vernon	Source Detail
03/13/82	Reno Centennial Coliseum	Reno	NV	flac16 set2; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC	Source Detail	FLAC
03/13/82	Reno Centennial Coliseum	Reno	NV	flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015	Source Detail	FLAC
03/13/82	Reno Centennial Coliseum	Reno	NV	flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (+3db bass boost) > Mixer > Sony D5 (60' from stage); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
03/13/82	Reno Centennial Coliseum	Reno	NV	flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5 (Maxell XLII C90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496	Source Detail	FLAC
03/14/82	Recreation Hall, UC Davis	Davis	CA	Master Soundboard Cassette > Reel to Reel > DAT > CDR; CD Mastering, SHN'ed by Scott Clugston; d1 tracked for 80 min	Source Detail
03/14/82	Recreation Hall, UC Davis	Davis	CA	Source: Master Soundboard Cassette > Reel to Reel > DAT > CDR; same as 7220 with sector boundary errors fixed.	Source Detail	shn
03/14/82	Recreation Hall, UC Davis	Davis	CA	flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLIIS (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015	Source Detail	FLAC
03/14/82	Recreation Hall, UC Davis	Davis	CA	flac24; Source: FOB Beyers M88's > Sony TC-D5M > Maxell XLIIS. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2019	Source Detail	FLAC
04/02/82	Cameron Indoor Stadium, Duke University	Durham	NC	Master Soundboard Cassette > Cassette > DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; upgrade in circulation	Source Detail
04/02/82	Cameron Indoor Stadium, Duke University	Durham	NC	flac16; AUD Source: Nakamichi CM-700's > Sony TC-D5. Low Gen (1st or 2nd) copy, provided by Tim Friend. Transfer: Maxell XLIIs > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 11/2010	Source Detail	FLAC
04/02/82	Cameron Indoor Stadium, Duke University	Durham	NC	flac16; AUD Source: Low-gen, unknown taper & gear, kindly provided by Tom P. aka "Laser Beam" and poordevil. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged; Tape transfer & editing by Andrew F. April 2015	Source Detail	FLAC
04/03/82	The Scope	Norfolk	VA	AUD?> Bootleg CD> EAC> SHN; "liberated" by Justin Snyder	Source Detail
04/03/82	The Scope	Norfolk	VA	flac16; Recording by Bob Wager, Nak 700s>Sony TC-D5M Transfer : A:C:D:CD. Seeded to etree by David Minches.	Source Detail
04/03/82	The Scope	Norfolk	VA	flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony TC-D5M/Maxell XLIIS/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner	Source Detail	FLAC
04/03/82	The Scope	Norfolk	VA	flac24; Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
04/03/82	The Scope	Norfolk	VA	flac24; Source: FOB Beyers mics > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2020	Source Detail	FLAC
04/05/82	The Spectrum	Philadelphia	PA	(FOB, 4th Row) Senn 441>Cm>Dat>CD; via Charlie Miller; Seeded to etree by Willy	Source Detail
04/05/82	The Spectrum	Philadelphia	PA	flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/05/82	The Spectrum	Philadelphia	PA	flac24; Source: AUD (unknown gear) > MAC > 1st-Gen cassette via Richie & Rip. Transfer: Maxell XLII-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2019	Source Detail	FLAC
04/06/82	The Spectrum	Philadelphia	PA	AUD/fob cm>dat>cdr>eac>shn extraction and conversion by cdipietro	Source Detail
04/06/82	The Spectrum	Philadelphia	PA	Main Source: SBD(unknown lineage)>SHN(Mike Lai Seed) ; Patch Source: AUD/FOB>CM>DAT>CDR>EAC>SHN ; Remastering/Seeded by T. Wiley 4/23/03	Source Detail
04/06/82	The Spectrum	Philadelphia	PA	flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/06/82	The Spectrum	Philadelphia	PA	flac16;Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/08/82	Onongada County War Memorial	Syracuse	NY	(FOB) Senn 421 -> Cm (sony D5/Dolby B)-> Dat -> Behringer UltraMatch SRC 2000 -> M-Audio 2448 -> Samplitude 2496 v6.0 -> CD; Dat -> CD Transfer done by Charlie Miller	Source Detail
04/08/82	Onongada County War Memorial	Syracuse	NY	flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UDXLII-S Analog Lineage: Sennheiser 421 > Sony TC-D5M > MAC Analog Sound Preservation: MAC >> Nakamichi DRAGON => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96] Taped By: Jim Vita Transfer By: John Steinthal Mastering By: Bill Koucky	Source Detail	FLAC
04/08/82	Onongada County War Memorial	Syracuse	NY	flac16; Set 2 Only Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/08/82	Onongada County War Memorial	Syracuse	NY	flac16; Recording Info: (2) Beyer M160's + (1) Sennheiser 421 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; Recorded By Frank Streeter; Transferred and Mastered By Charlie Miller	Source Detail	FLAC
04/08/82	Onongada County War Memorial	Syracuse	NY	flac24; Recording Info: (2) Beyer M160's + (1) Sennheiser 421 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); Recorded By Frank Streeter; Transferred and Mastered By Charlie Miller	Source Detail	FLAC
04/09/82	Community War Memorial Auditorium	Rochester	NY	Rob Eaton FOB Senn 441's>Nak 550>DAT>CDR; via Mike McCarthy; seeded to etree by Darrin Sacks	Source Detail
04/09/82	Community War Memorial Auditorium	Rochester	NY	flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation	Source Detail
04/09/82	Community War Memorial Auditorium	Rochester	NY	flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UDXLII-S Analog Lineage: Sennheiser 421 > Sony TC-D5M > MAC Analog Sound Preservation: MAC >> Nakamichi DRAGON => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96] Taped By: Jim Vita Transfer By: John Steinthal Mastering By: Bill Koucky; MOTB Release: 0098 16/44.1	Source Detail	FLAC
04/09/82	Community War Memorial Auditorium	Rochester	NY	flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/09/82	Community War Memorial Auditorium	Rochester	NY	flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); Recorded By Frank Streeter; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; Transferred and Mastered By Charlie Miller	Source Detail	FLAC
04/09/82	Community War Memorial Auditorium	Rochester	NY	flac24; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); Recorded By Frank Streeter; Transferred and Mastered By Charlie Miller	Source Detail	FLAC
04/09/82	Community War Memorial Auditorium	Rochester	NY	flac16; AUD: Nakamichi CM300/CP4 shotguns > lead deck (?) > Sony TC-D5 > Maxell XLII 90's, recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017	Source Detail	FLAC
04/09/82	Community War Memorial Auditorium	Rochester	NY	flac24/44.1khz; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger 2019; fixed version circulated 01/17/2019	Source Detail	FLAC
04/11/82	Nassau Coliseum	Uniondale	NY	Jim Wise - (9th row - center) Senn 421's > Sony TC D5 > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x1) >EAC >SHN (tracking with CDWAV); encore sourced from a beyer m160 > d5 master made at the sbd; d1 tracked for 80 min; via Darrin Sacks	Source Detail
04/11/82	Nassau Coliseum	Uniondale	NY	flac16;Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/11/82	Nassau Coliseum	Uniondale	NY	flac16; AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 06/2011	Source Detail	FLAC
04/12/82	Nassau Coliseum	Uniondale	NY	AUD>MC>DAT>CDR; via Paul; Seeded to etree by Glyde	Source Detail
04/12/82	Nassau Coliseum	Uniondale	NY	flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC	Source Detail
04/12/82	Nassau Coliseum	Uniondale	NY	flac16; Fix of shn id 32014 - SBD -> Cassette Master -> Reel -> Dat (48k). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details	Source Detail	FLAC
04/12/82	Nassau Coliseum	Uniondale	NY	flac16; AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 05/2011	Source Detail	FLAC
04/12/82	Nassau Coliseum	Uniondale	NY	flac16; AUD: Unknown mics (likely Beyers) > lead deck > Sony TC-D5M > Maxell XLII's, FOB recording by Brian Schley. Transfer: Set 1 (1982 1st-gen) and Set 2 (MAC) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2016	Source Detail	FLAC
04/14/82	Glens Falls Civic Center	Glens Falls	NY	SBD MC>Cass>DAT>CDR; via Peter Braverman	Source Detail
04/14/82	Glens Falls Civic Center	Glens Falls	NY	Recording by Ohr Weinberg: 2 Sennheiser MD421's > Sony TC-D5M 10th row (sec 102 row J seat 3) 7-8' stand, Maxell MX90 cassettes with Dolby B; A>D transfer by Anne Cohen: Master Cassette > Nakamichi Dragon (Modified by Stephen Sank) with Dolby B > HHB CDR 830plus > EAC > Sound Forge 5.0 (tape flip splice) > CD Wave Editor 1.71 > WAV > SHN, or > FLAC	Source Detail
04/14/82	Glens Falls Civic Center	Glens Falls	NY	flac2448; 1st Set; AUD: Beyers M160's > (lead deck?) > Sony TC-D5 > Maxell XL-II, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2022	Source Detail	FLAC
04/14/82	Glens Falls Civic Center	Glens Falls	NY	flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger	Source Detail	FLAC
04/15/82	Providence Civic Center	Providence	RI	AUD(NAK 700's)>MC>DAT>CD; via Paul; Seeded to etree by Glyde. Taped by Dean Grabski	Source Detail
04/15/82	Providence Civic Center	Providence	RI	flac16; AUD: 3x Nakamichi CM300/CP1's > Nakamichi 550 > Maxell XLII-S. Mics on stand, FOB floor, right center. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 03/2010	Source Detail	FLAC
04/15/82	Providence Civic Center	Providence	RI	flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger 2019	Source Detail	FLAC
04/17/82	Hartford Civic Center	Hartford	CT	set II; SBD> PCM> C> DAT> ZA2 downsampling> CDR; conversion: second half of the set was normalized because the levels were lower; known flaws: some mic crackle in shakedown, and a few clicks and pops- but does not have the bad diginoise in Sailor et al that's present on another widely circ copy; room for filler on each disc; via R. Nayfield	Source Detail
04/17/82	Hartford Civic Center	Hartford	CT	Bertha Remaster of unknown Soundboard source (*)SBD>>???>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN	Source Detail
04/17/82	Hartford Civic Center	Hartford	CT	flac16; AUD: Unknown mics (possibly Shure) > Nakamichi 550 (likely) tape deck > Maxell UDXL-II 90's, with Dolby off. Set up in Section 114, Row R, Seat 9 (Brent's side). Taped by Dennis C. (See note below.) Transfer: MAC > Sony TC-D5M (Dolby off) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-Fix, Checksums, FLAC compression) > FLAC by Andrew F.	Source Detail
04/17/82	Hartford Civic Center	Hartford	CT	flac16; Recording by Barry Glassberg:FOB-Nak 700's > Sony D5 Transfer:Aud > mastercassette > DAT > CDR > EAC > Flac-level 8	Source Detail
04/17/82	Hartford Civic Center	Hartford	CT	flac16; AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 08/2011	Source Detail	FLAC
04/17/82	Hartford Civic Center	Hartford	CT	flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger	Source Detail	FLAC
04/17/82	Hartford Civic Center	Hartford	CT	flac16; Recording Info: SBD > PCM Master (Sony PCM-F1/Maxell HG-T120 VHS); Transfer Info: PCM Master (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X4 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
04/18/82	Hartford Civic Center	Hartford	CT	flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger	Source Detail	FLAC
04/18/82	Hartford Civic Center	Hartford	CT	SBD -> Cm -> PCM -> Dat(48k) via Charlie Miller	Source Detail
04/18/82	Hartford Civic Center	Hartford	CT	flac16; AUD Source: Beyers M160's > Sony TC-D5, near the Sbd. Transfer: MAC > CDR from Jim Wise. CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC	Source Detail
04/18/82	Hartford Civic Center	Hartford	CT	flac16; AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 01/2012	Source Detail	FLAC
04/18/82	Hartford Civic Center	Hartford	CT	FOB Nak 700's taped by Mark Cohen, MAC to CDR transfer by Jim Wise using Nak Dragon > HHB cdr 800 > cdr, EAC > wav > shn by Don Chase	Source Detail	FLAC
04/18/82	Hartford Civic Center	Hartford	CT	flac16; Recording by Barry Glassberg FOB-Nak 700's > Sony D5. Transfer:Aud > mastercassette > DAT > CDR > EAC > Flac-level8	Source Detail	FLAC
04/18/82	Hartford Civic Center	Hartford	CT	flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Recorded by Bob Morris	Source Detail	FLAC
04/19/82	Baltimore Civic Center	Baltimore	MD	MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) ; upgrade in circulation	Source Detail
04/19/82	Baltimore Civic Center	Baltimore	MD	Master Soundboard Cassette > Cassette > DAT > CDR; EAC'ed/SHN'ed by Scott Clugston; via David Warren to abgd	Source Detail
04/19/82	Baltimore Civic Center	Baltimore	MD	flac16; Matrix 2 Source Mix - SBD (shn id 89313) MAC > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV + AUD (shn id 19420) MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD - matrix mixing by Kevin Tobin	Source Detail	FLAC
04/19/82	Baltimore Civic Center	Baltimore	MD	flac16;SBD Master Cassette > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV	Source Detail	FLAC
04/19/82	Baltimore Civic Center	Baltimore	MD	same as shn id 2316 with an undocumented change to d2t05; Master Soundboard Cassette > Cassette > DAT > CDR EAC'ed/SHN'ed by Scott Clugston	Source Detail	SHN
05/21/82	Greek Theatre, University Of California	Berkeley	CA	sbd master cassette > DAT > CDR > EAC > SHN; via Gerald Gorinsky with thanks to Kevin Gills, Mark Perini; see info file for flaw notes	Source Detail
05/21/82	Greek Theatre, University Of California	Berkeley	CA	flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Pro fessional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; this source fixes a flaw in the previous source.	Source Detail
05/21/82	Greek Theatre, University Of California	Berkeley	CA	flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/16; Recorded By Bob Wagner ; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/21/82	Greek Theatre, University Of California	Berkeley	CA	flac2448; 1st Set; Source: Sennheiser MD-421's > Sony TC-D5M > Maxell-MX. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022	Source Detail	FLAC
05/22/82	Greek Theatre, University Of California	Berkeley	CA	soundboard -> master cassette > DAT > CDR > CDR > EAC > SHN; EAC, SHN, etreed by Gerald Gorinsky, with thanks to Kevin Gills and Mark Perini	Source Detail
05/22/82	Greek Theatre, University Of California	Berkeley	CA	flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/22/82	Greek Theatre, University Of California	Berkeley	CA	flac16; Unknown FOB Audience source > ? > CD > EAC > FLAC	Source Detail
05/22/82	Greek Theatre, University Of California	Berkeley	CA	flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/22/82	Greek Theatre, University Of California	Berkeley	CA	flac16/44 Unknown FOB Audience source > ? > CD > EAC > FLAC	Source Detail	FLAC
05/22/82	Greek Theatre, University Of California	Berkeley	CA	flac16/44 Master Cassettes recorded by Ohr Weinberg: 2 PML (Pearl Mikrofon Laboratorium) VM-41 Microphones > PML 7320-S 48V Power Supply > Sony TC-D5M (Maxell MX-90 Cassettes with Dolby B). Transfer: Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR830Plus > CD Ohr : CD > EAC > WAV > FLAC	Source Detail	FLAC
05/22/82	Greek Theatre, University Of California	Berkeley	CA	flac1648 Recording Info: SBD > Cassette Master (Sony TC-D5M) Transfer Info: Cassette Master (Nakamichi Dragon) > DAT (Panasonic SV-3900-48k) Mastering Info: WAV > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC-48k Patch Info: (FOB) Namakichi CM700 > Cassette Master (shnid=109336) supplies: He's Gone (8:57 - 9:17) Drums (0:11 - 11:11) Space (0:00 - 0:24) Recorded by Eddie Claridge, Digitized by Rob Eaton, Mastered By Charlie Miller. July 16, 2023 Notes: -- Thanks to Rob Eaton for transferring his dats for me -- Patch source recorded by Bob Wagner	Source Detail	FLAC
05/23/82	Greek Theatre, University Of California	Berkeley	CA	sbd -> Master cassette > DAT > CDR> CDR > EAC (secure mode) > SHN; EAC, SHN , upload by Gerald Gorinsky, with thanks to Kevin Gills, Mark Perini	Source Detail
05/23/82	Greek Theatre, University Of California	Berkeley	CA	flac16;Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/28/82	Moscone Convention Center	San Francisco	CA	SBD:Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner	Source Detail
05/28/82	Moscone Convention Center	San Francisco	CA	flac16; 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown Transfer: Cassette > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Wave L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC(8).	Source Detail	FLAC
05/28/82	Moscone Convention Center	San Francisco	CA	flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Sony UCXS-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2016	Source Detail	FLAC
07/17/82	Ventura County Fairgrounds	Ventura	CA	Senn 421's>MC>DAT>CDR; Believed to be Jim Wise's recording; Seeded to etree by Willy	Source Detail
07/17/82	Ventura County Fairgrounds	Ventura	CA	flac16; Set 2 AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patch) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2016	Source Detail	FLAC
07/17/82	Ventura County Fairgrounds	Ventura	CA	flac2448; Source: FOB Beyers mics > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2021	Source Detail	FLAC
07/18/82	Ventura County Fairgrounds	Ventura	CA	Recording by Ohr Weinberg, FOB w/ two Sennheiser MD-441's (8 1/2' Stand) > Sony TC-D5M (Maxell MX-90 Cassettes w/ Dolby B). A->D (Ohr): Master Cassette > Nakamichi Dragon > HHB CDR 830 Plus > EAC -> CD Wave > Drums Tape Flip Spliced w/ Soundforge 5.0 > MKW ACT > SHN	Source Detail
07/18/82	Ventura County Fairgrounds	Ventura	CA	flac16; Source: aud > Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) > -15 db pads > 3 mic mixer Preamp > Patchbay > Sony D5 > MAC (Dolby B) taping position: 25 foot back, Dead Center Lineage: mac > Nak DR-1 > HD-P2 > 24/96 Wave > Adobe Audition > Wavelab (with Izotope Ozone 4 and Algorithmix Pro) > iZotope RX Advanced > 16/44.1 wave > CD Wave > TLH > flac16	Source Detail	FLAC
07/18/82	Ventura County Fairgrounds	Ventura	CA	flac16; Recording and transfer info: FOB audience recording, taper and equipment unknown - may have been Dan Healy Master cassette -> metal cassette x 2 -> CD-R (Sony K717ES -> Marantz CDR500) -> Audacity -> FLAC; Pitch adjusted - 1% to match patch source. Transferred and mastered by Tom Van Sant, July 2009; fixed version now in circulation	Source Detail	FLAC
07/18/82	Ventura County Fairgrounds	Ventura	CA	flac16; Recording and transfer info: FOB audience recording, taper and equipment unknown Master cassette -> metal cassette x 2 -> CD-R (Sony TC-K717ES -> Marantz CDR500) -> Audacity -> AIFF -> FLAC Pitch adjusted - 1% to match patch source Transferred and mastered by Tom Van Sant; this is a fixed version of source ID 100203	Source Detail	FLAC
07/18/82	Ventura County Fairgrounds	Ventura	CA	flac16; Source: (FOB) Nakamichi CM-300s w/CP-4 Shotguns -> Sony WM-D6 -> WM-D6(M-Cass) Lineage: Cass/1 -> HHb CDR 800 PRO via analog i/o Taped by: Jim Ho	Source Detail	FLAC
07/25/82	Compton Terrace Amphitheatre	Tempe	AZ	Lineage: AUD>?>DAT>CD>EAC>SHN>WAV>CE2K>CDWAVE>SHNTOOL>mkwACT. Source possibly Jim Wise FOB. Editing/Tracking/Seeding by JBGoode & MattMan.	Source Detail
07/25/82	Compton Terrace Amphitheatre	Tempe	AZ	flac16; Recording by Jim Vita: 2 Sennheiser 421s> Sony D-5 (TDK MA-R) Transfer: Master cassette played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC Transfer and FLAC encoding by David Minches	Source Detail
07/25/82	Compton Terrace Amphitheatre	Tempe	AZ	flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > TDK-MA (Set 1), Maxell-MX (Set 2), FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2016	Source Detail	FLAC
07/25/82	Compton Terrace Amphitheatre	Tempe	AZ	flac2448; 2nd set; Source: BeyerDynamic mics > Sony TC-D5M > TDK MA-90. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022	Source Detail	FLAC
07/27/82	Red Rocks Amphitheatre	Morrison	CO	Recording by Jim Wise FOB - Senn 421's> Sony TC-D5 (at "mouth" of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR (Jim Wise transfer/master); Extraction, Editing, Shorten Compression and Upload by Mike "dankstar" Parrillo; note crossfade applied on Drumz tape flip	Source Detail
07/27/82	Red Rocks Amphitheatre	Morrison	CO	flac16; Source: SBD>Cass/1>DAT>HD-P2>Soundforge 6.0>Flac Frontend>FLAC Tranfer by: Jake Clemens	Source Detail
07/27/82	Red Rocks Amphitheatre	Morrison	CO	flac16; nak 300’s > sony d5m, fob; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> 16/44.1 > xACT flac; taped by Doug Lamarre; transferred and seeded by Rob Berger	Source Detail	FLAC
07/27/82	Red Rocks Amphitheatre	Morrison	CO	flac16; Recording Info: (FOB) (2)Beyer M160 + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller	Source Detail	FLAC
07/28/82	Red Rocks Amphitheatre	Morrison	CO	FOB - Senn 421's> Sony TC-D5 (at "mouth" of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR (Jim Wise transfer/master); Extraction, Editing, Shorten Compression & Upload by Mike "dankstar" Parrillo; note another version circulates with some different md5s	Source Detail
07/28/82	Red Rocks Amphitheatre	Morrison	CO	flac16; Source: Soundboard of unknown lineage > ? > Cassette. Transfer: Cassettes > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-Fix, Checksums, and FLAC Compression) > FLAC	Source Detail
07/28/82	Red Rocks Amphitheatre	Morrison	CO	flac16;Recording Info:(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/28/82	Red Rocks Amphitheatre	Morrison	CO	flac16; Recording Info: (FOB) (3)Nakamichi 700 -> dbx 222 -> Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) -> dbx 224 -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller	Source Detail	FLAC
07/28/82	Red Rocks Amphitheatre	Morrison	CO	flac16; source: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2,compact flash > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger	Source Detail	FLAC
07/29/82	Red Rocks Amphitheatre	Morrison	CO	nearly same info as previous shn set, but checksums differ for d1t1,8, d2t1, d3t1; unspecified editing or reDAE?; via Mike Lai; upgrade in circulation	Source Detail
07/29/82	Red Rocks Amphitheatre	Morrison	CO	flac16; Recording Info:(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/29/82	Red Rocks Amphitheatre	Morrison	CO	flac16; source: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell udxl-II90, mx90, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> 16/44.1 > xACT flac; transferred and seeded by Rob Berger	Source Detail	FLAC
07/29/82	Red Rocks Amphitheatre	Morrison	CO	flac16; Recording Info: (FOB) (2)Beyer M160's + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller	Source Detail	FLAC
07/29/82	Red Rocks Amphitheatre	Morrison	CO	flac2448; Source: BeyerDynamic mics > Sony TC-D5M > TDK MA-90s. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022	Source Detail	FLAC
07/31/82	Manor Downs	Austin	TX	Soundboard> Master Cassette> Cassette> Dat> CDR> EAC> SHN; DAE (EAC) + SHN Encoding by Jeff M.; upgrade in circulation	Source Detail
07/31/82	Manor Downs	Austin	TX	flac16; SBD -> Cassette Master -> Dat (44.1k) Transferred and Edited By Charlie Miller	Source Detail
07/31/82	Manor Downs	Austin	TX	flac16; SBD/AUD matrix - Sick Bits Vol. 11 (edited/mixed from 2 previously circulating sources: SBD - shnID=3415, AUD - shnID=19017) - prepared by Chris Chappell	Source Detail	FLAC
07/31/82	Manor Downs	Austin	TX	Lineage: Soundboard>Master Cassette>Cassette>Dat>CDR>EAC>SHN; Cleanup of previous Jeff M seed (by Chris Perkins); See info file for details; upgrade in circulation	Source Detail	FLAC
07/31/82	Manor Downs	Austin	TX	MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)	Source Detail	FLAC
07/31/82	Manor Downs	Austin	TX	flac1648 Source Info: Master Audience Cassettes; Beyer M88 mics > Unknown deck > Jim Vita's 1st generation cassettes (Maxell MX-90) Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496	Source Detail	FLAC
08/01/82	Zoo Amphitheater	Oklahoma City	OK	SBD>MC>DAT>CD; Missing JBG & US Blues; via Steve Wigley; Seeded to etree by Willy	Source Detail
08/01/82	Zoo Amphitheater	Oklahoma City	OK	flac16; (FOB) Nakamichi CM-700s > Sony TC-D5M > MC > Cassette x2 Taper: David Seligman Transfer: 2nd GEN Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3 (@24 bit 96 kHz) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer(dither) > 16 bit WAV > CD Wave Editor > TLH > FLAC16. 2nd GEN cassettes provided by Jake Feinberg. Transfer, edits and conversion by Alex Ford 02/26/07.	Source Detail
08/01/82	Zoo Amphitheater	Oklahoma City	OK	flac16; Akg CE1 > Uher Cr240 > Tandberg Tcd-420A >1st Gen TDK SA-X 90 Tapes > Nak Dragon Tape Deck > Korg Mr1000 > Adobe Audition CS6 > Traders Little Helper	Source Detail	FLAC
08/01/82	Zoo Amphitheater	Oklahoma City	OK	flac16/44 2 Beyerm160>Sony TCD5M Master Tape > SHN > CD > EAC > FLAC	Source Detail	FLAC
08/01/82	Zoo Amphitheater	Oklahoma City	OK	flac16/44 Master Audience Cassettes - recorded by Ohr Weinberg: 2 Sony ECM-23F microphones > Sony TC-D5M Cassette Deck (1st & 2nd Sets: Maxell MX 90 Cassettes), Dolby B Transfer: Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR800 > CD Ohr : CD > EAC > WAV > FLAC	Source Detail	FLAC
08/01/82	Zoo Amphitheater	Oklahoma City	OK	flac1648 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5 (Maxell MX-90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496	Source Detail	FLAC
08/03/82	Starlight Theater	Kansas City	MO	Lineage:SBD>MC>PCM>DAT>CDR Missippi Half-Step cuts in at 12 seconds, Cassidy has several cuts throughout , Let It Grow cuts at tailend as they play out to drums * Aud patch assumed from widely circulated audience source ; upgrade in circulation	Source Detail
08/03/82	Starlight Theater	Kansas City	MO	Recording by Paul Hogan. MC (FOB, 27th Row, , Senn 441's > Sony TC-D5) > DAT > CD; includes SBD: ? > C patches in d1t5,6 by Alan Fink; orig CD seed from Paul B.; note md5s for unpatched d1t5,6 are also included for reference	Source Detail
08/03/82	Starlight Theater	Kansas City	MO	flac16; Recording Info: SBD -> Cassette Master -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
08/03/82	Starlight Theater	Kansas City	MO	flac16; Sick Bits Vol. 12, SBD/AUD matrix of two previously circulating sources; SBD: shnid=19228, AUD: shnid=5984; edited and mixed by Chris Chappell.	Source Detail	FLAC
08/03/82	Starlight Theater	Kansas City	MO	flac16; AUD: FOB, Sennheiser 441's > Sony TC-D5 > MAC > (likely) 1st Gen, from the Brian Schley tape collection; Transfer: TDK-MA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F.	Source Detail	FLAC
08/04/82	Kiel Auditorium	St. Louis	MO	SBD>MasterCass>DAT>CD; via Scott Whitford; Seeded to etree by Willy	Source Detail
08/04/82	Kiel Auditorium	St. Louis	MO	flac2448; Source: FOB Beyers mics > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2021	Source Detail	FLAC
08/06/82	St. Paul Civic Center	St. Paul	MN	S : MC > C1 > DAT > CDR > SHN Steve Apria's soundboard master cassette->Mark Cohen's cassette->DAT->CDR->.WAV->SHN (Steve Apria lost the master cassette years ago); Thanks to John Horzepa for seeding this!; Seeded to Etree by Alan J Fink; upgrade in circulation	Source Detail
08/06/82	St. Paul Civic Center	St. Paul	MN	S : MC > C1 > DAT > CDR > SHN Steve Apria's soundboard master cassette->Mark Cohen's cassette->DAT->CDR->.WAV->SHN (Steve Apria lost the master cassette years ago); Identical to previous sbd seed, except for d1t's 6&7; Aud patch in El Paso and silence removed from Bird Song by Darryl Hinko; See info file for details;	Source Detail	SHN
08/06/82	St. Paul Civic Center	St. Paul	MN	flac16; Recording Info: SBD -> Cassette Master -> Cassette (Sony TC-D5M/Dolby B/TDK MA-C90); Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/07/82	Alpine Valley Music Theatre	East Troy	WI	SBD : MC > MR > DAT > CDR Transfer done by Jim Wise	Source Detail
08/07/82	Alpine Valley Music Theatre	East Troy	WI	flac16; Source: *Mics>Sony D5M>Master Cass.>1st Gen Location: FOB, exact location and stand height unknown Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: *Unknown Transfer and upload by Tony Suraci	Source Detail
08/07/82	Alpine Valley Music Theatre	East Troy	WI	flac16; Set 2 - Master Cassette recorded by Ohr Weinberg: (20th row, center, 8ft stand)2 Sony ECM-23F microphones (90 degrees, coincident)-> Sony TC-D5M -> 2 Maxell XLII-S 90 Cassettes w/ Dolby B. Transfer by Ohr Weinberg: Master Cassette -> Nakamichi Dragon -> HHB CDR830 Plus -> EAC -> CDWave -> FLAC	Source Detail	FLAC
08/07/82	Alpine Valley Music Theatre	East Troy	WI	flac16; Recording Info: SBD > Cassette Master > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/07/82	Alpine Valley Music Theatre	East Troy	WI	flac2448; 1st Set; Source: BeyerDynamic mics > Sony TC-D5M > TDK MA-90. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022	Source Detail	FLAC
08/08/82	Alpine Valley Music Theatre	East Troy	WI	no source info; via D. Barrick; no d3 .md5 available originally- one shown here supplied by J. Primozic from his copy	Source Detail
08/08/82	Alpine Valley Music Theatre	East Troy	WI	SBD : MC > MR > DAT > CDR Transfer done by Jim Wise	Source Detail
08/08/82	Alpine Valley Music Theatre	East Troy	WI	flac16 44.1khz Master: Nakamichi 300 guns with NAK 300 center "blend" mic -> Nak MX 100 3 channel mixer 100 feet from stage|5 feet up|15 feet ROC-Right front Corner SBD >>Nakamichi 550 >>Sony TCD5 2nd in line; Maxell XLII 90, Dolby B on Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook	Source Detail	FLAC
08/10/82	University Of Iowa Fieldhouse	Iowa City	IA	SBD -> Cm -> Dat -> Samplitude 2496 v6.0 -> CD -> EAC -> SHN; via Charlie Miller	Source Detail
08/10/82	University Of Iowa Fieldhouse	Iowa City	IA	MATRIX MIX: 50% AUD/50% SBD using AKG CE-1 (4th row) > UHER CR-240 > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x2) > EAC > FLAC (tracking with CDWAV) Taped by Kenny Mance (shn id 82875) and SBD -> Cm -> Dat -> Samplitude 2496 v6.0 -> CD -> EAC -> SHN (shn id 12453) Note: a SBE fixed version was also circulated.	Source Detail	SHN
08/10/82	University Of Iowa Fieldhouse	Iowa City	IA	flac16; AKG CE-1 (4th row) > UHER CR-240 > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x2) > EAC > FLAC (tracking with CDWAV) Taped by Kenny Mance. EAC to FLAC by cbass 2/25/07	Source Detail	FLAC
08/10/82	University Of Iowa Fieldhouse	Iowa City	IA	flac16; Source Info: Dan Healy's Master Soundboard Cassette (Sony D5)> Frank Streeter's 1st generation Reel to Reel (Sony TC-770, Maxell UD); Transfer Info: 1st generation Reels (Technics RS 1506)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp	Source Detail	FLAC
08/10/82	University Of Iowa Fieldhouse	Iowa City	IA	flac16; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90); Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017; This file set is 16 bit @44.1	Source Detail	FLAC
08/10/82	University Of Iowa Fieldhouse	Iowa City	IA	flac24/44 AKG CE-1 (4th row, Dead Center) > UHER CR-240 > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x2) > EAC > FLAC (tracking with CDWAV) Taped by Craig Rogers Transferred, tracked, and patched by Jim Wise patch s2t13 from 1:44 to 2:50 unknown source EAC to FLAC by cbass 2/25/07 Mastered by Craig Rogers 11/30/18 This is a mastered version of the raw transfer, shnid: 82875 It required quite significant EQ and became a much bigger file so it is now 24 bit. This recording has been erroneously credited to one or the other of the Mance brothers. Endless thanks to Jerry Garcia for his permission and providing the tickets. This is an Uher Archive production. uherarchive@live.com	Source Detail	FLAC
08/28/82	Oregon Country Fair	Veneta	OR	sdb> cassette master> cassette> cdr; transfer by Mike Lai from Bruce Fried's seed; reportedly stemming from Rock Scully	Source Detail
08/28/82	Oregon Country Fair	Veneta	OR	flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/28/82	Oregon Country Fair	Veneta	OR	flac16; Set 2 only - 1st Gen: (FOB) Nakamichi CM 300s w/ CP4 shotgun capsules > ?? > master audience cassette Master audience cassette > cassette (Maxell XLII-S 90) Taper: David Fleishner 1st Gen cassette provided by Jake Feinberg. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford 10/20/2006.	Source Detail	FLAC
08/28/82	Oregon Country Fair	Veneta	OR	flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony TC-D5M/Maxell XLIIS/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/29/82	Seattle Center Coliseum	Seattle	WA	(FOB) Nak 300/CP4 > Cm > Dat > Sound Forge > CD > EAC > SHN encoded by Charlie Miller	Source Detail
08/29/82	Seattle Center Coliseum	Seattle	WA	flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
09/05/82	US Festival, Glen Helen Regional Park	Devore	CA	SBD: MC > DAT > CDR; From Jack Warner; with AUD patches in d1t1,2 by Alan J. Fink; cuts in d1t7 and between d1t5>6	Source Detail
09/05/82	US Festival, Glen Helen Regional Park	Devore	CA	flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD -> SHN; Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation	Source Detail	FLAC
09/05/82	US Festival, Glen Helen Regional Park	Devore	CA	flac16; source : Nakamichi CM300 shotguns > Technics 686 > Maxell UD XL II transfer : mac > Nakamichi 680ZX > Tascam CD RW5000 > Bias Peak 3.21 on G4 Powerbook > wav > flac (on 9/13/2007 a fixed version of this source was circulated; the info file for the fixed version is below. Please do not circulate the original source.)	Source Detail	FLAC
09/09/82	Saenger Performing Arts Center	New Orleans	LA	SBD> MC> PCM> DAT> CD; With aud patches; See info file for details; Missing both encores; via Kevin Gills; Seeded to etree by Willy; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments)	Source Detail
09/09/82	Saenger Performing Arts Center	New Orleans	LA	flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded by Frank Streeter; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/09/82	Saenger Performing Arts Center	New Orleans	LA	SBD> MC> PCM> DAT> CD; With aud patches; See info file for details; Missing both encores; via Kevin Gills; Seeded to etree by Willy; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments)	Source Detail	FLAC
09/09/82	Saenger Performing Arts Center	New Orleans	LA	flac24; Source: Set One & Encore, Unknown AUD > MAC > 1st Gen copy (see note) and; Set Two, Beyers-Dynamic M160's > Sony TC-D5 > MAC. Recording by Rip Tompkins & with thanks to Richie Stankiewicz! Transfer: TDK MA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 04/2020	Source Detail	FLAC
09/11/82	West Palm Beach Civic Center	West Palm Beach	FL	Master Soundboard Cassette > Reel to Reel > DAT> CDR; with patches from FOB Nak CM300 (see info file); via Scott Clugston to abgd and etree	Source Detail
09/11/82	West Palm Beach Civic Center	West Palm Beach	FL	flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell MX-90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter	Source Detail	FLAC
09/11/82	West Palm Beach Civic Center	West Palm Beach	FL	flac16; 10th Row Center; Nakamichi CM-300 > Sony TC-D5 > MC > DAT; DAT(c) @ 44.1 kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (align on sector boundaries, flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell	Source Detail	FLAC
09/11/82	West Palm Beach Civic Center	West Palm Beach	FL	flac16/44 Recording Info: SBD > Cassette Master > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition > Samplitude Pro X6 Suite > FLAC	Source Detail	FLAC
09/12/82	Lakeland Civic Center	Lakeland	FL	SBD>Cm>Reel>Dat>CD. via Paul B.; Chris Ladner; Upgrade in circulation	Source Detail
09/12/82	Lakeland Civic Center	Lakeland	FL	flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v1.5 -> FLAC; This is a re-master of Source ID 7826; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/12/82	Lakeland Civic Center	Lakeland	FL	flac16/48kHz; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-636)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
09/12/82	Lakeland Civic Center	Lakeland	FL	flac16; Recording Info: Sennheiser 441 -> Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By Frank Streeter; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/12/82	Lakeland Civic Center	Lakeland	FL	flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell MX-90. FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 02/2016	Source Detail	FLAC
09/12/82	Lakeland Civic Center	Lakeland	FL	flac2448; Source: Beyers mics > Sony TC-D5M > Maxell XLII-S 90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B out) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2021	Source Detail	FLAC
09/14/82	University Hall, University Of Virginia	Charlottesville	VA	Master Soundboard Cassette > Reel to Reel > DAT > CDR, CD Re-Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston 1/3/02, posted to abgd via Charlie Connor	Source Detail
09/14/82	University Hall, University Of Virginia	Charlottesville	VA	Recording Info: 1st Set: Beyer M160 -> Cassette Master (Sony D5) -> Dat -> CD -> EAC -> SHN 2nd Set: SBD -> Cassette Master -> Reel -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller	Source Detail
09/14/82	University Hall, University Of Virginia	Charlottesville	VA	flac16; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Maxell XLII-S/TDK MA-R); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter	Source Detail	FLAC
09/14/82	University Hall, University Of Virginia	Charlottesville	VA	flac24; Source: FOB Beyers M88's > Sony TC-D5M > Maxell XLIIS-90 (1st Set, He's Gone, and JBGoode) and TDK MA-90 (2nd Set). Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 06/2019	Source Detail	FLAC
09/14/82	University Hall, University Of Virginia	Charlottesville	VA	flac16/44 Recording Info: SBD > Cassette Master > Cassette > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition > Samplitude Pro X6 Suite > FLAC/16 (2 Discs Audio / 1 DVD FLAC)	Source Detail	FLAC
09/15/82	Capital Centre	Landover	MD	Master Sondboard Cassette > PCM > CDR; With Audience Patches; Patching/CD Mastering by Scott Clugston; SHN'ed and Seeded to fungus by Scott Clugston; also to abgd via Charlie Connor	Source Detail
09/15/82	Capital Centre	Landover	MD	flac16; Recording by Tiger Rose - FOB Nak shotgun mics > Sony TC-D5. MAC > CD Analog to Digital transfer by David Howard." Transfer: CDR > EAC > WavMerge > Soundforge (on d2t12) > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC	Source Detail
09/15/82	Capital Centre	Landover	MD	flac16; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; Recorded by Frank Streeter; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/15/82	Capital Centre	Landover	MD	flac16; AUD: Nakamichi CM300/CP-4 shotguns > Sony TC-D5 > Maxell XLII. Set up inside SBD perimeter area for 1st Set, mics moved onto SBD platform for 2nd Set, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2015	Source Detail	FLAC
09/17/82	Cumberland County Civic Center	Portland	ME	Master FOB Audience Cassette > Nak CM300 mics > Sony D5: master cassette played back via a Nakamichi DR-1 > HHB 850 > EAC for DAE to Harddrive > CEP > CDWave > CDRWin > Yamaha CR8424 CDR; via S. Clugston, L. Revell	Source Detail
09/17/82	Cumberland County Civic Center	Portland	ME	flac16; SBD + AUD Matrix - 4 Source Mix consisting of SBD Set 1 Recording: SBD > Dolby B metal cassette master, SBD Set 2 Recording: SBD > ? (likely cassette master), AUD1 FOB: Nak 700s > Sony D5 Cassette master recorded by Mark Cohen, AUD2 Master FOB Audience Cassette > Nak CM300 mics > Sony D5, AUD3 Unknown AUD	Source Detail
09/17/82	Cumberland County Civic Center	Portland	ME	flac16; AUD: FOB, Sennheiser MD-421's > Sony TC-D5. Concert recording and transfer to CDR by Jim Wise. CDR > EAC > WavMerge > CD-Wave > Soundforge > TLH > FLAC	Source Detail	FLAC
09/17/82	Cumberland County Civic Center	Portland	ME	flac16; (FOB) Nakamichi CM-300's (CP-1) > Cassette Master (Sony TCD5M/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009	Source Detail	FLAC
09/17/82	Cumberland County Civic Center	Portland	ME	Recording by Mark Cohen Nak 700s> Sony D5, A:D by Mark Cohen, D>SHN by David Minches	Source Detail	FLAC
09/17/82	Cumberland County Civic Center	Portland	ME	flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, mics set-up on the SBD platform, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016	Source Detail	FLAC
09/18/82	Boston Garden	Boston	MA	flac24; Recording Info: AUD > Cassette Master; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24	Source Detail	FLAC
09/18/82	Boston Garden	Boston	MA	SBD> CAS/1 (Dolby)> CD; via Michael K. Weise; reported upgrade relative to previously circulating shn set	Source Detail
09/18/82	Boston Garden	Boston	MA	flac16; AUD: 2x Nakamichi CM300's with CP4 shotguns (L+R), plus 1x Nakamichi CM300 with CP1 cardioid (blend mic) > Nakamichi 550 > Maxell XLII-S 90's. Mics on stand, set up in center right section riser, just off the floor. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-8 (w/no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. Andrew F. 02/2009.	Source Detail
09/18/82	Boston Garden	Boston	MA	flac16; Recording Info: (FOB) Nakamichi 300/CP4 -> Cassette Master (Sony TC-D5M/Maxell UDXLII); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v8.0 -> FLAC/16; Recorded By Bob Morris; All Transfers and Mastering By Charlie Miller	Source Detail
09/18/82	Boston Garden	Boston	MA	flac16; Recording Info: AUD > Cassette Master; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1	Source Detail	FLAC
09/20/82	Madison Square Garden	New York	NY	Set 2 SBD>Cm>Cass>CD via Charlie Miller; upgrade in circulation	Source Detail
09/20/82	Madison Square Garden	New York	NY	Recording by Mark Cohen Nak 700s> Sony D5 , A>D by Mark Coehn, D>SHN by David Minches	Source Detail
09/20/82	Madison Square Garden	New York	NY	1st set only; SBD>Cm>Cass>CD; Seeded to etree by charlie miller and neil sturtevant; upgrade in circulation	Source Detail
09/20/82	Madison Square Garden	New York	NY	flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> Cool Edit Pro v.20 -> FLAC All Transfers and Mastering By Charlie Miller (Pitch correction of shn id 77482.)	Source Detail	FLAC
09/20/82	Madison Square Garden	New York	NY	flac16; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, from the end of floor riser, fifteen rows up, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. February 2012	Source Detail	FLAC
09/21/82	Madison Square Garden	New York	NY	csbd>dat>cd (unconfirmed); Seeded to etree by C. Perkins ; upgrade in circulation	Source Detail
09/21/82	Madison Square Garden	New York	NY	Sennheiser 421's (18th row - Center) > Sony TC-D5 > Master Cassette > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x1) > EAC(tracked with Addawav & CDWav) >SHN; taped and transferred by Jim Wise; upload by Darin Sacks	Source Detail
09/21/82	Madison Square Garden	New York	NY	flac16; Pitch corrected version of shn id 33684: SBD -> Cassette Master -> Dat by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details	Source Detail	FLAC
09/21/82	Madison Square Garden	New York	NY	flac16; Seamless fix of shn id 13306 - msc>dat>cd>wav>shn>wav>flac by Bill Tetzeli	Source Detail	FLAC
09/21/82	Madison Square Garden	New York	NY	flac24/96 Recording Info: (FOB) AUD > Unknown Gen Cassette (Maxell UDXLII) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24	Source Detail	FLAC
09/23/82	New Haven Veterans Memorial Coliseum	New Haven	CT	(FOB) Senn 421>Cm>Dat>CD; Seeded to etree by Charlie Miller	Source Detail
09/23/82	New Haven Veterans Memorial Coliseum	New Haven	CT	flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/23/82	New Haven Veterans Memorial Coliseum	New Haven	CT	flac16; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX 90s, set up in bottom of center riser facing stage, back of floor, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. December 2011	Source Detail	FLAC
09/23/82	New Haven Veterans Memorial Coliseum	New Haven	CT	flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger	Source Detail	FLAC
09/23/82	New Haven Veterans Memorial Coliseum	New Haven	CT	flac2448; Source: FOB Beyers mics > Sony TC-D5M > Maxell MX-90 for 1st Set & Encore, and TDK MA-90 for 2nd Set. Concert recording by Rip Tompkins, and with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2021	Source Detail	FLAC
09/24/82	Carrier Dome, Syracuse University	Syracuse	NY	SBD> Master Cassette> 1 Reel> DAT> DAT> WAV> Soundforge 4.0> CDWAV 1.53> MKW 0.97b> SHN w/ seek tables appended; DAT> WAV via Sony SDT-9000 DDS drive using VDAT 0.6f, wavs compared for errors using EAC; DAT seed from Rob Eaton, DAT> SHN by Jamie Lutch; QC courtesy dankseeds; see info file for flaws etc	Source Detail
09/24/82	Carrier Dome, Syracuse University	Syracuse	NY	AUD (Beyer 88?s) > MC > DAT > CDR via Raoul Duke encoded by Matt Vernon	Source Detail	FLAC
09/24/82	Carrier Dome, Syracuse University	Syracuse	NY	flac16; Source: Nakamichi CM300/CP4->Sony D-5M(Dolby B encoded)->Maxell XLII Lineage: MAC->Sony D-5M(Dolby B decoded)->Korg MR-1000 (1Bit/5.6Mhz)->Korg Audiogate->wav.(16/44.1)->Soundforge 8.0->Flac Taped by: D. Barfield and /or D. Lane; Transferred and Seeded By M. Watson	Source Detail	FLAC
09/24/82	Carrier Dome, Syracuse University	Syracuse	NY	flac16; source: nak 300 (vfh*, 50 yard line) > tcd5m > idxlii +dolby > master > tascam mk122mkii -dolby > apogee rosetta 200 (24/96) > audacity (levels, normalize, fades, tracks) > flac2496 > xact (tags, checksums); recorded: david lane + david Barfield; transferred seeded: david barfield. This file set is 16 bit @ 44.1	Source Detail	FLAC
10/09/82	Frost Amphitheatre	Palo Alto	CA	source update: SBDMR> PCM> DAT> CD-R; via Dave Barrick; upgrade in circulation	Source Detail
10/09/82	Frost Amphitheatre	Palo Alto	CA	Main Source A : SBD>MR>PCM>DAT>CD-R ; Patch Source B : Rango Keshavan's FOB Master Audience Cassette, Sony ECM-220T mics > Sony TC-D5M > DAT > CDR ; Seeded by T. Wiley ; upgrade in circulation	Source Detail
10/09/82	Frost Amphitheatre	Palo Alto	CA	Soundboard->Cassette Master(MA-R90/Dolby B)-> 1st Generation Cassette(XLII-S90/Dolby C). 1st Generation Cassette->Fostex D5 (pass-through only)->ZA2->Samplitude v7.02 Professional->.wav->mkw->SHN. Transfer, editing, and SHN by Joe Samaritano	Source Detail
10/09/82	Frost Amphitheatre	Palo Alto	CA	flac16; Recording Info:SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info:Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/10/82	Frost Amphitheatre	Palo Alto	CA	SBD:MCass>(?)DAT>CD>EAC>SHN; transfer by David Hollister; via Josh Ayers; known flaws: small cut in Crazy Fingers, momentary "blip" during Saint, cut in Drums (tape flip), momentary dropout during The Wheel, the very end of Sunshine Daydream is cut; note problem with d3 on etree, fixed version up by 12/3 via Darrin Sacks (old md5s shown here?); upgrade in circulation	Source Detail
10/10/82	Frost Amphitheatre	Palo Alto	CA	flac24; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/10/82	Frost Amphitheatre	Palo Alto	CA	flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/10/82	Frost Amphitheatre	Palo Alto	CA	flac16; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; This source has the encores fixed	Source Detail	FLAC
10/10/82	Frost Amphitheatre	Palo Alto	CA	flac16; Recording Info:SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info:Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation	Source Detail	FLAC
10/10/82	Frost Amphitheatre	Palo Alto	CA	flac16; AUD: 2x Beyers M160's > Sony TC-D5, in the sweet spot. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 05/2014.	Source Detail	FLAC
10/17/82	Santa Fe Downs	Santa Fe	NM	(FOB) Neumann KM84 > Sony TC-D5M Dolby B Cassette Master > Reel > My Dat (Supplied by Neil Sturtevant); Transfer Info: Dat>CD>EAC>SHN (Tascam DA20>Tascam CDRW700); All transfers done by Charlie Miller	Source Detail
10/17/82	Santa Fe Downs	Santa Fe	NM	flac2448; 1st Set; Source: BeyerDynamic mics > Sony TC-D5M > TDK MA-90. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2022	Source Detail	FLAC
10/17/82	Santa Fe Downs	Santa Fe	NM	flac16; Recording Info: (FOB) AUD > Cassette Master > Reel; Transfer Info: Reel (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC (24-bit/48k), This file set is 16 bit @ 44.1	Source Detail	FLAC
10/17/82	Santa Fe Downs	Santa Fe	NM	flac24; Recording Info: (FOB) AUD > Cassette Master > Reel; Transfer Info: Reel (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC (24-bit/48k)	Source Detail	FLAC
10/17/82	Santa Fe Downs	Santa Fe	NM	flac16; Recording Info: (FOB) AUD > Cassette Master > Cassette > DAT > CD; Transfer Info: CD (Tascam SS-CDR200) > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X5 Suite > FLAC/16; Transferred and Mastered by Charlie Miller;this is a fixed version	Source Detail	FLAC
11/25/82	Bob Marley Performing Arts Center	Montego Bay	Jamaica	lineage: MSC(Sony TCD-5M) > WAV > SHN recording: MSC - master soundboard cassette w/ Dolby B by Frank Streeter digital transfer: Nakamichi CD 2 cassette deck > HHB 850 Pro stand-alone CD burner (16 bit @ 44.1khz) by Frank Streeter and Henry Fisher tracking and editing: AIF (Toast 5.2) > WAV (Peak 3.21) > SHN (shntool 1.2.2) WAV sector boundaries verified with shntool by Ted Erhard	Source Detail
11/25/82	Bob Marley Performing Arts Center	Montego Bay	Jamaica	flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/25/82	Bob Marley Performing Arts Center	Montego Bay	Jamaica	flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX Metal. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015	Source Detail	FLAC
12/26/82	Oakland Auditorium	Oakland	CA	Master Soundboard Cassette > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; d2 tracked for 80 min; to abgd; upgrade in circulation	Source Detail
12/26/82	Oakland Auditorium	Oakland	CA	flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/26/82	Oakland Auditorium	Oakland	CA	flac16/44 Source: (FOB) Senn MD441-U > Sony TC-D5 > Cassette Master (Maxell UDXLII C90 Dolby On) > Nakamichi 581 > Cassette (1st gen) Transfer: 1st gen Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF 24/96 PCM) > Audacity (Trim, both tracks both sides amplified by +4db) Lineage: wav 24/96 > iZotope RX 9 Advanced > wav 16/44.1 > CD Wave > flac 16 edited and mastered SIRMick December 2021	Source Detail	FLAC
12/27/82	Oakland Auditorium	Oakland	CA	flac16; Sick Bits Vol. 18a - SBD/AUD Matrix of 3 sources (1 previously circulated SBD for set 1 - shnid=32134 and 2 uncirculated sources) - edited, mixed and encoded by Chris Chappell	Source Detail
12/27/82	Oakland Auditorium	Oakland	CA	flac16; Set 2 only, Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16	Source Detail	FLAC
12/27/82	Oakland Auditorium	Oakland	CA	flac16; Recording by Bill Koucky: FOB Sennheiser 441s > Sony D5 > Sony D5 (first gen CM). Transfer: Playback on Nakamich BX-100 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > WAV > FLAC. Recording, transfer, and original encoding by Bill K. Remastering: FLAC > WAV > Wavelab 5 (smoothed pauses/flips with crossfades > Waves L3 Multimaximizer (-2 dB threshold/-0.1 dB ceiling/type I dither/ultra shaping) > WAV > CDWAV1.9 (tracking and level 5 FLAC encoding) > FLAC by Chris L.	Source Detail	FLAC
12/27/82	Oakland Auditorium	Oakland	CA	flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
12/28/82	Oakland Auditorium	Oakland	CA	SBD > MC > DAT > CD > EAC > SHN; upgrade in circulation	Source Detail
12/28/82	Oakland Auditorium	Oakland	CA	flac16; SBD -> Master PCM -> Dat/0 Transferred and Edited By Charlie Miller	Source Detail
12/28/82	Oakland Auditorium	Oakland	CA	flac16; Sick Bits Vol. 18b - SBD/AUD Matrix of 1 previously circulated SBD source (shnid=31967) and 1 uncirculated AUD source. Edited, mixed and encoded by Chris Chappell.	Source Detail
12/28/82	Oakland Auditorium	Oakland	CA	flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015	Source Detail	FLAC
12/28/82	Oakland Auditorium	Oakland	CA	flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
12/28/82	Oakland Auditorium	Oakland	CA	flac16/48khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
12/30/82	Oakland Auditorium	Oakland	CA	SBD>MC>PCM>DAT>CDR (likely cass gen); Seeded to etree by Tony G; upgrade in circulation	Source Detail
12/30/82	Oakland Auditorium	Oakland	CA	flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation	Source Detail	FLAC
12/30/82	Oakland Auditorium	Oakland	CA	flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
12/31/82	Oakland Auditorium	Oakland	CA	SBD> MR> DAT> CD> EAC> SHN; Show and lineage information from Charlie Miller; DAE, SHN conversion, by Keith Bode; upgrade in circulation	Source Detail
12/31/82	Oakland Auditorium	Oakland	CA	flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation	Source Detail	FLAC
12/31/82	Oakland Auditorium	Oakland	CA	flac16; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015	Source Detail	FLAC
12/31/82	Oakland Auditorium	Oakland	CA	flac16; 3rd Set AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME Metal tape. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015	Source Detail	FLAC
01/24/83	Stone House Studio	Novato	CA	Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03	Source Detail
01/31/83	Stone House Studio	Novato	CA	Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03	Source Detail
02/01/83	Stone House Studio	Novato	CA	Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03	Source Detail
02/06/83	Stone House Studio	Novato	CA	Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03	Source Detail
03/14/83	Club Front - Rehearsals	San Rafael	CA	Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03	Source Detail
03/25/83	Compton Terrace Amphitheatre	Tempe	AZ	FOB>3 Senn. 421's>MC>DAT>CD; via Tom Eliason; Seeded to etree by Willy	Source Detail
03/25/83	Compton Terrace Amphitheatre	Tempe	AZ	SBD -> Cassette Master -> Reel -> Cass -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN;Patched with 3 Sennheiser 421's -> Cassette Master -> Dat -> CD -> EAC -> SHN; Patched and Edited By Charlie Miller	Source Detail	SHN
03/25/83	Compton Terrace Amphitheatre	Tempe	AZ	flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015	Source Detail	FLAC
03/25/83	Compton Terrace Amphitheatre	Tempe	AZ	flac16; Source Info: Master FOB Audience PCM; (3)Sennheiser 421 mics; Transfer Info: PCM (Sony SL-HF66)> Sony PCM-601ESD> Behringer Ultramatch Pro> Tascam DA-3000> Adobe Audition 3.0> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston	Source Detail	FLAC
03/25/83	Compton Terrace Amphitheatre	Tempe	AZ	flac16; Source Info: Master Soundboard Cassette > Cassette > PCM; Transfer Info: PCM (unknown equipment) > .wav (16/44.1) > Adobe Audition 2019 > TLH flac16	Source Detail	FLAC
03/26/83	Aladdin Theater	Las Vegas	NV	AUD>MC>DAT>CDR KM 54?s; via the Retired General; Seeded to etree by Ernie Dodd	Source Detail
03/26/83	Aladdin Theater	Las Vegas	NV	flac16; Recording Info: (FOB) Neumann KM54 -> Cassette Master -> Dat Transfer Info: Dat -> CD (Tascam CDRW700) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
03/26/83	Aladdin Theater	Las Vegas	NV	flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLIIS, mics clamped to balcony rail center, recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (insert patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2016	Source Detail	FLAC
03/26/83	Aladdin Theater	Las Vegas	NV	flac16/48kHz; Recording Info: Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648	Source Detail	FLAC
03/27/83	Irvine Meadows	Irvine	CA	AUD> MC> DAT> CDR Senn 421s; via Paul; Seeded to etree by Ernie Dodd	Source Detail
03/27/83	Irvine Meadows	Irvine	CA	flac16/48kHz; Set 2 Recording Info: Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648	Source Detail	FLAC
03/27/83	Irvine Meadows	Irvine	CA	flac1648 ource Info: Jim Vita's Master Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496	Source Detail	FLAC
03/29/83	Warfield Theater	San Francisco	CA	AUD>MC>CDR Paul Hogan, 1st row behind SBD, Senn 441?s>Sony D-6; via Paul B; Seeded to etree by Ernie Dodd	Source Detail
03/29/83	Warfield Theater	San Francisco	CA	flac16; Source: AUD from the Brian Schley tape collection (see note). Transfer: Maxell XLII 90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (insert patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2016	Source Detail	FLAC
03/29/83	Warfield Theater	San Francisco	CA	flac1648 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MAR-90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496	Source Detail	FLAC
03/30/83	Warfield Theater	San Francisco	CA	SBD>CM>Cassette x1>DAT>CDRx2; Seeded to etree by Jim Bennett ; upgrade in circulation	Source Detail
03/30/83	Warfield Theater	San Francisco	CA	flac16; SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/30/83	Warfield Theater	San Francisco	CA	flac16 44.1khz Source Info: Sennheiser 441-> Cassette-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel.	Source Detail	FLAC
03/30/83	Warfield Theater	San Francisco	CA	flac1648 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496	Source Detail	FLAC
03/31/83	Warfield Theater	San Francisco	CA	(FOB) Sennheiser 421 -> Cm (Sony D5) -> Dat via Charlie Miller	Source Detail
03/31/83	Warfield Theater	San Francisco	CA	SBD > C(x5) > Sony TC-D5M > Soundblaster > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (SBE-OK, checksums, Flac compression) > bt.etree 01/06. ; upgrade in circulation	Source Detail
03/31/83	Warfield Theater	San Francisco	CA	flac16; SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
03/31/83	Warfield Theater	San Francisco	CA	flac16; SBD -> Cassette Master -> ? -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller ; upgrade in circulation	Source Detail	FLAC
03/31/83	Warfield Theater	San Francisco	CA	flac1648 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496	Source Detail	FLAC
04/09/83	Hampton Coliseum	Hampton	VA	Audience Recording: Sennheiser 441-->Sony D6 Note: Track 1 is incomplete; posted to abgd	Source Detail
04/09/83	Hampton Coliseum	Hampton	VA	SBD> Master Cassette> Reel> Dat (48k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Rob Eaton's FOB Senn 441 source; Transferred, Edited and Patched By Charlie Miller	Source Detail
04/09/83	Hampton Coliseum	Hampton	VA	flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN -> WAV -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail
04/09/83	Hampton Coliseum	Hampton	VA	flac16; Set Two AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2016	Source Detail	FLAC
04/09/83	Hampton Coliseum	Hampton	VA	flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename	Source Detail	FLAC
04/09/83	Hampton Coliseum	Hampton	VA	flac16/44.1 Source Audience Recording: Beyer M 201c Location: 60 feet from stage|DFC Lineage: MA CA FOB - Beyer M201's (hyper cardiod)XY 6ft>> Sony TCD5M w Maxell XL-II, No Dolby Playback: Nakamichi CR-5A ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney Transferred by Kyle Holbrook	Source Detail	FLAC
04/09/83	Hampton Coliseum	Hampton	VA	flac24/48 Source Audience Recording: JVC200E Binaural headphone microphones Location: 60 feet from stage|DFC Lineage: MA CA FOB - JVC200E worn on head >> Sony TCD5M w TDK MAC-90 No Dolby Playback: Nakamichi LX-5 ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone Transferred by Kyle Holbrook	Source Detail	FLAC
04/09/83	Hampton Coliseum	Hampton	VA	flac1648 Source Info: Jim Vita's Master Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496	Source Detail	FLAC
04/10/83	West Virginia University Coliseum	Morgantown	WV	Audience Recording: Sennheiser 441-->Sony D6; posted to abgd	Source Detail
04/10/83	West Virginia University Coliseum	Morgantown	WV	flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename	Source Detail	FLAC
04/10/83	West Virginia University Coliseum	Morgantown	WV	Set 1 SBD > PCM > Dat x 2 > CDR > SHN; Set 2 SBD > Cassette Master > Dat x 2 > CDR > SHN; via Bob Harrell; drgseeds	Source Detail
04/10/83	West Virginia University Coliseum	Morgantown	WV	flac16/44.1 Source Audience Recording: JVC200E Binaural headphone microphones Location: 80 feet from stage|Right corner of SBD ~ 20' ROC Lineage: MA CA FOB - JVC200E worn on head >> Sony TCD5M w TDK MAC-90 No Dolby Playback: Nakamichi LX-5 ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone Transferred by Kyle Holbrook	Source Detail	FLAC
04/10/83	West Virginia University Coliseum	Morgantown	WV	Set 1 SBD > PCM > Dat x 2 > CDR > SHN; Set 2 SBD > Cassette Master > Dat x 2 > CDR > SHN; via Bob Harrell; drgseeds	Source Detail	FLAC
04/10/83	West Virginia University Coliseum	Morgantown	WV	flac1648 Source Info: Jim Vita's Master Audience Cassettes; 3 x Sennheiser 421 mics (15th row, center) > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496	Source Detail	FLAC
04/12/83	Broome County Arena	Binghamton	NY	SBD>PCM>DAT>CDR; with aud patches; See info file for details; via Rick Martin, Willy, and Paul B; Seeded to etree by Ernie Dodd; upgrade in circulation	Source Detail
04/12/83	Broome County Arena	Binghamton	NY	Jim Wise recording, FOB Sennheuser 421s>Sony D5>DAT>CDR; Seeded to etree by Darrin Sacks	Source Detail
04/12/83	Broome County Arena	Binghamton	NY	Primary source: SBD > Cassette master > Dats > CDR > SHN. Patch source: FOB Sennheuser 421s > Sony D5 > DAT > CDR. via drgseeds; upgrade in circulation	Source Detail
04/12/83	Broome County Arena	Binghamton	NY	flac16; MAC; (FOB) 2 x Sennheiser 421 > Sony D5 > 2 x Maxell UDXL II C90 Taper: Rick "Coyote" Colyard. Transferred and mastered by Alex Ford.	Source Detail	FLAC
04/12/83	Broome County Arena	Binghamton	NY	flac16; nakamichi 300 > tcd5m (udxl IIs, dolby on, @ soundboard) > master cassette/tcd5m (original recorder, +dolby) > minime (24/96) > sd744t > audacity > xact (flac24), 24bits > 16bits with r8brain; recorded by david barfield and david lane	Source Detail	FLAC
04/12/83	Broome County Arena	Binghamton	NY	flac16/44.1 Location: 80ft from Stacks Dead center First Gen AUD: Master was:Sennheiser MD421's-> Sony TCD5M (2nd in line)|TDK MA (TP,OJ,MY,KH) Marked as patched out of Jim Wise. Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded by Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney Transferred by: Kyle Holbrook	Source Detail	FLAC
04/12/83	Broome County Arena	Binghamton	NY	flac1648 Source Info: Jim Vita's Master (FOB) Audience Cassettes; 3 x Sennheiser 421 mics (20th row, center) > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496	Source Detail	FLAC
04/13/83	Patrick Gymnasium, U of Vermont	Burlington	VT	MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN; via Jim Wise, Darrin Sacks	Source Detail
04/13/83	Patrick Gymnasium, U of Vermont	Burlington	VT	flac16; AUD Source: Nakamichi CM-300's (no shotguns) > patched thru one Sony D5 > Marantz PMD-340 > TDK SA-90's. Mics on stand aprx six feet high, set up second or third row up in the bleachers directly behind the soundboard. Transfer: MAC > Sony TC-D5M (no Dolby) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC. Taped and transferred by Andrew F	Source Detail
04/13/83	Patrick Gymnasium, U of Vermont	Burlington	VT	Source: MAC(FOB Sennheiser 421)>DAT>CDR>WAV>SHN. Taper: M.Horvath	Source Detail
04/13/83	Patrick Gymnasium, U of Vermont	Burlington	VT	flac16; AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2012	Source Detail	FLAC
04/13/83	Patrick Gymnasium, U of Vermont	Burlington	VT	flac16; AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2012	Source Detail	FLAC
04/13/83	Patrick Gymnasium, U of Vermont	Burlington	VT	flac16/44.1 Location: 50ft from Right Stack about row 17 aisle seats First Gen AUD: Master was: 1 Sennheiser 441 in middle 2 Sennheiser 421's PAS -> Uher ? -> Sony TCD5M (2nd in line)|TDK MA (OJ,KH) Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney & Kyle Holbrook Transferred by: Kyle Holbrook	Source Detail	FLAC
04/13/83	Patrick Gymnasium, U of Vermont	Burlington	VT	flac1648 Source Info: Jim Vita's Master Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496	Source Detail	FLAC
04/15/83	Community War Memorial Auditorium	Rochester	NY	2nd set; SBD>PCM>DAT>Sonic Solutions>CDR; via Paul B; Seeded to etree by Ernie Dodd; upgrade in circulation	Source Detail
04/15/83	Community War Memorial Auditorium	Rochester	NY	Senn. 421?s > MC>DAT>CD; via Paul B; Seeded to etree by Ernie Dodd	Source Detail
04/15/83	Community War Memorial Auditorium	Rochester	NY	Recording Info: Set 1: SBD -> Cassette Master -> Reel -> Dat (48k) Set 2: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC	Source Detail
04/15/83	Community War Memorial Auditorium	Rochester	NY	(FOB) Audio Technica Mics -> Sony D5 (Lead Deck) -> Cassette Master (Patched Off Of Lead Deck With Sony D6, Maxell XL-II) Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface -> Sony V505 -> Samplitude v7.02 Professional -> SHN. Recorded and Transfered By Charlie Miller; upgrade in circulation	Source Detail	FLAC
04/15/83	Community War Memorial Auditorium	Rochester	NY	flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII (Set 1 + JBG & Baby Blue), Hitachi ME-Metal (Set 2 thru A&A), FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016	Source Detail	FLAC
04/15/83	Community War Memorial Auditorium	Rochester	NY	flac16/44.1 Recording Information Master AUD: Beyer M201 hypercardiod XY 65ft from stacks ->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Executive Crew- KAH, MY, OJ, assist to TP	Source Detail	FLAC
04/16/83	Meadowlands Arena	East Rutherford	NJ	AudMC > DAT > CDWAV > SHN; Taped by Steve Rolfe; via Noah Weiner; tracked for 2x80; passes shntool check	Source Detail
04/16/83	Meadowlands Arena	East Rutherford	NJ	flac16; mixed sources: SBD> Cassette Master> Reel> Dat> CD> EAC> WAV> FLAC; Set 2: SBD> PCM> Dat> Cool Edit Pro> WAV; WAV> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller	Source Detail
04/16/83	Meadowlands Arena	East Rutherford	NJ	flac16; (FOB) Sennheiser 421s > Sony D5 > MAC (from lead deck) > 1st Gen Cassettes (via Mark McCue); Location: (FOB) 8th or 10th row center, chest to head level; Transfer/Lineage: 1st Gen Cassette> Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16e> WaveLab 7.2.1(UAD-2)> .wav @24/88.2> Apogee UV22HR> .wav @16/44.1> xAct> flac16; Taped by Tom G. Transferred, edited and mastered by Alex Ford	Source Detail	FLAC
04/16/83	Meadowlands Arena	East Rutherford	NJ	flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files	Source Detail	FLAC
04/16/83	Meadowlands Arena	East Rutherford	NJ	flac24; Set 2 Recording Info: (FOB) Beyer M160 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller	Source Detail	FLAC
04/16/83	Meadowlands Arena	East Rutherford	NJ	flac1648; Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 > Tascam DA-3000 16/48 > Adobe Audition 3.0 > TLH flac1648	Source Detail	FLAC
04/16/83	Meadowlands Arena	East Rutherford	NJ	flac24/96 Recording Info: (FOB) Beyer M160 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24	Source Detail	FLAC
04/17/83	Meadowlands Arena	East Rutherford	NJ	AudMC > DAT > CDWAV > SHN; Taped by Steve Rolfe; via Noah Weiner; d1 tracked for 80 min; passes shntool check	Source Detail
04/17/83	Meadowlands Arena	East Rutherford	NJ	SBD : MC > C > DAT > CDR Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper sector boundaries verified via shntool. Seeded to Etree by Alan J Fink 02/02/2003. Thanks to Jeff Williams for the disks!	Source Detail	SHN
04/17/83	Meadowlands Arena	East Rutherford	NJ	flac16; Updated source info: (FOB) Recoton mm180 mics > Sony D5 > master cassette > Aiwa home deck > 1st gen cassette(McCue); Location: FOB; center floor, approx. 35 ft. from stage. Lineage: MAC> Sony D5> Aiwa home deck> 1st gen cassettes (1983)> Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16e> WaveLab 7.2.1(UAD-2)> .wav @24/88.2> Apogee UV22HR> .wav @16/44.1> xAct> flac16(tags). Taper: Tom Gagen; Master cassette transfer by Mark McCue (April 1983); 1st Gen cassette transfer, editing, mastering: Alex Ford	Source Detail	FLAC
04/17/83	Meadowlands Arena	East Rutherford	NJ	flac16; Soundboard Master Cassettes > Unk > Low Gen PCM Early 90's > Sony HG L750 Beta Tape > Sony SL2405 Beta VCR > Modified PCM601ESD > SPDIF > VX Pocket Emphasis Decoded In Neundo Track @ 16/44 Wave; Track Renamed With AudioGate Software V.3.0.2 @ 16/44 Wave; Tracked/Flacked With AudiGate V.3.0.2; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename	Source Detail	FLAC
04/17/83	Meadowlands Arena	East Rutherford	NJ	flac16; SBD > Cassette Master* > Dat; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac, Pack & Patch: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT	Source Detail	FLAC
04/19/83	Alfond Arena, University Of Maine	Orono	ME	Recording Info: (FOB/Center) 3 Sennheiser 421 -> Mixer -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Nakamichi Dragon) -> Sony R700 (As A>D Converter) -> ZA2 -> Sound Forge -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) 12/9/03 Recorded and Transfered By Jim Wise Converted To SHN BY Charlie Miller	Source Detail
04/19/83	Alfond Arena, University Of Maine	Orono	ME	flac16; Main Source: Rumored to be a Steve Rolfe Recording (FOB Nak700's > d5 ?) Lineage: cm>dat>cd>eac>Cool Edit Pro > cdwav flac16 (lev 8) via Dave Minor encoding etc. Matt Vernon	Source Detail	FLAC
04/19/83	Alfond Arena, University Of Maine	Orono	ME	set 1; sdb> ?> cassette> cdr; transferred and edited by Mike Lai, from Bruce Fried seed	Source Detail
04/19/83	Alfond Arena, University Of Maine	Orono	ME	flac16; AUD: 2x Nakamichi CM300 w/CP1 cardioids > Sony TC-D5M > Maxell MX-90s, floor, left of the soundboard (stage right), taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. January 2012	Source Detail	FLAC
04/19/83	Alfond Arena, University Of Maine	Orono	ME	flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlIIs90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger	Source Detail	FLAC
04/20/83	Providence Civic Center	Providence	RI	FOB-Senn. 421?s>Sony D-5>CM>DAT>CDR; via Charlie Miller, Paul B; seeded to etree by Ernie Dodd	Source Detail
04/20/83	Providence Civic Center	Providence	RI	flac16; SBD> Master Cassette> Reel> Dat (SV3800/48k), plus patch from FOB Sennheiser 421> Master Cassette; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller	Source Detail
04/20/83	Providence Civic Center	Providence	RI	flac16; AUD: Sennheiser MD-421's > Sony TC-D5, recorded from "upper level". Concert recording and transfer to CDR by Jim Wise. CDR > EAC > WavMerge > CD-Wave > Soundforge > TLH > FLAC	Source Detail
04/20/83	Providence Civic Center	Providence	RI	flac16; AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, floor center section 23rd row, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2012	Source Detail	FLAC
04/20/83	Providence Civic Center	Providence	RI	flac16; Beyer M160's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche	Source Detail	FLAC
04/22/83	Veterans' Memorial Coliseum	New Haven	CT	FOB-Sennheiser 421> Master Cass(Sony D5)> Dat> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes	Source Detail
04/22/83	Veterans' Memorial Coliseum	New Haven	CT	flac16; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, fifteen rows up in the riser, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2012	Source Detail	FLAC
04/22/83	Veterans' Memorial Coliseum	New Haven	CT	Barry Glassberg FOB AUDMC w/Nak 700s > Sony TC-D5 > DAT > CDR	Source Detail	FLAC
04/22/83	Veterans' Memorial Coliseum	New Haven	CT	flac16; Source:2-Sennheiser MD421's>Sony D5 Location: FOB-14th row DFC @6 ft high on stand Taper: Rick "Coyotte" Colyard 2 maxell xl2's-cassette MASTERS Transfer: Sony ES-950>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)> FlacFrontend (level-8)>flac-16 Transfered and edited by muletaper 10/07	Source Detail	FLAC
04/22/83	Veterans' Memorial Coliseum	New Haven	CT	flac16; Source: 2 Sennheiser 421 microphones (up front-center)> Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files	Source Detail	FLAC
04/22/83	Veterans' Memorial Coliseum	New Haven	CT	flac16; 1st Gen AUD Unknown Mics > DAT > CD > EAC > FLAC > TLH	Source Detail	FLAC
04/23/83	Veterans' Memorial Coliseum	New Haven	CT	flac16; SBD -> Cassette Master -> Reel -> Dat -> CD Transferred and Edited By Charlie Miller; Scarlet -> Fire patched from Charlie Miller's Aud: (FOB) Senn 421 -> Cassette Master -> Sound Forge -> CD	Source Detail
04/23/83	Veterans' Memorial Coliseum	New Haven	CT	flac16; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, first row in the riser, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2012	Source Detail	FLAC
04/23/83	Veterans' Memorial Coliseum	New Haven	CT	flac16; Nakamichi shotgun x2 (CM-300?) > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded behind the board by Bob Morris	Source Detail	FLAC
04/23/83	Veterans' Memorial Coliseum	New Haven	CT	flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files	Source Detail	FLAC
04/25/83	The Spectrum	Philadelphia	PA	Source: Senn 421's > MC > Dat > Cdr; via Paul B; Seeded to etree by Ernie Dodd	Source Detail
04/25/83	The Spectrum	Philadelphia	PA	flac16; Source:2-Nak 700's>Sony D5 Location: FOB-7th row DFC @6 ft high on stand(head high) Taper: Rick "Coyotte" Colyard 2 maxell UDXL2-Cassette MASTERS Transfer: Sony TCW-21(analog out)>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>Media Join(join tape flips)>FlacFrontend (level-8)>flac-16	Source Detail	FLAC
04/25/83	The Spectrum	Philadelphia	PA	flac16: Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes	Source Detail	FLAC
04/25/83	The Spectrum	Philadelphia	PA	flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015	Source Detail	FLAC
04/25/83	The Spectrum	Philadelphia	PA	flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename	Source Detail	FLAC
04/26/83	The Spectrum	Philadelphia	PA	SBDMC> Cass> DAT> CDR> EAC> SHN; via Mike 'Dank Star' Parrillo	Source Detail
04/26/83	The Spectrum	Philadelphia	PA	flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail
04/26/83	The Spectrum	Philadelphia	PA	flac16; Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files	Source Detail	FLAC
04/26/83	The Spectrum	Philadelphia	PA	flac16/48kHz; Master Soundboard Cassette (Dan Healy)-1st Generation 7 Inch Reel @ 7.5 ips 1/4 Track(Dick L)-Tascam 122MK111 Cassette Deck-Technics 1506 Reel 2 Reel); Analog To Digital-Reel Playback on Otari MX5050-JVC SV-3700 DAT Deck @48KHz; DAT x Zero-DAT x One JVC 3700-JVC 3700 via AES cable; DAT x ONE play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 16/48KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise	Source Detail	FLAC
05/13/83	Greek Theatre, University Of California	Berkeley	CA	Set 1 Recording Info: SBD -> Master Cassette -> Reel -> CD -> EAC -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN Set 2 Recording Info: SBD -> Master Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller	Source Detail
05/13/83	Greek Theatre, University Of California	Berkeley	CA	flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller	Source Detail
05/13/83	Greek Theatre, University Of California	Berkeley	CA	flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller; pitch corrected source of 94393	Source Detail
05/13/83	Greek Theatre, University Of California	Berkeley	CA	FOB Sony ECM-220T>TC-D5>DAT>CDR>EAC(secure)>SHN FOB Sony ECM-220T>TC-D5 by Rango Keshavan see notes for patch information Jim Powell provided the seed discs EAC>SHN by J.Barnes (heyitsmejess@aol.com)	Source Detail	shn
05/13/83	Greek Theatre, University Of California	Berkeley	CA	FOB Sony Mics > D5 > DAT; Transfer:? D8 > ZA2 (S/PDIF) > SHN; Good Lovin' ends rather abruptly and may be cut; a dropout or two, but could be tape flips from cass master; DAT seed via Jon Boltz; transfer by Jeff Kempka	Source Detail	FLAC
05/13/83	Greek Theatre, University Of California	Berkeley	CA	flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpweramp	Source Detail	FLAC
05/14/83	Greek Theatre, University Of California	Berkeley	CA	FOB: Sennheiser 421's > Sony PCM-F1 (Jeff Silberman's PCM Master) encoded by Jeff Fishman	Source Detail
05/14/83	Greek Theatre, University Of California	Berkeley	CA	flac16; Recording Info:(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller	Source Detail
05/14/83	Greek Theatre, University Of California	Berkeley	CA	flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller; pitch corrected source of 94396	Source Detail	FLAC
05/14/83	Greek Theatre, University Of California	Berkeley	CA	FOB: 3 Sennheiser 421's > Sony PCM-F1, M. Field, D. Cramer; Conversion: 3800-> Montego II Plus @44k > HD via Soundforge> CDWav, A. Gustin; known flaw: very end of Bertha is cut	Source Detail	FLAC
05/14/83	Greek Theatre, University Of California	Berkeley	CA	FOB Sennheiser 421s>Sony PCM F-1>DAT>CDR>EAC(secure)>SHN seed provided by jim powell. EAC>SHN by j.barnes (heyitsmejess@aol.com) see notes for patch information.	Source Detail	FLAC
05/14/83	Greek Theatre, University Of California	Berkeley	CA	flac16; Master: Beyer M201's X-Y > Sony TCD5M (Maxell MX 90, no dolby) Location: 85 feet from stage, DFC Transfer: Sony TC-RX 370 > Echo Gina 24@16/48 > BIAS PEAK VST 2.8 > Mac G-4 dual 533 > Adaptec toast > Matshita CD-RW 7573 (internal) > EAC (PC w/pentium III 700) > flac v1.7.1 etree ed. Mastered by the Executive Crew (T.P, K.H.) Transferred by Kyle Holbrook	Source Detail	FLAC
05/14/83	Greek Theatre, University Of California	Berkeley	CA	Source: Audience recording > Schoeps > pcm > dat (44k) recorded FOB, taper unknown. Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16 edited and mastered SIRMick August 2017	Source Detail	FLAC
05/15/83	Greek Theatre, University Of California	Berkeley	CA	FOB Aud Sony ECM 220T > Sony D5 using Fuji Metals no dolby> Played back on a Nak DR1 with Azimuth adjustment > Sony PCMR500 DAT 48KHz SBM ON > PC transfer via Turtle Beach Montego II Digital I/O > SHN; via Rango Keshavan	Source Detail
05/15/83	Greek Theatre, University Of California	Berkeley	CA	flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller	Source Detail
05/15/83	Greek Theatre, University Of California	Berkeley	CA	flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
05/15/83	Greek Theatre, University Of California	Berkeley	CA	flac1648 Source Info: Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496	Source Detail	FLAC
06/18/83	Saratoga Performing Arts Center	Saratoga Springs	NY	Sennheiser 421's> Sony D-5 taped by Jim Wise; cass master> CDR; via Tony Gardner with thanks to Paul B.; Note-May circ with mislabelled tracks, they would read 6-13-83	Source Detail
06/18/83	Saratoga Performing Arts Center	Saratoga Springs	NY	flac16; Recording Info: (2) Beyer M160 + (1) Beyer M88 -> Cassette Master (Nakamichi 550/TDK SA90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded By Rudy Huston	Source Detail	FLAC
06/18/83	Saratoga Performing Arts Center	Saratoga Springs	NY	flac16; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, recorded from inside the pavilion, directly behind the soundboard area, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2012	Source Detail	FLAC
06/18/83	Saratoga Performing Arts Center	Saratoga Springs	NY	flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
06/20/83	Merriweather Post Pavilion	Columbia	MD	Set 1 and Set 2 up to Drums is: FOB-Sennheiser 421>MasterCass>Dat>CD; Set 2 From Space to Sugar Mags is FOB-Sennheiser 441>PCM>Dat>CD; Seeded to etree by SWS	Source Detail
06/20/83	Merriweather Post Pavilion	Columbia	MD	flac16; Source: Nakamichi 300's > Sony TCD5M > Sony D-6 Maxell XLIIS Master (outside in the insane weather and thick sound!) Thanks to Ted (?) for the patch Transfer: Maxell XLIIS Master > Nakamichi DR-3 > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1	Source Detail
06/20/83	Merriweather Post Pavilion	Columbia	MD	flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
06/20/83	Merriweather Post Pavilion	Columbia	MD	flac16; Source: fob about the 12th row ctr. or so with a sony 939lt stereo - single point mic > d6 taped and transferred by David Minor Lineage: MAC > CD > EAC > Cool Edit Pro > CDWAV > flac16 level 8 encoding etc. by Matt Vernon	Source Detail	FLAC
06/20/83	Merriweather Post Pavilion	Columbia	MD	flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Section Right Loge, Row J, Seat 208 by Bob Morris	Source Detail	FLAC
06/20/83	Merriweather Post Pavilion	Columbia	MD	flac16; source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files	Source Detail	FLAC
06/21/83	Merriweather Post Pavilion	Columbia	MD	AUD>MC>DAT>CDRSony ECM-939's; via Paul; seeded to etree by Ernie Dodd	Source Detail
06/21/83	Merriweather Post Pavilion	Columbia	MD	flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
06/21/83	Merriweather Post Pavilion	Columbia	MD	Source: Nakamichi 300's w/CP-4 capsules > Sony TCD5M > Sony D-6 Maxell XLIIS & MX Master Transfer: Maxell XLIIS & MX Master > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 Recorded and transferred by Dean Grabski	Source Detail	FLAC
06/22/83	City Island	Harrisburg	PA	Recorded on Sony D5M using (2) Sennheiser ME-80 and (2) AKG D-1000 mikes run through mixer, 30 feet from stage dead center. Recorded by Tommy McKeown; Master > Peak encoded AIFF using Audiophile 2496 A/D converter > SHN; note spaces in tracknames; note user DES reports this show circulates with a shntool fix of d2. Those md5's are listed here along with the originals.; upgrade in circulation	Source Detail
06/22/83	City Island	Harrisburg	PA	2 Sennheiser ME-80 and 2 AKG D-1000 mikes run through mixer>Sony D5M (30 feet from stage dead center. Recorded by Tommy McKeown) Note- This is the same source as the previous etree seed (shnid #7222), though I believe the previous seed has been normalized. The previous seed was also missing the last 4 minutes of Deal, and had small (DAO) silent spots between all the tracks; via Eric Ray; Seeded to etree by Willy	Source Detail
06/22/83	City Island	Harrisburg	PA	flac16; AUD: FOB, Sennheiser ME-88 shotguns > patched thru 1 or 2 decks > Marantz PMD-340 cassette deck > TDK SA-90's, Dolby on. Transfer: MAC > Nakamichi DR-8 (Dolby on) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Taped & transferred by Andrew F.	Source Detail
06/22/83	City Island	Harrisburg	PA	flac16; source: Nakamichi CM300/CP4 > Sony TCD5M > Sony D-6 > Maxell XL-IIS masters transfer: Master cassettes > Nakamichi CR-2A > Tascam HD-P2 (88.2/24) > firewire > DAW WAVELAB (UV22HR) > CDWAVE > FLAC	Source Detail	FLAC
06/22/83	City Island	Harrisburg	PA	flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename	Source Detail	FLAC
06/22/83	City Island	Harrisburg	PA	flac16/48khz Source Info: Master Audience Cassettes (possibly 1st generation); Unknown equipment Transfer Info: Cassette Master (possibly 1st generation)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
06/24/83	Dane County Coliseum	Madison	WI	D5>Nakamichi 300 Shotguns in front of the stage 10th row; via Clark Ohnesorge; Seeded to etree by Willy	Source Detail
06/24/83	Dane County Coliseum	Madison	WI	flac1648 Source Info: 1st Set:Gordon Sharpless' 1st generation (FOB) Audience Cassettes; (2) Nakamichi 300 mics + (1) Sennheiser 421 mic (8' high stand) > Nakamichi 550; Nakamichi 550 > Gordon's Sony D6M (1st generation cassettes)(Maxell UDXL-II) 2nd Set: Gordon Sharpless' Master (FOB) Audience Cassettes; (2) Nakamichi 300 mics + (1) Sennheiser 421 mic (8' high stand) > Nakamichi 550 (Maxell UDXL-II) Transfer Info: 1st Set 1st Generation Cassette / 2nd Set Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496	Source Detail	FLAC
06/24/83	Dane County Coliseum	Madison	WI	flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
06/24/83	Dane County Coliseum	Madison	WI	flac16; Audience recording, taper, gear and generation unknown; 16 bit version; Trade cassettes > Teac W890R, heads aligned to tape > m-audio 2496 audiophile sound card @ 24/48 > editing, volume adjustments and tracked with Audacity; 24/48 resampled and dithered to 16/44.1 with dBpoweramp; flac level 8 and checksums with traderslittlehelper; Tagged with winamp; Transfer and all other mastering by arfarf, March 13, 2016	Source Detail	FLAC
06/24/83	Dane County Coliseum	Madison	WI	flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename	Source Detail	FLAC
06/24/83	Dane County Coliseum	Madison	WI	flac16/44.1khz Source: Nakamichi CM300 (with CP4 caps)>Sony TCD-5M Location: FOB, Stand at 7.5 feet Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac16 Taper: Michael Gardner Transfer and editing: Tony Suraci. Note - This version has the fixed track for Brown Eyed Women	Source Detail	FLAC
06/25/83	St. Paul Civic Center	St. Paul	MN	ACM>C>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd	Source Detail
06/25/83	St. Paul Civic Center	St. Paul	MN	flac16; Master Audience Recorded By Mr. Darby; Tascam PE120/CP1's (PAS/Center Of Horseshoe 1/2 Way Up)> Sony WM-D6 (Maxell UD-XLII); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software	Source Detail	FLAC
06/25/83	St. Paul Civic Center	St. Paul	MN	flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
06/27/83	Poplar Creek Music Theatre	Hoffman Estates	IL	Aud>Cass Master>C>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd	Source Detail
06/27/83	Poplar Creek Music Theatre	Hoffman Estates	IL	flac16; Recording Info: (FOB) Sennheiser 441 -> PCM -> Dat -> CD Transfer Info #1: Dat (Sony D8) -> CD (Tascam CD-RW700) Transfer Info #2: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/27/83	Poplar Creek Music Theatre	Hoffman Estates	IL	flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename	Source Detail	FLAC
06/27/83	Poplar Creek Music Theatre	Hoffman Estates	IL	flac16; Updated Recording Info: FOB Sennheiser 441 mics > Canare Cable > Technics SV100 PCM > Panasonic VHS; Taper: Timon Malloy; Master FOB PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16	Source Detail	FLAC
06/27/83	Poplar Creek Music Theatre	Hoffman Estates	IL	flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
06/28/83	Poplar Creek Music Theatre	Hoffman Estates	IL	FOB Senn 421's> Sony TCD5M w/ Maxell XLII dolby B encoded MC> DAT> CDR> EAC> SHN (w/seek tables appended); Jim Vita recording, 17th Row center; Analog> digital> cdr: tascam 112mk11> Sony PCM R500 @44.1khz> HHB CDR-850 transfer by Jim Wise; Eac/SHN by Chuck Hogan with thanks to John Tallmadge	Source Detail
06/28/83	Poplar Creek Music Theatre	Hoffman Estates	IL	flac16; FOB Sennheiser 441> PCM> Dat> CD; Transfer: CD> EAC> Samplitude Professional v8.0> FLAC; plus patch from FOB Sennheiser 421 source; Transferred and Edited By Charlie Miller	Source Detail	FLAC
06/28/83	Poplar Creek Music Theatre	Hoffman Estates	IL	flac16; Robert Bryant recording: unknown mics > cassette master (sony wm-d6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2	Source Detail	FLAC
06/28/83	Poplar Creek Music Theatre	Hoffman Estates	IL	flac24/192kHz; Mics: Mics: AKG 460B with the CK1 capsules; Recorder: 1981 TCD-5M Sony Cassette Pro Portable; Location: Sec 100 Row C Seat 107; Cassettes: Fuji Metal Bias C90: Dolby on but left off for this playback; Playback: Sony TCD-5M unit calibrated to this era (not same identical unit). Tape speed and head alignment; Chord Company Interconnect Cable (Naim Co.); Run through the Naim Audio NAC-52 preamp to the Sound Devices-722 @ 24b/192kHz; Sound Forge just to track	Source Detail	FLAC
07/30/83	Ventura County Fairgrounds	Ventura	CA	ACM>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd	Source Detail
07/30/83	Ventura County Fairgrounds	Ventura	CA	flac16/48kHz; Recording Info: Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648	Source Detail	FLAC
07/30/83	Ventura County Fairgrounds	Ventura	CA	flac16; Source: Nakamichi 100 shotguns > Sony D5 > ? > FLAC; Location: FOB; Taped by John O'Connor	Source Detail	FLAC
07/30/83	Ventura County Fairgrounds	Ventura	CA	flac16/48 Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
07/31/83	Ventura County Fairgrounds	Ventura	CA	flac16/48kHz; Recording Info: Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648	Source Detail	FLAC
07/31/83	Ventura County Fairgrounds	Ventura	CA	AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd	Source Detail
07/31/83	Ventura County Fairgrounds	Ventura	CA	flac16; SBD -> Cassette Master -> Cass -> Dat -> CD All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/20/83	Frost Amphitheatre	Palo Alto	CA	AUD(Neumann KM 84?s)>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd	Source Detail
08/20/83	Frost Amphitheatre	Palo Alto	CA	flac16; Source: 2 Sennheiser 421 microphones (25 feet from stage-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files	Source Detail	FLAC
08/20/83	Frost Amphitheatre	Palo Alto	CA	flac16/48khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
08/21/83	Frost Amphitheatre	Palo Alto	CA	FOB Senn 441>Sony TC-D5>DAT>CD; via Pete; Seeded to etree by Jim Bennett	Source Detail
08/21/83	Frost Amphitheatre	Palo Alto	CA	flac16; Recording Info:(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Michael Kirschner; All Transfers and Mastering By Charlie Miller	Source Detail
08/21/83	Frost Amphitheatre	Palo Alto	CA	Recording Info: (Immediate Left Of SBD) Nakamichi 300/CP4 -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Nakamichi Deck/Azimuth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) Process Info:Processed through Nuendo using Waves (slight eq and rendered down to a 16 bit wave file). Recorded and Transfered BY Bill Reutelhuber Tracked and SHN'd By Charlie Miller	Source Detail	FLAC
08/21/83	Frost Amphitheatre	Palo Alto	CA	flac24; Recording Info:(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Michael Kirschner; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/21/83	Frost Amphitheatre	Palo Alto	CA	flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
08/21/83	Frost Amphitheatre	Palo Alto	CA	flac16/48khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
08/26/83	Portland Memorial Coliseum	Portland	OR	AUD (Senn. 421's)> MC >DAT>CDR; Eac >cool edit > shntool > cdwav >shnv3, by Ernie Dodd	Source Detail
08/26/83	Portland Memorial Coliseum	Portland	OR	flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files	Source Detail	FLAC
08/26/83	Portland Memorial Coliseum	Portland	OR	flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mini mics (mounted in hat, left side, 40' from stage)(Row A, Section 15, seats 4 & 5) > Sony D5M (TDK-MA90); Transfer Info: Master Cassettes (Nakamchi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
08/27/83	Seattle Center Coliseum	Seattle	WA	AUD(Senn. 421?s)>MC>DAT>CDR Eac >shn (secure with proper offsets) by Ernie Dodd; Note Ernie has since supplied the missing tracks (disc 3); See info file for details	Source Detail
08/27/83	Seattle Center Coliseum	Seattle	WA	flac16; FOB, Nakamichi CM300's > Sony TC-D5. Tape copied after show, MAC > C1, Sony TC-D5 > Marantz PMD-340 > TDK SA-90's (no Dolby). Transfer: C1 > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.	Source Detail
08/27/83	Seattle Center Coliseum	Seattle	WA	flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (60' from stage, DFC)> Jamie Pouris' custom preamp/dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
08/27/83	Seattle Center Coliseum	Seattle	WA	flac16; source: unknown mics > Sony D5 cassette deck (probable) Location: (FOB?) Recorded by: Jamie Herbst transfer: cassettes (2nd gen) > PC > CDWAV (track splits) > GOLDWAVE (fades) > FLAC	Source Detail	FLAC
08/27/83	Seattle Center Coliseum	Seattle	WA	flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files	Source Detail	FLAC
08/29/83	Silva Hall, Hult Center	Eugene	OR	SBD>Cass(2)>DAT>CDR; Seeded to etree by Willy	Source Detail
08/29/83	Silva Hall, Hult Center	Eugene	OR	flac16; FOB AUD: Nakamichi CM300's > unknown deck > MAC > 1st Gen tape. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F.	Source Detail	FLAC
08/29/83	Silva Hall, Hult Center	Eugene	OR	flac16; Soundboard > PCM;Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Wavelab 7.1 for Minor Edits by Jamie Waddell; channels flipped, minor cuts, and tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH; the original seed for this had errors	Source Detail	FLAC
08/29/83	Silva Hall, Hult Center	Eugene	OR	flac16; Source: Unknown audience recording > cass (unknown gens) Lineage: cass > Nakamichi BX-125E > EMU 0202 > Wavelab 6 > wav 24/96 > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > flac 16	Source Detail	FLAC
08/29/83	Silva Hall, Hult Center	Eugene	OR	flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files	Source Detail	FLAC
08/29/83	Silva Hall, Hult Center	Eugene	OR	flac2448; 2nd Set; Source: Unknown mics > Sony TC-D5M > Maxell MX-90. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Andrew F. 02/2023	Source Detail	FLAC
08/30/83	Silva Hall, Hult Center	Eugene	OR	Keysey intro: MSC>Cass. x 2>PCM>DAT>CDR Set Ip + Set II: Kesey's MSC>DAT>CDR Audience patches: Sennheiser 421's>Sony TC-D5M>Cass.>DAT>CDR taped by Rick Saeger (previous seed)	Source Detail
08/30/83	Silva Hall, Hult Center	Eugene	OR	flac16; Source: Sennheiser 421's > Sony TC-D5 Lineage: MAC > C (first generation cassette used for this transfer) Transfer: C > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > FLAC. Seeded by nfagdtrfbyahoo	Source Detail
08/30/83	Silva Hall, Hult Center	Eugene	OR	flac16; Source: 2 Sennheiser 441 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files	Source Detail	FLAC
08/30/83	Silva Hall, Hult Center	Eugene	OR	flac16/44.1kh Source: MAC: Beyer M201's X-Y 7'up > Sony TCD5M no dolby Denon DXM 90 Metal x 2 Location: ~70 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook	Source Detail	FLAC
08/30/83	Silva Hall, Hult Center	Eugene	OR	flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid, center omni, row R, seat 208, DFC) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
08/31/83	Silva Hall, Hult Center	Eugene	OR	AUD (Senn. 421?s)> MC> DAT> CDR, via Paul B, seeded to Etree by Ernie Dodd	Source Detail
08/31/83	Silva Hall, Hult Center	Eugene	OR	flac16; Lineage: AUD > unknown mics > Sony TC-D5 > MAC > 1st generation cassettes Transfer: Sony UCX-S 90s > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression, and checksums) > FLAC	Source Detail
08/31/83	Silva Hall, Hult Center	Eugene	OR	flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted in a hat)(row U, seat 104) > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
09/02/83	Boise State University Pavillion	Boise	ID	SBD> cassette master> (cass?)> DAT> CDR; via anonymous benefactor; upgrade in circulation	Source Detail
09/02/83	Boise State University Pavillion	Boise	ID	10th Row Center 2 BeyerM160 Left & Right Channels 1 Sennheiser 421 Center Chanel Sony TCD5M Cassette Master>SoundForge5; upgrade in circulation	Source Detail
09/02/83	Boise State University Pavillion	Boise	ID	SBD> cassette master>DAT>CDR>SHN - Patched fix of shnid 2174 by Bill Tetzeli	Source Detail	SHN
09/02/83	Boise State University Pavillion	Boise	ID	flac16/44.1 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Nakamichi ZX-C90 x 2 Location: 40 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 16 bit copy Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook	Source Detail	FLAC
09/04/83	Park West Ski Resort	Park City	UT	Master Tape; 2 Beyer M160, 1 Sennheiser 441 Blend; Sony TCD5M > Sound Forge 5 > MKW .96f > Power Post 2K	Source Detail
09/04/83	Park West Ski Resort	Park City	UT	flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/04/83	Park West Ski Resort	Park City	UT	flac16/44 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 75 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 16 bit copy Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook	Source Detail	FLAC
09/04/83	Park West Ski Resort	Park City	UT	flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
09/06/83	Red Rocks Amphitheatre	Morrison	CO	2 Sennheiser 421 > Sony TCD5M Half way between stage and board Master tape> Sound Forge5>Powerpost 2k To abgd via Walstib	Source Detail
09/06/83	Red Rocks Amphitheatre	Morrison	CO	flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris	Source Detail	FLAC
09/06/83	Red Rocks Amphitheatre	Morrison	CO	flac16; source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files	Source Detail	FLAC
09/07/83	Red Rocks Amphitheatre	Morrison	CO	3 Beyer Dynamics M160> Sony TCD5m Mater Tape Recorded Half way between Board and Stage; Sound Forge 5> Power Post 2K	Source Detail
09/07/83	Red Rocks Amphitheatre	Morrison	CO	flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris	Source Detail	FLAC
09/07/83	Red Rocks Amphitheatre	Morrison	CO	flac16; Recording Info: (FOB) 3 Nakamichi 700 Omni's -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded Bob Wagner; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/08/83	Red Rocks Amphitheatre	Morrison	CO	AUD (Senn. 441's)> MC> DAT> CDR; via Paul B. Seeded to etree by Ernie Dodd	Source Detail
09/08/83	Red Rocks Amphitheatre	Morrison	CO	flac16; SOURCES: Set 1: Nakamichi CM304's > Sony D5 > Sony D6 (shnid=79047) with patches for tuning before Shakedown & L.L. Rain from: Senn. 441s? > MC > DAT > CDR (shnid=12482) Set 2: MSC (except for AUD Scarlet>Fire) > Reel > DAT > CDR > EAC > SHN > WAV > FLAC (level 8) (shnid=20536) with patches for start of Baby Blue from: Nakamichi CM304's > Sony D5 > Sony D6 (shnid=79047)	Source Detail
09/08/83	Red Rocks Amphitheatre	Morrison	CO	flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris	Source Detail	FLAC
09/10/83	Santa Fe Downs	Santa Fe	NM	Sources: Primary: Jeff Silberman's Master Audience PCM; Sennheiser 441 mics > Technics SV100 PCM> DAT> CDR; Secondary: Aud> CM> C> NakDR10 (Playback Only)> PCM; Note: Secondary aud source used to patch in approximately 15 seconds missing from Minglewood. CD Remastering, EAC'ed / SHN'ed by Scott Clugston	Source Detail
09/10/83	Santa Fe Downs	Santa Fe	NM	flac16; Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5m >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner Transfer By: Adam Egert Mastering By: Adam Egert	Source Detail
09/10/83	Santa Fe Downs	Santa Fe	NM	flac16; source: 2 Sennheiser 421 microphones (25 feet from stage) ~ Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) ~Pre Sonus Inspire GT~Sound Forge~.wav files~Trader's Little Helper~flac files	Source Detail	FLAC
09/10/83	Santa Fe Downs	Santa Fe	NM	flac16; Lineage: Master cassette: Nak 550 with Nak 300 mics with shotgun caps Transfer: Nak BX3->Mac->CD->EAC extract->cd wave to split China Rider ->TLH convert to Flac6	Source Detail	FLAC
09/11/83	Santa Fe Downs	Santa Fe	NM	SBD> Master Cassette> 1 Reel> DAT> DAT> WAV> Soundforge 4.0> CDWAV 1.53> MKW 0.97b> SHN; DAT> WAV via Sony SDT-9000 DDS drive using VDAT 0.6f; see info file for details and flaw notes; QC courtesy dankseeds	Source Detail
09/11/83	Santa Fe Downs	Santa Fe	NM	Source: Jeff Silberman's Master Audience PCM; Sennheiser 441 mics > Technics SV100 PCM > DAT > CDR *Additional Editing by The Mighty Terrapin(Had The Remaining tracks from d1t06-10)	Source Detail
09/11/83	Santa Fe Downs	Santa Fe	NM	Source: Jeff Silberman's Master Audience PCM; Sennheiser 441 mics > Technics SV100 PCM > DAT > CDR> EAC> SHN; CD Remastering, EAC'ed / SHN'ed by Scott Clugston; to abgd?	Source Detail	FLAC
09/11/83	Santa Fe Downs	Santa Fe	NM	flac16; source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files	Source Detail	FLAC
09/13/83	Manor Downs	Austin	TX	ACM> ??> CDR; EAC>SHN by Ernie Dodd, with thanks to Paul B.	Source Detail
09/13/83	Manor Downs	Austin	TX	flac16; Recording Info: (FOB) Sennheiser 441 -> PCM -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/13/83	Manor Downs	Austin	TX	Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Sennheiser 421 microphones (up front) > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files	Source Detail	FLAC
09/18/83	Nevada County Fairgrounds	Grass Valley	CA	set 2; Master FOB Audience Cassette; Neumann KM84 mics > Sony D5M cassette deck: master cassette played back via a Nakamichi CR7A > Sony R500 w/ "Super Bit-Mapping" turned "On" > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston	Source Detail
09/18/83	Nevada County Fairgrounds	Grass Valley	CA	MSC>Cass>DAT>CDR Eac > cool edit pro > shntool > cdwav > shnv3 Discs kindly provided by Andy Lemieux Eac > shn by Ernie Dodd	Source Detail
09/18/83	Nevada County Fairgrounds	Grass Valley	CA	flac16; FOB AUD Source: 2 Sony ECM-220 mics + 1 Sony ECM-939LT (stereo) mic > Sony MX-10L 4-channel mixer > Marantz PMD-340 cassette deck. Taped on Maxell UDXL-II 90's, Dolby on. Mics aprx seven feet high, and set up aprx half-way between the stage and the soundboard. Transfer: MAC > Sony TC-D5M (Dolby on) > Marantz CDR-500 > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, October 2006. Taped and transfered by Andrew F	Source Detail
09/18/83	Nevada County Fairgrounds	Grass Valley	CA	flac16; Nak 700's w/D5 and dbx fob dfc MAC>NakCR-3A>dbx224>hd>Audacity>CDwave>TLH; Recorded by Tazuo Yamaguchi and Jamie Poris, Transferred by Russ Cansler	Source Detail	FLAC
09/18/83	Nevada County Fairgrounds	Grass Valley	CA	flac16; billydee recording (patched out of Yamaguchi/Poris): Nak 700's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: master audio cassette > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Joe Noel Edited & Mastered in Audacity, Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2	Source Detail	FLAC
09/24/83	Santa Cruz County Fairgrounds	Watsonville	CA	FOB-AUD(Neuman KM-84?s>Sony TC-D5)>MC>C>DAT>CDR; seeded to etree by Tim Wiley	Source Detail
09/24/83	Santa Cruz County Fairgrounds	Watsonville	CA	1st set only; SBD>MC>C>DAT>CDR; Seeded to etree by Tim W	Source Detail
09/24/83	Santa Cruz County Fairgrounds	Watsonville	CA	flac16; Nak700's w/d5 dbx fob dfc MAC>NakCR-3A>dbx224>hd>Audacity>CDwave>TLH; Recorded by Tazuo Yamaguchi and Jamie Poris, Transferred by Russ Cansler	Source Detail	FLAC
09/24/83	Santa Cruz County Fairgrounds	Watsonville	CA	flac16; Source: Nakamichi CM300 (with CP4 caps)>Sony TCD-5M; Location: FOB, Stand at 7.5 feet; Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac16; Taper: Michael Gardner; Transfer and editing: Tony Suraci	Source Detail	FLAC
10/08/83	Richmond Coliseum	Richmond	VA	FOB-MC>DAT>CD; with patches from etree Nak source; See info file for details; via Tommy Danscuk; Seeded to etree by Willy	Source Detail
10/08/83	Richmond Coliseum	Richmond	VA	flac16; Recording Info: (FOB) Sennheiser 441 -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; Recorded by Jeff Silberman; All Transfers and Mastering By Charlie Miller	Source Detail
10/08/83	Richmond Coliseum	Richmond	VA	flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/08/83	Richmond Coliseum	Richmond	VA	flac16; Source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (up front) > ? blend box ? > Sony TCD5M - analog master cassettes; Transfer: Sony TCD5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files	Source Detail	FLAC
10/09/83	Greensboro Coliseum	Greensboro	NC	flac16; Source: 2 Sennheiser 421 microphones (up front) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files	Source Detail	FLAC
10/09/83	Greensboro Coliseum	Greensboro	NC	flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : 3 audio technica atm 11 > sony d-5 Recording Location: FOB DFC Sweet Spot Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate	Source Detail	FLAC
10/09/83	Greensboro Coliseum	Greensboro	NC	3 Audio Technica ATM 11s > Sony TCM D-5 > MC, Cass > CD-R: MC > Sony TC-we 435 > analog Coax Cables > analog inputs > Philips CDR 870 > CD-R (see notes in info file); taped, Cass > CD-R conversion by Mark Horvath; CD-R> EAC 3x > .wavs compared by MD5s and EAC's .wav compare tool > Cool Edit (rejoin tracks and fades, see note in info) > CD-WAV (Re-Tracking) > MKW ACT 0.96 > SHN, by Jan Welch; d2 tracked for 80 min	Source Detail
10/09/83	Greensboro Coliseum	Greensboro	NC	flac16; Set 2 Only - Source: Master Audience Cassette Sennheiser 421 > Sony D5 > Sony D6 Location: FOB 8th Row Center Taper: Ross Lipton Media: Maxell XLII 90 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC	Source Detail	FLAC
10/09/83	Greensboro Coliseum	Greensboro	NC	flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain	Source Detail	FLAC
10/09/83	Greensboro Coliseum	Greensboro	NC	flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/11/83	Madison Square Garden	New York	NY	Sbd > Cassette Master > Dat x 2 > CDR > SHN; plus AUD patches from Jeff Silberman Senn source (see info file); to etree via Bob Harrell ; upgrade in circulation	Source Detail
10/11/83	Madison Square Garden	New York	NY	flac16; Updated Recording Info: (FOB) Nakamichi 700's > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain	Source Detail	FLAC
10/11/83	Madison Square Garden	New York	NY	flac24; Updated Recording Info: (FOB) Nakamichi 700's > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/11/83	Madison Square Garden	New York	NY	flac16; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg) Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
10/11/83	Madison Square Garden	New York	NY	2 Beyer M160> Sony TCD5M Master Cassette> SHN (circulated ~ Jan 2003)	Source Detail	FLAC
10/12/83	Madison Square Garden	New York	NY	SBD > Cassette Master > Dat x 2 > CDR; via Bob Harrell	Source Detail
10/12/83	Madison Square Garden	New York	NY	flac16; Sennheiser 421's > Sony TCD-5M > Sony D-6 TDK MA and SAX masters; Transfer: TDK MA and SAX masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1; Location: approx 1/2 way between stage and sbd on the left side 10-15 rows up	Source Detail
10/12/83	Madison Square Garden	New York	NY	flac16; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
10/12/83	Madison Square Garden	New York	NY	flac16; SBD and Audience Matrix Mix of about 60% SBD to 40% Audience. Completed June 26,2008	Source Detail	FLAC
10/12/83	Madison Square Garden	New York	NY	flac16; Updated Recording Info: (FOB) Nakamichi 700's > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain	Source Detail	FLAC
10/12/83	Madison Square Garden	New York	NY	flac24; Updated Recording Info: (FOB) Nakamichi 700's > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/12/83	Madison Square Garden	New York	NY	flac16; Partial Show Recording Info: AKG Mics (m/s) > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/14/83	Hartford Civic Center	Hartford	CT	3 ATM 11 (tapers section) > d-5> cassmaster> cdr; Taped and discs kindly provided by Mark Horvath; Eac > cool edit pro > shntool > cdwav > shnv3 By Ernie Dodd	Source Detail
10/14/83	Hartford Civic Center	Hartford	CT	2 Nak 700's>Sony TC-D5M>Maxell MX90 (1st set), TDK MA90 (2nd set) Taped and transferred by Doug Mow Conversion and seeding to bt.etree.org by Alex Ford 02/12/06	Source Detail
10/14/83	Hartford Civic Center	Hartford	CT	flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/14/83	Hartford Civic Center	Hartford	CT	flac16; AUD: Nakamichi CM300 w/CP1 cardioid capsules > Sony TC-D5M > TDK MA90's, front row of center riser, straight back, Section 325 (aka 225), Row A, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 06/2013	Source Detail	FLAC
10/14/83	Hartford Civic Center	Hartford	CT	flac16; Partial Set 2Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain	Source Detail	FLAC
10/14/83	Hartford Civic Center	Hartford	CT	flac24; Partial Set 2 Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/14/83	Hartford Civic Center	Hartford	CT	flac24/96 Recording Info: Sennheiser 441 + (1) Neumann U87 blend > Cassette Master (Nakamichi 550) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k) Additional Mastering: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24	Source Detail	FLAC
10/14/83	Hartford Civic Center	Hartford	CT	Recording Info: SBD > Cassette Master > DAT (Panasonic SV-3700-44.1k) > DAT (Panasonic SV-3800) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit-44.1k) Additional Mastering: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC Original Transfer and Mastering by Rob Eaton. Additional Mastering by Charlie Miller. November 29, 2020	Source Detail	FLAC
10/15/83	Hartford Civic Center	Hartford	CT	Sbd > Cassette Master > Dat x 2 > CDR > SHN; plus AUD patches from Jeff Silberman Senn source (see info file); to etree via Bob Harrell	Source Detail
10/15/83	Hartford Civic Center	Hartford	CT	flac16; Recording Info: (FOB) Sennheiser 441 -> PCM -> Dat (44.1k);Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; Recorded By Jeff Silberman; All Transfers and Mastering By Charlie Miller	Source Detail
10/15/83	Hartford Civic Center	Hartford	CT	flac16; AUD: Nakamichi CM300 w/CP1 cardioid capsules > Sony TC-D5M > TDK MA90's, center floor section 8 row B, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 05/2013	Source Detail	FLAC
10/15/83	Hartford Civic Center	Hartford	CT	flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris	Source Detail	FLAC
10/15/83	Hartford Civic Center	Hartford	CT	flac16; (3) Beyer M160\'s > Nax Blend Box > TCD 5M > Digitized 24/48 > Sound Forge 7.0 > CD wave > Flac.16	Source Detail	FLAC
10/15/83	Hartford Civic Center	Hartford	CT	flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain	Source Detail	FLAC
10/15/83	Hartford Civic Center	Hartford	CT	flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/15/83	Hartford Civic Center	Hartford	CT	flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII for Set 1 and TDK MA-Metal for Set 2, FOB (approx tenth row) recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2496 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016	Source Detail	FLAC
10/15/83	Hartford Civic Center	Hartford	CT	flac16; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
10/15/83	Hartford Civic Center	Hartford	CT	flac2448 Lineage: unknown mics -> Marantz pdm360 - no dolby Maxell XL-IIS 90s-> Nakamichi CR3a -> M-Audio 192-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> TLH -> analysis, flac, checksums. taped and transferred by Ted Carpenter	Source Detail	FLAC
10/17/83	Olympic Center	Lake Placid	NY	FOB (12th Row) > Sennheiser 421s > WM-D5 (Cassette master) > DAT > CD; 4/17/84 filler; stemming from Skankweed's post to abgd; etreed by Evan Levy 2/00 after reextraction/SHN (md5s here are for etree copy)	Source Detail
10/17/83	Olympic Center	Lake Placid	NY	flac16; mixed SBD sources, plus AUD patches: Set 1: SBD> Master Cassette> Dat> Sonic Solutions> CD> EAC> FLAC; Set 2: SBD> Master Cassette> Reel> Dat> CD> EAC> Samplitude v7.02 Professional> FLAC; Patch Info: (FOB/12th Row) Sennheiser 421> Master Cassette (Sony D5)> Dat> CD; Edited By Charlie Miller	Source Detail
10/17/83	Olympic Center	Lake Placid	NY	flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain	Source Detail	FLAC
10/17/83	Olympic Center	Lake Placid	NY	flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/18/83	Cumberland County Civic Center	Portland	ME	flac16; Set One Source: Sennheiser MD-421's > patched thru one deck > Marantz PMD-360 > Maxell XL-II, with no Dolby. Mics on stand, set up FOB. Taped by Ted Carpenter. Set Two source: First-gen cassette from another taper on the floor, equipment unknown. Transfer: MAC/1st Gen > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.	Source Detail	FLAC
10/18/83	Cumberland County Civic Center	Portland	ME	FOB-AUD> MC> CDR; via Paul B., Seeded to etree by Ernie Dodd	Source Detail
10/18/83	Cumberland County Civic Center	Portland	ME	flac16; Recording Info: (FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; Recorded By Rob Eaton All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
10/18/83	Cumberland County Civic Center	Portland	ME	flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain	Source Detail	FLAC
10/18/83	Cumberland County Civic Center	Portland	ME	flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/18/83	Cumberland County Civic Center	Portland	ME	flac16; Source: 2 Sennheiser 421 microphones (up front & center) > Sony TCD5M (dolby off) - analog master cassettes; Transfer: Sony TC-D5M (original record deck-dolby off) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files	Source Detail	FLAC
10/20/83	The Centrum	Worcester	MA	FOB Sony TCD5M with 2 Beyer Dynamic 160's recorded by Ficca and Brennan encoded by Jake Markezin	Source Detail
10/20/83	The Centrum	Worcester	MA	flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris	Source Detail	FLAC
10/20/83	The Centrum	Worcester	MA	flac24; Set 1 & Partial Set 2 Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/20/83	The Centrum	Worcester	MA	flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's Tapes Labelled: Nak 100's w/Guns Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked with Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename	Source Detail	FLAC
10/20/83	The Centrum	Worcester	MA	flac16; Jeff Silberman FOB Recording: Sennheiser 441's > Technics PCM master > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/44; Checksum & tags created in xACT	Source Detail	FLAC
10/21/83	The Centrum	Worcester	MA	Master Soundboard PCM > Cassette > DAT > CDR; see info file for flaw notes; CD Remastering, EAC'ed / SHN'ed by Scott Clugston	Source Detail
10/21/83	The Centrum	Worcester	MA	FOB (2nd row, dead center) Sennheiser 441's > Technics PCM master > DAT; Transfer: DAT > ZA2 > SoundForge; Taper: Jeff Silberman; slight glitch in Music; JGB encore not on master; tracking not quite right in a few places; via Andy Gustin, stemming from tree run by M. Daniel, Frank Venezia	Source Detail	shn
10/21/83	The Centrum	Worcester	MA	flac24; AUD: 2 Beyer M88's plus 1 Nakamichi CM300/CP1 cardioid blend mic > Nakamichi 550 > Maxell XLII-S 90's, floor near the SBD. Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 01/2011	Source Detail	FLAC
10/21/83	The Centrum	Worcester	MA	flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/21/83	The Centrum	Worcester	MA	flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's Tapes Labelled: Nak 100's w/Guns Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename	Source Detail	FLAC
10/22/83	Carrier Dome, Syracuse University	Syracuse	NY	AUD>MC>DAT>CDR Senn. 421?s; via Paul B; Seeded to etree by Ernie Dodd	Source Detail
10/22/83	Carrier Dome, Syracuse University	Syracuse	NY	flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/22/83	Carrier Dome, Syracuse University	Syracuse	NY	flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of Sony TC-D5M, Tapes:Maxell UDXLII 90's,Tapes Labelled: Nak 300 Gun's Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename	Source Detail	FLAC
10/22/83	Carrier Dome, Syracuse University	Syracuse	NY	flac24; Master Audience Recording & Transfer by Ray Ackerman; 2 x Sennheiser 421 > Master Cassette (TDK MA XG) > Sony D5; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/44	Source Detail	FLAC
10/30/83	Marin County Veterans Auditorium	San Rafael	CA	Recording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN) via Charlie Miller	Source Detail
10/30/83	Marin County Veterans Auditorium	San Rafael	CA	AUD: Realistic Mini-mics > Sony WM-D6 > Toshiba KT-R2 > Maxell XL-II (1st set) and Maxell XL-IIS (2nd set). Mics on stand, FOB aprx 20th row. Taped by Andrew F. A>D: MAC > Nakamichi CR-2A (tape 2 side A: Nakamichi Dragon) > HHB CDR 830-Plus > EAC > Soundforge 6.0 > CDWave 1.94.5 > WAV > SHN. Transfer by Anne C	Source Detail
10/30/83	Marin County Veterans Auditorium	San Rafael	CA	flac16; Recording Info: SBD > Cassette Master > Cassette (TDK SA-X90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; This file set is 16 bit @ 44.1	Source Detail	FLAC
10/31/83	Marin County Veterans Auditorium	San Rafael	CA	SBD> MC> DAT> CDR> EAC> CDWAV> SHN; via Tony Gardner with thanks to Paul B.; upgrade in circulation	Source Detail
10/31/83	Marin County Veterans Auditorium	San Rafael	CA	Source: FOB(Nak 700)>MC>DAT>CDR>WAV>SHN. Taper: Mark Horvath. SHN encoding via C.Ladner.	Source Detail
10/31/83	Marin County Veterans Auditorium	San Rafael	CA	Soundboard Cassette Master > DAT Provided by ANON	Source Detail	FLAC
12/27/83	San Francisco Civic Auditorium	San Francisco	CA	Aud>?>CD>EAC>SHN via Steve Barbella	Source Detail
12/27/83	San Francisco Civic Auditorium	San Francisco	CA	SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko; upgrade in circulation	Source Detail
12/27/83	San Francisco Civic Auditorium	San Francisco	CA	flac16; AUD: Sennheiser MD-441's > patched thru 2 tapedecks > Marantz PMD-340 > Sony UCX-S 90's, Dolby on. Mics on 8-foot stand, just behind the Sbd. Transfer: MAC > Nakamichi DR-8 (Dolby B on) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and tranferred by Andrew F.	Source Detail	FLAC
12/28/83	San Francisco Civic Auditorium	San Francisco	CA	SBD>MC>C>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd; upgrade in circulation	Source Detail
12/28/83	San Francisco Civic Auditorium	San Francisco	CA	Source: FOB AUD -- Senn. 441's > Marantz 340 Transfer: By Aoxoa from MCassette - (Probably) Playback on Nak Dragon > HHB 850 > EAC > SHN Recorded by Andy F., Aoxoa's neighbor	Source Detail
12/28/83	San Francisco Civic Auditorium	San Francisco	CA	flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller	Source Detail
12/28/83	San Francisco Civic Auditorium	San Francisco	CA	flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/28/83	San Francisco Civic Auditorium	San Francisco	CA	flac16; FOB AUD: Sennheiser MD-421's > patched thru one deck (Nak 550) > Marantz PMD-340 > Sony UCX-S 90's, with Dolby. Mics on seven-foot stand, aprx 25 feet from the stage in the center, mics angled up. Transfer: MAC > Nakamichi DR-8 (Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. 05/2009	Source Detail	FLAC
12/28/83	San Francisco Civic Auditorium	San Francisco	CA	flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: Nak 300's With Gun's Pointed High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename	Source Detail	FLAC
12/28/83	San Francisco Civic Auditorium	San Francisco	CA	flac16/48 Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
12/30/83	San Francisco Civic Auditorium	San Francisco	CA	SBD>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd; upgrade in circulation	Source Detail
12/30/83	San Francisco Civic Auditorium	San Francisco	CA	flac16; AUD: Sennheiser MD-441's > patched out of Nak 550 > Marantz PMD-340 > Sony UCX-S 90's. FOB 25 feet from stage in center. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2496 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Taped & transferred by Andrew F. 07/2010	Source Detail	FLAC
12/30/83	San Francisco Civic Auditorium	San Francisco	CA	flac16; Source: Sennheiser MD-441 mics > Marantz PMD-340 cassette deck Taped onto Sony UC-XS 90 cassette tape with Dolby On Set up FOB aprx 25 feet from stage, mics on 8-foot stand Transfer: MAC > Sony TC-D5M > Marantz CDR-500 > CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC	Source Detail
12/30/83	San Francisco Civic Auditorium	San Francisco	CA	flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail
12/30/83	San Francisco Civic Auditorium	San Francisco	CA	flac16; SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transferred and Edited By Charlie Miller	Source Detail	FLAC
12/30/83	San Francisco Civic Auditorium	San Francisco	CA	flac16/48khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
12/31/83	San Francisco Civic Auditorium	San Francisco	CA	sbd> mr> dats> wav> shn w/seek; dat> wav> shn by popi n. feeldz, from Michael Grossman DAT seed; Brokedown missing; Jack Straw beginning cut; upgrade in circulation	Source Detail
12/31/83	San Francisco Civic Auditorium	San Francisco	CA	SBD -> Rm -> Dat -> M-Audio 2448 -> Samplitude 2496 v6.0 -> CD (SHN) Brokedown Palace patched from Pre-FM>Cm>Cass>Dat>CD Dat -> SHN Transfer Done By Charlie Miller charliemiller87@earthlink.net 8/27/02; upgrade in circulation	Source Detail
12/31/83	San Francisco Civic Auditorium	San Francisco	CA	flac16; FOB Sennheiser 421s > Sony D5 > TDK MA90 MACs. Recorded by R.Lipton using B.Koucky's deck/blanks. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (stereo preamp and 24 bit/96 A/D) > firewire/2 GHz PC/WinXP > recorded as 24 bit/96 KHz WAV & pauses/flips were smoothed with crossfades, Wavelab 5 > rendered to 16 bit/44.1 KHz WAV, Waves L3 Multimaximizer > CDWAV 1.9 (tracking) > FLAC (level 8). Transfer/mastering/encoding/initial torrenting at bt.etree.org via C.Ladner	Source Detail
12/31/83	San Francisco Civic Auditorium	San Francisco	CA	flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/28/84	Marin County Veterans Auditorium	San Rafael	CA	unknown aud > cass > cd Discs kindly provided by Mark Horvath Eac > cool edit pro > shntool > cdwav > shnv3 by Ernie Dodd Partial 2nd set Only	Source Detail
03/28/84	Marin County Veterans Auditorium	San Rafael	CA	2 Sony ECM 939LT stereo microphones > Marantz PMD 340, TDK AD-X90 cassettes with Dolby B, 8' stand 2nd set, 6.5' 1st set, ~20th row center just behind soundboard, Recorded by AndrewF; A-D transfer: master cassette > Nakamichi Dragon (Dolby B) > HHB CDR 830plus > EAC > Sound Forge 5.0 > CD Wave Editor 1.71 > WAV > SHN by Anne Cohen; drums are cut	Source Detail
03/28/84	Marin County Veterans Auditorium	San Rafael	CA	flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files	Source Detail	FLAC
03/28/84	Marin County Veterans Auditorium	San Rafael	CA	flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
03/29/84	Marin County Veterans Auditorium	San Rafael	CA	Rex Foundation Benefit; Soundboard > ??? > CDR; Jerry's guitar is low in the mix at times; Seeded to etree by David Angelini; upgrade in circulation	Source Detail
03/29/84	Marin County Veterans Auditorium	San Rafael	CA	flac16; Recording: Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck Taped onto TDK AD-X normal bias tape, with Dolby on Set up two rows behind soundboard, and eight seats to the right Mics raised aprx seven and a half feet on a tent pole Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > FLAC Soundforge used for fades and some minor repairs (see notes) CD-Wave for Track ID's, and FLAC Frontend for lossless compression Verified and repaired SBE's with Traders Little Helper program	Source Detail
03/29/84	Marin County Veterans Auditorium	San Rafael	CA	flac16; SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transferred and Edited By Charlie Miller	Source Detail
03/31/84	Marin County Veterans Auditorium	San Rafael	CA	Source: SBD > MC > DAT > CDR > EAC > Cool Edit Pro 2.0* > CDWave > mkwACT EAC'd/Pitch Corrected/SHN'd by Doug Nawrocki Source kindly provided by Vojo; upgrade in circulation	Source Detail
03/31/84	Marin County Veterans Auditorium	San Rafael	CA	flac16; Recording: Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck Taped onto TDK AD-X normal bias tape, with Dolby on Set up in center seat directly behind the soundboard Mics raised aprx seven and a half feet on a tent pole Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC Soundforge used for fades, edits and patches over the tape-flip areas CD-Wave for Track ID's, and FLAC Frontend for lossless compression Verified SBE's and checksums with Trader's Little Helper program Cross-faded patches taken from LAMA's source: SBD > MC > DAT > CDR > EAC > Cool Edit Pro 2.0 > CD-Wave > mkwACT	Source Detail
03/31/84	Marin County Veterans Auditorium	San Rafael	CA	flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Rango Keshavan	Source Detail	FLAC
04/01/84	Marin County Veterans Auditorium	San Rafael	CA	Analog Soundboard->Pioneer PDR-509->CDRW->Audio Catalyst 2.1->WAV->Cool Edit 2000->MKW Compression Tool->SHN; To abgd via Acquiesce; upgrade in circulation	Source Detail
04/01/84	Marin County Veterans Auditorium	San Rafael	CA	flac16; Recording: Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck Taped onto TDK AD-X normal bias tape, with Dolby on Set up in center seat, two rows behind the soundboard Mics raised aprx seven and a half feet on a tent pole Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC Soundforge used as noted below. CD-Wave for Track-ID's, Trader's Little Helper to verify SBE-OK and make checksums, and Flac Frontend for lossless compression.	Source Detail
04/01/84	Marin County Veterans Auditorium	San Rafael	CA	flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation	Source Detail	FLAC
04/06/84	Aladdin Theater	Las Vegas	NV	SBD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy	Source Detail
04/06/84	Aladdin Theater	Las Vegas	NV	flac16; Source: Nakamichi CM300*(with CP1 Card caps)>Sony TCD-5M Location: FOB/Right Center Orch. Sec. 1 Row M/Stand at 6-7 Feet Transfer: Sony D5M>Sound Device 722@24/96>Adobe Aud. 2.0> 16 bit>Cdwav>flac16. Tapers: Tony Suraci and Eugene D'alessandro	Source Detail
04/06/84	Aladdin Theater	Las Vegas	NV	flac16; Source Info: Master Soundboard Cassettes; Sony D6 (dolby C) > Dat > PCM; Transfer Info: PCM (unknown equipment) > .wav 16/44.1 > Adobe Audition 2019 > TLH > flac16	Source Detail	FLAC
04/07/84	Irvine Meadows	Irvine	CA	sbd>MC>Dat>cd Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd	Source Detail
04/07/84	Irvine Meadows	Irvine	CA	flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD (shnid=13816); Transfer Info: CD -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC; All Patching and Remastering By Charlie Miller	Source Detail	FLAC
04/13/84	Hampton Coliseum	Hampton	VA	Neumann U-87 mics > Sony D6 cass > Dat > CDR; via PJ to abgd; includes alternate tracking suggestion for 2 discs	Source Detail
04/13/84	Hampton Coliseum	Hampton	VA	flac16; SBD> Cassette Master> Cassette> Dat (Panasonic SV3800/48k), plus patches from Eaton FOB Neumann U87> Cass source; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller	Source Detail	FLAC
04/13/84	Hampton Coliseum	Hampton	VA	flac16;Recording Info:SBD -> Cassette Master -> Cassette -> Dat (Panasonic SV3800/48k); Transfer Info:Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/13/84	Hampton Coliseum	Hampton	VA	flac24; Set 2 Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Robert Bryant	Source Detail	FLAC
04/13/84	Hampton Coliseum	Hampton	VA	flac 16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook) Transferred by Kyle Holbrook	Source Detail	FLAC
04/13/84	Hampton Coliseum	Hampton	VA	flac2448 Lineage: unknown mics -> Marantz pdm360 - no dolby Maxell XL-IIS 90s-> Nakamichi CR3a -> M-Audio 192-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> TLH -> analysis, flac, checksums. taped and transferred by Ted Carpenter	Source Detail	FLAC
04/14/84	Hampton Coliseum	Hampton	VA	flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation	Source Detail
04/14/84	Hampton Coliseum	Hampton	VA	flac16; Source: FOB Sennheiser 441s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.Koucky. Transfer: MAC playback on cleaned/demagged Nakamich DR-2 > Presonus Firebox preamp/A-D > firewire > 2 GHz P4 PC - XP Pro > Wavelab 5, recorded as 24 bit/96 KHz WAV > rendered to 16 bit/44.1 KHz WAV using Waves L3 Multimaximizer, hi res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8). Transfer and editing by C.Ladner	Source Detail
04/14/84	Hampton Coliseum	Hampton	VA	flac16; source: 2 Beyer M160's & 1 Sennheiser 421 Microphones (up front) > Nak MX100 w/2001> Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files	Source Detail	FLAC
04/14/84	Hampton Coliseum	Hampton	VA	flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook) Transferred by Kyle Holbrook	Source Detail	FLAC
04/14/84	Hampton Coliseum	Hampton	VA	flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496	Source Detail	FLAC
04/14/84	Hampton Coliseum	Hampton	VA	flac2448 Lineage: unknown mics -> Marantz pdm360 ( no dolby )-> Maxell XL-IIS 90s-> Nakamichi CR3a -> M-Audio 192-6-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> TLH -> analysis, flac, checksums. taped and transferred by Ted Carpenter	Source Detail	FLAC
04/16/84	Community War Memorial Auditorium	Rochester	NY	Neumann U-87 > Sony d-6 >dat >cdr; d2 tracked for 80 min; posted to abgd	Source Detail
04/16/84	Community War Memorial Auditorium	Rochester	NY	flac16; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2014	Source Detail	FLAC
04/16/84	Community War Memorial Auditorium	Rochester	NY	flac16/48kHz; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam DA-3000 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/16/84	Community War Memorial Auditorium	Rochester	NY	flac16; Source Info: Ray Ackerman's Master Audience Cassettes ; 2 x Nakamichi 300/CP4 + 1 x Nakamichi 300/CP1 center fill > unknown mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkii)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
04/16/84	Community War Memorial Auditorium	Rochester	NY	flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage ROC >Sony TCD5M > Maxell Metal 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson	Source Detail	FLAC
04/17/84	Niagara Falls Convention Center	Niagara Falls	NY	FOB Nak 300>?>CDR; Seeded to etree by JT James	Source Detail
04/17/84	Niagara Falls Convention Center	Niagara Falls	NY	flac16; Recorded by Gordon Sharpless Master Audience Cassette; 2 Neumann U-87s> Nakamichi 550> Sony D5 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Grace Lunatec V3> Digital Audio Labs Card Deluxe soundcard > Adobe Audition > flac encoding > FLAC	Source Detail	FLAC
04/17/84	Niagara Falls Convention Center	Niagara Falls	NY	flac16; source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (way up front) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files	Source Detail	FLAC
04/17/84	Niagara Falls Convention Center	Niagara Falls	NY	flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson	Source Detail	FLAC
04/19/84	Philadelphia Civic Center	Philadelphia	PA	Sbd > Cassette Master > Cassette > Dat x 2 > CDR > SHN; Seeded to FurthurNET; upgrade in circulation	Source Detail
04/19/84	Philadelphia Civic Center	Philadelphia	PA	Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Transfer: MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > SoundForge 5.0 normalization > WAV > CDWave > WAVs > mkwAC > SHNs Location: front of tapers section Transfer and seed by Charles Bandrofcheck	Source Detail
04/19/84	Philadelphia Civic Center	Philadelphia	PA	flac16; Source: (fob) Nakamichi CM300/CP4->Sony D-5M (Dolby B encoded)->TDK MA90 (x2)->Sony D-5M (Dolby B decoded) ->Korg MR-1000 (1Bit/5.6MHz)->AudioGate->16/44.1 wav->Soundforge 8.0->flac; Tapers: Dave Barfield and Dave Lane; Transferred and seeded by M. Watson	Source Detail	FLAC
04/20/84	Philadelphia Civic Center	Philadelphia	PA	Master Soundboard Cassette > Cassette > CDR; CD Mastering, Shn'ed and Seeded by Scott Clugston; also to abgd via Charlie Connor; upgrade in circulation	Source Detail
04/20/84	Philadelphia Civic Center	Philadelphia	PA	Source Senn 441 > PCM Digital Audience (up-front) > DAT (SV3700) > DAT (Fostex D10) > CDR (Single WAV) > CDR-WAV (wav splits) > SHN (via MKWACT); via JR Fishman	Source Detail
04/20/84	Philadelphia Civic Center	Philadelphia	PA	flac16; SBD> Cassette Master> Reel> Dat (SV3800/48k)> Samplitude v7.02 Professional> FLAC; Converted and Edited By Charlie Miller (note: a fixed fileset was circulated to correct a flaw in d2t02; additionally this source originally circulated tracked for 2 discs. The info below reflects the best available version of this source.)	Source Detail	FLAC
04/20/84	Philadelphia Civic Center	Philadelphia	PA	flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (SV3800/48k) -> WAV; Transfer Info: WAV -> Samplitude v7.02 Professional -> Cool Edit Pro v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/20/84	Philadelphia Civic Center	Philadelphia	PA	flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 xACT flac; transferred and seeded by Rob Berger	Source Detail	FLAC
04/21/84	Philadelphia Civic Center	Philadelphia	PA	Patched Eaton/Silberman FOB (17th Row Split 30 feet) Neumann U87's via Doug Nawrocki	Source Detail
04/21/84	Philadelphia Civic Center	Philadelphia	PA	flac16/48kHz; Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/23/84	Veterans' Memorial Coliseum	New Haven	CT	Mark Horvath FOB ATM2?s>Sony TC-D5>MC>CDR; Muddy recording; 2nd set more so than the 1st; via Paul B; Seeded to etree by Willy	Source Detail
04/23/84	Veterans' Memorial Coliseum	New Haven	CT	flac16; Recording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90 / Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Thanks to Paul Scotton and Joani Walker for the Cassettes -- This is an upgrade to all previous circulating sbd's	Source Detail	FLAC
04/24/84	Veterans' Memorial Coliseum	New Haven	CT	Set 1; AUD (Nak300's)>MC>DAT>CDR Set 2; Mark Horvath FOB ATM2?s> Sony TC-D5>MC>CDR; Set 2 is 'muddy'; via Paul B; Seeded to etree by Willy	Source Detail
04/24/84	Veterans' Memorial Coliseum	New Haven	CT	flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Thanks to Paul Scotton, Joani Walker and Jacob Feinberg for the tapes	Source Detail
04/24/84	Veterans' Memorial Coliseum	New Haven	CT	flac16; FOB AUD: Patched from unknown mics and lead decks > Marantz PMD-340 > Maxell XLII 90's, with no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, June 2008. Transfer by Andrew F.	Source Detail
04/24/84	Veterans' Memorial Coliseum	New Haven	CT	flac16; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, lower arena riser, straight back, first rows off the floor, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 11/2013	Source Detail	FLAC
04/26/84	Providence Civic Center	Providence	RI	Master Soundboard Cassette > Cassette > DAT > CDR	Source Detail
04/26/84	Providence Civic Center	Providence	RI	flac16; Set I - 1st Gen; Sennheiser MKE 2002 (binaural, head worn) > Sony D5 > Sony D5 > Maxell XLII-S (no Dolby) Set II - MAC; Beyer M201s (hyper cards, X-Y) > Sony TC D5M > TDK MA90 (no Dolby) Tapers: Sennheiser MKE 2002s - Chris K./ Beyer M201s - Kyle H. Transfer: Nakamichi CD2 [azimuth adjusted]>Kind Kables rca>xlr>Lunatec V3>coax>Audiophile 24960> CEP 2.0 (normalized_100%)>CD Wave Editor>Traders Little Helper>FLAC16. Transfer, all edits, conversion & upload to bt.etree.org by Alex Ford 10/5/2006.	Source Detail
04/26/84	Providence Civic Center	Providence	RI	flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/26/84	Providence Civic Center	Providence	RI	MATRIX MIX: SBD/2 AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN); fixed upgrade of this source now circulates here	Source Detail	SHN
04/26/84	Providence Civic Center	Providence	RI	flac16; FOB AUD: Patched from unknown mics and lead decks > Marantz PMD-340 > Maxell XLII-S 90's, with no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F.	Source Detail
04/26/84	Providence Civic Center	Providence	RI	flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, sec 1, row g; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger	Source Detail	FLAC
04/27/84	Providence Civic Center	Providence	RI	mixed source: 1st set - Neumann > D6 > DAT > CDR > EAC > WAV > SHN, 2nd set - MSbd> Cass > DAT > CDR > EAC > WAV > SHN; to abgd.hs by PJ	Source Detail
04/27/84	Providence Civic Center	Providence	RI	flac16; Source: FOB 15th Row Ctr Sennheiser 441 > Sony D5. Transfer: MAC playback on Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs extracted with EAC to WAV > FLAC. Originally recorded and transferred to digital realm by B.Koucky. Mastering: FLAC > WAV > Wavelab 5.0 (crossfaded tape flips, level adjustents and L3 Multimaximizer) > CDWAV 1.9 (tracking) > FLAC (level5) > torrenting by C.Ladner.	Source Detail
04/27/84	Providence Civic Center	Providence	RI	flac16; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor just to left (stage right) of soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 07/2013	Source Detail	FLAC
04/27/84	Providence Civic Center	Providence	RI	flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, section 2 row S; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger	Source Detail	FLAC
04/29/84	Nassau Coliseum	Uniondale	NY	(FOB/14th Row) 3 Beyer M160's -> Cm -> Sound Forge -> CD -> EAC -> SHN; Converted to SHN By Charlie Miller	Source Detail
04/29/84	Nassau Coliseum	Uniondale	NY	flac1648 Rob Eaton's Master (FOB) Audience Cassettes (21st row, DFC); Neumann U87 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496	Source Detail	FLAC
04/30/84	Nassau Coliseum	Uniondale	NY	aud> senn 441> cassette master> cdr; via Mike Lai with thanks to Alan Powell	Source Detail
04/30/84	Nassau Coliseum	Uniondale	NY	flac16/44.1khz Source: 1st Gen AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby -lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele	Source Detail	FLAC
05/06/84	Silva Hall, Hult Center	Eugene	OR	SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko; upgrade in circulation	Source Detail
05/06/84	Silva Hall, Hult Center	Eugene	OR	flac16; Source: Sen 421's > patched thru 3(?) decks > Toshiba KT-R2 Walkman Taped on Sony UCX-S 90 cassette (no dolby on the Toshiba walkman) Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > FLAC; Set 2 Only	Source Detail
05/06/84	Silva Hall, Hult Center	Eugene	OR	flac16; Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC	Source Detail
05/06/84	Silva Hall, Hult Center	Eugene	OR	flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
05/07/84	Silva Hall, Hult Center	Eugene	OR	flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC	Source Detail
05/07/84	Silva Hall, Hult Center	Eugene	OR	flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; upgrade in circulation.	Source Detail
05/07/84	Silva Hall, Hult Center	Eugene	OR	flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; this source fixes a flaw in the previous source.	Source Detail	FLAC
05/07/84	Silva Hall, Hult Center	Eugene	OR	flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
05/08/84	Silva Hall, Hult Center	Eugene	OR	SBD> MR> C> DAT> CDR; transfer by Mike Lai from Bruce Fried seed; upgrade in circulation	Source Detail
05/08/84	Silva Hall, Hult Center	Eugene	OR	flac16; Source: Sony ECM-939LT stereo mic > Marantz PMD-340 cassette deck. Sony UCX-S 90 cassettes, with Dolby B On. Taped by Andrew F. Mic on 7-foot tent pole, center seat of 30th row (rear orchestra). Transfer: MAC > Sony TC-D5M > Marantz CDR-500 > EAC > Soundforge > CD-Wave > FLAC Soundforge used for fades and to smooth out a few rough spots. There were too many yells and hand-claps to deal with, so I left those as-is. CD-Wave used for track-ID?s, and FLAC Frontend for lossless compression.	Source Detail
05/08/84	Silva Hall, Hult Center	Eugene	OR	flac16; Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC	Source Detail
05/08/84	Silva Hall, Hult Center	Eugene	OR	flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/08/84	Silva Hall, Hult Center	Eugene	OR	flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
06/09/84	Cal Expo	Sacramento	CA	1st set only; Lineage: SBD -> Cm -> Dat -> MiniDisc -> Samplitude -> CD Recording Info: SBD -> Cm -> Dat; Note- Deal is patched from an aud source; See info file for details; upgrade in circulation	Source Detail
06/09/84	Cal Expo	Sacramento	CA	SBD > MC > DAT > CD > EAC > SHN via Darryl Hinko; upgrade in circulation	Source Detail
06/09/84	Cal Expo	Sacramento	CA	flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC	Source Detail
06/09/84	Cal Expo	Sacramento	CA	flac16/44 MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 40 feet from stage head height Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook	Source Detail	FLAC
06/09/84	Cal Expo	Sacramento	CA	flac16/48khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
06/10/84	Cal Expo	Sacramento	CA	flac16/44 MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 40 feet from stage head height Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook	Source Detail	FLAC
06/10/84	Cal Expo	Sacramento	CA	FOB: 2Beyer M160s>D5>MC>CDR>EAC>FLAC	Source Detail	FLAC
06/10/84	Cal Expo	Sacramento	CA	flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC	Source Detail
06/12/84	Red Rocks Ampitheatre	Morrison	CO	flac16/44 Recording Information: MAUD CA: Beyer M88 cardiod XY > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded by: Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook Transferred by: Kyle Holbrook	Source Detail	FLAC
06/12/84	Red Rocks Ampitheatre	Morrison	CO	flac16/48khz Recording Information: Source: MAUD CA|Sennheiser MKE2002 Binaurals on Kyle's Head set 1; dummy head set 2 > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook	Source Detail	FLAC
06/13/84	Red Rocks Ampitheatre	Morrison	CO	SBD>PCM>DAT>CDR; via Rick M; Seeded to etree by Chris L	Source Detail
06/13/84	Red Rocks Ampitheatre	Morrison	CO	flac16/44 MAUD CA: Beyer M88's XY > Sony TCD5M|maxell MX90 x2 no NR ***[Hell in A Bucket from first generation same source] Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook, Sean Murtha, Chris Kidwell Transferred: Kyle Holbrook	Source Detail	FLAC
06/13/84	Red Rocks Ampitheatre	Morrison	CO	flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
06/14/84	Red Rocks Ampitheatre	Morrison	CO	SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko	Source Detail
06/14/84	Red Rocks Ampitheatre	Morrison	CO	flac16/44 MAUD CA: Beyer M88 cardiod XY > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded by: Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook Transferred by: Kyle Holbrook	Source Detail	FLAC
06/14/84	Red Rocks Ampitheatre	Morrison	CO	flac16/48khz Recording Information: MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M|maxell MX90 x2 no NR Location: 140 feet from stage 15' ROC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook	Source Detail	FLAC
06/21/84	Kingswood Music Theater	Maple	ON	FM>MC>PCM>DAT>Cool Edit Pro>CDR>SHN; Via Andy L; EAC'ed and SHN'ed by tbrame	Source Detail
06/21/84	Kingswood Music Theater	Maple	ON	flac16; AUD Source: Two Nakamichi CM-300's with CP-4 shotguns capsules, plus one Nakamichi CM-300 with CP-1 cardioid capsule blend mic > Nakamichi MX-100 mixer > passed thru Sony TC-D5M > Sony TC-D6. Set up behind the soundboard. Taped by Ray Ackerman.	Source Detail
06/21/84	Kingswood Music Theater	Maple	ON	flac16/44 MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 100-120 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook	Source Detail	FLAC
06/21/84	Kingswood Music Theater	Maple	ON	flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (18th row)> Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; Transfer: Sony TCD5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files	Source Detail	FLAC
06/21/84	Kingswood Music Theater	Maple	ON	flac16/44.1khz Recording Information: MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M|maxell MX90 x2 no NR Location: 100-120 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook	Source Detail	FLAC
06/23/84	City Island	Harrisburg	PA	Nak 700> D-5 taped by Mark Cohen, A:D transfer by Mark Cohen, final mastering and encoding by David Minches	Source Detail
06/24/84	Saratoga Performing Arts Center	Saratoga Springs	NY	Aud> Nak300> CM> CDR> EAC(Secure Mode)> CDWave(Retracking Only)> Shnv3(MKW ACT)	Source Detail
06/24/84	Saratoga Performing Arts Center	Saratoga Springs	NY	flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5M/Maxell XLIIS-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
06/24/84	Saratoga Performing Arts Center	Saratoga Springs	NY	flac16; FOB AUD: 3x Nakamichi CM300/CP1's cardioids > Nakamichi 550 > Maxell XLII-S 90's, set up in 12th row left of center. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 08/2010	Source Detail	FLAC
06/26/84	Merriweather Post Pavilion	Columbia	MD	Source: SBD>PCM>DAT>CD>SHN. Tennessee Jed and Day Job are patched from an audience recording via Ray Hansen, encoded by Peter Braverman; upgrade in circulation	Source Detail
06/26/84	Merriweather Post Pavilion	Columbia	MD	flac16; Recordist: Kyle Holbrook Location: ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6	Source Detail
06/26/84	Merriweather Post Pavilion	Columbia	MD	Source Info:Sennheiser421's>Sony D5:CD Transfer: Denon DN-790r>Audiophile 2496>Cool Edit 200>wav>shn: Taped and Transferred by Phil Unger; originally posted to abgd July 2002; sbe's fixed with shntool 9/16/2006	Source Detail	SHN
06/26/84	Merriweather Post Pavilion	Columbia	MD	flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation	Source Detail	FLAC
06/27/84	Merriweather Post Pavilion	Columbia	MD	SBD>Cassette Master>Cassette>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN (updated source info); upgrade in circulation	Source Detail
06/27/84	Merriweather Post Pavilion	Columbia	MD	flac16; SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation	Source Detail	FLAC
06/27/84	Merriweather Post Pavilion	Columbia	MD	flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller. This is a pitch correction of the previous Miller source, shn id 87467	Source Detail	FLAC
06/27/84	Merriweather Post Pavilion	Columbia	MD	flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/29/84	Blossom Music Center	Cuyahoga Falls	OH	Jim Wise Senn 421?s>Sony TC-D5M>MC>DAT>CD; Second set pitch corrected; via Paul B; Seeded to etree by Willy	Source Detail
06/29/84	Blossom Music Center	Cuyahoga Falls	OH	**SET 2 SOUNDBOARD** Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC	Source Detail
06/30/84	Indianapolis Sports and Music Center	Indianapolis	IN	FOB MAC (Sennheiser 2 ME-80's & 2 441's 12th row center>sony d-5>WAV>SHN>SHNTOOL>mkwACT. Recorded by Tommy McKeown. sbe fix/seeding by MattMan.	Source Detail
06/30/84	Indianapolis Sports and Music Center	Indianapolis	IN	set 2, plus set 1 partial; SBD> MC> DAT> CDR; from Merry Pranksters Tree round 5, SHN branch; possibly via David Finney to etree?	Source Detail	SHN
06/30/84	Indianapolis Sports and Music Center	Indianapolis	IN	flac16; AUD: FOB, Sennheiser MD-421's > DBX NX-40 > Sony TC-D5 Taper: Unknown MAC > CD Transfer: Unknown CDR > EAC > WAV > WavMerge > CD-Wave > Soundforge > TLH > FLAC Frontend by Andrew F, Oct 2005. Some of the ID's were missing or in the wrong spot, so I merged the files and re-split them. I used Soundforge to make some small fades for the start and end of discs. I used TLH to verify SBE-OK and to make checksums, and Flac Frontend for lossless compression	Source Detail
06/30/84	Indianapolis Sports and Music Center	Indianapolis	IN	flac16; Recording Info: (FOB) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/01/84	Pine Knob Music Theater	Clarkston	MI	AUD>MC>??>DAT>CDR; via Paul B; Seeded to etree by Willy	Source Detail
07/01/84	Pine Knob Music Theater	Clarkston	MI	flac16; Set 2 only - AUD Source: FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M cassette deck, onto Maxell UD-XLII tape, no Dolby. Taped by Ted Carpenter. MAC > CD transfer by Jim Wise (2002), likely done with Nakamichi Dragon > HHB Burner. Transfer Info: CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, by Andrew F	Source Detail
07/01/84	Pine Knob Music Theater	Clarkston	MI	flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (14th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files	Source Detail	FLAC
07/01/84	Pine Knob Music Theater	Clarkston	MI	flac16; Source: Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-6 (TDK MA90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Danny Taggart and Greg Holtz; Transfers, edits, track/FLAC by Greg Holtz	Source Detail	FLAC
07/01/84	Pine Knob Music Theater	Clarkston	MI	flac16/48kHz; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam DA-3000 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/03/84	Starlight Theater	Kansas City	MO	AUD>MC>??>DAT>CDR; via Paul B; seeded to etree by Willy	Source Detail
07/03/84	Starlight Theater	Kansas City	MO	flac16; FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII tape, with no Dolby	Source Detail
07/03/84	Starlight Theater	Kansas City	MO	flac16; Source: (FOB) Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-6 (TDK MA90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Greg Holtz and Danny Taggart; Transfers, mastering, track/FLAC by Greg Holtz	Source Detail	FLAC
07/04/84	Five Seasons Center	Cedar Rapids	IA	AUD: MC (Sennheiser 421)> DAT> CD> SHN; Seeded by Peter Braverman	Source Detail
07/04/84	Five Seasons Center	Cedar Rapids	IA	flac16; AUD: Sennheiser MD-421's > patched thru one deck (D5?) > Sony TC-D5M > Maxell XL-II's, with no Dolby. Mics on stand set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.	Source Detail	FLAC
07/04/84	Five Seasons Center	Cedar Rapids	IA	flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files	Source Detail	FLAC
07/06/84	Alpine Valley Music Theatre	East Troy	WI	Fob: Sennheiser 441's > MC > Dat > Cd Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd	Source Detail
07/06/84	Alpine Valley Music Theatre	East Troy	WI	flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files	Source Detail	FLAC
07/06/84	Alpine Valley Music Theatre	East Troy	WI	flac16; Recording Info: SBD > PCM Master > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/07/84	Alpine Valley Music Theatre	East Troy	WI	SBDMC(R?) > DAT > WAV > SHN w/ AUD(Senn 441s > D5 > DAT > CD) patches	Source Detail
07/07/84	Alpine Valley Music Theatre	East Troy	WI	flac16; Set 2 Only, AUD: FOB, Nakamichi CM-300's w/CP-4 shotguns > Sony TC-D5M > Maxell XL-II, w/no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.	Source Detail	FLAC
07/07/84	Alpine Valley Music Theatre	East Troy	WI	Aud>Nak300>D5>CM>CDR>EAC(Secure Mode)>CDWave(Retracking Only)>shnv3(MKW ACT)	Source Detail	FLAC
07/07/84	Alpine Valley Music Theatre	East Troy	WI	flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones - 13th row-center > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files	Source Detail	FLAC
07/13/84	Greek Theatre, U. Of California	Berkeley	CA	SBD > ? > CDR> DAE (cdparanoia)> SHN; via Mark Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an analog generation"	Source Detail
07/13/84	Greek Theatre, U. Of California	Berkeley	CA	flac16; Source: FOB: 2Beyer M160s>D5>MC>CDR>EAC>FLAC	Source Detail	FLAC
07/13/84	Greek Theatre, U. Of California	Berkeley	CA	flac16; SBD > ? > CDR > WAV > Cool Edit Pro (see notes) > FLAC(8); pitch corrected version of shn id 353	Source Detail
07/13/84	Greek Theatre, U. Of California	Berkeley	CA	flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11	Source Detail	FLAC
07/13/84	Greek Theatre, U. Of California	Berkeley	CA	flac16; Partial Set 2 Recording Info: SBD > PCM (cloned from vault master); Transfer: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16	Source Detail	FLAC
07/13/84	Greek Theatre, U. Of California	Berkeley	CA	flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
07/14/84	Greek Theatre, U. Of California	Berkeley	CA	SBD > ? > CDR> DAE (cdparanoia)> SHN; via M. Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an anlog generation"; Jack Straw beginning cut; upgrade in circulation	Source Detail
07/14/84	Greek Theatre, U. Of California	Berkeley	CA	Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller; upgrade in circulation	Source Detail
07/14/84	Greek Theatre, U. Of California	Berkeley	CA	flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
07/15/84	Greek Theatre, U. Of California	Berkeley	CA	SBD > ? > CDR> DAE (cdparanoia)> SHN; via M. Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an anlog generation"; a few track markers misplaced; upgrade in circulation	Source Detail
07/15/84	Greek Theatre, U. Of California	Berkeley	CA	flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo; 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Wavelab 7.1 mastering by Jamie Waddell; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm	Source Detail	FLAC
07/21/84	Ventura County Fairgrounds	Ventura	CA	Cool Edit fix of previous shn set SBD Master Reel-> DAT->ZA2- >CD, by Matthew Cole; upgrade in circulation	Source Detail
07/21/84	Ventura County Fairgrounds	Ventura	CA	flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC	Source Detail
07/21/84	Ventura County Fairgrounds	Ventura	CA	flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Wavelab 7.1 for minor edits by Jamie Waddell; Audition CC 2015 for patch edits by Jason Chastain; Tracked with Audition 1.5-> shntool-> flac level 8 and checksums with TLH-> tagged with Mp3tag; 16bit 44.1kHz Track, FLAC and Pack by Jason Chastain	Source Detail	FLAC
07/22/84	Ventura County Fairgrounds	Ventura	CA	SBD> PCM> Dat> CD> EAC> SHN (mkwACT); via Keith Bode; upgrade in circulation	Source Detail
07/22/84	Ventura County Fairgrounds	Ventura	CA	flac16; SBD -> PCM -> Dat Transferred and Edited By Charlie Miller	Source Detail
10/05/84	Charlotte Coliseum	Charlotte	NC	FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT	Source Detail
10/05/84	Charlotte Coliseum	Charlotte	NC	updated source: SBDMC> [no Cass?]> DATs> CDRs> SHN, with FOB Nak 300 patches by Scott Clugston; edited by Darrin Sacks from Blacula's seed; no Sunshine Daydream	Source Detail
10/05/84	Charlotte Coliseum	Charlotte	NC	flac1644 Source: (fob) Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On) Location: Approx. 40' From Stage, Mics Spaced 3' Apart On Two Shure S15 Stands (up High) Recorded, Transferred & Mastered By Anon Edited With Add'l Mastering In Adobe Audition By Joe Noel May 29, 2022	Source Detail	FLAC
10/05/84	Charlotte Coliseum	Charlotte	NC	flac16/48kHz; Set 1 Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply then a modified Sony TCD-D5M then > Sony PCM-F1 > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper	Source Detail	FLAC
10/05/84	Charlotte Coliseum	Charlotte	NC	flac1644 Source: (fob) Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On) Location: Approx. 40' From Stage, Mics Spaced 3' Apart On Two Shure S15 Stands (up High) Recorded, Transferred & Mastered By Anon Edited With Add'l Mastering In Adobe Audition By Joe Noel May 29, 2022	Source Detail	FLAC
10/06/84	Richmond Coliseum	Richmond	VA	FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT	Source Detail
10/06/84	Richmond Coliseum	Richmond	VA	flac16; taper : Joe D'Amico aka Joebeacon nak 300 mics > sony d5 Transfer: nak dragon tape deck into creative extigy sound card into pc -flac frontend	Source Detail	FLAC
10/06/84	Richmond Coliseum	Richmond	VA	Unknown shotgun mics > Sony D6 > MC > Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwACT > SHN; upgrade in circulation	Source Detail
10/06/84	Richmond Coliseum	Richmond	VA	flac1644 Source: (fob) Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On) Location: Approx. 40' From Stage, Mics Spaced 4' Apart On Two Shure S15 Stands (up High) Recorded & Transferred By Anon Edited & Mastered (adobe Audition) By Joe Noel March 31, 2022	Source Detail	FLAC
10/06/84	Richmond Coliseum	Richmond	VA	flac16; Tapers: Greg Holtz, Tony Bolton, and Mark Kotyuk. Source: Nakamichi CM100s w/CP-4 Shotgun Capsules > FOB -> D-6 > MAC; Transfer: MAC > Tascam 112MKII > Edirol UA-5 (24/96) > PC > WAV > Audacity (fades and tracking) > R8-Brain dither to 16/44 > TLH > Flac Level 8	Source Detail	FLAC
10/06/84	Richmond Coliseum	Richmond	VA	flac16/48kHz; Set 2 Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply then a modified Sony TCD-D5M then > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper	Source Detail	FLAC
10/06/84	Richmond Coliseum	Richmond	VA	flac1644 Source: (fob) Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On) Location: Approx. 40' From Stage, Mics Spaced 4' Apart On Two Shure S15 Stands (up High) Recorded & Transferred By Anon Edited & Mastered (adobe Audition) By Joe Noel March 31, 2022	Source Detail	FLAC
10/08/84	The Centrum	Worcester	MA	SBD>MC>DAT>CDR ; AUDMC>Nakamichi DR-1>HHB 850 CDR ; SBD with Audience Patches seed text info ; Via Andy L. ; Seeded to Etree by T. Wiley	Source Detail
10/08/84	The Centrum	Worcester	MA	flac16; Source: Beyer M88's>Sony D5M(XLIIS) Location: FOB/DFC Section 2, Row M Stand at 7 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96. Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700	Source Detail
10/08/84	The Centrum	Worcester	MA	flac16; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXLII-S90); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller	Source Detail
10/09/84	The Centrum	Worcester	MA	SBD>MC>DAT>CDR ; Patch Aud Source: MAC>>Sony D-5>CDR>SHN (previous upgraded SHN release) ; Via Andy L. ; Seeded to Etree by T. Wiley	Source Detail
10/09/84	The Centrum	Worcester	MA	flac16; AUD Source: FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII's, no Dolby. Taped by Ted Carpenter. Transfer: MAC > CD by Jim Wise (2002), likely Nakamichi Dragon > HHB Burner. CDR > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression and checksums) > FLAC, Jan 2007 by Andrew F	Source Detail
10/09/84	The Centrum	Worcester	MA	flac16;Recording Info:(FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXLII-S90); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller	Source Detail
10/09/84	The Centrum	Worcester	MA	flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, section 2 row Q; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger	Source Detail	FLAC
10/11/84	Augusta Civic Center	Augusta	ME	Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable)Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor; upgrade in circulation	Source Detail
10/11/84	Augusta Civic Center	Augusta	ME	flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding	Source Detail	FLAC
10/12/84	Augusta Civic Center	Augusta	ME	Master Soundboard Cassette > Reel to Reel > DAT> CDR; with patches from Mike Rice's Master Audience Cassette: Nakamichi CM100 mics + CP4's> Sony D5; CDR ReMastering, Patching, EAC'ed, SHN'ed by Scott Clugston; see info file for details	Source Detail
10/12/84	Augusta Civic Center	Augusta	ME	Master Tapes by Ficca Source: FOB Center Sony TCD5M with 2 Beyer Dynamic 160's > Sony CDR-W66 > EAC > CDWave > CDA encoded by Ficca	Source Detail	shn
10/12/84	Augusta Civic Center	Augusta	ME	flac16/48kHz; George Sterry's Master Audience Cassettes; Schoeps mics (model unknown) > Sony TC-158SD(Maxell UDXLII-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
10/12/84	Augusta Civic Center	Augusta	ME	flac16; MSC > Reel > DAT > CDR > EAC > WAV > TLH > FLAC	Source Detail	FLAC
10/14/84	Hartford Civic Center	Hartford	CT	FOB> Nakamichi 300's> CP4Cassette Master> DAT> CDR> Eac> SHN; DAE(EAC) + SHN Encoding by Jeff M.; see info file for notes	Source Detail
10/14/84	Hartford Civic Center	Hartford	CT	flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/14/84	Hartford Civic Center	Hartford	CT	fob-aud (Lineage Unknown) Seeded to abgd by Seth Jackson	Source Detail	SHN
10/14/84	Hartford Civic Center	Hartford	CT	flac16/48 Set 2 Only: First SBD For This Date. Recording Info: SBD > Cassette Master > Reel (Technics) > DAT (Panasonic SV-3800-48k). Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit-48k) Additional Mastering: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC16 Transfers by Rob Eaton. Mastering by Charlie Miller. December 29, 2020	Source Detail	FLAC
10/14/84	Hartford Civic Center	Hartford	CT	flac2448; Source: Sennheiser MD-441's > Sony TC-D5 > Sony UCX-S, recording by unknown taper. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Andrew F. 05/2023	Source Detail	FLAC
10/15/84	Hartford Civic Center	Hartford	CT	Aud>? (lineage Unknown); Seeded to abgd by Seth Jackson	Source Detail
10/15/84	Hartford Civic Center	Hartford	CT	flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/15/84	Hartford Civic Center	Hartford	CT	Recording Info: SBD > PCM Master > DAT (Panasonic SV-3700) > DAT (Panasonic SV-3800) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit-44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC (3 Discs Audio) Original Transfer and Mastering by Rob Eaton. Additional Mastering by Charlie Miller. November 27, 2020	Source Detail	FLAC
10/15/84	Hartford Civic Center	Hartford	CT	flac2448 Lineage: Nak CM300s with cp4 Caps. -> Sony TCD5m - no dolby Maxell XL-IIS 90s-> Nakamichi CR3a -> M-Audio 192-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> TLH -> analysis, flac, checksums. taped and transferred by Ted Carpenter	Source Detail	FLAC
10/15/84	Hartford Civic Center	Hartford	CT	flac2448; Source: Sennheiser MD-441's > Sony TC-D5 > Sony UCX-S, recording by unknown taper. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Andrew F. 05/2023	Source Detail	FLAC
10/17/84	Meadowlands Arena	East Rutherford	NJ	AUD(Nak 300?s)>MC>DAT>CD via Paul B encoded by Willy	Source Detail
10/17/84	Meadowlands Arena	East Rutherford	NJ	flac16; 3 Nak CM700 (DIN; Row S, DFC) > Sony TC-D5M > Maxell MX tape; Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; Taped, transferred by Doug Mow; CDR> FLAC16 and minor editing by Alex Ford	Source Detail
10/17/84	Meadowlands Arena	East Rutherford	NJ	flac16; Recording Info: Set 1: SBD -> Master Cassette -> ? -> Cassette (Dolby C) Set 2: SBD -> Master Cassette -> Dat -> CD -> EAC -> SHN Transfer Info: Set 1: Cassette (Sony TC-WE475/Dolby C) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Set 2: SHN -> WAV -> FLAC	Source Detail
10/17/84	Meadowlands Arena	East Rutherford	NJ	flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files	Source Detail	FLAC
10/18/84	Meadowlands Arena	East Rutherford	NJ	(FOB) Nakamichi CM300/CP1 -> Cm (Sony D5) -> Dat (48k) > Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN. All transfers and remastering done by Charlie Miller	Source Detail
10/18/84	Meadowlands Arena	East Rutherford	NJ	flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename	Source Detail	FLAC
10/18/84	Meadowlands Arena	East Rutherford	NJ	flac16/48kHz; Recording Info: SBD -> Cassette Master > Reel > Dat (48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC/48k; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/18/84	Meadowlands Arena	East Rutherford	NJ	flac16; Recording Info: Neumann KM86 (cardioid) > Master Reel (Uher Deck 1/2 trk Scotch Reels); Transfer Info: Master Reel (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Adobe Audition CC2015 > Samplitude Pro X3 > FLAC/24; Recorded by Frank Streeter and Rob Eaton; Transferred by Matt Smith; Mastered by Charlie Miller	Source Detail	FLAC
10/20/84	Carrier Dome, Syracuse U	Syracuse	NY	nak300> cassette master> cd wav> cool edit pro> shn> cdr; transfer by Mike Lai from Bruce Fried seed; upgrade in circulation	Source Detail
10/20/84	Carrier Dome, Syracuse U	Syracuse	NY	flac16; FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M, onto Maxell UD-XLII tape, with no Dolby. Taped by Ted Carpenter	Source Detail
10/20/84	Carrier Dome, Syracuse U	Syracuse	NY	Recording Info: SBD > PCM Master > DAT (Panasonic SV-3700) > DAT (Panasonic SV-3800) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit-44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC. (3 Discs Audio) Original Transfer and Mastering by Rob Eaton. Additional Mastering by Charlie Miller. November 28, 2020	Source Detail	FLAC
10/20/84	Carrier Dome, Syracuse U	Syracuse	NY	flac16 This Is A 16bit File Set, Dithered Using Dbpoweramp Source: Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On) Location: Three Rows Directly In Front Of Healy (sorry Dan!); Stand 6 To 7 Feet High. Transfer: Master Cassette > Nakamichi Cr7a Playback With No Dolby> Korg Mr2000 (1 Bit,mhz). Render From 1 Bit To 24 48 Wave File Using Audiogate. Pre Dolby Nr Decode Eq & Software Dolby B Decode Using Nuendo & Ddicodec. Recorded, Transferred & Mastered By Anon Edited With Add'l Mastering In Adobe Audition By Joe Noel February 16, 2021	Source Detail	FLAC
10/27/84	Berkeley Community Theater	Berkeley	CA	Senn 441?s>Sony D-5. AUD>MC>DAT>CDR via Raoul Duke encoded by Willy and Matt Vernon	Source Detail
10/28/84	Berkeley Community Theater	Berkeley	CA	Source: Senn 441?s>Sony D-5. Lineage: AUD>MC>DAT>CDR. Encoding by Willy Munder and Matt Vernon	Source Detail
10/28/84	Berkeley Community Theater	Berkeley	CA	flac16; Taped by Jay Abrams (jra-sm) and Keith Prior Digitized and edited by Jay Abrams Location: Section CTR - Row GG - Seat 23 Source: Quad Nakimichi's - (Nakimichi 700's and Nakimichi 100's) - mixed down to two channels at show Sony WM-D6C > Maxell Metal - Dolby C > Wav > CD Wav > xAct encoding to Flac	Source Detail	FLAC
10/28/84	Berkeley Community Theater	Berkeley	CA	flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row OO, seat 1; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger	Source Detail	FLAC
10/30/84	Berkeley Community Theater	Berkeley	CA	Senn 441?s>Sony D-5. Lineage: AUD>MC>DAT>CDR via Raoul Duke encoded by Willy Munder and Matt Vernon	Source Detail
10/30/84	Berkeley Community Theater	Berkeley	CA	flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row mm, seat 11; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger	Source Detail	FLAC
10/31/84	Berkeley Community Theater	Berkeley	CA	Source: AUD (Sennheiser 441) > CM > CDR > WAV > SHN. Thanks to Dr. B.Fried for the cassette masters. Original SHN conversion by Mike Lai. Note- This is a re-seed of previous seed by C Ladner; See info file for details	Source Detail
10/31/84	Berkeley Community Theater	Berkeley	CA	flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k	Source Detail	FLAC
11/02/84	Berkeley Community Theater	Berkeley	CA	Set 1: SBD>Master Cassette> Cassette> DAT> CD> SHN:Set 2: SBD>PCM>DAT@44.1>Tascam DA-20MKII(playback only)>RME Digi96/8> Steinberg's Wavelab 3.0 >CDWav beta1.6(tracking only)> SHNv3 (MKW ACT) Set 1 source via Trip Bates shntool fixed version of Braverman SBD seed; Set 2 source: DAT via Joe Samaritano. Seeded to Fungus and abgd by Charlie Connor	Source Detail
11/02/84	Berkeley Community Theater	Berkeley	CA	Tony G shntool fix of original Braverman SBD seed; ; upgrade in circulation	Source Detail
11/02/84	Berkeley Community Theater	Berkeley	CA	flac16; Sennheiser 421s? > PCM > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5 > shntool > FLAC (lvl8)	Source Detail
11/03/84	Berkeley Community Theater	Berkeley	CA	AUD>MC>DAT>CDR via Raoul Duke, encoded by Willy and Matt Vernon	Source Detail
11/03/84	Berkeley Community Theater	Berkeley	CA	MSP > D > CD patched with MAC > C > C > D EAC & SHN conversion by John Mollman from Jim Powell's seed	Source Detail
12/28/84	San Francisco Civic Auditorium	San Francisco	CA	Audience cassette > ? > DAT > CDR > SHN	Source Detail
12/28/84	San Francisco Civic Auditorium	San Francisco	CA	flac16; Source: MAC: Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Location: 1st row balcony lip, DEAD Center Taper: Adam Transfer: MAC: Nakamichi CD2(played back on type IV setting, azimuth adjusted) > rca/xlr > Luntec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, conversion and upload to bt.etree.org by Alex Ford.	Source Detail
12/28/84	San Francisco Civic Auditorium	San Francisco	CA	flac16; TAPER: Greg Holtz & Tony Bolton SOURCE: Front Row OTS, Nakamichi CM-100s w/CP-4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell Metalxial MX 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename	Source Detail	FLAC
12/29/84	San Francisco Civic Auditorium	San Francisco	CA	AUD>?>CDR>EAC>SHN>WAV(re-tracked)>SHN; via Brian Bontempo; Seeded to etree by jim@juddcreek	Source Detail
12/29/84	San Francisco Civic Auditorium	San Francisco	CA	Oade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN	Source Detail
12/29/84	San Francisco Civic Auditorium	San Francisco	CA	flac16; TAPER: Greg Holtz & Tony Bolton. SOURCE: Front Row Balcony, Nakamichi CM-100s w/CP-4 shotgun caps -> Sony TC-D5M. TRANSFER: By (JAZ) Master Cassettes (Maxell Metalxial MX 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename	Source Detail	FLAC
12/29/84	San Francisco Civic Auditorium	San Francisco	CA	flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k	Source Detail	FLAC
12/29/84	San Francisco Civic Auditorium	San Francisco	CA	flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
12/31/84	San Francisco Civic Auditorium	San Francisco	CA	SB > MR > ?? [apparently FM] > DAT > CDR > EAC> SHN; EAC, SHN, etreed by G.Gorinsky; with thanks to Bill Golden	Source Detail
12/31/84	San Francisco Civic Auditorium	San Francisco	CA	flac16; Interviews Linage: FM Broadcast from WETA In Wash. D.C. > MC (unknown cassette deck). MC > Playback on Marantz PRD505 > Marantz Intergrated Stereo Amp MP-68 (pass thru) > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs	Source Detail
12/31/84	San Francisco Civic Auditorium	San Francisco	CA	flac16; MAC; 2 Sennheiser 421s > Sony D5 > TDK MA-R 90 (Set I & II) & Maxell MX 90 (Set III) Location: 1st row of balcony, Dead Center Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3 (24bit/96kHz) > coax > Audiophile 2496 > WaveLab 5.0 > 24bit/96kHz .wav files (1 per tape side) > Waves L3 UltraMaximizer(dither) > 16bit/44.1kHz > CD Wave Editor > TLH > FLAC16.	Source Detail
12/31/84	San Francisco Civic Auditorium	San Francisco	CA	flac16; Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1; Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16	Source Detail	FLAC
02/18/85	Henry J. Kaiser Convention Center	Oakland	CA	SBD>CM>DAT>SoundForge>CD; Source DAT from Charlie Miller; see info file for more detailed lineage; via John Spaventa; Seeded to etree by Willy	Source Detail
02/19/85	Henry J. Kaiser Convention Center	Oakland	CA	SBD>MC>C>DAT>C>C>ZA2>CDR Lineage may be incorrect based on Nice Sound Quality It just sounds too good to be 4 analogs; via raul; Seeded to etree by steve barbella	Source Detail
02/19/85	Henry J. Kaiser Convention Center	Oakland	CA	flac16; MAC; (FOB) Sennheiser 421s > Sony D5 > Maxell MX 90s Taper: Mark McCue Transfer: MAC > Nakamich Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@2496) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer > 16 bit WAV > CD Wave Editor > TLH > FLAC16. Master Audience cassettes provided by Mark McCue Transfer, editing and conversion by Alex Ford	Source Detail
02/20/85	Henry J. Kaiser Convention Center	Oakland	CA	aud> senn 441> cassette master> cdr; via Mike Lai with thanks to Alan Powell	Source Detail
02/20/85	Henry J. Kaiser Convention Center	Oakland	CA	flac16; MAC; (FOB) Sennheiser 421s > Sony D5 > Maxell MX90s Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@2496) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer > 16 bit WAV > CD Wave Editor > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue Transfer, editing and conversion by Alex Ford 03/06/2007.	Source Detail
03/09/85	Berkeley Community Theater	Berkeley	CA	Unknown aud via Jim Decker, pitch correction Jeff Cotsman, shn encoding Matt Vernon	Source Detail
03/09/85	Berkeley Community Theater	Berkeley	CA	Realistic PZM mics, taper section > Sony TC-D5M cassette deck > Maxell MX-90 cassettes; Transfer: SF> CD Wave> MKW-ACT SHN; via seabass?	Source Detail
03/09/85	Berkeley Community Theater	Berkeley	CA	flac1644 Recording Info: SBD > PCM Master > DAT Clone (44.1k) Transfer Info: DAT Clone (Panasonic SV-3900) > Samplitude Pro X6 Suite > FLAC-16 All Transfers and Mastering by Charlie Miller. June 16, 2023	Source Detail	FLAC
03/10/85	Berkeley Community Theater	Berkeley	CA	FOB Senn421's > Master Cassette > DAT > CD; via Raul Duke; Seeded to etree by Steve Barbella	Source Detail
03/10/85	Berkeley Community Theater	Berkeley	CA	flac16; LINEAGE: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC	Source Detail	FLAC
03/12/85	Berkeley Community Theater	Berkeley	CA	FOB Senn421's > Master Cassette > DAT > CD; via Raoul Duke; Seeded to etree by Steve Barbella	Source Detail
03/12/85	Berkeley Community Theater	Berkeley	CA	Sennheiser MD-421's > Sony TC-D5M > Maxell MX-90 cassettes, Set up in the taper's section; CD Wave tracking> Mkw-ACT shn; Transferred by AndrewF	Source Detail
03/12/85	Berkeley Community Theater	Berkeley	CA	flac16; Lineage: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX Transfer: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC	Source Detail
03/13/85	Berkeley Community Theater	Berkeley	CA	Master Soundboard Cassette > DAT > CDR; via raul; Seeded to etree by steve barbella; upgrade in circulation	Source Detail
03/13/85	Berkeley Community Theater	Berkeley	CA	flac16; MAC; Sennheiser 421s > Sony D5 > TDK MA90 cassettes Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@24/96) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @24/96 > Waves L2 > WAV @16/44.1 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion and seeding by Alex Ford 4/24/2007.	Source Detail	FLAC
03/13/85	Berkeley Community Theater	Berkeley	CA	flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/21/85	Hampton Coliseum	Hampton	VA	FOB-AUD>MC>CDR Mark Horvath recording, Senn. 421?s>Sony TC-D5; via Paul B; Seeded to etree by Brad Ingle	Source Detail
03/22/85	Hampton Coliseum	Hampton	VA	2nd set only; AUD>PCM>DAT>CDR; Seeded to etree by Brad Ingle	Source Detail
03/22/85	Hampton Coliseum	Hampton	VA	Taper:Mark Gibbs Nak 300's > Sony D5 > Master CASS > SoundMAX Digital Audio > CD Wav > SHN Transferred by John Hudson	Source Detail
03/22/85	Hampton Coliseum	Hampton	VA	Oade Brothers Recording: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac	Source Detail
03/22/85	Hampton Coliseum	Hampton	VA	flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
03/24/85	Springfield Civic Center	Springfield	MA	Oade's Master Audience PCM>Schoeps CMC-441 mics>Oade M118>Sony PCM-F1>DAT>CDR>EAC>Shn EAC'ed/Shn'ed and seeded to fungus and abgd by Charlie Connor 3/26/02 with thanks To Scott Clugston and to Doug Oade.	Source Detail
03/24/85	Springfield Civic Center	Springfield	MA	flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
03/25/85	Springfield Civic Center	Springfield	MA	Pitch corrected AUD Lineage: Nak 300 mics, Phil's side, next to board, -> Sony D5, -> HHb 850 -> SHN -> Schlisseltronics -> SHN	Source Detail
03/25/85	Springfield Civic Center	Springfield	MA	flac16; AUD: Beyers M88's > lead deck Sony D5 > Sony TC-D5M > TDK MA-90's, with no Dolby, set up in second row of seats at end of the floor. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Recording and transfer by Andrew F. 05/2015	Source Detail	FLAC
03/25/85	Springfield Civic Center	Springfield	MA	flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
03/27/85	Nassau Veterans Memorial Coliseum	Uniondale	NY	SBD> MC> C> DAT> CDR> WAV> SHN; DAE, FTP via neo_levo	Source Detail
03/27/85	Nassau Veterans Memorial Coliseum	Uniondale	NY	Nakamichi 300 Shotguns CP4's & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel	Source Detail
03/27/85	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16/48kHz Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
03/28/85	Nassau Veterans Memorial Coliseum	Uniondale	NY	SBD> MC> DAT> CDR; via Randy Griesman; dropouts at d1t7 0:10, d2t1 0:32	Source Detail
03/28/85	Nassau Veterans Memorial Coliseum	Uniondale	NY	Nakamichi 300 Shotguns CP4's & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel	Source Detail
03/28/85	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
03/28/85	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16/48khz Source Info: Master Vault Cassettes > Dick Latvala's 1st generation cassettes > Rob Eaton's DAT (16/48) > Tim Dalton's DAT (16/48) Transfer Info: Vault Cassettes (Tascam 122 MKIII) > Dick Latvala's Cassettes (Tascam 122 MKIII); Dick's 1st generation cassettes played back on a Nakamichi Dragon > Panasonic SV-3800 DAT (16/48) by Rob Eaton; Rob Eaton's DAT 16/48 (Panasonic SV-3800) > Tim Dalton's DAT (Panasonic SV-3800)(16/48); Tim Dalton's DAT (16/48)(Sony PCM R-500) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> .wav (16/48) > Adobe Audition CC 2020 > TLH flac1648	Source Detail	FLAC
03/29/85	Nassau Veterans Memorial Coliseum	Uniondale	NY	AUD>MC>DAT>CDR; via raul; Seeded to etree by steve barbella	Source Detail
03/29/85	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16; Source: *Beyer M88's>Sony D5M(Sony UCX-S) Location: FOB, Sand at 7 feet. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S	Source Detail
03/29/85	Nassau Veterans Memorial Coliseum	Uniondale	NY	Nakamichi 300 Shotguns CP4's & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel	Source Detail
03/29/85	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
03/31/85	Cumberland County Civic Center	Portland	ME	Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR; Seeded to etree by Charlie Connor	Source Detail
03/31/85	Cumberland County Civic Center	Portland	ME	flac1648 Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
04/01/85	Cumberland County Civic Center	Portland	ME	Aud> Nak300> D5> CM> CDR> EAC(Secure Mode)> CDWave (Retracking Only)> shnv3 (MKW ACT); Cassette master recorded by Steven Ziemba; Transferred to cd by Michael Lai; EAC/Retracked/Shn'ed by Charlie Connor; to abgd	Source Detail
04/01/85	Cumberland County Civic Center	Portland	ME	Sources: Primary Source:Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR>EAC>Shn Secondary Source:Steve Ziemba's Cassette Master;Aud>Nak300>D5>CM>CDR>EAC>Shn;The secondary source supplies the Baby Blue encore; Seeded to fungus and abgd by Charlie Connor with Thanks to Scott Clugston and Doug Oade	Source Detail
04/01/85	Cumberland County Civic Center	Portland	ME	flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
04/03/85	Providence Civic Center	Providence	RI	Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR> EAC> Shn; EAC'ed/Shn'ed and seeded to Fungus and abgd by Charlie Connor with thanks To Scott Clugston and Doug Oade	Source Detail
04/03/85	Providence Civic Center	Providence	RI	Sources: Master Soundboard Cassette > C > CDR, Master Audience Cassette: (2) Sennheiser ME-80's + (2) Sennheiser 441's source supplies patches,CD Mastering / Patching by Scott Clugston; EAC'ed / SHN'ed by Scott Clugston with thanks to Tommy McKeown & Charlie Connor; posted to abgd via Trip Bates	Source Detail
04/03/85	Providence Civic Center	Providence	RI	flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
04/03/85	Providence Civic Center	Providence	RI	Recorded by the Oade Brothers Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac	Source Detail	FLAC
04/04/85	Providence Civic Center	Providence	RI	SBD>HiFi Video (Lighting crew)>MC>CDR; Missing Space (tape flip); via Tommy Danscuk; Seeded to etree by Willy	Source Detail
04/04/85	Providence Civic Center	Providence	RI	flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
04/06/85	The Spectrum	Philadelphia	PA	Unknown Audience source; Shn'ed and seeded to abgd by Chris Perkins with thanks to Michael McGinnis.	Source Detail
04/06/85	The Spectrum	Philadelphia	PA	Recorded by the Oade Brothers; transferred by Doug Oade, tracked by Darrin Sacks Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac	Source Detail
04/06/85	The Spectrum	Philadelphia	PA	flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/06/85	The Spectrum	Philadelphia	PA	flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
04/07/85	The Spectrum	Philadelphia	PA	Csbd> DAT> CDR> EAC> SHN; via Scott Z., Darrin Sacks	Source Detail
04/07/85	The Spectrum	Philadelphia	PA	flac16; Sennheiser 421's > Sony D5 > Tascam CRD4U > EAC > CDR Taper: M. McCue Lineage: Sony D-5 > Tascam CDR4U stand alone burner > CDR > EAC > Win XP Pro > FLAC Frontend > FLAC16. Transfer from Sony D5 through CDR by Mark McCue Transfer from CDR through FLAC16 by Alex Ford on 03/07/05.	Source Detail	FLAC
04/07/85	The Spectrum	Philadelphia	PA	flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/08/85	The Spectrum	Philadelphia	PA	possible reDAE/reSHN of previous shn set; via redbeard to abgd	Source Detail
04/08/85	The Spectrum	Philadelphia	PA	(Healy Mix)SBD>MC>PCM>BETA>DAT>CDR; Seeded to etree by Tim W	Source Detail
04/13/85	Irvine Meadows	Irvine	CA	sbd> mc> reel> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT	Source Detail
04/14/85	Irvine Meadows	Irvine	CA	SBD> Master Cassette> DAT> CDR> EAC> SHN; DAE (EAC) + SHN Encoding by Jeff M.	Source Detail
04/14/85	Irvine Meadows	Irvine	CA	flac16; Source Info: Master Soundboard Cassettes > Dat (16-bit/44.1k); Transfer Info: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Sound Devices 744T (.wav 16-bit/44.1k) > Adobe Audition 3.01 > TLH flac16	Source Detail	FLAC
04/21/85	Marin Veterans Memorial Auditorium	San Rafael	CA	flac16; Source: SBD > ? > Cassette, kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. August 2012	Source Detail	FLAC
04/27/85	Frost Amphitheatre	Palo Alto	CA	SBDMC> DAT> CDR; CDR> EAC> SHN; conversion & upload, A. Jerugim; no known flaws	Source Detail
04/27/85	Frost Amphitheatre	Palo Alto	CA	Source: Analog Audience maxell mx 90's 3 tapes Namakamichi CM 700 Mics and Custom ps/preamp mixer - > modified dbx 224 (mod'd to run from battery pack) - > Sony TC D5M (dbx encoded) Analog Sound Peservation: Nakamichi CR7a - > dbx nx40 (dbx decoded) - > Audio Technica mixer/line amplifier - > Korg MR 2000 at 1 bit 5.6 MHz - > Audiogate software to create 24-96 files	Source Detail	FLAC
04/28/85	Frost Amphitheatre	Palo Alto	CA	Master Soundboard Reel > DAT > CD; Seeded to etree by Steve Barbella	Source Detail
06/14/85	Greek Theatre, U. Of California	Berkeley	CA	Schoeps cmc42S (spread around 8') > Oade M118 prototype "b" > Oade Modified PCM-F1 > DATx2 (44.1khz) Recorded by Doug Oade, Taper's Section; Transfer: Sony D7> Sonic Sense Modified Sony 7 Pin Coax > Zoltrix Nightingale > CDWAV > SHN; DAT>SHN conversion and seeding by Darrin Sacks	Source Detail
06/14/85	Greek Theatre, U. Of California	Berkeley	CA	Updated Source: SBD > Cassette DAT > CDR/? Conversion: CDR > EAC (read offset correct) > CDWave > CoolEditPro > mkwACT > SHN (seekable) by Randy Carman rcarman@cogeco.ca	Source Detail
06/14/85	Greek Theatre, U. Of California	Berkeley	CA	flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD -> EAC -> SHN; Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/14/85	Greek Theatre, U. Of California	Berkeley	CA	flac16; Recording Info; (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info; Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k)	Source Detail	FLAC
06/14/85	Greek Theatre, U. Of California	Berkeley	CA	flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Fuji FR-Metal 90's, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Taped and transferred by Andrew F. 08/2014	Source Detail	FLAC
06/14/85	Greek Theatre, U. Of California	Berkeley	CA	flac16/48kHz; Recording Info: SBD -> Cassette Master (Dolby B) -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/14/85	Greek Theatre, U. Of California	Berkeley	CA	flac16; Recording Info: SBD -> Cassette Master (Dolby B) -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
06/15/85	Greek Theatre, U. Of California	Berkeley	CA	Oade PCM-AUD -- Schoeps MK41 (90 deg -- Tapers' Section) -> CMC4 -> Oade M118 prototype "b" -> Oade Modified PCM-F1 -> DAT; Recorded by Doug Oade; Transfer: (Set I: 48K DAT; Set II: 44.1k DAT, from Doug Oade) Sony PCM-M1 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> Cooledit 2k (sample rate conversion) -> CDWAV -> SHN; DAT>SHN conversion and seeding by Darrin Sacks	Source Detail
06/15/85	Greek Theatre, U. Of California	Berkeley	CA	SBD> ?> CD-R> EAC> CDWAV retrack> SHN; via Randy Griesman	Source Detail
06/15/85	Greek Theatre, U. Of California	Berkeley	CA	flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(13 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
06/15/85	Greek Theatre, U. Of California	Berkeley	CA	flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 ->FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail
06/15/85	Greek Theatre, U. Of California	Berkeley	CA	flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > JVC ME-90P Metal tape, with no Dolby. Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. January 2009.	Source Detail
06/15/85	Greek Theatre, U. Of California	Berkeley	CA	Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac	Source Detail	FLAC
06/16/85	Greek Theater, U. of California	Berkeley	CA	Oade PCM-AUD Schoeps MK41 (90deg spaced spaced 17 cm- aka DIN variant, Tapers' Section)> CMC4> Oade M118 prototype b> Oade Modified PCM-F1> DAT (x3?) (48khz); Recorded by Doug Oade: Transfer: Sony PCM-M1> Sonic Sense Modified Sony 7 Pin Coax> Zoltrix Nightingale (coax Mod)> Cooledit 2k (sample rate conversion)> CDWAV> SHN; Note: There are two circulating transcriptions seeded by Darrin Sacks, this seed is from the 48kHz DAT source; see alternate seed; also to abgd via Charlie Connor	Source Detail
06/16/85	Greek Theater, U. of California	Berkeley	CA	Oade PCM-AUD Schoeps MK41 (90deg spaced spaced 17 cm- aka DIN variant, Tapers' Section)> CMC4> Oade M118 prototype b> Oade Modified PCM-F1> DAT (x1?) (44.1khz); Recorded by Doug Oade; Transfer: Sony d7> Sonic Sense Modified Sony 7 Pin Coax> Zoltrix Nightingale (coax Mod)> CDWAV (no sample Rate Conversion Performed); DAT>SHN conversion and seeding by Darrin Sacks; There are two circulating transcriptions seeded by Darrin Sacks, this seed is from the 44.1kHz DAT source; see alternate seed	Source Detail
06/16/85	Greek Theater, U. of California	Berkeley	CA	SBD> MVHS> DAT> CD-R; via Dave Barrick?; note there is an alternate 3 CD version	Source Detail
06/16/85	Greek Theater, U. of California	Berkeley	CA	flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(11 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
06/21/85	Alpine Valley Music Theatre	East Troy	WI	Master Soundboard Cassette > DAT > CDR; via Jack Straw; Seeded to etree by steve barbella	Source Detail
06/21/85	Alpine Valley Music Theatre	East Troy	WI	flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT)	Source Detail	FLAC
06/22/85	Alpine Valley Music Theatre	East Troy	WI	SBD > (poss cass gen)? > PCM > DAT @ 44.1 (pre-emphasis on); Transfer: DAT clone; Sony PCM-2600 > Audioquest coax > Turtle Beach Fiji > Soundforge 4.5 > pre-emphasis removed (see notes) > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig; via Bill Gardner, Ghost to etree	Source Detail
06/22/85	Alpine Valley Music Theatre	East Troy	WI	flac16; (MAC) 4 Nakamichi 100s (2 for each channel) > Sony D5 > 2 Maxell MX90s Taper: Greg Holtz Transfer: MAC > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3(@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496 > Waves L3 UltraMaximizer > WAV @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC16. Transfer, edits, conversion & seeding by Alex Ford August 2007.	Source Detail	FLAC
06/22/85	Alpine Valley Music Theatre	East Troy	WI	flac16/44.1 Microphones: AKG C422|AKG S42 XY 90º Cardioid Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel? Transfer by: Kyle Holbrook First AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP	Source Detail	FLAC
06/24/85	River Bend Music Center	Cincinnati	OH	SBD > Cassette Master > PCM > DAT > CD; Transfer: CD > EAC > Cool Edit Pro v2.0 > Samplitude v7.02 Professional > SHN; Transferred and Edited By Charlie Miller; note flaw fix in d3t4 reflected in fixed md5 (see pub comments)	Source Detail	SHN
06/24/85	River Bend Music Center	Cincinnati	OH	flac16/44.1 Microphones: AKG C422|AKG S42 XY 90º Cardioid see *** Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel?, Eddie Wahba Transfer by: Kyle Holbrook Second AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP	Source Detail	FLAC
06/25/85	Blossom Music Center	Cuyahoga Falls	OH	SBD> Master Cassette> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M.; Known Flaws: d2t01 two minor clicks during first :02 of Gimme Some Lovin'	Source Detail
06/25/85	Blossom Music Center	Cuyahoga Falls	OH	flac16; OTS: Sennheiser MD441U > Sony TCD5-M > MaxeLL MX > Nakamichi CR 7A > Edirol R4Pro ( Oade Preamp Mod ) @ 24/88.2 > WaveBurner > xACT > FLAC16; Recorded, processed, and let loose by Mike Kutik	Source Detail	FLAC
06/25/85	Blossom Music Center	Cuyahoga Falls	OH	flac16/48kHz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
06/25/85	Blossom Music Center	Cuyahoga Falls	OH	flac16/44.1khz Microphones: AKG C422|AKG S42 XY 90º Cardioid Recorder: Sony TC-D5M [mic master] Location: Pavilion ~100' from stage 30' ROC (Sec 22 Row R) This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Eddie Wahba Transfer by: Kyle Holbrook Third AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP	Source Detail	FLAC
06/27/85	Saratoga Performing Arts Center	Saratoga Springs	NY	Amy's Soundboard VHS > Cassette > DAT> CDR; CD Re-Mastering, EAC'ed / SHN'ed by Scott Clugston	Source Detail
06/27/85	Saratoga Performing Arts Center	Saratoga Springs	NY	flac16; SBD> Master Cassette> PCM> Dat (unconfirmed- could be SBD> VHS> Cass> Dat> CD); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller	Source Detail	FLAC
06/27/85	Saratoga Performing Arts Center	Saratoga Springs	NY	flac16; Source: SBD > MC > DAT(48KHz).Transfer: DAT playback on Sony PCM-R500 > unbalanced XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracked with CDWAV 1.9 > FLAC. DAT via M.Townshend. Transfer, mastering and lossless encoding by C.Ladner	Source Detail
06/27/85	Saratoga Performing Arts Center	Saratoga Springs	NY	flac1644 Source: Nakamichi 300 Shotguns > Sony Tc-d5m > Master Cassette (dolby B On) Location: Mics On Shure S15 Stands (up High), Approx. 25' From Repeaters, Front Of Lawn. Recorded & Transferred By Anon Edited & Mastered (adobe Audition) By Joe Noel April 22, 2022	Source Detail	FLAC
06/27/85	Saratoga Performing Arts Center	Saratoga Springs	NY	flac16/44.1 Microphones: AKG C422|AKG S42 XY s1:60º cardioid s2: 90º cardioid [-10dB pad on] Recorder: Sony TC-D5M [mic master] Location: Lawn ~175' from stage DFC This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney Transfer by: Kyle Holbrook Fourth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP	Source Detail	FLAC
06/27/85	Saratoga Performing Arts Center	Saratoga Springs	NY	flac1644 Source: Nakamichi 300 Shotguns > Sony Tc-d5m > Master Cassette (dolby B On) Location: Mics On Shure S15 Stands (up High), Approx. 25' From Repeaters, Front Of Lawn. Recorded & Transferred By Anon Edited & Mastered (adobe Audition) By Joe Noel April 22, 2022	Source Detail	FLAC
06/28/85	Hershey Park Stadium	Hershey	PA	SBD? liberated bootleg; via lemon2	Source Detail
06/28/85	Hershey Park Stadium	Hershey	PA	AUD: FOB Sony D-5M Sennheiser 441's Recorded by Steve (the Lizzard); Posted to abgd by Tommy McKeown	Source Detail
06/28/85	Hershey Park Stadium	Hershey	PA	flac16/48khz Source Info: Master Soundboard Cassettes (Sony D5M)> 1st generation cassettes (Sony D5M) > Rob Eaton's DAT (Panasonic SV-3800)(16/48) > Tim Dalton's DAT (Panasonic SV-3700)(16/48) Transfer Info: 1st generation cassettes (unknown deck) > Panasonic SV-3800 DAT (16/48) by Rob Eaton; Rob Eaton's DAT 16/48 (Panasonic SV-3800) > Tim Dalton's DAT (Panasonic SV-3800)(16/48); Tim Dalton's DAT (16/48)(Sony PCM R-500) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> .wav (16/48) > Adobe Audition CC 2020 > TLH flac1648	Source Detail	FLAC
06/30/85	Merriweather Post Pavilion	Columbia	MD	set 2; Daud -- Oade recording: Schoeps CMC441 (@ 90 degrees) > Oade M118 > Oade Modified PCM-F1 > DATs > CDRs > EAC > SHN (Seekable); via Darrin Sacks	Source Detail
06/30/85	Merriweather Post Pavilion	Columbia	MD	set 1; Recorded by Tommy McKeown; Master AUD Sony D5 Sennheiser ME 80 & 441's > Wav > SHN; 5 sec. dropout on left channel during BEW	Source Detail
06/30/85	Merriweather Post Pavilion	Columbia	MD	flac16; SBD -> Cassette Master -> Dat -> CD -> EAC -> FLAC Converted By Charlie Miller	Source Detail
07/01/85	Merriweather Post Pavilion	Columbia	MD	Oade recording: Schoeps cmc441 (ortf @90 degrees) > Oade M118 > Modified Sony PCM-F1 > DATs >CDs > EAC > SHN (seekable); plus patches from fob beyer m160 source (see txt); EAC, patching, upload by Darrin Sacks; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments)	Source Detail
07/01/85	Merriweather Post Pavilion	Columbia	MD	Unknown shotgun type mics > Sony D6 > Maxell XLII 90's 12" stand Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN by Charles Bandrofcheck. This is the 2nd re-transfer by Charles of his source.	Source Detail
07/01/85	Merriweather Post Pavilion	Columbia	MD	Fix of previous sbd shn set; See info file for details; Disc 1 & 2: SBDmc>?>DAT>CD>EAC>SHN>CD>EAC Disc 3: SBDmc>?>DAT>CD>EAC Seeded to etree by Paino Man	Source Detail
07/01/85	Merriweather Post Pavilion	Columbia	MD	flac16; Source: FOB-Nakamichi 700s > Sony D5 > Maxell MX90 type IV cassettes. Taped by B.Koucky, patched out of B. Glassberg. Transfer: MAC playback, Nakamichi CR-7A, azimuth adjusted > 1 ft Lynx RCA-XLR audio cables > Lunatec V3 > AES digital out > LynxTwo in a E6400-based DuoCore 2 PC > Wavelab 5, recorded as 24/96 KHz WAV > mastering with Ozone 3 > dithered to 16/44.1 KHz using Izotope MBIT+ > CDWAV1.9 > FLAC (level 8). Analog>Digital transfer and mastering by C.Ladner	Source Detail
07/01/85	Merriweather Post Pavilion	Columbia	MD	Recording Info: SBD -> Cm -> ? -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> CD; Transfered and Edited By Charlie Miller	Source Detail
07/01/85	Merriweather Post Pavilion	Columbia	MD	flac1644 Recording Info: SBD > PCM Master > DAT Clone (44.1k) Transfer Info: DAT (Panasonic SV-3900) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC All Transfers and Mastering by Charlie Miller. July 8, 2023 Notes: Some PA static throughout the show. Thanks to Dick Latvala for the dats	Source Detail	FLAC
07/02/85	Civic Arena	Pittsburgh	PA	FOB Senn. 421's > Sony TC-D5 > DAT > CD; via Storyteller & Mark Horvath; Seeded to etree by Steve Barbella	Source Detail
07/02/85	Civic Arena	Pittsburgh	PA	Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac	Source Detail
07/02/85	Civic Arena	Pittsburgh	PA	flac16; MAC; (FOB) Sennheiser 441's > Sony D5 > Sony D5 > 2 x TDK MA 90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav (@24/88.2)> WaveLab editing/mastering with UAD-1 in 24/88.2> r8brain PRO> .wav @16/44.1> CD Wave Editor> TLH> flac16(level eight)> Tag&Rename(metadata). Taped by Davey Meade Transferred, edited and mastered by Alex Ford.	Source Detail	FLAC
07/13/85	Ventura County Fairgrounds	Ventura	CA	SBDmc> DAT> CD> eac> cool edit> shn; hiss cleaned up with Cooledit (non-cleaned version may be available from Nick too); crackling sound on both discs here and there apparently due to Phil's equip; via N. Georges	Source Detail
07/13/85	Ventura County Fairgrounds	Ventura	CA	flac16; Recording Info; (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info; Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel	Source Detail	FLAC
07/14/85	Ventura County Fairgrounds	Ventura	CA	flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
07/14/85	Ventura County Fairgrounds	Ventura	CA	Master Soundboard Cassette > CDR,CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston, posted to abgd via Charlie Connor	Source Detail
07/14/85	Ventura County Fairgrounds	Ventura	CA	flac16; Recording Info; (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info; Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel	Source Detail	FLAC
07/14/85	Ventura County Fairgrounds	Ventura	CA	flac16; MAC; Sennheiser 441 > Sony D5 > D5 > 2 x Maxell MX 90; Transfer/Lineage: MAC> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav @24/88.2> iZotope Ozone 3> .wav @16/44.1> CD Wave Editor> TLH> flac16; Taped by Adam; Transferred, Edited and Mastered by Alex Ford	Source Detail	FLAC
08/24/85	Boreal Ridge Ski Resort	Donner's Summit	CA	Source: MSC > cdr via Paul Scotton encoded by Matt Vernon	Source Detail
08/30/85	Southern Star Amphitheater	Houston	TX	SBD > ? > CD-R obtained by Slick Willie > EAC > correction of tracking > SHN by sunspot; Some diginoise was eliminated, some remains; seeded to etree by bubba420	Source Detail
08/30/85	Southern Star Amphitheater	Houston	TX	Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac via Darrin Sacks	Source Detail
08/31/85	Manor Downs	Austin	TX	updated lineage: 90 X-Y Schoeps CMC441 & 8ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1> DAT> CDR> EAC> Shn; taped by Doug Oade; EAC'ed/Shn'ed, and Seeded via Fungus and abgd by Charlie Connor with thanks to Scott Clugston and Doug Oade	Source Detail
09/02/85	Zoo Amphitheater	Oklahoma City	OK	Schoeps CMC34> PCM> DAT> CD-R> ?> SHN> MKW> WAVE LAB> MKW> SHN (Seekable); slight cleanup of some other shn set; seeded by Steven Leeds, with thanks to Jason Eckert	Source Detail
09/02/85	Zoo Amphitheater	Oklahoma City	OK	SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko	Source Detail
09/03/85	Starlight Theater	Kansas City	MO	Oade Master -- 9-3-85 was 90 degree X-Y CMC441 + CMC42s (spaced 10') -> Oade mixer->Oade mod PCM-F1 first row behind board > ? (no digital processing performed) > Audio CDR from Doug Oade; via Darrin Sacks	Source Detail
09/03/85	Starlight Theater	Kansas City	MO	flac16; FOB Schoeps CMC42Omni and CMC34Cardiod Passive Mix > F1 > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5 44.1kHz* > shntool > flac (8)	Source Detail	FLAC
09/03/85	Starlight Theater	Kansas City	MO	flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
09/05/85	Red Rocks Amphitheatre	Morrison	CO	SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Dan Michael	Source Detail
09/06/85	Red Rocks Amphitheatre	Morrison	CO	SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Chad Magdanz	Source Detail
09/06/85	Red Rocks Amphitheatre	Morrison	CO	flac16; Oade Master: 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM> DAW (via SEKD Prodif)> Wav> cdwav> flac; Transferred by Doug Oade, tracked by Darrin Sacks	Source Detail
09/06/85	Red Rocks Amphitheatre	Morrison	CO	flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
09/07/85	Red Rocks Amphitheatre	Morrison	CO	Schoeps CMC42S> Oade power supply +90deg x-y Schoeps CMC441> Oade power supply. Then both into custom Oade mixer into Oade modified PCM-F1 and digitally remastered by Doug Oade> DAT > TB Fiji digi I/O > yarec > wav2cdr > wav; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments)	Source Detail
09/10/85	Henry J. Kaiser Convention Center	Oakland	CA	SBD> Reel>DAT; Conversion: Tascam DA-20 MK II (via RCA analog out for pre-emphasis removal) > Tascam DA-20 > Delta Dio 2496 > Soundforge XP 4.5 (volume change and channel swap) > CD Wave > (CD> EAC d1t1-7)> SHN; Taped by ?, Converted by Rob (Odeo) Harrison	Source Detail
09/10/85	Henry J. Kaiser Convention Center	Oakland	CA	flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software	Source Detail	FLAC
09/10/85	Henry J. Kaiser Convention Center	Oakland	CA	flac16; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick July 2018, This file set is 16 bit @ 44.1	Source Detail	FLAC
09/11/85	Henry J. Kaiser Convention Center	Oakland	CA	Master Soundboard Cassette > Cass > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella	Source Detail
09/11/85	Henry J. Kaiser Convention Center	Oakland	CA	flac16; Source:TS>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57(tracking only)>flac16: Taped and Transferred by Charlie Connor	Source Detail
09/12/85	Henry J. Kaiser Convention Center	Oakland	CA	Master Soundboard Cassette > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella	Source Detail
09/12/85	Henry J. Kaiser Convention Center	Oakland	CA	flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
09/12/85	Henry J. Kaiser Convention Center	Oakland	CA	flac16; Source:TS>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped and Transferred by Charlie Connor	Source Detail
09/15/85	Devore Field, Southwestern U	Chula Vista	CA	Unknown Mics (parabolic reflectors, 40" apart)>Unknown deck> CM> C> Sony R500 w/ SBM (a/d)>WAV>CD-R.	Source Detail
09/15/85	Devore Field, Southwestern U	Chula Vista	CA	flac16; Source:Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57(tracking only)>flac16 Taped and transferred by Charlie Connor	Source Detail	FLAC
10/25/85	The Sportatorium	Pembroke Pines	FL	(2) Beyers 160/(2) Nakamichi 300+CPI (Front of Board)> Master Cassette> DAT> CDR; Taped by Mark Horvath; CDR> EAC> MKW> SHN by Jan Welch	Source Detail
10/25/85	The Sportatorium	Pembroke Pines	FL	flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/26/85	Sun Dome	Tampa	FL	FOB Audio Technica ATM 11s / 2 Nakamichi 300s > Sony TCM D-5 > Master Cassette; Conversion: MC > Sony TC-we 435 > Sony DTC 700 > DAT > Sony DTC 700 > digital ouput > Philips CDR 870 > CD-R (see note in info file); taped, Cass > CD-R conversion by Mark Horvath; CD-R > SHN: CD-R* > EAC 3x > .wavs compared by MD5s and EAC's .wav compare tool > Cool Edit (rejoin tracks and fades) > CD-WAV (Re-Tracking) > MKW ACT 0.96 > SHN, by Jan Welch	Source Detail
10/28/85	Fox Theater	Atlanta	GA	Nak 300->Sony D-5>MC>Sony KA1ES->HHb 850>CD>EAC>Cool Edit 2000>CDwav>Shnv3; via Tommy Danscuk; Seeded to etree by Ernie Dodd	Source Detail
10/28/85	Fox Theater	Atlanta	GA	Source: FOB Schoeps CMC3's/MK4's > PCM > DAT > CDR > EAC > CDWave > mkwACT Beginning of Sugaree and Scarlet Begonias patched with following source: Nak 300's > D5/Sony KA1ES > HHB 850 > EAC Eac'd/Patched/SHN'd by Doug Nawrocki	Source Detail
10/28/85	Fox Theater	Atlanta	GA	flac16/48kHz; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
10/28/85	Fox Theater	Atlanta	GA	flac16; Set 2 only. source: 2 Sony ECM-33P's > Sony TC-D5M (Dolby B)Maxell MX90 cassette. recorded by Jerry Moore, 8th row orchestra. transfer: master cassette (maxell MX90)> Nakamichi Dragon (Dolby B) > HHBCDR830plus > EAC > SoundForge 6.O (fades and tape flip)> CD Wave > flac. Transfer and flac encoding by Anne Cohen, May 2007.	Source Detail	FLAC
10/29/85	Fox Theater	Atlanta	GA	2nd set only; Source: SBD>Cassette>Cassette>DAT Conversion: Tascam DA-20 MK II >SoundForge (48KHz>44.1KHz)>Cool Edit 2000 (10db hiss reduction and FFT filter to reduce treble from Dolby)>CD Wave>MKW (SHN) Taped by ?, Converted by Rob (Odeo) Harrison (www.odeo.net) 7/8/02. Includes filler from GDH #461 - Warfield, 2/17/82	Source Detail
10/29/85	Fox Theater	Atlanta	GA	Complete; Nak 300-> Sony D-5 > MC > Sony KA1ES -> HHb 850 > CD; via Tommy Danscuk; Seeded to etree by Ernie Dodd	Source Detail
10/29/85	Fox Theater	Atlanta	GA	flac16; LINEAGE: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC. The microphone location was 'dead center' and approximately 50 to 60 feet from the stage, which was about 50 feet or so in front of the Official Taper's Section.	Source Detail
10/29/85	Fox Theater	Atlanta	GA	flac16/48kHz; Source Info: Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
10/31/85	Carolina Coliseum, University Of South Carolina	Columbia	SC	FOB PCM AUD -- ??? Mics -> PCM -> DATs -> CDR (x1) -> EAC -> SHN; via Darrin Sacks, from Scott Z's seed	Source Detail
10/31/85	Carolina Coliseum, University Of South Carolina	Columbia	SC	Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k) DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)> Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN(Seekable) Seeded by Darrin Sacks; Also to abgd via Charlie Connor	Source Detail
11/01/85	Richmond Coliseum	Richmond	VA	Sources: Primary Source:Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k) DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable: Secondary Source:Charlie Connor's Cassette Master: FOB>Beyer M88's>Sony TCM D5>Wav:The Secondary Source Supplies patch on d1t02 3:28-3:34: Seeded to etree by Darrin Sacks with thanks to JJ; also to abgd via Charlie Connor; 3/01 update: this date is now released as Dick's Picks 21- go buy that	Source Detail
11/01/85	Richmond Coliseum	Richmond	VA	Schoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1 [recorded by the Oade Brothers]	Source Detail
11/02/85	Richmond Coliseum	Richmond	VA	(FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital mastering by Charlie Connor; seeded to abgd	Source Detail
11/04/85	The Centrum	Worcester	MA	SBD:MC> DAT> C> DAT> CD; via Skip Jenkins; Peter Braverman	Source Detail
11/04/85	The Centrum	Worcester	MA	flac16; SRC: MAC (Senn 421's + Nak 300s > Yamaha mixer > Sony D-5); Transfer: Playback on Nak DR-1 > HD-P2 > WAV > FLAC	Source Detail
11/04/85	The Centrum	Worcester	MA	flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
11/04/85	The Centrum	Worcester	MA	flac16; SBD Cassette > DAT > FLAC	Source Detail	FLAC
11/05/85	The Centrum	Worcester	MA	sdb> reel master> cassette> dat> cdr; via Mike Lai	Source Detail
11/05/85	The Centrum	Worcester	MA	Source: Audience (Tapers? Section) ? Digital Master Mics: Schoeps (2 x CMC441) Processor: Sony PCM-F1 (Oade Modified) Tape Deck: Sony Portable BetaMax Taper: Oades Tracked: Conrad	Source Detail
11/05/85	The Centrum	Worcester	MA	flac16; SBD Cassette > DAT > FLAC	Source Detail	FLAC
11/07/85	Community War Memorial Auditorium	Rochester	NY	SBD (MSC> Reel> DAT> CDR> TAE> CDR> EAC> Shnv3) with AUD patches (FOB AUD> Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3); assembled by Charlie Connor, from Dave Shepard's SBD seed and Cahrlie's AUD; alternative d1 AUD tracks also included	Source Detail
11/07/85	Community War Memorial Auditorium	Rochester	NY	Taped & Transfered by Brian Mandel Nakamichi 300 Shotguns CP4's & Sony TCD5M Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn. Sector boundaries verrified via shn tools.	Source Detail
11/07/85	Community War Memorial Auditorium	Rochester	NY	flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
11/08/85	Community War Memorial Auditorium	Rochester	NY	Master Soundboard Cassette > Reel to Reel > DAT > CDR, with patches from Charlie Connor's Master Audience Cassette (Beyer M88 mics> Sony TC-D5M in d1t7,8; CD Mastering, EAC> SHN by Scott Clugston; d2 tracked for 80 min	Source Detail
11/08/85	Community War Memorial Auditorium	Rochester	NY	Tapers: Oade Bros Field: Schoeps CMC441 (TS, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1 Transfer: Master PCM > DAW (via SEKD card) > DSP* > CD data > HD > CDWave 1.7 > Wavelab 4 > mkwACT0.97b (SHN) Tracking, fades and verification done by dwonk. First hosted via Bit Torrent February 5, 2004 by macdaddy	Source Detail	SHN
11/08/85	Community War Memorial Auditorium	Rochester	NY	flac16; AUD Source: AKG CK1's > Uher CR-240 > Sony TC-D5M (first deck out). Taped onto Maxell MX-90's with no Dolby. Mics on stand (aprx 7 feet) set up just to the left (stage right) of the soundboard. Transfer by Jim Wise (2002), MAC > Nakamichi Dragon (no Dolby) > HHB CDR-800 > CDR. EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC	Source Detail	FLAC
11/10/85	Meadowlands Arena	East Rutherford	NJ	Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR EAC'ed/Shn'ed by Charlie Connor 3/2/02, with thanks to Scott Clugston and Doug Oade; to abgd.	Source Detail
11/10/85	Meadowlands Arena	East Rutherford	NJ	flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Sony UCXS90 (1st set) & TDK MA90 (2nd set) with no Dolby. Set up last row of floor far right (stage left) side. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Taped and transferred by Andrew F. 05/2014	Source Detail	FLAC
11/11/85	Meadowlands Arena	East Rutherford	NJ	2nd set only; Schoeps CMC 341's> Master Cassette > DAT > CDR; via Storyteller; Seeded to etree by Steve Barbella	Source Detail
11/11/85	Meadowlands Arena	East Rutherford	NJ	Schoeps CMC441 (FOB, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1; Transfer: PCM > DAT > DAW > DSP (see notes) > DataCD (mkw) > HD > SFXP4.5 > CDWave v1.6 > mkwACT0.97b (SHN); taped and transferred by Doug Oade; Fades, track cuts, WAV > SHN conversion & verification done by dwonk; seeded by macdaddy via BT	Source Detail
11/11/85	Meadowlands Arena	East Rutherford	NJ	unknown shotguns > Sony D6 > Maxell MX 90's. First right hand seat of taper section 12" stand. Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN via Charlie Bandrofcheck	Source Detail
11/16/85	Long Beach Arena	Long Beach	CA	Schoeps MK41?s > PCM > DAT > CDR seeded by Steve Barbella	Source Detail
11/16/85	Long Beach Arena	Long Beach	CA	flac16; AUD: Unknown mics (see note) > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2015	Source Detail	FLAC
11/16/85	Long Beach Arena	Long Beach	CA	flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
11/17/85	Long Beach Arena	Long Beach	CA	Schoeps MK41?s > PCM > DAT > CDR uploaded by Steve Barbella	Source Detail
11/17/85	Long Beach Arena	Long Beach	CA	Master Soundboard Cassette > DAT > CD uploaded by Steve Barbella	Source Detail
11/17/85	Long Beach Arena	Long Beach	CA	flac16; AUD: Unknown mics (see note) > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2015	Source Detail	FLAC
11/20/85	Henry J. Kaiser Convention Center	Oakland	CA	Master Soundboard Cassette > Cassette > DAT > CDR via Andy Lemieux encoded by Matt Vernon	Source Detail
11/20/85	Henry J. Kaiser Convention Center	Oakland	CA	flac16; Recording Info: SBD -> Cassette Master (Nak 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC	Source Detail
11/20/85	Henry J. Kaiser Convention Center	Oakland	CA	flac16; AUD: Unknown mics > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2016	Source Detail	FLAC
11/21/85	Henry J. Kaiser Convention Center	Oakland	CA	dsbd> pcm> dat> cdr; no filler; d1 same as previous shns, d2 md5s differ; via Mike Lai	Source Detail	shn
11/21/85	Henry J. Kaiser Convention Center	Oakland	CA	flac16; AUD: Unknown mics > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2016	Source Detail	FLAC
11/21/85	Henry J. Kaiser Convention Center	Oakland	CA	flac1648 Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell XLII-S90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496	Source Detail	FLAC
11/22/85	Henry J. Kaiser Convention Center	Oakland	CA	Master Soundboard Cassette > ? > Dat > CDR; Seeded to etree by Steve Barbella	Source Detail
11/22/85	Henry J. Kaiser Convention Center	Oakland	CA	flac1648 Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell XLII-S90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496	Source Detail	FLAC
11/22/85	Henry J. Kaiser Convention Center	Oakland	CA	flac16; Recording Info: SBD -> Cassette Master (Nak 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC	Source Detail
11/22/85	Henry J. Kaiser Convention Center	Oakland	CA	flac16; AUD: Unknown mics > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2016	Source Detail	FLAC
12/30/85	Oakland-Alameda County Coliseum	Oakland	CA	SBDmc> DAT> CD> EAC; ripped & seeded by Nick Georges; d2 tracked for 80 min (see additional tracking notes in pub comments); final update 8/23- because a couple of online setlist dbs show incorrect setlist order for set 1, d1 was thought to be misarranged. However, Nick's first seeding of the show was correct: My Brother Esau> Stagger Lee>. -tuning- > Little Red Rooster	Source Detail
12/30/85	Oakland-Alameda County Coliseum	Oakland	CA	flac16; (FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM Maxell MX90)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>flac; Recorded and digitally mastered by Charlie Connor 7/30/2005	Source Detail
12/31/85	Oakland-Alameda County Coliseum	Oakland	CA	Charles Wier shntool fix of original Braverman Nak source	Source Detail
02/08/86	Henry J. Kaiser Convention Center	Oakland	CA	Source: SBD>MC>PCM>CDR>WAV>SHNv3 via neo_levo/candyman FTP	Source Detail
02/09/86	Henry J. Kaiser Convention Center	Oakland	CA	Master Soundboard Cassette > CDR, disc 2 runs 74:25, CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston, posted to abgd via Charlie Connor	Source Detail
02/11/86	Henry J. Kaiser Convention Center	Oakland	CA	Updated Source Info: SBD> Cassette Master DAT> CD; Seeded to etree by Willy; note see user comments re pre-emphasis (or not)	Source Detail
02/11/86	Henry J. Kaiser Convention Center	Oakland	CA	flac16; Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (lvl8)	Source Detail
02/12/86	Henry J. Kaiser Convention Center	Oakland	CA	Bertha Remaster of the soundboard source. SBD>>(?)>>Wav(EAC)>>DAW(Bertha)>>CDA/SHN - Sound A	Source Detail
02/12/86	Henry J. Kaiser Convention Center	Oakland	CA	flac16; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16	Source Detail
02/14/86	Henry J. Kaiser Convention Center	Oakland	CA	SBD> PCM> Dat> Samplitude> Cool Edit Pro> CD; via David Gans; Seeded to etree by Charlie Miller	Source Detail
02/14/86	Henry J. Kaiser Convention Center	Oakland	CA	Primary Source:Recording Info: FOB(DFC)>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's); Secondary Source: SBD>PCM>Dat>Samplitude>Cool Edit Pro>CD (shn id 11625); The secondary source covers patches in the last 17 seconds of dt05(drums); the first 4:13 of d2t06 (space), and the first 6 seconds of d2t10 (Brokedown Palace: Recorded, Transferred, Patched and Tracked by Charlie Connor	Source Detail
02/14/86	Henry J. Kaiser Convention Center	Oakland	CA	flac16; Recording Info: SBD > PCM (Vault Master) > Dat Clone (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
03/19/86	Hampton Coliseum	Hampton	VA	aud> sony mics> cassette master> cdr; via Mike Lai	Source Detail
03/19/86	Hampton Coliseum	Hampton	VA	flac16; Set 1 only, Source: unknown soundboard * Lineage: cass > Denon DRR-730 > Sony RCD-W10 > cdr > eac > wav > Adobe Audition 1.5 > Wavelab 6 with iZotope Ozone 4 > iZotope RX Advanced > CD Wave > TLH > Flac 16	Source Detail	FLAC
03/19/86	Hampton Coliseum	Hampton	VA	flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
03/20/86	Hampton Coliseum	Hampton	VA	Updated Source info: Unknown Audience Recording (Had been marked: Matrix SBD>MC>C>CD) Some minor digi-noise noted; See txt for details; via Jim Skinner; Seeded to etree by Willy	Source Detail
03/20/86	Hampton Coliseum	Hampton	VA	flac16; Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs.	Source Detail
03/20/86	Hampton Coliseum	Hampton	VA	flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496	Source Detail	FLAC
03/21/86	Hampton Coliseum	Hampton	VA	Nakamichi 300 with Shotguns, Marantz PMD-430; Transfer: Nakamichi BR3 -> Cool Edit 2000 -> Shn; see info file for flaw notes; via Willy	Source Detail
03/23/86	The Spectrum	Philadelphia	PA	MAC (Sony TCD5M 2Sennheiser ME-80 & 2 Sennheiser 441's) > wav > shn	Source Detail
03/23/86	The Spectrum	Philadelphia	PA	flac16; Partial Set 2 Source: SBD > ? > Cassette. Transfer: Hitachi ME-Metal > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Andrew F. 08/2015	Source Detail	FLAC
03/23/86	The Spectrum	Philadelphia	PA	flac16/48kHz; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
03/24/86	The Spectrum	Philadelphia	PA	Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN This is a new seed, with sector boundary errors fixed but otherwise no changes, April 2003. (Peter Braverman)	Source Detail
03/24/86	The Spectrum	Philadelphia	PA	Source Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHN Patch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHN Patched and Edited By Charlie Miller	Source Detail
03/24/86	The Spectrum	Philadelphia	PA	flac16; FOB recording By Tony Lochner Schoeps CMC-441 60 degrees AUD>PCM-F1/SL-2000 Betamax>F1 Copy>F1 Copy Transferred media is Sony PRO-X L-500, master and intermediate copy unknown Mic power supply unknown, probably Doug Oade 18V supply Transfer: Sony SL-HF900 Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 at 24/44.1 Mike Grace Fall2009 Editing-Mastering:Jamie Waddell on GEMS Edit Station. Weiss=Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither FLACLevel8	Source Detail	FLAC
03/25/86	The Spectrum	Philadelphia	PA	AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor; flip in Don't Ease, no other flaws noted; d2 tracked for 80 min	Source Detail
03/25/86	The Spectrum	Philadelphia	PA	Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start	Source Detail
03/27/86	Cumberland County Civic Center	Portland	ME	FOB (center)> AUD> MC> CDR; Neumann U87's> Uher CR240> Maxell XLII 90 Cass. Master> Marantz Pro CDR 500; Paul Hogan recording; EAC/SHN by Charles Hogan	Source Detail
03/27/86	Cumberland County Civic Center	Portland	ME	flac16; Source: FOB Nakamichi 700s > Sony D6 > Maxell MX90 metal master audience cassettes. Taped by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (preamp and A/D) > firewire/P4/XP Pro > recorded as 24 bit/96 KHz WAV (Wavelab 5) > rendered to 16 bit/44.1 KHz WAV (Waves L3 Multimaximizer, hi res CD settings) > tracking (CDWAV 1.9) > FLAC, level 8 encoding	Source Detail
03/27/86	Cumberland County Civic Center	Portland	ME	flac16; SBD -> Cassette Master -> Reel -> Dat -> ? -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/28/86	Cumberland County Civic Center	Portland	ME	FOB (Center)> AUD> MC> CDR Neumann U87's> Uher CR240> Maxell XLII 90 Cass. Master> Marantz Pro CDR 500; Paul Hogan Recording; EAC/SHN by Charles Hogan	Source Detail
03/30/86	Providence Civic Center	Providence	RI	Nak 300/Sony D5> Nakamichi BX-300> CD; via Stephen B. Porter; Seeded to etree by Peter Braverman	Source Detail
03/30/86	Providence Civic Center	Providence	RI	flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2	Source Detail	FLAC
03/30/86	Providence Civic Center	Providence	RI	flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k	Source Detail	FLAC
03/31/86	Providence Civic Center	Providence	RI	AUD>MC>CDR; via Mr.Benson; seedeD	Source Detail
03/31/86	Providence Civic Center	Providence	RI	flac16; taper : Joe D'Amico nak 300 mics w/cp4 shot guns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend	Source Detail	FLAC
03/31/86	Providence Civic Center	Providence	RI	flac24/96; Source: Audience FOB Recording Media: TDK HX-90 Cassette Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Taped by: D. Thompson Transfer by: A. Egert Mastering by: SIRMick	Source Detail	FLAC
04/01/86	Providence Civic Center	Providence	RI	Unknown Sony Mics> Sony TC-D5> Maxell Metal Cassette; Transfer: Nakamichi DR-10> Monster Analog cables> Tascam CD-RW700 Burner; Edit: EAC (IOMEGA CDRW9602EXT-B, Secure with C2, accurate stream, NO disable cache, Read offset correction = -147)> CE2K> SHNTOOL> mkwACT; via mattman	Source Detail
04/01/86	Providence Civic Center	Providence	RI	flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend	Source Detail	FLAC
04/01/86	Providence Civic Center	Providence	RI	flac16; AUD: Sennheiser MD-441's > Sony TC-D5M > Maxell MX-90's, no Dolby, next to the soundboard. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F.	Source Detail	FLAC
04/03/86	Hartford Civic Center	Hartford	CT	Vault PCM Master->10 inch reels at 15 ips->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Michael P. Weitzman Transfer and SHN by Joe Samaritano	Source Detail
04/03/86	Hartford Civic Center	Hartford	CT	flac16; FOB/TS - Schoeps CMC 44 Cardioids > Sony PCM F1, FOB > Sony PCM 601 > Sony /2000ES DAT > PC > Adobe Audition 1.5 > Shntool > flac lvl 8	Source Detail
04/04/86	Hartford Civic Center	Hartford	CT	AUD>MC>CDR; via Mr.Benson; seedeD	Source Detail
04/04/86	Hartford Civic Center	Hartford	CT	Recording Info: Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA-R60 1st set; MA-R90 2nd set)Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Recorded, Transferred, Patched and Tracked by Charlie Connor	Source Detail
04/04/86	Hartford Civic Center	Hartford	CT	flac16; Schoeps CMC 44 Cardioids > Sony PCM F1, FOB/TS > Sony PCM 601 > Sony /2000ES DAT > PC > Adobe Audition 1.5 > Shntool > flac lvl8	Source Detail
04/12/86	Irvine Meadows	Irvine	CA	AUD>MC>DAT>CDR; Schoeps CMC44?s; via Joe Brown; seedeD	Source Detail
04/12/86	Irvine Meadows	Irvine	CA	flac16; (FOB) Sennheiser 441s > Sony D5 > MAC > 1st Gen Cassettes. Tapers: Adam & Justin. 1st Gen Cassettes provided by Mark McCue. Transfer, edits, conversion & seeding by Alex Ford May 2007.	Source Detail	FLAC
04/12/86	Irvine Meadows	Irvine	CA	flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
04/12/86	Irvine Meadows	Irvine	CA	flac16/48khz Source : Nak mics > unspecified deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp 1648	Source Detail	FLAC
04/13/86	Irvine Meadows	Irvine	CA	AUD>MC>DAT>CDR; Schoeps CMC34?s; via Annie Beauneu; seedeD	Source Detail
04/13/86	Irvine Meadows	Irvine	CA	flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
04/18/86	Berkeley Community Theater	Berkeley	CA	unknown SBD; upgrade in circulation	Source Detail
04/18/86	Berkeley Community Theater	Berkeley	CA	unknown SBD; upgrade in circulation	Source Detail
04/18/86	Berkeley Community Theater	Berkeley	CA	flac16; Don Crandel's PCM, Schoeps, FOB > ? > CDR > EAC to transfer the CDR's to WAV > Trader's Little Helper v.1.0.0.72 for SBE-OK, checksums, and lossless compression to FLAC	Source Detail
04/19/86	Berkeley Community Theater	Berkeley	CA	SBD> MC> DAT> CDR> WAV> SHN; DAE (EAC)> d/o repair (sound forge 5)> tracking (cdwav> boundary check (shntool)> SHN (mkwact)> FTP via neo_levo	Source Detail
04/19/86	Berkeley Community Theater	Berkeley	CA	flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC	Source Detail
04/19/86	Berkeley Community Theater	Berkeley	CA	flac16; Recording Info: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC All Transfers and Mastering By David Gans	Source Detail
04/21/86	Berkeley Community Theater	Berkeley	CA	SBD> Master Cassette> DAT> CDR> EAC> SHN; via Jeff M.	Source Detail
04/21/86	Berkeley Community Theater	Berkeley	CA	flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: SBD -> PCM -> Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By David Gans and Charlie Miller	Source Detail
04/21/86	Berkeley Community Theater	Berkeley	CA	flac16; Taper Mike Darby; Master Audience Sennheiser MD421's(PAS/Sec CTR Row LL Seat 21/6ft)> Sony TC-D5M (Maxell MX); Original Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2@24/48>HDD>Amadeus Pro (Tracking,Fades,FLAC8); Tracks Re-Named,MetaData Tagging With AudiGate Software; SBE's Checked/Fixed With Trader's Little Helper	Source Detail	FLAC
04/22/86	Berkeley Community Theater	Berkeley	CA	AUD>PCM>DAT>CDR; via Johanna; seedeD	Source Detail
05/03/86	Cal Expo Amphitheatre	Sacramento	CA	SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko	Source Detail
05/04/86	Cal Expo Amphitheatre	Sacramento	CA	AUD>PCM>DAT>CDR; Schoeps CMC-441's>Sony PCM-F1; Thanks to Billie Jean; seedeD	Source Detail
05/04/86	Cal Expo Amphitheatre	Sacramento	CA	flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
05/10/86	Frost Amphitheatre	Palo Alto	CA	AUD>MC*>DAT>CDR; via Abraham & Isaac; seedeD	Source Detail
05/10/86	Frost Amphitheatre	Palo Alto	CA	flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail
05/11/86	Frost Amphitheatre	Palo Alto	CA	SBD>MC>DAT>CDR (Additional Cass generations?); via Tony Gardner	Source Detail
05/11/86	Frost Amphitheatre	Palo Alto	CA	flac16; SBD > MC > C > DAT > CD > EAC > FLAC; inlcuding AUD patches from previous Beyer source; EAC/FLAC by Darryl Hinko, from David Feldstein's source discs	Source Detail
05/11/86	Frost Amphitheatre	Palo Alto	CA	flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail
06/20/86	Greek Theatre, University Of California	Berkeley	CA	AUD>MC>DAT>CDR; Senn 441>Sony TC-D5; Thanks to the Plowman; seedeD	Source Detail
06/21/86	Greek Theatre, University Of California	Berkeley	CA	MSC>DAT>CDR>SHN; Discs from Andy L. DAE and SHN (Seekable) by tbrame	Source Detail
06/21/86	Greek Theatre, University Of California	Berkeley	CA	AUD>MC>DAT>CDR; Senn 441?s>Sony TC-D5; via the Poor Boy; seedeD	Source Detail
06/21/86	Greek Theatre, University Of California	Berkeley	CA	flac16; Recorded by Mike Grace and Annie Szvetecz; Lineage: Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8	Source Detail	FLAC
06/21/86	Greek Theatre, University Of California	Berkeley	CA	flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017	Source Detail	FLAC
06/22/86	Greek Theatre, University Of California	Berkeley	CA	Neumann kmi-84-> Neumann bs48i-2> pcmf1, at sbd; ; Taper Randy Fleck; PCM-> DAT: Sony pcm-601esd-> panasonic 3500; DAT->CD: fostex d5->marantz cdr615-> eac-> cdwav-> mkwact	Source Detail
06/22/86	Greek Theatre, University Of California	Berkeley	CA	flac16; Recorded by Mike Grace and Annie Szvetecz; Lineage: Mike Grace Master PCM Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1 Recording Location: Official Tapers Section PCM to DAW Transfer by Mike Grace Sony SL-HF900 Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 wav	Source Detail	FLAC
06/22/86	Greek Theatre, University Of California	Berkeley	CA	flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
06/26/86	Hubert H. Humphrey Metrodome	Minneapolis	MN	Recording Info: Sony ECM-939 -> Cassette Master -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller	Source Detail
06/26/86	Hubert H. Humphrey Metrodome	Minneapolis	MN	flac16; source: aud > ??? > cass (low gen) transfer: cass > Nakamichi BX-125E > Creative Extigy > Wavelab > wav > flac transferred, edited and mastered SIRMick July 2008	Source Detail
06/26/86	Hubert H. Humphrey Metrodome	Minneapolis	MN	flac16; Source: Nakamichi CM-100 mics w/ CP-1 Caps > Sony D-6 (Maxell MX-90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Danny Taggart - Third Row, Mics Hand-held Transfers, edits, track/FLAC by Greg Holtz	Source Detail	FLAC
06/28/86	Alpine Valley Music Theatre	East Troy	WI	AUD>MC>??>DAT>CDR; via Mary Shelly; seedeD	Source Detail
06/28/86	Alpine Valley Music Theatre	East Troy	WI	flac16; Recording Info: Sennheiser ME80 -> Cassette Master (Sony TC-DD5M/Maxell XLII-S90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Michael Hessberg	Source Detail	FLAC
06/29/86	Alpine Valley Music Theatre	East Troy	WI	AUD> MC> ??> DAT> CDR; via Tom Thumb; seeded by eD	Source Detail
06/30/86	Riverbend Music Center	Cincinnati	OH	Schoeps CMC4/MK4 -> Oade M118 -> PCM -> Dat -> CD; via the Captain; seedeD (updated source info)	Source Detail
06/30/86	Riverbend Music Center	Cincinnati	OH	flac16; Schoeps CMC4/MK4 -> Oade M118 -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation	Source Detail	FLAC
07/02/86	Rubber Bowl, University of Akron	Akron	OH	AUD>DAT>CDR; via the Doodah Man; seedeD	Source Detail
07/02/86	Rubber Bowl, University of Akron	Akron	OH	2 Beyer M160 FOB> Sony TCD5M Master Cassette>shn	Source Detail
07/02/86	Rubber Bowl, University of Akron	Akron	OH	flac16; Source: Audience FOB Recording, Media: Denon HD8 90 min High Bias Tape Lineage: AKG C460b preís with Ck61uls capsules > Uher CR260AV > MAC Transfer: Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak > WAV Taped by: D. Thompson Transfer by: A. Egert Mastering by: M. Hughey	Source Detail
07/02/86	Rubber Bowl, University of Akron	Akron	OH	flac16; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2	Source Detail	FLAC
07/04/86	Rich Stadium	Buffalo	NY	CDR source: AUD > Sennheiser 441 > D5 > ? > HHB stand-alone burner > CDR Video source: AUD > Farm-Aid satellite feed > Hi-Fi VHS x ? ; includes uncut drums>space	Source Detail
07/04/86	Rich Stadium	Buffalo	NY	flac16; Master Audience Nakamichi CM300/CP4 Shotguns>DBX Reduction>Sony D5 Tapes:Maxell XLII-S 90,90 Taper:Floater,Transfer by Keo Transfer with Nakamichi MR-1>Korg MR-1000 @ 1 BIT/5.6MHz Tracking/Editing/sample Rate Conversion/Metadata tagging with AudioGate Software to 32 Bit Float/96kHz Flacked/Dithered With Korg Aqua to 16/44 SBE's checked/fixed with trader's little helper	Source Detail	FLAC
07/06/86	Robert F. Kennedy Stadium	Washington	DC	FOB-AUD>MC>DAT>CDR; Senn 421?s>Sony TC-D5; via Frankenstein; seeded by eD	Source Detail
07/06/86	Robert F. Kennedy Stadium	Washington	DC	flac16; Source: FOB Sennheiser 441s > Sony D5 > MAC (TDK MA90s). Taped by B.Koucky, patched from S.Adelman. Transfer: MAC playback on Nakamich CR-7A, azimuth adjusted > Lunatec V3 > LynxTwo > PC (Wavelab 5) > HD @ 24 bit/96 KHz) > Ozone 3 > 16/44.1 FLAC by Chris L.	Source Detail	FLAC
07/06/86	Robert F. Kennedy Stadium	Washington	DC	flac16; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2	Source Detail	FLAC
07/07/86	Robert F. Kennedy Stadium	Washington	DC	FOB Aud> Schoeps cmc3mk4> PCM> DAT> CD> EAC (Secure mode)> CDWave (Retracking only)> shnv3 (MKW ACT); with patches from second AUD (see info file); EAC/ Patched/ Retracked/ Shn'd by Charlie Connor; with thanks to Mike Lai and Jon Rianhard; Seeded to abgd by Trip Bates	Source Detail
07/07/86	Robert F. Kennedy Stadium	Washington	DC	flac16; Master: In-house FM > Portable FM Receiver > Cassette Master (Sony TC-D6C) Transfer: Cassette Master (NAD 6050C) > SBM > DAT @48kHz (Sony PCM R500) > VXPocket v2 > Dell Inspiron 9300 > Sound Forge (v. 6.0) (editing, 48>44.1kHz resample) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC Mastered (on my 22nd birthday) and transfered by Dan Gale (dgale@loslobos.org)	Source Detail
07/07/86	Robert F. Kennedy Stadium	Washington	DC	flac16; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2	Source Detail	FLAC
12/15/86	Oakland-Alameda County Coliseum	Oakland	CA	SBD > ?? > Cassette > analog signal to ESS Maestro sound card >wav > CDR >wav >shn; seeded to abgd by Bill Tetzeli with Thanks to Thom Moore; Good lovin cut missing JBG encore.; upgrade in circulation	Source Detail
12/15/86	Oakland-Alameda County Coliseum	Oakland	CA	Master Dolby B Cass>Sonic Solutions via TC2000 @ 24 bits>SBM2 CD>CD > EAC[secure] > SHN. [Note - this is apparently another version of the KPFA sbd source.]	Source Detail
12/15/86	Oakland-Alameda County Coliseum	Oakland	CA	flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/15/86	Oakland-Alameda County Coliseum	Oakland	CA	flac16; Recording Info: Nakamichi CM-300 mics w/ CP-4 shotgun caps > Sony D-5 (Front Row OTS); Transfer Info: MAC > Tascam 112 > Edirol UA-5 > Audacity > Traders Little Helper > FLAC Level 8; All recording, transfers, and mastering by Greg Holtz	Source Detail	FLAC
12/15/86	Oakland-Alameda County Coliseum	Oakland	CA	flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's, with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 02/2015	Source Detail	FLAC
12/15/86	Oakland-Alameda County Coliseum	Oakland	CA	flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2	Source Detail	FLAC
12/16/86	Oakland-Alameda County Coliseum	Oakland	CA	Src: SBD > ?? > cassette > .wav > CDR > EACed to .wav > .shn; Seeded to abgd by Bill Tetzeli	Source Detail
12/16/86	Oakland-Alameda County Coliseum	Oakland	CA	flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/16/86	Oakland-Alameda County Coliseum	Oakland	CA	flac16; Recording Info: Nakamichi CM-300 mics w/ CP-4 shotgun caps/Sennheiser 421's > Niles Audio Mixer > Sony D-5 (Front Row OTS); Transfer Info: MAC > Tascam 112 > Edirol UA-5 > Audacity > Traders Little Helper > FLAC Level 8; All recording, transfers, and mastering by Greg Holtz	Source Detail	FLAC
12/16/86	Oakland-Alameda County Coliseum	Oakland	CA	flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2014	Source Detail	FLAC
12/16/86	Oakland-Alameda County Coliseum	Oakland	CA	flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2	Source Detail	FLAC
12/17/86	Oakland-Alameda County Coliseum	Oakland	CA	AUD>DAT>CDR; Nak 300's; via Melinda; seedeD	Source Detail
12/17/86	Oakland-Alameda County Coliseum	Oakland	CA	flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/17/86	Oakland-Alameda County Coliseum	Oakland	CA	flac16; Recording Info: Nakamichi CM-300 mics w/ CP-4 shotgun caps/Sennheiser 421's > Niles Audio Mixer > Sony D-5 (Front Row OTS); Transfer Info: MAC > Tascam 112 > Edirol UA-5 > Audacity > Traders Little Helper > FLAC Level 8; All recording, transfers, and mastering by Greg Holtz	Source Detail	FLAC
12/27/86	Henry J. Kaiser Convention Center	Oakland	CA	Set 1: SBD > MC > ? > DAT > CDR> WAV > SHN Set 2: SBD > MC > DAT > CDR > WAV > SHN; Seeded to etree by Chris L	Source Detail
12/28/86	Henry J. Kaiser Convention Center	Oakland	CA	Ultramatrix (SBD/AUD mix)> Master cassette> DAT> CD> SHN; via Charlie Miller; Seeded to etree by Peter Braverman	Source Detail
12/30/86	Henry J. Kaiser Convention Center	Oakland	CA	SBD> Cm> DAT> CD> EAC> CDWAV editing > SHN (seekable); via Steve Barbella	Source Detail
12/31/86	Henry J. Kaiser Convention Center	Oakland	CA	Pre-FM SBD > PCM > CDR > WAV > SHNv3; DAE (EAC> shntools> ftp) by neo_levo	Source Detail
12/31/86	Henry J. Kaiser Convention Center	Oakland	CA	flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC	Source Detail
12/31/86	Henry J. Kaiser Convention Center	Oakland	CA	flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/31/86	Henry J. Kaiser Convention Center	Oakland	CA	flac16; Soundboard; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; Track, FLAC and Pack by Norm	Source Detail	FLAC
01/28/87	San Francisco Civic Auditorium	San Francisco	CA	Source: SBDcm(Healy Mix)>DAT>CDR>EAC>WAVE LAB>CD WAVE>MKW>SHN; Seeded to etree by Steven Leeds	Source Detail
01/29/87	San Francisco Civic Auditorium	San Francisco	CA	Healey ultramix: PCM -> Cassette Master > wav > mkw > shn; Seeded to etree by drgseeds via Bob H	Source Detail
01/30/87	San Francisco Civic Auditorium	San Francisco	CA	SBD > MC > C > DAT > CD > EAC > SHN; EAC?SHN by Darryl Hinko	Source Detail
01/30/87	San Francisco Civic Auditorium	San Francisco	CA	flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
03/01/87	Henry J. Kaiser Convention Center	Oakland	CA	SBD > DAT > CDR > EAC > SHN via Fishman	Source Detail
03/01/87	Henry J. Kaiser Convention Center	Oakland	CA	flac16; Recording Info: SBD -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail
03/01/87	Henry J. Kaiser Convention Center	Oakland	CA	Soundboard->Master Cassettes->Sonic 20-bit->Sony SBM2->CD. CD->EAC->SHN. Transfer, edits, and SHN by Joe Samaritano	Source Detail
03/02/87	Henry J Kaiser Convention Center	Oakland	CA	SBD; conversion by Mike Lai, from Bruce Fried's seed	Source Detail
03/02/87	Henry J Kaiser Convention Center	Oakland	CA	flac16; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016	Source Detail	FLAC
03/03/87	Henry J Kaiser Convention Center	Oakland	CA	SBD > MC > DAT > CDR; via neo_levo/candyman FTP	Source Detail
03/03/87	Henry J Kaiser Convention Center	Oakland	CA	flac16; Recording Info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16	Source Detail	FLAC
03/03/87	Henry J Kaiser Convention Center	Oakland	CA	flac2496; Recording Info: SBD > Cassette Master (Sony TC-D56TDK SA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24	Source Detail	FLAC
03/03/87	Henry J Kaiser Convention Center	Oakland	CA	flac16; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016	Source Detail	FLAC
03/22/87	Hampton Coliseum	Hampton	VA	Master Soundboard Cassette (Ultra-Matrix) > Reel to Reel > PCM > CDR; CD Mastering, SHN'ed by Scott Clugston; To abgd via Charlie Connor	Source Detail
03/23/87	Hampton Coliseum	Hampton	VA	FOB Schoeps CMC44 > Oade P.S. > Sony PCMF1; Sony PCMF1> DAT by Sean Weber-Small; CD Transfer: DAT (master, direct copy from PCM @ 44.1) Sony DTC-A6 > DIO 2448 > CDWAV > SHN by Bill Gardner; QC by dankseeds	Source Detail
03/24/87	Hampton Coliseum	Hampton	VA	FOB Schoeps CMC44 > Oade P.S. > Sony PCMF1 Sony PCMF1> DAT; via Sean Weber-Small, Bill Gardner; Shntool fix by Darrin Sacks	Source Detail
03/26/87	Hartford Civic Center	Hartford	CT	Set I info Source: SBD Lineage: Master Cassette > DAT > CD > SHN; Set II info Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette > DAT > CD > SHN; via Douglas Tunstall, Nick Scarano and Jeff Hawkins; seeded to etree by Peter Braverman	Source Detail
03/27/87	Hartford Civic Center	Hartford	CT	Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN; via Stephen B. Porter; Peter Braverman	Source Detail
03/27/87	Hartford Civic Center	Hartford	CT	flac24; Source: SBD (Matrix) > Metal cassettes 1st Gen > XLII-S 1st Set and MX-S 2nd Set, 2nd Gen cassettes. With thanks to Seaweed1010. Transfer: Cassettes > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Dec 2010 Transfer by Andrew F.	Source Detail	FLAC
03/29/87	The Spectrum	Philadelphia	PA	Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN; via Stephen B. Porter; Peter Braverman	Source Detail
03/29/87	The Spectrum	Philadelphia	PA	flac16; Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up next to the soundboard, on the left side (stage right). Mics on stand aprx 7-1/2 feet high, pointed at the stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC Taped and transfered by Andrew F	Source Detail
03/29/87	The Spectrum	Philadelphia	PA	flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/30/87	The Spectrum	Philadelphia	PA	Source: Audience Master Cassette (Nak 300/Sony D5) Lineage: Nakamichi BX-300> CD> SHN; via Stephen B. Porter; Seeded to etree by Peter Braverman	Source Detail
03/30/87	The Spectrum	Philadelphia	PA	flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/31/87	The Spectrum	Philadelphia	PA	flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci aka nak700	Source Detail	FLAC
03/31/87	The Spectrum	Philadelphia	PA	FM Broadcast (93.3 WMMR, Philadelphia) > Hi-Fi VHS Master> CDR; Seeded to etree by Scott Clugston	Source Detail
03/31/87	The Spectrum	Philadelphia	PA	flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/02/87	The Centrum	Worcester	MA	AUD>PCM>DAT>CDR; via Charlie Phogg; Seeded to etree by eD	Source Detail
04/03/87	The Centrum	Worcester	MA	2nd set only; FOB-AUD>MC>CDR; Senn 421?s>Sony TC-D5; via August West; Seeded to etree by eD(efojr)	Source Detail
04/03/87	The Centrum	Worcester	MA	Recording Info: Sennheiser ME80 -> Master Cassette -> Dat(44.1k) -> ZA2 -> SHN	Source Detail
04/04/87	The Centrum	Worcester	MA	FOB Schoeps > PCM > DAT > CDR; via Rick M; neo_levo/candman FTP, 4/2002	Source Detail
04/04/87	The Centrum	Worcester	MA	flac16; Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC	Source Detail
04/04/87	The Centrum	Worcester	MA	flac16; Recording Info: (FOB) Nakamichi 700 -> Sansui Tricode PCM Audio Processor -> Magnovox VCR Transfer Info: PCM Master -> Samplitude Professional v10.2.1 -> Adobe Audition v1.5 -> FLAC; Recorded by Steve Rolfe; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/06/87	Meadowlands Arena	East Rutherford	NJ	Healy Matrix TDK MA-90 cassette > Dick's Reel (Technics 1506) > PCM > CD (HHB CDR 800) > EAC > SHN; EAC/SHN by Darryl Hinko; a set of patches circulates	Source Detail
04/07/87	Meadowlands Arena	East Rutherford	NJ	Source: FM-SBD(WNEW)>C>CDR>WAV>SHN. Transfer to CDR via jabuzz420. SHN encoding via neo_levo.	Source Detail
04/07/87	Meadowlands Arena	East Rutherford	NJ	flac16; Source: WNEW-FM > unknown receiver > Onkyo TA-2048 > TDK SA-90's, with Dolby C on. Taped by Jon Pasternak. Transfer: MFC > Nakamichi DR-8 (Dolby C) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.	Source Detail	FLAC
04/09/87	UIC Pavilion	Chicago	IL	Shntool fix of original Braverman; Source: Audience cassette (Nakamichi 300/Sony D5) Lineage: Nakamichi BX-300 > CD > SHN	Source Detail
04/09/87	UIC Pavilion	Chicago	IL	flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2469 > Soundforge > CD-Wave > TLH > FLAC, July 2008 by Andrew F.	Source Detail
04/09/87	UIC Pavilion	Chicago	IL	flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser 421 and Sennheiser ME-80 blend > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
04/10/87	UIC Pavilion	Chicago	IL	Source: Audience Cassette (Nakamichi 300/Sony D5) Lineage: Nakamichi BX-300> CD> SHN; via Stephen B. Porter; Seeded to etree by Peter Braverman	Source Detail
04/10/87	UIC Pavilion	Chicago	IL	flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2469 > Soundforge > CD-Wave > TLH > FLAC, July 2008 by Andrew F.	Source Detail
04/11/87	UIC Pavilion	Chicago	IL	SOURCE: Pre-FM > Master Reel > Dat > Sonic Solutions > CD	Source Detail
04/11/87	UIC Pavilion	Chicago	IL	flac16; OTS AUD Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2469 > Soundforge > CD-Wave > TLH > FLAC, July 2008 by Andrew F.	Source Detail
04/17/87	Irvine Meadows	Irvine	CA	Master Soundboard Casette > PCM> DAT> CDR EAC'ed/SHN'ed & seeded to etree by Scott Clugston; also to abgd via Charlie Connor	Source Detail
04/17/87	Irvine Meadows	Irvine	CA	flac16; MAC; Sennheiser 441s > D5 > D5 > gold plated Monster Cables > D5 > Maxell XLII-S 90 (set I) TDK MA-R90 (set II). Taper: Johnny Corso. Transfer: Master Audience Cassettes > Nakamichi Dragon > RCA/XLR > Lunatec V3 @ 2496 > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496. Transferred by Alex Ford - August 2007.	Source Detail	FLAC
04/18/87	Irvine Meadows	Irvine	CA	Master Soundboard Casette > PCM> DAT> CDR EAC'ed/SHN'ed & Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor	Source Detail
04/18/87	Irvine Meadows	Irvine	CA	flac16; MAC; Sennheiser 441s > D5 > D5 > gold plated Monster Cables > D5 > Maxell XLII-S 90 (set I) TDK MA-R90 (set II) Taper: John Corso Transfer: Master Audience Cassettes > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96 > iZotope Ozone 3 > Waves L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC( 8 ) Master Audience Cassettes provided by Mark McCue. Transfer, editing, conversion and seeding by Alex Ford October 2007.	Source Detail	FLAC
04/19/87	Irvine Meadows	Irvine	CA	Master Soundboard Casette > PCM> DAT> CDR EAC'ed,SHN'ed and Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor	Source Detail
04/19/87	Irvine Meadows	Irvine	CA	flac16; source: Beyer Dynamic M88's>Sony TCD5M(CM) Transfer: Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.57 (tracking only)>flac16; Taped and transferred by Charlie Connor	Source Detail
04/19/87	Irvine Meadows	Irvine	CA	flac16; Digital Soundboard/MTX > PCM copy; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm; Wavelab 7.1 for Minor Edits by Jamie Waddell	Source Detail	FLAC
05/02/87	Frost Amphitheatre	Palo Alto	CA	SBD > MC > DAT > EAC > SHN; EAC/SHN by Darryl Hinko	Source Detail
05/03/87	Frost Amphitheatre	Palo Alto	CA	DSBD/DAUD MIX: 65% DSBD PRE-FM SBD --> PCM --> DAT --> CDR, 35% FOB Schoeps CMC32S --> Grace P.S. --> Sony PCM601 ES --> DAT --> CDR; mixed by Sean Weber, converted to shn by Bill Gardner; note drums and space spread across multiple tracks; see pub comments for additional/updated source notes	Source Detail
05/03/87	Frost Amphitheatre	Palo Alto	CA	SBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko	Source Detail
05/03/87	Frost Amphitheatre	Palo Alto	CA	flac16/48 Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
05/09/87	Laguna Seca Recreation Area	Monterey	CA	SBD (matrix)> PCM> Dat; Conversion: Sony M1> Oade Cable> Zoltrx Pro6> Soundforge(wav)> CDWav(split)> Shn V3 (no DAE); Conversion & Seed: Brian Cole	Source Detail
05/10/87	Laguna Seca Recreation Area	Monterey	CA	DSBD> PCM> DAT> zefiro2> soundforge> CDR> EAC> SHN; via Karl Schneiderman, John Zei	Source Detail
05/10/87	Laguna Seca Recreation Area	Monterey	CA	flac16; Hat-Mounted Realistic PZM's with Sony WMD6-C No nr 1st set 20 feet away, dead center 2nd set 100 feet away, dead center TDK MA-X 90 Master>D6>HD>Audacity>CDWave>TLH>torrent Recorded and Transfered by Russjcan	Source Detail
06/12/87	Ventura County Fairgrounds	Ventura	CA	Bertha Remaster of the original MSC source . SBD>>MC>>PCM>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A	Source Detail
06/13/87	Ventura County Fairgrounds	Ventura	CA	Matrix SBD>CASS>DAT>CD; via Israel Regardie; Seeded to etree by PainoMan	Source Detail
06/14/87	Ventura County Fairgrounds	Ventura	CA	Master Soundboard Cassette > PCM > DAT> CDR; CD Re-Mastering by Scott Clugston; EAC'ed, SHN'ed and Seeded to Etree by Scott Clugston; Also to abgd via Charlie Connor	Source Detail
06/19/87	Greek Theatre, University Of California	Berkeley	CA	Master Soundboard Cassette> DAT> CDR; EAC'ed/SHN'ed & Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor	Source Detail
06/19/87	Greek Theatre, University Of California	Berkeley	CA	flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci	Source Detail
06/20/87	Greek Theatre, University Of California	Berkeley	CA	Master Soundboard Cassette> DAT> CDR; EAC'ed/SHN'ed & Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor	Source Detail
06/20/87	Greek Theatre, University Of California	Berkeley	CA	flac16; Taped by Robert Bryant w/ AKG 414 B/TL mics, cardioid pattern with windscreens, ORTF-> Oade PS-> Sony PCM F1. Transfer: PCM 601-> Sony DTC2000ES DAT-> M-Audio Delta 410-> Soundforge -> Samplitude Professional V8.01 -> waves X Crackle -> ffe l6 Transfered by Rich Gastwirt. edited by Bob Loy.	Source Detail
06/20/87	Greek Theatre, University Of California	Berkeley	CA	flac16; Taper: Danny Thompson; Editing: Joe D'Amico; AKG C 460 Mics W/ CK61 Capsules > Uher Cr 240 Tape Deck; Master Tapes > Nak Dragon > Korg MR-1000 > Adobe Audition CS6 > Traders Little Helper; FOB About 9th Row Jerry's Side	Source Detail	FLAC
06/20/87	Greek Theatre, University Of California	Berkeley	CA	flac16; MAC; Sennheiser 441s(left of board) > Sony D5 > Maxell XLII90 + Maxell MX90; Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3> Lynx AES16> .wav @24/88.2> WaveLab 7.2.1> UAD-2> Crystal Resampler/UV22HR> .wav @16/44.1> xAct> flac16	Source Detail	FLAC
06/21/87	Greek Theatre, University Of California	Berkeley	CA	1st Set and Encore: Nak CM300 Audience source 2nd Set: Master Soundboard Cassette> ?? > DAT> CDR	Source Detail
06/26/87	Alpine Valley Music Theatre	East Troy	WI	AUD> Nakamichi 300 microphones> Sony D5 deck> master cassette; Playback/CD Transfer: Master cassette played on Denon DRM740 and fed to Tascam CDRW700; Recorded, transferred by Scott Bille; Eac(secure)> Shn by Greg Kerbel; Seeded through the 80's Audience Perma-Tree, BUDD, Philzone; see flaw notes in info file	Source Detail
06/27/87	Alpine Valley Music Theatre	East Troy	WI	AUD> Nakamichi 300 microphones> Sony D5 deck> master cassette; Playback/CD Transfer: Master cassette played on Denon DRM740 and fed to Tascam CDRW700; Recorded, transferred by Scott Bille; Eac(secure)> Shn by Greg Kerbel; Seeded through the 80\'s Audience Perma-Tree, BUDD, Philzone; see flaw notes in info file	Source Detail
06/28/87	Alpine Valley Music Theatre	East Troy	WI	AUD> Nakamichi 300 microphones> Sony D5 deck> master cassette; Playback/CD Transfer: Master cassette played on Denon DRM740 and fed to Tascam CDRW700; Recorded, transferred by Scott Bille; Eac(secure)> Shn by Greg Kerbel; Seeded through the 80s Audience Perma-Tree, BUDD, Philzone; see flaw notes in info file	Source Detail
06/30/87	Kingswood Music Theater	Maple	ON	Primary Source: Ultra Matrix MSC>DAT>CDR>EAC>SHN (Seekable) Patch Source: AUD (mic. unk) > DAT > CDR > SHN	Source Detail
06/30/87	Kingswood Music Theater	Maple	ON	flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
06/??/87	Club Front	San Rafael	CA	Rehearsal material from soundboard cassette masters > DAT > CD-R > ? > SHN	Source Detail	SHN
06/??/87	Club Front	San Rafael	CA	flac16/48khz source: cassette (soundboard) > DAT > Maxell DM 120 Digital Audio Tape Back Coated (DAT clone 26-11-1996 from Jed) > ***Transfer 15-May-2019 by LTA*** TASCAM DA-30 Digital Audio Tape Recorder (Digital Output Coaxial S/PDIF IEC 958 Type II) > Cable Mountain 24k Gold Plated Single RG59 Shielded Coaxial Phono Cable for SPDIF/Digital Audio > M-Audio MicroTrack II Professional 2-Channel Mobile Digital Recorder (S/PDIF) (WAV 16/48) > Hi-Speed USB Revision 2.0 Shielded 28AWG/2C+28AWG/2C E101344 AVM Style 2725 80° C 30 V Space Shuttle-C > AppleUSBXHCIAR USB 3.1 Bus > iMac18,3 4,2 GHz Intel Core i7 / macOS Mojave 10.14.4 (18E226) > WAV 16/48 > HairerSoft Amadeus Pro 2.4.7 (2023) (balance, tracking) > iZotope RX 7 Audio Editor (64 bit) 7.00.218 > xACT 2.47 (7974) > FLAC16/48	Source Detail	FLAC
07/02/87	Silver Stadium	Rochester	NY	update: Healy Ultramix > cass> DAT > CDR > EAC > addawav> CDWave > mkwACT; EAC> Seeded by Doug Nawrocki	Source Detail
07/02/87	Silver Stadium	Rochester	NY	flac24 Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
07/04/87	Sullivan Stadium	Foxboro	MA	FOB> aud> senn me80> cassette master> cdr; conversion by Mike Lai from Bruce Fried DAT	Source Detail
07/04/87	Sullivan Stadium	Foxboro	MA	flac16; AUD Source: First gen cassettes (MAC > C) from unknown equipment Transfer: TDK SA-90's > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.	Source Detail	FLAC
07/04/87	Sullivan Stadium	Foxboro	MA	Soundboard > ? > SHN	Source Detail	SHN
07/06/87	Civic Arena	Pittsburgh	PA	unknown AUD> ?> CDR> EAC> cdwav> shn; via Tony Gardner with thanks to Willy Keats	Source Detail
07/06/87	Civic Arena	Pittsburgh	PA	AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, and posted to abgd by Charlie Connor	Source Detail	FLAC
07/06/87	Civic Arena	Pittsburgh	PA	flac16/48kHz; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
07/07/87	Roanoke Civic Center	Roanoke	VA	Schoeps > PCM > DAT > CD > EAC > SHN; [no info file?]; via Steve Wigley, Randy to offers	Source Detail
07/07/87	Roanoke Civic Center	Roanoke	VA	AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred and posted to abgd by Charlie Connor	Source Detail	FLAC
07/08/87	Roanoke Civic Center	Roanoke	VA	FOB Schoeps > PCM > DAT @ 44.1 khz; DAT > CD Conversion: Don Becker; Equipment: PCM-M1 > Oade Active Cable > Sek'd Prodif Plus > Samplitude v5.5 > CDWAV	Source Detail
07/10/87	John F Kennedy Stadium	Philadelphia	PA	FOB> aud> senn me80> cassette master> cdr; conversion by Mike Lai from Bruce Fried DAT	Source Detail
07/10/87	John F Kennedy Stadium	Philadelphia	PA	flac16; AUD: Nakamichi CM-700's > patched from one Sony D5 > Sony TC-D5M > Maxell MX-90's (no Dolby), set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.	Source Detail	FLAC
07/10/87	John F Kennedy Stadium	Philadelphia	PA	Soundboard (except Queen Jane Approximately)	Source Detail	SHN
07/10/87	John F Kennedy Stadium	Philadelphia	PA	Soundboard (except Queen Jane Approximately)	Source Detail	SHN
07/12/87	Giants Stadium	East Rutherford	NJ	SBD; via Stephen Agan, Mike Lai; Note- This is an aud recording except (apparently) for a few of the 'w/Dylan' tracks; See the 'user comments' for details	Source Detail	SHN
07/12/87	Giants Stadium	East Rutherford	NJ	SBD; via Stephen Agan, Mike Lai; Note- This is an aud recording except (apparently) for a few of the 'w/Dylan' tracks; See the 'user comments' for details	Source Detail	SHN
07/12/87	Giants Stadium	East Rutherford	NJ	Soundboard > ? > SHN (except AUD PCM>DAT 1st 3 tracks)	Source Detail	SHN
07/12/87	Giants Stadium	East Rutherford	NJ	Soundboard > ? > SHN (except AUD PCM>DAT 1st 3 tracks)	Source Detail	SHN
07/19/87	Autzen Stadium, University Of Oregon	Eugene	OR	Source: Matrix DSBD>D>CD-R>EAC (0.93) >SHN (MKWACT 97) via JR Fishman	Source Detail
07/19/87	Autzen Stadium, University Of Oregon	Eugene	OR	Soundboard > ? > SHN	Source Detail	SHN
07/19/87	Autzen Stadium, University Of Oregon	Eugene	OR	flac16; Healy matrix -> PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; tracking with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm	Source Detail	FLAC
07/24/87	Oakland-Alameda County Stadium	Oakland	CA	Soundboard > ? > SHN	Source Detail	SHN
07/24/87	Oakland-Alameda County Stadium	Oakland	CA	flac16; Source: AKG 460 omni > Sony PCM-F1 > Dat; Recorded Fob; From the collection of Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transferred by Charle Miller; Lineage: wav 16/44.1 > iZotope RX6 Advanced Audio Editor > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick May 2017	Source Detail	FLAC
07/26/87	Anaheim Stadium	Anaheim	CA	Soundboard > ? > SHN (except unknown audience source for the last 3 tracks)	Source Detail	SHN
07/26/87	Anaheim Stadium	Anaheim	CA	flac16; Modified Nak 700's omni w/D5 dbx nr FOB spread 6ft MAC>nakCR-3A>dbx>hd>Audacity>CDWave>TLH; Recorded by Tazuo Yamaguchi and Jamie Poris, Transferred by Russ Cansler	Source Detail	FLAC
08/11/87	Red Rocks Amphitheatre	Morrison	CO	SBD -> PCM -> CD -> EAC -> SHN (Grateful Dead Hour Pre-FM Discs) via Charlie Miller	Source Detail
08/11/87	Red Rocks Amphitheatre	Morrison	CO	flac16; AUD Source: Nakamichi CM-100's with CP-4 shotgun capsules > Marantz 420 cassette deck, with Dolby On. Set up in 15th row, stage left side of the soundboard. Taped by Jon Pasternak. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums and FLAC compression) > FLAC	Source Detail
08/12/87	Red Rocks Amphitheatre	Morrison	CO	Nak CM 100>MC>DAT>CD; via Paul B; Seeded to etree by Willy	Source Detail
08/13/87	Red Rocks Amphitheatre	Morrison	CO	S:?>D>CD via Chris Larson	Source Detail
08/15/87	Town Park	Telluride	CO	PreFM SBD(Healy Mix)>MC>DAT>CDR>EAC>WAVE LAB>CD WAVE>MKW>SHN (Seekable)	Source Detail
08/15/87	Town Park	Telluride	CO	flac24; Source: Nakamichi CM-300/CP-4 shotguns > Marantz PMD-420 > Maxell XLII-S 90's, taped from the OTS by Jon Pasternak. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448. Transfer by Andrew F. 04/2011	Source Detail	FLAC
08/16/87	Town Park	Telluride	CO	PreFM > Rm > DAT > CDR > EAC > SHN; via C. Ladner; known flaws: d2t6:digipop@7:19, d2t7: song cuts @ 6:56	Source Detail
08/16/87	Town Park	Telluride	CO	flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail
08/18/87	Compton Terrace Amphitheatre	Tempe	AZ	Schoeps CMC 32s > DAT > CD; via Sephira Yesod; Seeded to etree by PainoMan	Source Detail
08/20/87	Park West Ski Resort	Park City	UT	unk. mic's > DAT > CDR; Seeded to etree by Chris Ladner	Source Detail
08/20/87	Park West Ski Resort	Park City	UT	flac16/48khz Source Info: Michael Hessberg's In-House FM master cassettes; unknown receiver > Sony D5M Transfer Info: Master cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
08/22/87	Calaveras County Fairgrounds	Angels Camp	CA	updated source: SBD> Master PCM> DAT> CDR> EAC> first shn by Tony Gardner> misc flaw fixes by Steve Barbella (see info file)> reshn (nonseeking)	Source Detail
08/22/87	Calaveras County Fairgrounds	Angels Camp	CA	flac16; Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/22/87	Calaveras County Fairgrounds	Angels Camp	CA	flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony Betamax/TDK HS); Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
08/22/87	Calaveras County Fairgrounds	Angels Camp	CA	flac16/48khz Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496	Source Detail	FLAC
08/23/87	Calaveras County Fairgrounds	Angels Camp	CA	SBD> MC> DAT> CDR> EAC> shn; via Tony Gardner; includes filler from 9/9/87 (see pub comments)	Source Detail
08/23/87	Calaveras County Fairgrounds	Angels Camp	CA	flac16; Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/23/87	Calaveras County Fairgrounds	Angels Camp	CA	flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXLIIs Analog Lineage: 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Danny Thompson Transfer By: Adam Egert Mastering By: Derek McCabe	Source Detail	FLAC
09/07/87	Providence Civic Center	Providence	RI	Sony ECM220T mics from taper's section; via DNC vine	Source Detail
09/07/87	Providence Civic Center	Providence	RI	flac1644 Lineage: Nak 300 w/ cp4 Shotguns -> Sony TDC5M ( no dolby )-> TDK-MA 90s -> Nakamichi CR3a -> M-Audio 192-6-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> R8brain (resampled to 16bit 44.1khz ) -> TLH -> analysis,SBE,flac,checksums. taped and transferred by Ted Carpenter	Source Detail	FLAC
09/08/87	Providence Civic Center	Providence	RI	SBD -> PCM -> Dat -> CD -> EAC -> SHN Converted To SHN by Charlie Miller	Source Detail
09/08/87	Providence Civic Center	Providence	RI	flac16; Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up in taper's section, mics on stand aprx 7-1/2 feet high Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC	Source Detail
09/09/87	Providence Civic Center	Providence	RI	Nak 300's > Sony D5 Casette Master > Sound Forge (wav) > Shorten; via valis_under	Source Detail
09/09/87	Providence Civic Center	Providence	RI	flac16; AUD, Nakamichi CM-300\'s with CP-4 shotgun capsules >Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up in taper\'s section, mics on stand aprx 7-1/2 feet higH: Taped and Transferred by Andrew F.	Source Detail
09/09/87	Providence Civic Center	Providence	RI	flac1644 Lineage: Nak 300 w/ cp4 Shotguns -> Sony TDC5M ( no dolby )-> TDK-MA 90s -> Nakamichi CR3a -> M-Audio 192-6-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> R8brain (resampled to 16bit 44.1khz ) -> TLH -> analysis,SBE,flac,checksums. taped and trasferred by Ted Carpenter	Source Detail	FLAC
09/11/87	Capital Centre	Landover	MD	FOB Schoeps> PCM> D> CDR> shn; via Chris Dipietro	Source Detail
09/12/87	Capital Centre	Landover	MD	FOB Schoeps> pcm> dat> cdr> shn; via Chris Dipietro	Source Detail
09/12/87	Capital Centre	Landover	MD	Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner.	Source Detail
09/12/87	Capital Centre	Landover	MD	flac16; Schoeps > Sony D5 master cassettes Nak Dr-1 > Lynx2 Studio Interface at 32 bit float 88.2 kHz. Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz MetaData with Tag and Rename TLH for FLAC Level 8 SBE FREE; Supplied by Vern B, Taped by Scott F.	Source Detail	FLAC
09/12/87	Capital Centre	Landover	MD	flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > PCM Master (Modified Sony PCM-F1) > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Jim and Doug Oade	Source Detail	FLAC
09/13/87	Capital Centre	Landover	MD	FOB Schoeps> PCM> D> CDR> mkw> shn; missing encore; via Chris Dipietro	Source Detail
09/15/87	Madison Square Garden	New York	NY	AUD (Schoeps CMC 44's)>MC*>DAT>CD via Raoul Duke encoded by Willy	Source Detail
09/15/87	Madison Square Garden	New York	NY	flac16; Recording Info: SBD -> Cassette Master (Sony D6/TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe -> Samplitude v7.02 Professional -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller	Source Detail
09/16/87	Madison Square Garden	New York	NY	AUD (Schoeps CMC 34's)>MC*>DAT>CD EAC/SHN by Willy	Source Detail
09/18/87	Madison Square Garden	New York	NY	SBD; via David Finney; see public comments for filler notes	Source Detail
09/18/87	Madison Square Garden	New York	NY	Most likely lineage: SBD>PCM>DAT>CD; Original SHN files provided by dfinney & Joe Internet; Patch material (D2T01 & D2T05) provided by Kiss The Stone	Source Detail	SHN
09/19/87	Madison Square Garden	New York	NY	SBD; via Bill Frank, Alan McCarthy	Source Detail
09/19/87	Madison Square Garden	New York	NY	flac16; Most likely SBD>PCM>DAT>CD>EAC>FLAC; Original CDs provided by Jay Serafin in 2000	Source Detail
09/19/87	Madison Square Garden	New York	NY	flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, 137405 24bit > 16bit with r8brain	Source Detail	FLAC
09/20/87	Madison Square Garden	New York	NY	AUD (Schoeps CMC 34's)>MC*>DAT>CD; via Paul B; Seeded to etree by Willy	Source Detail
09/20/87	Madison Square Garden	New York	NY	flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 137407 > 24bits > 16bits with r8brain	Source Detail	FLAC
09/22/87	The Spectrum	Philadelphia	PA	Cleanup by Chris Frisco of previous seed; SBD>C>DAT>CDR; See info file for details	Source Detail
09/23/87	The Spectrum	Philadelphia	PA	SBD>MC>DAT>CD; Terrible static first 1:12 Stranger; See info file for details; EAC/SHN by Willy	Source Detail
09/23/87	The Spectrum	Philadelphia	PA	flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 137412 fixed 24bit > 16bit with r8brain	Source Detail	FLAC
09/24/87	The Spectrum	Philadelphia	PA	SBD>DAT>Standalone CD Burner (hhB800)> EAC>WAV>ADDAWAV>CDWAV(retracking)>MKWACT>SHN Transcribed on 12/25/03 by JR Fishman fishmanj_98ATyahooDOTcom	Source Detail
09/24/87	The Spectrum	Philadelphia	PA	flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Marantz 420 cassette deck, with Dolby On. Set up in the taper's section. Taped and transferred thru CDR by Jon Pasternak. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums and FLAC compression) > FLAC	Source Detail
10/02/87	Shoreline Amphitheatre	Mountain View	CA	Jay Ashley (Bertha) remaster of master cassette source (that had been transferred by Keith Bode); SBD> MC> DAT> WAV> CDR> SHN> DAW(Bertha)> CDA/SHN	Source Detail
10/02/87	Shoreline Amphitheatre	Mountain View	CA	flac2496 Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24	Source Detail	FLAC
10/03/87	Shoreline Amphitheatre	Mountain View	CA	Jay Ashley remaster of master cassette source; SBD> MC> DAT> WAV> CDR> SHN> DAW(Bertha)> CDA/SHN	Source Detail
10/03/87	Shoreline Amphitheatre	Mountain View	CA	flac16; Source: Healy Matrix SBD > PCM > DAT (48KHz)> DAT. Transfer: DAT playback on Sony PCM-R500 > XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded as 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracking (CDWAV 1.9) > FLAC (level 8)	Source Detail
10/04/87	Shoreline Amphitheatre	Mountain View	CA	Jay Ashley (Bertha) Remaster of Master Cassette Source; SBD> MC> DAT> CDA> WAV> SHN> DAW (Bertha)> CDA	Source Detail
10/04/87	Shoreline Amphitheatre	Mountain View	CA	flac16; Source: Healy Matrix SBD > PCM > DAT (48KHz)> DAT. Transfer: DAT playback on Sony PCM-R500 > XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded as 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracking (CDWAV 1.9) > FLAC (level 8)	Source Detail
11/06/87	Henry J Kaiser Convention Center	Oakland	CA	SBD>Cm>Dat>Samplitude>Cool Edit Pro>CD; Seeded to etree by Charlie Miller	Source Detail
11/06/87	Henry J Kaiser Convention Center	Oakland	CA	flac1648 Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell XLII-S90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496	Source Detail	FLAC
11/06/87	Henry J Kaiser Convention Center	Oakland	CA	flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation	Source Detail	FLAC
11/07/87	Henry J Kaiser Convention Center	Oakland	CA	SBD > PCM > CDR; Transfer: PCM SBD -> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5 (editing- see notes)/CD Architect > CDR by Sean Weber-small; CDR > EAC > SHN by Bill Gardner	Source Detail
11/08/87	Henry J. Kaiser Convention Center	Oakland	CA	FOB, Schoeps CMC44 (110' ORTF) on stand --> Oade Power Supply --> Sony PCM-F1; Transfer: PCM Master, Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC and minor edits by Bill Gardner; ; QC by dankseeds	Source Detail
11/13/87	Long Beach Arena	Long Beach	CA	SBD -> Cm -> Cass -> Sony SBM1(Modified) -> VX Pocket -> Samplitude -> Cool Edit Pro -> SHN; Upgrade in circulation	Source Detail
11/14/87	Long Beach Arena	Long Beach	CA	Partial, 4 songs; SBD -> Cm -> Cass -> Sony SBM1(Modified) -> VX Pocket -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller (this may circulate as filler on 11/13/87)	Source Detail
11/14/87	Long Beach Arena	Long Beach	CA	AUD>MC>DAT>CD; via Paul B; Seeded to etree by Willy	Source Detail
11/15/87	Long Beach Arena	Long Beach	CA	SBD > MC > Sonic Solutions > Pre-FM Dat @44.1; Transfer: DA-P1 > Delta Audiophile 2496 > Sound Forge 5 > CDWave > mkwACT, by Doug Nawrocki	Source Detail
12/27/87	Oakland-Alameda County Coliseum	Oakland	CA	SBD -> Cm -> Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN via Charlie Miller	Source Detail
12/27/87	Oakland-Alameda County Coliseum	Oakland	CA	flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/27/87	Oakland-Alameda County Coliseum	Oakland	CA	flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 06/2012	Source Detail	FLAC
12/28/87	Oakland-Alameda County Coliseum	Oakland	CA	Ultramatrix (soundboard/audience mix) Master Cassette> DAT> CD> SHN patched with FOB Schoeps; via Raoul Duke, encoded & patched by Peter Braverman	Source Detail
12/28/87	Oakland-Alameda County Coliseum	Oakland	CA	flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 06/2012	Source Detail	FLAC
12/30/87	Oakland-Alameda County Coliseum	Oakland	CA	SBD>MC>DAT>CDR; via PB; neo_levo/candyman FTP 4/2002	Source Detail
12/30/87	Oakland-Alameda County Coliseum	Oakland	CA	Soundboard->Cassette Master (Gans) played back on NAK CR-7A->Panasonic 3700 DAT (sgrmag). Fostex D5 DAT->ZA2->Soundforge->.wav->mKw->SHN (Joe Samaritano).	Source Detail
12/30/87	Oakland-Alameda County Coliseum	Oakland	CA	flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 06/2012	Source Detail	FLAC
12/31/87	Oakland-Alameda County Coliseum	Oakland	CA	SBD> FM> REEL (TandbergTD20ASE)> WAV> SHN; recording: MacIntosh 2500 System (JBL 18" Sub-Woffers) with a Yamaha Reference Analog Tuner; Digitized to WAV with modified SBLive; recodring and seed by J. Ashley; No NR or digital alteration;? Mix was heavy on Bass	Source Detail
12/31/87	Oakland-Alameda County Coliseum	Oakland	CA	flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 06/2012	Source Detail	FLAC
??/??/87	Justin Kreutzmann video outtakes	Various	Various	Grateful Dead "Talk To Themselves" c. ARISTA 1987 21:19 Promotional Copy. Not For Sale. Dennis McNally, Producer Jeff Briss, Co-Producer Dick Latvala, Engineer Jan Simmons, Transcription	Source Detail
02/13/88	Henry J. Kaiser Convention Center	Oakland	CA	Schoeps CMC3/MK41>Dat>CDR ; Via Charlie Miller, Re Seeded by T. Wiley ; NOTE: This is a fix copy of Charlie Miller's seed.	Source Detail
02/13/88	Henry J. Kaiser Convention Center	Oakland	CA	flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation	Source Detail	FLAC
02/13/88	Henry J. Kaiser Convention Center	Oakland	CA	flac16; OTS AUD: Sennheiser MD-441's > patched thru one Sony D5 > Sony WM-D6C > Maxell MX-90's with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Taped and transferred by Andrew F.	Source Detail
02/14/88	Henry J. Kaiser Convention Center	Oakland	CA	Schoeps CMC3/MK41>DAT>CDR ; Via Charlie Miller ; Re Seeded by T. Wiley ; Please Note this is a fixed copy of Charlie Miller's seed.	Source Detail
02/14/88	Henry J. Kaiser Convention Center	Oakland	CA	flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony WM-D6C > Maxell MX-90's with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Taped and transferred by Andrew F.	Source Detail
02/16/88	Henry J. Kaiser Convention Center	Oakland	CA	Schoeps CMC3/MK41>DAT>CDR ; Via Charlie Miller ; Re Seeded by T. Wiley ; Please Note this is a fixed copy of Charlie Miller's seed.	Source Detail
02/16/88	Henry J. Kaiser Convention Center	Oakland	CA	flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony WM-D6C > Maxell MX-90's with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Taped and transferred by Andrew F.	Source Detail
02/17/88	Henry J. Kaiser Convention Center	Oakland	CA	Schoeps CMC3/MK41>DAT>CDR ; Via Charlie Miller ; Re Seeded by T. Wiley ; Please Note this is a fixed copy of Charlie Miller's seed.	Source Detail
02/17/88	Henry J. Kaiser Convention Center	Oakland	CA	flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony WM-D6C > Maxell MX-90's with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644.	Source Detail
03/16/88	Henry J. Kaiser Convention Center	Oakland	CA	SB>DAT>CDR>EAC>CDR; via Peter Gallagher; Seeded to etree by Willy	Source Detail
03/17/88	Henry J. Kaiser Convention Center	Oakland	CA	Soundboard->DAT Master->DAT. DAT->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano	Source Detail
03/18/88	Henry J. Kaiser Convention Center	Oakland	CA	Soundboard->DAT Master->DAT. DAT->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano	Source Detail
03/18/88	Henry J. Kaiser Convention Center	Oakland	CA	flac16; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016	Source Detail	FLAC
03/24/88	The Omni	Atlanta	GA	AUD> ?? > Cass x2 > WAV > SHN; via Grant Wood	Source Detail
03/24/88	The Omni	Atlanta	GA	flac16; Set 1 Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD -> Samplitude -> FLAC; Set 2 Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/24/88	The Omni	Atlanta	GA	flac16; AUD: Sennheiser ME-80's > Keith L's lead deck > Sony TC-D5M > Maxell XLII-S 90's, OTS recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017	Source Detail	FLAC
03/26/88	Hampton Coliseum	Hampton	VA	Matrix Analog Cass Master-> DAT-> CDR, via Peter Braverman	Source Detail
03/27/88	Hampton Coliseum	Hampton	VA	SBD (Matrix)> DAT> CD> EAC> [retracking of d1 w/ SF, no other alteration]> SHN; known flaws: end of Let it Grow is missing - the last minute, but the jam does not get cut; via Adam Jerugim; listener reports additional skip or splice in Scarlet Begonias d2t3; note patched version now in circulation	Source Detail
03/28/88	Hampton Coliseum	Hampton	VA	IN House FM>Sony D-5>MC>DAT>CDR; via Paul B; Seeded to etree by Brad Ingle	Source Detail
03/30/88	Meadowlands Arena	East Rutherford	NJ	SBD; via Mike Lai; note had circulated without set 1 (aka d1) at first	Source Detail
03/30/88	Meadowlands Arena	East Rutherford	NJ	flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/31/88	Meadowlands Arena	East Rutherford	NJ	SBD; see flaw notes in info file; via unknown seeder to furthurnet	Source Detail
03/31/88	Meadowlands Arena	East Rutherford	NJ	flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick May 2019	Source Detail	FLAC
04/01/88	Meadowlands Arena	East Rutherford	NJ	SBD>DAT>?>CD (Possible Healy-FM); via Master Therion; Seeded to etree by PainoMan	Source Detail
04/01/88	Meadowlands Arena	East Rutherford	NJ	Source: Ultramatrix (SBD/AUD mix) Lineage: DAT> ?> CD> SHN; via Raul; Seeded to etree by Peter Braverman	Source Detail
04/01/88	Meadowlands Arena	East Rutherford	NJ	flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16	Source Detail	FLAC
04/03/88	Hartford Civic Center	Hartford	CT	SBD>?>CD (Possible Matrix); via Ankh-af-na-khonsu; Seeded to etree by PainoMan	Source Detail
04/03/88	Hartford Civic Center	Hartford	CT	flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008	Source Detail	FLAC
04/04/88	Hartford Civic Center	Hartford	CT	SBD>Cassette Master>DAT>CD (Possible Matrix); with two d/o's patched from a SBD>MC source; See info file for details; via Ankh-af-na-khonsu; Seeded to etree by PainoMan (updated lineage; had been labeled SBD>DAT>CD)	Source Detail
04/05/88	Hartford Civic Center	Hartford	CT	AUD>PCM>CD (Possible Matrix, Healy-FM or one damn good audience recording!); via Ankh-af-na-khonsu; Seeded to etree by PainoMan	Source Detail
04/05/88	Hartford Civic Center	Hartford	CT	flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008.	Source Detail	FLAC
04/07/88	The Centrum	Worcester	MA	Pre-FM > MR > VHS > DAT > CD > EAC > SHN (seekable) Via Darryl Hinko	Source Detail
04/08/88	The Centrum	Worcester	MA	In-House FM>PCM>Dat>CD via Mike Murray; encoded by Willy	Source Detail
04/08/88	The Centrum	Worcester	MA	flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/09/88	The Centrum	Worcester	MA	pre-FM Master Reel> VHS (PCM)> DAT> CD> SHN via Skip Jenkins, encoded by Peter Braverman	Source Detail
04/11/88	Joe Louis Arena	Detroit	MI	reEAC, reshn of previous shn set (see info), via Jim Bennett; SBD > In house FM broadcast > MC > CDR > EAC > CDWave > MKWAct > CDR (> EAC > CDWave > MKWAct)	Source Detail
04/13/88	Rosemont Horizon	Rosemont	IL	Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette> ?> DAT> CD> SHN (?) Listener reports multiple analog generations.	Source Detail
04/14/88	Rosemont Horizon	Rosemont	IL	AUD>MC*>DAT>CD; *The MC is 'probable' but unconfirmed; Entire show pitch corrected; The mix is a bit 'hot' at times, most noticeably in Jerry's vocals and in the first set; via Paul B; Seeded to etree by Willy	Source Detail
04/15/88	Rosemont Horizon	Rosemont	IL	SBD> Cass master?-> pre-FM cdr-> EAC-> Gans voiceover removed> shn; via John Zei; see John's comments in info file; Drums cuts into Space	Source Detail
04/22/88	Irvine Meadows	Irvine	CA	AUD(unknown mics/deck)> PCM> DAT> CDR; Via Paul G.; Seeded to Etree by T. Wiley	Source Detail
04/22/88	Irvine Meadows	Irvine	CA	flac16; AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017	Source Detail	FLAC
04/23/88	Irvine Meadows	Irvine	CA	FOB-AUD> PCM> DAT> CDR> EAC> WAVE LAB> CD WAVE> MKW> SHN (Seekable); Converted and seeded to etree by Steven Leeds, with thanks to Paul B.	Source Detail
04/23/88	Irvine Meadows	Irvine	CA	flac16; AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, FOB recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017	Source Detail	FLAC
04/24/88	Irvine Meadows	Irvine	CA	FOB-AUD> PCM> DAT> CDR; EAC> WAVE LAB> CD WAVE> MKW> SHN (Seekable); Converted and seeded to etree by Steven Leeds, with thanks to Paul B.	Source Detail
04/30/88	Frost Amphitheatre	Palo Alto	CA	AUD : Recorded 20th row center w/Uher 240 casette deck by Danny T.(the mouth); SHN by Tommy McKeown; to abgd	Source Detail
05/01/88	Frost Amphitheatre	Palo Alto	CA	DSBD->DAT Master->DAT Clone; DAT-> CD-> EAC-> CDWave-> SHN conversion and seeded by Adam Jerugim	Source Detail
06/17/88	Metropolitan Sports Center	Bloomington	MN	UNKNOWN AUD>?>CDR>WAV>SHN; Shn converted with Mkw by Robert Goetz (winterland121072@yahoo.com)	Source Detail	SHN
06/19/88	Alpine Valley Music Theatre	East Troy	WI	Source: AUD(Senn 441's)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN. Taper: Craig Camus. CDR source via Todd Norman. SHN encoding/FTP transmission via Chris Ladner/candyman FTP.	Source Detail
06/19/88	Alpine Valley Music Theatre	East Troy	WI	flac16; Recording Info:SBD -> Cassette Master -> Cassette (Sony D5/Dolby B); Transfer Info:Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail
06/20/88	Alpine Valley Music Theatre	East Troy	WI	Source: AUD(Senn 441's)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN. Taper: Craig Camus. CDR source via Todd Norman. SHN encoding/FTP transmission via Chris Ladner/candyman FTP.	Source Detail
06/20/88	Alpine Valley Music Theatre	East Troy	WI	flac16; Source: AKG 460(FOB 20th Row); Transfer: DAT > Sony PCM R300 > Tascam DR680	Source Detail	FLAC
06/22/88	Alpine Valley Music Theatre	East Troy	WI	AUD(Senn 441's, Row 16, DFC)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN taped by Craig Camus via Todd Norman encoded by Chris Ladner	Source Detail
06/23/88	Alpine Valley Music Theatre	East Troy	WI	yet another DAE/re-SHN of the exisitng DSBD?; posted to abgd by terrapin flyer	Source Detail
06/25/88	Buckeye Lake Music Center	Hebron	OH	Schoeps MK2s fob; Unknown seeder	Source Detail
06/26/88	Civic Arena	Pittsburgh	PA	SBD/Matrix > Dat > CDR > Sonic Solutions > CDR > EAC > CDWave > mkwACT; extracted/seeded by Doug Nawrocki	Source Detail
06/28/88	Saratoga Performing Arts Center	Saratoga Springs	NY	FM (matrix): DAT> CD> TrackThief> AIFF> Peak> WAV> SHN via Braverman (upgrade of prior seeds from this source)	Source Detail
06/30/88	Silver Stadium	Rochester	NY	FOB split Schoeps CMC5/mk21's > PCM > DAT; Conversion: DAT->Montego II->HD via Soundforge->CDWav->MKW .shn; via A. Gustin	Source Detail	SHN
06/30/88	Silver Stadium	Rochester	NY	flac16; AUD Source: AKG 460's with CK3 hypercardioid capsules > Sony TC-D5M. Set up FOB, even with the front of the board. Taped by Ray Ackerman. Transfer: MAC > CD by Ray Ackerman (equipment unknown). CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, January 2007 by Andrew F	Source Detail
07/01/88	The Inn By The Sea Tape	Cape Elizabeth	ME	"The Inn By The Sea" tape; This tape was left in a room occupied by The Grateful Dead at "The Inn By The Sea," Cape Elizabeth, Maine when they were doing the July 2 and 3, 1988 at Oxford Plains, Maine; Recorded at Club Front?; SBD>DAT>CT>CD>EAC>SHN; shn(1)>cda(1)	Source Detail
07/02/88	Oxford Plains Speedway	Oxford	ME	SBD> Master Cassette> DAT> CDR> EAC> SHN; via Jeff M.	Source Detail
07/02/88	Oxford Plains Speedway	Oxford	ME	flac2448 Lineage: Nak 300s -> Sony TCD5M ( no dolby )-> Maxell MX 90s-> Nakamichi CR3a -> M-Audio 192-6-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> TLH -> analysis, SBE, flac, checksums. Taped and Transferred by Ted Carpenter	Source Detail	FLAC
07/03/88	Oxford Plains Speedway	Oxford	ME	SBD> DAT> Sonic Solutions> CDR> EAC> CD> EAC> SHN; via Saint Stephen, with thanks to Richard Danyko	Source Detail
07/15/88	Greek Theatre, U. Of California	Berkeley	CA	2nd Row Behind Healy (see notes): Schoeps CMC42S (Spaced Omni 14' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters; Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC> Shn via MKW .97 by Bill Gardner	Source Detail
07/16/88	Greek Theatre, U. Of California	Berkeley	CA	Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may not be a generation, or it may be. I dunno.); via Steve Aserkoff; Seeded to etree by Peter Braverman	Source Detail
07/17/88	Greek Theatre, U. Of California	Berkeley	CA	2nd Row Behind Healy (see notes). Schoeps CMC42S (Spaced Omni 10' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters. Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC> Shn via MKW .97 by Bill Gardner	Source Detail
07/29/88	Laguna Seca Recreation Area	Monterey	CA	Soundboard (was originally labeled as Aud CM-> DAT-> CDR-> EAC w/correct offsets using Secure Mode w/C2 (Plextor UW)-> SHN (MKW)); encore is different AUD source; see notes in info file; via Andy Hayum with thanks to Ken Doughty, Karen Lutz Benbrook	Source Detail
07/30/88	Laguna Seca Recreation Area	Monterey	CA	Recording Info:(FOB/Split 10 to 20 Feet)Nakamichi CM700/CP701 -> dbx type II encoder -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi Cassette Deck 1) -> dbx 224x -> Mytek 8X96ADC -> Nuendo (24bit) -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN); Process Info: Very slight eq with waves Q10 and rendered to a 16 bit file with waves L2; Editing Info: Normalized and Tracked with Samplitude v7.02 Professional; Recorded and Transfered BY Bill Reutelhuber; Edited By Charlie Miller 12/15/03	Source Detail
07/31/88	Laguna Seca Recreation Area	Monterey	CA	SBD > MR > DAT @48Khz; Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHN3 (seekable); via John D'Auria; d2 tracked for 80 min; small glitch in Bucket, no other flaws	Source Detail
08/26/88	Tacoma Dome	Tacoma	WA	FOB Schoeps CMC34 --> Sony PCM-601ES --> DAT; Seeded to etree by Bill Gardner	Source Detail
08/28/88	Autzen Stadium, University Of Oregon	Eugene	OR	SBD>MC>DAT>CDR; via Paul G; Seeded by T. Wiley	Source Detail
08/28/88	Autzen Stadium, University Of Oregon	Eugene	OR	SBD>MC>DAT>CDR; via Paul G; Seeded by T. Wiley	Source Detail
09/02/88	Capital Centre	Landover	MD	NAK 300's + CP4(XY)-> Sony D5-> Lucid AD9624-> DAT@48KHZ-> Tascam CDRW 700; Cassette Playback on Nakamichi CR 7.AES/EBU out of AD into Fostex D5; Conversion: EAC>CD WAV> COOL EDIT PRO >MKW >SHN (Seekable); Converted and seeded to etree by Steven Leeds; Thanks to Mark Lynn and Mike B for the source discs, to Willy for the patch source	Source Detail
09/02/88	Capital Centre	Landover	MD	flac16; SBD> Cassette Master> Dat (SV3800/48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller	Source Detail
09/03/88	Capital Centre	Landover	MD	Updated source: Unknown Mics> Cm> Sound Forge> Dat> CD> Cool Edit Pro> CD (Patched w/(FOB) Senn ME80>Cm), by Charlie Miller; EAC > MKW > SHNv3 by DES; level adjustments during d1t1,2; d2 tracked for 80 min	Source Detail
09/03/88	Capital Centre	Landover	MD	flac16; verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller. (Note: The encore tracks circulate from the vault digital DAT separately here	Source Detail
09/05/88	Capital Centre	Landover	MD	NAK 300's+CP4(XY)-> Sony D5-> Lucid AD9624-> DAT@48KHZ-> Tascam CDRW 700; Cassette Playback on Nakamichi CR 7; AES/EBU out of AD into Fostex D5; Conversion: EAC> CD WAV> COOL EDIT PRO >MKW >SHN (Seekable); via Steven Leeds, with thanks to Mark Lynn and Mike B for discs	Source Detail
09/06/88	Capital Centre	Landover	MD	AUD>PCM>DAT>CDR (Schoeps CMC-34?s); via Paul Raoul; Seeded to etree by Brad Ingle	Source Detail
09/08/88	The Spectrum	Philadelphia	PA	SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.; stemming from Uncirculated ?88 SBD Tree (A re-tracked version circulates as of April, 2009. The audio data is identical. The "fixed info file is below.)	Source Detail
09/09/88	The Spectrum	Philadelphia	PA	SBD > Cass Master > DAT > CDR > CDR > EAC > SHN	Source Detail
09/11/88	The Spectrum	Philadelphia	PA	Bertha Remaster of the Soundboard/Cassette source. SBD(Healy Mix)>>DAT>>(*)CASS>>DAT>>>CDR>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN - Sound A- Note- Changes were made to d2t02 and d2t03 immediately before distribution. It is believed that the pre-change shns do not circulate.	Source Detail
09/11/88	The Spectrum	Philadelphia	PA	flac16; Tapers: David Barfield and David Lane Source: (OTS) Nakamichi cm300/cp4->D-5M->Maxell MX90 x 2 Transfer: MAC->Nakamichi MR-1->Korg MR-1000I(DFF 1 Bit/5.6 Mhz)->Audio Gate->16/44.1 wav->FLAC Transferred and seeded on 5/25/2008 by: M. Watson	Source Detail	FLAC
09/12/88	The Spectrum	Philadelphia	PA	SBD/Matrix > MC > DAT > CDR; via Dan Szymanski; Seeded to etree by Doug Nawrocki	Source Detail
09/14/88	Madison Square Garden	New York	NY	Jay Ashley (Bertha) remaster of original shn set; SBD> CM> DAT> CDA> DAW (Bertha)> CDA	Source Detail
09/15/88	Madison Square Garden	New York	NY	SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min	Source Detail
09/16/88	Madison Square Garden	New York	NY	Jay Ashley (Bertha) Remaster of the Jim Wise release. SBD>>MC>>DAT>>(*)>>CDA>>DAW(Bertha)>>CDA - Sound A	Source Detail
09/18/88	Madison Square Garden	New York	NY	SBD>MC>C?>DAT>CDR; via Jools; Seeded to etree by eD	Source Detail
09/18/88	Madison Square Garden	New York	NY	flac16 44.1khz Source Info: TS Schoeps CMC4 MK41 (Hyper Cards)-> PCM-> DAT (Jim Oade)-> DAT (Ryan Varnum). Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers By Pete Ebel.	Source Detail	FLAC
09/19/88	Madison Square Garden	New York	NY	SBD>MC>DAT>CDR ; Via Paul G ; Seeded by T. Wiley	Source Detail
09/20/88	Madison Square Garden	New York	NY	SBD> DAT> Casette Master> DAT> Montego II> CDR> EAC> SHN; via Jeff M.; includes encore, has small cut d1t7; upgrade relative to previous shn set	Source Detail
09/22/88	Madison Square Garden	New York	NY	Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia; see info file for flaw notes	Source Detail
09/22/88	Madison Square Garden	New York	NY	flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - Taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > DSF 1-bit/5.6MHz - Transferred by Nick Carbonetta; Lineage: DSF 1-bit/5.6MHz > DBPoweramp > wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick October 2020	Source Detail	FLAC
09/23/88	Madison Square Garden	New York	NY	Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia	Source Detail
09/24/88	Madison Square Garden	New York	NY	encores missing; no source info; benefit with misc guests; via Rich (yubah); Keith Bode reports he traded around a bootleg CD of this show that matches setlist here- maybe this is his "very high quality bootleg"	Source Detail
09/24/88	Madison Square Garden	New York	NY	flac24; Soundboard Recording Info: SBD > PCM Master (Sony ES-HG); Soundboard Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.6 MHz); Audience Recording Info: AKG C42 (m/s) > Beta HiFi Master (Sony ES-HG); Audience Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz); Mastering Info: DSF > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller	Source Detail	FLAC
09/30/88	Shoreline Amphitheatre	Mountain View	CA	Set One Recording Info:(FOB/Section 102 Nakamichi CM700/CP701 -> dbx II -> Cassette Master (Sony TC-D5M); Set One Transfer Info: Cassette Master (Nakamichi Cassette Deck 1) -> dbx 224x -> Mytek 8X96ADC -> Nuendo (24bit) -> Samplitude v7.02 -> SHN (2 Discs Audio / 2 Discs SHN); Set Two Recording Info: SBD -> Cassette Master -> Dat -> CD > EAC -> SHN; Process Info: --slight eq with waves Q10 and slight dynamic expansion with waves C4 and rendered down to a 16 bit file with waves L2; Editing Info: --Tracked and Normalized with Samplitude v7.02 Professional; Recorded and Transfered BY Bill Reutelhuber; Edited and SHN'd By Charlie Miller 12/15/03	Source Detail	SHN
10/01/88	Shoreline Amphitheatre	Mountain View	CA	SBD> Cass> DAT> CDR> EAC> SHN (seekable); via Darrin Sacks to abgd, etree	Source Detail
10/02/88	Shoreline Amphitheatre	Mountain View	CA	SBD> Cass> DAT> CDR> EAC>SHN (seekable); via Darrin Sacks to abgd, etree	Source Detail
10/14/88	Miami Arena	Miami	FL	REPITCHED VERSION (2/22/04) using Charlie Miller's original SHN's; done by JR Fishman. See info file for additional edits	Source Detail
10/14/88	Miami Arena	Miami	FL	flac24; Recording Info: UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/15/88	Bayfront Center Arena	St. Petersburg	FL	UNKNOWN AUD>?>?>SHN Conversion: MKW>WAVE LAB>CD WAVE>MKW>SHN (Seekable) by Steven Leeds	Source Detail
10/16/88	Bayfront Center	St. Petersburg	FL	AUD>MC>DAT>CDR; via Paul Raoul; Seeded to etree by Brad Ingle	Source Detail
10/16/88	Bayfront Center	St. Petersburg	FL	flac16; Source: Master Analog Cassettes Nakamichi 300’s > Sony D5. Tapers section Maxell MX90 Type IV cassettes. Taped by B.Koucky. Transfer: MAC playback on azimuth adjusted Nakamich CR-7A > Lynx RCA-XLR cables > Lunatec V3 (96KHz) > AES/EBU digital out > LynxTwo Soundcard, Pro-mode Sync > recorded to harddrive with Wavelab 5 as 24 bit/96 KHz PCM WAV > Waves Z-Noise and Ozone 3 > MBIT+ > 16/44.1 > CDWAV 1.9 > FLAC (level 8). Transfer and mastering by Chris L.	Source Detail	FLAC
10/18/88	Keifer Lakefront Arena	New Orleans	LA	SBD(Healy Mix)>MC>HiFi VHS>DAT>CDR>CD WAVE>WAVE LAB>MKW>SHN (Seekable); See info file for notes; Seeded to etree 05/07/03 by Steven Leeds	Source Detail
10/20/88	The Summit	Houston	TX	flac16; Set 2 Only, Taper: Unknown AKGC422 > Sony D5 8ft high 30 ft center (or D5 tuned up and Nak300) JVC TD-V1050 cassette deck -> Lynx Two A/D (24-bit, 48kHz) -> Wavelab 6.0 Edited and Remastered: Wavelab 6.0 with Waves Plugins and Ozone by Jamie Waddell	Source Detail
10/21/88	Reunion Arena	Dallas	TX	MSC>?>DAT>CDR Eac > cool edit > shntool > cdwav > shnv3 Dat> Cdr by Andy Lemieux Eac > shnv3(secure with proper offsets) by Ernie Dodd	Source Detail
12/09/88	Long Beach Arena	Long Beach	CA	AUD>DAT>CD; via Paul B; Seeded to etree by Willy	Source Detail
12/10/88	Long Beach Arena	Long Beach	CA	AUD>DAT>CD; via Paul B; Seeded to etree by Willy	Source Detail	FLAC
12/11/88	Long Beach Arena	Long Beach	CA	AUD>DAT>CD; via Paul B; Seeded to etree by Willy	Source Detail
12/28/88	Oakland-Alameda County Coliseum	Oakland	CA	Healy Mix (SBD+AKG C 424b mic)> PCM> DAT> EventGina> WAV> CD> EAC> SHN; to abgd as well as etree?	Source Detail
12/29/88	Oakland-Alameda County Coliseum	Oakland	CA	Ultra-Matrix DSBD>DAT>CDR>EAC>HD>SHN; via Glenn Gillis; Tony Gardner	Source Detail
12/31/88	Oakland-Alameda County Coliseum	Oakland	CA	Jay Ashley (Bertha) Remaster of Healy SBD Mix; SBD(Healy Mix>>PCM>>DAT>>DALCardDeluxe>>WAV>>CDA>SHN>>DAW(Bertha)>>CDA	Source Detail
02/05/89	Henry J Kaiser Convention Center	Oakland	CA	Mark Horvath FOB Senn. 421?s> Sony TC-D5> MC> CDR; Seeded to etree by Tim W	Source Detail
02/06/89	Henry J Kaiser Convention Center	Oakland	CA	Mark Horvath FOB Senn. 421?s> Sony TC-D5> MC> CDR; Seeded to Etree by Tim W	Source Detail
02/07/89	Henry J Kaiser Convention Center	Oakland	CA	SBD>MC>DAT>CDR; Seeded to etree by Tim W	Source Detail
02/10/89	Great Western LA Forum	Inglewood	CA	Source: Master Cassette SBD>DAT(Fostex D-10 playback)>CD-R (hhb800 standalone)>EAC 0.9>SHN (via MKWACT)	Source Detail
02/10/89	Great Western LA Forum	Inglewood	CA	flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 (ORTF) > PCM (Sony PCM-F1 > Sony SL-2000 modded with Apogee filters - Oade capacitor power supply); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Ted Mattes and Sean Weber-Small	Source Detail	FLAC
02/11/89	Great Western LA Forum	Inglewood	CA	DAUD[master] > CDR > EAC > AddaWav > CDWAV > SHN; EAC > SHN by harlan; CDR from D. Loebig.	Source Detail
02/11/89	Great Western LA Forum	Inglewood	CA	flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 (ORTF) > PCM (Sony PCM-F1 > Sony SL-2000 modded with Apogee filters - Oade capacitor power supply); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Ted Mattes and Sean Weber-Small	Source Detail	FLAC
02/12/89	Great Western LA Forum	Inglewood	CA	SBD; via Mike Lai	Source Detail
02/12/89	Great Western LA Forum	Inglewood	CA	flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 (ORTF) > PCM (Sony PCM-F1 > Sony SL-2000 modded with Apogee filters - Oade capacitor power supply); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Ted Mattes and Sean Weber-Small	Source Detail	FLAC
03/27/89	The Omni	Atlanta	GA	AUD(Schoeps CMC-441's)>DAT>CDR; Seeded to etree by Tim W	Source Detail
03/28/89	The Omni	Atlanta	GA	AUD>DAT>CDR; Seeded to etree by Tim W	Source Detail
03/30/89	Greensboro Coliseum	Greensboro	NC	Mark Horvath FOB Senn. 421?s>Sony TC-D5>MC>CDR; via Paul "Raoul" B; Seeded to etree by Brad Ingle	Source Detail
03/31/89	Greensboro Coliseum	Greensboro	NC	schoeps cmc?/mk21> DAT fob; via Childo and unIDed seeder; note offbeat track breaks; includes unIDed filler	Source Detail
03/31/89	Greensboro Coliseum	Greensboro	NC	flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16	Source Detail	FLAC
04/02/89	Civic Arena	Pittsburgh	PA	AUD(Beyer M-88?s>Sony TC-D5)>MC>DAT>CDR; Seeded to etree by Tim W	Source Detail
04/02/89	Civic Arena	Pittsburgh	PA	flac16; AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008.	Source Detail	FLAC
04/03/89	Civic Arena	Pittsburgh	PA	SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell	Source Detail
04/03/89	Civic Arena	Pittsburgh	PA	FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor	Source Detail
04/03/89	Civic Arena	Pittsburgh	PA	flac16; AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008.	Source Detail	FLAC
04/05/89	Crisler Arena	Ann Arbor	MI	Healy Ultra Mix - sbd+aud> cm> dat> cd; via Aaron Kowalski to loop	Source Detail
04/06/89	Crisler Arena	Ann Arbor	MI	Healy Ultra Mix - sbd+aud> cm> dat> cd; via Aaron Kowalski to loop; missing encore; note most md5s and/or tracks of d3 were accidentally labelled as d2tn; renamed version (md5s shown here) may circulate >8/15/01 thanks to Aaron	Source Detail
04/08/89	Riverfront Arena	Cincinnati	OH	Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor	Source Detail
04/09/89	Freedom Hall	Louisville	KY	Digital Audience - Jill & Rob R 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern.	Source Detail
04/11/89	Rosemont Horizon	Rosemont	IL	SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller	Source Detail
04/12/89	Rosemont Horizon	Rosemont	IL	Shntool fix by-disc by Willy of previous Braverman seed; Ultramatrix (SBD/AUD mix)> Master Cassette> DAT> CD	Source Detail
04/13/89	Rosemont Horizon	Rosemont	IL	SBD > MC > Dat > CDR > EAC > CDWave > mkwACT; Extraction/Seeding by Doug Nawrocki, from Kevin Gills source discs	Source Detail
04/15/89	The Mecca	Milwaukee	WI	Matrix DSBD (Panasonic 3800)> CD (HHB CDR800)> EAC> SHN; Known Flaws - 1 sec. d/o @1:52 & 5 sec. d/o @2:46-2:51 during Space (d2t6) - some clipping on the left channel due to drums and bass being too high in the SBD mix. The master has this flaw as well;  via A. Jerugim	Source Detail
04/15/89	The Mecca	Milwaukee	WI	flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24	Source Detail	FLAC
04/16/89	The Mecca	Milwaukee	WI	flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/16/89	The Mecca	Milwaukee	WI	Shntool fix by Willy of previous Braverman seed; SBD> DAT> C> DAT> CD	Source Detail
04/17/89	Metropolitan Sports Center	Minneapolis	MN	AUD>DAT>CDR; Seeded to etree by Tim W	Source Detail
04/28/89	Irvine Meadows	Irvine	CA	AUD>PCM>DAT>CDR; Seeded to etree by Tim W	Source Detail
04/28/89	Irvine Meadows	Irvine	CA	flac2496 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24	Source Detail	FLAC
04/29/89	Irvine Meadows	Irvine	CA	AUD>PCM>DAT>CDR; Seeded to etree by Tim W	Source Detail
04/30/89	Irvine Meadows	Irvine	CA	flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
04/30/89	Irvine Meadows	Irvine	CA	flac16; FOB AUD: Nakamichi CM-300's with CP-1 cardioid capsules > Sony TC-D5M > Maxell MX-90's, 17th row. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F.	Source Detail
05/06/89	Frost Amphitheatre	Palo Alto	CA	DSBD, with some editing (see notes in info file); via Jay Serafin to gdlive	Source Detail
05/06/89	Frost Amphitheatre	Palo Alto	CA	flac16; AUD: ? > cassette (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > shntool > TLH	Source Detail	FLAC
05/06/89	Frost Amphitheatre	Palo Alto	CA	flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
05/07/89	Frost Amphitheatre	Palo Alto	CA	DSBD > DAT; DAT > WAV > SHN: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > CDWAV v1.71 > MKW, by Dan Stephens; tracked for 2x80	Source Detail
05/27/89	Oakland-Alameda County Stadium	Oakland	CA	Dan Healy's Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd	Source Detail
06/18/89	Shoreline Amphitheatre	Mountain View	CA	SBD>??>DAT>CDR; Seeded to etree by Tim W	Source Detail
06/18/89	Shoreline Amphitheatre	Mountain View	CA	flac2496 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24	Source Detail	FLAC
06/19/89	Shoreline Amphitheatre	Mountain View	CA	SBD>Cassette Master>DAT>CDR; via Tony Gardner (updated lineage; had been labeled SBD>DAT>CD)	Source Detail
06/21/89	Shoreline Amphitheatre	Mountain View	CA	Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended); via Vern White; with patch/crossfade Brokedown Palace from Jack Schlottman's FM > MC > CDR source by Doug Nawrocki	Source Detail
07/02/89	Sullivan Stadium	Foxboro	MA	Digital Audience - Jill & Rob R 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern	Source Detail
07/04/89	Rich Stadium	Orchard Park	NY	AUD>MC>DAT>CDR; Seeded to etree by Tim W	Source Detail
07/07/89	John F. Kennedy Stadium	Philadelphia	PA	Audience (was labeled as (Healy Mix) SBD>MC>DAT>CDR_; via Paul B.; Tim wiley	Source Detail
07/07/89	John F. Kennedy Stadium	Philadelphia	PA	flac24; 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009.	Source Detail	FLAC
07/07/89	John F. Kennedy Stadium	Philadelphia	PA	flac16; FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. January 2009.	Source Detail
07/09/89	Giants Stadium	East Rutherford	NJ	AUD (FOB/ AKG414TL)>> ???>> SHN>> Dual DAW (Bertha)>> CDA; remastering by Jay Ashley (apparently of a previously shned source); to CDead	Source Detail
07/10/89	Giants Stadium	East Rutherford	NJ	Unknown SBD (Matrix); EAC/SHN by Darryl Hinko	Source Detail
07/10/89	Giants Stadium	East Rutherford	NJ	flac16; AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F.	Source Detail
07/12/89	Robert F. Kennedy Stadium	Washington	DC	FOB Schoeps CMC34 > DAT @ 44.1 KHZ; Transfer: DAT Clone > DIO 2448 > CD WAV > SHN, by Bill Gardner	Source Detail
07/13/89	Robert F. Kennedy Stadium	Washington	DC	(Schoeps)AUD>PCM>DAT>CDR; Seeded to etree by Tim W	Source Detail
07/15/89	Deer Creek Music Center	Noblesville	IN	SBD > MR > DAT > C > DAT > CDR; Seeded to etree by Doug Nawrocki	Source Detail
07/17/89	Alpine Valley Music Theatre	East Troy	WI	Source: SBD > DAT > CDR > EAC > *Cool Edit Pro > mkwACT *Beginning of LTGTR, We Bid You Goodnight and Johnny B. Goode patched with Matrix > MC > CDR source.	Source Detail
07/18/89	Alpine Valley Music Theatre	East Troy	WI	Source: DSBD Transfer: D8 > Waveterminal 2496 (@44.1) > Samplitude 2496 > CDWav > mkwACT Transfer and Seed by Jason Brantley (jason@spreadwidepanic.com) 3/27/2003 -sector boundary error in d1t02 of shn id 9854; disc fixed with shntool -SBE in d1t02 fixed by William at TuneTree ; via TuneTraa and LMA	Source Detail	SHN
07/19/89	Alpine Valley Music Theatre	East Troy	WI	DSBD> DAT> CD> eac> SHN; via N. Georges	Source Detail
08/04/89	Cal Expo	Sacramento	CA	SBD > MC > DAT > CDR; Seeded to etree by Doug Nawrocki	Source Detail
08/04/89	Cal Expo	Sacramento	CA	flac16; AUD Source: Nakamichi CM-300's with CP-1 (cardioid) capsules > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 6-feet high. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC	Source Detail
08/05/89	Cal Expo	Sacramento	CA	FOB Schoeps MK2 (spread) > dat > cdr; Transfer: EAC (range extraction at 100%) > CDWAV > mkwACT; d2 tracked for 80 min; encore missing	Source Detail
08/05/89	Cal Expo	Sacramento	CA	flac16; AUD Source: Neumann KM-150's > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 5-feet high. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC	Source Detail
08/06/89	Cal Expo	Sacramento	CA	Set 1 Source: FOB Spaced 50 ft. Neumann km150's > MC > CDR > EAC > Sound Forge 4.5 > mkwACT Set 2 Source: FOB Spaced Nak 700's > MC > DAT Transfer: DA-P1 > Montego II (hardware resample 48 > 44.1) > Sound Forge 4.5 > mkwACT EAC/Transfer/Seed by Doug Nawrocki	Source Detail
08/06/89	Cal Expo	Sacramento	CA	flac16; AUD Source: Neumann KM-150's > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 5-feet high. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC	Source Detail
08/17/89	The Greek Theatre - University of California	Berkeley	CA	SBD>??>DAT>CDR; Seeded to etree by Tim W	Source Detail
08/18/89	The Greek Theatre - University of California	Berkeley	CA	Jay Ashley (Bertha) remaster of Healy SBD mix; SBD>>DAT>>CDR>>WAV>>SHNv3>>WAV>>DAW(Bertha)>>CDA	Source Detail
08/18/89	The Greek Theatre - University of California	Berkeley	CA	flac16; AUD: Sennheiser MD-421's > patched thru one Sony D5 > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on six-foot stand in OTS. Transfer: MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Soundforge (for fades) > CD-Wave > TLH (SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transferred by Andrew F.	Source Detail	FLAC
08/19/89	The Greek Theatre - University Of California	Berkeley	CA	SBD Cassette Master > DAT > .WAV > .SHN; d2 tracked for 80 min; via Jon Miller to tree; see info file for flaw notes	Source Detail
08/19/89	The Greek Theatre - University Of California	Berkeley	CA	Schoeps cmc42s ->M118 -> Oade Mod PCM-F1, Taper Jim Oade; Transfer: Tascam DA-20 (DAT)-> Tascam CDRW4U -> EAC (secure) -> CDWave (tracking) -> CDR -> SHN (MKWact), from Oade DATs, by Matt Shapiro; EAC'd and SHN'd by jim	Source Detail
08/19/89	The Greek Theatre - University Of California	Berkeley	CA	flac16; AUD: Sennheiser MD-421's > patched thru one Sony D5 > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on six-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog input > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.	Source Detail	FLAC
09/29/89	Shoreline Amphitheatre	Mountain View	CA	Ultramatrix: Master Cassette> DAT> CD> SHN> Peak> WAV> SHN; poss cass gen (see notes); Retracking and normalizing by Peter Braverman; with thanks to Skot G	Source Detail	SHN
09/29/89	Shoreline Amphitheatre	Mountain View	CA	flac16; Recording info: Spaced Schoeps MK2 omni's > Sony F1 > PCM (OTS); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (FLAC 16-bit/44.1k)	Source Detail	FLAC
09/30/89	Shoreline Amphitheatre	Mountain View	CA	SBD>MC>DAT>CDR; Seeded to etree by Tim W	Source Detail
10/01/89	Shoreline Amphitheatre	Mountain View	CA	AUD>MC>C>CDR; Seeded to etree by Tim W	Source Detail
10/08/89	Hampton Coliseum	Hampton	VA	FOB  Schoeps CMC34's -> Panasonic SV-250; Transfer: D8 -> Montego II digi I/O -> CDWAV by D. Nawrocki; seed via P. Delgado	Source Detail
10/08/89	Hampton Coliseum	Hampton	VA	flac16; AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand on the floor, near the soundboard. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.	Source Detail	FLAC
10/08/89	Hampton Coliseum	Hampton	VA	flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
10/09/89	Hampton Coliseum	Hampton	VA	SBD> CASS(x)> DAT> CDR> EAC> SHN; via PainoMan to gdlive.com	Source Detail
10/09/89	Hampton Coliseum	Hampton	VA	FOB Schoeps CMC421> DAT> HHB standalone CD> EAC> ADDAWAV> CDWav retracking> WAV> SHN; conversions done by JR Fishman	Source Detail	shn
10/11/89	Meadowlands Arena	East Rutherford	NJ	Master Soundboard DAT > Cassette > DAT> CDR, with numerous ticks fixed (see notes); CD Re-mastering, SHN'ed by Scott Clugston; tracked for 2x80; to abgd	Source Detail
10/12/89	Meadowlands Arena	East Rutherford	NJ	Sbd> Cas(m)> Dat> ZA2/PC> SF> CD Architect> CDR?s; via Dave Koehler	Source Detail
10/14/89	Meadowlands Arena	East Rutherford	NJ	Sbd> Cas(m)> Dat> ZA2/PC> SF> CD Architect> CDR?s; via Dave Koehler	Source Detail
10/14/89	Meadowlands Arena	East Rutherford	NJ	flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru 1 or 2 decks > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in front row of OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.	Source Detail	FLAC
10/15/89	Meadowlands Arena	East Rutherford	NJ	SBD> C> DAT> CDR; seeded by Chaser	Source Detail
10/16/89	Meadowlands Arena	East Rutherford	NJ	source update: DSBD> DAT> WAV> CD-R; via Dave Barrick; 5/00- there may be another version around, possibly reextraction of this- at least 1 track matches the md5 shown here, another track doesn't; listener Jeff Davis reports errors: "some dropouts during the beginning of D1T1, and a dropout around 3:40 of "Space" on Disc 3"; see pub comments for tracking; Update: whole show now released as Nightfall of Diamonds- go buy it	Source Detail
10/18/89	The Spectrum	Philadelphia	PA	Digital Audience - Jill & Rob R,3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section. Posted to abgd via ArtCube	Source Detail
10/19/89	The Spectrum	Philadelphia	PA	Digital Audience - Jill & Rob R, 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section. Seeded to abgd via ArtCube	Source Detail
10/20/89	The Spectrum	Philadelphia	PA	Ultra-Matrix Soundboard DAT > Cassette > DAT > CDR; Audience source supplies first 0:48 of "Hey Pocky Way" (d2t01); Alternate Sbd source supplies balance of "Hey Pocky Way" (d2t01) as well as the first 4:46 of "Scarlet Begonias" (d2t02);Patching / CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston; to abgd via terrapin flyer	Source Detail
10/20/89	The Spectrum	Philadelphia	PA	flac16; SBD Master Cassettes recorded by BEAR; Transferred and Mastered by Jim Blackwood; Tracked in CDWAV Tag&Rename for Meta_Data TradersLittleHelper for FLAC Level 8 by Patrick White	Source Detail	FLAC
10/22/89	Charlotte Coliseum	Charlotte	NC	SBD> ?> CD> EAC> SHN (EAC); DAE & SHN Encoding by Tommy Brame	Source Detail
10/23/89	Charlotte Coliseum	Charlotte	NC	SBD>Cassette Master> Sonic Solutions> CD> FM> DAT> CDR> EAC> SHN; via Jeff M.	Source Detail
10/23/89	Charlotte Coliseum	Charlotte	NC	flac16; Source: Audience Recording Lineage: Nak CM-300s with CP-4 caps (OTS on tall stand) > D-5 > MAC > Nak zx-7 > Tascam HD-P2 > 24/96 wave > wavelab 5 > plugs > r8brain pro > 16/44.1 wave > cd wave > flac 16 (TLH lvl 8)	Source Detail
10/25/89	Miami Arena	Miami	FL	Cassette SBD> DATs> CDRs> EAC> SHN; via Peter L., Sean Cribbs, Darrin Sacks	Source Detail
12/06/89	Oakland-Alameda County Coliseum	Oakland	CA	SBD -> Dat (Encore is SBD>Cm>Dat with AUD Patch starting at 4:16) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN (2 Discs SHN / 3 Discs Audio Transfered and Edited By Charlie Miller	Source Detail
12/06/89	Oakland-Alameda County Coliseum	Oakland	CA	flac16; FOB AUD: Sennheiser MD-421's > Sony TC-D5M > TDK MA-XG 90's with no Dolby. Mics on six-foot stand, at 90-degree spread, thirty feet from the stage, in the center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.	Source Detail
12/08/89	Great Western LA Forum	Inglewood	CA	AUD>DAT>CDR; Seeded to etree by Tim W	Source Detail
12/09/89	Great Western LA Forum	Inglewood	CA	SBD > DAT > CDR > WAV > SHNv3; DAT > CDR transfer - via C. Miller. DAE, tracking (EAC > cdwave > shntool > mkwact) and FTP/ABGD via C. Ladner; see info file for listening notes	Source Detail
12/09/89	Great Western LA Forum	Inglewood	CA	flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; the original source had errors on the last three tracks; please don't circulate that version	Source Detail	FLAC
12/10/89	Great Western LA Forum	Inglewood	CA	SBD > DAT > CDR > WAV > SHNv3; DAE via C. Ladner (EAC > CDWave > SHNTOOL > MKWACT), from Charlie Miller seed	Source Detail
12/27/89	Oakland-Alameda County Coliseum	Oakland	CA	Dan Healy's Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd	Source Detail
12/30/89	Oakland-Alameda County Coliseum	Oakland	CA	Tony G shntool fix of original Braverman seed; Ultramatrix (SBD/AUD mix); Lineage: DAT> CD> SHN	Source Detail
12/31/89	Oakland-Alameda County Coliseum	Oakland	CA	SBD>>PreFM>>DAT>>CDA>>WAV(EAC)>> SHN>>DAW(Bertha)>>CDA/SHN	Source Detail
02/25/90	Oakland-Alameda County Coliseum	Oakland	CA	AUD(Schoeps CMC 44?s)>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley	Source Detail
02/26/90	Oakland-Alameda County Coliseum	Oakland	CA	SBD > CM> DAT; Conversion: D100 > Montego II > CD > HD via EAC > SHN; via shakedown@canada.com; note revision in txt file for d1t8	Source Detail
02/27/90	Oakland-Alameda County Coliseum	Oakland	CA	SBD > DAT > CDR > WAV > SHNv3; DAE (EAC)> tracking/ boundary (CDWAV/SHNTOOL)> SHN(MKWACT) > FTP via neo_levo	Source Detail
02/27/90	Oakland-Alameda County Coliseum	Oakland	CA	flac16; FOB AUD: Sennheiser MD-421's > Sony TC-D5M > TDK MA (1st Set), TDK MA-XG (2nd Set), with no Dolby. Mics on six-foot stand, at 90-degree spread, thirty feet from the stage, in the center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.	Source Detail
03/14/90	Capital Centre	Landover	MD	sbd>mc>dats>Soundforge 4.5>CD; via Tom E; Hosted by candyman.etree.org	Source Detail
03/14/90	Capital Centre	Landover	MD	flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck	Source Detail	FLAC
03/16/90	Capital Centre	Landover	MD	sbd > ? > cdr > eac > shn; 2 cuts in each BTW, Blow Away; Estimated declicked by unIDed person (md5s shown for pre and post-edited- see info file); via Willy from Andrew Wigdahl seed discs; filler on d3	Source Detail
03/18/90	Hartford Civic Center	Hartford	CT	Hartford Civic Center SBD feed to HCN studios via ISDN > HCN Master Reel > DAT(Sony ES)recorded/(Tascam DA20mkII) playback>Pioneer PDR 555>CDR; Some aud splices, see info file for details; via David Huck, Matt Fuggi, & Michael Dixon (splicing and tracking)	Source Detail
03/18/90	Hartford Civic Center	Hartford	CT	flac16; AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Mics on stand 7-feet high, set up near the back of the floor, aprx five rows behind the soundboard area. (Note: There was no taping area at this show.) Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 burner > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72. (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transferred by Andrew F.	Source Detail
03/19/90	Hartford Civic Center	Hartford	CT	updated source: Pre-FM Soundboard Master Reel (at 15 inches per second) -> DAT -> CDRs -> EAC -> SHN; source CDs from Kirby (Chalupa) Bell/Bob Fishman, eac>shn by Darrin Sacks; see info file for flaw notes	Source Detail
03/19/90	Hartford Civic Center	Hartford	CT	flac16; AUD: Nakamichi CM-300's w/CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand 7-feet high, set up just behind the soundboard area: Sec 8, Row D.Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.	Source Detail	FLAC
03/21/90	Copps Coliseum	Hamilton	ON	FOB Schoeps CMC44's > DAT > CD; Transfer: DVD > Optical cable > Phillips CDR870(CDDA) > EAC > CE2k > CDWAV > Shorten32 (see info file for notes); seeded by Doug Nawrocki	Source Detail
03/22/90	Copps Coliseum	Hamilton	ON	Bertha Remaster of the Master Cassette source; SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN	Source Detail
03/22/90	Copps Coliseum	Hamilton	ON	Schoeps CMC54 (ORTF, 19th row) > Aerco PS > DAT @ 48kHz; via Dankseeds	Source Detail
03/24/90	Knickerbocker Arena	Albany	NY	AUD(Schoeps CMC 421?s)>DAT>CDR; See info file for flaw notes; via Paul B; Seeded to Etree by T. Wiley	Source Detail
03/24/90	Knickerbocker Arena	Albany	NY	flac2496 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24	Source Detail	FLAC
03/25/90	Knickerbocker Arena	Albany	NY	24 track SBD MR> Healy 2 track Mixdown> C> DAT> CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky	Source Detail
03/25/90	Knickerbocker Arena	Albany	NY	flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F.	Source Detail	FLAC
03/26/90	Knickerbocker Arena	Albany	NY	24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky; Note- portions of the show appear on Dozin' at the Knick- go buy it	Source Detail
03/28/90	Nassau Coliseum	Uniondale	NY	24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky	Source Detail
03/28/90	Nassau Coliseum	Uniondale	NY	flac16; AUD (Changed mics between sets). Set One: Nakamichi CM-300's with CP-4 shotguns. Set Two: Sennheiser MD-441's. Mics > Sony TC-D5M > Maxell MX 90/100 tape, with no Dolby. Mics on 7-foot stands, in front row of OTS. Transfer: MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Wav > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.	Source Detail	FLAC
03/29/90	Nassau Coliseum	Uniondale	NY	SBD> DAT> CDR; via Andy Bear Greider, Doug Nawrocki; note reshn version also in circ	Source Detail
03/30/90	Nassau Coliseum	Uniondale	NY	24 track SBD MR>John Cutler 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky	Source Detail
04/01/90	The Omni	Atlanta	GA	aud MC> DAT> CD-R; Nak 300/CP4's > PMD 420; Alan Wallace, tapers section; via Tony Gardner; note some clipping	Source Detail
04/02/90	The Omni	Atlanta	GA	Nak 300's/cp 4's > *Marantz PMD420 (mc) > dat > cdr >eac (range extracted at 100% for retracking) > cdwave > mkwact; Taped by Alan Wallace; Discs provided by Kevin Gills, shn by Doug Nawrocki	Source Detail
04/03/90	The Omni	Atlanta	GA	Nak 300/CP4's > PMD 420 by Alan Wallace, tapers section; MC> DAT> CD-R; note first few seconds of Promised Land missing; via Kevin Gills, Tony Gardner	Source Detail
05/05/90	Cal State Dominguez Hills	Carson	CA	flac16; Set 1 only, FOB AUD: Schoeps CMC5/MK2 (omnis) > Panasonic SV255 Dat. Mics 7-foot spread, 20-feet from the stage. MAD > Cassette by Alabama Bob. Taped by the B&D Crew. Transfer: That's CD-90 Metal cassette > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644, by Andrew F. Feb 2009.	Source Detail
05/06/90	Cal State Dominguez Hills	Carson	CA	FOB Schoeps CMC44> master audience DAT> DAT> CD> EAC> SHN	Source Detail
06/08/90	Cal Expo	Sacramento	CA	FOB Matrix SBD > DAT > CDR > WAV > SHN. End of Sugar Magnolia and encore: Schoeps CMC 441's > PCM > SL2000 > DAT > Cass > SHN (Kutick/Adelman); Thanks to C. Miller for the SBD seeds. DAE (EAC) > tracking (cdwave) > boundary checking (shntool) > shn (mkwact) via neo_levo; see flaw notes in info file	Source Detail
06/09/90	Cal Expo	Sacramento	CA	SBD (Matrix) > DAT > CDR > WAV > SHN; with AUD patch at end of encore: Schoeps CMC441s > Sony PCM F1> SL-2000> DAT> Cass> SHN (Ken Adelman). DAE (EAC) > tracking (CDWAV) > boundary checking (SHNTOOL) > SHN (MKWACT) via neo_levo; SBD seed via Charlie Miller	Source Detail
06/09/90	Cal Expo	Sacramento	CA	B&K 4011 110degrees ORTF on the "Mike Stand" 6'4" Neumann p48 phantom supply > Sony TCD-D10 pro II (48k) > DAT master > TAscam DA-20 MKII > Marigo Audio Lab Coax S/PDIF cable > Tascam CDRW700 > CD-R master > Marantz CDR500 dual well cd burner at 1x > 1st gen CD-R copy > EAC in secure mode > FLAC	Source Detail	FLAC
06/10/90	Cal Expo	Sacramento	CA	SBD/Matrix > DAT > CDR > WAV > SHN; plus patch from Mike Lai AUD source (see info) EAC, SHNTOOL, and minor repair work (cdwave) via neo_levo; SBD seed via Charlie Miller	Source Detail
06/15/90	Shoreline Amphitheatre	Mountain View	CA	3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner	Source Detail
06/16/90	Shoreline Amphitheatre	Mountain View	CA	3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner	Source Detail
06/17/90	Shoreline Amphitheatre	Mountain View	CA	3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner	Source Detail
06/23/90	Autzen Stadium - University of Oregon	Eugene	OR	Digital Audience - Jill & Rob R. 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section	Source Detail
06/24/90	Autzen Stadium, U. of Oregon	Eugene	OR	Digital Audience - Jill & Rob R: 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section	Source Detail
07/04/90	Sandstone Ampitheatre	Bonner Springs	KS	AUD (AKG 414?s) > DAT (Sony D-3) > CDR > WAV > SHNv3; DAE(EAC)>tracking (CDWAV)> boundary check (SHNTOOL)> SHN(MKWACT)> FTP via neo_levo	Source Detail
07/04/90	Sandstone Ampitheatre	Bonner Springs	KS	flac16; patched version of shn id 26351: SBD -> Dat -> Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD -> EAC -> SHN; all SHNs converted to FLAC	Source Detail	FLAC
07/06/90	Cardinal Stadium	Louisville	KY	SBD> Dat> Sonic Solutions> CD; EAC'd and SHN'd By Charlie Miller	Source Detail
07/08/90	Three Rivers Stadium	Pittsburgh	PA	SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore	Source Detail
07/10/90	Carter-Finley Stadium	Raleigh	NC	SBD > MC > DAT > EAC > SHN; Unknown seeder	Source Detail
07/12/90	Robert F. Kennedy Stadium	Washington	DC	Recording Info: Set One: SBD -> Dat Set Two: SBD -> Cassette Master (TDK SA-X 100) Transfer Info: Set One: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Set Two: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16bit /44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN) All Transfers and Edits Done By Charlie Miller charliemiller87@earthlink.net 1/27/04	Source Detail
07/14/90	Foxboro Stadium	Foxboro	MA	SBD(?) ("could be DSBD, likely SBDm")> ? ("could also have a cassette gen between the source and DAT, not sure")> DAT> CD> EAC; via Nick Georges; see pub comments for flaw notes	Source Detail
07/16/90	Rich Stadium	Orchard Park	NY	SBD> DAT> CD's> EAC> SHN; SHN/upload by Randall Ward, seed via Matt Knapp	Source Detail
07/18/90	Deer Creek Music Center	Noblesville	IN	unknown aud>?>cdr>eac>shn; via Paul B.; Tony Gardner	Source Detail
07/18/90	Deer Creek Music Center	Noblesville	IN	Braverman fix and cleanup of previously circulating Miller source (SHNID 26352). Purports to fix/clean up only d1t01, d1t02, d2t07, and d3t01 through d3t04 of original source. See text file for details.	Source Detail
07/18/90	Deer Creek Music Center	Noblesville	IN	flac16/48kHz; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722	Source Detail	FLAC
07/19/90	Deer Creek Music Center	Noblesville	IN	DSBRD> DAT> CD-R> EAC> SHN; via Garcia420 to abgd	Source Detail
07/21/90	World Music Theater	Tinley Park	IL	Master Soundboard DAT > CDR,EAC'ed / SHN'ed by Scott Clugston; to abgd via Charlie Connor	Source Detail
07/22/90	World Music Theater	Tinley Park	IL	Master Soundboard DAT > CDR,EAC'ed / SHN'ed by Scott Clugston, to abgd via Charlie Connor	Source Detail
07/23/90	World Music Theater	Tinley Park	IL	sbd>dat>cd>shn; via Ed O'Connor	Source Detail
08/28/90	Club Front	San Rafael	CA	flac2496 Recording Info: SBD > Cassette Master (TDK SA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) >Tascam Hi-Res Editor (WAV 24-bit-96k) > Samplitude Pro X6 Suite > FLAC24 (1 DVD FLAC) All Transfers and Mastering by Charlie Miller. May 9, 2022 Notes: -- This is not the full band -- Thanks to David Beckwith for supplying the cassette	Source Detail	FLAC
09/07/90	Richfield Coliseum	Richfield	OH	SBD> Cassette; Conversion: Tascam DA-20 MK II > (via RCA analog for Emphasis removal) Tascam DA-20 >Delta Dio 2496 > Soundforge XP 4.5 > CDRWIN > EAC > SHN, by Rob (Odeo) Harrison	Source Detail
09/08/90	Richfield Coliseum	Richfield	OH	AUD>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley	Source Detail
09/10/90	The Spectrum	Philadelphia	PA	AUD(Nak. 300's>D-5)>CM>??>CDR; See info file for edit notes; via Dan Faust; Seeded to Etree by T. Wiley	Source Detail
09/11/90	The Spectrum	Philadelphia	PA	(Healy Mix)SBD>DAT>C>DAT>CDR; with FOB(Nak. 300's>D-5)>CM>??>CDR patches; See info file for details; via Paul B and Dan Faust; Seeded to Etree by T. Wiley	Source Detail
09/12/90	The Spectrum	Philadelphia	PA	Schoeps MK4V> DAT> CD-R> EAC> ADDAWAV (for retracking set 1)> CDRWAV> MKWACT> SHN; via JR Fishman	Source Detail
09/14/90	Madison Square Garden	New York	NY	Dave Brotman FOB (15th row, center) AUD(Schoeps)> DAT> CDR; via Paul B; Seeded to Etree by T. Wiley	Source Detail
09/15/90	Madison Square Garden	New York	NY	Recorded by Dave Brotman: FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects).	Source Detail
09/15/90	Madison Square Garden	New York	NY	flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony TC-D5M > Sony TC-D5M > Maxell MX90/100, with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Taped and transferred by Andrew F.	Source Detail
09/16/90	Madison Square Garden	New York	NY	Recorded by Dave Brotman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects); Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor	Source Detail
09/18/90	Madison Square Garden	New York	NY	DFOB MAD>D>CD Recorded by Dave Bratman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects). 4, 1 second d/o's were patched w/ an FOB source; See info file for details; Seeded to etree by Darrin Sacks	Source Detail
09/19/90	Madison Square Garden	New York	NY	Dave Brotman FOB(15th row, Center)-AUD(Scheops)>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley	Source Detail
09/20/90	Madison Square Garden	New York	NY	Bertha Remaster of the original DSBD Source. SBD>>Dat>>(*)>>SHN>>DAW(Bertha)>>CDA - Sound A+	Source Detail
09/26/90	Club Front Studio	San Rafael	CA	flac1644 Notes: -- From GDH production audio files -- Please support the Grateful Dead Hour https://www.gdhour.com/ Charlie Miller	Source Detail	FLAC
09/27/90	Club Front	San Rafael	CA	flac1644 -- From GDH production audio files -- Please support the Grateful Dead Hour https://www.gdhour.com/ Charlie Miller	Source Detail	FLAC
09/28/90	Front Street	San Rafael	CA	Unknown SBD> ? (possible cassette gen)> CDR> EAC> SHN; via Jeff M	Source Detail
09/28/90	Front Street	San Rafael	CA	flac1644 Notes: -- From GDH production audio files -- Please support the Grateful Dead Hour https://www.gdhour.com/ Charlie Miller	Source Detail	FLAC
10/13/90	Ice Stadium	Stockholm	Sweden	DSBD > CD > EAC > SHN; EAC/SHN by Darryl Hinko	Source Detail
10/17/90	GrugaHalle	Essen	Germany	DSBD>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley	Source Detail
10/17/90	GrugaHalle	Essen	Germany	DSBD>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley	Source Detail
10/17/90	GrugaHalle	Essen	Germany	flac16; Audience Master Cassette Nakamichi 300’s > Marantz PMD-430 Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 12, 2008	Source Detail	FLAC
10/19/90	Internationales Congress Centrum	Berlin	Germany	DSBD: Healy mix>MD>D>CD; seeded to abgd by dieter	Source Detail
10/19/90	Internationales Congress Centrum	Berlin	Germany	flac16 Recording info: Soundboard DAT provided by ANON Mastering by Jim Blackwood with help from Jason Chastain Track, FLAC, and pack by Steve Gravel	Source Detail	FLAC
10/20/90	Internationales Congress Centrum	Berlin	Germany	DSBD: Healy mix>MD>D>CD	Source Detail
10/20/90	Internationales Congress Centrum	Berlin	Germany	flac16; SBD > ? > FLAC	Source Detail	FLAC
10/22/90	Festhalle	Frankfurt	Germany	2 Beyer M160> Sony TCD5M Front Of Board Master Cassette> CDR via unknown seeder	Source Detail
10/24/90	Sportsahalle	Hamburg	Germany	SBD>DAT>C>DAT>CDR> Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable); via Paul B; Seeded to Etree by T. Wiley	Source Detail
10/27/90	The Zenith	Paris	France	SBD>DAT>CD; via Tommy Danscuk; Seeded to etree by Peter Braverman	Source Detail
10/27/90	The Zenith	Paris	France	flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Set up in the balcony taper section, a few rows from the edge. Mics on stand aprx 5-feet high, aimed at stacks and angled down slightly. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, April 2007. Taped and transferred by Andrew F.	Source Detail	FLAC
10/27/90	The Zenith	Paris	France	flac24/96 Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
10/28/90	The Zenith	Paris	France	SBD> DATx3; Conversion: Sony M-1 > Midiman Optical > SPDIF SB Platinum > CoolEdit WAV > CDWav WAV > SHN (mkw); Shns Produced by JamPhan	Source Detail
10/28/90	The Zenith	Paris	France	flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Set up in the balcony taper section, a few rows from the edge. Mics on stand aprx 5-feet high, aimed at stacks and angled down slightly. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, March 2007. Taped and transferred by Andrew F	Source Detail
10/28/90	The Zenith	Paris	France	flac24/96 Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
10/30/90	Wembley Arena	London	England	dsbd> dat> cd> shn; via Steve Barbella	Source Detail
10/30/90	Wembley Arena	London	England	flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, January 2007. Taped and transferred by Andrew F	Source Detail
10/31/90	Wembley Arena	London	England	SBD > DAT > CDR > WAV > SHNv3; seed discs via Tim Symons, DAE(EAC) > SHNTOOL > MKWACT via neo_levo; reportedly with Werewolves splice, but fewer pops than previous shn sets	Source Detail
10/31/90	Wembley Arena	London	England	flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX tapes, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Audiophile 2496 analog RCA-In > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, June 2007. Taped and transferred by Andrew F.	Source Detail	FLAC
11/01/90	Wembley Arena	London	England	SBD > DAT > CDR > WAV > SHNv3; via Tim S., neo_levo	Source Detail
11/01/90	Wembley Arena	London	England	flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, February 2007. Taped and transferred by Andrew F	Source Detail
12/03/90	Oakland-Alameda County Coliseum	Oakland	CA	AUD(Nak mics + CP4)>DAT>CDR; via Paul B; Seeded to etree by Tim Wiley	Source Detail
12/04/90	Oakland-Alameda County Coliseum	Oakland	CA	SBD>DAT>CDR; Uncle>Big River are from either an Excellent Aud source, or they have a different, Matrix like mix; via neo_levo/candyman ftp - 4/2002	Source Detail
12/08/90	Compton Terrace Amphitheatre	Chandler	AZ	S:PCM> DAT> ZA2> CD; no encore; unfortunate diginoise during Victim (on all DATs); seeded by D. Hollister; via Skank, and/or J. Sachs to abgd?; via A. Stern to etree; note d2t3 gives an error when burning with CDRWin- to fix, Adam suggests opening this track in a wav editor (like CEP) and saving before burning	Source Detail
12/08/90	Compton Terrace Amphitheatre	Chandler	AZ	flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
12/09/90	Compton Terrace	Chandler	AZ	SBD > DAT > CDR > WAV > SHNv3; DAT > CDR transfer - via C. Miller; DAE (EAC > shntool > mkwact) by C. Ladner	Source Detail
12/09/90	Compton Terrace	Chandler	AZ	flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
12/12/90	McNichols Sports Arena	Denver	CO	SBD> D-> CDR-> EAC> SHN; Ripped by John Zei	Source Detail
12/13/90	McNichols Sports Arena	Denver	CO	Source: Soundboard Matrix:D-> DAT; Transfer: DAT-> Sony PCM R-300 > RME digi 96/8PAD > Soundforge 6.0 @48k by Marc Pujol; Encoding: 48k -> 44.1k via Cool Edit Pro High Accuracy Setting > Cool Edit (diginoise patches) > CDWAV > mkwact (seekable) by Matt Vernon	Source Detail
12/14/90	McNichols Sports Arena	Denver	CO	DSBD> DAT> Cass> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz. A/D> RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT). Digital Conversion by Charlie Connor via Hugh McCrystal.	Source Detail
12/27/90	Oakland-Alameda County Coliseum	Oakland	CA	Set One: AKG 460/CK8X (Front Row Taper's Section) -> Dat (Sony D3) -> PCM -> Dat (Sony R500) -> Samplitude v7.02 Professional -> SHN Set Two: SBD -> Dat -> SHN Recorded By Paul Tumolo Transfered By Charlie Miller and Neil Sturtevant	Source Detail
12/28/90	Oakland-Alameda County Coliseum	Oakland	CA	(Healy Mix)SBD>??>DAT>CDR; Seeded to etree by T. Wiley	Source Detail
12/30/90	Oakland-Alameda County Coliseum	Oakland	CA	Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC 2000 -> CD (Tascam CDRW700) -> EAC -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) - All Transfers and Editing By Charlie Miller	Source Detail
12/30/90	Oakland-Alameda County Coliseum	Oakland	CA	flac16; Recording Info: SBD (Dan Healy's UltraMatrix) -> Dat (48k); Transfer Info: Dat (Tascam DA20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
12/31/90	Oakland-Alameda County Coliseum	Oakland	CA	Satellite Feed > 1/2" reel @ 15 ips > DAT >CDR; Montego II > CDWave > Sound Forge XP 4.5; via Mike Hall	Source Detail
12/31/90	Oakland-Alameda County Coliseum	Oakland	CA	flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
02/19/91	Oakland-Alameda County Coliseum	Oakland	CA	SBD > DAT > Soundforge> CDR > WAV > SHN; DAE(EAC)> SHN (MKWACT), via neo_levo with thanks to Charlie Miller	Source Detail
02/20/91	Oakland-Alameda County Coliseum	Oakland	CA	Updated source: 2 Nak 100/CP4 + 2 AKG C1000, Front Row Tapers Section> Boss BX4 Mixer> Cassette Master (Sony D6/Dolby B), taped by Charlie Miller; Cass> DAT transfer by Dan Sisler; Dat (Sony R500/SBM On)> CD (Tascam CDRW700) transfer by Charlie Miller; EAC> CDWAV> SHN by eD(efojr), from Paul's seed discs	Source Detail
02/20/91	Oakland-Alameda County Coliseum	Oakland	CA	flac16; SBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko	Source Detail
02/21/91	Oakland-Alameda County Coliseum	Oakland	CA	Recording Info: SBD -> Dat Transfer Info: Dat (Sony D8) -> Delta DiO 2496 -> Samplitude 2496 -> SHN 3 Discs Audio / 2 Discs SHN Re-tracked and Normalized with Samplitude v7.02 Professional By Charlie Miller charliemiller87@earthlink.net 2/11/04	Source Detail
03/17/91	Capital Centre	Landover	MD	SBD>MC>DAT>CDR; via Tom Eliason; Seeded to etree by Willy	Source Detail
03/18/91	Capital Centre	Landover	MD	AUD (unknown mics) >DAT>Cass (X1)>CDR via D.Duquette. DAE/SHN encoding neo_levo/candyman	Source Detail
03/20/91	Capital Centre	Landover	MD	SBD>DAT>CDR; See info file for 'anomalies'; via Paul; Seeded to etree by eD(efojr)	Source Detail
03/21/91	Capital Centre	Landover	MD	SBD> DAT> ZA2> SHN; slight cut d2t7 ~5:44; via G. King	Source Detail
03/23/91	Knickerbocker Arena	Albany	NY	AUD: Schoeps CMC 34?s>DAT; via Paul; Seeded to etree by eD(efojr)	Source Detail
03/23/91	Knickerbocker Arena	Albany	NY	flac16; AUD: Nackamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 Dat. Taped onto Maxell DM-120 tape, set up in second row of taper's section, center seat. Mics on stand aprx 7-1/2 feet high, pointing at stacks and kept level (not angled up). Transfer: MAD > Sony DTC-690 > Optical cable > Marantz CDR-500 burner > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression, and checksums) > FLAC > bt.etree. Taped and transferred by Andrew F.	Source Detail
03/24/91	Knickerbocker Arena	Albany	NY	AUD> DAT> CDR; Schoeps CMC-421?s>Oade>Panasonic SV-255; via WIlliam-O; Seeded to etree by eD	Source Detail
03/24/91	Knickerbocker Arena	Albany	NY	flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110degrees) > Panasonic SV-255 (1648); Location: @ soundboard, section 5, row F, seat 8; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648; Master Digital FOB Recording by Dave Brotman & Jeff Metchick; Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel	Source Detail	FLAC
03/25/91	Knickerbocker Arena	Albany	NY	sbd>cass-master>dat>shn	Source Detail
03/25/91	Knickerbocker Arena	Albany	NY	flac16; AUD: Nackamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 Dat. Taped onto Maxell DM-120 tape, set up in front row of taper's section, one seat off center. Mics on stand aprx 7-1/2 feet high, pointing at stacks and kept level (not angled up). Transfer: MAD > Sony D10-P > Coax SPDIF > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred (April 2007) by Andrew F	Source Detail	FLAC
03/25/91	Knickerbocker Arena	Albany	NY	flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110degrees) > Panasonic SV-255 (1648); Location: FOB three rows in front of soundboard; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648; Master Digital FOB Recording by Dave Brotman & Jeff Metchick; Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel	Source Detail	FLAC
03/27/91	Nassau Veterans Memorial Coliseum	Uniondale	NY	AUD>DAT>CDR; Seeded to etree by eD	Source Detail
03/27/91	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac16/48kHz; (FOB) Neuman SKM150 (90 Deg X-Y) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick April 2019	Source Detail	FLAC
03/28/91	Nassau Coliseum	Uniondale	NY	SBD> DAT> CDR> EAC> SHN (seekable) via Steve Barbella	Source Detail
03/29/91	Nassau Coliseum	Uniondale	NY	SBD> DAT> Cassette> DAT> Tascam DA-20 MKII> Delta Dio 2496> Cool Edit> CDR; via Rob Harrison; Seeded to etree by Tim Wiley	Source Detail
03/29/91	Nassau Coliseum	Uniondale	NY	flac16; AUD: 2x Nakamichi CM300/CP4 shotguns > Casio DA-7 (lead deck) > Sony TC-D5M (first deck out) > Maxell MXS 90/100. Mics on 7-foot stand, front row OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > TLH > FLAC 1644. Transfer by Andrew F. July 2011.	Source Detail	FLAC
03/31/91	Greensboro Coliseum	Greensboro	NC	SBD > ?? > EAC > Multiquence > Shn; Seeded by C Perkins with thanks to Chris Luper; see text file for noted flaws.Samson and Eyes appear on Dick's Picks 17, Please support the artist and their commercial releases go buy it	Source Detail
04/01/91	Greensboro Coliseum	Greensboro	NC	Sources: Primary Source; Jay Serafin's seed SBD>D>A>D>SSSB: Secondary Source:SBD>DAT>CDR (Musicfan's seed to abgd; Secondary Source provides d1t01-t04; the last 5 seconds of d1t07;the last 2:01 of d1t09; CD Remastering by Charlie Connor; Seeded to Fun_Gus and abgd by Charlie Connor	Source Detail
04/01/91	Greensboro Coliseum	Greensboro	NC	flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; AKG C522 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp	Source Detail	FLAC
04/03/91	The Omni	Atlanta	GA	sbd> dat> cass(2)> dat> spdif> cdr> eac> shn; via Tony Gardner; Pitch corrected upgrade in circulation	Source Detail
04/04/91	The Omni	Atlanta	GA	FOB> AKGc1000s>Sony Cassette D3 > cdr Eac > cool edit > shntool > cdwav >shnv3 Taped by Thomas Larson Discs provided by Chris Adams Eac >shn (secure with proper offsets) by Ernie Dodd	Source Detail
04/05/91	The Omni	Atlanta	GA	sbd> ?> cdr> eac> shn; shn by Jay James, hosted by Tony Gardner	Source Detail
04/07/91	Orlando Arena	Orlando	FL	SBD > ? > SHN; via M. Ferguson, neo_levo	Source Detail
04/07/91	Orlando Arena	Orlando	FL	flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ortf) > Panasonic SV-255 (16/48); Location: FOB mics hand held, section F5, row B, seat 5; Transfer: DAT (Tascam DA-40) > Tascam DA-3000 > Flac 16/48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick; Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel	Source Detail	FLAC
04/07/91	Orlando Arena	Orlando	FL	flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
04/08/91	Orlando Arena	Orlando	FL	SBD>DAT>C>DAT>CDR; via Paul "Raoul B." Duke; seeded to etree by Brad Ingle	Source Detail
04/09/91	Orlando Arena	Orlando	FL	SBD>??>DAT>??>CDR (Liberated Bootleg); Missing Masterpiece, NFA & Brokedown; Some distortion throughout; See info file for details; via PBR Duke; Seeded to etree by Brad Ingle	Source Detail
04/27/91	Sam Boyd Silver Bowl	Las Vegas	NV	SBD material from previous shn set with AUD patches added by Alan J. Fink from eD's first-gen source cass	Source Detail	SHN
04/27/91	Sam Boyd Silver Bowl	Las Vegas	NV	flac2496: Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24	Source Detail	FLAC
04/28/91	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV	Source: FOB MAC (2 beyerm 160 & 1 Sennheiser 421>Sony TCD5M)>?>SHN. Mastering: SHN>WAV>CE2K>SHNTOOL>mkwACT. Mastered & seeded by MattMan.	Source Detail
04/28/91	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV	flac2496 Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24	Source Detail	FLAC
05/03/91	Cal Expo	Sacramento	CA	Source: SBD > DAT > C > DAT > CDR > WAV > SHN	Source Detail
05/04/91	Cal Expo	Sacramento	CA	SBD > DAT > C > DAT > CDR; via R. Martin; Seeded to etree by C. Ladner	Source Detail
05/05/91	Cal Expo	Sacramento	CA	DSBD > CD > EAC > SHN; EAC/SHN by Darryl Hinko	Source Detail
05/05/91	Cal Expo	Sacramento	CA	flac16; Recording Info: SBD > DAT Master (Panasonic SV-3700/44.1k); Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
05/10/91	Shoreline Amphitheatre	Mountain View	CA	SBD > DAT > CDR > WAV > SHNv3; DAE (EAC) > boundary checking (shntool) > compression (mkwact) via neo_levo, with thanks to C. Miller	Source Detail
05/11/91	Shoreline Amphitheatre	Mountain View	CA	SBD : DAT > C (Latvala) > DAT > CDR; via Tom Angello; d2 tracked for 80 min	Source Detail
05/12/91	Shoreline Amphitheatre	Mountain View	CA	FOB-AUD:Schoeps MK4V>DAT>CDR; via Paul; Seeded to etree by eD(efojr)	Source Detail
05/12/91	Shoreline Amphitheatre	Mountain View	CA	FOB-AUD:Schoeps MK4V>DAT>CDR; via Paul; Seeded to etree by eD(efojr)	Source Detail
06/06/91	Deer Creek Music Center	Noblesville	IN	Nakamichi 300 shotguns, back tapers lawn > Sony D-6 (Denon Hd8-100 masters output from same deck) > Sony ES-59 DAT; Seeded to etree by JamPhan	Source Detail
06/07/91	Deer Creek Music Center	Noblesville	IN	via Other1 and Chas; note d2t4 bad- to be replaced >9/12	Source Detail
06/07/91	Deer Creek Music Center	Noblesville	IN	flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24	Source Detail	FLAC
06/09/91	Buckeye Lake Music Center	Hebron	OH	SBD> DAT> CD> SHN; provenance unknown, submitted by user kberry	Source Detail
06/11/91	Charlotte Coliseum	Charlotte	NC	source unknown (likely SBD> CM> DAT> CDR); DAE: CDR> EAC> SHN; Extraction and shorten conversion by JT James; reported upgrade relative to previous shn set	Source Detail
06/12/91	Charlotte Coliseum	Charlotte	NC	SBD>DAT>CDR; via Paul; Seeded to etree by eD(efojr)	Source Detail
06/14/91	Robert F. Kennedy Stadium	Washington	DC	SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV)	Source Detail
06/16/91	Giants Stadium	East Rutherford	NJ	Source: DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF	Source Detail
06/17/91	Giants Stadium	East Rutherford	NJ	sbd> ?> cdr> eac> shn; via Tony Gardner, with thanks to Peter Braverman	Source Detail
06/17/91	Giants Stadium	East Rutherford	NJ	flac16; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped & transferred (7/2007) by Andrew F.	Source Detail	FLAC
06/19/91	Pine Knob Music Theater	Clarkston	MI	Source: AUD (unknown mics) >DAT>CDR>WAV>SHN. SHN encoding via C.Ladner.	Source Detail
06/19/91	Pine Knob Music Theater	Clarkston	MI	flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24	Source Detail	FLAC
06/20/91	Pine Knob Music Theater	Clarkston	MI	unknown mics > DAT > CDR > EAC x 2 > WAV > SHN3.0; via Chris Ladner, from Marc Laurent's discs; see info file for listening notes	Source Detail
06/20/91	Pine Knob Music Theater	Clarkston	MI	flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
06/22/91	Soldier Field	Chicago	IL	This is shn id 485 with undocumented changes. See the comments here for a possible explanation. Via Tol and LMA.	Source Detail	SHN
06/24/91	Sandstone Ampitheatre	Bonner Springs	KS	FOB AKG 460 cardioid > DAT > CD DAT > CD: Panasonic sv3700 > Cool Edit Pro > CD Wave > mkw	Source Detail
06/25/91	Sandstone Ampitheatre	Bonner Springs	KS	DSBD Boot? > CDR > SHN (EAC); 2x80 min;  liberated KTS bootleg; via screenwriter to abgd 11/99; to etree ~12/3	Source Detail
06/28/91	Mile High Stadium	Denver	CO	SBD> Dat> Samplitude> CD, Seed Supplied By David Gans; Transfer Info: Sony R500> Behringer SRC2000> M-Audio Dio 2448> Compaq 5452, Transfer done by Charlie Miller; Recorded with Samplitude v6.0, Fades done with Cool Edit Pro v1.2, Tracked with CDWave v1.71, SHN'd with MKW v0.97 Beta1	Source Detail
08/12/91	Cal Expo	Sacramento	CA	Don Pearson Master Cassette > Cassette > D > CD-r; d3 circs w/ filler from 8-13-91 set 1; Same source; via JR Fishman	Source Detail
08/13/91	Cal Expo	Sacramento	CA	SBD>CM>DAT>CDR; via Paul; seeded to etree by eD(efojr)	Source Detail
08/14/91	Cal Expo	Sacramento	CA	SBD>DAT>??>DAT>CDR; via Paul; Seeded to etree by eD(efojr)	Source Detail
08/16/91	Shoreline Amphitheatre	Mountain View	CA	SBD:DAT> DAT> SF> WAV> SHN; via J.T. James, Peter Braverman	Source Detail
08/17/91	Shoreline Amphitheatre	Mountain View	CA	Source: SBD -> DAT Master -> DAT Clone -> Tascam DA40 ->(SPDIF)-> SB Live -> SoundForge -> wav -> shn. This set of files represents a SHNTOOL fixed correction of the previously circulating SHN set (/shninfo_detail.php?shnid=497).	Source Detail
08/18/91	Shoreline Amphitheatre	Mountain View	CA	Source:SB DAT 48khz low-gen clone via kung@steve-behan.com Patch Source: SBD > DAT > ZA2 > CDR > EAC Patched, retracked, shn'd... by Doug Nawrocki	Source Detail
09/04/91	Richfield Coliseum	Richfield	OH	sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs	Source Detail
09/04/91	Richfield Coliseum	Richfield	OH	Schoeps CMC4/MK4 (FOB/Row Q, ORTF)> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Dan O'Neill; Transferred By Charlie Miller	Source Detail
09/05/91	Richfield Coliseum	Richfield	OH	sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs	Source Detail
09/06/91	Richfield Coliseum	Richfield	OH	sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs	Source Detail
09/06/91	Richfield Coliseum	Richfield	OH	FOB Schoeps CMC4/MK4 (ORTF)> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Dan O'Neill; Transferred By Charlie Miller	Source Detail
09/08/91	Madison Square Garden	New York	NY	DSBD> DAT> CD; via Jay Ashley: see flaw note in pub comments	Source Detail
09/08/91	Madison Square Garden	New York	NY	flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand, back of floor center, directly behind the lighting board. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F.	Source Detail	FLAC
09/09/91	Madison Square Garden	New York	NY	DSBD> DAT> CD; via C. Miller, J. Ashley	Source Detail
09/10/91	Madison Square Garden	New York	NY	complete; DSBD> DATs> CDRs> EAC> SHN; via Darrin Sacks	Source Detail
09/10/91	Madison Square Garden	New York	NY	Recording Info: SBD > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/16	Source Detail	FLAC
09/12/91	Madison Square Garden	New York	NY	SBD > DAT > CDR > .shn; .via Jon, Adam Roux; (note may have been in abgd before this perhaps?)	Source Detail
09/13/91	Madison Square Garden	New York	NY	via A. Kowalski to offer	Source Detail
09/14/91	Madison Square Garden	New York	NY	sbd> dat> cd> eac> shn; via A. Kowalski to GDH-Trading loop, not yet etreed	Source Detail
09/16/91	Madison Square Garden	New York	NY	FOB B&K 4011 (hand-held, sets recorded from different positions) -> Canari cables -> Neumann Phantom Power ->Sony TCD D10 Pro 2 Modified-> DAT @48k; Transfer: Clone from Master played back through Sony PCM-M1 -> 7pin Coax Out -> Zoltrix Nightingale -> Cooledit 2k (48k->44.1k conversion) -> cdwav (track splitting) -> shorten; recorded by Clay Brennecke and James Young	Source Detail
09/17/91	Madison Square Garden	New York	NY	SBD: DAT> CD> EAC> SHN	Source Detail
09/18/91	Madison Square Garden	New York	NY	DSBD -> DAT -> CD -> EAC -> SHN; via Adam Jerugim	Source Detail
09/20/91	Boston Garden	Boston	MA	Recorded with nakamichi 300 plus cp4 (shotguns) from the taping section by Mark Horvath	Source Detail
09/20/91	Boston Garden	Boston	MA	flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/21/91	Boston Garden	Boston	MA	sbd> DAT> CD-R> EAC> SHN (no cass in gen); seed via A. McCall, via A. Eaglestone to BUDD et al offer; 11/00 at gdlive.com	Source Detail
09/21/91	Boston Garden	Boston	MA	flac16; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Agfa Dat tape. Mics on 7-foot stand, pointed at stacks, third row of taping area. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F.	Source Detail	FLAC
09/22/91	Boston Garden	Boston	MA	DSBD>DAT>CD-R>EAC>WAV>ADDAWAV>CDRWAV>SHN (via MKWACT) via J. Fishman	Source Detail
09/22/91	Boston Garden	Boston	MA	flac16; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Agfa Dat tape. Mics on 7-foot stand, pointed at stacks, third row of taping area. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F.	Source Detail	FLAC
09/24/91	Boston Garden	Boston	MA	SBD > MC > DAT > CDR; vtree round 2 (8/00), to etree 11/00	Source Detail
09/24/91	Boston Garden	Boston	MA	flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 Dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand secured to hockey-wall at end of floor, behind lighting board, in the center. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F	Source Detail	FLAC
09/24/91	Boston Garden	Boston	MA	flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Master>2 Maxell XL-II-S Tapes (1 90 Minite For 1st Set, 1 100 Minute Tape For 2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (34/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section, Section U, Row E, Seat 10	Source Detail	FLAC
09/25/91	Boston Garden	Boston	MA	Nakamichi CM300 + CP4REAR > d-5>cm >cdr Taped and discs kindly provided by Mark Horvath Eac > cool edit pro > shntool > cdwav > shnv3 By Ernie Dodd	Source Detail
09/25/91	Boston Garden	Boston	MA	flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 Dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand secured to hockey-wall at end of floor, behind lighting board, in the center. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F.	Source Detail	FLAC
09/26/91	Boston Garden	Boston	MA	SBD(1)>DAT>CD>EAC>CDWAVE>MKWACT>SHN This may be a digital soundboard. There is no wow and flutter in Eyes of the World as existed in older versions of the 9/26/91 SBD. Thanks to an old friend Dougal Donaldson for providing me with the source DATS some years back. Listener reports probably one cassette generation. Transfers and conversions all done by JR Fishman	Source Detail
09/26/91	Boston Garden	Boston	MA	flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 Dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand secured to hockey-wall at end of floor, behind lighting board, in the center. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F.	Source Detail	FLAC
09/26/91	Boston Garden	Boston	MA	flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24	Source Detail	FLAC
10/27/91	Oakland-Alameda County Coliseum	Oakland	CA	SBD> DAT> ZA2> Soundforge 4> CD Architect> CDR> EAC> shn; via Eric, Jeff	Source Detail
10/28/91	Oakland-Alameda County Coliseum	Oakland	CA	SBD> DAT (n clones)> PCM> DAT; Conversion: Tascam DA-20 MK II > Delta Dio 2496 > Soundforge XP 4.5 > CDWave > SHN by Rob (Odeo) Harrison; tracked for 2x80	Source Detail
10/30/91	Oakland-Alameda County Coliseum	Oakland	CA	Senn 421's>DAT>CDR; via Paul; Seeded to etree by eD(efojr)	Source Detail
10/31/91	Oakland-Alameda County Coliseum	Oakland	CA	sbd> ?> shn; via Tony Gardner	Source Detail
11/03/91	Polo Field, Golden Gate Park	San Francisco	CA	Source: Liberated Bootleg CD>EAC>SHN	Source Detail
11/03/91	Polo Field, Golden Gate Park	San Francisco	CA	flac16/48kHz; Recording Info: UltraMatrix SBD > DAT Master (48k); Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
12/27/91	Oakland-Alameda County Coliseum	Oakland	CA	AUD> DAT> CDR; Schoeps MK4's; via Billy DeLyon; Seeded to etree by eD	Source Detail
12/28/91	Oakland-Alameda County Coliseum	Oakland	CA	Set 1: SBD -> Dat -> Sonic Solutions -> CD -> EAC -> SHN Set 2: SBD -> Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN	Source Detail
12/28/91	Oakland-Alameda County Coliseum	Oakland	CA	flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; This file set is 16 bit @ 44.1	Source Detail	FLAC
12/30/91	Oakland-Alameda County Coliseum	Oakland	CA	FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act.	Source Detail
12/31/91	Oakland-Alameda County Coliseum	Oakland	CA	SBD > Satellite Feed > DAT> CDR > WAV > SHNv3; DAE (EAC) > tracking (cdwave) > boundary checking (shntool) > SHNv3 (mkwact) via C.Ladner, from C.Larson for seed discs	Source Detail
02/13/92	Club Front	San Rafael	CA	DSBD->CD->EAC->SHN by Joe Samaritano Studio Rehearsal of So Many Roads	Source Detail	SHN
02/13/92	Club Front	San Rafael	CA	DSBD->CD->EAC->SHN by Joe Samaritano Studio Rehearsal of So Many Roads	Source Detail	SHN
02/21/92	Club Front Studio	San Rafael	CA	Seeded to abgd by Doo Dah Man; Note original files contained an SFV integrity file. Md5 was created from the original shns and provided to the etree db here.	Source Detail
02/22/92	Oakland-Alameda County Coliseum	Oakland	CA	SBD>MC>C>DAT>CDR; via Paul; Seeded to etree bt Tony G	Source Detail
02/23/92	Oakland-Alameda County Coliseum	Oakland	CA	AUD>DAT>CDR (Schoeps CMC 34?s); via Paul; Seeded to etree by Tony G	Source Detail
02/24/92	Oakland-Alameda County Coliseum	Oakland	CA	B&K 4011> Neumann PS> Sony D10ProII, FOB, Stand D> CD: Tascam DA-P20> HHb-850> EAC> CDWAV> SHN via Roy Earl Pettus	Source Detail
03/01/92	The Omni	Atlanta	GA	Schoeps CMC3/MK4> Oade M118> Panasonic SV-250 FOB; via Tony Gardner	Source Detail
03/02/92	The Omni	Atlanta	GA	Schoeps CMC3/MK4> Oade M118> Panasonic SV-250 FOB; via Tony Gardner	Source Detail
03/03/92	The Omni	Atlanta	GA	AUD>DAT>CDR (Schoeps CMC 34?s); via Paul; Seeded to etree by Tony G	Source Detail
03/05/92	Hampton Coliseum	Hampton	VA	SBD> DAT> ?> CD> EAC> SHN; EAC> SHN by Ben Luton; small dropout d3t4 5:56 ; upgrade in circulation	Source Detail
03/06/92	Hampton Coliseum	Hampton	VA	AUD>DAT>CDR (Nak 700?s>Sony D-3); via Paul; seeded to etree by Tony G	Source Detail
03/06/92	Hampton Coliseum	Hampton	VA	flac16; FOB AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown mic power & lead dat deck > Coax SPDIF > Casio DA-7 > Sony DT-Dat tape. FOB aprx 30-feet from stage, mics handheld at aprx 5-1/2 feet. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F.	Source Detail	FLAC
03/08/92	Capital Centre	Landover	MD	S : MC > D > CDR; see info file for edit notes; via Paul B; Tony G; Alan Fink	Source Detail
03/09/92	Capital Centre	Landover	MD	SBD> DAT> C> PCM> DAT> CD; via Rob Harrison; Seeded to etree by Peter Braverman; Shntool fix by Tony G	Source Detail	SHN
03/11/92	Nassau Coliseum	Uniondale	NY	SBD>DAT>CDR (probable cassette gen); Seeded to etree by Tony G	Source Detail
03/12/92	Nassau Coliseum	Uniondale	NY	ACM>DAT>CDR (Schoeps CMC4); via Paul; Seeded to etree by Tony G	Source Detail
03/12/92	Nassau Coliseum	Uniondale	NY	flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS, left side (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1 kHz) > TLH > FLAC. Taped and transferred by Andrew F.	Source Detail	FLAC
03/13/92	Nassau Coliseum	Uniondale	NY	ACM>DAT>CDR (Nak 700?s>Sony D-3); via Paul; Seeded to etree by Tony G	Source Detail
03/16/92	The Spectrum	Philadelphia	PA	SBD->DAT->?->Cas->CD->EAC->SHN via Dan	Source Detail
03/17/92	The Spectrum	Philadelphia	PA	Nak 300 > Sony d-5 > cass master > cdr; Eac > cool edit pro > shntool > cdwav > shnv3; Taped and discs kindly provided by Mark Horvath; eac > shn (secure with proper offsets) by Ernie Dodd	Source Detail
03/18/92	The Spectrum	Philadelphia	PA	AUD>DAT>CDR (AKG460b/CK8's); via Paul; Seeded to etree by Tony G	Source Detail
03/20/92	Copps Coliseum	Hamilton	ON	SBD>DAT>CDR; Missing Brown Eyed Women; via Paul; Seeded to etree by Tony G	Source Detail
03/21/92	Copps Coliseum	Hamilton	ON	Schoeps CMC 34's > PCM > DAT > CDR; via Dave DiMartino; Seeded to etree by Doug Nawrocki	Source Detail
03/23/92	The Palace	Auburn Hills	MI	SBD> D->CDR-> EAC> SHN; Ripped by John Zei	Source Detail
03/24/92	The Palace	Auburn Hills	MI	SBD>DAT>CASS>DAT>CD. dat > cd via stand alone CD-R; CDs (first gen) > EAC > SHN Note: These are a second EAC from the same source disks by Nick George but the md5's are different from his first shn set circulated.	Source Detail
05/19/92	Cal Expo	Sacramento	CA	SBD> DAT> CDR; 2nd encore patched w/ SBD> CM> CDR; via Paul Bottiglio; Tim Wiley; upgrade in circulation	Source Detail
05/20/92	Cal Expo	Sacramento	CA	Please NOTE this is a fixed copy of the original SHN set ; SBD>DAT>C>DAT>CDR ; See info file for details; Seeded By T. Wiley	Source Detail
05/21/92	Cal Expo	Sacramento	CA	Pre-FM DSBD> DAT (48kHz)> DAT> ZA2 (S/PDIF)> Samplitude 2496> CDR; via Tom and Roger; Seeded to etree by Chris Larson	Source Detail
05/23/92	Shoreline Amphitheatre	Mountain View	CA	AKG 460/CK8X -> Dat (Sony D3) -> PCM -> Dat (Sony R500/44.1k) recorded by Paul Tumolo, shn conversion Charlie Miller	Source Detail
05/24/92	Shoreline Amphitheatre	Mountain View	CA	SBD> MC> DAT> ZA2 (S/PDIF)> Wavelab3.03> SHN; via Roger and Tom; Seeded to etree by Chris Larson	Source Detail
05/25/92	Shoreline Amphitheatre	Mountain View	CA	SBD> DAT> C> DAT> CDR; via Tim Wiley; improvements over prior seed- see notes (pitch and amplitude correction, but no NR)	Source Detail
05/29/92	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV	AKG 460/ck8x > DAT > CDR; via Charlie Miller; Seeded to etree by neo_levo	Source Detail
05/30/92	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV	(FOB) Schoeps MK4 > DAT > CDR; via C. M.; Seeded to etree by neo_levo	Source Detail
05/31/92	Sam Boyd Silver Bowl, U.N.L.V	Las Vegas	NV	SBD > DAT > SONY D8 (S/PDIF) > HD > SHN; via Mike Lai; listeners John Florek et al report diginoise d1t8 ~1:50-2:00; upgrade in circulation	Source Detail
06/06/92	Rich Stadium	Orchard Park	NY	AUD > CM > DAT > CDR > WAV > SHN;(unk. mic); Unknown seeder	Source Detail
06/08/92	Richfield Coliseum	Richfield	OH	flac16 format; DSBD > DAT > 1C > DAT; Transfer: DAT > WAV > FLAC: Dan Stephens, Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 4.5 (normalize, 48-44.1, highest accuracy with anti-alias filter) > CDWav v1.71 > FLAC Frontend; (no DAE ; 48k, unmodified FLAC archived and available upon request); upgrade in circulation	Source Detail
06/09/92	Richfield Coliseum	Richfield	OH	flac16 format; Set I: AUD, FOB Schoeps CMC32's > DAT > PCM > DAT, Set II: AUD, OTS AKG 568's > DAT > PCM > DAT; Transfer: DAT > WAV > FLAC: Dan Stephens: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > CDWav v1.71 > FLAC Frontend (no DAE)	Source Detail
06/11/92	Knickerbocker Arena	Albany	NY	AUD(unknown mics)> DAT > CDR via Raoul Duke encoded by Matt Vernon	Source Detail
06/11/92	Knickerbocker Arena	Albany	NY	flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > R8Brain (44.1kHz) > TLH > FLAC. Taped and transferred (June 2007) by Andrew F.	Source Detail	FLAC
06/12/92	Knickerbocker Arena	Albany	NY	(FOB)B+K 4011 > DAT > CDR/? > EAC > CDR > EAC > SHNv3; via Scott Agne	Source Detail
06/14/92	Giants Stadium	East Rutherford	NJ	"analog sbd", no further info available; 2-3 spots of diginoise; via Aaron Kowalski to BUDD offer; circ as 3-disc shn set with 7/10/89; txt/md5s here courtesy DES, 6/23/01; upgrade in circulation	Source Detail
06/15/92	Giants Stadium	East Rutherford	NJ	FOB>DAT>CDR; Schoeps CMC3/MK4> Oade M118> Panasonic SV-250; via John Valter; Seeded to etree by eD(efojr)	Source Detail
06/17/92	Charlotte Coliseum	Charlotte	NC	AUD (CMC-31)> DAT> CDR> EAC> CDWAVE (excess silences removed)> SHN (MKW); DAE (EAC V0.9pb9) and SHN conversion (mkwACT 0.97 beta 1) by Charles Wier, from Paul Bottiglio's CDs	Source Detail
06/18/92	Charlotte Coliseum	Charlotte	NC	AUD (CMC-31)> DAT> CDR> EAC> SHN (MKW); DAE (EAC V0.9pb9) and SHN conversion (mkwACT 0.97 beta 1) by Charles Wier, from Paul Bottiglio's CDs; Known flaws: 25 ms analog dropout at 2:50 of He's Gone	Source Detail
06/20/92	Robert F. Kennedy Stadium	Washington	DC	DSBD, no other info available; has same change in level in Corinna as mentioned on the other shn set in circulation; via Tony Gardner; upgrade in circulation	Source Detail
06/22/92	Star Lake Amphitheatre	Burgettstown	PA	DAUD (master) > CDR > EAC > CDWAV > SHN >wav > shn w/seeking, plus encore: SBD > DAT > Cassette > DAT > Delta Dio 2496 > CDR > EAC> .shn; via brothercrow, harlan from D. Loebig, Rob Harrison seeds	Source Detail
06/23/92	Star Lake Amphitheatre	Burgettstown	PA	DAUD (master) > CDR; via D. Loebig; Seeded to etree by Harlan	Source Detail
06/25/92	Soldier Field	Chicago	IL	SBD > RF Digital Earpiece Monitor Mix Buss (mix was fed to Kreutzman/Hart) > Vault Archive ADAT > 24-bit/96 kHz 2-track Mixdown DAT (Marin County Source) > SSSB; Seeded to etree by Jay Serafin	Source Detail
06/26/92	Soldier Field	Chicago	IL	DAUD[master] > CDR; via D. Loebig; Seeded to etree by harlan	Source Detail
06/28/92	Deer Creek Music Center	Noblesville	IN	FOB (hand held) B&K 4011's -> D10 Pro, P. Delgado; Transfer: D8 -> Montego II -> CDWAV -> Shorten32, D. Nawrocki	Source Detail
06/29/92	Deer Creek Music Center	Noblesville	IN	Nak300 (CP-4 shotgun caps) -> Sony D5M-Pro (used as mic preamp) -> Yamaha MT1X cassette deck using DBX type II encoding; A/D Playback: Cassette Master in Yamaha MT120S using DBX type II decoding ->Tascam DA20 -> Zefiro ZA2 -> CoolEdit editing -> CDR; slight bit of the beginning of Desolation is missing, as well as the first couple notes of Deal; tape flip in Drums/Space spliced together with Cool Edit; Recording by Pat Volkerding and Eddie Wahba; A>D>CDR transfer by by Pat Volkerding; upload by Chris Ladner; see info file for burning notes	Source Detail
07/01/92	Buckeye Lake Music Center	Hebron	OH	preFM SBD > CM > DAT > CDR > WAV > SHNv3; d1 tracked for 80 min; some clipping; via Chris L.	Source Detail
12/02/92	McNichols Sports Arena	Denver	CO	(Unknown Audience) Digital Master> DAT> DMXFire> CDWav> mkw> shn; shn info submitted by user ststephen	Source Detail
12/03/92	McNichols Sports Arena	Denver	CO	Neumann KM 140's > DAT > CDR; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
12/05/92	Compton Terrace Amphitheatre	Tempe	AZ	AUD(AKG-460's)>DAT>CDR; Seeded to etree by Tim W	Source Detail
12/06/92	Compton Terrace Amphitheatre	Tempe	AZ	Unknown aud > ? > CDR; via Raoul Duke and Ziggy; Seeded to etree by Matt Vernon	Source Detail
12/06/92	Compton Terrace Amphitheatre	Tempe	AZ	flac1644; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 - This is 165886 2448 > 1644	Source Detail	FLAC
12/11/92	Oakland-Alameda County Coliseum	Oakland	CA	AUD (AKG-460's) >DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
12/12/92	Oakland-Alameda County Coliseum	Oakland	CA	AUD (AKG-460's)>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon	Source Detail
12/13/92	Oakland-Alameda County Coliseum	Oakland	CA	Steve Barbella retrack of of original Healy Master seed; Dan Healy 2 track pa sbd dat master > Healy cassette; via Tommy Banjo & MerryPranksterTree; Seeded to etree by StoneBear	Source Detail
12/16/92	Oakland-Alameda County Coliseum	Oakland	CA	FOB Schoeps MK4V> Sony D3> D> CD> EAC> WAV> SHN encoded by JR Fishman	Source Detail
12/17/92	Oakland-Alameda County Coliseum	Oakland	CA	Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear	Source Detail
01/24/93	Oakland-Alameda County Coliseum	Oakland	CA	SBD > DAT > C > DAT > CDR > TAE (overlap) > WAV > SHN; Ripped, SHNed, and seeded by Jon Seff; see info file for lineage notes	Source Detail
01/26/93	Oakland-Alameda County Coliseum	Oakland	CA	Source: AUD > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff (jon@seff.net); d2t2, d2t3 fixed from /shninfo_detail.php?shnid=4083	Source Detail
02/13/93	Club Front	San Rafael	CA	Club Front Studio Rehearsal; DSBD->CD->EAC->SHN; CD->EAC->SHN by Joe Samaritano	Source Detail
02/21/93	Oakland-Alameda County Coliseum	Oakland	CA	FOB (mics unknown) > DAT @ 48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > downsampled to 44.1k/normalized to 98% > SHN (no extraction); Transferred, SHNed, and seeded by: Jon Seff; note tracked for 1x80, 1x74	Source Detail
02/22/93	Oakland-Alameda County Coliseum	Oakland	CA	DSBD: DAT > DAT > CD encoded by Matt Vernon	Source Detail
02/23/93	Oakland-Alameda County Coliseum	Oakland	CA	SBD> DAT> Sonic Solutions (for phase correction)> CD; via Mike Hall	Source Detail
03/09/93	Rosemont Horizon	Rosemont	IL	AUD>DAT>CDR (AKG 460's); via Paul; Seeded to etree by Tony G	Source Detail
03/10/93	Rosemont Horizon	Rosemont	IL	Sbd > DAT master > analog > DAT > CDR > EAC > SHN; via Doug Nawrocki, Chris Ladner; "no known flaws" reported by seeder	Source Detail
03/11/93	Rosemont Horizon	Rosemont	IL	AUD>DAT>CDR (AKG 460's); via Paul; Seeded to etree by Tony G	Source Detail
03/14/93	Richfield Coliseum	Richfield	OH	AKG468 shotguns > DAT; Conversion: DAT (Panasonic SV-3800) > CD (HHB CDR-850) > EAC (Plextor PX-40TS, secure mode) > SHN; seed by Robert Brown to abgd	Source Detail
03/16/93	Capital Centre	Landover	MD	sbd> dat> c> dat> cdr; via Tony Gardner, from Paul B. seed discs	Source Detail
03/17/93	Capital Centre	Landover	MD	SBD > MC > DAT > CDR > WAV > SHN; see info file for notes; upload C. Ladner, from cm's seed	Source Detail
03/17/93	Capital Centre	Landover	MD	flac16; Source: Unknown AUD > ? > Cassette. Transfer: Cassette > Sony TC-D5M (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC (August 2007) by Andrew F. (note: the date in the info file and file names is incorrect; this is from 3/17/93.)	Source Detail	FLAC
03/18/93	Capital Centre	Landover	MD	FOB (SoundField ST250)>DAT(playback on Panasonic SV-3800)>HHb CDR-850>CDR>WAV>SHN. CDR source via D.Duquette. SHN encoding/initial FTP propagation via C.Ladner/candyman FTP.	Source Detail
03/20/93	The Omni	Atlanta	GA	AKG 568 (shotguns)-> Sony D3; transferred the master DATs to CDR with a Panasonic SV3800 -> HHb CDR-850 via optical; CDR-> EAC-> SHN; via Tony Gardner	Source Detail
03/21/93	The Omni	Atlanta	GA	AKG 568 (shotguns)-> Sony D3; transferred the master DATs to CDR with a Panasonic SV3800 -> HHb CDR-850 via optical; CDR-> EAC-> SHN; via Tony Gardner	Source Detail
03/22/93	The Omni	Atlanta	GA	AKG 568 (shotguns)-> Sony D3; transferred the master DATs to CDR with a Panasonic SV3800 -> HHb CDR-850 via optical; CDR-> EAC with proper offset-> SHN; known flaw: glitch at 2:00 on d3t03; via Tony Gardner; note gaps from previous version are fixed in this copy	Source Detail
03/22/93	The Omni	Atlanta	GA	flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
03/24/93	Dean Smith Center	Chapel Hill	NC	SBD > D10 proII transfered and encoded by Doug Nawrocki	Source Detail
03/25/93	Dean Smith Center	Chapel Hill	NC	Nak 300's at 8'> sony d3; transfer: Dat> sblive> cdwave> mkw audio tools> SHN; Taped By Wally Stine, locn TS	Source Detail
03/27/93	Knickerbocker Arena	Albany	NY	FOB section 5, Row N, Seat 8/9 Handheld Soundfield ST-250 (in blumlein mode) > Sony D10 pro II (modified) Taped by James Young DAT clone from master > Sony PCM-M1 > Oade 7pin active cable > Edirol UA-5 (s/pdif in, hardware resample from 48 > 44.1k, USB out > SF 5.0 > CDWave (tracking) > MKW-Act (SHN, seekable) DAT transfer/encoding by nick@nickspicks.com	Source Detail
03/28/93	Knickerbocker Arena	Albany	NY	FOB section 5, Row N, Seat 8/9 Handheld Soundfield ST-250 (in blumlein mode) > Sony D10 pro II (modified) Taped by Jamies Young DAT clone from master > Sony PCM-M1 > Oade 7pin active cable > CO2 s/pdif format converter > Zoltrix Nightengale > CE2K (record, resample) > CDWAV (tracking > SHN (seekable) DAT transfer/encoding by nick@nickspicks.com	Source Detail
03/29/93	Knickerbocker Arena	Albany	NY	DAUD/OTS Schoeps mk4(ORTF); taped by Eliot Byron; transfer>upload by Jim Raras; QC courtesy Dankseeds	Source Detail
03/31/93	Nassau Coliseum	Uniondale	NY	AUD(Schoeps CMC 541's)>DAT>CDR; Unknown Seeder	Source Detail
04/01/93	Nassau Coliseum	Uniondale	NY	B&K 4011 w/balls > HDS1@stacks front center of ts > CD; Conversion: CD > EAC > Cool Edit 2000 > CDWav > mkwACT 0.97 > shn by Steve Blanchard	Source Detail
04/02/93	Nassau Coliseum	Uniondale	NY	AUD(Schoeps CMC-541?s) > DAT > CDR via Raoul Duke encoded by Matt Vernon	Source Detail
04/04/93	Nassau Coliseum	Uniondale	NY	AUD(Schoeps CMC-541?s) > DAT > CDR via Raoul Duke encoded by Matt Vernon	Source Detail
04/05/93	Nassau Coliseum	Uniondale	NY	1st set only; DAUD/FOB Schoeps mk21(ORTF); via Dankseeds	Source Detail
04/05/93	Nassau Coliseum	Uniondale	NY	SBD>MC>DAT>CDR; via Raoul Duke; Seeded to etree by Tony G	Source Detail
05/14/93	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV	A : ? > DAT > CDR > EAC > SHN; CDR > EAC > CDWAV > SHN by Alan J Fink, with thanks to Paul B.	Source Detail
05/15/93	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV	A : Schoeps CMC 521's > DAT > CDR > EAC > CE Pro > SHN; CDR > EAC > CE Pro > SHN by Alan J Fink (aj.fink@verizon.net)	Source Detail
05/16/93	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV	SBD>DAT(48kHz); via Steve Herman; Seeded to etree by M. Walke	Source Detail
05/16/93	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV	flac16; Recording Info: Schoeps MK41 -> Dat (48k); Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/21/93	Shoreline Amphitheatre	Mountain View	CA	AUD(Schoeps CMC 521?s)>DAT>CDR; Seeded to etree by Tony G	Source Detail
05/22/93	Shoreline Amphitheatre	Mountain View	CA	SBD -> Dat -> Sonic Solutions -> CD; Seeded to etree by Charlie Miller	Source Detail
05/23/93	Shoreline Amphitheatre	Mountain View	CA	DSBD>DAT>CDR; Seeded to etree by Tim Wiley	Source Detail
05/25/93	Cal Expo	Sacramento	CA	Schoeps > DAT > CDR via Tom Bellanca encoded by Matt Vernon	Source Detail
05/26/93	Cal Expo	Sacramento	CA	M:C> D> CD> EAC> SHN; via Nick Georges; CD insert available at www.nickspicks.com	Source Detail
05/27/93	Cal Expo	Sacramento	CA	M:C> D> transfer via dap1>zoltrix nightengale> SHN; no noise reduction; via Nick Georges; may or may not have extra cass gen- see Nick's listening notes in info file	Source Detail
06/05/93	Giants Stadium	East Rutherford	NJ	DSDB master> DAT Clone> ?> CDR; Seeded to etree by Tim Wiley	Source Detail
06/06/93	Giants Stadium	East Rutherford	NJ	DSBD master> Dat Clone> ?> CDR; Seeded to etree by Tim Wiley	Source Detail
06/08/93	The Palace	Auburn Hills	MI	DSBD > DAT (possibly DSBD > 1C > DAT); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV > MKW Audio Compression Tool v0.97b1 (no DAE); upload by Scott Thompson	Source Detail
06/09/93	The Palace	Auburn Hills	MI	DSBD > 1C > DAT; DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV > MKW Audio Compression Tool v0.97b1 (no DAE); upload by Scott Thompson	Source Detail
06/11/93	Buckeye Lake Music Center	Hebron	OH	AKG 451 hypercardioid (90 deg XY)> TCD-D3> Dio2448> CE2k (48>44.1)> WAV> SHN; via Doug Nawrocki. [Note added 8/27/2003: An sbe-fixed shn set also circulates]	Source Detail
06/13/93	Rich Stadium	Orchard Park	NY	FOB-AUD (Schoeps CMC-32?s)> DAT> CDR> WAV> SHN; DAE (EAC)> Boundary Check (SHNTOOL)> SHNv3 (MKWACT)> FTP via neo_levo	Source Detail
06/15/93	Freedom Hall	Louisville	KY	SBD>DAT>C>DAT>CDR; via Paul; Seeded to etree by Tony G	Source Detail
06/16/93	Freedom Hall	Louisville	KY	Taper Section Neumann TLM 170's (cardioid) > Teac DA-20; via Doug Nawrocki	Source Detail
06/18/93	Soldier Field	Chicago	IL	SBD>Dat>Samplitude>Cool Edit Pro>CD; Box Of Rain and Liberty patched from unknown Digital Audience source.	Source Detail
06/19/93	Soldier Field	Chicago	IL	schoeps CMC44's>Panasonic SV-255>??>CDR>EAC>SHN	Source Detail
06/21/93	Deer Creek Music Center	Noblesville	IN	Source:AMS ST-250 -> Modified D10 pro By Pete Delgado. Transfer:D8 -> Montego II -> CDWAV -> Shorten3; Note- This is a re-eac (as noted in the txt) however all efforts were made to find the original shn's and no one seems to have archived them.	Source Detail
06/22/93	Deer Creek Music Center	Noblesville	IN	SBD: DAT> CD> SHN; Seeded by Peter Braverman, with thanks to Raoul; see notes in info file	Source Detail
06/23/93	Deer Creek Music Center	Noblesville	IN	FOB AMS ST-250(cardioid) -> Modified D-10 Pro, by Pete Delgado; Transfer: D8 -> Montego II -> CDWAV -> Shorten32,? by Doug Nawrocki	Source Detail
06/25/93	Robert F. Kennedy Stadium	Washington	DC	AMS ST-250 run blumlein config > Sony D-10 Pro II FOB; via Nick Georges	Source Detail
06/26/93	Robert F. Kennedy Stadium	Washington	DC	sbd > dat > cass > dat > cd; via Brent Peich	Source Detail
08/21/93	Autzen Stadium, University of Oregon	Eugene	OR	Source: SBD > DAT > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT First few minutes of Here Comes Sunshine patched by Pat Volkerding with FM > DAT source Various patching/crossfades by Doug Nawrocki with Jay Serafin liberated bootleg source EAC'd/SHN'd by Doug Nawrocki	Source Detail
08/21/93	Autzen Stadium, University of Oregon	Eugene	OR	flac16/48khz Recording Info: SBD > DAT Master (48k) Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k	Source Detail	FLAC
08/22/93	Autzen Stadium, University Of Oregon	Eugene	OR	SBD> DAT> CD> EAC> Cool Edit '96 (removed digipops prior to music in beginning of d2t1 & d3t1)> CDWAV> Shorten32; via Doug Nawrocki	Source Detail
08/25/93	Shoreline Amphitheatre	Mountain View	CA	SBD>??>DAT>CDR; See info file for edit notes and suggestion of a possible MC in the lineage; via Randy Perkins; Seeded to Etree by T. Wiley	Source Detail
08/26/93	Shoreline Amphitheatre	Mountain View	CA	SBD>DAT>CM>DAT>DAT Clone @48k>WAV>SHN; Seeded to etree by Marc Pujol and Tim W	Source Detail
08/27/93	Shoreline Amphitheatre	Mountain View	CA	SBD>CM>CDR; Seeded to Etree by T. Wiley	Source Detail
09/08/93	Richfield Coliseum	Richfield	OH	FOB(AKG491) > DAT > CDR> WAV > SHN via Chris Ladner	Source Detail
09/09/93	Richfield Coliseum	Richfield	OH	AUD:AKG 568/Sony D3> CD> SHN; vis Tony Gardner	Source Detail
09/10/93	Richfield Coliseum	Richfield	OH	AUD:AKG 568/Sony D3> CD> SHN; via Tony Gardner	Source Detail
09/10/93	Richfield Coliseum	Richfield	OH	flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller	Source Detail	FLAC
09/12/93	The Spectrum	Philadelphia	PA	nak 100's w/ ck 4 >d6>cM (patched out of dhind's rig)mc>aiwa f-810>tascam da30mkIIq@44.1>zoltrix nightengale6.0 >sf6.0>cdwav>SHN>WAV>Shntool(join)>ADWS>CD Wav>Shntool(check)>SHN(seekable) ; Via cdipietro ; Remaster by T. Wiley 07/25/2003.	Source Detail
09/13/93	The Spectrum	Philadelphia	PA	SBD> DAT> CM> DAT> CDR; Seeded to Etree by T. Wiley	Source Detail
09/14/93	The Spectrum	Philadelphia	PA	DAUD(Schoeps CMC-341's)>Tascam DAP1>CDR	Source Detail
09/16/93	Madison Square Garden	New York	NY	DAUD/FOB Schoeps mk21(ORTF); via Eliot Byron; Seeded by Jim Raras to Dankseeds	Source Detail
09/17/93	Madison Square Garden	New York	NY	FOB/DFC Sec. 2 - Row R - Seats 1 & 2 AMS St-250 run Blumlein on stand both sets > Apogee AD 500 > D-10 Pro mod (48k) recorded by Clay Brennecke and Jamie Young DAT > SHN via: Clone of master DAT played through Sony PCM-M1 > active 7 pin cable > Zoltrix Nightingale > recorded/downsampled on PC with Cool Edit 2000 tracked with CDWAV SHN encoding with MKW-ACT (seeking); NOTE- User Matt Vernon submitted 'alternate' md5s with these notes... the md5's below differ for d1t1,6,7 d2t3,5 and d3t4,5 from the listed shn set but had the same info file i listened to this show and they are clean including set 2 continuity at the disk 2->3 transition.	Source Detail
09/18/93	Madison Square Garden	New York	NY	FOB/DFC Sec. 2 - Row R - Seats 1 & 2 2 AMS St-250s on stand both sets > Apogee AD 500 > Nagra digital Reel to Reel > DAT clone > SHN recorded by Clay Brennecke, Jamie Young and Jeff Silberman	Source Detail
09/20/93	Madison Square Garden	New York	NY	FOB/DFC, Sec. 2, Row S - Seat 5; Schoeps S4 at 90 degrees > Canari Cables > Sonosax SX-M2 > Apogee AD 500 > Sony D-7; taper Jeff Zimmer- see pub comments	Source Detail
09/21/93	Madison Square Garden	New York	NY	FOB/DFC Sec. 2 - Row M - Seat 1 AMS St-250 run Blumlein on stand both sets > Apogee AD 500 > D-10 Pro mod recorded by Clay Brennecke and James Young	Source Detail
09/22/93	Madison Square Garden	New York	NY	Recorded FOB/DFC by James Young & Clay Brennecke using: Sec. 2 - Row M - Seat 1 AMS ST-250 run Blumlein on stand both sets at 6"3' > Panasonic SV 255	Source Detail
09/24/93	Boston Garden	Boston	MA	Source: Schoeps (unknown model/ps) > D7 @48k via Dave Minor. DAT > shn encoding Marc Pujol	Source Detail
09/25/93	Boston Garden	Boston	MA	Set 1 Schoeps (unknown model/ps) via David Minor. Set 2 Schoeps CMC-521?s via Raoul Duke. Transfer and encoding Marc Pujol, Alan Fink and Matt Vernon	Source Detail
09/26/93	Boston Garden	Boston	MA	Source: Schoeps (unknown model/ps) > D7 @48k via Dave Minor, DAT > SHN by Marc Pujol	Source Detail
09/28/93	Boston Garden	Boston	MA	Lineage: Set 1: Schoeps>Dat>Sound Forge>CD (previous aud shn seed via Marc Pujol et. al.) Set 2: SBD>Dat>Cm>Dat>Samplitiude>CD Dat>CD Transfer for sbd portion done by Charlie Miller	Source Detail
09/29/93	Boston Garden	Boston	MA	Schoeps (unknown model/ps) > D7 @48k via Dave Minor. Transfer Marc Pujol	Source Detail
09/30/93	Boston Garden	Boston	MA	Schoeps (unknown model/ps) > D7 @48k via Dave Minor. shn encoding Marc Pujol	Source Detail
12/08/93	Sports Arena	Los Angeles	CA	SBD > DAT > CDR; via C. Larson; Seeded to etree by C. Ladner	Source Detail
12/09/93	Sports Arena	Los Angeles	CA	SBD > ? > DAT > CDR > EAC(secure) > Cool Edit > mkwact > shn; via Ryan Varnum; Matt Vernon	Source Detail
12/10/93	Sports Arena	Los Angeles	CA	DSBD; via Nick Georges; note info file here reflects correct setlist	Source Detail
12/12/93	San Diego Sports Arena	San Diego	CA	MK4 FOB aud > DAT(s) > CDR; via Ryan Varum; Matt Vernon	Source Detail
12/13/93	San Diego Sports Arena	San Diego	CA	MK4 FOB aud > DAT(s) > CDR; via Ryan Varum; Matt Vernon	Source Detail
12/17/93	Oakland-Alameda County Coliseum	Oakland	CA	KM140's FOB aud > DAT(s) > CDR; via Ryan Varum; Matt Vernon	Source Detail
12/18/93	Oakland-Alameda County Coliseum	Oakland	CA	Unknown FOB aud (likely Neumann KM-140, see user comments)> DAT(s) > CDR via Ryan Varum; Matt Vernon	Source Detail
12/19/93	Oakland-Alameda County Coliseum	Oakland	CA	Unknown FOB aud > DAT(s) > CDR; via Ryan Varum; Matt Vernon	Source Detail
02/25/94	Oakland-Alameda County Coliseum	Oakland	CA	Source: FOB (unknown mics) > DAT > Tascam DA-20 > Harmon Kardon stand alone burner >Tascam CDRW700 > Toast Audio Extractor (overlap) > SHN. THIS IS NOT A RE-EXTRACTION - the original SHNs had sector boundary errors on the last track of each disc, were not seekable (also minor), and the d2>d3 transition was not seamless (minor again). These issues have been resolved and the show tracked on 2 discs instead of 3 (minus the previously included "filler").	Source Detail
02/26/94	Oakland-Alameda County Coliseum	Oakland	CA	Neumann KM84 -> Dat(48k) via Charlie Miller	Source Detail
02/27/94	Oakland-Alameda County Coliseum	Oakland	CA	AUD (mics unknown)>DAT>CDR; via H. Wankleswurth; Seeded to etree by candyman	Source Detail
03/04/94	Desert Sky Pavilion	Phoenix	AZ	DSBD --> DAT --> CDR; via Charlie Kidder	Source Detail
03/05/94	Desert Sky Pavilion	Phoenix	AZ	DSBD --> DAT --> CDR; via Charlie Kidder	Source Detail
03/06/94	Desert Sky Pavilion	Phoenix	AZ	DSBD --> DAT --> CDR; via Charlie Kidder	Source Detail
03/16/94	Rosemont Horizon	Rosemont	IL	SBD> Dat> Sonic Solutions> CDR> WAV> SHNv3; This is an upgrade from the previously seeded SHN of this show w/o the digistatic in Scarlet>Fire and also a SBD of the encore. seeded by C. Ladner via candyman with thanks to C. Miller; also to abgd via Charlie Connor; tracked for 2x80	Source Detail
03/17/94	Rosemont Horizon	Rosemont	IL	SBD > DAT > CDR > EAC > SHNv3; DAE (EAC)> boundary checking (SHNTOOL)> SHN (MKWACT) via neo_levo. seeded via candyman, also to abgd via Charlie Connor	Source Detail
03/18/94	Rosemont Horizon	Rosemont	IL	Source: Audience (presumably DAT) Lineage: ?> Cassette> CD> SHN; Overall, a rather poor recording, though its the only available source after extensive searching.	Source Detail
03/20/94	Richfield Coliseum	Richfield	OH	Source: AUD (SchoepsCMC34>Oade>SV255) > DAT > CDR > WAV > SHN; via M.Ratliff; Seeded to etree by neo_levo	Source Detail
03/21/94	Richfield Coliseum	Richfield	OH	SBD > DAT > CDR > SHNv3; via johnathan miller, candyman	Source Detail
03/23/94	Nassau Coliseum	Uniondale	NY	Set 1: SBD DAT>WAV>CE>CDWAV>SHN Set 2: AUD DAT ( Nakamichi CM300's w/Cp4 shotguns>Denon DTR- 80P)>WAV>CE>CDWAV>SHN submitted by M.Walker via Steve Herman	Source Detail
03/24/94	Nassau Coliseum	Uniondale	NY	Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP.	Source Detail
03/25/94	Nassau Coliseum	Uniondale	NY	Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3 via JABUZZ420 encoding by Candyman	Source Detail
03/27/94	Nassau Coliseum	Uniondale	NY	Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP.	Source Detail
03/28/94	Nassau Coliseum	Uniondale	NY	Shntool fixed version of Set 1 unknown DAUD source, Set 2 DSBD, d2t04 (drums) FM>DAT.	Source Detail	SHN
03/30/94	The Omni	Atlanta	GA	Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN Transfered By Charlie Miller.	Source Detail
03/31/94	The Omni	Atlanta	GA	Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN Encore Is Missing (I Fought The Law) Transfered By Charlie Miller.	Source Detail
04/01/94	The Omni	Atlanta	GA	Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) ->Prodif Plus ->Samplitude v6.0 ->SHN Transfered By Charlie Miller encore from FOB source.	Source Detail
04/04/94	Sports Arena	Orlando	FL	SBD>DAT>Cassette>DAT>CDRx2; New eac of original seed discs; See info file for details; via Mick McGinnis; Seeded to etree by chris L	Source Detail
04/04/94	Sports Arena	Orlando	FL	flac16; AUD: Nakamichi CM-300's w/CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-S 90/100, with no Dolby. Mics on 7-foot stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.	Source Detail	FLAC
04/06/94	Miami Arena	Miami	FL	FOB-AUD(Schoeps MK4>SV250)>DAT>CDR; via Paul; Seeded to etree by Chris L	Source Detail
04/07/94	Miami Arena	Miami	FL	FOB-AUD(Schoeps MK4>SV250)>DAT>CDR; via Paul; Seeded to etree by Chris L	Source Detail
04/08/94	Miami Arena	Miami	FL	AUD(Schoeps CMC521?s)>DAT>CDR; via Paul; Seeded to etree by Chris L	Source Detail
06/08/94	Cal Expo	Sacramento	CA	AUD (KM 140?s)>DAT>CDR; via PB; Seeded to etree by neo_levo	Source Detail
06/09/94	Cal Expo	Sacramento	CA	Schoeps CMC 54's >DAT>CDR; via Paul B; Seeded to etree by neo_levo	Source Detail
06/10/94	Cal Expo	Sacramento	CA	AUD(KM 140?s)>DAT>CDR; via Paul B; Seeded to etree by neo_levo	Source Detail
06/13/94	Memorial Stadium	Seattle	WA	Schoeps CMC441s FOB > DAT > PC > WAV > SHN; Seeded to etree by Marc Pujol	Source Detail
06/14/94	Memorial Stadium	Seattle	WA	SBD>DAT>CD; Seeded to etree by Chris Larson	Source Detail
06/17/94	Autzen Stadium, U. of Oregon	Eugene	OR	AUD (Nak700's)>DAT>CDR; via Paul B; Seeded to etree by neo_levo/candyman	Source Detail
06/18/94	Autzen Stadium, U. Of Oregon	Eugene	OR	SBD>?>DAT>CDR; via Paul; Seeded to etree by C. Ladner	Source Detail
06/19/94	Autzen Stadium, U. of Oregon	Eugene	OR	FOB / Nak 100/CP1 cardioids > DAT > PC > WAV > SHN; Seeded to etree by Marc Pujol	Source Detail
06/24/94	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV	Audience recording by Neil Sturtevant Senn K3U mics w/ ME80 capsules > Master DAT (deck model unknown). DAT > CD transfer by Neil Sturtevant (untracked). Subsequent Extraction (EAC), tracking (CD Wave) and SHN conversion (mkwACT) by Sean Cribbs	Source Detail
06/25/94	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV	complete; SBD> DAT> CDR> EAC> WAV> CE> CDWAV> SHN; with Shoe Fits from previous seed; See info file for details	Source Detail
06/26/94	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV	Source: SBD > CASSETTE > DAT @48k Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction) Transferred, SHNed and seeded by Jon Seff (jon@seff.net). This represents the SHNTOOL FIXED and STRIPPED version of the previous seed which had sector boundary errors on all tracks and noncanonical headers on the first disc. Distributed via candyman FTP.	Source Detail
07/01/94	Shoreline Amphitheatre	Mountain View	CA	SBD>DAT>CDR; via p'bo; neo_levo/candyman FTP	Source Detail
07/02/94	Shoreline Amphitheatre	Mountain View	CA	DSBD > DAT; DAT > WAV > SHN: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV v1.71 > MKW, by Dan Stephens (dms@well.com)	Source Detail
07/03/94	Shoreline Amphitheatre	Mountain View	CA	DSBD > DAT; DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV v1.71 > MKW Audio Compression Tool v0.96f	Source Detail
07/13/94	Franklin County Airport	Highgate	VT	AKG-460-CKIX>Sony D-7>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo	Source Detail
07/16/94	Robert F. Kennedy Stadium	Washington	DC	FOB AMS ST250 (ambisonic) >Modified Sony D10 pro2 > DAT > Tascam CDR 700; via Tim Wiley	Source Detail
07/17/94	Robert F. Kennedy Stadium	Washington	DC	AMS-S250?s(ambisonic)>Sony D-10 pro 2>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo	Source Detail
07/19/94	Deer Creek Music Center	Noblesville	IN	DSBd>?>CDR; Seeded to etree by Dan Carr	Source Detail
07/20/94	Deer Creek Music Center	Noblesville	IN	SBD> DAT> WAV> CDR> WAV> SHN; via darkstar13311	Source Detail
07/21/94	Deer Creek Music Center	Noblesville	IN	AUD (mic unk) >DAT>CD; via Paul; Seeded to etree by candyman	Source Detail
07/23/94	Soldier Field	Chicago	IL	DSBD>D>CD>SHN Transcription from DAT and Encoding by JR Fishman	Source Detail
07/24/94	Soldier Field	Chicago	IL	AUD (mic unk.)>DAT>CDR; via Paul B; Seeded to etree by neo_levo	Source Detail
07/26/94	Riverport Amphitheatre	Maryland Heights	MO	Chase Smith recording, Shure BG-40?s>Sony D-7>DAT>CDR; via Paul; seeded to etree by neo_levo	Source Detail
07/27/94	Riverport Amphitheatre	Maryland Heights	MO	Shure BG-40/Sony D-7 recorded by Chase Smith > ? > CDR; via Mike Rodriguez; Seeded to etree by Matt Vernon	Source Detail
07/29/94	Buckeye Lake Music Center	Hebron	OH	Schoeps mk4 (12' spread FOB) > DAT; DAT3@44.1> Tascam DA-30mkII> SBL spdif> SoundForge 4.5> wav> MKW> shn; unknown taper- uploaded by C.DiPietro; note both regular and fixed d1 md5s were submitted to db but no further details were provided	Source Detail
07/31/94	The Palace	Auburn Hills	MI	DSBD> CDR> EAC> SHN; via Chase Runyon to sativa; not seekable?	Source Detail
08/01/94	The Palace	Auburn Hills	MI	Neumann TLM 170i's (cardioid) > Modified D10 pro II. Transfer: DA-P1 > Audiophile 2496 > Sound Forge 6 (48 > 44.1 on 4 w/anti alias) > CDWave > mkwACT by Doug Nawrocki	Source Detail
08/03/94	Giants Stadium	East Rutherford	NJ	Taper: Dan Sisler Source: FOB 25th row/center > Schoeps cmc5/mk4 > Sonosax > Sony d10 > digi out > Sony d7 @44.1 Clone: Master DAT/Master D7 > Sony PCM-R500 by Dan Sisler DAT to SHN: Dan's 1x clone > Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0 > CDwave > SHN (seekable) by Marc Pujol	Source Detail
08/04/94	Giants Stadium	East Rutherford	NJ	DAUD (AKG 460's) >DAT> CDR> EAC (secure)> Cool Edit Pro> CD; Seeded to etree by Tim W	Source Detail
09/16/94	Shoreline Amphitheatre	Mountain View	CA	AKG C61 Tube mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); via Jon Seff	Source Detail
09/17/94	Shoreline Amphitheatre	Mountain View	CA	SBD>DAT>C>DAT>CDR; via Paul B; Seeded to etree by neo_levo	Source Detail
09/18/94	Shoreline Amphitheatre	Mountain View	CA	AUD (Nak 300?s)>Aiwa DAT>CDR; via Paul B; Seeded to etree by neo_levo	Source Detail
09/27/94	Boston Garden	Boston	MA	PNB Microphones FOB via Dave Minor, shn conversion Marc Pujol	Source Detail
09/27/94	Boston Garden	Boston	MA	flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
09/28/94	Boston Garden	Boston	MA	PMB Microphones FOB via Dave Minor> D7> R300> RMEdigi96/8pad> SF6.0> CDWav> mkw> shn conversion by Marc Pujol	Source Detail
09/29/94	Boston Garden	Boston	MA	PMB Microphones (German)(1) > Sony D7 @48k taped by Dave Minor, encoded by Marc Pujol	Source Detail
10/01/94	Boston Garden	Boston	MA	Bertha Remaster of Master DAT source SBD>DAT>CDA>SHN>DAW(Bertha)>CDA>SHN, via Jay Ashley, seeded to Etree by Hub Spencer	Source Detail
10/02/94	Boston Garden	Boston	MA	PMB Microphones FOB> Sony D7 @48k via Dave Minor, encoding Marc Pujol	Source Detail
10/03/94	Boston Garden	Boston	MA	PMB Microphones FOB> Sony D7 @48k via Dave Minor, encoding Marc Pujol	Source Detail
10/05/94	The Spectrum	Philadelphia	PA	SBD > DAT > CDR; via Tim Wiley	Source Detail
10/06/94	The Spectrum	Philadelphia	PA	Nakamichi 300> ?> D7; Transfer: Tascam DAP1> Egosys U2A Waveterminal USB> Soundforge4.5xp> CDWave; via mark & julie lonski; ericB	Source Detail
10/07/94	The Spectrum	Philadelphia	PA	DAUD/FOB> Unknown Mics (AKG?) /Deck> DAT@48k> DAT > SF 4.5a> SHN (seekable); Via Aldo Torre; Marc P; Tim W	Source Detail
10/09/94	USAir Arena	Landover	MD	AKG 460's w/ck61's (cards) > Teac DA-P20 > D10pro > Panasonic SV3700; Transfer: D8 > Montego II > CDWAVE, by Doug Nawrocki; Source via Pete Delgado	Source Detail
10/10/94	USAir Arena	Landover	MD	Schoeps MK4; AUD> DAT> CDR; via Paul B., Tim Wiley	Source Detail
10/11/94	USAir Arena	Landover	MD	AKG 460's w/ck61's (cards) > Teac DA-P20 > D10pro > Panasonic SV3700; Transfer: D8 > Montego II > CDWAVE, by Doug Nawrocki; Source via Pete Delgado	Source Detail
10/13/94	Madison Square Garden	New York	NY	SBD> DAT> C> DAT> CDR> EAC> Cool Edit> SHN; via Paul B.; Tim Wiley	Source Detail
10/13/94	Madison Square Garden	New York	NY	flac16; AUD: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > TDK DC4. Mics on 7-foot stand, directly behind lighting board in the center. Transfer: MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped & transferred by Andrew F.	Source Detail	FLAC
10/14/94	Madison Square Garden	New York	NY	Sbd>C>Dat>CDR>EAC>CDR>EAC>Shn; Seeded to abgd by Chris Perkins with Thanks to JP Bruynes	Source Detail
10/15/94	Madison Square Garden	New York	NY	Nak 300 Shotguns> Awia DAT> CDR; via Paul B.; Tim Wiley	Source Detail
10/17/94	Madison Square Garden	New York	NY	DSBD>DAT>CDR shn encoding by Dan Carr	Source Detail
10/18/94	Madison Square Garden	New York	NY	AUD(Schoeps CMC 521?s)>DAT>CDR; via Paul; Seeded to etree by neo_levo	Source Detail
10/19/94	Madison Square Garden	New York	NY	B&K 4011?s; AUD> DAT> CDR; via Paul B.; Tim Wiley	Source Detail
11/29/94	McNichols Sports Arena	Denver	CO	AUD(Schoeps MK4)>DAT>CD; via Paul B; Seeded to etree by neo_levo	Source Detail
11/30/94	McNichols Sports Arena	Denver	CO	AUD(Schoeps MK4)>DAT>CD; via Paul B; Seeded to etree by neo_levo	Source Detail
12/01/94	McNichols Sports Arena	Denver	CO	AUD(mic. and location unk., FOB?)>DAT>CDR; via Paul B; Seeded to etree by neo_levo	Source Detail
12/08/94	Oakland-Alameda County Coliseum	Oakland	CA	KM-140s > DAT; Transfer: DAT Master > Tascam CD-RW700 > CD > TAE (overlap) > WAV > SHN; Ripped, SHNed, and seeded by Jon Seff; tracked for 2x80	Source Detail
12/09/94	Oakland-Alameda County Coliseum	Oakland	CA	SBD -> Dat -> CD; Seeded by Charlie Miller	Source Detail
12/11/94	Oakland-Alameda County Coliseum	Oakland	CA	SBD>?>DAT>CD; Unknown seeder	Source Detail
12/12/94	Oakland-Alameda County Coliseum	Oakland	CA	AUD(Schoeps MK4?s)>DAT>CD; via Raul Duke; Seeded to etree by neo_levo	Source Detail
12/15/94	Sports Arena	Los Angeles	CA	shntool fix of Jon Seff's AKG seed	Source Detail
12/16/94	Sports Arena	Los Angeles	CA	AUD(Nak 300 Shotguns)>Aiwa DAT>CD; via Henry Wankleswurth; Seeded to etree by neo_levo	Source Detail
12/18/94	Sports Arena	Los Angeles	CA	Shntool fix (by Chris L) of original AKG seed; See info file for details; AKG 460B + CK8 > D3 @48kTransfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction) Transferred, SHNed and seeded by Jon Seff (jon@seff.net)	Source Detail
12/19/94	Sports Arena	Los Angeles	CA	Schoeps MK-4 > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); Transferred, SHNed and seeded by Jon Seff; Jon's comment: Levels are a little low throughout, but quite hot during drums, so I couldn't normalize and there may be a bit of clipping at the highest points.	Source Detail
02/19/95	Delta Center	Salt Lake City	UT	AUD(Schoeps MK4s)>DAT>CDR; via P.B.; Seeded to etree by Chris L.	Source Detail
02/20/95	Delta Center	Salt Lake City	UT	SBD > D > CD-R > EAC >SHN (note no cass gen); "buzzing" in the audio was a problem with the venue's/band's sound equipment; via Brian Walker; mastered by Jay Serafin; note the "if any editing" clause in info file is part of Jay's boilerplate for seeds	Source Detail
02/21/95	Delta Center	Salt Lake City	UT	DSBD > 1C > DAT; Seeded to etree by Dan Stephens	Source Detail
02/24/95	Oakland-Alameda County Coliseum	Oakland	CA	shntool-fixed version (by Jeff Kempka?) of previous shn set: AT 4071 > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff	Source Detail
02/25/95	Oakland-Alameda County Coliseum	Oakland	CA	shntool-fixed version (by Jeff Kempka?) of previous shn set: Unknown Mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff	Source Detail
02/26/95	Oakland-Alameda County Coliseum	Oakland	CA	shntool-fixed version (by Jeff Kempka?) of previous shn set: Unknown Mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff; see flaw and tracking notes in info file	Source Detail
03/17/95	The Spectrum	Philadelphia	PA	AUD (Schoeps MK4)>DAT>CDR>WAV>SHNv3 via Paul B and Candyman	Source Detail
03/17/95	The Spectrum	Philadelphia	PA	Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol	Source Detail
03/18/95	The Spectrum	Philadelphia	PA	"liberated" bootleg sbd cd > EAC > wav > shn; via Chris Ladner; known errors: d1t5 digipop @ 5:25, d1t10: soft digipops	Source Detail
03/19/95	The Spectrum	Philadelphia	PA	FOB Schoeps MK41 > DAT @ 48KHz > ZA2 (48244) > SHN	Source Detail
03/22/95	Charlotte Coliseum	Charlotte	NC	AKG C460B bodies with CK-8X short shotgun/hypercardiod capsules / Denon DTR-80P / Taper's Section 7.5' hig adjacent to SB on Phil's side DTR-80P -> (analog) Panasonic SV-250 -> (analog) Panasonic SV-3700 -> Sony DTC-690	Source Detail
03/23/95	Charlotte Coliseum	Charlotte	NC	Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat (44.1k) Set 2: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC)	Source Detail	FLAC
03/24/95	Charlotte Coliseum	Charlotte	NC	AKG 460s > Technics 260 > DAT > CD > EAC > SHN; via jtjames	Source Detail
03/26/95	The Omni	Atlanta	GA	SBD > MC > DAT > CDR; seed via cm., DAE (EAC + SHNv3) by c. ladner	Source Detail
03/27/95	The Omni	Atlanta	GA	SBD> DAT> CDR> EAC> SHN; Seeded by: Jon Zilles, DAT conversion by fellow etreer; d2 tracked for 80 min; track timings courtesy Charles Weir	Source Detail
03/29/95	The Omni	Atlanta	GA	Speed-corrected version of previousAKG 451's source; See info file for details; Seeded to etree by CWier	Source Detail
03/30/95	The Omni	Atlanta	GA	dsbd (pre-fm)> ?> cdr> eac> shn; via Tony Gardner, with thanks to Chris Larson	Source Detail
04/01/95	Pyramid Arena	Memphis	TN	Monitor Mix SBD -> DAT -> CDR-> EAC -> SHN; via Rus K.	Source Detail
04/02/95	Pyramid Arena	Memphis	TN	SBD>DAT>CD; Seeded to etree by Chris Larson	Source Detail
04/04/95	Jefferson Civic Center Coliseum	Birmingham	AL	AUD(Schoeps MK4s)>DAT>CDR; via Paul B; Seeded to etree by Chris L	Source Detail
04/05/95	Jefferson Civic Center Coliseum	Birmingham	AL	AUD(Schoeps MK4's)>DAT>CDR; via Paul B; Seeded to etree by Chris L	Source Detail
04/07/95	Tampa Stadium	Tampa	FL	Source unknown - suspect SBD> ?> CDR> EAC> SHN; ? Likely mCass; via JT James	Source Detail
05/19/95	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV	Show recorded by Dan Sisler Tapes provided by Kevin Hoffman Transfer by Chris Larson - nswboogy@easystreet.com. there are end of disc SBE's.	Source Detail
05/20/95	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV	Source: Set 1: Tapers section- A:AKG 460's>DAT Set 2: Audience(FOB directly in front of soundboard):Schoeps MK-4's>Schoeps Pre-amp>Denon80-P>DAT(48kHz) Transfer: DAT>ZA2>Samplitude>CD-r (or shn). Recorded by Dan Sisler, DATs via Kevin Hoffman, Transfer Chris Larson. Note - there is a sector boundary error on the last track of the first disc.	Source Detail
05/21/95	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV	AUD(AT-835A?s & Nak 300?s)>DAT>CD; via Henry Wankleswurth; Seeded to etree by neo_levo	Source Detail
05/21/95	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV	Source: A:FOB-Schoeps MK4's>Schoeps Pre-amp>Denon80-P@48kHz Transfer: DAT>ZA2>Samplitude2496>CD-r (or shn). Taped by Dan Sisler. DATs via Kevin Hoffman. Transfer to SHN via Chris Larson.	Source Detail
05/24/95	Memorial Stadium	Seattle	WA	Source: Af:Neumann KM140>DAT(48kHz) Transfer: DAT>ZA2(S/PDIF)>Samplitude 2496>WAV>SHN. Tapes provided by Ross M. Transfer by Chris Larson .	Source Detail
05/25/95	Memorial Stadium	Seattle	WA	Source: Af:Neumann KM140>DAT(48kHz) Transfer: DAT>ZA2(S/PDIF)>Samplitude 2496>WAV>SHN. Transfer by Chris Larson.	Source Detail
05/25/95	Memorial Stadium	Seattle	WA	flac16; Recording Info: Schoeps MK41 -> Dat (48k); Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/26/95	Memorial Stadium	Seattle	WA	SBD > DAT > Cass/1 > DAT > Montego II S/PDIF > CDWav > SHNv3; d1 tracked for 80 min; DAT Provided by: Paul Gibian; Ripped, Tracked & Encoded By: Evan Saxton	Source Detail
05/28/95	Portland Meadows	Portland	OR	FOB-AUD(Schoeps CMC + MK21)>DAT>CDR; via Paul B; Seeded to etree by Chris L	Source Detail
05/29/95	Portland Meadows	Portland	OR	FOB-AUD(Schoeps CMC + MK21)>DAT>CDR; via Paul B; Seeded to etree by neo_levo	Source Detail
06/02/95	Shoreline Amphitheatre	Mountain View	CA	SBD > DAT > CD > extracted on a Mac using Toast Audio Extractor (overlap)> SHN (note corrected info); liberated bootleg; via Jon Seff	Source Detail
06/03/95	Shoreline Amphitheatre	Mountain View	CA	AUD(Nak 300 Shotguns)>Aiwa DAT>CDR; via Paul; Seeded to etree by neo_levo	Source Detail
06/04/95	Shoreline Amphitheatre	Mountain View	CA	AKG522 > DAT; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV > SHN (no extraction); Transferred, SHNed, and seeded by: Jon Seff; may have different source spliced in from NFA on	Source Detail
06/15/95	Franklin County Airport	Highgate	VT	FOB - Schoeps MK4V's -> Sonosax mic preamp -> DA - P1 -> DAT (Master) -> DAT -> HHb Cdr-800; via Matt Bertollo; Tim Wiley	Source Detail
06/18/95	Giants Stadium	East Rutherford	NJ	DAUD (Unknown Mics )> DAT> CDR; via Jeff M.	Source Detail
06/19/95	Giants Stadium	East Rutherford	NJ	FOB 25th Row, Dead fuckin center, Nak 300's (hand held, still sore) into my sony D7. Dat > sblive > Cd; Seeded to etree by Wally Stine	Source Detail
06/21/95	Knickerbocker Arena	Albany	NY	Nakamichi 300's w/CP-4 caps -> Oade modified Sony TCD-D7; Tascam DA-20mkII > SBLive! (48-44.1) > CDWAV > MKW; DAT > WAV > SHN by Dan Stephens; upload by Scott Thompson	Source Detail
06/22/95	Knickerbocker Arena	Albany	NY	Source: NAK 300s > DAT > CD > CD(?) > EAC > SHNv3. Seeded by: Scott Agne.	Source Detail
06/24/95	Robert F. Kennedy Stadium	Washington	DC	FOB Nak 300's at 6 feet, then up to 8 feet. 40 feet from stage, DFC. Into a sony D-7. Dat > Sblive > cdwave > mkw audio tools >SHN	Source Detail
06/25/95	Robert F. Kennedy Stadium	Washington	DC	FOB Nak 300's: at 6ft, then up to 8ft- 40ft from stage, Dead center> Sony D-7; Dat> Sblive> cd; recorded, Seeded to etree by Wally Stine	Source Detail
06/27/95	The Palace	Auburn Hills	MI	AUD(Schoeps CMC4)>DAT>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo	Source Detail
06/28/95	The Palace	Auburn Hills	MI	AUD, Schoeps CMC4>DAT>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo	Source Detail
06/30/95	Three Rivers Stadium	Pittsburgh	PA	FOB (~26th row) Schoeps CMC6/MK4s> DAT; Transfer: Sony PCM-R500> Tascam CD-RW700> EAC> SHN; Transferred, SHNed, and seeded by: Ryan Burns; hosted by Mike Lai	Source Detail
07/02/95	Deer Creek Music Center	Noblesville	IN	Bootleg CD>WAV>SHN	Source Detail
07/05/95	Riverport Amphitheatre	Maryland Heights	MO	Nak 300+cp4> D7; Conversion: D7> 7 pin digi coax> CDR880 (Master)> EAC > AddaWave > Sound Forge 3.0 (Fadeouts)> CDWave> SHN; Dat Seed from Chase Smith; Conversion by Chuck Rothofsky	Source Detail
07/06/95	Riverport Amphitheatre	Maryland Heights	MO	Audience (Schoeps MK-4V/ Sony D-10) Master DAT> CDR> MKW> SHN; via Troy Richey from Chuck's seed discs	Source Detail
07/08/95	Soldier Field	Chicago	IL	FOB B&K 4006 omni's (in hat, 36th row left of center) > Lunatec 316> Panasonic SV-250 by Marc Nutter; Transfer: Sony DTC-A6 > Dio 2448 > SF 4.5 @ 48K, Resample, add fades> CDWAV> SHN by Bill Gardner	Source Detail
07/09/95	Soldier Field	Chicago	IL	DSBD (pre FM) (@48kHz); Conversion: D8 > Waveterminal 2496 (@44.1kHz - Real Time Resample) > Soundforge 5.0 > CD Wave > mkwACT (saeeking); see info file for version comparison and editing notes; tracked for 2x80; via Jason Brantley	Source Detail
??/??/95	Studio - Earthquake Country sessions	Unknown	CA	live/rehearsal recordings (DAT and/or ADAT) > ? > cassette > at least one cassette generation > my cassette; transfer using an AIWA AD-F850 tape deck, played directly into the inputs of a Yamaha DS-XG sound card. I used CoolEdit 2000 v1.1 to do the initial analog > digital sampling, apply mild noise reduction (my source tape is somewhat hissy, not surprising give the number of analog generations) and reduce the length of some of the between-song gaps. I used CD Wav v1.73 to define track boundaries and mkwACT v0.97 to prepare a master SHN disc (track boundaries verified using SHNtool).	Source Detail	FLAC

Grateful Dead Compilations --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
10/??/80	Compilation	Compilation	Compilation	flac24; Recording Info: SBD > (16-track) Reel Master > Cassette; Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/192k) > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24; All Transfers and Mastering by Charlie Miller	Source Detail	FLAC
10/??/80	Compilation	Compilation	Compilation	flac16; Recording Info: SBD > (16-track) Reel Master > Cassette; Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/192k) > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24; All Transfers and Mastering by Charlie Miller, 150795 24 -> 16 @ 44.1	Source Detail	FLAC

Grateful Dead Interviews --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
11/24/78	Various	Various	Various	Recorded from 91.3 FM KXCI Dead Air in Tucson, Az sometime around the year 2000. Transferred at 24/44.1>Edited and Mastered on the GEMS Edit Station > 16/44.1 sbe free	Source Detail	FLAC
??/??/80	Unknown	Unknown	Unknown	flac16/44.1khz Provided by Jason Chastain as Side A and Side B. No further lineage is known. Restored by Jamie Waddell	Source Detail	FLAC
12/31/84	San Francisco Civic Auditorium	San Francisco	CA	flac16; WETA FM (Wash. D.C.) -> unknown cassette recorder (MC) MC > Playback on Marantz PRD505 > Marantz Integrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs.	Source Detail	FLAC

Great American Music Band --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
06/13/74	Keystone	Berkeley	CA	flac1644; motb 0159; Robert Castelli; Analog Audience Source: Master Cassettes (MAC) Medium Stock Brands: Scotch C120; Analog Lineage: ECM 270 >> Sony TC110 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] ... FLAC1644. Transfer by Bob Menke, mastering by Derek McCabe & David Minches, speed correction by Joe B. Jones.	Source Detail	FLAC

Great American String Band --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
04/26/74	Marin Veterans' Memorial Building and Grounds	San Rafael	CA	Tom Moran's MAC (Sony recorder with built-in mic) ("maybe a Sony TC-150") > taperpat's 1st gen reel; Transfer (Matt Smith): AKAI GX625 playback > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD; Lossless encoding: EAC > CDWave > TLH (FLAC level 8).	Source Detail	FLAC
06/14/74	Keystone	Berkeley	CA	flac1644; motb 0159; set I only; Robert Castelli; Analog Audience Source: Master Cassettes (MAC); Medium Stock Brands: Maxell UD C90; Analog Lineage: ECM 270 >> Sony TC110 >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] ... FLAC1644; Transfer By: Bob Menke; Mastering By: Derek McCabe & David Minches; Speed correction by Joe B. Jones.	Source Detail	FLAC

Jerry Garcia Acoustic Band --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
10/16/87	Lunt-Fontanne Theatre	New York	NY	JGAB/JGB: Joe D'Amico's Nak 300 Mics > Sony D-5; Nak Dragon playback > Sony Sbm1 > Creative Extigy Soundcard > Cool Edit Pro > Flac Frontend.	Source Detail
10/24/87	Lunt-Fontanne Theatre	New York	NY	flac1644; Joe D'Amico ''AKA'' Joebeacon's Nak 300s > Sony D-5; Nak Dragon > Korg Mr-1000 @ 1 Bit DSD > Audio Gate > Cool Edit > Traders Little Helper .	Source Detail	FLAC

Jerry Garcia Band --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
09/18/75	Sophie's	Palo Alto	CA	flac1644; MOTB 147; Robert Castelli's 2 x Sony ECM 270's >> Sony TC-152SD  >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [> flac 1644]	Source Detail	FLAC
09/20/75	River City	Fairfax	CA	flac1644; MOTB 0154; Robert Castelli's 2 x Sony ECM 270's >> Sony TC-152SD  >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [> FLAC1644]. Transfer By: Bob Menke. Mastering By: Derek McCabe.	Source Detail	FLAC
10/11/75	Keystone	Berkeley	CA	flac1644: MOTB Release: 0113 16/44.1; FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UD C90; Analog Lineage: Sony ECM 250 & ECM 270 >> Sony TC 152SD >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. Taped By: Bob Menke and Louis Falanga. Transfer By: Bob Menke. Mastering By: Derek McCabe.	Source Detail	FLAC
10/11/75	Keystone	Berkeley	CA	flac1644,MOTB Release: 0113 16/44.1 (MATRIX); Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = 2 x Maxell UD C90; Analog Lineage: Sony ECM 250 & ECM 270 >> Sony TC 152SD >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Matrix Soundboard Source: jg1975-10-11.jgb.all.sbd-minches.31213.flac1644.	Source Detail	FLAC
10/17/75	Concord Pavillion	Concord	CA	JGB, incomplete: MSR > PCM > DAT x ?; Cloned: From Dr. Bruce Fried 06/03/1996 Casio DA-7 > Panasonic SV-3700; Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.01a @ [16/48]; Mastering with: iZotope Ozone 3 > dithered to [16/44.1] > CD Wave > TLH > FLAC; Transfer and Mastered by Bill Koucky, Green Mountain Bros.	Source Detail	FLAC
10/28/75	Beacon Theatre	New York	NY	JGB; flac1644; early; AUD; Maxell XLI (normal bias) > Nakamichi CR-5A (Dolby off) > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 02/2016.	Source Detail	FLAC
11/08/75	Keystone	Berkeley	CA	flac1644; MOTB 151; Robert Castelli's 2x Sony ECM 270's >> Sony TC-152SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [>> FLAC1644]. Transfer By: Bob Menke. Mastering By: Derek McCabe.	Source Detail	FLAC
11/29/75	Keystone	Berkeley	CA	flac1644: MOTB Release: 0092 16/44.16. Analog Audience Source: FOB Master Cassettes (MAC). Medium Stock Brands: MAC = 2 x Maxell UD c90. Analog Lineage: 2 x Sony ECM-280 (Directly In front of Jerry Hand held 10ft back) >> Sony TC-152 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. Taped By: Reinhard Holwein. Transfer By: Bob Menke. Mastering By: Derek McCabe.	Source Detail	FLAC
12/17/75	Keystone	Berkeley	CA	flac1644 MOTB Release: 0093 16/44.1. Analog Audience Source: Aud Master Cassettes (MAC). Medium Stock Brands: MAC = 2 x Maxell UD. Analog Lineage: 2 x SONY ECM-280 (directly in front of Jerry hand held at 10ft.) >> Sony TC-152 >> MAC. Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. Taped By: Reinhard Holwein. Transfer By: Bob Menke. Mastering By: Derek McCabe.	Source Detail	FLAC
12/19/75	Winterland Arena	San Francisco	CA	JGB: MSR > Cass > WMA > CDR > EAC > Cool Edit Pro 2.1 > WAV > FLAC.	Source Detail	FLAC
12/19/75	Winterland Arena	San Francisco	CA	JGB, flac1644: 2 x Sony ECM-270 => Sony TC-152 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> MOTB.0075; Taped By: Reinhart Hohlwein; Transfer By: Bob Menke; Mastering By: Jamie Waddell.	Source Detail	FLAC
12/31/75	Keystone	Berkeley	CA	JGB: MSR (Nagra 1/2track @ 7 1/2ips) > 1st gen reel (Otari 1/2track @ 7 1/2ips) > 1 cassette gen (Nak BX300, no Dolby, MaxellXLIIS90) > Nak CR3A playback (no Dolby) > HP Computer > Sound Forge > CD Wave> Flac8, via John Moses.	Source Detail	FLAC
02/21/76	La Paloma Theater	Encinitas	CA	late show; flac1644; MSR (2 track 7" reels @ 15ips) > 1 cassette (TDK SA-X100) > Nakamichi CR-7A (Dolby off) > Lucid 9624 A-D converter @ 44.1kHz > Fostex D5 master DAT > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Ryan Shriver, CD > SHN by MisSHN. 2010 SHN > FLAC conversion using TLH (v2.4.1 Build 160) "convert encoding format" function. Tagging using foobar2000 (v0.9.6.8). Alternate encoding of the same source tape as shnid4464, which appeared to have dropped out of circulation as of May 2010.	Source Detail	FLAC
02/24/76	Keystone	Berkeley	CA	JGB; set II; MSR > 2C; Maxell UD XL-II C90 played back on a Nakamichi CR-7A cassette deck (Dolby off) > Lucid 9624 A-D converter @ 44.1kHz > FostexD5 Master DAT > DATx; Sony PCM-R500 (playback) > HHb CDR-800 > EAC > WAV > TLH > FLAC.	Source Detail	FLAC
03/03/76	Lane County Fairgrounds	Eugene	OR	flac1644; set II only; MOTB 0140; FOB Master Cassette > Reel @ 7.5ips Unknown Mics >> Unknown Deck >> MAC >> Reel 7.5 ips Reel >> Revox 77 >> Akai GX636 > Apogee Mini Me(24/96) > Apogee Mini Dac (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > FLAC; Taped By: Don Wolfe, Matt Williams.	Source Detail	FLAC
03/06/76	Moore's Egyptian Theater	Seattle	WA	flac1644; MOTB 0142; Taped by Pat Lee; ECM 18N's mics >> Sony 152SD >> MAC > NAK BX300 deck > Apogee Mini Me(24/96) > Apogee mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > FLAC. Transfer by Matt Smith; Mastering by Derek McCabe.	Source Detail	FLAC
04/01/76	The Palace Theater	Waterbury	CT	Steve Rolfe's Sony ECM-99 > Cassette Master (Sony TC-152/Maxell UD-C90, played back on Nakamichi DR-1) > Sound Devices 744T (24bit/48k) > Adobe Audition v3.0 > Samplitude Professional v11.1 > FLAC/16, by Charlie Miller.	Source Detail	FLAC
04/05/76	Fox Theater	Atlanta	GA	Unknown AUD > ? > CDR. Transfer: CDR > EAC > Wavelab > CD-Wave > TLH > FLAC 1644.	Source Detail	FLAC
05/20/76	Keystone	Berkeley	CA	flac1644: MOTB Release: 0094 16/44.1. Analog Audience Source: FOB Master Cassettes (MAC). Medium Stock Brands: MAC = 1 x Maxel UD c90 + 1 x TDK AUDUA c90 Analog Lineage: 2 x SONY ECM-280 (directly in front of Jerry hand held at 10ft.) >> Sony TC-152SD >> MAC. Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. Taped By: Reinhard Holwein. Transfer By: Bob Menke. Mastering By: Derek McCabe.	Source Detail	FLAC
07/08/76	Keystone	Berkeley	CA	Set One: SBD of unknown lineage kindly provided by Seaweed1010. Set Two: ID-22510. Set One transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Set Two transfer: ID-22510 > TLH > WavMerge > Wavelab > CD-Wave > TLH > FLAC 1644 tagged. Project assembled by Andrew F. 10/2010	Source Detail	FLAC
09/10/76	Keystone	Berkeley	CA	JGB, Flac16: MAC = 2 x TDK AUDA90; 2 x sony ECM 280 => Sony SD152 >> MAC >> Nakamichi CR-7a >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Holhwein; Transfer By: Bob Menke; Mastering By: Derek McCabe; Tagging by: Adam Egert MOTB0031	Source Detail	FLAC
12/23/76	Keystone	Berkeley	CA	SBD of unknown lineage kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.	Source Detail	FLAC
07/29/77	Theatre 1839	San Francisco	CA	flac1644; sbd > ? > cassette (no better than 3rd generation); transfer: Cassettes (2 Maxell UDII 90 minute tapes, Dolby B encoded) > Harmon Kardon TD 302, azimuth adjusted to tape, Dolby B decoded > CD-R > EAC>tracking and basic editing with wavepad> flac level 8 and md5 creation with traderslittlehelper Transfer completed 2011-01-20.	Source Detail	FLAC
07/29/77	Theatre 1839	San Francisco	CA	Recording Info: SBD > Master Reel (7.5ips) > DAT > CD > AIFF Mastering Info: AIFF > Samplitude Pro X6 Suite > FLAC/16	Source Detail	FLAC
08/06/77	Keystone	Berkeley	CA	flac1644; partial 2nd set; SBD -> Cassette Master (Nakamichi 350/Maxell UDXLI90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
08/07/77	Keystone	Berkeley	CA	flac1644; SBD -> Cassette Master (Nakamichi 350/Maxell UDXLI90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/21/77	The Playhouse, Hofstra U.	West Hempstead	NY	flac1644; early show, incomplete; MSC > C > DAT > CD > dbpoweramp CD Ripper > flac. Ripping and Flacing by David Minches. Speed Correction by Joe B. Jones.	Source Detail	FLAC
12/06/77	Dome Auditorium, C.W. Post College	Brookville	NY	JGB: MSR > C > D > CD > EAC > shntool > SHN (shnid 12028) patched with MAC > CD > SHN (shnid 76443).	Source Detail	FLAC
12/10/77	Warner Theater	Washington	DC	Late show; Gerry Moskal's Sony Stereo ECM mics > SONY TCD126 (Location: "A Sweet Spot"); Transfer: Gerry Moskal Master Cassette > 1 reel > 1 cassette > Nakamichi BX300 > Macintosh > Peak Bias > JAM > cdr > EAC > Flac. Transfer by Brian Mandel.	Source Detail	FLAC
03/14/78	Music Hall	Boston	MA	flac1644; Taped by: Dauby Rolfe and friend, 2x Sony ECM 99 microphones > Teac PC-10 cassette deck; Transfer (12/20/2004): Nakamichi Dragaon playback > ART DIO A/D converter > Egosys Waveterminal 2496 soundcard > Cool Edit 2000 (wav) > mkwACT (shn encoding) by David Minches; Subsequent (2011): shn > flac8 encoding (Trader's Little Helper v2.4.1, build 160) > tagging (foobar2000 v0.9.6.8).	Source Detail	FLAC
06/18/78	Keystone Palo Alto	Palo Alto	CA	flac1644 MOTB Release: 0095 16/44.1. Analog Audience Source: Aud Master Cassettes (MAC). Medium Stock Brands: MAC = 2 x Maxell UDXLII. Analog Lineage: Unknown Mics >> Sony TC-158sd. Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> [16/44.1 using mbit+]. Taped By: Michael Riley. Transfer By: Bob Menke Mastering By: Derek McCabe.	Source Detail	FLAC
10/10/78	Keystone	Berkeley	CA	flac1644: Recorded by John Angus and Scott Hart; Sony ECM-99> Sony TC-158; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0 (dither/downsample)> FLAC encoding.	Source Detail	FLAC
10/07/79	Keystone	Berkeley	CA	flac1644: Recorded by John Angus and Scott Hart; Sony mics > Technics deck; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 3.0 (dither/downsample)> FLAC encoding. Pitch Correction by Joe B. Jones.	Source Detail	FLAC
10/21/79	Keystone	Berkeley	CA	flac1644; set 2; Recorded by Phil Jaret; JVC M-201 Stereo Microphone> Teac PC-10; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 3.0> Ozone 4.0> FLAC encoding. Spped/Pitch Correction by Joe B. Jones.	Source Detail	FLAC
11/18/79	Keystone	Berkeley	CA	flac1644; Recorded by John Angus and Scott Hart; Sony mics > Technics deck; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 3.0 > FLAC encoding. Pitch Correction by Joe B. Jones.	Source Detail	FLAC
01/27/80	Keystone	Berkeley	CA	flac1644; set II partial; MAC > Cass. > DAT > CDR > EAC > .WAV > TLH > .FLAC.	Source Detail	FLAC
02/01/80	The Stone	San Francisco	CA	flac1644; John Angus and Scott Hart; Sony ECM 990> Sony TCD-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> Ozone 4.0> FLAC encoding. Pitch Correction by Joe B. Jones. Note filenames say 1980-02-07, but they are indeed from 1980-02-01 [correct names circulated March 2012]	Source Detail	FLAC
02/01/80	The Stone	San Francisco	CA	flac1644; Phil Jaret; JVC M-201 Stereo Microphone> Teac PC-10; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> Ozone 4.0> FLAC encoding. Pitch Correction by Joe B. Jones.	Source Detail	FLAC
02/02/80	The Stone	San Francisco	CA	JGB: Eldon Porray's FOB MAC w/ Nak 700 mics > Sony TC-D5M (using Dolby noise reduction) > Nakamichi CR-3A (playback w/ Dolby on) > Lucid AD9624 A-D converter > Sony PCM-R500 > Sony PCM-R500 (playback) > HHb CDR800 > EAC > .WAV > TLH > .FLAC.	Source Detail	FLAC
02/02/80	The Stone	San Francisco	CA	flac1644Bob Menke' s2 x Nak cm700's >> Sony TC-D5 >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] ...	Source Detail	FLAC
02/07/80	The Catalyst	Santa Cruz	CA	flac1644John Angus and Scott Hart; Sony ECM 990> Sony TCD-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe > Adobe Audition 2.0> Ozone 4.0 (dither/downsample) > FLAC encoding. Pitch Correction by Joe B. Jones.	Source Detail	FLAC
02/16/80	Gym, U. of New Haven	New Haven	CT	(FOB) Unknown mics (2) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII). Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). Taped and transferred by Bob Morris.	Source Detail	FLAC
02/16/80	Gym, U. of New Haven	New Haven	CT	flac1644: Bob MacFarland's MAC (?mics > Superscope/Marantz CD-330, Maxell UDXL-II90's, dolby b, taped from in front of the soundboard) > nak dragon > hd-p2 24/96 > hd > adobe audition 2.0 16/44.1 > cd wave > flac. Transferred & seeded by Rob Berger.	Source Detail	FLAC
02/16/80	Gym, U. of New Haven	New Haven	CT	flac2496; (FOB) Unknown mics (2) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits). Taped and transferred by Bob Morris.	Source Detail	FLAC
02/24/80	Gym, S.U.N.Y.	Stony Brook	NY	JGB; flac1644; Bob Morris's (FOB) Unknown mics (2) > Cassette Master (Marantz Superscope CD320/Maxell UDXLI) > Nakamichi DR-1 > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits).	Source Detail	FLAC
02/24/80	Gym, S.U.N.Y.	Stony Brook	NY	JGB; flac2496; Bob Morris's (FOB) Unknown mics (2) > Cassette Master (Marantz Superscope CD320/Maxell UDXLI); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits). Taped and transferred by Bob Morris.	Source Detail	FLAC
02/26/80	Ocean State Theater	Providence	RI	JGB; flac1644; Bob Morris's 2x unknown mics > Marantz Superscope CD320 cassette master (Maxell UDXLI) ; Nakamichi DR-1 playback > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). Taped and transferred by Bob Morris.	Source Detail	FLAC
02/29/80	Calderone Concert Hall	Hempstead	NY	late show; WLIR-FM Broadcast; Source: Pre-FM SBD feed > Nak 550 > Maxell UDXL-II C-90 via Peter Hedeman.	Source Detail	FLAC
07/24/80	Bushnell Auditorium	Hartford	CT	JGB; flac1644; MAC > 1st Gen cassettes; Transfer: Maxell UD-XLIIs > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. Tagged. Transfer by Andrew F.	Source Detail	FLAC
07/27/80	Palace Theatre, S.U.N.Y.	Albany	NY	flac1644; Taper: Mark Cohen; Field Recording equipment: Nak CM-700s (shotgun) > Sony TC-D5M; Location: towards back of the floor with mics high on a pole; Transfer (2003): Tascam 122mkIII playback > Tascam DA-40 DAT > Tascam CDRW-700 master CD > Tascam CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > CD by Mark Cohen, EAC > SHN (6/17/2003) by jjoops; FLAC and tag (2010): shn md5 checksum verification and shn > flac8 conversion using TLH 2.4.1 (Build 160). Tagging with Foobar 2000.	Source Detail	FLAC
07/27/80	Palace Theatre, S.U.N.Y.	Albany	NY	flac1644; Nakamichi CM300s > Sony TC-D5; 2nd Gen cassette (MAC > C > C). Transfer: Maxell XLII > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644.	Source Detail	FLAC
02/06/81	The Tower Theatre	Upper Darby	PA	Jim Vita's FOB Nakamichi DM-500s > Sony TC-D5M master cassette (Maxell UDXLII-S); Transfer: Nakamichi Dragon playback > Art DI/O > Digital Audio Labs CardDeluxe > Cool Edit 2000 > Shntool > FLAC encoding. Transfer by David Minches.	Source Detail	FLAC
02/07/81	Orpheum Theater	Boston	MA	early and late shows; Bob Morris's Nakamichi CM-300 (CP-1) (2) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). Transferred by Bob Morris, with material from Steve Rolfe recording.	Source Detail	FLAC
02/07/81	Orpheum Theater	Boston	MA	early and late shows; pitch/speed correction of Leven source, shnid 88927.	Source Detail	FLAC
02/09/81	Ocean State Theater	Providence	RI	Nakamichi CM-300 (CP-1) (2) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). Taped and transferred by Bob Morris.	Source Detail	FLAC
02/13/81	Capitol Theater	Passaic	NJ	early and late shows; Nakamichi CM-300 (CP-1) (2) > Cassette Master (Marantz Superscope CD320/Maxell UDXLI C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). Early show taped and transferred by Bob Morris. Late show from Steve Rolfe recording.	Source Detail	FLAC
04/21/81	The Catalyst	Santa Cruz	CA	flac1644; fix of shnid 111436. Recorded, transferred, edited and mastered by JS; 2x Electrovoice RE-10 microphones > Sony TC-D5m; Transfer: Nakamichi Dragon (Dolby B decoded) > Macintosh with Digidesign AudioMedia III sound card(A/D 44.1/16) > Pro Tools (minor "nip and tuck" edits, normalization and tracking - no EQ or digital noise reduction) > AIFF > CD > Toast > xACT (FLAC level 8 files with sector boundaries verified); This source fixes errors in shnid 111436: Bad d2t05-media failure (new CDRs from taper)and random dropouts found in 5 tracks due to a bad mic cable-left channel (patched from the right channel)	Source Detail	FLAC
06/26/81	Warfield Theater	San Francisco	CA	JGB: Recorded by Richard Senicola and Jaime Poris using Mark Severson's equipment; 3 Nak 700s> (Nak 550)> Sony TC-D5M (2 Maxell MX cassettes) (Recorded from front row left center balcony); Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.	Source Detail	FLAC
08/21/81	Keystone	Berkeley	CA	flac1644; Partial SBD, 2nd Gen cassette; Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.	Source Detail	FLAC
09/07/81	Concord Pavillion	Concord	CA	flac1644; Recorded, transfered and edited by N. Hoey; Nak 300 > Sony TC-D5m (Dolby B) (tracks 01 - 08: TDK SA-X C90; tracks 09 - 11, Maxell UD XL-II); Nakamichi Dragon (Dolby B decoded) > RME PAD 96 A/D @24/44.1 dithered to 16/44.1 post editing (Apple) (Peak 6 editing) > Xact.	Source Detail	FLAC
11/06/81	Capitol Theater	Passaic	NJ	flac1644; early and late shows; Recorded by Gordon Sharpless, Walkman > MAC > DAT > CDR. Transfer: CDRs > EAC > WavMerge > Wavelab > CD-Wave > TLH > FLAC 1644 Tagged.	Source Detail	FLAC
11/19/81	Rainbow Music Hall	Denver	CO	flac1644; partial; Unknown Audience CD via slip via Jjoops Tupperware of Treasures via GEMS.	Source Detail	FLAC
02/02/82	The Catalyst	Santa Cruz	CA	flac1644; N Hoey's Nakamichi CM 300s > Sony TC-D5m (Dolby B) (Maxell XLIIS 90) ; Playback: Nakamichi Dragon (Dolby B decoded) > Panasonic 3700 DAT (track IDs) > HHB CD Apogee gold cds extracted with Toast 9 (Imac 2.33) > Xact. Note that this is the master that has mistakenly been referred to as taped by Stephen Martin, but it was taped, transferred and circulated by H. Noey.	Source Detail	FLAC
02/02/82	The Catalyst	Santa Cruz	CA	flac1644; set II; SBD of unknown lineage kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC tagged. Transfer by Andrew F.	Source Detail	FLAC
02/03/82	The Catalyst	Santa Cruz	CA	flac1644; N Hoey's 2 Nakamichi CM 300s > Sony TC-D5m (Dolby B)(Maxell XLIIS 90); Plybck: Nakamichi Dragon (Dolby B decoded) > Panasonic 3700 DAT (track IDs) > HHB CD Apogee gold cds extracted with Toast 9 (Imac 2.33) > Xact.	Source Detail	FLAC
02/26/82	Keystone	Berkeley	CA	JGB: Patch fix of MSC > D > CD (shnid 22729) with Ohr Weinberg MAC source (shnid 91123).	Source Detail	FLAC
03/03/82	Barbary Coast Room, S.F. State	San Francisco	CA	flac1644; Jeff Knudsen Master Audience Recording; Recorded with an AIWA HS-1 and Superscope Mics; Transferred by Matt Smith at 24 bit 96 kHz; Mastering by Jamie Waddell; Weiss-Saracon for 16 bit 44.1 kHz TLH for FLAC8 SBE Free.	Source Detail	FLAC
03/07/82	The Saddlerack	San Jose	CA	MOTB 0143; SBD >> Unknown Deck >> MSR >> C > CD > C ** > NAK BX300 deck > Apogee Mini Me (24/96) > Apogee mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > FLAC.	Source Detail	FLAC
03/07/82	The Saddlerack	San Jose	CA	JGB: Paul Burrowes' MAC (Sony TCS-310 with built in mics); Transfer and FLAC encoding by David Minches: Master cassette played back on Nak Dragon > Grace Lunatec V3 (24/96) > Digital Audio Labs Card Deluxe > Adobe Audition 2.0 > (dither/downsample) > FLAC encoding.	Source Detail
03/27/82	Keystone	Berkeley	CA	flac1644; Jeff Knudsen, Superscope Mics > AIWA HS-1 Recorder (Maxell XL-II cassettes). Recorded from the balcony. Transferred by Matt Smith at 24 bit 96 kHz. Mastering by Jamie Waddell. Weiss-Saracon for 16 bit 44.1 kHz TLH for FLAC8 SBE Free. a **GEMS** Production www.shnflac.net.	Source Detail	FLAC
05/08/82	Keystone	Berkeley	CA	Taped By Jeff Knudsen. Transfer: MAC > 1 cassette > Apogee Mini ME(24/96) > Apogee Mini DAC > Wavelab 5.0 (dithered via 'UV22HR' to 16/44) > CD by Matt Smith. Edits and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. Weiss Saracon for POWR-3 Dither TLH for FLAC8 SBE FREE Meta-data with Tag&ReName.	Source Detail	FLAC
05/14/82	Keystone Palo Alto	Palo Alto	CA	flac1644: 3x Nakamichi CM700's > Mic Mixer > Preamp > 3 db Bass Box > Sony TC-D5. Taped by Anonymous. 1st Gen C-90 tape kindly provided by Tim Friend. *Source ID-102403 supplies the final three songs of the concert. Transfer: Maxell XLII > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F.	Source Detail	FLAC
06/11/82	Keystone	Berkeley	CA	JGB: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac; patched with MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5 cassette deck [Maxell XLII]) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Microboards QD2 CD clone) > EAC > WAV.	Source Detail	FLAC
06/11/82	Keystone	Berkeley	CA	16 bit Taped By Jeff Knudsen using Marantz SuperScope Mics > Aiwa HS1 Deck, from the front row of tables in the balcony Transfer: MAC > 1 cassette >Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0 > DVD > Audacity 2.0.0 > FLAC	Source Detail	FLAC
06/12/82	Keystone Palo Alto	Palo Alto	CA	flac1644; composite aud; First 3 tracks: MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics >Sony TC-D5) > Nak Dragon playback > Cardas audiophile cables >HHB CDR 800 master CD > Microboards QD2 CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). EAC > SHN by Joe Jupille (jjoops@attbi.com) > wav > flac8 TLH. Next 9 tracks: MAC taped by Jeffrey Knudsen > Cassette1 > Apogee Mini ME(24/96) > Apogee Mini DAC > Wavelab 5.0 (dithered via 'UV22HR' to 16/44) > CD by Matt Smith > Eac > wav > Gems Edit Station > flac. Edits: Balanced levels and tape pauses smoothed, by Jamie Waddell on the GEMS Edit Station. Trac'd Cdwave Flac'd level 8 TLH.	Source Detail	FLAC
06/16/82	Music Mountain	South Fallsburg	NY	JGB; set I; flac16; Matrix 2 Source Mix - SBD (shn id 89042) Sdb>?>Dat + AUD (shn id 88792) MOTB Release: 0057 16/44.1; John Steinthal's FOB MAC - matrix mixing by Kevin Tobin .	Source Detail	FLAC
06/18/82	Cape Cod Coliseum	South Yarmouth	MA	flac1644; Steve Rolfe's (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) > Sound Devices 744T (24bit/48k) > Adobe Audition v3.0 > Samplitude Professional v11.03 > FLAC/16. All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
06/18/82	Cape Cod Coliseum	South Yarmouth	MA	24bit/48kHz file-set: AUD Source: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Nakamichi ZX-90s, set up in center riser straight back, about ten rows off the floor, taped by Joe Morrone and Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. 02/2012	Source Detail	FLAC
06/22/82	The Mosque	Richmond	VA	AUD: Aiwa Walkman w/built-in mics > Maxell XLII 90's. Taped by Brent Z. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F.	Source Detail	FLAC
10/13/82	The Catalyst	Santa Cruz	CA	Recorded and mastered by N. Hoey with: 2 Sennheiser 441 mics > Sony TC D-5m (Dolby B)(Maxell XLIIS 90) Nakamichi Dragon (Dolby B decoded) > Apple Powerbook G3-VX Pocket interface-Soundedit editing > Jam > Apogee gold CD > Toast 9 > Xact.	Source Detail	FLAC
10/21/82	The Stone	San Francisco	CA	John & Julie Anzaldo's Sony ECM 929LT > Sony WM-D6C (TDK SA-C90, no NR, slightly Jerry's side, 5-10' from stage) > Nakamichi CR-7A playback > Creative SB Audigy 2 > Creative WaveStudio > CD > EAC > Adobe Audition 2.0 (pitch correction -0.9%, patching) > CDWave (tracking) > dbpoweramp (FLAC encoding). Transfer by John Anzaldo, editing and flac encoding by David Minches.	Source Detail	FLAC
10/22/82	Keystone Palo Alto	Palo Alto	CA	John Anzaldo's Sony ECM 929LT > Sony WM-D6C (TDK SA-C90, no NR; slightly Jerry's side, 5-10' from stage) > Nakamichi CR-7A playback > Creative SB Audigy 2 > Creative WaveStudio > CD > EAC > Adobe Audition 2.0 (pitch correction -0.9%) > CDWave > TLH (FLAC level 8).	Source Detail	FLAC
10/24/82	River Theater	Guerneville	CA	John Anzaldo's Sony ECM 929LT > Sony WM-D6C (TDK SA-C90, no NR; slightly Jerry's side, 5-10' from stage) > Nakamichi CR-7A playback > Creative SB Audigy 2 > Creative WaveStudio > CD > EAC > CDWave > Sony SoundForge Studio 7 (patching, smoothed tape transitions) > shntool > TLH (FLAC level 8) > TLH decode > Adobe Audition 2.0 (pitch correction -0.9%) > TLH (FLAC level 8).	Source Detail	FLAC
10/28/82	Rissmiller's	Reseda	CA	JGB; flac1644; early and late shows; nak300>d5 transferred on a NakCr7a properly Recorded by: Mason B. Taylor	Source Detail	FLAC
11/01/82	Opry House	Austin	TX	JGB: Taped by Alan "Dogman" Miller: Sony Walkman, placed on stage in front of Jerry. 1st Gen cassette (MAC > C) used for transfer, kindly provided by Randy Gardner. Transfer: TDK SA-90s > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F.	Source Detail	FLAC
11/02/82	Cardi's	Houston	TX	Taped by Alan "Dogman" Miller: Sony Walkman, FOB a few rows from the stage. 1st Gen cassette (MAC > C) used for transfer, kindly provided by Randy Gardner. Transfer: TDK SA-90 > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F.	Source Detail	FLAC
11/09/82	E.M. Loew Center for the Performing Arts	Worcester	MA	early and late shows; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). Taped and transferred by Bob Morris.	Source Detail	FLAC
11/09/82	E.M. Loew Center for the Performing Arts	Worcester	MA	flac1644; early and late shows; Steve Rolfe's Nakamichi 700 > Cassette Master (Sony TC-D5M/Maxell XLII-S90, played back on Nakamichi DR-1) > Sound Devices 744T (24bit/48k) > Adobe Audition v3.0 > Samplitude Professional v11.1 > FLAC/16. Transfer by Charlie Miller.	Source Detail	FLAC
11/14/82	Shapiro Gym, Brandeis University	Waltham	MA	Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits). Taped and transferred by Bob Morris.	Source Detail	FLAC
01/21/83	Keystone Palo Alto	Palo Alto	CA	flac16 Low-gen from the Brian Schley tape collection; Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab; 2448 (for edits) > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged; Transferred by Andrew F.	Source Detail	FLAC
01/22/83	Phoenix Theater	Petaluma	CA	SBD > Source ID-8653, remastered with patches. Transfer: ID-8653 > TLH > WAV > WavMerge > Wavelab. Patches: 2nd Gen tape > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain. Combined source: Wavelab > CD-Wave > TLH > FLAC 1644 Tagged. Remaster by Andrew F.	Source Detail	FLAC
01/22/83	Phoenix Theater	Petaluma	CA	flac1644; patched; SBD > Source ID-106026, with AUD patch added.	Source Detail	FLAC
03/05/83	Civic Auditorium	Santa Cruz	CA	mono Sony recorder using Realistic external condenser mike > master cassette > Realistic graphic EQ > 1st gen TDK SA-X cassette > SoundBlaster > GoldWave > data disc (to avoid CDR generation). Disc loaded onto online computer > GoldWave again (speed correction) > CDWave > GoldWave for resampling > TLC for flac	Source Detail	FLAC
05/28/83	Cape Cod Coliseum	South Yarmouth	MA	2x audio technica atm 11 (FOB dead center) > sony d-5 master cassette > cd > eac > flac; Recorded By: chasingwilma. Transfer: sony tc-we435 > philips cdr870; Tracked in CDwave, FLACd traders little helper.	Source Detail	FLAC
05/28/83	Cape Cod Coliseum	South Yarmouth	MA	flac16; Steve Rolfe's (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller.	Source Detail	FLAC
05/29/83	Bushnell Auditorium	Hartford	CT	flac1644; Bob Morris's Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits).	Source Detail	FLAC
11/29/83	Veterans Memorial Auditorium	Providence	RI	flac1644; Bob Morris's Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90) ; Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits).	Source Detail	FLAC
12/07/83	Calvin Coolidge Cage, Amherst College	Amherst	MA	JGB; flac1644; 3x audio technica atm11 (fob) > optimus > d-5; conversion: sony tc we435> soundcard> cdwave 48000/stereo/16 bit> traders little helper encoding option 8. taper: chasingwilma. conversion: chasingwilma.	Source Detail	FLAC
01/13/84	Paramount Northwest Theater	Seattle	WA	JGB: Mark Severson's 2 Nak mini 700s cardoids on railing of center balcony> Sony TC-D5M (2 Maxell MX-90s); 1st Set Mic Pattern: / \; 2nd Set Mic Pattern: \ /. Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.	Source Detail	FLAC
01/13/84	Paramount Northwest Theater	Seattle	WA	Low gen SBD cassette > NakCR-3A > AudigySE > Sound Forge > CDWave > TLH.	Source Detail	FLAC
01/14/84	Civic Center	Portland	OR	low gen sbd gen X > nakCR-3A (Dolby B) > Azimuth adjusted > AudigySE > Audacity > CDwave > TLH.	Source Detail	FLAC
05/19/84	Arlington Theater	Santa Barbara	CA	flac1644; unknown generation Aud tape; Transfer: NAD 6100 (XLIIS/unknown gen) > Mytek 192 (24/96) > UV22HR (16/44.1) > CDWave > FLAC.	Source Detail	FLAC
08/07/84	Mann Music Center	Philadelphia	PA	JGB; flac1644; Beyer 160 (1st gen Maxell II 90) > Denon DRM 550 > R-44 > Audacity > CDDWav > Trader's Little Helper > FLAC	Source Detail	FLAC
08/11/84	Caldwell College	Caldwell	NJ	flac1644; Recorded by The Weasel - "Da Weez". Transferred and mastered to .wav files by D5scott. Source: 2 Sennheiser 421 microphones (close to the stage) > Sony TC-D5M - analog master cassettes. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac.	Source Detail	FLAC
08/11/84	Caldwell College	Caldwell	NJ	JGB; flac1644; David Dyche's 2x AKG 224 > Bass Box > Sony TCD-5m > PDA Audio Card 24/48 > Sound Forge Audio Studio 10 16/44.1 > CD Wave > flac.	Source Detail	FLAC
08/12/84	Club Casino Ballroom	Hampton Beach	NH	JGB; flac16; Mike Guy's Master Audience Cassettes; Nakamichi CM300/CP1 mics > Nakamichi 550 (Nakamichi ZX-C90) Transfer Info: Master cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496	Source Detail	FLAC
08/12/84	Club Casino Ballroom	Hampton Beach	NH	JGB; flac1644; Derek McCabe MAC, 2x Beyer M-160 > Sony D5 > Sony D6 (Maxell II-S cassette master) > Nak DR-1 > Korg MR-1000 > DSD > Audiogate > 2496 wav > Bias Peak > Nomad Factory Analog Mastering Tools Multi Max > wav > xACT > flac.	Source Detail	FLAC
08/15/84	Orange County Community College	Middletown	NY	Source: AUD (unknown mics/taper)>Cx>CDR>WAV>FLAC16(level 8) DAE and fLAC encoding via C.Ladner	Source Detail	FLAC
08/16/84	Port Haven/Good Skates	East Setauket	NY	flac1644; Recorded by The Weasel - "Da Weez"; Transferred and mastered to .wav file by D5scott; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (up front) > Nak MX100 w/2001> Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files.	Source Detail	FLAC
12/07/84	Starry Night	Portland	OR	JGB: Mark Severson's 2 Nakamichi mini 700s cardoids> Sony TC-D5M (2 Maxell MX-90s) Mics in 5" tube, 8' apart on railing of front row center balcony; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.	Source Detail	FLAC
03/03/85	The Stone	San Francisco	CA	JGB: Greg Holtz's MAC (Unknown Model Shure Microphones > Sony D-5), recorded AT the stage, right in front of Jerry. All transfers and mastering done by Jamie Waddell on the GEMS Edit Station.	Source Detail	FLAC
08/18/85	Dunsmuir House and Gardens	Oakland	CA	JGJK: Tazuo Yamaguchi and Jamie Poris's modified FOB DFC Nak 700's > Sony D5 MAC > NakCR-3A > hd > Audacity > CDwave > TLH.	Source Detail	FLAC
01/25/87	The Stone	San Francisco	CA	JGB: Tazuo Yamaguchi's 2 Nak 700 Caps > dbx-224 > Poris pre-amp > Sony TC-D6; Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> dbx 224> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.	Source Detail	FLAC
08/30/87	Greek Theatre	Berkeley	CA	JGB: Tazuo Yamaguchi's 2 Schoeps MK-41s> dbx dbx-221e> Sony TC-D6; Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> dbx 224> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.	Source Detail	FLAC
08/30/87	Greek Theatre	Berkeley	CA	flac1644: Master Soundboard Cassette (MA-R 90); Tascam mkII > Korg MR1000 at 1bit/5.6mHZ > Korg Audio Gate Software > 32 bit float/96kHzkHz > GEMS Edit Station > Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz.	Source Detail	FLAC
10/21/87	Lunt-Fontanne Theatre	New York	NY	Stevie's "House patch" Uher CR-240 Cassette Master > WAV > CD > EAC > WAV by anonymous benefactor X WAV > FLAC in TLH and tagging in Foobar2k by Mr. Completely Aug. 2023	Source Detail	FLAC
03/03/89	Orpheum Theatre	San Francisco	CA	JGB: Tazuo Yamaguchi; (FOB/Hat/Row L) Nakamichi 700/CP701 -> Reutelhuber P/S -> dbx type II Encoder -> Sony TCD5M MAC; Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.	Source Detail	FLAC
08/26/89	Greek Theatre, U. Of California	Berkeley	CA	flac1644; Da Weez; Recorded by The Weasel - "Da Weez"; Transferred and mastered to .wav files by D5scott. Source: 1 Neumann KMF4 microphone (up front-center) > Sony TC-D5M - analog master cassettes. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac.	Source Detail	FLAC
09/06/89	Nassau Veterans Memorial Coliseum	Uniondale	NY	flac1644; missing end s2; Da Weez; Recorded by The Weasel - "Da Weez"; Transferred and mastered to .wav files by D5scott. Source: 1 Neumann KMF4 microphone (up front-center) > Sony TC-D5M - analog master cassettes. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac.	Source Detail	FLAC
09/09/89	Great Woods Center for the Performing Arts	Mansfield	MA	flac1644; Nakamichi CM300's/CP4 Shotguns > Sony D5 > Nakamichi MR-1 > Dolby B > Korg MR-1000 @ 1 Bit/5.6mHz; Tracking, sample rate conversion, Dithering with AudioGate software. 32 Bit Float/96kHz Dithered with Korg Aqua to 16/44.	Source Detail	FLAC
09/09/89	Great Woods Center for the Performing Arts	Mansfield	MA	flac1644; Nakamichi CM-300 shotguns (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell MX C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits).	Source Detail	FLAC
09/09/89	Great Woods Center for the Performing Arts	Mansfield	MA	flac1644; Da Weez; Recorded by The Weasel - "Da Weez". Transferred and mastered to .wav files by D5scott. Source: 1 Neumann KMF4 microphone (up front-center) > Sony TC-D5M - analog master cassettes. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac.	Source Detail	FLAC
09/10/89	Great Woods Center For The Performing Arts	Mansfield	MA	flac1644; da Weez; Recorded by The Weasel - "Da Weez". Transferred and mastered to .wav files by D5scott. Source: 1 Neumann KMF4 microphone (up front-center) > Sony TC-D5M - analog master cassettes. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac.	Source Detail	FLAC
09/15/89	Alpine Valley Music Theatre	East Troy	WI	JGB: Greg Holtz, Nak CM-100s with CP-1 cardiod caps > Sony WMD-6C; Transfer: By JAZ, Master Cassettes (Maxell MX90) Tascam 112 > Korg MR-1, 1bit 2.8MHz > USB > Korg Audio Gate Software 24bit 48KHz -> Mastered in Wave Lab 5.0 using UAD Technology > R8brainPro for SRC 16/44.1KHz -> Traders Little Helper flac8.	Source Detail	FLAC
09/16/89	Poplar Creek Music Theatre	Hoffman Estates	IL	Greg Holtz's Nak CM-100s with CP-1 cardiod caps > Sony WMD-6C; Transfer: By JAZ, Master Cassettes (Maxell MX90) Tascam 112 > Korg MR-1, 1bit 2.8MHz > USB > Korg Audio Gate Software 24bit 48KHz > Mastered in Wave Lab 5.0 using UAD Technology > R8brainPro for SRC 16/44.1KHz > Traders Little Helper flac8.	Source Detail	FLAC
10/31/89	Concord Pavilion	Concord	CA	JGB: Recorded by Tazuo Yamaguchi; 2 Nakamichi 700> Sony TC-D6 (dbx-221e), recorded from lawn. Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon > dbx 224 > Grace Lunatec V3 (24/96) > Digital Audio Labs Card Deluxe > Adobe Audition 2.0 > (dither/downsample) > FLAC encoding.	Source Detail	FLAC
12/02/89	Warfield Theater	San Francisco	CA	flac1644; Soundboard > ? > cassette > cassette, three tape sides, unknown generation; Transfer Lineage:Trade cassettes, Dolby B>Harmon Kardon TD 302, Dolby B on, Heads aligned to each tape side > Zoom H2 @16/44.1 > SDHC card > PC > tracked & edited with wavepad > flac level 8 & checksums with traderslittlehelper Transfer by arfarf, December 9, 2011.	Source Detail	FLAC
02/02/90	Warfield Theater	San Francisco	CA	flac1644; 1 song; SBD > Line feed to hallway speakers (mono) > stealth spliced to MSC. Low gen tapes (1st or 2nd) kindly provided by Seaweed1010. Transfer: Metal cassettes > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F.	Source Detail	FLAC
02/04/90	Warfield Theater	San Francisco	CA	flac1644; SBD > Line feed to hallway speakers (mono) > stealth spliced to MSC. Low gen tapes (1st or 2nd) kindly provided by Seaweed1010. Combined with tracks from ID-106933. Transfer: Metal cassettes > Nakamichi CR-5A > Edirol FA-66 > Wavelab. And, ID-106933 > TLH > WavMerge > Wavelab. All tracks: CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. June 2011.	Source Detail	FLAC
02/04/90	Warfield Theater	San Francisco	CA	flac1644; MSC > Cx > CDR > WAV > SHN > FLAC. May be derived from shnid 22897.	Source Detail	FLAC
04/14/90	Warfield Theater	San Francisco	CA	flac1644; Recorded by The Weasel - "Da Weez". Transferred and mastered to .wav files by D5scott. Source: 2 Neumann KMF4 - microphones (close to the stage) > Sony TC-D5M - analog master cassettes. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files.	Source Detail	FLAC
04/29/90	South of Market Cultural Center	San Francisco	CA	Animal Mind w/ Garcia: SBD > DAT > DAT> Tascom DA-40 > COAX to COAX cable > M-AUDIO Audiophile 2496 > CD Wave > TLH > flac24 > Flac Frontend > wav 24/48 > Adobe Audition > Wavelab with iZotope Ozone > Izotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16.	Source Detail
06/12/90	Warfield Theater	San Francisco	CA	flac1644; set II; Bill Reutelhuber's (FOB) Schoeps CMC3/MK4 > Dat (48k); Transfer Info: Dat (Tascam DA-20) > Sound Devices 744T > Samplitude Professional v11.1 > FLAC. Transfer by Charlie Miller.	Source Detail	FLAC
11/11/90	Wiltern Theatre	Los Angeles	CA	flac1644; "Da Weez" - The Weasel; Transferred and mastered to .wav files by D5scott. Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > wav files > Trader's Little Helper > flac.	Source Detail	FLAC
11/15/90	Wiltern Theatre	Los Angeles	CA	JGB: flac1644: SBD -> ? -> Cassette, Cassette (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.2.1 -> FLAC/16, All Transfers and Mastering By Charlie Miller	Source Detail	FLAC
11/21/90	Warfield Theater	San Francisco	CA	flac1644; s1 incomplete; "Da Weez"; Transferred and mastered to .wav files by D5scott Source: 1 Neumann KMF4 microphone close to the stage > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac.	Source Detail	FLAC
11/24/90	Henry J. Kaiser Convention Center	Oakland	CA	flac1644; Recorded by The Weasel - "Da Weez"; Transferred and mastered to .wav files by D5scott; Source: 1 Neumann KMF4 microphone close to the stage > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac.	Source Detail	FLAC
01/31/91	Warfield Theater	San Francisco	CA	Source: (FOB) Schoeps MK41 > Sonosax SX-2 > DAT Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader's Little Helper > FLAC Taper Unknown Transferred from DAT & Seeded by Bill Graves	Source Detail	FLAC
03/01/91	Warfield Theater	San Francisco	CA	2 Neumann KMF4's > Sony TC-D5M (up front)- analog master cassettes - Maxell MX-90's; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files. Recorded by The Weasel - "Da Weez"; Mastered to cdr by D5scott.	Source Detail	FLAC
03/02/91	Warfield Theater	San Francisco	CA	JGB; flac1648; FOB Schoeps MK4/CMC3 > Oade PS > Panasonic SV-255 @ 48khz; Transfer: SONY PCM-R500 > TASCAM SS-R05 > AUDACITY > FLAC @ 48khz; Transferred on January 26, 2013 by greens_n_beans@yahoo.com.	Source Detail	FLAC
04/19/91	Warfield Theater	San Francisco	CA	flac1644; set I; Recorded by The Weasel - "Da Weez"; Transferred and mastered to .wav files by D5scott. Source: 2 Neumann KMF4 microphones > Sony TC-D5M - master analog cassette. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac.	Source Detail	FLAC
11/06/91	Capital Centre	Landover	MD	JGB, flac16: AUD: Low gen audience tri-pod > ? > DVD - editing and speed correction by Kevin Tobin.	Source Detail	FLAC
11/06/91	Capital Centre	Landover	MD	JGB: flac16; Matrix 2 Source Mix - FOB AUD (shn id 16671) FOB (Schoeps 34 > Oade) > DAT > CDR > WAV > SHN + VID AUD (shn id 87588) DVD extraction to MPEG2 by MattMan as LPCM Wave files - matrix mixing by Kevin Tobin	Source Detail	FLAC
11/09/91	Hampton Coliseum	Hampton	VA	Jerry Garcia Band: Schoeps FOB Schoeps CMC3/mk4 (ortf handheld in "sweet spot")>Oade Mic Pre> Sony D7 > Master DAT> CD(no intermediate DAE)> EAC> SHN; entire show with Bruce Hornsby; via Darrin Sacks	Source Detail
11/09/91	Hampton Coliseum	Hampton	VA	JGB: Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S > Nakamichi BX-125E playback > EMU 0202 > Wavelab > wav (24/96) > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16, via sirmick.	Source Detail
11/12/91	The Spectrum	Philadelphia	PA	JGB: Recorded by Jeff Travitz; Schoeps MK-4s> Sony D-10; Lineage: Master DAT>HHB Stand Alone CDR (model unknown)>CD>dBpoweramp CD Ripper>HD>Audio Audition 2.0 (adjust DC Offset and retrack)> FLAC encoding.	Source Detail
11/13/91	The Centrum	Worcester	MA	JGB: Ted Carpenter's Nakamichi CM-300's w/CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's w/no Dolby. Mics on stand, aprx 5-feet high, in section 102 (center riser end of floor). Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.	Source Detail	FLAC
11/16/91	Knickerbocker Arena	Albany	NY	flac1644; Master Audience Nakamichi CM300 > Sony D5 or Sony D6 Lead Deck. Recorded Mr. Baker, just FOB. 1st gen Tapes From Floater, Transfer By Keo. Tapes Maxell XLII-s 100, 90. Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz. Tracking/Sample Rate Conversion / Flacked / Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz. Dithered/Flacked With Korg Aqua To 16/44. SBE's Checked/Fixed With Trader's Little Helper.	Source Detail	FLAC
11/22/91	Rosemont Horizon	Rosemont	IL	flac1644; Alan Schmit's FOB Sonic Studios Omnis > Sony TCD-D5 Cass (m); Conversion: Cass (m) > Onkyo TA-6711 > Tascam DA-20 (A/D) > Microtrack 24/96 > WAV > Sound Studio 2.2.4 > xACT 2.06 > FLAC. Transfer by Dave Mallick.	Source Detail	FLAC
11/23/91	Bradley Center	Milwaukee	WI	Lineage: Greg Holtz's 2x Nakamichi CM-300 mics with CP-1 caps, worn in hat > Sony D-6 Cassette Recorder; Master Cassettes-(2)-Maxell MX-S 90 transfered at 24/96 on a tascam112 MKII deck>apogee minime>aes-ebu xlr>Lynx2>wavelab6.0 and Mastered on the GEMS Edit Station In Wavelab 6.0, Weiss Saracon Dither to 16/44.1 by Jamie Waddell; trac'ed cdwave,flac'ed flac frontend level 8	Source Detail	FLAC
11/24/91	Target Center	Minneapolis	MN	flac1644; AUD (unknown equipment) > MAC > Cassette 1st gen; Transfer: Maxell XLIIS > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged.	Source Detail	FLAC
11/24/91	Target Center	Minneapolis	MN	flac2448; AUD (unknown equipment) > MAC > Cassette 1st gen; Transfer: Maxell XLIIS > Nakamichi CR5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 Tagged.	Source Detail	FLAC
05/01/92	Warfield Theater	San Francisco	CA	flac1644; Recorded by The Weasel - "Da Weez". Transferred and mastered to .wav files by D5scott. Source: 2 Neumann KMF4 microphones > Sony TC-D5M - master analog cassettes. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac.	Source Detail	FLAC
05/01/92	Warfield Theater	San Francisco	CA	Jerry Garcia Band: FOB - Neumann KM 54->DAT->CDR->WAV->FLAC; Taper: Chuck and Janet Vasseur (assumed, but not confirmed); Transfer: Dat Clone->Panasonic SV3700-> Marantz CDR 615-> CDR Ripped with EAC(No Errors)Tracks Named -> Flaced with Traders Little Helper and Tagged with Foobar 2000. DAT->CDR 1999, CDR->Flac 2009 Transfers by Pete Ebel.	Source Detail	FLAC
05/02/92	Warfield Theater	San Francisco	CA	flac1644; Recorded by The Weasel - "Da Weez". Transferred and mastered to .wav files by D5scott. Source: 2 Neumann KMF4 microphones > Sony TC-D5M - master analog cassettes. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac.	Source Detail	FLAC
05/03/92	Warfield Theater	San Francisco	CA	flac1648; Danny Lucien's Schoeps MK4 > Rbox > Panasonic SV250 (drink rail); transfer: Panasonic SV3700 > RME Hammerfall DSP (SPDIF) 16/48 > Nuendo.	Source Detail	FLAC
07/31/92	Ventura County Fairgrounds	Ventura	CA	(FOB) Neumann KM140 > SV-250. (Set 1: Mics On Hand Held T-Bar, Set 2: Mics On Head-High Stand). Lineage: DAT-M > Cass/1 > D5 > EQ > HHb CDR 800. Recorded by: unknown. Cass>CD Transfer: Jeff Bowen. Extraction: Brad Foster [CD>EAC>WAV>FLAC].	Source Detail	FLAC
10/31/92	Oakland-Alameda County Coliseum Arena	Oakland	CA	Jerry Garcia Band: flac1644; complete show from same source as shnid 97988. Unknown taper, GEMS | Brennecke Young FOB Vault, FOB Schoeps CMC34 > Panasonic sv255. Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by BlueDakota. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging.	Source Detail	FLAC
10/31/92	Oakland-Alameda County Coliseum Arena	Oakland	CA	flac16; Matrix 2 Source Mix - SBD (shn id 13230) MSC > DAT > CD > SHN + AUD (shn id 102196) Unknown taper, GEMS | Brennecke Young FOB Vault, FOB Schoeps CMC34 > Panasonic sv255. Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by BlueDakota - matrix mixing by Kevin Tobin	Source Detail	FLAC
12/19/92	Warfield Theater	San Francisco	CA	flac1644; Recorded by The Weasel - "Da Weez"; Transferred and mastered to .wav files by D5scott. Source: 1 Neumann KMF4 microphone (close to the stage) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac.	Source Detail	FLAC
01/28/93	Warfield Theater	San Francisco	CA	JGB: AUD (Neumann KM54 > TeacDAP20) > DAT > CDR > WAV > SHNv3, seeded by Chris L.	Source Detail
01/29/93	Warfield Theater	San Francisco	CA	JGB: Chuck and Janet Vasseur MAD( "vintage Neumann", KM54s) > DAT > CDR > WAV > SHN.	Source Detail
01/29/93	Warfield Theater	San Francisco	CA	JGB; flac1648; AUD > DAT Schoeps CMC 34 unknown taper. Transfer: DAT(x) 48k > Microtrack 24/96 WAV 48k > Flac 16/48.	Source Detail	FLAC
01/30/93	Warfield Theater	San Francisco	CA	JGB: Chuck and Janet Vasseur's MAD ("vintage Neumann" KM54s) > DAT > CDR > WAV > SHN.	Source Detail
01/30/93	Warfield Theater	San Francisco	CA	flac1644; Recorded by The Weasel - "Da Weez"; Transferred and mastered to .wav files by D5scott; Source: 2 Neumann KMF4 microphones (close to the stage) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac.	Source Detail	FLAC
02/25/93	Warfield Theater	San Francisco	CA	Jerry Garcia Band: MAC (Taped by Chuck, Neumann mics [vintage 1957, tube electronics]) > CDR > EAC (Secure mode) > shn(MKWACT).	Source Detail
02/26/93	Warfield Theater	San Francisco	CA	Taper: Chuck; Source Neumann mics (vintage 1957, tube electronics) > MAC > CDR > EAC (Secure mode) > shn (MKWACT).Eac'ed/shn'ed and seeded to fungus, etree and abgd by Charlie Connor With Thanks to Bob Menke	Source Detail
02/26/93	Warfield Theater	San Francisco	CA	JGB, set I: DTS-Audio-CD 5.1 Mix, via amdig.	Source Detail
02/27/93	Warfield Theater	San Francisco	CA	Taper: Chuck; Source Neumann mics (vintage 1957, tube electronics) > MAC > CDR > EAC (Secure mode) > shn (MKWACT). Eac'ed/shn'ed and seeded to fungus, etree and abgd by Charlie Connor, with thanks to Bob Menke	Source Detail
04/16/93	Pauley Pavilion, UCLA	Los Angeles	CA	Source: AUD:MAD>DAT>WAV>SHN. Taper unknown. DAT>SHN conversion via D.Minches. Seeded to etree via C.Ladner/candyman FTP.	Source Detail
04/16/93	Pauley Pavilion, UCLA	Los Angeles	CA	JGB: Taped by Chip, Neumann KM-140 110 deg ORTF In Hat (4th row center) > Active Cables > Neumann Supply > Panasonic sv250; Todd Evans's DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition > FLAC frontend.	Source Detail
04/16/93	Pauley Pavilion, UCLA	Los Angeles	CA	Source Neumann ak 40's in Kangol>SV-250 4th Row PFC Taped by Taper Troy @ la2v.com	Source Detail	FLAC
04/17/93	Pauley Pavilion, UCLA	Los Angeles	CA	Source: AUD>DAT>CDR>WAV>SHN. Mic's and taper unknown. CDR source via D.Minches, SHN encoding/FTP via C.Ladner.	Source Detail
04/17/93	Pauley Pavilion, UCLA	Los Angeles	CA	JGB: FOB Neumann KM-140 110 deg ORTF In Hat > DAT > WAV > FLAC	Source Detail
04/18/93	San Diego Sports Arena	San Diego	CA	Jerry Garcia Band: DAUD (no mic or deck info) > CDR [> SHN], encoded by Tim Wiley.	Source Detail
04/18/93	San Diego Sports Arena	San Diego	CA	Source: MAD("vintage Neumann", KM54s?)>DAT>CDR>WAV>SHN. Tapers: Chuck and Janet Vasseur.	Source Detail
04/23/93	Warfield Theater	San Francisco	CA	Jerry Garcia Band: FOB (Neumann KM54) > DAT > CDR > WAV > SHN.	Source Detail
04/24/93	Warfield Theater	San Francisco	CA	Jerry Garcia Band. First set only. Source: MAD("vintage Neumann"/KM54s>DAT)>DAT>CDR>WAV>SHN. Taper: C. & J. Vasseur	Source Detail
04/25/93	Warfield Theater	San Francisco	CA	Jerry Garcia Band: FOB (Neumann KM54) > DAT > CDR > WAV > SHN	Source Detail
04/25/93	Warfield Theater	San Francisco	CA	flac1644; Da Weez's 2x Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac.	Source Detail	FLAC
08/07/93	Memorial Stadium	Seattle	WA	Jerry Garcia Band: MAD (Neumans > Tascam D5 DAT master) > DAT > optical > SB Live Platinum > WAV>cdwav > MKW > SHN. Show taped by Bill Shaw. Dat > shn and seeded by by Popi N. Feeldz.	Source Detail
08/07/93	Memorial Stadium	Seattle	WA	Jerry Garcia Band: Schoeps MK4's > Billbox > Denon Dat Deck @48KHZ > Bob Katz VSP digital Domain Processor conversion to 44KHZ > Sound Card Deluxe Digital I/O card > Soundforge 6.0 > Flac	Source Detail	FLAC
08/07/93	Memorial Stadium	Seattle	WA	JGB: Mark Severson; 2 Sonic Studios DSM-6P #1045> Sony TC-D5M (2 Maxell MX-100s); Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.	Source Detail	FLAC
08/07/93	Memorial Stadium	Seattle	WA	JGB: Mike Albright's MAD (Sonic Studios binaural mics on eyeglasses > Teac P20) > Sony 60ES Edirol UA-3FX Amadeus II > MacFlac > .flac (48kHz).	Source Detail	FLAC
08/08/93	Portland Meadows	Portland	OR	JGB: Bearpalm's MAD (FOB Schoeps MK4 Cardiods [110 degrees ORTF in hat] > Denon deck) > DATx > Todd Evans DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Edits, tracking, downsampling in Adobe Audition 1.5 by Mike Hughey.	Source Detail
08/14/93	Shoreline Amphitheatre	Mountain View	CA	Jerry Garcia Band: AUD (Nak 700) > DAT (Sony D3) > CDR > WAV > SHNv3, taped by Larry Gindoff.	Source Detail
10/06/93	Warfield Theater	San Francisco	CA	Jerry Garcia Band: AUD(Neumann KM54 > TeacDAP20)> DAT > CDR > WAV > SHNv3, seeded by Chris L.	Source Detail
10/07/93	Warfield Theater	San Francisco	CA	Jerry Garcia Band: AUD (NeumannKM54 > TeacDAP20) > DAT > CDR > WAV > SHNv3, seeded by Chris L.	Source Detail
10/07/93	Warfield Theater	San Francisco	CA	Jerry Garcia Band: Source: FOB > Neumann Km 54's > Dat @ 48k > Clone Transfer: (Fresh Transfer On 5.23.05) Fostex D5 @ 48k > Vx pocket 440 > Toshiba 3480ct > Wavelab 4.0 > Resampled to 44.1 > Cd Wave > FLAC	Source Detail	FLAC
10/31/93	Brendan Byrne Arena	East Rutherford	NJ	Jerry Garcia Band: AUD (Nak700) > DAT (Sony D3)> CDR > WAV > SHNv3. Taper: Larry Gindoff. It is unclear at the time of seeding whether the .shn sets seeded in 1999 and 2001 are from the same source, but the lineage on this seed is well-documented.	Source Detail
10/31/93	Brendan Byrne Arena	East Rutherford	NJ	Jerry Garcia Band: AUD: DAT > CD > (EAC >) SHN; encore is on d3 for continuity purposes only; to save space, it can be tacked onto the end of d1	Source Detail	SHN
10/31/93	Brendan Byrne Arena	East Rutherford	NJ	JGB: unknown audience recording > ? > cdr > EAC > WAV > FLAC	Source Detail	FLAC
11/01/93	Nassau Coliseum	Uniondale	NY	Jerry Garcia Band: AUD (Nak 700) > DAT (Sony D3) > CDR > WAV > SHNv3, taped by Larry Gindoff.	Source Detail
11/03/93	Knickerbocker Arena	Albany	NY	Jerry Garcia Band: AUD (Nak 700) > DAT (Sony D3) > CDR > WAV > SHNv3, taped by Larry Gindoff.	Source Detail
11/03/93	Knickerbocker Arena	Albany	NY	JGB (16 bit/48kHz): Clay Brennecke IFOB (Floor Section 2, Row 13, Sets 8 & 10) ~ Schoeps MK4's > Custome Oade Pre Amp > Panasonic SV-255 Transfered: John E. Herrold Transfer Linage: Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV.	Source Detail	FLAC
11/03/93	Knickerbocker Arena	Albany	NY	Jerry Garcia Band:FOB Sennheiser 441>DAT>CDR; via Mike Lai?	Source Detail	shn
11/03/93	Knickerbocker Arena	Albany	NY	flac1644; First Generation Tapes From My Personal Collection From Master Dats or First Clone Taper Un-Named At This Time,Nakamichi 700's>Deck unKnown,Front Of Board Tapes:Set 1 Maxell XL II 100 Set 2 TDK SA 90 Transfer By Keo With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Traders Little Helper	Source Detail	FLAC
11/04/93	Rochester War Memorial	Rochester	NY	Jerry Garcia Band: AUD (Nak 700) > DAT (Sony D3) > CDR > WAV > SHNv3, taped by Larry Gindoff.	Source Detail
11/05/93	Buffalo Memorial Auditorium	Buffalo	NY	Jerry Garcia Band: Source: FOB; 16th row center > AKG 460b ck63 > Custom Preamp > Teac Dap-20 @ 48kHz; Transfer: Clone of Master Dat > Sony DTC-690 > Audioquest Optilink 1 > SEK'D Prodif Plus > Samplitude v5.5 > Soundforge xp 4.5 (resample @ 4/4 with anti alias filter) > Cdwav 1.6 > Mkw act 0.97b1 > shn v3; via Chris "sparki" Ace and dankseeds.	Source Detail
11/05/93	Buffalo Memorial Auditorium	Buffalo	NY	Jerry Garcia Band: AUD (Nak 700) > DAT (Sony D3) > CDR > WAV > SHNv3, taped by Larry Gindoff.	Source Detail
11/07/93	USAir Arena	Landover	MD	Jerry Garcia Band: AUD (Schoeps MK4) > DAT > CDR > WAV > SHNv3. SHN encoding/FTP via neo_levo/candyman FTP.	Source Detail
11/08/93	Hartford Civic Center	Hartford	CT	Jerry Garcia Band. Source: FOB(DFC Schoeps MK4 at 110 degrees handheld both Sets > Active Cables >Oade Microphone Preamp > Panasonic SV-255 DAT)>D>CDR>WAV>SHN. Tapers: Clay C. Brennecke and Roger Jones. DAE and SHN encoding by C.Ladner.	Source Detail
11/08/93	Hartford Civic Center	Hartford	CT	Jerry Garcia Band: AUD (Nakamichi 700) > DAT (Sony D3) > CDR > WAV > SHNv3. Taped by Larry Gindoff	Source Detail	shn
11/08/93	Hartford Civic Center	Hartford	CT	Source: MAD(FOB DFC Schoeps MK4 at 110 degrees handheld > Active Cables > Oade Microphone Preamp > Panasonic SV-255 DAT deck> Tapers: Clay C. Brennecke and Roger Jones Transfer: DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 16/48K WAV by Todd Evans 48K WAV Edits (Adobe Audition 1.5) > tracking (CDWave) > 48K FLAC (FLAC 1.12) by mhughey	Source Detail	FLAC
11/09/93	Cumberland County Civic Center	Portland	ME	Jerry Garcia Band: FOB Schoeps MK4 > Oade custom pre-amp > Sony D10 @48K	Source Detail
11/11/93	Providence Civic Center	Providence	RI	Jerry Garcia Band: Source: AUD (Nak 700) > DAT (Sony D3) > CDR > WAV > SHNv3. Taper: Larry Gindoff	Source Detail
11/11/93	Providence Civic Center	Providence	RI	JGB: Schoeps CMC 44 blue dot with 90 degree capsule offsets -> Monster M1000 cables-> Oade custom PS-> Monster M1000 cables ->Oade modified Panasonic SV255, FOB. Taped and transfered by Rich Gastwirt. Master DAT played back in Sony DTC2000ES-> M-Audio Delta 410 via SPDIF-> Soundforge.	Source Detail
11/11/93	Providence Civic Center	Providence	RI	JGB: fix of shnid 78262. Rich Gastwirt's Schoeps CMC 44 blue dot with 90 degree capsule offsets -> Monster M1000 cables-> Oade custom PS-> Monster M1000 cables ->Oade modified Panasonic SV255, FOB. Master DAT played back in Sony DTC2000ES-> M-Audio Delta 410 via SPDIF-> Soundforge. Editing and Mastering: Jamie Waddell on the GEMS Edit Station in Wavelab6.0 with UAD DSP. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither.	Source Detail	FLAC
11/12/93	Madison Square Garden	New York	NY	Jerry Garcia Band:unknown AUD source->DAT->CD-R; no known flaws; entire show except the Maker: with David Murray on sax; via B. Wilk	Source Detail
11/12/93	Madison Square Garden	New York	NY	Jerry Garcia Band: Source: DFOB (Sec. 2, Row U) -- Schoeps MK-4 -> Active Cables -> CMC? -> Oade Mic Pre -> Panasonic SV-255 -- recorded by Clay Brennecke and Keith Litzenburger. Master DAT -> SHN conversion: d7 -> coax -> zoltrix nightingale (mod) -> cooledit 2000 sample rate conversion -> cdwav -> shn by Darrin Sacks.	Source Detail
11/14/93	Onondaga County War Memorial	Syracuse	NY	Jerry Garcia Band. Source: MAD(FOB DFC from Section 1, Row LL, Seat 11 & 12; Schoeps MK4 at 110 degrees handheld both Sets > Active Cables > Oade Microphone Preamp > Panasonic SV-255 )>D>CDR>WAV>SHNv3. Tapers: Clay Brennecke & Roger Jones. DAE and SHN encoding vy C.Ladner.	Source Detail
11/14/93	Onondaga County War Memorial	Syracuse	NY	JGB flac16: Brennecke & Jones; Schoeps Mk4 Cardiod Capsules > Schoeps KC5 Active Cables > Schoeps CMC3 Mic Bodies > Monster M1000 Jumper Cable > Oade MicPreamp > Monster M1000 Jumper Cables > Panasonic sv255 DAT Deck. Transfer on 11/15/93: DAT Master > Panasonic SV-255 (Same as used to record show) > Sony DTC-700; Transfer on 12/21/08: DAT Clone > Tascam DA-30MKII > Sound Devices 702 > Wavelab 5 (Fades & Sample Rate Conversion) > CDWAV > FLAC. All Transfers By Keith Litzenberger.	Source Detail	FLAC
11/15/93	The Centrum	Worcester	MA	Jerry Garcia Band: Taped by Clay Brennecke and Roger Jones, FOB/DFC Schoeps mk4 (handheld at110 degrees) > Active Cables > Oade Microphone Preamp > Panasonic SV-255 Transfer: Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > SHN > WAV > CDR; transferred by Chris Larson.	Source Detail
11/15/93	The Centrum	Worcester	MA	JGB (48k): Clay Brennecke & Roger Jones FOB Schoeps Mk4 (ORTF) > Schopes Active Cables > Schoeps CMC 3 mic body > Monster M1000 Cable Jumper > Oade Mic Pre Amp > Monster M1000 Cable > Panasonic sv255 > DAT clone > TASCAM DA-20 playback > M-Audio FireWire solo > Soundforge 8.0 WAV (48) > Flac (48) by jbraveman@hotmail.com.	Source Detail	FLAC
11/16/93	Spectrum	Philadelphia	PA	Source A: FOB(DAUD) > DAT > ? > CDR > EAC (secure) > Cool Edit Pro > CD WAV > SHN (seekable); Source B: Mastered Live by Clay Brennecke/Roger Jones, FOB/DFC, section 102, Row 13, seat 9, Schoeps MK4 at 110 degrees handheld both Sets > Active Cables > Oade Microphone Preamp > Panasonic SV-255 > (DAT master played through) > PCM-M1 > Oade active cable > Edirol UA-5 (hardware resampled) USB out > USB in (HP Omnibook 500) > CE2K > CDWAV > SHN > WAV > Cool Edit Pro > CD WAV > SHN (seekable).	Source Detail
11/18/93	Richmond Coliseum	Richmond	VA	Jerry Garcia Band. Source: MAD(FOB; Schoeps MK4 at 110 degrees handheld both Sets>Active Cables>Oade Microphone Preamp > Panasonic SV-255 deck)>D>CDR>WAV>SHNv3. Taper: Clay C. Brennecke. DAE&SHN encoding by neo_levo.	Source Detail
11/19/93	Hampton Coliseum	Hampton	VA	Jerry Garcia Band: FOB AKG 460 > ? > DAT Conversion PCM-M1>Oade Cable>ZA2(48>44.1)>CDWAV>SHNv3 by: Tom Watkins	Source Detail
11/19/93	Hampton Coliseum	Hampton	VA	JGB: Taped By Clay Brennecke, Ron Keyser & Friends (Todd Evans gear), Digitial FOB Audience Tape Schoeps CMC34 > Panasonic sv255; DAT from Todd Evans DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav (48khz) WAV (48) > Flac16 (44.1) by jbraveman@hotmail.com	Source Detail
11/19/93	Hampton Coliseum	Hampton	VA	JGB: (FOB) Schoeps MK4 > Dat > Samplitude > Flac. Transfer & Mastering by Charlie Miller.	Source Detail	FLAC
11/19/93	Hampton Coliseum	Hampton	VA	Jerry Garcia Band, flac24 source: Audio Source: FOB AKG 460 > ? > DAT DVD_LPCM_AUDIO Audio: DVD-A > 24bit > 48000hz > Format LPCM > Bitrate 1536 > 2ch Stereo > DVD-A WAV > FLAC.	Source Detail	FLAC
04/27/94	Warfield Theater	San Francisco	CA	JGB; flac1644; SBD -> Dat -> Cassette Master (Dolby C) -> Dat, Dat -> CD (Tascam CD-RW700) -> Samplitude Professional v11.2.1 -> FLAC, Transfers and Mastering By Charlie Miller	Source Detail	FLAC
05/14/94	Ventura Raceway (Fairgrounds)	Ventura	CA	(FOB) Nyquist Omnis > Sony TCD-D3 > Dat > DA-P1 > CD > EAC > Flac. Recorded/Transferred: Jeff Bowen.	Source Detail	FLAC
04/15/95	Warfield Theater	San Francisco	CA	Jerry Garcia Band: Chuck Vasseuer's Neumann KM54s > Casio DA-7?; DAT MASTER>DAT, Sony DTC-A7 > Sony TCD-D10PROII, Tascam DA-30MKII > Sound Devices 702 > Soundforge 9 (Fades, Sample Rate Conversion) > CDWAV > FLAC.	Source Detail	FLAC
04/22/95	Warfield Theater	San Francisco	CA	flac1648; FOB; Neumann KM54; DAT(c) @ 48 kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell	Source Detail	FLAC

Keith & Donna Band --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
08/20/75	Great American Music Hall	San Francisco	CA	flac1644; Keith & Donna Band, complete; 2 x Sony ECM280's >> Sony TC 152SD  >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] ... flac1644.	Source Detail	FLAC

Kingfish --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
04/05/75	Civic Auditorium	San Francisco	CA	flac1648 Recording Info: Bear's Master Reel > Cassette Transfer Info: TDK MA-R90 Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 > RX8 > Flac16 Recorded by Augustus Owsley Stanley III (aka Bear) Fresh 2021 Transfer and Mastering by Jim Blackwood Speed Correction by Jason Chastain	Source Detail	FLAC
06/17/75	Winterland Ballroom	SanFrancisco	CA	Unknown Mics > ? > Dat > Tascam DA-20 > Lynx Two Soundcard > Soundforge 8.0 > WaveLab 6.0 > TLH > Flac A **GEMS** Production	Source Detail	FLAC

Legion of Mary --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
11/10/74	Palace Theatre	Albany	NY	JGMS: SB > MASTER REEL > ? > CASSETTE ( POSSIBLY 2ND GEN ? ) > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC.	Source Detail	FLAC
02/14/75	The Generosity	San Francisco	CA	flac1644; MOTB 0149; Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = 2 x Maxell UD C120's; Analog Lineage: Sony ECM 270 >> Sony TC 110(mono) >> MAC. Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. Taped By: Robert Castelli. Transfer By: Bob Menke. Mastering By: David Minches.	Source Detail	FLAC
04/08/75	The Bottom Line	New York	NY	flac1644; Recorded by Jerry Moore; two AKG D1000Es> Sony TC-152; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding.	Source Detail	FLAC
04/09/75	The Bottom Line	New York	NY	flac1644; early show; Recorded by Jerry Moore; two AKG D1000Es> Sony TC-152; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC. Speed/pitch Correction by Joe B. Jones. Thanks to Rob Berger for supplying the master cassettes.	Source Detail	FLAC
04/09/75	The Bottom Line	New York	NY	flac1644; early show and partial late show; Taped by Betty Cantor Recorded using 2 track 7" reels @ 7.5ips recorded on Nagra SL11183 reel to reel deck / 1st generation 2 track 7" reels @ 15ips recorded on Otari MX5050 reel to reel deck > cass > tascam cd-rw700 > eac (secure, offset corrected) > wav > wavmerge > cdwave (retrack) > tlh > flac1644 (level 8), via Lossless Legs user miogi.	Source Detail	FLAC
04/11/75	The Tower Theatre	Upper Darby	PA	early and late shows; apparent derivative of shnid 8789.	Source Detail	FLAC
04/11/75	The Tower Theatre	Upper Darby	PA	flac1644; Early Show; Recorded by Jerry Moore; 2x AKG D1000E > Sony TC-152; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > [ 16/44 conversion >] FLAC. Speed/pitch Correction by Joe B. Jones. Thanks to Rob Berger for supplying the master cassettes.	Source Detail	FLAC
04/11/75	The Tower Theatre	Upper Darby	PA	flac1644; late show; Recorded by Jerry Moore; 2x AKG D1000E > Sony TC-152. Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> r8brain Pro> FLAC encoding. Speed/pitch Correction by Joe B. Jones. Thanks to Rob Berger for supplying the master cassettes.	Source Detail	FLAC
04/18/75	Arie Crown Theater	Chicago	IL	flac1644; complete show, 3 source composite via germain and Droncit. Source 1: MAC> C> c> C> CDR> EAC> flac, mono, unknown taper and gear (1st set & "The Harder They Come" & alternate "Boogie On Reggae Woman" of 2nd set); source 2: shnid=4482, MSR > 1R > 1PCM > 3DAT > CD > EAC > SHN (first four songs of the 2nd set); Source 3: shnid=124315, sbd > ? > cass > flac (last two songs of 2nd set)	Source Detail	FLAC
04/18/75	Arie Crown Theater	Chicago	IL	flac1644; set 2; sbd composite: shin-4482 + t05-06: sbd > ?? > TDK SA-90 nr-out > Dragon nr-out > ua-55 > usb > Audacity > wav24-96 > flac16.	Source Detail	FLAC
05/09/75	The Generosity	San Francisco	CA	flac1644; MOTB 0144; Taped by Robert Castelli; Sony ECM 270's > Sony TC 152 MAC (2 x Maxell UD C90'S); Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]. Transfer By: Bob Menke; Mastering By: Derek McCabe.	Source Detail	FLAC
05/15/75	Great American Music Hall	San Francisco	CA	LOM; Flac16: Sony ECM-250 + Sony ECM-270 => Sony TC-152 >> MAC >>Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] MOTB:0027	Source Detail	FLAC
05/21/75	Keystone	Berkeley	CA	LOM: flac16: MOTB Release: 0043 16bit/44.1Khz; Sony ECM-270 and ECM-250 Blended [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga Transfer: Bob Menke; Mastering: Jamie Waddell.	Source Detail	FLAC
05/21/75	Keystone	Berkeley	CA	flac24: MOTB Release: 0043 24bit/96Khz. Sony ECM-270 and ECM-250 Blended [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Jamie Waddell.	Source Detail	FLAC
05/21/75	Keystone	Berkeley	CA	flac16 LOM: Patched and speed correction of SBD reel source (shnid 4479) with the MOTB transfer of the Menke-Falanga aud, via Kevin Tobin.	Source Detail	FLAC
05/22/75	Keystone	Berkeley	CA	LOM: flac16: MOTB Release: 0044 16bit/44.1Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Jamie Waddell.	Source Detail	FLAC
05/22/75	Keystone	Berkeley	CA	flac24: MOTB Release: 0044 24bit/96Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke Mastering: Jamie Waddell.	Source Detail	FLAC
06/03/75	Keystone	Berkeley	CA	LOM: MOTB Release: 0045 16bit/44.1Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek McCabe.	Source Detail	FLAC
06/03/75	Keystone	Berkeley	CA	LOM flac24: MOTB Release: 0045 24bit/96Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek McCabe.	Source Detail	FLAC
06/04/75	Keystone	Berkeley	CA	LOM: flac16: MOTB Release: 0046 16bit/44.1Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek McCabe.	Source Detail	FLAC
06/04/75	Keystone	Berkeley	CA	LOM: flac24 MOTB Release: 0046 24bit/96Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek McCabe.	Source Detail	FLAC
06/08/75	El Camino Park	Palo Alto	CA	LOM, flac16 MOTB Release: 0061 16/44.1; FOB Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UD C90; Analog Lineage: 1 x Sony ECM-270 + 1 x Sony ECM-250 => Sony TC-152 >> MAC; Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Bob Menke and Louis Falanga; Transfer By: B. Menke; Mastering By: J. Wadell.	Source Detail	FLAC
06/21/75	Keystone	Berkeley	CA	LOM:flac16 MOTB Release: 0047 16/44.1; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Jamie Waddell.	Source Detail	FLAC
06/22/75	Keystone	Berkeley	CA	LOM: flac24 MOTB Release: 0048 24/96; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek McCabe.	Source Detail	FLAC
06/22/75	Keystone	Berkeley	CA	LOM: flac16 MOTB Release: 0048 16/44.1; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek McCabe.	Source Detail	FLAC

Little Feat --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
04/10/73	Ultrasonic Studios	Hempstead	NY	SBD > FM > CDR > SHN Lineage: CDR>SHN	Source Detail
11/03/73	Sugarhill Studios	Houston	TX	flac16; FM > ? > CDR Transfer: Secure EAC > Wav > CD Wave (Splits) > Flac (Dub Irie 2007-11-04)	Source Detail	FLAC
11/03/73	Sugarhill Studios	Houston	TX	FM > ? > CDR Transfer: EAC (Secure) > SoundForge 8 > CD Wave > Flac	Source Detail	FLAC
09/19/74	Ultrasonic Studios	Hempstead	NY	PRE-FM (Master 1/2 Track Broadcast RR) > Mastering (Custom Analog & Digital 10/04) > WAV > FLAC [7]	Source Detail
09/19/74	Ultrasonic Studios	Hempstead	NY	Source: FM rebroadcast on WLIR Lineage: reel > reel > m-audio transit > cool edit > cd wave editor Similar to this source	Source Detail
10/18/75	Auditorium Theater	Rochester	NY	source: sbd>cassette>reel Jerry Moore's 1st gen reel @ 7.5 ips w/dolby b lineage: sbd cassette master>reel>dat>cdr>eac>cd wave>flac transfers and seed by Rob Berger	Source Detail	FLAC
10/31/75	Orpheum Theatre	Boston	MA	FM > Reel > DAT > DIO 2448 > shn Similar to this fileset.	Source Detail
10/31/75	Orpheum Theatre	Boston	MA	Source: Master FM Reels > Sony 2600(DAT) Transfer: Sony 2600 > Dio 2448 > CD Wave > Flac Frontend > FLAC16 > Nero 6 > Plextor PX-716A Taped by Denny Cornman to reel to reel tape from FM in May 1976 Mastered by Chris Cafiero, Little Feat archivist Seeded to bt.etree.org by Alex Ford.	Source Detail	FLAC
10/31/75	Orpheum Theatre	Boston	MA	2-Source FM Mix Sources used: FM 1: shnid=79471 Source: FM Re-Broadcast > Master FM Reels > Sony 2600(dat) Transfer: Sony 2600 > Dio 2448 > CD Wave > Flac Frontend > FLAC16 > Nero 6 > Plextor PX-716A Taped by Denny Cornman to reel to reel tape from FM in May 1976. Mastered by Chris Cafiero, Little Feat archivist Seeded to bt.etree.org by Alex Ford. FM 2: shnid=87982 WBCN-FM Live Broadcast > Reel > Reel > M-Audio Transit > Cool Edit > Cd Wave Editor > Flac Uploaded to Dime by davmar77 and featseeker	Source Detail	FLAC
05/05/76	Orpheum Theater	Boston	MA	Complete FM source of both the early and late shows. Upgrade here shnid 114040	Source Detail
05/10/76	Warner Theatre	Washington	DC	FM (WHFS Bethesda, MD) > MC > ? > CDR. This tape was recorded and remastered by Mark Tryon. All tracks: EAC > WAV > Flac (Dub Irie 2007/03/21) - complete show with encores.	Source Detail	FLAC
05/23/76	Fox Theatre	Atlanta	GA	SBD > Reels > 1st Generation Reel to Reel > Revox > amplifiers > Tascam audio cdrw750 > CDR > computer > Plex Tool Professional XL > WAV > FLAC16. - Recorded & Transfered by 38f	Source Detail	FLAC
09/19/78	William & Mary College	Williamsburg	VA	flac16; FM > Master Cassette > CDR > WAV > minor edits + tracking > flac level 8	Source Detail	FLAC

Marin County Bluegrass Festival --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
04/27/74	Golden State College	San Rafael	CA			FLAC

Mickey & The Hartbeats --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
08/28/69	Family Dog at the Great Highway	San Francisco	CA	Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC (1 Disc Audio / 1 Disc FLAC) [w/ dropout repairs and hum/electrical noises removed - no hiss reduction]	Source Detail	FLAC

Mickey Hart's Barn Jam --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
08/21/71	Mickey Hart's Barn	Novato	CA	Hart Jam: Mickey Hart, Jerry Garcia, Bob Weir, John Cipollina, David Crosby, Phil Lesh, Nicky Hopkins, Merl Saunders; 1st generation reel to reel > revox > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac	Source Detail	FLAC
08/21/71	Mickey Hart's Barn	Novato	CA	Hart Jam: Garcia, Lesh, Crosby, And others:Recorded on a Sony TC-24 with supplied Sony stereo mic**.	Source Detail	shn

New Riders of the Purple Sage --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
09/18/69	Inn Of The Beginning	Cotati	CA	lineage: sbd reel>?>cdrs>eac>flac encoded by Rob Berger	Source Detail	FLAC
05/02/70	Harpur College	Binghampton	NY	FMMR > CD > EAC > WAV > SHN - KPFA-FM Broadcast (July 1970) - Recorded by Michael Parrish. Somewhat degraded sound quality. Added to etree by Noah Weiner	Source Detail
05/02/70	Harpur College	Binghampton	NY	Soundboard > Reel Master > Cassette > DAT (48k)	Source Detail	FLAC
07/10/70	Fillmore East	New York	NY	aud reel master>cdr>eac>flac	Source Detail	FLAC
07/12/70	Fillmore East	New York	NY	AudMR > CD > EAC > WAV > FLAC - Taped by Marty Weinberg; uher 5" reel	Source Detail	FLAC
09/18/70	Fillmore East	New York	NY	Matrix sources 1) SBDMR > Alesis Masterlink > CDR > EAC > WAV > FLAC 10" 1/2 track SBDMR Scotch reels played back on a Revox 1/2 track A700 > Alesis Masterlink 9600 EAC > Flac transfer by Noah Weiner - October, 2006 2) AUD> MC > R > C > CD > EAC > SHN Jack Toner recording	Source Detail	FLAC
09/18/70	Fillmore East	New York	NY	Source: SBD -> Master Reel -> CD -> EAC(secure, offset corrected) -> Cool Edit Pro -> TLH -> FLAC16	Source Detail	FLAC
09/20/70	Fillmore East	New York	NY	Source: SBD -> Master Reel -> CD -> EAC(secure, offset corrected) -> Cool Edit Pro -> TLH -> FLAC16	Source Detail	FLAC
10/23/70	McDonough Arena - Georgetown University	Washington	DC	Source: Audience Media: Mallory Duratape C-60 Lineage: AUD > Sony TC-124 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Marantz PMD671 > WAV Taped by: Cary Wolfson Transfer by: D. McCabe Mastering by: D. McCabe	Source Detail	FLAC
10/24/70	Keil Opera House	St. Louis	MO	sbd unk gen, 7" reel @ 3.75 ips, no nr, transferred by Rob Berger	Source Detail	FLAC
11/29/70	Club Agora	Columbus	OH	aud, edited/pitch correction by Rob Berger	Source Detail	FLAC
12/28/70	Legion Stadium	El Monte	CA	aud 1st gen reel	Source Detail	FLAC
02/18/71	Capitol Theater	Port Chester	NY	Master Audience Cassettes (1648)	Source Detail	FLAC
02/21/71	Capitol Theater	Port Chester	NY	AudMR > C > R > CDR > EAC > FLAC	Source Detail	FLAC
02/27/71	Fillmore West	San Francisco	CA	sbd reel>cassette>cassette	Source Detail	FLAC
02/28/71	Fillmore West	San Francisco	CA	SBD:mR>R1>R2 @ 3.75 ips > DAT > ? > CDR > EAC > FLAC	Source Detail
04/29/71	Fillmore East	New York	NY	SBDMR > Alesis Masterlink > CDRx? > EAC > SHN	Source Detail	SHN
07/02/71	Fillmore West	San Francisco	CA	FmMR > Reel > CD > EAC > WAV > SHN A>D by Micheal Parrish; EAC>SHN by Noah Weiner. Added to etree by Noah Weiner	Source Detail
08/06/71	Hollywood Palladium	Hollywood	CA	MAR> R > DAT > CD > EAC > WAV > SHN Sony Electret Condenser Mics-22 > Sony 770 portable 7" reel-to-reel from 50' back. Recorded by Harv Kaslow and Craig Todd. ***A complete version of this show has been re-seeded here.***	Source Detail
08/06/71	Hollywood Palladium	Hollywood	CA	source: aud 1st gen reels	Source Detail	FLAC
08/06/71	Hollywood Palladium	Hollywood	CA	MAR> R > DAT > CD > EAC > WAV > SHN Recorded by Harv Kaslow and Craig Todd Sony Electret Condenser Mics-22 > Sony 770 portable 7" reel-to-reel from 50' back. Complete show with previously missing Honky Tonk Women. Added to etree by Noah Weiner	Source Detail	FLAC
08/14/71	Berkeley Community Theater	Berkeley	CA	SbdMR > C > CD > EAC > FLAC : encoded & seeded to LL by Rob Berger	Source Detail	FLAC
09/23/71	Harding Theater	San Francisco	CA	AUDMC > DAT > WAV > SHN Recorded by Randy Davis, mic and deck unknown. Added to etree by Noah Weiner	Source Detail
10/21/71	Auditorium Theatre	Chicago	IL	FMMC(WGLD-FM Broadcast) > C > DAT > CD > EAC > SHN Added to etree by Noah Weiner	Source Detail
10/27/71	Onondaga County War Memorial	Syracuse	NY	FMMR(C?)(WAER-FM Broadcast) > ? > R > DAT > WAV > SHN Added to etree by Noah Weiner	Source Detail
10/30/71	Taft Auditorium	Cincinnati	OH	FMMR(WEBN-FM) > DAT > CD > EAC > SHN; EAC > SHN by Noah Weiner - June, 2003	Source Detail
11/20/71	Pauley Pavilion, UCLA	Los Angeles	CA	FM > ? > CD > EAC > Flac Transfer by Rob Berger	Source Detail	FLAC
09/19/72	Roosevelt Stadium	Jersey City	NJ	Flac16 Ed Deal's Master Audience Cassettes (Sony C-90); Unknown equipment Master Cassettes (Nakamichi BX-300)> Apogee Mini-Me (24-bit/96k) > WaveLab (16-bit/44.1k) > Adobe Audition CC 2022 > TLH flac16 Mastered by Scott Clugston November 2021	Source Detail	FLAC
03/18/73	Felt Forum	New York	NY	Source: W.N.E.W FM Simulcast. Lineage: Unknown (possible rerip)	Source Detail	FLAC
03/18/73	Felt Forum	New York	NY	FMMR > DAT > CD > EAC > SHN WNEW-FM Broadcast - Barry Glassberg's 7 inch, 7-1/2 ips., 1/4 track, BASF LP35LH Master Reels (Dolby OFF). Patches from FmMC>C>DAT>CD. Added to etree by Noah Weiner	Source Detail	SHN

Old & In The Way --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
04/16/73	The Boarding House	San Francisco	CA	SBD > ? > WBAI-FM Broadcast > SAE-2 Receiver > Sony DTC-670. Transfer: MFD > Sony D10P> Coax SPDIF > Audiophile 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644.	Source Detail	FLAC
04/21/73	The Record Plant	Sausalito	CA	Stereo FM Radio Broadcast > Unknown > R2R > Teac 4070G (1970's) Transfer: Pioneer R2R > Audigy 4 Pro @ 24/44 (done back in 2010) Preparation: Audacity (clean up a few flat spots and dropouts) > AudioGate (16-44) > Audacity (patched missing segments as noted from shn 11860 source) > CD Wav > Flac (Level 8) > Stamp ID3 tag editor	Source Detail	FLAC
06/06/73	Capitol Theater	Passaic	NJ	flac2496: 7" 1/2 track master soundboard reels @ 7.5ips > Sony TC-388 (4-track) playback > Revox A77 1st gen reel (no Dolby) > AKAI GX-625 playback > Apogee Mini Me @ 24 bit/96K > Apogee Mini DAC (for monitoring) > Lynx One soundcard > Wavelab 5.0 > wav fileset > GEMS editing > FLAC.	Source Detail	FLAC
07/21/73	The Lion Share	San Anselmo	CA	MR@7.5 ips(Recorded by Betty Cantor on her Nagra)>R@ 3.3/4ips.(Jerry Garcia copy)>R @3.3/34 ips(Will Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim>CD Transfered and mastered by Matt Smith 5/11 Cd > flac using dbpoweramp, Checksums created with TLH gballen 05-28-2011	Source Detail	FLAC
07/21/73	The Lion Share	San Anselmo	CA	Lineage:MR@7.5 ips(Recorded by Betty Cantor on her Nagra)>R@ 3.3/4ips.(Jerry Garcia copy)>R @3.3/34 ips(Will Boswell) Transfered and mastered by Matt Smith 5/11 Cd > flac using dbpoweramp, Checksums created with TLH gballen 05-29-2011	Source Detail	FLAC

Phil Lesh & Friends --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
06/01/76	Mickey Hart’s Barn	Novato	CA	flac16: Source: Studio-> ? -> Bob Gurman’s Cassette (no dolby)-> Alan Bershaw’s Maxell UD 35-90 1/4 track reel @7.5ips Transfer: Bershaw’s 1/4 track reel @7.5ips (Revox A-77) -> Pro Tools -> wav 44.1/16 -> xAct -> Flac	Source Detail	FLAC
09/24/94	Berkeley Community Theater	Berkeley	CA	SBD > DAT(s) > CDR via Michael Zelner encoding Matt Vernon	Source Detail	FLAC
09/24/94	Berkeley Community Theater	Berkeley	CA	Fob row 30 nak 300's > sony D3, conversion details unknown	Source Detail	FLAC
09/24/94	Berkeley Community Theater	Berkeley	CA	Matrix: sbd > dat(s) > cdr + scheops cmc4 > dat > za2 > wav > shn	Source Detail	FLAC

Reconstruction --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
04/17/79	Rancho Nicasio	San Rafael	CA	Reconstruction: Phil Jaret's (FOB) JVC Electret condenser stereo mic (center floor) > Teac PC-10 MAC (Dolby B, TDK SA-90) > Sony TC-K615S playback > HHB CDR 800 (tracked "on the fly") > WAV > FLAC8, transferred by John M.	Source Detail
04/17/79	Rancho Nicasio	San Rafael	CA	flac1644; Recorded by Phil Jaret; JVC M-201 Stereo Microphone> Teac PC-10, Center floor location. Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 3.0> Ozone 4.0> FLAC encoding.Pitch Correction by Joe B. Jones.	Source Detail	FLAC
04/23/79	Old Waldorf	San Francisco	CA	Reconstruction: AUD > ?? > CDR > EAC(secure mode, c2, filled up leading & trailing silent blocks w/silence) > TLH > Flac Level 8.	Source Detail
04/23/79	Old Waldorf	San Francisco	CA	flac1644; patched version of shnid-9609. Main Source: MAC > DATs > CDs > EAC > SHN, Taped by Eldon Porray, Nak CM-700s > Sony TC-D5. Secondary (Patch) Source: MAC > standalone CD > unknown processing > CD-R. Aiwa hand-held cassette recorder with built-in mic and automatic level control. Noise reduction was applied by SL during his transfer to CD-R. Patched and FLAC'ed by PsyKies, March 2013	Source Detail	FLAC
06/13/79	Early show, Late show, River Theater	Guerneville	CA	Reconstruction: Alan Bershaw's Nak 300 w/CP3 caps cassette master (unknown deck) > 1st gen reel @ 7.5ips > 2nd gen reel @ 7.5ips > DAT > CDR > GEMS editing > FLAC.	Source Detail	FLAC
07/07/79	Keystone Palo Alto	Palo Alto	CA	flaw fix of shnid106543. SBD -> Cassette Master (Sony D5/Maxell UDXLI90) Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16.	Source Detail	FLAC
11/07/79	Rutgers	New Brunswick	NJ	sbd 2nd gen cassette, transfer/seed by Rob Berger	Source Detail	FLAC

Seastones --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
11/28/73	Palace of Fine Arts	San Francisco	CA	Seastones collection: 4 disc set includes 3 separate sessions labelled as 11/28/73, plus 6/6/75; misc. filler bits; via D. Finney	Source Detail

Zero --- Approximate Hours: 0
Show Date	Venue	City	State	Comments	SHN Info	Media
07/16/88	Golden Gate Park	San Francisco	CA	Source/Transfer: Audience Cassette Master > DAT > CD... Sennheiser 441 Mic's > Sony D5M Cassette Master (Maxell MX 90). Playback on Nakamichi DR-2 Cassette Deck > Sony D100 DAT. Playback on Panasonic SV-3800 DAT Recorder > Digital Coaxial Cable > Tascam CD-RW 700 CD Recorder > EAC > SHN. Originally Recorded by Chris Olson.	Source Detail