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Grateful Dead - 04/26/71
Fillmore East, New York, NY
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Source:

SBD>MR : Shure line mixers > Sony reel to reel
Media Type:

SHN

 Media Count:

2
Source Info: GD: MR> CDR> SHN; NRPS material: MR> C> CDRx?> SHN, note NRPS is newly seeded, date-accurate; via Bill Gadsden, Jim Wise, John Oleynick et al; see info file for additional source and flaw details; to BUDD tree, nycheads; d1,3 tracked for 80 min; Tzuriel's covers
Notes:

4/26/71 Fillmore East, New York, NY

Lineage:
NRPS: MR>C>CDRx?>SHN
GD: MR>CDR>SHN

GD SBD>MR : Shure line mixers > Sony reel to reel (middle of
the line model, exact model
unknown) at 7 1/2 ips onto
BASF 90 minute reels
MR>CDR: Revox B77 reel to reel > Alesis Masterlink ML9600,
sampling at 96k
CDR>SHN : PlexWriter 8/2/20 > Exact Audio Copy

Disc 1 (80 minute disc)
--- NRPS ----
1. Brown Eyed Handsome Man [6:50]
2. Watch Gonna Do [5:07]
3. Tonight the Bottle Let Me Down [5:12]
4. I Don't Know You [4:52]
5. Cecilia [5:04]
6. Truck Drivin' Man [3:35]
7. All I Ever Wanted [7:33]
8. Sailin' [3:39]
9. Glendale Train [5:30]
10. Fair Chance to Know [5:30]
11. Portland Woman [5:52]
12. Last Lonely Eagle [6:56]
13. Lousiana Lady [4:49]
14. Honky Tonk Woman [5:27]

Disc 2
---- GD Set 1 ----
1. Big Boss Man [3:31]
2. Loser [9:40]
3. Playing in the Band [7:45]
4. Hard to Handle [13:07]
5. Dark Star > [12:33]
6. Wharf Rat [6:59]
7. Casey Jones [5:32]

Disc 3 (80 minute disc)
---- GD Set 2 ----
1. Sugar Magnolia (1) [12:11]
2. Hurts Me Too (1) [10:42]
3. Beat It On Down The Line (1) [4:18]
4. China Cat Sunflower > [5:13]
5. I Know You Rider [3:16]
6. Good Lovin' [19:38]
7. Sing Me Back Home [10:02]
8. Not Fade Away > [3:11]
9. Goin' Down the Road [7:26]
Feelin' Bad >
10. Not Fade Away [3:06]

(1) with Duane Allman

Glitches:
d2t02 8:54-8:57 - patched because of tick (Loser) (between songs)
d2t04 8:06, 8:09 - click, static (not digi-noise, on master reel)
(Hard to Handle) (between songs)
d2t05 6:51 - tick (not digi-noise, percussion? on master reel) (Dark Star)
d3t05 0:04 - static/crackle, does not sound like digi-noise (Rider)
d3t06 1:23-1:24 - patched because of crackle/tick (Good Lovin')
d3t06 16:04 - patched because of quiet tick
Trades Allowed: Yes Traded From:

Reference #:

Generation:

0
Lists:
Owned by Thomas Frank · Last Updated Jul 23, 2003


Grateful Dead 04/26/71
Fillmore East, New York, NY
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Set I
Bertha, Me & My Uncle, Big Boss Man, Loser, Playin' In The Band, Hard To Handle, Dark Star-> Wharf Rat, Casey Jones
Set II
Sugar Magnolia*, It Hurts Me Too*, Beat It On Down The Line*, China Cat Sunflower-> I Know You Rider, Deal, Mama Tried, Good Lovin'-> Drums-> Good Lovin', Sing Me Back Home, Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away
Set III
 
Comment
*with Duane Allman. NRPS. This date is featured on Ladies and Gentlemen... The Grateful Dead. Setlist here given as Deadbase IX, deadlists.com's differs
Last Changed By Hamilton, Greg & Diana
Sources
(2214) View Source    View Archive
MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; includes (wrong) NRPS; note 4 CD best-of-run is available from the Dead
(4330) View Source    View Archive
source not specified; includes (wrong) NRPS; see info file for listening notes; tracked out same as previous shn set (likely same source), but md5s differ; via vine?
(4991) View Source    View Archive
GD: MR> CDR> SHN; NRPS material: MR> C> CDRx?> SHN, note NRPS is newly seeded, date-accurate; via Bill Gadsden, Jim Wise, John Oleynick et al; see info file for additional source and flaw details; to BUDD tree, nycheads; d1,3 tracked for 80 min; Tzuriel's covers
(105814) View Source    View Archive
flac16; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller
(105815) View Source    View Archive
flac24; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/24; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller
(113839) View Source    View Archive
Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim>CD Transfered and mastered by Matt Smith 5/11
(126270) View Source    View Archive
flac16; MR 7.5 ips > R > FLAC Will Boswells from Peter Kafer; Transfer: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; remastered by Matt Smith 2013
(143159) View Source    View Archive
flac24; Source: Master Soundboard Reel 7.5 ips > Reel - Will Boswell's copy Peter Kafer; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered by SIRMick September 2018
(145130) View Source    View Archive
flac16; Source: Master Soundboard Rell 7.5 ips > Reel - Will Boswell's copy Peter Kafer; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered by SIRMick September 2018; This file set is 16 bit @ 44.1
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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