Rus K - Phish 08/13/96FOB Schoeps CMC6/mk4 > Sonosax SX-M2 > Panasonic SV-255; Wavecenter PCI soundcard (via SPDIF digital input) > Cool Edit Pro (48>44.1kHz)

Phish - 08/13/96
Deer Creek Music Center, Noblesville, IN

Source:	FOB Schoeps CMC6/MK4 > Sonosax SX/M2 > Panasonic SV-255; Wavecenter PCI soundcard (via SPDIF digital input) > Cool Edit Pro > .wav > 48 to 44.1kHz via Cool Edit Pro > SHN (by Will Herrmann)
Media Type:	CDR	Media Count:	3
Source Info:	FOB Schoeps CMC6/mk4 > Sonosax SX-M2 > Panasonic SV-255; Wavecenter PCI soundcard (via SPDIF digital input) > Cool Edit Pro (48>44.1kHz) > SHN
Notes:	SHN-2 disks Sweet sounding FOB!
Trades Allowed:	Yes	Traded From:
Reference #:		Generation:	0
Lists:

Owned by Rus K · Last Updated Aug 22, 2002

Phish 08/13/96
Deer Creek Music Center, Noblesville, IN

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History

Edit Show

Set I

Divided Sky, Tube, Tela > Maze, Fast Enough for You > The Old Home Place, Punch You in the Eye, Llama, Glide, Slave to the Traffic Light

Set II

AC/DC Bag > The Lizards, Mike's Song > Lifeboy > Weekapaug Groove -> Over the Rainbow[1], Waste[2], Train Song[2], Strange Design[2], Sweet Adeline, David Bowie

ENCORE: Sleeping Monkey > Rocky Top

Set III

Comment

[1] Performed solo by Page on theremin.
[2] Performed on acoustic mini-stage.

Page performed Over the Rainbow solo on the theremin. Waste through Strange Design were performed on the acoustic mini-stage. Trey played the composed section to Divided Sky over the soundcheck jam. This show was officially released as Live Phish 12.

Display Setlist > >

Last Changed By jeff mitchell

Sources

(2510) View Source
FOB Schoeps CMC6/mk4 > Sonosax SX-M2 > Panasonic SV-255; Wavecenter PCI soundcard (via SPDIF digital input) > Cool Edit Pro (48>44.1kHz) > SHN

(4754) View Source
AKG 3000; Fostex D-5 > U2A > CoolEdit > SHN

(89937) View Source
Nakamichi CM300 & PZM 30D mix > Niles Audiomixer > D3; PCM-R300 > M-Audio Delta 1010Lt > Wave Lab 5.0 (BBE, Fades, L2Dither) > Traders Little Helper (flac8); Taped by Greg Holtz

(90680) View Source
Microtech Gefell m300-> SX-M2-> HHb (16/48); DAT -> SD744T -> CD Wave-> Wavelab (Normalize, 16/44)-> FLAC Frontend (level 6)-> FLAC

(100417) View Source
Microtech Gefell m300 > Sonosax SX-M2 > HHb PDR-1000 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > r8brain v1.9 (48 to 44.1 kHz) > CD Wave v1.98 > Samplitude SE v9.1.1 (fades) > FLAC v1.2.1 (Level 8); Taped by Marc Nutter; Patch-taper was Jacob Pyne; Transferred by Jason Sobel

(104911) View Source
Schoeps mk4/cmc6 > Sonosax SX-M2 > Sony TCD-D10 pro II > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > r8brain PRO v1.5 (resample to 44.1 kHz) > CD Wave v1.98 > Samplitude SE v9.1.1 (fades) > FLAC v1.2.1 (Level 8); Taped by Jeff Lazzaro; patch-taper was Lenny Stubbe; Transferred by Jason Sobel

(112125) View Source
set 2 only; B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro (48 kHz); Sony DTC-59ES > Tascam HD-P2 > Audacity (16/48 > 16/44) > CD Wave > FLAC; Taped by Mark Lamke; Transferred by Terry Watts

(138535) View Source
flac16 48khz set 2 only. Core Sound Omnis (In hat/DFC/Lawn) > Sony D7 Transfer: DAT/m > Tascam DA-20 MKII > SPDIF > MacMini(Audacity) > xACT(FLAC/TAG) 16/48 Taped by: Matt “Lazy Lightning” Lazor Transfer: DiGiHoArDeRs 6/9/17

(164859) View Source
flac16 48kHz Unknown Audience Recording; DAT @ 48kHz > Tascam DA-20 > Tascam SS-R1 > iZotope RX8 > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp); Transfer by Jeff Mitchell

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