Billy Oaks - Phish 07/31/97AKG c568eb > Aerco Pre-Amp > Sony D8; Sony PCM-R500 > Tascam CD-RW700 > CDR > EAC > CDWav > FLAC; Taped and transferred by Art Newberg and James Bartoli; FLAC Conversion by James O'Brien

Phish - 07/31/97
Shoreline Amphitheatre, Mountain View, CA

Source:	AKG C 568 EB's (OTS, aimed at the stacks)->Aerco Pre-Amp->MDAT
Media Type:	.flac	Media Count:	2
Source Info:	AKG c568eb > Aerco Pre-Amp > Sony D8; Sony PCM-R500 > Tascam CD-RW700 > CDR > EAC > CDWav > FLAC; Taped and transferred by Art Newberg and James Bartoli; FLAC Conversion by James O'Brien
Trades Allowed:	Yes	Traded From:	bt.etree.org
Reference #:		Generation:	0
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Owned by Billy Oaks · Last Updated Jun 23, 2005

Phish 07/31/97
Shoreline Amphitheatre, Mountain View, CA

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Set I

Ghost -> Ya Mar, Dogs Stole Things, Limb By Limb*, Dirt, Maze, Glide, I Saw It Again, You Enjoy Myself

Set II

Runaway Jim, When the Circus Comes, Vultures, McGrupp and the Watchful Hosemasters, Mike's Song -> I am Hydrogen -> Weekapaug Groove E: Cinnamon Girl

Set III

Comment

* Fishman busts out a funky drum beat at the end and Trey says "Let's hear it for Fishman and that inhuman drum beat. He tried it in the dress and it didn't work, but it worked in the suit"

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Last Changed By System

Sources

(678) View Source
FOB AKG 480/ck61> EAA-2 > DA-P1 > D8 > Turtle Beach Fiji SPDIF > Samplitude (48>44.1kHz) > CDWav > SHN

(1377) View Source
FOB Schoeps mk5 > Oade Custom Pre-Amp > Sony SBM-1 @44.1kHz; Tascam DA-20mkII > Turtle Beach Montego Home Studio > Soundforge 4.5 > SHN; Transferred by Dan Marquardt

(6489) View Source
FOB Schoeps mk5 > Oade Custom Preamp > Sony SBM-1 @44.1kHz; Tascam DA-20mkII > M-Audio Audiophile 24/96 > Soundforge 5.0b (48>44.1kHz) > CDWav > mkwACT > SHN; Transferred by Dan Marquardt

(29568) View Source
AKG c568eb > Aerco Pre-Amp > Sony D8; Sony PCM-R500 > Tascam CD-RW700 > CDR > EAC > CDWav > FLAC; Taped and transferred by Art Newberg and James Bartoli; FLAC Conversion by James O'Brien

(79839) View Source
FOB Schoeps mk41 > vms02ib > Sony D100 @44.1kHz; Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b > CDWav > FLAC; Transferred by Jason Sobel

(86652) View Source
AKG 460b/ck61 > AKG b18 > SBM1 > D7; DAT > CDR > EAC > CDWav > FLAC

(88174) View Source
FOB Schoeps mk41 > Schoeps KCY 250/5 Active Cable > Schoeps VMS02IB > Sony SBM-1 > Sony TCD-D100 @16bit/44.1kHz; Sony TCD-D100 > Edirol R-4 > Wavelab 5 > CD Wave > FLAC; Taped & Transferred by Keith Litzenberger

(91045) View Source
AKG 391-> Shure FP33-> D7(16/48); D7-> SD744T-> CD Wave-> Wavelab(Normalize, 48 to 44)-> FLAC Frontend (Level 6)-> FLAC; Taped by Chris Imburgia

(112342) View Source
(FOB) Schoeps MK4 > Schoeps Preamp > SBM-1 > DA-P1 ; DA-20 mkii > Delta Dio 2496 > Soundforge 4.5 (48>44.1 resampling on setting 4 w/ anti alias filter) > CD WAV > SHN; Transferred by Brandon Johnston

(116294) View Source
flac16; Schoeps mk4/mk8 (mid/side) > Schoeps VMS-021B > Technics SV-MD1; Sony PCM-R500 > Tascam HD-P2 > r8brain (16/48 > 16/44.1) > CD Wave > FLAC; Taped by Dan Notov; Transferred by Terry Watts

(138431) View Source
flac16 48kHz Audio Technica 815 shotguns (OTS/PAS) > D8 @ 16/48; DAT/m > Tascam DA-20 MKII > SPDIF > MacMini(Audacity) > xACT(FLAC/TAG) 16/48; Taper: Matt “Lazy Lightning” Lazor; Transfer: DiGiHoArDeRs

(165639) View Source
flac16 48kHz Audio Technica AT813; DAT @48kHz > Sony PCM-R500 > Tascam SS-R1 > Samplitude Pro X7 > dBpoweramp > Foobar Live Show Tagger; Transfer by Jeff Mitchell (jeffhmitchell@gmail.com); DAT provided by Charlie Miller & Arielle Phares

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