Grateful Dead - 05/07/77
Boston Garden, Boston, MA
Source:

Rob's DAT clone>Tascam DA-20 mkII>Digital Audio Labs Card Deluxe>WAVE>

Media Type:

SHN

Media Count:

2

Source Info: SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard.
Notes:

The Grateful Dead
May 7, 1977 - Boston Garden - Boston, MA
Soundboard Recording
Digital encoding and DBX decoding by Rob Eaton
CD editing and mastering by The Wizard - Owenbrothersvault@hotmail.com

Here is how Rob did his part:
Master 1/2 trk 7" reels @7.5ips (DBX encoded)->
PCM beta digital->Sony 2500 dat->
DB Technologies DB3000S for digital emphisis decode->
DB Technologies 924 for D->A conversion->
Dolby 361 modules W/K9-22 DBX cards for DBX decode->
Neve Capricorn Digital mixing colsole (24 bit/ 32bit floating point
processing (for level adjustment)->
Panasonic SV4100 Pro Dat recorder (master Decode Dat)->
Master Clone (panasonic Sv3700->Sv3800 via AES interlink)

Here is what the Wiz did:
Rob's DAT clone>Tascam DA-20 mkII>Digital Audio Labs Card Deluxe>WAVE>
Diamond Cut Audio DC-6 (for editing)>WAVE>CD and SHN.

Here is what was used for the AUD patches:
AudMC > DAT > Soundforge > CDWAV > SHN
Taper: Steve Rolfe Sony ECM 33P mic > TC-152 deck
A > D transfer by Noah Weiner - November, 2001
AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only)
Soundforge was used for normalizing and editing.

Note: US Blues encore from an unknown SBD source. DBX reel source was unusable.

Summary of editing:
Rob's decode was masterful and made my job easy. Nothing was done to the sound
of the DBX decoded material. Just cleaned up a few issues and made AUD patches.
Cut after Peggy-O cleaned up - Aud source cut there also so no patch available...
Over the top guitar chord at start of Half-Step toned down a bit to save ears...
Two small gliches in Half-Step repaired.
Cut in Tuning after Tennessee Jed patched with AUD source.
Two small pops in Music corrected.
Tuning at start of Set Two patched from AUD source.
Small glich in Estimated repaired
Cut in Tuning after Estimated patched with AUD source.
Pop in Wharf Rat corrected.
Cut in Around and Around patched with AUD source.
Cut in Crowd before encore patched from AUD source.
About 10 bad pops removed from US Blues and it was Equalized
and gain adjusted to better match up with the rest.
All AUD patches were sonically adjusted to better match up and cross-faded
in to prevent a jarring change.

Disc One - Set One - 73:37
01) Equipment Repairs
02) Bertha
03) More repairs
04) Cassidy
05) Tune Up
06) Deal
07) Tune Up
08) Jack Straw
09) Fennario (Pretty Peggy-O)
10) New Minglewood Blues
11) Repairs - Billy K's Birthday!
12) Mississippi Half Step Uptown Toodle-Loo
13)>Big River

Disc Two Set One + Two - 60:39
Set One
01) Tune Up
02) Tennessee Jed
03) Tune Up (Aud patch)
04) The Music Never Stopped
Second Set
05) Tune Up (Aud patch)
06) Terrapin Station
07)>Samson And Delilah
08) Tune Up
09) Friend Of The Devil
10) Estimated Prophet

Disc Three - Set Two - 61:28
01) Tune Up (Aud patch)
02) Eyes Of The World
03)>Drums
04)>The Wheel
05)>Wharf Rat
06)>Around And Around (Aud patch)
07) Crowd (Aud patch) - Jerry's Guitar is Broke!\
08) U.S. Blues (Alt soundboard source)

Trades Allowed: Yes Traded From:

Reference #:

Generation:

0

Lists:
Owned by Thomas Frank · Last Updated May 19, 2006


Grateful Dead 05/07/77
Boston Garden, Boston, MA
Set I
Bertha
Cassidy
Deal
Jack Straw
Peggy-O
New Minglewood Blues
Mississippi Half-Step Uptown Toodleloo >
Big River
Tennessee Jed
The Music Never Stopped
Set II
Terrapin Station
Samson & Delilah
Friend Of The Devil
Estimated Prophet
Eyes Of The World >
Drums >
The Wheel >
Wharf Rat >
Around & Around

Encore:
U.S. Blues
Set III
 
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Keith Godchaux - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Donna Jean Godchaux - Vocals
Last Changed By J
Sources
(262) View Source    View Archive
SBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN; USB missing, Around has a couple of uncorrectable blems; (note missing USB- one might infer this stemmed from the WBOTB source distribution- their USB was intended to become filler on a 4/78 show which did not end up getting around)
(6021) View Source    View Archive
Sony ECM 33P mic > TC-152 deck, Taper: Steve Rolfe; AudMC > DAT > Soundforge > CDWAV > SHN; A > D transfer by Noah Weiner: AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only); Soundforge was used for normalizing and editing
(26085) View Source    View Archive
SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard.
(26361) View Source    View Archive
Bertha Remaster of the Rob Eaton/The Wizard soundboard source: SBD> MR> DAT> editing> SHN> DAW(Bertha)> CDA/SHN, by Jay Ashley; see pub comments for extended notes
(88525) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
(124619) View Source    View Archive
flac16; 2 Source Matrix by dusborne; Soundboard (shinid:088525) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller and Audience (shnid:6021) audMC > DAT > Soundforge > CDWAV > SHN Taper: Steve Rolfe Sony ECM 33P mic > TC-152 deck A > D transfer by Noah Weiner
(148736) View Source    View Archive
flac24; Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate; Source & Transfer by Anonymous; Edited & Mastered using Adobe Audition by Joe Noel
(148755) View Source    View Archive
flac24; Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate; Source & Transfer by Anonymous; Edited & Mastered using Adobe Audition by Joe Noel; fix of source ID 148736
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Cached: Thu, 28 Mar 2024 09:19:47 EDT