(5096) View Source
Taper: Mike Sarnovsky (sarnovsky.4@osu.edu)
Source: Audio Technica AT853 Cardiods -> BRBox @ 16Hz ->
Zefiro InBox -> Oade Active Cable -> Sony TCD-D7
Setup: X-Y - 90 degree split
Location: Sec B, Row 2 (2nd row, dead center) mics 7'
Conversion: Mike Sarnovsky (sarnovsky.4@osu.edu)
Equipment: TCD-D7 -> Oade Active Cable -> Hosa Coax ->
Turtle Beach Montego II Digital I/O -> CD
(5097) View Source
Taper: Jon Ice (jond_ice@hotmail.com)
Source: AKG 480/ck61 > Sound Devices MP-2 > Sony PCM-M1
Conversion: Tascam DA-30 > Digi Coax > Sek'd Prodif32
SHN: MKW Audio Compression Tool
(5098) View Source
Taper: Brandon Weaver/ Rob Brey (bdogg024@hotmail.com)
Source: sure sm81/sm94>comprehensive mm3100
From: sec C row 12
hp n5292 (850pIII, 256mb) via cool edit 2000>direct wav on hd..
Tracking and fades: cool edit 2000 and diamond cut pro..
wav>shn: mkw audio
(5197) View Source
Taper: Don Becker
Source: Schoeps mk4v > kcy active cables > Schoeps VMS 02 IB >
Audiomagic Excalibur-II RCAs > SBM-1 > PCM-M1 @ 48khz
From: Section A, Row 9, Seat 27 (Stage left stack)
Mics ORTF on stand @ 11-12'
DAT>CD: Don Becker
Equip: PCM-M1 > Oade Active Cable > Sek'd Prodif Plus >
Samplitude v5.5 (48>44.1) > CDWAV
(97399) View Source
Taper: Jay Holycross
Source: Sony 959>Sony MZN 700
Location: Behind the Soundboard
Conversion: Sony MDS-JE 470>Creative Live Driver IR>CDWav Editor>FLAC
(108042) View Source
Taper: Unknown
Source: PreFM Satellite Intercept > DAT > EAC^ > PCM 16/44 Wave Files > Edited on PC (removed btwn song gaps and used pencil tool to smooth over some extraction pops) > FLAC