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Grateful Dead - 10/09/82
Frost Amphitheatre, Palo Alto, CA
Edit Details
Media Type:

cdr

 Media Count:

3
Source Info: flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) August 3, 2008
Tech Notes:

1) There is occasional static, clicks, pops, shifty sound, and hiccups in the SBD source. (Other than that, the SBD is pretty copacetic.)

2) Since there were a handful of gaps in the SBD during songs, there will be occasions where only the AUD is playing. There were so many time shifts (cuts) in the latter half of U.S. Blues that I opted to only have the AUD play for that portion of it.

3) The "House Music/Bill Graham Outro" track is from SHN ID 23730, transferred by Joe Samaritano.

4) The SBD mix evens out during Getaway. (Phil comes into it a little late.)

5) The low gain of the SBD source was reduced 6 dB
Trades Allowed: Yes Traded From:

Show Rating:

A

 Sound Rating:

A+
Reference #:

Generation:

0
Lists:
Owned by fossilcat · Last Updated Feb 24, 2010


Grateful Dead 10/09/82
Frost Amphitheatre, Palo Alto, CA
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Set I
Alabama Getaway >
Greatest Story Ever Told
They Love Each Other
On The Road Again >
Beat It On Down The Line
West L.A. Fadeaway
Me & My Uncle >
Big River
Dupree's Diamond Blues
The Music Never Stopped >
Deal
Set II
Throwing Stones >
Touch Of Grey
Estimated Prophet >
Eyes Of The World >
Drums >
Space >
Truckin' >
The Other One >
Morning Dew >
One More Saturday Night

Encore:
U.S. Blues
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(337) View Source    View Archive
source update: SBDMR> PCM> DAT> CD-R; via Dave Barrick; upgrade in circulation
(5183) View Source    View Archive
Rango Keshavan's FOB Master Audience Cassette; Sony ECM-220T mics > Sony TC-D5M > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; to abgd
(15800) View Source    View Archive
Main Source A : SBD>MR>PCM>DAT>CD-R ; Patch Source B : Rango Keshavan's FOB Master Audience Cassette, Sony ECM-220T mics > Sony TC-D5M > DAT > CDR ; Seeded by T. Wiley ; upgrade in circulation
(23730) View Source    View Archive
Soundboard->Cassette Master(MA-R90/Dolby B)-> 1st Generation Cassette(XLII-S90/Dolby C). 1st Generation Cassette->Fostex D5 (pass-through only)->ZA2->Samplitude v7.02 Professional->.wav->mkw->SHN. Transfer, editing, and SHN by Joe Samaritano
(93682) View Source    View Archive
flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller
(93683) View Source    View Archive
flac24; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller
(93811) View Source    View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) August 3, 2008
(93825) View Source    View Archive
flac24; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d1t09 of the previous Charlie Miller source.)
(93827) View Source    View Archive
flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d1t09 of the previous Charlie Miller source.)
(95656) View Source    View Archive
flac16; Source: Audience Recording Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) 25 foot back, Dead Center > -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D5 > MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > wavelab 5 > plugins > r8brain Pro > 16/44.1 wave > cd wave > THL (lvl 8)
(110621) View Source    View Archive
flac16; Recording Info:SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info:Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
(111040) View Source    View Archive
flac16; Recorded, Transferred and Mastered by N. Hoey 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(TDK MA-90)(FOB) Nakamichi Dragon (Dolby B decoded) > Panasonic 3800 DAT (internal A/D conversion) > Soundforge (editing) > CD Architect > Mitsui disc > Toast 9 > Xact
(147105) View Source    View Archive
flac24; Source: FOB Beyers M160's > Sony TC-D5M > Maxell MX. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2019
(167454) View Source    View Archive
flac1648 Source Info: Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2024 > TLH 2496
(167455) View Source    View Archive
flac2496 Ken Kelley's Master Audience Cassettes; Shure SM57 mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90) Source Info: Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2024 > TLH 2496
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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