Billy Oaks - Phish 11/19/97Neumann U87 (cardioid)-> Sonosax SX-M2-> DA-P1 @48kHz; DA-P1-> Audio Magic Presto II-> ZA2-> Soundforge 4.5 (48->44.1)-> CDWav-> .shn; transfer/shn by Eric McRoberts; via Chad Plemons

Phish - 11/19/97
Assembly Hall, University Of Illinois, Champaign, IL

Source:	Neumann U87(cardioid)->Sonosax SX-M2->DA-P1 @48kHz->Audio Magic Presto II->ZA2->Soundforge 4.5(48->44.1)->CDWav->.shn
Media Type:	.shn	Media Count:	2
Source Info:	Neumann U87 (cardioid)-> Sonosax SX-M2-> DA-P1 @48kHz; DA-P1-> Audio Magic Presto II-> ZA2-> Soundforge 4.5 (48->44.1)-> CDWav-> .shn; transfer/shn by Eric McRoberts; via Chad Plemons
Trades Allowed:	Yes	Traded From:
Reference #:		Generation:	0
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Owned by Billy Oaks · Last Updated Jun 14, 2005

Phish 11/19/97
Assembly Hall, University Of Illinois, Champaign, IL

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Set I

Julius, Bathtub Gin > Llama, Dirt, Limb By Limb, Funky Bitch, Theme From The Bottom, Ginseng Sullivan, Fee > Meatstick > Run Like An Antelope

Set II

Also Sprach Zarathustra > Wolfman's Brother* > Makisupa Policeman^, Taste

E: Possum

Set III

Comment

University Of Illinois

* - w/ "Walk Away," "Tweezer," "I Feel Free" (Cream) And "Shock Me" (KISS) Teases
^ - w/ Space Jam

Display Setlist > >

Last Changed By old trader grandad

Sources

(695) View Source
Neumann U97 cardioids w/ Sonosax pre-amp; DAE (w/EAC) and SHNing, L. Stack

(696) View Source
Schoeps cmc6/mk4> Sonosax SX-M2> DA-P1; via C. Jonus, M. Fischer, D. Besser

(1194) View Source
Neumann U87 (cardioid)-> Sonosax SX-M2-> DA-P1 @48kHz; DA-P1-> Audio Magic Presto II-> ZA2-> Soundforge 4.5 (48->44.1)-> CDWav-> .shn; transfer/shn by Eric McRoberts; via Chad Plemons

(16628) View Source
Set I: Microtech Geffel m210 (hypercardioid, XY) > Oade m248 > SBM-1 > DA-P1 (OTS, DFC); Set II: Microtech Geffel m200 (cardioid, XY) > Oade m248 > SBM-1 > DA-P1 (OTS, DFC); Taped and transferred by Jason Wilhelm

(19248) View Source
Neumann U87 > DAT; DATs provided by Mark Lynn; Transferred by Scott Z

(99148) View Source
Audio Technica 815 (shotguns) > Sony SBM-1 > Sony TCD-D7 > Sony TCD-D8 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > Samplitude SE v9.1.1 (volume adjustments, fades) > r8brain v1.9 (48 to 44.1 kHz) > CD Wave v1.98 > FLAC v1.2.1 (Level 8); Transferred by Jason Sobel

(112491) View Source
B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro (48 kHz); Sony DTC-59ES > Tascam HD-P2 > Audacity (16/48 > 16/44) > CD Wave > FLAC; Taped by Mark Lamke; Transferred by Terry Watts

(113762) View Source
Neumann U87s > Sonosax SX-M2 > Tascam DAP-1 (48 kHz); Sony PCM-R500 > Tascam HD-P2 > r8brain (16/48 > 16/44) > CD Wave > FLAC; Transferred by Terry Watts

(116824) View Source
flac16; Schoeps cmc6/mk4 > Graham Patten DMIC-20 > Apogee > DAT @ 48khz; Tascam DA-40 > M-Audio 2496 @ 48khz > iZotope SRC 64 bit SRC (48khz > 44.1khz) > Adobe Audition 3.0 > Trader's Little Helper > FLAC; Transferred by ifthir

(121490) View Source
flac16; AKG 460b/ck61 > b18 > Sony TCD-D8; Sony PCM-R500 > Marantz PMD-661 > audiogate (16/44.1) > cd wave > tlh(flac16); Taped by JK; Transferred by John M.

(137614) View Source
flac16 32kHz & 48kHz Audio Technica 815 shotguns (OTS) > D8 @ I: 16/32 II: 16/48; DAT/m > Tascam DA-20 MKII > SPDIF > MacMini(Audacity)wav > Izotope RX > Audacity > xACT(FLAC/TAG) I: 16/32 II: 16/48; Taper: Matt “Lazy Lightning” Lazor; Transfer: DiGiHoArDeRs

(137615) View Source
flac16 44.1kHz Audio Technica 815 shotguns (OTS) > D8 @ I: 16/32 II: 16/48; DAT/m > Tascam DA-20 MKII > SPDIF > MacMini(Audacity)wav > Izotope RX > Audacity > xACT(FLAC/TAG) 16/44.1k; Taper: Matt “Lazy Lightning” Lazor; Transfer: DiGiHoArDeRs

(147041) View Source
flac16/48khz Source: AKG 391 > SBM-1 > D7 @ 16/48 Transfer: DAT/c > Sony PCM R300 > Tascam DR680 > Audacity > xACT(FLAC/TAG) 16/48; DiGiHoArDeRs

(167033) View Source
flac1648 Schoeps MK4 > Schoeps CMC6 > Sonosax SX-M1 > HHB PDR-1000 DAT @48kHz > Sony PCM-R500 > Marantz PMD661 > Samplitude Pro X7 > dBpoweramp > Foobar Live Show Tagger DAT provided by Charlie Miller Transfer by Jeff Mitchell

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