(1110) View Source    View Archive
FOB Schoeps CMC42s spaced omnis > Sony SL-2000PCM; Taped by: Rich Gastwirt; via NateDawg to offer, 2/01 to abgd

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(8243) View Source    View Archive
Digital Audience - Jill & Rob R 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern

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(30363) View Source    View Archive
flac16; AKG c414>?>DAT>CD(1gen)>EAC>FLAC

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(30364) View Source    View Archive
flac16; FOB Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC

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(77444) View Source    View Archive
flac16; SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC

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(77458) View Source    View Archive
flac24; SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC

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(81459) View Source    View Archive
flac16; Source: Audience FOB Recording Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette Lineage: FOB AKG C460b pre's with ck61uls heads > Uher 240 > Nak DR-1 >Apogee 200 Rosetta >Firewire >Apple G5 >Bias Peak(24/96WAV) > Wavelab 5 > Waves L3 Multimaximizer (threshold -3.0 dB/ceiling -0.1 dB) > rendered to 16 bit/44.1 KHz WAV using UV22-HR>CDWAV 1.9 >FLAC(level 8) Taper: Danny Thomson Transfer: Derek McCabe Mastering: Chris Ladner

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(81855) View Source    View Archive
flac24/96; Taper: Danny Thomson Source: FOB Nak700's > Uher 240 > Master Cassette Maxell XLII 90min. Transfer: Playback on Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak (24 bit/96 KHz WAV) by D.McCabe. Mastering: Wavelab 5 > Waves L3 Multimaximizer (threshold -2.3 dB/ceiling -0.1 dB) > CDWAV 1.9 > FLAC (level 8), by C.Ladner.

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(99911) View Source    View Archive
flac24; FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 10 feet in front of SBD area and 15 feet to stage left (Brent side). Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. 06/2009

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(99912) View Source    View Archive
flac16; FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 10 feet in front of SBD area and 15 feet to stage left (Brent side). Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. 06/2009

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(106586) View Source    View Archive
flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris

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(109498) View Source    View Archive
flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac (Maxell XLIIS x 3) Transfer: mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich

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(133781) View Source    View Archive
flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper

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(134395) View Source    View Archive
flac16; Source: Audience FOB Recording; Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette; Lineage: FOB AKG C460b pre's with ck61uls heads > Uher 240 > Nak DR-1 >Apogee 200 Rosetta >Firewire >Apple G5 >Bias Peak(24/96WAV) > Wavelab 5 > Waves L3 Multimaximizer (threshold -3.0 dB/ceiling -0.1 dB) > rendered to 16 bit/44.1 KHz WAV using UV22-HR>CDWAV 1.9 >FLAC (level 8); Taper: Danny Thomson; Transfer: Derek McCabe

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(138258) View Source    View Archive
flac16; Ted Mattes FOB recording: Schoeps CMC42s (omnis spaced 8 feet) > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; DAT Master > Sony PCM601/Beta > DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Audacity 3.0 at 44K > Wave; Joe Noel Track, Flac, Patch, Pack & Seed: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT

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(138287) View Source    View Archive
flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller

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(138306) View Source    View Archive
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138287 24 bit -> 16 bit

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(149202) View Source    View Archive
flac16; Source: Dak Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section

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(150431) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid = 138287) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 77458) SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC - matrix mixing by Kevin Tobin

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(150432) View Source    View Archive
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 138287) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 77458) SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC - dts mixing by Kevin Tobin

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(150433) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 138287) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 77458) SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC - surround mixing by Kevin Tobin

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(153412) View Source    View Archive
flac16 A Photoleon Matrix: (fob) Schoeps Cmc42s (omnis Spaced 8') > Panasonic Sv250 > Dat + Ultra Matrix Sbd > Cassette Master. Fob Schoeps Recording By Ted Mattes. Sbd Provided By Charlie Miller. Matrix Created By Joe Noel. July 2, 2021