Grateful Dead - 04/15/89
The Mecca, Milwaukee, WI
Media Type:

I

Media Count:

0

Source Info: flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; This file set is 16 bit @ 44.1
Trades Allowed: Yes Traded From:

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Owned by bakersfield · Last Updated Aug 29, 2019


Grateful Dead 04/15/89
The Mecca, Milwaukee, WI
Set I
Mississippi Half Step Uptown Toodleloo >
Feel Like A Stranger >
Franklin's Tower
Walkin' Blues
When Push Comes To Shove
Queen Jane Approximately
Blow Away >
Promised Land
Set II
China Cat Sunflower >
I Know You Rider >
Playing In The Band >
Terrapin Station >
Drums >
Space >
I Will Take You Home >
All Along The Watchtower >
Morning Dew

One More Saturday Night
Set III
 
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By OBIE
Sources
(430) View Source    View Archive
Matrix DSBD (Panasonic 3800)> CD (HHB CDR800)> EAC> SHN; Known Flaws - 1 sec. d/o @1:52 & 5 sec. d/o @2:46-2:51 during Space (d2t6) - some clipping on the left channel due to drums and bass being too high in the SBD mix. The master has this flaw as well;  via A. Jerugim
(80277) View Source    View Archive
flac16; Source: Dan Healy's Matrix Mix -> MSC -> PCM -> DAT(x2) Transfer: Panasonic SV-3800 -> Optical out -> M-Audio CO2 -> Apogee S/PDIF -> M-Audio 1010LT. Recorded in Samplitude v.8.01 (24/48) Re-Mastered: Wavelab v.5. -> CD Wave -> FlacFrontend Level 8
(82405) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(102457) View Source    View Archive
flac16; TAPER: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps -> Sony WM-D6 TRANSFER: By JAZ, Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8
(106308) View Source    View Archive
flac16: Recorded by Justin Lee & Dave Cohen OTS Sec. PP Row 5 Seat 3. 2 Nakamichi CM300 CP4 & 1 Nakamichi CM300 CP1. Nakamichi 550>Sony TCD5M Oade Erase head removal Modification w/Dolby B. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen November 2009.
(118400) View Source    View Archive
flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 17 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 > HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
(118401) View Source    View Archive
flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 17 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 > HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
(128700) View Source    View Archive
flac16; Set One 2 source Matrix 80% sbd/20% soundtrack; Audio edited with iZotope Ozone 5 advanced; Matrix created with Adobe Audition 1.5; Audio editing and matrix by SIRMick
(140992) View Source    View Archive
flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
(141013) View Source    View Archive
flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
(147300) View Source    View Archive
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
(147385) View Source    View Archive
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; This file set is 16 bit @ 44.1
(156416) View Source    View Archive
Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 11, 2021
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