(151211) View Source
16 bit Source: 2 Sony ecm-280 microphones > Teac PC-10 with Dolby using 1 Maxell UDXLII C90
Transfer: Nakamichi CR7A with Dolby B (azimuth aligned, bias @ 70usec) > Korg MR2000-s @ 1 bit 5.6 MHz dsdiff
AudioGate (24-96) > Har-Bal 3.7 & iZotope RX8 advanced > CD Wave > Korg Aqua (16-44) > TLH
(151404) View Source
24 bit Source: 2 Sony ecm-280 microphones > Teac PC-10 with Dolby using 1 Maxell UDXLII C90
Transfer: Nakamichi CR7A with Dolby B (azimuth aligned, bias @ 70usec) > Korg MR2000-s @ 1 bit 5.6 MHz dsdiff
Audiogate (24-96) > Har-Bal 3.7 & iZotope RX8 advanced (prep) > CD Wave > TLH
(155342) View Source
View Archive
Flac16
Source: 2 Sony ECM mics > Sony TC-152SD/Dolby B > Cassette Master
Transfer : Cassette Master > Tascam 122mkIII/Dolby B > Focusrite Scarlett 8i6 (24/96) > MAC Laptop
Lineage: WAV > DDi Codec > Adobe Audition > iZotope RX 9 Advanced > wav 16/44.1 > CD Wave > flac16
mastered SIRMick January 2022
(155343) View Source
View Archive
Flac24
Source: 2 Sony ECM mics > Sony TC-152SD/Dolby B > Cassette Master
Transfer : Cassette Master > Tascam 122mkIII/Dolby B > Focusrite Scarlett 8i6 (24/96) > MAC Laptop
Lineage: WAV > DDi Codec > Adobe Audition > iZotope RX 9 Advanced > CD Wave > flac24
mastered by SIRMick January 2022