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| Date |
Venue |
Source |
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02/01/66
|
Viola Lee Blues Rehearsals
, |
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03/12/66
|
Danish Center
, Source Detail |
MR> DATx> CD; reportedly this date, plus other '66; may also be listed as '??/??/66'- another shn set of t1-8 material circulates as such |
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03/19/66
|
Carthay Studios
, Source Detail |
??> CD> EAC> CDWave> SHN; EAC (secure mode, offset corrected), track spliting, and shorten encoding (MKW) by D.Winters, with Thanks to T.Doherty for the seed disc
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03/25/66
|
Trouper's Hall
, Source Detail |
with 7/3/66; see notes in info file; to abgd, later to etree; listener Daniel Kessler reports several digispots |
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05/19/66
|
Avalon Ballroom
, Source Detail |
flac16; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> Samplitude Professional v11.03 -> FLAC; Original Transfers and Mastering By David Gans; Additional Transfers and Mastering By Charlie Miller; this source is an upgrade to source ID 106683 |
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07/01/66
|
Unknown (perhaps Fillmore Auditorium)
, Source Detail |
Source: MSR>DAT>CDR via Andy Lemieux and Kingbee encoded by Matt Vernon |
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07/03/66
|
Fillmore Auditorium
, Source Detail |
with 3/25/66; see notes in info file; to abgd, later to etree |
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07/16/66
|
Fillmore Auditorium
, Source Detail |
SBD -> Reel Master (10 Inch Reels @ 15ips 1/2trk) -> Dat -> Sonic Solutions -> CD -> EAC -> SHN; Converted To SHN By Charlie Miller. Upgrade now in circulation. |
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07/17/66
|
Fillmore Auditorium
, Source Detail |
SBD -> Reel Master (10 Inch Reels @ 15ips 1/2trk) -> Dat -> Sonic Solutions -> CD -> EAc -> SHN; Converted To SHN By Charlie Miller |
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07/29/66
|
P.N.E. Garden Auditorium
, Source Detail |
probably MR> C> DAT> CDR> EAC> WAV> SHN; from pre-FM David Gans seed; may circulate with or without DSO filler |
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11/19/66
|
Fillmore Auditorium
, Source Detail |
SBD; liberated bootleg source; extraction/SHN by Jon Seff |
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11/19/66
|
Fillmore Auditorium
, Source Detail |
flac16; Speed corrected version of liberated bootleg sbd: shn id 41 |
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12/01/66
|
The Matrix
, Source Detail |
Source: SBD>MR>RR>C>DAT Transfer: Tascam DA-20 mkII>SB Audigy>SF 6.0>CD Wave>mkwACT>.shn |
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12/01/66
|
The Matrix
, Source Detail |
Source: SBD>MR>RR>C>DAT Transfer: Tascam DA-20 mkII>SB Audigy>SF 6.0>CD Wave>mkwACT>.shn |
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12/05/66
|
Studio: 1st album outtakes
, Source Detail |
Source: sbd>mc>cass>cd>eac>shn by Teri Kimbro. This is an sbefix of shnid 21295.
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??/??/66
|
Viola Lee Blues Rehearsals
, Source Detail |
January 1966 (?) - Viola Lee rehearsals; 47 minutes from unknown generation cassette played back on Nak CR7E; via Uli Teute and Hanno Bunjes |
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??/??/66
|
Various
, Source Detail |
flac16; SMRs>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>CD Wave Editor>FLAC |
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01/14/67
|
Polo Field, Golden Gate Park
, Source Detail |
SBD>MR >?>CDR; The great human be-in; via Raoul Duke; Seeded to etree by Matt Vernon |
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02/12/67
|
Fillmore Auditorium
, Source Detail |
2 songs most likely from studio (see notes) |
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03/18/67
|
Winterland Arena
, Source Detail |
SBD > MR > ? > CD; Seeded to etree by A.J. Fink |
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04/08/67
|
KPIX-TV Studios
, Source Detail |
TV > C/? >CDR; various artists including Dead performance; via Hanno Bunjes, Uli Teute |
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04/??/67
|
KMPX Radio Show
, Source Detail |
Pre-FM-MR> R> DAT> CDR; Conversion: CDR > EAC(secure) > Cool Edit(remove gaps) > CDWav (retrack) > mkwact(seekable) by Matt Vernon |
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05/05/67
|
Fillmore Auditorium
, Source Detail |
SBD> unknown analog gens> D; via Ben Yerys |
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|
06/18/67
|
Monterey County Fairgrounds
, Source Detail |
SBD: MR> Cass> DAT> ZA2> CD; exception: Alligator -> Caution has no
cassette gen, and may not even be from same show; CD seed via D. Hollister;
original to abgd, to etree 6/00; upgrade now in circulation |
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06/18/67
|
Monterey County Fairgrounds
, Source Detail |
SBD> MR> ? > DAT x 2> Sonic Solutions> cd
Note: There seems to be no cassette generation between the MR and DAT, which is present on the previously circulated version of this show. Remastered by ?Mandrake? |
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08/04/67
|
O'Keefe Center
, Source Detail |
SBD> MR> R> DAT> CDR; via Raoul Duke; Seeded to etree by Matt Vernon; upgrade now in circulation |
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08/04/67
|
O'Keefe Center
, Source Detail |
SBD MR>?>2R>C>CD; slight upgrade; via Hanno Bunjes and Uli Teute |
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08/04/67
|
O'Keefe Center
, Source Detail |
Includes JA Set; Stereo SBD MR>R>DAT(3)>CDR; via Stu Hanson; Seeded to etree by Greg Hurwitt; upgrade now in circulation |
|
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08/05/67
|
O'Keefe Center
, Source Detail |
SBD>MR>R>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon; upgrade now in circulation |
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08/05/67
|
O'Keefe Center
, Source Detail |
SBD MR>?>2R>C>CD; more complete and slightly better-sounding version; via Hanno Bunjes and Uli Teute |
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09/03/67
|
Dance Hall
, Source Detail |
previous shn set with "original mix Midnight Hour" via Terrapin Station |
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09/03/67
|
Dance Hall
, Source Detail |
previous shn set with "original mix Midnight Hour" via Terrapin Station |
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09/04/67
|
Dance Hall
, Source Detail |
SBD:MR> Cass> DAT> CD; via Jools |
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09/15/67
|
Hollywood Bowl
, Source Detail |
AUD>MC>R>R>NR>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon |
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10/22/67
|
Winterland Arena
, Source Detail |
SBD -> Rm -> Cass -> Dat via Charlie Miller
|
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10/31/67
|
Winterland Arena
, Source Detail |
flac16; SBD?->unkown tape generation->HHB CDR830->NEC DVD_RW ND-3520A->EAC->CDWAV-FLAC fake version of this show comprised of material from November 10th and 11th, 1967
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11/10/67
|
Shrine Exposition Hall
, Source Detail |
MR> R> R> DAT> CD> EAC > SHN; via Kirby (Chalupa) Bell, Darrin Sacks; with 7/23/67 Cassady rap filler; note source updated with extra reel gen, based on info from Rob Bertrando |
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11/11/67
|
Shrine Exhibition Hall
, Source Detail |
MSR> R> R> DAT> CDR> EAC > SHN; via Kirby (Chalupa) Bell, Darrin Sacks; note source updated with extra reel gen, based on info from Rob Bertrando |
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11/14/67
|
American Studios
, Source Detail |
MSR>C(1)>DAT>WAV>SHN. The circulating versions of these songs are different from the versions on the single and on "What a Long Strange trip It's Been" (which are the same) and therefore are listed separately. The md5's differ from the previous shn set listed. |
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01/17/68
|
Carousel Ballroom
, Source Detail |
SBD>MR>C>D>CD; via Raoul Duke; Seeded to etree by Matt Vernon & J. Cotsman |
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01/20/68
|
The Eureka Municipal Auditorium
, Source Detail |
via Julian (Jools) Elliott |
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01/20/68
|
The Eureka Municipal Auditorium
, Source Detail |
flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
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01/22/68
|
Eagles Auditorium
, Source Detail |
SBDMR > DAT > Sonic Solutions > CD > EAC > Soundforge > SHN; plus patches- see notes in info file; patching and cleanup by Noah Weiner; to abgd via Charlie Connor |
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01/23/68
|
Eagles Auditorium
, Source Detail |
Uploaded 2003/ 02/ 15 by Julian (Jools) Elliott
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|
01/27/68
|
Eagles Auditorium
, Source Detail |
1 track (all that circ); SBD:MR> DAT> PCM> DAT> CD; EAC > SHN from audio CD by David Hollister; upload by Julian (Jools) Elliott |
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02/02/68
|
Crystal Ballroom
, Source Detail |
No source info; Seeded to etree by Jools; |
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02/03/68
|
The Crystal Ballroom
, Source Detail |
SBD:MR>DAT>Sonic Solutions>CD ?
shntool fixed and seekable version of set uploaded to tol.etree.org Feb.1/03 |
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02/14/68
|
Carousel Ballroom
, Source Detail |
MR> DAT> DAT> CD> EAC> SHN, with portions from another source, probably FM; via Garrett Van Cleef, from Jim Douglas seed; includes supplemental hiss-reduced material (see info files); hosted by gdlive.com |
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03/03/68
|
Haight Street
, Source Detail |
AUD: Uher RR>DAT>DALCardDeluxe>WAV>CDR; via Raoul Duke; Seeded to etree by matt vernon |
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03/03/68
|
Haight Street
, Source Detail |
Unknown Audience Recording; Extracted with EAC and cut with CD Wav by Julian (Jools) Elliott |
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03/16/68
|
Carousel Ballroom
, Source Detail |
SBD>MR>C>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon |
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03/26/68
|
Melodyland Theater
, Source Detail |
AUD> MR> D> PCM> D> CD> EAC> SHN; circulates as filler for 5/7/69; via J. Cotsman to vine |
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03/26/68
|
Melodyland Theater
, Source Detail |
AUD> MR> D> PCM> D> CD> EAC> SHN; circulates as filler for 5/7/69; via J. Cotsman to vine |
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03/29/68
|
Carousel Ballroom
, Source Detail |
AUD > ?? > CDR; via Raoul Duke; seeded to etree by Matt Vernon |
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03/30/68
|
Carousel Ballroom
, Source Detail |
AUD>MR>D>PCM>D>CD>EAC>SHN;
the most complete form of this show in circulation;
Thanks to Andy Lemieux,
edits/encoding JCotsman |
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03/31/68
|
Carousel Ballroom
, Source Detail |
AUD>MR>D>PCM>D>CD>EAC>SHN; excerpt (all that circulates); Thanks to Andy Lemieux; edits/encoding JCotsman |
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03/31/68
|
Carousel Ballroom
, Source Detail |
AUD>MR>D>PCM>D>CD>EAC>SHN; excerpt (all that circulates); Thanks to Andy Lemieux; edits/encoding JCotsman |
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05/18/68
|
Santa Clara County Fairgrounds
, Source Detail |
Audience Master > ? > SHN |
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06/14/68
|
Fillmore East (Late Show)
, Source Detail |
AUD>MC>R>R>PCM>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; edits/encoding by JCotsman |
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06/19/68
|
Carousel Ballroom
, Source Detail |
SBD> MC> D> CD; start of Lovelight clipped, ragged sound improves later; via thecore@core.com |
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08/22/68
|
Fillmore West
, Source Detail |
flac16/48kHz; Source: Soundboard 2 track master reel> cassette > dat (48k) - provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 >wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick September 2018 |
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08/23/68
|
Shrine Exposition Hall
, Source Detail |
updated lineage: 8 track multitrack Reels> "Sonic Wizardry"> DAT> Cassette> DATs> CDRs> EAC> SHN;? via Darrin Sacks, who reports: "Not a note of this material appears on Two From The Vault.?It turns out that TFTV is composed exclusively of 8.24.68" (go buy that); with unknown (8/29/68?) filler |
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08/28/68
|
Avalon Ballroom
, Source Detail |
SBD:?>Latvala's reel>PCM>CDR; via Steve Martin; Seeded to etree by Matt Vernon |
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09/02/68
|
Betty Nelson's Organic Raspberry Farm
, Source Detail |
SBD> Reel> DAT> WAV via ZA2> CD> EAC> SHN; via Pat Volkerding |
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09/02/68
|
Betty Nelson's Organic Raspberry Farm
, Source Detail |
Recording Info: SBD -> Master Reel (Three half-inch four track reels, recorded on Ampex 440) -> Dat (Tascam DA30/44.1k); Transfer Info: Master Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (1 Disc Audio / 1 Disc SHN); Transfered and Edited By Charlie Miller 2/5/04 |
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09/20/68
|
Berkeley Community Theater
, Source Detail |
flac16; SBD > Master Reel > Cassette > Dat > CD > Adobe Audition v1.5 > CD Wave > FLAC; Transfer and Mastering by Charlie Miller |
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09/20/68
|
Berkeley Community Theater
, Source Detail |
may circulate as filler on other discs (has been seen with 1/23/68); info file compiled by Matt Vernon |
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10/08/68
|
The Matrix
, Source Detail |
Hartbeats; SBD MR->Reel (x2?)->CDR; EAC> SHN by Evan Bellaff, with thanks to Glenn Gillis |
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10/10/68
|
The Matrix
, Source Detail |
Hartbeats; note date corrected from previous 10/9/68 listing- see Deadlists; ?> DAT> ZA2> wav> (sound forge for cutting to track size)> shn; DAT> ZA2> wav? by David Hollister; SF by Konstantin; recut on sector boundaries by Jeff Hoelter; jam in set 2 is complete; set 1 sounds different than set 2; some NR applied (see info file for details) |
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10/10/68
|
The Matrix
, Source Detail |
SBD> Rm> Reel> CD (May Be SBD> Rm> Reel> Reel> CD); thanks to c.miller for seeds; DAE/shnv3 by neo_levo |
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10/12/68
|
Avalon Ballroom
, Source Detail |
SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD; via David Gans; de-glitched at the Frisco Refinery, see info file for details; Seeded to etree by eD(efojr) |
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10/13/68
|
Avalon Ballroom
, Source Detail |
via John Oleynick, Lee Revell; tracked for 1x80 min; Lee comments: "sound's a bit rough... but we're fairly certain that this is the best available source"; see info file for misc flaw notes |
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10/13/68
|
Avalon Ballroom
, Source Detail |
SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD; via David Gans; de-glitched at the Frisco Refinery, see info file for details; Seeded to etree by eD(efojr) |
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10/20/68
|
Greek Theatre, U. Of California
, Source Detail |
Complete; SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD; via Charlie Miller |
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10/30/68
|
The Matrix
, Source Detail |
Hartbeats; most complete version; documented 1st gen reel on revox A-77 r2r deck> digitized @ 96khz/24 bits> downsampled to 44.1k/16bits for CD> EAC> SHN; transfer by Jim Wise; eac/shn by Darrin Sacks; note minor addition of tuning to d3 track list |
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11/01/68
|
Armory Building, Silver Dollar Fairgrounds
, Source Detail |
SBD>MR>C>D>CD>EAC>SHN;
patched with "barely listenable portion";
Thanks to J. Powell, S. Martin, D. Litfin;
edits/encoding by JCotsman |
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11/22/68
|
Columbus Veterans Hall
, Source Detail |
AUD>MR>C>C>C>CD; 'Edited' version (speed correction, normalization, etc) of original Goodbear seed; See info file for details; Seeded to etree by J Cotsman |
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12/24/68
|
The Matrix
, Source Detail |
Garcia, Bishop, Mandel, Hart & Miller: SBD > 1st generation reel to reel > behringer ultra curve pro deq 2496 audio equalizer > tascam audio cdrw750 > plex tool professional XL > wav > flac, seeded by 38f. Longer version, correct speed. |
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01/17/69
|
Robertson Gym, U.C.S.B.
, Source Detail |
Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston |
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01/18/69
|
Playboy Club
, Source Detail |
flac16; Source: PCM wav audio from U.K. Mutt's DVD release |
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01/24/69
|
Avalon Ballroom
, Source Detail |
Complete; SBD> MSR> C> DAT> CD> SHN; via Seth Kaplan |
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01/25/69
|
Avalon Ballroom
, Source Detail |
Complete; SBD> MSR> C> DAT> CD> SHN; via Seth Kaplan |
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01/26/69
|
Avalon Ballroom
, Source Detail |
MSR> C> DAT> CD; via Seth Kaplan, Darrin Sacks; with fixed track boundaries; tracked for 1x80; see flaw notes in info file; note material from this date also appeared on Live Dead- go buy it |
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01/26/69
|
Avalon Ballroom
, Source Detail |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller |
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02/02/69
|
Labor Temple
, Source Detail |
SBD>MR>?>D>CD; via David Litfin; Seeded to etree by J. Cotsman |
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02/04/69
|
The Music Box
, Source Detail |
SBD> CM> C> D> CD; EAC> SHN (seekable) transfer by Steve Barbella |
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02/05/69
|
Soldiers & Sailors Memorial Auditorium
, Source Detail |
SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Chuck Gannon |
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02/06/69
|
Kiel Auditorium
, Source Detail |
SBD> MC> D> CD> EAC> SHN; Soundforge used for pitch correction and pop removal; edited, encoded, vined by J. Cotsman; with thanks to Paul Hartman |
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02/21/69
|
Dream Bowl
, Source Detail |
flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
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02/27/69
|
Fillmore West
, Source Detail |
SBD 16-Track Master Reel > Rough Mix DAT > DATx3 > Digital Sound Card > WAV > SHN > WAV > Cool Edit > CDWAV > SHN; via Aoxoa, R. Keshavan, Seth Kaplan; see info file for notes on patches and edits; d2 tracked for 80 min; note material from this date also appeared on Live Dead- go buy it |
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02/28/69
|
Fillmore West
, |
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03/02/69
|
Fillmore West
, Source Detail |
Multi-track reel master > DAT > CD > EAC > SHN; via Seth Kapln, Darrin Sacks; see info file for relation to previous seeds |
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|
04/05/69
|
Avalon Ballroom
, Source Detail |
SBD > REEL > REEL > DAT > SP/DIF > HD > SHN; via S. Leonard; see pub comments for flaw notes |
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04/05/69
|
Avalon Ballroom
, Source Detail |
Recording Info:
SBD -> Rm (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat
Transfer Info:
Dat -> Sonic Solutions -> CD -> EAC -> Samplitude -> SHN
Conversion By Charlie Miller |
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|
04/06/69
|
Avalon Ballroom
, Source Detail |
SBD>FM>MR>C>D>CD; via Joe Jupille; Seeded to etree by J. Cotsman |
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|
04/11/69
|
University Auditorium, U. of Az.
, Source Detail |
flac16/44 Recording Info- Bear's SBD cassette > DAT -transferred by Dick Latvala for KXCI's Dead Air program - originally broadcast on Sept 27, 1997
Fresh 2021 DAT transfer by Jim Blackwood - Sony R500 > Tascam DA-3000
Mastered by Jim Blackwood + Jamie Waddell. Pitch correction by Jason Chastain |
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04/21/69
|
The Ark
, |
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04/21/69
|
The Ark
, Source Detail |
flac16; Remastered version of the SBD -> Master Reel -> Dat -> CD -> Samplitude Professional v9.12 -> FLAC source by TomP; see Info File for details |
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04/22/69
|
The Ark
, |
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04/23/69
|
The Ark
, |
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05/10/69
|
Rose Palace
, Source Detail |
flac16; Cassette Master (Recorded By Bear on a Concord F-400 Cassette Deck) - Cassette (Ampex C-90) Playback Tascam 122 MK111 Cassette Deck No Dolby - Panasonic SV-3700 DAT @ 44.1KHz (DL) |
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05/16/69
|
Campolindo High School
, Source Detail |
Master Soundboard Cassette > Cassette > DAT (speed corrected) > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston |
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06/05/69
|
Fillmore West
, Source Detail |
flac16; Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Samplitude Professional 11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
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06/07/69
|
Fillmore West
, Source Detail |
MR > DAT > CD > EAC > Cool Edit 96
(Resampled to correct pitch) > SHN > CD > SHN; via A.J. Fink; Seeded to etree by Seth Kaplan |
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06/08/69
|
Fillmore West
, Source Detail |
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller |
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06/13/69
|
Fresno Convention Center
, Source Detail |
Master Soundboard Cassette > Cass > DAT > ZA2 > SF > CD; via Steve Barbella |
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06/14/69
|
Monterey Performing Arts Center
, Source Detail |
SBD: MCass> Cass> DAT> ZA2> SF> CD; normalized and pitch-shifted; seeded by Jeff Tiedrich, transfer and mastering by David Hollister, SHN by Jim Skinner |
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06/14/69
|
Monterey Performing Arts Center
, Source Detail |
flac16/48kHz; Source: SBD > Bear’s master cassette (Ampex C90) > Dick’s cassette (TDK-SA-X100) > DAT 16bit/48kHz; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > WAV 16/48; Transfer by Charlie Miller; Edited & Mastered by Joe Noel |
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06/20/69
|
Aoxomoxoa original mix
, Source Detail |
This is the original mix of Aoxomoxoa, which was released commercially between June 1969 and late 1971. In September, 1971, Jerry Garcia did a major remix of the entire album, eliminating a considerable amount of the backing material and trimming the beginning and end of a few songs. The LPs, cassettes, and CDs available commercially since that time contain the remix. There appear to be no plans to commercially release this original mix, so it is being made available to the broader community. |
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06/22/69
|
Central Park
, Source Detail |
AUD low gen (complete show), plus alternate SBD MC> C> D> CD (only 20 minutes circulate); via Hanno Bunjes (see notes in info file); with thanks to Julian and Uli |
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06/28/69
|
Veterans Auditorium
, Source Detail |
SBD> MR> Cassette> DAT> DAT; DAT> ZA2> Soundforge> wav> mkw> SHN; DAT seed provided by Michael P. Weitzman; Transfer and SHN by Joe Samaritano |
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06/??/69
|
Home Recordings
, Source Detail |
misc "Home recordings"; AUD> cheap mic> portable recorder; via Tzuriel to abgd |
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07/03/69
|
Reed's Ranch
, Source Detail |
flac16; Recording Info: SBD -> Cassette Master -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Pro X Suite -> FLAC; All Transfers and Mastering By Charlie Miller |
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07/11/69
|
NY State Pavilion, Flushing Meadows Park
, Source Detail |
SBD MC>C>D>CD + patch (Alligator > Drums) from AUD master > low-gen reel > cassette > CD, by Hanno Bunjes; to BUDD offer; Hanno's notes |
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07/12/69
|
NY State Pavilion, Flushing Meadows Park
, Source Detail |
d1: low-gen AUD; d2: SBD MC> C> D> CD; via Hanno Bunjes to BUDD offer; Hanno's notes |
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08/02/69
|
Family Dog at the Great Highway
, Source Detail |
flac16; SBD -> Cassette Master -> Dat
Transferred and Edited By Charlie Miller |
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08/16/69
|
Max Yasgur's Farm
, Source Detail |
SBD>MR>D>CD>EAC>SHN;
8trk Master Reels @ 15ips;
Thanks to David Litfin;
edits/encoding by JCotsman |
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08/23/69
|
Pelletier Farm
, Source Detail |
flac1644 Goody's Speed/Pitch-adjusted Remaster |
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08/30/69
|
Family Dog at the Great Highway
, Source Detail |
Master Soundboard Reel > Cass > DAT > CD; via Seth Kaplan; Seeded to etree by Steve Barbella |
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10/25/69
|
Winterland Arena
, Source Detail |
SBD> MR> DAT> Sonic Solutions> CDR; reel flip after William Tell ,
edited by David Gans; via R. Jagla |
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11/02/69
|
Family Dog at the Great Highway
, Source Detail |
mr> c1> dat> turtle bch "Fiji"> SHN; via Teddy GoodBear, Doug Johnson; to abg, later to etree; note track names by title, have spaces and/or special characters; see pub comments for flaw note |
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11/02/69
|
Family Dog at the Great Highway
, Source Detail |
Fixed version of previous file set. Same source info as 32273, but w/fixed Dark Star. |
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11/02/69
|
Family Dog at the Great Highway
, Source Detail |
Fixed version of previous file set. Same source info as 32273, but w/fixed Dark Star. |
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11/07/69
|
Fillmore Auditorium
, Source Detail |
Stated lineage: MR > DAT > CD > EAC > CDWAV > Cool Edit Pro Noise Filter > SHN > CDR; (Except for * which is MR > DAT > CD)
(Deadlists lists a probable cassette generation); via Seth Kaplan
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11/07/69
|
Fillmore Auditorium
, Source Detail |
flac16;Recording Info:SBD -> Master Reel -> Dat; Transfer Info:Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
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11/07/69
|
Fillmore Auditorium
, Source Detail |
Stated lineage: MR > DAT > CD > EAC > CDWAV >
Cool Edit Pro Noise Filter > SHN > CDR
(Except for * which is MR > DAT > CD)
(Deadlists lists a probable cassette generation)
sbe fixed 2004-01-18 with shntool
same as /shninfo_detail.php?shnid=19783 with sbe fixed. |
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11/08/69
|
Fillmore Auditorium
, Source Detail |
This is the same source as the previous one with the "c" md5s. Filenames have been changed to reflect the correct tracking per etree convention. Note complete show is released as Dick's Picks 16- go buy it |
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12/07/69
|
Fillmore West
, Source Detail |
flac16; Source: sbd > Bear's cassette master (probably) > dat (Rob Eaton) > dat (44k) - Provided by Tim Dalton; Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave >Flac16; edited and mastered SIRMick |
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12/10/69
|
Thelma Theater
, Source Detail |
MSR > D > CD, plus MSR > ? > D > CD; via Deadlists Poject, circulated with 12/11,12/69- see notes and credits in info file
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12/10/69
|
Thelma Theater
, Source Detail |
MSR > D > CD, plus MSR > ? > D > CD; via Deadlists Poject, circulated with 12/11,12/69- see notes and credits in info file
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12/11/69
|
Thelma Theater
, Source Detail |
MSR > R > PCM > CD, plus MSR > ? > Beta PCM > D > CD, plus MSR > R > C > D > CD; via Deadlists Poject, circulated with 12/10,12/69- see notes and credits in info file |
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12/12/69
|
Thelma Theater
, Source Detail |
Master Soundboard Reel > Reel to Reel > DAT > CDR; EAC>SHN by Scott Clugston |
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12/13/69
|
Swing Auditorium
, Source Detail |
7" Master Soundboard Reels > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston |
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12/20/69
|
Fillmore Auditorium
, Source Detail |
SBD> MR> ?> FM> ?> CD> EAC> SHN; edited, shned, vined by J. Cotsman; with thanks to Paul Hartman; partial- see info file |
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12/26/69
|
McFarlin Auditorium, Southern Methodist Univ.
, Source Detail |
flac16; Source: Soundboard ; Lineage: MSR> CASS> DAT> CDR> EAC> FLAC; Patched & remastered by Jack Warner; DAE and FLAC encoding by Marc Evans |
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12/28/69
|
International Speedway
, Source Detail |
mixed source SBD> (MC or MR>C)> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to David Litfin & Jay von Lehe; note d1t1-7 same, later tracks differ from previous Cotsman seed |
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12/29/69
|
Boston Tea Party
, Source Detail |
SBD MR (7" reel @7.5 ips)>DAT>DAT>CDR |
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12/30/69
|
Boston Tea Party
, Source Detail |
Recording Info: SBD -> Cass Master (Ampex C-90 Master Cass/no dolby) -> Cass (Tascam 122mkIII Cass 1st Gen) -> Dat (Technics 3800/44.1k) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN |
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12/31/69
|
Boston Tea Party
, Source Detail |
EAC of original shn set; via TOL; sbd> reel master> 2 cassette generations> dat> cdr> shn |
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01/02/70
|
Fillmore East early show
, Source Detail |
likely early show, had been marked late show; SBD plus AUD patches; via Hanno Bunjes, Uli Teute |
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01/02/70
|
Fillmore East - late show
, Source Detail |
late show, partial; SBD-> MR-> DAT (x)-> CDR (x)-> EAC; via S. Windsor
abgd; via D. Sacks to etree 12/15; cut in end of Dark Star/ beginning St.
Stephen from reel change |
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01/03/70
|
Fillmore East (Early Show)
, Source Detail |
early and late; SBD > MR > DAT > C > DAT > CDR; via Mike Lai, with thanks to Wayne Gucwa; info file by Jeff Hannan |
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01/03/70
|
Fillmore East (Late Show)
, |
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01/10/70
|
Golden Hall
, Source Detail |
Master Soundboard Reel > Reel to Reel > DAT> CDR; CD Mastering by Scott Clugston; to abgd |
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01/16/70
|
Springer's Inn Portland
, Source Detail |
sbd> ??> cdr> eac> shn; a few cuts (see tracklist); eac>shn by popi n. feeldz, with thanks to Moss Willow |
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01/17/70
|
Gill Coliseum, Oregon State University
, Source Detail |
Master Soundboard Reel > DAT > CDR; via Scott Clugston |
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01/23/70
|
Honolulu Civic Auditorium
, Source Detail |
Updated lineage: SBD > MASTER REEL > CASS > DAT > CD; Originally posted to abgd via Teddy Goodbear; seeded to fungus and tol with minor editing by Charlie Connor |
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01/24/70
|
Honolulu Civic Auditorium
, Source Detail |
SBD: Master Reel > cassette > DAT > CD > SHN; T06 (Black Peter): subsecond dropout/splice @ 7:44; T07 (Good Lovin'): cuts right before last verse; via Seth Kaplan, upload by G.S. Hamilton |
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01/30/70
|
The Warehouse
, Source Detail |
SBD>MR>C>DAT>CDR; via Raoul Duke; seeded to etree by Matt Vernon |
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01/31/70
|
The Warehouse
, Source Detail |
SBD> MR> C> D> CD> EAC> SHN; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman |
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02/01/70
|
The Warehouse
, Source Detail |
SBD>MSR>C>DAT>CD; Seeded to etree by Seth Kaplan |
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02/01/70
|
The Warehouse
, Source Detail |
Partial, Source: SBD>Bill Gadsen Reels>C>DAT>WAV>SHN
C>SHN Conversion by Cousinit |
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02/02/70
|
The Fabulous Fox Theatre
, Source Detail |
SBD>MR>R>R>PCM>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon |
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02/02/70
|
The Fabulous Fox Theatre
, Source Detail |
Partial, Source: SBD>Bill Gadsen Reels>C>DAT>WAV>SHN
C>SHN Conversion by Cousinit |
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02/02/70
|
The Fabulous Fox Theatre
, Source Detail |
SBD>MR>R>R>PCM>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon |
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02/04/70
|
Family Dog at the Great Highway
, Source Detail |
Lineage: MSR>C>D>CD Tracks 2-7 ** - Two added tracks sourced from PBS TV broadcast via Seth Kaplan |
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02/05/70
|
Fillmore West
, Source Detail |
SBD MR> C> D> CD + AUD low-gen; more material than previous versions, >80 min including bonus track; pitch correction, EQ, CD mastering by Hanno Bunjes, with thanks to Uli Teute |
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02/06/70
|
Fillmore West
, Source Detail |
SBD> MR> C> D> CD; via Don Bean |
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02/07/70
|
Fillmore West
, Source Detail |
SBD MR>C>D>CD + AUD MC>4C>CD patches; via Uli Teute; Seeded to etree by Hanno Bunjes; Note- This is an eac of the 'same' source discs as the previous Hanno seed; See info file for Hanno's comment |
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02/08/70
|
Fillmore West
, Source Detail |
composite: AUD>MC>R>PCM>D>CD>EAC>SHN;
SBD>MR>C>D>CD>EAC>SHN; several other sources used as patches; differs from previous seeds as having SBD source for Smokestack & SOTOTW;
Thanks to Andy Lemieux |
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02/08/70
|
Fillmore West
, Source Detail |
MAC> R> PCM> DAT> CD; MSR> C> DAT> CD; MSR> ?> C> DAT> CD (end of Lovelight); Source discs supplied by Andy Lemieux, CD> EAC> WAV> SHN by Sean Cribbs |
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02/11/70
|
Fillmore East (late show)
, Source Detail |
early and late shows; MSR> DATs> CDRs> EAC> shn; see info file for flaws and notes; shn and u/l by Darrin Sacks; also, Ben Yerys reports UJB encore pops (not sure if from CD or DAT source): 3.23?; 4.35, 5.26??, 5.27??; note d2alt.md5 also shown for a version noted at gdlive 7/01+, having a different d2t3 md5- reason unknown |
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02/11/70
|
Fillmore East (late show)
, Source Detail |
flac16; portions of early and late shows; Master soundboard reels > DAT > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0); includes Patch for Dark Star: Master audience tape > ? > DAT > CD; EAC> FLAC by Jack Warner, with thanks to anonymous and Bob Murphy for patch material |
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02/11/70
|
Fillmore East (late show)
, Source Detail |
flac16; SBD MR w/ AUD Patches * > DAT > CD > EAC > WAV > FLAC |
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02/12/70
|
Ungano's Night Club
, Source Detail |
SBD > 8 TRACK 1" RTR @ 7.5 I.P.S. > MASTER ARCHIVE 24-BIT D > SSSB (note: a SBE fixed file set also circulates) |
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02/13/70
|
Fillmore East
, |
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02/13/70
|
Fillmore East (Late Show)
, Source Detail |
early and late; mostly from SBD> MR> D> CD> EAC> SHN, with patches from SBD> MR> PCM> D> CD >EAC> SHN and SBD> MR> R> D> CD> EAC> SHN; mastered on 7" reels @ 15ips; encoding by JCotsman, with thanks to Paul Hartman, David Litfin et al |
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02/13/70
|
Fillmore East
, Source Detail |
early show; Sbd > Master reel >DAT >Sonic Solutions workstation >CDR >EAC >shn; Seeded by David Gans; posted to abgd |
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02/14/70
|
Fillmore East
, Source Detail |
complete early/late shows from: SBD> MR> D> CD> EAC> SHN & SBD> MR> PCM> D> CD> EAC> SHN; TMNSP release, encoding by JCotsman
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02/23/70
|
The Auditorium
, Source Detail |
SBD>MR>C>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon |
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02/23/70
|
The Auditorium
, Source Detail |
SBD>MR>C>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon |
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02/27/70
|
Family Dog at the Great Highway
, Source Detail |
Master Soundboard Reel > Cassette > DAT > CDR; via Scott Clugston to abgd and etree; note includes Casey and Cumberland |
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02/27/70
|
Family Dog at the Great Highway
, Source Detail |
flac16; Recording Info: SBD -> Master Reel (7.5ips 1/2trk) -> Dat/0 (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller |
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02/28/70
|
Family Dog at the Great Highway
, Source Detail |
SBD>MR>C>D>CD; Missing Casey Jones and Uncle John's Band |
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03/01/70
|
Family Dog at the Great Highway
, Source Detail |
SBD MR>C>D>CD; patch of circulating SBD with AUD by Hanno Bunjes: 3rd gen cassette > CD > SoundForge (5% speed correction/amplify) > CD; to BUDD offer; Hanno's notes |
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03/01/70
|
Family Dog at the Great Highway
, Source Detail |
SBD MR>C>D>CD; patch of circulating SBD with AUD by Hanno Bunjes: 3rd gen cassette > CD > SoundForge (5% speed correction/amplify) > CD; to BUDD offer; Hanno's notes |
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03/07/70
|
Civic Auditorium
, Source Detail |
low-gen AUD; shn'ed by Hanno Bunjes, with thanks to Uli Teute for the AUD source; Hanno's notes
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03/08/70
|
Star Theatre
, |
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03/08/70
|
Star Theatre
, Source Detail |
flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD;
Transfer Info:CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
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03/20/70
|
Capitol Theater
, Source Detail |
mixed source (SBD> MR> PCM, unknown gen AUD, 2nd gen AUD)> ZA2> CD, mastered by David Hollister; EAC> SHN by G.S. Hamilton with thanks to Brian Voelz |
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03/21/70
|
Capitol Theater (Late)
, Source Detail |
late show; Cassette Master> Soundforge> cd> SHN; see more details in txt; Port Chester Resurrection Project |
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03/24/70
|
Pirates World
, Source Detail |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC |
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04/03/70
|
Field House, U. of Cincinnati
, Source Detail |
SBD; Monitor Noise throughout show; noted at gdlive 5/01; via Aaron Farnsworth |
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04/03/70
|
Field House, U. of Cincinnati
, Source Detail |
SBD > ?> bootleg CD> pitch correction and retracking > SHN; see info file for notes; via thecore@core.com |
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04/03/70
|
Field House, U. of Cincinnati
, Source Detail |
flac16; MR>R>FLAC (shnid: 114616) Used Diamond Cut/Forensics 8.1 to clean up the monitor noise (sounds like an unshielded cable) and a little of the over saturation (analog recorder clipping) on the source. |
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04/09/70
|
Fillmore West
, Source Detail |
complete; SBD MR> C> D> CD + AUD MC> 4C> D> CD; AUD taper Harry Ely; sources assembled by Hanno Bunjes, with thanks to Julian for the SBD and Uli for the AUD; Hanno's notes |
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04/11/70
|
Fillmore West
, Source Detail |
Partial; 30 min Lovelight and ~2 mins NFA; See info file for details; SBD>MR>C>D>CD; via Chuck Gannon; Seeded to etree by JCotsman |
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04/12/70
|
Fillmore West
, Source Detail |
combination (SBD Reel master > Sonic Solutions > DAT ) plus (Aud cassette master > PCM > DAT > Sonic Solutions) > CD > EAC > SHN; see info file for notes; seed via Seth Kaplan |
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04/15/70
|
Winterland Arena
, Source Detail |
MSR>DAT>CD>EAC>SHN (mkwACT) via Seth Kaplan includes 5 additional songs from a prior seed |
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04/24/70
|
Mammoth Gardens
, Source Detail |
AUD>MC>C>D>CD; via Chuck Gannon; Seeded to etree by J. Cotsman; Note- Original d2 was 'messed up' and scrapped early. Likely it does not circulate. |
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|
|
|
05/01/70
|
Alfred College
, Source Detail |
Master Soundboard Reel > (reel to reel, for part)> DAT > Sonic Solutions > CDR; EAC'ed / SHN'ed by Scott Clugston |
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|
05/02/70
|
Harpur College
, Source Detail |
flac24; reel> cass > cass Nak Dr-1 > Lynx Studio Interface at 32 bit float / 96 kHz Weiss Saracon for BRC to 24 bit / 96 kHz by Jamie Waddell |
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05/02/70
|
Harpur College
, Source Detail |
flac24; reel> cass > cass Nak Dr-1 > Lynx Studio Interface at 32 bit float / 96 kHz Weiss Saracon for BRC to 24 bit / 96 kHz by Jamie Waddell |
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|
05/06/70
|
Kresge Plaza, M.I.T.
, Source Detail |
MSR (MIT WMBR Reels) 10", 2-sided, 1/2 Track Mono (no extra reel gen)->
Otari MX 55 2 track (playback) ->Â TC 2000 Studio Effects Processor
(using only the A->D converter, no effects) ->Â Sonic Solutions (at
20 bits resolution) -> mastered to CD using Sony SBM 2Â (No DAT generations)
-> CD (from Gans) > EAC > SHN; (note updated source details); via E. Polonsky,
D. Gans, R. Keshavan, D. Sacks; note reel splice at China/Rider transition
(track boundary at splice) |
|
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|
05/07/70
|
Dupont Gymnasium, MIT
, Source Detail |
flac16; Source: Audience Cassette Master > Reel > PCM (Sony HG) - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred By Charlie Miller; New Riders Of The Purple Sage Source: Audience Cassette Master > ? > 7" Reel > DAT; Transfer: DAT > HD > SHN - Transferred by Noah Weiner; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018; the original version of this source had a tracking error in the set 3 files |
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|
05/14/70
|
Meramec Community College
, Source Detail |
flac16; Source: Soundboard
Lineage: MSR> DAT> CDR> EAC> FLAC
except * = MSR> DAT> CASS> ?> CASS> DAT> CDR> EAC> FLAC
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05/14/70
|
Meramec Community College
, Source Detail |
flac16; Set 2 Source: Soundboard > Reel Master > DAT (48k) |
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|
05/15/70
|
Fillmore East (Late Show)
, Source Detail |
New Master Reel transfer:
SBD:10" 1/2 track Master Reels @ 7.5 ips>Revox A700 playback deck>Alesis Masterlink ML 9600>CD.
No PCM generation in GD/NRPS sets. No analog gens in NRPS sets. Upgrade from previously circulating source. Seeded to etree 5/31/2005 by Chuck Reynolds and Seth Kaplan. |
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|
05/16/70
|
Temple University
, Source Detail |
AUD>MC>?>C>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; This shn set is derived from the Noah Weiner seed, and following Noah's edits, has been pitch corrected using Sound Forge; edits/encoding by JCotsman
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|
05/24/70
|
Newcastle-Under-Lyme
, Source Detail |
flac16; MSR > CDR > PC > my edits in Goldwave > CDR > FLAC; patched with unknown MR > cassette > PC and with shnid 6481 |
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|
06/04/70
|
Fillmore West
, Source Detail |
flac16; sbd > ?? > wav > audacity(snaps,crackles,pops) > wavmerge > cdwav > tlh(flaclevel8) > flac16 |
|
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|
06/06/70
|
Fillmore West
, Source Detail |
flac16; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bear on a Sony 770 Reel 2 Reel)- 1st Generation Cassettes (TDK SAX-100's) Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No Dolby); Analog to Digital Transfer(Cassettes played back on Nakamichi Dragon-Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa late 1990's) Zero Gen DAT play back on a Sony PCM R-500-Digital Out @ 16/44.1kHz-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); Jim Wise |
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|
06/24/70
|
Capitol Theater (Late)
, Source Detail |
Late Show--Electric Set; center lodge, mics mounted on rails->120-min. Sony cassette audience master->
analog cassette XL II, no dolby->Sony TC D5M DAT->playback on Sony PCM R-700->
HDD via za2->CDR master via CD Architect->EAC->Sound Forge->SHN; via Crazy Jimi; Seeded to etree by Harlan |
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|
06/24/70
|
Capitol Theater (Late)
, Source Detail |
early and late shows (see discussion in txt and pub comments); Sony TC124 with unknown Sony dynamic mics |
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06/24/70
|
Capitol Theater (Late)
, Source Detail |
Audience tape recorded by J.Cooper: Hitachi trq-222 stereo casstte recoder using 2 hitachi mics and a 120 minute tape. Transferred by Coopernicus March 2006: Sony tcd5pro2>dbx223> Sonyrcdw500c MC>EQ>CDR>EAC>FLAC
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|
07/12/70
|
Fillmore East
, Source Detail |
source: aud > ??? > shn > wav > shn via SirMick |
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|
07/14/70
|
Euphoria Ballroom
, Source Detail |
both sets; SBD> MR> C> D> CD> EAC> SHN; aud patch for Don't Ease; edits/encoding by JCotsman |
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07/16/70
|
Euphoria Ballroom
, Source Detail |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller |
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|
07/16/70
|
Euphoria Ballroom
, Source Detail |
Set 2; SBD>MR>?>C>CD>SHN |
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|
08/05/70
|
Golden Hall Community Concourse
, Source Detail |
MSR > Reel > PCM > DAT > CDR > EAC > SHN via Andy Lemieux, encoding Joe Jupile |
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|
09/17/70
|
Fillmore East
, Source Detail |
AKG190E>Uher 400L>Master Audience Reel>Reel>DAT>CDR>EAC(Secure Mode)>WAV>Soundforge (Speed Corrected)>FLAC
Taped by Marty Weinberg
A GEMS production -+-+- www.shnflac.net -+-+- March 2006
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09/20/70
|
Fillmore East
, Source Detail |
flac16; Set One: Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Set Two: DAT-> PANASONIC SV-3700-> TASCAM DA-30 (Spring 1996)-> DAT-> Panasonic SV-3800-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> Adobe Audition 3.0.1; Wavelab 7.1 mastering by Jamie Waddell; Track, FLAC and Pack by John Wenzel; a project **GEMS** |
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|
10/30/70
|
Gym, SUNY (Early Show)
, Source Detail |
flac16; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/44.1k; Dat supplied By Dan De Luca; Transferred By Digitalrbb; Mastered By Charlie Miller; the original files had a flaw in s3t01 which was later fixed (2012/09/06) |
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|
10/31/70
|
Gym, S.U.N.Y. (Late)
, Source Detail |
Late Show, includes NRPS set; MSR> C> DAT> WAV> SHN; Cassette Source recorded directly from Master Reels; C>SHN Conversion by Cousinit; note parens in filenames |
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|
11/05/70
|
Capitol Theater
, Source Detail |
D1T1 through D2T2: MAC>C>D>CD>EAC>SHN>WAV>FLAC
D2T3 through D2T5: MAC>?>C>D>CD>EAC>SHN>WAV>FLAC
Recorded by Ken Leigh with a Sony TC-110 with built-in microphone, from center loge.
This is remaster of shnid 17182
I decided to track it a little differently to the original seed |
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|
11/08/70
|
Capitol Theater
, Source Detail |
The Port Chester Resurrection Project #7 Taped by Ken and Judy Lee. See txt file for details. |
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11/11/70
|
46th Street Rock Palace
, Source Detail |
flac16; aud > mc > cass (4 gens) > d > cd > eac > shn > wav > flac; remaster of shnid 17081; via SIRMick |
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11/16/70
|
Fillmore East
, Source Detail |
SBD:MR>Revox deck (model unknown): 10" ? track Reel @ 7.5ips > Revox B77 playback deck > Alesis Masterlink ML9600 > CD > EAC > Cool Edit 2000 > SHN. A>D by Bill Gadsden. encoding Dave Winters. (Note: Other shn sets assign this music to 11/23/70). |
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|
11/20/70
|
The Palestra, U. of Rochester
, Source Detail |
AUD (Marty Wienberg)> MR> PCM> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Jeff Cook |
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|
11/21/70
|
Sargent Gym, Boston University
, Source Detail |
SBD>?>C>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; edits/encoding by JCotsman |
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11/21/70
|
Sargent Gym, Boston University
, Source Detail |
Partial; SBD C/?; See info file for detail; From Uli Teute & Hanno Bunjes |
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11/29/70
|
Club Agora
, Source Detail |
AUD low gen; a few cuts; via Hanno Bunjes with thanks to Uli Teute; pitch corrected; Hanno's notes |
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12/12/70
|
Santa Rosa Fairgrounds
, Source Detail |
Master Soundboard Reel > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; see info file for deadlist.com notes |
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12/23/70
|
Winterland Arena
, Source Detail |
Partial; SBD>MR>R>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon |
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12/26/70
|
Legion Stadium
, Source Detail |
sdb> R> pcm> cd; via Mike Lai to etree and furthur; with thanks to Wayne Gucwa |
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12/26/70
|
Legion Stadium
, Source Detail |
Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Patch Info: SBD -> Master Reel -> ? -> Dat -> SHN Edited and Patched By Charlie Miller |
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|
12/27/70
|
Legion Stadium
, Source Detail |
SBD -> Master Reel (7inch Master Reels@7.5ips 1/2trk) -> Cassette -> Dat ->
CD -> EAC -> Samplitude v7.02 Professional -> SHN Edited By Charlie Miller
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|
12/28/70
|
Legion Stadium
, Source Detail |
SBD> Master Reel> Cassette> Dat> CD> EAC> Samplitude v7.02 Professional> SHN, Patched with Sony ECM-22> Rm> Dat> CD; All Editing Done By Charlie Miller |
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12/28/70
|
Legion Stadium
, Source Detail |
DTS Audio 5.1; SBD (shn id 22313) SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN + AUD (shn id 17706) MR > DAT > CD - dts mixing by Kevin Tobin |
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12/31/70
|
Winterland Arena
, Source Detail |
Complete; Mixed Sources; FMS (KSAN)> ??> Cass> DAT> CDR; SBD MR> Cass> DAT> CDR (Pre-FM GDH) |
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12/31/70
|
Winterland Arena (aftershow)
, Source Detail |
"aftershow" and promos; sbd> ?reel?> dat> cd> EAC > CDWav (split)> shn V3; EAC>SHN by Brian Cole, from Jim Oade seed |
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|
??/??/70
|
Pacific High Recording Studio
Bootleg CD, |
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|
01/24/71
|
Seattle Center Arena
, Source Detail |
flac16; Recording Info: SBD > Master Reel > Cassette > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitide Pro X5 Suite > FLAC |
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02/18/71
|
Capitol Theater
, Source Detail |
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct) |
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02/18/71
|
Capitol Theater
, Source Detail |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
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02/19/71
|
Capitol Theatre
, Source Detail |
7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV >
Cool Edit Pro (filtering and sample rate conversion) > SHN data files
(seed); mono; slight whine reduced with notch filter (see info file for details and other flaw notes);
via WBOTB tree (site includes covers) |
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02/19/71
|
Capitol Theatre
, Source Detail |
flac 16; Sick Bits Vol. 13 - SBD/AUD matrix of two previosly circulated sources (SBD - shnid=1029 + AUD - shnid=30230), edited and
encoded by Chris Chappell. |
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02/20/71
|
Capitol Theater
, Source Detail |
7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs |
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02/23/71
|
Capitol Theater
, Source Detail |
SBD> MR> DAT> SFNR>C D-R; via Leigh Orf; WBOTB source> distortion removed digitally (see notes) |
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|
02/23/71
|
Capitol Theater
, Source Detail |
flac116; Recording Info:SBD -> Master Reel -> CD; Transfer Info:
CD -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller |
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|
02/24/71
|
Capitol Theater
, Source Detail |
via Leigh Orf; WBOTB source > distortion removed digitally (see notes) |
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|
03/03/71
|
Fillmore West
, Source Detail |
SBD> MR> (cass gen?)> DAT> CDR, plus possible patch; see info file for flaw notes; via Mike Lai, with thanks to Paul B. |
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|
03/03/71
|
Fillmore West
, Source Detail |
flac16; Master Soundboard Recording, unknown pedigree; Transfer - Nak BX-300 > Sony 75ES > DAT; Mastering by Jamie Waddell and Jason Chastain |
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|
03/14/71
|
Camp Randall Field House, University of Wisconsin
, Source Detail |
Sbd> MR> Dat> CD; EAC >CDWav (split)> shn V3 by Brian Cole; parent seed courtesy Jim Oade; some editing in d1t6, d2t1 |
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03/18/71
|
Fox Theatre
, Source Detail |
SBD (7") MR> Cass> DAT> CD; via Ben Yerys, M. Wienke |
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04/04/71
|
Manhattan Center
, Source Detail |
flac16; MSR>C>DAT3x>Delta DiO 2496>SoundForge 7.0>cdwav>Flac |
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|
04/04/71
|
Manhattan Center
, Source Detail |
flac16; MSR>C>DAT3x>Delta DiO 2496>SoundForge 7.0>cdwav>Flac |
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|
|
|
|
04/05/71
|
Manhattan Center
, Source Detail |
remastered de-whined version? (see notes) of version circulating 8/99, via Leigh Orf; his other comments: "I also fixed track sector boundaries (urk why can't people get this right the 1st time), cut a couple of annoying micro-dropouts, put smooth fades in/out where the reel stopped/started, and did a seamless crossfade-merge on the reel flip in Lovelight" and retracked d3 |
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|
04/06/71
|
Manhattan Center
, Source Detail |
flac16/44 Betty Cantor-Jackson's Master Soundboard Reels (7" 1/2 track @ 7 1/2 ips w/ dolby A) > Steve Whitaker's Sony PCM-501 (PCM/0); Steve Whitaker's PCM/0 (Sony PCM-601; digital out) > Rob Eaton's Panasonic SV-3700 DAT (16/44.1); Rob Eaton's DAT (16/44.1)(Panasonic SV-3700) > Dolby A361 > Rob Eaton's Panasonic SV-3700 (16/44.1)
Transfer Info: DAT (16/44.1)(Tascam DA-40) > Tascam DA-3000 (16/44.1) > .wav (16/44.1) > Adobe Audition 2020 > TLH flac16 |
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04/29/71
|
Fillmore East
, Source Detail |
flac16; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit ->
Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller |
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|
05/29/71
|
Winterland Arena
, Source Detail |
source 1: AUD>M?>C>CD>EAC>SHN;
source 2: AUD>M?>C>D>SHN;
see caveat for sound quality;
Thanks to Jim Powell and others |
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|
05/29/71
|
Winterland Arena
, Source Detail |
flac16; Recording Info:
SBD -> Master Reel -> CD
Transfer Info:
CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC
(1 Disc Audio / 1 Disc FLAC) |
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05/30/71
|
Winterland Arena
, Source Detail |
flac16; Unknown Mics -> ? -> Cassette -> Dat (44.1k)
Transferred and Edited By Charlie Miller |
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|
07/02/71
|
Fillmore West
, Source Detail |
Pre-FM MSR> DAT> CD?; Transfer: EAC> WAV> FLAC by Sean Cribbs, from Connie Veigh source discs |
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|
08/14/71
|
Berkeley Community Theater
, Source Detail |
flac16; Recording Info: SBD > MR > C > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; Transferred, tracked and mastered by Bill Guarneri, August 5, 2014 |
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08/15/71
|
Berkeley Community Theater
, Source Detail |
flac16; Recording Info: SBD > MR > C > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; Upgrade of existing sources. No shn or CDR in lineage. Transferred, tracked and mastered by Bill Guarneri, August 7, 2014 |
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|
08/26/71
|
Gaelic Park
, Source Detail |
Fixed version of previous file set. Source info same as 32303, but with fix for static in one channel during the last second of d1t12. |
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|
09/29/71
|
Studio Rehearsals with Keith Godchaux
, Source Detail |
MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt |
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|
09/30/71
|
Studio Rehearsals with Keith Godchaux
, Source Detail |
Studio rehersal with Keith Godchaux MSR>C>DAT>WAV>SHN via Cousinit |
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|
09/??/71
|
Keith rehearsals
, Source Detail |
Studio Rehearsals w/ Keith Godchaux: Compilation of 09/29 & 09/30, and 10/01/71; boot cd (unsurpassed vol 5) -> eac-> wav-> shn; Unknown seeder; note this shn set used to be listed on 10/1/71 but would be better moved here- use this date instead for the comp |
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|
10/01/71
|
Studio
, Source Detail |
MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt. [An alternate shn set was seeded by Cousinit since original shns were not archived]. |
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|
10/19/71
|
Northrop Auditorium, U. of Minn.
, Source Detail |
PreFM Soundboard Reels > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston |
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|
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|
10/19/71
|
Northrop Auditorium, U. of Minn.
, Source Detail |
flac16; Recording Info: SBD -> Reel Master (7 inch 1/4 track) -> Dat (48k) Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
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10/21/71
|
Auditorium Theatre
, Source Detail |
SBD> MR> C> D> CD> EAC>S HN; EAC/ shn encoding/ edits by J. Cotsman, with thanks to Jeff Cook; see listening notes in info file |
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|
10/21/71
|
Auditorium Theatre
, Source Detail |
Jay Ashley (Bertha) remaster of original MR source; SBD>>MR>>Cass>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA |
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10/22/71
|
Auditorium Theatre
, Source Detail |
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
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|
10/23/71
|
Eastown Theater
, Source Detail |
SBD>FM>?>C>Sound Forge>SHN; via Walter Schnell; Seeded to etree by J. Cotsman |
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|
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|
10/24/71
|
Eastown Theater
, Source Detail |
Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston |
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|
10/26/71
|
The Palestra, U. of Rochester
, Source Detail |
Source 1: (all material on discs 1 & 2)
SBD>MR>R>C>D>CD(pre FM)
Source 2: (all material on disc 3)
SBD>MR>?>D>CD; via Matt Vernon, Raoul Duke, and Jeff Cook; Seeded to etree by J. Cotsman
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10/27/71
|
Onondaga County War Memorial
, Source Detail |
Missing 3 2nd set tracks, see info file for details; SBD>FM>MR>?>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman |
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10/27/71
|
Onondaga County War Memorial
, Source Detail |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
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10/29/71
|
Allen Theatre
, Source Detail |
Complete; 1st set: SBD> FM> ?> C> Sound Forge> SHN; 2nd set: SBD> MR> D> CD> EAC> SHN; via Walter Schnell, Tony Gardner & Paul B.; Seeded to etree by J. Cotsman |
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10/29/71
|
Allen Theatre
, Source Detail |
set 2; SBD> MR> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B. CD |
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11/07/71
|
Harding Theater
, Source Detail |
SBD : Pre-FM Reel > DAT > CD; via Seth Kaplan |
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11/12/71
|
San Antonio Civic Auditorium
, Source Detail |
flac16; Source: Sbd > master reel (vault) > reel (dick latvala) > dat 48k (rob Eaton); Transfer: Dat > Sony R500 > Sound Devices 744T > wav 16/48; transfer by Charlie Miller; Lineage: wav 16/48 > Adobe Audition 3.0.1 > iZotope Ozone 5 Advanced > iZotope RX4 advanced > wav 16/44.1 > CD Wave > TLH > Flac 16; edited and mastered SIRMick |
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11/15/71
|
Austin Municipal Auditorium
, Source Detail |
flac16; MSR>C>DAT2x>Delta Dio 2496>Soundforge>WAV>FLAC This is from a new single source (seeded 11/15/05) |
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11/17/71
|
Albuquerque Civic Auditorium
, Source Detail |
SBD>FM>MC>C>D>CD; Patched with SBD>FM>MC>?>C>Sound Forge>SHN (higher gen than primary source); See info file for details; via Jeff Cook & Walter Schnell; Seeded to etree by J. Cotsman |
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11/20/71
|
Pauley Pavilion, UCLA
, Source Detail |
flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
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12/02/71
|
Music Hall
, Source Detail |
flac16; Source Info: FM Broadcast (WBCN Boston); Master Reel to Reel > Matt Smith's 1st generation Reels; Transfer Info: 1st generation reels ((Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp |
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12/05/71
|
Felt Forum, Madison Square Garden
, Source Detail |
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
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12/06/71
|
Felt Forum, Madison Square Garden
, Source Detail |
flac16; Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller |
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12/07/71
|
Felt Forum, Madison Square Garden
, Source Detail |
SBD> MR @ 10.5 IPS> DAT> CD; stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; note large cut in Casey Jones |
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12/15/71
|
Hill Auditorium
, Source Detail |
flac24; Recording Info: SBD > Master Reel > Pro Tools > FLAC/24; Mastering Info: FLAC/24 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24 |
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03/23/72
|
Academy of Music
, Source Detail |
flac16;Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info:Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller |
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04/07/72
|
Wembley Empire Pool
, Source Detail |
2 AUD sources: MR> C> CDR + M?> low-gen reel> CDR (see info file); mastered by Hanno Bunjes from compilation tape by Uli Teute; Hanno's notes |
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04/08/72
|
Wembley Empire Pool
, Source Detail |
SBD> MR (16 track)> DAT> [Disc 3 only: SS]> Sound Forge 4.5>CDR; remastering by Bill Giles, with disc 3 work by David Gans; EAC> SHN by Jeff M.; see detailed notes in info file |
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04/11/72
|
Newcastle City Hall
, Source Detail |
remastered by Bill Giles - source is SBD MC>D>CD>SoundForge>CD
See info file for flaws & Bill's mastering notes |
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04/14/72
|
Tivoli Theater
, Source Detail |
SBD>mR>C>D>CD; See info file for various patches; via Jack Warner; Jim Powell; seeded to etree by Greg Hurwitt |
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04/16/72
|
Stakladen, Aarhus University
, Source Detail |
set 1 from a slightly better sounding cassette source; via Uli Teute and Hanno Bunjes |
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04/16/72
|
Stakladen, Aarhus University
, Source Detail |
Set 1: SBD>Rm>?>Cass>Sound Forge>SHN
Set 2: SBD>Rm>Dat>Sonic Solutions>CD>EAC>Samplitude>SHN
Set 2 Conversion and Editing By Charlie Miller
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04/17/72
|
Tivoli Concert Hall
, Source Detail |
SBD>??>French TV Broadcast>C>DAT>CDR; Several missing tracks, see info file for details; via Raoul Duke; Seeded to etree by Matt Vernon |
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04/21/72
|
Beat Club
, Source Detail |
SBD>FM>MR>PCM>DAT>CDR; Including soundcheck, missing 3 songs, see info file for details; via Raoul Duke; Seeded to etree by Matt Vernon |
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04/24/72
|
Rheinhalle
, Source Detail |
source 1: AUD>MR>C>D>CD>EAC>SHN
source 2: SBD>??>D>CD>EAC>SHN via Jeff Cook & Chuck Kiefe edits/encoding by JCotsman |
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04/26/72
|
Jahrhundert Halle
, Source Detail |
Source : SBD > ? > CE2K (minor cleanup) > mkwact > SHN(seekable)
This is an upgrade to the previous shn set via Matt Vernon |
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04/29/72
|
Musikhalle
, Source Detail |
SBD>MR>??>DAT>CDR via Raoul Duke. Pitched and patched with etree audience source and shn encoded by Matt Vernon. |
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04/29/72
|
Musikhalle
, Source Detail |
SBD/AUD Matrix of the Set 2 Jam via Matt Vernon from etree aud and sbd sources |
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04/29/72
|
Musikhalle
, Source Detail |
SBD/AUD Matrix of the Set 2 Jam via Matt Vernon from etree aud and sbd sources |
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04/29/72
|
Musikhalle
, Source Detail |
flac16; Recording Info: SBD -> Master Reel (14 inch 16 track Master Reels @ 15ips) -> Dat (44.1k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller |
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05/03/72
|
Olympia Theater
, Source Detail |
Soundboard> Master Reel (multi-track)> DAT x 5. DAT> ZA2> .wav> mkw> SHN. DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano; note: channel problems fixed by Joe in reseed- get that version instead |
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05/03/72
|
Olympia Theater
, Source Detail |
Soundboard> Master Reel (multi-track)> DAT x 5. DAT> ZA2> .wav> mkw> SHN. DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano; note: channel problems fixed by Joe in reseed- get that version instead |
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05/04/72
|
Olympia Theater
, Source Detail |
*Set 1 Only* Soundboard->Master Reel->PCM->DAT x ?; DAT->ZA2->Soundforge->.wav->mkw->SHN. Includes in between song tuning and banter that other sources have edited out. DAT seed, transfer, and SHN by Joe Samaritano.
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05/04/72
|
Olympia Theater
, Source Detail |
*Set 1 Only* Soundboard->Master Reel->PCM->DAT x ?; DAT->ZA2->Soundforge->.wav->mkw->SHN. Includes in between song tuning and banter that other sources have edited out. DAT seed, transfer, and SHN by Joe Samaritano.
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05/04/72
|
Olympia Theater
, Source Detail |
SBD > reel > DAT > CDR; via J. Serafin, C. Gannon; extraction, .shn
by G.S. Hamilton; note d1t12 1:33-1:43 digi-noise; Casey Jones beginning cut (on master?) |
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05/04/72
|
Olympia Theater
, Source Detail |
SBD > reel > DAT > CDR; via J. Serafin, C. Gannon; extraction, .shn
by G.S. Hamilton; note d1t12 1:33-1:43 digi-noise; Casey Jones beginning cut (on master?) |
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05/07/72
|
Bickershaw Festival
, Source Detail |
Discs 1 & 2 are a compilation of multiple Audience sources; Discs 3 & 4 are supplied from a Master Soundboard Reel > DAT source; There is a 5th disc which contains the NRPS set; Seeded by Scott Clugston |
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05/10/72
|
Concertgebouw
, Source Detail |
S:MR > Cassette > DAT > CDR > SHN; Extraction and SHN encoding by Seth Kaplan; upload by Greg Hamilton; known flaw: Bertha fades in |
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05/11/72
|
Rotterdam Civic Hall
, Source Detail |
10" MR@7.5ips->DAT>CDR; Note This seed does not have the splice in IKYR and it includes OMSN. Shn'ed & uploaded to fungus by Joe Samaritano 12/29/01; Seeded to abgd via Charlie Connor 01/02. |
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05/11/72
|
Rotterdam Civic Hall
, Source Detail |
Jay Ashley (Bertha) remaster of Master Reel source; SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>SHN |
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05/11/72
|
Rotterdam Civic Hall
, Source Detail |
Jay Ashley (Bertha) remaster of Master Reel source; SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>SHN |
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05/13/72
|
Lille Fairgrounds
, Source Detail |
sbd > mr > cass > dat > cda > eac > shn v3; via Chris Ladner to vine and etree; encore missing |
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05/13/72
|
Lille Fairgrounds
, Source Detail |
SBD -> Rm -> Dat -> CD -> EAC -> SHN
(1 Disc Audio / 1 Disc SHN); Converted To SHN BY Charlie Miller |
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05/16/72
|
Theatre Hall
, Source Detail |
Source: SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN
Apparently, d1t06 is from etree seed 7089 and the rest of the show
is from 10353. Seeded to Etree via Tol. |
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05/16/72
|
Theatre Hall
, Source Detail |
flac16; Set 1 Source Info: Radio Luxembourg FM Broadcast > 1st generation Reel > PCM > Dat (16 bit/44.1 kHz); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 > dBpoweramp > Adobe Audition 3.0 > TLH flac16 |
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05/18/72
|
Kongressaal Deutsches Museum
, Source Detail |
MSR> ?> dat> cdr; Repaired version of previous shn set; See info file for details; via Mike (Unicorn) to abgd; Note- md5's/txt from shn set hosted on tol.etree.org added 4-27-03 |
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05/23/72
|
Lyceum Ballroom
, Source Detail |
MSR>C>DAT>CD>EAC>WAV>SHN via Andy Lemieux encoded by Sean Cribbs |
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05/23/72
|
Lyceum Ballroom
, Source Detail |
Lineage (most likely):10" 2-track RM > C > D > C speed corrected, complete 4 disk version via Unicorn
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05/24/72
|
Lyceum Ballroom
, Source Detail |
AUD: mono crappy Pye cassette recorder with hand-held mike > Ampex R2R > CD-R > EAC > CEP > CDWAV > .shn & CD-R; Original recording by Chris Jones. Transferred (untracked) to CDR by Graham Harper; EAC> all subsequent modification by Alasdair Macdonald; see extensive notes in info file; d1 tracked for 80 min |
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05/25/72
|
Lyceum Ballroom
, Source Detail |
set 2 partial; MSBDR > 2 casstte gens > DAT > CDR > EAC > SHN; Dick cass leak; u/l via G. Hamilton; note fits on 1 shn disc w/ 6/24/73 disc; update: redundant material in Dark Star, patch of d1t3 circulates |
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05/26/72
|
Lyceum Ballroom
, Source Detail |
S:MR> DATx5> CD, including patches (see info file for specifics; transfer by David Hollister; reported "superior to all circulating copies"
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05/26/72
|
Lyceum Ballroom
, Source Detail |
flac16; SBD Reel > DAT > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 All editing and mastering by Jamie Waddell on the GEMS Edit Station. Trac'ed Cdwave,Flac'ed TLH level 8 |
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07/21/72
|
Paramount Northwest Theater
, Source Detail |
SBD> MR> CX3(?)> D> CD> EAC> SHN; edits (pitch corrected, normalized), encoding, vined by J. Cotsman, with thanks to Mark Sweeney |
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07/22/72
|
Paramount Northwest Theater
, Source Detail |
SBD MR>PCM>D>CD via Hanno
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07/25/72
|
Paramount Theater
, Source Detail |
SBD> MR> C> D> CD> EAC> SHN; encoding, vined by J. Cotsman; with thanks to Mark Sweeney |
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07/25/72
|
Paramount Theater
, Source Detail |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
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07/26/72
|
Paramount Theater
, Source Detail |
flac16; MR > PCM > DAT > CD > EAC > SHN with patches from MSR > DAT > ZA2 > CDR x2; Fix of shn id 8957 by Andrew Long |
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07/26/72
|
Paramount Theater
, Source Detail |
flac16; Lineage: (from DAT J-Card) MR -> DAT (the DAT is 16-bit; 44.1kHz which could indicate MR->PCM->DAT) DAT from collection of Todd Evans - todd@bluedakota.com DAT > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0 - Transferred January 18, 2007
Mastering By Jamie Waddell on the GEMS Edit Station.
Trac'ed cdwave,Flac'ed TLH level 8 |
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08/21/72
|
Berkeley Community Theater
, Source Detail |
S:MR > PCM > DAT > CD > EAC > SHN; via D. Hollister, G. Hamilton; see
info file for list of minor flaws |
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08/22/72
|
Berkeley Community Theater
, Source Detail |
mixed sources: Set 1: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> Apogee AD500> Master Dat (Panasonic SV3800/48k); Set 2: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> PCM> Dat> CD; Transferred and Edited (see cleanup notes) by Charlie Miller |
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08/25/72
|
Berkeley Community Theater
, Source Detail |
set 1 partial; 7" Betty Board Reel > PCM501ES analog out > Fostex D5 optical S/PDIF out (Jace's tape) > disk (Tim Deibert); some Soundforge editing (see notes) |
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08/27/72
|
Old Renaissance Faire Grounds
, Source Detail |
Bertha Remaster of the Braverman/Dank 16 track source.
SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A
(Between songs from the two-track master reels)
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09/03/72
|
Folsom Field, U of Colorado
, Source Detail |
primary source: SBD>MR>C>D>CD>EAC>SHN (provides most of sets 2 and 3);
secondary source: AUD>?>C>CD>EAC>SHN (provides all of set 1 plus patches in sets 2 and 3);
aud source is pretty weak (see caveat);
Thanks to John Steinhaus, Uli Teute, and Hanno Bunjes |
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09/09/72
|
Hollywood Palladium
, Source Detail |
flac16; Main source: mac > cass (u/k gen) > wav > flac > wav > flac
transfer: nak dr3 > audacity > cdwav. Second source: sbd: mr> dat > cdr > shn > wav > flac via SirMick |
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09/09/72
|
Hollywood Palladium
, Source Detail |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Cool Edit Pro v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller |
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09/10/72
|
Hollywood Palladium
, Source Detail |
MSR>C>CD patched with MSR>C>D>C>D; Patches & remaster by Dave Greenberg. |
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09/15/72
|
Music Hall
, Source Detail |
flac16; this is a remaster by SirMick of shnid 7924. Source 1: MAC > Reel > Cassette > DAT > CD Recorded by Bill Degen from balcony front row. Source 2: MAC > ? > DAT (supplied by Dave Minor) > CD provides additional patch and missing material |
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09/15/72
|
Music Hall
, Source Detail |
partial set 2; SBD: MR > cassette > DAT > CD > SHN; SHNed by Seth Kaplan; via G.S. Hamilton to BUDD |
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09/16/72
|
Music Hall
, Source Detail |
mixed source (AUD>MC>) and (SBD>MR>) C> D> CD> EAC> SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Mark Sweeney and unIDed patcher |
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09/16/72
|
Music Hall
, Source Detail |
mixed source (AUD>MC>) and (SBD>MR>) C> D> CD> EAC> SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Mark Sweeney and unIDed patcher |
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09/17/72
|
Baltimore Civic Center
, Source Detail |
SBDMR > Cass > DAT > SonicSolutions > CD > EAC > SHN; Extraction and SHN encoding by G.S. Hamilton, from D. Hollister seed; known flaws: Missing Saturday Night; small digi-snit during UJB; update: show is now DP23- go buy it |
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09/21/72
|
The Spectrum
, Source Detail |
SBD > reel > DAT > CDR > EAC > shn; via Mike Masse; see flaw notes in info file; a clean-up of d1t11 also circulates; see public comments for details |
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09/21/72
|
The Spectrum
, Source Detail |
flac16; Recording Info: SBD > Master Reel (7-inch 7.5ips 1/2trk) > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller |
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09/23/72
|
Palace Theater
, Source Detail |
SBD> MR> Cass> DAT> CDR> EAC> SHN; via Jeff M.; see listening notes in revised info file |
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09/24/72
|
Palace Theater
, Source Detail |
SBD> MR> CASS> DAT> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes |
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09/26/72
|
Stanley Theatre
, Source Detail |
Cleaned up disc 3 of previous SBD by Charles Wier; d1 & d2 are unchanged. See text file for details. |
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09/27/72
|
Stanley Theatre
, Source Detail |
SBD Reel>Reel>PCM>DAT from "People's Choice tree" via Jeff Blaney, encoded by Matt Vernon |
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09/30/72
|
American University
, Source Detail |
SB> MR> Cassette> DAT> CD; except OMSN SB> MR>cass(2)> DAT> CD; CD> cleanup> SHN; see info file for fixes and flaw notes; via Matt Vernon |
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10/02/72
|
Springfield Civic Center
, Source Detail |
master reel sdb> cass> dat> cdr; via M. Lai; listeners report hiss level sounds closer to 2 cass gens |
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10/09/72
|
Winterland Arena
, Source Detail |
SBD > MR > C > DAT > CDR; EAC > Cool Edit (remove some pops, see info file) > SHN (seekable); SHN Conversion by Matt Vernon from Paul B. seed discs |
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10/18/72
|
Fox Theatre
, Source Detail |
MR> Cass> DAT> CD; via Mike Lai with thanks to Lu Khachigian II |
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11/18/72
|
Hofheinz Pavilion
, Source Detail |
2nd set only; SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to John Steinhaus |
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11/19/72
|
Hofheinz Pavilion
, Source Detail |
SBD; sound adjustments during Bertha, minor digi-noise at the end of Jack Straw; Transferred and seeded to etree by Mike Lai, from Bruce Fried DAT |
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11/19/72
|
Hofheinz Pavilion
, Source Detail |
Source: SBD>MR>Reel>Reel>DAT>CD>EAC>WAV>CoolEdit2000>SHN
(Note that there is speculation that this source may contain only one reel generation.)
Cool Edit 200 was used to correct various flaws from previously circulating versions. |
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11/22/72
|
Austin Municipal Auditorium
, Source Detail |
sdb> master reel> dat> cdr; via Mike Lai from Bruce Fried DAT; missing Promised; d2 tracked for 80 min |
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11/24/72
|
Dallas Memorial Auditorium
, Source Detail |
SBD> MR> DAT> CDR> EAC> SHN; tracked for 2x80; splice in China Cat; seeded by Tony Gardner, from Paul B. discs
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11/26/72
|
San Antonio Civic Auditorium
, Source Detail |
SBD> MR> (set 1 ?; set 2 C)> D> CD> EAC>SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Paul B. |
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11/26/72
|
San Antonio Civic Auditorium
, Source Detail |
flac16/44 a remaster of shn #9248 with short patches from shn #123022 by acetboy 2021-07-07 |
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12/10/72
|
Winterland Arena
, Source Detail |
flac16/48kHz; Partial Show Source Info: Master Soundboard Reels > 2 cassette generations > Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500) (16-bit/48k)> Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/48k)> Adobe Audition 3.0 > TLH flac1648 |
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12/31/72
|
Winterland Arena
, Source Detail |
Main Source: Vault pre-FM reels > DAT
Patch Source: pre-FM KSAN reel (/shninfo_detail.php?shnid=6340)
DAT > WAV : Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0 by Marc Pujol
WAV > SHN editing, encoding & patching by Matt Vernon |
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02/09/73
|
Roscoe Maples Pavilion, Stanford University
, Source Detail |
flac16; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (44.1k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller |
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02/15/73
|
Dane County Coliseum
, Source Detail |
flac16/48kHz; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (Panasonic SV-3800/48k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC |
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02/15/73
|
Dane County Coliseum
, Source Detail |
flac16/48kHz; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (Panasonic SV-3800/48k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC |
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02/17/73
|
St. Paul Auditorium
, Source Detail |
flac16/48kHz; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (Panasonic SV-3800/48k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC |
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02/21/73
|
Assembly Hall, Univ. Of Illinois Urbana-Champaign
, Source Detail |
complete; MR > DAT > 1 cass > DAT > CDR 3x; via G. Hamilton;
see info file for misc flaws, esp d1;
4-disc set with 2/22 |
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02/22/73
|
Assembly Hall, Univ. Of Illinois Urbana-Champaign
, Source Detail |
reworking of previous shn set, by Randy Carman (see notes in info file) |
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02/24/73
|
Field House, University Of Iowa
, Source Detail |
Single track jam segment; see info file for details; SBD>?>GDH CD; seeded to etree by Jools |
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02/24/73
|
Field House, University Of Iowa
, Source Detail |
Partial Set I - Last four songs SBD> MR> DAT> CDR by Sly_Wow Thanks to Raoul Duke |
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02/26/73
|
Pershing Municipal Auditorium
, Source Detail |
S:MR > cassette > DAT > CDR > EAC > SHN; EAC/SHN by Seth Kaplan; upload by Greg Hamilton; note D3t02 (Eyes): splice @ 3:25 |
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03/15/73
|
Nassau Veterans Memorial Coliseum
, Source Detail |
composite source 1: AUD>??>CD>EAC>SHN source 2: SBD>MR>C>D>CD>EAC>SHN via JackeySack, Matt Vernon, and Paul Hartman edits/encoding by JCotsman
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03/16/73
|
Nassau Veterans Memorial Coliseum
, Source Detail |
Fixed composite sbd version (based on shnid = 167) by Sean Cribbs. See info file for details. |
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03/19/73
|
Nassau Veterans Memorial Coliseum
, Source Detail |
Playin', plus most of set 2; SBD:MR>Cas>Cas>DAT>CD; Seeded to etree by Jools |
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03/30/73
|
Rochester Community War Memorial
, Source Detail |
AUD>MR>?>CD (disc 1); SBD>MR>C>D>CD (remainder); See info file for details; via Paul Hartman & Michael Dixon; Seeded to etree by J. Cotsman |
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05/26/73
|
Kezar Stadium
, |
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05/26/73
|
Kezar Stadium
, Source Detail |
flac16; Source: SBD Reel Master > PCM > PCM; Transfer: PCM > Sony PCM601esd (spdif out) > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered (Adobe Audition) by Joe Noel; original version had flaws |
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06/22/73
|
P.N.E. Coliseum
, Source Detail |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller |
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06/29/73
|
Universal Amphitheatre
, Source Detail |
Partial; SBD>MR>R>D>CD; Missing first 11 songs and Around and Casey Jones; via Mark Sweeney; Seeded to etree by JCotsman |
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07/01/73
|
Universal Amphitheatre
, Source Detail |
flac16 Source: SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA |
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07/27/73
|
Grand Prix Racecourse
, Source Detail |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>Soundtrack>WAV>FLAC) |
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08/01/73
|
Roosevelt Stadium
, Source Detail |
flac16; Complete show AUD: source - ElectroVoice RE-15 mic > Nakamichi 550 cassette recorder w/ Dolby NR > Maxell UD C90 Chromium Tapes. Taped, transferred, and remastered by Monte Barry. lineage - MR cassette > Nakamichi LX-3 > Lexicon Alpha > 24-bit / 48KHz > USB > Samplitude > 16-bit / 44.1KHz WAV > TLH > Flac-16 SBE fixed > CD Tag. |
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09/07/73
|
Nassau Veterans Memorial Coliseum
, Source Detail |
SBD>MR>C>D>CD>EAC>SHN;
patched with AUD>MC>D>CD>EAC>SHN;
sourced from previous seeds
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09/08/73
|
Nassau Veterans Memorial Coliseum
, Source Detail |
SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wulf: Tascam
DA20> coax> rme digi96 PCI card> centered the waves and edited and smoothed
the track boundaries. Only? minor corrections were applied; no crossfading,
no hiss or noise reduction; from Honey
Vine #14 via T. Wulf, to etree via M. Bolen (who made .md5s) |
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09/11/73
|
College Of William & Mary Hall
, Source Detail |
MSR> one cassette gen> DAT> CDR> shn); via George Lanum; see info file and pub comments for flaw notes |
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09/12/73
|
College Of William & Mary Hall
, Source Detail |
SBD>MR>C>DAT>CDR most of show (minus Here comes sunshine) by Sly_Wow |
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09/12/73
|
College Of William & Mary Hall
, Source Detail |
flac16; Source Information: Master Soundboard Reels to DAT 16 bit 44.1kHz from ANON. Also, a Kind LL member shared uncirculated lo-fi audience tapes to patch a few spots.
Transfer Information: Mastering by Jamie Waddell and Jim Blackwood
Speed corrections by Jason Chastain
Listening assistance and track, FLAC and pack by Steve Gravel
FLAC Level 8 at 16 bit 44.1kHz |
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09/15/73
|
Providence Civic Center
, Source Detail |
set 1: AUD> M?> C> C> D> SHN; set 2: SBD> MR> D> CD> EAC> SHN; Thanks to Jim Powell, Marc Pujol, and Evan Levy; final edits/encoding by JCotsman |
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09/17/73
|
Onondaga County War Memorial
, Source Detail |
SBD>MR>D>CD>EAC>SHN (all but tracks d1t01-->d1t09));
SBD>MR>C>C>D>CD>EAC>SHN (tracks d1t01-->d1t09);
Thanks to Peter Braverman;
edits/encoding by JCotsman; Note- Fixed d3 now circulates, see public comments for details |
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09/20/73
|
The Spectrum
, Source Detail |
Complete; Mixed Aud/SBD sources; See info file for details; via Michael Dixon and Scott Clugston; Seeded to etree by JCotsman |
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09/21/73
|
The Spectrum
, Source Detail |
SBD -> Rm -> Reel -> PCM -> Dat
Transfer Info: Dat (Sony R500) -> Samplitude v6.0 -> Cool Edit Pro v1.2 -> CD -> EAC -> SHN via Charlie Miller |
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09/24/73
|
Civic Arena
, Source Detail |
Mixed AUD/SBD sources; See info file for details; via Michael Dixon, Alan Fink, & Dan Stephens; Seeded to etree by JCotsman |
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09/24/73
|
Civic Arena
, Source Detail |
flac16; SBD (shnid=95740) patched with the vault master reel
from dead.net taper's section lossy stream; All remastering was done by Charlie Miller |
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09/26/73
|
Community War Memorial Auditorium
, Source Detail |
SBD: Rm > DAT > CD / Patched with unknown AUD > WAV > SHN; DAE(EAC0.9 beta 4)> tracking(cdwav)> SHN (MKWAct.96f)> FTP by Tripp; with thanks to Darryl Hinko, Tommy Brame
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10/25/73
|
Dane County Coliseum
, Source Detail |
SBD Master Reel > ? > DAT > CD-R > EAC (secure) > Cool Edit(minor cleanup) > CDWAV > mkwact(seekable) via wi-jams, cleanup and encoding by Matt Vernon.
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10/29/73
|
Kiel Auditorium
, Source Detail |
flac16 Recording Info: SBD -> Master Reel -> Dat -> WAV
Transfer Info: WAV -> Samplitude Professional v10.2.1 -> FLAC |
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11/01/73
|
McGaw Memorial Hall, Northwestern University
, Source Detail |
[New Version] Set 2 MSR > C> DAT > PCM > DAT > CD (see notes in info file regarding correctness of genealogy) - Subsequent CD extraction (EAC), editing (Cool Edit Pro 2), and SHN encoding (mkwACT) by Sean Cribbs 12/2003 |
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11/09/73
|
Winterland Arena
, Source Detail |
SBD> MR> C> DAT> CDR; EAC> SHN by Seth Kaplan; Correct sector boundaries verified using .shntool; First few seconds of Here Comes Sunshine are clipped; Small splice at the start of Eyes of the World, some channel dropouts and a little static on a few tunes |
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11/10/73
|
Winterland Arena
, Source Detail |
MSR> reel > PCM > DAT > CD; see info file for listening notes |
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11/11/73
|
Winterland Arena
, Source Detail |
Shntool fix (by Tony Gardner) of previous Tony Gardner 'patched eyes' seed; See info file for details; Disks 1-2 MSR>Cass>Cass>DATs>CDRs; Disk 3 MSR>Cass>DATs>CDRs; With Eyes patched from MSR>?>DAT>CDR |
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11/14/73
|
San Diego Sports Arena
, Source Detail |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC |
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11/17/73
|
Pauley Pavilion, UCLA
, |
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11/20/73
|
Denver Coliseum
, Source Detail |
flac16; main source: S:MR > DAT > CD > EAC > SHN (shnid 1234)
patch source: MAC (Taped by Cary Wolfson, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) (shnid 22879) |
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11/21/73
|
Denver Coliseum
, Source Detail |
via D. Barrick (hurtsme2); B. Yerys reports digiprobs at d1t1 ~0:42,
d1t4 ~1:10, d2t2 ~10:38 |
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11/23/73
|
County Coliseum
, Source Detail |
SBD > Reel > Cassette > Datx2 > CDR; via L. Orf; reel flips in d1t1,
d1t7 (smoothed), d3t2; superior version relative to version circulated 3/8 |
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11/25/73
|
Feyline Field
, Source Detail |
MSR> Cass.> DATs> CDRs> EAC> SHN; via Darrin Sacks; see info file for known flaws; note md5s for d2t8-10 filler tracks (12/4/71) added here 1/24/01 |
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11/25/73
|
Feyline Field
, Source Detail |
flac16/44.1khz Recording Info:
SBD > Reel Master > Dat (44.1k)
Transfer Info:
Dat (Tascam DA-40) > Tascam DA-3000 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC |
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11/30/73
|
Music Hall
, Source Detail |
sbd > ? > CDR; Some songs from this date are featured on Dick's Picks 14; go
buy it |
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12/01/73
|
Music Hall
, Source Detail |
Master Soundboard Reels > PCM > DAT> CDR; CD Mastering by Scott Clugston |
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12/02/73
|
Music Hall
, Source Detail |
flac16/48kHz; Set 2 Recording Info: SBD > Master Reel > DAT (48k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller |
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12/04/73
|
Cincinnati Gardens
, Source Detail |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller (note: this source includes the encore missing from shn id 86839). |
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12/06/73
|
Public Hall
, Source Detail |
SBD MR > 1 cass gen > DAT > (AUD patching)> CD > EAC > SHN> slight retrack for d2t3, d3t1, d3t4> shnv2 on those tracks; d3 tracked for 80 min; see notes in info file; seed via David Gans, Jim Powell, Dave Greenberg; shns via Seth Kaplan, Alan Fink, G.S. Hamilton |
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12/08/73
|
Cameron Indoor Stadium, Duke University
, Source Detail |
SBD:MR> C> DAT> CD> EAC> SHN; via Kirby (Chalupa) Bell, Andy Gustin; note Beginning of Bertha is clipped, JBG is from an AUD source |
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12/12/73
|
The Omni
, Source Detail |
nearly complete, with soundcheck; MR > C > DAT > CDR; via Trei Hobbs |
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12/12/73
|
The Omni
, Source Detail |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a re-master of source ID 105561 |
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12/18/73
|
Curtis Hixon Convention Hall
, Source Detail |
SBD Reel master > cassette > DAT > CDR (unknown gens) > EAC > CDWav retracking> SHN; Extraction, retracking, shortening by G.S. Hamilton (for real). Please use md5s to ID copies in circulation. Note d2 has 9 tracks; alternate shn set in circulation has 7 d2 tracks and is not really via Greg, but is apparently from another CD set. (This has same reel change in Wharf Rat (d3t04) @ 6:36.); note noise reduction notes in pub comments apparently pertain to alternate shn set only, no NR on this entry |
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05/12/74
|
University Of Nevada
, Source Detail |
flac16; Recording Info: SBD > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC |
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05/17/74
|
P.N.E. Coliseum
, Source Detail |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller |
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05/21/74
|
Edmundson Pavilion, University Of Washington
, Source Detail |
flac24; Recording Info: Sony ECM18N -> Cassette Master (Sony 152SD) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Pat Lee |
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05/21/74
|
Edmundson Pavilion, University Of Washington
, Source Detail |
flac16; Matrix 2 Source Mix - SBD (shn id 2597) MSR>C>Dats>CD>EAC>SHN>.WAV + AUD (shn id 10150) AudMC > WAV > SHN - matrix mixing by Kevin Tobin |
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05/25/74
|
Campus Stadium, UCSB
, Source Detail |
MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850> .shn; via Jonathan Miller, Adam Roux; David Hollister reports problems on USB track |
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06/23/74
|
Jai-Alai Fronton
, Source Detail |
Remaster of sbd w/ aud patches by Owens Brothers |
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07/21/74
|
Hollywood Bowl
, Source Detail |
flac16; (FOB) Sony ECM-22P -> Cassette Master (Sony TC-152) -> Reel -> Dat
All transfers and Remastering By Charlie Miller |
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09/09/74
|
Alexandra Palace
, Source Detail |
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
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09/11/74
|
Alexandra Palace
, Source Detail |
Candelario Matrix MSR D CD except
first 15:22 of Seastones (on Disc #2): AUD
end of Sunshine Daydream and encore: AUD
See info file for details; Mastering by Dave Greenberg; via Jed Distler; Seeded to etree by Jim Powell and Jay Gerland; See note in 'public comment' area regarding d3fix md5's
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09/18/74
|
Parc Des Expositions
, Source Detail |
flac16:
**SOUNDCHECK ONLY**
Lineage:
SBD -> Master Reel -> Dat
Transfer Info:
Dat -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC
Transferred and Mastered By Charlie Miller
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09/18/74
|
Parc Des Expositions
, Source Detail |
Bertha Remaster of the master reel source.
SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B+
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09/18/74
|
Parc Des Expositions
, Source Detail |
Lineage: SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN via Charlie Miller ((/shn/20675) with one track modified to remove a pop (see notes) by Matt Vernon |
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09/20/74
|
Palais Des Sports
, Source Detail |
SBD > master reel > reel to reel > DAT > CD > SoundForge > CD; stemming from Marcello Gasperini?s and Julian's source material; see info file for various fixes and flaws; to a tree?, runs a bit slow? (see notes in info for companion 9/21/74 shns)
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10/17/74
|
Winterland Arena
, Source Detail |
flac16/48kHz; Soundboard > 1st gen reel > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/48; Checksum & tags created in xACT |
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09/28/75
|
Lindley Meadows, Golden Gate Park
, Source Detail |
Bertha Remaster of the master reel source; SBD>>MR>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A
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05/28/76
|
Orpheum Theatre
, Source Detail |
Studio Rehersal Tapes; SBD>?>CD; Actually a compilation of material recorded on 5-28,29,30-76; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon |
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06/03/76
|
Paramount Theatre
, Source Detail |
SBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; last 2 songs missing; see info file for additional flaw notes; reseed with encores also circulates; upgrade in circulation |
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06/03/76
|
Paramount Theatre
, Source Detail |
SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN
(*)Encores included. |
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06/04/76
|
Paramount Theatre
, Source Detail |
SBD>MR>?>D>CD; With aud patches for several songs; See info file for details; via Jeff Cook, Jon Miller, Matt Vernon, & Raoul Duke; Seeded to etree by J. Cotsman |
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06/11/76
|
Boston Music Hall
, Source Detail |
MR>DAT>DAT Clone @ 44.1 kHz (Tascam DA20)>SBLive Platinum SPDIF In>WAV Edit (Sound Forge)>SHN (mkw audio compression tool)>CDR (HP 8200); via GDLive [Note: An sbe-fixed-by-set version also circulates] |
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06/12/76
|
Boston Music Hall
, Source Detail |
SBD> FM(WBCN)> MR(7.5ips); Conversion: Akai 4000DS MKII > Turtle Beach Tropez > CoolEdit96 > CD Wave > SHN; Taped by Peter Wrenn, Seeded by Stephen Wrenn; to etree via Doug Moog; Wheel from unknown AUD; see notes in info file |
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06/21/76
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The Tower Theatre
, Source Detail |
Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson |
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06/22/76
|
The Tower Theatre
, Source Detail |
Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson |
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06/23/76
|
The Tower Theatre
, Source Detail |
Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson; d1 tracked for 80 min |
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06/24/76
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The Tower Theatre
AUD, Source Detail |
Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson; d1 tracked for 80 min |
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07/16/76
|
Orpheum Theatre
, Source Detail |
AUD : MC (FOBalcony SonyECM-180 > SonyTC-152 -update: taped by Bob Menke using Rob Bertrando's mics) > R > DAT >
DAW (Bertha by Jay Ashley) > CD |
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07/17/76
|
Orpheum Theatre
, Source Detail |
SBD: Master Reel > DAT > CD (possible "new leak"?); Eyes has a 45-second
AUD splice, and 2 sec repeat at 3:30 (is that the splice point?); via J.
Fricker |
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07/18/76
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Orpheum Theatre
, Source Detail |
SBD > ??? > CDR > CDR > SHN (via EAC and mkwACT); via M. Ferguson; no digiflaws, some amplifier hum, "dead air" spaces cut |
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08/04/76
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Roosevelt Stadium
, Source Detail |
flac16; SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin |
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08/04/76
|
Roosevelt Stadium
, Source Detail |
flac16; SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin |
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09/30/76
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Mershon Auditorium, Ohio State University
, Source Detail |
SBD>MR>DAT>CD; Disc 1&3; Disc 2 = SHNid=18107 |
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09/30/76
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Mershon Auditorium, Ohio State University
, Source Detail |
SBD>MR>DAT>CD; Disc 1&3; Disc 2 = SHNid=18107 |
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10/15/76
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Shrine Auditorium
, Source Detail |
Source: Recorded by Rob Bertrando, Sony ECM-280s>Sony TC-152
Lineage: MAC>D>CD; via JackySack; Seeded to etree by Matt Vernon |
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02/26/77
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Swing Auditorium
, Source Detail |
flac16 This is a remaster & partial upgrade to shnid 83283
- Source #1: 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk
Transferred by Tim Deibert 2-17-2002.
Remastered by Joe Noel February 17, 2020
- Source #2: Betty Board > Reel Master > PCM (original) > pcm clone > sony 601esd > spdif digital clone to dat > vx pocket > laptop
Playback & dbx decode; laptop > vx pocket spdif out > mytek stereo 96 dac > balanced analog out > dbx150X type I dbx decoder > balanced analog out to mr2000 balanced in, 1 bit recorded > Audiogate WAV 24/48
DAT transferred & provided by anonymous
Edited & Mastered using Adobe Audition by Joe Noel
February 16, 2020 |
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02/27/77
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Robertson Gym, U.C.S.B.
, Source Detail |
flac16; Partial Set 2 Pitch Corrected Version Recording Info: SBD > Master Reel (7.5ips 1/2trk) > FLAC; Mastering Info: FLAC > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; Transferred by Rob Eaton; Mastered by Charlie Miller |
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03/18/77
|
Winterland Arena
, Source Detail |
SBDMR @ 7.5 ips> DAT> CD> EAC> SHN, with AUD patches; AUD portions:
Master (R. Bertrando Sony ECM-270/TC-152SD) Cassette> DAT> CD> EAC> SHN;
note skip or maybe reel flip d2t2 5:38; d3t3>4 track marker off by ~1:45;
d3t5, 'NFA', has an undocumented AUD splice from 14:20 to 15:06 |
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03/19/77
|
Winterland Arena
, Source Detail |
SBD>MR>DAT>DAT>Sonic Solutions>CDR; original tree
and covers;
note circ at one site 10/99 w/ problem in d3t5?; note Terrapin has fluttery
flaws from master reel |
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03/19/77
|
Winterland Arena
, Source Detail |
Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >
Sound Forge Pro 14 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 |
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03/19/77
|
Winterland Arena
, Source Detail |
flac16/44 Recording Info: SBD > Reel Master > DAT (44.1k)
Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC |
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04/22/77
|
The Spectrum
, Source Detail |
flac16; SBD (7 inch Master Reels @ 7.5ips 1/2trk)> Dat> Dat (44.1k), plus patches from FOB Sony ECM99A> Cassette; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller |
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04/23/77
|
Springfield Civic Center
, Source Detail |
SBD> MR> DAT> CD, with AUD patch on reel splice (FOB Sony ECM99A mics> Sony TC152> DAT> CD via Darrin Sacks); via Adam Jerugim; upgrade in circulation
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05/05/77
|
Veterans Memorial Coliseum
, Source Detail |
flac24; Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate; Source & Transfer by Anonymous; Edited & Mastered using Adobe Audition by Joe Noel |
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05/07/77
|
Boston Garden
, Source Detail |
SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard. |
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05/08/77
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Barton Hall, Cornell University
, Source Detail |
flac24; Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48; Edited & Mastered by Joe Noel; WAV > Abobe Audition > Flac 24/48 |
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05/09/77
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Buffalo Memorial Auditorium
, Source Detail |
Sources: Soundboard Source:Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out>
Dat @ 48 kHz>Soundforge>Shn:
Audience Source:Master Audience Cassette> Sony ecm-33pmics>nak550>reel to reel>cd
The audience source supplies patches for the master reel splices at D2T2,TMNS 6:50 - 7:18 and D3T4, NFA 1:43 - 2:10 Seeded via Fungus and abgd by Charlie Connor 3/21/02, with thanks to Joe Samaritano and Scott Clugston |
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05/15/77
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The Arena
, Source Detail |
flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k)
Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net |
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05/19/77
|
Fox Theatre
, Source Detail |
flac16/48kHz; Source: sbd > master reel > dat (48k); from Dick Latvala; Transfer: dat > Sony pcm-r500 > Tascam da-3000 > wav 16/48; transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick September 2017 |
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06/08/77
|
Winterland Arena
, Source Detail |
Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD
Transfer Info: CD -> EAC -> Samplitude v7.02 Profesional -> SHN
Transferred and Edited By Charlie Miller
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06/09/77
|
Winterland Arena
, Source Detail |
flac16; Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD
Transfer Info: CD -> EAC -> Samplitude Profesional v8.0 -> FLAC
Transferred and Edited By Charlie Miller
Patch Info:
AKG D224 -> Master Reel (Tandberg 10XD) -> Reel -> Dat -> CD |
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10/01/77
|
Paramount Theatre
, Source Detail |
Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @
7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder >
analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised
Land cut on either end; TLEO cuts in; Estimated has some mic distortion
for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE.
That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set; upgrade in circulation |
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10/02/77
|
Paramount Theatre
, Source Detail |
WBOTB tree;
Complete show-- source tape: MR>P2>D1); 7" two track BBD reel w/ DBX-1
@ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder
> analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz; Casey Jones,
brief low-level crackle, poss bad mic; Wharf Rat ~30 sec section of analog
tape damage leading to a cut during the song. There is an illegal bootleg
available that apparently has no cut in Wharf Rat, but the cut has been
edited out and the song is about 30 sec shorter than on the Betty reel.
No EQ has been performed. You hear what is on the Betty reels.; note md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 7/99 shn set; upgrade in circulation
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10/02/77
|
Paramount Theatre
, Source Detail |
flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2).
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10/02/77
|
Paramount Theatre
, Source Detail |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
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10/16/77
|
Assembly Center, Lousiana State University
, Source Detail |
sdb> MR> C> D> CD; via Mike Lai |
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10/28/77
|
Soldiers & Sailors Memorial Hall
, Source Detail |
flac16; Source: Betty SBD > Reel Master > PCM > pcm clone; Transfer: PCM clone > Sony PCM601esd > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44 |
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10/29/77
|
Evans Field House, Northern Illinois University
, Source Detail |
flac16; Source: Betty SBD > Reel Master > PCM > pcm clone; Transfer: PCM clone > Sony PCM601esd > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; the original source had a "nearly undetectable" flaw in d2t06 which had to be fixed for nearly undetectable reasons |
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10/29/77
|
Evans Field House, Northern Illinois University
, Source Detail |
flac16; Source: Betty SBD > Reel Master > PCM > pcm clone; Transfer: PCM clone > Sony PCM601esd > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; the original source had a "nearly undetectable" flaw in d2t06 which had to be fixed for nearly undetectable reasons |
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10/30/77
|
Assembly Hall
, Source Detail |
Source:
SBD > MR > PCM > DAT > CDR > EAC > mkwACT
EAC'd/SHN'd by Doug Nawrocki |
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12/27/77
|
Winterland Arena
, Source Detail |
SBD>MR>D>CD>EAC>SHN;
patched with AUD>??>C>CD>EAC>SHN (multigen);
originally circulated by David Gans w/ thanks to S. Milewski for the patches |
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12/27/77
|
Winterland Arena
, Source Detail |
flac16; Recording Info: SBD > Master Reel > Dat (44.1k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC; All Transfers and Mastering By Charlie Miller |
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12/29/77
|
Winterland Arena
, Source Detail |
flac16; Source Info: Analog Soundboard > Cassette > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
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12/30/77
|
Winterland Arena
, |
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12/31/77
|
Winterland Arena
, Source Detail |
flac1648 Recording Info: Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones). Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Patched where needed (mostly between song tunings) using shnid=141799 + 20596.
This updated "version three" was created on January 1, 2021.
...and you may ask yourself, how did we get here? Uncharacteristically, we did a couple fixes to make this show right. The original seed had one of the two tapes channels reversed by accident, so we fixed that. Upon listening, scholars let us know that while Keith was on the left side of the stage physically, the mix was done to put him in the right channel, therefore our second fix had the mix flipped channels wise. Though it represented the stage position of Keith, it had the drummers and band in the wrong locations. Thanks for understanding the process and our desire to present the most accurate possible version. This version three also includes a tiny adjustment to the speed. If you have the previous two versions (151250 + 151297), please don't continue to share them elsewhere. 16 Bit 48 kHz FLAC Level 8 from 24 Bit 96 kHz source via Izotope RX8 with MBIT+ dither |
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01/22/78
|
McArthur Court, University Of Oregon
, Source Detail |
flac 16; Please note Info file and md5 changed. SBD/AUD Matrix of 2 previously circulated seeds (SBD - ID #4974 & AUD - ID #2014); prepared by Chris Chappell |
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01/30/78
|
Uptown Theatre
, Source Detail |
flac16; SBD -> Master Reel -> Dat -> CD -> FLAC
Audio discs provided by Jim Wise
Converted to FLAC By Charlie Miller |
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01/31/78
|
Uptown Theater
, Source Detail |
flac16; SBD -> Master Reel -> Dat -> CD -> FLAC
Audio discs provided by Jim Wise
Converted to FLAC By Charlie Miller |
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02/01/78
|
Uptown Theater
, Source Detail |
MSR> C> DATs> CDRs> EAC> SHN; EAC/SHN by Mike (Dank Star) Parrillo; u/l via Darrin Sacks
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02/01/78
|
Uptown Theater
, Source Detail |
MSR> C> DATs> CDRs> EAC> SHN; EAC/SHN by Mike (Dank Star) Parrillo; u/l via Darrin Sacks
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02/03/78
|
Dane County Coliseum
, Source Detail |
flac16; Recording Info: SBD > Master Reel > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller; Six songs from Set 1 are .mp3 sourced |
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04/06/78
|
Curtis Hixon Convention Hall
, Source Detail |
flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2019 |
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04/07/78
|
The Sportatorium
, Source Detail |
flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k); Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick December 2019 |
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04/10/78
|
Fox Theater
, Source Detail |
SBD -> Rm -> PCM -> Dat via Charlie Miller |
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04/10/78
|
Fox Theater
, Source Detail |
flac16; Source: Betty Cantor's Master SBD Reel > PCM > DAT; Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44; Edited & Mastered by Joe Noel May 16, 2020 |
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04/11/78
|
Fox Theater
, Source Detail |
SBD -> Rm -> PCM -> Dat via Charlie Miller; upgrade in circulation
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04/11/78
|
Fox Theater
, Source Detail |
flac16; Source: Betty Cantor's Master SBD Reel > PCM > DAT; Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44; Edited & Mastered by Joe Noel May 17, 2020 |
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04/12/78
|
Cameron Indoor Stadium, Duke University
, Source Detail |
SBD > GD Master 2" 8 Track RTR 15 i.p.s. (2 decks) > GD Vault 1" Mixdown Safety RTR @ 15 i.p.s. > MCS 24 bit/96 kHz ADAT > SSSB (SHNTOOL used and verified) |
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04/12/78
|
Cameron Indoor Stadium, Duke University
, Source Detail |
flac16; Source: Betty Cantor’s Master SBD Reel > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; this is a corrected version of source ID 149339 |
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04/14/78
|
Cassell Coliseum, Virginia Polytechnic
, Source Detail |
flac16; Source: Betty Cantor’s SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel |
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04/15/78
|
William & Mary Hall
, Source Detail |
flac16; Source: Betty Cantor's SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel |
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04/16/78
|
Huntington Civic Center
, Source Detail |
flac16; Source: Betty Cantor's SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel |
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04/24/78
|
Horton Field House, Illinois State University
, Source Detail |
flac16; SBD > Cassette Master > Dat > Cassette > Dat > CD > Samplitude Professional v7.02 > FLAC; Transfer and Mastering by Charlie Miller |
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05/16/78
|
Uptown Theater
, Source Detail |
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones |
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07/07/78
|
Red Rocks Amphitheatre
, Source Detail |
Fix of shnid 293 - SBD> MR> PCM > DAT; DAT> CD> EAC> SHN by Bill Tetzeli |
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07/08/78
|
Red Rocks Amphitheatre
, Source Detail |
SBD> [?]> DAT> CDR; via Jeff Hoelter; see pub comments for additional notes. [Note: A shntool-fixed-be-sets version of this source is available]; upgrade in circulation
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07/08/78
|
Red Rocks Amphitheatre
, Source Detail |
Seamless fix of shn id 294 - SBD> [?]> DAT>CDR by Bill Tetzeli |
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08/18/78
|
Club Front
, Source Detail |
Shakedown Street sessions with Lowell George
(Sbd>??>Cdr); Seeded to etree by Tzuriel |
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09/13/78
|
Gizah Sound and Light Theater
, Source Detail |
Soundcheck from night before the shows; SBD>MR>??>CDR; Seeded to Etree by T. Wiley |
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09/14/78
|
Gizah Sound and Light Theater
, Source Detail |
Recording Info: SBD -> Master Reel (2 track) -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN)Transfered By Charlie Miller; upgrade in circulation
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09/15/78
|
Gizah Sound and Light Theater
, Source Detail |
Recording Info: Set One: SBD -> Reel Master (2 track) -> Cass -> Dat -> CD -> EAC -> SHN
Set Two: SBD -> Reel Master (10" @ 15 I.P.S. 1/2-track) -> Dat -> CD -> EAC -> SHN
Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN All transfers By Charlie Miller; upgrade in circulation
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09/16/78
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Gizah Sound and Light Theater
, Source Detail |
SBD Reel > DAT > Montego II Plus > CDRWAV > CD-R > SHN; no Sunrise; via Leigh Orf- reextraction from CDR copy; upgrade in circulation
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11/17/78
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Rambler Room, Loyola College
, Source Detail |
Lineage: Soundboard->Master Cassette->DAT->Sonic Solutions->CD
Transfer: CD->EAC->FLAC
EAC, Re-track, and FLAC by Joe Samaritano
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11/20/78
|
Cleveland Music Hall
, Source Detail |
Complete show. Set1: SBD> ??> CAS> CD> EAC> WAV; Set2: MSR> CAS> LYNXONE 24 Bit A/D Converter> CD> SHN> WAV; Set2 patches: MSC> CAS> DAT> CD-R> EAC> SHN> WAV; and MAC> R1> R2> (possibly R3>) DATs> CDRs> EAC> SHN> WAV. Set 2 derives from all three previous seeds. See info file for edits and flaws. |
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11/20/78
|
Cleveland Music Hall
, Source Detail |
flac 16; Sick Bits Vol. 16a - matrix: SBD/AUD mix from 2 previously circulating sources; SBD: (shnid=12947)+ AUD: (shnid=302); edited, mixed and transfered by Chris Chappell |
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11/24/78
|
Capitol Theatre
, Source Detail |
flac16; SBD(PreFM) > MR>DAT > CDA > Wav(EAC) > SHN > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 13948 |
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12/30/78
|
Pauley Pavilion, UCLA
, Source Detail |
flac16; SBD>Rm>Reel>Cass>Dat - Fix of shn id 18092 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
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12/31/78
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Winterland Arena
, Source Detail |
via Jay Ashley; third and final EAC/SHN (this one 4x-verified bit-identical) of same seed CDs as other 2 previous shn sets |
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12/31/78
|
Winterland Arena
, Source Detail |
flac16/44.1khz Recording Info:
AKG 414 (Omni) > Cassette Master (Nakamichi 550/Maxell UDXLI). Recorded front row center balcony by Dennis Koda.
Transfer Info:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >
Sound Forge Pro 13 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24. All Transfers and Mastering by Charlie Miller |
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12/31/78
|
Winterland Arena
, Source Detail |
flac16/44.1khz Source: SBD Reel Master > Beta tape > Beta VCR > PCM.
Transfer: PCM > Sony PCM601esd (spdif out) > Digigram VX Pocket Sound Card > laptop (spdif in) > Steinberg Nuendo > Waves q10 > WAV 1644.
Recording by Betty Cantor Jackson.
PCM source & transfer by anonymous.
Edited & Mastered (Adobe Audition) by Joe Noel. November 02, 2020. |
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01/10/79
|
Nassau Veterans Memorial Coliseum
, Source Detail |
flac16;Recording Info:(FOB) Sony 54P + (1) Sennheiser 441 -> Namakichi 550 -> Cassette Master (Sony TC-158SD/Maxell UDXLII-S90/Dolby B); Transfer Info:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) ->
Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded By Bob Wagner. upgrade of shnid# 77328 |
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08/04/79
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Oakland Auditorium Arena
, Source Detail |
flac16/44.1khz Source Info: Master Soundboard Cassettes > Cassette > PCM > Dat (16-bit/44.1k) Transfer Info: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16 |
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08/13/79
|
McNichols Sports Arena
, Source Detail |
flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat (48k); Set 2: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
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08/14/79
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McNichols Sports Arena
, Source Detail |
flac16; SBD -> Cassette Master -> Cassette
Transferred and Edited By Charlie Miller |
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10/24/79
|
Springfield Civic Center
, Source Detail |
flac16; Recording Info: Master Soundboard Cassettes > DAT Transfer Info: Speed Corrections by Jason Chastain Mastering by Jamie Waddell with assistance from Jim Blackwood Track, FLAC and Pack by Steve Gravel 16bit 44.1kHz FLAC Level 8 |
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10/28/79
|
Cape Cod Coliseum
, Source Detail |
flac16; SBD -> Master Cassette -> Reel -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation
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10/31/79
|
Nassau Veterans Memorial Coliseum
, Source Detail |
flac16; Set 1: SBD -> Cassette Master -> Reel -> Dat -> CD
Set 2: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k)
Transferred and Edited By Charlie Miller
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11/08/79
|
Capital Centre
, Source Detail |
flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC |
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11/10/79
|
Crisler Arena
, Source Detail |
Source Info: Master Soundboard Cassettes > 1st generation cassettes > Tim Dalton's Beta PCM
Transfer Info: Tim Dalton's Beta PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1 > Adobe Audition 2020 > TLH flac16 |
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12/10/79
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Soldiers & Sailors Memorial Hall
, Source Detail |
flac16; AUD of unknown lineage Transfer: Cassette > Sony TC-D5M (no Dolby) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-fix, FLAC compression, and checksums) > FLAC via Andrew F |
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12/28/79
|
Oakland Auditorium Arena
, Source Detail |
SBD; transferred and seeded by Mike Lai, from Bruce Fried DAT; 7/26/01 update: d2t1 md5 had been missing here, complete md5s now shown : upgrade now in circulation |
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12/28/79
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Oakland Auditorium Arena
, Source Detail |
SBD; transferred and seeded by Mike Lai, from Bruce Fried DAT; 7/26/01 update: d2t1 md5 had been missing here, complete md5s now shown : upgrade now in circulation |
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04/01/80
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Capitol Theater
, Source Detail |
flac16/44.1khz Recording Info: SBD > Cassette Master > DAT (44.1k)
Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/16 |
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08/21/80
|
Uptown Theater
, Source Detail |
flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
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08/26/80
|
Cleveland Public Hall
, Source Detail |
sbd-> cassette-> unknown digital xfer(s)-> Sonic-> CD-> CD-> EAC-> SHN
Note: Beginning gap in Don't Ease Me In patched by David Gans using a piece of the chorus in. This is not a "new" source |
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08/27/80
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Pine Knob Music Theater
, Source Detail |
flac16; Recording Info: SBD -> Master Cassette -> Dat; Transfer Info: Dat -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
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10/04/80
|
Warfield Theater
, Source Detail |
flac16/44.1khz Source: Master SBD Reel > PCM > DAT
Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44 |
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10/06/80
|
Warfield Theater
, Source Detail |
flac16/44.1khz Source: Master SBD Reel > PCM > DAT
Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44 |
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10/10/80
|
Warfield Theater
, Source Detail |
flac16; SBD/AUD Matrix of 3 previously circulated seeds; prepared by Chris Chappell |
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10/11/80
|
Warfield Theater
, Source Detail |
acoustic set; SBD> Reel> PCM> DAT> CDR> Plexwriter CD-R (EAC)> HP 8200i CDRW Drive (EAC); via Andy "Bear" Greider, Stephen Windsor, Darrin Sacks |
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10/26/80
|
Radio City Music Hall
, Source Detail |
Updated Source; SBD > MR > C (no dolby) > DAT > CD > EAC > SHN; was marked: SBD > MR > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko |
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10/31/80
|
Radio City Music Hall
, Source Detail |
flac16; Source Info: Satellite Feed > (McIntosh) 10" Master Reels @ 7.5 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
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08/28/81
|
Long Beach Arena
, Source Detail |
flac16; Recording Info: SBD -> Cassette Master -> ? -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional 11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
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09/25/81
|
Stabler Arena, Lehigh University
, Source Detail |
flac16; Source info: Master FOB Audience Cassette; Nakamichi CM300's + CP4's > DAT > CDR; Transfer info: Master cassette played back via Nak BX300 > Panasonic SV-3500 > HHB 850 > EAC > Cool Edit Pro; Transfer by Scott Clugston; Mastered by Scott Clugston |
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10/12/81
|
Olympia Halle
, Source Detail |
flac16/48kHz; Master Soundboard Cassettes > Dick Latvala's 1st generation cassettes (Tascam 122mkIII)> Rob Eaton's 2nd generation cassettes (Nakamichi Dragon) > Rob Eaton's Dat (Panasonic SV-3800)(16-bit/48k) > Tim Dalton's Dat (16-bit/48k) Transfer Info: Dat (Sony PCM-R500)(16-bit/48k)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/48k) > Adobe Audition 3.01 > TLH flac1648 |
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12/05/81
|
Market Square Arena
, Source Detail |
flac16; Recording by Doug Mow. Nak 700 shotguns (mics pointed at stacks) > Sony TC D5M > Maxell XLIIS
Transfer: D5 > Edirol UA5 custom Oade mod > USB > IBM R40 > Soundforge > WAV > CDR > EAC > WinXP Pro > Flac Frontend > FLAC16.
Transferred By Doug Mow
EAC, conversion & upload to bt.etree.org by Alex Ford 12/23/05 |
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12/28/81
|
Oakland Auditorium Arena
, Source Detail |
flac24; Source Info: Joani Walker's Master Audience Cassettes; Dan Healy's AKG 414 mics > Nakamichi 550(Maxell UDXLII C90); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 |
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04/17/82
|
Hartford Civic Center
, Source Detail |
flac16; Recording Info: SBD > PCM Master (Sony PCM-F1/Maxell HG-T120 VHS); Transfer Info: PCM Master (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X4 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller |
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09/11/82
|
West Palm Beach Civic Center
, Source Detail |
Master Soundboard Cassette > Reel to Reel > DAT> CDR; with patches from FOB Nak CM300 (see info file); via Scott Clugston to abgd and etree |
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11/25/82
|
Bob Marley Performing Arts Center
, Source Detail |
lineage: MSC(Sony TCD-5M) > WAV > SHN recording: MSC - master soundboard cassette w/ Dolby B by Frank Streeter digital transfer: Nakamichi CD 2 cassette deck > HHB 850 Pro stand-alone CD burner (16 bit @ 44.1khz) by Frank Streeter and Henry Fisher tracking and editing: AIF (Toast 5.2) > WAV (Peak 3.21) > SHN (shntool 1.2.2) WAV sector boundaries verified with shntool by Ted Erhard |
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03/30/83
|
Warfield Theater
, Source Detail |
SBD>CM>Cassette x1>DAT>CDRx2; Seeded to etree by Jim Bennett ; upgrade in circulation
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03/31/83
|
Warfield Theater
, Source Detail |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
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04/20/83
|
Providence Civic Center
, Source Detail |
flac16; SBD> Master Cassette> Reel> Dat (SV3800/48k), plus patch from FOB Sennheiser 421> Master Cassette; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller |
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04/23/83
|
Veterans' Memorial Coliseum
, Source Detail |
FOB-Sennheiser 421> Master Cass(Sony D5)> Dat> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes |
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09/11/83
|
Santa Fe Downs
, Source Detail |
SBD> Master Cassette> 1 Reel> DAT> DAT> WAV> Soundforge 4.0> CDWAV 1.53> MKW 0.97b> SHN; DAT> WAV via Sony SDT-9000 DDS drive using VDAT 0.6f; see info file for details and flaw notes; QC courtesy dankseeds |
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10/08/83
|
Richmond Coliseum
, Source Detail |
flac16; Recording Info: Master was the third D5 in line; about halfway between soundboard and stage; First Set 3 Sennheiser 441s -> Sony MX-7 Blend Box -> Sony TC-D5m, Second Set 2 Sennheiser 441s -> Sony TC-D5m; Transfer Info: Master Sony UCX-S Cassette Playback on Sony TC-D5m -> Marantz PMD670 -> Wav -> FLAC |
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10/11/83
|
Madison Square Garden
, Source Detail |
FOB Sennheiser 441's > Technics PCM master > DAT; Transfer: DAT
> ZA2 > SoundForge; Taper: Jeff Silberman; via A. Gustin to etree, stemming
from tree run by M. Daniel, F. Venezia; barely fits on 2 discs without
filler; filler 4/17/84, same source |
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10/14/83
|
Hartford Civic Center
, Source Detail |
flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris |
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10/14/83
|
Hartford Civic Center
, Source Detail |
flac16; Lineage: master cassette > cd > eac > flac Recording Equipment: (3) audio technica atm fob> tcm d-5> cm> cd Recording Location: fob Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate |
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04/07/84
|
Irvine Meadows
, Source Detail |
flac16/48kHz; Soundboard Master from The Knudsen Collection at Lossless Legs; Nakamichi CR-7A -> Sound Devices MixPre-3M |
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04/20/84
|
Philadelphia Civic Center
, Source Detail |
flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (SV3800/48k) -> WAV; Transfer Info: WAV -> Samplitude v7.02 Professional -> Cool Edit Pro v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller |
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07/01/84
|
Pine Knob Music Theater
, Source Detail |
flac16/44.1khz MAUD CA: Beyer M88's XY > Sony TCD5M|Sony UCX-S90 x2 no NR
Location: 100 feet from stage DFC 6 feet up
Transfer: Nakamichi LX5 > Marantz PMD661|SD
Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook
Transferred: Kyle Holbrook |
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07/03/84
|
Starlight Theater
, Source Detail |
flac16; Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC |
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07/03/84
|
Starlight Theater
, Source Detail |
flac16/44.1khz MAUD CA: Beyer M88's XY > Sony TCD5M|Sony UCX-S90 x2 no NR, 2nd deck in line
Location: 75 feet from stage DFC 6 feet up
Transfer: Nakamichi LX5 > Marantz PMD661|SD
Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook
Transferred: Kyle Holbrook |
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07/15/84
|
Greek Theatre, U. Of California
, Source Detail |
flac16; Set 1: SBD -> PCM Master -> Dat/0 -> Samplitude Professional v8.0 -> FLAC
Set 2: SBD -> PCM Master -> Dat/0 -> Sonic Solutions -> CD -> EAC -> FLAC
Transferred and Edited By Charlie Miller |
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10/20/84
|
Carrier Dome, Syracuse U
, Source Detail |
flac16; Set 2 Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper |
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03/13/85
|
Berkeley Community Theater
, Source Detail |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90/Dolby B) Transfer Info: Cassette Master (Sony TC-WE475/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
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03/25/85
|
Springfield Civic Center
, Source Detail |
flac16; Original SRC: MSC>Cass.>DAT>CDR>SHN Edit: SHN > WAV > repitch and patch in Cool Edit Pro > FLAC. Patched with Oade Schoeps PCM; Pitch corrected and patched version of shnid shn id 15403 by Bill Tetzeli |
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04/13/85
|
Irvine Meadows
, Source Detail |
flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Upgrade in circulation |
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06/14/85
|
Greek Theatre, U. Of California
, Source Detail |
flac16; Sick Bits Vol. 22a - SBD/AUD matrix of 3 previously circulating sources: SBD (shnid=13747) + Oade AUD (shnid=24451). Another AUD (shnid=32867) was used to patch crowd and tunings. Matrixed by Chris Chappell. |
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06/15/85
|
Greek Theatre, U. Of California
, Source Detail |
flac16; Sick Bits Vol. 22b - SBD/AUD matrix of 3 previously circulating sources: set 1 SBD (shnid=5682) and set 2 SBD (shnid=28449) + Oade AUD (shnid=24586). Matrixed by Chris Chappell. |
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06/21/85
|
Alpine Valley Music Theatre
, Source Detail |
Master Soundboard Cassette > DAT > CDR; via Jack Straw; Seeded to etree by steve barbella |
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07/13/85
|
Ventura County Fairgrounds
, Source Detail |
flac16; Source: FOB>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's) Transfer:
Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped & Transferred by Charlie Connor |
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09/10/85
|
Henry J. Kaiser Convention Center
, Source Detail |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> amplitude Professional v8.01 -> FLAC |
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09/11/85
|
Henry J. Kaiser Convention Center
, Source Detail |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
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09/12/85
|
Henry J. Kaiser Convention Center
, Source Detail |
Master Soundboard Cassette > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella |
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09/15/85
|
Devore Field, Southwestern U
, Source Detail |
flac16; Source:Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57(tracking only)>flac16
Taped and transferred by Charlie Connor
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10/28/85
|
Fox Theater
, Source Detail |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
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10/29/85
|
Fox Theater
, Source Detail |
flac16; SBD> Cassette Master (Sony D5/Maxell MX90); Transfer: Cassette Master (Sony TC-WE475)> Sony R500 (Pass Through)> SEK'D Prodif Plus> Samplitude Professional v8.01> FLAC; Transfers and Mastering By Charlie Miller; Upgrade in circulation |
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11/02/85
|
Richmond Coliseum
, Source Detail |
flac16; (original shnid = 14604) SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN - pitch correction and patches by Kevin Tobin |
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11/04/85
|
The Centrum
, Source Detail |
flac24; SRC: MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B)) taped by Tim Alexander Transfer: MAC playback on Nak DR-1 > Tascam HD-P2 (24 bit/48 khz) > WAV > FLACTransferred by Bill Tetzeli |
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11/11/85
|
Meadowlands Arena
, Source Detail |
flac2496 Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Transfer Info:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496 |
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01/28/87
|
San Francisco Civic Auditorium
, Source Detail |
Source: SBDcm(Healy Mix)>DAT>CDR>EAC>WAVE LAB>CD WAVE>MKW>SHN; Seeded to etree by Steven Leeds |
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01/29/87
|
San Francisco Civic Auditorium
, Source Detail |
Healey ultramix: PCM -> Cassette Master > wav > mkw > shn; Seeded to etree by drgseeds via Bob H |
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03/23/87
|
Hampton Coliseum
, Source Detail |
flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
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03/26/87
|
Hartford Civic Center
, Source Detail |
Set I info
Source: SBD
Lineage: Master Cassette > DAT > CD > SHN;
Set II info
Source: Ultramatrix (SBD/AUD mix)
Lineage: Master Cassette > DAT > CD > SHN; via Douglas Tunstall, Nick Scarano and Jeff Hawkins; seeded to etree by Peter Braverman
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04/18/87
|
Irvine Meadows
, Source Detail |
flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
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07/19/87
|
Autzen Stadium, University Of Oregon
, Source Detail |
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24 |
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08/20/87
|
Park West Ski Resort
, Source Detail |
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
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08/22/87
|
Calaveras County Fairgrounds
, Source Detail |
flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony Betamax/TDK HS); Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller |
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09/19/87
|
Madison Square Garden
, Source Detail |
SBD; via Bill Frank, Alan McCarthy |
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03/26/88
|
Hampton Coliseum
, Source Detail |
flac16/48kHz; Source Info: Michael Hessberg's Master In-House FM Cassettes; Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
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03/27/88
|
Hampton Coliseum
, Source Detail |
flac16/48kHz; Source Info: Michael Hessberg's Master In-House FM Cassettes; Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
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06/22/88
|
Alpine Valley Music Theatre
, Source Detail |
flac16; Set 2 Recording Info: SBD -> ? -> Cassette/4; Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
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09/05/88
|
Capital Centre
, Source Detail |
flac1644 Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X90/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 (Set 1) > Samplitude Pro X6 Suite > FLAC/24 - This is 165505 2496 > 1644 |
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09/12/88
|
The Spectrum
, Source Detail |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller This file set is 16 bit @ 44.1 |
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12/09/88
|
Long Beach Arena
, Source Detail |
Recording Info: UltraMatrix SBD > Cassette Master (Don Pearson) > Cassette (Dolby C) > WAV (16-bit/44.1k)
Mastering Info: WAV > Samplitude Pro X5 Suite > FLAC/16 |
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12/10/88
|
Long Beach Arena
, Source Detail |
Recording Info: UltraMatrix SBD > Cassette Master (Don Pearson) > Cassette (Dolby C) > WAV (16-bit/44.1k)
Mastering Info: WAV > Samplitude Pro X5 Suite > FLAC/16 |
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12/11/88
|
Long Beach Arena
, Source Detail |
Recording Info: UltraMatrix SBD > Cassette Master (Don Pearson) > Cassette (Dolby C) > WAV (16-bit/44.1k)
Mastering Info:
WAV > Samplitude Pro X5 Suite > FLAC/16 |
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02/06/89
|
Henry J Kaiser Convention Center
, Source Detail |
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24 |
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04/02/89
|
Civic Arena
, Source Detail |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
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04/12/89
|
Rosemont Horizon
, Source Detail |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24 This file set is 16 bit @ 44.1 |
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06/18/89
|
Shoreline Amphitheatre
, Source Detail |
flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> FLAC Transfers and Mastering By Charlie Miller |
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06/19/89
|
Shoreline Amphitheatre
, Source Detail |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
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06/21/89
|
Shoreline Amphitheatre
, Source Detail |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
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07/02/89
|
Sullivan Stadium
, Source Detail |
flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
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10/09/89
|
Hampton Coliseum
, Source Detail |
flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC . This has an upgraded patch source. |
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10/22/89
|
Charlotte Coliseum
, Source Detail |
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
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12/28/89
|
Oakland-Alameda County Coliseum
, Source Detail |
flac24/96 Recording Info:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Transfer Info:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >
Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 |
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02/25/90
|
Oakland-Alameda County Coliseum
, Source Detail |
flac16; SBD > DAT > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko |
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03/15/90
|
Capital Centre
, Source Detail |
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
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03/18/90
|
Hartford Civic Center
, Source Detail |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 |
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03/19/90
|
Hartford Civic Center
, Source Detail |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 |
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03/22/90
|
Copps Coliseum
, Source Detail |
flac16; Matrix by Jubal Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 139224 & 125881. |
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03/29/90
|
Nassau Coliseum
, Source Detail |
SBD> Dat> CD; SHN Conversion By Charlie Miller |
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03/29/90
|
Nassau Coliseum
, Source Detail |
flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
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06/08/90
|
Cal Expo
, Source Detail |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 |
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06/09/90
|
Cal Expo
, Source Detail |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller,This file set is 16 bit @ 44.1 |
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06/10/90
|
Cal Expo
, Source Detail |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 |
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06/17/90
|
Shoreline Amphitheatre
, Source Detail |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller This file set is 16 bit @ 44.1 |
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07/12/90
|
Robert F. Kennedy Stadium
, Source Detail |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
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07/18/90
|
Deer Creek Music Center
, Source Detail |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
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07/21/90
|
World Music Theater
, Source Detail |
flac16; Matrix 2 Source Mix - SBD (shnid = 150458) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 143930) Dave Brotman Master DAT Recording: Schoeps CMC3 MK4 (ORTF) Oade PS > M100 cable > DAT (Panasonic SV250); Location info: Set I, Section 103 Row AA Seat 27 (hand held); Set II, row 27 center, mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel; Flac 16/48 > Audacity > 16/48 - matrix mixing by Kevin Tobin |
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09/18/90
|
Madison Square Garden
, Source Detail |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
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09/19/90
|
Madison Square Garden
, Source Detail |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
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10/13/90
|
Ice Stadium
, Source Detail |
DSBD > CD > EAC > SHN; EAC/SHN by Darryl Hinko |
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10/17/90
|
GrugaHalle
, Source Detail |
DSBD>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley |
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10/19/90
|
Internationales Congress Centrum
, Source Detail |
DSBD: Healy mix>MD>D>CD; seeded to abgd by dieter |
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10/20/90
|
Internationales Congress Centrum
, Source Detail |
DSBD: Healy mix>MD>D>CD |
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10/20/90
|
Internationales Congress Centrum
, Source Detail |
flac16; SBD > ? > FLAC |
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10/22/90
|
Festhalle
, Source Detail |
DSBD > CD > EAC > SHN; No cut in Bird Song; EAC/SHN by Darryl Hinko |
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10/24/90
|
Sportsahalle
, Source Detail |
flac16; SBD->DAT->CDR->EAC->WAV->FLAC |
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10/27/90
|
The Zenith
, Source Detail |
SBD>DAT>CD; via Tommy Danscuk; Seeded to etree by Peter Braverman |
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10/28/90
|
The Zenith
, Source Detail |
SBD> DATx3; Conversion: Sony M-1 > Midiman Optical > SPDIF SB Platinum > CoolEdit WAV > CDWav WAV > SHN (mkw); Shns Produced by JamPhan |
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10/30/90
|
Wembley Arena
, Source Detail |
flac16; Seamless fix of shn id 6678 - dsbd>dat>cd>shn>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
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10/31/90
|
Wembley Arena
, Source Detail |
SBD > DAT > CDR > WAV > SHNv3; seed discs via Tim Symons, DAE(EAC) > SHNTOOL > MKWACT via neo_levo; reportedly with Werewolves splice, but fewer pops than previous shn sets |
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11/01/90
|
Wembley Arena
, Source Detail |
SBD > DAT > CDR > WAV > SHNv3; via Tim S., neo_levo |
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12/12/90
|
McNichols Sports Arena
, Source Detail |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X6 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
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12/13/90
|
McNichols Sports Arena
, Source Detail |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
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12/14/90
|
McNichols Sports Arena
, Source Detail |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 |
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12/31/90
|
Oakland-Alameda County Coliseum
, Source Detail |
flac16; Matrix 3 Source Mix - SBD (shn id 90102) Pre-FM > DAT > CD > EAC > CD > EAC > FLAC; Both EAC steps were done twice with correct setting to ensure accurate rips. Final EAC and FLAC conversion done by Bob Abrams, 2/21/08. + AUD1 (shn id 116141) Recorded by "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files + AUD2 (no shn id) Audience recording from Vidoe soundtrack - matrix mixing by Kevin Tobin |
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02/19/91
|
Oakland-Alameda County Coliseum
, Source Detail |
SBD > DAT > Soundforge> CDR > WAV > SHN; DAE(EAC)> SHN (MKWACT), via neo_levo with thanks to Charlie Miller |
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02/20/91
|
Oakland-Alameda County Coliseum
, Source Detail |
Updated source: 2 Nak 100/CP4 + 2 AKG C1000, Front Row Tapers Section> Boss BX4 Mixer> Cassette Master (Sony D6/Dolby B), taped by Charlie Miller; Cass> DAT transfer by Dan Sisler; Dat (Sony R500/SBM On)> CD (Tascam CDRW700) transfer by Charlie Miller; EAC> CDWAV> SHN by eD(efojr), from Paul's seed discs |
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02/20/91
|
Oakland-Alameda County Coliseum
, Source Detail |
flac16; SBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko |
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02/20/91
|
Oakland-Alameda County Coliseum
, Source Detail |
flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
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02/21/91
|
Oakland-Alameda County Coliseum
, Source Detail |
Recording Info:
SBD -> Dat
Transfer Info:
Dat (Sony D8) -> Delta DiO 2496 -> Samplitude 2496 -> SHN
3 Discs Audio / 2 Discs SHN
Re-tracked and Normalized with Samplitude v7.02 Professional
By Charlie Miller
charliemiller87@earthlink.net
2/11/04 |
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02/21/91
|
Oakland-Alameda County Coliseum
, Source Detail |
SBD > DAT x2; Transfer TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHN; transfer and hosted by John D'Auria |
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03/17/91
|
Capital Centre
, Source Detail |
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
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03/18/91
|
Capital Centre
, Source Detail |
flac16; SBD > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko |
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03/21/91
|
Capital Centre
, Source Detail |
flac24/96khz Recording Info:
SBD > Cassette Master (TDK SA-X100)
Transfer Info:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >
Tascam Hi-Res Editor > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 |
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03/24/91
|
Knickerbocker Arena
Video: AUD (Tripod) > 1st Gen VHS > ? Author > DVD, |
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03/24/91
|
Knickerbocker Arena
, Source Detail |
flac16; Recording Info: SBD -> Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller |
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03/27/91
|
Nassau Veterans Memorial Coliseum
, Source Detail |
Recording Info: SBD -> Cm (Sony D5) -> Dat; Transfer Info: Dat (Sony R500) -> Sound Devices USB Pre -> Sony Vaio C1VP -> Samplitude 6.0 -> Cool Edit Pro v2.0 -> SHN; Transfered and Remastered By Charlie Miller; Upgrade in circulation |
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03/27/91
|
Nassau Veterans Memorial Coliseum
, Source Detail |
flac16/48kHz; (FOB) Neuman SKM150 (90 Deg X-Y) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick April 2019 |
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03/28/91
|
Nassau Coliseum
, Source Detail |
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This is a fixed version of shnid=142161 |
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03/29/91
|
Nassau Coliseum
, Source Detail |
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
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03/31/91
|
Greensboro Coliseum
, Source Detail |
flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
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04/01/91
|
Greensboro Coliseum
, Source Detail |
flac16; SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> CD
Transferred and Edited By Charlie Miller |
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04/03/91
|
The Omni
, Source Detail |
flac24/96 Recording Info:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Transfer Info:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >
Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 |
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04/07/91
|
Orlando Arena
, Source Detail |
SBD > ? > SHN; via M. Ferguson, neo_levo |
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04/08/91
|
Orlando Arena
, Source Detail |
flac16; Recording Info: SBD -> Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller |
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04/09/91
|
Orlando Arena
, Source Detail |
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC/24; All Transfers and Mastering By Charlie Miller; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper. |
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04/27/91
|
Sam Boyd Silver Bowl
, Source Detail |
flac16; 3 source combo: 1: SBD> Dat> Cassette Master> Dat (48k); 2: SBD> Dat> Sonic Solutions> CD; 3: (FOB) Schoeps CMC3/MK2> Dat (48k); Transfer: Dat or CD> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transfers and Editing By Charlie Miller |
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05/10/91
|
Shoreline Amphitheatre
, Source Detail |
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
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05/11/91
|
Shoreline Amphitheatre
, Source Detail |
flac16: Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
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05/12/91
|
Shoreline Amphitheatre
, Source Detail |
flac16; SBD -> Dat
Transferred and Edited By Charlie Miller
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06/06/91
|
Deer Creek Music Center
, Source Detail |
Recording Info:
SBD -> Dat -> Cm -> Dat
Transfer Info:
Dat -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude v.60 -> Cool Edit Pro v1.2 -> CD -> EAC (Secure Mode) -> SHN (3 Discs Audio / 2 Discs SHN)
All transfers done by Charlie Miller |
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06/07/91
|
Deer Creek Music Center
, Source Detail |
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
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06/11/91
|
Charlotte Coliseum
, Source Detail |
source unknown (likely SBD> CM> DAT> CDR); DAE: CDR> EAC> SHN; Extraction and shorten conversion by JT James; reported upgrade relative to previous shn set |
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06/14/91
|
Robert F. Kennedy Stadium
, Source Detail |
flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
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06/17/91
|
Giants Stadium
, Source Detail |
SBD -> Master Dat (44.1k) -> Dat Clone;
Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller; [Note: This is the only circulating source without an analog gen in it.] |
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06/19/91
|
Pine Knob Music Theater
, Source Detail |
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
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06/20/91
|
Pine Knob Music Theater
, Source Detail |
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 |
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06/22/91
|
Soldier Field
, Source Detail |
This is shn id 485 with undocumented changes. See the comments here for a possible explanation. Via Tol and LMA. |
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06/24/91
|
Sandstone Ampitheatre
, Source Detail |
flac16; Fix of shn id 2533 - DSBD>DAT>CDR>WAV>SHN>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
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06/25/91
|
Sandstone Ampitheatre
, Source Detail |
SBD> Vault Dat> Dat> Dat (44.1k); Transfer:
Dat (Tascam DA20)> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> Cool Edit Pro v2.0> SHN; All Transfers and Editing By Charlie Miller; note upgrade compared to prev sources in circ (NOT from liberated bootleg) |
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08/12/91
|
Cal Expo
, Source Detail |
flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
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08/13/91
|
Cal Expo
, Source Detail |
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
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08/13/91
|
Cal Expo
, Source Detail |
flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24 |
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08/14/91
|
Cal Expo
, Source Detail |
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
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08/18/91
|
Shoreline Amphitheatre
, Source Detail |
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller. |
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09/04/91
|
Richfield Coliseum
, Source Detail |
sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs |
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09/05/91
|
Richfield Coliseum
, Source Detail |
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 |
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09/06/91
|
Richfield Coliseum
, Source Detail |
sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs |
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09/08/91
|
Madison Square Garden
, Source Detail |
DSBD> DAT> CD; via Jay Ashley: see flaw note in pub comments |
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09/08/91
|
Madison Square Garden
, Source Detail |
DSBD> DAT> CD; via Jay Ashley: see flaw note in pub comments |
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09/09/91
|
Madison Square Garden
, Source Detail |
DSBD> DAT> CD; via C. Miller, J. Ashley |
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09/10/91
|
Madison Square Garden
, Source Detail |
complete; DSBD> DATs> CDRs> EAC> SHN; via Darrin Sacks |
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09/10/91
|
Madison Square Garden
, Source Detail |
complete; DSBD> DATs> CDRs> EAC> SHN; via Darrin Sacks |
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09/10/91
|
Madison Square Garden
, Source Detail |
flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
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09/12/91
|
Madison Square Garden
JVC Single Tube Camera, Nak 300 Shotguns > ? Decks > Panasonic AG-7400 > S-VHS Master, |
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09/12/91
|
Madison Square Garden
, Source Detail |
Clean up of SHNid=516; SBD > DAT > CDR > SHN; Cleaned by Darryl Hinko. See notes. |
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09/12/91
|
Madison Square Garden
, Source Detail |
Clean up of SHNid=516; SBD > DAT > CDR > SHN; Cleaned by Darryl Hinko. See notes. |
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09/13/91
|
Madison Square Garden
, Source Detail |
flac16; DSBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko; No cut in Masterpiece |
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09/14/91
|
Madison Square Garden
, Source Detail |
flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
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09/16/91
|
Madison Square Garden
, Source Detail |
flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
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09/17/91
|
Madison Square Garden
, Source Detail |
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
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09/20/91
|
Boston Garden
, Source Detail |
SBD > DAT > CDR > WAV > SHN - Seamless fix of shn id 5700 |
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09/20/91
|
Boston Garden
, Source Detail |
flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
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09/21/91
|
Boston Garden
, Source Detail |
sbd> DAT> CD-R> EAC> SHN (no cass in gen); seed via A. McCall, via A. Eaglestone to BUDD et al offer; 11/00 at gdlive.com |
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09/25/91
|
Boston Garden
, Source Detail |
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 |
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09/26/91
|
Boston Garden
, Source Detail |
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA100) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller |
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10/27/91
|
Oakland-Alameda County Coliseum
, Source Detail |
SBD> DAT> ZA2> Soundforge 4> CD Architect> CDR> EAC> shn; via Eric,
Jeff |
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10/28/91
|
Oakland-Alameda County Coliseum
, Source Detail |
SBD> DAT (n clones)> PCM> DAT; Conversion: Tascam DA-20 MK II > Delta Dio 2496 > Soundforge XP 4.5 > CDWave > SHN by Rob (Odeo) Harrison; tracked for 2x80 |
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10/30/91
|
Oakland-Alameda County Coliseum
, Source Detail |
DSBD > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko |
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10/31/91
|
Oakland-Alameda County Coliseum
, Source Detail |
Matrix by RJ Hythloday of sbd > (?) > shn(id=2897)& FOB recorded by Marcus Buick Transferred By Charlie Miller |
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10/31/91
|
Oakland-Alameda County Coliseum
, Source Detail |
flac16; DSBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko |
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12/27/91
|
Oakland-Alameda County Coliseum
, Source Detail |
DSBD > DAT > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko, with patches added from previous AUD source |
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12/28/91
|
Oakland-Alameda County Coliseum
, Source Detail |
Set 1: SBD -> Dat -> Sonic Solutions -> CD -> EAC -> SHN
Set 2: SBD -> Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN
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12/30/91
|
Oakland-Alameda County Coliseum
, Source Detail |
flac16; SBD (Ultra-Matrix) -> Master Dat (44.1k)
All Transfers and Mastering By Charlie Miller |
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12/31/91
|
Oakland-Alameda County Coliseum
, Source Detail |
SBD > Satellite Feed > DAT> CDR > WAV > SHNv3; DAE (EAC) > tracking (cdwave) > boundary checking (shntool) > SHNv3 (mkwact) via C.Ladner, from C.Larson for seed discs |
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05/21/92
|
Cal Expo
, Source Detail |
flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller |
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05/23/92
|
Shoreline Amphitheatre
, Source Detail |
flac24; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24 |
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05/24/92
|
Shoreline Amphitheatre
, Source Detail |
flac24; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k); All Transfers and Mastering by Charlie Miller |
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05/25/92
|
Shoreline Amphitheatre
, Source Detail |
flac24; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k) |
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12/17/92
|
Oakland-Alameda County Coliseum
, |
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02/23/93
|
Oakland-Alameda County Coliseum
, Source Detail |
SBD>DAT(S)>CDR with Brokedown from unspecified audience source |
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05/26/93
|
Cal Expo
, Source Detail |
flac16; SBD> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller |
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10/18/94
|
Madison Square Garden
, Source Detail |
flac16; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
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03/23/95
|
Charlotte Coliseum
, |
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Music
List for
Seth
