Source #	105319
Entered by	ziko
Checksums	ffp
Disc Counts	2 / 2
Media Size
Date Circulated Date Added	01/06/2010

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• (166411)  Flac16   SBD > DAT Master (Panasonic...

Source Summary
flac16;DAUD: Audio Technica 822 (hand-held, lower balcony center) -> Aerco Pre-Amp -> Sony D-7 @ 48KHz -> MDAT -> Sony PCM-R500 (playback) -> coax s/pdif -> MOTU Traveler -> MacBook Pro/Digital Performer 5.1 (record/transfer) -> .wav -> iZotope RX (see notes below) -> DP5.1 (fades, limiter (-1.8dB threshold), split tracks, resample to 44.1khz) -> .wav -> xACT v1.62 -> FLAC (level 8); Recorded by Art Newberg & James Bartoli; Edited and FLAC'd by James Bartoli

Ratdog
December 15, 1995
The Warfield Theatre
San Francisco, CA

Disc I
01. fade in/crowd
02. Bombs Away * ->
03. Take Me to the River
04. Fever ->
05. Eternity
06. K.C. Moan
07. When I Paint My Masterpiece
08. Juke
09. Salt Lake City
10. Wang Dang Doodle
11. New Minglewood Blues

Disc II
01. It Should Have Happened to Me ->
02. The Winners ->
03. Easy to Slip
04. drums
05. Wasserman solo ->
06. Easy Answers ->
07. Throwing Stones
-(encore break)-
08. I Need A Miracle ->
09. Knockin' on Heaven's Door

DAUD: Audio Technica 822 (hand-held, lower balcony center) -> Aerco Pre-Amp -> Sony D-7 @ 48KHz -> MDAT -> Sony PCM-R500 (playback) -> coax s/pdif -> MOTU Traveler -> MacBook Pro/Digital Performer 5.1 (record/transfer) -> .wav -> iZotope RX (see notes below) -> DP5.1 (fades, limiter (-1.8dB threshold), split tracks, resample to 44.1khz) -> .wav -> xACT v1.62 -> FLAC (level 8)

Recorded by Art Newberg & James Bartoli
Edited and FLAC'd by James Bartoli

Notes: Vince Welnick was absent.

* A loose cable resulted in the right channel cutting in and out during part of Bombs Away.  This spot has been patched with the left channel, resulting in a mono segment from d1t01: ~ 0:29-1:57.  A limiter was also used to address some of the proximate clapping between songs that was louder than the music.

iZotope RX notes:
There were also several claps/pops/proximate screamers close to the mic that were attenuated or removed to make the final mix more listenable.  The instances are too numerous to list.  Being an ambient recording from within the crowd, some ambient sonic gremlins inevitably remain.