Source #	11255
Entered by	Dave M [db.etree admin]
Checksums	d1 , d2
Disc Counts	2 / 2
Media Size
Date Circulated Date Added	08/11/02 12/01/2003

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Source Summary
Master: AKG 451's+ck8>D10
by Rob Berger; tape provided via Rick Duro's "Mother Load"
Conversion: DA-20>U2A>SoundEdit 16>shntool>WAV>SHNv3 [no DAE]
by Dave Mallick [greenone@bluestraveler.net]

Blues Traveler
September 6th, 1990
7 Willow Street, Port Chester, NY

Master creation:
AKG 451's+ck8 caps>D10
by Rob Berger; DAT provided via Rick Duro's "Mother Load"

SHNs were made:
DA-20>Egosys Waveterminal U2A>shntool>WAV>SHNv3 [no DAE]
by Dave Mallick [greenone@bluestraveler.net]

CD 1 [81:54.15, see notes] (minutes:seconds.frames)
00. Introduction/tuning  [01:15.00]
01. Weird Chick          [05:00.10]
02. Shotgun Shell>       [09:07.35]
03. Come Together>*      [01:36.28]
04. Shotgun Shell        [03:03.45]
05. Gina                 [07:05.14]
06. Slow Change          [10:20.52]
07. Mountain Cry         [11:35.60]
08. Gotta Get Mean>**    [03:50.65]
09. Brother John>**      [11:11.55]
10. Gloria>**            [14:55.59]
11. Gotta Get Mean**     [02:10.00]
12. Set closing comments [00:41.42]

CD 2 [75:37.49]
01. Love Of My Life      [09:21.25]
02. 100 Years            [06:07.17]
03. The Best Part        [07:44.40]
04. Alone                [17:06.21]
05. What's For Breakfast [07:26.47]
06. Sweet Talking Hippie [16:04.74]
07. Mother Funker        [11:46.50]

* one verse and chorus only
** with Avram Lavinsky on keys

Notes:
- Song lengths make disc division awkward. Three options:
a) For a two-disc show, delete d1t00 and d1t12; these are
'tuning/commentary' tracks and contain no music. Several
comments from the stage are deleted, however.
b) For a three-disc show, include d1t00 through d1t07 on
disc 1 (49:04), d1t08 through d2t04 on disc 2 (73:09), and
d2t05 through d2t07 on disc 3 (35:18).
c) Some burners/programs capable of 'overburning' may be able
to fit the full length of set I without any deletions.
- Several balloons were apparently released into the crowd prior
  to set II. Many pops can be heard afterwards throughout the set.