Ratdog
3rd July 2002
London Astoria, London, England
CSB>Sharp MT831H>MD master>Sony JE530 playback>Dio
2448>.wav>MKW 0.97b>.shn with seek tables appended.
1st Set:
Disc #1:
1. Dead Air 0:17
2. Jam > 3:10
3. Shakedown Street > 11:40
4. She Belongs to Me > 6:59
5. jam > 0:58
6. Loose Lucy > 8:11
7. Matilda Mother > 2:29
8. Tomorrow Never Knows > 6:19
9. Matilda Mother > 4:00
10. Big Boss Man > 5:54
11. Dark Star jam > 4:20
12. Easy Answers > 10:52
13. Eyes of the World 14:31
Total Time : [79:39]
2nd Set:
Disc #2:
1. Blackbird@ 4:56
2. El Paso@ 7:13
3. Victim Or The Crime@ > 9:22
4. Brown-Eyed Women > 6:35
5. Good Morning Little Schoolgirl > 6:31
6. Help On The Way > 4:07
7. Slipknot! > 4:38
Total Time : [43:22]
Disc #3:
1. Bass/Drums > 2:40
2. Wharf Rat > 11:44
3. Piano jam > 1:43
4. Two Djinn > 9:16
5. Corrina Jam > 2:35
6. Franklin's Tower 12:00
Total Time : [39:48]
(no encore, probably due to curfew).
Notes: Bobby forgot a LOT of words, for instance in El Paso; at
one stage Mark walked over to remind him, but plenty of other times
during the show there is audience reaction at Bobby forgetting
YET AGAIN!
Editing: I ran an FFT filter in Cool Edit Pro principally to improve
the bass.
The FFT filter settings were: +14.76db @ 21Hz, +14.76db @ 86Hz, +3.84db @ 482Hz,
+3.84db @ 4046Hz, -0.72db @ 8007Hz, +2.02db @ 11047Hz, +13.46db @ 15928Hz,
+0.02db @ 22050Hz, with the "spline curves" box ticked. The 2nd set values
were all 3db less (as I adjusted the recording level up, between sets).
After the FFT changes I found 3 overloaded peaks were restored / limited in CEP.
9th July 2002
alimac@netcomuk.co.uk