Source Summary
taped->behind the bord 2AKG-c1000s->Sony-D8-44.1kHz/rec.manuel - transfer: Sony-D8>OpticalCable"POCDA12P"->maranz-DR4050->DAE(EAC)->CDwav->SHN(MKWACT); with patches (d1t01, d1t02, and part of d1t03) from alternate source: OKMIIR>SBM-1>D100>EWS XL64>CDR>EAC
Ratdog - Jul/09/2002
Fabrik - Hamburg, Germany
taped->behind the bord
2AKG-c1000s->Sony-D8-44.1kHz/rec.manuel
transfer:
Sony-D8>OpticalCable"POCDA12P"->maranz-DR4050->DAE(EAC)->CDwav->SHN(MKWACT)
with patches (d1t01, d1t02, and part of d1t03) from alternate source:
OKMIIR>SBM-1>D100>EWS XL64>CDR>EAC.
CD - 01/02
1. Dead Air 0:33
2. jam > 3:25
3. The Music Never Stopped > 5:08
4. Maggie's Farm 10:23
5. Mission In The Rain 8:47
6. Take Me To The River 5:41
7. She Says > 9:20
8. It's All Over Now > 6:33
9. The Music Never Stopped > 1:41
10. Eyes of the World 11:26
Total Time : [62:21]
CD - 02/02
1. Jam > Bombs Away 11:17
2. When I Paint My Masterpiece 6:55
3. Loser > 10:00
4. Truckin > 13:23
5. Love Supreme Jam > 2:24
6. Bass>Drums > 4:53
7. St. Stephen > 6:25
8. The Eleven 9:51
Encore:
9. Knockin on Heaven's Door 7:46
Total Time : [72:54]
taped and transfer EAC'ed / SHN'ed
dieter->from austria,vienna
patches by Smiler (alimac@netcomuk.co.uk) 25th July 2002.
Patching notes:
I used Cool Edit Pro's hard limiting function to bring the volume of
the patched tracks up to the same volume as dieter's source. I had to
use the limiter because there was some loud audience noise right at the
start (the only place the limiting actually came into effect). I also
adjusted the volume of a short section of audience noise in the Dead
Air track, where it seems there was a drop in recording level. The
result is virtually undectable and occurs before the music begins.
There are a couple of minor clicks at 1:52 and 1:55 of d1t02. These
exist on the source I was supplied.
Dieter's source exhibits some bass distortion and an extremely flat
peak level. This might be due to microphone response, or room ambience/
recording location. The OKMIIR source is cleaner, but has occasional
audience chatter and is slightly more distant.
Composite version, files renamed and .wav md5s calculated 27th July 2002.
alimac@netcomuk.co.uk
27th July 2002