Source #	124558
Entered by	Mark Goldey
Checksums	tbc 2013-04-21 Nashville AT-853's cards - 24 BIT.md5 , tbc 2013-04-21 Nashville AT-853's cards - 24 BIT.ffp
Disc Counts	0 / 0
Media Size	Compressed: 1.45 GB (1552185013 bytes)
Date Circulated Date Added	05/11/2013 05/12/2013

Download Text | Download Zip
Other Sources

• (124530) Taper: Adam R. Parr - Memphis, TN...
• (124557) (Start - 2:07:40) AT-853 cards > CA-9100 >...

Source Summary
(Start - 2:07:40) AT-853 cards > CA-9100 > Tascam DR-2d @ 24 bit/44.1 kHz
(2:07:40 - End) Busman BSC-1 omnis > t-mod Fostex FR-2LE @ 24 bit/44.1 kHz
Mastering: .WAV's > Sound Forge Pro 10.0a (crowd edits, other minor edits, & normalize) > CDWav (tracking) > iZotope MBIT+ dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 5.1 (tagging) [24 bit]

The Black Crowes
Ryman Auditorium
Nashville, TN
April 21, 2013

** 24 BIT **

Source: See notes below
(Start - 2:07:40) AT-853 cards > CA-9100 > Tascam DR-2d @ 24 bit/44.1 kHz
(2:07:40 - End) Busman BSC-1 omnis > t-mod Fostex FR-2LE @ 24 bit/44.1 kHz
Mastering: .WAV's > Sound Forge Pro 10.0a (crowd edits, other minor edits, & normalize) > CDWav (tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 5.1 (tagging)
Location: Right side under balcony lip, mics head high for the main set, then @ 7' for the encore
Recorded by: Jeremy Hunsaker
Mastered by: Dennis Orr

Setlist:
01 Crowd & Intro
02 Soul Singing
03 Hotel Illness
04 Welcome To The Goodtimes
05 Whoa Mule
06 Feelin' Alright
07 Thorn In My Pride
08 Cash On The Barrelhead
09 The Garden Gate
10 My Heart's Killing Me
11 Deep River Blues
12 All Along The Way
13 Someday Past The Sunset
14 East Virginia Blues
15 Lips That Lie
16 The Last Place That Love Lives
17 Oh, The Rain
18 The Night They Drove Old Dixie Down
19 What Is Home?
20 Drivin' Wheel
21 Shine Along
22 Just Like Tom Thumb's Blues
23 Encore Break
- Encore -
24 Poor Elijah/Tribute To Robert Johnson
25 That's How Strong My Love Is
26 Boomer's Story
27 Crowd

Chris Robinson – lead Vocals, harp, & guitar
Rich Robinson - guitars & backing vocals
Jackie Greene – guitars, banjo, organ, & backing vocals
Adam MacDougall – keyboards
Sven Pipien – bass & backing vocals
Steve Gorman – drums & percussion

Show notes:
Acoustic show, one set.
"Just Like Tom Thumb's Blues" and "That's How Strong My Love Is" were played for the first time.

Per Crowesbase.com
- Sam Bush played on Whoa Mule, Feelin' Alright, Cash On The Barrelhead, Garden Gate, My Heart's Killing Me, Deep River Blues, That's How Strong My Love Is and Boomer's Story
- Audley Freed played on Feelin' Alright, That's How Strong My Love Is, and Boomer's Story
- Rich sang vocals on Feelin' Alright
- Jackie Greene played banjo on Whoa Mule & Garden Gate and organ on Dixie Down
- Chuck Mead sang lead vocals on Cash On The Barrelhead
- Jackie Greene sang lead vocals on Deep River Blues with Chris, Sally & Sarah only
- Rich solo acoustic on All Along That Way
- Chris solo acoustic on Someday Past The Sunset
- Old Crow Medicine Show, Chris, Rich, Jackie on East Virginia Blues, Last Place That Love Lives, Oh The Rain and The Night They Drove Old Dixie Down
- All guests on Shine Along and Just Like Tom Thumb's Blues

Taper notes:
For some reason, the Energizers in my Tascam went dead after only 2 hours (thankfully right at the end of the main set, so it's intact) so the encore will have to come from the Busman omnis > Fostex FR-2LE source. Shit
happens. Lucky I got it at all, really.

Ryman security are fucking Nazi douchebag assholes; at first they weren't going to let me in ("no backpacks") - had to call Boa. No tapers' section and the SBD cage is at the back of the venue, so I had to tape from my seats (which were to the side under the lip of the balcony on Rich's side), but you can hear everyone pretty cleanly. Then they wouldn't let me put my mics any higher than head height so as "not to obstruct other's views (!!!!)". At one point during Hotel Illness they were gonna make me move my rig, because the usher escorted us to the wrong seats (one row off; thankfully the seat owners agreed to just sit in our seats to keep me from having to move everything mid-song). When the Tascam died I raised the stand for the encore, which cut down on the chattiness a bit, but for real it was just a chatty crowd and the Ryman is all wood and so acoustically sound that a whisper gets amplified...

Mastering notes:
I want to personally "thank" the "fucking hippie kid" (Jeremy's description) and his girlfriend for screaming constantly throughout the show. Lowering those to reasonable levels was a lot of fun. As Jeremy says, "I hope they've since choked to death on tofu and patchouli."