Grateful Dead 04/03/89
Civic Arena, Pittsburgh, PA
Source Summary
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor - mixing by Kevin Tobin
Grateful Dead
Pittsburgh Civic Arena,
Pittsburgh, PA
April 3, 1989

5.1 LPCM Surround Sound Mix (48k)

Set One:
s1t01 - Greatest Story Ever Told->
s1t02 - Bertha->
s1t03 - Walkin' Blues
s1t04 - Jack A Roe
s1t05 - El Paso
s1t06 - Built To Last
s1t07 - Victim Or The Crime
s1t08 - Just Like Tom Thumb's Blues
s1t09 - Don't Ease Me In

Set Two:
s2t01 - Blow Away
s2t02 - Estimated Prophet->
s2t03 - Crazy Fingers->
s2t04 - Uncle John's Band->
s2t05 - Drums->
s2t06 - Space->
s2t07 - Gimme Some Lovin'->
s2t08 - I Need A Miracle->
s2t09 - Stella Blue->
s2t10 - Sugar Magnolia

Encore(s)
s2t11 - Johnny B. Goode
s2t12 - Black Muddy River

5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014 using the following sources:

Audio Source Information:
Soundboard
shnid = 7507
Mastered by Jay Serafin, Serafin Station Studio B
LINEAGE: SBD > PCM (analog output) > D > D > CDR > EAC > SHN

Jay's comments:
any/all editing,fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96kHz data stream) at Serafin Station Studio B [this show was released in 05/00]

My comments:
Both sets (s1t01, s2t01) start rather abruptly.  Most likely a few notes are lost in both cases.
There is a bit of distortion, tape flutter, or static in s1t01 from 1:11 to 1:15 and around 1:42.
Extracted with EAC in secure mode.  There was a sync error on s1t9, bu copy completed.

Jay asks that the integrity and hard work of his mastering be respected: "all I ask is that the shows aren't edited in any way, such as taking out a lot of the between song lulls, etc. They're left in there because they were part of the show...".  Sounds reasonable to me.
Thanks.
Bob H.

Audience1
shnid = 29758
Source Audience FOB (11th Row)
Mics Beyer Dynamic M88's
Tapedeck Sony TCD5M
Media Maxell MX90
Taper Glen Charlton

Digital Mastering by Charlie Connor
Shn'd 4/19/01 by Charlie Connor

I don't know why this didn't end up on the etree db until June 23, 2005 but I'm reseeding
the Etree BT tonight.

FoB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>
Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>
Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR
redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT)

Both Soundboard and Audience were patched with the following Audience:
shnid = 125023
Master Audience Recorded By Fitzy, Transfer By Keo!
Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's
Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz
Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave
  Dithered/Flacked With Korg Aqua To 16/44
   SBE's Checked/Fixed With Trader's Little Helper
    Metadata Tagging With Tag&Rename

---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 27-MAR-2016 - Trader Little Helper
- Tagged 27-MAR-2016 - Tag&Rename
---------------------------------------------------------

Brokedown House Production



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1d3ea5e6a2248de439517c5accd38d0e *gd1989-04-03s1t07.flac
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c0848a46ea7af0945d312cb61ba4f32b *gd1989-04-03s2t10.flac
cbbf80a80936343cd7a3073100517aa6 *gd1989-04-03s2t11.flac
970c8b4d953b60b046fd5933253e6620 *gd1989-04-03s2t12.flac

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Cached: Wed, 24 Apr 2024 18:36:16 EDT