Source Summary
flac16; Robert Bryant recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Grateful Dead
June 27, 1983
Poplar Creek Music Theatre,
Hoffman Estates, IL
Sets I & II
Robert Bryant recording: unknown mics > cassette master (Sony WM-D6)
Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96
Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96
Checksum & tags created in xACT.
Patch Info:
- Source #89790 (Senn 441)
- s1t05; 10:40 - end
- s1t06; start - 0:05
- s1t07; 05:25 - end
- s1t08; start - 00:05
- s2t03; 11:25 - 11:50
- s2t05; 00:38 - end
- s2t06; start - 04:40
Notes:
- normal bias cassettes
- cross fades applied to tape flips
- patches applied to tape pause where applicable
- recording was on the boomy side so a lite high pass filter was applied.
- looking for a good Scarlet -> Fire, look no further.
- looking for a kick in the pants, batten down the hatches & crank up TOO intro.
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
- Set I -
s1t01 - Bertha ->
s1t02 - Promised Land
s1t03 - Dupree's Diamond Blues
s1t04 - New Minglewood Blues
s1t05 - Bird Song
s1t06 - Me & My Uncle ->
s1t07 - Mexicali Blues
s1t08 - Cold Rain & Snow ->
s1t09 - Hell in a Bucket ->
s1t10 - Sugaree
- Set II -
s2t01 - Scarlet Begonias ->
s2t02 - Fire on the Mountain ->
s2t03 - Estimated Prophet ->
s2t04 - Truckin' ->
s2t05 - Drums ->
s2t06 - Space ->
s2t07 - The Other One ->
s2t08 - The Wheel ->
s2t09 - Good Lovin'
- encore
s2t10 - U.S. Blues
Grateful for:
- Robert Bryant's recording efforts.
- Charlie Miller's DSD transfer.
- Senn 441 taper for providing the patch material.
Tagging notes:
Show information is embedded within the header of each flac file.
It will display on any player capable of directly playing flac files.
If converted to wav during processing, all tags will be stripped,
however audio data will remain unaffected. If you must
transcode to a lossy format, do so directly Flac > Lossy.
Use ffp or st5 to validate audio integrity.
Md5 values will change if tagging is altered.
(J.Noel 07 January 2017)