Source #	14673
Entered by	dr.unclear
Checksums	shn-md5 , st5
Disc Counts	2 / 3
Media Size
Date Circulated Date Added	01/22/2003 01/22/2003

Download Text | Download Zip

Other Sources

• (5293) set 2 partial, labeled as d2; MR > C1 (Latvala...
• (12076) Complete; SBD>MR>C>D>CD patched with:...
• (80602)  flac 16  Sources: 1 - SBD>MR>C1...
• (100024)  flac16 ; Matrix by Hunter Seamons using Final...
• (105840)  flac16 :Taped and Transferred By: JEMS; Taping...
• (115571)  flac16 ; Recorded by Don Amick; Lineage:...

Source Summary
AUDMC > Reel > Reel > DAT > WAV > SHN. Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-152 master cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby). A > D and shn encoding by Noah Weiner

Audience Devotional Tree
Round 14 - January, 2003

GRATEFUL DEAD
Tuesday, June 26, 1973
Seattle Center Arena - Seattle, WA  
Audience Recording

AUDMC > Reel > Reel > DAT > WAV > SHN

Recorded by Donn Amick, FOB, Sony EMC mics spread out across the
row > TC-152 master cassette > Amick's Reel recorded at 7-1/2ips >
Reel(w/ Dolby).

A > D by Noah Weiner (noahbw@attbi.com) November, 2002

Reel playback on Pioneer RT-701 > Teac AN-180 Dolby decoder >
Fostex D5 DAT (A>D only) > Turtle Beach Montego II Digital I/O >
Soundforge (wav edits and track IDs) > SHNTOOL (SBE fix) > MKW (shn)

This recording is the same master that is found on current copies
listed as AUD>MR>C>DAT>CD.  That genealogy is completely fabricated.
Not only was the recording not mastered on reel, but Amick put his
master cassette onto reel and all direct copies he made, that we
know of (2), came from that.  Judging from the drastic difference
in sound quality, this other listing is AUDMC>R>?>C>DAT>CD at best.  
The difference in sound quality is absolutely striking.  Also worth
mentioning is that Amick "dropped out" many years ago, to Hawaii
apparently, and his masters and reels have vanished with him for
the time being.

notes: At 3:24 into Casey Jones, something is switched on the
master tape (bias?) which results in a great improvement of sound
quality.  Also, Amick edited Drums on his reel.  It might also be
missing from the master, as there are no copies to be found (now)
with more of the Drums from his recording.  No additional editing
was performed to mask this original edit.

DISC ONE [74:07]
set one-a:
01 [00:41] crowd
02 [05:31] Casey Jones >
03 [05:10] Greatest Story Ever Told
04 [06:23] Brown Eyed Women
05 [04:58] Jack Straw
06 [05:05] Box Of Rain
07 [04:17] Deal
08 [03:30] Mexicali Blues
09 [03:41] You Ain't Woman Enough*
10 [09:30] Row Jimmy
11 [03:19] The Race Is On
12 [08:05] China Cat Sunflower >
13 [05:31] I Know You Rider
14 [03:24] Beat It On Down The Line
15 [05:02] Loser

*mono

DISC TWO [64:14]
set one-end:
01 [15:36] Playin' In The Band
set two-a:
02 [00:17] crowd
03 [05:42] Bertha >
04 [03:12] Promised Land
05 [05:49] They Love Each Other
06 [04:27] El Paso*
07 [09:22] Black Peter
08 [04:36] Big River
09 [12:10] Here Comes Sunshine
10 [03:07] Me And My Uncle

*Tape is bumped(?) causing a tape speed glitch from 03:24 to 03:26.

DISC THREE [66:10]
set two-end:
01 [00:17] crowd
02 [13:48] He's Gone >
03 [09:03] Truckin' >
04 [00:11] Drums// >
05 [06:29] Other One Jam >
06 [05:24] Me And Bobby McGee >
07 [17:28] Other One* >
08 [09:35] Sugar Magnolia
encore:
09 [03:55] Johnny B Goode

*At seven spots (09:58, 10:12, 11:43, 11:46, 11:50, 11:55, 12:38)
on the tape, it seems the pause button was hit, apparently on the
master cassette.  These were cross faded in Soundforge to smooth
things out.  Some cross fades are more evident than others due to
an attempt to lose as little of the music as possible.

note: There is a master cassette pause after the first notes of
He's Gone.  Very little music is missing from the tape, and the
cut is not abrupt.  No extra editing was preformed.