Source #	151716
Entered by	Matt Vernon
Checksums	ffp.ffp
Disc Counts	0 / 0
Media Size
Date Circulated Date Added	02/13/2021

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• (941) via lemon2; no info file- rumored to be B&K, no...
• (942) Schoeps m222 (tubes)/mk41> nt222> apogee...
• (943) 3-disc retracking of I. Stone Schoeps tubes...
• (1054) B&K 4011'S (Ron Dalton's rig)> LUNATEC V2>...
• (13375) FOB Schoeps mk4 > kc5 > CMC6 > Sonosax SX-M2 >...
• (18561) SBD > CD; CD > EAC > WAV > Cool Edit Pro >...
• (87496) SBD > DAT(?) > cd > eac > flac
• (89278) (soundcheck only) Schoeps mk4 > kc5 > cmc5 >...
• (90862) B&K 4021 > Apogee AD-1000 > Sony PCM-M1 (@ 44.1...
• (91726) (FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2...
• (97949) SBD/AUD matrix; mixed by hansokolow
• (119900)  flac16 ; Cable TV Broadcast > VHS (SP) > Sony...

Source Summary
flac16/48khz Taper / Transfer: Ron Dalton Info: B&K 4011 --> Lunatec V2 --> Apogee A/D500e --> Tascam DA-P1 @48K Front Row Official TS Transfer: Tascam DA-20 MK II --> Fostex FR-2LE (Oade Mod) @24/48 Processing: wavs > Audacity > xACT (FLAC/TAG); DiGiHoArDeRs: 2/7/2021

PHISH


May 23, 2000
Roseland Ballroom
New York, New York


Taper / Transfer: Ron Dalton
Info: B&K 4011 --> Lunatec V2 --> Apogee A/D500e --> Tascam DA-P1 @48K
Front Row Official TS
Transfer: Tascam DA-20 MK II --> Fostex FR-2LE (Oade Mod) @24/48
Processing: wavs > Audacity > xACT (FLAC/TAG); DiGiHoArDeRs: 2/7/2021


Soundcheck: Mozambique, Driver, My Soul, Ginseng Sullivan, Long Cool Woman in a Black Dress, Funky Bitch, Farmhouse, Jam

SET 1: AC/DC Bag, Wilson, First Tube, Ya Mar[1] > Mike's Song > Simple > It's Ice, When the Circus Comes, Back on the Train, Gotta Jibboo, Taste, Sleeping Monkey

SET 2: Punch You in the Eye, Twist, Waste, Piper, You Enjoy Myself, Run Like an Antelope, Train Song, Bug

ENCORE: Boogie On Reggae Woman > Cavern

[1] Began in the key of G before switching to its normal key of A for an extended jam at Trey’s on-stage request.

This show was taped for VH-1’s Hard Rock Live and was first broadcast on July 1, 2000. The show was announced only a week before the gig took place. Non-transferable wristbands for entry were sold at the venue box office the morning before the show, with a limit of one per person. Ya Mar began in the key of G before switching to its normal key of A for an extended jam at Trey’s on-stage request. During the soundcheck of this show, Driver and Ginseng were played multiple times, and there was a jam on Led Zeppelin’s Dancing Days before Long Cool Woman.