Phish 12/28/22 <b/>flac1644</b> Source: OMT8 AUD MTX (24/44.1) Channels 1|2: Studio Projects C4 (hyper), split 2' @ 45 degrees -> Naiant MidBox -> Tascam DR-680MKII Channel 3|4: JVC M510 w/ Superdirectional caps, split 6 inches, PAS -> Marantz PMD 661 (Oade Concert Mod) -> Tascam DR-680MKII Channel 5|6: Tascam PE-125 w/ CP-3 pinpoint omni caps, A-B split 3'-> Edirol UA-5 (Oade Warm Mod) -> Tascam DR-680MKII Channels 7|8: Audio Technica 3031, X-Y PAS -> Edirol UA-5 (Oade Presence Mod) -> Tascam DR-680MKII Location: OTS, Sec. 2, Row 1, Seat 1, 9' up Transfer: SDHC> WAV> Audacity (fades; TDR Nova (eq); Slate Digital Virtual Tape Machines; Slate Digital FG-X2 Mastering Processor, mix and render)-> Reaper (loudness normalization) -> CDWave (tracking)-> Weiss Saracon (24/44.1->16/44.1)-> Flac16-> mp3tag (tagging) Recorded by David Perez

Phish 12/28/22
Madison Square Garden, New York, NY

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History

Source #	161820
Entered by	Matt Vernon
Checksums	ph2022-12-28.omt8audmtx.ffp
Disc Counts	0 / 0
Media Size
Date Circulated Date Added	01/01/2023

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Source Summary
flac1644 Source: OMT8 AUD MTX (24/44.1) Channels 1|2: Studio Projects C4 (hyper), split 2' @ 45 degrees -> Naiant MidBox -> Tascam DR-680MKII Channel 3|4: JVC M510 w/ Superdirectional caps, split 6 inches, PAS -> Marantz PMD 661 (Oade Concert Mod) -> Tascam DR-680MKII Channel 5|6: Tascam PE-125 w/ CP-3 pinpoint omni caps, A-B split 3'-> Edirol UA-5 (Oade Warm Mod) -> Tascam DR-680MKII Channels 7|8: Audio Technica 3031, X-Y PAS -> Edirol UA-5 (Oade Presence Mod) -> Tascam DR-680MKII Location: OTS, Sec. 2, Row 1, Seat 1, 9' up Transfer: SDHC> WAV> Audacity (fades; TDR Nova (eq); Slate Digital Virtual Tape Machines; Slate Digital FG-X2 Mastering Processor, mix and render)-> Reaper (loudness normalization) -> CDWave (tracking)-> Weiss Saracon (24/44.1->16/44.1)-> Flac16-> mp3tag (tagging) Recorded by David Perez

            Phish

December 28, 2022

Madison Square Garden

New York, NY

Source: OMT8 AUD MTX (24/44.1)

Channels 1|2: Studio Projects C4 (hyper), split 2' @ 45 degrees -> Naiant MidBox -> Tascam DR-680MKII

Channel  3|4: JVC M510 w/ Superdirectional caps, split 6 inches, PAS -> Marantz PMD 661 (Oade Concert Mod) -> Tascam DR-680MKII

Channel  5|6: Tascam PE-125 w/ CP-3 pinpoint omni caps, A-B split 3'-> Edirol UA-5 (Oade Warm Mod)  -> Tascam DR-680MKII

Channels 7|8: Audio Technica 3031, X-Y PAS -> Edirol UA-5 (Oade Presence Mod) -> Tascam DR-680MKII

Location: OTS, Sec. 2, Row 1, Seat 1, 9' up

Transfer: SDHC> WAV> Audacity (fades; TDR Nova (eq); Slate Digital Virtual Tape Machines;

Slate Digital FG-X2 Mastering Processor, mix and render)-> Reaper (loudness normalization) -> CDWave (tracking)-> Weiss Saracon (24/44.1->16/44.1)-> Flac16-> mp3tag (tagging)

Recorded by David Perez

Set I

101-s1t01 - Buried Alive

102-s1t02 - Wolfman's Brother

103-s1t03 - Maze

104-s1t04 - Sigma Oasis ->

105-s1t05 - NICU

106-s1t06 - Steam

107-s1t07 - Tela

108-s1t08 - Stash

109-s1t09 - Split Open and Melt

Set II

201-s2t01 - Free ->

202-s2t02 - A Wave of Hope ->

203-s2t03 - It's Ice ->

204-s2t04 - Leaves ->

205-s2t05 - Simple ->

206-s2t06 - Plasma ->

207-s2t07 - Twist ->

208-s2t08 - Harry Hood

Encore:

209-s2t09 - Encore Break

210-s2t10 - Esther ->

211-s2t11 - 46 Days

Mixing Notes:

All channels normalized to -23 LUFS before mixing and rendering

Mastered at -13 LUFS; -0.2dbfs

Thanks to Phish and crew and the staff at Madison Square Garden for allowing this recording.

Thanks to my Sec 2, Rows 1-2 seatmates.

Show Checksums

ph2022-12-28.omt8audmtx.ffp

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