Source #	20380
Entered by	Matt Vernon
Checksums	st5 , shn-md5
Disc Counts	1 / 1
Media Size
Date Circulated Date Added	11/07/03 11/05/2003

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• (77195) SBD > Cass1 (portions SBD > CassX); SBD Cass/1...
• (108952) Unknown boombox placed on stage > Cass/2 > ? >...

Source Summary
SBD > Cass/1 (Maxell XLII-S 90 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +16dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > WaveLab > remastering (see info file) > SHNv3

Phish
McKewen Quad
Hamilton College
Clinton, NY
5/15/90

SOURCE SBD

SBD Cass/1 (Maxell XLII-S 90 min)> Sony TC-WE805S >
Art DI/O (48Khz, Input gain +16dB, No "Tube Warmth")>
Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) > Mastering (see notes) > SHNv3
NO tracking/editing/alterations performed before archiving to 24-bit FLAC
(except to trim silence from the ends).
(transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 10/5/2003)

Notes
Outdoor show. Cut short due to rain.

**CD Tracking**
Disc 1:
-SOUNDCHECK*-
01) //Sweet Adeline
02) Funky Bitch//
-SET 1-
03) Fee
04) Re//ba
05) Alumni Blues
06) Foam
07) Mike's//Song->
08) I Am Hydrogen->
09) Weekapaug Groove//
10) Uncle Pen
11) Bouncing Around the Room
12) Split Open and Melt//
13) Runaway Jim //|

* Soundcheck has "and my dear Marley" lyrics in Sweet Adeline. Funky Bitch has some really strange lyrics...I mean really strange.....

**Mastering Notes**
This show has many technical difficulties to begin with. I did my  best to soften these harsh cuts with some softer crossfades when at all possible. Because of the rain at the gig, there are many sound problems...and probably why there are so many cuts on the tape. The show contains small digizaps and some weird mixing at the start. It evens out, and I only went after the real loud zaps (assuming that it's the water messing with the equipment)....Also, towards the end of the set the volume jumps up suddenly and creates a whole mess of distortion. I lowered the volume of the set from SOAM onward, but the distortion is still there and nothing can be done about it. I tried as best as I could to soften the distortion without causing "too much" damage to the wanted material.

24/48 FLAC > REBA > Wavelab > Volume Adjustments > Steinberg Free Filter > BBE > 192kHz resampler > L1+ > Tracking > SHNv3 appended
Mastering , editing and WAV > SHN were performed on REBA by Arty- imthemarmar@stny.rr.com (on 11/2003)
**24/48 Masters do exist at the unedited/pre-processed level**

Seeded to FurthurNet (www.furthurnet.org) by Marmar