Source Summary
(2) AT4050's ORTF (panned left/right) + (1) BLUE Baby Bottle (center) > (via XLR) Digi002 > (via firewire) Mac G4 Powerbook (wav's @ 44.1KHz/16bit) running ProTools 6.1.2 LE > (via firewire) Lacie 160GB Drive
Taped, Transferred, Tracked, Patched & FLACed by: fUNKYbret
Umphrey's McGee
2004-10-01
Fox Theater
Boulder, Colorado
Source:
(2) AT4050's ORTF (panned left/right) + (1) BLUE Baby Bottle (center) >
(via XLR) Digi002 > (via firewire) Mac G4 Powerbook
(wav's @ 44.1KHz/16bit) running ProTools 6.1.2 LE >
(via firewire) Lacie 160GB Drive
Location:
Front of taper section, DFC, 12' up
Tracking, "Transfer," & Patching:
Tracked, patched, and mixed in ProTools 6.1.2 LE.
Bounced (real time!) out of ProTools as a 16bit/44.1KHz/Stereo .wav >
FLACed via MacFlac at level 8 (verified).
Taped, Transferred, Tracked, Patched & FLACed by:
fUNKYbret (bret@funkybret.com) for Funky Egg Productions.
A "WORD" from the taper:
If you have a bass boost enabled on your playback system,
fUNKYbret recommends disabling it for the playback of this recording.
It's mixed to be heard "flat" and loud! Bass boost will most likely
make it a bit muddy. You've been warned. I was assisted greatly
by Ethan Bernstein and Michael Gustin, two really cool dudes.
Thanks to another cool dude, Atom at Audio Consulting Services for
all the help! Oh yeah, and when Jake thanks "John for the guitar
setup" at the end of the show, that's my boy, Johnny Tone. He setup
Ryan's bass and Jake's backup G&L Telecaster before the show.
Also, I had a ProTools related problem from 3:03 to 6:26 in Soul
Food I (d3t4). The problem was that this section (3:22 in length)
wasn't recorded. I patched it with the only other source from
that night (other than Kevin's official matrix), a pair of on-stage
SP cmc4's. I gained it up a bit in ProTools to try to make the
transition a bit smoother. It works, but I'm not going to win an
award for it or anything. But it makes this source complete, and
that's cool! Thanks to Peter Coffan (aka airzot) for making that
happen.
Patch Info:
Recorded and Transferred by:
Peter Coffan
Seeded to COtapers.org
Source:
SP CMC4's > SP battery box > Sony D8
Location:
Mics clipped to drink rail on stage. Alot of Front Row Crowd noise
at times.
Transfer lineage:
Sony D8 > Zotrix Nightingale pro 6 > Cool Edit Pro > CDWave (splits) >
Flac Frontend (.flac)
What I did when I got it:
COtapers.org > Lacie 160GB > MacFlac > .wav > "imported to track" in
ProTools 6.1.2 LE > manually aligned for sync, gain boosted to help
transition & edited to fit the hole just right.
Disc/Set One: (67:05)
1. Anchor Drops (5:36)
2. Prowler > (5:18)
3. The Crooked One (8:09)
4. Resolution > (15:03)
5. Kimble (5:07)
6. XXXplosive (3:34)
7. Blue Echo (4:59)
8. The Bottom Half (5:26)
9. Hurt Bird Bath (13:48)
Set Two:
Disc Two: (53:53)
1. Bright Lights (4:57)
2. JaJunk* (21:00)
3. Making Flippy Floppy^ > jam^** (16:56)
4. Wife Soup (10:57)
Disc Three: (35:34)
1. Padgett's Profile > (4:51)
2. Hajimemashite > (5:19)
3. Padgett's Profile (2:18)
4. Soul Food I^^ (7:41)
5. crowd (2:40)
Encore:
6. Nopener$ (3:49)
7. Pay the Snucka (8:52)
Notes:
Lotus opened (www.lotusvibes.com) I recorded them with the same 3 mic matrix
as well, but I also had a stereo SBD patch. It sounds excellent.
* with Stairway to Heaven tease
^ with Kyle Hollingsworth (String Cheese Incident) on keyboards
** with Shine On You Crazy Diamond jam
^^ with Jeff Austin (Yonder Mountain String Band) on mandolin
$ Kris on vocals; lounge version