Grateful Dead 06/30/73
Universal Amphitheatre, Universal City, CA
Source Summary
flac16; Sick Bits Vol. 9 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 177, and AUD - SHN ID# 6019); edited and transfered by Chris Chappell
Grateful Dead
Universal Amphitheater
Universal City, CA
6-30-73
Sick Bits Vol. 9

Source: Matrix (SBD/AUD mix):

SBD: (SHN ID # 177)
SBD> ?> DAT> CD> EAC> SHN via A. Jerugim

AUD: (SHN ID # 6019)
AudMR > R > DAT > WAV > SHN via Noah Weiner

Transfer/Editing:
Both sources were SHN files downloaded from LMA and converted to
WAV > Sony Vegas 5 > WAV > CD Wave > FLAC 16 (level 8)

Matrixed by Chris Chappell
6-22-05
scarfire@liquidcity.com
________________________________________________________________________

Set I:

d1t01 - Promised Land
d1t02 - They Love Each Other
d1t03 - Mexicali Blues
d1t04 - Tennessee Jed
d1t05 - Looks Like Rain
d1t06 - Birdsong
d1t07 - Cumberland Blues
d1t08 - "don't panic folks..."
d1t09 - Row Jimmy
d2t01 - Jack Straw
d2t02 - Deal
d2t03 - Beat It On Down The Line
d2t04 - Black Peter
d2t05 - Playin' In The Band

Set II:

d3t01 - Greatest Story Ever Told
d3t02 - Ramble On Rose
d3t03 - El Paso
d3t04 - Dark Star ->
d3t05 - Eyes Of The World ->
d3t06 - Stella Blue  
d3t07 - Sugar Magnolia

Encore:
d3t08 - One More Saturday Night

Total Times:
Disc 1 [52:15]
Disc 2 [38:22]
Disc 3 [79:11]

- for track times see shntool output
________________________________________________________________________

General Notes:

Two sources from the LMA provided coverage for this matrix: a relatively
decent SBD, and a pretty nice sounding AUD recorded probably at the board
via the "Debbie connection". The result is an interesting matrix,
with the vocals a little hot in the overall outcome - typical of this era's
SBD mixes, although that's irrelevant when you're deep in the Dark Star.
One of the things I like about the resulting matrix is the ability to bring
back that amphitheater sound.  Many people were yipping and whooping in
between songs just to hear their own echo.  

Check out these comments from DeadBase:

"On Saturday night, one of the crew lit a fireworks fountain up on one of
the PA towers creating a moment of panic for some folks who thought it was
an electrical fire but Garcia calmed 'em down with a simple, 'Don't panic
folks, this is the movies - remember..'.

"In an interesting footnote to these shows, the official Grand Opening of
this brand new venue on the Universal Studios backlot was the following
weekend with a week-long series of Frank Sinatra shows but the Dead gave
it a real shakedown acid test first."

A review from the LLama:

"The Playin is typically great for 1973, and the Dark Star>Eyes>Stella Blue
combination puts this one over the top for me. Very unique jams. And BTW,
the Wall of Sound seems to work pretty well tonight. Nice quality. An
overlooked show that will knock you out!" - Dr. Flashback

Thanks to A. Jerugim for the SBD, and Noah Weiner for the A>D transfer of
the AUD as well as all the folks involved with the Audience Devotional Tree.

Enjoy!
Chappy

Attached:

Shntool output
Editing Notes  
FLAC Fingerprint
SBD & AUD source Notes
Timeline/Tracking Notes:

The transition between all three discs can be put together seemlessly.
I tracked this show so that disc 3 contains the entire second set.
It would be possible to edit out 40 seconds of crowd/tuning from the
first set and burn a 90 minute CDR.

Editing Notes:

- Pitch
Both sources were pitched differently, the AUD being the sharpest,
and the SBD being the flatest. The AUD on average had to be pitched
down on average about .05 (5 cents), and the SBD had to be pitched up
about .15 (15 cents) to achieve pitch correction - 1.00 being 100 cents
which is a semitone.  The result is very close to A=440Hz, however there
is some fluctuation throughout the show due to the age of the recordings.

- Synch
Even after pitch correcting the AUD and the SBD, because of the speed
fluctuation within a given source, multiple edits were performed to keep
the sources synched (too many edits to list).

- Sonic Quality/Matrix ratio
The AUD did receive a little EQ to revive some of the high end that was lost
to previously employed NR. The SBD remained untouched sonically. Conceptually,
all I was trying to do here is to add some dimension to the SBD, which is
pretty dry, by using the ambience of the AUD. The result is a lively but clear
recording, hopefully close to how it sounded at the show. If I had to guess
the SBD/AUD ratio would be somewhere between 3:1 and 4:1, leaning more towards
the 3:1 end of things.

- Edits
The following are places where the SBD had holes or incomplete coverage
in reference to the final matrix timeline.

SBD:

d1t02 (5:16 - 5:27) - missing (crowd)
d1t04 (7:33 - 7:37) - missing (crowd)
d1t05 (7:07 - 7:10) - missing (crowd)
d1t06 (7:43 - 8:57) - missing
d1t06 (10:03 - 10:07) - missing (crowd)
d1t07 (5:28 - 5:34) - missing (crowd)
d1t09 (8:07 - 8:16) - missing (crowd)
d2t01 (4:47 - 6:12) - missing (crowd)
d2t02 (0:00 - 0:02) - missing
d2t02 (4:40 - 4:46) - missing (crowd)
d2t03 (0:00 - 0:03) - missing
d2t03 (3:17 - 3:22) - missing (crowd)
d2t04 (8:53 - 8:59) - missing (crowd)
d2t05 (14:52 - 14:56) - missing (crowd)
d3t01 (0:00 - 0:03) - missing
d3t01 (5:03 - 5:43) - missing (crowd)
d3t02 (6:13 - 8:13) - missing (crowd)
d3t03 (4:15 - 4:51) - missing (crowd)
d3t04>d3t05 (16:16 - 0:07) - missing
d3t05 (11:39:21 - 11:39:39) - missing
d3t06 (8:06 - 9:15) - missing (crowd)
d3t07 (9:04 - 9:13) - missing (crowd)

AUD:
d1t01 (0:00 - 0:10) - missing
d1t01 (3:04 - 3:06) - missing (crowd)
d1t02 (5:27 - 5:32) - missing (crowd)
d1t06 (10:07 - 10:09) - missing (crowd)
d2t01 (3:33 - 3:52) - missing
d2t05 (10:29 - 10:46) - missing
d3t04 (6:23 - 6:42) - missing
d3t06 (0:37 - 0:47) - missing

- Recap
Full coverage was achieved by combining both sources.  The most significant
pieces missing from the SBD are 1:14 in the middle of Birdsong, and 20
seconds of the transition from Dark Star > Eyes, both likely due to reel
changes.  The rest is tuning/crowd and a few clipped intros.  All of it
is covered nicely by the AUD.  The missing elements from the AUD are also
likely due to reel changes, and are not that noticeable, although I encourage
the avid listener to locate those points so as to hear the matrix coming back
in - this will reveal the effect of the combination of the two sources.

SHNTOOL output:

Set I:

length     expanded size   cdr  WAVE problems filename
3:07.17       33026828    ---   --   ---xx   gd73-06-30d1t01.flac
5:32.13       58595420    ---   --   ---xx   gd73-06-30d1t02.flac
3:41.09       39005612    ---   --   ---xx   gd73-06-30d1t03.flac
7:37.09       80636012    ---   --   ---xx   gd73-06-30d1t04.flac
7:16.24       76966892    ---   --   ---xx   gd73-06-30d1t05.flac
10:15.21      108535436    ---   --   ---xx   gd73-06-30d1t06.flac
5:31.53       58513100    ---   --   ---xx   gd73-06-30d1t07.flac
0:55.20        9749084    ---   --   ---xx   gd73-06-30d1t08.flac
8:19.10       88047164    ---   --   ---xx   gd73-06-30d1t09.flac
6:15.62       66295868    ---   --   ---xx   gd73-06-30d2t01.flac
4:45.33       50351660    ---   --   ---xx   gd73-06-30d2t02.flac
3:23.51       35929196    ---   --   ---xx   gd73-06-30d2t03.flac
8:59.57       95213708    ---   --   ---xx   gd73-06-30d2t04.flac
14:57.24      158287292    ---   --   ---xx   gd73-06-30d2t05.flac
90:37.28      959153272 B(totals for 14 files, 0.5621 overall compression ratio)

Set II:

length     expanded size   cdr  WAVE problems filename
5:43.51       60625196    ---   --   ---xx   gd73-06-30d3t01.flac
8:14.47       87252188    ---   --   ---xx   gd73-06-30d3t02.flac
5:05.56       53933756    ---   --   ---xx   gd73-06-30d3t03.flac
16:29.59      174598412    ---   --   ---xx   gd73-06-30d3t04.flac
19:25.49      205621292    ---   --   ---xx   gd73-06-30d3t05.flac
9:17.13       98285420    ---   --   ---xx   gd73-06-30d3t06.flac
9:58.64      105637772    ---   --   ---xx   gd73-06-30d3t07.flac
4:55.54       52165052    ---   --   ---xx   gd73-06-30d3t08.flac
79:11.18      838119088 B(totals for 8 files, 0.5495 overall compression ratio)
ffp
gd73-06-30d1t01.flac:2f97a52a9b7a848d79b745d2a0756dd8
gd73-06-30d1t02.flac:1df359f6c6a8741fb4ada993b7baf49e
gd73-06-30d1t03.flac:e6802ac21b718cfabf992b34badf3faa
gd73-06-30d1t04.flac:8cba70c3491721ad58688ff8f5bef8ce
gd73-06-30d1t05.flac:3646bc42d1eaa66fa6928adc6358a430
gd73-06-30d1t06.flac:11ae46caf843e5b69ce009e6c513a588
gd73-06-30d1t07.flac:dcf1348c77798341a9429d5814d80bce
gd73-06-30d1t08.flac:2682ff3893a8a0440fc0a610aedd92bd
gd73-06-30d1t09.flac:5776f125331910682eb1207a437fd874
gd73-06-30d2t01.flac:2a5ea9eb5e106bce39b47a1ece1cb01b
gd73-06-30d2t02.flac:9100c2ba7efcd7b16842b8f1bd5061aa
gd73-06-30d2t03.flac:fc47aa6d405658ae64ed1097ea7ae28d
gd73-06-30d2t04.flac:1cd11cd75c88cfb045029db000fb89fb
gd73-06-30d2t05.flac:96ceb08aea116603d213653fc9ad9aaf
gd73-06-30d3t01.flac:298b45347975ad6f26331b1066f3d29a
gd73-06-30d3t02.flac:b838c24b74abb4540d4bc4d7112b800b
gd73-06-30d3t03.flac:8889a5bea6994a0dcb7880ff25f17485
gd73-06-30d3t04.flac:14c6efea94bf4ccc65b9641a41ccfc01
gd73-06-30d3t05.flac:24d739358ab7fc1376eeaa82684d5362
gd73-06-30d3t06.flac:d9c98ba2d07f95ff3348135920a4e04f
gd73-06-30d3t07.flac:9ad715216db0400fe77219d3f60a3bab
gd73-06-30d3t08.flac:ce6388ce84120df18adbe0ea92c37b86
c24828abc3d5d081f622e73469785d97 *gd73-06-30d1t01.flac
ebb311b7d8e1dbe329a7562b2d50b0d0 *gd73-06-30d1t02.flac
634e6b64a49d9f8de4acde39bee036fc *gd73-06-30d1t03.flac
cf15692b7614a5b0ae22d408608de591 *gd73-06-30d1t04.flac
631b2200b7d8ca655fa50cb06b626485 *gd73-06-30d1t05.flac
7fa73d887483e34e8acc7fa0e422ec37 *gd73-06-30d1t06.flac
d99d6d45bf85508bd9cd910e5f35b67c *gd73-06-30d1t07.flac
4c1b9b1e2b980b94e4918b088db45b64 *gd73-06-30d1t08.flac
0b7bcf9c75da8fdab489c020f414b6f4 *gd73-06-30d1t09.flac
82ad8555bdd43db35ae757bef3f966f0 *gd73-06-30d2t01.flac
95e5020b0f09bac8352aa31ade18f3ea *gd73-06-30d2t02.flac
2e8a55aca5a7e4f44dbffa4cd1fa991d *gd73-06-30d2t03.flac
0939411632e1f3957e2943eb125f8a43 *gd73-06-30d2t04.flac
9ad84b0ad73a633b14354f6c69e5b699 *gd73-06-30d2t05.flac
5bd4d9b3f96306fb3ddd486342cc1a1d *gd73-06-30d3t01.flac
990926cba12fabd8cd4f791be8e8687e *gd73-06-30d3t02.flac
8ff9ffdc4afa297a3ee48a867db45c99 *gd73-06-30d3t03.flac
818528d92494e3c1256712237c18ee67 *gd73-06-30d3t04.flac
2534bfeefe59136ea39fa9c7965bb775 *gd73-06-30d3t05.flac
4d7a64174ef58a824eb9c77cbf7631cc *gd73-06-30d3t06.flac
bd3d5b2f415990aca5fc04022761784d *gd73-06-30d3t07.flac
6ee1f98dabdb509af737cc217a40d386 *gd73-06-30d3t08.flac

Comments
Other Sources (comments)
SBD> ?> DAT> CD> EAC> SHN;... (0) AudMR > R > DAT > WAV >... (0) SBD>?>DAT>CD>EAC>SHN... (0) flac16 ; remaster of shn... (1) flac16 ; AudMR(C?) > ? >... (0) flac24 ; AudMR > Reel(3... (0) flac16 ; AudMR > Reel(3... (0) flac16 ; SBD > ? > DAT >... (2) flac24 ; Audience Source... (0) flac16 ; Audience Source... (0)
Date User Comment
10/27/2007 redlouis1 This is the best sounding recording of this show i have heard and it also confirms another one of the comments i had submitted to Deadbase in addition to the 2 mentioned above. At that time Universal Amphitheater was an open air venue that was later enclosed for year-round shows. This was a stifling hot night with no breezes at all until the line in Black Peter "just then the wind came squallin' through the door..." when the first cool breeze of the evening rolled down over the audience. You can clearly hear the response when this happened. Yet another serendipitous Dead moment.
Louis
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Cached: Thu, 25 Apr 2024 18:08:48 EDT