Source #	30698
Entered by	Matt Vernon
Checksums	flac-md5 , ffp
Disc Counts	2 / 2
Media Size
Date Circulated Date Added	9/1/2005 09/01/2005

Download Text | Download Zip

Other Sources

• (8666) AUD : MC (FOBalcony SonyECM-180 > SonyTC-152...
• (10377) Sony ECM 280 Sony TC-152 Cm (update: taped by...
• (16943) Recorded by Bob Menke using Sony ECM-280 mics >...
• (23569) Set 1 Recording Info: (Front Row Balcony) Sony...
• (27488) Bertha remaster of Set 2 of  Charlie Miller's...
• (28042)  flac16 ; SBD + AUD Matrix Mix (50% SBD/50%...
• (123477)  flac16 ; Recording Info: (Front Row Balcony)...

Source Summary
Set 2 DTS-Audio-CD 5.1 Mix via Dan

Grateful Dead
Orpheum Theatre
San Francisco, CA
July 16, 1976 Set 2

DTS-Audio-CD 5.1 Mix

Disc 1 - Set 2
01 [01:28] Tuning
02 [07:58] Playing In The Band >
03 [07:51] Stronger Than Dirt >
04 [08:07] Cosmic Charlie
05 [07:02] Samson & Delilah
06 [03:46] Space >
07 [05:24] Spanish Jam >
08 [03:52] Drums >
09 [06:36] The Wheel >
10 [05:52] Playing Reprise >
11 [08:51] Around & Around
12 [10:29] High Time
13 [00:51] Happy B-day Bill Graham
14 [09:52] Sugar Magnolia
TT [87:59]

***Requires a 90 min CDR***

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Source Info

SBD
SBD: Master Reel -> Master Dat (44.1k)

AUD
FOBalcony: MAC > DAT > CD
Recorded by Bob Menke using Sony ECM-280 mics >
Sony TC-152 from front of balcony

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Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  Cool Edit Pro 2.0 was used
to align & synch both of the sources.  CEP2.0 used to adjust
the volume for the AUD source, center and LFE channels.  
Surcode CD Pro DTS was used to encode to DTS.  
- Mixed by dan@am-dig.com
- SHN conversion 13-OCT-2004
- Remix FLAC conversion 19-JAN-2005
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear single jewel case.

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DTS-Audio-CD Info

Front  
Left Channel SBD: Master Reel -> Master Dat
Right Channel SBD: Master Reel -> Master Dat  

Center
Mono Mix -5db SBD: Master Reel -> Master Dat

Surround
Left Channel -3db FOB: ECM-280 mics > TC-152
Right Channel -3db FOB: ECM-280 mics > TC-152

Sub/LFE
Mono Mix -4db SBD: Master Reel -> Master Dat

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Notes

This is all that circulates in the SBD source.

The AUD source was lightly EQ'ed.  A slight high end cut.

The AUD source was a bit overwhelming in the 5.1 mix.  While
I usually leave the levels alone, this time I mixed the AUD
into the rear channels at -3db.   In my experience louder
rear channels is an undiserable effect.  

AUD Patch Samson approx 4:35 to fill missing part of the SBD
29:58.490 to 31:31.560 total of 01:33.070.  This is somewhat
detectable but hardly.  Which is really a statement to just
how great the AUD source is.

SBD Patch Drums approx 02:37 to fill missing part of the AUD
44:07.731 to 44:15.904 total of 0:08.172.  This is smooth and
most likely undetectable.

Missing 22.027 crowd on AUD source between Around & Around
and High Time.  SBD trimmed accordingly to match with a 3
second crossfade.  Smooth and most likely undetectable.

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More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital.  While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and put a 5.1 surround recording on a regular
Audio-CD.  To play a DTS-Audio-CD you must connect your
DVD/CD player via a digital cable (optical or coaxial) to
your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and raise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analog audio outputs
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way you would burn any normal
Audio-CD from .shn files.

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