Phish 10/08/99
Nassau Coliseum, Uniondale, NY
Source Summary
(FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Apogee AD1000 > Sony D100 (Set I @44.1kHz, Set II @48kHz); 2nd half of set 2 spliced from same source as shnid 22139.
Phish
October 8, 1999
Nassau Coliseum
Uniondale, Long Island, NY

source:
(FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Apogee AD1000 > Sony D100 (Set I @44.1kHz, Set II @48kHz)

transfer:
Sony D8 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (fades, resample Set II to 44.1kHz, patch/splice) > CD Wave v1.94.7 > FLAC (level 8)

recorded by Dave Flaschner, Milt, Memphis Mike, and Tony A.
transferred by Jason Sobel (jasonsobel@gmail.com)
seeded 11/13/05

notes:
unaltered files from the original DAT transfer have been archived, and are available upon request

Disc 1 - [58:22]
Set I
01 - [10:20] - Piper (see note below)
02 - [11:13] - AC/DC Bag
03 - [07:10] - Suzy Greenberg
04 - [07:04] - Meat
05 - [09:15] - Meatstick *
06 - [13:21] - Run Like an Antelope

Disc 2 - [68:36]
Set II
01 - [14:42] - Halley's Comet
02 - [20:14] - Tweezer -> My Left Toe
03 - [09:09] - Bug
04 - [09:04] - Fee
05 - [15:27] - Harry Hood (see note below)

Disc 3 - [33:06]
Set II continued
01 - [10:48] - We're Not Gonna Take It **
02 - [08:18] - Chalkdust Torture
03 - [02:43] - encore break
04 - [07:46] - The Squirming Coil
05 - [03:31] - Tweezer Reprise


* Page's wife Sofi Dillof joined in the dance
** First time played; from The Who's "Tommy"; with Tom Marshall on vocals and stage antics


NOTE:
Unfortunately, the FOB tapers were shut down during Harry Hood.
I have spliced in the following source to complete the show:
DPA 4011's > V2 > Apogee AD500 > DA-P1 (recorded by Ron Dalton)
Starting at 11:58 in Harry Hood, and the rest of the show after that, is from the DPA 4011 source.

Also, in Piper, there was one point where the levels probably got bumped up mistakenly,
and the right channel was heavily clipped.  I used the DPA 4011 source to replace this short segment,
for a length of approximately 20 seconds starting at 04:18.

One other thing to note about the DPA 4011 source is that the overall recording level is louder.
For the patch in Piper, I adjusted the levels on the DPA source to match the Schoeps, so the patch would be smoother.
For the splice in Harry Hood, and everything after the splice, I left the DPA source levels as orginally recorded.
ph1999-10-08d1t01.flac:5c2de2575906c17aa22ddfd640285d98
ph1999-10-08d1t02.flac:bd71a74dc7894be54fedbfa575628ae0
ph1999-10-08d1t03.flac:21e2495611511e50bea8eb7f2008d8bc
ph1999-10-08d1t04.flac:f5736a59c1913c81f0746d4a46934a4d
ph1999-10-08d1t05.flac:88b1c86301e0b0528e0ccc9559c95b4a
ph1999-10-08d1t06.flac:869d8e91161285e13297a3de1d041a18
ph1999-10-08d2t01.flac:aa36cfbe0c7760b655fca8c9910c9912
ph1999-10-08d2t02.flac:dcfb32e4a557b0a3a3f8f500858a3bcd
ph1999-10-08d2t03.flac:d445f3741dc85338d23fe8c775734c35
ph1999-10-08d2t04.flac:588dfad54ac0949234bdeb2d91ba9f80
ph1999-10-08d2t05.flac:d53a032c7d06beb5fd05b49d750c814f
ph1999-10-08d3t01.flac:dc1a35eb42b4096cb54e2a1145718d07
ph1999-10-08d3t02.flac:28e9a5da86a4fe1a0b1f9557624f8924
ph1999-10-08d3t03.flac:2025691e82f440a0368b634a7b3ffad1
ph1999-10-08d3t04.flac:d0e126de31e0159fb4c85ea4894ec715
ph1999-10-08d3t05.flac:90f4d52f0911a518906a8fe0ef9ad10e

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Cached: Tue, 23 Apr 2024 10:54:05 EDT