Source Summary
B&K 4011's > Lunatec V2 > Apogee AD-500 > Tascam DA-P1 (@48kHz); Fostex D5 > Sound Devices 722 > WaveLab 5.01b (fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); Taped by R. Dalton; Transferred by Ned Struzziero
Phish
September 9, 2000
Pepsi Arena
Albany, NY
source:
B&K 4011's > Lunatec V2 > Apogee AD-500 > Tascam DA-P1 (@48kHz)
recorded from the front row, center, of the taper's section
transfer:
Fostex D5 > AES Cable > Sound Devices 722 > WaveLab 5.01b (fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8)
taped by R. Dalton
transferred by Ned Struzziero with patch master DATs
resampled/tracked by Jason Sobel (jasonsobel@gmail.com)
seeded April 26, 2006
notes:
The original 48 kHz files from the DAT transfer have been archived, and are available upon request
Disc 1 - [73:00]
Set I
01 - [07:17] - Possum
02 - [07:34] - My Friend My Friend >
03 - [09:44] - Gumbo >
04 - [10:22] - Maze
05 - [06:20] - Boogie On Reggae Woman
06 - [08:19] - Roggae
07 - [11:38] - Guyute
08 - [11:46] - Run Like an Antelope
Disc 2 - [79:55]
Set II
01 - [11:53] - Gotta Jibboo
02 - [06:35] - The Curtain >
03 - [19:56] - Sand
04 - [04:38] - Makisupa Policeman
05 - [04:51] - Cars Trucks Buses
06 - [07:53] - Funky Bitch
07 - [04:31] - Cavern
08 - [02:38] - encore break
09 - [17:00] - Harry Hood
Show Notes:
Sand through Funky Bitch, and Hood, featured Michael Ray on trumpet.
When he wasn't playing, Ray was dancing around the stage and exhorting the appreciative crowd.
During Hood, he sat and relaxed in front of the drum riser before pulling several people out of the crowd,
who proceeded to sit around the stage and occasionally dance. Trey thanked them as "the Michael Ray chorus".