Source #	35360
Entered by	Matt Vernon
Checksums	ffp , flac-md5
Disc Counts	1 / 1
Media Size
Date Circulated Date Added	2005 06/29/2006

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Other Sources

• (9052) AUD>PCM>DAT>CDR; Seeded to etree by Tim W
• (13756) Master Soundboard Cassette > CDR; CD Mastering...
• (76495)  flac24 ; patched/edited version of  shn id...
• (76511)  flac16 ; 16/44.1 conversion of  shn id 76495...
• (88124)  flac16 ; Recording Info: SBD -> Cassette...
• (141009)  flac16 ; Source Info: Ted Mattes' Master...
• (142344)  flac16/48kHz ; Source Info: Ted Mattes' Master...
• (161421)  flac2496  Recording Info: UltraMatrix SBD >...
• (164177)  flac1644  Recording Info: UltraMatrix SBD >...

Source Summary
flac24; Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master. From the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd., and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail at the front of this audience section, directly above the lighting board. The OTS for this concert was likely 75 rows further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right, as far back as possible in the seated area. to the digital realm @ 24-96: Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96. SD722 firewire import to Mac G4 104 Tiger Sound Devices 2.2.4 for fades, edits, and splits xACT by Scott Brown as FLAC front end.

Grateful Dead
April 29, 1989 saturday
Irvine Meadows
Irvine, CA

Ambient Master by Tapers From Hell: A Journey to the Impact Zone
Analog master by Mike French, amongst a group effort.
From the forbidden zone.
Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master.
From the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd.,
and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail
at the front of this audience section, directly above the lighting board.
The OTS for this concert was likely
75 rows further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right,
as far back as possible in the seated area.

to the digital realm @ 24-96:
Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96.

SD722 firewire import to Mac G4 104 Tiger
Sound Devices 2.2.4 for fades, edits, and splits
xACT by Scott Brown as FLAC front end.
04-29-89 Irvine Meadows
Amphitheatre, Irvine, Ca. (Sat)
1:
01) audience in->
02) Bucket>
03) Sugaree,
04) Walking Blues,
05) B. E. Women,
06) Memphis Blues,
07) Finiculi Finicula,
08) * 8< Built To Last,
09) Blow Away>
10) Saturday Night
2:
01) China Cat>
02) I Know You Rider,
03) L. L. Rain,
04) He's Gone>
05) Spoonful>
06) Drumz>
07) Space>
08) Take You Home>
09) Other One>
10) Wharf Rat>
11) Throwing Stones>
12) Lovelight ** 8<
13) E: U. S. Blues
"Funiculi Funicula" tuning before "Memphis Blues"

notes regarding master:
* 8< cut at start, while flipping a large amount of tape decks.
** 8< ran out of tape on lots of decks. Cut near end of song.
peace and wellness to you and yours

enjoy!
Moke