Source #	86710
Entered by	Joe Jupille
Checksums	md5
Disc Counts	2 / 2
Media Size
Date Circulated Date Added	08/07/2007 08/07/2007

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Other Sources

• (14311) Jerry Garcia Band: FOB (Unknown taper, Schoeps...
• (27358) Jerry Garcia Band: MSC > Cx > WAV > FLAC....
• (86701) JGB: matrix of SBD (shnid 27358) and AUD (shnid...
• (88154) JGB: Ted Carpenter's Nakamichi CM-300's w/CP-1...
• (99004) JGB: FOB Sennheiser MKE-2002 binaural mics >...
• (135315) JGB; flac1644; aud cassette master, senn 441's,...
• (135316) JGB; flac2496; aud cassette master, senn 441's,...
• (138374) JGB; flac 1648: From the Gastwirt Collection;...
• (150109) JGB; flac1644: AUD (stand @ 6.5 feet) : Nak...

Source Summary
JGB: DTS-Audio-CD 5.1 Mix of SBD (shn id 27358) and AUD (shn id 14311)

Jerry Garcia Band
Great Woods
Mansfield, MA
September 10, 1989

DTS-Audio-CD 5.1 Mix

Disc 1 - Set 1

01  [10:29] Cats Under The Stars  
02  [09:03] They Love Each Other  
03  [12:59] Knockin' On Heaven's Door
04  [05:32] Run For The Roses  
05  [09:44] Mississippi Moon  
06  [04:38] Hope It Won't Be This Way  
04  [08:44] Deal  
TT  [61:10]

Disc 2 - Set 2

01  [09:52] Second That Emotion
02  [07:48] And It Stoned Me
03  [12:13] Simple Twist Of Fate
04  [06:54] Waiting For A Miracle
05  [04:39] Evangeline
06  [11:10] That Lucky Old Sun
07  [11:04] Tangled Up In Blue
TT  [63:41]

Entire show with Clarence Clemons  
Final performance of "Hope It Won't Be This Way"

---------------------------------------------------------

Band Info

Jerry Garcia: Vocals, Guitar
John Kahn: Bass  
Dave Kemper: Drums
Melvin Seals: Hammond B3
Clarence Clemons: Saxphone
Jackie LaBranch: Backing Vocals
Gloria Jones: Backing Vocals

---------------------------------------------------------

Source Info

SBD
Source:  MSC > Cx > WAV > FLAC.
Transfer:  Cassette > FLAC (playback on Sony TC-KE400S,
dolby disabled > Sony PCM-R500 with Super Bit Mapping
enabled > coaxial S/PIDF output > M Audio Audiophile 2496 >
recording with Soundforge 6.0) > tracking (cdwav) > sector
boundaries confirmed (shntool) > SHN by C.Ladner, 10/04.
http://db.etree.org/shninfo_detail.php?shnid=27358

AUD
Source: FOB (Schoeps CMC34) > DAT > CDR > WAV > SHNv3
DAE(EAC 0.9 beta 4) > sector boundaries confirmed (shntool) >
shorten 3.4>FTP via C. Ladner/candyman FTP
http://db.etree.org/shninfo_detail.php?shnid=14311

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch both sources.  SF8.0 was used for the EQ setting and
volume adjustments on the CTR and LFE cahnnels.  Surcode CD
Pro DTS was used to encode to DTS.  
- Mixed by dan@am-dig.com
- Shn conversion 01-AUG-2007
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.

---------------------------------------------------------

DTS-Audio-CD Info

Front
Left Channel DEQ'd SBD
Right Channel DEQ'd SBD

Center
Mono Mix -5db DEQ'd (vocal) SBD

Surround
Left Channel FOB (Schoeps CMC34)
Right Channel FOB (Schoeps CMC34)

Sub/LFE
Mono Mix -5db DEQ'd (low end) SBD

---------------------------------------------------------

Notes

My goal was to take a somewhat lacking SBD, rework it and
mix with a great FOB to make something that is significantly
more palatable.  The SBD suffers from generational loss,
mild distortion and over saturation.  A significant amount
of post production editing and introduction of the FOB
source significantly improved the fidelity and help ease
some of these shortcomings.  Leaving us with a very nice
representation of a classic fall 1989 JGB show.

Both sources were D'EQ prior to mixdown.  The strategy here
was to keep what was good in the SBD and intoduce what was
good in the FOB.  Essentially using the FOB to sonically fill
in the areas that were lacking or unpleasant on the SBD.  
Primarily the high end, but also the very bottom as well.  

A killer AUD but with some very close clapping that when
mixed the claps ended up sounding like pops.  I was able to
eliminate the most frustrating of these claps by tediously
going thru, millisecond by millisecond and redrawing the wave
to take out clap without removing any of the music.  

The FOB had stoppage between every song and was missing the
crowd cheer and tuning but none of the songs were clipped.
Using a variety of edits (EQ, volume adjust and crossfades)
I was able to keep the between song flow sounding smooth
and natural.  I used the longest section of pure crowd
cheer I could find and used that portion between several
songs throughout the show.

Two big PA pops (I know this b/c the pops were on both the
SBD and FOB sources) in "Knockin' on Heaven's Door" were
removed.  Even though the PA pops wwere "part" of the show
I choose to remove it for increased listening pleasure.

The SBD had 2 cuts.  About 22 seconds at the very beginning
of "Mississippi Moon" was missing and 1 min 15 seconds was cut
at approx the 3 min mark in "And It Stoned Me".  Both sources
were patched with the FOB.  A variety of edits (volume adjust,
EQ and crossfades) were made to make these patches sound as
smooth as possible and the results are outstanding.  Without
any notation you could easily slide right past these patches
and not even know that the SBD had these 2 obnoxious cuts.
A nice testament to how great the FOB is as well as an
experience hand and ear at applying said patches.

The left/right channel of the FOB was uneven.  I increased
the left channel approx 2db.

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel sound
like DTS, Dolby Digital and DVD-Audio.  While the Audio-CD
standard (Red Book) hasn't changed to accommodate these new
sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD.  To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio-CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and rise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analogue audio outputs
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any normal
Audio-CD from FLAC files.

---------------------------------------------------------

Additional Formats

This show is available in the following formats:

1. The SBD and both AUD sources listed above.
2. CD-Audio SBD+AUD Matrix Mix at 16/44
3. CD-Audio 5.1 Surround Sound DTS-Audio-CD at 16/44
4. DVD-Audio SBD+AUD Matrix Mix at 24/48
5. DVD-Audio 5.1 Surround Sound at 16/44
   (6 Channel x 16/44 - MLP Encoded)  

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel sound
like DTS, Dolby Digital and DVD-Audio.  While the Audio-CD
standard (Red Book) hasn't changed to accommodate these new
sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD.  To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio-CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and rise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analogue audio outputs
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any normal
Audio-CD from FLAC files.

---------------------------------------------------------

FLAC fingerprint

jgb1989-09-10-haugh-dts-d1t01.flac:a741f97bf9e5a678b54db289bbede222
jgb1989-09-10-haugh-dts-d1t02.flac:e133ec6158042e95046c963bc487abd3
jgb1989-09-10-haugh-dts-d1t03.flac:ce978ca0f460cf541c310c1764936f5d
jgb1989-09-10-haugh-dts-d1t04.flac:c2e4f9fd7c71e38d45b1baaa62c8e4bc
jgb1989-09-10-haugh-dts-d1t05.flac:0f031824bc24d25cd5475c0c2185a53e
jgb1989-09-10-haugh-dts-d1t06.flac:94e166c99f5d28960e55b76acee34d88
jgb1989-09-10-haugh-dts-d1t07.flac:f6e933ec5e5d3556b8c61d104b5fcac4
jgb1989-09-10-haugh-dts-d2t01.flac:e930e7943119ef62d6b5df735865ed7a
jgb1989-09-10-haugh-dts-d2t02.flac:1956a5f6a396c5d219e3400373d85198
jgb1989-09-10-haugh-dts-d2t03.flac:4b5dcc17cbd72afb98ff5993570a460a
jgb1989-09-10-haugh-dts-d2t04.flac:d805a401f78fedcb10fdfc59fd12298a
jgb1989-09-10-haugh-dts-d2t05.flac:9bd7454ec1dae46e85c02f89154bb522
jgb1989-09-10-haugh-dts-d2t06.flac:0f8228651d3668187ff21063dbcb0219
jgb1989-09-10-haugh-dts-d2t07.flac:e767c3f3fbff5ee0b65a1c5888723669

---------------------------------------------------------

MD5

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8458c43403e1b8a21d9ce2a04ea80933 *jgb1989-09-10-haugh-dts-d1t02.flac
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79e938017d6eed1276736bb88aa57e67 *jgb1989-09-10-haugh-dts-d2t07.flac