Comments
Add Comment
Source Collectors
Add to Collection
Add to Want List
History| Source # | 87526 |
| Entered by | Joe Jupille |
| Checksums | ffp , flac-md5 |
| Disc Counts | 3 / 3 |
| Media Size | |
| Date Circulated
Date Added |
10/02/2007 10/03/2007 |
Source Summary
LOM; flac16; DTS Audio 5.1; SBD (shn id 4479) SBD > 15ips reel > 15ips reel > DAT + AUD (shn id 87086) Sony ECM-270 and ECM-250 Blended [Positioned Onstage] > Sony TC-152 > MAC by Bob Menke - dts mixing by Kevin Tobin
LOM; flac16; DTS Audio 5.1; SBD (shn id 4479) SBD > 15ips reel > 15ips reel > DAT + AUD (shn id 87086) Sony ECM-270 and ECM-250 Blended [Positioned Onstage] > Sony TC-152 > MAC by Bob Menke - dts mixing by Kevin Tobin
Legion Of Mary
Keystone
Berkeley, CA
05/21/1975 - Wednesday
DTS-Audio-CD 5.1 Mix
Sources:
-- SBD
Lineage: SBD > 15ips reel > 15ips reel > DAT
Transfer 1: DAT > Sony R500 > Genesis Digital Lens > Fostex CR200 > CD
Transfer 2: CD > EAC > WAV > SHN
-- Audience FOB Recording
Media: Maxell UD90
Lineage: Sony ECM-270 and ECM-250 Blended [Positioned Onstage] > Sony TC-152 > MAC
Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV
Taper: Bob Menke and Louis Falanga
Transfer: Bob Menke
Mastering: Jamie Waddell
Set 1:
d1t01 - That's The Touch I Like
d1t02 - I Feel Like Dynamite
d1t03 - Last Train From Poor Valley
d1t04 - Finders Keepers
d1t05 - Tough Mama
d1t06 - That's What Love Will Make You Do
Set 2:
d2t01 - I'll Take A Melody
d2t02 - You Can Leave Your Hat On
d2t03 - Mississippi Moon
d3t01 - Harder They Come
d3t02 - Creepin'
d3t03 - How Sweet It Is (To Be Loved By You)
Comments: How Sweet It Is (To Be Loved By You) is cut on the master reel.
Recordings: SBD>15 ips reel>15ips reel>DAT>Sony R500>Genesis Digital Lens>
Fostex CR200>CD>WAV(EAC)>SHN
note: Disc 2 Track #5 was originally labeled Jam #8, but according to
www.thejerrysite.com this is in fact Creepin', an instrumental version
of Stevie Wonder's version which appears on his 1974 album
"Fulfillingness' First Finale". tsl@volition.org
patched with Bob Menke/Louis Falanga's MAC just released by MOTB (shnid=87086)
---------------------------------------------------------
Tech Notes
SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 02-OCT-2007
---------------------------------------------------------
NOTE: Do the clarity and location of Bob Menke's audience recording - I decided that it was better to keep the audience at its original level ... this gives the illusion that you are sitting on the stage with monitors to the left and right as the PA goes over your head. The great thing about dts ... if you don't like the balance, you can set the rear speaker volume till you find nirvena. I will honestly say, in the 6 years I have worked on both videos and matrix/dts audio - this is by far one of the best audience recordings I have ever had the pleasure to play with. Please thank Bob for making it available and say a quick prayer for his mom to stay here with us.
NOTE 2: Unlike the original audience where the 2nd disk was just a shade over 80 minutes, the length of the 2nd set was 81 minutes and 11 seconds. This is why I broke it down into 3 disks vice how MOTB did the audience. I also matched the speed of this recording to the MAC - it was slightly faster overall (about 1/2 a second per minute) and more consistent than the sbd recording.
Audio Patches:
1) Between The Touch I Like and I Feel Like Dynamite, 48.033 seconds were missing from the Audience recording and were filled in from the Soundboard recording. Missing audio was normalized to fit better.
2) Aprox 4 minutes into I Feel Like Dynamite, 19.564 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
3) Between I Feel Like Dynamite and Last Train From Poor Valley, 27.500 seconds were missing from the Audience recording and were filled in from the Soundboard recording. Missing audio was normalized to fit better.
4) Between I Feel Like Dynamite and Last Train From Poor Valley, another 35.900 seconds were missing from the Audience recording and were filled in from the Soundboard recording. Missing audio was normalized to fit better. Note: This includes the first few notes of Last Train From Poor Valley.
5) Aprox 7 minutes into Last Train From Poor Vallery, 21.273 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
6) Between Last Train From Poor Valley and Finders Keepers, 33.900 seconds were missing from the Audience recording and were filled in from the Soundboard recording. Missing audio was normalized to fit better.
7) Between Finders Keepers and Tough Mama, 12.007 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
8) Aprox 7 minutes into That's What Love Will Make You Do, 36.803 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
9) At the end of That's What Love Will Make You Do, 11.116 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
10) Before I'll Take A Melody, 17.000 seconds were missing from the Audience recording and were filled in from the Soundboard recording. Missing audio was normalized to fit better.
11) Between I'll Take A Melody and You Can Leave Your Hat On, 21.423 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
12) Aprox 4 minutes into You Can Leave Your Hat On, 22.372 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
13) Between You Can Leave Your Hat On and Mississippi Moon, 18.883 seconds were missing from the Audience recording and were filled in from the Soundboard recording. Missing audio was normalized to fit better.
14) Aprox 4 minutes into Mississippi Moon, 24.773 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
15) Between Mississippi Moon and Harder They Come, 16.966 seconds were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
16) Between Mississippi Moon and Harder They Come, another 1.593 seconds were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
17) Aprox 8 minutes into Harder They Come, 02.139 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
18) Aprox 11 minutes into Harder They Come, 20.807 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
19) Between Harder They Come and Creepin', 18.339 seconds were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
20) Aprox 4 minutes into Creepin', 22.035 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
21) Between Creepin' and How Sweet It Is (To Be Loved By You), 15.893 seconds were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
22) Aprox 3 minutes into How Sweet It Is (To Be Loved By You), 5 minutes and 36.666 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
---------------------------------------------------------------------------
DTS-Audio-CD Info
Front
Left Channel SBD -0db
Right Channel SBD -0db
Center
Mixed to mono -2db SBD
Surround
Left Channel -0db AUD
Right Channel -0db AUD
Sub/LFE
Mixed to mono -2db SBD
--------------------------------------------------------------
More On DTS
Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.
Burning Instructions
Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.
Brokedown House Productions
length expanded size cdr WAVE problems filename
12:33.60 132970364 --- -- ----- lom75-05-21d1t01.wav
14:30.69 153630332 --- -- ----- lom75-05-21d1t02.wav
11:44.09 124206812 --- -- ----- lom75-05-21d1t03.wav
13:17.48 140703740 --- -- ----- lom75-05-21d1t04.wav
9:46.07 103386908 --- -- ----- lom75-05-21d1t05.wav
12:21.39 130804172 --- -- ----- lom75-05-21d1t06.wav
74:14.07 785702328 B (totals for 6 files, 1.0000 overall compression ratio)
length expanded size cdr WAVE problems filename
10:26.65 110579324 --- -- ----- lom75-05-21d2t01.wav
17:09.23 181569740 --- -- ----- lom75-05-21d2t02.wav
9:30.70 100712684 --- -- ----- lom75-05-21d2t03.wav
21:36.19 228659132 --- -- ----- lom75-05-21d3t01.wav
14:04.35 148963964 --- -- ----- lom75-05-21d3t02.wav
8:23.57 88863308 --- -- ----- lom75-05-21d3t03.wav
81:11.44 859348152 B (totals for 6 files, 1.0000 overall compression ratio)
Keystone
Berkeley, CA
05/21/1975 - Wednesday
DTS-Audio-CD 5.1 Mix
Sources:
-- SBD
Lineage: SBD > 15ips reel > 15ips reel > DAT
Transfer 1: DAT > Sony R500 > Genesis Digital Lens > Fostex CR200 > CD
Transfer 2: CD > EAC > WAV > SHN
-- Audience FOB Recording
Media: Maxell UD90
Lineage: Sony ECM-270 and ECM-250 Blended [Positioned Onstage] > Sony TC-152 > MAC
Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV
Taper: Bob Menke and Louis Falanga
Transfer: Bob Menke
Mastering: Jamie Waddell
Set 1:
d1t01 - That's The Touch I Like
d1t02 - I Feel Like Dynamite
d1t03 - Last Train From Poor Valley
d1t04 - Finders Keepers
d1t05 - Tough Mama
d1t06 - That's What Love Will Make You Do
Set 2:
d2t01 - I'll Take A Melody
d2t02 - You Can Leave Your Hat On
d2t03 - Mississippi Moon
d3t01 - Harder They Come
d3t02 - Creepin'
d3t03 - How Sweet It Is (To Be Loved By You)
Comments: How Sweet It Is (To Be Loved By You) is cut on the master reel.
Recordings: SBD>15 ips reel>15ips reel>DAT>Sony R500>Genesis Digital Lens>
Fostex CR200>CD>WAV(EAC)>SHN
note: Disc 2 Track #5 was originally labeled Jam #8, but according to
www.thejerrysite.com this is in fact Creepin', an instrumental version
of Stevie Wonder's version which appears on his 1974 album
"Fulfillingness' First Finale". tsl@volition.org
patched with Bob Menke/Louis Falanga's MAC just released by MOTB (shnid=87086)
---------------------------------------------------------
Tech Notes
SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 02-OCT-2007
---------------------------------------------------------
NOTE: Do the clarity and location of Bob Menke's audience recording - I decided that it was better to keep the audience at its original level ... this gives the illusion that you are sitting on the stage with monitors to the left and right as the PA goes over your head. The great thing about dts ... if you don't like the balance, you can set the rear speaker volume till you find nirvena. I will honestly say, in the 6 years I have worked on both videos and matrix/dts audio - this is by far one of the best audience recordings I have ever had the pleasure to play with. Please thank Bob for making it available and say a quick prayer for his mom to stay here with us.
NOTE 2: Unlike the original audience where the 2nd disk was just a shade over 80 minutes, the length of the 2nd set was 81 minutes and 11 seconds. This is why I broke it down into 3 disks vice how MOTB did the audience. I also matched the speed of this recording to the MAC - it was slightly faster overall (about 1/2 a second per minute) and more consistent than the sbd recording.
Audio Patches:
1) Between The Touch I Like and I Feel Like Dynamite, 48.033 seconds were missing from the Audience recording and were filled in from the Soundboard recording. Missing audio was normalized to fit better.
2) Aprox 4 minutes into I Feel Like Dynamite, 19.564 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
3) Between I Feel Like Dynamite and Last Train From Poor Valley, 27.500 seconds were missing from the Audience recording and were filled in from the Soundboard recording. Missing audio was normalized to fit better.
4) Between I Feel Like Dynamite and Last Train From Poor Valley, another 35.900 seconds were missing from the Audience recording and were filled in from the Soundboard recording. Missing audio was normalized to fit better. Note: This includes the first few notes of Last Train From Poor Valley.
5) Aprox 7 minutes into Last Train From Poor Vallery, 21.273 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
6) Between Last Train From Poor Valley and Finders Keepers, 33.900 seconds were missing from the Audience recording and were filled in from the Soundboard recording. Missing audio was normalized to fit better.
7) Between Finders Keepers and Tough Mama, 12.007 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
8) Aprox 7 minutes into That's What Love Will Make You Do, 36.803 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
9) At the end of That's What Love Will Make You Do, 11.116 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
10) Before I'll Take A Melody, 17.000 seconds were missing from the Audience recording and were filled in from the Soundboard recording. Missing audio was normalized to fit better.
11) Between I'll Take A Melody and You Can Leave Your Hat On, 21.423 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
12) Aprox 4 minutes into You Can Leave Your Hat On, 22.372 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
13) Between You Can Leave Your Hat On and Mississippi Moon, 18.883 seconds were missing from the Audience recording and were filled in from the Soundboard recording. Missing audio was normalized to fit better.
14) Aprox 4 minutes into Mississippi Moon, 24.773 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
15) Between Mississippi Moon and Harder They Come, 16.966 seconds were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
16) Between Mississippi Moon and Harder They Come, another 1.593 seconds were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
17) Aprox 8 minutes into Harder They Come, 02.139 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
18) Aprox 11 minutes into Harder They Come, 20.807 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
19) Between Harder They Come and Creepin', 18.339 seconds were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
20) Aprox 4 minutes into Creepin', 22.035 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
21) Between Creepin' and How Sweet It Is (To Be Loved By You), 15.893 seconds were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
22) Aprox 3 minutes into How Sweet It Is (To Be Loved By You), 5 minutes and 36.666 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.
---------------------------------------------------------------------------
DTS-Audio-CD Info
Front
Left Channel SBD -0db
Right Channel SBD -0db
Center
Mixed to mono -2db SBD
Surround
Left Channel -0db AUD
Right Channel -0db AUD
Sub/LFE
Mixed to mono -2db SBD
--------------------------------------------------------------
More On DTS
Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.
Burning Instructions
Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.
Brokedown House Productions
length expanded size cdr WAVE problems filename
12:33.60 132970364 --- -- ----- lom75-05-21d1t01.wav
14:30.69 153630332 --- -- ----- lom75-05-21d1t02.wav
11:44.09 124206812 --- -- ----- lom75-05-21d1t03.wav
13:17.48 140703740 --- -- ----- lom75-05-21d1t04.wav
9:46.07 103386908 --- -- ----- lom75-05-21d1t05.wav
12:21.39 130804172 --- -- ----- lom75-05-21d1t06.wav
74:14.07 785702328 B (totals for 6 files, 1.0000 overall compression ratio)
length expanded size cdr WAVE problems filename
10:26.65 110579324 --- -- ----- lom75-05-21d2t01.wav
17:09.23 181569740 --- -- ----- lom75-05-21d2t02.wav
9:30.70 100712684 --- -- ----- lom75-05-21d2t03.wav
21:36.19 228659132 --- -- ----- lom75-05-21d3t01.wav
14:04.35 148963964 --- -- ----- lom75-05-21d3t02.wav
8:23.57 88863308 --- -- ----- lom75-05-21d3t03.wav
81:11.44 859348152 B (totals for 6 files, 1.0000 overall compression ratio)
lom75-05-21d3t03.flac:452b871777ccb14bf3fda2a2bce8d238
lom75-05-21d1t01.flac:130383609e8148fef58d1a05103b4b47
lom75-05-21d1t02.flac:185b7c3c17f1d133c634271b9090a0c0
lom75-05-21d1t03.flac:1661c1231848d70aec10930b7973a9e4
lom75-05-21d1t04.flac:1d8beebc22d94a37ab0cfa56d2323cf0
lom75-05-21d1t05.flac:ec928f1699e12275fcdb11903cbcf6fb
lom75-05-21d1t06.flac:bd12f27acda4fbf881dc5f0839d1df33
lom75-05-21d2t01.flac:3ea8b7eaa129e37fe4e836a8de3b0efd
lom75-05-21d2t02.flac:ce7a732bb4dbfb4d9ef1da1be1330150
lom75-05-21d2t03.flac:bf80bfb3954bc8afc64910c09d3bd84b
lom75-05-21d3t01.flac:d73ecbc0462968bd1dec876e2bf6abd6
lom75-05-21d3t02.flac:d72735ab71d053016f1bbc2f9768ba2b
lom75-05-21d1t01.flac:130383609e8148fef58d1a05103b4b47
lom75-05-21d1t02.flac:185b7c3c17f1d133c634271b9090a0c0
lom75-05-21d1t03.flac:1661c1231848d70aec10930b7973a9e4
lom75-05-21d1t04.flac:1d8beebc22d94a37ab0cfa56d2323cf0
lom75-05-21d1t05.flac:ec928f1699e12275fcdb11903cbcf6fb
lom75-05-21d1t06.flac:bd12f27acda4fbf881dc5f0839d1df33
lom75-05-21d2t01.flac:3ea8b7eaa129e37fe4e836a8de3b0efd
lom75-05-21d2t02.flac:ce7a732bb4dbfb4d9ef1da1be1330150
lom75-05-21d2t03.flac:bf80bfb3954bc8afc64910c09d3bd84b
lom75-05-21d3t01.flac:d73ecbc0462968bd1dec876e2bf6abd6
lom75-05-21d3t02.flac:d72735ab71d053016f1bbc2f9768ba2b
03f6e146a0387a8818395f31fff5a093 *lom75-05-21d1t01.flac
a6454d2a9042a4bcbf9f1b33685f7fbe *lom75-05-21d1t02.flac
dc20eb5e6f9e584701359095f8b222a0 *lom75-05-21d1t03.flac
ab66093fc4fa4748e91cea9b27f118c1 *lom75-05-21d1t04.flac
9904920f99d1ed63b65f2b79683d219f *lom75-05-21d1t05.flac
a60c73f11fd8d6ff3406326d852bad6a *lom75-05-21d1t06.flac
8367ab9dccc919153d0d9982dfe8e6e1 *lom75-05-21d2t01.flac
97510317809e47e6b91e895fa54081c4 *lom75-05-21d2t02.flac
494ac30e0b8c261ba3ff684946fb66b1 *lom75-05-21d2t03.flac
edc8cca6be65fc9406502d7fb52ef5a0 *lom75-05-21d3t01.flac
0450a90eb45e5c0efbceb3ff8e4d74bd *lom75-05-21d3t02.flac
5156e3912590c87b74ed2be16de739b2 *lom75-05-21d3t03.flac
a6454d2a9042a4bcbf9f1b33685f7fbe *lom75-05-21d1t02.flac
dc20eb5e6f9e584701359095f8b222a0 *lom75-05-21d1t03.flac
ab66093fc4fa4748e91cea9b27f118c1 *lom75-05-21d1t04.flac
9904920f99d1ed63b65f2b79683d219f *lom75-05-21d1t05.flac
a60c73f11fd8d6ff3406326d852bad6a *lom75-05-21d1t06.flac
8367ab9dccc919153d0d9982dfe8e6e1 *lom75-05-21d2t01.flac
97510317809e47e6b91e895fa54081c4 *lom75-05-21d2t02.flac
494ac30e0b8c261ba3ff684946fb66b1 *lom75-05-21d2t03.flac
edc8cca6be65fc9406502d7fb52ef5a0 *lom75-05-21d3t01.flac
0450a90eb45e5c0efbceb3ff8e4d74bd *lom75-05-21d3t02.flac
5156e3912590c87b74ed2be16de739b2 *lom75-05-21d3t03.flac
Comments
Other Sources (comments) LOM: flac16: MOTB... (2)
flac24: MOTB Release:... (0)
flac16 LOM: Patched and... (0)
LOM: flac16 MOTB Release:... (0)
LOM; DVD-VA; (Video Audio)... (0)
|
|||
| Date | User | Comment | |
|---|---|---|---|
etreedb.org
For administrative requests email contact@etreedb.org
This website written by Tom H Anderson and maintained by the etreedb.org community.
For administrative requests email contact@etreedb.org
This website written by Tom H Anderson and maintained by the etreedb.org community.
Cached: Wed, 24 Apr 2024 01:59:05 EDT