Source #	90979
Entered by	Matt Vernon
Checksums	flac-md5 , ffp
Disc Counts	2 / 4
Media Size
Date Circulated Date Added	03/24/2008 03/24/2008

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Other Sources

• (174) SBD MR (10'' reels)> DAT > CD > EAC > SHN; via...
• (89640)  flac16 ; Recording Info: SBD -> Master Reel ->...
• (89681)  flac16 ; partial Set 1 & 2: Recording Info:...
• (89730)  flac16 ; Recording Info: SBD -> Master Reel ->...
• (90351)  flac16 ; Source: Sony TC 110 cassette deck...
• (90771)  flac16 ; Matrix 3 Source Mix - SBD (shn id...
• (90794)  DTS Audio 5.1 ;  SBD (shn id 89730) Recording...
• (90796)  flac16 ; Composite Audience - AUD1 (shn id...
• (121030)  flac16 ; taped and remastered by Monte Barry;...
• (121031)  flac24 ; Source: taped and remastered by Monte...
• (131065)  flac16 ; 2 Source Matrix by Dusborne;...
• (136252)  flac24 ; Partial Sets 1 & 2; source: aud...
• (136253)  flac16 ; Partial Sets 1 & 2; source: aud...

Source Summary
flac16; Original SBD (shnid = 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC patched and speed corrected

Grateful Dead
RFK Stadium
Washington, DC
June 10, 1973

Patched\Speed Corrected Soundboard

Set 1:
d1t01 - Morning Dew
d1t02 - Beat It On Down The Line
d1t03 - Ramble On Rose
d1t04 - Jack Straw
d1t05 - Wave That Flag
d1t06 - Looks Like Rain
d1t07 - Box Of Rain
d1t08 - They Love Each Other
d1t09 - The Race Is On
d1t10 - Row Jimmy
d1t11 - El Paso
d2t01 - Bird Song
d2t02 - Playing In The Band

Set 2:
d2t03 - Eyes Of The World ->
d2t04 - Stella Blue
d2t05 - Big River
d2t06 - Here Comes Sunshine
d3t01 - Around And Around
d3t02 - Dark Star ->
d3t03 - He's Gone ->
d3t04 - Wharf Rat ->
d3t05 - Truckin'
d3t06 - Sugar Magnolia

Set 3:
d4t01 - It Takes A Lot To Laugh It Takes A Train To Cry
d4t02 - That's All Right, Mama
d4t03 - The Promised Land
d4t04 - Not Fade Away ->
d4t05 - Goin' Down The Road Feeling Bad ->
d4t06 - Drums ->
d4t07 - Not Fade Away
d4t08 - Johnny B. Goode

Original SBD (shnid = 89730)
Recording Info:
SBD -> Master Reel -> Dat -> CD

Transfer Info:
CD -> Samplitude Professional v10.01 -> FLAC
(4 Discs Audio / 3 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
January 29, 2008

Patch Info:
(FOB) Unknown Mics -> Master Cassette -> Reel -> Korg MR-1000 supplies:
Eyes Of The World (6:54 - 6:56)

Notes:
-- All disc changes are seamless
-- This is a fixed version of shnid=89640
-- Cleaned up many flaws and fixed the levels
-- It may not be perfect, but it's a lot better
-- Patch source recorded by Bill Gadsden
-- Patch source transferred by Charlie Miller and Neil Sturtevant
-- Set 3 is with Merl Saunders, Dickey Betts and Butch Trucks
-- Beginning of Beat It On Down The Line is cut
-- There are some flaws in The Race Is On that still remain
-- Reel flip in GDTRFB patched with alternate SBD source
-- Thanks to Jeremy Humphreys for the GDTRFB patch

Patched using:
AUD1 (shnid = 90351)
Source:
-- Sony TC 110 cassette deck
-- single-point stereo mic, hand-held on mic-stand shaft
-- FOB center infield, between sbd platform and stage platform
Lineage:
-- MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16
-- Taping, transferring, and remastering done by Monte Barry
Notes:
-- This show is complete
-- Most track changes are seemless
-- Patches are cross-faded
-- SBD patches have "concert hall" echo/delay effects applied

-- Playing in the Band --------- tape change dropout at 5:22, Gadsden-Miller patched until 6:23
-- Eyes of the World ----------- missing content until 14:35, Gadsden-Miller AUD patched
-- It Takes A Train to To Cry -- SBD patched due to tape damage, 1:42 to 1:47, 3:03 to 3:16
-- That's Alright Mama --------- SBD patched due to tape damage, 3:35 to 3:50,  5:56 to 8:58
-- GDTRFB ---------------------- tape change dropout at 4:37, SBD patched until 5:01

This AUD recording epitomizes the very best of the Grateful Dead "live sound" for the time. The Wall of Sound is nailed by the sound crew and the Dead for this show. Set within an outdoor Stadium, this close-up infield FOB spatially captures sound from the two Aux PA towers on the infield, behind the taper. The sound delay from the Wall of Sound to the Aux PA towers adds a touch of ear candy as it rolls around the stadium. This was by far the best sound fidelity experience I ever heard come out of a PA System, period. It was a sensational orgy of sound. -- Monte

AUD2 (shnid = 89681)
Recording Info:
(FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips)

Transfer Info:
Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC
(2 Discs Audio / 1 Disc FLAC)

All Transfers and Mastering By Charlie Miller and Neil Sturtevant
charliemiller87@earthlink.net
January 26, 2008

Notes:
-- Disc change is seamless
-- Recorded by Bill Gadsden

SBD (shnid = 89730)
Recording Info:
SBD -> Master Reel -> Dat -> CD

Transfer Info:
CD -> Samplitude Professional v10.01 -> FLAC
(4 Discs Audio / 3 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
January 29, 2008

---------------------------------------------------------
Audio Patches:

1) At the beginning of soundboard, 23.658 seconds were missing from the SBD source and was filled in with audio from the AUD1 source.  This includes the cymbal leadin to Morning Dew.

2) Also between Morning Dew and Beat It On Down The Line, 1 minute and 26.758 seconds were missing from the SBD source and was filled in with audio from the AUD1 source. This includes almost the 1st minute of BIODTL.

3) At the beginning of set 2, 16.685 seconds were missing from the SBD source and was filled in with audio from the AUD2 source.

4) 12 minutes into He's Gone, 48.325 seconds were missing from the SBD source and was filled in with audio from the AUD1 source.

5) At the beginning of set 3, 47.419 seconds were missing from the SBD source and was filled in with audio from the AUD1 source.

6) 1 minutes into Drums, 10.014 seconds were missing from the SBD source and was filled in with audio from the AUD1 source.

7) 4 minutes into Drums, 17.652 seconds were missing from the SBD source and was filled in with audio from the AUD1 source.

8) Concerning speed correction - I released my matrix of this show where I had used the soundboard as the reference mainly because it had 20 less times where the tape was stopped and then restarted. The actual difference was approximately .5% which is fairly small all things considered but still noticeable. A person who's opinion I respect greatly sent me a PM stating:

"I haven't listened to your matrix, but I think CM's soundboard of this runs 0.5-0.7% fast, so maybe the AUDs were actually correct."

After getting this, I re-listened to the sbd and had to agreed. So, I went back and reversed all the times so basically synced this sbd to the audience. Thanks to R.B. for his help in the matter. As most time corrections are very subjective, I really appreciate any and all help I get in these matters.

Brokedown House Production

    length     expanded size    cdr  WAVE problems  fmt   ratio  filename
    11:51.36      125505116 B   ---   --   -----    wav  1.0000  gd1973-06-10d1t01.wav
     3:32.69       37559132 B   ---   --   -----    wav  1.0000  gd1973-06-10d1t02.wav
     7:48.29       82623452 B   ---   --   -----    wav  1.0000  gd1973-06-10d1t03.wav
     5:02.26       53333996 B   ---   --   -----    wav  1.0000  gd1973-06-10d1t04.wav
     6:04.27       64273148 B   ---   --   -----    wav  1.0000  gd1973-06-10d1t05.wav
     7:43.27       81736748 B   ---   --   -----    wav  1.0000  gd1973-06-10d1t06.wav
     5:25.18       57372380 B   ---   --   -----    wav  1.0000  gd1973-06-10d1t07.wav
     5:01.67       53254028 B   ---   --   -----    wav  1.0000  gd1973-06-10d1t08.wav
     3:13.29       34113452 B   ---   --   -----    wav  1.0000  gd1973-06-10d1t09.wav
     9:21.19       99005132 B   ---   --   -----    wav  1.0000  gd1973-06-10d1t10.wav
     4:29.63       47599820 B   ---   --   -----    wav  1.0000  gd1973-06-10d1t11.wav
    12:08.14      128452172 B   ---   --   -----    wav  1.0000  gd1973-06-10d2t01.wav
    17:50.14      188780972 B   ---   --   -----    wav  1.0000  gd1973-06-10d2t02.wav
    22:05.20      233777084 B   ---   --   -----    wav  1.0000  gd1973-06-10d2t03.wav
     8:22.16       88590476 B   ---   --   -----    wav  1.0000  gd1973-06-10d2t04.wav
     5:12.28       55102700 B   ---   --   -----    wav  1.0000  gd1973-06-10d2t05.wav
    11:53.47      125883788 B   ---   --   -----    wav  1.0000  gd1973-06-10d2t06.wav
     6:14.12       66001868 B   ---   --   -----    wav  1.0000  gd1973-06-10d3t01.wav
    26:33.68      281165180 B   ---   --   -----    wav  1.0000  gd1973-06-10d3t02.wav
    14:35.14      154382972 B   ---   --   -----    wav  1.0000  gd1973-06-10d3t03.wav
     8:07.49       86022092 B   ---   --   -----    wav  1.0000  gd1973-06-10d3t04.wav
     7:45.17       82066028 B   ---   --   -----    wav  1.0000  gd1973-06-10d3t05.wav
     9:48.43      103824380 B   ---   --   -----    wav  1.0000  gd1973-06-10d3t06.wav
     8:56.51       94670396 B   ---   --   -----    wav  1.0000  gd1973-06-10d4t01.wav
    13:41.51      144944396 B   ---   --   -----    wav  1.0000  gd1973-06-10d4t02.wav
     4:46.44       50553932 B   ---   --   -----    wav  1.0000  gd1973-06-10d4t03.wav
    11:30.74      121890092 B   ---   --   -----    wav  1.0000  gd1973-06-10d4t04.wav
    10:46.30      114025004 B   ---   --   -----    wav  1.0000  gd1973-06-10d4t05.wav
     6:04.35       64291964 B   ---   --   -----    wav  1.0000  gd1973-06-10d4t06.wav
     3:34.60       37890764 B   ---   --   -----    wav  1.0000  gd1973-06-10d4t07.wav
     3:13.21       34094636 B   ---   --   -----    wav  1.0000  gd1973-06-10d4t08.wav
   282:45.68     2992787300 B                            1.0000  (31 files)