Source Summary
flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008
Grateful Dead
Alpine Valley Music Theatre
East Troy, WI
July 19, 1989
Source: Sennheiser 441 > Marantz PDM 340 w/ dbx
Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack
Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz]
Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 >
r8brain to [16/44.1] > CD Wave > TLH > Flac
Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008
1st Set:
d1t01 Beer Barrel Polka Tuning
d1t02 Hell In A Bucket >
d1t03 Sugaree
d1t04 Mama Tried >
d1t05 Mexicali Blues
d1t06 Althea
d1t07 Victim Or The Crime
d1t08 West LA Fadeaway
d1t09 Desolation Row
d1t10 Deal
2nd Set:
d2t01 Tuning
d2t02 Box Of Rain
d2t03 Foolish Heart >
d2t04 Looks Like Rain >
d2t05 Terrapin >
d2t06 Drums //
d3t01 // Space >
d3t02 The Other One >
d3t03 The Wheel
d3t04 Morning Dew
Encore:
d3t05 Turn On Your Lovelight
Notes: Crossfades applied at tape flip after Althea and before Lovlight.
Most of the Drums were cut and the Space was cut into. For this reason no
crossfade was applied and drums were faded out and Space faded in.
Audio problems at beginning of Hell In A Bucket from PA.
Beer Barrel Polka Tuning after Althea