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 The Official Web Site of Tom Constanten



You can click here to visit a list of all the Tom Constanten shows that are available for download via www.archive.org.



 


You can click here to visit "Seconddose.com" the official website of Dose Hermanos (with Bob Bralove)  

Date Venue Circ Date - Added Checksums Comments Last Edit #
Source
05/19/90
Kane Hall, University of Washington, Seattle, WA 02/11/2023 - 02/11/2023 rh+tc+kj+mm1990-05-19.2496.ffp  [ zip for 163613 ] 0  02/18/2023 Add
Tom Constanten: FLAC 2496 Source: SBD > DAT by Bill Husie; DAT > MC (MX-90) via Caroline Welch
Transfer: MC (2 x MX-90) > Nak Dragon > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam HRE > PCM @ 2496
Master: Wavelab 11 (tracking, Ozone 9 Maximiser for level adjustments, DDI Codec / Dolby C @ -28.4 dBfs) > FLAC 2496 
05/19/90
Kane Hall, University of Washington, Seattle, WA 02/11/2023 - 02/11/2023 rh+tc+kj+mm1990-05-19.1644.ffp  [ zip for 163614 ] 0  02/18/2023 Add
Tom Constanten: FLAC 1644 Source: SBD > DAT by Bill Husie; DAT > MC (MX-90) via Caroline Welch
Transfer: MC (2 x MX-90) > Nak Dragon > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam HRE > PCM @ 2496
Master: Wavelab 11 (tracking, Ozone 9 Maximiser for level adjustments, DDI Codec / Dolby C @ -28.4 dBfs, resample, Lin dither) > FLAC 1644 
11/09/90
The Ritz, New York, NY 01/19/2013 - 10/24/2021 md5  ffp  [ zip for 154094 ] 0  10/24/2021 Add
Tom Constanten: Flac16
Nakamichi CM300/CP4 Shotguns>Sony-D5,Tape:That's CD-IV 90
Nakamichi MR-1>Korg MR-1000 @ 1Bit/5.6MHz > AudioGate Software To 32/96 Khz Wave > Dithered/Flacked With Korg Aqua To 16/44
Master Audience Recorded By Fitzy, Transfer By Keo 
11/09/90
The Ritz, New York, NY 01/19/2013 - 10/24/2021 md5  ffp  [ zip for 154095 ] 0  10/24/2021 Add
Tom Constanten: Flac24
Nakamichi CM300/CP4 Shotguns>Sony-D5,Tape:That's CD-IV 90
Nakamichi MR-1>Korg MR-1000 @ 1Bit/5.6MHz > AudioGate Software To 24/96 Khz
Master Audience Recorded By Fitzy, Transfer By Keo 
11/10/90
Somerville Theatre, Somerville, MA 05/12/2015 - 05/12/2015 md5  ffp  [ zip for 132974 ] 0  10/22/2021 Add
Tom Constanten: Flac16 :
(2) AKG 451 w/ck1s > dat 16/44.1 1st row mezz
lineage: dat 16/44>coax>PCM 501 16/44056>vhs recorded and transferred by sideshowbob
2nd transfer: vhs> PCM 601ESD >rca cables >ua55>audacity 16/44100 speed +0.1% >tlh taperchuck3 april 2015. 
11/15/90
Park West, Chicago, IL 10/31/2021 - 10/31/2021 md5  ffp  [ zip for 154191 ] 0  11/01/2021 Add
Tom Constanten: flac16
Master recording & transfer to 1st gen tape by legendary local taper Dewey Gill.
Analog to digital transfer and all other mastering by arfarf 2011-02-15 
11/16/90
Avalon Theater, Milwaukee, WI 02/03/2016 - 02/03/2016 md5  ffp  st5  [ zip for 135148 ] 0  10/22/2021 Add
Tom Constanten: Flac24:
SBD > DAT > cassette
Lineage: cassette > Teac W890R, heads aligned to each tape segment > maudio 2496 soundcard > Audacity @ 24/48, editing and tracking with Audacity > traderslittlehelper for flac 8 and checksums winamp for tagging
Transfer and all other mastering by arfarf, Feb. 3, 2016 
11/16/90
Avalon Theater, Milwaukee, WI 02/03/2016 - 02/03/2016 ffp  md5  st5  [ zip for 135149 ] 0  10/22/2021 Add
Tom Constanten: Flac16:
SBD > DAT > cassette
Lineage: cassette > Teac W890R, heads aligned to each tape segment > maudio 2496 soundcard > Audacity @ 24/48, editing and tracking with Audacity > 24/48 > 16/44.1 with r8brain, highest quality setting traderslittlehelper for flac 8 and checksums winamp for tagging
Transfer and all other mastering by arfarf, Feb. 3, 2016 
11/16/90
Avalon Theater, Milwaukee, WI 02/04/2011 - 10/22/2021 md5  [ zip for 154059 ] 0  10/22/2021 Add
Tom Constanten: Flac16
SBD>unknown record deck>Master tape>Maxell XLII-S 100 (no dolby)
Master recording & transfer to 1st gen tape by Dewey Gill.
Transfer:1st generation tape>Harmon Kardon TD 302, heads aligned to tape>CDRW-DA>WAV(Tracking via wavepad)>FLAC (level 8 ) & checksums created with traderslittlehelper
Mastering by arfarf, no EQ or other sweetening of what I am hoping is an accurate reflection of the source recording.
Tape to cdr transfer 2011-02-01 
11/17/90
Boulder Theatre, Boulder, CO 03/15/2011 - 10/25/2021 md5  ffp  [ zip for 154100 ] 0  10/25/2021 Add
Tom Constanten: Flac16
Nak cm-100s w/cp1 caps > d6 > MX 100
MX 100 > d6 (different d6 than recorded with) > V3 > PMD-661 > WAV@24/48 > Audacity 1.3.12 > WAV@16/44 > xACT1-71 > FLAC level 8
Taped and Transferred by Gris 
11/26/90
Warfield Theatre, San Francisco, CA 08/05/2018 - 10/25/2021 md5  ffp  orig.md5  orig.ffp  [ zip for 154103 ] 0  10/25/2021 Add
Tom Constanten: Flac16
B&K 4011's (110ยบ ORTF) > Neumann Power Supply > DAT 48k
Tascam DA20 MkII > Roland SRC-2 > Mac Mini > Audacity > Wave > Audacity > Flac 16/48
FOB* Recording : John Ammons & Rob Darroch
Edited & Mastered by Joe Noel 

https://archive.org/details/TomConstanten?sort=-publicdate&tab=about


RIGHTS

On October 13, 2003, TC gave permission for shows to be hosted at the Archive. He gave permission for Dose Hermanos as well as his other material (listed in a separate "Tom Constanten" section here):



To our inquiry, TC replied,

Re: Your music in the Live Music Archive?

Sounds great to me!

Cheers,

TC



TC says the Dead's policy works for him in this instance:



STATEMENT TO MP3 SITE OPERATORS

The Grateful Dead and our managing organizations have long encouraged the purely non-commercial exchange of music taped at our concerts and those of our individual members. That a new medium of distribution has arisen - digital audio files being traded over the Internet - does not change our policy in this regard. Our stipulations regarding digital distribution are merely extensions of those long-standing principles and they are as follow:



No commercial gain may be sought by websites offering digital files of our music, whether through advertising, exploiting databases compiled from their traffic, or any other means.

All participants in such digital exchange acknowledge and respect the copyrights of the performers, writers and publishers of the music.

This notice should be clearly posted on all sites engaged in this activity.

We reserve the ability to withdraw our sanction of non-commercial digital music should circumstances arise that compromise our ability to protect and steward the integrity of our work.

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Cached: Thu, 25 Apr 2024 18:10:12 EDT