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 The Official Web Site of Tom Constanten



You can click here to visit a list of all the Tom Constanten shows that are available for download via www.archive.org.



 


You can click here to visit "Seconddose.com" the official website of Dose Hermanos (with Bob Bralove)  

Date Venue Circ Date - Added Checksums Comments Last Edit #
Source
01/27/17
Cheese & Grain, Frome, UK 01/30/2017 - 01/31/2017 md5  ffp  [ zip for 137691 ] 0  09/18/2021 Add
Live Dead '69: Flac16
Church Audio CA-14 cardioids > CA-9200 > Edirol R-09HR @24/96 > Cool Edit Pro 2 > CDWave > TLH
Recorded 50' back, in front of soundboard Recording, transfer & artwork by boombox 
01/29/17
Phoenix Arts Centre, Exeter, UK 02/01/2017 - 02/01/2017 md5  ffp  [ zip for 137697 ] 0  10/23/2021 Add
Live Dead '69: Lineage: Church Audio CA-14 cardioids > CA-9200 > Edirol R-09HR (@24/96) > Cool Edit Pro 2 > CDWave > TLH Recorded 30' back, mics at 8', in line with house right stack Recording, transfer & artwork by boombox 
01/30/17
Wavendon stables, Milton Keynes, UK 02/01/2017 - 02/01/2017 md5  ffp  [ zip for 137699 ] 0  11/05/2021 Add
Live Dead '69: Zoom H2n > SD > Goldwave Tweaks > CDR A Disputandum Production 
02/03/17
Under The Bridge, London, UK 02/08/2017 - 02/08/2017 checksums.md5  [ zip for 137739 ] 0  02/08/2017 Add
Live Dead '69: excellent aud rec A+ Olympus LS 10 Profesor Z 
02/03/17
Under The Bridge, London, UK 02/10/2017 - 06/30/2017 Live Dead 69.ffp  [ zip for 138696 ] 0  06/30/2017 Add
Live Dead '69: Lineage: ZOOM H2N > Audacity > CDwave > TLH > flac Recorded, edited and mastered by the GratefulRed for GratefulRed Recordings. Recorded approximately 20' from the stage, level and slightly to the left of the sound desk. 
05/03/17
Revolution Live, Fort Lauderdale, FL 05/03/2017 - 06/30/2017 livedead692017-05-03.d100.spyder9.flac16.fpf.ffp  [ zip for 138694 ] 0  06/30/2017 Add
Live Dead '69: Source Nakamichi CM-1000 CP-101 (Sank P48) > Shure FP24 > Sony PCM-D100 (24/44.1) Lineage (24/44.1) WAV > Adobe Audition 3.0.1 > (16/44.1) WAV > Totalrecorder 8.6 > (16/44.1) WAV > Trader's Little Helper 2.7 > FLAC Taped by Daniel Nolan, Jr - spyder9 Transferred by Daniel Nolan, Jr - spyder9 
05/03/17
Revolution Live, Fort Lauderdale, FL 05/03/2017 - 06/30/2017 livedead692017-05-03.r05.spyder9.flac16.fpf.ffp  [ zip for 138695 ] 0  06/30/2017 Add
Live Dead '69: Source Nakamichi CM-1000 CP-101 (Sank P48) > Shure FP24 > Roland R-05 (24/44.1) Lineage (24/44.1) WAV > Adobe Audition 3.0.1 > (16/44.1) WAV > Totalrecorder 8.6 > (16/44.1) WAV > Trader's Little Helper 2.7 > FLAC Taped by Daniel Nolan, Jr - spyder9 Transferred by Daniel Nolan, Jr - spyder9 
05/16/17
Westcott Theatre, Syracuse, NY 06/06/2017 - 06/06/2017 ffp  md5  [ zip for 138471 ] 0  09/18/2021 Add
Live Dead '69: Flac16
Location: front of mixer, 4.5 ft left of center, 25ft from stage lip
Mic config: stereo bar/AKG H-85 shock mounts(13" split), Large Manfrotto air-cushioned stand @ 8.5 ft, no windscreens. mics aimed just outside PA stacks.
Source: 2 AKG c414b-uls'(hyper-cardioid)>GAKables xlr(15')>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz
Transfer,editing,mastering & conversion: Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>CD Wave v1.98(tracking)>FLAC24 via TLH v2.7.0(level 8), tag w/Tag Scanner 6.0.21, ffp & md5-TLH
Recording, transfer, editing, mastering & conversion by Steven Weld ~ sunboy@verizon.net
 
05/16/17
Westcott Theatre, Syracuse, NY 06/06/2017 - 06/06/2017 ffp  md5  [ zip for 138472 ] 0  09/18/2021 Add
Live Dead '69: Flac24
Location: front of mixer, 4.5 ft left of center, 25ft from stage lip
Mic config: stereo bar/AKG H-85 shock mounts(13" split), Large Manfrotto air-cushioned stand @ 8.5 ft, no windscreens. mics aimed just outside PA stacks.
Source: 2 AKG c414b-uls'(hyper-cardioid)>GAKables xlr(15')>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz
Transfer,editing,mastering & conversion: Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>CD Wave v1.98(tracking)>FLAC24 via TLH v2.7.0(level 8), tag w/Tag Scanner 6.0.21, ffp & md5-TLH
Recording, transfer, editing, mastering & conversion by Steven Weld ~ sunboy@verizon.net 
05/18/17
The Music Hall, Ardmore, PA 05/19/2017 - 05/20/2017 md5sum.md5  fingerprint.ffp.txt  [ zip for 138308 ] 0  05/20/2017 Add
Live Dead '69: source : schoeps mk4v (din) > kc5 (mod) > nbox platinum > roland r5 > 24/44 adobe audition > ozone 5 > xact 2.39 > flac 16/44 taper : edtyre : location : left corner raised section 12 feet up 
10/26/17
Toad's Place, New Haven, CT 10/26/2019 - 10/23/2021 Set I.md5  Set I.ffp  Set I.st5  Set I.shntool_len.txt  Set II.md5  Set II.ffp  Set II.st5  [ zip for 154073 ] 0  10/23/2021 Add
Live Dead '69: Flac16
Teac VR-10 with internal Mics > Post: Increased gain +8
Location: 25 ft. from stage center
Recorded/Photographed and Video Taped by: ThoseSpacesInBetween/PlanetFunCamp
Attendees: Lisa E. 
10/27/17
Colonial Theatre, 111 South Street, Pittsfield, MA 11/03/2017 - 11/04/2017 2017-10-27 The Airplane Family, Live Dead & Riders '69 Pittsfield MA.md5  [ zip for 139704 ] 0  11/04/2017 Add
Live Dead '69: SB > Wav (48/16) > Cool Edit Pro (downsample to 44/16, normalize, minor edits) > Wav > Trader's Little Helper > FLAC 8 (no SBE) 

https://archive.org/details/DoseHermanos


RIGHTS

On October 13, 2003, TC gave permission for shows to be hosted at the Archive. He gave permission for Dose Hermanos as well as his other material (listed in a separate "Tom Constanten" section here):



To our inquiry, TC replied,

Re: Your music in the Live Music Archive?

Sounds great to me!

Cheers,

TC



TC says the Dead's policy works for him in this instance:



STATEMENT TO MP3 SITE OPERATORS

The Grateful Dead and our managing organizations have long encouraged the purely non-commercial exchange of music taped at our concerts and those of our individual members. That a new medium of distribution has arisen - digital audio files being traded over the Internet - does not change our policy in this regard. Our stipulations regarding digital distribution are merely extensions of those long-standing principles and they are as follow:



No commercial gain may be sought by websites offering digital files of our music, whether through advertising, exploiting databases compiled from their traffic, or any other means.

All participants in such digital exchange acknowledge and respect the copyrights of the performers, writers and publishers of the music.

This notice should be clearly posted on all sites engaged in this activity.

We reserve the ability to withdraw our sanction of non-commercial digital music should circumstances arise that compromise our ability to protect and steward the integrity of our work.

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Cached: Tue, 9 Aug 2022 19:21:18 EDT