Music List for trailmix
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[]------| | Bill Graham Memorial | |------[] |
Date | City | State | Venue | Source Notes | Source Link | |
San Francisco | CA | Polo Field Golden Gate Park |
[]------| | Derek Trucks Band | |------[] |
Date | City | State | Venue | Source Notes | Source Link | |
Honolulu | HI | Aloha Tower |
[]------| | Garcia | |------[] |
Date | City | State | Venue | Source Notes | Source Link | |
San Carlos | CA | Boar's Head Coffeehouse | Garcia, Leicester & Hunter: MA? (Probably MAR taped by Rodney Albin, mics onstage) > ? > CD > EAC (secure) > Cool Edit > CDWAV > mkwact > SHN(seekable), EAC>SHN by Matt Vernon. | Source Detail | Source Detail | |
San Carlos | CA | Jewish Community Center | Sleepy Hollow Hog Stompers: Master Audience (?) Reel (Scotch 150) > playback on Technics RS 1520 @ 7-1/2 ips no dolby > first gen reel (Scotch 207 recorded via Otari MX5050 @ 7-1/2 ips no dolby) > playback on Technics RS1506 > Tascam DA-40 DAT > Tascam CD-RW700 master CD > CDs > HP 9350i extraction using EAC > .shn encoding using mkwACT. | Source Detail | Source Detail | |
Palo Alto | CA | Top of the Tangent | Wildwood Boys: Garcia, David Nelson, Robert Hunter and Norm Van Mastricht. Aud (unknown Source) Master Reel > Reel > FM > Cass > Dat > CD > EAC > SHN. DAT > CD and EAC > SHN by Scott Mogol. | Source Detail | Source Detail | |
Palo Alto | CA | Top of the Tangent | Jerry & Sara Garcia: Possibly MAR > R > FM > Cass > DAT > CDR. | Source Detail | Source Detail | |
Palo Alto | CA | Top of the Tangent | Mother McCree's Uptown Jug Champions: Master Tape > Rosoft Audio Tools > CD > EAC > WAV > SHN. | Source Detail | Source Detail | |
Boston | MA | WBCN-FM Studios | Garcia, Weir & Allman: FM MASTER REEL > 2ND GEN (?) REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC, via Dave Tamarkin. | Source Detail | Source Detail | |
San Francisco | CA | The Matrix | JGMS: MSR @ 7.5ips > reel @ 7.5ips > reel @ 7.5ips > Apogee Mini ME 24/96 > Apogee Mini DAC (monitoring) > Wavelab 5.0 (dithered to 20/44) > CD > EAC > FLAC. Transfer by Matt Smith, FLAC encoding by ecocats. | Source Detail | Source Detail | |
San Francisco | CA | Pacific High Recording Studio | Garcia & Saunders: Kahn, Kreutzmann, Vitt; FM Broadcast, KSAN | Source Detail | Source Detail | |
Passaic | NJ | Capitol Theater | OAITW: 7" 1/2 track master soundboard reels @ 7.5ips > Sony TC-388 (4-track) playback > Revox A77 1st gen reel (no Dolby) > AKAI GX-625 playback > Apogee Mini Me @ 24 bit/48K > Apogee Mini DAC (for monitoring) > Lynx One soundcard > Wavelab 5.0 > CD > EAC > FLAC. | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | JGMS: MSR > DAT4x > Delta DIO 2496 > Soundforge > WAV > CD Wave Editor > FLAC. | Source Detail | Source Detail | |
New York | NY | Bottom Line | Legion of Mary: early and late shows; SBD (DAT: MSR>1R>P>D>???>CD>SHN); this copy missing reels 3,5 of the Betty Boards; via T. Livingston | Source Detail | Source Detail | |
Chicago | IL | Arie Crown Theater | Legion of Mary: Mreel> Reel> Pcm> Dat> Cd> Eac> Shn.Very Brief PCM pop before the begining of Mississippi Moon; [txt/md5s] | Source Detail | Source Detail | |
Berkeley | CA | Keystone | Legion of Mary: SBD>15 ips reel>15ips reel> DAT> Sony R500> Genesis Digital Lens> Fostex CR200> CD> WAV(EAC)> SHN; How Sweet It Is cut on master reel; via Tom Livingston; different mastering from other shn set | Source Detail | Source Detail | |
San Francisco | CA | Great American Music Hall | Legion of Mary: SBD > Vault Reel > 1C?(*see note below) > DAT > CD-R > EAC *** This version includes the missing 2 songs not include with the previously circulating copy | Source Detail | Source Detail | |
Berkeley | CA | Keystone | JGB; shnf; MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 >CD > EAC > CD > EAC > SHN via Jack Warner | Source Detail | Source Detail | |
Boston | MA | Orpheum Theatre | JGB, early show: probable MSC (TDK SD90) > 20-bit transfer via TC2000 > SBM2 CD dump > CD clone > extraction (EAC v0.95 beta 4) > FLAC encoding (FLAC Frontend v1.7.1 etree addition) > decode > tracking (CD Wave) > pitching and patching (see notes) > shn > decode (TLH v1.0.0 Beta-1 Build 72) > sector boundary alignment (shntool v2.0.3) > level 8 FLAC encoding (TLH v1.0.0 Beta-1 Build 72). Source CDs from David Gans, editing by BCP. | Source Detail | Source Detail | |
New York | NY | Queens College | JGB: Gerry Moskal's Sony Stereo ECM mics > SONY TCD126; Location: "A Sweet Spot"; Analog Lineage: Gerry Moskal Master Cassette Transfer > RR > Cassette; Transfer/SHN Conversion: Brian Mandel Cassette Transfer Nakamichi BX300 > Macintosh > Peak Bias > JAM > cdr > EAC > MKW > shn. | Source Detail | Source Detail | |
Passaic | NJ | Capitol Theater | JGB, early & late shows: Ihor Slabicky's MAC (AKG d190e mics > Sony TC-152SD [Ampex 90m HF]) > Nakamichi CR-3A playback > Lucid AD9624 24 bit A/D converter (44.1 kHz) > DAT (Sony R500) > CD > FLAC via GEMS. | Source Detail | Source Detail | |
Berkeley | CA | Keystone | JGB; flac1644: 2 x Sony ECM-270 > Sony TC-152 >> MAC >> Nakamichi CR7a > Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 > Korg AudioGate >> WAV [24/96] >> MOTB.0078. Taped By: Reinhart Hohlwein. Transfer By: Bob Menke. Mastering By: Jamie Waddell. |
Source Detail | Source Detail | |
Berkeley | CA | Keystone | Jerry Garcia Band: Sbd> Mreel> Reel> Pcm> Dat> CDr | Source Detail | Source Detail | |
Berkeley | CA | Keystone | JGB, Ip/II: MSC > DAT > Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) - Green Mountain Bros. | Source Detail | Source Detail | |
Boston | MA | Orpheum Theater | JGB, Early & Late Shows: Steve Hopkins MAC (Sony ECM-99a > Sony TC-158SD; Maxell UD-XLI; some patches from Steve Rolfe MAC, Sony ECM-99a > Sony TC-158SD) > Nakamichi Dragon playback > ART DI/O (96Mhz/24 bit)> Digital Audio Labs Card Deluxe soundcard > HD Editing performed in Adobe Audition; Dithered and downsampled to 44.1 MHz / 16 bit; Flac Encoded. Transfer by David Minches. | Source Detail | Source Detail | |
Albany | NY | Palace Theatre | Jerry Garcia Band: SBD -> Cm -> Apogee AD1000 -> Dat (Panasonic SV3800); transferred by Charlie Miller | Source Detail | Source Detail | |
Stony Brook | NY | Gym, S.U.N.Y. | JGB, set II: pitch-corrected version of shnid 4444 (Nak 300s MAC > DAT > CD). | Source Detail | Source Detail | |
San Francisco | CA | The Stone | JGB: John Angus and Scott Hart's uncertain mics > Sony TC-D5 (Maxell UD-XLIIs) MAC; Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > CD/0 > EAC > CDWave > FLAC level 8. Cassette transfer by slipnut. | Source Detail | Source Detail | |
Upper Darby | PA | The Tower Theatre | JGB, Late Show: Charlie Connor's FOB Sony-ECM990 (Stereo Mic) > JVC 1636-MKII (TDK SA-C90) MAC; Transfer: Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1 > CDWav beta1.57 (tracking only) > flac16. Transferred by Charlie Connor. | Source Detail | Source Detail | |
Stony Brook | NY | Gym (SUNY) | JGB: Charlie Connor's FOB MAC (Sony-ECM990 [Stereo Mic] > JVC 1636-MKII [Maxell UDXLII])> Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1 > CDWav beta 1.57 (tracking only) > flac16. Taped and transferred by Charlie Connor. | Source Detail | Source Detail | |
Hempstead | NY | Calderone Theatre | JGB, Early Show: Charlie Connor's FOB (Ctr Orch,Row R, Seat 101) Sony-ECM990 (Stereo Mic) > JVC 1636-MKII MAC (Maxell UDXLII); Transfer: Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1 > CDWav beta1.57 (tracking only) > flac. Transferred by Charlie Connor. | Source Detail | Source Detail | |
Passaic | NJ | Capitol Theater | Jerry Garcia Band, Late Show: MAC > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Extraction and .shn encoding by Joe Jupille. | Source Detail | Source Detail | |
Passaic | NJ | Capitol Theater | Jerry Garcia Band, Late Show: MAC > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Extraction and .shn encoding by Joe Jupille. | Source Detail | Source Detail | |
Palo Alto | CA | Keystone Palo Alto | JGB: Dick Latvala's MAC > cassette 1 (J Knudsen) > Manley SLAM! > Anagram ADC (16/44.1) > HHB CDR 850 > CD > EAC > WAV > FLAC (level 8). | Source Detail | Source Detail | |
Glassboro | NJ | Esby Gymnasium (Glassboro State College) | Jerry Garcia Band: Nak DM500 > master cassette > DAT > CDR > shn. Originally recorded by Jim Vita. | Source Detail | Source Detail | |
Berkeley | CA | Keystone | JGB: MSC > DAT > CD > FLAC. | Source Detail | Source Detail | |
Fairfax | CA | Fairfax Pavilion | Jim Vita's MAC (2 Nak 300s > Sony D5) > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Flac, transfer by David Minches. Show with Phil Lesh. | Source Detail | Source Detail | |
Upper Darby | PA | The Tower Theatre | JGB, early & late: John Levene's Nak 300 + cp4 (shotguns) > Marantz CD330; Yamaha K-1020 playback > Sony SBM-1 > Nomad JB3 > Creative Play Center > Soundforge v6e > CDWav; Creative Play Center software used to copy to laptop. Soundforge used to prep file for tracking. CDWave used to track and flac at level 8 compression. | Source Detail | Source Detail | |
Denver | CO | Rainbow Music Hall | Jerry Garcia Band: Unknown Audience Recording | Source Detail | Source Detail | |
Palo Alto | CA | Keystone Palo Alto | JGB, set I: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac. | Source Detail | Source Detail | |
Palo Alto | CA | Keystone Palo Alto | JGB: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac. | Source Detail | Source Detail | |
New York | NY | Roseland Ballroom | JGB, I/IIp: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > FLAC, transfer by David Minches. | Source Detail | Source Detail | |
Cleveland | OH | Cleveland Music Hall | JGB: Matrix (SBD/AUD mix). See info file for details. | Source Detail | Source Detail | |
Upper Darby | PA | Tower Theater | JGB: MAC (2 Sennheiser 441s > Sony D-5) > 1st gen cassette > Nakamichi Dragon playyback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, xfer by David Minches. | Source Detail | Source Detail | |
Santa Cruz | CA | Civic Auditorium | JGB: Tom Pinney MAC (Beyer M88 [FOB Center, 20' from stage, XY 90 degrees] > Sony D5) > 1st gen cassette > JVC TD-V1050 cassette deck > Lynx Two A/D (24-bit, 44.1kHz) > Wavelab 6.0. | Source Detail | Source Detail | |
Piercy | CA | French's Camp on the Eel River | JGB & JGAB: SBD + AUD Matrix Mix (60%-SBD/40%-AUD) | Source Detail | Source Detail | |
Piercy | CA | French's Camp on the Eel River | JGB & JGAB: DTS-Audio-CD 5.1 Mix; SBD: CM > DAT > DAT R500 > M-Audio 24/96 > CD Wave > FLAC; AUD: FOB: Schoeps CMC44s > Sony PCM F1 (Taper: Sean Webber Small). Mix by Dan @ amdig. See info file for extensive technical notes. | Source Detail | Source Detail | |
New York | NY | Lunt-Fontanne Theatre | JGAB, early show: DSBD, pitch fix for shnid 82275 via FLAC > WAV > Vegas 6.0d > FLAC by mattman. | Source Detail | Source Detail | |
New York | NY | Lunt-Fontanne Theatre | JGB, early show, electric set: B. Koucky's MAC (Orchestra Nakamichi 300s > D5) > D5 (C1) > C1 playback on Nakamichi DR2 > Presonus Firebox > firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8). Transfer/mastering by C.Ladner. | Source Detail | Source Detail | |
New York | NY | Lunt-Fontanne Theatre | JGB & JGAB, Late Show: Orchestra Nakamichi 300s > D5 (MAC) > D5 (C1) > C1 playback on Nakamichi DR2 > Presonus Firebox > firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8). Recording via B.Koucky. Transfer/mastering by C.Ladner. | Source Detail | Source Detail | |
Los Angeles | CA | Wiltern Theater | Jerry Garcia Band: MSC > DAT > CDR > WAV > SHNv3. | Source Detail | Source Detail | |
Piercy | CA | French's Camp on the Eel River | Jerry Garcia Band: MAD (Schoeps CMC3-MK4) > playback on Panasonic SV-3800 > HHb CDR-850 > CDR > WAV > SHN | Source Detail | Source Detail | |
Columbia | MD | Merriweather Post Pavilion | Jerry Garcia Band: Schoeps CMC-44 (FOB) > Oade pre-amp > Sony PCM-F1 > Sony SL 2000 (Beta). Possible re-DAE and re-.shn of existing .shn set. | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | Jerry Garcia Band: MAD (Taped by Jeff Travitz, FOB hand-held Schoeps CMC34 [ORTF] > Oade power supply > SV250) > ? > SHN. | Source Detail | Source Detail | |
East Rutherford | NJ | Meadowlands Arena | JGB: Unknown taper, Sennheiser 2002's (FOB, left of center) > Sony D5 (3rd deck in chain) > master cassette > 1st gen cassette > Nakamichi Cassette Deck 2 playback > RCA > UA-5 > USB > WinXP Pro > CEP 2.0 > CD Wave Editor > Flac Frontend > FLAC16. | Source Detail | Source Detail | |
Mansfield | MA | Great Woods Center for the Performing Arts | JGB: matrix of SBD (shnid 27358) and AUD (shnid 14311) by dan at amdig dot com. | Source Detail | Source Detail | |
Old Orchard Beach | ME | Seashore Performing Arts Center | Jerry Garcia Band: MAC (Taped by Glenn Gardner, Sennheiser ME80s > Sony D-5) > DAT > CDR > WAV > SHN. CDR and SHN encoding via A.Lemieux and C.Ladner. | Source Detail | Source Detail | |
San Francisco | CA | Warfield Theater | Source: Schoeps CMC3-MK4 (110 degrees ORTF hand held under sweatshirt at drink rail)>Oade pre-amp>Panasonic SV255>D>D>WAV>SHN. Taper: unknown at this time. | Source Detail | Source Detail | |
San Francisco | CA | Warfield Theater | Jerry Garcia Band: FOB->B+K 4011->Neumann PS->Dat->CD >EAC>SHN Dat->CD Done by Charlie Miller. | Source Detail | Source Detail | |
San Francisco | CA | Warfield Theater | Jerry Garcia Band: Source: AUD (unknown mics) > DAT > CDR > SHNv3; Taper: unknown. Seeder suspects lineage to be FOB (Schoeps CMC3/MK4) - confirmation pending. | Source Detail | Source Detail | |
San Francisco | CA | Warfield Theatre | Jerry Garcia Band: Dank Certified: FOB Schoeps CMC34> Oade Power Supply > Panasonic SV-255 Tranfer: DAT clone (Sony DTC-A6) > Dio 2448 > Soundforge 4.5 > CD WAV > Shn by Bill Gardner, bgardner@telocity.com | Source Detail | Source Detail | |
Squaw Valley | CA | Goldcoast Concert Bowl | Jerry Garcia Band: Bill Reutelhuber DAUD/DSBD matrix > FLAC. See text file for details. | Source Detail | Source Detail | |
Landover | MD | Capital Centre | Jerry Garcia Band: FOB (Schoeps 34 > Oade) > DAT > CDR > WAV > SHN. Taper: unknown. CDR source via H.Angus. DAE,SHN encoding, FTP hosting via C.Ladner/candyman FTP. | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | JGB (16bit/48kHz): Taper: Clay Brennecke Location Rig: IFOB (in sweet spot, DFC 35' from stage) ~ Schoeps MK4's > Custome Oade Pre Amp > Panasonic SV-255 Transfered: John E. Herrold Transfer Linage: Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV | Source Detail | Source Detail | |
Charlotte | NC | Charlotte Coliseum | Jerry Garcia Band: AUD (mics unknown) > DAT > CDR > WAV > SHN. SHN encoding/FTP via Chris L./candyman FTP. | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | Jerry Garcia Band: FOB SCHOEPS> TASCAM DAT> CDR> WAV> SHNv3(seekable) | Source Detail | Source Detail | |
Hartford | CT | Hartford Civic Center | JGB: John Mutterperl's FOB Schoeps CMC 44 blue dot cards with 90 degree capsule offsets > 6' Monster M1000 cable -> Oade PS-> 1' Monster M1000 > Oade mod'd Panasonic Sv-255. Mics were hung from a necklace, just under chin height with roughly a 4 inch spread and 90 degree angle. MAD > B. Fried DAT > B. Koucky DAT > Sony PCM-R500 playback > S/PDIF > Presonus Firebox > Firewire > PC, XP Pro > Wavelab 5 (recorded as 24 bit/48 KHz WAV) > Waves L3 Multimaximizer, high res CD rendering settings (Waves IDR type I dither/ultra shaping) > 16 bit/44.1 KHz WAV > CDWAV 1.9 > WAV > FLAC (level 8). Transfer and encoding by C.Ladner. | Source Detail | Source Detail | |
Rochester | NY | Rochester Community War Memorial | JGB: Anne Cohen's Schoeps CMC5’s (FOB, handheld) > Panasonic SV255 > Sony TCD-D3 (48k DAT); Sony PCM500 > Zefiro Acoustics ZA2 > Tracked using Sound Forge 4.5 and CD Architect. | Source Detail | Source Detail | |
Oakland | CA | Henry J. Kaiser Convention Center | Jerry Garcia Band: unknown taper, FOB Schoeps CMC34 Cardiod (ORTF) > MIT Cables > Oade Power Supply > Panasonic sv255. Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging. | Source Detail | Source Detail | |
San Francisco | CA | Warfield Theater | Jerry Garcia Band: FOB>Schoeps mk4>Dat>CD (Dat>CD Transfer done by Charlie Miller) | Source Detail | Source Detail | |
San Francisco | CA | Warfield Theater | Jerry Garcia Band: DANK CERTIFIED: FOB Schoeps CMC34 > Oade Custom Power Supply > Panasonic SV-255 DAT @48KTranfer: DAT Clone (Sony DTC-A6) > Dio 2448 > Soundforge 4.5 (resample, addfades) > CD WAV > SHN via MKW .97 (no DAE) by Bill Gardner, bgardner@telocity.com | Source Detail | Source Detail | |
Sacramento | CA | Cal Expo Amphitheater | Jerry Garcia Band: AUD (mics and taper unknown) > DAT > CDR > WAV > SHN. CDR source provided by J.Steinhaus. DAE (EAC 0.9 beta 4, offset corrected, secure mode) > tracking (CDWAVE) > SHN (Shorten 3.4) > FTP via C.Ladner/candyman FTP. | Source Detail | Source Detail | |
Universal City | CA | Universal Amphitheater | Jerry Garcia Band: Chip Copeland's FOB Beyer 201's (90º) > Panasonic sv255; Transfer: 16 bit – 48kHz DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither; Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging. | Source Detail | Source Detail | |
Ventura | CA | Ventura County Fairgrounds | Jerry Garcia Band: Set 1 - FOB (AKG480) > DAT > CDR> WAV > SHN; Set 2 - FOB (Senn 421) > DAT > CDR > WAV > SHN, via Chris Ladner. | Source Detail | Source Detail | |
Laguna Hills | CA | Irvine Meadows Amphitheater | Jerry Garcia Band: flac1648; FOB > Schoeps > DAT @ 48k; Transfer: Fostex D5 > Zoltrix 24/96 > Wavelab 5.0 @ 48k(normalized to -1db, edits,crossfades) > Cd Wave > 16/48 FLAC. | Source Detail | Source Detail | |
Chula Vista | CA | Devore Field (Southwestern College) | Jerry Garcia Band: unknown taper, FOB Sennheiser MD 421 > Panasonic sv255; Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither. Encoding by Dazed64. Tracked in CDwave, FLACd Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging. | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum Arena | Jerry Garcia Band: set II: unknown taper, FOB Schoeps CMC34 > Panasonic sv255. Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging. | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum Arena | Jerry Garcia Band:Schoeps MK-4V (FOB); DA-20 > Apogee SPDIF > ZA2 > CDR; via Andy Gustin | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum Arena | Jerry Garcia Band:Schoeps MK-4V (FOB); DA-20 > Apogee SPDIF > ZA2 > CDR; via Andy Gustin | Source Detail | Source Detail | |
San Francisco | CA | Warfield Theater | Jerry Garcia Band: FOB (Schoeps) DAUD > CDR ; fixed shn of already circulated shn copy, by T. Wiley. | Source Detail | Source Detail | |
San Francisco | CA | Candlestick Park | Jerry Garcia, Bob Weir & Vince Welnick: TV broadcast > cassette > wav > .shn. | Source Detail | Source Detail | |
East Rutherford | NJ | Brendan Byrne Arena | JGB: Schoeps MK41's > Reutelhuber preamp > Casio DAR-100 (Recorded at 44.1khz) FOB in Section 8; DAT CLONE directly from Master played back on Sony TCD-D10PROII > Edirol R-4 > WL5 (Fades) > CDWAV > FLAC. | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | JGB (16 bit/48kHz): Clay Brennecke IFOB (Floor Section 2, Row 13, Sets 8 & 10) ~ Schoeps MK4's > Custome Oade Pre Amp > Panasonic SV-255 Transfered: John E. Herrold Transfer Linage: Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV. | Source Detail | Source Detail | |
Rochester | NY | Rochester War Memorial | JGB (16bit/48kHz)): Clay Brennecke IFOB (Floor Section 42, Row 23, Sets 13 & 15) ~ Schoeps MK4's > Custome Oade Pre Amp > Panasonic SV-255 Transfered: John E. Herrold Transfer Linage: Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV | Source Detail | Source Detail | |
Landover | MD | US Air Arena | JGB: Clay Brennecke's FOB Schoeps MK4's > Custome Oade Pre Amp > Panasonic SV-255 Master Dat> Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV > Flac | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | JGB: Schoeps MK4s > Schoeps KC5 Active Cables > Schoeps CMC3 > Oade Mic Preamp > Panasonic SV-255. Recorded by Clay Brennecke and Keith Litzenberger FOB in Section 2 Row U. DAT>TASCAM DA-30MKII>M-Audio Audiophile 192>Wavelab 5.0 (Fades & Sample rate conversion)>CDWAV>FLAC. | Source Detail | Source Detail | |
San Francisco | CA | Warfield Theater | Jerry Garcia Band: MAD("vintage neumann"/KM54s?)>DAT>CDR>WAV>SHN. Taper: Chuck and Janet Vasseur. | Source Detail | Source Detail | |
San Diego | CA | Starlight Bowl | Jerry Garcia Band: MAD (AT831b > D7 FOB) > D > CDR > EAC > WAV > FLAC. Taper: unnamed. Note: this originally circulated as Neumann KM140s > Panasonic SV 255, but the AT setup has apparently been confirmed by the taper. | Source Detail | Source Detail | |
San Francisco | CA | Warfield Theatre | Jerry Garcia Band: FOB Neumann KM-140 > SV255 > DAT > Tascam CDRW 700 > CD > EAC > SHN. | Source Detail | Source Detail |
[]------| | Grateful Dead | |------[] |
Date | City | State | Venue | Source Notes | Source Link | |
Los Angeles | CA | Carthay Studios | flac16; SBD > Rm > Reel > Dat > CD > EAC > CDWav > Flac EAC and Tracking by Ihor Slabicky Seed provided by Paul Scotton |
Source Detail | Source Detail | |
San Francisco | CA | Avalon Ballroom | flac16; SBD > Reel > DAT > Sonic Solutions > DAT > DAT > CDR > EAC > CD Wave > FLAC | Source Detail | Source Detail | |
San Francisco | CA | Fillmore Auditorium | SBD -> Reel Master (10 Inch Reels @ 15ips 1/2trk) -> Dat -> Sonic Solutions -> CD -> EAC -> SHN; Converted To SHN By Charlie Miller. Upgrade now in circulation. | Source Detail | Source Detail | |
San Francisco | CA | Fillmore Auditorium | SBD -> Reel Master (10 Inch Reels @ 15ips 1/2trk) -> Dat -> Sonic Solutions -> CD -> EAc -> SHN; Converted To SHN By Charlie Miller | Source Detail | Source Detail | |
Vancouver | BC | P.N.E. Garden Auditorium | probably MR> C> DAT> CDR> EAC> WAV> SHN; from pre-FM David Gans seed; may circulate with or without DSO filler | Source Detail | Source Detail | |
Vancouver | BC | P.N.E. Garden Auditorium | flac16; SBD>10" 1/2 track 15ips MR>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>cdwave>Flac | Source Detail | Source Detail | |
San Francisco | CA | Fillmore Auditorium | flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | Studio: 1st album outtakes | Source: sbd>mc>cass>cd>eac>shn by Teri Kimbro. This is an sbefix of shnid 21295. | Source Detail | Source Detail | |
Various | CA | Acid Tests | Acid Test compilation; via Alan Bershaw, Thomas Wulf; includes 1/8/66, 1/29/66, 3/12/66, 10/2/66, 10/31/66, ??/??/65, 7/23/67, ??/??/67; supplements to this set also circulate | Source Detail | Source Detail | |
Various | Compilation | Various | flac16; SMRs>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>CD Wave Editor>FLAC | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | SBD > MR > ? > CD; Seeded to etree by A.J. Fink | Source Detail | Source Detail | |
Monterey | CA | Monterey County Fairgrounds | SBD: MR> Cass> DAT> ZA2> CD; exception: Alligator -> Caution has no cassette gen, and may not even be from same show; CD seed via D. Hollister; original to abgd, to etree 6/00; upgrade now in circulation | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | SBDmR> Cass> DAT> Sonic Solutions via D. Gans> CDR; via Ben Yerys; upgrade now in circulation | Source Detail | Source Detail | |
San Francisco | CA | Carousel Ballroom | flac16; Recording Info: SBD -> (8 Track) Master Reel -> Dat -> CD -> FLAC Transfer Info: FLAC -> Samplitude Professional v10.02 -> FLAC Transferred and Remastered By Charlie Miller (note: this source contains officially released, copyrighted material) | Source Detail | Source Detail | |
San Jose | CA | Santa Clara County Fairgrounds | flac16; Source: Jorma Kaukonen’s On Stage Mic > Reel to Reel Master > DAT x 1 Transfer: playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard > HD as 24 bit/96 KHz WAV Mastering: WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer by Chris Ladner July 2007, Mastering Bill Koucky September 18, 2008 Green Mountain Bros | Source Detail | Source Detail | |
San Francisco | CA | Fillmore West | flac16; Source: Soundboard Reels > ? > DAT Transfer: Panasonic SV-3700 > Korg MR-1 DSD [1 Bit/2.8 Mhz] Mastering: AudioGate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > AudioGate to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. July 8, 2008 | Source Detail | Source Detail | |
Los Angeles | CA | Shrine Exposition Hall | updated lineage: 8 track multitrack Reels> "Sonic Wizardry"> DAT> Cassette> DATs> CDRs> EAC> SHN;? via Darrin Sacks, who reports: "Not a note of this material appears on Two From The Vault.?It turns out that TFTV is composed exclusively of 8.24.68" (go buy that); with unknown (8/29/68?) filler | Source Detail | Source Detail | |
Sultan | WA | Betty Nelson's Organic Raspberry Farm | Recording Info: SBD -> Master Reel (Three half-inch four track reels, recorded on Ampex 440) -> Dat (Tascam DA30/44.1k); Transfer Info: Master Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (1 Disc Audio / 1 Disc SHN); Transfered and Edited By Charlie Miller 2/5/04 | Source Detail | Source Detail | |
Berkeley | CA | Berkeley Community Theater | flac16; SBD > Master Reel > Cassette > Dat > CD > Adobe Audition v1.5 > CD Wave > FLAC; Transfer and Mastering by Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | Avalon Ballroom | flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | Avalon Ballroom | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Hallandale | FL | Gulfstream Park Racetrack | MSC> D> CD> EAC> SHN; Dropouts d2 7:22, d3 7:17; via Steve Barbella with thanks to Seth Kaplan | Source Detail | Source Detail | |
Hallandale | FL | Gulfstream Park Racetrack | flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Santa Barbara | CA | Robertson Gym, U.C.S.B. | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | Avalon Ballroom | Complete; SBD> MSR> C> DAT> CD> SHN; via Seth Kaplan | Source Detail | Source Detail | |
San Francisco | CA | Avalon Ballroom | set 2; SBD:MR> Cass> DAT> ZA2> CD; via David Hollister, Jeff Sachs to abgd; 12/00: noted at gdlive.com | Source Detail | Source Detail | |
San Francisco | CA | Avalon Ballroom | MSR> C> DAT> CD; via Seth Kaplan, Darrin Sacks; with fixed track boundaries; tracked for 1x80; see flaw notes in info file; note material from this date also appeared on Live Dead- go buy it | Source Detail | Source Detail | |
Kansas City | KS | Soldiers & Sailors Memorial Auditorium | SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Chuck Gannon | Source Detail | Source Detail | |
St. Louis | MO | Kiel Auditorium | SBD> MC> D> CD> EAC> SHN; Soundforge used for pitch correction and pop removal; edited, encoded, vined by J. Cotsman; with thanks to Paul Hartman | Source Detail | Source Detail | |
Pittsburgh | PA | Stanley Theater (Early, Late) | Late Show ; SBD> MC(Bear Owsley)> DAT (Rob Eaton)> (Jim Wise) HHb>CDR ; Seeded to Etree by T. Wiley | Source Detail | Source Detail | |
Pittsburgh | PA | Stanley Theater (Early, Late) | Early Show; SBD> MC (Bear Owsley)> DAT (Rob Eaton)> (Jim Wise) HHb> CDR ; Seeded to Etree by T. Wiley | Source Detail | Source Detail | |
New York | NY | Fillmore East (Late Show) | late show; SBD> MR> C> D> CD> EAC> SHN; edited, shned, vined by J. Cotsman; with thanks to Jeff Cook; Missing Dupree's, Mountains | Source Detail | Source Detail | |
Philadelphia | PA | Electric Factory | MSR (7" @ 7.5 ips 1/2 track) > Tascam 122mkIII 1st gen. cassette > Nak Dragon playback > Sony PCM R-700 DAT > ZA2 > wav (Sound Forge) > CD (CD Architect) > unknown CD gens > EAC (test & copy, secure mode, offset corrected) > sector boundary verification (shntool) > seekable .shn (mkwact). DAT conversion and CD mastering by aoxoa, CD > SHN by D. Winters. | Source Detail | Source Detail | |
Vallejo | CA | Dream Bowl | Speed corrected SBD >MR> ?> DAT> CDR; via The Owen Brothers Vault; See info file for details | Source Detail | Source Detail | |
Vallejo | CA | Dream Bowl | SBD>MR>DAT>CDR; Mastering by The Owen Brothers Vault; see info file for details | Source Detail | Source Detail | |
San Francisco | CA | Fillmore West | SBD 16-Track Master Reel > Rough Mix DAT > DATx3 > Digital Sound Card > WAV > SHN > WAV > Cool Edit > CDWAV > SHN; via Aoxoa, R. Keshavan, Seth Kaplan; see info file for notes on patches and edits; d2 tracked for 80 min; note material from this date also appeared on Live Dead- go buy it | Source Detail | Source Detail | |
San Francisco | CA | Fillmore West | 16-Track Master Reel> DAT> CD> EAC> SHN, with various patches (see info file); via Charlie Miller, Aoxoa, Seth Kaplan; upload by Darrin Sacks | Source Detail | Source Detail | |
San Francisco | CA | Fillmore West | SBD > DUAL RTR DECKS AT 15 I.P.S. > LESH DIGITAL MIXDOWN IN 1998 > MCS D > SSSB (Jay Serafin remaster) | Source Detail | Source Detail | |
San Francisco | CA | Fillmore West | Multi-track reel master > DAT > CD > EAC > SHN; via Seth Kapln, Darrin Sacks; see info file for relation to previous seeds | Source Detail | Source Detail | |
Modesto | CA | Student Center, Modesto Jr. College | MSR> C> D> CD; via Frank Bove | Source Detail | Source Detail | |
Modesto | CA | Student Center, Modesto Jr. College | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | Avalon Ballroom | MSR> C> DATs> CDRs> EAC> SHN; EAC/SHN by Darrin Sacks, from Rango Keshavan seed; see info file for setlist/tracklist commentary | Source Detail | Source Detail | |
San Francisco | CA | Avalon Ballroom | Recording Info: SBD -> Rm (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat -> Sonic Solutions -> CD -> EAC -> Samplitude -> SHN Conversion By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | Avalon Ballroom | Recording Info: SBD -> Rm (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat -> Sonic Solutions -> CD -> EAC -> Samplitude -> SHN Conversion By Charlie Miller | Source Detail | Source Detail | |
Omaha | NE | The Music Box | flac16; DTS-Audio-CD 5.1 Mix | Source Detail | Source Detail | |
Boston | MA | The Ark | Bertha Remaster of the Master Reel source; SBD>>MR>>DAT>>CDA>>DAW(Bertha)>>CDA/SHN | Source Detail | Source Detail | |
Boston | MA | The Ark | Updated possible gen: MSR> DAT > CDR (had been marked MSR > Cassette > DAT > CDR); intro from alternate SBD; d1t6, d3t2 have cuts from reel; 1/20/68 filler; via Scott Clugston, Lee Revell | Source Detail | Source Detail | |
Boston | MA | The Ark | Updated possible gen: SMC>R>D (had been marked MSR > Cassette > DAT x2 > CDR); d1t1,8 have cuts from master;? via Scott Clugston, Lee Revell | Source Detail | Source Detail | |
Boston | MA | The Ark | flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Boston | MA | The Ark | MSR> Cassette> DATs> CDRs> EAC >SHN; via Jim Wise, Rob Bertrando, Darrin Sacks; note this reportedly may be an upgrade compared to previously etreed version; same cuts and splices as in previous version; note d1 tracked for 80 min | Source Detail | Source Detail | |
Boston | MA | The Ark | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade of 98892 | Source Detail | Source Detail | |
Chicago | IL | Electric Theater | Source: mR> D> Sonic Solutions> CDR | Source Detail | Source Detail | |
Chicago | IL | Electric Theater | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Chicago | IL | Electric Theater | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | all that circulates; Reel> PCM> Dat> Tascam DA20> Audio Magic Presto> Prodif Plus> Soundforge> cdwav> shn; fits on 1 .shn disc with 5/23/69; via Phunk1; reel splice at beginning of Rag; disc may not have accompanying .md5s; md5s shown here were created by A. Fox- note you may have to modify filenames to match | Source Detail | Source Detail | |
San Francisco | CA | Polo Field, Golden Gate Park | retracking and edit of previous shn set, by J. Cotsman: SBD> MR> C> D> CD> EAC> SHN; with 3/26/68 filler; via J. Cotsman to vine | Source Detail | Source Detail | |
Hollywood | FL | Seminole Indian Village | partial Dew>>11//; Reel> PCM> DAT; conversion:Tascam DA-20> Audio Magic Presto> Prodif Plus> Soundforge> cdwav> shn; fits on 1 .shn disc with 5/3/69; via Phunk1; disc may not have accompanying .md5s; md5s shown here were created by A. Fox- note you may have to modify filenames to match | Source Detail | Source Detail | |
Hollywood | FL | Seminole Indian Village | complete show from compilation of reel master and what is believed to be the cassette master; Source 1: SBD> MR> PCM> D> CD> EAC> SHN ; Source 2: SBD> MC> R> C> D> CD> EAC> SHN (?); See info file for details; via Jim Hale; Seeded to etree by Seth Kaplan & JCotsman | Source Detail | Source Detail | |
Hollywood | FL | Seminole Indian Village | flac16; Source: Soundboard Master Reels > PCM > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz] Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky January 1, 2009, Green Mountain Bros. | Source Detail | Source Detail | |
Hollywood | FL | Seminole Indian Village | Cass>DAT> DAT> SONIC SOLUTIONS> CD> CD> EAC[secure] >SHN from 2003 KPFA Dead Marathon | Source Detail | Source Detail | |
Eugene | OR | McArthur Court, University of Oregon | SBD> ?> CDR> EAC> SHN; via J. Oleynick, M. Ferguson; encore shuffled to fit on 2 discs, but songs can be moved to proper order for 3 discs; see info file for flaw notes | Source Detail | Source Detail | |
San Francisco | CA | Fillmore West | SBD>MC>C>D>CD>EAC>SHN; pitch corrected; patch in Cryptical Reprise from alt sbd; edits/encoding by JCotsman | Source Detail | Source Detail | |
San Francisco | CA | Fillmore West | SBD>MC>C>D>CD; via Joe Jupille; Seeded to etree by J. Cotsman | Source Detail | Source Detail | |
San Francisco | CA | Fillmore West | MR > DAT > CD > EAC > Cool Edit 96 (Resampled to correct pitch) > SHN > CD > SHN; via A.J. Fink; Seeded to etree by Seth Kaplan | Source Detail | Source Detail | |
San Francisco | CA | Fillmore West | set 1: SBD> MR> C> D> CD> EAC> SHN; set 2: SBD> MC> C> D> CD> EAC> SHN, pitch corrected via J. Cotsman | Source Detail | Source Detail | |
Fresno | CA | Fresno Convention Center | Master Soundboard Cassette > Cass > DAT > ZA2 > SF > CD; via Steve Barbella | Source Detail | Source Detail | |
Santa Rosa | CA | Veterans Auditorium | SBD> MR> Cassette> DAT> DAT; DAT> ZA2> Soundforge> wav> mkw> SHN; DAT seed provided by Michael P. Weitzman; Transfer and SHN by Joe Samaritano | Source Detail | Source Detail | |
Santa Rosa | CA | Veterans Auditorium | complete; sbd> mr> cass> dat> cd; Conversion: Kenwood TrueX> EAC> shn V3 (seekable); Seed: Brian Cole | Source Detail | Source Detail | |
Colorado Springs | CO | Reed's Ranch | flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | Family Dog at the Great Highway | flac16; SBD -> Cassette Master -> Dat Transferred and Edited By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | Family Dog at the Great Highway | flac16; Recording Info: SBD -> Cassette Master -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC Transferred and Edited By Charlie Miller | Source Detail | Source Detail | |
Bethel | NY | Max Yasgur's Farm | SBD>MR>D>CD>EAC>SHN; 8trk Master Reels @ 15ips; Thanks to David Litfin; edits/encoding by JCotsman | Source Detail | Source Detail | |
Bethel | NY | Max Yasgur's Farm | flac16; Source: 8 Track Master Reels @ 15ips > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with L3 Waves Multimaximizer Rate Conversion with r8brain to [16bit/44.1 khz] > TLH > Flac transfer and mastering by Bill Koucky (This source fixes errors in the previous source) | Source Detail | Source Detail | |
Seattle | WA | Aqua Theater | SBD>MC>C>D>CD>EAC>SHN; complete show; edits/encoding by JCotsman | Source Detail | Source Detail | |
San Francisco | CA | Family Dog at the Great Highway | SBD > CM > Cass > DAT > CDR > WAV; via EAC/Trade from Morgan Evans > CDR > EAC > CDWAV > seekable SHN; via Rick Lepley | Source Detail | Source Detail | |
San Francisco | CA | Family Dog at the Great Highway | SBD> MR> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Jeff Cook | Source Detail | Source Detail | |
San Francisco | CA | Family Dog at the Great Highway | Master Soundboard Reel > Cass > DAT > CD; via Seth Kaplan; Seeded to etree by Steve Barbella | Source Detail | Source Detail | |
Prairieville | LA | Baton Rouge International Speedway | Source: MSC (Ampex C-90 cassette) > DAT > CD-R via Andy Lemieux and Kingbee encoded by Matt Vernon | Source Detail | Source Detail | |
San Francisco | CA | Family Dog at the Great Highway | SBD, Deadhead Hour pre-FM (some lineage details in info file); via David Finney | Source Detail | Source Detail | |
New York | NY | Cafe au Go-Go | early show; AUD> ?> Reel> Cass (Maxell UD w/dolby B, playback on Sony TCK-909ES) > DAT (SV-3700 w/Oade +15dB input gain mod) > ZA2 > DiamondCut Noise Reduction > CD; upload by R. Nayfield, stemming from tree run by J. Miller, seeded by D. Hollister; covers | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | SBD> MR> DAT> Sonic Solutions> CDR; reel flip after William Tell , edited by David Gans; via R. Jagla | Source Detail | Source Detail | |
San Francisco | CA | Family Dog at the Great Highway | mr> c1> dat> turtle bch "Fiji"> SHN; via Teddy GoodBear, Doug Johnson; to abg, later to etree; note track names by title, have spaces and/or special characters; see pub comments for flaw note | Source Detail | Source Detail | |
San Francisco | CA | Family Dog at the Great Highway | Fixed version of previous file set. Same source info as 32273, but w/fixed Dark Star. | Source Detail | Source Detail | |
San Francisco | CA | Fillmore Auditorium | Stated lineage: MR > DAT > CD > EAC > CDWAV > Cool Edit Pro Noise Filter > SHN > CDR; (Except for * which is MR > DAT > CD) (Deadlists lists a probable cassette generation); via Seth Kaplan | Source Detail | Source Detail | |
Hollywood | FL | International Speedway | flac16; Source: Soundboard master Reels > Cassette > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab > CD Wave > TLH > Flac | Source Detail | Source Detail | |
Boston | MA | Boston Tea Party | SBD MR (7" reel @7.5 ips)>DAT>DAT>CDR | Source Detail | Source Detail | |
Boston | MA | Boston Tea Party | Recording Info: SBD -> Cass Master (Ampex C-90 Master Cass/no dolby) -> Cass (Tascam 122mkIII Cass 1st Gen) -> Dat (Technics 3800/44.1k) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN | Source Detail | Source Detail | |
Boston | MA | Boston Tea Party | flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
New York | NY | Fillmore East - late show | late show, partial; SBD-> MR-> DAT (x)-> CDR (x)-> EAC; via S. Windsor abgd; via D. Sacks to etree 12/15; cut in end of Dark Star/ beginning St. Stephen from reel change | Source Detail | Source Detail | |
New York | NY | Fillmore East (Early Show) | early and late; SBD > MR > DAT > C > DAT > CDR; via Mike Lai, with thanks to Wayne Gucwa; info file by Jeff Hannan | Source Detail | Source Detail | |
New York | NY | Fillmore East (Late Show) | early and late; SBD > MR > DAT > C > DAT > CDR; via Mike Lai, with thanks to Wayne Gucwa; info file by Jeff Hannan | Source Detail | Source Detail | |
San Diego | CA | Golden Hall | Master Soundboard Reel > Reel to Reel > DAT> CDR; CD Mastering by Scott Clugston; to abgd | Source Detail | Source Detail | |
Portland | OR | Springer's Inn Portland | sbd> ??> cdr> eac> shn; a few cuts (see tracklist); eac>shn by popi n. feeldz, with thanks to Moss Willow | Source Detail | Source Detail | |
Corvallis | OR | Gill Coliseum, Oregon State University | Master Soundboard Reel > DAT > CDR; via Scott Clugston | Source Detail | Source Detail | |
Honolulu | HI | Honolulu Civic Auditorium | Updated lineage: SBD > MASTER REEL > CASS > DAT > CD; Originally posted to abgd via Teddy Goodbear; seeded to fungus and tol with minor editing by Charlie Connor | Source Detail | Source Detail | |
Honolulu | HI | Honolulu Civic Auditorium | SBD: Master Reel > cassette > DAT > CD > SHN; T06 (Black Peter): subsecond dropout/splice @ 7:44; T07 (Good Lovin'): cuts right before last verse; via Seth Kaplan, upload by G.S. Hamilton | Source Detail | Source Detail | |
New Orleans | LA | The Warehouse | SBD>MR>C>DAT>CDR; via Raoul Duke; seeded to etree by Matt Vernon | Source Detail | Source Detail | |
New Orleans | LA | The Warehouse | SBD>MR>C>D>CD>EAC>SHN 7inch Master Reel@7.5ips SBE fix of shn ID 7045; shntool was used to fix sector boundary errors and seek tables were appended. | Source Detail | Source Detail | |
New Orleans | LA | The Warehouse | SBD>MSR>C>DAT>CD; Seeded to etree by Seth Kaplan | Source Detail | Source Detail | |
St. Louis | MO | The Fabulous Fox Theatre | SBD>MR>R>R>PCM>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon | Source Detail | Source Detail | |
San Francisco | CA | Fillmore West | SBD MR> C> D> CD + AUD low-gen; more material than previous versions, >80 min including bonus track; pitch correction, EQ, CD mastering by Hanno Bunjes, with thanks to Uli Teute | Source Detail | Source Detail | |
San Francisco | CA | Fillmore West | SBD> MR> C> D> CD; via Don Bean | Source Detail | Source Detail | |
San Francisco | CA | Fillmore West | SBD MR>C>D>CD + AUD MC>4C>CD patches; via Uli Teute; Seeded to etree by Hanno Bunjes; Note- This is an eac of the 'same' source discs as the previous Hanno seed; See info file for Hanno's comment | Source Detail | Source Detail | |
New York | NY | Fillmore East (late show) | early and late shows; MSR> DATs> CDRs> EAC> shn; see info file for flaws and notes; shn and u/l by Darrin Sacks; also, Ben Yerys reports UJB encore pops (not sure if from CD or DAT source): 3.23?; 4.35, 5.26??, 5.27??; note d2alt.md5 also shown for a version noted at gdlive 7/01+, having a different d2t3 md5- reason unknown | Source Detail | Source Detail | |
New York | NY | Fillmore East (Late Show) | flac16; Recording Info: SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller (This sources fixes a flaw in d2t08 of source ID 97613) | Source Detail | Source Detail | |
New York | NY | Fillmore East (Late Show) | flac16; Recording Info: SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller (This sources fixes a flaw in d2t08 of source ID 97613) | Source Detail | Source Detail | |
New York | NY | Fillmore East | flac16; Recording Info:SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k);Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
New York | NY | Fillmore East | flac16; Recording Info:SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k);Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Austin | TX | The Auditorium | SBD>MR>C>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon | Source Detail | Source Detail | |
San Francisco | CA | Family Dog at the Great Highway | flac16; Recording Info: SBD -> Master Reel (7.5ips 1/2trk) -> Dat/0 (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | Family Dog at the Great Highway | SBD MR>C>D>CD; patch of circulating SBD with AUD by Hanno Bunjes: 3rd gen cassette > CD > SoundForge (5% speed correction/amplify) > CD; to BUDD offer; Hanno's notes | Source Detail | Source Detail | |
Phoenix | AZ | Star Theatre | SBD MR>C>D>CD; Unknown seeder | Source Detail | Source Detail | |
Port Chester | NY | Capitol Theater | mixed source (SBD> MR> PCM, unknown gen AUD, 2nd gen AUD)> ZA2> CD, mastered by David Hollister; EAC> SHN by G.S. Hamilton with thanks to Brian Voelz | Source Detail | Source Detail | |
Cincinnati | OH | Field House, U. of Cincinnati | SBD; Monitor Noise throughout show; noted at gdlive 5/01; via Aaron Farnsworth | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | MSR>DAT>CD>EAC>SHN (mkwACT) via Seth Kaplan includes 5 additional songs from a prior seed | Source Detail | Source Detail | |
Alfred | NY | Alfred College | flac16; SBD > Rm > Dat > Sonic Solutions > CD > Samplitude > Flac Seeds provided by David Gans, Remastered by Charlie Miller |
Source Detail | Source Detail | |
Alfred | NY | Alfred College | flac16 ; Recording Info: Source 1: SBD -> Master Reel -> CD Source 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD Source 3: SBD -> Master Reel -> Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Cambridge | MA | Kresge Plaza, M.I.T. | Gans version as for other shn set, SHNed by M. Hall (not sure if this copy got into wide circulation) | Source Detail | Source Detail | |
Cambridge | MA | Kresge Plaza, M.I.T. | flac16; Source: Master Soundboard Reels 10", 2-sided, 1/2 Track Mono > DAT x 1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with Nomad Factory Plugins Rate Conversion with r8brain to [16bit/44.1 mhz] > TLH > Flac Transfer and Mastering: Bill Koucky, Green Mountain Bros. November 15, 2008 Transfer from Reels to DAT was done in 1994 by Eli Polansky from WMBR MIT Radio Archives for Jim Birkhead, and cloned to Bill Koucky | Source Detail | Source Detail | |
Kirkwood | MO | Meramec Community College | SBD>MR>?>D>CD>EAC>SHN (acoustic set); SBD>MR>D>CD>EAC>SHN (electric set); complete show except for Dire Wolf and Cold Jordan, which are probably not on the masters; Thanks to Dan Capshaw and Walter Schnell; edits/encoding by JCotsman | Source Detail | Source Detail | |
New York | NY | Fillmore East (Late Show) | New Master Reel transfer: SBD:10" 1/2 track Master Reels @ 7.5 ips>Revox A700 playback deck>Alesis Masterlink ML 9600>CD. No PCM generation in GD/NRPS sets. No analog gens in NRPS sets. Upgrade from previously circulating source. Seeded to etree 5/31/2005 by Chuck Reynolds and Seth Kaplan. | Source Detail | Source Detail | |
Newcastle | England | Newcastle-Under-Lyme | SBD MR> C> D> CD + AUD MR> C> D> CD patches; mastered by Hanno Bunjes, with thanks to Uli for the AUD source; Hanno's notes | Source Detail | Source Detail | |
Oahu | HI | Red Vest | Complete; SBD MR> R> D> CD + AUD low-gen; patched by Hanno Bunjes, with thanks to Paul B. and Uli | Source Detail | Source Detail | |
San Rafael | CA | Euphoria Ballroom | sbdmr> dat> cd> shn> cd> ?> shn; this source is possibly derived from source id 1030 | Source Detail | Source Detail | |
San Rafael | CA | Euphoria Ballroom | partial; Master Soundboard Reel > Cassette > Cassette > CDR; CD Mastering by Scott Clugston; to abgd | Source Detail | Source Detail | |
San Anselmo | CA | Lion's Share | SBD>??>CD>EAC>SHN via Chuck Gannon edits/encoding by Jeff Cotsman | Source Detail | Source Detail | |
San Diego | CA | Golden Hall Community Concourse | MSR > Reel > PCM > DAT > CDR > EAC > SHN via Andy Lemieux, encoding Joe Jupile | Source Detail | Source Detail | |
New York | NY | Fillmore East | Soundboard (via Andy Lemieux) and Jack Toner audience tape (via Jack Warner) composite edited and encoded by Jeff Cotsman. Include NRPS, Dead Acoustic and Electric sets | Source Detail | Source Detail | |
New York | NY | Fillmore East | flac16; SBD -> Master Reel -> CD -> EAC(secure, offset corrected) -> TLH(flac encoding) -> FLAC Circulated by Chuck Reynolds, February 13, 2009 | Source Detail | Source Detail | |
New York | NY | Fillmore East | MSR > DAT > CD or SBD> Rm> Reel> Dat> Sonic Solutions> CD; EAC> SHN by Seth Kaplan; more complete than previously etreed versions | Source Detail | Source Detail | |
New York | NY | Fillmore East | flac16; SBD -> Master Reel -> CD -> EAC(secure, offset corrected) -> CoolEdit Pro -> TLH -> FLAC16; Circulated by Chuck Reynolds | Source Detail | Source Detail | |
New York | NY | Fillmore East | flac16; (disc 3 only) Sick Bits 14; matrix: SBD/AUD mix of 2 previously circulating sources (SBD: shnid=5217 & AUDs (composite): shnid=25473) edited, mixed and converted by Chris Chappell | Source Detail | Source Detail | |
Stony Brook | NY | Gym, S.U.N.Y. (Early) | early electric; SBD > Reel > DAT; Transfer: D7 > Coresound > Prodif Plus > Samplitude 5.5 > CDwav > SHN, by Mike Fischer | Source Detail | Source Detail | |
Port Chester | NY | Capitol Theater | The Port Chester Resurrection Project #7 Taped by Ken and Judy Lee. See txt file for details. | Source Detail | Source Detail | |
Santa Rosa | CA | Santa Rosa Fairgrounds | Master Soundboard Reel > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; see info file for deadlist.com notes | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | Partial; SBD>MR>R>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon | Source Detail | Source Detail | |
El Monte | CA | Legion Stadium | Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Patch Info: SBD -> Master Reel -> ? -> Dat -> SHN Edited and Patched By Charlie Miller | Source Detail | Source Detail | |
El Monte | CA | Legion Stadium | SBD -> Master Reel (7inch Master Reels@7.5ips 1/2trk) -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Edited By Charlie Miller | Source Detail | Source Detail | |
El Monte | CA | Legion Stadium | SBD> Master Reel> Cassette> Dat> CD> EAC> Samplitude v7.02 Professional> SHN, Patched with Sony ECM-22> Rm> Dat> CD; All Editing Done By Charlie Miller | Source Detail | Source Detail | |
Unknown | CA | Studio- Workingman's Dead Outtakes | ||||
Seattle | WA | Seattle Center Arena | SBD> MR> C> DAT> CDR; Truckin? is missing the opening notes, Good Lovin? reprise cuts at 0:24; via Mike Lai with thanks to Paul B. | Source Detail | Source Detail | |
Port Chester | NY | Capitol Theater | flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. | Source Detail | Source Detail | |
Port Chester | NY | Capitol Theater | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Port Chester | NY | Capitol Theatre | flac 16; Sick Bits Vol. 13 - SBD/AUD matrix of two previosly circulated sources (SBD - shnid=1029 + AUD - shnid=30230), edited and encoded by Chris Chappell. | Source Detail | Source Detail | |
Port Chester | NY | Capitol Theater | flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. | Source Detail | Source Detail | |
Port Chester | NY | Capitol Theater | flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner. | Source Detail | Source Detail | |
Port Chester | NY | Capitol Theater | flac16; Source Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 and Ozone. Dithered L2 type 1 ultra by Jamie Waddell | Source Detail | Source Detail | |
Port Chester | NY | Capitol Theater | flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris Ladner. | Source Detail | Source Detail | |
Madison | WI | Camp Randall Field House, University of Wisconsin | Sbd> MR> Dat> CD; EAC >CDWav (split)> shn V3 by Brian Cole; parent seed courtesy Jim Oade; some editing in d1t6, d2t1 | Source Detail | Source Detail | |
St. Louis | MO | Fox Theatre | SBD (7") MR> Cass> DAT> CD; via Ben Yerys, M. Wienke | Source Detail | Source Detail | |
Iowa City | IA | University of Iowa | SBD > MR > cass > dat > CD > SHN (seekable); DAT>CD transfer by Mandrake; EAC> shn by Steve Barbella | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | flac16; Recording Info: SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Patch Info: Sony Stereo Mic -> Cassette Master (Sony TC-124) supplies: The Other One (6:59 - 7:23) and Beat It On Down The Line (0:00 - 0:32)All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
New York | NY | Manhattan Center | 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens | Source Detail | Source Detail | |
New York | NY | Manhattan Center | flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips > PCM501ES (beta) PCM501ES analog out > dolby A decoder > analog in PCMF1 > analog out > Fostex D5 Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 6, 2008, Green Mountain Bros. | Source Detail | Source Detail | |
New York | NY | Manhattan Center | 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens | Source Detail | Source Detail | |
New York | NY | Manhattan Center | flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips > PCM501ES (beta) PCM501ES analog out > dolby A decoder > analog in PCMF1 > analog out > Fostex D5 Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 8, 2008, Green Mountain Bros. | Source Detail | Source Detail | |
Boston | MA | Music Hall | flac16; 7" BBD Reel > PCM501ES > Fostex D5 > Fostex D5 optical S/PDIF out (Jace's tape) > disk Transferred by Tim Deibert 1-12-02 WBOTB Project | Source Detail | Source Detail | |
Boston | MA | Music Hall | flac16; Source: Betty Cantor 7" two track reel w@ 7 1/2 ips> PCM501ES @ 44.055 kHz CM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz Jace Crouch’s original source WBOTB DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 5, 2008, Green Mountain Bros. | Source Detail | Source Detail | |
Boston | MA | Music Hall | flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky January 1, 2009, Green Mountain Bros. | Source Detail | Source Detail | |
Boston | MA | Music Hall | flac16; 7" Betty Board Reel > PCM501ES analog out > Dolby A Decoder > Analog in PCMF1 PCM501ES analog out > Fostex D5 optical S/PDIF out > disk Transferred by Tim Deibert 9-16-02 WBOTB | Source Detail | Source Detail | |
Lancaster | PA | East Hall, Franklin & Marshall College | SBD>MR>C>DAT>CD; via Mark Pfortmiller; Seeded to etree by Willy | Source Detail | Source Detail | |
Pittsburgh | PA | Civic Arena | flac16; SBD -> Reel Master -> Dat -> Sound Forge -> CD Transferred By Charlie Miller | Source Detail | Source Detail | |
Lewisburg | PA | Davis Gymnasium | SBD> MR> DAT> CDR; several spots of irreparable reel static; via Mike Lai with thanks to Paul B.; note 4 tracks in d2 had been misnumbered, corrections shown in fixed md5s: 1> 3, 2>4, 3>1, 4>2 | Source Detail | Source Detail | |
Meadville | PA | Allegheny College | SBD>MR>DAT>CD; missing 5 songs; See info file for details; via Bill O; Seeded to etree by eD(efojr) | Source Detail | Source Detail | |
Princeton | NJ | Dillon Gym, Princeton University | set1; SBD> Reel> ?> DAT> ZA2 (48>44.1)> CD; via R. Nayfield | Source Detail | Source Detail | |
Princeton | NJ | Dillon Gym, Princeton University | set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield | Source Detail | Source Detail | |
Cortland | NY | Lusk Field House, S.U.C.N.Y | SBD : MR > RR > DAT > CD; Extraction, editing and .shn encoding by Alan J. Fink, from John Valter seed; patch in UJB; see info file for additional notes | Source Detail | Source Detail | |
Providence | RI | Rhode Island Auditorium | MSR> R> D> CD> DAE> SHN; sector boundary fix of previous shn set, by Seth Kaplan | Source Detail | Source Detail | |
Bangor | ME | Bangor Municipal Auditorium | Master Soundboard Reel > DAT > CDR; shn encoded/uploaded by Scott Clugston; to abgd, 11/00 to etree | Source Detail | Source Detail | |
Durham | NC | Wallace Wade Stadium, Duke University | sdb> MR> PCM> CD; via Mike Lai; 3/10, Michael Weise provided modified tracking (alt md5s, same checksums) and updated info file | Source Detail | Source Detail | |
New York | NY | Fillmore East | flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
New York | NY | Fillmore East | MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; includes (wrong) NRPS; note 4 CD best-of-run is available from the Dead | Source Detail | Source Detail | |
New York | NY | Fillmore East | MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; d1,3 are tracked for 80 min; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead | Source Detail | Source Detail | |
New York | NY | Fillmore East | MSR > (Reel post-Bird Song) >Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead | Source Detail | Source Detail | |
New York | NY | Fillmore East | Lineage: (mostly) SB> MR> CD; Refined by Chris Frisco, 20 glitches painstakingly removed without deleting any of the wav; Bird Song patched; See info file for further details; Circ's w/ NRPS opening set | Source Detail | Source Detail | |
New York | NY | Fillmore East | flac16; matrix of SBD: shnid=33565 and AUD: shnid=26568 by hansokolow using ProTools | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | flac16; SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Herouville | France | Chateau D'Herouville | SBD MR> ?> D> CD patched with AM MR> R> C> CD, 5% speed correction, by Hanno Bunjes; see info file for notes; to BUDD offer, later to etree | Source Detail | Source Detail | |
San Francisco | CA | Fillmore West | Pre-FM MSR> DAT> CD?; Transfer: EAC> WAV> FLAC by Sean Cribbs, from Connie Veigh source discs | Source Detail | Source Detail | |
Hollywood | CA | Hollywood Palladium | AUD>MR>R>D>CD; via Jeff Krakowka & Jim Hale; Seeded to etree by J. Cotsman | Source Detail | Source Detail | |
Hollywood | CA | Hollywood Palladium | updated source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando et al; (info file had given AKG 330 etc); D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro; via Ben Kasper, Ben Yerys | Source Detail | Source Detail | |
Hollywood | CA | Hollywood Palladium | flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> SHN Transfer Info: SHN -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Bronx | NY | Gaelic Park | SDBMR> DAT> WAV> SHN; via Dopey; faded in on reel cut into d2t3; apparently level differences between sets 1 and 2 | Source Detail | Source Detail | |
Santa Venetia | CA | Studio Rehearsals with Keith Godchaux | MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt | Source Detail | Source Detail | |
Santa Venetia | CA | Studio Rehearsals with Keith Godchaux | Studio rehersal with Keith Godchaux MSR>C>DAT>WAV>SHN via Cousinit | Source Detail | Source Detail | |
Santa Venetia | CA | Studio | MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt. [An alternate shn set was seeded by Cousinit since original shns were not archived]. | Source Detail | Source Detail | |
Minneapolis | MN | Northrop Auditorium, U. of Minn. | PreFM Soundboard Reels > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston | Source Detail | Source Detail | |
Detroit | MI | Eastown Theater | Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston | Source Detail | Source Detail | |
Syracuse | NY | Onondaga County War Memorial | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | Source Detail | |
Cleveland | OH | Allen Theatre | set 2; SBD> MR> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B. CD | Source Detail | Source Detail | |
Cleveland | OH | Allen Theatre | Complete; 1st set: SBD> FM> ?> C> Sound Forge> SHN; 2nd set: SBD> MR> D> CD> EAC> SHN; via Walter Schnell, Tony Gardner & Paul B.; Seeded to etree by J. Cotsman | Source Detail | Source Detail | |
Cincinnati | OH | Taft Auditorium | mixed sources; primary: Pre-FM MR (1/2 track, 7.5 ips), Transfer: Revox PR99-MKIII > Panasonic SV3800 (48)/Sony 60ES > M-Audio Audiophile USB > CDWave > Goldwave (resample to 44.1 and edits) > CDwave > mkwACT, Primary source supplied by Josh Braveman; Secondary: FM > Pioneer RT-707 (7" reel @ 19 ips) > CD, Conversion: Kenwood TrueX > EAC > shn v3 (seekable); edited (patching, pitch correction, d/o repair) by Doug Nawrocki et al (see notes) | Source Detail | Source Detail | |
San Francisco | CA | Harding Theater | SBD> MR> C> DAT> CDR; note PA problems with the piano throughout show; via Mike Lai, with thanks to Paul B. | Source Detail | Source Detail | |
San Francisco | CA | Harding Theater | SBD : Pre-FM Reel > DAT > CD; via Seth Kaplan | Source Detail | Source Detail | |
Atlanta | GA | Atlanta Municipal Auditorium | Sbd>MR>?>Dat>cd; via Yubah, Ernie Dodd | Source Detail | Source Detail | |
Fort Worth | TX | Texas Christian University | SBD -> Master Reel (10 inch) -> CD -> Sonic Solutions -> CD -> EAC -> SHN; Converted By Charlie Miller | Source Detail | Source Detail | |
Austin | TX | Austin Municipal Auditorium | SBD>MR>C>D>CD>EAC>SHN (patched with slightly degraded SBD, also listed with one cassette generation in the lineage); complete show; Thanks to Michael Dixon & Chuck Kiefe; edits/encoding by JCotsman | Source Detail | Source Detail | |
Los Angeles | CA | Pauley Pavilion, UCLA | flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
New York | NY | Felt Forum, Madison Square Garden | SBD> MR> DAT> C> DAT> CDR; missing JB Goode, Cumberland fades in; via Mike Lai, with thanks to Paul B.; note d2t2,3 had been misnumbered (reversed) intially- md5s for correctly named tracks are now shown here | Source Detail | Source Detail | |
New York | NY | Felt Forum, Madison Square Garden | Updated lineage: FM > MR > DAT > CD; (had been marked pre-FM) stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; notes: no encore, complete Muddy Water, small cut in Casey Jones, chatter edited; see pub comments for md5 notes | Source Detail | Source Detail | |
New York | NY | Felt Forum, Madison Square Garden | MSR> DAT> CD; via Seth Kaplan | Source Detail | Source Detail | |
New York | NY | Felt Forum, Madison Square Garden | SBD> MR @ 10.5 IPS> DAT> CD; stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; note large cut in Casey Jones | Source Detail | Source Detail | |
St. Louis | MO | Fox Theatre | MSR> LATVALA C> DAT> CDR; EAC> SHN by Seth Kaplan; upload by Darrin Sacks | Source Detail | Source Detail | |
St. Louis | MO | Fox Theatre | MR> DAT> Latvala's Cassette> D> CDR (slightly updated lineage); EAC/SHN, Ben Yerys; seed via Seth Kaplan, Jared Minkoff | Source Detail | Source Detail | |
Ann Arbor | MI | Hill Auditorium | 7" BBD reel> PCM501ES(beta)> PCM501ES analog out> Fostex D5 @ optical out 48KHz> HD; DAT-1 > Soundforge 4.5 > WAV/SHN mastering by Tim Deibert; includes Tuning between songs | Source Detail | Source Detail | |
Ann Arbor | MI | Hill Auditorium | set 1; MR> ?> C> CD, from Hank Harrison cass, presumed lower-gen than previous versions (see notes); via Uli Teute, Hanno Bunjes & Carsten Baumann | Source Detail | Source Detail | |
Ann Arbor | MI | Hill Auditorium | flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | FM > Reel > Dat > CDR; via G. Lanum | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | updated lineage: SBD> Reel Master> Reel> CD> Sonic Solutions Workstation> CD; via Charlie Miller; Seeded to etree by eD | Source Detail | Source Detail | |
New York | NY | Academy of Music | Lineage: Betty Board > Gans CD > CD > DAE > SHN SBEs fixed and seeking added with SHNTool. New MD5 generated with MD5Sum. By Gary Field (dark_hollow@comcast.net). No other changes made. | Source Detail | Source Detail | |
New York | NY | Academy of Music | flac16;Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info:Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
London | England | Wembley Empire Pool | flac16; Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Newcastle | England | Newcastle City Hall | remastered by Bill Giles - source is SBD MC>D>CD>SoundForge>CD See info file for flaws & Bill's mastering notes | Source Detail | Source Detail | |
Newcastle | England | Newcastle City Hall | flac16; Source: SBD Lineage: MR(recorded by Rex Jackson)>R(JG)>R(WB)>CD transfer info:Maxell UD XL reel tape @ 3 3/4 ips>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring)>LYNX ONE soundcard>Wavelab 5.0(dithered to 20/44)>CD. | Source Detail | Source Detail | |
Copenhagen | Denmark | Tivoli Theater | MSR> Cass> DATs> CDRs (not the previously circulating FM version); via D. Sacks; note silence track is presumably to mark set break midway through d2; note info file here updated to reflect reel splice d1t8-9; see flaw notes in public comments | Source Detail | Source Detail | |
Aarhus | Denmark | Stakladen, Aarhus University | Set 1: SBD>Rm>?>Cass>Sound Forge>SHN Set 2: SBD>Rm>Dat>Sonic Solutions>CD>EAC>Samplitude>SHN Set 2 Conversion and Editing By Charlie Miller | Source Detail | Source Detail | |
Copenhagen | Denmark | Tivoli Concert Hall | flac16; source: sbd > 16 track 2" MR>DAT4x > Delta Dio 2496 > Soundforge > wav > Cd Wave Editor > flac > wav > flac This is a further clean up of shn id 33802, which incorporates those already made on shn id 34302 | Source Detail | Source Detail | |
Bremen | Germany | Beat Club | SBD>FM>MR>PCM>DAT>CDR; Including soundcheck, missing 3 songs, see info file for details; via Raoul Duke; Seeded to etree by Matt Vernon | Source Detail | Source Detail | |
Frankfurt | Germany | Jahrhundert Halle | Source : SBD > ? > CE2K (minor cleanup) > mkwact > SHN(seekable) This is an upgrade to the previous shn set via Matt Vernon | Source Detail | Source Detail | |
Hamburg | Germany | Musikhalle | This is a remaster of shnid 17026 by Sir Mick | Source Detail | Source Detail | |
Hamburg | Germany | Musikhalle | SBD/AUD Matrix of the Set 2 Jam via Matt Vernon from etree aud and sbd sources | Source Detail | Source Detail | |
Paris | France | Olympia Theater | flac16; fixed fly away channel problem on SHNid=21923. Soundboard->Master Reel (multi-track)->DAT x 5. DAT->Audiophile 2496->Samplitude v7.02 Professional->FLAC. Transfer and FLAC by Joe Samaritano | Source Detail | Source Detail | |
Paris | France | Olympia Theater | flac16; SBD -> (16 Track) Master Reel -> Dat All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Wigan | England | Bickershaw Festival | Discs 1 & 2 are a compilation of multiple Audience sources; Discs 3 & 4 are supplied from a Master Soundboard Reel > DAT source; There is a 5th disc which contains the NRPS set; Seeded by Scott Clugston | Source Detail | Source Detail | |
Wigan | England | Bickershaw Festival | Discs 1 & 2 are a compilation of multiple Audience sources; Discs 3 & 4 are supplied from a Master Soundboard Reel > DAT source; There is a 5th disc which contains the NRPS set; Seeded by Scott Clugston | Source Detail | Source Detail | |
Amsterdam | Netherlands | Concertgebouw | S:MR > Cassette > DAT > CDR > SHN; Extraction and SHN encoding by Seth Kaplan; upload by Greg Hamilton; known flaw: Bertha fades in | Source Detail | Source Detail | |
Rotterdam | Netherlands | Rotterdam Civic Hall | Jay Ashley (Bertha) remaster of Master Reel source; SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>SHN | Source Detail | Source Detail | |
Rotterdam | Netherlands | Rotterdam Civic Hall | 10" MR@7.5ips->DAT>CDR; Note This seed does not have the splice in IKYR and it includes OMSN. Shn'ed & uploaded to fungus by Joe Samaritano 12/29/01; Seeded to abgd via Charlie Connor 01/02. | Source Detail | Source Detail | |
Lille | France | Lille Fairgrounds | sbd > mr > cass > dat > cda > eac > shn v3; via Chris Ladner to vine and etree; encore missing | Source Detail | Source Detail | |
Luxembourg | Luxembourg | Theatre Hall | Source: SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN Apparently, d1t06 is from etree seed 7089 and the rest of the show is from 10353. Seeded to Etree via Tol. | Source Detail | Source Detail | |
München | Germany | Kongressaal Deutsches Museum | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC | Source Detail | Source Detail | |
London | England | Lyceum Ballroom | MSR>C>DAT>CD>EAC>WAV>SHN via Andy Lemieux encoded by Sean Cribbs | Source Detail | Source Detail | |
London | England | Lyceum Ballroom | fix of d1t3 Dark Star in previous shn set to remove redundant material, by Sean Cribbs | Source Detail | Source Detail | |
London | England | Lyceum Ballroom | S:MR> DATx5> CD, including patches (see info file for specifics; transfer by David Hollister; reported "superior to all circulating copies" | Source Detail | Source Detail | |
Hartford | CT | Dillon Stadium | source 1: SBD>MR>C>D>CD>EAC>SHN source 2: AUD>?>SHN the audience recording supplies: --all of disc 1, --on disc 2, the final portion of Me & My Uncle through to the end of Sing Me Back Home; See info file for details; via Glenn Gillis and Paul B; Seeded to etree by Tim O'Connel & J. Cotsman | Source Detail | Source Detail | |
Jersey City | NJ | Roosevelt Stadium | SBD with Aud Patches (missing OMSN), see info file for details; via David Hollister; Seeded to etree by Sean Cribbs | Source Detail | Source Detail | |
Seattle | WA | Paramount Northwest Theater | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Portland | OR | Paramount Theater | Variation of original Kaplan seed; Filler removed, and He's Gone added; See info file for details; MR > PCM > DAT > CD > EAC > SHN; via Popi | Source Detail | Source Detail | |
Sacramento | CA | Sacramento Memorial Auditorium | SBD Reel master > DAT > CDR > EAC > SHN; seed via Seth Kaplan; Retracked (Cool Edit/CDWav) by G.S. Hamilton; see info file for listening notes | Source Detail | Source Detail | |
San Jose | CA | San Jose Civic Auditorium | flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Berkeley | CA | Berkeley Community Theater | S:MR > PCM > DAT > CD > EAC > SHN; via D. Hollister, G. Hamilton; see info file for list of minor flaws | Source Detail | Source Detail | |
Berkeley | CA | Berkeley Community Theater | mixed sources: Set 1: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> Apogee AD500> Master Dat (Panasonic SV3800/48k); Set 2: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> PCM> Dat> CD; Transferred and Edited (see cleanup notes) by Charlie Miller | Source Detail | Source Detail | |
Berkeley | CA | Berkeley Community Theater | SBD>Rm>Dat(48k) with missing songs patched from SBD>Rm>Cass>Cass>Cass>Dat>Samplitude>SHN via Charlie Miller | Source Detail | Source Detail | |
Berkeley | CA | Berkeley Community Theater | set 1 partial; 7" Betty Board Reel > PCM501ES analog out > Fostex D5 optical S/PDIF out (Jace's tape) > disk (Tim Deibert); some Soundforge editing (see notes) | Source Detail | Source Detail | |
Veneta | OR | Old Renaissance Faire Grounds | SBD> 16 Track Master Reels> DAT@44.1K> DAT> DAT> WAV> SHN; Banter between songs from the two-track master reels: S:MR> DAT> SS> CD> EAC> SHN; dankseed | Source Detail | Source Detail | |
Boston | MA | Music Hall | flac 16; Sick Bits Vol. 20 - SBD/AUD Matrix: SBD (shnid=6683) + AUD (shnid=12932); edited, mixed and converted by Chris Chappell | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | SBD > reel > DAT > CDR > EAC > shn; via Mike Masse; see flaw notes in info file; a clean-up of d1t11 also circulates; see public comments for details | Source Detail | Source Detail | |
Jersey City | NJ | Stanley Theatre | flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Springfield | MA | Springfield Civic Center | flac16; Recording Info:SBD -> Master Reel -> Dat -> Data DVD; Transfer Info: Data DVD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
St. Louis | MO | Fox Theatre | SBD > MR > Cass > DAT > CDR; see flaw notes in info file; Note- d2 fix now circulates via Charles Weir; See info file for details | Source Detail | Source Detail | |
St. Louis | MO | Fox Theatre | SBD > MR > Cass > DAT > CDR; via DES; cuts into Promised | Source Detail | Source Detail | |
Nashville | TN | Alumni Lawn, Vanderbilt University | flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Cincinnati | OH | Cincinnati Music Hall | flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Houston | TX | Hofheinz Pavilion | 2nd set only; SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to John Steinhaus | Source Detail | Source Detail | |
Houston | TX | Hofheinz Pavilion | Source: SBD>MR>Reel>Reel>DAT>CD>EAC>WAV>CoolEdit2000>SHN (Note that there is speculation that this source may contain only one reel generation.) Cool Edit 200 was used to correct various flaws from previously circulating versions. | Source Detail | Source Detail | |
Austin | TX | Austin Municipal Auditorium | sdb> master reel> dat> cdr; via Mike Lai from Bruce Fried DAT; missing Promised; d2 tracked for 80 min | Source Detail | Source Detail | |
Dallas | TX | Dallas Memorial Auditorium | SBD> MR> DAT> CDR> EAC> SHN; tracked for 2x80; splice in China Cat; seeded by Tony Gardner, from Paul B. discs | Source Detail | Source Detail | |
San Antonio | TX | San Antonio Civic Auditorium | SBD> MR> (set 1 ?; set 2 C)> D> CD> EAC>SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Paul B. | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | Main Source: Vault pre-FM reels > DAT Patch Source: pre-FM KSAN reel (/shninfo_detail.php?shnid=6340) DAT > WAV : Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0 by Marc Pujol WAV > SHN editing, encoding & patching by Matt Vernon | Source Detail | Source Detail | |
Palo Alto | CA | Roscoe Maples Pavilion, Stanford University | SBD> MR> R> DAT> CD; Show SHNed by Bob Allred; md5 / shn renaming and txt file by Patrick Hitt, who notes that "slightly different edit times indicate a different dat source or editor" than previous shn set | Source Detail | Source Detail | |
Palo Alto | CA | Roscoe Maples Pavilion, Stanford University | Jay Ashley (Bertha) remaster of previous MR source; SBD>>MR>>REEL>>DAT>>SS>>CDR>>DAW(Bertha)>>CDA | Source Detail | Source Detail | |
Palo Alto | CA | Roscoe Maples Pavilion, Stanford University | MR 2 Track Reel > 7.5 IPS 1/4 tack dolby B reel > DAT > Sonic Solutions > CDR; via D Finney; Seeded to etree by Popi; Note- This is another eac of the same original Finney seed discs according to Popi | Source Detail | Source Detail | |
Madison | WI | Dane County Coliseum | MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD; upgrade relative to previous shn copies; includes soundcheck and most of encores; via Mike Hall; tracked for 2x74 + 1x80 (with alternate tracking suggestion) | Source Detail | Source Detail | |
St. Paul | MN | St. Paul Auditorium | SBD:MR> PCM> DAT> CD; retracking etc of previous shn set, by Randy Carman | Source Detail | Source Detail | |
St. Paul | MN | St. Paul Auditorium | flac16; SBD -> Master Reel -> PCM -> Dat -> CD All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Chicago | IL | International Amphitheatre | flac16; Set 2 Recording Info: SBD -> Cassette Master (Ampex C-90) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Chicago | IL | International Amphitheatre | SBD : MC > C > DAT > SS > CDR > EAC > SHN Extraction, Retracking and SHN encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. Thanks to Paul B. for the seeds. Seeded to etree on 3/2/03 | Source Detail | Source Detail | |
Urbana | IL | Assembly Hall, Univ. Of Illinois Urbana-Champaign | reworking of previous shn set, by Randy Carman (see notes in info file) | Source Detail | Source Detail | |
Lincoln | NE | Pershing Municipal Auditorium | ||||
Uniondale | NY | Nassau Veterans Memorial Coliseum | composite source 1: AUD>??>CD>EAC>SHN source 2: SBD>MR>C>D>CD>EAC>SHN via JackeySack, Matt Vernon, and Paul Hartman edits/encoding by JCotsman | Source Detail | Source Detail | |
Uniondale | NY | Nassau Veterans Memorial Coliseum | flac16; Recording Info: Set 1: SBD -> Master Reel -> PCM -> Dat (44.1k) Set 2: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional -> FLAC | Source Detail | Source Detail | |
Uniondale | NY | Nassau Veterans Memorial Coliseum | fixup by Seth Jackson of 5 tracks from the previous shn set | Source Detail | Source Detail | |
Uniondale | NY | Nassau Veterans Memorial Coliseum | Playin', plus most of set 2; SBD:MR>Cas>Cas>DAT>CD; Seeded to etree by Jools | Source Detail | Source Detail | |
Utica | NY | Utica Memorial Auditorium | Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Sony D8) -> M-Audio DIO 2448 -> Cool Edit Pro v1.2 -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller Notes:I originally transferred my Dat back in 2000. At that time, I only made Audio discs. Someone asked me to circulate this source since the circulating source has NR applied to it. My source DOES NOT have any NR applied to it. I made these FLAC's off of my Master Audio Discs. Enjoy...cm | Source Detail | Source Detail | |
Utica | NY | Utica Memorial Auditorium | MSR> DATs> CDRx1> EAC> SHN; via Darrin Sacks | Source Detail | Source Detail | |
Utica | NY | Utica Memorial Auditorium | flac 16; Source: 10" Betty Board Reel > PCM501ES analog out > Fostex D5 optical S/PDIF out (Jace's Tape) > disk; Transferred by Tim Deibert 6-10-2002 | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | S:MR > cassette > DAT > CDR; note updated source info- actually only 1 cass gen, not 2; via Mike Bryan, Greg Hamilton; see info file for listening notes | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | flac16; 10" Betty Board Reel > PCM501ES > Fostex D5 (Jace's tape) optical S/PDIF out > disk Transferred by Tim Deibert 5-18-02 | Source Detail | Source Detail | |
Baltimore | MD | Civic Center | SBD> MR> DAT> CDA> CDA> EAC> SHN; via Charlie Miller, Jay Ashley; note info file updated 9/13; see pub comments for flaw notes | Source Detail | Source Detail | |
Baltimore | MD | Civic Center | flac16; Recording: SBD > Master Reel > Dat (44.1k) Transfer: Dat (Sony R500) > SEK'D Prodif Plus > Samplitude Profesional v8.01 > FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Springfield | MA | Springfield Civic Center | flac16; SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony 500) -> Samplitude Professional 9.11 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Boston | MA | Boston Garden | SBD -> Rm (7.5 ips/2 Track) -> Dat -> Dat. Transfer Info: Dat -> Sonic Solutions -> CD (David Gans' Master Discs) -> EAC (Secure) -> SHN. CD -> SHN Conversion Done By Charlie Miller. Purports to avoid the drop outs present on the previous shn set for this source. | Source Detail | Source Detail | |
Des Moines | IA | Iowa State Fairgrounds | flac16; Lineage-MR>??>TDK C90 cassettes(3)>R>Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs by Jamie Waddell on the GEMS Edit Station>Trac'ed Cdwave Flac'ed level 8 TLH | Source Detail | Source Detail | |
Santa Barbara | CA | Campus Stadium, UCSB | Patched Eyes with AUD source. Replaced AUD patch in Eyes with SBD source. | Source Detail | Source Detail | |
Santa Barbara | CA | Campus Stadium, UCSB | flac16; SBD > Master Reel (7 inch reels @ 7.5ips 1/2trk) > Dat > CD > EAC > Samplitude Professional v9.11 > FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | Kezar Stadium | MSR>DAT>CD>EAC>WAV>SHN CD>EAC>WAV>SHN by Sean Cribbs 4/19/2003 | Source Detail | Source Detail | |
San Francisco | CA | Kezar Stadium | flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES (Beta HiFi) ( @ 44.055 kHz) > PCM501ES analog out > analog in Fostex D5 ( @ 48kHz) > Fostex D5 optical S/PDIF out (Jace's tape) > Sound Forge 5.0 > wav/shn Transferred by Tim Deibert 12-15-01 | Source Detail | Source Detail | |
San Francisco | CA | Kezar Stadium | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Washington | DC | Robert F. Kennedy Stadium | SBD MR > cassette> DAT > CD > EAC > SHN, except Promised Land, Half Step, and Sugar Mag are S:MR > PCM > cassette > DAT > CD > EAC > SHN, and Patch in Box of Rain (very small) from 2nd source; via D. Hollister, G. Hamilton; 8/16 note formerly error in info file at this site, and possibly distributed with show- cass gen in main portion of show had been omitted, (although info file at Hamiltons' CDR list has apparently always been correct)- sorry! | Source Detail | Source Detail | |
Washington | DC | Robert F. Kennedy Stadium | SBD MR (10'' reels)> DAT > CD > EAC > SHN; via David Hollister, G.S. Hamilton; known flaws: d2t01 (Bird Song: very brief tape waver @ 2:44, 2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54, d4t06 (GDTRFB): reel flip/splice @ 6:42; not noted on original info file: sounds like loose cord to board: d1t09 (The Race Is On) 1:33, 1:34, 1:36, 1:44; d1t2 BIODTL begining cut; reportedly "best version available" | Source Detail | Source Detail | |
Vancouver | BC | P.N.E. Coliseum | composite: MSR> PCM> DAT> CD> EAC> WAV> SHN for Bertha> Other One//; MAC> R> R> CD> DAT> WAV> SHN for patches, JGB (see notes); MSR> C> DAT> CD> EAC> WAV> SHN for //Other One> end of set 2; EAC> CEP2K edits> encoding by Sean Cribbs | Source Detail | Source Detail | |
Portland | OR | Memorial Coliseum | partials of both sets; set 1: SBD> ?>C> CD> EAC> SHN (unknown analog generations); set 2: SBD> MR> C> D> CD> EAC> SHN, edited from previous shn set; the first set is a degraded SBD; Thanks to S. Milewski, G. Hamilton; edits/encoding by JCotsman | Source Detail | Source Detail | |
Seattle | WA | Seattle Center Arena | Complete; SBD>MR>C>D>CD patched with: AUD>MR>C>D>CD; Slight pitch correction; See info file for details; Seeded to etree by Mark Sweeney & Chuck Gannon | Source Detail | Source Detail | |
Universal City | CA | Universal Amphitheatre | Partial; SBD>MR>R>D>CD; Missing first 11 songs and Around and Casey Jones; via Mark Sweeney; Seeded to etree by JCotsman | Source Detail | Source Detail | |
Universal City | CA | Universal Amphitheatre | flac16; Sick Bits Vol. 9 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 177, and AUD - SHN ID# 6019); edited and transfered by Chris Chappell | Source Detail | Source Detail | |
Universal City | CA | Universal Amphitheatre | flac16 Source: SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA | Source Detail | Source Detail | |
Watkins Glen | NY | Grand Prix Racecourse | flac16; SBD> Master Reel (but see note)> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller | Source Detail | Source Detail | |
Watkins Glen | NY | Grand Prix Racecourse | Soundboard Master Reel>DAT>CD>SHN, with FM, AUD, and other-source SBD patches. Fits to two .shn discs by placing d1 & d4 .shns on one 80 min. disc, d2 & d3 .shns on another. | Source Detail | Source Detail | |
Jersey City | NJ | Roosevelt Stadium | complete show from most up to date SBD sources with AUD patches; compiled from S. Kaplan and N. Weiner seeds; source 1: SBD>MR>R>R>D>CD>EAC>SHN; source 2: SBD>MR>C>D>CD>EAC>SHN; source 3: AUD>MR>C>C>C>CD>EAC>SHN; See info file for details; Seeded to etree by JCotsman; With thanks to Alan Schlissel & Jeff Cook | Source Detail | Source Detail | |
Sausalito | CA | Record Plant | Wake of Flood outtakes; Betty Cantor reels > PCM > DAT > DIO 2448 > SHN; date(s) (including month) uncertain, this is best guess; via Dave F. | Source Detail | Source Detail | |
Uniondale | NY | Nassau Veterans Memorial Coliseum | SBD>MR>C>D>CD>EAC>SHN; patched with AUD>MC>D>CD>EAC>SHN; sourced from previous seeds | Source Detail | Source Detail | |
Uniondale | NY | Nassau Veterans Memorial Coliseum | SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wulf: Tascam DA20> coax> rme digi96 PCI card> centered the waves and edited and smoothed the track boundaries. Only? minor corrections were applied; no crossfading, no hiss or noise reduction; from Honey Vine #14 via T. Wulf, to etree via M. Bolen (who made .md5s) | Source Detail | Source Detail | |
Uniondale | NY | Nassau Veterans Memorial Coliseum | flac16; Reel>Cass1>DAT1 (not widely circulated source)>5/1999? edit (no hiss reduction)>CD>hiss edit w/Cool Edit Pro>FLAC | Source Detail | Source Detail | |
Williamsburg | VA | College Of William & Mary Hall | MSR> one cassette gen> DAT> CDR> shn); via George Lanum; see info file and pub comments for flaw notes | Source Detail | Source Detail | |
Williamsburg | VA | College Of William & Mary Hall | SBD>MR>C>DAT>CDR most of show (minus Here comes sunshine) by Sly_Wow | Source Detail | Source Detail | |
Providence | RI | Providence Civic Center | set 1: AUD> M?> C> C> D> SHN; set 2: SBD> MR> D> CD> EAC> SHN; Thanks to Jim Powell, Marc Pujol, and Evan Levy; final edits/encoding by JCotsman | Source Detail | Source Detail | |
Syracuse | NY | Onondaga County War Memorial | SBD>MR>D>CD>EAC>SHN (all but tracks d1t01-->d1t09)); SBD>MR>C>C>D>CD>EAC>SHN (tracks d1t01-->d1t09); Thanks to Peter Braverman; edits/encoding by JCotsman; Note- Fixed d3 now circulates, see public comments for details | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | Complete; Mixed Aud/SBD sources; See info file for details; via Michael Dixon and Scott Clugston; Seeded to etree by JCotsman | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | SBD -> Rm -> Reel -> PCM -> Dat Transfer Info: Dat (Sony R500) -> Samplitude v6.0 -> Cool Edit Pro v1.2 -> CD -> EAC -> SHN via Charlie Miller | Source Detail | Source Detail | |
Pittsburgh | PA | Civic Arena | flac16; MAR>R>CD CD's supplied by Matt Smith; Edited and Mastered by Jamie Waddell as a GEMS production; audio patches by Kevin Tobin | Source Detail | Source Detail | |
Buffalo | NY | Community War Memorial Auditorium | flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller. This is a re-patch of the original source (it's a more complete version). On 11/23/2006 a version of this source was circulated without the patches in d1t14 and d2t01. | Source Detail | Source Detail | |
Omaha | NE | Omaha Civic Auditorium | SBD -> Rm -> ? -> Dat -> Sound Forge -> CD -> EAC -> SHN Converted By Charlie Miller | Source Detail | Source Detail | |
Bloomington | MN | Metropolitan Sports Center | MSR>D>CD via M. Goetz encoded by Morgan Evans. Note: Has additional OMSN (see info file for discussion) compared to previous etree shn sets. | Source Detail | Source Detail | |
Bloomington | MN | Metropolitan Sports Center | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Madison | WI | Dane County Coliseum | SBD Master Reel > ? > DAT > CD-R > EAC (secure) > Cool Edit(minor cleanup) > CDWAV > mkwact(seekable) via wi-jams, cleanup and encoding by Matt Vernon. | Source Detail | Source Detail | |
Indianapolis | IN | Indianapolis State Fair Coliseum | Source: MSR > R > C > D > CD patched with MAC > ? > D Conversion: CDR > EAC > CDWave > CoolEditPro > shntool > mkwACT > SHN (seekable) by Charles Wier From the Deadlists vine | Source Detail | Source Detail | |
St. Louis | MO | Kiel Auditorium | flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC | Source Detail | Source Detail | |
St. Louis | MO | Kiel Auditorium | flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC | Source Detail | Source Detail | |
Evanston | IL | McGaw Memorial Hall, Northwestern University | 2nd set only; SBDMR> Cass> DAT> CDR> EAC> Soundforge> DePopper> SHN; via Howling Bob; Seeded to etree by Mike Parrillo | Source Detail | Source Detail | |
Evanston | IL | McGaw Memorial Hall, Northwestern University | [New Version] Set 2 MSR > C> DAT > PCM > DAT > CD (see notes in info file regarding correctness of genealogy) - Subsequent CD extraction (EAC), editing (Cool Edit Pro 2), and SHN encoding (mkwACT) by Sean Cribbs 12/2003 | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | SBD> MR> C> DAT> CDR; EAC> SHN by Seth Kaplan; Correct sector boundaries verified using .shntool; First few seconds of Here Comes Sunshine are clipped; Small splice at the start of Eyes of the World, some channel dropouts and a little static on a few tunes | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | ||||
San Francisco | CA | Winterland Arena | ||||
San Francisco | CA | Winterland Arena | MSR> reel > PCM > DAT > CD; see info file for listening notes | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | ||||
San Francisco | CA | Winterland Arena | Source: Disks 1-2 MSR> Cass> Cass> DATs> CDRs> EAC> SHN; Disk 3 MSR> Cass> DATs> CDRs> EAC> SHN; via Bob Murphy, Darrin Sacks; see pub comment for flaw note; note apparent upgrade with patch now circulating | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
San Diego | CA | San Diego Sports Arena | Updated lineage: SBD > MR > cass > DAT > CD > EAC (secure) > SHN (seekable); EAC> SHN by Matt Vernon, from Eurodead Vine source discs; see tracking suggestions in info file | Source Detail | Source Detail | |
San Diego | CA | San Diego Sports Arena | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC | Source Detail | Source Detail | |
Los Angeles | CA | Pauley Pavilion, UCLA | SBD> MR> C> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B.'s discs; Splice between ROR and Playin' (no music affected) | Source Detail | Source Detail | |
Denver | CO | Denver Coliseum | S:MR > DAT > CD > EAC > SHN; via David Hollister, G. S. Hamilton; note UJB may be from different source?; note portions of set 2 on these discs are in "SBD order" vs. "true" order- see public comments for details | Source Detail | Source Detail | |
Denver | CO | Denver Coliseum | flac16; Partial set 2 matrix mix using Cary Wolfson AUD shnid=22879 and sbd shnid=1234 by Matt Vernon | Source Detail | Source Detail | |
Denver | CO | Denver Coliseum | flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller (This source fixes swapped channels on source id 88612.) | Source Detail | Source Detail | |
Denver | CO | Denver Coliseum | via D. Barrick (hurtsme2); B. Yerys reports digiprobs at d1t1 ~0:42, d1t4 ~1:10, d2t2 ~10:38 | Source Detail | Source Detail | |
Denver | CO | Denver Coliseum | MSR > DAT > CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > CDWave v1.71 (tracking) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) Patches: MAC (Taped Taped by Glen Finley, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) | Source Detail | Source Detail | |
El Paso | TX | County Coliseum | SBD > Reel > Cassette > Datx2 > CDR; via L. Orf; reel flips in d1t1, d1t7 (smoothed), d3t2; superior version relative to version circulated 3/8 | Source Detail | Source Detail | |
Tempe | AZ | Feyline Field | MSR> Cass.> DATs> CDRs> EAC> SHN; via Darrin Sacks; see info file for known flaws; note md5s for d2t8-10 filler tracks (12/4/71) added here 1/24/01 | Source Detail | Source Detail | |
Boston | MA | Music Hall | Master Soundboard Reels > PCM > DAT> CDR; CD Mastering by Scott Clugston | Source Detail | Source Detail | |
Boston | MA | Music Hall | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional 11.2 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Boston | MA | Music Hall | unknown audience tape via David Minor encoded by Matt Vernon and Marc Pujol | Source Detail | Source Detail | |
Cincinnati | OH | Cincinnati Gardens | ||||
Cincinnati | OH | Cincinnati Gardens | flac16; SET ONE ONLY SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller | Source Detail | Source Detail | |
Cincinnati | OH | Cincinnati Gardens | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller (note: this source includes the encore missing from shn id 86839). | Source Detail | Source Detail | |
Cincinnati | OH | Cincinnati Gardens | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller (note: this source includes the encore missing from shn id 86839). | Source Detail | Source Detail | |
Cleveland | OH | Public Hall | SBD MR > 1 cass gen > DAT > (AUD patching)> CD > EAC > SHN> slight retrack for d2t3, d3t1, d3t4> shnv2 on those tracks; d3 tracked for 80 min; see notes in info file; seed via David Gans, Jim Powell, Dave Greenberg; shns via Seth Kaplan, Alan Fink, G.S. Hamilton | Source Detail | Source Detail | |
Durham | NC | Cameron Indoor Stadium, Duke University | SBD:MR> C> DAT> CD> EAC> SHN; via Kirby (Chalupa) Bell, Andy Gustin; note Beginning of Bertha is clipped, JBG is from an AUD source | Source Detail | Source Detail | |
Atlanta | GA | The Omni | nearly complete, with soundcheck; MR > C > DAT > CDR; via Trei Hobbs | Source Detail | Source Detail | |
Tampa | FL | Curtis Hixon Convention Hall | SBD Reel master > cassette > DAT > CDR (unknown gens) > EAC > CDWav retracking> SHN; Extraction, retracking, shortening by G.S. Hamilton (for real). Please use md5s to ID copies in circulation. Note d2 has 9 tracks; alternate shn set in circulation has 7 d2 tracks and is not really via Greg, but is apparently from another CD set. (This has same reel change in Wharf Rat (d3t04) @ 6:36.); note noise reduction notes in pub comments apparently pertain to alternate shn set only, no NR on this entry | Source Detail | Source Detail | |
Tampa | FL | Curtis Hixon Convention Hall | "DP 1 Leftovers"; via Gans, D. Finney; rest is on Dick's Picks 1- go buy it | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | Bertha Remaster of the Master Reel source; SBD> MR> DAT> CDA> SHN> DAW (Bertha)> CDA/SHN, by Jay Ashley | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R->HP 8200i CDRW Drive (EAC)->SHNCD Mastered by Jay Serafin gdtrfb95@flash.net sector boundaries fixed with shntool, new shns and md5s SIRMick(thedarkstar@btinternet.com) | Source Detail | Source Detail | |
Missoula | MT | Adams Field House, University Of Montana | MSR> cassette> DAT> CD-R> TAE> shn; via Bob Murphy | Source Detail | Source Detail | |
Vancouver | BC | P.N.E. Coliseum | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Portland | OR | Portland Memorial Coliseum | flac16; Remastered version of shn id 6957: Master Soundboard Reel > PCM > DAT> CDR with tweaks to the spectrum (Waves REQ 4-band), light compression (Waves R-Comp), slight warmth enhancement to the low-end (BBE2 lo-contour) and digitally maximized with the Waves L3 Multimaximizer. | Source Detail | Source Detail | |
Santa Barbara | CA | Campus Stadium, UCSB | MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850> .shn DAE/reSHN of shn id 205 shn set, via Doug Moog. David Hollister reports problems on USB track | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16; Analog Lineage: 1 x Sony ECM250 => Sony TC-110 >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> Audition 3.0 >> Wavelab 5.0 >> Izotope Ozone3(dithering) >> CDWave >> TLH >> Flac 1644 Taped By: Louis Falanga Transfer By: Bob Menke Mastering By: Paul Gilbert Tagged By: Jeff Thomas | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16; Recording Info: Set 1 + Encores: SBD -> Master Reel -> Reel -> Reel -> Wavelab -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Wavelab -> FLAC; Mastering Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; Re-mastered By Charlie Miller | Source Detail | Source Detail | |
Des Moines | IA | Des Moines State Fair Grandstand | mixed SBD sources: Set 1: MSR> C> DAT> CD Set 2 & 3: MSC> DAT> CD (except for patch in Wharf Rat which is MSR> ?> DAT> CD), lineage reported by Andy Lemieux; assembled/fixed by Sean Cribbs from Alan Fink's, Steve Windsor's and Andy's source material (see notes in txt) | Source Detail | Source Detail | |
Louisville | KY | Freedom Hall | SBD> MR>1 cass> DAT> ZA2> SHN; newly circulating crisp version); via D. Sacks, D. Hollister; note d3t2 was bad 11/5, fixed 11/8 | Source Detail | Source Detail | |
Louisville | KY | Freedom Hall | flac16; Speed Corrected Version of the SBD>MR>1 cass>DAT>ZA2>SHN source Additional lineage for this version: SHN (id=209) > WAV > Cool Edit Pro (see notes) > FLAC(8) | Source Detail | Source Detail | |
Louisville | KY | Freedom Hall | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> SHN -> Cool Edit Pro -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Miami | FL | Jai-Alai Fronton | flac 16; Sick Bits Vol. 21a - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=212) + AUD (shnid=14193). Matrixed by Chris Chappell. | Source Detail | Source Detail | |
Miami | FL | Jai-Alai Fronton | flac 16; Sick Bits Vol. 21b - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=213) + AUD (shnid=14265). Matrixed by Chris Chappell. | Source Detail | Source Detail | |
Springfield | MA | Springfield Civic Center | flac16; SBD + AUD Matrix Mix (65%/SBD + 35%/AUD) from SBD (shnID = 96275) Recording Info: SBD > Master Reel > CD and AUD (shnID = 15537) AudMC > DAT > WAV > SHN | Source Detail | Source Detail | |
Springfield | MA | Springfield Civic Center | flac16; Set II matrix sources: sbd: mr > datx2 > cd > shn > wav > shn (shnid 17814) and aud: mc > dat > wav > shn (shnid 15537) | Source Detail | Source Detail | |
Springfield | MA | Springfield Civic Center | flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Roanoke | VA | Roanoke Civic Center | SBD> MR> C> DAT> CDR; via Seth Kaplan | Source Detail | Source Detail | |
Landover | MD | Capital Centre | flac16; Sick Bits Vol. 8 - SBD/AUD Matrix of 2 previously circulating sources: (SBD - SHN ID# 2277, and AUD - SHN ID# 17968); edited and transfered by Chris Chappell | Source Detail | Source Detail | |
Hartford | CT | Dillon Stadium | flac16; Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC | Source Detail | Source Detail | |
Jersey City | NJ | Roosevelt Stadium | fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" | Source Detail | Source Detail | |
London | England | Alexandra Palace | Candelario Matrix MSR D CD except first 15:22 of Seastones (on Disc #2): AUD end of Sunshine Daydream and encore: AUD See info file for details; Mastering by Dave Greenberg; via Jed Distler; Seeded to etree by Jim Powell and Jay Gerland; See note in 'public comment' area regarding d3fix md5's | Source Detail | Source Detail | |
Munich | Germany | Olympiahalle | flac16; Recording Info: SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller | Source Detail | Source Detail | |
Dijon | France | Parc Des Expositions | flac16: **SOUNDCHECK ONLY** Lineage: SBD -> Master Reel -> Dat Transfer Info: Dat -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC Transferred and Mastered By Charlie Miller | Source Detail | Source Detail | |
Dijon | France | Parc Des Expositions | Lineage: SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN via Charlie Miller ((/shn/20675) with one track modified to remove a pop (see notes) by Matt Vernon | Source Detail | Source Detail | |
Paris | France | Palais Des Sports | flac16; SBD -> Master Reel -> Reel -> Dat Transferred and Edited By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | SBD: MR> R> C> D> CD> EAC> SHN, with Aud patches: Aud master> Rx2> C> D> CD; via A. Kowalski to BUDD and GDH-Trading; 10/22/67 filler; PITB split into 2 tracks at d/o removal (md5 version d2b); d2a.md5 likely reflects pre-split PITB and may not circulate | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | Source: Reel Master>Cassette>DAT>EAC 0.93b>MKWACT via JR Fishman | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | MultiTrack Master Reel > DAT > Sonic Solutions > CD; see info file for notes; via Steve Barbella, Rich Danyko, Matt Vernon | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | flac16; Black Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for SRC POWr3 Dither 16bit/44.1 kHz, TradersLilHelper for FLAC 8 SBE Free Tag&Rename for MetaData | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | Set I : SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN Set II and III : SBD -> Reel Master -> Dat Master (44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN Transfered and Edited By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | flac16; Recording Info: Set 1: SBD -> Master Reel -> Reel -> Reel -> PCM -> Dat (44.1k); Set 2: SBD -> Master Reel -> Dat (44.1k); Set 3: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | Recording Info: SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k) Transfer Info: Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) Patch Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD -> EAC -> SHN Transfered and Edited By Charlie Miller charliemiller87@earthlink.net 1/14/04 | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | mixed sources (see info file, and for flaws); via D. Finney, stemming from Frank's Picks tree- more info; note some material from show appears on album Steal Your Face- go buy it; see public comments for quality note | Source Detail | Source Detail | |
Mill Valley | CA | Bob Weir's Studio | flac16; SBD MR > R > R > CD * > EAC > WAV > FLAC | Source Detail | Source Detail | |
Mill Valley | CA | Ace's | SBD>MR>DAT>CDR; David Crosby and the Dead from weir's Studio; via Raoul Duke; seeded to etree by Matt Vernon | Source Detail | Source Detail | |
Mill Valley | CA | Ace's studio | SNACK rehearsals, poss compilation of dates; ??> cass> cooledit> mkw> shn; Tracking/ re-shn (v3) from original single shn file, by terrapinstation | Source Detail | Source Detail | |
San Francisco | CA | Kezar Stadium | SBD>FM>?>DAT>CDR Only flaw listed: One small d/o in the 1st Blues for Allah (Track 2) @ 4:36 | Source Detail | Source Detail | |
Unknown | CA | Studio (Blues for Allah Outtakes) | liberated bootleg CD-> EAC-> WAV-> SHN; via Dave Backus | Source Detail | Source Detail | |
Mill Valley | CA | Ace's Studio | rehearsals; 1st Gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; There's some question as to the accuracy of this date; via terrapinstation to etree | Source Detail | Source Detail | |
Mill Valley | CA | Ace's Studio | rehearsals; sbd> ? gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; SBEs fixed with shntool, renamed to fit Etree standards and re-shn'ed by terrapinstation | Source Detail | Source Detail | |
San Rafael | CA | Club Front | rehearsals; SBD: 2nd gen cass> PCM>SEK'D Prodif96Pro> wav> SHN; SBEs fixed (with shntool), files renamed, re-shn'ed, text file created by terrapinstation | Source Detail | Source Detail | |
San Rafael | CA | Club Front | rehearsal sessions from June 3, 4 & 5, 1975 from low-generation cassette. via Hanno Bunjes, Uli Teute | Source Detail | Source Detail | |
Mill Valley | CA | Bob Weir's Studio | flac16; "Blues Ruffs" : SBD MR > R > Rs > CD * > EAC > WAV > FLAC via Matt Smith | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | AUD CM>DAT>CD> EAC> SHN; Recorded by Rob Bertrando: Sony ECM-280 mics > Sony TC-152 SD cassette > playback on Nak Dragon > DAT; audience from Winterland floor, about 30-35' back, just to the? left of dead center; via Alan Fink, Mark Ferguson | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | DTS-Audio-CD 5.1 Mix; - SBD (shn id 96125) MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD CD's supplied by Matt Smith and edited by Jamie Waddell + AUD (shn id 233) AUD CM>DAT>CD>EAC>SHN Recorded by Rob Bertrando - patches, timing and dts encoding by Kevin Tobin | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | flac16; AUD/SBD Matrix of 2 previously circulating sources: AUD - (shn ID #233) and SBD - (shn ID #20084). Edited and converted by Chris Chappell. | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | sbd>? gen cass>PCM>SEK'D Prodif96Pro>wav>SHN via David Backus | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | flac16; SBD Source: MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station | Source Detail | Source Detail | |
Mill Valley | CA | Ace's Studio | sbd>? gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; via terrapinstation to etree | Source Detail | Source Detail | |
San Francisco | CA | Lindley Meadows, Golden Gate Park | Bertha Remaster of the master reel source; SBD>>MR>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A | Source Detail | Source Detail | |
San Francisco | CA | Lindley Meadows, Golden Gate Park | SBD : MR > DAT > CDR (HHb850); DAT > CDR transfer by Dan Sisler; Seeded to etree by Alan J. Fink | Source Detail | Source Detail | |
San Francisco | CA | Orpheum Theatre | flac16; Lineage R2 > D Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif interconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 by Jamie Waddell (compilation of material recorded on 5-28,29,30-76; See info file for details) | Source Detail | Source Detail | |
Portland | OR | Paramount Theatre | last 2 songs missing; MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR; noted at gdlive | Source Detail | Source Detail | |
Portland | OR | Paramount Theatre | MATRIX MIX: SBD/AUD (About 60%/40%): SBD: Bertha Remaster of the Master Reel Source and AUD: MC > DAT > WAV > SHN Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008 | Source Detail | Source Detail | |
Portland | OR | Paramount Theatre | SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included. | Source Detail | Source Detail | |
Boston | MA | Boston Music Hall | flac16; SBD/AUD Matrix of 3 previously circulated seeds (SBD I - SHN ID# 12382, SBD II - SHN ID# 5426, AUD - SHN ID #5982); prepared by Chris Chappell | Source Detail | Source Detail | |
Boston | MA | Boston Music Hall | flac16; Recording Info: Set 1: SBD -> Master Cassette -> CD; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; Set 2: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Boston | MA | Boston Music Hall | flac16; Source Info: SBD Master Reel -> PCM -> Dat (44.1k) Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 and Ozone. Dithered L2 Type-1 Ultra by Jamie Waddell | Source Detail | Source Detail | |
Boston | MA | Boston Music Hall | MR>DAT>DAT Clone @ 44.1 kHz (Tascam DA20)>SBLive Platinum SPDIF In>WAV Edit (Sound Forge)>SHN (mkw audio compression tool)>CDR (HP 8200); via GDLive [Note: An sbe-fixed-by-set version also circulates] | Source Detail | Source Detail | |
Boston | MA | Boston Music Hall | SBD> FM(WBCN)> MR(7.5ips); Conversion: Akai 4000DS MKII > Turtle Beach Tropez > CoolEdit96 > CD Wave > SHN; Taped by Peter Wrenn, Seeded by Stephen Wrenn; to etree via Doug Moog; Wheel from unknown AUD; see notes in info file | Source Detail | Source Detail | |
New York | NY | Beacon Theatre | flac16; Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell | Source Detail | Source Detail | |
New York | NY | Beacon Theatre | flac16; Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell | Source Detail | Source Detail | |
New York | NY | Beacon Theatre | SBD > Master Reel > PCM > DAT; Transfer:? DAT > WAV (via TB Fiji S/PDIF) > SHN; via Andy Gustin, Jeff Kempka; see info file and pub comments for flaw notes | Source Detail | Source Detail | |
New York | NY | Beacon Theatre | flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz; Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac; Transfer and mastering by Bill Koucky | Source Detail | Source Detail | |
Passaic | NJ | Capitol Theater | flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Passaic | NJ | Capitol Theater | flac16; Recording Info: SBD -> Master Reel Transfer Info: Apogee AD500 -> DAT -> Samplitude -> CD -> FLAC; All Transfers and Mastering By Charlie Miller (Download Series outtakes) | Source Detail | Source Detail | |
Upper Darby | PA | The Tower Theatre | flac16; Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; Upgrade in circulation | Source Detail | Source Detail | |
Upper Darby | PA | The Tower Theatre | flac16; Recording Info:SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Upper Darby | PA | The Tower Theatre | flac16; Recording Info: Unknown Mics -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Upper Darby | PA | The Tower Theatre | flac16; Matrix 3 Source Mix - SBD Set 1 (shn id 25478) WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN + SBD Set 2 (shn id 14498) SBD>MR>DAT>CDR>EAC + AUD (shn id 6682) [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC - matrix mixing by Kevin Tobin | Source Detail | Source Detail | |
Chicago | IL | Auditorium Theatre | flac16; Recording Info:SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Chicago | IL | Auditorium Theatre | 7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > DAT > ZA2 > CDR > EAC > SHN; via Jeff Tiedrich, David Hollister, Mike (Dank Star) Parrillo, Andy Gustin; with interleaved reel splices for completeness | Source Detail | Source Detail | |
San Francisco | CA | Orpheum Theatre | flac16; SBD + AUD Matrix Mix (50% SBD/50% AUD), seeded by Dan | Source Detail | Source Detail | |
San Francisco | CA | Orpheum Theatre | Set 2 DTS-Audio-CD 5.1 Mix via Dan | Source Detail | Source Detail | |
San Francisco | CA | Orpheum Theatre | flac16; Sick Bits Vol. 25 - SBD/AUD matrix of 2 previously circulating sources: SBD (shnid=34708) + AUD (shnid=18389). Matrixed by Chris Chappell. | Source Detail | Source Detail | |
San Francisco | CA | Orpheum Theatre | Fix of shn id 243 - patch in Eyes of the World smoothed out (MSR>DAT>CD>EAC>SHN) | Source Detail | Source Detail | |
San Francisco | CA | Orpheum Theatre | S : PreFM > MR > PCM > DAT > CDA > DAW (Bertha) > CDA - d1t01 and d3 S : FM > R > DAT > CDA > DAW (Bertha) > CDA - d1t02-d2t07 Bertha Remaster by jashley@deadacated.com Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. | Source Detail | Source Detail | |
Hartford | CT | Colt Park | flac16; Source: Audience FOB Recording Media: Maxell UD-XL1 C90 Master Tapes Lineage: MAC? (we can't for sure indicate that this is a master cassette, this might be a 1st gen copy) > Nak DR-1 > Apogee Rosetta 200 > Firewire > Apple G5 > Bias Peak 24/96 wav > FLAC > WAV > See Editing notes Taped by: E. Singer Transfer by: Derek McCabe Mastered by: SIRMick | Source Detail | Source Detail | |
Indianapolis | IN | Market Square Arena | flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; Transferred and Mastered by David Gans; Re-tracked and converted to FLAC By Charlie Miller | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD): SBD > RM > Dat>Sonic Solutions > CD > EAC > SHN (shn id 12519) and Unknown aud > ? > DAT Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit(rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn (shn id 10179) | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | DTS Audio 5.1; Set 2 only: SBD: SBD > RM > Dat>Sonic Solutions > CD > EAC > SHN Converted to SHN By Charlie Miller (shn id 12519) and AUD: Unknown aud > ? > DAT Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit (rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn SHNtool used verify track boundaries prior to wav>shn Transfer by Marc Pujol (shn id 10179) | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; tracked for 2x80 | Source Detail | Source Detail | |
Los Angeles | CA | Shrine Auditorium | MSR>DATs>CDRs>EAC>SHN Fixed SBE of shnid=251 | Source Detail | Source Detail | |
Los Angeles | CA | Shrine Auditorium | flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Daly City | CA | Cow Palace | PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) 2nd encores from MAR (unknown equipment) > Reel > Beta HiFi > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) [Note: A de-popped version created by Dave Winters for disk 3 also circulates. Check the .md5 for d3t03 to determine which version you have.] |
Source Detail | Source Detail | |
Van Nuys | CA | Sound City | Source:SBD>Master Reel>DAT>CDR>SHN; Terrapin Station and Mars Hotel studio outtakes; DAE(EAC0.9 beta 4)>tracking(CDWAV)>SHN(MKWAct.96f)>FTP via Tripp | Source Detail | Source Detail | |
Van Nuys | CA | Sound City | Terrapin Station Outtakes; sbd>?>cdr; Seeded to etree by Paul Moreno | Source Detail | Source Detail | |
San Bernardino | CA | Swing Auditorium | From the Owen Brothers Vault. Main source: SBD>MR>DATs>CDR>EAC>CDR>EAC>CDWAV>SHN. With AUD patches from: Sony ECM-280>Sony TC-153SD>MC>RR>DAT>CDR and between song tuning patches from: SBD>MR>C>C>CD. | Source Detail | Source Detail | |
San Bernardino | CA | Swing Auditorium | SBD>MR>DAT>CD; Editing and mastering by The Wizard | Source Detail | Source Detail | |
San Bernardino | CA | Swing Auditorium | flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk (Tim Deibert) WBOTB | Source Detail | Source Detail | |
Santa Barbara | CA | Robertson Gym, U.C.S.B. | Sony ECM-280> Sony TC-153SD ACM> R>DAT> CDR taped by Dr. Rob Bertrando; via Raoul Duke; Seeded to etree by Matt Vernon; Note- d2t06 does not exist, this was merely a naming error and the show is complete as is. | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | SBDMR @ 7.5 ips> DAT> CD> EAC> SHN, with AUD patches; AUD portions: Master (R. Bertrando Sony ECM-270/TC-152SD) Cassette> DAT> CD> EAC> SHN; note skip or maybe reel flip d2t2 5:38; d3t3>4 track marker off by ~1:45; d3t5, 'NFA', has an undocumented AUD splice from 14:20 to 15:06 | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | SBD>MR>DAT>DAT>Sonic Solutions>CDR; original tree and covers; note circ at one site 10/99 w/ problem in d3t5?; note Terrapin has fluttery flaws from master reel | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | Recording Info: SBD -> Master Reel -> Dat x 2 -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Tracked and SHN'd By Charlie Miller | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | FOB Sony ECM99A mics > Sony TC152 > Cass > DAT > CDR; Samson is missing due to a tape flip; Seeded to etree by Dave Luzenske | Source Detail | Source Detail | |
Springfield | MA | Springfield Civic Center | SBD> MR> DAT> CD, with AUD patch on reel splice (FOB Sony ECM99A mics> Sony TC152> DAT> CD via Darrin Sacks); via Adam Jerugim; upgrade in circulation | Source Detail | Source Detail | |
Passaic | NJ | Capitol Theater | Pre-FM Master Reel Soundboard->DAT x ?. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Dan Lynch. DAT patch provided by Joe Samaritano. Transfer and SHN by Joe Samaritano | Source Detail | Source Detail | |
New York | NY | The Palladium | flac16; Set 2 Only, Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
New Haven | CT | Veterans Memorial Coliseum | Betty Board reel source transferred to DAT by Rob Eaton, then transferred to CD by Dan Stephens; see info file for details | Source Detail | Source Detail | |
Boston | MA | Boston Garden | Bertha Remaster of the Rob Eaton/The Wizard soundboard source: SBD> MR> DAT> editing> SHN> DAW(Bertha)> CDA/SHN, by Jay Ashley; see pub comments for extended notes | Source Detail | Source Detail | |
Boston | MA | Boston Garden | SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard. | Source Detail | Source Detail | |
Boston | MA | Boston Garden | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Ithaca | NY | Barton Hall, Cornell University | freshly remastered Betty Board with AUD splices, by Rob Eaton; see info file for extensive notes and credits; etreed by Darrin | Source Detail | Source Detail | |
Ithaca | NY | Barton Hall, Cornell University | flac16, DTS; complete show; combination of SBD with 2 AUD sources (see notes in txt) | Source Detail | Source Detail | |
Ithaca | NY | Barton Hall, Cornell University | flac16; SBD (shnid=4982) and AUD (shnid=29303 Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); Fixed version in circulation | Source Detail | Source Detail | |
Ithaca | NY | Barton Hall, Cornell University | flac16, DTS; complete show; combination of SBD with 2 AUD sources (see notes in txt) | Source Detail | Source Detail | |
Ithaca | NY | Barton Hall, Cornell University | freshly remastered Betty Board with AUD splices, by Rob Eaton; see info file for extensive notes and credits; etreed by Darrin | Source Detail | Source Detail | |
Buffalo | NY | Buffalo Memorial Auditorium | Sources: Soundboard Source:Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out> Dat @ 48 kHz>Soundforge>Shn: Audience Source:Master Audience Cassette> Sony ecm-33pmics>nak550>reel to reel>cd The audience source supplies patches for the master reel splices at D2T2,TMNS 6:50 - 7:18 and D3T4, NFA 1:43 - 2:10 Seeded via Fungus and abgd by Charlie Connor 3/21/02, with thanks to Joe Samaritano and Scott Clugston | Source Detail | Source Detail | |
St. Paul | MN | St. Paul Civic Center | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC Transferred and Edited By Charlie Miller | Source Detail | Source Detail | |
Chicago | IL | Auditorium Theatre | SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD; (Post Drums - Fp -> Dat -> CD); Seeded to etree by Charlie Miller | Source Detail | Source Detail | |
St. Louis | MO | The Arena | flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller charliemiller87@earthlink.net | Source Detail | Source Detail | |
Tuscaloosa | AL | Memorial Coliseum, University Of Alabama | SBDMR > DAT > CD > EAC > SHN note: Sugar Magnolia encore supplied by AUD source. Added to etree by Noah Weiner | Source Detail | Source Detail | |
Atlanta | GA | Fox Theatre | SBD > MR > DAT > CDR > WAV > SHNv3; DAE: EAC (high n' secure, offset corrected) > shntool (boundaries confirmed) > mkwact > ftp via neo_levo from bear g.'s seed; upgrade in circulation | Source Detail | Source Detail | |
Atlanta | GA | Fox Theatre | flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC | Source Detail | Source Detail | |
Pembroke Pines | FL | The Sportatorium | SBD>MR>C>D>CD>Toast>SHN | Source Detail | Source Detail | |
Pembroke Pines | FL | The Sportatorium | SBD>MR>C>D>CD>Toast>SHN | Source Detail | Source Detail | |
Richmond | VA | The Mosque | flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed dropout in d3t02 Wharf Rat of source ID 87539 | Source Detail | Source Detail | |
Baltimore | MD | Baltimore Civic Center | Soundboard > 7 inch Master Reels @7.5ips 1/2 track -> DAT(s) -> ZA2 -> CDR (x1)-> EAC -> SHN; with AUD patches (and other fixes) by Scott Clugston, using Master Audience Cassette: Sony ECM-33p mics > Sony TC-158 > D source, taped by Jerry Moore; to etree via Darrin Sacks; see info file for details, other comments and credits | Source Detail | Source Detail | |
Baltimore | MD | Baltimore Civic Center | flac 16; Sick Bits Vol. 30a - SBD/AUD mix of 2 previously circulating primary sources: SBD (shnid=11614) + AUD (shnid=32092) as well as a patch SBD source (shnid=3224). Matrixed by Chris Chappell. | Source Detail | Source Detail | |
Hartford | CT | Hartford Civic Center | Bettyboard 7 inch master reel @ 7 ? ips > DAT (zero gen)> CDR (zero gen) (via sony pcm r-700 dat playback > hhb cdr-800) > CDR (first gen) > EAC > .Shn; with AUD patches from Steve Rolfe's FOB; see info file for details; via Seth Kaplan, Jack Warner, Darrin Sacks, Bob Fishman; d3 tracked for 80 min, can shift encore for 74 | Source Detail | Source Detail | |
Hartford | CT | Hartford Civic Center | flac 16; Sick Bits Vol. 30b - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=4983) + AUD (shnid=18439). Matrixed by Chris Chappell. | Source Detail | Source Detail | |
Inglewood | CA | The Forum | Rob Bertrando - FOB akg D224Es > Sony TC-153 cassette > CDR? > Rich Plumb DAT > Teddy GoodBear Computer (no edit) > SHN; to abgd; note track names with punctuated song titles may cause probs for some | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | SBD> MR> DAT, plus AUD patches (AKG D220 mics> Tandberg 10X MR taped by Bob Menke and Reinhardt Hollwein> Rob Bertrando's first-gen reel> DAT); DAT> CD transfer, patching by David Hollister; EAC> volume editing> SHN by Keith Bode | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Profesional -> SHN Transferred and Edited By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | flac16; Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Profesional v8.0 -> FLAC Transferred and Edited By Charlie Miller Patch Info: AKG D224 -> Master Reel (Tandberg 10XD) -> Reel -> Dat -> CD | Source Detail | Source Detail | |
Seattle | WA | Paramount Theatre | flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48] Mastering: In WaveLab with Nomad Blue Tube Plugins Rate Conversion with r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky | Source Detail | Source Detail | |
Seattle | WA | Paramount Theatre | flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz First Reel has no DBX hence MR > P1 > D1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky November 24, 2008 | Source Detail | Source Detail | |
Portland | OR | Paramount Theatre | flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0 | Source Detail | Source Detail | |
Portland | OR | Paramount Theatre | flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2). | Source Detail | Source Detail | |
Tempe | AZ | Activity Center, Arizona State University | flac16; FM > C(x2) > Marantz CDR-510 (rec at -0db) > CDR > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, checksums, and FLAC compression) > FLAC | Source Detail | Source Detail | |
Albuquerque | NM | University Arena, University Of New Mexico | flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Denver | CO | McNichols Sports Arena | flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Norman | OK | Lloyd Noble Center, University Of Oklahoma | flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Austin | TX | Manor Downs | SBD>MR>C>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN via J. Cotsman; Thanks to S. Milewski for aud patches | Source Detail | Source Detail | |
Houston | TX | Hofheinz Pavilion | Fix of shnid 6693 (sbd) by Bill Tetzeli - see info file for details | Source Detail | Source Detail | |
Dallas | TX | Moody Coliseum, S.M.U | SBD>MC>R>D>CD>EAC>SHN; declicked and pitch corrected | Source Detail | Source Detail | |
Baton Rouge | LA | Assembly Center, Lousiana State University | sdb> MR> C> D> CD; via Mike Lai | Source Detail | Source Detail | |
Baton Rouge | LA | Assembly Center, Lousiana State University | flac16; partial Set 1: Sony CR-O2 C-90 Cassette tape MASTER > JVC TD-W209 cassette playback deck >JVC XL-R5010 stand-alone>cdr (0)>your cdr | Source Detail | Source Detail | |
Kansas City | KS | Soldiers & Sailors Memorial Hall | Betty Board>MR>?>CD; via Jens Tilsner; Seeded to etree by Willy | Source Detail | Source Detail | |
Kansas City | KS | Soldiers & Sailors Memorial Hall | flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
DeKalb | IL | Evans Field House, Northern Illinois University | SBD > Reel > DAT > WAV (via TB Fiji S/PDIF) > SHN; via Jeff Kempka | Source Detail | Source Detail | |
DeKalb | IL | Evans Field House, Northern Illinois University | flac16; matrix of SBD: shnid=92085 and AUD: shnid=8035 by hansokolow using ProTools | Source Detail | Source Detail | |
Bloomington | IN | Assembly Hall | Source: SBD > MR > PCM > DAT > CDR > EAC > mkwACT EAC'd/SHN'd by Doug Nawrocki | Source Detail | Source Detail | |
Detroit | MI | Cobo Arena | SBD> Master (Betty Board) Reels> PCM> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M.; includes US Blues encore; d1t05 cuts into friend of the devil (about 1st 20 seconds missing); upgrade in circulation | Source Detail | Source Detail | |
Detroit | MI | Cobo Arena | flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Toronto | ON | Field House, Seneca College | Soundboard Reel> CD> TC2000 EQ> Sonic Solutions (David Gans)> CD> EAC> SHN TC2000; Equalizer Used To Brighten Up The Rather Dull Sound; CD> EAC> SHN By Joe Samaritano; also to abgd via Charlie Connor; note upgrade to previous copy | Source Detail | Source Detail | |
Hamilton | NY | Cotterell Gym, Colgate University | flac 16; SBD/AUD Matrix of 2 previously circulated seeds (SBD - shn ID #2595 & AUD - shn ID #15208); prepared by Chris Chappell | Source Detail | Source Detail | |
Rochester | NY | Community War Memorial Auditorium | Master Audience Cassette > possible analog gen> DAT > CDR; Mastered to disc> EAC> SHN by Scott Clugston. [Note: An alternate shn set differeing only in disks 2 and 3 also circulates. This might have an additional EAC generation.] | Source Detail | Source Detail | |
Rochester | NY | Community War Memorial Auditorium | flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | SBD>MR>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN (multigen); originally circulated by David Gans w/ thanks to S. Milewski for the patches | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | SBD> MR> DAT> standalone burner> CDR> EAC> SHN; EAC> SHN by B. Purvis; via offer to PCP; etreed 5/9/00 via A. Jerugim | Source Detail | Source Detail | |
San Diego | CA | Golden Hall, Community Concourse | SBD> MC> R> D> CD> EAC> SHN from previous Scot Clugston seed, patched with AUD> ??> CD> EAC> SHN; final edits/encoding by JCotsman | Source Detail | Source Detail | |
San Diego | CA | Golden Hall, Community Concourse | Aud>C>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Digitally Mastered by Charlie Connor; with Thanks to Lawrence Peryer | Source Detail | Source Detail | |
Los Angeles | CA | Shrine Auditorium | flac16; Matrix: Analog Aud: 2 x AKG D224E >> Sony TC-158SD Â >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] and Analog SBD: SBD >> MSC (dolby C) >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > flac16 | Source Detail | Source Detail | |
Eugene | OR | McArthur Court, University Of Oregon | d1,d3: sbd> ??> cd> eac> shn, d2 from previous shn set (see notes in info file); to gdlive, via popi | Source Detail | Source Detail | |
Eugene | OR | McArthur Court, University Of Oregon | flac 16; Please note Info file and md5 changed. SBD/AUD Matrix of 2 previously circulated seeds (SBD - ID #4974 & AUD - ID #2014); prepared by Chris Chappell | Source Detail | Source Detail | |
Chicago | IL | Uptown Theatre | flac16; SBD -> Master Reel -> Dat -> CD -> FLAC Audio discs provided by Jim Wise Converted to FLAC By Charlie Miller | Source Detail | Source Detail | |
Chicago | IL | Uptown Theater | flac16; SBD -> Master Reel -> Dat -> CD -> FLAC Audio discs provided by Jim Wise Converted to FLAC By Charlie Miller | Source Detail | Source Detail | |
Chicago | IL | Uptown Theater | MSR> C> DATs> CDRs> EAC> SHN; EAC/SHN by Mike (Dank Star) Parrillo; u/l via Darrin Sacks | Source Detail | Source Detail | |
Tampa | FL | Curtis Hixon Convention Hall | flac16; SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD) Mix consisting of SBD - shn id 81307, AUD - shn id 81494 | Source Detail | Source Detail | |
Pembroke Pines | FL | The Sportatorium | 7" Two Track Reel@ 7 1/2 ips>PCM501ES @44.055kHz>PCM analog out>DAT@48kHZ>Tascam DA-20MKII(playback only)>RME Digi96/8> Steinberg's Wavelab 3.0 (resampling & editing)>CDWav beta1.6(tracking only)>SHNv3 (MKW ACT; Source DAT via Joe Samaritano; upgrade in circulation DAT>Shn conversion, ditital editing via Charlie Connor;Seeded to fungus and abgd by Charlie Connor | Source Detail | Source Detail | |
Pembroke Pines | FL | The Sportatorium | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Jacksonville | FL | Veterans Memorial Coliseum | SBD> Bettyboard 7" reels @ 7.5ips> PCM> DAT> CDR> SHN; seeded by Katy Miller; upgrade in circulation | Source Detail | Source Detail | |
Jacksonville | FL | Veterans Memorial Coliseum | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Jacksonville | FL | Veterans Memorial Coliseum | flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > Fostex D5 > optical S/PDIF out (Jace's tape) > disk WBOTB Transferred by Tim Deibert 3-10-02 | Source Detail | Source Detail | |
Atlanta | GA | Fox Theater | SBD -> Rm -> PCM -> Dat via Charlie Miller; upgrade in circulation | Source Detail | Source Detail | |
Blacksburg | VA | Cassell Coliseum, Virginia Polytechnic | Betty's 7 inch, 2 track, Master Soundboard Reels> PCM x2> DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; drop out followed by a short digi-snit in JBG ~ 0:28 | Source Detail | Source Detail | |
Blacksburg | VA | Cassell Coliseum, Virginia Polytechnic | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Williamsburg | VA | William & Mary Hall | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> Samplitude Professional v7.02 -> FLAC | Source Detail | Source Detail | |
Huntington | WV | Huntington Civic Center | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC by Charlie Miller | Source Detail | Source Detail | |
Lexington | KY | Rupp Arena, University Of Kentucky | flac16; Recording Info:SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Nashville | TN | Nashville Municipal Auditorium | flac16; Set 1 Recording Info:SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Nashville | TN | Nashville Municipal Auditorium | Source: Sony 54P's>Nak 550--10th Row; FOB MAC>Cass>DAT>CDR. via Willy shn encoding Matt Vernon | Source Detail | Source Detail | |
Nashville | TN | Nashville Municipal Auditorium | flac16; Recording Info:Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90);Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Normal | IL | Horton Field House, Illinois State University | flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Normal | IL | Horton Field House, Illinois State University | flac16; SBD > Cassette Master > Dat > Cassette > Dat > CD > Samplitude Professional v7.02 > FLAC; Transfer and Mastering by Charlie Miller | Source Detail | Source Detail | |
Hanover | NH | Thompson Arena, Dartmouth College | flac16; Source: FOB Audience Recording (30 Rows Back) Media: Maxell UD-XLII C90 min / C60 min Lineage: Nakamichi CM300's > Sony 1535D (Dolby B on) > MAC Transfer: MAC > Nakamichi DR-1 (Dolby B off) > Benchmark ADC-1 > AES > Sound Devices 722 (24/96 WAV) Taper: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe | Source Detail | Source Detail | |
Burlington | VT | Patrick Gymnasium, University Of Vermont | flac16; Source: FOB Audience Recording (25th Row DFC) Media: Maxell UD-XLII C90 min / C60 min Lineage: Nakamichi CM300's > Sony 1535D (Dolby B on) > MAC Transfer: MAC > Nakamichi DR-1 (Dolby B off) > Benchmark ADC-1 > AES > Sound Devices 722 (24/96 WAV) Taper: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe | Source Detail | Source Detail | |
Troy | NY | Field House, Rensselaer Polytechnic Institute | flac16; Source: Audience FOB Recording Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe | Source Detail | Source Detail | |
Goleta | CA | Campus Stadium, UC Santa Barbara | SBD>MC>C>D>CD; patched with AUD>MC>R>D>CD; See info file for details; via Raoul Duke and Mike Tausig; Seeded to etree by Matt Vernon & J. Cotsman | Source Detail | Source Detail | |
Goleta | CA | Campus Stadium, UC Santa Barbara | flac16; Recording Info: SBD (Betty's Recording Mix) -> Master Cassette (Maxell UD C-90) -> Dat (44.1k);Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Omaha | NE | Omaha Civic Auditorium | flac16; MOTB Release: 0070 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Sony Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight Transfer By: Adam Egert Mastering By: Derek McCabe | Source Detail | Source Detail | |
Morrison | CO | Red Rocks Amphitheatre | ||||
Morrison | CO | Red Rocks Amphitheatre | SBD> [?]> DAT> CDR; via Jeff Hoelter; see pub comments for additional notes. [Note: A shntool-fixed-be-sets version of this source is available]; upgrade in circulation | Source Detail | Source Detail | |
Morrison | CO | Red Rocks Amphitheatre | flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight | Source Detail | Source Detail | |
Morrison | CO | Red Rocks Amphitheatre | flac16; Recording Info: SBD -> Master Reel -> PCM -> Roland SRC-2 -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Morrison | CO | Red Rocks Amphitheatre | set 2; SBD> MC> DAT> CDR; via Charlie Miller; Cozmcchuck; Steve Barbella | Source Detail | Source Detail | |
East Rutherford | NJ | Giants Stadium | 1st Set unknown gen reel>CD with some aud patches, see info file for details; 2nd Set SBD:MC>Cas>DAT>CD; via Yubah with thanks to Jools | Source Detail | Source Detail | |
Cairo | Egypt | Gizah Sound and Light Theater | Soundcheck from night before the shows; SBD>MR>??>CDR; Seeded to Etree by T. Wiley | Source Detail | Source Detail | |
Cairo | Egypt | Gizah Sound and Light Theater | Recording Info: SBD -> Master Reel (2 track) -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN)Transfered By Charlie Miller; upgrade in circulation | Source Detail | Source Detail | |
Cairo | Egypt | Gizah Sound and Light Theater | Recording Info: Set One: SBD -> Reel Master (2 track) -> Cass -> Dat -> CD -> EAC -> SHN Set Two: SBD -> Reel Master (10" @ 15 I.P.S. 1/2-track) -> Dat -> CD -> EAC -> SHN Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN All transfers By Charlie Miller; upgrade in circulation | Source Detail | Source Detail | |
Cairo | Egypt | Gizah Sound and Light Theater | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | SBD: Master Reel> PCM> DAT> CD> (EAC) WAV> SHN; EAC, tracking, shn and upload by Evan Levy; notes: one splice in Eyes, U.S. Blues cuts off missing ~45 seconds; see pub comments for additional notes; upgrade in circulation | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | SBD; transferred and seeded to etree by Mike Lai, from Bruce Fried DAT | Source Detail | Source Detail | |
Chicago | IL | Uptown Theater | flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Cleveland | OH | Cleveland Music Hall | Complete show. Set1: SBD> ??> CAS> CD> EAC> WAV; Set2: MSR> CAS> LYNXONE 24 Bit A/D Converter> CD> SHN> WAV; Set2 patches: MSC> CAS> DAT> CD-R> EAC> SHN> WAV; and MAC> R1> R2> (possibly R3>) DATs> CDRs> EAC> SHN> WAV. Set 2 derives from all three previous seeds. See info file for edits and flaws. | Source Detail | Source Detail | |
Cleveland | OH | Cleveland Music Hall | flac 16; Sick Bits Vol. 16a - matrix: SBD/AUD mix from 2 previously circulating sources; SBD: (shnid=12947)+ AUD: (shnid=302); edited, mixed and transfered by Chris Chappell | Source Detail | Source Detail | |
Rochester | NY | Community War Memorial Auditorium | flac16; Partial SBD > ? > Cassette Transfer: Cassette > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC. Soundforge for fades & edits, CD-Wave for tracking, Trader's Little Helper for SBE-OK and checksums, FLAC Frontend for lossless compression.; upgrade in circulation | Source Detail | Source Detail | |
Passaic | NJ | Capitol Theatre | flac16; SBD(PreFM) > MR>DAT > CDA > Wav(EAC) > SHN > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 13948 | Source Detail | Source Detail | |
Passaic | NJ | Capitol Theatre | flac16; Source: PreFM SBD MR > DAT (48Khz) > DAT > WAV > FLAC. DAT > WAV transfer: Playback on Sony PCM-R500 > Neutrik input on Presonus Firebox preamp/A:D > firewire/XP Pro PC > Wavelab 5, recorded as 24 bit/96 KHz WAV > Waves L3 Multimaximizer (mastered to 16 bit/44.1 KHz WAV using hi res CD dither settings) > CDWAV 1.9 (tracking and FLAC encoding) > FLAC (level 8). | Source Detail | Source Detail | |
Nashville | TN | Nashville Municipal Auditorium | flac16; Recording Info: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source) | Source Detail | Source Detail | |
Atlanta | GA | Fox Theater | SBD>MR>R>C>D>CD>EAC>SHN; patched with AUD>MC>D>CD>EAC>SHN; the SBD is slightly degraded; Thanks to Mike Tausig & Chuck Kiefe; edits/encoding by JCotsman | Source Detail | Source Detail | |
San Francisco | CA | Winterland Arena | flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD Â >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein | Source Detail | Source Detail | |
Buffalo | NY | Shea's Buffalo Theater | AUDMC > DAT > CD Recorded by Jerry Moore, NAK 700's > Sony TC-D5M from the 6th row center, mics very high up on pole. A > D by Mark Cohen - EAC > SHN by Noah Weiner. A previous digitization of this show was found to have digital errors (clicks and ticks), thus the redo;; upgrade now in circulation. | Source Detail | Source Detail | |
Kansas City | KS | Soldiers & Sailors Memorial Hall | flac16; Recording by Joani Walker: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: Dolby was used in the transfer of this source) | Source Detail | Source Detail | |
Kansas City | KS | Soldiers & Sailors Memorial Hall | flac16; Recording by Joani Walker: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source) | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16; Recording Info: SBD -> Master Reel -> ? -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
San Rafael | CA | Studio Rehersal, Club Front | sbd> mr> dat> cd; DAE (EAC) by Chris Ladner, from Bear Greider seed; hosted by tol | Source Detail | Source Detail | |
Charlotte | NC | Charlotte Coliseum | flac16; Recording by Barry Glassberg: MOTB 0024:Source: Audience FOB Recording, 60 Feet back, DFC, 9 foot pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM700's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | flac16; Recording by Barry Glassberg: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Tascam HD-P2 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick | Source Detail | Source Detail | |
Amherst | MA | Alumni Stadium, University Of Massachusetts | flac16; Recording by Barry Glassberg: MOTB 0034: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM300's > Sony 158SD > MAC 50ft. DFC Hand-Held Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick | Source Detail | Source Detail | |
Oakland | CA | Oakland Auditorium Arena | SBD>MC>C>DAT>CDR; Missing Jack Straw; via Paul B; Seeded to etree by Willy;; upgrade now in circulation | Source Detail | Source Detail | |
Morrison | CO | Red Rocks Ampitheatre | flac16; Seamless fix of soundboard shn id 9288 - MSC>R>PCM>CD>EAC>SHN>WAV>FLAC by Bil Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details | Source Detail | Source Detail | |
Denver | CO | McNichols Sports Arena | Sources: Primary: Master Soundboard Cassette > Reel to Reel > PCM > CDR; Sedondary Source: Master Audience Cassette; Nakamichi CM700 mics > 1 Reel to Reel gen > DAT > CDR Aud source supplies portions of "Friend of the Devil", "MInglewood Blues" , "Tuning / Announcements" , and "I Need A Miracle" ;Patching / CD Re-Mastering, EAC'ed / SHN'ed by Scott Clugston; to fungus and abgd via Charlie Connor | Source Detail | Source Detail | |
Denver | CO | McNichols Sports Arena | flac16;Recording Info:(2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k) Recorded by Rob Eaton; Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Glens Falls | NY | Glens Falls Civic Center | flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Augusta | ME | Augusta Civic Center | flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> PCM -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> PCM -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> PCM -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
New Haven | CT | Veterans Memorial Coliseum | flac16; Set 2 Recording by Steve Rolfe: Nakamichi 700 -> Cassette Master -> Dat -> CD. Transfer: CD -> EAC -> CEP -> Flac(level 8) by Matt Vernon. Set 1 already circulates. | Source Detail | Source Detail | |
South Yarmouth | MA | Cape Cod Coliseum | flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller ( upgrade now in circulation). | Source Detail | Source Detail | |
South Yarmouth | MA | Cape Cod Coliseum | flac16; SBD -> Master Cassette -> Reel -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation | Source Detail | Source Detail | |
Uniondale | NY | Nassau Veterans Memorial Coliseum | flac16; Recording Info: SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Master Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; This is a repatch of shn id 23445 & shn id 77363 | Source Detail | Source Detail | |
Uniondale | NY | Nassau Veterans Memorial Coliseum | SBD> MR> Dick's cassette> DAT> CD; via Alasdair Macdonald | Source Detail | Source Detail | |
Uniondale | NY | Nassau Veterans Memorial Coliseum | flac16; 2 x Nakamichi CM-700's => Sony TCD5 >> 37th Row Center on the Pole >> MAC >> Nakamichi DR-1 >> Benchmark ADC-1 >> AES >> Sound Devices 722 >> 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Green | Source Detail | Source Detail | |
Providence | RI | Providence Civic Center | SB>MR>Dick Latvala's cass>DAT>CD>EAC>minor editing>.shn & CD-R; Reported upgrade to previous shn set; see info file for details; Timings are the same; via Alasdair Macdonald | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | Third in the series :O); This is the previous shn set with a shntool fix and silence removed from d2 (by Charles Weir); See info file for details; Master Soundboard Cassette > Cassette > DAT > CDR. : upgrade now in circulation | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | flac16; SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat/0 (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller | Source Detail | Source Detail | |
San Diego | CA | Golden Hall, Community Concourse | Sources:Primary Source:MSC>??>DAT>CDR>EAC>Shn;Alternate Soundboard Source MSC>C>CDR supplies patches in Lost Sailor, Sugar Mag, OMSN,. 2nd Alt Source; Master Aud Cassette>NakCM700>Sony TC-158>Reel>DAT>CDR source supplies patches in China Cat Sunflower , Playin, and Sugar Mag. This source is missing the material needed to patch "Althea" (d1t08). Primary Source Shs via Eric Salmassy; Cd remastered; patched and reshn'ed by Scott Clugston; to Fungus and abgd via Charlie Connor (Note: A sbe-fixed version is circulating as of 4/2008.) | Source Detail | Source Detail | |
San Diego | CA | Golden Hall, Community Concourse | flac16; 2 x Nak cm700's >> Sony TC-D5 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] | Source Detail | Source Detail | |
Los Angeles | CA | Pauley Pavilion, UCLA | Recording Info: SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info: Nakamichi 700 -> Master Cassette -> Reel -> CD (Possibly One More Reel Gen) via Charlie Miller : upgrade now in circulation | Source Detail | Source Detail | |
Cleveland | OH | Cleveland Public Hall | flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller; upgrade now in circulation | Source Detail | Source Detail | |
Pittsburgh | PA | Stanley Theatre | ||||
Pittsburgh | PA | Stanley Theatre | flac16; AUD (unknown equipment and lineage, speculated to have been taped by Scott Jones with Shure > Sony TC-158) via Andrew F | Source Detail | Source Detail | |
Pittsburgh | PA | Stanley Theatre | flac16; Sick Bits Vol. 15: SBD/AUD Matrix[SBD: (shnid=29429) AUD: (shnid=31330)] via Chris Chappell | Source Detail | Source Detail | |
Chicago | IL | Uptown Theater | flac16; Set 1: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Set 2: SBD -> Cassette Master -> Cassette -> Dat -> CD Transferred and Edited By Charlie Miller | Source Detail | Source Detail | |
Chicago | IL | Uptown Theater | flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) -> Data DVD; Transfer Info: Data DVD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
St. Louis | MO | Kiel Auditorium | flac16; SBD> Cassette Master> Reel (Technics)> Dat (3800/48k), plus patch from Nak 700> Cass> Reel source; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; transferred and edited by Charlie Miller | Source Detail | Source Detail | |
Kansas City | KS | Soldiers & Sailors Memorial Hall | flac16; AUD of unknown lineage Transfer: Cassette > Sony TC-D5M (no Dolby) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-fix, FLAC compression, and checksums) > FLAC via Andrew F | Source Detail | Source Detail | |
Kansas City | KS | Soldiers & Sailors Memorial Hall | SBD> Cm> Cass> Dat> CD (Tascam CDRW700)> EAC> CD; Tracked with CDWav; via Charlie Miller, Ron Speer, Jim Parzych, Steve Barbella (see notes);upgrade now in circulation | Source Detail | Source Detail | |
Kansas City | KS | Soldiers & Sailors Memorial Hall | flac16; Recording Info: SBD -> Cassette Master (Nak 550) -> Cassette (Sony D5) Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Kansas City | KS | Soldiers & Sailors Memorial Hall | flac24; DVD-AUDIO 24/48 SBD+AUD Matrix Mix (60%-SBD/40%-AUD); see info files for sources used | Source Detail | Source Detail | |
Kansas City | KS | Soldiers & Sailors Memorial Hall | flac16; SBD + AUD Matrix (60%-SBD/40%-AUD) Mixed by Dan Haugh | Source Detail | Source Detail | |
Kansas City | KS | Soldiers & Sailors Memorial Hall | flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550) -> Cassette (Sony D5); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Remaster of shnid 89165 | Source Detail | Source Detail | |
Oakland | CA | Oakland Auditorium Arena | flac16; 1st Set Only, Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Oakland | CA | Oakland Auditorium Arena | flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) | Source Detail | Source Detail | |
Oakland | CA | Oakland Auditorium Arena | flac16; SBD>MC>DAT>CD - Seamless fix of shn id 4797. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details | Source Detail | Source Detail | |
Passaic | NJ | Capitol Theater | flac16; MTX; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe Sbd Source: 27752 flac16; SBD> Cassette Master> Dat, plus patch from FOB Nak 700> Cass; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller | Source Detail | Source Detail | |
Passaic | NJ | Capitol Theater | flac16; MTX; FOB Master Cassettes MAC = 3 x Maxell XLII C90, 1 Maxell XLII C60; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe SBD Source: Miller's - 12386 | Source Detail | Source Detail | |
Ithaca | NY | Barton Hall, Cornell University | SBD> Cassette Master> Reel> Dat> CD> EAC> SHN; Converted By Charlie Miller | Source Detail | Source Detail | |
Hartford | CT | Hartford Civic Center | flac16; Set 2 only, Recording Info: SBD -> Cassette Master -> Dat -> Sound Forge -> WAV; Transfer Info: WAV -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC | Source Detail | Source Detail | |
Hartford | CT | Hartford Civic Center | flac16; 2 X Nak CM700 with eq > Sony TC-D5M with Dolby > MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Barry Glassberg | Source Detail | Source Detail | |
Boston | MA | Boston Garden | flac16 Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller; this source has a patch in a cut in d2t09 of the previous Miller source (source ID 91931) | Source Detail | Source Detail | |
Spokane | WA | Spokane Coliseum | flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x Nakamichi cm700 >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe MOTB Release: 0030 16/44.1 | Source Detail | Source Detail | |
Anchorage | AK | West High Auditorium | SBD>MC>??>DAT>CDR; via paul B; Seeded to etree by Willy; upgrade in circulation | Source Detail | Source Detail | |
Anchorage | AK | West High Auditorium | Recording by Eddie Claridge at the soundboard patched from Dan Healy. AKG 414 stereo mic -> Sony TC-158 deck via John Gaetzi encoded by Matt Vernon | Source Detail | Source Detail | |
Anchorage | AK | West High Auditorium | Recording Info: SBD -> Cassette Master -> Sonic Solutions (20bit) -> SBM2 (Dithered To 16bit) -> CD (Master Production Discs) -> EAC -> SHN (3 Discs Audio / 2 Discs SHN)Patch Info: Patches in Let It Grow and Drums supplied By AKG 414 -> Cm -> Dat -> CD -> EAC -> SHN via Charlie Miller | Source Detail | Source Detail | |
Anchorage | AK | West High Auditorium | Bertha Remaster of Master Soundboard Cassette Source | Source Detail | Source Detail | |
Anchorage | AK | West High Auditorium | flac16; SBD/AUD Matrix Mix (60%-SBD/40%-AUD) SBD source: Soundboard > Cassette Master > Sonic Solutions (20bit) > Sony SBM2 > Master CD > EAC > FLAC (shn id 27448); AUD source: Source: AKG 414 stereo mic -> Sony TC-158 deck, Taper: Eddie Claridge (shn id 23531). SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the SBD & AUD. This is a 60% SBD, 40% AUD mix. Mixed by dan@am-dig.com. note: info file now reflects tracking for 80 minutes CDs | Source Detail | Source Detail | |
Anchorage | AK | West High Auditorium | flac24; DVD-A 24/44 SBD+AUD Matrix Mix - 24 bit version of other Matrix source by Dan. | Source Detail | Source Detail | |
Edwardsville | IL | Southern Illinois University | Recording by Joani Walker: FOB MAC w/ Sony ECM-250s>Sony TC-158>CDR via Paul Scotton, tracking & tweaking by Scott Clugston, SHN encoding by Andy Lemieux ; upgrade in circulation | Source Detail | Source Detail | |
Chicago | IL | Uptown Theater | flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Cleveland | OH | Cleveland Public Hall | sbd-> cassette-> unknown digital xfer(s)-> Sonic-> CD-> CD-> EAC-> SHN Note: Beginning gap in Don't Ease Me In patched by David Gans using a piece of the chorus in. This is not a "new" source | Source Detail | Source Detail | |
Clarkston | MI | Pine Knob Music Theater | flac16; Recording Info:SBD -> Master Cassette -> Cassete -> Dat (48k) -> Pro Tools -> AIFF; Transfer Info:AIFF -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | flac16; Recording Info: SBD -> Master Cassette -> Cassete -> Dat (48k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | flac16; Soundboard shn id 15408 and fixed version of shn id 8875 via Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details | Source Detail | Source Detail | |
Rochester | NY | Community War Memorial Auditorium | flac16; Patched version of soundboard shn id 28299 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details | Source Detail | Source Detail | |
Providence | RI | Providence Civic Center | flac16; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Providence | RI | Providence Civic Center | flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) | Source Detail | Source Detail | |
Lewiston | ME | State Fairgrounds | flac24; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-II); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Lewiston | ME | State Fairgrounds | flac16; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-II); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | Warfield Theater | flac16; Recording by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008. | Source Detail | Source Detail | |
San Francisco | CA | Warfield Theater | acoustic; SBD-> Master Cassette-> DAT-> Sonic Solutions-> CD; CD-> EAC-> SHN conversion and upload by Adam Jerugim; seed via David Gans, Chris Meyer, Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | Warfield Theater | Acoustic set only; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy | Source Detail | Source Detail | |
San Francisco | CA | Warfield Theater | Source: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > 3 DAT Generations DAT > WAV > SHN: Dan Stephens (dms@well.com) Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV > MKW Audio Compression Tool v0.97b1 (no DAE) | Source Detail | Source Detail | |
San Francisco | CA | Warfield Theater | flac16; SBD/AUD Matrix of 3 previously circulated seeds; prepared by Chris Chappell | Source Detail | Source Detail | |
San Francisco | CA | Warfield Theater | acoustic set; SBD> Reel> PCM> DAT> CDR> Plexwriter CD-R (EAC)> HP 8200i CDRW Drive (EAC); via Andy "Bear" Greider, Stephen Windsor, Darrin Sacks | Source Detail | Source Detail | |
New York | NY | Radio City Music Hall | AUD(Sony ECM-280's)>MC>DAT>CDR; Seeded to etree by Tim Wiley | Source Detail | Source Detail | |
New York | NY | Radio City Music Hall | AUD(Sony ECM-280's)>MC>DAT>CDR; Seeded to etree by Tim Wiley | Source Detail | Source Detail | |
New York | NY | Radio City Music Hall | flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
New York | NY | Radio City Music Hall | Updated Source; SBD > MR > C (no dolby) > DAT > CD > EAC > SHN; was marked: SBD > MR > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko | Source Detail | Source Detail | |
New York | NY | Radio City Music Hall | flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
New York | NY | Radio City Music Hall | Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd | Source Detail | Source Detail | |
New York | NY | Radio City Music Hall | Recording by Jim Wise. Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd | Source Detail | Source Detail | |
New York | NY | Radio City Music Hall | Source: Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN Electric: MSR>R>C>DAT>WAV>SHN C>SHN Conversion by Cousinit Seeded to abgd 10/03 | Source Detail | Source Detail | |
New York | NY | Radio City Music Hall | flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Lakeland | FL | Lakeland Civic Center | flac16; Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky February 7, 2008 | Source Detail | Source Detail | |
Gainesville | FL | Alligator Alley Gymnasium, University Of Florida | flac16; Recording by Jim Wise. Source: Beyer M-160's > Sony TC-D5 > CDR > DAT Recording by Jim Wise Mics were on a 15' pole at the SBD Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 7, 2008 | Source Detail | Source Detail | |
Atlanta | GA | Fox Theater | complete; MSC> Reel> DATs> CDRs> EAC> SHN (set I and Scarlet>Fire from Set II); remainder Jim Wise's Sony ECM280s> D5> DATs> CDRs> EAC> SHN, also with patches from other AUDs (see info file); via Scott Clugston, Dankstar, Darrin Sacks; upgrade relative to previous shn set; note copy a noted at shakedown- has fixed track boundaries, copy b noted at gdlive does not (d3 is same for both)- see pub comments | Source Detail | Source Detail | |
Atlanta | GA | Fox Theater | flac16; Set 2 only, Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Mill Valley | CA | Mill Valley Recreation Center | Betty Cantor-Jackson's Master Audience Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston | Source Detail | Source Detail | |
Long Beach | CA | Long Beach Arena | flac16; Recording by Joani Walker: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Long Beach | CA | Long Beach Arena | flac16; Recording by Joani Walker: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Oakland | CA | Oakland Auditorium Arena | flac16; Recording Info:(FOB) Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Oakland | CA | Oakland Auditorium Arena | flac16; Recording Info:(FOB) Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Chicago | IL | Uptown Theater | flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell | Source Detail | Source Detail | |
Chicago | IL | Uptown Theater | flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell | Source Detail | Source Detail | |
Chicago | IL | Uptown Theater | flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell | Source Detail | Source Detail | |
Chicago | IL | Uptown Theater | flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell | Source Detail | Source Detail | |
Cleveland | OH | Cleveland Music Hall | flac16; Recording by Mason Taylor and Mark Radnor: : NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer: Cassette Master > HHB Porta-a-DAT DAT Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing Info- Wavelab 6.0 using Ozone and L2 for dither | Source Detail | Source Detail | |
College Park | MD | Cole Field House, University Of Maryland | flac16; Recording by Barry Glassberg; MOTB-0008 Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner | Source Detail | Source Detail | |
College Park | MD | Cole Field House, University Of Maryland | flac24/96; Recording by Barry Glassberg: MOTB-0008: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Recording by Barry Glassberg: MOTB-0009 Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Recording by Barry Glassberg: MOTB-0010 Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner | Source Detail | Source Detail | |
Hartford | CT | Hartford Civic Center | flac16; Recording by Barry Glassberg: MOTB-0029 Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | Recording by Jim Wise: Master FOB Audience Cassette > Sennheiser 421 mics> Sony D5 cassette deck > DAT > CDR; via Scott Clugston; upgrade in circulation | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | flac16; 1st Gen (FOB) 2 x Nakamichi 700 [on a stand] > Sony D5 > MAC > TDK MA90 (Set I) and Maxell XLII 90 (Set II). Taper: Nick Milner. 1st gen audience cassettes graciously provided by Mark McCue. Transferred and mastered by Alex Ford February 2008. | Source Detail | Source Detail | |
New Haven | CT | Veterans Memorial Coliseum | SBD> Master Cassette> Cassette > DAT> CDR; via Jeff M. | Source Detail | Source Detail | |
Ithaca | NY | Barton Hall, Cornell University | flac16; Set 1: SBD -> Master Cassette -> Reel -> Dat Set 2: SBD -> Master Cassette -> Dat Transferred and Edited By Charlie Miller | Source Detail | Source Detail | |
Ithaca | NY | Barton Hall, Cornell University | flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape; Transferred Nak ZX7> CDR by Doug Mow; CDR> FLAC16, minor editing by Alex Ford | Source Detail | Source Detail | |
Kansas City | MO | Kansas City Municipal Auditorium Arena | flac16; SBD -> Master Cassette -> Reel -> Dat Transferred and Edited By Charlie Miller | Source Detail | Source Detail | |
Long Beach | CA | Long Beach Arena | flac16 MOTB Release:0065 - 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell XLIIS 90 Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Ron Ellner MAC Supplied By: Barry Glassberg Transfer By: Adam Egert Mastering By: Adam Egert (EQU) Mastering By: Bill Koucky (Edits/Tracking) | Source Detail | Source Detail | |
Buffalo | NY | Community War Memorial Auditorium | flac16; Sick Bits Vol. 10 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 18110, and AUD - SHN ID# 12554); edited and transfered by Chris Chappell | Source Detail | Source Detail | |
Copenhagen | Denmark | Forum Theater | SBD: CM > CASS > DAT > Pro CDR; via Neil Sturvetant; John Martin; Alasdair Macdonald; Seeded to etree by Matt Vernon | Source Detail | Source Detail | |
Barcelona | Spain | Sports Palace | flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD -> EAC -> SHN; Transfer Info:SHN -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Madison | WI | Dane County Coliseum | Nak 300's > Sony D5; via Peter Gallagher, Willy | Source Detail | Source Detail | |
Oakland | CA | Oakland Auditorium Arena | flac16; Source: Audience Recording Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Wavelab 5 > Plugins > r8brain Pro > 16/44.1 Wave > CD Wave > flac16 | Source Detail | Source Detail | |
Oakland | CA | Oakland Auditorium Arena | flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Oakland | CA | Oakland Auditorium Arena | flac16; Audience Recording Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Wavelab 5.0 > Waves L3 UltraMaximizer > 16/44.1 Wave > CD Wave > TLH > flac16. Taped by Mark Severson, he who wishes to remain anonymous, and Jamie Poris. Transferred & Edited by Bgreen. Edited and Mastered by Alex Ford. | Source Detail | Source Detail | |
Oakland | CA | Oakland Auditorium Arena | flac16; Source: Audience Recording Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > 16/44.1 Wave > CD Wave > TLH > flac16. | Source Detail | Source Detail | |
Oakland | CA | Oakland Auditorium Arena | electric sets; Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB; via Jay Serafin to gdlive; see extensive notes in txt files | Source Detail | Source Detail | |
Oakland | CA | Oakland Auditorium Arena | flac16; Recording by Matt Field. Source: FOB Nak 100's > D-5 > D-5 > Maxell UDXL I cassettes. Transfer and Mastering: Cassette (1st Gen) playback on Nakamichi CR-7A, azimuth adjusted, no Dolby > Grace Lunatec V3, sample rate at 96 KHz > AES digital connection > LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. Transfer and mastering by Chris L. | Source Detail | Source Detail | |
Oakland | CA | Oakland Auditorium Arena | flac16; Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. | Source Detail | Source Detail | |
Various | CA | Unknown | flac16; Source: FM > Cassette > Cassette/1 Transfer: Yamaha K-1020 > Sony SBM-1 > Nomad JB3 > Creative Play Center > Soundforge v6e > CDWav Creative Play Center software used to copy to laptop with firewire cable. Soundforge used to prep file for tracking. CDWave used to track and flac at level 8 compression. | Source Detail | Source Detail | |
Rochester | NY | Community War Memorial Auditorium | flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation | Source Detail | Source Detail | |
Glens Falls | NY | Glens Falls Civic Center | flac16; Matrix of Soundboard and audience recording by Ohr Weinberg via PLS. | Source Detail | Source Detail | |
Hartford | CT | Hartford Civic Center | Bertha Remaster of unknown Soundboard source (*)SBD>>???>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN | Source Detail | Source Detail | |
Hartford | CT | Hartford Civic Center | SBD -> Cm -> PCM -> Dat(48k) via Charlie Miller | Source Detail | Source Detail | |
Baltimore | MD | Baltimore Civic Center | MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) ; upgrade in circulation | Source Detail | Source Detail | |
Baltimore | MD | Baltimore Civic Center | same as shn id 2316 with an undocumented change to d2t05; Master Soundboard Cassette > Cassette > DAT > CDR EAC'ed/SHN'ed by Scott Clugston | Source Detail | Source Detail | |
Berkeley | CA | Greek Theatre, University Of California | sbd master cassette > DAT > CDR > EAC > SHN; via Gerald Gorinsky with thanks to Kevin Gills, Mark Perini; see info file for flaw notes | Source Detail | Source Detail | |
Berkeley | CA | Greek Theatre, University Of California | flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Pro fessional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; this source fixes a flaw in the previous source. | Source Detail | Source Detail | |
Berkeley | CA | Greek Theatre, University Of California | soundboard -> master cassette > DAT > CDR > CDR > EAC > SHN; EAC, SHN, etreed by Gerald Gorinsky, with thanks to Kevin Gills and Mark Perini | Source Detail | Source Detail | |
Berkeley | CA | Greek Theatre, University Of California | flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Berkeley | CA | Greek Theatre, University Of California | sbd -> Master cassette > DAT > CDR> CDR > EAC (secure mode) > SHN; EAC, SHN , upload by Gerald Gorinsky, with thanks to Kevin Gills, Mark Perini | Source Detail | Source Detail | |
Berkeley | CA | Greek Theatre, University Of California | flac16;Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | Moscone Convention Center | SBD:Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner | Source Detail | Source Detail | |
Ventura | CA | Ventura County Fairgrounds | Senn 421's>MC>DAT>CDR; Believed to be Jim Wise's recording; Seeded to etree by Willy | Source Detail | Source Detail | |
Ventura | CA | Ventura County Fairgrounds | Recording by Ohr Weinberg, FOB w/ two Sennheiser MD-441's (8 1/2' Stand) > Sony TC-D5M (Maxell MX-90 Cassettes w/ Dolby B). A->D (Ohr): Master Cassette > Nakamichi Dragon > HHB CDR 830 Plus > EAC -> CD Wave > Drums Tape Flip Spliced w/ Soundforge 5.0 > MKW ACT > SHN | Source Detail | Source Detail | |
Morrison | CO | Red Rocks Amphitheatre | flac16; Source: SBD>Cass/1>DAT>HD-P2>Soundforge 6.0>Flac Frontend>FLAC Tranfer by: Jake Clemens | Source Detail | Source Detail | |
Austin | TX | Manor Downs | flac16; SBD/AUD matrix - Sick Bits Vol. 11 (edited/mixed from 2 previously circulating sources: SBD - shnID=3415, AUD - shnID=19017) - prepared by Chris Chappell | Source Detail | Source Detail | |
Oklahoma City | OK | Zoo Amphitheater | flac16; (FOB) Nakamichi CM-700s > Sony TC-D5M > MC > Cassette x2 Taper: David Seligman Transfer: 2nd GEN Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3 (@24 bit 96 kHz) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer(dither) > 16 bit WAV > CD Wave Editor > TLH > FLAC16. 2nd GEN cassettes provided by Jake Feinberg. Transfer, edits and conversion by Alex Ford 02/26/07. | Source Detail | Source Detail | |
Kansas City | MO | Starlight Theater | flac16; Sick Bits Vol. 12, SBD/AUD matrix of two previously circulating sources; SBD: shnid=19228, AUD: shnid=5984; edited and mixed by Chris Chappell. | Source Detail | Source Detail | |
Veneta | OR | Oregon Country Fair | flac16; Set 2 only - 1st Gen: (FOB) Nakamichi CM 300s w/ CP4 shotgun capsules > ?? > master audience cassette Master audience cassette > cassette (Maxell XLII-S 90) Taper: David Fleishner 1st Gen cassette provided by Jake Feinberg. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford 10/20/2006. | Source Detail | Source Detail | |
Devore | CA | US Festival, Glen Helen Regional Park | flac16; source : Nakamichi CM300 shotguns > Technics 686 > Maxell UD XL II transfer : mac > Nakamichi 680ZX > Tascam CD RW5000 > Bias Peak 3.21 on G4 Powerbook > wav > flac (on 9/13/2007 a fixed version of this source was circulated; the info file for the fixed version is below. Please do not circulate the original source.) | Source Detail | Source Detail | |
Charlottesville | VA | University Hall, University Of Virginia | Recording Info: 1st Set: Beyer M160 -> Cassette Master (Sony D5) -> Dat -> CD -> EAC -> SHN 2nd Set: SBD -> Cassette Master -> Reel -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller | Source Detail | Source Detail | |
Portland | ME | Cumberland County Civic Center | DTS Audio 5.1; 4 Source Mix: SBD Set 1. Recording: SBD > Dolby B metal cassette master, SBD Set 2. Recording: SBD > ? (likely cassette master), AUD1 FOB: Nak 700s > Sony D5 Cassette master recorded by Mark Cohen, AUD2 Master FOB Audience Cassette > Nak CM300 mics > Sony D5, and AUD3 Unknown AUD | Source Detail | Source Detail | |
Portland | ME | Cumberland County Civic Center | flac16; SBD + AUD Matrix - 4 Source Mix consisting of SBD Set 1 Recording: SBD > Dolby B metal cassette master, SBD Set 2 Recording: SBD > ? (likely cassette master), AUD1 FOB: Nak 700s > Sony D5 Cassette master recorded by Mark Cohen, AUD2 Master FOB Audience Cassette > Nak CM300 mics > Sony D5, AUD3 Unknown AUD | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC ; upgrade in circulation | Source Detail | Source Detail | |
Palo Alto | CA | Frost Amphitheatre | flac16; Recording Info:SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info:Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Palo Alto | CA | Frost Amphitheatre | SBD:MCass>(?)DAT>CD>EAC>SHN; transfer by David Hollister; via Josh Ayers; known flaws: small cut in Crazy Fingers, momentary "blip" during Saint, cut in Drums (tape flip), momentary dropout during The Wheel, the very end of Sunshine Daydream is cut; note problem with d3 on etree, fixed version up by 12/3 via Darrin Sacks (old md5s shown here?); upgrade in circulation | Source Detail | Source Detail | |
Palo Alto | CA | Frost Amphitheatre | flac16; Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC Recorded by Rango Keshavan Flacs and covers by Tzuriel 5/2005 | Source Detail | Source Detail | |
Palo Alto | CA | Frost Amphitheatre | flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Palo Alto | CA | Frost Amphitheatre | flac16; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; This source has the encores fixed | Source Detail | Source Detail | |
Montego Bay | Jamaica | Bob Marley Performing Arts Center | lineage: MSC(Sony TCD-5M) > WAV > SHN recording: MSC - master soundboard cassette w/ Dolby B by Frank Streeter digital transfer: Nakamichi CD 2 cassette deck > HHB 850 Pro stand-alone CD burner (16 bit @ 44.1khz) by Frank Streeter and Henry Fisher tracking and editing: AIF (Toast 5.2) > WAV (Peak 3.21) > SHN (shntool 1.2.2) WAV sector boundaries verified with shntool by Ted Erhard | Source Detail | Source Detail | |
Oakland | CA | Oakland Auditorium | Master Soundboard Cassette > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; d2 tracked for 80 min; to abgd; upgrade in circulation | Source Detail | Source Detail | |
Oakland | CA | Oakland Auditorium | flac16; Sick Bits Vol. 18a - SBD/AUD Matrix of 3 sources (1 previously circulated SBD for set 1 - shnid=32134 and 2 uncirculated sources) - edited, mixed and encoded by Chris Chappell | Source Detail | Source Detail | |
Oakland | CA | Oakland Auditorium | flac16; Sick Bits Vol. 18b - SBD/AUD Matrix of 1 previously circulated SBD source (shnid=31967) and 1 uncirculated AUD source. Edited, mixed and encoded by Chris Chappell. | Source Detail | Source Detail | |
Oakland | CA | Oakland Auditorium | flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation | Source Detail | Source Detail | |
Oakland | CA | Oakland Auditorium | flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Oakland | CA | Oakland Auditorium | flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation | Source Detail | Source Detail | |
Oakland | CA | Oakland Auditorium | flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Novato | CA | Stone House Studio | Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03 | Source Detail | Source Detail | |
Novato | CA | Stone House Studio | Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03 | Source Detail | Source Detail | |
Novato | CA | Stone House Studio | Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03 | Source Detail | Source Detail | |
Novato | CA | Stone House Studio | Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03 | Source Detail | Source Detail | |
San Rafael | CA | Club Front - Rehearsals | Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03 | Source Detail | Source Detail | |
Tempe | AZ | Compton Terrace Amphitheatre | FOB>3 Senn. 421's>MC>DAT>CD; via Tom Eliason; Seeded to etree by Willy | Source Detail | Source Detail | |
Tempe | AZ | Compton Terrace Amphitheatre | SBD -> Cassette Master -> Reel -> Cass -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN;Patched with 3 Sennheiser 421's -> Cassette Master -> Dat -> CD -> EAC -> SHN; Patched and Edited By Charlie Miller | Source Detail | Source Detail | |
Las Vegas | NV | Aladdin Theater | flac16; Set2: Sennheiser 421 > Sony TC-770 Reel to Reel at 3 3/4 ips > Sony DTC-2000ES > DAT > M-Audio Delta 410 > wav > *Adobe AUdition 1.5 > shntool > FLAC lvl8 | Source Detail | Source Detail | |
Las Vegas | NV | Aladdin Theater | AUD>MC>DAT>CDR KM 54?s; via the Retired General; Seeded to etree by Ernie Dodd | Source Detail | Source Detail | |
Las Vegas | NV | Aladdin Theater | flac16; Recording Info: (FOB) Neumann KM54 -> Cassette Master -> Dat Transfer Info: Dat -> CD (Tascam CDRW700) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Irvine | CA | Irvine Meadows | AUD> MC> DAT> CDR Senn 421s; via Paul; Seeded to etree by Ernie Dodd | Source Detail | Source Detail | |
San Francisco | CA | Warfield Theater | AUD>MC>CDR Paul Hogan, 1st row behind SBD, Senn 441?s>Sony D-6; via Paul B; Seeded to etree by Ernie Dodd | Source Detail | Source Detail | |
San Francisco | CA | Warfield Theater | flac16; SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | Warfield Theater | flac16; SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | Warfield Theater | flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | Senn 421 mics > Sony TC-D5 > MAC > DAT > CD; via Tiger-Rose; Seeded to etree by Sean Cribbs | Source Detail | Source Detail | |
Morgantown | WV | West Virginia University Coliseum | Set 1 SBD > PCM > Dat x 2 > CDR > SHN; Set 2 SBD > Cassette Master > Dat x 2 > CDR > SHN; via Bob Harrell; drgseeds | Source Detail | Source Detail | |
Binghamton | NY | Broome County Arena | SBD>PCM>DAT>CDR; with aud patches; See info file for details; via Rick Martin, Willy, and Paul B; Seeded to etree by Ernie Dodd; upgrade in circulation | Source Detail | Source Detail | |
Binghamton | NY | Broome County Arena | Jim Wise recording, FOB Sennheuser 421s>Sony D5>DAT>CDR; Seeded to etree by Darrin Sacks | Source Detail | Source Detail | |
Binghamton | NY | Broome County Arena | flac16; Recording Info: SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.0 -> FLAC | Source Detail | Source Detail | |
Burlington | VT | Patrick Gymnasium, U of Vermont | MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN; via Jim Wise, Darrin Sacks | Source Detail | Source Detail | |
Burlington | VT | Patrick Gymnasium, U of Vermont | Source: MAC(FOB Sennheiser 421)>DAT>CDR>WAV>SHN. Taper: M.Horvath | Source Detail | Source Detail | |
Rochester | NY | Community War Memorial Auditorium | (FOB) Audio Technica Mics -> Sony D5 (Lead Deck) -> Cassette Master (Patched Off Of Lead Deck With Sony D6, Maxell XL-II) Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface -> Sony V505 -> Samplitude v7.02 Professional -> SHN. Recorded and Transfered By Charlie Miller; upgrade in circulation | Source Detail | Source Detail | |
Rochester | NY | Community War Memorial Auditorium | Recording Info: Set 1: SBD -> Cassette Master -> Reel -> Dat (48k) Set 2: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | Source Detail | |
East Rutherford | NJ | Meadowlands Arena | S : MC > DAT > CDR > EAC > SHN Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper sector boundaries verified via shntool. Seeded to Etree by Alan J Fink 02/02/2003. Thanks to Jeff Williams for the disks!; upgrade in circulation | Source Detail | Source Detail | |
East Rutherford | NJ | Meadowlands Arena | Set 2 Only: Source: Sennheiser 421's > Sony TCD5M > Sony D-6 Master Maxell XLIIS Tape Transfer: Nakamichi CR-2A > Apogee MiniMe (16/44.1) > EGOSYS WT2496 > Soundforge 7 Location: 4-5 rows up from the back of the floor dead center | Source Detail | Source Detail | |
East Rutherford | NJ | Meadowlands Arena | SBD : MC > C > DAT > CDR Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper sector boundaries verified via shntool. Seeded to Etree by Alan J Fink 02/02/2003. Thanks to Jeff Williams for the disks! | Source Detail | Source Detail | |
Orono | ME | Alfond Arena, University Of Maine | Recording Info: (FOB/Center) 3 Sennheiser 421 -> Mixer -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Nakamichi Dragon) -> Sony R700 (As A>D Converter) -> ZA2 -> Sound Forge -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) 12/9/03 Recorded and Transfered By Jim Wise Converted To SHN BY Charlie Miller | Source Detail | Source Detail | |
Providence | RI | Providence Civic Center | flac16; SBD> Master Cassette> Reel> Dat (SV3800/48k), plus patch from FOB Sennheiser 421> Master Cassette; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller | Source Detail | Source Detail | |
New Haven | CT | Veterans' Memorial Coliseum | Barry Glassberg FOB AUDMC w/Nak 700s > Sony TC-D5 > DAT > CDR | Source Detail | Source Detail | |
New Haven | CT | Veterans' Memorial Coliseum | FOB-Sennheiser 421> Master Cass(Sony D5)> Dat> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | SBDMC> Cass> DAT> CDR> EAC> SHN; via Mike 'Dank Star' Parrillo | Source Detail | Source Detail | |
Berkeley | CA | Greek Theatre, University Of California | flac16; 2 Nak 700's > Bass Box EQ > Sony D5 > Sony D5 > Maxell MX 90's Taper: unknown Mark McCue Master Transfer by Mark McCue | Source Detail | Source Detail | |
Berkeley | CA | Greek Theatre, University Of California | FOB: 3 Sennheiser 421's > Sony PCM-F1, M. Field, D. Cramer; Conversion: 3800-> Montego II Plus @44k > HD via Soundforge> CDWav, A. Gustin; known flaw: very end of Bertha is cut | Source Detail | Source Detail | |
Berkeley | CA | Greek Theatre, University Of California | FOB Aud Sony ECM 220T > Sony D5 using Fuji Metals no dolby> Played back on a Nak DR1 with Azimuth adjustment > Sony PCMR500 DAT 48KHz SBM ON > PC transfer via Turtle Beach Montego II Digital I/O > SHN; via Rango Keshavan | Source Detail | Source Detail | |
Berkeley | CA | Greek Theatre, University Of California | flac16; Set 2 ONLY; Source: 2 Nak 700's > Bass Box EQ > Sony D5 > Sony D5 > Maxell MX 90's Taper: unknown Mark McCue Master #05 Transfer by Mark McCue. EAC, patch, conversion, and seeding to bt.etree.org by Alex Ford | Source Detail | Source Detail | |
Saratoga Springs | NY | Saratoga Performing Arts Center | (Front Row Balcony) Sennheiser 441 -> PCM -> CD -> Dat | Source Detail | Source Detail | |
Columbia | MD | Merriweather Post Pavilion | flac16; Source:FOB-35FT off Stage@10ft 2 Sennheiser Md421's>Sony TCD5>Maxell XL2 Cassettes Recorded by Rick Colyard Transfer.Sony TCD21>Soundforge 8.0(record,resample,fades,anti-alias filter in highest setting)>CDWav(tracks)>Flacfrontend(flac16bit) Trandsfer and editing by: MULETAPER | Source Detail | Source Detail | |
Columbia | MD | Merriweather Post Pavilion | flac16; Source: fob about the 12th row ctr. or so with a sony 939lt stereo - single point mic > d6 by David Minor Lineage: MAC > CD > EAC > Cool Edit Pro > CDWAV > flac16 level 8 encoding etc. by Matt Vernon | Source Detail | Source Detail | |
Harrisburg | PA | City Island | flac16; Recordist: Kyle Holbrook Location : ~10' Left Of Center, ~100' from stage lip Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > TDK MA-R90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: TDK MA-R90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 | Source Detail | Source Detail | |
Harrisburg | PA | City Island | flac24/96; Recordist: Kyle Holbrook Location: ~10' Left Of Center, ~100' from stage lip Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > TDK MA-R90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: TDK MA-R90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 | Source Detail | Source Detail | |
Madison | WI | Dane County Coliseum | D5>Nakamichi 300 Shotguns in front of the stage 10th row; via Clark Ohnesorge; Seeded to etree by Willy | Source Detail | Source Detail | |
St. Paul | MN | St. Paul Civic Center | ACM>C>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd | Source Detail | Source Detail | |
Hoffman Estates | IL | Poplar Creek Music Theatre | Aud>Cass Master>C>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd | Source Detail | Source Detail | |
Hoffman Estates | IL | Poplar Creek Music Theatre | flac16; FOB Sennheiser 441> PCM> Dat> CD; Transfer: CD> EAC> Samplitude Professional v8.0> FLAC; plus patch from FOB Sennheiser 421 source; Transferred and Edited By Charlie Miller | Source Detail | Source Detail | |
Ventura | CA | Ventura County Fairgrounds | ACM>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd | Source Detail | Source Detail | |
Ventura | CA | Ventura County Fairgrounds | AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd | Source Detail | Source Detail | |
Palo Alto | CA | Frost Amphitheatre | AUD(Neumann KM 84?s)>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd | Source Detail | Source Detail | |
Portland | OR | Portland Memorial Coliseum | AUD (Senn. 421's)> MC >DAT>CDR; Eac >cool edit > shntool > cdwav >shnv3, by Ernie Dodd | Source Detail | Source Detail | |
Seattle | WA | Seattle Center Coliseum | flac16; source: unknown mics > Sony D5 cassette deck (probable) Location: (FOB?) Recorded by: Jamie Herbst transfer: cassettes (2nd gen) > PC > CDWAV (track splits) > GOLDWAVE (fades) > FLAC | Source Detail | Source Detail | |
Eugene | OR | Silva Hall, Hult Center | SBD>Cass(2)>DAT>CDR; Seeded to etree by Willy | Source Detail | Source Detail | |
Eugene | OR | Silva Hall, Hult Center | Keysey intro: MSC>Cass. x 2>PCM>DAT>CDR Set Ip + Set II: Kesey's MSC>DAT>CDR Audience patches: Sennheiser 421's>Sony TC-D5M>Cass.>DAT>CDR taped by Rick Saeger (previous seed) | Source Detail | Source Detail | |
Eugene | OR | Silva Hall, Hult Center | flac16; Lineage: AUD > unknown mics > Sony TC-D5 > MAC > 1st generation cassettes Transfer: Sony UCX-S 90s > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression, and checksums) > FLAC | Source Detail | Source Detail | |
Boise | ID | Boise State University Pavillion | SBD> cassette master>DAT>CDR>SHN - Patched fix of shnid 2174 by Bill Tetzeli | Source Detail | Source Detail | |
Morrison | CO | Red Rocks Amphitheatre | Master Soundboard Cassette > Cassette > DAT > CDR, with AUD patches from 2 Master Audience Cassettes: Sennheiser 421 mics > Sony D5, Sennheiser 441 mics > Sony D6 (see info file); Patching / CD Mastering, EAC'ed / SHN'ed by Scott Clugston | Source Detail | Source Detail | |
Morrison | CO | Red Rocks Amphitheatre | 3 Beyer Dynamics M160> Sony TCD5m Mater Tape Recorded Half way between Board and Stage; Sound Forge 5> Power Post 2K | Source Detail | Source Detail | |
Morrison | CO | Red Rocks Amphitheatre | flac16; Source: Nakamichi CM304's>Sony D5>Sony D6 Location: At SBD, stand at 7 Feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16bit>CDwav>flac16 Tapers: Mike G. and Tony S | Source Detail | Source Detail | |
Santa Fe | NM | Santa Fe Downs | flac16; Source: *Nakamichi CM304's>Sony D5>Sony D6 Location: FOB, stand at 7 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: *Mike G. and Tony S. Transfered and uploaded by Tony S./nak700 | Source Detail | Source Detail | |
Santa Fe | NM | Santa Fe Downs | flac16; Source: *Nakamichi CM304's>Sony D5>Sony D6 Location: FOB, stand at 7 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: *Mike G. and Tony S. Transfered and uploaded by Tony S./nak700 | Source Detail | Source Detail | |
Grass Valley | CA | Nevada County Fairgrounds | flac16; FOB AUD Source: 2 Sony ECM-220 mics + 1 Sony ECM-939LT (stereo) mic > Sony MX-10L 4-channel mixer > Marantz PMD-340 cassette deck. Taped on Maxell UDXL-II 90's, Dolby on. Mics aprx seven feet high, and set up aprx half-way between the stage and the soundboard. Transfer: MAC > Sony TC-D5M (Dolby on) > Marantz CDR-500 > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, October 2006. Taped and transfered by Andrew F | Source Detail | Source Detail | |
Watsonville | CA | Santa Cruz County Fairgrounds | 1st set only; SBD>MC>C>DAT>CDR; Seeded to etree by Tim W | Source Detail | Source Detail | |
Richmond | VA | Richmond Coliseum | Source: MAC(FOB Atm 11)>DAT>CDR>WAV>SHN Taper: Mark Horvath. DAE(EAC0.9b4, offset corrected, secure mode) > wav editing (SF6) > tracking(cdwav) > sector boundaries confirmed (shntool) > SHN (mkwact) by C.Ladner. | Source Detail | Source Detail | |
Richmond | VA | Richmond Coliseum | flac16; Set 2 Only - Source: Master Audience Cassette Sennheiser 421 > Sony D5 > Sony D6 Location: FOB 8th Row Center Taper: Ross Lipton for Bill Devanney Media: TDK MA 90 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC | Source Detail | Source Detail | |
Greensboro | NC | Greensboro Coliseum | 3 Audio Technica ATM 11s > Sony TCM D-5 > MC, Cass > CD-R: MC > Sony TC-we 435 > analog Coax Cables > analog inputs > Philips CDR 870 > CD-R (see notes in info file); taped, Cass > CD-R conversion by Mark Horvath; CD-R> EAC 3x > .wavs compared by MD5s and EAC's .wav compare tool > Cool Edit (rejoin tracks and fades, see note in info) > CD-WAV (Re-Tracking) > MKW ACT 0.96 > SHN, by Jan Welch; d2 tracked for 80 min | Source Detail | Source Detail | |
Greensboro | NC | Greensboro Coliseum | flac16; Set 2 Only - Source: Master Audience Cassette Sennheiser 421 > Sony D5 > Sony D6 Location: FOB 8th Row Center Taper: Ross Lipton Media: Maxell XLII 90 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | Sbd > Cassette Master > Dat x 2 > CDR > SHN; plus AUD patches from Jeff Silberman Senn source (see info file); to etree via Bob Harrell ; upgrade in circulation | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | SBD > Cassette Master > Dat x 2 > CDR; via Bob Harrell | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Source: FOB > 1 Neumann U87 + 2 Sennheiser 421's > Nak 550 (Master Cassette) > Dat Transfer: Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 4.0 > Fades + Resampled to 44.1 > Cd Wave > Flac Transferred/Seeded By: Greg Lance | Source Detail | Source Detail | |
Hartford | CT | Hartford Civic Center | Ficca FOB Sony TCD5M with 2 Beyer Dynamic 160's->Sony CDR-W66>EAC>CDWave>CD via Ficca | Source Detail | Source Detail | |
Hartford | CT | Hartford Civic Center | flac16; 2 Nak 700's pointed to stacks (FOB) > Maxell MX 90 > Sony TC-D5M Taped and transferred by Doug Mow. Conversion and Seeding to bt.etree.org by Alex Ford | Source Detail | Source Detail | |
Lake Placid | NY | Olympic Center | flac16; mixed SBD sources, plus AUD patches: Set 1: SBD> Master Cassette> Dat> Sonic Solutions> CD> EAC> FLAC; Set 2: SBD> Master Cassette> Reel> Dat> CD> EAC> Samplitude v7.02 Professional> FLAC; Patch Info: (FOB/12th Row) Sennheiser 421> Master Cassette (Sony D5)> Dat> CD; Edited By Charlie Miller | Source Detail | Source Detail | |
Portland | ME | Cumberland County Civic Center | FOB-AUD> MC> CDR; via Paul B., Seeded to etree by Ernie Dodd | Source Detail | Source Detail | |
Worcester | MA | The Centrum | AUD> Senn 441s (FOB)> PCM> DAT> CDRx?> EAC> SF 6.0> CDWAVE> SHN, Jeff Silberman; with Day Job patched from Sony 939s FOB; via Skankweed, with thanks to Duncan | Source Detail | Source Detail | |
Worcester | MA | The Centrum | SBD > PCM > Dat X 3 > CDR; via Bob Harrell | Source Detail | Source Detail | |
Worcester | MA | The Centrum | SBD>>PCM>>Dat>>CDR>>SHN>>DAW(Bertha)>>CDA/SHN There is another Bertha Remaster of 10/21/83. That version was done with the source that had a cassette gen in the lineage. This version has no cassette gen. | Source Detail | Source Detail | |
Syracuse | NY | Carrier Dome, Syracuse University | AUD>MC>DAT>CDR Senn. 421?s; via Paul B; Seeded to etree by Ernie Dodd | Source Detail | Source Detail | |
San Rafael | CA | Marin County Veterans Auditorium | Recording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN) via Charlie Miller | Source Detail | Source Detail | |
San Rafael | CA | Marin County Veterans Auditorium | Source: FOB(Nak 700)>MC>DAT>CDR>WAV>SHN. Taper: Mark Horvath. SHN encoding via C.Ladner. | Source Detail | Source Detail | |
San Rafael | CA | Marin County Veterans Auditorium | SBD> MC> DAT> CDR> EAC> CDWAV> SHN; via Tony Gardner with thanks to Paul B.; upgrade in circulation | Source Detail | Source Detail | |
San Francisco | CA | San Francisco Civic Auditorium | flac16; Source: *Sennheiser Shotguns>Sony D5M>Sony D5M Location: FOB/Right of Center/Stand at 8 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G. Transfer and upload by Tony S | Source Detail | Source Detail | |
San Francisco | CA | San Francisco Civic Auditorium | flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info; Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | San Francisco Civic Auditorium | flac16; Source: *Nakamichi CM304's(pointed at stacks)>Sony D5M>Sony D5M Location: FOB/Right of Center/Stand at 8 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G. | Source Detail | Source Detail | |
San Francisco | CA | San Francisco Civic Auditorium | flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | San Francisco Civic Auditorium | flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | San Francisco Civic Auditorium | flac16; Source: *Nakamichi CM304's(pointed at stacks)>Sony D5M>Sony D5M Location: FOB/Right of Center/Stand at 8 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G | Source Detail | Source Detail | |
San Francisco | CA | San Francisco Civic Auditorium | SBD -> Rm -> Dat -> M-Audio 2448 -> Samplitude 2496 v6.0 -> CD (SHN) Brokedown Palace patched from Pre-FM>Cm>Cass>Dat>CD Dat -> SHN Transfer Done By Charlie Miller charliemiller87@earthlink.net 8/27/02; upgrade in circulation | Source Detail | Source Detail | |
San Francisco | CA | San Francisco Civic Auditorium | flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
San Rafael | CA | Marin County Veterans Auditorium | flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation | Source Detail | Source Detail | |
San Rafael | CA | Marin County Veterans Auditorium | flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | Rob Eaton FOB Center (Neumann U89)>Sony TC-D5>DAT>CDR>EAC>SHN | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | flac16; (FOB) MAC: Sennheiser 421s (shoulder level) > Sony D5 > Sony D5 > Maxell XLII 90s Location: FOB. 15-20 feet from stage, DFC Tapers: unknown & Mark McCue Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > CDWAV > Trader's Little Helper > FLAC16. Master audience cassettes supplied by Mark McCue. Transfer, edits & upload to bt.etree.org by Alex Ford 11/01/2006. | Source Detail | Source Detail | |
Niagara Falls | NY | Niagara Falls Convention Center | FOB Nak 300>?>CDR; Seeded to etree by JT James | Source Detail | Source Detail | |
Niagara Falls | NY | Niagara Falls Convention Center | flac16; (FOB) MAC: 3 Beyer mics > Sony D5 > Teac mdx 90s: Location: FOB, 20-30 feet from stage; Taper: Mark McCue ;Master audience cassettes provided by Mark McCue. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford | Source Detail | Source Detail | |
Philadelphia | PA | Philadelphia Civic Center | Sbd > Cassette Master > Cassette > Dat x 2 > CDR > SHN; Seeded to FurthurNET; upgrade in circulation | Source Detail | Source Detail | |
Philadelphia | PA | Philadelphia Civic Center | Master Soundboard Cassette > Cassette > CDR; CD Mastering, Shn'ed and Seeded by Scott Clugston; also to abgd via Charlie Connor; upgrade in circulation | Source Detail | Source Detail | |
Philadelphia | PA | Philadelphia Civic Center | Patched Eaton/Silberman FOB (17th Row Split 30 feet) Neumann U87's via Doug Nawrocki | Source Detail | Source Detail | |
Providence | RI | Providence Civic Center | mixed source: 1st set - Neumann > D6 > DAT > CDR > EAC > WAV > SHN, 2nd set - MSbd> Cass > DAT > CDR > EAC > WAV > SHN; to abgd.hs by PJ | Source Detail | Source Detail | |
Uniondale | NY | Nassau Coliseum | (FOB/14th Row) 3 Beyer M160's -> Cm -> Sound Forge -> CD -> EAC -> SHN; Converted to SHN By Charlie Miller | Source Detail | Source Detail | |
Uniondale | NY | Nassau Coliseum | aud> senn 441> cassette master> cdr; via Mike Lai with thanks to Alan Powell | Source Detail | Source Detail | |
Eugene | OR | Silva Hall, Hult Center | SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko; upgrade in circulation | Source Detail | Source Detail | |
Eugene | OR | Silva Hall, Hult Center | SBD> Cass> DAT> cdr; via Chris Vinci, Mike Lai; upgrade in circulation | Source Detail | Source Detail | |
Eugene | OR | Silva Hall, Hult Center | flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; this source fixes a flaw in the previous source. | Source Detail | Source Detail | |
Eugene | OR | Silva Hall, Hult Center | SBD> MR> C> DAT> CDR; transfer by Mike Lai from Bruce Fried seed; upgrade in circulation | Source Detail | Source Detail | |
Harrisburg | PA | City Island | flac16; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 | Source Detail | Source Detail | |
Saratoga Springs | NY | Saratoga Performing Arts Center | flac16; Recordist: Kyle Holbrook Location: Set One: ~5' ROC, ~175' from stage lip, head height | Set Two: Centered, ~150' from stage lip, head height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 | Source Detail | Source Detail | |
Columbia | MD | Merriweather Post Pavilion | Source: SBD>PCM>DAT>CD>SHN. Tennessee Jed and Day Job are patched from an audience recording via Ray Hansen, encoded by Peter Braverman; upgrade in circulation | Source Detail | Source Detail | |
Columbia | MD | Merriweather Post Pavilion | flac16; Recordist: Kyle Holbrook Location: ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 | Source Detail | Source Detail | |
Columbia | MD | Merriweather Post Pavilion | SBD>Cassette Master>Cassette>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN (updated source info); upgrade in circulation | Source Detail | Source Detail | |
Columbia | MD | Merriweather Post Pavilion | flac16; Recordist: Kyle Holbrook Location: Centered, ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 | Source Detail | Source Detail | |
Cuyahoga Falls | OH | Blossom Music Center | Jim Wise Senn 421?s>Sony TC-D5M>MC>DAT>CD; Second set pitch corrected; via Paul B; Seeded to etree by Willy | Source Detail | Source Detail | |
Indianapolis | IN | Indianapolis Sports and Music Center | set 2, plus set 1 partial; SBD> MC> DAT> CDR; from Merry Pranksters Tree round 5, SHN branch; possibly via David Finney to etree? | Source Detail | Source Detail | |
Indianapolis | IN | Indianapolis Sports and Music Center | flac16; AUD: FOB, Sennheiser MD-421's > DBX NX-40 > Sony TC-D5 Taper: Unknown MAC > CD Transfer: Unknown CDR > EAC > WAV > WavMerge > CD-Wave > Soundforge > TLH > FLAC Frontend by Andrew F, Oct 2005. Some of the ID's were missing or in the wrong spot, so I merged the files and re-split them. I used Soundforge to make some small fades for the start and end of discs. I used TLH to verify SBE-OK and to make checksums, and Flac Frontend for lossless compression | Source Detail | Source Detail | |
Clarkston | MI | Pine Knob Music Theater | AUD>MC>??>DAT>CDR; via Paul B; Seeded to etree by Willy | Source Detail | Source Detail | |
Kansas City | MO | Starlight Theater | AUD>MC>??>DAT>CDR; via Paul B; seeded to etree by Willy | Source Detail | Source Detail | |
Kansas City | MO | Starlight Theater | flac16; FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII tape, with no Dolby | Source Detail | Source Detail | |
Cedar Rapids | IA | Five Seasons Center | AUD: MC (Sennheiser 421)> DAT> CD> SHN; Seeded by Peter Braverman | Source Detail | Source Detail | |
East Troy | WI | Alpine Valley Music Theatre | Fob: Sennheiser 441's > MC > Dat > Cd Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd | Source Detail | Source Detail | |
East Troy | WI | Alpine Valley Music Theatre | SBDMC(R?) > DAT > WAV > SHN w/ AUD(Senn 441s > D5 > DAT > CD) patches | Source Detail | Source Detail | |
Berkeley | CA | Greek Theatre, U. Of California | SBD > ? > CDR> DAE (cdparanoia)> SHN; via Mark Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an analog generation" | Source Detail | Source Detail | |
Berkeley | CA | Greek Theatre, U. Of California | flac16; Recording Info:SBD -> Cassette Master (Sony D6/Maxell XLII-S90/TDK MA90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Berkeley | CA | Greek Theatre, U. Of California | SBD > ? > CDR> DAE (cdparanoia)> SHN; via M. Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an anlog generation"; Jack Straw beginning cut; upgrade in circulation | Source Detail | Source Detail | |
Berkeley | CA | Greek Theatre, U. Of California | SBD > ? > CDR> DAE (cdparanoia)> SHN; via M. Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an anlog generation"; a few track markers misplaced; upgrade in circulation | Source Detail | Source Detail | |
Ventura | CA | Ventura County Fairgrounds | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | Source Detail | |
Richmond | VA | Richmond Coliseum | FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT | Source Detail | Source Detail | |
Worcester | MA | The Centrum | flac16; Source: Recorded by: Greg Holtz and Tony Bolton Master Cassette FOB right side about 8 feet in front of the SBD(Jerry's side - about 10 feet right of center - 2 Nak 100's w/CP-4 shotgun caps > Sony D-5 Transfer: Tascam112mkII > KorgMR1000 at 1bit/5.6mHz DSD> Audio Gate Software for 24/96 by Jamie Waddell Editing and Mastering: Alex Ford in Wavelab 6.10 with UAD in 24/96,Weiss Saracon for SRC to 16/44.1 POWR-3 Dither | Source Detail | Source Detail | |
Augusta | ME | Augusta Civic Center | Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable)Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor; upgrade in circulation | Source Detail | Source Detail | |
Augusta | ME | Augusta Civic Center | Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable) ***7.16.03*** Beginning of CR&S patched with alternate FOB Schoeps source, lineage is below. Patched with Cool Edit Pro 2.0 in multitrack view > mkwACT by Doug Nawrocki. d2t01 is the only md5 that differs from the original. Patch source lineage: MAC(FOB 2 Schoeps MK41/CMC4 > Sony TCD-5M) > WAV > SHN digital transfer: Kenwood KX1030 cassette deck > EMI 6|2m (16 bit @ 44.1khz) > Peak 3.21 > WAV > Shorten 1.1a4 > SHN | Source Detail | Source Detail | |
Augusta | ME | Augusta Civic Center | Master Tapes by Ficca Source: FOB Center Sony TCD5M with 2 Beyer Dynamic 160's > Sony CDR-W66 > EAC > CDWave > CDA encoded by Ficca | Source Detail | Source Detail | |
Hartford | CT | Hartford Civic Center | FOB> Nakamichi 300's> CP4Cassette Master> DAT> CDR> Eac> SHN; DAE(EAC) + SHN Encoding by Jeff M.; see info file for notes | Source Detail | Source Detail | |
Hartford | CT | Hartford Civic Center | Recording Info: (FOB) Senn 421 -> Cassette Master -> Dat -> CD Transfer Info: EAC -> Samplitude v7.02 Professional -> SHN - Transfered and Edited By Charlie Miller | Source Detail | Source Detail | |
East Rutherford | NJ | Meadowlands Arena | flac16; 3 Nak CM700 (DIN; Row S, DFC) > Sony TC-D5M > Maxell MX tape; Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; Taped, transferred by Doug Mow; CDR> FLAC16 and minor editing by Alex Ford | Source Detail | Source Detail | |
East Rutherford | NJ | Meadowlands Arena | (FOB) Nakamichi CM300/CP1 -> Cm (Sony D5) -> Dat (48k) > Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN. All transfers and remastering done by Charlie Miller | Source Detail | Source Detail | |
Berkeley | CA | Berkeley Community Theater | Senn 441?s>Sony D-5. AUD>MC>DAT>CDR via Raoul Duke encoded by Willy and Matt Vernon | Source Detail | Source Detail | |
Berkeley | CA | Berkeley Community Theater | Source: Senn 441?s>Sony D-5. Lineage: AUD>MC>DAT>CDR. Encoding by Willy Munder and Matt Vernon | Source Detail | Source Detail | |
Berkeley | CA | Berkeley Community Theater | Senn 441?s>Sony D-5. Lineage: AUD>MC>DAT>CDR via Raoul Duke encoded by Willy Munder and Matt Vernon | Source Detail | Source Detail | |
Berkeley | CA | Berkeley Community Theater | AUD>MC>DAT>CDR via Raoul Duke, encoded by Willy and Matt Vernon | Source Detail | Source Detail | |
San Francisco | CA | San Francisco Civic Auditorium | Audience cassette > ? > DAT > CDR > SHN | Source Detail | Source Detail | |
San Francisco | CA | San Francisco Civic Auditorium | flac16; Source: MAC: Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Location: 1st row balcony lip, DEAD Center Taper: Adam Transfer: MAC: Nakamichi CD2(played back on type IV setting, azimuth adjusted) > rca/xlr > Luntec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, conversion and upload to bt.etree.org by Alex Ford. | Source Detail | Source Detail | |
San Francisco | CA | San Francisco Civic Auditorium | Oade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN | Source Detail | Source Detail | |
San Francisco | CA | San Francisco Civic Auditorium | flac16; MAC; 2 Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s Location: Front row of balcony, Dead Center Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Taper: Mark McCue Lineage: MAC > Nakamichi Cassette Deck 2(azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(A/D at 24bit/96kHz) > coax > Audiophile 2496 > WaveLab 5 > editing > Waves L3 UltraMaximizer > 16 bit 44.1 kHz > CDWave Editor > TLH > FLAC16 | Source Detail | Source Detail | |
San Francisco | CA | San Francisco Civic Auditorium | SB > MR > ?? [apparently FM] > DAT > CDR > EAC> SHN; EAC, SHN, etreed by G.Gorinsky; with thanks to Bill Golden | Source Detail | Source Detail | |
Oakland | CA | Henry J. Kaiser Convention Center | flac16; MAC; (FOB) Sennheiser 421s > Sony D5 > Maxell MX 90s Taper: Mark McCue Transfer: MAC > Nakamich Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@2496) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer > 16 bit WAV > CD Wave Editor > TLH > FLAC16. Master Audience cassettes provided by Mark McCue Transfer, editing and conversion by Alex Ford | Source Detail | Source Detail | |
Oakland | CA | Henry J. Kaiser Convention Center | flac16; MAC; (FOB) Sennheiser 421s > Sony D5 > Maxell MX90s Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@2496) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer > 16 bit WAV > CD Wave Editor > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue Transfer, editing and conversion by Alex Ford 03/06/2007. | Source Detail | Source Detail | |
Berkeley | CA | Berkeley Community Theater | Unknown aud via Jim Decker, pitch correction Jeff Cotsman, shn encoding Matt Vernon | Source Detail | Source Detail | |
Berkeley | CA | Berkeley Community Theater | flac16; MAC; Sennheiser 421s > Sony D5 > TDK MA90s Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3(@2496) > coax > Audiophile 2496 > WaveLab 5.0 > Waves L2 Ultramaximizer (dither) > WAV @ 16/44.1 > TLH > FLAC16. Transfer, all edits, conversion & seeding by Alex Ford. | Source Detail | Source Detail | |
Berkeley | CA | Berkeley Community Theater | flac16; Sennheiser 421s > Sony D5 > 2 TDK MA90s Location: directly behind SBD Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3(@ 24/96) > coax > Audiophile 2496 > WaveLab 5 > WAV @2496 > Waves L2 (dither) > WAV @16/44.1 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion & seeding by Alex Ford | Source Detail | Source Detail | |
Berkeley | CA | Berkeley Community Theater | flac16; Lineage: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX Transfer: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC | Source Detail | Source Detail | |
Berkeley | CA | Berkeley Community Theater | flac16; MAC; Sennheiser 421's > Sony TC-D5M > TDK MA90 Cassettes Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @24/96 > Waves L2 (dither) > WAV @16/44.1 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion and seeding by Alex Ford. | Source Detail | Source Detail | |
Berkeley | CA | Berkeley Community Theater | flac16; MAC; Sennheiser 421s > Sony D5 > TDK MA90 cassettes Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@24/96) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @24/96 > Waves L2 > WAV @16/44.1 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion and seeding by Alex Ford 4/24/2007. | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | FOB-AUD>MC>CDR Mark Horvath recording, Senn. 421?s>Sony TC-D5; via Paul B; Seeded to etree by Brad Ingle | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | flac16; (FOB) 2 Sennheiser 421's > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum core (Set II)]. Tapers: Mark McCue, Adam, Monica & John. Transfer, cuts, fades, encoding and seeding to bt.etree.org by Alex Ford. | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | Oade Brothers Recording: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | MAC (FOB) 2 Sennheiser 421's > Sony TC-D5 > 2 TDK MA90's; Tapers: Mark McCue, Adam, Monica & John; Transfer, encoding and seeding to bt.etree.org by Alex Ford | Source Detail | Source Detail | |
Springfield | MA | Springfield Civic Center | Oade's Master Audience PCM>Schoeps CMC-441 mics>Oade M118>Sony PCM-F1>DAT>CDR>EAC>Shn EAC'ed/Shn'ed and seeded to fungus and abgd by Charlie Connor 3/26/02 with thanks To Scott Clugston and to Doug Oade. | Source Detail | Source Detail | |
Springfield | MA | Springfield Civic Center | Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Recorded by the Oade Brothers Transferred by Doug Oade, traced by Darrin Sacks (dsacks@pcisys.net) | Source Detail | Source Detail | |
Springfield | MA | Springfield Civic Center | flac16; MAC: (FOB) 2 Sennheiser 421s > Sony TC-D5 > 2 TDK MA90s Master Cassettes supplied by Mark McCue. Transfer, minor edits, conversion and seeding to bt.etree.org by Alex Ford. | Source Detail | Source Detail | |
Uniondale | NY | Nassau Veterans Memorial Coliseum | Recorded by the Oade Brothers;Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, traced by Darrin Sacks (dsacks@pcisys.net) | Source Detail | Source Detail | |
Uniondale | NY | Nassau Veterans Memorial Coliseum | flac16; MAC: (FOB) 2 Sennheiser 421's > Sony D5 > TDK MA90's Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade. Transfer, editing, conversion and seeding by Alex Ford. Master Cassettes provided by Mark McCue. | Source Detail | Source Detail | |
Uniondale | NY | Nassau Veterans Memorial Coliseum | Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, traced by Darrin Sacks (dsacks@pcisys.net) | Source Detail | Source Detail | |
Uniondale | NY | Nassau Veterans Memorial Coliseum | flac16; MAC: (FOB) 2 Nakamichi 700s [modified w/ plexiglass shock mounts@] > Sony D5 > TDK MA 90s. Tapers: Mark McCue, Adam, Monica, Johnny Kelly & Davey the beeker meade. Transfer, edits, conversion & seeding to bt.etree.org by Alex Ford 5/31/2006. Master cassettes provided by Mark McCue. | Source Detail | Source Detail | |
Uniondale | NY | Nassau Veterans Memorial Coliseum | Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 recorded by the Oade Brothers and tracked/flac'd by Darrin Sacks | Source Detail | Source Detail | |
Portland | ME | Cumberland County Civic Center | Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac | Source Detail | Source Detail | |
Portland | ME | Cumberland County Civic Center | flac16; MAC: (FOB) Sennheiser 421s > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum shell] (Set II) Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade. Master cassettes provided by Mark McCue. Transfer, edits, conversion, and seeding to bt.etree.org by Alex Ford. | Source Detail | Source Detail | |
Portland | ME | Cumberland County Civic Center | Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 | Source Detail | Source Detail | |
Portland | ME | Cumberland County Civic Center | flac16; Source: MAC: (FOB) Sennheiser 421s > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum shell] (Set II) Mic Config: mics on T-Bar, pointed at the stacks, chest high Location: FOB, 20-25 feet from the stage, DFC Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade Transfer: MAC > Nakamichi CD 2 (azimuth adjusted) > rca > xlr > Lunatec V3(@16 bit/44.1 Hz) > coax > Audiophile 2496 > CEP 2.0 > CD Wave Editor > Trader's Little Helper > FLAC16 | Source Detail | Source Detail | |
Providence | RI | Providence Civic Center | Recorded by the Oade Brothers Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac | Source Detail | Source Detail | |
Providence | RI | Providence Civic Center | flac16; Source: MAC: Sennheiser 421s > Sony D5 > 2 TDK MA90s Location: Tapers Section Mic Config: Mics on T bar pointed at the stacks, chest high. Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade Transfer: MAC>Nakamichi CD2>Lunatec V3(16/44.1)>Audiophile 2496>CEP 2.0>CD Wave Editor>Traders Little Helper>FLAC16 conversion and seeding to bt.etree.org by Alex Ford | Source Detail | Source Detail | |
Providence | RI | Providence Civic Center | Recorded by the Oade Brothers Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac | Source Detail | Source Detail | |
Providence | RI | Providence Civic Center | flac16; MAC; 2 Sennheiser 421s > Sony D5 > 2 TDK MA90s. Location: TS - first row, DFC, mics @ 15 feet Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beaker meade. Transfer: Master Audience Cassettes>Nakamichi CD2(azimuth adjusted)> rca>xlr>Lunatec V3> coax>Audiophille 2496>CEP 2.0>Trader's Little Helper>FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer,edits, patches, conversion and upload to bt.etree by Alex Ford. | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | Recorded by the Oade Brothers; transferred by Doug Oade, tracked by Darrin Sacks Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | Sennheiser 421's > Sony D-5 > TDK 90 Taper: Mark McCue Lineage: Sony D-5 > Tascam CD4U stand alone burner > CDR > EAC > Win XP Pro > FLAC Frontend > FLAC16. transfer from Sony D5 through CDR by Mark McCue. transfer from CDR through FLAC16 by Alex Ford on 03/10/05. | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | Csbd> DAT> CDR> EAC> SHN; via Scott Z., Darrin Sacks | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | flac16; Sennheiser 421's > Sony D5 > Tascam CRD4U > EAC > CDR Taper: M. McCue Lineage: Sony D-5 > Tascam CDR4U stand alone burner > CDR > EAC > Win XP Pro > FLAC Frontend > FLAC16. Transfer from Sony D5 through CDR by Mark McCue Transfer from CDR through FLAC16 by Alex Ford on 03/07/05. | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac | Source Detail | Source Detail | |
Irvine | CA | Irvine Meadows | flac16; MAC: (FOB) Sennheiser 421's* > Sony D5 > Maxell XLII-S 90(Set I) & Maxell MX 90(Set II); Tapers: Adam, Justin & Monica; Mark McCue Masters; Transfer, minor editing and conversion by Alex Ford | Source Detail | Source Detail | |
Irvine | CA | Irvine Meadows | MAC: (FOB) Sennheiser 421's > Sony D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II) Tapers: Adam, Justin & Monica Mark McCue Masters Transfer, minor editing and conversion by Alex Ford 03/08/2006. | Source Detail | Source Detail | |
Palo Alto | CA | Frost Amphitheatre | flac16; MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)] Tapers: Adam, Justin & Monica Mark McCue Masters Transfer, minor editing and conversion by Alex Ford 3/10 & 11/2006. | Source Detail | Source Detail | |
Palo Alto | CA | Frost Amphitheatre | DTS Audio 5.1; 3 source DTS-Audio-CD 5.1 Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584 | Source Detail | Source Detail | |
Palo Alto | CA | Frost Amphitheatre | flac16; SBD + AUD Matrix 3 Source Mix (65%-SBD/20%-AUD1/15%-AUD2)Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584 | Source Detail | Source Detail | |
Palo Alto | CA | Frost Amphitheatre | MAC: (FOB) Sennheiser 421's > Sony D5 > Maxell XLII-S 90 (Set I) & TDK MA-R [aluminum core (Set II)]; Tapers: Adam, Justin & Monica; Master Cassettes provided by Mark McCue; Transfer, editing, conversion and seeding to bt.etree.org by Alex Ford. | Source Detail | Source Detail | |
Berkeley | CA | Greek Theatre, U. Of California | Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc42S (spread around 8') > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac | Source Detail | Source Detail | |
Berkeley | CA | Greek Theatre, U. Of California | Sennheiser 441's > Sony D5 > Sony D5 > Cassettes Tapers: Adam,Justin & Monica Mark McCue Master 1st deck out Conversion, minor editing, and seeding to bt.etree.org by Alex Ford. | Source Detail | Source Detail | |
Berkeley | CA | Greek Theatre, U. Of California | SBD> ?> CD-R> EAC> CDWAV retrack> SHN; via Randy Griesman | Source Detail | Source Detail | |
Berkeley | CA | Greek Theatre, U. Of California | Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac | Source Detail | Source Detail | |
Berkeley | CA | Greek Theatre, U. Of California | flac16; Sennheiser 441's > Sony D5 > Sony D5 > Master Cassettes; Tapers: Adam,Justin & Monica Mark McCue Master 1st deck out; Transfer by Mark McCue; Conversion, edits, retracking, seeding to bt.etree.org by Alex Ford | Source Detail | Source Detail | |
Berkeley | CA | Greek Theater, U. of California | flac16; Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1, Recorded by Oade Brothers; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac, Transferred by Doug Oade, freshly tracked by Darrin Sacks | Source Detail | Source Detail | |
Berkeley | CA | Greek Theater, U. of California | SBD > Reel Master [?- see pub comments] > DATs; Transfer, by jbraveman: DAT 60ES > M-Audio Audiophile USB > CDWAV > Goldwave (normalization and minor edits) > CDWAV > mkwACT | Source Detail | Source Detail | |
Berkeley | CA | Greek Theater, U. of California | (FOB) 2 Sennheiser 441's > Sony D5 > Master Cassettes Tapers: Adam, Justin and Monica Mark McCue Master Transferred by Mark McCue, conversion and seeding to bt.etree.org by Alex Ford | Source Detail | Source Detail | |
Cincinnati | OH | River Bend Music Center | fixed version of previous shn set, to boost Samson>He's Gone; via Patrick Murphy; hosted at gdlive.com | Source Detail | Source Detail | |
Cincinnati | OH | River Bend Music Center | Set II Only; Recorded by Jim Oade Transferred by Doug Oade, tracked by Darrin Sacks; Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac | Source Detail | Source Detail | |
Saratoga Springs | NY | Saratoga Performing Arts Center | Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac. Recorded by Jim Oade; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) | Source Detail | Source Detail | |
Hershey | PA | Hershey Park Stadium | SBD? liberated bootleg; via lemon2 | Source Detail | Source Detail | |
Hershey | PA | Hershey Park Stadium | Source: SBD > CM > DAT > DAT > DAT Transfer: DAT 60ES > M-Audio Audiophile USB > CDWAV (48) > Goldwave (normalization 100%, patch, and resample 44.1) > CDWAV tracking > mkwACT SHN; transfer by Joshua Braveman | Source Detail | Source Detail | |
Hershey | PA | Hershey Park Stadium | flac16; (FOB) 2 Sennheiser 441's > Sony D5 > Master Cassettes; Taped transferred by Mark McCue; Retracking, conversion and seeding to bt.etree.org by Alex Ford | Source Detail | Source Detail | |
Columbia | MD | Merriweather Post Pavilion | Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac (via Darrin Sacks) |
Source Detail | Source Detail | |
Columbia | MD | Merriweather Post Pavilion | flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) | Source Detail | Source Detail | |
Columbia | MD | Merriweather Post Pavilion | Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 (Oade brothers, via Darrin Sacks) Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > soundforge 6 where necessary for patching > Flac (sector boundaries aligned via flac frontend) |
Source Detail | Source Detail | |
Columbia | MD | Merriweather Post Pavilion | flac16; Source: FOB-Nakamichi 700s > Sony D5 > Maxell MX90 type IV cassettes. Taped by B.Koucky, patched out of B. Glassberg. Transfer: MAC playback, Nakamichi CR-7A, azimuth adjusted > 1 ft Lynx RCA-XLR audio cables > Lunatec V3 > AES digital out > LynxTwo in a E6400-based DuoCore 2 PC > Wavelab 5, recorded as 24/96 KHz WAV > mastering with Ozone 3 > dithered to 16/44.1 KHz using Izotope MBIT+ > CDWAV1.9 > FLAC (level 8). Analog>Digital transfer and mastering by C.Ladner | Source Detail | Source Detail | |
Columbia | MD | Merriweather Post Pavilion | flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) | Source Detail | Source Detail | |
Pittsburgh | PA | Civic Arena | Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac |
Source Detail | Source Detail | |
Pittsburgh | PA | Civic Arena | flac16; MAC; (FOB) 2 x Sennheiser 421 > Sony D5 > 2 x Maxell XLII 90. Recorded by Rick "Coyote" Colyard. Transfer and mastering by Alex Ford. Master Audience Cassettes provided by Rick Colyard via Muletaper. | Source Detail | Source Detail | |
Ventura | CA | Ventura County Fairgrounds | flac16; Source: FOB>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's) Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped & Transferred by Charlie Connor | Source Detail | Source Detail | |
Ventura | CA | Ventura County Fairgrounds | flac16; MAC; Sennheiser 441 > Sony D5 > D5 > 2 x Maxell MX 90; Transfer/Lineage: MAC> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav @24/88.2> iZotope Ozone 3> .wav @16/44.1> CD Wave Editor> TLH> flac16; Taped by Adam; Transferred, Edited and Mastered by Alex Ford | Source Detail | Source Detail | |
Houston | TX | Southern Star Amphitheater | Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac via Darrin Sacks | Source Detail | Source Detail | |
Houston | TX | Southern Star Amphitheater | flac16; MAC; (FOB) 2 x Sennheiser 441 > Sony D5 > Sony D5 > 2 x Maxell MX 90. Taped by Adam, Justin & Monica. Transferred, edited and mastered by Alex Ford. Master Audience Cassettes provided by and from the collection of Mark McCue. | Source Detail | Source Detail | |
Austin | TX | Manor Downs | flac16; updated lineage: 90 X-Y Schoeps CMC441 & 8ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac; Oade Brothers Recording, Transferred by Doug Oade, tracked by Darrin Sacks | Source Detail | Source Detail | |
Austin | TX | Manor Downs | flac16; Taper: Mark McCue Source: (FOB) 2 Sennheiser 441s > Sony TC-D5M > Maxell MX 90s Location: FOB, 10-15 rows back, DFC Lineage: Transfer: Master AUD Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@24/96)* > coax > M-Audio Audiophile 2496 > WaveLab 5.0 > WAV > Traders Little Helper > FLAC24 *V3 recording levels set equally at 25 + 3 trim, by Alex Ford Mastering: SIRMick | Source Detail | Source Detail | |
Oklahoma City | OK | Zoo Amphitheater | flac16; updated lineage: 90 X-Y Schoeps CMC441 & 8ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac; Oade Brothers Recording, Transferred by Doug Oade, tracked by Darrin Sacks | Source Detail | Source Detail | |
Kansas City | MO | Starlight Theater | flac16 Oade Master -- 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac; Oade Brothers Recording Transferred by Doug Oade, tracked by Darrin Sacks; possible difference re normalization compared to a similar previous fileset (see txt note) | Source Detail | Source Detail | |
Morrison | CO | Red Rocks Amphitheatre | flac16 Oade Master, 90 X-Y Schoeps CMC441 + 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac; Transferred by Doug Oade, tracked by Darrin Sacks | Source Detail | Source Detail | |
Morrison | CO | Red Rocks Amphitheatre | flac16; MAC: Sennheiser 441s (7-9 feet high) > Sony D5 > Maxell MX 90s; Tapers: Justin, Adam & Monica Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 >Trade's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford 11/08/2006. | Source Detail | Source Detail | |
Morrison | CO | Red Rocks Amphitheatre | flac16; Sennheiser 441s > Sony D5 > Maxell MX 90s Tapers: Justin, Adam & Monica Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16 Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford November 2006. | Source Detail | Source Detail | |
Morrison | CO | Red Rocks Amphitheatre | SBD>Cm>Dat>CD>EAC>SHN via Charlie Miller | Source Detail | Source Detail | |
Morrison | CO | Red Rocks Amphitheatre | flac16; MAC: Sennheiser 441s > Sony D5 > Maxell MX 90s Tapers: Justin, Adam and Monica Transfer: MAC>Nakamichi CD2(azimuth adjusted)>rca/xlr>Lunatec V3>coax>Audiophile 2496>CEP 2.0>CDWav Editor>TLH>FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, conversion and upload to bt.etree bt Alex Ford. SBE's fixed with Trader's Little Helper. Files encoded @ level 6. | Source Detail | Source Detail | |
Chula Vista | CA | Devore Field, Southwestern U | Unknown Mics (parabolic reflectors, 40" apart)>Unknown deck> CM> C> Sony R500 w/ SBM (a/d)>WAV>CD-R. | Source Detail | Source Detail | |
Chula Vista | CA | Devore Field, Southwestern U | flac16; Source:Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57(tracking only)>flac16 Taped and transferred by Charlie Connor | Source Detail | Source Detail | |
Chula Vista | CA | Devore Field, Southwestern U | flac16; Recording Info: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Tampa | FL | Sun Dome | FOB Audio Technica ATM 11s / 2 Nakamichi 300s > Sony TCM D-5 > Master Cassette; Conversion: MC > Sony TC-we 435 > Sony DTC 700 > DAT > Sony DTC 700 > digital ouput > Philips CDR 870 > CD-R (see note in info file); taped, Cass > CD-R conversion by Mark Horvath; CD-R > SHN: CD-R* > EAC 3x > .wavs compared by MD5s and EAC's .wav compare tool > Cool Edit (rejoin tracks and fades) > CD-WAV (Re-Tracking) > MKW ACT 0.96 > SHN, by Jan Welch | Source Detail | Source Detail | |
Tampa | FL | Sun Dome | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | Source Detail | |
Atlanta | GA | Fox Theater | flac16; LINEAGE: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC | Source Detail | Source Detail | |
Atlanta | GA | Fox Theater | flac16; Source: Master Audience Recording Media: MAC Maxell MX 90 type IV cassettes Lineage: 2 x Sennheiser 421 > Sony TC D5M > Sony TC D5M [Tapers Section] Transfer: MAC playback, Nakamichi CR-7A, azimuth adjusted > 1 ft Lynx RCA-XLR audio cables > Lunatec V3 > AES digital out > LynxTwo in a E6400-based DuoCore 2 PC > Wavelab 5 [24/96] Mastering Software: WaveLab, iZotope Ozone 3 and Waves Q4 EQ, > converted to [44.1/16] with r8brain > CDWAV1.9 >TLH > Flac Level 8 Taped by B.Koucky Transfer by C.Ladner. Mastered By B. Koucky | Source Detail | Source Detail | |
Atlanta | GA | Fox Theater | flac16; LINEAGE: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC. The microphone location was 'dead center' and approximately 50 to 60 feet from the stage, which was about 50 feet or so in front of the Official Taper's Section. | Source Detail | Source Detail | |
Atlanta | GA | Fox Theater | flac16; Recording Info:SBD -> Cassette Master (Sony D5/Maxell MX90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Columbia | SC | Carolina Coliseum, University Of South Carolina | flac16; Matrix of sbd(id=19209) & Oade Master PCM(id=20282) | Source Detail | Source Detail | |
Columbia | SC | Carolina Coliseum, University Of South Carolina | Field: Schoeps CMC441 (from TS, 17cm @ 90deg) > Oade M118 > Oade modSony PCM-F1 Transfer: master PCM > DAW (via SEKD card) > DSP* > CD (mkw) > HD > mkwACT0.97b (SHN) | Source Detail | Source Detail | |
Columbia | SC | Carolina Coliseum, University Of South Carolina | Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k) DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)> Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN(Seekable) Seeded by Darrin Sacks; Also to abgd via Charlie Connor | Source Detail | Source Detail | |
Richmond | VA | Richmond Coliseum | Schoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1 [recorded by the Oade Brothers] | Source Detail | Source Detail | |
Richmond | VA | Richmond Coliseum | flac16; MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. | Source Detail | Source Detail | |
Richmond | VA | Richmond Coliseum | flac24; Source: 2x Sennheiser 421 > Sony TC-D5 > Sony TC-D5 Master Cassettes Maxell MX–90’s Location: FOB, 20' from stage. Center patched out of Steve Adleman Transfer: Nakamichi DR-1 > Korg MR-1 > DSF [1-bit 2.8 MHz Stereo] Rate Conversion: Korg AudioGate to WAV [24/96] Mastering in WaveLab with iZotope Ozone 3 (eq) and Waves L3 Multimaximizer > CD WAVE > TLH > Flac Taped, Transfer, Mastering by: Bill Koucky December 3, 2008 | Source Detail | Source Detail | |
Richmond | VA | Richmond Coliseum | flac16; Matrix from 3 sources: SBD> ?> DAT> CD> EAC> WAV> SHN; AUD - Connor (FOB) Mics: Beyer Dynamic M88's; AUD - Oade (Tapers? Section) Mics: Schoeps (2 x CMC441, 1 x CMC42)> Sony PCM-F1; Matrixed by Chris Chappell | Source Detail | Source Detail | |
Richmond | VA | Richmond Coliseum | flac16; MAC; 2 x Sennheiser 421 > Sony D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX90 (Set II). Recorded by Lucien Zaleski. Transferred and Mastered by Alex Ford. Master audience cassettes provided by Mark McCue. | Source Detail | Source Detail | |
Worcester | MA | The Centrum | Taper: phil Unger;Nakamici #100 Shotguns> SonyD5; CD Transfer Info: Denon D-790R > Audiophile 2496 > Cool Edit 2000 > Wav > SHN; Tracked with CD Wave: Seeded to ABGD | Source Detail | Source Detail | |
Worcester | MA | The Centrum | Source: Audience (Tapers? Section) ? Digital Master Mics: Schoeps (2 x CMC441) Processor: Sony PCM-F1 (Oade Modified) Tape Deck: Sony Portable BetaMax Taper: Oades Tracked: Conrad | Source Detail | Source Detail | |
Rochester | NY | Community War Memorial Auditorium | flac16; taper : Joe D'Amico ''aka'' Joebeacon nak 300 mics > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Rochester | NY | Community War Memorial Auditorium | AUD FOB> Beyer Dynamic M88's> Sony TCD5M (CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT); d2 tracked for 80 min; taped, transferred and seeded to abgd by Charlie Connor | Source Detail | Source Detail | |
East Rutherford | NJ | Meadowlands Arena | Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR EAC'ed/Shn'ed by Charlie Connor 3/2/02, with thanks to Scott Clugston and Doug Oade; to abgd. | Source Detail | Source Detail | |
East Rutherford | NJ | Meadowlands Arena | shotgun mics > Sony D6 > Maxell MX 90's. First right hand seat of taper section 12" stand. Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN via Charlie | Source Detail | Source Detail | |
East Rutherford | NJ | Meadowlands Arena | unknown shotguns > Sony D6 > Maxell MX 90's. First right hand seat of taper section 12" stand. Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN via Charlie Bandrofcheck | Source Detail | Source Detail | |
Oakland | CA | Henry J. Kaiser Convention Center | flac16; Recording Info: SBD -> Cassette Master (Nak 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | Primary Source: Recording Info: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End Secondary Source: Steve Barbella's seed from shn id 12086 AUD>?>DAT>CDR; See txt file for details on Patches. Recorded, patched and digitally transferred by Charlie Connor August 28,2005 | Source Detail | Source Detail | |
Oakland | CA | Henry J. Kaiser Convention Center | Source: SBD>MC>PCM>CDR>WAV>SHNv3 via neo_levo/candyman FTP | Source Detail | Source Detail | |
Oakland | CA | Henry J. Kaiser Convention Center | Updated Source Info: SBD> Cassette Master DAT> CD; Seeded to etree by Willy; note see user comments re pre-emphasis (or not) | Source Detail | Source Detail | |
Oakland | CA | Henry J. Kaiser Convention Center | Bertha Remaster of the soundboard source. SBD>>(?)>>Wav(EAC)>>DAW(Bertha)>>CDA/SHN - Sound A | Source Detail | Source Detail | |
Oakland | CA | Henry J. Kaiser Convention Center | SBD>PCM>Dat>Samplitude>Cool Edit Pro>CD; via David Gans; RE-Seeded to etree by Charlie Miller with 'simple bass lift'; See info file for details | Source Detail | Source Detail | |
Oakland | CA | Henry J. Kaiser Convention Center | Primary Source:Recording Info: FOB(DFC)>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's); Secondary Source: SBD>PCM>Dat>Samplitude>Cool Edit Pro>CD (shn id 11625); The secondary source covers patches in the last 17 seconds of dt05(drums); the first 4:13 of d2t06 (space), and the first 6 seconds of d2t10 (Brokedown Palace: Recorded, Transferred, Patched and Tracked by Charlie Connor | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | Updated Source info: Unknown Audience Recording (Had been marked: Matrix SBD>MC>C>CD) Some minor digi-noise noted; See txt for details; via Jim Skinner; Seeded to etree by Willy | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | flac16; 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor; flip in Don't Ease, no other flaws noted; d2 tracked for 80 min | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | flac16; MAC; (FOB) Sennheiser 441 > Sony D5 > Maxell XLII-S 90(Set I) Maxell MA-R 90(Set II); Taped by Mark McCue; Transferred, Edited and Mastered by Alex Ford | Source Detail | Source Detail | |
Portland | ME | Cumberland County Civic Center | SBD> Cassette Master> Reel> Dat> ?> Dat> CD -> EAC> SHN; plus AUD patch from (FOB) Neumann U87> Cassette Master> CD, using Samplitude v7.02 Professional; SHN Conversion and Patch By Charlie Miller; Upgrade in circulation | Source Detail | Source Detail | |
Portland | ME | Cumberland County Civic Center | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Portland | ME | Cumberland County Civic Center | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Providence | RI | Providence Civic Center | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Providence | RI | Providence Civic Center | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shot guns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Providence | RI | Providence Civic Center | Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info: Nakamichi 300/CP4 -> Master Cassette (Sony D5) -> CD via Charlie Miller | Source Detail | Source Detail | |
Hartford | CT | Hartford Civic Center | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Irvine | CA | Irvine Meadows | flac16; (FOB) Sennheiser 441s > Sony D5 > MAC > 1st Gen Cassettes. Tapers: Adam & Justin. 1st Gen Cassettes provided by Mark McCue. Transfer, edits, conversion & seeding by Alex Ford May 2007. | Source Detail | Source Detail | |
Irvine | CA | Irvine Meadows | flac16; SBD -> Cassette Master -> Cassette -> Cassette; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Berkeley | CA | Berkeley Community Theater | SBD> MC> DAT> CDR> WAV> SHN; DAE (EAC)> d/o repair (sound forge 5)> tracking (cdwav> boundary check (shntool)> SHN (mkwact)> FTP via neo_levo | Source Detail | Source Detail | |
Palo Alto | CA | Frost Amphitheatre | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Palo Alto | CA | Frost Amphitheatre | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Berkeley | CA | Greek Theatre, University Of California | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Berkeley | CA | Greek Theatre, University Of California | flac16; A combination of microphones and select console feeds. TDK MA-R 90 master metal cassette [typeIV] [no dolby] > Nak DR-1 [no dolby] >Lynx2 Studio Reference Interface > Wavelab 6.01 at 24 BIT 88.2 kH Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz Tracked in Wavelab Flac Level 8 with TLH SBE Free; A Master Cassette recording by Owsley Stanley, seeded on his 75th birthday | Source Detail | Source Detail | |
Berkeley | CA | Greek Theatre, University Of California | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 | Source Detail | Source Detail | |
Berkeley | CA | Greek Theatre, University Of California | Primary Source: Recording Info: FOB(DFC)>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Secondary Source: Neumann kmi-84->neumann bs48i-2>pcmf1,(at sbd)PCM->DAT shn id 7281 The secondary source covers patches in the last 26 seconds of d2t05(drums); the first 12 seconds of d3to1 (space) Recorded, digitally mastered and patched by Charlie Connor | Source Detail | Source Detail | |
Berkeley | CA | Greek Theatre, University Of California | flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
East Troy | WI | Alpine Valley Music Theatre | flac16; Source: FOB(21st Row)>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's);Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16: Taped by Jim Vita; Transferred by Charlie Connor | Source Detail | Source Detail | |
East Troy | WI | Alpine Valley Music Theatre | flac16; Source: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's) Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped and transferred by Charlie Connor | Source Detail | Source Detail | |
Cincinnati | OH | Riverbend Music Center | flac16; Source: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped and transferred by Charlie Connor | Source Detail | Source Detail | |
Akron | OH | Rubber Bowl, University of Akron | flac24/96; Source: Audience FOB Recording, Media: Denon HD8 90 min High Bias Tape Lineage: AKG C460b preÃs with Ck61uls capsules > Uher CR260AV > MAC Transfer: Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak > WAV Taped by: D. Thompson Transfer by: A. Egert Mastering by: M. Hughey | Source Detail | Source Detail | |
Akron | OH | Rubber Bowl, University of Akron | flac16; Source: Audience FOB Recording, Media: Denon HD8 90 min High Bias Tape Lineage: AKG C460b preÃs with Ck61uls capsules > Uher CR260AV > MAC Transfer: Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak > WAV Taped by: D. Thompson Transfer by: A. Egert Mastering by: M. Hughey | Source Detail | Source Detail | |
Buffalo | NY | Rich Stadium | FOB-AUD>MC>DAT>CDR; Senn 421?s>Sony TC-D5; via Uncle Sam; seeded by eD | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16; taper : Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16; taper : Joe D'Amico nak 300 mics > sony d-5 infront of the soundboard | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Oakland | CA | Henry J. Kaiser Convention Center | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Oakland | CA | Henry J. Kaiser Convention Center | flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | Source Detail | |
Oakland | CA | Henry J. Kaiser Convention Center | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Oakland | CA | Henry J. Kaiser Convention Center | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Oakland | CA | Henry J. Kaiser Convention Center | Ultramatrix (SBD/AUD mix)> Master cassette> DAT> CD> SHN; via Charlie Miller; Seeded to etree by Peter Braverman | Source Detail | Source Detail | |
Oakland | CA | Henry J. Kaiser Convention Center | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Oakland | CA | Henry J. Kaiser Convention Center | SBD> Cm> DAT> CD> EAC> CDWAV editing > SHN (seekable); via Steve Barbella | Source Detail | Source Detail | |
Oakland | CA | Henry J. Kaiser Convention Center | flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | Source Detail | |
Oakland | CA | Henry J. Kaiser Convention Center | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend | Source Detail | Source Detail | |
Oakland | CA | Henry J. Kaiser Convention Center | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Oakland | CA | Henry J. Kaiser Convention Center | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Oakland | CA | Henry J. Kaiser Convention Center | flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | Source Detail | Source Detail | |
San Francisco | CA | San Francisco Civic Auditorium | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | San Francisco Civic Auditorium | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
San Francisco | CA | San Francisco Civic Auditorium | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Oakland | CA | Henry J. Kaiser Convention Center | flac16; Recording Info: SBD -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | FOB Schoeps CMC441 > Oade P.S. > Sony PCMF1; Sony PCMF1> DAT by Sean Weber-Small; Tranfer: DAT (master, direct copy from PCM @ 44.1) Sony DTC-A6 > DIO 2448 > CDWAV > SHN by Bill Gardner; QC by dankseeds | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | FOB Schoeps CMC44 > Oade P.S. > Sony PCMF1; Sony PCMF1> DAT by Sean Weber-Small; CD Transfer: DAT (master, direct copy from PCM @ 44.1) Sony DTC-A6 > DIO 2448 > CDWAV > SHN by Bill Gardner; QC by dankseeds | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | flac16; taper : Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | FOB Schoeps CMC44 > Oade P.S. > Sony PCMF1 Sony PCMF1> DAT; via Sean Weber-Small, Bill Gardner; Shntool fix by Darrin Sacks | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1> creative extigy soundcard> cool edit pro> flac frontend | Source Detail | Source Detail | |
Hartford | CT | Hartford Civic Center | Set I info Source: SBD Lineage: Master Cassette > DAT > CD > SHN; Set II info Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette > DAT > CD > SHN; via Douglas Tunstall, Nick Scarano and Jeff Hawkins; seeded to etree by Peter Braverman | Source Detail | Source Detail | |
Hartford | CT | Hartford Civic Center | flac16; taper : Joe D'Amico nak300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Hartford | CT | Hartford Civic Center | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm-1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | flac16; taper: Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Worcester | MA | The Centrum | flac16; nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Worcester | MA | The Centrum | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Worcester | MA | The Centrum | flac16; FOB>AKG 414's>D5>MC>CDr>EAC>WAV>FLAC; Recorded By: Jeff Stevenson | Source Detail | Source Detail | |
Worcester | MA | The Centrum | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
East Rutherford | NJ | Meadowlands Arena | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
East Rutherford | NJ | Meadowlands Arena | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Irvine | CA | Irvine Meadows | flac16; Audience Recording Master Audience Cassette; 2 x Sennheiser 441>Sony D5>D5>D5>Maxell MA-R 90 Taped by John Corso. Set I transfer and EAC by Johnny Kelly. Set II cassette transfer by Alex Ford. Edited and Mastered by Alex Ford. All audio from the collection of Mark McCue. | Source Detail | Source Detail | |
Palo Alto | CA | Frost Amphitheatre | SBD > MC > DAT > EAC > SHN; EAC/SHN by Darryl Hinko | Source Detail | Source Detail | |
Palo Alto | CA | Frost Amphitheatre | DSBD/DAUD MIX: 65% DSBD PRE-FM SBD --> PCM --> DAT --> CDR, 35% FOB Schoeps CMC32S --> Grace P.S. --> Sony PCM601 ES --> DAT --> CDR; mixed by Sean Weber, converted to shn by Bill Gardner; note drums and space spread across multiple tracks; see pub comments for additional/updated source notes | Source Detail | Source Detail | |
Monterey | CA | Laguna Seca Recreation Area | DSBD> PCM> DAT> zefiro2> soundforge> CDR> EAC> SHN; via Karl Schneiderman, John Zei | Source Detail | Source Detail | |
Ventura | CA | Ventura County Fairgrounds | flac16; Source: Audience FOB Recording, Center Media: AKY Recording Supply Custom Wound BASF 100% CrO2 90 min. Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Mastering: Wavelab 6.0 Ozone EQ, BBE and L2 for Dither; Resampled using Crystal Sample Rate Converter. Taped by: D. Thompson Transfer by: A. Egert Mastering by: J. Waddell | Source Detail | Source Detail | |
Ventura | CA | Ventura County Fairgrounds | flac16; Source: Audience FOB Recording, DFC Media: TDK SA-X Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > AES > Sound Devices 722 > WAV Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: D. Thompson Transfer by: A. Egert Mastering by: B. Koucky | Source Detail | Source Detail | |
East Troy | WI | Alpine Valley Music Theatre | flac16; taper : Joe D'Amico nak 300 mics > sony d-5 front of board nak dragon tape deck > sony sbm1 > creative extigy sooundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
East Troy | WI | Alpine Valley Music Theatre | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend | Source Detail | Source Detail | |
Foxboro | MA | Sullivan Stadium | FOB> aud> senn me80> cassette master> cdr; This apprears to be shn id 3858 with undocumented changes to d3t01 and d3t03 via archive.org | Source Detail | Source Detail | |
Pittsburgh | PA | Civic Arena | unknown AUD> ?> CDR> EAC> cdwav> shn; via Tony Gardner with thanks to Willy Keats | Source Detail | Source Detail | |
Roanoke | VA | Roanoke Civic Center | Schoeps > PCM > DAT > CD > EAC > SHN; [no info file?]; via Steve Wigley, Randy to offers | Source Detail | Source Detail | |
Roanoke | VA | Roanoke Civic Center | FOB Schoeps > PCM > DAT @ 44.1 khz; DAT > CD Conversion: Don Becker; Equipment: PCM-M1 > Oade Active Cable > Sek'd Prodif Plus > Samplitude v5.5 > CDWAV | Source Detail | Source Detail | |
Philadelphia | PA | John F Kennedy Stadium | FOB> aud> senn me80> cassette master> cdr; conversion by Mike Lai from Bruce Fried DAT | Source Detail | Source Detail | |
East Rutherford | NJ | Giants Stadium | flac16; Recording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Telluride | CO | Town Park | flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Angels Camp | CA | Calaveras County Fairgrounds | updated source: SBD> Master PCM> DAT> CDR> EAC> first shn by Tony Gardner> misc flaw fixes by Steve Barbella (see info file)> reshn (nonseeking) | Source Detail | Source Detail | |
Angels Camp | CA | Calaveras County Fairgrounds | SBD> MC> DAT> CDR> EAC> shn; via Tony Gardner; includes filler from 9/9/87 (see pub comments) | Source Detail | Source Detail | |
Angels Camp | CA | Calaveras County Fairgrounds | ||||
Angels Camp | CA | Calaveras County Fairgrounds | flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXLIIs Analog Lineage: 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Danny Thompson Transfer By: Adam Egert Mastering By: Derek McCabe | Source Detail | Source Detail | |
Providence | RI | Providence Civic Center | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Providence | RI | Providence Civic Center | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Providence | RI | Providence Civic Center | Nak 300's > Sony D5 Casette Master > Sound Forge (wav) > Shorten; via valis_under | Source Detail | Source Detail | |
Providence | RI | Providence Civic Center | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Landover | MD | Capital Centre | Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner. | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Recording Info: SBD -> Cassette Master (Sony D6/TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe -> Samplitude v7.02 Professional -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro> flac frontend | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; matrix of DSBD: shnid=19002 and AUD: shnid=82359 by hansokolow using ProTools | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro> flac frontend | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | flac16; Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | flac16; taper ; Joe D'Amico nak 300 mics > sony d-5 infront of the soundboard | Source Detail | Source Detail | |
Long Beach | CA | Long Beach Arena | SBD > MC > Sonic Solutions > Pre-FM Dat @44.1; Transfer: DA-P1 > Delta Audiophile 2496 > Sound Forge 5 > CDWave > mkwACT, by Doug Nawrocki | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | Schoeps FOB> PCM> DAT> CD> CD> WAV> SHN; via Curtis Ewing, with thanks to Michelle Duffy | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Oakland | CA | Henry J. Kaiser Convention Center | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation | Source Detail | Source Detail | |
Oakland | CA | Henry J. Kaiser Convention Center | flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Oakland | CA | Henry J. Kaiser Convention Center | SBD > MC > DAT > CD >EAC > SHN; EAC/SHN by Darryl Hinko | Source Detail | Source Detail | |
Oakland | CA | Henry J. Kaiser Convention Center | Soundboard->DAT Master->DAT. DAT->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | Updated Source info: In-House FM > Ultramatrix (SBD/AUD mix). Lineage: DAT (Panasonic 3800)> CD (HHBCDR800)> EAC> SHN via Peter Braverman | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | flac16; Source: FOB > Schoeps Cmc3 + omni #3 > Dat @ 44.1k Transfer: Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 5.0 > Cd Wave > FLAC | Source Detail | Source Detail | |
East Rutherford | NJ | Meadowlands Arena | Recording Info: Taper's Section 110 row 9, seat 9> Beyer Dynamic M88's> Sony TCD5M (CM - 1 st set Maxell MX90;2nd set Sony Metal ES90) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Recorded and digitally transferred by Charlie Connor | Source Detail | Source Detail | |
Hartford | CT | Hartford Civic Center | AUD>PCM>CD (Possible Matrix, Healy-FM or one damn good audience recording!); via Ankh-af-na-khonsu; Seeded to etree by PainoMan | Source Detail | Source Detail | |
Detroit | MI | Joe Louis Arena | reEAC, reshn of previous shn set (see info), via Jim Bennett; SBD > In house FM broadcast > MC > CDR > EAC > CDWave > MKWAct > CDR (> EAC > CDWave > MKWAct) | Source Detail | Source Detail | |
Irvine | CA | Irvine Meadows | FOB-AUD> PCM> DAT> CDR> EAC> WAVE LAB> CD WAVE> MKW> SHN (Seekable); Converted and seeded to etree by Steven Leeds, with thanks to Paul B. | Source Detail | Source Detail | |
Irvine | CA | Irvine Meadows | FOB-AUD> PCM> DAT> CDR; EAC> WAVE LAB> CD WAVE> MKW> SHN (Seekable); Converted and seeded to etree by Steven Leeds, with thanks to Paul B. | Source Detail | Source Detail | |
Palo Alto | CA | Frost Amphitheatre | Healy Ultramatrix; via lemon2 with thanks to childo | Source Detail | Source Detail | |
East Troy | WI | Alpine Valley Music Theatre | Source: AUD(Senn 441's)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN. Taper: Craig Camus. CDR source via Todd Norman. SHN encoding/FTP transmission via Chris Ladner/candyman FTP. | Source Detail | Source Detail | |
East Troy | WI | Alpine Valley Music Theatre | Source: AUD(Senn 441's)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN. Taper: Craig Camus. CDR source via Todd Norman. SHN encoding/FTP transmission via Chris Ladner/candyman FTP. | Source Detail | Source Detail | |
East Troy | WI | Alpine Valley Music Theatre | AUD(Senn 441's, Row 16, DFC)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN taped by Craig Camus via Todd Norman encoded by Chris Ladner | Source Detail | Source Detail | |
East Troy | WI | Alpine Valley Music Theatre | AUD(Senn 441's, Row 16, DFC)>CM (Marantz PMD430)>DAT>CDR>WAV>SHN. Recorded and transferred (CM > DAT > CDR) by Craig Camus. Encoding/edits by Chris Ladner. | Source Detail | Source Detail | |
Rochester | NY | Silver Stadium | FOB split Schoeps CMC5/mk21's > PCM > DAT; Conversion: DAT->Montego II->HD via Soundforge->CDWav->MKW .shn; via A. Gustin | Source Detail | Source Detail | |
Rochester | NY | Silver Stadium | Set 2 SBD > DAT [vault] > DAT [vault clone] > CDR. Discs kindly provided by Zeb Weber via David Gans. cd > eac > shnv3 by Ernie Dodd. [Note: This is a more complete and uncensored version of this source (/shninfo_detail.php?shnid=6670).] | Source Detail | Source Detail | |
Oxford | ME | Oxford Plains Speedway | flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD) | Source Detail | Source Detail | |
Oxford | ME | Oxford Plains Speedway | DTS Audio 5.1; DTS-Audio-CD 5.1 Mix, see info file for details | Source Detail | Source Detail | |
Oxford | ME | Oxford Plains Speedway | flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD) | Source Detail | Source Detail | |
Oxford | ME | Oxford Plains Speedway | DTS Audio 5.1; DTS-Audio-CD 5.1 Mix, see info file for details | Source Detail | Source Detail | |
Berkeley | CA | Greek Theatre, U. Of California | 2nd Row Behind Healy (see notes): Schoeps CMC42S (Spaced Omni 14' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters; Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC> Shn via MKW .97 by Bill Gardner | Source Detail | Source Detail | |
Berkeley | CA | Greek Theatre, U. Of California | 2nd Row Behind Healy (see notes). Schoeps CMC42S (Spaced Omni 10' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters. Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC> Shn via MKW .97 by Bill Gardner | Source Detail | Source Detail | |
Monterey | CA | Laguna Seca Recreation Area | Soundboard (was originally labeled as Aud CM-> DAT-> CDR-> EAC w/correct offsets using Secure Mode w/C2 (Plextor UW)-> SHN (MKW)); encore is different AUD source; see notes in info file; via Andy Hayum with thanks to Ken Doughty, Karen Lutz Benbrook | Source Detail | Source Detail | |
Monterey | CA | Laguna Seca Recreation Area | Recording Info:(FOB/Split 10 to 20 Feet)Nakamichi CM700/CP701 -> dbx type II encoder -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi Cassette Deck 1) -> dbx 224x -> Mytek 8X96ADC -> Nuendo (24bit) -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN); Process Info: Very slight eq with waves Q10 and rendered to a 16 bit file with waves L2; Editing Info: Normalized and Tracked with Samplitude v7.02 Professional; Recorded and Transfered BY Bill Reutelhuber; Edited By Charlie Miller 12/15/03 | Source Detail | Source Detail | |
Eugene | OR | Autzen Stadium, University Of Oregon | flac16; Source: Healy SBD Ultramix Patch > Sony D5 > MSC(TDK MA-XG90 Type IV Cassettes). Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. Transfer and encoding by C. Ladner. | Source Detail | Source Detail | |
Landover | MD | Capital Centre | flac16; Vault dat SBD via Charlie Miller | Source Detail | Source Detail | |
Landover | MD | Capital Centre | AUD>PCM>DAT>CDR (Schoeps CMC-34?s); via Paul Raoul; Seeded to etree by Brad Ingle | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | Jay Ashley (Bertha) Remaster of the Jim Wise release. SBD>>MC>>DAT>>(*)>>CDA>>DAW(Bertha)>>CDA - Sound A | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; MAC; (FOB) MAC; (FOB) Sennheiser 421s > Sony D5 > 2 x Maxell XLII-S 90 Transfer: MAC> Nakamichi Dragon> Kind Kables RCA/XLR> Lunatec V3(@24/88.2)> coax> Audiophile 2496> WaveLab 6.10> .wav @ 24/88.2> Waves L3 UltraMaximizer> CD Wave Editor> Trader's Little Helper> flac16. Editing and Mastering in WaveLab 6.10 with UAD in 24/88.2. Flac files tagged. Taped by Mark McCue and Lucien Zaleski. Transferred, Edited and Mastered by Alex Ford. | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; MAC; (FOB) Sennheiser 421s > Sony D5 > 2 x Maxell XLII-S 90. Transfer: MAC> Nakamichi Dragon> Kind Kables RCA/XLR> Lunatec V3(@24/88.2)> coax> Audiophile 2496>WaveLab 6.10> .wav @ 24/88.2> R8Brain> .wav @ 16/44.1> CD Wave Editor> TLH> flac16(level eight). Taped by Mark McCue and Lucien Zaleski. Transferred, Edited and Mastered by Alex Ford. | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend | Source Detail | Source Detail | |
Dallas | TX | Reunion Arena | Recording Info: SBD -> Dat; Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC); Transferred and Edited By Charlie Miller charliemiller87@earthlink.net | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | Healy Mix (SBD+AKG C 424b mic)> PCM> DAT> EventGina> WAV> CD> EAC> SHN; to abgd as well as etree? | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | Healy Mix (SBD+AKG C 424b mic)> PCM> DAT> DALCardDeluxe> WAV> CD> EAC> SHN; via Stagger? to abgd, thence to etree; some balloon pops edited down or out | Source Detail | Source Detail | |
Oakland | CA | Henry J Kaiser Convention Center | Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette> ?> DAT> CD> SHN. Thanks to Johnny Venus for the disks. Normalized and seeded by Peter Braverman | Source Detail | Source Detail | |
Oakland | CA | Henry J Kaiser Convention Center | Mark Horvath FOB Senn. 421?s> Sony TC-D5> MC> CDR; Seeded to etree by Tim W | Source Detail | Source Detail | |
Oakland | CA | Henry J Kaiser Convention Center | Mark Horvath FOB Senn. 421?s> Sony TC-D5> MC> CDR; Seeded to Etree by Tim W | Source Detail | Source Detail | |
Inglewood | CA | Great Western LA Forum | flac24/96; Senn MKE2002 omni\'s HRTF -> Sony TC-D5M @ 6\' 5\" FOB/DFC to 24/96 digital: Sony TC-D5M master deck and master, no n.r. -> Tascam DVRA1000 DSD recorder in high res PCM mode of 24bit/96khz to flac: DVRA1000 Project Disc 23/96 files imported via Mac Tiger 10.4. Flac compression by xACT to 7/8 compression | Source Detail | Source Detail | |
Inglewood | CA | Great Western LA Forum | flac24/96; Set one: Sennheiser MKE2002 HRTF headband -> Sony TC-D5M @ 6'5" by Mike French Set two: ~ Schoeps cmc?? cards (caps on bodies, cardioids) ORTF @ 6'4" covered by the Mike Stand (MF) at eye level ~ Oade pre (m118 ?) -> Sony PCM processor->beta, line out (Sean Weber Small rig) -> Sony TC-D5M master by Mike French Transfer to 24/96: Sony TC-D5M master deck w/ master, no n.r. -> Tascam DVRA1000 DSD recorder in high-res pcm mode, 24/96 by Mike French then to flac: DVRA1000 Project Disc 24/96 imported to Mac OS-X Tiger, conversion by xACT | Source Detail | Source Detail | |
Inglewood | CA | Great Western LA Forum | flac24; Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion. | Source Detail | Source Detail | |
Atlanta | GA | The Omni | AUD(Schoeps CMC-441's)>DAT>CDR; Seeded to etree by Tim W | Source Detail | Source Detail | |
Atlanta | GA | The Omni | AUD>DAT>CDR; Seeded to etree by Tim W | Source Detail | Source Detail | |
Greensboro | NC | Greensboro Coliseum | Mark Horvath FOB Senn. 421?s>Sony TC-D5>MC>CDR; via Paul "Raoul" B; Seeded to etree by Brad Ingle | Source Detail | Source Detail | |
Greensboro | NC | Greensboro Coliseum | schoeps cmc?/mk21> DAT fob; via Childo and unIDed seeder; note offbeat track breaks; includes unIDed filler | Source Detail | Source Detail | |
Pittsburgh | PA | Civic Arena | Matrix>DAT>CDR>EAC>SHN>WAV>CE2K>SHNTOOL>MKWACT. Editing/Seeding: MattMan | Source Detail | Source Detail | |
Pittsburgh | PA | Civic Arena | AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Note this is the original shn seed for shn id9206 This source was made from my master cassettes and doesn't have the digital flaws noted on d2t01 (bad EAC) of shn id 9206. Digital Mastering by Charlie Connor Seeded to abgd 3/29/01; seeded to etree bt 6/21/05 | Source Detail | Source Detail | |
Pittsburgh | PA | Civic Arena | SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell | Source Detail | Source Detail | |
Pittsburgh | PA | Civic Arena | ||||
Ann Arbor | MI | Crisler Arena | Healy Ultra Mix - sbd+aud> cm> dat> cd; via Aaron Kowalski to loop | Source Detail | Source Detail | |
Cincinnati | OH | Riverfront Arena | Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor | Source Detail | Source Detail | |
Louisville | KY | Freedom Hall | Digital Audience - Jill & Rob R 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. | Source Detail | Source Detail | |
Milwaukee | WI | The Mecca | Matrix DSBD (Panasonic 3800)> CD (HHB CDR800)> EAC> SHN; Known Flaws - 1 sec. d/o @1:52 & 5 sec. d/o @2:46-2:51 during Space (d2t6) - some clipping on the left channel due to drums and bass being too high in the SBD mix. The master has this flaw as well;Â via A. Jerugim | Source Detail | Source Detail | |
Milwaukee | WI | The Mecca | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Irvine | CA | Irvine Meadows | ||||
Palo Alto | CA | Frost Amphitheatre | DSBD, with some editing (see notes in info file); via Jay Serafin to gdlive | Source Detail | Source Detail | |
Palo Alto | CA | Frost Amphitheatre | SBD > DAT> DALCard Deluxe> WAV> CD> SHN; CD Mastering by Michael Owen: DAT at 48kHz-Wave file resampled to 44.1 with Audio Magic Ring Software, File normalized (low levels) with DC-Art Millennium (Peak Normalization), Seven assorted pops and gliches corrected; From DooDah Tree #43, later to cdead; to etree via Tony Gardner | Source Detail | Source Detail | |
Foxboro | MA | Sullivan Stadium | flac16; FOB Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC | Source Detail | Source Detail | |
Foxboro | MA | Sullivan Stadium | flac16; Source: Audience FOB Recording Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette Lineage: FOB AKG C460b pre's with ck61uls heads > Uher 240 > Nak DR-1 >Apogee 200 Rosetta >Firewire >Apple G5 >Bias Peak(24/96WAV) > Wavelab 5 > Waves L3 Multimaximizer (threshold -3.0 dB/ceiling -0.1 dB) > rendered to 16 bit/44.1 KHz WAV using UV22-HR>CDWAV 1.9 >FLAC(level 8) Taper: Danny Thomson Transfer: Derek McCabe Mastering: Chris Ladner | Source Detail | Source Detail | |
Foxboro | MA | Sullivan Stadium | flac24/96; Taper: Danny Thomson Source: FOB Nak700's > Uher 240 > Master Cassette Maxell XLII 90min. Transfer: Playback on Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak (24 bit/96 KHz WAV) by D.McCabe. Mastering: Wavelab 5 > Waves L3 Multimaximizer (threshold -2.3 dB/ceiling -0.1 dB) > CDWAV 1.9 > FLAC (level 8), by C.Ladner. | Source Detail | Source Detail | |
Philadelphia | PA | John F. Kennedy Stadium | flac16; Source: 1st Gen; (FOB) 2 x Sennheiser 421's > Sony D5 > Sony D5 > 2 x Maxell UDXL I C90 Location: FOB, 30 feet from the stage, slightly ROC, mics were run above head level (7 - 8 feet high). Taper: Lucien Zaleski Transfer: Nakamichi Dragon > Kind Cables RCA/XLR > Lunatec V3 (@ 26/96) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96 > Waves L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC16. Transferred and mastered by Alex Ford January 2008. | Source Detail | Source Detail | |
East Rutherford | NJ | Giants Stadium | AUD (FOB/ AKG414TL)>> ???>> SHN>> Dual DAW (Bertha)>> CDA; remastering by Jay Ashley (apparently of a previously shned source); to CDead | Source Detail | Source Detail | |
Washington | DC | Robert F. Kennedy Stadium | FOB Schoeps CMC34 > DAT @ 44.1 KHZ; Transfer: DAT Clone > DIO 2448 > CD WAV > SHN, by Bill Gardner | Source Detail | Source Detail | |
Noblesville | IN | Deer Creek Music Center | flac16; Source: Nak300 (4 mic mix; 2 shotgun, 2 cardioid) > Tandy 4 channel mixer > Sony TC-D5M (pass thru) > Yamaha MT1X (dbx type II encode, Maxell XL-IIS) Recorded by Eddie Wahba and Pat Volkerding Transfer: Yamaha MT120S (dbx type II decode) > Tascam DA-20 (A>D conversion) > coax/optical converter > Creative Nomad Jukebox 3 > Firewire > Amarok > CDWAV > FLAC | Source Detail | Source Detail | |
East Troy | WI | Alpine Valley Music Theatre | DSBD> DAT> CD; via Nick Georges; reported diginoise at the beginning of Touch and in a few other places, like just before Jack-A-Roe starts, and in Sugar Mag :22-:28; weirdness note: info file gives 7-5-7 tracking, md5s shown here have 9-5-7 tracking; further, listener B. de Vos reports d1t5 FOTD is not on info file, and neither is d1t9 TMNS- the latter was not even played at the show (must be filler) | Source Detail | Source Detail | |
East Troy | WI | Alpine Valley Music Theatre | flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 24, 2008 | Source Detail | Source Detail | |
Sacramento | CA | Cal Expo | flac16; AUD Source: Nakamichi CM-300's with CP-1 (cardioid) capsules > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 6-feet high. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC | Source Detail | Source Detail | |
Sacramento | CA | Cal Expo | FOB Schoeps MK2 (spread) > dat > cdr; Transfer: EAC (range extraction at 100%) > CDWAV > mkwACT; d2 tracked for 80 min; encore missing | Source Detail | Source Detail | |
Sacramento | CA | Cal Expo | flac16; AUD Source: Neumann KM-150's > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 5-feet high. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC | Source Detail | Source Detail | |
Sacramento | CA | Cal Expo | Set 1 Source: FOB Spaced 50 ft. Neumann km150's > MC > CDR > EAC > Sound Forge 4.5 > mkwACT Set 2 Source: FOB Spaced Nak 700's > MC > DAT Transfer: DA-P1 > Montego II (hardware resample 48 > 44.1) > Sound Forge 4.5 > mkwACT EAC/Transfer/Seed by Doug Nawrocki | Source Detail | Source Detail | |
Sacramento | CA | Cal Expo | flac16; AUD Source: Neumann KM-150's > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 5-feet high. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC | Source Detail | Source Detail | |
Berkeley | CA | The Greek Theatre - University of California | Healy Matrix Digital SBD > DAT > CDR > WAV > SHNv3; DAT > CDR transfer via D-10 > HHb800 by fishman; DAE by neo_levo: EAC (high, secure, offset corrected, with repeated extractions yielding matching wav md5's), tracked using CDWAVE (boundaries confirmed w/ shntool) > mkwact > SHNv3 | Source Detail | Source Detail | |
Berkeley | CA | The Greek Theatre - University Of California | SBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | FOBÂ Schoeps CMC34's -> Panasonic SV-250; Transfer: D8 -> Montego II digi I/O -> CDWAV by D. Nawrocki; seed via P. Delgado | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | SBD + AUD Matrix Mix (60%-SBD/40%-AUD); SBD: PCM (analog out) > DAT x 4 > CDR; AUD FOB: Schoeps CMC641 > DAT; Mixed by dan@am-dig.com; related 5.1 mix also circulates | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | DTS-Audio-CD 5.1 Mix; SBD: PCM (analog out) > DAT x 4 > CDR AUD; FOB: Schoeps CMC641 > DAT; mixed by dan@am-dig.com; related matrix also circulates | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | flac16; SBD + AUD Matrix - 4 Source Mix (60%-SBD, 10%-AUD1, 20%-AUD2, 10%-AUD3) | Source Detail | Source Detail | |
East Rutherford | NJ | Meadowlands Arena | source update: DSBD> DAT> WAV> CD-R; via Dave Barrick; 5/00- there may be another version around, possibly reextraction of this- at least 1 track matches the md5 shown here, another track doesn't; listener Jeff Davis reports errors: "some dropouts during the beginning of D1T1, and a dropout around 3:40 of "Space" on Disc 3"; see pub comments for tracking; Update: whole show now released as Nightfall of Diamonds- go buy it | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | Healy Ultramix > MC > DAT > CDR; Beginning of Shakedown, Drumz and Space patched with following source-Digital Audience - Jill & Rob R 3 Nak CM 300's; See info file for details; Seeded to etree by Doug Nawrocki | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | flac16/48; Sennheiser ME-80's>Technics SV-MD1 from 2 rows in front of Soundboard DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades)>CDWAV>FLAC Recorded, transferred & Uploaded By Keith Litzenberger *48KHZ Version* | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Charlotte | NC | Charlotte Coliseum | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Charlotte | NC | Charlotte Coliseum | flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Inglewood | CA | Great Western LA Forum | flac24; Ambient recording master by Mike French / Tapers From Hell From the Impact Zone, fob/dfc (same spot as entire 02-89 run, and entire 12-89 run) Sennheiser MKE2002 omni's HRTF stealth stereo -> Sony TC-D5M to 24/96 pcm: Sony TC-D5M and cassette master, no n.r. -> Tascam DVRA1000 in pcm mode @24/96 to flac: Tascam DVRA1000 in usb 2.0 mode, master disc file import -> Mac G4 OS-X Tiger. Flac compression (6/8) by xACT by Scott Brown NOTE: this is not the "exact" .flac fileset seeded my Mike French, reencoded to flac level 8 added id3 tags by Bob Loy | Source Detail | Source Detail | |
Inglewood | CA | Great Western LA Forum | flac24; Ambient master by Tapers From Hell: A Journey to the Impact Zone Analog Masters by Mike French "Moke" Sennheiser MKE2002 omni's HRTF (baffled omni's) -> Sony TC-D5M, FOB/DFC in the center of a giant quiet zone of tapers and friends. Mics at 6'5". I was also covering the fob mic tree for this entire 12/89 run. A Tapers From Hell gathering. to 24/96 digital: Sony TC-D5M master deck, master cassette, no n.r. -> Tascam DVRA1000 DSD recorder in pcm mode, 24/96 to flac: track marks originally applied via the DVRA1000 to the dvd+rw master. Then,.. master disc imported via Mac 10.4 Tiger, and flac compression by xACT by Scott Brown, level 6 NOTE: this is not the "exact" .flac fileset seeded my Mike French, it has added id3 tags by Bob Loy | Source Detail | Source Detail | |
Inglewood | CA | Great Western LA Forum | flac24/96; Sennheiser MKE2002 omni's HRTF -> Sony TC-D5M. Mics at 6'5" Also covering an ortf pair of Neumann km84's -> Sony TC-D5M rig, on a stand. to 24/96 pcm: Sony TC-D5M master deck and master cassette, no n.r. -> Tascam DVRA1000 DSD recorder in pcm mode, 24/96 to flac: Tascam DVRA1000 in USB2.0 mode -> Mac OS-X Tiger import -> xACT by Scott Brown 6/8 level compression. | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | FOB>Shoeps CMC3/mk-4 > DAT > CDR > WAV > SHNv3; Taper unknown @ this time. | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | Tony G shntool fix of original Braverman seed; Ultramatrix (SBD/AUD mix); Lineage: DAT> CD> SHN | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | SBD>>PreFM>>DAT>>CDA>>WAV(EAC)>> SHN>>DAW(Bertha)>>CDA/SHN | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16; Sennheiser ME-80's>Technics SV-MD1 (1st few row of OTS) DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades)>CDWAV>FLAC Transferred By Keith Litzenberger | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | AUD(Schoeps CMC 44?s)>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley | Source Detail | Source Detail | |
Landover | MD | Capital Centre | sbd>mc>dats>Soundforge 4.5>CD; via Tom E; Hosted by candyman.etree.org | Source Detail | Source Detail | |
Landover | MD | Capital Centre | flac16; Matrix 2 Source Mix - SBD (shn id 8466) sbd> mc> dats> Soundforge 4.5>CD; via Tom E; + AUD (shn id 89689) MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Brokedown House -> Adobe Audition 3.0 - matrix mixing by Kevin Tobin | Source Detail | Source Detail | |
Landover | MD | Capital Centre | ||||
Landover | MD | Capital Centre | Nak 300's > Sony D-5 (w/dolby B)> Maxell MX cass, Taper's section recorded by Boyd McHugh; Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks, Transfer by Dave Hanscom; CDWav> EAC> shn by Bzl | Source Detail | Source Detail | |
Landover | MD | Capital Centre | flac16; Recording Info:SBD -> Cassette Master (TDK SA90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Landover | MD | Capital Centre | flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.1.1 -> FLAC All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Hartford | CT | Hartford Civic Center | flac16; Sennheiser ME-80's>Technics SV-MD1 (1st row OTS) 1st set recorded on Maxell R-90 DAT, 2nd Set Maxell R-120 DAT DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Recorded & Transferred By Keith Litzenberger | Source Detail | Source Detail | |
Hartford | CT | Hartford Civic Center | flac16; Sennheiser ME-80's>Technics SV-MD1 (2nd row Taper's Section) DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger | Source Detail | Source Detail | |
Hartford | CT | Hartford Civic Center | flac16; Seamless fix of shn id 1526 - Pre-FM Soundboard Master Reel (at 15 inches per second) -> DAT -> CDRs -> EAC -> SHN -> WAV -> FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details | Source Detail | Source Detail | |
Hamilton | ON | Copps Coliseum | DTS Audio 5.1; Mix of AUD Dave Brotman FOB > Schoeps CMC54 (ORTF) > Aerco PS > DAT & SBD > MC > DAT | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | flac16/48; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | FOB Schoeps CMC4/MK21> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer Info: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Ted Mattes; Transferred By Charlie Miller; Fixed version now in circulation | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | 24 track SBD MR> Healy 2 track Mixdown> C> DAT> CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab>CDWAV>FLAC Recorded By Keith Litzenberger | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky; Note- portions of the show appear on Dozin' at the Knick- go buy it | Source Detail | Source Detail | |
Uniondale | NY | Nassau Coliseum | flac16; SBD + AUD Matrix: SBD (ShnID = 87643) Recording Info: SBD > DAT > Cassette Master (TDK MA-R90) and AUD (ShnID = 28381) Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) > Oade Cap Coupled Supply > DAT (Panasonic SV250/48k) > DAT (Cloned From Master) | Source Detail | Source Detail | |
Uniondale | NY | Nassau Coliseum | DTS-Audio-CD 5.1 Mix; SBD (ShnID = 87643) Recording Info: SBD > DAT > Cassette Master (TDK MA-R90) and AUD (ShnID = 28381) Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) > Oade Cap Coupled Supply > DAT (Panasonic SV250/48k) > DAT (Cloned From Master) | Source Detail | Source Detail | |
Uniondale | NY | Nassau Coliseum | set 2; FOB> DAT> ?> CDR, mics and taper unknown; reportedly SBD-like; posted by Stephen Agan to abgd, later by Darrin Sacks to etree | Source Detail | Source Detail | |
Uniondale | NY | Nassau Coliseum | flac16; Sennheiser ME-80's>Technics SV-MD1 DAT (OTS) 1st set recorded on Maxell R-90 DAT, 2nd Set Maxell R-120 DAT DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Recorded & Transferred By Keith Litzenberger | Source Detail | Source Detail | |
Atlanta | GA | The Omni | FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro> RME46/8> SoundForge> CD> EAC> SHN | Source Detail | Source Detail | |
Atlanta | GA | The Omni | Nak 300/CP4's > PMD 420 by Alan Wallace, tapers section; MC> DAT> CD-R; note first few seconds of Promised Land missing; via Kevin Gills, Tony Gardner | Source Detail | Source Detail | |
Carson | CA | Cal State Dominguez Hills | FOB Schoeps CMC44> master audience DAT> DAT> CD> EAC> SHN | Source Detail | Source Detail | |
Sacramento | CA | Cal Expo | fob "at the impact zone" 6' stands 6' spaced schoeps omis > Oade pre (presumably m118) > SV250 analog line out>D10 recording by Sean Weber and west coast "tapers fro hell" crew | Source Detail | Source Detail | |
Sacramento | CA | Cal Expo | flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded By Gerry Gordon & Keith Litzenberger Transferred & Uploaded By Keith Litzenberger | Source Detail | Source Detail | |
Sacramento | CA | Cal Expo | flac16; FOB AUD: 2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC. Transfer by Andrew F. | Source Detail | Source Detail | |
Sacramento | CA | Cal Expo | B&K 4011 110degrees ORTF on the "Mike Stand" 6'4" Neumann p48 phantom supply > Sony TCD-D10 pro II (48k) > DAT master > TAscam DA-20 MKII > Marigo Audio Lab Coax S/PDIF cable > Tascam CDRW700 > CD-R master > Marantz CDR500 dual well cd burner at 1x > 1st gen CD-R copy > EAC in secure mode > FLAC | Source Detail | Source Detail | |
Sacramento | CA | Cal Expo | daud> schoeps mk4> D> CD; d3 filler not IDed?; etreed via M. Ferguson? | Source Detail | Source Detail | |
Sacramento | CA | Cal Expo | DTS-Audio-CD 5.1 Mix; Mixed by dan@am-dig.com. This is a remix and upgrade to shn ID 29669 See txt file for additional comments | Source Detail | Source Detail | |
Sacramento | CA | Cal Expo | flac16; Schoeps Omni Spaced 27'>Oade?>Technics SV-MD1 in Taper's Section DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC (It's likely that my DAT was patched via analog output of lead deck as the mics were not mine and the Technics has no Digital in.) Processed By Keith Litzenberger | Source Detail | Source Detail | |
Mountain View | CA | Shoreline Amphitheatre | 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner | Source Detail | Source Detail | |
Mountain View | CA | Shoreline Amphitheatre | flac16; 1st set: DAT CLONE:AKG 414's>?>Technics SV-MD1 Recorded By Bill Savage; 2nd Set: DAT MASTER:Sennheiser ME-80's>Technics SV-MD1 Recorded By Keith Litzenberger DAT>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Transferred By Keith Litzenberger | Source Detail | Source Detail | |
Mountain View | CA | Shoreline Amphitheatre | flac16; 1st Set: DAT MASTER:Sennheiser ME-80's>Technics SV-MD1 Recorded By Keith Litzenberger 2nd Set: DAT CLONE:AKG 414's>?>Technics SV-MD1 Recorded By Bill Savage DAT>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Transferred By Keith Litzenberger | Source Detail | Source Detail | |
Eugene | OR | Autzen Stadium - University of Oregon | Source: SBD-matrix>CM>DAT>CDR>WAV>SHN; this is shn id 20695 with undocumented changes to d3t3 via Tol and LMA. | Source Detail | Source Detail | |
Eugene | OR | Autzen Stadium, U. of Oregon | flac16; Sennheiser ME-80's>Technics SVM-D1 (Front Of Taper's Section) Dat Master>Sony TCD-D0PROII>Edirol R-4>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded by Gerry Gordon using Keith Litzenberger's gear Transferred & Uploaded by Keith Litzenberger | Source Detail | Source Detail | |
Bonner Springs | KS | Sandstone Ampitheatre | SBD> Dat> Cassette Master; Transfer: Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller | Source Detail | Source Detail | |
Louisville | KY | Cardinal Stadium | SBD> Dat> Sonic Solutions> CD; EAC'd and SHN'd By Charlie Miller | Source Detail | Source Detail | |
Raleigh | NC | Carter-Finley Stadium | flac16; FOB DFC Schoeps MK4s ORTF On Stand->Oade m118->Panasonic SV255@48 kHz Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record/resample) -> CDWAV (track) ->FLAC | Source Detail | Source Detail | |
Washington | DC | Robert F. Kennedy Stadium | flac16; Source: FOB-Schoeps CMC3 MK4-> Oade P/S->Sony D10 Pro->DAT->CDR->WAV->FLAC Transfer: Dat Clone->Panasonic SV3700-> Marantz CDR 615-> CDR Ripped with EAC (No Errors)Tracks Named -> Flac (Level 8) with Traders Little Helper and Tagged with Foobar 2000. Transfers by Pete Ebel on March 3, 2009 | Source Detail | Source Detail | |
Tinley Park | IL | World Music Theater | flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | Dave Brotman FOB (15th row, center) AUD(Schoeps)> DAT> CDR; via Paul B; Seeded to Etree by T. Wiley | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Ambient Recording by Sean Weber & Rick Katseff B&K 4011's ORTF -> Grace pre -> Panasonic SV250 line-in transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +6dB digital gain added in the transfer from DAT to CDR master | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | Recorded by Dave Brotman: FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects). | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Ambient Recording by tdarian - John Corso B&K 4011's ORTF -> Grace Pre -> Panasonic SV250 line-in FOB 17th Row seat 3 near center transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +6dB digital gain added in the transfer from DAT to CDR master | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | Recorded by Dave Brotman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects); Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Ambient Recording by tdarian B&K 4011's ORTF -> ProLink cables -> Neumann p48v -> Sony TCD-D10 DAT line-in Section 1 row 18 center - on center aisle Seat A FOB near center. transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 CDR master transfer by Mike French | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC; Recorded By Keith Litzenberger | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Ambient Recording by tdarian B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open From Section A Row 19, seat 2 FOB - near center transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +2dB digital gain added in the transfer from DAT to CDR master | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | DTS-Audio 5.1; mix of SBD > DAT > Samplitude > Cool Edit Pro > SHN & Dave Brotman FOB > Scheops > DAT > CDR | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Ambient Recording by tdarian B&K 4011's ORTF -> ProLink cable -> Neumann p48v -> Sony TCD-D10 DAT 48khz line-in wide open Mics on stand at 6'+ transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 | Source Detail | Source Detail | |
Stockholm | Sweden | Ice Stadium | flac16; Audience Recording Lineage: Unknown Mics > Sony D-5 > MAC > NAK D3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8 (tlh) | Source Detail | Source Detail | |
Stockholm | Sweden | Ice Stadium | flac16; Source: Audience Master Cassette Nakamichi 300’s > Marantz PMD-430 Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 16, 2008 | Source Detail | Source Detail | |
Berlin | Germany | Internationales Congress Centrum | flac16; Source: Audience Recording Lineage: Unknown Mics > Sony D-5 > MAC > NAK DR-3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8 (tlh) | Source Detail | Source Detail | |
Berlin | Germany | Internationales Congress Centrum | DSBD: Healy mix>MD>D>CD; seeded to abgd by dieter | Source Detail | Source Detail | |
Berlin | Germany | Internationales Congress Centrum | flac16; Audience Master Cassette Nakamichi 300’s Cardioids > Marantz PMD-430 > Sony Walkman Pro D-6 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media Maxell MX-90, MX-100 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 20, 2008 | Source Detail | Source Detail | |
Berlin | Germany | Internationales Congress Centrum | DSBD: Healy mix>MD>D>CD | Source Detail | Source Detail | |
Berlin | Germany | Internationales Congress Centrum | flac16; Source: Audience Master Cassette Nakamichi 300’s Cardioids > Marantz PMD-430 > Sony Walkman Pro D-6 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 MX-100 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 6, 2008 | Source Detail | Source Detail | |
Frankfurt | Germany | Festhalle | 2 Beyer M160> Sony TCD5M Front Of Board Master Cassette> CDR via unknown seeder | Source Detail | Source Detail | |
Frankfurt | Germany | Festhalle | flac16; Source: Audience Master Cassette Nakamichi 300’s Cardioids > Marantz PMD-430 > Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set: TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 11, 2008 | Source Detail | Source Detail | |
Paris | France | The Zenith | flac16; Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-902nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 14, 2008 | Source Detail | Source Detail | |
Paris | France | The Zenith | flac16; Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-902nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 15, 2008 | Source Detail | Source Detail | |
London | England | Wembley Arena | flac16; Set 2 only Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-902nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 16, 2008 | Source Detail | Source Detail | |
London | England | Wembley Arena | flac16; Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 16, 2008 | Source Detail | Source Detail | |
Denver | CO | McNichols Sports Arena | flac16; Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 >CDWAVE >FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski | Source Detail | Source Detail | |
Denver | CO | McNichols Sports Arena | flac16; Matrix 3 Source Mix - SBD1 (shn id 87461) (1st set only) SBD -> Dat (48k) + SBD2 (shn id 87372) (2nd set only) Healy DAT > PCM > DAT + AUD (shn id 32020) Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master - matrix mixing by Kevin Tobin | Source Detail | Source Detail | |
Denver | CO | McNichols Sports Arena | flac16; Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 > CDWAVE > FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski | Source Detail | Source Detail | |
Denver | CO | McNichols Sports Arena | Source: Soundboard Matrix:D-> DAT; Transfer: DAT-> Sony PCM R-300 > RME digi 96/8PAD > Soundforge 6.0 @48k by Marc Pujol; Encoding: 48k -> 44.1k via Cool Edit Pro High Accuracy Setting > Cool Edit (diginoise patches) > CDWAV > mkwact (seekable) by Matt Vernon | Source Detail | Source Detail | |
Denver | CO | McNichols Sports Arena | flac16; Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 > CDWAVE > FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC 2000 -> CD (Tascam CDRW700) -> EAC -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) - All Transfers and Editing By Charlie Miller | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | Satellite Feed > 1/2" reel @ 15 ips > DAT >CDR; Montego II > CDWave > Sound Forge XP 4.5; via Mike Hall | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16; Pre-FM > DAT > CD > EAC > CD > EAC > FLAC; Both EAC steps were done twice with correct setting to ensure accurate rips. Final EAC and FLAC conversion done by Bob Abrams, 2/21/08. | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | Updated source: 2 Nak 100/CP4 + 2 AKG C1000, Front Row Tapers Section> Boss BX4 Mixer> Cassette Master (Sony D6/Dolby B), taped by Charlie Miller; Cass> DAT transfer by Dan Sisler; Dat (Sony R500/SBM On)> CD (Tascam CDRW700) transfer by Charlie Miller; EAC> CDWAV> SHN by eD(efojr), from Paul's seed discs | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master using Sony 75ES -> Technics SV-DA10 Recording Equipment : B&K 4011 Cardiod (ORTF) -> Rob’s Neumann Supply -> Panasonic sv255 -> On Stand (6’ 3â€) Recording Location: FOB DFC Sweet Spot Recorded By: Unknown Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. | Source Detail | Source Detail | |
Landover | MD | Capital Centre | flac16; Master:Sennheiser ME-80's>Technics SV-MD1 OTS Transfer:DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger (The original source is missing Crazy Finders, d2t05.) | Source Detail | Source Detail | |
Landover | MD | Capital Centre | FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Jeff Metchik (sp?); Transferred By Charlie Miller | Source Detail | Source Detail | |
Landover | MD | Capital Centre | flac16; SBD> Master Dat> Master Cassette (Tascam 122mkIII)> Dat (SV3800/48k); Transfer: Dat> Cool Edit Pro> Samplitude v7.02 Professional> FLAC; Patch Info: Nakamichi 300/CP4 + Neumann KM84> Cassette Master (Sony D5/Maxell MX-S90); Patched and Edited By Charlie Miller | Source Detail | Source Detail | |
Landover | MD | Capital Centre | AUD (unknown mics) >DAT>Cass (X1)>CDR via D.Duquette. DAE/SHN encoding neo_levo/candyman | Source Detail | Source Detail | |
Landover | MD | Capital Centre | DTS-Audio-CD 5.1 Mix; SBD:SBD > MC > DAT > CD;AUD:AUD (unknown mics) >DAT>Cass (X1)>CDR; mixed by ktobin | Source Detail | Source Detail | |
Landover | MD | Capital Centre | flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) | Source Detail | Source Detail | |
Landover | MD | Capital Centre | flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | AUD: Schoeps CMC 34?s>DAT; via Paul; Seeded to etree by eD(efojr) | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | flac16; AUD: Nackamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 Dat. Taped onto Maxell DM-120 tape, set up in second row of taper's section, center seat. Mics on stand aprx 7-1/2 feet high, pointing at stacks and kept level (not angled up). Transfer: MAD > Sony DTC-690 > Optical cable > Marantz CDR-500 burner > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression, and checksums) > FLAC > bt.etree. Taped and transferred by Andrew F. | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | flac16; Recorded by B.Koucky, patched out of B.Glassberg. Source: FOB Nak 700s > Sony D5 > Type IV cassette (Maxell MX100s), no Dolby during recording. Transfer and mastering: MAC playback on Nakamichi CR-7A with manually adjusted azmimuth > Presonus Firebox Neutrik inputs > Firewire/XP Pro > Wavelab 5, recorded as 24 bit 96 KHz PCM WAV > Waves L3 Multimaximizer (-1.7 dB/-0.1 ceiling > rendered to 16 bit/44.1 KHz WAV using UV22 HR, normal/no autoblack > CDWAV 1.9 > FLAC (level 8) by C.Ladner | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | flac16; Source:Sennheiser ME-80's>Techics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger | Source Detail | Source Detail | |
Uniondale | NY | Nassau Veterans Memorial Coliseum | set2; FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer Info: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney. Dan O'Neill Transferred By Charlie Miller | Source Detail | Source Detail | |
Uniondale | NY | Nassau Coliseum | FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller | Source Detail | Source Detail | |
Greensboro | NC | Greensboro Coliseum | flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master Recording Equipment: Schoeps CMC34 (ORTF) -> MIT Cable -> Oade Power Supply -> Panasonic sv255 Recording Location: FOB Recorded By: Unknown Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. | Source Detail | Source Detail | |
Greensboro | NC | Greensboro Coliseum | flac16; SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> CD Transferred and Edited By Charlie Miller | Source Detail | Source Detail | |
Atlanta | GA | The Omni | flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master Recording Equipment: Schoeps CMC34 (ORTF) -> Panasonic sv255 Recording Location: FOB Recorded By: Unknown Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging | Source Detail | Source Detail | |
Atlanta | GA | The Omni | sbd> ?> cdr> eac> shn; shn by Jay James, hosted by Tony Gardner | Source Detail | Source Detail | |
Orlando | FL | Orlando Arena | flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master Recording Equipment: Schoeps CMC34 (ORTF) -> Panasonic sv255 Recording Location: FOB Recorded By: Unknown Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) ->Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging | Source Detail | Source Detail | |
Las Vegas | NV | Sam Boyd Silver Bowl | flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master Recording Equipment: Schoeps CMC 32 Omni (on stands 6' 2" high and spaced 8 feet) > Panasonic sv250 Recording Location: FOB Recorded By: James Young (patched into the Schoeps Rig) Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging | Source Detail | Source Detail | |
Las Vegas | NV | Sam Boyd Silver Bowl, U.N.L.V. | Source: FOB MAC (2 beyerm 160 & 1 Sennheiser 421>Sony TCD5M)>?>SHN. Mastering: SHN>WAV>CE2K>SHNTOOL>mkwACT. Mastered & seeded by MattMan. | Source Detail | Source Detail | |
Las Vegas | NV | Sam Boyd Silver Bowl, U.N.L.V. | flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master Recording Equipment: Neumann U89 (on stands 6' 2" high and spaced 8 feet) > Sony D10 Pro Recording Location: FOB Recorded By: James Young (patched into the Neumann Rig) Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging | Source Detail | Source Detail | |
Sacramento | CA | Cal Expo | flac16; Equipment: Schoeps Omnis (on stands spaced 10ft apart) -> Panasonic sv250 Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 | Source Detail | Source Detail | |
Mountain View | CA | Shoreline Amphitheatre | FOB-AUD:Schoeps MK4V>DAT>CDR; via Paul; Seeded to etree by eD(efojr) | Source Detail | Source Detail | |
Noblesville | IN | Deer Creek Music Center | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. | Source Detail | Source Detail | |
Noblesville | IN | Deer Creek Music Center | flac16; Set 2 only, Lineage: DAT1 – Cloned from DAT Master Recording Equipment: AKG C460 w/ CK61 110º ORTF -> Grace Supply -> Master DAT Recording Location: FOB Recorded By: JC Mahoney Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. | Source Detail | Source Detail | |
Hebron | OH | Buckeye Lake Music Center | flac16; Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. | Source Detail | Source Detail | |
Charlotte | NC | Charlotte Coliseum | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. | Source Detail | Source Detail | |
Charlotte | NC | Charlotte Coliseum | flac16; Sennheiser ME-80\'s>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger | Source Detail | Source Detail | |
Washington | DC | Robert F. Kennedy Stadium | flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger | Source Detail | Source Detail | |
East Rutherford | NJ | Giants Stadium | flac16; SBD + AUD Matrix Mix | Source Detail | Source Detail | |
East Rutherford | NJ | Giants Stadium | flac16; SBD + AUD Matrix Mix | Source Detail | Source Detail | |
East Rutherford | NJ | Giants Stadium | DTS-Audio-CD 5.1 Mix | Source Detail | Source Detail | |
Clarkston | MI | Pine Knob Music Theater | Source: AUD (unknown mics) >DAT>CDR>WAV>SHN. SHN encoding via C.Ladner. | Source Detail | Source Detail | |
Clarkston | MI | Pine Knob Music Theater | unknown mics > DAT > CDR > EAC x 2 > WAV > SHN3.0; via Chris Ladner, from Marc Laurent's discs; see info file for listening notes | Source Detail | Source Detail | |
Bonner Springs | KS | Sandstone Ampitheatre | FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); plus patch from Schoeps hypercards> custom supply> SV255 section tape; Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill, with patch source by Ed Boardman; Transferred By Charlie Miller | Source Detail | Source Detail | |
Bonner Springs | KS | Sandstone Ampitheatre | flac16; Lineage: Clone of Master DAT Recording Equipment: AKG C460B/CK61 (ORTF) -> Mike Grace Early Preamp -> Dat Master (Casio DA-7/ 16-bit - 48kHz) Recording Location: FOB Recorded By: JC Mahoney & Dan Oneil Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. | Source Detail | Source Detail | |
Denver | CO | Mile High Stadium | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB - 20th Row - Hand Held Both Sets Recorded By: James Young Transfer: 16 bit – 48kHz DAT > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. | Source Detail | Source Detail | |
Sacramento | CA | Cal Expo | flac16; Lineage: Clone from Master DAT Recording Equipment: Schoeps Omni -> Oade Supply -> Panasonic SV-255 Recording Location: FOB, on stands 8 feet hight and mic stands spaced 8.5 feet apart Recorded By: Unknown Transfer: 16 bit – 48kHz DAT > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. | Source Detail | Source Detail | |
Sacramento | CA | Cal Expo | flac16; SBD > DAT > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko | Source Detail | Source Detail | |
Richfield | OH | Richfield Coliseum | Schoeps CMC4/MK4 (FOB/Row Q, ORTF)> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Dan O'Neill; Transferred By Charlie Miller | Source Detail | Source Detail | |
Richfield | OH | Richfield Coliseum | flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger | Source Detail | Source Detail | |
Richfield | OH | Richfield Coliseum | flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger | Source Detail | Source Detail | |
Richfield | OH | Richfield Coliseum | FOB Schoeps CMC4/MK4 (ORTF)> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Dan O'Neill; Transferred By Charlie Miller | Source Detail | Source Detail | |
Richfield | OH | Richfield Coliseum | flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | DSBD> DAT> CD; via Jay Ashley: see flaw note in pub comments | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Sennheiser ME-80's>Technics SV-MD1 from OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC; Recorded & Transferred By Keith Litzenberger | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Row R, Off Center Set 2 On Stand, Row R, On Aisle Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | DSBD> DAT> CD; via C. Miller, J. Ashley | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) -> Oade Cap Coupled Supply -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Recorded By Dan O'Neill Transferred By Charlie Miller | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Section 3, Row S, On Aisle Set 2 On Stand, Section 3, Row V, Seat 2 Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | complete; DSBD> DATs> CDRs> EAC> SHN; via Darrin Sacks | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Matrix synch completed by Amdig SBD + AUD Matrix from 2 GEMS Source Mix (65%-SBD/35%-AUD) Time sych done in CEPro 2.0 Multitrack matrix mixdown to 24/48 in CEPro 2.0 Final Matrix Matstering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by BlueDakota. Tracked in Wavelab 6.0, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging; Matrix Recordings Created from these GEMS Sources: source ID 89085 - GEMS DSBD (DSBD 16-bit, 44.1kHz Vault DAT Clone) and source ID 96422 - GEMS FOB Aud (Master FOB DAT 16-bit, 48kHz) | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Section 2, Row S, Seat 2 Set 2 On Stand, Section 2, Row V, Seat 2 Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8Tag & Rename for FLAC Meta-Tagging. | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB - Hand Held, Upfront Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Hand Held, Upfront Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | FOB B&K 4011 (hand-held, sets recorded from different positions) -> Canari cables -> Neumann Phantom Power ->Sony TCD D10 Pro 2 Modified-> DAT @48k; Transfer: Clone from Master played back through Sony PCM-M1 -> 7pin Coax Out -> Zoltrix Nightingale -> Cooledit 2k (48k->44.1k conversion) -> cdwav (track splitting) -> shorten; recorded by Clay Brennecke and James Young | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Sennheiser ME-80\'s>Technics SV-MD1>Sony TCD-D3 DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging | Source Detail | Source Detail | |
Boston | MA | Boston Garden | flac16; Lineage: Set 2 Master DAT, Set 1 Clone of Master DAT Recording Equipment: Set 1 - Schoeps CMC34 (ORTF) > Oade Supply > Panasonic sv255 Set 2 - B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: Set 1 FOB - Set 2 FOB Section BB Row 24 Seat 3 Recorded By: Set 1 by Dan Oneil and Set 2 by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither | Source Detail | Source Detail | |
Boston | MA | Boston Garden | sbd> DAT> CD-R> EAC> SHN (no cass in gen); seed via A. McCall, via A. Eaglestone to BUDD et al offer; 11/00 at gdlive.com | Source Detail | Source Detail | |
Boston | MA | Boston Garden | flac16; Lineage: Set 1 Clone of Master DAT, Set 2 Master DAT Set 1 Clone of Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither | Source Detail | Source Detail | |
Boston | MA | Boston Garden | flac16; Set 1 Only - Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither | Source Detail | Source Detail | |
Boston | MA | Boston Garden | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Section BB Row 24 Seat 10 Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither | Source Detail | Source Detail | |
Boston | MA | Boston Garden | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither | Source Detail | Source Detail | |
Boston | MA | Boston Garden | flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Section BB Row 18 Seat 15 Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | Matrix by RJ Hythloday of sbd > (?) > shn(id=2897)& FOB recorded by Marcus Buick Transferred By Charlie Miller | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | sbd> ?> shn; via Tony Gardner | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | FOB/DFC B&K 4011 ORTF > Canari ?(Canare cables?) > Neumann (phantom?) > Sony TDC D10 Pro 2 (w/Oade modification) | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16; SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger from front row Taper's Section | Source Detail | Source Detail | |
San Rafael | CA | Club Front | DSBD->CD->EAC->SHN by Joe Samaritano Studio Rehearsal of So Many Roads | Source Detail | Source Detail | |
San Rafael | CA | Club Front Studio | Seeded to abgd by Doo Dah Man; Note original files contained an SFV integrity file. Md5 was created from the original shns and provided to the etree db here. | Source Detail | Source Detail | |
Atlanta | GA | The Omni | Schoeps CMC3/MK4> Oade M118> Panasonic SV-250 FOB; via Tony Gardner | Source Detail | Source Detail | |
Atlanta | GA | The Omni | flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC | Source Detail | Source Detail | |
Atlanta | GA | The Omni | Schoeps CMC3/MK4> Oade M118> Panasonic SV-250 FOB; via Tony Gardner | Source Detail | Source Detail | |
Atlanta | GA | The Omni | AUD>DAT>CDR (Schoeps CMC 34?s); via Paul; Seeded to etree by Tony G | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | B&K4011's ORTF FOB On Stand (6 - 7 feet high) >Neumann BS48i-2 Supply> Modified Sony D10 Pro (Modified by Bob Katz) Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410>Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | AUD>DAT>CDR (Nak 700?s>Sony D-3); via Paul; seeded to etree by Tony G | Source Detail | Source Detail | |
Landover | MD | Capital Centre | SBD> DAT> C> PCM> DAT> CD; via Rob Harrison; Seeded to etree by Peter Braverman; Shntool fix by Tony G | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | Nak 300 > Sony d-5 > cass master > cdr; Eac > cool edit pro > shntool > cdwav > shnv3; Taped and discs kindly provided by Mark Horvath; eac > shn (secure with proper offsets) by Ernie Dodd | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | AUD>DAT>CDR (AKG460b/CK8's); via Paul; Seeded to etree by Tony G | Source Detail | Source Detail | |
Hamilton | ON | Copps Coliseum | flac16; FOB Digital Audience - 13th Row Center Schoeps CMC34 Cardiod (110 degrees ORTF) -> Oade Supply -> Panasonic 2v255; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav; Edited Adobe Audition 1.5 Dithered 48/44.1 w/gaussian noise and aslight noise-shaping in r8brain v1.9 Tracked in CDWav Flac Level8 in TLH | Source Detail | Source Detail | |
Hamilton | ON | Copps Coliseum | flac16; Recording Info: Sennheiser ME-80's>Technics SV-MD1; Transfer Info: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC; Recorded & Processed By Keith Litzenberger | Source Detail | Source Detail | |
Hamilton | ON | Copps Coliseum | flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades/Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger | Source Detail | Source Detail | |
Hamilton | ON | Copps Coliseum | flac16; FOB Digital Audience - 13th Row Center Schoeps CMC34 Cardiod (110 degrees ORTF) -> Oade Supply -> Panasonic 2v255; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav; tracked in CDWav/48k output *Re-Sampled to 44.1k via r8brain @ Highest Quality settings.* Flac Level 8 in TLH | Source Detail | Source Detail | |
Las Vegas | NV | Sam Boyd Silver Bowl, U.N.L.V. | flac16; FOB Schoeps MK4s -> Reutelhuber-> sv255 -> (clone) Teac DA-p20 -> Tascam DA-30 -> Diamond xTreme Sound Card -> Cool Edit Pro -> CDWave -> flac | Source Detail | Source Detail | |
Las Vegas | NV | Sam Boyd Silver Bowl, U.N.L.V. | (FOB) Schoeps MK4 > DAT > CDR; via C. M.; Seeded to etree by neo_levo | Source Detail | Source Detail | |
Las Vegas | NV | Sam Boyd Silver Bowl, U.N.L.V | SBD > DAT > SONY D8 (S/PDIF) > HD > SHN; via Mike Lai; listeners John Florek et al report diginoise d1t8 ~1:50-2:00; upgrade in circulation | Source Detail | Source Detail | |
Orchard Park | NY | Rich Stadium | flac16; MAD Recording - FOB DFC Audience: 1st Two Songs of Set 1 - B&K4011's Balance of Show: Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48 | Source Detail | Source Detail | |
Richfield | OH | Richfield Coliseum | flac16; MAD FOB DFC Digital Audience Recording Taped by Todd Evans, Section 2, Row S, Seats 8 and 9 Recording Info: Schoeps CMC34 (cardiod) > Oade Mic Preamp > Panasonic sv255 DAT Recorder > DAT Master Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> M-Audio Firewire Solo Interface -> Soundforge 8.0 | Source Detail | Source Detail | |
Richfield | OH | Richfield Coliseum | flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > R8Brain (44.1kHz) > TLH > FLAC. Taped and transferred (June 2007) by Andrew F. | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | flac16/48; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (June 2007) by Andrew F. | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | (FOB)B+K 4011 > DAT > CDR/? > EAC > CDR > EAC > SHNv3; via Scott Agne | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | flac16/48; Set One: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand in OTS. Set Two: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7, set up in OTS. Cloned Coax SPDIF > Casio DA-7. Transfer: 1st Set MAD & 2nd Set clone > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | flac16; Set One: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand in OTS. Set Two: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7, set up in OTS. Cloned Coax SPDIF > Casio DA-7. Transfer: 1st Set MAD & 2nd Set clone > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | flac16; Sennheiser MD421's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades,Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger | Source Detail | Source Detail | |
East Rutherford | NJ | Giants Stadium | flac16; Source: FOB(30 yrd line) Neumann KM82i's > Sony D5 > Maxell MX90 type IV stereo cassette. Taped by B. Koucky. Transfer: MAC playback on Nakamichi CR-7A, azimuth adjusted > Lynx RCA-XLR cables > Lunatec V3 @ 96 KHz, AES XLR digital out > AES digital input, LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. Transferred and mastering by C.Ladner. | Source Detail | Source Detail | |
Charlotte | NC | Charlotte Coliseum | AUD (CMC-31)> DAT> CDR> EAC> CDWAVE (excess silences removed)> SHN (MKW); DAE (EAC V0.9pb9) and SHN conversion (mkwACT 0.97 beta 1) by Charles Wier, from Paul Bottiglio's CDs | Source Detail | Source Detail | |
Charlotte | NC | Charlotte Coliseum | AUD (CMC-31)> DAT> CDR> EAC> SHN (MKW); DAE (EAC V0.9pb9) and SHN conversion (mkwACT 0.97 beta 1) by Charles Wier, from Paul Bottiglio's CDs; Known flaws: 25 ms analog dropout at 2:50 of He's Gone | Source Detail | Source Detail | |
Charlotte | NC | Charlotte Coliseum | flac16; Sennheiser ME-80's>Technics SV-MD1 Dat Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades,Sample Rate Conversion)>CDWAV>FLAC Recorded, transferred & Uploaded By Keith Litzenberger | Source Detail | Source Detail | |
Washington | DC | Robert F. Kennedy Stadium | flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger | Source Detail | Source Detail | |
Washington | DC | Robert F. Kennedy Stadium | flac16; FOB DFC Digital Audience Recording Schoeps CMC34 -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master - Recorded by Todd Evans | Source Detail | Source Detail | |
Burgettstown | PA | Star Lake Amphitheatre | SBD> Dat> c> Dat> Cool Edit> cd> EAC> SHN (seekable);EAC>SHN Steve Barbella, from John Valter seed discs; upgrade in circulation | Source Detail | Source Detail | |
Chicago | IL | Soldier Field | flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller | Source Detail | Source Detail | |
Chicago | IL | Soldier Field | DAUD[master] > CDR; via D. Loebig; Seeded to etree by harlan | Source Detail | Source Detail | |
Noblesville | IN | Deer Creek Music Center | FOB (hand held) B&K 4011's -> D10 Pro, P. Delgado; Transfer: D8 -> Montego II -> CDWAV -> Shorten32, D. Nawrocki | Source Detail | Source Detail | |
Noblesville | IN | Deer Creek Music Center | flac16; Sennheiser ME-80's>Technics SV-MD1 from Taper's Section DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger | Source Detail | Source Detail | |
Hebron | OH | Buckeye Lake Music Center | flac16; Schoeps CMC32's (8 foot spaced omnis on 6 foot stands) -> Monster M1000 Cable -> Oade Mic Preamp -> Monster M1000 Jumper Cables -> Panasonic sv255 DAT Deck; DAT > TASCAM DA-20 > M-Audio FireWire Solo > Soundforge 8.0 wav | Source Detail | Source Detail | |
Denver | CO | McNichols Sports Arena | flac16; MAD FOB Digital Audience Recording - 13th Row Schoeps Mk4v Cardiod Capsule (ORTF) -> Schopes Kc5 Active Cable -> Schoeps CMC3 Mic Body -> Oade Mic Pre -> Monster M1000 Jumper Cable (12" -> Panasonic sv255 DAT Master Recorded by Todd Evans - (DFC was the aisle, this recording 1 seat from aisle) Transfer- MAD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 | Source Detail | Source Detail | |
Denver | CO | McNichols Sports Arena | flac16; MAD FOB Digital Audience Recording - 13th Row Schoeps Mk4v Cardiod Capsule (ORTF) -> Schopes Kc5 Active Cable -> Schoeps CMC3 Mic Body -> Oade Mic Pre -> Monster M1000 Jumper Cable (12" -> Panasonic sv255 DAT Master Recorded by Todd Evans - (DFC was the aisle, this recording 1 seat from aisle) Transfer- MAD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 | Source Detail | Source Detail | |
Denver | CO | McNichols Sports Arena | Neumann KM 140's > DAT > CDR; via Raoul Duke; Seeded to etree by Matt Vernon | Source Detail | Source Detail | |
Denver | CO | McNichols Sports Arena | flac16; MAD FOB Digital Audience Recording - 14th Row Schoeps Mk4v Cardiod Capslue (ORTF) -> Schopes Kc5 Active Cable -> Schoeps CMC3 Mic Body -> Oade Mic Pre -> Monster M1000 Jumper Cable (12" -> Panasonic sv255 DAT Master Recorded by Todd Evans - (DFC was the aisle, this recording 1 seat from aisle) Transfer: MAD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 | Source Detail | Source Detail | |
Denver | CO | McNichols Sports Arena | flac16; Recording Info: (FOB/ORTF) B&K 4011 -> Modified Neumann Power supply -> Dat (Modified Sony D10 Pro) -> Dat Clone Transfer Info: Dat Clone (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC | Source Detail | Source Detail | |
Tempe | AZ | Compton Terrace Amphitheatre | Digital Audience Recording Taped by Todd Evans Schoeps CMC32 Split Omnis -> Monster M1000 Jumpers -> Oade Pre -> MonsterM1000 Cable -> 7ft Stand -> Panasonic sv255 DAT Master from Todd Evans MASTER DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav Soundforge 8.0 for 48/44.1>tracked in shntool-2.0.3> FLAC Frontend Level8 | Source Detail | Source Detail | |
Tempe | AZ | Compton Terrace Amphitheatre | flac16; Schoeps CMC32 Split Omnis -> Monster M1000 Jumpers -> Oade Pre -> MonsterM1000 Cable -> 7ft Stand -> Panasonic sv255 soundforge 8.0 48kHz/44.1kHz conversion> tracked in CDWav>FLAC; Taped by Todd Evans; patched with shnid 8706, a GEMS production | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16; Recording - Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer - DAT Clone from Dat Master from collection of Todd Evans DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info - Wavelab 6.0 - 48/16 wav> BBE, Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16; Schoeps CMC-441's > Panasonic SV-255> DAT (clone) ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) ; Taped By (likely) Ed Boardman ; Transfer By Scott Swayne (AltheasBoy) in 06/2007 | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16/48; Schoeps CMC-441's > Panasonic SV-255> DAT (clone) ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) ; Taped By (likely) Ed Boardman ; Transfer By Scott Swayne (AltheasBoy) in 06/2007 ; 48k version | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | Source: fob 30' center(from stage) hand held cmc 4,41 ortf>canare star quad cables>koch power supply > canare star quad cables>koch modified panasonic sv-255 panasonic sv-3700>hhb 830>CD-r>EAC (secure mode)>.wav>Flac Taped and transfered (DAT to Cd-r) Ed Boardman & CD-r>EAC>.wav>Flac by C Evans | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16; Recording info-Digital FOB Audience Schoeps CMC54 taper: unknown Transfer info-DAT Clone from Dat Master DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info-Edited and Mastered By Blingfreein Adobe Audition 1.5; -48/44.1 SRC(Crystal Ultra), L3 type 1 dither in Wavelab 6.0 by Jamie Waddell - Flac Level 8 in FLACFrontend SBE FREE | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16; matrix of SBD: shnid=5549 and AUD: shnid: set 1=23220, set 2=28878 by hansokolow using ProTools | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16; Recording - Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer - DAT Clone from Dat Master DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav May 2006 Editing Info - All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3(w type 1 dither), Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16; Schoeps CMC441's > Panasonic SV-255 > (clone) Teac DA-P20; Transfer: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16/48; Schoeps CMC441's > Panasonic SV-255 > (clone) Teac DA-P20; Transfer: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16; FOB center (30' from stage) hand held CMC 4,41 ORTF> Canare star quad cables> Koch power supply > Canare star quad cables> Koch modified Panasonic sv-255 >hhb 830> CD-r> EAC >.wav> Flac; taped, transferred by Ed Boardman; DAE> flac by Chris Evans | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | SBD> Dat> Cassette Master> Dat> CD> EAC> SHN; Converted To SHN By Charlie Miller | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | Source: AUD > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff (jon@seff.net); d2t2, d2t3 fixed from /shninfo_detail.php?shnid=4083 | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | SBD> DAT> Sonic Solutions (for phase correction)> CD; via Mike Hall | Source Detail | Source Detail | |
Rosemont | IL | Rosemont Horizon | AUD>DAT>CDR (AKG 460's); via Paul; Seeded to etree by Tony G | Source Detail | Source Detail | |
Rosemont | IL | Rosemont Horizon | flac16; Source: Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger | Source Detail | Source Detail | |
Rosemont | IL | Rosemont Horizon | Sbd > DAT master > analog > DAT > CDR > EAC > SHN; via Doug Nawrocki, Chris Ladner; "no known flaws" reported by seeder | Source Detail | Source Detail | |
Rosemont | IL | Rosemont Horizon | flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger | Source Detail | Source Detail | |
Rosemont | IL | Rosemont Horizon | AUD>DAT>CDR (AKG 460's); via Paul; Seeded to etree by Tony G | Source Detail | Source Detail | |
Rosemont | IL | Rosemont Horizon | flac16; Source: Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger | Source Detail | Source Detail | |
Richfield | OH | Richfield Coliseum | Source: Sennheiser ME80's (taper section)>Teac DA-P20 Transfer: Panasonic SV-3700>HHb CDR-800>EAC>Shn | Source Detail | Source Detail | |
Richfield | OH | Richfield Coliseum | AKG468 shotguns > DAT; Conversion: DAT (Panasonic SV-3800) > CD (HHB CDR-850) > EAC (Plextor PX-40TS, secure mode) > SHN; seed by Robert Brown to abgd | Source Detail | Source Detail | |
Richfield | OH | Richfield Coliseum | flac16; Recording Info: Schoeps Mk4 (cardiod) > Schoeps KC5 active Cable > Schoeps CMC 3 mic body > Monster M1000 Jumper cable > Panasonic sv255 DAT Recorder > DAT Master Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> M-Audio Firewire Solo Interface -> Soundforge 8.0 Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 using Ozone and L2 for dither Trac'ed Cdwave, Flac'ed level 8 TLH | Source Detail | Source Detail | |
Landover | MD | Capital Centre | flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC; Recorded By Keith Litzenberger | Source Detail | Source Detail | |
Landover | MD | Capital Centre | flac16; record: akg 451's>b18's>D5proII ots transfer: Cassette Master>Aiwa F810>MAudio audiophile 24/96 @44.1>Wavelab 5>cdwav>flac record& transfer by cdipietro | Source Detail | Source Detail | |
Landover | MD | Capital Centre | flac16; record: akg 451's>b18's>D5proII ots transfer: Cassette Master>Aiwa F810>MAudio audiophile 24/96 @44.1>Wavelab 5>cdwav>flac record& transfer by cdipietro | Source Detail | Source Detail | |
Landover | MD | Capital Centre | FOB (SoundField ST250)>DAT(playback on Panasonic SV-3800)>HHb CDR-850>CDR>WAV>SHN. CDR source via D.Duquette. SHN encoding/initial FTP propagation via C.Ladner/candyman FTP. | Source Detail | Source Detail | |
Landover | MD | Capital Centre | flac16/48kHz; Source: Schoeps CMC5 MK4->Sonosax SX-M2->Sony D10 Pro; Transfer: Tascam DA20 MKII->Edirol R44->SD->PC->CD Wave Editor->Flac Frontend; Tapers Unknown ,Eliot Byron's Rig,Eliot Byron's tape marked Master. Transfer and upload by Frank D'Auria. | Source Detail | Source Detail | |
Atlanta | GA | The Omni | AKG 568 (shotguns)-> Sony D3; transferred the master DATs to CDR with a Panasonic SV3800 -> HHb CDR-850 via optical; CDR-> EAC-> SHN; via Tony Gardner | Source Detail | Source Detail | |
Atlanta | GA | The Omni | FOB/DFC Soundfield ST-250 > Sony D10 Pro-II (48k) Master DAT Mastered live by James Young / Ron kaiser; via nick@nickspicks.com | Source Detail | Source Detail | |
Chapel Hill | NC | Dean Smith Center | flac16/48; AKG 460/CK8's > Marantz PMD-700 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) By Scott Swayne (AltheasBoy) in 06/2007 ** 48k version ** | Source Detail | Source Detail | |
Chapel Hill | NC | Dean Smith Center | Set 2 Only: AMS ST250 FOB DFC> AMS Control Box (Blumlein Technique)> Modified Sony D10 Pro Cloned to another Mod. Sony D10 PRO (This clone was used for this transfer) Master recorded By James Young Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC | Source Detail | Source Detail | |
Chapel Hill | NC | Dean Smith Center | Source: Master SBD>DAT via Modified Sony D10 Pro II. Recorded By Ron Keyser (This is from the lead deck from the daisey chain feed to the taper section) Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC | Source Detail | Source Detail | |
Chapel Hill | NC | Dean Smith Center | set 1 only; flac16; AMS ST250 FOB DFC> AMS Control Box (Blumlein Technique)> Modified Sony D10 Pro Cloned to another Mod. Sony D10 PRO; recorded By James Young; Transfer: Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF> Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC, by Ron Keyser | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | FOB section 5, Row N, Seat 8/9 Handheld Soundfield ST-250 (in blumlein mode) > Sony D10 pro II (modified) Taped by James Young DAT clone from master > Sony PCM-M1 > Oade 7pin active cable > Edirol UA-5 (s/pdif in, hardware resample from 48 > 44.1k, USB out > SF 5.0 > CDWave (tracking) > MKW-Act (SHN, seekable) DAT transfer/encoding by nick@nickspicks.com | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | FOB section 5, Row N, Seat 8/9 Handheld Soundfield ST-250 (in blumlein mode) > Sony D10 pro II (modified) Taped by Jamies Young DAT clone from master > Sony PCM-M1 > Oade 7pin active cable > CO2 s/pdif format converter > Zoltrix Nightengale > CE2K (record, resample) > CDWAV (tracking > SHN (seekable) DAT transfer/encoding by nick@nickspicks.com | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | flac16; Source:Schoeps CMC5 MK4->Sonosax SX-M2->Sony D10 Pro; Transfer:Tascam DA20 MKII->Edirol R44->SD->PC->CD Wave Editor->Flac Frontend Taped by Eliot Byron and others unknown. Taped from row 15 FOB,Up front in the hat | Source Detail | Source Detail | |
Uniondale | NY | Nassau Coliseum | B&K 4011 w/balls > HDS1@stacks front center of ts > CD; Conversion: CD > EAC > Cool Edit 2000 > CDWav > mkwACT 0.97 > shn by Steve Blanchard | Source Detail | Source Detail | |
Uniondale | NY | Nassau Coliseum | 1st set only; DAUD/FOB Schoeps mk21(ORTF); via Dankseeds | Source Detail | Source Detail | |
Las Vegas | NV | Sam Boyd Silver Bowl, U.N.L.V. | flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger | Source Detail | Source Detail | |
Mountain View | CA | Shoreline Amphitheatre | flac16; Neumann KM140's>Panasonic SV-250>Analog out>Technics SV-MD1(don't have preamp used written on my label) DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger | Source Detail | Source Detail | |
Sacramento | CA | Cal Expo | flac16; FOB Schoeps Mk2 Omni Capsule 7' spaced omnis in hat -> Schoeps Active Cables -> Schoeps CMC 5 Mic Body -> Monster M1000 Jumper -> Neumann Supply -> Canare Cable -> Panasonic sv255 Transfer: Transfer by Todd Evans May 2006 - todd@bluedakota.com DAT Clone > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav | Source Detail | Source Detail | |
Sacramento | CA | Cal Expo | flac16; FOB Schoeps CMC3, 2-> OADE/PS-SV255; DAT>CD conversion, unknown; My audio discs > EAC (secure) > FLAC; ripped/FLAC'd/edits done by Nick Georges | Source Detail | Source Detail | |
Sacramento | CA | Cal Expo | flac16; Recording Info: FOB Schoeps Mk2 Omni Capsule (omnis in hat) spaced 8 feet apart -> Schoeps Active Cables -> Schoeps CMC 5 Mic Body -> Monster M1000 Jumper -> Neumann Supply -> Canare Cable -> Panasonic sv255 DAT Clone > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 using Ozone and L2 for dither Tracked: Cdwave Flac'ed Level 8 Tlh | Source Detail | Source Detail | |
Sacramento | CA | Cal Expo | flac16; Neumanns(model forgotten over the last 15 years, likely KM150's)>Technics SV-MD1 Recorded FOB By Steve Fink & Keith Litzenberger Transfer by Keith Litzenberger DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5>CDWAV>FLAC | Source Detail | Source Detail | |
Sacramento | CA | Cal Expo | flac16; Sankens COS1 FOB -> ? -> DAT (16 bit/48 khz); Transfer: Sony R500->Sound Devices 722; Mastered: Soundforge Pro 10.0b - *All file manipulation in Soundforge done at 24 bits*. Volume normalization, minor clap removal during some quiet parts of drums/space, sample rate conversion 48khz to 44.1khz using iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter, then dithered back to 16 bits using using iZotope MBIT+ with Ultra noise shaping, High dither settings. Tracked in CDWav; Recorded By ?; Transfer, mastering, and tracking August 2010 by Scott Bernstein | Source Detail | Source Detail | |
Auburn Hills | MI | The Palace | flac16; Sennheiser ME-80\'s>Technics SV-MD1; DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger | Source Detail | Source Detail | |
Hebron | OH | Buckeye Lake Music Center | flac16; FOB DFC Digital Audience Recording Schoeps CMC32 (8' Split Omni's) -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav Tracked w CDWav ->verified SBEOK shntool-2.0.3 -> Soundforge 8.0 48/44.1 conversion -> FlacFrontend(level8) | Source Detail | Source Detail | |
Hebron | OH | Buckeye Lake Music Center | Soundboard->DAT Master->Sonic Solutions->CD->EAC->SHN. CD seed provided by DG. EAC and SHN by Joe Samaritano. | Source Detail | Source Detail | |
Orchard Park | NY | Rich Stadium | FOB-AUD (Schoeps CMC-32?s)> DAT> CDR> WAV> SHN; DAE (EAC)> Boundary Check (SHNTOOL)> SHNv3 (MKWACT)> FTP via neo_levo | Source Detail | Source Detail | |
Louisville | KY | Freedom Hall | FOB/DFC Soundfield ST-250 (blumlein mode) > Sony D10-Pro II (48k); hand held for first set; on stand (6') for second set; upgrade in circulation | Source Detail | Source Detail | |
Chicago | IL | Soldier Field | flac16; Fob Digital Audience Recording Schoeps CMC321 (Sub Cardiods) -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master - Recorded by Todd Evans, Adam Gross and Bill Pobega DAT Master from Todd Evans DAT Master > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav 48K >> 44.1 resampling (audacity 1.2.3), tracking (shntool 2.0.3) and flac16 encoding (flac 1.1.2) running on FC3 linux by triportweek. | Source Detail | Source Detail | |
Noblesville | IN | Deer Creek Music Center | flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC; Recorded By Keith Litzenberger | Source Detail | Source Detail | |
Noblesville | IN | Deer Creek Music Center | FOB AMS ST-250(cardioid) -> Modified D-10 Pro, by Pete Delgado; Transfer: D8 -> Montego II -> CDWAV -> Shorten32,? by Doug Nawrocki | Source Detail | Source Detail | |
Washington | DC | Robert F. Kennedy Stadium | AMS ST-250 run blumlein config > Sony D-10 Pro II FOB; via Nick Georges | Source Detail | Source Detail | |
Washington | DC | Robert F. Kennedy Stadium | flac16; Aud AMS ST250 FOB DFC > AMS Control Box with the pattern on control box was set as close to ORTF (cardioids at 110 degrees) as possible > Modified Sony D10 Pro> Modified Sony D10 Pro via Sony AES/EBU digital cable; (Both decks Modified By Bob Katz); Recorded by James Young & Ron Keyser; Transfer By Ron Keyser: Master DATS played back in a Sony D8 > M-Audio Auiophile USB > Sony PCV-RS410 Soundforge v 7.0 for resampling and fades> CD Wave Editor for tracking> Flac Frontend | Source Detail | Source Detail | |
Eugene | OR | Autzen Stadium, University Of Oregon | flac16; AKG C61's>Teac DA-P20 @ 25th Row Center DAT>Digital Reels>DAT Clone Of Reels>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, De-emphasis,Sample Rate Conversion)>CDWAV>FLAC, Recorded By Steve L. Fink, Processed by Keith Litzenberger | Source Detail | Source Detail | |
Mountain View | CA | Shoreline Amphitheatre | flac16; Source: Schoeps MK4's>Rbox>Techinics SV-MD1 From Front Row Center OTS DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger | Source Detail | Source Detail | |
Mountain View | CA | Shoreline Amphitheatre | flac16; Schoeps MK4\'s>Rbox>Technics SV-MD1 From Front Row Center OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger | Source Detail | Source Detail | |
Mountain View | CA | Shoreline Amphitheatre | flac16; Source: Schoeps MK4's>Rbox>Techinics SV-MD1 From Front Row Center OTS DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger | Source Detail | Source Detail | |
Richfield | OH | Richfield Coliseum | FOB(AKG491) > DAT > CDR> WAV > SHN via Chris Ladner | Source Detail | Source Detail | |
Richfield | OH | Richfield Coliseum | flac16; Recording Equipment: Schoeps Mk4v Capsules (ORTF Cardiod) -> Schoeps KC5 Active Cable -> Schoeps CMC6 Mic Body -> Monster M1000 Jumper -> Apogee AD500e -> Casio DA-R100 DAT Deck. Recording Location: FOB DFC Section 2, Row 16, Seats 7 & 8 Recorded By: Todd Evans Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging | Source Detail | Source Detail | |
Richfield | OH | Richfield Coliseum | flac16; Recording Equipment: Schoeps Mk4v Capsules (ORTF Cardiod) -> Schoeps KC5 Active Cable -> Schoeps CMC6 Mic Body -> Monster M1000 Jumper Cable -> Apogee AD500e -> Casio DA-R100 DAT Deck. Recording Location: FOB DFC Section 2, Row 18, Seats 7 & 8 Recorded By: Todd Evans Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging | Source Detail | Source Detail | |
Richfield | OH | Richfield Coliseum | flac16; Recording Equipment: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255 DAT Deck. Recording Location: FOB DFC Section 2, Row 16, Seats 7 & 8 Recorded By: Todd Evans & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging | Source Detail | Source Detail | |
Richfield | OH | Richfield Coliseum | flac16; Schoeps MK4's>Rbox>Technics SV-MD1 From Front Row Center OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | AUD(Sony C-38B?s) > DAT > CDR via Raoul Duke encoded by Matt Vernon | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | flac16/48; Schoeps MK4's>Reutelhuber Preamp>Technics SVM-D1 Recorded FOB in Section 102 Row 13 By Keith Litzenberger & Ed K. Transferred By Watson Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | flac16; SBD -> Master Dat (48k) All Transfers and Mastering By Charlie Miller | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | flac16/48; Schoeps MK4's>Reutelhuber Preamp>Casio DA-7 from Section 102 Row 14 DAT MASTER>SONY TCD-D10PROII>EDIROL R-4>WL5>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | DAUD(Schoeps CMC-341's)>Tascam DAP1>CDR | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | FOB/DFC Sec. 2 - Row R - Seats 1 & 2 AMS St-250 run Blumlein on stand both sets > Apogee AD 500 > D-10 Pro mod (48k) recorded by Clay Brennecke and Jamie Young DAT > SHN via: Clone of master DAT played through Sony PCM-M1 > active 7 pin cable > Zoltrix Nightingale > recorded/downsampled on PC with Cool Edit 2000 tracked with CDWAV SHN encoding with MKW-ACT (seeking) | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | FOB/DFC Sec. 2 - Row R - Seats 1 & 2 AMS St-250 run Blumlein on stand both sets > Apogee AD 500 > D-10 Pro mod (48k) recorded by Clay Brennecke and Jamie Young DAT > SHN via: Clone of master DAT played through Sony PCM-M1 > active 7 pin cable > Zoltrix Nightingale > recorded/downsampled on PC with Cool Edit 2000 tracked with CDWAV SHN encoding with MKW-ACT (seeking); NOTE- User Matt Vernon submitted 'alternate' md5s with these notes... the md5's below differ for d1t1,6,7 d2t3,5 and d3t4,5 from the listed shn set but had the same info file i listened to this show and they are clean including set 2 continuity at the disk 2->3 transition. | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | FOB/DFC Sec. 2 - Row R - Seats 1 & 2 2 AMS St-250s on stand both sets > Apogee AD 500 > Nagra digital Reel to Reel > DAT clone > SHN recorded by Clay Brennecke, Jamie Young and Jeff Silberman | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | FOB/DFC, Sec. 2, Row S - Seat 5; Schoeps S4 at 90 degrees > Canari Cables > Sonosax SX-M2 > Apogee AD 500 > Sony D-7; taper Jeff Zimmer- see pub comments | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | FOB/DFC Sec. 2 - Row M - Seat 1 AMS St-250 run Blumlein on stand both sets > Apogee AD 500 > D-10 Pro mod recorded by Clay Brennecke and James Young | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Schoeps MK4's>Rbox>Panasonic SV-255 FOB>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | Recorded FOB/DFC by James Young & Clay Brennecke using: Sec. 2 - Row M - Seat 1 AMS ST-250 run Blumlein on stand both sets at 6"3' > Panasonic SV 255 | Source Detail | Source Detail | |
Boston | MA | Boston Garden | Source: Schoeps (unknown model/ps) > D7 @48k via Dave Minor. DAT > shn encoding Marc Pujol | Source Detail | Source Detail | |
Boston | MA | Boston Garden | flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger | Source Detail | Source Detail | |
Boston | MA | Boston Garden | Set 1 Schoeps (unknown model/ps) via David Minor. Set 2 Schoeps CMC-521?s via Raoul Duke. Transfer and encoding Marc Pujol, Alan Fink and Matt Vernon | Source Detail | Source Detail | |
Boston | MA | Boston Garden | Source: Schoeps (unknown model/ps) > D7 @48k via Dave Minor, DAT > SHN by Marc Pujol | Source Detail | Source Detail | |
Boston | MA | Boston Garden | flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger | Source Detail | Source Detail | |
Boston | MA | Boston Garden | Source: Schoeps (unknown model/ps) > D7 @48k Transfer: 48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, 48>44 with anti-alias filter) > CDWav (splits)> mkw > shn (seekable) SHNtool used verify track boundaries prior to wav>shn Transfered by Marc Pujol 9/25/2002 | Source Detail | Source Detail | |
Boston | MA | Boston Garden | Schoeps (unknown model/ps) > D7 @48k via Dave Minor. Transfer Marc Pujol | Source Detail | Source Detail | |
Boston | MA | Boston Garden | Schoeps (unknown model/ps) > D7 @48k via Dave Minor. shn encoding Marc Pujol | Source Detail | Source Detail | |
Los Angeles | CA | Sports Arena | flac16; Source: Schoeps MK4's>Rbox>Techinics SV-MD1 From Front Row Center OTS DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger | Source Detail | Source Detail | |
San Diego | CA | San Diego Sports Arena | MK4 FOB aud > DAT(s) > CDR; via Ryan Varum; Matt Vernon | Source Detail | Source Detail | |
San Diego | CA | San Diego Sports Arena | flac16; Schoeps MK4's>Rbox>Technics SVM-D1(Front Row Center of Taper's Section) Dat Master>Sony TCD-D100>Edirol R-4 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred by Keith Litzenberger | Source Detail | Source Detail | |
San Diego | CA | San Diego Sports Arena | Set 1: FOB(Schoeps MK4) > DAT(s) > EAC(secure) > mkwact(seekable) > shn. Set 2: SBD > DAT > CDR > WAV > SHNv3; via Ryan>Matt>Willy, Paul B; Seeded to etree by neo_levo | Source Detail | Source Detail | |
San Diego | CA | San Diego Sports Arena | flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | KM140's FOB aud > DAT(s) > CDR; via Ryan Varum; Matt Vernon | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16/48; Recorded, Transferred & Uploaded by Keith Litzenberger; Source: Schoeps MK4's>Reutelhuber PreAmp>Technics SVM-D1 Transfer: Sony TCD-D10PROII>Edirol R-4>WL5>CDWAV>FLAC **16 BIT/48KHZ Transfer from master** | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | Unknown FOB aud (likely Neumann KM-140, see user comments)> DAT(s) > CDR via Ryan Varum; Matt Vernon | Source Detail | Source Detail | |
Oakland | CA | Oakland County Coliseum* | flac16; FM SBD Monitor > MC > Cx > WAV > FLAC | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | Source: FOB (unknown mics) > DAT > Tascam DA-20 > Harmon Kardon stand alone burner >Tascam CDRW700 > Toast Audio Extractor (overlap) > SHN. THIS IS NOT A RE-EXTRACTION - the original SHNs had sector boundary errors on the last track of each disc, were not seekable (also minor), and the d2>d3 transition was not seamless (minor again). These issues have been resolved and the show tracked on 2 discs instead of 3 (minus the previously included "filler"). | Source Detail | Source Detail | |
Oakland | CA | Oakland-Alameda County Coliseum | flac16/48; Schoeps MK4's>Reutelhuber Preamp>Sony TCD-D10PROII FOB DFC Recorded By Keith Litzenberger, Roger Jones & Corey Clayton Transferred to WAV By Watson WAV>FLAC Conversion & Upload by Keith Litzenberger Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC | Source Detail | Source Detail | |
Phoenix | AZ | Desert Sky Pavilion | flac16; Source:Schoeps MK4's>Rbox>Sony TCD-D10PROII FOB Transfer: DAT Master>Sony TCD-D10PROII>M-Audio Audiophile 192>Wavelab 5(Fades & Sample Rate Conversion to 16/44.1)>CDWAV>FLAC Recorded and Transferred By Keith Litzenberger | Source Detail | Source Detail | |
Richfield | OH | Richfield Coliseum | Source: AUD (SchoepsCMC34>Oade>SV255) > DAT > CDR > WAV > SHN; via M.Ratliff; Seeded to etree by neo_levo | Source Detail | Source Detail | |
Richfield | OH | Richfield Coliseum | SBD > DAT > CDR > SHNv3; via johnathan miller, candyman | Source Detail | Source Detail | |
Uniondale | NY | Nassau Coliseum | AUD fob (in hat) Schoeps mk4> Reutelhuber p/s> Sony tc-d10 proII (modified), Recorded by Ace Cubby; Transfer: Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > SHN > WAV > CDR; transferred by Chris Larson | Source Detail | Source Detail | |
Uniondale | NY | Nassau Coliseum | AUD fob(in hat) Schoeps mk4> Reutelhuber p/s> Sony tc-d10 proII (modified), Recorded by Ace Cubby; Transfer: Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > SHN > WAV > CDR; transferred by Chris Larson | Source Detail | Source Detail | |
Miami | FL | Miami Arena | FOB-AUD(Schoeps MK4>SV250)>DAT>CDR; via Paul; Seeded to etree by Chris L | Source Detail | Source Detail | |
Miami | FL | Miami Arena | Soundcheck; SBD>Dat>MiniDisc>Behringer UltraMatch SRC2000>Dio2448>Cool Edit Pro>SHN; Seeded to etree by Charlie Miller | Source Detail | Source Detail | |
Miami | FL | Miami Arena | FOB-AUD(Schoeps MK4>SV250)>DAT>CDR; via Paul; Seeded to etree by Chris L | Source Detail | Source Detail | |
Miami | FL | Miami Arena | AUD(Schoeps CMC521?s)>DAT>CDR; via Paul; Seeded to etree by Chris L | Source Detail | Source Detail | |
Sacramento | CA | Cal Expo | flac16; Recorded by Keith Litzenberger & Roger Jones aka "Ace Cubby" Schoeps MK4's>Reutelhuber>Sony TCD-D10PROII FOB DFC Transfer done on 5/08/2007 from DAT MASTER: Sony TCD-D10PROII>Edirol R-4>WL5 (Fades and Resampling to 44.1khz)>CDWAV>FLAC | Source Detail | Source Detail | |
Seattle | WA | Memorial Stadium | Schoeps CMC441s FOB > DAT > PC > WAV > SHN; Seeded to etree by Marc Pujol | Source Detail | Source Detail | |
Eugene | OR | Autzen Stadium, U. of Oregon | AUD (Nak700's)>DAT>CDR; via Paul B; Seeded to etree by neo_levo/candyman | Source Detail | Source Detail | |
Eugene | OR | Autzen Stadium, U. of Oregon | FOB / Nak 100/CP1 cardioids > DAT > PC > WAV > SHN; Seeded to etree by Marc Pujol | Source Detail | Source Detail | |
Las Vegas | NV | Sam Boyd Silver Bowl, U.N.L.V. | Audience recording by Neil Sturtevant Senn K3U mics w/ ME80 capsules > Master DAT (deck model unknown). DAT > CD transfer by Neil Sturtevant (untracked). Subsequent Extraction (EAC), tracking (CD Wave) and SHN conversion (mkwACT) by Sean Cribbs | Source Detail | Source Detail | |
Las Vegas | NV | Sam Boyd Silver Bowl, U.N.L.V. | flac16; Schoeps CMC5 MK4->Sonosax SX-M2->Sony D10 Pro ->Tascam DA20 MKII->Edirol R44->SD->PC->Audacity->CD Wave Editor->Flac Frontend | Source Detail | Source Detail | |
Highgate | VT | Franklin County Airport | Source: Schoeps CMC 44 cardioids (ORTF) > Oade power supply > modified Panasonic SV-255 > Sony D3 DAT Master (spdif input) Location: taped up front on a 6 foot stand Transfer: DAT Master 60ES > M-Audio Microtrack 2496 (spdif) > WAV > Flac taper & transfer: jbraveman@hotmail.com | Source Detail | Source Detail | |
Highgate | VT | Franklin County Airport | flac16/48; Schoeps MK4's>Reutelhuber>Sony TCD-D10PROII Recorded FOB by Roger,Rich, Seth, Keith & Jim Transferred to WAV By Watson Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC WAV>FLAC Transfer & Upload by Keith Litzenberger | Source Detail | Source Detail | |
Washington | DC | Robert F. Kennedy Stadium | FOB AMS ST250 (ambisonic) >Modified Sony D10 pro2 > DAT > Tascam CDR 700; via Tim Wiley | Source Detail | Source Detail | |
Washington | DC | Robert F. Kennedy Stadium | AMS-S250?s(ambisonic)>Sony D-10 pro 2>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo | Source Detail | Source Detail | |
Noblesville | IN | Deer Creek Music Center | SBD> DAT> WAV> CDR> WAV> SHN; via darkstar13311 | Source Detail | Source Detail | |
Maryland Heights | MO | Riverport Amphitheatre | Chase Smith recording, Shure BG-40?s>Sony D-7>DAT>CDR; via Paul; seeded to etree by neo_levo | Source Detail | Source Detail | |
Maryland Heights | MO | Riverport Amphitheatre | Shure BG-40/Sony D-7 recorded by Chase Smith > ? > CDR; via Mike Rodriguez; Seeded to etree by Matt Vernon | Source Detail | Source Detail | |
Hebron | OH | Buckeye Lake Music Center | Schoeps mk4 (12' spread FOB) > DAT; DAT3@44.1> Tascam DA-30mkII> SBL spdif> SoundForge 4.5> wav> MKW> shn; unknown taper- uploaded by C.DiPietro; note both regular and fixed d1 md5s were submitted to db but no further details were provided | Source Detail | Source Detail | |
Hebron | OH | Buckeye Lake Music Center | Recording Info: (FOB) Beyer M101 (Omni) -> Dat (Casio DA-7) -> CD -> EAC -> SHN via Charlie Miller | Source Detail | Source Detail | |
Hebron | OH | Buckeye Lake Music Center | Recording Info: (FOB) Beyer M101 (Omni) -> Dat (Casio DA-7) -> CD -> EAC -> SHN via Charlie Miller | Source Detail | Source Detail | |
Auburn Hills | MI | The Palace | flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger | Source Detail | Source Detail | |
East Rutherford | NJ | Giants Stadium | Taper: Dan Sisler Source: FOB 25th row/center > Schoeps cmc5/mk4 > Sonosax > Sony d10 > digi out > Sony d7 @44.1 Clone: Master DAT/Master D7 > Sony PCM-R500 by Dan Sisler DAT to SHN: Dan's 1x clone > Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0 > CDwave > SHN (seekable) by Marc Pujol | Source Detail | Source Detail | |
East Rutherford | NJ | Giants Stadium | flac16/48; Schoeps CMC54's>Aerco>Sony TCD-D10PROII, FOB (@15th Row Center) Recorded By Travitz & Keith Litzenberger Transferred to WAV By Watson WAV>FLAC Conversion & Upload by Keith Litzenberger Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC | Source Detail | Source Detail | |
Boston | MA | Boston Garden | PNB Microphones FOB via Dave Minor, shn conversion Marc Pujol | Source Detail | Source Detail | |
Boston | MA | Boston Garden | PMB Microphones FOB via Dave Minor> D7> R300> RMEdigi96/8pad> SF6.0> CDWav> mkw> shn conversion by Marc Pujol | Source Detail | Source Detail | |
Boston | MA | Boston Garden | flac16; (FOB) Schoeps mk4 > Reutelhuber > modified Sony D10 Pro II (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > r8brain v1.9 (resample to 44.1 kHz) > WaveLab 5.01b (fades) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Carrion Crow and Ace Cubby; Transferred by Jason Sobel | Source Detail | Source Detail | |
Boston | MA | Boston Garden | flac16/48; (FOB) Schoeps mk4 > Reutelhuber > modified Sony D10 Pro II (@ 48 kHz) Taped by Carrion Crow and Ace Cubby Transferred by Jason Sobel: Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > .wav | Source Detail | Source Detail | |
Boston | MA | Boston Garden | PMB Microphones (German)(1) FOB> Sony D7 @48k taped by Dave Minor, encoding by Marc Pujol | Source Detail | Source Detail | |
Boston | MA | Boston Garden | PMB Microphones FOB> Sony D7 @48k via Dave Minor, encoding Marc Pujol | Source Detail | Source Detail | |
Boston | MA | Boston Garden | PMB Microphones FOB> Sony D7 @48k via Dave Minor, encoding Marc Pujol | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | flac16/48; Schoeps MK4's>Reutelhuber>Sony TCD-D10PROII Recorded From Section 102 Row 13 Seats 11-12 Recorded By Keith Litzenberger & Roger Jones DAT Master played back on Sony TCD-D10PROII>Edirol R-4>WL5 (Fades)>CDWAV>FLAC | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | Nakamichi 300> ?> D7; Transfer: Tascam DAP1> Egosys U2A Waveterminal USB> Soundforge4.5xp> CDWave; via mark & julie lonski; ericB | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | DAUD/FOB> Unknown Mics (AKG?) /Deck> DAT@48k> DAT > SF 4.5a> SHN (seekable); Via Aldo Torre; Marc P; Tim W | Source Detail | Source Detail | |
Landover | MD | USAir Arena | flac16/48kHz; Source: Schoeps MK4's->Schoeps VMS021b->Sony D10 Pro Transfer: Tascam DA-20 MKII->Edirol R44->SD->PC->Cd Wave Editor->Flac Frontend Taped by Eliot Byron and ?, up front in the hat, FOB | Source Detail | Source Detail | |
Landover | MD | USAir Arena | flac16/48; Schoeps MK4's>Reutelhuber>(Either Sony TCD-D10ProII or Casio DAR-100) Recorded FOB in Section 2 (Somewhere between 12-17th Row) by Roger Jones and Jim V. Transferred to WAV By Watson WAV>FLAC Conversion & Upload by Keith Litzenberger Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16; Recorded FOB By Eliot Byron, Transferred By Keith Litzenberger Source: Schoeps CMC54's>Sonosax SX-M2>Apogee AD1000>Sony TCD-D10PROII Transfer: My DAT Clone>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16/48kHz; Schoeps CMC5 MK4's->Sonosax SX-M2->Apogee D100O->Sony D10 Pro ->Tascam DA20 MII->Edirol R44->SD->PC->CD Wave Editor->Flac Frontend | Source Detail | Source Detail | |
Los Angeles | CA | Sports Arena | AUD(Nak 300 Shotguns)>Aiwa DAT>CD; via Henry Wankleswurth; Seeded to etree by neo_levo | Source Detail | Source Detail | |
Los Angeles | CA | Sports Arena | Schoeps MK-4 > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); Transferred, SHNed and seeded by Jon Seff; Jon's comment: Levels are a little low throughout, but quite hot during drums, so I couldn't normalize and there may be a bit of clipping at the highest points. | Source Detail | Source Detail | |
Salt Lake City | UT | Delta Center | flac16; Schoeps CMC441's>koch power supply >Panasonic sv-255>Sony TCD-D10PROII Recorded by Keith Litzenberger via digital patch from Ed Boardman front Row of Taper's Section DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | AUD (Schoeps MK4)>DAT>CDR>WAV>SHNv3 via Paul B and Candyman | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum (soundcheck) | Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | FOB Schoeps MK41 > DAT @ 48KHz > ZA2 (48244) > SHN | Source Detail | Source Detail | |
Atlanta | GA | The Omni | 2nd set partial - from Phil's ear monitor via Marc Pujol | Source Detail | Source Detail | |
Tampa | FL | Tampa Stadium | flac16; source: (fob) Scheops cmc6/mk4v (unknown pre-amp/recorder) transfer: dat (clone) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Clete (?). transfer: Chris Davis (6/4/08) | Source Detail | Source Detail | |
Las Vegas | NV | Sam Boyd Silver Bowl, U.N.L.V. | Show recorded by Dan Sisler Tapes provided by Kevin Hoffman Transfer by Chris Larson - nswboogy@easystreet.com. there are end of disc SBE's. | Source Detail | Source Detail | |
Las Vegas | NV | Sam Boyd Silver Bowl, U.N.L.V. | Source: Set 1: Tapers section- A:AKG 460's>DAT Set 2: Audience(FOB directly in front of soundboard):Schoeps MK-4's>Schoeps Pre-amp>Denon80-P>DAT(48kHz) Transfer: DAT>ZA2>Samplitude>CD-r (or shn). Recorded by Dan Sisler, DATs via Kevin Hoffman, Transfer Chris Larson. Note - there is a sector boundary error on the last track of the first disc. | Source Detail | Source Detail | |
Las Vegas | NV | Sam Boyd Silver Bowl, U.N.L.V. | Source: A:FOB-Schoeps MK4's>Schoeps Pre-amp>Denon80-P@48kHz Transfer: DAT>ZA2>Samplitude2496>CD-r (or shn). Taped by Dan Sisler. DATs via Kevin Hoffman. Transfer to SHN via Chris Larson. | Source Detail | Source Detail | |
Portland | OR | Portland Meadows | FOB-AUD(Schoeps CMC + MK21)>DAT>CDR; via Paul B; Seeded to etree by Chris L | Source Detail | Source Detail | |
Portland | OR | Portland Meadows | flac16/48; FOB DFC Schoeps MK4's>Reutelhuber>Sony TCD-D10PRO | Source Detail | Source Detail | |
Portland | OR | Portland Meadows | FOB-AUD(Schoeps CMC + MK21)>DAT>CDR; via Paul B; Seeded to etree by neo_levo | Source Detail | Source Detail | |
Mountain View | CA | Shoreline Amphitheatre | AUD(Nak 300 Shotguns)>Aiwa DAT>CDR; via Paul; Seeded to etree by neo_levo | Source Detail | Source Detail | |
Mountain View | CA | Shoreline Amphitheatre | flac16/48; Schoeps MK41's>reutelhuber Preamp>Casio DAR-100 Recorded FOB in Section 102 Row K Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC DAT>WAV transfer by Watson Recording and WAV>Flac conversion by Keith Litzenberger, Danny Lucian (1st set)& Roger Jones (2nd Set) | Source Detail | Source Detail | |
Highgate | VT | Franklin County Airport | FOB - Schoeps MK4V's -> Sonosax mic preamp -> DA - P1 -> DAT (Master) -> DAT -> HHb Cdr-800; via Matt Bertollo; Tim Wiley | Source Detail | Source Detail | |
Highgate | VT | Franklin County Airport | flac16/48; Schoeps MK4's>Reutelhuber>Teac DAP-20 Recorded FOB by Carrion Crow & Crew with my Schoeps Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC DAT>WAV Transfer By Watson WAV>FLAC conversion and Upload by Keith Litzenberger | Source Detail | Source Detail | |
East Rutherford | NJ | Giants Stadium | FOB 25th Row, Dead fuckin center, Nak 300's (hand held, still sore) into my sony D7. Dat > sblive > Cd; Seeded to etree by Wally Stine | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | flac16; Source: FOB 15th row, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (48-44.1, highest accuracy with anti-alias filter; normalize) > CDWav 1.93 > FLAC Frontend 1.7.1 (no DAE) | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | flac16/48; Source: FOB 15th row, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (record only) > CDWav 1.93 > FLAC Frontend 1.7.1 (48kHz) | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | flac16; Source: FOB, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (48-44.1; normalize) > CDWav 1.93 > Flac Frontend 1.7.1 (no DAE) | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | flac16/48; Source: FOB, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (record only) > CDWav 1.93 > Flac Frontend 1.7.1 (48kHz) | Source Detail | Source Detail | |
Washington | DC | Robert F. Kennedy Stadium | FOB/DAUD>Scoeps MK4's>CMC6 Oade p/s>Panasonic SV-255>DAT>CDR; Seeded to etree by Tim W | Source Detail | Source Detail | |
Washington | DC | Robert F. Kennedy Stadium | flac16; FOB Schoeps mk-4 >kcy >vms021b >d-10pro2 > DATs; Transfer: DAT 60ES > M-Audio Audiophile USB > CDWAVE > Goldwave (patching, and resampling) > CDWAVE (tracking) > Flac Frontend; Tapers: Tom Cooper and Dave Howard; Transfer: jbraveman | Source Detail | Source Detail | |
Washington | DC | Robert F. Kennedy Stadium | FOB Nak 300's: at 6ft, then up to 8ft- 40ft from stage, Dead center> Sony D-7; Dat> Sblive> cd; recorded, Seeded to etree by Wally Stine | Source Detail | Source Detail | |
Pittsburgh | PA | Three Rivers Stadium | FOB (~26th row) Schoeps CMC6/MK4s> DAT; Transfer: Sony PCM-R500> Tascam CD-RW700> EAC> SHN; Transferred, SHNed, and seeded by: Ryan Burns; hosted by Mike Lai | Source Detail | Source Detail | |
Pittsburgh | PA | Three Rivers Stadium | flac16/48; Schoeps MK4's>Reutelhuber Preamp>Casio DAR-100 DAT Clone>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades)>CDWAV>FLAC Recorded By Roger Jones from Section 106 Row R Transferred By Keith Litzenberger | Source Detail | Source Detail | |
Chicago | IL | Soldier Field | FOB B&K 4006 omni's (in hat, 36th row left of center) > Lunatec 316> Panasonic SV-250 by Marc Nutter; Transfer: Sony DTC-A6 > Dio 2448 > SF 4.5 @ 48K, Resample, add fades> CDWAV> SHN by Bill Gardner | Source Detail | Source Detail | |
Chicago | IL | Soldier Field | flac16; unknown AUD> ?> Bootleg CD (marked AAD)> EAC> Flac (8); via Chris Larson | Source Detail | Source Detail | |
Chicago | IL | Soldier Field | flac16/48; Schoeps MK4's>Rbox>Casio DAR-100 FOB/DFC Transfer: DAT MASTER>Sony TCD-D10PROII>Tascam DA-30MKII, DAT Clone>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades)>CDWAV>FLAC Recorded By Ace Cubby Gear and Transfer By Keith Litzenberger | Source Detail | Source Detail |
[]------| | Jerry Garcia Band | |------[] |
Date | City | State | Venue | Source Notes | Source Link | |
San Francisco | CA | Winterland Arena | JGB, flac1644: 2 x Sony ECM-270 => Sony TC-152 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> MOTB.0075; Taped By: Reinhart Hohlwein; Transfer By: Bob Menke; Mastering By: Jamie Waddell. | Source Detail | Source Detail | |
South Fallsburg | NY | Music Mountain | JGB, flac24 MOTB Release: 0057 24/96; Analog Audience Source: FOB Master Cassette (MAC); Analog Copy Instances: Tape Reel One (R1); Medium Stock Brands: MAC = Maxell XLIIS-90, R1 = Maxell UD 35-90; Lineage: 2 x Nakamichi CM-300 => Sony TC-D5M >> MAC >> Sony TC-D5M (??) => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [3.75 IPS] >> R1; Transfer: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: John Steinthal; R1 Supplied By: Barry Glassberg; Transfer By: A. Egert; Mastering By: J. Waddell. | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | Jerry Garcia Band: Schoeps FOB Schoeps CMC3/mk4 (ortf handheld in "sweet spot")>Oade Mic Pre> Sony D7 > Master DAT> CD(no intermediate DAE)> EAC> SHN; entire show with Bruce Hornsby; via Darrin Sacks | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | JGB: Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S > Nakamichi BX-125E playback > EMU 0202 > Wavelab > wav (24/96) > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16, via sirmick. | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | JGB: Recorded by Jeff Travitz; Schoeps MK-4s> Sony D-10; Lineage: Master DAT>HHB Stand Alone CDR (model unknown)>CD>dBpoweramp CD Ripper>HD>Audio Audition 2.0 (adjust DC Offset and retrack)> FLAC encoding. | Source Detail | Source Detail | |
Milwaukee | WI | Bradley Center | Lineage: Greg Holtz's 2x Nakamichi CM-300 mics with CP-1 caps, worn in hat > Sony D-6 Cassette Recorder; Master Cassettes-(2)-Maxell MX-S 90 transfered at 24/96 on a tascam112 MKII deck>apogee minime>aes-ebu xlr>Lynx2>wavelab6.0 and Mastered on the GEMS Edit Station In Wavelab 6.0, Weiss Saracon Dither to 16/44.1 by Jamie Waddell; trac'ed cdwave,flac'ed flac frontend level 8 | Source Detail | Source Detail | |
San Francisco | CA | Warfield Theater | Jerry Garcia Band: FOB - Neumann KM 54->DAT->CDR->WAV->FLAC; Taper: Chuck and Janet Vasseur (assumed, but not confirmed); Transfer: Dat Clone->Panasonic SV3700-> Marantz CDR 615-> CDR Ripped with EAC(No Errors)Tracks Named -> Flaced with Traders Little Helper and Tagged with Foobar 2000. DAT->CDR 1999, CDR->Flac 2009 Transfers by Pete Ebel. | Source Detail | Source Detail | |
San Francisco | CA | Warfield Theater | JGB, set I: DTS-Audio-CD 5.1 Mix, via amdig. | Source Detail | Source Detail | |
San Francisco | CA | Warfield Theater | JGB, set I: SBD + AUD Matrix Mix (50%-SBD / 50%-AUD), via amdig. | Source Detail | Source Detail | |
San Francisco | CA | Warfield Theater | Taper: Chuck; Source Neumann mics (vintage 1957, tube electronics) > MAC > CDR > EAC (Secure mode) > shn (MKWACT). Eac'ed/shn'ed and seeded to fungus, etree and abgd by Charlie Connor, with thanks to Bob Menke | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | Jerry Garcia Band: AUD (Nak 700) > DAT (Sony D3) > CDR > WAV > SHNv3, taped by Larry Gindoff. | Source Detail | Source Detail | |
Buffalo | NY | Buffalo Memorial Auditorium | JGB: Todd Evans's MAD (13th row center DFC Schoeps CMC34 -> Panasonic sv255) > TASCAM DA-20 playback > M-Audio FireWire solo > Soundforge 8.0 wav. With patches from shnid 12568. Recording and transfer by Todd Evans WAV (48) > Flac (44.1) by jbraveman@hotmail.com. | Source Detail | Source Detail | |
Hartford | CT | Hartford Civic Center | Jerry Garcia Band. Source: FOB(DFC Schoeps MK4 at 110 degrees handheld both Sets > Active Cables >Oade Microphone Preamp > Panasonic SV-255 DAT)>D>CDR>WAV>SHN. Tapers: Clay C. Brennecke and Roger Jones. DAE and SHN encoding by C.Ladner. | Source Detail | Source Detail | |
Portland | ME | Cumberland County Civic Center | Jerry Garcia Band: FOB Schoeps MK4 > Oade custom pre-amp > Sony D10 @48K | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | Jerry Garcia Band: Source: DFOB (Sec. 2, Row U) -- Schoeps MK-4 -> Active Cables -> CMC? -> Oade Mic Pre -> Panasonic SV-255 -- recorded by Clay Brennecke and Keith Litzenburger. Master DAT -> SHN conversion: d7 -> coax -> zoltrix nightingale (mod) -> cooledit 2000 sample rate conversion -> cdwav -> shn by Darrin Sacks. | Source Detail | Source Detail | |
Syracuse | NY | Onondaga County War Memorial | Jerry Garcia Band. Source: MAD(FOB DFC from Section 1, Row LL, Seat 11 & 12; Schoeps MK4 at 110 degrees handheld both Sets > Active Cables > Oade Microphone Preamp > Panasonic SV-255 )>D>CDR>WAV>SHNv3. Tapers: Clay Brennecke & Roger Jones. DAE and SHN encoding vy C.Ladner. | Source Detail | Source Detail | |
Worcester | MA | The Centrum | Jerry Garcia Band: Taped by Clay Brennecke and Roger Jones, FOB/DFC Schoeps mk4 (handheld at110 degrees) > Active Cables > Oade Microphone Preamp > Panasonic SV-255 Transfer: Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > SHN > WAV > CDR; transferred by Chris Larson. | Source Detail | Source Detail | |
Richmond | VA | Richmond Coliseum | Jerry Garcia Band. Source: MAD(FOB; Schoeps MK4 at 110 degrees handheld both Sets>Active Cables>Oade Microphone Preamp > Panasonic SV-255 deck)>D>CDR>WAV>SHNv3. Taper: Clay C. Brennecke. DAE&SHN encoding by neo_levo. | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | JGB: Taped By Clay Brennecke, Ron Keyser & Friends (Todd Evans gear), Digitial FOB Audience Tape Schoeps CMC34 > Panasonic sv255; DAT from Todd Evans DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav (48khz) WAV (48) > Flac16 (44.1) by jbraveman@hotmail.com | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | JGB: (FOB) Schoeps MK4 > Dat > Samplitude > Flac. Transfer & Mastering by Charlie Miller. | Source Detail | Source Detail |
[]------| | Phil Lesh & Friends | |------[] |
Date | City | State | Venue | Source Notes | Source Link | |
Berkeley | CA | Berkeley Community Theater |
[]------| | Phish | |------[] |
Date | City | State | Venue | Source Notes | Source Link | |
Plainfield | VT | Goddard College | shnf; 44kHz; unknown SBD > ??? > Cass(1) > ??? > DAT(c) > Sony TCD-D8 > ??? > CDR(x); CDR(x) > EAC > SHN; Source by unknown; Transfer by unknown and Ben Mohr | Source Detail | Source Detail | |
Telluride | CO | Fly Me to the Moon Saloon | SBD > Cass/1 > DAT; Tascam DA-20mkII > ZA2 > SF4.5 > CDWav > SHN; Transfer by Jimmy Sellers; Fixes by Ben Mohr; See info file for fixes | Source Detail | Source Detail | |
New York | NY | Wetlands Preserve | SBD > Cass/x > D8 (from Patrick Metsker); CD-R > EAC > SHN by Mike Shumsky | Source Detail | Source Detail | |
Fort Collins | CO | Ramskellar | SBD > Cass/x; CDR > EAC > FLAC | Source Detail | Source Detail | |
Keene | NH | Colonial Theater | SBD -> Sony WM-D6C (Maxell XL-IIS 90's) Cassette Master; Nak CR-3A -> Audigy 2 -> Audition 3.0 -> 16/44.1k -> TLH -> Flac16; Taped & transfered by Tim Leavy | Source Detail | Source Detail | |
Crested Butte | CO | El Dorado Cafe | Separate from Soundboard 16 track Mix > DAT @44.1kHz; Tascam DA-20mkII > Monster Coax > M-Audio Audiophile 24/96 > Soundforge 5.0e (48>44.1kHz) > CDWav > mkwACT > SHN; Mixed by Mike Grace; Transferred by Dan Marquardt; Dankseed | Source Detail | Source Detail | |
Boulder | CO | Glenn Miller Ballroom | SBD> DAT> CD; seed: CD> AIFF> WAV (via SoundEdit16)> SHN; via S. Chen; note on slow server; listener Mike Bogdan reports "poorly cut" track boundaries | Source Detail | Source Detail | |
Boulder | CO | Boulder Theater | Separate from Soundboard 16 track Mix > DAT@44.1kHz; Fostex D5 > Monster Optical > Sek'd Prodif Plus > Samplitude v5.5 > CDWav > mkwACT v0.97 > SHN; Please see info file for mixing details | Source Detail | Source Detail | |
Parksville | NY | Arrowhead Ranch | AKG 451/ck8a (at SBD); Tascam DA-20mkII > rme96/8 > CDWav > mkwACT > SHN; Taped by Kevin Shapiro; Transferred by Mikey K. | Source Detail | Source Detail | |
Parksville | NY | Arrowhead Ranch | SBD > Cass/0 > DAT > CD > SHN > WAV (SoundEdit 16) > SHN; Fixed version (removed track break pauses) via Matt Fisken; Updated version (12/02/04) removed cuts and silent blocks | Source Detail | Source Detail | |
Washington | DC | Lisner Auditorium | B+K 4011 (xy) > Sony D10 Pro (TS); Archive Python DDS/dat2wav > WAV > Soundforge (48>44.1kHz) > CDWav > mkwACT > SHN; Transferred by Louie Rendek; Tracking and SHN Conversion by Mike Woellert | Source Detail | Source Detail | |
Richmond | VA | The Flood Zone | AKG 451 (XY) > B18 > D5 (Cass/0); (Cass/0) > Apogee AD1000 > Echo Mia > SF7.0 > CDwav > FLAC | Source Detail | Source Detail | |
Boulder | CO | Fox Theater | Separate from Soundboard 16 track Mix > DAT @44.1kHz; Tascam DA-20mkII > M-Audio Audiophile 24/96 > Soundforge 5.0e (48>44.1kHz) > CDWav > mkwACT > SHN | Source Detail | Source Detail | |
Palo Alto | CA | Wilbur Field | SBD + AUD Matrix Mix; Mixed by Dan | Source Detail | Source Detail | |
Palo Alto | CA | Wilbur Field | DTS-Audio-CD 5.1 Mix; SBD (ShnID = 4524), Source: DSBD > Cass? > DAT; AUD (ShnID = 85404), Source: Neumann KM140s (90'xy,FOB) > Sony D3; Mixed by dan@am-dig.com | Source Detail | Source Detail | |
Milwaukee | WI | The Rave at Central Park | Neumann RSM191A-S > Neumann MTX191A > Panasonic SV-255 @48kHz; CDR > EAC > Wavelab > FLAC CDRs provided by Joe Morrison; FLAC Conversion by Marmar | Source Detail | Source Detail | |
Charlottesville | VA | Trax | AKG 451/ck1 (XY) > b18 > Sony D5 (Cass/0); Cass/0 > Apogee AD-1000 > Soundforge7.0 > CDwav > FLAC; Taped and transferred by Todd Romero | Source Detail | Source Detail | |
Port Chester | NY | Capitol Theater | FOB Sennheiser 421 > Panasonic SV-255 @48kHz; Tascam DA-20mkII > Tascam HD-P2 > WaveLab 5.01b > r8brain v1.9 (48>44.1kHz) > CDWav > FLAC; Taped by Joe LeClair; Transferred by Jason Sobel | Source Detail | Source Detail | |
Port Chester | NY | Capitol Theater | FOB Schoeps mk4 > Reuthelhuber PS > Panasonic SV-255 @48kHz; Tascam DA-20mkII > Tascam HD-P2 > WaveLab 5.01b > r8brain v1.9 (48>44.1kHz) > CDWav > FLAC; Taped by Joe LeClair; Transferred by Jason Sobel | Source Detail | Source Detail | |
Boston | MA | Matthews Arena, Northeastern University | Matrix (DSBD+Elektra AUD); transfer: Fostex D5 > HHb 850, D. Eisenberg | Source Detail | Source Detail | |
New York | NY | Roseland Ballroom | (FOB) Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Sony TCD-D10 pro II (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > Samplitude SE v9.1.1 (48 to 44.1 kHz) > FLAC v1.2.1 (Level 8); Taped by Eliot Byron; Transferred by Jason Sobel | Source Detail | Source Detail | |
New York | NY | Roseland Ballroom | (FOB) Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Sony TCD-D3 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > Samplitude SE v9.1.1 (48 to 44.1 kHz) > FLAC v1.2.1 (Level 8); Taped by Eliot Byron; Transferred by Jason Sobel | Source Detail | Source Detail | |
Washington | DC | Lisner | AUD; Tascam DA-20mkII > ZA2 > SF > CDWav > SHN; Transferred by Jimmy Sellers | Source Detail | Source Detail | |
Washington | DC | Lisner | AKG 460b/ck63 > Teac DA-P20 @48kHz; Tascam DA-20mkII > Tascam HD-P2 > WaveLab 5.01b (48>44.1kHz) > CDWave > FLAC; Taped by Terry Sullivan; Transferred by Jason Sobel | Source Detail | Source Detail | |
Sacramento | CA | Crest Theater | SBD -> master cass -> DAT; DAT -> SHN, David McDowell: DA-P1 -> Gina -> Cool Edit Pro v1.2 @ 48k -> 44.1k -> WAV -> SHN; Note: d1t01 crowd noise at start of track spliced in from B. Mohr's source | Source Detail | Source Detail | |
Upper Darby | PA | The Tower Theatre | (FOB) Schoeps CMC54's > Sonosax SX-M2 > Technics SV-MD1; Sony TCD-D10PROII > M-Audio Audiophile 192 > Wavelab 5 (48 to 44.1 kHz) > CD Wave > FLAC; Taped by Eliot Byron (Keith Litzenberger patch); Transferred by Keith Litzenberger (NOTE: this is a new transfer of the same source as /shn/1414) | Source Detail | Source Detail | |
Monterey | CA | Laguna Seca Raceway | Schoeps MK21's > Schoeps CMC5's > Sonosax SX-M2 > Technics SV-MD1; Sony TCD-D10PROII > M-Audio Audiophile 192 > Wavelab 5 (Fades, 48 to 44.1 kHz)> CD Wave > FLAC; Taped By Eliot Byron (Keith Litzenberger patch); Transferred by Keith Litzenberger | Source Detail | Source Detail | |
Portland | ME | Cumberland County Civic Center | SBD/AUD Post-mix Matrix (SBD > DAT > Cass/0 > DAT; FOB Schoeps CMC5/mk4 > Sonosax > AD500 > D10); CDR > EAC (secure) > Cool Edit Pro (mixing) | Source Detail | Source Detail | |
Portland | ME | Cumberland County Civic Center | DTS Audio 5.1 mix based on this source | Source Detail | Source Detail | |
Worcester | MA | Worcester Centrum | flac16, 44kHz; AKG c460b/ck61's > custom pre-amp > Teac DA-P20 > DAT(m); DAT(m) > Sony PCM-R500 > Tascam HD-P2 > WaveLab > CDWave > FLAC; Source by Dave Flaschner; Transfer by Jason Sobel | Source Detail | Source Detail | |
Dallas | TX | The Bomb Factory | shnf, 44kHz; SBD > Cass(0) > DAT(c); DAT(c) > Samplitude > SHN; Source provided by J. Coleman | Source Detail | Source Detail | |
Eugene | OR | Hult Center | flac16, 44kHz; B&K 4010's > Stewart PS > Sony TCD-D3 > DAT(c); DAT(c) > ??? > Soundforge > Waves > FLAC; Source by Mikey Perrot; Transfer by idiotwind(?) | Source Detail | Source Detail | |
San Francisco | CA | Warfield Theater | flac16, 44kHz; (FOB/ortf) Schoeps cmc5/mk4's > Sonosax SX-M2 > Apogee AD-500E > Sony TCD-D10 [Dankseeds] | Source Detail | Source Detail | |
San Francisco | CA | Warfield Theater | Schoeps CMC5/Mk21 (ORTF)-> Sonosax SX-M2-> Apogee AD-500E->Sony D-10 @ 48KHz [Dankseeds] | Source Detail | Source Detail | |
Monterey | CA | Laguna Seca Raceway | Schoeps mk4 > Rbox > Sony TCD-D10PROII; Sony TCD-D10PROII > Edirol R-4 > Wavelab 5.0 (48>44.1kHz) > CDWav > FLAC; Taped and transferred by Keith Litzenberger | Source Detail | Source Detail | |
Charleston | WV | Municipal Auditorium | FOB AKG 460 > DAT @48kHz; Fostex D5 > VX Pocket 440 > Toshiba Protege 3480ct > Wavelab 4.0 (48>44.1kHz) > CDWav > FLAC; Transferred by Greg Lance | Source Detail | Source Detail | |
Holmdel | NJ | Garden State Arts Center | FOB B+K 4011; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN Transferred by Jason Sobel; DAT's provided by Blane Harvey | Source Detail | Source Detail | |
Holmdel | NJ | Garden State Arts Center | Schoeps mk4 > Teac DA-P20 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, splice, fades, 48 to 44.1 kHz) > CD Wave v1.96.1 > FLAC v1.2.1 (Level 8); Transferred by Jason Sobel | Source Detail | Source Detail | |
Ottawa | ON | The Congress Center | AKG 461 > Oade Custom Pre-Amp > DAT @48kHz; Sony D8 > Coax Cable > MAudio Dio 24/48 > CDWav > Cool Edit (48>44.1kHz) > FLAC; Taped by Kevin Shapiro; Transfer by Blane Harvey | Source Detail | Source Detail | |
Mansfield | MA | Great Woods Center for the Performing Arts | FOB Schoeps CMC6/mk4; transfer by Dan Panice; seeded to evines and offers; copy is uncut | Source Detail | Source Detail | |
Canandaigua | NY | Finger Lakes Performing Arts Center | (FOB) AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48kHz); Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); recorded by Dave Flaschner; transferred by Jason Sobel | Source Detail | Source Detail | |
Bethlehem | PA | Stabler Arena | AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, resample to 44.1kHz, patch) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel | Source Detail | Source Detail | |
Fairfax | VA | Patriot Center | Schoeps mk4 (ORTF) > KC5 > CMC5 > Sonosax SX-M2 > Apogee AD-500e > Sony D10 @48kHz (OTS); R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (48>44.1kHz) > CDWav > SHNv3; Taped by Eliot Byron; DATs provided by Eliot; Transferred by Jim Raras; Dankseed | Source Detail | Source Detail | |
Fairfax | VA | Patriot Center | AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, resample to 44.1kHz, patch) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel | Source Detail | Source Detail | |
Nashville | TN | Memorial Gymnasium, Vanderbilt University | AKG 460b/ck61 > AKG b18 > Denon dtr80p; DAT > CDR > EAC > CDWav > FLAC; Taped by Chad Clark | Source Detail | Source Detail | |
Spartanburg | SC | Memorial Auditorium | shn16, 44kHz; SBD > Cass(m) > DAT(c); DAT(c) > Tascam DA-20mkII > Audiophile 24/96 > Soundforge > CDWave > SHN; Source by unknown; Transfer by Dan Marquardt | Source Detail | Source Detail | |
Glens Falls | NY | Glens Falls Civic Center | Schoeps CMC3/mk41 (aimed at the stacks) > Oade Deluxe 12v PS > Denon dtr80p@48k; Fostex D5 > Monster Optical > Sek'd Prodif Plus > Samplitude v5.5 > Soundforge 4.0 (48>44.1@kHz) > CDWav > mkwACT v0.97 > SHN v3; Mastered by Mikey Perrott; Transferred and uploaded by Jim Raras [Dankseeds] | Source Detail | Source Detail | |
Columbia | MO | Jesse Auditorium | FOB AKG 460(?) > DAT; Tascam DA-20mkII > Monster Coax > M-Audio Audiophile 24/96 > Soundforge 5.0b (48>44.1kHz) > CDWav > mkwACT v0.97 > SHNv3; Transferred by Dan Marquardt | Source Detail | Source Detail | |
St. Louis | MO | The Fabulous Fox Theatre | AKG C1000; Tascam DA-20 mkII > coax > Philips CDR-870 burner > CDR > WAV > EAC > CDWav > Soundforge 4.5 > mkwACT > SHN | Source Detail | Source Detail | |
Chicago | IL | UIC Pavilion | AKG480 > DAT; Sony R500 > AES/EBU > ZA2 > CoolEdit > SHN; Retracked source by Becca Dorrance | Source Detail | Source Detail | |
Minneapolis | MN | The Orpheum Theatre | AKG SE 10 (XY)> Marantz PMD-700 @48kHz (OTS); Sony PCM-R500 > Audio Magic Presto II > Delta Di0 2496 > Samplitude v5.5 > Soundforge 4.5a (48>44.1kHz) > CDWav > mkwACT > SHNv3; Transferred by Matt Edlhuber | Source Detail | Source Detail | |
Bozeman | MT | Field House | Coresound Binurals > DAT; Tascam DA-20 MkII > Monster Coax > M-Audio Audiophile 24/96 > Soundforge 5.0b (48>44.1kHz) > CDWav > mkwACT > SHN; Transferred by Dan Marquardt | Source Detail | Source Detail | |
Davis | CA | Recreation Hall at UC Davis | Neumann km140 > Oade PS > Denon DTR-100P @48kHz; CTD8000H-S > VDAT 0.6f > Soundforge 5.0d (48->44.1kHz) > CDWav > SHN v3; DATs provided by Jim Raras; Transferred by David Rothenberger; Dankseed | Source Detail | Source Detail | |
San Jose | CA | Event Center | Complete show; Nak 100 > D7 @48kHz; DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1kHz > SHN; Transferred by Jon Seff | Source Detail | Source Detail | |
Chico | CA | Acker Gym | flac16, 44kHz; AKG c460b/ck61's > custom pre-amp > Sony TCD-D7 > DAT(m); DAT(m) > Sony PCM-R500 > M-Audio MicroTrack > WaveLab > CDWave > FLAC; Source by Jim Bento, Transfer by Jason Sobel | Source Detail | Source Detail | |
Santa Barbara | CA | UCSB Event Center | flac16, 44kHz; AKG 460B/ck61 > custom pre-amp > Sony TCD-D7; Sony PCM-R500 > M-Audio MicroTrack > WaveLab > CDWave > FLAC; Source by Jim Bento; Transfer by Jason Sobel | Source Detail | Source Detail | |
San Diego | CA | Spreckels Theatre | shn16, 44kHz; (FOB/DFC/ortf) Schoeps mk4 > kc5 > cmc5's > Sonosax SX-M2 > Apogee AD-500e > Sony TCD-D10 > DAT(m); DAT(m) > Sony PCM-R500 > Sek'd Prodif Plus > Soundforge > CDWave > SHN; Source by Eliot Byron; Transfer by Jim Raras | Source Detail | Source Detail | |
San Diego | CA | Spreckels Theatre | SBD > DAT; DAT > Fostex D5 > optical cable > HOSA ODL-276 > coax cable > Waveterminal 2496 (48>44.1KHz Set I only) > CoolEdit 2000 > CDWav > WAV > mkwACT 0.97b1 > SHN v3; Transfer by Jeff Ishaq; Patches in DSBD by FOB AKG460 (13 Ft. pole, front row, center-left) > 10' XLR > PS > 3' XLRs > Technics SV260A > DAT; Technics SV260A > COAX > Cool Edit WAV > CDWAV > mkwACT v3 > SHN; Taped and transferred by Linda Webster; md5's provided 1/7/02 | Source Detail | Source Detail | |
Santa Monica | CA | Civic Auditorium | flac16, 44kHz; AKG c460b/ck61's > power supply > Technics SV-260A > DAT(m); DAT(m) > Technics SV-260A > ??? > WAV > CDWave > SHN; Source by Linda Webster; Transfer by Linda Webster | Source Detail | Source Detail | |
Philadelphia | PA | Philadelphia Civic Center | FOB Schoeps mk4; DA-20mkII > Delta Dio 2496 > Soundforge 6.0 (48>44.1kHz) > CDWav > shntool > SHN; Transferred by Brandon Johnston | Source Detail | Source Detail | |
Providence | RI | Providence Civic Center | flac16, 44kHz; (FOB) Schoeps cmc3/mk4's > ??? > DAT(c); DAT(c) > Sony PCM-r300 > Zoltrix Nightingale > Samplitude > CDWave > Soundforge > SHN/FLAC; Source by unknown; Transfer by Rob Garland | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | flac16, 44kHz; (FOB/ORTF) Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Apogee AD-500e > Sony TCD-D10; Sony PCM-r500 > Sek'd Prodif Plus > Soundforge > CDWave > FLAC; Source by Eliot Byron; Transfer by Jim Raras | Source Detail | Source Detail | |
Boston | MA | Boston Garden | flac16, 44kHz; AKG c460/ck61 > Custom Pre-amp > Teac DAP-20; Tascam DA-302 > MAudio Dio 24/48 > CDWave > SoundForge > FLAC; Source by Dave Flaschner; Transfer by Blane Harvey | Source Detail | Source Detail | |
Boston | MA | Boston Garden | flac16, 44kHz; (FOB/ortf) Schoeps mk4 > KC5 actives > CMC5 > Sonosax SX-M2 > Apogee AD-500e > Sony D10; Patch Source: (OTS) AKG 460B/CK61 > AKG B-18 > Sony D10; Set I: Sony R500 > VXPocket > Soundforge > CDWave > SHN; Set II + III: Fostex D5 > Sek'd Prodif Plus > Samplitude > Soundforge > CDWave > SHN; Patch Transfer: Sony DTC-690 > Sek'd Prodif Plus > Samplitude > Soundforge > SHN; Source by Eliot Byron; Patch Source by Jeff Jordan; Transfer by Raras; Patch Transfer by Chris Ace | Source Detail | Source Detail | |
Mountain View | CA | Shoreline Amphitheatre | FOB Schoeps CMC6/mk4; DA-20 mkII > Philips CDR 870 > CDR > EAC > CDWAV > SoundForge 4.5 > shntool > FLAC; Transferred by Brandon Johnston | Source Detail | Source Detail | |
St. Paul | MN | St. Paul Civic Center | AKG 398 > Sonosax? > DAT? > D7; DAT > HHb Burn It > CDR > EAC > CDWav > SHN; Conversion by Adam Heckelsmiller; Transfer by Guy Gimbrone | Source Detail | Source Detail | |
Kalamazoo | MI | Wing Stadium | (FOB) Schoeps cmc3/mk4 > Beyer MV-100 > Sony D7 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > r8brain v1.9 (48 to 44.1 kHz) > Samplitude SE v9.1.1 (fades, tracking) > FLAC v1.2.1 (Level 8); Transferred by Jason Sobel | Source Detail | Source Detail | |
Detroit | MI | The Palace | FOB Neumann km140; Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b > CDWav > FLAC; Taped by Dom Tringale; Transferred by Jason Sobel (NOTE: both 44.1 and 48 kHz seeds available) |
Source Detail | Source Detail | |
Louisville | KY | Louisville Gardens | AKG 460b/ck61 > AKG b18 > Denon dtr80p; DAT > CDR > EAC > CDWav > FLAC; Taped by Chad Clark | Source Detail | Source Detail | |
Rosemont | IL | Rosemont Horizon | AKG 460B/ck61 > Sonosax SX-M2 > Teac DA-P20 (@ 48 kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel | Source Detail | Source Detail | |
Atlanta | GA | Fox Theater | AKG 460b/ck61 > b18 > denon dtr80p; DAT > cd(1) > eac > CD Wave > flac; Taped by Chad Clark; Transferred by John M. | Source Detail | Source Detail | |
Atlanta | GA | Fox Theater | (FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Teac DA-P20 (@ 48kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Ryan Varnum; Transferred by Jason Sobel | Source Detail | Source Detail | |
Atlanta | GA | Fox Theater | (FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Teac DA-P20 (@ 48kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Ryan Varnum; Transferred by Jason Sobel | Source Detail | Source Detail | |
Gainesville | FL | O'Connell Center | AUD; DA-20mkII > Delta Dio 2496 > Soundforge 6.0 (48>44.1kHz) > CDWav > shntool > SHN; DAT provided by Aldo Torre; Transferred by Brandon Johnston | Source Detail | Source Detail | |
Orlando | FL | University of Central Florida Arena | Sen 421's > Sony SBM-1 > Sony D-7** (set I)/Denon dtr-80p (set II); Sony pcm-m1 > m-audio usb > wavelab > cd wave/flac (16-bit/44.1kHz); Taped and Transferred by K.P. | Source Detail | Source Detail | |
Tampa | FL | Sundome | Neumann KM140; DA-20mkII > Delta Dio 2496 > Soundforge 6.0 (48>44.1kHz) > CDWav > shntool > SHN; Transferred by Brandon Johnston | Source Detail | Source Detail | |
North Charleston | SC | North Charleston Coliseum | FOB Scheops CMC6/mk4 > DAT @48kHz; Sony PCM-R500 > Delta Dio 2496 > Samplitude 4.5 > CDWav > FLAC; Transferred by Matt Edlhuber | Source Detail | Source Detail | |
Landover | MD | U.S Air Arena | shnf or flac16; Schoeps mk4 > Schoeps PS > Sony TCD-D7; Sony 59ES > Marantz CDR630 > CDR > EAC (secure) > WAV > Soundforge > mkwACT > SHN; Transferred by Scott Z | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | AKG 460 Cards > 10 ft XLR's > Power Supply > 3 ft XLR's > Technics SV 260A > DAT (13 Ft. Pole, Front Row, Center); Technics SV 260A > COAX > WAV > CDWav > SHN | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | (FOB) AKG 460B/ck61 > custom pre-amp > Teac DAP-20 (@48kHz); Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); recorded by Dave Flaschner; transferred by Jason Sobel | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | AKG 460b/ck61 > AKG b18 > Denon dtr80p; DAT > CDR > EAC > CDWav > FLAC; Taped by Chad Clark | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | Schoeps mk41 > Schoeps VMS02IB > Teac DAP-20 @48kHz; Sony TCD-D10ProII > Edirol R-4 > WL5 > CDWav > FLAC; Taped by Carrion Crow; Transferred by Keith Litzenberger; Note: 48 kHz seed | Source Detail | Source Detail | |
Knoxville | TN | Civic Coliseum | AKG 460b/ck61 > AKG b18 > Denon dtr80p; DAT > CDR > EAC > CDWav > FLAC | Source Detail | Source Detail | |
Nashville | TN | Nashville Municipal Auditorium | AKG 460; Tascam DA-20 MKII > M-Audiophile USB > WaveLab 5.01b (splice, fades, resample to 44.1 kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); Transferred by Peter Grow & Jason Sobel | Source Detail | Source Detail | |
Dayton | OH | Ervin J. Nutter Center | AKG 460b/ck61 > AKG b18 > SBM-1 > D7; DAT > CDR > EAC > FLAC | Source Detail | Source Detail | |
New Haven | CT | Veterans' Memorial Coliseum | Neumann KM184> DAT(48)> Montego II(44.1); transferred by Aaron Westendorf | Source Detail | Source Detail | |
Amherst | MA | Mullins Center, University of Massachusetts | AKG 460B/ck61 > custom pre-amp > Teac DA-P20 (@ 48kHz); Sony PCM-R500 > M-Audio MicroTrack > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel | Source Detail | Source Detail | |
Amherst | MA | Mullins Center, University of Massachusetts | Neumann km184; DA-20 > Delta Dio 2496 > Soundforge 4.5 (48>44.1kHz) > CDWav > SHN; Transferred by Brandon Johnston | Source Detail | Source Detail | |
Amherst | MA | Mullins Center, University of Massachusetts | AKG 460B/ck61 > custom pre-amp > Teac DA-P20 (@ 48kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel | Source Detail | Source Detail | |
Cleveland | OH | CSU Convocation Center | (FOB) Schoeps mk4 -> kc5 -> cmc6 -> Sonosax SX-M2 -> Panasonic SV-255 -> Sony DT-120 (with significant patches from: (T/S) Schoeps mk41-> Schoeps Box -> Sony d7); Both Master DAT's -> PanaSonic SV3700 -> Foxtex FR2 -> Wave Lab 6.0 (48 > 44.1 kHz, fades) > CD Wave -> Traders Little Helper (FLAC Level 8); Taped by Pete Ebel and Tom Lake | Source Detail | Source Detail | |
Albany | NY | Knickerbocker Arena | B+K 4011> Neumann p/s> Sony D10 PRO II> DAP1> ZA2; md5s provided 9/15/00 by Alan Legros | Source Detail | Source Detail | |
Portland | ME | Cumberland County Civic Center | flac16, 44kHz; B&K 4011's > custom pre-amp > Teac DAP-20; Sony PCM-R500 > MT2496 > WaveLab > CDWave > FLAC; Source by Dave Flaschner, Transfer by Jason Sobel | Source Detail | Source Detail | |
Providence | RI | Providence Civic Center | AKG 460B/ck61 > custom pre-amp > Teac DAP-20 (@48kHz); Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); recorded by Dave Flaschner; transferred by Jason Sobel | Source Detail | Source Detail | |
Binghamton | NY | Broome County Arena | AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48 kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, resample to 44.1kHz, patch edits) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel | Source Detail | Source Detail | |
Lake Placid | NY | Olympic Center | flac16, 44.1 kHz; B+K 4011 > custom pre-amp > Teac DAP-20 (@48kHz); Sony D8 > M-Audio MicroTrack > Samplitude SE v9.1.1 (de-emphasis, fades) > r8brain v1.9 (48 to 44.1 kHz) > CD Wave v1.97 > FLAC v1.2.1 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel (NOTE: this is a FIXED version of this seed: /shn/32874) | Source Detail | Source Detail | |
Lake Placid | NY | Olympic Center | flac16, 48 kHz; B+K 4011 > custom pre-amp > Teac DAP-20 @48kHz; Sony D8 > M-Audio MicroTrack > CF Card > WaveLab 5.01b > CDWav > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel; Note: The conversion for this source did not properly account for pre-emphasis. Do not circulate this version, instead, use the upgrade that is in circulation. | Source Detail | Source Detail | |
Lake Placid | NY | Olympic Center | AKG 460B/ck61 > custom pre-amp > Teac DAP-20 (@48kHz); Sony D8 > M-Audio MicroTrack > Samplitude SE v9.1.1 (de-emphasis, fades) > r8brain v1.9 (48 to 44.1 kHz) > CD Wave v1.97 > FLAC v1.2.1 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel (NOTE: this is a fixed version of this seed: /shn/32526) | Source Detail | Source Detail | |
Worcester | MA | The Centrum | AKG 460b/ck61 > AKG b18 > Denon dtr80p; DAT > CDR > EAC > CDWav > FLAC; Taped by Chad Clark | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | FOB Schoeps CMC5/mk4 > Sonosax SX-M2 > AD500e > D10; Tascam DA-20mkII > JB3 > SF7 (48>44.1kHz) > CDWav > FLAC; Transferred by Phil Lucks | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | FOB Schoeps mk4 (ORTF) > kc5 > CMC5 > Sonosax SX-M2 > Sony D10 Pro II @48kHz; Patch Source (see info file): Schoeps CMC6/mk41 (103deg/10in) > Oade Deluxe > Tascam DA-P1 @48kHz (OTS); R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (48>44.1kHz) > SHN; Patch Transfer: Sony PCM-2600 > Audioquest Coaxial > Turtle Beach Fiji > Soundforge 4.5 > mkwACT 0.97 > Soundforge 5.0 (48>44.1kHz) > CDWav > mkwACT v0.97 > SHNv3; Taped by Eliot Byron and Craig Hillwig; Patch transferred by Craig Hillwig; Transferred by Jim Raras; Dankseed | Source Detail | Source Detail | |
Paris | France | Le Zénith | FOB Schoeps mk4v (ORTF, 8' stand, 50' back, center) > KCY actives > Sonosax SX-M2 > Tascam DA-P1 @48kHz; Sony PCM-2600 > Dio MAudio 2448 > Cool Edit Pro 2 (48>44.1kHz) > CDWav > mkwACT > SHN; Transferred by Bill Gardner | Source Detail | Source Detail | |
Nice | France | Theater de Verdure | AUD; CDR > EAC > shntool > CDWav > mkwACT > SHN; SHN Conversion by Volker Skrzeba | Source Detail | Source Detail | |
Arles | France | Les Arenes | AKG 414 > DA-P1; Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3 | Source Detail | Source Detail | |
Morrison | CO | Red Rocks Amphitheatre | FOB Sonic Studios DSM6/Pa6lc3s (w/60khz bass rolloff) > D7 @48kHz; Fostex D5 > VX Pocket 440 > Toshiba 3480ct > Wavelab 4.0 (48>44.1kHz) CDWav > FLAC; Transferred by Greg Lance | Source Detail | Source Detail | |
Morrison | CO | Red Rocks Amphitheatre | FOB Sonic Studios DSM6/Pa6lc3s (w/60khz bass rolloff) > D7 @48kHz; Fostex D5 > VX Pocket 440 > Toshiba 3480ct > Wavelab 4.0 (48>44.1kHz) CDWav > FLAC; Transferred by Greg Lance | Source Detail | Source Detail | |
Morrison | CO | Red Rocks Amphitheatre | FOB Sonic Studios DSM6/Pa6lc3s (w/60khz bass rolloff) > D7 @48kHz; Fostex D5 > VX Pocket 440 > Toshiba 3480ct > Wavelab 4.0 (48>44.1kHz) CDWav > FLAC; Transferred by Greg Lance | Source Detail | Source Detail | |
Morrison | CO | Red Rocks Amphitheatre | FOB Sonic Studios DSM6/Pa6lc3s (w/60khz bass rolloff) > D7 @48kHz; Fostex D5 > VX Pocket 440 > Toshiba 3480ct > Wavelab 4.0 (48>44.1kHz) CDWav > FLAC; Transferred by Greg Lance | Source Detail | Source Detail | |
Noblesville | IN | Deer Creek Music Center | Schoeps CMC6/mk4 (ORTF) > Sonosax > D10 Pro II > DA-P1 (OTS); Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3 | Source Detail | Source Detail | |
Hershey | PA | Hershey Park Stadium | Schoeps CMC6/mk4 > Sonosax > D10 Pro II > DA-P1; Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3 | Source Detail | Source Detail | |
Plattsburgh | NY | Plattsburgh Air Force Base | (FOB) Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Sony TCD-D10 pro II (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > Samplitude SE v9.1.1 (fades, patch, volume adjustments, resample to 44.1 kHz, track splits) > FLAC v1.2.1 (Level 8); Taped by Eliot Byron; Transferred by Jason Sobel | Source Detail | Source Detail | |
Plattsburgh | NY | Plattsburgh Air Force Base | SBD + AUD Matrix Mix (65%-SBD/35%-AUD) - (NOTE: both 16 bit / 44.1 kHz & 24 bit / 48 kHz versions are available) | Source Detail | Source Detail | |
Plattsburgh | NY | Plattsburgh Air Force Base | DTS 5.1 Audio CD (DSBD + AKG 460B/ck61 mix) | Source Detail | Source Detail | |
Plattsburgh | NY | Plattsburgh Air Force Base | AKG C568 EB > Aerco preamp; SONY PCM-500 > Tascam CDRW700 > CDR (master) > EAC > FLAC | Source Detail | Source Detail | |
Plattsburgh | NY | Plattsburgh Air Force Base | FOB AKG 460B/ck61 > Sonosax SX-M2 > Tascam DA-P1 @48kHz; Sony PCM-R500 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Tapeded by Dave Flaschner; Transferred by Jason Sobel | Source Detail | Source Detail | |
Plattsburgh | NY | Plattsburgh Air Force Base | FOB AKG 460B/ck61 > Sonosax SX-M2 > Tascam DA-P1 @48kHz; Sony PCM-R500 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | FOB Schoeps mk41 > Reutelhuber > Tascam DA-P1; Tascam DA-30mkII > Edirol R-4 > WL5 > CDWav > FLAC; Taped By Carrion Crow & Teddy; Transferred by Keith Litzenberger; Note: 48 kHz seed | Source Detail | Source Detail | |
Atlanta | GA | The Omni | Schoeps CMC6/mk41 > Sonosax SX-M2 > DAP1 > DAP1 @48kHz; Sony PCM-R500 > Klay Custom Coax (Canare) > RME Digi96/8 PST > Sound Forge 5.0 (48>44.1kHz) > CDWav > mkwACT > SHNv3 [Dankseeds] | Source Detail | Source Detail | |
West Palm Beach | FL | Coral Sky Amphitheater | DTS-Audio-CD 5.1 Mix (see info file for details) | Source Detail | Source Detail | |
West Palm Beach | FL | Coral Sky Amphitheater | SBD + AUD Matrix Mix (60%-SBD/40%-AUD) | Source Detail | Source Detail | |
Daly City | CA | Cow Palace | DFOB (Neumann KM140 > DA-P1 @ 44.1) > clone 1 > clone 2 (PCM-R500) > SPDIF to Egosys U2A > Soundforge 4.0 > CDWAV > SHN via MKW 0.97b, w/seek tables appended [Dankseeds] | Source Detail | Source Detail | |
Los Angeles | CA | Pauley Pavilion | FOB Neumann km140 > DA-P1; DAT > Seagate Archive Python 01931 > dat2wav 1.2 > Sound Forge 4.5 (48>44.1kHz) > CDWav > shnXP; Transferred by Paul Hofferkamp | Source Detail | Source Detail | |
San Diego | CA | Sports Arena | FOB Neumann km140 > DA-P1 (right side around 3rd to 5th row); Fostex D5 > optical cable > Hosa ODL-276 > S/PDIF coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Transferred by Jason Sobel | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | Schoeps CMC641> Sonsosax> SBM-1> DA-P1> ZA2> Teac 55S CD-R (1st row taper section) | Source Detail | Source Detail | |
Boston | MA | FleetCenter | FM > DAT > ZA-2 > CDR; Recorded by J. Sriberg; Transferred by Matt; Retracking and compression by M. Zupanek; see pub comments for flaw notes | Source Detail | Source Detail | |
Boston | MA | FleetCenter | Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Tascam DA-P1 (@48kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel | Source Detail | Source Detail | |
London | England | Shepherd's Bush Empire | Schoeps CMC6/mk4; Transferred by Stewart McCloskey and Uploaded by Mike Fischer | Source Detail | Source Detail | |
Brussels | Belgium | Le Botanique | Neumann km140 > Oade Preamp > D8; Recorded by Justin Adams; Seeded by Dan Panice to PCP offer | Source Detail | Source Detail | |
Amsterdam | Netherlands | Paradiso | Schoeps mk41 > Schoeps VMS02IB > Sony SBM-1 > Casio DAR-100 @44.1kHz; Sony TCD-D10PROII > Edirol R-4 > WL5 > CDWav > FLAC; Taped and transferred by Keith Litzenberger | Source Detail | Source Detail | |
Paris | France | Olympia Theater | (FOB) Schoeps mk4 > DAT (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > Samplitude SE v9.1.1 (fades, 48 to 44.1 kHz) > FLAC v1.2.1 (Level 8); Transferred by Jason Sobel (NOTE: both 44.1 kHz and 48 kHz versions available) | Source Detail | Source Detail | |
Milan | Italy | Teatro Smeraldo | SBD + AUD Matrix | Source Detail | Source Detail | |
Milan | Italy | Teatro Smeraldo | SBD + AUD DTS-Audio-CD 5.1 Mix | Source Detail | Source Detail | |
Rome | Italy | Teatro Olympico | Schoeps CMC6/mk4 > Oade > SBM-1 > DA-P1 | Source Detail | Source Detail | |
Rome | Italy | Teatro Olympico | Schoeps CMC6/mk4 > Oade > SBM1 > DAP1; DAT > HHb CDR 830 > CDR> EAC > FLAC | Source Detail | Source Detail | |
Stuttgart | Germany | Longhorn | Schoeps CMC6/mk4 > oade > sbm-1; Transfer by Stewart McCloskey and uploaded by Mike Fischer | Source Detail | Source Detail | |
Stuttgart | Germany | Longhorn | Neumann KM140 (ortf) > Beyer MV-100 > SBM-1 > D7@44.1; Fostex D5 > Monster Optical > Sek'd Prodif Plus > Samplitude v5.5 > CDWav > mkwACT v0.97 > SHNv3; Mastered by Andrew "Burris" Loewenstern; Transferred and uploaded by Jim Raras | Source Detail | Source Detail | |
Hamburg | Germany | Markthalle | Schoeps mk4 > Schoeps KCY > Schoeps VMSO2IB > Sony SBM1 @44.1kHz > Sony TCD-D8; Tascam DA-30MKII > Sound Devices 702 > Soundforge 9 > CDWav > FLAC; Taped and transferred by Keith Litzenberger | Source Detail | Source Detail | |
Copenhagen | Denmark | Forum Theater | Schoeps CMC6/mk4 > Oade > SBM; Tascam DA-302 > Turtle Beach Fiji (S/PDIF) > Sound forge 4.0 > CDR(master copy )> EAC > SHN; Transfer by Matt Vallo | Source Detail | Source Detail | |
Burlington | VT | Flynn Theatre | Ben & Jerry's/ Lake Champlain benefit; FM broadcast (WIZN) -> DAT> CD; SHN Encoding: C. Epstein; via M. Gent; known flaws: d1t10: level drop, partial left channel loss, 3:55 to 4:20, d2t2 skip at 3:10, d3t3 skip at 1:35, d3t4 level drop from 0:02 to 0:04; Note: new md5's from reseed contain seek tables? | Source Detail | Source Detail | |
Burlington | VT | Flynn Theatre | (FOB) Schoeps mk4+mk8 > Schoeps PS > SBM1 > D8; ARCHIVE Python > vDAT > WaveLab4 > CDWave > Flac/CDR | Source Detail | Source Detail | |
Dublin | Ireland | The S.F.X. Centre | AKG 414 (cardoid) > Oade > D8; DA-20mkII > Turtle Beach s/pdif > Soundforge > CDWav > SHN | Source Detail | Source Detail | |
Dublin | Ireland | The S.F.X. Centre | AKG 414 TL2 > Oade > SBM-1; Tascam DA-302 > Turtle Beach Fiji(S/PDIF) > Sound forge4.0 > CDcue > CD > EAC > SHN; Transfer/SHN: Matt Vallo | Source Detail | Source Detail | |
Vienna | Austria | Arena | Schoeps CMC6/mk4 > DAT @48kHz; Aiwa XD-001 DAT > Z-Cyber Nightingale Pro 6 S/PDIF > Cool Edit Pro @44.1kHz > CDWav > mkwACT > SHN; Transferred by Friedemann Rothfuchs | Source Detail | Source Detail | |
Amsterdam | Netherlands | Paradiso | Neumann TLM170 > Sonosax; Transfer by Stewart McCloskey and upload by Mike Fischer | Source Detail | Source Detail | |
Amsterdam | Netherlands | Paradiso | Neumann TLM-170> SX-M2> HHb; transfer/shn : M. Vallo: Tascam DA-302> Turtle Beach Fiji (S/PDIF)> Sound forge 4.0> CDwav> shn; etreed via B. Bumgarner | Source Detail | Source Detail | |
Brescia | Italy | Spiaggia Di Rivoltella | Includes soundcheck; AKG C1000's; DAT > TASCAM CD-RW 5000; EAC and tracking by Jure Babnik | Source Detail | Source Detail | |
Marseille | France | Espace Julien | Neumann TLM-170i > Sonosax SX-M2 > HHB Portadat > DAT > DAT > ZA2 > SF 4.0 > CDWav > SHN v3; DAT>CD by Jamie Lutch | Source Detail | Source Detail | |
Escalarre | Spain | Doctor Music Festival | FOB Schoeps; DAT > HHb CDR830 > CDR > EAC > FLAC | Source Detail | Source Detail | |
Raleigh | NC | Walnut Creek Amphitheatre | Neumann km84i > Aerco; Tascam DA20mkII > ZA2 > SF4.5 > CDWav > SHN; Transferred by Jimmy Sellers; NOTE: this is the same source as previously circulated but without the DAE lineage step | Source Detail | Source Detail | |
Phoenix | AZ | Desert Sky Pavilion | Schoeps CMC6/mk41 > Oade > SBM-1 > D8; D8 > Coresound > Prodif Plus > Samplitude > CDWav > SHN; Transfer by Mike Fischer | Source Detail | Source Detail | |
Ventura | CA | Ventura County Fairgrounds | FOB Schoeps CMC6/mk4 > Oade M248 > SBM-1 > DAT > Turtle Beach Fiji SPDIF > Samplitude (48>44.1kHz) > CDWav > SHN | Source Detail | Source Detail | |
Ventura | CA | Ventura County Fairgrounds | FOB Neumann km140 > Oade > SBM-1 > DA-P1 @48kHz | Source Detail | Source Detail | |
Mountain View | CA | Shoreline Amphitheatre | FOB Schoeps mk5 > Oade Custom Pre-Amp > Sony SBM-1 @44.1kHz; Tascam DA-20mkII > Turtle Beach Montego Home Studio > Soundforge 4.5 > SHN; Transferred by Dan Marquardt | Source Detail | Source Detail | |
Mountain View | CA | Shoreline Amphitheatre | FOB Schoeps mk41 > vms02ib > Sony D100 @44.1kHz; Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b > CDWav > FLAC; Transferred by Jason Sobel | Source Detail | Source Detail | |
George | WA | The Gorge Amphitheatre | FOB Schoeps CCM4 > Sonosax > SV-MD1; Tascam DA-20 > ZA2 > CoolEditPro (48>44.1kHz) > SHN | Source Detail | Source Detail | |
George | WA | The Gorge Amphitheatre | FOB Neumann km140 > Sonosax SX-M2 > Tascam DA-P1 @48kHz; Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Taped by Jim Cowan; Transferred by Jason Sobel | Source Detail | Source Detail | |
George | WA | The Gorge Amphitheatre | FOB Schoeps mk5; Tascam DA20 > ZA2 (48kHz) > CoolEditPro (48>44.1kHz ) > SHN | Source Detail | Source Detail | |
George | WA | The Gorge Amphitheatre | (FOB) Neumann km140 > Sonosax SX-M2 > Tascam DA-P1 (@ 48 kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, resample to 44.1 kHz, patch) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Jim Cowan; Transferred by Jason Sobel | Source Detail | Source Detail | |
Maryland Heights | MO | Riverport Amphitheatre | Schoeps CMCXY/mk4V > EAA > D100; DA-20 > Delta Dio 2496 > Soundforge 4.5 (48>44.1kHz) > CDWav > SHN; Transferred by Brandon Johnston | Source Detail | Source Detail | |
Tinley Park | IL | World Music Theater | Sennheiser 441's; D8 > Coresound > Prodif Plus > Cooledit Pro > CDWav > SHN; Transfer and Encoding by Mike Fischer | Source Detail | Source Detail | |
East Troy | WI | Alpine Valley Music Theatre | FOB Neumann km140 > Sonosax SX-M2 > Tascam DA-P1 @44.1kHz; Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b > CDWav > FLAC; Taped by Jim Cowan; Transferred by Jason Sobel | Source Detail | Source Detail | |
East Troy | WI | Alpine Valley Music Theatre | Schoeps CMC6/mk4 > Lunatec 316 > Apogee AD-1000 > HHb PortaDat (Audio Magic Aprentice Cables); Recorded by Marc Nutter; Transfer by Timeflack; 11/16/03 SHN>FLAC by Matt Edlhuber | Source Detail | Source Detail | |
Noblesville | IN | Deer Creek Music Center | flac16, 44kHz; (FOB) B&K 4021's > Beyer MV-100 > Sony TCD-D100 > DAT(x); DAT(x) > Fostex D-5 > VX Pocket 440 > Sound Studio > FLAC; Source by unknown; Transfer by unknown | Source Detail | Source Detail | |
Burgettstown | PA | Star Lake Amphitheatre | Schoeps MK4's > Schoeps KCY 250/05I Active Cable > Schoeps VMS02IB > Sony SBM-1 > HHB PDR1000 (@44.1khz); Tascam DA-30MKII > Sound Devices 702 > Soundforge 9 (Fades) > CD Wave > FLAC; Taped & Transferred by Keith Litzenberger | Source Detail | Source Detail | |
Burgettstown | PA | Star Lake Amphitheatre | AKG 480/ck61 > Lunatec V2 > Apogee > DA-P1; DAT>CD Conversion by Dave Pecoraro | Source Detail | Source Detail | |
Darien | NY | Darien Lake Performing Arts Center | FOB AKG 460's (in hat) > Active Cables > SBM-1; D8 > Coresound > Prodif Plus > Samplitude > CDWav > SHN; Transfer and Encoding by Mike Fischer | Source Detail | Source Detail | |
Darien | NY | Darien Lake Performing Arts Center | B+K 4021 (mod. hypers) > Beyer MV-100 > SBM-1 > D8 (OTS); Sony D8 > Delta Dio 24/96 > Soundforge 6.0 > CDWav > FLAC; Transferred by Kevin Kaye | Source Detail | Source Detail | |
Limestone | ME | Loring Air Force Base (Disco Set) | Disco Set (two sources); Sonic Studio DSM-6 > D7; Nakamichi CM-300/CP1 > Teac DA-P20; Sonic Studio source by Jon Weber; Nak source by Adam Shiffman and Justin Brooks | Source Detail | Source Detail | |
Las Vegas | NV | Thomas & Mack Center | Microtech Gefell 210 > DA-P1; PCM-M1 > Prodif Plus > Soundforge > SHN; Transferred by J. Lober; PCP Fall '97 Project source; Note: SBEs and tracking fixed 4/12/04 | Source Detail | Source Detail | |
West Valley | UT | E Center | Schoeps MK4 > VMS I02B > SBM- > CDR > EAC > shn; PCP source (Fall '97 Project); seeded by M. Masse; etreed 11/23; (note filler 11/17/97, likely source Neumann KM184 > apogee > dap1, DAT>CDR -- Tascam DA/20 mkII > ZA2 > Sound Forge XP > CDRWIN > HP6020i) | Source Detail | Source Detail | |
Denver | CO | McNichols Sports Arena | Schoeps CMC65 > Reuthelhuber > SBM-1 > Otari DTR-8S > AES/EBU XLR digital cable > Zefiro ZA2 > Red Roaster software > CD > EAC > SHN; via J. Cocci, P. Marshall; OE and PCP source (via Fall '97 Project); SOAMule tracking slightly off; etreed 11/23; A. Gustin notes mic source details given do not make logical sense | Source Detail | Source Detail | |
Denver | CO | McNichols Sports Arena | Set 1: Microtech Gefall 210 > Lunatec > AD-1000 > Hhb > ZA2 > Soundforge4.0 > CDWav > SHN; SET II: Schoeps CMC6/mk4 > Lunatec > AD-1000 > Hhb > ZA2 > Soundforge4.0 > CDWav > SHN; OE-circulated source; Transferred by Mike Ayers; part of PCP Fall '97 Project; Note SHNs are dated 10/13/99 | Source Detail | Source Detail | |
Champaign | IL | Assembly Hall, University Of Illinois | Neumann U87 (cardioid)-> Sonosax SX-M2-> DA-P1 @48kHz; DA-P1-> Audio Magic Presto II-> ZA2-> Soundforge 4.5 (48->44.1)-> CDWav-> .shn; transfer/shn by Eric McRoberts; via Chad Plemons | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | Microtec Geffel m210 (ORTF) > Oade m248 > SBM-1 > DA-P1 (OTS, DFC); Sony R500 > Edirol UA-1D > USB > Soundforge 6.0 > CDWav > mkwACT > SHN; Taped and transferred by Jason Wilhelm | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | Schoeps CMC6/mk41 > Sonosax SX-M2 > Sony SBM-1 @44.1kHz (OTS); Sony PCM-2600 > Turtlebeach Fiji > Soundforge 4.5 > mkwACT > SHN; Taped and transferred by Craig Hillwig [Dankseeds] | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | (FOB) Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Sony D3 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades, patch) > r8brain v1.9 (48 to 44.1 kHz) > CD Wave v1.96.1 > FLAC v1.2.1 (Level 8); Taped by Dan, Boris, and Brian; Transferred by Jason Sobel | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | Schoeps CMC641 > Sonosax SX-M2 > Sony SBM-1 @44.1kHz Front row/center OTS, by Craig Hillwig [Dankseeds] | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | Microtec Geffel m210 (ORTF) > Oade m248 > SBM-1 > DA-P1 (OTS, DFC); Sony R500 > Edirol UA-1D > USB > Soundforge 6.0 > CDWav > mkwACT > SHN; Taped and transferred by Jason Wilhelm | Source Detail | Source Detail | |
Winston-Salem | NC | Lawrence Joel Veterans Memorial Coliseum | Schoeps CMC6/mk4 > Sonosax > SV-M1 > ZA2 > Soundforge > CDWav > Teac 55-S > CDR > SHN; Transferred by Mike Ayers; SHN Conversion by Patrick Marshall | Source Detail | Source Detail | |
Hartford | CT | Hartford Civic Center | Schoeps CMC6/mk41 > Sonosax SV-MD1 > D8; Tascam DA-P1 > M-Audio 24/96 > Wavelab (48>44.1kHz) > FLAC | Source Detail | Source Detail | |
Worcester | MA | Worcester Centrum | shnf, 44kHz; Schoeps CMC6/mk41 > Sonosax SX-M2 > Technics SV-MD1 > Sony TCD-D8; Casio DA-R100 > M-Audio 24/96 > Wavelab > CDWave > SHN; Transfer by Shakedown | Source Detail | Source Detail | |
Worcester | MA | Worcester Centrum | Schoeps CMC6/mk41 > PSP-2 > SBM-1 @48kHz > DAP-1; Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3 | Source Detail | Source Detail | |
Worcester | MA | Worcester Centrum | flac16, 44kHz; (FOB) Neumann km184 > Beyer MV-100 > Tascam DA-P1 > Teac DAP-20; Sony PCM-R500 > M-Audio MicroTrack > WaveLab > CDWave > FLAC; Source by Felix Delguisemo (sic); Transfer by Jason Sobel | Source Detail | Source Detail | |
Worcester | MA | Worcester Centrum | Schoeps CMC6/mk41 > Sonosax > SBM-1 > DA-P1; Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHN | Source Detail | Source Detail | |
Worcester | MA | Worcester Centrum | (FOB) Neumann km184 > Beyer MV-100 > Tascam DA-P1 > Teac DA-P20 (@48kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); Taped by Felix Delguisemo; Transferred by Jason Sobel | Source Detail | Source Detail | |
Philadelphia | PA | The Spectrum | 2x Senheiser 441's + 1x Nakamichi 700 (Cardioid Capsule) > Nakamichi MX-100 (mixer) > Strasser DAT Prototype > CD > EAC > WAV > FLAC | Source Detail | Source Detail | |
Auburn Hills | MI | The Palace | Microtech Geffel 210 > OADE M248 > SBM -1 > DA-P1; Panasonic SV-3700 > HHB CDR-800 > CD > HD(via EAC) > Pro Tools 5.0 > WAV > SHN; Transfer by Alsosprach & Mattstick; Note: SBE fixes (and new md5 file) uploaded 10/29/03 | Source Detail | Source Detail | |
Dayton | OH | Ervin J. Nutter Center | SBD + (Neumann U87 > Sonosax SX-M2 > DAP1) Matrix; DAUD Transfer: Sony R300 > optical SPDIF > Zoltrix Nightingale @48kHz >CDWav > Soundforge 4.5 (48>44.1kHz) > CDWav > mkwACT > SHN; DSBD Transfer: DAT > CDR > EAC > SHN > Wav > shntool > Soundforge 6.0 > SHN; Matrix mixing: SHN > WAV > shntool > Soundforge 6.0 (DAUD volume reduction) > Sampiltude 6.0 (Set 1 time shrank by 70ms) > CDWav > SHN | Source Detail | Source Detail | |
State College | PA | Bryce Jordan Center | Schoeps CMC6/mk41 > Apogee > DA-P1; Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (48>44.1kHz) > CDWav > SHNv3 | Source Detail | Source Detail | |
Rochester | NY | War Memorial | SBD + AUD Mix | Source Detail | Source Detail | |
Rochester | NY | War Memorial | DTS-Audio-CD 5.1 Mix | Source Detail | Source Detail | |
Rochester | NY | War Memorial | DTS-Audio-CD 5.1 Mix; Note: this source does not contain any analog generations in the SBD source in contrast to the existing mix. | Source Detail | Source Detail | |
Albany | NY | Pepsi Arena | Neumann u87 > Sonosax SX-M2 > Tascam DA-P1; Tascam DA20MKII > Hosa ODL > JB3 > wav > SF7 > CDWave > wav > FLAC; Transferred by Phil Lucks | Source Detail | Source Detail | |
Albany | NY | Pepsi Arena | Schoeps cmc641> Sonosax SX-M2> SV-MD-1@48; DA-P1>Audio Magic Presto II> Soundforge XP 4.5(48>44.1)> CDWav> .shn; Transfer and encoding by Eric McRoberts; filler from 12-30-97; via E. McRoberts, C. Plemons, PCP Fall '97 Project | Source Detail | Source Detail | |
Albany | NY | Pepsi Arena | Neumann U89 (hypercard) > Sonosax > SBM1 > DA-P1 @44.1K (Taped by Dan Estrin) Transfer: Tascam DA-302 > Digipro 001 > Protools LE > CD Wave > MKW ACT > SHN (Transfered by LiverLobes@hotmail.com (John P. Tambroni) and The Mad Hermit) | Source Detail | Source Detail | |
Landover | MD | Capital Centre | AKG 460/ck61 > Oade > SBM-1; Tascam DA-302 > Digipro 002 > Protools LE > CDWav > mkwACT > SHN; Transferred by John Tambroni | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | FOB Schoeps CMC6/mk41 > Sonosax SX-M2 > SV-MD1 | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | (FOB) Schoeps mk4 > Sonosax SX-M2 > Teac DA-P20 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, 48 to 44.1 kHz) > CD Wave v1.96.1 > FLAC v1.2.1 (Level 8); Taped by Bpris/Brian; Transferred by Jason Sobel | Source Detail | Source Detail | |
Uniondale | NY | Nassau Veterans Memorial Coliseum | Schoeps CMC641 > Sonosax SX-M2 > Tascam DA-P1 @44.1kHz (front row/center, OTS); Sony PCM-2600 > Audioquest coax > Turtlebeach Fiji > Soundforge 4.5 > mkwAct 0.97b > SHNv3; Taped and transferred by Craig Hillwig [Dankseeds] | Source Detail | Source Detail | |
Uniondale | NY | Nassau Veterans Memorial Coliseum | FOB AKG 391 > Beyer Dynamic MV-100 > Sony D100 @48kHz; Tascam DA-20mkII > Tascam HD-P2 > WaveLab 5.01b > r8brain v1.9 (48>44.1kHz) > CDWav > FLAC; Taped by Tony Amenta; Transferred by Jason Sobel | Source Detail | Source Detail | |
Uniondale | NY | Nassau Veterans Memorial Coliseum | AKG 461s > D8 > standalone > CD > WAV > SHN; Note: This show was retracked for 2 80 minute discs | Source Detail | Source Detail | |
Uniondale | NY | Nassau Veterans Memorial Coliseum | FOB Neumann km140 > Beyer MV1000 > SBM-1; D7 > S/PDIF > Echo Mia > Soundforge 4.5 > CDWav > FLAC; FLAC conversion by Paul Hofferkamp | Source Detail | Source Detail | |
Providence | RI | Providence Civic Center | Schoeps CMC6/mk41 > VMS02IB > SBM-1 > DAT @44.1kHz (OTS); R500 > S/PDIF > VX Pocket > Soundforge 5.0 > CDWav > mkwACT > SHNv3; Taped by Derek Gregory; Transferred by Jamie Lutch; Dankseed | Source Detail | Source Detail | |
Providence | RI | Providence Civic Center | (FOB) Schoeps mk4 > Sonosax SX-M2 > Sony SBM-1 > Sony TCD-D8 (@ 44.1 kHz); Tascam DA-20MKII > Tascam HD-P2 > Samplitude SE v9.1.1 (fades, track splits) > FLAC v1.2.1 (Level 8); Taped by Dan Haugh and Boris; Transferred by Jason Sobel | Source Detail | Source Detail | |
Providence | RI | Providence Civic Center | Schoeps CMC6/mk41 > Sonosax SX-M2 > Tascam DA-P1 @44.1kHz (Front row,center, OTS); Sony PCM-2600 > Audioquest coax > Turtlebeach Fiji > Soundforge 4.5 > mkwACT 0.97b > SHNv3; Taped and transferred by Craig Hillwig; Note: 'beta' md5's are provided as this 'Danked' seed was not officially certified prior to the collapse of Dankseeds | Source Detail | Source Detail | |
Woodstock | NY | Bearsville Studios | SBD > DAT > CDR > EAC > FLAC | Source Detail | Source Detail | |
Copenhagen | Denmark | The Grey Hall | Schoeps mk4 > kcy > vms02ib > Tascam DA-P1 (@ 44.1 kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Derek Gregory; Transferred by Jason Sobel | Source Detail | Source Detail | |
Copenhagen | Denmark | The Grey Hall | FOB Schoeps mk4 (mics in a hat) > kcy > VMS IO2b > DA-P1@44.1kHz; DAT > RME 96/8 > Soundforge 5.0 > CDWav > mkwACT > SHN; Transferred by Tim Rossi | Source Detail | Source Detail | |
Dyrskuep, Ringe, Fyn | Denmark | Midtfyns Festival | FOB Schoeps mk4 > Rbox > Aiwa HDS200 @48kHz); Tascam DA-30mkI > Edirol R-4 > WaveLab 5 > CDWav> FLAC ; Transferred by Keith Litzenberger Note: 48 kHz seed | Source Detail | Source Detail | |
Dyrskuep, Ringe, Fyn | Denmark | Midtfyns Festival | (FOB) Schoeps mk4 > kcy > vms02ib > Tascam DA-P1; Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, resample to 44.1 kHz, patch) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Derek Gregory; Transferred by Jason Sobel | Source Detail | Source Detail | |
Prague | Czech Republic | Lucerna Theatre | FOB Schoeps mk4 (mics in a hat) > KCY > VMS IO2b > DA-P1@44.1kHz; DAT > RME 96/8 > Soundforge 5.0 > CDWav > mkwACT > SHN; Transferred by Tim Rossi | Source Detail | Source Detail | |
Prague | Czech Republic | Lucerna Theatre | Set 2 only; SBD; CDR > EAC > FLAC | Source Detail | Source Detail | |
Prague | Czech Republic | Lucerna Theatre | FOB Schoeps mk4 (mics in a hat) > VMS IO2b > DA-P1@44.1kHz; DAT(x1) > RME 96/8 > Soundforge 5.0 > CDWav > mkwACT > SHN Transfered by Tim Rossi; Tapes supplied by Derek G.; Dankseed | Source Detail | Source Detail | |
Barcelona | Spain | Zeleste Discotheque | FOB Schoeps mk4 (mics in hat) > KCY > VMS IO2b > DA-P1@44.1kHz; DAT(x1) > RME 96/8 > Soundforge 5.0 > CDWav > mkwACT > SHN; Transferred by Tim Ross; Dankseed | Source Detail | Source Detail | |
Barcelona | Spain | Zeleste Discotheque | flac16, 44kHz; [Soundcheck and Partial Set I only]; SBD > DAT; DAT > "Stand Alone Buner" > CDR(m) > EAC > FLAC; Transfer by mr. cheese | Source Detail | Source Detail | |
Barcelona | Spain | Zeleste Discotheque | FOB Schoeps mk4 (mics in a hat) > KCY > VMS IO2b > DA-P1@44.1kHz; DAT > RME 96/8 > Soundforge 5.0 > CDWav > mkwACT > SHN; Transferred by Tim Rossi; Dankseed | Source Detail | Source Detail | |
Barcelona | Spain | Zeleste Discotheque | FOB Schoeps mk4 (mics in a hat) > KCY > VMS IO2b > DA-P1@44.1kHz; DAT > RME 96/8 > Soundforge 5.0 > CDWav > mkwACT > SHN; Transferred by Tim Rossi; Dankseed | Source Detail | Source Detail | |
Barcelona | Spain | Zeleste Discotheque | (FOB) Schoeps mk4 > kcy > vms02ib > Tascam DA-P1 (@ 44.1 kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Derek Gregory; Transferred by Jason Sobel | Source Detail | Source Detail | |
Portland | OR | Portland Meadows | Set I: Schoeps CMC6/mk4 > Lunatec V2 > DA-P1; Set II: Neumann KMi84 > Sonosax > SBM-1; D7 > Coresound > Prodif Plus > Sampiltude 5.5 > CDWav > mkwACT > SHN; Transferred by Mike Fischer | Source Detail | Source Detail | |
George | WA | The Gorge Ampitheatre | B+K 4021 > Lunatec V2 > Apogee AD1000 @48kHz > DAT > SPDIF > VX Pocket V2 > Soundforge 5.0 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Recording by Marc Nutter; Transfer by Jamie Lutch; Dankseed | Source Detail | Source Detail | |
George | WA | The Gorge Ampitheatre | Schoeps mk4 > VMS02IB > DA-P1 (OTS); D8 > Audiophile 2496 > CDWav > Cool Edit Pro (48>44.1kHz) > CDWav > FLAC | Source Detail | Source Detail | |
Mountain View | CA | Shoreline Amphitheatre | FOB Neumann km140 > E.A.A. > Sony SBM-1 > Sony D-100; Tascam DA-20mkII > Monster Coax > M-Audio Audiophile 24/96 > Soundforge 5.0b (48>44.1kHz) > CDWav > mkwACT v0.97 > SHNv3; Transferred by Dan Marquardt | Source Detail | Source Detail | |
Ventura | CA | Ventura County Fairgrounds | Schoeps mk4 > VMS021b> SBM-1 > DA-P1; Fostex D5 @44.1kHz > VX Pocket 440 > Toshiba Portege 3480ct > SF 6.0 > CDWav > FLAC; Transferred by Greg Lance | Source Detail | Source Detail | |
Austin | TX | South Park Meadows | Schoeps CMC6/mk4 > SX-M2 > (Set 1: SBM-1; Set 2: Apogee HD500) > DA-P1; Tascam DA-20mkII > Delta Dio 2496 > Soundforge 4.5 > CDWav > SHN; Transferred by Brandon Johnston | Source Detail | Source Detail | |
Dallas | TX | Coca-Cola Starplex Amphitheatre | Schoeps CMC6/mk41 > Lunatec V2 > DA-P1; DA-20 > Delta Dio 2496 > Soundforge 4.5 (48>44.1kHz) > CDWav > SHN | Source Detail | Source Detail | |
Bonner Springs | KS | Sandstone Amphitheatre | B+K 4011 > Lunatec V2 > Apogee AD-1000 @48kHz; R500 > Audio Magic Presto II > ZA2 > Soundforge 4.5(48>44.1kHz) > CDWav > SHN; Recorded by Marc Nutter; Patched by Joe Morrison; Transferred by Eric McRoberts | Source Detail | Source Detail | |
Maryland Heights | MO | Riverport Amphitheatre | B+K 4011 > Lunatec V2 > Apogee AD-1000 @48kHz; Sony 59ES > Audio Magic Presto II > ZA2 > Soundforge 4.5 (48>44.1kHz) > CDWav >SHN; Taped by Marc Nutter; Patched by Joe Morrison; Transferred by Eric McRoberts | Source Detail | Source Detail | |
East Troy | WI | Alpine Valley Music Theatre | FOB Schoeps mk41 > kc5 > CMC6 > SX-M2 > AD1000 > DAP1 @48kHz (DFC, ORTF); Sony PCM-R500 > Audio Magic Presto II > Delta Di0 2496 > Soundforge 4.5 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Taped by Mikey; Note: This is an updated source of what previously circulated; Additional Note: "fixed" md5 (fixed SBE by show) by Matt Vernon on 12/29/03 | Source Detail | Source Detail | |
Noblesville | IN | Deer Creek Music Center | FOB Schoeps CMC5/mk21> Sonosax SX-M2 > Apogee AD-1000 | Source Detail | Source Detail | |
Atlanta | GA | Lakewood Amphitheater | AKG 3000 > SBM-1 > Sony D8 > UA5 > Goldwave (48>44.1kHz) > FLAC | Source Detail | Source Detail | |
Raleigh | NC | Walnut Creek Amphitheater | AKG 3000 > SBM-1 > D8 > Goldwave > WAV > FLAC | Source Detail | Source Detail | |
Columbia | MD | Merriweather Post Pavilion | shn16, 44kHz; SBD > ??? > DAT(x); DAT(x) > ??? > CDR(x) > EAC > SHN; Source by unknown; Transfer by unknown | Source Detail | Source Detail | |
Columbia | MD | Merriweather Post Pavilion | SBD + AUD Matrix Mix; (DSBD > DAT > HD > CD > EAC > SHN) + (Schoeps CMC64 > Lunatec V2); Mixed by Dan | Source Detail | Source Detail | |
Columbia | MD | Merriweather Post Pavilion | DTS-Audio-CD 5.1 Surround; (DSBD > DAT > HD > CD > EAC > SHN) + (Schoeps CMC64 > Lunatec V2); Mixed by Dan | Source Detail | Source Detail | |
Virginia Beach | VA | Virginia Beach Amphitheatre | Schoeps cmc6/mk41 > Sonosax SX-M2 > Apogee AD-1000 > Tascam DA-P1 (@48kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel | Source Detail | Source Detail | |
Virginia Beach | VA | Virginia Beach Amphitheatre | Schoeps CMC6/mk4 > EAA > SBM-1 > DAT; Fostex D5 > M-Audio DiO 2496 > CDWav > Adobe Audition > CDWave > FLAC; Transferred by Kevin Davis | Source Detail | Source Detail | |
Burgettstown | PA | Star Lake Amphitheatre | Schoeps CMC6/mk4 > Sonosax SX-M2 > DA-P1 | Source Detail | Source Detail | |
Vernon | NY | Vernon Downs | FOB Schoeps CMC6/mk41 > Sonosax SX-M2 > Tascam DA-P1 > CDR > EAC > SHN; Taped by Mike L., Ryan, Milton, Mikey K.; Seeded by Tim Rossi | Source Detail | Source Detail | |
Limestone | ME | Loring Air Force Base | FOB Schoeps CMC6/mk21 > Sonosax SX-M2 > Apogee AD-1000; Taped by EP; DAT supplied by Russell Sarquis; Transferred by Rob Garland | Source Detail | Source Detail | |
Limestone | ME | Loring Air Force Base | Schoeps mk21 > VMS021B > SBM-1 @44.1kHz > DAT > DAT > SPDIF > VX Pocket > Soundforge 5.0 > CDWav > mkwACT > SHNv3; Taped by Derek Gregory; Transferred by Jamie Lutch; Dankseed | Source Detail | Source Detail | |
Limestone | ME | Loring Air Force Base | FOB Schoeps CMC6/mk21 > Sonosax SX-M2 > Apogee AD-1000; Taped by EP; DAT supplied by Russell Sarquis; Transferred by Rob Garland | Source Detail | Source Detail | |
Tinley Park | IL | World Music Theatre | Farm Aid; CMT DSS Broadcast > TB Fiji > Soundforge | Source Detail | Source Detail | |
Tinley Park | IL | World Music Theatre | SBD/AUD Matrix: [Wavelab 5.01 > CD Wave 1.94.5 > Flac 16 (level 8)]; Mixed by Ross P | Source Detail | Source Detail | |
Mountain View | CA | Shoreline Amphitheatre | FOB Schoeps cmc6/mk41; Tascam DA-20mkII > M-Audiophile USB > WaveLab 5.01b (48>44.1kHz) > CD Wave > FLAC; Transferred by Peter Grow & Jason Sobel | Source Detail | Source Detail | |
Mountain View | CA | Shoreline Amphitheatre | FOB Schoeps CMC6/mk41; Tascam DA-20mkII > M-Audiophile USB > WaveLab 5.01b (48>44.1kHz) > CD Wave > FLAC; Transferred by Peter Grow & Jason Sobel | Source Detail | Source Detail | |
New York | NY | Ed Sullivan Theater | TV > ? > CDR > EAC > SHN; also see this listing for 11-3-98 filler | Source Detail | Source Detail | |
Los Angeles | CA | Greek Theater | Schoeps CMC6/mk4 > Sonosax SX-M2 > Apogee AD500e; Note: "fixed" md5 (SBE) by Matt Vernon ~1/15/04 | Source Detail | Source Detail | |
Los Angeles | CA | Greek Theater | (FOB) Neumann TLM170 (cardoids) -> Sonosax SX-M2 -> Tascam DAP1; Sony R500 -> Sound Devices 722 -> Soundforge Pro 10.0b (Volume normalization, 48khz to 44.1khz) -> CD Wave -> FLAC; Taped & Transferred by Scott Bernstein | Source Detail | Source Detail | |
Las Vegas | NV | Thomas & Mack Center | (FOB) Schoeps MK4V's > Schoeps KCY 250/05I > Schoeps VMS02IB > Sony SBM-1@44.1khz > HHB PDR1000; DAT MASTER > Sound Devices 702 > Soundforge 9 (Fades) > CD Wave > FLAC; Taped by Keith Litzenberger, Carrion Crow & Dan?; Transferred by Keith Litzenberger | Source Detail | Source Detail | |
West Valley City | UT | E Centre | Schoeps CMC6/mk41 > Lunatec V2 > DA-P1; Fostex D5 > Zoltrix > Sound Forge 6.0 (48>44.1kHz) > CDWav > FLAC; Transferred by Greg Lance | Source Detail | Source Detail | |
West Valley City | UT | E Centre | FOB Neumann km140 > Tascam DA-P1 @44.1kHz; Tascam DA-20mkII > Digi002 Rack > Pro Tools LE 6.4 > CDWav > FLAC; Transferred by Dave Schall | Source Detail | Source Detail | |
Denver | CO | McNichols Sports Arena | B+K 4011 > Lunatec V2 > Apogee AD1000; DA-20mkII > Delta Dio 2496 > Soundforge 6.0 (48>44.1kHz) > CDWav > shntool > SHN; Transferred by Brandon Johnston | Source Detail | Source Detail | |
Madison | WI | Kohl Center | Schoeps CMC6/mk41 > Lunatec V2 > Tascam DA-P1 @48kHz (OTS); Sony PCM-R300 > Sony PCM-M1 @48kHz > 7pin/Oade cable/coax > Digigram VXPocket > Soundforge 6.0 (48>44.1kHz) > CDWav > mkwACT > SHNv3; DATs provided by Charlie Gubman; Transferred by Chris Black; Dankseed | Source Detail | Source Detail | |
Chicago | IL | UIC Pavilion | B+K 4011 > V2 > AD1000 > M1; Fostex D5 > VX Pocket 440 > Toshiba 3480ct > Wavelab 4.0 (48>44.1kHz) > CDWav > FLAC; Taped and transferred by Greg Lance | Source Detail | Source Detail | |
Chicago | IL | UIC Pavilion | Schoeps CMC641 > Sonosax > InBox; "official" pcp and OE source; Note: md5's listed are updated (not original) seekable SHNv3 provided by Matt Vernon 12/23/03 | Source Detail | Source Detail | |
Chicago | IL | UIC Pavilion | Schoeps CMC641 > Sonosax > InBox; OE source; Note: md5's listed are updated (not original) seekable SHNv3 and fixed SBE provided by Matt Vernon 12/23/03 | Source Detail | Source Detail | |
Chicago | IL | UIC Pavilion | Schoeps CMC6/mk41 > Sonosax > InBox; SHN Conversion by Glenn Moses; Note: "all_updated" md5 listed is updated (not original) seekable SHNv3 and fixed SBE provided by Matt Vernon 01/06/04 | Source Detail | Source Detail | |
Grand Rapids | MI | Van Andel Arena | Nak 300 + cp4 caps > SBM-1 > D100 > CDR > EAC > SHN; same mic source as previously etreed but without the cut | Source Detail | Source Detail | |
Grand Rapids | MI | Van Andel Arena | Neumann skm184 > Mackie 1202vlz > Sony D8 @48kHz; Tascam DA-30 mkII > SPDIF > Digidesign Digi002 Rack > Pro Tools LE 6.4 (48>44.1kHz) > CDWav > FLAC; Taped and transferred by Dave Schall | Source Detail | Source Detail | |
Cleveland | OH | CSU Convocation Center | Schoeps CMC6/mk41 > Sonosax > DA-P1; Clicks at track boundaries removed with Wave Studio and retracked with CDWav; Editing by Jake Mercatoris | Source Detail | Source Detail | |
Cincinnati | OH | The Crown | Microtech Gefell m210 > Lunatec V2 > AD1000 > DAP-1 @48kHz; DA-P1 > SB Audigy Platinum > SoundForge XP 5.0 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Taped and Transferred by Brian Conner; Note: SBEs and tracking fixed 3/26/04 by Matt Vernon | Source Detail | Source Detail | |
Murfreesboro | TN | MTSU Murphy Center | Schoeps CMC6/mk41 > Sonosax > Apogee AD500 > DA-P1; DA-P1 > Prodif Plus > Samplitude > CDWav > SHN; Conversion by Levi Hunt | Source Detail | Source Detail | |
Greenville | SC | Bi-Lo Center | Schoeps CMC6/mk41 > Aerco > SBM-1 @44.1kHz; DA-20mkII > Delta Dio 2496 > Soundforge 6.0 > CDWav > shntool > SHN; Transferred by Brandon Johnston | Source Detail | Source Detail | |
Winston-Salem | NC | Lawrence Joel Veterans Memorial Coliseum | (FOB) Schoeps mk4v > kc5 > cmc6 > Oade M118 > HHB PDR-1000; Taped by Steve; Transferred by Mikey K. | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | FOB Schoeps mk4v (ORTF) > active cables > CMC6 > Oade PS > Sony SBM-1 > DAP-20; DA-20 mkII> Philips CDR 870 > CDR > EAC > CDWav > Soundforge 6.0 > shntool > SHN; Transferred by Brandon Johnston | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | FOB Schoeps mk4v (ORTF) > active cables > CMC6 > Oade PS > HHB PDR1000; DA-20 mkII> Philips CDR 870 > CDR > EAC > CDWav > Soundforge 6.0 > shntool > SHN; Transferred by Brandon Johnston | Source Detail | Source Detail | |
New Haven | CT | New Haven Coliseum | flac16, 44kHz; Schoeps cmc6/mk41 > Apogee AD-1000 > Sony TCD-D8; Tascam DA-20 mkII > M-Audiophile USB > CDWave > FLAC (Level 6); Source by Van Murphree (?); Transfer by Peter Arcoma and Peter Grow | Source Detail | Source Detail | |
Albany | NY | Pepsi Arena | Microtech Gefell m210 > Aerco > SBM-1; DA-20 > Delta Dio 2496 > Soundforge 6.0 (48>44.1kHz) > CDWav > shntool > SHN; Transferred by Brandon Johnston | Source Detail | Source Detail | |
Worcester | MA | Worcester Centrum | Soundcheck only; SBD/AUD Matrix > DAT > CDR > EAC > SHN > FLAC | Source Detail | Source Detail | |
Worcester | MA | Worcester Centrum | Schoeps cmc6/mk4 > V2 > ADC-20 > DA-P1; DAT > ARCHIVE Python > vDAT > WaveLab4 > CD Wave > Flac | Source Detail | Source Detail | |
Worcester | MA | Worcester Centrum Centre | Schoeps m222/mk41 > N222 Preamp > HHB; DAT @48kHz > Event Gina S/PDIF > Cool Edit Pro (48>44.1kHz) > CDR; "official" pcp source; Note: md5's maybe not be originals; Note: "all_updated" md5 listed is updated (not original) seekable SHNv3 and fixed SBE provided by Matt Vernon 01/06/04 | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | FOB Schoeps mk4 > nbox > Sony SBM-1 > Sony D100 @44.1kHz); Tascam DA-20mkII > Tascam HD-P2 > WaveLab 5.01b > CDWave > FLAC; Taped by Pepper and Carrion Crow; Transferred by Jason Sobel | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | (FOB) Schoeps mk4v > kc5 > cmc6 > Denecke PS-2 > Zefiro InBox > DAT (@ 44.1 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades) > CD Wave v1.95 > FLAC v1.1.3 (Level 8); Transferred by Jason Sobel | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | FOB Schoeps mk4v > kcy > vms021b > Sony SBM-1 > Teac DA-P20 @44.1kHz; Tascam DA-20mkII > Tascam HD-P2 > WaveLab 5.01b > CDWav > FLAC; Taped by The PTBNL and Carrion Crow; Transferred by Jason Sobel | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | Set 1: FOB Schoeps mk4v > kcy > nbox > Sony SBM-1 > Teac DA-P20 @44.1kHz; Set 2: FOB Schoeps mk4v > kcy > vms021b > Sony SBM-1 > Teac DA-P20 @44.1kHz; Tascam DA-20mkII > Tascam HD-P2 > WaveLab 5.01b > CDWav > FLAC; Taped by Teddy and Carrion Crow; Transferred by Jason Sobel | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | Neumann u89 > Apogee AD-1000 > Tascam DA-P1 @48kHz; Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (48>44.1 kHz) > CDWav > FLAC; Taped by Dan Estrin; Transferred by Jason Sobel | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | Schoeps CMC641 > Lunatec V2 > Apogee AD1000 > DAT > DAT > SPDIF > VX Pocket > Soundforge 5.0 > CDWav > mkwACT > SHNv3; Taped by Derek Gregory; Transferred by Jamie Lutch [Dankseeds] | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | FOB Schoeps mk4v > kc5 > Sonosax SX-M2/LS2 > Sony SBM-1 > Sony D100 @44.1kHz; Tascam DA-20mkII > Tascam HD-P2 > WaveLab 5.01b > CDWav > FLAC; Transferred by Jason Sobel | Source Detail | Source Detail | |
Bonner Springs | KS | Sandstone Ampitheatre | Schoeps mk4v > M222/NT222 > Lunatec V2 > Apogee AD1000 > Graham-Patten DA-14 Patchbay > DA-P1 @48kHz; Fostex D5 > M-Audio DiO 2496 > CDWav > Adobe Audition (48>44.1kHz)> CDWav > FLAC; Transferred by Kevin Davis | Source Detail | Source Detail | |
Antioch | TN | First American Music Center | Neumann U89i (hypercardioid) > Apogee AD1000 > DA-P1; Fostex D5 > M-Audio DiO 2496 > CDWav > Adobe Audition > CDWav > FLAC; Transferred by Kevin Davis | Source Detail | Source Detail | |
Antioch | TN | First American Music Center | AKG 480/ck63> dmic-20> dap1> Panasonic 7502-b> HD using RDACD> Soundforge XP4.5> Shorten; one pop in the middleof d1t3; tapers: Dave Pecoraro and Matt Vallo; via Lober; 3/14/93 filler | Source Detail | Source Detail | |
Atlanta | GA | Lakewood Amphitheater | Neumann U89i (hypercardioid) > Apogee AD1000 > DA-P1; Fostex D5 > M-Audio DiO 2496 > CDWav > Adobe Audition > CDWav > FLAC; Transferred by Kevin Davis | Source Detail | Source Detail | |
Atlanta | GA | Lakewood Amphitheater | via J.Lober; Tapers: Dave Pecoraro, Matt Vallo; AKG 480/ck63> dmic-20> dap1> Panasonic 7502-b> HD using RDACD> Soundforge XP 4.5>Shorten; track breaks not on sector boundaries, but no clicks reported? | Source Detail | Source Detail | |
Atlanta | GA | Lakewood Amphitheater | Neumann U89i (hypercardioid) > Apogee AD1000 > DA-P1; Fostex D5 > M-Audio DiO 2496 > CDWav > Adobe Audition > CDWav > FLAC; Transferred by Kevin Davis | Source Detail | Source Detail | |
Charlotte | NC | Blockbuster Pavillion | flac16, 44kHz; Schoeps cmc6/mk4v's > Lunatec V2 > Tascam DA-P1 > DAT(c); DAT(c) > Tascam DA-20mkII > Tascam HD-P2 > WaveLab > CDWave > FLAC; Source by Dave Flaschner; Transfer by Jason Sobel | Source Detail | Source Detail | |
Virginia Beach | VA | Virginia Beach Amphitheatre | Set I: Schoeps CMC6+MK41> Apogee AD-1000>> DA-P1> ZA2>Soundforge 4.0> CD Wav editor> SHN; Set II: Schoeps CMC6+MK41>Sonosax SX-M2> DA-P1> ZA2> Soundforge 4.0> CD Wav editor>SHN; via M. Ayers | Source Detail | Source Detail | |
Columbia | MD | Merriweather Post Pavillion | shn16, 44kHx; (FOB) Schoeps mk4v's > kcy > VMS021B > Tascam DA-P1 > DAT(c); DAT(c) > Sony TCD-D8 > Prodif Plus > Samplitude > CDWave > SHN; Source by unknown; Transfer by Mike Fischer | Source Detail | Source Detail | |
Columbia | MD | Merriweather Post Pavillion | flac16, 48kHz; Neumann TLM-103 > Sony TCD-D10 Pro MKII > Sony PCM-M1 > DAT(c) (16/48); DAT(c) > Sony TCD-D7 > NJB3 > CD Wave > FLAC (16/48); Transfer by Paul Hofferkamp | Source Detail | Source Detail | |
Mansfield | MA | Tweeter Center | Schoeps cmc6/mk41 > Lunatec V2 > Apogee D1000 > Sony D100 (@ 48 kHz); Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8) Taped by Dave Flashner; Transferred by Jason Sobel (NOTE: both 44.1 kHz and 48 kHz versions are available) | Source Detail | Source Detail | |
Mansfield | MA | Tweeter Center | Schoeps CMC6/mk41 > Lunatec V2 > Apogee AD1000 > Sony D100 @48kHz; Sony PCM-R500 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Taped by Dave Flashner; Transferred by Jason Sobel | Source Detail | Source Detail | |
Holmdel | NJ | PNC Bank Arts Center | Senheiser mics (model not known)/FOB > DAT > CD > EAC > WAV > FLAC | Source Detail | Source Detail | |
Volney | NY | Oswego County Airport | Schoeps cmbi + mk2s > AD1000 FOB> da-p1, direct front/center, stand 15" spread 130 degrees, run by DR Schoeps (aka omnis); via C. Savarick and treed by D. Davis; note plenty of bass- use good system; E. McRoberts flaw reports: hesitation-like flaw at d1t4 beginning (~0.04 s), minor pop d1t3 10:14:26, abrupt change to encore | Source Detail | Source Detail | |
Volney | NY | Oswego County Airport | FOB Neumann U89i (Omni, Split 6') > Apogee AD1000@44.1kHz; SGI 8000 > dat2wav > CDWav > SHN; Transfer by Mike Chesnut; Distribution by John Tambroni | Source Detail | Source Detail | |
Toronto | ON | Molson Amphitheater | Schoeps mk4v/m222 > nt222 > Lunatec V2 > Apogee AD1000 > D8; Tascam DA-20mkII > Audiowerk2 > Soundforge 4.5 > CDWav > SHN | Source Detail | Source Detail | |
Columbus | OH | Polaris Amphitheatre | AKG c480b/ck63 (hypercard. capsules) > Lunatec V2 > Sony TCD-D8; via B. Haas, D. Goodman | Source Detail | Source Detail | |
East Troy | WI | Alpine Valley Music Theatre | AKG C1000S > D8 @48 kHz (XY); D8 > Hercules GT-XP > Samplitude 2496 (48>44.1 kHz) > CDWav > mkwACT > SHN; Taped and transferred by Rob Robar | Source Detail | Source Detail | |
Noblesville | IN | Deer Creek Music Center | Schoeps CMC6/mk41 > Apogee AD1000 > DA-P1; DA-P1 > mod. Edirol UA5 > Soundforge 6.0 > CDWav > mkwACT > SHN | Source Detail | Source Detail | |
Noblesville | IN | Deer Creek Music Center | Schoeps CMC641> Lunatec v2> Graham Patten adc20> dap1 (Cash's rig); DAT via Chris Wood; DAT> CD by Matt: DAP1> TB Fiji S/PDIF> cdwav; same version seeded to evines, 3/27/00 | Source Detail | Source Detail | |
Noblesville | IN | Deer Creek Music Center | Schoeps CMC641> Lunatec v2> Graham Patten adc20> dap1 (Cash's rig); DAT via Chris Wood; DAT> CD by Matt: DAP1> TB Fiji S/PDIF> cdwav | Source Detail | Source Detail | |
Naeba | Japan | Naeba Ski Resort | both sets; info file purports SBD >DAT >CDR >EAC >SHN, but source reportedly is really Schoeps> DA-P1 by taper "Nick"; new 4/00: another report says Nick really patched out of the AT4050s, though a different American did run a Schoeps> no preamp> D8; thus, not sure what this source really is- either way, no SBD is in circulation; converted to shn and uploaded by Marcus Karlstad | Source Detail | Source Detail | |
Vancouver | BC | GM Palace | Schoeps m222/mk4v > V2 > AD1000; DA-302 > Audiowerks AW2 > Peak 4 > xact > FLAC | Source Detail | Source Detail | |
George | WA | The Gorge Ampitheatre | Schoeps mk4v > vms > Sony SBM-1 > Sony D8; Tascam da-20mkII > rme digi96/8 pst> cdWAV >flac; Taped by Steve and Aaron; Transferedr by Cliff | Source Detail | Source Detail | |
George | WA | The Gorge Ampitheatre | FOB Schoeps mk4v > kcy > vms021b > SBM-1 > DA-P1 > D8@44.1kHz (in hat); Tascam DA-20mkII > RME 96/8 > CDWav > mkwACT > SHNv3; Taped by Mikey, Steve, Aaron, and Mike | Source Detail | Source Detail | |
Portland | OR | Portland Meadows | Schoeps MK-4> VMS02iB> SBM-1>DA-P1-> DA-20> Soundforge 4.5> CDR; transfer by J. Musante, u/l via G. Lobdell; note d1t8,d2t3 apparently corrupt- d2t3 fixed by 11/4, d1t8 fixed by 11/6 | Source Detail | Source Detail | |
Boise | ID | BSU Pavillion | FOB Schoeps mk4v > kcy > VMS021b > SBM-1 @44.1kHz; Tascam DA-20mkII > RME Digi96/8 PST > CDWav > mkwACT > SHN; Taped by Carrion Crow | Source Detail | Source Detail | |
Mountain View | CA | Shoreline Amphitheatre | FOB Schoeps CMB1+MK4v > SX-M2 > SBM-1 > D8; DAT supplied by S. James; DAT Conversion by: Jeff K.; DAT > WAV via Turtle Beach Fiji w/Digi I/O (S/PDIF) > SHN; note d4 can be moved to the end of d2 to fit on 3 CDs; Alex Ogan reports: "last 35 seconds or so of Prince Caspian seem to be included with Julius. Since Caspian and Julius are on different discs, this is a somewhat significant problem" | Source Detail | Source Detail | |
Mountain View | CA | Shoreline Amphitheatre | DAUD (Schoeps M222 tubes/Mk4 > Elvo NT222 > HHB PortaDAT) > ZA2 (48 kHz to 44.1 kHz resampling) > HD > CDWav (track splitting) > shn; taper A. Braman, mastering M. Masse; patched DAT skip in Ghost; pop in GBOTT 1:26 | Source Detail | Source Detail | |
Chula Vista | CA | Coors Amphitheater | Schoeps CMC6/mk41 > Oade m148 > DA-P20; DA-20 > Delta Dio 2496 > Soundforge 4.5(48>44.1kHz) > CDWav > SHN; Transferred by Brandon Johnston | Source Detail | Source Detail | |
Tucson | AZ | Pima County Fairgrounds | flac16, 44kHz; (FOB/ortf/in hat) Schoeps mk4v > kc5 > cmc6 > Apogee AD-1000 > Tascam DA-P1; Tascam DA-20mkII > Tascam HD-P2 > CDWave > Samplitude > FLAC; Source by Milt, Mike, Van, TPTBNL, and Carrion Crow; Transfer by Jason Sobel | Source Detail | Source Detail | |
Tucson | AZ | Pima County Fairgrounds | Source: FOB Schoeps MK4V (ORTF in a hat)> Schoeps KC5 > Schoeps CMC6 > Apogee AD-1000 > Sony D8/Tascam DAP1; Transfer: Sony D8 > Lucid Technology PCI-24 (S/PDIF); 2 versions spliced, see info file; note windy; note tracks not split on sector boundaries | Source Detail | Source Detail | |
Las Cruces | NM | Pan American Center | flac16, 44kHz; (FOB) Schoeps mk4v > kc5 > cmc6 > Sonosax SX-M2 > Apogee AD-1000 > Sony TCD-D8 > DAT(c);Â DAT(c) > Tascam DA-P1 > ZA2 > Soundforge > CDWave > SHN; Source by Carrion Crow and Player To Be Named Later; Transfer by Eric McRoberts | Source Detail | Source Detail | |
Austin | TX | South Park Meadows | FOB Schoeps mk4 (ORTF) > VMS021B > SBM-1 > DA-P1; Sony D7 > Dakota Frontier > SF7.0 (48>44.1kHz) > FLAC | Source Detail | Source Detail | |
New Orleans | LA | University of New Orleans Lakefront Arena | Sets 1,2: Schoeps CMC6/mk4 > Apogee AD1000 > DA-P1; Encore: AKG 480/ck61 > Beyer MV100 > SBM-1 > DA-P1; DAT > Cool Edit Pro > mkwACT > SHN | Source Detail | Source Detail | |
Pelham | AL | Oak Mountain Amphitheatre | AKG 460b/ck61 > V2 > SBM1 > D8; DAT > CDR > EAC > CDWav > FLAC | Source Detail | Source Detail | |
Memphis | TN | Pyramid Arena | FOB Schoeps mk4v> kc5 actives> cmc6> sonosax sx-m2> apogee ad-1000> d8; Transfer:? da-p1> audio magic presto II> za2> forge/cdwav> .shn; Transfer and shn by Eric McRoberts; has typical FOB noises | Source Detail | Source Detail | |
Ames | IA | Hilton Coliseum | Schoeps CMC6/mk4 > Apogee AD1000 > DA-P1 | Source Detail | Source Detail | |
Minneapolis | MN | Target Center | flac16, 44kHz; (FOB) Schoeps mk4V > kv5 > cmc6 > Sonosax SX-M2 > Apogee AD-1000 > Patch DAT(m); Patch DAT(m) > Tascam DA-20mkII > rme digi.96 > CDWave > FLAC ; Source and Transfer by Carrion Crow, Montgomery Cliff, Wild Turkey, and Milton (t34mYEM) | Source Detail | Source Detail | |
Normal | IL | Redbird Arena | FOB Schoeps mk4v > Schoeps KCY > Schoeps VMS02IB > Sony SBM1 > Sony D8 (DFC); Tascam DA-20mkII > CDWav > mkwACT > SHN; Transferred by Cliff Kaelin | Source Detail | Source Detail | |
Uniondale | NY | Nassau Veterans Memorial Coliseum | FOB Schoeps mk4 > kc5 > CMC6 > Sonosax SX-M2 > DA-P1 @48kHz; Sony D8 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel | Source Detail | Source Detail | |
Uniondale | NY | Nassau Coliseum | (FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Apogee AD1000 > Sony D100 (Set I @44.1kHz, Set II @48kHz); 2nd half of set 2 spliced from same source as shnid 22139. | Source Detail | Source Detail | |
Uniondale | NY | Nassau Coliseum | B+K (DPA) 4011 > Lunatec V2 > Apogee AD500 > DA-P1; DAT > CDR > EAC > mkwACT > SHN; Taped and transferred by Ron Dalton; SHN Conversion by Levi Hunt | Source Detail | Source Detail | |
Albany | NY | Pepsi Arena | B+K (DPA) 4011 > Lunatec V2 > Apogee AD500 > DA-P1; DAT > CDR > EAC > mkwACT > SHN; Taped and transferred by Ron Dalton; SHN Conversion by Levi Hunt | Source Detail | Source Detail | |
Albany | NY | Pepsi Arena | Schoeps mk41 > kc5 > cmc6 > Lunatec V2 > Apogee AD-1000 > DA-P1 (@44.1kHz); Sony D8 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (fades) > CD Wave v1.94.5 > FLAC (level 8); Taped by Dave Flaschner; Transferred by Jason Sobel | Source Detail | Source Detail | |
Albany | NY | Pepsi Arena | FOB Schoeps mk4 > kc5 > CMC6 > Sonosax SX-M2 > Sony D-100 @48kHz; Sony D8 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel | Source Detail | Source Detail | |
Albany | NY | Pepsi Arena | B+K (DPA) 4011 > Lunatec V2 > Apogee AD500 > DA-P1; DAT > CDR > EAC > mkwACT > SHN; Taped and transferred by Ron Dalton; SHN Conversion by Levi Hunt | Source Detail | Source Detail | |
Auburn Hills | MI | The Palace | Schoeps cmc6/mk41 -> Apogee AD-1000 -> Tascam DA-P1; Transferred by Scott Z. | Source Detail | Source Detail | |
Rochester | NY | BlueCross Arena | FOB Schoeps mk4 > kc5 > CMC6 > Sonosax SX-M2 > Sony D-100 @48kHz; Sony D8 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Tapeed by Dave Flaschner; Transferred by Jason Sobel | Source Detail | Source Detail | |
Portland | ME | Cumberland County Civic Center | flac16, 44kHz; (FOB) Schoeps cmc6 > kc5 > mk4's > Sonosax SX-M2 > Sony TCD-D100 > DAT(m); DAT(m) > Sony TCD-D8 > M-Audio MicroTrack > WaveLab > CDWave > FLAC; Source by Dave Flaschner; Transfer by Jason Sobel | Source Detail | Source Detail | |
Portland | ME | Cumberland County Civic Center | Schoeps CMC6/mk41 > Lunatec V2 > Apogee > DAT > CDR > EAC > CDWav > SHN; to PCP Evines via C. Plemons, etreed 3/28; slight burst of diginoise at 14:14 in d1t07; includes alternate tracking suggestion; (not sure if same source with 3/8/00 circ date) | Source Detail | Source Detail | |
Portland | ME | Cumberland County Civic Center | FOB B&K 4021 > Lunatec V2 > DAT > ZA2(48/44.1) > CEPro > SHN; Recorded by Cpt Joe LeClair; original version circ. 12/18/99 retracked by M. Fisken, see info file for fixes | Source Detail | Source Detail | |
Philadelphia | PA | First Union Spectrum | 2x Senheiser 441's + 1x Nakamichi 700 (Cardioid Capsule) > Nakamichi MX-100 (mixer) > Strasser DAT Prototype > CD > EAC > WAV > FLAC | Source Detail | Source Detail | |
Philadelphia | PA | First Union Spectrum | Schoeps mk41 > kc5 > CMC6 > Sonosax SX-M2 > Apogee AD1000 > DA-P1 @44.1kHz; Sony D8 > M-Audio MicroTrack > CF Card > WaveLab 5.01b > CDWav > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel | Source Detail | Source Detail | |
Philadelphia | PA | First Union Spectrum | 2x Senheiser 441's + 1x Nakamichi 700 (Cardioid Capsule) > Nakamichi MX-100 (mixer) > Strasser DAT Prototype > CD > EAC (secure, test & copy) > WAV > FLAC | Source Detail | Source Detail | |
Philadelphia | PA | First Union Spectrum | Neumann U89 (hypercard setting, direct front/center, tapers' section) >Apogee AD-1000 @44.1, D. Estrin; DA20mkII> Audio Magic Presto II> ZA2> Soundforge XP 4.5> CDWAV>.shn, E. McRoberts; 10/1/99 filler | Source Detail | Source Detail | |
Hartford | CT | Hartford Civic Center | flac16, 44kHz; Schoeps mk41 > kcy5 > VMS 02IB > Sony SBM-1 > DAT; Tascam DA-302 > HHB CDR-850 > CDR > EAC (secure) > shntool > FLAC; Source by Darryl Fruchter; Transfer by Chris Warren | Source Detail | Source Detail | |
Providence | RI | Providence Civic Center | flac16, 44kHz; (FOB) Schoeps mk41 > kc5 > CMC6 > Sonosax SX-M2 > Sony D-100 (48k); Sony D8 > Waveterminal 2496 > WaveLab 5.01b (48>44.1k) > CDWave > FLAC; Source by Dave Flaschner; Transfer by Jason Sobel | Source Detail | Source Detail | |
Providence | RI | Providence Civic Center | flac16, 44kHz; Schoeps mk41 > kcy5 > VMS 02IB > SBM-1 > DAT; Tascam DA-302 > HHB CDR-850 > CDR > EAC (secure) > shntool > FLAC; Source by Darryl Fruchter; Transfer by Chris Warren | Source Detail | Source Detail | |
Washington | DC | MCI Center | flac16, 44kHz; Microtech Gefell m210 > Apogee AD-1000 > Sony D100 > DAT(m); DAT(m) > Sony PCM-R500 > Tascam HD-P2 > WaveLab > CDWave > FLAC; Source by Beau Colburn; Transfer by Jason Sobel | Source Detail | Source Detail | |
Washington | DC | MCI Center | shnf, 44kHz; (FOB/in hat) Schoeps mk4 > kcy > VMS-02ib > Sony SBM-1 > Sony PCM-M1 > DAT(c); DAT(c) > Sony DTC-59ES > Marantz CDR630 > EAC > SHN; Source by Carrion Crow; Transfer by Scott Zarnegar | Source Detail | Source Detail | |
Raleigh | NC | Reynolds Coliseum | FOB Schoeps mk4v > KCY > Schoeps VMS02IB > Sony SBM-1 > Tascam DA-P1 (Set I @48kHz, Set II+E @44.1kHz); Tascam DA-40 > M-Audio Audiophile 2496 > Samplitude 7.0 (48>44.1kHz) > CDWav > FLAC; Taped by Carrion Crow; Transferred by Taylor Caine | Source Detail | Source Detail | |
Raleigh | NC | Reynolds Coliseum | Microtech Gefell m210 > Apogee AD-1000 > Sony D100 (@ 44.1 kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, patch) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Beau Colburn; Transferred by Jason Sobel | Source Detail | Source Detail | |
Raleigh | NC | Reynolds Coliseum | "Phulcrum's Mystery Patch"; Conversion:? Montego II DIGI I/O >
GoldWave > SHN/CD-R by |
Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | flac16, 44kHz; (FOB/DFC/in hat) Schoeps mk4v > kcy > VMS02iB > Sony SBM-1 > Tascam DA-P1; Tascam DA-P1 > Echo MIA > Soundforge > CDWave > FLAC; Source by Carrion Crow; Transfer by Krunchy | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | FOB Schoeps mk4v (DFC, in hat) > kcy > VMS02iB > SBM-1 > DA-P1; DA-P1 > Echo MIA > Soundforge 7.0 > CDWav > FLAC; Taped by Carrion Crow | Source Detail | Source Detail | |
Big Cypress | FL | Big Cypress | AUD | Source Detail | Source Detail | |
Big Cypress | FL | Big Cypress Seminole Reservation | (FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Apogee AD-1000 > Tascam DA-P1 > Sony D100 (@ 44.1 kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, patch) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel | Source Detail | Source Detail | |
Big Cypress | FL | Big Cypress Seminole Reservation | Schoeps mk21H + mk8 > KCY 250/5 > vmso2ib > SBM-1 | Source Detail | Source Detail | |
Tokyo | Japan | Hibiya Outdoor Theatre | flac16; FOB Schoeps CMC6/mk4 >kc5 > Sonosax SXM2 > Sony D100; Fostex D5 > m-audio DiO 2496 > CDWav > Adobe Audition >CDWav > FLAC | Source Detail | Source Detail | |
Nagoya | Japan | Club Quattro | SBD/AUD (AKG C1000) Matrix; D8 > Soundforge XP > WinCDR6.0 > FLAC | Source Detail | Source Detail | |
Camden | NJ | E Centre | flac16, 44KhZ; (FOB) Schoeps mk4 > kc5 > cmc6's > Sonosax SX-M2 > Sony TCD-D100; Sony TCD-D8 > M-Audio MicroTrack > WaveLab > CDWave > FLAC; Source by Dave Flaschner; Transfer by Jason Sobel | Source Detail | Source Detail | |
Noblesville | IN | Deer Creek Music Center | SBD/AUD Matrix > DAT @48kHz; CDR > EAC > FLAC | Source Detail | Source Detail | |
Noblesville | IN | Deer Creek Music Center | Schoeps CMC641 (Split 20') > Apogee AD-1000 > DA-P1 > D8 (patched via Taylor Caine's Rig); Conversion: D8 > CMI8738 SPDIF (44.1k) > WAV > CDWAV > SHN (no DAE), by Stuart Gerber; listener Steve Hormell reports this sounds error-free | Source Detail | Source Detail | |
Noblesville | IN | Deer Creek Music Center | shn16, 44kHz; (DFC/OTS) B&K 4011's > Lunatec V2 > Apogee AD-500e > DAT(c); DAT(c) > Tascam DA-P1 > Zefiro ZA2 > Soundforge > CDWave > SHN; Source by Ron Dalton; Transfer by Eric McRoberts | Source Detail | Source Detail | |
Noblesville | IN | Deer Creek Music Center | [In-House FM(ALD) > D7 @48kHz + B+K 4011 > Lunatec V2 > Apogee AD-500e @48kHz] Matrix | Source Detail | Source Detail | |
Columbus | OH | Polaris Amphitheatre | Schoeps CMC64V --> Sonosax SX-M2 --> Graham Patton ADC-20 --> DAT; DAT --> Soundforge 4.5 --> CDR; taper: Nick Michels, TS front and center; Patcher, DAT --> CDR: Bill Gardner | Source Detail | Source Detail | |
Austin | TX | KLRU Studio 6A | Satellite > Fostex D10 > HHb 800 professional > EAC > SHN; Taped and transferred by Tim Holden | Source Detail | Source Detail | |
Albany | NY | Pepsi Arena | B&K 4011's > Lunatec V2 > Apogee AD-500 > Tascam DA-P1 (@48kHz); Fostex D5 > Sound Devices 722 > WaveLab 5.01b (fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); Taped by R. Dalton; Transferred by Ned Struzziero | Source Detail | Source Detail | |
Las Vegas | NV | Thomas & Mack Center | flac16, 44kHz; (FOB) Schoeps mk21 > kc5 > cmc6's > Apogee AD-1000 > Sony TCD-D100 > DAT(m); DAT(m) > Tascam DA-20mkII > Tascam HD-P2 > CDWave > Samplitude > FLAC; Source by Mikey K. and Dave Flaschner; Transfer by Jason Sobel | Source Detail | Source Detail | |
Phoenix | AZ | Desert Sky Pavilion | flac16, 44kHz; B&K 4011's > Lunatec V2 > Apogee AD-500e > Tascam DA-P1 > DAT(m); DAT(m) > Fostex D5 > Sound Devices 722 > WaveLab > CDWave > FLAC; Source by Ned Struzziero; Transfer by Ned Struzziero & Jason Sobel | Source Detail | Source Detail | |
Phoenix | AZ | Desert Sky Pavilion | Neumann KM140s > Sound Devices MP2 > Sony SBM1 > Sony D8; master > HHb CDR 830 Standalone > EAC/wavlab > FLAC | Source Detail | Source Detail | |
Chula Vista | CA | Coors Amphitheatre | AKG 460s > Tascam DA-P1 > CD > SHN | Source Detail | Source Detail | |
Irvine | CA | Verizon Wireless Amphitheater | flac16; 44kHz; Schoeps cmc6/mk41's > Sonosax SX-M2 > Apogee AD-1000 > Tascam DA-P1 > DAT(c); DAT(c) > Fostex D5 > M-Audio DiO 2496 > CDWave > FLAC; Source by Dave Flaschner; Transfer by Kevin Davis and Blane Harvey | Source Detail | Source Detail | |
Irvine | CA | Verizon Wireless Amphitheater | flac16, 44kHz; B&K 4011's > Lunatec V2 > Apogee AD-500e > Tascam DA-P1 > DAT(m); DAT(m) > Fostex D5 > Sound Devices 722 > WaveLab > CDWave > FLAC; Source by Ned Struzziero; Transfer by Ned Struzziero and Jason Sobel | Source Detail | Source Detail | |
Irvine | CA | Verizon Wireless Amphitheater | flac16, 44kHz; Schoeps mk41's > m222 > kc5 > Elvo nt222 > Apogee AD-1000 > Sony PCM-M1 > DAT(c); DAT(c) > Fostex D-5 > SoundWave > Wavelab > CDWave > FLAC; Source by Charles Fox; Transfer by Gotfob | Source Detail | Source Detail | |
Compilation | Compilation | Phish 2000 Broadcast Tree | Phish 2000 Broadcast tree (1/1/00, 5/15/00, 5/16/00, 5/18/00, 5/19/00, 5/23/00, 6/10/00, 6/11/00, 6/27/00, 7/17/00, 10/03/00); SHN conversion by Jeff Ishaq | Source Detail | Source Detail | |
Limestone | ME | IT Festival Tower Set Ambient Jam | [Senheiser 441 + Nakamichi 700 (cardioid)] > Nakamichi MX-100 (mixer) > Tascam DAP1 > CDR > EAC > FLAC | Source Detail | Source Detail | |
Albany | NY | Pepsi Arena | Neumann TLM170 (ORTF, hypercardioid) > V2 > Mini-Me > DA-P1 (DFC, OTS); DA-P1 > Prodif Plus > Samplitude 2496 > CDWav > mkwACT > SHN; Taped and transferred by Levi Hunt | Source Detail | Source Detail | |
Miami | FL | American Airlines Arena | Neumann km140 (90deg) > Lunatec V2 > SBM-1 > D8; Sony R300 > HHB830 > CDR > Plextor40/12/40A > EAC > SHN; Taped and transferred by Matt Lazor | Source Detail | Source Detail | |
Miami | FL | American Airlines Arena | Neumann km140 (110deg) > Lunatec V2 > SBM-1 > D8; Sony R300 > HHB830 > CDR > Plextor40/12/40A > EAC > SHN; Taped and transferred by Matt Lazor | Source Detail | Source Detail | |
Miami | FL | American Airlines Arena | Neumann km140 (110deg) > Lunatec V2 > SBM-1 > D8; Sony R300 > HHB830 > CDR > Plextor40/12/40A > EAC > SHN; Taped and transferred by Matt Lazor | Source Detail | Source Detail | |
Miami | FL | American Airlines Arena | Neumann km140 (110deg) > Lunatec V2 > SBM-1 > D8; Sony R300 > HHB830 > Plextor40/12/40A > CDR > EAC > SHN; Taped and Transferred by Matt Lazor | Source Detail | Source Detail | |
Las Vegas | NV | Thomas & Mack Center | AKG 393 (DIN) > Oade mod. Edirol UA-5 > NJB3 @44.1kHz (OTS); NJB3 > Firewire > PC > CDWav > FLAC; Taped and transferred by Greg Bloch | Source Detail | Source Detail | |
Las Vegas | NV | Thomas & Mack Center | AKG 393 (DIN) > Oade mod. Edirol UA-5 > NJB3 @44.1kHz (OTS); NJB3 > Firewire > PC > CDWav > FLAC; Taped and transferred by Greg Bloch | Source Detail | Source Detail | |
Las Vegas | NV | Thomas & Mack Center | AKG 393 (DIN) > Oade mod. Edirol UA-5 > NJB3 @44.1kHz (OTS); NJB3 > Firewire > PC > CDWav > FLAC; Taped and transferred by Greg Bloch | Source Detail | Source Detail | |
Brooklyn | NY | Keyspan Park | Neumann u89i (hypercardioid) > Apogee MiniMe @16bit/48kHz > Sony TCD-D7 > Montego II S/PDIF > Steinberg Wavelab 4.0c > CDWav > FLAC; Taped and transferred by Bryan Austin | Source Detail | Source Detail | |
Brooklyn | NY | KeySpan Park | Schoeps CMC6/mk5 > Lunatec V2 > Apogee MiniMe @24bit/44.1kHz > Wavelab > FLAC; Taped and transferred by John Crouch | Source Detail | Source Detail | |
Brooklyn | NY | KeySpan Park | Schoeps M222/mk5 (cardioid, DIN) > NT222 > V3 > D8 (OTS); Tascam DA-20mkII > Audiophile2496 > Wavelab4.0 (48>44.1kHz)> CDWav > FLAC; Taped by Jason Lonchar; Transferred by Hank Schandel | Source Detail | Source Detail | |
Saratoga Springs | NY | Saratoga Performing Arts Center | ADK TL (hypercardioid) > V2 > mod. SBM-1 > JB3 (DFC, OTS); JB3 > CDWav > FLAC; Taped and transferred by Brian Costigan | Source Detail | Source Detail | |
Saratoga Springs | NY | Saratoga Performing Arts Center | Schoeps M222/mk5 (cardioid, DIN) > NT222 > V3 > D8 (DFC); Tascam DA-20mkII > Audiophile2496 > WaveLab4.0 (48>44.1kHz) > CDWav > FLAC; Taped by Jason Lonchar; Transferred by Hank Schandel | Source Detail | Source Detail | |
Saratoga Springs | NY | Saratoga Performing Arts Center | AKG 480/ck61 (DIN,OTS) > USBPre > Vaio PGC-SRX87 @16bit/48kHz > WaveLab 4.0 (48>44.1kHz) > CDWav > mkwACT > SHN; Taped by Mark Terry | Source Detail | Source Detail | |
Saratoga Springs | NY | Saratoga Performing Arts Center | Schoeps M222/MK5's(card,DIN,DFC) > NT222 > V3 > D8; Tascam DA-20mkII > Audiophile2496 > Wavelab4.0(48>44.1) > CDwav > FLACfrontend; Taped by Jason Lonchar; Transferred by Hank Schandel | Source Detail | Source Detail | |
New York | NY | Ed Sullivan Theatre Marquee | Schoeps mk4 > kc5 > CMC5 > Sonosax SX-M2 > D100; DA-P1 > Echo Mia 2496 > CDWav > FLAC; Taped by Eliot Byron | Source Detail | Source Detail | |
Noblesville | IN | Verizon Wireless Music Center | AKG 480/ck61 > USBPre > Vaio PCG-SRX87 @16bit/48kHz > WaveLab 4.0 (48>44.1kHz) > CDWav > mkwACT > SHN; Taped by Mark Terry | Source Detail | Source Detail | |
Noblesville | IN | Verizon Wireless Music Center | Microtech Geffell m300 > V2 > MiniMe > VX Pocket > Picturebook @24bit/48kHz > WaveLab (24>16bit/48>44.1kHz) > CDWav > FLAC; Taped by Steve Szaks (NOTE: both 16 bit and 24 bit seeds available) |
Source Detail | Source Detail | |
East Troy | WI | Alpine Valley Music Theatre | Microtech Geffell m300 > V2 > MiniMe > VX Pocket > Picturebook @24bit/48kHz > WaveLab (24>16bit/48>44.1kHz) > CDWav > FLAC; Taped by Steve Szaks (NOTE: both 16 bit and 24 bit seeds available) |
Source Detail | Source Detail | |
East Troy | WI | Alpine Valley Music Theatre | Microtech Geffell m300 > V2 > MiniMe > VX Pocket @24bit/48kHz > Wavelab (24>16bit/48>44.1kHz) > CDWav > FLAC; Taped by Steve Szaks | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | FOB Schoeps mk4 (ORTF, in hat, DFC) > kc5 > CMC6xt > Lunatec V3 @24bit/96kHz > Ipaq 5555 (PDAudio, Live 2496) > Soundforge 7.0 (24>16bit, 96>44.1kHz) > CDWav > FLAC | Source Detail | Source Detail | |
Mansfield | MA | Tweeter Center | Schoeps mk4 > kc5 > CMC6 > Sonosax SX-M2 > Apogee AD1000 > JB3 @44.1kHz (OTS) > CDWav > FLAC; Taped and transferred by Andy Murray | Source Detail | Source Detail | |
Mansfield | MA | Tweeter Center | Schoeps mk4 (ORTF) > kc5 > CMC6 > Sonosax SX-M2 > Apogee AD1000 > JB3 @44.1kHz > CDWav > FLAC; Taped and transfered by Andy Murray | Source Detail | Source Detail | |
Camden | NJ | Tweeter Center at the Waterfront | Schoeps CMXY4v (XY)> V3 @44.1kHz | Source Detail | Source Detail | |
Coventry | VT | Newport State Airport | Coventry "From the Archives" #1; FM > DAT; DA-20mkII > Audiowerk2 > Soundforge4.5 > SHN; Transferred by Ian Stone | Source Detail | Source Detail | |
Coventry | VT | Newport State Airport | Coventry "From the Archives" #2; FM > DAT; DA-20mkII > Audiowerk2 > Soundforge4.5 > SHN; Transferred by Ian Stone | Source Detail | Source Detail | |
Coventry | VT | Newport State Airport | FOB Neumann km140 (ORTF) > V2 > SBM-1 > D8 (DFC); Sony R300 > HHB 830 > CDR > EAC (secure) > SHN; Taped by Matt Lazor; SHN Conversion by Frank Webster | Source Detail | Source Detail | |
Coventry | VT | Newport State Airport | Coventry "From the Archives" #3; FM > DAT; DA-20mkII > Audiowerk2 > Soundforge4.5 > SHN; Transferred by Ian Stone | Source Detail | Source Detail | |
Coventry | VT | Newport State Airport | FOB Neumann ak40 > lc3 > km100 > Lunatec V3 > VX Pocket @24bit/48kHz > Samplitude 7.0 > FLAC; Taped and transferred by John Cocci | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | (FOB) AKG 460B (omni) > Crown phantom power > Sony TCD-D8; Sony D8 > Pro Tools; Taped by Scott & Boris | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | (FOB) AKG 460B (omni) > Crown phantom power > Sony TCD-D8; Sony D8 > Pro Tools; Taped by Scott & Boris | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | (FOB) B&K 4022 > Sonosax SX-M2 > Sound Devices 744t (24/48); 744T > wavelab > CD Wave > flac; Taped & Transferred by Craig Davis (NOTE: both 16 bit & 24 bit versions are available) | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | (FOB) B&K 4022 > Sonosax SX-M2 > Sound Devices 744t (24/48); 744T > wavelab > CD Wave > flac; Taped & Transferred by Craig Davis (NOTE: both 16 bit & 24 bit versions are available) | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | (FOB) B&K 4022 > Sonosax SX-M2 > Sound Devices 744t (24/48); 744T > wavelab > CD Wave > flac; Taped & Transferred by Craig Davis (NOTE: both 16 bit & 24 bit versions are available) | Source Detail | Source Detail | |
Hampton | VA | Hampton Coliseum | (FOB) B&K 4022 > Sonosax SX-M2 > Sound Devices 744t (24/48); 744T > wavelab > cd wave > flac; Taped & Transferred by Craig Davis (NOTE: both 16 bit & 24 bit versions are available) | Source Detail | Source Detail | |
Boston | MA | Fenway Park | Telefunken USA Ela m262 (hyper) > Lunatec V3 > Sonic AD2K+ > MT2 (@ 24/44.1); CF card > Sound Studio (normalize, dither) > xAct > FLAC; Taped by Jesse Hurlburt | Source Detail | Source Detail | |
Wantagh | NY | Nikon at Jones Beach Theater | [Schoeps MK41's > Schoeps KCY > Schoeps VST62ui > Lunatec V3 > Sound Devices 744t] + [Sennheiser ME-80's > Sound Devices 744t (@24/48)]; Soundforge 9 (Mix of both sources, Fades, Bit Rate/Sample Rate Conversion) > CD Wave > FLAC; Taped & Transferred by Keith Litzenberger (NOTE: both 16 bit & 24 bit versions are available) | Source Detail | Source Detail | |
Wantagh | NY | Nikon at Jones Beach Theater | Schoeps MK41's > Schoeps KCY 250/05I > Schoeps VST62ui > Lunatec V3 > Sound Devices 744t (@24/48); Soundforge 9 (Fades, Bit Rate/Sample Rate Conversion) > CD Wave > FLAC; Taped & Transferred by Keith Litzenberger (NOTE: both 16 bit & 24 bit versions are available) | Source Detail | Source Detail | |
Camden | NJ | Susquehanna Bank Center | (FOB) Neumann KM150's > Aerco MP-2 > Korg MR-1 (@1bit, 2.8mhz); Audiogate (Fades, conversion to 16bit/44.1khz) > CD Wave > FLAC; Taped & Transferred by Keith Litzenberger | Source Detail | Source Detail | |
Morrison | CO | Red Rocks Amphitheatre | Neumann ak40's > Lc3 > km 100 > V3 (analog out) > Sound Devices 702 (@ 24/48); Taped & Transferred by gotfob | Source Detail | Source Detail | |
Morrison | CO | Red Rocks Amphitheatre | Schoeps mk22 > KCY > Schoeps VMS02IB > Apogee Mini-Me > Sound Devices 722 (@24bit/96kHz); SD 722 > Samplitude SE 9.1.1 (resample/dither) > CD Wave > flac (16/44.1); Taped & Transferred by taylorc (NOTE: both 16 bit & 24 bit versions are available) | Source Detail | Source Detail | |
Morrison | CO | Red Rocks Amphitheatre | B&K4022 (ortf) > Sonosax > 744T; 744T>wavelab (fades/resampling/dithering)>cd wave>flac; Taped & transferred by Craig Davis | Source Detail | Source Detail | |
Morrison | CO | Red Rocks Amphitheatre | Neumann ak40's > Lc3 > km 100 > V3 (analog out) > Sound Devices 702 (@ 24/48); Taped & Transferred by gotfob | Source Detail | Source Detail | |
Morrison | CO | Red Rocks Amphitheatre | B&K4022 (ortf) > Sonosax > 744T; 744T>wavelab (fades/resampling/dithering)>cd wave>flac; Taped & transferred by Craig Davis | Source Detail | Source Detail | |
Morrison | CO | Red Rocks Amphitheatre | Neumann ak40's > Lc3 > km 100 > V3 (analog out) > Sound Devices 702 (@ 24/48); Taped & Transferred by gotfob | Source Detail | Source Detail | |
Morrison | CO | Red Rocks Amphitheatre | Neumann ak40's > Lc3 > km 100 > V3 (analog out) > Sound Devices 702 (@ 24/48); Taped & Transferred by gotfob | Source Detail | Source Detail | |
Morrison | CO | Red Rocks Amphitheatre | B&K4 022 > Sound Devices 744T; 744T > wavelab (fades/resampling/dithering) > cd wave > flac; Taped & Transferred by Craig Davis | Source Detail | Source Detail | |
Mountain View | CA | Shoreline Amphitheatre | Neumann KM140s > Sound Devices MP2 > Edirol R09 (24/48) > WAV > Adobe Audition (24/48 > 16/44) > CD Wave > FLAC16 | Source Detail | Source Detail | |
Philadelphia | PA | Wachovia Center | (FOB) Schoeps MK4's > Nbox > Sony PCM-M10; PCM-M10 > Soundforge 9 > CD Wave > FLAC; Taped by Nicky C; Transferred by Keith Litzenberger (NOTE: both 16 bit & 24 bit versions are available) | Source Detail | Source Detail | |
Albany | NY | Times Union Center | Sennheiser MD441U > Edirol R4Pro Oade preamp mod (@ 24/88.2); R4Pro > WaveBurner (track, fade, SRC, BRC) > xACT (flac) | Source Detail | Source Detail | |
Portland | ME | Cumberland County Civic Center | (FOB) Schoeps mk22 > kc5 > cmc6 > sonosax sx-m2 > Sound Devices 722 (@ 24 bit/48kHz); cf > wavelab (src44-16) > cd wave > flac; Taped by Scott Gordon, Dave Flaschner & Rob Adler | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | Schoeps mk41v's > kcy > lemosax > Sound Devices 744t; 744t > CD Wave > Wavelab 5 > Flac; Taped & Transferred by Derek Davis | Source Detail | Source Detail | |
New York | NY | Madison Square Garden | Schoeps mk41v's > kc5 > m222 > nt222 > Sound Devices 744t + Schoeps mk21's > kcy > lemosax > Sound Devices 744t; 744t > Wavelab 5 > CD Wave > Wavelab 5 > Flac; Taped & Transferred by Derek Davis | Source Detail | Source Detail | |
Charlottesville | VA | John Paul Jones Arena | (FOB) Schoeps MK4 > KC5 > CMC6 > Apogee Mini-MP > Tascam HD-P2 (@ 96 kHz 24 bit); Tascam HD-P2 > Dell XPS1730 > Vegas 8.0 > Sony Sound Forge 9.0 (resampled, dithered) > FLAC; Taped & Transferred by jadedphan (NOTE: both 16 bit & 24 bit versions are available) | Source Detail | Source Detail | |
Miami | FL | American Airlines Arena | Sennheiser MD441U > Edirol R4Pro Oade preamp mod (@ 24/88.2); R4Pro > WaveBurner (track, fade, SRC, BRC) > xACT > flac; Taped & Transferred by padelimike | Source Detail | Source Detail | |
Miami | FL | American Airlines Arena | Sennheiser MD441U > Edirol R4Pro Oade preamp mod (@ 24/88.2); R4Pro > WaveBurner (track, fade, SRC, BRC) > xACT > flac; Taped & Transferred by padelimike | Source Detail | Source Detail | |
Miami | FL | American Airlines Arena | Sennheiser ME-80's > Sound Devices 744t (@24/48); SD744t > Soundforge 9 (Fades, Sample/Bit Rate Conversion to 16/44.1) > CD Wave > FLAC; Taped & Transferred by Keith Litzenberger (NOTE: both 16 bit & 24 bit versions are available) | Source Detail | Source Detail | |
Miami | FL | American Airlines Arena | Sennheiser ME-80's > Sound Devices 744t (@24/88.2); SD744t > Soundforge 9 (Fades, Sample/Bit Rate Conversion to 16/44.1) > CD Wave > FLAC; Taped & Transferred by Keith Litzenberger | Source Detail | Source Detail |
[]------| | Robert Hunter | |------[] |
Date | City | State | Venue | Source Notes | Source Link | |
Stony Brook | NY | SUNY Gymnasium | flac16; FOB>Sony-ECM990(Stereo Mic)>JVC 1636-MKII>CM(Maxell UDXLII)Transfer:Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57
(tracking only)>flac16 Taped and transferred by Charlie Connor |
Source Detail | Source Detail |
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Last Update August 22, 2011