Music List for trailmix

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 []------|  Bill Graham Memorial  |------[] 
Date  City State  Venue Source Notes Source Link

 11/03/91 

San Francisco  CA   Polo Field Golden Gate Park              

 []------|  Derek Trucks Band  |------[] 
Date  City State  Venue Source Notes Source Link

 12/07/07 

Honolulu  HI   Aloha Tower              

 []------|  Garcia  |------[] 
Date  City State  Venue Source Notes Source Link

 07/??/61 

San Carlos  CA   Boar's Head Coffeehouse    Garcia, Leicester & Hunter: MA? (Probably MAR taped by Rodney Albin, mics onstage) > ? > CD > EAC (secure) > Cool Edit > CDWAV > mkwact > SHN(seekable), EAC>SHN by Matt Vernon.    Source Detail    Source Detail  

 06/11/62 

San Carlos  CA   Jewish Community Center    Sleepy Hollow Hog Stompers: Master Audience (?) Reel (Scotch 150) > playback on Technics RS 1520 @ 7-1/2 ips no dolby > first gen reel (Scotch 207 recorded via Otari MX5050 @ 7-1/2 ips no dolby) > playback on Technics RS1506 > Tascam DA-40 DAT > Tascam CD-RW700 master CD > CDs > HP 9350i extraction using EAC > .shn encoding using mkwACT.    Source Detail    Source Detail  

 02/23/63 

Palo Alto  CA   Top of the Tangent    Wildwood Boys: Garcia, David Nelson, Robert Hunter and Norm Van Mastricht. Aud (unknown Source) Master Reel > Reel > FM > Cass > Dat > CD > EAC > SHN. DAT > CD and EAC > SHN by Scott Mogol.    Source Detail    Source Detail  

 05/04/63 

Palo Alto  CA   Top of the Tangent    Jerry & Sara Garcia: Possibly MAR > R > FM > Cass > DAT > CDR.    Source Detail    Source Detail  

 07/??/64 

Palo Alto  CA   Top of the Tangent    Mother McCree's Uptown Jug Champions: Master Tape > Rosoft Audio Tools > CD > EAC > WAV > SHN.    Source Detail    Source Detail  

 11/21/70 

Boston  MA   WBCN-FM Studios    Garcia, Weir & Allman: FM MASTER REEL > 2ND GEN (?) REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC, via Dave Tamarkin.    Source Detail    Source Detail  

 ??/??/71 

San Francisco  CA   The Matrix    JGMS: MSR @ 7.5ips > reel @ 7.5ips > reel @ 7.5ips > Apogee Mini ME 24/96 > Apogee Mini DAC (monitoring) > Wavelab 5.0 (dithered to 20/44) > CD > EAC > FLAC. Transfer by Matt Smith, FLAC encoding by ecocats.    Source Detail    Source Detail  

 02/06/72 

San Francisco  CA   Pacific High Recording Studio    Garcia & Saunders: Kahn, Kreutzmann, Vitt; FM Broadcast, KSAN    Source Detail    Source Detail  

 06/06/73 

Passaic  NJ   Capitol Theater    OAITW: 7" 1/2 track master soundboard reels @ 7.5ips > Sony TC-388 (4-track) playback > Revox A77 1st gen reel (no Dolby) > AKAI GX-625 playback > Apogee Mini Me @ 24 bit/48K > Apogee Mini DAC (for monitoring) > Lynx One soundcard > Wavelab 5.0 > CD > EAC > FLAC.    Source Detail    Source Detail  

 10/02/73 

San Francisco  CA   Winterland Arena    JGMS: MSR > DAT4x > Delta DIO 2496 > Soundforge > WAV > CD Wave Editor > FLAC.    Source Detail    Source Detail  

 04/09/75 

New York  NY   Bottom Line    Legion of Mary: early and late shows; SBD (DAT: MSR>1R>P>D>???>CD>SHN); this copy missing reels 3,5 of the Betty Boards; via T. Livingston    Source Detail    Source Detail  

 04/18/75 

Chicago  IL   Arie Crown Theater    Legion of Mary: Mreel> Reel> Pcm> Dat> Cd> Eac> Shn.Very Brief PCM pop before the begining of Mississippi Moon; [txt/md5s]    Source Detail    Source Detail  

 05/21/75 

Berkeley  CA   Keystone    Legion of Mary: SBD>15 ips reel>15ips reel> DAT> Sony R500> Genesis Digital Lens> Fostex CR200> CD> WAV(EAC)> SHN; How Sweet It Is cut on master reel; via Tom Livingston; different mastering from other shn set    Source Detail    Source Detail  

 07/04/75 

San Francisco  CA   Great American Music Hall    Legion of Mary: SBD > Vault Reel > 1C?(*see note below) > DAT > CD-R > EAC *** This version includes the missing 2 songs not include with the previously circulating copy    Source Detail    Source Detail  

 10/12/75 

Berkeley  CA   Keystone    JGB; shnf; MAC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage] > Sony TC-152) > DATx1 >CD > EAC > CD > EAC > SHN via Jack Warner    Source Detail    Source Detail  

 10/24/75 

Boston  MA   Orpheum Theatre    JGB, early show: probable MSC (TDK SD90) > 20-bit transfer via TC2000 > SBM2 CD dump > CD clone > extraction (EAC v0.95 beta 4) > FLAC encoding (FLAC Frontend v1.7.1 etree addition) > decode > tracking (CD Wave) > pitching and patching (see notes) > shn > decode (TLH v1.0.0 Beta-1 Build 72) > sector boundary alignment (shntool v2.0.3) > level 8 FLAC encoding (TLH v1.0.0 Beta-1 Build 72). Source CDs from David Gans, editing by BCP.    Source Detail    Source Detail  

 10/30/75 

New York  NY   Queens College    JGB: Gerry Moskal's Sony Stereo ECM mics > SONY TCD126; Location: "A Sweet Spot"; Analog Lineage: Gerry Moskal Master Cassette Transfer > RR > Cassette; Transfer/SHN Conversion: Brian Mandel Cassette Transfer Nakamichi BX300 > Macintosh > Peak Bias > JAM > cdr > EAC > MKW > shn.    Source Detail    Source Detail  

 11/01/75 

Passaic  NJ   Capitol Theater    JGB, early & late shows: Ihor Slabicky's MAC (AKG d190e mics > Sony TC-152SD [Ampex 90m HF]) > Nakamichi CR-3A playback > Lucid AD9624 24 bit A/D converter (44.1 kHz) > DAT (Sony R500) > CD > FLAC via GEMS.    Source Detail    Source Detail  

 11/17/75 

Berkeley  CA   Keystone    JGB; flac1644: 2 x Sony ECM-270 > Sony TC-152 >> MAC >> Nakamichi CR7a > Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 > Korg AudioGate >> WAV [24/96] >> MOTB.0078.
Taped By: Reinhart Hohlwein.
Transfer By: Bob Menke.
Mastering By: Jamie Waddell.  
 Source Detail    Source Detail  

 12/31/75 

Berkeley  CA   Keystone    Jerry Garcia Band: Sbd> Mreel> Reel> Pcm> Dat> CDr    Source Detail    Source Detail  

 08/07/77 

Berkeley  CA   Keystone    JGB, Ip/II: MSC > DAT > Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) - Green Mountain Bros.    Source Detail    Source Detail  

 12/02/77 

Boston  MA   Orpheum Theater    JGB, Early & Late Shows: Steve Hopkins MAC (Sony ECM-99a > Sony TC-158SD; Maxell UD-XLI; some patches from Steve Rolfe MAC, Sony ECM-99a > Sony TC-158SD) > Nakamichi Dragon playback > ART DI/O (96Mhz/24 bit)> Digital Audio Labs Card Deluxe soundcard > HD Editing performed in Adobe Audition; Dithered and downsampled to 44.1 MHz / 16 bit; Flac Encoded. Transfer by David Minches.    Source Detail    Source Detail  

 12/08/77 

Albany  NY   Palace Theatre    Jerry Garcia Band: SBD -> Cm -> Apogee AD1000 -> Dat (Panasonic SV3800); transferred by Charlie Miller    Source Detail    Source Detail  

 12/09/77 

Stony Brook  NY   Gym, S.U.N.Y.    JGB, set II: pitch-corrected version of shnid 4444 (Nak 300s MAC > DAT > CD).    Source Detail    Source Detail  

 02/02/80 

San Francisco  CA   The Stone    JGB: John Angus and Scott Hart's uncertain mics > Sony TC-D5 (Maxell UD-XLIIs) MAC; Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > CD/0 > EAC > CDWave > FLAC level 8. Cassette transfer by slipnut.    Source Detail    Source Detail  

 02/23/80 

Upper Darby  PA   The Tower Theatre    JGB, Late Show: Charlie Connor's FOB Sony-ECM990 (Stereo Mic) > JVC 1636-MKII (TDK SA-C90) MAC; Transfer: Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1 > CDWav beta1.57 (tracking only) > flac16. Transferred by Charlie Connor.    Source Detail    Source Detail  

 02/24/80 

Stony Brook  NY   Gym (SUNY)    JGB: Charlie Connor's FOB MAC (Sony-ECM990 [Stereo Mic] > JVC 1636-MKII [Maxell UDXLII])> Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1 > CDWav beta 1.57 (tracking only) > flac16. Taped and transferred by Charlie Connor.    Source Detail    Source Detail  

 02/29/80 

Hempstead  NY   Calderone Theatre    JGB, Early Show: Charlie Connor's FOB (Ctr Orch,Row R, Seat 101) Sony-ECM990 (Stereo Mic) > JVC 1636-MKII MAC (Maxell UDXLII); Transfer: Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1 > CDWav beta1.57 (tracking only) > flac. Transferred by Charlie Connor.    Source Detail    Source Detail  

 03/01/80 

Passaic  NJ   Capitol Theater    Jerry Garcia Band, Late Show: MAC > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Extraction and .shn encoding by Joe Jupille.    Source Detail    Source Detail  

 03/01/80 

Passaic  NJ   Capitol Theater    Jerry Garcia Band, Late Show: MAC > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). Extraction and .shn encoding by Joe Jupille.    Source Detail    Source Detail  

 01/23/81 

Palo Alto  CA   Keystone Palo Alto    JGB: Dick Latvala's MAC > cassette 1 (J Knudsen) > Manley SLAM! > Anagram ADC (16/44.1) > HHB CDR 850 > CD > EAC > WAV > FLAC (level 8).    Source Detail    Source Detail  

 02/15/81 

Glassboro  NJ   Esby Gymnasium (Glassboro State College)    Jerry Garcia Band: Nak DM500 > master cassette > DAT > CDR > shn. Originally recorded by Jim Vita.    Source Detail    Source Detail  

 07/26/81 

Berkeley  CA   Keystone    JGB: MSC > DAT > CD > FLAC.    Source Detail    Source Detail  

 08/22/81 

Fairfax  CA   Fairfax Pavilion    Jim Vita's MAC (2 Nak 300s > Sony D5) > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Flac, transfer by David Minches. Show with Phil Lesh.    Source Detail    Source Detail  

 10/31/81 

Upper Darby  PA   The Tower Theatre    JGB, early & late: John Levene's Nak 300 + cp4 (shotguns) > Marantz CD330; Yamaha K-1020 playback > Sony SBM-1 > Nomad JB3 > Creative Play Center > Soundforge v6e > CDWav; Creative Play Center software used to copy to laptop. Soundforge used to prep file for tracking. CDWave used to track and flac at level 8 compression.    Source Detail    Source Detail  

 11/19/81 

Denver  CO   Rainbow Music Hall    Jerry Garcia Band: Unknown Audience Recording    Source Detail    Source Detail  

 02/05/82 

Palo Alto  CA   Keystone Palo Alto    JGB, set I: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac.    Source Detail    Source Detail  

 05/14/82 

Palo Alto  CA   Keystone Palo Alto    JGB: Unknown Audience recording > ? > cdr > eac > wav > Gems Edit Station > flac.    Source Detail    Source Detail  

 06/01/83 

New York  NY   Roseland Ballroom    JGB, I/IIp: Jim Vita's MAC (2 Sennheiser 421s > Sony D-5 [Maxell UDXLII]) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > FLAC, transfer by David Minches.    Source Detail    Source Detail  

 11/25/83 

Cleveland  OH   Cleveland Music Hall    JGB: Matrix (SBD/AUD mix). See info file for details.    Source Detail    Source Detail  

 12/02/83 

Upper Darby  PA   Tower Theater    JGB: MAC (2 Sennheiser 441s > Sony D-5) > 1st gen cassette > Nakamichi Dragon playyback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding, xfer by David Minches.    Source Detail    Source Detail  

 02/24/87 

Santa Cruz  CA   Civic Auditorium    JGB: Tom Pinney MAC (Beyer M88 [FOB Center, 20' from stage, XY 90 degrees] > Sony D5) > 1st gen cassette > JVC TD-V1050 cassette deck > Lynx Two A/D (24-bit, 44.1kHz) > Wavelab 6.0.    Source Detail    Source Detail  

 08/29/87 

Piercy  CA   French's Camp on the Eel River    JGB & JGAB: SBD + AUD Matrix Mix (60%-SBD/40%-AUD)    Source Detail    Source Detail  

 08/29/87 

Piercy  CA   French's Camp on the Eel River    JGB & JGAB: DTS-Audio-CD 5.1 Mix; SBD: CM > DAT > DAT R500 > M-Audio 24/96 > CD Wave > FLAC; AUD: FOB: Schoeps CMC44s > Sony PCM F1 (Taper: Sean Webber Small). Mix by Dan @ amdig. See info file for extensive technical notes.    Source Detail    Source Detail  

 10/28/87 

New York  NY   Lunt-Fontanne Theatre    JGAB, early show: DSBD, pitch fix for shnid 82275 via FLAC > WAV > Vegas 6.0d > FLAC by mattman.    Source Detail    Source Detail  

 10/28/87 

New York  NY   Lunt-Fontanne Theatre    JGB, early show, electric set: B. Koucky's MAC (Orchestra Nakamichi 300s > D5) > D5 (C1) > C1 playback on Nakamichi DR2 > Presonus Firebox > firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8). Transfer/mastering by C.Ladner.    Source Detail    Source Detail  

 10/28/87 

New York  NY   Lunt-Fontanne Theatre    JGB & JGAB, Late Show: Orchestra Nakamichi 300s > D5 (MAC) > D5 (C1) > C1 playback on Nakamichi DR2 > Presonus Firebox > firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8). Recording via B.Koucky. Transfer/mastering by C.Ladner.    Source Detail    Source Detail  

 11/26/88 

Los Angeles  CA   Wiltern Theater    Jerry Garcia Band: MSC > DAT > CDR > WAV > SHNv3.    Source Detail    Source Detail  

 06/10/89 

Piercy  CA   French's Camp on the Eel River    Jerry Garcia Band: MAD (Schoeps CMC3-MK4) > playback on Panasonic SV-3800 > HHb CDR-850 > CDR > WAV > SHN    Source Detail    Source Detail  

 09/02/89 

Columbia  MD   Merriweather Post Pavilion    Jerry Garcia Band: Schoeps CMC-44 (FOB) > Oade pre-amp > Sony PCM-F1 > Sony SL 2000 (Beta). Possible re-DAE and re-.shn of existing .shn set.    Source Detail    Source Detail  

 09/03/89 

Philadelphia  PA   The Spectrum    Jerry Garcia Band: MAD (Taped by Jeff Travitz, FOB hand-held Schoeps CMC34 [ORTF] > Oade power supply > SV250) > ? > SHN.    Source Detail    Source Detail  

 09/07/89 

East Rutherford  NJ   Meadowlands Arena    JGB: Unknown taper, Sennheiser 2002's (FOB, left of center) > Sony D5 (3rd deck in chain) > master cassette > 1st gen cassette > Nakamichi Cassette Deck 2 playback > RCA > UA-5 > USB > WinXP Pro > CEP 2.0 > CD Wave Editor > Flac Frontend > FLAC16.    Source Detail    Source Detail  

 09/10/89 

Mansfield  MA   Great Woods Center for the Performing Arts    JGB: matrix of SBD (shnid 27358) and AUD (shnid 14311) by dan at amdig dot com.    Source Detail    Source Detail  

 09/13/89 

Old Orchard Beach  ME   Seashore Performing Arts Center    Jerry Garcia Band: MAC (Taped by Glenn Gardner, Sennheiser ME80s > Sony D-5) > DAT > CDR > WAV > SHN. CDR and SHN encoding via A.Lemieux and C.Ladner.    Source Detail    Source Detail  

 01/31/91 

San Francisco  CA   Warfield Theater    Source: Schoeps CMC3-MK4 (110 degrees ORTF hand held under sweatshirt at drink rail)>Oade pre-amp>Panasonic SV255>D>D>WAV>SHN. Taper: unknown at this time.    Source Detail    Source Detail  

 03/01/91 

San Francisco  CA   Warfield Theater    Jerry Garcia Band: FOB->B+K 4011->Neumann PS->Dat->CD >EAC>SHN Dat->CD Done by Charlie Miller.     Source Detail    Source Detail  

 03/02/91 

San Francisco  CA   Warfield Theater    Jerry Garcia Band: Source: AUD (unknown mics) > DAT > CDR > SHNv3; Taper: unknown. Seeder suspects lineage to be FOB (Schoeps CMC3/MK4) - confirmation pending.    Source Detail    Source Detail  

 04/21/91 

San Francisco  CA   Warfield Theatre    Jerry Garcia Band: Dank Certified: FOB Schoeps CMC34> Oade Power Supply > Panasonic SV-255 Tranfer: DAT clone (Sony DTC-A6) > Dio 2448 > Soundforge 4.5 > CD WAV > Shn by Bill Gardner, bgardner@telocity.com     Source Detail    Source Detail  

 08/24/91 

Squaw Valley  CA   Goldcoast Concert Bowl    Jerry Garcia Band: Bill Reutelhuber DAUD/DSBD matrix > FLAC. See text file for details.    Source Detail    Source Detail  

 11/06/91 

Landover  MD   Capital Centre    Jerry Garcia Band: FOB (Schoeps 34 > Oade) > DAT > CDR > WAV > SHN. Taper: unknown. CDR source via H.Angus. DAE,SHN encoding, FTP hosting via C.Ladner/candyman FTP.    Source Detail    Source Detail  

 11/09/91 

Hampton  VA   Hampton Coliseum    JGB (16bit/48kHz): Taper: Clay Brennecke Location Rig: IFOB (in sweet spot, DFC 35' from stage) ~ Schoeps MK4's > Custome Oade Pre Amp > Panasonic SV-255 Transfered: John E. Herrold Transfer Linage: Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV    Source Detail    Source Detail  

 11/10/91 

Charlotte  NC   Charlotte Coliseum    Jerry Garcia Band: AUD (mics unknown) > DAT > CDR > WAV > SHN. SHN encoding/FTP via Chris L./candyman FTP.    Source Detail    Source Detail  

 11/16/91 

Albany  NY   Knickerbocker Arena    Jerry Garcia Band: FOB SCHOEPS> TASCAM DAT> CDR> WAV> SHNv3(seekable)    Source Detail    Source Detail  

 11/17/91 

Hartford  CT   Hartford Civic Center    JGB: John Mutterperl's FOB Schoeps CMC 44 blue dot cards with 90 degree capsule offsets > 6' Monster M1000 cable -> Oade PS-> 1' Monster M1000 > Oade mod'd Panasonic Sv-255. Mics were hung from a necklace, just under chin height with roughly a 4 inch spread and 90 degree angle. MAD > B. Fried DAT > B. Koucky DAT > Sony PCM-R500 playback > S/PDIF > Presonus Firebox > Firewire > PC, XP Pro > Wavelab 5 (recorded as 24 bit/48 KHz WAV) > Waves L3 Multimaximizer, high res CD rendering settings (Waves IDR type I dither/ultra shaping) > 16 bit/44.1 KHz WAV > CDWAV 1.9 > WAV > FLAC (level 8). Transfer and encoding by C.Ladner.    Source Detail    Source Detail  

 11/20/91 

Rochester  NY   Rochester Community War Memorial    JGB: Anne Cohen's Schoeps CMC5’s (FOB, handheld) > Panasonic SV255 > Sony TCD-D3 (48k DAT); Sony PCM500 > Zefiro Acoustics ZA2 > Tracked using Sound Forge 4.5 and CD Architect.    Source Detail    Source Detail  

 02/07/92 

Oakland  CA   Henry J. Kaiser Convention Center    Jerry Garcia Band: unknown taper, FOB Schoeps CMC34 Cardiod (ORTF) > MIT Cables > Oade Power Supply > Panasonic sv255. Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging.    Source Detail    Source Detail  

 04/29/92 

San Francisco  CA   Warfield Theater    Jerry Garcia Band: FOB>Schoeps mk4>Dat>CD (Dat>CD Transfer done by Charlie Miller)    Source Detail    Source Detail  

 04/30/92 

San Francisco  CA   Warfield Theater    Jerry Garcia Band: DANK CERTIFIED: FOB Schoeps CMC34 > Oade Custom Power Supply > Panasonic SV-255 DAT @48KTranfer: DAT Clone (Sony DTC-A6) > Dio 2448 > Soundforge 4.5 (resample, addfades) > CD WAV > SHN via MKW .97 (no DAE) by Bill Gardner, bgardner@telocity.com    Source Detail    Source Detail  

 07/24/92 

Sacramento  CA   Cal Expo Amphitheater    Jerry Garcia Band: AUD (mics and taper unknown) > DAT > CDR > WAV > SHN. CDR source provided by J.Steinhaus. DAE (EAC 0.9 beta 4, offset corrected, secure mode) > tracking (CDWAVE) > SHN (Shorten 3.4) > FTP via C.Ladner/candyman FTP.    Source Detail    Source Detail  

 07/29/92 

Universal City  CA   Universal Amphitheater    Jerry Garcia Band: Chip Copeland's FOB Beyer 201's (90º) > Panasonic sv255; Transfer: 16 bit – 48kHz DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither; Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging.    Source Detail    Source Detail  

 07/31/92 

Ventura  CA   Ventura County Fairgrounds    Jerry Garcia Band: Set 1 - FOB (AKG480) > DAT > CDR> WAV > SHN; Set 2 - FOB (Senn 421) > DAT > CDR > WAV > SHN, via Chris Ladner.    Source Detail    Source Detail  

 08/01/92 

Laguna Hills  CA   Irvine Meadows Amphitheater    Jerry Garcia Band: flac1648; FOB > Schoeps > DAT @ 48k; Transfer: Fostex D5 > Zoltrix 24/96 > Wavelab 5.0 @ 48k(normalized to -1db, edits,crossfades) > Cd Wave > 16/48 FLAC.    Source Detail    Source Detail  

 08/02/92 

Chula Vista  CA   Devore Field (Southwestern College)    Jerry Garcia Band: unknown taper, FOB Sennheiser MD 421 > Panasonic sv255; Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither. Encoding by Dazed64. Tracked in CDwave, FLACd Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging.    Source Detail    Source Detail  

 10/31/92 

Oakland  CA   Oakland-Alameda County Coliseum Arena    Jerry Garcia Band: set II: unknown taper, FOB Schoeps CMC34 > Panasonic sv255. Transfer: 16/48 DAT clone > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 by Todd Evans. Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8. Tag & Rename for FLAC Meta-Tagging.    Source Detail    Source Detail  

 10/31/92 

Oakland  CA   Oakland-Alameda County Coliseum Arena    Jerry Garcia Band:Schoeps MK-4V (FOB); DA-20 > Apogee SPDIF > ZA2 > CDR; via Andy Gustin    Source Detail    Source Detail  

 10/31/92 

Oakland  CA   Oakland-Alameda County Coliseum Arena    Jerry Garcia Band:Schoeps MK-4V (FOB); DA-20 > Apogee SPDIF > ZA2 > CDR; via Andy Gustin    Source Detail    Source Detail  

 12/21/92 

San Francisco  CA   Warfield Theater    Jerry Garcia Band: FOB (Schoeps) DAUD > CDR ; fixed shn of already circulated shn copy, by T. Wiley.    Source Detail    Source Detail  

 04/12/93 

San Francisco  CA   Candlestick Park    Jerry Garcia, Bob Weir & Vince Welnick: TV broadcast > cassette > wav > .shn.    Source Detail    Source Detail  

 10/31/93 

East Rutherford  NJ   Brendan Byrne Arena    JGB: Schoeps MK41's > Reutelhuber preamp > Casio DAR-100 (Recorded at 44.1khz) FOB in Section 8; DAT CLONE directly from Master played back on Sony TCD-D10PROII > Edirol R-4 > WL5 (Fades) > CDWAV > FLAC.    Source Detail    Source Detail  

 11/03/93 

Albany  NY   Knickerbocker Arena    JGB (16 bit/48kHz): Clay Brennecke IFOB (Floor Section 2, Row 13, Sets 8 & 10) ~ Schoeps MK4's > Custome Oade Pre Amp > Panasonic SV-255 Transfered: John E. Herrold Transfer Linage: Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV.    Source Detail    Source Detail  

 11/04/93 

Rochester  NY   Rochester War Memorial    JGB (16bit/48kHz)): Clay Brennecke IFOB (Floor Section 42, Row 23, Sets 13 & 15) ~ Schoeps MK4's > Custome Oade Pre Amp > Panasonic SV-255 Transfered: John E. Herrold Transfer Linage: Master SV-255 DAT > Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV    Source Detail    Source Detail  

 11/07/93 

Landover  MD   US Air Arena    JGB: Clay Brennecke's FOB Schoeps MK4's > Custome Oade Pre Amp > Panasonic SV-255 Master Dat> Sony PCM-2800 > PCM-R500 > Sound Devices 722 > Soundforge 8.0 > WAV > Flac    Source Detail    Source Detail  

 11/12/93 

New York  NY   Madison Square Garden    JGB: Schoeps MK4s > Schoeps KC5 Active Cables > Schoeps CMC3 > Oade Mic Preamp > Panasonic SV-255. Recorded by Clay Brennecke and Keith Litzenberger FOB in Section 2 Row U. DAT>TASCAM DA-30MKII>M-Audio Audiophile 192>Wavelab 5.0 (Fades & Sample rate conversion)>CDWAV>FLAC.    Source Detail    Source Detail  

 04/20/94 

San Francisco  CA   Warfield Theater    Jerry Garcia Band: MAD("vintage neumann"/KM54s?)>DAT>CDR>WAV>SHN. Taper: Chuck and Janet Vasseur.    Source Detail    Source Detail  

 05/18/94 

San Diego  CA   Starlight Bowl    Jerry Garcia Band: MAD (AT831b > D7 FOB) > D > CDR > EAC > WAV > FLAC. Taper: unnamed. Note: this originally circulated as Neumann KM140s > Panasonic SV 255, but the AT setup has apparently been confirmed by the taper.    Source Detail    Source Detail  

 09/01/94 

San Francisco  CA   Warfield Theatre    Jerry Garcia Band: FOB Neumann KM-140 > SV255 > DAT > Tascam CDRW 700 > CD > EAC > SHN.    Source Detail    Source Detail  

 []------|  Grateful Dead  |------[] 
Date  City State  Venue Source Notes Source Link

 03/19/66 

Los Angeles  CA   Carthay Studios    flac16; SBD > Rm > Reel > Dat > CD > EAC > CDWav > Flac
EAC and Tracking by Ihor Slabicky Seed provided by Paul Scotton  
 Source Detail    Source Detail  

 05/19/66 

San Francisco  CA   Avalon Ballroom    flac16; SBD > Reel > DAT > Sonic Solutions > DAT > DAT > CDR > EAC > CD Wave > FLAC    Source Detail    Source Detail  

 07/16/66 

San Francisco  CA   Fillmore Auditorium    SBD -> Reel Master (10 Inch Reels @ 15ips 1/2trk) -> Dat -> Sonic Solutions -> CD -> EAC -> SHN; Converted To SHN By Charlie Miller. Upgrade now in circulation.    Source Detail    Source Detail  

 07/17/66 

San Francisco  CA   Fillmore Auditorium    SBD -> Reel Master (10 Inch Reels @ 15ips 1/2trk) -> Dat -> Sonic Solutions -> CD -> EAc -> SHN; Converted To SHN By Charlie Miller    Source Detail    Source Detail  

 07/29/66 

Vancouver  BC   P.N.E. Garden Auditorium    probably MR> C> DAT> CDR> EAC> WAV> SHN; from pre-FM David Gans seed; may circulate with or without DSO filler    Source Detail    Source Detail  

 07/30/66 

Vancouver  BC   P.N.E. Garden Auditorium    flac16; SBD>10" 1/2 track 15ips MR>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>cdwave>Flac     Source Detail    Source Detail  

 11/19/66 

San Francisco  CA   Fillmore Auditorium    flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/05/66 

San Francisco  CA   Studio: 1st album outtakes    Source: sbd>mc>cass>cd>eac>shn by Teri Kimbro. This is an sbefix of shnid 21295.     Source Detail    Source Detail  

 ??/??/66 

Various  CA   Acid Tests    Acid Test compilation; via Alan Bershaw, Thomas Wulf; includes 1/8/66, 1/29/66, 3/12/66, 10/2/66, 10/31/66, ??/??/65, 7/23/67, ??/??/67; supplements to this set also circulate    Source Detail    Source Detail  

 ??/??/66 

Various  Compilation   Various    flac16; SMRs>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>CD Wave Editor>FLAC    Source Detail    Source Detail  

 03/18/67 

San Francisco  CA   Winterland Arena    SBD > MR > ? > CD; Seeded to etree by A.J. Fink    Source Detail    Source Detail  

 06/18/67 

Monterey  CA   Monterey County Fairgrounds    SBD: MR> Cass> DAT> ZA2> CD; exception: Alligator -> Caution has no cassette gen, and may not even be from same show; CD seed via D. Hollister; original to abgd, to etree 6/00; upgrade now in circulation    Source Detail    Source Detail  

 10/22/67 

San Francisco  CA   Winterland Arena    SBDmR> Cass> DAT> Sonic Solutions via D. Gans> CDR; via Ben Yerys; upgrade now in circulation    Source Detail    Source Detail  

 02/14/68 

San Francisco  CA   Carousel Ballroom    flac16; Recording Info: SBD -> (8 Track) Master Reel -> Dat -> CD -> FLAC Transfer Info: FLAC -> Samplitude Professional v10.02 -> FLAC Transferred and Remastered By Charlie Miller (note: this source contains officially released, copyrighted material)    Source Detail    Source Detail  

 05/18/68 

San Jose  CA   Santa Clara County Fairgrounds    flac16; Source: Jorma Kaukonen’s On Stage Mic > Reel to Reel Master > DAT x 1 Transfer: playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard > HD as 24 bit/96 KHz WAV Mastering: WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer by Chris Ladner July 2007, Mastering Bill Koucky September 18, 2008 Green Mountain Bros    Source Detail    Source Detail  

 08/22/68 

San Francisco  CA   Fillmore West    flac16; Source: Soundboard Reels > ? > DAT Transfer: Panasonic SV-3700 > Korg MR-1 DSD [1 Bit/2.8 Mhz] Mastering: AudioGate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > AudioGate to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. July 8, 2008    Source Detail    Source Detail  

 08/23/68 

Los Angeles  CA   Shrine Exposition Hall    updated lineage: 8 track multitrack Reels> "Sonic Wizardry"> DAT> Cassette> DATs> CDRs> EAC> SHN;? via Darrin Sacks, who reports: "Not a note of this material appears on Two From The Vault.?It turns out that TFTV is composed exclusively of 8.24.68" (go buy that); with unknown (8/29/68?) filler    Source Detail    Source Detail  

 09/02/68 

Sultan  WA   Betty Nelson's Organic Raspberry Farm    Recording Info: SBD -> Master Reel (Three half-inch four track reels, recorded on Ampex 440) -> Dat (Tascam DA30/44.1k); Transfer Info: Master Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (1 Disc Audio / 1 Disc SHN); Transfered and Edited By Charlie Miller 2/5/04    Source Detail    Source Detail  

 09/20/68 

Berkeley  CA   Berkeley Community Theater    flac16; SBD > Master Reel > Cassette > Dat > CD > Adobe Audition v1.5 > CD Wave > FLAC; Transfer and Mastering by Charlie Miller    Source Detail    Source Detail  

 10/12/68 

San Francisco  CA   Avalon Ballroom    flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 10/13/68 

San Francisco  CA   Avalon Ballroom    flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/29/68 

Hallandale  FL   Gulfstream Park Racetrack    MSC> D> CD> EAC> SHN; Dropouts d2 7:22, d3 7:17; via Steve Barbella with thanks to Seth Kaplan    Source Detail    Source Detail  

 12/29/68 

Hallandale  FL   Gulfstream Park Racetrack    flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 01/17/69 

Santa Barbara  CA   Robertson Gym, U.C.S.B.    flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 01/24/69 

San Francisco  CA   Avalon Ballroom    Complete; SBD> MSR> C> DAT> CD> SHN; via Seth Kaplan    Source Detail    Source Detail  

 01/25/69 

San Francisco  CA   Avalon Ballroom    set 2; SBD:MR> Cass> DAT> ZA2> CD; via David Hollister, Jeff Sachs to abgd; 12/00: noted at gdlive.com    Source Detail    Source Detail  

 01/26/69 

San Francisco  CA   Avalon Ballroom    MSR> C> DAT> CD; via Seth Kaplan, Darrin Sacks; with fixed track boundaries; tracked for 1x80; see flaw notes in info file; note material from this date also appeared on Live Dead- go buy it    Source Detail    Source Detail  

 02/05/69 

Kansas City  KS   Soldiers & Sailors Memorial Auditorium    SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Chuck Gannon     Source Detail    Source Detail  

 02/06/69 

St. Louis  MO   Kiel Auditorium    SBD> MC> D> CD> EAC> SHN; Soundforge used for pitch correction and pop removal; edited, encoded, vined by J. Cotsman; with thanks to Paul Hartman    Source Detail    Source Detail  

 02/07/69 

Pittsburgh  PA   Stanley Theater (Early, Late)    Late Show ; SBD> MC(Bear Owsley)> DAT (Rob Eaton)> (Jim Wise) HHb>CDR ; Seeded to Etree by T. Wiley    Source Detail    Source Detail  

 02/07/69 

Pittsburgh  PA   Stanley Theater (Early, Late)    Early Show; SBD> MC (Bear Owsley)> DAT (Rob Eaton)> (Jim Wise) HHb> CDR ; Seeded to Etree by T. Wiley    Source Detail    Source Detail  

 02/12/69 

New York  NY   Fillmore East (Late Show)    late show; SBD> MR> C> D> CD> EAC> SHN; edited, shned, vined by J. Cotsman; with thanks to Jeff Cook; Missing Dupree's, Mountains    Source Detail    Source Detail  

 02/15/69 

Philadelphia  PA   Electric Factory    MSR (7" @ 7.5 ips 1/2 track) > Tascam 122mkIII 1st gen. cassette > Nak Dragon playback > Sony PCM R-700 DAT > ZA2 > wav (Sound Forge) > CD (CD Architect) > unknown CD gens > EAC (test & copy, secure mode, offset corrected) > sector boundary verification (shntool) > seekable .shn (mkwact). DAT conversion and CD mastering by aoxoa, CD > SHN by D. Winters.    Source Detail    Source Detail  

 02/21/69 

Vallejo  CA   Dream Bowl    Speed corrected SBD >MR> ?> DAT> CDR; via The Owen Brothers Vault; See info file for details    Source Detail    Source Detail  

 02/22/69 

Vallejo  CA   Dream Bowl    SBD>MR>DAT>CDR; Mastering by The Owen Brothers Vault; see info file for details    Source Detail    Source Detail  

 02/27/69 

San Francisco  CA   Fillmore West    SBD 16-Track Master Reel > Rough Mix DAT > DATx3 > Digital Sound Card > WAV > SHN > WAV > Cool Edit > CDWAV > SHN; via Aoxoa, R. Keshavan, Seth Kaplan; see info file for notes on patches and edits; d2 tracked for 80 min; note material from this date also appeared on Live Dead- go buy it    Source Detail    Source Detail  

 02/28/69 

San Francisco  CA   Fillmore West    16-Track Master Reel> DAT> CD> EAC> SHN, with various patches (see info file); via Charlie Miller, Aoxoa, Seth Kaplan; upload by Darrin Sacks    Source Detail    Source Detail  

 03/01/69 

San Francisco  CA   Fillmore West    SBD > DUAL RTR DECKS AT 15 I.P.S. > LESH DIGITAL MIXDOWN IN 1998 > MCS D > SSSB (Jay Serafin remaster)    Source Detail    Source Detail  

 03/02/69 

San Francisco  CA   Fillmore West    Multi-track reel master > DAT > CD > EAC > SHN; via Seth Kapln, Darrin Sacks; see info file for relation to previous seeds    Source Detail    Source Detail  

 03/28/69 

Modesto  CA   Student Center, Modesto Jr. College    MSR> C> D> CD; via Frank Bove    Source Detail    Source Detail  

 03/28/69 

Modesto  CA   Student Center, Modesto Jr. College    flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 04/04/69 

San Francisco  CA   Avalon Ballroom    MSR> C> DATs> CDRs> EAC> SHN; EAC/SHN by Darrin Sacks, from Rango Keshavan seed; see info file for setlist/tracklist commentary    Source Detail    Source Detail  

 04/05/69 

San Francisco  CA   Avalon Ballroom    Recording Info: SBD -> Rm (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat -> Sonic Solutions -> CD -> EAC -> Samplitude -> SHN Conversion By Charlie Miller    Source Detail    Source Detail  

 04/05/69 

San Francisco  CA   Avalon Ballroom    Recording Info: SBD -> Rm (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat -> Sonic Solutions -> CD -> EAC -> Samplitude -> SHN Conversion By Charlie Miller    Source Detail    Source Detail  

 04/15/69 

Omaha  NE   The Music Box    flac16; DTS-Audio-CD 5.1 Mix    Source Detail    Source Detail  

 04/21/69 

Boston  MA   The Ark    Bertha Remaster of the Master Reel source; SBD>>MR>>DAT>>CDA>>DAW(Bertha)>>CDA/SHN    Source Detail    Source Detail  

 04/21/69 

Boston  MA   The Ark    Updated possible gen: MSR> DAT > CDR (had been marked MSR > Cassette > DAT > CDR); intro from alternate SBD; d1t6, d3t2 have cuts from reel; 1/20/68 filler; via Scott Clugston, Lee Revell     Source Detail    Source Detail  

 04/22/69 

Boston  MA   The Ark    Updated possible gen: SMC>R>D (had been marked MSR > Cassette > DAT x2 > CDR); d1t1,8 have cuts from master;? via Scott Clugston, Lee Revell    Source Detail    Source Detail  

 04/22/69 

Boston  MA   The Ark    flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 04/23/69 

Boston  MA   The Ark    MSR> Cassette> DATs> CDRs> EAC >SHN; via Jim Wise, Rob Bertrando, Darrin Sacks; note this reportedly may be an upgrade compared to previously etreed version; same cuts and splices as in previous version; note d1 tracked for 80 min    Source Detail    Source Detail  

 04/23/69 

Boston  MA   The Ark    flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade of 98892    Source Detail    Source Detail  

 04/25/69 

Chicago  IL   Electric Theater    Source: mR> D> Sonic Solutions> CDR    Source Detail    Source Detail  

 04/25/69 

Chicago  IL   Electric Theater    flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 04/26/69 

Chicago  IL   Electric Theater    flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 05/03/69 

San Francisco  CA   Winterland Arena    all that circulates; Reel> PCM> Dat> Tascam DA20> Audio Magic Presto> Prodif Plus> Soundforge> cdwav> shn; fits on 1 .shn disc with 5/23/69; via Phunk1; reel splice at beginning of Rag; disc may not have accompanying  .md5s; md5s shown here were created by A. Fox- note you may have to modify filenames to match    Source Detail    Source Detail  

 05/07/69 

San Francisco  CA   Polo Field, Golden Gate Park    retracking and edit of previous shn set, by J. Cotsman: SBD> MR> C> D> CD> EAC> SHN; with 3/26/68 filler; via J. Cotsman to vine    Source Detail    Source Detail  

 05/23/69 

Hollywood  FL   Seminole Indian Village    partial Dew>>11//; Reel> PCM> DAT; conversion:Tascam DA-20> Audio Magic Presto> Prodif Plus> Soundforge> cdwav> shn; fits on 1 .shn disc with 5/3/69; via Phunk1; disc may not have accompanying .md5s; md5s shown here were created by A. Fox- note you may have to modify filenames to match    Source Detail    Source Detail  

 05/23/69 

Hollywood  FL   Seminole Indian Village    complete show from compilation of reel master and what is believed to be the cassette master; Source 1: SBD> MR> PCM> D> CD> EAC> SHN ; Source 2: SBD> MC> R> C> D> CD> EAC> SHN (?); See info file for details; via Jim Hale; Seeded to etree by Seth Kaplan & JCotsman    Source Detail    Source Detail  

 05/23/69 

Hollywood  FL   Seminole Indian Village    flac16; Source: Soundboard Master Reels > PCM > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz] Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky January 1, 2009, Green Mountain Bros.    Source Detail    Source Detail  

 05/24/69 

Hollywood  FL   Seminole Indian Village    Cass>DAT> DAT> SONIC SOLUTIONS> CD> CD> EAC[secure] >SHN from 2003 KPFA Dead Marathon    Source Detail    Source Detail  

 05/31/69 

Eugene  OR   McArthur Court, University of Oregon    SBD> ?> CDR> EAC> SHN; via J. Oleynick, M. Ferguson; encore shuffled to fit on 2 discs, but songs can be moved to proper order for 3 discs; see info file for flaw notes    Source Detail    Source Detail  

 06/05/69 

San Francisco  CA   Fillmore West    SBD>MC>C>D>CD>EAC>SHN; pitch corrected; patch in Cryptical Reprise from alt sbd; edits/encoding by JCotsman    Source Detail    Source Detail  

 06/06/69 

San Francisco  CA   Fillmore West    SBD>MC>C>D>CD; via Joe Jupille; Seeded to etree by J. Cotsman    Source Detail    Source Detail  

 06/07/69 

San Francisco  CA   Fillmore West    MR > DAT > CD > EAC > Cool Edit 96 (Resampled to correct pitch) > SHN > CD > SHN; via A.J. Fink; Seeded to etree by Seth Kaplan    Source Detail    Source Detail  

 06/08/69 

San Francisco  CA   Fillmore West    set 1: SBD> MR> C> D> CD> EAC> SHN; set 2: SBD> MC> C> D> CD> EAC> SHN, pitch corrected via J. Cotsman    Source Detail    Source Detail  

 06/13/69 

Fresno  CA   Fresno Convention Center    Master Soundboard Cassette > Cass > DAT > ZA2 > SF > CD; via Steve Barbella    Source Detail    Source Detail  

 06/27/69 

Santa Rosa  CA   Veterans Auditorium    SBD> MR> Cassette> DAT> DAT; DAT> ZA2> Soundforge> wav> mkw> SHN; DAT seed provided by Michael P. Weitzman; Transfer and SHN by Joe Samaritano    Source Detail    Source Detail  

 06/28/69 

Santa Rosa  CA   Veterans Auditorium    complete; sbd> mr> cass> dat> cd; Conversion: Kenwood TrueX> EAC> shn V3 (seekable); Seed: Brian Cole    Source Detail    Source Detail  

 07/03/69 

Colorado Springs  CO   Reed's Ranch    flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 08/02/69 

San Francisco  CA   Family Dog at the Great Highway    flac16; SBD -> Cassette Master -> Dat Transferred and Edited By Charlie Miller    Source Detail    Source Detail  

 08/03/69 

San Francisco  CA   Family Dog at the Great Highway    flac16; Recording Info: SBD -> Cassette Master -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC Transferred and Edited By Charlie Miller    Source Detail    Source Detail  

 08/16/69 

Bethel  NY   Max Yasgur's Farm    SBD>MR>D>CD>EAC>SHN; 8trk Master Reels @ 15ips; Thanks to David Litfin; edits/encoding by JCotsman    Source Detail    Source Detail  

 08/16/69 

Bethel  NY   Max Yasgur's Farm    flac16; Source: 8 Track Master Reels @ 15ips > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with L3 Waves Multimaximizer Rate Conversion with r8brain to [16bit/44.1 khz] > TLH > Flac transfer and mastering by Bill Koucky (This source fixes errors in the previous source)    Source Detail    Source Detail  

 08/21/69 

Seattle  WA   Aqua Theater    SBD>MC>C>D>CD>EAC>SHN; complete show; edits/encoding by JCotsman    Source Detail    Source Detail  

 08/28/69 

San Francisco  CA   Family Dog at the Great Highway    SBD > CM > Cass > DAT > CDR > WAV; via EAC/Trade from Morgan Evans > CDR > EAC > CDWAV > seekable SHN; via Rick Lepley    Source Detail    Source Detail  

 08/29/69 

San Francisco  CA   Family Dog at the Great Highway    SBD> MR> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Jeff Cook    Source Detail    Source Detail  

 08/30/69 

San Francisco  CA   Family Dog at the Great Highway    Master Soundboard Reel > Cass > DAT > CD; via Seth Kaplan; Seeded to etree by Steve Barbella    Source Detail    Source Detail  

 09/01/69 

Prairieville  LA   Baton Rouge International Speedway    Source: MSC (Ampex C-90 cassette) > DAT > CD-R via Andy Lemieux and Kingbee encoded by Matt Vernon    Source Detail    Source Detail  

 09/07/69 

San Francisco  CA   Family Dog at the Great Highway    SBD, Deadhead Hour pre-FM (some lineage details in info file); via David Finney    Source Detail    Source Detail  

 09/29/69 

New York  NY   Cafe au Go-Go    early show; AUD> ?> Reel> Cass (Maxell UD w/dolby B, playback on Sony TCK-909ES) > DAT (SV-3700 w/Oade +15dB input gain mod) > ZA2 > DiamondCut Noise Reduction > CD; upload by R. Nayfield, stemming from tree run by J. Miller, seeded by D. Hollister; covers    Source Detail    Source Detail  

 10/25/69 

San Francisco  CA   Winterland Arena    SBD> MR> DAT> Sonic Solutions> CDR; reel flip after William Tell , edited by David Gans; via R. Jagla    Source Detail    Source Detail  

 11/02/69 

San Francisco  CA   Family Dog at the Great Highway    mr> c1> dat> turtle bch "Fiji"> SHN; via Teddy GoodBear, Doug Johnson; to abg, later to etree; note track names by title, have spaces and/or special characters; see pub comments for flaw note    Source Detail    Source Detail  

 11/02/69 

San Francisco  CA   Family Dog at the Great Highway    Fixed version of previous file set. Same source info as 32273, but w/fixed Dark Star.    Source Detail    Source Detail  

 11/07/69 

San Francisco  CA   Fillmore Auditorium    Stated lineage: MR > DAT > CD > EAC > CDWAV > Cool Edit Pro Noise Filter > SHN > CDR; (Except for * which is MR > DAT > CD) (Deadlists lists a probable cassette generation); via Seth Kaplan     Source Detail    Source Detail  

 12/28/69 

Hollywood  FL   International Speedway    flac16; Source: Soundboard master Reels > Cassette > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab > CD Wave > TLH > Flac    Source Detail    Source Detail  

 12/29/69 

Boston  MA   Boston Tea Party    SBD MR (7" reel @7.5 ips)>DAT>DAT>CDR    Source Detail    Source Detail  

 12/30/69 

Boston  MA   Boston Tea Party    Recording Info: SBD -> Cass Master (Ampex C-90 Master Cass/no dolby) -> Cass (Tascam 122mkIII Cass 1st Gen) -> Dat (Technics 3800/44.1k) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN    Source Detail    Source Detail  

 12/31/69 

Boston  MA   Boston Tea Party    flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 01/02/70 

New York  NY   Fillmore East - late show    late show, partial; SBD-> MR-> DAT (x)-> CDR (x)-> EAC; via S. Windsor abgd; via D. Sacks to etree 12/15; cut in end of Dark Star/ beginning St. Stephen from reel change    Source Detail    Source Detail  

 01/03/70 

New York  NY   Fillmore East (Early Show)    early and late; SBD > MR > DAT > C > DAT > CDR; via Mike Lai, with thanks to Wayne Gucwa; info file by Jeff Hannan    Source Detail    Source Detail  

 01/03/70 

New York  NY   Fillmore East (Late Show)    early and late; SBD > MR > DAT > C > DAT > CDR; via Mike Lai, with thanks to Wayne Gucwa; info file by Jeff Hannan    Source Detail    Source Detail  

 01/10/70 

San Diego  CA   Golden Hall    Master Soundboard Reel > Reel to Reel > DAT> CDR; CD Mastering by Scott Clugston; to abgd    Source Detail    Source Detail  

 01/16/70 

Portland  OR   Springer's Inn Portland    sbd> ??> cdr> eac> shn; a few cuts (see tracklist); eac>shn by popi n. feeldz, with thanks to Moss Willow    Source Detail    Source Detail  

 01/17/70 

Corvallis  OR   Gill Coliseum, Oregon State University    Master Soundboard Reel > DAT > CDR; via Scott Clugston    Source Detail    Source Detail  

 01/23/70 

Honolulu  HI   Honolulu Civic Auditorium    Updated lineage: SBD > MASTER REEL > CASS > DAT > CD; Originally posted to abgd via Teddy Goodbear; seeded to fungus and tol with minor editing by Charlie Connor    Source Detail    Source Detail  

 01/24/70 

Honolulu  HI   Honolulu Civic Auditorium    SBD: Master Reel > cassette > DAT > CD > SHN; T06 (Black Peter): subsecond dropout/splice @ 7:44; T07 (Good Lovin'): cuts right before last verse; via Seth Kaplan, upload by G.S. Hamilton    Source Detail    Source Detail  

 01/30/70 

New Orleans  LA   The Warehouse    SBD>MR>C>DAT>CDR; via Raoul Duke; seeded to etree by Matt Vernon    Source Detail    Source Detail  

 01/31/70 

New Orleans  LA   The Warehouse    SBD>MR>C>D>CD>EAC>SHN 7inch Master Reel@7.5ips SBE fix of shn ID 7045; shntool was used to fix sector boundary errors and seek tables were appended.     Source Detail    Source Detail  

 02/01/70 

New Orleans  LA   The Warehouse    SBD>MSR>C>DAT>CD; Seeded to etree by Seth Kaplan    Source Detail    Source Detail  

 02/02/70 

St. Louis  MO   The Fabulous Fox Theatre    SBD>MR>R>R>PCM>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon    Source Detail    Source Detail  

 02/05/70 

San Francisco  CA   Fillmore West    SBD MR> C> D> CD + AUD low-gen; more material than previous versions, >80 min including bonus track; pitch correction, EQ, CD mastering by Hanno Bunjes, with thanks to Uli Teute    Source Detail    Source Detail  

 02/06/70 

San Francisco  CA   Fillmore West    SBD> MR> C> D> CD; via Don Bean    Source Detail    Source Detail  

 02/07/70 

San Francisco  CA   Fillmore West    SBD MR>C>D>CD + AUD MC>4C>CD patches; via Uli Teute; Seeded to etree by Hanno Bunjes; Note- This is an eac of the 'same' source discs as the previous Hanno seed; See info file for Hanno's comment    Source Detail    Source Detail  

 02/11/70 

New York  NY   Fillmore East (late show)    early and late shows; MSR> DATs> CDRs> EAC> shn; see info file for flaws and notes; shn and u/l by Darrin Sacks; also, Ben Yerys reports UJB encore pops (not sure if from CD or DAT source): 3.23?; 4.35, 5.26??, 5.27??; note d2alt.md5 also shown for a version noted at gdlive 7/01+, having a different d2t3 md5- reason unknown    Source Detail    Source Detail  

 02/13/70 

New York  NY   Fillmore East (Late Show)    flac16; Recording Info: SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller (This sources fixes a flaw in d2t08 of source ID 97613)    Source Detail    Source Detail  

 02/13/70 

New York  NY   Fillmore East (Late Show)    flac16; Recording Info: SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller (This sources fixes a flaw in d2t08 of source ID 97613)    Source Detail    Source Detail  

 02/14/70 

New York  NY   Fillmore East    flac16; Recording Info:SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k);Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 02/14/70 

New York  NY   Fillmore East    flac16; Recording Info:SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k);Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 02/23/70 

Austin  TX   The Auditorium    SBD>MR>C>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon    Source Detail    Source Detail  

 02/27/70 

San Francisco  CA   Family Dog at the Great Highway    flac16; Recording Info: SBD -> Master Reel (7.5ips 1/2trk) -> Dat/0 (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller    Source Detail    Source Detail  

 03/01/70 

San Francisco  CA   Family Dog at the Great Highway    SBD MR>C>D>CD; patch of circulating SBD with AUD by Hanno Bunjes: 3rd gen cassette > CD > SoundForge (5% speed correction/amplify) > CD; to BUDD offer; Hanno's notes    Source Detail    Source Detail  

 03/08/70 

Phoenix  AZ   Star Theatre    SBD MR>C>D>CD; Unknown seeder    Source Detail    Source Detail  

 03/20/70 

Port Chester  NY   Capitol Theater    mixed source (SBD> MR> PCM, unknown gen AUD, 2nd gen AUD)> ZA2> CD, mastered by David Hollister; EAC> SHN by G.S. Hamilton with thanks to Brian Voelz    Source Detail    Source Detail  

 04/03/70 

Cincinnati  OH   Field House, U. of Cincinnati    SBD; Monitor Noise throughout show; noted at gdlive 5/01; via Aaron Farnsworth    Source Detail    Source Detail  

 04/15/70 

San Francisco  CA   Winterland Arena    MSR>DAT>CD>EAC>SHN (mkwACT) via Seth Kaplan includes 5 additional songs from a prior seed    Source Detail    Source Detail  

 05/01/70 

Alfred  NY   Alfred College    flac16; SBD > Rm > Dat > Sonic Solutions > CD > Samplitude > Flac
Seeds provided by David Gans, Remastered by Charlie Miller  
 Source Detail    Source Detail  

 05/01/70 

Alfred  NY   Alfred College    flac16 ; Recording Info: Source 1: SBD -> Master Reel -> CD Source 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD Source 3: SBD -> Master Reel -> Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 05/06/70 

Cambridge  MA   Kresge Plaza, M.I.T.    Gans version as for other shn set, SHNed by M. Hall (not sure if this copy got into wide circulation)    Source Detail    Source Detail  

 05/06/70 

Cambridge  MA   Kresge Plaza, M.I.T.    flac16; Source: Master Soundboard Reels 10", 2-sided, 1/2 Track Mono > DAT x 1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with Nomad Factory Plugins Rate Conversion with r8brain to [16bit/44.1 mhz] > TLH > Flac Transfer and Mastering: Bill Koucky, Green Mountain Bros. November 15, 2008 Transfer from Reels to DAT was done in 1994 by Eli Polansky from WMBR MIT Radio Archives for Jim Birkhead, and cloned to Bill Koucky    Source Detail    Source Detail  

 05/14/70 

Kirkwood  MO   Meramec Community College    SBD>MR>?>D>CD>EAC>SHN (acoustic set); SBD>MR>D>CD>EAC>SHN (electric set); complete show except for Dire Wolf and Cold Jordan, which are probably not on the masters; Thanks to Dan Capshaw and Walter Schnell; edits/encoding by JCotsman    Source Detail    Source Detail  

 05/15/70 

New York  NY   Fillmore East (Late Show)    New Master Reel transfer: SBD:10" 1/2 track Master Reels @ 7.5 ips>Revox A700 playback deck>Alesis Masterlink ML 9600>CD. No PCM generation in GD/NRPS sets. No analog gens in NRPS sets. Upgrade from previously circulating source. Seeded to etree 5/31/2005 by Chuck Reynolds and Seth Kaplan.    Source Detail    Source Detail  

 05/24/70 

Newcastle  England   Newcastle-Under-Lyme    SBD MR> C> D> CD + AUD MR> C> D> CD patches; mastered by Hanno Bunjes, with thanks to Uli for the AUD source; Hanno's notes    Source Detail    Source Detail  

 06/13/70 

Oahu  HI   Red Vest    Complete; SBD MR> R> D> CD + AUD low-gen; patched by Hanno Bunjes, with thanks to Paul B. and Uli    Source Detail    Source Detail  

 07/14/70 

San Rafael  CA   Euphoria Ballroom    sbdmr> dat> cd> shn> cd> ?> shn; this source is possibly derived from source id 1030    Source Detail    Source Detail  

 07/16/70 

San Rafael  CA   Euphoria Ballroom    partial; Master Soundboard Reel > Cassette > Cassette > CDR; CD Mastering by Scott Clugston; to abgd    Source Detail    Source Detail  

 07/30/70 

San Anselmo  CA   Lion's Share    SBD>??>CD>EAC>SHN via Chuck Gannon edits/encoding by Jeff Cotsman    Source Detail    Source Detail  

 08/05/70 

San Diego  CA   Golden Hall Community Concourse    MSR > Reel > PCM > DAT > CDR > EAC > SHN via Andy Lemieux, encoding Joe Jupile    Source Detail    Source Detail  

 09/18/70 

New York  NY   Fillmore East    Soundboard (via Andy Lemieux) and Jack Toner audience tape (via Jack Warner) composite edited and encoded by Jeff Cotsman. Include NRPS, Dead Acoustic and Electric sets    Source Detail    Source Detail  

 09/18/70 

New York  NY   Fillmore East    flac16; SBD -> Master Reel -> CD -> EAC(secure, offset corrected) -> TLH(flac encoding) -> FLAC Circulated by Chuck Reynolds, February 13, 2009    Source Detail    Source Detail  

 09/19/70 

New York  NY   Fillmore East    MSR > DAT > CD or SBD> Rm> Reel> Dat> Sonic Solutions> CD; EAC> SHN by Seth Kaplan; more complete than previously etreed versions    Source Detail    Source Detail  

 09/19/70 

New York  NY   Fillmore East    flac16; SBD -> Master Reel -> CD -> EAC(secure, offset corrected) -> CoolEdit Pro -> TLH -> FLAC16; Circulated by Chuck Reynolds    Source Detail    Source Detail  

 09/19/70 

New York  NY   Fillmore East    flac16; (disc 3 only) Sick Bits 14; matrix: SBD/AUD mix of 2 previously circulating sources (SBD: shnid=5217 & AUDs (composite): shnid=25473) edited, mixed and converted by Chris Chappell    Source Detail    Source Detail  

 10/31/70 

Stony Brook  NY   Gym, S.U.N.Y. (Early)    early electric; SBD > Reel > DAT; Transfer: D7 > Coresound > Prodif Plus > Samplitude 5.5 > CDwav > SHN, by Mike Fischer    Source Detail    Source Detail  

 11/08/70 

Port Chester  NY   Capitol Theater    The Port Chester Resurrection Project #7 Taped by Ken and Judy Lee. See txt file for details.    Source Detail    Source Detail  

 12/12/70 

Santa Rosa  CA   Santa Rosa Fairgrounds    Master Soundboard Reel > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; see info file for deadlist.com notes    Source Detail    Source Detail  

 12/23/70 

San Francisco  CA   Winterland Arena    Partial; SBD>MR>R>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon    Source Detail    Source Detail  

 12/26/70 

El Monte  CA   Legion Stadium    Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Patch Info: SBD -> Master Reel -> ? -> Dat -> SHN Edited and Patched By Charlie Miller    Source Detail    Source Detail  

 12/27/70 

El Monte  CA   Legion Stadium    SBD -> Master Reel (7inch Master Reels@7.5ips 1/2trk) -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Edited By Charlie Miller     Source Detail    Source Detail  

 12/28/70 

El Monte  CA   Legion Stadium    SBD> Master Reel> Cassette> Dat> CD> EAC> Samplitude v7.02 Professional> SHN, Patched with Sony ECM-22> Rm> Dat> CD; All Editing Done By Charlie Miller    Source Detail    Source Detail  

 ??/??/70 

Unknown  CA   Studio- Workingman's Dead Outtakes              

 01/24/71 

Seattle  WA   Seattle Center Arena    SBD> MR> C> DAT> CDR; Truckin? is missing the opening notes, Good Lovin? reprise cuts at 0:24; via Mike Lai with thanks to Paul B.    Source Detail    Source Detail  

 02/18/71 

Port Chester  NY   Capitol Theater    flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.    Source Detail    Source Detail  

 02/18/71 

Port Chester  NY   Capitol Theater    flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 02/19/71 

Port Chester  NY   Capitol Theatre    flac 16; Sick Bits Vol. 13 - SBD/AUD matrix of two previosly circulated sources (SBD - shnid=1029 + AUD - shnid=30230), edited and encoded by Chris Chappell.    Source Detail    Source Detail  

 02/20/71 

Port Chester  NY   Capitol Theater    flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.    Source Detail    Source Detail  

 02/21/71 

Port Chester  NY   Capitol Theater    flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner.    Source Detail    Source Detail  

 02/23/71 

Port Chester  NY   Capitol Theater    flac16; Source Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 and Ozone. Dithered L2 type 1 ultra by Jamie Waddell    Source Detail    Source Detail  

 02/24/71 

Port Chester  NY   Capitol Theater    flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris Ladner.    Source Detail    Source Detail  

 03/14/71 

Madison  WI   Camp Randall Field House, University of Wisconsin    Sbd> MR> Dat> CD; EAC >CDWav (split)> shn V3 by Brian Cole; parent seed courtesy Jim Oade; some editing in d1t6, d2t1    Source Detail    Source Detail  

 03/18/71 

St. Louis  MO   Fox Theatre    SBD (7") MR> Cass> DAT> CD; via Ben Yerys, M. Wienke    Source Detail    Source Detail  

 03/20/71 

Iowa City  IA   University of Iowa    SBD > MR > cass > dat > CD > SHN (seekable); DAT>CD transfer by Mandrake; EAC> shn by Steve Barbella    Source Detail    Source Detail  

 03/24/71 

San Francisco  CA   Winterland Arena    flac16; Recording Info: SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Patch Info: Sony Stereo Mic -> Cassette Master (Sony TC-124) supplies: The Other One (6:59 - 7:23) and Beat It On Down The Line (0:00 - 0:32)All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 04/05/71 

New York  NY   Manhattan Center    7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens    Source Detail    Source Detail  

 04/05/71 

New York  NY   Manhattan Center    flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips > PCM501ES (beta) PCM501ES analog out > dolby A decoder > analog in PCMF1 > analog out > Fostex D5 Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 6, 2008, Green Mountain Bros.    Source Detail    Source Detail  

 04/06/71 

New York  NY   Manhattan Center    7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens    Source Detail    Source Detail  

 04/06/71 

New York  NY   Manhattan Center    flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips > PCM501ES (beta) PCM501ES analog out > dolby A decoder > analog in PCMF1 > analog out > Fostex D5 Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 8, 2008, Green Mountain Bros.    Source Detail    Source Detail  

 04/07/71 

Boston  MA   Music Hall    flac16; 7" BBD Reel > PCM501ES > Fostex D5 > Fostex D5 optical S/PDIF out (Jace's tape) > disk Transferred by Tim Deibert 1-12-02 WBOTB Project    Source Detail    Source Detail  

 04/07/71 

Boston  MA   Music Hall    flac16; Source: Betty Cantor 7" two track reel w@ 7 1/2 ips> PCM501ES @ 44.055 kHz CM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz Jace Crouch’s original source WBOTB DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 5, 2008, Green Mountain Bros.    Source Detail    Source Detail  

 04/08/71 

Boston  MA   Music Hall    flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky January 1, 2009, Green Mountain Bros.    Source Detail    Source Detail  

 04/08/71 

Boston  MA   Music Hall    flac16; 7" Betty Board Reel > PCM501ES analog out > Dolby A Decoder > Analog in PCMF1 PCM501ES analog out > Fostex D5 optical S/PDIF out > disk Transferred by Tim Deibert 9-16-02 WBOTB    Source Detail    Source Detail  

 04/10/71 

Lancaster  PA   East Hall, Franklin & Marshall College    SBD>MR>C>DAT>CD; via Mark Pfortmiller; Seeded to etree by Willy    Source Detail    Source Detail  

 04/12/71 

Pittsburgh  PA   Civic Arena    flac16; SBD -> Reel Master -> Dat -> Sound Forge -> CD Transferred By Charlie Miller     Source Detail    Source Detail  

 04/14/71 

Lewisburg  PA   Davis Gymnasium    SBD> MR> DAT> CDR; several spots of irreparable reel static; via Mike Lai with thanks to Paul B.; note 4 tracks in d2 had been misnumbered, corrections shown in fixed md5s: 1> 3, 2>4, 3>1, 4>2    Source Detail    Source Detail  

 04/15/71 

Meadville  PA   Allegheny College    SBD>MR>DAT>CD; missing 5 songs; See info file for details; via Bill O; Seeded to etree by eD(efojr)    Source Detail    Source Detail  

 04/17/71 

Princeton  NJ   Dillon Gym, Princeton University    set1; SBD> Reel> ?> DAT> ZA2 (48>44.1)> CD; via R. Nayfield    Source Detail    Source Detail  

 04/17/71 

Princeton  NJ   Dillon Gym, Princeton University    set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield    Source Detail    Source Detail  

 04/18/71 

Cortland  NY   Lusk Field House, S.U.C.N.Y    SBD : MR > RR > DAT > CD; Extraction, editing and .shn encoding by Alan J. Fink, from John Valter seed; patch in UJB; see info file for additional notes    Source Detail    Source Detail  

 04/21/71 

Providence  RI   Rhode Island Auditorium    MSR> R> D> CD> DAE> SHN; sector boundary fix of previous shn set, by Seth Kaplan    Source Detail    Source Detail  

 04/22/71 

Bangor  ME   Bangor Municipal Auditorium    Master Soundboard Reel > DAT > CDR; shn encoded/uploaded by Scott Clugston; to abgd, 11/00 to etree    Source Detail    Source Detail  

 04/24/71 

Durham  NC   Wallace Wade Stadium, Duke University    sdb> MR> PCM> CD; via Mike Lai; 3/10, Michael Weise provided modified tracking (alt md5s, same checksums) and updated info file    Source Detail    Source Detail  

 04/25/71 

New York  NY   Fillmore East    flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 04/26/71 

New York  NY   Fillmore East    MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; includes (wrong) NRPS; note 4 CD best-of-run is available from the Dead    Source Detail    Source Detail  

 04/27/71 

New York  NY   Fillmore East    MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; d1,3 are tracked for 80 min; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead    Source Detail    Source Detail  

 04/28/71 

New York  NY   Fillmore East    MSR > (Reel post-Bird Song) >Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead    Source Detail    Source Detail  

 04/29/71 

New York  NY   Fillmore East    Lineage: (mostly) SB> MR> CD; Refined by Chris Frisco, 20 glitches painstakingly removed without deleting any of the wav; Bird Song patched; See info file for further details; Circ's w/ NRPS opening set    Source Detail    Source Detail  

 04/29/71 

New York  NY   Fillmore East    flac16; matrix of SBD: shnid=33565 and AUD: shnid=26568 by hansokolow using ProTools     Source Detail    Source Detail  

 05/30/71 

San Francisco  CA   Winterland Arena    flac16; SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 06/21/71 

Herouville  France   Chateau D'Herouville    SBD MR> ?> D> CD patched with AM MR> R> C> CD, 5% speed correction, by Hanno Bunjes; see info file for notes; to BUDD offer, later to etree    Source Detail    Source Detail  

 07/02/71 

San Francisco  CA   Fillmore West    Pre-FM MSR> DAT> CD?; Transfer: EAC> WAV> FLAC by Sean Cribbs, from Connie Veigh source discs    Source Detail    Source Detail  

 08/05/71 

Hollywood  CA   Hollywood Palladium    AUD>MR>R>D>CD; via Jeff Krakowka & Jim Hale; Seeded to etree by J. Cotsman    Source Detail    Source Detail  

 08/06/71 

Hollywood  CA   Hollywood Palladium    updated source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando et al; (info file had given AKG 330 etc); D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro; via Ben Kasper, Ben Yerys    Source Detail    Source Detail  

 08/06/71 

Hollywood  CA   Hollywood Palladium    flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> SHN Transfer Info: SHN -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 08/26/71 

Bronx  NY   Gaelic Park    SDBMR> DAT> WAV> SHN; via Dopey; faded in on reel cut into d2t3; apparently level differences between sets 1 and 2    Source Detail    Source Detail  

 09/29/71 

Santa Venetia  CA   Studio Rehearsals with Keith Godchaux    MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt    Source Detail    Source Detail  

 09/30/71 

Santa Venetia  CA   Studio Rehearsals with Keith Godchaux    Studio rehersal with Keith Godchaux MSR>C>DAT>WAV>SHN via Cousinit    Source Detail    Source Detail  

 10/01/71 

Santa Venetia  CA   Studio    MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt. [An alternate shn set was seeded by Cousinit since original shns were not archived].    Source Detail    Source Detail  

 10/19/71 

Minneapolis  MN   Northrop Auditorium, U. of Minn.    PreFM Soundboard Reels > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston    Source Detail    Source Detail  

 10/24/71 

Detroit  MI   Eastown Theater    Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston    Source Detail    Source Detail  

 10/27/71 

Syracuse  NY   Onondaga County War Memorial    flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC    Source Detail    Source Detail  

 10/29/71 

Cleveland  OH   Allen Theatre    set 2; SBD> MR> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B. CD    Source Detail    Source Detail  

 10/29/71 

Cleveland  OH   Allen Theatre    Complete; 1st set: SBD> FM> ?> C> Sound Forge> SHN; 2nd set: SBD> MR> D> CD> EAC> SHN; via Walter Schnell, Tony Gardner & Paul B.; Seeded to etree by J. Cotsman    Source Detail    Source Detail  

 10/30/71 

Cincinnati  OH   Taft Auditorium    mixed sources; primary: Pre-FM MR (1/2 track, 7.5 ips), Transfer: Revox PR99-MKIII > Panasonic SV3800 (48)/Sony 60ES > M-Audio Audiophile USB > CDWave > Goldwave (resample to 44.1 and edits) > CDwave > mkwACT, Primary source supplied by Josh Braveman; Secondary: FM > Pioneer RT-707 (7" reel @ 19 ips) > CD, Conversion: Kenwood TrueX > EAC > shn v3 (seekable); edited (patching, pitch correction, d/o repair) by Doug Nawrocki et al (see notes)    Source Detail    Source Detail  

 11/06/71 

San Francisco  CA   Harding Theater    SBD> MR> C> DAT> CDR; note PA problems with the piano throughout show; via Mike Lai, with thanks to Paul B.    Source Detail    Source Detail  

 11/07/71 

San Francisco  CA   Harding Theater    SBD : Pre-FM Reel > DAT > CD; via Seth Kaplan    Source Detail    Source Detail  

 11/11/71 

Atlanta  GA   Atlanta Municipal Auditorium    Sbd>MR>?>Dat>cd; via Yubah, Ernie Dodd    Source Detail    Source Detail  

 11/14/71 

Fort Worth  TX   Texas Christian University    SBD -> Master Reel (10 inch) -> CD -> Sonic Solutions -> CD -> EAC -> SHN; Converted By Charlie Miller    Source Detail    Source Detail  

 11/15/71 

Austin  TX   Austin Municipal Auditorium    SBD>MR>C>D>CD>EAC>SHN (patched with slightly degraded SBD, also listed with one cassette generation in the lineage); complete show; Thanks to Michael Dixon & Chuck Kiefe; edits/encoding by JCotsman    Source Detail    Source Detail  

 11/20/71 

Los Angeles  CA   Pauley Pavilion, UCLA    flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/04/71 

New York  NY   Felt Forum, Madison Square Garden    SBD> MR> DAT> C> DAT> CDR; missing JB Goode, Cumberland fades in; via Mike Lai, with thanks to Paul B.; note d2t2,3 had been misnumbered (reversed) intially- md5s for correctly named tracks are now shown here    Source Detail    Source Detail  

 12/05/71 

New York  NY   Felt Forum, Madison Square Garden    Updated lineage: FM > MR > DAT > CD; (had been marked pre-FM) stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; notes: no encore, complete Muddy Water, small cut in Casey Jones, chatter edited; see pub comments for md5 notes    Source Detail    Source Detail  

 12/06/71 

New York  NY   Felt Forum, Madison Square Garden    MSR> DAT> CD; via Seth Kaplan    Source Detail    Source Detail  

 12/07/71 

New York  NY   Felt Forum, Madison Square Garden    SBD> MR @ 10.5 IPS> DAT> CD; stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; note large cut in Casey Jones    Source Detail    Source Detail  

 12/09/71 

St. Louis  MO   Fox Theatre    MSR> LATVALA C> DAT> CDR; EAC> SHN by Seth Kaplan; upload by Darrin Sacks    Source Detail    Source Detail  

 12/10/71 

St. Louis  MO   Fox Theatre    MR> DAT> Latvala's Cassette> D> CDR (slightly updated lineage); EAC/SHN, Ben Yerys; seed via Seth Kaplan, Jared Minkoff    Source Detail    Source Detail  

 12/14/71 

Ann Arbor  MI   Hill Auditorium    7" BBD reel> PCM501ES(beta)> PCM501ES analog out> Fostex D5 @ optical out 48KHz> HD; DAT-1 > Soundforge 4.5 > WAV/SHN mastering by Tim Deibert; includes Tuning between songs    Source Detail    Source Detail  

 12/15/71 

Ann Arbor  MI   Hill Auditorium    set 1; MR> ?> C> CD, from Hank Harrison cass, presumed lower-gen than previous versions (see notes); via Uli Teute, Hanno Bunjes & Carsten Baumann    Source Detail    Source Detail  

 12/15/71 

Ann Arbor  MI   Hill Auditorium    flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/31/71 

San Francisco  CA   Winterland Arena    FM > Reel > Dat > CDR; via G. Lanum    Source Detail    Source Detail  

 01/02/72 

San Francisco  CA   Winterland Arena    updated lineage: SBD> Reel Master> Reel> CD> Sonic Solutions Workstation> CD; via Charlie Miller; Seeded to etree by eD     Source Detail    Source Detail  

 03/23/72 

New York  NY   Academy of Music    Lineage: Betty Board > Gans CD > CD > DAE > SHN SBEs fixed and seeking added with SHNTool. New MD5 generated with MD5Sum. By Gary Field (dark_hollow@comcast.net). No other changes made.    Source Detail    Source Detail  

 03/23/72 

New York  NY   Academy of Music    flac16;Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info:Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 04/08/72 

London  England   Wembley Empire Pool    flac16; Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 04/11/72 

Newcastle  England   Newcastle City Hall    remastered by Bill Giles - source is SBD MC>D>CD>SoundForge>CD See info file for flaws & Bill's mastering notes    Source Detail    Source Detail  

 04/11/72 

Newcastle  England   Newcastle City Hall    flac16; Source: SBD Lineage: MR(recorded by Rex Jackson)>R(JG)>R(WB)>CD transfer info:Maxell UD XL reel tape @ 3 3/4 ips>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring)>LYNX ONE soundcard>Wavelab 5.0(dithered to 20/44)>CD.    Source Detail    Source Detail  

 04/14/72 

Copenhagen  Denmark   Tivoli Theater    MSR> Cass> DATs> CDRs (not the previously circulating FM version); via D. Sacks; note silence track is presumably to mark set break midway through d2; note info file here updated to reflect reel splice d1t8-9; see flaw notes in public comments    Source Detail    Source Detail  

 04/16/72 

Aarhus  Denmark   Stakladen, Aarhus University    Set 1: SBD>Rm>?>Cass>Sound Forge>SHN Set 2: SBD>Rm>Dat>Sonic Solutions>CD>EAC>Samplitude>SHN Set 2 Conversion and Editing By Charlie Miller     Source Detail    Source Detail  

 04/17/72 

Copenhagen  Denmark   Tivoli Concert Hall    flac16; source: sbd > 16 track 2" MR>DAT4x > Delta Dio 2496 > Soundforge > wav > Cd Wave Editor > flac > wav > flac This is a further clean up of shn id 33802, which incorporates those already made on shn id 34302    Source Detail    Source Detail  

 04/21/72 

Bremen  Germany   Beat Club    SBD>FM>MR>PCM>DAT>CDR; Including soundcheck, missing 3 songs, see info file for details; via Raoul Duke; Seeded to etree by Matt Vernon    Source Detail    Source Detail  

 04/26/72 

Frankfurt  Germany   Jahrhundert Halle    Source : SBD > ? > CE2K (minor cleanup) > mkwact > SHN(seekable) This is an upgrade to the previous shn set via Matt Vernon    Source Detail    Source Detail  

 04/29/72 

Hamburg  Germany   Musikhalle    This is a remaster of shnid 17026 by Sir Mick    Source Detail    Source Detail  

 04/29/72 

Hamburg  Germany   Musikhalle    SBD/AUD Matrix of the Set 2 Jam via Matt Vernon from etree aud and sbd sources    Source Detail    Source Detail  

 05/03/72 

Paris  France   Olympia Theater    flac16; fixed fly away channel problem on SHNid=21923. Soundboard->Master Reel (multi-track)->DAT x 5. DAT->Audiophile 2496->Samplitude v7.02 Professional->FLAC. Transfer and FLAC by Joe Samaritano    Source Detail    Source Detail  

 05/04/72 

Paris  France   Olympia Theater    flac16; SBD -> (16 Track) Master Reel -> Dat All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 05/07/72 

Wigan  England   Bickershaw Festival    Discs 1 & 2 are a compilation of multiple Audience sources; Discs 3 & 4 are supplied from a Master Soundboard Reel > DAT source; There is a 5th disc which contains the NRPS set; Seeded by Scott Clugston    Source Detail    Source Detail  

 05/07/72 

Wigan  England   Bickershaw Festival    Discs 1 & 2 are a compilation of multiple Audience sources; Discs 3 & 4 are supplied from a Master Soundboard Reel > DAT source; There is a 5th disc which contains the NRPS set; Seeded by Scott Clugston    Source Detail    Source Detail  

 05/10/72 

Amsterdam  Netherlands   Concertgebouw    S:MR > Cassette > DAT > CDR > SHN; Extraction and SHN encoding by Seth Kaplan; upload by Greg Hamilton; known flaw: Bertha fades in    Source Detail    Source Detail  

 05/11/72 

Rotterdam  Netherlands   Rotterdam Civic Hall    Jay Ashley (Bertha) remaster of Master Reel source; SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>SHN    Source Detail    Source Detail  

 05/11/72 

Rotterdam  Netherlands   Rotterdam Civic Hall    10" MR@7.5ips->DAT>CDR; Note This seed does not have the splice in IKYR and it includes OMSN. Shn'ed & uploaded to fungus by Joe Samaritano 12/29/01; Seeded to abgd via Charlie Connor 01/02.     Source Detail    Source Detail  

 05/13/72 

Lille  France   Lille Fairgrounds    sbd > mr > cass > dat > cda > eac > shn v3; via Chris Ladner to vine and etree; encore missing    Source Detail    Source Detail  

 05/16/72 

Luxembourg  Luxembourg   Theatre Hall    Source: SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN Apparently, d1t06 is from etree seed 7089 and the rest of the show is from 10353. Seeded to Etree via Tol.    Source Detail    Source Detail  

 05/18/72 

München  Germany   Kongressaal Deutsches Museum    flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC    Source Detail    Source Detail  

 05/23/72 

London  England   Lyceum Ballroom    MSR>C>DAT>CD>EAC>WAV>SHN via Andy Lemieux encoded by Sean Cribbs    Source Detail    Source Detail  

 05/25/72 

London  England   Lyceum Ballroom    fix of d1t3 Dark Star in previous shn set to remove redundant material, by Sean Cribbs    Source Detail    Source Detail  

 05/26/72 

London  England   Lyceum Ballroom    S:MR> DATx5> CD, including patches (see info file for specifics; transfer by David Hollister; reported "superior to all circulating copies"     Source Detail    Source Detail  

 07/16/72 

Hartford  CT   Dillon Stadium    source 1: SBD>MR>C>D>CD>EAC>SHN source 2: AUD>?>SHN the audience recording supplies: --all of disc 1, --on disc 2, the final portion of Me & My Uncle through to the end of Sing Me Back Home; See info file for details; via Glenn Gillis and Paul B; Seeded to etree by Tim O'Connel & J. Cotsman     Source Detail    Source Detail  

 07/18/72 

Jersey City  NJ   Roosevelt Stadium    SBD with Aud Patches (missing OMSN), see info file for details; via David Hollister; Seeded to etree by Sean Cribbs    Source Detail    Source Detail  

 07/22/72 

Seattle  WA   Paramount Northwest Theater    flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 07/26/72 

Portland  OR   Paramount Theater    Variation of original Kaplan seed; Filler removed, and He's Gone added; See info file for details; MR > PCM > DAT > CD > EAC > SHN; via Popi    Source Detail    Source Detail  

 08/12/72 

Sacramento  CA   Sacramento Memorial Auditorium    SBD Reel master > DAT > CDR > EAC > SHN; seed via Seth Kaplan; Retracked (Cool Edit/CDWav) by G.S. Hamilton; see info file for listening notes    Source Detail    Source Detail  

 08/20/72 

San Jose  CA   San Jose Civic Auditorium    flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 08/21/72 

Berkeley  CA   Berkeley Community Theater    S:MR > PCM > DAT > CD > EAC > SHN; via D. Hollister, G. Hamilton; see info file for list of minor flaws    Source Detail    Source Detail  

 08/22/72 

Berkeley  CA   Berkeley Community Theater    mixed sources: Set 1: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> Apogee AD500> Master Dat (Panasonic SV3800/48k); Set 2: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> PCM> Dat> CD; Transferred and Edited (see cleanup notes) by Charlie Miller    Source Detail    Source Detail  

 08/24/72 

Berkeley  CA   Berkeley Community Theater    SBD>Rm>Dat(48k) with missing songs patched from SBD>Rm>Cass>Cass>Cass>Dat>Samplitude>SHN via Charlie Miller    Source Detail    Source Detail  

 08/25/72 

Berkeley  CA   Berkeley Community Theater    set 1 partial; 7" Betty Board Reel > PCM501ES analog out > Fostex D5 optical S/PDIF out (Jace's tape) > disk (Tim Deibert); some Soundforge editing (see notes)    Source Detail    Source Detail  

 08/27/72 

Veneta  OR   Old Renaissance Faire Grounds    SBD> 16 Track Master Reels> DAT@44.1K> DAT> DAT> WAV> SHN; Banter between songs from the two-track master reels: S:MR> DAT> SS> CD> EAC> SHN; dankseed    Source Detail    Source Detail  

 09/16/72 

Boston  MA   Music Hall    flac 16; Sick Bits Vol. 20 - SBD/AUD Matrix: SBD (shnid=6683) + AUD (shnid=12932); edited, mixed and converted by Chris Chappell    Source Detail    Source Detail  

 09/21/72 

Philadelphia  PA   The Spectrum    SBD > reel > DAT > CDR > EAC > shn; via Mike Masse; see flaw notes in info file; a clean-up of d1t11 also circulates; see public comments for details    Source Detail    Source Detail  

 09/28/72 

Jersey City  NJ   Stanley Theatre    flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 10/02/72 

Springfield  MA   Springfield Civic Center    flac16; Recording Info:SBD -> Master Reel -> Dat -> Data DVD; Transfer Info: Data DVD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 10/18/72 

St. Louis  MO   Fox Theatre    SBD > MR > Cass > DAT > CDR; see flaw notes in info file; Note- d2 fix now circulates via Charles Weir; See info file for details    Source Detail    Source Detail  

 10/19/72 

St. Louis  MO   Fox Theatre    SBD > MR > Cass > DAT > CDR; via DES; cuts into Promised    Source Detail    Source Detail  

 10/21/72 

Nashville  TN   Alumni Lawn, Vanderbilt University    flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 10/26/72 

Cincinnati  OH   Cincinnati Music Hall    flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller     Source Detail    Source Detail  

 11/18/72 

Houston  TX   Hofheinz Pavilion    2nd set only; SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to John Steinhaus    Source Detail    Source Detail  

 11/19/72 

Houston  TX   Hofheinz Pavilion    Source: SBD>MR>Reel>Reel>DAT>CD>EAC>WAV>CoolEdit2000>SHN (Note that there is speculation that this source may contain only one reel generation.) Cool Edit 200 was used to correct various flaws from previously circulating versions.    Source Detail    Source Detail  

 11/22/72 

Austin  TX   Austin Municipal Auditorium    sdb> master reel> dat> cdr; via Mike Lai from Bruce Fried DAT; missing Promised; d2 tracked for 80 min    Source Detail    Source Detail  

 11/24/72 

Dallas  TX   Dallas Memorial Auditorium    SBD> MR> DAT> CDR> EAC> SHN; tracked for 2x80; splice in China Cat; seeded by Tony Gardner, from Paul B. discs     Source Detail    Source Detail  

 11/26/72 

San Antonio  TX   San Antonio Civic Auditorium    SBD> MR> (set 1 ?; set 2 C)> D> CD> EAC>SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Paul B.    Source Detail    Source Detail  

 12/31/72 

San Francisco  CA   Winterland Arena    Main Source: Vault pre-FM reels > DAT Patch Source: pre-FM KSAN reel (/shninfo_detail.php?shnid=6340) DAT > WAV : Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0 by Marc Pujol WAV > SHN editing, encoding & patching by Matt Vernon    Source Detail    Source Detail  

 02/09/73 

Palo Alto  CA   Roscoe Maples Pavilion, Stanford University    SBD> MR> R> DAT> CD; Show SHNed by Bob Allred; md5 / shn renaming and txt file by Patrick Hitt, who notes that "slightly different edit times indicate a different dat source or editor" than previous shn set     Source Detail    Source Detail  

 02/09/73 

Palo Alto  CA   Roscoe Maples Pavilion, Stanford University    Jay Ashley (Bertha) remaster of previous MR source; SBD>>MR>>REEL>>DAT>>SS>>CDR>>DAW(Bertha)>>CDA    Source Detail    Source Detail  

 02/09/73 

Palo Alto  CA   Roscoe Maples Pavilion, Stanford University    MR 2 Track Reel > 7.5 IPS 1/4 tack dolby B reel > DAT > Sonic Solutions > CDR; via D Finney; Seeded to etree by Popi; Note- This is another eac of the same original Finney seed discs according to Popi    Source Detail    Source Detail  

 02/15/73 

Madison  WI   Dane County Coliseum    MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD; upgrade relative to previous shn copies; includes soundcheck and most of encores; via Mike Hall; tracked for 2x74 + 1x80 (with alternate tracking suggestion)     Source Detail    Source Detail  

 02/17/73 

St. Paul  MN   St. Paul Auditorium    SBD:MR> PCM> DAT> CD; retracking etc of previous shn set, by Randy Carman    Source Detail    Source Detail  

 02/17/73 

St. Paul  MN   St. Paul Auditorium    flac16; SBD -> Master Reel -> PCM -> Dat -> CD All Transfers and Mastering By Charlie Miller     Source Detail    Source Detail  

 02/19/73 

Chicago  IL   International Amphitheatre    flac16; Set 2 Recording Info: SBD -> Cassette Master (Ampex C-90) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 02/19/73 

Chicago  IL   International Amphitheatre    SBD : MC > C > DAT > SS > CDR > EAC > SHN Extraction, Retracking and SHN encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. Thanks to Paul B. for the seeds. Seeded to etree on 3/2/03    Source Detail    Source Detail  

 02/22/73 

Urbana  IL   Assembly Hall, Univ. Of Illinois Urbana-Champaign    reworking of previous shn set, by Randy Carman (see notes in info file)    Source Detail    Source Detail  

 02/26/73 

Lincoln  NE   Pershing Municipal Auditorium              

 03/15/73 

Uniondale  NY   Nassau Veterans Memorial Coliseum    composite source 1: AUD>??>CD>EAC>SHN source 2: SBD>MR>C>D>CD>EAC>SHN via JackeySack, Matt Vernon, and Paul Hartman edits/encoding by JCotsman     Source Detail    Source Detail  

 03/16/73 

Uniondale  NY   Nassau Veterans Memorial Coliseum    flac16; Recording Info: Set 1: SBD -> Master Reel -> PCM -> Dat (44.1k) Set 2: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional -> FLAC    Source Detail    Source Detail  

 03/16/73 

Uniondale  NY   Nassau Veterans Memorial Coliseum    fixup by Seth Jackson of 5 tracks from the previous shn set    Source Detail    Source Detail  

 03/19/73 

Uniondale  NY   Nassau Veterans Memorial Coliseum    Playin', plus most of set 2; SBD:MR>Cas>Cas>DAT>CD; Seeded to etree by Jools    Source Detail    Source Detail  

 03/21/73 

Utica  NY   Utica Memorial Auditorium    Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Sony D8) -> M-Audio DIO 2448 -> Cool Edit Pro v1.2 -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller Notes:I originally transferred my Dat back in 2000. At that time, I only made Audio discs. Someone asked me to circulate this source since the circulating source has NR applied to it. My source DOES NOT have any NR applied to it. I made these FLAC's off of my Master Audio Discs. Enjoy...cm     Source Detail    Source Detail  

 03/22/73 

Utica  NY   Utica Memorial Auditorium    MSR> DATs> CDRx1> EAC> SHN; via Darrin Sacks    Source Detail    Source Detail  

 03/22/73 

Utica  NY   Utica Memorial Auditorium    flac 16; Source: 10" Betty Board Reel > PCM501ES analog out > Fostex D5 optical S/PDIF out (Jace's Tape) > disk; Transferred by Tim Deibert 6-10-2002     Source Detail    Source Detail  

 03/24/73 

Philadelphia  PA   The Spectrum    S:MR > cassette > DAT > CDR; note updated source info- actually only 1 cass gen, not 2; via Mike Bryan, Greg Hamilton; see info file for listening notes    Source Detail    Source Detail  

 03/24/73 

Philadelphia  PA   The Spectrum    flac16; 10" Betty Board Reel > PCM501ES > Fostex D5 (Jace's tape) optical S/PDIF out > disk Transferred by Tim Deibert 5-18-02    Source Detail    Source Detail  

 03/26/73 

Baltimore  MD   Civic Center    SBD> MR> DAT> CDA> CDA> EAC> SHN; via Charlie Miller, Jay Ashley; note info file updated 9/13; see pub comments for flaw notes    Source Detail    Source Detail  

 03/26/73 

Baltimore  MD   Civic Center    flac16; Recording: SBD > Master Reel > Dat (44.1k) Transfer: Dat (Sony R500) > SEK'D Prodif Plus > Samplitude Profesional v8.01 > FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 03/28/73 

Springfield  MA   Springfield Civic Center    flac16; SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony 500) -> Samplitude Professional 9.11 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 04/02/73 

Boston  MA   Boston Garden    SBD -> Rm (7.5 ips/2 Track) -> Dat -> Dat. Transfer Info: Dat -> Sonic Solutions -> CD (David Gans' Master Discs) -> EAC (Secure) -> SHN. CD -> SHN Conversion Done By Charlie Miller. Purports to avoid the drop outs present on the previous shn set for this source.    Source Detail    Source Detail  

 05/13/73 

Des Moines  IA   Iowa State Fairgrounds    flac16; Lineage-MR>??>TDK C90 cassettes(3)>R>Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs by Jamie Waddell on the GEMS Edit Station>Trac'ed Cdwave Flac'ed level 8 TLH    Source Detail    Source Detail  

 05/20/73 

Santa Barbara  CA   Campus Stadium, UCSB    Patched Eyes with AUD source. Replaced AUD patch in Eyes with SBD source.    Source Detail    Source Detail  

 05/20/73 

Santa Barbara  CA   Campus Stadium, UCSB    flac16; SBD > Master Reel (7 inch reels @ 7.5ips 1/2trk) > Dat > CD > EAC > Samplitude Professional v9.11 > FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 05/26/73 

San Francisco  CA   Kezar Stadium    MSR>DAT>CD>EAC>WAV>SHN CD>EAC>WAV>SHN by Sean Cribbs 4/19/2003     Source Detail    Source Detail  

 05/26/73 

San Francisco  CA   Kezar Stadium    flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES (Beta HiFi) ( @ 44.055 kHz) > PCM501ES analog out > analog in Fostex D5 ( @ 48kHz) > Fostex D5 optical S/PDIF out (Jace's tape) > Sound Forge 5.0 > wav/shn Transferred by Tim Deibert 12-15-01    Source Detail    Source Detail  

 05/26/73 

San Francisco  CA   Kezar Stadium    flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 06/09/73 

Washington  DC   Robert F. Kennedy Stadium    SBD MR > cassette> DAT > CD > EAC > SHN, except Promised Land, Half Step, and Sugar Mag are S:MR > PCM > cassette > DAT > CD > EAC > SHN, and Patch in Box of Rain (very small) from 2nd source; via D. Hollister, G. Hamilton; 8/16 note formerly error in info file at this site, and possibly distributed with show- cass gen in main portion of show had been omitted, (although info file at Hamiltons' CDR list has apparently always been correct)- sorry!    Source Detail    Source Detail  

 06/10/73 

Washington  DC   Robert F. Kennedy Stadium    SBD MR (10'' reels)> DAT > CD > EAC > SHN; via David Hollister, G.S. Hamilton; known flaws: d2t01 (Bird Song: very brief tape waver @ 2:44, 2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54, d4t06 (GDTRFB): reel flip/splice @ 6:42; not noted on original info file: sounds like loose cord to board: d1t09 (The Race Is On) 1:33, 1:34, 1:36, 1:44; d1t2 BIODTL begining cut; reportedly "best version available"    Source Detail    Source Detail  

 06/22/73 

Vancouver  BC   P.N.E. Coliseum    composite: MSR> PCM> DAT> CD> EAC> WAV> SHN for Bertha> Other One//; MAC> R> R> CD> DAT> WAV> SHN for patches, JGB (see notes); MSR> C> DAT> CD> EAC> WAV> SHN for //Other One> end of set 2; EAC> CEP2K edits> encoding by Sean Cribbs    Source Detail    Source Detail  

 06/24/73 

Portland  OR   Memorial Coliseum    partials of both sets; set 1: SBD> ?>C> CD> EAC> SHN (unknown analog generations); set 2: SBD> MR> C> D> CD> EAC> SHN, edited from previous shn set; the first set is a degraded SBD; Thanks to S. Milewski, G. Hamilton; edits/encoding by JCotsman    Source Detail    Source Detail  

 06/26/73 

Seattle  WA   Seattle Center Arena    Complete; SBD>MR>C>D>CD patched with: AUD>MR>C>D>CD; Slight pitch correction; See info file for details; Seeded to etree by Mark Sweeney & Chuck Gannon    Source Detail    Source Detail  

 06/29/73 

Universal City  CA   Universal Amphitheatre    Partial; SBD>MR>R>D>CD; Missing first 11 songs and Around and Casey Jones; via Mark Sweeney; Seeded to etree by JCotsman    Source Detail    Source Detail  

 06/30/73 

Universal City  CA   Universal Amphitheatre    flac16; Sick Bits Vol. 9 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 177, and AUD - SHN ID# 6019); edited and transfered by Chris Chappell     Source Detail    Source Detail  

 07/01/73 

Universal City  CA   Universal Amphitheatre    flac16 Source: SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA    Source Detail    Source Detail  

 07/27/73 

Watkins Glen  NY   Grand Prix Racecourse    flac16; SBD> Master Reel (but see note)> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller    Source Detail    Source Detail  

 07/28/73 

Watkins Glen  NY   Grand Prix Racecourse    Soundboard Master Reel>DAT>CD>SHN, with FM, AUD, and other-source SBD patches. Fits to two .shn discs by placing d1 & d4 .shns on one 80 min. disc, d2 & d3 .shns on another.     Source Detail    Source Detail  

 08/01/73 

Jersey City  NJ   Roosevelt Stadium    complete show from most up to date SBD sources with AUD patches; compiled from S. Kaplan and N. Weiner seeds; source 1: SBD>MR>R>R>D>CD>EAC>SHN; source 2: SBD>MR>C>D>CD>EAC>SHN; source 3: AUD>MR>C>C>C>CD>EAC>SHN; See info file for details; Seeded to etree by JCotsman; With thanks to Alan Schlissel & Jeff Cook     Source Detail    Source Detail  

 08/??/73 

Sausalito  CA   Record Plant    Wake of Flood outtakes; Betty Cantor reels > PCM > DAT > DIO 2448 > SHN; date(s) (including month) uncertain, this is best guess; via Dave F.    Source Detail    Source Detail  

 09/07/73 

Uniondale  NY   Nassau Veterans Memorial Coliseum    SBD>MR>C>D>CD>EAC>SHN; patched with AUD>MC>D>CD>EAC>SHN; sourced from previous seeds     Source Detail    Source Detail  

 09/08/73 

Uniondale  NY   Nassau Veterans Memorial Coliseum    SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wulf: Tascam DA20> coax> rme digi96 PCI card> centered the waves and edited and smoothed the track boundaries. Only? minor corrections were applied; no crossfading, no hiss or noise reduction; from Honey Vine #14 via T. Wulf, to etree via M. Bolen (who made .md5s)    Source Detail    Source Detail  

 09/08/73 

Uniondale  NY   Nassau Veterans Memorial Coliseum    flac16; Reel>Cass1>DAT1 (not widely circulated source)>5/1999? edit (no hiss reduction)>CD>hiss edit w/Cool Edit Pro>FLAC     Source Detail    Source Detail  

 09/11/73 

Williamsburg  VA   College Of William & Mary Hall    MSR> one cassette gen> DAT> CDR> shn); via George Lanum; see info file and pub comments for flaw notes    Source Detail    Source Detail  

 09/12/73 

Williamsburg  VA   College Of William & Mary Hall    SBD>MR>C>DAT>CDR most of show (minus Here comes sunshine) by Sly_Wow    Source Detail    Source Detail  

 09/15/73 

Providence  RI   Providence Civic Center    set 1: AUD> M?> C> C> D> SHN; set 2: SBD> MR> D> CD> EAC> SHN; Thanks to Jim Powell, Marc Pujol, and Evan Levy; final edits/encoding by JCotsman    Source Detail    Source Detail  

 09/17/73 

Syracuse  NY   Onondaga County War Memorial    SBD>MR>D>CD>EAC>SHN (all but tracks d1t01-->d1t09)); SBD>MR>C>C>D>CD>EAC>SHN (tracks d1t01-->d1t09); Thanks to Peter Braverman; edits/encoding by JCotsman; Note- Fixed d3 now circulates, see public comments for details    Source Detail    Source Detail  

 09/20/73 

Philadelphia  PA   The Spectrum    Complete; Mixed Aud/SBD sources; See info file for details; via Michael Dixon and Scott Clugston; Seeded to etree by JCotsman    Source Detail    Source Detail  

 09/21/73 

Philadelphia  PA   The Spectrum    SBD -> Rm -> Reel -> PCM -> Dat Transfer Info: Dat (Sony R500) -> Samplitude v6.0 -> Cool Edit Pro v1.2 -> CD -> EAC -> SHN via Charlie Miller    Source Detail    Source Detail  

 09/24/73 

Pittsburgh  PA   Civic Arena    flac16; MAR>R>CD CD's supplied by Matt Smith; Edited and Mastered by Jamie Waddell as a GEMS production; audio patches by Kevin Tobin    Source Detail    Source Detail  

 09/26/73 

Buffalo  NY   Community War Memorial Auditorium    flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller. This is a re-patch of the original source (it's a more complete version). On 11/23/2006 a version of this source was circulated without the patches in d1t14 and d2t01.    Source Detail    Source Detail  

 10/21/73 

Omaha  NE   Omaha Civic Auditorium    SBD -> Rm -> ? -> Dat -> Sound Forge -> CD -> EAC -> SHN Converted By Charlie Miller    Source Detail    Source Detail  

 10/23/73 

Bloomington  MN   Metropolitan Sports Center    MSR>D>CD via M. Goetz encoded by Morgan Evans. Note: Has additional OMSN (see info file for discussion) compared to previous etree shn sets.    Source Detail    Source Detail  

 10/23/73 

Bloomington  MN   Metropolitan Sports Center    flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 10/25/73 

Madison  WI   Dane County Coliseum    SBD Master Reel > ? > DAT > CD-R > EAC (secure) > Cool Edit(minor cleanup) > CDWAV > mkwact(seekable) via wi-jams, cleanup and encoding by Matt Vernon.     Source Detail    Source Detail  

 10/27/73 

Indianapolis  IN   Indianapolis State Fair Coliseum    Source: MSR > R > C > D > CD patched with MAC > ? > D Conversion: CDR > EAC > CDWave > CoolEditPro > shntool > mkwACT > SHN (seekable) by Charles Wier From the Deadlists vine     Source Detail    Source Detail  

 10/29/73 

St. Louis  MO   Kiel Auditorium    flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC    Source Detail    Source Detail  

 10/30/73 

St. Louis  MO   Kiel Auditorium    flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC    Source Detail    Source Detail  

 11/01/73 

Evanston  IL   McGaw Memorial Hall, Northwestern University    2nd set only; SBDMR> Cass> DAT> CDR> EAC> Soundforge> DePopper> SHN; via Howling Bob; Seeded to etree by Mike Parrillo    Source Detail    Source Detail  

 11/01/73 

Evanston  IL   McGaw Memorial Hall, Northwestern University    [New Version] Set 2 MSR > C> DAT > PCM > DAT > CD (see notes in info file regarding correctness of genealogy) - Subsequent CD extraction (EAC), editing (Cool Edit Pro 2), and SHN encoding (mkwACT) by Sean Cribbs 12/2003    Source Detail    Source Detail  

 11/09/73 

San Francisco  CA   Winterland Arena    SBD> MR> C> DAT> CDR; EAC> SHN by Seth Kaplan; Correct sector boundaries verified using .shntool; First few seconds of Here Comes Sunshine are clipped; Small splice at the start of Eyes of the World, some channel dropouts and a little static on a few tunes    Source Detail    Source Detail  

 11/09/73 

San Francisco  CA   Winterland Arena              

 11/10/73 

San Francisco  CA   Winterland Arena              

 11/10/73 

San Francisco  CA   Winterland Arena    MSR> reel > PCM > DAT > CD; see info file for listening notes    Source Detail    Source Detail  

 11/11/73 

San Francisco  CA   Winterland Arena              

 11/11/73 

San Francisco  CA   Winterland Arena    Source: Disks 1-2 MSR> Cass> Cass> DATs> CDRs> EAC> SHN; Disk 3 MSR> Cass> DATs> CDRs> EAC> SHN; via Bob Murphy, Darrin Sacks; see pub comment for flaw note; note apparent upgrade with patch now circulating    Source Detail    Source Detail  

 11/11/73 

San Francisco  CA   Winterland Arena    flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 11/14/73 

San Diego  CA   San Diego Sports Arena    Updated lineage: SBD > MR > cass > DAT > CD > EAC (secure) > SHN (seekable); EAC> SHN by Matt Vernon, from Eurodead Vine source discs; see tracking suggestions in info file    Source Detail    Source Detail  

 11/14/73 

San Diego  CA   San Diego Sports Arena    flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC    Source Detail    Source Detail  

 11/17/73 

Los Angeles  CA   Pauley Pavilion, UCLA    SBD> MR> C> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B.'s discs; Splice between ROR and Playin' (no music affected)    Source Detail    Source Detail  

 11/20/73 

Denver  CO   Denver Coliseum    S:MR > DAT > CD > EAC > SHN; via David Hollister, G. S. Hamilton; note UJB may be from different source?; note portions of set 2 on these discs are in "SBD order" vs. "true" order- see public comments for details    Source Detail    Source Detail  

 11/20/73 

Denver  CO   Denver Coliseum    flac16; Partial set 2 matrix mix using Cary Wolfson AUD shnid=22879 and sbd shnid=1234 by Matt Vernon     Source Detail    Source Detail  

 11/21/73 

Denver  CO   Denver Coliseum    flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller (This source fixes swapped channels on source id 88612.)    Source Detail    Source Detail  

 11/21/73 

Denver  CO   Denver Coliseum    via D. Barrick (hurtsme2); B. Yerys reports digiprobs at d1t1 ~0:42, d1t4 ~1:10, d2t2 ~10:38    Source Detail    Source Detail  

 11/21/73 

Denver  CO   Denver Coliseum    MSR > DAT > CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > CDWave v1.71 (tracking) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) Patches: MAC (Taped Taped by Glen Finley, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4)     Source Detail    Source Detail  

 11/23/73 

El Paso  TX   County Coliseum    SBD > Reel > Cassette > Datx2 > CDR; via L. Orf; reel flips in d1t1, d1t7 (smoothed), d3t2; superior version relative to version circulated 3/8    Source Detail    Source Detail  

 11/25/73 

Tempe  AZ   Feyline Field    MSR> Cass.> DATs> CDRs> EAC> SHN; via Darrin Sacks; see info file for known flaws; note md5s for d2t8-10 filler tracks (12/4/71) added here 1/24/01    Source Detail    Source Detail  

 12/01/73 

Boston  MA   Music Hall    Master Soundboard Reels > PCM > DAT> CDR; CD Mastering by Scott Clugston    Source Detail    Source Detail  

 12/01/73 

Boston  MA   Music Hall    flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional 11.2 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/02/73 

Boston  MA   Music Hall    unknown audience tape via David Minor encoded by Matt Vernon and Marc Pujol    Source Detail    Source Detail  

 12/04/73 

Cincinnati  OH   Cincinnati Gardens              

 12/04/73 

Cincinnati  OH   Cincinnati Gardens    flac16; SET ONE ONLY SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller    Source Detail    Source Detail  

 12/04/73 

Cincinnati  OH   Cincinnati Gardens    flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller (note: this source includes the encore missing from shn id 86839).    Source Detail    Source Detail  

 12/04/73 

Cincinnati  OH   Cincinnati Gardens    flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller (note: this source includes the encore missing from shn id 86839).    Source Detail    Source Detail  

 12/06/73 

Cleveland  OH   Public Hall    SBD MR > 1 cass gen > DAT > (AUD patching)> CD > EAC > SHN> slight retrack for d2t3, d3t1, d3t4> shnv2 on those tracks; d3 tracked for 80 min; see notes in info file; seed via David Gans, Jim Powell, Dave Greenberg; shns via Seth Kaplan, Alan Fink, G.S. Hamilton    Source Detail    Source Detail  

 12/08/73 

Durham  NC   Cameron Indoor Stadium, Duke University    SBD:MR> C> DAT> CD> EAC> SHN; via Kirby (Chalupa) Bell, Andy Gustin; note Beginning of Bertha is clipped, JBG is from an AUD source    Source Detail    Source Detail  

 12/12/73 

Atlanta  GA   The Omni    nearly complete, with soundcheck; MR > C > DAT > CDR; via Trei Hobbs    Source Detail    Source Detail  

 12/18/73 

Tampa  FL   Curtis Hixon Convention Hall    SBD Reel master > cassette > DAT > CDR (unknown gens) > EAC > CDWav retracking> SHN; Extraction, retracking, shortening by G.S. Hamilton (for real). Please use md5s to ID copies in circulation. Note d2 has 9 tracks; alternate shn set in circulation has 7 d2 tracks and is not really via Greg, but is apparently from another CD set. (This has same reel change in Wharf Rat (d3t04) @ 6:36.); note noise reduction notes in pub comments apparently pertain to alternate shn set only, no NR on this entry     Source Detail    Source Detail  

 12/19/73 

Tampa  FL   Curtis Hixon Convention Hall    "DP 1 Leftovers"; via Gans, D. Finney; rest is on Dick's Picks 1- go buy it    Source Detail    Source Detail  

 02/23/74 

San Francisco  CA   Winterland Arena    Bertha Remaster of the Master Reel source; SBD> MR> DAT> CDA> SHN> DAW (Bertha)> CDA/SHN, by Jay Ashley    Source Detail    Source Detail  

 02/24/74 

San Francisco  CA   Winterland Arena    SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R->HP 8200i CDRW Drive (EAC)->SHNCD Mastered by Jay Serafin gdtrfb95@flash.net sector boundaries fixed with shntool, new shns and md5s SIRMick(thedarkstar@btinternet.com)    Source Detail    Source Detail  

 05/14/74 

Missoula  MT   Adams Field House, University Of Montana    MSR> cassette> DAT> CD-R> TAE> shn; via Bob Murphy    Source Detail    Source Detail  

 05/17/74 

Vancouver  BC   P.N.E. Coliseum    flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 05/19/74 

Portland  OR   Portland Memorial Coliseum    flac16; Remastered version of shn id 6957: Master Soundboard Reel > PCM > DAT> CDR with tweaks to the spectrum (Waves REQ 4-band), light compression (Waves R-Comp), slight warmth enhancement to the low-end (BBE2 lo-contour) and digitally maximized with the Waves L3 Multimaximizer.    Source Detail    Source Detail  

 05/25/74 

Santa Barbara  CA   Campus Stadium, UCSB    MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850> .shn DAE/reSHN of shn id 205 shn set, via Doug Moog. David Hollister reports problems on USB track    Source Detail    Source Detail  

 06/08/74 

Oakland  CA   Oakland-Alameda County Coliseum    flac16; Analog Lineage: 1 x Sony ECM250 => Sony TC-110 >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> Audition 3.0 >> Wavelab 5.0 >> Izotope Ozone3(dithering) >> CDWave >> TLH >> Flac 1644 Taped By: Louis Falanga Transfer By: Bob Menke Mastering By: Paul Gilbert Tagged By: Jeff Thomas    Source Detail    Source Detail  

 06/08/74 

Oakland  CA   Oakland-Alameda County Coliseum    flac16; Recording Info: Set 1 + Encores: SBD -> Master Reel -> Reel -> Reel -> Wavelab -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Wavelab -> FLAC; Mastering Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; Re-mastered By Charlie Miller    Source Detail    Source Detail  

 06/16/74 

Des Moines  IA   Des Moines State Fair Grandstand    mixed SBD sources: Set 1: MSR> C> DAT> CD Set 2 & 3: MSC> DAT> CD (except for patch in Wharf Rat which is MSR> ?> DAT> CD), lineage reported by Andy Lemieux; assembled/fixed by Sean Cribbs from Alan Fink's, Steve Windsor's and Andy's source material (see notes in txt)    Source Detail    Source Detail  

 06/18/74 

Louisville  KY   Freedom Hall    SBD> MR>1 cass> DAT> ZA2> SHN; newly circulating crisp version); via D. Sacks, D. Hollister; note d3t2 was bad 11/5, fixed 11/8    Source Detail    Source Detail  

 06/18/74 

Louisville  KY   Freedom Hall    flac16; Speed Corrected Version of the SBD>MR>1 cass>DAT>ZA2>SHN source Additional lineage for this version: SHN (id=209) > WAV > Cool Edit Pro (see notes) > FLAC(8)    Source Detail    Source Detail  

 06/18/74 

Louisville  KY   Freedom Hall    flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> SHN -> Cool Edit Pro -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 06/22/74 

Miami  FL   Jai-Alai Fronton    flac 16; Sick Bits Vol. 21a - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=212) + AUD (shnid=14193). Matrixed by Chris Chappell.    Source Detail    Source Detail  

 06/23/74 

Miami  FL   Jai-Alai Fronton    flac 16; Sick Bits Vol. 21b - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=213) + AUD (shnid=14265). Matrixed by Chris Chappell.    Source Detail    Source Detail  

 06/30/74 

Springfield  MA   Springfield Civic Center    flac16; SBD + AUD Matrix Mix (65%/SBD + 35%/AUD) from SBD (shnID = 96275) Recording Info: SBD > Master Reel > CD and AUD (shnID = 15537) AudMC > DAT > WAV > SHN    Source Detail    Source Detail  

 06/30/74 

Springfield  MA   Springfield Civic Center    flac16; Set II matrix sources: sbd: mr > datx2 > cd > shn > wav > shn (shnid 17814) and aud: mc > dat > wav > shn (shnid 15537)    Source Detail    Source Detail  

 06/30/74 

Springfield  MA   Springfield Civic Center    flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 07/27/74 

Roanoke  VA   Roanoke Civic Center    SBD> MR> C> DAT> CDR; via Seth Kaplan    Source Detail    Source Detail  

 07/29/74 

Landover  MD   Capital Centre    flac16; Sick Bits Vol. 8 - SBD/AUD Matrix of 2 previously circulating sources: (SBD - SHN ID# 2277, and AUD - SHN ID# 17968); edited and transfered by Chris Chappell    Source Detail    Source Detail  

 07/31/74 

Hartford  CT   Dillon Stadium    flac16; Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC    Source Detail    Source Detail  

 08/06/74 

Jersey City  NJ   Roosevelt Stadium    fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy"     Source Detail    Source Detail  

 09/11/74 

London  England   Alexandra Palace    Candelario Matrix MSR D CD except first 15:22 of Seastones (on Disc #2): AUD end of Sunshine Daydream and encore: AUD See info file for details; Mastering by Dave Greenberg; via Jed Distler; Seeded to etree by Jim Powell and Jay Gerland; See note in 'public comment' area regarding d3fix md5's     Source Detail    Source Detail  

 09/14/74 

Munich  Germany   Olympiahalle    flac16; Recording Info: SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller     Source Detail    Source Detail  

 09/18/74 

Dijon  France   Parc Des Expositions    flac16: **SOUNDCHECK ONLY** Lineage: SBD -> Master Reel -> Dat Transfer Info: Dat -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC Transferred and Mastered By Charlie Miller     Source Detail    Source Detail  

 09/18/74 

Dijon  France   Parc Des Expositions    Lineage: SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN via Charlie Miller ((/shn/20675) with one track modified to remove a pop (see notes) by Matt Vernon     Source Detail    Source Detail  

 09/21/74 

Paris  France   Palais Des Sports    flac16; SBD -> Master Reel -> Reel -> Dat Transferred and Edited By Charlie Miller    Source Detail    Source Detail  

 10/16/74 

San Francisco  CA   Winterland Arena    SBD: MR> R> C> D> CD> EAC> SHN, with Aud patches: Aud master> Rx2> C> D> CD; via A. Kowalski to BUDD and GDH-Trading; 10/22/67 filler; PITB split into 2 tracks at d/o removal (md5 version d2b); d2a.md5 likely reflects pre-split PITB and may not circulate    Source Detail    Source Detail  

 10/16/74 

San Francisco  CA   Winterland Arena    Source: Reel Master>Cassette>DAT>EAC 0.93b>MKWACT via JR Fishman    Source Detail    Source Detail  

 10/17/74 

San Francisco  CA   Winterland Arena    MultiTrack Master Reel > DAT > Sonic Solutions > CD; see info file for notes; via Steve Barbella, Rich Danyko, Matt Vernon    Source Detail    Source Detail  

 10/17/74 

San Francisco  CA   Winterland Arena    flac16; Black Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for SRC POWr3 Dither 16bit/44.1 kHz, TradersLilHelper for FLAC 8 SBE Free Tag&Rename for MetaData    Source Detail    Source Detail  

 10/18/74 

San Francisco  CA   Winterland Arena    Set I : SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN Set II and III : SBD -> Reel Master -> Dat Master (44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN Transfered and Edited By Charlie Miller    Source Detail    Source Detail  

 10/18/74 

San Francisco  CA   Winterland Arena    flac16; Recording Info: Set 1: SBD -> Master Reel -> Reel -> Reel -> PCM -> Dat (44.1k); Set 2: SBD -> Master Reel -> Dat (44.1k); Set 3: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 10/19/74 

San Francisco  CA   Winterland Arena    Recording Info: SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k) Transfer Info: Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) Patch Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD -> EAC -> SHN Transfered and Edited By Charlie Miller charliemiller87@earthlink.net 1/14/04    Source Detail    Source Detail  

 10/20/74 

San Francisco  CA   Winterland Arena    mixed sources (see info file, and for flaws); via D. Finney, stemming from Frank's Picks tree- more info; note some material from show appears on album Steal Your Face- go buy it; see public comments for quality note    Source Detail    Source Detail  

 02/28/75 

Mill Valley  CA   Bob Weir's Studio    flac16; SBD MR > R > R > CD * > EAC > WAV > FLAC    Source Detail    Source Detail  

 03/17/75 

Mill Valley  CA   Ace's    SBD>MR>DAT>CDR; David Crosby and the Dead from weir's Studio; via Raoul Duke; seeded to etree by Matt Vernon    Source Detail    Source Detail  

 03/21/75 

Mill Valley  CA   Ace's studio    SNACK rehearsals, poss compilation of dates; ??> cass> cooledit> mkw> shn; Tracking/ re-shn (v3) from original single shn file, by terrapinstation    Source Detail    Source Detail  

 03/23/75 

San Francisco  CA   Kezar Stadium    SBD>FM>?>DAT>CDR Only flaw listed: One small d/o in the 1st Blues for Allah (Track 2) @ 4:36    Source Detail    Source Detail  

 03/??/75 

Unknown  CA   Studio (Blues for Allah Outtakes)    liberated bootleg CD-> EAC-> WAV-> SHN; via Dave Backus    Source Detail    Source Detail  

 04/02/75 

Mill Valley  CA   Ace's Studio    rehearsals; 1st Gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; There's some question as to the accuracy of this date; via terrapinstation to etree    Source Detail    Source Detail  

 04/17/75 

Mill Valley  CA   Ace's Studio    rehearsals; sbd> ? gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; SBEs fixed with shntool, renamed to fit Etree standards and re-shn'ed by terrapinstation    Source Detail    Source Detail  

 06/05/75 

San Rafael  CA   Club Front    rehearsals; SBD: 2nd gen cass> PCM>SEK'D Prodif96Pro> wav> SHN; SBEs fixed (with shntool), files renamed, re-shn'ed, text file created by terrapinstation    Source Detail    Source Detail  

 06/05/75 

San Rafael  CA   Club Front    rehearsal sessions from June 3, 4 & 5, 1975 from low-generation cassette. via Hanno Bunjes, Uli Teute    Source Detail    Source Detail  

 06/07/75 

Mill Valley  CA   Bob Weir's Studio    flac16; "Blues Ruffs" : SBD MR > R > Rs > CD * > EAC > WAV > FLAC via Matt Smith    Source Detail    Source Detail  

 06/17/75 

San Francisco  CA   Winterland Arena    AUD CM>DAT>CD> EAC> SHN; Recorded by Rob Bertrando: Sony ECM-280 mics > Sony TC-152 SD cassette > playback on Nak Dragon > DAT; audience from Winterland floor, about 30-35' back, just to the? left of dead center; via Alan Fink, Mark Ferguson    Source Detail    Source Detail  

 06/17/75 

San Francisco  CA   Winterland Arena    DTS-Audio-CD 5.1 Mix; - SBD (shn id 96125) MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD CD's supplied by Matt Smith and edited by Jamie Waddell + AUD (shn id 233) AUD CM>DAT>CD>EAC>SHN Recorded by Rob Bertrando - patches, timing and dts encoding by Kevin Tobin    Source Detail    Source Detail  

 06/17/75 

San Francisco  CA   Winterland Arena    flac16; AUD/SBD Matrix of 2 previously circulating sources: AUD - (shn ID #233) and SBD - (shn ID #20084). Edited and converted by Chris Chappell.    Source Detail    Source Detail  

 06/17/75 

San Francisco  CA   Winterland Arena    sbd>? gen cass>PCM>SEK'D Prodif96Pro>wav>SHN via David Backus     Source Detail    Source Detail  

 06/17/75 

San Francisco  CA   Winterland Arena    flac16; SBD Source: MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station    Source Detail    Source Detail  

 07/07/75 

Mill Valley  CA   Ace's Studio    sbd>? gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; via terrapinstation to etree    Source Detail    Source Detail  

 09/28/75 

San Francisco  CA   Lindley Meadows, Golden Gate Park    Bertha Remaster of the master reel source; SBD>>MR>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A     Source Detail    Source Detail  

 09/28/75 

San Francisco  CA   Lindley Meadows, Golden Gate Park    SBD : MR > DAT > CDR (HHb850); DAT > CDR transfer by Dan Sisler; Seeded to etree by Alan J. Fink    Source Detail    Source Detail  

 05/28/76 

San Francisco  CA   Orpheum Theatre    flac16; Lineage R2 > D Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif interconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 by Jamie Waddell (compilation of material recorded on 5-28,29,30-76; See info file for details)    Source Detail    Source Detail  

 06/03/76 

Portland  OR   Paramount Theatre    last 2 songs missing; MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR; noted at gdlive    Source Detail    Source Detail  

 06/03/76 

Portland  OR   Paramount Theatre    MATRIX MIX: SBD/AUD (About 60%/40%): SBD: Bertha Remaster of the Master Reel Source and AUD: MC > DAT > WAV > SHN Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008    Source Detail    Source Detail  

 06/03/76 

Portland  OR   Paramount Theatre    SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included.    Source Detail    Source Detail  

 06/09/76 

Boston  MA   Boston Music Hall    flac16; SBD/AUD Matrix of 3 previously circulated seeds (SBD I - SHN ID# 12382, SBD II - SHN ID# 5426, AUD - SHN ID #5982); prepared by Chris Chappell    Source Detail    Source Detail  

 06/09/76 

Boston  MA   Boston Music Hall    flac16; Recording Info: Set 1: SBD -> Master Cassette -> CD; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; Set 2: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 06/10/76 

Boston  MA   Boston Music Hall    flac16; Source Info: SBD Master Reel -> PCM -> Dat (44.1k) Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 and Ozone. Dithered L2 Type-1 Ultra by Jamie Waddell    Source Detail    Source Detail  

 06/11/76 

Boston  MA   Boston Music Hall    MR>DAT>DAT Clone @ 44.1 kHz (Tascam DA20)>SBLive Platinum SPDIF In>WAV Edit (Sound Forge)>SHN (mkw audio compression tool)>CDR (HP 8200); via GDLive [Note: An sbe-fixed-by-set version also circulates]    Source Detail    Source Detail  

 06/12/76 

Boston  MA   Boston Music Hall    SBD> FM(WBCN)> MR(7.5ips); Conversion: Akai 4000DS MKII > Turtle Beach Tropez > CoolEdit96 > CD Wave > SHN; Taped by Peter Wrenn, Seeded by Stephen Wrenn; to etree via Doug Moog; Wheel from unknown AUD; see notes in info file    Source Detail    Source Detail  

 06/14/76 

New York  NY   Beacon Theatre    flac16; Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell    Source Detail    Source Detail  

 06/14/76 

New York  NY   Beacon Theatre    flac16; Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell    Source Detail    Source Detail  

 06/15/76 

New York  NY   Beacon Theatre    SBD > Master Reel > PCM > DAT; Transfer:? DAT > WAV (via TB Fiji S/PDIF) > SHN; via Andy Gustin, Jeff Kempka; see info file and pub comments for flaw notes    Source Detail    Source Detail  

 06/15/76 

New York  NY   Beacon Theatre    flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz; Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac; Transfer and mastering by Bill Koucky    Source Detail    Source Detail  

 06/17/76 

Passaic  NJ   Capitol Theater    flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 06/18/76 

Passaic  NJ   Capitol Theater    flac16; Recording Info: SBD -> Master Reel Transfer Info: Apogee AD500 -> DAT -> Samplitude -> CD -> FLAC; All Transfers and Mastering By Charlie Miller (Download Series outtakes)    Source Detail    Source Detail  

 06/21/76 

Upper Darby  PA   The Tower Theatre    flac16; Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; Upgrade in circulation    Source Detail    Source Detail  

 06/22/76 

Upper Darby  PA   The Tower Theatre    flac16; Recording Info:SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 06/23/76 

Upper Darby  PA   The Tower Theatre    flac16; Recording Info: Unknown Mics -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 06/24/76 

Upper Darby  PA   The Tower Theatre    flac16; Matrix 3 Source Mix - SBD Set 1 (shn id 25478) WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN + SBD Set 2 (shn id 14498) SBD>MR>DAT>CDR>EAC + AUD (shn id 6682) [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC - matrix mixing by Kevin Tobin     Source Detail    Source Detail  

 06/26/76 

Chicago  IL   Auditorium Theatre    flac16; Recording Info:SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 06/29/76 

Chicago  IL   Auditorium Theatre    7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > DAT > ZA2 > CDR > EAC > SHN; via Jeff Tiedrich, David Hollister, Mike (Dank Star) Parrillo, Andy Gustin; with interleaved reel splices for completeness     Source Detail    Source Detail  

 07/16/76 

San Francisco  CA   Orpheum Theatre    flac16; SBD + AUD Matrix Mix (50% SBD/50% AUD), seeded by Dan    Source Detail    Source Detail  

 07/16/76 

San Francisco  CA   Orpheum Theatre    Set 2 DTS-Audio-CD 5.1 Mix via Dan     Source Detail    Source Detail  

 07/17/76 

San Francisco  CA   Orpheum Theatre    flac16; Sick Bits Vol. 25 - SBD/AUD matrix of 2 previously circulating sources: SBD (shnid=34708) + AUD (shnid=18389). Matrixed by Chris Chappell.    Source Detail    Source Detail  

 07/17/76 

San Francisco  CA   Orpheum Theatre    Fix of shn id 243 - patch in Eyes of the World smoothed out (MSR>DAT>CD>EAC>SHN)    Source Detail    Source Detail  

 07/18/76 

San Francisco  CA   Orpheum Theatre    S : PreFM > MR > PCM > DAT > CDA > DAW (Bertha) > CDA - d1t01 and d3 S : FM > R > DAT > CDA > DAW (Bertha) > CDA - d1t02-d2t07 Bertha Remaster by jashley@deadacated.com Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool.    Source Detail    Source Detail  

 08/02/76 

Hartford  CT   Colt Park    flac16; Source: Audience FOB Recording Media: Maxell UD-XL1 C90 Master Tapes Lineage: MAC? (we can't for sure indicate that this is a master cassette, this might be a 1st gen copy) > Nak DR-1 > Apogee Rosetta 200 > Firewire > Apple G5 > Bias Peak 24/96 wav > FLAC > WAV > See Editing notes Taped by: E. Singer Transfer by: Derek McCabe Mastered by: SIRMick    Source Detail    Source Detail  

 10/01/76 

Indianapolis  IN   Market Square Arena    flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; Transferred and Mastered by David Gans; Re-tracked and converted to FLAC By Charlie Miller    Source Detail    Source Detail  

 10/09/76 

Oakland  CA   Oakland-Alameda County Coliseum    flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD): SBD > RM > Dat>Sonic Solutions > CD > EAC > SHN (shn id 12519) and Unknown aud > ? > DAT Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit(rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn (shn id 10179)    Source Detail    Source Detail  

 10/09/76 

Oakland  CA   Oakland-Alameda County Coliseum    DTS Audio 5.1; Set 2 only: SBD: SBD > RM > Dat>Sonic Solutions > CD > EAC > SHN Converted to SHN By Charlie Miller (shn id 12519) and AUD: Unknown aud > ? > DAT Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit (rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn SHNtool used verify track boundaries prior to wav>shn Transfer by Marc Pujol (shn id 10179)    Source Detail    Source Detail  

 10/10/76 

Oakland  CA   Oakland-Alameda County Coliseum    Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; tracked for 2x80    Source Detail    Source Detail  

 10/15/76 

Los Angeles  CA   Shrine Auditorium    MSR>DATs>CDRs>EAC>SHN Fixed SBE of shnid=251    Source Detail    Source Detail  

 10/15/76 

Los Angeles  CA   Shrine Auditorium    flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/31/76 

Daly City  CA   Cow Palace    PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
2nd encores from MAR (unknown equipment) > Reel > Beta HiFi > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
[Note: A de-popped version created by Dave Winters for disk 3 also circulates. Check the .md5 for d3t03 to determine which version you have.]  
 Source Detail    Source Detail  

 02/17/77 

Van Nuys  CA   Sound City    Source:SBD>Master Reel>DAT>CDR>SHN; Terrapin Station and Mars Hotel studio outtakes; DAE(EAC0.9 beta 4)>tracking(CDWAV)>SHN(MKWAct.96f)>FTP via Tripp    Source Detail    Source Detail  

 02/20/77 

Van Nuys  CA   Sound City    Terrapin Station Outtakes; sbd>?>cdr; Seeded to etree by Paul Moreno    Source Detail    Source Detail  

 02/26/77 

San Bernardino  CA   Swing Auditorium    From the Owen Brothers Vault. Main source: SBD>MR>DATs>CDR>EAC>CDR>EAC>CDWAV>SHN. With AUD patches from: Sony ECM-280>Sony TC-153SD>MC>RR>DAT>CDR and between song tuning patches from: SBD>MR>C>C>CD.    Source Detail    Source Detail  

 02/26/77 

San Bernardino  CA   Swing Auditorium    SBD>MR>DAT>CD; Editing and mastering by The Wizard    Source Detail    Source Detail  

 02/26/77 

San Bernardino  CA   Swing Auditorium    flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk (Tim Deibert) WBOTB    Source Detail    Source Detail  

 02/27/77 

Santa Barbara  CA   Robertson Gym, U.C.S.B.    Sony ECM-280> Sony TC-153SD ACM> R>DAT> CDR taped by Dr. Rob Bertrando; via Raoul Duke; Seeded to etree by Matt Vernon; Note- d2t06 does not exist, this was merely a naming error and the show is complete as is.    Source Detail    Source Detail  

 03/18/77 

San Francisco  CA   Winterland Arena    SBDMR @ 7.5 ips> DAT> CD> EAC> SHN, with AUD patches; AUD portions: Master (R. Bertrando Sony ECM-270/TC-152SD) Cassette> DAT> CD> EAC> SHN; note skip or maybe reel flip d2t2 5:38; d3t3>4 track marker off by ~1:45; d3t5, 'NFA', has an undocumented AUD splice from 14:20 to 15:06    Source Detail    Source Detail  

 03/19/77 

San Francisco  CA   Winterland Arena    SBD>MR>DAT>DAT>Sonic Solutions>CDR; original tree and covers; note circ at one site 10/99 w/ problem in d3t5?; note Terrapin has fluttery flaws from master reel    Source Detail    Source Detail  

 03/20/77 

San Francisco  CA   Winterland Arena    Recording Info: SBD -> Master Reel -> Dat x 2 -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Tracked and SHN'd By Charlie Miller     Source Detail    Source Detail  

 04/22/77 

Philadelphia  PA   The Spectrum    FOB Sony ECM99A mics > Sony TC152 > Cass > DAT > CDR; Samson is missing due to a tape flip; Seeded to etree by Dave Luzenske     Source Detail    Source Detail  

 04/23/77 

Springfield  MA   Springfield Civic Center    SBD> MR> DAT> CD, with AUD patch on reel splice (FOB Sony ECM99A mics> Sony TC152> DAT> CD via Darrin Sacks); via Adam Jerugim; upgrade in circulation     Source Detail    Source Detail  

 04/27/77 

Passaic  NJ   Capitol Theater    Pre-FM Master Reel Soundboard->DAT x ?. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Dan Lynch. DAT patch provided by Joe Samaritano. Transfer and SHN by Joe Samaritano    Source Detail    Source Detail  

 05/01/77 

New York  NY   The Palladium    flac16; Set 2 Only, Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 05/05/77 

New Haven  CT   Veterans Memorial Coliseum    Betty Board reel source transferred to DAT by Rob Eaton, then transferred to CD by Dan Stephens; see info file for details    Source Detail    Source Detail  

 05/07/77 

Boston  MA   Boston Garden    Bertha Remaster of the Rob Eaton/The Wizard soundboard source: SBD> MR> DAT> editing> SHN> DAW(Bertha)> CDA/SHN, by Jay Ashley; see pub comments for extended notes    Source Detail    Source Detail  

 05/07/77 

Boston  MA   Boston Garden    SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard.    Source Detail    Source Detail  

 05/07/77 

Boston  MA   Boston Garden    flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 05/08/77 

Ithaca  NY   Barton Hall, Cornell University    freshly remastered Betty Board with AUD splices, by Rob Eaton; see info file for extensive notes and credits; etreed by Darrin    Source Detail    Source Detail  

 05/08/77 

Ithaca  NY   Barton Hall, Cornell University    flac16, DTS; complete show; combination of SBD with 2 AUD sources (see notes in txt)    Source Detail    Source Detail  

 05/08/77 

Ithaca  NY   Barton Hall, Cornell University    flac16; SBD (shnid=4982) and AUD (shnid=29303 Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); Fixed version in circulation    Source Detail    Source Detail  

 05/08/77 

Ithaca  NY   Barton Hall, Cornell University    flac16, DTS; complete show; combination of SBD with 2 AUD sources (see notes in txt)    Source Detail    Source Detail  

 05/08/77 

Ithaca  NY   Barton Hall, Cornell University    freshly remastered Betty Board with AUD splices, by Rob Eaton; see info file for extensive notes and credits; etreed by Darrin    Source Detail    Source Detail  

 05/09/77 

Buffalo  NY   Buffalo Memorial Auditorium    Sources: Soundboard Source:Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out> Dat @ 48 kHz>Soundforge>Shn: Audience Source:Master Audience Cassette> Sony ecm-33pmics>nak550>reel to reel>cd The audience source supplies patches for the master reel splices at D2T2,TMNS 6:50 - 7:18 and D3T4, NFA 1:43 - 2:10 Seeded via Fungus and abgd by Charlie Connor 3/21/02, with thanks to Joe Samaritano and Scott Clugston    Source Detail    Source Detail  

 05/11/77 

St. Paul  MN   St. Paul Civic Center    flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC Transferred and Edited By Charlie Miller    Source Detail    Source Detail  

 05/13/77 

Chicago  IL   Auditorium Theatre    SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD; (Post Drums - Fp -> Dat -> CD); Seeded to etree by Charlie Miller    Source Detail    Source Detail  

 05/15/77 

St. Louis  MO   The Arena    flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller charliemiller87@earthlink.net    Source Detail    Source Detail  

 05/17/77 

Tuscaloosa  AL   Memorial Coliseum, University Of Alabama    SBDMR > DAT > CD > EAC > SHN note: Sugar Magnolia encore supplied by AUD source. Added to etree by Noah Weiner    Source Detail    Source Detail  

 05/18/77 

Atlanta  GA   Fox Theatre    SBD > MR > DAT > CDR > WAV > SHNv3; DAE: EAC (high n' secure, offset corrected) > shntool (boundaries confirmed) > mkwact > ftp via neo_levo from bear g.'s seed; upgrade in circulation     Source Detail    Source Detail  

 05/18/77 

Atlanta  GA   Fox Theatre    flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC    Source Detail    Source Detail  

 05/22/77 

Pembroke Pines  FL   The Sportatorium    SBD>MR>C>D>CD>Toast>SHN    Source Detail    Source Detail  

 05/22/77 

Pembroke Pines  FL   The Sportatorium    SBD>MR>C>D>CD>Toast>SHN    Source Detail    Source Detail  

 05/25/77 

Richmond  VA   The Mosque    flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed dropout in d3t02 Wharf Rat of source ID 87539    Source Detail    Source Detail  

 05/26/77 

Baltimore  MD   Baltimore Civic Center    Soundboard > 7 inch Master Reels @7.5ips 1/2 track -> DAT(s) -> ZA2 -> CDR (x1)-> EAC -> SHN; with AUD patches (and other fixes) by Scott Clugston, using Master Audience Cassette: Sony ECM-33p mics > Sony TC-158 > D source, taped by Jerry Moore; to etree via Darrin Sacks; see info file for details, other comments and credits    Source Detail    Source Detail  

 05/26/77 

Baltimore  MD   Baltimore Civic Center    flac 16; Sick Bits Vol. 30a - SBD/AUD mix of 2 previously circulating primary sources: SBD (shnid=11614) + AUD (shnid=32092) as well as a patch SBD source (shnid=3224). Matrixed by Chris Chappell.    Source Detail    Source Detail  

 05/28/77 

Hartford  CT   Hartford Civic Center    Bettyboard 7 inch master reel @ 7 ? ips > DAT (zero gen)> CDR (zero gen) (via sony pcm r-700 dat playback > hhb cdr-800) > CDR (first gen) > EAC > .Shn; with AUD patches from Steve Rolfe's FOB; see info file for details; via Seth Kaplan, Jack Warner, Darrin Sacks, Bob Fishman; d3 tracked for 80 min, can shift encore for 74     Source Detail    Source Detail  

 05/28/77 

Hartford  CT   Hartford Civic Center    flac 16; Sick Bits Vol. 30b - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=4983) + AUD (shnid=18439). Matrixed by Chris Chappell.    Source Detail    Source Detail  

 06/04/77 

Inglewood  CA   The Forum    Rob Bertrando - FOB akg D224Es > Sony TC-153 cassette > CDR? > Rich Plumb DAT > Teddy GoodBear Computer (no edit) > SHN; to abgd; note track names with punctuated song titles may cause probs for some    Source Detail    Source Detail  

 06/07/77 

San Francisco  CA   Winterland Arena    SBD> MR> DAT, plus AUD patches (AKG D220 mics> Tandberg 10X MR taped by Bob Menke and Reinhardt Hollwein> Rob Bertrando's first-gen reel> DAT); DAT> CD transfer, patching by David Hollister; EAC> volume editing> SHN by Keith Bode    Source Detail    Source Detail  

 06/08/77 

San Francisco  CA   Winterland Arena    Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Profesional -> SHN Transferred and Edited By Charlie Miller     Source Detail    Source Detail  

 06/08/77 

San Francisco  CA   Winterland Arena    flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)     Source Detail    Source Detail  

 06/09/77 

San Francisco  CA   Winterland Arena    flac16; Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Profesional v8.0 -> FLAC Transferred and Edited By Charlie Miller Patch Info: AKG D224 -> Master Reel (Tandberg 10XD) -> Reel -> Dat -> CD    Source Detail    Source Detail  

 09/28/77 

Seattle  WA   Paramount Theatre    flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48] Mastering: In WaveLab with Nomad Blue Tube Plugins Rate Conversion with r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky    Source Detail    Source Detail  

 09/29/77 

Seattle  WA   Paramount Theatre    flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz First Reel has no DBX hence MR > P1 > D1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky November 24, 2008    Source Detail    Source Detail  

 10/01/77 

Portland  OR   Paramount Theatre    flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0    Source Detail    Source Detail  

 10/02/77 

Portland  OR   Paramount Theatre    flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2).     Source Detail    Source Detail  

 10/06/77 

Tempe  AZ   Activity Center, Arizona State University    flac16; FM > C(x2) > Marantz CDR-510 (rec at -0db) > CDR > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, checksums, and FLAC compression) > FLAC    Source Detail    Source Detail  

 10/07/77 

Albuquerque  NM   University Arena, University Of New Mexico    flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 10/09/77 

Denver  CO   McNichols Sports Arena    flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 10/11/77 

Norman  OK   Lloyd Noble Center, University Of Oklahoma    flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 10/12/77 

Austin  TX   Manor Downs    SBD>MR>C>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN via J. Cotsman; Thanks to S. Milewski for aud patches     Source Detail    Source Detail  

 10/14/77 

Houston  TX   Hofheinz Pavilion    Fix of shnid 6693 (sbd) by Bill Tetzeli - see info file for details    Source Detail    Source Detail  

 10/15/77 

Dallas  TX   Moody Coliseum, S.M.U    SBD>MC>R>D>CD>EAC>SHN; declicked and pitch corrected    Source Detail    Source Detail  

 10/16/77 

Baton Rouge  LA   Assembly Center, Lousiana State University    sdb> MR> C> D> CD; via Mike Lai    Source Detail    Source Detail  

 10/16/77 

Baton Rouge  LA   Assembly Center, Lousiana State University    flac16; partial Set 1: Sony CR-O2 C-90 Cassette tape MASTER > JVC TD-W209 cassette playback deck >JVC XL-R5010 stand-alone>cdr (0)>your cdr    Source Detail    Source Detail  

 10/28/77 

Kansas City  KS   Soldiers & Sailors Memorial Hall    Betty Board>MR>?>CD; via Jens Tilsner; Seeded to etree by Willy    Source Detail    Source Detail  

 10/28/77 

Kansas City  KS   Soldiers & Sailors Memorial Hall    flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 10/29/77 

DeKalb  IL   Evans Field House, Northern Illinois University    SBD > Reel > DAT > WAV (via TB Fiji S/PDIF) > SHN; via Jeff Kempka    Source Detail    Source Detail  

 10/29/77 

DeKalb  IL   Evans Field House, Northern Illinois University    flac16; matrix of SBD: shnid=92085 and AUD: shnid=8035 by hansokolow using ProTools     Source Detail    Source Detail  

 10/30/77 

Bloomington  IN   Assembly Hall    Source: SBD > MR > PCM > DAT > CDR > EAC > mkwACT EAC'd/SHN'd by Doug Nawrocki    Source Detail    Source Detail  

 11/01/77 

Detroit  MI   Cobo Arena    SBD> Master (Betty Board) Reels> PCM> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M.; includes US Blues encore; d1t05 cuts into friend of the devil (about 1st 20 seconds missing); upgrade in circulation     Source Detail    Source Detail  

 11/01/77 

Detroit  MI   Cobo Arena    flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 11/02/77 

Toronto  ON   Field House, Seneca College    Soundboard Reel> CD> TC2000 EQ> Sonic Solutions (David Gans)> CD> EAC> SHN TC2000; Equalizer Used To Brighten Up The Rather Dull Sound; CD> EAC> SHN By Joe Samaritano; also to abgd via Charlie Connor; note upgrade to previous copy    Source Detail    Source Detail  

 11/04/77 

Hamilton  NY   Cotterell Gym, Colgate University    flac 16; SBD/AUD Matrix of 2 previously circulated seeds (SBD - shn ID #2595 & AUD - shn ID #15208); prepared by Chris Chappell    Source Detail    Source Detail  

 11/05/77 

Rochester  NY   Community War Memorial Auditorium    Master Audience Cassette > possible analog gen> DAT > CDR; Mastered to disc> EAC> SHN by Scott Clugston. [Note: An alternate shn set differeing only in disks 2 and 3 also circulates. This might have an additional EAC generation.]    Source Detail    Source Detail  

 11/05/77 

Rochester  NY   Community War Memorial Auditorium    flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC    Source Detail    Source Detail  

 12/27/77 

San Francisco  CA   Winterland Arena    SBD>MR>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN (multigen); originally circulated by David Gans w/ thanks to S. Milewski for the patches    Source Detail    Source Detail  

 12/31/77 

San Francisco  CA   Winterland Arena    SBD> MR> DAT> standalone burner> CDR> EAC> SHN; EAC> SHN by B. Purvis; via offer to PCP; etreed 5/9/00 via A. Jerugim    Source Detail    Source Detail  

 01/07/78 

San Diego  CA   Golden Hall, Community Concourse    SBD> MC> R> D> CD> EAC> SHN from previous Scot Clugston seed, patched with AUD> ??> CD> EAC> SHN; final edits/encoding by JCotsman    Source Detail    Source Detail  

 01/08/78 

San Diego  CA   Golden Hall, Community Concourse    Aud>C>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Digitally Mastered by Charlie Connor; with Thanks to Lawrence Peryer    Source Detail    Source Detail  

 01/11/78 

Los Angeles  CA   Shrine Auditorium    flac16; Matrix: Analog Aud: 2 x AKG D224E >> Sony TC-158SD  >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] and Analog SBD: SBD >> MSC (dolby C) >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > flac16    Source Detail    Source Detail  

 01/22/78 

Eugene  OR   McArthur Court, University Of Oregon    d1,d3: sbd> ??> cd> eac> shn, d2 from previous shn set (see notes in info file); to gdlive, via popi    Source Detail    Source Detail  

 01/22/78 

Eugene  OR   McArthur Court, University Of Oregon    flac 16; Please note Info file and md5 changed. SBD/AUD Matrix of 2 previously circulated seeds (SBD - ID #4974 & AUD - ID #2014); prepared by Chris Chappell    Source Detail    Source Detail  

 01/30/78 

Chicago  IL   Uptown Theatre    flac16; SBD -> Master Reel -> Dat -> CD -> FLAC Audio discs provided by Jim Wise Converted to FLAC By Charlie Miller    Source Detail    Source Detail  

 01/31/78 

Chicago  IL   Uptown Theater    flac16; SBD -> Master Reel -> Dat -> CD -> FLAC Audio discs provided by Jim Wise Converted to FLAC By Charlie Miller    Source Detail    Source Detail  

 02/01/78 

Chicago  IL   Uptown Theater    MSR> C> DATs> CDRs> EAC> SHN; EAC/SHN by Mike (Dank Star) Parrillo; u/l via Darrin Sacks     Source Detail    Source Detail  

 04/06/78 

Tampa  FL   Curtis Hixon Convention Hall    flac16; SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD) Mix consisting of SBD - shn id 81307, AUD - shn id 81494    Source Detail    Source Detail  

 04/07/78 

Pembroke Pines  FL   The Sportatorium    7" Two Track Reel@ 7 1/2 ips>PCM501ES @44.055kHz>PCM analog out>DAT@48kHZ>Tascam DA-20MKII(playback only)>RME Digi96/8> Steinberg's Wavelab 3.0 (resampling & editing)>CDWav beta1.6(tracking only)>SHNv3 (MKW ACT; Source DAT via Joe Samaritano; upgrade in circulation DAT>Shn conversion, ditital editing via Charlie Connor;Seeded to fungus and abgd by Charlie Connor     Source Detail    Source Detail  

 04/07/78 

Pembroke Pines  FL   The Sportatorium    flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 04/08/78 

Jacksonville  FL   Veterans Memorial Coliseum    SBD> Bettyboard 7" reels @ 7.5ips> PCM> DAT> CDR> SHN; seeded by Katy Miller; upgrade in circulation     Source Detail    Source Detail  

 04/08/78 

Jacksonville  FL   Veterans Memorial Coliseum    flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 04/08/78 

Jacksonville  FL   Veterans Memorial Coliseum    flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > Fostex D5 > optical S/PDIF out (Jace's tape) > disk WBOTB Transferred by Tim Deibert 3-10-02    Source Detail    Source Detail  

 04/11/78 

Atlanta  GA   Fox Theater    SBD -> Rm -> PCM -> Dat via Charlie Miller; upgrade in circulation     Source Detail    Source Detail  

 04/14/78 

Blacksburg  VA   Cassell Coliseum, Virginia Polytechnic    Betty's 7 inch, 2 track, Master Soundboard Reels> PCM x2> DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; drop out followed by a short digi-snit in JBG ~ 0:28     Source Detail    Source Detail  

 04/14/78 

Blacksburg  VA   Cassell Coliseum, Virginia Polytechnic    flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 04/15/78 

Williamsburg  VA   William & Mary Hall    flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> Samplitude Professional v7.02 -> FLAC    Source Detail    Source Detail  

 04/16/78 

Huntington  WV   Huntington Civic Center    flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC by Charlie Miller    Source Detail    Source Detail  

 04/21/78 

Lexington  KY   Rupp Arena, University Of Kentucky    flac16; Recording Info:SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 04/22/78 

Nashville  TN   Nashville Municipal Auditorium    flac16; Set 1 Recording Info:SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 04/22/78 

Nashville  TN   Nashville Municipal Auditorium    Source: Sony 54P's>Nak 550--10th Row; FOB MAC>Cass>DAT>CDR. via Willy shn encoding Matt Vernon    Source Detail    Source Detail  

 04/22/78 

Nashville  TN   Nashville Municipal Auditorium    flac16; Recording Info:Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90);Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 04/24/78 

Normal  IL   Horton Field House, Illinois State University    flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 04/24/78 

Normal  IL   Horton Field House, Illinois State University    flac16; SBD > Cassette Master > Dat > Cassette > Dat > CD > Samplitude Professional v7.02 > FLAC; Transfer and Mastering by Charlie Miller    Source Detail    Source Detail  

 05/05/78 

Hanover  NH   Thompson Arena, Dartmouth College    flac16; Source: FOB Audience Recording (30 Rows Back) Media: Maxell UD-XLII C90 min / C60 min Lineage: Nakamichi CM300's > Sony 1535D (Dolby B on) > MAC Transfer: MAC > Nakamichi DR-1 (Dolby B off) > Benchmark ADC-1 > AES > Sound Devices 722 (24/96 WAV) Taper: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe    Source Detail    Source Detail  

 05/06/78 

Burlington  VT   Patrick Gymnasium, University Of Vermont    flac16; Source: FOB Audience Recording (25th Row DFC) Media: Maxell UD-XLII C90 min / C60 min Lineage: Nakamichi CM300's > Sony 1535D (Dolby B on) > MAC Transfer: MAC > Nakamichi DR-1 (Dolby B off) > Benchmark ADC-1 > AES > Sound Devices 722 (24/96 WAV) Taper: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe    Source Detail    Source Detail  

 05/07/78 

Troy  NY   Field House, Rensselaer Polytechnic Institute    flac16; Source: Audience FOB Recording Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe    Source Detail    Source Detail  

 06/04/78 

Goleta  CA   Campus Stadium, UC Santa Barbara    SBD>MC>C>D>CD; patched with AUD>MC>R>D>CD; See info file for details; via Raoul Duke and Mike Tausig; Seeded to etree by Matt Vernon & J. Cotsman    Source Detail    Source Detail  

 06/04/78 

Goleta  CA   Campus Stadium, UC Santa Barbara    flac16; Recording Info: SBD (Betty's Recording Mix) -> Master Cassette (Maxell UD C-90) -> Dat (44.1k);Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller     Source Detail    Source Detail  

 07/05/78 

Omaha  NE   Omaha Civic Auditorium    flac16; MOTB Release: 0070 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Sony Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight Transfer By: Adam Egert Mastering By: Derek McCabe     Source Detail    Source Detail  

 07/07/78 

Morrison  CO   Red Rocks Amphitheatre              

 07/08/78 

Morrison  CO   Red Rocks Amphitheatre    SBD> [?]> DAT> CDR; via Jeff Hoelter; see pub comments for additional notes. [Note: A shntool-fixed-be-sets version of this source is available]; upgrade in circulation     Source Detail    Source Detail  

 07/08/78 

Morrison  CO   Red Rocks Amphitheatre    flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight    Source Detail    Source Detail  

 07/08/78 

Morrison  CO   Red Rocks Amphitheatre    flac16; Recording Info: SBD -> Master Reel -> PCM -> Roland SRC-2 -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 08/30/78 

Morrison  CO   Red Rocks Amphitheatre    set 2; SBD> MC> DAT> CDR; via Charlie Miller; Cozmcchuck; Steve Barbella    Source Detail    Source Detail  

 09/02/78 

East Rutherford  NJ   Giants Stadium    1st Set unknown gen reel>CD with some aud patches, see info file for details; 2nd Set SBD:MC>Cas>DAT>CD; via Yubah with thanks to Jools    Source Detail    Source Detail  

 09/13/78 

Cairo  Egypt   Gizah Sound and Light Theater    Soundcheck from night before the shows; SBD>MR>??>CDR; Seeded to Etree by T. Wiley    Source Detail    Source Detail  

 09/14/78 

Cairo  Egypt   Gizah Sound and Light Theater    Recording Info: SBD -> Master Reel (2 track) -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN)Transfered By Charlie Miller; upgrade in circulation     Source Detail    Source Detail  

 09/15/78 

Cairo  Egypt   Gizah Sound and Light Theater    Recording Info: Set One: SBD -> Reel Master (2 track) -> Cass -> Dat -> CD -> EAC -> SHN Set Two: SBD -> Reel Master (10" @ 15 I.P.S. 1/2-track) -> Dat -> CD -> EAC -> SHN Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN All transfers By Charlie Miller; upgrade in circulation     Source Detail    Source Detail  

 09/16/78 

Cairo  Egypt   Gizah Sound and Light Theater    flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 10/17/78 

San Francisco  CA   Winterland Arena    SBD: Master Reel> PCM> DAT> CD> (EAC) WAV> SHN; EAC, tracking, shn and upload by Evan Levy; notes: one splice in Eyes, U.S. Blues cuts off missing ~45 seconds; see pub comments for additional notes; upgrade in circulation     Source Detail    Source Detail  

 10/17/78 

San Francisco  CA   Winterland Arena    flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 10/18/78 

San Francisco  CA   Winterland Arena    flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 10/20/78 

San Francisco  CA   Winterland Arena    SBD; transferred and seeded to etree by Mike Lai, from Bruce Fried DAT    Source Detail    Source Detail  

 11/18/78 

Chicago  IL   Uptown Theater    flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 11/20/78 

Cleveland  OH   Cleveland Music Hall    Complete show. Set1: SBD> ??> CAS> CD> EAC> WAV; Set2: MSR> CAS> LYNXONE 24 Bit A/D Converter> CD> SHN> WAV; Set2 patches: MSC> CAS> DAT> CD-R> EAC> SHN> WAV; and MAC> R1> R2> (possibly R3>) DATs> CDRs> EAC> SHN> WAV. Set 2 derives from all three previous seeds. See info file for edits and flaws.    Source Detail    Source Detail  

 11/20/78 

Cleveland  OH   Cleveland Music Hall    flac 16; Sick Bits Vol. 16a - matrix: SBD/AUD mix from 2 previously circulating sources; SBD: (shnid=12947)+ AUD: (shnid=302); edited, mixed and transfered by Chris Chappell    Source Detail    Source Detail  

 11/21/78 

Rochester  NY   Community War Memorial Auditorium    flac16; Partial SBD > ? > Cassette Transfer: Cassette > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC. Soundforge for fades & edits, CD-Wave for tracking, Trader's Little Helper for SBE-OK and checksums, FLAC Frontend for lossless compression.; upgrade in circulation     Source Detail    Source Detail  

 11/24/78 

Passaic  NJ   Capitol Theatre    flac16; SBD(PreFM) > MR>DAT > CDA > Wav(EAC) > SHN > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 13948    Source Detail    Source Detail  

 11/24/78 

Passaic  NJ   Capitol Theatre    flac16; Source: PreFM SBD MR > DAT (48Khz) > DAT > WAV > FLAC. DAT > WAV transfer: Playback on Sony PCM-R500 > Neutrik input on Presonus Firebox preamp/A:D > firewire/XP Pro PC > Wavelab 5, recorded as 24 bit/96 KHz WAV > Waves L3 Multimaximizer (mastered to 16 bit/44.1 KHz WAV using hi res CD dither settings) > CDWAV 1.9 (tracking and FLAC encoding) > FLAC (level 8).    Source Detail    Source Detail  

 12/16/78 

Nashville  TN   Nashville Municipal Auditorium    flac16; Recording Info: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source)    Source Detail    Source Detail  

 12/17/78 

Atlanta  GA   Fox Theater    SBD>MR>R>C>D>CD>EAC>SHN; patched with AUD>MC>D>CD>EAC>SHN; the SBD is slightly degraded; Thanks to Mike Tausig & Chuck Kiefe; edits/encoding by JCotsman    Source Detail    Source Detail  

 12/31/78 

San Francisco  CA   Winterland Arena    flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD  >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein    Source Detail    Source Detail  

 01/20/79 

Buffalo  NY   Shea's Buffalo Theater    AUDMC > DAT > CD Recorded by Jerry Moore, NAK 700's > Sony TC-D5M from the 6th row center, mics very high up on pole. A > D by Mark Cohen - EAC > SHN by Noah Weiner. A previous digitization of this show was found to have digital errors (clicks and ticks), thus the redo;; upgrade now in circulation.     Source Detail    Source Detail  

 02/10/79 

Kansas City  KS   Soldiers & Sailors Memorial Hall    flac16; Recording by Joani Walker: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: Dolby was used in the transfer of this source)    Source Detail    Source Detail  

 02/10/79 

Kansas City  KS   Soldiers & Sailors Memorial Hall    flac16; Recording by Joani Walker: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source)    Source Detail    Source Detail  

 02/17/79 

Oakland  CA   Oakland-Alameda County Coliseum    flac16; Recording Info: SBD -> Master Reel -> ? -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 04/16/79 

San Rafael  CA   Studio Rehersal, Club Front    sbd> mr> dat> cd; DAE (EAC) by Chris Ladner, from Bear Greider seed; hosted by tol    Source Detail    Source Detail  

 05/03/79 

Charlotte  NC   Charlotte Coliseum    flac16; Recording by Barry Glassberg: MOTB 0024:Source: Audience FOB Recording, 60 Feet back, DFC, 9 foot pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM700's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky    Source Detail    Source Detail  

 05/04/79 

Hampton  VA   Hampton Coliseum    flac16; Recording by Barry Glassberg: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Tascam HD-P2 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick    Source Detail    Source Detail  

 05/12/79 

Amherst  MA   Alumni Stadium, University Of Massachusetts    flac16; Recording by Barry Glassberg: MOTB 0034: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM300's > Sony 158SD > MAC 50ft. DFC Hand-Held Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick    Source Detail    Source Detail  

 08/04/79 

Oakland  CA   Oakland Auditorium Arena    SBD>MC>C>DAT>CDR; Missing Jack Straw; via Paul B; Seeded to etree by Willy;; upgrade now in circulation    Source Detail    Source Detail  

 08/12/79 

Morrison  CO   Red Rocks Ampitheatre    flac16; Seamless fix of soundboard shn id 9288 - MSC>R>PCM>CD>EAC>SHN>WAV>FLAC by Bil Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details    Source Detail    Source Detail  

 08/13/79 

Denver  CO   McNichols Sports Arena    Sources: Primary: Master Soundboard Cassette > Reel to Reel > PCM > CDR; Sedondary Source: Master Audience Cassette; Nakamichi CM700 mics > 1 Reel to Reel gen > DAT > CDR Aud source supplies portions of "Friend of the Devil", "MInglewood Blues" , "Tuning / Announcements" , and "I Need A Miracle" ;Patching / CD Re-Mastering, EAC'ed / SHN'ed by Scott Clugston; to fungus and abgd via Charlie Connor     Source Detail    Source Detail  

 08/14/79 

Denver  CO   McNichols Sports Arena    flac16;Recording Info:(2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k) Recorded by Rob Eaton; Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 08/31/79 

Glens Falls  NY   Glens Falls Civic Center    flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 09/02/79 

Augusta  ME   Augusta Civic Center    flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 09/04/79 

New York  NY   Madison Square Garden    flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> PCM -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 09/05/79 

New York  NY   Madison Square Garden    flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> PCM -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 09/06/79 

New York  NY   Madison Square Garden    flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> PCM -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 10/25/79 

New Haven  CT   Veterans Memorial Coliseum    flac16; Set 2 Recording by Steve Rolfe: Nakamichi 700 -> Cassette Master -> Dat -> CD. Transfer: CD -> EAC -> CEP -> Flac(level 8) by Matt Vernon. Set 1 already circulates.     Source Detail    Source Detail  

 10/27/79 

South Yarmouth  MA   Cape Cod Coliseum    flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller ( upgrade now in circulation).    Source Detail    Source Detail  

 10/28/79 

South Yarmouth  MA   Cape Cod Coliseum    flac16; SBD -> Master Cassette -> Reel -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation     Source Detail    Source Detail  

 11/01/79 

Uniondale  NY   Nassau Veterans Memorial Coliseum    flac16; Recording Info: SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Master Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; This is a repatch of shn id 23445 & shn id 77363    Source Detail    Source Detail  

 11/02/79 

Uniondale  NY   Nassau Veterans Memorial Coliseum    SBD> MR> Dick's cassette> DAT> CD; via Alasdair Macdonald    Source Detail    Source Detail  

 11/02/79 

Uniondale  NY   Nassau Veterans Memorial Coliseum    flac16; 2 x Nakamichi CM-700's => Sony TCD5 >> 37th Row Center on the Pole >> MAC >> Nakamichi DR-1 >> Benchmark ADC-1 >> AES >> Sound Devices 722 >> 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Green    Source Detail    Source Detail  

 11/04/79 

Providence  RI   Providence Civic Center    SB>MR>Dick Latvala's cass>DAT>CD>EAC>minor editing>.shn & CD-R; Reported upgrade to previous shn set; see info file for details; Timings are the same; via Alasdair Macdonald     Source Detail    Source Detail  

 11/05/79 

Philadelphia  PA   The Spectrum    Third in the series :O); This is the previous shn set with a shntool fix and silence removed from d2 (by Charles Weir); See info file for details; Master Soundboard Cassette > Cassette > DAT > CDR. : upgrade now in circulation     Source Detail    Source Detail  

 11/06/79 

Philadelphia  PA   The Spectrum    flac16; SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat/0 (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller    Source Detail    Source Detail  

 11/24/79 

San Diego  CA   Golden Hall, Community Concourse    Sources:Primary Source:MSC>??>DAT>CDR>EAC>Shn;Alternate Soundboard Source MSC>C>CDR supplies patches in Lost Sailor, Sugar Mag, OMSN,. 2nd Alt Source; Master Aud Cassette>NakCM700>Sony TC-158>Reel>DAT>CDR source supplies patches in China Cat Sunflower , Playin, and Sugar Mag. This source is missing the material needed to patch "Althea" (d1t08). Primary Source Shs via Eric Salmassy; Cd remastered; patched and reshn'ed by Scott Clugston; to Fungus and abgd via Charlie Connor (Note: A sbe-fixed version is circulating as of 4/2008.)    Source Detail    Source Detail  

 11/24/79 

San Diego  CA   Golden Hall, Community Concourse    flac16; 2 x Nak cm700's >> Sony TC-D5 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]    Source Detail    Source Detail  

 11/25/79 

Los Angeles  CA   Pauley Pavilion, UCLA    Recording Info: SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info: Nakamichi 700 -> Master Cassette -> Reel -> CD (Possibly One More Reel Gen) via Charlie Miller : upgrade now in circulation     Source Detail    Source Detail  

 11/29/79 

Cleveland  OH   Cleveland Public Hall    flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller; upgrade now in circulation     Source Detail    Source Detail  

 12/01/79 

Pittsburgh  PA   Stanley Theatre              

 12/01/79 

Pittsburgh  PA   Stanley Theatre    flac16; AUD (unknown equipment and lineage, speculated to have been taped by Scott Jones with Shure > Sony TC-158) via Andrew F    Source Detail    Source Detail  

 12/01/79 

Pittsburgh  PA   Stanley Theatre    flac16; Sick Bits Vol. 15: SBD/AUD Matrix[SBD: (shnid=29429) AUD: (shnid=31330)] via Chris Chappell    Source Detail    Source Detail  

 12/03/79 

Chicago  IL   Uptown Theater    flac16; Set 1: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Set 2: SBD -> Cassette Master -> Cassette -> Dat -> CD Transferred and Edited By Charlie Miller     Source Detail    Source Detail  

 12/05/79 

Chicago  IL   Uptown Theater    flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) -> Data DVD; Transfer Info: Data DVD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/09/79 

St. Louis  MO   Kiel Auditorium    flac16; SBD> Cassette Master> Reel (Technics)> Dat (3800/48k), plus patch from Nak 700> Cass> Reel source; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; transferred and edited by Charlie Miller     Source Detail    Source Detail  

 12/10/79 

Kansas City  KS   Soldiers & Sailors Memorial Hall    flac16; AUD of unknown lineage Transfer: Cassette > Sony TC-D5M (no Dolby) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-fix, FLAC compression, and checksums) > FLAC via Andrew F    Source Detail    Source Detail  

 12/11/79 

Kansas City  KS   Soldiers & Sailors Memorial Hall    SBD> Cm> Cass> Dat> CD (Tascam CDRW700)> EAC> CD; Tracked with CDWav; via Charlie Miller, Ron Speer, Jim Parzych, Steve Barbella (see notes);upgrade now in circulation     Source Detail    Source Detail  

 12/11/79 

Kansas City  KS   Soldiers & Sailors Memorial Hall    flac16; Recording Info: SBD -> Cassette Master (Nak 550) -> Cassette (Sony D5) Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/11/79 

Kansas City  KS   Soldiers & Sailors Memorial Hall    flac24; DVD-AUDIO 24/48 SBD+AUD Matrix Mix (60%-SBD/40%-AUD); see info files for sources used    Source Detail    Source Detail  

 12/11/79 

Kansas City  KS   Soldiers & Sailors Memorial Hall    flac16; SBD + AUD Matrix (60%-SBD/40%-AUD) Mixed by Dan Haugh    Source Detail    Source Detail  

 12/11/79 

Kansas City  KS   Soldiers & Sailors Memorial Hall    flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550) -> Cassette (Sony D5); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Remaster of shnid 89165    Source Detail    Source Detail  

 12/27/79 

Oakland  CA   Oakland Auditorium Arena    flac16; 1st Set Only, Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/28/79 

Oakland  CA   Oakland Auditorium Arena    flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)     Source Detail    Source Detail  

 12/30/79 

Oakland  CA   Oakland Auditorium Arena    flac16; SBD>MC>DAT>CD - Seamless fix of shn id 4797. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details    Source Detail    Source Detail  

 03/30/80 

Passaic  NJ   Capitol Theater    flac16; MTX; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe Sbd Source: 27752 flac16; SBD> Cassette Master> Dat, plus patch from FOB Nak 700> Cass; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller    Source Detail    Source Detail  

 04/01/80 

Passaic  NJ   Capitol Theater    flac16; MTX; FOB Master Cassettes MAC = 3 x Maxell XLII C90, 1 Maxell XLII C60; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe SBD Source: Miller's - 12386     Source Detail    Source Detail  

 05/07/80 

Ithaca  NY   Barton Hall, Cornell University    SBD> Cassette Master> Reel> Dat> CD> EAC> SHN; Converted By Charlie Miller    Source Detail    Source Detail  

 05/10/80 

Hartford  CT   Hartford Civic Center    flac16; Set 2 only, Recording Info: SBD -> Cassette Master -> Dat -> Sound Forge -> WAV; Transfer Info: WAV -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC    Source Detail    Source Detail  

 05/10/80 

Hartford  CT   Hartford Civic Center    flac16; 2 X Nak CM700 with eq > Sony TC-D5M with Dolby > MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Barry Glassberg    Source Detail    Source Detail  

 05/12/80 

Boston  MA   Boston Garden    flac16 Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller; this source has a patch in a cut in d2t09 of the previous Miller source (source ID 91931)    Source Detail    Source Detail  

 06/14/80 

Spokane  WA   Spokane Coliseum    flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x Nakamichi cm700 >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe MOTB Release: 0030 16/44.1    Source Detail    Source Detail  

 06/19/80 

Anchorage  AK   West High Auditorium    SBD>MC>??>DAT>CDR; via paul B; Seeded to etree by Willy; upgrade in circulation    Source Detail    Source Detail  

 06/20/80 

Anchorage  AK   West High Auditorium    Recording by Eddie Claridge at the soundboard patched from Dan Healy. AKG 414 stereo mic -> Sony TC-158 deck via John Gaetzi encoded by Matt Vernon    Source Detail    Source Detail  

 06/20/80 

Anchorage  AK   West High Auditorium    Recording Info: SBD -> Cassette Master -> Sonic Solutions (20bit) -> SBM2 (Dithered To 16bit) -> CD (Master Production Discs) -> EAC -> SHN (3 Discs Audio / 2 Discs SHN)Patch Info: Patches in Let It Grow and Drums supplied By AKG 414 -> Cm -> Dat -> CD -> EAC -> SHN via Charlie Miller    Source Detail    Source Detail  

 06/21/80 

Anchorage  AK   West High Auditorium    Bertha Remaster of Master Soundboard Cassette Source    Source Detail    Source Detail  

 06/21/80 

Anchorage  AK   West High Auditorium    flac16; SBD/AUD Matrix Mix (60%-SBD/40%-AUD) SBD source: Soundboard > Cassette Master > Sonic Solutions (20bit) > Sony SBM2 > Master CD > EAC > FLAC (shn id 27448); AUD source: Source: AKG 414 stereo mic -> Sony TC-158 deck, Taper: Eddie Claridge (shn id 23531). SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the SBD & AUD. This is a 60% SBD, 40% AUD mix. Mixed by dan@am-dig.com. note: info file now reflects tracking for 80 minutes CDs    Source Detail    Source Detail  

 06/21/80 

Anchorage  AK   West High Auditorium    flac24; DVD-A 24/44 SBD+AUD Matrix Mix - 24 bit version of other Matrix source by Dan.    Source Detail    Source Detail  

 08/16/80 

Edwardsville  IL   Southern Illinois University    Recording by Joani Walker: FOB MAC w/ Sony ECM-250s>Sony TC-158>CDR via Paul Scotton, tracking & tweaking by Scott Clugston, SHN encoding by Andy Lemieux ; upgrade in circulation    Source Detail    Source Detail  

 08/21/80 

Chicago  IL   Uptown Theater    flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 08/26/80 

Cleveland  OH   Cleveland Public Hall    sbd-> cassette-> unknown digital xfer(s)-> Sonic-> CD-> CD-> EAC-> SHN Note: Beginning gap in Don't Ease Me In patched by David Gans using a piece of the chorus in. This is not a "new" source    Source Detail    Source Detail  

 08/27/80 

Clarkston  MI   Pine Knob Music Theater    flac16; Recording Info:SBD -> Master Cassette -> Cassete -> Dat (48k) -> Pro Tools -> AIFF; Transfer Info:AIFF -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller     Source Detail    Source Detail  

 08/29/80 

Philadelphia  PA   The Spectrum    flac16; Recording Info: SBD -> Master Cassette -> Cassete -> Dat (48k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 08/30/80 

Philadelphia  PA   The Spectrum    flac16; Soundboard shn id 15408 and fixed version of shn id 8875 via Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details    Source Detail    Source Detail  

 09/02/80 

Rochester  NY   Community War Memorial Auditorium    flac16; Patched version of soundboard shn id 28299 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details    Source Detail    Source Detail  

 09/04/80 

Providence  RI   Providence Civic Center    flac16; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 09/04/80 

Providence  RI   Providence Civic Center    flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)    Source Detail    Source Detail  

 09/06/80 

Lewiston  ME   State Fairgrounds    flac24; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-II); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 09/06/80 

Lewiston  ME   State Fairgrounds    flac16; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-II); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 09/30/80 

San Francisco  CA   Warfield Theater    flac16; Recording by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008.    Source Detail    Source Detail  

 10/03/80 

San Francisco  CA   Warfield Theater    acoustic; SBD-> Master Cassette-> DAT-> Sonic Solutions-> CD; CD-> EAC-> SHN conversion and upload by Adam Jerugim; seed via David Gans, Chris Meyer, Charlie Miller    Source Detail    Source Detail  

 10/06/80 

San Francisco  CA   Warfield Theater    Acoustic set only; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy    Source Detail    Source Detail  

 10/09/80 

San Francisco  CA   Warfield Theater    Source: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > 3 DAT Generations DAT > WAV > SHN: Dan Stephens (dms@well.com) Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV > MKW Audio Compression Tool v0.97b1 (no DAE)    Source Detail    Source Detail  

 10/10/80 

San Francisco  CA   Warfield Theater    flac16; SBD/AUD Matrix of 3 previously circulated seeds; prepared by Chris Chappell    Source Detail    Source Detail  

 10/11/80 

San Francisco  CA   Warfield Theater    acoustic set; SBD> Reel> PCM> DAT> CDR> Plexwriter CD-R (EAC)> HP 8200i CDRW Drive (EAC); via Andy "Bear" Greider, Stephen Windsor, Darrin Sacks    Source Detail    Source Detail  

 10/22/80 

New York  NY   Radio City Music Hall    AUD(Sony ECM-280's)>MC>DAT>CDR; Seeded to etree by Tim Wiley    Source Detail    Source Detail  

 10/23/80 

New York  NY   Radio City Music Hall    AUD(Sony ECM-280's)>MC>DAT>CDR; Seeded to etree by Tim Wiley    Source Detail    Source Detail  

 10/25/80 

New York  NY   Radio City Music Hall    flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 10/26/80 

New York  NY   Radio City Music Hall    Updated Source; SBD > MR > C (no dolby) > DAT > CD > EAC > SHN; was marked: SBD > MR > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko    Source Detail    Source Detail  

 10/26/80 

New York  NY   Radio City Music Hall    flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 10/29/80 

New York  NY   Radio City Music Hall    Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd    Source Detail    Source Detail  

 10/30/80 

New York  NY   Radio City Music Hall    Recording by Jim Wise. Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd    Source Detail    Source Detail  

 10/31/80 

New York  NY   Radio City Music Hall    Source: Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN Electric: MSR>R>C>DAT>WAV>SHN C>SHN Conversion by Cousinit Seeded to abgd 10/03    Source Detail    Source Detail  

 10/31/80 

New York  NY   Radio City Music Hall    flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 11/28/80 

Lakeland  FL   Lakeland Civic Center    flac16; Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky February 7, 2008    Source Detail    Source Detail  

 11/29/80 

Gainesville  FL   Alligator Alley Gymnasium, University Of Florida    flac16; Recording by Jim Wise. Source: Beyer M-160's > Sony TC-D5 > CDR > DAT Recording by Jim Wise Mics were on a 15' pole at the SBD Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 7, 2008    Source Detail    Source Detail  

 11/30/80 

Atlanta  GA   Fox Theater    complete; MSC> Reel> DATs> CDRs> EAC> SHN (set I and Scarlet>Fire from Set II); remainder Jim Wise's Sony ECM280s> D5> DATs> CDRs> EAC> SHN, also with patches from other AUDs (see info file); via Scott Clugston, Dankstar, Darrin Sacks; upgrade relative to previous shn set; note copy a noted at shakedown- has fixed track boundaries, copy b noted at gdlive does not (d3 is same for both)- see pub comments    Source Detail    Source Detail  

 11/30/80 

Atlanta  GA   Fox Theater    flac16; Set 2 only, Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/06/80 

Mill Valley  CA   Mill Valley Recreation Center    Betty Cantor-Jackson's Master Audience Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston    Source Detail    Source Detail  

 12/13/80 

Long Beach  CA   Long Beach Arena    flac16; Recording by Joani Walker: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/14/80 

Long Beach  CA   Long Beach Arena    flac16; Recording by Joani Walker: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/27/80 

Oakland  CA   Oakland Auditorium Arena    flac16; Recording Info:(FOB) Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/28/80 

Oakland  CA   Oakland Auditorium Arena    flac16; Recording Info:(FOB) Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 02/26/81 

Chicago  IL   Uptown Theater    flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell    Source Detail    Source Detail  

 02/27/81 

Chicago  IL   Uptown Theater    flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell    Source Detail    Source Detail  

 02/28/81 

Chicago  IL   Uptown Theater    flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell     Source Detail    Source Detail  

 02/28/81 

Chicago  IL   Uptown Theater    flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell     Source Detail    Source Detail  

 03/02/81 

Cleveland  OH   Cleveland Music Hall    flac16; Recording by Mason Taylor and Mark Radnor: : NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer: Cassette Master > HHB Porta-a-DAT DAT Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing Info- Wavelab 6.0 using Ozone and L2 for dither    Source Detail    Source Detail  

 03/07/81 

College Park  MD   Cole Field House, University Of Maryland    flac16; Recording by Barry Glassberg; MOTB-0008 Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner    Source Detail    Source Detail  

 03/07/81 

College Park  MD   Cole Field House, University Of Maryland    flac24/96; Recording by Barry Glassberg: MOTB-0008: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner    Source Detail    Source Detail  

 03/09/81 

New York  NY   Madison Square Garden    flac16; Recording by Barry Glassberg: MOTB-0009 Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner    Source Detail    Source Detail  

 03/10/81 

New York  NY   Madison Square Garden    flac16; Recording by Barry Glassberg: MOTB-0010 Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner    Source Detail    Source Detail  

 03/14/81 

Hartford  CT   Hartford Civic Center    flac16; Recording by Barry Glassberg: MOTB-0029 Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner    Source Detail    Source Detail  

 05/01/81 

Hampton  VA   Hampton Coliseum    Recording by Jim Wise: Master FOB Audience Cassette > Sennheiser 421 mics> Sony D5 cassette deck > DAT > CDR; via Scott Clugston; upgrade in circulation    Source Detail    Source Detail  

 05/04/81 

Philadelphia  PA   The Spectrum    flac16; 1st Gen (FOB) 2 x Nakamichi 700 [on a stand] > Sony D5 > MAC > TDK MA90 (Set I) and Maxell XLII 90 (Set II). Taper: Nick Milner. 1st gen audience cassettes graciously provided by Mark McCue. Transferred and mastered by Alex Ford February 2008.    Source Detail    Source Detail  

 05/12/81 

New Haven  CT   Veterans Memorial Coliseum    SBD> Master Cassette> Cassette > DAT> CDR; via Jeff M.    Source Detail    Source Detail  

 05/16/81 

Ithaca  NY   Barton Hall, Cornell University    flac16; Set 1: SBD -> Master Cassette -> Reel -> Dat Set 2: SBD -> Master Cassette -> Dat Transferred and Edited By Charlie Miller     Source Detail    Source Detail  

 05/16/81 

Ithaca  NY   Barton Hall, Cornell University    flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape; Transferred Nak ZX7> CDR by Doug Mow; CDR> FLAC16, minor editing by Alex Ford    Source Detail    Source Detail  

 07/07/81 

Kansas City  MO   Kansas City Municipal Auditorium Arena    flac16; SBD -> Master Cassette -> Reel -> Dat Transferred and Edited By Charlie Miller    Source Detail    Source Detail  

 08/28/81 

Long Beach  CA   Long Beach Arena    flac16 MOTB Release:0065 - 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell XLIIS 90 Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Ron Ellner MAC Supplied By: Barry Glassberg Transfer By: Adam Egert Mastering By: Adam Egert (EQU) Mastering By: Bill Koucky (Edits/Tracking)    Source Detail    Source Detail  

 09/26/81 

Buffalo  NY   Community War Memorial Auditorium    flac16; Sick Bits Vol. 10 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 18110, and AUD - SHN ID# 12554); edited and transfered by Chris Chappell     Source Detail    Source Detail  

 10/08/81 

Copenhagen  Denmark   Forum Theater    SBD: CM > CASS > DAT > Pro CDR; via Neil Sturvetant; John Martin; Alasdair Macdonald; Seeded to etree by Matt Vernon    Source Detail    Source Detail  

 10/19/81 

Barcelona  Spain   Sports Palace    flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD -> EAC -> SHN; Transfer Info:SHN -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/03/81 

Madison  WI   Dane County Coliseum    Nak 300's > Sony D5; via Peter Gallagher, Willy    Source Detail    Source Detail  

 12/27/81 

Oakland  CA   Oakland Auditorium Arena    flac16; Source: Audience Recording Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Wavelab 5 > Plugins > r8brain Pro > 16/44.1 Wave > CD Wave > flac16    Source Detail    Source Detail  

 12/28/81 

Oakland  CA   Oakland Auditorium Arena    flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/28/81 

Oakland  CA   Oakland Auditorium Arena    flac16; Audience Recording Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Wavelab 5.0 > Waves L3 UltraMaximizer > 16/44.1 Wave > CD Wave > TLH > flac16. Taped by Mark Severson, he who wishes to remain anonymous, and Jamie Poris. Transferred & Edited by Bgreen. Edited and Mastered by Alex Ford.    Source Detail    Source Detail  

 12/30/81 

Oakland  CA   Oakland Auditorium Arena    flac16; Source: Audience Recording Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > 16/44.1 Wave > CD Wave > TLH > flac16.    Source Detail    Source Detail  

 12/31/81 

Oakland  CA   Oakland Auditorium Arena    electric sets; Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB; via Jay Serafin to gdlive; see extensive notes in txt files    Source Detail    Source Detail  

 12/31/81 

Oakland  CA   Oakland Auditorium Arena    flac16; Recording by Matt Field. Source: FOB Nak 100's > D-5 > D-5 > Maxell UDXL I cassettes. Transfer and Mastering: Cassette (1st Gen) playback on Nakamichi CR-7A, azimuth adjusted, no Dolby > Grace Lunatec V3, sample rate at 96 KHz > AES digital connection > LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. Transfer and mastering by Chris L.    Source Detail    Source Detail  

 12/31/81 

Oakland  CA   Oakland Auditorium Arena    flac16; Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither.    Source Detail    Source Detail  

 ??/??/81 

Various  CA   Unknown    flac16; Source: FM > Cassette > Cassette/1 Transfer: Yamaha K-1020 > Sony SBM-1 > Nomad JB3 > Creative Play Center > Soundforge v6e > CDWav Creative Play Center software used to copy to laptop with firewire cable. Soundforge used to prep file for tracking. CDWave used to track and flac at level 8 compression.    Source Detail    Source Detail  

 04/09/82 

Rochester  NY   Community War Memorial Auditorium    flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation    Source Detail    Source Detail  

 04/14/82 

Glens Falls  NY   Glens Falls Civic Center    flac16; Matrix of Soundboard and audience recording by Ohr Weinberg via PLS.    Source Detail    Source Detail  

 04/17/82 

Hartford  CT   Hartford Civic Center    Bertha Remaster of unknown Soundboard source (*)SBD>>???>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN    Source Detail    Source Detail  

 04/18/82 

Hartford  CT   Hartford Civic Center    SBD -> Cm -> PCM -> Dat(48k) via Charlie Miller    Source Detail    Source Detail  

 04/19/82 

Baltimore  MD   Baltimore Civic Center    MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) ; upgrade in circulation    Source Detail    Source Detail  

 04/19/82 

Baltimore  MD   Baltimore Civic Center    same as shn id 2316 with an undocumented change to d2t05; Master Soundboard Cassette > Cassette > DAT > CDR EAC'ed/SHN'ed by Scott Clugston    Source Detail    Source Detail  

 05/21/82 

Berkeley  CA   Greek Theatre, University Of California    sbd master cassette > DAT > CDR > EAC > SHN; via Gerald Gorinsky with thanks to Kevin Gills, Mark Perini; see info file for flaw notes    Source Detail    Source Detail  

 05/21/82 

Berkeley  CA   Greek Theatre, University Of California    flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Pro fessional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; this source fixes a flaw in the previous source.    Source Detail    Source Detail  

 05/22/82 

Berkeley  CA   Greek Theatre, University Of California    soundboard -> master cassette > DAT > CDR > CDR > EAC > SHN; EAC, SHN, etreed by Gerald Gorinsky, with thanks to Kevin Gills and Mark Perini    Source Detail    Source Detail  

 05/22/82 

Berkeley  CA   Greek Theatre, University Of California    flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 05/23/82 

Berkeley  CA   Greek Theatre, University Of California    sbd -> Master cassette > DAT > CDR> CDR > EAC (secure mode) > SHN; EAC, SHN , upload by Gerald Gorinsky, with thanks to Kevin Gills, Mark Perini    Source Detail    Source Detail  

 05/23/82 

Berkeley  CA   Greek Theatre, University Of California    flac16;Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 05/28/82 

San Francisco  CA   Moscone Convention Center    SBD:Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner    Source Detail    Source Detail  

 07/17/82 

Ventura  CA   Ventura County Fairgrounds    Senn 421's>MC>DAT>CDR; Believed to be Jim Wise's recording; Seeded to etree by Willy    Source Detail    Source Detail  

 07/18/82 

Ventura  CA   Ventura County Fairgrounds    Recording by Ohr Weinberg, FOB w/ two Sennheiser MD-441's (8 1/2' Stand) > Sony TC-D5M (Maxell MX-90 Cassettes w/ Dolby B). A->D (Ohr): Master Cassette > Nakamichi Dragon > HHB CDR 830 Plus > EAC -> CD Wave > Drums Tape Flip Spliced w/ Soundforge 5.0 > MKW ACT > SHN    Source Detail    Source Detail  

 07/27/82 

Morrison  CO   Red Rocks Amphitheatre    flac16; Source: SBD>Cass/1>DAT>HD-P2>Soundforge 6.0>Flac Frontend>FLAC Tranfer by: Jake Clemens     Source Detail    Source Detail  

 07/31/82 

Austin  TX   Manor Downs    flac16; SBD/AUD matrix - Sick Bits Vol. 11 (edited/mixed from 2 previously circulating sources: SBD - shnID=3415, AUD - shnID=19017) - prepared by Chris Chappell    Source Detail    Source Detail  

 08/01/82 

Oklahoma City  OK   Zoo Amphitheater    flac16; (FOB) Nakamichi CM-700s > Sony TC-D5M > MC > Cassette x2 Taper: David Seligman Transfer: 2nd GEN Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3 (@24 bit 96 kHz) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer(dither) > 16 bit WAV > CD Wave Editor > TLH > FLAC16. 2nd GEN cassettes provided by Jake Feinberg. Transfer, edits and conversion by Alex Ford 02/26/07.    Source Detail    Source Detail  

 08/03/82 

Kansas City  MO   Starlight Theater    flac16; Sick Bits Vol. 12, SBD/AUD matrix of two previously circulating sources; SBD: shnid=19228, AUD: shnid=5984; edited and mixed by Chris Chappell.    Source Detail    Source Detail  

 08/28/82 

Veneta  OR   Oregon Country Fair    flac16; Set 2 only - 1st Gen: (FOB) Nakamichi CM 300s w/ CP4 shotgun capsules > ?? > master audience cassette Master audience cassette > cassette (Maxell XLII-S 90) Taper: David Fleishner 1st Gen cassette provided by Jake Feinberg. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford 10/20/2006.    Source Detail    Source Detail  

 09/05/82 

Devore  CA   US Festival, Glen Helen Regional Park    flac16; source : Nakamichi CM300 shotguns > Technics 686 > Maxell UD XL II transfer : mac > Nakamichi 680ZX > Tascam CD RW5000 > Bias Peak 3.21 on G4 Powerbook > wav > flac (on 9/13/2007 a fixed version of this source was circulated; the info file for the fixed version is below. Please do not circulate the original source.)    Source Detail    Source Detail  

 09/14/82 

Charlottesville  VA   University Hall, University Of Virginia    Recording Info: 1st Set: Beyer M160 -> Cassette Master (Sony D5) -> Dat -> CD -> EAC -> SHN 2nd Set: SBD -> Cassette Master -> Reel -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller     Source Detail    Source Detail  

 09/17/82 

Portland  ME   Cumberland County Civic Center    DTS Audio 5.1; 4 Source Mix: SBD Set 1. Recording: SBD > Dolby B metal cassette master, SBD Set 2. Recording: SBD > ? (likely cassette master), AUD1 FOB: Nak 700s > Sony D5 Cassette master recorded by Mark Cohen, AUD2 Master FOB Audience Cassette > Nak CM300 mics > Sony D5, and AUD3 Unknown AUD    Source Detail    Source Detail  

 09/17/82 

Portland  ME   Cumberland County Civic Center    flac16; SBD + AUD Matrix - 4 Source Mix consisting of SBD Set 1 Recording: SBD > Dolby B metal cassette master, SBD Set 2 Recording: SBD > ? (likely cassette master), AUD1 FOB: Nak 700s > Sony D5 Cassette master recorded by Mark Cohen, AUD2 Master FOB Audience Cassette > Nak CM300 mics > Sony D5, AUD3 Unknown AUD    Source Detail    Source Detail  

 09/20/82 

New York  NY   Madison Square Garden    flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC ; upgrade in circulation    Source Detail    Source Detail  

 10/09/82 

Palo Alto  CA   Frost Amphitheatre    flac16; Recording Info:SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info:Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 10/10/82 

Palo Alto  CA   Frost Amphitheatre    SBD:MCass>(?)DAT>CD>EAC>SHN; transfer by David Hollister; via Josh Ayers; known flaws: small cut in Crazy Fingers, momentary "blip" during Saint, cut in Drums (tape flip), momentary dropout during The Wheel, the very end of Sunshine Daydream is cut; note problem with d3 on etree, fixed version up by 12/3 via Darrin Sacks (old md5s shown here?); upgrade in circulation    Source Detail    Source Detail  

 10/10/82 

Palo Alto  CA   Frost Amphitheatre    flac16; Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC Recorded by Rango Keshavan Flacs and covers by Tzuriel 5/2005    Source Detail    Source Detail  

 10/10/82 

Palo Alto  CA   Frost Amphitheatre    flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller     Source Detail    Source Detail  

 10/10/82 

Palo Alto  CA   Frost Amphitheatre    flac16; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; This source has the encores fixed    Source Detail    Source Detail  

 11/25/82 

Montego Bay  Jamaica   Bob Marley Performing Arts Center    lineage: MSC(Sony TCD-5M) > WAV > SHN recording: MSC - master soundboard cassette w/ Dolby B by Frank Streeter digital transfer: Nakamichi CD 2 cassette deck > HHB 850 Pro stand-alone CD burner (16 bit @ 44.1khz) by Frank Streeter and Henry Fisher tracking and editing: AIF (Toast 5.2) > WAV (Peak 3.21) > SHN (shntool 1.2.2) WAV sector boundaries verified with shntool by Ted Erhard    Source Detail    Source Detail  

 12/26/82 

Oakland  CA   Oakland Auditorium    Master Soundboard Cassette > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; d2 tracked for 80 min; to abgd; upgrade in circulation    Source Detail    Source Detail  

 12/27/82 

Oakland  CA   Oakland Auditorium    flac16; Sick Bits Vol. 18a - SBD/AUD Matrix of 3 sources (1 previously circulated SBD for set 1 - shnid=32134 and 2 uncirculated sources) - edited, mixed and encoded by Chris Chappell    Source Detail    Source Detail  

 12/28/82 

Oakland  CA   Oakland Auditorium    flac16; Sick Bits Vol. 18b - SBD/AUD Matrix of 1 previously circulated SBD source (shnid=31967) and 1 uncirculated AUD source. Edited, mixed and encoded by Chris Chappell.    Source Detail    Source Detail  

 12/30/82 

Oakland  CA   Oakland Auditorium    flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation    Source Detail    Source Detail  

 12/30/82 

Oakland  CA   Oakland Auditorium    flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/31/82 

Oakland  CA   Oakland Auditorium    flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation    Source Detail    Source Detail  

 12/31/82 

Oakland  CA   Oakland Auditorium    flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 01/24/83 

Novato  CA   Stone House Studio    Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03     Source Detail    Source Detail  

 01/31/83 

Novato  CA   Stone House Studio    Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03     Source Detail    Source Detail  

 02/01/83 

Novato  CA   Stone House Studio    Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03     Source Detail    Source Detail  

 02/06/83 

Novato  CA   Stone House Studio    Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03     Source Detail    Source Detail  

 03/14/83 

San Rafael  CA   Club Front - Rehearsals    Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03     Source Detail    Source Detail  

 03/25/83 

Tempe  AZ   Compton Terrace Amphitheatre    FOB>3 Senn. 421's>MC>DAT>CD; via Tom Eliason; Seeded to etree by Willy    Source Detail    Source Detail  

 03/25/83 

Tempe  AZ   Compton Terrace Amphitheatre    SBD -> Cassette Master -> Reel -> Cass -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN;Patched with 3 Sennheiser 421's -> Cassette Master -> Dat -> CD -> EAC -> SHN; Patched and Edited By Charlie Miller    Source Detail    Source Detail  

 03/26/83 

Las Vegas  NV   Aladdin Theater    flac16; Set2: Sennheiser 421 > Sony TC-770 Reel to Reel at 3 3/4 ips > Sony DTC-2000ES > DAT > M-Audio Delta 410 > wav > *Adobe AUdition 1.5 > shntool > FLAC lvl8    Source Detail    Source Detail  

 03/26/83 

Las Vegas  NV   Aladdin Theater    AUD>MC>DAT>CDR KM 54?s; via the Retired General; Seeded to etree by Ernie Dodd    Source Detail    Source Detail  

 03/26/83 

Las Vegas  NV   Aladdin Theater    flac16; Recording Info: (FOB) Neumann KM54 -> Cassette Master -> Dat Transfer Info: Dat -> CD (Tascam CDRW700) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 03/27/83 

Irvine  CA   Irvine Meadows    AUD> MC> DAT> CDR Senn 421s; via Paul; Seeded to etree by Ernie Dodd    Source Detail    Source Detail  

 03/29/83 

San Francisco  CA   Warfield Theater    AUD>MC>CDR Paul Hogan, 1st row behind SBD, Senn 441?s>Sony D-6; via Paul B; Seeded to etree by Ernie Dodd    Source Detail    Source Detail  

 03/30/83 

San Francisco  CA   Warfield Theater    flac16; SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 03/31/83 

San Francisco  CA   Warfield Theater    flac16; SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 03/31/83 

San Francisco  CA   Warfield Theater    flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)    Source Detail    Source Detail  

 04/09/83 

Hampton  VA   Hampton Coliseum    Senn 421 mics > Sony TC-D5 > MAC > DAT > CD; via Tiger-Rose; Seeded to etree by Sean Cribbs     Source Detail    Source Detail  

 04/10/83 

Morgantown  WV   West Virginia University Coliseum    Set 1 SBD > PCM > Dat x 2 > CDR > SHN; Set 2 SBD > Cassette Master > Dat x 2 > CDR > SHN; via Bob Harrell; drgseeds     Source Detail    Source Detail  

 04/12/83 

Binghamton  NY   Broome County Arena    SBD>PCM>DAT>CDR; with aud patches; See info file for details; via Rick Martin, Willy, and Paul B; Seeded to etree by Ernie Dodd; upgrade in circulation     Source Detail    Source Detail  

 04/12/83 

Binghamton  NY   Broome County Arena    Jim Wise recording, FOB Sennheuser 421s>Sony D5>DAT>CDR; Seeded to etree by Darrin Sacks    Source Detail    Source Detail  

 04/12/83 

Binghamton  NY   Broome County Arena    flac16; Recording Info: SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.0 -> FLAC    Source Detail    Source Detail  

 04/13/83 

Burlington  VT   Patrick Gymnasium, U of Vermont    MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN; via Jim Wise, Darrin Sacks    Source Detail    Source Detail  

 04/13/83 

Burlington  VT   Patrick Gymnasium, U of Vermont    Source: MAC(FOB Sennheiser 421)>DAT>CDR>WAV>SHN. Taper: M.Horvath    Source Detail    Source Detail  

 04/15/83 

Rochester  NY   Community War Memorial Auditorium    (FOB) Audio Technica Mics -> Sony D5 (Lead Deck) -> Cassette Master (Patched Off Of Lead Deck With Sony D6, Maxell XL-II) Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface -> Sony V505 -> Samplitude v7.02 Professional -> SHN. Recorded and Transfered By Charlie Miller; upgrade in circulation     Source Detail    Source Detail  

 04/15/83 

Rochester  NY   Community War Memorial Auditorium    Recording Info: Set 1: SBD -> Cassette Master -> Reel -> Dat (48k) Set 2: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC    Source Detail    Source Detail  

 04/16/83 

East Rutherford  NJ   Meadowlands Arena    S : MC > DAT > CDR > EAC > SHN Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper sector boundaries verified via shntool. Seeded to Etree by Alan J Fink 02/02/2003. Thanks to Jeff Williams for the disks!; upgrade in circulation     Source Detail    Source Detail  

 04/16/83 

East Rutherford  NJ   Meadowlands Arena    Set 2 Only: Source: Sennheiser 421's > Sony TCD5M > Sony D-6 Master Maxell XLIIS Tape Transfer: Nakamichi CR-2A > Apogee MiniMe (16/44.1) > EGOSYS WT2496 > Soundforge 7 Location: 4-5 rows up from the back of the floor dead center     Source Detail    Source Detail  

 04/17/83 

East Rutherford  NJ   Meadowlands Arena    SBD : MC > C > DAT > CDR Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper sector boundaries verified via shntool. Seeded to Etree by Alan J Fink 02/02/2003. Thanks to Jeff Williams for the disks!    Source Detail    Source Detail  

 04/19/83 

Orono  ME   Alfond Arena, University Of Maine    Recording Info: (FOB/Center) 3 Sennheiser 421 -> Mixer -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Nakamichi Dragon) -> Sony R700 (As A>D Converter) -> ZA2 -> Sound Forge -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) 12/9/03 Recorded and Transfered By Jim Wise Converted To SHN BY Charlie Miller    Source Detail    Source Detail  

 04/20/83 

Providence  RI   Providence Civic Center    flac16; SBD> Master Cassette> Reel> Dat (SV3800/48k), plus patch from FOB Sennheiser 421> Master Cassette; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller    Source Detail    Source Detail  

 04/22/83 

New Haven  CT   Veterans' Memorial Coliseum    Barry Glassberg FOB AUDMC w/Nak 700s > Sony TC-D5 > DAT > CDR    Source Detail    Source Detail  

 04/23/83 

New Haven  CT   Veterans' Memorial Coliseum    FOB-Sennheiser 421> Master Cass(Sony D5)> Dat> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes    Source Detail    Source Detail  

 04/26/83 

Philadelphia  PA   The Spectrum    SBDMC> Cass> DAT> CDR> EAC> SHN; via Mike 'Dank Star' Parrillo    Source Detail    Source Detail  

 05/13/83 

Berkeley  CA   Greek Theatre, University Of California    flac16; 2 Nak 700's > Bass Box EQ > Sony D5 > Sony D5 > Maxell MX 90's Taper: unknown Mark McCue Master Transfer by Mark McCue     Source Detail    Source Detail  

 05/14/83 

Berkeley  CA   Greek Theatre, University Of California    FOB: 3 Sennheiser 421's > Sony PCM-F1, M. Field, D. Cramer; Conversion: 3800-> Montego II Plus @44k > HD via Soundforge> CDWav, A. Gustin; known flaw: very end of Bertha is cut    Source Detail    Source Detail  

 05/15/83 

Berkeley  CA   Greek Theatre, University Of California    FOB Aud Sony ECM 220T > Sony D5 using Fuji Metals no dolby> Played back on a Nak DR1 with Azimuth adjustment > Sony PCMR500 DAT 48KHz SBM ON > PC transfer via Turtle Beach Montego II Digital I/O > SHN; via Rango Keshavan    Source Detail    Source Detail  

 05/15/83 

Berkeley  CA   Greek Theatre, University Of California    flac16; Set 2 ONLY; Source: 2 Nak 700's > Bass Box EQ > Sony D5 > Sony D5 > Maxell MX 90's Taper: unknown Mark McCue Master #05 Transfer by Mark McCue. EAC, patch, conversion, and seeding to bt.etree.org by Alex Ford    Source Detail    Source Detail  

 06/18/83 

Saratoga Springs  NY   Saratoga Performing Arts Center    (Front Row Balcony) Sennheiser 441 -> PCM -> CD -> Dat    Source Detail    Source Detail  

 06/20/83 

Columbia  MD   Merriweather Post Pavilion    flac16; Source:FOB-35FT off Stage@10ft 2 Sennheiser Md421's>Sony TCD5>Maxell XL2 Cassettes Recorded by Rick Colyard Transfer.Sony TCD21>Soundforge 8.0(record,resample,fades,anti-alias filter in highest setting)>CDWav(tracks)>Flacfrontend(flac16bit) Trandsfer and editing by: MULETAPER    Source Detail    Source Detail  

 06/21/83 

Columbia  MD   Merriweather Post Pavilion    flac16; Source: fob about the 12th row ctr. or so with a sony 939lt stereo - single point mic > d6 by David Minor Lineage: MAC > CD > EAC > Cool Edit Pro > CDWAV > flac16 level 8 encoding etc. by Matt Vernon     Source Detail    Source Detail  

 06/22/83 

Harrisburg  PA   City Island    flac16; Recordist: Kyle Holbrook Location : ~10' Left Of Center, ~100' from stage lip Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > TDK MA-R90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: TDK MA-R90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6    Source Detail    Source Detail  

 06/22/83 

Harrisburg  PA   City Island    flac24/96; Recordist: Kyle Holbrook Location: ~10' Left Of Center, ~100' from stage lip Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > TDK MA-R90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: TDK MA-R90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8    Source Detail    Source Detail  

 06/24/83 

Madison  WI   Dane County Coliseum    D5>Nakamichi 300 Shotguns in front of the stage 10th row; via Clark Ohnesorge; Seeded to etree by Willy    Source Detail    Source Detail  

 06/25/83 

St. Paul  MN   St. Paul Civic Center    ACM>C>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd    Source Detail    Source Detail  

 06/27/83 

Hoffman Estates  IL   Poplar Creek Music Theatre    Aud>Cass Master>C>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd    Source Detail    Source Detail  

 06/28/83 

Hoffman Estates  IL   Poplar Creek Music Theatre    flac16; FOB Sennheiser 441> PCM> Dat> CD; Transfer: CD> EAC> Samplitude Professional v8.0> FLAC; plus patch from FOB Sennheiser 421 source; Transferred and Edited By Charlie Miller    Source Detail    Source Detail  

 07/30/83 

Ventura  CA   Ventura County Fairgrounds    ACM>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd    Source Detail    Source Detail  

 07/31/83 

Ventura  CA   Ventura County Fairgrounds    AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd    Source Detail    Source Detail  

 08/20/83 

Palo Alto  CA   Frost Amphitheatre    AUD(Neumann KM 84?s)>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd    Source Detail    Source Detail  

 08/26/83 

Portland  OR   Portland Memorial Coliseum    AUD (Senn. 421's)> MC >DAT>CDR; Eac >cool edit > shntool > cdwav >shnv3, by Ernie Dodd    Source Detail    Source Detail  

 08/27/83 

Seattle  WA   Seattle Center Coliseum    flac16; source: unknown mics > Sony D5 cassette deck (probable) Location: (FOB?) Recorded by: Jamie Herbst transfer: cassettes (2nd gen) > PC > CDWAV (track splits) > GOLDWAVE (fades) > FLAC    Source Detail    Source Detail  

 08/29/83 

Eugene  OR   Silva Hall, Hult Center    SBD>Cass(2)>DAT>CDR; Seeded to etree by Willy    Source Detail    Source Detail  

 08/30/83 

Eugene  OR   Silva Hall, Hult Center    Keysey intro: MSC>Cass. x 2>PCM>DAT>CDR Set Ip + Set II: Kesey's MSC>DAT>CDR Audience patches: Sennheiser 421's>Sony TC-D5M>Cass.>DAT>CDR taped by Rick Saeger (previous seed)     Source Detail    Source Detail  

 08/31/83 

Eugene  OR   Silva Hall, Hult Center    flac16; Lineage: AUD > unknown mics > Sony TC-D5 > MAC > 1st generation cassettes Transfer: Sony UCX-S 90s > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression, and checksums) > FLAC    Source Detail    Source Detail  

 09/02/83 

Boise  ID   Boise State University Pavillion    SBD> cassette master>DAT>CDR>SHN - Patched fix of shnid 2174 by Bill Tetzeli    Source Detail    Source Detail  

 09/06/83 

Morrison  CO   Red Rocks Amphitheatre    Master Soundboard Cassette > Cassette > DAT > CDR, with AUD patches from 2 Master Audience Cassettes: Sennheiser 421 mics > Sony D5, Sennheiser 441 mics > Sony D6 (see info file); Patching / CD Mastering, EAC'ed / SHN'ed by Scott Clugston    Source Detail    Source Detail  

 09/07/83 

Morrison  CO   Red Rocks Amphitheatre    3 Beyer Dynamics M160> Sony TCD5m Mater Tape Recorded Half way between Board and Stage; Sound Forge 5> Power Post 2K    Source Detail    Source Detail  

 09/08/83 

Morrison  CO   Red Rocks Amphitheatre    flac16; Source: Nakamichi CM304's>Sony D5>Sony D6 Location: At SBD, stand at 7 Feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16bit>CDwav>flac16 Tapers: Mike G. and Tony S    Source Detail    Source Detail  

 09/10/83 

Santa Fe  NM   Santa Fe Downs    flac16; Source: *Nakamichi CM304's>Sony D5>Sony D6 Location: FOB, stand at 7 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: *Mike G. and Tony S. Transfered and uploaded by Tony S./nak700     Source Detail    Source Detail  

 09/11/83 

Santa Fe  NM   Santa Fe Downs    flac16; Source: *Nakamichi CM304's>Sony D5>Sony D6 Location: FOB, stand at 7 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: *Mike G. and Tony S. Transfered and uploaded by Tony S./nak700    Source Detail    Source Detail  

 09/18/83 

Grass Valley  CA   Nevada County Fairgrounds    flac16; FOB AUD Source: 2 Sony ECM-220 mics + 1 Sony ECM-939LT (stereo) mic > Sony MX-10L 4-channel mixer > Marantz PMD-340 cassette deck. Taped on Maxell UDXL-II 90's, Dolby on. Mics aprx seven feet high, and set up aprx half-way between the stage and the soundboard. Transfer: MAC > Sony TC-D5M (Dolby on) > Marantz CDR-500 > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, October 2006. Taped and transfered by Andrew F    Source Detail    Source Detail  

 09/24/83 

Watsonville  CA   Santa Cruz County Fairgrounds    1st set only; SBD>MC>C>DAT>CDR; Seeded to etree by Tim W    Source Detail    Source Detail  

 10/08/83 

Richmond  VA   Richmond Coliseum    Source: MAC(FOB Atm 11)>DAT>CDR>WAV>SHN Taper: Mark Horvath. DAE(EAC0.9b4, offset corrected, secure mode) > wav editing (SF6) > tracking(cdwav) > sector boundaries confirmed (shntool) > SHN (mkwact) by C.Ladner.     Source Detail    Source Detail  

 10/08/83 

Richmond  VA   Richmond Coliseum    flac16; Set 2 Only - Source: Master Audience Cassette Sennheiser 421 > Sony D5 > Sony D6 Location: FOB 8th Row Center Taper: Ross Lipton for Bill Devanney Media: TDK MA 90 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC    Source Detail    Source Detail  

 10/09/83 

Greensboro  NC   Greensboro Coliseum    3 Audio Technica ATM 11s > Sony TCM D-5 > MC, Cass > CD-R: MC > Sony TC-we 435 > analog Coax Cables > analog inputs > Philips CDR 870 > CD-R (see notes in info file); taped, Cass > CD-R conversion by Mark Horvath; CD-R> EAC 3x > .wavs compared by MD5s and EAC's .wav compare tool > Cool Edit (rejoin tracks and fades, see note in info) > CD-WAV (Re-Tracking) > MKW ACT 0.96 > SHN, by Jan Welch; d2 tracked for 80 min    Source Detail    Source Detail  

 10/09/83 

Greensboro  NC   Greensboro Coliseum    flac16; Set 2 Only - Source: Master Audience Cassette Sennheiser 421 > Sony D5 > Sony D6 Location: FOB 8th Row Center Taper: Ross Lipton Media: Maxell XLII 90 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC    Source Detail    Source Detail  

 10/11/83 

New York  NY   Madison Square Garden    Sbd > Cassette Master > Dat x 2 > CDR > SHN; plus AUD patches from Jeff Silberman Senn source (see info file); to etree via Bob Harrell ; upgrade in circulation     Source Detail    Source Detail  

 10/12/83 

New York  NY   Madison Square Garden    SBD > Cassette Master > Dat x 2 > CDR; via Bob Harrell    Source Detail    Source Detail  

 10/12/83 

New York  NY   Madison Square Garden    flac16; Source: FOB > 1 Neumann U87 + 2 Sennheiser 421's > Nak 550 (Master Cassette) > Dat Transfer: Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 4.0 > Fades + Resampled to 44.1 > Cd Wave > Flac Transferred/Seeded By: Greg Lance    Source Detail    Source Detail  

 10/14/83 

Hartford  CT   Hartford Civic Center    Ficca FOB Sony TCD5M with 2 Beyer Dynamic 160's->Sony CDR-W66>EAC>CDWave>CD via Ficca    Source Detail    Source Detail  

 10/15/83 

Hartford  CT   Hartford Civic Center    flac16; 2 Nak 700's pointed to stacks (FOB) > Maxell MX 90 > Sony TC-D5M Taped and transferred by Doug Mow. Conversion and Seeding to bt.etree.org by Alex Ford     Source Detail    Source Detail  

 10/17/83 

Lake Placid  NY   Olympic Center    flac16; mixed SBD sources, plus AUD patches: Set 1: SBD> Master Cassette> Dat> Sonic Solutions> CD> EAC> FLAC; Set 2: SBD> Master Cassette> Reel> Dat> CD> EAC> Samplitude v7.02 Professional> FLAC; Patch Info: (FOB/12th Row) Sennheiser 421> Master Cassette (Sony D5)> Dat> CD; Edited By Charlie Miller     Source Detail    Source Detail  

 10/18/83 

Portland  ME   Cumberland County Civic Center    FOB-AUD> MC> CDR; via Paul B., Seeded to etree by Ernie Dodd    Source Detail    Source Detail  

 10/20/83 

Worcester  MA   The Centrum    AUD> Senn 441s (FOB)> PCM> DAT> CDRx?> EAC> SF 6.0> CDWAVE> SHN, Jeff Silberman; with Day Job patched from Sony 939s FOB; via Skankweed, with thanks to Duncan    Source Detail    Source Detail  

 10/21/83 

Worcester  MA   The Centrum    SBD > PCM > Dat X 3 > CDR; via Bob Harrell    Source Detail    Source Detail  

 10/21/83 

Worcester  MA   The Centrum    SBD>>PCM>>Dat>>CDR>>SHN>>DAW(Bertha)>>CDA/SHN There is another Bertha Remaster of 10/21/83. That version was done with the source that had a cassette gen in the lineage. This version has no cassette gen.    Source Detail    Source Detail  

 10/22/83 

Syracuse  NY   Carrier Dome, Syracuse University    AUD>MC>DAT>CDR Senn. 421?s; via Paul B; Seeded to etree by Ernie Dodd    Source Detail    Source Detail  

 10/30/83 

San Rafael  CA   Marin County Veterans Auditorium    Recording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN) via Charlie Miller    Source Detail    Source Detail  

 10/31/83 

San Rafael  CA   Marin County Veterans Auditorium    Source: FOB(Nak 700)>MC>DAT>CDR>WAV>SHN. Taper: Mark Horvath. SHN encoding via C.Ladner.    Source Detail    Source Detail  

 10/31/83 

San Rafael  CA   Marin County Veterans Auditorium    SBD> MC> DAT> CDR> EAC> CDWAV> SHN; via Tony Gardner with thanks to Paul B.; upgrade in circulation     Source Detail    Source Detail  

 12/27/83 

San Francisco  CA   San Francisco Civic Auditorium    flac16; Source: *Sennheiser Shotguns>Sony D5M>Sony D5M Location: FOB/Right of Center/Stand at 8 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G. Transfer and upload by Tony S    Source Detail    Source Detail  

 12/27/83 

San Francisco  CA   San Francisco Civic Auditorium    flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info; Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/28/83 

San Francisco  CA   San Francisco Civic Auditorium    flac16; Source: *Nakamichi CM304's(pointed at stacks)>Sony D5M>Sony D5M Location: FOB/Right of Center/Stand at 8 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G.    Source Detail    Source Detail  

 12/28/83 

San Francisco  CA   San Francisco Civic Auditorium    flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/30/83 

San Francisco  CA   San Francisco Civic Auditorium    flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/31/83 

San Francisco  CA   San Francisco Civic Auditorium    flac16; Source: *Nakamichi CM304's(pointed at stacks)>Sony D5M>Sony D5M Location: FOB/Right of Center/Stand at 8 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G    Source Detail    Source Detail  

 12/31/83 

San Francisco  CA   San Francisco Civic Auditorium    SBD -> Rm -> Dat -> M-Audio 2448 -> Samplitude 2496 v6.0 -> CD (SHN) Brokedown Palace patched from Pre-FM>Cm>Cass>Dat>CD Dat -> SHN Transfer Done By Charlie Miller charliemiller87@earthlink.net 8/27/02; upgrade in circulation     Source Detail    Source Detail  

 12/31/83 

San Francisco  CA   San Francisco Civic Auditorium    flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 03/31/84 

San Rafael  CA   Marin County Veterans Auditorium    flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation    Source Detail    Source Detail  

 04/01/84 

San Rafael  CA   Marin County Veterans Auditorium    flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation    Source Detail    Source Detail  

 04/13/84 

Hampton  VA   Hampton Coliseum    Rob Eaton FOB Center (Neumann U89)>Sony TC-D5>DAT>CDR>EAC>SHN    Source Detail    Source Detail  

 04/14/84 

Hampton  VA   Hampton Coliseum    flac16; (FOB) MAC: Sennheiser 421s (shoulder level) > Sony D5 > Sony D5 > Maxell XLII 90s Location: FOB. 15-20 feet from stage, DFC Tapers: unknown & Mark McCue Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > CDWAV > Trader's Little Helper > FLAC16. Master audience cassettes supplied by Mark McCue. Transfer, edits & upload to bt.etree.org by Alex Ford 11/01/2006.    Source Detail    Source Detail  

 04/17/84 

Niagara Falls  NY   Niagara Falls Convention Center    FOB Nak 300>?>CDR; Seeded to etree by JT James    Source Detail    Source Detail  

 04/17/84 

Niagara Falls  NY   Niagara Falls Convention Center    flac16; (FOB) MAC: 3 Beyer mics > Sony D5 > Teac mdx 90s: Location: FOB, 20-30 feet from stage; Taper: Mark McCue ;Master audience cassettes provided by Mark McCue. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford     Source Detail    Source Detail  

 04/19/84 

Philadelphia  PA   Philadelphia Civic Center    Sbd > Cassette Master > Cassette > Dat x 2 > CDR > SHN; Seeded to FurthurNET; upgrade in circulation     Source Detail    Source Detail  

 04/20/84 

Philadelphia  PA   Philadelphia Civic Center    Master Soundboard Cassette > Cassette > CDR; CD Mastering, Shn'ed and Seeded by Scott Clugston; also to abgd via Charlie Connor; upgrade in circulation     Source Detail    Source Detail  

 04/21/84 

Philadelphia  PA   Philadelphia Civic Center    Patched Eaton/Silberman FOB (17th Row Split 30 feet) Neumann U87's via Doug Nawrocki    Source Detail    Source Detail  

 04/27/84 

Providence  RI   Providence Civic Center    mixed source: 1st set - Neumann > D6 > DAT > CDR > EAC > WAV > SHN, 2nd set - MSbd> Cass > DAT > CDR > EAC > WAV > SHN; to abgd.hs by PJ    Source Detail    Source Detail  

 04/29/84 

Uniondale  NY   Nassau Coliseum    (FOB/14th Row) 3 Beyer M160's -> Cm -> Sound Forge -> CD -> EAC -> SHN; Converted to SHN By Charlie Miller    Source Detail    Source Detail  

 04/30/84 

Uniondale  NY   Nassau Coliseum    aud> senn 441> cassette master> cdr; via Mike Lai with thanks to Alan Powell    Source Detail    Source Detail  

 05/06/84 

Eugene  OR   Silva Hall, Hult Center    SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko; upgrade in circulation     Source Detail    Source Detail  

 05/07/84 

Eugene  OR   Silva Hall, Hult Center    SBD> Cass> DAT> cdr; via Chris Vinci, Mike Lai; upgrade in circulation     Source Detail    Source Detail  

 05/07/84 

Eugene  OR   Silva Hall, Hult Center    flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; this source fixes a flaw in the previous source.    Source Detail    Source Detail  

 05/08/84 

Eugene  OR   Silva Hall, Hult Center    SBD> MR> C> DAT> CDR; transfer by Mike Lai from Bruce Fried seed; upgrade in circulation     Source Detail    Source Detail  

 06/23/84 

Harrisburg  PA   City Island    flac16; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6    Source Detail    Source Detail  

 06/24/84 

Saratoga Springs  NY   Saratoga Performing Arts Center    flac16; Recordist: Kyle Holbrook Location: Set One: ~5' ROC, ~175' from stage lip, head height | Set Two: Centered, ~150' from stage lip, head height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6    Source Detail    Source Detail  

 06/26/84 

Columbia  MD   Merriweather Post Pavilion    Source: SBD>PCM>DAT>CD>SHN. Tennessee Jed and Day Job are patched from an audience recording via Ray Hansen, encoded by Peter Braverman; upgrade in circulation     Source Detail    Source Detail  

 06/26/84 

Columbia  MD   Merriweather Post Pavilion    flac16; Recordist: Kyle Holbrook Location: ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6    Source Detail    Source Detail  

 06/27/84 

Columbia  MD   Merriweather Post Pavilion    SBD>Cassette Master>Cassette>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN (updated source info); upgrade in circulation     Source Detail    Source Detail  

 06/27/84 

Columbia  MD   Merriweather Post Pavilion    flac16; Recordist: Kyle Holbrook Location: Centered, ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6    Source Detail    Source Detail  

 06/29/84 

Cuyahoga Falls  OH   Blossom Music Center    Jim Wise Senn 421?s>Sony TC-D5M>MC>DAT>CD; Second set pitch corrected; via Paul B; Seeded to etree by Willy    Source Detail    Source Detail  

 06/30/84 

Indianapolis  IN   Indianapolis Sports and Music Center    set 2, plus set 1 partial; SBD> MC> DAT> CDR; from Merry Pranksters Tree round 5, SHN branch; possibly via David Finney to etree?    Source Detail    Source Detail  

 06/30/84 

Indianapolis  IN   Indianapolis Sports and Music Center    flac16; AUD: FOB, Sennheiser MD-421's > DBX NX-40 > Sony TC-D5 Taper: Unknown MAC > CD Transfer: Unknown CDR > EAC > WAV > WavMerge > CD-Wave > Soundforge > TLH > FLAC Frontend by Andrew F, Oct 2005. Some of the ID's were missing or in the wrong spot, so I merged the files and re-split them. I used Soundforge to make some small fades for the start and end of discs. I used TLH to verify SBE-OK and to make checksums, and Flac Frontend for lossless compression    Source Detail    Source Detail  

 07/01/84 

Clarkston  MI   Pine Knob Music Theater    AUD>MC>??>DAT>CDR; via Paul B; Seeded to etree by Willy    Source Detail    Source Detail  

 07/03/84 

Kansas City  MO   Starlight Theater    AUD>MC>??>DAT>CDR; via Paul B; seeded to etree by Willy    Source Detail    Source Detail  

 07/03/84 

Kansas City  MO   Starlight Theater    flac16; FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII tape, with no Dolby     Source Detail    Source Detail  

 07/04/84 

Cedar Rapids  IA   Five Seasons Center    AUD: MC (Sennheiser 421)> DAT> CD> SHN; Seeded by Peter Braverman     Source Detail    Source Detail  

 07/06/84 

East Troy  WI   Alpine Valley Music Theatre    Fob: Sennheiser 441's > MC > Dat > Cd Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd    Source Detail    Source Detail  

 07/07/84 

East Troy  WI   Alpine Valley Music Theatre    SBDMC(R?) > DAT > WAV > SHN w/ AUD(Senn 441s > D5 > DAT > CD) patches    Source Detail    Source Detail  

 07/13/84 

Berkeley  CA   Greek Theatre, U. Of California    SBD > ? > CDR> DAE (cdparanoia)> SHN; via Mark Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an analog generation"    Source Detail    Source Detail  

 07/13/84 

Berkeley  CA   Greek Theatre, U. Of California    flac16; Recording Info:SBD -> Cassette Master (Sony D6/Maxell XLII-S90/TDK MA90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 07/14/84 

Berkeley  CA   Greek Theatre, U. Of California    SBD > ? > CDR> DAE (cdparanoia)> SHN; via M. Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an anlog generation"; Jack Straw beginning cut; upgrade in circulation     Source Detail    Source Detail  

 07/15/84 

Berkeley  CA   Greek Theatre, U. Of California    SBD > ? > CDR> DAE (cdparanoia)> SHN; via M. Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an anlog generation"; a few track markers misplaced; upgrade in circulation     Source Detail    Source Detail  

 07/21/84 

Ventura  CA   Ventura County Fairgrounds    flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC    Source Detail    Source Detail  

 10/06/84 

Richmond  VA   Richmond Coliseum    FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT    Source Detail    Source Detail  

 10/08/84 

Worcester  MA   The Centrum    flac16; Source: Recorded by: Greg Holtz and Tony Bolton Master Cassette FOB right side about 8 feet in front of the SBD(Jerry's side - about 10 feet right of center - 2 Nak 100's w/CP-4 shotgun caps > Sony D-5 Transfer: Tascam112mkII > KorgMR1000 at 1bit/5.6mHz DSD> Audio Gate Software for 24/96 by Jamie Waddell Editing and Mastering: Alex Ford in Wavelab 6.10 with UAD in 24/96,Weiss Saracon for SRC to 16/44.1 POWR-3 Dither    Source Detail    Source Detail  

 10/11/84 

Augusta  ME   Augusta Civic Center    Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable)Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor; upgrade in circulation     Source Detail    Source Detail  

 10/12/84 

Augusta  ME   Augusta Civic Center    Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable) ***7.16.03*** Beginning of CR&S patched with alternate FOB Schoeps source, lineage is below. Patched with Cool Edit Pro 2.0 in multitrack view > mkwACT by Doug Nawrocki. d2t01 is the only md5 that differs from the original. Patch source lineage: MAC(FOB 2 Schoeps MK41/CMC4 > Sony TCD-5M) > WAV > SHN digital transfer: Kenwood KX1030 cassette deck > EMI 6|2m (16 bit @ 44.1khz) > Peak 3.21 > WAV > Shorten 1.1a4 > SHN    Source Detail    Source Detail  

 10/12/84 

Augusta  ME   Augusta Civic Center    Master Tapes by Ficca Source: FOB Center Sony TCD5M with 2 Beyer Dynamic 160's > Sony CDR-W66 > EAC > CDWave > CDA encoded by Ficca     Source Detail    Source Detail  

 10/14/84 

Hartford  CT   Hartford Civic Center    FOB> Nakamichi 300's> CP4Cassette Master> DAT> CDR> Eac> SHN; DAE(EAC) + SHN Encoding by Jeff M.; see info file for notes    Source Detail    Source Detail  

 10/15/84 

Hartford  CT   Hartford Civic Center    Recording Info: (FOB) Senn 421 -> Cassette Master -> Dat -> CD Transfer Info: EAC -> Samplitude v7.02 Professional -> SHN - Transfered and Edited By Charlie Miller    Source Detail    Source Detail  

 10/17/84 

East Rutherford  NJ   Meadowlands Arena    flac16; 3 Nak CM700 (DIN; Row S, DFC) > Sony TC-D5M > Maxell MX tape; Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; Taped, transferred by Doug Mow; CDR> FLAC16 and minor editing by Alex Ford    Source Detail    Source Detail  

 10/18/84 

East Rutherford  NJ   Meadowlands Arena    (FOB) Nakamichi CM300/CP1 -> Cm (Sony D5) -> Dat (48k) > Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN. All transfers and remastering done by Charlie Miller    Source Detail    Source Detail  

 10/27/84 

Berkeley  CA   Berkeley Community Theater    Senn 441?s>Sony D-5. AUD>MC>DAT>CDR via Raoul Duke encoded by Willy and Matt Vernon    Source Detail    Source Detail  

 10/28/84 

Berkeley  CA   Berkeley Community Theater    Source: Senn 441?s>Sony D-5. Lineage: AUD>MC>DAT>CDR. Encoding by Willy Munder and Matt Vernon    Source Detail    Source Detail  

 10/30/84 

Berkeley  CA   Berkeley Community Theater    Senn 441?s>Sony D-5. Lineage: AUD>MC>DAT>CDR via Raoul Duke encoded by Willy Munder and Matt Vernon    Source Detail    Source Detail  

 11/03/84 

Berkeley  CA   Berkeley Community Theater    AUD>MC>DAT>CDR via Raoul Duke, encoded by Willy and Matt Vernon    Source Detail    Source Detail  

 12/28/84 

San Francisco  CA   San Francisco Civic Auditorium    Audience cassette > ? > DAT > CDR > SHN    Source Detail    Source Detail  

 12/28/84 

San Francisco  CA   San Francisco Civic Auditorium    flac16; Source: MAC: Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Location: 1st row balcony lip, DEAD Center Taper: Adam Transfer: MAC: Nakamichi CD2(played back on type IV setting, azimuth adjusted) > rca/xlr > Luntec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, conversion and upload to bt.etree.org by Alex Ford.    Source Detail    Source Detail  

 12/29/84 

San Francisco  CA   San Francisco Civic Auditorium    Oade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN    Source Detail    Source Detail  

 12/29/84 

San Francisco  CA   San Francisco Civic Auditorium    flac16; MAC; 2 Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s Location: Front row of balcony, Dead Center Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Taper: Mark McCue Lineage: MAC > Nakamichi Cassette Deck 2(azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(A/D at 24bit/96kHz) > coax > Audiophile 2496 > WaveLab 5 > editing > Waves L3 UltraMaximizer > 16 bit 44.1 kHz > CDWave Editor > TLH > FLAC16    Source Detail    Source Detail  

 12/31/84 

San Francisco  CA   San Francisco Civic Auditorium    SB > MR > ?? [apparently FM] > DAT > CDR > EAC> SHN; EAC, SHN, etreed by G.Gorinsky; with thanks to Bill Golden    Source Detail    Source Detail  

 02/19/85 

Oakland  CA   Henry J. Kaiser Convention Center    flac16; MAC; (FOB) Sennheiser 421s > Sony D5 > Maxell MX 90s Taper: Mark McCue Transfer: MAC > Nakamich Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@2496) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer > 16 bit WAV > CD Wave Editor > TLH > FLAC16. Master Audience cassettes provided by Mark McCue Transfer, editing and conversion by Alex Ford    Source Detail    Source Detail  

 02/20/85 

Oakland  CA   Henry J. Kaiser Convention Center    flac16; MAC; (FOB) Sennheiser 421s > Sony D5 > Maxell MX90s Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@2496) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer > 16 bit WAV > CD Wave Editor > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue Transfer, editing and conversion by Alex Ford 03/06/2007.    Source Detail    Source Detail  

 03/09/85 

Berkeley  CA   Berkeley Community Theater    Unknown aud via Jim Decker, pitch correction Jeff Cotsman, shn encoding Matt Vernon    Source Detail    Source Detail  

 03/09/85 

Berkeley  CA   Berkeley Community Theater    flac16; MAC; Sennheiser 421s > Sony D5 > TDK MA90s Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3(@2496) > coax > Audiophile 2496 > WaveLab 5.0 > Waves L2 Ultramaximizer (dither) > WAV @ 16/44.1 > TLH > FLAC16. Transfer, all edits, conversion & seeding by Alex Ford.    Source Detail    Source Detail  

 03/10/85 

Berkeley  CA   Berkeley Community Theater    flac16; Sennheiser 421s > Sony D5 > 2 TDK MA90s Location: directly behind SBD Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3(@ 24/96) > coax > Audiophile 2496 > WaveLab 5 > WAV @2496 > Waves L2 (dither) > WAV @16/44.1 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion & seeding by Alex Ford    Source Detail    Source Detail  

 03/12/85 

Berkeley  CA   Berkeley Community Theater    flac16; Lineage: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX Transfer: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC    Source Detail    Source Detail  

 03/12/85 

Berkeley  CA   Berkeley Community Theater    flac16; MAC; Sennheiser 421's > Sony TC-D5M > TDK MA90 Cassettes Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @24/96 > Waves L2 (dither) > WAV @16/44.1 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion and seeding by Alex Ford.    Source Detail    Source Detail  

 03/13/85 

Berkeley  CA   Berkeley Community Theater    flac16; MAC; Sennheiser 421s > Sony D5 > TDK MA90 cassettes Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@24/96) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @24/96 > Waves L2 > WAV @16/44.1 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion and seeding by Alex Ford 4/24/2007.    Source Detail    Source Detail  

 03/21/85 

Hampton  VA   Hampton Coliseum    FOB-AUD>MC>CDR Mark Horvath recording, Senn. 421?s>Sony TC-D5; via Paul B; Seeded to etree by Brad Ingle    Source Detail    Source Detail  

 03/21/85 

Hampton  VA   Hampton Coliseum    flac16; (FOB) 2 Sennheiser 421's > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum core (Set II)]. Tapers: Mark McCue, Adam, Monica & John. Transfer, cuts, fades, encoding and seeding to bt.etree.org by Alex Ford.     Source Detail    Source Detail  

 03/22/85 

Hampton  VA   Hampton Coliseum    Oade Brothers Recording: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac     Source Detail    Source Detail  

 03/22/85 

Hampton  VA   Hampton Coliseum    MAC (FOB) 2 Sennheiser 421's > Sony TC-D5 > 2 TDK MA90's; Tapers: Mark McCue, Adam, Monica & John; Transfer, encoding and seeding to bt.etree.org by Alex Ford     Source Detail    Source Detail  

 03/24/85 

Springfield  MA   Springfield Civic Center    Oade's Master Audience PCM>Schoeps CMC-441 mics>Oade M118>Sony PCM-F1>DAT>CDR>EAC>Shn EAC'ed/Shn'ed and seeded to fungus and abgd by Charlie Connor 3/26/02 with thanks To Scott Clugston and to Doug Oade.    Source Detail    Source Detail  

 03/25/85 

Springfield  MA   Springfield Civic Center    Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Recorded by the Oade Brothers Transferred by Doug Oade, traced by Darrin Sacks (dsacks@pcisys.net)    Source Detail    Source Detail  

 03/25/85 

Springfield  MA   Springfield Civic Center    flac16; MAC: (FOB) 2 Sennheiser 421s > Sony TC-D5 > 2 TDK MA90s Master Cassettes supplied by Mark McCue. Transfer, minor edits, conversion and seeding to bt.etree.org by Alex Ford.    Source Detail    Source Detail  

 03/27/85 

Uniondale  NY   Nassau Veterans Memorial Coliseum    Recorded by the Oade Brothers;Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, traced by Darrin Sacks (dsacks@pcisys.net)     Source Detail    Source Detail  

 03/27/85 

Uniondale  NY   Nassau Veterans Memorial Coliseum    flac16; MAC: (FOB) 2 Sennheiser 421's > Sony D5 > TDK MA90's Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade. Transfer, editing, conversion and seeding by Alex Ford. Master Cassettes provided by Mark McCue.     Source Detail    Source Detail  

 03/28/85 

Uniondale  NY   Nassau Veterans Memorial Coliseum    Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, traced by Darrin Sacks (dsacks@pcisys.net)     Source Detail    Source Detail  

 03/28/85 

Uniondale  NY   Nassau Veterans Memorial Coliseum    flac16; MAC: (FOB) 2 Nakamichi 700s [modified w/ plexiglass shock mounts@] > Sony D5 > TDK MA 90s. Tapers: Mark McCue, Adam, Monica, Johnny Kelly & Davey the beeker meade. Transfer, edits, conversion & seeding to bt.etree.org by Alex Ford 5/31/2006. Master cassettes provided by Mark McCue.    Source Detail    Source Detail  

 03/29/85 

Uniondale  NY   Nassau Veterans Memorial Coliseum    Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 recorded by the Oade Brothers and tracked/flac'd by Darrin Sacks    Source Detail    Source Detail  

 03/31/85 

Portland  ME   Cumberland County Civic Center    Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac     Source Detail    Source Detail  

 03/31/85 

Portland  ME   Cumberland County Civic Center    flac16; MAC: (FOB) Sennheiser 421s > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum shell] (Set II) Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade. Master cassettes provided by Mark McCue. Transfer, edits, conversion, and seeding to bt.etree.org by Alex Ford.    Source Detail    Source Detail  

 04/01/85 

Portland  ME   Cumberland County Civic Center    Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1    Source Detail    Source Detail  

 04/01/85 

Portland  ME   Cumberland County Civic Center    flac16; Source: MAC: (FOB) Sennheiser 421s > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum shell] (Set II) Mic Config: mics on T-Bar, pointed at the stacks, chest high Location: FOB, 20-25 feet from the stage, DFC Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade Transfer: MAC > Nakamichi CD 2 (azimuth adjusted) > rca > xlr > Lunatec V3(@16 bit/44.1 Hz) > coax > Audiophile 2496 > CEP 2.0 > CD Wave Editor > Trader's Little Helper > FLAC16    Source Detail    Source Detail  

 04/03/85 

Providence  RI   Providence Civic Center    Recorded by the Oade Brothers Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac    Source Detail    Source Detail  

 04/03/85 

Providence  RI   Providence Civic Center    flac16; Source: MAC: Sennheiser 421s > Sony D5 > 2 TDK MA90s Location: Tapers Section Mic Config: Mics on T bar pointed at the stacks, chest high. Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade Transfer: MAC>Nakamichi CD2>Lunatec V3(16/44.1)>Audiophile 2496>CEP 2.0>CD Wave Editor>Traders Little Helper>FLAC16 conversion and seeding to bt.etree.org by Alex Ford    Source Detail    Source Detail  

 04/04/85 

Providence  RI   Providence Civic Center    Recorded by the Oade Brothers Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac     Source Detail    Source Detail  

 04/04/85 

Providence  RI   Providence Civic Center    flac16; MAC; 2 Sennheiser 421s > Sony D5 > 2 TDK MA90s. Location: TS - first row, DFC, mics @ 15 feet Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beaker meade. Transfer: Master Audience Cassettes>Nakamichi CD2(azimuth adjusted)> rca>xlr>Lunatec V3> coax>Audiophille 2496>CEP 2.0>Trader's Little Helper>FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer,edits, patches, conversion and upload to bt.etree by Alex Ford.    Source Detail    Source Detail  

 04/06/85 

Philadelphia  PA   The Spectrum    Recorded by the Oade Brothers; transferred by Doug Oade, tracked by Darrin Sacks Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac     Source Detail    Source Detail  

 04/06/85 

Philadelphia  PA   The Spectrum    Sennheiser 421's > Sony D-5 > TDK 90 Taper: Mark McCue Lineage: Sony D-5 > Tascam CD4U stand alone burner > CDR > EAC > Win XP Pro > FLAC Frontend > FLAC16. transfer from Sony D5 through CDR by Mark McCue. transfer from CDR through FLAC16 by Alex Ford on 03/10/05.    Source Detail    Source Detail  

 04/07/85 

Philadelphia  PA   The Spectrum    Csbd> DAT> CDR> EAC> SHN; via Scott Z., Darrin Sacks    Source Detail    Source Detail  

 04/07/85 

Philadelphia  PA   The Spectrum    flac16; Sennheiser 421's > Sony D5 > Tascam CRD4U > EAC > CDR Taper: M. McCue Lineage: Sony D-5 > Tascam CDR4U stand alone burner > CDR > EAC > Win XP Pro > FLAC Frontend > FLAC16. Transfer from Sony D5 through CDR by Mark McCue Transfer from CDR through FLAC16 by Alex Ford on 03/07/05.    Source Detail    Source Detail  

 04/08/85 

Philadelphia  PA   The Spectrum    Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac     Source Detail    Source Detail  

 04/13/85 

Irvine  CA   Irvine Meadows    flac16; MAC: (FOB) Sennheiser 421's* > Sony D5 > Maxell XLII-S 90(Set I) & Maxell MX 90(Set II); Tapers: Adam, Justin & Monica; Mark McCue Masters; Transfer, minor editing and conversion by Alex Ford    Source Detail    Source Detail  

 04/14/85 

Irvine  CA   Irvine Meadows    MAC: (FOB) Sennheiser 421's > Sony D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II) Tapers: Adam, Justin & Monica Mark McCue Masters Transfer, minor editing and conversion by Alex Ford 03/08/2006.     Source Detail    Source Detail  

 04/27/85 

Palo Alto  CA   Frost Amphitheatre    flac16; MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)] Tapers: Adam, Justin & Monica Mark McCue Masters Transfer, minor editing and conversion by Alex Ford 3/10 & 11/2006.    Source Detail    Source Detail  

 04/27/85 

Palo Alto  CA   Frost Amphitheatre    DTS Audio 5.1; 3 source DTS-Audio-CD 5.1 Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584    Source Detail    Source Detail  

 04/27/85 

Palo Alto  CA   Frost Amphitheatre    flac16; SBD + AUD Matrix 3 Source Mix (65%-SBD/20%-AUD1/15%-AUD2)Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584    Source Detail    Source Detail  

 04/28/85 

Palo Alto  CA   Frost Amphitheatre    MAC: (FOB) Sennheiser 421's > Sony D5 > Maxell XLII-S 90 (Set I) & TDK MA-R [aluminum core (Set II)]; Tapers: Adam, Justin & Monica; Master Cassettes provided by Mark McCue; Transfer, editing, conversion and seeding to bt.etree.org by Alex Ford.    Source Detail    Source Detail  

 06/14/85 

Berkeley  CA   Greek Theatre, U. Of California    Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc42S (spread around 8') > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac    Source Detail    Source Detail  

 06/14/85 

Berkeley  CA   Greek Theatre, U. Of California    Sennheiser 441's > Sony D5 > Sony D5 > Cassettes Tapers: Adam,Justin & Monica Mark McCue Master 1st deck out Conversion, minor editing, and seeding to bt.etree.org by Alex Ford.    Source Detail    Source Detail  

 06/15/85 

Berkeley  CA   Greek Theatre, U. Of California    SBD> ?> CD-R> EAC> CDWAV retrack> SHN; via Randy Griesman    Source Detail    Source Detail  

 06/15/85 

Berkeley  CA   Greek Theatre, U. Of California    Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac     Source Detail    Source Detail  

 06/15/85 

Berkeley  CA   Greek Theatre, U. Of California    flac16; Sennheiser 441's > Sony D5 > Sony D5 > Master Cassettes; Tapers: Adam,Justin & Monica Mark McCue Master 1st deck out; Transfer by Mark McCue; Conversion, edits, retracking, seeding to bt.etree.org by Alex Ford    Source Detail    Source Detail  

 06/16/85 

Berkeley  CA   Greek Theater, U. of California    flac16; Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1, Recorded by Oade Brothers; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac, Transferred by Doug Oade, freshly tracked by Darrin Sacks    Source Detail    Source Detail  

 06/16/85 

Berkeley  CA   Greek Theater, U. of California    SBD > Reel Master [?- see pub comments] > DATs; Transfer, by jbraveman: DAT 60ES > M-Audio Audiophile USB > CDWAV > Goldwave (normalization and minor edits) > CDWAV > mkwACT    Source Detail    Source Detail  

 06/16/85 

Berkeley  CA   Greek Theater, U. of California    (FOB) 2 Sennheiser 441's > Sony D5 > Master Cassettes Tapers: Adam, Justin and Monica Mark McCue Master Transferred by Mark McCue, conversion and seeding to bt.etree.org by Alex Ford     Source Detail    Source Detail  

 06/24/85 

Cincinnati  OH   River Bend Music Center    fixed version of previous shn set, to boost Samson>He's Gone; via Patrick Murphy; hosted at gdlive.com    Source Detail    Source Detail  

 06/24/85 

Cincinnati  OH   River Bend Music Center    Set II Only; Recorded by Jim Oade Transferred by Doug Oade, tracked by Darrin Sacks; Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac    Source Detail    Source Detail  

 06/27/85 

Saratoga Springs  NY   Saratoga Performing Arts Center    Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac. Recorded by Jim Oade; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net)    Source Detail    Source Detail  

 06/28/85 

Hershey  PA   Hershey Park Stadium    SBD? liberated bootleg; via lemon2    Source Detail    Source Detail  

 06/28/85 

Hershey  PA   Hershey Park Stadium    Source: SBD > CM > DAT > DAT > DAT Transfer: DAT 60ES > M-Audio Audiophile USB > CDWAV (48) > Goldwave (normalization 100%, patch, and resample 44.1) > CDWAV tracking > mkwACT SHN; transfer by Joshua Braveman    Source Detail    Source Detail  

 06/28/85 

Hershey  PA   Hershey Park Stadium    flac16; (FOB) 2 Sennheiser 441's > Sony D5 > Master Cassettes; Taped transferred by Mark McCue; Retracking, conversion and seeding to bt.etree.org by Alex Ford     Source Detail    Source Detail  

 06/30/85 

Columbia  MD   Merriweather Post Pavilion    Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac (via Darrin Sacks)  
 Source Detail    Source Detail  

 06/30/85 

Columbia  MD   Merriweather Post Pavilion    flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)    Source Detail    Source Detail  

 07/01/85 

Columbia  MD   Merriweather Post Pavilion    Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 (Oade brothers, via Darrin Sacks)
Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > soundforge 6 where necessary for patching > Flac (sector boundaries aligned via flac frontend)  
 Source Detail    Source Detail  

 07/01/85 

Columbia  MD   Merriweather Post Pavilion    flac16; Source: FOB-Nakamichi 700s > Sony D5 > Maxell MX90 type IV cassettes. Taped by B.Koucky, patched out of B. Glassberg. Transfer: MAC playback, Nakamichi CR-7A, azimuth adjusted > 1 ft Lynx RCA-XLR audio cables > Lunatec V3 > AES digital out > LynxTwo in a E6400-based DuoCore 2 PC > Wavelab 5, recorded as 24/96 KHz WAV > mastering with Ozone 3 > dithered to 16/44.1 KHz using Izotope MBIT+ > CDWAV1.9 > FLAC (level 8). Analog>Digital transfer and mastering by C.Ladner    Source Detail    Source Detail  

 07/01/85 

Columbia  MD   Merriweather Post Pavilion    flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)    Source Detail    Source Detail  

 07/02/85 

Pittsburgh  PA   Civic Arena    Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac   
 Source Detail    Source Detail  

 07/02/85 

Pittsburgh  PA   Civic Arena    flac16; MAC; (FOB) 2 x Sennheiser 421 > Sony D5 > 2 x Maxell XLII 90. Recorded by Rick "Coyote" Colyard. Transfer and mastering by Alex Ford. Master Audience Cassettes provided by Rick Colyard via Muletaper.    Source Detail    Source Detail  

 07/13/85 

Ventura  CA   Ventura County Fairgrounds    flac16; Source: FOB>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's) Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped & Transferred by Charlie Connor    Source Detail    Source Detail  

 07/14/85 

Ventura  CA   Ventura County Fairgrounds    flac16; MAC; Sennheiser 441 > Sony D5 > D5 > 2 x Maxell MX 90; Transfer/Lineage: MAC> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav @24/88.2> iZotope Ozone 3> .wav @16/44.1> CD Wave Editor> TLH> flac16; Taped by Adam; Transferred, Edited and Mastered by Alex Ford    Source Detail    Source Detail  

 08/30/85 

Houston  TX   Southern Star Amphitheater    Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac via Darrin Sacks    Source Detail    Source Detail  

 08/30/85 

Houston  TX   Southern Star Amphitheater    flac16; MAC; (FOB) 2 x Sennheiser 441 > Sony D5 > Sony D5 > 2 x Maxell MX 90. Taped by Adam, Justin & Monica. Transferred, edited and mastered by Alex Ford. Master Audience Cassettes provided by and from the collection of Mark McCue.    Source Detail    Source Detail  

 08/31/85 

Austin  TX   Manor Downs    flac16; updated lineage: 90 X-Y Schoeps CMC441 & 8ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac; Oade Brothers Recording, Transferred by Doug Oade, tracked by Darrin Sacks    Source Detail    Source Detail  

 08/31/85 

Austin  TX   Manor Downs    flac16; Taper: Mark McCue Source: (FOB) 2 Sennheiser 441s > Sony TC-D5M > Maxell MX 90s Location: FOB, 10-15 rows back, DFC Lineage: Transfer: Master AUD Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@24/96)* > coax > M-Audio Audiophile 2496 > WaveLab 5.0 > WAV > Traders Little Helper > FLAC24 *V3 recording levels set equally at 25 + 3 trim, by Alex Ford Mastering: SIRMick     Source Detail    Source Detail  

 09/02/85 

Oklahoma City  OK   Zoo Amphitheater    flac16; updated lineage: 90 X-Y Schoeps CMC441 & 8ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac; Oade Brothers Recording, Transferred by Doug Oade, tracked by Darrin Sacks    Source Detail    Source Detail  

 09/03/85 

Kansas City  MO   Starlight Theater    flac16 Oade Master -- 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac; Oade Brothers Recording Transferred by Doug Oade, tracked by Darrin Sacks; possible difference re normalization compared to a similar previous fileset (see txt note)    Source Detail    Source Detail  

 09/05/85 

Morrison  CO   Red Rocks Amphitheatre    flac16 Oade Master, 90 X-Y Schoeps CMC441 + 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac; Transferred by Doug Oade, tracked by Darrin Sacks    Source Detail    Source Detail  

 09/05/85 

Morrison  CO   Red Rocks Amphitheatre    flac16; MAC: Sennheiser 441s (7-9 feet high) > Sony D5 > Maxell MX 90s; Tapers: Justin, Adam & Monica Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 >Trade's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford 11/08/2006.    Source Detail    Source Detail  

 09/06/85 

Morrison  CO   Red Rocks Amphitheatre    flac16; Sennheiser 441s > Sony D5 > Maxell MX 90s Tapers: Justin, Adam & Monica Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16 Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford November 2006.    Source Detail    Source Detail  

 09/07/85 

Morrison  CO   Red Rocks Amphitheatre    SBD>Cm>Dat>CD>EAC>SHN via Charlie Miller    Source Detail    Source Detail  

 09/07/85 

Morrison  CO   Red Rocks Amphitheatre    flac16; MAC: Sennheiser 441s > Sony D5 > Maxell MX 90s Tapers: Justin, Adam and Monica Transfer: MAC>Nakamichi CD2(azimuth adjusted)>rca/xlr>Lunatec V3>coax>Audiophile 2496>CEP 2.0>CDWav Editor>TLH>FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, conversion and upload to bt.etree bt Alex Ford. SBE's fixed with Trader's Little Helper. Files encoded @ level 6.    Source Detail    Source Detail  

 09/15/85 

Chula Vista  CA   Devore Field, Southwestern U    Unknown Mics (parabolic reflectors, 40" apart)>Unknown deck> CM> C> Sony R500 w/ SBM (a/d)>WAV>CD-R.     Source Detail    Source Detail  

 09/15/85 

Chula Vista  CA   Devore Field, Southwestern U    flac16; Source:Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57(tracking only)>flac16 Taped and transferred by Charlie Connor     Source Detail    Source Detail  

 09/15/85 

Chula Vista  CA   Devore Field, Southwestern U    flac16; Recording Info: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller     Source Detail    Source Detail  

 10/26/85 

Tampa  FL   Sun Dome    FOB Audio Technica ATM 11s / 2 Nakamichi 300s > Sony TCM D-5 > Master Cassette; Conversion: MC > Sony TC-we 435 > Sony DTC 700 > DAT > Sony DTC 700 > digital ouput > Philips CDR 870 > CD-R (see note in info file); taped, Cass > CD-R conversion by Mark Horvath; CD-R > SHN: CD-R* > EAC 3x > .wavs compared by MD5s and EAC's .wav compare tool > Cool Edit (rejoin tracks and fades) > CD-WAV (Re-Tracking) > MKW ACT 0.96 > SHN, by Jan Welch    Source Detail    Source Detail  

 10/26/85 

Tampa  FL   Sun Dome    flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC     Source Detail    Source Detail  

 10/28/85 

Atlanta  GA   Fox Theater    flac16; LINEAGE: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC    Source Detail    Source Detail  

 10/28/85 

Atlanta  GA   Fox Theater    flac16; Source: Master Audience Recording Media: MAC Maxell MX 90 type IV cassettes Lineage: 2 x Sennheiser 421 > Sony TC D5M > Sony TC D5M [Tapers Section] Transfer: MAC playback, Nakamichi CR-7A, azimuth adjusted > 1 ft Lynx RCA-XLR audio cables > Lunatec V3 > AES digital out > LynxTwo in a E6400-based DuoCore 2 PC > Wavelab 5 [24/96] Mastering Software: WaveLab, iZotope Ozone 3 and Waves Q4 EQ, > converted to [44.1/16] with r8brain > CDWAV1.9 >TLH > Flac Level 8 Taped by B.Koucky Transfer by C.Ladner. Mastered By B. Koucky    Source Detail    Source Detail  

 10/29/85 

Atlanta  GA   Fox Theater    flac16; LINEAGE: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC. The microphone location was 'dead center' and approximately 50 to 60 feet from the stage, which was about 50 feet or so in front of the Official Taper's Section.     Source Detail    Source Detail  

 10/29/85 

Atlanta  GA   Fox Theater    flac16; Recording Info:SBD -> Cassette Master (Sony D5/Maxell MX90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 10/31/85 

Columbia  SC   Carolina Coliseum, University Of South Carolina    flac16; Matrix of sbd(id=19209) & Oade Master PCM(id=20282)    Source Detail    Source Detail  

 10/31/85 

Columbia  SC   Carolina Coliseum, University Of South Carolina    Field: Schoeps CMC441 (from TS, 17cm @ 90deg) > Oade M118 > Oade modSony PCM-F1 Transfer: master PCM > DAW (via SEKD card) > DSP* > CD (mkw) > HD > mkwACT0.97b (SHN)    Source Detail    Source Detail  

 10/31/85 

Columbia  SC   Carolina Coliseum, University Of South Carolina    Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k) DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)> Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN(Seekable) Seeded by Darrin Sacks; Also to abgd via Charlie Connor    Source Detail    Source Detail  

 11/01/85 

Richmond  VA   Richmond Coliseum    Schoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1 [recorded by the Oade Brothers]    Source Detail    Source Detail  

 11/01/85 

Richmond  VA   Richmond Coliseum    flac16; MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue.    Source Detail    Source Detail  

 11/01/85 

Richmond  VA   Richmond Coliseum    flac24; Source: 2x Sennheiser 421 > Sony TC-D5 > Sony TC-D5 Master Cassettes Maxell MX–90’s Location: FOB, 20' from stage. Center patched out of Steve Adleman Transfer: Nakamichi DR-1 > Korg MR-1 > DSF [1-bit 2.8 MHz Stereo] Rate Conversion: Korg AudioGate to WAV [24/96] Mastering in WaveLab with iZotope Ozone 3 (eq) and Waves L3 Multimaximizer > CD WAVE > TLH > Flac Taped, Transfer, Mastering by: Bill Koucky December 3, 2008    Source Detail    Source Detail  

 11/02/85 

Richmond  VA   Richmond Coliseum    flac16; Matrix from 3 sources: SBD> ?> DAT> CD> EAC> WAV> SHN; AUD - Connor (FOB) Mics: Beyer Dynamic M88's; AUD - Oade (Tapers? Section) Mics: Schoeps (2 x CMC441, 1 x CMC42)> Sony PCM-F1; Matrixed by Chris Chappell    Source Detail    Source Detail  

 11/02/85 

Richmond  VA   Richmond Coliseum    flac16; MAC; 2 x Sennheiser 421 > Sony D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX90 (Set II). Recorded by Lucien Zaleski. Transferred and Mastered by Alex Ford. Master audience cassettes provided by Mark McCue.    Source Detail    Source Detail  

 11/04/85 

Worcester  MA   The Centrum    Taper: phil Unger;Nakamici #100 Shotguns> SonyD5; CD Transfer Info: Denon D-790R > Audiophile 2496 > Cool Edit 2000 > Wav > SHN; Tracked with CD Wave: Seeded to ABGD    Source Detail    Source Detail  

 11/05/85 

Worcester  MA   The Centrum    Source: Audience (Tapers? Section) ? Digital Master Mics: Schoeps (2 x CMC441) Processor: Sony PCM-F1 (Oade Modified) Tape Deck: Sony Portable BetaMax Taper: Oades Tracked: Conrad    Source Detail    Source Detail  

 11/07/85 

Rochester  NY   Community War Memorial Auditorium    flac16; taper : Joe D'Amico ''aka'' Joebeacon nak 300 mics > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend     Source Detail    Source Detail  

 11/08/85 

Rochester  NY   Community War Memorial Auditorium    AUD FOB> Beyer Dynamic M88's> Sony TCD5M (CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT); d2 tracked for 80 min; taped, transferred and seeded to abgd by Charlie Connor    Source Detail    Source Detail  

 11/10/85 

East Rutherford  NJ   Meadowlands Arena    Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR EAC'ed/Shn'ed by Charlie Connor 3/2/02, with thanks to Scott Clugston and Doug Oade; to abgd.    Source Detail    Source Detail  

 11/10/85 

East Rutherford  NJ   Meadowlands Arena    shotgun mics > Sony D6 > Maxell MX 90's. First right hand seat of taper section 12" stand. Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN via Charlie     Source Detail    Source Detail  

 11/11/85 

East Rutherford  NJ   Meadowlands Arena    unknown shotguns > Sony D6 > Maxell MX 90's. First right hand seat of taper section 12" stand. Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN via Charlie Bandrofcheck     Source Detail    Source Detail  

 11/20/85 

Oakland  CA   Henry J. Kaiser Convention Center    flac16; Recording Info: SBD -> Cassette Master (Nak 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC     Source Detail    Source Detail  

 12/31/85 

Oakland  CA   Oakland-Alameda County Coliseum    Primary Source: Recording Info: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End Secondary Source: Steve Barbella's seed from shn id 12086 AUD>?>DAT>CDR; See txt file for details on Patches. Recorded, patched and digitally transferred by Charlie Connor August 28,2005    Source Detail    Source Detail  

 02/08/86 

Oakland  CA   Henry J. Kaiser Convention Center    Source: SBD>MC>PCM>CDR>WAV>SHNv3 via neo_levo/candyman FTP    Source Detail    Source Detail  

 02/11/86 

Oakland  CA   Henry J. Kaiser Convention Center    Updated Source Info: SBD> Cassette Master DAT> CD; Seeded to etree by Willy; note see user comments re pre-emphasis (or not)    Source Detail    Source Detail  

 02/12/86 

Oakland  CA   Henry J. Kaiser Convention Center    Bertha Remaster of the soundboard source. SBD>>(?)>>Wav(EAC)>>DAW(Bertha)>>CDA/SHN - Sound A     Source Detail    Source Detail  

 02/14/86 

Oakland  CA   Henry J. Kaiser Convention Center    SBD>PCM>Dat>Samplitude>Cool Edit Pro>CD; via David Gans; RE-Seeded to etree by Charlie Miller with 'simple bass lift'; See info file for details    Source Detail    Source Detail  

 02/14/86 

Oakland  CA   Henry J. Kaiser Convention Center    Primary Source:Recording Info: FOB(DFC)>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's); Secondary Source: SBD>PCM>Dat>Samplitude>Cool Edit Pro>CD (shn id 11625); The secondary source covers patches in the last 17 seconds of dt05(drums); the first 4:13 of d2t06 (space), and the first 6 seconds of d2t10 (Brokedown Palace: Recorded, Transferred, Patched and Tracked by Charlie Connor     Source Detail    Source Detail  

 03/19/86 

Hampton  VA   Hampton Coliseum    flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 03/20/86 

Hampton  VA   Hampton Coliseum    Updated Source info: Unknown Audience Recording (Had been marked: Matrix SBD>MC>C>CD) Some minor digi-noise noted; See txt for details; via Jim Skinner; Seeded to etree by Willy    Source Detail    Source Detail  

 03/21/86 

Hampton  VA   Hampton Coliseum    flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 03/23/86 

Philadelphia  PA   The Spectrum    flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 03/24/86 

Philadelphia  PA   The Spectrum    flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 03/24/86 

Philadelphia  PA   The Spectrum    flac16; 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]    Source Detail    Source Detail  

 03/25/86 

Philadelphia  PA   The Spectrum    AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor; flip in Don't Ease, no other flaws noted; d2 tracked for 80 min     Source Detail    Source Detail  

 03/25/86 

Philadelphia  PA   The Spectrum    flac16; MAC; (FOB) Sennheiser 441 > Sony D5 > Maxell XLII-S 90(Set I) Maxell MA-R 90(Set II); Taped by Mark McCue; Transferred, Edited and Mastered by Alex Ford    Source Detail    Source Detail  

 03/27/86 

Portland  ME   Cumberland County Civic Center    SBD> Cassette Master> Reel> Dat> ?> Dat> CD -> EAC> SHN; plus AUD patch from (FOB) Neumann U87> Cassette Master> CD, using Samplitude v7.02 Professional; SHN Conversion and Patch By Charlie Miller; Upgrade in circulation    Source Detail    Source Detail  

 03/27/86 

Portland  ME   Cumberland County Civic Center    flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 03/28/86 

Portland  ME   Cumberland County Civic Center    flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 03/30/86 

Providence  RI   Providence Civic Center    flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 03/31/86 

Providence  RI   Providence Civic Center    flac16; taper : Joe D'Amico nak 300 mics w/cp4 shot guns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 04/01/86 

Providence  RI   Providence Civic Center    Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info: Nakamichi 300/CP4 -> Master Cassette (Sony D5) -> CD via Charlie Miller    Source Detail    Source Detail  

 04/03/86 

Hartford  CT   Hartford Civic Center    flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend     Source Detail    Source Detail  

 04/12/86 

Irvine  CA   Irvine Meadows    flac16; (FOB) Sennheiser 441s > Sony D5 > MAC > 1st Gen Cassettes. Tapers: Adam & Justin. 1st Gen Cassettes provided by Mark McCue. Transfer, edits, conversion & seeding by Alex Ford May 2007.     Source Detail    Source Detail  

 04/13/86 

Irvine  CA   Irvine Meadows    flac16; SBD -> Cassette Master -> Cassette -> Cassette; All Transfers and Mastering By Charlie Miller     Source Detail    Source Detail  

 04/19/86 

Berkeley  CA   Berkeley Community Theater    SBD> MC> DAT> CDR> WAV> SHN; DAE (EAC)> d/o repair (sound forge 5)> tracking (cdwav> boundary check (shntool)> SHN (mkwact)> FTP via neo_levo    Source Detail    Source Detail  

 05/10/86 

Palo Alto  CA   Frost Amphitheatre    flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 05/11/86 

Palo Alto  CA   Frost Amphitheatre    flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 06/20/86 

Berkeley  CA   Greek Theatre, University Of California    flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 06/20/86 

Berkeley  CA   Greek Theatre, University Of California    flac16; A combination of microphones and select console feeds. TDK MA-R 90 master metal cassette [typeIV] [no dolby] > Nak DR-1 [no dolby] >Lynx2 Studio Reference Interface > Wavelab 6.01 at 24 BIT 88.2 kH Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz Tracked in Wavelab Flac Level 8 with TLH SBE Free; A Master Cassette recording by Owsley Stanley, seeded on his 75th birthday    Source Detail    Source Detail  

 06/21/86 

Berkeley  CA   Greek Theatre, University Of California    flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16    Source Detail    Source Detail  

 06/22/86 

Berkeley  CA   Greek Theatre, University Of California    Primary Source: Recording Info: FOB(DFC)>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Secondary Source: Neumann kmi-84->neumann bs48i-2>pcmf1,(at sbd)PCM->DAT shn id 7281 The secondary source covers patches in the last 26 seconds of d2t05(drums); the first 12 seconds of d3to1 (space) Recorded, digitally mastered and patched by Charlie Connor    Source Detail    Source Detail  

 06/22/86 

Berkeley  CA   Greek Theatre, University Of California    flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 06/28/86 

East Troy  WI   Alpine Valley Music Theatre    flac16; Source: FOB(21st Row)>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's);Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16: Taped by Jim Vita; Transferred by Charlie Connor    Source Detail    Source Detail  

 06/29/86 

East Troy  WI   Alpine Valley Music Theatre    flac16; Source: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's) Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped and transferred by Charlie Connor    Source Detail    Source Detail  

 06/30/86 

Cincinnati  OH   Riverbend Music Center    flac16; Source: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped and transferred by Charlie Connor    Source Detail    Source Detail  

 07/02/86 

Akron  OH   Rubber Bowl, University of Akron    flac24/96; Source: Audience FOB Recording, Media: Denon HD8 90 min High Bias Tape Lineage: AKG C460b preís with Ck61uls capsules > Uher CR260AV > MAC Transfer: Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak > WAV Taped by: D. Thompson Transfer by: A. Egert Mastering by: M. Hughey    Source Detail    Source Detail  

 07/02/86 

Akron  OH   Rubber Bowl, University of Akron    flac16; Source: Audience FOB Recording, Media: Denon HD8 90 min High Bias Tape Lineage: AKG C460b preís with Ck61uls capsules > Uher CR260AV > MAC Transfer: Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak > WAV Taped by: D. Thompson Transfer by: A. Egert Mastering by: M. Hughey    Source Detail    Source Detail  

 07/04/86 

Buffalo  NY   Rich Stadium    FOB-AUD>MC>DAT>CDR; Senn 421?s>Sony TC-D5; via Uncle Sam; seeded by eD    Source Detail    Source Detail  

 12/15/86 

Oakland  CA   Oakland-Alameda County Coliseum    flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/15/86 

Oakland  CA   Oakland-Alameda County Coliseum    flac16; taper : Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 12/16/86 

Oakland  CA   Oakland-Alameda County Coliseum    flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/16/86 

Oakland  CA   Oakland-Alameda County Coliseum    flac16; taper : Joe D'Amico nak 300 mics > sony d-5 infront of the soundboard    Source Detail    Source Detail  

 12/17/86 

Oakland  CA   Oakland-Alameda County Coliseum    flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/17/86 

Oakland  CA   Oakland-Alameda County Coliseum    flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 12/27/86 

Oakland  CA   Henry J. Kaiser Convention Center    flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/27/86 

Oakland  CA   Henry J. Kaiser Convention Center    flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC    Source Detail    Source Detail  

 12/27/86 

Oakland  CA   Henry J. Kaiser Convention Center    flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 12/27/86 

Oakland  CA   Henry J. Kaiser Convention Center    flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/28/86 

Oakland  CA   Henry J. Kaiser Convention Center    Ultramatrix (SBD/AUD mix)> Master cassette> DAT> CD> SHN; via Charlie Miller; Seeded to etree by Peter Braverman    Source Detail    Source Detail  

 12/28/86 

Oakland  CA   Henry J. Kaiser Convention Center    flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend     Source Detail    Source Detail  

 12/30/86 

Oakland  CA   Henry J. Kaiser Convention Center    SBD> Cm> DAT> CD> EAC> CDWAV editing > SHN (seekable); via Steve Barbella    Source Detail    Source Detail  

 12/30/86 

Oakland  CA   Henry J. Kaiser Convention Center    flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC    Source Detail    Source Detail  

 12/30/86 

Oakland  CA   Henry J. Kaiser Convention Center    flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend    Source Detail    Source Detail  

 12/31/86 

Oakland  CA   Henry J. Kaiser Convention Center    flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/31/86 

Oakland  CA   Henry J. Kaiser Convention Center    flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/31/86 

Oakland  CA   Henry J. Kaiser Convention Center    flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC    Source Detail    Source Detail  

 01/28/87 

San Francisco  CA   San Francisco Civic Auditorium    flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 01/29/87 

San Francisco  CA   San Francisco Civic Auditorium    flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 01/30/87 

San Francisco  CA   San Francisco Civic Auditorium    flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 03/01/87 

Oakland  CA   Henry J. Kaiser Convention Center    flac16; Recording Info: SBD -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 03/22/87 

Hampton  VA   Hampton Coliseum    FOB Schoeps CMC441 > Oade P.S. > Sony PCMF1; Sony PCMF1> DAT by Sean Weber-Small; Tranfer: DAT (master, direct copy from PCM @ 44.1) Sony DTC-A6 > DIO 2448 > CDWAV > SHN by Bill Gardner; QC by dankseeds    Source Detail    Source Detail  

 03/23/87 

Hampton  VA   Hampton Coliseum    FOB Schoeps CMC44 > Oade P.S. > Sony PCMF1; Sony PCMF1> DAT by Sean Weber-Small; CD Transfer: DAT (master, direct copy from PCM @ 44.1) Sony DTC-A6 > DIO 2448 > CDWAV > SHN by Bill Gardner; QC by dankseeds    Source Detail    Source Detail  

 03/23/87 

Hampton  VA   Hampton Coliseum    flac16; taper : Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 03/24/87 

Hampton  VA   Hampton Coliseum    FOB Schoeps CMC44 > Oade P.S. > Sony PCMF1 Sony PCMF1> DAT; via Sean Weber-Small, Bill Gardner; Shntool fix by Darrin Sacks    Source Detail    Source Detail  

 03/24/87 

Hampton  VA   Hampton Coliseum    flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1> creative extigy soundcard> cool edit pro> flac frontend    Source Detail    Source Detail  

 03/26/87 

Hartford  CT   Hartford Civic Center    Set I info Source: SBD Lineage: Master Cassette > DAT > CD > SHN; Set II info Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette > DAT > CD > SHN; via Douglas Tunstall, Nick Scarano and Jeff Hawkins; seeded to etree by Peter Braverman     Source Detail    Source Detail  

 03/26/87 

Hartford  CT   Hartford Civic Center    flac16; taper : Joe D'Amico nak300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 03/27/87 

Hartford  CT   Hartford Civic Center    flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend    Source Detail    Source Detail  

 03/29/87 

Philadelphia  PA   The Spectrum    flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm-1 > creative extigy soundcard > cool edit pro > flac frontend     Source Detail    Source Detail  

 03/30/87 

Philadelphia  PA   The Spectrum    flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 03/31/87 

Philadelphia  PA   The Spectrum    flac16; taper: Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 04/02/87 

Worcester  MA   The Centrum    flac16; nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend     Source Detail    Source Detail  

 04/03/87 

Worcester  MA   The Centrum    flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend     Source Detail    Source Detail  

 04/04/87 

Worcester  MA   The Centrum    flac16; FOB>AKG 414's>D5>MC>CDr>EAC>WAV>FLAC; Recorded By: Jeff Stevenson     Source Detail    Source Detail  

 04/04/87 

Worcester  MA   The Centrum    flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 04/06/87 

East Rutherford  NJ   Meadowlands Arena    flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 04/07/87 

East Rutherford  NJ   Meadowlands Arena    flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 04/19/87 

Irvine  CA   Irvine Meadows    flac16; Audience Recording Master Audience Cassette; 2 x Sennheiser 441>Sony D5>D5>D5>Maxell MA-R 90 Taped by John Corso. Set I transfer and EAC by Johnny Kelly. Set II cassette transfer by Alex Ford. Edited and Mastered by Alex Ford. All audio from the collection of Mark McCue.    Source Detail    Source Detail  

 05/02/87 

Palo Alto  CA   Frost Amphitheatre    SBD > MC > DAT > EAC > SHN; EAC/SHN by Darryl Hinko    Source Detail    Source Detail  

 05/03/87 

Palo Alto  CA   Frost Amphitheatre    DSBD/DAUD MIX: 65% DSBD PRE-FM SBD --> PCM --> DAT --> CDR, 35% FOB Schoeps CMC32S --> Grace P.S. --> Sony PCM601 ES --> DAT --> CDR; mixed by Sean Weber, converted to shn by Bill Gardner; note drums and space spread across multiple tracks; see pub comments for additional/updated source notes    Source Detail    Source Detail  

 05/10/87 

Monterey  CA   Laguna Seca Recreation Area    DSBD> PCM> DAT> zefiro2> soundforge> CDR> EAC> SHN; via Karl Schneiderman, John Zei    Source Detail    Source Detail  

 06/13/87 

Ventura  CA   Ventura County Fairgrounds    flac16; Source: Audience FOB Recording, Center Media: AKY Recording Supply Custom Wound BASF 100% CrO2 90 min. Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Mastering: Wavelab 6.0 Ozone EQ, BBE and L2 for Dither; Resampled using Crystal Sample Rate Converter. Taped by: D. Thompson Transfer by: A. Egert Mastering by: J. Waddell    Source Detail    Source Detail  

 06/14/87 

Ventura  CA   Ventura County Fairgrounds    flac16; Source: Audience FOB Recording, DFC Media: TDK SA-X Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > AES > Sound Devices 722 > WAV Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: D. Thompson Transfer by: A. Egert Mastering by: B. Koucky    Source Detail    Source Detail  

 06/27/87 

East Troy  WI   Alpine Valley Music Theatre    flac16; taper : Joe D'Amico nak 300 mics > sony d-5 front of board nak dragon tape deck > sony sbm1 > creative extigy sooundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 06/28/87 

East Troy  WI   Alpine Valley Music Theatre    flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend    Source Detail    Source Detail  

 07/04/87 

Foxboro  MA   Sullivan Stadium    FOB> aud> senn me80> cassette master> cdr; This apprears to be shn id 3858 with undocumented changes to d3t01 and d3t03 via archive.org    Source Detail    Source Detail  

 07/06/87 

Pittsburgh  PA   Civic Arena    unknown AUD> ?> CDR> EAC> cdwav> shn; via Tony Gardner with thanks to Willy Keats    Source Detail    Source Detail  

 07/07/87 

Roanoke  VA   Roanoke Civic Center    Schoeps > PCM > DAT > CD > EAC > SHN; [no info file?]; via Steve Wigley, Randy to offers    Source Detail    Source Detail  

 07/08/87 

Roanoke  VA   Roanoke Civic Center    FOB Schoeps > PCM > DAT @ 44.1 khz; DAT > CD Conversion: Don Becker; Equipment: PCM-M1 > Oade Active Cable > Sek'd Prodif Plus > Samplitude v5.5 > CDWAV    Source Detail    Source Detail  

 07/10/87 

Philadelphia  PA   John F Kennedy Stadium    FOB> aud> senn me80> cassette master> cdr; conversion by Mike Lai from Bruce Fried DAT    Source Detail    Source Detail  

 07/12/87 

East Rutherford  NJ   Giants Stadium    flac16; Recording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 08/16/87 

Telluride  CO   Town Park    flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 08/22/87 

Angels Camp  CA   Calaveras County Fairgrounds    updated source: SBD> Master PCM> DAT> CDR> EAC> first shn by Tony Gardner> misc flaw fixes by Steve Barbella (see info file)> reshn (nonseeking)    Source Detail    Source Detail  

 08/23/87 

Angels Camp  CA   Calaveras County Fairgrounds    SBD> MC> DAT> CDR> EAC> shn; via Tony Gardner; includes filler from 9/9/87 (see pub comments)    Source Detail    Source Detail  

 08/23/87 

Angels Camp  CA   Calaveras County Fairgrounds              

 08/23/87 

Angels Camp  CA   Calaveras County Fairgrounds    flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXLIIs Analog Lineage: 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Danny Thompson Transfer By: Adam Egert Mastering By: Derek McCabe    Source Detail    Source Detail  

 09/07/87 

Providence  RI   Providence Civic Center    flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 09/08/87 

Providence  RI   Providence Civic Center    flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 09/09/87 

Providence  RI   Providence Civic Center    Nak 300's > Sony D5 Casette Master > Sound Forge (wav) > Shorten; via valis_under    Source Detail    Source Detail  

 09/09/87 

Providence  RI   Providence Civic Center    flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 09/12/87 

Landover  MD   Capital Centre    Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner.     Source Detail    Source Detail  

 09/15/87 

New York  NY   Madison Square Garden    flac16; Recording Info: SBD -> Cassette Master (Sony D6/TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe -> Samplitude v7.02 Professional -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 09/15/87 

New York  NY   Madison Square Garden    flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro> flac frontend    Source Detail    Source Detail  

 09/16/87 

New York  NY   Madison Square Garden    flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend    Source Detail    Source Detail  

 09/18/87 

New York  NY   Madison Square Garden    flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend    Source Detail    Source Detail  

 09/18/87 

New York  NY   Madison Square Garden    flac16; matrix of DSBD: shnid=19002 and AUD: shnid=82359 by hansokolow using ProTools    Source Detail    Source Detail  

 09/19/87 

New York  NY   Madison Square Garden    flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 09/20/87 

New York  NY   Madison Square Garden    flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro> flac frontend    Source Detail    Source Detail  

 09/22/87 

Philadelphia  PA   The Spectrum    flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend    Source Detail    Source Detail  

 09/23/87 

Philadelphia  PA   The Spectrum    flac16; Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner.    Source Detail    Source Detail  

 09/23/87 

Philadelphia  PA   The Spectrum    flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 09/24/87 

Philadelphia  PA   The Spectrum    flac16; taper ; Joe D'Amico nak 300 mics > sony d-5 infront of the soundboard     Source Detail    Source Detail  

 11/15/87 

Long Beach  CA   Long Beach Arena    SBD > MC > Sonic Solutions > Pre-FM Dat @44.1; Transfer: DA-P1 > Delta Audiophile 2496 > Sound Forge 5 > CDWave > mkwACT, by Doug Nawrocki    Source Detail    Source Detail  

 12/27/87 

Oakland  CA   Oakland-Alameda County Coliseum    flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/28/87 

Oakland  CA   Oakland-Alameda County Coliseum    flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/30/87 

Oakland  CA   Oakland-Alameda County Coliseum    flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/31/87 

Oakland  CA   Oakland-Alameda County Coliseum    Schoeps FOB> PCM> DAT> CD> CD> WAV> SHN; via Curtis Ewing, with thanks to Michelle Duffy    Source Detail    Source Detail  

 12/31/87 

Oakland  CA   Oakland-Alameda County Coliseum    flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 02/13/88 

Oakland  CA   Henry J. Kaiser Convention Center    flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation    Source Detail    Source Detail  

 02/14/88 

Oakland  CA   Henry J. Kaiser Convention Center    flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 02/17/88 

Oakland  CA   Henry J. Kaiser Convention Center    SBD > MC > DAT > CD >EAC > SHN; EAC/SHN by Darryl Hinko    Source Detail    Source Detail  

 03/18/88 

Oakland  CA   Henry J. Kaiser Convention Center    Soundboard->DAT Master->DAT. DAT->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano     Source Detail    Source Detail  

 03/27/88 

Hampton  VA   Hampton Coliseum    Updated Source info: In-House FM > Ultramatrix (SBD/AUD mix). Lineage: DAT (Panasonic 3800)> CD (HHBCDR800)> EAC> SHN via Peter Braverman    Source Detail    Source Detail  

 03/27/88 

Hampton  VA   Hampton Coliseum    flac16; Source: FOB > Schoeps Cmc3 + omni #3 > Dat @ 44.1k Transfer: Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 5.0 > Cd Wave > FLAC    Source Detail    Source Detail  

 03/31/88 

East Rutherford  NJ   Meadowlands Arena    Recording Info: Taper's Section 110 row 9, seat 9> Beyer Dynamic M88's> Sony TCD5M (CM - 1 st set Maxell MX90;2nd set Sony Metal ES90) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Recorded and digitally transferred by Charlie Connor     Source Detail    Source Detail  

 04/05/88 

Hartford  CT   Hartford Civic Center    AUD>PCM>CD (Possible Matrix, Healy-FM or one damn good audience recording!); via Ankh-af-na-khonsu; Seeded to etree by PainoMan    Source Detail    Source Detail  

 04/11/88 

Detroit  MI   Joe Louis Arena    reEAC, reshn of previous shn set (see info), via Jim Bennett; SBD > In house FM broadcast > MC > CDR > EAC > CDWave > MKWAct > CDR (> EAC > CDWave > MKWAct)    Source Detail    Source Detail  

 04/23/88 

Irvine  CA   Irvine Meadows    FOB-AUD> PCM> DAT> CDR> EAC> WAVE LAB> CD WAVE> MKW> SHN (Seekable); Converted and seeded to etree by Steven Leeds, with thanks to Paul B.    Source Detail    Source Detail  

 04/24/88 

Irvine  CA   Irvine Meadows    FOB-AUD> PCM> DAT> CDR; EAC> WAVE LAB> CD WAVE> MKW> SHN (Seekable); Converted and seeded to etree by Steven Leeds, with thanks to Paul B.    Source Detail    Source Detail  

 04/30/88 

Palo Alto  CA   Frost Amphitheatre    Healy Ultramatrix; via lemon2 with thanks to childo    Source Detail    Source Detail  

 06/19/88 

East Troy  WI   Alpine Valley Music Theatre    Source: AUD(Senn 441's)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN. Taper: Craig Camus. CDR source via Todd Norman. SHN encoding/FTP transmission via Chris Ladner/candyman FTP.    Source Detail    Source Detail  

 06/20/88 

East Troy  WI   Alpine Valley Music Theatre    Source: AUD(Senn 441's)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN. Taper: Craig Camus. CDR source via Todd Norman. SHN encoding/FTP transmission via Chris Ladner/candyman FTP.    Source Detail    Source Detail  

 06/22/88 

East Troy  WI   Alpine Valley Music Theatre    AUD(Senn 441's, Row 16, DFC)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN taped by Craig Camus via Todd Norman encoded by Chris Ladner    Source Detail    Source Detail  

 06/23/88 

East Troy  WI   Alpine Valley Music Theatre    AUD(Senn 441's, Row 16, DFC)>CM (Marantz PMD430)>DAT>CDR>WAV>SHN. Recorded and transferred (CM > DAT > CDR) by Craig Camus. Encoding/edits by Chris Ladner.     Source Detail    Source Detail  

 06/30/88 

Rochester  NY   Silver Stadium    FOB split Schoeps CMC5/mk21's > PCM > DAT; Conversion: DAT->Montego II->HD via Soundforge->CDWav->MKW .shn; via A. Gustin    Source Detail    Source Detail  

 06/30/88 

Rochester  NY   Silver Stadium    Set 2 SBD > DAT [vault] > DAT [vault clone] > CDR. Discs kindly provided by Zeb Weber via David Gans. cd > eac > shnv3 by Ernie Dodd. [Note: This is a more complete and uncensored version of this source (/shninfo_detail.php?shnid=6670).]    Source Detail    Source Detail  

 07/02/88 

Oxford  ME   Oxford Plains Speedway    flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD)    Source Detail    Source Detail  

 07/02/88 

Oxford  ME   Oxford Plains Speedway    DTS Audio 5.1; DTS-Audio-CD 5.1 Mix, see info file for details    Source Detail    Source Detail  

 07/03/88 

Oxford  ME   Oxford Plains Speedway    flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD)    Source Detail    Source Detail  

 07/03/88 

Oxford  ME   Oxford Plains Speedway    DTS Audio 5.1; DTS-Audio-CD 5.1 Mix, see info file for details    Source Detail    Source Detail  

 07/15/88 

Berkeley  CA   Greek Theatre, U. Of California    2nd Row Behind Healy (see notes): Schoeps CMC42S (Spaced Omni 14' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters; Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC> Shn via MKW .97 by Bill Gardner    Source Detail    Source Detail  

 07/17/88 

Berkeley  CA   Greek Theatre, U. Of California    2nd Row Behind Healy (see notes). Schoeps CMC42S (Spaced Omni 10' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters. Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC> Shn via MKW .97 by Bill Gardner    Source Detail    Source Detail  

 07/29/88 

Monterey  CA   Laguna Seca Recreation Area    Soundboard (was originally labeled as Aud CM-> DAT-> CDR-> EAC w/correct offsets using Secure Mode w/C2 (Plextor UW)-> SHN (MKW)); encore is different AUD source; see notes in info file; via Andy Hayum with thanks to Ken Doughty, Karen Lutz Benbrook     Source Detail    Source Detail  

 07/30/88 

Monterey  CA   Laguna Seca Recreation Area    Recording Info:(FOB/Split 10 to 20 Feet)Nakamichi CM700/CP701 -> dbx type II encoder -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi Cassette Deck 1) -> dbx 224x -> Mytek 8X96ADC -> Nuendo (24bit) -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN); Process Info: Very slight eq with waves Q10 and rendered to a 16 bit file with waves L2; Editing Info: Normalized and Tracked with Samplitude v7.02 Professional; Recorded and Transfered BY Bill Reutelhuber; Edited By Charlie Miller 12/15/03    Source Detail    Source Detail  

 08/28/88 

Eugene  OR   Autzen Stadium, University Of Oregon    flac16; Source: Healy SBD Ultramix Patch > Sony D5 > MSC(TDK MA-XG90 Type IV Cassettes). Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. Transfer and encoding by C. Ladner.    Source Detail    Source Detail  

 09/03/88 

Landover  MD   Capital Centre    flac16; Vault dat SBD via Charlie Miller    Source Detail    Source Detail  

 09/06/88 

Landover  MD   Capital Centre    AUD>PCM>DAT>CDR (Schoeps CMC-34?s); via Paul Raoul; Seeded to etree by Brad Ingle    Source Detail    Source Detail  

 09/14/88 

New York  NY   Madison Square Garden    flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 09/15/88 

New York  NY   Madison Square Garden    SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min    Source Detail    Source Detail  

 09/15/88 

New York  NY   Madison Square Garden    flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 09/16/88 

New York  NY   Madison Square Garden    Jay Ashley (Bertha) Remaster of the Jim Wise release. SBD>>MC>>DAT>>(*)>>CDA>>DAW(Bertha)>>CDA - Sound A    Source Detail    Source Detail  

 09/16/88 

New York  NY   Madison Square Garden    flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 09/16/88 

New York  NY   Madison Square Garden    flac16; MAC; (FOB) MAC; (FOB) Sennheiser 421s > Sony D5 > 2 x Maxell XLII-S 90 Transfer: MAC> Nakamichi Dragon> Kind Kables RCA/XLR> Lunatec V3(@24/88.2)> coax> Audiophile 2496> WaveLab 6.10> .wav @ 24/88.2> Waves L3 UltraMaximizer> CD Wave Editor> Trader's Little Helper> flac16. Editing and Mastering in WaveLab 6.10 with UAD in 24/88.2. Flac files tagged. Taped by Mark McCue and Lucien Zaleski. Transferred, Edited and Mastered by Alex Ford.    Source Detail    Source Detail  

 09/18/88 

New York  NY   Madison Square Garden    flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend    Source Detail    Source Detail  

 09/19/88 

New York  NY   Madison Square Garden    flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 09/19/88 

New York  NY   Madison Square Garden    flac16; MAC; (FOB) Sennheiser 421s > Sony D5 > 2 x Maxell XLII-S 90. Transfer: MAC> Nakamichi Dragon> Kind Kables RCA/XLR> Lunatec V3(@24/88.2)> coax> Audiophile 2496>WaveLab 6.10> .wav @ 24/88.2> R8Brain> .wav @ 16/44.1> CD Wave Editor> TLH> flac16(level eight). Taped by Mark McCue and Lucien Zaleski. Transferred, Edited and Mastered by Alex Ford.    Source Detail    Source Detail  

 09/20/88 

New York  NY   Madison Square Garden    flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend    Source Detail    Source Detail  

 10/21/88 

Dallas  TX   Reunion Arena    Recording Info: SBD -> Dat; Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC); Transferred and Edited By Charlie Miller charliemiller87@earthlink.net     Source Detail    Source Detail  

 12/28/88 

Oakland  CA   Oakland-Alameda County Coliseum    Healy Mix (SBD+AKG C 424b mic)> PCM> DAT> EventGina> WAV> CD> EAC> SHN; to abgd as well as etree?    Source Detail    Source Detail  

 12/31/88 

Oakland  CA   Oakland-Alameda County Coliseum    Healy Mix (SBD+AKG C 424b mic)> PCM> DAT> DALCardDeluxe> WAV> CD> EAC> SHN; via Stagger? to abgd, thence to etree; some balloon pops edited down or out    Source Detail    Source Detail  

 02/05/89 

Oakland  CA   Henry J Kaiser Convention Center    Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette> ?> DAT> CD> SHN. Thanks to Johnny Venus for the disks. Normalized and seeded by Peter Braverman     Source Detail    Source Detail  

 02/05/89 

Oakland  CA   Henry J Kaiser Convention Center    Mark Horvath FOB Senn. 421?s> Sony TC-D5> MC> CDR; Seeded to etree by Tim W    Source Detail    Source Detail  

 02/06/89 

Oakland  CA   Henry J Kaiser Convention Center    Mark Horvath FOB Senn. 421?s> Sony TC-D5> MC> CDR; Seeded to Etree by Tim W    Source Detail    Source Detail  

 02/10/89 

Inglewood  CA   Great Western LA Forum    flac24/96; Senn MKE2002 omni\'s HRTF -> Sony TC-D5M @ 6\' 5\" FOB/DFC to 24/96 digital: Sony TC-D5M master deck and master, no n.r. -> Tascam DVRA1000 DSD recorder in high res PCM mode of 24bit/96khz to flac: DVRA1000 Project Disc 23/96 files imported via Mac Tiger 10.4. Flac compression by xACT to 7/8 compression    Source Detail    Source Detail  

 02/11/89 

Inglewood  CA   Great Western LA Forum    flac24/96; Set one: Sennheiser MKE2002 HRTF headband -> Sony TC-D5M @ 6'5" by Mike French Set two: ~ Schoeps cmc?? cards (caps on bodies, cardioids) ORTF @ 6'4" covered by the Mike Stand (MF) at eye level ~ Oade pre (m118 ?) -> Sony PCM processor->beta, line out (Sean Weber Small rig) -> Sony TC-D5M master by Mike French Transfer to 24/96: Sony TC-D5M master deck w/ master, no n.r. -> Tascam DVRA1000 DSD recorder in high-res pcm mode, 24/96 by Mike French then to flac: DVRA1000 Project Disc 24/96 imported to Mac OS-X Tiger, conversion by xACT    Source Detail    Source Detail  

 02/12/89 

Inglewood  CA   Great Western LA Forum    flac24; Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion.    Source Detail    Source Detail  

 03/27/89 

Atlanta  GA   The Omni    AUD(Schoeps CMC-441's)>DAT>CDR; Seeded to etree by Tim W    Source Detail    Source Detail  

 03/28/89 

Atlanta  GA   The Omni    AUD>DAT>CDR; Seeded to etree by Tim W    Source Detail    Source Detail  

 03/30/89 

Greensboro  NC   Greensboro Coliseum    Mark Horvath FOB Senn. 421?s>Sony TC-D5>MC>CDR; via Paul "Raoul" B; Seeded to etree by Brad Ingle     Source Detail    Source Detail  

 03/31/89 

Greensboro  NC   Greensboro Coliseum    schoeps cmc?/mk21> DAT fob; via Childo and unIDed seeder; note offbeat track breaks; includes unIDed filler    Source Detail    Source Detail  

 04/02/89 

Pittsburgh  PA   Civic Arena    Matrix>DAT>CDR>EAC>SHN>WAV>CE2K>SHNTOOL>MKWACT. Editing/Seeding: MattMan     Source Detail    Source Detail  

 04/02/89 

Pittsburgh  PA   Civic Arena    AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Note this is the original shn seed for shn id9206 This source was made from my master cassettes and doesn't have the digital flaws noted on d2t01 (bad EAC) of shn id 9206. Digital Mastering by Charlie Connor Seeded to abgd 3/29/01; seeded to etree bt 6/21/05    Source Detail    Source Detail  

 04/03/89 

Pittsburgh  PA   Civic Arena    SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell    Source Detail    Source Detail  

 04/03/89 

Pittsburgh  PA   Civic Arena              

 04/05/89 

Ann Arbor  MI   Crisler Arena    Healy Ultra Mix - sbd+aud> cm> dat> cd; via Aaron Kowalski to loop    Source Detail    Source Detail  

 04/08/89 

Cincinnati  OH   Riverfront Arena    Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor    Source Detail    Source Detail  

 04/09/89 

Louisville  KY   Freedom Hall    Digital Audience - Jill & Rob R 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern.     Source Detail    Source Detail  

 04/15/89 

Milwaukee  WI   The Mecca    Matrix DSBD (Panasonic 3800)> CD (HHB CDR800)> EAC> SHN; Known Flaws - 1 sec. d/o @1:52 & 5 sec. d/o @2:46-2:51 during Space (d2t6) - some clipping on the left channel due to drums and bass being too high in the SBD mix. The master has this flaw as well;  via A. Jerugim    Source Detail    Source Detail  

 04/15/89 

Milwaukee  WI   The Mecca    flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 04/29/89 

Irvine  CA   Irvine Meadows              

 05/06/89 

Palo Alto  CA   Frost Amphitheatre    DSBD, with some editing (see notes in info file); via Jay Serafin to gdlive    Source Detail    Source Detail  

 05/07/89 

Palo Alto  CA   Frost Amphitheatre    SBD > DAT> DALCard Deluxe> WAV> CD> SHN; CD Mastering by Michael Owen: DAT at 48kHz-Wave file resampled to 44.1 with Audio Magic Ring Software, File normalized (low levels) with DC-Art Millennium (Peak Normalization), Seven assorted pops and gliches corrected; From DooDah Tree #43, later to cdead; to etree via Tony Gardner    Source Detail    Source Detail  

 07/02/89 

Foxboro  MA   Sullivan Stadium    flac16; FOB Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC    Source Detail    Source Detail  

 07/02/89 

Foxboro  MA   Sullivan Stadium    flac16; Source: Audience FOB Recording Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette Lineage: FOB AKG C460b pre's with ck61uls heads > Uher 240 > Nak DR-1 >Apogee 200 Rosetta >Firewire >Apple G5 >Bias Peak(24/96WAV) > Wavelab 5 > Waves L3 Multimaximizer (threshold -3.0 dB/ceiling -0.1 dB) > rendered to 16 bit/44.1 KHz WAV using UV22-HR>CDWAV 1.9 >FLAC(level 8) Taper: Danny Thomson Transfer: Derek McCabe Mastering: Chris Ladner    Source Detail    Source Detail  

 07/02/89 

Foxboro  MA   Sullivan Stadium    flac24/96; Taper: Danny Thomson Source: FOB Nak700's > Uher 240 > Master Cassette Maxell XLII 90min. Transfer: Playback on Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak (24 bit/96 KHz WAV) by D.McCabe. Mastering: Wavelab 5 > Waves L3 Multimaximizer (threshold -2.3 dB/ceiling -0.1 dB) > CDWAV 1.9 > FLAC (level 8), by C.Ladner.    Source Detail    Source Detail  

 07/07/89 

Philadelphia  PA   John F. Kennedy Stadium    flac16; Source: 1st Gen; (FOB) 2 x Sennheiser 421's > Sony D5 > Sony D5 > 2 x Maxell UDXL I C90 Location: FOB, 30 feet from the stage, slightly ROC, mics were run above head level (7 - 8 feet high). Taper: Lucien Zaleski Transfer: Nakamichi Dragon > Kind Cables RCA/XLR > Lunatec V3 (@ 26/96) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96 > Waves L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC16. Transferred and mastered by Alex Ford January 2008.    Source Detail    Source Detail  

 07/09/89 

East Rutherford  NJ   Giants Stadium    AUD (FOB/ AKG414TL)>> ???>> SHN>> Dual DAW (Bertha)>> CDA; remastering by Jay Ashley (apparently of a previously shned source); to CDead    Source Detail    Source Detail  

 07/12/89 

Washington  DC   Robert F. Kennedy Stadium    FOB Schoeps CMC34 > DAT @ 44.1 KHZ; Transfer: DAT Clone > DIO 2448 > CD WAV > SHN, by Bill Gardner    Source Detail    Source Detail  

 07/15/89 

Noblesville  IN   Deer Creek Music Center    flac16; Source: Nak300 (4 mic mix; 2 shotgun, 2 cardioid) > Tandy 4 channel mixer > Sony TC-D5M (pass thru) > Yamaha MT1X (dbx type II encode, Maxell XL-IIS) Recorded by Eddie Wahba and Pat Volkerding Transfer: Yamaha MT120S (dbx type II decode) > Tascam DA-20 (A>D conversion) > coax/optical converter > Creative Nomad Jukebox 3 > Firewire > Amarok > CDWAV > FLAC    Source Detail    Source Detail  

 07/18/89 

East Troy  WI   Alpine Valley Music Theatre    DSBD> DAT> CD; via Nick Georges; reported diginoise at the beginning of Touch and in a few other places, like just before Jack-A-Roe starts, and in Sugar Mag :22-:28; weirdness note: info file gives 7-5-7 tracking, md5s shown here have 9-5-7 tracking; further, listener B. de Vos reports d1t5 FOTD is not on info file, and neither is d1t9 TMNS- the latter was not even played at the show (must be filler)    Source Detail    Source Detail  

 07/18/89 

East Troy  WI   Alpine Valley Music Theatre    flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 24, 2008    Source Detail    Source Detail  

 08/04/89 

Sacramento  CA   Cal Expo    flac16; AUD Source: Nakamichi CM-300's with CP-1 (cardioid) capsules > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 6-feet high. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC    Source Detail    Source Detail  

 08/05/89 

Sacramento  CA   Cal Expo    FOB Schoeps MK2 (spread) > dat > cdr; Transfer: EAC (range extraction at 100%) > CDWAV > mkwACT; d2 tracked for 80 min; encore missing    Source Detail    Source Detail  

 08/05/89 

Sacramento  CA   Cal Expo    flac16; AUD Source: Neumann KM-150's > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 5-feet high. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC    Source Detail    Source Detail  

 08/06/89 

Sacramento  CA   Cal Expo    Set 1 Source: FOB Spaced 50 ft. Neumann km150's > MC > CDR > EAC > Sound Forge 4.5 > mkwACT Set 2 Source: FOB Spaced Nak 700's > MC > DAT Transfer: DA-P1 > Montego II (hardware resample 48 > 44.1) > Sound Forge 4.5 > mkwACT EAC/Transfer/Seed by Doug Nawrocki    Source Detail    Source Detail  

 08/06/89 

Sacramento  CA   Cal Expo    flac16; AUD Source: Neumann KM-150's > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 5-feet high. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC    Source Detail    Source Detail  

 08/18/89 

Berkeley  CA   The Greek Theatre - University of California    Healy Matrix Digital SBD > DAT > CDR > WAV > SHNv3; DAT > CDR transfer via D-10 > HHb800 by fishman; DAE by neo_levo: EAC (high, secure, offset corrected, with repeated extractions yielding matching wav md5's), tracked using CDWAVE (boundaries confirmed w/ shntool) > mkwact > SHNv3    Source Detail    Source Detail  

 08/19/89 

Berkeley  CA   The Greek Theatre - University Of California    SBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko    Source Detail    Source Detail  

 10/08/89 

Hampton  VA   Hampton Coliseum    FOB  Schoeps CMC34's -> Panasonic SV-250; Transfer: D8 -> Montego II digi I/O -> CDWAV by D. Nawrocki; seed via P. Delgado    Source Detail    Source Detail  

 10/09/89 

Hampton  VA   Hampton Coliseum    SBD + AUD Matrix Mix (60%-SBD/40%-AUD); SBD: PCM (analog out) > DAT x 4 > CDR; AUD FOB: Schoeps CMC641 > DAT; Mixed by dan@am-dig.com; related 5.1 mix also circulates    Source Detail    Source Detail  

 10/09/89 

Hampton  VA   Hampton Coliseum    DTS-Audio-CD 5.1 Mix; SBD: PCM (analog out) > DAT x 4 > CDR AUD; FOB: Schoeps CMC641 > DAT; mixed by dan@am-dig.com; related matrix also circulates    Source Detail    Source Detail  

 10/09/89 

Hampton  VA   Hampton Coliseum    flac16; SBD + AUD Matrix - 4 Source Mix (60%-SBD, 10%-AUD1, 20%-AUD2, 10%-AUD3)    Source Detail    Source Detail  

 10/16/89 

East Rutherford  NJ   Meadowlands Arena    source update: DSBD> DAT> WAV> CD-R; via Dave Barrick; 5/00- there may be another version around, possibly reextraction of this- at least 1 track matches the md5 shown here, another track doesn't; listener Jeff Davis reports errors: "some dropouts during the beginning of D1T1, and a dropout around 3:40 of "Space" on Disc 3"; see pub comments for tracking; Update: whole show now released as Nightfall of Diamonds- go buy it    Source Detail    Source Detail  

 10/18/89 

Philadelphia  PA   The Spectrum    Healy Ultramix > MC > DAT > CDR; Beginning of Shakedown, Drumz and Space patched with following source-Digital Audience - Jill & Rob R 3 Nak CM 300's; See info file for details; Seeded to etree by Doug Nawrocki    Source Detail    Source Detail  

 10/19/89 

Philadelphia  PA   The Spectrum    flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 10/19/89 

Philadelphia  PA   The Spectrum    flac16/48; Sennheiser ME-80's>Technics SV-MD1 from 2 rows in front of Soundboard DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades)>CDWAV>FLAC Recorded, transferred & Uploaded By Keith Litzenberger *48KHZ Version*    Source Detail    Source Detail  

 10/20/89 

Philadelphia  PA   The Spectrum    flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 10/22/89 

Charlotte  NC   Charlotte Coliseum    flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 10/23/89 

Charlotte  NC   Charlotte Coliseum    flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 12/08/89 

Inglewood  CA   Great Western LA Forum    flac24; Ambient recording master by Mike French / Tapers From Hell From the Impact Zone, fob/dfc (same spot as entire 02-89 run, and entire 12-89 run) Sennheiser MKE2002 omni's HRTF stealth stereo -> Sony TC-D5M to 24/96 pcm: Sony TC-D5M and cassette master, no n.r. -> Tascam DVRA1000 in pcm mode @24/96 to flac: Tascam DVRA1000 in usb 2.0 mode, master disc file import -> Mac G4 OS-X Tiger. Flac compression (6/8) by xACT by Scott Brown NOTE: this is not the "exact" .flac fileset seeded my Mike French, reencoded to flac level 8 added id3 tags by Bob Loy     Source Detail    Source Detail  

 12/09/89 

Inglewood  CA   Great Western LA Forum    flac24; Ambient master by Tapers From Hell: A Journey to the Impact Zone Analog Masters by Mike French "Moke" Sennheiser MKE2002 omni's HRTF (baffled omni's) -> Sony TC-D5M, FOB/DFC in the center of a giant quiet zone of tapers and friends. Mics at 6'5". I was also covering the fob mic tree for this entire 12/89 run. A Tapers From Hell gathering. to 24/96 digital: Sony TC-D5M master deck, master cassette, no n.r. -> Tascam DVRA1000 DSD recorder in pcm mode, 24/96 to flac: track marks originally applied via the DVRA1000 to the dvd+rw master. Then,.. master disc imported via Mac 10.4 Tiger, and flac compression by xACT by Scott Brown, level 6 NOTE: this is not the "exact" .flac fileset seeded my Mike French, it has added id3 tags by Bob Loy    Source Detail    Source Detail  

 12/10/89 

Inglewood  CA   Great Western LA Forum    flac24/96; Sennheiser MKE2002 omni's HRTF -> Sony TC-D5M. Mics at 6'5" Also covering an ortf pair of Neumann km84's -> Sony TC-D5M rig, on a stand. to 24/96 pcm: Sony TC-D5M master deck and master cassette, no n.r. -> Tascam DVRA1000 DSD recorder in pcm mode, 24/96 to flac: Tascam DVRA1000 in USB2.0 mode -> Mac OS-X Tiger import -> xACT by Scott Brown 6/8 level compression.    Source Detail    Source Detail  

 12/27/89 

Oakland  CA   Oakland-Alameda County Coliseum    FOB>Shoeps CMC3/mk-4 > DAT > CDR > WAV > SHNv3; Taper unknown @ this time.    Source Detail    Source Detail  

 12/30/89 

Oakland  CA   Oakland-Alameda County Coliseum    Tony G shntool fix of original Braverman seed; Ultramatrix (SBD/AUD mix); Lineage: DAT> CD> SHN    Source Detail    Source Detail  

 12/31/89 

Oakland  CA   Oakland-Alameda County Coliseum    SBD>>PreFM>>DAT>>CDA>>WAV(EAC)>> SHN>>DAW(Bertha)>>CDA/SHN    Source Detail    Source Detail  

 12/31/89 

Oakland  CA   Oakland-Alameda County Coliseum    flac16; Sennheiser ME-80's>Technics SV-MD1 (1st few row of OTS) DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades)>CDWAV>FLAC Transferred By Keith Litzenberger    Source Detail    Source Detail  

 02/25/90 

Oakland  CA   Oakland-Alameda County Coliseum    AUD(Schoeps CMC 44?s)>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley    Source Detail    Source Detail  

 03/14/90 

Landover  MD   Capital Centre    sbd>mc>dats>Soundforge 4.5>CD; via Tom E; Hosted by candyman.etree.org    Source Detail    Source Detail  

 03/14/90 

Landover  MD   Capital Centre    flac16; Matrix 2 Source Mix - SBD (shn id 8466) sbd> mc> dats> Soundforge 4.5>CD; via Tom E; + AUD (shn id 89689) MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Brokedown House -> Adobe Audition 3.0 - matrix mixing by Kevin Tobin     Source Detail    Source Detail  

 03/15/90 

Landover  MD   Capital Centre              

 03/15/90 

Landover  MD   Capital Centre    Nak 300's > Sony D-5 (w/dolby B)> Maxell MX cass, Taper's section recorded by Boyd McHugh; Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks, Transfer by Dave Hanscom; CDWav> EAC> shn by Bzl    Source Detail    Source Detail  

 03/15/90 

Landover  MD   Capital Centre    flac16; Recording Info:SBD -> Cassette Master (TDK SA90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 03/16/90 

Landover  MD   Capital Centre    flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.1.1 -> FLAC All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 03/18/90 

Hartford  CT   Hartford Civic Center    flac16; Sennheiser ME-80's>Technics SV-MD1 (1st row OTS) 1st set recorded on Maxell R-90 DAT, 2nd Set Maxell R-120 DAT DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Recorded & Transferred By Keith Litzenberger    Source Detail    Source Detail  

 03/19/90 

Hartford  CT   Hartford Civic Center    flac16; Sennheiser ME-80's>Technics SV-MD1 (2nd row Taper's Section) DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger    Source Detail    Source Detail  

 03/19/90 

Hartford  CT   Hartford Civic Center    flac16; Seamless fix of shn id 1526 - Pre-FM Soundboard Master Reel (at 15 inches per second) -> DAT -> CDRs -> EAC -> SHN -> WAV -> FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details    Source Detail    Source Detail  

 03/22/90 

Hamilton  ON   Copps Coliseum    DTS Audio 5.1; Mix of AUD Dave Brotman FOB > Schoeps CMC54 (ORTF) > Aerco PS > DAT & SBD > MC > DAT    Source Detail    Source Detail  

 03/24/90 

Albany  NY   Knickerbocker Arena    flac16/48; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger    Source Detail    Source Detail  

 03/25/90 

Albany  NY   Knickerbocker Arena    FOB Schoeps CMC4/MK21> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer Info: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Ted Mattes; Transferred By Charlie Miller; Fixed version now in circulation    Source Detail    Source Detail  

 03/25/90 

Albany  NY   Knickerbocker Arena    24 track SBD MR> Healy 2 track Mixdown> C> DAT> CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky    Source Detail    Source Detail  

 03/25/90 

Albany  NY   Knickerbocker Arena    flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab>CDWAV>FLAC Recorded By Keith Litzenberger    Source Detail    Source Detail  

 03/26/90 

Albany  NY   Knickerbocker Arena    flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger    Source Detail    Source Detail  

 03/26/90 

Albany  NY   Knickerbocker Arena    24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky; Note- portions of the show appear on Dozin' at the Knick- go buy it    Source Detail    Source Detail  

 03/28/90 

Uniondale  NY   Nassau Coliseum    flac16; SBD + AUD Matrix: SBD (ShnID = 87643) Recording Info: SBD > DAT > Cassette Master (TDK MA-R90) and AUD (ShnID = 28381) Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) > Oade Cap Coupled Supply > DAT (Panasonic SV250/48k) > DAT (Cloned From Master)    Source Detail    Source Detail  

 03/28/90 

Uniondale  NY   Nassau Coliseum    DTS-Audio-CD 5.1 Mix; SBD (ShnID = 87643) Recording Info: SBD > DAT > Cassette Master (TDK MA-R90) and AUD (ShnID = 28381) Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) > Oade Cap Coupled Supply > DAT (Panasonic SV250/48k) > DAT (Cloned From Master)    Source Detail    Source Detail  

 03/29/90 

Uniondale  NY   Nassau Coliseum    set 2; FOB> DAT> ?> CDR, mics and taper unknown; reportedly SBD-like; posted by Stephen Agan to abgd, later by Darrin Sacks to etree    Source Detail    Source Detail  

 03/29/90 

Uniondale  NY   Nassau Coliseum    flac16; Sennheiser ME-80's>Technics SV-MD1 DAT (OTS) 1st set recorded on Maxell R-90 DAT, 2nd Set Maxell R-120 DAT DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Recorded & Transferred By Keith Litzenberger    Source Detail    Source Detail  

 04/01/90 

Atlanta  GA   The Omni    FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro> RME46/8> SoundForge> CD> EAC> SHN    Source Detail    Source Detail  

 04/03/90 

Atlanta  GA   The Omni    Nak 300/CP4's > PMD 420 by Alan Wallace, tapers section; MC> DAT> CD-R; note first few seconds of Promised Land missing; via Kevin Gills, Tony Gardner    Source Detail    Source Detail  

 05/06/90 

Carson  CA   Cal State Dominguez Hills    FOB Schoeps CMC44> master audience DAT> DAT> CD> EAC> SHN    Source Detail    Source Detail  

 06/08/90 

Sacramento  CA   Cal Expo    fob "at the impact zone" 6' stands 6' spaced schoeps omis > Oade pre (presumably m118) > SV250 analog line out>D10 recording by Sean Weber and west coast "tapers fro hell" crew    Source Detail    Source Detail  

 06/08/90 

Sacramento  CA   Cal Expo    flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded By Gerry Gordon & Keith Litzenberger Transferred & Uploaded By Keith Litzenberger    Source Detail    Source Detail  

 06/08/90 

Sacramento  CA   Cal Expo    flac16; FOB AUD: 2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC. Transfer by Andrew F.    Source Detail    Source Detail  

 06/09/90 

Sacramento  CA   Cal Expo    B&K 4011 110degrees ORTF on the "Mike Stand" 6'4" Neumann p48 phantom supply > Sony TCD-D10 pro II (48k) > DAT master > TAscam DA-20 MKII > Marigo Audio Lab Coax S/PDIF cable > Tascam CDRW700 > CD-R master > Marantz CDR500 dual well cd burner at 1x > 1st gen CD-R copy > EAC in secure mode > FLAC    Source Detail    Source Detail  

 06/10/90 

Sacramento  CA   Cal Expo    daud> schoeps mk4> D> CD; d3 filler not IDed?; etreed via M. Ferguson?    Source Detail    Source Detail  

 06/10/90 

Sacramento  CA   Cal Expo    DTS-Audio-CD 5.1 Mix; Mixed by dan@am-dig.com. This is a remix and upgrade to shn ID 29669 See txt file for additional comments    Source Detail    Source Detail  

 06/10/90 

Sacramento  CA   Cal Expo    flac16; Schoeps Omni Spaced 27'>Oade?>Technics SV-MD1 in Taper's Section DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC (It's likely that my DAT was patched via analog output of lead deck as the mics were not mine and the Technics has no Digital in.) Processed By Keith Litzenberger    Source Detail    Source Detail  

 06/15/90 

Mountain View  CA   Shoreline Amphitheatre    3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner     Source Detail    Source Detail  

 06/16/90 

Mountain View  CA   Shoreline Amphitheatre    flac16; 1st set: DAT CLONE:AKG 414's>?>Technics SV-MD1 Recorded By Bill Savage; 2nd Set: DAT MASTER:Sennheiser ME-80's>Technics SV-MD1 Recorded By Keith Litzenberger DAT>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Transferred By Keith Litzenberger    Source Detail    Source Detail  

 06/17/90 

Mountain View  CA   Shoreline Amphitheatre    flac16; 1st Set: DAT MASTER:Sennheiser ME-80's>Technics SV-MD1 Recorded By Keith Litzenberger 2nd Set: DAT CLONE:AKG 414's>?>Technics SV-MD1 Recorded By Bill Savage DAT>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Transferred By Keith Litzenberger    Source Detail    Source Detail  

 06/23/90 

Eugene  OR   Autzen Stadium - University of Oregon    Source: SBD-matrix>CM>DAT>CDR>WAV>SHN; this is shn id 20695 with undocumented changes to d3t3 via Tol and LMA.    Source Detail    Source Detail  

 06/24/90 

Eugene  OR   Autzen Stadium, U. of Oregon    flac16; Sennheiser ME-80's>Technics SVM-D1 (Front Of Taper's Section) Dat Master>Sony TCD-D0PROII>Edirol R-4>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded by Gerry Gordon using Keith Litzenberger's gear Transferred & Uploaded by Keith Litzenberger    Source Detail    Source Detail  

 07/04/90 

Bonner Springs  KS   Sandstone Ampitheatre    SBD> Dat> Cassette Master; Transfer: Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller    Source Detail    Source Detail  

 07/06/90 

Louisville  KY   Cardinal Stadium    SBD> Dat> Sonic Solutions> CD; EAC'd and SHN'd By Charlie Miller    Source Detail    Source Detail  

 07/10/90 

Raleigh  NC   Carter-Finley Stadium    flac16; FOB DFC Schoeps MK4s ORTF On Stand->Oade m118->Panasonic SV255@48 kHz Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record/resample) -> CDWAV (track) ->FLAC    Source Detail    Source Detail  

 07/12/90 

Washington  DC   Robert F. Kennedy Stadium    flac16; Source: FOB-Schoeps CMC3 MK4-> Oade P/S->Sony D10 Pro->DAT->CDR->WAV->FLAC Transfer: Dat Clone->Panasonic SV3700-> Marantz CDR 615-> CDR Ripped with EAC (No Errors)Tracks Named -> Flac (Level 8) with Traders Little Helper and Tagged with Foobar 2000. Transfers by Pete Ebel on March 3, 2009    Source Detail    Source Detail  

 07/23/90 

Tinley Park  IL   World Music Theater    flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller    Source Detail    Source Detail  

 09/14/90 

New York  NY   Madison Square Garden    Dave Brotman FOB (15th row, center) AUD(Schoeps)> DAT> CDR; via Paul B; Seeded to Etree by T. Wiley    Source Detail    Source Detail  

 09/14/90 

New York  NY   Madison Square Garden    flac16; Ambient Recording by Sean Weber & Rick Katseff B&K 4011's ORTF -> Grace pre -> Panasonic SV250 line-in transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +6dB digital gain added in the transfer from DAT to CDR master    Source Detail    Source Detail  

 09/15/90 

New York  NY   Madison Square Garden    Recorded by Dave Brotman: FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects).     Source Detail    Source Detail  

 09/15/90 

New York  NY   Madison Square Garden    flac16; Ambient Recording by tdarian - John Corso B&K 4011's ORTF -> Grace Pre -> Panasonic SV250 line-in FOB 17th Row seat 3 near center transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +6dB digital gain added in the transfer from DAT to CDR master    Source Detail    Source Detail  

 09/16/90 

New York  NY   Madison Square Garden    Recorded by Dave Brotman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects); Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor    Source Detail    Source Detail  

 09/16/90 

New York  NY   Madison Square Garden    flac16; Ambient Recording by tdarian B&K 4011's ORTF -> ProLink cables -> Neumann p48v -> Sony TCD-D10 DAT line-in Section 1 row 18 center - on center aisle Seat A FOB near center. transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 CDR master transfer by Mike French    Source Detail    Source Detail  

 09/16/90 

New York  NY   Madison Square Garden    flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC; Recorded By Keith Litzenberger    Source Detail    Source Detail  

 09/18/90 

New York  NY   Madison Square Garden    flac16; Ambient Recording by tdarian B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open From Section A Row 19, seat 2 FOB - near center transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +2dB digital gain added in the transfer from DAT to CDR master    Source Detail    Source Detail  

 09/20/90 

New York  NY   Madison Square Garden    DTS-Audio 5.1; mix of SBD > DAT > Samplitude > Cool Edit Pro > SHN & Dave Brotman FOB > Scheops > DAT > CDR     Source Detail    Source Detail  

 09/20/90 

New York  NY   Madison Square Garden    flac16; Ambient Recording by tdarian B&K 4011's ORTF -> ProLink cable -> Neumann p48v -> Sony TCD-D10 DAT 48khz line-in wide open Mics on stand at 6'+ transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700    Source Detail    Source Detail  

 10/13/90 

Stockholm  Sweden   Ice Stadium    flac16; Audience Recording Lineage: Unknown Mics > Sony D-5 > MAC > NAK D3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8 (tlh)    Source Detail    Source Detail  

 10/13/90 

Stockholm  Sweden   Ice Stadium    flac16; Source: Audience Master Cassette Nakamichi 300’s > Marantz PMD-430 Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 16, 2008    Source Detail    Source Detail  

 10/19/90 

Berlin  Germany   Internationales Congress Centrum    flac16; Source: Audience Recording Lineage: Unknown Mics > Sony D-5 > MAC > NAK DR-3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8 (tlh)    Source Detail    Source Detail  

 10/19/90 

Berlin  Germany   Internationales Congress Centrum    DSBD: Healy mix>MD>D>CD; seeded to abgd by dieter    Source Detail    Source Detail  

 10/19/90 

Berlin  Germany   Internationales Congress Centrum    flac16; Audience Master Cassette Nakamichi 300’s Cardioids > Marantz PMD-430 > Sony Walkman Pro D-6 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media Maxell MX-90, MX-100 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 20, 2008     Source Detail    Source Detail  

 10/20/90 

Berlin  Germany   Internationales Congress Centrum    DSBD: Healy mix>MD>D>CD    Source Detail    Source Detail  

 10/20/90 

Berlin  Germany   Internationales Congress Centrum    flac16; Source: Audience Master Cassette Nakamichi 300’s Cardioids > Marantz PMD-430 > Sony Walkman Pro D-6 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 MX-100 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 6, 2008    Source Detail    Source Detail  

 10/22/90 

Frankfurt  Germany   Festhalle    2 Beyer M160> Sony TCD5M Front Of Board Master Cassette> CDR via unknown seeder    Source Detail    Source Detail  

 10/22/90 

Frankfurt  Germany   Festhalle    flac16; Source: Audience Master Cassette Nakamichi 300’s Cardioids > Marantz PMD-430 > Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set: TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 11, 2008    Source Detail    Source Detail  

 10/27/90 

Paris  France   The Zenith    flac16; Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-902nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 14, 2008    Source Detail    Source Detail  

 10/28/90 

Paris  France   The Zenith    flac16; Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-902nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 15, 2008    Source Detail    Source Detail  

 10/30/90 

London  England   Wembley Arena    flac16; Set 2 only Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-902nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 16, 2008    Source Detail    Source Detail  

 10/31/90 

London  England   Wembley Arena    flac16; Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 16, 2008    Source Detail    Source Detail  

 12/12/90 

Denver  CO   McNichols Sports Arena    flac16; Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 >CDWAVE >FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski     Source Detail    Source Detail  

 12/12/90 

Denver  CO   McNichols Sports Arena    flac16; Matrix 3 Source Mix - SBD1 (shn id 87461) (1st set only) SBD -> Dat (48k) + SBD2 (shn id 87372) (2nd set only) Healy DAT > PCM > DAT + AUD (shn id 32020) Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master - matrix mixing by Kevin Tobin     Source Detail    Source Detail  

 12/13/90 

Denver  CO   McNichols Sports Arena    flac16; Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 > CDWAVE > FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski     Source Detail    Source Detail  

 12/13/90 

Denver  CO   McNichols Sports Arena    Source: Soundboard Matrix:D-> DAT; Transfer: DAT-> Sony PCM R-300 > RME digi 96/8PAD > Soundforge 6.0 @48k by Marc Pujol; Encoding: 48k -> 44.1k via Cool Edit Pro High Accuracy Setting > Cool Edit (diginoise patches) > CDWAV > mkwact (seekable) by Matt Vernon    Source Detail    Source Detail  

 12/14/90 

Denver  CO   McNichols Sports Arena    flac16; Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 > CDWAVE > FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski     Source Detail    Source Detail  

 12/30/90 

Oakland  CA   Oakland-Alameda County Coliseum    Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC 2000 -> CD (Tascam CDRW700) -> EAC -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) - All Transfers and Editing By Charlie Miller    Source Detail    Source Detail  

 12/31/90 

Oakland  CA   Oakland-Alameda County Coliseum    Satellite Feed > 1/2" reel @ 15 ips > DAT >CDR; Montego II > CDWave > Sound Forge XP 4.5; via Mike Hall    Source Detail    Source Detail  

 12/31/90 

Oakland  CA   Oakland-Alameda County Coliseum    flac16; Pre-FM > DAT > CD > EAC > CD > EAC > FLAC; Both EAC steps were done twice with correct setting to ensure accurate rips. Final EAC and FLAC conversion done by Bob Abrams, 2/21/08.     Source Detail    Source Detail  

 02/20/91 

Oakland  CA   Oakland-Alameda County Coliseum    Updated source: 2 Nak 100/CP4 + 2 AKG C1000, Front Row Tapers Section> Boss BX4 Mixer> Cassette Master (Sony D6/Dolby B), taped by Charlie Miller; Cass> DAT transfer by Dan Sisler; Dat (Sony R500/SBM On)> CD (Tascam CDRW700) transfer by Charlie Miller; EAC> CDWAV> SHN by eD(efojr), from Paul's seed discs    Source Detail    Source Detail  

 02/21/91 

Oakland  CA   Oakland-Alameda County Coliseum    flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master using Sony 75ES -> Technics SV-DA10 Recording Equipment : B&K 4011 Cardiod (ORTF) -> Rob’s Neumann Supply -> Panasonic sv255 -> On Stand (6’ 3”) Recording Location: FOB DFC Sweet Spot Recorded By: Unknown Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.    Source Detail    Source Detail  

 03/17/91 

Landover  MD   Capital Centre    flac16; Master:Sennheiser ME-80's>Technics SV-MD1 OTS Transfer:DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger (The original source is missing Crazy Finders, d2t05.)    Source Detail    Source Detail  

 03/17/91 

Landover  MD   Capital Centre    FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Jeff Metchik (sp?); Transferred By Charlie Miller    Source Detail    Source Detail  

 03/17/91 

Landover  MD   Capital Centre    flac16; SBD> Master Dat> Master Cassette (Tascam 122mkIII)> Dat (SV3800/48k); Transfer: Dat> Cool Edit Pro> Samplitude v7.02 Professional> FLAC; Patch Info: Nakamichi 300/CP4 + Neumann KM84> Cassette Master (Sony D5/Maxell MX-S90); Patched and Edited By Charlie Miller    Source Detail    Source Detail  

 03/18/91 

Landover  MD   Capital Centre    AUD (unknown mics) >DAT>Cass (X1)>CDR via D.Duquette. DAE/SHN encoding neo_levo/candyman    Source Detail    Source Detail  

 03/18/91 

Landover  MD   Capital Centre    DTS-Audio-CD 5.1 Mix; SBD:SBD > MC > DAT > CD;AUD:AUD (unknown mics) >DAT>Cass (X1)>CDR; mixed by ktobin    Source Detail    Source Detail  

 03/20/91 

Landover  MD   Capital Centre    flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)    Source Detail    Source Detail  

 03/21/91 

Landover  MD   Capital Centre    flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC    Source Detail    Source Detail  

 03/23/91 

Albany  NY   Knickerbocker Arena    AUD: Schoeps CMC 34?s>DAT; via Paul; Seeded to etree by eD(efojr)    Source Detail    Source Detail  

 03/23/91 

Albany  NY   Knickerbocker Arena    flac16; AUD: Nackamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 Dat. Taped onto Maxell DM-120 tape, set up in second row of taper's section, center seat. Mics on stand aprx 7-1/2 feet high, pointing at stacks and kept level (not angled up). Transfer: MAD > Sony DTC-690 > Optical cable > Marantz CDR-500 burner > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression, and checksums) > FLAC > bt.etree. Taped and transferred by Andrew F.     Source Detail    Source Detail  

 03/23/91 

Albany  NY   Knickerbocker Arena    flac16; Recorded by B.Koucky, patched out of B.Glassberg. Source: FOB Nak 700s > Sony D5 > Type IV cassette (Maxell MX100s), no Dolby during recording. Transfer and mastering: MAC playback on Nakamichi CR-7A with manually adjusted azmimuth > Presonus Firebox Neutrik inputs > Firewire/XP Pro > Wavelab 5, recorded as 24 bit 96 KHz PCM WAV > Waves L3 Multimaximizer (-1.7 dB/-0.1 ceiling > rendered to 16 bit/44.1 KHz WAV using UV22 HR, normal/no autoblack > CDWAV 1.9 > FLAC (level 8) by C.Ladner    Source Detail    Source Detail  

 03/24/91 

Albany  NY   Knickerbocker Arena    FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller    Source Detail    Source Detail  

 03/24/91 

Albany  NY   Knickerbocker Arena    flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC    Source Detail    Source Detail  

 03/25/91 

Albany  NY   Knickerbocker Arena    flac16; Source:Sennheiser ME-80's>Techics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger    Source Detail    Source Detail  

 03/27/91 

Uniondale  NY   Nassau Veterans Memorial Coliseum    set2; FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer Info: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney. Dan O'Neill Transferred By Charlie Miller    Source Detail    Source Detail  

 03/28/91 

Uniondale  NY   Nassau Coliseum    FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller    Source Detail    Source Detail  

 03/31/91 

Greensboro  NC   Greensboro Coliseum    flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master Recording Equipment: Schoeps CMC34 (ORTF) -> MIT Cable -> Oade Power Supply -> Panasonic sv255 Recording Location: FOB Recorded By: Unknown Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.    Source Detail    Source Detail  

 04/01/91 

Greensboro  NC   Greensboro Coliseum    flac16; SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> CD Transferred and Edited By Charlie Miller    Source Detail    Source Detail  

 04/04/91 

Atlanta  GA   The Omni    flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master Recording Equipment: Schoeps CMC34 (ORTF) -> Panasonic sv255 Recording Location: FOB Recorded By: Unknown Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging    Source Detail    Source Detail  

 04/05/91 

Atlanta  GA   The Omni    sbd> ?> cdr> eac> shn; shn by Jay James, hosted by Tony Gardner    Source Detail    Source Detail  

 04/09/91 

Orlando  FL   Orlando Arena    flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master Recording Equipment: Schoeps CMC34 (ORTF) -> Panasonic sv255 Recording Location: FOB Recorded By: Unknown Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) ->Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging    Source Detail    Source Detail  

 04/27/91 

Las Vegas  NV   Sam Boyd Silver Bowl    flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master Recording Equipment: Schoeps CMC 32 Omni (on stands 6' 2" high and spaced 8 feet) > Panasonic sv250 Recording Location: FOB Recorded By: James Young (patched into the Schoeps Rig) Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging    Source Detail    Source Detail  

 04/28/91 

Las Vegas  NV   Sam Boyd Silver Bowl, U.N.L.V.    Source: FOB MAC (2 beyerm 160 & 1 Sennheiser 421>Sony TCD5M)>?>SHN. Mastering: SHN>WAV>CE2K>SHNTOOL>mkwACT. Mastered & seeded by MattMan.    Source Detail    Source Detail  

 04/28/91 

Las Vegas  NV   Sam Boyd Silver Bowl, U.N.L.V.    flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master Recording Equipment: Neumann U89 (on stands 6' 2" high and spaced 8 feet) > Sony D10 Pro Recording Location: FOB Recorded By: James Young (patched into the Neumann Rig) Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging    Source Detail    Source Detail  

 05/03/91 

Sacramento  CA   Cal Expo    flac16; Equipment: Schoeps Omnis (on stands spaced 10ft apart) -> Panasonic sv250 Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0    Source Detail    Source Detail  

 05/12/91 

Mountain View  CA   Shoreline Amphitheatre    FOB-AUD:Schoeps MK4V>DAT>CDR; via Paul; Seeded to etree by eD(efojr)    Source Detail    Source Detail  

 06/06/91 

Noblesville  IN   Deer Creek Music Center    flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.    Source Detail    Source Detail  

 06/07/91 

Noblesville  IN   Deer Creek Music Center    flac16; Set 2 only, Lineage: DAT1 – Cloned from DAT Master Recording Equipment: AKG C460 w/ CK61 110º ORTF -> Grace Supply -> Master DAT Recording Location: FOB Recorded By: JC Mahoney Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.    Source Detail    Source Detail  

 06/09/91 

Hebron  OH   Buckeye Lake Music Center    flac16; Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.    Source Detail    Source Detail  

 06/11/91 

Charlotte  NC   Charlotte Coliseum    flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.    Source Detail    Source Detail  

 06/12/91 

Charlotte  NC   Charlotte Coliseum    flac16; Sennheiser ME-80\'s>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger    Source Detail    Source Detail  

 06/14/91 

Washington  DC   Robert F. Kennedy Stadium    flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger    Source Detail    Source Detail  

 06/17/91 

East Rutherford  NJ   Giants Stadium    flac16; SBD + AUD Matrix Mix    Source Detail    Source Detail  

 06/17/91 

East Rutherford  NJ   Giants Stadium    flac16; SBD + AUD Matrix Mix    Source Detail    Source Detail  

 06/17/91 

East Rutherford  NJ   Giants Stadium    DTS-Audio-CD 5.1 Mix     Source Detail    Source Detail  

 06/19/91 

Clarkston  MI   Pine Knob Music Theater    Source: AUD (unknown mics) >DAT>CDR>WAV>SHN. SHN encoding via C.Ladner.    Source Detail    Source Detail  

 06/20/91 

Clarkston  MI   Pine Knob Music Theater    unknown mics > DAT > CDR > EAC x 2 > WAV > SHN3.0; via Chris Ladner, from Marc Laurent's discs; see info file for listening notes    Source Detail    Source Detail  

 06/24/91 

Bonner Springs  KS   Sandstone Ampitheatre    FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); plus patch from Schoeps hypercards> custom supply> SV255 section tape; Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill, with patch source by Ed Boardman; Transferred By Charlie Miller    Source Detail    Source Detail  

 06/25/91 

Bonner Springs  KS   Sandstone Ampitheatre    flac16; Lineage: Clone of Master DAT Recording Equipment: AKG C460B/CK61 (ORTF) -> Mike Grace Early Preamp -> Dat Master (Casio DA-7/ 16-bit - 48kHz) Recording Location: FOB Recorded By: JC Mahoney & Dan Oneil Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.    Source Detail    Source Detail  

 06/28/91 

Denver  CO   Mile High Stadium    flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB - 20th Row - Hand Held Both Sets Recorded By: James Young Transfer: 16 bit – 48kHz DAT > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.    Source Detail    Source Detail  

 08/12/91 

Sacramento  CA   Cal Expo    flac16; Lineage: Clone from Master DAT Recording Equipment: Schoeps Omni -> Oade Supply -> Panasonic SV-255 Recording Location: FOB, on stands 8 feet hight and mic stands spaced 8.5 feet apart Recorded By: Unknown Transfer: 16 bit – 48kHz DAT > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.    Source Detail    Source Detail  

 08/14/91 

Sacramento  CA   Cal Expo    flac16; SBD > DAT > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko    Source Detail    Source Detail  

 09/04/91 

Richfield  OH   Richfield Coliseum    Schoeps CMC4/MK4 (FOB/Row Q, ORTF)> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Dan O'Neill; Transferred By Charlie Miller    Source Detail    Source Detail  

 09/04/91 

Richfield  OH   Richfield Coliseum    flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger    Source Detail    Source Detail  

 09/05/91 

Richfield  OH   Richfield Coliseum    flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger    Source Detail    Source Detail  

 09/06/91 

Richfield  OH   Richfield Coliseum    FOB Schoeps CMC4/MK4 (ORTF)> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Dan O'Neill; Transferred By Charlie Miller    Source Detail    Source Detail  

 09/06/91 

Richfield  OH   Richfield Coliseum    flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger    Source Detail    Source Detail  

 09/08/91 

New York  NY   Madison Square Garden    DSBD> DAT> CD; via Jay Ashley: see flaw note in pub comments    Source Detail    Source Detail  

 09/08/91 

New York  NY   Madison Square Garden    flac16; Sennheiser ME-80's>Technics SV-MD1 from OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC; Recorded & Transferred By Keith Litzenberger    Source Detail    Source Detail  

 09/08/91 

New York  NY   Madison Square Garden    flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Row R, Off Center Set 2 On Stand, Row R, On Aisle Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.    Source Detail    Source Detail  

 09/09/91 

New York  NY   Madison Square Garden    DSBD> DAT> CD; via C. Miller, J. Ashley    Source Detail    Source Detail  

 09/09/91 

New York  NY   Madison Square Garden    Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) -> Oade Cap Coupled Supply -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Recorded By Dan O'Neill Transferred By Charlie Miller    Source Detail    Source Detail  

 09/09/91 

New York  NY   Madison Square Garden    flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Section 3, Row S, On Aisle Set 2 On Stand, Section 3, Row V, Seat 2 Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.    Source Detail    Source Detail  

 09/10/91 

New York  NY   Madison Square Garden    complete; DSBD> DATs> CDRs> EAC> SHN; via Darrin Sacks    Source Detail    Source Detail  

 09/10/91 

New York  NY   Madison Square Garden    flac16; Matrix synch completed by Amdig SBD + AUD Matrix from 2 GEMS Source Mix (65%-SBD/35%-AUD) Time sych done in CEPro 2.0 Multitrack matrix mixdown to 24/48 in CEPro 2.0 Final Matrix Matstering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by BlueDakota. Tracked in Wavelab 6.0, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging; Matrix Recordings Created from these GEMS Sources: source ID 89085 - GEMS DSBD (DSBD 16-bit, 44.1kHz Vault DAT Clone) and source ID 96422 - GEMS FOB Aud (Master FOB DAT 16-bit, 48kHz)    Source Detail    Source Detail  

 09/10/91 

New York  NY   Madison Square Garden    flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Section 2, Row S, Seat 2 Set 2 On Stand, Section 2, Row V, Seat 2 Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8Tag & Rename for FLAC Meta-Tagging.    Source Detail    Source Detail  

 09/12/91 

New York  NY   Madison Square Garden    flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB - Hand Held, Upfront Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging    Source Detail    Source Detail  

 09/13/91 

New York  NY   Madison Square Garden    flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Hand Held, Upfront Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging    Source Detail    Source Detail  

 09/14/91 

New York  NY   Madison Square Garden    flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging    Source Detail    Source Detail  

 09/14/91 

New York  NY   Madison Square Garden    flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging    Source Detail    Source Detail  

 09/16/91 

New York  NY   Madison Square Garden    FOB B&K 4011 (hand-held, sets recorded from different positions) -> Canari cables -> Neumann Phantom Power ->Sony TCD D10 Pro 2 Modified-> DAT @48k; Transfer: Clone from Master played back through Sony PCM-M1 -> 7pin Coax Out -> Zoltrix Nightingale -> Cooledit 2k (48k->44.1k conversion) -> cdwav (track splitting) -> shorten; recorded by Clay Brennecke and James Young    Source Detail    Source Detail  

 09/16/91 

New York  NY   Madison Square Garden    flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger    Source Detail    Source Detail  

 09/16/91 

New York  NY   Madison Square Garden    flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging    Source Detail    Source Detail  

 09/17/91 

New York  NY   Madison Square Garden    flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging    Source Detail    Source Detail  

 09/18/91 

New York  NY   Madison Square Garden    flac16; Sennheiser ME-80\'s>Technics SV-MD1>Sony TCD-D3 DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger    Source Detail    Source Detail  

 09/18/91 

New York  NY   Madison Square Garden    flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging    Source Detail    Source Detail  

 09/20/91 

Boston  MA   Boston Garden    flac16; Lineage: Set 2 Master DAT, Set 1 Clone of Master DAT Recording Equipment: Set 1 - Schoeps CMC34 (ORTF) > Oade Supply > Panasonic sv255 Set 2 - B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: Set 1 FOB - Set 2 FOB Section BB Row 24 Seat 3 Recorded By: Set 1 by Dan Oneil and Set 2 by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither    Source Detail    Source Detail  

 09/21/91 

Boston  MA   Boston Garden    sbd> DAT> CD-R> EAC> SHN (no cass in gen); seed via A. McCall, via A. Eaglestone to BUDD et al offer; 11/00 at gdlive.com    Source Detail    Source Detail  

 09/21/91 

Boston  MA   Boston Garden    flac16; Lineage: Set 1 Clone of Master DAT, Set 2 Master DAT Set 1 Clone of Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither    Source Detail    Source Detail  

 09/22/91 

Boston  MA   Boston Garden    flac16; Set 1 Only - Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither    Source Detail    Source Detail  

 09/24/91 

Boston  MA   Boston Garden    flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Section BB Row 24 Seat 10 Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither    Source Detail    Source Detail  

 09/25/91 

Boston  MA   Boston Garden    flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither    Source Detail    Source Detail  

 09/26/91 

Boston  MA   Boston Garden    flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Section BB Row 18 Seat 15 Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither    Source Detail    Source Detail  

 10/31/91 

Oakland  CA   Oakland-Alameda County Coliseum    Matrix by RJ Hythloday of sbd > (?) > shn(id=2897)& FOB recorded by Marcus Buick Transferred By Charlie Miller    Source Detail    Source Detail  

 10/31/91 

Oakland  CA   Oakland-Alameda County Coliseum    sbd> ?> shn; via Tony Gardner    Source Detail    Source Detail  

 12/28/91 

Oakland  CA   Oakland-Alameda County Coliseum    FOB/DFC B&K 4011 ORTF > Canari ?(Canare cables?) > Neumann (phantom?) > Sony TDC D10 Pro 2 (w/Oade modification)    Source Detail    Source Detail  

 12/30/91 

Oakland  CA   Oakland-Alameda County Coliseum    FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act.    Source Detail    Source Detail  

 12/30/91 

Oakland  CA   Oakland-Alameda County Coliseum    flac16; SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller     Source Detail    Source Detail  

 12/31/91 

Oakland  CA   Oakland-Alameda County Coliseum    flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger from front row Taper's Section    Source Detail    Source Detail  

 02/13/92 

San Rafael  CA   Club Front    DSBD->CD->EAC->SHN by Joe Samaritano Studio Rehearsal of So Many Roads    Source Detail    Source Detail  

 02/21/92 

San Rafael  CA   Club Front Studio    Seeded to abgd by Doo Dah Man; Note original files contained an SFV integrity file. Md5 was created from the original shns and provided to the etree db here.    Source Detail    Source Detail  

 03/01/92 

Atlanta  GA   The Omni    Schoeps CMC3/MK4> Oade M118> Panasonic SV-250 FOB; via Tony Gardner    Source Detail    Source Detail  

 03/01/92 

Atlanta  GA   The Omni    flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC    Source Detail    Source Detail  

 03/02/92 

Atlanta  GA   The Omni    Schoeps CMC3/MK4> Oade M118> Panasonic SV-250 FOB; via Tony Gardner    Source Detail    Source Detail  

 03/03/92 

Atlanta  GA   The Omni    AUD>DAT>CDR (Schoeps CMC 34?s); via Paul; Seeded to etree by Tony G    Source Detail    Source Detail  

 03/05/92 

Hampton  VA   Hampton Coliseum    B&K4011's ORTF FOB On Stand (6 - 7 feet high) >Neumann BS48i-2 Supply> Modified Sony D10 Pro (Modified by Bob Katz) Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410>Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC    Source Detail    Source Detail  

 03/06/92 

Hampton  VA   Hampton Coliseum    AUD>DAT>CDR (Nak 700?s>Sony D-3); via Paul; seeded to etree by Tony G    Source Detail    Source Detail  

 03/09/92 

Landover  MD   Capital Centre    SBD> DAT> C> PCM> DAT> CD; via Rob Harrison; Seeded to etree by Peter Braverman; Shntool fix by Tony G    Source Detail    Source Detail  

 03/17/92 

Philadelphia  PA   The Spectrum    Nak 300 > Sony d-5 > cass master > cdr; Eac > cool edit pro > shntool > cdwav > shnv3; Taped and discs kindly provided by Mark Horvath; eac > shn (secure with proper offsets) by Ernie Dodd    Source Detail    Source Detail  

 03/18/92 

Philadelphia  PA   The Spectrum    AUD>DAT>CDR (AKG460b/CK8's); via Paul; Seeded to etree by Tony G    Source Detail    Source Detail  

 03/20/92 

Hamilton  ON   Copps Coliseum    flac16; FOB Digital Audience - 13th Row Center Schoeps CMC34 Cardiod (110 degrees ORTF) -> Oade Supply -> Panasonic 2v255; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav; Edited Adobe Audition 1.5 Dithered 48/44.1 w/gaussian noise and aslight noise-shaping in r8brain v1.9 Tracked in CDWav Flac Level8 in TLH    Source Detail    Source Detail  

 03/20/92 

Hamilton  ON   Copps Coliseum    flac16; Recording Info: Sennheiser ME-80's>Technics SV-MD1; Transfer Info: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC; Recorded & Processed By Keith Litzenberger    Source Detail    Source Detail  

 03/21/92 

Hamilton  ON   Copps Coliseum    flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades/Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger    Source Detail    Source Detail  

 03/21/92 

Hamilton  ON   Copps Coliseum    flac16; FOB Digital Audience - 13th Row Center Schoeps CMC34 Cardiod (110 degrees ORTF) -> Oade Supply -> Panasonic 2v255; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav; tracked in CDWav/48k output *Re-Sampled to 44.1k via r8brain @ Highest Quality settings.* Flac Level 8 in TLH    Source Detail    Source Detail  

 05/29/92 

Las Vegas  NV   Sam Boyd Silver Bowl, U.N.L.V.    flac16; FOB Schoeps MK4s -> Reutelhuber-> sv255 -> (clone) Teac DA-p20 -> Tascam DA-30 -> Diamond xTreme Sound Card -> Cool Edit Pro -> CDWave -> flac    Source Detail    Source Detail  

 05/30/92 

Las Vegas  NV   Sam Boyd Silver Bowl, U.N.L.V.     (FOB) Schoeps MK4 > DAT > CDR; via C. M.; Seeded to etree by neo_levo    Source Detail    Source Detail  

 05/31/92 

Las Vegas  NV   Sam Boyd Silver Bowl, U.N.L.V    SBD > DAT > SONY D8 (S/PDIF) > HD > SHN; via Mike Lai; listeners John Florek et al report diginoise d1t8 ~1:50-2:00; upgrade in circulation     Source Detail    Source Detail  

 06/06/92 

Orchard Park  NY   Rich Stadium    flac16; MAD Recording - FOB DFC Audience: 1st Two Songs of Set 1 - B&K4011's Balance of Show: Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48    Source Detail    Source Detail  

 06/08/92 

Richfield  OH   Richfield Coliseum    flac16; MAD FOB DFC Digital Audience Recording Taped by Todd Evans, Section 2, Row S, Seats 8 and 9 Recording Info: Schoeps CMC34 (cardiod) > Oade Mic Preamp > Panasonic sv255 DAT Recorder > DAT Master Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> M-Audio Firewire Solo Interface -> Soundforge 8.0    Source Detail    Source Detail  

 06/09/92 

Richfield  OH   Richfield Coliseum    flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich    Source Detail    Source Detail  

 06/11/92 

Albany  NY   Knickerbocker Arena    flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > R8Brain (44.1kHz) > TLH > FLAC. Taped and transferred (June 2007) by Andrew F.    Source Detail    Source Detail  

 06/11/92 

Albany  NY   Knickerbocker Arena    flac16/48; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (June 2007) by Andrew F.    Source Detail    Source Detail  

 06/12/92 

Albany  NY   Knickerbocker Arena    (FOB)B+K 4011 > DAT > CDR/? > EAC > CDR > EAC > SHNv3; via Scott Agne    Source Detail    Source Detail  

 06/12/92 

Albany  NY   Knickerbocker Arena    flac16/48; Set One: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand in OTS. Set Two: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7, set up in OTS. Cloned Coax SPDIF > Casio DA-7. Transfer: 1st Set MAD & 2nd Set clone > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC    Source Detail    Source Detail  

 06/12/92 

Albany  NY   Knickerbocker Arena    flac16; Set One: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand in OTS. Set Two: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7, set up in OTS. Cloned Coax SPDIF > Casio DA-7. Transfer: 1st Set MAD & 2nd Set clone > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC    Source Detail    Source Detail  

 06/12/92 

Albany  NY   Knickerbocker Arena    flac16; Sennheiser MD421's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades,Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger    Source Detail    Source Detail  

 06/14/92 

East Rutherford  NJ   Giants Stadium    flac16; Source: FOB(30 yrd line) Neumann KM82i's > Sony D5 > Maxell MX90 type IV stereo cassette. Taped by B. Koucky. Transfer: MAC playback on Nakamichi CR-7A, azimuth adjusted > Lynx RCA-XLR cables > Lunatec V3 @ 96 KHz, AES XLR digital out > AES digital input, LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. Transferred and mastering by C.Ladner.    Source Detail    Source Detail  

 06/17/92 

Charlotte  NC   Charlotte Coliseum    AUD (CMC-31)> DAT> CDR> EAC> CDWAVE (excess silences removed)> SHN (MKW); DAE (EAC V0.9pb9) and SHN conversion (mkwACT 0.97 beta 1) by Charles Wier, from Paul Bottiglio's CDs    Source Detail    Source Detail  

 06/18/92 

Charlotte  NC   Charlotte Coliseum    AUD (CMC-31)> DAT> CDR> EAC> SHN (MKW); DAE (EAC V0.9pb9) and SHN conversion (mkwACT 0.97 beta 1) by Charles Wier, from Paul Bottiglio's CDs; Known flaws: 25 ms analog dropout at 2:50 of He's Gone    Source Detail    Source Detail  

 06/18/92 

Charlotte  NC   Charlotte Coliseum    flac16; Sennheiser ME-80's>Technics SV-MD1 Dat Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades,Sample Rate Conversion)>CDWAV>FLAC Recorded, transferred & Uploaded By Keith Litzenberger    Source Detail    Source Detail  

 06/20/92 

Washington  DC   Robert F. Kennedy Stadium    flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger    Source Detail    Source Detail  

 06/20/92 

Washington  DC   Robert F. Kennedy Stadium    flac16; FOB DFC Digital Audience Recording Schoeps CMC34 -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master - Recorded by Todd Evans    Source Detail    Source Detail  

 06/23/92 

Burgettstown  PA   Star Lake Amphitheatre    SBD> Dat> c> Dat> Cool Edit> cd> EAC> SHN (seekable);EAC>SHN Steve Barbella, from John Valter seed discs; upgrade in circulation     Source Detail    Source Detail  

 06/25/92 

Chicago  IL   Soldier Field    flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller     Source Detail    Source Detail  

 06/26/92 

Chicago  IL   Soldier Field    DAUD[master] > CDR; via D. Loebig; Seeded to etree by harlan    Source Detail    Source Detail  

 06/28/92 

Noblesville  IN   Deer Creek Music Center    FOB (hand held) B&K 4011's -> D10 Pro, P. Delgado; Transfer: D8 -> Montego II -> CDWAV -> Shorten32, D. Nawrocki    Source Detail    Source Detail  

 06/29/92 

Noblesville  IN   Deer Creek Music Center    flac16; Sennheiser ME-80's>Technics SV-MD1 from Taper's Section DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger    Source Detail    Source Detail  

 07/01/92 

Hebron  OH   Buckeye Lake Music Center    flac16; Schoeps CMC32's (8 foot spaced omnis on 6 foot stands) -> Monster M1000 Cable -> Oade Mic Preamp -> Monster M1000 Jumper Cables -> Panasonic sv255 DAT Deck; DAT > TASCAM DA-20 > M-Audio FireWire Solo > Soundforge 8.0 wav    Source Detail    Source Detail  

 12/02/92 

Denver  CO   McNichols Sports Arena    flac16; MAD FOB Digital Audience Recording - 13th Row Schoeps Mk4v Cardiod Capsule (ORTF) -> Schopes Kc5 Active Cable -> Schoeps CMC3 Mic Body -> Oade Mic Pre -> Monster M1000 Jumper Cable (12" -> Panasonic sv255 DAT Master Recorded by Todd Evans - (DFC was the aisle, this recording 1 seat from aisle) Transfer- MAD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0    Source Detail    Source Detail  

 12/02/92 

Denver  CO   McNichols Sports Arena    flac16; MAD FOB Digital Audience Recording - 13th Row Schoeps Mk4v Cardiod Capsule (ORTF) -> Schopes Kc5 Active Cable -> Schoeps CMC3 Mic Body -> Oade Mic Pre -> Monster M1000 Jumper Cable (12" -> Panasonic sv255 DAT Master Recorded by Todd Evans - (DFC was the aisle, this recording 1 seat from aisle) Transfer- MAD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0    Source Detail    Source Detail  

 12/03/92 

Denver  CO   McNichols Sports Arena    Neumann KM 140's > DAT > CDR; via Raoul Duke; Seeded to etree by Matt Vernon    Source Detail    Source Detail  

 12/03/92 

Denver  CO   McNichols Sports Arena    flac16; MAD FOB Digital Audience Recording - 14th Row Schoeps Mk4v Cardiod Capslue (ORTF) -> Schopes Kc5 Active Cable -> Schoeps CMC3 Mic Body -> Oade Mic Pre -> Monster M1000 Jumper Cable (12" -> Panasonic sv255 DAT Master Recorded by Todd Evans - (DFC was the aisle, this recording 1 seat from aisle) Transfer: MAD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0    Source Detail    Source Detail  

 12/03/92 

Denver  CO   McNichols Sports Arena    flac16; Recording Info: (FOB/ORTF) B&K 4011 -> Modified Neumann Power supply -> Dat (Modified Sony D10 Pro) -> Dat Clone Transfer Info: Dat Clone (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC    Source Detail    Source Detail  

 12/05/92 

Tempe  AZ   Compton Terrace Amphitheatre    Digital Audience Recording Taped by Todd Evans Schoeps CMC32 Split Omnis -> Monster M1000 Jumpers -> Oade Pre -> MonsterM1000 Cable -> 7ft Stand -> Panasonic sv255 DAT Master from Todd Evans MASTER DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav Soundforge 8.0 for 48/44.1>tracked in shntool-2.0.3> FLAC Frontend Level8    Source Detail    Source Detail  

 12/06/92 

Tempe  AZ   Compton Terrace Amphitheatre    flac16; Schoeps CMC32 Split Omnis -> Monster M1000 Jumpers -> Oade Pre -> MonsterM1000 Cable -> 7ft Stand -> Panasonic sv255 soundforge 8.0 48kHz/44.1kHz conversion> tracked in CDWav>FLAC; Taped by Todd Evans; patched with shnid 8706, a GEMS production    Source Detail    Source Detail  

 12/11/92 

Oakland  CA   Oakland-Alameda County Coliseum    flac16; Recording - Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer - DAT Clone from Dat Master from collection of Todd Evans DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info - Wavelab 6.0 - 48/16 wav> BBE, Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE     Source Detail    Source Detail  

 12/11/92 

Oakland  CA   Oakland-Alameda County Coliseum    flac16; Schoeps CMC-441's > Panasonic SV-255> DAT (clone) ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) ; Taped By (likely) Ed Boardman ; Transfer By Scott Swayne (AltheasBoy) in 06/2007    Source Detail    Source Detail  

 12/11/92 

Oakland  CA   Oakland-Alameda County Coliseum    flac16/48; Schoeps CMC-441's > Panasonic SV-255> DAT (clone) ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) ; Taped By (likely) Ed Boardman ; Transfer By Scott Swayne (AltheasBoy) in 06/2007 ; 48k version     Source Detail    Source Detail  

 12/12/92 

Oakland  CA   Oakland-Alameda County Coliseum    Source: fob 30' center(from stage) hand held cmc 4,41 ortf>canare star quad cables>koch power supply > canare star quad cables>koch modified panasonic sv-255 panasonic sv-3700>hhb 830>CD-r>EAC (secure mode)>.wav>Flac Taped and transfered (DAT to Cd-r) Ed Boardman & CD-r>EAC>.wav>Flac by C Evans    Source Detail    Source Detail  

 12/12/92 

Oakland  CA   Oakland-Alameda County Coliseum    flac16; Recording info-Digital FOB Audience Schoeps CMC54 taper: unknown Transfer info-DAT Clone from Dat Master DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info-Edited and Mastered By Blingfreein Adobe Audition 1.5; -48/44.1 SRC(Crystal Ultra), L3 type 1 dither in Wavelab 6.0 by Jamie Waddell - Flac Level 8 in FLACFrontend SBE FREE    Source Detail    Source Detail  

 12/12/92 

Oakland  CA   Oakland-Alameda County Coliseum    flac16; matrix of SBD: shnid=5549 and AUD: shnid: set 1=23220, set 2=28878 by hansokolow using ProTools     Source Detail    Source Detail  

 12/13/92 

Oakland  CA   Oakland-Alameda County Coliseum    flac16; Recording - Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer - DAT Clone from Dat Master DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav May 2006 Editing Info - All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3(w type 1 dither), Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE     Source Detail    Source Detail  

 12/13/92 

Oakland  CA   Oakland-Alameda County Coliseum    flac16; Schoeps CMC441's > Panasonic SV-255 > (clone) Teac DA-P20; Transfer: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8)    Source Detail    Source Detail  

 12/13/92 

Oakland  CA   Oakland-Alameda County Coliseum    flac16/48; Schoeps CMC441's > Panasonic SV-255 > (clone) Teac DA-P20; Transfer: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8)    Source Detail    Source Detail  

 12/16/92 

Oakland  CA   Oakland-Alameda County Coliseum    flac16; FOB center (30' from stage) hand held CMC 4,41 ORTF> Canare star quad cables> Koch power supply > Canare star quad cables> Koch modified Panasonic sv-255 >hhb 830> CD-r> EAC >.wav> Flac; taped, transferred by Ed Boardman; DAE> flac by Chris Evans    Source Detail    Source Detail  

 01/26/93 

Oakland  CA   Oakland-Alameda County Coliseum    SBD> Dat> Cassette Master> Dat> CD> EAC> SHN; Converted To SHN By Charlie Miller    Source Detail    Source Detail  

 01/26/93 

Oakland  CA   Oakland-Alameda County Coliseum    Source: AUD > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff (jon@seff.net); d2t2, d2t3 fixed from /shninfo_detail.php?shnid=4083    Source Detail    Source Detail  

 02/23/93 

Oakland  CA   Oakland-Alameda County Coliseum    SBD> DAT> Sonic Solutions (for phase correction)> CD; via Mike Hall    Source Detail    Source Detail  

 03/09/93 

Rosemont  IL   Rosemont Horizon    AUD>DAT>CDR (AKG 460's); via Paul; Seeded to etree by Tony G    Source Detail    Source Detail  

 03/09/93 

Rosemont  IL   Rosemont Horizon    flac16; Source: Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger    Source Detail    Source Detail  

 03/10/93 

Rosemont  IL   Rosemont Horizon    Sbd > DAT master > analog > DAT > CDR > EAC > SHN; via Doug Nawrocki, Chris Ladner; "no known flaws" reported by seeder    Source Detail    Source Detail  

 03/10/93 

Rosemont  IL   Rosemont Horizon    flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger    Source Detail    Source Detail  

 03/11/93 

Rosemont  IL   Rosemont Horizon    AUD>DAT>CDR (AKG 460's); via Paul; Seeded to etree by Tony G    Source Detail    Source Detail  

 03/11/93 

Rosemont  IL   Rosemont Horizon    flac16; Source: Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger    Source Detail    Source Detail  

 03/14/93 

Richfield  OH   Richfield Coliseum    Source: Sennheiser ME80's (taper section)>Teac DA-P20 Transfer: Panasonic SV-3700>HHb CDR-800>EAC>Shn    Source Detail    Source Detail  

 03/14/93 

Richfield  OH   Richfield Coliseum    AKG468 shotguns > DAT; Conversion: DAT (Panasonic SV-3800) > CD (HHB CDR-850) > EAC (Plextor PX-40TS, secure mode) > SHN; seed by Robert Brown to abgd    Source Detail    Source Detail  

 03/14/93 

Richfield  OH   Richfield Coliseum    flac16; Recording Info: Schoeps Mk4 (cardiod) > Schoeps KC5 active Cable > Schoeps CMC 3 mic body > Monster M1000 Jumper cable > Panasonic sv255 DAT Recorder > DAT Master Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> M-Audio Firewire Solo Interface -> Soundforge 8.0 Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 using Ozone and L2 for dither Trac'ed Cdwave, Flac'ed level 8 TLH    Source Detail    Source Detail  

 03/16/93 

Landover  MD   Capital Centre    flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC; Recorded By Keith Litzenberger    Source Detail    Source Detail  

 03/16/93 

Landover  MD   Capital Centre    flac16; record: akg 451's>b18's>D5proII ots transfer: Cassette Master>Aiwa F810>MAudio audiophile 24/96 @44.1>Wavelab 5>cdwav>flac record& transfer by cdipietro    Source Detail    Source Detail  

 03/17/93 

Landover  MD   Capital Centre    flac16; record: akg 451's>b18's>D5proII ots transfer: Cassette Master>Aiwa F810>MAudio audiophile 24/96 @44.1>Wavelab 5>cdwav>flac record& transfer by cdipietro    Source Detail    Source Detail  

 03/18/93 

Landover  MD   Capital Centre    FOB (SoundField ST250)>DAT(playback on Panasonic SV-3800)>HHb CDR-850>CDR>WAV>SHN. CDR source via D.Duquette. SHN encoding/initial FTP propagation via C.Ladner/candyman FTP.     Source Detail    Source Detail  

 03/18/93 

Landover  MD   Capital Centre    flac16/48kHz; Source: Schoeps CMC5 MK4->Sonosax SX-M2->Sony D10 Pro; Transfer: Tascam DA20 MKII->Edirol R44->SD->PC->CD Wave Editor->Flac Frontend; Tapers Unknown ,Eliot Byron's Rig,Eliot Byron's tape marked Master. Transfer and upload by Frank D'Auria.    Source Detail    Source Detail  

 03/20/93 

Atlanta  GA   The Omni    AKG 568 (shotguns)-> Sony D3; transferred the master DATs to CDR with a Panasonic SV3800 -> HHb CDR-850 via optical; CDR-> EAC-> SHN; via Tony Gardner    Source Detail    Source Detail  

 03/21/93 

Atlanta  GA   The Omni    FOB/DFC Soundfield ST-250 > Sony D10 Pro-II (48k) Master DAT Mastered live by James Young / Ron kaiser; via nick@nickspicks.com    Source Detail    Source Detail  

 03/24/93 

Chapel Hill  NC   Dean Smith Center    flac16/48; AKG 460/CK8's > Marantz PMD-700 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) By Scott Swayne (AltheasBoy) in 06/2007 ** 48k version **    Source Detail    Source Detail  

 03/24/93 

Chapel Hill  NC   Dean Smith Center    Set 2 Only: AMS ST250 FOB DFC> AMS Control Box (Blumlein Technique)> Modified Sony D10 Pro Cloned to another Mod. Sony D10 PRO (This clone was used for this transfer) Master recorded By James Young Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC    Source Detail    Source Detail  

 03/24/93 

Chapel Hill  NC   Dean Smith Center    Source: Master SBD>DAT via Modified Sony D10 Pro II. Recorded By Ron Keyser (This is from the lead deck from the daisey chain feed to the taper section) Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC    Source Detail    Source Detail  

 03/25/93 

Chapel Hill  NC   Dean Smith Center    set 1 only; flac16; AMS ST250 FOB DFC> AMS Control Box (Blumlein Technique)> Modified Sony D10 Pro Cloned to another Mod. Sony D10 PRO; recorded By James Young; Transfer: Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF> Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC, by Ron Keyser    Source Detail    Source Detail  

 03/27/93 

Albany  NY   Knickerbocker Arena    FOB section 5, Row N, Seat 8/9 Handheld Soundfield ST-250 (in blumlein mode) > Sony D10 pro II (modified) Taped by James Young DAT clone from master > Sony PCM-M1 > Oade 7pin active cable > Edirol UA-5 (s/pdif in, hardware resample from 48 > 44.1k, USB out > SF 5.0 > CDWave (tracking) > MKW-Act (SHN, seekable) DAT transfer/encoding by nick@nickspicks.com    Source Detail    Source Detail  

 03/28/93 

Albany  NY   Knickerbocker Arena    FOB section 5, Row N, Seat 8/9 Handheld Soundfield ST-250 (in blumlein mode) > Sony D10 pro II (modified) Taped by Jamies Young DAT clone from master > Sony PCM-M1 > Oade 7pin active cable > CO2 s/pdif format converter > Zoltrix Nightengale > CE2K (record, resample) > CDWAV (tracking > SHN (seekable) DAT transfer/encoding by nick@nickspicks.com    Source Detail    Source Detail  

 03/28/93 

Albany  NY   Knickerbocker Arena    flac16; Source:Schoeps CMC5 MK4->Sonosax SX-M2->Sony D10 Pro; Transfer:Tascam DA20 MKII->Edirol R44->SD->PC->CD Wave Editor->Flac Frontend Taped by Eliot Byron and others unknown. Taped from row 15 FOB,Up front in the hat    Source Detail    Source Detail  

 04/01/93 

Uniondale  NY   Nassau Coliseum    B&K 4011 w/balls > HDS1@stacks front center of ts > CD; Conversion: CD > EAC > Cool Edit 2000 > CDWav > mkwACT 0.97 > shn by Steve Blanchard    Source Detail    Source Detail  

 04/05/93 

Uniondale  NY   Nassau Coliseum    1st set only; DAUD/FOB Schoeps mk21(ORTF); via Dankseeds    Source Detail    Source Detail  

 05/14/93 

Las Vegas  NV   Sam Boyd Silver Bowl, U.N.L.V.    flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger    Source Detail    Source Detail  

 05/23/93 

Mountain View  CA   Shoreline Amphitheatre    flac16; Neumann KM140's>Panasonic SV-250>Analog out>Technics SV-MD1(don't have preamp used written on my label) DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger    Source Detail    Source Detail  

 05/25/93 

Sacramento  CA   Cal Expo    flac16; FOB Schoeps Mk2 Omni Capsule 7' spaced omnis in hat -> Schoeps Active Cables -> Schoeps CMC 5 Mic Body -> Monster M1000 Jumper -> Neumann Supply -> Canare Cable -> Panasonic sv255 Transfer: Transfer by Todd Evans May 2006 - todd@bluedakota.com DAT Clone > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav     Source Detail    Source Detail  

 05/26/93 

Sacramento  CA   Cal Expo    flac16; FOB Schoeps CMC3, 2-> OADE/PS-SV255; DAT>CD conversion, unknown; My audio discs > EAC (secure) > FLAC; ripped/FLAC'd/edits done by Nick Georges    Source Detail    Source Detail  

 05/26/93 

Sacramento  CA   Cal Expo    flac16; Recording Info: FOB Schoeps Mk2 Omni Capsule (omnis in hat) spaced 8 feet apart -> Schoeps Active Cables -> Schoeps CMC 5 Mic Body -> Monster M1000 Jumper -> Neumann Supply -> Canare Cable -> Panasonic sv255 DAT Clone > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 using Ozone and L2 for dither Tracked: Cdwave Flac'ed Level 8 Tlh    Source Detail    Source Detail  

 05/27/93 

Sacramento  CA   Cal Expo    flac16; Neumanns(model forgotten over the last 15 years, likely KM150's)>Technics SV-MD1 Recorded FOB By Steve Fink & Keith Litzenberger Transfer by Keith Litzenberger DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5>CDWAV>FLAC    Source Detail    Source Detail  

 05/27/93 

Sacramento  CA   Cal Expo    flac16; Sankens COS1 FOB -> ? -> DAT (16 bit/48 khz); Transfer: Sony R500->Sound Devices 722; Mastered: Soundforge Pro 10.0b - *All file manipulation in Soundforge done at 24 bits*. Volume normalization, minor clap removal during some quiet parts of drums/space, sample rate conversion 48khz to 44.1khz using iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter, then dithered back to 16 bits using using iZotope MBIT+ with Ultra noise shaping, High dither settings. Tracked in CDWav; Recorded By ?; Transfer, mastering, and tracking August 2010 by Scott Bernstein    Source Detail    Source Detail  

 06/09/93 

Auburn Hills  MI   The Palace    flac16; Sennheiser ME-80\'s>Technics SV-MD1; DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger    Source Detail    Source Detail  

 06/11/93 

Hebron  OH   Buckeye Lake Music Center    flac16; FOB DFC Digital Audience Recording Schoeps CMC32 (8' Split Omni's) -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav Tracked w CDWav ->verified SBEOK shntool-2.0.3 -> Soundforge 8.0 48/44.1 conversion -> FlacFrontend(level8)    Source Detail    Source Detail  

 06/11/93 

Hebron  OH   Buckeye Lake Music Center    Soundboard->DAT Master->Sonic Solutions->CD->EAC->SHN. CD seed provided by DG. EAC and SHN by Joe Samaritano.    Source Detail    Source Detail  

 06/13/93 

Orchard Park  NY   Rich Stadium    FOB-AUD (Schoeps CMC-32?s)> DAT> CDR> WAV> SHN; DAE (EAC)> Boundary Check (SHNTOOL)> SHNv3 (MKWACT)> FTP via neo_levo    Source Detail    Source Detail  

 06/15/93 

Louisville  KY   Freedom Hall    FOB/DFC Soundfield ST-250 (blumlein mode) > Sony D10-Pro II (48k); hand held for first set; on stand (6') for second set; upgrade in circulation    Source Detail    Source Detail  

 06/18/93 

Chicago  IL   Soldier Field    flac16; Fob Digital Audience Recording Schoeps CMC321 (Sub Cardiods) -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master - Recorded by Todd Evans, Adam Gross and Bill Pobega DAT Master from Todd Evans DAT Master > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav 48K >> 44.1 resampling (audacity 1.2.3), tracking (shntool 2.0.3) and flac16 encoding (flac 1.1.2) running on FC3 linux by triportweek.    Source Detail    Source Detail  

 06/22/93 

Noblesville  IN   Deer Creek Music Center    flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC; Recorded By Keith Litzenberger    Source Detail    Source Detail  

 06/23/93 

Noblesville  IN   Deer Creek Music Center    FOB AMS ST-250(cardioid) -> Modified D-10 Pro, by Pete Delgado; Transfer: D8 -> Montego II -> CDWAV -> Shorten32,? by Doug Nawrocki    Source Detail    Source Detail  

 06/25/93 

Washington  DC   Robert F. Kennedy Stadium    AMS ST-250 run blumlein config > Sony D-10 Pro II FOB; via Nick Georges    Source Detail    Source Detail  

 06/26/93 

Washington  DC   Robert F. Kennedy Stadium    flac16; Aud AMS ST250 FOB DFC > AMS Control Box with the pattern on control box was set as close to ORTF (cardioids at 110 degrees) as possible > Modified Sony D10 Pro> Modified Sony D10 Pro via Sony AES/EBU digital cable; (Both decks Modified By Bob Katz); Recorded by James Young & Ron Keyser; Transfer By Ron Keyser: Master DATS played back in a Sony D8 > M-Audio Auiophile USB > Sony PCV-RS410 Soundforge v 7.0 for resampling and fades> CD Wave Editor for tracking> Flac Frontend    Source Detail    Source Detail  

 08/22/93 

Eugene  OR   Autzen Stadium, University Of Oregon    flac16; AKG C61's>Teac DA-P20 @ 25th Row Center DAT>Digital Reels>DAT Clone Of Reels>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, De-emphasis,Sample Rate Conversion)>CDWAV>FLAC, Recorded By Steve L. Fink, Processed by Keith Litzenberger    Source Detail    Source Detail  

 08/25/93 

Mountain View  CA   Shoreline Amphitheatre    flac16; Source: Schoeps MK4's>Rbox>Techinics SV-MD1 From Front Row Center OTS DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger    Source Detail    Source Detail  

 08/26/93 

Mountain View  CA   Shoreline Amphitheatre    flac16; Schoeps MK4\'s>Rbox>Technics SV-MD1 From Front Row Center OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger    Source Detail    Source Detail  

 08/27/93 

Mountain View  CA   Shoreline Amphitheatre    flac16; Source: Schoeps MK4's>Rbox>Techinics SV-MD1 From Front Row Center OTS DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger    Source Detail    Source Detail  

 09/08/93 

Richfield  OH   Richfield Coliseum    FOB(AKG491) > DAT > CDR> WAV > SHN via Chris Ladner    Source Detail    Source Detail  

 09/08/93 

Richfield  OH   Richfield Coliseum    flac16; Recording Equipment: Schoeps Mk4v Capsules (ORTF Cardiod) -> Schoeps KC5 Active Cable -> Schoeps CMC6 Mic Body -> Monster M1000 Jumper -> Apogee AD500e -> Casio DA-R100 DAT Deck. Recording Location: FOB DFC Section 2, Row 16, Seats 7 & 8 Recorded By: Todd Evans Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging    Source Detail    Source Detail  

 09/09/93 

Richfield  OH   Richfield Coliseum    flac16; Recording Equipment: Schoeps Mk4v Capsules (ORTF Cardiod) -> Schoeps KC5 Active Cable -> Schoeps CMC6 Mic Body -> Monster M1000 Jumper Cable -> Apogee AD500e -> Casio DA-R100 DAT Deck. Recording Location: FOB DFC Section 2, Row 18, Seats 7 & 8 Recorded By: Todd Evans Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging    Source Detail    Source Detail  

 09/10/93 

Richfield  OH   Richfield Coliseum    flac16; Recording Equipment: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255 DAT Deck. Recording Location: FOB DFC Section 2, Row 16, Seats 7 & 8 Recorded By: Todd Evans & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging    Source Detail    Source Detail  

 09/10/93 

Richfield  OH   Richfield Coliseum    flac16; Schoeps MK4's>Rbox>Technics SV-MD1 From Front Row Center OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger    Source Detail    Source Detail  

 09/12/93 

Philadelphia  PA   The Spectrum    AUD(Sony C-38B?s) > DAT > CDR via Raoul Duke encoded by Matt Vernon    Source Detail    Source Detail  

 09/12/93 

Philadelphia  PA   The Spectrum    flac16/48; Schoeps MK4's>Reutelhuber Preamp>Technics SVM-D1 Recorded FOB in Section 102 Row 13 By Keith Litzenberger & Ed K. Transferred By Watson Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC    Source Detail    Source Detail  

 09/13/93 

Philadelphia  PA   The Spectrum    flac16; SBD -> Master Dat (48k) All Transfers and Mastering By Charlie Miller     Source Detail    Source Detail  

 09/13/93 

Philadelphia  PA   The Spectrum    flac16/48; Schoeps MK4's>Reutelhuber Preamp>Casio DA-7 from Section 102 Row 14 DAT MASTER>SONY TCD-D10PROII>EDIROL R-4>WL5>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger    Source Detail    Source Detail  

 09/14/93 

Philadelphia  PA   The Spectrum    DAUD(Schoeps CMC-341's)>Tascam DAP1>CDR    Source Detail    Source Detail  

 09/16/93 

New York  NY   Madison Square Garden    FOB/DFC Sec. 2 - Row R - Seats 1 & 2 AMS St-250 run Blumlein on stand both sets > Apogee AD 500 > D-10 Pro mod (48k) recorded by Clay Brennecke and Jamie Young DAT > SHN via: Clone of master DAT played through Sony PCM-M1 > active 7 pin cable > Zoltrix Nightingale > recorded/downsampled on PC with Cool Edit 2000 tracked with CDWAV SHN encoding with MKW-ACT (seeking)     Source Detail    Source Detail  

 09/17/93 

New York  NY   Madison Square Garden    FOB/DFC Sec. 2 - Row R - Seats 1 & 2 AMS St-250 run Blumlein on stand both sets > Apogee AD 500 > D-10 Pro mod (48k) recorded by Clay Brennecke and Jamie Young DAT > SHN via: Clone of master DAT played through Sony PCM-M1 > active 7 pin cable > Zoltrix Nightingale > recorded/downsampled on PC with Cool Edit 2000 tracked with CDWAV SHN encoding with MKW-ACT (seeking); NOTE- User Matt Vernon submitted 'alternate' md5s with these notes... the md5's below differ for d1t1,6,7 d2t3,5 and d3t4,5 from the listed shn set but had the same info file i listened to this show and they are clean including set 2 continuity at the disk 2->3 transition.     Source Detail    Source Detail  

 09/18/93 

New York  NY   Madison Square Garden    FOB/DFC Sec. 2 - Row R - Seats 1 & 2 2 AMS St-250s on stand both sets > Apogee AD 500 > Nagra digital Reel to Reel > DAT clone > SHN recorded by Clay Brennecke, Jamie Young and Jeff Silberman    Source Detail    Source Detail  

 09/20/93 

New York  NY   Madison Square Garden    FOB/DFC, Sec. 2, Row S - Seat 5; Schoeps S4 at 90 degrees > Canari Cables > Sonosax SX-M2 > Apogee AD 500 > Sony D-7; taper Jeff Zimmer- see pub comments     Source Detail    Source Detail  

 09/21/93 

New York  NY   Madison Square Garden    FOB/DFC Sec. 2 - Row M - Seat 1 AMS St-250 run Blumlein on stand both sets > Apogee AD 500 > D-10 Pro mod recorded by Clay Brennecke and James Young     Source Detail    Source Detail  

 09/21/93 

New York  NY   Madison Square Garden    flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger    Source Detail    Source Detail  

 09/22/93 

New York  NY   Madison Square Garden    flac16; Schoeps MK4's>Rbox>Panasonic SV-255 FOB>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger    Source Detail    Source Detail  

 09/22/93 

New York  NY   Madison Square Garden    Recorded FOB/DFC by James Young & Clay Brennecke using: Sec. 2 - Row M - Seat 1 AMS ST-250 run Blumlein on stand both sets at 6"3' > Panasonic SV 255    Source Detail    Source Detail  

 09/24/93 

Boston  MA   Boston Garden    Source: Schoeps (unknown model/ps) > D7 @48k via Dave Minor. DAT > shn encoding Marc Pujol    Source Detail    Source Detail  

 09/24/93 

Boston  MA   Boston Garden    flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger    Source Detail    Source Detail  

 09/25/93 

Boston  MA   Boston Garden    Set 1 Schoeps (unknown model/ps) via David Minor. Set 2 Schoeps CMC-521?s via Raoul Duke. Transfer and encoding Marc Pujol, Alan Fink and Matt Vernon    Source Detail    Source Detail  

 09/26/93 

Boston  MA   Boston Garden    Source: Schoeps (unknown model/ps) > D7 @48k via Dave Minor, DAT > SHN by Marc Pujol    Source Detail    Source Detail  

 09/26/93 

Boston  MA   Boston Garden    flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger    Source Detail    Source Detail  

 09/28/93 

Boston  MA   Boston Garden    Source: Schoeps (unknown model/ps) > D7 @48k Transfer: 48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, 48>44 with anti-alias filter) > CDWav (splits)> mkw > shn (seekable) SHNtool used verify track boundaries prior to wav>shn Transfered by Marc Pujol 9/25/2002     Source Detail    Source Detail  

 09/29/93 

Boston  MA   Boston Garden    Schoeps (unknown model/ps) > D7 @48k via Dave Minor. Transfer Marc Pujol    Source Detail    Source Detail  

 09/30/93 

Boston  MA   Boston Garden    Schoeps (unknown model/ps) > D7 @48k via Dave Minor. shn encoding Marc Pujol    Source Detail    Source Detail  

 12/09/93 

Los Angeles  CA   Sports Arena    flac16; Source: Schoeps MK4's>Rbox>Techinics SV-MD1 From Front Row Center OTS DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger    Source Detail    Source Detail  

 12/12/93 

San Diego  CA   San Diego Sports Arena    MK4 FOB aud > DAT(s) > CDR; via Ryan Varum; Matt Vernon    Source Detail    Source Detail  

 12/12/93 

San Diego  CA   San Diego Sports Arena    flac16; Schoeps MK4's>Rbox>Technics SVM-D1(Front Row Center of Taper's Section) Dat Master>Sony TCD-D100>Edirol R-4 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred by Keith Litzenberger    Source Detail    Source Detail  

 12/13/93 

San Diego  CA   San Diego Sports Arena    Set 1: FOB(Schoeps MK4) > DAT(s) > EAC(secure) > mkwact(seekable) > shn. Set 2: SBD > DAT > CDR > WAV > SHNv3; via Ryan>Matt>Willy, Paul B; Seeded to etree by neo_levo    Source Detail    Source Detail  

 12/13/93 

San Diego  CA   San Diego Sports Arena    flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger    Source Detail    Source Detail  

 12/17/93 

Oakland  CA   Oakland-Alameda County Coliseum    KM140's FOB aud > DAT(s) > CDR; via Ryan Varum; Matt Vernon    Source Detail    Source Detail  

 12/17/93 

Oakland  CA   Oakland-Alameda County Coliseum    flac16/48; Recorded, Transferred & Uploaded by Keith Litzenberger; Source: Schoeps MK4's>Reutelhuber PreAmp>Technics SVM-D1 Transfer: Sony TCD-D10PROII>Edirol R-4>WL5>CDWAV>FLAC **16 BIT/48KHZ Transfer from master**    Source Detail    Source Detail  

 12/18/93 

Oakland  CA   Oakland-Alameda County Coliseum    Unknown FOB aud (likely Neumann KM-140, see user comments)> DAT(s) > CDR via Ryan Varum; Matt Vernon    Source Detail    Source Detail  

 02/24/94 

Oakland  CA   Oakland County Coliseum*    flac16; FM SBD Monitor > MC > Cx > WAV > FLAC    Source Detail    Source Detail  

 02/25/94 

Oakland  CA   Oakland-Alameda County Coliseum    Source: FOB (unknown mics) > DAT > Tascam DA-20 > Harmon Kardon stand alone burner >Tascam CDRW700 > Toast Audio Extractor (overlap) > SHN. THIS IS NOT A RE-EXTRACTION - the original SHNs had sector boundary errors on the last track of each disc, were not seekable (also minor), and the d2>d3 transition was not seamless (minor again). These issues have been resolved and the show tracked on 2 discs instead of 3 (minus the previously included "filler").    Source Detail    Source Detail  

 02/27/94 

Oakland  CA   Oakland-Alameda County Coliseum    flac16/48; Schoeps MK4's>Reutelhuber Preamp>Sony TCD-D10PROII FOB DFC Recorded By Keith Litzenberger, Roger Jones & Corey Clayton Transferred to WAV By Watson WAV>FLAC Conversion & Upload by Keith Litzenberger Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC    Source Detail    Source Detail  

 03/04/94 

Phoenix  AZ   Desert Sky Pavilion    flac16; Source:Schoeps MK4's>Rbox>Sony TCD-D10PROII FOB Transfer: DAT Master>Sony TCD-D10PROII>M-Audio Audiophile 192>Wavelab 5(Fades & Sample Rate Conversion to 16/44.1)>CDWAV>FLAC Recorded and Transferred By Keith Litzenberger    Source Detail    Source Detail  

 03/20/94 

Richfield  OH   Richfield Coliseum    Source: AUD (SchoepsCMC34>Oade>SV255) > DAT > CDR > WAV > SHN; via M.Ratliff; Seeded to etree by neo_levo    Source Detail    Source Detail  

 03/21/94 

Richfield  OH   Richfield Coliseum    SBD > DAT > CDR > SHNv3; via johnathan miller, candyman    Source Detail    Source Detail  

 03/23/94 

Uniondale  NY   Nassau Coliseum    AUD fob (in hat) Schoeps mk4> Reutelhuber p/s> Sony tc-d10 proII (modified), Recorded by Ace Cubby; Transfer: Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > SHN > WAV > CDR; transferred by Chris Larson    Source Detail    Source Detail  

 03/28/94 

Uniondale  NY   Nassau Coliseum    AUD fob(in hat) Schoeps mk4> Reutelhuber p/s> Sony tc-d10 proII (modified), Recorded by Ace Cubby; Transfer: Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > SHN > WAV > CDR; transferred by Chris Larson    Source Detail    Source Detail  

 04/06/94 

Miami  FL   Miami Arena    FOB-AUD(Schoeps MK4>SV250)>DAT>CDR; via Paul; Seeded to etree by Chris L    Source Detail    Source Detail  

 04/06/94 

Miami  FL   Miami Arena    Soundcheck; SBD>Dat>MiniDisc>Behringer UltraMatch SRC2000>Dio2448>Cool Edit Pro>SHN; Seeded to etree by Charlie Miller    Source Detail    Source Detail  

 04/07/94 

Miami  FL   Miami Arena    FOB-AUD(Schoeps MK4>SV250)>DAT>CDR; via Paul; Seeded to etree by Chris L    Source Detail    Source Detail  

 04/08/94 

Miami  FL   Miami Arena    AUD(Schoeps CMC521?s)>DAT>CDR; via Paul; Seeded to etree by Chris L    Source Detail    Source Detail  

 06/08/94 

Sacramento  CA   Cal Expo    flac16; Recorded by Keith Litzenberger & Roger Jones aka "Ace Cubby" Schoeps MK4's>Reutelhuber>Sony TCD-D10PROII FOB DFC Transfer done on 5/08/2007 from DAT MASTER: Sony TCD-D10PROII>Edirol R-4>WL5 (Fades and Resampling to 44.1khz)>CDWAV>FLAC     Source Detail    Source Detail  

 06/13/94 

Seattle  WA   Memorial Stadium    Schoeps CMC441s FOB > DAT > PC > WAV > SHN; Seeded to etree by Marc Pujol    Source Detail    Source Detail  

 06/17/94 

Eugene  OR   Autzen Stadium, U. of Oregon    AUD (Nak700's)>DAT>CDR; via Paul B; Seeded to etree by neo_levo/candyman    Source Detail    Source Detail  

 06/19/94 

Eugene  OR   Autzen Stadium, U. of Oregon    FOB / Nak 100/CP1 cardioids > DAT > PC > WAV > SHN; Seeded to etree by Marc Pujol    Source Detail    Source Detail  

 06/24/94 

Las Vegas  NV   Sam Boyd Silver Bowl, U.N.L.V.    Audience recording by Neil Sturtevant Senn K3U mics w/ ME80 capsules > Master DAT (deck model unknown). DAT > CD transfer by Neil Sturtevant (untracked). Subsequent Extraction (EAC), tracking (CD Wave) and SHN conversion (mkwACT) by Sean Cribbs    Source Detail    Source Detail  

 06/26/94 

Las Vegas  NV   Sam Boyd Silver Bowl, U.N.L.V.    flac16; Schoeps CMC5 MK4->Sonosax SX-M2->Sony D10 Pro ->Tascam DA20 MKII->Edirol R44->SD->PC->Audacity->CD Wave Editor->Flac Frontend    Source Detail    Source Detail  

 07/13/94 

Highgate  VT   Franklin County Airport    Source: Schoeps CMC 44 cardioids (ORTF) > Oade power supply > modified Panasonic SV-255 > Sony D3 DAT Master (spdif input) Location: taped up front on a 6 foot stand Transfer: DAT Master 60ES > M-Audio Microtrack 2496 (spdif) > WAV > Flac taper & transfer: jbraveman@hotmail.com    Source Detail    Source Detail  

 07/13/94 

Highgate  VT   Franklin County Airport    flac16/48; Schoeps MK4's>Reutelhuber>Sony TCD-D10PROII Recorded FOB by Roger,Rich, Seth, Keith & Jim Transferred to WAV By Watson Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC WAV>FLAC Transfer & Upload by Keith Litzenberger    Source Detail    Source Detail  

 07/16/94 

Washington  DC   Robert F. Kennedy Stadium    FOB AMS ST250 (ambisonic) >Modified Sony D10 pro2 > DAT > Tascam CDR 700; via Tim Wiley    Source Detail    Source Detail  

 07/17/94 

Washington  DC   Robert F. Kennedy Stadium    AMS-S250?s(ambisonic)>Sony D-10 pro 2>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo    Source Detail    Source Detail  

 07/20/94 

Noblesville  IN   Deer Creek Music Center    SBD> DAT> WAV> CDR> WAV> SHN; via darkstar13311     Source Detail    Source Detail  

 07/26/94 

Maryland Heights  MO   Riverport Amphitheatre    Chase Smith recording, Shure BG-40?s>Sony D-7>DAT>CDR; via Paul; seeded to etree by neo_levo    Source Detail    Source Detail  

 07/27/94 

Maryland Heights  MO   Riverport Amphitheatre    Shure BG-40/Sony D-7 recorded by Chase Smith > ? > CDR; via Mike Rodriguez; Seeded to etree by Matt Vernon    Source Detail    Source Detail  

 07/29/94 

Hebron  OH   Buckeye Lake Music Center    Schoeps mk4 (12' spread FOB) > DAT; DAT3@44.1> Tascam DA-30mkII> SBL spdif> SoundForge 4.5> wav> MKW> shn; unknown taper- uploaded by C.DiPietro; note both regular and fixed d1 md5s were submitted to db but no further details were provided    Source Detail    Source Detail  

 07/29/94 

Hebron  OH   Buckeye Lake Music Center    Recording Info: (FOB) Beyer M101 (Omni) -> Dat (Casio DA-7) -> CD -> EAC -> SHN via Charlie Miller    Source Detail    Source Detail  

 07/29/94 

Hebron  OH   Buckeye Lake Music Center    Recording Info: (FOB) Beyer M101 (Omni) -> Dat (Casio DA-7) -> CD -> EAC -> SHN via Charlie Miller    Source Detail    Source Detail  

 08/01/94 

Auburn Hills  MI   The Palace    flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger    Source Detail    Source Detail  

 08/03/94 

East Rutherford  NJ   Giants Stadium    Taper: Dan Sisler Source: FOB 25th row/center > Schoeps cmc5/mk4 > Sonosax > Sony d10 > digi out > Sony d7 @44.1 Clone: Master DAT/Master D7 > Sony PCM-R500 by Dan Sisler DAT to SHN: Dan's 1x clone > Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0 > CDwave > SHN (seekable) by Marc Pujol    Source Detail    Source Detail  

 08/03/94 

East Rutherford  NJ   Giants Stadium    flac16/48; Schoeps CMC54's>Aerco>Sony TCD-D10PROII, FOB (@15th Row Center) Recorded By Travitz & Keith Litzenberger Transferred to WAV By Watson WAV>FLAC Conversion & Upload by Keith Litzenberger Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC    Source Detail    Source Detail  

 09/27/94 

Boston  MA   Boston Garden    PNB Microphones FOB via Dave Minor, shn conversion Marc Pujol    Source Detail    Source Detail  

 09/28/94 

Boston  MA   Boston Garden    PMB Microphones FOB via Dave Minor> D7> R300> RMEdigi96/8pad> SF6.0> CDWav> mkw> shn conversion by Marc Pujol    Source Detail    Source Detail  

 09/29/94 

Boston  MA   Boston Garden    flac16; (FOB) Schoeps mk4 > Reutelhuber > modified Sony D10 Pro II (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > r8brain v1.9 (resample to 44.1 kHz) > WaveLab 5.01b (fades) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Carrion Crow and Ace Cubby; Transferred by Jason Sobel    Source Detail    Source Detail  

 09/29/94 

Boston  MA   Boston Garden    flac16/48; (FOB) Schoeps mk4 > Reutelhuber > modified Sony D10 Pro II (@ 48 kHz) Taped by Carrion Crow and Ace Cubby Transferred by Jason Sobel: Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > .wav    Source Detail    Source Detail  

 10/01/94 

Boston  MA   Boston Garden    PMB Microphones (German)(1) FOB> Sony D7 @48k taped by Dave Minor, encoding by Marc Pujol    Source Detail    Source Detail  

 10/02/94 

Boston  MA   Boston Garden    PMB Microphones FOB> Sony D7 @48k via Dave Minor, encoding Marc Pujol    Source Detail    Source Detail  

 10/03/94 

Boston  MA   Boston Garden    PMB Microphones FOB> Sony D7 @48k via Dave Minor, encoding Marc Pujol    Source Detail    Source Detail  

 10/05/94 

Philadelphia  PA   The Spectrum    flac16/48; Schoeps MK4's>Reutelhuber>Sony TCD-D10PROII Recorded From Section 102 Row 13 Seats 11-12 Recorded By Keith Litzenberger & Roger Jones DAT Master played back on Sony TCD-D10PROII>Edirol R-4>WL5 (Fades)>CDWAV>FLAC    Source Detail    Source Detail  

 10/06/94 

Philadelphia  PA   The Spectrum    Nakamichi 300> ?> D7; Transfer: Tascam DAP1> Egosys U2A Waveterminal USB> Soundforge4.5xp> CDWave; via mark & julie lonski; ericB    Source Detail    Source Detail  

 10/07/94 

Philadelphia  PA   The Spectrum    DAUD/FOB> Unknown Mics (AKG?) /Deck> DAT@48k> DAT > SF 4.5a> SHN (seekable); Via Aldo Torre; Marc P; Tim W    Source Detail    Source Detail  

 10/10/94 

Landover  MD   USAir Arena    flac16/48kHz; Source: Schoeps MK4's->Schoeps VMS021b->Sony D10 Pro Transfer: Tascam DA-20 MKII->Edirol R44->SD->PC->Cd Wave Editor->Flac Frontend Taped by Eliot Byron and ?, up front in the hat, FOB    Source Detail    Source Detail  

 10/11/94 

Landover  MD   USAir Arena    flac16/48; Schoeps MK4's>Reutelhuber>(Either Sony TCD-D10ProII or Casio DAR-100) Recorded FOB in Section 2 (Somewhere between 12-17th Row) by Roger Jones and Jim V. Transferred to WAV By Watson WAV>FLAC Conversion & Upload by Keith Litzenberger Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC    Source Detail    Source Detail  

 10/15/94 

New York  NY   Madison Square Garden    flac16; Recorded FOB By Eliot Byron, Transferred By Keith Litzenberger Source: Schoeps CMC54's>Sonosax SX-M2>Apogee AD1000>Sony TCD-D10PROII Transfer: My DAT Clone>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC    Source Detail    Source Detail  

 10/17/94 

New York  NY   Madison Square Garden    flac16/48kHz; Schoeps CMC5 MK4's->Sonosax SX-M2->Apogee D100O->Sony D10 Pro ->Tascam DA20 MII->Edirol R44->SD->PC->CD Wave Editor->Flac Frontend    Source Detail    Source Detail  

 12/16/94 

Los Angeles  CA   Sports Arena    AUD(Nak 300 Shotguns)>Aiwa DAT>CD; via Henry Wankleswurth; Seeded to etree by neo_levo    Source Detail    Source Detail  

 12/19/94 

Los Angeles  CA   Sports Arena    Schoeps MK-4 > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); Transferred, SHNed and seeded by Jon Seff; Jon's comment: Levels are a little low throughout, but quite hot during drums, so I couldn't normalize and there may be a bit of clipping at the highest points.    Source Detail    Source Detail  

 02/19/95 

Salt Lake City  UT   Delta Center    flac16; Schoeps CMC441's>koch power supply >Panasonic sv-255>Sony TCD-D10PROII Recorded by Keith Litzenberger via digital patch from Ed Boardman front Row of Taper's Section DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC    Source Detail    Source Detail  

 03/17/95 

Philadelphia  PA   The Spectrum    AUD (Schoeps MK4)>DAT>CDR>WAV>SHNv3 via Paul B and Candyman    Source Detail    Source Detail  

 03/17/95 

Philadelphia  PA   The Spectrum (soundcheck)    Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol    Source Detail    Source Detail  

 03/19/95 

Philadelphia  PA   The Spectrum    FOB Schoeps MK41 > DAT @ 48KHz > ZA2 (48244) > SHN     Source Detail    Source Detail  

 03/29/95 

Atlanta  GA   The Omni    2nd set partial - from Phil's ear monitor via Marc Pujol    Source Detail    Source Detail  

 04/07/95 

Tampa  FL   Tampa Stadium    flac16; source: (fob) Scheops cmc6/mk4v (unknown pre-amp/recorder) transfer: dat (clone) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Clete (?). transfer: Chris Davis (6/4/08)    Source Detail    Source Detail  

 05/19/95 

Las Vegas  NV   Sam Boyd Silver Bowl, U.N.L.V.    Show recorded by Dan Sisler Tapes provided by Kevin Hoffman Transfer by Chris Larson - nswboogy@easystreet.com. there are end of disc SBE's.    Source Detail    Source Detail  

 05/20/95 

Las Vegas  NV   Sam Boyd Silver Bowl, U.N.L.V.    Source: Set 1: Tapers section- A:AKG 460's>DAT Set 2: Audience(FOB directly in front of soundboard):Schoeps MK-4's>Schoeps Pre-amp>Denon80-P>DAT(48kHz) Transfer: DAT>ZA2>Samplitude>CD-r (or shn). Recorded by Dan Sisler, DATs via Kevin Hoffman, Transfer Chris Larson. Note - there is a sector boundary error on the last track of the first disc.    Source Detail    Source Detail  

 05/21/95 

Las Vegas  NV   Sam Boyd Silver Bowl, U.N.L.V.    Source: A:FOB-Schoeps MK4's>Schoeps Pre-amp>Denon80-P@48kHz Transfer: DAT>ZA2>Samplitude2496>CD-r (or shn). Taped by Dan Sisler. DATs via Kevin Hoffman. Transfer to SHN via Chris Larson.     Source Detail    Source Detail  

 05/28/95 

Portland  OR   Portland Meadows    FOB-AUD(Schoeps CMC + MK21)>DAT>CDR; via Paul B; Seeded to etree by Chris L    Source Detail    Source Detail  

 05/29/95 

Portland  OR   Portland Meadows    flac16/48; FOB DFC Schoeps MK4's>Reutelhuber>Sony TCD-D10PRO    Source Detail    Source Detail  

 05/29/95 

Portland  OR   Portland Meadows    FOB-AUD(Schoeps CMC + MK21)>DAT>CDR; via Paul B; Seeded to etree by neo_levo    Source Detail    Source Detail  

 06/03/95 

Mountain View  CA   Shoreline Amphitheatre    AUD(Nak 300 Shotguns)>Aiwa DAT>CDR; via Paul; Seeded to etree by neo_levo    Source Detail    Source Detail  

 06/03/95 

Mountain View  CA   Shoreline Amphitheatre    flac16/48; Schoeps MK41's>reutelhuber Preamp>Casio DAR-100 Recorded FOB in Section 102 Row K Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC DAT>WAV transfer by Watson Recording and WAV>Flac conversion by Keith Litzenberger, Danny Lucian (1st set)& Roger Jones (2nd Set)    Source Detail    Source Detail  

 06/15/95 

Highgate  VT   Franklin County Airport    FOB - Schoeps MK4V's -> Sonosax mic preamp -> DA - P1 -> DAT (Master) -> DAT -> HHb Cdr-800; via Matt Bertollo; Tim Wiley    Source Detail    Source Detail  

 06/15/95 

Highgate  VT   Franklin County Airport    flac16/48; Schoeps MK4's>Reutelhuber>Teac DAP-20 Recorded FOB by Carrion Crow & Crew with my Schoeps Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC DAT>WAV Transfer By Watson WAV>FLAC conversion and Upload by Keith Litzenberger    Source Detail    Source Detail  

 06/19/95 

East Rutherford  NJ   Giants Stadium    FOB 25th Row, Dead fuckin center, Nak 300's (hand held, still sore) into my sony D7. Dat > sblive > Cd; Seeded to etree by Wally Stine    Source Detail    Source Detail  

 06/21/95 

Albany  NY   Knickerbocker Arena    flac16; Source: FOB 15th row, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (48-44.1, highest accuracy with anti-alias filter; normalize) > CDWav 1.93 > FLAC Frontend 1.7.1 (no DAE)    Source Detail    Source Detail  

 06/21/95 

Albany  NY   Knickerbocker Arena    flac16/48; Source: FOB 15th row, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (record only) > CDWav 1.93 > FLAC Frontend 1.7.1 (48kHz)    Source Detail    Source Detail  

 06/22/95 

Albany  NY   Knickerbocker Arena    flac16; Source: FOB, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (48-44.1; normalize) > CDWav 1.93 > Flac Frontend 1.7.1 (no DAE)    Source Detail    Source Detail  

 06/22/95 

Albany  NY   Knickerbocker Arena    flac16/48; Source: FOB, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (record only) > CDWav 1.93 > Flac Frontend 1.7.1 (48kHz)    Source Detail    Source Detail  

 06/24/95 

Washington  DC   Robert F. Kennedy Stadium    FOB/DAUD>Scoeps MK4's>CMC6 Oade p/s>Panasonic SV-255>DAT>CDR; Seeded to etree by Tim W    Source Detail    Source Detail  

 06/25/95 

Washington  DC   Robert F. Kennedy Stadium    flac16; FOB Schoeps mk-4 >kcy >vms021b >d-10pro2 > DATs; Transfer: DAT 60ES > M-Audio Audiophile USB > CDWAVE > Goldwave (patching, and resampling) > CDWAVE (tracking) > Flac Frontend; Tapers: Tom Cooper and Dave Howard; Transfer: jbraveman     Source Detail    Source Detail  

 06/25/95 

Washington  DC   Robert F. Kennedy Stadium    FOB Nak 300's: at 6ft, then up to 8ft- 40ft from stage, Dead center> Sony D-7; Dat> Sblive> cd; recorded, Seeded to etree by Wally Stine    Source Detail    Source Detail  

 06/30/95 

Pittsburgh  PA   Three Rivers Stadium    FOB (~26th row) Schoeps CMC6/MK4s> DAT; Transfer: Sony PCM-R500> Tascam CD-RW700> EAC> SHN; Transferred, SHNed, and seeded by: Ryan Burns; hosted by Mike Lai    Source Detail    Source Detail  

 06/30/95 

Pittsburgh  PA   Three Rivers Stadium    flac16/48; Schoeps MK4's>Reutelhuber Preamp>Casio DAR-100 DAT Clone>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades)>CDWAV>FLAC Recorded By Roger Jones from Section 106 Row R Transferred By Keith Litzenberger    Source Detail    Source Detail  

 07/08/95 

Chicago  IL   Soldier Field    FOB B&K 4006 omni's (in hat, 36th row left of center) > Lunatec 316> Panasonic SV-250 by Marc Nutter; Transfer: Sony DTC-A6 > Dio 2448 > SF 4.5 @ 48K, Resample, add fades> CDWAV> SHN by Bill Gardner    Source Detail    Source Detail  

 07/09/95 

Chicago  IL   Soldier Field    flac16; unknown AUD> ?> Bootleg CD (marked AAD)> EAC> Flac (8); via Chris Larson    Source Detail    Source Detail  

 07/09/95 

Chicago  IL   Soldier Field    flac16/48; Schoeps MK4's>Rbox>Casio DAR-100 FOB/DFC Transfer: DAT MASTER>Sony TCD-D10PROII>Tascam DA-30MKII, DAT Clone>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades)>CDWAV>FLAC Recorded By Ace Cubby Gear and Transfer By Keith Litzenberger    Source Detail    Source Detail  

 []------|  Jerry Garcia Band  |------[] 
Date  City State  Venue Source Notes Source Link

 12/19/75 

San Francisco  CA   Winterland Arena    JGB, flac1644: 2 x Sony ECM-270 => Sony TC-152 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> MOTB.0075; Taped By: Reinhart Hohlwein; Transfer By: Bob Menke; Mastering By: Jamie Waddell.    Source Detail    Source Detail  

 06/16/82 

South Fallsburg  NY   Music Mountain    JGB, flac24 MOTB Release: 0057 24/96; Analog Audience Source: FOB Master Cassette (MAC); Analog Copy Instances: Tape Reel One (R1); Medium Stock Brands: MAC = Maxell XLIIS-90, R1 = Maxell UD 35-90; Lineage: 2 x Nakamichi CM-300 => Sony TC-D5M >> MAC >> Sony TC-D5M (??) => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [3.75 IPS] >> R1; Transfer: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: John Steinthal; R1 Supplied By: Barry Glassberg; Transfer By: A. Egert; Mastering By: J. Waddell.    Source Detail    Source Detail  

 11/09/91 

Hampton  VA   Hampton Coliseum    Jerry Garcia Band: Schoeps FOB Schoeps CMC3/mk4 (ortf handheld in "sweet spot")>Oade Mic Pre> Sony D7 > Master DAT> CD(no intermediate DAE)> EAC> SHN; entire show with Bruce Hornsby; via Darrin Sacks    Source Detail    Source Detail  

 11/09/91 

Hampton  VA   Hampton Coliseum    JGB: Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S > Nakamichi BX-125E playback > EMU 0202 > Wavelab > wav (24/96) > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16, via sirmick.    Source Detail    Source Detail  

 11/12/91 

Philadelphia  PA   The Spectrum    JGB: Recorded by Jeff Travitz; Schoeps MK-4s> Sony D-10; Lineage: Master DAT>HHB Stand Alone CDR (model unknown)>CD>dBpoweramp CD Ripper>HD>Audio Audition 2.0 (adjust DC Offset and retrack)> FLAC encoding.    Source Detail    Source Detail  

 11/23/91 

Milwaukee  WI   Bradley Center    Lineage: Greg Holtz's 2x Nakamichi CM-300 mics with CP-1 caps, worn in hat > Sony D-6 Cassette Recorder; Master Cassettes-(2)-Maxell MX-S 90 transfered at 24/96 on a tascam112 MKII deck>apogee minime>aes-ebu xlr>Lynx2>wavelab6.0 and Mastered on the GEMS Edit Station In Wavelab 6.0, Weiss Saracon Dither to 16/44.1 by Jamie Waddell; trac'ed cdwave,flac'ed flac frontend level 8    Source Detail    Source Detail  

 05/01/92 

San Francisco  CA   Warfield Theater    Jerry Garcia Band: FOB - Neumann KM 54->DAT->CDR->WAV->FLAC; Taper: Chuck and Janet Vasseur (assumed, but not confirmed); Transfer: Dat Clone->Panasonic SV3700-> Marantz CDR 615-> CDR Ripped with EAC(No Errors)Tracks Named -> Flaced with Traders Little Helper and Tagged with Foobar 2000. DAT->CDR 1999, CDR->Flac 2009 Transfers by Pete Ebel.    Source Detail    Source Detail  

 02/26/93 

San Francisco  CA   Warfield Theater    JGB, set I: DTS-Audio-CD 5.1 Mix, via amdig.     Source Detail    Source Detail  

 02/26/93 

San Francisco  CA   Warfield Theater    JGB, set I: SBD + AUD Matrix Mix (50%-SBD / 50%-AUD), via amdig.    Source Detail    Source Detail  

 02/27/93 

San Francisco  CA   Warfield Theater    Taper: Chuck; Source Neumann mics (vintage 1957, tube electronics) > MAC > CDR > EAC (Secure mode) > shn (MKWACT). Eac'ed/shn'ed and seeded to fungus, etree and abgd by Charlie Connor, with thanks to Bob Menke    Source Detail    Source Detail  

 11/03/93 

Albany  NY   Knickerbocker Arena    Jerry Garcia Band: AUD (Nak 700) > DAT (Sony D3) > CDR > WAV > SHNv3, taped by Larry Gindoff.     Source Detail    Source Detail  

 11/05/93 

Buffalo  NY   Buffalo Memorial Auditorium    JGB: Todd Evans's MAD (13th row center DFC Schoeps CMC34 -> Panasonic sv255) > TASCAM DA-20 playback > M-Audio FireWire solo > Soundforge 8.0 wav. With patches from shnid 12568. Recording and transfer by Todd Evans WAV (48) > Flac (44.1) by jbraveman@hotmail.com.    Source Detail    Source Detail  

 11/08/93 

Hartford  CT   Hartford Civic Center    Jerry Garcia Band. Source: FOB(DFC Schoeps MK4 at 110 degrees handheld both Sets > Active Cables >Oade Microphone Preamp > Panasonic SV-255 DAT)>D>CDR>WAV>SHN. Tapers: Clay C. Brennecke and Roger Jones. DAE and SHN encoding by C.Ladner.    Source Detail    Source Detail  

 11/09/93 

Portland  ME   Cumberland County Civic Center    Jerry Garcia Band: FOB Schoeps MK4 > Oade custom pre-amp > Sony D10 @48K    Source Detail    Source Detail  

 11/12/93 

New York  NY   Madison Square Garden    Jerry Garcia Band: Source: DFOB (Sec. 2, Row U) -- Schoeps MK-4 -> Active Cables -> CMC? -> Oade Mic Pre -> Panasonic SV-255 -- recorded by Clay Brennecke and Keith Litzenburger. Master DAT -> SHN conversion: d7 -> coax -> zoltrix nightingale (mod) -> cooledit 2000 sample rate conversion -> cdwav -> shn by Darrin Sacks.    Source Detail    Source Detail  

 11/14/93 

Syracuse  NY   Onondaga County War Memorial    Jerry Garcia Band. Source: MAD(FOB DFC from Section 1, Row LL, Seat 11 & 12; Schoeps MK4 at 110 degrees handheld both Sets > Active Cables > Oade Microphone Preamp > Panasonic SV-255 )>D>CDR>WAV>SHNv3. Tapers: Clay Brennecke & Roger Jones. DAE and SHN encoding vy C.Ladner.    Source Detail    Source Detail  

 11/15/93 

Worcester  MA   The Centrum    Jerry Garcia Band: Taped by Clay Brennecke and Roger Jones, FOB/DFC Schoeps mk4 (handheld at110 degrees) > Active Cables > Oade Microphone Preamp > Panasonic SV-255 Transfer: Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > SHN > WAV > CDR; transferred by Chris Larson.    Source Detail    Source Detail  

 11/18/93 

Richmond  VA   Richmond Coliseum    Jerry Garcia Band. Source: MAD(FOB; Schoeps MK4 at 110 degrees handheld both Sets>Active Cables>Oade Microphone Preamp > Panasonic SV-255 deck)>D>CDR>WAV>SHNv3. Taper: Clay C. Brennecke. DAE&SHN encoding by neo_levo.     Source Detail    Source Detail  

 11/19/93 

Hampton  VA   Hampton Coliseum    JGB: Taped By Clay Brennecke, Ron Keyser & Friends (Todd Evans gear), Digitial FOB Audience Tape Schoeps CMC34 > Panasonic sv255; DAT from Todd Evans DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav (48khz) WAV (48) > Flac16 (44.1) by jbraveman@hotmail.com    Source Detail    Source Detail  

 11/19/93 

Hampton  VA   Hampton Coliseum    JGB: (FOB) Schoeps MK4 > Dat > Samplitude > Flac. Transfer & Mastering by Charlie Miller.    Source Detail    Source Detail  

 []------|  Phil Lesh & Friends  |------[] 
Date  City State  Venue Source Notes Source Link

 09/24/94 

Berkeley  CA   Berkeley Community Theater              

 []------|  Phish  |------[] 
Date  City State  Venue Source Notes Source Link

 11/23/85 

Plainfield  VT   Goddard College    shnf; 44kHz; unknown SBD > ??? > Cass(1) > ??? > DAT(c) > Sony TCD-D8 > ??? > CDR(x); CDR(x) > EAC > SHN; Source by unknown; Transfer by unknown and Ben Mohr    Source Detail    Source Detail  

 08/03/88 

Telluride  CO   Fly Me to the Moon Saloon    SBD > Cass/1 > DAT; Tascam DA-20mkII > ZA2 > SF4.5 > CDWav > SHN; Transfer by Jimmy Sellers; Fixes by Ben Mohr; See info file for fixes    Source Detail    Source Detail  

 10/26/89 

New York  NY   Wetlands Preserve    SBD > Cass/x > D8 (from Patrick Metsker); CD-R > EAC > SHN by Mike Shumsky    Source Detail    Source Detail  

 04/20/90 

Fort Collins  CO   Ramskellar    SBD > Cass/x; CDR > EAC > FLAC    Source Detail    Source Detail  

 05/04/90 

Keene  NH   Colonial Theater    SBD -> Sony WM-D6C (Maxell XL-IIS 90's) Cassette Master; Nak CR-3A -> Audigy 2 -> Audition 3.0 -> 16/44.1k -> TLH -> Flac16; Taped & transfered by Tim Leavy    Source Detail    Source Detail  

 10/30/90 

Crested Butte  CO   El Dorado Cafe    Separate from Soundboard 16 track Mix > DAT @44.1kHz; Tascam DA-20mkII > Monster Coax > M-Audio Audiophile 24/96 > Soundforge 5.0e (48>44.1kHz) > CDWav > mkwACT > SHN; Mixed by Mike Grace; Transferred by Dan Marquardt; Dankseed    Source Detail    Source Detail  

 11/02/90 

Boulder  CO   Glenn Miller Ballroom    SBD> DAT> CD; seed: CD> AIFF> WAV (via SoundEdit16)> SHN; via S. Chen; note on slow server; listener Mike Bogdan reports "poorly cut" track boundaries    Source Detail    Source Detail  

 11/03/90 

Boulder  CO   Boulder Theater    Separate from Soundboard 16 track Mix > DAT@44.1kHz; Fostex D5 > Monster Optical > Sek'd Prodif Plus > Samplitude v5.5 > CDWav > mkwACT v0.97 > SHN; Please see info file for mixing details    Source Detail    Source Detail  

 07/20/91 

Parksville  NY   Arrowhead Ranch    AKG 451/ck8a (at SBD); Tascam DA-20mkII > rme96/8 > CDWav > mkwACT > SHN; Taped by Kevin Shapiro; Transferred by Mikey K.    Source Detail    Source Detail  

 07/21/91 

Parksville  NY   Arrowhead Ranch    SBD > Cass/0 > DAT > CD > SHN > WAV (SoundEdit 16) > SHN; Fixed version (removed track break pauses) via Matt Fisken; Updated version (12/02/04) removed cuts and silent blocks    Source Detail    Source Detail  

 03/17/92 

Washington  DC   Lisner Auditorium    B+K 4011 (xy) > Sony D10 Pro (TS); Archive Python DDS/dat2wav > WAV > Soundforge (48>44.1kHz) > CDWav > mkwACT > SHN; Transferred by Louie Rendek; Tracking and SHN Conversion by Mike Woellert    Source Detail    Source Detail  

 03/24/92 

Richmond  VA   The Flood Zone    AKG 451 (XY) > B18 > D5 (Cass/0); (Cass/0) > Apogee AD1000 > Echo Mia > SF7.0 > CDwav > FLAC    Source Detail    Source Detail  

 04/05/92 

Boulder  CO   Fox Theater    Separate from Soundboard 16 track Mix > DAT @44.1kHz; Tascam DA-20mkII > M-Audio Audiophile 24/96 > Soundforge 5.0e (48>44.1kHz) > CDWav > mkwACT > SHN    Source Detail    Source Detail  

 04/18/92 

Palo Alto  CA   Wilbur Field    SBD + AUD Matrix Mix; Mixed by Dan    Source Detail    Source Detail  

 04/18/92 

Palo Alto  CA   Wilbur Field    DTS-Audio-CD 5.1 Mix; SBD (ShnID = 4524), Source: DSBD > Cass? > DAT; AUD (ShnID = 85404), Source: Neumann KM140s (90'xy,FOB) > Sony D3; Mixed by dan@am-dig.com    Source Detail    Source Detail  

 05/01/92 

Milwaukee  WI   The Rave at Central Park    Neumann RSM191A-S > Neumann MTX191A > Panasonic SV-255 @48kHz; CDR > EAC > Wavelab > FLAC CDRs provided by Joe Morrison; FLAC Conversion by Marmar     Source Detail    Source Detail  

 07/15/92 

Charlottesville  VA   Trax    AKG 451/ck1 (XY) > b18 > Sony D5 (Cass/0); Cass/0 > Apogee AD-1000 > Soundforge7.0 > CDwav > FLAC; Taped and transferred by Todd Romero    Source Detail    Source Detail  

 11/27/92 

Port Chester  NY   Capitol Theater    FOB Sennheiser 421 > Panasonic SV-255 @48kHz; Tascam DA-20mkII > Tascam HD-P2 > WaveLab 5.01b > r8brain v1.9 (48>44.1kHz) > CDWav > FLAC; Taped by Joe LeClair; Transferred by Jason Sobel    Source Detail    Source Detail  

 11/28/92 

Port Chester  NY   Capitol Theater    FOB Schoeps mk4 > Reuthelhuber PS > Panasonic SV-255 @48kHz; Tascam DA-20mkII > Tascam HD-P2 > WaveLab 5.01b > r8brain v1.9 (48>44.1kHz) > CDWav > FLAC; Taped by Joe LeClair; Transferred by Jason Sobel    Source Detail    Source Detail  

 12/31/92 

Boston  MA   Matthews Arena, Northeastern University    Matrix (DSBD+Elektra AUD); transfer: Fostex D5 > HHb 850, D. Eisenberg    Source Detail    Source Detail  

 02/05/93 

New York  NY   Roseland Ballroom    (FOB) Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Sony TCD-D10 pro II (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > Samplitude SE v9.1.1 (48 to 44.1 kHz) > FLAC v1.2.1 (Level 8); Taped by Eliot Byron; Transferred by Jason Sobel    Source Detail    Source Detail  

 02/06/93 

New York  NY   Roseland Ballroom    (FOB) Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Sony TCD-D3 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > Samplitude SE v9.1.1 (48 to 44.1 kHz) > FLAC v1.2.1 (Level 8); Taped by Eliot Byron; Transferred by Jason Sobel    Source Detail    Source Detail  

 02/07/93 

Washington  DC   Lisner    AUD; Tascam DA-20mkII > ZA2 > SF > CDWav > SHN; Transferred by Jimmy Sellers    Source Detail    Source Detail  

 02/07/93 

Washington  DC   Lisner    AKG 460b/ck63 > Teac DA-P20 @48kHz; Tascam DA-20mkII > Tascam HD-P2 > WaveLab 5.01b (48>44.1kHz) > CDWave > FLAC; Taped by Terry Sullivan; Transferred by Jason Sobel    Source Detail    Source Detail  

 03/22/93 

Sacramento  CA   Crest Theater    SBD -> master cass -> DAT; DAT -> SHN, David McDowell: DA-P1 -> Gina -> Cool Edit Pro v1.2 @ 48k -> 44.1k -> WAV -> SHN; Note: d1t01 crowd noise at start of track spliced in from B. Mohr's source    Source Detail    Source Detail  

 05/02/93 

Upper Darby  PA   The Tower Theatre    (FOB) Schoeps CMC54's > Sonosax SX-M2 > Technics SV-MD1; Sony TCD-D10PROII > M-Audio Audiophile 192 > Wavelab 5 (48 to 44.1 kHz) > CD Wave > FLAC; Taped by Eliot Byron (Keith Litzenberger patch); Transferred by Keith Litzenberger (NOTE: this is a new transfer of the same source as /shn/1414)    Source Detail    Source Detail  

 05/29/93 

Monterey  CA   Laguna Seca Raceway    Schoeps MK21's > Schoeps CMC5's > Sonosax SX-M2 > Technics SV-MD1; Sony TCD-D10PROII > M-Audio Audiophile 192 > Wavelab 5 (Fades, 48 to 44.1 kHz)> CD Wave > FLAC; Taped By Eliot Byron (Keith Litzenberger patch); Transferred by Keith Litzenberger    Source Detail    Source Detail  

 12/30/93 

Portland  ME   Cumberland County Civic Center    SBD/AUD Post-mix Matrix (SBD > DAT > Cass/0 > DAT; FOB Schoeps CMC5/mk4 > Sonosax > AD500 > D10); CDR > EAC (secure) > Cool Edit Pro (mixing)    Source Detail    Source Detail  

 12/30/93 

Portland  ME   Cumberland County Civic Center    DTS Audio 5.1 mix based on this source    Source Detail    Source Detail  

 12/31/93 

Worcester  MA   Worcester Centrum    flac16, 44kHz; AKG c460b/ck61's > custom pre-amp > Teac DA-P20 > DAT(m); DAT(m) > Sony PCM-R500 > Tascam HD-P2 > WaveLab > CDWave > FLAC; Source by Dave Flaschner; Transfer by Jason Sobel    Source Detail    Source Detail  

 05/07/94 

Dallas  TX   The Bomb Factory    shnf, 44kHz; SBD > Cass(0) > DAT(c); DAT(c) > Samplitude > SHN; Source provided by J. Coleman    Source Detail    Source Detail  

 05/19/94 

Eugene  OR   Hult Center    flac16, 44kHz; B&K 4010's > Stewart PS > Sony TCD-D3 > DAT(c); DAT(c) > ??? > Soundforge > Waves > FLAC; Source by Mikey Perrot; Transfer by idiotwind(?)    Source Detail    Source Detail  

 05/25/94 

San Francisco  CA   Warfield Theater    flac16, 44kHz; (FOB/ortf) Schoeps cmc5/mk4's > Sonosax SX-M2 > Apogee AD-500E > Sony TCD-D10 [Dankseeds]    Source Detail    Source Detail  

 05/26/94 

San Francisco  CA   Warfield Theater    Schoeps CMC5/Mk21 (ORTF)-> Sonosax SX-M2-> Apogee AD-500E->Sony D-10 @ 48KHz [Dankseeds]    Source Detail    Source Detail  

 05/29/94 

Monterey  CA   Laguna Seca Raceway    Schoeps mk4 > Rbox > Sony TCD-D10PROII; Sony TCD-D10PROII > Edirol R-4 > Wavelab 5.0 (48>44.1kHz) > CDWav > FLAC; Taped and transferred by Keith Litzenberger    Source Detail    Source Detail  

 06/26/94 

Charleston  WV   Municipal Auditorium    FOB AKG 460 > DAT @48kHz; Fostex D5 > VX Pocket 440 > Toshiba Protege 3480ct > Wavelab 4.0 (48>44.1kHz) > CDWav > FLAC; Transferred by Greg Lance    Source Detail    Source Detail  

 07/02/94 

Holmdel  NJ   Garden State Arts Center    FOB B+K 4011; Fostex D5 > optical cable > HOSA ODL-276 > digi coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN Transferred by Jason Sobel; DAT's provided by Blane Harvey    Source Detail    Source Detail  

 07/02/94 

Holmdel  NJ   Garden State Arts Center    Schoeps mk4 > Teac DA-P20 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, splice, fades, 48 to 44.1 kHz) > CD Wave v1.96.1 > FLAC v1.2.1 (Level 8); Transferred by Jason Sobel    Source Detail    Source Detail  

 07/05/94 

Ottawa  ON   The Congress Center    AKG 461 > Oade Custom Pre-Amp > DAT @48kHz; Sony D8 > Coax Cable > MAudio Dio 24/48 > CDWav > Cool Edit (48>44.1kHz) > FLAC; Taped by Kevin Shapiro; Transfer by Blane Harvey    Source Detail    Source Detail  

 07/08/94 

Mansfield  MA   Great Woods Center for the Performing Arts    FOB Schoeps CMC6/mk4; transfer by Dan Panice; seeded to evines and offers; copy is uncut    Source Detail    Source Detail  

 07/14/94 

Canandaigua  NY   Finger Lakes Performing Arts Center    (FOB) AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48kHz); Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); recorded by Dave Flaschner; transferred by Jason Sobel    Source Detail    Source Detail  

 10/07/94 

Bethlehem  PA   Stabler Arena    AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, resample to 44.1kHz, patch) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel    Source Detail    Source Detail  

 10/08/94 

Fairfax  VA   Patriot Center    Schoeps mk4 (ORTF) > KC5 > CMC5 > Sonosax SX-M2 > Apogee AD-500e > Sony D10 @48kHz (OTS); R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (48>44.1kHz) > CDWav > SHNv3; Taped by Eliot Byron; DATs provided by Eliot; Transferred by Jim Raras; Dankseed    Source Detail    Source Detail  

 10/08/94 

Fairfax  VA   Patriot Center    AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, resample to 44.1kHz, patch) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel    Source Detail    Source Detail  

 10/18/94 

Nashville  TN   Memorial Gymnasium, Vanderbilt University    AKG 460b/ck61 > AKG b18 > Denon dtr80p; DAT > CDR > EAC > CDWav > FLAC; Taped by Chad Clark    Source Detail    Source Detail  

 10/29/94 

Spartanburg  SC   Memorial Auditorium    shn16, 44kHz; SBD > Cass(m) > DAT(c); DAT(c) > Tascam DA-20mkII > Audiophile 24/96 > Soundforge > CDWave > SHN; Source by unknown; Transfer by Dan Marquardt    Source Detail    Source Detail  

 10/31/94 

Glens Falls  NY   Glens Falls Civic Center    Schoeps CMC3/mk41 (aimed at the stacks) > Oade Deluxe 12v PS > Denon dtr80p@48k; Fostex D5 > Monster Optical > Sek'd Prodif Plus > Samplitude v5.5 > Soundforge 4.0 (48>44.1@kHz) > CDWav > mkwACT v0.97 > SHN v3; Mastered by Mikey Perrott; Transferred and uploaded by Jim Raras [Dankseeds]    Source Detail    Source Detail  

 11/22/94 

Columbia  MO   Jesse Auditorium    FOB AKG 460(?) > DAT; Tascam DA-20mkII > Monster Coax > M-Audio Audiophile 24/96 > Soundforge 5.0b (48>44.1kHz) > CDWav > mkwACT v0.97 > SHNv3; Transferred by Dan Marquardt    Source Detail    Source Detail  

 11/23/94 

St. Louis  MO   The Fabulous Fox Theatre    AKG C1000; Tascam DA-20 mkII > coax > Philips CDR-870 burner > CDR > WAV > EAC > CDWav > Soundforge 4.5 > mkwACT > SHN    Source Detail    Source Detail  

 11/25/94 

Chicago  IL   UIC Pavilion    AKG480 > DAT; Sony R500 > AES/EBU > ZA2 > CoolEdit > SHN; Retracked source by Becca Dorrance    Source Detail    Source Detail  

 11/26/94 

Minneapolis  MN   The Orpheum Theatre    AKG SE 10 (XY)> Marantz PMD-700 @48kHz (OTS); Sony PCM-R500 > Audio Magic Presto II > Delta Di0 2496 > Samplitude v5.5 > Soundforge 4.5a (48>44.1kHz) > CDWav > mkwACT > SHNv3; Transferred by Matt Edlhuber    Source Detail    Source Detail  

 11/28/94 

Bozeman  MT   Field House    Coresound Binurals > DAT; Tascam DA-20 MkII > Monster Coax > M-Audio Audiophile 24/96 > Soundforge 5.0b (48>44.1kHz) > CDWav > mkwACT > SHN; Transferred by Dan Marquardt    Source Detail    Source Detail  

 12/02/94 

Davis  CA   Recreation Hall at UC Davis    Neumann km140 > Oade PS > Denon DTR-100P @48kHz; CTD8000H-S > VDAT 0.6f > Soundforge 5.0d (48->44.1kHz) > CDWav > SHN v3; DATs provided by Jim Raras; Transferred by David Rothenberger; Dankseed    Source Detail    Source Detail  

 12/03/94 

San Jose  CA   Event Center    Complete show; Nak 100 > D7 @48kHz; DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1kHz > SHN; Transferred by Jon Seff    Source Detail    Source Detail  

 12/04/94 

Chico  CA   Acker Gym    flac16, 44kHz; AKG c460b/ck61's > custom pre-amp > Sony TCD-D7 > DAT(m); DAT(m) > Sony PCM-R500 > M-Audio MicroTrack > WaveLab > CDWave > FLAC; Source by Jim Bento, Transfer by Jason Sobel    Source Detail    Source Detail  

 12/06/94 

Santa Barbara  CA   UCSB Event Center    flac16, 44kHz; AKG 460B/ck61 > custom pre-amp > Sony TCD-D7; Sony PCM-R500 > M-Audio MicroTrack > WaveLab > CDWave > FLAC; Source by Jim Bento; Transfer by Jason Sobel    Source Detail    Source Detail  

 12/07/94 

San Diego  CA   Spreckels Theatre    shn16, 44kHz; (FOB/DFC/ortf) Schoeps mk4 > kc5 > cmc5's > Sonosax SX-M2 > Apogee AD-500e > Sony TCD-D10 > DAT(m); DAT(m) > Sony PCM-R500 > Sek'd Prodif Plus > Soundforge > CDWave > SHN; Source by Eliot Byron; Transfer by Jim Raras    Source Detail    Source Detail  

 12/08/94 

San Diego  CA   Spreckels Theatre    SBD > DAT; DAT > Fostex D5 > optical cable > HOSA ODL-276 > coax cable > Waveterminal 2496 (48>44.1KHz Set I only) > CoolEdit 2000 > CDWav > WAV > mkwACT 0.97b1 > SHN v3; Transfer by Jeff Ishaq; Patches in DSBD by FOB AKG460 (13 Ft. pole, front row, center-left) > 10' XLR > PS > 3' XLRs > Technics SV260A > DAT; Technics SV260A > COAX > Cool Edit WAV > CDWAV > mkwACT v3 > SHN; Taped and transferred by Linda Webster; md5's provided 1/7/02    Source Detail    Source Detail  

 12/10/94 

Santa Monica  CA   Civic Auditorium    flac16, 44kHz; AKG c460b/ck61's > power supply > Technics SV-260A > DAT(m); DAT(m) > Technics SV-260A > ??? > WAV > CDWave > SHN; Source by Linda Webster; Transfer by Linda Webster    Source Detail    Source Detail  

 12/28/94 

Philadelphia  PA   Philadelphia Civic Center    FOB Schoeps mk4; DA-20mkII > Delta Dio 2496 > Soundforge 6.0 (48>44.1kHz) > CDWav > shntool > SHN; Transferred by Brandon Johnston    Source Detail    Source Detail  

 12/29/94 

Providence  RI   Providence Civic Center    flac16, 44kHz; (FOB) Schoeps cmc3/mk4's > ??? > DAT(c); DAT(c) > Sony PCM-r300 > Zoltrix Nightingale > Samplitude > CDWave > Soundforge > SHN/FLAC; Source by unknown; Transfer by Rob Garland    Source Detail    Source Detail  

 12/30/94 

New York  NY   Madison Square Garden    flac16, 44kHz; (FOB/ORTF) Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Apogee AD-500e > Sony TCD-D10; Sony PCM-r500 > Sek'd Prodif Plus > Soundforge > CDWave > FLAC; Source by Eliot Byron; Transfer by Jim Raras    Source Detail    Source Detail  

 12/31/94 

Boston  MA   Boston Garden    flac16, 44kHz; AKG c460/ck61 > Custom Pre-amp > Teac DAP-20; Tascam DA-302 > MAudio Dio 24/48 > CDWave > SoundForge > FLAC; Source by Dave Flaschner; Transfer by Blane Harvey    Source Detail    Source Detail  

 12/31/94 

Boston  MA   Boston Garden    flac16, 44kHz; (FOB/ortf) Schoeps mk4 > KC5 actives > CMC5 > Sonosax SX-M2 > Apogee AD-500e > Sony D10; Patch Source: (OTS) AKG 460B/CK61 > AKG B-18 > Sony D10; Set I: Sony R500 > VXPocket > Soundforge > CDWave > SHN; Set II + III: Fostex D5 > Sek'd Prodif Plus > Samplitude > Soundforge > CDWave > SHN; Patch Transfer: Sony DTC-690 > Sek'd Prodif Plus > Samplitude > Soundforge > SHN; Source by Eliot Byron; Patch Source by Jeff Jordan; Transfer by Raras; Patch Transfer by Chris Ace    Source Detail    Source Detail  

 09/30/95 

Mountain View  CA   Shoreline Amphitheatre    FOB Schoeps CMC6/mk4; DA-20 mkII > Philips CDR 870 > CDR > EAC > CDWAV > SoundForge 4.5 > shntool > FLAC; Transferred by Brandon Johnston    Source Detail    Source Detail  

 10/25/95 

St. Paul  MN   St. Paul Civic Center    AKG 398 > Sonosax? > DAT? > D7; DAT > HHb Burn It > CDR > EAC > CDWav > SHN; Conversion by Adam Heckelsmiller; Transfer by Guy Gimbrone    Source Detail    Source Detail  

 10/27/95 

Kalamazoo  MI   Wing Stadium    (FOB) Schoeps cmc3/mk4 > Beyer MV-100 > Sony D7 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > r8brain v1.9 (48 to 44.1 kHz) > Samplitude SE v9.1.1 (fades, tracking) > FLAC v1.2.1 (Level 8); Transferred by Jason Sobel    Source Detail    Source Detail  

 10/28/95 

Detroit  MI   The Palace    FOB Neumann km140; Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b > CDWav > FLAC; Taped by Dom Tringale; Transferred by Jason Sobel
(NOTE: both 44.1 and 48 kHz seeds available)  
 Source Detail    Source Detail  

 10/29/95 

Louisville  KY   Louisville Gardens    AKG 460b/ck61 > AKG b18 > Denon dtr80p; DAT > CDR > EAC > CDWav > FLAC; Taped by Chad Clark    Source Detail    Source Detail  

 10/31/95 

Rosemont  IL   Rosemont Horizon    AKG 460B/ck61 > Sonosax SX-M2 > Teac DA-P20 (@ 48 kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel    Source Detail    Source Detail  

 11/09/95 

Atlanta  GA   Fox Theater    AKG 460b/ck61 > b18 > denon dtr80p; DAT > cd(1) > eac > CD Wave > flac; Taped by Chad Clark; Transferred by John M.    Source Detail    Source Detail  

 11/10/95 

Atlanta  GA   Fox Theater    (FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Teac DA-P20 (@ 48kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Ryan Varnum; Transferred by Jason Sobel    Source Detail    Source Detail  

 11/11/95 

Atlanta  GA   Fox Theater    (FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Teac DA-P20 (@ 48kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Ryan Varnum; Transferred by Jason Sobel    Source Detail    Source Detail  

 11/12/95 

Gainesville  FL   O'Connell Center    AUD; DA-20mkII > Delta Dio 2496 > Soundforge 6.0 (48>44.1kHz) > CDWav > shntool > SHN; DAT provided by Aldo Torre; Transferred by Brandon Johnston    Source Detail    Source Detail  

 11/14/95 

Orlando  FL   University of Central Florida Arena    Sen 421's > Sony SBM-1 > Sony D-7** (set I)/Denon dtr-80p (set II); Sony pcm-m1 > m-audio usb > wavelab > cd wave/flac (16-bit/44.1kHz); Taped and Transferred by K.P.    Source Detail    Source Detail  

 11/15/95 

Tampa  FL   Sundome    Neumann KM140; DA-20mkII > Delta Dio 2496 > Soundforge 6.0 (48>44.1kHz) > CDWav > shntool > SHN; Transferred by Brandon Johnston    Source Detail    Source Detail  

 11/18/95 

North Charleston  SC   North Charleston Coliseum    FOB Scheops CMC6/mk4 > DAT @48kHz; Sony PCM-R500 > Delta Dio 2496 > Samplitude 4.5 > CDWav > FLAC; Transferred by Matt Edlhuber    Source Detail    Source Detail  

 11/22/95 

Landover  MD   U.S Air Arena    shnf or flac16; Schoeps mk4 > Schoeps PS > Sony TCD-D7; Sony 59ES > Marantz CDR630 > CDR > EAC (secure) > WAV > Soundforge > mkwACT > SHN; Transferred by Scott Z    Source Detail    Source Detail  

 11/25/95 

Hampton  VA   Hampton Coliseum    AKG 460 Cards > 10 ft XLR's > Power Supply > 3 ft XLR's > Technics SV 260A > DAT (13 Ft. Pole, Front Row, Center); Technics SV 260A > COAX > WAV > CDWav > SHN    Source Detail    Source Detail  

 11/25/95 

Hampton  VA   Hampton Coliseum    (FOB) AKG 460B/ck61 > custom pre-amp > Teac DAP-20 (@48kHz); Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); recorded by Dave Flaschner; transferred by Jason Sobel    Source Detail    Source Detail  

 11/25/95 

Hampton  VA   Hampton Coliseum    AKG 460b/ck61 > AKG b18 > Denon dtr80p; DAT > CDR > EAC > CDWav > FLAC; Taped by Chad Clark     Source Detail    Source Detail  

 11/25/95 

Hampton  VA   Hampton Coliseum    Schoeps mk41 > Schoeps VMS02IB > Teac DAP-20 @48kHz; Sony TCD-D10ProII > Edirol R-4 > WL5 > CDWav > FLAC; Taped by Carrion Crow; Transferred by Keith Litzenberger; Note: 48 kHz seed    Source Detail    Source Detail  

 11/28/95 

Knoxville  TN   Civic Coliseum    AKG 460b/ck61 > AKG b18 > Denon dtr80p; DAT > CDR > EAC > CDWav > FLAC    Source Detail    Source Detail  

 11/29/95 

Nashville  TN   Nashville Municipal Auditorium    AKG 460; Tascam DA-20 MKII > M-Audiophile USB > WaveLab 5.01b (splice, fades, resample to 44.1 kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); Transferred by Peter Grow & Jason Sobel    Source Detail    Source Detail  

 11/30/95 

Dayton  OH   Ervin J. Nutter Center    AKG 460b/ck61 > AKG b18 > SBM-1 > D7; DAT > CDR > EAC > FLAC    Source Detail    Source Detail  

 12/02/95 

New Haven  CT   Veterans' Memorial Coliseum    Neumann KM184> DAT(48)> Montego II(44.1); transferred by Aaron Westendorf    Source Detail    Source Detail  

 12/04/95 

Amherst  MA   Mullins Center, University of Massachusetts    AKG 460B/ck61 > custom pre-amp > Teac DA-P20 (@ 48kHz); Sony PCM-R500 > M-Audio MicroTrack > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel    Source Detail    Source Detail  

 12/05/95 

Amherst  MA   Mullins Center, University of Massachusetts    Neumann km184; DA-20 > Delta Dio 2496 > Soundforge 4.5 (48>44.1kHz) > CDWav > SHN; Transferred by Brandon Johnston    Source Detail    Source Detail  

 12/05/95 

Amherst  MA   Mullins Center, University of Massachusetts    AKG 460B/ck61 > custom pre-amp > Teac DA-P20 (@ 48kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel    Source Detail    Source Detail  

 12/08/95 

Cleveland  OH   CSU Convocation Center    (FOB) Schoeps mk4 -> kc5 -> cmc6 -> Sonosax SX-M2 -> Panasonic SV-255 -> Sony DT-120 (with significant patches from: (T/S) Schoeps mk41-> Schoeps Box -> Sony d7); Both Master DAT's -> PanaSonic SV3700 -> Foxtex FR2 -> Wave Lab 6.0 (48 > 44.1 kHz, fades) > CD Wave -> Traders Little Helper (FLAC Level 8); Taped by Pete Ebel and Tom Lake    Source Detail    Source Detail  

 12/09/95 

Albany  NY   Knickerbocker Arena    B+K 4011> Neumann p/s> Sony D10 PRO II> DAP1> ZA2; md5s provided 9/15/00 by Alan Legros    Source Detail    Source Detail  

 12/11/95 

Portland  ME   Cumberland County Civic Center    flac16, 44kHz; B&K 4011's > custom pre-amp > Teac DAP-20; Sony PCM-R500 > MT2496 > WaveLab > CDWave > FLAC; Source by Dave Flaschner, Transfer by Jason Sobel    Source Detail    Source Detail  

 12/12/95 

Providence  RI   Providence Civic Center    AKG 460B/ck61 > custom pre-amp > Teac DAP-20 (@48kHz); Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); recorded by Dave Flaschner; transferred by Jason Sobel    Source Detail    Source Detail  

 12/14/95 

Binghamton  NY   Broome County Arena    AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48 kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, resample to 44.1kHz, patch edits) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel    Source Detail    Source Detail  

 12/16/95 

Lake Placid  NY   Olympic Center    flac16, 44.1 kHz; B+K 4011 > custom pre-amp > Teac DAP-20 (@48kHz); Sony D8 > M-Audio MicroTrack > Samplitude SE v9.1.1 (de-emphasis, fades) > r8brain v1.9 (48 to 44.1 kHz) > CD Wave v1.97 > FLAC v1.2.1 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel (NOTE: this is a FIXED version of this seed: /shn/32874)    Source Detail    Source Detail  

 12/16/95 

Lake Placid  NY   Olympic Center    flac16, 48 kHz; B+K 4011 > custom pre-amp > Teac DAP-20 @48kHz; Sony D8 > M-Audio MicroTrack > CF Card > WaveLab 5.01b > CDWav > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel; Note: The conversion for this source did not properly account for pre-emphasis. Do not circulate this version, instead, use the upgrade that is in circulation.    Source Detail    Source Detail  

 12/17/95 

Lake Placid  NY   Olympic Center    AKG 460B/ck61 > custom pre-amp > Teac DAP-20 (@48kHz); Sony D8 > M-Audio MicroTrack > Samplitude SE v9.1.1 (de-emphasis, fades) > r8brain v1.9 (48 to 44.1 kHz) > CD Wave v1.97 > FLAC v1.2.1 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel (NOTE: this is a fixed version of this seed: /shn/32526)    Source Detail    Source Detail  

 12/29/95 

Worcester  MA   The Centrum    AKG 460b/ck61 > AKG b18 > Denon dtr80p; DAT > CDR > EAC > CDWav > FLAC; Taped by Chad Clark    Source Detail    Source Detail  

 12/30/95 

New York  NY   Madison Square Garden    FOB Schoeps CMC5/mk4 > Sonosax SX-M2 > AD500e > D10; Tascam DA-20mkII > JB3 > SF7 (48>44.1kHz) > CDWav > FLAC; Transferred by Phil Lucks    Source Detail    Source Detail  

 12/31/95 

New York  NY   Madison Square Garden    FOB Schoeps mk4 (ORTF) > kc5 > CMC5 > Sonosax SX-M2 > Sony D10 Pro II @48kHz; Patch Source (see info file): Schoeps CMC6/mk41 (103deg/10in) > Oade Deluxe > Tascam DA-P1 @48kHz (OTS); R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (48>44.1kHz) > SHN; Patch Transfer: Sony PCM-2600 > Audioquest Coaxial > Turtle Beach Fiji > Soundforge 4.5 > mkwACT 0.97 > Soundforge 5.0 (48>44.1kHz) > CDWav > mkwACT v0.97 > SHNv3; Taped by Eliot Byron and Craig Hillwig; Patch transferred by Craig Hillwig; Transferred by Jim Raras; Dankseed    Source Detail    Source Detail  

 07/10/96 

Paris  France   Le Zénith    FOB Schoeps mk4v (ORTF, 8' stand, 50' back, center) > KCY actives > Sonosax SX-M2 > Tascam DA-P1 @48kHz; Sony PCM-2600 > Dio MAudio 2448 > Cool Edit Pro 2 (48>44.1kHz) > CDWav > mkwACT > SHN; Transferred by Bill Gardner    Source Detail    Source Detail  

 07/18/96 

Nice  France   Theater de Verdure    AUD; CDR > EAC > shntool > CDWav > mkwACT > SHN; SHN Conversion by Volker Skrzeba    Source Detail    Source Detail  

 07/19/96 

Arles  France   Les Arenes    AKG 414 > DA-P1; Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3    Source Detail    Source Detail  

 08/04/96 

Morrison  CO   Red Rocks Amphitheatre    FOB Sonic Studios DSM6/Pa6lc3s (w/60khz bass rolloff) > D7 @48kHz; Fostex D5 > VX Pocket 440 > Toshiba 3480ct > Wavelab 4.0 (48>44.1kHz) CDWav > FLAC; Transferred by Greg Lance    Source Detail    Source Detail  

 08/05/96 

Morrison  CO   Red Rocks Amphitheatre    FOB Sonic Studios DSM6/Pa6lc3s (w/60khz bass rolloff) > D7 @48kHz; Fostex D5 > VX Pocket 440 > Toshiba 3480ct > Wavelab 4.0 (48>44.1kHz) CDWav > FLAC; Transferred by Greg Lance    Source Detail    Source Detail  

 08/06/96 

Morrison  CO   Red Rocks Amphitheatre    FOB Sonic Studios DSM6/Pa6lc3s (w/60khz bass rolloff) > D7 @48kHz; Fostex D5 > VX Pocket 440 > Toshiba 3480ct > Wavelab 4.0 (48>44.1kHz) CDWav > FLAC; Transferred by Greg Lance    Source Detail    Source Detail  

 08/07/96 

Morrison  CO   Red Rocks Amphitheatre    FOB Sonic Studios DSM6/Pa6lc3s (w/60khz bass rolloff) > D7 @48kHz; Fostex D5 > VX Pocket 440 > Toshiba 3480ct > Wavelab 4.0 (48>44.1kHz) CDWav > FLAC; Transferred by Greg Lance    Source Detail    Source Detail  

 08/12/96 

Noblesville  IN   Deer Creek Music Center    Schoeps CMC6/mk4 (ORTF) > Sonosax > D10 Pro II > DA-P1 (OTS); Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3    Source Detail    Source Detail  

 08/14/96 

Hershey  PA   Hershey Park Stadium    Schoeps CMC6/mk4 > Sonosax > D10 Pro II > DA-P1; Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3    Source Detail    Source Detail  

 08/16/96 

Plattsburgh  NY   Plattsburgh Air Force Base    (FOB) Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Sony TCD-D10 pro II (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > Samplitude SE v9.1.1 (fades, patch, volume adjustments, resample to 44.1 kHz, track splits) > FLAC v1.2.1 (Level 8); Taped by Eliot Byron; Transferred by Jason Sobel    Source Detail    Source Detail  

 08/16/96 

Plattsburgh  NY   Plattsburgh Air Force Base    SBD + AUD Matrix Mix (65%-SBD/35%-AUD) - (NOTE: both 16 bit / 44.1 kHz & 24 bit / 48 kHz versions are available)    Source Detail    Source Detail  

 08/16/96 

Plattsburgh  NY   Plattsburgh Air Force Base    DTS 5.1 Audio CD (DSBD + AKG 460B/ck61 mix)    Source Detail    Source Detail  

 08/16/96 

Plattsburgh  NY   Plattsburgh Air Force Base    AKG C568 EB > Aerco preamp; SONY PCM-500 > Tascam CDRW700 > CDR (master) > EAC > FLAC     Source Detail    Source Detail  

 08/16/96 

Plattsburgh  NY   Plattsburgh Air Force Base    FOB AKG 460B/ck61 > Sonosax SX-M2 > Tascam DA-P1 @48kHz; Sony PCM-R500 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Tapeded by Dave Flaschner; Transferred by Jason Sobel     Source Detail    Source Detail  

 08/17/96 

Plattsburgh  NY   Plattsburgh Air Force Base    FOB AKG 460B/ck61 > Sonosax SX-M2 > Tascam DA-P1 @48kHz; Sony PCM-R500 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel    Source Detail    Source Detail  

 10/25/96 

Hampton  VA   Hampton Coliseum    FOB Schoeps mk41 > Reutelhuber > Tascam DA-P1; Tascam DA-30mkII > Edirol R-4 > WL5 > CDWav > FLAC; Taped By Carrion Crow & Teddy; Transferred by Keith Litzenberger; Note: 48 kHz seed    Source Detail    Source Detail  

 10/31/96 

Atlanta  GA   The Omni    Schoeps CMC6/mk41 > Sonosax SX-M2 > DAP1 > DAP1 @48kHz; Sony PCM-R500 > Klay Custom Coax (Canare) > RME Digi96/8 PST > Sound Forge 5.0 (48>44.1kHz) > CDWav > mkwACT > SHNv3 [Dankseeds]    Source Detail    Source Detail  

 11/02/96 

West Palm Beach  FL   Coral Sky Amphitheater    DTS-Audio-CD 5.1 Mix (see info file for details)    Source Detail    Source Detail  

 11/02/96 

West Palm Beach  FL   Coral Sky Amphitheater    SBD + AUD Matrix Mix (60%-SBD/40%-AUD)     Source Detail    Source Detail  

 11/29/96 

Daly City  CA   Cow Palace    DFOB (Neumann KM140 > DA-P1 @ 44.1) > clone 1 > clone 2 (PCM-R500) > SPDIF to Egosys U2A > Soundforge 4.0 > CDWAV > SHN via MKW 0.97b, w/seek tables appended [Dankseeds]    Source Detail    Source Detail  

 12/01/96 

Los Angeles  CA   Pauley Pavilion    FOB Neumann km140 > DA-P1; DAT > Seagate Archive Python 01931 > dat2wav 1.2 > Sound Forge 4.5 (48>44.1kHz) > CDWav > shnXP; Transferred by Paul Hofferkamp    Source Detail    Source Detail  

 12/04/96 

San Diego  CA   Sports Arena    FOB Neumann km140 > DA-P1 (right side around 3rd to 5th row); Fostex D5 > optical cable > Hosa ODL-276 > S/PDIF coax cable > EgoSys Waveterminal 2496 > CoolEdit 2000 (48>44.1kHz) > CDWav > mkwACT > SHN; Transferred by Jason Sobel    Source Detail    Source Detail  

 12/29/96 

Philadelphia  PA   The Spectrum    Schoeps CMC641> Sonsosax> SBM-1> DA-P1> ZA2> Teac 55S CD-R (1st row taper section)    Source Detail    Source Detail  

 12/31/96 

Boston  MA   FleetCenter    FM > DAT > ZA-2 > CDR; Recorded by J. Sriberg; Transferred by Matt; Retracking and compression by M. Zupanek; see pub comments for flaw notes    Source Detail    Source Detail  

 12/31/96 

Boston  MA   FleetCenter    Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Tascam DA-P1 (@48kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel    Source Detail    Source Detail  

 02/13/97 

London  England   Shepherd's Bush Empire    Schoeps CMC6/mk4; Transferred by Stewart McCloskey and Uploaded by Mike Fischer    Source Detail    Source Detail  

 02/14/97 

Brussels  Belgium   Le Botanique    Neumann km140 > Oade Preamp > D8; Recorded by Justin Adams; Seeded by Dan Panice to PCP offer    Source Detail    Source Detail  

 02/17/97 

Amsterdam  Netherlands   Paradiso    Schoeps mk41 > Schoeps VMS02IB > Sony SBM-1 > Casio DAR-100 @44.1kHz; Sony TCD-D10PROII > Edirol R-4 > WL5 > CDWav > FLAC; Taped and transferred by Keith Litzenberger    Source Detail    Source Detail  

 02/18/97 

Paris  France   Olympia Theater    (FOB) Schoeps mk4 > DAT (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > Samplitude SE v9.1.1 (fades, 48 to 44.1 kHz) > FLAC v1.2.1 (Level 8); Transferred by Jason Sobel (NOTE: both 44.1 kHz and 48 kHz versions available)    Source Detail    Source Detail  

 02/20/97 

Milan  Italy   Teatro Smeraldo    SBD + AUD Matrix    Source Detail    Source Detail  

 02/20/97 

Milan  Italy   Teatro Smeraldo    SBD + AUD DTS-Audio-CD 5.1 Mix    Source Detail    Source Detail  

 02/22/97 

Rome  Italy   Teatro Olympico    Schoeps CMC6/mk4 > Oade > SBM-1 > DA-P1    Source Detail    Source Detail  

 02/22/97 

Rome  Italy   Teatro Olympico    Schoeps CMC6/mk4 > Oade > SBM1 > DAP1; DAT > HHb CDR 830 > CDR> EAC > FLAC    Source Detail    Source Detail  

 02/26/97 

Stuttgart  Germany   Longhorn    Schoeps CMC6/mk4 > oade > sbm-1; Transfer by Stewart McCloskey and uploaded by Mike Fischer    Source Detail    Source Detail  

 02/26/97 

Stuttgart  Germany   Longhorn    Neumann KM140 (ortf) > Beyer MV-100 > SBM-1 > D7@44.1; Fostex D5 > Monster Optical > Sek'd Prodif Plus > Samplitude v5.5 > CDWav > mkwACT v0.97 > SHNv3; Mastered by Andrew "Burris" Loewenstern; Transferred and uploaded by Jim Raras    Source Detail    Source Detail  

 03/01/97 

Hamburg  Germany   Markthalle    Schoeps mk4 > Schoeps KCY > Schoeps VMSO2IB > Sony SBM1 @44.1kHz > Sony TCD-D8; Tascam DA-30MKII > Sound Devices 702 > Soundforge 9 > CDWav > FLAC; Taped and transferred by Keith Litzenberger    Source Detail    Source Detail  

 03/02/97 

Copenhagen  Denmark   Forum Theater    Schoeps CMC6/mk4 > Oade > SBM; Tascam DA-302 > Turtle Beach Fiji (S/PDIF) > Sound forge 4.0 > CDR(master copy )> EAC > SHN; Transfer by Matt Vallo    Source Detail    Source Detail  

 03/18/97 

Burlington  VT   Flynn Theatre    Ben & Jerry's/ Lake Champlain benefit; FM broadcast (WIZN) -> DAT> CD; SHN Encoding: C. Epstein; via M. Gent; known flaws: d1t10: level drop, partial left channel loss, 3:55 to 4:20, d2t2 skip at 3:10, d3t3 skip at 1:35, d3t4 level drop from 0:02 to 0:04; Note: new md5's from reseed contain seek tables?    Source Detail    Source Detail  

 03/18/97 

Burlington  VT   Flynn Theatre    (FOB) Schoeps mk4+mk8 > Schoeps PS > SBM1 > D8; ARCHIVE Python > vDAT > WaveLab4 > CDWave > Flac/CDR    Source Detail    Source Detail  

 06/13/97 

Dublin  Ireland   The S.F.X. Centre    AKG 414 (cardoid) > Oade > D8; DA-20mkII > Turtle Beach s/pdif > Soundforge > CDWav > SHN    Source Detail    Source Detail  

 06/14/97 

Dublin  Ireland   The S.F.X. Centre    AKG 414 TL2 > Oade > SBM-1; Tascam DA-302 > Turtle Beach Fiji(S/PDIF) > Sound forge4.0 > CDcue > CD > EAC > SHN; Transfer/SHN: Matt Vallo    Source Detail    Source Detail  

 06/19/97 

Vienna  Austria   Arena    Schoeps CMC6/mk4 > DAT @48kHz; Aiwa XD-001 DAT > Z-Cyber Nightingale Pro 6 S/PDIF > Cool Edit Pro @44.1kHz > CDWav > mkwACT > SHN; Transferred by Friedemann Rothfuchs    Source Detail    Source Detail  

 07/01/97 

Amsterdam  Netherlands   Paradiso    Neumann TLM170 > Sonosax; Transfer by Stewart McCloskey and upload by Mike Fischer    Source Detail    Source Detail  

 07/02/97 

Amsterdam  Netherlands   Paradiso    Neumann TLM-170> SX-M2> HHb; transfer/shn : M. Vallo: Tascam DA-302> Turtle Beach Fiji (S/PDIF)> Sound forge 4.0> CDwav> shn; etreed via B. Bumgarner    Source Detail    Source Detail  

 07/06/97 

Brescia  Italy   Spiaggia Di Rivoltella    Includes soundcheck; AKG C1000's; DAT > TASCAM CD-RW 5000; EAC and tracking by Jure Babnik    Source Detail    Source Detail  

 07/10/97 

Marseille  France   Espace Julien    Neumann TLM-170i > Sonosax SX-M2 > HHB Portadat > DAT > DAT > ZA2 > SF 4.0 > CDWav > SHN v3; DAT>CD by Jamie Lutch    Source Detail    Source Detail  

 07/11/97 

Escalarre  Spain   Doctor Music Festival    FOB Schoeps; DAT > HHb CDR830 > CDR > EAC > FLAC    Source Detail    Source Detail  

 07/22/97 

Raleigh  NC   Walnut Creek Amphitheatre    Neumann km84i > Aerco; Tascam DA20mkII > ZA2 > SF4.5 > CDWav > SHN; Transferred by Jimmy Sellers; NOTE: this is the same source as previously circulated but without the DAE lineage step    Source Detail    Source Detail  

 07/29/97 

Phoenix  AZ   Desert Sky Pavilion    Schoeps CMC6/mk41 > Oade > SBM-1 > D8; D8 > Coresound > Prodif Plus > Samplitude > CDWav > SHN; Transfer by Mike Fischer    Source Detail    Source Detail  

 07/30/97 

Ventura  CA   Ventura County Fairgrounds    FOB Schoeps CMC6/mk4 > Oade M248 > SBM-1 > DAT > Turtle Beach Fiji SPDIF > Samplitude (48>44.1kHz) > CDWav > SHN    Source Detail    Source Detail  

 07/30/97 

Ventura  CA   Ventura County Fairgrounds    FOB Neumann km140 > Oade > SBM-1 > DA-P1 @48kHz    Source Detail    Source Detail  

 07/31/97 

Mountain View  CA   Shoreline Amphitheatre    FOB Schoeps mk5 > Oade Custom Pre-Amp > Sony SBM-1 @44.1kHz; Tascam DA-20mkII > Turtle Beach Montego Home Studio > Soundforge 4.5 > SHN; Transferred by Dan Marquardt    Source Detail    Source Detail  

 07/31/97 

Mountain View  CA   Shoreline Amphitheatre    FOB Schoeps mk41 > vms02ib > Sony D100 @44.1kHz; Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b > CDWav > FLAC; Transferred by Jason Sobel    Source Detail    Source Detail  

 08/02/97 

George  WA   The Gorge Amphitheatre    FOB Schoeps CCM4 > Sonosax > SV-MD1; Tascam DA-20 > ZA2 > CoolEditPro (48>44.1kHz) > SHN    Source Detail    Source Detail  

 08/02/97 

George  WA   The Gorge Amphitheatre    FOB Neumann km140 > Sonosax SX-M2 > Tascam DA-P1 @48kHz; Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Taped by Jim Cowan; Transferred by Jason Sobel    Source Detail    Source Detail  

 08/03/97 

George  WA   The Gorge Amphitheatre    FOB Schoeps mk5; Tascam DA20 > ZA2 (48kHz) > CoolEditPro (48>44.1kHz ) > SHN    Source Detail    Source Detail  

 08/03/97 

George  WA   The Gorge Amphitheatre    (FOB) Neumann km140 > Sonosax SX-M2 > Tascam DA-P1 (@ 48 kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, resample to 44.1 kHz, patch) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Jim Cowan; Transferred by Jason Sobel    Source Detail    Source Detail  

 08/06/97 

Maryland Heights  MO   Riverport Amphitheatre    Schoeps CMCXY/mk4V > EAA > D100; DA-20 > Delta Dio 2496 > Soundforge 4.5 (48>44.1kHz) > CDWav > SHN; Transferred by Brandon Johnston    Source Detail    Source Detail  

 08/08/97 

Tinley Park  IL   World Music Theater    Sennheiser 441's; D8 > Coresound > Prodif Plus > Cooledit Pro > CDWav > SHN; Transfer and Encoding by Mike Fischer    Source Detail    Source Detail  

 08/09/97 

East Troy  WI   Alpine Valley Music Theatre    FOB Neumann km140 > Sonosax SX-M2 > Tascam DA-P1 @44.1kHz; Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b > CDWav > FLAC; Taped by Jim Cowan; Transferred by Jason Sobel    Source Detail    Source Detail  

 08/09/97 

East Troy  WI   Alpine Valley Music Theatre    Schoeps CMC6/mk4 > Lunatec 316 > Apogee AD-1000 > HHb PortaDat (Audio Magic Aprentice Cables); Recorded by Marc Nutter; Transfer by Timeflack; 11/16/03 SHN>FLAC by Matt Edlhuber    Source Detail    Source Detail  

 08/11/97 

Noblesville  IN   Deer Creek Music Center    flac16, 44kHz; (FOB) B&K 4021's > Beyer MV-100 > Sony TCD-D100 > DAT(x); DAT(x) > Fostex D-5 > VX Pocket 440 > Sound Studio > FLAC; Source by unknown; Transfer by unknown    Source Detail    Source Detail  

 08/13/97 

Burgettstown  PA   Star Lake Amphitheatre    Schoeps MK4's > Schoeps KCY 250/05I Active Cable > Schoeps VMS02IB > Sony SBM-1 > HHB PDR1000 (@44.1khz); Tascam DA-30MKII > Sound Devices 702 > Soundforge 9 (Fades) > CD Wave > FLAC; Taped & Transferred by Keith Litzenberger     Source Detail    Source Detail  

 08/13/97 

Burgettstown  PA   Star Lake Amphitheatre    AKG 480/ck61 > Lunatec V2 > Apogee > DA-P1; DAT>CD Conversion by Dave Pecoraro    Source Detail    Source Detail  

 08/14/97 

Darien  NY   Darien Lake Performing Arts Center    FOB AKG 460's (in hat) > Active Cables > SBM-1; D8 > Coresound > Prodif Plus > Samplitude > CDWav > SHN; Transfer and Encoding by Mike Fischer    Source Detail    Source Detail  

 08/14/97 

Darien  NY   Darien Lake Performing Arts Center    B+K 4021 (mod. hypers) > Beyer MV-100 > SBM-1 > D8 (OTS); Sony D8 > Delta Dio 24/96 > Soundforge 6.0 > CDWav > FLAC; Transferred by Kevin Kaye    Source Detail    Source Detail  

 08/16/97 

Limestone  ME   Loring Air Force Base (Disco Set)    Disco Set (two sources); Sonic Studio DSM-6 > D7; Nakamichi CM-300/CP1 > Teac DA-P20; Sonic Studio source by Jon Weber; Nak source by Adam Shiffman and Justin Brooks    Source Detail    Source Detail  

 11/13/97 

Las Vegas  NV   Thomas & Mack Center    Microtech Gefell 210 > DA-P1; PCM-M1 > Prodif Plus > Soundforge > SHN; Transferred by J. Lober; PCP Fall '97 Project source; Note: SBEs and tracking fixed 4/12/04    Source Detail    Source Detail  

 11/14/97 

West Valley  UT   E Center    Schoeps MK4 > VMS I02B > SBM- > CDR > EAC > shn; PCP source (Fall '97 Project); seeded by M. Masse; etreed 11/23; (note filler 11/17/97, likely source Neumann KM184 > apogee > dap1, DAT>CDR -- Tascam DA/20 mkII > ZA2 > Sound Forge XP > CDRWIN > HP6020i)    Source Detail    Source Detail  

 11/16/97 

Denver  CO   McNichols Sports Arena    Schoeps CMC65 > Reuthelhuber > SBM-1 > Otari DTR-8S > AES/EBU XLR digital cable > Zefiro ZA2 > Red Roaster software > CD > EAC > SHN; via J. Cocci, P. Marshall; OE and PCP source (via Fall '97 Project); SOAMule tracking slightly off; etreed 11/23; A. Gustin notes mic  source details given do not make logical sense    Source Detail    Source Detail  

 11/17/97 

Denver  CO   McNichols Sports Arena    Set 1: Microtech Gefall 210 > Lunatec > AD-1000 > Hhb > ZA2 > Soundforge4.0 > CDWav > SHN; SET II: Schoeps CMC6/mk4 > Lunatec > AD-1000 > Hhb > ZA2 > Soundforge4.0 > CDWav > SHN; OE-circulated source; Transferred by Mike Ayers; part of PCP Fall '97 Project; Note SHNs are dated 10/13/99    Source Detail    Source Detail  

 11/19/97 

Champaign  IL   Assembly Hall, University Of Illinois    Neumann U87 (cardioid)-> Sonosax SX-M2-> DA-P1 @48kHz; DA-P1-> Audio Magic Presto II-> ZA2-> Soundforge 4.5 (48->44.1)-> CDWav-> .shn; transfer/shn by Eric McRoberts; via Chad Plemons    Source Detail    Source Detail  

 11/21/97 

Hampton  VA   Hampton Coliseum    Microtec Geffel m210 (ORTF) > Oade m248 > SBM-1 > DA-P1 (OTS, DFC); Sony R500 > Edirol UA-1D > USB > Soundforge 6.0 > CDWav > mkwACT > SHN; Taped and transferred by Jason Wilhelm    Source Detail    Source Detail  

 11/21/97 

Hampton  VA   Hampton Coliseum    Schoeps CMC6/mk41 > Sonosax SX-M2 > Sony SBM-1 @44.1kHz (OTS); Sony PCM-2600 > Turtlebeach Fiji > Soundforge 4.5 > mkwACT > SHN; Taped and transferred by Craig Hillwig [Dankseeds]    Source Detail    Source Detail  

 11/21/97 

Hampton  VA   Hampton Coliseum    (FOB) Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Sony D3 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades, patch) > r8brain v1.9 (48 to 44.1 kHz) > CD Wave v1.96.1 > FLAC v1.2.1 (Level 8); Taped by Dan, Boris, and Brian; Transferred by Jason Sobel    Source Detail    Source Detail  

 11/22/97 

Hampton  VA   Hampton Coliseum    Schoeps CMC641 > Sonosax SX-M2 > Sony SBM-1 @44.1kHz Front row/center OTS, by Craig Hillwig [Dankseeds]    Source Detail    Source Detail  

 11/22/97 

Hampton  VA   Hampton Coliseum    Microtec Geffel m210 (ORTF) > Oade m248 > SBM-1 > DA-P1 (OTS, DFC); Sony R500 > Edirol UA-1D > USB > Soundforge 6.0 > CDWav > mkwACT > SHN; Taped and transferred by Jason Wilhelm    Source Detail    Source Detail  

 11/23/97 

Winston-Salem  NC   Lawrence Joel Veterans Memorial Coliseum    Schoeps CMC6/mk4 > Sonosax > SV-M1 > ZA2 > Soundforge > CDWav > Teac 55-S > CDR > SHN; Transferred by Mike Ayers; SHN Conversion by Patrick Marshall    Source Detail    Source Detail  

 11/26/97 

Hartford  CT   Hartford Civic Center    Schoeps CMC6/mk41 > Sonosax SV-MD1 > D8; Tascam DA-P1 > M-Audio 24/96 > Wavelab (48>44.1kHz) > FLAC    Source Detail    Source Detail  

 11/28/97 

Worcester  MA   Worcester Centrum    shnf, 44kHz; Schoeps CMC6/mk41 > Sonosax SX-M2 > Technics SV-MD1 > Sony TCD-D8; Casio DA-R100 > M-Audio 24/96 > Wavelab > CDWave > SHN; Transfer by Shakedown    Source Detail    Source Detail  

 11/29/97 

Worcester  MA   Worcester Centrum    Schoeps CMC6/mk41 > PSP-2 > SBM-1 @48kHz > DAP-1; Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3    Source Detail    Source Detail  

 11/29/97 

Worcester  MA   Worcester Centrum    flac16, 44kHz; (FOB) Neumann km184 > Beyer MV-100 > Tascam DA-P1 > Teac DAP-20; Sony PCM-R500 > M-Audio MicroTrack > WaveLab > CDWave > FLAC; Source by Felix Delguisemo (sic); Transfer by Jason Sobel    Source Detail    Source Detail  

 11/30/97 

Worcester  MA   Worcester Centrum    Schoeps CMC6/mk41 > Sonosax > SBM-1 > DA-P1; Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHN    Source Detail    Source Detail  

 11/30/97 

Worcester  MA   Worcester Centrum    (FOB) Neumann km184 > Beyer MV-100 > Tascam DA-P1 > Teac DA-P20 (@48kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); Taped by Felix Delguisemo; Transferred by Jason Sobel    Source Detail    Source Detail  

 12/03/97 

Philadelphia  PA   The Spectrum    2x Senheiser 441's + 1x Nakamichi 700 (Cardioid Capsule) > Nakamichi MX-100 (mixer) > Strasser DAT Prototype > CD > EAC > WAV > FLAC    Source Detail    Source Detail  

 12/06/97 

Auburn Hills  MI   The Palace    Microtech Geffel 210 > OADE M248 > SBM -1 > DA-P1; Panasonic SV-3700 > HHB CDR-800 > CD > HD(via EAC) > Pro Tools 5.0 > WAV > SHN; Transfer by Alsosprach & Mattstick; Note: SBE fixes (and new md5 file) uploaded 10/29/03    Source Detail    Source Detail  

 12/07/97 

Dayton  OH   Ervin J. Nutter Center    SBD + (Neumann U87 > Sonosax SX-M2 > DAP1) Matrix; DAUD Transfer: Sony R300 > optical SPDIF > Zoltrix Nightingale @48kHz >CDWav > Soundforge 4.5 (48>44.1kHz) > CDWav > mkwACT > SHN; DSBD Transfer: DAT > CDR > EAC > SHN > Wav > shntool > Soundforge 6.0 > SHN; Matrix mixing: SHN > WAV > shntool > Soundforge 6.0 (DAUD volume reduction) > Sampiltude 6.0 (Set 1 time shrank by 70ms) > CDWav > SHN    Source Detail    Source Detail  

 12/09/97 

State College  PA   Bryce Jordan Center    Schoeps CMC6/mk41 > Apogee > DA-P1; Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (48>44.1kHz) > CDWav > SHNv3    Source Detail    Source Detail  

 12/11/97 

Rochester  NY   War Memorial    SBD + AUD Mix    Source Detail    Source Detail  

 12/11/97 

Rochester  NY   War Memorial    DTS-Audio-CD 5.1 Mix    Source Detail    Source Detail  

 12/11/97 

Rochester  NY   War Memorial    DTS-Audio-CD 5.1 Mix; Note: this source does not contain any analog generations in the SBD source in contrast to the existing mix.    Source Detail    Source Detail  

 12/12/97 

Albany  NY   Pepsi Arena    Neumann u87 > Sonosax SX-M2 > Tascam DA-P1; Tascam DA20MKII > Hosa ODL > JB3 > wav > SF7 > CDWave > wav > FLAC; Transferred by Phil Lucks     Source Detail    Source Detail  

 12/12/97 

Albany  NY   Pepsi Arena    Schoeps cmc641> Sonosax SX-M2> SV-MD-1@48; DA-P1>Audio Magic Presto II> Soundforge XP 4.5(48>44.1)> CDWav> .shn; Transfer and encoding by Eric McRoberts; filler from 12-30-97; via E. McRoberts, C. Plemons, PCP Fall '97 Project    Source Detail    Source Detail  

 12/13/97 

Albany  NY   Pepsi Arena    Neumann U89 (hypercard) > Sonosax > SBM1 > DA-P1 @44.1K (Taped by Dan Estrin) Transfer: Tascam DA-302 > Digipro 001 > Protools LE > CD Wave > MKW ACT > SHN (Transfered by LiverLobes@hotmail.com (John P. Tambroni) and The Mad Hermit)    Source Detail    Source Detail  

 12/28/97 

Landover  MD   Capital Centre    AKG 460/ck61 > Oade > SBM-1; Tascam DA-302 > Digipro 002 > Protools LE > CDWav > mkwACT > SHN; Transferred by John Tambroni    Source Detail    Source Detail  

 12/29/97 

New York  NY   Madison Square Garden    FOB Schoeps CMC6/mk41 > Sonosax SX-M2 > SV-MD1    Source Detail    Source Detail  

 12/29/97 

New York  NY   Madison Square Garden    (FOB) Schoeps mk4 > Sonosax SX-M2 > Teac DA-P20 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, 48 to 44.1 kHz) > CD Wave v1.96.1 > FLAC v1.2.1 (Level 8); Taped by Bpris/Brian; Transferred by Jason Sobel    Source Detail    Source Detail  

 04/02/98 

Uniondale  NY   Nassau Veterans Memorial Coliseum    Schoeps CMC641 > Sonosax SX-M2 > Tascam DA-P1 @44.1kHz (front row/center, OTS); Sony PCM-2600 > Audioquest coax > Turtlebeach Fiji > Soundforge 4.5 > mkwAct 0.97b > SHNv3; Taped and transferred by Craig Hillwig [Dankseeds]    Source Detail    Source Detail  

 04/02/98 

Uniondale  NY   Nassau Veterans Memorial Coliseum    FOB AKG 391 > Beyer Dynamic MV-100 > Sony D100 @48kHz; Tascam DA-20mkII > Tascam HD-P2 > WaveLab 5.01b > r8brain v1.9 (48>44.1kHz) > CDWav > FLAC; Taped by Tony Amenta; Transferred by Jason Sobel    Source Detail    Source Detail  

 04/03/98 

Uniondale  NY   Nassau Veterans Memorial Coliseum    AKG 461s > D8 > standalone > CD > WAV > SHN; Note: This show was retracked for 2 80 minute discs    Source Detail    Source Detail  

 04/03/98 

Uniondale  NY   Nassau Veterans Memorial Coliseum    FOB Neumann km140 > Beyer MV1000 > SBM-1; D7 > S/PDIF > Echo Mia > Soundforge 4.5 > CDWav > FLAC; FLAC conversion by Paul Hofferkamp    Source Detail    Source Detail  

 04/04/98 

Providence  RI   Providence Civic Center    Schoeps CMC6/mk41 > VMS02IB > SBM-1 > DAT @44.1kHz (OTS); R500 > S/PDIF > VX Pocket > Soundforge 5.0 > CDWav > mkwACT > SHNv3; Taped by Derek Gregory; Transferred by Jamie Lutch; Dankseed    Source Detail    Source Detail  

 04/05/98 

Providence  RI   Providence Civic Center    (FOB) Schoeps mk4 > Sonosax SX-M2 > Sony SBM-1 > Sony TCD-D8 (@ 44.1 kHz); Tascam DA-20MKII > Tascam HD-P2 > Samplitude SE v9.1.1 (fades, track splits) > FLAC v1.2.1 (Level 8); Taped by Dan Haugh and Boris; Transferred by Jason Sobel    Source Detail    Source Detail  

 04/05/98 

Providence  RI   Providence Civic Center    Schoeps CMC6/mk41 > Sonosax SX-M2 > Tascam DA-P1 @44.1kHz (Front row,center, OTS); Sony PCM-2600 > Audioquest coax > Turtlebeach Fiji > Soundforge 4.5 > mkwACT 0.97b > SHNv3; Taped and transferred by Craig Hillwig; Note: 'beta' md5's are provided as this 'Danked' seed was not officially certified prior to the collapse of Dankseeds    Source Detail    Source Detail  

 05/07/98 

Woodstock  NY   Bearsville Studios    SBD > DAT > CDR > EAC > FLAC    Source Detail    Source Detail  

 06/30/98 

Copenhagen  Denmark   The Grey Hall    Schoeps mk4 > kcy > vms02ib > Tascam DA-P1 (@ 44.1 kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Derek Gregory; Transferred by Jason Sobel    Source Detail    Source Detail  

 07/02/98 

Copenhagen  Denmark   The Grey Hall    FOB Schoeps mk4 (mics in a hat) > kcy > VMS IO2b > DA-P1@44.1kHz; DAT > RME 96/8 > Soundforge 5.0 > CDWav > mkwACT > SHN; Transferred by Tim Rossi    Source Detail    Source Detail  

 07/03/98 

Dyrskuep, Ringe, Fyn  Denmark   Midtfyns Festival    FOB Schoeps mk4 > Rbox > Aiwa HDS200 @48kHz); Tascam DA-30mkI > Edirol R-4 > WaveLab 5 > CDWav> FLAC ; Transferred by Keith Litzenberger Note: 48 kHz seed    Source Detail    Source Detail  

 07/03/98 

Dyrskuep, Ringe, Fyn  Denmark   Midtfyns Festival    (FOB) Schoeps mk4 > kcy > vms02ib > Tascam DA-P1; Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, resample to 44.1 kHz, patch) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Derek Gregory; Transferred by Jason Sobel    Source Detail    Source Detail  

 07/05/98 

Prague  Czech Republic   Lucerna Theatre    FOB Schoeps mk4 (mics in a hat) > KCY > VMS IO2b > DA-P1@44.1kHz; DAT > RME 96/8 > Soundforge 5.0 > CDWav > mkwACT > SHN; Transferred by Tim Rossi    Source Detail    Source Detail  

 07/05/98 

Prague  Czech Republic   Lucerna Theatre    Set 2 only; SBD; CDR > EAC > FLAC     Source Detail    Source Detail  

 07/06/98 

Prague  Czech Republic   Lucerna Theatre    FOB Schoeps mk4 (mics in a hat) > VMS IO2b > DA-P1@44.1kHz; DAT(x1) > RME 96/8 > Soundforge 5.0 > CDWav > mkwACT > SHN Transfered by Tim Rossi; Tapes supplied by Derek G.; Dankseed    Source Detail    Source Detail  

 07/08/98 

Barcelona  Spain   Zeleste Discotheque    FOB Schoeps mk4 (mics in hat) > KCY > VMS IO2b > DA-P1@44.1kHz; DAT(x1) > RME 96/8 > Soundforge 5.0 > CDWav > mkwACT > SHN; Transferred by Tim Ross; Dankseed    Source Detail    Source Detail  

 07/08/98 

Barcelona  Spain   Zeleste Discotheque    flac16, 44kHz; [Soundcheck and Partial Set I only]; SBD > DAT; DAT > "Stand Alone Buner" > CDR(m) > EAC > FLAC; Transfer by mr. cheese    Source Detail    Source Detail  

 07/09/98 

Barcelona  Spain   Zeleste Discotheque    FOB Schoeps mk4 (mics in a hat) > KCY > VMS IO2b > DA-P1@44.1kHz; DAT > RME 96/8 > Soundforge 5.0 > CDWav > mkwACT > SHN; Transferred by Tim Rossi; Dankseed    Source Detail    Source Detail  

 07/09/98 

Barcelona  Spain   Zeleste Discotheque    FOB Schoeps mk4 (mics in a hat) > KCY > VMS IO2b > DA-P1@44.1kHz; DAT > RME 96/8 > Soundforge 5.0 > CDWav > mkwACT > SHN; Transferred by Tim Rossi; Dankseed    Source Detail    Source Detail  

 07/10/98 

Barcelona  Spain   Zeleste Discotheque    (FOB) Schoeps mk4 > kcy > vms02ib > Tascam DA-P1 (@ 44.1 kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Derek Gregory; Transferred by Jason Sobel    Source Detail    Source Detail  

 07/15/98 

Portland  OR   Portland Meadows    Set I: Schoeps CMC6/mk4 > Lunatec V2 > DA-P1; Set II: Neumann KMi84 > Sonosax > SBM-1; D7 > Coresound > Prodif Plus > Sampiltude 5.5 > CDWav > mkwACT > SHN; Transferred by Mike Fischer    Source Detail    Source Detail  

 07/16/98 

George  WA   The Gorge Ampitheatre    B+K 4021 > Lunatec V2 > Apogee AD1000 @48kHz > DAT > SPDIF > VX Pocket V2 > Soundforge 5.0 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Recording by Marc Nutter; Transfer by Jamie Lutch; Dankseed    Source Detail    Source Detail  

 07/17/98 

George  WA   The Gorge Ampitheatre    Schoeps mk4 > VMS02IB > DA-P1 (OTS); D8 > Audiophile 2496 > CDWav > Cool Edit Pro (48>44.1kHz) > CDWav > FLAC    Source Detail    Source Detail  

 07/19/98 

Mountain View  CA   Shoreline Amphitheatre    FOB Neumann km140 > E.A.A. > Sony SBM-1 > Sony D-100; Tascam DA-20mkII > Monster Coax > M-Audio Audiophile 24/96 > Soundforge 5.0b (48>44.1kHz) > CDWav > mkwACT v0.97 > SHNv3; Transferred by Dan Marquardt    Source Detail    Source Detail  

 07/20/98 

Ventura  CA   Ventura County Fairgrounds    Schoeps mk4 > VMS021b> SBM-1 > DA-P1; Fostex D5 @44.1kHz > VX Pocket 440 > Toshiba Portege 3480ct > SF 6.0 > CDWav > FLAC; Transferred by Greg Lance    Source Detail    Source Detail  

 07/25/98 

Austin  TX   South Park Meadows    Schoeps CMC6/mk4 > SX-M2 > (Set 1: SBM-1; Set 2: Apogee HD500) > DA-P1; Tascam DA-20mkII > Delta Dio 2496 > Soundforge 4.5 > CDWav > SHN; Transferred by Brandon Johnston    Source Detail    Source Detail  

 07/26/98 

Dallas  TX   Coca-Cola Starplex Amphitheatre    Schoeps CMC6/mk41 > Lunatec V2 > DA-P1; DA-20 > Delta Dio 2496 > Soundforge 4.5 (48>44.1kHz) > CDWav > SHN    Source Detail    Source Detail  

 07/28/98 

Bonner Springs  KS   Sandstone Amphitheatre    B+K 4011 > Lunatec V2 > Apogee AD-1000 @48kHz; R500 > Audio Magic Presto II > ZA2 > Soundforge 4.5(48>44.1kHz) > CDWav > SHN; Recorded by Marc Nutter; Patched by Joe Morrison; Transferred by Eric McRoberts    Source Detail    Source Detail  

 07/29/98 

Maryland Heights  MO   Riverport Amphitheatre    B+K 4011 > Lunatec V2 > Apogee AD-1000 @48kHz; Sony 59ES > Audio Magic Presto II > ZA2 > Soundforge 4.5 (48>44.1kHz) > CDWav >SHN; Taped by Marc Nutter; Patched by Joe Morrison; Transferred by Eric McRoberts    Source Detail    Source Detail  

 08/01/98 

East Troy  WI   Alpine Valley Music Theatre    FOB Schoeps mk41 > kc5 > CMC6 > SX-M2 > AD1000 > DAP1 @48kHz (DFC, ORTF); Sony PCM-R500 > Audio Magic Presto II > Delta Di0 2496 > Soundforge 4.5 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Taped by Mikey; Note: This is an updated source of what previously circulated; Additional Note: "fixed" md5 (fixed SBE by show) by Matt Vernon on 12/29/03    Source Detail    Source Detail  

 08/03/98 

Noblesville  IN   Deer Creek Music Center    FOB Schoeps CMC5/mk21> Sonosax SX-M2 > Apogee AD-1000    Source Detail    Source Detail  

 08/06/98 

Atlanta  GA   Lakewood Amphitheater    AKG 3000 > SBM-1 > Sony D8 > UA5 > Goldwave (48>44.1kHz) > FLAC    Source Detail    Source Detail  

 08/07/98 

Raleigh  NC   Walnut Creek Amphitheater    AKG 3000 > SBM-1 > D8 > Goldwave > WAV > FLAC    Source Detail    Source Detail  

 08/08/98 

Columbia  MD   Merriweather Post Pavilion    shn16, 44kHz; SBD > ??? > DAT(x); DAT(x) > ??? > CDR(x) > EAC > SHN; Source by unknown; Transfer by unknown    Source Detail    Source Detail  

 08/08/98 

Columbia  MD   Merriweather Post Pavilion    SBD + AUD Matrix Mix; (DSBD > DAT > HD > CD > EAC > SHN) + (Schoeps CMC64 > Lunatec V2); Mixed by Dan    Source Detail    Source Detail  

 08/08/98 

Columbia  MD   Merriweather Post Pavilion    DTS-Audio-CD 5.1 Surround; (DSBD > DAT > HD > CD > EAC > SHN) + (Schoeps CMC64 > Lunatec V2); Mixed by Dan    Source Detail    Source Detail  

 08/09/98 

Virginia Beach  VA   Virginia Beach Amphitheatre    Schoeps cmc6/mk41 > Sonosax SX-M2 > Apogee AD-1000 > Tascam DA-P1 (@48kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel    Source Detail    Source Detail  

 08/09/98 

Virginia Beach  VA   Virginia Beach Amphitheatre    Schoeps CMC6/mk4 > EAA > SBM-1 > DAT; Fostex D5 > M-Audio DiO 2496 > CDWav > Adobe Audition > CDWave > FLAC; Transferred by Kevin Davis    Source Detail    Source Detail  

 08/11/98 

Burgettstown  PA   Star Lake Amphitheatre    Schoeps CMC6/mk4 > Sonosax SX-M2 > DA-P1    Source Detail    Source Detail  

 08/12/98 

Vernon  NY   Vernon Downs    FOB Schoeps CMC6/mk41 > Sonosax SX-M2 > Tascam DA-P1 > CDR > EAC > SHN; Taped by Mike L., Ryan, Milton, Mikey K.; Seeded by Tim Rossi    Source Detail    Source Detail  

 08/15/98 

Limestone  ME   Loring Air Force Base    FOB Schoeps CMC6/mk21 > Sonosax SX-M2 > Apogee AD-1000; Taped by EP; DAT supplied by Russell Sarquis; Transferred by Rob Garland    Source Detail    Source Detail  

 08/16/98 

Limestone  ME   Loring Air Force Base    Schoeps mk21 > VMS021B > SBM-1 @44.1kHz > DAT > DAT > SPDIF > VX Pocket > Soundforge 5.0 > CDWav > mkwACT > SHNv3; Taped by Derek Gregory; Transferred by Jamie Lutch; Dankseed    Source Detail    Source Detail  

 08/16/98 

Limestone  ME   Loring Air Force Base    FOB Schoeps CMC6/mk21 > Sonosax SX-M2 > Apogee AD-1000; Taped by EP; DAT supplied by Russell Sarquis; Transferred by Rob Garland    Source Detail    Source Detail  

 10/03/98 

Tinley Park  IL   World Music Theatre    Farm Aid; CMT DSS Broadcast > TB Fiji > Soundforge    Source Detail    Source Detail  

 10/03/98 

Tinley Park  IL   World Music Theatre    SBD/AUD Matrix: [Wavelab 5.01 > CD Wave 1.94.5 > Flac 16 (level 8)]; Mixed by Ross P     Source Detail    Source Detail  

 10/17/98 

Mountain View  CA   Shoreline Amphitheatre    FOB Schoeps cmc6/mk41; Tascam DA-20mkII > M-Audiophile USB > WaveLab 5.01b (48>44.1kHz) > CD Wave > FLAC; Transferred by Peter Grow & Jason Sobel    Source Detail    Source Detail  

 10/18/98 

Mountain View  CA   Shoreline Amphitheatre    FOB Schoeps CMC6/mk41; Tascam DA-20mkII > M-Audiophile USB > WaveLab 5.01b (48>44.1kHz) > CD Wave > FLAC; Transferred by Peter Grow & Jason Sobel    Source Detail    Source Detail  

 10/27/98 

New York  NY   Ed Sullivan Theater    TV > ? > CDR > EAC > SHN; also see this listing for 11-3-98 filler    Source Detail    Source Detail  

 10/29/98 

Los Angeles  CA   Greek Theater    Schoeps CMC6/mk4 > Sonosax SX-M2 > Apogee AD500e; Note: "fixed" md5 (SBE) by Matt Vernon ~1/15/04    Source Detail    Source Detail  

 10/29/98 

Los Angeles  CA   Greek Theater    (FOB) Neumann TLM170 (cardoids) -> Sonosax SX-M2 -> Tascam DAP1; Sony R500 -> Sound Devices 722 -> Soundforge Pro 10.0b (Volume normalization, 48khz to 44.1khz) -> CD Wave -> FLAC; Taped & Transferred by Scott Bernstein    Source Detail    Source Detail  

 10/30/98 

Las Vegas  NV   Thomas & Mack Center    (FOB) Schoeps MK4V's > Schoeps KCY 250/05I > Schoeps VMS02IB > Sony SBM-1@44.1khz > HHB PDR1000; DAT MASTER > Sound Devices 702 > Soundforge 9 (Fades) > CD Wave > FLAC; Taped by Keith Litzenberger, Carrion Crow & Dan?; Transferred by Keith Litzenberger    Source Detail    Source Detail  

 11/02/98 

West Valley City  UT   E Centre    Schoeps CMC6/mk41 > Lunatec V2 > DA-P1; Fostex D5 > Zoltrix > Sound Forge 6.0 (48>44.1kHz) > CDWav > FLAC; Transferred by Greg Lance     Source Detail    Source Detail  

 11/02/98 

West Valley City  UT   E Centre    FOB Neumann km140 > Tascam DA-P1 @44.1kHz; Tascam DA-20mkII > Digi002 Rack > Pro Tools LE 6.4 > CDWav > FLAC; Transferred by Dave Schall    Source Detail    Source Detail  

 11/04/98 

Denver  CO   McNichols Sports Arena    B+K 4011 > Lunatec V2 > Apogee AD1000; DA-20mkII > Delta Dio 2496 > Soundforge 6.0 (48>44.1kHz) > CDWav > shntool > SHN; Transferred by Brandon Johnston    Source Detail    Source Detail  

 11/06/98 

Madison  WI   Kohl Center    Schoeps CMC6/mk41 > Lunatec V2 > Tascam DA-P1 @48kHz (OTS); Sony PCM-R300 > Sony PCM-M1 @48kHz > 7pin/Oade cable/coax > Digigram VXPocket > Soundforge 6.0 (48>44.1kHz) > CDWav > mkwACT > SHNv3; DATs provided by Charlie Gubman; Transferred by Chris Black; Dankseed    Source Detail    Source Detail  

 11/07/98 

Chicago  IL   UIC Pavilion    B+K 4011 > V2 > AD1000 > M1; Fostex D5 > VX Pocket 440 > Toshiba 3480ct > Wavelab 4.0 (48>44.1kHz) > CDWav > FLAC; Taped and transferred by Greg Lance    Source Detail    Source Detail  

 11/07/98 

Chicago  IL   UIC Pavilion    Schoeps CMC641 > Sonosax > InBox; "official" pcp and OE source; Note: md5's listed are updated (not original) seekable SHNv3 provided by Matt Vernon 12/23/03    Source Detail    Source Detail  

 11/08/98 

Chicago  IL   UIC Pavilion    Schoeps CMC641 > Sonosax > InBox; OE source; Note: md5's listed are updated (not original) seekable SHNv3 and fixed SBE provided by Matt Vernon 12/23/03    Source Detail    Source Detail  

 11/09/98 

Chicago  IL   UIC Pavilion    Schoeps CMC6/mk41 > Sonosax > InBox; SHN Conversion by Glenn Moses; Note: "all_updated" md5 listed is updated (not original) seekable SHNv3 and fixed SBE provided by Matt Vernon 01/06/04    Source Detail    Source Detail  

 11/11/98 

Grand Rapids  MI   Van Andel Arena    Nak 300 + cp4 caps > SBM-1 > D100 > CDR > EAC > SHN; same mic source as previously etreed but without the cut    Source Detail    Source Detail  

 11/11/98 

Grand Rapids  MI   Van Andel Arena    Neumann skm184 > Mackie 1202vlz > Sony D8 @48kHz; Tascam DA-30 mkII > SPDIF > Digidesign Digi002 Rack > Pro Tools LE 6.4 (48>44.1kHz) > CDWav > FLAC; Taped and transferred by Dave Schall    Source Detail    Source Detail  

 11/13/98 

Cleveland  OH   CSU Convocation Center    Schoeps CMC6/mk41 > Sonosax > DA-P1; Clicks at track boundaries removed with Wave Studio and retracked with CDWav; Editing by Jake Mercatoris    Source Detail    Source Detail  

 11/14/98 

Cincinnati  OH   The Crown    Microtech Gefell m210 > Lunatec V2 > AD1000 > DAP-1 @48kHz; DA-P1 > SB Audigy Platinum > SoundForge XP 5.0 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Taped and Transferred by Brian Conner; Note: SBEs and tracking fixed 3/26/04 by Matt Vernon    Source Detail    Source Detail  

 11/15/98 

Murfreesboro  TN   MTSU Murphy Center    Schoeps CMC6/mk41 > Sonosax > Apogee AD500 > DA-P1; DA-P1 > Prodif Plus > Samplitude > CDWav > SHN; Conversion by Levi Hunt    Source Detail    Source Detail  

 11/18/98 

Greenville  SC   Bi-Lo Center    Schoeps CMC6/mk41 > Aerco > SBM-1 @44.1kHz; DA-20mkII > Delta Dio 2496 > Soundforge 6.0 > CDWav > shntool > SHN; Transferred by Brandon Johnston    Source Detail    Source Detail  

 11/19/98 

Winston-Salem  NC   Lawrence Joel Veterans Memorial Coliseum    (FOB) Schoeps mk4v > kc5 > cmc6 > Oade M118 > HHB PDR-1000; Taped by Steve; Transferred by Mikey K.    Source Detail    Source Detail  

 11/20/98 

Hampton  VA   Hampton Coliseum    FOB Schoeps mk4v (ORTF) > active cables > CMC6 > Oade PS > Sony SBM-1 > DAP-20; DA-20 mkII> Philips CDR 870 > CDR > EAC > CDWav > Soundforge 6.0 > shntool > SHN; Transferred by Brandon Johnston    Source Detail    Source Detail  

 11/21/98 

Hampton  VA   Hampton Coliseum    FOB Schoeps mk4v (ORTF) > active cables > CMC6 > Oade PS > HHB PDR1000; DA-20 mkII> Philips CDR 870 > CDR > EAC > CDWav > Soundforge 6.0 > shntool > SHN; Transferred by Brandon Johnston    Source Detail    Source Detail  

 11/24/98 

New Haven  CT   New Haven Coliseum    flac16, 44kHz; Schoeps cmc6/mk41 > Apogee AD-1000 > Sony TCD-D8; Tascam DA-20 mkII > M-Audiophile USB > CDWave > FLAC (Level 6); Source by Van Murphree (?); Transfer by Peter Arcoma and Peter Grow    Source Detail    Source Detail  

 11/25/98 

Albany  NY   Pepsi Arena    Microtech Gefell m210 > Aerco > SBM-1; DA-20 > Delta Dio 2496 > Soundforge 6.0 (48>44.1kHz) > CDWav > shntool > SHN; Transferred by Brandon Johnston    Source Detail    Source Detail  

 11/27/98 

Worcester  MA   Worcester Centrum    Soundcheck only; SBD/AUD Matrix > DAT > CDR > EAC > SHN > FLAC    Source Detail    Source Detail  

 11/27/98 

Worcester  MA   Worcester Centrum    Schoeps cmc6/mk4 > V2 > ADC-20 > DA-P1; DAT > ARCHIVE Python > vDAT > WaveLab4 > CD Wave > Flac    Source Detail    Source Detail  

 11/29/98 

Worcester  MA   Worcester Centrum Centre    Schoeps m222/mk41 > N222 Preamp > HHB; DAT @48kHz > Event Gina S/PDIF > Cool Edit Pro (48>44.1kHz) > CDR; "official" pcp source; Note: md5's maybe not be originals; Note: "all_updated" md5 listed is updated (not original) seekable SHNv3 and fixed SBE provided by Matt Vernon 01/06/04    Source Detail    Source Detail  

 12/28/98 

New York  NY   Madison Square Garden    FOB Schoeps mk4 > nbox > Sony SBM-1 > Sony D100 @44.1kHz); Tascam DA-20mkII > Tascam HD-P2 > WaveLab 5.01b > CDWave > FLAC; Taped by Pepper and Carrion Crow; Transferred by Jason Sobel    Source Detail    Source Detail  

 12/29/98 

New York  NY   Madison Square Garden    (FOB) Schoeps mk4v > kc5 > cmc6 > Denecke PS-2 > Zefiro InBox > DAT (@ 44.1 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades) > CD Wave v1.95 > FLAC v1.1.3 (Level 8); Transferred by Jason Sobel    Source Detail    Source Detail  

 12/29/98 

New York  NY   Madison Square Garden    FOB Schoeps mk4v > kcy > vms021b > Sony SBM-1 > Teac DA-P20 @44.1kHz; Tascam DA-20mkII > Tascam HD-P2 > WaveLab 5.01b > CDWav > FLAC; Taped by The PTBNL and Carrion Crow; Transferred by Jason Sobel     Source Detail    Source Detail  

 12/30/98 

New York  NY   Madison Square Garden    Set 1: FOB Schoeps mk4v > kcy > nbox > Sony SBM-1 > Teac DA-P20 @44.1kHz; Set 2: FOB Schoeps mk4v > kcy > vms021b > Sony SBM-1 > Teac DA-P20 @44.1kHz; Tascam DA-20mkII > Tascam HD-P2 > WaveLab 5.01b > CDWav > FLAC; Taped by Teddy and Carrion Crow; Transferred by Jason Sobel    Source Detail    Source Detail  

 12/31/98 

New York  NY   Madison Square Garden    Neumann u89 > Apogee AD-1000 > Tascam DA-P1 @48kHz; Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (48>44.1 kHz) > CDWav > FLAC; Taped by Dan Estrin; Transferred by Jason Sobel    Source Detail    Source Detail  

 12/31/98 

New York  NY   Madison Square Garden    Schoeps CMC641 > Lunatec V2 > Apogee AD1000 > DAT > DAT > SPDIF > VX Pocket > Soundforge 5.0 > CDWav > mkwACT > SHNv3; Taped by Derek Gregory; Transferred by Jamie Lutch [Dankseeds]    Source Detail    Source Detail  

 12/31/98 

New York  NY   Madison Square Garden    FOB Schoeps mk4v > kc5 > Sonosax SX-M2/LS2 > Sony SBM-1 > Sony D100 @44.1kHz; Tascam DA-20mkII > Tascam HD-P2 > WaveLab 5.01b > CDWav > FLAC; Transferred by Jason Sobel    Source Detail    Source Detail  

 06/30/99 

Bonner Springs  KS   Sandstone Ampitheatre    Schoeps mk4v > M222/NT222 > Lunatec V2 > Apogee AD1000 > Graham-Patten DA-14 Patchbay > DA-P1 @48kHz; Fostex D5 > M-Audio DiO 2496 > CDWav > Adobe Audition (48>44.1kHz)> CDWav > FLAC; Transferred by Kevin Davis    Source Detail    Source Detail  

 07/01/99 

Antioch  TN   First American Music Center    Neumann U89i (hypercardioid) > Apogee AD1000 > DA-P1; Fostex D5 > M-Audio DiO 2496 > CDWav > Adobe Audition > CDWav > FLAC; Transferred by Kevin Davis    Source Detail    Source Detail  

 07/01/99 

Antioch  TN   First American Music Center    AKG 480/ck63> dmic-20> dap1> Panasonic 7502-b> HD using RDACD> Soundforge XP4.5> Shorten; one pop in the middleof d1t3; tapers: Dave Pecoraro and Matt Vallo; via Lober; 3/14/93 filler    Source Detail    Source Detail  

 07/03/99 

Atlanta  GA   Lakewood Amphitheater    Neumann U89i (hypercardioid) > Apogee AD1000 > DA-P1; Fostex D5 > M-Audio DiO 2496 > CDWav > Adobe Audition > CDWav > FLAC; Transferred by Kevin Davis    Source Detail    Source Detail  

 07/03/99 

Atlanta  GA   Lakewood Amphitheater    via J.Lober; Tapers: Dave Pecoraro, Matt Vallo; AKG 480/ck63> dmic-20> dap1> Panasonic 7502-b> HD using RDACD> Soundforge XP 4.5>Shorten; track breaks not on sector boundaries, but no clicks reported?    Source Detail    Source Detail  

 07/04/99 

Atlanta  GA   Lakewood Amphitheater    Neumann U89i (hypercardioid) > Apogee AD1000 > DA-P1; Fostex D5 > M-Audio DiO 2496 > CDWav > Adobe Audition > CDWav > FLAC; Transferred by Kevin Davis    Source Detail    Source Detail  

 07/07/99 

Charlotte  NC   Blockbuster Pavillion    flac16, 44kHz; Schoeps cmc6/mk4v's > Lunatec V2 > Tascam DA-P1 > DAT(c); DAT(c) > Tascam DA-20mkII > Tascam HD-P2 > WaveLab > CDWave > FLAC; Source by Dave Flaschner; Transfer by Jason Sobel    Source Detail    Source Detail  

 07/08/99 

Virginia Beach  VA   Virginia Beach Amphitheatre    Set I: Schoeps CMC6+MK41> Apogee AD-1000>> DA-P1> ZA2>Soundforge 4.0> CD Wav editor> SHN; Set II: Schoeps CMC6+MK41>Sonosax SX-M2> DA-P1> ZA2> Soundforge 4.0> CD Wav editor>SHN; via M. Ayers    Source Detail    Source Detail  

 07/09/99 

Columbia  MD   Merriweather Post Pavillion    shn16, 44kHx; (FOB) Schoeps mk4v's > kcy > VMS021B > Tascam DA-P1 > DAT(c); DAT(c) > Sony TCD-D8 > Prodif Plus > Samplitude > CDWave > SHN; Source by unknown; Transfer by Mike Fischer    Source Detail    Source Detail  

 07/09/99 

Columbia  MD   Merriweather Post Pavillion    flac16, 48kHz; Neumann TLM-103 > Sony TCD-D10 Pro MKII > Sony PCM-M1 > DAT(c) (16/48); DAT(c) > Sony TCD-D7 > NJB3 > CD Wave > FLAC (16/48); Transfer by Paul Hofferkamp    Source Detail    Source Detail  

 07/12/99 

Mansfield  MA   Tweeter Center    Schoeps cmc6/mk41 > Lunatec V2 > Apogee D1000 > Sony D100 (@ 48 kHz); Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8) Taped by Dave Flashner; Transferred by Jason Sobel (NOTE: both 44.1 kHz and 48 kHz versions are available)    Source Detail    Source Detail  

 07/13/99 

Mansfield  MA   Tweeter Center    Schoeps CMC6/mk41 > Lunatec V2 > Apogee AD1000 > Sony D100 @48kHz; Sony PCM-R500 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Taped by Dave Flashner; Transferred by Jason Sobel     Source Detail    Source Detail  

 07/15/99 

Holmdel  NJ   PNC Bank Arts Center    Senheiser mics (model not known)/FOB > DAT > CD > EAC > WAV > FLAC    Source Detail    Source Detail  

 07/17/99 

Volney  NY   Oswego County Airport    Schoeps cmbi + mk2s > AD1000 FOB> da-p1, direct front/center, stand 15" spread 130 degrees, run by DR Schoeps (aka omnis); via C. Savarick and treed by D. Davis; note plenty of bass- use good system; E. McRoberts flaw reports: hesitation-like flaw at d1t4 beginning (~0.04 s), minor pop d1t3 10:14:26, abrupt change to encore    Source Detail    Source Detail  

 07/18/99 

Volney  NY   Oswego County Airport    FOB Neumann U89i (Omni, Split 6') > Apogee AD1000@44.1kHz; SGI 8000 > dat2wav > CDWav > SHN; Transfer by Mike Chesnut; Distribution by John Tambroni    Source Detail    Source Detail  

 07/20/99 

Toronto  ON   Molson Amphitheater    Schoeps mk4v/m222 > nt222 > Lunatec V2 > Apogee AD1000 > D8; Tascam DA-20mkII > Audiowerk2 > Soundforge 4.5 > CDWav > SHN    Source Detail    Source Detail  

 07/23/99 

Columbus  OH   Polaris Amphitheatre    AKG c480b/ck63 (hypercard. capsules) > Lunatec V2 > Sony TCD-D8; via B. Haas, D. Goodman    Source Detail    Source Detail  

 07/24/99 

East Troy  WI   Alpine Valley Music Theatre    AKG C1000S > D8 @48 kHz (XY); D8 > Hercules GT-XP > Samplitude 2496 (48>44.1 kHz) > CDWav > mkwACT > SHN; Taped and transferred by Rob Robar    Source Detail    Source Detail  

 07/25/99 

Noblesville  IN   Deer Creek Music Center    Schoeps CMC6/mk41 > Apogee AD1000 > DA-P1; DA-P1 > mod. Edirol UA5 > Soundforge 6.0 > CDWav > mkwACT > SHN    Source Detail    Source Detail  

 07/25/99 

Noblesville  IN   Deer Creek Music Center    Schoeps CMC641> Lunatec v2> Graham Patten adc20> dap1 (Cash's rig); DAT via Chris Wood; DAT> CD by Matt: DAP1> TB Fiji S/PDIF> cdwav; same version seeded to evines, 3/27/00    Source Detail    Source Detail  

 07/26/99 

Noblesville  IN   Deer Creek Music Center    Schoeps CMC641> Lunatec v2> Graham Patten adc20> dap1 (Cash's rig); DAT via Chris Wood; DAT> CD by Matt: DAP1> TB Fiji S/PDIF> cdwav    Source Detail    Source Detail  

 08/01/99 

Naeba  Japan   Naeba Ski Resort    both sets; info file purports SBD >DAT >CDR >EAC >SHN, but source reportedly is really Schoeps> DA-P1 by taper "Nick"; new 4/00: another report says Nick really patched out of the AT4050s, though a different American did run a Schoeps> no preamp> D8; thus, not sure what this source really is- either way, no SBD is in circulation; converted to shn and uploaded by Marcus Karlstad    Source Detail    Source Detail  

 09/09/99 

Vancouver  BC   GM Palace    Schoeps m222/mk4v > V2 > AD1000; DA-302 > Audiowerks AW2 > Peak 4 > xact > FLAC     Source Detail    Source Detail  

 09/10/99 

George  WA   The Gorge Ampitheatre    Schoeps mk4v > vms > Sony SBM-1 > Sony D8; Tascam da-20mkII > rme digi96/8 pst> cdWAV >flac; Taped by Steve and Aaron; Transferedr by Cliff    Source Detail    Source Detail  

 09/11/99 

George  WA   The Gorge Ampitheatre    FOB Schoeps mk4v > kcy > vms021b > SBM-1 > DA-P1 > D8@44.1kHz (in hat); Tascam DA-20mkII > RME 96/8 > CDWav > mkwACT > SHNv3; Taped by Mikey, Steve, Aaron, and Mike    Source Detail    Source Detail  

 09/12/99 

Portland  OR   Portland Meadows    Schoeps MK-4> VMS02iB> SBM-1>DA-P1-> DA-20> Soundforge 4.5> CDR; transfer by J. Musante, u/l via G. Lobdell; note d1t8,d2t3 apparently corrupt- d2t3 fixed by 11/4, d1t8 fixed by 11/6    Source Detail    Source Detail  

 09/14/99 

Boise  ID   BSU Pavillion    FOB Schoeps mk4v > kcy > VMS021b > SBM-1 @44.1kHz; Tascam DA-20mkII > RME Digi96/8 PST > CDWav > mkwACT > SHN; Taped by Carrion Crow    Source Detail    Source Detail  

 09/16/99 

Mountain View  CA   Shoreline Amphitheatre    FOB Schoeps CMB1+MK4v > SX-M2 > SBM-1 > D8; DAT supplied by S. James; DAT Conversion by:  Jeff K.; DAT > WAV via Turtle Beach Fiji w/Digi I/O (S/PDIF) > SHN; note d4 can be moved to the end of d2 to fit on 3 CDs; Alex Ogan reports: "last 35 seconds or so of Prince Caspian seem to be included with Julius. Since Caspian and Julius are on different discs, this is a somewhat significant problem"    Source Detail    Source Detail  

 09/17/99 

Mountain View  CA   Shoreline Amphitheatre    DAUD (Schoeps M222 tubes/Mk4 > Elvo NT222 > HHB PortaDAT) > ZA2 (48 kHz to 44.1 kHz resampling) > HD > CDWav (track splitting) > shn; taper A. Braman, mastering M. Masse; patched DAT skip in Ghost; pop in GBOTT 1:26    Source Detail    Source Detail  

 09/18/99 

Chula Vista  CA   Coors Amphitheater    Schoeps CMC6/mk41 > Oade m148 > DA-P20; DA-20 > Delta Dio 2496 > Soundforge 4.5(48>44.1kHz) > CDWav > SHN; Transferred by Brandon Johnston    Source Detail    Source Detail  

 09/21/99 

Tucson  AZ   Pima County Fairgrounds    flac16, 44kHz; (FOB/ortf/in hat) Schoeps mk4v > kc5 > cmc6 > Apogee AD-1000 > Tascam DA-P1; Tascam DA-20mkII > Tascam HD-P2 > CDWave > Samplitude > FLAC; Source by Milt, Mike, Van, TPTBNL, and Carrion Crow; Transfer by Jason Sobel    Source Detail    Source Detail  

 09/21/99 

Tucson  AZ   Pima County Fairgrounds    Source: FOB Schoeps MK4V (ORTF in a hat)> Schoeps KC5 > Schoeps CMC6 > Apogee AD-1000 > Sony D8/Tascam DAP1; Transfer: Sony D8 > Lucid Technology PCI-24 (S/PDIF); 2 versions spliced, see info file; note windy; note tracks not split on sector boundaries    Source Detail    Source Detail  

 09/22/99 

Las Cruces  NM   Pan American Center    flac16, 44kHz; (FOB) Schoeps mk4v > kc5 > cmc6 > Sonosax SX-M2 > Apogee AD-1000 > Sony TCD-D8 > DAT(c); DAT(c) > Tascam DA-P1 > ZA2 > Soundforge > CDWave > SHN; Source by Carrion Crow and Player To Be Named Later; Transfer by Eric McRoberts    Source Detail    Source Detail  

 09/24/99 

Austin  TX   South Park Meadows    FOB Schoeps mk4 (ORTF) > VMS021B > SBM-1 > DA-P1; Sony D7 > Dakota Frontier > SF7.0 (48>44.1kHz) > FLAC    Source Detail    Source Detail  

 09/26/99 

New Orleans  LA   University of New Orleans Lakefront Arena    Sets 1,2: Schoeps CMC6/mk4 > Apogee AD1000 > DA-P1; Encore: AKG 480/ck61 > Beyer MV100 > SBM-1 > DA-P1; DAT > Cool Edit Pro > mkwACT > SHN    Source Detail    Source Detail  

 09/28/99 

Pelham  AL   Oak Mountain Amphitheatre    AKG 460b/ck61 > V2 > SBM1 > D8; DAT > CDR > EAC > CDWav > FLAC    Source Detail    Source Detail  

 09/29/99 

Memphis  TN   Pyramid Arena    FOB Schoeps mk4v> kc5 actives> cmc6> sonosax sx-m2> apogee ad-1000> d8; Transfer:? da-p1> audio magic presto II> za2> forge/cdwav> .shn; Transfer and shn by Eric McRoberts; has typical FOB noises    Source Detail    Source Detail  

 10/01/99 

Ames  IA   Hilton Coliseum    Schoeps CMC6/mk4 > Apogee AD1000 > DA-P1     Source Detail    Source Detail  

 10/02/99 

Minneapolis  MN   Target Center    flac16, 44kHz; (FOB) Schoeps mk4V > kv5 > cmc6 > Sonosax SX-M2 > Apogee AD-1000 > Patch DAT(m); Patch DAT(m) > Tascam DA-20mkII > rme digi.96 > CDWave > FLAC ; Source and Transfer by Carrion Crow, Montgomery Cliff, Wild Turkey, and Milton (t34mYEM)    Source Detail    Source Detail  

 10/04/99 

Normal  IL   Redbird Arena    FOB Schoeps mk4v > Schoeps KCY > Schoeps VMS02IB > Sony SBM1 > Sony D8 (DFC); Tascam DA-20mkII > CDWav > mkwACT > SHN; Transferred by Cliff Kaelin    Source Detail    Source Detail  

 10/07/99 

Uniondale  NY   Nassau Veterans Memorial Coliseum    FOB Schoeps mk4 > kc5 > CMC6 > Sonosax SX-M2 > DA-P1 @48kHz; Sony D8 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel    Source Detail    Source Detail  

 10/08/99 

Uniondale  NY   Nassau Coliseum    (FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Apogee AD1000 > Sony D100 (Set I @44.1kHz, Set II @48kHz); 2nd half of set 2 spliced from same source as shnid 22139.    Source Detail    Source Detail  

 10/08/99 

Uniondale  NY   Nassau Coliseum    B+K (DPA) 4011 > Lunatec V2 > Apogee AD500 > DA-P1; DAT > CDR > EAC > mkwACT > SHN; Taped and transferred by Ron Dalton; SHN Conversion by Levi Hunt    Source Detail    Source Detail  

 10/09/99 

Albany  NY   Pepsi Arena    B+K (DPA) 4011 > Lunatec V2 > Apogee AD500 > DA-P1; DAT > CDR > EAC > mkwACT > SHN; Taped and transferred by Ron Dalton; SHN Conversion by Levi Hunt    Source Detail    Source Detail  

 10/09/99 

Albany  NY   Pepsi Arena    Schoeps mk41 > kc5 > cmc6 > Lunatec V2 > Apogee AD-1000 > DA-P1 (@44.1kHz); Sony D8 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (fades) > CD Wave v1.94.5 > FLAC (level 8); Taped by Dave Flaschner; Transferred by Jason Sobel    Source Detail    Source Detail  

 10/10/99 

Albany  NY   Pepsi Arena    FOB Schoeps mk4 > kc5 > CMC6 > Sonosax SX-M2 > Sony D-100 @48kHz; Sony D8 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel     Source Detail    Source Detail  

 10/10/99 

Albany  NY   Pepsi Arena    B+K (DPA) 4011 > Lunatec V2 > Apogee AD500 > DA-P1; DAT > CDR > EAC > mkwACT > SHN; Taped and transferred by Ron Dalton; SHN Conversion by Levi Hunt    Source Detail    Source Detail  

 12/02/99 

Auburn Hills  MI   The Palace    Schoeps cmc6/mk41 -> Apogee AD-1000 -> Tascam DA-P1; Transferred by Scott Z.    Source Detail    Source Detail  

 12/05/99 

Rochester  NY   BlueCross Arena    FOB Schoeps mk4 > kc5 > CMC6 > Sonosax SX-M2 > Sony D-100 @48kHz; Sony D8 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Tapeed by Dave Flaschner; Transferred by Jason Sobel    Source Detail    Source Detail  

 12/07/99 

Portland  ME   Cumberland County Civic Center    flac16, 44kHz; (FOB) Schoeps cmc6 > kc5 > mk4's > Sonosax SX-M2 > Sony TCD-D100 > DAT(m); DAT(m) > Sony TCD-D8 > M-Audio MicroTrack > WaveLab > CDWave > FLAC; Source by Dave Flaschner; Transfer by Jason Sobel    Source Detail    Source Detail  

 12/07/99 

Portland  ME   Cumberland County Civic Center    Schoeps CMC6/mk41 > Lunatec V2 > Apogee > DAT > CDR > EAC > CDWav > SHN; to PCP Evines via C. Plemons, etreed 3/28; slight burst of diginoise at 14:14 in d1t07; includes alternate tracking suggestion; (not sure if same source with 3/8/00 circ date)    Source Detail    Source Detail  

 12/08/99 

Portland  ME   Cumberland County Civic Center    FOB B&K 4021 > Lunatec V2 > DAT > ZA2(48/44.1) > CEPro > SHN; Recorded by Cpt Joe LeClair; original version circ. 12/18/99 retracked by M. Fisken, see info file for fixes    Source Detail    Source Detail  

 12/10/99 

Philadelphia  PA   First Union Spectrum    2x Senheiser 441's + 1x Nakamichi 700 (Cardioid Capsule) > Nakamichi MX-100 (mixer) > Strasser DAT Prototype > CD > EAC > WAV > FLAC    Source Detail    Source Detail  

 12/11/99 

Philadelphia  PA   First Union Spectrum    Schoeps mk41 > kc5 > CMC6 > Sonosax SX-M2 > Apogee AD1000 > DA-P1 @44.1kHz; Sony D8 > M-Audio MicroTrack > CF Card > WaveLab 5.01b > CDWav > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel    Source Detail    Source Detail  

 12/11/99 

Philadelphia  PA   First Union Spectrum    2x Senheiser 441's + 1x Nakamichi 700 (Cardioid Capsule) > Nakamichi MX-100 (mixer) > Strasser DAT Prototype > CD > EAC (secure, test & copy) > WAV > FLAC    Source Detail    Source Detail  

 12/11/99 

Philadelphia  PA   First Union Spectrum    Neumann U89 (hypercard setting, direct front/center, tapers' section) >Apogee AD-1000 @44.1, D. Estrin; DA20mkII> Audio Magic Presto II> ZA2> Soundforge XP 4.5> CDWAV>.shn, E. McRoberts; 10/1/99 filler    Source Detail    Source Detail  

 12/12/99 

Hartford  CT   Hartford Civic Center    flac16, 44kHz; Schoeps mk41 > kcy5 > VMS 02IB > Sony SBM-1 > DAT; Tascam DA-302 > HHB CDR-850 > CDR > EAC (secure) > shntool > FLAC; Source by Darryl Fruchter; Transfer by Chris Warren    Source Detail    Source Detail  

 12/13/99 

Providence  RI   Providence Civic Center    flac16, 44kHz; (FOB) Schoeps mk41 > kc5 > CMC6 > Sonosax SX-M2 > Sony D-100 (48k); Sony D8 > Waveterminal 2496 > WaveLab 5.01b (48>44.1k) > CDWave > FLAC; Source by Dave Flaschner; Transfer by Jason Sobel    Source Detail    Source Detail  

 12/13/99 

Providence  RI   Providence Civic Center    flac16, 44kHz; Schoeps mk41 > kcy5 > VMS 02IB > SBM-1 > DAT; Tascam DA-302 > HHB CDR-850 > CDR > EAC (secure) > shntool > FLAC; Source by Darryl Fruchter; Transfer by Chris Warren    Source Detail    Source Detail  

 12/15/99 

Washington  DC   MCI Center    flac16, 44kHz; Microtech Gefell m210 > Apogee AD-1000 > Sony D100 > DAT(m); DAT(m) > Sony PCM-R500 > Tascam HD-P2 > WaveLab > CDWave > FLAC; Source by Beau Colburn; Transfer by Jason Sobel    Source Detail    Source Detail  

 12/15/99 

Washington  DC   MCI Center    shnf, 44kHz; (FOB/in hat) Schoeps mk4 > kcy > VMS-02ib > Sony SBM-1 > Sony PCM-M1 > DAT(c); DAT(c) > Sony DTC-59ES > Marantz CDR630 > EAC > SHN; Source by Carrion Crow; Transfer by Scott Zarnegar    Source Detail    Source Detail  

 12/16/99 

Raleigh  NC   Reynolds Coliseum    FOB Schoeps mk4v > KCY > Schoeps VMS02IB > Sony SBM-1 > Tascam DA-P1 (Set I @48kHz, Set II+E @44.1kHz); Tascam DA-40 > M-Audio Audiophile 2496 > Samplitude 7.0 (48>44.1kHz) > CDWav > FLAC; Taped by Carrion Crow; Transferred by Taylor Caine     Source Detail    Source Detail  

 12/16/99 

Raleigh  NC   Reynolds Coliseum    Microtech Gefell m210 > Apogee AD-1000 > Sony D100 (@ 44.1 kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, patch) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Beau Colburn; Transferred by Jason Sobel    Source Detail    Source Detail  

 12/16/99 

Raleigh  NC   Reynolds Coliseum    "Phulcrum's Mystery Patch"; Conversion:? Montego II DIGI I/O > GoldWave > SHN/CD-R by ; Slight level adjustment during the intro to Chalkdust; reportedly "sounds fantastic"; 2/11/00, M. Lilli fixed levels in d1t1,2    Source Detail    Source Detail  

 12/17/99 

Hampton  VA   Hampton Coliseum    flac16, 44kHz; (FOB/DFC/in hat) Schoeps mk4v > kcy > VMS02iB > Sony SBM-1 > Tascam DA-P1; Tascam DA-P1 > Echo MIA > Soundforge > CDWave > FLAC; Source by Carrion Crow; Transfer by Krunchy    Source Detail    Source Detail  

 12/18/99 

Hampton  VA   Hampton Coliseum    FOB Schoeps mk4v (DFC, in hat) > kcy > VMS02iB > SBM-1 > DA-P1; DA-P1 > Echo MIA > Soundforge 7.0 > CDWav > FLAC; Taped by Carrion Crow     Source Detail    Source Detail  

 12/29/99 

Big Cypress  FL   Big Cypress    AUD    Source Detail    Source Detail  

 12/30/99 

Big Cypress  FL   Big Cypress Seminole Reservation    (FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Apogee AD-1000 > Tascam DA-P1 > Sony D100 (@ 44.1 kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, patch) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel    Source Detail    Source Detail  

 12/31/99 

Big Cypress  FL   Big Cypress Seminole Reservation    Schoeps mk21H + mk8 > KCY 250/5 > vmso2ib > SBM-1    Source Detail    Source Detail  

 06/11/00 

Tokyo  Japan   Hibiya Outdoor Theatre    flac16; FOB Schoeps CMC6/mk4 >kc5 > Sonosax SXM2 > Sony D100; Fostex D5 > m-audio DiO 2496 > CDWav > Adobe Audition >CDWav > FLAC    Source Detail    Source Detail  

 06/13/00 

Nagoya  Japan   Club Quattro    SBD/AUD (AKG C1000) Matrix; D8 > Soundforge XP > WinCDR6.0 > FLAC    Source Detail    Source Detail  

 07/03/00 

Camden  NJ   E Centre    flac16, 44KhZ; (FOB) Schoeps mk4 > kc5 > cmc6's > Sonosax SX-M2 > Sony TCD-D100; Sony TCD-D8 > M-Audio MicroTrack > WaveLab > CDWave > FLAC; Source by Dave Flaschner; Transfer by Jason Sobel    Source Detail    Source Detail  

 07/10/00 

Noblesville  IN   Deer Creek Music Center    SBD/AUD Matrix > DAT @48kHz; CDR > EAC > FLAC    Source Detail    Source Detail  

 07/10/00 

Noblesville  IN   Deer Creek Music Center    Schoeps CMC641 (Split 20') > Apogee AD-1000 > DA-P1 > D8 (patched via Taylor Caine's Rig); Conversion: D8 > CMI8738 SPDIF (44.1k) > WAV > CDWAV > SHN (no DAE), by Stuart Gerber; listener Steve Hormell reports this sounds error-free    Source Detail    Source Detail  

 07/11/00 

Noblesville  IN   Deer Creek Music Center    shn16, 44kHz; (DFC/OTS) B&K 4011's > Lunatec V2 > Apogee AD-500e > DAT(c); DAT(c) > Tascam DA-P1 > Zefiro ZA2 > Soundforge > CDWave > SHN; Source by Ron Dalton; Transfer by Eric McRoberts    Source Detail    Source Detail  

 07/11/00 

Noblesville  IN   Deer Creek Music Center    [In-House FM(ALD) > D7 @48kHz + B+K 4011 > Lunatec V2 > Apogee AD-500e @48kHz] Matrix    Source Detail    Source Detail  

 07/15/00 

Columbus  OH   Polaris Amphitheatre    Schoeps CMC64V --> Sonosax SX-M2 --> Graham Patton ADC-20 --> DAT; DAT --> Soundforge 4.5 --> CDR; taper: Nick Michels, TS front and center; Patcher, DAT --> CDR: Bill Gardner    Source Detail    Source Detail  

 07/17/00 

Austin  TX   KLRU Studio 6A    Satellite > Fostex D10 > HHb 800 professional > EAC > SHN; Taped and transferred by Tim Holden    Source Detail    Source Detail  

 09/08/00 

Albany  NY   Pepsi Arena    B&K 4011's > Lunatec V2 > Apogee AD-500 > Tascam DA-P1 (@48kHz); Fostex D5 > Sound Devices 722 > WaveLab 5.01b (fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8); Taped by R. Dalton; Transferred by Ned Struzziero    Source Detail    Source Detail  

 09/29/00 

Las Vegas  NV   Thomas & Mack Center    flac16, 44kHz; (FOB) Schoeps mk21 > kc5 > cmc6's > Apogee AD-1000 > Sony TCD-D100 > DAT(m); DAT(m) > Tascam DA-20mkII > Tascam HD-P2 > CDWave > Samplitude > FLAC; Source by Mikey K. and Dave Flaschner; Transfer by Jason Sobel    Source Detail    Source Detail  

 10/01/00 

Phoenix  AZ   Desert Sky Pavilion    flac16, 44kHz; B&K 4011's > Lunatec V2 > Apogee AD-500e > Tascam DA-P1 > DAT(m); DAT(m) > Fostex D5 > Sound Devices 722 > WaveLab > CDWave > FLAC; Source by Ned Struzziero; Transfer by Ned Struzziero & Jason Sobel    Source Detail    Source Detail  

 10/01/00 

Phoenix  AZ   Desert Sky Pavilion    Neumann KM140s > Sound Devices MP2 > Sony SBM1 > Sony D8; master > HHb CDR 830 Standalone > EAC/wavlab > FLAC    Source Detail    Source Detail  

 10/04/00 

Chula Vista  CA   Coors Amphitheatre    AKG 460s > Tascam DA-P1 > CD > SHN    Source Detail    Source Detail  

 10/05/00 

Irvine  CA   Verizon Wireless Amphitheater    flac16; 44kHz; Schoeps cmc6/mk41's > Sonosax SX-M2 > Apogee AD-1000 > Tascam DA-P1 > DAT(c); DAT(c) > Fostex D5 > M-Audio DiO 2496 > CDWave > FLAC; Source by Dave Flaschner; Transfer by Kevin Davis and Blane Harvey    Source Detail    Source Detail  

 10/05/00 

Irvine  CA   Verizon Wireless Amphitheater    flac16, 44kHz; B&K 4011's > Lunatec V2 > Apogee AD-500e > Tascam DA-P1 > DAT(m); DAT(m) > Fostex D5 > Sound Devices 722 > WaveLab > CDWave > FLAC; Source by Ned Struzziero; Transfer by Ned Struzziero and Jason Sobel    Source Detail    Source Detail  

 10/05/00 

Irvine  CA   Verizon Wireless Amphitheater    flac16, 44kHz; Schoeps mk41's > m222 > kc5 > Elvo nt222 > Apogee AD-1000 > Sony PCM-M1 > DAT(c); DAT(c) > Fostex D-5 > SoundWave > Wavelab > CDWave > FLAC; Source by Charles Fox; Transfer by Gotfob    Source Detail    Source Detail  

 ??/??/00 

Compilation  Compilation   Phish 2000 Broadcast Tree    Phish 2000 Broadcast tree (1/1/00, 5/15/00, 5/16/00, 5/18/00, 5/19/00, 5/23/00, 6/10/00, 6/11/00, 6/27/00, 7/17/00, 10/03/00); SHN conversion by Jeff Ishaq    Source Detail    Source Detail  

 08/02/03 

Limestone  ME   IT Festival Tower Set Ambient Jam    [Senheiser 441 + Nakamichi 700 (cardioid)] > Nakamichi MX-100 (mixer) > Tascam DAP1 > CDR > EAC > FLAC    Source Detail    Source Detail  

 12/01/03 

Albany  NY   Pepsi Arena    Neumann TLM170 (ORTF, hypercardioid) > V2 > Mini-Me > DA-P1 (DFC, OTS); DA-P1 > Prodif Plus > Samplitude 2496 > CDWav > mkwACT > SHN; Taped and transferred by Levi Hunt    Source Detail    Source Detail  

 12/28/03 

Miami  FL   American Airlines Arena    Neumann km140 (90deg) > Lunatec V2 > SBM-1 > D8; Sony R300 > HHB830 > CDR > Plextor40/12/40A > EAC > SHN; Taped and transferred by Matt Lazor    Source Detail    Source Detail  

 12/29/03 

Miami  FL   American Airlines Arena    Neumann km140 (110deg) > Lunatec V2 > SBM-1 > D8; Sony R300 > HHB830 > CDR > Plextor40/12/40A > EAC > SHN; Taped and transferred by Matt Lazor    Source Detail    Source Detail  

 12/30/03 

Miami  FL   American Airlines Arena    Neumann km140 (110deg) > Lunatec V2 > SBM-1 > D8; Sony R300 > HHB830 > CDR > Plextor40/12/40A > EAC > SHN; Taped and transferred by Matt Lazor    Source Detail    Source Detail  

 12/31/03 

Miami  FL   American Airlines Arena    Neumann km140 (110deg) > Lunatec V2 > SBM-1 > D8; Sony R300 > HHB830 > Plextor40/12/40A > CDR > EAC > SHN; Taped and Transferred by Matt Lazor    Source Detail    Source Detail  

 04/15/04 

Las Vegas  NV   Thomas & Mack Center    AKG 393 (DIN) > Oade mod. Edirol UA-5 > NJB3 @44.1kHz (OTS); NJB3 > Firewire > PC > CDWav > FLAC; Taped and transferred by Greg Bloch     Source Detail    Source Detail  

 04/16/04 

Las Vegas  NV   Thomas & Mack Center    AKG 393 (DIN) > Oade mod. Edirol UA-5 > NJB3 @44.1kHz (OTS); NJB3 > Firewire > PC > CDWav > FLAC; Taped and transferred by Greg Bloch     Source Detail    Source Detail  

 04/17/04 

Las Vegas  NV   Thomas & Mack Center    AKG 393 (DIN) > Oade mod. Edirol UA-5 > NJB3 @44.1kHz (OTS); NJB3 > Firewire > PC > CDWav > FLAC; Taped and transferred by Greg Bloch    Source Detail    Source Detail  

 06/17/04 

Brooklyn  NY   Keyspan Park    Neumann u89i (hypercardioid) > Apogee MiniMe @16bit/48kHz > Sony TCD-D7 > Montego II S/PDIF > Steinberg Wavelab 4.0c > CDWav > FLAC; Taped and transferred by Bryan Austin    Source Detail    Source Detail  

 06/18/04 

Brooklyn  NY   KeySpan Park    Schoeps CMC6/mk5 > Lunatec V2 > Apogee MiniMe @24bit/44.1kHz > Wavelab > FLAC; Taped and transferred by John Crouch    Source Detail    Source Detail  

 06/18/04 

Brooklyn  NY   KeySpan Park    Schoeps M222/mk5 (cardioid, DIN) > NT222 > V3 > D8 (OTS); Tascam DA-20mkII > Audiophile2496 > Wavelab4.0 (48>44.1kHz)> CDWav > FLAC; Taped by Jason Lonchar; Transferred by Hank Schandel    Source Detail    Source Detail  

 06/19/04 

Saratoga Springs  NY   Saratoga Performing Arts Center    ADK TL (hypercardioid) > V2 > mod. SBM-1 > JB3 (DFC, OTS); JB3 > CDWav > FLAC; Taped and transferred by Brian Costigan    Source Detail    Source Detail  

 06/19/04 

Saratoga Springs  NY   Saratoga Performing Arts Center    Schoeps M222/mk5 (cardioid, DIN) > NT222 > V3 > D8 (DFC); Tascam DA-20mkII > Audiophile2496 > WaveLab4.0 (48>44.1kHz) > CDWav > FLAC; Taped by Jason Lonchar; Transferred by Hank Schandel     Source Detail    Source Detail  

 06/20/04 

Saratoga Springs  NY   Saratoga Performing Arts Center    AKG 480/ck61 (DIN,OTS) > USBPre > Vaio PGC-SRX87 @16bit/48kHz > WaveLab 4.0 (48>44.1kHz) > CDWav > mkwACT > SHN; Taped by Mark Terry    Source Detail    Source Detail  

 06/20/04 

Saratoga Springs  NY   Saratoga Performing Arts Center    Schoeps M222/MK5's(card,DIN,DFC) > NT222 > V3 > D8; Tascam DA-20mkII > Audiophile2496 > Wavelab4.0(48>44.1) > CDwav > FLACfrontend; Taped by Jason Lonchar; Transferred by Hank Schandel    Source Detail    Source Detail  

 06/21/04 

New York  NY   Ed Sullivan Theatre Marquee    Schoeps mk4 > kc5 > CMC5 > Sonosax SX-M2 > D100; DA-P1 > Echo Mia 2496 > CDWav > FLAC; Taped by Eliot Byron    Source Detail    Source Detail  

 06/23/04 

Noblesville  IN   Verizon Wireless Music Center    AKG 480/ck61 > USBPre > Vaio PCG-SRX87 @16bit/48kHz > WaveLab 4.0 (48>44.1kHz) > CDWav > mkwACT > SHN; Taped by Mark Terry    Source Detail    Source Detail  

 06/24/04 

Noblesville  IN   Verizon Wireless Music Center    Microtech Geffell m300 > V2 > MiniMe > VX Pocket > Picturebook @24bit/48kHz > WaveLab (24>16bit/48>44.1kHz) > CDWav > FLAC; Taped by Steve Szaks
(NOTE: both 16 bit and 24 bit seeds available)  
 Source Detail    Source Detail  

 06/25/04 

East Troy  WI   Alpine Valley Music Theatre    Microtech Geffell m300 > V2 > MiniMe > VX Pocket > Picturebook @24bit/48kHz > WaveLab (24>16bit/48>44.1kHz) > CDWav > FLAC; Taped by Steve Szaks
(NOTE: both 16 bit and 24 bit seeds available)  
 Source Detail    Source Detail  

 06/26/04 

East Troy  WI   Alpine Valley Music Theatre    Microtech Geffell m300 > V2 > MiniMe > VX Pocket @24bit/48kHz > Wavelab (24>16bit/48>44.1kHz) > CDWav > FLAC; Taped by Steve Szaks    Source Detail    Source Detail  

 08/09/04 

Hampton  VA   Hampton Coliseum    FOB Schoeps mk4 (ORTF, in hat, DFC) > kc5 > CMC6xt > Lunatec V3 @24bit/96kHz > Ipaq 5555 (PDAudio, Live 2496) > Soundforge 7.0 (24>16bit, 96>44.1kHz) > CDWav > FLAC    Source Detail    Source Detail  

 08/10/04 

Mansfield  MA   Tweeter Center    Schoeps mk4 > kc5 > CMC6 > Sonosax SX-M2 > Apogee AD1000 > JB3 @44.1kHz (OTS) > CDWav > FLAC; Taped and transferred by Andy Murray    Source Detail    Source Detail  

 08/11/04 

Mansfield  MA   Tweeter Center    Schoeps mk4 (ORTF) > kc5 > CMC6 > Sonosax SX-M2 > Apogee AD1000 > JB3 @44.1kHz > CDWav > FLAC; Taped and transfered by Andy Murray     Source Detail    Source Detail  

 08/12/04 

Camden  NJ   Tweeter Center at the Waterfront    Schoeps CMXY4v (XY)> V3 @44.1kHz     Source Detail    Source Detail  

 08/13/04 

Coventry  VT   Newport State Airport    Coventry "From the Archives" #1; FM > DAT; DA-20mkII > Audiowerk2 > Soundforge4.5 > SHN; Transferred by Ian Stone    Source Detail    Source Detail  

 08/14/04 

Coventry  VT   Newport State Airport    Coventry "From the Archives" #2; FM > DAT; DA-20mkII > Audiowerk2 > Soundforge4.5 > SHN; Transferred by Ian Stone    Source Detail    Source Detail  

 08/14/04 

Coventry  VT   Newport State Airport    FOB Neumann km140 (ORTF) > V2 > SBM-1 > D8 (DFC); Sony R300 > HHB 830 > CDR > EAC (secure) > SHN; Taped by Matt Lazor; SHN Conversion by Frank Webster    Source Detail    Source Detail  

 08/15/04 

Coventry  VT   Newport State Airport    Coventry "From the Archives" #3; FM > DAT; DA-20mkII > Audiowerk2 > Soundforge4.5 > SHN; Transferred by Ian Stone    Source Detail    Source Detail  

 08/15/04 

Coventry  VT   Newport State Airport    FOB Neumann ak40 > lc3 > km100 > Lunatec V3 > VX Pocket @24bit/48kHz > Samplitude 7.0 > FLAC; Taped and transferred by John Cocci    Source Detail    Source Detail  

 03/06/09 

Hampton  VA   Hampton Coliseum    (FOB) AKG 460B (omni) > Crown phantom power > Sony TCD-D8; Sony D8 > Pro Tools; Taped by Scott & Boris    Source Detail    Source Detail  

 03/06/09 

Hampton  VA   Hampton Coliseum    (FOB) AKG 460B (omni) > Crown phantom power > Sony TCD-D8; Sony D8 > Pro Tools; Taped by Scott & Boris    Source Detail    Source Detail  

 03/07/09 

Hampton  VA   Hampton Coliseum    (FOB) B&K 4022 > Sonosax SX-M2 > Sound Devices 744t (24/48); 744T > wavelab > CD Wave > flac; Taped & Transferred by Craig Davis (NOTE: both 16 bit & 24 bit versions are available)    Source Detail    Source Detail  

 03/07/09 

Hampton  VA   Hampton Coliseum    (FOB) B&K 4022 > Sonosax SX-M2 > Sound Devices 744t (24/48); 744T > wavelab > CD Wave > flac; Taped & Transferred by Craig Davis (NOTE: both 16 bit & 24 bit versions are available)    Source Detail    Source Detail  

 03/07/09 

Hampton  VA   Hampton Coliseum    (FOB) B&K 4022 > Sonosax SX-M2 > Sound Devices 744t (24/48); 744T > wavelab > CD Wave > flac; Taped & Transferred by Craig Davis (NOTE: both 16 bit & 24 bit versions are available)    Source Detail    Source Detail  

 03/08/09 

Hampton  VA   Hampton Coliseum    (FOB) B&K 4022 > Sonosax SX-M2 > Sound Devices 744t (24/48); 744T > wavelab > cd wave > flac; Taped & Transferred by Craig Davis (NOTE: both 16 bit & 24 bit versions are available)    Source Detail    Source Detail  

 05/31/09 

Boston  MA   Fenway Park    Telefunken USA Ela m262 (hyper) > Lunatec V3 > Sonic AD2K+ > MT2 (@ 24/44.1); CF card > Sound Studio (normalize, dither) > xAct > FLAC; Taped by Jesse Hurlburt    Source Detail    Source Detail  

 06/02/09 

Wantagh  NY   Nikon at Jones Beach Theater    [Schoeps MK41's > Schoeps KCY > Schoeps VST62ui > Lunatec V3 > Sound Devices 744t] + [Sennheiser ME-80's > Sound Devices 744t (@24/48)]; Soundforge 9 (Mix of both sources, Fades, Bit Rate/Sample Rate Conversion) > CD Wave > FLAC; Taped & Transferred by Keith Litzenberger (NOTE: both 16 bit & 24 bit versions are available)    Source Detail    Source Detail  

 06/02/09 

Wantagh  NY   Nikon at Jones Beach Theater    Schoeps MK41's > Schoeps KCY 250/05I > Schoeps VST62ui > Lunatec V3 > Sound Devices 744t (@24/48); Soundforge 9 (Fades, Bit Rate/Sample Rate Conversion) > CD Wave > FLAC; Taped & Transferred by Keith Litzenberger (NOTE: both 16 bit & 24 bit versions are available)    Source Detail    Source Detail  

 06/07/09 

Camden  NJ   Susquehanna Bank Center    (FOB) Neumann KM150's > Aerco MP-2 > Korg MR-1 (@1bit, 2.8mhz); Audiogate (Fades, conversion to 16bit/44.1khz) > CD Wave > FLAC; Taped & Transferred by Keith Litzenberger    Source Detail    Source Detail  

 07/30/09 

Morrison  CO   Red Rocks Amphitheatre    Neumann ak40's > Lc3 > km 100 > V3 (analog out) > Sound Devices 702 (@ 24/48); Taped & Transferred by gotfob    Source Detail    Source Detail  

 07/30/09 

Morrison  CO   Red Rocks Amphitheatre    Schoeps mk22 > KCY > Schoeps VMS02IB > Apogee Mini-Me > Sound Devices 722 (@24bit/96kHz); SD 722 > Samplitude SE 9.1.1 (resample/dither) > CD Wave > flac (16/44.1); Taped & Transferred by taylorc (NOTE: both 16 bit & 24 bit versions are available)    Source Detail    Source Detail  

 07/31/09 

Morrison  CO   Red Rocks Amphitheatre    B&K4022 (ortf) > Sonosax > 744T; 744T>wavelab (fades/resampling/dithering)>cd wave>flac; Taped & transferred by Craig Davis    Source Detail    Source Detail  

 07/31/09 

Morrison  CO   Red Rocks Amphitheatre    Neumann ak40's > Lc3 > km 100 > V3 (analog out) > Sound Devices 702 (@ 24/48); Taped & Transferred by gotfob    Source Detail    Source Detail  

 08/01/09 

Morrison  CO   Red Rocks Amphitheatre    B&K4022 (ortf) > Sonosax > 744T; 744T>wavelab (fades/resampling/dithering)>cd wave>flac; Taped & transferred by Craig Davis    Source Detail    Source Detail  

 08/01/09 

Morrison  CO   Red Rocks Amphitheatre    Neumann ak40's > Lc3 > km 100 > V3 (analog out) > Sound Devices 702 (@ 24/48); Taped & Transferred by gotfob    Source Detail    Source Detail  

 08/02/09 

Morrison  CO   Red Rocks Amphitheatre    Neumann ak40's > Lc3 > km 100 > V3 (analog out) > Sound Devices 702 (@ 24/48); Taped & Transferred by gotfob    Source Detail    Source Detail  

 08/02/09 

Morrison  CO   Red Rocks Amphitheatre    B&K4 022 > Sound Devices 744T; 744T > wavelab (fades/resampling/dithering) > cd wave > flac; Taped & Transferred by Craig Davis    Source Detail    Source Detail  

 08/05/09 

Mountain View  CA   Shoreline Amphitheatre    Neumann KM140s > Sound Devices MP2 > Edirol R09 (24/48) > WAV > Adobe Audition (24/48 > 16/44) > CD Wave > FLAC16    Source Detail    Source Detail  

 11/24/09 

Philadelphia  PA   Wachovia Center    (FOB) Schoeps MK4's > Nbox > Sony PCM-M10; PCM-M10 > Soundforge 9 > CD Wave > FLAC; Taped by Nicky C; Transferred by Keith Litzenberger (NOTE: both 16 bit & 24 bit versions are available)    Source Detail    Source Detail  

 11/27/09 

Albany  NY   Times Union Center    Sennheiser MD441U > Edirol R4Pro Oade preamp mod (@ 24/88.2); R4Pro > WaveBurner (track, fade, SRC, BRC) > xACT (flac)    Source Detail    Source Detail  

 11/29/09 

Portland  ME   Cumberland County Civic Center    (FOB) Schoeps mk22 > kc5 > cmc6 > sonosax sx-m2 > Sound Devices 722 (@ 24 bit/48kHz); cf > wavelab (src44-16) > cd wave > flac; Taped by Scott Gordon, Dave Flaschner & Rob Adler    Source Detail    Source Detail  

 12/02/09 

New York  NY   Madison Square Garden    Schoeps mk41v's > kcy > lemosax > Sound Devices 744t; 744t > CD Wave > Wavelab 5 > Flac; Taped & Transferred by Derek Davis    Source Detail    Source Detail  

 12/03/09 

New York  NY   Madison Square Garden    Schoeps mk41v's > kc5 > m222 > nt222 > Sound Devices 744t + Schoeps mk21's > kcy > lemosax > Sound Devices 744t; 744t > Wavelab 5 > CD Wave > Wavelab 5 > Flac; Taped & Transferred by Derek Davis    Source Detail    Source Detail  

 12/05/09 

Charlottesville  VA   John Paul Jones Arena    (FOB) Schoeps MK4 > KC5 > CMC6 > Apogee Mini-MP > Tascam HD-P2 (@ 96 kHz 24 bit); Tascam HD-P2 > Dell XPS1730 > Vegas 8.0 > Sony Sound Forge 9.0 (resampled, dithered) > FLAC; Taped & Transferred by jadedphan (NOTE: both 16 bit & 24 bit versions are available)    Source Detail    Source Detail  

 12/28/09 

Miami  FL   American Airlines Arena    Sennheiser MD441U > Edirol R4Pro Oade preamp mod (@ 24/88.2); R4Pro > WaveBurner (track, fade, SRC, BRC) > xACT > flac; Taped & Transferred by padelimike    Source Detail    Source Detail  

 12/29/09 

Miami  FL   American Airlines Arena    Sennheiser MD441U > Edirol R4Pro Oade preamp mod (@ 24/88.2); R4Pro > WaveBurner (track, fade, SRC, BRC) > xACT > flac; Taped & Transferred by padelimike    Source Detail    Source Detail  

 12/30/09 

Miami  FL   American Airlines Arena    Sennheiser ME-80's > Sound Devices 744t (@24/48); SD744t > Soundforge 9 (Fades, Sample/Bit Rate Conversion to 16/44.1) > CD Wave > FLAC; Taped & Transferred by Keith Litzenberger (NOTE: both 16 bit & 24 bit versions are available)    Source Detail    Source Detail  

 12/31/09 

Miami  FL   American Airlines Arena    Sennheiser ME-80's > Sound Devices 744t (@24/88.2); SD744t > Soundforge 9 (Fades, Sample/Bit Rate Conversion to 16/44.1) > CD Wave > FLAC; Taped & Transferred by Keith Litzenberger    Source Detail    Source Detail  

 []------|  Robert Hunter  |------[] 
Date  City State  Venue Source Notes Source Link

 02/24/80 

Stony Brook  NY   SUNY Gymnasium    flac16; FOB>Sony-ECM990(Stereo Mic)>JVC 1636-MKII>CM(Maxell UDXLII)Transfer:Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16
Taped and transferred by Charlie Connor  
 Source Detail    Source Detail  

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