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Music List for Dave Caimotto
Last Update: Nov 11, 2009
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I am in the process of moving and lots of my discs have been put into spindles in many boxes. Feel free to email me as I have a few laying around but not all are easily accessible at this time.
Thanks!
Amfibian --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
04/24/04 Higher Ground CD-R/FLAC 2 A

Animal Liberation Orchestra --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
01/05/09 Jam Cruise 7 - Pool Deck FLAC 1

Auf Der Maur --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
07/16/04 Arvika Festivalen CD-R/FLAC 1 A SOURCE: Audience LINEAGE: Sony ECM-DS70P > Sharp MD-MT80HS > Cool Edit Pro 2.0 > FLAC GENERATION ON YOUR DISC: MD(M)>CDR(1) TAPED, TRANSFERED AND SEEDED BY: David Johansson

Baltimore Symphony Orchestra --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
08/01/08 Joseph Meyeroff Symphony Hall FLAC 1

Bela Fleck & The Flecktones --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
06/18/06 What Stage - Bonnaroo FLAC 2 Transfer: CF > Hyperdrive HD80 > usb2.0 > Adobe Audition 1.5 > CD Wave > FLAC Frontend > .flac16
06/25/06 The Mountain Winery - Acoustic Planet Tour FLAC 1

Bela Fleck & Tony Trischka --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
05/12/99 Rehearsal Room - Arts & Science Center of Catawba CDR 2
05/12/99 Rehearsal Room - Arts & Science Center of Catawba CD-R 2

Ben Folds --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
08/05/05 Bank of America Pavilion FLAC 1 A Conversion: Tascam DA-20>Egosys U2A>Sound Studio 2.1.1b3>AIFF>xACT 1.5b1 Note: - Levels started to rise significantly toward the end, so there is a bit of overloading starting with t08.
08/10/05 Ravinia Festival Pavilion FLAC 1 A Conversion: JB3 -> WAV (no DAE) -> Sound Forge 8.0 -> CDWave -> WAV -> FLAC Frontend Location: middle left, halfway back, sitting There is some buzzing in Bastard, don't know what from. I think that's the extent. Some random crackling from moving the mics (stealthy). Recording is a little "roomy" because of the location, and crowd is heavy in spots and quiet in some. Enjoy!
08/24/05 Mountain Winery FLAC 1 A Transfer: USB > Sony SonicStage V3.0 > WavMerge 2.1 > Adobe Audition 1.0 (Normalize @98%) > CDWAVE Editor > Flac Frontend > FLAC There is some crowd noise and laughter throughout. Overall, a very good show though.
06/16/06 Bonnaroo Music Festival FLAC 1 A Tracked using CDWave Encoded using Flac Frontend

Benevento/Russo --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
07/29/07 Double Door FLAC 2 Conversion: Sandisk Ultra II 8GB Compactflash Card > Sound Devices 702 firewire out > Adobe Audition > CD Wave Editor > Flac Frontend

Big Bad Voodoo Daddy --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
07/15/09 Wednesday in the Gorge FLAC 2 Transfer: Sony MD MZ-NF810 > PC > Sony Sound Forge 7.0 > CDWAVE > Traders Little Helper (FLAC)

Black Crowes --- Approximate Hours: 32.5
Show Date Venue Media Type Media Count Sound Quality Notes
07/24/96 Supper Club CD-R/SHN 2 A
02/19/97 Elysée Montmartre CD-R/SHN 2 A
03/18/05 The Chance CD-R/FLAC 2 A DFC Balcony center Mic clamped to center lighting rack Transfer: Sony pro75es>Soundforge6.0(16 bit @44.1khz)(record) no editing/resampling>CDWAV(tracks)> Flacfront end level 8>FLAC Known flaws: ***track 1 has 2 level adjustments
03/22/05 Hammerstein Ballroom CD-R/FLAC 2 A Transfer: D8>VX Pocket 440>Soundforge 7.0>CD WAV>FLAC Frontend 1.7.1
08/05/05 The Fillmore FLAC 2 2 USB > Sound Forge 7.0 > CD Wave Editor 6 > NERO Express (48k>44.1k) > verified CDR Master > EAC > FLAC Frontend 5 [mics in hat, FOB, DFC]
08/07/05 The Fillmore FLAC 2 A transfer: DA-20> CL Audigy2(plat)(spdif)> cd wave> flac
08/09/05 The Fillmore FLAC 2 A Location: Taper Section ~ 5' LOC Mic stand @ 12' 2-Sennheiser ME66/K6->Lunatec V3->Sony TCD-D100 Transfer: Sony TCD-D100->Edirol UA-1A->Apple PowerBook G4 Editing: Audacity 1.2.3 Burning: Dragon Burn V4.1.20 Flac: Level 5 compression
08/10/05 The Fillmore FLAC 2 A Location: Taper Section ~ 5' LOC Mic stand @ 12' 2-Sennheiser ME66/K6->Lunatec V3->Sony TCD-D100 Transfer: Sony TCD-D100->Edirol UA-1A->Apple PowerBook G4 Editing: Audacity 1.2.3 Burning: Dragon Burn V4.1.20 Flac: Level 5 compression (FLACs verified and ran through SBE fix)
10/10/05 The Pageant FLAC 2 A LINEAGE: 722t > Wavelab (fades, normalize, resample & dither to 16/44.1 > CD Wave > Flac Fronetend level 6.
12/30/05 Lupo's At The Strand FLAC 2 A Location:~30 feet from stage off right stack. Stand ~10 feet. Conversion: Kazmo Kramer Equipment: JB3>USB>WaveLab 5.0>CDWav 1.94.3>FLAC Frontend 1.7.1 (Level 8)
06/18/06 Shoreline Amphitheater CD-R 2 A+ SOUNDBOARD!
07/14/06 NorVa FLAC 2 A Location: inside sbd cage, dfc Transfer: Transfer: 744T>soundforge 7.0 (fades/resampling/dithering)>cd wave>flac
08/01/06 LC Pavilion FLAC 2 A location: fob/din/DFC- front of Lawn transfer: wavelab5>cdwave~> flac6

Bob Dylan --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
06/07/78 Universal Amphitheater FLAC 2

Bob Weir --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
05/10/92 Jerry Brown Benefit SHN 1

Bobby Previte & Skerik --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
11/04/06 Pearl Street Night Club (Downstairs) CD-R 1

Bonerama --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
01/05/09 Jam Cruise 7 - Savannah Bar FLAC 1
01/07/09 Jam Cruise 7 - Pool Stage FLAC 1

Bonnaroo Superjam --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
06/17/06 Bonnaroo Music Festival (That Tent) FLAC 2 Transfer: Fostex D-5 > VX Pocket 440 > Sound Studio > xACT > .flac (16/44)

Brain Damaged Eggmen --- Approximate Hours: 6.25
Show Date Venue Media Type Media Count Sound Quality Notes
01/10/06 Pool Deck FLAC 2 A+ Out on the open sea! 37 Latitude 42 Longitude Beatles and Floyd Set!
08/05/06 The Vic Theatre FLAC 2 A Lineage: Exdrive PCMCIA > USB2.0 > Wavelab 5.0 (24/48) > Fades > UV22HR(16/44.1) > flac16 Level5
12/16/07 Hedonism III FLAC 1

Buckethead --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
03/24/06 Northern Lights DVD 1 A
02/15/08 Great American Music Hall FLAC 2

Bustle In Your Hedgerow --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
01/05/09 Jam Cruise 7 - Covent Garden Theater FLAC 1

Charlie Hunter & Adam Cruz --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
05/22/99 Somerville Theatre CD-R/SHN 2 A

Charlie Hunter Quartet --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
12/23/01 Yoshi's (Late Show) SHN 2

Chris Barron --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
11/07/88 Nightingale Bar 0 I caught The Hour at Kenny's Castaways in the Village. Then I headed over to Nightingales (2nd Ave. @ 13th Street) to catch BT. This place was just a bar. The band set up in front of a mirror, parallel with the bar and there was about 8 feet between the band and the bar to dance if one chose to do so (though I don't think there was ever more than 4 or 5 people dancing, with me being one of them of course). I came in during their first set and taped as much as I could. The band played at ear damaging levels. After one song I remember John saying to Chan, "why don't we turn down some?" and they lowered the volume a little. Then they played a 2nd set. After the 2nd set Chris Barron began a solo set. I let my tape deck run and split with the band. Someone's girlfriend (I'm pretty sure it was John's) had an apartment around the corner and we walked up 4 flights of stairs or so to party there for a while. When we got back to the bar my equipment was still there, though the tape had run out. The band got behind Chris and started to play Cleopatra's Cat with him. This was followed by the rest of Blues Traveler's 3rd set. At some point I discovered that only one of my mics had been on (bummer, remember I had set up in a hurry). I therefore decided to dub the master down to a two channel, mono, 1st gen cassette using a splitter. When I did this I put the fragment of Chris Barron's solo set at the end of the 3rd BT set just for tape space reasons. Due to the tape running out it wasn't continuous anyway.
12/01/88 Nightengale Bar FLAC 1 Conversion: Onkyo TA-6711>Tascam DA-20>U2A>Sound Studio 2.1.1b3>AIFF>xACT 1.58

Chris Robinson & the New Earth Mud --- Approximate Hours: 8.75
Show Date Venue Media Type Media Count Sound Quality Notes
11/23/02 Numbers CD-R/FLAC 2 A
11/11/03 Liberty Hall FLAC 1
11/15/03 Cervantes SHN 2 A Transfer: 44.1Khz DAT> S/PDIF>Dio 24/96>Sound Forge 5.0>mkw ACT 0.97 Notes: -Late Night Show after Phil Lesh & Friends. NEM played until about 3am.
07/23/04 The Borgata Casino Ballroom CD-R/FLAC 2 A Mic Info: DIN, DFC, FOB, stand 8' Lineage: Wavelab 5(Dither w/UV22HR to 16bit/48khz) -> Soundforge 6(resample to 44.1khz w/anti-alias filter 4/4) -> CDwave(splits) -> FLAC16(level5) Taped & Transfered by Chris Clark (clark@taperssection.com)

The Coalition of the Willing --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
02/22/07 Harlow's FLAC 2 Tascam DA20MKII > VX Pocket > .wav CD Wave (tracking) > Flac frontend > .flac

Col. Bruce Hampton --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
01/05/08 MSC Lirica FLAC 1 Transfer: SD722 -> pc -> Wavelab 4 -> cdwav -> FLAC Frontend -> Torrent Spy -> Azureus -> You

Col. Claypool's Bucket of Bernie Brains --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
09/29/04 The Roxy CD-R/FLAC 2 A Recorded and transfered by Andy Murray andyjah420@yahoo.com 30' from stage center Schoeps MK4>KC5>CMC6>Sonosax SXM2>Apogee AD1000> Optical>Nomad JB3(WAV@44.1k) ORTF Nomad JB3>Firewire>CDWAV Editor>Flac16

Comes A Time Benefit --- Approximate Hours: 0
Show Date Venue Media Type Media Count Sound Quality Notes
09/24/05 The Greek Theatre 0 ***Not on recording*** David Nelson, Sandy Rothman, & Brian Godchaux

Critters Buggin --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
06/02/01 Great American Music Hall CD-R/SHN 3 A Critters Buggin: Matt Chamberlain - Drums & Stuff Mike Dillon - Percussions, Vibes and Cool Noises Brad Houser - Bass, Sax & Spiritual Presence Skerik - Sax, Keys, Freakitar Guests: Maurice Caldwell Jr. - Vocals & General Weirdness Les Claypool - Bass & Vocals (2nd set)
01/12/06 The Pool Deck, MSC Lirica DVD 1 A

Dave Matthews & Friends --- Approximate Hours: 15
Show Date Venue Media Type Media Count Sound Quality Notes
12/15/03 Wachovia Center CD-R/SHN 3 A- Location: Section 3 row 7, seats 9-10 Conversion: CDWav > SHN
12/17/03 Madison Square Garden CD-R/SHN 2 A
01/15/04 Staples Center CD-R/SHN 3 A Resampled and dithered to 16/44.1 using wavlab 4.0 Taped by Ian Stone (istone626@earthlink.net) Taped from Section 3, row 3 seat 14 - 6' DIN 90deg
06/11/04 Bonnaroo Music Festival CD-R/SHN 3 A- Location: Center Rail, 40 feet in front of soundboard @ 13 ft. Conversion: Resampled, dithered, and tracked with Spark XL v2.8. xACT v1.3 to create shn file set and fix SBE's Couple of random balloon pops and PA spikes are present. At 2:08 of d1t07 you can hear a security guard yelling. Some chick passed out directly across the barricade from us
02/05/06 Follies Theatre, Sovereign of the Seas Cruise SHN 1 A Location: Center of Front Balcony, aprox. 50' back from stage

Dave Matthews & Tim Reynolds --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
03/14/99 Marin Civic Auditorium SHN 2 A Conversion: DAT>CD: Mike Vernal AIF>WAV>SHN
03/10/07 Paradiso FLAC 2 Source Info AUD1 Taper: Bob Haag Location: 1.5ft from the left stack Source: AKG 460 JW Mods ck61's > SD 722 @ 24/96 Conversion: SD 722 > Dell D600 > wavelab > CD Wav > FLAC AUD2 Taper: BNZ Source: at831 > SP-SPSB-8 (Bass Roll-off at 107 HZ) > Edirol R09 at 44.1 Khz Transfer: SD card > SDslot > PC > Soundforge 8.0 > Cdwave > Shorten > SHN Thanks to all the hard work from the two tapers that night, Bob Haag and BNZ. And an even bigger thanks for their loving care transfering and sharing these sources for all to enjoy. Both of these recordings were nothing short of spectacular. --------------------------------------------------------- Tech Notes FLAC were decoded to wave. Wavmerge was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both sources. SF8.0 used to adjust the volume for the front, center, surround and LFE channels. SF8.0 was used for the EQ setting on all the sources post mixdown. Surcode CD Pro DTS was used to encode to DTS. - Mixed by dan@am-dig.com - FLAC conversion 19-MAR-2007 - Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel AUD1: AKG 460 JW Mods ck61's Right Channel AUD1: AKG 460 JW Mods ck61's Center Mono Mix -5db D'EQ AUD1+AUD2 Matrix Mix Surround Left Channel AUD2: AT831 > SP-SPSB-8 Right Channel AUD2: AT831 > SP-SPSB-8 Sub/LFE Mono Mix -5db AUD1: AKG 460 JW Mods ck61's --------------------------------------------------------- Notes Two incredible AUD recordings. AUD2 had random between song crowd cheer portions cut out making allot extra work synching these sources. However, nothing important was missing and the end result is a recording that flows seamlessly, smooth and natural without any interruptions. --------------------------------------------------------- Multitrack Mixdown Settings Center Channel Mono Matrix Mix - 5db AUD1 -4db AUD2 -5.25db --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound like DTS, Dolby Digital and DVD-Audio. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio-CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and rise the volume gradually. NEVER listen to a DTS-Audio-CD through the analogue audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. --------------------------------------------------------- Additional Formats This show is available in the following formats: 1. The 2 AUD sources listed above. 2. CD-Audio AUD+AUD Matrix Mix at 16/44 3. CD-Audio 5.1 Surround Sound DTS-Audio-CD at 16/44 4. DVD-Audio AUD+AUD Matrix Mix at 24/48 5. DVD-Audio 5.1 Surround Sound at 16/44 (6 Channel x 16/44 - MLP Encoded)

Dave Matthews (solo) --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
09/11/92 Delta Kappa Epsilon House, U. of Virginia CDR 1 A-
05/26/01 Blue Room Jazz Club (Aladdin Hotel) CD-R/SHN 1 A Conversion: CD > wav (EAC 0.90 Beta 3) wav > SHN (MKW 0.97 Beta 1) - Station Call letters edited out at approx. 3:55 on track 2 and at the beginning of track 5 - Source disc takes a commercial break after Bartender and at approx 5:09 on track 07. Thus the audio doesn't flow perfectly at these points. - About 1 minute of the Q&A was edited off the disc I recieved compared to what was played on the Star98.7 KYSR LA webcast after the staples show 05-15-2002

Dave Matthews Band --- Approximate Hours: 35
Show Date Venue Media Type Media Count Sound Quality Notes
09/28/94 Flood Zone CD-R 2 A
10/15/94 Oak Mountain Amphitheatre CD-R/SHN 1 A DAT>CD: Equip: Sony TCD-D8 > Montego II+ > CEP 1.1 > CDWAV DMBTA lists Rhyme as the last song but clearly this show ends after Ants.
07/10/97 Portland Meadows CD-R 3 A
07/10/97 Portland Meadows 0
12/07/98 Worcester Centrum Center CD-R 3 A
??/??/00 Red Light Studios 0
??/??/00 Red Light Studios 0
05/19/01 Pac Bell Park CDR 2
08/01/01 Hershey Park Stadium CD-R 3 A
04/07/02 FleetCenter CD-R 2 A
05/29/02 Madison Square Garden CDR 2
09/03/04 The Gorge Ampitheatre CD-R/SHN 3 A Taper: Jon Ice Source: ck61 > Active Cables > JK Labs DVC > Apogee Mini-Me > Apple Powerbook @ 24/48 via Spark XL v2.82 Location: Sec C, Row 8, Seats 11,12 @ 14' Conversion: Spark XL v2.82 to track, resample, and dither. xACT v1.49 to create shn file set and check sector boundaries.
10/01/04 Bryce Jordan Center, Penn State Univ. CD-R/SHN 2 A Taper: Ian White Location: Section N1, Row 7, Seat 1 (7th row/right stack) Source: Sennheiser MKH-800s @ ~ 15' (cards) > Lunatec V3 @ 16/48 > Sony PCM-M1 Conversion: Sony PCM-M1 > Audiophile 2496 > Goldwave 5.08 > CD Wave 1.93 > shntool 1.2.3
10/21/06 Shoreline Amphitheatre FLAC 1 transfer: master > HHb CDR830 standalone CDR > EAC/wavlab > FLAC
10/22/06 Shoreline Amphitheatre FLAC 1 transfer: master > HHb CDR830 standalone CDR > EAC/wavlab > FLAC
08/19/08 Staples Center FLAC 3 A Transfer: IRiver iHP-120 > USB > PC Edit: wav > Sony Soundforge 7.0b > wav > CD Wave > wav Conversion: wav > FLAC frontend 1.7.1 > .flac

David Gilmour --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
04/17/06 Paramount Theatre FLAC 2 A Transfer: Sony M1 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 4.0 (Resampled to 44.1) > Cd Wave > FLAC

The Dead --- Approximate Hours: 21.25
Show Date Venue Media Type Media Count Sound Quality Notes
06/18/03 Merriweather Post Pavilion SHN 2
12/30/03 Oakland-Alameda County Coliseum CD-R/SHN 3 A Taper Section,Center of Coliseum Rear. Aprox 8 Rows back
06/12/04 Bonnaroo Music Festival CD-R/SHN 3 A Transfer: PCM-M1 > 7 pin > SPDIF > Sound Blaster Live Platinum > cool edit pro > tracks > resampled to 44.1 KHz at highest setting Location: Stand 11' high on left side of center walkway rail, 15-20 feet in front of the soundboard Taped/Transferred/Seeded by Bill Weed taperbweed@yahoo.com minor flaws: Static at set1T02 2:57 Glitch at set2T09 5:09
06/26/04 Shoreline Amphitheatre CD-R/SHN 3 A-
07/01/04 Idaho Center Amphitheater FLAC 2 Tascam DA-20 MK II>Philips CDR 775>EAC>FLAC
07/03/04 The Gorge Ampitheatre FLAC 2 Transfer: Tascam DA-20 MKII>Philips CDR 775> EAC>FLAC
10/13/08 Bryce Jordan Center FLAC 2

Derek Trucks Band --- Approximate Hours: 6.25
Show Date Venue Media Type Media Count Sound Quality Notes
01/02/07 Jam Cruise 5 - Teatro Dell'Opera FLAC 2
04/15/07 Wanee Festival FLAC 2 Transfer: JB3 (usb) > iMac. Tracked via Sound Studio, FLAC via xACT
06/15/07 Ford Amphitheater FLAC 1 Transfer: 722 > Firewire > Samplitude SE v8 > CD Wave 1.94.8 Lineage: 24bit/48kHz > 16bit/44.1kHz > FLAC (Level 6) Editing: Samplitude: Resampled to 44.1kHz (Ultra High 2) Waves L2: Threshold -3; Dither IDR Type 1 Normal CDWave: Tracking FLAC Frontend: FLAC Conversions (Level 6)

DJ Greyboy --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
06/27/97 The Fillmore SHN 1 A
12/12/01 Great American Music Hall SHN 2 A

Down --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
04/03/08 Whiplash Radio Show FLAC 1

Drive-By Truckers --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
09/14/08 Alachua County Fairgrounds FLAC 1 Location: DFC FOB, ~30 yards from stage Transfer: PMD660 > iMac. Tracked via Sound Studio, FLAC via xACT
09/14/08 Alachua County Fairgrounds FLAC 1 Location: DFC FOB, ~30 yards from stage Transfer: PMD660 > iMac. Tracked via Sound Studio, FLAC via xACT

The Dynamites --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
01/08/09 Jam Cruise 8 - Covent Garden Theater FLAC 1

Eric Clapton --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
07/10/74 Providence Civic Center CDR 1 A
02/03/89 Royal Albert Hall CD-R/FLAC 2 A++ Lineage: Original silvers => Unknown CDR generations => CDR => EAC => FLAC

Eric Krasno & Chapter 2 --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
05/29/09 Hunter Mountain Ski Resort FLAC 2 Transfer:SDHC card->pc->audacity->cd wave editor->flac frontend

Evanescence --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
07/18/04 Molson Amphitheatre CD-R/FLAC 1 A- Transfer: DATm > M1 > Core Sound Coax-to-7-pin cable > Audiophile 2496 > Sound Forge 5 > CDWAVE > FLAC

Everyone Orchestra --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
01/12/06 Pool Deck DVD 1 A
01/08/08 Jam Cruise 6 - Pool Deck FLAC 1 SD722 -> pc -> Wavelab 4.0 -> cdwav -> FLAC Frontend

Fantastic 4 --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
01/09/06 Lirica Lounge FLAC 1 A

Furthur --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
09/18/09 Fox Theater FLAC 2
09/19/09 Fox Theater FLAC 2
09/20/09 Fox Theater FLAC 2

Galactic --- Approximate Hours: 16.25
Show Date Venue Media Type Media Count Sound Quality Notes
12/31/01 The Warfield CD-R 3 A
01/08/06 Jam Cruise 4 - Pool Deck CD-R 2 A+
01/08/06 Jam Cruise 4 - Pool Deck DVD 2 A VIDEO: minidv's > firewire > Vegas Video 5.0 [mpeg2 @ CBR 7908 kbps] > DVD Lab pro AUDIO: soundboard > 48 khz 16-bit PCM wav Widescreen 16:9 Resolution: 720 x 480 29.97 FPS ntsc 7.83 GB
10/29/06 Vegoose City FLAC 2 A location: fob/dfc transfer: SD 722->Spark xL->xACT->FLAC level 6
01/07/08 Broadway Theater FLAC 2 Transfer: SD722 -> pc -> Wavelab 4 -> cdwav -> FLAC Frontend -> Torrent Spy -> Azureus -> You
01/06/09 Covent Garden Theater FLAC 2

Garaj Mahal --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
10/06/01 The Justice League CD-R 1 A

Garcia --- Approximate Hours: 10
Show Date Venue Media Type Media Count Sound Quality Notes
07/??/61 Boar's Head Coffeehouse SHN 1
05/04/63 Top of the Tangent SHN 1 A The story about this recording and show goes (according to http://db.etree.org/lookup_show.php3?shows_key=52986): Jerry And his first wife Sara a week after wedding. He traded wedding gifts and Sara's guitar for his new banjo. Recorded by the manager of the club at the time and aired on KFOG's dead hour.
07/05/73 Lion's Share FLAC 2
09/30/73 Community Center SHN 1
10/02/77 Paramount Theater SHN 1
04/10/82 Capitol Theatre (Early Show) CD-R/SHN 1 A Early Show
05/05/82 Oregon State Prison CD-R/FLAC 1 A

Garcia & Grisman --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
05/07/92 Warfield Theater FLAC 2
01/12/94 Warfield Theater FLAC 2

Garcia & Kahn --- Approximate Hours: 11.25
Show Date Venue Media Type Media Count Sound Quality Notes
05/31/85 Beverly Theatre SHN 1
08/17/85 River Theatre SHN 1
10/16/85 Catalyst Club FLAC 2 BOTH SHOWS - EARLY & LATE
10/16/85 Catalyst Club FLAC 2 Early & Late Shows
02/01/86 Orpheum Theater FLAC 1 A playback on Nakamichi DR2 > Presonus Firebox > firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8)
02/02/86 Orpheum Theater FLAC 1 Early & Late Sets
02/02/86 Orpheum Theater FLAC 1 A playback on Nakamichi DR2 > Presonus Firebox > firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5, ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8)

George Clinton & The P-Funk Allstars --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
03/17/99 Unknown FLAC 2 Transfer Info: Dat clone @ 48k Sony D-8 > coax > audiophile 24/96 -> Soundforge 4.5 (record/edit, resample)> CDWav > flac level 8
07/24/08 10KLF FLAC 2

George Porter Jr. & Friends --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
01/08/09 MSC Orchestra - Shaker Lounge FLAC 1

George Porter Jr. & Runnin' Pardners --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
01/12/07 Mexicali Blues Cafe FLAC 2 Transfer: 744t>Firewire>Soundforge 5.0>CDWave track splits>Flac

God Street Wine --- Approximate Hours: 20
Show Date Venue Media Type Media Count Sound Quality Notes
10/31/92 Goddard College CD-R/SHN 2 A
07/05/93 Rhinecliff Hotel SHN 2
07/06/93 Hotel Rhinecliff SHN 2
09/11/93 Bucknell University SHN 2
10/08/94 HMV Record Store CD-R/SHN 2 A Transfer: Cass0 > Nakamichi deck > Monster RCA Cables > PCI Sound Card (Line In) > MediaRack (recorder) > hard drive > CDWav > Soundforge 4.5 XP > SHN
10/17/97 The Trocadero Theatre CD-R/SHN 2 A
10/28/97 Newport Music Hall CD-R 2
08/04/99 Tradewinds CD-R/SHN 2 A

Gordon Lightfoot --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
06/26/76 Casino de Montreux CD-R/SHN 1 A -

Gov't Mule --- Approximate Hours: 27.5
Show Date Venue Media Type Media Count Sound Quality Notes
03/03/97 Granada Theatre FLAC 2
10/31/03 Saenger Theatre FLAC 2 A Conversion:Fostex D5 -> Terratec EW24/96 -> Cool Edit -> CD Wav -> Flac
10/21/05 Warfield Theatre FLAC 2 A Transfer: DAT master > HHb CDR830 > EAC > PC/wav > FLAC
06/16/07 Bonnaroo Music Festival FLAC 2
04/27/08 Granada Theater FLAC 2 Transfer: Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC
07/06/08 Rothbury Music Festival FLAC 1
07/09/08 Performing Arts Center FLAC 2 Transfer: Tascam DA-20mkII > Prodif Gold > Soundforge 6.09 > CD Wave (Tracks) > Flac16 (8)
07/10/08 San Jose Peforming Arts Center FLAC 1
08/09/08 Masquerade Music Park FLAC 3 Lineage: SD722 > Cool Edit Pro 2 gain, fades, dithered, resampled to 16bits/44.1KHz > CDWave >Flac Frontend Level 6 > FLAC16
08/31/08 Red Rocks Amphitheatre FLAC 3 Sound Devices 722>Sound Forge 7.0>CD Wave>flac(16)
12/31/08 Hammerstein Ballroom FLAC 2

Grace Potter & The Nocturnals --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/07 Compilation FLAC 1
02/02/08 The Media Club FLAC 1 Transfer: SD Memory Card > USB > Hard Drive > Audacity 1.2.4 (amplify - L Channel +15.2 dB, R Channel +16.1 dB) > CDWav (tracking and encoding to FLAC @ level 5) > FLAC > .WAV > Cool Edit Pro 2 (dithered and downsampled to 16 bit/44.1 kHz) > FLAC Frontend level 5 > FLAC
08/01/08 Dunegrass Festival FLAC 2 A DSP: Sound Devices 722>Sound Forge 7.0>CD Wave>flac(16)
08/08/08 Promo West Pavilion FLAC 1 DSP: Sound Devices 722>Sound Forge 7.0>CD Wave>flac(16)
01/05/09 Covent Garden Theater FLAC 1

Grateful Dead --- Approximate Hours: 130
Show Date Venue Media Type Media Count Sound Quality Notes
03/05/72 Winterland Arena CD-R/SHN 2 A
09/21/72 The Spectrum CD-R/SHN 4 A
12/31/72 Winterland Arena CD-R/SHN 4 A
02/09/73 Roscoe Maples Pavilion, Stanford University SHN 2 A Notes: Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com on September 3, 2002. The many fades were done previously, by others. From the original text file: MR 2 Track Reel > 7.5 IPS 1/4 tack dolby B reel > DAT > Sonic Solutions > CDR Some cuts between tracks Note that there were many technical failures during this show including loss of all tweeters on the first note of "Promised". "Casey Jones" has alot of distortion. Additional Editing d2t08-Tuning/Stage Banter (S : ? > CASS) added by by Alan J Fink (aj.fink@verizon.net) using Cool Edit Pro d2t09-Truckin' 0:00 - 0:02 (S : ? > CASS) Original d2t09-Eyes Of The World renamed to d2t10 Original d2t10-China Doll renamed to d2t11 Original d2t11-Big River renamed to d3t01 Original d3t01-Ramble On Rose renamed to d3t02 Original d3t02-Box Of Rain renamed to d3t03 Original d3t03-Wave That Flag renamed to d3t04 Original d3t04-Sugar Magnolia renamed to d3t05 Original d3t05-Uncle John's Band renamed to d3t06 Original d3t06-Around And Around renamed to d3t07 Original d3t07-Casey Jones renamed to d3t08 shn encoding by via MKW. Proper extraction and sector boundaries verified via shntool.
03/16/73 Nassau Veterans Memorial Coliseum FLAC 2
05/26/73 Kezar Stadium FLAC 3
06/10/73 Robert F. Kennedy Stadium FLAC 4 A+
06/20/74 The Omni SHN 2
04/27/77 Capitol Theater CD-R/SHN 3 A
06/09/77 Winterland Arena FLAC 2
10/30/77 Assembly Hall FLAC 2 A
11/01/77 Cobo Arena FLAC 2
11/02/77 Field House, Seneca College FLAC 3
11/24/78 Capitol Theatre FLAC 3 A+ Source: PreFM SBD MR > DAT (48Khz) > DAT > WAV > FLAC. DAT > WAV transfer: Playback on Sony PCM-R500 > Neutrik input on Presonus Firebox preamp/A:D > firewire/XP Pro PC > Wavelab 5, recorded as 24 bit/96 KHz WAV > Waves L3 Multimaximizer (mastered to 16 bit/44.1 KHz WAV using hi res CD dither settings) > CDWAV 1.9 (tracking and FLAC encoding) > FLAC (level 8). Source DAT provided by B.Koucky. DAT > WAV Transfer and FLAC encoding by C.Ladner
10/03/80 Warfield Theater SHN 2
10/31/80 Radio City Music Hall DVD 4 B
08/10/82 University Of Iowa Fieldhouse FLAC 2
09/14/82 University Hall, University Of Virginia SHN 2
03/31/83 Warfield Theater FLAC 2 Recording Info: SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller Post Processing by David Minches
07/21/84 Ventura County Fairgrounds FLAC 2 Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC (2 Discs Audio / 2 Discs FLAC)
12/29/84 San Francisco Civic Auditorium FLAC 2
10/03/87 Shoreline Amphitheatre FLAC 2
10/04/87 Shoreline Amphitheatre FLAC 2
07/02/88 Oxford Plains Speedway FLAC 3 Source Info SBD (ShnID = 3908) SBD > DAT > Sonic Solutions > CDR > EAC > CD > EAC > SHN AUD (ShnID = 82801) Source: Nakamichi CM304's > BeyerM101 > Sony Mixer > Sony D5M Location: OTS, Stand at 9 Feet Transfer: NAK CR5A > Lunatec V3 > 722@24/96 > Adobe Audition 2.0 dither and resample 16Bit > CDwave > FLAC16 Taper: Tony Suraci, Transfer and upload by Tony Suraci Patch Source AUD (ShnID = 3325) Source: (FOB)AUD>Beyer Dynamic 201's > Sony TCD5M(CM) Transfer: Nak DR-10 > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only) > SHNv3 (MKW ACT) Taper: Charlie Conner, Transfer and upload by Charlie Conner Thanks to all the hard work from the folks mentioned above with their loving care getting these sources out. Also a thanks for some of the images used in creation of the artwork. I found them years ago on the net and do not have any way to properly credit.
07/03/88 Oxford Plains Speedway FLAC 3 Source Info SBD (ShnID = 3908) SBD > DAT > Sonic Solutions > CDR > EAC > CD > EAC > SHN AUD (ShnID = 82801) Source: Nakamichi CM304's > BeyerM101 > Sony Mixer > Sony D5M Location: OTS, Stand at 9 Feet Transfer: NAK CR5A > Lunatec V3 > 722@24/96 > Adobe Audition 2.0 dither and resample 16Bit > CDwave > FLAC16 Taper: Tony Suraci, Transfer and upload by Tony Suraci Patch Source AUD (ShnID = 3325) Source: (FOB)AUD>Beyer Dynamic 201's > Sony TCD5M(CM) Transfer: Nak DR-10 > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only) > SHNv3 (MKW ACT) Taper: Charlie Conner, Transfer and upload by Charlie Conner Thanks to all the hard work from the folks mentioned above with their loving care getting these sources out. Also a thanks for some of the images used in creation of the artwork. I found them years ago on the net and do not have any way to properly credit. --------------------------------------------------------- Notes on the Source Material SBD (ShnID = 3908) Perfectly balanced and flawless DSBD recording and perfect transfer by David Gans. AUD (ShnID = 82801) Great sounding above average AUD. Nice balanced sound and a clean transfer. Approx 30 seconds missing in Sugaree, Let Mikey Sing and approx 15 seconds of Drums. Patch (ShnID = 3325) Nice sounding FOB that has a few spots that are overloaded. In the end I found that using the other AUD source alone in the mix resulted in a better outcome. Fortunately this source was able to patch the cuts found in the primery AUD recording. Patch was used for the above AUD source in Sugaree, Let Mikcey Sing and Drums. --------------------------------------------------------- Tech Notes FLAC/SHNs were decoded to wave. Wavemerge was used to reassemble the entire show back to 1 long wave. CEP2.0 was used to align & synch all of the sources. CEP2.0 was used for the multitrack mixdown. This is a 60%-SBD, 40%-AUD1 mix. - Mixed by dan@am-dig.com - FLAC conversion done 24-MAY-2008 - Artwork at 300dpi by dan@am-dig.com - For best results print at the highest resolution onto glossy photo paper. Design for use in a 6CD multi case for both the July 2 and 3 shows. Also included is artwork for a clear double jewel case to hold each show individually. --------------------------------------------------------- Multitrack Mixdown Settings Stereo Matrix SBD -2.5db AUD -6db --------------------------------------------------------- Notes The entire show is seamless and can be burned to CD with any splits desired. Because there is a several second break after "I Will Take You Home" and before "Drums" I found that to be the best spot as not to cut any transisitions (like the usual drums > space). Plus this leaves us with 3 somewhat equal length CDs. Most between song tuning/crowd cheer was missing on the SBD source as well as a few spots on the AUD sources. As usual, a trememdous effort was made to have the between song flow sound as smooth and natural as possible. Several techniques were used to do this including volume adjustments, crossfades and borrowing crowd cheers from other portions of the recording.
12/28/88 Oakland-Alameda County Coliseum FLAC 2
03/30/89 Greensboro Coliseum FLAC 2
06/21/89 Shoreline Amphitheatre CD-R/SHN 3 A Masterlink>CDR>CDR>EAC (Secure Mode, Test and Copy)>SHN (includes E: Brokedown // from listed source + complete E: Brokedown from Jack Schlottman�s 1st-gen FM simulcast>CDR source),
08/04/89 Cal Expo FLAC 2
08/05/89 Cal Expo FLAC 2
08/06/89 Cal Expo FLAC 2
10/09/89 Hampton Coliseum FLAC 2
06/15/90 Shoreline Amphitheatre SHN 2
06/16/90 Shoreline Amphitheatre SHN 2
06/17/90 Shoreline Amphitheatre SHN 2
09/07/90 Richfield Coliseum SHN 2
09/08/90 Richfield Coliseum SHN 2
09/10/90 The Spectrum FLAC 1
09/11/90 The Spectrum SHN 1
09/12/90 The Spectrum SHN 1
09/14/90 Madison Square Garden SHN 1
09/15/90 Madison Square Garden SHN 1
09/16/90 Madison Square Garden SHN 1
09/18/90 Madison Square Garden SHN 1
09/19/90 Madison Square Garden SHN 1
09/20/90 Madison Square Garden SHN 1
09/22/91 Boston Garden FLAC 2
10/27/91 Oakland-Alameda County Coliseum FLAC 2 XLR analog outputs > Mogami Gold cables > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV withWavelab 5 > mastered with Waves L3 Multimaximizer (threshold of -2.9 dB, ceiling -0.1 dB)> rendered to 16 bit /44.1 KHz WAV using UV22-HR dithering (normal/no autoblack) > tracked with CDWAV 1.9 > FLAC.
07/09/95 Soldier Field CD-R/SHN 2 A

Greyboy Allstars --- Approximate Hours: 6.25
Show Date Venue Media Type Media Count Sound Quality Notes
03/28/99 Great American Music Hall CD-R 2 A
01/29/04 Avalon Ballroom CD-R/SHN 3 A 24bit/48khz>Wav Bit-Depth Conversion and resampling done in soundforge 6.0 using triangular dither and resampled at highest settings. CDWav Editor for tracking

Incubus --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
12/13/98 The Cactus Club CD-R 1 A

Ivan Neville's Dumpstaphunk --- Approximate Hours: 6.25
Show Date Venue Media Type Media Count Sound Quality Notes
01/02/07 Jam Cruise 5 - Pool Deck CD-R 2
01/03/07 Jam Cruise 5 - Caruso Lounge CD-R 2
01/26/08 Bill Graham Civic Auditorium FLAC 1 Transfer: 744T > Adobe Audition 1.5 > 24/48 to 16/44 > CDWave FLAC

J.J. Cale --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
07/27/96 Coach House FLAC 1 A

Jack Johnson --- Approximate Hours: 10
Show Date Venue Media Type Media Count Sound Quality Notes
10/18/02 Greek Theatre CD-R/FLAC 1 A This was a small listener appreciation concert put on by a radio station -- approximately 125 people in attendance. Channel 104.9 "Up Close With Jack Johnson" radio show Jack played later that night at Berkeley's Greek Theatre (hence the soundcheck comments)
05/28/03 The Fillmore CD-R/SHN 2 A Transfer: Archive Python > dat2wav > WAV @ 44.1kHz Editing/Tracking: Sound Forge 6.0d Conversion: WAV > shntool 1.2.3 > shorten 3.5.1 > SHN (no DAE) Notes: DJ Tropikal (aka Merlo) opened the show. Jack was joined onstage by Zach Gill of Animal Liberation Orchestra
11/16/03 Brisbane Convention Centre CD-R/SHN 2 A
09/17/04 Rams Head Tavern CD-R/FLAC 2 A w/G.Love, Donavon Frankenreiter Transfer: Tascam DA-20mkII>Audiophile2496>Wavelab4.0(48>44.1)>CDwav>FLACfrontend
04/26/06 Kokua Festival (Waikiki Shell) FLAC 1

Jackie Greene --- Approximate Hours: 12.5
Show Date Venue Media Type Media Count Sound Quality Notes
08/13/04 Empire FLAC 1 transfer: Creative Nomad Jukebox 3 > CD Wave > GoldWave (fades) > FLAC Frontend [8] > .flac
07/29/07 Dunlay's on Clark Stage SHN 1 A usb>cdwav>mkw
04/27/08 Highline Ballroom FLAC 1
08/03/08 Seaside Park FLAC 1
09/13/08 The Catalyst FLAC 2 SD744t>Soundforge 9 (Fades, Bit Rate/Sample Rate Conversion)>CDWAV>FLAC
01/31/09 Crown Room @ Crystal Bay Casino FLAC 1
07/10/09 All Good Stage - All Good Music Festival FLAC 1
07/14/09 Penn's Peak FLAC 1 Recorded just in front of SBD 3ft off of Dead Center By Keith Litzenberger (source #2 of 2)....Thanks to GDfan for the clamp space.
08/21/09 Britt Pavilion FLAC 1

Jam Cruise #7 --- Approximate Hours: 22.5
Show Date Venue Media Type Media Count Sound Quality Notes
01/04/09 Shaker Lounge FLAC 1
01/05/09 Shaker Lounge FLAC 4
01/06/09 Shaker Lounge FLAC 5
01/07/09 Shaker Lounge FLAC 4
01/08/09 Shaker Lounge FLAC 4

Jam Cruise Jam Room --- Approximate Hours: 12.5
Show Date Venue Media Type Media Count Sound Quality Notes
01/05/08 The Beverly Hills Bar FLAC 3
01/06/08 The Beverly Hills Bar FLAC 3
01/07/08 The Beverly Hills Bar FLAC 2 Transfer: SD722 -> pc -> Wavelab 4.0 -> cdwav -> FLAC Frontend -> Torrent Spy -> Azureus -> You
01/08/08 The Beverly Hills Bar FLAC 2 Transfer: SD722 -> pc -> Wavelab 4.0 -> cdwav -> FLAC Frontend -> Torrent Spy -> Azureus -> You

Jamroom --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
01/04/07 Jam Cruise 5 - Cotton Club FLAC 4
01/05/07 Jam Cruise 5 - Cotton Club FLAC 0
01/06/07 Jam Cruise 5 - Cotton Club FLAC 0

Jeff Beck --- Approximate Hours: 6.25
Show Date Venue Media Type Media Count Sound Quality Notes
07/10/79 Les Arenes FLAC 2
12/18/80 Budokan Hall FLAC 1
06/28/04 The Guildhall CD-R/FLAC 2 A Source: Audience (Recorded from 2nd row centre stage with approx 12inch Left-Right mic separation). Lineage: Stereo Omni Mics & Preamp/battery box (9V) -> JB3 (@48kHz) -> firewire -> HD -> Audition/Wavelab (see below) -> WAV -> CDR -> EAC -> WAV -> Flac frontend (level 8) -> flac.

Jennifer Hartswick Band --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
04/16/04 The Seven SHN 2
07/03/04 High Sierra Music Festival - Big Meadow Stage CD-R/FLAC 1 A+ FOB Triangular Dither/Resampling in soundforge 6.0

Jerry Garcia Band --- Approximate Hours: 133.75
Show Date Venue Media Type Media Count Sound Quality Notes
10/24/75 Orpheum Theatre FLAC 1 A Master (?) Soundboard Cassettes (TDK SD90) > 20-bit transfer via TC2000 > SBM2 CD dump > CD clone > extraction (EAC v0.95 beta 4) > FLAC encoding (FLAC Frontend v1.7.1 etree addition) > decode > tracking (CD Wave) > pitching and patching (see notes) > shn > decode (TLH v1.0.0 Beta-1 Build 72) > sector boundary alignment (shntool v2.0.3) > level 8 FLAC encoding (TLH v1.0.0 Beta-1 Build 72). Source CDs from David Gans, editing by BCP. Processing Notes by BCP: - Software used: Samplitude, Sound Forge, WaveLab, Audition 2.0 - I received this show mainly as one large FLAC file. Once I decoded it to WAV format, I performed a DC offset adjustment/correction. I then listened to the entire show to determine the degree of pitch correction required. There were several spots throughout the show (in the SBD) which were not consistent and therefore needed special attention (i.e. within one track the pitch would fluctuate slightly). Before I attempted any further processing, I used CDWav to track the show so I could work with separate files. After I corrected the pitch for the entire show (which was around 41 cents flat to begin with), I then patched in the AUD source for the beginning of the show. - I do not circulate ANY shows with noise reduction. I did not alter the EQ settings or perform any other 'remastering' processes with the audio files. Enjoy! Patch Info: - The sbd was missing all of Let it Rock and the first 3:38 of All By Myself. These were patched in from Steve Rolfe'S Sony ECM-99s stereo mic > Sony TC-152 MAC (Maxell UDs) > Nakamichi Dragon playback > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > FLAC (shnid 34730). -Ben @ BCP Studios, 7/23/06 David Gans originally broadcast this material on the KPFA Marathon on January 28, 2006 and very graciously supplied a set of CDs for circulation. Thanks as always, David!
01/29/77 Keystone SHN 2
02/05/77 Campbell Hall, UCSB - late show SHN 3
02/05/77 Campbell Hall, UCSB - late show SHN 2
04/09/77 Keystone Palo Alto SHN 1
06/23/77 Santa Rosa High School SHN 1
07/02/77 Keystone SHN 2
07/03/77 Keystone Palo Alto SHN 1
07/03/77 Keystone Palo Alto SHN 1
07/08/77 Calderone Concert Hall SHN 2
07/08/77 Calderone Concert Hall SHN 2
07/08/77 Calderone Concert Hall SHN 2
07/08/77 Calderone Concert Hall SHN 2
07/09/77 Convention Hall SHN 2
07/09/77 Convention Hall SHN 3
07/23/77 Keystone FLAC 2
07/23/77 Keystone FLAC 2
07/29/77 Theatre 1839 SHN 3
07/30/77 Theatre 1839 SHN 2
08/06/77 Keystone SHN 1
08/07/77 Keystone SHN 1
02/17/80 Laker Hall - SUNY Oswego SHN 2 A Taper & Gear unknown
02/20/80 Fine Arts Center, University of Massachusetts SHN 2 A Set I: MAC > Cx > standalone CDR > WAV > FLAC. Set II: MAC > C1 (Maxell type I), playback on Sony TC-KE400S (no NR) > audiophile 2496 analog in > Soundforge 7 (recorded as 24 bit / 48 KHz WAV) > Wavelab (processing & 16 bit rendering - see below) > CDWave 1.9 (tracking) > FLAC. Taper: unknown from Pittsburgh. First generation cassette source for Set II kindly provided by Dennis Carter. Transfer and processing by Chris Ladner.
02/22/80 The Barn, Rutgers U. SHN 2 A Playback on Nak Dragon & ran the signal right through Sony PCM R-700 directly to hard disc via ZA-2>CDR>EAC>SHN (Jim Wise Transfer) (Recorded by "Mark C.")
02/29/80 Calderone Concert Hall 0
02/07/81 Orpheum Theater SHN 2
11/17/81 Uptown Theater FLAC 2 A Unknown taper and equipment; Master audience cassette>cassette Transfer and FLAC encoding by David Minches: 1st generation cassette played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC This transfer eliminates 1 generation from http://db.etree.org/shninfo_detail.php?shnid=33423 Thanks to John Moses for supplying the cassettes Thanks to Joe B. Jones for doing the speed adjustment analysis and supplying the information Tape 1 was compressed 5.0% Tape 2 was compressed 6.3%
02/27/82 Keystone Palo Alto FLAC 2
03/07/82 The Saddlerack SHN 1
03/18/82 Mojo's SHN 2
03/19/82 Mojo's SHN 2
06/24/82 Capitol Theater FLAC 2 A This was the last JGB show with Bill Kreutzmann, Jimmy Warren, Essra Mowhawk, and Liz Stires. Some of the songs start abruptly due to tape pauses. The very end of Run for the Roses is clipped. Soundforge was used to make fades, adjust levels, and for some small edits. With big thanks to Jon P for transferring his DAT to CDR. EAC thru FLAC
05/30/83 Bushnell Auditorium SHN 2
03/02/84 Keystone FLAC 2 Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and Seeded by Green Mountain Bros. May 24, 2007
03/04/84 The Stone FLAC 2 Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered and Seeded by Green Mountain Bros. May 24, 2007
08/10/84 Rocky Glen Amusement Park FLAC 2 A Recording by Jim Vita: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5 (Maxell UDXLII) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC
03/02/85 The Stone SHN 1
03/03/85 The Stone FLAC 1
03/03/85 The Stone SHN 1
06/01/85 The Stone SHN 1
06/03/85 Keystone Palo Alto SHN 1
08/04/85 The Stone SHN 1
08/05/85 The Stone SHN 1
08/09/85 The Stone SHN 1
08/10/85 Keystone Palo Alto SHN 1
10/25/87 Lunt-Fontanne Theatre FLAC 2 Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC (level 8). Electric set: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8).
02/28/91 Warfield Theater FLAC 2 A DAE (EAC) > Wavelab 5 (pauses between tracks smoothed with crossfades, a couple of dropouts repaired, overall levels/dynamic range optimized for 16 bit) > CDWAV 1.9 > FLAC (level 8) by C.Ladner. Excellent sound quality. Moderately intrusive crowd noise at times. Only complete source in circulation at the time of seeding.
03/01/91 Warfield Theater SHN 2
02/07/92 Henry J. Kaiser Convention Center SHN 2
04/25/92 Event Center Arena, San Jose State Univ. SHN 2
04/29/92 Warfield Theater SHN 2
04/30/92 Warfield Theater SHN 2
05/02/92 Warfield Theater SHN 2
05/03/92 Warfield Theater SHN 2
07/26/92 Shoreline Amphitheatre FLAC 2
10/31/92 Oakland-Alameda County Coliseum Arena SHN 2 *splice in Deal at 03:19 - 6 second dropout between sources removed with soundforge 5. Source from this point on including all of second set appears to have fewer/one analog generation(s). Thanks to Cosmic Chuck Frolio for the seeds. DAE(EAC 0.9 beta 4) > splice trimming (soundforge 5) > tracking (cdwav) > boundaries confirmed (shntool) > SHN (shorten 3.4) > FTP via C.Ladner/candyman FTP.
02/26/93 Warfield Theater FLAC 1
02/26/93 Warfield Theater FLAC 1
02/27/93 Warfield Theater FLAC 2
04/27/94 Warfield Theater SHN 2
05/13/94 Blockbuster Pavilion DVD 2
03/05/95 Warfield Theater FLAC 2
04/22/95 Warfield Theater SHN 1

Jimi Hendrix --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
07/30/70 Haleakala Crater, Seabury Hall CD-R FLAC 2 A+

John Mayer --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
02/23/07 Nationwide Arena FLAC 2

Juliana Hatfield --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
09/18/02 Black Swan Pub CD-R/FLAC 2 A- Lineage: DAT(M)>CDR(1)>FLAC This show took place in a really small, narrow bar where only about 35 people attended. There was so much talking in back near the bar and sitting area that I decided to sit on the side of Juliana. This is why the recording has so much guitar in it because I'm sitting right next to her amp. The vocals are a little low because of this but I think the recording still sounds good and it came out a lot better this way then if I stood with everyone else, talking.
08/09/05 Windham Hotel on the Square FLAC 1 A -I edited out about 7 minutes of guitar tuning (the heat & humidity were causing havoc) in order to fit this show in 1 CD -Very cool venue, cool management, in beautiful Southern Vermont -Located in the lobby of defunct hotel... capacity 49 ! -Juliana

Karl Denson & Friends --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
07/03/05 Tulsa E. Scott Room -- HSMF Playshop CD-R 1
01/06/07 Jam Cruise 5 - Pool Deck CD-R 2

Karl Denson's Tiny Universe --- Approximate Hours: 16.25
Show Date Venue Media Type Media Count Sound Quality Notes
10/01/98 Variety Playhouse CD-R 1 A
06/21/02 Bonnaroo Music Festival CD-R 3 A
12/28/02 Ruby Skye CD-R 2 A
01/08/06 Jam Cruise 4 - Pool Deck CD-R 3 A+
01/11/06 Jam Cruise 4 CD-R 2
01/06/09 Jam Cruise 7 - Pool Deck FLAC 2

Keller Williams --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
01/08/06 Jam Cruise 4 - Pool Deck DVD 1 A
06/25/06 The Mountain Winery - Acoustic Planet Tour FLAC 1
01/06/09 Jam Cruise 7 - Pool Deck FLAC 2
01/08/09 Covent Garden Theater FLAC 2

Keller Williams Compilation --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
01/02/05 The Essential Keller Williams v2 FLAC 1
??/??/05 Compilation - "The Essential Keller Williams" FLAC 1

Keller Williams Incident --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
10/28/06 Vegoose (Double Down Stage) FLAC 1 Conversion: Sound Devices 722 > HP Pavilion > Goldwave 5.14 > CD Wave 1.95 > Wavelab 5.01 > flac 1.1.2

Led Zeppelin --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
12/10/07 O2 Arena FLAC 1

Leftover Salmon --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
01/04/09 Jam Cruise 8 - Covenent Garden Theatre FLAC 2

Leo Kottke & Mike Gordon --- Approximate Hours: 6.25
Show Date Venue Media Type Media Count Sound Quality Notes
06/19/05 Town Park FLAC 1 A FM Webrip w/ Audio Hijack > Quicktime Pro (44.1 kHz 16 bit stereo) > .wav > Audacity (split tracks) > xAct (flac encoding)
06/24/05 Horning's Hideout FLAC 1 A transfer: JB3>firewire>soundforge 6.0 (tracks,resample)>wav>flac16
09/15/05 Liberty Hall SHN 1 A Transfer: Tascam DA-20 mkII > Dio 2448 > Cool Edit Pro > wav > shn Location: (DFC / DIN / 2nd row balcony, mics @ 4ft.) Notes: Some level adjustments made during the first song, causing a few small pops to occur. Setlist thanks to Chris & Jen who grabbed the original setlist off the stage
09/16/05 Mississippi Nights FLAC 1 A Conversion ---------- Tascam DA-P1 > Echo Gina 24 > Cool Edit 2000 > CDWAV > FLAC Frontend
09/19/05 The Orange Peel FLAC 1 A location: directly in front of soundboard DFC, DINa transfer: Jb3 > firewire > nomad explorer > wavelab 5.01b > cd wave > flac level 6 notes: there were 3 random pops form the PA (I heard them at the show) worst one was at 1:39 of d1t7. smoothed over with the pencil tool in wavlab 5.01b. still slightly audible. the show was very quiet. b/c of the clapping between tracks I couldn't raise the gain as much as would have liked. so turn it up ;) thanks to fenningenarius for the setlist. never trade in lossy formats! convert to mp3 for personal use only. this show is for trade only! never for sale!! fades added at the beginning and end of set with wavelab 5.01b sector boundary's confirmed with shntool v2.0.3

Les Claypool --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
03/28/08 Warehouse Live - Ballroom FLAC 1 Transfer: USB -> Sound Forge 7 (fades/edits) -> Wavelab 5 (dither) -> CDWAVE -> FLAC
04/04/08 The Wiltern FLAC 1 Transfer: 722 > Firewire > Samplitude SE v8 > CD Wave 1.94.8 Lineage: 24bit/48kHz > 16bit/44.1kHz > FLAC (Level 8) Editing: Samplitude: Resampled to 44.1kHz (Ultra High 2) Waves L2: Threshold: -5; Dither to 16bit (IDR Type 1 Normal) CDWave: Tracking FLAC Frontend: FLAC Conversions (Level 8)
01/05/09 Jam Cruise 7 FLAC 2 A MK4>din>KC5>CMC6>KindKables>V3>spdif>744T (HPF 0) 24/48 MK41>dina>KC5>CMC6>KindKables>V3>XLR>744T (HPF 0) 24/48 DSP: Sound Devices 744t>Wavelab 5.0 >CD Wave>flac(16)
01/05/09 Pool Deck Stage, MSC Orchestra FLAC 2 A Resampled and tracked with Nero Wave Editor 3

Les Claypool & His Fancy Band --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
01/11/06 Jam Cruise 4 FLAC 2 Dithered using soundforge to 16/44k by Jimbo
06/17/06 Bonnaroo Music Festival (That Tent) 0 Transfer: Fostex D-5 > VX Pocket 440 > Sound Studio > xACT > .flac (16/44)
05/29/07 House Of Blues FLAC 1 Transfer: Sony DTC-690> Audioquest Optilink 1 > Sekd'D Prodif Plus> Samplitude V5.5> CDwav> Flac frontend @ highest setting

Les Claypool's Fearless Flying Frog Brigade --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
08/19/00 The Fillmore SHN 2
03/03/01 The Warfield SHN 2

Lettuce --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
01/04/09 Jam Cruise 7 - Savannah Bar FLAC 2
01/08/09 Jam Cruise 7 - Pool Stage FLAC 2

Los Lobos --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
09/08/99 Fabrik Hamburg CDR 2
07/03/00 Plumas-Sierra County Fairgrounds CD-R 2

Matisyahu --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
11/08/05 Headliner's FLAC 1 A Recorded and Transferred by Stephen Sockol (kindsound@gmail.com) Tracked, Encoded and Uploaded by Leib (go2leib@hotmail.com)
12/07/08 Cannery Ballroom FLAC 2
12/30/08 Music Hall Of Williamsburg FLAC 3

Medeski Martin & Wood --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
01/06/09 Jam Cruise 7 - Covent Garden Theater FLAC 2

Melvin Seals & JGB --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
01/12/07 Great American Music Hall FLAC 2 Lineage: DAT > Hard Drive > Soundforge > dBPowerAmp (flac compression level 8)

Metallica --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
03/05/04 Great Western Forum CD-R/FLAC 2 A Conversion = Master MD's > Yamaha MDX-783 MiniDisc Optical Out > Sound Blaster Audigy MP3+ Optical In > Sound Forge 7 > ME Compression > CDWav > FLAC Frontend Tapers Notes: Sat 14 rows right next to the stage on the Loge section of the Forum. Sounds like it may want to clip or if it's doing that because of high bass impedence, but the next setting in my bass roll off from 107 is 160, and I personally think it's too drastic. No flaws in the show to report from what i heard. Enjoy The first ever performance of Dyers Eve!
11/28/04 HP Pavilion 0

Midnight Disturbers --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
01/08/09 Jam Cruise 7 FLAC 1

Mighty Mighty Bosstones --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
08/22/08 Red Rocks FLAC 1 Transfer: JB3 > USB > Cooledit > CDWave > FLAC

Mike Gordon --- Approximate Hours: 10
Show Date Venue Media Type Media Count Sound Quality Notes
10/15/03 Avalon CD-R FLAC 2 A Transfer: D7 -> ua-1d -> Sound Forge 7.0 -> CDWav -> Flac Ftontend (FLAC 16)
06/30/08 Iron Horse Music Hall FLAC 2
07/04/08 High Sierra Music Festival FLAC 1
07/06/08 Rothbury Music Festival FLAC 1 WINDY
07/12/08 All Good Music Festival FLAC 1 Transfer: JB3->Firewire->PC Processing: Fade-in and fade-out applied using Sound Forge 8.0 Conversion: CDWav 1.93.3 for track splitting and Flac16 Conversion @ level 5 Tagging: Band name, Venue and Song Title in Foobar2000
08/24/08 Golden Gate Park SHN 1

moe. --- Approximate Hours: 16.25
Show Date Venue Media Type Media Count Sound Quality Notes
07/03/97 Forest Hills Tennis Stadium CD-R 1 A
07/06/97 Saratoga Performing Arts Center CD-R 1 A
02/10/01 The Warfield CD-R 3 A
04/22/01 Veterans Memorial Auditorium CDR 3 diginoise/static/pops occur thru d2t07.
02/10/05 Roseland Ballroom CD-R/FLAC 3 A [DIN 90* 1st row tapers section inches ROC] transfer: JB3> Firewire> Sound Forge 6.0> cdWave> FLAC Frontend
06/17/06 Sonic Stage- Bonnaroo Music Festival FLAC 1 A Location: FOB, DFC, 10' from stage Transfer: 722 > firewire > wavelab (fades, tracking, dither, resample) > flac frontend
06/18/06 Bonnaroo Music Festival FLAC 1 A Location: FOB, DFC, 50' from stage Transfer: 722 > firewire > wavelab (fades, tracking, dither, resample) > flac frontend

The Motet --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
08/01/08 Lirica Lounge FLAC 1 Transfer: SD722 -> pc -> Wavelab 4 -> cdwav -> FLAC Frontend -> Torrent Spy -> Azureus -> You

Neil Young --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
04/15/99 Grand Ole Opry CDR 2 SCH
06/13/03 Bonnaroo Music Festival FLAC 2 *(3.0db boost overall + 5.0db boost below 160hz + add. boost of 2.0db below 60hz) Lexicon 480~> ART212 Dual COmpressor~> Furman Limiter Compresor~> Gatex Noise Gate~> Furman Pro Conditioner~> Protools 24 @ 24/96~> CDWave(track)~> TLH(sbe)~> Flac(level 8)

New Mastersounds --- Approximate Hours: 6.25
Show Date Venue Media Type Media Count Sound Quality Notes
07/01/06 High Sierra Music Festival, Big Meadow Stage CD-R 1
01/05/09 Pool Deck FLAC 2
01/08/09 Jam Cruise 7 - Savannah Bar FLAC 2

New Monsoon --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
01/08/08 Pool Deck-MSC Lirica FLAC 1 Transfer: SD722 -> pc -> Wavelab 4.0 -> cdwav -> FLAC Frontend

Nine Inch Nails --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
09/02/08 Red Rocks Amphitheatre FLAC 2 Transfer: H120 > USB > CD Wave (splitting) > Trader's Little Helper v.2.4.1 > .flac, .ffp, .torrent Location: Row 9, Seat 96

North Mississippi Allstars --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
03/30/05 Hammerstein Ballroom FLAC 1 A Transfer: Sony Pro75es>Soundforge 6.0@44.1KHZ(fades-record)>cdWAV>(tracks) >FLAC16>level8>.FLAC Recorded by MULETAPER NO EDITING / RESAMPLING DONE
09/09/05 New Daisy Theater / Beale St. FLAC 1 A location:FOB,DFC,~30'from stage,mics@20cm/70deg conversion:Nagra HD>Wavelab 5(resample and dither w/uv22hr)>CDWAV>Flac Frontend(6)
10/08/05 Beaumont Club Parking Lot FLAC 1 A Location: (FOB,LOC,Stand 10ft) Transfer: JB3>1394>PC>Cool Edit Pro 2.0 (Normalize, Fades,Boost in the Highs)>CD Wave Editor>.Wav>Flac Frontent>.Flac
10/29/05 Sam Boyd Sliver Bowl FLAC 1 A Location: FOB, DFC Transfer: JB3 (firewire) > Creative Playcenter > Soundforge 7.0 (fades) > CDWave (tracking) flac level 6
11/12/05 The Paradise FLAC 2 A Mic Placement: DFC, FOB 6ft from stage Transfer: JB3>firewire>pc>CD Wave> Flac Frontend 1.7.1

Oh! You Pretty Things --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
01/07/08 Jam Cruise 6 - Pool Deck FLAC 1 WAV > Cool Edit Pro (FFT Filter - Kill Mic Rumble - wind noise) > CD Wave Editor > FLAC

The Other Ones --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
06/30/98 Nassau Veterans Memorial Coliseum CD-R/SHN 2 A
06/30/98 Nassau Veterans Memorial Coliseum CD-R/SHN 2 A

Our Lady Peace --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
10/02/05 Vic Theatre FLAC 1 A- Conversion: JB3 -> WAV (no DAE) -> Sound Forge 8.0 -> CDWave -> WAV -> FLAC Frontend Location: front row balcony far right, mics hung over ledge

Oysterhead --- Approximate Hours: 8.75
Show Date Venue Media Type Media Count Sound Quality Notes
05/04/00 Saenger Theatre CD-R 2 A RTF Neumann KM-140 (12th row dead center) > Lunatec V2 > Apogee AD-1000 > DAT
11/10/01 Tsongas Arena SHN 2 A
11/11/01 Tweeter Center SHN 2 A DAT > CD: D-8 > OADE 7-PIN > COAX > TDK STANDALONE CDR CD > SHN: EAC (x1 from the master disc) > WAV > CDWAV > SHN VIA MKW. These shns are seekable in your SHNamp
06/16/06 Bonnaroo Music Festival (What Stage) FLAC 1 A Location: FOB, DFC, 40' from stage Transfer: 722 > firewire > wavelab (+2.0 db gain, fades, tracking, dither, resample) > flac frontend

Page McConnell --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
07/08/07 Plumas-Sierra County Fairgrounds FLAC 1 A
07/10/07 The Fillmore FLAC 2

Papa Mali --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
06/11/06 Sun-up Stage, Wakarusa Festival CD-R 1

Particle --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
02/05/05 House Of Blues (Sunset Strip) CD-R/FLAC 3 A Bit-Depth Conversion and resampling done in soundforge 6.0 using triangular dither and resampled at highest settings. CDWav Editor for tracking

Paul Simon --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
03/04/92 Kaufman Astoria Studios CDR 1 WOW

PBS (Porter Batiste Stoltz) --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
01/05/09 Savanna Bar FLAC 2
01/07/09 Savanna Bar FLAC 2

Pearl Jam --- Approximate Hours: 11.25
Show Date Venue Media Type Media Count Sound Quality Notes
10/19/96 Shoreline Amphitheatre SHN 1 Transfer: Tascam DA-20 mkII>HDP2>CD Wave>flac frontend>.flac
10/30/99 Shoreline Amphitheatre FLAC 1
10/31/99 Shoreline Amphitheatre FLAC 1
10/21/06 Shoreline Amphitheatre FLAC 2
10/22/06 Shoreline Amphitheatre FLAC 2
06/25/08 Madison Square Garden SHN 2

A Perfect Circle --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
10/02/03 Astoria FLAC 2 Transfer: Sony MDS-JB980QS > TOSlink > SB DB III > wave (Wavelab) Editing: dED/dEQ (Wavelab) > track indexes (CD Wave) > splits, Level 8 FLAC Compression & tagging (foobar2000)
04/24/04 The Palace of Auburn Hills FLAC 2 A Transfer: Tascam DA-20 > Monster Cable > Audiophile 24/96 > Goldwave (resample to 44.1 kHz) > WAV > FLAC > Torrent (10/24/2006) Position: Front of Stack - Right / approx: 20' in front of hanging speakers Gen: 0 from Master
05/14/04 Cricket Arena CD-R 2 A

Phil Collins --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
06/19/04 Amsterdam Arena CD-R/SHN 3 A Mike & The Mechanics were the opening act for Phil Collins. During the concert Holland played an important match in the European soccer championship. Holland scored twice in the first thirty minutes of the show/match, which explains the somewhat odd cheering in the middle of a song. Inspite of this Holland lost the game against Czech... The concert was in the Arena in Amsterdam, a soccer stadium capable of holding around 40.000 people. For the concert the stage was set up along the long side of the stadium, the sound benefited of this, though it still isn't the best concert venue around, to say it mildly. The recording turned out very nice though, I was pretty close to the stage.

Phil Lesh & Friends --- Approximate Hours: 198.75
Show Date Venue Media Type Media Count Sound Quality Notes
09/24/94 Berkeley Community Theater FLAC 1 A This was probably the first official "Phil and Friends" concert. The fact that it was Jerry, Bob, Vince and Phil "unplugged" at Berkeley Community Theater made it a special event. The show sold out in 15 minutes. From the Live Music Archive at http://www.archive.org/audio/etree-details-db.php?id=21611
04/16/99 Warfield Theater CDR 3 A
04/17/99 Warfield Theatre CDR 3 A
05/29/99 Mountain Aire Music Festival, Calavaras County Fai FLAC 2
12/30/00 Henry J. Kaiser Auditorium FLAC 2 Recorded by C. Connif (VT taper) FOB 5 feet in front of right speaker stack. Stealth recording with mics in a straw hat. Transfer: Casio DA-7 > M-Audio 2496 digital in [48/16] > WaveLab 5.0 Mastered with iZotope Ozone 3, Dithered to 44.1 > CD Wave > TLH > Flac Transfer and Mastering By B. Koucky, Green Mountain Bros. 2007
12/17/04 Warfield Theater CD-R/SHN 3 A
12/17/04 Warfield Theater CD-R/FLAC 3 A+ Straight from Phil Lesh!
12/18/04 Warfield Theater CD-R/FLAC 3 A Triangular dithering and resampling done in soundforge 6.0 at the highest quality settings. ORTF @ Tapers Section
12/18/04 Warfield Theater CD-R/FLAC 3 A+ Straight from Phil Lesh!
12/19/04 Warfield Theater CD-R/FLAC 3 A Triangular dithering and resampling done in soundforge 6.0 at the highest quality settings. ORTF @ Tapers Section
12/19/04 Warfield Theater CD-R/FLAC 3 A+ Straight from Phil Lesh!
02/12/05 Bill Graham Civic Center CD-R/FLAC 4 A Transfer: Fostex D5> HHB 830> EAC> FLAC
02/12/05 Bill Graham Civic Center CD-R/FLAC 4 A+ THIS SOUNDBOARD IS **FREE** THANKS TO PHIL & FRIENDS (WWW.PHILLESH.NET)
05/13/05 The Warfield SHN 2 A 2 SHN 3 Audio CDs
10/27/05 Bimbo's 365 Club FLAC 2 A
10/29/05 Sam Boyd Silver Bowl FLAC 2 A Transfer: Maxtor External Harddrive>Soundforge 6.0 (normalized to -16 dB)>Wavlab 4.0 (downsampled to 44.1, dithered to 16 bit with Apogee UV22HR algorythym)> Cdwav 1.93.3 beta (tracked)>Flac Frontend 1.7.1>flac16. (shntool verified)
10/30/05 The Joint @ Hard Rock Hotel FLAC 2 A Transfer: Fostex D5 -> HHb 830 (44.1kHz) -> EAC -> CD Wave -> FLAC
11/22/05 New Jersey Performing Arts Center FLAC 2 A+ Courtesy of Phil Lesh!
11/23/05 New Jersey Performing Arts Center FLAC 2 A+ Thanks Phil!!!!
11/26/05 Chicago Theater FLAC 2 A+
12/02/05 Patriot Center FLAC 2 A Location: fob/dfc, 25' from stage, 6 1/2' high Transfer: WL5.0(fades, Waves MS decode, Normalize, UV22HR dither, 48>44.1Khz)> CDWave> FlacFrontend(8)
12/03/05 Shea's Performing Arts Center FLAC 2 A+
12/04/05 Washington St. Armory FLAC 2 A+
12/10/05 House Of Blues FLAC 2 A+
12/30/05 The Warfield FLAC 2 A Transfer: MicroTrack 2496 -> Audacity (16/44.1) -> CD Wave -> FLAC16
12/31/05 Bill Graham Civic Aud. FLAC 2 A Transfer: MicroTrack 2496 -> Audacity (16/44.1) -> CD Wave -> FLAC16
02/12/06 Beacon Theatre FLAC 2 A+ THANKS PHIL!!!!
06/18/06 Bonnaroo Music Festival FLAC 2 A Transfer: jb3>creative playcenter>cdwave>flac Recorded and transferred by Jon Buffington (stirinthesauce@hotmail.com)
07/09/06 Bethel Woods Center for the Arts FLAC 2 A
10/28/06 Orleans Arena FLAC 3 A Set 1 Source: Milab VM-44 Link -> RME QuadMic -> Edirol R4 (24/48) Transfer: Edirol R4 -> Audacity (16/44) -> CD Wave -> FLAC Set 2 Source: Studio Projects C4s > Segue Dogstars XLR's > Edirol UA-5 > Optical > JB3 (44.1khz) Transfer: JB3 > firewire > WavePad > wav > CDWav > wav > flac Config: DIN (20cm @90*) Location: OTS - behind SBD - Stand @ 8ft
10/29/06 Double Down Stage (Vegoose Music Festival) FLAC 2 A Location: fob, dfc, 9� Transfer: Edirol R4 -> Audacity (16/44) -> CD Wave -> FLAC
04/09/07 S.O.B.'s FLAC 2
04/10/07 S.O.B.'s FLAC 2
06/03/07 Hunter Mountain FLAC 2
07/21/07 The Independent FLAC 2 A Transfer: 744T > Adobe Audition 1.5 > 24/48 to 16/44 > CDWave FLAC
09/29/07 Red Rocks Amphitheatre FLAC 2
10/13/07 Charlottesville Pavilion FLAC 2
10/20/07 Glens Falls Civic Center FLAC 2
10/31/07 Nokia Theater FLAC 2 A
10/31/07 Nokia Theater FLAC 2 A+ Phil SBD DL - Thanks Phil!
11/01/07 Nokia Theater FLAC 2 A
11/01/07 Nokia Theater FLAC 2 Phil SBD DL - Thanks Phil!
11/02/07 Nokia Theater FLAC 2 A
11/02/07 Nokia Theater FLAC 3 Phil SBD DL - Thanks Phil!
11/03/07 Nokia Theatre FLAC 2 A
11/03/07 Nokia Theatre FLAC 3 Phil SBD DL - Thanks Phil!
11/05/07 Nokia Theater FLAC 2 A
11/06/07 Nokia Theater FLAC 2 A
11/06/07 Nokia Theater FLAC 3 Phil SBD DL - Thanks Phil!
11/08/07 Nokia Theater FLAC 2 A
11/08/07 Nokia Theater FLAC 3 Phil SBD DL - Thanks Phil!
11/09/07 Nokia Theatre FLAC 2 A
11/09/07 Nokia Theatre FLAC 3 Phil SBD DL - Thanks Phil!
11/10/07 Nokia Theatre FLAC 2 A
11/11/07 Nokia Theatre FLAC 2 A
01/25/08 The Fillmore FLAC 2
01/26/08 Bill Graham Civic Auditorium FLAC 2 Transfer: 744T > Adobe Audition 1.5 > 24/48 to 16/44 > CDWave FLAC
01/29/08 Crystal Ballroom FLAC 2 Transfer: Tascam DA-20mkII > Prodif Gold > Soundforge 6.0 (fades & Normalization) > CD wave (tracks) > Flac(8)
02/04/08 Warfield Theatre FLAC 2
05/13/08 Warfield Theatre FLAC 3
05/14/08 Warfield Theatre FLAC 3
05/16/08 Warfield Theater FLAC 3
05/16/08 Warfield Theater FLAC 3
05/17/08 The Warfield FLAC 3
05/18/08 Warfield Theater FLAC 5
07/06/08 Double J Ranch FLAC 2
12/31/08 Bill Graham Civic Center FLAC 2

Phish --- Approximate Hours: 1586.25
Show Date Venue Media Type Media Count Sound Quality Notes
11/03/84 Slade Hall, UVM SHN 1 A Conversion: DA-P1 > Fiji > Sound Forge 4.5 > CD Wave > SHN v3
12/01/84 Nectar's CDR 0
03/04/85 Hunt's CD-R/SHN 1 A Transfer: TB Montego II+ (S/PDIF) > SF XP 4.5 (48>44.1 kHz) > CDWav > SHN -tape flip at t4 10:06 Fixes: -Cool Edit hiss reduction set at FFT size 6000, precision factor 15, transition width 4 dB, hiss reduction 5 dB. This is all that circulates of this show though at the end of Midnight Hour, Trey says, "We'll take a short break and be right right back," which indicates that this is only a partial show. Since the tape flip occurs about 39 minutes into the 'show', it seems that there may be some more that was recorded previously and has been lost.
05/03/85 Last Day Party at UVM-Redstone CD-R/FLAC 2 A Transfer: Tascam DA-302 > HHB CDR-850 Encoding: CD > EAC (secure Mode) > WAV > SHNTool > Flac (1.1.0) Filler: Nectars 6-19-88 06. BBFCFM* 07. Swing Low* 08. Contact 09. Antelope *- Dance contest
10/17/85 Finbar's CDR 1
10/30/85 Hunt's CDR 2 A-
04/01/86 Hunt's SHN 2 A
10/31/86 Sculpture Room, Goddard College CD-R/SHN 1 A
10/31/86 Sculpture Room, Goddard College CD-R 2 A
06/??/87 Ernest Anastasio Demo SHN 1
08/29/87 The Ranch SHN 2 Transfer: Tascam DA20mkII > ZA2 > Soundforge 4.5 > CDWav > SHN
10/14/87 Hunt's SHN 1 A
02/20/88 ATO Fraternity House, St. Lawrence Univ. CD-R/SHN 2 A
03/12/88 Nectar's CD-R/SHN 1 A Set II ONLY *This recording is by no means perfect, though the sound quality is really good, *but I haven't heard anything else so until I can uncover something better, *this is all I have. Notes: -t04 3:27-3:34 level fluctuations -t05 1:53-1:54 level fluctuations -t06 diginoise at very beginning -t07 some minor skipping -t08 recording problems at end during banter (not narration) -t09 recording cuts at 8:21 - on all copies that I have seen -During very quiet sections, it seems that background music can be heard -- either there was music in the background at the show or the taper did not use a new tape, so there was bleeding from a previous recording. Who knows, maybe there is a lost recording underneath this show. :-) Show Notes: This was the first known live Gamehendge, complete with narration. The date is incorrect, though the correct date is not known. Actually, the members of Phish were, by accounts, at a Frank Zappa concert on the evening of March 12, 1988. Chronologically, the show contained the first known version of Tela and Forbin's, though the actual date of this show might be after their separate debuts (see May 21, 1988, where Trey calls Tela a debut)
05/14/88 Springfest at Goddard College CD-R/SHN 2 A
05/15/88 Vermont Farm Festival CD-R/SHN 3 A
05/23/88 Nectars CD-R/SHN 1 A Notes: Likely set I of a three set show, this is the only one known to circulate. Setlist not even listed in the Phishing Companion.
06/15/88 The Front SHN 0 A
06/18/88 Nectar's SHN 2 A Transfer: Nakamichi tape deck > Monster RCA cable >HD > CDWav > Soundforge XP 4.5> mkwACT > SHN
06/21/88 Nectar's CDR 0 A
08/05/88 The Roma CD-R/SHN 2 A Conversion: Archive Python DDS/dat2wav > .wav; no soundcard Soundforge for resampling (*no DAE at all)
08/13/88 The Front SHN 1 A Transfer: Nakamichi tape deck > Monster RCA cable >HD > CDWav > Soundforge XP 4.5 > mkwACT > SHN
11/05/88 Hamilton College SHN 3
12/10/88 The Red Barn at Hampshire College CD-R 1 A-
04/14/89 Chez Pierre (Base Lodge), Johnson State College CD-R/SHN 2 A Transfered: Tascam DA20 mkII > ZA2 > SF4.5 > CDWav > SHN Notes: -d1t01 minor subtle static 1:49-1:54 -d1t02 minor channel problems up to 0:40 (sound quality increases afterwards) -d1t02 channel volume discrepency 2:05 -Tape flips -between d1t05/d1t06 -d2t05 8:33 (44:36) Fixes: -Removed dropout d1t02 0:23.616 (0.011 sec) -Removed dropout d1t03 7:56.358 (0.008 sec) -Fixed variety of minor L/R channel problems (all <0.100 sec) -Normalized each set to 98%
04/15/89 Billings Hall, University of Vermont CD-R 2 A-
05/20/89 Northfield Mt. Hermon School CD-R 1 A
05/28/89 Ian McClain's Farm CD-R/SHN 4 A
08/26/89 Townshend Family Park CD 3 A+ Live Phish #9
08/26/89 Townshend Family Park CD-R 3 A
10/26/89 Wetlands Preserve CD-R 1 A-
11/10/89 Sigma Phi Society House, Hamilton College SHN 2 A Missing End of SET II
02/05/90 Myskyns Tavern CD-R FLAC 1 A
02/25/90 The 8x10 Club CD-R/SHN 2 A CDR > EAC > SHN and upload by Mike Shumsky (michael.shumsky@yale.edu) Fixes by Ben Mohr (bmohr@udel.edu) Splice Source: AKG 451 (ORTF) > Sony D5 (Cass/0) > DAT @ 48kHz *taped from balcony* Fixes (Ben): -My supposedly Cass/0 source was too slow so I applied a +75 pitch shift w/ anti-alias filtering (matched track lengths to verify shift length) -In d1t06, spliced in other source from 5:07.475-5:09.820 to remove digiglitch -In d1t08, spliced in other source from 4:55.749-4:57.719 to remove dropout -In d2t06, spliced in other source from 10:36.083-10:37.719 to remove diginoise
04/18/90 Herman's Hideaway CD-R/SHN 2 A
04/22/90 Cutler Quad CD-R/SHN 2 A DAE and Shorten by neil-kleinberg@att.net Unknown DAE gens ...
05/04/90 Colonial Theater CD-R/SHN 3 A NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). (transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 10/4/2003) **Mastering** 24bit/48kHz FLAC's > Wavelab 4.01b on REBA > Q10Paramatric EQ > BBE > X-Noise > Editing > L1+ Ultramaximizer > 48kHz>44.1 and 24bit>16bit w/level 2 Gaussian Dither > tc electronic Finalizer 96k > Tracking in Wavelab > SHNv3 appended There is some low level tape hiss/PA white noise that is on the masters...this did get amplified somewhat because of the level changes made durring the show. The levels for the channels were also more than 4db "off-center". I tried as best as I could by making the appropiate gain changes and EQ adjustments to "center" the recording. The X-Noise process was used on this show, as an experiment on just how far I could push it, because it is an "adaptave" process when you have it set up correctly. I decided to see just how much I could try to get the highs as *crystal* as possible without introducing so much noise that it became unbearable. All the fades were done in a montage as 2 seperate stereo tracks. While I did try to adjust the hard volume fades on the master, not all could be properly adjusted and were just left as is. As for Disc 1, Track 7.....you'll have to ask them what they were thinking ;-) Mastering , editing and WAV > SHN were performed on REBA by Arty-imthemarmar@stny.rr.com (on 10/2003) **24/48 Masters do exist at the unedited/pre-processed level**
05/06/90 Toad's Place CD-R/SHN 2 A SBD MCass (Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) > mastering (see notes) > SHNv3 transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 10/5/2003 Mastering, editing and WAV > SHN were performed on REBA by Arty- imthemarmar@stny.rr.com (10/12-21/2003) **Mastering** 24bit/48kHz FLAC's > Wavelab 4.01b on REBA - Waves were opened as a Montage in Wavelab. Some volume adjustments were made to even out the show's volume. The sets were also reconstructed at this stage and all tape flips were crossfaded. The 24/48 files were then rendered to: 24/48 Wave > 10 Band EQ (high-pass set at 25Hz @ 24db/octave slope) > BBE Sonic Maximizer (6 contour/7 Process @ -20db) > Waves L2 (set to limit @ -0.3db) > Rendered @ 24/48 > Editing > Apogee UV22 HR 24>16bit (Normal, Autoblack) > Steinberg 192kHz Resampler > Tracking in Wavelab > SHNv3 appended **Notes** At the start of the show you hea___R_Q _Y__H__U _V #_L(_R+_Q1_7_<_'?_G_M_!Q_ Y_0"]_R$e_Q&k_W(q_H*u_J,{_R.__0__,2__,4__6__!8__:__&<�_(>�_3@�_B�__D�_F�_H�_J�_!L�_N�_&P�_'R�_T�_:_V�_$_X�_9_Z�__________)_2_% __$_. _* %_-_1_7_=_%D_J_!N_V_&Z_X a_V"g_W$l_R&p_P(v_*__3,__U.__H0__2__$_4__P6__S8�_:�_!<__>�_'@__$B�__D�_3F�_H__J__L�_!N�_P�_&R�_'T�_5V_______________nal levels. Notes NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). Widespread Panic opened. There is a static noise in the Master Cassette. I verified the noise is in the cassette and is not caused by the transfer.
05/10/90 Pearl Street Night Club CD-R/SHN 2 A SBD MCass (Maxell XLII-S 90min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~14dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) (transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 09/27/2003) Mastering Notes: The 24/48 FLACs were converted to .WAV with FLAC v1.1.0 and loaded into Steinberg's WaveLab. The first step was to correct some anomolies in the original recording. There were small volume reductions in the left channel (a dirty spot on a record head maybe?) for all of Suzy Greenberg & Uncle Penn. After several approaches I decided to create a dual-mono mix of the right channel. There was another noteable change towards the front of Bouncin' and into the quiet section of Divided Sky. The tonal change was compensated for w/ the BBE Sonic Maximizer, with the settings @ 2 for Lo Contour and 3 for Process. The next step was to use Waves X-Noise on each seperate file and render each seperately. The files were loaded into Wavelab's Audio Montage, crossfades were performed at each tape flip and the following mastering processes were applied: Waves 2-band EQ, high pass @ 40Hz, Blue Tubes FA770 compressor, BBE Sonic Maximizer (Lo Contour = 3, Process = 3), Blue Tubes LM2S limiter. The resulting .WAV was tracked in CD-WAV and converted to SHNv3 (seek tables appended). All mastering/edits performed @ Bunker 8 Digital Labs by Dr. Shakedown and Sigmund Droid shakedown@furthurnet.org
05/11/90 The Living Room CD-R/SHN 2 A AUD MCass (Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~14dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC > Mastering > SHNv3 transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 11/09/2003 Mastering , editing and WAV > SHN were performed on Doomtooth by shakedown@furthurnet.org (12/12/2003 - happy birthday Jon) **24/48 Masters do exist at the unedited/pre-processed level** Mastering info: 24bit/48kHz FLAC's > Wavelab 4.01b on Doomtooth (edits/crossfades) > Waves Comp-sc > BBE > L2 > X-Noise > 48kHz>44.1 via 192kHz Stereo Resampler and 24bit > 16bit dither UV22HR > Tracking in CD-WAV > SHNv3 appended
05/13/90 The Front CD-R/SHN 2 A A>D Transfer: Denon 3-head deck > Fostex D5 @44.1kHz SHN Transfer: CTD8000H-S > DAT2WAV > SHN > CDWav > SF 4.5 > SHN A>D Transfer by Jon Epstein DAT>SHN Transfer by Robert Brown Tracking and Fixes by Ben Mohr (benjamin.mohr@ce.gatech.edu)
05/15/90 McKewen Quad CD-R/SHN 1 A NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). (transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 10/5/2003) Notes Outdoor show. Cut short due to rain. * Soundcheck has "and my dear Marley" lyrics in Sweet Adeline. Funky Bitch has some really strange lyrics...I mean really strange..... **Mastering Notes** This show has many technical difficulties to begin with. I did my best to soften these harsh cuts with some softer crossfades when at all possible. Because of the rain at the gig, there are many sound problems...and probably why there are so many cuts on the tape. The show contains small digizaps and some weird mixing at the start. It evens out, and I only went after the real loud zaps (assuming that it's the water messing with the equipment)....Also, towards the end of the set the volume jumps up suddenly and creates a whole mess of distortion. I lowered the volume of the set from SOAM onward, but the distortion is still there and nothing can be done about it. I tried as best as I could to soften the distortion without causing "too much" damage to the wanted material. 24/48 FLAC > REBA > Wavelab > Volume Adjustments > Steinberg Free Filter > BBE > 192kHz resampler > L1+ > Tracking > SHNv3 appended Mastering , editing and WAV > SHN were performed on REBA by Arty- imthemarmar@stny.rr.com (on 11/2003) **24/48 Masters do exist at the unedited/pre-processed level** Seeded to FurthurNet (www.furthurnet.org) by Marmar
05/31/90 Variety Playhouse CD-R/SHN 2 A Conversion: Tascam DA-20-> Coax-> Waveterminal 2496-> Cool Edit Pro-> CDWav-> mkwACT-> .shn **At This Show, Phish opened for The Aquarium Rescue Unit**
06/05/90 Cat's Cradle CD-R/SHN 2 A DAT > CD Conversion by Dave Pecoraro (davepeck79@home.com): Tascam DA-P1 > Philips CDR870 > EAC > Sound Forge 4.5 > CDWave > SHN via MKWACT. NOTE: The very beginning of the first song of each set is cut. This is on the original DAT. I faded it in to make it sound better.
06/07/90 The Bayou CD-R/FLAC 2 A The first set has some distortion because of the levels being too loud. There was no way to correct this or else I would have. Most setlists have Donna Lee as the second song, it's not.... I faded the end of the seond set before the encore as there was a pause. There was no music lost. Thanks to Alec Swenson for the EAC rip! FLAC'd by Marmar and seeded by the SHNfamily
06/08/90 23 East Cabaret CD-R/SHN 2 A Transfer: DAT > Fostex D5 > WaveTerminal 2496 > CDWav > SHN Transferred by Jeff Ishaq (jishaq@earthlink.net)
06/09/90 Wetlands Preserve CD-R/FLAC 3 A Transfer: MCS > AIWA AD-F850 3-Head Cassette Deck > Apogee AD1000 > Tascam DA-302 DAT Deck Tascam DA-302 > HHB CDR-850 Encoding: CD > EAC (secure Mode) > WAV > SHNTool > Flac (1.1.0) Filler: The Tree Cafe Portland, ME 11-9-89 05. Bathtub Gin 06. My Sweet One 07. Split Open and Melt > 08. Bundle of Joy > 09. You Enjoy Myself 10. Punch You In The Eye * - Phish came out onto the stage for the second set and the D.J. was still playing music out into the house speakers-the tune was Led Zep Whole Lotta Love. As a means to warm up a lil', Phish started playing along with the record playing in the house speakers. The D.J. noticed they were on stage and faded out the Led Zep leaving Phish alone playing Whole Lotta Love-that jam ends and they go directly into Harry Hood. Show taped by Dan Chapman (thedanimal@adelphia.net) Transferred by Chris Warren (hip_school_preppie@yahoo.com) Flac'd by Mark Kerchoff (Mark@Kerchoff.com)
06/16/90 Townshend Family Park CD-R/FLAC 3 A transfered: cd/r>EAC>Soundforge5.0>cdwave>flac16bit The discs were retracked using Soundforge 5.0 and CD-wave then encoded as flac files. No other edits were performed.
06/16/90 Townshend Family Park CD-R 3 A
06/17/90 Wendell Studios CD-R/SHN 1 A Filler: Bearsville Studios 1995 9. Glide II (04:28) 10. Strange Design (03:04) 11. Grind (00:37) * slow version Fixes: - Normalized session to 98%. - Retracked disc so that beginning of song coincides with the start of the track. - Cool Edit Pro hiss reduction filter applied set as a notch filter above 15 kHz by 5 dB. - Removed click at t06 0:08 - Removed static at t07 3:09 (0.005 s) - Decreased pitch for tracks 1 - 8
09/14/90 Living Room CD-R/SHN 2 A -Beginning of d1t01 cut. Fades in on source. -Tape flip at end of d1t06. -Tape flip at end of d2t07. -Beginning of d2t08 cut.
09/15/90 Colonial Theater CD-R/FLAC 3 B CD > EAC[secure] > WAV > FLAC16
09/16/90 Wesleyan University CD-R/SHN 2 A AUD MCass (Maxell MX 100)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (archived) > Mastering > SHNv3 Mastering Notes: X-Noise was used to remove the noise floor and the 24/48 WAVs were assembled in the Wavelab Audio Montage window, crossfades were made at tapeflips. A Level adjustment during Landlady was compensated for. It sounded like tape was stopped between the final section of Reba and the reprise, as well as Tube & Tweezer, I edited out some silence and performed crossfades. 3dB was added to compensate for an overall level change from Paul & Silas thru Magilla. The following mastering processes were applied: X-Noise, Waves REQ (2-band, top secret settings), Blue Tubes FA770, BBE Sonic Maximizer (2, 2, unity), Blue Tubes LM2S limiter. The resulting .WAV was tracked in CD-WAV and converted to SHNv3 (seek tables appended). transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 10/22/2003 All mastering was peformed at Bunker 8 Digital Labs, all edits were performed on on Doomtooth, both by shakedown@furthurnet.org NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). Seeded to FurthurNet by shakedown
09/20/90 Somerville Theater CD-R/SHN 2 A patch source: Sony ECM-MS5s AUD MCass (Maxell MX 100 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (archived) > Mastering > SHNv3 Mastering Notes: the 24/48 FLACs were loaded into the Wavelab Audio Montage, and the NAK 300 source was lined up with the Sony ECM-MS5 source. Patches from the Sony mic source occur in the following places: Approx. 55 seconds into Landlady there was a dropout (patched for 5 seconds). After Funky Bitch there was a cut/dropout in the crowd noise (patched until first notes of Stash). Following Lawn Boy there was a tapeflip and the Tweezer intro was cut (patched from first notes of Tweezer for about 9 seconds). During Lizards, the Nak source was cut right after the "woah, woah" section, before the quiet building section (patched until the end of show). I smoothed out level changes in Stash, Tube, and McGrupp > HYHU with vector based volume curves. The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended). transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 10/7/2003 All edits and mastering were peformed on Doomtooth by shakedown@furthurnet.org on 11/01/03.
09/21/90 Somerville Theater CD-R/SHN 2 A AUD MCass (Maxell MX 100 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes) > SNHv3 Mastering Notes: This a near flawless AUD, great sound, great performance. The tapeflips were smoothed with crossfades (try and find the one in the YEM vocal jam!), there was also a small drop out fixed during the YEM vocal jam. There was a level change in Highway to Hell which I fixed with vector-based volume control. Tape was stopped between the last tune and encore, I smoothed this out with a long crossfade. The 24/48 FLACs were converted to .WAV and opened in the Wavelab Audio Montage, all edits were performed at the 24/48 stage. The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended). transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 10/19/2003 All edits and mastering were peformed on Doomtooth by shakedown@furthurnet.org on 11/01/03. The taper ran two D5s from two different mic sources for this night and 9/20/90. The mics both nights were Nak 300s and Sony ECM-MS5s. For 9/21/90, the sources were labeled on the tapes and tape cover as to which mics were used. WOW! This is my favorite tape from the Oldschool batch so far - the second set is epic. NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends).
09/22/90 University of Massachusetts CD-R/SHN 2 A AUD MCass (Cass 1 - Maxell MX 100, Cass2&3- Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (archived) > Mastering > SHNv3 Mastering Notes: There was a very bad humming noise for the 1st 2 minutes of the show, I removed it with X-Noise, there was also some sortof adjustment made during Buried Alive after which everything sounds really nice. For the tuning and first minute of Buried Alive I adjusted volume (gain from the FA770) and bass levels (BBE lo contour) to make it somewhat listenable, there is a tiny crossfade at the switch point to make it smooth. The tape was stopped in Wilson, it picks back up almost right away, I deleted the blank spot and bumped the 2 sections together. There is a crossfade in Landlady to cover the tapeflip. The tape flip right after Coil before Tweezer was quick, you can't tell it's there with the crossfade in place. The final tapeflip after Bouncin' cut no music, only crowd noise. 2dB was added to the second set to match the levels from the first. The following mastering processes were rendered: Waves REQ (rolloff @ 40Hz), FA770 Compressor, BBE Sonic Maximizer (0.5, 2.5, -1), Waves L2 Ultramaximzer. The 192kHz stereo resampler was used to downsample, UV22 HR was used to dither to 16-bits. Transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 10/23/2003 All edits and mastering were peformed on Doomtooth by shakedown@furthurnet.org on 11/03/03. Trey must have been listening to Vangelis on the way to the gig; Golgi, Possum, Suzy Greenberg, Magilla and David Bowie all have Chariots of Fire teases. A really nice jam opens up after the first teases in the (very playful) David Bowie intro. NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends)
09/28/90 The Chance CD-R/FLAC 3 A ~Mastering~ Leveler (-3db linked) > Waves RBass @ 40Hz +7db > Waves 10 band Paragraphic EQ -5db @ 5225kHz/Q7 > BBE 0/4.5/0 > Waves Linear MultiBand Compressor (set for Adaptive Multi-Electro Mastering) > Waves S1-Imager -.75 width > Waves L2 -1.5 threshold/-0.1 out ceiling/16bit/Mode1/Normal *NOTES* There was a tape flip between Lizards and The Asse Festival that I crossfaded. In YEM, there were about 100 spots of diginoise that I edited by redrawing the offending samples with the pencil tool in Wavelab, they no longer exist. The Divided Sky ends abruptly, this was faded out. The filler disc was not mastered. CD > FLAC16 transfer and re-tracking by mbalch- http://db.etree.org/car Editing, mastering, re-tracking, FLAC done by Marmar- imthemarmar@stny.rr.com
10/01/90 The Haunt FLAC 1
10/01/90 The Haunt FLAC 1
10/04/90 Field House CD-R/SHN 3 A SBD MCass (Maxell MX 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes)> SHNv3 **24/48 Masters do exist at the unedited/pre-processed level** **Mastering** 24bit 48kHz FLAC > wav > Montage to reconstruct sets and add fades over flips > Internal 24bit rendering (no dither) > Q10-ParagraphicEQ (top secret settings) > BBE @ 4/4/-4 > Waves X-Noise > Waves C4 (multi-opto mastering with tweaks) > L1 Ultramaximizer > Internal 24bit renerding (no dither) > Rendered 24/48 wav files > montage to adjust volume to make it continuous...4 envelope points @ +1.275db > Waves L2 (24bit, no dither, +2.5 gain make-up) > 48kHz>44.1/High and 24bit>16bit/Mode 1/Normal via tc electronic Finalizer 96k > Tracking in Wavelab > SHNv3 transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 10/26/2003 Mastering, editing and WAV > SHN were performed on REBA by Arty- imthemarmar@stny.rr.com (on 11/2003) *Notes* Faded the start of the cut opener and crossfaded the tape flip at the end of Tweezer/Magilla. Durring The Landlady, there is a dropout that was x-faded and there is some noise that can not be edited. In Destiny Unbound, there were a few pops from the instruments that were edited out. There is also what appears to be a very sudden pause in the tape durring Uncle Pen. Other than that, this show is absolutely amazing in sound quality. It still has some of the "tape" characteristics to it, but it just wouldn't sound right otherwise.
10/05/90 Skidmore College CD-R/FLAC 2 A Filler- 2/24/88 set 2
10/06/90 Capitol Theater CD-R/SHN 2 A Archive Python DDS/dat2wav > .wav; no soundcard Soundforge for resampling (*no DAE at all)
10/07/90 Club Bene CD-R/SHN 2 OK This show as received had lots of flaws. There are missing sections between some songs I can't do anything about. Lots of tracks were cut wrong and were merged with CoolEdit then recut with CDWave. There's a major dropout in La Grange. The silent section is obviously the wrong length but I left that alone. There were various other smaller things that were done before running the whole thing through shntool to fix sector boundaries. I hope you enjoy the less than perfect results. bmitchel@citlink.net
10/08/90 The Bayou CD-R/SHN 2 A-
10/30/90 El Dorado Cafe CD-R/SHN 3 DAN Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0e (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.62-> mkwACT v0.97 **No DAE at all** *Dankseed Certification received 2002-03-30* and posted at http://groups.yahoo.com/group/dankseeds/files/ph1990-10-30.sbd/ Listening test performed by *5* danksters Info From Kevin Shapiro: "11/3/90 and the other tapes of the era (10/30-11/4) were all done by Mike Grace through a separate 16 track mixer and run direct to 2 track DAT. He basically used the same setup in Spring 1991 too."Quoted from: http://www.phish.net/PhishFAQ/tquality.html
10/31/90 Armstrong Hall, Colorado College CD-R/SHN 3 A **Note: 5 seconds of reba was patched in from the mp3 available for download to overcome a dropout on the source dat**
11/02/90 Glenn Miller Ballroom CD-R/SHN 3 A
11/03/90 Boulder Theater CD-R/SHN 3 DAN Conversion: Fostex D5 > Monster Optical > Sek'd Prodif Plus > Samplitude v5.5 > CD Wave > mkwACT v0.97 (shn files have seek tables appended) **No DAE or resampling at all** *Dankseed Certification received 01-03-23* and posted at http://groups.yahoo.com/group/dankseeds/files/ph90-11-03/ Listening test performed by *5* danksters Minor Edits: None "Sbd/Aud mixes: The following shows were recorded to DAT from a separate recording board at the shows. They are some of the highest quality Phish tapes in existence: 4/22/90, 10/30/90, 10/31/90, 11/2/90, 11/3/90, 11/4/90, 3/13/91, 3/15/91, 3/16/91, 3/17/91, 3/22/91, 3/23/91, 4/5/92. Except for the 4/5/92 tape, they have all been fairly widely circulated. They were done on a large recording console (not EQ) and mixed completely separately from the board mix, rumoredly done in a truck outside the venue. The engineer used 2 audience mics to mix in crowd/hall ambience (on most of them). See also, PA info." Quoted from: http://www.phish.net/PhishFAQ/tquality.html Info From Kevin Shapiro: "11/3/90 and the other tapes of the era (10/30-11/4) were all done by Mike Grace through a separate 16 track mixer and ran direct to 2 track DAT. He basically used the same setup in Spring 1991 too." Mastered by Mike Grace, DATs for this transfer provided by Mikey Perrott. Thanks Mikey! Transferred and uploaded by Jim Raras via Dankseeds
11/04/90 Fort Ram Nightclub CD-R/SHN 2 A Errors: Minor cuts at the beginning of Carolina and Golgi
11/16/90 Campus Club CD-R/SHN 2 A 24bit 48kHz FLAC > wav > Montage to reconstruct sets and add fades over flips > Internal 24bit rendering (no dither) > BBE @ 2/4/-8 > Waves X-Noise > Internal 24bit renerding (no dither) > Rendered 24/48 wav files > montage to adjust volume to make it continuous...6 envelope points > Waves L2 (24bit, no dither, +7.5 gain make-up) > 48kHz>44.1/High and 24bit>16bit/Mode 3/Extreme via tc electronic Finalizer 96k > Tracking in Wavelab > SHNv3
11/17/90 Somerville Theater CD-R/SHN 2 A AUD MCass (Maxell MX 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC > Mastering > SHN transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 11/16/2003 Mastering , editing and WAV > SHN were performed on Doomtooth by shakedown@furthurnet.org (12/13/2003 - 6 years of bringing the dude) **24/48 Masters do exist at the unedited/pre-processed level** Mastering info: 24bit/48kHz FLAC's > Wavelab 4.01b on Doomtooth (edits/crossfades) > Waves C4 > BBE > Blue Tubes LM2S > 48kHz>44.1 via 192kHz Stereo Resampler and 24bit > 16bit dither UV22HR > Tracking in CD-WAV > SHNv3 appended Fantastic sounding AUD - the Nak 300s strike again. A small crossfade covers a dropout in Llama. Tape flip in audience cheering at the end of YEM � does not interrupt the music. Another tape flip in audience cheering at the end of Esther � again, does not interrupt the music. Props to John for the killer tapeflips! "Low Rider" jams appear in Suzy Greenberg and the David Bowie intro. During the HYHU intro for Fishman, Trey introduces Fish as "the hardest man in show buisness, Chris Lee". NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends).
04/27/91 Capitol Theater CD-R/SHN 3 A
07/11/91 Battery Park CD-R FLAC 2 A
07/12/91 Colonial Theatre CD 2 A+ Live Phish #19
07/14/91 Townshend Family Park CD-R/SHN 2 A Conversion: MAC>SONY DSR45>AVID EXPRESS>WAV>SHORTEN FOR MAC
07/18/91 The Casino Ballroom CD-R/SHN 2 A AUD MCass (Maxell MX 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes)> SHNv3 Transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 12/24/2003 Mastering, and shorten done on REBA by Marmar- imthemarmar@stny.rr.com **Mastering** 24bit 48kHz FLAC > wav > Montage to reconstruct sets and add fades over flips > Internal 24bit rendering (no dither) > BBE @ 2/2/0 > Waves Rbass Module +3db @ 40Hz > Internal 24bit renerding (no dither) > Rendered 24/48 wav files > Waves L1+ (24bit, no dither, +4.3 gain make-up) > 48kHz>44.1/High and 24bit>16bit/Mode 1/Low via tc electronic Finalizer 96k > Tracking in Wavelab > SHNv3 - there are volume fades every so often throughout the show...those that could be fixed were.
07/26/91 Georgia Theater CD-R 2 A
09/26/91 The State Street Theater CD-R 2 A
09/27/91 The Warehouse CD-R 2 A
09/28/91 The Rink C 2 A
11/14/91 Cat's Cradle CD-R 3 A
11/15/91 Trax CD-R FLAC 3 A
11/16/91 The Bayou CD-R FLAC 2 A
12/04/91 Glitz Auditorium, Hawkins Hall, SUNY Plattsburgh CD-R/SHN 2 A
12/05/91 Greenfield Armory Castle CD-R/SHN 3 A
12/31/91 Worcester Memorial Auditorium CD-R FLAC 3 A
03/13/92 Campus Club CD-R 3 A++
03/20/92 The Forum CD-R 3 A
03/21/92 Chestnut Cabaret CD-R FLAC 3 A
03/24/92 The Flood Zone CD-R FLAC 3 A
03/25/92 Trax CD-R FLAC 3 A
04/13/92 After the Gold Rush CD-R FLAC 1 A LOTSA BASS!! ONLY SET ONE!
04/15/92 Variety Arts Theater CD-R 2 A
04/17/92 Warfield Theater CD-R 3 A-
04/18/92 Wilbur Field CD-R 3 A
04/19/92 The Catalyst SHN 2 Source: FOB(20ft from stage, DFC) Nak300's>Panasonic 255(@48K) Transfer: Master DAT on PCM-R300>Optical Cable> Zoltrix Nightengale>SoundForge v5.0b(resample with anti-alias filter set at highest setting)>CD Wave v1.61>mkwACT v.97b1(seek tables appended) *NO DAE* 48KHz DAT Archive SHNs also available Taped by AJ Transferred and seeded via Dankseeds by Brian Feller <getjams@yahoo.com> Edits: Fades in/out on both sets. Approximately 50 seconds of crowd noise removed at end of set 2 to fit set 2 and encores on one disc
05/10/92 University of Massachusetts CD-R 1 A-
05/16/92 Orpheum Theatre CD-R FLAC 3 A
07/15/92 Trax CD-R FLAC 2 A
07/25/92 Stowe Performing Arts Center CDR 1 A
11/21/92 Sports Complex at SUNY Stony Brook CD-R 3 A
11/30/92 Metropol CD-R FLAC 3
12/12/92 The Spectrum CD-R 3 A-
12/30/92 Symphony Hall CD-R/SHN 2 A
02/05/93 Roseland Ballroom FLAC 3
02/06/93 Roseland Ballroom FLAC 3
02/19/93 Roxy Theater CD-R 3 A
02/20/93 Roxy Theater CD-R/SHN 3 A
02/21/93 Roxy Theater CD-R 3 A-
03/14/93 Paul Wright Gymnasium - Western State College CD-R/SHN 1 A Transfer: Panasonic SV3900->Digigram VX-222->SAW32->SHN Set II ONLY!!!
03/22/93 Crest Theater CD-R 3 A++
03/25/93 Santa Cruz Civic Auditorium SHN/CD-R 3 A transfered: tascam da20 mkII>za2>wav>shn using soundforge and cdwav.
03/27/93 Warfield Theater CD-R/SHN 3 A
03/28/93 East Gym, Humboldt State University CD-R/SHN 3 A Transfer: Fostex D5 > Tascam CDRW 700 > CDR(x1) > EAC > SHN Includes Soundcheck - 2 songs
03/28/93 East Gym, Humboldt State University CD-R/SHN 3 A Transfer: Fostex D5 > Tascam CDRW 700 > CDR(x1) > EAC > SHN Includes Soundcheck - 2 songs
03/31/93 Roseland Theater SHN 0 A The original seed of this show did not include David Bowie. I have since found it and added it to the correct spot, the 1st track on Disc 2. This means that the rest of the tracks on Disc 2 had to be moved up one slot and YEM -> Vocal Jam was moved to the beginning of Disc 3 (which is probably where it belonged anyway). This is a great show. I sought it out for a long time after reading an excellent review of the Hood. Indeed you can definitely feel good about this Hood, as well as the rest of the show. As of now (11/2000) it seems to me that it is rather underrated and not circulated much at all. The sound quality is EXCELLENT. It is about as good as audience recordings get. If I didn't know better I might even think it was a SBD/AUD mix. Some of these tracks had flaws which I corrected in Cool Edit 2000. I am pretty sure most circulating CDR copies of this show had these flaws because I obtained the show from a different trader to be sure and it was the same. Here is a summary of what was done: -Track 5 on Disc 1 (Mound) had three gaps of approximately 0.5 seconds each. These were at 4:58-9 and 5:08-9. Removed. -Track 1 on Disc 2 (Lengthwise) had some clicks and pops at 0:10-11, 0:30, and 1:23-24. These were removed or minimized to the best of my ability. -Track 4 on Disc 3 (AC/DC Bag) had static at 3:35. Removed. Also the last track, Sweet Adeline, has quite a bit of hiss and is rather flaky overall. It's really too much to fix, especially for an acapella track, so I decided to leave it as is. Sounds like it is a different source and possibly more than one source patched together. -Carl carl_ivar@yahoo.com
04/21/93 Newport Music Hall CD-R 2 A
04/23/93 Reed Athletic Center, Colgate U. CD-R/SHN 3 A
04/30/93 Sports Center CD-R 3 A
05/03/93 State Theater CD-R/SHN 3 A transfered: tascam da20 mkII>za2>wav>shn using soundforge and cdwav.
05/05/93 Palace Theater CD-R/SHN 3 A-
05/06/93 Palace Theater CD-R/SHN 3 A-
05/06/93 Palace Theater CD-R 3 A
05/08/93 UNH Fieldhouse CD-R 3 A
07/17/93 Filene Center at Wolf Trap CD-R 3 A
07/24/93 Great Woods Center for the Performing Arts CD-R 3 A
07/27/93 Classic Amphitheater SHN 1 A Transfer: Fostex D5 > Tascam CDRW 700 > CDR(x1) > EAC > SHN v3
08/02/93 The Ritz Theater CD-R/SHN 2 DAN Mic Info: FOB 18th row center, on a stand, with AKG460 mics with the CK61 cardiods (ORTF) Conversion: Fostex D5 > optical cable > HOSA ODL-276 > coax cable > WaveTerminal 2496 with hardware downsampling to 44.1KHz > CoolEdit 2000 > WAV > mkwACT 0.97b1 > *Dankseed Certification received 2001-06-28* and posted at http://groups.yahoo.com/group/dankseeds/files/ph93-08-02/ Listening test performed by *5* danksters SHN v3
08/06/93 Cincinnati Zoo Peacock Pavilion CD-R 3 A
08/07/93 Darien Lake Performing Arts Center CD-R 2 A
08/08/93 Nautica Stage CD-R 3 A
08/09/93 The Masonic Temple CD-R 2 A
08/11/93 Club Eastbrook CD-R 3 A
08/12/93 Meadow Brook Music Theater CD-R 3 A
08/13/93 Murat Theatre CD-R 3 A
08/14/93 World Music Theatre CD 3 A+ Live Phish #7
08/14/93 World Music Theatre CD-R 3 A source: Unknown Source (AKG 460's??) transfered: da-20mkii>montego II plus s/pdif>soundforge>cdwav>shn
08/20/93 Red Rocks Ampitheatre CD-R/SHN 3 A
08/21/93 Saltair Pavilion CD-R 2 A SOURCE: AUDIENCE: SONY MC80'S> DAT CONVERSION: DAT (FOSTEX D-5)> M-AUDIO DELTA DIO 2496 (TOSLINK S/PDIF IN)> SAMPLITUDE MASTER 6.0 (CAPTURE, THEN RESAMPLED TO 44.1 kHz ON "ULTRA HIGH" SETTING)> CDWAVE (TRACK SPLITS)> SHN (WITH SEEK FILES APPENDED)
08/26/93 Arlene Schnitzer Concert Hall CD-R 2 A
08/28/93 Greek Theatre, Univ. of California CD-R/SHN 3 A Transferred: Tascam da20 mkII>ZA2>Soundforge>CDwav>SHN
08/28/93 Greek Theatre, Univ. of California CD-R 3 A-
12/28/93 Bender Arena, American University CD-R 2 A-
12/29/93 Veterans Memorial Coliseum CD-R 3 A- 15 Ft. pole; Front Row; Center AKG 460 Cards.XLR'S>Power Supply>XLR"S>1/4's> TEAC>DAT. Mastercloned via: Panasonic 3700>COAX>Panasonic 3700 Their journey to Your CD: Technics SV 260A>COAX>WAV>CD
12/30/93 Cumberland County Civic Center CD-R/SHN 2 DAN Conversion: R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (fade in/out/edits/48>44.1 at highest setting[4of4] with anti-alias filter) > CD Wave > SHNv3 via Monkey's/md5sum.exe (shn files have seek tables appended) **No DAE at all** Transfer was done twice, then inverted over itself to determine transfer errors. No errors were present or the errors that were present were inaudible and due to differing error correction on the DAT playbacks not transfer errors. Detailed info: This was the seed for the phish.net tree in early 1994; see google files (txt) contained in this file set for more info. During this show there was occasional distortion in one of the drum channels--due to either a mic or mixer. This is present in all versions of the show, as it came through the PA. This same noise is also present in the 8/20/93 Red Rocks SBD. Minor Edits: Fades in/out beg/end of sets--5 sec in all cases All of the below was done at the 48k level, so there are edited and unedited 48k archive .sl* as possible without introducing so much noise that it became unbearable. All the fades were done in a montage as 2 seperate stereo tracks. While I did try to adjust the hard volume fades on the master, not all could be properly adjusted and were just left as is. As for Disc 1, Track 7.....you'll have to ask them what they were thinking ;-) Mastering , editing and WAV > SHN were performed on REBA by Arty-imthemarmar@stny.rr.com (on 10/2003) **24/48 Masters do exist at the unedited/pre-processed level**
12/31/93 Worcester Centrum FLAC 2 A
04/09/94 Broome County Arena CD-R 2 A
04/10/94 Alumni Arena CD-R 2 A
04/13/94 Beacon Theatre CD-R/SHN 2 A+
04/18/94 Bob Carpenter Center CD-R 2 A
04/20/94 Virginia Horse Center CD-R/SHN 3 A DAT CLONING:Panasonic 3700>COAX>Panasonic 3700 DAT>SHN TRANSFER:Technics SV 260A>COAX>WAV>CDWAV>SHN: Via MKW.These SHN files are seekable in your SHNamp. I have include both WAV and SHN md5s Linda Webster http://db.etree.org/linda95
04/21/94 Lawrence Joel Veterans Memorial Coliseum CD-R 3 A
04/22/94 Township Auditorium CD-R 3 A
04/23/94 Fox Theater CD-R 3 A
04/26/94 Purple Dragon Recording Studios CD-R/SHN 1 A Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.62-> mkwACT v0.97 **No DAE at all** Minor Edits: 3 second fades in/out at the start/end of set. *Dankseed Certification received 01-10-21* and posted at http://groups.yahoo.com/group/dankseeds/files/ph94-04-14/ Listening test performed by *5* danksters
05/02/94 Five Points South Music Hall FLAC 2 A Extraction/Compression: CD-R>EAC>wav>flac
05/03/94 Starwood Amphitheater FLAC 2 A Transfer: Master Dat from D-10>Sony DTC-690> Audioquest Optilink 1> SEK'D Prodif Plus> Samplitude v5.5> Soundforge xp 4.5 (resample @ 4/4 with anti alias filter)> Cdwav 1.6> flac
05/07/94 The Bomb Factory CD 3 A+ Live Phish #18
05/13/94 Hayden Square SHN 2 A Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 7 (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.91-> mkwACT v0.97 **No DAE** Minor Edits: Fades (in/out at beginning/end of sets and before encore)
05/14/94 Montezuma Hall FLAC 2 A Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 7 (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.93-> mkwACT v0.97 **No DAE** Minor Edits: Fades (in/out at beginning/end of sets and encore)
05/16/94 Wiltern Theater FLAC 2 A Transfer: DAT Clone-> HHb CDR-830-> EAC-> PC-> MKWACT(SHN)>.wav>FLAC v1.7.1
05/17/94 Arlington Theater FLAC 2 A Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 7a (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.93-> mkwACT v0.97 **No DAE**
05/19/94 Hult Center FLAC 2 A Transfered: Technics SV 260A>COAX>WAV>CDWAV>SHN>WAV>FLAC
05/20/94 Evergreen College Recreation Center FLAC 2 A Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.62-> mkwACT v0.97 **No DAE at all** Tape Info: Bill Shaw taped and provided the clone, thanks Bill! Minor Edits: Fades in/out at begginning/end of sets
05/21/94 Moore Theater SHN 2 A
05/22/94 Vogue Theater SHN 2 A Technics SV 260A>COAX>WAV>CDWAV>SHN I have used the MKW audio compression tool. These SHN files are seekable in your SHNamp. Also, I have included the md5 for the wav files. Please use it to verify yours. Please se the audio file provided when trading in the audio format.
05/23/94 Civic Auditorium FLAC 2 A SHN>MKWACT>WAV>FLAC V1.71 (with ID Tags) 7/2005
05/25/94 Warfield Theater FLAC 2 A Source: [DFOB; Master DAT] Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.61-> mkwACT v0.97 **No DAE at all**
05/26/94 Warfield Theater CD-R/SHN 2 A *DSBD/Matrix is the source that was given to me. However, this show does not appear on Phil Nazzaro's Phish SBDs List, and it just doesn't seem like a sbd to my ears. Regardless of whether it is a sbd or aud recording, it sounds excellent. Also, I do not know who did the original transfer/encoding - I received these in a trade.
05/27/94 Warfield Theater CDR 3
05/28/94 Laguna Seca Raceway CDR 3 A
05/29/94 Laguna Seca Raceway FLAC 2 A Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.62-> Monkey's Audio>Wav>SHN **No DAE at all** Minor Edits: Fades (in/out at begginning/end of sets
06/09/94 Triad Amphitheater SHN 2 A Show Notes: Ginseng Sullivan was performed acoustic without microphones. Source Notes: I'm not 100% sure on the source of these discs but this is what the person I got them from thought they were, although they weren't positive. This is the only source I've seen circulating so it is probably true. Some have a Lunatec V2 listed as a preamp but I didn't include that in the lineage because I don't have any real evidence to support this. In any case, the show sounds pretty good and seems to be problem free so I hope we can look past the uncertain source info. Tech Notes: I extracted the cds as a range and resplit the tracks using CDWAV. The EAC logs for each disc are included. There was one fade between discs that I removed. There was enough overlapping music allowing me to join the 2 tracks together and resplit them without any fade. There was also a fade that eliminated some crowd noise between the second set and encore that I left in. I also added fades at the beginning and end of each set in soundforge. No other processing was done on my part except for running the fileset through shntool in order to remove SBE's that existed
06/10/94 Red Rocks Amphitheatre FLAC 1 A Source: Nuemann TLM 170i>DAT [Set 1: Sub-cariods; Set 2: Cariods) Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.62-> mkwACT v0.97 **No DAE at all** Minor Edits: Fades in/out at begginning/end of sets.
06/11/94 Red Rocks Amphitheatre SHN 2 A The following edits have been made to the original etree seeds using an FM Broadcast DAT: 1. Rift - Dropout at 4:39 corrected. 2. It's Ice - Diginoise at 4:58 and skip at 7:37 corrected. 3. The Squirming Coil - Skip at 6:03 corrected. 4. Maze/Contact - missing segment (with station ID) replaced. 5. Suzy Greenberg - missing beginning added In addition, some extra intro/outro crowd noise was added for continuity. The two Set 2 discs have NOT been faded to allow the set to be put together seamlessly. All three discs have been retracked using CDWave.
06/13/94 Memorial Hall FLAC 2 A Transfer: (2.22.05) Fostex D5 @ 48k > Vx Pocket 440 > Toshiba 3480ct > Sf 6.0 > Resampled to 44.1 w/Anti Alias Filer @ Highest Setting > Normalized to 99% > Fades > Cd Wave > Flac
06/14/94 Civic Center SHN 2 DAN Transfer: Master Dat from D-10>Sony DTC-690> Audioquest Optilink 1> SEK'D Prodif Plus> Samplitude v5.5> Soundforge xp 4.5 (resample @ 4/4 with anti alias filter)> Cdwav 1.6> Mkw act 0.97b1 Edits: Five second fade in/out of sets. Flaws: There is some PA distortion in d2t10 & d3t01. Notes: Disc One,Tracks 4 & 13 were performed acoustic with no amplification and thus are very hard to hear.You will have to turn up the volume. *Dankseed Certification received 2002-03-30* and posted at http://groups.yahoo.com/group/dankseeds/files/ph1994-06-14 Listening test performed by *5* danksters positive criteria met: Tracking- OK Seamless and complete- OK Lineage listed- OK negative criteria met: DAE- NO Resampled- NO Diginoise- NO
06/16/94 State Theater SHN 2 A Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.61-> mkwACT v0.97 **No DAE at all** Minor Edits: Fades (in/out at beginning/end of sets) ---------------- d1t03 bwt. 06:26.032-06:26.282 drop-out d1t05 bwt. 04:19.517-04:20.482 can't really describe what is going on - it sounds like a transfer issue maybe?
06/17/94 Eagles Auditorium FLAC/SHN 2 A Transfer: Master Dat from D-10>Sony DTC-690> Audioquest Optilink 1> SEK'D Prodif Plus> Samplitude v5.5>wav> Soundforge xp 4.5 (resample @ 4/4 with anti alias filter,fades)> Cdwav 1.71>flac Edits: Five second fade in/out of sets. SET II: Source: SBD>C0>DAT @ 48KHz (Unknown DAT generations) Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.61-> mkwACT v0.97 **No DAE at all** Minor Edits: Fades (in/out at beginning/end of sets and crossfades at cassette flips)
06/18/94 UIC Pavilion CD-R 3 A
06/19/94 State Theater SHN 2 DAN Transfer: Master Dat from D-10>Sony DTC-690>Audioquest Optilink 1>SEK'D Prodif Plus>Samplitude v5.5>Soundforge xp 4.5 (resample @ 4/4 with anti alias filter)>Cdwav 1.6> Mkw act 0.97b1 Edits: Five second fade in/out of sets. Notes: Disc Two, Tracks 7 was performed acoustic with no amplification and thus is very hard to hear. You will have to turn up the volume. *Dankseed Certification received 2002-03-11* and posted at http://groups.yahoo.com/group/dankseeds/files/ph1994-06-19 Listening test performed by *5* danksters positive criteria met: Tracking- OK Seamless and complete- OK Lineage listed- OK negative criteria met: DAE- NO Resampled- NO Diginoise- NO
06/21/94 Cincinnati Music Hall FLAC 2 DAN Transfer: Master Dat from D-10>Sony DTC-690> Audioquest Optilink 1> SEK'D Prodif Plus> Samplitude v5.5> Soundforge xp 4.5 (resample @ 4/4 with anti alias filter)> Cdwav 1.6> Mkw act 0.97b1 Edits: Five second fade in/out of sets. Notes: Disc Two,Tracks 4-7 & 13 were performed acoustic with no amplification and thus are very hard to hear.You will have to turn up the volume. *Dankseed Certification received 2002-02-20* and posted at http://groups.yahoo.com/group/dankseeds/files/ph1994-06-21 Listening test performed by *5* danksters positive criteria met: Tracking- OK Seamless and complete- OK Lineage listed- OK negative criteria met: DAE- NO Resampled- NO Diginoise- NO
06/22/94 Veterans Memorial Auditorium CD 3 A+ Live Phish #10
06/23/94 Phoenix Plaza SHN 2 A Transfer: DAT->PC (dat2wav w/error correction) 48->44.1 via CoolEdit Pro v1.2 @ 999 qs with Pre/Post Filter Adam Shiffman - adam@rift.com [09/04/02] This is a great show, but this recording has some problems. There was a pretty bad storm that night, and the wind and rain show up on the tape at times. Otherwise, it sounds pretty darn good. Unfortunately I do not remember which capsules were on the mics that night and I didn't write it down - sounds like the hypers to me.
06/24/94 Murat Theater FLAC 2
06/25/94 Nautica Stage SHN 2 A Source: Schoeps CMC3/mk4 > Oade > SV-255 *Set 1 through SOAMule is FOB, then taper moved stand during Tela back to OTS Transfer: Tascam DA-30 > HHb 850 > CDR(x1) > EAC > SHN Fixes: -Retracked show in SF 4.5, then used shntool to fix sector boundaries -Minimized digizap in d2t06 5:19.522 - 5:19.541 in SF4.5 by pasting channels and using pencil tool Notes: -Minor overloading at beginning of d1t02 before taper turns down levels -d1t09 two scuffs on the mics at 2:47 while taper is moving stand
06/26/94 Municipal Auditorium CD-R/SHN 3 A Sounds great Except for D3 t7 (Old Home Place) and 8 (amazing Grace) are muted due to accapella. These are pretty much indistinguishable here and prolly better left off or edited.
06/29/94 Walnut Creek Amphitheater FLAC 2 A Conversion: CD-R-> EAC (paranoid mode)-> mkwACT v0.97 Minor Edits: None
06/30/94 Classic Amphitheater CD-R/SHN 3 A transfer: DA-P1-> Echo Mia-> WaveLab 4.0 -> mastering -> CDwave-> flac mastering: Steinberg Wavelab 4.0 using 32bit float file -> Resampler 192 -> BBE Sonic Maximizer -> dithering using Waves L1+ Ultramaximizer # extra long pause in Glide because a plane happened to fly over at the perfect moment, and they waited till it faded to finish the ending vocals. can u say.. Synchronicity! :) *Narration includes story about Jimmy going to a karaoke bar. A large fellow named Sean is brought on stage, and does "Phish Karaoke" by singing two-and-a-half verses of "Honky Tonk Woman." Actually he was in a local band called "Headstone Circus" that was playing after the show somewere, which he announced before leaving the stage, much to phishs' suprise!
06/30/94 Classic Amphitheater CD-R 3 A
07/01/94 Mann Music Center CD-R/FLAC 3 A transfer: DAP1 -> Echo MIA -> Wavelab4 (resample to 44.1) -> CDWave -> FLAC taped, transfered, seeded by: todd romero
07/02/94 Garden State Arts Center FLAC 2 A Transfer: Fostex D5 -> optical cable -> HOSA ODL-276 -> digi coax cable -> EgoSys Waveterminal 2496 -> CoolEdit 2000 (resample, fades, fix) -> CD Wave v1.71 -> mkwACT 0.97b1 Fixes: 20.220 second dropout @1:30.636 in d2t14 (Rift) in right channel only. replaced that portion with clean left channel transfered by: Jason Sobel (jasonsobel@hotmail.com) Big thanks to Blane Harvey for letting me borrow his DATs.
07/03/94 The Ballpark FLAC 2 A Conversion: Sony PCM-M1-> RK-DA10 7-pin Coax-> Waveterminal 2496-> Cool Edit Pro-> Wav-> mkwACT-> .shn
07/05/94 The Congress Center CD-R 3 A First minute of Rift is cut.
07/06/94 Theatre St. Denis CD-R 3 A
07/08/94 Great Woods Center for the Performing Arts CD-R/SHN 3 A First set contained a complete "Gamehendge" narration. *The idea was being in a dentist's chair, with the gas slowly putting you to sleep, and on your way to Gamehendge.
07/09/94 Great Woods Center for the Performing Arts FLAC 2 DAN Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.61-> mkwACT v0.97 **No DAE at all** Minor Edits: Fades (in/out at beginning/end of sets)
07/10/94 Saratoga Performing Arts Center CD-R/SHN 3 A Source: Set I: FOB Schoeps cmc5/mk4 > Sax > AD-500e > D10 (through Rift, Apogee battery died) Stash to end of Set I : OTS AT- 4053 Set II: FOB Schoeps cmc5/mk4 > Sax > D10 Transfer: D8 > Coresound > Prodif Plus > Sampiltude 5.5 > Cooledit > CDwav > MKW > SHN
07/13/94 Big Birch Concert Pavilion CD-R FLAC 3 A
07/13/94 Big Birch Concert Pavilion CD-R 3 A-
07/14/94 Finger Lakes Performing Arts Center SHN 2 A
07/15/94 Jones Beach Music Theater CD-R 2 A
07/16/94 Summer Stage at Sugarbush North CD 3 A+ Live Phish #2
10/07/94 Stabler Arena FLAC 2 A
10/08/94 Patriot Center CD-R 3 A
10/10/94 The Palace Theater CD-R/SHN 3 A
10/12/94 The Orpheum Theater SHN 2 A Transfer from DAT to CD done on pro equipment (most likely Panisonic 3800->Otari CDR-18) EACed and SHNed by JC soundphan@hotmail.com taped and transferred by CC? **Note: there may be 1 extra "generation" of EAC but no more than that
10/22/94 The Edge Concert Field CD-R/SHN 2 A Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0d (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.62-> mkwACT v0.97 **No DAE at all** Minor Edits: Fades in/out at begginning/end of sets.
10/26/94 Varsity Gym CD-R/SHN 3 A-
10/27/94 University Hall CD-R/SHN 2 A-
10/28/94 Galliard Auditorium CD-R 3 A
10/31/94 Glens Falls Civic Center CD 4 A+ Live Phish #13
11/02/94 Bangor Auditorium CD-R 3 A
11/03/94 Mullins Center FLAC 2 DAN Conversion: R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (fade in/out/48>44.1 at highest setting[4of4] with anti-alias filter) > CD Wave > mkwACT v0.97 (shn files have seek tables appended) **No DAE at all** Minor Edits: Fades in/out beg/end of sets--5 sec in all cases
11/04/94 Onondaga War Memorial Auditorium CDR 2 A
11/16/94 Hill Auditorium CD-R 3 A
11/17/94 Hara Arena CD-R 3 A
11/19/94 Indiana University Auditorium CD-R/SHN 1 A transferred: tascam da20 mkII>Delta Dio 2496>soundforge 4.5 (48->44.1 s/w resampling)>cdwav>shn
11/22/94 Jesse Auditorium CD-R 3 A
11/25/94 UIC Pavilion CD-R/SHN 2 A
11/26/94 The Orpheum Theatre CD-R/SHN 2 A
11/30/94 Campus Recreation Center CD-R 2 A
11/30/94 Campus Recreation Center CD-R/FLAC 2 A+ Live Phish Download - NOT TRADEABLE!!!
12/01/94 Salem Armory CD-R 2 A
12/01/94 Salem Armory CD-R/FLAC 3 A+ Live Phish DL - NOT TRADEABLE!!! Filler on Disk 3: filler is from 11/12/94 II Kent State
12/02/94 Recreation Hall at UC Davis SHN 2 DAN Transfer: CTD8000H-S-> VDAT 0.6f (each dat extracted twice and compared)-> Sound Forge 5.0d (48->44.1 (highest setting w/ anti-alias filter), edits)-> CDWave 1.62-> shorten 3.3-> SHN3 (w/ seek tables) Edits: 5 second fades at the beginning and end of each set, including the encore; [d2t10 @ 4:38] 0.02 drop-out in the crowd noise about 1 second after Cavern finished was removed and a crossfade applied with a 1 second overlap master>clone>clone used for transfer. DATs provided by Jim Raras. Transfer by David Rothenberger . 48k archive shns available upon request. ----------------------------------------------------------------------------- _________________________________________________________________________ *Dankseed Certification received 2001-10-16* and posted at http://groups.yahoo.com/group/dankseeds/files/ph94-12-02/ Listening test performed by *5* danksters positive criteria met: Tracking- OK Seamless and complete- OK Lineage listed- OK negative criteria met: DAE- NO Resampled- NO Diginoise- NO
12/03/94 Event Center CDR 2 B+
12/03/94 Event Center FLAC 2 DAN Transfer: CTD8000H-S-> VDAT 0.6f (each dat extracted twice and compared)-> Sound Forge 5.0b (48->44.1 (highest setting w/ anti-alias filter), edits)-> CDWave 1.61-> mkwACT 0.91b1-> SHN3 (w/ seek tables) Edits: 5 second fades at the beginning and end of both sets 3rd generation clone used for transfer. Transfer by David Rothenberger . 48k archive shns available upon request. *Dankseed Certification received 2001-10-31* and posted at http://groups.yahoo.com/group/dankseeds/files/gd80-05-01/ Listening test performed by *5* danksters positive criteria met: Tracking- OK Seamless and complete- OK Lineage listed- OK negative criteria met: DAE- NO Resampled- NO Diginoise- NO
12/04/94 Acker Gym FLAC 2 A Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8)
12/06/94 UCSB Event Center CD-R 3 A
12/07/94 Spreckels Theatre CD-R/SHN 2 A *Dankseed Certification received 2001-10-22* and posted at http://groups.yahoo.com/group/dankseeds/files/ph1994-12-07/ Listening test performed by *5* danksters
12/08/94 Spreckels Theatre CD-R/SHN 2 A -- THE AUD -- Source: FOB AKG460 (13 Ft. pole, front row, center-right {12-7}, center-left {12-8}) > 10' XLR > PS > 3' XLRs > Technics SV260A > DAT Transfer: Technics SV260A > COAX > Cool Edit WAV (editing done here) > CDWAV > mkwACT v3 > SHN
12/09/94 Mesa Amphitheatre CD-R/SHN 3 DAN Source: Set I: DAUD/FOB Schoeps mk4(ORTF) > KC5 actives > CMC5 Sonosax SX-M2 > Apogee AD-500e > Sony D10 @48kHz Master (from D10) used in below transfer Set IIpt: DAUD/OTS Schoeps mk4(ORTF) > KC5 actives > CMC5 > Sonosax SX-M2 > Apogee AD-500e > Sony D10 @48kHz Master (from D10) used in below transfer Set IIpt+E: DAUD/FOB Schoeps mk4(hat) > KC5 actives > CMC6 > Aerco > Marantz PMD-700 @48kHz Master (on Marantz PMD-700) > clone used in below transfer Conversion: R500 > Canare Coax > Digigram VXPocket/Sony Pixbook Set I FOB was done on a stand, during the set break the rig was moved to the OTand the first part of set II is from the OTS. This recording was patched with the set IIpt+E source (mk4/hat) as the Apogee battery died during YEM. See below for info on the patching.
12/10/94 Civic Auditorium SHN 2 A Their journey to SHN: Technics SV 260A>COAX>WAV>CDWAV>SHN.
12/28/94 Philadelphia Civic Center CD-R/SHN 3 A dat>hd>shn transfer:mike ayers mayers@vt.edu shn upload:byron poland byron@vt.edu **note: there is a level adjustment up at 2:28min mark during Mound** -mike
12/29/94 Providence Civic Center CD 2 A+ Live Phish #20
05/16/95 Lowell Memorial Auditorium CD-R/SHN 2 A Voters for Choice Benefit
06/14/95 Mud Island Amphitheater CD-R 3 A
06/19/95 Deer Creek Music Center CD-R/SHN 3 DAN Conversion: R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (fade in/out/48>44.1 at highest setting[4of4] with anti-alias filter) > CD Wave > SHNv3 via Monkey's/md5sum.exe (shn files have seek tables appended) **No DAE at all** Transfer was done twice, then inverted over itself to determine transfer errors. No errors were present or the errors that were present were inaudible and due to differing error correction on the DAT playbacks not transfer errors. Detailed info: Slight windnoise here and there. See shntool logs below for proof of correct tracking. Minor Edits: Fades in/out beg/end of sets--5 sec in all cases. *Dankseed Certification received 2002-06-16* and posted at http://groups.yahoo.com/group/dankseeds/files/ph1995-06-19.mk4-ots/ Listening test performed by *5* danksters
06/23/95 Waterloo Village Music Center FLAC 3 A
06/24/95 The Mann Music Center SHN 2
06/25/95 Mann Center for the Performing Arts CD-R/SHN 2 A DAT Conversion: Louie Rendek Archive Python DDS/dat2wav > .wav; no soundcard Soundforge for resampling Tracked using CDWAVE by Mike Woellert WAV > SHN: Mike Woellert
06/30/95 Great Woods Center for the Performing Arts CD-R 3 A
07/01/95 Great Woods Center for the Performing Arts CD-R 3 A
09/27/95 Cal Expo Amphitheatre CD-R/SHN 2 A Transfer: DA-20->Delta Dio 2496->Soundforge 4.5 (48>44.1 resampling on highest accuracy setting w/anti alias filter)->CDWAV->SHN
09/28/95 Summer Pops SHN 2
09/29/95 Greek Theatre SHN 2
09/30/95 Shoreline Amphitheatre SHN 2 A DAT PROVIDED BY: JEFF WRIGHT CONVERSION: LEVI HUNT PRODIF PLUS> SAMPLITUDE> CDWAV> MKW>SHN
09/30/95 Shoreline Amphitheatre FLAC 2
10/13/95 Will Rogers Auditorium CD-R/SHN 2 A
10/19/95 Municipal Auditorium .MPG 4 Dec Missing: Chalkdust & Theme
10/19/95 Municipal Auditorium CD-R 2 A
10/24/95 Dane County Colseum CD-R 2 A Missing Contact, Cavern, ADITL
10/25/95 St. Paul Civic Center CD-R/SHN 2 A Transfer: DAT > Standalone(HHb Burn It)> CD > EAC > CDWAV > SHN(W/MKWact)
10/27/95 Wing Stadium CD-R/SHN 2 A
10/31/95 Rosemont Horizon CD 4 A+ Live Phish #14
10/31/95 Rosemont Horizon CD-R 4 A Conversion: D8 > Montego II > CEP 1.2 > CD-WAV
11/09/95 Fox Theater SHN 2 A Their journey to SHN: Technics SV 260A>COAX>WAV>CDWAV>SHN.
11/11/95 Fox Theater SHN 2 A Transfer: D8 > WAV (via TB Fiji S/PDIF) > SHN
11/14/95 University of Central Florida Arena CD-R 3 A-
11/14/95 University of Central Florida Arena FLAC 2 A+
11/16/95 West Palm Beach Auditorium CD-R/SHN 2 A
11/22/95 U.S Air Arena CD-R/SHN 2 A Transfer: Sony 59ES>Marantz CDR630>EAC(Secure Mode with correct offset)>WAV> Soundforge (5 sec fades at beginning and end of sets)>MKW>SHN
12/01/95 Hersheypark Arena CD-R 3 A-
12/02/95 Veterans' Memorial Coliseum FLAC 2 Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8)
12/04/95 Mullins Center, University of Massachusetts FLAC 3 Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8)
12/05/95 Mullins Center, University of Massachusetts FLAC 3 Sony PCM-R500 > Tascam HD-P2 > CF Card > usb > pc > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8)
12/07/95 Niagara Falls Convention Center CD-R 3 A-
12/08/95 CSU Convocation Center CD-R 2 A
12/09/95 Knickerbocker Arena SHN 3
12/11/95 Cumberland County Civic Center FLAC 3 Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8)
12/12/95 Providence Civic Center FLAC 3 Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8)
12/14/95 Broome County Arena CD 2 A+ Live Phish #1
12/14/95 Broome County Arena CD-R 2 A-
12/15/95 The Spectrum CD-R 2 A
12/16/95 Olympic Center FLAC 2 Sony D8 > M-Audio MicroTrack > CF Card > Samplitude SE v9.1.1 (de-emphasis, fades) > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.97 > FLAC v1.2.1 (Level 8)
12/17/95 Olympic Center FLAC 3 Sony D8 > M-Audio MicroTrack > CF Card > Samplitude SE v9.1.1 (de-emphasis, fades) > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.97 > FLAC v1.2.1 (Level 8)
12/28/95 The Centrum CD-R 2 A
12/29/95 The Centrum CD-R/SHN 2 A 13 Ft. pole; Front Row: Somewhere AKG 460 Cards>10ft XLR's>Power Supply>3ft XLR's> Technics SV 260A>DAT. Their journey to SHN: Technics SV 260A>COAX>WAV>CDWAV>SHN. I have used the MKW audio compression tool.These SHN files are seekable in your SHNamp. Also, I have included the md5 for the wav files. Please use it to verify yours.
12/30/95 Madison Square Garden CD-R 3 A-
12/31/95 Madison Square Garden CD-R/SHN 3 DAN Master (from D10) used in below transfer Patch Source: DAUD/OTS Schoeps CMC6/mk41 (103deg/10in) > Oade Deluxe > Tascam DA-P1 @ 48kHz Master (from DA-P1) used in below transfer Conversion: Main Source: R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (fade in/out/48>44.1 at highest setting[4of4] with anti-alias filter) > CD Wave > mkwACT v0.97 (shn files have seek tables appended) **No DAE at all** Patch Source: Sony PCM-2600 > Audioquest Coaxial > Turtle Beach Fiji > Soundforge 4.5 > mkwACT 0.97 > Soundforge 5.0 (fade in/out/48>44.1 at highest setting[4of4] with anti-alias filter) > CD Wave > mkwACT v0.97 (shn files have seek tables appended) **No DAE at all** Detailed info: This recording (main source/FOB) was done on a stand/DFC, though exact seat info is unknown. The patch recording was done in the OTS 3rd row, center at: 103deg/10in. Minor Edits: Fades in/out beg/end of sets--5 sec in all cases Encore is patched from Craig Hillwig's OTS Schoeps source, due to issues with the FOB source encore. All patching was done in SF5.0 at 48k. Both the 'fixed'/'unfixed' versions circulate w/ the 48k .shn's. Patch done via crossfade in the crowd noise between set 3 and encore with the following settings: overlapping duration of 40.448s,with the source going from -infdb to 0db and the destination going from 0db to -infdb. *Dankseed Certification received 2002-01-10* and posted at http://groups.yahoo.com/group/dankseeds/files/ph1995-12-31/ Listening test performed by *5* danksters
04/26/96 Fair Grounds Race Course SHN 2
06/06/96 Joyous Lake FLAC 3
07/03/96 Stadia Bratmasco CD-R/SHN 1 A
07/06/96 Duommo Square SHN 1
07/09/96 Centre International de Deauville CD-R/SHN 1 DAN Tranfer: Sony PCM-2600 (One off master) > Dio MAudio 2448 > Cool Edit Pro 2 (add fades, resample, 999 setting) > CD WAV > .shn via MKW .97 by Bill Gardner bgard@speakeasy.net *Dankseed Certification received 2002-09-05* and posted at http://groups.yahoo.com/group/dankseeds/files/ph1996-07-09/ Listening test performed by *5* danksters
07/10/96 Le Zénith CD-R/SHN 1 DAN Tranfer: Sony PCM-2600 (One off master) > Dio MAudio 2448 > Cool Edit Pro 2 (add fades, resample, 999 setting) > CD WAV > .shn via MKW .97 by Bill Gardner bgard@speakeasy.net *Dankseed Certification received 2002-08-26* and posted at http://groups.yahoo.com/group/dankseeds/files/ph1996-07-10/ Listening test performed by *5* danksters
07/11/96 Shepherds Bush Empire FLAC 2
07/12/96 The Melkweg SHN 3
07/13/96 The Dour Festival SHN 1
07/15/96 La Marna FLAC 2
07/17/96 Théâtre Antique FLAC 1
07/18/96 Theater de Verdure SHN 1
07/19/96 Les Arenes SHN 1
07/21/96 The Forum SHN 3
07/22/96 Tanzbrunnen FLAC 1
07/23/96 Markthalle FLAC 2
07/24/96 Music Hall FLAC 1
07/25/96 Stadtpark SHN 1
08/02/96 Wolf Mountain Amphitheater CD-R/SHN 2 A Transfer: Fostex D-5 > EgoSys U2A > Cool Edit > shn
08/04/96 Red Rocks Amphitheatre FLAC 2
08/05/96 Red Rocks Amphitheatre FLAC 3
08/06/96 Red Rocks Amphitheatre FLAC 2
08/10/96 Alpine Valley Music Theatre SHN 3
08/12/96 Deer Creek Music Center FLAC 3
08/13/96 Deer Creek Music Center CD 3 A+ Live Phish #12
08/14/96 Hershey Park Stadium SHN 3
08/15/96 Plattsburgh Air Force Base FLAC 1
08/16/96 Plattsburgh Air Force Base CD-R/SHN 4 A Conversion: Tascam DA40 DAT@48kHz > REBA > Wavelab 4.0e > 44.1kHz Wav > CD Wave > SHNv3 **NO DAE WAS INVOLVED**
08/16/96 Plattsburgh Air Force Base VCD 1 A+ This is a proshot Documentary of Clifford Ball. shot by dionysian productions for MTV This is the lost footage, A+ quality. This is NOT Jimmy's Dream
08/17/96 Plattsburgh Air Force Base CD-R/SHN 3 A All Editing done in the digital domain using Steinberg Wavelab 4.0f, CubaseVST/32 5.1 **NOTES** I previously seeded this show in 2000, and after reading some of the user comments I was compelled to do a re-seed of this show. After listening real carefully and comparing the SBD portion to 3 different FMSBD sources, I have concluded that the soundboard portion is "flat" or runs slower than the FM source. So, from the point where it changes in PYITE > Golgi & all of disc 3 I took tuning measurements and discovered the DSBD was flat by 20cents. The pitch correction was done in Wavelab using the highest quality settings possible. Then PYITE was missing the fist minute from the DAT I had due to the taper "patching in" to the SBD feed from the Pre-FM source. The missing portion of Suzie was also repaired using the DAUD DAT I got my hands on. All edits were performed AFTER the DC Offset was removed from all material. The Slave came from Morgan Bell, who was nice enough to send me the FM source to use. The levels of Slave had to be adjusted to match the DSBD material. The Slave was edited in using exacting methods I would rather not go into here...the main changes are level reduction, DC Offset removal, and slight dithering. So here it is...after 80+hrs of listening and relistening, the best source available for this show IMHO.
10/16/96 Olympic Center SHN 2
10/17/96 Bryce Jordan Center, Penn State Univ. SHN 2
10/31/96 The Omni CD 4 A+ Live Phish #15
10/31/96 The Omni VCD 2 A+ Misc Proshot Footage Misc set I, almost all of set II encoded from my 1st gen vhs
11/02/96 Coral Sky Amphitheater CD-R/SHN 2 A transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, sample rate convert & rendered w/ UV22HR) > CD-WAV > SHNv3
11/15/96 Kiel Center CD-R/SHN 2 A transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, normalize, sample rate conversion) > CD-WAV > SHNv3 DAT had digi-noise during Wilson & PYITE, only one one of the 2 channels though; I swapped the left with the noisy right in these spots.
11/16/96 Omaha Civic Auditorium CD-R/SHN 2 A
11/18/96 Mid-South Coliseum CD-R 3 A
11/22/96 Spokane Arena CD-R/SHN 3 A Transfer: Aiwa XD-001 DAT > Black&White DigiCoax > Z-Cyber Nightingale Pro 6 S/PDIF > Cool Edit Pro@16/44.1 kHz > CD Wav > mkwACT 0.97 BETA 1 > SHN. by Friedemann Rothfuchs, kushelphish@gmx.de; used DAT is 2nd Generation digital clone and was provided by Aldo Torre (thanks!) There also is a 48 kHz .shn of this transfer.
11/29/96 Cow Palace FLAC 2 A Flac conversion info: MCD-R -> Plextor (PX708A) -> EAC -> CDWAVE -> Flac Frontend -> Flac 3 discs
12/01/96 Pauley Pavilion CD-R/SHN 3 A Seed: DAT > Seagate Archive Python 01931 > dat2wav 1.2 > � � � Sound Forge 4.5 (to 44.1k @ highest accuracy; anti-alias filter; edits shown below) > � � � CDWav > shnXP (updated shn2k)� by Paul Hofferkamp (gruven42@yahoo.com) --No DAE--
12/04/96 Sports Arena SHN 2
12/06/96 Aladdin Theater CD-R/SHN 3 A transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF > Wavelab (fades, L2 + BBE > sample rate convert & rendered w/ UV22HR) > CD-WAV > SHNv3
12/29/96 The Spectrum CD-R/SHN 3 A
12/29/96 The Spectrum VCD 2
02/22/97 Teatro Olympico SHN 2 A
02/23/97 Fillmore CD-R 0 A
02/26/97 Longhorn CD-R 3 A
06/14/97 The S.F.X. Centre CD-R/SHN 2 A Transfer: Tascam DA-302>Turtle Beach Fiji(S/PDIF)>Sound forge4.0>CDcue>CD>EAC>SHN
06/22/97 Loreley Freilichtbühne CD-R/SHN 1 A Transfer: Sony D8 > Montego II > SoundForge 4.0 > CDWave > Wav > Shn
06/25/97 L'Aeronef CD-R/SHN 3 A Transfer:Tascam DA-302>Turtle Beach Fiji (S/PDIF)>Sound forge 4.0>CDR>EAC>SHN
07/10/97 Espace Julien CD-R/SHN 2 A
07/30/97 Ventura County Fairgrounds CD-R/SHN 3 A
07/31/97 Shoreline Amphitheatre CD-R/SHN 3 A
08/02/97 The Gorge Amphitheatre CD-R/SHN 3 A
08/03/97 The Gorge Amphitheatre CD-R/SHN 3 A
08/08/97 World Music Theater CD-R 3 A-
08/16/97 Loring Air Force Base CD-R/SHN 4 A Set 1 source: FM > DAT Transfer: DAT@48k->Montego II Plus@44k->HD via Soundforge->CDWav Set 2 and 3 Source: FM > DA-P1 Transfer: Fostex D5 -> optical cable -> HOSA ODL-276 -> digi coax cable -> EgoSys Waveterminal 2496 -> CoolEdit 2000 (48->44.1) -> CDWav -> mkwACT
08/17/97 Loring Air Force Base CD-R/SHN 4 A Transfer: Tascam DA-20mII>SoundForge 4.5>cdQuadrat 3.6 Taped and Transferred (from DAT master)by David Schall. THANKS DAVID! "Master" discs (ie. burned by David) extracted using EAC in secure mode with write caching disabled, verified with SHNTool, then converted to SHN using MKW 0.97 with seek tables appended, by Blane Harvey. Fixes: Replaced first 3:09 mins of Down With Disease (with 5 second crossfade) from a secondary FM source because of some reception problems on David's masters.
11/16/97 McNichols Sports Arena FLAC 2
11/17/97 McNichols Sports Arena CD 3 A+ Live Phish #11
11/22/97 Hampton Coliseum SHN 2 DAN DAT Master; Sony PCM-2600 > Audioquest coax > Turtlebeach Fiji > Soundforge 4.5 > mkwAct 0.97b (seek tables appended); cue sheets *Dankseed Certification received 2002-03-03* and posted at http://groups.yahoo.com/group/dankseeds/files/ph1997-11-22 Listening test performed by *5* danksters positive criteria met: Tracking- OK Seamless and complete- OK Lineage listed- OK negative criteria met: DAE- NO Resampled- NO
11/26/97 Hartford Civic Center CD-R/SHN 3 A
12/05/97 Convocation Center CD-R/SHN 3 A
12/07/97 Ervin J. Nutter Center SHN 1
12/31/97 Madison Square Garden CD-R/SHN 3 DAN DAT Master; Sony PCM-2600 > Audioquest coax > Turtlebeach Fiji > Soundforge 4.5 > mkwAct 0.97b (seek tables appended) *Dankseed Certification received 2002-03-13* and posted at http://groups.yahoo.com/group/dankseeds/files/ph1997-12-31 Listening test performed by *5* danksters positive criteria met: Tracking- OK Seamless and complete- OK Lineage listed- OK negative criteria met: DAE- NO Resampled- NO Diginoise- NO
04/02/98 Nassau Veterans Memorial Coliseum CD-R FLAC 3 DAN
04/02/98 Nassau Veterans Memorial Coliseum FLAC 2 A+ Live Phish Download! NOT TRADEABLE! For Records Only!
04/03/98 Nassau Veterans Memorial Coliseum CD-R/SHN 3 DAN DAT Master; Sony PCM-2600 > Audioquest coax > Turtlebeach Fiji > Soundforge 4.5 > mkwAct 0.97b (seek tables appended); *Dankseed Certification received 2002-07-03* and posted at http://groups.yahoo.com/group/dankseeds/files/ph1998-04-03_reseed/ Listening test performed by *5* danksters
04/03/98 Nassau Veterans Memorial Coliseum FLAC 2 A+ Live Phish Download! NOT TRADEABLE! For Records Only!
04/04/98 Providence Civic Center CD-R/SHN 3 DAN *Dankseed Certification received 2002-08-18* and posted at http://groups.yahoo.com/group/dankseeds/files/ph1998-04-04.OTS-MK41-VMS-SBM/ Listening test performed by *5* danksters positive criteria met: Tracking- OK Seamless and complete- OK Lineage listed- OK Passes SHNTool- OK negative criteria met: DAE- NO Unecessary resampling- NO Diginoise- NO _____________________ Source: OTS Schoeps CMC641>VMS02IB>SBM-1>Master DAT @ 44.1K> DAT(1)>R500>S/PDIF>VX Pocket>Soundforge 5.0 (Fades and edits only)>CDWAV 1.53>MKW 0.97b>.shn w/ seek tables appended Show was transferred twice and inverted, no transfer errors were audible No DAE or resampling was performed
04/04/98 Providence Civic Center FLAC 2 A+ Live Phish Download! NOT TRADEABLE! For Records Only!
04/05/98 Providence Civic Center CD-R/SHN 3 A Schoeps CMC641 > Sonosax SX-M2 > Tascam DA-P1 @44.1kHz Front row/center OTS, by Craig Hillwig DAT Master; Sony PCM-2600 > Audioquest coax > Turtlebeach Fiji > Soundforge 4.5 > mkwAct 0.97b (seek tables appended); cue sheets by CDWave by Craig Hillwig No DAE. Fades added to beginning and end of each set.
04/05/98 Providence Civic Center FLAC 2 A+ Live Phish Download! NOT TRADEABLE! For Records Only!
06/30/98 The Grey Hall FLAC 3 Sony PCM-R500 > Tascam HD-P2 > CF card > usb > pc > WaveLab 5.01b (fades) > CD Wave v1.95 > FLAC v1.1.2 (Level 8)
07/01/98 The Grey Hall SHN 2 Transfer: 1st gen clone > RME 96/8 > Soundforge 5.0 > CD Wave > MKW Act(shn)*no dae* minor edits: fades added at beginning and end of each set using sound forge 5.0
07/02/98 The Grey Hall SHN 2 Lineage: Master Dat > 1st gen clone, Transfer: 1st gen clone > RME 96/8 > samplitude > CD Wave > MKW Act(shn) *no dae* minor edits: fades at the beginning and end of each set added using soundforge 5.0
07/03/98 Midtfyns Festival FLAC 2 Sony PCM-R500 > Tascam HD-P2 > CF card > usb > pc > WaveLab 5.01b (fades, resample to 44.1 kHz, patch) > CD Wave v1.95 > FLAC v1.1.2 (Level 8)
07/05/98 Lucerna Theatre SHN 2 Transfer: 1st gen clone > RME 96/8 > Soundforge 5.0 > CD Wave > MKW Act(shn) *no dae* minor edits: fades at the beginning and end of each set added using soundforge 5.0
07/06/98 Lucerna Theatre SHN 2 Lineage: Master Dat > 1st gen clone, Transfer: 1st gen clone > RME 96/8 > Soundforge 5.0 > CD Wave > MKW Act(shn) *no dae*
07/08/98 Zeleste Discotheque CD-R 2 A
07/09/98 Zeleste Discotheque CD-R 2 A
07/10/98 Zeleste Discotheque SHN 2 DAN :::::LINEAGE: Master DAT > Fostex D5 + Tascam DA20mkII > Alf's First Gen Clone :::::TRANSFER: Alf's DAT (First Gen Clone) > Fostex D5 > optical cable > HOSA ODL-276 > coax cable > Waveterminal 2496, hardware downsampling to 44.1KHz > CoolEdit 2000 > CDWave 1.6 > WAV > mkwACT 0.97b1 > SHN v3 *Dankseed Certification received 2002-03-30* and posted at http://groups.yahoo.com/group/dankseeds/files/ph98-07-10_AKGC1000 Listening test performed by *5* danksters positive criteria met: Tracking- OK Seamless and complete- OK Lineage listed- OK negative criteria met: DAE- NO Resampled- NO Diginoise- NO
07/15/98 Portland Meadows CD 3 A+ Live Phish #17
07/16/98 The Gorge Ampitheatre CD-R/SHN 3 DAN Transfer done twice, inverted over itself to determine transfer errors. All errors were inaudible. *Dankseed Certification received 2002-04-10* and posted at http://groups.yahoo.com/group/dankseeds/files/ph1998-07-16/ Listening test performed by *5* danksters
07/17/98 The Gorge Ampitheatre FLAC 2 -OTS schoeps mk4's> VMS02IB> DAP1> Multiple P1's> D8> DAT -DAT(master)> Audiophile 2496> CDWAVE 48k> Cool Edit Pro resample to 44.1> CDWAVE track> FLAC -Kevin Kagarice's rig -Taped and transferred by EEE
07/19/98 Shoreline Amphitheatre CD-R/SHN 3 A Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96-> Soundforge 5.0b (48KHz->44.1KHz at highest setting [4 of 4], with anti-alias filter)-> CD Wave 1.62-> mkwACT v0.97 **No DAE at all** Minor Edits: 5 second fades in/out at the start/end of set.
07/20/98 Ventura County Fairgrounds FLAC 3
07/21/98 Desert Sky Pavillion SHN 3
07/24/98 Cynthia Woods Pavillion FLAC 2 Source: Matrix:ALD SBD>D8+AKG460b's>V2 MASTER ALD DAT>24 Channel MackieSR24x4>Panasonic SV3800>DAT>Mac G4>ProTools Audience:AKG460b's>V2>DAT>Mac G4>Protools Final mix: ProTools>CD>xAct ALD taped by texaskaje. AKG AUD taped by Billy Myrick. Mastered and mixed by texaskaje. Seeded 2/07.
07/25/98 South Park Meadows SHN 3 source: Set I: Daud: Schoeps CMC64>Sx-M2>SBM-1>DA-P1 Set II: Schoeps CMC64>Sx-M2>Apogee HD500>DA-P1 (@44.1k) transfered: tascam da20 mkII>Delta Dio 2496>soundforge 4.5>cdwav>shn
07/26/98 Coca-Cola Starplex Amphitheatre FLAC 3 MATRIX SOURCES: 1. ALD SBD>D8 taped by texaskaje 2. Schoeps CMC641->Lunated V2->DA-P1(from http://bt.etree.org/details.php?id=503353) taped by unknown. seeded by discocape. Transfer: 1. ALD SBD MASTER DAT>M-Audio Transit (7pin to Lightpipe)>Mac G4 (Audiohijack) 2. AUD:DA-20->Delta Dio 2496->Soundforge 4.5 (48>44.1 resampling on highest accuracy setting with anti alias filter)->CDWAV->SHN>Mac G4 from download.
07/28/98 Sandstone Amphitheatre SHN 3
07/29/98 Riverport Amphitheatre SHN 3 Source: B+K 4011->Lunatec V2->Apogee AD-1000 @48kHz Recorded by Marc Nutter, Joe Morrison's DA-P1 patch master used in below transfer Transfer: Sony 59ES->Audio Magic Presto II->ZA2-> Soundforge 4.5(48->44.1 resmpling using highest quality setting w/ anti alias filter)->CDWav->.shn by Eric McRoberts
07/31/98 Polaris Amphitheatre SHN 3 Source: B&K 4011's (no other source info) Transfer: DA-20->Delta Dio 2496->Soundforge 4.5 (48>44.1 resampling on highest accuracy setting with anti alias filter)->CDWAV->SHN
08/01/98 Alpine Valley Music Theatre SHN 3 Source: Schoeps MK41>KC5>CMC6>SX-M2>AD1000>DAP1 @ 48kHz (FOB/BTP/DFC/ORTF) (Taped by mikey unidecker-at-mediaone.net) Conversion: Sony PCM-R500 > Audio Magic Presto II > Delta Di0 2496 > Soundforge 4.5 (48>44.1) > cdwav > MKWact (SHNv3)
08/02/98 Deer Creek Music Center FLAC 3 Source: Schoeps CMC641 > Lunatec V2 > Apogee AD-1000 > D7 @ 48kHz Transfer: D8(m) > Delta Dio 2496 > Sound Forge 7.0(fades,48>44.1) > CDWave > Flac
08/03/98 Deer Creek Music Center SHN 3
08/07/98 Walnut Creek Amphitheater FLAC 3 Fostex D5 @ 44.1 > Sf 6.0 w/fades & normalization > Cd Wave > Flac
08/08/98 Merriweather Post Pavilion CD-R/SHN 2 A++ Extraced with EAC v.9b3, securely extraced with 100% track quality Includes filler of Terrapin Station from 8-9-1998
08/09/98 Virginia Beach Amphitheatre FLAC 3 Sony PCM-R500 > Tascam HD-P2 > CF Card > usb > pc > WaveLab 5.01b (fades, resample to 44.1kHz) > CD Wave v1.94.7 > FLAC v1.1.2 (Level 8)
08/11/98 Star Lake Amphitheatre SHN 3
08/12/98 Vernon Downs FLAC 3 transfer: Tascam DA-30 mk II > Digidesign Digi002 rack > Pro Tools LE 6.4 (fades, resampled to 44.1 at tweak head-highest setting)> Cdwav > FLAC (MD5 generated in MD5 summer)
08/14/98 Loring Air Force Base SHN 1
08/15/98 Loring Air Force Base CD-R/SHN 5 A Transfer: Sony R300 DAT > optical SPDIF > Zoltrix Nightingale @ 44.1 kHz > CD Wave 1.56 > Sound Forge 6.0 (fades only) > MKW 0.97b > SHN w/seek tables appended No resampling, no DAE, seamless, dank, etc :
08/16/98 Loring Air Force Base CDR 1 A+
08/16/98 Loring Air Force Base CD-R/SHN 5 DAN Recording by Derek Gregory Transfer by Jamie Lutch 2/2002 Transfer done twice, inverted over itself to determine transfer errors. All errors were inaudible. *Dankseed Certification received 2002-08-13* and posted at http://groups.yahoo.com/group/dankseeds/files/ph1998-08-16/ Listening test performed by *5* danksters
08/16/98 Loring Air Force Base FLAC 5 DA-30 MKII > EMU Proteus-X @ Bunker 8 Digital Labs Mastering: recorded in Cubase SX3, mastered with Wavelab 5.00a, tracked in CD-WAV Patch Source: FOB Schoeps CMC6/MK21 > Sonosax SX-M2 > Apogee AD-1000 (db.etree.org shnid = 12494)
10/17/98 Shoreline Amphitheatre FLAC 1
10/18/98 Shoreline Amphitheatre FLAC 1
10/29/98 Greek Theater CD-R/SHN 2 A
10/30/98 Thomas & Mack Center CD-R/SHN 2 A
10/31/98 Thomas & Mack Center CD 4 A+ Live Phish #16
11/02/98 E Centre CD-R/FLAC 3 A Transfer: Fostex D5 > Zoltrix > Sound Forge 6.0 (w/fades) > 48 to 44.1 @ highest setting w/anti-alias filter > Cd Wave > Flac
11/11/98 Van Andel Arena CD-R 3 A
11/24/98 New Haven Coliseum FLAC 2 A Original Recording by Bryan Foley; Patch & DAT>CD Conversion by Dave Pecoraro (davepeck79@attbi.com): Tascam DA-P1 > Turtle Beach Montego II > Sound Forge 4.5 > CDWave > SHN Seeded by: Dennis Adams FILLER broadcast on 99.1 WPLR (New Haven) before the show, with portions of Soundcheck in the background: % Funky Bitch (slow) %% Ginseng Sullivan %%% Dog Log FM > Sony DTC-790 DAT.
11/27/98 Worcester Centrum CD 3 A+ Live Phish #6
12/28/98 Madison Square Garden CD-R/SHN 2 DAN *Dankseed Certification received 2002-03-20* and posted at http://groups.yahoo.com/group/dankseeds/files/ph1998-12-28/ Listening test performed by *5* danksters positive criteria met: Tracking- OK Seamless and complete- OK Lineage listed- OK negative criteria met: DAE- NO Resampled- NO Diginoise- NO
12/30/98 Madison Square Garden SHN 2 DAN Recording by Derek Gregory Transfer by Jamie Lutch 2/2002 Transfer was done twice, then inverted over itself. No errors were present. *Dankseed Certification received 2002-03-24* and posted at http://groups.yahoo.com/group/dankseeds/files/ph1998-12-30 Listening test performed by *5* danksters positive criteria met: Tracking- OK Seamless and complete- OK Lineage listed- OK negative criteria met: DAE- NO Resampled- NO Diginoise- NO __________________
12/31/98 Madison Square Garden CD-R/SHN 3 DAN *Dankseed Certification received 2002-03-20* and posted at http://groups.yahoo.com/group/dankseeds/files/ph1998-12-31 Listening test performed by *5* danksters positive criteria met: Tracking- OK Seamless and complete- OK Lineage listed- OK negative criteria met: DAE- NO Resampled- NO Diginoise- NO
07/03/99 Lakewood Amphitheater CD-R/SHN 3 A
07/09/99 Merriweather Post Pavillion CD-R/SHN 3 A Transfer: DA-20 -> TB Fuji Digi I/O -> wav2cdr
07/10/99 E-Centre CD 2 A+ Live Phish #8
07/13/99 Tweeter Center CD-R/SHN 2 A Conversion: Sony PCM-R500 > AM Presto II Coax > Delta Di0 2496 > Samplitude v5.5 > CDwav > mkwACT v0.97 (shn files have seek tables appended) **No DAE at all** Detailed info: Mics were split 15' in the section. Taper: Chas Patriza Transferred, Encoded, and Seeded by Matt Edlhuber .
07/20/99 Molson Amphitheater CD-R/SHN 3 A Transfer: DAT>HD>CDR by Larry Winton, CDR>HD>SHN Levels are low on Chalk Dust Torture until approximately 1:15, then they improve.
07/31/99 Naeba Ski Resort CD-R/SHN 3 A
08/01/99 Naeba Ski Resort SHN 2
09/09/99 GM Palace FLAC 3
09/14/99 BSU Pavillion SHN 2
09/16/99 Shoreline Amphitheatre FLAC 3
09/18/99 Coors Amphitheater SHN 3
09/29/99 Pyramid Arena CD-R/SHN 3 A
10/07/99 Nassau Veterans Memorial Coliseum CD-R/SHN 3 A Conversion: DA-P1> Prodif Plus> Samptlitude 2496> CDWAV> MKW
10/08/99 Nassau Coliseum CDR 3
10/09/99 Pepsi Arena CD-R/SHN 3 A Conversion: Dat> CDR> EAC> MKW
10/10/99 Pepsi Arena CD-R/SHN 3 A Conversion: Dat> CDR> EAC> MKW
12/15/99 MCI Center CD-R/SHN 3 A transfered through a za2 card,using software resampling however, soundforge, and cdwav.
12/29/99 Big Cypress Seminole Reservation CDR 2 A
12/31/99 Big Cypress Seminole Reservation CDR 2 A
12/31/99 Big Cypress Seminole Reservation CD-R 7
06/14/00 Drum Logos CD 3 A+ Live Phish #4
06/28/00 PNC Bank Arts Center FLAC 3
07/08/00 Alpine Valley Music Theatre CD 3 A+ Live Phish #5
07/11/00 Deer Creek Music Center CD-R/SHN 3 A Edits and mix performed on DoomTooth by shakedown@furthurnet.org All edits and mixes were performed in Steinberg's WaveLab and Cubase SX. Various Waves plug-ins were also used. Some FM-interference was removed with Cool Edit Pro. Sections of 2001 on the ALD-FM contained almost no music, just FM-interference. The AUD source was used as a patch for these sections while maitaining the same audio processing. There are other somewhat noticeable instances of FM static, but nothing major, and not during signifigant sections of the music
09/14/00 Darien Lake Performing Arts Center CD 3 A+ Live Phish #3
09/17/00 Merriweather Post Pavilion CD-R/SHN 3 A
09/24/00 Target Center SHN 2 DAN Transfer: Sony M1 > MAUDIO 2448 > SF 4.5, resample, add fades > CDWAV > SHN (no DAE generation) by Bill Gardner, bgardner@telocity.com Notes: Solid sounding FOB recording. This could use a tad more high-end and does have a clip or two in the crowd noise but overall very nice. Enjoy! Andybody got more fall FOB's? ;-) -Bill Gardner 2/18/01 *Dankseed Certification received 01-06-23* and posted at http://groups.yahoo.com/group/dankseeds/files/ph00-09-24/ Listening test performed by *5* danksters positive criteria met: Tracking- OK Seamless and complete- OK Lineage listed- OK negative criteria met: DAE- NO Resampled- NO Diginoise- NO
09/25/00 Sandstone Amphitheatre SHN 2 A
10/01/00 Desert Sky Pavilion CD-R/SHN 2 A Location: Front Row Center of Tapers Section Transfer: DTC700>ZA2>PC(via optical)>WAV>SHN using Soundforge
10/05/00 Verizon Wireless Amphitheater FLAC 2 A Transfer: Fostex D5 > m-audio DiO 2496 > CDWave (tracking)> FLAC
10/07/00 Shoreline Amphitheatre CDR 3 B+
10/07/00 Shoreline Amphitheatre CDR 3 A+
12/31/02 Madison Square Garden CD-R 3 A+ Live Phish Download - NOT TRADEABLE!
01/03/03 Hampton Coliseum CD-R/SHN 3 A
02/14/03 Great Western Forum SHN 2 A
02/15/03 Thomas & Mack Center CDR 3 A
02/16/03 Thomas & Mack Center SHN 2 A
02/20/03 Allstate Arena SHN 2 A
02/21/03 US Bank Arena SHN/CD-R 2 A Audience Source: DFC OTS Schoeps MK41 > M222 > ElvoNT222 > Grace Designs V3 > Apogee MiniMe > DA-P1@48K > D8 > Audiophile2496 > Samplitude@44.1 > MKWact SBD Source: Livephish.com Official Release (SHN) Mix: Both sources > wav > Soundforge 6.0 > CD WAV > SHN Audience Source: 60.26% SBD Source: 65.31%
02/22/03 US Bank Arena SHN 2 A Audience Source: CAD Equitek 200 in DIN > Apogee MiniMe > Sony D8 > Soundforge 6.0 > SHN SBD Source: Livephish.com Official Release (SHN) Mix: Both sources > wav > Soundforge 6.0 > CD WAV > SHN Audience Source: 60.26% SBD Source: 65.31%
02/24/03 Continental Airlines Arena SHN/CD-R 2 A Sony D10 Pro>Audiophile 2496>Cdwave>Shn
02/25/03 First Union Spectrum SHN/CD-R 2 A
02/26/03 Worcester Centrum Centre SHN 3 A Transfer: D7 -> Edirol UA-1D -> CDWav -> mkw -> shn
02/28/03 Nassau Veterans Memorial Coliseum CD-R 3 A
03/01/03 Greensboro Coliseum CDR 3 A Transfer: D8 > VX Pocket > Soundforge > Downsampled to 44.1k > CDWav > shn
07/07/03 The Cricket Pavilion CD-R 2 A Live Phish Download! Not Tradeable!
07/08/03 Coors Amphitheatre CD-R 3 A+ Live Phish Download - NOT TRADEABLE!
07/09/03 Shoreline Amphitheatre CD-R 3 A Live Phish Download! Not Tradeable!
07/10/03 Shoreline Amphitheatre CD-R 3 A Live Phish Download! Not Tradeable!
07/12/03 The Gorge Amphitheatre CD-R 3 A Live Phish Download! Not Tradeable!
07/13/03 The Gorge Amphitheatre CD-R 3 A Live Phish Download! Not Tradeable!
07/15/03 USANA Amphitheatre CD-R 3 A Live Phish Download! Not Tradeable!
07/17/03 Verizon Wireless Amphitheatre CD-R 3 A Live Phish Download! Not Tradeable!
07/18/03 Alpine Valley Music Theatre CD-R 3 A Live Phish Download! Not Tradeable!
07/19/03 Alpine Valley Music Theatre CD-R 3 A+ Live Phish Download - NOT TRADEABLE!
07/21/03 Verizon Wireless Music Center CD-R 3 A+ Live Phish Download - NOT TRADEABLE!
07/22/03 Verizon Wireless Music Center CD-R 3 A+ Live Phish Download - NOT TRADEABLE!
07/23/03 Verizon Wireless Music Center CD-R 3 A+ Live Phish Download - NOT TRADEABLE!
07/25/03 Verizon Wireless Amphitheatre CD-R 3 A Live Phish Download! Not Tradeable!
07/26/03 HiFi Buys Amphitheatre CD-R 3 A Live Phish Download! Not Tradeable!
07/27/03 Alltel Pavilion at Walnut Creek CD-R 3 A+ Live Phish Download - NOT TRADEABLE!
07/29/03 Post Gazette Pavillion at Star Lake CD-R 3 A Live Phish Download! Not Tradeable!
07/30/03 Tweeter Center CD-R 3 A Live Phish Download! Not Tradeable!
07/31/03 Tweeter Center CD-R 3 A Live Phish Download! Not Tradeable!
08/01/03 IT soundcheck CD-R 1 A+ Live Phish Download - NOT TRADEABLE!
08/02/03 Loring Air Force Base CD-R 4 A Live Phish Download! Not Tradeable!
08/03/03 Loring Air Force Base CD-R 1 A+ Live Phish Download - NOT TRADEABLE!
08/03/03 Loring Air Force Base CD-R 4 A+ Live Phish Download - NOT TRADEABLE!
11/28/03 Nassau Veterans Memorial Coliseum CD-R FLAC 3 A
11/28/03 Nassau Veterans Memorial Coliseum CD-R 3 A+ Live Phish Download - NOT TRADEABLE!
11/29/03 Wachovia Spectrum CD-R/SHN 3 A
11/29/03 Wachovia Spectrum CD-R 2 A+ Live Phish Download - NOT TRADEABLE!
12/01/03 Pepsi Arena CD-R/SHN 3 A
12/01/03 Pepsi Arena CD-R 3 A+ Live Phish Download - NOT TRADEABLE!
12/02/03 FleetCenter CD-R FLAC 3 A
12/02/03 FleetCenter CD-R 3 A+ Live Phish Download - NOT TRADEABLE!
12/28/03 American Airlines Arena CD-R 3 A+ NOT TRADEABLE!
12/29/03 American Airlines Arena CD-R 3 A+ Not Tradeable!
12/30/03 American Airlines Arena CD-R 3 A+ Not Tradeable!
12/31/03 American Airlines Arena CD-R 4 A+ Not Tradeable!
04/15/04 Thomas & Mack Center CD-R/FLAC 3 A
04/15/04 Thomas & Mack Center CD-R 3 A+ Live Phish Download - NOT TRADEABLE!
04/16/04 Thomas & Mack Center CD-R/FLAC 3 A
04/16/04 Thomas & Mack Center CD-R 3 A+ Live Phish Download - NOT TRADEABLE!
04/17/04 Thomas & Mack Center CD-R/FLAC 3 A (Patched from D.K's Rig) Conversion > Fostex D5 > Zoltrix > Sound Forge 6.0 > 48 to 44.1 @ highest setting w/anti-alias filter > Cd Wave > Flac
04/17/04 Thomas & Mack Center CD-R 3 A+ Live Phish Download - NOT TRADEABLE!
06/17/04 Keyspan Park CD-R/FLAC 3 A+ Live Phish DL - Not Tradeable!!!
06/18/04 KeySpan Park CD-R/FLAC 2 A+ NOT TRADEABLE!!! LIVE PHISH DL. For Records ONLY!
06/19/04 Saratoga Performing Arts Center CD-R/FLAC 3 A+ LIVE PHISH DL. NOT TRADEABLE!!! For Records Only
06/20/04 Saratoga Performing Arts Center CD-R/FLAC 3 A+ Live Phish DOWNLOAD. NOT TRADEABLE!!!
06/21/04 Ed Sullivan Theatre Marquee CD-R/SHN 1 A Windscreen: Rycote Baby Ballgag with Windjammer DAT > SHN: Tascam DA-30mkII > Zefiro ZA-2 > WinNT4 PC > Adobe Audition > CD Wave 1.9 > mkwACT 0.97b
06/23/04 Verizon Wireless Music Center CD-R/FLAC 3 A+ LIVE PHISH DOWNLOAD. NOT TRADEABLE!!! FOR RECORDS ONLY!
06/24/04 Verizon Wireless Music Center CD-R/FLAC 2 A+ LIVE PHISH DL! NOT TRADEABLE!!! FOR RECORDS ONLY!
06/25/04 Alpine Valley Music Theatre CD-R/FLAC 3 A+ LIVE PHISH DL! NOT TRADEABLE!!! FOR RECORDS ONLY!
06/26/04 Alpine Valley Music Theatre CD-R/FLAC 3 A+ LIVE PHISH DL! NOT TRADEABLE!!! FOR RECORDS ONLY!
08/09/04 Hampton Coliseum CD-R/FLAC 3 A+ Live Phish DL - Not TRADEABLE!!!
08/10/04 Tweeter Center CD-R/FLAC 3 A+ Live Phish DL - Not TRADEABLE!!!
08/11/04 Tweeter Center CD-R/FLAC 3 A+ Live Phish DL - Not TRADEABLE!!!
08/12/04 Tweeter Center at the Waterfront CD-R/FLAC 3 A+ Live Phish DL - Not TRADEABLE!!!
08/13/04 Newport State Airport CD-R/SHN 2 A 8/13/04 broadcast... from the archives w/ kevin shapiro.
08/13/04 Newport State Airport CD-R/FLAC 1 A+ Live Phish DL - Not TRADEABLE!!!
08/14/04 Newport State Airport CD-R/FLAC 5 A+ Live Phish DL - Not TRADEABLE!!!
08/15/04 Newport State Airport NTSC 1 A- SET I ONLY
08/15/04 Newport State Airport CD-R/FLAC 5 A+ Live Phish DL - Not TRADEABLE!!!
05/31/09 Fenway Park FLAC 2
05/31/09 Fenway Park FLAC 2
06/02/09 Nikon at Jones Beach Theater FLAC 2
06/02/09 Nikon at Jones Beach Theater FLAC 2
06/04/09 Nikon at Jones Beach Theater FLAC 2
06/05/09 Nikon At Jones Beach Theater FLAC 2
06/06/09 Comcast Center FLAC 2
06/06/09 Comcast Center FLAC 2
06/07/09 Susquehanna Bank Center FLAC 2
06/07/09 Susquehanna Bank Center FLAC 2
06/09/09 Asheville Civic Center FLAC 2
06/10/09 Thompson Boling Arena, Univ. of Tennessee FLAC 2
06/12/09 Great Stage Park FLAC 2
06/14/09 Great Stage Park FLAC 3
06/16/09 The Fabulous Fox Theatre FLAC 2
06/18/09 Post-Gazette Pavilion FLAC 2
06/19/09 Verizon Wireless Music Center FLAC 2
06/20/09 Alpine Valley Music Theatre FLAC 2
06/21/09 Alpine Valley Music Theatre FLAC 2
06/21/09 Alpine Valley Music Theatre FLAC 2

Phish archive radio --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
08/14/98 Loring Air Force Base FLAC 4

Pink Floyd --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
09/17/69 Concertgebouw SHN 2 A
09/30/71 Paris Cinema SHN 1 A
07/09/94 Robert F. Kennedy Stadium CDR 2
07/02/05 Hyde Park FLAC 1 A

Praxis --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
10/28/06 Vegoose Music Festival - Double Down Stage CD-R 1

Primus --- Approximate Hours: 10
Show Date Venue Media Type Media Count Sound Quality Notes
11/17/93 Bomb Factory FLAC 2
08/26/95 Greek Theater DVD 1
01/09/96 Bimbo's 365 Club FLAC 1 Transfer: CDR-? > EAC (Secure) > WAV > Flac Frontend (Level 7) > FLAC
10/31/03 The Warfield CD-R?SHN 2 A- Heavy Bass!!!
05/30/04 Greek Theatre, Univ. of California CD-R/FLAC 2 A Transfer: (Also By: Fob Wiely) Sony D8 > Plot. Cable > VX Pocket V2 > Dell 7500 > Wavelab 4.0g (Rec.) > SF7 (Resample/Fades) > CDWAV(tracks) > Flac

Prince --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
10/24/97 MGM Grand Garden Arena DVD 1 - Audio Codec: AC3 - Audio Bitrate: 256 kbps - Video System: NTSC 29.97 fps - Video Bitrate: 8000 kbps
10/24/97 MGM Grand Garden Arena DVD 1
02/15/04 Fillmore CD-R/FLAC 2

Rage Against the Machine --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
08/02/08 Grant Park FLAC 2 Transfer: Edirol r-09 > 2.0 usb cable > my hard drive > cdwave audio editor v1.93.3 > Audacity 1.2.4 (adjust volume levels, add fade ins/outs) > Flac frontend 1.7.1, level 6, verify, asb.

Railroad Earth --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
02/12/05 Polk Hall, Bill Graham Civic Auditorium CD-R/FLAC 1 A Transfer: DA-P1>UA-5>Soundforge>CDWave>Flac

Ratdog --- Approximate Hours: 12.5
Show Date Venue Media Type Media Count Sound Quality Notes
02/14/07 Fillmore FLAC 2
03/03/07 Auditorium Center FLAC 2 WAV > PC > Soundforge 8.0.53 (normalize) > CDWav 1.94.5 > FLAC 1.7.1
06/17/07 Great Stage Park FLAC 2 Transfer: 722 > HDD > Wavelab 5.01a (Re-Sample/UV22HR Dither/Fades) > CDWave > FLAC
07/11/07 Twin River Event Center FLAC 2 Transfer: Nomad JB3 -> Firewire -> PC - Sound Forge 7 -> WAV -> FLAC
07/09/08 Center for Performing Arts FLAC 2

Rhythm Devils --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
10/29/06 Vegoose (Double Down Stage) FLAC 1 A Transfer: Edirol R4 -> Audacity (16/44) -> CD Wave -> FLAC Location: fob, dfc, 9�
12/01/06 The Warfield FLAC 1 A Transfer: Fostex D5 -> HHb 830 (16/44) -> EAC -> CD Wave -> FLAC

Robert Randolph [and the Family Band] --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
04/21/01 Wetlands Preserve CDR 1 A+

Robert Walter's 20th Congress --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
11/06/03 Quixotes True Blue CD-R 2 A

Roger Waters --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
10/06/06 Hollywood Bowl FLAC 2 A Tracking: CDWave Encoding: TLH level 6
10/10/06 Shoreline Amptheatre FLAC 2 A Location: Lawn Section - Next to stage left projector booth, level with the speakers and surrounds

Rolling Stones --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
09/25/97 Soldier Field CD-R 2 A-

Rush --- Approximate Hours: 6.25
Show Date Venue Media Type Media Count Sound Quality Notes
11/20/78 Convention Center Arena CD-R/SHN 2 A+
09/25/02 Coors Amphitheatre CDR 3 8 1

Santana --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
07/15/04 Auditorium Stravinski CD-R/FLAC 3 A Transfer: JB3>Toshiba Satellite>Adobe Audition 1.5 (edits)>CD Wav (tracking).

Sarah McLachlan --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
08/09/04 Continental Airlines Arena CD-R/FLAC 2 A Lineage: SP-CMC-4 cardiod mic>Sp-SPSB-1>SONY D-8 DAT Recorder>wave (adobe audition)>FLAC

Seth Yacovone Band --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
04/24/04 Higher Ground CD-R/FLAC 1 A

Sharon Jones & the Dap-Kings --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
01/05/08 Pool Deck FLAC 1 Transfer: SD722 -> pc -> Wavelab 4.0 -> cdwav -> FLAC Frontend -> Torrent Spy -> Azureus -> You
01/06/08 Broadway Theater FLAC 1 Transfer: SD722 -> pc -> Wavelab 4 -> cdwav -> FLAC Frontend -> Torrent Spy -> Azureus -> You

Shooter Jennings --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
04/21/06 The Canal Club FLAC 2 A

Skerik & Mike Dillon --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
01/06/08 Jam Cruise 6 - Lirica Lounge FLAC 1 Transfer: Dithered with Sony Vegas 6
01/06/08 Jam Cruise 6 - Lirica Lounge FLAC 1 Transfer: Dithered with Sony Vegas 6

Smashing Pumpkins --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
08/17/08 Memorial Auditorium FLAC 2 Conversion: 24 bit 48 k wav files resampled to 44.1 with Sound Forge 6.0 at highest quality settings and dithered to 16 bit, split into tracks with CD Wave, fades at beginning & end of show with Sound Forge 6.0, FLAC files generated with FLAC front end.

Soulive --- Approximate Hours: 8.75
Show Date Venue Media Type Media Count Sound Quality Notes
09/14/00 Palookaville SHN 1 A
07/10/04 Allgood Music Festival CD-R/FLAC 1 A
10/04/04 Granada Theater CD-R/SHN 2 A
06/18/06 Bonnaroo Music Festival FLAC 1 A Tracked using CDWave Encoded using Flac Frontend
12/28/07 Nokia Theatre FLAC 1 Transfer744t> Soundforge 9.0 (16/44.1) > CD Wave> FLAC Frontend
01/06/08 Jam Cruise 6 - Broadway Theater FLAC 1 SD722 -> pc -> Wavelab 4 -> cdwav -> FLAC Frontend -> Smart FTP -> You

Sound Tribe Sector 9 --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
09/05/04 Newport Music Hall CD-R/FLAC 3 A Location: DFC, FOB, DIN Transfer: Sony R500 > VXPocket > Wavelab > WAV > ShnTool > FLAC Taped by Chris Grider and transferred by Todd (titotito@gmail.com)

Sounds of San Francisco --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
01/04/07 Jam Cruise 5 - Teatro Del'Opera FLAC 1

Spam Allstars --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
02/11/06 Nectar's FLAC 1 A Taper: Sergei Ushakov (house engineer) D>CD transfer and tracking: Kevin Shapiro and Justin Letellier CD>EAC>FLAC transfer: Chris Moore

Spin Doctors --- Approximate Hours: 6.25
Show Date Venue Media Type Media Count Sound Quality Notes
12/31/90 Roseland CD-R/SHN 3 A Transfer: Tascam DA20/mkII(48k)->ZA2(44.1k)->Sound Forge XP This was A Spinning Traveler Show which includes Blues Traveler and other special appearances!
06/10/05 Tredegar Iron Works FLAC 2 A location: fob/dfc/nos/7' stand transfer: Sony PCM-R500>Audiophile 24/96>Sound Studio 2.1>xACT>FLAC taped and transferred by Carrington Crawford Note: This line up is the original band from 11 years ago.

Stanton Moore --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
03/28/02 Regency Ballroom CD-R 2

Stanton Moore Trio --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
01/04/07 Jam Cruise 5 - Caruso Lounge FLAC 2 Transfer: R500 > AP2496 > CDWave > flac

Stevie Ray Vaughan --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
03/01/85 Dallas Sound Labs FLAC 2

Stockholm Syndrome --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
02/09/07 The Independent FLAC 1 Transfer: 744T>soundforge 7.0(fades/resample/bit depth)>cd wave>flac
02/10/07 The Independent FLAC 2
02/10/07 The Independent FLAC 1

Tea Leaf Green --- Approximate Hours: 15
Show Date Venue Media Type Media Count Sound Quality Notes
10/30/06 Bart's CD Cellar FLAC 3 A DFC, DIN, 8' high Taped, tracked and transferred by Ben Parsons (bouldertaper@gmail.com) Seeded by Danny Eick
10/31/06 Fox Theatre FLAC 3 A Transfer: WAV > PC> CD Wave Editor > FLAC Taped & Transferred by: Josh Simpson [josh AT taperssection DOT com]
12/30/06 Ram's Head Tavern FLAC 2
12/31/06 Theatre of Living Arts FLAC 2
01/04/09 Savannah Bar FLAC 2

Tenacious D --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
10/24/01 Wiltern Theatre CD-R 2 A

Tom Petty & The Heartbreakers --- Approximate Hours: 0
Show Date Venue Media Type Media Count Sound Quality Notes
06/16/06 Bonnaroo Music Festival (What Stage) 0 Transfer: jb3>Creative Playcenter>cdwave>flac

Tool --- Approximate Hours: 21.25
Show Date Venue Media Type Media Count Sound Quality Notes
09/05/91 The Jello Loft 0
04/25/92 CBGB's CD-R/SHN 1 A
06/11/93 Palladium CD-R/SHN 1 A
09/25/93 Parc Expo CD-R/SHN 1 A
08/25/98 Memorial Auditorium VIDEO 0 Med Source: Unknown Filming Equipment (Left, Right, & Center Balconies) > Low Generation VHS > DVD > .VOB *Audio Codec: AC3 *Audio Bitrate: 256 kb/s *Video bitrate: 9586 kb/s
06/14/01 Hultsfred Festival CD-R 1
08/10/01 Community Theater CD-R 2 A
08/11/01 Berkeley Community Theater CD-R 2 A
11/01/01 Verizon Wireless Amphitheatre CD-R/SHN 2 A
06/06/06 Alsterdorfer Sporthalle FLAC 2 A
06/15/07 Bonnaroo Music Festival, What Stage FLAC 2
07/04/07 Marcus Amphitheatre FLAC 1 A
12/04/07 Everett Events Center FLAC 1
12/04/07 Everett Events Center DVD 1 Transfer: Soundforge 9.0 Pro (Fade in fade out only)-> CDWave for track splits->FLAC Frontend.

Trey Anastasio --- Approximate Hours: 140
Show Date Venue Media Type Media Count Sound Quality Notes
02/22/99 Carnegie Hall CD-R/FLAC 1 A transfer: Sony D8 -> Waveterminal 2496 -> Cool Edit 2000 (DSP) -> CD Wave v1.91 -> FLAC Frontend v1.7.1 Etree edition notes: all Digital Signal Processing (DSP) was done at 48kHz, and included the following: * 4:1 compression > -12 dB (only during the loud clapping between songs) * fade out after "Spring Waterfall" * very quick fade in before "Brian and Robert" * fade out after "Billy Breathes" * resample to 44.1 kHz
05/06/99 The Riviera CDR 3
05/19/99 The Fillmore Auditorum CD-R/SHN 3 A
??/??/99 Best of Trey tour Spring 1999. Soundboard release FLAC 1
02/22/01 Landmark Theatre SHN 3
02/23/01 NBC Studios CD-R 3 A
02/23/01 NBC Studios DVD 1
02/24/01 The Tower Theatre SHN 3
02/26/01 State Theater SHN 3 Conversion: Sony PCM-R500 > Audio Magic Presto II Delta Di0 2496 > Samplitude 2496 > cdwav > MKWact (SHN)
02/27/01 Buruss Auditorium SHN 3
02/28/01 Landmark Theater SHN 3
03/02/01 Thomas Wolfe Auditorium FLAC 2
03/03/01 Township Auditorium FLAC 3
03/04/01 Fox Theatre CD-R 2 A
03/05/01 Fox Theatre SHN 3
07/04/01 Higher Ground SHN 3 DANKSEED
07/11/01 Open Air Theatre SHN 3
07/12/01 Greek Theatre SHN 3
07/13/01 Greek Theatre SHN 3
07/14/01 Greek Theater SHN 2
07/21/01 Alpine Valley Music Theatre CD-R 3 A
07/28/01 Merriweather Post Pavillion SHN 3 DAT>SHN:Tascam DA-20>COAX>Turtle Beach Fiji>CDWAV>SHN
07/29/01 PNC Bank Arts Center SHN 3
07/31/01 Virginia Beach Amphitheatre CD-R/SHN 3 A D8 -> SB Live! Platinum -> Sound Forge -> WAV -> SHN
08/02/01 Mann Music Center FLAC 2 Sony TCD-D10PROII>EDIROL R-4>WL5 (Fades)>CDWAV>FLAC
08/03/01 Jones Beach Ampitheatre SHN 3 Conversion: R500 > Canare Coax > Digigram VX/Pocket > Soundforge 5.0 (Fade in/outs) > CD Wave > mkwACT v0.97 (shn files have seek tables appended) **No DAE or resampling at all** Detailed info: Orch A, Row O, Seat 8. It was actually seat 6 for 1st 3 songs then I moved the stand over to seat 8. This was only a few seats right of DFC. DA-P1 was at line in @ 3.2. Stand started at 4'8" and was krept up each song. Stand was at 5'4" for all of set 2.
08/04/01 Tweeter Center FLAC 3
08/05/01 Saratoga Performing Arts Center FLAC 3
05/25/02 Calaveras County Fairgrounds CD-R/SHN 2 A- (4/4) w/ anti-alias filter>CDWAV v.1.53> mkw0.97b>Shn w/ seek tables appended *a short gap in between the set and the encore was crossfaded in soundforge Recording by Frank Rinaldi Patch and subsequent archiving by Jamie Lutch
05/31/03 Warfield Theatre CD-R/SHN 2 A Conversion: Fostex D5->Optical->Zoltrix->Soundforge 6.0d->Cd Wav->Mkw *NOTE* Unfortunately I deleted the orignal shn's I made, and don't have the time to retransfer the dats. So I took my origanl audio discs and used EAC w/no errors. So the lineage should read: Aud > Dat > Mkw > Cdr > Eac > Mkw.
06/13/04 Bonnaroo Music Festival CD-R/FLAC 2 A Transfer: Nomad JB3 > Firewire > Cool Edit Pro 2.0 > CD Wave > FLAC Frontened Taped and transfered by Alex Herd (AlexHerd@Taperssection.com) *Set 1 was Trey's orchestral set that was very quiet. Pretty much everyone was talking becuase they were rude as hell and wanted their heady band jams, so the tape is far from listenable. Infact, I would doubt that anyone pulled a listenable tape of it, but I might be wrong...
06/13/04 Bonnaroo Music Festival CD-R/FLAC 3 A+ SBD Download. NOT TRADEABLE!!!
09/18/04 Zilker Park CD-R/FLAC 2 A+ LivePhish DL. FOR RECORDS ONLY!!!
06/12/05 Great Stage Park FLAC 2 A Conversion: JB3 > PC > Wavelab (Fades, Levels) > CD Wave > FLAC.16 [8] Location: ROC, 10' up, in front of SBD Taper: ingsy
08/11/05 The Fabulous Fox Theatre FLAC 2 A Conversion ---------- Tascam DA-P1 > Echo Gina 24 > Cool Edit 2000 > CDWAV > FLAC Frontend > TagScanner Notes ----- Recording location was section VIP2 row L seat 17. I did not boost the recording level during the acoustic songs, nor have I normalized the corresponding wav files; therefore the level on disc 2 is considerably below the other discs.
08/13/05 Red Rocks Ampitheatre FLAC 2 A
11/10/05 Shea's Performing Arts Center FLAC 2 A Transfer: Sony DTC690> Audioquest Optilink1>SEK'd Prodif Plus Samplitude V5.5 >cd wav>Flac frontend
11/11/05 Utica Memorial Auditorium FLAC 2 A Creative NJB3> (firewire) Creative Play Center> Cool Edit Pro 2 (fade in/out, hard limit)> CD Wave (tracked)> Flac Fronted.
12/27/05 AOL Music Studios FLAC 1
06/25/06 Rio Grande Park CD-R 2 A+ SBD DL! - NOT TRADEABLE! FOR RECORDS ONLY!
06/28/06 Alltel Pavilion at Walnut Creek FLAC 2 Transfer: Jb3> usb> xNJB> Audacity 1.2.4> xACT (fixed SBE's and converted to .flac level 8)
12/07/06 The Warfield FLAC 2
12/07/06 The Warfield FLAC 2
12/08/06 The Warfield 0 http://db.etree.org/shn/81105
03/08/07 Revolution FLAC 2 Resampled/Dithered using Soundforge 6.0
07/06/08 Rothbury Music Festival FLAC 1 A Transfer: Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC
08/02/08 Newport Folk Festival FLAC 2
08/07/08 Music Hall of Williamsburg FLAC 3 Transfer: Wave editor (resample/Dither)>Sound Studio (Track) > Xact(Flac) sbe-fix: > flac frontend 1.7.1 > .wav > flac frontend 1.7.1 (align on sector boundaries, level 8) Flacs Tagged with Tag; fixed Flacs Tagged with Tag & Rename 3.4.6

U2 --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
10/16/01 United Center CD-R 2 A

Umphrey's McGee --- Approximate Hours: 110
Show Date Venue Media Type Media Count Sound Quality Notes
03/16/01 The Annex CD-R 2 A
12/01/01 Barrymore Theatre CDR 3 A
10/22/04 The Great American Music Hall CD-R 3 A+ 1st Umphreys show 4 me!
02/12/05 Bill Graham Civic Auditorium CD-R/FLAC 1 A Transfer: Fostex D5> HHB 830> EAC> FLAC
03/26/05 The Riviera CD-R/FLAC 3 A Transfer: D8 > Oade 7 pin > Delta Dio 2496 > Sound Fourge 6.0 > Cool Edit Pro > CD wave > flac (encoded level 8) Rig owner & transferred by: Timothy T. Pawlowski Recorded & V2 owned by: Jason Branch
05/06/05 Great American Music Hall CD-R 3 A+ NOT TRADEABLE!!! - FOR RECORDS ONLY!!!
05/07/05 Great American Music Hall CD-R 3 A+ Not TRADEABLE - FOR RECORDS ONLY!!!
05/08/05 Great American Music Hall CD-R 3 A+ Purchased from Band - For RECORDS ONLY!!!
06/03/05 Barrymore Theatre SHN 2 A transfer: Tascam DA-20 MKII>Audiophile 2496>Adobe Audition 1.5>cdwav>Flac Frontend
06/10/05 Sonic Stage, Bonnaroo FLAC 1 A Core Sound Binaural Microphones Set (screens off) on hat at 6ft > fixed bass roll-off filter battery box > Sony D8 @ 48Khz (music-auto) mic sense � low > sony DG60P DAT > Oade digi I/O-A > Monster Interlink DL 100 (0.5meter) > Edirol UA-5 (Oade Brothers, digi-mod) > USB > Sony Vaio VGN-a140 > Sonic Foundry Sound Forge (Version 5.0b {Build 162}) at 44,100hz 16bit stereo .wav > FLAC frontend (version 1.7.1 Etree edition) level 8 (align on sector boundaries) verify > FLAC
06/12/05 Bonnaroo Music Festival FLAC 1 A Location; FOB dead center against sbd railing. Probably 70 feet back.
06/16/05 Wakarusa Music Festival, Revival Tent SHN 2 A Location: (FOB / DFC / DIN / 9ft.) Lineage: Tascam DA-20 mkII > Dio 2448 > Cool Edit Pro~ > Wav > Shn Taped & Transferred by: KCMoeJoe (jhutchison@kc.rr.com
06/17/05 Wakarusa Music Festival (Sun-Down Stage) SHN 1 A Location: (FOB / LOC / DIN / 9ft.) Lineage: Tascam DA-20 mkII > Dio 2448 > Cool Edit Pro~ > Wav > Shn Taped & Transferred by: KCMoeJoe (jhutchison@kc.rr.com)
07/02/05 Red Rocks Ampitheatre FLAC 1 A Transfer:Wavelab 5(resample,dither)->cd wave->flac
07/03/05 Red Rocks Ampitheatre FLAC 1 A Transfer:Wavelab 5(resample,dither)->cd wave->flac
07/04/05 Naperville Ribfest FLAC 2 A
07/08/05 Alexian Field FLAC 1 A TRANSFER: D8 > Extigy (7-pin/Optical) > N-Track (USB) > CD WAV > FLAC Frontend 1.71
07/09/05 Alexian Field FLAC 1 A TRANSFER: D8 > Extigy (7-pin/Optical) > N-Track (USB) > CD WAV > FLAC Frontend 1.71 Taped and transfered by Mike Train (miketrain@canada.com).
07/16/05 Marvin's Mountaintop (Allgood Summer Festival) FLAC 2 A Transfer: Nomad Jukebox 3 > firewire > Cool Edit Pro (edits, fades) > CD Wave > FLAC Frontend Taped and transfered by Alex Herd (AlexHerd@Taperssection.com)
07/21/05 Prospect Park Bandshell FLAC 1 A
07/23/05 Tweeter Center FLAC 1 A Resampled and dithered to 16/44.1 using WaveLab4 and UV22HR.
08/24/05 The Stone Pony FLAC 2 A Transfer:Wavelab 5(resample,dither)->cd wave->flac
08/25/05 Recher Theatre FLAC 2 A Transfer:Wavelab 5(resample,dither)->cd wave->flac
08/26/05 Recher Theatre FLAC 2 A Transfer:Wavelab 5(resample,dither)->cd wave->flac
08/28/05 F.U.N.K. Festival, Bill Monroe Memorial Music Park FLAC 2 A
09/11/05 Higher Ground FLAC 2 A [DIN 90* tapers section] transfer: JB-3> firewire> Soundforge 6.0> cdWave> FLAC Frontend
10/28/05 House of Blues FLAC 2 A Transfer:Wavelab 5(resample,dither)->cd wave->flac
10/30/05 Snake Eyes Stage FLAC 1 A Transfer: JB3 > Firewire > Sound Forge 7.0 > CD Wave > FLAC frontend
12/31/05 The Aragon Ballroom FLAC 4 A
01/07/06 Jam Cruise 4 - Pool Deck CD-R 2 A+ SOUNDBOARD!
01/09/06 Jam Cruise 4 - Pool Deck CD-R 2 A+ SOUNDBOARD!!
03/11/06 Langerado -- Markham Park FLAC 2 A Set 1: Schoeps mk6(cardioid)>kc5>cmc6>Lunatec v2>sound devices 722 @24/96 Set 2: Schoeps mk6(cardioid)>kc5>cmc6>sound devices 722 @24/96 20' from stage/DFC, FOB. transfer & tracking by Ian Stone Resampled to 16/44.1
04/14/06 Great American Music Hall CD-R 2 A+ SOUNDBOARD@!@
04/15/06 Great American Music Hall CD-R 2 A+ SOUNDBOARD!
05/26/06 Main Stage, SummerCamp, Three Sisters Park FLAC 2 A Lineage: Wavelab 6(resample,dither)->cd wave->flac
06/16/06 Bonnaroo Music Festival FLAC 1 A Location: FOB, DFC, 25' from stage Transfer: 722 > firewire > wavelab (fades, tracking, dither, resample) > flac frontend
06/16/06 Bonnaroo Music Festival FLAC 1 A Transfer: NJB3 > Creative playcenter > Soundforge8 > cdwave > flac (level 8)
10/05/06 9:30 Club FLAC 3 A Transfer: JB3->Firewire->PC Processing: "Reduce Peaks" Compressor applied using GoldWave 5.10. Normalizing (to -0.1db), fade in and fade out applied using SoundForge 8.0. Conversion: CDWav 1.93.3 for track splitting; FLAC frontend 1.7.1 for Flac16 Conversion @ level 5
10/05/06 9:30 Club FLAC 3 A Transfer: JB3->Firewire->PC Processing: "Reduce Peaks" Compressor applied using GoldWave 5.10. Normalizing (to -0.1db), fade in and fade out applied using SoundForge 8.0. Conversion: CDWav 1.93.3 for track splitting; FLAC frontend 1.7.1 for Flac16 Conversion @ level 5
12/30/06 Aragon Ballroom FLAC 3 A
12/31/06 Aragon Ballroom FLAC 5 A
02/16/07 The Fillmore FLAC 2 A Transfer:6gb Microdrive>Wavelab 5.01b(48>44.1,UV22HR,Fades)>CD Wave>FLAC (level 8)
02/17/07 The Fillmore FLAC 2 A Transfer:6gb Microdrive>Wavelab 5.01b(48>44.1,UV22HR,Fades)>CD Wave>FLAC (level 8)
03/03/07 Walker Sports Forum, The McCallie School FLAC 1 Transfer: CF->HD->Wavelab 5.0 (dither and resample)->cdwav->FLAC
03/17/07 Morris Performing Arts Center 0 D8 > Oade 7 pin > Digi 002 Rack > Pro tools 6.9.2 > flac (encoded level 8)

Vandermark 5 --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
02/10/07 Zaphod Beeblebrox FLAC 1 Transfer: Creative Nomad JB3 > SB1394 > Creative Soundblaster Audigy > CDWav > Shorten-3.5.1

Victor Wooten --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
09/07/05 Verizon Wireless Amphitheatre FLAC 1 A Tracking w/ CDWAV

Vida Blue --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
04/09/03 Vic Theatre FLAC 2 A Recorded with: Mics: Neumann KM-140 (Cardioid Condenser ORTF pair on 5'-6' boom stand 15' FOB DFC) Mic Preamp: Beyer MV-100 (2-channel mic power -10dB + 20dB gain) > Tape deck: Sony TCD-D10 Pro II (Fullsize Portable DAT, Modified by Doug Oade) > Sampling Rate: 48khz -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= Transcription: April 2003: TCD-D10ProII(oade mod) DAT> SPDIF> Audiomedia III PCI card> Power Macintosh 8500/180 > Protools4.1.1 Sample Rate Conversion- "BEST" mode> 44.1KHz .WAV's > Shorten 1.1a3 > .SHN's Jan 2006: SHN > xACT 1.5b3 > FLAC
06/11/04 Bonnaroo Music Festival, This Tent CD-R/FLAC 2 A- Transfer: Nomad JB3 > Firewire > Cool Edit Pro 2.0 > CD Wave > Flac Frontend Taped and transfered by Alex Herd (AlexHerd@Taperssection.com)
06/11/04 Bonnaroo Music Festival, This Tent CD-R/FLAC 2 A+ SBD DOWNLOAD. NOT TRADEABLE!!! FOR RECORDS ONLY!

Warren Haynes --- Approximate Hours: 12.5
Show Date Venue Media Type Media Count Sound Quality Notes
11/06/00 Theatre of Living Arts SHN 1
12/06/00 Irving Plaza FLAC 1
06/12/03 Pier 60- Chelsea Piers at West 23rd st FLAC 1 Transfer: CD Wav(Plextor/PX-W1210A)>Flac Frontend(level8)
02/02/05 Bowery Ballroom SHN 2 A Mics split 15 feet apart on the balcony Beginnning of the first track has some level adjustments as the show starts.
09/01/08 The Belly Up FLAC 2 Transfer Info: Korg Mr-1000 Usb > Windows XP > Audio Gate, Bit depth & Sample rate conversion, > CD wave > Flac
09/02/08 The Belly Up FLAC 2 Transfer Info: Korg Mr-1000 Usb > Windows XP > Audio Gate, Bit depth & Sample rate conversion, > CD wave > Flac
09/06/08 Golden Gate Park FLAC 1 Conversion: NJB3 > Firewire > WaveLab 5.0a > CDWav 1.71 >Flac Frontend 1.7.1 (Level 8)

The Waybacks --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
04/26/06 Great American Music Hall FLAC 2 A With Bob Weir

Ween --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
10/30/05 Star Nursery Field @ Sam Boyd Stadium UNLV FLAC 1 A

Widespread Panic --- Approximate Hours: 12.5
Show Date Venue Media Type Media Count Sound Quality Notes
12/31/91 Georgia Theater FLAC 2
06/12/05 Great Stage Park FLAC 2 A Transfer: Sony D7>edirol UAD-1>CDwave (16/44.1) Taped and Transfered by: adventuregeorge@hotmail.com
12/31/06 Phillips Arena FLAC 2 A
03/23/07 Woodlands Pavilion FLAC 2 Transfer: Edirol R4 -> Audacity (16/44) -> CD Wave -> FLAC
03/23/07 Woodlands Pavilion FLAC 2 Transfer: Edirol R4 -> Audacity (16/44) -> CD Wave -> FLAC

Yacht Rock --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
01/05/09 Pool Deck FLAC 2

Yo Mama's Big Fat Booty Band --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
06/11/06 Wakarusa Music Festival - Voodoo Tent CD-R 1

Yonder Mountain String Band --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
06/25/06 The Mountain Winery FLAC 1
01/06/08 Broadway Theater FLAC 1 Transfer: SD722 -> pc -> Wavelab 4 -> cdwav -> FLAC Frontend -> Torrent Spy -> Azureus -> You


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