|
Genesis
--- Approximate Hours: 0
|
| Show Date |
Venue |
Media Type |
Media Count |
Sound Quality |
Notes |
|
03/02/72
|
Paris Theatre |
FLAC |
0 |
A |
Pre-FM recording (BBC Master DAT)
Cryme Of Passion (PRRPGS 028) |
|
03/04/72
|
Watford College |
FLAC |
0 |
B+ |
Audience recording.
Cryme Of Passion (PRRPGS 028) |
|
09/25/72
|
BBC Studio T1, Kensington House |
FLAC |
0 |
A |
Pre-FM (BBC Master DAT)
Cryme Of Passion (PRRPGS 028) |
|
10/20/73
|
Rainbow Theatre |
FLAC |
0 |
|
FM recording
The Missing Box |
|
04/21/74
|
Centre Sportif |
SHN |
0 |
A |
FM recording
A Classic Broadcast Revisited (PRRP SAE 04) |
|
01/20/77
|
Gaumont Theater |
FLAC |
0 |
A- |
Soundboard recording.
GASP 001 (TomP Remaster).
Transfer: shn > mkw > Nero > Flac Fontend (level 6)
|
|
07/29/78
|
Madison Square Garden |
FLAC |
0 |
B+ |
Audience recording.
The Lostbrook Tape Series - Volume 52
Lineage: Internal Mic - Sanyo tape deck - Alesis TapeLinkUSB - Audacity - WAV |
Grateful Dead
--- Approximate Hours: 0
|
| Show Date |
Venue |
Media Type |
Media Count |
Sound Quality |
Notes |
|
01/23/68
|
Eagles Auditorium |
FLAC |
0 |
A+ |
Soundboard recording
Charlie Miller (shnid 97343)
Lineage:
Recording Info:
SBD -> (4 Track) Master Reels -> Dat (44.1k)
Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 ->
Samplitude Professional v10.2 -> FLAC
(1 Disc Audio / 1 Disc FLAC) |
|
08/23/68
|
Shrine Exposition Hall |
FLAC |
0 |
A |
Soundboard recording.
TomP Remaster
Lineage: SBD > Various Transfers / Edits (see original info attached) > .flac
Also contained part of Matrix (08-29-68)
Original Lineage: 8-TRACK REELS > "SONIC-WIZARDRY" > DAT> CASSETTE > DAT X (?) > CDR > EAC > SHN >
WAV > SOUNDFORGE-8 @ RETRACKED, EQ'D, NORMALIZED > WAV > FLAC (LEVEL-8 ALIGNED ON S/B)
Only Includes; That's It For The Other One, Dark Star, St Stephen, The Eleven and Death Don't Have No Mercy. (OFFICIAL TRACKS REMOVED) |
|
09/20/68
|
Berkeley Community Theater |
FLAC |
0 |
|
Sounboard recording
Charlie Miller (shnid 115682)
Lineage:
Recording Info:
SBD -> Master Reel -> Cassette -> Dat -> CD
Transfer Info:
CD -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC (1 Disc Audio / 1 Disc FLAC) |
|
11/14/73
|
San Diego Sports Arena |
FLAC |
0 |
A+ |
Soundboard recording
Charlie Miller (shnid 79049)
Lineage:
Recording Info:
SBD -> Master Reel -> Dat (44.1k)
Transfer Info:
Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC
(4 Discs Audio / 2 Discs FLAC) |
|
05/14/74
|
Adams Field House, University Of Montana |
|
0 |
A+ |
Soundboard recording
Charlie Miller (shnid 114462)
Lineage:
Recording Info:
Set 1: SBD -> Master Reel -> Cassette -> Dat (48k)
Set 2: SBD -> Master Reel -> Dat (44.1k)
Transfer Info:
Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professionl v11.2 -> FLAC
(3 Discs Audio / 1 DVD FLAC) |
|
03/23/75
|
Kezar Stadium |
FLAC |
0 |
A+ |
Soundboard recording
Charlie Miller (shnid 110126)
Lineage:
Recording Info:
SBD -> Master Reel -> Dat
Transfer Info:
Dat -> Samplitude Professional v11.1 -> FLAC
(1 Disc Audio / 1 Disc FLAC)
Patch Info:
FM Source supplies:
Johnny B. Goode (complete track) |
|
06/03/76
|
Paramount Theatre |
FLAC |
0 |
A+ |
Matrix Mix: SDB/AUD (about 60%/40%)
Hunter's Trix - 6 (flac encoded & tagged version of shnid 91912))
Lineage:
SBD:
Bertha Remaster of the Master Reel Source.
SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN -
Sound A Pitch correction by Hunter Seamons (8/10/07)
AUD:
MC > DAT > WAV > SHN Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N
microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on.
A > D and SHN by Noah Weiner (noahbw@attbi.com) - November, 2002 |
|
02/26/77
|
Swing Auditorium |
SHN |
0 |
A+ |
Soundboard recording.
(shnid 9752)
LINEAGE: SBD > Master Reel > PCM > DAT > CD-R>EAC>SHN |
|
03/20/77
|
Winterland Arena |
FLAC |
0 |
A+ |
Soundboard recording
Charlie Miller (flac encoded & tagged version of shnid 25610)
Lineage:
Recording Info:
SBD -> Master Reel -> Dat x 2 -> Sonic Solutions -> CD
Transfer Info:
CD -> EAC -> Samplitude v7.02 Professional -> SHN |
|
05/07/77
|
Boston Garden |
FLAC |
0 |
A+ |
Sounboard recording (with audience patches)
Charlie Miller (tagged version of shnid 88525)
Lineage:
Recording Info:
SBD -> Master Reel -> PCM -> Dat (44.1k)
Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC
(3 Discs Audio / 2 Discs FLAC) |
|
05/08/77
|
Barton Hall, Cornell University |
FLAC |
0 |
A+ |
Sounboard recording (with audience patches)
Rob Eaton Remaster (flac encoded & tagged version of shnid 4982))
Lineage:
Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501.
Playback on Sony PCM 701>DAT (Digital Transfer)
-- Rob Eaton DBX Decoding (Spring '99)
Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22
Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>
Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR
(x1)>SHN (Rob Eaton remaster)
Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>
First Gen Reel>played directly to hard drive. The excellent aud splices
were normalized and patched using ProTools by Karen Hicks |
|
05/09/77
|
Buffalo Memorial Auditorium |
FLAC |
0 |
A+ |
Soundboard recording (with audience patches)
Hunter Seamons Matrix (flac encoded & tagged version of shnid 98168))
Lineage:
SBD (shnid=8304):
Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out>Dat @ 48 kHz>Soundforge>Shn
AUD (shnid=8036):
Recorded by Steve Maizner Sony ECM-33Ps > Nak 550
Lineage: MAC>R>D>CD source cdr mastering by Jack Warner CDR > EAC(secure) > mkwact > shn (seekable) shn conversion by mvernon54@attbi.com |
|
06/20/80
|
West High Auditorium |
FLAC |
0 |
|
Soundboard recording
Charlie Miller (flac encoded & tagged version of shnid 113301)
Lineage:
Recording Info:
SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD
Transfer Info:
CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
Cassette Masters Supplied by Richard Hale
Transferred to CD By David Gans
Additional Mastering By Charlie Miller
charliemiller87@earthlink.net
May 3, 2011
Patch Info:
AKG 414 -> Cassette Master -> CD (shnid=20205) supplies:
Let It Grow (4:28 - 5:05)
Drums (4:01 - 4:27) |
|
08/30/80
|
The Spectrum |
FLAC |
0 |
A |
Soundboard recording
Charlie Miller (shnid 110152)
Lineage:
Recording Info:
Set 1: SBD -> Cassette Master -> ? -> CD
Set 2: SBD -> Cassette Master -> Dat -> Sonic Solutions -> CD
Transfer Info:
CD -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC
(3 Discs Audio / 2 Discs FLAC) |
|
03/30/90
|
Nassau Coliseum |
FLAC |
0 |
A+ |
Soundboard recording
Charlie Miller (shnid 89173)
Lineage:
Recording Info:
SBD -> Dat -> Cassette Master (TDK SA-X90)
Transfer Info:
Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) ->
Samplitude Professional v10 -> FLAC/16 |
|
King Crimson
--- Approximate Hours: 0
|
| Show Date |
Venue |
Media Type |
Media Count |
Sound Quality |
Notes |
|
10/23/81
|
Concert Hall (Early Show) |
FLAC |
0 |
B |
Audience recording
Lineage: Unknown gen tape -> Sound Forge -> speed correction -> Phase-shifted mono -> true mono -> two-channel mono -> Track splitup -> FLAC via TLH, level 6, sectors aligned and verified, FLAC integrity checked. |
|
10/23/81
|
Concert Hall (Late Show) |
FLAC |
0 |
B |
Audience recording
Lineage: Unknown gen tape -> Sound Forge -> speed correction -> Phase-shifted mono -> true mono -> two-channel mono -> Track splitup -> FLAC via TLH, level 6, sectors aligned and verified, FLAC integrity checked. |
|
06/27/84
|
The Pier |
FLAC |
0 |
B+ |
Audience recording
Lineage: 1x SA60, 1x XLII-S90 -> major speed correction in tape deck -> Sound Forge -> Volume corrections and mike pops removal C2 -> FLAC via TLH, level 6, sectors aligned and verified, FLAC integrity checked |
Led Zeppelin
--- Approximate Hours: 0
|
| Show Date |
Venue |
Media Type |
Media Count |
Sound Quality |
Notes |
|
03/15/69
|
Teen Club Egegaard Skole |
FLAC |
0 |
B |
Audience recording
Led Zeppelin Is A Gas (EVSD 207)
Lineage: CDR>EAC>FLAC>Dime |
|
03/15/69
|
Brondby Pop-Club |
FLAC |
0 |
B |
Audience recording
Led Zeppelin Is A Gas (EVSD 207)
Lineage: CDR>EAC>FLAC>Dime |
|
10/10/69
|
Olympia Theatre |
FLAC |
0 |
A |
Pre-FM Soundboard recording
From Paris, With Love (A Group/Personal Project).
Missing Moby Dick.
Lineage: "One Night Stand In Paris: Disc One, Pre-FM Master", (TCOLZ), Silvers > EAC > Flac > TLH, Decode > WAV > Remaster > Flac (Level.8, Align On SBE's, Test With TLH, No Errors Occured) |
|
03/21/73
|
Musikhalle |
FLAC |
0 |
A |
Soundboard recording (partial)
dadgad
Lineage:
Analogue 1st Gen>CDr
Consists of only Dazed And Confused, Stairway To Heaven and Whole Lotta Love Medley, all of which are cut. |
|
03/17/75
|
Seattle Center Coliseum |
FLAC |
0 |
A+ |
Soundboard recording
Haven't We Met Somewhere Before? (EVSD 553/554/555)
Lineage: silvers > EAC wav > TLH flac 8 |
|
05/26/77
|
Capital Centre |
FLAC |
0 |
A |
Soundboard recording
Refreshing Mistakes (Beelzebub BSD 043-045)
Lineage:
silver CDs > EAC > WAV > FLAC > tracker > HD > Audacity lossless test > Dime |
Pink Floyd
--- Approximate Hours: 0
|
| Show Date |
Venue |
Media Type |
Media Count |
Sound Quality |
Notes |
|
??/??/39
|
Saarlandehalle |
FLAC |
0 |
A |
BBC Archives 1967-1969 (HRV CDR 008 Rev. B) 40th Anniversary Edition |
|
02/28/70
|
Leeds University Union |
FLAC |
0 |
A- |
Audience recording
Six Of One (HRV CDR 030 Rev. A)
Lineage: MASTER REELS > DAT @48KhZ/16bIT > WAVE (PROTOOLS) @48kHz > 44.1 kHz |
|
04/30/70
|
KQED TV Studios |
FLAC |
0 |
A |
FM Recording
Bovine Broadcast (LLP) (24bit/96kHz)
Lineage: 2nd Gen Cassette (Maxell XLII-S) > *Technics RS-B965-M > Focusrite Saffire Pro 14 > Audacity 1.3 > Wav (24bit/96kHz)----> Adjustments (32bit float/96kHz) > (24bit/96kHz) > CDWave (1.98) > FLAC (24bit/96kHz) |
|
05/01/70
|
Santa Monica Civic Auditorium |
FLAC |
0 |
A |
Audience recording
Since We Were Teenagers (MQR 004)
Setlist also inlcudes Green Is The Colour, Careful With That Axe Eugene and Saucerful Of Secrets.
Lineage: Reel[1] > Sony DAT > DAT(0) > Audigy 4 Pro > Nero Wav Editor > CDWav > CDR(0)> CDR(1) > EAC > FLAC |
|
11/22/70
|
Altes Casino |
FLAC |
0 |
|
Audience recording
Too Early For A Gig - The Montreux 40th Anniversary Series (HRV CDR 037)
Lineage:
Sources:
CD1 tracks 1-4: "Smoking Blues" bootleg (FBR 001/002)
CD1 track 5 and CD2 tracks 1-4: "Reeling On Pink Floyd - Tape 24": claimed Master Reel > DAT(0)@48khz > WAV@48khz > SHN@48khz
CD2 track 5: Victor's 2009 transfer: 2 x Sennheiser MD-421 > Uher 4200 reel recorded at 19 ips > Audio CD > EAC > FLAC |
|
02/26/71
|
Stadthalle |
FLAC |
0 |
B+ |
Audience recording
Band 29 - Recorder 1 - Marbal, 16bit/44khz
Lineage History:
- Master Recording (1971-02-26): Philips EL3302 cassette deck, stock external mic, no Dolby.
- Cassette to Reel to Reel (~1981): unknown cassette deck > Philips N4510 reel to reel > BASF 1/4" tape
- 1st Gen Reel (2011-10-11): Pioneer RT707 > Tascam HD-P2 (WAV 24bit/96kHz) ===> Adjustments (WAV 32bit float/96kHz) > WAV (16bit/44kHz) > CDWave (1.98) > FLAC |
|
09/30/71
|
Paris Cinema |
FLAC |
0 |
A+ |
FM/Soundboard recording
BBC Archives 1970-1971 (HRV CDR 007B)
Sources: BBC Transcription LP (Fat Old Sun, One Of These Days, Echoes), 1st gen cassette (Embryo, Blues), BBC Radio One Master Reels* (John Peel intros) *mono. |
|
02/20/72
|
Rainbow Theatre |
FLAC |
0 |
A |
Audience recording
The Best of Tour 72 Completed & Restored.
First Set Only (Dark Side Of The Moon). |
|
03/13/72
|
Nakanoshima Sports Center |
SHN |
0 |
B+ |
Audience recording
The Great Gig On The Moon.
First Set Only (Dark Side Of The Moon, One Of These Days & Careful With That Axe Eugene). |
|
04/28/72
|
Auditorium Theater |
FLAC |
0 |
A |
Audience recording
The Heart Of The Moon (PRRP 056).
Lineage: Master Aud. Cass.>DAT2x>Delta DI/O 2496 soundcard>Soundforge 7.0>CD Wave Editor>Flac |
|
12/05/72
|
Vorst Nationaal |
FLAC |
0 |
A- |
Audience recording
OPUS V Recording (recorder 4)
Childhood's End played after Echoes.
Lineage: Uher Report Stereo tape recorder and AKG microphones -> CD-ROM -> SOUNDSCAPE mastering -> Speed correction with Serato in ProtoolsHD -> FLAC (level 8 with internal checksums and tags)
|
|
??/??/72
|
Live at Pompeii |
FLAC |
0 |
A+ |
Pompeii (HRV CDR 010 Rev. B).
This is the original audio from the film, NOT the audio from the official DVD (audio track on "Director's Cut" DVD has additional reverb and effects). The present soundtrack is faithful to the original film.
Excludes Us And Them and Brain Damage. |
|
03/14/73
|
Music Hall |
FLAC |
0 |
A- |
Audience recording
Maloney > KRW_CO > TomP Remaster
Linage: Analog Master > WAV > FLAC
Changes made (Nero 8)
- Converted to true mono, using better sounding right channel (disk 1) and left channel (disk 2).
- Fixed the tape flip at 10:27 on Track03 seamlessly joined original Track04 (at 10.27 if you're interested).
- Fixed the rough transition between tracks 04 & 05.
- Fixed the applause cut between tracks 13 & 14.
- Fixed more than 2000 volume fluctuations.
- Very slight EQ, +1dB bass & +2dB treble, much less than you can do with amp tone controls.
- Added flac tags for digital streamer replay, note altering files in any way will destroy these.
- Minor re-tracking. |
|
05/18/73
|
Earls Court Exhibition Hall |
FLAC |
0 |
B- |
Audience recording
The White Bootleg (recorder 2/patch from recorder 1 low gen)
Lineage: cass[M] > DAT(3) > WAV > CDR > FLAC > WAV > patch job > FLAC |
|
06/28/73
|
The Sportatorium |
SHN |
0 |
|
Audience recording
Into Little Pieces
Lineage: A Cass[Master]>DAT>CDR>EAC>SHN. |
|
04/26/75
|
Sports Arena |
SHN |
0 |
A+ |
Audience recording
Cruel But Fair (HRV CDR 026) |
|
02/20/77
|
Sportpaleis |
FLAC |
0 |
B |
Audience recording
Thirteen (G.R. 673/674)
This is the definitive Antwerp 1977 concert release.
If you have previosly purchased " ANIMALS IN BELGIUM " G.R 652/653)
you have the recording from Paris,22 February 1977. |
|
05/09/77
|
Oakland Coliseum |
FLAC |
0 |
A+ |
Audience recording
Animal Instincts (HRV CDR 014 Rev. B) |
|
06/27/77
|
Boston Garden |
FLAC |
0 |
|
Audience recording
Cass(M)>DAT(4) (FINALLY A CLEAN SPECTRAL)
Lineage:
Reel Master>DAT(4)(48kHz) > Tascam DA-20mkII > Coax > Edirol UA-1D > CD wave Editor 1.98 > FLAC 48kHz (level 5) |
|
07/02/77
|
Madison Square Garden |
FLAC |
0 |
A- |
Audience recording
In The Grassland Away
Lineage: A Cass[Master] > DAT > CDR > EAC > SHN |
|
07/02/77
|
Madison Square Garden |
FLAC |
0 |
A |
Audience recording
MOTB Audiophile Edition 16/44.1 #0177
Lineage: unknown mics => Sony 152 >> MAC |
|
02/25/80
|
Nassau Veterans Memorial Coliseum |
FLAC |
0 |
|
Audience recording
The Lostbrook Tape Series - Volume 8
Lineage: Internal Mic - Sanyo tape deck - TDK SD C90 - Alesis TapeLinkUSB - Audacity - WAV |
|
Yes
--- Approximate Hours: 0
|
| Show Date |
Venue |
Media Type |
Media Count |
Sound Quality |
Notes |
|
12/11/74
|
Boston Garden |
FLAC |
0 |
A- |
Audience recording.
Full Lestat Audio Projects remaster.
Lineage: Sony TC-152SD Tape Recorder, Sony ECM-99 Stereo Microphone > Maxell cassettes [type not stated] > Carl Morstadt: Master Cassette ->
Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio
Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave
(normalizing and crossfades) -> CDWAV (track breaks) -> FLAC Front End (FLAC 8) FLAC files tagged with Foobar2000 Live Show Tagger, no EQ
Lestat: Spectral, graphic and playback analysis, FFT filtering, pitch/tempo correction, excavation EQ, retracking [to reunite announcements with announced Yes pieces], downsampling - Izotope RX and Ozone, CEP 2.0 > FLAC 1.7.1 > Back to Dime. |
|
08/06/77
|
Madison Square Garden |
FLAC |
0 |
B+ |
Audience recording
The Lostbrook Tape Series - Volume 7
Lineage: Internal Mic - Sanyo tape deck - TDK SD C90 - Alesis TapeLinkUSB - Audacity - WAV |
|
04/18/79
|
Colisee de Quebec |
FLAC |
0 |
A+ |
Soundboard recording
Circus Of Heaven.
Remastered and pitch-corrected by TheTooleMan, July 2011 |
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Black Sabbath
--- Approximate Hours: 0
Frank Zappa
--- Approximate Hours: 0
Jimi Hendrix
--- Approximate Hours: 0
Pearl Jam
--- Approximate Hours: 0
Queens of the Stone Age
--- Approximate Hours: 0
Red Hot Chili Peppers
--- Approximate Hours: 0
The Who
--- Approximate Hours: 0
