Music list for Chuck Rothofsky

Bonnaroo Music Festival
Manchester, TN

1 S

Neumann KM140 shockmounted -> X-Stream -> Sound Device MP-2 -> SBM-1 (Oade mod) -> D-7 @48kHz

07/21/02

Grassroots Festival
Trumansburg, NY

1 S

SBD > PCM-M1

Devo
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

07/17/80

Orpheum Theatre
Boston, MA

1 S

SBD>FM>CassMaster

527MB

Disco Biscuits
Approximate hours: 8.75

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

10/23/99

Ziggy's
Winston-Salem, NC

2 S

A+

AKG 480ck61>Lunatec V2>G-P ADC20>DAP1

10/25/00

Barrymore Theatre
Madison, WI

2 S

A+

B&K 4022 > Lunatec V2 > Apogee AD1000 > Marantz PMD-700 > D8

05/11/01

The Fillmore
San Francisco, CA

2 S

A+

SBD -> DA-P1

06/29/01

Greig's Farm - GOTV
Red Hook, NY

1 S

A+

B&K 4022’s > Lunatec V2 > Apogee AD-1000 (48 KHz) > D(m)

Disturbed
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

07/24/01

The Docks
Toronto, ON

1 S

A-

Unknown

DJ Logic
Approximate hours: 2.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

01/13/00

Wetlands Preserve
New York, NY

1 S

Unknown

02/07/02

The Knitting Factory
New York, NY

1 S

mics(not sure)>Sony D8

the tracks were cut anytime the trio's almost stopped or if the jam really changed dirrection

Drums & Tuba
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

02/06/01

Cleveland Agora
Cleveland, OH

1 S

A+

Schoeps CCM4 > Beyer MV100 > Sony TCD-D8

222MB Setlist Unknown

El Buho
Approximate hours: 5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

06/30/01

The Monkey Bar
Tulsa, OK

2 S

A+

AKG 391s > Beyer MV-100 > Apogee AD500e > Sony M1

1.13GB With Special Guest: Mike Gordon

11/10/01

Antone's
Austin, TX

2 S

Soundboard > DA-P1

Gary Gazaway (trumpet, keys) Mike Gordon (bass) Scott Murawski (guitar) Jeff Sipe (drums) Peter Schimke (keys) Perry Osbourne (guitar)

Elton John
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

11/28/74

Madison Square Garden
New York, NY

1 S

DSBD

506 MB

Frank Sinatra
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

05/22/68

Oakland Coliseum
Oakland, CA

1 S

Master Reel SBD > CD

331MB

Frank Zappa
Approximate hours: 3.75

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

10/24/76

Music Hall
Boston, MA

2 S

A+

SBD> ?

10/15/78

State University Of New York
Stonybrook, NY

1 S

A+

SBD>?>DAT

Last track is truncated

Garcia
Approximate hours: 5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

01/24/80

Rio Theater
Rodeo, CA

1 S

MSC> Dat

Jerry Garcia Band "How Sweet It Is", was the show opener and is missing from the master. The cuts at the end of "That's All Right Mama", and beginning of "Tangled Up In Blue" are on the masters as well.

05/05/82

Oregon State Prison
Salem, OR

1 S

A+

60 SBD

Jerry Garcia & John Kahn

10/31/92

Oakland-Alameda County Coliseum Arena
Oakland, CA

2 S

A+

Schoeps MK-4V> DAT

Jerry Garcia Band

George Clinton & The P-Funk Allstars
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

12/31/00

Oakland Arena
Oakland, CA

1 S

A+

Sennheiser K3U/ME8(Shotguns) > Boss BX-4 > SBM-1

Gorillaz
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

03/22/01

King's Cross Scala
London, England

1 S

B+

Unknown (Sounds like a SBD)

Grateful Dead
Approximate hours: 26.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

02/20/71

Capitol Theater
Port Chester, NY

2 S

WBOTB:7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3

From Source: This is What Became Of The Bettys Source. I cleaned up the interference in the form of an annoying whine in the same manner as I did other Port Chester shows (2/18,2/21,2/23,2/24). However, I used two different programs to do so. For disks 1 and 2, I used Diamond Cut Audio Restorations Tools Notch Filter, with a filter width of 0.03 to 0.04 octaves, centered on ~8000 Hz, or wherever the whine happened to be. I used Sound Forge Noise Reduction Plugin, centering on the whine, for disc 3. Why two different programs? I began work on this show about a month ago. I recently purchased the DCART program after hearing it being widely regarded as one of the best (affordable) programs out there for cleaning up audio. Let your ears judge which is best if you can tell the difference. I found the DCART notch filter to be the better tool for the job, while the SFNR plugin is flexible enough to be used as a notch filter. I also realized long after I was into cleaning this show up that others have done so before me on this particular show. I'd be interested in any feedback as to how my show compares to other efforts! I used the narrowest filters I could without going bonkers. In some sections of the show the whine wandered quickly, forcing me to use lots of different filters over a small portion of the show. Leigh Orf orf@mailbag.com For furthur info on my processing & related noise issues see http://orf.cx

09/07/73

Nassau Veterans Memorial Coliseum
Uniondale, NY

2 S

Sbd, Reel M->Cass 1->Dat 0 -> DAT 1(?) (7inch Master Reel: 7.5ips 1/2trk->Tascam 122mkIII 1st Gen Cass->DAT )

RECORDING 180 AUD & 180 SBD: The complete show, except the beginning of Truckin' and the conclusion of Sugar Magnolia, in good AUD. (5/97) & excellent SBD (4/00). Minor sound (& vocal loss) fluctuation occurs during the start of the 1st song.

10/19/73

Oklahoma City Fairgrounds Arena
Oklahoma City, OK

2 S

A+

Master Reel> Dat

11/20/73

Denver Coliseum
Denver, CO

2 S

A+

sdb> reel master> cassette> dat

12/06/73

Public Hall
Cleveland, OH

1 S

A+

MR>Cass>SonicSolutions> Dat

05/19/74

Portland Memorial Coliseum
Portland, OR

2 S

A+

SBDMR -> DAT

Recordings: SBD: The complete show, in SBD except Tennessee Jed through El Paso & Ship Of Fools (Not present on CD)

08/06/74

Roosevelt Stadium
Jersey City, NJ

2 S

A+

MR> DAT

The lineage of this copy of 8/6/74 is MR > DAT > CDs. It is the entire show, uncut, including Seastones (and the encore). The flip chop in Scarlet is expertly patched with excellent AUD. It very markedly upgrades the copy that came around a year or so ago, as well as all other circulating copies. Until and unless they release this as a Dick's Picks, and do as good or better a job than we have with the patch, this is the ultimate copy of this alltime great show, hands down, no shit.

07/08/78

Red Rocks Amphitheatre
Morrison, CO

2 S

A+

SBD>DAT

06/21/80

West High Auditorium
Anchorage, AK

2 S

A+

SBD -> ?? -> DAT(2) -> CDR

* Random digi-noise/distortion for first 45 seconds. ** Major Splice is on Master (5:#53) Timing via "Deadlists" *** 1st Verse is missing

10/23/89

Charlotte Coliseum
Charlotte, NC

2 S

A+

SBD>DAT>Sonic Solutions>CD>FM>DAT

07/05/95

Riverport Amphitheatre
Maryland Heights, MO

2 S

Nak 300+cp4> D7

There were a few suspicious positions, reported. I reviewed the suspicious positions that were logged by EAC and I could not hear a difference between the MASTER source and this copy. So from my standpoint they were identical

Incubus
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

05/28/00

Greek Theatre
Berkeley, CA

1 S

A-

Schoeps MK4s (in hat) > Rmod box > M-1 (48K) (no sbm this night)

Jackson Browne
Approximate hours: 2.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

10/29/03

Patriots Theater
Trenton, NJ

2 F

AT853's (in-hat) > SP batt box > jb3 > Wavelab > CD-Wave > flac

James Brown
Approximate hours: 2.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

03/08/71

L'Olympia
Paris, France

1 S

Unknown

Unknown Source, Sounds Great 456MB

06/15/03

Bonnaroo Music Festival (What Stage)
Manchester, TN

1 S

FOB Neumann KM150 > V3 > D8 @ 48k

524MB

James Taylor
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

02/05/70

Jabberwocky (Late Show)
Syracuse, NY

1 S

from the bootleg:"Alone Together" - Polar Bear Records

from the bootleg:"Alone Together" - Polar Bear Records James Taylor with Carole King

Jamie Masefield, Mike Gordon & Doug Perkins
Approximate hours: 2.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

01/18/03

Starksboro Meeting House
Starksboro, VT

1 S

AKG se300b/ck91 -> PS-2 -> transformers -> mod SBM-1 -> D8 (@44.1kHz)

notes about recording setup: The mics were run XY at 90 degrees, and the stand was somewhere between 7 and 8 feet high. This was a very small venue, holding only 230 people. There were two other taping rigs on the balcony directly above and slightly behind me, but I was the only rig down on the floor. The transformers used between the PS-2 and mod SBM-1 have a rating of 600:30k ohms. They are RadioShack transformers, and provide 10.2 dB gain when used with my recording equipment. They were used because I don't own a pre-amp yet. The mod SBM-1 has been modified by Doug Oade, and is his complete line stage rebuild modification.

01/18/03

Starksboro Meeting House
Starksboro, VT

1 S

AKG se300b/ck91 -> PS-2 -> transformers -> mod SBM-1 -> D8 (@44.1kHz)

Fades were added at the start and end of each set. The mics were run XY at 90 degrees, and the stand was somewhere between 7 and 8 feet high. This was a very small venue, holding only 230 people. There were two other taping rigs on the balcony directly above and slightly behind me, but I was the only rig down on the floor. The transformers used between the PS-2 and mod SBM-1 have a rating of 600:30k ohms. They are RadioShack transformers, and provide 10.2 dB gain when used with my recording equipment. They were used because I don't own a pre-amp yet. The mod SBM-1 has been modified by Doug Oade, and is his complete line stage rebuild modification.

Jane's Addiction
Approximate hours: 5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

07/24/91

Irvine Meadows - Lollapalooza
Irvine, CA

1 S

A+

SBD > DAT; from Stephen Perkin's master copy.

560MB missing 'up the beach'. 'Had A Dad' should be it's own track

08/18/91

Lakewood Amphitheatre
Atlanta, GA

1 S

Master Analog Sony WMD3/ W Clip Mic > 1st Gen Cassette > CDR > Shn

516MB For all you schzeppie sonosax active matrix cabling types this might not be for you this is old school, sony WMd3 analog recorder with the clip on mic. 1st gen of master tape put on cd, then eac ripped and shn'ed. Still nice clean sound, and a excellent performance with vintage perry comedy bit

Magness Arena-University of Denver
Denver, CO

1 S

MBHOka200>DVCiv>SBM1(mod)>M1

494MB

10/22/03

Cirkus
Stockholm, Sweden

1 F

FM (Swedish radio station "P3")

354MB

Jerry Seinfeld
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

01/25/02

Texas Hall
Arlington, TX

1 S

A-

CSB>sony mdr55>(1)80min CDR

Ran SHN tool on files and stripped all header information. Created new "fixed" MD5's to accomodate these files. Old MD5 file is included for archiving purposes. 411MB

Jewel
Approximate hours: 3.75

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

10/24/97

Grunewallsalen
Stockholm, Sweden

1 S

A+

FM> DAT

Believed to be - Bootleg CD - 1,000 Miles Away

05/02/99

Olympia Theatre
Dublin, Ireland

1 S

Sbd> DAT

06/17/02

Chastain Park Amphitheatre
Atlanta, GA

1 S

DPA4022 > Sonosax sx-m2 > D100

Jimi Hendrix
Approximate hours: 2.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

04/26/69

The Forum
Inglewood, CA

2 S

A+

Unknown (definite CASS gen)> CDR

John Bell
Approximate hours: 2.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

01/08/00

House Of Blues
Orlando, FL

1 S

A+

AKG483xy>Oade M248

09/09/00

Planet Bluegrass
Lyons, CO

1 S

A+

SBD Matrix (65% SBD and 35% Schoeps MK4>CMC6>Lunatec V2)

SBD Matrix: The Aud half was Schoeps MK4>CMC6>Lunatec V2>(100 feet from stage) & SBD (Delayed to match the Aud feed this done via Yamaha O1V delay amount was determined by JBL smart sound and a Schoeps MK2H>CMC6) - The mix was approximatly 65% SBD 35% Aud. Finally the Analog out of the Yamaha O1V >HHb portadat.

John Mayer
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

11/15/01

Clutch Cargo's
Pontiac, MI

1 S

SBD/crowd mic > Sony MZ-R30

* there's a skip at about the 12:00 mark. A little earlier maybe

Johnny Cash
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

06/26/94

Worthy Farm
Piltom, England

1 S

Unknown? Soundboard

304MB

Keller Williams
Approximate hours: 6.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

12/31/99

Oregon Convention Center
Portland, OR

1 S

Nakamichi 30/CP-1 > SBM-1 > DAT

01/01/00

Windows
Portland, OR

1 F

Various song Compilation of Dead and Phish Covers "Crazy Fingers"

661MB Crazy Fingers Compilation CD of GD and PH Covers

02/01/01

The Underground, Carnegie Mellon University
Pittsburgh, PA

1 S

A+

SBD > DA-P1 @ 48KHz > Egosys Waveterminal U2A > PowerBook G3 running BIAS Peak 2.5

Disc 2 is tracked for an 80-minute disc (it's 77:09 long). If you prefer to use 2 74-minute discs, you can break it between tracks 14-15 for a short d3 (with room for filler), or between tracks 9-10 for a pair of ~38 minute discs. The first minute or so of the show exhibits lots of noise/distortion - Keller's soundguy had some inappropriate settings on his DA-P1. It's clipping at <100% volume. Sorry, it's on every sbd from this show.

05/12/01

Pie Party III
Pittsburgh, PA

2 S

A+

SBD: Tascam DAP-1

Kiss
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

09/06/76

Varsity Stadium
Toronto, ON

1 F

Soundboard

320MB Vocals are very clear, music is hidden behind vocals. At times difficult to hear the band over the vocals. Not a great mix.

Led Zeppelin
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

03/04/75

Memorial Auditorium
Dallas, TX

1 S

Unknown(supposedly sbd>?>dat>cdr)

There are a few flaws in the show. D2T4 - Moby Dick Cut.

Leftover Salmon
Approximate hours: 10

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

08/12/98

Field Of Dreams, Sundown Music Festival
Chico, CA

2 S

Unknown. Thought to be SBD/AUD matrix

A few small pops here and there

08/14/00

BarrelHouse Brewing Co.
Cincinnati, OH

2 S

A+

DSBD

Rialto Theater
Tucson, AZ

2 S

SBD - DA-P1

1.08GB

11/17/01

The Fillmore Auditorum
Denver, CO

2 S

A+

DSBD

874MB LOS and Friends, for Mark Mann D1T02 - 3:08-3:11 weird sound, like a mic was bumped on stage, no music affected

Leo Kottke & Mike Gordon
Approximate hours: 2.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

11/06/02

Sanders Theatre, Harvard University
Cambridge, MA

1 S

Schoeps mk4v>kc5>cmc6>V2>AD2K>da-p1@44.1kHz

522MB

11/19/02

Boulder Theater
Boulder, CO

1 S

km140's>mp2>500e>p420>cdwav>shn3

540MB

Les Claypool's Fearless Flying Frog Brigade
Approximate hours: 7.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

08/30/00

9:30 Club
Washington, DC

2 S

A+

Schoeps Schoeps CMC64>Apogee AD-1000>DA-P1

Set 2 - Animals by Pink Floyd

09/02/00

Snow Ridge Ski Area
Turin, NY

1 S

A+

DSBD

09/29/00

House of Blues
Las Vegas, NV

2 S

A+

Schoeps cmc6+mk41>Lunatec V2>Apogee AD-1000

Pink Floyd Animals Set 2. Oysterhead Reunion for Encore

07/08/01

Fox Theatre
Boulder, CO

1 S

A+

AKG 391>DA-P1

Lynyrd Skynyrd
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

11/04/75

Cardiff Capitol Theatre
Cardiff, Wales

1 S

Presented by King Biscuit Flower Hour Records - 1995

Ran SHN tool on files and removed extraneous header information. The Fixed files also had a name schema change and I created a new MD5 to accomodate these changes. The fxd.md5 is the correct file for this set of files.

Maceo Parker
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

06/23/00

Beacon Theater
New York, NY

1 S

Neumann KM140 > SX-M2 > M1

Specific glitches: Track 2 @ 3:42 - brief dropout Track 2 @ 10:53 - tick Track 3 @ 6:22 - static

Medeski Martin & Wood
Approximate hours: 16.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

10/14/95

Emo's
Austin, TX

2 S

A+

SBD > DAT

SHN transfer by Miner Gleason (starwolf@ipass.net). I don't know the history of the original DAT-to-CDR transfer, but the discs I received in trade sometime back were very clean. Audio extraction was via a Plextor PX-32TS reader using EAC V0.85 beta. Cool Edit Pro was used to normalize (the levels on the original CDRs were a bit low), and to remove the 2 minor clicks that were on my original CDRs. The tracks were then split out using CDRWav. Possible flaw (not confirmed on originals): disk2 track1 (thelover) skips for like half a second at 4:47

11/26/96

Waterloo Records
Austin, TX

1 S

A+

Neumann KM140's > Beyer MV100 > SBM1

11/26/96

Waterloo Records
Austin, TX

1 S

A+

Neumann KM140's > Beyer MV100 > SBM1

12/07/97

Atlanta Symphony Hall
Atlanta, GA

2 S

A+

Earthworks TC40K (stage) > Sonosax PR-4 > Apogee AD-500E > DAT

01/13/99

The Bowery Ballroom
New York, NY

2 S

A+

DAUD

05/13/99

9:30 Club
Washington, DC

2 S

A+

Schoeps MK-4v (ORTF) > VMS021B

12/01/00

Palace Theater
Albany, NY

2 S

A+

AKG ck61 > Active Cables > JK Labs ECMS > SBM-1 > M1

RPI Fieldhouse
Troy, NY

1 S

MK41v > Schoeps KCY > ECMS (custom-build mic preamp) > SBM-1 > DA-P1

Metallica
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

02/13/87

Frolundaborg
Gothenburg, Sweden

1 S

Unknown, 99.9% chance this is a liberated SBD>CD bootleg due to some missing songs and that it's seemingly tracked for one 80-minute CDR.

Flaws: * d1t9 partial d/o at start * Some [missing songs] * Flawless otherwise

Michelle Branch
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

05/26/02

William A. Floyd Amphitheater
Anderson, SC

1 S

DPA4022 > Sonosax sx-m2 > Audio Magic X-Stream XLRs > Sonic ad2k+ @ 44.1 16ns3

Mike Gordon
Approximate hours: 20

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

10/07/03

Fox Theatre
Boulder, CO

2 S

Schoeps mk4/kc5/cmc6>Aeta PSP3> Apogee MiniMe>Vaio C1VPK @ 24/48 with Wavelab 4.0

10/08/03

Fox Theatre
Boulder, CO

2 S

Schoeps mk4/kc5/cmc6>Aeta PSP3> Apogee MiniMe>Vaio C1VPK @ 24/48 with Wavelab 4.0

10/10/03

VIC Theatre
Chicago, IL

2 F

Schoeps> MK4> KC5> CMC6> Apogee Mini ME> D8

766MB

10/13/03

Theatre of Living Arts
Philadelphia, PA

2 F

ADK A51TL (hypers, din, clamped to balcony rail)> V3*> mod-SBM1 (16/44.1)> PDAudio-CF> iPaq 3835

773MB

10/13/03

Theatre of Living Arts
Philadelphia, PA

2 S

Neumann ak50 hypercardioid capsules> Neumann LC3 active cables> Sonosax SX-M2/LS preamp> Sony SBM-1 @ 44.1 KHz(>Sony PCM-M1)

814MB A too-high preamp setting caused some slight distortion and clipping during the first song, after which the gain was adjusted down.

10/14/03

Toad's Place
New Haven, CT

2 F

ADK A-51 TL>Lunatac V3>Sony PCM-M1 patch recorded (digital 7 pin>d8)

895MB

10/15/03

Avalon
Boston, MA

2 S

ADK a51s-LE -> phantom II -> ad-20 -> D7

700MB

10/16/03

Irving Plaza
New York, NY

2 F

AKG 393 ORTF / Shure A27 vertical mount / AT8410 shock mounts - B18 > Denecke AD-20 44.1 > Sony PCM-1

1.02 GB

Miles Davis
Approximate hours: 7.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

04/08/60

Kongresshaus
ZÃ¼rich, Switzerland

1 S

A+

Bootleg CD

Miles Davis Quintet

04/09/60

Kurhaus
Scheveningen, Holland

1 S

A+

SBD/8 46(DATC1)>--CD

Miles Davis Quintet

11/03/69

Salle Pleyel
Paris, France

1 S

A+

Liberated Boot - SBD

Miles Davis Quintet Radio Broadcast

07/01/75

Avery Fisher Hall
New York, NY

2 S

A+

Boot CD

Miles Davis Sextet

10/04/81

Shinjuku Nishiguti-Hiroba
Tokyo, Japan

1 S

A+

Miles Davis Sextet

moe.
Approximate hours: 65

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

03/22/94

Marquee at the Tralf
Buffalo, NY

1 S

Sennheiser ME80> D5> Cass0> DA-P1> DAT

Dropout in Brent Black at 00:27 on cassette master

12/31/98

The Electric Factory
Philadelphia, PA

2 S

A+

DSBD+Matrix mix(mics unknown)>DAT

Noted Digipops @ d1t01 0:05 & d3t01 0:02 & 0:05 (the last two I cleaned up because they occur through music, they are still somewhat noticible but much more bearable) The matrix mix begins to change around the end of d1t07 as the sound engineer lowers the board levels and raises the mic mix, to bring in more crowd (I suppose). The effect makes this sound like AUD at this point and causes some overproduction, but the source is the same I promise! If you listen closely you can hear the gradual change. This lasts through the end of the set (d2t01). Start of set 2 the sound returns to normal.

10/28/99

Higher Ground
Winooski, VT

2 S

A+

AfDm 44.1 3:20/ 4021s (10')> AD1000> HHb

10/29/99

Higher Ground
Winooski, VT

2 S

A+

Source: AfDm 44.1 3:43: B&K4021s> AD1000(+20)> HHb(m), I>1:07,II+e>2:36

10/31/99

Hammerstein Ballroom
New York, NY

2 S

A+

4021s (~12')> AD1000 (+20)> HHb(m)

04/10/00

Wetlands Preserve
New York, NY

2 S

A+

Schoeps CMC62s>Apogee AD-1000>HHb PDR-1000

05/04/00

Exit/In
Nashville, TN

2 S

A+

Neumann km 140 ->Apogee AD1000

05/06/00

Music Midtown
Atlanta, GA

1 S

A+

B&K 4011> Lunaec V2> DA-P1

06/09/00

Irving Plaza
New York, NY

2 S

A+

B+K 4021->Apogee AD-1000 @44.1khz

06/10/00

Irving Plaza
New York, NY

2 S

A+

B+K 4011->Lunatec V2->Apogee AD-500e @48Khz

10/11/00

The Showbox
Seattle, WA

2 S

A+

Schoeps cmc4/mk4>oade custom>d8

10/31/00

The Tower Theatre
Upper Darby, PA

2 S

A+

Microtech Geffell m200->Apogee AD1000

Dark Side of the Moon"

01/11/01

Valentine's
New York, NY

2 S

A+

B&K 4021 >AD-1000>HHb

03/04/01

The Palace Theater
New Haven, CT

2 S

A+

Neumann KM140 (ORTF) > E.A.A. PSP-2 > Tascam DA-P1

04/21/01

The Palladium
Worcester, MA

2 S

A+

schoeps cmc4/mk4>oade custom>zefiro>dap1

04/23/01

Count Basie Theater
Red Bank, NJ

2 S

A+

Brüel & Kjær 4021s (t-bar, ~9’) > Apogee AD-1000 (+20db, 44.1kHz) > DAT master

04/24/01

Count Basie Theater
Red Bank, NJ

2 S

A+

Brüel & Kjær 4021s (t-bar, ~9’) > Apogee AD-1000 (+20db, 44.1kHz) > DAT master

05/06/01

Fairgrounds Racetrack
New Orleans, LA

1 S

A+

Neumann AK50 > LC3KA > KM100 > AD1000

06/27/01

The Pageant
St. Louis, MO

2 S

Unknown for sure, thought to be Schoeps

06/28/01

Leinie Stage, Summerfest
Milwaukee, WI

2 S

A+

Octava MC-012 MSP > Zefiro In Box > D8

07/12/01

The Makor (Late show)
New York, NY

2 S

NeumannTLM170s (cards, 5+' stand)> Lunatec V2> Apogee AD-1000 (48kHz)> Sony PCM-M1 DAT(m)

+ power cuts between set II & encore - missing some banter (No Music Lost)

08/31/01

Snow Ridge Ski Area
Turin, NY

2 S

A+

Schoeps CMC64V (cards, 30'split @FOB) > Apogee AD-1000(+20db, 44.1kHz) > HHB PDR1000

812MB moe.Down

09/01/01

Snow Ridge Ski Area
Turin, NY

1 S

B&K 4021>AD1000

114MB Al Schnier of moe. Kid's Tent @ the 2nd annual moe.down - Turin, NY

09/01/01

Snow Ridge Ski Area
Turin, NY

2 S

A+

Schoeps CMC62S (omnis, 30'split @FOB) > Apogee AD-1000(+20db, 44.1kHz) > HHB PDR1000

1.03GB moe.down

09/02/01

Snow Ridge Ski Area
Turin, NY

2 S

A+

Schoeps CMC62S (omnis, 30'split @FOB) > Apogee AD-1000(+20db, 44.1kHz) > HHB PDR1000

1.22GB moe.down

10/02/02

B.B.King Blues Club & Grill
New York, NY

2 S

Brüel & Kjær (DPA) 4021s > Apogee AD-1000 (+20, 16/44.1, AES/EBU Out) > Digigram VX Pocket > Sony Vaio PCG-C1VS/BW

SHN requires (1) 80 minute

02/15/03

House of Blues
Las Vegas, NV

2 S

(FOB/DFC) Schoeps mk4v > kc5 > M222 > KS222 > NT222 (+10) > Tascam DA-P1 @ 48 kHz

10/31/03

Aragon Ballroom
Chicago, IL

2 F

eumann SKM 184> Lunatec V2 w/ 50 hz rolloff > sonic AD2K+ @16NS3> DAP1

An Evening of heavy moe.tal 869MB

Morphine
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

04/25/98

Sayre Field, Lehigh University
Bethlehem, PA

1 S

A+

SBD->DAT

Neil Young
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

02/27/71

Royal Festival Hall
London, England

1 S

SBD>???>bootleg 'London 71'

missing: 21. Expecting To Fly

Nelly Furtado
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

03/29/01

Charlotte Coloseum
Charlotte, NC

1 S

Neumann ak40s > Neumann lc-3 active cables > Neumann km100s > Audio Magic X-Stream XLRs > Sonosax sx-m2 > Sony D100

Norah Jones
Approximate hours: 5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

07/13/02

Verizon Wireless Amphitheater
Virginia Beach, VA

1 S

DPA (B&K) 4022s > Apogee Mini-Me @ 16/44.1 > Sony D8

196MB

08/24/02

House Of Blues
New Orleans, LA

1 S

TV broadcast (Swedish SVT, stereo)> Audiophile Delta 2496 (at 24bit)> Emagic Logic> few edits> SHNTool> SHN

Ran SHNTool on the files and corrected a few files Just removed additional header information. Thus the reason there are (2) MD5's. The fixd.md5 is the correct one. T1 - T5 and T7, T8 T10, T11 T13-T16 had extra header information and riff chunks removed. T6, T9, T12 all remained unchanged from the originals. 319MB

10/18/02

Musikhalle
Hamburg, Germany

1 S

FM Radio Broadcast

340MB

01/14/03

Manhattan Beach Recording Studio
New York, NY

1 S

FM> ?

Piano Jazz radio show featuring Norah Jones

Oysterhead
Approximate hours: 15

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

05/04/00

Saenger Theatre
New Orleans, LA

1 S

A+

ORTF Neumann KM-140 > Lunatec V2 > Apogee AD-1000

05/04/00

Saenger Theatre
New Orleans, LA

1 S

A+

DSBD > D8

SBD

10/21/01

Paramount Theater
Seattle, WA

1 S

A+

Schoeps 41v> Lunatec V2> Apogee AD1000

697MB Requires an 80 Minute for SHN. Seek tables included in each file

10/26/01

Greek Theater
Berkeley, CA

1 S

A+

Neumann KM140> Lunatec V2 > Apogee AD1000@44.1K > DAT Master

616MB

Hollywood Palladium
Los Angeles, CA

1 S

A+

Neumann KM-150 > AD20 > DAP1 > Patch Bay > D8

506MB

10/30/01

The Fillmore Auditorum
Denver, CO

1 S

A+

MBHO603/ka200>Lunatec V2>ADC20>DA-P1>D8 @48Khz (fixed)

570MB The original release of this source had a few glitches on D2. As soon as the glitches were found we took corrective action. The DAT was transferred again and is now being redistributed. The previous glitches were at: Disc 2 Track 1 @ 9:42 Disc 2 Track 2 @ 2:42 Disc 2 Track 3 @ 2:11 The old MD5 file is saved with these for history so that you can compare the sig files and verify that you have the fixed version (Fixed version complies with etree standard).

The Fillmore Auditorum
Denver, CO

1 S

A+

MBHO603/KA300N> MP2> DAP1

629MB

The Fillmore Auditorum
Denver, CO

1 S

A+

Schoeps cmc6/mk21's>kc5>ad1k

681MB FOB SHN Requires and 80 Minute CDR

11/02/01

Aragon Ballroom
Chicago, IL

1 S

A+

Schoeps cmc6/mk21's>sonosax(sxm2)>ad2k

679MB

11/04/01

Hill Auditorium
Ann Arbor, MI

1 S

A+

Neumann AK40 > LC3KA > KM100 > AD1000 > D8

486MB

11/13/01

Roseland Ballroom
New York, NY

1 S

A+

Schoeps CMC64v > Sonosax SX-SM2 > Apogee AD1000 > Sony TCD-D8

627MB

11/18/01

Stephen O'Connell Center
Gainesville, FL

1 S

schoeps mk4v's>cmc6>xlr>sxm2>xlr>ad1k@44.1kz's

Particle
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

Bonnaroo Music Festival - The Ballroom
Manchester, TN

1 S

DSBD > DAT

Paul Simon
Approximate hours: 2.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

11/20/00

The Fillmore Auditorum
Denver, CO

2 S

A+

MBHO603a(active cable and KA200caps)> Zefiro Inbox > D7

Pearl Jam
Approximate hours: 2.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

05/03/03

Bryce Jordan Center, Penn State Univ.
State College, PA

2 S

Official Bootleg #37 > EAC V0.94b > WAV > mkwACT V0.97 > SHN [seek tables appended and log files included]

Official Bootleg #37

Peter Gabriel
Approximate hours: 2.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

07/10/93

Rosemont Horizon
Rosemont, IL

2 S

MUPPET05

after a 32-bit-conversion, I equalized the recording. With multiband-compression I gave the mix just a bit more balls. After that some additional equalization was done. Also, the subharmonic frequencies were removed. Two or three tiny errors were corrected. The only error still present is about half a minute of slight static noise 5 minutes into Biko. It's not really that annoying though. Finally, the recording was normalized.

Peter Tosh
Approximate hours: 2.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

03/15/79

My Father's Place
Old Roslyn, NY

1 S

pre fm sdb>>cassette master

notes:Pre-FM feed from WLIR-FM recording truck All stage mics wired to air mix soundboard in recording truck to Maxell XLII cassette (no dolby) on a (then brand spankin' new) Nakamichi 550 cassette machine. To computer (23 years later)via:cr7a Nakamichi cassette (with azmuth adjust) to SBM1 Sony Super Bit Mapper A>D converter to digi in on Linx-one studio card (spdif). Recorded in Soundforge and mastered with CD architect to CD to SHN.

11/05/82

The Roxy
Los Angeles, CA

1 S

sbd > ? > cd

Phil Collins
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

12/19/82

Perkins Palace
Pasadena, CA

1 S

Soundboard

Phil Lesh & Friends
Approximate hours: 15

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

04/15/99

Warfield Theatre
San Francisco, CA

2 S

A+

FOB Schoeps CMC6/MK21 *subcardiod) > Apogee AD1000 @ 44.1 kHz > Dat

04/16/99

Warfield Theater
San Francisco, CA

2 S

A+

FOB Schoeps CMC6/MK21 *subcardiod) > Apogee AD1000 @ 44.1 kHz > Dat

04/16/99

Warfield Theater
San Francisco, CA

2 S

A+

SBD & mk21>kc5>cmc6>apogee ad1000

these cd's were mastered from an analog sbd source with unknown transfers to cd from which i did my mastering. i rec'd these cds thru a shn trade, thus no extraction needed. there were numerous tape pauses immediately after songs endings and some cuts/ complete ommissions - these were repaired using the infamous schoeps fob source - see below for complete audience mic info. i found repairing these were much more pleasing to the ear as the abrupt stops were smoothed out and made more natural as to how it all when down. there are few moments that there seems to be any intrusion at all. audience sources used: extracted from cds using eac. 4/15: mk21>kc5>cmc6>apogee ad1000 4/16: mk4>kc5>cmc6>apogee ad1000 4/17: mk4v>kc5>cmc6>apogee ad1000 key: # - used the aud source at the beginning of the track for fade in, no music affected. % - used the aud source at the end of the song for fade out, no music affected. * - from audience source

04/17/99

Warfield Theatre
San Francisco, CA

2 S

A+

DSBD

862MB Disc 1 Audio requries an 80-minute blank

04/17/99

Warfield Theatre
San Francisco, CA

2 S

A+

FOB, DFC Neumann U89 (cardiod setting)-> Apogee AD-1000 @ 44.1kHz -> P1

The Info File on My copy is incorrect, but the source listed is correct..

07/20/02

Tweeter Center
Camden, NJ

2 S

Oktava mc012's(cardiod ortf) fob (sec 102row f seat13)> Graham Patten Dmic 20> Sony PCM-M1 dat

Phish
Approximate hours: 643.75

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

11/03/84

Slade Hall, UVM
Burlington, VT

1 S

Aud > cass/2 > DAT

-Originally Mislabeled 11/3/1983 Live taping has been going since the band's second show, 11/3/83. Shelly Culbertson said of the first gig, "Nope, that show was not recorded. However, their next show - 11/3/84, basement of Slade Hall, UVM - was; I think it was taped on a boom box with condenser mics and the tape is entirely over-saturated and distorted. The tape was labeled with felt tip on masking tape and appears to have resided on someone's car floor or dashboard for a few years.

12/01/84

Nectar's
Burlington, VT

1 S

Unknown

Audio: requires 80min cd MD5 Matches Etree, just combined to complementent a 1 CD breakout SHN has the Slip 5/21/1997 on it also

05/03/85

Last Day Party at UVM-Redstone
Burlington, VT

2 F

CS1 > DAT > CD

773MB

10/30/85

Hunt's
Burlington, VT

1 S

SBD > Cass/1 > DA-P1

Fixes: --Retracked each disc so that each song starts at the beginning of the track. --Normalized each disc to 98%. --A paragraphic EQ filter set to cut tape hiss above 8kHz by 15 dB was applied using Soundforge 4.5.

11/23/85

Goddard College
Plainfield, VT

1 S

(poss SBD, uncertain): Cass/1 > digital remastering > D8

The sound quality is not perfect but what can you expect from an '85. I'm assuming this is a soundboard recording but I won't make any judgments since it wasn't in the source info given to me.

05/04/86

Goddard College
Plainfield, VT

1 S

SBD > Cass/x > DAT

-t1 fades in at beginning -t4 cuts out...presumably from master DAT since all copies I have seen are cut. -There is some soundboard static within the first 30 seconds of t1 that I left alone. -Normalized 'show' to 98%. -Performed general click removal using SF4.5 Noise Reduction Plug-in. -Removed a 8050 and 15750 Hz whine using Cool Edit 2000

10/15/86

Hunt's
Burlington, VT

2 S

SBD? > Cass0 > SBM > DAT

03/06/87

Goddard College
Plainfield, VT

1 S

A+

SBD(?) > Cass/1 > D8

Does Not Match Etree MD5.

03/23/87

Nectar's
Burlington, VT

1 S

SBD>Cass(4)>DAT (NAK MR2>SV255)

Editing in soundforge: Normalized peaks to 0dB, crossfaded the cassette flip in Fluffhead, and took out some of the worst analog pops. There is still some analog anomalies in here (mainly in the right channel)

08/21/87

Ian McLean's Farm
Hebron, NY

2 S

Aud> Cass> Dat

purportedly sbd-> cass-> dat, however what circulates is really a high-quality AUD from taper Eric Larson, mislabelled as SBD (thanks to M. Pearson, C. Dirksen for correction)

08/29/87

The Ranch
South Burlington, VT

2 S

A+

SBD > Cass/x > DAT

-Tape Flips/Splices: d1t03 7:23 - d2t03 1:30 - d2t09 11:37 - d3t04 0:01 (missing about 1 sec of beginning of Harpua) -Part of d2t05 is mono recorded. Fixes: -d1t04 2:31 R channel static (0.03s) mixed over by L channel, d2t06 0:02 removed 'thud' (0.041s) - d3t04 5:53 R channel spotty static mixed over by L channel at points (<0.001s)

01/27/88

Gallagher's
Waitsfield, VT

2 S

SBD>CASS(0)>DAT

885MB This show has been on a journey through the Cool Edit. Using the Noise Reduction Feature, I have removed 2/3 of the hiss from this copy.There is still a little bit of hiss,but it comes and goes in waves instead of a constant annoyance.Before I did this, the hiss was over the music,now it is behind it. The music was left completely unaltered in this process.

02/20/88

ATO Fraternity House, St. Lawrence Univ.
Canton, NY

2 S

cass>NAD 6300 tape deck

Few Minor issues because of an Analog tape, but great for the era.I dumped this show into my pc from the original VERY HISSY LOW LEVEL cassette and cleaned it up with SOUNDFORGE's Noise Reduction feature - basically just measured the hiss and removed it from the whole file after many less-than-successful attempts at getting a good EQ with various plug-in's. It helped ALOT and made this show much more listenable, but did create sort of a weird sonic by-product too, esp. during cymbal-heavy sections of the songs.

03/12/88

Nectar's
Burlington, VT

1 S

A-

SBD > Cass/0 > DAT

*This recording is by no means perfect, though the sound quality is really good,*but I haven't heard anything else so until I can uncover something better, *this is all I have. Notes:-t04 3:27-3:34 level fluctuations -t05 1:53-1:54 level fluctuations -t06 diginoise at very beginning -t07 some minor skipping -t08 recording problems at end during banter (not narration)-t09 recording cuts at 8:21 - on all copies that I have seen-During very quiet sections, it seems that background music can be heard -- either there was music in the background at the show or the taper did not use a new tape, so there was bleeding from a previous recording. Who knows, maybe there is a lost recording underneath this show. :-) Fixes:-Applied SF4.5 Pitch Shift at a setting of -80 cents to all tracks to compensate for the sped up recording.-Retracked entire show so the beginning of the music starts at the beginning of each track.

05/24/88

Nectar's
Burlington, VT

2 S

SBD > Cass/x > DAT

Fixes: -Corrected high pitch problem using SF4.5 pitch shift of -40 cents. -Normalized each set to 98%. Notes: -Tape Flips: 1) d1t08 very beginning (missing first few seconds) (44:39)\ 2) d2t03 4:32 (some distortion after flip) (46:59) 3) d3t04 very end (not noticeable) (47:00) 4) d3t11 cuts out at very end (46:34) -Distortion in d2t03 10:10-10:12 -Small milli-second skip in d2t03 14:22 -Light static in d3t01 9:35-9:36

06/19/88

Nectar's Lounge
Burlington, VT

2 F

Sbd Master->CD

1.00 GB

09/08/88

The Front
Burlington, VT

1 S

A-

SBD > Marantz PMD-420 w/Dolby C > My DAT > WAV > SHN

80 Min CDR for SHN Archives I got this directly off the master cassette, so this is the best possible source. There was a third set to this show, but the taper's ride needed to leave after the second set, so unfortunately this is all we have, and the rest is history. This Source was encoded with Dolby C when it mastered onto cassette, that means you ideally play it back (decode) with Dolby C. Pass this on to any analog folks this show goes to, please: Never use Dolby to record, only to play back.

12/10/88

The Red Barn at Hampshire College
Amherst, MA

2 F

Set 1: SBD > Cass/x > DAT > CDR > EAC > SHN Set 2: SBD > Cass/3 > Technics RS-BR465 > DA-P1

The Set 1 source is the same as was previously released on 1-23-00/2-1-00. Set 2 was added on 12/2/02 along with converting Set 1 to FLAC. -d2t03 fades in a beginning -This is the best (and only) Set 2 that I (Ben) have found to be circulating with a known cassette generation. -some tape warbling at beginning of Set 2 -very small skip d2t03 9:46 (no missing samples), d2t04 6:08 (no missing samples) -Trey teases Ballad of Curtis Lowe at end of d2t05 -Tape flip: d2t07 1:19.644 (fade out/in from Cass/3 source) -dropout d2t07 6:49.297 Set 1 fixes by Mike Wren on 2/1/00 with Cool Edit Pro v1.2: -Normalized each disc to 98% -Fixed the pitch (increased exactly one-half step) -Retracked both discs using CDWav Fixes (12/2002): -Split Col. Forbin and Mockingbird into 2 tracks -Pitch shift of +32.8 cents to exactly match the Set 2 track timings to Set 1 with SF4.5c.

05/21/89

320 Spear St.
Burlington, VT

1 S

SBD(?) > Cass/1 > D8

Was originally Mislabeled 5/21/1988 -Each disc was normalized to 98%. -Retracked both discs so that the start of the song appeared at the start of each track. -There were a few instances where there was no right channel sound or the right channel would have sound/static for a few seconds, then drop out, then come back in as sound/static. This was fixed by mixing the left channel, which was normal, onto the right channel. Even though this is not PCP-compliant, the tracks were not listenable to during these periods until the fixes were made. This occurred... 0:00-1:30 d1t1 Harry Hood 8:38-9:21 d2t2 Dazed and Confused 0:00-1:12 d2t3 The Sloth -There was some nasty static for about a second at the very beginning of Divided Sky that I did my best to smooth/edit out but it was a lost cause. I decided to cut out that portion in order to not distract from the rest of the show. The transition is not noticeable at all.

09/21/89

Pearl Street Ballroom
Northampton, MA

1 S

SBD > Cass/0 > DAT

Missing: Bathtub Gin-> You Enjoy Myself-> If I Only Had a Brain**, Run Like an Antelope*** E: Good Times Bad Times

10/26/89

Wetlands Preserve
New York, NY

2 S

Studio > Cass (x) > MCass > D8

Missing Set 2 closer, David Bowie.

12/29/89

Brownie's 23 East Cabaret
Ardmore, PA

1 S

A+

SBD > Cass/0 > DAT

d1t01 fades-into rhombus narration with "up... and we look up at the rhombus. And we begin to climb up a rope, up the rhombus, until we're standing..." Be advised that there exist clones of this show that contain less narration. This is the lenghtiest I've found (thanks to Ben Mohr!) d1t03 02:07 -> 02:08 and 02:15 -> 02:17, dn zap

04/05/90

J.J. McCabes
Boulder, CO

2 S

A+

SBD -> Analog Master -> DAT -> DAT

The lineage on the seed is SBD -> Analog Master -> DAT -> DAT, and it was provided by longtime netter and all-around great guy J()e Rioux. Big thanks to Joe for the seed and to Dan Seideman for the leader spot, as well as Syd Schwartz for the DAT to CD conversion for you CD-R folks

04/18/90

Herman's Hideaway
Denver, CO

2 S

SBD > Cass/0 > DAT

Mockingtree #1

05/04/90

Colonial Theater
Keene, NH

2 S

SBD > Nak CR-3A (Maxell XLII-S 90 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +~11dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > WaveLab > remastering (see info file) > SHNv3

850MB The tape cover for cassette 1 lists Contact as the start of Set 2 and the tape cover for Set 2 lists Anelope as the Encore. The taper sometimes put the Encore at the end of Cassette 1 if space was running low on Cassette 2. However, he also started Set 2 on cassette 1 if there was still plenty of room. Listening to the tapes, it is clear that Contact is the Encore and Antelope ends the 2nd set. 24bit/48kHz FLAC's > Wavelab 4.01b on REBA > Q10Paramatric EQ > BBE > X-Noise > Editing > L1+ Ultramaximizer > 48kHz>44.1 and 24bit>16bit w/level 2 Gaussian Dither > tc electronic Finalizer 96k > Tracking in Wavelab > SHNv3 appended There is some low level tape hiss/PA white noise that is on the masters...this did get amplified somewhat because of the level changes made durring the show. The levels for the channels were also more than 4db "off-center". I tried as best as I could by making the appropiate gain changes and EQ adjustments to "center" the recording. The X-Noise process was used on this show, as an experiment on just how far I could push it, because it is an "adaptave" process when you have it set up correctly. I decided to see just how much I could try to get the highs as *crystal* as possible without introducing so much noise that it became unbearable. All the fades were done in a montage as 2 seperate stereo tracks. While I did try to adjust the hard volume fades on the master, not all could be properly adjusted and were just left as is.

06/17/90

Wendell Studios
Boston, MA

1 S

Studio > Cass/x > D8

Fixes: - Normalized session to 98%. - Retracked disc so that beginning of song coincides with the start of the track. - Cool Edit Pro hiss reduction filter applied set as a notch filter above 15 kHz by 5 dB. - Removed click at t06 0:08 - Removed static at t07 3:09 (0.005 s) - Decreased pitch for tracks 1 - 8

10/31/90

Armstrong Hall, Colorado College
Colorado Springs, CO

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

Official LivePhish Release - Not for Trade 966MB

10/31/90

Armstrong Hall, Colorado College
Colorado Springs, CO

2 S

A-

SBD>48 Track Analog>DAT@48kHz

**Note: 5 seconds of reba was patched in from the mp3 available for download to overcome a dropout on the source dat** During D1T07 - From 8:00 - 8:50 there are very subtle low cracks below the music but noticible.

11/02/90

Glenn Miller Ballroom
Boulder, CO

2 S

A+

SBD>DAT>CD

11/03/90

Boulder Theater
Boulder, CO

2 S

Separate from Soundboard 16 track Mix (see notes below) > DAT@44.1

0.99GB Dankseed

03/13/91

Boulder Theater
Boulder, CO

1 S

SBD/Aud>DAT

Set 2 only

03/29/91

DNA Lounge
San Francisco, CA

1 S

A+

DAUD (48khz)

PHP - From the Archives, Vol. 1, Set 2 is all that?s available.

04/16/91

Rick's American Cafe
Ann Arbor, MI

2 S

SBD > Cass(0) > DAT

Disc 1, SBD tape flip between track 7 and 8. Disc 2, SBD tape flip between track 7 and 8.

04/27/91

Capitol Theater
Port Chester, NY

2 S

A+

DSBD> Dat

07/21/91

Arrowhead Ranch
Parksville, NY

2 S

A+

SBD

09/26/91

The State Street Theater
Ithaca, NY

2 S

Nakamichi CM300+CP4> ? >CDR>EAC>SHN

L channel dropout 0:21-0:35 d1t1 repaired by patching from R channel w CoolEdit2000. Level rise 1:22, 2:18 d1t1 940MB

09/29/91

The Agora Ballroom
Cleveland, OH

2 S

A+

Neumann 190s @ 90 degrees

10/19/91

The Catalyst
Santa Cruz, CA

2 S

A+

DSBD > CD-R

*the original .shns (source was listed as "DSBD --> Dat (that's all I know) Sound great!!!") were not split on sector boundaries (only disc 1). I took the original .shns, decompressed them, put the .wavs back together in CoolEdit, and then cut them up correctly in CDWAV. Disc 2 was redone as well, just for the sake of splitting up a couple of tracks that weren't split on the original .shns.

10/24/91

Prescott College
Prescott, AZ

2 S

Sbd>CassM>DATx2

Notes from Conversion: Diginoise on DAT in Foam @ 2:35 & 2:40....fixed by deletion of the offending samples. Fixed dropout in left channel in Bouncing @ 45:35....copied to mono for .10 seconds. Tape flip @1:41 in Divided Sky.....very fast and barely noticeable flip!! Micro-digizap @ 3:29 in Weekapaug....fixed!! Micro-digizap @ 6:40 in Possum.... Memories & Adeline (removed), as they were performed at the edge of the stage w/o mics. I was not able to boost the levels cleanly to preserve the music and remove the SBD buzz at the same time, so I chose to let them be something you had to be at the show to hear

11/30/91

Capitol Theatre
Port Chester, NY

2 S

A+

SBD > DAT(clone)

12/31/91

Worcester Memorial Auditorium
Worcester, MA

2 S

SBD>?>CDR

03/13/92

Campus Club
Providence, RI

2 S

MCass>(DAT ?)>PCM>CD>EAC>SHN>ReMastering>SHN

1.03GB The "?" in the lineage is not an extra analog generation. I'm just not sure if the PCM came from a DAT or not, thus I put the question mark in. I transferred the PCM, removed the DC offset, converted from 44.056Khz to 44.1Khz at the highest quality setting, tracked, and burned this show on July 30, 2003. I wonder if perhaps the master was recorded with Dolby on and played back with it off. It seems a bit too bright to me. However, I did not mess with the recording in any way.

04/19/92

The Catalyst
Santa Cruz, CA

2 S

A+

FOB(20ft from stage, DFC) Nak300's>Panasonic 255(@48K)

Dankseed Certified - 8/1/01 Disc 2 requires 80 minute Edits: Fades in/out on both sets. Approximately 50 seconds of crowd noise removed at end of set 2 to fit set 2 and encores on one disc

05/06/92

St. Andrew's Hall
Detroit, MI

2 S

A+

Neumann RSM191A-S> Neumann MTX191S> Panasonic SV-255@48k Master(on SV-255 listed above)> clone used in below transfer

Disc one needs either an 80min disc or an overburn on a 74 min disc This is NOT a phish sanctioned release, these are clones from audience masters

07/15/92

Trax
Charlottesville, VA

2 S

A+

Soundboard > CAS0 > DAT (48k)

07/25/92

Stowe Performing Arts Center
Stowe, VT

1 S

A+

DSBD

08/13/92

Greek Theater
Los Angeles, CA

1 S

A+

Dsbd> Dat

11/27/92

Capitol Theater
Port Chester, NY

2 S

Neumann RSM190i>Neumann matrix box>Pan. SV-255

12/03/92

Bogart's
Cincinnati, OH

2 S

Neumann KM140>Sony D5>Cass1>DAT>CDR>EAC>SHN - Except Rift, which is from an unknown analog source

0.99 GB Rift was cut from the dat copy, so is replaced here from an unknown analog audience source.

12/12/92

The Spectrum
Toronto, ON

2 S

SBD -> CASS0 -> DAT

High end is squashed for the first ~30 seconds of each set. Sounds like dirty heads on the cassette deck. There's also some diginoise at the beginning of set II.

12/31/92

Matthews Arena, Northeastern University
Boston, MA

2 S

Matrix (DSBD+Elektra AUD)

removed some crowd noise in d1t01 and d1t11 to allow for non-overburn; old md5 for disc 1 will therefore fail--ASG 8/00 Peter Gorla (12Nov00, peterg@launch.com / 4.41.2.38): after listening to d1t01 and d1t11 and verifying that there were no problems I created a new checksum called "ph92-12-31d1-new.md5" for future distribution

02/13/93

Bob Carpenter Center
Newark, DE

2 S

A+

akg 460b + ck8 shotguns > custom preamp > teac da-p20 (in TS)

02/15/93

Memorial Hall, UNC
Chapel Hill, NC

2 S

A+

2 NAK 300's+2 SENN 441's>DC3

02/20/93

Roxy Theater
Atlanta, GA

2 S

A+

SBD > ? > Trade from Craig Davis (craigdavis1@email.msn.com) > EAC > SHN

1.05GB Dankseed

03/22/93

Crest Theater
Sacramento, CA

2 S

SBD -> MASTER CASSETTE -> DAT CLONE

1.10 GB Complete Gamehendge narration Set 2

03/25/93

Santa Cruz Civic Auditorium
Santa Cruz, CA

2 S

A+

schoeps cmc54's

03/28/93

East Gym, Humboldt State University
Arcata, CA

2 S

A+

SBD> Dat

-Dropout in d3t04 1:36 (some music missing)...on dat copy Fixes: -Removed spikes d1t08 7:27.743, 7:27.756 with SF4.5 pencil tool -Removed spike d2t05 0:35.831 with SF4.5 pencil tool -Removed six spikes d3t08 1:07 with SF4.5 pencil tool

03/31/93

Roseland Theater
Portland, OR

2 S

A+

TOA k1's > DTR-80P

-Track 5 on Disc 1 (Mound) had three gaps of approximately 0.5 seconds each. These were at 4:58-9 and 5:08-9. Removed. -Track 1 on Disc 2 (Lengthwise) had some clicks and pops at 0:10-11, 0:30, and 1:23-24. These were removed or minimized to the best of my ability. -Track 4 on Disc 3 (AC/DC Bag) had static at 3:35. Removed. Also the last track, Sweet Adeline, has quite a bit of hiss and is rather flaky overall. It's really too much to fix, especially for an acapella track, so I decided to leave it as is. Sounds like it is a different source and possibly more than one source patched together.

05/05/93

Palace Theater
Albany, NY

2 S

A+

DSBD>DAT

05/06/93

Palace Theater
Albany, NY

2 S

A+

Master DAT soundboard > Dat

Sweet Adeline came across as silence because it was not mic'ed, so it was ommitted. There is a 1/2 drop in the begining of Tela, and some sort of tiny skip shortly into Suzie.

05/30/93

Laguna Seca Raceway
Monterey, CA

1 S

A+

Schoeps CMC3/mk4 > Panasonic SV-255

08/17/93

Memorial Hall
Kansas City, KS

2 S

A+

AKG 414 > D5

* "Volume of memories in the encore was boosted a little to make it easier to hear. Trey did a bunch of talking without using the mics and I boosted that as well as memories." - Jimmy Sellers

08/20/93

Red Rocks Ampitheatre
Morrison, CO

2 S

SBD:(FM)D>CD>SHN

980MB Slight hiss throughout (FM reception?) minor skips d1t1 3:47, 3:50 (possibly from the DAT?); signal drops during YEM d3t1 4:47; slight hiss throughout; opening few sec of 2001 cut (may be on master?); via E. Levy; A. Ogan reports additional digispots in d1t6: 3:00, 3:02-3:04, 3:09

08/26/93

Arlene Schnitzer Concert Hall
Portland, OR

2 S

A+

TOA K1's>denon dtr 89p

12/31/93

Worcester Centrum
Worcester, MA

2 S

A+

neumann RSM 190i's from section

04/04/94

Flynn Theater
Burlington, VT

2 S

A+

B+K 4011 > DAT

04/10/94

Alumni Arena
Amherst, NY

2 S

2 AKG460b/ck61 Front row of tapers section, with mics split 20-25ft aimed directly at repeaters from close range (3-5ft) > DAT (Teac DA-P20)

955MB

04/26/94

Purple Dragon Recording Studios
Atlanta, GA

1 S

FM>C?>DAT (Unknown DAT generations)

294MB 3 second fades in/out at the start/end of set. Dankseed Certified

05/07/94

The Bomb Factory
Dallas, TX

1 S

A+

SBD>Cass0>DAT

This is only a partial show - Set 2. Tweezerfest!

05/26/94

Warfield Theater
San Francisco, CA

2 S

A+

DSBD/Matrix > DAT

*DSBD/Matrix is the source that was given to me. However, this show does not appear on Phil Nazzaro's Phish SBDs List, and it just doesn't seem like a sbd to my ears. Regardless of whether it is a sbd or aud recording, it sounds excellent. Also, I do not know who did the original transfer/encoding.

05/27/94

Warfield Theater
San Francisco, CA

2 S

A+

Master DAT: Schoeps CMC5/Mk4 (ORTF)-> Sonosax SX-M2-> Apogee AD-500E-> Sony D-10 @ 48KHz

Fades (in/out at beginning/end of sets) Dankseed Certification received 01-07-08

05/28/94

Laguna Seca Raceway
Monterey, CA

1 S

A+

DSBD>DAT (Unknown DAT generations)

Fades in/out at cassette flip, as well as the start/end of set. YEM and Dueling Bass Jam with Les Claypool of Primus, on bass, not on DAT/CD because Claypool's recording lable didn't allow taping of live shows. Poor Heart Encore also Missing

06/11/94

Red Rocks Amphitheatre
Morrison, CO

2 S

A+

DSB FM Broadcast > DAT

06/17/94

Eagles Auditorium
Milwaukee, WI

2 S

A+

AKG 460's> Dat

06/19/94

State Theater
Kalamazoo, MI

2 S

DAUD/OTS>AKG 460b ck61>AKG B-18 Phantom Power>Sony D-10 Pro II(@48kHz)

826MB / DankSeed Edits: Five second fade in/out of sets. Notes: Disc Two, Tracks 7 was performed acoustic with no amplification and thus is very hard to hear. You will have to turn up the volume.

06/22/94

Veterans Memorial Auditorium
Columbus, OH

2 S

A+

SBD>DAT>C0>DAT @ 48Khz

Disc 2 requires an 80 Minute CDR

06/26/94

Municipal Auditorium
Charleston, WV

2 S

A+

AKG 460s

GAMEHOIST show (complete Gamehendge in Set 1 and Hoist played straight through in Set 2)

07/16/94

Summer Stage at Sugarbush North
Fayston, VT

2 S

A+

Schoeps cmc54/ > Sonosax > Apogee ad500e > Sony D8

10/18/94

Memorial Gymnasium, Vanderbilt University
Nashville, TN

2 S

SBD>C0>DAT (unknown DAT generations)

Fades (in/out at beginning/end of sets, as well as cassette flips.)

10/23/94

The Band Shell, University Of Florida
Gainesville, FL

2 S

A+

Schoeps CMC54 > D10

907MB Etree show. Downloaded and reorganized tracking on D1 and D2, to restore consistency of set and have all of set 1 on Disc 1.

10/29/94

Memorial Auditorium
Spartanburg, SC

2 S

A+

Schoeps CMC4+MK41 > Oade > SV-250(modified)

10/31/94

Glens Falls Civic Center
Glens Falls, NY

3 S

A+

Schoeps CMC6+MK4>DAT

level adjustments during Frankenstein pre-recorded "good night" after Revolution No. 9 is missing

11/04/94

Onondaga War Memorial Auditorium
Syracuse, NY

2 S

A+

DAUD/OTS Schoeps CMC3/mk41(XY 90 deg) > Oade Deluxe 12v PS > Denon dtr80p(mic input)@48k Master(on dtr-80p listed above) > clone used in below transfer

Dankseed Certified

11/19/94

Indiana University Auditorium
Bloomington, IN

1 S

A-

AUD(AKG322)>Cass/x>DAT

12/03/94

Event Center
San Jose, CA

1 S

NAK 100s > D7 @48k

675MB

12/09/94

Mesa Amphitheatre
Mesa, AZ

2 S

Set I: DAUD/FOB Schoeps mk4(ORTF) > KC5 actives > CMC5 > Sonosax SX-M2 > Apogee AD-500e > Sony D10 @48kHz Master (from D10) used in below transfer Set IIpt: DAUD/OTS Schoeps mk4(ORTF) > KC5 actives > CMC5 > Sonosax SX-M2 > Apo

Dankseed Certified 2 Sources

12/31/94

Boston Garden
Boston, MA

2 S

A+

AKG 460's>DA-20

there is a dropout at 14:36 in Maze that occurs on the Master DAT

05/16/95

Lowell Memorial Auditorium
Lowell, MA

1 S

A+

B&K 4011 > ?

d2t2 drastic level adjustments in Sound Forge in attempt to balance sound- results choppy

06/16/95

Walnut Creek Amphitheatre
Raleigh, NC

2 S

A+

AKG 460/CK61

-levels hop around at the beginning of disc 2, however this is probably the best copy available of this show. if you know something better email me at the email above. The sound is clear and beautiful, however the levels hop around at the beginning of set II, but then settle. the runaway jim from this show pretty much defines phish. also don't forget to fully enjoy the filler.

06/23/95

Waterloo Village Music Center
Stanhope, NJ

2 S

A+

AKG 460b> Sony D10 Pro II

06/25/95

Mann Center for the Performing Arts
Philadelphia, PA

2 S

A+

SBD

967MB Audio Requires (2) 80 or (3) 74 Slight fading during Theme. More than likely from the SBD, Not sure what happened to Amazing Grace. There was a drop after Weekapaug. The drop was also on the master DAT.

10/11/95

Compton Terrace
Phoenix, AZ

2 S

A+

unknown (possibly Tascam PE125>DAP1)

d1 - 3 seconds of overtime d2t6 -6:26 -a Phase shift of some sort- on dat copy

10/13/95

Will Rogers Auditorium
Fort Worth, TX

2 S

A+

Tascam PE-125 > DA-P1 > DAT (Don Wright's Rig)

d2t06: 00:08-00:09, background noise might be confused for a DAE skip -- it's not!

10/14/95

Austin Music Hall
Austin, TX

2 F

AKG 460B/CK61>Power Supply>Technics SV-260A>DAT

887MB

10/15/95

Austin Music Hall
Austin, TX

2 S

AKG 460 Cards>10ft XLR's>Power Supply>3ft XLR's> Technics SV 260A>DAT

882MB

10/25/95

St. Paul Civic Center
St. Paul, MN

2 S

A+

AKG398 Guns>Sonosax?>Dat?>D7

80 Minute CDR for D1

10/31/95

Rosemont Horizon
Rosemont, IL

3 S

A+

B&K 4011 > DA-P1

11/14/95

University of Central Florida Arena
Orlando, FL

2 S

A+

Neumman KM-140>Dat 48Hz

This is a different source that the one on the Etree database. I haven't heard the cassete bootleg, but I believe this is a better source.

12/04/95

Mullins Center, University of Massachusetts
Amherst, MA

2 S

Sennheiser ME80 Shotgun (no other source info)

923MB The source that circulates labelled Schoeps CMC4 -> SX-M2 -> SV250->via external burner->EAC->SHN that supposedly came from me is actually a mislabelled copy of this source ripped with EAC. This is the only souce I've had for this show as of this writing (12/02).

12/09/95

Knickerbocker Arena
Albany, NY

2 S

B+K 4011> Neumann p/s> Sony D10 PRO II> DAP1> ZA2

1.01 GB

12/31/95

Madison Square Garden
New York, NY

2 S

Nakamichi 300 shotguns > DAT

There is a drop out at the begining of Mockingbird. This is from the master DAT.

04/26/96

Fair Grounds Race Course
New Orleans, LA

1 S

Schoeps CMC461 (FOB) > Sonosax SX-M2 > Tascam DA-P1

* 80 Minute Required for SHN The original DAT had an odd quality to the high frequencies, with some occasional noise (wind, perhaps). This was NOT the result of the DAT > CDR transfer, which was purely digital. In spite of the imperfections, this is a rare show of which not many sources are available.

08/13/96

Deer Creek Music Center
Noblesville, IN

2 S

A+

Schoeps CMC6/MK4->Sonosax SX/M2->Panasonic SV-255

Tracked for (2) 80 Minute and (1) 74 minute CDR

08/16/96

Plattsburgh Air Force Base
Plattsburgh, NY

3 S

A+

SBD> DAT

4 disc show

08/17/96

Plattsburgh Air Force Base
Plattsburgh, NY

2 S

A+

DSBD > DATx3 @44.1kHz - @# See Notes

Require (2) 80 minute CDR's for SHN's. @#Slave to the Traffic Light: FM SBD > DAT > CD > EAC > WaveLab 3.0 (editing & hiss reduction) > SHN * Slight bit of diginoise at the start, very short. Appears on DAT also. ** Very first few samples of this track are missing...Appears on DAT also.

10/31/96

The Omni
Atlanta, GA

2 S

A+

DAUD (Unknown) (Etree)

11/07/96

Rupp Arena
Lexington, KY

2 S

Nakamichi CM300+CP4

Set 2 (Audio) requires an 80 minute CDR 773 MB

11/16/96

Omaha Civic Auditorium
Omaha, NE

2 S

A+

Microtech Gefell 300> Sonosax SX-M2> Dat

Tracking Error on SHN's Careful when doing Audio

12/06/96

Aladdin Theater
Las Vegas, NV

2 S

A+

Schoeps CMC-64s> Beyer MV-100 preamp> Apogee AD-500E A/D> DAT

02/20/97

Teatro Smeraldo
Milan, Italy

2 S

A+

DSBD > CD

Missing: Sweet Adeline, Encore: Julius

02/21/97

Tenax
Florence, Italy

2 S

A+

Lemonsource (Official Source Unknown at this point, could be same as 2/18/97)

Lemonsource (Official Source Unknown at this point, could be same as 2/18/97) 80 Minute CD Required for D2

02/28/97

Internationales Congress Centrum
Berlin, Germany

2 S

A+

Unknown

03/02/97

Forum Theater
Copenhagen, Denmark

2 S

A+

Schoeps CMC6/mk4>Oade>SBM

d1t1 late start on dat

06/14/97

The S.F.X. Centre
Dublin, Ireland

2 S

A+

AKG 414 TL2>Oade>SBM-1

07/01/97

Paradiso
Amsterdam, Netherlands

2 S

A+

Neumann TLM170->Sonosax

07/06/97

Spiaggia Di Rivoltella
Brescia, Italy

2 S

A+

AKG C1000

1) There was wind during the soundcheck, less during the show. All recordings have wind, some more, some less. This one is one of the best I've heard from this tour. 2) D2T01 is just audience before the show, the band is not even on stage yet. They come on stage on D1T02 ... You can safely exclude D2T01 if you wish.

07/21/97

Virginia Beach Amphitheatre
Virginia Beach, VA

2 S

A+

Schoeps CMC641 -> Sonosax -> SBM1 -> D8

07/25/97

Starplex Amphitheater
Dallas, TX

2 S

A+

Schoeps CMC641>Oade Preamp>SBM-1>D8

07/25/97

Starplex Amphitheater
Dallas, TX

2 S

A+

Senn 441> DA-P1

I will inform you that when EAC was running it "reported errors". I listened very closely several times and could not hear any difference from the source, thus EAC Logs are included for Reference. I believe that it was due to the Audio CDR discs and the Philips CDR880. I am not sure of the difference but the Consumer Audio Discs always seem to extract slower and "report errors" however, I every time I listened there was zero difference in sound or major spikes or drops, even when looking at it in SoundForge.

07/26/97

South Park Meadows
Austin, TX

2 S

A+

Schoeps CMC64>Oade>DA-P1

07/26/97

South Park Meadows
Austin, TX

2 S

AKG391> Beyer AV100> DA-P1

There is some minor Digital noise from the Source Dat at the beginning of Timber Ho (Recording levels started out kinda hot) D2T1 - 1:00, 1:08, 1:13 - 1:15, 1:18 - 1:21, 1:28, 1:33

10/13/97

A Farmhouse
Stowe, VT

1 S

A+

(all analog): Phish (gen 0) > cleaning lady (gen 1) > neighbor (gen 2) > (gen 3) > WAV > SHN

11/13/97

Thomas & Mack Center
Las Vegas, NV

2 S

A+

Microtech Gefell 210's>DA-P1

11/14/97

E Center
West Valley, UT

2 S

A+

DAUD (Schoeps MK4 > VMS I02B > SBM-1)

11/16/97

McNichols Sports Arena
Denver, CO

2 S

A+

Schoeps CMC65 > Reuthelhuber > SBM-1

11/17/97

McNichols Sports Arena
Denver, CO

2 S

Neumann KM184 > apogee > dap1

11/17/97

McNichols Sports Arena
Denver, CO

2 S

Neumann KM184 > apogee > dap1

11/19/97

Assembly Hall, University Of Illinois
Champaign, IL

2 S

A+

Neumann U87(cardioid)->Sonosax SX-M2->DA-P1 @48kHz

12/05/97

Convocation Center
Cleveland, OH

2 S

A+

Schoeps CMC6/MK41 > PSP-2 > SBM-1 > DA-P1

12/07/97

Ervin J. Nutter Center
Dayton, OH

2 S

SBD>DAT

SBD

12/07/97

Ervin J. Nutter Center
Dayton, OH

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

Official LivePhish Release - Not for Trade

12/11/97

War Memorial
Rochester, NY

2 S

A+

DSBD>?

12/12/97

Pepsi Arena
Albany, NY

2 S

A+

Neumann U87->Sonosax SX-M2->DA-P1

12/13/97

Pepsi Arena
Albany, NY

2 S

A+

B&K 4021->Apogee AD1000

12/29/97

Madison Square Garden
New York, NY

2 F

FOB Neumann km140 > Beyer MV100 > Sony SBM-1

881MB

12/30/97

Madison Square Garden
New York, NY

2 S

CMC641 > Apogee AD1000 > DAT

12/31/97

Madison Square Garden
New York, NY

2 S

A+

AKG 461's > DAP-1

04/03/98

Nassau Veterans Memorial Coliseum
Uniondale, NY

2 S

A+

AKG 461s > D8

This show was retracked for 2 80 minute discs. The fade out/in during the encore break on the master discs was removed by mixing the two tracks together with SoundEdit 16. CD > WAV was done using trackthief. All editing done using SoundEdit 16. For an OTS, the sound is excellent

06/30/98

The Grey Hall
Copenhagen, Denmark

2 S

Neumann U89i (card) > Sonosax SX-M2 > SBM-1 > DAT

1.01 GB NOT AN ETREE SOURCE

07/02/98

The Grey Hall
Copenhagen, Denmark

2 S

Schoeps MK4 (FOB; mics in a hat) > VMS IO2b > KCY > DA P1 recorded@ 48 Lineage: Master Dat > 1st gen clone,

DankSeed minor edits: fades at the beginning and end of each set added using soundforge 5.0 errors: there were sectory boundry errors on these discs that were fixed with shntool:

07/15/98

Portland Meadows
Portland, OR

2 S

A+

Set I : Schoeps CMC64>Lunatec V2>DA-P1 & Set II: Neumann KMi84>Sonosax>SBM-1

Disc 2 requires 80 minute CDR

07/24/98

Cynthia Woods Pavillion
Houston, TX

2 S

DSBD>?>CDR

881MB The beginning of Runaway Jim is cut (approx. first 20-30 seconds). Level fluctuation at beginning of Runaway Jim. Runaway Jim static noises. Approx. - (0:20-0:25), (2:06-2:12), (4:32-4:35), (6:00-6:06), Runaway Jim Dat Noise (3:43), (6:23) Bouncing, static noise (0:20-0:33) My Soul, static noise (1:57-2:03) The Static Noise is like an FM signal that fades in and out, sometimes it is strong and other times it is barely detectable.

08/01/98

Alpine Valley Music Theatre
East Troy, WI

2 S

A+

Schoeps MK41>KC5>CMC6>SX-M2>AD1000>DAP1 @ 48kHz

Fade In/Out done in Soundforge. I also added a bit of leader from another source to piper(the start of set 2) because a couple notes of piper were missed on the master. So @ 52 seconds into piper you hear the splice. The notes are correct but you hear the difference from being way back in the tapers section to fob. So the spliced source for the first 52 seconds of crowd noise before piper is Schoeps MK41/CMC6>SX-M2>DAP1 (in tapers section). 3 tracks were not cut on sector boundaries. They were:d1t09 - d2t01- d3t04 (These were corrected with SHN Tool) Log file is included with the SHN's

08/06/98

Lakewood Amphitheater
Atlanta, GA

2 S

A+

Microtech Gefell 300's > DAP1 > CD

08/09/98

Virginia Beach Amphitheatre
Virginia Beach, VA

2 S

Unknown

Filler on D3 is a DSBD version

08/12/98

Vernon Downs
Vernon, NY

2 S

A+

Schoeps CMC6/MK41 > Sonosax SX-M2 > Tascam DA-P1 > CD-R

08/15/98

Loring Air Force Base
Limestone, ME

1 S

A+

Unknown

Soundcheck - Sounds like the Lemonwheel on-site radio broadcast, the sound is outstanding

10/17/98

Shoreline Amphitheatre
Mountain View, CA

1 S

(Unknown Schoeps) probably Schoeps CCM4>Aerco>SBM>DAT>CD

276MB 12th Annual Bridge School Benefit

10/30/98

Thomas & Mack Center
Las Vegas, NV

2 S

A+

Schoeps CMC641>AD1k

10/31/98

Thomas & Mack Center
Las Vegas, NV

2 S

A+

Schoeps CMC6/MK41 -> Sonosax SX-M2 -> Apogee AD-1000 @ 44.1 khz DAT

12/29/98

Madison Square Garden
New York, NY

2 S

A+

SBD > cass/0 > DAT

06/30/99

Sandstone Ampitheatre
Bonner Springs, KS

2 S

AKG 483>Beyer MV-100>SBM1>DAP1>D8

07/01/99

First American Music Center
Antioch, TN

2 S

A+

AKG 483-> Sonosax-> Tascam DA-P1-> Sony D8

07/04/99

Lakewood Amphitheater
Atlanta, GA

2 S

A+

AKG 480/ck63> dmic-20> dap1

07/20/99

Molson Amphitheater
Toronto, ON

2 S

A+

Schoeps Mics (That is all that is known at the moment)

Levels are low on Chalk Dust Torture until approximately 1:15, then they improve.

08/01/99

Naeba Ski Resort
Naeba, Japan

2 S

A+

SBD >DAT

09/16/99

Shoreline Amphitheatre
Mountain View, CA

2 S

A+

Schoeps CMB1+MK4v > SX-M2 > SBM-1 > D8

09/17/99

Shoreline Amphitheatre
Mountain View, CA

2 S

A+

Schoeps (taper with full info still on tour)

note faint clicks between some tracks: d1: between 3/4, 7/8, 9/10; d2: 2/3, 3/4; d3: 1/2, 2/3, no other flaws noticed; too bassy for some

09/26/99

University of New Orleans Lakefront Arena
New Orleans, LA

2 S

A+

Sets I&II: Schoeps CMC64 -> Apogee A/D1000 -> DAP-1 Encore: AKG480+ck61 -> Beyer MV100 -> SBM1 -> DAP1 -> ZA2 -> SoundForge 4.0 -> CDR

few minor clicks in "Sweet Virginia", but the rest sounds amazing!

12/03/99

Firstar Center
Cincinnati, OH

2 S

A+

Nakamichi 300 Guns -> SBM-1 -> D8

12/05/99

BlueCross Arena
Rochester, NY

2 S

A+

Schoeps CMC6/mk4 > Schoeps VMS52 > SBM-1 > D7

The mic position was in the first row of tapers, dead center mic stand. This might explain the unusually loud crowd noise inbetween songs (and that drunk asshole yelling 'Alumni Blues' inbetween each song).

12/16/99

Reynolds Coliseum
Raleigh, NC

2 S

Phulcrum's Mystery Patch

12/17/99

Hampton Coliseum
Hampton, VA

2 S

A+

AKG 480/CK63>Graham Patten DMIC-20>Tascam DA-P1

12/18/99

Hampton Coliseum
Hampton, VA

2 S

A+

Schoeps mk2h + kc 2.5 + cmc6 > Sonosax sx-m2 > HHb Portadat

12/29/99

Big Cypress Seminole Reservation
Big Cypress, FL

1 S

AKG's ??? > Dat

There is no more info known about the source of this. This is incomplete, and the sound is decent, but by no means is it anywhere near the Neumann U89's.

12/30/99

Big Cypress Seminole Reservation
Big Cypress, FL

3 S

A+

Neumann U89 (Omni Setting)'> Apogee AD1000..> Dat

12/31/99

Big Cypress Seminole Reservation
Big Cypress, FL

5 S

A+

Neumann U89(omni Setting) -> Apogee AD1000 44.1k master (Coversion: Eric Pearson) -> Lineage:

05/15/00

Y100 Sonic Session
Philadelphia, PA

1 S

A+

FM> SBM> Dat

2nd EAC and encoding by Eric McRoberts, 1st eac by James Moore. Has some radio reception pops, they are no from eac or poor d->cd

05/18/00

KFOG Fantasy Studios
Berkeley, CA

2 S

A+

Possibly md -> shn

05/21/00

Radio City Music Hall
New York, NY

2 S

A+

Neumann U89 (Hyper Setting) -> Apogee AD1000 -> Tascam DA-P1 -> Sony D8

05/22/00

Radio City Music Hall
New York, NY

2 S

A+

Neumann U89 (hypercardoid setting) -> Apogee AD1000 -> Tascam DA-P1 -> Sony D8

05/23/00

Roseland Ballroom
New York, NY

2 S

A+

Schoeps m222(tubes)/mk41> nt222> apogee ad-1000> dap1> Sony D8 w/OADE cable

06/09/00

On Air East
Tokyo, Japan

2 S

A+

mk4->kc-5->cmc6->sx-m2->ad-1000 @44.1kHz

06/10/00

Zepp Tokyo
Tokyo, Japan

2 S

A+

Senn Heiser MKE40-60> D8

06/11/00

Hibiya Outdoor Theatre
Tokyo, Japan

2 S

A+

Unknown (Thought to be a Schoeps) From Etree

06/13/00

Club Quattro
Nagoya, Japan

2 S

A+

Schoeps MK4V->KC5->CMC6->Sonosax SX-M2->Apogee AD1000 @ 44.1 Khz> DAT->PC

06/14/00

Drum Logos
Fokuoka, Japan

2 S

A+

Schoeps MK4 > KL5 > CMC6 > E.A.A. > SBM1 > D8

06/15/00

Big Cat
Osaka, Japan

2 S

A+

Schoeps MK4 > KL5 > CMC6 > E.A.A. > SBM1 > D8

06/16/00

Zepp Osaka
Osaka, Japan

2 S

A+

AKG 480/ck61>B18/V48>SBM1

06/22/00

Amsouth Amphitheatre
Antioch, TN

2 S

A+

Neumann KM140 > Sonosax SX-M2 > Panasonic SV-255 (48khz)

06/22/00

Amsouth Amphitheatre
Antioch, TN

2 S

A+

Schoeps CMC641 > Apogee AD-100 > DA-P1 > D8

Some Clipping at upper levels

06/23/00

Lakewood Amphitheatre
Atlanta, GA

2 S

A+

AKG 480/ck63 > Graham Patten DMIC-20 > Tascam DA-P1 (44.1k)

06/23/00

Lakewood Amphitheatre
Atlanta, GA

2 S

A+

Neumann KM150s> v2> ad-1000> DAT

06/24/00

Lakewood Amphitheatre
Atlanta, GA

2 S

A+

Schoeps CMC641(Split 15') > Apogee AD-100 > DA-P1 > D8

Some Clipping observed by Etree members

06/25/00

Alltel Pavilion at Walnut Creek
Raleigh, NC

2 S

A+

AKG 480/ck63 > Graham Patten DMIC-20 > Tascam DA-P1 (44.1k)

06/28/00

PNC Bank Arts Center
Holmdel, NJ

2 S

A+

Neumann ak40s > Neumann lc-3 active cables > Neumann km100s > Lunatec V2 > Audio Magic Presto II XLRs > Apogee AD-1000

06/29/00

PNC Bank Arts Center
Holmdel, NJ

2 S

A+

Neumann ak40s > Neumann lc-3 active cables > Neumann km100s > Lunatec V2 > Audio Magic Presto II XLRs > Apogee AD-1000

06/30/00

Meadows Music Theatre
Hartford, CT

2 S

A+

Neumann ak40s > Neumann lc-3 active cables > Neumann km100s > Audio Magic Presto II XLRs > Apogee AD-1000

07/01/00

Meadows Music Theatre
Hartford, CT

2 S

A+

Neumann ak40s > Neumann lc-3 active cables > Neumann km100s > Lunatec V2 > Audio Magic Presto II XLRs > Apogee AD-1000

07/03/00

E Centre
Camden, NJ

2 S

A+

AKG 480/ck63 > Graham Patten DMIC-20 > Tascam DA-P1 (44.1k)

07/04/00

E Centre
Camden, NJ

2 S

A+

B+K 4011> Lunatec V2> Apogee AD-500e @48kHz

07/06/00

Molson Amphitheatre
Toronto, ON

2 S

A+

Schoeps MK64v's -> Lunatec V2 -> Apogee AD1000 -> D8

07/07/00

StarLake Amphitheatre
Burgettstown, PA

2 S

A+

Geffels M200>SBM-1

07/08/00

Alpine Valley Music Theatre
East Troy, WI

2 S

A+

Microtech Geffell m210(hypercards)> Aerco> SBM-1

07/10/00

Deer Creek Music Center
Noblesville, IN

2 S

A+

Schoeps CMC641 (Split 20') > Apogee AD-1000 > DA-P1 > D8

07/11/00

Deer Creek Music Center
Noblesville, IN

2 S

A+

Schoeps cmc64v>Sonosax SX-M2>GP ADC-20

07/11/00

Deer Creek Music Center
Noblesville, IN

2 S

A+

B&K 4011 --> EAA PSP-2 --> Sony SBM-1 --> Sony M1 (Patch)

07/12/00

Deer Creek Music Center
Noblesville, IN

2 S

A+

Microtech Geffell m210(hypercards)> Aerco> SBM-1

07/14/00

Polaris Amphitheatre
Columbus, OH

2 S

A+

SKM184 > Lunatec V2 > ADL20

07/15/00

Polaris Amphitheatre
Columbus, OH

2 S

A+

Schoeps CMC64V --> Sonosax SX-M2 --> Graham Patton ADC-20 --> DAT

09/08/00

Pepsi Arena
Albany, NY

2 S

A+

Neumann u89 (hypercard) > Apogee AD1000

09/09/00

Pepsi Arena
Albany, NY

2 S

A+

Neumann u89 (hypercard) > Apogee AD1000

09/11/00

Tweeter Center
Mansfield, MA

2 S

A+

Neumann ak40s > neumann lc-3 active cables > neumann km100s > Lunatec V2 > Audio Magic Presto-II XLRs > ADC-20

09/12/00

Tweeter Center
Mansfield, MA

2 S

A+

B&K 4011's > Lunatec V2 > ADC20 > DA-P1

09/14/00

Darien Lake Performing Arts Center
Darien, NY

2 S

A+

Neumann u89i (Cardiod, 80Hz roll off)> Mackie 1202 VLS> Tascam DA-P1 @ 48kHz

09/15/00

Hersheypark Stadium
Hershey, PA

2 S

A+

FOB Schoeps CMC6/MK4 >Lunatec V2 >Apogee AD500E

09/17/00

Merriweather Post Pavilion
Columbia, MD

2 S

A+

Schoeps cmc41> AD1000> DAP1

09/18/00

Blossom Music Center
Cuyahoga Falls, OH

2 S

A+

Schoeps CMC641> Canare Ownzyerass Cables> Apogee AD1000 (44.1 kHz)

09/20/00

Riverbend Music Center
Cincinnati, OH

2 S

A+

Schoeps CMC641> Sonosax> Apogee AD1000 (44.1 kHz)

09/22/00

Allstate Arena
Rosemont, IL

2 S

A+

Schoeps cmc6/mk41 > Lunatec V2 > AD2K+ @ 44.1 16ns3 > DA-P1 (Cables: Audio Magic Excalibur II)

09/23/00

Allstate Arena
Rosemont, IL

2 S

A+

Schoeps cmc6/mk41 > Lunatec V2 > AD2K+ @ 44.1 16ns3 > DA-P1 (Cables: Audio Magic Excalibur II)

Tidbits on tracking. 80 Minute CD Recommended, you could move Piper > Character Zero (d2t06 & d2t07 ) on to disc 3.

09/24/00

Target Center
Minneapolis, MN

2 S

A+

Schoeps cmc6/41s > lunatec v2 > ad2k+ 16ns3 @ 48 > tascam da-p1

09/25/00

Sandstone Amphitheatre
Bonner Springs, KS

2 S

A+

Neumann KM184's>DAT

09/27/00

Fiddler's Green Amphitheatre
Englewood, CO

2 S

A+

Schoeps cmc6/mk4v > Lunatec V2 > Apogee AD-1000 @ 48 > Tascam DA-P1 (Cables: Audio Magic Excalibur II)

09/29/00

Thomas & Mack Center
Las Vegas, NV

2 S

A+

Schoeps mc6/mk4v> LunatecV2> AD1000> D8(48khz)

09/30/00

Thomas & Mack Center
Las Vegas, NV

2 S

A+

Neumann u89i (Hypercardiod, 80Hz roll off)> Graham Patten DMIC-20 @ 48kHz

10/01/00

Desert Sky Pavilion
Phoenix, AZ

2 S

A+

Schoeps cmc64v->Lnatec V2->Apogee AD-1000 @48kHz

10/04/00

Coors Amphitheatre
Chula Vista, CA

1 S

A+

B&K4011->v2->AD500->d8/patch

Missing Encore (Loving Cup)

10/05/00

Verizon Wireless Amphitheater
Irvine, CA

2 S

A+

Schoeps MK41 > Sonosax SX-M2> DA-P1(44.1)

10/06/00

Shoreline Amphitheatre
Mountain View, CA

2 S

A+

AKG 480b's (cardoids) -> Lunatec V2 -> Graham Patton ADC-20 -> DA-P1

10/07/00

Shoreline Amphitheatre
Mountain View, CA

2 S

A+

Schoeps CMC641v > Lunatec V2 > Sonic AD2k @ 48k

10/07/00

Shoreline Amphitheatre
Mountain View, CA

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

Official LivePhish Release - Not for Trade

12/31/02

Madison Square Garden
New York, NY

2 S

A+

LivePhish.com (DSBD)

Official LivePhish Release - Not for Trade

01/02/03

Hampton Coliseum
Hampton, VA

2 S

A+

LivePhish.com (DSBD)

Official LivePhish Release - Not For Trade

01/03/03

Hampton Coliseum
Hampton, VA

2 S

A+

LivePhish.com (DSBD)

Official LivePhish Release - Not for Trade

01/04/03

Hampton Coliseum
Hampton, VA

2 S

A+

LivePhish.com (DSBD)

Official LivePhish Release - Not for Trade 1- 80 Minute CDR required for Audio on D2

02/14/03

Great Western Forum
Inglewood, CA

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

Official LivePhish Release - Not for Trade 903MB

02/15/03

Thomas & Mack Center
Las Vegas, NV

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

Official LivePhish Release - Not for Trade 843MB

02/16/03

Thomas & Mack Center
Las Vegas, NV

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's. - Version 2

Official LivePhish Release version 2 - Not for Trade 857MB This has the corrected file.

02/16/03

Thomas & Mack Center
Las Vegas, NV

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

Official LivePhish Release - Not for Trade 857MB

02/18/03

Pepsi Center
Denver, CO

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

Official LivePhish Release - Not For Trade 1.04GB

02/20/03

Allstate Arena
Rosemont, IL

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

Official LivePhish Release - Not For Trade 1.01GB 80 Minute Required for D1 & D2

02/21/03

US Bank Arena
Cincinnati, OH

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

Official LivePhish Release - Not for Trade 952MB

02/22/03

US Bank Arena
Cincinnati, OH

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

Official LivePhish Release - Not for Trade 0.97GB

02/24/03

Continental Airlines Arena
East Rutherford, NJ

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's. - Version 2

Official LivePhish Release - Not for Trade! - Version 2 1.10GB This is the second set of SHN files on this show. The original had D1T5 Every day as one (24:56) track. D2 had Thrill is Gone at (18:18) and Rock Me Baby (12:37). For some reason, LP decided to track out the jams. No issues, all files ran through SHNtool and checked fine.

02/24/03

Continental Airlines Arena
East Rutherford, NJ

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

Official LivePhish Release - Not for Trade! 1.10GB Version 1 (Rereleased with different track breaks)

02/25/03

First Union Spectrum
Philadelphia, PA

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

Official LivePhish Release - Not for Trade 1.04GB 80 Minute Required for D1

02/26/03

Worcester Centrum Centre
Worcester, MA

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

Official LivePhish Release - Not for Trade 1.08GB

02/28/03

Nassau Veterans Memorial Coliseum
Uniondale, NY

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

Official LivePhish Release - Not for Trade 1.01 GB

03/01/03

Greensboro Coliseum
Greensboro, NC

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

Official LivePhish Release - Not for Trade 1.18GB

07/07/03

The Cricket Pavilion
Phoenix, AZ

2 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files.

806 MB Official LivePhish Release. Not for Trade!

07/08/03

Coors Amphitheatre
Chula Vista, CA

2 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files.

802 MB Official LivePhish Release. Not for Trade!

07/09/03

Shoreline Amphitheatre
Mountain View, CA

2 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files.

862 MB Official LivePhish Release. Not for Trade!

07/10/03

Shoreline Amphitheatre
Mountain View, CA

2 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files.

851 MB Fixed - Official LivePhish Release. Not for Trade!

07/12/03

The Gorge Amphitheatre
George, WA

2 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files.

875 MB Official LivePhish Release, Not for Trade!

07/13/03

The Gorge Amphitheatre
George, WA

2 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files.

905 MB Official LivePhish Release. Not for trade!

07/15/03

USANA Amphitheatre
West Valley City, UT

2 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files.

936 MB Official LivePhish Release. Not for Trade!

07/17/03

Verizon Wireless Amphitheatre
Bonner Springs, KS

2 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files.

882 MB Official LivePhish Release. Not for Trade!

07/18/03

Alpine Valley Music Theatre
East Troy, WI

2 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files

835 MB Official LivePhish Release. Not for trade!

07/19/03

Alpine Valley Music Theatre
East Troy, WI

2 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files

858 MB Official LivePhish Release. Not for Trade!

07/21/03

Verizon Wireless Music Center
Noblesville, IN

2 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files

921 MB Official LivePhish Release. Not for Trade!

07/22/03

Verizon Wireless Music Center
Noblesville, IN

2 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files

861 MB Official LivePhish Release. Not for Trade!

07/23/03

Verizon Wireless Music Center
Noblesville, IN

2 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files

852 MB Official LivePhish Release. Not for Trade!

07/25/03

Verizon Wireless Amphitheatre
Charlotte, NC

2 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files

944 MB Official LivePhish Release. Not for Trade!

07/26/03

HiFi Buys Amphitheatre
Atlanta, GA

2 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files.

928 MB Official LivePhish Release. Not for Trade.

07/27/03

Alltel Pavilion at Walnut Creek
Raleigh, NC

2 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files.

823 MB Official LivePhish Release. Not for Trade.

07/29/03

Post Gazette Pavillion at Star Lake
Burgettstown, PA

2 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files.

866 MB Official LivePhish Release. Not for Trade

07/30/03

Tweeter Center
Camden, NJ

2 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files

910 MB Official LivePhish Release. Not for Trade.

07/31/03

Tweeter Center
Camden, NJ

2 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files

952 MB Official LivePhish Release. Not for Trade!

08/01/03

IT soundcheck
Limestone, ME

1 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files.

320 MB Official LivePhish Release. Not for Trade!

08/02/03

Loring Air Force Base
Limestone, ME

3 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files.

1.71GB Official LivePhish Release. Not for Trade!

08/03/03

Loring Air Force Base
Limestone, ME

3 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files

1.36GB Official LivePhish Release. Not for Trade!

11/28/03

Nassau Veterans Memorial Coliseum
Uniondale, NY

2 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files.

1.09GB Official LivePhish Release. Not for Trade.

11/29/03

Wachovia Spectrum
Philadelphia, PA

2 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files.

894MB Official LivePhish Release. Not for Trade

12/01/03

Pepsi Arena
Albany, NY

2 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files.

964MB Official LivePhish Release. Not for Trade.

12/02/03

FleetCenter
Boston, MA

2 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files.

1.04GB Official LivePhish Release. Not for Trade.

12/28/03

American Airlines Arena
Miami, FL

2 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files.

980MB Official LivePhish Release. Not for Trade

12/29/03

American Airlines Arena
Miami, FL

2 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files.

960MB Official LivePhish Release. Not for Trade

12/30/03

American Airlines Arena
Miami, FL

2 F

A+

LivePhish.com (DSBD) Original Files came as FLAC files.

978MB Official LivePhish Release. Not for Trade.

Pixies
Approximate hours: 3.75

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

12/17/91

Moore Theatre
Seattle, CA

1 S

SONY WMD3DAT > Sonic Studios DSM MICS > DAT MASTER > Metal Cassette 1st gen > CDR > EAC > SHN

487MB

04/13/04

The Fine Line Music Cafe
Minneapolis, MN

1 F

SBD > CD-R > EAC > FLAC

573MB

04/29/04

Freeborn Hall - University of California Davis
Davis, CA

1 S

SBD + AUD -> CDR [LiveDisc MASTER CLONE] ->shn

508MB

Pork Tornado
Approximate hours: 2.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

04/28/01

Northern Lights
Clifton Park, NY

2 S

A+

AKG C480B+CK61ULS-> Lunatec V2-> Sonic AD2K+-> Tascam DA-P1

Prince
Approximate hours: 3.75

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

06/17/87

Palais Omnisport de Bercy
Paris, France

1 S

A-

Silver CD "Wonderboy" > EAC > SHN

12/31/87

Paisley Park Studios
Minneapolis, MN

1 S

CD > EAC v.0.85 beta 4 > WAV > mkwACT 0.97 beta 1 > SHN

520MB

10/25/02

Falkoner
Copenhagen, Denmark

1 S

SBD

495MB * The "Copenhagen We Be Shakin" bootleg cd contained about 10 glitches. The glitches were not introduced by bad ripping as they are present on the original silver cd which served as a source for the "Copenhagen We Be Shakin" cd. The glitches were mostly added data, not erased data, so this wasn't too difficult to clean.

Red Hot Chili Peppers
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

05/02/86

Astor Park
Seattle, WA

1 S

A-

Unknown

Ritz Power Jam
Approximate hours: 2.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

02/05/93

The Ritz
New York, NY

2 S

A+

suspected lineage DSBD?>DAT?>CD-R?

Requires (2) 80 Minute CDR's for SHN

Rob Zombie
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

04/24/02

The Tabernacle
Atlanta, GA

1 S

DPA 4022s > Sonosax sx-m2 > D100

Rush
Approximate hours: 6.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

12/22/74

Electric Lady Studios
New York, NY

1 S

A+

Boot CD "Rush Hour"> EAC> CDR

"Rush Hour" Boot CD Date is Unknown

02/14/80

Kiel Auditorium
St. Louis, MO

1 S

A+

Boot CD "Spirit of St. Louis"> EAC> CDR

Boot CD "Spirit of St. Louis"

05/21/83

Wembley Arena
London, England

2 S

A+

Boot CD "Signals from London Remaster"> EAC> CDR

Boot CD "Signals from London Remaster"

04/16/86

The Spectrum
Philadelphia, PA

1 S

A+

Mystic Dreams "Boot CD"> EAC> CDR

Mystic Dreams "Boot CD" Date is unknown - Guessed at 4/16/86 (by etree database)

Rusted Root
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

09/08/00

Carnegie Mellon University
Pittsburgh, PA

1 S

Schoeps CCM-4 > Beyer MV-100 > Tascam DA-P1

The battery of the DA-P1 was running very low at the end of the encore...this is evidenced in reduced levels in d2t07.

Sam Kinison
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

11/21/87

Auditorium Theater
Chicago, IL

1 F

Audience Recording (Sam Spoken Here) - Original CDR> EAC> WAV> FLAC

419MB

Santana
Approximate hours: 2.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

04/18/99

Fillmore West
San Francisco, CA

2 S

A+

Boot CDRUnknown

D3T1 is funky in the begining but very listenable. The person I traded with got his disks right from the taper. This is a copy of the original recording. He probably had to switch tapes. No lineage is availible.

Simon & Garfunkel
Approximate hours: 2.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

11/09/69

Miami University
Oxford, OH

1 S

A+

Sbd> ?> Dat (Boot CD - Back to College)

Boot CD - "Back To College"

05/??/70

Unknown
Paris, France

1 S

Unknown

263MB

Soulive
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

12/09/00

Grinnell College
Grinnell, IA

1 S

A+

schoeps cmc621> snake> + sbd> mackie 1202vls>adk

Steve Kimock Band
Approximate hours: 2.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

02/05/02

The Conduit
Trenton, NJ

2 S

*24-bit/48kHz recording* - {onstage} Schoeps CMC6-MK4V (DFC, ORTF) > Lunatec V2 > AD2K+ @ 24/48 > DAARWIN-24; Mastering: Sound Forge 5.0; Encoding: WAV > APE v3.91b1 > WAV > SHN [no DAE]

16-bit .SHNs = 980MB

Steven Wright
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

10/31/99

UIC
Chicago, IL

1 F

A-

Unknown

20MB One Track

String Cheese Incident
Approximate hours: 25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

10/06/99

Barrymore Theatre
Madison, WI

2 S

A+

Matrix SBD > Dat

07/21/00

Greek Theatre
Berkeley, CA

2 S

A+

SBD > DA-P1

08/12/00

Berkshire Mountain Music Festival
Great Barrington, MA

1 S

DSBD clone > SonyR500

471MB

10/31/00

State Theatre
Portland, ME

2 S

A+

Sonic AD2K+ > SBD (XLR) >TASCAM DAP1

# = There is a ~20 second gap during Outside Inside. However, this cut was a result of the entire PA power cutting out. During those 4 seconds, there was no sound coming through the stacks on the stage either. Tapers using mics will have a similar "cut" in their tapes save for the faint drum beat and the crowd's reaction when the sick jam suddenly cut out completely

12/21/00

The Boulder Theatre
Boulder, CO

2 S

A+

AKG 300b/ck91>Beyer mv100>DA-P1

(2) 80 minute CDR's

02/17/01

The Fillmore Auditorum
Denver, CO

2 S

A+

AKG 391's >Tascam DA-P1 (44.1Khz) - (set 1-xy @ 90 degrees) - (set 2-OTRF)

02/20/01

Dobson Arena
Vail, CO

2 S

A+

Akg 391> DA-P1 (encore Neumann KM140's >Lunatec V2 >GP ADC-20)

Encore has a different source

Houston Field House
Troy, NY

2 S

A+

MK41v > ECMS > SBM-1 > DA-P1

884MB SCI with MMW

03/23/02

The Fillmore Auditorum
Denver, CO

2 S

AKG 391>MV-100>SBM1>D8

04/04/02

Waterloo Park
Austin, TX

1 S

A-

Unknown

Unknown source

Bonnaroo Music Festival
Manchester, TN

2 S

A+

B&K 4022 (ORTF)-> Lunatec V2-> Apogee AD500E

Sublime
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

10/21/95

The Palace
Hollywood, CA

1 S

A+

DSBD> Dat

SuperJam
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

Bonnaroo
Manchester, TN

1 S

B&K 4022 (XY)-> Lunatec V2-> Apogee AD500E

Talking Heads
Approximate hours: 3.75

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

08/24/79

Berklee Performance Center
Boston, MA

1 S

A+

Liberated Boot

08/05/83

Saratoga Performing Arts Center
Saratoga Springs, NY

2 S

A+

FM > Cass Master > DAT

Tenacious D
Approximate hours: 7.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

07/27/01

Avalon
Boston, MA

1 S

A+

Schoeps mk4(110deg) > BR Box > SBM-1(Oade Mod) > M1 @44.1kHz

Dankseed Certified First usage of the new 2K1 version of the Huber Box, mics 110 degrees in hat, SBM-1 line in at 5.7 to start, adjusted to 6.2 at ~11 mins abs, @44.1kHz Minor Edits: Fades in/out beg/end of show--3 sec in all cases

08/24/01

Red Rocks Amphitheatre
Morrison, CO

1 S

A+

FOB km140s>mp2>adc20>p1

273MB

09/28/01

Higher Ground
Winooski, VT

1 S

DSBD: SBD > SBM-1 > Oade Cable > D7 @44.1kHz Master (from D7) used in below transfer

Dankseed Notes: The silence at the end of t28 is on the master as is due to the SBD switching sources from PA to post show music abruptly. Minor Edits: Fades in/out beg/end of sets--5 sec in all cases

02/21/02

Slim's
San Francisco, CA

2 S

Schoeps mics

04/04/02

Waterloo Park
Austin, TX

1 S

Unknown

427MB

The Beach Boys
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

10/22/66

Hill Auditorium, University of Michigan
Ann Arbor, MI

1 S

sdb> 4 track> 2 track> dat

Show B

The Big Wu
Approximate hours: 2.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

08/26/00

Minnesota Zoo Ampitheatre
Apple Valley, MN

2 S

A+

Unknown (Very Crispy) Could be a SBD

The Blues Brothers
Approximate hours: 2.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

12/31/78

Winterland
San Francisco, CA

1 S

SB > ??? > cdr > EAC > WAV > SHN

Complete show.

12/31/78

Winterland
San Francisco, CA

1 S

Unknown

Incomplete faded in/out the beginning/end 267MB

The Codetalkers
Approximate hours: 2.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

04/13/01

The Webster Theatre
Hartford, CT

2 S

A+

AKG 480/ck63 > Graham Patten DMIC-20 > Tascam DA-P1 (44.1k)

The Dead
Approximate hours: 2.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

02/14/03

Warfield Theatre
San Francisco, CA

2 F

MultiTrack Digital Audience The mics: 2xU89i (hypercard) + 2xCMC6MK4v + 2xKM143 > MOTU 896 > Mac iBook the Motu 896 provided preamp and A>D for all six channels. Firewire to the iBook Recording Software: Digital Performer 3

The Other Ones
Approximate hours: 7.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

08/03/02

Alpine Valley Music Theatre
East Troy, WI

2 S

FM > Sony mini disc (used only to convert to A/D) > Optical Cable > SBLive > Wavelab > CD

1.35GB Wav Merge was used to merge the last 2 songs on set 1 to fit on a 80 min. disc. Station ID'S edited with SF 4.5 Tracks cut with CDWave via wally Sector boundaries confirmed using shntool.

08/03/02

Alpine Valley Music Theatre
East Troy, WI

2 S

Schoeps MK4>KC5>CMC6>Apogee AD-1000>Sony D7 (48khz)

Music got quiet, because the guys whos seats we were taping at got all pissed at us, and finally made us move our gear. Happened toward End of Set 1. Moved to row BB, seat 124.

08/04/02

Alpine Valley Music Theatre
East Troy, WI

2 S

A+

Schoeps MK4V>KC5>CMC6 > Apogee Mini-Me > Sony D8 (48khz)

The Slip
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

05/21/97

Club Passim
Cambridge, MA

1 S

AT822 > DAT (D8) > CDR

The Word
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

06/27/01

Bowery Ballroom
New York, NY

1 S

A+

B&K 4022's >Sonosax SX-M2 > AD2K > HHB1Pro

80 Minute CDR Required for Audio

Tom Petty & The Heartbreakers
Approximate hours: 2.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

07/04/01

Marcus Amphitheater
Milwaukee, WI

2 S

A+

Schoeps mk4v> kcy active cables> Schoeps VMS 02 IB> Audiomagic Excalibur-II RCAs> SBM-1> PCM-M1 @ 48khz

770MB

Tony Rice Unit
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

01/05/89

The Birchmere
Alexandria, VA

1 S

A+

Beyer M260 > Sony D5

Tool
Approximate hours: 6.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

05/02/92

JC Dobbs
Philadelphia, PA

1 S

A-

Liberated Bootleg : Playing God

The original source of this recording was VHS, but it sounds really good knowing that fact. There is little distortion, only when maynard is screaming his lungs out. Even then it's still very listenable.

11/23/96

Electric Factory
Philadelphia, PA

1 S

Induction (BOOT CD) [DAUD] > EAC> SHN

w/ Tool 3/1/97 SHN

12/19/96

Universal Amphitheater
Los Angeles, CA

1 S

Unknown

03/01/97

Mid Hudson Civic Center
Poughkeepsie, NY

1 S

DAUD

10/06/01

Verizon Wireless Amphitheater
Charlotte, NC

1 S

Neumann ak40s > Neumann lc-3 active cables > Neumann km100s > Audio Magic X-Stream XLRs > Sonosax sx-m2 > Sony D100

Trey Anastasio
Approximate hours: 128.75

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

12/07/82

Taft School
Watertown, CT

1 S

A-

Aud> CDR

Space Antelope Good for the Age of the tape

05/21/97

Club Toast
Burlington, VT

1 S

SBD > DAT > CDR

556MB Band is Titled as "New York" Lineup: Trey Anastasio - Guitar; Mike Gordon - Bass, Vocals; James Harvey - Drums, Trombone, Keys, Vocals; Tom Lawson - Guitar, Vocals, Drums; Pistol Stamen - Guitar, Vocals

02/05/00

Carnegie Hall
New York, NY

1 S

A+

B&K 4021> Apogee AD1000> Sony M1 at 44.1khz

Trey Anastasio Solo

02/24/00

Olympic Auditorium
Los Angeles, CA

1 S

A+

Sonic Studios DSM6 omni caps> Sony D8 w/oade preamp

Trey Anastasio, BB King, & The Roots None of the original DAT was cut nor messed with any sound levels of any kind. The crowd noise is very loud at points but what can you expect from a stealth recording. This recording is from the IMAX filiming of an upcoming release "All Access."

02/02/01

Troy Savings Bank Music Hall
Troy, NY

1 S

Sony mic -> Minidisc

Trey Anastasio and the Vermont Youth Orchestra # at about 10:00 the micdropped and it took a few seconds to get it back

02/04/01

Flynn Center For The Performing Arts
Burlington, VT

1 S

Schoeps CMC641 > OADE > DAP1

Trey Anastasio and the Vermont Youth Orchestra Note with SHNs: I received this in audio (no shns, I was told). It sounds pretty good, but had VERY loud clapping and by badly tracked. I pieced the show back together and retracked using my common sense. I then lower the DBs on the loud clapping segments to make for a smoother listen. All digital editing was done with Cool Edit Pro. I think this show sound great in contrast to the difficult nature of capturing an orchestral performance.

02/21/01

Orpheum Theater
Boston, MA

2 S

A+

Neumann Km140s > Luantec V2 > Sonic AD2K+>DAP1

Trey Anastasio Band

02/22/01

Landmark Theatre
Syracuse, NY

2 S

A+

MBHO 603a/KA200n (cardioid)>stewart BPS-1>Tascam dap-1

Trey Anastasio Band

02/23/01

NBC Studios
New York, NY

2 S

A+

DAUD/Schoeps CMC6/mk41> EAA PSP-2> DAP1 @44.1k> Master (DAP1 patch, canare coax cable) used in transfer

Trey Anastasio Band

02/23/01

NBC Studios
New York, NY

1 S

A+

Digital Cable TV (Time Warner Albany) > SBM-1 > Fiji > CD Wave > Cool Edit (fades) > SHN v3

Trey Anastasio Band Conan O'Brien Show

02/24/01

The Tower Theatre
Upper Darby, PA

2 S

A+

Schoeps cmc6/mk4 -> dmic 20 -> Sony D8

Trey Anastasio Band

02/26/01

State Theater
Cleveland, OH

2 S

A+

Neumann U87ai (cardioid)> AD1000> D8

Trey Anastasio Band

02/27/01

Buruss Auditorium
Blacksburg, VA

2 S

A+

Schoeps mk4 > AD1000 > D8

Trey Anastasio Band

02/28/01

Landmark Theater
Richmond, VA

2 S

A+

MBHO 603a/KA200n (cardioid)> stewart BPS-1> Tascam dap-1

Trey Anastasio Band

02/28/01

Landmark Theater
Richmond, VA

2 S

A+

Nuemann TLM170 (cardiod) -> Apogee AD1000 -> DA-P1 (48k)

Trey Anastasio Band

03/02/01

Thomas Wolfe Auditorium
Asheville, NC

2 S

A+

Neumann u89i (Cardiod, ORTF)> EAA-PSP2 (Set I @ 35dB, Set II @ 41dB)> Graham Patten ADC-20> Sony PCM-M1

Trey Anastasio Band

03/03/01

Township Auditorium
Columbia, SC

2 S

A+

Neumann AK40 (ortf) -> LC3 -> KM100 -> Apogee AD1000 ->Tascam DA-P1

Trey Anastasio Band

03/04/01

Fox Theatre
Atlanta, GA

2 S

A+

Schoeps > AD1000

Trey Anastasio Band

03/05/01

Fox Theatre
Atlanta, GA

2 S

A+

Schoeps > AD1000

Trey Anastasio Band

07/04/01

Higher Ground
Winooski, VT

2 S

A+

Schoeps cmc64(approx. 90deg)->EAA PSP-3->Apogee AD-1000 @44.1kHz

Trey Anastasio Band Gain on the PSP-3 was initally at +40db, then switched--you can hear where this happens (after Cayman Review). 5 second fades at the start and end of each set. *Dankseed Certification received 01-07-10*

07/13/01

Greek Theatre
Berkeley, CA

2 S

A+

Neumann KM184> Aeta PSP3> Apogee AD1000(44.1kHz)> D8

Trey Anastasio Band

07/14/01

Greek Theater
Berkeley, CA

2 S

A+

Neumann KM140's>Apogee AD-1000(+30db)>Dat

Trey Anastasio Band

07/18/01

Red Rocks Ampitheatre
Morrison, CO

2 S

A+

(Midside Matrix) Schoeps CMC621/CMC68 > Sonosax SX-M2 > Apogee AD1000 > Sony D8

985MB

07/18/01

Red Rocks Ampitheatre
Morrison, CO

2 S

A+

DSBD/AUD reference > 48KHz DAT > Protools > CD-R

Carrying on a long tradition of officially-seeded trees, we are pleased to announce the release of soundboard/audience reference CD's from Trey's 7/18/01 Red Rocks show (with filler from 7/17/01). We will seed CDR's to one tree through the digiphish newsgroup and will also provide CDR's to etree and nugs.net for online distribution. Enjoy! --ks" (Kevin Shapiro, Phish Archivist)

07/21/01

Alpine Valley Music Theatre
East Troy, WI

2 S

A+

B&K 4022>Lunatec V2>AD1000>D8 @ 48kHz

Trey Anastasio Band MINOR digistatic edited out with Soundforge in: d1t03 @ 1:04 d3t02 @ 0:24 All sector boundaries verified with shntool.

07/22/01

Deer Creek Music Center
Noblesville, IN

2 S

A+

Microtech Gefell m210>mv-100>sbm-1>d8

07/26/01

Hi-Fi Buys - Lakewood
Atlanta, GA

2 S

A+

Neumann u89i (hyper)> EAA-PSP7> Graham Pattern> ADC-20> DA-P1

D2T1 Misses the first few notes on recording Show is tracked incorrectly

07/27/01

Alltel Pavilion at Walnut Creek
Raleigh, NC

2 S

A+

Neumann u89i (hyper)> EAA-PSP7> Graham Pattern> ADC 20> DA-P1

07/28/01

Merriweather Post Pavillion
Columbia, MD

2 S

A+

Schoeps CMC64V>Apogee AD1000>Sony D8

07/29/01

PNC Bank Arts Center
Holmdel, NJ

2 S

A+

Neumann U89 (hyper setting)>apogeee ad1000>dap1

1.05 GB The tuning track on disk 2 is made one track because apparently trey just came out without notice and caught everyone off guard. So the apogee was started for it..then turned off and back on after...I basically did some minor editting on the tuning track to smooth it out. No big deal.

08/03/01

Jones Beach Ampitheatre
Wantagh, NY

2 S

A+

DAUD/FOB Schoeps mk4(ortf)->kc5 actives->cmc6->Lunatec 316(+48dB)->DA-P1 @44.1kHz

Master (from DA-P1) used in transfer **No DAE or resampling at all** Orch A, Row O, Seat 8. It was actually seat 6 for 1st 3 songs then I moved the stand over to seat 8. This was only a few seats right of DFC. DA-P1 was at line in @ 3.2. Stand started at 4'8" and was krept up each song. Stand was at 5'4" for all of set 2.

08/04/01

Tweeter Center
Mansfield, MA

2 S

A+

Neumann U89i>Sony D8

08/05/01

Saratoga Performing Arts Center
Saratoga Springs, NY

2 S

A+

Schoeps mk4(ortf)->kc-5 actives->cmc6->Lunatec 316(+48dB)->SBM-1(Oade Mod.)->DA-P1->BTP @44.1kHz

DankSeed Certified Recording on a stand from Orch Sec 3, Row R, Seat 127. This was only a few seats left of DFC--about six rows in front of Paul. SBM-1 line in @ 2.7. Stand started about 4'8" at the beg. of both sets. Stand was at about 5'6" for the latter 2/3's of set 1 and all of set 2 after Plasma. Fades added at the start and end of each set.

05/26/02

Calaveras County Fairgrounds
Angels Camp, CA

1 S

A+

Schoeps MK4V>KC5>Lunatec V2>Apogee AD1000 @ 44.1K>Master DAT

Known Flaw: Gain adjustment at 1:41 in Mozambique-fixed in Soundforge via normalization of the first 1:41 Low Pass filter adjustment at 18:20 in Mister Completely - left alone

05/28/02

Open Air Theatre, San Diego State University
San Diego, CA

2 S

Neumann KM150's(at front right corner of sbd)>Lunatec V2>Apogee AD-1000 @44.1> Sony D8

05/29/02

The Greek Theater
Los Angeles, CA

2 S

Neumann KM150's(at front left corner of sbd)>Lunatec V2>Apogee AD-1000 @44.1> Sony D8

05/31/02

Thomas and Mack Center
Las Vegas, NV

2 S

A+

Neumann ak40's > lc-3ka > km100 > Oade 148 > AD-500e > D7 @48kHz

06/04/02

Red Rocks Ampitheatre
Morrison, CO

2 S

Neumann TLM170's (cardioid, DFC, OTS) -> Apogee AD-1000 -> Sony M1 @ 48k (patch)

06/06/02

UIC Pavilion
Chicago, IL

2 S

Set 1: Neumann ak40's > LC-3KA > KM100 > Sonosax SX-M2 > AD-500e > D7 @48kHz Set 2: Neumann ak40's > LC-3KA > KM100 > Oade m148 > AD-500e > D7 @ 48kHz

(1) 80 Minute CD Required for shn

06/07/02

Fox Theater
Detroit, MI

2 S

Schoeps MK41/cmc6>V2>AD2K+>D8 @44.1 kHz

SHN D1 is with TAB 6/13/02

06/13/02

Palace Theater
Albany, NY

2 S

Sets 1 & 2: Neumann TLM-170/c > USBPre @ 24 bit > Sound Forge 5.0 > Apogee UV22HR 16 bit dither (Wave Lab 4) > CD Wave > SHN v3 Encore: 8th row center mk21 > CMC6 > KC5 > AD1000 by t34m/chun

SHN D1 on TAB 6/7/2002D1

06/18/02

Radio City Music Hall
New York, NY

2 S

DPA (B&K) 4022s > Sound Devices MP-2 > Audio Magic Sorcerer XLRs > Sonic AD2k+@16NS3, +20, 48khz > Sony D8

Merriweather Post Pavillion
Columbia, MD

2 S

Schoeps M22241 > Elvo NT222 > AD1000 > DAT

06/23/02

Great Stage Park
Manchester, TN

2 S

A+

Neumann ak40's (ortf) > lc-3 > km100 > Lunatec V2 > AD2k+ > P1 > D7 (patch)

There are a few times where the mics get hit by glow sticks!! (god damn things!) Most of them are in "A Night Speaks". Just wanted to warn you, but other than that, a solid recording!

10/24/02

Portland Expo Center
Portland, ME

2 S

schoeps_mk4>kc5>cmc6>Apogee_AD1000>Nomadj3@44.1kHz

Mic Location: fob 5'6" on stand (ortf) just right of center approx 80 ft from stage, half way between stage and soundboard D2 Requires an 80 Minute CDR

05/26/03

Hammerstein Ballroom
New York, NY

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

Official LivePhish Release These files are not meant for trading!!!

05/27/03

Hammerstein Ballroom
New York, NY

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

LivePhish Release - Not for Trade!

05/28/03

Electric Factory
Philadelphia, PA

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

965MB Live Phish Release - Not for Trade - These files are not meant for trading!!!

05/30/03

Warfield Theatre
San Francisco, CA

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

1.0GB Live Phish Release - Not for Trade - These files are not meant for trading!!!

05/31/03

Warfield Theatre
San Francisco, CA

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

Official LivePhish Release. Not for Trade!

06/02/03

The Fillmore Auditorum
Denver, CO

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

994MB Official LivePhish Release - Not for Trade!

06/04/03

Chicago Theatre
Chicago, IL

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

972MB Official LivePhish Release - Not for trade

06/05/03

Chicago Theatre
Chicago, IL

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

957MB Official LivePhish Release - Not for trade

06/07/03

Memorial Auditorium
Burlington, VT

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

Official LivePhish Release - Not for Trade 837MB

06/08/03

Memorial Auditorium
Burlington, VT

2 S

A+

LivePhish.com (DSBD) Original Files came as SHN files, with MD5's.

LivePhish Source - Not for Trade!

04/11/04

Higher Ground
Winooski, VT

1 F

Schoeps mk41>kc5>cmc6>Lunatec V2>ad2k+>vx pocket>Toshiba 3490ct>vegas 3.0 (24/48)>wavelab (resample and uv22hr dither)>cdwav editor>flac

EasterJam 2004 TAB and Phish

U2
Approximate hours: 5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

11/15/87

Oakland-Alameda County Stadium
Oakland, CA

2 S

A+

PCM > DAT

03/29/01

Charlotte Coliseum
Charlotte, NC

2 S

A+

Neumann KM140>Sonosax SX-M2>D100

Van Halen
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

05/06/78

Paradiso
Amsterdam, Holland

1 S

A-

AUD - "Burning Blood" bootleg

*There is an edit at 3:11 of track 10 (sounds like the cheering leading up to the first encore was edited out). There is one other edit at 4:58 of track 12 that I smoothed over with a sound editor.

Vanessa Carlton
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

08/28/02

Alltel Pavilion at Walnut Creek
Raleigh, NC

1 S

A-

AT 853 (Cards) -> SP Batt Box (160 Hz rolloff) -> 24 bit mod SBM-1 -> D100

Various Artists
Approximate hours: 1.25

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

01/01/01

Apple Records Compact Disc UK Singles Collection
London, England

1 S

Cass?> CD

Rare Reefer Tracks from the 1930's thru 1970's or 1980's

Vida Blue
Approximate hours: 5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

12/30/01

Higher Ground
South Burlington, VT

1 S

A+

schoeps-mk4>kc5's>cmc6>sxm2>ad1k>d100(@44.1k)

12/31/01

Roseland Ballroom
New York, NY

1 S

Schoeps mk4>kc5>cmc6 >sonosax sx-m2 > apogee ad1000>sony-d100@44.1khz's.

Notes: Lots of Balloons popping on D2T02, after crossing over to 2002. Vida Blue is Page McConnell of Phish, Oteil Burbridge of the Allman Brothers Band, and Russell Batiste of the Funky Meters. Midnight was celebrated with KISS-like pyrotechnics and a balloon drop. Page did not play on "America the Beautiful"; Oteil dedicated the song to New York because "they'd been through a lot this year." "Light Up or Leave Me Alone" featured Trey Anastasio and Mike Gordon of Phish, both playing Languedoc guitars (Mike on a new one recently built for him by Paul, and Trey on the older, butterscotch colored one of his). Phish lighting director Chris Kuroda manned the light board, and Phish soundman Paul Languedoc served as front- of-house engineer

01/10/04

Roseland Ballroom
New York, NY

2 F

AKG 393 ortf 7 ft next to SB> B18 > Denecke AD-20 > PCM-1 (44.1)

720MB signal drop 3:15 to 3:22 in d01t01 was removed

Ween
Approximate hours: 2.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

08/06/99

The Warfield
San Francisco, CA

2 S

A+

Schoeps CCM4s>aerco>AD-1000

Widespread Panic
Approximate hours: 87.5

Date

Venue

Media

Show Quality

Sound Quality

Source

Notes

02/09/86

Panoramic Recording Studio
Arnoldsville, GA

1 S

vinyl->DAT

WSP Single Recorded at Panoramic Recording Studio, Arnoldsville, GA there is some minor vocal distortion throughout both songs. it's on the original seed as well, but it's masked by the crackles. pulling the pops and crackles out cleaned them up quite nicely, especially considering the vinyl heritage. The static/distortion that was at 2:19 of coconut image is still there--not much one can do about that.

05/24/92

Ziggy's
Winston Salem, NC

2 S

A+

SBD> DAT

11/11/93

The Roxy
Los Angeles, CA

2 S

A+

DSBD> Dat

06/02/95

Deep Ellum Live
Dallas, TX

2 S

A+

Schoeps CMC541 > tascam da-20mkII

973MB

07/13/95

Bricktown Amphitheater
Oklahoma City, OK

2 S

A+

Digital soundboard>Analog Cassette (D6)>Digitally transferred using a mixing console with pro tools in a professional recording studio>CD

Master soundboard digital recording by Wes Delk (sound engineer at the time) using a Tascam pro dat recorder, who then lent me the dat and their Tascam overnight, and I taped it using my Sony D-6. Mastering: Ben Blank recording studio, eac,wav and shn transfer by jeff miller Known Flaws: Blackout is missing at the end of set 1(not a tragedy). Drums pt. 1 fades out and then back in on d2 due to analog tape flip. Out of papas, the beginning bass riffs of MSTM start, then fade, then fade back in to MSTM before it starts. This was edited this way to fit on two disks. All of the fades are very clean and not annoying. Notes: -CD2 requires a 80 min disk. -Drums 1: Very Short -Drums 2: Sunny never stopped playing between MSTM & the encore, Mr. Soul. (as with many other songs as well, listen closely as sunny plays and plays and plays!) JB mumbles something about sunny right before they start Mr. soul, but I can't understand what he says, but I think he was poking fun at him. -On the original, the Encore was moved to end of cd 1 so it show would fit on two disks, for this SHN version, I reorganized the tracks to preserve the flow of the show.

01/23/96

Ten Mile Room
Breckenridge, CO

2 S

A+

DSBD> Dat

05/09/97

Aragon Ballroom
Chicago, IL

2 S

DSBD (@48kHz)

There was some digital static right at the beginning of d1t01. Part of it during tuning was removed and the first second of actual music was smoothed out a bit.

06/22/97

Riverpark Amphitheater
Tulsa, OK

2 S

AKG 391> Beyer MV100> DA-P1

832MB EAC Logs are included with SHN files. EAC Log for D1 takes into account the Encore, which was originally placed at the end of D1, to conserve media. For this release, I have moved those files to D3, to regain the actual flow of the show.

09/07/97

Harborlights Pavilion
Boston, MA

2 S

A+

Unknown

Source Unknown

11/20/97

Robinson Music Hall
Little Rock, AR

2 S

A+

M210> Oade M148> Sbm-1> Dat

11/20/97

Robinson Music Hall
Little Rock, AR

2 F

MG 210>Oade m148>sbm-1

795MB

10/31/98

University of New Orleans Lakefront Arena
New Orleans, LA

2 S

A+

AKG 483> Lunatech

10/23/99

UIC Pavilion
Chicago, IL

2 S

A+

AKG 483s-> Lunatec V2-> Dat

11/21/99

Palace Theater
New Haven, CT

2 S

A+

AKG 481> Apogee AD1000> Dat

11/23/99

Electric Factory
Philadelphia, PA

2 S

A+

Schoeps CMC54 (orft)> Sonosax> DA-P1

11/24/99

Electric Factory
Philadelphia, PA

2 S

A+

Schoeps CMC54 (orft)> Sonosax> SBM1>

04/14/00

Bob Carpenter Center
Newark, DE

2 S

A+

Schoeps mk41 ortf>KC5>CMC6>Sonosax>HHB (Schoeps Active Cables)

10/21/00

Independence Arena
Charlotte, NC

2 S

A+

mk4v>KC5>M222>NT222>ADK>HHb

12/31/00

Philips Arena
Atlanta, GA

2 S

A+

Schoeps MK41v>KC5>M222>NT222>AD1K>HHB

04/18/01

Millett Hall, Miami University
Oxford, OH

2 S

A+

Schoeps mk41v>KC5>AD1K>HHb

04/22/01

Macon Coliseum
Macon, GA

2 S

A+

AKG481>Oade M148>AD1000

07/15/01

I.C. Light Ampitheater
Pittsburgh, PA

2 S

A+

Schoeps mk4v>KC5>M222>NT222>VMS5U>AD1000>HHb

856MB

10/11/01

Expression Center for New Media
Emeryville, CA

1 S

A+

Yamaha Receiver> Analog out> HD

410MB KFOG Show

10/14/01

Greek Theatre, Univ. of California
Berkeley, CA

2 S

A+

AKG481 about 45 degrees (DIN)> V2 set at 35> Graham Patten ADC-20(calibrated to the V2 by Nutter)> DAP1

820MB

10/16/01

Paramount Ballroom
Seattle, WA

2 S

A+

Nakamichi (unknown model) > Zafiro Pre > DAP1

964MB

10/22/01

Cricket Pavilion
Phoenix, AZ

2 S

A+

MBHO 603's > DMic20 > DA-P1

On the same Disc as WSP 10/27/01

University of New Orleans Lakefront Arena
New Orleans, LA

2 S

A+

Schoeps MK4V > SX-M2 > M1

1.02 GB On the same disc as WSP 10/22/01