Grateful Dead
--- Approximate Hours: 4162.5
|
| Show Date |
Venue |
Media Type |
Media Count |
Sound Quality |
Notes |
|
11/03/65
|
Golden State Studios |
WMA |
1 |
|
Autumn Records Demo, The Warlocks
Source:SBD>MR>??>DAT>CDR
Conversion: CDR > EAC(secure) > mkwact(seekable) mvernon54@attbi.com
Notes:
1. Caution fades out at 3:10
2. shntool confirms tracks on sector boundaries
3. small spikes at the start of some tracks were silenced using Cool Edit
Part of The Music Never Stopped Project 2002 shn em up initiative 4/24/2002
Thanks to Raoul Duke for the disks! |
|
02/12/66
|
Youth Opportunities Center |
|
2 |
|
Disc Five: Supplementary CD#1 [74:04]
The Watts Acid Test February 12, 1966
Youth Opportunities Center, Compton, CA
01. Who Cares Rap (Pigpen, Weir, etc.) [6:08}
Notes:
The 8th song, previously notated as "unknown instrumental" on Deadlists, is a cover of Freddy King's "Heads Up." The 9th tune, previously listed as "The Same Thing (instrumental)," is definitely NOT that song. Although it is a
standard blues and sounds similar at the beginning, closer listening makes it pretty obvious that it is an entirely different song, title unknown. The Viola Lee Blues on this expanded version is a different version than on the
previous three song version of Pico Acid Test. This is an ongoing mystery, although it should be said that both versions are worth having. |
|
02/25/66
|
Ivar Theater |
WMA |
1 |
|
MR>DATx>CD
|
|
03/12/66
|
Danish Center |
WMA |
2 |
|
The Pico Acid Test March 12, 1966 (EXPANDED VERSION)
Danish Center, Los Angeles, CA
02. Viola Lee Blues [11:54]
03. One Kind Favor [4:19]
04. I Know You Rider [2:41]
05. You See A Broken Heart [3:18]
06. It's A Sin [4:47]
07. Beat It On Down The Line [4:06]
08. Heads Up [6:17]
09. Next Time You See Me [5:04]
10. unknown blues instrumental[8:15] - might be Death Don¥t also (Tony Middleton)???
11. Death Don't Have No Mercy [6:03]
12. Midnight Hour [11:06]
Notes:
The 8th song, previously notated as "unknown instrumental" on Deadlists, is a cover of Freddy King's "Heads Up." The 9th tune, previously listed as "The Same Thing (instrumental)," is definitely NOT that song. Although it is a
standard blues and sounds similar at the beginning, closer listening makes it pretty obvious that it is an entirely different song, title unknown. The Viola Lee Blues on this expanded version is a different version than on the
previous three song version of Pico Acid Test. This is an ongoing mystery, although it should be said that both versions are worth having. |
|
05/19/66
|
Avalon Ballroom |
WMA |
1 |
|
MR>DATx>CD
created and uploaded my lestatkatt@aol.com
e mail me if you have any questions............
please keep this with the shn files. thank you. :) |
|
07/01/66
|
Unknown (perhaps Fillmore Auditorium) |
WMA |
1 |
|
Source: MSR>DAT>CDR via Andy Lemieux and Kingbee
Encoding: EAC(secure) > mkwact > SHN(seekable) by Matt Vernon
notes -
As noted in the message posted below by David Gans, tracks 2 - 6 suffer from brief partial loss in the right channel numerous places
- The first track listed by Deadlists (Big Boss Man [#0:00]) was not on this source
- Dancin cuts after about 7 minues
- Deadlists assigns these tunes to a Fillmore Auditorium performance, but others list the venue as unknown
David Gans posted to -- MESSAGE gdh.v001.n144.11 ---:
From: David Gans Subject: 7/16-17/66
Date: tue, 16 Sep 1997 14:12:48
7/17/66? Date unknown: (Date unknown.15ips. Tape curl causes dropouts in R channel):
#Big Boss Man, Cold Rain and Snow, It's All Over Now Baby Blue, Cream Puff War, King Bee, Stealin', Dancin' in the Streets#
length expanded size cdr WAVE probs filename
3:18.24 34983692 --- -- --- gd66-07-01d1t01.wav
4:59.23 52797740 --- -- --- gd66-07-01d1t02.wav
4:38.40 49133324 --- -- --- gd66-07-01d1t03.wav
9:03.06 95799356 --- -- --- gd66-07-01d1t04.wav
3:11.04 33701852 --- -- --- gd66-07-01d1t05.wav
7:06.15 75181724 --- -- --- gd66-07-01d1t06.wav
32:16.37 341597688 B (totals for 6 files)
(totals for 6 files)
|
|
07/16/66
|
Fillmore Auditorium |
Aud |
1 |
A+ |
combined with 7/17/66 |
|
07/17/66
|
Fillmore Auditorium |
Aud |
1 |
A+ |
combined with 7/16/66 |
|
07/29/66
|
P.N.E. Garden Auditorium |
WMA |
1 |
|
Source:SBD>MR>??>CDR
Conversion: CDR > EAC(secure) > mkwact(seekable) mvernon54@attbi.com
Notes:
1. shntool confirms tracks on sector boundaries
2. There is an inconsistency in how the Taping Addendum and deadlists treat the 7/29/66 and 7/30/66 dates. The Addendum has this setlist for 7/29/66 while deadlists is a bit confusing but from what I can gather assigns these songs to 7/30/66. the majority of the etree entries for both 7/29/66 and 7/30/66 dates look to have the same setlist.
3. This version of the shns looks to be similar to http://db.etree.org/shninfo_detail.php?shnid=2243 except that it includes the Viola Lee Blues at the start of set 2 and is assigned to 7/29/66 consistent with the Taper's Compendium. Queries on several Dead trading sites thought this was the best date
4. No significant flaws
Part of The Music Never Stopped Project 2002 shn em up initiative 4/24/2002
Thanks to Raoul Duke for the disks! |
|
09/16/66
|
Avalon Ballroom |
WMA |
1 |
|
Source:SBD>MR>??>CDR
Conversion: CDR > EAC(secure) > DePopper(remove clicks) > CDWav (retrack) > mkwact(seekable) mvernon54@attbi.com
Part of The Music Never Stopped Project 2002 shn em up initiative 4/24/2002
Thanks to Raoul Duke for the disks!
Notes:
1. shntool confirms tracks on sector boundaries
2. from the DNC Route 66 Tree, Round #4
3. The majority of the songs on these LP's are linked under the 9/16/66 date. These two songs are from a different, unknown date but circulate commonly with the 9/16/66 because they were included on the same bootleg lp.
4. Here is the deadlist comments section for these two songs:
"COMMENTS From the Vintage and Historic Dead LPs. Found on "9/16/66" tapes recorded off vinyl. See "9/11/66" also. Venue: Avalon (?) or Fillmore(?).
RECORDINGS 15 SB (LP)." |
|
10/02/66
|
Commons, S.F. State College |
WMA |
2 |
|
Disc Six: [41:56]
Supplementary CD#2 - San Francisco State Acid Test (alternate version)
"Whatever It Is" Festival October 2, 1966
San Francisco State University, San Francisco, CA
Stereo Control Room Master (rec. 4:00AM - 6:00AM)
Source(s) unknown, this has different lineage, and some different edits to the "intact" version. Specifically some contemorary (Tomorrow show '81?) interviews are spliced in, and the sound collages towards the end are presented in a different sequence.
01. Jerry Garcia intro 0:20
02. A Mexican Story: 25 Bennies 3:41
03. Get It Off The Ground Rap 9:32
04. It's Good To Be God Rap 2:40
05. Nirvana Army Rap 0:52
06. The Butcher Is Back 3:14
07. Acid Test Graduation Announcement 1:29
08. Send Me To The Moon 1:22
09. Jerry Garcia interview 0:40
10. Sound Collage 3:43
11. Ken Kesey Interview 0:22
12. Sound Collage #2 9:58
13. Jerry Garcia Interview 0:19
14. Music / Sound Collage #1 2:14
15. Ken Kesey Interview 0:15
16. Sound Collage 1:15
|
|
11/19/66
|
Fillmore Auditorium |
|
1 |
|
Extracted and SHNed by jon@seff.net
Notes: This is a liberated bootleg that sounds pretty damn good for how old the
show is. According to Deadbase, this is the complete show except for Dancin from
the end of the first set. If you want to hear some old Dead, I highly recommend
this disc. |
|
11/29/66
|
The Matrix |
WMA |
1 |
|
-Cream Puff War (d1t08) fades and cuts off after 2:15
*There is considerably more hiss on the "Out-tro" (d2t14), which
would suggest at least one extra cassette gen.
According to Deadlists, this is the most likely setlist
for this date with the 1st set missing. The source
of this recording is a bootleg CD, so the lineage is
unknown. It is likely that the master was
impaired upon initial recording, possibly in part
by worn heads on the recording machine.
The sound is distant, thin, and lacks low end as
well as having a low vocal mix.
stellablue.etree.org
===============================
RET's Notes:
Karl Kr¸ger sent me an audio disc of the first set from Hamburg.
It also contained the "Out-tro" from the show's end. I extracted
the tracks with EAC (with proper offsets), and confirmed the tracks
were cut on sector boundaries with SHNTool. They were fine. I took
the opportunity to render the shns from sets 2 & 3 seekable using
mkwACT. The track boundary between d2 tracks 13 & 14 was recut
using CDWAV. No other change was made to existing tracks from
the previous seed (shnid=4940).
Karl gives the following source info for the material he supplied:
SBD> ??> DAT > CD-R
Details uploaded to etree by ret, 2003-11-09
|
|
12/01/66
|
The Matrix |
WMA |
2 |
|
Source: SBD>Rm>Reel>Dat>CD>wav>shnv3
Thanks to C.M. for the seeds.
DAE(EAC)>boundary check(SHNTOOL)>SHN(MKWACT)>FTP via neo_levo/candyman FTP.
Set list and comments below via deadlists project.
Comments:
(1) With unidentified special guest. (2) Merry-Go-Round Broke Down tuning [0:27] after Me and My Uncle. Other artist(s): Jerry Pond. To see the Concert Art: http://www.pompano.net/~goodbear/concert_art/11_28_66.html Thayer Jennings: Again, this is obviously more than a single show. The only exception to DeadBase X -- I didn't list the (1st set) Me & My Uncle (between Alice D. Millionaire and Cream Puff War) -- my tape flips after Alice D.M... side B begins with Cream Puff War -- so I can't tell what (if anything) might be between them. David Sorochty: Me And My Uncle is often found as filler on circulating cassettes *twice* after Alice D. Millionaire. They begin Me And My Uncle and play it for a minute or two and then it gets all messed up and they come to a stop. They screwed it up and Jerry explains "We can't agree where this is gonna go" or something close to that. After some confusion they begin Me And My Uncle again and this time they play it to completion. Ne!
ither the
r the one which comes to a finish are duplication of the set 3 Me And My Uncle which is part of this show. In addition, this little clip is not duplication of any other currently (1998) circualting 1966 or early 1967 show. Its source and exact date of origin remains unknown. Right before they begin the 3rd set Jerry says something like "this is the last set of out last appearance on a Thurday at The Matrix" or something close to that.
|
|
03/18/67
|
Winterland Arena |
WMA |
2 |
|
Source: SBD
Genealogy: MR > ? > CD > EAC > Cool Edit 96 (Resampled to correct pitch)
> SHN > CD
Resampling, Extraction and SHN encoding by A.J. Fink
2 Audio or 1 Shorten discs
Notes:
The Same Thing and Viola Lee Blues cut @ 13:34 to 13:37
patched in from higher gen source by A.J. Fink
To see the concert art:
< http://www.pompano.net/~goodbear/concert_art/03_17-19_67.html >
|
|
05/05/67
|
Fillmore Auditorium |
Aud |
1 |
A+ |
SBD |
|
06/18/67
|
Monterey County Fairgrounds |
WMA |
1 |
|
SBD> MR> ? > DAT x 2> Sonic Solutions> cd
note: There seems to be no cassette generation between the MR and DAT, which is present on the previously circulated version of this show.
Remastered by ìMandrakeî
This was originally aired several years ago by Mandrake, on the ìMorning Dewî radio show in New York City on WBAI, 99.5fm and contains the complete, uncut recording of the Grateful DeadÃs set at the ìMonterey Pop Festivalî in 1967. My friend Barry Smith heard this source on the radio and absolutely had to have the stage banter between the first two songs but could not find a pre-fm copy of it anywhere. It simply did not circulate. The commonly circulating material, I was told was broadcast on WNEW in New York City for the festivalÃs 25th anniversary and contains two brief interview clips (one with Bob Weir). At BarryÃs request Mandrake converted his DAT to cd and vined it out to the ìMorning Dewî fans at their website... http://www.drnet.net/morningdew (You can listen to this radio show on the web via "real audio." It currently airs every Saturday from 9:30pm- 12:00am). I received a copy of this cd directly from Mandrake, EACed it to my hard drive with correct offsets and split the ìAlligator> Cautionî into two tracks with CD Wave.
Thank you Barry and of course thank you Mandrake for your unbelievable commitment to spreading the music over the years!
Evan Bellaff (theelevan@yahoo.com)- 9/03
As for the mystery surrounding when and where the ìAlligator> Cautionî is from, this is stll open to debate, as it is not believed to be from this show. Following is speculation on the issue contained in David Hollister's text file from his etree seed from April of 2000. It looks as these are the words of Jeff Tiedrich...
"Comments: (from Dead List Reader)
Alligator > Caution may not be from Monterey. What makes me suspicious is that at the conclusion of
Caution, Bill Graham is heard to say something like "let's hear it for the Grateful Dead." Bill Graham
was not the emcee at the Monetery Pop Festival, so it's doubtful he would introduce the BAND from the
stage. However, some folks have speculated that since Graham was in attendance and a friend of the Dead,
he might have done the intro and or the outro as a "guest emcee." The Alligator is a curiosity; it's a
very primordial version without vocals. Some parts are missing. Pigpen plays harmonica over the "verse"
parts of the song. If indeed this date is accurate and Alligator was not yet fully fleshed-out as of
mid-June '67, the certainly the true date of "5/5/67" falls somewhere later in the year."
* Following is a transcript of what was said on stage by a nervous Tommy Smothers immediately following ìViola Lee Blues,î as rumors of the Beatles showing up at the festival had spread and unruly fans were trying to force their way into the show. The speech is followed by ìCold Rain and Snow,î and is the correct order in which these two songs were played (as opposed to HOllister's version of this show which lists "Cold Rain and Snow," first).
TS: People, this is me again. I hate to cut things down like this, but, uhÖ, thereÃs a crowd of kids to whom IÃm talking; mostly to whom- Are you ready for that(warning them)? Um, thereÃs kids, like crowding around the walls, and like trying to break down doors and everything, thinking the Beatles are here.
Phil: ItÃs the last concert. Why donÃt you let them in?
TS: And uhÖ (chuckles at PhilÃs suggestion) last con...; all rightÖ (sarcastically).
TS: (to audience) Except that theyÃre trying to break things down, crawling over ceilings and walls and likeÖ(sigh), thinking the Beatles are here and theyÃre notÖ You (accusingly to crowd)!; Those of you!
Several crowd members: Let ëem in!
TS: They can come in if they want to come in.
Phil: The Beatles arenÃt here (over TomÃs voice).
TS: The Beatles arenÃt here.
Phil: Öbut come in anyway.
TS: Yeah (worried)Ö ThereÃs great things happening anywayÖ (laughs nervously)
Phil: If the Beatles were here, theyÃd probably want you to come in.
TS: YeahÖ (cautiously agreeing with Phil). ExceptÖ Except that (pauses and laughs nervously) Ö Just donÃt, umÖ you knowÖ donÃt like bring down the ceilings and walls, and everything and uhÖ carry on.
Phil: (To crowd) Be Nice!!!
length expanded size cdr WAVE probs filename
14:07.40 149504924 --- -- -xx gd67-06-18t01.shn
2:16.42 24089228 --- -- -xx gd67-06-18t02.shn
3:27.26 36575996 --- -- -xx gd67-06-18t03.shn
8:08.00 86083244 --- -- -xx gd67-06-18t04.shn
11:42.32 123908108 --- -- -xx gd67-06-18t05.shn
39 |
|
09/03/67
|
Dance Hall |
Aud |
1 |
A+ |
|
|
09/03/67
|
Dance Hall |
WMA |
2 |
|
This tape is not a master, it's a 1st gen.
It takes several minutes for the mix to come together in the beginning
"Schoolgirl" is cut @ 10:43
"Viola Lee" is cut @ both ends
The sound quality deteriorates towards the end of the "Alligator' jam
"Midnight Hour" added to this seed by terrapinstation 04/14/2002.
From the original mix- lineage silver CD Bootleg>EAC>SHN via MKWACT.
EAC log included.
Uploaded by Jon Miller; originally from a BUDD SHN vine.
|
|
10/22/67
|
Winterland Arena |
Aud |
1 |
A+ |
SBD |
|
10/22/67
|
Winterland Arena |
WMA |
1 |
|
Recording Info:
SBD -> Rm -> Cass -> Dat
Transfer Info:
Dat(Sony D8) ->
CD (Tascam CDRW700) ->
EAC (Plextor 48/24/48 - Secure Mode) ->
Samplitude v7.0 ->
SHN (1 Disc SHN / 1 Disc Audio)
All Editing and Transfers done by Charlie Miller
charliemiller87@earthlink.net
SHN'd on 6/11/03
Notes:
-I used Samplitude to normalize the show and clean up some cuts.
-The previous circulating shn of this show has "No Noise" applied to it.
Even though it was done with Sonic Solutions, it was NOT done by David Gans.
I always felt that the "No Noise" version was a bit muddy.
This copy has no noise reduction done to it, so it is much clearer.
-The levels in Morning Dew are all over the place. It is mostly due to the mix.
I did not do anything to change this. The sound improves by the end of the song.
I can only wonder what kind of drugs they were using at this show :) |
|
11/10/67
|
Shrine Exposition Hall |
WMA |
2 |
|
MR>R>R>DAT>CD
(note prior source updated with extra reel gen, based on info from Rob Bertrando)
EAC by Chalupa
|
|
11/11/67
|
Shrine Exhibition Hall |
WMA |
1 |
|
MSR>R>R>DAT>CDR
(note source updated with extra reel gen, based on info from Rob Bertrando)
EAC by Chalupa. |
|
01/22/68
|
Eagles Auditorium |
AUD |
1 |
|
* At 1:18 into Born Cross-Eyed there is a source change to higher
quality stereo.
* The main source ends at 3:14 into Caution. The remainder of the
show is cross faded in from a SBDMR>?>Cass copy. The cut at about
3:14 was also on the cassette, picking directly back up after a
one second gap. No Caution vocals are contained on either source.
Crptical Envelopment through Born Cross-Eyed comes from an alternate
mono SBDMR source (SBDMR>DAT>CD). It contained a great deal of
static which was removed with DePopper.exe.
Feedback before Spanish Jam contains many hints at the Spanish |
|
01/22/68
|
Eagles Auditorium |
WMA |
1 |
|
SBDMR > DAT > Sonic Solutions > CD > EAC > Soundforge > SHN
(see notes)
* At 1:18 into Born Cross-Eyed there is a source change to higher
quality stereo.
* The main source ends at 3:14 into Caution. The remainder of the
show is cross faded in from a SBDMR>?>Cass copy. The cut at about
3:14 was also on the cassette, picking directly back up after a
one second gap. No Caution vocals are contained on either source.
notes:
Crptical Envelopment through Born Cross-Eyed comes from an alternate
mono SBDMR source (SBDMR>DAT>CD). It contained a great deal of
static which was removed with DePopper.exe.
Feedback before Spanish Jam contains many hints at the Spanish
Jam theme.
Also of note is that the end portion of Feedback appears on the
"Anthem Of The Sun" LP.
This version of the show was patched together and cleaned up
by Noah Weiner (noahbw@attbi.com), February, 2002 |
|
01/23/68
|
Eagles Auditorium |
Aud |
1 |
A+ |
SBD
Combined with 9/20/68 |
|
01/23/68
|
Eagles Auditorium |
WMA |
1 |
|
Comments from www.deadlists.com
Although this circulates labeled as "1/23/68 Eagles Aud", no documentary evidence (posters, reviews,
newspaper ads, etc) has been found for shows there during the Quick and the Dead tour, other than
the two on 1/26 and 1/27. Joe Jupille researched the University of Washington Daily and the Seattle
Post-Intelligencer newspapers and only found an ad for QMS and the Dead on 1/26 and 1/27 in the
1/26/68 edition of the Seattle Post-Intelligencer (the weekend entertainment insert, p. 6). He turned
up no mention of other Quick and the Dead shows at Eagles Auditorium. This show has one of the early
versions of the Other one lyrics: When I woke up this morning, my head was not in sight I would ask
the walls about it, but they vanished overnight I could not think to spell my name, or fly there was
no way and the heat came round and busted me for smiling on a cloudy day I was skipping through the
lilly fields, when I came across an empty space it quivered and exploded, left a bus stop in its
place the bus came by and I got on, that's when it all began there was Cowboy Neal, at the wheel, of
a bus to never-ever land Not listed in DeadBase XI. There is no Drums after the first Cryptical, the
Other one has the original lyrics, and there is a tape flip in New Potato Caboose. Timings should be
updated.
Uploaded 2003/ 02/ 15 by Julian (Jools) Elliott
|
|
02/02/68
|
Crystal Ballroom |
WMA |
1 |
|
Comments from www.deadlists.com
(1) the version of Good Morning Little Schoolgirl that is on tapes in circulation with this date
is actually from 02/03/68 and was spliced in to replace the 02/02/68 version by David Gans for
GDH #310. This is the last show with one of the early versions of the Other one lyrics: When I
woke up this morning, my head was not in sight I would ask the walls about it, but they vanished
overnight I could not think or spell my name, or fly there was no way and the heat came round and
busted me for smiling on a cloudy day I was skipping through the lilly fields, when I came across
an empty space it quivered and exploded, left a bus stop in its place a bus came by and I got on,
that's when it all began there was Cowboy Neal, at the wheel, of a bus to never-ever land timings
should be updated since Feedback is included in Viola Lee Blues.
Uploaded 2003/ 02/ 15 by Julian (Jools) Elliott
shntool fix -o shn *shn run by tol 03-02-24, and a new md5-file generated.
|
|
02/03/68
|
The Crystal Ballroom |
WMA |
1 |
|
SBD:MR>DAT>Sonic Solutions>CD (I am a bit doubtful of that though)
Comments from www.deadlists.com
(1) The first few bars of Dark Star are missing and at the end of it, Phil says
"Leave the light on, will ya?", then a few more notes, and China Cat starts.
Dark Star maps: 0.00 - start, intro, jam, theme ; 1.31 - start verse one ;
2.22 - end verse one, then various short jams, that later appear full blown on
the "Live/Dead" version ; 4.04 - start verse two ; 4.57 - end verse two ;
5.11 - Phil Lesh says: "Leave the light on, will ya?" ; closing notes; 5.28 -
Dark Star ends. The Eleven maps: 0.00 - starts with Garcia ; 0.16 - the eleven,
for real ; 0.28 - Lesh joins in ; 0.54 - everyone is doing the eleven ; 2.46 -
pre-vocals theme ; 2.57 - start verses ; 3.39 - end verses then jam ; 5.18
Garcia starts a new theme not in 11/4 time.
(2) The first few notes of Cryptical are missing.
(3) After the first Cryptical, there is no Drums intro to The Other One. This show
is the first with the standard Other One lyrics - however, Bobby does flub them a
bit: A Spanish lady comes to me, she lays on me this rose It rainbows, spirals
round and round, it trembles and explodes It left my mind, crater of a mind...,
what the hey And the heat came round and busted me for smiling on a cloudy day I
was skipping through the lilly fields, when I came across an empty space It quivered
and exploded, left a bus stop in its place The bus came by and I got on, that's when
it all began There was Cowboy Neal, at the wheel, of a bus to never-ever land It's
the rose from the Spanish lady that rainbows, spirals, trembles and explodes - instead
of the rainbow spiraling, trembling, and exploding. Bob Weir stated in an interview
that after they got back from this tour they found out that Neal Cassady had died on
this night.
(4) This Jam sounds like a Spanish Jam, but it is rather rough, and it is Phil playing
the lead part that Jerry would normally play, with appropriate drums and organ flourishes.
Uploaded by Julian (Jools) Elliott 1 February 2003
Postscript: this shn set had sector boundary errors on 8 of the 9 tracks, and was not seekable. The SBE's were fixed with shntool, and made seekable with mkwACT Feb3/03, and re-upload to tol.etree.org. |
|
02/14/68
|
Carousel Ballroom |
WMA |
3 |
|
Source: SBD>MR>DAT>CD>EAC>SHN
+ Midnight Hour patched with: FM>Reel>Reel>DAT>CDR
There is a cut in the Jam on all circulating copies
Thanks to AJL & Tony C (Ttazzz@aol.com) for the Seed Disks
Eac/Shn by Seth Kaplan from Tony C's audio |
|
02/23/68
|
King's Beach Bowl |
Aud |
1 |
A+ |
SBD
Dick's Picks Vol. 22
Combined with 2/24/68 |
|
02/24/68
|
King's Beach Bowl |
Aud |
1 |
A+ |
SBD
Dick's Picks Vol. 22
combined with 2/23/68 |
|
03/03/68
|
Haight Street |
Aud |
1 |
A |
Aud |
|
03/16/68
|
Carousel Ballroom |
WMA |
2 |
|
Source: SBD>MR>C>DAT>CDR
Conversion: CDR > EAC(secure) > Cool Edit(minor fixes) > CDWav(retracking) > mkwact(seekable) mvernon54@attbi.com
shntool confirms tracks on sector boundaries
Part of The Music Never Stopped Project 2002 shn em up initiative 5/14/02
Thanks to Raoul Duke for the disks!
Notes:
1. d1t3 ~8:09 very brief drop out;~11:01 several very brief partial drop outs
2. d2t5 ~ brief diginose ~ 4:56
3. This show has a pH of 1!!
4. Dark Star > China Cat > Eleven is found on the SMR box set.
|
|
03/26/68
|
Melodyland Theater |
Aud |
1 |
A+ |
SBD |
|
06/19/68
|
Carousel Ballroom |
Aud |
1 |
A- |
Aud |
|
08/21/68
|
Fillmore West |
WMA |
2 |
|
SDB>MR>C>D>CD>EAC>SHN
NOTES:
- Most of Cryptical Envelopment (trk 1) is cut.
- Alligator (trk 6) may be missing the first few beats.
- Dark Star is probably missing the first 10-20 seconds.
- Splice/tape flip at 3:45 in Death Don't Have No Mercy.
- ItÃs not known how much is missing from the end of Lovelight. Deadlists states
total time as 15:08.
- Electrical hum/clicking noise, varying in intensity, in left channel from
Cryptical Envelopment to beginning of Alligator.
- The last 28 seconds of Feedback is patched from another source with the same
lineage.
- Shntool and CD Wave were used to correct sector boundary errors and for edits.
Thanks to Charlie Teeple
Edits/encoding by Dave Litfin ñ newpotato83@hotmail.com |
|
08/23/68
|
Shrine Exposition Hall |
Aud |
1 |
A+ |
SBD |
|
09/02/68
|
Betty Nelson's Organic Raspberry Farm |
Aud |
1 |
A+ |
SBD |
|
09/02/68
|
Betty Nelson's Organic Raspberry Farm |
WMA |
1 |
|
Recording Info:
SBD -> Master Reel (Three half-inch four track reels, recorded on Ampex 440) ->
Dat (Tascam DA30/44.1k)
Transfer Info:
Master Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional ->
Cool Edit Pro v2.0 -> SHN (1 Disc Audio / 1 Disc SHN)
Transfered and Edited By Charlie Miller
charliemiller87@earthlink.net
2/5/04
Notes:
Track 1 = Audience
Tracks 2 and 3 = stereo mix
Track 4 = nothing
The Master Dat had different mixes on it. This is the one I liked the best.
|
|
10/08/68
|
The Matrix |
WMA |
3 |
|
SBD MR->Reel (x2?)->CDR
COMMENTS show billed as "Mickey and the Heartbeats". Bobby and Pigpen
were absent.
(1) all of third set with Elvin Bishop.
(2) Jack Casady, Hart, and Bishop only.
Mucho thanks to Glenn Gillis for this incredible show!!!
Extracted with EAC using correct offsets and
converted to SHN on 3/17/03
Evan Bellaff: ebellaff@aol.com
|
|
10/10/68
|
The Matrix |
WMA |
3 |
|
source: SBD>Rm>Reel>CD (May Be SBD>Rm>Reel>Reel>CD)
thanks to c.miller for seeds.
DAE/shnv3 by neo_levo. |
|
10/12/68
|
Avalon Ballroom |
Aud |
1 |
A+ |
SBD |
|
10/12/68
|
Avalon Ballroom |
WMA |
1 |
|
Lineage: SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD
1 @ 80 min.
seeded by David Gans on GDH-Trading
de-glitched at the Frisco Refinery, 6/02: (the following glitches were
removed)
t01: 14:55
t02: :10, :20
t04: 1:10, 6:08, 8:23
t.11: 7:12
no portion of the wave was deleted in fixing these flaws.
individual sectors were repositioned to eliminate glitch.
the following (minor) glitches couldn't be removed
t01: 8:00 - 8:20
t04: 1:02 - 1:07
flaws were too small to locate.
tracks 1-3 re-tracked
Conversion Notes:
DAE (EAC: High, Secure, Offset Corrected) all track quality > 99.8%
All sector boundaries verified using SHNTOOL
SHN(seekable) using shortn32 via eD(efojr) - 07/20/02
Another installment of The Music Never Stopped Project!
Thanks to Frisco for the seed discs. |
|
10/13/68
|
Avalon Ballroom |
Aud |
1 |
A+ |
SBD |
|
10/13/68
|
Avalon Ballroom |
WMA |
1 |
|
Lineage: SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD
1 @ 80 min
seeded by David Gans on GDH-Trading
de-glitched at the Frisco Refinery, 6/02: (the following glitches were
removed)
t1: 10:22, 10:27, 10:41, 13:32
t2: :03, :04
t8: 1:04, 2:09
t11: 197 glitches removed. Too many to list the times!
The first one started at 2:33 and ran through the rest of the track
no portion of the wave was deleted in fixing these flaws.
individual sectors were painstaikingly repositioned to eliminate glitch.
some minor glitches in Feedback couldn't be removed.
t8: New Potato Caboose cuts at 2:58
tracks 1 - 3 re-tracked
Conversion Notes:
DAE (EAC: High, Secure, Offset Corrected) all track quality > 99.8%
All sector boundaries verified using SHNTOOL
SHN(seekable) using shortn32 via eD(efojr) - 07/20/02
Another installment of The Music Never Stopped Project!
Thanks to Frisco for the seed discs. |
|
10/20/68
|
Greek Theatre, U. Of California |
WMA |
1 |
|
SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD
1 Disc SHN / 1 Disc Audio
Charlie Miller
charliemiller87@earthlink.net
shntool fix -o shn *shn run by tol 03-02-24, and a new md5-file generated. |
|
10/30/68
|
The Matrix |
Aud |
1 |
A |
SBD |
|
10/30/68
|
The Matrix |
WMA |
3 |
|
Source: Digitized from First Generation Reels
Analog To Digital using a Revox A-77 Reel 2 Reel > Alesis Masterlink ML-9600
(24 bit sampled @ 96k) > 16 bit @ 44.1k downsample to CD>EAC>SHN
Comments:
Show billed as "Mickey and the Heartbeats".
Bobby and Pigpen were absent.
* Contains Clementine hints.
** With Elvin Bishop
Source selection, transcription and circulation by Jim Wise
THANKS!
eac&shn by Darrin (dnsacks@usa.net) |
|
11/01/68
|
Armory Building, Silver Dollar Fairgrounds |
WMA |
1 |
|
SBD>MR>C>D>CD>EAC>SHN
patched with SBD>MR>R>D>CD>EAC>SHN
Caveat:
--From 0:36 in New Potato through the Alligator reprise, the quality drops off severely due to extremely low recording levels. Edits were made to raise the volume and reduce the hiss levels, which dominated the barely audible music. This portion was taken from the J. Powell/J. Barnes SHN seed and patched into a different SBD>MR>C>D>CD source---a source that has somewhat more noticeable hiss, though there are no significant raspy distortions that can be noticed on the MSR>R>D>CD source.
Notes:
--splice in New Potato at 0:36 (where the quality severely drops)
--most of New Potato is missing
--Alligator cuts in with a minute or two missing
--there are probably a number of minutes missing after the Alligator reprise.
Part of The Music Never Stopped Project 2003
Thanks to David Litfin, Jim Powell, and J. Barnes
edits/encoding by JCotsman
|
|
12/07/68
|
Bellarmine College |
WMA |
2 |
|
SBD>CM>C1>DAT>CDR.
Seeded in audio by Tzuriel (tzuriel@att.net) to the CDTrees@yahoogroups.com list
Tree info at http://home.att.net/~tapetrees/68_69Tree.html
2d gen (branch) audio seed EAC'd & shnned by wilbur (wilbur@wilburhaines.com) |
|
12/20/68
|
Shrine Exhibition Hall |
WMA |
1 |
|
Source: SBD
Lineage: Soundboard cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN
DAT > CDR conversion via HHb 850, November 1999
editing, normalization and 5% pitch correction by Jeff Tiedrich via Sound Studio
for Macintosh, 28 April 2002
compressed via Shorten for Macintosh by Jeff Tiedrich, 28 April 2002
Notes: The Eleven fades in |
|
12/21/68
|
Shrine Exhibition Hall |
WMA |
2 |
|
Source: SBD
Lineage: Soundboard cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN
DAT > CDR conversion via HHb 850, November 1999
Editing, normalization and 5% pitch correction by Jeff Tiedrich via Sound Studio for Macintosh, 28 April 2002
compressed via Shorten for Macintosh by Jeff Tiedrich, 28 April 2002
Notes:
D2t02-t03: cut/splice between Drums and Alligator
D2t06 (AWBYGN): end cut off |
|
12/29/68
|
Gulfstream Park Racetrack |
Aud |
1 |
A+ |
SBD |
|
12/29/68
|
Gulfstream Park Racetrack |
WMA |
1 |
|
SBD>MC>D>CD>EAC>SHN
one disc, 57 minutes total
The beginning of Lovelight fades in just as Pigpen begins the first verse.
There is a splice in The Other One, just before the first verse. The
recording was tracked using CDWave. |
|
01/17/69
|
Robertson Gym, U.C.S.B. |
WMA |
2 |
|
Master Soundboard Reel > Cassette > DAT > CDR
EAC'ed / SHN'ed by Scott Clugston
Circulated 2/16/01
disc 2 is short,approx. 27 minutes in length,so, there is plenty of room for filler if you so desire. |
|
01/24/69
|
Avalon Ballroom |
Aud |
2 |
A+ |
SBD |
|
01/24/69
|
Avalon Ballroom |
WMA |
2 |
|
Source: SBD
Lineage: SBD>MSR>C>DAT>CD>SHN
From Deadlists:
COMMENTS Pigpen plays harp on Dupree's. The Avalon Ballroom insisted that
bands, including the Dead, play short sets of an hour or less. This may
well be the complete first set.
Notes:
The length of all these sets supports the short set restriction by the Avalon.
Lovelight fades in.
* Announcement made at the start of disc two indicating the Dead leaving the stage,
Sons of Champlin being introduced and that the Dead will be back for another
set.
(Extraction and.shn encoding by Seth Kaplan (Sdk022769@aol.com) via EAC
and MKW. Accurate extraction and properly aligned sector boundaries verified
via EAC and .shntool. Various digital and master reel flaws cleaned up via
Cool Edit 2000) |
|
01/25/69
|
Avalon Ballroom |
Aud |
2 |
A+ |
SBD |
|
01/25/69
|
Avalon Ballroom |
WMA |
2 |
|
Source: SBD
Lineage: SBD>MSR>C>DAT>CD>SHN
Notes:
Dark Star fades in (T.C. is high in the mix)
Brief light static around the middle of St. Stephen.
Small splice in Lovelight @ 16:27. And We Bid
You Good Night cuts @ 02:38.
(Extraction and.shn encoding by Seth Kaplan (Sdk022769@aol.com) via EAC
and MKW. Accurate extraction and properly aligned sector boundaries verified
via EAC and .shntool. Various digital and master reel flaws cleaned up via
Cool Edit 2000)
|
|
01/26/69
|
Avalon Ballroom |
WMA |
1 |
|
Lineage: MSR>C>D>CD
Extraction and shortening by Seth Kaplan
** NOTE **
Some files were not cut on sector boundries... they were fixed using
shntool and a new md5 checksum file was made. The sector boundries
were the only reason the files are now named as "fixed." (12/14/00)
The Eleven > Lovelight are the versions that appear on Live Dead.
Known flaws:
SBD adjustments on the first Cryptical Envelopment.
Splice in Dark Star at 8:12. Resumes just before the second verse.
|
|
02/02/69
|
Labor Temple |
WMA |
2 |
|
SBD>MR>?>D>CD>EAC>SHN
Notes:
--first few notes clipped off Schoolgirl
--small splice @ 2:02 in Schoolgirl
--tiny left channel dropout @ 3:07 in Schoolgirl
--digisnit @ 6:30 in Dark Star
--@ 7:01 in Dark Star: increased hiss in left channel due to low original levels
--@ 2:46 in Eleven: left channel loses amplitude for several seconds
--cut near the end of Eleven; several minutes of Death Don't are lost
--splice in Lovelight @ 16:51
--some degradation for the last few minutes of Lovelight
Sound Forge was used to normalize, correct the pitch, and remove or lessen a number of blemishes. Some small blemishes remain, though none are offensive. Although the exact lineage of this recording is unknown, the sound indicates no more than two analog generations before the transfer to digital.
Part of The Music Never Stopped Project 2002
Thanks to David Litfin
edits/encoding by J. Cotsman |
|
02/04/69
|
The Music Box |
WMA |
2 |
|
SB>CM>C>D>CD
Notes:
according to Deadlists, (per Eaton)
missing "And We Bid You Good Night"
EAC>SHN transfer by Steve Barbella
seeded Jan '02
EAC Test and Copy, offsets config'd, no errors
shns via MKW v.97, seek enabled
sector boundaries confirmed via shntool |
|
02/05/69
|
Soldiers & Sailors Memorial Auditorium |
WMA |
1 |
|
SBD>MC>C>D>CD>EAC>SHN
tape warble @ 5:10 Caution
Sound Forge was used to normalize the recording, remove a number of crackles
and discontinuities, and splice together an overlap in The Eleven.
thanks to Chuck Gannon
edits/encoding by J. Cotsman |
|
02/06/69
|
Kiel Auditorium |
WMA |
2 |
|
SBD>MC>D>CD>EAC>SHN
Sound Forge was used to adjust the pitch for portions of the recording and to
remove several small pops.
Thanks to Paul Hartman
edits/encoding by J. Cotsman |
|
02/07/69
|
Stanley Theater (Early, Late) |
WMA |
1 |
|
Late Show
Source: SBD>MC(Bear Owsley)>DAT(Rob Eaton)>(Jim Wise)HHb>CDR
Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
COMMENTS: Late Show. Recorded by Bear (Owsley) on a "Concord" cassette deck model unknown
...laid on an Ampex 90-minute cassette. Restoration &Preservation by Rob Eaton. Playback on
a Tascam 122 mk111 (azimuth adjusted) > db 926 a/d converter > db 3000 s sample rate
converter (variable speed) > panasonic 3800 DAT @ 44.1 kHz By Rob Eaton.
DAT>HHb>CDR By Jim Wise. Rob Eaton's list reads(4.5, 067min, Sbd, A0D0, Cass M->Dat 0, 48k,
Ampex C-90 Master Cass/no dolby->3800 x 0). Yes these disks I ripped with EAC are the
actual CDRS that Jim Wise made. I re tracked this one it came to me as 3 tracks.
D1t04(Cryptical Envelopment) Minor static @ :48 filtered to remove static, Pop @ 3:35
filtered to remove the pop. I had trouble tracking this one so if I tracked it wrong please
correct it and lmk and give me a better tracked copy. Enjoy!!
Conversion/Edit/Seeded to Etree by T. Wiley 01/13/2003.
EAC: Secure to extract disk @ 100% quality, no reported errors.
CD WAV: To select tracks.
Cool Edit Pro: To preform edits(see comments above).
Shn tool: To confirm sector boundaries.
SHN: Via mkwact(seekable)
Another Installment Of The Music Never Stopped Project!
Many thanks to PT for Jim Wise's source disks :)
Enjoy!! |
|
02/12/69
|
Fillmore East (Late Show) |
WMA |
1 |
|
Lineage: SBD>Cassette Master>DAT>CD
Notes:
* - 11:29 minutes of the Alligator Jam > Caution segment
were missing from the previously seeded version of this
show and have been patched into the current version
from an alternate partial SBD source containing the
Alligator ====> Feedback segment and bearing the same
lineage + one cassette gen. The corresponding Feedback
segment of the alternate SBD source is also missing
approximately 2:00 minutes of Feedback that are actually
present in the current version before any patching from the
alternate SBD source. The current version would then
appear to contain the complete Alligator ====> Feedback
segment of the show for a total timing of 28:54.
The disc picks up with the last 04:59 of Dark Star.
If Deadbase XI is accurate, this disc is missing Dupree's,
Mountains of the Moon and the better part of Dark Star.Total
disc time prior to patching in the missing 11:29 from the
alternate SBD source is 57:03. Total time per Deadlists and
Eaton's list is 84:00. If the Eaton version is missing the 11:29
minutes of the Alligator Jam > Caution patched from the alternate
SBD source, this could logically account for the resulting 27 minute
time difference.
From Deadlists:
DeadBase IX notes Early & Late shows on this date.
Eaton's list reads:
02/12/69 Fillmore East Theatre, New York City Ny - late show
4.2, 084min, Sbd, A0D0, Cass M->Dat 0, 48k,
Ampex C-90 Master Cass/no dolby->3800 x 0RECORDING 84 SB
(Extraction and.shn encoding by Seth Kaplan via EAC and MKW.
Accurate extraction and properly aligned sector boundaries
verified via EAC and .shntool) |
|
02/14/69
|
Electric Factory |
WMA |
2 |
|
SBD>MC>C>C>D>CD>SHN
It is possible that there is one less analog generation in the lineage (as
listed at Deadlists). The sound quality is rather ragged despite fairly low
levels of hiss, so this may simply be from old and degraded cassettes with
only one analog generation. Be warned.
There is a minor splice just before the 7:00 mark in Schoolgirl from what
sounds like a cassette recording overdub. It has been cut out and smoothed
over with Sound Forge. There is a minor dropout in Dark Star roughly 18
minutes in. The splice in Lovelight occurs just after the 6:00 mark. The
quality of the recording diminishes during the Cryptical Reprise where tape
(not from the master) ran out. Overlapping tape segments were spliced
seamlessly at this point using Sound Forge. Therefore, no music is lost
although there is diminishing sound quality for the first half of the
reprise. Alligator>Caution>Feedback>AWBYGN often mistakenly circulates at
the end of this show, but is actually from 8-22-68. This show may or may
not be complete. Edits, tracking, and pitch correction for various portions
were performed using Sound Forge and CDWave.
Thanks to Jim Hale for this underrated performance.
SHN encoding/edits by J. Cotsman |
|
02/15/69
|
Electric Factory |
WMA |
3 |
|
Source: SBD>MR>Cassette>DAT>CD>EAC>SHN
(See source info below.)
Thanks to "Gator" for the seed discs!
DAT conversion by Aoxoa:
7 inch master reel @ 7.5 ips 1/2 track > tascam 122mkIII cassette ....nak dragon > wav > cd via sony pcm r-700 dat > za2 > hard disc ... sound forge & cd architect was the software ...
Notes:
- The beginning of Doin That Rag is cut - no vocals are missing.
- Lovelight has a cut near the end at 15:54.
- The Eleven cuts off at 7:04.
- The first half of Death Don't is missing - it cuts in during Jerry's solo.
- Caution has a cut at 7:43.
- The track marker at the start of The Eleven was adjusted.
- TIFTOO and Gator Jam>AWBYG each came as one long track and were retracked with CDWave.
- A few small clicks were removed with Cool Edit 2000.
EAC test & copy in secure mode, offset corrected. Sector boundaries verified with shntool. Seekable shorten encoding with MKW.
By D.Winters 01/25/03. |
|
02/21/69
|
Dream Bowl |
Aud |
2 |
A+ |
SBD |
|
02/21/69
|
Dream Bowl |
WMA |
1 |
|
SBD>MR>?>DAT>CDR>EAC>CDR
Editing and CD mastering by The Wizard - Owenbrothersvault@hotmail.com
Most info on this shows a cassette generation or two but this one does not appear
to have one...there are no cassette flips at the usual spots! May have another reel
generation though.
Music was very slow (offspeed recorder somewhere in the history). I increased the
speed by 4% and this sounded pretty good. Didn't want to go too far.
Used a light continuous noise filter to remove a bit of the tape hiss.
Cleaned up a few assorted pops and gliches...
There was distortion in Good Morning Little Schoolgirl that could not be improved.
All editing done with Diamond Cut Millennium software.
|
|
02/22/69
|
Dream Bowl |
Aud |
2 |
A+ |
SBD |
|
02/22/69
|
Dream Bowl |
WMA |
2 |
|
SBD>MR>DAT>CDR
Editing and CD mastering by The Wizard - Owenbrothersvault@hotmail.com
Very nice sound with good balance in the instruments.
Light continuous noise filter to reduce tape hiss.
Some pops and other defects corrected. Break announcement moved to end of
Disc One from start of Disc Two.
All editing done with Diamond Cut Millennium software.
|
|
02/27/69
|
Fillmore West |
Aud |
2 |
A+ |
SBD |
|
02/27/69
|
Fillmore West |
WMA |
2 |
|
Source: SBD multitrack
Lineage: 16-Track Master Reel > Rough Mix DAT > DATx3 >
Digital Sound Card > WAV > SHN > WAV > Cool Edit >
CDWAV > SHN
Seeded by Aoxoa =====> THANKS!
DAT conversion to CD and initial archiving by R. Keshavan
Subsequent editing and archiving by Seth Kaplan
Properly aligned sector boundaries verified via .shntool
Disc two requires an 80 minute disc
Notes:
D2t07 (The Eleven): splice @ 9:50
The following edits were performed:
24:865 seconds (the 00:10 second Bill Graham Intro
and 14:865 seconds of GMLSG) were patched from a
previously circulating alternate SBD source with
lineage of SBD > ? > C > CD. The multi-track volume
was sampled where the track fades in and the patch
was normalised and pitch corrected to match the multi-
track's levels.
The Eleven has a brief splice in which 1) a 9.5
second silent gap was removed and 2) the volume on the
section following the splice was normalised to
match the levels of the sampled section preceding the
splice.
The show was then re-tracked as indicated by the
track timings per the setlist. |
|
02/28/69
|
Fillmore West |
Aud |
3 |
A+ |
SBD
missing 2nd set |
|
02/28/69
|
Fillmore West |
WMA |
3 |
|
Source info:
16-Track Master Reel>DAT>CD>EAC>SHN
(Extraction and.shn encoding by Seth Kaplan, Sdk022769@aol.com)
(Initial seeds circulated by C. Miller via Aoxoa ====> THANKS!)
Source info for spliced portions:
0:35.360 seconds of Lovelight: 2-Track SBDMR>C>C>DAT>CD
0:36.526 seconds of Pre-Encore stage banter: 2-track MSR>R2Rx2>DAT>CD
0:34.512 seconds of Alligator: 2-Track SBDMR>R>R>PCM>DAT>CD
0:00.895 seconds of Alligator from the Multi-Track Master Reel
was replaced with 0:00.895 seconds of Alligator from the 2-Track
SBDMR>R>R>PCM>DAT>CD where the Multi-Track Master Reel slowed down
and ran out.
The above splices from the alternative 2-Track sources were edited
and patched by myself using Cool Edit 2000 FFT filters, Normalize/Amplification
and Time/Pitch functions.
A replicated section of crowd noise after King Bee was removed by me and a
repeating error at the end of Dark Star was fixed by Jack Warner.
I also re-tracked most of the show after completing the above edits.
Dark Star splice at approximately 18:00 (drops off at 17:58 on the initial
unpatched disc 2) from 2-Track DAT source supplied by Rob Bertrando:
SBDMR>DAT>CD and was done by Aoxoa and C. Miller
Proper extraction and sector boundaries verified via EAC and .shntool |
|
03/01/69
|
Fillmore West |
Aud |
2 |
A+ |
SBD |
|
03/01/69
|
Fillmore West |
WMA |
2 |
|
Source info: SBD
Lineage: 16-Track Master Reel > DAT > DAT > CD >
EAC > SHN > MKW .WAV file conversion >
Cool Edit 2000 > MKW .shn file conversion >
shntool > MKW .WAV file conversion > CD
Notes:
(DAT conversion to CD by Aoxoa =====> THANKS!)
(Extraction and initial .shn encoding by R. Keshavan)
(Subsequent editing and.shn encoding by Seth Kaplan)
(Properly aligned sector boundaries verified via .shntool)
Known flaws:
Light static of unknown origin on the last thirty seconds of
Dark Star(22:52.611-23:22.480) > the first twenty five seconds
of St. Stephen(0:00.000-0:25.467)
Splice in Lovelight cuts at 0:17.815 on the master. A 0:01.355
silent gap after the splice was removed as well as a 0:00.300
segment prior to the splice in order to create a better flow from
the splice > the section in which the selection continues. The start
of Lovelight through to the splice was normalised +7.5db to better
match the flow of the selection up to the splice with the segment
in which the selection continues.
The Lovelight cut is on ALL known sources. One possible suggested
explanation for this is the possibility of a temporary power outage
common to the areas where the various taping equipment setups were
located. Sounds like a logical explanation for a bizarre happening!
Anyway, it seems to have been only a couple of minutes (if anything)
that were effected here.
Various segments of tunings and onstage banter prior to the Bill Graham
intros and the Hey Jude encore have been cut from the multi-track source.
These were subsequently spliced in from the alternate sources noted below.
The following alternate sources were used in editing the multi-track source:
1. SBD > Cassette Master > C > DAT > ZA2 > WAVs >SHN > CDR > DAT > WAV
2. SBD > 2-Track MSR > D > D > D > D > CD
3. SBD > 16-Track MSR > C2 > DAT > CD
Alternate source info for spliced portions:
0:59.372 seconds of pre-Bill Graham Set One intro tuning: 2-Track MSR > D > D >
D > D > CD
0:31.200 seconds of pre-Bill Graham Set Two intro tuning: 2-Track MSR > D > D >
D > D > CD
2:26.538 seconds of pre-encore stage banter: 2-Track MSR > D > D > D > D > CD
3:32.318 seconds of pre-encore stage banter: Cassette Master > C > DAT > ZA2 >
WAVs >SHN > CDR > DAT > WAV
The majority of the show was re-tracked after completing the above edits.
|
|
03/02/69
|
Fillmore West |
Aud |
3 |
A+ |
SBD |
|
03/02/69
|
Fillmore West |
WMA |
3 |
|
Lineage (entire show): Multi-track reel master > DAT > CD > EAC > SHN
Disk 1 Extraction and SHN encoding by Seth Kaplan
Disks 2-3 Extraction and SHN encoding by Darrin Sacks
Note, ONLY DISK 1 of this version is different than that previously circulated and
seeded to etree, in that this version lacks the glitch previously present in Dark Star.
The remainder of this version is identical to that previously circulated on etree,
except for the fact that the new version has been properly sector aligned by using
shntool and encoded with shorten v3.
Seeded to etree on 3/7/2001 by dnsacks@usa.net |
|
03/15/69
|
Hilton Hotel |
WMA |
1 |
|
SBD>?>boot CD>SHN
This is a SBD from a bootleg CD with unknown generations. There is a
significant hiss and no noise reduction was performed. The songs were
retracked before shn encoding. Deadbase lists Morning Dew and
Alligator before Hard to Handle, though this information is uncertain.
There is a splice near the beginning of The Eleven.
thecore@core.com |
|
03/28/69
|
Student Center, Modesto Jr. College |
WMA |
2 |
|
MSR>C>D>CD
|
|
04/04/69
|
Avalon Ballroom |
WMA |
2 |
|
MSR>C>DATs>CDRs>EAC>SHN
* Deadbase lists Lovelight as ending the second set. However, www.deadlists.com does not show Good Morning Little Schoolgirl, Doin' That Rag or Lovelight as circulating (they are now :-)). To me, the announcer's comments before lovelight sound like pre-second set introductions, rather than "bring 'em back" pre-encore talk. Regardless, Lovelight started the second disk on the copy I received and I've chosen to preserve this placement.
Thanks to Rango for the source cdrs, eac/shn by dnsacks@usa.net 8/17/00 |
|
04/05/69
|
Avalon Ballroom |
shn |
2 |
A+ |
|
|
04/05/69
|
Avalon Ballroom |
WMA |
2 |
|
Recording Info:
SBD -> Rm (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat
Transfer Info:
Dat -> Sonic Solutions -> CD -> EAC -> Samplitude -> SHN
(2 Discs Audio / 1 Disc SHN)
Conversion By Charlie Miller
charliemiler87@earthlink.net
7/29/03
Notes:
Samplitude v6.0 was used to re-track the complete show.
Comments:
Just before Cryptical Envelopment and again before Alligator Bobby noodles the opening chords of
Weather Report Prelude. |
|
04/06/69
|
Avalon Ballroom |
WMA |
2 |
|
SBD>FM>MR>C>D>CD>EAC>SHN
Notes:
--this is from a reel recorded in '69. There are a few minor
discontinuities/blemishes in the recording
--there may be missing songs before Schoolgirl
--several minutes are probably missing from the beginning of Schoolgirl.
--there is a splice in Schoolgirl @ 1:26
--the first couple notes of Cryptical(1) are clipped
--the band is forced to finish Viola Lee acapella after the plug is pulled on
their instruments, presumably, for playing past Avalon curfew
--Sound Forge was used for a slight pitch correction and a few minor edits
Part of The Music Never Stopped Project 2002 shn em up initiative
Thanks to Joe Jupille
edits/encoding by J. Cotsman |
|
04/11/69
|
University Auditorium, U. of Az. |
WMA |
1 |
|
SBD>MC>C>D>CD>EAC>SHN
set 1:
(missing Morning Dew) ?
(missing Sittin' On Top Of The World) ?
(missing Cryptical Envelopment-->) ?
(missing The Other One-->) ?
Notes:
--The beginning of the first set is missing, and the setlist is also uncertain for that portion
--The quality appears to drop for the start of the 2nd set, probably due to low signal levels on the master. The quality picks back up at the end of St. Stephen
--Main Ten jam in Dark Star from 9:42 to 10:57
--splice at 3:12 in St. Stephen
--splice at 2:42 in The Eleven
--dropout in Lovelight @ 14:13
--Sound Forge was used for normalization and pitch correction
Thanks to S. Barbella, P. Braverman, & A. Schlissel
edits/encoding by JCotsman |
|
04/12/69
|
Student Union Ballroom, University of Utah |
WMA |
2 |
|
SBD>MC>C>D>CD>EAC>SHN
Notes:
--It seems like a good 10 minutes or so is missing from the first set, as all of what one must assume to be The Other One is gone as well as several minutes of the Cryptical reprise.
--perhaps a minute or so of Dark Star is missing
--Sound Forge was used for normalization and pitch correction
part of The Music Never Stopped Project 2003
edits/encoding by JCotsman |
|
04/13/69
|
Ballroom, U. of Co. |
WMA |
2 |
|
SBD>MR>C>D>CD>EAC>SHN
Several minutes are lost in the cuts at the end of Lovelight and the
beginning of Doin' That Rag. There is a minor splice roughly 10 minutes
into Dark Star. The end of this show is obviously missing and probably
consisted of Caution as the jam out of drums suggests.
Thanks to Dan Zymanski
edits/encoding by J. Cotsman |
|
04/18/69
|
Memorial Union Ballroom, Purdue U. |
Aud |
2 |
A+ |
Aud |
|
04/18/69
|
Memorial Union Ballroom, Purdue U. |
WMA |
2 |
|
SBD>MC>C>DAT>CD>EAC>shn
notes/flaws:
d1t1: ? @ 0:20 (mix change/adjustment?)
d1t5: tape flip in here? or Bobby flubs big-time!
d1t8: tape pause @ 9:08
d1t9: cut (likely for tape flip) @ 7:17
d2t1: Lovelight cuts in after a tape pause, maybe a few seconds
missing (tape pause in cheering after song as well.)
d2t1: very low crackle in left channel @ 3:59
d2t2: tape pause @ 6:53
Audio discs received from TUF permavine
Extraction (EAC in secure mode with proper offsets) and
shn conversion by Tony G (spreaddead@bellsouth.net) |
|
04/21/69
|
The Ark |
WMA |
3 |
|
Bertha Remaster of the Master Reel source.
SBD>>MR>>DAT>>CDA>>DAW(Bertha)>>CDA/SHN - Sound A
Notes:
Digitally Remastered using a custom built Dual-DAW nicknamed Bertha, by jashley@deadacated.com in 2001.
Thanks to Charlie Miller for the seed. |
|
04/22/69
|
The Ark |
WMA |
3 |
|
Updated gen: SMC>R>D
(had been marked Master Soundboard Reel > Cassette > DAT x2 > CDR)
All cuts are on master reels. Seeded by Scott Clugston |
|
04/23/69
|
The Ark |
WMA |
3 |
|
MSR>Cassette>DATs>CDRs>EAC>SHN (Jim Wise Source)
Disc 1 (78:50 -- Requires 80 minute disk!)
CDR supplied by Dr. Rob Bertrando (THANKS!), eac/shn by Darrin (Dnsacks@usa.net)
This newly-circulating source is confirmed to be MSR>C>DATs>CDRs -- previously circulating version contained an additional cassette generation and was MSR>C>D>C>D. This version contains all of the splices/cuts contained in the previously-circulating version. |
|
04/23/69
|
The Ark |
Aud |
3 |
A+ |
SBD |
|
04/26/69
|
Electric Theater |
Aud |
3 |
A+ |
SBD |
|
04/27/69
|
Labor Temple |
Aud |
0 |
A+ |
SBD
2nd set only |
|
05/07/69
|
Polo Field, Golden Gate Park |
Aud |
2 |
A+ |
SBD |
|
05/23/69
|
Seminole Indian Village |
WMA |
2 |
|
Source 1:
SBD>MR>PCM>D>CD>EAC>SHN
Source 2:
SBD>MC>R>C>D>CD>EAC>SHN (?)
source 2 provides:
--all of Hard To Handle
--from 2:53 in The Eleven to the end of the show
Notes:
--Source 2 originated from a Serafin edit and originally was listed as a reel master, though there is reason to believe it was mastered on cassette, as noted on Eaton's list. There are remnants of digital processing in the recording, including distortion from what is likely to be digital moise reduction. Sound Forge was used to correct the pitch and patch in the portions from the higher quality reel source.
--this exact shn set may have seen limited circulation in early 2002 with the 2nd source listed as unknown
part of The Music Never Stopped Project 2002
Thanks to Jim Hale
edits/encoding by Seth Kaplan & JCotsman |
|
05/24/69
|
Seminole Indian Village |
Aud |
2 |
A+ |
SBD |
|
05/31/69
|
McArthur Court, University of Oregon |
Aud |
2 |
A+ |
SBD |
|
05/31/69
|
McArthur Court, University of Oregon |
WMA |
2 |
|
SBD>?>CDR>EAC>SHN
Note: The encore has been moved out of order so this will fit onto 2 discs,
but nothing was cut so you can restore its original order
by moving Friend of Mine..Cosmic Charlie and the encore onto
a 3rd disc.
Defects on Raw tracks (have to adjust for times of individual tracks):
(This was originally on three discs, one track per disc. These timings
refer to that configuration.)
d1t1 41:47 - static in right channel (in last words of o1)
d1t1 43:27-43:34 - right channel fades out (cryp reprise)
d1t1 43:35 - splice?
d1t1 43:37-43:41 - right channel fades out
d1t1 45:24 - back ground static (start of sittin)
d1t1 46:23 - little static in right channel
d2t1 3:40 - static in right channel (lovelight)
d2t1 4:14 - brief static in left channel
d2t1 4:44 - quiet background static in right channel?
d2t1 4:54 - brief background static in right channel
d2t1 8:15 - static in right channel
d2t1 9:28 - brief static in right channel
d3t1 0:00- - right channel very faint (friend of mine) (-1:56?) (dark star)
d3t1 0:54-0:57 - left channel dropout
d3t1 43:03 - splice (Rag/Cosmic)
d3t1 45:23 - left channel dropout
d3t1 45:42-45:53 - left channel very faint
d3t1 47:32-47:37 - left channel very faint
Extraction/SHN by John Oleynick |
|
06/05/69
|
Fillmore West |
WMA |
2 |
|
SBD>MC>C>D>CD>EAC>SHN
Notes:
--the final 6 minutes of the Cryptical Reprise are patched in from an alternate sbd source.
--the first couple notes of China Cat are clipped.
--there is probably another patch from an alternate sbd source during the 2nd set jam, as there are no noticeable tape flips
--Sound Forge was used for normalization and a pitch correction
part of The Music Never Stopped Project 2003
edits/encoding by JCotsman
|
|
06/06/69
|
Fillmore West |
WMA |
1 |
|
SBD>MC>C>D>CD>EAC>SHN
requires one 80 minute disc (total time: 76:39)
*without Jerry Garcia; with Elvin Bishop
**without Jerry Garcia; with Elvin Bishop; with Wayne Ceballos
The splice in Checkin' Up @ 1:14 is very minor, and hardly noticeable
For unknown reasons, it appears that Jerry Garcia is missing for the first 5
songs, and Elvin Bishop plays lead guitar. The crowd, Phil & Bob
acknowledge the missing Garcia after Smokestack, which must be the opener.
Wayne Ceballos adds vocals for Checkin' Up and BIODTL. A faintly heard voice
off microphone could be Garcia's just before Checkin' Up. Two days later
during the same run, Pigpen ended up a spectator for some songs while Bishop
& Ceballos sat in, so it seems possible that this is the case with Jerry,
given a laid back atmosphere.
Deadlists vaguely indicates that this represents all of 6-6-69. However, it
seems likely that some music may be missing before Lovelight. The guests
are not present during Lovelight, and Garcia is playing on this version.
This is perhaps the longest version of Lovelight known to have been played,
clocking in at just under 47 minutes.
Sound Forge was used to correct the pitch of the recording.
Part of The Music Never Stopped Project 2002 shn em up initiative
Thanks to Joe Jupille
edits/encoding by J. Cotsman |
|
06/07/69
|
Fillmore West |
WMA |
2 |
|
Source: SBD
Stated Genealogy: MR > DAT > CD > EAC > Cool Edit 96
(Resampled to correct pitch) > SHN > CD > SHN
More than likely there is a cassette gen present.
Possible source change after the Eleven.
COMMENTS: Miss Janis Joplin's vocals during Turn On Your Lovelight are first
heard at 4:20. Most copies in circulation have a curious glitch, with Dark Star
restarting after 12 seconds; this derives from a Beta Hi-Fi copy of 1st gen
reels circulating in the early 90s.
Notes: Extraction retracking, editing and SHN encoding by A.J. Fink
Dark Star restart patched using CDWAV & ADDAWAV and pitch resampled
to a ratio of 95 using CoolEdit 96. Subsequent extraction and .shn
encoding from audio and sector boundary verification by S. Kaplan |
|
06/13/69
|
Fresno Convention Center |
WMA |
2 |
|
Master Soundboard Cassette > Cass > DAT > ZA2 > SF > CD
Deadlist Comments:
Ronnie Hawkins appears on Good Morning Little Schoolgirl and
Lovelight. Someone adds flute on Lovelight. Some speculate
that it's Charles Lloyd, but this seems unlikely.
Tape Notes:
tape splice in Saint Stephen @ 0:37 (probably no music missing)
tape splice in The Eleven @ 11:00 (a few minutes might be clipped)
Digital Mastering Notes:
Pitch shifted in SoundForge up 70 cents on highest
accuracy with anti-alias filter. Normalized prior
to doing the pitch shift.
distributed as a party favor to all attendees
of eD's Best Outrageous Northeast Gathering
March 16th, 2002 M'town, NJ
EAC>SHN transfer by Steve Barbella
EAC Secure test and copy, w/offsets config'd, no errors
SHN via MKW v.97 (seek enabled)
shntool used to verify sectors. They were fine. |
|
06/14/69
|
Monterey Performing Arts Center |
WMA |
2 |
|
2 discs : S:MCass>Cass>DAT>ZA2>SF>CD
Comments (from Mr. Hollister):
Normalized in SoundForge, then pitch shifted down 89 cents on highest accuracy.
Thanks to Jeff Tiedrich for the source!
Digital Transfer, processing and CD Mastering by the tireless David Hollister
SHN encoding by Jim Skinner with thanks to Michael K. Weise |
|
06/27/69
|
Veterans Auditorium |
WMA |
2 |
|
Lineage:
Soundboard->Master Reel->Cassette->DAT->DAT
Transfer:
DAT->ZA2->Soundforge->.wav->mkw->SHN
DAT seed provided by Michael P. Weitzman
Transfer and SHN by Joe Samaritano
11/10/2003
Notes:
1. Known low generation lineage and transfer info.
2. Splice in Baby Blue about 4 minutes in, then clipped at the end.
3. Garcia on Pedal Steel for Slewfoot, Dire Wolf, and Green Grass.
Peter Grant on Banjo for Slewfoot. Weir on vocals for Dire Wolf. |
|
06/28/69
|
Veterans Auditorium |
WMA |
1 |
|
Lineage:
Soundboard->Master Reel->Cassette->DAT->DAT
Transfer:
DAT->ZA2->Soundforge->.wav->mkw->SHN
DAT seed provided by Michael P. Weitzman
Transfer and SHN by Joe Samaritano
11/10/2003
Notes:
1. Known low generation lineage and transfer info.
2. Splice in Lovelight about 20 minutes in.
3. Garcia on Pedal Steel for Slewfoot and Silver Threads.
Peter Grant on Banjo and Marmaduke on backup vocals for MAMU.
|
|
07/04/69
|
Electric Theater |
WMA |
2 |
|
SBD>MC>D>CD
Garcia plays pedal steel guitar for Slewfoot, Silver Threads, Let Me In, and Dire Wolf (which notably, Bob Weir sings lead). There is a slight dropout/splice at 1:04 in Hard To Handle. There is a splice in Mama Tried. Slewfoot cuts in near the beginning at "better get your rifles...". The first couple notes of Silver Threads are clipped. The end of Me & My Uncle is cut, with possibly a minute missing. The beginning of Doin' That Rag is clipped. The quality of the recording drops in a drastic manner at Doin' That Rag as there is a great drop in recording levels, which also begin to fluctuate at this point. The recording improves during Lovelight, which has a minor splice near the end. No noise reduction was performed. The pitch was corrected using Sound Forge.
thecore@core.com |
|
07/07/69
|
Piedmont Park |
Aud |
2 |
A+ |
SBD |
|
07/07/69
|
Piedmont Park |
WMA |
2 |
|
Master Soundboard Cassette > Cassette > DAT > CDR
EAc'ed / SHN'ed by Scott Clugston
Circulated 2/15/01
unfortunately, Dark Star thru Lovelight would require an 86 minute disc,so, the the Dark Star > St. Stephen disc break was done with no fades or overlaps to facilitate a seemless "re-assembly". |
|
07/11/69
|
NY State Pavilion, Flushing Meadows Park |
WMA |
2 |
|
SBD MC>C>D>CD + patch (Alligator > Drums) from
AUD master > low-gen reel > cassette > CD
Deadlists comments: The soundboard cassette tape breaks off during
High Time at the end of Side A; Side B cuts in during the drums after
Alligator and breaks off during Lovelight. The audience tape in
circulation runs from Alligator into The Other One before breaking
off.
patch by H.B., 7/01
thanks to Uli for the AUD and Julian for the SBD |
|
07/12/69
|
NY State Pavilion, Flushing Meadows Park |
Aud |
0 |
A+ |
SBD
2nd set only |
|
08/16/69
|
Max Yasgur's Farm |
WMA |
2 |
|
Max Yasgur's Farm,
Bethel, New York
SBD>MR>D>CD>EAC>SHN
(8trk Master Reels @ 15ips)
*with Ken Babbs
Notes:
--small glitch/discontinuity at 0:10 in St. Stephen
--there seem to be disguised splices in St. Stephen, as several verses are missing. It seems possible that power was cutting out at times causing this problem.
--dropout at 32:45 in Lovelight
part of The Music Never Stopped project 2003
Thanks to David Litfin
edits/encoding by JCotsman |
|
08/21/69
|
Aqua Theater |
WMA |
2 |
|
SBD>MC>C>D>CD>EAC>SHN
*with Charles Lloyd (?) on flute
Notes:
--this show was a single set
--it sounds like the tape is running out just as Cosmic Charlie ends
--Sound Forge was used for normalization and other minor edits
part of The Music Never Stopped Project 2002
edits/encoding by JCotsman |
|
08/23/69
|
Pelletier Farm |
WMA |
2 |
|
SBDMC(Bear's)=>Dick's C=>DAT=>CDR
from MerryPranksterTree #4 - Many thanks to Tom Banjo & JH
|
|
08/28/69
|
Family Dog at the Great Highway |
WMA |
2 |
|
Source: SBD > CM > Cass > DAT > CDR >
WAV; via EAC/Trade from Morgan Evans [morgan_no9@yahoo.com] >
CDR > EAC > CDWAV > SHN; via Rick Lepley [lepleyr@hotmail.com]
Notes:
Comments:
Show billed as "Mickey and the Hartbeats".
Bobby and Pigpen were absent.
A wild show! A fair amount of hiss, but otherwise a good SBD recording
Much thanks to Morgan Evans for putting this gem into my hands!
Any info/corrections please send to lepleyr@hotmail.com - Thanks!
These shn's are seekable in your shnamp. |
|
08/29/69
|
Family Dog at the Great Highway |
WMA |
2 |
|
SBD>MR>C>D>CD>EAC>SHN
There is a splice at roughly 1:30 into Good Lovin'. The recording was
normalized and retracked using Sound Forge and CDWave.
Thanks to Jeff Cook for this recording.
EAC/SHN encoding by J. Cotsman |
|
08/30/69
|
Family Dog at the Great Highway |
WMA |
2 |
|
Master Soundboard Reel > Cass > DAT > CD
notes:
much less hiss than the previously circulating SBcass>DAT>CDR
Discs were generously supplied by Seth Kaplan
EAC>SHN transfer by Steve Barbella 3/02
EAC secure test and copy, offsets config'd, 100% track quality
SHNs created via MKW v.97 (seek enabled)
shntool used to verify the sectors...they were fine.
Deadlists Comments:
The newly circulating CDs transcribe Latvala's cassette copy of
the master reels. The cassette has a flip about 11 minutes in to the Dark
Star but Latvala must have put some overlap on B because there is no cut
audible on the well-produced CD.
A 41 minute fragment from this tape has circulated for years, usually
mislabeled "Family Dog 8/29/69" but sometimes also mislabeld "Family Dog
6/5/69" or "Fillmore West 6/5/69." This fragment contains the last 17:50 of
Dark Star through the first 3:28 of High Time.
08/30/69 The Family Dog, San Francisco Ca - complete
4.7 ^, 088min, Sbd, A1D0, Reel M->Cass 1->Dat 0, 48k,
7inch Master Reels@7.5ips 1/2trk->Tascam 122mkIII Cass 1st Gen->3800 x 0
RECORDING 90 SB (reels)
CONTRIBUTORS Jim Powell Dick Latvala Nathan Wolfson
|
|
09/01/69
|
Baton Rouge International Speedway |
WMA |
2 |
|
Source: MSC (Ampex C-90 cassette) > DAT > CD-R via Andy Lemieux and Kingbee
Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN(seekable) by Matt Vernon
Thanks to Andy for the source disks!
notes
- this source differs from the most recent previously circulating copy (http://db.etree.org/shninfo_detail.php?shnid=5216) in that
a). Casey Jones is not clipped
b). The Yellow Dog Story which appears before Dark Star is not on this tape. The transition from the end of Easy Wind to the start of Dark Star on this tape is continuous. This would suggest that the Yellow Dog Story on the other source may not be from this date.
c). The version of Lovelight on this source is complete (~24 minutes) except for a brief gap. The previous source cut after ~ 9 minutes
Eaton lists:
09/01/69 Baton Rouge Speedway, Prairieville La - complete
4.4, 095min, Sbd, A0D1, Cass M->Dat 1, 44k,Ampex C-90 Master Cass/no dolby->3700 x 0->3800 x 1
flaws
d1t02 - brief partial loss left channel 2:24, 5:43, 6:46, 7:40, 5:05 brief partial loss right channel
d1t04 ~ 4:58, two very brief partial losses left channel
d2t01 - cut ~0:05
d2t01 ~ 2:46 brief garbled section left channel
d2t01 ~ 8:08 brief partial loss both channels
d2t01 ~ 8:52 some digi-type or transcription noise (minor)
d2t02 - brief partial loss left channel 1:37
d2t03 - brief partial loss left channel 8:08
d2t04 - brief partial loss left channel 6:37
d2t04 - gap ~9:45 followed by volume variations and what not for about 10 seconds
d2t04 - brief partial loss left channel 10:22, 11:01, 23:32
length expanded size cdr WAVE probs filename
5:57.13 63005420 --- -- --- gd69-09-01d1t01.wav
10:39.73 112891340 --- -- --- gd69-09-01d1t02.wav
2:38.53 27995900 --- -- --- gd69-09-01d1t03.wav
6:51.65 72653324 --- -- --- gd69-09-01d1t04.wav
7:34.52 80207948 --- -- --- gd69-09-01d1t05.wav
33:42.31 356753932 B (totals for 5 files)
length expanded size cdr WAVE probs filename
17:39.33 186885260 --- -- --- gd69-09-01d2t01.wav
7:33.33 79986860 --- -- --- gd69-09-01d2t02.wav
10:49.19 114528332 --- -- --- gd69-09-01d2t03.wav
24:17.35 257097164 --- -- --- gd69-09-01d2t04.wav
60:19.45 638497616 B (totals for 4 files)
9.45 638497616 B (totals for 4 files) |
|
10/25/69
|
Winterland Arena |
Aud |
0 |
A+ |
SBD
1st set only |
|
11/01/69
|
Family Dog at the Great Highway |
WMA |
2 |
|
SBD>MC>C>D>CD>EAC>SHN
The sound is not as full or crisp as many others from '69 with a similiar
lineage, but the mix is stable and there are very few blemishes. Sound
Forge was used for normalization and minor edits.
Thanks to Paul Hartman
encoding/edits by J. Cotsman |
|
11/02/69
|
Family Dog at the Great Highway |
WMA |
1 |
|
mr>c1>dat>turtle bch "Fiji">SHN
For more NFO on etrees:
www.goodbear.com/tree.html
Posted to abgd.hs 5/00 by Doug Johnson via Teddy "Good Bear". |
|
11/08/69
|
Fillmore Auditorium |
Aud |
3 |
A+ |
SBD
Dick's Picks Vol.16 |
|
11/15/69
|
Lanai Theater |
WMA |
2 |
|
Source: SBD
Lineage: SBD cassette master > PCM > CDR > iMac > SHN
Editing by Jeff Tiedrich via Sound Studio for Macintosh, March 29 2002
Conversion by Jeff Tiedrich via Shorten for Macintosh, 30 March 2002
10 May 2002 - SHN Sector boundary errors detected and fixed with shntool
v1.01 (default settings); md5sum used to generate new md5s
for the corrected shns.
--- by Nathan Scott wharfrat@bayou.com
known flaws: none
|
|
11/21/69
|
Cal Expo, Building A |
WMA |
2 |
|
1st set: SBD>MR>C>D>CD>EAC>SHN
2nd set: SBD>MR>D>CD>EAC>SHN
The first set is of noticeably poorer quality and was plagued by equipment
malfunctions. The end of Lovelight is cut. |
|
12/04/69
|
Fillmore West |
WMA |
2 |
|
SBD>MC>?>CD>EAC>SHN
*first known rendition of Black Peter
**first known rendition of Uncle John's Band (with lyrics)
This is one of the more muffled and hissy master cassette SBDs from the '69
era. It sounds like there could be several analog generations in the
lineage, though the lack of crisp sound quality might mostly be attributed to
the master, which is reportedly degraded. Many analog related crackles and
blemishes were embedded in the recording. Sound Forge was used to smooth or
reduce most of the glitches, though many minor blemishes remain. Sound
Forge was also used to normalize and correct the pitch.
Notes:
--Dire Wolf cuts out shortly after one minute
--splice in Schoolgirl @ 7:29
--tape damage in China Cat @ 0:44
--other blemishes are frequent, though not offensive
Part of The Music Never Stopped Project 2002 shn em up initiative
thanks to Joe Jupille
edits/encoding by J. Cotsman |
|
12/07/69
|
Fillmore West |
WMA |
2 |
|
THE OWEN BROTHERS VAULT
SBD>MC>DAT>CDR>EAC>DCart Millennium>CDR
CD's From Julian Elliott
CD Editing and mastering by The Wizard - Owenbrothersvault@hotmail.com
The was a C/C- very degraded SBD tape that had almost no high end and a few flaws.
The challenge was to bring up the top end without increasing the significant hiss above
acceptable levels. This required several continuous noise filters both before and after
equalization to bring up the lacking areas. This turned out pretty successful.
Several spots of static in Black Peter could not be totally eliminated but were reduced.
The cut at the end of Dancin' was cleaned up.
Several seconds of diginoise in Love Light was completely cleaned up.
All editing done with DCArt Millennium software. |
|
12/12/69
|
Thelma Theater |
WMA |
3 |
|
MSR > R > D > CD except
Cold Rain and Snow thru Black Peter: MSR > R > C > D
Thelma Theater, Los Angeles, December 10, 11 & 12, 1969
Copies from the soundboard reels of these shows have circulated since the '70s, sometimes mislabled "Kaleidoscope Theater, LA," often with dates and sequences mixed up, usually in badly degraded sound quality. This set assembles complete copies of the 11th and the 12th in the best quality circulating. Except for the middle portion of the 11th, sound is excellent throughout; this inferior segment is listenable while leaving definite room for improvement if an upgrade shows up; we haven't been able to find one & don't want to delay further.
Many people gave help on the way to creating this set of CDs. Dave Greenberg did the final masters. Jack Warner was instrumental in providing the difficult composite for the 2nd disc of 12/11/69, which was first mastered by Scott Clugston. RB, KW, JN and HB also provided important assistance. Jim Powell instigated the project and writes these notes. SHN conversion by Jay Gerland. |
|
12/13/69
|
Swing Auditorium |
WMA |
2 |
|
Source: 7" Master Soundboard Reels > Cassette > DAT > CDR
CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
8/28/01
|
|
12/26/69
|
McFarlin Auditorium, Southern Methodist Univ. |
WMA |
2 |
|
MSR>C>DAT>CD-R
Notes: There are cuts at the beginning of China Cat, the end of Dark Star (midway through the second verse of lyrics), and the beginning of New Speedway Boogie. These cuts are on all circulating versions.
|
|
12/28/69
|
International Speedway |
WMA |
2 |
|
SBD>MC>D>CD>EAC>SHN (for B. Peter>Good Lovin'// & end of Lovelight)
SBD>MR>C>D>CD>EAC>SHN (for //Good Lovin'>most of Lovelight)
This is a composite of two sources. A master cassette provides the portion
from Black Peter up to the drum solo of Good Lovin' as well as the last
couple minutes of Lovelight. Possibly a monitor mix, the master cassette
portion varies in quality, most notably degrading in Black Peter and the end
of Lovelight. A reel recording provides the end of Good Lovin' through
most of Lovelight.
It is possible that this is not the complete show, though it would be likely
that only one or two songs may have preceded Black Peter. Sound Forge was
used to normalize, correct the pitch of the master cassette portion, and
patch together the different sources.
This is a loud and very rowdy show, prompting some priceless banter from the
band.
thanks to David Litfin & Jay von Lehe
edits/encoding by J. Cotsman
|
|
12/29/69
|
Boston Tea Party |
WMA |
2 |
|
SOURCE: SBD MR (7" reel @7.5 ips)>DAT>DAT>CDR;
Transfer to CDR from a Sony ES 60 DAT to a Pioneer PDR555 RW Standalone burner via optical cables. CDR was then ripped to the Hard Drive with EAC in secure mode, amplification to 100% in Cool Edit 2000. Poorly placed track markers corrected with CDWave then transferred to shn using mkw SHN. Discs written on a Digital Research 24x burner using Nero.
|
|
01/02/70
|
Fillmore East early show |
WMA |
3 |
|
SBD>MR>C>D>CD>EAC>SHN
patched with AUD>??>CD>EAC>SHN
Notes:
--aud patch for Zarathustra intro and first 5 seconds of Mason's
--reel flip at 0:47 in Other One
--Cosmic Charlie cuts out just before the end
--beginning of Easy Wind clipped
--large cut in between China Cat & Rider
--Tighten Up jam in Dark Star starting at 22:43, lasting about a full 5 minutes
--Dark Star cuts out during the final verse; at least a couple minutes are missing by the time Stephen cuts in well after its beginning
--reel flip at 14:19 in Lovelight
--Sound Forge was used for normalization and a slight pitch correction
Part of The Music Never Stopped Project 2003
Thanks to Andy Lemieux, Uli Teute, & Hanno Bunjes
edits/encoding by JCotsman |
|
01/03/70
|
Fillmore East (Late Show) |
WMA |
3 |
|
Source:
SBD:MR > DAT > Cass. > DAT > CDR
Thanks to Wayne Gucwa for hooking me up with these fine shows.
Seeded to etree by Mike Lai.
song info send to usalai@nycap.rr.com
stellablue.etree.org
track list added to info file by Jeff Hannan
Comments:
Sound surges and mix imbalances in Me & My Uncle (d1t02) corrected by some channel rebalancing.
(by Bill Giles)
Re-SHN by ret: 2003-09-10
==========================================================
Notes by ret:
When I received this show all the tracks passed the md5 check, but shntool reported sbe's
on every track. I joined the tracks together using Cool Edit Pro. Then re-tracked the whole
show using CDWAV. Shntool confirmed that all the tracks were cut on sector boundaries.
I had sent a copy of the early show to Bill Giles, to see if he could improve the sound of
d1t02 (Me & My Uncle). I substituted his improved version for the one I had received.
No other change was made to the version seeded by Mike Lai.
Here are Bill's notes:
"I've played with this. Problem is stoned man on vol and pan controls -
Weir's guitar which is the main offender in the variable volume stakes
moves from right to left early on, then gets cranked up during Garcia's
solo and at various other points..... So I've done what I can to moderate
the extremes of channel volume fluctuations, but I've left Weir's guitar
still quite high in the mix, as that seems more faithful to this recording.
Given that Weir seems to speed up the tempo during the song, one can
assume that he was playing with extra bounce :)) " |
|
01/16/70
|
Springer's Inn Portland |
WMA |
3 |
|
sbd>??>cdr>eac>shn
Thanks to Moss Willow for the discs
eac>shn by; popi n. feeldz
|
|
01/17/70
|
Gill Coliseum, Oregon State University |
WMA |
2 |
|
Master Soundboard Reel > DAT > CDR
CD Mastering by Scott Clugston
EAC'ed/SHN'ed by Scott Clugston
Circulated 11/17/00 |
|
01/23/70
|
Honolulu Civic Auditorium |
WMA |
2 |
|
Lineage: ASBD>DAT>PCM-WAV>SHN
============================================
Notes from Teddy:
There were 2 postings of 1/23/70 when it first got circulated all those
months ago. I posted 1/23/70 a few hours after someone else (I forget who)
posted the same. The one I posted may have had the track marks slightly
different then the other post? For this updated Lovelight, I spliced in the
original (more then a few seconds at the start to fit) WITHOUT any change to
the start of Lovelight... Hence, you will not be able to tell where the
splice is and the track markers and transition are dead on...
To fit on 2 CDs:
I opted to put Dark Star thru Lovelight on CD2. Or I guess one could start
the Drums on CD2? The entire jam from Cryptical thru Lovelight will NOT fit
on even an 80 min. CDR...
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
Teddy :^) www.goodbear.com Teddy-AT-GoodBear.com
Home of AUD Etree(s) & Tree(s) http://www.goodbear.com/tree.html
Additional minor editing by Charlie Connor 6/28/03 as follows:
gd70-01-23t08-09 - 1 second of silence between tracks removed using
Steinberg's Wavelab 3
Sector boundaries corrected using shntool.
|
|
01/24/70
|
Honolulu Civic Auditorium |
WMA |
1 |
|
Source: SBD
Lineage: S:MC > cassette > DAT > CD > SHN
Notes:
T06 (Black Peter): subsecond dropout/splice @ 7:44
T07 (Good Lovin'): cuts right before last verse |
|
01/30/70
|
The Warehouse |
WMA |
2 |
|
Source: SBD>MR>C>DAT>CDR
Conversion: CDR > EAC(secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable) mvernon54@attbi.com
shntool confirms tracks on sector boundaries
Part of The Music Never Stopped Project 2002 shn em up initiative 7/16/02
Thanks to Raoul Duke for the disks!
Notes:
- there is a slight tinny/tunnel quality to the sound. the spectral profile shows an abrupt cut off in the usual background noise signature at ~5kHz with a gradual resumption of noise from 18kHz increasing in intensity up to the upper limit of 22kHz. This might suggest some signal processing has been done somewhere in the lineage.
- there is some audible, though minor, clipping (Easy Wind for example)
DEADLISTS COMMENTS The circulating tape breaks off during Cosmic Charlie but tn lists another 35 minutes. The tape which contains this list is labeled "1/29/70" but 1/30/70 is the correct date. According to Tom Constanten this was his last performance as a regular member of the band (Between Rock & Hard Places p. 84). Back at their hotel afterward, the Dead were "busted down on Bourbon St." Fleetwood Mac and The Flock were also on the bill (DeadBase
IX).
Eaton lists (mistakenly as "1/29/70"):
01/29/70 The Warehouse, New Orleans La - complete 4.7, 128min, Sbd, A1D0, Reel M->Cass 1->Dat 0, 48k, 7inch Master Reel@7.5ips 1/2trk->Tascam 122mkIII Cass 1st Gen->3800 x 0
If Eaton's timing is correct there is still a half hour of this show not circulating.
RECORDING 94 SB 128 SB (vault)
CONTRIBUTORS Jim Powell Rob Eaton |
|
01/31/70
|
The Warehouse |
WMA |
2 |
|
SBD>MR>C>D>CD>EAC>SHN
Phil's amp fails, forcing an unscheduled acoustic set to close the show with.
Jerry plays electric guitar for some of the acoustic set. This is also the
day that the Dead were busted by the New Orleans police before the show,
prompting some appropriate stage banter. The recording was normalized with
Sound Forge, which was also used to edit a few small blemishes.
thanks to Paul Hartman
edits/encoding by J. Cotsman |
|
02/01/70
|
The Warehouse |
WMA |
2 |
|
Lineage: SBD>MSR>C>DAT>CD
Extraction and .shn encoding by Seth Kaplan (Sdk022769@aol.com)
via EAC and MKW. Proper sector boundaries verified via shntool.
Known flaws:
BIODTL through I Know you Rider: right channel mix is all Bobby
with Jerry and the vocals on the left channel. Mix balances out
in Black Peter.
Good Lovin cuts just before the end.
Splice in the Other One @ 03:39 prior to the end. Doesn't sound
like much is missing here.
Brief subsecond static towards the last few minutes of Lovelight.
Bust fund benefit with Peter Green and Fleetwood Mac.
Peter Green plays on Lovelight. |
|
02/05/70
|
Fillmore West |
WMA |
1 |
|
SBD MR>C>D>CD + AUD low-gen
Tracks 1 to 4 are from the AUD tape.
Track 5 is SBD except 7:12 onwards patched from AUD.
Tracks 6 to 12 are SBD.
This is all that currently circulates according to Deadlists.
bonus track:
13. Mason's Children
Complete AUD version. This bonus track brings the total disc
timing to 80:33, so many burners will not be able to burn all
this onto a single CD.
pitch correction, EQ'ing & CD mastering by H.B., 4/02
thanks to Uli for the AUD tape! |
|
02/06/70
|
Fillmore West |
WMA |
2 |
|
This is from the same source as the other two nights here..Bean
Lineage: SBD>MR>C>D>CD
|
|
02/07/70
|
Fillmore West |
WMA |
1 |
|
SBD MR>C>D>CD + AUD MC>4C>CD patches
the AUD tape supplies:
- beginning of GGGOH (before SBD tape starts)
- end of Saw Mill
- beginning of Seasons Of My Heart
- banter after High Time and beginning of Big Boss Man
- all of Hard To Handle
- beginning of Cold Rain & Snow
thanks to Uli Teute for the source tape!
patches done by H.B. 5/01
*********************
Note-This is a new eac of Hanno's source discs; Here are his comments...
yes it is true, no it is the same seed. My master SHN disc was destroyed
and
| only one person got a copy of the original one, with the MD5s listed on
| etree. I did an offset-corrected Plextor EAC extraction of my master audio
| set of discs to create your SHNs.
|
| greetings
|
| ~ hanno ~ |
|
02/11/70
|
Fillmore East (late show) |
WMA |
2 |
|
Source: MSR>DATs>CDRs>EAC>shn
Noted Flaws, etc.: Dark Star has abrupt splice/cut at approx. 6:57.
Lovelight has a splice at 30:16
(possible source changes to/from "15ips revox reel"? --
See below-quoted section from www.deadlists.com descrition).
BAND Grateful Dead
VENUE Fillmore East
CITY New York
STATE NY
DATE 02/11/70a WEDNESDAY EARLY SHOW
SET1 Cryptical Envelopment > drums > The Other One > Cryptical Envelopment
> Dire Wolf; Casey Jones.
SET2
SET3
ENCORE
COMMENTS Early Show. The Allman Bros and Love were also on the bill
(DeadBase IX).
RECORDING none in circulation 2/98
CONTRIBUTORS Jim Powell digaman@well.com (Well, Tapes 400 #29)
BAND Grateful Dead
VENUE Fillmore East
CITY New York
STATE NY
DATE 02/11/70b WEDNESDAY LATE SHOW
SET1 [1:20:46 +] [0:30 Intro by Keeva Krystal]; Not Fade Away [11:58];
[0:02] % Cumberland Blues [4:39] % [0:08]; Cold Rain & Snow [5:16];[0:04] %
[0:14]; High Time [6:48] % [0:09]; Me & My Uncle [2:58]; [0:06] % [0:07]
Dark Star [16:20] > Spanish jam [9:23] > Lovelight [32:22]; [0:49];
SET2
SET3
ENCORE [0:13 Intro]; Uncle John's Band [5:14]; [0:24] %
COMMENTS Late Show. Total time 1:26:37 +. Duane Allman's guitar is
audible from near the beginning of Dark Star through the end of the set;
Gregg Allman adds organ & vocals during Lovelight, and Berry Oakley plays a
second bass on Lovelight. According to Kenny Schachat, who attended the
show, the guitarist audible starting about 2:30 into Dark Star and for
several minutes thereafter is Peter Green, not Duane, who enters around the
middle of Dark Star. The encore is acoustic Dead. The timings are from the
AUD supplemented by the SBD. The Allman Bros and Love were also on the
bill.
There is also about 45 minutes of SBD in circulation; it starts 10:23
minutes into the Dark Star, with the best copies breaking off 3:41 before
the end of the Lovelight (or cutting to an AUD patch); however, most copies
of the SBD in circulation break off about a minute earlier.
TAPES FROM FILLMORE EAST FEBRUARY 1970
Reportedly it was during this Late Show that clever and industrious Fillmore
East stagecrew members including John Chester and Alan Mande managed to
patch a Revox reel-to-reel deck with 15-inch reels underneath the stage into
the PA feed, and the moment when our circulating SBD tape picks up the Dark
Star, 10:23 after its opening, is the moment when they managed to get their
jury-rigged system patched together, up and running. Circulating copies of
this SBD master break off 3:41 before the end of the Lovelight; perhaps this
cut is on the master. In addition to this 45 minute from 2/11/70 our
enterprising heroes taped the Late Shows on the 13th and 14th (but
apparently not the Early Shows), and copies of these tapes have been in
circulation since the early 70s.
Bear also ran SBD masters of the 13th and 14th, and much of this material
has now been released on Bear's Choice and Dick's Pick 4. However, it is
unclear whether there is any SBD from the 11th in the vault. For the Dick's
Picks 4 release, Jeffrey Norman patched gaps in the vault SBDs of the 13th
and 14th using the surreptitious second SBD masters -- good karma all
around. The GD Records / Polygram Records CD, "Allman Bros Band Fillmore
East February 1970," (GDCD 4063) releases tape of the Allmans from this run
and may contain tunes from this date.
Besides the several SBDs from this run there are also two AUD tapes in
circulation, one of the 2/11/70 Late Show and one of the 2/13/70 Early Show
(see Comments under this date). There is a complete copy of the 2/11/70 AUD
master in circulation, and it also appears as patches for the first 10:23 of
the Dark Star and last 3:41 of the Lovelight, otherwise missing on the
circulating SBD tapes. The AUD of the 2/13/70 Early Show could easily be by
the same taper as the 2/11/70 AUD. Both tapes have strong saturation and
strong bass, and both have decent but not perfect mic placement, and as a
result boomy in the bass with considerable hall resonance and audience
noise. There is no evidence of AUD tape from the 14th in circulation.
RECORDING 90 A? 45 SB
CONTRIBUTORS Jim Powell Alan Mande Steve Silberman |
|
02/12/70
|
Ungano's Night Club |
shn |
1 |
A+ |
|
|
02/23/70
|
The Auditorium |
WMA |
1 |
|
Source: SBD>MR>C>DAT>CDR
Conversion: CDR > EAC(secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable) mvernon54@attbi.com
shntool confirms tracks on sector boundaries
Part of The Music Never Stopped Project 2002 shn em up initiative 7/7/02
Thanks to Raoul Duke for the disks!
Notes:
mild hum present on the acoustic songs noticeable between songs
IKYR cuts in at Sun will shine in my backdoor
levels jump at 0:55 of Monkey & The Engineer
vocals distorted on NFA
splice at 0:38 of MasonÃs Children, missing about 1-2 minutes, some vocal distortion and "tape decay" most noticeable as partial loss in right channel |
|
02/27/70
|
Family Dog at the Great Highway |
WMA |
2 |
|
Master Soundboard Reel > Cassette > DAT > CDR
many circulating copies of this show are missing "Casey Jones" and "Cumberland Blues"
EAC'ed / SHN'ed by Scott Clugston
uploaded 11/00 by Scott Clugston
made possible by the usual group of suspects/mental patients
|
|
02/28/70
|
Family Dog at the Great Highway |
WMA |
2 |
|
SBD>MR>C>D>CD>EAC>SHN
comments:
--the first Lovelight picks up several minutes into the song.
--there is a small splice at the very beginning of High Time.
--this is the final rendition of Mason's Children.
--the Caution Jam is aborted after only 50 seconds.
--both Casey Jones & Uncle John's do not circulate according to deadlists |
|
03/01/70
|
Family Dog at the Great Highway |
WMA |
2 |
|
SBD MR>C>D>CD
patched with AUD:
3rd gen cassette > CD > SoundForge (5% speed correction/amplify) > CD
this is the complete show as per Deadlists:
"Total time 2:13:40 +. Timings are based on the AUD tape
supplemented by the SBD. The AUD tape was mastered by Harry Ely. This tape
cuts in during the "New Speedway Boogie jam," which sounds like Bobby
playing the comp to this song over & over while the audience claps along and
the equipment crew tries to get the rest of the band up & running. After
4:15 this cuts to another couple minutes of tuning, soundcheck activity and
bitching about the sound system. The show proper finally kicks in with
Casey Jones, though the circulating SBD only starts with Big Boy Pete. The
circulating AUD is missing Me And My Uncle and King Bee, but they appear on
the SBD. On the AUD tape China Cat cuts in at "kimono like a crazy-quilt
star gown," and the 2nd stanza of Rider is clipped. These defects aside,
AUD tape is quite a decent job of audience recording. The circulating SBD
breaks off after Uncle John's Band. It's possible that Baby Blue was the
conclusion of the show."
patch by H.B., 7/01
thanks to Uli for the AUD and Matjaz for the SBD
|
|
03/08/70
|
Star Theatre |
WMA |
2 |
|
SBD MR>C>D>CD
comments as per Deadlists:
During the pause after Hard To Handle they switch to acoustic, shifting back to
electric during the impromptu blues with an unknown vocalist following Katie
Mae. The unknown vocalist continues his bizarre contributions, including some
harmonica, during Not Fade Away > Lovelight. Latvala reports that there are two
reels in the vault labeled with this date; the second is blank; the contents of
the first are listed here. Perhaps we are missing the rest of the concluding
electric set, although this seems complete as listed. |
|
03/20/70
|
Capitol Theater |
WMA |
2 |
|
Source: S:mR>?>DAT>CDR
Transfer: ?
EAC and SHN'd: Ben Yerys
|
|
03/24/70
|
Pirates World |
WMA |
2 |
|
Source: S:MR>Cass>DAT>Cass>DAT>ZA2>CDWAV>SHN
COMMENTS The first half of Morning Dew is missing on the circulating tape,
and there is a tape flip in the Dark Star at 4:51, before the first vocals;
the remaining 8:54 fragment cuts in during the space following the vocals;
probably around 2-4 minutes are lost here. These defects aside (and they
are likely on the master) this is the complete show. In the pause after Me
And My Uncle somebody says "Our time's up. See ya' later." Probably there
wasn't an encore. |
|
04/09/70
|
Fillmore West |
WMA |
2 |
|
SBD MR>C>D>CD + AUD MC>4C>D>CD
This is the complete show. The SBD contains //Me & My Uncle through Uncle John//, the rest
is spliced in from the AUD tape recorded by Harry Ely.
Contrary to the current Deadlists entry, the Other One drums and the Lovelight in this version
are both complete - they were spliced in from a very old source which had these segments intact.
thanks to Julian for the SBD and Uli for the AUD
sources assembled by H.B., 11/01 |
|
04/12/70
|
Fillmore West |
WMA |
2 |
|
Source: SBD for all except Casey Jones through Deep Elem Blues
Lineage: Reel master > Sonic Solutions > DAT > CD > EAC > SHN
Source for Casey Jones through Deep Elem Blues: AUD
Lineage: Aud cassette master > PCM > DAT > Sonic Solutions > CD > EAC > SHN
Extraction and .shn encoding by Seth Kaplan (Sdk022769@aol.com)
Proper extraction and sector boundaries verified via EAC and MKW
* -AUD portion is from Casey Jones through Deep Elem Blues.
Taper is believed to be Harry Ely but this is unverified.
Known flaws:
Candyman cuts in at the second verse, "with your hair
a-hangin down."
High Time is listed in Deadbase and at the end of I Know You Rider
they start to go into High Time but the AUD tape cuts after one second.
After the splice Good Lovin' starts. It's conceivable that they didn't
actually go on to play High Time. (From Deadlists)
And We Bid You Goodnight encore is missing.
From Deadlists:
COMMENTS: The timings represent a composite of the SBD and AUD tapes. The
SBD contains Schoolgirl and Cumberland through Feedback. The AUD master is
excellent and often mislabeled "SBD;" the circulating copy contains
Schoolgirl through Deep Elem and Uncle John through Feedback.
There are partial selections and multiple sequences of the AUD tape in
circulation, often mislabeled "SBD," and there are also parts of the 4/9/70
SBD in circulation mislabeled "4/12/70." The list given above follows the
2-CD composite tape of the AUD with the SBD reels that was assembled and put
into circulation by Nathan Wolfson and David Gans.
The Bill Graham Intro of Schoolgirl goes "If the Dead End Kids were alive
today, they would be called "The Grateful Dead." Jerry sings only the
first two stanzas of China Cat before jumping off into the jam.
At the end of I Know You Rider they start to go into High Time but the AUD
tape cuts after 1 second. After the splice Good Lovin' starts. It's
conceivable that they didn't actually go on to play High Time. There is a
Tighten Up jam starting around 4 minutes into Dancin.
This is all one long set. Candyman, Deep Elem, Cumberland Blues, Dire Wolf,
Black Peter, and Uncle John's Band are all played with electric instruments,
not acoustic.
The AUD tape of Candyman cuts in at the second verse, "with your hair
a-hangin down."
Cary Wolfson attended this show and remembers the Dead coming back out to do
the We Bid You Goodnight encore.
Eaton lists:
04/12/70 The Fillmore West, San Francisco Ca - xcerpt
4.8, 080min, Sbd, A1D0, Reel M->Cass 1->Dat 0, 48k
7inch Master Reels@7.5ips 1/2trk->Tascam 122mkIII Cass 1st Gen->3800 x 0
RECORDING 110 AF 80 SB reel
CONTRIBUTORS Jim Powell Cary Wolfson Michael Parrish Rob Eaton Charlie
Miller David Gans Nathan Wolfson Dwight Holmes |
|
04/15/70
|
Winterland Arena |
WMA |
2 |
|
Lineage: MSR>DAT>CD
Notes:
Cold Rain and Snow fades in at the start of the tune
The Mama Tried fragment from the false start is missing
Hard to Handle fades out at 04:31
Dancinà cuts right before the end at 12:14
Lovelight fades in during the Jam and is missing a good chunk
Cold Rain And Snow, Mama Tried, Candyman, Hard To Handle and Cumberland
Blues listed at Deadlists and missing from the previously circulating one
disc wonder are included here.
Seed discs courtesy of Andy Lemieux 8^) Thanks!
(Extraction and.shn encoding by Seth Kaplan via EAC and MKW.
Accurate extraction and properly aligned sector boundaries
verified via EAC and .shntool)
From Deadlists:
COMMENTS There are brief difficulties with the PA during Cold Rain which
occur again at the beginning of the first attempt at Mama Tried and bring it
to a halt. After a pause for repairs they start this tune over. Hard To
Handle cuts off near its conclusion on the master, as does Dancin.
Lovelight cuts in near its beginning. The jam in fast 8s interpolated into
That's It is extraordinary. Plainly the four-show run at Fillmore West with
Miles Davis inspired an extra measure of adventure. The old partial
DeadBase list and also a more complete list supplied by Rob Eaton have a
China Cat > Rider before Mama Tried but these don't show up on the
circulating tape and may be erroneous.
Eaton lists:
04/15/70 Winterland Arena, San Francisco Ca - complete
4.9, 102min, Sbd, A0D1, Reel M->Dat 1, 44k
7inch Master Reel@7.5ips 1/2trk->3700 x 0->3800 x 1
* Filler:
Grateful Dead
Family Dog at the Great Highway
San Francisco CA
February 04,1970
Lineage: MSR>C>D>CD Tracks 2-7 ** - Two added tracks sourced from PBS TV broadcast
1. Hard to Handle ** 6:35
2. China Cat Sunflower > 5:30
3. I Know You Rider 4:23
4. St. Stephen > 2:26
5. Not Fade Away > 7:00
6. St. Stephen > 2:22
7. Midnight Hour 8:27
8. Jam (w. Jefferson Airplane
and Santana) ** 9:29
Total time: 46:15
Recorded by PBS at the Family Dog on 02-04-70 and originally broadcast
on 12-13-70 for a television documentary entitled, "San Francisco Rock:
A Night At The Family Dog" filmed at the Family Dog on 02-04-70.
The China > Rider has been matched with this date but the rest of the
setlist does not match either Deadbase or Deadlists which also lists a
06:26 Hard to Handle prior to China > Rider and notes that sets were also
performed by the Jefferson Airplane and Santana. The St. Stephen > NFA >
St. Stephen > Midnight Hour following China > Rider is continuous with
the China > Rider in terms of the source quality, crowd and overall
musical feel. Accordingly, it appears that this is all one set.
Hard to Handle and the "All Star Jam" included here and sourced from the
PBS TV broadcast were missing from the previously circulating tape.
There has been some confusion about this tape where it was initially
labeled as 08-30-70, which was a KQED broadcast called Calibration.
This is a well-documented show though, and the set list is completely
different from the one above.
Seth Kaplan (Sdk022769@aol.com) |
|
05/01/70
|
Alfred College |
WMA |
2 |
|
Sources: Master Soundboard Reel > DAT > Sonic Solutions > CDR supplies
the Acoustic Set and the Electric Set thru the middle of "Drums" (d2t04)
Master Soundboard Reel > Reel to Reel > DAT > Sonic Solutions > CDR
supplies the balance of "Drums" (d2t04) thru the end of the show
EAC'ed / SHN'ed by Scott Clugston
9/11/01
|
|
05/06/70
|
Kresge Plaza, M.I.T. |
Aud |
2 |
A+ |
SBD
|
|
05/14/70
|
Meramec Community College |
WMA |
2 |
|
SBD>MR>?>D>CD>EAC>SHN (acoustic set)
SBD>MR>D>CD>EAC>SHN (electric set)
*first known performances
Notes:
--Mickey Hart is absent from this show
--Sound Forge was used to correct the pitch of the acoustic set and for normalization.
--a slightly higher generation sbd source patches most of Candyman, from 1:37 to the end.
--the first couple notes are clipped from Mama Tried
--minor clip at the beginning of New Speedway
part of The Music Never Stopped Project 2002
Thanks to Dan Capshaw & Walter Schnell
edits/encoding by J. Cotsman |
|
05/15/70
|
Fillmore East (Late Show) |
Aud |
4 |
A+ |
SBD |
|
05/24/70
|
Newcastle-Under-Lyme |
WMA |
2 |
|
SBD MR>C>D>CD + AUD MR>C>D>CD patches
mastered by H.B., 12/01
thanks to Uli for the AUD source (which is also available complete)
The AUD supplies the beginning of the show and the middle part of St. Stephen.
Both are missing on the SBD
|
|
06/05/70
|
Fillmore West |
WMA |
2 |
|
SBD MR>C>D>CD + AUD patch from low-gen cassette
the audience tape supplies the following segments missing on the SBD:
- the intro and Dire Wolf
- the first 0:20 of New Speedway Boogie
- the first 0:53 of Cold Rain & Snow
- PA test banter between Cold Rain & Snow and Easy Wind
- 2:27 to 6:17 of Easy Wind
- 8:59 of Cryptical reprise to 5:38 of Attics Of My Life
(with a cut in the AUD tape at 9:31 of Cryptical reprise)
- the first 0:26 of St. Stephen |
|
06/06/70
|
Fillmore West |
Aud |
3 |
A+ |
SBD
-missing 1st set |
|
06/06/70
|
Fillmore West |
WMA |
2 |
|
Source: SBD
Lineage: Reel master > cassette > DAT > CD > SHN
Seeded by jashley@deadacated.com
Notes:
D1t01 (Morning Dew): Fades in
D2t04 (Jam): dropout @ 14:06
D2t05 (Lovelight): splice/dropout @ 15:55 |
|
06/07/70
|
Fillmore West |
Aud |
3 |
A+ |
SBD
-missing 1st set |
|
06/07/70
|
Fillmore West |
WMA |
3 |
|
Source: S:MR>Cass>DAT>ZA2>CD>EAC>shn
Setlist:
CD 1 (45:07): Acoustic Set
Don't Ease, Silver Threads, My Dog Has No Nose, Friend of the Devil, Candyman,
Cold Jordon, Swing Low Sweet Chariot, Cumberland Blues, Me & My Uncle, New
Speedway Boogie
CD 2 (36:18): Electric Set
Cryptical -> Drums -> Other One -> Cryptical -> Drums -> The Main Ten -> Sugar
Magnolia*
CD 3 (52:16): Electric Set (continued)
Louie Louie Jam, It's A Man's World, Mama Tried, Top of the World, banter,
Cosmic Charlie, Casey Jones, Good Lovin' -> Drums -> Good Lovin'
* = first time played
Flaws: There is a reel cut during Casey Jones and It's A Man's World.
DAT to CD conversion by David Hollister
Editing: Recorded with SoundForge. Burned to CD using CD Architect. The only
editing was to remove approximately 4 minutes and 22 seconds of repeated
material on the DAT during the banter between Top of the World and Cosmic
Charlie. I also removed a couple of minor pops. Other than that, no editing
was done. The breaks between each CD were breaks that were already present on
the DAT. The only addition was 2 seconds of silence prior to the start of
disc 3.
Enjoy!
rod@nycheads.com
From: David Hollister
Subject: A show to be heard
Hi folks,
I am just now putting the finishing touches on a 3 CD set of the Fillmore West
show from 6/7/70. This show is very interesting, and in my opinion is crying to
be heard.
Here's some interesting tidbits about the show.
Set list (broken down by CD)
CD 1: Acoustic Set
Don't Ease, Silver Threads, My Dog Has No Nose, Friend of the Devil, Candyman,
Cold Jordon, Swing Low Sweet Chariot, Cumberland Blues, Me & My Uncle, New
Speedway Boogie
CD 2: Electric Set
Cryptical -> Drums -> Other One -> Cryptical -> Drums -> The Main Ten -> Sugar
Magnolia*
CD 3: Electric Set (continued)
Louie Louie Jam, It's A Man's World, Mama Tried, Top of the World, banter,
Cosmic Charlie, Casey Jones, Good Lovin' -> Drums -> Good Lovin'
The total running time is approximately 2 hours and 15 minutes, give or take a
few minutes.
Note: There is a cut (reel splice I assume) during Casey Jones.
Interesting info that makes this show so cool:
During the little drumming interlude prior to the Other One, there is some woman
you can hear ranting and raving and generally going on about Viet Nam. It would
seem the band kind of lets her state her piece in its entirety before going into
the Other One. Very cool.
The whole second CD is very cool. The jam after the Cryptical reprise is
great. It goes into a kind of lulling drum beat which goes on for a few minutes
(what I called Drums again, even though it isn't in the official setlist) before
Phil takes it up and you hear the definite Main Ten bass line. A great Main Ten
jam that goes on for about 4 1/2 minutes or so before Bobby takes it into Sugar
Magnolia.
First version of Sugar Magnolia. Very cool :) No, it doesn't rock, but up
until now, the earliest version I'd ever heard was the one from the famed
6/24/70 Cap Theater show, which I thought was unusual enough to be of historical
significance. This one is also interesting historically.
Between Top of the World and Casey Jones the band sits around talking to the
crowd and deciding what to play next. What kills me is Bobby's comment: "Hey,
there's a guy over there, he's always over there and he always yells out 'Golden
Road!'. I wanna know who he is, because man, you really take the cake. To tell
you the truth we've forgotten how to play that song" or something like that.
You can also hear several suggestions for songs, among them "White Rabbit",
which cracks up the crowd.
Great stuff. Let's get it out there. The acoustic set is pretty
straight-forward, but it's the electric set I think that really shines. The
boys just seems to be having a great time the whole show.
**
by-track listing courtesy G.S. Hamilton: |
|
06/13/70
|
Red Vest |
WMA |
2 |
|
SBD MR>R>D>CD + AUD low-gen
* with Gary Duncan and Dino Valenti
The AUD is spliced in to supply the following segments:
- beginning through D1T2 (Easy Wind) 3:16
- D2T1 (Speedway) 2:24 through the end
The difference in mix & ambience between the AUD + SBD sources is enormous.
(The same is not necessarily true for the actual sound quality, in terms of
listening pleasure. The AUD may not be very clean and up front; but the SBD is
flat and lifeless.) That's why I played around with the sources I had and
produced a few "bonus tracks" which are included here.
4. Easy Wind 9:05
complete in almost untouched SBD - there was no right channel
signal on the source from 0:05 to 1:05. I put the left channel
onto both stereo channels. Generally the first 4 minutes suffer
from very bad mix. This track includes the banter before the
song; missing on the AUD.
5. Uncle John's Band 6:54
The complete song from the AUD tape.
6. Easy Wind 7:23
soundboard/audience mixes: both sources can be heard.
The idea behind this was to take two completely
opposite-sounding recordings of the same performance, both
tapes being of suboptimal quality, and produce a combination
that would be more enjoyable to listen to than either source.
Whether or not I succeeded, you'll be the judge.
This process required lots of "trial & error" synchronization of
the two source recordings. There are two minor cuts in the AUD
tape which were just too minor for me to care about.
I'll be the first to admit that it is not perfect. Much of this
is actually due to the first half of the song not having enough
instruments in the SBD mix.
The second half, however, is to me a "warmer" recreation of what
might have been the actual hall sound on 6/13/70, than either of
the two source recordings.
For another example of an SBD/AUD combination, check out
Scarlet Begonias on 9/11/74 ("the third version").
patched by H.B.; 4/02
thanks to Paul Bottiglio for the SBD and Uli for the AUD source! |
|
07/14/70
|
Euphoria Ballroom |
WMA |
2 |
|
SBD>MR>C>D>CD>EAC>SHN
(Don't Ease is provided by an audience recording)
*with David Crosby on acoustic (Garcia is on electric)
Notes:
--Cumberland & New Speedway may have been patched in using a SBD>MR>R>D>CD source
--there is a noticeable buzz that can be heard throughout the recording
--the first few notes of several songs during the acoustic set are cut; it sounds like the master may have been stopped in between most songs
--dropouts at beginning of Don't Ease
--splice at 0:44 in Deep Elem
--dropout at 3:14 in Deep Elem
--most of Easy Wind is missing
--splice at 4:52 in Good Lovin'
--Sound Forge was used to clean up a number of small pops during the electric set
part of The Music Never Stopped Project 2003
edits/encoding by JCotsman |
|
07/16/70
|
Euphoria Ballroom |
WMA |
1 |
|
Source: Master Soundboard Reel > Cassette > Cassette > CDR
CD Mastering by Scott Clugston
11/25/01
made possible thru the usual group of suspects and mental patients
most of China Cat Sunflower is missing |
|
08/05/70
|
Golden Hall Community Concourse |
WMA |
1 |
|
MSR > Reel > PCM > DAT > CDR > EAC > SHN
Notes/Flaws:
- According to Andy Lemieux, "the old version, which was
often mislabelled MSR>DAT, was actually MSR>Cass. x 3>DAT>CDR.
This new copy is a significant upgrade over that version."
- t01 Candyman cuts in
- t11 FOTD unfixable drop @ 1:55, common to this lineage, was
patched over from the old source using Sound Forge Studio 6.0.
EAC > SHN by Joe Jupille. Thanks to Andy Lemieux for the source discs!
Part of The Music Never Stopped Project, May 2003. |
|
09/19/70
|
Fillmore East |
Aud |
1 |
A+ |
SBD |
|
09/19/70
|
Fillmore East |
WMA |
1 |
|
Source info: S:MSR > DAT > CD or
SBD>Rm>Reel>Dat>Sonic Solutions>CD
(Extraction and.shn encoding by Seth Kaplan via EAC and MKW.
Accurate extraction and properly aligned sector boundaries
verified via EAC and .shntool) |
|
10/04/70
|
Winterland Arena |
WMA |
1 |
|
SBD FM>MR>R>?>CD>SHN
Trucking and the first couple notes of Till the Morning Comes are
missing due to an announcer speaking from the FM broadcast.
There is a large dropout near the very beginning of Next Time You See
Me as well as another large dropout in the right channel later in the
song.
thecore@core.com |
|
10/30/70
|
Gym, SUNY (Late Show) |
WMA |
3 |
|
School Gym, State University of New York,
Stony Brook, New York
SBD>MR>PCM>D>CD>EAC>SHN
Notes:
--reel flip at 1:53 in Me & My Uncle
--high pitch whine at 1:02 in Rider
--Tighten Up Jam from 4:58 to 8:17 in Dancin'
--glitch at 7:20 in Dancin from static
--glitches at 1:19, 3:17 & 3:48 in Big Railroad Blues
--high pitch whine from 2:42 to 2:52 in Lovelight
--Sound Forge was used to remove a number of pops that sounded as if they originated from equipment adjustments
Part of The Music Never Stopped Project 2003 |
|
10/31/70
|
Gym, S.U.N.Y. (Late) |
WMA |
2 |
|
Source: MSR>C>DAT>WAV>SHN
Cassette Source recorded directly from Master Reels
C>SHN Conversion by Cousinit
Wav Files Edited via CDWave
Enjoy! |
|
11/08/70
|
Capitol Theater |
Aud |
3 |
A- |
Aud
-missing 2nd set |
|
11/16/70
|
Fillmore East |
WMA |
2 |
|
Source:
SBD:MR>Revox deck (model unknown): 10" º track Reel @ 7.5ips>
Revox B77 playback deck>Alesis Masterlink ML9600>CD>
EAC>Cool Edit 2000>SHN.
A>D by Bill Gadsden.
Cool Edit 2000 was used for minor glitch removal.
CDWav was used to retrack both discs.
EAC(secure mode, offset corrected), seekable shorten encoding with MKW, and sector boundaries verified via shntool by D. Winters.
* Steve Winwood on Pigpen's Hammond Organ. Steve Winwood also provides vocal accompaniment on NFA>GDTRFB>NFA and 1st vocal verse of NFA.
+ Will Scarlet on harmonica.
Notes:
D1T03 - Analog distortions and channel dropouts from unknown source,
possibly a loose plug in the master reel to reel deck.
D1T04 - Approximately 30 seconds missing.
D1T11 - First few seconds clipped.
D1T14 - Some distortion of Steve Winwood's vocals at the very end.
As with any 30-year-old tape, various analog gremlins and anomalies exist.
----------------------Background-----------------------------------
This is the concert formerly thought to have taken place on 11/23/70 at the Anderson Theater in New York City. This show has been shrouded in mystery and confusion over the last 30 years ever since it first entered circulation in 1973. However, fresh research has unveiled what is most likely the true story behind this classic Grateful Dead show.
On 11/14/70 at Frank Zappa's Fillmore East Late Show, Grace Slick came out on stage, on behalf of Bill Graham, to announce an unscheduled concert featuring the Grateful Dead and Jefferson Airplane the following Monday, November 16th. As it turned out, the Airplane were in the middle of breaking up and Grace was pregnant. So instead of the Airplane, Hot Tuna filled in to share the bill with the Dead. A few days later, on November 18th and 19th, Traffic played at the Fillmore.
There are several pieces of evidence which now point directly to the
"11/23/70 Anderson Theater" show being correctly identified as Fillmore East 11/16/70. 1) Traffic has been confirmed, in a letter written by the Kleinhans Music Hall, as having played at the Kleinhans Music Hall, Buffalo, NY on 11/23/70. This firmly places them out of New York City on that date. Thanks to Greg Shaw for this help. 2) Bill Graham introduces the Dead. The identification of his voice is clear, as never before, on this new transfer. Bill Graham and the owner of the Anderson Theater were not friendly with each other and Bill Graham would never have introduced the Grateful Dead in the Anderson Theater. 3) A 1:55 snippet of Hot Tuna playing Hesitation Blues precedes the Dead's show on the first generation 10" reel. 4) After Bob Weir sings the Frozen Logger off-mic, several people on stage can be heard attempting to get Jack Casady to join in saying, "Hey Casady, why don't you play" and "Hey Jack, hey Jack, c'mon up". Hot Tuna played on 11/16/70 at the Fillmore and they are not known to have played at the Anderson Theater. 5) An eyewitness who attended the 11/16/70 Fillmore show clearly recalls Steve Winwood and Jorma Kaukonen sitting in with the Dead. 6) Music was commonly played over the P.A. between sets at the Fillmore to promote upcoming shows. Elton John played at the Fillmore East the following weekend, November 20th and 21st as the warm up for Leon Russell. This was his first New Y |
|
12/12/70
|
Santa Rosa Fairgrounds |
WMA |
2 |
|
Source: Master Soundboard Reel > Cassette > DAT > CDR
see below for comments copied from http://www.deadlists.com
CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
9/14/01
copied from http://www.deadlists.com :
BAND Grateful Dead
VENUE Fairgrounds
CITY Santa Rosa
STATE CA
DATE 12/12/70
SET1 [40:56 +] Me And My Uncle [#2:39] ; Loony Tunes tuning [1:25] ;
Truckin [7:31] ; [0:34] ; Brokedown Palace [6:09] ; [2:20 group whistle] ;
Hard To Handle [6:54] ; [0:23] ; Mama Tried [2:28] ; [0:15] ; China Cat
Sunflower [2:57] > jam [3:03] > I Know You Rider [4:07] ; [0:09] %
SET2 [1:18:44 +] Big RR Blues [#4:28] ; [0:37] ; King Bee [8:15] ; [0:09]
; Sugar Magnolia [5:43] ; [0:24] % Casey Jones [4:26] % [0:08] ; Dire Wolf
[3:41] ; [0:31] ; Cryptical Envelopment [2:03] > drums [1:33] > The Other
One [8:43#] % Not Fade Away [#4:18] > Goin Down The Road Feelin Bad [4:51] >
Not Fade Away [0:23] > Darkness Darkness jam [1:46] > St. Stephen jam []
1:02 > pure space jam [0:23] > Not Fade Away [1:44] ; [1:17] ; Good Lovin'
[1:53] > drums [1:11] > Good Lovin' [11:46] > Uncle John's Band [7:31] ;
[0:08] %
ENCORE
COMMENTS Total time 1:59:40 +. There are two tapes in the vault from Santa
Rosa, December 1970 -- a 41 minute reel marked "12/11/70" (listed here as
SET 1) and an 80 minute tape marked "12/12/70" (listed here as SET 2).
However, it is thought that there was only one Santa Rosa December 70 show,
on the 12th, and that the vault tape marked the 11th is mislabeled.
Jerry announces a break after I Know You Rider. Me And My Uncle could be
the first tune or we could be missing several tunes before it. There was
also a NRPS set.
Eaton lists:
12/12/70 County Fairgrounds, Santa Rosa Ca - complete
4.8, 121min, Sbd, A1D0, Reel M->Cass 1->Dat 0, 48k,
7inch Master Reels@7.5ips 1/2trk->Tascam 122mkIII Cass 1st Gen->3800 x 0
RECORDING 120 SB
CONTRIBUTORS Jim Powell Rob Eaton Dick Latvala |
|
12/26/70
|
Legion Stadium |
WMA |
2 |
|
Recording Info:
SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN
(2 Discs Audio / 2 Discs SHN)
Patch Info:
SBD -> Master Reel -> ? -> Dat -> SHN
Edited and Patched By Charlie Miller
charliemiller87@earthlink.net
2/18/04
Notes:
The following songs have patches in them:
Easy Wind, Till The Morning Comes, Truckin', Black Peter, Morning Dew and China->Rider.
This patch is better than the patch that was on my CD's, which is why I re-did it.
|
|
12/27/70
|
Legion Stadium |
WMA |
2 |
|
Recording Info:
SBD -> Master Reel (7inch Master Reels@7.5ips 1/2trk) -> Cassette -> Dat ->
CD -> EAC -> Samplitude v7.02 Professional -> SHN
(2 Discs Audio / 2 Discs SHN)
Edited By Charlie Miller
charliemiller87@earthlink.net
4/15/04
Notes:
-- I cleaned up the cuts, fixed the errors, removed several pops and re-tracked the discs.
-- It sounds like they are going into Eyes Of The World towrads end of NFA.
|
|
12/28/70
|
Legion Stadium |
WMA |
2 |
|
Recording Info:
SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN
Patched with Sony ECM-22>Rm>Dat>CD (BIODTL, Sugar Magnolia and Cumberland Blues)
(2 Discs Audio / 2 Discs SHN)
All Editing Done By Charlie Miller
charliemiller87@earthlink.net
2/18/04
Notes:
The previous seed for this show was not patched very well, so I re-patched it.
This new copy also more tuning, stage banter, etc and is about 11 minutes longer.
|
|
02/18/71
|
Capitol Theater |
WMA |
3 |
|
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
The Sound Forge noise reduction was used to attenuate a very narrow
frequency band (in the vicinity of 8000 Hz) which was present as
interference on the original reels. See my notes below for details.
* first performance
The original reels of the Port Chester run of '71 were audibly
tainted due to a cable problem. The result is a tone which hovers
around 8000 Hz with an amplitude of about +20 dB above the noise
floor. This translate to a very annoying pitch, especially during quiet
sections, which is in the old-tv-tube or lousy-hard-disk or maybe even
the-sound-you-hear-after-you-slam-your-head-against-a-concrete-wall
class of 'whine'. Because this interference is 'monochromatic' it's
easy to get rid of if you have the processing power and a quick
FFT algorithm. I used the filter-shaping capabilities of the Sonic
Foundry Noise Reduction Plugin to tailor a very narrow notch filter
which attenuated the interference without affecting the rest of the
signal. And it's all done in the digital domain. Huzzah!
As a side note, I actually ended up crafting many filters to process
these shows. The frequency of the interference actually drifted anywhere
from 7700 to 8100 Hz during a given show. This was probalby due to a
slightly wandering reel speed. It made my work harder but when I tried
a much wider filter I started to be able to hear the attenuation in the
music. The filters generally go like this:
25 dB /- - - - - - - -\
/ \
/ \
0 dB | |
7830 7900 7970
The end result is no more annoying whine!
I also removed some of the nasty mic feedback in the 2/18/71 Bertha
using this type of filter.
Leigh Orf
|
|
02/19/71
|
Capitol Theatre |
WMA |
3 |
|
Complete show
An ESP experiment show; the second Betty Board; first show without Mickey Hart.
genealogy of this recording:
7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz
PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV >
Cool Edit Pro (filtering and sample rate conversion) > SHN data files
(seed)
The recording is in mono, and reflects very occasional analog tape flaws such as bursts of flutter. These flaws are from the master. The
lineage information available states that Dolby A decoding was not performed, but the sound is nevertheless very good and does not
sound compressed.
As with the other Port Chester recordings, a slight whine comes and goes throughout the recording. We have applied a very light notch
filter as needed. The filtering was accomplished using Cool Edit Pro, and consisted of a sequence of notch filters at and around 8k,
approximately 1 kHz wide and only 2 db in depth. The filtering was mainly during the in-between banter but also on the songs where
required - more so in the 2nd set. In The Other One there were two short bursts of static that appear to have come from the stage, and
these were reduced in level. No other filtering was performed.
As indicated in the set list, Bird Song is cut. There are also several cuts on the master during crowd noise before Truckin' starts the first
set, but who cares?
Indicated timings are of the music, not of the track.
The SHN files require two data discs.
The audio version is three discs.
The SHN files were created from audio files on a PC. No step of DAE (Digital Audio Extraction) from an audio CD was performed. |
|
02/20/71
|
Capitol Theater |
WMA |
3 |
|
Source: WBOTB
7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz
PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz >
DATx3 > ZA2 > notch filter > CD-R
This is What Became Of The Bettys Source. I cleaned up the interference
in the form of an annoying whine in the same manner as I did other Port
Chester shows (2/18,2/21,2/23,2/24). However, I used two different
programs to do so. For disks 1 and 2, I used Diamond Cut Audio
Restorations Tools Notch Filter, with a filter width of 0.03 to 0.04
octaves, centered on ~8000 Hz, or wherever the whine happened to be.
I used Sound Forge Noise Reduction Plugin, centering on the whine, for
disc 3. Why two different programs? I began work on this show about
a month ago. I recently purchased the DCART program after hearing it
being widely regarded as one of the best (affordable) programs out there
for cleaning up audio. Let your ears judge which is best if you can tell
the difference. I found the DCART notch filter to be the better tool for
the job, while the SFNR plugin is flexible enough to be used as a notch
filter.
I also realized long after I was into cleaning this show up that others
have done so before me on this particular show. I'd be interested in any
feedback as to how my show compares to other efforts! I used the
narrowest filters I could without going bonkers. In some sections of the
show the whine wandered quickly, forcing me to use lots of different
filters over a small portion of the show.
Leigh Orf
For furthur info on my processing & related noise issues see http://orf.cx |
|
02/21/71
|
Capitol Theater |
WMA |
3 |
|
SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
The Sound Forge noise reduction was used to attenuate a very
narrow frequency band (in the vicinity of 8000 Hz) which
was present as interference on the original reels. See
http://members.home.net/orf/notch.html for details.
Remastered by Leigh Orf
-----------------
I've added some .toc files that are recognized by cdrdao. They add
pre-gaps to the tracks during audience noise, so track times are
more accurate.
Jason Lunz
-----------------
|
|
02/24/71
|
Capitol Theater |
WMA |
3 |
|
total size of shn files: 840184 kB
all wav files are the correct length for clean burning!
Notes:
The short story:
1) I removed the whine (~8000 kHz tone at about +25 dB) from this show
that was present with the source reels using Sonic Foundry's Noise
Reduction algorithm, as I did with the earlier uploaded Port Chester
shows (2/18 and 2/21). For an explanation of the noise and how I removed
it, see http://www.mailbag.com/users/orf/notch.html
2) There are a couple of very minor dropouts/glitches which I have
cleaned up as well as I can. These occurred when the DAT tape was
"ripped" to disk.
3) This show is as good as you're gonna get as far as I know because of
the NR and the excellent remastering from the orinal reels!
4) I've kept in all the intersong tuning/whatever. I figure others can
edit them down if the wish. I like having it there, sometimes funny
things are said and done :) plus you can always just hit FFWD on your CD
player remote to get to the next song!
The long story with regards to 2) above:
The DAT tape, a clone from the "whatever became of the bettys" tree a
while back, was borrowed and was read in on an old SGI indigo which has
firmware which can read DAT audio tapes and dump them to 48 kHz AIFF
files. Alas, I do not own a DAT machine and digital sound card, but I am
saving my money! Anyhow, the error correction on the SGI DAT drive was
pretty crappy, and there were a few dropouts/glitches on the read which
lasted anywhere from less than 1/75 s to a second or two.
I have at my behest a professional quality DAT machine at a community
radio station I volunteer for (WORT) and brought my home tape deck in
which is a Harmon Kardon TD 4600, one of the earlier Dolby S decks (WORT
does not have a computer with a digital sound card). It is a very good
deck for analogue. The DAT deck at WORT was able to handle *almost*
all of the bad spots that were not handled well by the SGI. I made a
dobly S copy of the bad spots, and pasted over (using an analogue AWE64
Soundblaster to go A->D) the glitches/droputs on the SGI read using
Sound Forge. The result is as good as i could do. You won't even hear
most of the original glitches, and the ones that remain were due to bad
spots on the DAT, that the WORT deck was unable to handle. Bear in mind
that the total amount I had to paste over represent a total of about
15 seconds across the entire show, and I was able to 'fix' 99% of them
completely. There are one or two dropouts/bad reads that are very short
(mostly in Casey Jones which Betty fucked up anyway ;)
For the curious I left about 1 second of the original noise that I
filtered out. It's at the very very end of track 1 on disk 2 after the
crowd noise fades.
Leigh Orf
|
|
03/03/71
|
Fillmore West |
WMA |
2 |
|
SBD>MR>DAT>CDR
cassette gen?, disc # 2 has tracking errors, minor reel glitch at 4:32 of
The Other One, splice at 11:05 of The
Other One, comes back in after rewinding about 3 seconds,
Sugar Mag cuts at 4:09, King Bee,
GSET>JB Goode & Good Lovinà seem
to be patched from an inferior, more
hissy SBD source, B+ quality at best
Thanks to Paul Bottiglio for hooking me up with these fine shows.
Seeded to etree by Mike Lai.
song info send to usalai@nycap.rr.com
stellablue.etree.org |
|
03/14/71
|
Camp Randall Field House, University of Wisconsin |
WMA |
2 |
|
Source: Sbd>MR>Dat>CD
Conversion: Kenwood TrueX>EAC(range/high/secure)>CDWav(split)>shn V3
Conversion & Seed: Brian Cole (cole7007@yahoo.com) 11/14/01
SHOW NOTES:
None
SEED NOTES:
Minor editing following Good Lovin' (d2t01)
Moderate editing during Hard To Handle (d1t06)
This show was provided by Jim Oade at www.oade.com. Jim has graciously
allowed quite a few older shows from his collection to be seeded to
etree. This is the first of many from the 1970-1972 era. Enjoy this
fine seed compliments of Jim.
-Brian |
|
03/18/71
|
Fox Theatre |
WMA |
3 |
|
Source: SBD(7")MR>Cass>DAT>CD
Transfer: ?
EAC and SHN Encode/Upload: Ben Yerys
Thanks to M. Wienke for this wonderful show!
|
|
03/20/71
|
University of Iowa |
WMA |
2 |
|
SBD > MR > cass > dat > CD > SHN (seekable)
DAT>CD transfer by Mandrake
EAC and shn transfer by Steve Barbella
seeded 9/30/01
EAC v.9 secure w/ offsets configured
shn with mkw v.97 seekable shns
|
|
04/05/71
|
Manhattan Center |
WMA |
3 |
|
Source: 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz
; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi)
; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4
DAT > WAV > SHN: Dan Stephens (dms@well.com)
Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 6.0b132 (48-44.1,
highest accuracy with anti-alias filter) > CDWav v1.71 > MKW Audio Compression
Toolkit v0.96f (no DAE ; 48k FLAC archived and available by request)
* with John "Marmaduke" Dawson
** first "Sing Me Back Home" ; includes on stage warm up
Notes:
At least 3 other SHN versions of this show circulate as of
April 14, 2003. All of these copies suffer from unknown numbers
of digital audio extractions and various remastering attempts.
This seed is a direct copy from DAT WBOTB (11/1996) source.
No whine removal, no noise reduction, no remastering, no fades,
jarring reel flips left intact.
compiled by Dan Stephens
04/14/2003 |
|
04/06/71
|
Manhattan Center |
WMA |
2 |
|
Source: 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz
; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi)
; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4
DAT > WAV > SHN: Dan Stephens (dms@well.com)
Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 6.0 build 132
(48-44.1,highest accuracy with anti-alias filter) > CDWav v1.71 > MKW Audio Compression Tool v0.96f (no DAE ; 48k FLAC archived and available by request)
* first "Oh Boy"
** last "I'm A Hog For You Baby": 03/25/66 [634 shows]
Notes:
This seed is a direct copy from a DAT WBOTB (11/1996) source.
No whine removal, no noise reduction, no remastering, no fades,
jarring reel flips left intact.
compiled by Dan Stephens
08/02/2003 |
|
04/07/71
|
Music Hall |
WMA |
2 |
|
Same as Compendium
Note from Leigh Orf: This show is of excellent sound quality; however
Phil is almost completely absent from the mix :( Thanks Adam for this
great show!
Leigh Orf |
|
04/10/71
|
East Hall, Franklin & Marshall College |
WMA |
2 |
|
SBD>MR>C>DAT>CD
Notes-
d1t01 (Casey Jones) cuts in
d2t08 (Sunshine Daydream) cuts @ 1:04
I used CD Wave and Shntool to retrack, and verify sb's.
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 04/05/02
Audio discs provided by Mark Pfortmiller |
|
04/14/71
|
Davis Gymnasium |
WMA |
3 |
|
SBD>MR>DAT>CDR
several spots of irreparable reel static
Thanks to Paul Bottiglio for hooking me up with these fine shows.
Seeded to etree by Mike Lai.
song info send to usalai@nycap.rr.com
stellablue.etree.org |
|
04/15/71
|
Allegheny College |
WMA |
2 |
|
SBD>MR>DAT>CD
Disc 1: Set 1:
Beat It On Down The Line - missing
Loser - missing
Disc 2: Set 2:
China Cat Sunflower > - missing
I Know You Rider - missing
Me And My Uncle - missing
Notes:
*Phil reminds the crowd that the DA is here tonight.
This is insanely good!
Conversion Notes:
DAE (EAC: High, Secure, Offset Corrected) all track quality 100%
Show recut with CDWav.
All sector boundaries verified using SHNTOOL.
SHN(seekable) using shortn32 via eD(efojr) - 08/24/02
For Matt ; )
Another installment of The Music Never Stopped Project!
Thanks to Bill O for the seed discs.
|
|
04/17/71
|
Dillon Gym, Princeton University |
WMA |
3 |
|
[This is the first set, the second set was circulated previously]
Growing up near Princeton, this show was one of the first dead tapes
I ever heard. My copy was probably S:RCCCCCCCCCCC but I loved it anyway.
I later received a much better copy (sounded like 2-3 analog gens) with
a really lame flip at 45 minutes (aka middle of King Bee).
When I first got my DAT deck, a kind soul (thanks Mike) spun me a copy
of the set. This copy had a cut in Lovelight but beat the analogs any day.
I finally found a copy without the infamous cut in Lovelight and decent
levels to boot.
Since this set was worth the trouble of getting different copies
at least 5 times, I figured that I'd distribute it further than it has
been until now.
The lineage of these files is:
Main: S:R?D
DAT was downsampled into my computer via ZA2 (48>44.1)
This tape is NOT an A+, healy master to DAT, multi-track remix, 96bit A>D
conversion. This is from a reel made in 1971, so you will hear some rough
bits. To the best of my knowledge, this transfer represents the best
circulating copy in existence.
Rod Nayfield rod@nycheads.com
with thanks to D.H.
Growing up near Princeton, this show was one of the first dead tapes
I ever heard. My copy was probably S:RCCCCCCCCCCC but I loved it anyway.
I later received a much better copy (sounded like 2-3 analog gens) with
a really lame flip at 45 minutes (aka middle of King Bee).
When I first got my DAT deck, a kind soul (thanks Mike) spun me a copy
of the set. This copy had a cut in Lovelight but beat the analogs any day.
I finally found a copy without the infamous cut in Lovelight and decent
levels to boot.
Since this set was worth the trouble of getting different copies
at least 5 times, I figured that I'd distribute it further than it has
been until now.
The lineage of these files is:
Main: S:R?D
Dub: S:RPD
Both DATs were downsampled into my computer via ZA2 (48>44.1)
The Main tape sounds much better than the dub - which is only used for 1.1
seconds (want to find it? Listen to the last time the guys say "the blues"
in Bobbi McGee)
Given the differences in the reel flip (at the end of lovelight)
I would guess that the 'Main' tape represents a separate A>D transfer than
the 'Dub' tape. If you know more, I'd love to hear about it.
This tape is NOT an A+, healy master to DAT, multi-track remix, 96bit A>D
conversion. This is from a reel made in 1971, so you will hear some rough
bits. To the best of my knowledge, this transfer represents the best
circulating copy in existence.
Rod Nayfield rod@nycheads.com
with thanks to D.H.
There is plenty of room for filler at the end of Disc 2. |
|
04/18/71
|
Lusk Field House, S.U.C.N.Y |
WMA |
2 |
|
SBD : MR > RR > DAT > CD
From: John Valter
(Extraction and .shn encoding by "Alan J. Fink, MCP" )
Notes:
d1t11 Casey Jones splice at 4:20, missing a couple seconds
d1t13 Sugar Magnolia missing the opening notes
d2t8 Uncle John's Band 3:20 - 6:32
patched using Cool Edit 96 from higher gen cassette and
increased 86 hz by 14.9
increased 172 hz by 8.5
increased 344 hz by 6.1
increased 689 hz by 4.1
increased 1.3 K by 6.1
increased 2.9 K by 8
increased 7.3 K by 10.5
increased 22K by 12.9
by "Alan J. Fink, MCP" |
|
04/21/71
|
Rhode Island Auditorium |
WMA |
2 |
|
Source: SBD
Lineage: MSR>R>D>CD>DAE>SHN
Iniitial seeds by Mike Lai. Current.shn encoding
by Seth Kaplan to reflect correct sector boundaries
fixed via .shntool |
|
04/22/71
|
Bangor Municipal Auditorium |
WMA |
2 |
|
Master Soundboard Reel > DAT > CDR
shn encoded/uploaded by Scott Clugston 10/00
|
|
04/24/71
|
Wallace Wade Stadium, Duke University |
WMA |
2 |
|
original info file followed by updated version:
sdb>>MR>>PCM>>CD
CD1
CD2
ripped and seeded by Mike Lai
any info send to usalai@nycap.rr.com
**
Grateful Dead
04/24/71
Wallace Wade Stadium (Duke U.)
Durham, NC
SBD>MR>PCM>CD
CD>EAC>SHN>etree by Mike Lai (usalai@nycap.rr.com)
This info file written by Michael K. Weise (mkw@att.net)
mkw notes:
---> I moved Casey Jones D2 to D1. While the file names within the
md5 files have changed, the md5 signatures themselves have not.
---> This recording is afflicted with a dozen or two very brief
(tenths of seconds) PCM dropouts. While that is unfortunate,
this appears to be the best recording of 4/24/71 in circulation.
---> Good Lovin' is *not* cut (contrary to deadbase)
* "All this fuckin' around has put our instruments out of tune"
** "This here is a song about an asshole" |
|
04/25/71
|
Fillmore East |
|
0 |
|
|
|
04/26/71
|
Fillmore East |
|
0 |
|
|
|
04/27/71
|
Fillmore East |
|
0 |
|
|
|
04/27/71
|
Fillmore East |
WMA |
3 |
|
MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R
The new Vault release, "Ladies and Gentlemen, the Grateful Dead" is a compilation of all five shows from the April, '71 Fillmore run. LAGTGD is from the multitrack masters and is commercially available on Arista, or from GDM at http://mars.dead.net
For the obsessive completist collectors, here are the complete 4-27-71 NRPS & Dead Sets directly from two-track masters.
Errata: Lodi fades in already in progress. Hard To Handle starts late and has some sound fluctuations in the first minute or two. Sugar Magnolia fades in already in progress. There is a splice in the segue between Uncle John's Band and Lovelight. The faults listed above are consistent with previous versions
shn conversion and ftp uploading by Bob Murphy
* w/ Beach Boys
** Beach Boys alone
|
|
04/28/71
|
Fillmore East |
|
0 |
|
|
|
04/28/71
|
Fillmore East |
WMA |
4 |
|
Disk #1 & #2 (up to splice in Bird Song): MSR >Reel >Alesis Masterlink>CD-R
End of Bird Song and Disk #3 & #4: MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R
The new Vault release, "Ladies and Gentlemen, the Grateful Dead" is a compilation of all five shows from the April '71 Fillmore East run. LAGTGD is from the multitrack masters and is commercially available on Arista, or from GDM at http://mars.dead.net
For the obsessive completist collectors, here are the complete 4-28-71 NRPS & Dead sets from the two-track masters. Garcia plays pedal steel on the NRPS set.
Errata: There is a splice in the middle of Bird Song. The end of Bertha is cut. The Other One is cut at the end and Wharf Rat is missing (but appears on LAGTGD)
shn conversion and ftp uploading by Bob Murphy
*with Tom Constanten |
|
04/29/71
|
Fillmore East |
|
0 |
|
|
|
04/29/71
|
Fillmore East |
WMA |
3 |
|
Lineage: (mostly) SB> MR> CD> EAC> Cool Edit> CDwav> CD
3 @ 80 (audio only)
show: A+ sound : A+
Refined by Chris Frisco, and seeded to CDead on Oct.22, 01
This is from the recently circulating SB> MR> CD version,
with 20 glitches painstakingly removed without deleting any of the
wav. Each sector was repositioned, one by one, until flaw was
sucessfully removed.
Also, Bird Song was patched from an alternate SB source
(8.35 ~ 9.11) and is now complete! |
|
06/21/71
|
Chateau D'Herouville |
WMA |
2 |
|
SBD MR>?>D>CD (the one that everyone has, aka MR>D>CD...)
patched with AM MR>R>C>CD, 5% speed correction
AM patch (through Rider) by H.B., 7/01
thanks to Uli for the AM tape
the beginnings of Dew and China Cat were lost in the broadcast
the end of Hard To Handle suffers from very bad AM reception
the first verse of Rider (and possibly other verses) was edited out
for broadcast purposes.
this is the only known source for these songs
Deadbase also has Truckin' and Long Black Limousine in their list
for this show. those 2 songs don't appear on any circulating tapes.
their source for their listing is likely a newspaper article which
mentioned these songs. |
|
07/31/71
|
Yale Bowl, Yale University |
shn |
2 |
A- |
Aud rec w/ some noise and uneven flow between 1st couple tracks. Nice overall! |
|
08/14/71
|
Berkeley Community Theater |
WMA |
2 |
|
Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski.
Comments: * With David Crosby
d1t06 - There was a messy splice with a good bit of redundancy @ 0:12 in Big Railroad Blues which i rendered sonically imperceptible using SF6 . Minor tape wear near the start of Bertha, and in El Paso, This source does not have the digistatic during Cumberland Blues noted on the other circulating set of SHNs for this date.
Original SHNs were nonseekable and were not named according to etree convention. I renamed the files, cleaned up the splice in d1t06, performed a shntool fix to get rid of the resulting sbe, and re-encoded to seekable SHN. - C.Ladner
Another installment of TMNSP, 12/03. |
|
08/15/71
|
Berkeley Community Theater |
WMA |
2 |
|
Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski.
Comments:
d1t06 - there was originally a pretty sloppy splice at 01:56 with about 200 ms of redundant music, so it sounded like a "record skip". I cleaned it up to unbiased imperceptibility using SF6. Go ahead - listen for it. I dare you.
d2t07 - splices at 0:40 and 4:50 which i left as is. Also there is brief intermittent static 2:23 - 2:39. It was not particularly harsh nor easily amenable to removal so I left it. This source does not have the skips in d1t02 or d1t03 that are found in the other circulating source from this date.
Original SHN's were nonseekable and not named by convention. I renamed them, cleaned up the splice in The Promised Land, eliminated the resulting sector boundary error using SHNTOOL (and fixed one on the last track of d2), then re-encoded the files back into seekable SHN.
- C.Ladner
Another installment of TMNSP, 12/03. |
|
08/26/71
|
Gaelic Park |
WMA |
3 |
|
Source: SDBMR>DAT>WAV>SHN
Notes:
Reel started late on start of SetII (Me&MyUncle). Cut out startup noise
and faded in.
Sound levels seem to be slightly different between sets I & II. No
changes were made.
Seeded by: Dopey tokermans@yahoo.com |
|
10/19/71
|
Northrop Auditorium, U. of Minn. |
WMA |
3 |
|
Source: PreFM Soundboard Reels > DAT > CDR
Keith Godchaux's first show
Tennessee Jed, Jack Straw, Mexicali Blues, Comes A Time,
One More Saturday Night and Ramble On Rose are performed
for the 1st time.
EAC'ed / SHN'ed by Scott Clugston
03/03/01
made possible thru the usual group of suspects/mental patients
|
|
10/21/71
|
Auditorium Theatre |
WMA |
2 |
|
SBD>MR>C>D>CD>EAC>SHN
This is Keith Godchaux's 2nd show with the Dead, and his first Dark
Star.
The first set differs slightly in sound quality, and sounds as if some
noise reduction was performed. There is a dropout at 2:20 of
Truckin'. There is some oversaturation during Ramble On Rose, Sugar
Magnolia and parts of the 2nd set. A pitch correction was performed
using Sound Forge for the 2nd set.
Thanks to Jeff Cook for this gem.
EAC/shn encoding/edits by J. Cotsman
thecore@core.com |
|
10/24/71
|
Eastown Theater |
WMA |
2 |
|
Source: Master Soundboard Reel > Cassette > DAT > CDR
EAC'ed / SHN'ed by Scott Clugston
02/25/01
made possible thru the usual group of suspects/mental patients
|
|
10/29/71
|
Allen Theatre |
WMA |
3 |
|
1st set: SBD>FM>?>C>Sound Forge>SHN
2nd set: SBD>MR>D>CD>EAC>SHN
Set 1 is provided by a low gen FM sourced SBD. There are stepwise volume fluctuations throughout, though they are not drastic and the recording is quite listenable.
Set 2 is from the previous 10-29-71 seed by Tony Gardner via Paul Bottiglio. Only the names of the files have been changed to indicate a 3rd disc. The shns themselves are unchanged.
Notes:
--a minute or two is clipped off the beginning of Truckin'
--the beginning of Truckin' is a little rough and oversaturated, though it clears up quickly
--minor splice in Jack Straw
--minor splice in Deal
--Sound Forge was used to correct the pitch of the 1st set and for other minor edits
part of The Music Never Stopped Project 2002
Thanks to Walter Schnell, for providing the 1st set, & Tony Gardner & Paul Bottiglio for providing the 2nd set.
1st set edits/encoding by J. Cotsman |
|
11/06/71
|
Harding Theater |
WMA |
3 |
|
SBD>MR>C>DAT>CR
CD1
CD2
CD3
good quality, but PA problems with the Piano throughout the entire show, sounds like scratching or something, painful in some spots, but this is on ALL copies of this show
Thanks to Paul Bottiglio for hooking me up with these fine shows.
Seeded to etree by Mike Lai.
song info send to usalai@nycap.rr.com
stellablue.etree.org
|
|
11/07/71
|
Harding Theater |
Aud |
4 |
A+ |
|
|
11/07/71
|
Harding Theater |
WMA |
4 |
|
SBD : Pre-FM Reel > DAT > CD
Known flaws:
Some brief Master Reel distortion on a couple of sections
(Extraction and.shn encoding by Seth Kaplan via EAC and MKW.
Accurate extraction and properly aligned sector boundaries
verified via EAC and .shntool) |
|
11/11/71
|
Atlanta Municipal Auditorium |
WMA |
2 |
|
Sbd>MR>?>Dat>cd>shnv3
Discs obtained from Yubah
|
|
11/12/71
|
San Antonio Civic Auditorium |
WMA |
2 |
|
Source: Master Soundboard Reel > Cassette > DAT > CDR
CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
3/7/01
|
|
11/14/71
|
Texas Christian University |
WMA |
3 |
|
SBD>MR>C>DAT>CDR
possible additional analog generations?, minor background noise from 3:21-3:23
of IKYR
Thanks to Paul Bottiglio for hooking me up with these fine shows.
Seeded to etree by Mike Lai.
song info send to usalai@nycap.rr.com
stellablue.etree.org
Sector boundary errors fixed using shntool & CoolEdit 2000 by cwier60@yahoo.com:
d1t01 --> d1t01-fixed: remove 160 samples from beginning with CE2K
d2t01-8 --> d2t01-8-fixed: all tracks fixed with shntool
d3t01 --> d3t01-fixed: remove samples from beginning with
CE2K (399 samples + 15.00 secs)
d3t08-fixed padded with 1532 zero-bytes |
|
11/15/71
|
Austin Municipal Auditorium |
WMA |
2 |
|
SBD>MR>C>D>CD>EAC>SHN
(two different sources; see info below)
This shn set is compiled from two different sources, both listed with one cassette generation. The secondary source is slightly degraded, but was more complete and supplies:
--tracks d1t04-->d1t08
--tracks d2t01-->d2t02
Notes:
--Sound Forge was used to correct the pitch of the secondary source, and to remove a number of minor crackles within several songs.
part of The Music Never Stopped Project 2002
Thanks to Michael Dixon & Chuck Kiefe
edits/encoding by JCotsman |
|
11/17/71
|
Albuquerque Civic Auditorium |
WMA |
2 |
|
SBD>FM>MC>C>D>CD>EAC>SHN
patched with SBD>FM>MC>?>C>Sound Forge>SHN (higher gen than primary source)
This is one of the muddier sounding FM broadcasts from the fall tour of '71. A higher gen FM patch provides the end of the first Other One through most of Wharf Rat.
Notes:
--first few seconds of Truckin' are clipped
--FM announcer near the end of Truckin'
--first few seconds of El Paso are clipped
--splice @ 0:11 in El Paso; a couple minutes are missing
--blemish @ 3:12 in Bobby McGee
--dropout @ 3:50 in Bobby McGee
--blemish @ 0:18 in You Win Again
--dropout in left channel @ 0:10 in NFA
--the first few notes of OMSN are clipped
--OMSN cuts out; most of the song is missing
--minor splice in 2nd O1 @ 0:11
--first few notes of NFA are clipped
--Ramble On Rose cuts in on 1st verse
--Sound Forge was used for normalization, a small excerpt of pitch correction, patching in of 2ndary source, etc.
part of The Music Never Stopped Project 2002
Thanks to Jeff Cook & Walter Schnell
edits/encoding by J. Cotsman |
|
12/02/71
|
Music Hall |
WMA |
3 |
|
SBD>MR>R>DAT>CDR
minor splice at 0:03 of Black Peter, whine from 5:24-5:47 of Sugar Mag,
last notes of SSDD are clipped, sudden/quick level drop at 3:31 of Deal
Thanks to Paul Bottiglio for hooking me up with these fine shows.
Seeded to etree by Mike Lai.
song info send to usalai@nycap.rr.com
stellablue.etree.org |
|
12/04/71
|
Felt Forum, Madison Square Garden |
WMA |
2 |
|
SBD>MR>DAT>C>DAT>CDR
missing JB Goode, Cumberland fades in at "help you with your trouble"
Thanks to Paul Bottiglio for hooking me up with these fine shows.
Seeded to etree by Mike Lai.
song info send to usalai@nycap.rr.com
stellablue.etree.org |
|
12/06/71
|
Felt Forum, Madison Square Garden |
WMA |
3 |
|
Lineage: MSR>DAT>CD
Extraction and Shortening by Seth Kaplan via EAC and MKW.
Correct sector boundaries verified via .shntool
|
|
12/07/71
|
Felt Forum, Madison Square Garden |
WMA |
2 |
|
SBD=>MR@ 10 Ω IPS=>DAT=>CD
From Merry Prankster tree
dfinney@cts.com |
|
12/09/71
|
Fox Theatre |
WMA |
3 |
|
Lineage: MSR>LATVALA C>DAT>CDR
Extraction and shortening by Seth Kaplan
|
|
12/10/71
|
Fox Theatre |
WMA |
3 |
|
Source: MR>DAT>Latvala's Cassette>D>CDR
Transfer: ?
EAC and SHN'd: Ben Yerys
|
|
12/14/71
|
Hill Auditorium |
WMA |
3 |
|
7" BBD reel>PCM501ES(beta)>PCM501ES analog out>Fostex D5 @ optical out 48KHz>HD
DAT-1 > Soundforge 4.5 > WAV/SHN mastering by Tim Deibert
Notes: Tuning between songs has been preserved and
is found at the end of the tracks. |
|
12/31/71
|
Winterland Arena |
WMA |
3 |
|
source: FMS > reel > dat > cdr
|
|
01/02/72
|
Winterland Arena |
WMA |
2 |
|
updated lineage:
Soundboard Master >Reel Master> Reel > CD > SonicSolutions Workstation > CD> SHN
[had been marked
Soundboard Master > Reel > CD > SonicSolutions Workstation > CD> SHN]
Audio discs seeded by Charlie Miller.
DAE (EAC: High, Secure, Offset Corrected) all track quality = 100%
All sector boundaries verified using SHNTOOL
SHN(seekable) using MKWACT v0.97 via eD(efojr@yahoo.com) - 03.26.02 |
|
04/08/72
|
Wembley Empire Pool |
WMA |
3 |
|
The lineage for this version is: SBD>MR (16 track)>DAT>[Disc 3 only: SS]>Sound Forge 4.5>CDR
The remastering of the version we are distributing was done by Bill Giles. The Sonic Solutions work on disc 3 was done by David Gans.
DAE(EAC) and SHN Encoding by Jeff M.
email: fy1220_jeffm@snet.net
The following is excerpted from Bill Giles notes on the remastering:
First the bad news: First note or two of Bertha (d1t1) is missing there is a momentary irrepairable drop out at 5.05 in Truckin' (d2t4) on the original sources. There's also a miniscule drop out in Dark Star (d3t1) at 14.45 - but hardly noticeable there are a few whirrs and bangs that seem to originate from the bass, noticeable mainly in Casey Jones and OMSN. These originate from the master reel. Virtually all the breaks between songs were cut on the source CD: these have been tidied with fades and pauses. The rest is all good news - you only need read on if interested in the detail. The main work is set out below.
DISC 1 and 2
Cumberland Blues:
extracted from Europe 72, pitch flattened by one-third of a semitone to concert pitch (- 2% speed), and patched between Next Time and B.E. Women.
Brown-Eyed Women: volume reduced by - 2.0 dB to match the rest of the set
General:
Left channel balance increased + 2.5 dB in all songs (except Cumberland) to place drums in stereo centre. (The stereo balance was noticeably right biased.) Various minor pops, crackles, glitches removed or scrubbed in varioussongs (mainly Bertha, T Jed, Playing, Truckin')
DISC 3
In addition to the new source (which has a number of faults), I had 5 versions of Disc 3 to choose from. Although all are ex Sonic Solutions (and thank you David Gans for all of this), amazingly enough each one is different! There are the 'post FM compressed' models, the 'uncompressed missing first notes of Dark Star' models, and the 'lamentable to pretty good Dark Star > Sugar Mag transition reel splice' models, plus permutations. All these models have a number of other common minor defects that I've repaired. I probably haven't caught them all - but you gotta be careful: one man's glitch could be Billy's rimshot!
All versions of Dark Star seem to come from two vault sources. There is a slight but perceptible change in sound at 5.33. I guess this arises from the tape used for the 24 minute extract on the 'Glastonbury LP' that started around this point.
This remaster is based on the 'non-compressed, includes the first notes of Dark Star' model which I believe to be closest to the Sonic Solutions master, though the splice left room for slight improvement. Main corrections are:
Dark Star: various digi-crackles and glitches removed 31.30 - 31.40 The splice is now millisecond perfect (and validated against the AUD tape!), and I've adjusted the volume profile after the splice (what splice?!!)
Caution: a few minor glitches removed between 1.30 & 3.10 |
|
04/11/72
|
Newcastle City Hall |
WMA |
3 |
|
SBD MC>D>CD>SoundForge>CD (?, see below)
remastered by Bill Giles (http://www.ridethewind.btinternet.co.uk/Re-Masters.htm)
sound is generally a bit muddy, some hiss
Pigpen's voice is almost inaudible at times
and sometimes distortion & pops from Keith's piano pick-up,
the best & most complete version currently in circulation
a lot of minor anomalies (mainly clicks) throughout discs 1 + 2
d3t03: tape warble @18:47-18:52, sounds like a master cassette flaw
d1t06: very beginning is missing (a few seconds worth)
Bill Giles remastering notes:
"What do you do with an excellent concert that circulates digitally on
muddy CD only and for which cassette copies, while superficially brighter, carry a lot
of noise and distortion? Frustrating. I suspect the CD's lack of edge is the
result of an uninspired noise reduction job [which makes the MC>D>CD lineage questionable]. I've simply tried to brighten it
up by re-equalisation. I've also rebalanced the tracks (the right track was
relatively overweight) and attenuated a few glitches. It ain't great, but it's
definitely better. From the master disc, the opening notes of Big Boss Man are
missing, and the start of Good Lovin' is an AUD patch; and there are some
crackles, particularly in Brown-Eyed Women and Truckin', and a number of
drop-outs and wobbles throughout the concert.
I would not describe it as 'remastered' - just 'tidied up'. I guess linage
should read: MR>??>CDR>Sound Forge 4.5>CDR" |
|
04/14/72
|
Tivoli Theater |
WMA |
4 |
|
SBD>mR>C>D>CD master except
Me And Bobby McGee, Cumberland Blues (d1t8 5:05 thru d1t9 end) SBD>FM>mR>C>C>D>CD master
It Hurts Me Too alternate source SBD>mR>C>D>CD master
Caution tape flip (d3t6 0:01-0:34) SBD>FM>mR>C>D>CD master
----------
From Jim Powell:
"This is the complete show off reels from the 1st generation cassette source,
with Bobby McGee and Cumberland patched from excellent 2nd generation FM-SBD
cassette, It Hurts Me Too from a second SBD source, and the tape flip during
the Good Lovin' sequence patched from 1st generation FM-SBD cassette. It is
superior to all versions in circulation and should be definitive until GDM
releases the show.
"Jack Warner did the patches and mastering. Jim Powell instigated and
organized the project. Greg Hurwitt is administering the tree."
----------
From Greg Hurwitt, phobos@quik.com :
March 2002 - Digital processing for entire seed: CD master>CD>EAC>Cool Edit 2000>SHN
CD master > CD by Jim Powell via Tascam CD duplicator
CD > EAC > Cool Edit 2000 > SHN by Greg Hurwitt
- Ripped with EAC V0.9b2 (test and copy tracks with all track CRC's
verified OK).
- There were about a dozen clicks on my CD copy that were not present
on the CD master. I used Cool Edit 2000 V1.0 to remove these. I
also used Cool Edit to remove audible artifacts at about a half dozen
track boundaries. All click removal was done on very narrowly targetted
(usually 3-4 sector) sections of music.
- Verified all tracks cut on sector boundaries with shntool V1.01.
- Used mkwACT V0.97b1 to create SHN's (SHN v3 with seek data embedded).
Remaining digital flaw: There is a digi-drop (about 4 sectors long)
at d4t6 1:14.
|
|
04/16/72
|
Stakladen, Aarhus University |
WMA |
3 |
|
Lineage:
Set 1: SBD>Rm>?>Cass>Sound Forge>SHN
Set 2: SBD>Rm>Dat>Sonic Solutions>CD>EAC>Samplitude>SHN
Set 2 Conversion and Editing By Charlie Miller
charliemiller87@earthlink.net
6/12/03
Notes:
--Beginning of Greatest Story is clipped; perhaps a minute missing
--First few notes of China Cat clipped
--Splice @ 0:58 in I Know You Rider
--I Know You Rider cuts out; several minutes missing
--First few notes of Mexicali clipped
--Playin cuts in during the minor key jam, at least 5 minutes are missing
--Samplitude v6.0 was used to re-track set 2 and to remove numerous cuts in the 2nd NFA with crossfades
--This can fit onto 2 discs by putting Good Lovin' on the end of set 1
--The shn from set 1 had a SBE on gd72-04-16d1t10.shn. I fixed it with shntool and made a new md5 for the track
--Thanks to Walter Schnell for providing the first set source |
|
04/26/72
|
Jahrhundert Halle |
Aud |
2 |
A+ |
SBD
Hundred Year Hall* |
|
04/29/72
|
Musikhalle |
WMA |
3 |
|
SBD Source: SBD>MR>??>DAT>CDR
Aud Patch Source: MR*>cass>SB Live!>.wav>.shn>CD-R. (* believed to be Uher Reel Machine at 4.75 cm/sec).
Aud seed disks provided by eurodead.net mastered by Bernd Weiskircher
SBD Seed disks from Raoul Duke
Pitch correction, aud patches and SHN Conversion by mvernon54@home.com
EAC (secure with correct offsets) > Cool Edit (pitch correction, editing) > CDWAV > mkwact > SHN(seekable) mvernon54@attbi.com
Part of The Music Never Stopped Project 2003.
--------------------------------------------------------------------
Comments:
* Second Encore
- sbd was pitched to match the aud source. The pitched varied thoroughout and for the longer songs
multiple pitch corrections for different segments were required. There are still artifacts, especially
before reel or cassette flips.
- Cool Edit Pro used for pitching, crossfades, etc... with highest accuracy settings
- there is little audio above 8kHz on this sbd so it pales in comparison to the better E72 boards available
- d1t1 (fades in and out) 1:06-1:09 hiss level changes briefly 5:37-5:40 overload distortion (as Keith mixed in higher?)
- d1t4 some overload like distortion at times when everyone plays chords together and on Bob's vocals
- d1t5 & d1t6 some distortion on Phil's bass and Garcia's guitar and vocals at times
- d1t7 overload distortion most promient on harmonica
- d1t8 mild overload distortion occasionally on vocals, piano, guitars
- d1t9 spots where bass and vocals have mild overload distortion
- d2t1 residual speed variation before some reel flips
- d2t2 mixes changes at the start
- d2t3 some distortion and a few very brief partial drop outs. 2:51 volume briefly drops
- d2t4 distortion on vocals and some of phils chords
- d3t1 reel flip cross faded with aud
- d3t2 reel flip cross faded with aud
- d3t5 opening notes cross faded from aud, hiss level different than preceeding tracks, more "aud" like ambiance |
|
05/04/72
|
Olympia Theater |
WMA |
4 |
|
Lineage: SBD > reel > DAT > CDR (via Jay Serafin)
Extraction and shortening by G.S. Hamilton
Known flaw: d1t12 1:33-1:43 diginoise (thanks to Konstantin for report)
also: Casey Jones beginning cut (on master?)
I am indebted to Chuck Gannon for providing me with a copy
of this exquisite show.
---- Greg Hamilton (gshamilton@home.com) |
|
05/07/72
|
Bickershaw Festival |
WMA |
5 |
|
Discs 1 & 2 are a compilation of multiple Audience sources which were used to piece together
the complete 1st set and first 4 songs of the 2nd set. A big thanks to Mick Etherington,
Dave Lang, Simon Mould, Simon Phillips, as well as Chris Jones- the only taper we can
identify- for supplying their copies of this show, as well as Alan Schlissel and Steve Barbella
for getting the different versions all in one place. The various versions were all speed
corrected, but there are still some speed fluctuations and "wow and flutter" here and there.
Discs 3 & 4 are supplied from a Master Soundboard Reel > DAT source. The previously
circulating, 2nd set partial Betty Board was used to patch "The Other One".
There is a 5th disc which contains the NRPS set and is not for the faint of heart.
-Scott Clugston
|
|
05/10/72
|
Concertgebouw |
WMA |
4 |
|
Source: SBD
Lineage: S:MR > Cassette > DAT > CDR > SHN
Extraction and SHN encoding by Seth Kaplan
Thanks Seth for this excellent show!
Known flaws: Bertha fades in |
|
05/11/72
|
Rotterdam Civic Hall |
WMA |
3 |
|
Source: 10" MR@7.5ips->DAT>CDR
Shn'ed & uploaded to fungus by Joe Samaritano 12/29/01; Seeded to abgd via Charlie Connor 01/02.
posted to alt.binaries.gdead, january 2002. |
|
05/13/72
|
Lille Fairgrounds |
WMA |
3 |
|
source: sbd > mr > cass > dat > cda > wav > shn v3
dae: eac, high secure mode, offsets in place, wav md5's included.
encore missing (one more saturday night)
deadlists has GDTRFB going back into NFA - not so here.
seeded to easywind.etree.org (4/01)
comments to Chris L. . |
|
05/16/72
|
Theatre Hall |
WMA |
2 |
|
Source: SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN
Apparently, d1t06 is from etree seed 7089 and the rest of the show
is from 10353. It should not matter.
Notes: Initial DAT Transfer via Panasonic 3700 DAT-> Tascam 122mkII (MX-S
Cassette)-> Fostex D5-> Sony 59ES DAT-> DAT-Heads Tree Summer '96-> Sony D7-> Audiophile 2496 Soundcard@48kHz. Editing via Cool Edit: Normalized to 99; 44.1kHzSample rate
conversion @ 350 quality; pitch correction: 102 ratio stretch. Tracks inserted via
CDWave and SHN conversion via mkwACT
Updated 6/29/2002:
Corrected sector boundary errors on d1t13 and d2t04 using SHNTOOL. |
|
05/18/72
|
Kongressaal Deutsches Museum |
WMA |
3 |
|
master reel>>sdb>>?>>dat>>cdr
posted to a.b.g.h on 03-08-2003 by Unicorn
Note: Voices heard during quite sections are from a radio broadcast
picked up by one of the amps.
*** These files were downloaded from gdlive.com. Those noted
*** had digital errors that have been corrected.
master reel>>sdb>>?>>dat>>cdr
posted to a.b.g.h on 03-08-2003 by Unicorn
Note: Voices heard during quite sections are from a radio broadcast
picked up by one of the amps.
*** These files were downloaded from gdlive.com. Those noted
*** had digital errors that have been corrected. |
|
05/23/72
|
Lyceum Ballroom |
WMA |
4 |
|
--------------------------------------------------------------------
Comments:
* Second Encore
- sbd was pitched to match the aud source. The pitched varied thoroughout and for the longer songs
multiple pitch corrections for different segments were required. There are still artifacts, especially
before reel or cassette flips.
- Cool Edit Pro used for pitching, crossfades, etc... with highest accuracy settings
- there is little audio above 8kHz on this sbd so it pales in comparison to the better E72 boards available
- d1t1 (fades in and out) 1:06-1:09 hiss level changes briefly 5:37-5:40 overload distortion (as Keith mixed in higher?)
- d1t4 some overload like distortion at times when everyone plays chords together and on Bob's vocals
- d1t5 & d1t6 some distortion on Phil's bass and Garcia's guitar and vocals at times
- d1t7 overload distortion most promient on harmonica
- d1t8 mild overload distortion occasionally on vocals, piano, guitars
- d1t9 spots where bass and vocals have mild overload distortion
- d2t1 residual speed variation before some reel flips
- d2t2 mixes changes at the start
- d2t3 some distortion and a few very brief partial drop outs. 2:51 volume briefly drops
- d2t4 distortion on vocals and some of phils chords
- d3t1 reel flip cross faded with aud
- d3t2 reel flip cross faded with aud
- d3t5 opening notes cross faded from aud, hiss level different than preceeding tracks, more "aud" like ambiance
# track appears on "Steppin' Out" commercial release |
|
05/26/72
|
Lyceum Ballroom |
WMA |
4 |
|
S:MR>DATx5>CD
Note: This is superior to all circulating copies. The lineage of the DAT
is guaranteed. I did the transfer myself. The DAT was played on a Panasonic
SV-3700, transferred to my Delta DiO 2496, recorded with SoundForge 4.5, and
tracked and burned with CD Architect. EAC was used to create the SHN files.
There is a <1 second patch in Playin' to fix a small spot of tape warble.
The Morning Dew was patched from another previously circulating version with
10-second crossfades on each side to minimize the difference in quality.
There is also a small patch in Sugar Magnolia.
All of these patches came from previously circulating copies.
transferred from DAT/burned/shortened/seeded by
khensu (david.hollister@cox.net)
Enjoy!
10/17/2002 |
|
07/16/72
|
Dillon Stadium |
WMA |
4 |
|
source 1: SBD>MR>C>D>CD>EAC>SHN
source 2: AUD>?>SHN
the audience recording supplies:
--all of disc 1,
--on disc 2, the final portion of Me & My Uncle through to the end of Sing Me Back Home
*first concert appearance
**with Dickey Betts & Berry Oakley (without Lesh)
This shn set is an edit of a previous shn set made by Tim OConnell mtmoc@home.com, who patched in the aud portions and edited out tape squeal. Sound Forge was then used to edit for a new shn set, with pitch corrections for the aud portions, normalization for the entire recording, and retracking for four discs, as well as other minor edits.
Notes:
--the audience portion is somewhat degraded, though pretty listenable
--nearly every track provided by the audience recording has the first few notes clipped due to taper conservation, though all such cuts are minor
--reel glitches @ 3:49, 4:12, & 4:56 in Cumberland
--minor splice @ 12:33 in Truckin'
--mix/equipment problems during Sugar Magnolia
part of The Music Never Stopped Project 2002
Thanks to Glenn Gillis and Paul Bottiglio
edits/encoding by Tim O'Connel & J. Cotsman |
|
07/21/72
|
Paramount Northwest Theater |
WMA |
3 |
|
SBD>MR>CX3(?)>D>CD>EAC>SHN
The exact lineage of this show is uncertain, though evidence suggests that it
has 3 analog generations. This is not among the better sounding SBDs from
'72, though I have never seen a prisine copy circulating.
It seems possible/likely that Ramble On Rose did not conclude the show.
Sound Forge was used for pitch correction and normalization.
Thanks to Mark Sweeney
edits/encoding by J. Cotsman |
|
07/22/72
|
Paramount Northwest Theater |
WMA |
2 |
|
SBD MR>PCM>D>CD
shn encoding by Hanno 12/2002
shntool confirms tracks on sector boundaries
notes by mvernon54@attbi.com
- d1t3 very brief partial loss ~0:59
- d2t8 4:09 brief tape speed change
- d2t11 ~2:30 gap missing "a few seconds?"
Part of The Music Never Stopped Project. Many Thanks to Hanno for this high quality seed.
|
|
07/25/72
|
Paramount Theater |
WMA |
4 |
|
SBD>MR>C>D>CD>EAC>SHN
The splice in BIODTL is minor. Only the first few notes of Sing Me Back
Home are clipped. The Other One contains a short bass solo that follows a
thematic jam that I have not heard anywhere else.
thanks to Mark Sweeney
encoding by J. Cotsman |
|
07/26/72
|
Paramount Theater |
WMA |
4 |
|
Lineage: MR > PCM > DAT > CD > EAC > SHN
Extraction and SHN encoding by G.S. Hamilton
Thanks to Seth Kaplan for providing me this excellent copy!
d1 &d3 md5 match this seed
*He's Gone missing from original md5 was patched with
unknown(probably reextraction of Clugston seed) d2 md5 edited accordingly
filler from original seed missing d4 md5 edited as such
|
|
08/12/72
|
Sacramento Memorial Auditorium |
WMA |
3 |
|
Source: SBD
Lineage: Reel master > DAT > CDR > EAC > SHN
Thanks to Seth Kaplan for this copy!
Retracked (Cool Edit/CDWav) by G.S. Hamilton
Notes:
D1t09 (El Paso): ending cut
D1t10 (Tennessee Jed): first half cut
D2t03 (Jack Straw): large cut @ 3:11
D2t05 (GSET): First couple of seconds cut |
|
08/21/72
|
Berkeley Community Theater |
WMA |
3 |
|
Lineage: S:MR > PCM > DAT > CD > EAC > SHN
Extraction and SHN encoding by G.S. Hamilton
Thanks to David Hollister for this fine copy!
Notes:
D1t03 (Black-Throated Wind): brief buzziness/possible digi-snit @ 5:04
D1t06 (China Cat): brief buzziness/possible digi-snit @ 2:09
D1t09 (Sugareee): brief buzziness/possible digi-snits @ 1:32 and 6:24
D2t04 (Casey Jones): reel splice @ 1:01
D2t06 (Ramble On Rose): brief digi-snit @ 3:11
D3t01 (Dark Star): occasional transient distortion
(for example, @ 21:30); minor diginoise @ 20:14
and 20:30 |
|
08/22/72
|
Berkeley Community Theater |
WMA |
3 |
|
SBD>MR>?>CD>EAC>SHN: (low gen); (set 1)
SBD>MR>PCM>D>CD>EAC>SHN: (set 2)
The first set has an unknown lineage, though it seems like no more than 3 analog generations could be involved. The 2nd set is a re-shn of the previous Kaplan seed, with some minor edits involved.
Notes:
--first few notes of BTW are clipped
--splice @ 4:49 in Tennessee Jed
--splice @ 5:13 in Playin'
--most of He's Gone is missing
--first few notes of Promised Land are clipped
--blemish @ 4:20 in BEW
--at least a minute or two are missing from the final NFA
--Sound Forge was used to pitch correct the first set
part of The Music Never Stopped Project 2002
Thanks to Mike Dolgushkin for the 1st set & Seth Kaplan for the 2nd set
edits/encoding by J. Cotsman |
|
08/24/72
|
Berkeley Community Theater |
WMA |
3 |
|
Recording Info:
SBD>Rm>Dat(48k)
Transfer Info:
Dat(Sony 500)>Prodif Plus>Samplitude v6.0>SHN
Notes:
Sugar Magnolia, Ramble On Rose And Greatest Story Ever Told
Patched From SBD>Rm>Cass>Cass>Cass>Dat>Samplitude>SHN
All transfers (including the patch) were done by Charlie Miller
charliemiller87@earthlink.net
6/12/03
|
|
08/27/72
|
Old Renaissance Faire Grounds |
shn |
2 |
|
|
|
08/27/72
|
Old Renaissance Faire Grounds |
WMA |
3 |
|
Lineage:
SBD->two-track MR->DAT->Sonic Solutions->CDR->EAC->
Sound Forge Edit (analog pop removal using pencil tool)->
Sound Forge Pitch Shift (antialias filter followed by pitch shift
of +19 cents)
David Gans seeded the show (SBD->MR->DAT->Sonic Solutions->CDR).
Adam Jerugim obtained a CDR copy, EAC'd and uploaded it to orf.cx.
Leigh Orf did all the post-processing (Sound Forge stuff).
Note: This is *not* the Betty Board source which has circulated before.
This source came from a different two-track master reel (made by the
folks filming the Sunshine Daydream movie) and is mixed differently.
Footnotes:
* First 57 seconds spliced from Betty Reel (Gans)
@ At about 6:50 two seconds spliced from Betty Reel (Orf)
$ Piano distortion starting at 5:05 is on original reel
(somewhat cleaned up by Orf)
& Stage Announcements can be eliminated to fit disc 3 on a 74 min CD-R
General Comments:
In all the circulating copies of this show I've heard, including
this one, small analog pops were scattered throughout. I believe
they originated at the soundboard or from one of the band member's
instruments. I edited out about 100 of these (hopefully all of them)
with the Sound Forge pencil tool. Click removal software was not smart
enough to find and fix these particular pops.
I noticed as I was listening to this show that it sounded kind of
flat/sour/sluggish. When I finally sat down to give it a thorough
listen, I noticed that there was a definite speed change where Betty
source entered the new source 57 seconds into Playin'. I determined by
using a handheld tuner and the spectrum analyzer of Sound Forge that
the Betty reel was in tune and that the new source was slow (primarily
tuning the show to where the band is tuning after Sugaree; I made Phil's
A3 tune to exactly 220 Hz). Happily, by "tuning" (speeding up) the new
source, everything sounds "right" and the transition from the Betty
source into this source in Playin' no longer had that audible speed
slowdown. I did a pitch shift of +19 cents on all of the show (except
the first 57 seconds of Playin') which effectively "played the original
reel a little faster". Shntool was used to fix the track boundaries
which were now off due to the pitch shift (all the wav files were
shorter).
I was able to make the piano overmodulation distortion starting about
five minutes into Sugar Magnolia slightly more palatable by pulling out
the high frequency components of the distortion using the Sound Forge
Click Removal algorithm and some hand editing. It still sounds bad, but
distortion of this nature is nearly impossible to fix.
Finally, some comments about how this show sounds different from the
Betty source. This reel was originated from the folks who were filming
the Sunshine Daydream movie. The movie source sounds "clearer"; there
is a better defined high end which leads to a less "veiled" sound than
the Betty source. Vocals and high-hat sound clearer and higher in the
mix. Bass is mixed lower; the low bass is especially thin on the movie
source, while the mid-bass is fine. The Betty source, to my ears, sounds
more "veiled" than the new source, and more bassy. The movie source
has more tape hiss than the Betty source, but it's hiss only from the
original reel. My guess is the Betty reels used some form of noise
reduction (Dolby A?) while the movie source did not. In my opinion, this
is the best sounding version of this show currently circulating.
Enjoy, and feel free to send comments my way. Thanks again to David Gans
and Adam Jerugim for making this possible.
Leigh Orf
http://orf.cx
written March 10, 2001 |
|
09/09/72
|
Hollywood Palladium |
WMA |
4 |
|
Sbd: MR>DAT>CDR>SHN
Audio discs provided by Dyer O' Connor
eac>mkw>shn by popi n. feeldz
|
|
09/10/72
|
Hollywood Palladium |
WMA |
3 |
|
Source: SBD>MR>Cassette>DAT>CD>EAC>CoolEdit2000>SHN
Notes:
- Missing Sugar Magnolia* and OMSN(Encore).
- (*) with David Crosby on guitar
- Bertha cuts in during Jerry's solo.
- Casey Jones cuts in during the second chorus, just before the "Trouble ahead, lady in red" verse.
- Jack Straw cuts off at the end and is missing the final "We can share..." chorus and Sing Me Back Home picks up during the guitar intro. Sounds like very little music is lost.
All processing/edits performed with Cool Edit 2000. Various pops & clicks were removed and several between track selections of silence were deleted. Fade in/outs were added to several tracks to smooth rough starts & stops.
EAC in secure mode, offset corrected. Disc retracking with CDWave.
Seekable shorten encoding with MKW. Sector boundaries verified with
shntool.
EAC, CoolEdit 2000, CDWave, MKW, & shntool by D.Winters - 11/02/02. |
|
09/21/72
|
The Spectrum |
WMA |
4 |
|
SBD > reel > DAT > CDR > EAC > shn
Shortened and uploaded by Mike Masse
Notes: FOTD is missing the 10-15 seconds from the beginning of the track.
Whether or not this blip appears on the original reels is unknown. |
|
09/23/72
|
Palace Theater |
WMA |
3 |
|
Source: SBD>MR>Cass>DAT>CDR>EAC>SHN
DAE(EAC) and SHN Encoding by Jeff M. email: fy1220_jeffm@snet.net or lost_sailor1620@hotmail.com // cdrlist>> http://db.etree.org/jklm
**
Below is an expanded info file with listening notes provided by G.S. Hamilton:
Notes:
From the point of the splice in Rider, all the way through
Deal, there is an oscillating fuzziness that sounds like
tape waver, reminiscent of how some of the water-damaged
Betty tapes sound. It is particularly bad on Deal. Playing
reverts to the previous cleaner sound, and the sound is fine until
about the 6:11 point in GDTRFB. From here on, there is an
oscillating loss of the left channel, again sounding like a
problem with tape wavering as it passes over the record head.
D1t01 (Big River): intermittent static in right channel 2:34-2:45
D1t02 (Sugaree): occasional right channel static, some soundboard problems
D1t07 (Rider): cut/splice @ 1:57; some tape waver and fuzziness in latter half
D1t09(Tennessee Jed)-D2t01 (Deal): intermittent tape waver/oscillation?
D2t07 (Around And Around): dropout @ 3:39
D3t04 (Wharf Rat): discontinuity/splice @ 7:12
D3t08 (GDTRFB)-10 (OMSN): intermittent fadeout of left channel
DAE(EAC) and SHN Encoding by Jeff M. email: fy1220_jeffm@snet.net or lost_sailor1620@hotmail.com // cdrlist>> http://db.etree.org/jklm |
|
09/24/72
|
Palace Theater |
WMA |
3 |
|
Source:SBD>MR>CASS>DAT>CDR>EAC>SHN
Known Flaws: transient static occurs throughout the first
half of disc 1; the specific cases annotated below are just
examples. It does not sound like diginoise,
but rather seems likely to be on the source reels.
d1t03 (Loser): brief static 3:02-3:06; subsecond discontinuity @ 3:49
d1t04 (Black Throated Wind): static 0:22-0:24
d1t08 cut at begining of Tennessee Jed
d2t01 cut during 15:00 minute mark of Playin' in the Band
d3t05 I Know You Rider cuts at 4:02 (rest is missing).
These flaws exist on all known to be circulating soundoard
sources of this rare show.If someone has the even rarer
aud., It would be nice to patch the rest of Rider in.
DAE(EAC) and SHN Encoding by Jeff M.email: fy1220_jeffm@snet.net
or lost_sailor1620@hotmail.comcdrlist> http://db.etree.org |
|
09/26/72
|
Stanley Theatre |
WMA |
3 |
|
M SBD Reel>unknown dat gens>digital noise reduction>3dat gens>za/2 48-41
Donor comments: "This represents the best known lineage of this show, and the most complete.
It is extremely rare, so please spread it around."
(Note splice lengths are interpolated from Deadlists' tape timings. -DSH) |
|
09/28/72
|
Stanley Theatre |
WMA |
3 |
|
SBD (probably sbd>mr>dat>cdr)
*end of set 2 fit nicely here. should be after sugar magnolia
no encore
Seeded by Bill from Monterey to clone.etree.org 9/02
any setlist help send to nick@burgis.org |
|
09/30/72
|
American University |
WMA |
3 |
|
SB>MR>Cassette>DAT>CD
except OMSN SB>MR>cass(2)>DAT>CD
Resource for tapes suggests "It's possibly an FM as there is a WMAL station announcement on the tape"; however I think it's far more likely that this is radio station interference with the PA/recording equipment.
In conversion from source discs it was necessary to remove 4118-sample gaps from Disc #1 (this corresponds to approx 1/10th of a second, not the 2-second gaps one would expect with TAO) between most tracks. For disc #2, the gaps were 89377 samples (2 seconds + a little bit). Removal of these gaps from discs #1 & #2 left seamless joins. For disc #3, there were 133477 sample-gaps (3-and-a-bit seconds!!), and minor repairs were necessary at each gap to avoid clicks. A very small number of additional clicks and gaps were removed - many remain, especially right at the beginning of disc #1. |
|
10/02/72
|
Springfield Civic Center |
WMA |
3 |
|
master reel sdb>>cassette>>dat>>cdr
|
|
10/09/72
|
Winterland Arena |
WMA |
3 |
|
Source: SBD > MR > C > DAT > CDR
SHN Conversion by mvernon54@home.com
EAC (secure with correct offsets) > Cool Edit (remove some pops see below) > SHN (mwkact with seektables appended)
* First Time played
# With Grace Slick
Noted flaws:
D1T11: [02:08] pop (fixed)
D1T11: [02:25] drop out right channel (fixed by copying left channel into right)
D1T13: [03:15] pop (fixed)
D1T13: [04:27] drop out (can't fix)
D2T6: [03:55] pop (fixed)
D2T6: [04:06] pop (fixed)
D3T1: [11:37] cut
D3T2: [01:56] pop (fixed)
D3T4: [08:33] skip
D3T4: [06:41] static left channel
D3T5: [00:36] glitch
seed disks kindly provided by Paul Bottiglio |
|
10/17/72
|
Fox Theatre |
WMA |
3 |
|
Source: MSR>C>DATs>CDRs>EAC>SHN
Notes: Previously uncirculated.
EAC/SHN by Darrin -- dnsacks@usa.net, thanks to Jack Warner for this fine show.
Seeded to etree on 11/16/00 |
|
10/18/72
|
Fox Theatre |
WMA |
3 |
|
SBD > MR > Cass > DAT > CDR
Comments:
d2t01 - static from 2:21-2:28
d2t02 - 0.5s d/o @ ~0:54
d2t06 - transient noise @ 10:43.9-10:44.2 (23 impulses) & 10:59-10:59.5 (37 impulses)
**********************
The following analog flaws were selectively cleaned up using Cool Edit 2000
with Clickfix plugin by cwier60@yahoo.com; flaws are still detectable but not
nearly as offensive.
d2t01fixed (China Cat) - static from 2:21-2:28 cleaned
d2t06fixed (Morning Dew) - transient noise @ 10:43.9-10:44.2 (23 impulses)& 10:59-10:59.5 (37 impulses) cleaned |
|
10/19/72
|
Fox Theatre |
WMA |
3 |
|
SBD > MR > Cass > DAT > CDR
|
|
10/27/72
|
Veterans' Memorial Hall |
WMA |
3 |
|
Sources:
SBD(a) Source: MSR>R>C>DAT>WAV>SHN
SBD(b) Source: MSR>Many Gens??>C>DAT>WAV>SHN
AUD Source: MAR>C>D>CD>EAC>SHN
SBD conversions by Cousinit
AUD conversion by Paul Hartman
AUD edits/encoding by J. Cotsman
Notes:
Missing Bird Song, Big River, Casey Jones from end of 1st Set
The SBD(a) source supplies all of Disk 1 and Disk 3
except Sugar Magnolia and UJB
The SBD(b) source supplies only Sugar Magnolia.
The MAR Source is a very good audience recording, credited to Bear. Sound Forge was used for a slight pitch correction.
Splice in Truckin' @ 3:37
The banter bewteen songs on disc 1 has Bobby in rare form.
I know there is the SBD(a) version of Sugar Mag>UJB but unfortunately, I cannot find my source of it as it is undocumented filler on one of my tapes. I would guess and hope Birdsong thru Morning Dew might be out there somewhere in the this source.
Another installment of the Music Never Stopped Project 9.2003 |
|
10/28/72
|
Cleveland Public Hall |
WMA |
3 |
|
Bertha Remaster of the Master Cassette source.
SBD>>MC>>DAT>>CDA>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B
Ampex C-90 cassette master
|
|
11/12/72
|
Soldiers' and Sailors' Memorial Hall |
WMA |
3 |
|
SBD>MC>C>D>CD>EAC>SHN
This recording has major mix problems. Most significantly, the vocals are very low throughout, at times being barely audible. The guitars are way out in front and are in different channels.
There is a clicking noise that starts up near the end of Stella Blue. It continues into El Paso and gets very severe for about thirty seconds within the first minute. It continues into Friend of The Devil as well. It is unknown whether this problem originated on the master or during a digital transfer. It seems likely to have originated from an early DAT in the provenance, as I have not heard of a copy without it, keeping in mind this is a rarely circulating show.
This show is often listed as a reel master. The trademark zip-outs from reels running out are not present, which supports the likelihood of this being mastered on cassette. Besides the mix problems, the sound quality is very good for a cassette master.
Thanks to Mark Sweeney
edits/encoding by J. Cotsman |
|
11/17/72
|
Century II Convention Hall |
WMA |
3 |
|
Master Soundboard Reel > Cassette > DAT > CR > EAC > WAV > SHN
with patches Master Audience Cassette > ? > Cassette > CD
* 0:00 - 0:22 patched with MAC>?>C>CD source
** 16:54 - 17:21 patched with MAC>?>C>CD source
The very beginnings of Casey Jones and Sugar Magnolia are cut
NOTE: This source sounds slightly less hissy than the one in general circulation with the same noted lineage. I would guess that source has multiple cassette generations.
No audience tape for Jack Straw circulates, so that cut remains.
Patches and SHN encoding by Jack Warner (jackmw1@sbcglobal.net) 3/13/03
Special thanks to Robert Goetz and David Minches |
|
11/19/72
|
Hofheinz Pavilion |
WMA |
3 |
|
Source: SBD>MR>Reel>Reel>DAT>CD>EAC>WAV>CoolEdit2000>SHN
(Note that there is speculation that this source may contain only one reel generation.)
Notes:
- There are sound/mix adjustments during Bertha.
- The first 0:55 of Me & My Uncle was amplified by 3db due to low levels.
- There is a cut in Rider at 0:14 with part of the first chorus missing.
- There is a cut in Playin at 0:09 with the very first line of "Some folks trust in reason" missing.
- First few notes of Stella Blue are missing.
- A splice in Dark Star at 28:19 was smoothed with a cross-fade.
- In Dark Star from approximately 25:25 to 28:19 Phil's bass almost completely disappears. Cool Edit's FFT Filter was used to boost the frequency range between 25hz and 375hz. This was partially effective as the time interval from 25:35 to 26:47 apparently contains no bass frequencies.
- Mississippi Half Step was amplified by 2db due to low levels.
- A few minor pops & clicks were removed.
EAC in secure mode, offset corrected. All processing/edits performed with Cool Edit 2000. Disc retracking with CDWave. Seekable shorten encoding with MKW. Sector boundaries verified with shntool. D.Winters - 11/30/02.
|
|
11/22/72
|
Austin Municipal Auditorium |
WMA |
3 |
|
sdb>>master reel>>dat>>cdr
Thanks to Dr. Bruce Fried for lending me his dat.
transferred and seeded by Mike Lai
stellablue.etree.org
any questions contact usalai@nycap.rr.com |
|
11/24/72
|
Dallas Memorial Auditorium |
WMA |
2 |
|
SBD>MR>DAT>CDR>EAC>SHN
80 min. CD's required for both
Splice in Chinacat at 4:29
Thanks to Paul Bottiglio for the discs
seeded by Tony G (gdtrfb@bellsouth.net)
Enjoy! |
|
11/26/72
|
San Antonio Civic Auditorium |
WMA |
3 |
|
1st set: SBD>MR>?>D>CD>EAC>SHN
2nd set: SBD>MR>C>D>CD>EAC>SHN
comments:
The 1st set certainly has several analog generations, possibly three cassette
generations.
The 2nd set has more hiss than most other shows with a similiar lineage from
the era, and shows some tape wear as well.
notes:
first couple notes of BTW clipped
0:10 crackle in BTW
6:40 static in Playin'
0:25 splice in Bobby McGee
20:09 discontinuity in Dark Star from drop in levels
20:16 discontinuity in Dark Star from drop in levels
Sound Forge was used to correct the level drop in Dark Star, and for
normalization and other minor edits.
thanks to Paul Bottiglio
encoding/edits J. Cotsman |
|
12/10/72
|
Winterland Arena |
WMA |
3 |
|
Source: MSR > Cass x 3 > DAT > CDR > EAC (secure mode, test and copy) > SHN
* Most of Set I Missing
Contributors: Thanks to Justin Cucci and Mark Perini for making this great
soundboard available.
EAC, SHN extraction and etree seeding done by G. Gorinsky
(elgilhooley@aol.com) |
|
12/11/72
|
Winterland Arena |
WMA |
3 |
|
Source: SBD > MR > ?? > CDR
SHN Conversion by mvernon54@home.com
EAC (secure with correct offsets) > Cool Edit (remove some pops see below) > CD Wave (split tracks) > SHN (mwkact with seektables appended)
seed disks kindly provided by Paul Bottiglio
Noted flaws:
Missing Promised Land, Sugar Magnolia and Encore Casey Jones
The left channel has partial drop out from some microphone feed on many tracks for short durations. These are not documented.
D1 - Clicks at end of tracks and from tape start were removed
D1 - Renormalized all of set 1 to 98% amplitude
D1T4: 04:38 gap (removed so now sounds like a brief DO)
D1T7: [00:59] cut
D1T7: [03:36] skip/cut
D1T10: [06:44] Left channel DO
D1T12: Start of music is faded in. DO's in many places
D2T1: [04:24] Right channel pop (fixed)
D2T1: [11:06] brief tape speed change
D2T1: [13:28] pop (fixed)
D2T3: Amplitude was adjusted to match other tracks (originally about 1/2 average db level of other tracks)
D2T3: [02:23] skip (fixed)
D2T3: [02:45] skip (not fixed)
D2T4: [03:21] big pop partially fixed (part pop/ part gap)
D3T1: 20:47 click (fixed)
D3T1: 22:27 brief gap (removed)
D3T1: 25:19 click (fixed)
D3T2: 01:34 pop (fixed)
D3T2: 01:54 pop (fixed)
D3T2: 06:25 gap(removed, so now sounds like a slight beat error)
D3T2: 07:19 - 07:23 fluttering with gap (gap removed)
D3T2: 08:12 - redid fade out and removed some silence
D3T3: 01:28, 01:30 gaps (removed so now sounds like a beat is partially missed. the fix is less disruptive than the original gaps)
D3T3: 04:03 gap (removed)
D3T5: 03:53 skip (fixed)
D3T5: 04:07 skip |
|
12/15/72
|
Long Beach Arena |
WMA |
3 |
|
Lineage: S:MR>Cass>DAT>PCM>DAT>CD
* = w/ patches from S:MR>R>R>DAT copy
Notes: This show is a major train wreck. The currently circulating copy suffers
from being too fast as well as numerous cuts, dropouts, and diginoise. I
obtained a copy on DAT that was labeled "R2>D". That copy had its own set of
problems including being too fast. Fortunately, the pitch at the beginning of
this copy seemed correct, and so that speed was used as a baseline to speed-
correct this copy. There were also patches from that DAT to either remove
spots of diginoise or to fill in cuts made at the following locations:
d1t3 5:46 - 6:14
d1t4 0:39 - 0:41
d2t1 3:24 - 3:27
d2t2 1:30 - 1:32
d2t3 2:16 - 2:50
6:29 - 6:50
d2t4 2:13 - 2:24
2:45 - 2:58
3:04 - 3:11
3:28 - 3:29
3:35 there is a cut -- The alternate copy did have about 15 seconds
more material, but since there was still a cut, I didn't bother
to patch.
d3t5 9:01 - 9:34
d3t7 1:11
d3t7 1:13
d3t7 2:36 - end of the show
Overall, there are still a few minor spots of noise here and there, but I
think this is a definite improvement over the current copy.
Remastered, transferred to CD, and encoded to SHN by David Hollister 3/5/03.
Enjoy! |
|
12/31/72
|
Winterland Arena |
WMA |
4 |
|
Main Source: Vault pre-FM reels > DAT
Patch Source: pre-FM KSAN reel (http://db.etree.org/shninfo_detail.php?shnid=6340)
DAT > WAV : Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0 by Marc Pujol
WAV > SHN editing, encoding & patching by Matt Vernon
Comments (from Deadlists with some additional annotations)
General:
- this source is a substantial upgrade in sound quality over the previously circulating version used here as the patch source. It has a larger dynamic range and significantly less hiss with different omissions, enabling a more complete version of the show to be assembled.
flaws:
- Start of Casey Jones, patch in Morning Dew and all of JBG, UJB and OMSN from previous circulating "prefm" source, which spectral analysis suggests was derived from multiple sources with perhaps some signal processing applied.
- some percussion sounding anomalies in left channel in TJed, referenced in banter after song ends
- Casey Jones patch at start ~ 24 seconds
- Morning Dew cross faded patch ~90 seconds
- d4t04 fades in
notes:
(1) Before Around and Around: Announcer: [30 seconds left in 1972. 25,] let's get it right, 15 seconds, 10, 9,8,7,6,5,4,3,2,1, Happy New Year (opening chords of Around and Around)
(2) Announcer; This is KSAN in San Francisco
(3) 10 beats
(4) Announcer: While the Dead are tuning up a reminder of what's going on in the station tonight. We are broadcasting live from The Winterland a Grateful Dead performance um... sounds like someone else making an announcement... there's nobody to really tell what's happening out there...chaos, Bill Graham has pulled some incredible feats topped all of his performances this New Year's Eve ...more later
(5) Weir: We've got an equipment malfunction.... Take this opportunity to tell you that Pigpen is still out.. He'll probably be back not too long... Announcer: The Grateful Dead are still having an equipment problem, we might as well tell you some of things that have been going on here this evening here. Bill Graham apparently has contacted somebody that has perfected the um.. motion picture hologram, you know the holograms that um they are shot with a laser beam and they exist 3 dimensionally in space, you can walk around in back of them. Well Bill Graham has recreated some of the uh heavies of history uh and has them moving in 3 dimensional images out on the floor. There is King Arthur. King Arthur has long golden hair and a crown you can recognize him by the sword uhm King Arthur is wearing a raincoat which he is opening now and he's uh naked underneath and is exposing himself to the uh stage. Looks like well we'll tell you some more things.. David Crosby has been seen back stage and will be playing with the Grateful Dead... It is rumored that his father Bing is here and he may come out and and do a father and son duet...back to the Grateful Dead
(6) [Missing on this source]Weir: thank you. We're gonna take a short break and refresh ourselves and invite you to do the same and we'll be back playin for you in just a couple of minutes. After this next song.
(7) Weir: Everybody hang loose and we'll see ya'll in about 15-20 minutes.
(8) Weir: We got a couple of more equipment breakdowns to take care of.... You're hearing the sound of electronic springtime.
(9) {Truckin' [4:52] > Truckin' Jam [4:28] > Other one transition Jam [5:13] > the Other one [10:15] > Drums [3:28] > Bass and Drums [3:07] > Other one [5:45] > Dissonant Space [7:50] > Jam [4:00] > the Other one (First and only verse) [3:10] > Pretty Space [5:39] > Morning Dew}
(10) Weir: We'd like to take a moment to give a warm and hearty thanks to a fine American and a wonderful, wonderful man. The gentelman that's responsible for this evening's gala festivities, Mr. Bill Graham. And in honor of the occasion we are going to do a song that I think he likes and it goes like this...
(11) Weir: thank you all and good night.
|
|
02/09/73
|
Roscoe Maples Pavilion, Stanford University |
WMA |
3 |
|
1st performances of Loose Lucy, Here Comes Sunshine, They Love Each Other,
Eyes Of The World, China Doll and Wave That Flag.
"The source info I have on this show is SBD>MR>R>DAT>CDR.
I do not know if this is the best available source now,
or if a better one has surfaced. I have had this show for a long time."
Show SHNed by Bob Allred
md5 / shn renaming and txt file by Patrick Hitt
COMMENTS FROM DEADLISTS
The sound setup at this show was the first version of the
Wall of Sound. Sound mixing problems at the board during Promised
Land. According to reports from an eyewitness, this was the result of
half the speakers frying. Very brief splice during Looks Like Rain.
Complete Loose Lucy timing supercedes previous listing showing it cut
at 4:59. Splice in Playing In The Band at 8:38. Hard to tell how much
is missing although it can't be more than a few minutes and could be
only a few seconds. Splice in Truckin' at 6:23 (~6:20 on this source).
Could be a minute or two missing here.
The first Eyes has quite a bit of exploratory jamming without dropping
to that Dm riff (or whatever you want to call it), which is present to
some degree in all other known '73 versions of the song. Jerry plays
the chord on the final notes of the song before changing to China Doll.
By February 15, the change had been worked out.
The cut in Wave That Flag at 1:25 is missing a full chorus a after the
second verse. Before Sugar Magnolia, Bob says, " This one's our new
single, broke big as hell in Pittsburgh...that's the truth, too."
During Casey Jones, a blown amplifier is audible in the mix.
{Playing In The Band [3:05] > Jam [13:#29] > Playing In The Band
[2:25]}
The show has the first performances of Loose Lucy, Here Comes Sunshine,
They Love Each Other, Eyes Of The World, China Doll and Wave That Flag.
Tape flips following Looks Like Rain, Here Comes Sunshine, They Love
Each Other, and Ramble On Rose. The following song begins, cuts and is
restarted on the next side.
This is a solid and energetic show, with each song getting as full a
performance as possible. A slew of new songs performed as though they
had been performed for years, particularly songs that would grow into
staples of sets.
RECORDING 225 SBD: The complete show
CONTRIBUTORS buller@math.ukans.edu, paleo550@philly.infi.net,
kevin_weil@hp.com |
|
02/17/73
|
St. Paul Auditorium |
WMA |
2 |
|
SBD:MR>PCM>DAT>CD
notes from Matt Vernon:
- shntool provides timings and confirms tracks cut on sector boundaries
- Truckin' starts around "Flashing Marquees .."
- first few notes of You Aint Woman cut
notes from reSHN by Randy Carman rcarman@cogeco.ca:
- cuts between most songs
- all tracks had shntool properties: non-canonical headers and extra RIFF chunks.
all tracks stripped and fixed using shntool
- merged disk 2 and disk 3 into disk 2 (requires 80min CD-R)
- retracked HCS > China > Rider into 3 tracks with CDWave
- retracked NFA > GDTRFB > NFA into 3 tracks with CDWave
- SHN's made seekable and new md5's generated with mkwACT |
|
02/21/73
|
Assembly Hall, Univ. Of Illinois Urbana-Champaign |
WMA |
4 |
|
Source: MR > DAT > 1 cassette gen. > DAT > CDR 3x
DAE and .shn conversion by G. Hamilton
* Around & Around missing from master
Known flaws:
(Disc 1 has serious mix problems throughout much of it)
D1t01: (Wave That Flag) volume fluctuations
D1t02: (Me and My Uncle) instrument/vocal fadeouts 2:05 - 2:50
D1t04: (BIODTL) 0.57-1.01 sound system noise/distortion
D1t05: (Loser) Subsecond dropout at 4:19, instrument/vocal fadeouts 4:22-5:22
D1t08: (You Ain't Woman Enough) Dropout/splice at 1:19, several seconds of music lost
D2t04: (Box of Rain) Some tape waver
D3t02: (Eyes) Reel splice at 15:09 (right before Stella Blue);
it's not clear how much music is missing.
D4t01: (Dark Star) There is some changing back and forth of
channels at the beginning, and a subsecond dropout at 4:53.
D4t04: (GDTRFB) Reel splice at 1:32.
This is the only version of these shows I have been able to find on
CD. If you have a better or more complete copy, please consider
seeding it to the etree. In spite of the flaws, the sound on most of this
is good, and there is some remarkable music here.
---G. S. Hamilton (gshamilton@home.com) |
|
02/22/73
|
Assembly Hall, Univ. Of Illinois Urbana-Champaign |
WMA |
2 |
|
SBD:MR>Cas>DAT>CD
from Julian Elliot
-notes from retracking/fixing/editing by Randy Carman rcarman@cogeco.ca
-shntool showed tracks cut on sectors but they have non-canonical headers and are toting extra riff baggage - these have been stripped with shntool
-cuts in audience between all non-joining songs
-Looks Like Rain fades out at end
-was 8 seconds of silence at end of d2t02 (removed with CoolEdit Pro)
-was 7 seconds of silence at end of d2t05 (removed with CoolEdit Pro)
-d2t06 and d2t07 were mistracked; original timing was 10:07>02:01, with OMSN starting at 7:36 of t06; these two tracks have been retracked properly using CoolEdit Pro and CDWave
-beginning of Casey Jones is cut
-tracks have been renamed in etree convention
-edits resulted in SBE's so set 2 was fixed with shntool
-SHN's were seekable and were kept seekable
-deadlists says the entire show except Around and Around is on sbd so the 4 songs not included here in set 1 should be out there somewhere |
|
03/16/73
|
Nassau Veterans Memorial Coliseum |
WMA |
3 |
|
Source:
Set 1: Betty MSR > PCM > DAT > CDR > EAC > SHN
Set 2: MSR > Reel > DAT > CD > EAC > SHN
Extraction and shortening by G.S. Hamilton
I am indebted to James Warner for this excellent show
Known flaws (many are due to the usual '73 sound system problems or
waterlogging of the set 1 reels):
D1t02 (Rider): brief bits of static/diginoise @ 2:37, 2:39, 4:34, 4:36
D1t03 (Jack Straw): some hum in right chanel at beginning (sound system problem); some
mix problems
D1t08 (BIODTL) some mix problems
D2t04 (Playin'): dropout @ 19:03
D2t05 (Promised Land): bit of staticky sound first minute
D2t09 (Big River): dropout/splice @ 1:21
D3t03 (Dark Star): brief minor bit of diginoise @ 5:00;
brief dropout @ 18:18.
D3t04 (Truckin'): reel splice @ 7:37 |
|
03/19/73
|
Nassau Veterans Memorial Coliseum |
WMA |
2 |
|
SBD:MR>Cas>Cas>DAT>CD
Thanks to Jools for the Upload |
|
03/21/73
|
Utica Memorial Auditorium |
WMA |
4 |
|
SBD>MR>?>D>CD>SHN
This is a Betty Board that likely suffered water damage in the Marin
County floods. As a result, there is some varying distortion
throughout the recording that at times affects the vocals. It is
significantly noticeable that noise reduction was performed from The
Race is On through the end of the show, probably to remove the slight
whine evident on disc 1 that may have increased as the show went on.
The mix is also low on bass. Sound Forge was used to normalize and to
remove a few minor glitches. Despite the handicaps mentioned, this is
an otherwise clean and full sounding recording.
Thanks to Jeff Krakowka for this fine show.
shn EAC/shn encoding/edits by J. Cotsman
thecore@core.com |
|
03/22/73
|
Utica Memorial Auditorium |
WMA |
3 |
|
Lineage: MSR>DATs>CDRx1>EAC>SHN
Thanks to Der Pimmel! EAC/SHN by darrin -- dnsacks@usa.net -- seeded to etree on 10/20/00 |
|
03/24/73
|
The Spectrum |
WMA |
3 |
|
Bertha Remaster of the Master Reel>Cassette source
SBD>>MR>>CASS>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A
Notes:
Digitally remastered using a custom built Dual-DAW, nicknamed Bertha, by jashley@deadacated.com. Completed on August 25, 2004.
-3db pure sample noise reduction used to make the tape hiss a bit less noticeable.
Much of the in-between song banter and tuning is not in the original source used, thus the reason for the many abrupt transitions. All transitions were left as they were found in the original source.
From the original text file, prior to Bertha remastering:
D1t01 (Bertha): sound system problems in beginning
D1t09 (TLEO): cut/splice @ 1:04; subscecond static @ 2:24
D3t03 (Jam): Splice @ 4:24; pop/possible splice @ 21:36
Source: SBD
Lineage S:MR > cassette > DAT > CDR [note update- 1 cass gen, not 2]
Thanks to Mike Bryan for this great show! |
|
03/26/73
|
Civic Center |
WMA |
3 |
|
SBD>>MR>>DAT>>CDA>>CDA>>EAC>>SHN - Sound A Show A+
EAC and shortening by Jay Ashley, with CDA provided by
Charlie Miller.
...more on the DAT>>CDA>>CDA bit, from Charlie (13 SEPT 2000):
"Actually, I just remembered that 3/26/73 came to me on CD. I cloned it off of
a Sony CDP-XE500> Tascam CDRW700 via Monster optical cable. I have a Behringer
UltraMatch SRC2000 which has a jitter remover, but I didn't use it. I didn't
feel that it was neccesary. It also removes SCMS (so does the tascam) and the
track marks. I didn't feel like dealing with the track marks, so I didn't run
it through the jitter remover. The Tascam does bit-for-bit clones. Also, I
didn't have my 8x HP then.
This show circulates as MR>CASS>DAT>CD, but my copy is MR>DAT>CD. I don't think
that he would appreciate me giving out his name. Sorry. I am sure that you can
understand."
We understand :)
Notes:
Seeded by Charlie Miller and uploaded by jashley@deadacated.com |
|
03/31/73
|
Buffalo Memorial Auditorium |
WMA |
3 |
|
Updated source: Master Soundboard Reel > Cassette > DAT > CD-R
(had been marked Master Soundboard Cassette > Cassette > DAT > CD-R)
brief splice in Sugaree at 1:38
the very beginning of Row Jimmy is clipped
very small splice in Playin at 13:25
thanks to those responsible for getting this
show out (you know who you are).
eac>shn by Morgan Evans
shn upload by Ben Yerys contact me for any problems |
|
04/02/73
|
Boston Garden |
WMA |
3 |
|
Recording Info:
SBD -> Rm (7.5 ips/2 Track) -> Dat -> Dat
Transfer Info:
Dat -> Sonic Solutions -> CD (David Gans' Master Discs) -> EAC (Secure) -> SHN
CD -> SHN Conversion Done By Charlie Miller
charliemiller87@earthlnk.net
5/18/03
Thanks to David Gans for lending me his master discs!!!
|
|
05/13/73
|
Iowa State Fairgrounds |
WMA |
5 |
|
SBD : MR > R > DAT > CDR
From: Paul Bottiglio
|
|
05/20/73
|
Campus Stadium, UCSB |
WMA |
4 |
|
7" Master Reels at 7.5ips half-track > Panasonic SV-3700 DAT > Panasonic SV-3800 DAT > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
*Patch source: MAC (Sony condensor microphone > Sony mono cassette recorder (possibly a TC-3), on BASF cassettes) > reel (Sony TC-366, 3 3/4ips single-track) > cassette (Denon 3-head cassette deck) > DAT > CD
Thank you to the good doctor for the soundboard source tape.
Specials thanks to Noah for the patches. A recording even two confirmed aud-i-hos can love!
Edits by Noah Weiner
EAC > SHN by Jack Warner (jackmw1ATsbcglobalDOTnet)
*Annoying line noise throughout D1T1
*6:04 of D1T3 through 0:03 of D1T4 patched from audience source
*D2T2 0:00 - 0:08 patched from audience source
*D3T2 First few notes clipped
*D4T3 4:32 - 5:00 patched from audience source
*D4T6 6:55 - 7:14 patched from audience source
*8:18 of D4T7 through 0:02 of D4T8 patched from audience source
*D4T8 9:25 - 10:09 patched from audience source
Uploaded to tol.etree.org 9/23/03 |
|
05/26/73
|
Kezar Stadium |
WMA |
4 |
|
MSR>DAT>CD>EAC>WAV>SHN
CD>EAC>WAV>SHN by Sean Cribbs 4/19/2003
|
|
06/09/73
|
Robert F. Kennedy Stadium |
Aud |
3 |
|
|
|
06/09/73
|
Robert F. Kennedy Stadium |
WMA |
4 |
|
Below is the info file with the correct genealogy:
Source: SBD
Lineage: S:MR > cassette > DAT > CD > EAC > SHN
Promised Land, Half Step, and Sugar Mag are
S:MR > PCM > cassette > DAT > CD > EAC > SHN
Patch in Box of Rain (very small) from 2nd source
Extraction and SHN encoding by G.S. Hamilton
Thanks to David Hollister for this beautiful show!!
This show will fit onto 2 80 minute CDs + 1 standard 74
minute CD, or on 4 74 minute CDs. I have organized and
named the .shn files according to the 4 CD tracking
arrangement, which is given first below. The tracking
for 3 CDs is given secondly.
Tracking for 4 standard CDRs:
|
|
06/10/73
|
Robert F. Kennedy Stadium |
Aud |
4 |
A+ |
SBD |
|
06/10/73
|
Robert F. Kennedy Stadium |
WMA |
4 |
|
Source: SBD
Lineage: S:MR > DAT > CD > EAC > SHN
Extraction and SHN encoding by G.S. Hamilton
Thanks to David Hollister for this beautiful show!!
Notes:
d1t2 BIODTL begining cut (thanks to Andrew Pitner for noticing)
d1t09 (The Race Is On) several anomalies at the
1:33, 1:34, 1:36, & 1:44 marks (thanks to Scott Clugston for noticing)
D2t01 (Bird Song): very brief tape waver @ 2:44
D2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54
D4t06 (GDTRFB): reel flip/splice @ 6:42 |
|
06/22/73
|
P.N.E. Coliseum |
WMA |
4 |
|
Main source discs provided by Andy Lemieux.
MSR>PCM>DAT>CD>EAC>WAV>SHN supplies Bertha through cut in The Other One (d4t04);
MAC>R>R>CD>DAT>WAV>SHN supplies various patches and Johnny B. Goode (see below);
MSR>C>DAT>CD>EAC>WAV>SHN supplies end of The Other One (d4t04) through end of set 2.
EAC extraction, editing using Cool Edit Pro 2.0, and SHN encoding by Sean Cribbs.
Shntool was used to verify/correct all track sector boundaries.
Note on tracking: The tracking on the original main source discs seems to have been done on the fly; much of the between-song tuning occurs at the start of tracks and not at the end of tracks. I understand that this may annoy some folks, and someone may wish to re-track these discs at some point, however, I did not go out of my way to do so.
AUD source supplied by Noah Weiner:
AUDMC > Reel > Reel > CD > DAT > WAV > SHN
Recorded by Donn Amick, FOB, Sony EMC mics spread out across the
row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips >
Matt Williams' Reel at 3-3/4ips w/ Dolby(Teac AN-60)
A > D by Matt Williams and Noah Weiner, January - April, 2003
Reel playback on Teac X-1000R(no Dolby) > untracked CDs on Teac
RW-CD22 > CDs playback on Toshiba SD-5700 > Teac AN-180 Dolby
decoder > Fostex D5 DAT (A>D only) > Turtle Beach Montego II
Digital I/O > Sound Forge (wav edits and track IDs) > SHNTOOL
(SBE fix) > MKW (shn)
More info on the AUD source can be found here: http://db.etree.org/shninfo_detail.php?shnid=16889
AUD source normalized -4.5db prior to patching.
--
Sean Cribbs 5/17/2003 |
|
06/24/73
|
Memorial Coliseum |
WMA |
2 |
|
set 1: SBD>?>C>CD>EAC>SHN (unknown analog generations)
set 2: SBD>MR>C>D>CD>EAC>SHN
Caveat:
--the first set is from a degraded SBD. I had not seen this set circulating anywhere in digital as of October 2002. The 2nd set is derived from the previous SHN set by G. Hamilton, with only minor edits added using Sound Forge.
Notes:
--the missing songs are noted in Deadbase, but are not acknowledged at Deadlists. They do not circulate.
--there are probably more songs missing from the 2nd set. Deadlists mentions that NFA>GDTRFB>NFA & JBG may circulate as 6-24-73, but these are reportedly from the 6-10-73 show.
--splice @ 5:42 in Mississippi Half Step
--the cut in Row Jimmy is significant; most of the song is missing
--China Cat cuts out just as the band is pondering the Feelin' Groovy bridge; perhaps a couple minutes are missing
--Sound Forge was used for normalization, and to remove several minor blemishes
part of The Music Never Stopped Project 2002
Thanks to S. Milewski for getting the first set onto disc & G. Hamilton for the previous shn seed
edits/encoding by JCotsman |
|
06/26/73
|
Seattle Center Arena |
WMA |
3 |
|
SBD>MR>C>D>CD>EAC>SHN
patched with: AUD>MR>C>D>CD>EAC>SHN
Audience recording provides:
--Casey Jones through Brown Eyed Women
--patch in Loser from 2:55 to 3:22
--all of Black Peter
--patch in Truckin' from 4:18 to 4:42
--the final few seconds of Sugar Magnolia
Notes:
--many areas of digital damage (DAT?) during first 2:15 of Bertha, and final 5 seconds of Bertha as well. Sound Forge was used to lessen the offensiveness.
--the first few seconds of He's Gone are clipped (they are clipped on the audience recording as well)
--Sound Forge was used for a slight pitch correction throughout
part of The Music Never Stopped Project 2002
Thanks to Mark Sweeney & Chuck Gannon
edits/encoding by JCotsman |
|
06/29/73
|
Universal Amphitheatre |
WMA |
2 |
|
SBD>MR>R>D>CD>EAC>SHN
Notes:
--the first 1:20 of Jack Straw shows some noticeable tape wear
--splice @ 15:15 in Playin'Project 2002
Thanks to Mark Sweeney
edits/encoding by JCotsman |
|
06/30/73
|
Universal Amphitheatre |
WMA |
3 |
|
SBD>?>DAT>CD>EAC>SHN conversion by AJ - a2k@pacbell.net - 2/14/00
According to Tiedrich's Grateful Dead Tapes In Circulation:
reel master>1 reel generation>DAT>1 cassette generation>DAT>circulation
Known Flaws - Some digi-noise at the beginning of Promised Land (d1t1)
Reel flip in the middle of Bird Song (d1t6).
Reel flip seconds before Eyes begins (d3t2).
This is one of my favorite shows of all time - two words - Dark Star. Enjoy!
|
|
07/28/73
|
Grand Prix Racecourse |
WMA |
4 |
|
SOURCES: Soundboard Master Reel>DAT>CD>SHN (unless otherwise noted)
NOTES: Thanks to Noah Weiner for putting this project together. This show was
only in limited circulation until Noah and a friend got together and spent a
bunch of time tracking down the best sources. |
|
08/??/73
|
Record Plant |
shn |
1 |
A+ |
Wake of The Flood Sessions |
|
09/07/73
|
Nassau Veterans Memorial Coliseum |
WMA |
3 |
|
SBD>MR>C>D>CD>EAC>SHN
patched with AUD>MC>D>CD>EAC>SHN
AUD patches:
--0:00 to 0:05 in El Paso
--0:00 to 0:08 in LLR
--all of stage banter (d2t02)
--0:00 to 1:10 in Beer Barrel Polka
--0:00 to 0:13 in Loser
--1:29 to 3:45 Truckin'
Notes:
--debut performance of Let It Grow
--Sound Forge was used to pitch correct the AUD patches and smooth over several crackles and the intersong reel stops
Part of The Music Never Stopped Project 2003
Thanks:
--SBD portions supplied from previous SHN SBD seed by Teddy "Good Bear"
--AUD recorded by Jerry Moore, and put into SHN circulation by John Steinthal & Noah Weiner
--Sept. '03 edits/encoding by JCotsman |
|
09/08/73
|
Nassau Veterans Memorial Coliseum |
WMA |
3 |
|
Source: master reel->Dat->HD->CDR(shn)
I received this show as data discs in a trade (Thanks J W Norris!);
apparently its from a shn vine; see notes below; info is from text
files that accompanied the data discs; i created the .md5 checksum
for the .shn's (there wasn't one) -mike bolen
**********************************************************************
Presenting : The SHN-files of the Honey Vine # 14 ( TaW-branch-version )
Hi fellow Honey Viners,
this is Thomas Wulf, aka :):):) speaking.
I've been immersed in golden honey this weekend and I say: this is
ssooo sweet! The boys are totally together and the tape sounds woderful!!
Great pick, Rob!!!
I cloned the tapes i received from Rob and copied them to my PC via a
rme digi96 PCI card and a coax cable from my Tascam DA20 deck. There I
centered the waves and edited and smoothened the track bounderies. Only
minor corrections were applied; no crossfading, no hiss or noise reduction.
If you have any questions feel free write to Thomas A. Wulf |
|
09/11/73
|
College Of William & Mary Hall |
WMA |
3 |
|
Source: Vault Leak (I got this show from a tree and this is all I know, sorry:()
[Newer info:
Thanks to Hanno Bunjes for providing the following lineage
info for the treed source: MSR > one cassette gen > DAT > CDR > etree]
Comments: The whole things sound great. Truly one of the better Dead shows
I've heard in a while. At the end of Dark Star during Lesh's solo, there is
some mic crackle (overload?) for 5 secs. In Sugar Mag at 4:08, there is a
sound cut in, maybe a mixing problem. I've only listened to disc 3 super
critically. Enjoy |
|
09/12/73
|
College Of William & Mary Hall |
WMA |
2 |
|
SBD>MR>C>DAT>CDR>EAC>MKWact
* With Martin Fierro & Joe Ellis on Horns
notes: The first 5 tunes of Set I suffer a variety of flaws due to equipment problems and a degraded MR.
Bertha has a tough start and nastiness at 03:53 that lasts for 30 secs
El Paso has a glitch at 00:14
Here Comes Sunshine is missing altogether
In spite of the burps, hiccups and farts, this show is worth a listen.
Muchos Gracias to Pablo B. aka Raoul Duke for the show
And Jerrys Kids for the Moral Fortitude, Knowledge and Fraternity
Another Installment Of The Music Never Stopped Project
Sly_Wow@Yahoo.com
12.21.02 |
|
09/15/73
|
Providence Civic Center |
WMA |
3 |
|
set 1: AUD>M?>C>C>D>SHN
set 2: SBD>MR>D>CD>EAC>SHN
*with Joe Ellis on trumpet & Martin Fierro on saxophone (also flute on WRS Prelude)
Notes:
--the beginning of Deal is clipped
--this is the final version of Bird Song until 1980
--patch in Playin' from 11:10 to end provided by alternate cassette source
--Sound Forge was used for slight pitch corrections and normalization
part of The Music Never Stopped Project 2003
Thanks to:
--Jim Powell for providing the 1st set
--Evan Levy for the 2nd set shns
--Marc Pujol for DAT>CD transfer
edits/encoding by JCotsman |
|
09/17/73
|
Onondaga County War Memorial |
WMA |
3 |
|
SBD>MR>D>CD>EAC>SHN (most of show)
SBD>MR>C>C>D>CD>EAC>SHN (d1t01-->d1t09)
*with Martin Fierro & Joe Ellis on horns
Notes:
--most of Tennessee Jed is gone
--Loser cuts in at "...size of Abilene.."
--perhaps a minute of Casey Jones is clipped
--splice at 7:52 in Eyes
--Keith plays a theremine during Looks Like Rain, and Weather Report Suite Prelude and Part 1.
Part of The Music Never Stopped Project 2003
Thanks to Peter Braverman
edits/encoding by JCotsman |
|
09/20/73
|
The Spectrum |
WMA |
2 |
|
Source 1: AUD>MR>?>CD>EAC>SHN
Source 2: SBD>MR>R>PCM>D>CD>EAC>SHN
*with Martin Fierro & Joe Ellis on horns
the audience portion supplies:
--Promised Land through BIODTL;
--patch in China Cat from 5:30-->5:51
--El Paso
--the final 1:30 of Eyes through to the end of the show
Notes:
--the audience portion is in mono
--Sound Forge was used to correct the pitch, splicing, and other minor edits
part of The Music Never Stopped Project 2002
Thanks to Michael Dixon for supplying the audience recording and Scott Clugston for providing the SBD shns which were used for this compilation
edits/encoding by JCotsman
|
|
09/21/73
|
The Spectrum |
WMA |
3 |
|
Recording Info:
SBD -> Rm -> Reel -> PCM -> Dat
Transfer Info:
Dat (Sony R500) -> Samplitude v6.0 -> Cool Edit Pro v1.2 -> CD -> EAC -> SHN
All transfers done by Charlie Miller
charliemiller87@earthlink.net
5/20/03
Notes:
Let Me Sing through Let It Grow with Joe Ellis on trumpet and Martin Fierro on saxophone
The complete show except fragmentary versions of Sugaree, Big River,
Playin In The Band with a cut and The Other One with a cut.
|
|
09/24/73
|
Civic Arena |
WMA |
3 |
|
Source 1: AUD>MR>?>CD>EAC>SHN
Source 2: SBD>MR>?>PCM>D>CD>EAC>SHN
Source 3: SBD>MR>?>CD>EAC>SHN (Mexicali Blues only)
*with Martin Fierro & Joe Ellis on horns
The audience recording is of decent quality for the era (though frequently oversaturated), and the SBD portions are only very slightly degraded. Sound Forge was used for pitch corrections, patching, and to remove many crackles that were present on the SBD portions. Some circulating copies of this show may have a BIODTL after Greatest Story, and a WRS from a degraded SBD. Both of these portions are actually from the 10-21-73 SBD, though, and have been corrected for this shn set.
The audience recording supplies:
--Promised Land through TLEO
--China Cat through Half Step
--WRS-->Sugar Magnolia
Notes:
--many songs are missing the first few notes on the audience portions because of taper conservation; all such cuts are minor
--minor splice at beginning of Jack Straw, probably due to an accidental pause
--splice in China Cat @ 5:50
--dropout @ 6:12 in China Cat
--minor cut at the end of Half Step
--spice @ 6:15 in Sugar Magnolia
part of The Music Never Stopped Project 2002
Thanks to Michael Dixon, Alan Fink, & Dan Stephens
edits/encoding by JCotsman |
|
09/26/73
|
Community War Memorial Auditorium |
WMA |
3 |
|
Source: SBD: Rm > DAT > CD / Patched with unknown AUD > WAV > SHN
*-with Martin Fierro and Joe Ellis on horns
Notes:
-Playin', the set 2 opener, is missing, as is the Saturday Night encore
-a very nice show which has somehow never been circulated in shn
-final performance of "Sing Me Back Home"
Many thanks go to Darryl Hinko and Tommy Brame for their assistance
DAE(EAC0.9 beta 4)>tracking(cdwav)>SHN(MKWAct.96f)>FTP via Tripp |
|
10/21/73
|
Omaha Civic Auditorium |
WMA |
3 |
|
Lineage:
SBD -> Rm -> ? -> Dat -> Sound Forge -> CD -> EAC -> SHN
Converted By Charlie Miller
charliemiller87@earthlink.net
5/21/03
Listener notes: Infrequent diginoise throughout. |
|
10/25/73
|
Dane County Coliseum |
WMA |
3 |
|
Source: SBD Master Reel > ? > DAT > CD-R > EAC (secure) > Cool Edit(minor cleanup) > CDWAV > mkwact(seekable)
Thanks to wi-jams for the source shn's, editing by mvernon54@attbi.com
Part of The Music Never Stopped Project
flaws
- some minor, very brief (<.1 sec) partial drop outs in one channel not noted
d1t1 - level/balance changes during start of song
d1t3 - ~1:58 (partial mic feed switched off)
d2t2 - ~1:11 Phil's bass comes up in mix
d2t6 - ~7:50-7:52 cut, 9:25 sevral "pops" that are part of the recording from overload, but not altered
d3t2 - 8:40-8:46, 9:08-9:10, 9:17-9:20 ??, right channel drops and some weirdness
d3t5 - different processing (noise reduction, little above 4kHz) most likely a different source
per deadlists these are missing from the 1st set
Tenn Jed
Looks Like Rain
Deal
|
|
10/27/73
|
Indianapolis State Fair Coliseum |
WMA |
3 |
|
Source: MSR > R > C > D > CD patched with MAC > ? > D
Conversion: CDR > EAC > CDWave > CoolEditPro > shntool > mkwACT > SHN (seekable) by Charles Wier (cwier60 at yahoo.com)
From the Deadlists vine
Dave Greenberg did the patches and the final mastering, Brian Dyke supplied the AUD tape, and Jack Warner also helped with this project.
Only post-conversion edits were retracking and removal of silence for near-seamless tracking of continuous tracks. Thanks to Mike Dixon for the audio discs. Sound on the SBD is crisp, but somewhat distorted, similar to the sound of a broken drum head; AUD is muddy with limited high end.
THE GLORIOUS RETURN OF INDIANAPOLIS '73
Back in the early '80s, before so many tapes came into circulation, the Playin > Halfstep > Big River > Playin sequence from Indianapolis 10/27/73 was famous among Dead tapers. Since then, many more of the Playin sandwiches from that period have come into circulation and Indianapolis faded into the background.
Thanks to Brian Dyke we have finally located an AUD of this show and used it to patch as much as we can of the SBD -- crucially, the 0:21 missing from the solo in Big River on the SBD -- and assembled a composite. If someone will volunteer to administer I'll seed a vine. |
|
10/29/73
|
Kiel Auditorium |
WMA |
3 |
|
Source:
MSR > C > D > CD patched with AUD
patches and final mastering by Dave Greenberg
project instigation & coordination by Jim Powell
special thanks to LS
EAC & SHN conversion by John Mollman
Conversion: CD > EAC > WAV > retracking (shntool) > SHN.
Sector Boundaries verified w/ shntool
Notes:
d1t2 small drop-out at 1:19
EAC test & copy in secure mode, offset corrected. Sector boundaries verified w/ shntool. Shorten encoded (seekable) using shorten.
I retracked Disk 1 with shntool to incorporate brief crowd tracks before Cold Rain and Snow and after Around and Around. Correct sector boundaries reconfirmed after retracking.
Disk 1 requires an 80 minute disk.
Thanks to Jim Powell for the seed disks!
ute disk.
Thanks to Jim Powell for the seed disks! |
|
10/30/73
|
Kiel Auditorium |
WMA |
4 |
|
MSR > D > PCM > D > CD patched with AUD
patches and final mastering by Dave Greenberg
project instigation and coordination by Jim Powell
special thanks to LS
|
|
11/09/73
|
Winterland Arena |
WMA |
3 |
|
Lineage: SBD>MR>C>DAT>CDR
Extraction and Shortening by Seth Kaplan via EAC and MKW.
Correct sector boundaries verified using .shntool.
(missing encore)
Known flaws:
First few seconds of Here Comes Sunshine are clipped.
Small splice at the start of Eyes of the World.
There are some channel dropouts and a little static on a few tunes. |
|
11/10/73
|
Winterland Arena |
WMA |
3 |
|
MSR> reel > PCM > DAT > CD
(missing encores)
Notes: Somewhat hissier than usual
D2t02 (UJB): splice @ 3:20 (sounds like source tape running out)
D3t04 (Wharf Rat): split-second diginoise @ 3:35
D3t05 (Sugar Mag): runs out @ 1:56 |
|
11/11/73
|
Winterland Arena |
WMA |
3 |
|
Source: Disks 1-2 MSR>Cass>Cass>DATs>CDRs>EAC>SHN
Disk 3 MSR>Cass>DATs>CDRs>EAC>SHN
Thanks to Bob Murphy for the Seed Disks
Eac/Shn by Darrin (dnsacks@usa.net)
Patch in Eyes from 7:50-8:16 provided by Ben Neuman
MSR>?>DAT>CDR>EAC>SHN
Original gdlive seed had SBE's.
I used shntool to fix the SBE's one set at a time
then converted to shn with seek tables appended.
(spreaddead@bellsouth.net)
Patch in Eyes was pitch corrected by Alan Schlissel
on 11-11-2002 and edited using CE2k, SB verified with
shntool. Special thanks to Tony Gardner for the
source material and Charles Wier for technical
guidance. Enjoy! |
|
11/14/73
|
San Diego Sports Arena |
WMA |
4 |
|
Updated Lineage: SBD > MR > cass > DAT > CD > EAC (secure) > SHN (seekable)
[had been marked SBD > MR > DAT > CD > EAC (secure) > SHN (seekable)]
audio disks from Eurodead Vine 2001
extraction by mvernon54@home.com
Note: To maintain the song order as played and not break the continuous section at the start of set 2, 4 disks are required. However, the 3 songs on disk 4 will fit at the end of the first set by appending to disk 2 and using an 80 minute disk or by moving Row Jimmy from Disk 2 to disk 1 if only 74 minute disks are desired. |
|
11/17/73
|
Pauley Pavilion, UCLA |
WMA |
3 |
|
SBD>MR>C>DAT>CDR>EAC>SHN
Thanks to Paul Bottiglio for the discs
Splice between ROR and Playin' (no music affected)
seeded by Tony G (gdtrfb@bellsouth.net) |
|
11/20/73
|
Denver Coliseum |
WMA |
3 |
|
Source: SBD
Genealogy: S:MR > DAT > CD > EAC > SHN
Thanks to David Hollister for this great copy!
Extraction and SHN encoding by G. S. Hamilton
Notes:
D1t01 (Ramble On Rose): some sound system problems
D3t05 (UJB): appears to be from different source, lineage
possibly S:MR > cassette > DAT > CDR
Part of set 2 is tracked in "SBD order": Promised>Bertha>Greatest; Mississippi>Dire
"True" order on AUD (see deadlists.com): Mississippi>Dire; Promised>Bertha>Greatest |
|
11/21/73
|
Denver Coliseum |
WMA |
3 |
|
SHNcoded by Dave Barrick
Hurtsme2@etree.org
|
|
11/23/73
|
County Coliseum |
WMA |
4 |
|
SBD > Reel > Cassette > Datx2 > CDR
// indicates a reel cut/flip
My only tweaking was a smoothing of the Loser reel cut.
Thanks to anonymous for this great show.
Leigh Orf |
|
11/25/73
|
Feyline Field |
WMA |
3 |
|
Source: MSR>Cass.>DATs>CDRs>EAC>SHN
Known flaws:
Promised 3.14 rt chan ?
China 3.55 Splice?
r Jimmy 6:37-8 Static
Playin' 7.29 splice
WRSPre :02 pop rt chan
"" 1:23 "" "" ""
LTG 0:01 pop
"" 6.34 reel change
SMAG 8.14 click |
|
12/01/73
|
Music Hall |
WMA |
4 |
|
Source: Master Soundboard Reels > PCM > DAT> CDR
by re-assembling the discs, this 4 disc set can fit on 3 discs.
However, the noodling/segue betweeen "Mississippi Half-Step" (d4t01)
and "Playin' in the Band" (d4t02) would either
be lost in a disc change, or, necessitate an overlap of music between
disc 2 and disc 3. This segue has been left in place in this 4 disc set.
there is a 0:01 burst of static at the 4:01 mark of "Big River" (d2t01)
made possible thru the usual group of suspects/mental patients
CD Mastering by Scott Clugston
9/16/01
|
|
12/06/73
|
Public Hall |
WMA |
3 |
|
Source: SBD
Lineage: S:MR > cassette > DAT > CD > EAC > SHN
Seed provided by Seth Kaplan through Alan Fink: Thanks guys!
Slight retracking (CDWav) by G.S. Hamilton
Note: Disc 3 requires an 80 minute disc
Jim Powell's notes:
There are conflicting reports whether the SBD master is on cassettes or
reels, but it sounds like it would have to be reels.
The last 26 seconds of Here Comes Sunshine is missing on our copy of the
SBD and is patched in using an AUD master from a cassette copy of
unknown low generation.
22 seconds in Eyes Of The World are patched from this AUD source also.
The 22-second cut in Eyes looks like a cassette tape flip introduced
when the reels were transcribed to 1st gen cassette. The missing
conclusion of Here Comes Sunshine is harder to account for on this
hypothesis, but there seems a reasonable chance that both missing
segments are intact on the master reels. Meanwhile, this tree.
First set highlights include TLEO, Row Jimmy, GSET and China Cat >
Rider. The Here Comes Sunshine times almost 16 minutes, is the longest
known on circulating tape and probably the best. The Dark Star is the
third longest known at 43:28, and one of the all time best. It is the
fraternal twin of 11/11/73.D
Dave Greenberg did the patches. David Gans supplied DATs of the 1st gen
cassette SBD and Jim Powell instigated the project, supplied the AUD
cassette used to patch the SBD's defects, and wrote this note. |
|
12/08/73
|
Cameron Indoor Stadium, Duke University |
WMA |
4 |
|
Lineage: SBD:MR>C>DAT>CD
EAC by Chalupa
Thanks to Kirby Bell for the SHN discs!
--Andy Gustin [seeded 10/22/2000]
Notes:
Beginning of Bertha is clipped
J.B.Goode is from an AUD source
|
|
12/12/73
|
The Omni |
WMA |
3 |
|
SBD : MR > C > DAT > CDR
From: Trei Hobbs
COMMENTS FROM DEADLISTS
13-beat Beat It On Down The Line. After I Know You Rider is a Merry
Go Round Brokedown tuning. On cassette tapes the first set flip follows El
Paso. The second set flip occurs during Let It Grow, though nothing is missing.
RECORDING 200 SBD: The complete show except for Sugar Magnolia and Casey Jones
(7/98)
CONTRIBUTORS buller@math.ukans.edu, paleo550@philly.infi.net,
kevinw@shallwego.net |
|
12/18/73
|
Curtis Hixon Convention Hall |
WMA |
3 |
|
Source: SBD
Lineage: Reel master > cassette > DAT > CDR (unknown gens) > EAC > SHN
Extraction and shortening by G.S. Hamilton
http://db.etree.org/shn/12214
Known flaws:
Reel change in Wharf Rat (d3t04) @ 6:36 |
|
02/22/74
|
Winterland Arena |
WMA |
3 |
|
Sources: 1 - sbd > ? > shn > wav > shn
2 - sbd > cass? > cdr > wav > shn
Notes:
- from the start through to Eyes are from the source that has been
in circulation for some time.
- there is a very small cut at the start of Eyes
- there was a cut in this source from 0:05:479 - 0:34:34 in China Doll
which I have patched from the second source.
- the second source has also been used to provide the rest of
Wharf Rat from 3:26:69, Sugar Mag & Uncle John's Band
- there is a small cut between Sugar Mag and Uncle John's Band
but I do not know the length. However it's not too important as
it would have been crowd noise.
- several large clicks and minor blemishes have been removed from
- the first source and constant crackle throughout has been
reduced to some degree.
- it was necessary to reduce the speed of the second source as it
was slightly too fast. The channels in the second source were
swapped over so I have reversed them on the basis that the
original source is correct, I also removed some hiss.
The editing was carried out with Adobe Audition & Sound Forge.
The whole show has been re-tracked and sector boundaries confirmed with shntool.
Thanks to Tim Symons for providing me with the second source.
Thanks also to my good friend Jim Goldman for his advice and support
SIRMick (thedarkstar@btinternet.com)
Sugarmegs Restoration Krewe
Seeded January 2004 to the Sugarmegs tribe and deadicated to them, the best bunch of people I've ever had the pleasure to know! |
|
02/23/74
|
Winterland Arena |
WMA |
3 |
|
Source: Master Soundboard Reel > DAT > CDR
Previous SHN copy is incomplete, this transcription is complete.
Disc 3 requires an 80 min disc
CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
3/14/01
|
|
05/12/74
|
University Of Nevada |
WMA |
3 |
|
Source: MSR>C>DAT>CDRs>EAC>SHN
Notes: Previously Uncirculated :) I have purposely failed to include set designations. DeadBase IX listed Set 2 as starting with China Cat. My ears, however, don't hear BIODTL closing down set 1. The post-song tuning after BIODTL doesn't suggest to me the close of a set (why tune up if you're leaving the stage?). Similarly, the tuning after Around and Around doesn't suggest to me that this is the end of the second set (as listed in DB IX) either . . .
EAC/SHN by darrin (dnsacks@usa.net) -- |
|
05/14/74
|
Adams Field House, University Of Montana |
WMA |
3 |
|
MSR>cassette>DAT>CD-R>TAE>shn
Note: There is a splice in China Doll
|
|
05/19/74
|
Portland Memorial Coliseum |
WMA |
3 |
|
Master Soundboard Reel > PCM > DAT> CDR
many copies in circulation are missing Tennessee Jed, Me & Bobby McGee,
Sugaree, Jack Straw, IMHBTR, El Paso and Ship of Fools. This transcription is complete.
EAC'ed / SHN'ed by Scott Clugston
12/24/01
|
|
05/21/74
|
Edmundson Pavilion, University Of Washington |
WMA |
3 |
|
MSR>C>Dats>CD>EAC>SHN>.WAV>
Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.
|
|
06/16/74
|
Des Moines State Fair Grandstand |
WMA |
4 |
|
Original Notes:
d1t01 Bertha- splice @ 4:04; serious mix problems prior to this
d1t07 Sugaree- MR flip @ 3:59
d3t01 Playin'- d/o @0:01, d/o @3:16
d3t02 T.Jed- <1 sec. digi-noise @0:02
d4t03 W.Rat- MR flip @2:50
Original SHNs, http://db.etree.org/shninfo_detail.php?shnid=9506,
via Robert Naylor, Popi, not seekable
====================
March 9th, 2003
Editing by Alan J Fink "aj.fink@verizon.net" using Cool Edit Pro
d2t04 U.S. Blues- 0:00 - 0:21 patched with SBD : ? > C
d3t01 Playin'- 0:00 - 0:13, 3:25 mix patched with SBD : ? > C
d3t02 T. Jed- < 1 sec. digi-noise @0:02 mix patched with SBD : ? > C
New SHNs created by Alan J Fink (aj.fink@verizon.net) MKW.
Sector boundaries verified via shntool.
====================
April 1-5, 2003 CoolEditPro 2.0 steve windsor (stephenr@snet.net)
Manual detection and correction only.
D1T1 Bertha Removed Pops at 4:05.344, 4:05.431; splice remains
D1T3 Row Jimmy Reduced Pops at 0:17.084, 0:19.873
D1T5 Scarlett Removed Pops at 0:13.(951, 970, 975), 2:00.225
D1T6 BTW Reduced Pop at 0:10.006
D1T7 Sugaree Reduced Pops at 0:22.302, 0:35.(310, 319)
Copied right channel to partial missing left channel at 0:36.110 for 0.040.
D1T8 El Paso Removed pop at 2:44.214; smoothed out remaining pop
Removed pop at 3:15.841 for 0.030
Reduced pop at 3:12.884 for 0.025
Removed pop at 3:20.156 for 0.054
Removed pop at 3:21.197 for 0.030
Note these last 4 were horrendous; no music or anything
remotely important was removed. The same type of pops existed
in Sugaree, but were not removed in order to preserve continuity.
D1T9 Roses Bad Pop around 0:13.553, but much more so in the left channel than right;
copied the right to left channel from 0:13.451 for 0.260,
then removed pop at 0:13.553.
Bad Pop around 0:16.514, but much more so in the left channel than right;
copied the right to left channel from 0:16.464 for 0.125,
then removed pop at 0:16.514.
Removed pop at 1:02.905
D1T10 Jack Straw Removed pops at 2:46.112, 4:06.648, 4:12.084, 5:11.237
D2T1 China Cat Removed pop at 7:31.743
Copied Right to Left channel at 7:22.177 for 0.148, then removed pop at 7:22.222;
some wierd sound persists in the left channel
D2T6 Eyes Removed dual crackles at 7:22.400
Removed pops at 10:53.766, 10:58.919, 12:29.013(R), 12:32.878,
14:07.574 (confirmed not music; it's off beat), 15:56.229, 16:18.350, 17:37.464
Digital noise in right channel @ 14:07.890; copied no-noise left channel to
right channel from 14:07.865 for 0.200.
D2T7 Big River Removed pops at 4:29.784, 4:34.691
D3T1. Playin' Removed pop at 6:14.904
D3T4. Deal Removed pops at 3:06.424(R), 3:08.831, 3:10.461
D3T5. Greatest Removed pops at 0:21.914, 0:22.147, 0:23.266(R), 0:39.644, 0:50.171,
Wierd left then right channel noise. Copied right to left 3:34.328 for 0.035
then left to right 3:34.364 for 0.033. Smoothed remainder at 3:34.361.
Removed noises at 4:51.081 for 0.021, 4:56.880 for 0.018.
D3T6. Ship Dropout at 0:39.639 for 0.892. No action taken.
Dropout in left channel at 1:22.015 for 0.022; since right channel was better,
copied right channel to left channel 1:22.004 for 0.050. Slight warble remains.
D4T1. Truckin' Removed pop at 4:38.612
D4T2. Nobody's Removed pops at 0:0.052, 0:25.533, 2:25.243, 3:20.522, 8:51.835,
8:57.577, 11:06.545, 11:34.349, 12:10.636.
D4T4. Goin' Down Removed pops at 1:00.378, 6:17.059, 6:59.405, 7:00.447
D4T5. Casey Jones Dropout in left channel at 0:4.489. Digital noise in different channels
Copied right channel from 0:4.05 |
|
06/18/74
|
Freedom Hall |
WMA |
3 |
|
Greetings one and all!
Please enjoy this tasty tidbit from Louisville, KY June 18, 1974 courtesy of some anonymous sources, as well as the collective efforts of Darrin Sacks and David Hollister
Here's what we have...Lineage: S:MR>1 cass>DAT>ZA2>SHN [revised from original info file]
This version sounds nothing like the previously-circulating "sbd>reel>reel>dat" version and represents a MAJOR upgrade.
The music actually comes to us from two different tapes with very similar qualities. However, one tape had about the first 1 minute and 40 seconds missing on Promised Land, so I spliced it in from the other tape. The other tape had some other problems, not to mention a good portion of the between song banter cut out, so needless to say, we used the good tape for that.
Questions? comments? got uncirculated/undercirculated shows you'd like to get into circulation? Email dnsacks@usa.net |
|
06/20/74
|
The Omni |
WMA |
2 |
|
Master 7 inch, 2 track Soundboard Reel > Cassette > DAT > CDR
uploaded 10/00 by Scott Clugston
made possible by the usual group of suspects/mental patients
disc 1 requires an 80 minute disc
|
|
06/22/74
|
Jai-Alai Fronton |
WMA |
3 |
|
Lineage: MR>C>DAT2>CDR3>EAC>SHN
EAC Extracted and SHN Encoded by DNSacks@usa.net. |
|
06/23/74
|
Jai-Alai Fronton |
WMA |
3 |
|
Source: MSR>DAT>CD, supplied by Andy Lemieux.
This source features an uncut Row Jimmy.
Subsequent EAC extraction, patching, and SHN encoding by Sean Cribbs 4/22/2003.
Sector boundaries verified/corrected using shntool.
* 24 seconds (05:08-05:32) of t03 patched with AUD
Patches supplied by the following AUD source:
AudMC > DAT > WAV > SHN
Recorded by Jerry Moore about 15 rows from the stage on center axis
with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120
cassettes, with Dolby B ON.
Analog > DAT transfer by Mark Cohen, December 2002
DAT > SHN/CD by Noah Weiner (noahbw@attbi.com) December, 2002
Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT deck (record) >
Fostex D5 DAT deck (playback) > Turtle Beach Montego II Digital I/O >
Soundforge (wav editing and track ids) > SHNTOOL (SBE fix) > MKW (shn)\par
|
|
06/30/74
|
Springfield Civic Center |
WMA |
3 |
|
SBDMR > DATx2 > CD > SHN > WAV > SHN
Soundboard: DAT > CD > SHN transfer by Dan Lynch
Final editing and AUD patching by Noah Weiner - June, 2003
DAT > via optical cable > CD (via HHb CDR-800 Pro) >
WinDAC32 > WAV > MKW Audio Compression Toolkit (shn) >
WAV > Sound Forge (track edits, normalizing, cross fades) >
SHNTOOL (SBE fix) > MKW Audio Compression Toolkit (shn)
AUD portions and patches from:
AudMC > DAT > WAV > SHN Recorded by Jerry Moore, 1st level
off floor, audience right, roughly center court with 2 hand
held AKG D-1000E mics > Sony 152 deck. Maxell UD-120
cassettes, with Dolby B ON.
SBD patches from:
SBDMR > DATx3 > C > DATx2 > ZA2 > CDRx1 > EAC > SHN
(see technical notes below)
*SBDMR flip in Eyes patched with AUD,
cross faded 10:27 to 10:54
note: Truckin' contains a loose Nobody's Fault But Mine Jam
technical notes:
There are mix adjustments, typical of this era of GD
SBD recordings, in the early minutes of Don't Ease Me In
There were a number of spots on the source DAT that
exhibited digital snits and pops. These were either
removed with the pencil tool in Sound Forge, or, when
they were of the nature that could not be eliminated
by digital tools, patched over with the previously
circulating SBD version, SBDMR > DATx3 > C > DATx2 >
ZA2 > CDRx1 > EAC > SHN (source 2), as listed below: |
|
07/19/74
|
Selland Arena |
WMA |
3 |
|
MSR > D > CD patched with MAC > C > C > D
Mastering and patches by Dave Greenberg.
SHN conversion by Jay Gerland (EAC/mkwACT).
Project instigated and organized by Jim Powell.
Tree adminstered by Jason Chastain (April, 2002).
Additional patching by Tim Symons 7-29-02
A tape-flip cut in Row Jimmy is patched from the AUD, and another in Playing In The Band.
The Seastones patched in from AUD in previously circulating copies has been upgraded to the 2nd gen AUD source,
and the Saturday Night has been added from the AUD source.
7-29-02
0:51-1:18 in d2t8 patched from SBD:MR>C>DAT>CD to cover bad digi-glitches |
|
07/25/74
|
International Amphitheater |
WMA |
2 |
|
SBD -> Rm -> Dat -> Sonic Solutions -> CD
2 Discs Audio / 2 Discs SHN
Disc 1: First Set + Encore
Disc 2: Second Set |
|
07/27/74
|
Roanoke Civic Center |
WMA |
2 |
|
Lineage: SBD>MR>C>DAT>CDR
Extraction and Shortening by Seth Kaplan via EAC and MKW.
Correct sector boundaries verified using .shntool.
SBD>MR>C>DAT>CDR |
|
07/29/74
|
Capital Centre |
WMA |
2 |
|
Comments: Spanish Jam timing included in The Other One
Recordings: 180 AUD & 180 SBD: The complete show except Seastones
circulates in very good AUD.
From: Teddy "Good Bear":
SBD:MR>C1>DAT*>CD
*Cloned DAT @ 48kHZ > Sony DAT deck PCM-R300 > coaxial s/pdif > pentium II
350 mHz via Turtle Beach "Fiji" soundcard > CoolEdit Pro > convert to 44.1kHz
in CoolEdit Pro > Smart & Friendly CDR SCSI drive > CD
Some digi noise is present, some were fixed but some were insignificant so
they were not fixed.
Contributors: buller@math.ukans.edu, chimpowl@well.com, paleo550@philly.infi.net
teddy@goodbear.com, the compendium crew
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
=================================================
CD1 {Total Time - 77:48}*
The Promised Land 03:45
Sugaree 07:11
Black Throated Wind 06:37
It Must Have Been The Roses 05:35
Cumberland Blues 06:10
Scarlet Begonias 07:24
Jack Straw 04:41
Deal 04:49
El Paso 04:15
To Lay Me Down 07:46
Weather Report Suite Prelude > 01:22
Weather Report Suite Part 1 > 04:42
Let It Grow 13:25
CD2 {Total Time - 78:20}*
He's Gone > 13:20
Truckin' > 06:19
Nobody's Fault But Mine > 04:58
The Other One > 10:03
Spanish Jam > 04:09
Wharf Rat 09:47
Around And Around 05:33
Peggy-O 07:15
U.S. Blues 07:24
Sugar Magnolia 09:27
CD3* (Encore as filler)
Casey Jones 07:44
*NOTE - The entire show fits on 3 CDRs that are 74 minutes each rather
then the encore on one as filler & another 2 CDs using 80s. However, I
opted to put the entire show on 2-80 CDRs & the encore as filler on another.
=================================================
Teddy :^) www.goodbear.com
Home of etrees: www.goodbear.com/tree.html
Encoded to SHN by: Teddy "Good Bear" & posted the 1st time to:
"alt.binaries.gdead.highspeed" in 7/00 with the help of Doug Johnson.
|
|
07/31/74
|
Dillon Stadium |
WMA |
4 |
|
Known Anomalies:
1. Beginning of Scarlet is clipped -- slight bit of diginoise too
2. Reel flip in the middle of Row Jimmy
3. Warble/ Mixing problems in Jack Straw
4 Cut in the beginning of WRS Prelude
Seed provided by Ziggy and Jack Warner
EAC>SHN by Chalupa
Lineage:
SBDMR>DATx>CD>DAT>CD>EAC>SHN
|
|
09/09/74
|
Alexandra Palace |
WMA |
2 |
|
Single set played due to late start
First night of seven night European Mini Tour
SBD>MR>DAT(X2)>CDR>EAC> mkwACT
Vocals during Sound check low
Bouncy Bertha Warning
Minor Static at 0:27, 1:26 of Promised Land
Hum before Playin' (unless you know the words, then you can sing along)
*appears on "Dick's Picks Vol 7"
Muchos Gracias to Pablo B. aka Raoul Duke for the show
And Jerrys Kids for the Moral Fortitude, Knowledge and Fraternity
Another Installment Of The Music Never Stopped Project
Sly_Wow@Yahoo.com
10.31.02 |
|
09/10/74
|
Alexandra Palace |
WMA |
3 |
|
Lineage:
Vault Soundboard Reels->Cassette->
DAT->PCM->DAT
DAT->ZA2->Soundforge->.wav->mkw->SHN
DAT seed provided by Michael P. Weitzman
Transfer and SHN by Joe Samaritano
8/7/2003
Notes:
1. This may or may not be the same as the
8/24/2002 Willy/etree seed. This seed does
have a definitive lineage and is likely
closer to the original source.
2. *Tracks appear on Dick's Picks #7,
Please go buy it, it's really goooooood!
|
|
09/11/74
|
Alexandra Palace |
WMA |
4 |
|
Candelario Matrix MSR D CD except
first 15:22 of Seastones (on Disc #2): AUD
end of Sunshine Daydream and encore: AUD
This is the Candelario matrix SBD reel recording. From 2:10 to 3:00 of Scarlet Begonias the mix gets strange while Kid adjusts his levels. We have left this passage intact (there is another version in circulation where it is patched with AUD). We have patched in from an AUD master the first 15:22 of Seastones, the tail end of Sunshine Daydream, and US Blues, all missing on the circulating MSR D. Naturally this set supplements and does not supplant the portions of this show released as parts of Dick's Picks #7, but until GDM releases the show complete, this will do the trick nicely.
Dave Greenberg did the final mastering of these discs. We don't know who mastered the patch of SSDD and US Blues; we extracted this portion from a CD of the MSR D containing Eyes through the end of the show, with this patch already in place, and nicely done -- our compliments to whoever mastered it. HB also provided important assistance. This project was instigated and these notes written by Jim Powell. SHN conversion by Jay Gerland (jay@theblackdog.org) with seed provided by Jed Distler (jdistler@composerscollab.org).
|
|
09/18/74
|
Parc Des Expositions |
WMA |
3 |
|
Bertha Remaster of the master reel source.
SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B+
Notes:
Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com on January 7, 2004.
If this is indeed, a master reel source, then it has badly deteriorated over the years resulting in severe rolloff at 12khz and not much low end below 80hz. Hopefully, some life has been brought back to this show in the Bertha Remaster.
Thanks to Charlie Miller for the source.
Enjoy!
jay
From Charlie's text file and prior to Bertha Remastering:
Two pops removed in Peggy-O with Cool Edit Pro v1.2
Lineage:
SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN
(3 Discs Audio / 2 Discs SHN)
SHN'd By Charlie Miller from Pre-FM GDH Production Discs
charliemiller87@earthlink.net
11/19/03 |
|
09/20/74
|
Palais Des Sports |
WMA |
3 |
|
source: SBD > master reel > reel to reel > DAT > CD > SoundForge > CD
notes:
- CD 1 was supplied from Marcello Gasperini¥s MR>DAT source, which has much less analog
crackling than Julian¥s source (which supplies the rest of the show). The first notes
of Cumberland have been repaired using Julian¥s MR>R>R>D source and at @ 2:20, a glitch was removed.
- the entire CD1 has been channel-switched to place the band members in their correct stage positions
- false start to Around
- very carefully reduced digital jitter @ 0:11 in Chinacat
- missing Brown Eyed Women between Big River & Greatest Story
- Brokedown Palace: moderate denoising & decrackling; channels swapped
- dropout @ 1:24 in Eyes
- GDTRFB clipped @ 6:38
- NFA fade/cut repaired (there was an overlap either side of the cut,
so it is repaired from within the recording)
- Last 8.52 mins (part OMSN + USB) patched from SBD cassette
|
|
10/16/74
|
Winterland Arena |
WMA |
4 |
|
Source: Reel Master>Cassette>DAT>EAC 0.93b>MKWACT
Sound Rating: 9.5 (out of 10)
Transcription by
JR Fishman
NY, NY
fishmanj_98@yahoo.com
Transcribers Notes:
1. The quality of these tapes far exceed the multi gen versions that have circulated since the late 70's. These came from DATS that were procured in 1995/1996 and were originally played back on a Fostex D-10 DAT recorder and recorded to CD using an standalone hhb-800 CD-r. For purists, I would strongly suggest moving D2.T2 thru D2.D4 to D4 (after UJB).
2. Some of the Track Markings can be better maintained. Somebody might want to retrack.
3. "To Patch or not to Patch - that be the question". There are at-best below-average audience recordings that can be used to patch. It was decided it was not worth the effort to paste in an inferior source to such a fine SBD. |
|
10/17/74
|
Winterland Arena |
WMA |
3 |
|
MultiTrack Master Reel > DAT > Sonic Solutions > CD
Tape Notes:
-"pause edits" in set 1 between several songs.
-Rider is patched with unknown source from ~3:34 thru 4:54
-As in many of the other concerts in this period, periodic
buzzing noises from PA are captured on recording. (these existed
on both sources that were used to compile this show)
Some minor wave edits, EAC, SHN, and upload by Steve Barbella, March, 2003
More significant CoolEdits by Matt Vernon
EAC secure test and copy, offsets configured, no errors reported
Tracks indexed via CDWave
shns via mkw v.97 seek enabled
shntool verified sector boundaries were fine.
SS Source discs contributed by Rich Danyko.
Alternate sbd source (sbd reel>dat) supplies
Ramble On Rose, Casey Jones, and some short tuneup segments in set 1
Another installaSHN of The Music Never Stopped Project
"the bus came by and Skins got on, that's when it all began"
what a way to start, dude. enjoy-
|
|
10/18/74
|
Winterland Arena |
shn |
2 |
A |
|
|
10/18/74
|
Winterland Arena |
WMA |
3 |
|
Bertha Remaster of the Master Reel and multi-gen Reel source.
(*)SBD>>MR>>MDAT(44.1k)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B to A+
Notes:
Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com on January 22, 2004.
This source was processed in three parts, Set 1, Phil and Ned, and the remainder of the show, because of the different sources used.
Noise reduction (Pure Sample) was used on Set 1 and on part of Phil and Ned.
From Charlie's original test file, and prior to Bertha processing:
Transfer Info:
Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional ->
Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN)
Transfered and Edited By Charlie Miller
charliemiller87@earthlink.net
1/14/04
(*) Normalized and removed pops with Cool Edit Pro v2.0
I couldn't get the first set from the Master Reel, so it is supplied from
SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN
The first 17:25 of d2t01 (Phil And Ned) are also patched from that same source. |
|
10/19/74
|
Winterland Arena |
Aud |
3 |
|
|
|
10/19/74
|
Winterland Arena |
WMA |
3 |
|
Recording Info:
SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k)
Transfer Info:
Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional ->
Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN)
Patch Info:
SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD -> EAC -> SHN
Transfered and Edited By Charlie Miller
charliemiller87@earthlink.net
1/14/04
Notes:
-- * Indicates songs that are from patch source
-- Normailzed and Removed pops with Cool Edit Pro v2.0
-- There are hardly any back-up vocals in the first set mix.
|
|
10/20/74
|
Winterland Arena |
WMA |
3 |
|
From: David A. Finney [dfinney@cts.com]
Sent: Friday, April 21, 2000 7:26 PM
To: siteops@etree.org
Subject: Hosting Request gd74-10-20
I just got this show from the Frank's Picks round 4 tree. This date has apparently not yet been circulated on etree, so I'll upload it to your site if you'd like it. The tree also included 10-18 and 10-19, but these seem to have been circulated already. If anyone feels that these copies should be cuirculated as well, I'm happy to oblige.
from the web page
(http://frankspicks.org/fp4_Source_tape_info.htm):
From: Rob Bertrando
Date: Tue, 14 Mar 2000 17:17:22 -0800
Subject: Oct 1974 Winterland AUDs
The best sounding AUDs of this run (all 5 nights) were made by Charles Conner (sp?), using a Sony ECM-22P into a highly modified Sony mono portable. There is occasional wow/flutter, but the frequency response is great, and the hiss low.
I started the distribution of the "audiency"-sounding SBDs of the last three nights, in late 1976. They came to me on cassette, from Jerry Wexler's (of Atlantic Records fame) son or nephew, I forget the exact connection. I and about 4 others copied them to reel at that time, and copies have flowed since. Much more recently, SBDs of the 16th and 17th have surfaced, without the audience mix. I don't know if anyone has similar mixes of the last three nights for trade or listening.
Grateful Dead
Winterland -San Francisco, CA
10.20.74
sbd (thought to be rough mix tapes made for 'Steal Your Face' song selection)
I already own 'Steal Your Face', both on vinyl and on CD. IMHO, it would show appropriate support for a band that is so generous with their copyrighted material for parties interested in this show to buy/already own a copy of 'Steal Your Face' as well.
'Steal Your Face' songs and dates, From Deadbase:
10-17 Casey Jones
10-18 Sugaree, BIODTL, Ship of Fools
10-19 Miss. 1/2 Step, El Paso, BT Wind, Big River, US Blues
10-20 CR&S, Around, Roses, Promised, Stella
* slight splice during Cold Rain and Snow at 1:38.
** different source: unknown aud rig>Reel Master>dat
*** different source: unknown aud rig>?>dat, not as good as the first.
dfinney@cts.com |
|
03/23/75
|
Kezar Stadium |
Aud |
1 |
A |
w/Merl Saunders
Incomplete |
|
08/13/75
|
Great American Music Hall |
WMA |
2 |
|
FM Source: SBD>FM>MC>DAT>WAV>SHN
SBD Source: MSR>R(2)>C>DAT>WAV>SHN
Originally from Cousinit, pitch corrected by Matt Vernon
Notes:
*FM broadcast on 9/1/75 - Metromedia Network
SBD portion normalized via SoundForge to match FM levels
Donated for The Music Never Stopped Project 2003!
Enjoy!
- pitch matched to OFTV (generally ~1-3% fast) and some minor cleanup Matt Vernon 12/28/2003
d1t09 - cross faded ~ 5 sec patch
d2t08 - abrupt switch to sbd source, might be a note missing
|
|
09/28/75
|
Lindley Meadows, Golden Gate Park |
WMA |
2 |
|
Bertha Remaster of the master reel source.
SBD>>MR>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A
Notes:
Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com on February 6, 2004. |
|
06/03/76
|
Paramount Theatre |
Aud |
3 |
A |
|
|
06/03/76
|
Paramount Theatre |
WMA |
3 |
|
Bertha Remaster of the Master Reel Source.
SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A
(*)Encores included.
Notes:
Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com on May 30, 2003.
The original Bertha Remaster of this show was from a (Master Reel>>REEL) source and was really bad. It should never have been released. I cannot believe I gave it an A+ sound rating. This version is far superior to the original and deserves the A rating.
I considered using the Serafin >illegal bootleg> source for this Bertha redo, but chose not to because noise reduction was used, and because it was badly over-compressed. The master reel source I used may have a bit more tape hiss, but I believe it to be the best sounding source, with respect to the music signal.
15 dropouts and other anomolies were repaired throughout.
(*)Encores were added from an unknown source.
Thanks to Patrick Murphy for supplying the encores. |
|
06/04/76
|
Paramount Theatre |
Aud |
3 |
A- |
|
|
06/04/76
|
Paramount Theatre |
WMA |
3 |
|
source 1: SBD>MR>?>D>CD>EAC>SHN
source 2: AUD>?>D>CD>EAC>SHN
Notes:
--the primary source SBD is missing quite a few songs, and probably has no more than one analog generation.
--the audience recording supplies Mission through Franklin's and Dancin' through JBG, and patches the beginnings of Promised Land and Playin, as well as a splice in Might As Well.
--only the first few notes of Dancin' are missing
--Sound Forge was used to normalize and correct the pitch for the SBD source.
Part of the Music Never Stopped Project 2002
Thanks to Jeff Cook, Jon Miller, Matt Vernon, & Raoul Duke
edits/encoding by J. Cotsman |
|
06/09/76
|
Boston Music Hall |
WMA |
3 |
|
Set 1:
SBD>MR>R>D>CD>EAC>SHN
with patches from AUD>MC>D>CD>EAC>SHN
Notes:
--aud patch for first 2:25 of Cold Rain & Snow
--aud supplies all of Big River
--Sound Forge was used for slight pitch corrections
Set 2:
SBD>MR>DAT>SS>CDR>EAC>SHN
Thanks to Paul Bottiglio for the discs
seeded by Tony G (gdtrfb@bellsouth.net) |
|
06/10/76
|
Boston Music Hall |
WMA |
3 |
|
Bertha Remaster of the Master Reel source.
SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>WAV/SHN - Sound A+
Notes:
Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com on March 20, 2004.
From the original text file, and prior to Bertha processing:
Lineage:
SBD -> Rm -> PCM -> Dat -> Prodif Plus -> Samplitude v6.0 -> SHN
(2 Discs SHN / 3 Discs Audio)
Transfered and Remastered By Charlie Miller
charliemiller87@earthlink.net
12/20/02 |
|
06/11/76
|
Boston Music Hall |
WMA |
3 |
|
Notes: Nice show. The sugar mags -> eyes is sweeeeet! Thanks to Dan Borchard who traded with me for this quality show!!
Source: MR >
DAT >
DAT Clone @ 44.1 kHz (Tascam DA20) >
SBLive Platinum SPDIF In >
WAV Edit (Sound Forge) >
SHN (mkw audio compression tool) >
CDR (HP 8200)
jmason2001@speakeasy.net
|
|
06/14/76
|
Beacon Theatre |
Aud |
3 |
A+ |
missing 1st set |
|
06/14/76
|
Beacon Theatre |
WMA |
3 |
|
S:MR>PCM>DAT>CD>EAC>SHN
Note: U.S. Blues appears in its entirety at the end of disc 2, and in an
abbreviated form at the end of disc 3. I don't know why this is, but I'm
guessing it's because if the entire U.S. Blues were on disc 3, the disc
would be longer than 74 minutes. So, if I were respinning this myself,
I'd eliminate d3t8 and just put d2t6 in its place. It would be greater
than a 74 minute disc, but would definitely fit on an 80. Regardless,
I present to you here the show exactly in the form I received it.
Note: This shn set was modified by replacing the incomplete encore at end of disk 3 with
the complete encore (previously on end of disk 2) and removing it from end disk 2
EAC>SHN by David Hollister (david.hollister@cox.net)
Enjoy! |
|
06/15/76
|
Beacon Theatre |
WMA |
3 |
|
Bertha Remaster of the Master Reel source by jashley@deadacated.com
SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA - Sound A+
Notes:
Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com on February 15, 2002.
There were a number of dropouts that appear to be from the stopping and starting of a tape machine. These were cleaned up, but music remains missing at these points.
From the original text file:
Known Flaws:
Tennessee Jed - 1 Dropout (Reel Flip?)
St. Stephen - 2 Dropouts
Source: SBD > Master Reel > PCM > DAT
Transfer: DAT > WAV (via TB Fiji S/PDIF) > SHN
by Jeff Kempka
|
|
06/24/76
|
The Tower Theatre |
WMA |
2 |
|
Source one (Set 1 only) : WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN
Source two (Set 2 only) : SBD>MR>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
Remastering : SHN>WAV>Steinberg Mastering Edition Enhanced>Nuendo2>SHN
The band did not play an encore
original Set 1 notes:
A number of unfortunate 'micro-ticks' and broadcast artifacts in the first set
original Set 2 notes:
Comments: D1t01(Help On The Way) Clicking from 0:00-:05 left alone I tried to filter it but
in doing so it ruined the recording, D1t03(Franklin's Tower) from 9:34-9:30 a buzz from ??
was deleted it wasn't part of the song it was in between tracks so I removed it.
D1t05(Wharf Rat) first 2 or 3 notes are clipped. D1t07(Dancing In The Street) Digi pop
@ :04 on both channels removed, Analog pop @ 2:03 both channels removed.
D1t08(Sugar Magnolia)Minor static @:04 both channels removed.
remasting notes:
D1t01 thru D2t01 was all remastered using Steinberg Mastering Edition Enhanced & Nuendo2. There was
so much that I did to each track to get it to somewhat match the Pre FM SBD I can't list them all.
D2t02 thru D2t07 had a slight hiss which I tried to remove. Its still present but not as bad.
All I can say is a LOT of time was put into this seed for everyone to enjoy.
Thanks to Dave Backus for the Set 1 seed and Tim Wiley for the Set 2 seed.
Remasted by: Dudeman duuude_maaan_like_hey@yahoo.com
Started: 07/20/2004
Finished: 08/24/2004 |
|
06/26/76
|
Auditorium Theatre |
Aud |
3 |
A |
|
|
06/27/76
|
Auditorium Theatre |
Aud |
2 |
A |
|
|
06/29/76
|
Auditorium Theatre |
WMA |
3 |
|
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out >
Fostex D5 @ 48 kHz > DAT > ZA2 > CDR > EAC > SHN
This is the complete Betty Board recording (interleaf reels spliced in & all)
Thank You David Hollister & Jeff Tiedrich for this seamless beauty!
Uploaded to cryptical.etree.org 10/24/00
by Mike Parrillo (dankstar@mediaone.net)
-Enjoy!
|
|
07/13/76
|
Orpheum Theatre |
WMA |
2 |
|
Bertha Remaster of Multi-Gen Reel source.
SBD>>MR>>Reel>>Reel>>Reel>>Dat>>CDA>>DAW(Bertha)>>CDA - Sound B
Notes:
Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com on May 20, 2002.
The cuts and imperfections that were on the original source remain.
I took this project on for two reasons, because the Orpheum 76 run is one of my favorites, and because I wanted to see if Bertha was capable of handling a source in such a condition. This is by far, the most deteriorated source I have ever worked on. The results surprised even me. A source that was barely listenable is now not only listenable, but actually enjoyable.
I hope those who have low gen sources for the Orphem run will release them some day soon!
Enjoy,
jay |
|
07/14/76
|
Orpheum Theatre |
WMA |
3 |
|
Source: MAR > Reels > DAT > CD
Bob Menke recording (Sony ECM-280/Sony TC-152)
Patch Source: SBD>MR>C>DAT>CDR
Thanks to David Minches for the disks and Jeff Cotsman for the pitch corrections!
Encoding: EAC > Cool Edit > CDWAV > mkwact > SHN(seekable) mvernon54@attbi.com
Part of The Music Never Stopped Project 2003
note
- most between song Dead Air missing on source tape
flaws
d1t1 - promised land has many instances of small very brief amplitude loss imparting a
warbly effect to the sound. most likely from decay of the tape medium
d1t2 - minor speed problem in Sugaree cross faded from soundboard
d1t4 - tape speed glitch in Scarlet cross faded from soundboard
d1t8 - fade at end of disk presumed to cover a tape flip
d2t4 - left mic bumped 15:32, 15:50
d2t8 - fade at end of disk on source disks
d3t6 - patch from soundboard crossfaded
d3t7 - brief tape speed change (partially stuck?) removed a portion of the slowed section to match sbd timing |
|
07/17/76
|
Orpheum Theatre |
WMA |
3 |
|
SBD: Master Reel > DAT > CD
"Eyes of the World" has a 45-second AUD splice |
|
08/02/76
|
Colt Park |
Aud |
3 |
A |
|
|
08/04/76
|
Roosevelt Stadium |
WMA |
3 |
|
SBD>MR>C>D>CD>EAC>SHN
patched with: AUD>MC>D>CD>EAC>SHN
the end of JBG is patched with: AUD>?>CD>EAC>SHN
IMHBTR is from a higher gen sbd source
aud patches:
--the first 0:43 of Sugaree
--from 0:58 -> 1:00 in Sugaree (dropout or damage on SBD reel)
--from 2:45 -> 2:50 in Sugaree (dropout or damage on SBD reel)
--from 9:02 -> 9:30 in Row Jimmy (reel flip on SBD)
--first few seconds of LLR
--the first 0:23 of TLEO
--first few seconds of TMNS
--a small dropout near the very end of Franklins
--from 0:06 -> 0:39 in Dancin (reel flip on SBD)
--first few seconds of NFA
--the final 2:30 of JBG
Notes:
--this SBD is slightly degraded, more notably in the higher frequencies, and the given lineage may not be correct. The distinguishable mix features prominent bass and some crowd noise ambience.
--first few notes of Sugaree are clipped (on both AUD and SBD recordings)
--multiple right channel dropouts/fluctuations during O1
--tape warble at 7:46 in O1
--Sound Forge was used for pitch corrections and normalization
part of The Music Never Stopped Project 2002
Thanks to Chuck Gannon, Matt Vernon, and David Backus
edits/encoding by JCotsman |
|
09/23/76
|
Cameron Indoor Stadium, Duke University |
WMA |
3 |
|
Lineage given as: SBD: Cm-> C-> Cx2-> DAT-> CDR->EAC->SHN
Aud patch sources: AUD: Cm->?-> C-> DAT-> CDR
Flaw notes: This show is not in the greatest aural shape but is a worthy listen nonetheless. A fair amount of tape hiss is present. Higher frequencies are somewhat attenuated. You've been warned.
d1t08: Cut at the beginning
d2t01: missing beginning notes, 1 sec tape stretch at 1:59
d2t05: Aud starts at the end of Eyes (at 11:12)
d2t06: portion from beginning til about 1:28 is badly mangled/missing
d3t04: AUD starts at about 6:41 and continues through the rest of the show
d3t05: 1 sec dropout at 12:03
This show passes the shntool check.
DAE and shn encoding done by D.Backus
Contact info: marthanjerry@prexar.com
Another Porky Prime Cut from Terrapin Satation!! |
|
10/09/76
|
Oakland-Alameda County Coliseum |
shn |
1 |
|
Incomplete |
|
10/09/76
|
Oakland-Alameda County Coliseum |
Aud |
3 |
A |
2nd set only |
|
10/10/76
|
Oakland-Alameda County Coliseum |
shn |
2 |
|
|
|
10/15/76
|
Shrine Auditorium |
WMA |
3 |
|
MSR>DATs>CDRs>EAC>SHN
Flaws -- Slight digi-static at beginning of Might as well; Mama Tried Cut at beginning; reel flip at @ 2:18 in Lazy Lightning; Splice @ 2:00 in Samson.
EAC extraction and SHN conversion by darrin (dnsacks@usa.net) |
|
12/31/76
|
Cow Palace |
Aud |
3 |
A+ |
|
|
12/31/76
|
Cow Palace |
WMA |
3 |
|
Lineage: PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
* from MAR (unknown equipment) > Reel > Beta HiFi > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
Seeded to tol 7/19/03 by Jack Warner
Source discs via Steven Martin (thanks!)
Note added 9/1/2003: Cool Edit 2000 was used to fix pops at the following spots in Jack Warner's Pre-FM version of 12/31/76. I [Dave Winters] re-encoded to shorten and generated new MD5's with MKW.
Loud pops were noticed at:
Slipknot! - 6:20
Dew - 4:50, 7:40, 7:50
Dave Winters - 08/16/03. |
|
02/26/77
|
Swing Auditorium |
Aud |
3 |
A+ |
Matrix |
|
02/26/77
|
Swing Auditorium |
WMA |
3 |
|
Source: SBD>MR>DATs>CDR>EAC>CDR>EAC>CDWAV>SHN
The Owen Brothers Vault
Editing and mastering by The Wizard -
This is the older of two currently circulating soundboard sources for this show. The newer one is highly compressed and I think the older one has better dynamics. Both will be available from the OBV.
Most tunings were cut on this source. They were restored from a
SBD>MR>C>C>CD source that I have had for some time.
Other patches were supplied by the AUD tape,
AUD: Sony ECM-280>Sony TC-153SD>MC>RR>DAT>CDR.
Here is a general summary.
The cut start of Estimated was restored from the Aud source.
The glich in Sugaree patched with the Aud source.
The glich in Sampson patched with the Aud source.
The glich in Music was was patched with the alt SBD source.
The glich in Franklin's was patched with the alt SBD source.
The flip in Around patched with the Aud source.
Lots of misc. pops removed.
All patches were processed to match the source as best as possible.
All editing and mastering done with DCArt Millennium Software.
Shn set notes:
Thanks to PeterT for the seed discs!
CDWav was used to retrack all three discs.
EAC (secure & offset corrected), MKW(seekable), and sector boundaries verified with shntool by D.Winters - 04/30/04. |
|
03/18/77
|
Winterland Arena |
WMA |
3 |
|
Source info: SBDMR @ 7.5 ips>DAT>CD>EAC>SHN
(*) Audience info: Master (R. Bertrando Sony ECM-270/TC-152SD) Cassette>DAT>CD>EAC>SHN
|
|
03/19/77
|
Winterland Arena |
WMA |
3 |
|
Here's the genealogy: SBD>MR>DAT>DAT>Sonic Solutions>CDR
cd covers from chinacat@ifb.co.uk at http://home.att.net/~Tapetrees/77_03_19covers.html
|
|
03/20/77
|
Winterland Arena |
WMA |
2 |
|
source: SBD->MR->DAT->CD
d3t3 patched with audience source (FOB Sony ECM99A mics->Sony TC152->DAT->CD via D.Sacks)
to cover missing SBD source due to reel flip. No other known flaws.
Discs #1 and #2 have tuning tracks between songs.
Special thanks to Sam Esla for providing the seed. Enjoy!
Aud patch & CD->EAC->SHN conversion & upload by AJ - a2k@pacbell.net - September 26th 2000. |
|
04/23/77
|
Springfield Civic Center |
WMA |
3 |
|
source: SBD->MR->DAT->CD
d3t3 patched with audience source (FOB Sony ECM99A mics->Sony TC152->DAT->CD via D.Sacks)
to cover missing SBD source due to reel flip. No other known flaws.
Discs #1 and #2 have tuning tracks between songs.
Special thanks to Sam Esla for providing the seed. Enjoy!
Aud patch & CD->EAC->SHN conversion & upload by AJ - a2k@pacbell.net - September 26th 2000. |
|
04/27/77
|
Capitol Theater |
WMA |
3 |
|
Lineage:
Pre-FM Master Reel Soundboard->DAT x ?
FM Master Reel Soundboard->VHS->DAT x ?
(Patch for beginning of Promised
Land up to "Georgia Sate.")
Transfer:
DAT->ZA2->Soundforge->.wav->mkw->SHN
DAT seed provided by Dan Lynch
DAT patch provided by Joe Samaritano
Transfer and SHN by Joe Samaritano
11/2/2003
Notes:
Between songs there is some sort of
"matrix switch" to audience, but when next
song starts it switches back to soundboard.
Most circulating copies have this "matrix switch"
cut out and replaced with annoying fades in and out.
|
|
05/04/77
|
The Palladium |
WMA |
2 |
|
THESE ARE 80MIN CDs!!!!
COMMENTS No encore performed that night.
Special thanks to David Gans for supplying the second set, Dan Roche for
getting me the second set, Neil Sturtevant for the first set, Dave Cohen
for BEW from the "Around the Fire" soundtrack, and also for transferring
from DAT to CD for me. Also thanks to the many people along the way who
helped guide this project to the finish.
And extra special thanks to all the people in all the groups who have given
me their time and effort to get me all these great shows! |
|
05/05/77
|
Veterans Memorial Coliseum |
Aud |
3 |
A+ |
Matrix |
|
05/05/77
|
Veterans Memorial Coliseum |
WMA |
3 |
|
Source:
7" 2-track BBD reel w/DBX-1 @ 7.5 ips > PCM501ES@ 44.055 kHz;
PCM501ES analog out > Panasonic SV-3700 @ 48 kHz > Db 924
96kHz/24bit D/A > Dolby 361 module w/ DBX K9-22 cards(DBX decoded)
> Db 1225 96kHz/24bit A/D >Db 3000s noise shaper/SBM > Panasonic
SV-4100 > Panasonic SV-3700 > Sony PCM-R300 > Sony PCM-R300
(new transfer by R. Eaton as of 02/98)
DAT > WAV > SHN: Dan Stephens (dms@well.com)
Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1,
highest accuracy with anti-alias filter) > CDWAV >
MKW Audio Compression Tool v0.97b1 (no DAE)
* <1 second digi-snit (reel artifact?) at 13:08
compiled by Dan Stephens
04/01/2002 |
|
05/07/77
|
Boston Garden |
WMA |
3 |
|
Encore (US Blues) is missing,
so if you have a good one....
Disk 3 has no pauses, so be sure to DAO
Around.. has a couple of uncorrectable blems
source info: SBD -> Betty Reels ->PCM -> DAT ->
Digitally read in on SGI -> SHN
|
|
05/08/77
|
Barton Hall, Cornell University |
Aud |
3 |
A+ |
Matrix |
|
05/09/77
|
Buffalo Memorial Auditorium |
Aud |
2 |
A+ |
Matrix |
|
05/09/77
|
Buffalo Memorial Auditorium |
WMA |
3 |
|
Sources:
Soundboard Source:
Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055
kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out>
Dat @ 48 kHz>Soundforge>Shn
Audience Source:
Master Audience Cassette>Sony ecm-33pmics>nak550>reel to reel>cd
The audience source supplies patches for the master reel splices at
D2T2,TMNS 6:50 - 7:18 and D3T4, NFA 1:43 - 2:10
Original Shn Seed provided by Joe Samaritano
Aud source provided by Scott Clugston
Aud Patches were performed using Steinberg's Wavelab 3.0 by
Charlie Connor
Seeded via Fungus and abgd by Charlie Connor 3/21/02
Thanks to Joe Samaritano for the show and to Scott Clugston for the
Aud Source!!!!!!!
|
|
05/11/77
|
St. Paul Civic Center |
WMA |
3 |
|
SBD>Rm>Dat>Sonic Solutions>CD
*Patched w/SBD>Rm>Dat>Cass>Dat>CD
All patching and editing was done with Cool Edit Pro by Charlie Miller.
charliemiller87@earthlink.net
Sector boundaries fixed via shntool
prior to hosting - sb 3-13-02
|
|
05/13/77
|
Auditorium Theatre |
WMA |
3 |
|
SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD
(Post Drums - Fp -> Dat -> CD)
3 Discs Audio / 2 Discs SHN
The Post Drums Pre-FM recording is degraded and flawed. I doubt that it is a Pre-FM Master Reel recording, but then again, stranger things have happened. The ONLY reason I included it was to circulate the complete show. As for the SBD, David Gans said that the Post-Drums segment was unusable.
Charlie Miller
charliemiller87@earthlink.net
sbe's fixed with shntool. reshn'd with mkw.97seek enabled |
|
05/15/77
|
The Arena |
WMA |
3 |
|
Source:: Sbd MR > ? > CDR > EAC (calibrated, secure mode, test and copy) > SHN
First Passenger. First Iko Iko.
Cut at beginning of Lazy Lightning
Contributor: Thanks to Kevin Gills for making this great show available.
EAC, SHN extraction and etree seeding done by G. Gorinsky
(elgilhooley@aol.com) |
|
05/17/77
|
Memorial Coliseum, University Of Alabama |
Aud |
3 |
A+ |
Matrix |
|
05/17/77
|
Memorial Coliseum, University Of Alabama |
WMA |
3 |
|
SBDMR > DAT > CD > EAC > SHN
note: Sugar Magnolia encore supplied by AUD source.
EAC > SHN by Noah Weiner June 2003
|
|
05/18/77
|
Fox Theatre |
WMA |
3 |
|
Source: SBD > DAT > CDRs > EAC > WAV > SHNv3
Thanks Alan Topal for the disks
EAC and SHNv3 encoding by Patrick Murphy
If you know of a better seed or find any errors, let me know:
patrick_e_murphy@yahoo.com
Minor Flaws:
d1t03 digi-snit at 00:31
d3t02 dropout/static at 00:02-00:06
digi-snit at 10:41
The last track on disk 2 and the first track on disk 3 can be taken out and
d2t7 and d3t2 will flow seamlessly together - in case you wanted to change
the layout of the disks.
I looked hard and wide for this, my birthday show. Too bad I was only two at
the time. Enjoy! |
|
05/19/77
|
Fox Theatre |
Aud |
3 |
A+ |
Matrix |
|
05/25/77
|
The Mosque |
WMA |
3 |
|
Source: SBD
Genealogy: MR > DAT > CDR > SHN > CDR > SHN
George Shannon added 0.80 seconds of material to disk 2 track 3 at 0:05 to fill the gap in the version downloaded from etree. The material used was received in trade and was from the same show but a different source. The tracks were also re-sequenced so they now appear in original show order with the encore at the end. EAC and Soundforge were the tools used.
|
|
05/26/77
|
Baltimore Civic Center |
Aud |
3 |
A+ |
Matrix |
|
05/26/77
|
Baltimore Civic Center |
WMA |
3 |
|
Source: Soundboard > 7 inch Master Reels @7.5ips 1/2 track -> DAT(s) -> ZA2 -> CDR (x1)-> EAC -> SHN
Comments: The material missing from the Soundboard source during
Estimated and Around & Around due to master reel flips was spliced
in by Scott Clugston from his copy of the Jerry Moore-recorded Master Audience Cassette: Sony ECM-33p mics > Sony TC-158 > D source.
Specifically, the audience source supplies patches in
"Estimated Prophet" (d3t02) from 0:48 thru 1:10, as well as in
"Around & Around" (d3t06) from 2:39 thru 3:07.
Additionally, Scott smoothed out the gaps/noise caused by the
master reels being turned off/on in between songs and removed a
handful of minor "pops", "ticks" and "clicks" that were present
between songs.
With the Aud patches, disc 3 now runs 74:12
Finally, several versions of this show simultaneously entered circulation in early February, 2001. This copy is derived from the
version that was initially circulated by aoxoa and shn'ed from
aoxoa's master cds by direwolf. As initially circulated, this version
lacked the audience splices and the reel pause edits. The aud splices
were added to the extracted shns and the between-song reel pauses,
"pops", "ticks" and "clicks" were removed from the extracted shns
using cooledit pro, and the shns were then re-split using cdwav.
The integrity of the sector boundaries was confirmed using shntool.
The other version, circulated by David Gans, was supposedly derived from the aoxoa-sourced dat and was not used for this distribution
because a) it was supposedly subject to digital equalization and b)
the missing material caused by the reel flips on the Gans-seeded
version were patched with soundboard recordings from other May, 1977
performances.
Seeded to Etree on 2/22/2001 by Darrin (dnsacks@usa.net)
HUGE thanks to aoxoa, Scott Clugston, and direwolf for their
considerable efforts to get this GREAT show into circulation in
all of its glory. ENJOY! |
|
05/28/77
|
Hartford Civic Center |
WMA |
3 |
|
Lineage: SBD>MSR>DAT>CD
Bettyboard 7 inch master reel @ 7 Ω ips > DAT(zero gen)>
CDR(zero gen) (via sony pcm r-700 dat playback >
hhb cdr-800) > CDR (first gen) > EAC > .Shn
*************** NOTE: disc three requires an 80 minute disc
(unless the encore is placed at the end of disc 2)********
Notes:
Approximate 2 second splice in Bertha.
The following edits were performed:
Seth Kaplan eliminated the 2 second gap/dropout @ 05:19 through 05:21 in Bertha and normalized the first thirty seconds or so of Bertha in Cool Edit to fix low levels.
Jack Warner patched the 25 second reel flip between Playing in the Band & Terrapin Station & the 32 second reel flip during One More Saturday Night using an AUD source with the following lineage:
Master Recording by Steve Rolfe (fob)
Cassette: Maxell UD XLII C-90
Sony ECM 99aÃs->Sony TC-152
Analog to DAT: Nakamichi BX-300->Sony PCM-R500
DAT to CD: Sony PCM-R500->HHb-800
(Extraction and.shn encoding by Seth Kaplan (disks 1-2) and Jack Warner (disk 3) via EAC and MKW Accurate extraction and properly aligned sector boundaries verified via EAC and .shntool)
Disks compiled and seeded to etree by darrin (dnsacks@usa.net) 8/16/2001 |
|
06/07/77
|
Winterland Arena |
Aud |
3 |
A+ |
SBD |
|
06/07/77
|
Winterland Arena |
WMA |
3 |
|
Soundboard -> Vault Reels ->DAT ->
David Gans' Sonic Solutions Digital Editing ->
CDR -> EAC -> CDR -> EAC -> SHN
Posted by Darrin (dnsacks@usa.net) |
|
06/08/77
|
Winterland Arena |
WMA |
3 |
|
Master Soundboard Reel > Reel to Reel > PCM> DAT > CDR
Master Audience Cassette > Reel to Reel source supplies a patch in "Sugaree" (d1t02)
from 11:14 thru 15:53, a patch in "Row Jimmy" (d1t04) from 8:57 thru 9:47, the first
0:12 of "Sunrise" (d1t06), the first 0:03 of "Estimated Prophet" (d2t04),
a patch in "Eyes of the World" from 14:49 thru 15:02, as well as the final 0:16 of
"Brokedown Palace" (d3t06)
both sources are missing the first few notes of "Bertha" (d2t01)
Disc 1 requires an 80 minute CDR
Flaws: d1t01 "Minglewood Blues", discontinuity @ 2:19, also on source DAT
d3t02 "Wharf Rat" slight static @ 0:13, as well as from 2:55 thru 2:58, also on source DAT
d3t03 "Not Fade Away" slight static @ 2:53 and 4:34. There is some sort of anomaly @13:12 where the music becomes "brighter", there is no discontinuity and it is also present on the source DAT
Patching / CD Mastering by Scott Clugston
SHN'ed by Scott Clugston
2/21/03
|
|
06/09/77
|
Winterland Arena |
Aud |
3 |
A+ |
Matrix |
|
06/09/77
|
Winterland Arena |
WMA |
3 |
|
Source: SBD>Reel>PCM>DATs>CD>WAV>SHN by Jeff Fishman
Patching, retracking, and SHNv3 conversion by Patrick Murphy -
patrick_e_murphy@yahoo.com
Notes:
d1t1 (1/2 Step) diginoise at 0:05
slight reel degradation throughout track
d1t2 (Jack Straw) slight reel degradation (few seconds)
d1t5 (Sunrise) alternate source: Master Reels>PCM>DAT>Delta DiO 2496>Sound
Forge 4.5>CDWAV>SHNv3 by John D'Auria
d1t6 (Deal) diginoise at 4:51
d3t1 (Estimated) overmodulation and distortion 0:10-0:14
I was happy to get Jeff Fishman's copy of this show, the "upgrade" copy,
seeded May 2001. According to him, he did no editing, simply seeded his
superior copy. However, it was missing Sunrise due to DAT problems. Also,
every song was tracked slightly off. The first few seconds of each song was
actually at the end of the track previous. So, I patched in Sunrise from the
earlier Etree source (thanks Alan Schlissel & Scott Sherman!). Then, using
SoundForge XP 4.0 (thanks Jeff!), I pieced the tracks back into disk-sized
wav files, which I then split back up using CDWav. I also changed the
tracking of disks 2 and 3 so that the disk break came in between songs
instead of between St. Stephen and Terrapin. I did no editing to the actual
sound, except to adjust the level of Sunrise to match the rest of the show
as well as possible. |
|
09/03/77
|
Raceway Park |
Aud |
3 |
A+ |
Matrix |
|
09/29/77
|
Paramount Theatre |
WMA |
3 |
|
SBD>MR>PCM>PCM>D>CD>EAC>SHN
Notes:
Circulating copies of this show have been plagued with numerous pops and
discontinuities that may have been imbedded during the original recording or
during a PCM transfer. Sound Forge was used to smooth these areas.
This recording is not in true stereo.
A bad connection in the equipment can be heard buzzing towards the end of
Estimated. Static and some distortion occur following this into He's Gone.
Dropout in Ramble On Rose @ 5:31
Thanks to Chuck Gannon
edits/encoding J. Cotsman |
|
10/06/77
|
Activity Center, Arizona State University |
WMA |
3 |
|
Source: Source: SBD>MR>C>C>DAT>CDR > EAC (secure mode, test and copy) > SHN
Contributor: Thanks to Ron Speer for making this great show available.
EAC, SHN extraction and etree seeding done by G.Gorinsky
(elgilhooley@aol.com) |
|
10/11/77
|
Lloyd Noble Center, University Of Oklahoma |
WMA |
3 |
|
SBD>MR>D>C>D>CD>EAC>SHN
patched with AUD>??>C>CD>EAC>SHN (multigen)
Notes:
--lineage: There are supposed "MSR>D>CD" copies in circulation that are virtually the same as those listed as "likely MSR>D>C>D>CD" (only the amplitude levels differ). There is a slight hiss in places as well as an overlap in NFA that indicate a probable cassette generation. There still may be authentic MSR>D>CD copies in narrow circulation.
--slight discontinuity at 0:07 in Slipknot
--slight discontinuity at 14:32 in Dancin'
--AUD patch in Eyes from 11:50 to 12:10
--there are multiple and serious flaws during NFA, some of which have been patched over with an AUD from a previous edit
--an overlap was fixed within the first minute of NFA with no music missing
Part of The Music Never Stopped Project 2003
Thanks to Steve Milewski for the AUD patch in Eyes
Aug '03 edits/encoding JCotsman |
|
10/12/77
|
Manor Downs |
WMA |
2 |
|
SBD>MR>C>D>CD>EAC>SHN
patched with AUD>??>C>CD>EAC>SHN
Lineage:
--There is uncertainty, but this is most likely MSR>C>D>CD. Some lists indicate it as a 1st gen reel from a cassette master, though Eaton lists this show as MSR>C>D>CD. The AUD used for the patches probably has several generations.
Notes:
--first few seconds of Promised are cut
--the mix is very poor for the first minute of Promised
--poor vocal mix in Candyman
--AUD patch in Truckin' from 0:08 to 0:30
--AUD patch in Truckin' from 7:01 to end (8:04) through first 1:54 of Nobody's Fault
--JBG cuts out; it is also cut on the AUD recording
--This show is in proper pitch; Sound Forge was used for minor edits and to correct the pitch of the AUD patches
Part of The Music Never Stopped Project 2003
Thanks to Steve Milewski
edits/encoding JCotsman |
|
10/14/77
|
Hofheinz Pavilion |
WMA |
3 |
|
Source: Source: SBD>MC>R>DAT>CDR > EAC (secure mode, test and copy) > SHN
Contributor: Thanks to Bill Golden for making this great show available.
EAC, SHN extraction and etree seeding done by G.Gorinsky
(elgilhooley@aol.com) |
|
10/15/77
|
Moody Coliseum, S.M.U |
WMA |
2 |
|
SBD>MC>R>D>CD>EAC>SHN
Notes:
--Ramble On Rose cuts out
--tape flip at 6:15 in NFA
--Sound forge was used for normalization, pitch correction, and to clean up frequent pops
Part of The Music Never Stopped Project 2003 |
|
10/16/77
|
Assembly Center, Lousiana State University |
WMA |
3 |
|
sdb>>MR>>C>>D>>CD
any info contact usalai@nycap.rr.com
seeded by mike lai
stellablue.etree.org |
|
10/28/77
|
Soldiers & Sailors Memorial Hall |
WMA |
3 |
|
Betty Board>MR>?>CD
Notes
I used CD Wave to retrack and shntool to verify sb's. There are some lengthy tuning breaks, but I tracked the show so you can get to the begining of each song easily.
Promised Land (d1t01) cuts in at 'on across Caroline'
Glitch @ :32 of d1t01 (Promised Land)
Dropout @ 3:00 of d2t03 (He's Gone)
Around & Around (d3t04) cuts @ 7:46
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 03/29/02
Audio discs provided by Jens Tilsner |
|
10/29/77
|
Evans Field House, Northern Illinois University |
Aud |
3 |
A+ |
Matrix |
|
10/29/77
|
Evans Field House, Northern Illinois University |
WMA |
3 |
|
Source: SBD > Reel > DAT > WAV (via TB Fiji S/PDIF) > SHN
This is the source to the best of my knowledge, I hope to have the exact source
information soon.
Enjoy :)
Jeff Kempka
jeff@shakedown.etree.org |
|
10/30/77
|
Assembly Hall |
WMA |
2 |
|
Source:
SBD > MR > PCM > DAT > CDR > EAC > mkwACT
EAC'd/SHN'd by Doug Nawrocki
|
|
11/01/77
|
Cobo Arena |
Aud |
2 |
A+ |
Matrix |
|
11/01/77
|
Cobo Arena |
WMA |
2 |
|
Source: SBD>Master(Betty Board)Reels>PCM>DAT>CDR>EAC>SHN
DAE(EAC) and SHN Encoding by Jeff M.
email: fy1220_jeffm@snet.net or lost_sailor1620@hotmail.com
Known Flaws: d1t05 cuts into friend of the devil(about 1st 20 seconds
missing)
Note: I notice that a lot of peoples copies of this show are missing the
U.S. Blues encore.
It is present on my copy and included here in all its glory;-) |
|
11/04/77
|
Cotterell Gym, Colgate University |
Aud |
3 |
A+ |
Matix |
|
11/04/77
|
Cotterell Gym, Colgate University |
WMA |
3 |
|
Source: SBD:MR > DAT > CD-R
Tracks 6 - 11: filler, 12/12/73 Omni Atlanta GA- Soundcheck |
|
11/06/77
|
Broome County Arena |
Aud |
3 |
A+ |
Matrix |
|
11/06/77
|
Broome County Arena |
WMA |
3 |
|
Source:
Reel -> DAT -> CDR
Transfer:
EAC -> Shorten 32
By Doug Nawrocki
If you have any comments, good or bad, please email me at supplicationjam@hotmail.com. Peace.
|
|
12/31/77
|
Winterland Arena |
WMA |
3 |
|
Source: SBD > Master Reel > DAT > CDR > EAC > SHN
EAC>SHN by brian purvis - frankcarson@mindspring.com
Enjoy !
|
|
01/06/78
|
Swing Auditorium |
WMA |
2 |
|
Master Soundboard Cassette > Cassette > DAT > CDR
disc 2 requires an 80 min disc
CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
12/25/01 |
|
01/07/78
|
Golden Hall, Community Concourse |
WMA |
3 |
|
SBD>MC>R>D>CD>EAC>SHN
patched with: AUD>?>CD>EAC>SHN
Aud patches:
--first few seconds of Minglewood
--dropout @ 2:01 in Minglewood
--the final two minutes of OMSN
Notes:
--the SBD recording was sourced from the previous SHN seed by Scott Clugston. The clips in Minglewood & OMSN were patched with an audience recording and some other minor edits were made using Sound Forge
part of The Music Never Stopped Project 2002
final edits/encoding by JCotsman |
|
01/08/78
|
Golden Hall, Community Concourse |
WMA |
2 |
|
SBDMR > R > PCM > DAT > CD > EAC > SHN
note: Jerry had laryngitis on this night and therefore
he did not sing.
EAC, SHN and cross fades by Noah Weiner - November, 2002
DISC ONE:
*cut in SBD cross faded with AUD/3 from 03:29 to 03:54
DISC TWO:
*cut in SBD cross faded with AUD/3 from 01:00 to 07:12 |
|
01/10/78
|
Shrine Auditorium |
WMA |
3 |
|
SBD>MC>?>CD>EAC>SHN
Lineage info:
--The lineage for this recording remains uncertain. Many copies, including the source for these shns, are listed as SBD>MR>PCM>D>CD. However, Eaton lists this show as SBD>MC>C>D>CD. Therefore, this show was likely mastered on cassette, and this recording sounds as if it has one analog generation, plus or minus a possible PCM generation.
Notes:
--splice at 9:57 in He's Gone
--dropout at 1:27 in Around & Around
--U.S. Blues is from an unknown sbd source
--Sound Forge was used for normalization and minor edits |
|
01/11/78
|
Shrine Auditorium |
WMA |
2 |
|
SBD>MC>R>PCM>D>CD>EAC>SHN (??)
Comments on lineage:
--The lineage of the copy I received was listed as SBD>MR>PCM>D>CD.
However:
--Copies of this show circulate with lineages indicating both reel and cassette masters, but the cuts are in the same locations, so it seems likely that only one or the other circulates/exists in SBD. Eaton indicates this show as being mastered on cassette. His info is also confusing, in that he mentions two different 1st gen media, one on cassette, and one on reel. Perhaps the 1st gen copy of the show had the 2nd set stored on cassette and the 1st set stored on a reel (keeping in mind that the master was made on cassette). Whatever the actual lineage is, the recording sounds pretty good, as if mastered on cassette with another analog generation.
Notes:
--splice @ 4:19 in Jam
--Sound Forge was used for a few minor edits
part of The Music Never Stopped Project 2002
Thanks to Raoul Duke & Matt Vernon
edits/encoding by Scotsman |
|
01/13/78
|
Arlington Theater |
WMA |
3 |
|
Source: Master Soundboard Cassette > Cassette > DAT > CDR
EAC'ed / SHN'ed by Scott Clugston
7/2/01
Posted to abgdhs 7/01 |
|
01/14/78
|
Bakersfield Memorial Auditorium |
WMA |
2 |
|
Source: SBD>MR>C>DAT>CDR
Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN(seekable) by mvernon54@attbi.com
Thanks to Raoul Duke for the disks! Part of The Music Never Stopped Project 2003
notes
- splice/tape flip ~ 11:17 of Eyes of the World
- looks like the between song banter tuning was supplied by a sbd tape with significant hiss or it was
processed differently than the songs (gain turned up??)
- songs look to have been processed with some "limiting" with a uniform peak amplitude envelope when
viewing the entire wavform. This imparts a muffled quality to the sound especially Phil's bass when
compared to the hissier "between song" tuning where it sounds crispier.
- jerry's voice is shot
length expanded size cdr WAVE probs filename
1:31.63 16200620 --- -- --- gd78-01-14d1t01.wav
8:19.01 88025996 --- -- --- gd78-01-14d1t02.wav
7:33.11 79935116 --- -- --- gd78-01-14d1t03.wav
5:27.03 57689900 --- -- --- gd78-01-14d1t04.wav
8:08.69 86245532 --- -- --- gd78-01-14d1t05.wav
2:45.62 29251868 --- -- --- gd78-01-14d1t06.wav
4:51.09 51353612 --- -- --- gd78-01-14d1t07.wav
8:51.22 93720188 --- -- --- gd78-01-14d1t08.wav
8:44.68 92593580 --- -- --- gd78-01-14d1t09.wav
7:21.19 77837132 --- -- --- gd78-01-14d1t10.wav
12:44.08 134788460 --- -- --- gd78-01-14d1t11.wav
76:18.35 807642004 B (totals for 11 files)
length expanded size cdr WAVE probs filename
2:04.54 22000652 --- -- --- gd78-01-14d2t01.wav
10:04.24 106602092 --- -- --- gd78-01-14d2t02.wav
9:52.38 104518220 --- -- --- gd78-01-14d2t03.wav
12:29.27 132187148 --- -- --- gd78-01-14d2t04.wav
14:12.14 150325772 --- -- --- gd78-01-14d2t05.wav
5:56.54 62925452 --- -- --- gd78-01-14d2t06.wav
14:47.52 156589148 --- -- --- gd78-01-14d2t07.wav
5:29.20 58082684 --- -- --- gd78-01-14d2t08.wav
74:56.58 793231168 B (totals for 8 files)
|
|
01/15/78
|
Selland Arena |
WMA |
2 |
|
1st set: SBD>?>C>SHN
2nd set: AUD>MC>C>D>CD>EAC>SHN
The first set is provided by a slightly degraded SBD that may have a few analog generations. The 2nd set is provided by a very good audience recording.
Notes:
--at least a minute is missing from the beginning of Bertha
--the last few seconds of Sunrise are cut
--minor splice in Playin'
Part of The Music Never Stopped Project 2002
Thanks to Hanno Bunjes and Chuck Kiefe
final edits/encoding by Scotsman |
|
01/17/78
|
Sacramento Memorial Auditorium |
WMA |
3 |
|
SBD>MR>C>D>CD>EAC>SHN
Notes:
--diginoise at 3:13 in Promised
--diginoise at 3:40 in Promised
--minor diginoise from 1:24 to 1:40 in Cassidy
--splice at 6:36 in Row Jimmy
--minor glitch at 4:15 in He's Gone
--Sound Forge was used for normalization and minor edits
part of The Music Never Stopped project 2003
Thanks to Raoul Duke
edits/encoding by Matt Vernon & Scotsman |
|
01/18/78
|
Stockton Civic Auditorium |
WMA |
3 |
|
SBD>MR>?>D>CD>EAC>SHN
patched with: AUD>MC>C>D>CD>EAC>SHN
Caveat:
--The SBD has flaws during the 2nd set, mainly for the last few minutes of Playin' through Passenger plus the encore. There must have been a problem with a recording device as the quality varies, at times muddying quite a bit in the higher frequencies. In addition, there were frequent and absolute drops in amplitude. The dropouts have been patched with an audience recording. I do not know whether this problem starts with the master recording. There are also numerous digisnits during the last few songs of the show, probably from the DAT lineage. The last half of Around & Around is supplied from the audience recording, due to some amplitude shifts plus an ever increasing number of digisnits. Aside from the flaws, the SBD is crisp, as if it has perhaps one analog generation.
Notes:
--FOTD cuts out; several minutes are probably missing
--frequent audience patches from near the end of Playin through Passenger and the first 2 minutes of Space (due to large dropouts)
--audience patch from 1:08 to 2:34 in Estimated (covers reel flip)
--digisnit @ 7:21 in Estimated
--digisnit @ 9:57 in Stella Blue
--numerous digisnits in Sugar Magnolia
--aud patch from 4:05 to end in Around & Around (due to some dropouts and a large number of digisnits)
part of The Music Never Stopped Project 2002
Thanks to Mike Tausig for the DAT>CD transfer of the SBD portion
Thanks to Jack Warner for the DAT>CD transfer of the AUD portion
edits/encoding by Scotsman |
|
01/22/78
|
McArthur Court, University Of Oregon |
Aud |
3 |
A+ |
Matrix
2nd set only |
|
02/01/78
|
Uptown Theater |
WMA |
2 |
|
Source: MSR>C>DATs>CDRs>EAC>SHN
EAC/shorten by Mike (dankstar) Parillo
Questions/comments? email dnsacks@usa.net |
|
04/06/78
|
Curtis Hixon Convention Hall |
WMA |
3 |
|
Source: mSR -> PCM -> DAT 48k > CD-R
DAT -> Turtle Beach Fiji Digi I/O -> AFResamp -> wav2cdr -> CDR
Problems: missing Bertha opener
|
|
04/07/78
|
The Sportatorium |
WMA |
3 |
|
Source:
7" Two Track Reel@ 7 1/2 ips>PCM501ES @44.055kHz>PCM analog out>
DAT@48kHZ>Tascam DA-20MKII(playback only)>RME Digi96/8>
Steinberg's Wavelab 3.0 (resampling & editing)>CDWav beta1.6
(tracking only)>SHNv3 (MKW ACT)
Source DAT via Joe Samaritano
DAT>Shn conversion, ditital editing via Charlie Connor
Seeded to fungus and abgd by Charlie Connor 6/26/02
Thanks Joe for this Show!!!!
Sector boundaries verified with Shntool
Flaws:
d2t07 - Drop out edited and is now transparent, I think. We did a pretty
thorough search and believe that the drop out in playin exists on all
circulating copies. Yikes, That's a bold statement. Please email me
at crconnor@optonline.net if you have a copy without the d/o.
Everything thing else is simply perfect!! |
|
04/08/78
|
Veterans Memorial Coliseum |
WMA |
2 |
|
transferred and seeded to etree by mike lai.
thanks to dr. bruce fried for lending me his dat.
any questions or info send to usalai@nycap.rr.com
stellablue.etree.org |
|
04/10/78
|
Fox Theater |
WMA |
3 |
|
Recording Info:
SBD -> Rm -> PCM -> Dat
Transfer Info:
Dat (Tascam DA20) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> EAC (Secure)-> Samplitude v6.0 -> SHN
2 Discs SHN / 3 Discs Audio
All transfers and editing done by Charlie Miller
charliemiller87@earthlink.net
6/18/03
Notes:
Samplitude was used to normalize and re-track each disc,
and to clean up what sounded like pauses on either the Master Reel or PCM.
Soundcheck:
d3t07 - Salt Lake City
SHNTOOL OUTPUT:
length expanded size cdr WAVE probs filename
5:10.55 54813404 --- -- --- gd78-04-10d1t01.wav
6:53.55 72982604 --- -- --- gd78-04-10d1t02.wav
8:46.70 92951084 --- -- --- gd78-04-10d1t03.wav
10:28.58 110915660 --- -- --- gd78-04-10d1t04.wav
6:46.07 71634908 --- -- --- gd78-04-10d1t05.wav
4:43.21 49970636 --- -- --- gd78-04-10d1t06.wav
5:10.11 54709916 --- -- --- gd78-04-10d1t07.wav
1:49.24 19284092 --- -- --- gd78-04-10d1t08.wav
10:34.25 111896444 --- -- --- gd78-04-10d1t09.wav
5:28.37 57946268 --- -- --- gd78-04-10d1t10.wav
2:20.68 24855980 --- -- --- gd78-04-10d2t01.wav
8:16.59 87633212 --- -- --- gd78-04-10d2t02.wav
9:21.22 99012188 --- -- --- gd78-04-10d2t03.wav
2:16.10 24013964 --- -- --- gd78-04-10d2t04.wav
6:57.22 73610588 --- -- --- gd78-04-10d2t05.wav
7:30.72 79549388 --- -- --- gd78-04-10d2t06.wav
12:19.37 130446668 --- -- --- gd78-04-10d3t01.wav
15:31.01 164230796 --- -- --- gd78-04-10d3t02.wav
16:03.31 169946156 --- -- --- gd78-04-10d3t03.wav
11:49.67 125225228 --- -- --- gd78-04-10d3t04.wav
9:34.09 101274812 --- -- --- gd78-04-10d3t05.wav
5:52.60 62233964 --- -- --- gd78-04-10d3t06.wav
3:04.47 32568188 --- -- --- gd78-04-10d3t07.wav
176:50.43 1871706148 B (totals for 23 files)
MD5:
ef1fdb29a1d626073ea0feddf25aa645 *gd78-04-10d3t07.shn
7c6c7e802b6d7e14325a688ec048a533 *gd78-04-10d1t02.shn
dddb9004d5cc6526415c04d9e74cc2ca *gd78-04-10d1t03.shn
8118f495854ac990af4896fb959772b3 *gd78-04-10d1t04.shn
7a36bb562b621519acf537d708b2a422 *gd78-04-10d1t05.shn
20eb75f2ea0b2e9259e396f79d79d1ee *gd78-04-10d1t06.shn
2ffe699c607fa067122c71dcb0bcaaef *gd78-04-10d1t07.shn
887e419bffdd456727745fbbe7c965dc *gd78-04-10d1t08.shn
b922b748dfe92862fe65388bd891e2a5 *gd78-04-10d1t09.shn
d3b684d8eb75d15142f5850427af5038 *gd78-04-10d1t10.shn
2dc71ceff47f9b39080831b50f5a17c0 *gd78-04-10d2t01.shn
c252e93a50548168ec30e13d6f645b61 *gd78-04-10d2t02.shn
f97a0a99de07ab83ca83ae3861ce86eb *gd78-04-10d2t03.shn
bb3e96b3f0c54aff8b639ef3a424a78b *gd78-04-10d2t04.shn
c01ec18045a5a5b854d746dcc54eb696 *gd78-04-10d2t05.shn
9455744ca2ddfb087bdf5915fa02eaf0 *gd78-04-10d2t06.shn
4bff9398158a4965b2181acfc1a25117 *gd78-04-10d3t01.shn
95f7a01fab1f08b66c45c439830a8ad9 *gd78-04-10d3t02.shn
6d87b7a8f1272e565044e446b6c7ed09 *gd78-04-10d3t03.shn
4ec461183ec2fd0023292ef1814ccefe *gd78-04-10d3t04.shn
247c4b713dc3df18e0cca51f1c765267 *gd78-04-10d3t05.shn
435b0817dfd340e674e6a223b78d4f2a *gd78-04-10d3t06.shn
6343deb1444f8d4ad963590140730fed *gd78-04-10d1t01.shn |
|
04/11/78
|
Fox Theater |
WMA |
3 |
|
Recording Info:
SBD -> Rm -> PCM -> Dat
Transfer Info:
Dat (Tascam DA20) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> EAC (Secure)-> Samplitude v6.0 -> SHN
2 Discs SHN / 3 Discs Audio
All transfers and editing done by Charlie Miller
charliemiller87@earthlink.net
6/19/03
|
|
04/12/78
|
Cameron Indoor Stadium, Duke University |
WMA |
3 |
|
Bertha Remaster of Master Reel source.
SBD>>MR>>PCM>>DAT>>CDA(Toast)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+ |
|
04/14/78
|
Cassell Coliseum, Virginia Polytechnic |
WMA |
3 |
|
Betty's 7 inch, 2 track, Master Soundboard Reels> PCM x2> DAT> CDR
there is a drop out, followed by a short digi-snit, in Johnny B. Goode
at approximately the 0:28 mark
CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
12/24/01
|
|
04/16/78
|
Huntington Civic Center |
shn |
2 |
A+ |
small splice in Samson & Delilah @ 3:30 |
|
04/16/78
|
Huntington Civic Center |
WMA |
2 |
|
Source :
SBD>R2R>PCM>DAT>CDR>SHN
Seed to Etree by : cvinci1@nycap.rr.com
Thanks to Mike Lai for the seed!
**
additional info added to newsgroup 2/01 posting:
Note: static for a few seconds at the beginning of Sunshine Daydream. Posted to abgd.highspeed by breaker 02/2001 |
|
04/18/78
|
Civic Arena |
WMT |
3 |
|
SBD>MC(?)>?>C>CD>EAC>SHN (several analog generations)
patched with:
Caveat:
This SBD has multiple generations and is therefore rather muddy. As of December 2002, the SBD of this show had not circulated on disc/in SHN, and most analog copies are rather degraded. This show was probably also mastered on cassettes instead of reels.
Notes:
--audience patch for the final minute of Loser
--audience patch in Drums from 16:27 to 18:20 (end)
--audience patch up to 0:37 in Samson
--Sound Forge was used for normalization and a slight pitch correction
part of The Music Never Stopped Project 2002
Thanks to Joey Browning, Matt Vernon, & Raoul Duke
edits/encoding by Scotsman |
|
04/19/78
|
Veterans Memorial Hall |
Aud |
3 |
A+ |
Matrix |
|
04/19/78
|
Veterans Memorial Hall |
WMA |
3 |
|
MSR> DAT > Sonic > CD mastered by David Gans
Source shns from Bob Murphy
Partial Retracking with CDWAV by Darrin
|
|
04/21/78
|
Rupp Arena, University Of Kentucky |
WMA |
3 |
|
SBD>MR>C>D>CD>EAC>SHN
patched with: AUD>MC>R>D>CD>EAC>SHN
Notes:
--most of Dire Wolf is missing
--audience patch from 7:39 to 8:48 in Drums
--audience patch from 0:30 to end for Werewolves
--U.S. Blues is missing from both the SBD and Aud recordings. (there may be a rare aud that is complete somewhere out there)
--Sound Forge was used for a pitch correction throughout the SBD
--levels fell a number of times from Mexicali through Row Jimmy, and were steadied using Sound Forge
--this show may have been mastered on cassette instead of reels
part of The Music Never Stopped Project 2002
Thanks to Jim Ballinger & Jeff Cook
edits/encoding by J. Scotsman |
|
04/24/78
|
Horton Field House, Illinois State University |
Aud |
3 |
A+ |
Matrix |
|
04/24/78
|
Horton Field House, Illinois State University |
WMA |
3 |
|
Lineage: SBD Master Cass>DAT>Cass>DAT>CD>EAC>SHN
Remaster: SHN>WAV>CE2K>CDWAV>SHNTOOL>mkwACT
Notes:
-Source discs from David Hollister 8/17/03.
-cut in Around and Around at 3:10 also present in shnid=3296.
-Remaster by MattMan (mcoleATsun.science.wayne.edu)
-Remaster: pitch-correcting (original source pitched too high), noise reduction (nice sample of cassette hiss available), fades, 250ms edit in drums to make discs 2 and 3 seemless.
-All things considered, this source is much cleaner and clearer and then shnid=3296.
Enjoy! Peace. MattMan. November 2003.
C:\shn>shntool len *shn
length expanded size cdr WAVE probs filename
6:29.64 68770172 --- -- -xx gd1978-04-24d1t01.shn
8:07.30 85977404 --- -- -xx gd1978-04-24d1t02.shn
0:19.74 3525692 --- -- -xx gd1978-04-24d1t03.shn
3:09.53 33464300 --- -- -xx gd1978-04-24d1t04.shn
6:28.61 68586716 --- -- -xx gd1978-04-24d1t05.shn
10:04.55 106675004 --- -- -xx gd1978-04-24d1t06.shn
5:26.66 57661676 --- -- -xx gd1978-04-24d1t07.shn
6:24.35 67819964 --- -- -xx gd1978-04-24d1t08.shn
5:57.07 62991308 --- -- -xx gd1978-04-24d1t09.shn
8:06.15 85765724 --- -- -xx gd1978-04-24d1t10.shn
8:53.62 94167068 --- -- -xx gd1978-04-24d1t11.shn
14:42.17 155624828 --- -- -xx gd1978-04-24d2t01.shn
11:07.51 117778796 --- -- -xx gd1978-04-24d2t02.shn
7:38.56 80922956 --- -- -xx gd1978-04-24d2t03.shn
10:40.47 113006588 --- -- -xx gd1978-04-24d2t04.shn
13:17.08 140609660 --- -- -xx gd1978-04-24d3t01.shn
6:58.17 73775228 --- -- -xx gd1978-04-24d3t02.shn
11:02.68 116936780 --- -- -xx gd1978-04-24d3t03.shn
11:44.71 124352636 --- -- -xx gd1978-04-24d3t04.shn
6:46.24 71674892 --- -- -xx gd1978-04-24d3t05.shn
7:48.15 82590524 --- -- -xx gd1978-04-24d3t06.shn
171:15.71 1812677916 B (totals for 21 files, 0.5826 overall compression ratio) |
|
05/07/78
|
Field House, Rensselaer Polytechnic Institute |
WMA |
3 |
|
SBDMC>PCM>DAT>CD w/Aud MC>DAT>CD
CD > EAC(secure) > Cool Edit (some minor fixes, see notes) > mkwact(seekable)
shn conversion mvernon54@attbi.com
thanks to Jeff Cook for the cd's
Notes:
d1t7 aud patch from 7:10 thru 9:20
d2t1 ~0:40 - 0:4 skip, 1:30 minor static, 3:48 static/glitch?
d3t1 2:41 drop out and/or cut
d3t2 3:58 drop out, 6:57 drop out
d3t4 1:38-1:40 drop out, 5:22 very brief drop out
d3t4 aud patch 9:22 thru 9:26 and from 10:55 on
d3t5 8:40 2 sec gap
d3t6 4:40 warble
shntool confirms tracks on sector boundaries
uploaded to jerry's kids 3/02 |
|
05/11/78
|
Springfield Civic Center |
Aud |
3 |
A+ |
SBD |
|
05/16/78
|
Uptown Theater |
Aud |
3 |
A+ |
|
|
05/17/78
|
Uptown Theater |
Aud |
3 |
A |
missing 2nd set |
|
06/25/78
|
Autzen Stadium, University Of Oregon |
WMA |
2 |
|
SBD>MC>?>D>CD>EAC>SHN
*with Ken Babbs and The Thunder Machine
There is some noticeable oversaturation during the 2nd set. There may or
may not be an anolog cassette generation before the transfer to digital.
thanks to P. Hartman
edits/encoding J. Cotsman |
|
07/07/78
|
Red Rocks Amphitheatre |
WMA |
3 |
|
SBD>MR>?>DAT
DAT>CD>EAC>SHN conversion & upload by AJ - a2k@pacbell.net - 3/5/00
known flaws -
d3t02 d/o @ 10:14
Note summary of J. Palmer's and AJ's reports: This is not in stereo: the same channel
is spread over both using a splitter technique. The channel that should contain Keith,
half of Jerry, Billy, and possibly some of Phil, is missing; Keith is minimally audible.
This the only SBD source available. If you have a superior source, please contact
Jason Palmer and/or Adam Jerugim . |
|
07/08/78
|
Red Rocks Amphitheatre |
Aud |
3 |
A+ |
Matrix
missing 3rd set |
|
07/08/78
|
Red Rocks Amphitheatre |
WMA |
3 |
|
Source: SBD> [?]> DAT>CDR
Notes: No known flaws.
|
|
08/30/78
|
Red Rocks Amphitheatre |
Aud |
3 |
A |
|
|
08/30/78
|
Red Rocks Amphitheatre |
WMA |
2 |
|
Source: SBD>MC>DAT>CDR
Notes
First of three performances of
"If I Had The World To Give"
a portion of Drums may be overlapped between the 2 discs.
Deadlists does not provide accurate drums timing at this time
(info compiled Jan '02).
Seeded by Charlie Miller
shn'd off the "World to Give" Vine
discs eventually contributed by Cozmcchuck
EAC>SHN Transfer by Steve Barbella
EAC=secure test and copy, no errors, offsets config'd
MKW v.97 seek enabled
sectors confirmed via shntool |
|
09/14/78
|
Gizah Sound and Light Theater |
WMA |
3 |
|
Recording Info:
SBD -> Master Reel (Multitrack) -> Cassette -> Dat (48k)
Transfer Info:
Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus ->
Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN)
Transfered By Charlie Miller
charliemiller87@earthlink.net
2/1/04
Notes:
-- This source info is correct, believe it or not.
Notes:
* with Hamza el-Din
SHNTOOL OUTPUT:
length expanded size cdr WAVE probs filename
38:23.42 406348028 --- -- --- gd78-09-14d1t01.wav
12:00.63 127156220 --- -- --- gd78-09-14d1t02.wav
3:23.69 35971532 --- -- --- gd78-09-14d1t03.wav
7:58.47 84429788 --- -- --- gd78-09-14d1t04.wav
5:42.71 60495836 --- -- --- gd78-09-14d1t05.wav
8:41.37 91991468 --- -- --- gd78-09-14d2t01.wav
4:03.20 42912284 --- -- --- gd78-09-14d2t02.wav
6:01.73 63852140 --- -- --- gd78-09-14d2t03.wav
13:46.71 145873436 --- -- --- gd78-09-14d2t04.wav
8:08.43 86184380 --- -- --- gd78-09-14d2t05.wav
11:03.19 116997932 --- -- --- gd78-09-14d2t06.wav
10:08.59 107390012 --- -- --- gd78-09-14d2t07.wav
7:03.02 74621948 --- -- --- gd78-09-14d3t01.wav
7:20.14 77648972 --- -- --- gd78-09-14d3t02.wav
9:46.22 103422188 --- -- --- gd78-09-14d3t03.wav
9:29.10 100395164 --- -- --- gd78-09-14d3t04.wav
11:07.36 117743516 --- -- --- gd78-09-14d3t05.wav
6:04.02 64214348 --- -- --- gd78-09-14d3t06.wav
180:14.25 1907649192 B (totals for 18 files)
MD5:
8aeb0a6d930c15ce9f0449f9dc2ba73f *gd78-09-14d1t01.shn
d0076f075eda3963abf7005b287e2289 *gd78-09-14d1t02.shn
96caf3800ff2fee7348f8426925d7322 *gd78-09-14d1t03.shn
e37867edf272b5af261e6382faa2caa4 *gd78-09-14d1t04.shn
d685fc6fe01a211822ae4bde94cebef0 *gd78-09-14d1t05.shn
d6d94d1bc59a0be4caf4897bd75169c0 *gd78-09-14d2t01.shn
4de4da93dc48141e4a84da245ba5a112 *gd78-09-14d2t02.shn
a435a3fc166418de40a0cbb326ca4df5 *gd78-09-14d2t03.shn
c4ad264598f8ef470952e865ec8cfdc7 *gd78-09-14d2t04.shn
298fd1829d57354ecac81fa2ca0935c4 *gd78-09-14d2t05.shn
db4fee010b69ef9bbc44e8e5ef7005da *gd78-09-14d2t06.shn
666c91958525a70b96148336cf6464f8 *gd78-09-14d2t07.shn
d17d4f8be191381a4485fa8a473dbdc5 *gd78-09-14d3t01.shn
8077b2cf82a6b5c96440b80ba2a3021a *gd78-09-14d3t02.shn
0055f103e04790a06cb767136f85b19c *gd78-09-14d3t03.shn
e7db678c960351a4b81d6d9b46e18d9a *gd78-09-14d3t04.shn
d449ee9d27121449253fdaa113168106 *gd78-09-14d3t05.shn
87716456c4328f7dec8a17c02ea141c1 *gd78-09-14d3t06.shn
3168106 *gd78-09-14d3t05.shn
87716456c4328f7dec8a17c02ea141c1 *gd78-09-14d3t06.shn |
|
09/16/78
|
Gizah Sound and Light Theater |
WMA |
3 |
|
Source:
SBD Reel > DAT > Montego II Plus > CDRWAV > CD-R > SHN
Missing from my source is Set 2 Sunrise |
|
10/17/78
|
Winterland Arena |
Aud |
2 |
A+ |
Matrix |
|
10/17/78
|
Winterland Arena |
WMA |
3 |
|
Source: SBD:Master Reel>PCM>DAT>CD>(EAC)WAV>SHN
NOTES:
One splice in Eyes
U.S. Blues cuts off missing approximately 45 seconds |
|
10/20/78
|
Winterland Arena |
WMA |
3 |
|
sdb
transferred and seeded to etree by mike lai.
thanks to dr. bruce fried for lending me his dat.
any questions or info send to usalai@nycap.rr.com
stellablue.etree.org |
|
10/21/78
|
Winterland Arena |
WMA |
3 |
|
sbd>mr>dats>wave>shn
thanks to michael grossman for the dat
dat>wave>shn by popi n. feeldz
(1) with Hamza el-Din
(2) Sugaree cuts off the end
(3) with Lee Oskar on harmonica.
(4)unkown patch for the end of Stella blue and beginning of Sugar Magnolia |
|
11/18/78
|
Uptown Theater |
Aud |
3 |
A |
Matrix |
|
11/18/78
|
Uptown Theater |
WMA |
3 |
|
Tha audience recording is used to patch:
--the final few seconds of El Paso that were cut on the sbd
--a sbd cassette flip in Fire On The Mountain from 3:25-->4:15
--a sbd cassette flip in Drums from 6:00-->6:25
Notes:
--Jack Straw cuts in at "right outside the fence". Both the sbd and aud sources are cut at the beginning of the show, so there is no available patch.
--Sound Forge was used for normalization and for a small adjustment in the pitch
part of The Music Never Stopped Project 2002
Thanks to Mike Tausig and Tim Wiley
edits/encoding by Scotsman |
|
11/20/78
|
Cleveland Music Hall |
Aud |
2 |
A |
Matrix |
|
11/20/78
|
Cleveland Music Hall |
Aud |
2 |
A- |
Aud |
|
11/20/78
|
Cleveland Music Hall |
WMA |
3 |
|
SOURCES
SBD #1: SBD> ??> CAS> CD> EAC> WAV. A/D conversion by Steve Milewski via Nak BX300> Tascam CDRW700 standalone audio unit. Extraction by Conley Knott via EAC (logs report peak levels 100%, track quality 100% and no errors). This source is new to etree with this seed. Supplies set one.
SBD #2: MSR> CAS> LYNXONE 24 Bit A/D Converter> CD> SHN> WAV. First seeded by Marshall Mcleod [etree shn id 301]. Supplies most of set two.
SBD #3: MSC> CAS> DAT> CD-R> EAC> SHN> WAV. This seems to derive from the same orginal source as SBD #2 but have a different lineage (some distinctive cuts are identical while other cuts appear in different places; also SBD #3 has slightly higher hiss). First seeded by Art Cohen? [etree shn id 12947]. Supplies one set two patch.
AUD: MAC (believed to be via Nak 300s)> R1> R2> (possibly R3>) DATs> CDRs> EAC> SHN> WAV. A/D conversion by Rob Bertrando, and first seeded by Darrin Sacks [etree shn id 302]. Probably derives from the tape originally recorded by Hugh Barroll. Supplies several set two patches.
All timings are rounded down to the nearest full second.
TRACKING NOTE: Above tracking accommodates 74 minute CDs. Each set clocks in well under 80 minutes, so those who choose can use two 80 minute CDs, with each set on its own CD. File names include "s1" and "s2" extensions (set 1 and set 2) to simplify burning to 80 CDs.
EDITING NOTES: Sound Forge XP 4.5 was used for edits as noted below, and to recompile the wavs into a single wav file in preparation for final retracking. CDWav was used to cut tracks along sector boundaries. shntool was used to confirm all wav files were cut on sector boundaries. mkwACT was used to convert shn>wav, wav>shn, and create the md5.
1. Entire first set: reduced pitch by -.566 semitones throughout set one to bring the pitch of SBD #1 within 0.03% of SBD #2 (using the Peggy-O on each source for direct comparison)
2. Half Step: attenuated severe mixing problems by significantly raising amplitude of first ~4.5 secs (which was inaudible on source CD); and lowering amplitude less drastically for the next ~1.5 secs
3. LL Rain: attenuated cassette tape flip @4:55 by splicing the two segments almost flush (no cross fade or overlap). The segment before the splice was unaltered, and the segment after the splice was softened with a short fade-in.
4. tuning: entire track supplied by AUD
5. Jam #1: first ~50 secs patched by AUD
6. Jam #1: 1:26 to 1:52 patched by SBD #3
7. Jam #1: last 0:11 patched by AUD (patch starts @8:02)
8. Drums: entire track supplied by AUD
9. Jam #2: first 0:05 patched by AUD
10. Playin (reprise): last 4:29 patched by AUD (patch starts @1:46)
11. Around: entire track supplied by AUD
KNOWN FLAWS REMAINING: (1) The first 3 notes of Half Step are missing; (2) Distortion is present in first ~4.5 seconds of Half Step, where amplitude was raised as much as possible; (3) Most mix problems were left untouched, and persist through the first two songs of set one [Half Step> Franklin's]. The levels are re-adjusted several times before settling on a satisfactory mix partway through Franklin's; (4) A cut in LL Rain remains at the cassette tape flip. Probably ~2 seconds are missing.
ACKNOWLEDGEMENTS: Mahalo to Steve Milewski for answering a stranger's e-mail and supplying SBD #1. Thanks also to Torbjˆrn Olofsson [http://tol.etree.org:8888/], to whom an immeasurable debt of gratitude is owed by many. He provided the shn sets of the SBD #2, SBD #3, and AUD sources. Finally, thanks to all of the unnamed (and unknown) people who contributed in getting these sources to this point.
Compiled, edited, shn'd and seeded to etree by Conley Knott.
January 11, 2004
* Source update: Jack Warner reports the AUD on this seed does not derive from Hugh Barroll's tape. Jack bases this on his personal comparison between Hugh's source and this AUD. -- Conley (1.19.2004) |
|
11/23/78
|
Capital Centre |
WMA |
3 |
|
SBD>MR>R>C>D>CD>EAC>SHN
patched with: AUD>MC>D>CD>EAC>SHN
AUD source provides:
--Stagger Lee--> Tennessee Jed
--TMNS
--FOTD
--Terrapin
--Drums/Space
--Around-->U.S. Blues
Notes:
--several of the first set songs are clipped at the beginning from the AUD recording
--Tennessee Jed cuts out at least a minute before the end
--tape wear during first few seconds of Samson
--Sound Forge was used for normalization and pitch correction on SBD portions
Part of The Music Never Stopped Project 2003
Thanks to Jools and T. Wiley
edits/encoding by JCotsman |
|
12/12/78
|
Jai-Alai Fronton |
WMA |
2 |
|
SBD>MR>C>D>CD>EAC>SHN
patched with AUD>MC>SHN
AUD patches:
--tuning (d1t01)
--0:00 to 0:09 in LLR
--0:00 to 0:04 in Stagger Lee
--0:00 to 0:06 in Bertha
--0:14 to 0:31 in GDTRFB
Notes:
--there is some degradation in places throughout the show. It seems possible that this show could have been mastered on cassettes instead of reels, though no info has ever mentioned so.
--dropout/glitch at 9:22 in Franklin's fixed with alternate SBD patch
--sound problems during Bertha (panning and degradation)
Thanks:
--original SBD SHNs seeded by Scott Clugston
--AUD portions recorded by Bob Wagner, encoded by David Minches
Part of The Music Never Stopped Project
2003 edits/encoding by JCotsman
ver Stopped Project
2003 edits/encoding by JCotsman
n |
|
12/13/78
|
Curtis Hixon Convention Hall |
WMA |
2 |
|
Source:
SBD -> Cassette Master > Cassette > Reel > Dat > CD -> EAC -> WAV
Transfer Info:
WAV -> Samplitude v7.02 Professional -> SHN
Transfered and Edited By Charlie Miller
charliemiller87@earthlink.net 2/11/04
Notes:
-- Thanks to Darryl Hinko for the SBD source.
-- This is the same as Darryl's seed, except without the noise reduction.
Patch Notes:
Patched with Senn 441 -> Cm -> SHN & (3)Nakamichi 300/CP1 -> Cm -> SHN
d1t07 (Tennessee Jed) from 4:03 - 6:01
d2t01 (Tuning) the complete track
d2t02 (I Need A Miracle) first few seconds
d2t03 (Ship Of Fools) from approx 0:00 - 3:05
SHNTOOL OUTPUT:
length expanded size cdr WAVE probs filename
6:24.24 67794092 --- -- --- gd78-12-13d1t01.wav
9:13.31 97622156 --- -- --- gd78-12-13d1t02.wav
2:28.26 26168396 --- -- --- gd78-12-13d1t03.wav
5:51.31 61989356 --- -- --- gd78-12-13d1t04.wav
7:52.34 83340812 --- -- --- gd78-12-13d1t05.wav
6:36.23 69908540 --- -- --- gd78-12-13d1t06.wav
8:52.54 93971852 --- -- --- gd78-12-13d1t07.wav
9:19.10 98631164 --- -- --- gd78-12-13d1t08.wav
8:22.13 88583420 --- -- --- gd78-12-13d1t09.wav
6:17.50 66620444 --- -- --- gd78-12-13d1t10.wav
6:27.64 68417372 --- -- --- gd78-12-13d1t11.wav
0:32.36 5729516 --- -- --- gd78-12-13d2t01.wav
7:07.70 75487484 --- -- --- gd78-12-13d2t02.wav
9:16.40 98172524 --- -- --- gd78-12-13d2t03.wav
13:05.16 138511676 --- -- --- gd78-12-13d2t04.wav
7:43.44 81776732 --- -- --- gd78-12-13d2t05.wav
2:58.24 31455692 --- -- --- gd78-12-13d2t06.wav
11:10.48 118300940 --- -- --- gd78-12-13d2t07.wav
9:49.05 103911404 --- -- --- gd78-12-13d2t08.wav
4:06.08 43413260 --- -- --- gd78-12-13d2t09.wav
8:23.69 88891532 --- -- --- gd78-12-13d2t10.wav
0:38.09 6724412 --- -- --- gd78-12-13d2t11.wav
4:18.52 45633548 --- -- --- gd78-12-13d2t12.wav
156:56.31 1661056324 B (totals for 23 files)
MD5:
d75d0947a2532e12953aeaaa12e4f23f *gd78-12-13d1t01.shn
edc0476f0c59c8644a24fcb97b9d44ad *gd78-12-13d1t02.shn
3ca516778c19c2507d7bf06c824ba741 *gd78-12-13d1t03.shn
34592943b7f280cb7edd8560ec40ee17 *gd78-12-13d1t04.shn
9cd1c5c83a461a7d6a160301a2a4f573 *gd78-12-13d1t05.shn
089ff2023167e1f40a00318ee4fd4140 *gd78-12-13d1t06.shn
44f7edf3a50e8e1c04467e24ee9b0fdb *gd78-12-13d1t07.shn
eb59cb5c9250ccb25dd6ee04a31b136c *gd78-12-13d1t08.shn
ec810c84a8710bc0321152edf26b24a4 *gd78-12-13d1t09.shn
0967b6c32663ca2b6a3fd1d265aaf99c *gd78-12-13d1t10.shn
11eb4b5f0ccd88a108fa13e9b3969c28 *gd78-12-13d1t11.shn
e5bc606bdf33e364104ea32aed0ab82b *gd78-12-13d2t01.shn
c78a580b62fa8a3ceab1fa0bd72c3f60 *gd78-12-13d2t02.shn
97614001b6f6a8c63590364a8d0b366a *gd78-12-13d2t03.shn
474c86d5ea8735b1062dbfc8bc9c036a *gd78-12-13d2t04.shn
e34ba735e5c19cf1f2c20e7acd3c0b41 *gd78-12-13d2t05.shn
08d86b570a021dfe1b000c2ff82da89e *gd78-12-13d2t06.shn
c33a1fa8b5d8ac0b3e649065b774ac78 *gd78-12-13d2t07.shn
29e0fcb6813debf6da46d30688e17f03 *gd78-12-13d2t08.shn
a76e2931bffe91d40c5e19e30fbc67dc *gd78-12-13d2t09.shn
04cfa9bdc380f5e37a655854e1e6ba84 *gd78-12-13d2t10.shn
1b846ebb6d24c1172cb5415a92252f46 *gd78-12-13d2t11.shn
e4719eb8169534a1ae26f79648fbe6d8 *gd78-12-13d2t12.shn |
|
12/17/78
|
Fox Theater |
WMA |
3 |
|
SBD>MR>R>C>D>CD>EAC>SHN
patched with AUD>MC>D>CD>EAC>SHN
The SBD of this show is slightly degraded. The AUD recording (mastered by Bob Wagner) used for the patches is good, though it has a fairly high amount of crowd noise.
Notes:
--level/mix fluctuations during Jack Straw
--Weir's microphone is very low at the start of Minglewood
--aud patch in Good Lovin' from 0:02 to 0:19
--aud patch in Eyes from 7:26 to 8:17
--aud patch in Drums from 7:33 to 11:47
--minor splice in Drums at 8:43
--audience recording supplies all of Sugar Magnolia and JBG
part of The Music Never Stopped Project 2002
Thanks to Mike Tausig and Chuck Kiefe
edits/encoding by JCotsman |
|
12/28/78
|
Golden Hall, Community Concourse |
WMA |
3 |
|
Master Soundboard Reel > Cassette > CDR
Cassette to CDR transfer by Dave Cohen via a LynxOne 24 bit A/D card > Wave Lab3
CD ReMastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
1/10/02
|
|
12/30/78
|
Pauley Pavilion, UCLA |
WMA |
3 |
|
Recording Info:
SBD>Rm>Reel>Cass>Dat
Transfer Info:
Dat(Sony R500)>Prodif Plus>Samplitude v6.0>SHN
(2 Discs SHN / 3 Discs Audio)
All transfers and edits by Charlie Miller
charliemiller87@earthlink.net
6/16/03
Notes:
-Aud patch supplies last 3 songs
-Most people list this as Rm>PCM>Dat>CD, they are wrong
-Normalized and tracked with Samplitude v6.0
Notes:
* With Hamza el-Din
SHNTOOL OUTPUT:
length expanded size cdr WAVE probs filename
6:28.27 68506748 --- -- --- gd78-12-30d1t01.wav
8:41.53 92029100 --- -- --- gd78-12-30d1t02.wav
2:28.47 26217788 --- -- --- gd78-12-30d1t03.wav
5:43.51 60625196 --- -- --- gd78-12-30d1t04.wav
8:40.26 91789196 --- -- --- gd78-12-30d1t05.wav
10:22.56 109852556 --- -- --- gd78-12-30d1t06.wav
6:58.12 73763468 --- -- --- gd78-12-30d1t07.wav
7:39.33 81045260 --- -- --- gd78-12-30d1t08.wav
11:33.27 122308748 --- -- --- gd78-12-30d1t09.wav
6:34.51 69621596 --- -- --- gd78-12-30d1t10.wav
12:51.61 136147916 --- -- --- gd78-12-30d2t01.wav
4:38.73 49210940 --- -- --- gd78-12-30d2t02.wav
4:38.72 49208588 --- -- --- gd78-12-30d2t03.wav
6:37.30 70101404 --- -- --- gd78-12-30d2t04.wav
9:21.50 99078044 --- -- --- gd78-12-30d2t05.wav
10:00.58 105976460 --- -- --- gd78-12-30d2t06.wav
14:15.14 150854972 --- -- --- gd78-12-30d2t07.wav
6:47.67 71952428 --- -- --- gd78-12-30d2t08.wav
8:57.22 94778588 --- -- --- gd78-12-30d2t09.wav
10:53.24 115245692 --- -- --- gd78-12-30d3t01.wav
13:35.56 143897756 --- -- --- gd78-12-30d3t02.wav
2:28.45 26213084 --- -- --- gd78-12-30d3t03.wav
7:47.30 82449404 --- -- --- gd78-12-30d3t04.wav
7:23.28 78211100 --- -- --- gd78-12-30d3t05.wav
6:33.03 69332300 --- -- --- gd78-12-30d3t06.wav
10:55.72 115711388 --- -- --- gd78-12-30d3t07.wav
4:43.61 50064716 --- -- --- gd78-12-30d3t08.wav
217:42.24 2304194436 B (totals for 27 files)
MD5:
677d3313ceafe2022df43f35d680894a *gd78-12-30d1t01.shn
6bfde033dd612be951005e3a5f550cd0 *gd78-12-30d1t02.shn
d4d18e636a1361921e2ab4d5e781a68a *gd78-12-30d1t03.shn
bf07672c48f6274a57efdc76fd459cb1 *gd78-12-30d1t04.shn
6dd2a2fca7671da3807fdede72935c66 *gd78-12-30d1t05.shn
0a958e274ad02ca6deff3f1df6965e81 *gd78-12-30d1t06.shn
f871ab2728f99b38cb2f9c106f29a0f6 *gd78-12-30d1t07.shn
6529030432872514e606de5020691e6b *gd78-12-30d1t08.shn
cdfc87d26e2619bfacaf2af6acb9717b *gd78-12-30d1t09.shn
ca9cd84d285ddf4282e6492e349e9591 *gd78-12-30d1t10.shn
4e46ad627eb6f230c9c14a776c79cd3e *gd78-12-30d2t01.shn
72f09ad32bdc2cf3a4a95c8c49aeb5af *gd78-12-30d2t02.shn
7af52ffe6848a57e4f2cc3fc1bcab664 *gd78-12-30d2t03.shn
3d768ae214e139563ad2a5612beb1153 *gd78-12-30d2t04.shn
9340f660c0799dfe4279dbf21e199d8e *gd78-12-30d2t05.shn
d1e4d85bea585f7dcdec38faf1654b22 *gd78-12-30d2t06.shn
548c82641cb243e4852a3ea440abe90f *gd78-12-30d2t07.shn
8505b5c58435213e2067d118c8bf4576 *gd78-12-30d2t08.shn
8df6d09525579087a090587bfeae342d *gd78-12-30d2t09.shn
9b8d3ac4176e324786a45005bb7e4a39 *gd78-12-30d3t01.shn
36f383cefcc072f61664631114c20e64 *gd78-12-30d3t02.shn
ff9039b2be14e4608967d31aeb99c19a *gd78-12-30d3t03.shn
b7025da95b2402722f814b69cb2e4c81 *gd78-12-30d3t04.shn
92aadd794b36d974f6a007365d404bc6 *gd78-12-30d3t05.shn
5d30b7798306bb62349eac5708392bbe *gd78-12-30d3t06.shn
1df5512676306058e175537b5bab993e *gd78-12-30d3t07.shn
68415104ddda0167f833ad4fae704e76 *gd78-12-30d3t08.shn
6.shn
1df5512676306058e175537b5bab993e *gd78-12-30d3t07.shn
68415104ddda0167f833ad4fae704e76 *gd78-12-30d3t08.shn
n
|
|
02/09/79
|
Soldiers & Sailors Memorial Hall |
Aud |
3 |
A- |
Aud |
|
02/11/79
|
Kiel Auditorium |
Aud |
2 |
A |
Aud |
|
02/17/79
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Source: SBD > Reel > DAT > TB Fiji (S/PDIF) > WAV > SHN
Source DAT supplied by Tim Buller, DAT > WAV transfer done
by Jeff Kempka (jeff@shakedown.etree.org).
The DAT was originally from the Family Tree Batch #6
NOTES:
- This was Keith and Donna's last show with the Dead.
- There are a few splices that were on the source DAT, but
I cleaned them up as best I could.
- Overall, a very good show :)
Enjoy :)
Jeff Kempka
jeff@shakedown.etree.org |
|
04/22/79
|
Spartan Stadium, San Jose State University |
WMA |
3 |
|
Set 1 Source: SBD>?>C>C>WAV>SHN
Set 2 Source: SBD MC>C>DAT>CDR>WAV>SHN
Set 1 cassette compliments of Not-so-big Dave Morris around 1990 (or 1998)
Set 2 audio CDs compliments of Jeffrey Smith (willihw_2000@yahoo.com) 08/02
EAC/SHN/retracking by jim@juddcreek.com 08/02 - 09/02
NOTES
: This is the complete show, including both encores
: Brent's first show
: First time Mickey used The Beast
: Set 1 is tracked for an 80-min CD
: 10 db hiss reduction applied in Cool Edit Pro to reduce non-trivial cassette hiss, on set 1 only. Where's that super-clean Betty Board?
: Fadeout at the end of disc 2 and beginning of disc 3 on source CDs
: 2nd set sounds significantly better than Set 1. Thanks, Jeffrey! Beware: Phil is rich in the mix (peaks a bit at times) |
|
07/01/79
|
Seattle Center Coliseum |
Aud |
3 |
A+ |
Matrix |
|
07/01/79
|
Seattle Center Coliseum |
WMA |
3 |
|
*comments: got this show in trade, didnt realize the 3rd disc hadnt been tracked.
altho im sure it will be by the time "you" read this. enjoy =)
SHNcoded by Dave Barrick
Hurtsme2@etree.org |
|
08/04/79
|
Oakland Auditorium Arena |
Aud |
3 |
A+ |
Matrix
missing 1st set |
|
08/04/79
|
Oakland Auditorium Arena |
WMA |
3 |
|
SBD>MC>C>DAT>CDR
Notes-
-First Althea and Lost Sailor
-Show Opener (Jack Straw); Missing per Deadlists
-d1t02 (Pre Mama Tried, Bob Talking); Subsecond d/o
-d1t05 (Minglewood); 1/2 second d/o @ 4:52
-d2t03 (Samson); Cuts (missing 5 seconds)
-d2t05 (Playin'); d/o @ 11:30 (MC Flip ?)
-d2t06 (Drums); d/o @ 10:06; This is also the disc break
-d3t01 (Space); Muffled @ 3:02
-I used CD Wave and Shntool to retrack and verify sb's, and CE2K for all editing.
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 05/23/02
Audio discs provided by Paul B
Another installment of The Music Never Stopped Project! |
|
08/05/79
|
Oakland Auditorium Arena |
WMA |
3 |
|
SBD>MC>C>DAT>CDR
Notes-
* with Hamza el-Din
-d1t03 (MAMU); d/o @ :46; 12 seconds missing
-d1t06 (All Over Now); d/o @ 8:13; 2-3 seconds missing
-d1t09 (Althea); Minor splice @ :04; Cuts @ 7:11
-d2t01 (Scarlet); Cuts @ 10:43
-d2t05 (Drums); d/o @ 10:27; This is also the disc break
-d3t03 (Wharf Rat); Splice @ :03; 2 1/2 minutes missing;
Cuts back @ 'Id come to no good'
-d3t06 (Good Lovin'); d/o @ :07, 1 second missing; d/o @ 1:09, 5 seconds missing; Static @ 3:14
-d3t07 (JBG); Cuts; Last minute missing
-I used CD Wave and Shntool to retrack and verify sb's, and CE2K for all editing.
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 05/23/02
Audio discs provided by Paul B
Another installment of The Music Never Stopped Project! |
|
08/12/79
|
Red Rocks Ampitheatre |
WMA |
3 |
|
Master Soundboard Cassette > Reel to Reel > PCM > CDR
CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
4/15/02
|
|
08/13/79
|
McNichols Sports Arena |
WMA |
3 |
|
Master Soundboard Cassette > Reel to Reel > PCM > CDR
Master Audience Cassette; Nakamichi CM700 mics > 1 Reel to Reel gen > DAT > CDR
source supplies the final 1:25 of "Friend of the Devil" (d1t06), the first 0:28 of "MInglewood
Blues" (d1t07), the "Tuning / Announcements" (d2t01), as well as the first 1:15
of "I Need A Miracle" (d2t02)
Patching / CD Re-Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
4/15/02
|
|
09/01/79
|
Holleder Memorial Stadium |
WMA |
3 |
|
Source: master SBD cassette (Dolby B) > cassette (Dolby C) > TC 2000 @ 24 bits > HHb 830
Patched wtih AUD>MC>DAT>CDR ( ShnId 10363 )
Eac(secure with proper offsets) > cool edit pro > cdwav > shn v3
Discs kindly provided by Zeb Weber via David Gans
Eac/Patch/shn by Ernie Dodd
-Notes-
--In order to match the pitch of the sbd, I combined the audience (shnid 10363) wav tracks with shntool (shntool join *.wav)
and stretched the large wav in cool edit pro by 102.73% with resampling so that neither the pitch or the time
was preserved. The resulting file matched the corresponding sbd large wav throughout the show
--*-Half-step---the beginning was patched with the pitched aud (shnid 10363)
--#-Me and My Uncle - tape stretch at 1:54 made less obvious by stretching the 2.5 second region by 97%.
--*- LLR---the beginning was patched with the pitched aud (shnid 10363)
--@-Dont Ease Me In---There is some static/feedback before and after Dont ease me in. This "noise" is present at various
places throughout the show. The first few notes of Dont Ease me In have some feedback in the cymbol mics leaving a
distorted sound. Bobby comments on the problem after the song.
--%-Fire on the Mtn.---Some clipping of the levels present.
--*-Space & Wharf Rat---I patched end of space/ beginning of Wharf rat transition with the pitched aud (shnid 10363)
--For fun, I added the aud of Phil's "That's all folks" to the end of the sbd.
An additional installment of The Music Never Stopped Project!
8/12/03 |
|
09/04/79
|
Madison Square Garden |
WMA |
3 |
|
Master Soundboard Cassette > Reel to Reel > PCM > CDR
Barry Glassberg's Master Audience Cassette; Nakamichi CM700 mics source supplies the
first 0:21 of "Jack Straw" (d1t01), the final 3:00 of "Minglewood Blues" (d1t07), the first 2:01
of "China Cat Sunflower" (d2t01), "Looks Like Rain" (d2t03) in its entirety, as well as
a patch in "Wharf Rat" (d3t05) from 2:37 thru 3:11
Patching / CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
4/16/02
|
|
09/05/79
|
Madison Square Garden |
WMA |
3 |
|
Master Soundboard Cassette > Reel to Reel > PCM > CDR
Barry Glassberg's Master Audience Cassette; Nakamichi CM700's source supplies
"Loser" (d1t07) and ""Promised Land" (d1t08) in their entirety, the first 1:18 of
"Scarlet Begonias" (d2t01), from 4:45 thru 7:12 of "Estimated Prophet" (d2t03),
from 7:29 thru 8:16 of "Eyes of theWorld" (d2t04), from 4:41 thru 5:03 of "Black Peter"
(d3t02), as well as from 3:02 thru 3:42 of "Bertha" (d3t04)
both the Soundboard and Audience sources are missing the begining of "Mississippi Half-step"
Patching / CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
4/19/02 |
|
09/06/79
|
Madison Square Garden |
WMA |
3 |
|
Master Soundboard Cassette > Reel to Reel > PCM > CDR
Barry Glassberg's Master Audience Cassette; Nakamichi CM700's source supplies
a patch in "Easy to Love You" (d2t03) from 1:14 thru 1:41
Patching / CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
4/19/02 |
|
10/27/79
|
Cape Cod Coliseum |
Aud |
3 |
A+ |
Matrix
missing 1st set |
|
10/27/79
|
Cape Cod Coliseum |
WMA |
3 |
|
Master Soundboard Cassette > Cass > DAT > CD
Source notes:
Patching and CD mastering by Scott Clugston
SHN and Upload by Steve Barbella - Dec 2002
(EAC Secure w/ no errors and offsets config'd)
(shns via MKW seek enabled, shntool verified sb's were
fine)
Audience recording mastered by Steve Rolfe
(Nak CM300 > Sony TC-158) supplies the following
patches:
d1t01 Tuning - all
d1t02 Jack Straw - first few notes
d2t08 Minglewood - 3:20-4:09
d2t04 Dancin' - 10:29-11:09
d3t02 Other One - 5:47-7:23
Noted Flaws:
brown eyed - light snap at 2:06
dancin'- minor crackles 8:39-8:50
peter - light sizzle 0:56
Another installation of The Music Never Stopped
Project.
enjoy-
steve |
|
10/28/79
|
Cape Cod Coliseum |
WMA |
3 |
|
SBD : MC > R > DAT > CDR Beginning through Ship of Fools courtesy of Jim Wise
AUD : MC ( NAK 700's > TC-158 by Steve Rolfe) > DAT > CDR Playin' through end of show
From Peter Teitelbaum "p59teitel@aol.com " |
|
10/31/79
|
Nassau Veterans Memorial Coliseum |
WMA |
3 |
|
4/02 Complete Version
3x74
D1 (set 1) SBD>MR>C>DAT>CD
D2 (set 2a) SBD>MR>Dick Latvala's Cass>DAT>CD
D3 (set 2b) AUDMC (Nak 700's>Sony TC158)>DAT>CD
D2 (2/02) Notes for set 2a:
From 1:33 to 5:58 of Shakedown Street there is a level drop in the Right channel.
I used some FFT filters in Cool Edit Pro to make a version where the volume drop
is less jarring - however there is a significant increase in the hiss in the
Right channel.
I also retracked the Eyes>Space>Drums sequence. alimac@netcomuk.co.uk 19th Feb 2002
**Compiled & SHN'd by Dave Shepard (justdewit74@hotmail.com) 4/02
(thanks to my buddy Chuck Reynolds in Crested Butte, CO. for D1 & D3)
*D1 Flaws:
Tr1 /China Cat (beginning of intro-5-10 seconds in length)
Tr5 Couple of small dropouts/diginoise/power loss
Tr7 Big River/ (end of last verse-5-10 seconds in length)
*D2 4/02 Updated Notes:
I patched the Left channel onto the right channel from 1:33 to 5:58 of Shakedown Street. The paste is almost seamless, and makes the tune "just exactly perfect". Dave Shepard (justdewit74@hotmail.com)
*D3 AUDMC:
The vocals don't sound like they came from NAK 700's, but the music sure does!
|
|
11/01/79
|
Nassau Veterans Memorial Coliseum |
shn |
2 |
A+ |
Matrix |
|
11/01/79
|
Nassau Veterans Memorial Coliseum |
WMA |
3 |
|
Recording Info:
SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k)
Transfer Info:
Master Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus ->
Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN)
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
2/13/04 & 4/7/04
Notes:
This is the first time the Cassette Master has circulated.
I know that there is a copy that currently circulates listed as a Cassette Master,
but it is really from a 1st Gen Cassette. It is fast and has improper Dolby decoding.
Patch Info:
Master Audience Cassette; Nakamichi CM300 mics > Nakamichi 550 > CDR source
"Scarlet Begonias" (d2t01) From 0:00 thru 0:41
"Terrapin Station" (d3t01) From 0:00 thru 1:28
"Black Peter" (d3t05) From 7:30 thru 7:48
"Good Lovin'" (d3t06) From 2:41 thru 3:07
"US Blues" (d3t07) From 0:00 thru 0:04
SHNTOOL OUTPUT:
length expanded size cdr WAVE probs filename
8:27.70 89599484 --- -- --- gd79-11-01d1t01.wav
10:10.06 107618156 --- -- --- gd79-11-01d1t02.wav
2:36.54 27645452 --- -- --- gd79-11-01d1t03.wav
7:40.62 81289868 --- -- --- gd79-11-01d1t04.wav
9:07.70 96655484 --- -- --- gd79-11-01d1t05.wav
7:46.45 82308284 --- -- --- gd79-11-01d1t06.wav
7:37.62 80760668 --- -- --- gd79-11-01d1t07.wav
10:01.45 106122284 --- -- --- gd79-11-01d1t08.wav
6:22.22 67436588 --- -- --- gd79-11-01d1t09.wav
5:16.09 55763612 --- -- --- gd79-11-01d1t10.wav
4:31.18 47846780 --- -- --- gd79-11-01d1t11.wav
18:29.67 195785228 --- -- --- gd79-11-01d2t01.wav
20:50.15 220535324 --- -- --- gd79-11-01d2t02.wav
8:08.22 86134988 --- -- --- gd79-11-01d2t03.wav
12:53.44 136460732 --- -- --- gd79-11-01d3t01.wav
17:04.49 180748892 --- -- --- gd79-11-01d3t02.wav
4:58.00 52567244 --- -- --- gd79-11-01d3t03.wav
6:07.12 64767068 --- -- --- gd79-11-01d3t04.wav
11:35.24 122654492 --- -- --- gd79-11-01d3t05.wav
7:45.69 82188332 --- -- --- gd79-11-01d3t06.wav
5:40.24 60032492 --- -- --- gd79-11-01d3t07.wav
193:12.39 2044921452 B (totals for 21 files)
MD5:
9cf993b89d958e06596ab2cd6f0f4b66 *gd79-11-01d1t06.shn
b29ba407e9b390937e5d9d5e209cad32 *gd79-11-01d1t02.shn
748aecfcddee32d5d6dcec9f2ac57768 *gd79-11-01d1t03.shn
db23352a4a5895319c468626a12e6331 *gd79-11-01d1t04.shn
4c3fdf6ee517bd65c0fa394a0c96bb36 *gd79-11-01d1t05.shn
12c284e1fa5f3b7a2366d2edc2969d14 *gd79-11-01d1t01.shn
c8884f33f2041985ed69a17df2449ad0 *gd79-11-01d1t07.shn
fbb999b5532b406a3bbaff67b1008e7f *gd79-11-01d1t08.shn
7ba9741b46b5b67026cdf0c5eff6a289 *gd79-11-01d1t09.shn
e4574c2bfd91cd7506b3d96a1aabf536 *gd79-11-01d1t10.shn
163ffa12e6a34540e0fe5ee18368ddb3 *gd79-11-01d1t11.shn
9cdb855ab916c21b3da31980389af07a *gd79-11-01d2t01.shn
d3e1617ebdc6bbffe640923eafba1e38 *gd79-11-01d2t02.shn
893d86bbde39f49423c0e71b797cfaba *gd79-11-01d2t03.shn
0d6e3ac3f44acc4f8848b948e2ef9750 *gd79-11-01d3t01.shn
b130c4924bea3f45443fe9c4faf0d7f7 *gd79-11-01d3t02.shn
b88986085f22586a5ebed87eb05022d1 *gd79-11-01d3t03.shn
e99676f988ef1c1ad20e47a9936557cf *gd79-11-01d3t04.shn
07b33ece4b0489526d8ed4318cd0e8df *gd79-11-01d3t05.shn
57c68a564e070b17a0dc5eee948c583d *gd79-11-01d3t06.shn
18380d885ad276b304e811f37bb7a2d3 *gd79-11-01d3t07.shn
564e070b17a0dc5eee948c583d *gd79-11-01d3t06.shn
18380d885ad276b304e811f37bb7a2d3 *gd79-11-01d3t07.shn |
|
11/02/79
|
Nassau Veterans Memorial Coliseum |
WMA |
3 |
|
SBD>MR>Dick's cassette>DAT>CD.
aud patch for first 2 minutes of Mississippi 1/2 Step.
The source/lineage for this patch was not given.
alimac@netcomuk.co.uk
20th Feb 2002 |
|
11/05/79
|
The Spectrum |
WMA |
3 |
|
Sources:
SBD : MC > C > DAT > CD
and
AUD : MC (Nakamichi CM300 mics > Nakamichi 550) > C2 > CDR
supplies first 0:05 of "Stagger Lee"(d1t06),
a patch in "Estimated Prophet"(d2t04) from 1:49 thru 2:09,
as well as from 4:50 of "Lost Sailor"(d3t03) thru the end of the show.
Note: the original transcription was off-speed, approx. 4.5% slow, this version has been speed-corrected.
Yet another Winter '79 gem, in all it's patched/speed corrected glory. Enjoy!
Patching/CD Mastering by Scott Clugston
SHN'ed by Scott Clugston
Circulated 12/20/00
Additional editing by Alan J. Fink using Cool Edit on 2/18/02
AUD : MC (Nakamichi CM300 mics > Nakamichi 550) > C2 > CDR
supplies a patch in "Estimated Prophet"(d2t04) from 7:03:934 thru 7:04:914
"Franklin's Tower" (d2t05) overlap from 9:28:138 thru 9:38:720 removed
"Jam" (d2t06) overlap from 1:12:676 thru 1:13:031 removed
Sector boundary errors fixed by cwier60@yahoo.com for d2t04 & d2t05. Track markers moved for d2t06 & all zero-bytes removed from end (not cut on SB). |
|
11/06/79
|
The Spectrum |
WMA |
3 |
|
Master Soundboard Cassette > Cassette > DAT > CDR
The "blip" in "Candyman"(d1t06) and "Playin' in the Band"(d2t04), as well as the occassional crackle, are present on the master.
CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
Circulated 12/24/00
Yet another stellar Winter '79 show. Enjoy! |
|
11/08/79
|
Capital Centre |
WMA |
2 |
|
SDB>MR>D>CDR*
Notes:
-This shn set combines into a single seed the set 1 and set 2 shn sets previously seeded to etree as singles.
- * A note in the set 1 shn set text file dated 2/10/03 states: Revised source 02-10-03: SBD>Cm>Cass>Dat>CD.
Nothing is stated if this revised source info pertains to the second set also.
- The first few seconds of Minglewood Blues is missing
- Some digi-noise at the beginning of the audience cheering at the end of Stagger Lee
- The first few verses of It's All Over Now are probably missing
- Scarlet Begonias cuts in at: she had rings on her fingers ...."
- SHNTOOL used to correct SBEs and append a 4.0 second trk to the end of Johnny B. Goode
- CD Wave used to remove 1.49 seconds of digital dead air at the end of d2t6
Thanks to Charlie Teeple for the original shn discs
Edits/encoding by Dave Litfin ñ newpotato83@hotmail.com - 6/25/03
length expanded size cdr WAVE probs filename
9:28.60 100336364 --- -- -xx gd79-11-08d1t01.shn
11:38.46 123235436 --- -- -xx gd79-11-08d1t02.shn
2:39.67 28205228 --- -- -xx gd79-11-08d1t03.shn
6:18.66 66834476 --- -- -xx gd79-11-08d1t04.shn
7:51.35 83166764 --- -- -xx gd79-11-08d1t05.shn
6:51.43 72601580 --- -- -xx gd79-11-08d1t06.shn
7:32.13 79763420 --- -- -xx gd79-11-08d1t07.shn
4:58.26 52628396 --- -- -xx gd79-11-08d1t08.shn
8:35.02 90850748 --- -- -xx gd79-11-08d1t09.shn
5:29.23 58089740 --- -- -xx gd79-11-08d1t10.shn
71:24.06 755712152 B
(totals for 10 files, 0.6362 overall compression ratio)
length expanded size cdr WAVE probs filename
9:53.47 104715788 --- -- -xx gd79-11-08d2t01.shn
12:53.49 136472492 --- -- -xx gd79-11-08d2t02.shn
6:24.59 67876412 --- -- -xx gd79-11-08d2t03.shn
5:37.60 59587964 --- -- -xx gd79-11-08d2t04.shn
7:09.15 75710924 --- -- -xx gd79-11-08d2t05.shn
7:35.51 80381996 --- -- -xx gd79-11-08d2t06.shn
3:59.06 42173756 --- -- -xx gd79-11-08d2t07.shn
9:03.72 95954588 --- -- -xx gd79-11-08d2t08.shn
10:49.56 114615356 --- -- -xx gd79-11-08d2t09.shn
4:48.67 50960828 --- -- -xx gd79-11-08d2t10.shn
78:16.32 828450104 B
(totals for 10 files, 0.6010 overall compression ratio) |
|
11/09/79
|
Community War Memorial Auditorium |
WMA |
3 |
|
Lineage: SBD>MR>DAT>Sonic Solutions>CD
Comments:
Disk 1 Track 1 is Johnny B. Goode from 11/8/79
|
|
11/10/79
|
Crisler Arena |
WMA |
3 |
|
Master Soundboard Cassette > Reel to Reel > DAT> CDR
Audience source supplies "Cold Rain & Snow" (d1t01), "Minglewood Blues"
(d1t02),
"Peggy O" (d1t03), as well as the first 0:23 of "El Paso" (d1t04)
the first 15 seconds of the Soundboard source are muffled
the first few notes of "High Time" (d1t05) are missing
CD Re-Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
10/20/02
|
|
11/23/79
|
Golden Hall, Community Concourse |
WMA |
3 |
|
SBD:MC>Cas>DAT>CD, patches from 3rd generation reel source
|
|
11/25/79
|
Pauley Pavilion, UCLA |
WMA |
3 |
|
Lineage: SBD Cassmaster->PCM->DAT->CDRs->EAC->SHN (Unconfirmed)
Flaws: Small splices in The Other One and Bertha
Some digipops
I don't know who did the transfer since this went a long way
before me, but thanks to Cozmichuck for the seed, and whoever did the
transfers..
Dan (dneblank@yahoo.com)
|
|
11/29/79
|
Cleveland Public Hall |
Aud |
3 |
A+ |
Matrix
3rd set only |
|
11/29/79
|
Cleveland Public Hall |
WMA |
3 |
|
Master Soundboard Cassette > Cassette > DAT> Cassette > DAT > CDR
CD Mastering by Scott Clugston
SHN'ed by Scott Clugston
9/27/02
|
|
11/30/79
|
Stanley Theatre |
WMA |
3 |
|
Sources:
Master Soundboard Cassette > Cassette > DAT > CDR
Master Audience Cassette; Nakamichi CM700 mics > Sony TC-158 source supplies the audience patches in "El Paso" (d1t7) from 1:30 thru 2:33, in "Scarlet Begonias" (d2t3) from 10:47 thru 11:09, as well as from 11:51 of "Playin' in the Band" (d3t2) thru 4:59 of "Drums" (d3t3) - approx. 7:24
Disc 3 requires an 80 minute disc
Patching / CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
Circulated 1/01
Notes:
There was a .26 second drop-ot at 5:37 of Playing In The Band (d3t2) that I removed with Samplitude v7.02 professional. I also fixed the sbe's... cm 1/13/04
|
|
12/01/79
|
Stanley Theatre |
WMA |
2 |
|
Master Soundbaord Reel > Cassette > DAT > CDR
Legend has it that a handful of folks were allowed to plug into the soundboard for the 2nd set of this show, hence the "Master Soundboard Reel" pedigree, rather than the "Master Soundboard Cassette" provenance that the vast majority of soundboards for the Winter '79 Tour derive from. That's my story and I'm sticking to it.....
Also, this copy does not have the 10 second drop out in Looks Like Rain that seems to plague most circulating copies. Enjoy!
seeded by Scott Clugston |
|
12/03/79
|
Uptown Theater |
WMA |
3 |
|
SBD > Cassette Master > C0 > DAT > SHN (Latvala vault leak)
Notes:
All cuts were on the original. Apparently Betty was trying to conserve
cassette tape, so the first few seconds of some of the songs are
clipped. I faded in / faded out over these areas.
The levels were a bit low on the DATS from this show. I decided
not to digitally alter this show at all, and hence left the levels
alone. You'll just need to crank that volume knob up a bit higher for
most of the show. The encore is considerably louder than the rest of the
show.
No digital noise reduction algorithms were used to taint this show.
Leigh Orf
|
|
12/04/79
|
Uptown Theatre |
WMA |
3 |
|
lineage: Master Soundboard Cassette -> Cassette -> DAT
DAT -> CD -> EAC -> SHN conversion by Scott Clugston
Seeded to Etree 1/15/00 by AJ - a2k@pacbell.net - Enjoy!
known flaws:
Static (from SBDMC) in d1t3 0:32-0:35, 2:06
Static (from SBDMC) in d1t6 3:30-3:33, 4:01
Special thanks to Scott Clugston for helping get this seed out.
|
|
12/07/79
|
Indiana Convention Center |
WMA |
2 |
|
Recording Info:
SBD -> Master Cassette -> Cassette -> Dat (48k)
Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN
(2 Discs Audio / 2 Discs SHN)
Dat Supplied By Rob Eaton
Transferred By Charlie Miller
charliemiller87@earthlink.net
4/7/04
Notes:
-- I didn't want to use a 3rd disc just for the encore, so I put it at the end of the 1st Set.
SHNTOOL OUTPUT:
length expanded size cdr WAVE probs filename
0:39.04 6889052 --- -- --- gd79-12-07d1t01.wav
8:02.38 85114220 --- -- --- gd79-12-07d1t02.wav
9:04.36 96046316 --- -- --- gd79-12-07d1t03.wav
3:07.58 33123260 --- -- --- gd79-12-07d1t04.wav
6:41.58 70872860 --- -- --- gd79-12-07d1t05.wav
3:52.08 40943660 --- -- --- gd79-12-07d1t06.wav
5:33.04 58750652 --- -- --- gd79-12-07d1t07.wav
4:43.43 50022380 --- -- --- gd79-12-07d1t08.wav
3:27.29 36583052 --- -- --- gd79-12-07d1t09.wav
9:21.69 99122732 --- -- --- gd79-12-07d1t10.wav
10:32.24 111541292 --- -- --- gd79-12-07d1t11.wav
7:52.49 83376092 --- -- --- gd79-12-07d1t12.wav
0:45.09 7959212 --- -- --- gd79-12-07d1t13.wav
5:13.51 55333196 --- -- --- gd79-12-07d1t14.wav
6:11.29 65512652 --- -- --- gd79-12-07d2t01.wav
7:45.48 82138940 --- -- --- gd79-12-07d2t02.wav
12:26.70 131759084 --- -- --- gd79-12-07d2t03.wav
6:58.27 73798748 --- -- --- gd79-12-07d2t04.wav
5:51.15 61951724 --- -- --- gd79-12-07d2t05.wav
5:18.17 56135228 --- -- --- gd79-12-07d2t06.wav
7:49.21 82781036 --- -- --- gd79-12-07d2t07.wav
2:20.44 24799532 --- -- --- gd79-12-07d2t08.wav
10:56.32 115793708 --- -- --- gd79-12-07d2t09.wav
4:54.03 51868700 --- -- --- gd79-12-07d2t10.wav
4:50.50 51273644 --- -- --- gd79-12-07d2t11.wav
154:20.11 1633490972 B (totals for 25 files)
MD5:
1ecd92a293a167ded294a989c45f5cc0 *gd79-12-07d1t09.shn
0ae6fab62898768d839395dff802660e *gd79-12-07d1t02.shn
59a030803ac68685442b025f27503ed2 *gd79-12-07d1t03.shn
a539c4ed652898e2034af04b2cdda55d *gd79-12-07d1t04.shn
c8b97cb9c4e6a26060119284b16857da *gd79-12-07d1t05.shn
eac61c53b57ca68d8e9563a640961a1e *gd79-12-07d1t06.shn
a8ff5746a455dbb7e394cdb0c3c3446a *gd79-12-07d1t07.shn
4a1fc3afc1e92b8ca4cfc9ea30d10690 *gd79-12-07d1t08.shn
ca9529db4ac44c44e25d588afdcce6b7 *gd79-12-07d1t01.shn
c0b2767138badfa3f9f62342004b79f9 *gd79-12-07d1t10.shn
0f05e405e2ec9c095d48854fadc275e6 *gd79-12-07d1t11.shn
9e7a0d79f26eca925566763a89559322 *gd79-12-07d1t12.shn
29bba71815698b05291b2b7d4e3112e0 *gd79-12-07d1t13.shn
0ce2154ea125eaabbd503d65bcecbc1a *gd79-12-07d1t14.shn
1c092818d6108e5b5c1c60effad3bb8d *gd79-12-07d2t01.shn
c0876dc4374c3be48dfedc4de2636fd2 *gd79-12-07d2t02.shn
7424f9836678a3972c517bf8f4622782 *gd79-12-07d2t03.shn
b878d6f79e68002c1c262b196eea3efe *gd79-12-07d2t04.shn
b5d0ebe02f453d78c60baac7152e72ee *gd79-12-07d2t05.shn
a88696f92c128c9ae0fee0a8a6706e67 *gd79-12-07d2t06.shn
e6e6da8ad2051ed7f77e156e3401e6e2 *gd79-12-07d2t07.shn
ca3e31ff52799684f1e8a6db46fb9c52 *gd79-12-07d2t08.shn
d46c3a50dfa76b4bf1243ef78a23897f *gd79-12-07d2t09.shn
89b329b37d354ef13acf8d4db216fda8 *gd79-12-07d2t10.shn
9010c5c94143f1e77f9dd83584d340a5 *gd79-12-07d2t11.shn
329b37d354ef13acf8d4db216fda8 *gd79-12-07d2t10.shn
9010c5c94143f1e77f9dd83584d340a5 *gd79-12-07d2t11.shn |
|
12/10/79
|
Soldiers & Sailors Memorial Hall |
WMA |
3 |
|
Set 1 SBD>Cm>Reel>Dat>CD>EAC>SHN
Set 2 SBD>Cm>?>Dat>CD>EAC>SHN
notes:
D1T8 Franklins: 1:40-2:00 Right Channel Reduction
Audience Patch:
All of Scarlet Begonias and the
first 1:20 of Fire on the Mountain
DAT>CD Transfer by the usual
gang you c around the community
CD>EAC>SHN Transfer by Saint Stephen
EAC=copy and test,offsets configured
wav>shn done with MKW tool.
uploaded to etree 4/2/01 - enjoy
stepheneleven@altavista.com
|
|
12/11/79
|
Soldiers & Sailors Memorial Hall |
WMA |
3 |
|
SBD>Cm>Cass>Dat>CD (Tascam CDRW700)>
EAC (Copy and Test Tracks)>CD (Plextor 16x)
Tracked with CDWav
Charlie Miller did the dat transfer and cd mastering.
Ron Speer got the show, and copied it for Jim Parzych.
Jim EAC'd and converted it to shn, and upped it to me.
I am is the proud host for Jim's vine, and all I needed
to do to get this thing running was rename the shn files
from "track01, track02, etc" to standard shn name
formatting. Jim's EAC was secure, and he reported no errors.
-enjoy,
steve barbella
some things I noticed:
d1t01 closed gap on tape 1:24
d2t02 drop out 5:18
charlie's notes:
The Jam that is done between Sailor and Saint is awesome and it is also the
only time they did a Jam between those 2 songs (11/1/85 doesn't count).
Also, the Estimated Jam out of Saint is killer. The Shakedown is, as we say,
"off the hook".
Ready, Set, Go!
cm
|
|
12/28/79
|
Oakland Auditorium Arena |
WMA |
2 |
|
sdb
transferred and seeded to etree by mike lai.
thanks to dr. bruce fried for lending me his dat.
any questions or info send to usalai@nycap.rr.com
stellablue.etree.org
|
|
12/30/79
|
Oakland Auditorium Arena |
WMA |
3 |
|
SBD>MC>DAT>CD (except for Truckin' which is from an unknown AUD source).
seeds via Charlie Miller
DAE,FTP, rule no.5 via neo_levo. |
|
12/31/79
|
Oakland Auditorium Arena |
WMA |
4 |
|
Source: SBD > ?? > Cassette > CD with AUD patches
EAC/SHN by Darryl Hinko (flyerfanatic)
flyerfanatic2817@yahoo.com
SHNtool used to comfirm sector boudries and to reattach wavs
CDwav used to split tracks
Cool Edit Pro used for all splices
Patch source :
AUD > NAK 700s >Sony TC-158 > MC > DAT > CDR >
EAC (calibrated, secure mode, test and copy) > SHN
Notes:
- Added some Tuning before Jack Straw from the AUD
- Between Mexicali and Tennessee tuning was missing added from the
AUD source
- Tennessee Jed patch for a couple of seconds on
"Cracked my spine"
- Between d1t05 and d1t06 a lot of audience was missing I spliced
it in.
- Looks Like Rain was split badly because of a cassette flip
also about 2 minutes spliced in at the end
- Ship of Fools was missing from the SBD source - AUD source
- Lost Sailor splice from 5:17 - 5:24 has 2 pops they were on the
audience source.
- Beginning of 3rd set added a bit of audience so the set didn't start
abruptly
- Stella Blue - 2 splices - first on the line "In every Cheap" -
second Towards the end of the song
- Not much crowd time between SSDD and Good Lovin' so I added the
tuning from the AUD
- Last 2:30 of Good Lovin' was missing patched with AUD
Enjoy! |
|
04/01/80
|
Capitol Theater |
WMA |
3 |
|
Bertha Remaster of the unknown soundboard source
(*)SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B+
(**)SBD>>MR>>CASS>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A-
Notes:
Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com. Completed on August 22, 2004
The mix is rough through Candyman. There is also a strange phasing problem that occurs throughout the show, possibly from a bad tape machine. It can be heard mostly during quiet passages.
After talking to Charlie, and comparing sources, this source is most likely from the master reel source and not a master cassette. They are identical, except, the channels have been reversed and the levels are a bit lower. I have chose to use the lineage Charlie gave me as he knows where the source came from.
(*)Promised Land through Rider
(**)Estimated through Around
Encore is from an AUD>>CM
From the original text file, prior to Bertha Remastering:
(April Fools) Promised Land instrument swap;
Bob Weir- Keyboards
Brent Mydland And Jerry Garcia- Drums
Bill Kreutzmann- Bass
Mickey Hart- Rhythm guitar and vocals
Phil Lesh- Lead guitar.
Nak 700 (as per the etree db) patch from 5:44 to 6:06 (He's Gone)
Nak 700 (as per the etree db) patch from 6:46 to 6:50 (Other One) |
|
05/02/80
|
Hampton Coliseum |
Aud |
2 |
A |
Aud |
|
05/07/80
|
Barton Hall, Cornell University |
WMA |
3 |
|
Recording Info:
SBD -> Cassette Master -> Reel -> Dat -> CD -> EAC -> SHN
(3 Discs Audio / 2 Discs SHN)
Converted By Charlie Miller
charliemiller87@earthlink.net
10/18/04
|
|
05/08/80
|
Glens Falls Civic Center |
WMA |
2 |
|
Primary Source: Master Soundboard Cassette > Cassette > DAT> CDR
Patch Source: Recorded by Jim Wise (via Jeff Hellman), 2 Nak 700s + Nak 300 blend>Sony TC-D5: AUD>MC>DAT>CDR>EAC>mkwACT>SHN
Patched by R.Carman rcarman@cogeco.ca Feb.2003
Disc 2 requires an 80 min disc
This is the existing sbd patched with the existing aud source.
The following patches were performed using CoolEdit Pro 2.0:
d1t01: due to levels fluctuations, Garcia's solo was very low. The audience source was speed adjusted and superimposed over the sbd in a matrix-like mix, to reinforce the solo from 0:49 to 1:24. The first 10 seconds of Brent's keyboard solo was also low, but was low on the audience also so was not edited.
d1t08: at 0:02 there was a cut with 1:49 missing. The audience source was speed adjusted and crossfaded in with 2 second sigmoidal fades.d2t05: at 1:50 there was a cut with 0:30 missing. The audience source was speed adjusted and crossfaded in with 2 second sigmoidal fades.
The crossfades resulted in SBE's, so the files were fixed with shntool, and converted to seekable SHN with mkwACT. No other editing was performed. |
|
05/10/80
|
Hartford Civic Center |
Aud |
3 |
A |
|
|
05/11/80
|
Cumberland County Civic Center |
WMA |
3 |
|
SBD->C (Dick's master)->C (Dick copied for Patrick)->
DAT->CDR->EAC->SHN V.3 except for Brokedown,
which is from an unknown AUD source
***Now with aud patches; See info below
Sector boundaries verified with shntool.
This is the only known SBD version of this show.
Thanks to Patrick Babcock for the discs!!
It's All Over Now and Easy To Love You are faded out.
Cuts inbetween Terrapin Station and Playin', Playin' and Drums.
EAC and SHN'ed by terrapinstation on 09/22/02.
Questions/comments about this show to marthanjerry@prexar.com
Another Porky Prime Cut from Terrapin Station!!
*********************************
***Several patches have been made by Doug Nawrocki using the etree aud source
Nak 300's>Sony D5>master cassette>DAT(3)
Doug's patch notes...
Patch notes:
All patches/crossfades done with Cool Edit Pro 2.0 in multitrack view
- Patched/Crossfaded All Over Now and Easy To Love You with audience source
- There was a dropout of crowd noise, I assume due to a tape flip, on the audience source between All Over Now and Easy To Love You that I crossfaded
- Patched/Crossfaded Terrapin into Playin' and Playin' into Drumz with audience source
- There wasn't really a cut into Black Peter, more of a dropout and a second or two of repeat music. I was able to crossfade the Space fade out into the beginning of Black Peter seamlessly, without having to use the audience source.
- Crossfaded the soundboard crowd at end of JB Goode into the audience crowd at beginning of Brokedown to make these flow more cohesively |
|
05/14/80
|
Nassau Veterans Memorial Coliseum |
WMA |
3 |
|
Master Soundboard Cassette > Reel to Reel > DAT > CDR
CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
02/25/01
|
|
05/16/80
|
Nassau Veterans Memorial Coliseum |
WMA |
3 |
|
Master Soundboard Cassette > Cassette > DAT> CDR
Around & Around cuts, missing Johnny B. Goode and Brokedown Palace
CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
12/25/01
|
|
06/19/80
|
West High Auditorium |
WMA |
2 |
|
SBD>MC>??>DAT>CDR
Notes-
-Alabama cuts in @ 'before I have to hit him'; level adjustments, small glitch @ :14
-Skip @ 3:04 of Althea, missing 'are getting most concerned'; Levels muffled for 2 seconds @ 6:05
-MC Flip @ 6:21 of Drums
-I put the disc break between Rider and CC in order to fit the show on 2 discs; The break is seamless though, so if you want to track for three discs 'just do it'.
-I used CD Wave and Shntool to retrack and verify sb's, and CE2K for all editing.
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 06/16/02
Audio discs provided by Paul B
Another installment of The Music Never Stopped Project! |
|
06/20/80
|
West High Auditorium |
Aud |
2 |
A+ |
SBD
- some sound level adjustments here and there |
|
06/20/80
|
West High Auditorium |
WMA |
3 |
|
Source: SBD>MC>1C>CD-R
CONVERSION: SBLIVE>COOLEDIT2000>mkwACT>SHN
Sector boundary errors corrected with shntool. (16 0f 22 had SBE's)
by William at TuneTree on 5/06/2003
All discs will fit onto 74 min.
Editing notes:
Splice in Let It Grow at tape flip, portion of lyrics missing
Splice in Drums at tape flip, portion of drums missing
Splice locations chosen to enhance the listening experience and not
for archival purposes. Original wav file from Cass/1 available.
Minor splices between songs where taper paused during tuning, etc.
Fade ins/outs at beginning/end of each disc
Noise recuction,tracking at sector boundaries and bass boost applied
via Cool Edit 2000 (noise reduction via tape hiss sample without crowd noise)
(*NOTE: tracks still had SBE's, corrected 5/6/2003; d2t04-d2t06 remained same.
corrected properly by sets, ie. d1t01-d2t03,d2t04-d3t06)
Mastered, edited, and shn'd from first gen cassette by
Brian Donohue, Kodiak, Alaska.
http://db.etree.org/deadfishhead |
|
06/21/80
|
West High Auditorium |
WMA |
3 |
|
Master Soundboard Cassette > Reel To Reel > DAT> CDR
Master Audience Cassette; AKG 414 mics source supplies the
"Announcements / Intro"(d1t01), the first 0:49 of "Sugaree" (d1t02),
from 4:44 thru 5:27 of "Loser" (d1t08), the first 2:03 of
"Big Railroad Blues" (d2t04), as well as from 4:24 thru 5:50 of
"Drums" (d3t03)
Disc 3 requires an 80 minute disc
Patching / CD Mastering by Scott Clugston
SHN'ed by Scott Clugston
3/11/02
|
|
07/01/80
|
San Diego Sports Arena |
WMA |
3 |
|
Source: sbd>?>dat (see seed notes below)
Conversion: Sony M1>Oade Cable>Zoltrix Pro6>CEP2K(wav)>CDWav(split)>Shn V3 (no DAE)
Conversion & Seed: Brian Cole (cole7007@yahoo.com) 8/21/01
SHOW NOTES:
none
SEED NOTES:
The core of this recording is a sbd. There are splices from an unknown
source at Althea and also for the encore. To my knowledge this is the
best circulating source.
%=Cuts occur in the middle of d1t06, d1t08, d3t03 and were edited &
smoothed on SF 4.5
Enjoy! |
|
08/21/80
|
Uptown Theater |
WMA |
2 |
|
SBD>MC>C>DAT>CD
Notes-
This show came to me in excellent condition. I used CD Wave to retrack the encore, which started 2 seconds late, and I also split Sugar Mag's and Sunshine Daydream to seperate tracks. I used Shntool to verify sb's afterwards.
There is a minor dropout @ 2:49 d2t09 (SD) but it actually occurs during the pre-encore tuning and doesn't affect any music, so I left it as is.
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 03/01/02
Audio discs provided by Scott Shindell |
|
08/26/80
|
Cleveland Public Hall |
WMA |
2 |
|
SBD>MC>DAT>CDR
Notes-
-Don't Ease cuts in, 30 seconds missing
-MCFlip @ :48 of Space
-I used CD Wave and Shntool to retrack and verify sb's, and CE2K for all editing.
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 05/26/02
Audio discs provided by Paul B
Another installment of The Music Never Stopped Project! |
|
08/30/80
|
The Spectrum |
WMA |
3 |
|
1st set
SBD>?>CD
Notes-
-Entire set pitch corrected;
-I used CD Wave and Shntool to retrack and verify sb's, and CE2K for all editing.
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 02/16/03
Audio discs provided by Joey Browning
Another installment of The Music Never Stopped Project!
2nd set
SBD>MR>DAT>DAT Clone>CDR
Notes-
-There is a fade at the disc break, but there is a small redundancy so it can be patched together when longer media becomes available.
-I used CD Wave and Shntool to retrack and verify sb's.
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 04/11/02
Audio discs provided by Rich Graboyes
Another installment of The Music Never Stopped Project! |
|
08/31/80
|
Capital Centre |
WMA |
3 |
|
Source:
Master Audience Cassette > DAT > Hard disk (Sound Forge) > CD > EAC > SHN
A > D transfer done with Nakamichi Dragon > Sony PCM R-700
Recorded by Jim Wise, at the soundboard with Sennheiser 421 microphones mounted on a pole,
into a Sony TC-D5 cassette deck.
Notes/Flaws:
- There are various cuts between crowd noise in the first set.
- There is a cut between Truckin' and Drums.
- Overlapping fades between Drums at end of disc two, and Space at beginning of disc three. |
|
09/06/80
|
State Fairgrounds |
WMA |
3 |
|
Recording Info (Source 1):
SBD -> Master Cassette -> ? -> Cass -> Fostex D5 (pass-through only) ->
ZA2 -> Samplitude v7.02 Professional -> SHN
Supplies d1t01 through d2t03 (Provided By Joe Samaritano)
Recording Info (Source 2):
(FOB) Nakamichi 700 -> Master Cassette (Sony D5) -> Dat -> CD
Supplies patch at end of d1t06 and also provieds d2t04 through of the show.
(Taped By Jim Wise)
Editing Info:
I took both sources and loaded them back into Samplitude v7.02 Professional where I fixed the patch, removed a bunch of cuts and matched the levels between the two sources as well as possible. I then made the complete show into one long file, where I then did the tracking. All disc changes are now seamless. There was a 10db difference between the SBD and AUD Patch on the old copy which had to be fixed. I also did the patching with crossfades to make the transitions smoother. There is also severe clipping on the AUD source, but this is the best sounding AUD I have heard, so far. The pitch on the SBD sounds a little off, but enough for me to do anything about it.
Remastered By Charlie Miller
charliemiller87@earthlink.net
8/28/04
|
|
09/29/80
|
Warfield Theater |
WMA |
4 |
|
Source: SBD > MC > C > DAT > CD > EAC > SHN
EAC/SHN by Darryl Hinko (flyerfanatic)
Any questions contact me at: flyerfanatic2817@yahoo.com
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit Pro used for all editing
Thanks to Caleb Miller and David Feldstein for the source discs
Patch Source: http://db.etree.org/shninfo_detail.php?shnid=12886
Nakamichi CM700 Mics (3)>Mixer>
Sony D-5 from center balcony taped by Bob Menke Remaster:
1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>
Tascam CD-RW700 by Douglas Ferguson SHN Conversion: CDR >
EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) >
mkwact > shn (seekable)
Notes from patch source pertaining to "To Lay Me Down":
- crowd talking noticeable during To Lay Me Down
- I believe the occasional "cooing noise" heard during To Lay Me Down
and some other tunes might be from a notorious woman that attended
many Dead and JGB shows in the Bay Area. She would parody "sexual
orgasm type sounds" in response to the music.
Thanks to TOL for the patch source.
Notes:
- d1t07 To Lay Me Down: AUD source supplies this song in it's entirety.
- d1t08 Dark Hallow: AUD source supplies first notes of this song
- d1t09 Babe it Ain't No Lie: is only 41 seconds long. It is clipped
at the beginning and the end. This is missing on the AUD.
- d1t10 Ripple: cuts in missing the first few lines. This is missing
on the AUD.
- d2t10 I Know You Rider: Strange sound at 4:49, sounds like someone
might have bumped a mic stand.
- d3t05 Drums: from 5:18 - 5:34 and from 7:06 - 7:08 there is an
overdriven drum that creates a rumble.
- d2 and d3 are seemless, the split was made at a large gap of
just audience between Drums and Space.
- d4t01 Space: static from 3:40 - 3:44
- d4t02 Truckin': squeek at 3:35
Also a big thanks goes out to the guys and girls at SHN Traders for
helping me spread these seeds around. Mike, Jason, Teri, Rob, Steve,
Tom, Dean and the rest.
And another big thanks to Richard, Michael, Mick and Vivek over at
Eurotraders.
Enjoy! |
|
10/04/80
|
Warfield Theater |
WMA |
3 |
|
Source: SBD>?>CDR>EAC>Cool Edit(minor cleanup, normalization)>CDWAV(tracking)>mkwact(seekable)
Seed discs via Joey Browning
Shn encoding Steve Blanchard
Part of The Music Never Stopped Project
notes:
- renormalized (Cool Edit high accuracy setting) by sets
- beginning of "Monkey & Engineer" is cut (missing only a few notes)
- 2 instances of a series of brief "noise" events cleaned up in To Lay Me Down
- beginning of "Road Again" is cut and has a couple of quick d/o's
- "Road Again" is cut at ~2:28
- beginning of "Ain't No Lie" is cut
- cut in "Space" of unknown duration |
|
10/09/80
|
Warfield Theater |
Aud |
1 |
A+ |
|
|
10/09/80
|
Warfield Theater |
WMA |
3 |
|
The source info given was SBD>R>DAT>CD, but Tiedrich lists a cass gen.
The weird thing is the acoustic sounds like it could be from reels with no
cass. -very clean, while the electric has a slight touch of hiss - nothing major
at all.
|
|
10/11/80
|
Warfield Theater |
WMA |
2 |
|
Source: SBD:MC >? >CDR >EAC >cool edit 2000 (minor clean up,normalization) >CDWAV (tracking) >mkwact(seekable)
Seeded, edited and shn encoding by Steve Blanchard
thanks to Joey Browning for the CDR's
flaws:
there is a 1/2 second drop out at 8:11 of Let it Grow.
other than being a bit hissy in the quiet parts, this is a damn fine sounding show!
NOTE:
You'll notice there is a d2t11alt. To enable this partial show to fit on to two discs
I had to cut about 2 minutes of drums. Use d2t11 and ingnore d1t11alt and you have a nice
2 disc show. For those of you that want the whole drums, you'll need to put this show
on three discs and track each disc thus:
disc 1: d1t01 - d1t10
disc 2: d1t11 - d2t04
disc 2: dt205 - d2t11alt omit d2t11
With any luck we'll find the rest of this fine show some day!
Another product of the "Not Quite a Part of The Music Never Stopped Projet" |
|
10/26/80
|
Radio City Music Hall |
shn |
2 |
|
|
|
10/26/80
|
Radio City Music Hall |
WMA |
3 |
|
PLEASE NOTE: This is a Remaster of the original SBD SHN Seed released by Darryl Hinko.
Main Source: SBD>MR>DAT>CD>EAC>SHN
Patch Source: AUD(Wise Sony ECM 280Ãs)>Sony D-5>MC Playback on Nak Dragon>Sony PCM-R700>Hard Drive via ZA2>CDR>EAC(secure)>Cool Edit Pro>CD WAV>SHN(seekable)
Aud Taper: Jim Wise
Aud Recording Location: Lower Balcony, Front Rail
Remaster Conversion: SHN>WAV>ADWS>SHN(Seekable)
false start for Estimated Prophet
Original SBD Notes:
EAC/SHN by Darryl Hinko (flyerfanatic)
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit used for all editing
Remastering Notes: The SBD I got in SHN format. All patches are redone with mixpaste and
cross fades. I used a stereo expander and multiband compressor in remastering of the entire
show. The original SBD bands were to narrow. D1t01 Patch preformed from 1:20-1:27. No other
edits far as pops, static, etc. were preformed.
Remastering by T. Wiley 08/15/2003.
Another Installment Of The Music Never Stopped Project!
Thanks to Torbjorn for the download of the SBD Shns, Darryl Hinko for the SBD release!!
Enjoy!!! |
|
11/30/80
|
Fox Theater |
Aud |
3 |
A- |
Aud |
|
11/30/80
|
Fox Theater |
WMA |
3 |
|
Source: MSC>Reel>DATs>CDRs>EAC>SHN (set I and Scarlet>Fire from Set II)
Sony ECM280s>D5>DATs>CDRs>EAC>SHN (Remainder of show)
Notes: 1) Digital Static removed from first several seconds of Stranger (thanks Mike Parillo) & level fluxuations in Stranger smoothed (thanks Scott Clugston); 2) First 10 seconds of Lost Sailor>St. patched from unknown audience master>1 cassette gen>cdr source (thanks Scott Clugston); 3) 10 seconds of missing music at the St.->Deal transition spliced in from same audience Source (thanks Scott Clugston); 4) First 0:07 of Scarlet patched from Barry Glassberg's Nak CM700 aud source (thanks Scott Clugston).
Seeded to Etree 12.31.00 by Darrin -- dnsacks@usa.net -- Enjoy! |
|
12/26/80
|
Oakland Auditorium Arena |
WMA |
3 |
|
Source: MSR>C>DAT>WAV>SHN
Source: Aud Patch - NAK 700's FOB>MAC>C>DAT>WAV>SHN
C>SHN Conversion by Cousinit
Notes:
Aud Patch supplies Alabama and first 23 seconds of Promised Land.
Dropout during Alabama from 1:05-1:11.
Minglewood spliced at 5:43 some of last verse missing.
Playin and Drums cut due to Reel flip. |
|
12/27/80
|
Oakland Auditorium Arena |
WMA |
2 |
|
Source: SBD; Transfer setup: PCM R500> AES/EBU monstercable> ZA2> Cooledit
via Stewart McCloskey to ShortSnail/ shntraders list
Note: *repeated above
Note: Not sure why this text file came like this, must of really liked Eyes ; )
The times would probably allow either split, though I would probably split it at D>S.
The SHN filenames show 9 tracks on D1, and 11 tracks on D2 (set 1 & set 2 respectively).
Split up D2 as u see fit.
Note: If u drop 1 short song from D1, All would fit on 2 80 min. discs
======================================================
Note: The MD5 source:
The D2 SHN files came to me split up between 2 discs & D2 t05 -> t11 came without a MD5 file.
After uncompressing and listening through all of them 3 times, I determined they were good & made an MD5 for them.
I have not heard back from the source, and the Hamilton's do not have the MD5.
These files did come from the source of this seed.
-- |3ill|3o
======================================================
follow up---->
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
Addendum - |3ill|3o - 03-2002
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
As of 3-2002 - no other source has been listed at Hamilton's besides this one.
And they attribute the above MD5 to the one I made. So these are the source SHNs and MD5s for this show as of now (according to db.etree).
>From Hamilton's db.etree entry (3-2002): http://db.etree.org/shnlist.php?year=1980&artist=2
"12/27/80
Oakland Auditorium Arena; d1 remainder
SBD; via Stewart McCloskey (his transfer setup: PCM R500> AES/EBU monstercable> ZA2> Cooledit) to ShortSnail/ shntraders list; d2 reportedly needs breaking up as desired (see addendum); info and md5s here courtesy Bill Borsodi, John Primozic" |
|
12/28/80
|
Oakland Auditorium Arena |
WMA |
2 |
|
Source: MSR>C>DAT>WAV>SHN
C>SHN Conversion by Cousinit
Notes:
First few notes of 1/2 Step missing.
Both Disc 1 & 2 require an 80 min CD. |
|
12/30/80
|
Oakland Auditorium Arena |
WMA |
2 |
|
Recording Info:
(FOB) Nak 700 -> Cm -> Reel -> Dat
Transfer Info:
Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude v6.0 -> Cool Edit Pro v1.2 -> SHN
(2 Discs SHN / 2 Discs Audio)
Transfered and Edited By Charlie Miller
charliemiller87@earthlink.net
Notes:
* With Airto Moriera and Flora Purim
Cool Edit Pro was used to Normalize each set before tracking |
|
12/31/80
|
Oakland Auditorium Arena |
WMA |
4 |
|
Source: SBD > Rm > Cass > Dat > Samplitude > CDR > EAC (secure mode, test and copy) > SHN
Audience patches: AUD > ? > ? > CDR > EAC (secure mode, test and copy) > SHN
* With John Cippolina
Audience Splices:
d2t03 - L.L. Rain (00:00 - 00:46)
d4t05 - Sugar Magnolia (00:00 - 01:26)
Known Flaws:
D1t01 - To Lay Me Down first few seconds missing
d1t06 - Race Is On (sudden change in Levels at 00:03)
d1t09 - Alabama (gradual change in Levels at 00:07)
d4t06- Brokedown (A cut at 4:34)
Contributor: Thanks to Dr. Bill Golden for making this great show available.
EAC, SHN extraction and etree seeding done by G.Gorinsky
(elgilhooley@aol.com) |
|
02/26/81
|
Uptown Theater |
WMA |
3 |
|
Source Info:
SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick)
DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise)
CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch)
Known Flaws:
reel splices at 5:04 & 8:40 in Stranger (untouched)
reel splice 11:52 into He's Gone (untouched)
reel splice in Black Peter> GDTRFB segue (2 sec crossfade)
|
|
02/27/81
|
Uptown Theater |
WMA |
3 |
|
Source Info:
SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick)
DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise)
CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch)
Known Flaws:
reel flip in Wharf Rat> Sugar Magnolia segue, crossfaded slightly
All other edits and crossfades were between songs with no music disturbed |
|
02/28/81
|
Uptown Theater |
WMA |
3 |
|
**The show can be fit onto 3x74 minute discs by moving Deal (d1t11) to the beginning of disc 2**
-------------
Source Info:
SBD > Cassette Master > DAT(0) (Reel>DAT transfer by Dick)
DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > CDR Master(by Jim Wise)
CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch)
-------------
----
NOTE Updated source info:
These shows were originally incorrectly labeled as SBD > 7 inch reel 7.5 ips reel master.
According to Rob Eaton the correct lineage is SBD > Cassette Master.
----
Known Flaws:
Beginning of Jack Straw abrupt start
Beginning of Althea abrupt start
Beginning of Ship of Fools abrupt start w/ reel warble
End of Good Lovin cuts, faded out |
|
03/05/81
|
Stanley Theater |
Aud |
3 |
A |
Aud
|
|
03/06/81
|
Stanley Theater |
Aud |
3 |
A |
Aud |
|
03/10/81
|
Madison Square Garden |
Aud |
3 |
A |
Aud
3rd set only |
|
03/12/81
|
Boston Garden |
Aud |
3 |
A+ |
Matrix |
|
03/21/81
|
Rainbow Theatre |
WMA |
2 |
|
Sources:
Master Soundboard Cassette > Cassette > CDR
Frank Streeter's Master Audience Cassette;
Sennheiser 421 mics > Sony D5 source supplies the
"Intro" (d1t01) as well as a patch in "Little Red Rooster"
(d1t08) from 7:13 thru 7:39
(2) x 80 minute discs are required
CD Mastering / Patching by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
10/31/01
|
|
03/28/81
|
Grugahalle |
|
0 |
|
|
|
05/01/81
|
Hampton Coliseum |
Aud |
3 |
A |
missing 1st set |
|
05/04/81
|
The Spectrum |
Aud |
3 |
A+ |
|
|
05/12/81
|
Veterans Memorial Coliseum |
WMA |
3 |
|
Source: SBD>Master Cassette>Cassette>DAT>CDR
DAE(EAC) and SHN Encoding by Jeff M. (fy1220@aol.com)
**Dedicated to Bob Marley |
|
05/13/81
|
Providence Civic Center |
Aud |
3 |
A+ |
Matrix |
|
07/04/81
|
Manor Downs |
Aud |
3 |
A+ |
Matrix |
|
07/10/81
|
St. Paul Civic Center |
Aud |
3 |
A+ |
|
|
07/13/81
|
McNichols Sports Arena |
WMA |
3 |
|
sdb
seeded by Mike Lai
stellablue.etree.org
any questions contact usalai@nycap.rr.com |
|
08/14/81
|
Seattle Center Coliseum |
Aud |
3 |
A+ |
|
|
09/11/81
|
Greek Theatre, University Of California |
Aud |
3 |
A+ |
|
|
09/12/81
|
Greek Theatre, University Of California |
Aud |
3 |
A+ |
|
|
09/25/81
|
Stabler Arena, Lehigh University |
Aud |
2 |
A+ |
Missing 1st set |
|
09/25/81
|
Stabler Arena, Lehigh University |
WMA |
3 |
|
Sources:
Master Soundboard Cassette > Cassette > CDR
Master Audience Cassette > Sennheiser 441 mics
Master Audience Cassette > Nakamichi CM300's + CP4's
There are mix problems thru the 1st half of "Minglewood Blues" (disc 1 track1). The Soundboard cuts at the 6:54 mark of "The Music Never Stopped" (disc1 track 9), the Sennheiser 441 audience source is used to provide the final 1:30 of "The Music Never Stopped" as well as Bob's set break announcement.The Soundboard cuts at the 4:35 mark of "Fire on the Mountain" (disc 2 track 6), the Nakamichi CM300's + CP4's audience source provides balance of that track from the 4:35 mark thru the 10:13 mark. During the Drumns/Space sequence, the quality of the Soundboard quickly deteriorates to the point of being unlistenable. Therefore, the balance of the show,disc 3 in its entirety, is provided via the Nakamichi CM300's + CP4's source (which I find _very_ enjoyable).
As an attendee of this show, I can attest to the security force's zeal when dealing with the taping community on this night, hence the multiple audience sources used for patching. The taper with the Nakamichi CM300's was evidently "busted" towards the end of the 1st set and missed "The Music Never Stopped" set closer entirely, necessitating the use of Sennheiser 441 audience source.
This is a personal favorite of mine and while this copy is not "just exactly perfect",I don't believe you'll find a higher quality, or more complete copy, anywhere.
Made possible by the usual group of suspects/mental patients
Patching/CD Mastering by Scott Clugston
Shn'ed by Scott Clugston
Circulated 10/29/00
|
|
09/26/81
|
Community War Memorial Auditorium |
Aud |
2 |
A+ |
|
|
09/26/81
|
Community War Memorial Auditorium |
WMA |
2 |
|
Recording Info:
SBD>Cm>Cass>Dat>CD
Transfer Info:
CD>EAC>Samplitude>SHN
(Patched w/Nak 100/CP4>Cm>Dat>CD)
The patch supplies Shakedown Street, CC Rider And Drums
I used Samplitude v6.0 to do the patch and normalize the complete show.
All transfers and edits done by Charlie Miller
charliemiller87@earthlink.net
6/16/03
|
|
09/27/81
|
Capital Centre |
WMA |
3 |
|
SBD>Cm>PCM>Dat>CD
Notes-
-There is some hiss on this recording, but it is quite listenable.
-d1 will require an 80 min disc
-MC flip between Drums and Space; I used this as the disc break.
-d2t06 (Drums); Level burst @ 2:57
I used CD Wave and Shntool to retrack and verify sb's.
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 04/18/02
Audio discs provided by Charlie Miller |
|
09/30/81
|
Playhouse Theatre |
WMA |
3 |
|
Source: SBD>?>C>C>WAV>SHN
EAC/SHN by jim@juddcreek.com 09/02
NOTES
: Tape flip between Estimated & Drums; Estimated cuts off during outro; Good Lovin' cuts off after 3:19; U.S. Blues missing
: Levels on instruments vary during Alabama & GSET, very high at beginning of Alabama; sorted out by TLEO
: noise reduction applied in Cool Edit Pro to reduce cassette hiss. While some hiss remains, and the editing gives some dead air a bit of a strange sound on the recording, this IMO far improves *significant* hiss previously present from multiple cassette gens, and brings out the music a good deal more.
: The '81 European Gift story: Several years ago, a friend of mine had a job at a very large airplane manufacturer near Seattle. One day, someone he'd never spoken with walked up to him in the plant and handed him a briefcase, saying only he'd heard my friend was a deadhead. What he found inside was SBDs of nearly the entire Fall '81 European Tour (the only shows missing were 10/11/81 and 10/15/81 at the Melkweg). I was recruited to dub the tapes for him, and made a set for myself. Many of these shows are now in circulation with better gens, but this is one of several that don't circulate either at all or as SBDs as of the time of this seeding. Enjoy, and let's see if the masters surface! |
|
10/03/81
|
Rainbow Theatre |
WMA |
3 |
|
Source: SBD>MC>DAT>CDR
The etree database only lists the 2nd set as being in circulation. I thought that to be a shame so here's the whole show:-) Enjoy---Jeff M.
DAE(EAC) and SHN Encoding by Jeff M.
email: fy1220_jeffm@snet.net or lost_sailor1620@hotmail.com |
|
10/04/81
|
Rainbow Theatre |
WMA |
3 |
|
Source 1: SBD>?>C>C>WAV>SHN
Source 2: SBD>?>C>C>WAV>SHN
EAC/SHN by jim@juddcreek.com 10/02
Released to etree on 10/31/02. Happy Halloween!
NOTES
: Disc 1 is tracked to be 80 minutes
: First couple notes of CR&S cut
: tape flip in Samson @ 2:35
: tape flip in Saint of Circumstance @ 5:49
: Sugar Mag and Don't Ease Me In come from a different cassette than the rest of set 2; this tape has the same known lineage but a bit more clarity and a bit less bottom (Source 2 above)
: 10db Noise Reduction applied in Cool Edit 2000 to reduce tape hiss. While a tiny bit of hiss remains, and the editing gives some dead air a bit of a strange sound on the recording, this IMO far improves *significant* hiss previously present from multiple cassette gens, and brings out the music a good deal more.
: The '81 European Gift story: Several years ago, a friend of mine had a job at a very large airplane manufacturer near Seattle. One day, someone he'd never spoken with walked up to him in the plant and handed him a briefcase, saying only he'd heard my friend was a deadhead. What he found inside was SBDs of nearly the entire Fall '81 European Tour (the only shows missing were 10/11/81 and 10/15/81 at the Melkweg). I was recruited to dub the tapes for him, and made a set for myself. Many of these shows are now in circulation with better gens, but this is one of several that don't circulate either at all or as SBDs as of the time of this seeding. Enjoy, and let's see if the masters surface! |
|
10/06/81
|
Rainbow Theatre |
WMA |
3 |
|
Master Soundboard Cassette > Cassette > CDR
EAC > SHN by Brian Polgar
Posted to alt.binaries.gdead 2/2001-3/2001
This gem was obtained in a trade with someone who obviously has connections. Let's hope there's more coming!! The cuts are master tape flips or ends. The first few words of Sunshine Daydream are also clipped. |
|
10/08/81
|
Forum Theater |
WMA |
3 |
|
SBD: CM > CASS > DAT > Pro CDR
Notes:
* small glitch @ 11:13
Tuning edited
(Thanks to Neil Sturvetant for the DAT and John Martin for the transfer). |
|
10/12/81
|
Olympia Halle |
WMA |
3 |
|
SBD: MC > CASS > DAT > CDR
Notes:
* Encore patched from AUD: MC > CDR
Thanks to Jens Tilsner for supplying the discs |
|
10/13/81
|
Walter Koebel Halle |
WMA |
3 |
|
Source: SBD>?>C>C>WAV>SHN
Cassette>WAV>SHN by jim@juddcreek.com 11/02
Update- "d1" will not fit on 80 min disc- move last song of d1 to d2.
NOTES
: Jerry's guitar super low in mix through Alabama, pretty much sorted out by Greatest Story.
: First few notes of Peggy-O cut
: First couple notes of CR&S cut
: Splice near end of Lost Sailor (apparently tape flip in an earlier gen)
: Crackly noise for a second or two at the beginning of Black Peter (sounds like equipment problem)
: Cool Edit Pro used for tracking and to apply noise reduction to reduce considerable cassette hiss.
: The '81 European Gift story: Several years ago, a friend of mine had a job at a very large airplane manufacturer near Seattle. One day, someone he'd never spoken with walked up to him in the plant and handed him a briefcase, saying only he'd heard my friend was a deadhead. What he found inside was SBDs of nearly the entire Fall '81 European Tour (the only shows missing were 10/11/81 and 10/15/81 at the Melkweg). I was recruited to dub the tapes for him, and made a set for myself. Many of these shows are now in circulation with better gens, but this is one of several that don't circulate either at all or as SBDs as of the time of this seeding. Enjoy, and let's see if the masters surface! |
|
10/16/81
|
Club Melk Weg |
WMA |
2 |
|
Source: SBD:MCASS>CASS>DAT>CDR
Comments:
Playin' - first 3:00 FOB patch
Sugar Mag - FOB patch at 4:59
Patch source - FOB:MCASS>CASS>DAT>CDR
Some hiss due to 2 analog gens
Sugar Mag also has some minor distortion at 3:23-3:33
per Deadbase 9:
OOPS Concert, Bob's 34th b-day
last Ain't No Lie 12.6.80 [74]
final Ripple until 9.3.88 [459]
only Hully Gully
first Gloria since '65
last Lovelight 5.24.72 [581]
EAC>WAV>SHN extract and seed by dan vinson (brokedwn@pacbell.net)
This is a short but great show. Enjoy!
|
|
10/17/81
|
The Hippodrome |
WMA |
3 |
|
SBD: MC > DAT > CDR
Notes:
* brief diginoise @ 0:16
# cuts @ 6:26 - aud patched
** cuts @ 1:54 - aud patched
## cuts @ 6:16 - aud patched
Patches from AUD: MC > CDR (patched by Bernd Weiskircher).
(Thanks to Neil Sturvetant for the DAT and John Martin for the transfer). |
|
10/19/81
|
Sports Palace |
WMA |
3 |
|
SBD: CM > CASS > DAT > Pro CDR
Notes:
* 2 second dropout closed
Tuning Edited
(Thanks to Neil Sturvetant for the DAT and John Martin for the transfer). |
|
12/05/81
|
Market Square Arena |
WMA |
3 |
|
Sources:
Master Soundboard Cassette > Reel to Reel > DAT > CDR
Audience source supplies "Ramble On Rose" (d1t07)
CD Re-mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
9/20/01
|
|
12/09/81
|
Events Center, University Of Colorado |
WMA |
2 |
|
SBD>Rm>Dat>CD
Comments: Reel Splice between Space, & The Other One and during Fire. Fades in after Bird
Song
SHN Encoding by MOTU
http://www.motu.net |
|
12/27/81
|
Oakland Auditorium Arena |
WMA |
2 |
|
Master Soundboard Cassette > CDR
requires 2 x 80 mindiscs
CD Mastering by Scott Clugston
4/20/02
|
|
12/28/81
|
Oakland Auditorium Arena |
WMA |
3 |
|
Source: SBD > MC > C > DAT > CD > EAC > SHN
EAC/SHN by Darryl Hinko (flyerfanatic)
Any questions contact me at: flyerfanatic2817@yahoo.com
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit Pro used for all editing
Thanks to Caleb Miller and David Feldstein for the source discs.
Notes:
- I applied Hiss Reduction on this show. This is the first time I
ever did this, so I had the before and after files compared by some
very reliable people. All agreed that not much, if anything, is
missing sound wise. And everyone agreed that this was the better
sounding seed.
- Clipping occured before I got this source.
- Peggy-O has some digistatic at 5:01
- Eyes of the World has an odd scraping sound at 7:17
- Disc 2 and 3 are seemless. There was a short span in the beginning
of Drums that was a perfect place to split the discs.
- At 0:31 of Drums there is what seems like a fade out and back in, I
checked the AUD and it sounds just like this. Also strange rumble
from the stage at 1:29 and 1:32, these are on the AUD as well.
There is a splice here at 5:29, the AUD was spliced around this
area as well. I could have added a few seconds of the AUD to make
this more complete but I thought that since there was going to be a
splice anyway, I would just do it with what was there on the SBD.
- The Other One had many problems. I took out about 1000 pops that
sounded like static at first. Some slight problems still exist.
Slight static from 0:00 - 0:04, 2:38 and 5:42. This problem actually
runs through the end of the show.
Also a big thanks goes out to the guys and girls at SHN Traders for
helping me spread these seeds around. Mike, Jason, Teri, Rob, Steve,
Tom, Dean and the rest.
And another big thanks to Richard, Michael, Mick and Vivek over at
Eurotraders.
Enjoy! |
|
12/30/81
|
Oakland Auditorium Arena |
WMA |
2 |
|
1st Set SBD>MC>DAT>CD
2nd Set Pre Drums SBD>Cm>PCM>Dat>CD>Cool Edit Pro>CD
2nd Set Post Drums SBD>Cm>Reel>Cass>CD
Notes-
Disc two will require 80 minutes as tracked, with the encore (Casey Jones) at the end of disc one
I used Cool Edit 2000, CD Wave and Shntool to retrack, eliminate some dropouts, and verify sector boundaries
Left Channel drop @ :23 d1t03
Cut between d2t04 and d2t05 (Drums>Space) where the source changes
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 03/16/02
Audio discs provided by Charlie Miller |
|
12/31/81
|
Oakland Auditorium Arena |
Aud |
3 |
A+ |
|
|
12/31/81
|
Oakland Auditorium Arena |
WMA |
3 |
|
Bertha Remaster of the Serafin source.
SBD>>MR>>PCM>>DAT>>CDR>>SHN>>DAW(Bertha)>>CDA - Sound A
Set1 w/Joan Baez (Missing)
Notes:
Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com on 10/19/2002.
(*)No editing was done except to retrack after processing. All fades, including the fade between Playin' and Drums, cuts, etc. were done by Serafin or others prior to Bertha processing.
From Serafin's original text file:
Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB (Dolby B decoded) |
|
02/17/82
|
Warfield Theater |
WMA |
3 |
|
Main source: MSC>DAT>CD (http://db.etree.org/shn_downloadtxt.php?shnid=15033)
Patch source: Steven Martin's MAC>DAT>CD (http://db.etree.org/shninfo_detail.php?shnid=21916)
* The MAC source was used to patch the start of Minglewood, the end of Tennessee Jed,
the start of Scarlet Begonias, the end of Fire On the Mountain, the start of
Estimated Prophet, the end of The Wheel and the start of Not Fade Away. |
|
02/21/82
|
Pauley Pavilion, UCLA |
WMA |
2 |
|
Sbd> cassette > dat>cdr
Eac > cool edit pro > shntool > cdwav > shnv3
eac > shnv3 (secure with proper offsets) by Ernie Dodd
Discs kindly provided by Mark Horvath
* cuts in Bird Song
0:46 seven seconds of silence deleted
0:50 two seconds seconds of silence deleted
0:54 three seconds seconds of silence deleted
& drop outs in both channels in Stella Blue
8:59, 9:01, 9:08
I left these in rather than ruining the timing of the song.
% drop outs in both channels in Sugar Magnolia
4:56, 4:59, 5:01, 5:47, 6:03, 6:15, 8:15, 9:03, 9:04
Again, I left these in because removing them ruined the continuity of the jam.
# 0:22 Brokedown Palace looks like it had a cut present and was edited, I just
made it less obvious.
2:30, 3:39, 3:40 static removed,
The sound on this one is nice, indeed.
An additional installment of the Music Never Stopped Project!
3/27/03 |
|
03/14/82
|
Recreation Hall, UC Davis |
Aud |
3 |
A+ |
|
|
03/14/82
|
Recreation Hall, UC Davis |
WMA |
3 |
|
Source: Master Soundboard Cassette > Reel to Reel > DAT > CDR
Disc 1 requires an 80 minute disc
CD Mastering by Scott Clugston
SHN'ed by Scott Clugston
9/29/01
|
|
04/02/82
|
Cameron Indoor Stadium, Duke University |
WMA |
3 |
|
Source: Master Soundboard Cassette > Cassette > DAT> CDR
CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
12/22/01
|
|
04/03/82
|
The Scope |
Aud |
3 |
A+ |
|
|
04/06/82
|
The Spectrum |
Aud |
3 |
A+ |
|
|
04/06/82
|
The Spectrum |
WMA |
3 |
|
Main Source: SBD(unknown lineage)>SHN(Mike Lai Seed)
Patch Source: AUD/FOB>CM>DAT>CDR>EAC>SHN
Remastering: SHN>WAV>Shntool(join)>ADWS>CD WAV>Shntool(check)>SHN(seekable)
Original Notes: transferred and seeded to etree by Mike Lai
stellablue.etree.org
any info send to usalai@nycap.rr.com
thanks to dr. bruce fried for lending me his dat.
Remastering Notes: Entire show was pitch corrected. D3t02 (Truckin) had a cass? or Reel flip
at the beginning of track which was patched using the FOB source. D3t06 (Baby Blue) SBD
source cuts in and cuts off all missing sections from the SBD are now patched with FOB
source. ENJOY!
Remastering/Seeded by T. Wiley 4/23/2003.
Another Installment Of The "I Gotta Have All 53 GD Spectrum Shows" Project!!! |
|
04/14/82
|
Glens Falls Civic Center |
Aud |
3 |
A+ |
2nd set only |
|
04/14/82
|
Glens Falls Civic Center |
WMA |
2 |
|
SOURCE: SBD MC>Cass>DAT>CDR
|
|
04/15/82
|
Providence Civic Center |
Aud |
3 |
A+ |
|
|
04/17/82
|
Hartford Civic Center |
Aud |
3 |
A+ |
missing 1st set |
|
04/17/82
|
Hartford Civic Center |
WMA |
3 |
|
Bertha Remaster of unknown Soundboard source
(*)SBD>>???>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN - Sound B
Notes:
Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com. Completed on May 6, 2004.
(*)The soundboard source used appears to be made from two or three different sources. Minglewood and the first 2:40 of Sugaree are patched from a NAK 700 FOB.
(**) Without Jerry
Thanks to Lisa Biasi for the soundboard source, and to Mark Lindenbaum for the FOB source. |
|
04/18/82
|
Hartford Civic Center |
Aud |
3 |
A+ |
|
|
04/18/82
|
Hartford Civic Center |
WMA |
3 |
|
Recording Info:
SBD -> Cm -> PCM -> Dat(48k)
Transfer Info:
Dat(Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN
(2 Discs SHN / 3 Discs Audio)
Transferred By Charlie Miller
charliemiller87@earthlink.net
6/16/03
Notes:
Tracked and Normalized with Samplitude v6.0
|
|
04/19/82
|
Baltimore Civic Center |
WMA |
3 |
|
Master Soundboard Cassette > Cassette > DAT > CDR
EAC'ed/SHN'ed by Scott Clugston
Circulated 11/27/00
|
|
05/21/82
|
Greek Theatre, University Of California |
shn |
2 |
A+ |
|
|
05/21/82
|
Greek Theatre, University Of California |
WMA |
2 |
|
Source: Sbd Mcassette > DAT > CDR CDR > EAC (secure mode, test and copy) > SHN
Known flaws:
D1t01 (Bertha); first 1 sec. (approximately) cut, noise < 1 sec each at 5:55, 6:12 and 6:21
D1t11 (Don't Ease) noise last few seconds.
Intermittent light digistatic
Contributors: Thanks to Kevin Gills and Mark Perini for making these great soundboards of the 1982 Greek run available.
EAC, SHN extraction and etree seeding done by Gerald Gorinsky
(elgilhooley@aol.com) |
|
05/22/82
|
Greek Theatre, University Of California |
Aud |
3 |
A+ |
Matrix |
|
05/22/82
|
Greek Theatre, University Of California |
WMA |
3 |
|
Source: Sbd Mcassette > DAT > CDR > CDR > EAC (secure mode, test and copy) >
SHN
Known flaws:
D1t01 (China Cat): Droupout at 02:15 - repaired to "skip" by removing empty
space.
Contributors: Thanks to Kevin Gills and Mark Perini for making these great
soundboards of the 1982 Greek run available.
EAC, SHN extraction and etree seeding done by Gerald Gorinsky
(elgilhooley@aol.com)
|
|
05/23/82
|
Greek Theatre, University Of California |
Aud |
3 |
A+ |
|
|
05/23/82
|
Greek Theatre, University Of California |
WMA |
3 |
|
Source: Sbd Mcassette > DAT > CDR CDR > EAC (secure mode, test and copy) > SHN
Motorcycle space before "The Other One."
Contributors: Thanks to Kevin Gills and Mark Perini for making these great soundboards of the 1982 Greek run available.
EAC, SHN extraction and etree seeding done by Gerald Gorinsky
(elgilhooley@aol.com)
|
|
05/28/82
|
Moscone Convention Center |
WMA |
2 |
|
SBD:Unknown Gen Cassette>CDWave>SF4.5 (normalization)>mkwACT
By Jim Skinner
Notes-
Benefit for Vietnam Veterans
Airto Played whole show
* W Flora Purim
+ W John Cippolina - Guitar
# W Boz Skaggs - Vocals and Guitar
(1) Only time played |
|
07/31/82
|
Manor Downs |
Aud |
3 |
A+ |
|
|
07/31/82
|
Manor Downs |
WMA |
3 |
|
Lineage: Soundboard>Master Cassette>Cassette>Dat>CDR>EAC>SHN
DAE(EAC)+SHN Encoding by Jeff M.
email: fy1220_jeffm@snet.net
*** Jerrys guitar is low in the mix during Alabama, but gets better quick and for the rest of the show it is fine.
Email Jeff M. at above email with any flaw notation additions |
|
08/01/82
|
Zoo Amphitheater |
WMA |
2 |
|
SBD>MC>DAT>CD
Notes-
-Jerry's 40th Birthday
-Splice/half beat missing at 1:05 of They Love Each Other
-Splice/half beat missing at 4:35 of Big River
-MC Flip @ start of Drums
-I used CD Wave and Shntool to retrack and verify sb's, and CE2K for all editing.
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 06/26/02
Audio discs provided by Steve Wigley |
|
08/03/82
|
Starlight Theater |
WMA |
3 |
|
Lineage:SBD>MC>PCM>DAT>CDR
Missippi Half-Step cuts in at 12 seconds
Cassidy has several cuts throughout
Let It Grow cuts at tailend as they play out to drums
* Aud patch assume from widely circulated audince source |
|
08/04/82
|
Kiel Auditorium |
WMA |
2 |
|
SBD>MasterCass>DAT>CD
Notes-
First Stagger Lee since 12-04-79
This show was a mess when I got it. I used Cool Edit 2000, CD Wave and Shntool to retrack, eliminate redundant track starts, and verify sector boundaries. Now to read the flaws it looks worse than it is. There are problems but this is still a very listenable early 80's board.
Disc two will require 80 minutes unless you move Never Trust a Woman to the start of disc two and put the post drums on a disc three.
d1t03 Dropout @ 1:22 (CC Rider)
d1t08 Missing first vocal line (Looks Like Rain)
d2t01 Minor cut in start of track (Estimated)
d2t02 Cut @ :32 (Terrapin)
d2t03 Cut at start (Space)
d2t06 Cut at very end of jam (NFA)
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 02/05/02
Audio discs provided by Scott Whitford |
|
08/06/82
|
St. Paul Civic Center |
WMA |
3 |
|
S : MC > C1 > DAT > CDR > SHN
Steve Apria's soundboard master cassette->Mark Cohen's cassette->DAT->CDR->.WAV->SHN
(Steve Apria lost the master cassette years ago)
Seeded to Etree by Alan J Fink 02/04/2003
Thanks to John Horzepa for seeding this!
This version is an improved one over the seeded version. I spliced
in the missing 13 secondsof El Paso, from the circulating AUD seed.
In doing so I had to clip off a bit of dead space at the end of
Birdsong. |
|
08/07/82
|
Alpine Valley Music Theatre |
Aud |
3 |
A+ |
|
|
08/07/82
|
Alpine Valley Music Theatre |
WMA |
3 |
|
Lineage: SBD > PCM > ? > D > Serafin Station
Apparently at some point in this show's lineage, it was encoded on cassette with Dolby B NR, but subsequent dubs did not decode the Dolby B...the editing software took care of putting the proper EQ curve back into the show
Any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96 kHz data stream) at Serafin Station Studio B
Seeded to Etree by Patrick Murphy (patrick_e_murphy@yahoo.com) February 2002
Thanks to Jay Serafin for the disks and the priviledge of seeding them!
If there are any questions or problems please let me know. Enjoy!
Jay's Personal Comments:
This is a good show. Not the best I've ever worked with, but decent quality, good mix, etc.
There are a few SBD technical flaws that originated at the venue, mainly heard at the ending of "Space" and into the beginning of "Morning Dew". It sounds almost like diginoise trying to "start", but it's actually a PCM master recording fault when the show was initially put onto PCM at the venue. It's not overload distortion, as it's mainly on the right channel (90% of it), and since the master I received had equal volume on both channels during this time period mentioned, it was most likely due to a flaw in the video tape that was used to record the PCM audio on, or in the output of the mixer going to the PCM deck. Otherwise, it's a pretty good show.
This tape's lineage possibly included an analog cassette generation, as some of the songs were "cut" at the end of them, thus not leaving the between song lulls in the dub made. This irritates me, as it takes away from the show's overall enjoyment, and it's just audibly annoying. Luckily, with the professional editing and processing software I use, I can cross-fade the two songs so that's it's not a "jump" from one song to the next, but a gentler and more gradual transition. The only
exception to this was at the end of Morning Dew, where there was a tape flip, and the very last few seconds were cut off, and the first 10 seconds of One More Saturday Night were also missing. Again, a 5 second crossfade between the two songs is much easier on the ears and such than a "jump" from the one song to the other.
The show is slightly lacking on the Phil side, as he seems to be slightly more absent from the mix than usual. I could have brought him up more, but I limit the amount of EQ to a maximum of 2 dB, so the "Phil Zone" from about 625 Hz downward WAS brought up by 2 dB, thus leaving the music quality as natural as can be from this copy I received.
The Dead always did good shows in the Chicagoland area, and this one was no exception. The energy level is upbeat, the shows opening 3 songs are from their "not the usual opening songs" group (the show begins with "The Music Never Stopped -> Sugagee -> Music Reprise". Quite a nice diversion, and enjoyable as well.
Overall, not the best quality show as far as being "very natural sounding", but I attribute that to it's unknown lineage. But it's as good as it's going to get, and the sound is good. Not spetacular, but good. This is why it was given an AR-3 audio rating rather than an AR-2. Almost every trace of analog hiss has been digitally removed without affecting the music quality, both in the loud and soft passages. I personally enjoyed this show more for the out of the ordinary opening songs than the overall quality of the show audio itself. But, it's a clean copy (or it is NOW once I was finished working on it), and it may
be a choice for you to consider.
Patrick's Personal Comments:
This was the very first Dead bootleg I ever got - from a close friend at my bachelor party. Check out this show if only for the great beginning (the transition from Music to Sugaree is sooo smooooth), the best Althea ever, and the terrific Space->Wheel->Playing->Morning Dew climax. |
|
08/08/82
|
Alpine Valley Music Theatre |
Aud |
3 |
A+ |
|
|
08/08/82
|
Alpine Valley Music Theatre |
WMA |
3 |
|
SBD : MC > MR > DAT > CDR
Transfer done by Jim Wise
From : JoeO236@aol.com
Here's what Frank Streeter had to say regarding the transfer:
Dan Healy did the master cassette, Russell Levine and I did
the MC > reel transfers, and Jim Wise took my reels and digitized
them. The MC was made on a Sony TC-D5M. This cassette was played back
on a D-5M and recorded onto a Sony TC-770 half-track reel at 3.75
ips, which is the sonic equivalent to a 7.5 ips quarter track
recording.
Drums through end of show with Zakir Hussain
NFA through end of show with John Cippolina
Loser cuts in. I estimate 2-3 minutes are missing.
Estimated Prophet > Jam > Drums > moved to end of disc 2
by Alan J. Fink |
|
08/10/82
|
University Of Iowa Fieldhouse |
WMA |
3 |
|
Lineage:
-------
SBD -> Cm -> Dat -> Samplitude 2496 v6.0 -> CD -> EAC -> SHN
(2 Discs SHN / 3 Discs Audio)
I made a set of audio discs off of my dat. I didn't make any SHN's, so when someone asked for for a set, I had to EAC the master set of CDs in order to make these shn's.
In other words, there is only 1 DAE step involved, and yes, I know how to use EAC properly.
Transfer Info:
-------------
Dat (Sony R500) ->
Behringer UltraMatch SRC2000 ->
M-Aido Dio 2448 ->
Samplitude 2496 v6.0 ->
CD
Dat -> CD -> EAC -> SHN Transfers all done by Charlie Miller
charliemiller87@earthlink.net
9/15/02
|
|
08/28/82
|
Oregon Country Fair |
WMA |
3 |
|
sdb>>cassette master>>cassette>>cdr
10th anniversary of kesey's farm.
this is from rock scully's collection.
any song help send to usalai@nycap.rr.com
thanks to Dr.B.Fried for lending me the masters.
conversion by mike lai |
|
09/05/82
|
US Festival, Glen Helen Regional Park |
WMA |
2 |
|
SBD: MC > DAT > CDR
From Jack Warner
Notes:
d1t1 AUD: ? > C and
d1t2 0:00 - 0:04 AUD: ? > C patched by Alan J. Fink
d1t7 cuts at 4:03
splice between NFA > Black Peter |
|
09/09/82
|
Saenger Performing Arts Center |
WMA |
2 |
|
SBD>MC>PCM>DAT>CD
Notes-
-*Poor aud source supplies Halfstep & first 8 seconds of Franklin's
-d/o 3:33 Franklins; Missing 3/4 of the 'harvest wind' verse; and half-second level drop at 3:20
-d/o 3:40 Stranger; Small portion of the jam missing
-First notes of UJB missing
-End Drums cut (tape flip)
-Missing both encores
-I used CD Wave and Shntool to retrack and verify sb's, and CE2K for all editing.
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 08/30/02
Audio discs provided by Kevin Gills |
|
09/11/82
|
West Palm Beach Civic Center |
WMA |
3 |
|
Sources:
Master Soundboard Cassette > Reel to Reel > DAT> CDR
Master FOB Audience Cassette:Nakamichi CM300 mics > Sony D5
The Nakamichi CM300 audience source supplies the patch at the 10:10 mark of "Terrapin Station" (disc 2 track 5) thru the 0:11 mark of "Drums" (disc 2 track 6). This same Audience source was used to patch 3 dropouts in "One More Saturday Night" (disc 3 track 5) from 0:17-0:19, 2:05-2:07 and 2:19-2:21, respectively.
Patching/CD Remastering by Scott Clugston
SHN'ed by Scott Clugston
Circulated 11/00
Made possible by the usual group of suspects/mental patients
|
|
09/14/82
|
University Hall, University Of Virginia |
Aud |
3 |
A+ |
|
|
09/14/82
|
University Hall, University Of Virginia |
WMA |
2 |
|
Recording Info:
1st Set: Beyer M160 -> Cassette Master (Sony D5) -> Dat -> CD -> EAC -> SHN
2nd Set: SBD -> Cassette Master -> Reel -> Dat -> CD -> EAC -> SHN
2 Discs Audio / 2 Discs SHN
Converted By Charlie Miller
charliemiller87@earthlink.net
12/5/03
|
|
09/15/82
|
Capital Centre |
Aud |
2 |
A+ |
|
|
09/15/82
|
Capital Centre |
WMA |
2 |
|
Master Sondboard Cassette > PCM > CDR
Audience source supplies "Playin' in the Band" (d1t01) and first 4:31 of "Crazy Fingers" (d1t02),
the first 0:20 of "Playin' noodle"(d1t08), the final 1:51 of "Day Job (d1t10),
a patch in "Saint of Circumstance" (d2t03) from 3:24 thru 6:30, as well as from 0:09 of "Drums" (d2t04) thru "Space" (d2t05), and the first 1:33 of "Jam" (d2t06), as well as the first few seconds of "Touch of Grey" (d2t11)
on the previous shn set, the Sbd cut during "Lost Sailor" and the balance of the show was supplied from the Aud source. This Sbd copy is virtually complete, less the cut in "Saint of Circumstance", the omission of "Drums", part of "Space" and the first few notes of "Touch of Grey"
Disc 2 requires an 80 minute disc
Patching / CD Mastering by Scott Clugston
SHN'ed by Scott Clugston
9/7/02
|
|
09/17/82
|
Cumberland County Civic Center |
Aud |
3 |
A+ |
|
|
09/18/82
|
Boston Garden |
WMA |
2 |
|
SBD>CAS/1(Dolby)>CD
CD mastered and tray insert designed by
Michael K. Weise [http://home.att.net/~mkw]
|
|
09/20/82
|
Madison Square Garden |
WMA |
3 |
|
Set 1
Lineage:
SBD>Cm>Cass>CD>EAC>SHN
charlie miller and neil sturtevant
charliemiller87@earthlink.net
esteyes@cox.net
1/29/03
Set 2
Recording Info:
SBD>Cm>Cass>CD
Transfer Info:
CD>EAC>Samplitude>SHN
Samplitude v6.0 used to clean up tape flip cuts and to normalize.
All transfers and edits done by Charlie Miller
charliemiller87@earthlink.net
6/16/03 |
|
09/21/82
|
Madison Square Garden |
Aud |
3 |
A+ |
|
|
09/21/82
|
Madison Square Garden |
WMA |
3 |
|
csbd>dat>cd (unconfirmed)
|
|
09/23/82
|
New Haven Veterans Memorial Coliseum |
Aud |
3 |
A+ |
|
|
09/24/82
|
Carrier Dome, Syracuse University |
Aud |
3 |
A+ |
|
|
09/24/82
|
Carrier Dome, Syracuse University |
WMA |
3 |
|
Source:
SBD>Master Cassette>1 Reel>DAT>DAT>WAV>Soundforge 4.0>CDWAV 1.53>MKW 0.97b>SHN w/ seek tables appended
DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f, wavs compared for errors using EAC
DAT seed from Rob Eaton
DAT>SHN by Jamie Lutch 6/2001
All of Ramble On Rose and the first 3 minutes of Minglewood Blues had reel issues, the left channel would come in and out. This was fixed in soundforge using channel converter, The new left channel became a mix of 40% old left and 60% right. Right channel remained 100% right. This greatly reduced the problem without destroying the stereo image. The last 20 seconds were crossfaded back into the normal channels.
First few seconds of Bird Song patched in from audience
Edited reel flip in Bird Song > Looks Like Rain segue
patched in audience to fix flip in Crazy Fingers (7:50)
patched in audience to fix flip in GDTRFB > Black Peter
Static @ 0:38-0:56, 1:28 in China Cat Sunflower
static @ 3:49, 5:06 Playin in the Band
mild static @ 5:01, 6:22, 6:41 Crazy Fingers
static @ 0:56, 1:05, 1:36, 2:08, 2:56, 4:40 Space
pop @ 0:24, static @ 2:50 GDTRFB
pop @ 1:46 in Around, pencilled a bit in Soundforge
probably a few more analog errors scattered around...
____________________________________________________________________________
*Dankseed Certification received 01-08-06*
and posted at http://groups.yahoo.com/group/dankseeds/files/gd82-09-24/
Listening test performed by *5* danksters
positive criteria met:
Tracking- OK
Seamless and complete- OK
Lineage listed- OK
negative criteria met:
DAE-NO
Resampled- NO
Diginoise- NO
|
|
10/09/82
|
Frost Amphitheatre |
Aud |
3 |
A+ |
|
|
10/09/82
|
Frost Amphitheatre |
WMA |
3 |
|
Main Lineage:
Soundboard->Cassette Master(MA-R90/Dolby B)->
1st Generation Cassette(XLII-S90/Dolby C)
*Dubbed on 8/5/85*
Patch Lineage:
Sony TCD5M line from Eddie Claridge TCD5M
w/Sennheiser 421's mounted on pole that
holds up the soundbooth roof
Transfer:
1st Generation Cassette(XLII-S90/Dolby C)->
Fostex D5 (pass-through only)->ZA2->
Samplitude v7.02 Professional->.wav->mkw->SHN
De-clicked/popped and patched with Cool Edit Pro v2.0
Transfer, editing, and SHN by Joe Samaritano
4/29/2004
Notes:
1. Cassette flips between Big River/Dupree's, Estimated/Eyes, and
during the jam in Morning Dew (what a sin)! Deck stoppage between
GSET/TLEO.
2. All 3 cassette flips and the deck stoppage patched with the
Eddie Claridge audience source.
3. Drums/Space can be put back together seamlessly. |
|
10/10/82
|
Frost Amphitheatre |
Aud |
3 |
A+ |
missing 1st set |
|
10/10/82
|
Frost Amphitheatre |
WMA |
3 |
|
Thanks to David Hollister for the seed and transfer
Extraction performed by Jesse Ayers with EAC on a
Toshiba XM-6402B IDE CDROM
Source:
MC>DAT>ZA2>CD>EAC>SHN
Known Flaws:
> small cut in Crazy Fingers
> momentary "blip" during Saint
> cut in Drums (tape flip)
> momentary dropout during The Wheel
> the very end of Sunshine Daydream is cut |
|
12/26/82
|
Oakland Auditorium |
WMA |
2 |
|
Source: Master Soundboard Cassette > CDR
CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
11/01/01
disc 2 requires an 80 minute disc
|
|
12/28/82
|
Oakland Auditorium |
WMA |
3 |
|
Source: SBD > MC > DAT > CD > EAC > SHN
EAC/SHN by Darryl Hinko (flyerfanatic)
Any questions contact me at: flyerfanatic2817@yahoo.com
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit used for all editing
Thanks to Caleb Miller for the source discs.
Thanks to Joey Browning for an alternate SBD source.
Thanks to Mike Lai for the Baby Blue encore.
Notes:
- Tennessee Jed has slight static at 4:51
- Friend of the Devil has a bit of diginoise at 0:28
- The beginning clipped of Women are Smarter. Not much lost at all.
- Terrapin patched with alternate SBD from 3:30 - 3:34
- Drums has a skip at 5:11 probably from a tape flip. I couldn't find
any patch source for this.
- Baby Blue came to me from Mike Lai, this is a lot lower quality then
the rest of the show. I fixed it up as best as I could but it still
has many issues. Mostly static that seems to be associated with the
vocals.
Also a big thanks goes out to the guys and girls at SHN Traders for
helping me spread these seeds around. Mike, Jason, Michele, Teri,
Rob, Steve, Tom, Dean and the rest.
Enjoy! |
|
12/30/82
|
Oakland Auditorium |
WMA |
3 |
|
SBD>MC>PCM>DAT>CDR (likely cass gen)
COMMENTS
Encore with Etta James and Tower of Power
Splice between Saint and He's Gone,
last few seconds of Saint missing
EAC (secure mode with proper offsets),
editing and shn conversion by Tony G (spreaddead@bellsouth.net)
04/10/2002
Another installment of The Music Never Stopped Project! |
|
12/31/82
|
Oakland Auditorium |
WMA |
3 |
|
SBD>MR>DAT>CD
SHN lineage: SBD>MR>DAT>CD>EAC using Plextor Ultraplex 40 Max>WAV>SHN
Show and lineage information from Charlie Miller, DAE, SHN conversion, by
Keith Bode
COMMENTS Third set with Etta James and Tower of Power
Slight skip at 00:50 of "Day Job"
Midnight noise with Orchestra over beginning of "Sugar Magnolia" |
|
03/25/83
|
Compton Terrace Amphitheatre |
WMA |
2 |
|
Recording Info:
SBD -> Cassette Master -> Reel -> Cass -> Dat -> CD -> EAC ->
Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN
(2 Discs Audio / 2 Discs SHN)
Patch Info:
3 Sennheiser 421's -> Cassette Master -> Dat -> CD -> EAC -> SHN
(d1t01) 0:00-0:11
(d1t02) 0:00-0:13
(d1t03) 3:12-3:43
(d1t04) 4:30-4:48
(d1t05) 0:00-0:19, 5:03-5:23
(d1t07) 6:06-6:07
(d1t08) 0:00-0:07, 7:55-7:58
(d1t09) 0:00-0:32
(d2t01) 0:00-0:28
(d2t05) 4:48-5:06
(d2t10) 9:15-9:22
(d2t11) 0:00-0:14
Patched and Edited By Charlie Miller
charliemiller87@earthlink.net
4/16/04
|
|
04/12/83
|
Broome County Arena |
WMA |
3 |
|
SBD>PCM>DAT>CDR, from Rick Martin
Patch used for drums and space
AUD>MC>DAT>CDR from Paul B.
Eac >cool edit > shntool > cdwav >shnv3
Eac >shn (secure with proper offsets) by Ernie Dodd
* drop out in RC at 03:20 and some ensuing digi static replaced with LC.
% drop out in RC at 02:03 and 02:14
x drop out in RC at 5:17 lasting for 1 minute, 7:44 lasting 1 minute
z drop out in RC for first minute
# drop out in LC for last 30 seconds > drums
@ drums and space were missing on my clean sbd copy. My other sbd source contained
drums and space but was riddled with digi noise. I decided to use an aud version
to provide the patch. This dirty sbd copy also had the above noted drop outs.
~ drop out in both channels 00:31
Another installment of The Music Never Stops Project!!
Thanks to Rick Martin, Willy, and Paul B. for the show and Jerry's Kids for the discs!! |
|
04/13/83
|
Patrick Gymnasium, U of Vermont |
WMA |
3 |
|
SDB>>CM>>C>>DAT>>CDR
any song help send to usalai@nycap.rr.com
thanks to Dr.B.Fried for lending me the masters.
conversion by mike lai |
|
04/16/83
|
Meadowlands Arena |
WMA |
3 |
|
S : MC > DAT > CDR > EAC > SHN
Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW.
Proper sector boundaries verified via shntool.
Seeded to Etree by Alan J Fink 02/02/2003.
Thanks to Jeff Williams for the disks!
*w/Stephen Stills |
|
04/17/83
|
Meadowlands Arena |
WMA |
3 |
|
SBD : MC > C > DAT > CDR
Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW.
Proper sector boundaries verified via shntool.
Seeded to Etree by Alan J Fink 02/02/2003.
Thanks to Jeff Williams for the disks!
*w/Stephen Stills |
|
04/25/83
|
The Spectrum |
WMA |
2 |
|
AUD>?>C>C>Delta 44>Sound Forge 6.0>WAV>Cd wav editor>MKWact>SHN
Transfer:Kenwood KX-W6010 Cas player>M-Audio Delta 44 Break Out Box>PC
|
|
04/26/83
|
The Spectrum |
WMA |
3 |
|
SBDMC>Cass>DAT>CDR>EAC>SHN
Uploaded to shakedown.etree.org
by Mike Parrillo (dankstar@mediaone.net)
-Enjoy! |
|
06/18/83
|
Saratoga Performing Arts Center |
Aud |
3 |
A+ |
|
|
08/29/83
|
Silva Hall, Hult Center |
WMA |
2 |
|
SBD>Cass(2)>DAT>CDR
Notes-
-Sub second d/o @ 8:01 Estimated
-End of TOO cut; Starts again with GDTRFB intro
-I used CD Wave and Shntool to retrack and verify sb's, and CE2K for all editing.
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 08/25/02 |
|
09/02/83
|
Boise State University Pavillion |
WMA |
3 |
|
SBD>cassette master>DAT>CDR
(*) Bob, Brent, and Drummers |
|
09/04/83
|
Park West Ski Resort |
Aud |
3 |
|
|
|
09/04/83
|
Park West Ski Resort |
WMA |
3 |
|
Master Soundboard Cassette > Cassette > DAT > CDR
EAC'ed / SHN'ed by Scott Clugston
Uploaded 11/00 by Scott Clugston
made possible by the usual group of suspects/mental patients
|
|
09/06/83
|
Red Rocks Amphitheatre |
Aud |
3 |
|
|
|
09/06/83
|
Red Rocks Amphitheatre |
WMA |
3 |
|
Sources: Master Soundboard Cassette > Cassette > DAT > CDR
Master Audience Cassette; Sennheiser 421 mics > Sony D5 source
supplies the 1st patch in "Birdsong" (d1t07) from 7:25 thru 8:40,
as well as from the 5:06 mark of "Not Fade Away" (d3t05)
thru the "Brokedown Palace" (d3t06) encore.
Master Audience Cassette; Sennheiser 441 mics > Sony D6 source
supplies the 2nd patch in "Birdsong" (d1t07) from 8:40 thru 8:59
Patching / CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
9/04/01
|
|
09/07/83
|
Red Rocks Amphitheatre |
shn |
2 |
A- |
cuts off half way through West LA Fadeaway |
|
09/08/83
|
Red Rocks Amphitheatre |
Aud |
3 |
A+ |
|
|
09/11/83
|
Santa Fe Downs |
WMA |
3 |
|
Mickey Hart's 40th birthday
Source:
SBD>Master Cassette>1 Reel>DAT>DAT>WAV>Soundforge 4.0>CDWAV 1.53>MKW 0.97b>SHN
DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f (see error logs below)
WAV was edited in Soundforge (crossfading of cuts between songs, and the edits listed below:)
First three minutes of Alabama Getaway patched from aud
Beginning of Dire Wolf (0:08) patched from aud
Beginning (0:54) of Althea patched from aud
End of Althea (6:20) to beginning of CC Rider (0:17) patched from aud
Middle of Wang Dang Doodle (6:05-7:35) patched from aud
16:56:23- 43:01:62 click removal, slope sensitivity=400, proximity=80
Some pop removal and smoothing of analog noises (via pencil) in Althea and Wang Dang Doodle
Known flaws:
Cassette flip drums
Minor analog noise in Althea at 2:18, 3:39-3:41,
Some static and pops remain in CC Rider from 7:38-7:45
PA noise in Wang Dang Doodle 2:04-2:07, 2:17, 4:17,4:22, and 4:45(also on aud)
|
|
09/18/83
|
Nevada County Fairgrounds |
Aud |
3 |
A+ |
|
|
10/11/83
|
Madison Square Garden |
Aud |
3 |
A+ |
|
|
10/11/83
|
Madison Square Garden |
WMA |
3 |
|
Lineage: SBD > Cassette Master > Dat x 2 > CDR > SHN
No NR of any kind was used in the production of these discs.
All editing was performed with Cool Edit Proand and Soundforage
I made several splices to patch cassette flips using the etree
audience version of this show and used many different technics
to make these splices as transparent as possible. Patches are
found on the following tracks:
Disc 2
d2t01 0:00.00 -> 0:12.20
d2t06 3:53.19 -> 4:29.22
also, subsecond drop/splice fixed @ 1:02:50
Disc 3
d3t04 2:42.23 -> 4:33.06
patch source:
FOB Sennheiser 441's > Technics PCM master > DAT
Transfer: DAT > ZA2 > SoundForge
Taper: Jeff Silberman
I would like to thank my friend Bob for getting me the etree
discs to make the patches and thank Jay Silberman for taking
the time to record these wonderful audience tapes.
Any questions or commennts feel free to contact me at
drgseeds@hotmail.com |
|
10/12/83
|
Madison Square Garden |
WMA |
3 |
|
Lineage:SBD > Cassette Master > Dat x 2 > CDR > SHN
All editing was performed with Cool Edit Pro. I made several splices to patch
cassette flips using the etree audience version of this show and
used many different techniques to make these splices as transparent
as possible. Patches are found on the following tracks:
d1t01 6:49.23 --> 7:15.45
d1t02 0:00.00 --> 0:16.68
d1t03 0:00.00 --> 0:10.74
d1t04 0:00.00 --> 0:11.14
d1t07 0:00.00 --> 0:12.44
d1t09 4:21.98 --> 4:25.72
4:32.27 --> 4:34.87
d2t03 8:07.53 --> 10:42.52
d3t01 10:25.76 --> 10:42.20
I would like to thank my friend Bob for getting me the etree
discs to make the patches and thank whomever took the time to
record these wonderful audience tapes. |
|
10/15/83
|
Hartford Civic Center |
WMA |
2 |
|
Lineage: Sbd > Cassette Master > Dat x 2 > CDR > SHN
No NR of any kind was used in the production of these discs.
All editing was performed with Cool Edit Proand and Soundforage
I made several splices to patch cassette flips using the etree
audience version of this show and used many different technics
to make these splices as transparent as possible. Patches are
found on the following tracks:
Disc 1
d1t07 0:00.00 -> 0:18.07
Disc2
d2t01 12:38.22 -> 12:59.69
d2t07 0:02.41 -> 0:09.02
patch source:
FOB Sennheiser 441's > Technics PCM master > DAT
Transfer: DAT > ZA2 > SoundForge
Taper: Jeff Silberman
I would like to thank my friend Bob for getting me the etree
discs to make the patches and thank Jay Silberman for taking
the time to record these wonderful audience tapes.
Any questions or commennts feel free to contact me at
drgseeds@hotmail.com |
|
10/21/83
|
The Centrum |
WMA |
3 |
|
Source: Master Soundboard PCM > Cassette > DAT > CDR
several "pops" were removed from the between song tunings, there is the occassional "pop" throughout the show, which I'm being told, is also present on the master. There is a short drop out in the beginning of "Loser" (d1t02), which is also purported to be on the master.
CD Remastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
8/8/01
|
|
10/22/83
|
Carrier Dome, Syracuse University |
Aud |
2 |
A++ |
|
|
10/22/83
|
Carrier Dome, Syracuse University |
WMA |
3 |
|
Lineage: SBD > Cassette Master > Cassette > Dat > CDR > SHN
No NR of any kind was used in the production of these discs.
All editing was performed with Cool Edit Pro I made several
splices to patch cassette flips using the etree audience version
of this show and used many different technics to make these
splices as transparent as possible. Patches are
found on the following tracks:
d2t05 0:18.45 --> 0:27.09
d3t04 3:51.06 --> 3:56.30
I would like to thank my friend Bob for getting me the etree
discs to make the patches and thank whomever took the time to
record these wonderful audience tapes and also those responsible
for gettng them over to the folks at etree. |
|
10/30/83
|
Marin County Veterans Auditorium |
WMA |
2 |
|
Recording Info:
SBD -> Cassette Master -> Cassette (TDK SA-X90)
Transfer Info:
Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) ->
USB -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN)
Transferred By Charlie Miller
charliemiller87@earthlink.net
2/14/03
Notes:
-- Seamless transition between discs.
-- Jerry's guitar is very low in the mix.
|
|
10/31/83
|
Marin County Veterans Auditorium |
WMA |
3 |
|
SBD>MC>DAT>CDR>EAC>CDWAV>SHN
*Final Time Played
Please report any flaws to Tony Gardner gdtrfb@bellsouth.net
Thanks to Paul Bottiglio for the discs
seeded to etree 4-01 |
|
12/27/83
|
San Francisco Civic Auditorium |
WMA |
3 |
|
Source: SBD > MC > C > DAT > CD > EAC > SHN
EAC/SHN by Darryl Hinko (flyerfanatic)
EAC (with proper offsets) to extract
CDwav used to split tracks
SHNtool used to confirm Sector Boundries
Thanks to Caleb Miller for the source discs
Notes:
- First 5 minutes of Cold Rain and Snow has what sounds like a hot
drum. Might be the Bass Drum. . This is also on an alternate SBD
I have of this show.
- From 3:57 - 4:00 of C. C. Rider has the same problem as above.
- Level adjustments from the Soundboard throughout Fire on the
Mountain.
- Tape flip between Sugar Mag and Sunshine Daydream spliced in from
the Charlie Miller AUD seed. (FOB) Senn 441>PCM>Dat.
Splice from 6:39 - 6:52.
Drums and Space are seemless.
Also a big thanks goes out to the guys and girls at SHN Traders for
helping me spread these seeds around. Mike, Jason, Michele, Teri,
Rob, Steve and the rest.
Enjoy! |
|
12/28/83
|
San Francisco Civic Auditorium |
Aud |
2 |
A+ |
|
|
12/28/83
|
San Francisco Civic Auditorium |
WMA |
2 |
|
SBD>MC>C>DAT>CDR
Eac >cool edit > shntool > cdwav >shnv3
Eac >shn (secure with proper offsets) by Ernie Dodd
* level adjustments at beginning, 3:24 digi noise in RC so pasted in LC
& 10:09,10:21,10:24 DO in both channels
% dropouts in both channels and digi static removed at 3:21,
10 seconds of static in both channels cut at 3:25
~ tape flip at 0:21, drop outs/digi static in both
channels removed at 0:41
I put the encore at the end of disc one to fit the show on two discs.
More importantly, I did this to keep the continuous flow of the second
set. Feel free to split it up if you would rather have it in order as
played.
Another installment of The Music Never Stops Project!!
Thanks to Paul B. for the show and Jerry's Kids for the discs!! |
|
12/30/83
|
San Francisco Civic Auditorium |
WMA |
3 |
|
SBD>MC>DAT>CDR
Eac >cool edit > shntool > cdwav >shnv3
Eac >shn (secure with proper offsets) by Ernie Dodd
* digi noise at beginning of LLR at 00:30.
% digi spots at 6:23 of deal. There were too many to remove
without causing a noticeable break in the music.
Another installment of The Music Never Stops Project!!
Thanks to Paul B. for the show and Jerry's Kids for the discs!! |
|
12/31/83
|
San Francisco Civic Auditorium |
WMA |
3 |
|
Source :
SBD -> Rm -> Dat -> M-Audio 2448 -> Samplitude 2496 v6.0 -> CD (SHN)
Brokedown Palace patched from Pre-FM>Cm>Cass>Dat>CD
Dat -> SHN Transfer Done By Charlie Miller
charliemiller87@earthlink.net
8/27/02
|
|
03/29/84
|
Marin County Veterans Auditorium |
WMA |
2 |
|
Rex Foundation Benefit
Soundboard > ??? > CDR > EAC > SHN
Comments:
Disc 2 requires an 80 minute disc. Jerry's guitar very low in the mix
intermittently throughout the show. Sounds like some sort of noise
reduction was used in the lineage. Unknown "noise" at the very
beginning of Eyes. Tape flip cuts the Drums (D2t3). Starts back with
Spanish Jam. Small pop 1:37 of Day Job (D2t8).
Shntool verified. |
|
03/31/84
|
Marin County Veterans Auditorium |
WMA |
3 |
|
Source:
SBD > MC > DAT > CDR > EAC > Cool Edit Pro 2.0* > CDWave > mkwACT
EAC'd/Pitch Corrected/SHN'd by Doug Nawrocki
Source kindly provided by Vojo
- missing Baby Blue encore
* Cool Edit Pro notes:
- Cut into Althea crossfaded
- Used Sonic Foundry's Shift Pitch with the following settings:
Semitones 0
Cents -80.0 |
|
04/06/84
|
Aladdin Theater |
WMA |
2 |
|
SBD>MC>DAT>CDR
Notes-
-Minor static @ 4:36 & 4:46 of Bertha
-First few notes of All Over Now missing, maybe 2 seconds
-Minor static @ 6:14 of Bucket
-Saint of Circ cuts (splice) @ 5:50; Resumes during pre drums jam
-Black Peter cuts (splice) @ 6:13; Resumes during post song jam
-I used CD Wave and Shntool to retrack and verify sb's, and CE2K for all editing.
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 06/21/02
Audio discs provided by Paul B
Another installment of The Music Never Stopped Project! |
|
04/07/84
|
Irvine Meadows |
WMA |
3 |
|
sbd>MC>Dat>cd
Eac >cool edit > shntool > cdwav >shnv3
Eac >shn (secure with proper offsets) by Ernie Dodd
At times this sounds like its has audience portions.
(patches?/partial matrix?). Its probably only noticable
with headphones and only if you really pay attention.
The sound is very nice but there are a few minor
blimishes noted below.
* some digital noise in beggining before 1min mark.
x small cut with digi noise removed at 4:20
+ small cut removed at 2:44
# digi noise at 2:13 lasting 4 seconds, 2:23 dropouts in both channels
++ Aud portion for Bobby's comment?
## cut at 7:10, digi noise at 10:29
& 0:17-0:21 dropout in lc then rc
Another installment of The Music Never Stopped Project!!
Thanks to Alan Matta for the show!! |
|
04/13/84
|
Hampton Coliseum |
WMA |
2 |
|
Neumann U-87 mics > Sony D6 cass > Dat > CDR
This will fit on 2 disks if disk 1 is an 80 min.
Disk 1 - Day Job -> Fire
Disk 2 - Estimated -> US Blues
Posted to abgd.hs 9/2000 by PJ
Enjoy!
|
|
04/17/84
|
Niagara Falls Convention Center |
Aud |
3 |
|
|
|
04/19/84
|
Philadelphia Civic Center |
WMA |
3 |
|
Lineage: Sbd > Cassette Master > Cassette > Dat x 2 > CDWAVE > MKW > SHN
Aud patch from on d1t01 from 4:01.31 - 4:12.85.
Thanks to Bob Harrell for gwtting me the etree audience for the patch. |
|
04/20/84
|
Philadelphia Civic Center |
WMA |
2 |
|
Master Soundboard Cassette > Cassette > C
CD Mastering by Scott Clugston
SHN'ed 8/23/02 by Scott Clugston |
|
04/26/84
|
Providence Civic Center |
WMA |
3 |
|
Master Soundboard Cassette > Cassette > DAT > CDR
missing encore - Baby Blue
(1) Brent and drummers only
u/l'd to a.b.gdead 12/00 by PJ.
Thx go to a friend in PA |
|
04/27/84
|
Providence Civic Center |
WMA |
3 |
|
1st set - Neumann > D6 > DAT > CDR > EAC > WAV > SHN
2nd set - MSbd> Cass > DAT > CDR > EAC > WAV > SHN
Disc 2 & 3 will fit on one 80 min cd.
Up'd to a.b.gd.hs 1/01 by PJ. |
|
05/06/84
|
Silva Hall, Hult Center |
WMA |
3 |
|
Source: SBD > MC > C > DAT > CD > EAC > SHN
EAC/SHN by Darryl Hinko (flyerfanatic)
Any questions contact me at: flyerfanatic2817@yahoo.com
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit used for all editing
Thanks to Caleb Miller for the source discs.
Patch source from Unknown SBD thanks to Joey Browning. |
|
05/07/84
|
Silva Hall, Hult Center |
WMA |
3 |
|
SBD>Cass>DAT>cdr
** Bill Kreutzmann's 38th B-Day. "happy b-day" before Mama Tried
DAE and encoding by C. Vinci
Seed via M. Lai |
|
05/08/84
|
Silva Hall, Hult Center |
WMA |
3 |
|
SBD>MR>C>DAT>CDR
any info send to usalai@nycap.rr.com.
thanks to dr. b. fried for lending me his copy.
transferred and edited by mike lai. |
|
06/09/84
|
Cal Expo |
Aud |
2 |
|
no Sunshine Daydream |
|
06/09/84
|
Cal Expo |
WMA |
2 |
|
Source: SBD > MC > DAT > CD > EAC > SHN
* Sunshine Daydream was not performed
EAC/SHN by Darryl Hinko (flyerfanatic)
EAC in secure mode wit proper offsets used to extract
CDwav to cut tracks
SHNtool to join tracks and confirm sector boundries
Cool Edit used for all editing
Thanks to Caleb Miller for the source discs.
Notes:
- Level fluctuations on Iko Iko, also the song was much louder then
the rest of the show so I cut the amplification by -3dBs. Some
clipping occured.
- Some light pops in Hell in a Bucket one major pop at 2:13. Also a
couple of short periods where the vocals distort for a couple of
seconds.
- Cassidy has the drums disappear at 3:35 and 3:37 for less then a
second each time.
- Loser has vocal problems that came from the Soundboard. There are
2 large spikes with Jerry's vocals coming in. When the problem is
solved Jerry starts the vocals over. Also a pop at 0:29.
- First 31 seconds of Deal spliced in from Charlie Miller's seed.
Patched from Nak 700>Cm>Dat>CD
- Playing in the Band after Space was cut. Patched from 0:21 - 1:48
patched with AUD (Nak 700Ãs)>MC>DAT>CD
All first set notes are the same on Charlie Miller's seed.
Bertha and Playin' are seemless
Enjoy! |
|
06/10/84
|
Cal Expo |
WMA |
2 |
|
SBD>MC>C>DAT>CDR
Notes-
-Stranger cuts in before last verse
-Static/sub second splice @ 1:24 of BIODTL
-Cut @ 7:09 of Space
-Brokedown cuts in @ 'Gonna leave...this brokedown palace'
-I used CD Wave and Shntool to retrack and verify sb's, and CE2K for all editing.
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 06/22/02
Audio discs provided by Paul B
Another installment of The Music Never Stopped Project! |
|
06/13/84
|
Red Rocks Ampitheatre |
WMA |
2 |
|
Source: SBD>PCM>DAT>CDR>WAV>SHNv3
Comments:
Start of Cold Rain & Snow missing.
#drums missing starting @ 07:01 drums removed with SF5.
*d/o @ 04:38, 04:46 removed with SF5.
Thanks to Rick M. for the seeds.
DAE(EAC0.9 beta 4, offset corrected, high&secure)>dropout removal (soundforge 5)>shntool 1.1>SHN(shorten 3.4)>FTP via Chris L./candyman FTP.
7/2002. |
|
06/14/84
|
Red Rocks Ampitheatre |
WMA |
3 |
|
Source: SBD > MC > C > DAT > CD > EAC > SHN
This show can fit on 2 80 minute discs by moving Shakedown to the first
disc. I didn't do it this way because I didn't want to interupt the
beginning of the second set.
first "Dear Mr. Fantasy"
EAC/SHN by Darryl Hinko (flyerfanatic)
Any questions contact me at: flyerfanatic2817@yahoo.com
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit used for all editing
Thanks to Caleb Miller for the source discs
and
Thanks to Charlie Miller for the AUD Patch AUD>Cm>Dat>CD
transfer: Tascam DA20 -> Tascam CDRW700
Notes:
- Cassidy has 2 patches at 1:51 - 1:53 and 2:41 - 2:43
- Day Job has a patch from 0:04 - 0:10. The AUD has 2 pops at 0:09.
Also a big thanks goes out to the guys and girls at SHN Traders for
helping me spread these seeds around. Mike, Jason, Michele, Teri,
Rob, Steve, Tom, Dean and the rest.
Enjoy! |
|
06/26/84
|
Merriweather Post Pavilion |
WMA |
2 |
|
Source: SBD
Lineage: PCM> DAT> CD> SHN
This is a so-so quality soundboard of a so-so show. There are moments, but then, aren't there always?
A quick spot Finiculi Finicula tuning before the show starts, then a slight clip right at the beginning of Casey Jones.
*Tennessee Jed and Day Job are patched from an audience recording.
**Weir makes a lunatic comment before Woman Smarter. What gives with this guy anyway?
Thanks to Ray Hansen for the discs. Seeded by Peter Braverman (braverman@earthlink.net), July 2002. |
|
06/27/84
|
Merriweather Post Pavilion |
WMA |
3 |
|
LINEAGE SBD>MC>C>DAT>CDRx1>EAC>SHN
Mastered, ripped, encoded and posted by Skankweed 4/00 |
|
06/30/84
|
Indianapolis Sports and Music Center |
WMA |
2 |
|
SBD-MC-DAT-CDR |
|
07/13/84
|
Greek Theatre, U. Of California |
WMA |
3 |
|
|
|
07/14/84
|
Greek Theatre, U. Of California |
WMA |
2 |
|
Recording Info:
SBD -> Cassette Master -> Dat (44.1k)
Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN
(2 Discs Audio / 2 Discs SHN)
Transfered and Edited By Charlie Miller
charliemiller87@earthlink.net
8/9/04
Notes:
-- Seamless transition between discs 1 and 2.
-- Most of Drums missing.
Comments:
* with Matt Kelly on Harmonica |
|
07/15/84
|
Greek Theatre, U. Of California |
WMA |
3 |
|
(no imtermediate source info) SBD > ? > CDR
Notes:
Track marker for Uncle John's misses (late) by nearly a minute
Track marker for Not Fade Away is set at last verse
Brokedown track includes 1:30 or so of crowd noise
Extracted (cdparanoia) and shortened by
Mark Ferguson
|
|
07/22/84
|
Ventura County Fairgrounds |
shn |
2 |
A+ |
|
|
07/22/84
|
Ventura County Fairgrounds |
WMA |
3 |
|
sbd>mr>dats>wave>shn w/seek
thanks to michael grossman for the dat
dat>wave>shn by popi n. feeldz
|
|
10/05/84
|
Charlotte Coliseum |
WMA |
3 |
|
Source: SBDMC>Cass>DATs>CDRs>SHN
COMMENTS:
(1) Audience Splice in BE Women by Scott Clugston (from FOB Nak 300>d5 source)
(2) Audience Splice in Space by Scott Clugston (from FOB Nak 300>d5 source)
(3) no Sunshine Daydream
Thanks to Blacula for the source shns. Soundforge editing (a few pops/zaps removed) and retracking by Darrin (dnsacks@usa.net. Seeded to etree on 1.22.2001. |
|
10/06/84
|
Richmond Coliseum |
WMA |
3 |
|
Sorry, no source info available |
|
10/08/84
|
The Centrum |
WMA |
3 |
|
Main Source: SBD>MC>DAT>CDR
Patch Source: AUDMC>Playback Nakamichi DR-1 cassette deck>HHB 850 CDR>
EAC>Cool Edit Pro>CDWave>CDRWin>SHN(previous upgraded SHN release)
Aud Taper Name:Matt Rice
Mic info: Nakamichi CM 100 mics w/ shotgun capsules
Deck Info: Sony D5 cassette deck
Conversion: EAC(secure)CD Wav>Cool Edit Pro>SHN(Seekable)
COMMENTS: SBD came to me on Disks and the Aud came to me thru FTP in shn format. D1T01 thru
beginning of D1t07 is the Aud source. Time/Pitch corrected on all of the Aud source.
D1t01 (Iko Iko) Level jump @ 1:32. D1t07(Supplication) Patch was preformed @ 2:33
with overlap and cross fading (SBD picks up). D1t08(Deal) Nasty pops @ 5:33 both channels
deleted, and @ 6:41 both channels deleted. D2t01 (Terrapin Station) Glich or echo from SBD
@ 6:40 was present on the Aud as well. D2t05(Drums) redundancy @ 1:02 removed.
D3t03(Wharf Rat) Drop out @ 8: 50 Patched 8:48 thru 9:11 patched with aud cross fades and
overlaps. This one seems bad by the patches noted here but trust me don't let it fool you
I put plenty of TLC in to this one for all to enjoy!!
This one is for: Thanks Caryn(my wife) for understanding, putting up with me, and all those
long nights while I was up working one this one and the few others ;) OXOX
Conversion/Edit/Seeded to Etree by T. Wiley 02/10/2003.
EAC: Secure to extract all disks @ 100% quality no reported errors.
CD Wav: To select tracks.
Cool Edit Pro: See comments above for edits preformed by CEP.
Shntool: To confirm sector boundaries.
SHN: Via mkwact(seekable)
Thanks to Andy L. for the SBD source disks and Willy M. for the Aud SHNs.
Another Installment Of The Music Never Stopped Project!
Enjoy!! |
|
10/09/84
|
The Centrum |
Aud |
3 |
|
|
|
10/09/84
|
The Centrum |
WMA |
3 |
|
Main Source: SBD>MC>DAT>CDR
Patch Aud Source: MAC>>Sony D-5>CDR>SHN (previous upgraded SHN release)
Taper: Mike Rice
Mics: Nak CM 100 w/ shotgun w/ caps
Conversion: EAC(secure)>ADD A WAV>CD Wav>Cool Edit Pro>SHN(seekable)
COMMENTS: I got this SBD on 3 Audio disks w/ editing(patches) already. The Aud I got from
FTP in SHN format. All Aud sections used for patching the timing/pitch was corrected. I left
all the silent parts inbetween tracks on the SBD to keep the real time of the show.
D1t01(Dancin' in the Streets) Pop @ 7:53 both channels removed. D1t02(Friend of the Devil)
Digi pop @ 10:27 removed. D1t03(Me & My Uncle) Digi pop @ 1:21 both channels filtered with
noise reduction only on the pop. D1t05(Althea) Digi pop right channel @ :18 removed and
replace with left channel. D1t07(Big Railroad Blues) Original patch from 2:09-3:25 Deleted
and was replaced with cross fades and mixed patch with overlaps for smoother transition in
the patch from 2:03-3:30. D2t02(Slipknot!) A funky sound @ 6:32-6:33 is the band not a flaw
or if it is a flaw its on the Aud as well. D2t03(Franklin's Tower) Funky sound @ 1:05-1:07
similar to the one on D2t02 is present on both SBD and Aud recordings I left it alone as
well. D2t04(Jack Straw) Original patch @ :03-:26 Deleted along with the 4 seconds of
silence in the begining of the track, Replaced with new patch from :02-:28 cross fades and
overlap was used. I also noticed the original patch made the SBD track time off by
0:06.457 seconds, which was removed. D2t07(Drums) Redundancy present @ :06-:32 removed.
D3t03(Throwing Stones) Original patch was from 3:48- removed and replaced with new patch
from 3:27- with cross fades and overlap. D3t04(Stella Blue) Original patch was from
0:00-:20 removed, new patch from 0:00-:22 with cross fades and overlap. D3t07(Revolution)
Major bummer @ 2:14-5:16 has Master Cassette problems with a constant swirling noise. I left
the encore alone as not to take away from the SBD by patching it will the Aud. If the noise
is annoying my apologies. I know all this edit work seems like a bunch but the show and
recording is really good. Don't let the flaws scare you trust me I put plenty of TLC in this
one for all to enjoy!!
Conversion/Edits/Seeded to Etree by T. Wiley 01/14/2003.
EAC: Secure to extract disks 1 & 3 @ 100% and disk 2 @ 99.9% quality, no reported errors.
Add A Wav: To join Disk 2 and 3 together.
CD Wav: To select all tracks.
Cool Edit Pro: To preform all edits(see comments above).
Shntool: To confirm Sector Boundaries.
SHN: Via mkwact(seekable)
Thanks to Andy L. for the SBD disks and Willy M. for the Aud SHNs.
Another Installment Of The Music Mever Stopped Project!
ENJOY!! |
|
10/11/84
|
Augusta Civic Center |
Aud |
2 |
|
|
|
10/12/84
|
Augusta Civic Center |
shn |
2 |
|
|
|
10/12/84
|
Augusta Civic Center |
WMA |
2 |
|
Sources: Master Soundboard Cassette > Reel to Reel > DAT> CDR
Mike Rice's Master Audience Cassette; Nakamichi CM100 mics + CP4's> Sony D5 source supplies patches in "Feel Like A Stranger" (d1t01) from 0:31 thru 0:37, "It Must Have Been The Roses" (d1t02) from 4:06 thru 4:10,the final 0:27 of Cumberland Blues, as well as from the 7:36 mark of "Uncle John's Band" (d2t02) thru the end of the show. The master cassette's cut/flip in "Drums" (d2t04)has been digitally edited and is virtually tranparent.
There are some minor technical difficulties throughout, most prevelant during "Cold Rain & Snow" (d1t08), "Lost Sailor" (d1t09) and "Saint of Circumstance" (d1t10).
CDR ReMastering / Patching by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
8/12/01
|
|
10/14/84
|
Hartford Civic Center |
shn |
2 |
A- |
|
|
10/14/84
|
Hartford Civic Center |
WMA |
3 |
|
Lineage: FOB> Nakamichi 300's>CP4Cassette Master>DAT>CDR>Eac>SHN
DAE(EAC) + SHN Encoding by Jeff M.
email fy1220_jeffm@snet.net
Known Flaws: There are a few cuts and dropouts throughout this show (especially during disc 3)- Don't let that deter you from enjoying this show. It is one of the best sounding auds in my collection.
Notes on this show: This was unofficially the longest non-New Years show of the 80's and 90's. If drums and space existed in their entirity, it would be a four disc show without question. I remember walking out of the civic center, looking at my watch and it saying 12:27. This show was also noted for the return of lovelight to the regular rotation, (they really only teased it on a couple of occasions in the couple years leading up to this one. It is Bobby's first full out lovelight performance(if you don't count the melkweg 10/16/81 performance and the etta james 12/31/82 one, 5/28/82 was with Boz Scaggs, and 7/7/84 was a 30 second interlude during NFA).
The show was also notable for Dan Healy's overwhelming(and sometimes obnoxious) vocal effects on Bobby's mic during Throwing Stones>NFA, I have never heard a show with more vocal effect knob twisting than this one and it makes for some pretty interesting and zany moments. ENJOY__Jeff M. |
|
10/15/84
|
Hartford Civic Center |
shn |
2 |
A- |
|
|
10/20/84
|
Carrier Dome, Syracuse U |
Aud |
3 |
|
|
|
10/20/84
|
Carrier Dome, Syracuse U |
WMA |
3 |
|
SBD>CM>DAT>computer processing>CDR>EAC>SHNTOOL>MKWACT
*Mono?
Disks from Alan Matta
Editing by MattMan (mcole@sun.science.wayne.edu)
-EAC: secure w/o normalization
-CE2K: +3db boost; retracking; fades; L channel click @ 1:41 of d2t01 fixed w/R channel;
-SHNTOOL: sector boundary alignment
-MKWACT: shorten w/seek |
|
10/30/84
|
Berkeley Community Theater |
WMA |
2 |
|
Source: Set 1: SBD>MC>DAT>CDR>WAV>SHN.
Set 2: SBD>MC>DAT>CDR>WAV>SHN (first 3 tracks)
AUD(Senn 441Ãs>Sony D-5)>MC>DAT>CDR>WAV>SHN (remainder of second set + encore)
Comments: The audience portion of this was unlineaged but is identical in sound to a circulating Sennheiser source.
*Splice @ in Tennesee Jed @ 05:24 til end of song - originally with a fade out into the audience source, now cleaned up and crossfaded with soundforge 6.0.
CDRs provided by J.Powell.
DAE(EAC0.9b4 offset corrected,secure mode QPS QUE 2410)>WAV>editing as above (SF6)>tracking(cdwav editor)>sector boundaries confirmed (shntool)>SHN(mkwact) via C.Ladner.
TMNSP, 2.04. |
|
11/03/84
|
Berkeley Community Theater |
WMA |
3 |
|
Source: SBD
Lineage: MC> DAT> CD> EAC> WAV> SHN> Peak> SHN
This is a re-seed of a flawed show. The previous seed had been burned in at least one generation as TAO with gaps between tracks, and those gaps were not completely removed. They are now. In addition, the show is retracked so that drums and space are split. There is no gap between them, so they can be reassembled if desired.
Known flaws:
Music Never Stopped is missing the first few notes
Why Don't We Do It in the Road is missing the first few notes
D3 has several digi-pops throughout; some have found it "unlistenable," so here's hoping a better one pops up somewhere.
Uncle John's Band has a "pfft" at about 9:50 and a splice at about 10:45, missing at least several seconds but probably not that much more.
Seeded by Peter Braverman (braverman@earthlink.net), March 2002. |
|
12/31/84
|
San Francisco Civic Auditorium |
WMA |
3 |
|
Source: SB > MR > ?? > DAT > CDR > DAE (EAC, Correct offses,Secure, Test and Copy) > SHN
Appears to be a FM source, despite listing
COMMENTS Sugar Mags at midnight
Contributor: Thanks to Dr. Bill Golden for making this great show available.
EAC, SHN extraction and etree seeding done by G.Gorinsky
(elgilhooley@aol.com) |
|
02/18/85
|
Henry J. Kaiser Convention Center |
WMA |
3 |
|
SBD>CM>DAT>SoundForge>CD
Notes-
I got my hands on an audio copy of this gem and seeded it. There 'is' therefore a shn set with one less eac gen available. Here is the original lineage 'exactly' as it was given to me. I made 'no' changes.
Source: SBD Lineage: Cassette Master>DAT>SoundForge>CD>SHN
Extraction and SHN Conversion using mkwACT by Keith Bode.
Notch filtered and speed corrected (pitch lowered by 1.86%) in
SoundForge by David Hollister.
Source DAT from Charlie Miller
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 02/15/02
Audio discs provided by John Spaventa |
|
02/19/85
|
Henry J. Kaiser Convention Center |
WMA |
2 |
|
SBD>MC>C>DAT>C>C>ZA2>CDR
Lineage may be incorrect based on Nice Sound Quality
It just sounds too good to be 4 analogs.
tape notes:
-most first set songs have some tuning clipped out
-dupree's: tape fart @ 6:35
Another issue of The Music Never Stopped Project
thanks to raul for the seeds
eac v9.3 secure test and copy with offset's config'd, all tracks 100
shn via mkw v.97 seek enabled
sector boundaries checked in shntool. they were fine.
uploaded May 02
enjoy,
steve barbella |
|
02/20/85
|
Henry J. Kaiser Convention Center |
WMA |
2 |
|
Lineage:
SBD ->Cassette Master -> Cassette -> Dat -> Cassette -> CD -> EAC -> SHN
(2 Discs Audio / 2 Discs SHN)
Converted To SHN By Charlie Miller
charliemiller87@earthlink.net
1/28/04
Notes:
--Chinese New Year's Show
|
|
03/12/85
|
Berkeley Community Theater |
WMA |
2 |
|
FOB Senn421's > Master Cassette > DAT > CD
* = w/ Matt Kelly
notes:
-maybe be one extra cassette in lineage
-a few crowd segments and tune-ups were edited from the master tapes during set 1
-balloon pops near mic's in tune up after duprees at 6:24 and 6:32 (not digipops)
-Drumz fades out at 4:12, approx 4 minutes are missing from this recording
I believe this was recorded somewhere in the front few rows, as
one of the fans close to the mic's is captured saying
"spray me bobby" after West LA.
EAC>SHN transfer by Steve Barbella
EAC secure, test and copy, offsets set, 100% track quality
shn files created in mkw v.97 seek enabled
sector boundaries verified in shntool. they were fine
Another installmant of The Music Never Stopped Project
thanks to Raul Duke for the discs
uploaded June '02
Enjoy. |
|
03/13/85
|
Berkeley Community Theater |
WMA |
2 |
|
Master Soundboard Cassette > DAT > CDR
* = w/Matt Kelly
** = w/Hamza El-Din
-pretty low digistatic here and there in the first few minutes of Jack Straw
-analog signal drop out 5:56 jack straw
-sealed splice or MC flip at 4:23 of Deal
-Fixed the zap at 6:58 of Music
-sealed splice at 6:51 of Spoonful
-tape glitch at 8:13 of Space
track indexes were cut with no fades between discs
eac v9.3 secure test and copy with offset's config'd, no errors reported
cdwave and shntool used to close the splice gaps
shn via mkw v.97 seek enabled
sector boundaries checked in shntool. they were fine.
uploaded June '02
enjoy,
steve barbella
Another issue of The Music Never Stopped Project
thanks to raul for the seeds |
|
03/21/85
|
Hampton Coliseum |
Aud |
2 |
|
|
|
03/25/85
|
Springfield Civic Center |
shn |
3 |
|
|
|
03/25/85
|
Springfield Civic Center |
WMA |
3 |
|
MSC>Cass.>DAT>CDR>SHN
Audio Discs from Andy L.
EAC'ed & SHN'ed by tbrame24@yahoo.com |
|
03/27/85
|
Nassau Veterans Memorial Coliseum |
WMA |
2 |
|
Source: SBD>MC>C>DAT>CDR>WAV>SHN
DAE/FTP via neo_levo/candyman FTP.
3/2002 |
|
03/28/85
|
Nassau Veterans Memorial Coliseum |
WMA |
2 |
|
SBD> MC> DAT> CDR
*with Matt Kelly
Known flaws:
Dropout in China Cat Sunflower at 0:10
Dropout in LL Rain at 0:32
EAC'd and converted on 9/17/2001 by Randy Griesman(randyg@ameritech.net) |
|
04/04/85
|
Providence Civic Center |
WMA |
2 |
|
SBD>HiFi Video (Lighting crew)>MC>CDR
Notes-
-Subsecond d/o first second of FOTD
-Tape flip; Space is missing
-First She Belongs To Me since 01-07-66!
-First Crazy Fingers since 10-08-83
-I used CD Wave and Shntool to retrack and verify sb's, and CE2K for all editing.
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 08/27/02
Audio discs provided by Tommy Danscuk |
|
04/06/85
|
The Spectrum |
WMA |
2 |
|
Lineage:
-------
SBD>Cm>Cass>Dat>CD>EAC>SHN
Converted to SHN by Charlie Miller
charliemiller87@earthlink.net
9/18/02
|
|
04/07/85
|
The Spectrum |
WMA |
2 |
|
Source: Csbd>DAT>CDR>EAC>SHN
Seed Shns by Scott Z -- Thanks! Seeded to etree by darrin (dnsacks@usa.net) on 2/14/2001 |
|
04/08/85
|
The Spectrum |
WMA |
2 |
|
|
|
04/14/85
|
Irvine Meadows |
WMA |
2 |
|
Lineage: SBD>Master Cassette>DAT>CDR>EAC>SHN
DAE(EAC) + SHN Encoding by Jeff M.
email: fy1220_jeffm@snet.net
Please email any found flaw notations to Jeff M. at the above email address |
|
04/27/85
|
Frost Amphitheatre |
WMA |
3 |
|
SBDMC>DAT>CDR
CDR>EAC>SHN conversion & upload by AJ - a2k@pacbell.net - 3/4/00
Known flaws - none |
|
04/28/85
|
Frost Amphitheatre |
WMA |
3 |
|
Master Soundboard Reel > DAT > CD
notes:
-Birdsong: loose cable or line static 0:30
-ChinaCat: cut start
-Rider: light pops 1:04 2:57 4:48
-Wharf Rat: light pops 2:34 2:38 4:30
-NFA: some loose cables or line static between 2:40 and 4:00
Editing, EAC, SHN, and upload by Steve Barbella, Dec. 2002
-EAC secure test and copy, offsets config'd, no errors reported
-tracked with CDwave
-SHN via MKW v.97 seek enabled
-shntool used to verify sector boundaries, they were fine.
Another instillaSHN of The Music Never Stopped Project |
|
06/14/85
|
Greek Theatre, U. Of California |
WMA |
2 |
|
Source: SBD > DAT > CDR/?
Conversion: CDR > EAC (read offset correct) > CDWave > CoolEditPro > mkwACT > SHN (seekable) by Randy Carman rcarman@cogeco.ca
Notes:
1. time compressed using CoolEditPro to 98.666% of original speed to approximate the Oade audience source speed
2. patches used from Oade audience source:
d1t10: patched in Bobby's "we're gonna take a real break, and then we'll be back in a little bit" banter at end of Deal (6:08 to end)(was cut on sbd)
d2t06: patched in 2 minutes missing from Space (4:14 to 6:24)
3. no sector boundary errors verified with shntool v1.2.0 |
|
06/15/85
|
Greek Theatre, U. Of California |
WMA |
3 |
|
SBD> ?> CD-R
Known errors:
Minor dropout before d2t05.
Dropout between d3t04 & d3t05.
Extraction and Shortening on 10/07/2001 by Randy Griesman(randyg@ameritech.net) via EAC and MKW.
Correct sector boundaries verified using shntool.
Retracked using CDwave. |
|
06/16/85
|
Greek Theater, U. of California |
Aud |
3 |
|
|
|
06/16/85
|
Greek Theater, U. of California |
WMA |
2 |
|
Downloaded from darkstar.etree.org
Updated source: SBD>MVHS>DAT>CD-R
|
|
06/21/85
|
Alpine Valley Music Theatre |
WMA |
2 |
|
Master Soundboard Cassette > DAT > CDR
notes:
- tape flip between Mex and Birdsong
- No fades between discs
- Drop out in Drumz 8:48
- First few seconds of Space are missing due to tape flip
-eac v9.3 secure test and copy with offset's config'd
-cdwave used to neaten up the track markers
-shn via mkw v.97 seek enabled
-sector boundaries checked in shntool. they were fine.
uploaded August '02
enjoy,
steve barbella
Another issue of The Music Never Stopped Project
thanks to Jack Straw for the seeds
|
|
06/24/85
|
River Bend Music Center |
WMA |
3 |
|
Recording Info:
SBD -> Cassette Master -> PCM -> Dat -> CD
Editing Info:
CD -> EAC -> Cool Edit Pro v2.0 -> Samplitude v7.02 Professional -> SHN
(3 Discs Audio / 2 Discs SHN)
Transfered and Edited By Charlie Miller
charliemiller87@earthlink.net
7/28/04
Notes:
-- Seamless transition between discs 2 and 3.
-- Thanks to John Lyons for his help in this project.
-- Set 2 may be from either a PCM Master or a VHS Master. The reason I say this is
I could not find a tape flip and the recording is more dynamic than Set 1.
|
|
06/25/85
|
Blossom Music Center |
WMA |
2 |
|
Lineage: SBD>Master Cassette>DAT>CDR>EAC>SHN
DAE(EAC) + SHN Encoding by Jeff M.
email: fy1220_jeffm@snet.net
This is an often overlooked but killer show from a summer tour full of gems.
Enjoy--- Jeff M.
Known Flaws: d2t01 two minor clicks during first :02 of Gimme Some Lovin' |
|
06/27/85
|
Saratoga Performing Arts Center |
WMA |
3 |
|
Source: Amy's Soundboard VHS > Cassette > DAT> CDR
CD Re-Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
11/04/01
|
|
06/28/85
|
Hershey Park Stadium |
WMA |
2 |
|
Source: Liberated Bootleg..prolly a DSBD.
Notes:
Any problems email: lemon2@home.com
|
|
06/30/85
|
Merriweather Post Pavilion |
WMA |
3 |
|
SBDmc>DAT>CD
seeded by Nick Georges
question, comments, concerns...email walstib@rmi.net
|
|
07/01/85
|
Merriweather Post Pavilion |
WMA |
3 |
|
Lineage:
Disc 1 & 2: SBDmc>?>DAT>CD>EAC>SHN>CD>EAC
Disc 3: SBDmc>?>DAT>CD>EAC
There is some static/digi noise present here and there.
Especially prevelant on the first disc. I have been
unable to find a clean copy.
---------------------------------------------------------
Corrections:
Disc 2:
Sector boundary errors corrected with SHNTOOL.
Disc 3:
Glitch at the beginning of "Good Lovin'" removed with GoldWave.
Disc entirely re-tracked with CDWave.
Discs 1 and 2 were re-extracted from CDR with EAC in Secure Mode with proper offsets, and no errors were reported.
PainoMan
painoc001@hawaii.rr.com |
|
07/02/85
|
Civic Arena |
WMA |
2 |
|
Source:SBD>MC>D>
- Tape flip after RXR cuts in Promised
cut in brokedown :-(
uploaded from furthur via Sbd
seeded to etree by bubba420 |
|
07/13/85
|
Ventura County Fairgrounds |
WMA |
2 |
|
SBDmc>DAT>CD>eac>cool edit>shn
Notes (11-20-99):
When I got this show, it was SBDmc>DAT>CD. The tracks were not indexed
and there was a noticible hiss throughout. I ripped the "track", and with Cool
Edit, was able to take a good noise sample from the tape flip of the master
right before the music started up again (tape flip is start of track 03 on D2).
I removed the sampled noise from the rest of the file.
The end product is definately cleaner sounding than my original.
There is some "fishbowl" effect in segments between tracks, as that is where
the hiss was more prominant in the mix. Once the music starts...it's all good
agian (very good at that).
Also...
There is a crackeling sound on both discs here and there. At first, I figured it
to be digi noise, but after a few listens...you can tell it's a problem with Phil's
equipment. Someone says "I think it's your bass.." at the end of Sugar Mag, before
the "Sunshine Daydream" segment, so It must be present on the master.
The un-Cool Edited version is also available.
Enjoy!
Nick Georges
walstib@rmi.net |
|
07/14/85
|
Ventura County Fairgrounds |
WMA |
3 |
|
Master Soundboard Cassette > CDR
made possible thru the usual group of suspects / mental patients
CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
1/20/02
|
|
08/30/85
|
Southern Star Amphitheater |
WMA |
2 |
|
Source: SBD > ? > CD-R obtained by Slick Willie > US Mail > EAC > correction of obviously stoned, on-the-fly tracking > SHN by sunspot (mike@great-silk-road.net)
Some diginoise was eliminated, some remains.
|
|
09/02/85
|
Zoo Amphitheater |
WMA |
3 |
|
Source: SBD > MC > C > DAT > CD > EAC > SHN
EAC/SHN by Darryl Hinko (flyerfanatic)
Any questions contact me at: flyerfanatic2817@yahoo.com
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit Pro used for all editing
Thanks to Caleb Miller for the source discs
I used Steve Leeds' AUD for patching Ship of Fools.
Notes:
- Bertha has what sounds like an overdriven bass at 4:03. This happens
about 10 more times in this show. I tried removing it but even
after that was finished the sound was still there. All other
occurences of this will be marked by overdriven bass in these notes.
Most if not all are less then 1/2 second long.
- Promised land has 2 problems in the very beginning at 0:02 and 0:05
The first seems to be from a guitar the second is the bass. AUD has
same problem.
- Me and My Uncle has 2 bass problems at 2:00 each very short. Also
bass problem at 3:10. AUD has same problems
- Stagger Lee has the bass problem at 4:23, 4:27 and 4:55. AUD has
same problems.
- First 42 seconds of Ramble on Rose has issues. This is an on stage
problem.
- Hell in a Bucket has 3 minor bass problems between 3:23 - 3:24.
Same problem at 3:45. AUD has same problems.
- I Know You Rider has issues from 4:37 - 4:38. Also bass distortion
at 6:21
- Ship of Fools has a patch from 0:00 - 0:16
- China Doll has what sounds like a stage problem twice at 4:14 and
once at 4:20
- Day Job has static for 1 second at 3:51 and 3:59
Also a big thanks goes out to the guys and girls at SHN Traders for
helping me spread these seeds around. Mike, Jason, Michele, Teri,
Rob, Steve, Tom, Dean and the rest.
Enjoy! |
|
09/05/85
|
Red Rocks Amphitheatre |
WMA |
2 |
|
SBD >> ? > CDR > EAC > SHN
Notes:
-d1t08: cut of indeterminate length @ 3:13
-d2t09: patched a 1 min 26 second section of Wharf Rat (3:54 - 5:20) missing from the SBD source
with an audience source
-original SBD courtesy of Howard Weiner
-original source of Aud used for patch: a 1st gen analog cassette from a master taped
by Dan Michael, equipment unknown
-there are a few places, especially in Cold Rain & Snow, where the vocals drop out for a split second.
This was a PA issue, as the same d/os are present on the audience source. |
|
09/06/85
|
Red Rocks Amphitheatre |
WMA |
2 |
|
SBD >> ? > CDR > EAC > SHN
Notes:
-d2t04 suffered from a serious bout of diginoise on the original source. I patched in about
2 min 10 seconds from an audience source of unknown lineage(0:08 - 2:18)
-retracked disc 2 of the original SBD source
-original SBD courtesy of Howard Weiner
-audience used for splice courtesy of Chad Magdanz |
|
09/07/85
|
Red Rocks Amphitheatre |
WMA |
3 |
|
Lineage:
SBD>Cm>Dat>CD>EAC>SHN
This is better sounding than the old version.
Conversion By Charlie Miller
charliemiller87@earthlink.net
6/11/03
|
|
09/10/85
|
Henry J. Kaiser Convention Center |
WMA |
2 |
|
Source: SBD>Reel>DAT
Conversion: Tascam DA-20 MK II (via RCA analog out for pre-emphasis removal) > Tascam DA-20 > Delta Dio 2496 > Soundforge XP 4.5 (volume change and channel swap) > CD Wave > SHN
Taped by ?, Converted by Rob (Odeo) Harrison (www.odeo.net) 6/5/02.
d1 tracks 1-7 DAT>CDR>EAC>SHN
rest DAT>SHN
Known problems: Tiny dropout in Jack Straw.
|
|
09/11/85
|
Henry J. Kaiser Convention Center |
WMA |
2 |
|
Master Soundboard Cassette > Cass > DAT > CDR
note
- tape splice (flip?) after fotd
- 42 Beats for BIODTL. really, 42.
-eac v9.3 secure test and copy with offset's config'd, no errors reported
-shn via mkw v.97 seek enabled
-sector boundaries checked in shntool. they were fine.
uploaded August '02
enjoy,
steve barbella
Another issue of The Music Never Stopped Project
thanks to StoryTeller for the seeds. |
|
09/12/85
|
Henry J. Kaiser Convention Center |
WMA |
2 |
|
Master Soundboard Cassette > DAT > CDR
notes:
recording comments:
-minor static at 1:19 of Bertha
-little glitch at 0:58 of Help
-drop out in Franklins * 8:10
-drop out pitb 3:40
-MC flip at 0:04 of Space
-glitch at 5:00 of NFA
~~~
-eac v9.3 secure test and copy with offset's config'd, no errors reported
-shn via mkw v.97 seek enabled
-sector boundaries checked in shntool. they were fine.
uploaded August '02
enjoy,
steve barbella
Another issue of The Music Never Stopped Project
thanks to StoryTeller for the seeds. |
|
10/29/85
|
Fox Theater |
WMA |
3 |
|
|
|
11/02/85
|
Richmond Coliseum |
WMA |
2 |
|
Source: SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN
Thanks to Steven Martin for the discs!
EAC/CoolEdit/SHN by jim@juddcreek.com 1/03
NOTES
: Pretty clean recording; hiss barely worth mentioning, hot levels in places
: First note or two of Iko missing, then a brief dropout (<1/2 second) at 0:08
: Healy turns on some echoey strangeness during the first verse of UJB, from about 2:02-2:22.
: Playin' tease out of China Doll, but it never materializes.
: 1 splice in drums (6:16), 1 in space (0:12); possibly cassette flips in earlier gens? |
|
11/04/85
|
The Centrum |
WMA |
2 |
|
SBD:MC> DAT> C> DAT> CD> SHN
Known flaws:
Some digi-noise in the first 15 seconds of Must Have Been the Roses.
Mix problems in the first 15-20 seconds of Minglewood.
First few seconds of Might as Well were lost in a tragic tape flip. Film at 11.
Thanks to Skip Jenkins for the discs. Seeded by Peter Braverman (braverman@earthlink.net), February 2002. |
|
11/05/85
|
The Centrum |
WMA |
2 |
|
sdb>>reel master>>cassette>>dat>>cdr
any song info send to usalai@nycap.rr.com |
|
11/07/85
|
Community War Memorial Auditorium |
WMA |
3 |
|
Soundboard Source:
CDR via Dave Shepard
EAC'ed, shn'ed & Patched by Charlie Connor 9/7/01
Audience Source:
Charlie Connor's Master Audience Cassette (Maxell MX90)
Aud Source provided for D1t03 CC Rider, d3t01 Space 2:35 -2:59;
Aud source also provided as an alternative for d1t05 Mama Tried,
d1t06 Mexicalli, d1t07 Cumberland, d1t08 BIODTL 0:0 to 0:18(See flaw
notes below)
Lineage:
Soundboard Source:
MSC>Reel to Reel>DAT>CDR>TAE>CDR>EAC>Shnv3(MKWACT)
Audience Source:
FOB AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>
Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>
Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR
redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT)
|
|
11/08/85
|
Community War Memorial Auditorium |
WMA |
2 |
|
Sources: Master Soundboard Cassette > Reel to Reel > DAT > CDR
Charlie Connor's Master Audience Cassette; Beyer M88 mics>Sony TC-D5M supplies "Jack Straw" (d1t07) and "Might As Well" (d1t08)
Disc 2 requires an 80 minute disc
CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
8/26/01
|
|
11/10/85
|
Meadowlands Arena |
WMA |
2 |
|
Master Soundboard Cassette > DAT > Sonic Solutions > CD
notes:
there is occasional very light static, exampled near
the 2-3 min. mark of Stagger. this appears on other
soundboard sources as well and is not unique to this
transcription.
EAC, SHN, and upload by Steve Barbella, Sept. 2002
-EAC secure test and copy, offsets config'd, no errors reported
-SHN via MKW v.97 seek enabled
-shntool used to verify sector boundaries, they were fine.
Another nCryptshn of the Music Never Stopped Project
Discs provide by Mr. Charlie
|
|
11/11/85
|
Meadowlands Arena |
WMA |
2 |
|
Source: Unknown SBD
Transfer: Fostex D5>Fostex D5>HHB 830>Plextor PX-W012A>EAC>SHN
Editing: SHN>WAV>CE2K>shntool>mkwACT
Lineage: SBD>CM>DAT>DAT>CD>EAC>SHN>WAV>CE2K>shntool>mkwACT(seekable)
Known Flaws and Procedure Taken to Correct Them:
-Entire show pitch-corrected one semi-tone higher using high precision resample ratio of 94.387
-All drop outs (except Estimated) patched with a portion of the same track
-50 msec crossfade used on all patch edits
-Drop out in Minglewood @ 6:39-6:40 patched with 0:39-0:40
-Drop out in Me & My Uncle @ 0:02-0:03 patched with 1:09-1:10
-Drop out in Bird Song @ 2:04-2:07 patched with 6:05-6:08 and @ 3:03-3:04 patched with 3:07-3:08
-Tape flip in Bird Song @5:14 cleaned up by cutting out ~ 1 sec
-Click in Looks Like Rain @ 8:13.664 not removed
-Drop out in Don't Ease @0:35-0:36 patched with 0:23-0:24
-Drop out in Fire @7:26-7:28 patched with 7:38-7:40
-Drop out in Estimated @ 3:12-3:13 patched with Schoeps CMC 341's> Master Cassette > DAT > CDR source obtained via FTP
-Tape flip in Drums
-Drop out in GDTRFB @0:25-0:27 patched with 3:14-3:16
Transfer by Ken Doughty. crypticalenvelop@hotmail.com
Editing by Matt Cole. mcole@sun.science.wayne.edu
January 28, 2003 |
|
11/16/85
|
Long Beach Arena |
WMA |
2 |
|
Primary Source: SBD>CM>C>DAT>DAT>CD>EAC>SHN
Patch Soure: shnid=12263 (Schoeps MK41Ãs>PCM>DAT>CDR)
Editing: CE2K>CDWAVE>shntool>mkwACT
Lineage: SBD>CM>C>DAT>DAT>CD>EAC>SHN>WAV>CE2K>CDWAVE>SHNTOOL>mkwACT(seekable)
Edits:
(1) aud patch 6:20-end
(2) aud patch 0:00-0:28
(3) aud patch 0:00-0:23
(4) aud patch 4:43-4:45
Primary source prepared and provided by JBGoode1 (crypticalenvelop@hotmail.com)
Editing by MattMan (mcole@sun.science.wayne.edu) |
|
11/17/85
|
Long Beach Arena |
WMA |
2 |
|
Master Soundboard Cassette > DAT > CDR
Tape notes:
-first few beats of Half Step are clipped
-quick Channel drop out right before Cassidy
-No Fades between discs
-MC flip at 1:12 of Space
EAC, SHN, and upload by Steve Barbella, Oct. 2002
-EAC secure test and copy, offsets config'd, no errors reported
-SHN via MKW v.97 seek enabled
-shntool used to verify sector boundaries, they were fine.
Another nCryptshn of the Music Never Stopped Project
thanks to the Storyteller for the discs
|
|
11/20/85
|
Henry J. Kaiser Convention Center |
WMA |
2 |
|
Source: Master Soundboard Cassette > Cassette > DAT > CDR
Encoding: EAC(secure) > Cool Edit (minor fixes) > CDWAV > mkwact > SHN(seekable) by mvernon54@attbi.com
Thanks to Andy Lemieux for the disks!
Part of The Music Never Stopped Project 2003
d1t1 - some mics/feeds cut in/out during the song
d1t2 - some partial drop outs (left channel) and some static (as though from a poor connection)
d1t3 - the "loose connection" present on this track as well
d2t4 - tape flip |
|
11/21/85
|
Henry J. Kaiser Convention Center |
WMA |
2 |
|
dsbd>pcm>dat>cdr
seeded to etree by Mike Lai. |
|
11/22/85
|
Henry J. Kaiser Convention Center |
WMA |
2 |
|
Master Soundboard Cassette > ? > Dat > CDR
dupree's spliced @ 0:02, and tape degradation @ 0:40-0:57
Touch has a few left channel driftouts in the first few minutes.
Estimated has the same, but they are slightly worse in beginning, and sometimes there's low static in the missing sound
Spliced flipfade in Drumz @ 1:06 and 7:24.
thanks to Willy for letting me be his tool in
the Music Never Stopped Project.
eac v9.3 secure test and copy with offset's config'd, all tracks 99.9-100
Track indexes cut with cdwave
Fixed a few dropouts and flip gaps with shntool and cdwave
shn via mkw v.97 seek enabled
sector boundaries checked in shntool. they were fine.
enjoy,
steve barbella
uploaded 5/02 |
|
12/30/85
|
Oakland-Alameda County Coliseum |
WMA |
2 |
|
Updated 8/23/00
Following is the third revision of the info file, which should be correct. Some online setlists are wrong.
--
Oakland Coliseum, Oakland, CA (12/30/85)
SBDmc>DAT>CD>EAC
ripped & seeded by nick@nickspicks.com
Crank up that sampson and listen to them explode into it. Nice! |
|
12/31/85
|
Oakland-Alameda County Coliseum |
WMA |
2 |
|
|
|
02/08/86
|
Henry J. Kaiser Convention Center |
WMA |
2 |
|
Source: SBD>MC>PCM>CDR>WAV>SHNv3.
Comments: *Jerry continues to play during the first few minutes of drums.
Recording note - There were intermittent clusters of subtle but annoyingly perceptible ~ 1 millisecond dropouts/glitches most notable during the second set, especially during Black Peter, which were painstakingly individually interpolated at high waveform magnification using SF6 pencil tool. It is still possible some slipped by me even though i went through the entire show at 1:1 mag four times and burnt 3 betas to listen to over an 8 month period. Some of these suckers are really tiny, but because they take like a 90 degree turn towards the equator followed by another 90 degree turn back to where they started, they were audible as a very faint pop, noticeable mainly with headphones. These glitches are apparently on other circulating copies of the show. I wouldn't have bothered fixing these if i didn't think the performance and sound quality (barring the fixed glitches) were so good - hope you enjoy!
DAE(EAC 0.9 beta 4, offset corrected, secure mode, without errors), editing(soundforge 6), tracking(cdwav editor) and sbe-free SHN encoding via neo_levo/candyman FTP.
Another installment of the music never stopped project, 11/03.Grateful Dead |
|
02/09/86
|
Henry J. Kaiser Convention Center |
WMA |
2 |
|
Master Soundboard Cassette > CDR
made possible thru the usual group of suspects / mental patients
disc 2 runs 74:25
CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
1/20/02
|
|
02/11/86
|
Henry J. Kaiser Convention Center |
WMA |
2 |
|
SBD>PCM>DAT>CD
Notes-
*With members of The Neville Brothers
-First (and only) Hey Bo Diddley since 8-22-72
-I used CD Wave and Shntool to retrack and verify sb's, and CE2K for all editing.
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 08/28/02 lly_@junkiesplace.com
Seeded to etree 08/28/02 |
|
02/14/86
|
Henry J. Kaiser Convention Center |
WMA |
2 |
|
Lineage:
SBD>PCM>Dat>Samplitude>Cool Edit Pro>CD
Transfer Info:
Sony R500>Behringer SRC2000>Dio 2448>Compaq 5452
Editing Info:
Simple Bass Lift
Normalized to 98%
1 second drop-out in Stranger removed
1 second drop-out in Throwing Stones patched from Cassette Master source
Numerous static pops removed form right channel during drums (pop/click eliminator)
Recorded with Samplitude v5.9
Edited with Cool Edit Pro v1.2
Tracked with CDWave v1.71
SHN'd with MKW v0.97 Beta1
Dat provided by David Gans
All transfering and editing done by Charlie Miller
charliemiller87@earthlink.net
7/25/02
2 Discs audio
2 discs shn
|
|
03/20/86
|
Hampton Coliseum |
WMA |
2 |
|
Matrix SBD>MC>C>CD
Notes-
Static @ 5:27 & 6:00 d1t03
Static @ 2:06 & 2:45 d1t09
First Box of Rain since 07-28-73
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 03/08/02
Audio discs provided by Jim Skinner
e 03/08/02
Audio discs provided by Jim Skinner |
|
03/24/86
|
The Spectrum |
WMA |
2 |
|
|
|
03/27/86
|
Cumberland County Civic Center |
WMA |
2 |
|
Recording Info:
SBD -> Cassette Master -> Reel -> Dat -> ? -> Dat -> CD -> EAC -> SHN
(2 Discs Audio / 2 Discs SHN)
Patch Info:
(FOB) Neumann U87 -> Cassette Master -> CD
(Drums and Encore Patched with Samplitude v7.02 Professional)
SHN Conversion and Patch By Charlie Miller
charliemiller87@earthlink.net
10/18/04
|
|
03/28/86
|
Cumberland County Civic Center |
WMA |
2 |
|
Source: FOB(Center)>AUD>MC>CDR
Neumann U87's>Uher CR240>Maxell XLII 90 Cass. Master>Marantz Pro CDR 500
Paul Hogan Recording
|
|
04/03/86
|
Hartford Civic Center |
WMA |
3 |
|
Lineage:
Vault PCM Master->10 inch reels
at 15 ips->DAT
DAT->ZA2->Soundforge->.wav->mkw->SHN
DAT seed provided by Michael P. Weitzman
Transfer and SHN by Joe Samaritano
7/18/2003
|
|
04/19/86
|
Berkeley Community Theater |
WMA |
2 |
|
Source: SBD>MC>DAT>CDR>WAV>SHN
Comments: subsecond d/o's @ 3:15, 3:23, 3:26, 4:33, 6:08 removed with sound forge 5.
DAE(EAC)>d/o repair(sound forge 5)>tracking(cdwav)>boundary check (shntool) > SHN (mkwact) > FTP via neo_levo/candyman FTP.
3/2002.
|
|
04/21/86
|
Berkeley Community Theater |
WMA |
2 |
|
Source:SBD>Master Cassette>DAT>CDR>EAC>SHN
** Brent and the Drummers only-no space this night
DAE(EAC)+SHN Encoding by Jeff M. email: fy1220@aol.com or
lost_sailor1620@hotmail.com |
|
05/03/86
|
Cal Expo Amphitheatre |
WMA |
2 |
|
Source: SBD > MC > C > DAT > CD > EAC > SHN
*Kentucky Derby day
**No Encore played this night
EAC/SHN by Darryl Hinko (flyerfanatic)
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit used for all editing
Thanks to Caleb Miller for the source discs
Notes:
- Some between song tuning missing from first set. I was going to add
this from the AUD but the hiss was just too much and the parts that
needed patching was more hiss then anything else.
- Light static throughout the show. Not for very long ever and it is
very light.
- Clipping occured before I EAC'd this show.
- Some light pops in the beginning of Cold Rain and Snow
- Race Is On has a light pop at 0:08
- Promised Land has clicks at 1:29, 1:38, 1:39 and 1:42
- Deal has a click at 6:02
- There was enough of a break to split Fire on the Mountain and Women
are Smarter without anything missing. These tracks are seemless.
- a few pops through Drums and Space also the static is a bit heavier
but only for a short period.
- Pop (might be from the stage) between Sugar Magnolia and Sunshine
Daydream
Also a big thanks goes out to the guys and girls at SHN Traders for
helping me spread these seeds around. Mike, Jason, Michele, Teri,
Rob, Steve, Tom, Dean and the rest.
Enjoy! |
|
05/04/86
|
Cal Expo Amphitheatre |
WMA |
2 |
|
Source:
-------
SBD -> PCM -> ? -> Cass (DBX) -> Dat
Transfer Info:
-------------
Dat (Sony R500) ->
Behringer UltraMatch SRC2000 ->
Delta 2448 ->
Samplitude 2496 v6.0 ->
CD (2 Discs SHN / 2 Discs Audio)
Tansfered By Charlie Miller
charliemiller87@earthlink.net
9/10/02
|
|
05/10/86
|
Frost Amphitheatre |
WMA |
3 |
|
Source: SBD > MC > C > DAT > CD > EAC > SHN
EAC/SHN by Darryl Hinko (flyerfanatic)
Any questions contact me at: flyerfanatic2817@yahoo.com
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit Pro used for all editing
Thanks to Caleb Miller and David Feldstein for the source discs
Thanks to Torbjˆrn for the Patch source:
AUD>MC*>DAT>CDR
http://db.etree.org/shninfo_detail.php?shnid=13817
Notes:
- Some clipping occured before this source came to me
- Big Railroad Blues has digistatic from 4:31 - 4:33, it is the last
few notes of the song
- Drums patched from 1:37 - 3:03 with AUD source
- Drums and Space was split with a natural fadeout
- Discs 2 and 3 are seemless
Also a big thanks goes out to the guys and girls at SHN Traders for
helping me spread these seeds around. Mike, Jason, Teri, Rob,
Steve, Tom, Dean and the rest.
And another big thanks to Richard, Michael, Mick and Vivek over at
Eurotraders.
Enjoy! |
|
05/11/86
|
Frost Amphitheatre |
WMA |
3 |
|
SBD>MC>DAT>CDR (Additional Cass generations?)
MC flip at end of Drums
EAC (secure mode with proper offsets)
and shn conversion by Tony G (spreaddead@bellsouth.net)
03/10/02 G (spreaddead@bellsouth.net)
03/10/022 |
|
06/20/86
|
Greek Theatre, University Of California |
shn |
2 |
|
|
|
06/20/86
|
Greek Theatre, University Of California |
WMA |
2 |
|
Source: SBD > MC > C > DAT > CD > EAC > SHN
EAC/SHN by Darryl Hinko (flyerfanatic)
Any questions contact me at: flyerfanatic2817@yahoo.com
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit Pro used for all editing
MKWact for encoding to SHN
Released:
Thanks to David Feldstein for the source discs
Thanks to TOL for the patch source
Patch Source:
AUD>MC>DAT>CDR; Senn 441>Sony TC-D5
http://db.etree.org/shninfo_detail.php?shnid=15243
Notes:
- The hiss is noticable, I have yet to find a cleaner copy.
- Levels on the first couple of songs are a bit low for the music.
- d1t06 Space: Crossfade preformed at 2000 ms from 2:55 - 3:54. The
dropout in the right channel has nothing to do with the crossfade.
It appears on the Soundboard.
A big thanks goes out to Mike, Teri and Tom for helping me spread these
seeds far and wide.
And another big thanks to Richard, Michael, Mick and Vivek over at
Eurotraders.
Enjoy! |
|
06/21/86
|
Greek Theatre, University Of California |
WMA |
2 |
|
MSC>DAT>CDR>SHN
Discs from Andy L.
DAE and SHN (Seekable) by tbrame24@yahoo.com |
|
06/22/86
|
Greek Theatre, University Of California |
WMA |
3 |
|
DSDB>DAT>CDr
ripped by mike lai |
|
06/28/86
|
Alpine Valley Music Theatre |
WMA |
2 |
|
Recording Info:
SBD > Cassette Master > ? > Dat > CD
Editing Info:
CD > EAC > Samplitude v7.02 Professional > SHN
Patch Info:
Looks Like Rain > Don't Ease Me In Patched From AUD > Cassette Master > ? > Dat > CD
Editing and Patch Done By Charlie Miller
charliemiller87@earthlink.net
12/8/03
Notes:
Normalized and Tracked with Samplitude v7.02 Professional
|
|
07/06/86
|
Robert F. Kennedy Stadium |
WMA |
2 |
|
FOB-AUD>MC>DAT>CDR; Senn 421Ãs>Sony TC-D5
Comments:
d2t04 - Tape flip @ ~9:07
Conversion Notes:
DAE (EAC: High, Secure, Offset Corrected) all track quality 100%
Show recut with CDWav.
All sector boundaries verified using SHNTOOL.
SHN(seekable) using mkwACT0.97 via eD - 11/05/02
Another installment of The Music Never Stopped Project!
Thanks to Frankenstein for the seed discs. |
|
07/07/86
|
Robert F. Kennedy Stadium |
WMA |
2 |
|
Lineage:
FOB Aud>Schoeps cmc3mk4>PCM>DAT>CD>EAC(Secure mode)>
CDWave(Retracking only)>shnv3(MKW ACT)
Second Audience Source for Patches (See Note Below):
Aud>Unknown mics>D5((CM)2nd Deck Patch)>NAK DR10 (Playback)>PC
EAC/Patched/Retracked/Shn'd by Charlie Connor 6/16/01
Thanks To Mike Lai and Jon Rianhard for this show !
Seeded to abgd by Trip Bates 6/01
Correct sector boundaries verified using Shntool
Note: Md5's provided for both Wav & Shn files
*w/ Bob Dylan
Notes:
Second audience source patched at:
Box of Rain 4:43 - 4:46
The Other One 3:14 - 3:20
4:20 - 5:08
Wharf Rat 0:05 - 0:09
1:14 - 1:16
1:38 - 3:19
The Patches were made using Steinberg's Wavelab 3.0 |
|
12/16/86
|
Oakland-Alameda County Coliseum |
WMA |
2 |
|
Src: SBD > ?? > cassette > .wav > CDR > EACed to .wav > .shn
Second show after Jerry's recovery from diabetic coma.
Notes: This second night at the Coliseum was decidedly better than the first show. The first was kind of a "second serve", where everybody just seemed to be glad to be back on stage and were getting the basics back in place. On the 16th, they seemed to say, "What the hell, let's go for broke; if we fuck up, we fuck up, but everyone will have a good time." They did, in several obvious places, but there was a whole lot more energy. The 15th was about telling everyone they were back, the 16th was saying they were back to stay.
Two things stand out in particular. Box of Rain had more harmonies on it than any time since the seventies, almost like the album. Also, the shortest space on record (listed on Deadlists at 36 seconds), so there's no huge loss there. Finally, although Deadlists has Box segueing into Crazy Fingers, I think there's a distinct silence on stage between the songs, so I figured it was a good place to end Disc 1. |
|
12/27/86
|
Henry J. Kaiser Convention Center |
WMA |
2 |
|
Source: Set 1: SBD > MC > ? > DAT > CDR> WAV > SHN
Set 2: SBD > MC > DAT > CDR > WAV > SHN
DAE(EAC) > tracking (cdwav) > SHN (mkwact) via neo_levo/candyman FTP.
4/2002.
Comments:
//splice/cut in drums. Space begins with long dead space.
If you like Playin' you're gonna dig this show.... :-) |
|
12/30/86
|
Henry J. Kaiser Convention Center |
WMA |
3 |
|
SBD>Cm>DAT>CD>EAC>SHN (seekable)
notes:
"Drummer's Choice" 30 beat intro for BIODTL
CD>EAC>SHN transfer by Steve Barbella
-CDwave was used to slice tracks, and
close a drop out gap in Throwing Stones
-EAC'd secure, no errors reported (99.9-100% quality)
-shn via MKW v.97 (seek enabled)
seeded 10/10/01
special guests:
^ = with Hamza El Din and Jose Lorenzo
* = with Neville members Willy, Aaron, Charles, and Brian
Special thanks to Chris Ladner for all his patience and
lack of prodding. enjoy - Steve
Ladner for all his patience and
lack of prodding. enjoy - Steve |
|
12/31/86
|
Henry J. Kaiser Convention Center |
|
0 |
A- |
Not Complete |
|
12/31/86
|
Henry J. Kaiser Convention Center |
WMA |
3 |
|
Source: Pre-FM SBD > DAT > CDR > WAV > SHNv3
pretty much a just exactly perfect show.
DAE (EAC>shntools>ftp) via neo_levo. |
|
01/28/87
|
San Francisco Civic Auditorium |
WMA |
2 |
|
Source: SBDcm(Healy Mix)>DAT>CDR
Conversion: EAC>WAVE LAB>CD WAVE>MKW>SHN
Comments:
d2t06 - Drums/Space cut and missing parts of both.
Encore - Missing
Cheers to Chris Laughlin for the source discs.
Converted and seeded to etree by Steven Leeds 05-02-03
Another Installment Of The Music Never Stopped Project!!
ENJOY!!! |
|
01/30/87
|
San Francisco Civic Auditorium |
shn |
2 |
A+ |
|
|
01/30/87
|
San Francisco Civic Auditorium |
WMA |
3 |
|
Source: SBD > MC > C > DAT > CD > EAC > SHN
EAC/SHN by Darryl Hinko (flyerfanatic)
Any questions contact me at: flyerfanatic2817@yahoo.com
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit Pro used for all editing
Thanks to Caleb Miller for the source discs.
Notes:
- Touch of Grey has some level adjustments
- Small skip at 4:55 of Drums. Not much missing.
- Throwing Stones has a couple of scraping sounds in the left channel
at 1:57 and 1:59. These seem to eminate from one of the instruments,
also at 7:23 sounds like Bass distortion.
Also a big thanks goes out to the guys and girls at SHN Traders for
helping me spread these seeds around. Mike, Jason, Michele, Teri,
Rob, Steve, Tom, Dean and the rest.
Enjoy! |
|
03/01/87
|
Henry J. Kaiser Convention Center |
WMA |
3 |
|
SBD > DAT > CDR > EAC > SHN
Notes:
I've had this DAT for 8 years of so and it was marked as a digital soundboard. I do not hear any hiss.
Transcribed by
JR Fishman
NY, NY
fishmanj_98@yahoo.com |
|
03/02/87
|
Henry J Kaiser Convention Center |
WMA |
2 |
|
sdb
any song help send to usalai@nycap.rr.com
thanks to Dr.B.Fried for lending me the masters.
conversion by mike lai |
|
03/03/87
|
Henry J Kaiser Convention Center |
WMA |
2 |
|
Source: SBD > MC > DAT > CDR > WAV > SHN
Comments:
*d/o removed at 01:43 with Soundforge 5.0.
** w/ Dirty Dozen Brass Band
DAE(EAC) > tracking (cdwav) > SHN (mkwact) via neo_levo/candyman FTP.
4/2002.
thanks to paul for the seed. |
|
03/22/87
|
Hampton Coliseum |
WMA |
2 |
|
Master Soundboard Cassette (Ultra-Matrix) > Reel to Reel > PCM > CDR
CD Mastering by Scott Clugston
SHN'ed by Scott Clugston
4/19/02
|
|
03/23/87
|
Hampton Coliseum |
WMA |
3 |
|
*Dankseed Certification received 01-05-08*
and posted at http://groups.yahoo.com/group/dankseeds/files/gd87-03-23/
Listening test performed by *5* danksters
positive criteria met:
Tracking- OK
Seamless and complete- OK
Lineage listed- OK
negative criteria met:
DAE- NO
Resampled- NO
Diginoise- NO
___________________________________________________________________________
Source: FOB Schoeps CMC44 > Oade P.S. > Sony PCMF1
Sony PCMF1> DAT by Sean Weber-Small
Tranfer: DAT (master, direct copy from PCM @ 44.1) Sony DTC-A6 > DIO 2448 > CDWAV > SHN
by Bill Gardner, bgardner@telocity.com |
|
03/26/87
|
Hartford Civic Center |
WMA |
2 |
|
Please see notes below; sets I and II have different source information.
Set II info
Source: Ultramatrix (SBD/AUD mix)
Lineage: Master Cassette > DAT > CD > SHN
----------
This is a wonderful show, super-high energy, with an absolutely bonkers crowd. (This was the first Northeast show following Garcia's 1986 coma.)
The very end of Promised Land is clipped, missing perhaps 10 seconds.
Very minor pop at 5:51 of China Cat.
Super minor blip at 10:50 of He's Gone.
Cassette flip at 2:07 of space.
Slight static 4:30 - 5:00 of Black Peter.
This is a very early Matrix recording, and contains quite a lot of crowd in the mix. Still, the up-front sound marks it as Healy's work.
The second set came to me with serious problems, the worst of which was that it was much too fast. Thanks to Mister FTP Jeff Hawkins, the speed is now almost spot-on. However, the pitch shift naturally resulted in a sample rate of 40.6 KHz instead of the standard 44.1 KHz for CD, so everything was then resampled at 44.1. You won't notice.
In addition, the Hartford Civic Center is known for lousy bass response, and as a result the bass on this set was almost unlistenably bloaty (unless, that is, you're one of those guys who always annoys me at stoplights with your "phat" bass to compensate for your ... no, I'd better not say that). Anyway, I equalized the bass rather steeply: -12 dB at 80 Hz and -18 dB at 30 Hz. There are still some artifacts of the compression (Looks Like Rain and Good Lovin' especially), but in general this is much better, and Phil is still stompin'.
Thanks to Douglas Tunstall for the heroic effort in getting me the discs, and to Nick Scarano and Jeff Hawkins for their finely tuned ears. Seeded by Peter Braverman (braverman@earthlink.net), July 2002. |
|
03/30/87
|
The Spectrum |
WMA |
3 |
|
Master Soundboard Cassette (Ultr-Matrix Mix) > Reel to Reel > PCM > CDR
CD Mastering / Patching by Scott Clugston
6/01/02
|
|
04/07/87
|
Meadowlands Arena |
WMA |
3 |
|
Source: FM-SBD(WNEW)>C>CDR>WAV>SHN
Comments:
*Double start for Hell in a Bucket. The first attempt lasts1:09 but after the intro Bob says to start over. Jerry then just drones on the same note and lets it feed back for another half a minute or so.
** Bobby voice over for WNEW at the beginning.
CDR transfer and source discs via jabuzz 420.
Extraction (EAC0.9b4, offset corrected, secure mode)>editing(SF6 for restoration to seamlessness and +2.0 dB gain on entire show)>tracking(cdwav editor)>sector boundaries confirmed(shntool)>SHN(shorten 3.4)>FTP via neo_levo.
TMNSP - 8/03. |
|
04/11/87
|
UIC Pavilion |
WMA |
2 |
|
SOURCE: Pre-FM > Master Reel > Dat > Sonic Solutions > CD
|
|
04/17/87
|
Irvine Meadows |
WMA |
2 |
|
Master Soundboard Cassette > PCM> DAT> CDR
EAC'ed / SHN'ed by Scott Clugston
7/20/02
|
|
04/18/87
|
Irvine Meadows |
WMA |
2 |
|
Master Soundboard Casette > PCM> DAT> CDR
EAC'ed / SHN'ed by Scott Clugston
7/20/02
|
|
04/19/87
|
Irvine Meadows |
WMA |
3 |
|
Master Soundboard Casette > PCM> DAT> CDR
EAC'ed / SHN'ed by Scott Clugston
7/20/02
|
|
05/02/87
|
Frost Amphitheatre |
WMA |
2 |
|
Source: SBD > MC > DAT > EAC > SHN
EAC/SHN by Darryl Hinko (flyerfanatic)
Any questions contact me at: flyerfanatic2817@yahoo.com
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit used for all editing
Thanks to Caleb Miller for the source discs
Notes:
- At 0:38 of Hell in a Bucket there is a large pop. It might be from
stage as there was a problem with the vocals. Also very light static
in places.
- West LA Fadeaway has a pop at 1:04. Also light static in spots.
- Light click at 0:10 of Jack Straw
- Pop at 2:45 of One More Saturday Night
- Playin' in the Band has a light pop at 4:24
- Morning Dew has a pop at 3:13 and has a squeek at 9:37 and 9:51
Disc 1 and 2 are seemless.
Also a big thanks goes out to the guys and girls at SHN Traders for
helping me spread these seeds around. Mike, Jason, Michele, Teri,
Rob, Steve, Tom, Dean and the rest.
Enjoy!
|
|
05/03/87
|
Frost Amphitheatre |
WMA |
3 |
|
Source: SBD > MC > DAT > CD > EAC > SHN
"Little Bunny Foo-Foo" tuning with vocals by Brent before "Peggy-O"
This is superior to my last seed in 3 ways:
1. This has a more exact lineage from a DAT not straight from Cassette
2. This seed has a much fuller sound
3. None of the cuts appear in this seed.
EAC/SHN by Darryl Hinko (flyerfanatic)
Any questions contact me at: flyerfanatic2817@yahoo.com
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit used for all editing
Thanks to Caleb Miller for the source discs.
Notes:
- Level fluctuations for the first 2 minutes of Touch of Grey
- Slight click at 2:16 of Promised Land also a squeek at 2:48
- Click at 5:58 of Peggy-O
- Clicks at 0:04 and 7:45 of Feel Like a Stranger
- Noise at 0:10 of Ship of Fools
- Click at 2:30 of Throwing Stones
- Pops at 0:13 and 3:43 of Not Fade Away
These for the most part are minor and appear on my last seed.
Also a big thanks goes out to the guys and girls at SHN Traders for
helping me spread these seeds around. Mike, Jason, Michele, Teri,
Rob, Steve, Tom, Dean and the rest.
Enjoy! |
|
05/09/87
|
Laguna Seca Recreation Area |
WMA |
2 |
|
Source: SBD(matrix)>PCM>Dat (as listed on DAT case)
Conversion: Sony M1>Oade Cable>Zoltrx Pro6>Soundforge(wav)>CDWav(split)>Shn V3 (no DAE)
Conversion & Seed: Brian Cole cole7007@yahoo.com 8/22/01
SHOW NOTES:
% = Some clipping occurs when they break out the big drums
Bruce Hornsby & The Range opened this night. None of their set is included.
SEED NOTES:
This show comes courtesy of John Craft's collection. Thanks John!
Quality is nice on this show. Some clipping occurs during the second set. This is
most noticeable during Drums.
Sector boundaries verified with shntool.
No editing was done on this show.
Enjoy!
-Brian |
|
05/10/87
|
Laguna Seca Recreation Area |
WMA |
3 |
|
Source: DSBD>DAT>zefiro2>soundforge>CDR>EAC>SHN
Karl Schneiderman stranger@acd.net
|
|
06/12/87
|
Ventura County Fairgrounds |
WMA |
2 |
|
Bertha Remaster of the Master Cassette Soundboard source.
SBD>>MC>>PCM>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A
Notes:
Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com on September 19, 2002.
The first set of the original source has an exagerated high end due to PCM emphisis, which makes extended listening very difficult. This emphisis was removed prior to processing.
The D/O during Brother Esau was fixed using a Crossfaded patch.
From the original text file:
Master Soundboard Cassette > PCM > DAT> CDR
EAC'ed / SHN'ed by Scott Clugston
7/22/02 |
|
06/13/87
|
Ventura County Fairgrounds |
WMA |
3 |
|
Master Soundboard Cassette > PCM > DAT> CDR
EAC'ed / SHN'ed by Scott Clugston
7/22/02
|
|
06/14/87
|
Ventura County Fairgrounds |
WMA |
3 |
|
Master Soundboard Cassette > PCM > DAT> CDR
CD Re-Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
7/22/02
|
|
06/19/87
|
Greek Theatre, University Of California |
WMA |
2 |
|
Source: SBD>Cm>PCM>Dat>CD>WAV>SHNv3
Comments:
Sounds like master tape was being paused between some songs.
*d1t02: 0.4 s d/o removed at 06:06 with soundforge 5.
**d1t10: transition, striking of first note of TMNS windup missing.
Thanks to C. Miller for the seeds.
DAE(EAC0.9 beta 4, offset corrected, high and secure)>soundforge>cdwav>shn(shorten 3.4)>FTP via C. Ladner/candyman FTP.
August 2002. |
|
06/20/87
|
Greek Theatre, University Of California |
WMA |
2 |
|
Source: SBD/Matrix** (see below)>Cm>PCM>DAT>CDR>WAV>SHNv3
Comments:
Source lists SBD/Matrix, however it sounds more like a very good FOB.
There are some in-between song pauses.
D1t01 - 00:07 - dropout removed with sf5.
Periodic minor peak distortion throughout d1t05 (01:47, 02:14, 02:23, 02:48) and D1t06 (00:46, 01:22).
D2t02 - 02:58 - dropout removed.
DAE(EAC 0.9 beta 4)>dropout(sf5)>shntool 1.01>SHN(shorten 3.4)>FTP via neo_levo/candyman FTP.
August 2002. |
|
06/21/87
|
Greek Theatre, University Of California |
WMA |
2 |
|
Source: SBD>Cm>PCM>Dat>CD>WAV>SHNv3
Comments:
space between songs edited out on masters - tape saving move?
* d/o removed at 2:34, 3:18,
**splice at 6:24:40.
Thanks to C. Miller for the seed.
DAE(EAC0.9 beta 4)>dropout repair (soundforge 5)>shn(shorten 3.4)>FTP via Chris L./candyman FTP.
August 2002. |
|
06/30/87
|
Kingswood Music Theater |
WMA |
3 |
|
Primary Source: Ultra Matrix MSC>DAT>CDR>EAC>SHN (Seekable)
Patch Source: AUD (mic. unk) > DAT > CDR > SHN
Patches:
gd87-06-30d1t05 4:34.822 - 4:39.060 (1st source - diginoise)
gd87-06-30d1t05 4:49.249 - 4:51.669 (1st source - diginoise)
gd87-06-30d2t01 0:00.000 - 1:36.646 (1st source - cut)
Source: AUD (mic. unk) > DAT > CDR > SHN
http://db.etree.org/shninfo_detail.php?shnid=8577
Splices done by Darryl Hinko (flyerfanatic) using Cool
Edit 2000.
Seed discs from Andy Lemieux
Digital Extraction and SHN'd by Tommy Brame |
|
07/06/87
|
Civic Arena |
shn |
2 |
|
|
|
07/19/87
|
Autzen Stadium, University Of Oregon |
WMA |
2 |
|
Source: Matrix DSBD>D>CD-R>EAC (0.93) >SHN (MKWACT 97)
All source extractions from DAT, CD-r and conversions done by JR Fishman
Note : All Extractions done using EAC with secure mode
Transcribed by JR Fishman
fishmanj_98@yahoo.com
NY, NY
11/2002
Notes: While searching thru old boxes of DATS, I found this nice lite set that
preceded the Dead's backing of Dylan later that evening at Autzen. Enjoy (jf) |
|
08/11/87
|
Red Rocks Amphitheatre |
WMA |
3 |
|
Set 1
Source: SBD>PCM>??>Dat>CD (Healy Matrix)
Conversion: Kenwood TrueX>EAC>shn V3 (seekable)
Seed: Brian Cole cole7007@yahoo.com 8/30/01
SHOW NOTES:
none
SEED NOTES:
Set 2 was seeded prior to this. I believe that both Set1 & Set2 are from the
same source but cannot guarantee this. Please see shns in circ for specifics
on the Set 2 seed.
Thanks to Paul B. for sending the seed.
Editing:
d1t01 - Removed abrupt start & added fade in
d1t06 & d1t07 - Cut in source. Blended cut. Added fade out to end of d1t07
Sector boundaries verified with shntool.
Enjoy!
-Brian
Set 2
Source: SBD>PCM>Dat>Cass>Dat
Conversion: Sony M1>Oade Cable>Zoltrx Pro6>Soundforge(wav)>CDWav(split)>Shn V3 (no EAC)
Conversion & Seed: Brian Cole cole7007@yahoo.com 8/4/01
SHOW NOTES:
none
SEED NOTES:
This show comes courtesy of John Craft's collection and originated
from Jay Serafin. Thanks!
DAT Notes are as follows: The microphone(s) that are sometimes used to
record the audience applause and "ambiance" were left on for the entire show.
Quality is very nice for having an analog gen. Highlight is a crushing
Watchtower. Entire second set is played well with high intensity. I don't
believe that this show has circulated prior to this.
Minor editing d1t07,d2t01. Sector boundaries verified with shntool. |
|
08/13/87
|
Red Rocks Amphitheatre |
WMA |
2 |
|
Source: S:?>D>CD
extracted and encoded (finally) 12/27/03
uploaded to tol 12/28/03
Chris Larson (btwind@comcast.net) |
|
08/15/87
|
Town Park |
Aud |
3 |
A |
missing 1st set |
|
08/15/87
|
Town Park |
WMA |
3 |
|
Source: PreFM SBD(Healy Mix)>MC>DAT>CDR
Conversion: EAC>WAVE LAB>CD WAVE>MKW>SHN
Comments:
d2t1 - First few notes missing.
Cheers to Chris Laughlin for the source discs.
Converted and seeded to etree by Steven Leeds 05/01/03
Another Installment Of The Music Never Stopped Project!!
ENJOY!!!
|
|
08/22/87
|
Calaveras County Fairgrounds |
shn |
2 |
|
|
|
08/22/87
|
Calaveras County Fairgrounds |
WMA |
2 |
|
updated source: SBD> Master PCM> DAT> CDR>EAC>shn
[had been marked SBD>MC>?>DAT>CDR>EAC>shn]
*With Carlos Santana
notes:
there is a digispeck on d1t02 appearing
a few seconds before Tons of Steel. This
was on the master files.
This version is the same source as the previously
circulating copy, with several edits performed in
order to smooth the rough edges.
All of the following have been fixed:
1) after FOTD, there were several seconds of dead
air, followed by loud pops.
2) After midnight hour, there were 4 minutes of Bucket
attached to the same wave file
3) Lovelight and US Blues had some tape garble between them
original files provided by tony gardner
cdwave, edits, new tracking, and shns done by steve barbella |
|
08/23/87
|
Calaveras County Fairgrounds |
Aud |
3 |
|
|
|
08/23/87
|
Calaveras County Fairgrounds |
WMA |
3 |
|
SBD>MC>DAT>CDR>EAC>shn
*With Carlos Santana
Please report any flaws to Tony Gardner gdtrfb@bellsouth.net |
|
09/08/87
|
Providence Civic Center |
WMA |
2 |
|
Recording Info:
SBD -> PCM -> Dat -> CD -> EAC -> SHN
Converted To SHN by Charlie Miller
charliemiler87@earthlink.net
(2 Discs Audio / 2 Discs SHN)
12/12/03
Notes:
--I did the Dat -> CD transfer a while ago, and i don't recall what i used to do it.
--There is a flaw in Stella Blue that i did not fix.
|
|
09/09/87
|
Providence Civic Center |
WMA |
2 |
|
Recording Info:
SBD -> Cassette Master -> Dat
Transfer Info #1:
Dat (Tascam DA-20mkII) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700)
Transfer Info #2:
CD (Plextor 48/24/48A) -> EAC (v0.9 beta 4)-> Samplitude v7.02 Professional -> SHN
All transfers and edits by Charlie Miller
charliemiler87@earthlink.net
(2 Discs Audio / 2 Discs SHN)
12/11/03
Notes:
--Watchtower tease out of The Wheel. |
|
09/12/87
|
Capital Centre |
WMA |
2 |
|
Source: CSBD?>DAT?
who the hell knows.
Notes: Thanks again to chill for the show...some skipping goes on towards the end in Black Muddy River. I will seed a patch if I get it fixed. |
|
09/15/87
|
Madison Square Garden |
WMA |
2 |
|
Recording Info:
SBD -> Cassette Master -> Dat (48k)
Transfer Info:
Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus ->
Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN)
Transfered and Edited By Charlie Miller
charliemiller87@earthlink.net
1/31/04
Notes:
I first seeded this SBD back in 2000. I didn't like the sound on it, so I did a new transfer from the Dat and worked on it a bit. I was able to fix the noise in Hey Pockey way, but the noise/drop out in Queen Jane was too long. I patched that spot with an audience recording made with Schoeps CMC4/MK4. This recording is far from perfect, but it is a lot better than it was before. The transition between Discs 1 and 2 is seemless.
|
|
09/16/87
|
Madison Square Garden |
WMA |
3 |
|
Source: SBD > MC > C > DAT > CD > EAC > SHN
EAC/SHN by Darryl Hinko (flyerfanatic)
Any questions contact me at: flyerfanatic2817@yahoo.com
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit Pro used for all editing
MKWact for encoding to SHN
Released:
Thanks to David Feldstein for the source discs
Thanks to TOL for the patch source.
Patch source:
AUD (Schoeps CMC 34's)>MC*>DAT>CD EAC/SHN
http://db.etree.org/shninfo_detail.php?shnid=15206
Notes:
- d1t07 Let it Grow: From 0:00 - 0:08 crossfaded with AUD source.
Crossfade preformed at 500 milliseconds.
- d2 and d3 are seemless
- d3t05 Not Fade Away: Overdriven Bass from 2:48 - 2:52. This is on
the partial SBD as well. I was able to take it out but then it
seemed like something was missing.
- d3t07 Black Muddy River: Crossfade with AUD source from 3:22 through
the end of track. Crossfade performed at 500 milliseconds.
A big thanks goes out to Mike, Teri and Tom for helping me spread these
seeds far and wide.
And another big thanks to Richard, Michael, Mick and Vivek over at
Eurotraders.
Enjoy!
|
|
09/18/87
|
Madison Square Garden |
WMA |
3 |
|
Lineage:
Vault PCM Master->DAT
Transfer:
DAT->ZA2->Soundforge->.wav->mkw->SHN
Transfer and SHN by Joe Samaritano
10/12/2003
Notes:
1. Most circulating copies have multiple DAT
generations, this is directly from the Master PCM.
2. Consistent with other copies, the very beginning
of Shakedown is clipped and most of Space is edited out.
There is a patch that circulates if you can't live with this.
|
|
09/19/87
|
Madison Square Garden |
WMA |
3 |
|
SBD Seeded by BIll Frank : bfrank@darkstar.etree.org
Eac'd by The dingus formerly known as gyute : mccartj@darkstar.etree.org
|
|
09/20/87
|
Madison Square Garden |
WMA |
3 |
|
Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN
If you get these discs, please make a donation to KPFA -- that's what this event is all about!
KPFA
1929 Martin Luther King, Jr. Way,
Berkeley CA 94704
-- OR you can pledge online at www.kpfa.org
=====
Notes:
There 5 instances of multiple songs tracked together on the original Gans source.
I recut them for my (anal)collection and offer them up to the rest of yas
this way. Don't mean to look a gift horse in the mouth... thanks so much for this
great and long awaited show David!
... remember this is _my_ problem ; )
Show retracked on "natural" song indexes via CDWav.
03-20-03 - eD |
|
09/23/87
|
The Spectrum |
WMA |
2 |
|
SBD>MC>DAT>CD
Notes-
-Terrible static first 1:12 Stranger; I split the song into two tracks so you can conveniently queue to the 'post static'
-Weirdness (Healy) first 5 seconds Desolation Row
-Rough spots (overload) 3:14-5:26 Space
-Tape flip 9:40 Space
-D/O 4:26 Fantasy; 2 seconds of music missing
-Last La Bamba
-Last Tons of Steel
-I used CD Wave and Shntool to retrack and verify sb's, and CE2K for all editing.
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 02/12/03
Audio discs provided by Paul B
Another installment of The Music Never Stopped Project! |
|
09/24/87
|
The Spectrum |
WMA |
2 |
|
SBD>DAT>Standalone CD Burner (hhB800)> EAC>WAV>ADDAWAV>CDWAV(retracking)>MKWACT>SHN
Notes
(1) - Touch of Gray fades in (perhaps 1-1.5 seconds of the original may be lost due to fade in
(2) - Knockin' fades out at the very end of rendition.
I transferred this from DAT to CD-r in 1998. An earlier SHN SET (http://db.etree.org/shninfo_detail.php?shnid=398) has a provenance of "Pre F.M.>HiFi VHS>CDr"
and shows cuts at the 10:00 minute mark of drums of space. I carefully listened to the entire drums and space and heard no such cuts. I believe I have a different version.
I do not hear any hiss or cassette cuts described in the SHNID "398" version, but I can not guess at the exact lineage of the source recording.
Transcribed on 12/25/03 by JR Fishman fishmanj_98ATyahooDOTcom |
|
10/02/87
|
Shoreline Amphitheatre |
WMA |
2 |
|
Bertha Remaster of the Master Cassette source by jashley@deadacated.com
SBD>>MC>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A+
Notes:
Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com on January 5, 2002.
Brief patch at the beginning of Cold Rain and Snow.
From the original text file:
SBD>CM>DAT>WAV(Ego Sys U2A, Cool Edit Pro)>CD
SHN Lineage: SBD>CM>DAT>WAV(Ego Sys U2A, Cool Edit Pro)>SHN(mkwACT) |
|
10/03/87
|
Shoreline Amphitheatre |
WMA |
2 |
|
Bertha Remaster of Master Cassette source.
SBD>>MC>>DAT>>WAV>>CDR>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+
Notes:
Digitally remastered using a custom built, Dual DAW, nicknamed Bertha, by jashley@deadacated.com on December 5, 2001.
Disc change between disc 1 and disc 2 is made between Cumberland and Looks Like Rain where there is a brief pause. There is no fading done here to preserve a seamless linking of tracks during transfer to greater capacity media. |
|
10/04/87
|
Shoreline Amphitheatre |
Aud |
2 |
A+ |
|
|
10/04/87
|
Shoreline Amphitheatre |
WMA |
2 |
|
Bertha Remaster of Master Cassette Source.
SBD>>MC>>DAT>>CDA>>WAV>>SHN>>DAW(Bertha)>>CDA - Sound A
Notes:
Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com on February 1, 2002. |
|
11/06/87
|
Henry J Kaiser Convention Center |
WMA |
2 |
|
SBD>Cm>Dat>Samplitude>Cool Edit Pro>CD
Transfer Set Up:
Sony R500 ->
Behringer UltraMatch SRC2000 ->
M-Audio 2448 ->
Samplitude v6.0 ->
Cool Edit Pro v2.0 ->
CD (Plextor 24x)
2 Discs Audio
2 Discs SHN
Tracked with CD wave
Normalized to 98% (Before the tracks were split)
SHN's with MKW
By Charlie Miller
charliemiller87@earthlink.net
8/19/02Miller
charliemiller87@earthlink.net
8/19/0202 |
|
11/07/87
|
Henry J Kaiser Convention Center |
WMA |
3 |
|
Source: SBD > PCM > CDR
Transfer: PCM SBD -> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR
by Sean Weber-small
Some static pops were removed from the Black Peter as well as a drop out in Playin
via sound forge.
CDR (Mitsui) > EAC (Plex 8X, see logs in each folder) > SHN via MKW .97
by Bill Gardner, bgard@speakeasy.net
|
|
11/13/87
|
Long Beach Arena |
WMA |
2 |
|
Lineage:
SBD -> Cm -> Cass -> Sony SBM1(Modified) -> VX Pocket -> Samplitude -> Cool Edit Pro -> SHN
1 Discs SHN / 1 Discs Audio
Cassette Transfer and Mastering done By Charlie Miller
charliemiller87@earthlink.net
11/29/02
|
|
11/15/87
|
Long Beach Arena |
WMA |
2 |
|
Source:
SBD > MC > Sonic Solutions > Pre-FM Dat @44.1
Transfer:
DA-P1 > Delta Audiophile 2496 > Sound Forge 5 > CDWave > mkwACT
Transfer by Doug Nawrocki
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12/27/87
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Oakland-Alameda County Coliseum |
WMA |
3 |
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SBD > Cm > Dat (Tascam DA) > CD (Tascam CDRW) > EAC > SHN
All transfers from Dat through SHN done by Charlie Miller
charliemiller@earthlink.net
Sound starts of a little crappy, but gets better.
Comments:
Addams Family Tuning after Ramble On Rose
The segue between UJB and Estimated has got to be heard!!! |
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12/28/87
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Oakland-Alameda County Coliseum |
WMA |
2 |
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This is different from the 4/25/03 Duke/Braverman etree seed in 3 ways:
1. There is no audience patch in Stranger, Franklin's, and beginning of Minglewood. There is some serious distortion in these tracks, but I let them be for those who want the complete soundboard.
2. The low generation lineage on this is guaranteed. I SHN'd this up from the DATs made directly from the Gans Cassette Masters.
3. The encore is on the end of disc 1, so this fits on 2 x 80 min CDs.
Lineage:
Cassette Master (Gans) played back on NAK CR-7A->Pana3700 DAT (sgrmag).
Fostex D5 DAT->ZA2->SoundForge->.wav->mKw->SHN (Joe Samaritano).
5/15/2003
**** = Heavy distortion, smooths out ~1 minute into Minglewood. |
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12/30/87
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Oakland-Alameda County Coliseum |
WMA |
3 |
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The low generation lineage on this is guaranteed.
I SHN'd this up from the DATs made directly from
the Gans Cassette Masters.
Lineage:
Soundboard->Cassette Master (Gans) played back on
NAK CR-7A->Panasonic 3700 DAT (sgrmag). Fostex D5 DAT->ZA2->Soundforge->.wav->mKw->SHN (Joe Samaritano).
5/22/2003
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12/31/87
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Oakland-Alameda County Coliseum |
WMA |
3 |
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SBD>>FM>>REEL(TandbergTD20ASE)>>WAV>>SHN - Sound A- Show A
(1) with the Neville Brothers
Notes:
Recorded by j_ashley@pacbell.net on NYE 12-31-87 on a
MacIntosh 2500 System (JBL 18" Sub-Woffers) with a Yamaha
Reference Analog Tuner. The windows were shaking in the
neighborhood this night, I assure you.
Digitized to WAV with modified SBLive and SHN'd by j_ashley@pacbell.net
on 2-20-2000.
No Noise Reduction of any kind was used, digital or analog.
No digital tweeking was performed on the wavs. This is pure
analog to digital conversion with nothing added or taken away.
Mix was heavy on Bass, thus the A- rating. Good for Phil
fans.
Enjoy! |
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02/13/88
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Henry J. Kaiser Convention Center |
WMA |
2 |
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Source: SBD > MC > DAT > CD > EAC > SHN
* Without Jerry
** One More Saturday Night Tease before Good Lovin'
EAC/SHN by Darryl Hinko (flyerfanatic)
Any questions contact me at: flyerfanatic2817@yahoo.com
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit Pro used for all editing
MKWact for encoding to SHN
Thanks to TOL for the patch source
Patch source:
Schoeps CMC3/MK41>Dat>CDR
http://db.etree.org/shninfo_detail.php?shnid=15126
Notes:
- d1t01 Hell in a Bucket: There was a major level adjustment from
0:09 - 0:41 I cut this by 5 dBs. It isn't perfect but it is much
better.
- d2t06 Space: Crossfade at 2000 milliseconds from 1:11 - 1:31
A big thanks goes out to Mike, Teri and Tom for helping me spread these
seeds far and wide.
And another big thanks to Richard, Michael, Mick and Vivek over at
Eurotraders.
Enjoy!
SHNtool output:
1:51.03 19587500 --- -- --- gd1988-02-13d1t01.wav
6:20.15 67067324 --- -- --- gd1988-02-13d1t02.wav
11:50.51 125363996 --- -- --- gd1988-02-13d1t03.wav
9:25.69 99828332 --- -- --- gd1988-02-13d1t04.wav
9:45.41 103290476 --- -- --- gd1988-02-13d1t05.wav
2:38.56 28002956 --- -- --- gd1988-02-13d1t06.wav
6:56.33 73460060 --- -- --- gd1988-02-13d1t07.wav
7:17.37 77173868 --- -- --- gd1988-02-13d1t08.wav
6:08.47 65025788 --- -- --- gd1988-02-13d2t01.wav
10:28.42 110878028 --- -- --- gd1988-02-13d2t02.wav
5:04.32 53700908 --- -- --- gd1988-02-13d2t03.wav
4:37.62 49008668 --- -- --- gd1988-02-13d2t04.wav
8:37.56 91330556 --- -- --- gd1988-02-13d2t05.wav
8:35.50 90963644 --- -- --- gd1988-02-13d2t06.wav
5:15.03 55573100 --- -- --- gd1988-02-13d2t07.wav
9:27.49 100134092 --- -- --- gd1988-02-13d2t08.wav
3:33.14 37606172 --- -- --- gd1988-02-13d2t09.wav
5:20.11 56473916 --- -- --- gd1988-02-13d2t10.wav
6:35.41 69774476 --- -- --- gd1988-02-13d2t11.wav
129:50.37 1374243860 B (totals for 19 files)
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02/14/88
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Henry J. Kaiser Convention Center |
WMA |
2 |
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Recording Info:
Source 1: SBD>Master Cassette>CD>EAC>Samplitude>SHN
Source 2: SBD>Dat>ZA2>Sound Forge>SHN (Terrapin, Miracle to End Of Show)
Patches: Schoeps CMC3/MK41>Dat>Sound Forge>CD>EAC>SHN (Start Of China Cat)
Notes:
Source 1 Seeded by Paul Scotton
Source 2 Seeded by Joe Samaritano from David Gans
Patch Source Seeded By Charlie Miller from Paul Gibian
(2 Discs Audio / 2 Discs SHN)
Patched By Charlie Miller With Samplitude v7.02 Professional
charliemiller87@earthlink.net
4/11/04
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02/16/88
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Henry J. Kaiser Convention Center |
WMA |
2 |
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Source: SBD > MC > DAT > CD > EAC > SHN
Comments:
*with Batucaje
Mardi Gras parade during Drums > Iko Iko
EAC/SHN by Darryl Hinko (flyerfanatic)
Any questions contact me at: flyerfanatic2817@yahoo.com
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit Pro used for all editing
MKWact for encoding to SHN
Notes:
- d2t02 Parade Drums: Crossfade performed at 2000 ms from 0:00 - 0:07.
Part of the crossfade probaby starts in d2t01.
- d2t07 Space: Crossfade performed at 2000 ms from 0:36 - 1:06.
A big thanks goes out to Mike, Teri and Tom for helping me spread
these seeds far and wide.
And another big thanks to Richard, Michael, Mick and Vivek over at
Eurotraders.
Enjoy! |
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02/17/88
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Henry J. Kaiser Convention Center |
WMA |
2 |
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Source: SBD > MC > C > DAT > CD > EAC > SHN
*Dragon dance during "Drumz"
the Chinese Symphony Orchestra opened
EAC/SHN by Darryl Hinko (flyerfanatic)
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit used for all editing
Thanks to Caleb Miller for the source discs
Patch source - Schoeps CMC3/MK41>DAT>CDR T. Wileys fixed seed
Notes:
- Diginoise in Hey Pockey way at 0:24 during the audience and at
0:27 opening note. The AUD used for patching was very bad so I only
patched in what was missing in this show.
- Patched in audience between Little Red Rooster and Cumberland Blues
- First 8 seconds of Cumberland Blues patched with AUD also slight pop
at 2:42
- Patched in audience between Cumberland Blues and It's All Over Now
- Patched in audience between It's All Over Now and Box of Rain
- During Bertha and Women are Smarter there seems to be a bad cable on
stage. Lots of little noises. It ends with a big spike just before
Ship of Fools.
- Some light pops through out Drums. There is also diginoise at 10:55.
- Space has a large spike at 2:57 sounds like a speaker blew out.
- Drums and Space are cut Drums fades out and Space fades in. This is
how it came to me. There is only about 15 seconds missing. The AUD
was horrible at this point, with people talking into the mics. So
I left this as is.
- Truckin at 2:32 has some kind of noise seems to be from the stage
- Black Peter has diginoise for less then a second at: 5:24, 5:36 and
5:43
- Sugar Magnolia (SSDD actually) has a slight touch of diginoise at
6:38
- I didn't add any audience back between Sugar Mag and Brokedown so
this would fit on 2 discs.
There are a lot of flaws. Most are not that bad. And this is a huge
upgrade to the AUD source. If anyone has a cleaner copy contact me at
flyerfanatic2817@yahoo.com.
Also a big thanks goes out to the guys and girls at SHN Traders for
helping me spread these seeds around. Mike, Jason, Michele, Teri,
Rob, Steve, Tom, Dean and the rest.
Enjoy! |
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03/16/88
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Henry J. Kaiser Convention Center |
WMA |
2 |
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SB>DAT>CDR>EAC>CDR
Notes-
I got these shn discs from Peter Gallagher, and upped them into the etree server network.
Willy
_willy_@junkiesplace.com
EAC/SHN by Peter Gallagher
Seeded to etree 04/15/02 |
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03/17/88
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Henry J. Kaiser Convention Center |
WMA |
2 |
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Lineage:
Soundboard->DAT Master->DAT
Transfer:
DAT->ZA2->.wav->mkw->SHN
Transfer and SHN by Joe Samaritano
12/28/2003
Notes:
1. Known lst generation lineage and transfer
from DAT, no EAC step.
2. No dropout in Ramble on Rose as with other
circulating copies.
3. Most of Let it Grow is cut, I have not heard
a SBD source with it complete.
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03/18/88
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Henry J. Kaiser Convention Center |
WMA |
2 |
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Lineage:
Soundboard->DAT Master->DAT
Transfer:
DAT->ZA2->.wav->mkw->SHN
Transfer and SHN by Joe Samaritano
12/28/2003
Notes:
1. Known lst generation lineage and transfer
from DAT, no EAC step.
2. No dropout in UJB tuning as with other
circulating copies.
3. As always, CD breaks can be reassembled seamlessly
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03/24/88
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The Omni |
WMA |
2 |
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SBD>MC>DAT>CDR (Healy Matrix)
Eac(secure with proper offsets) >cool edit pro >
shntool >cdwav> shn
by Ernie Dodd & Willy
* noise at 3:34 & 4:16 from the sound system
x 1st part cut comes in at ..."On my way, on my way" right before
"Left my boots in transit" verse
# There are several places in drums begining at 2:58 where a deep bass
drum causes clipping. Its especially bad at 4:58.
The levels on the MC were were very hot, but fortunately only a few
places in drums were clipped.
@ removed small blips of digi spurts at the miracle > Wharf rat
and the Wharf rat > lovelight transtions.
Now it sounds similar to small skips. Before the edit, it sounded like
small skips with digi spurts. Maybe due to some previous tracking which
didnt follow red book standards?
The sound is quite nice and full.
ENJOY!!!
Another installment of The Music Never Stopped Project!!
Thanks to Paul B. for the show and the discs !!!
2/10/03 |
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03/26/88
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Hampton Coliseum |
WMA |
3 |
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SBD Analog Cass Master-> DAT-> CDR.
Comments:
Loud "static burst" in Mexicali Blues. 3 dropouts in The Wheel.
New version circulated 01/01/2002. Contains patches in Mexicali and The Wheel. Mexicali patch is 0:27 to 0:31; The Wheel is simply a fix. Patch is AUD (Nak 300/Sony D5)> Nak BX300> AIFF> WAV> SHN. By Peter Braverman (braverman@earthlink.net) |
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03/27/88
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Hampton Coliseum |
WMA |
3 |
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DATSBD (Panasonic 3800)>CD (HHB CDR800)>EAC>SHN conversion by AJ - a2k@pacbell.net - 1/23/00
Known Flaws - last minute of Let it Grow is cut
If you have an uncut, digital source of this track please contact me - thanks & Enjoy!
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03/28/88
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Hampton Coliseum |
WMA |
3 |
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IN House FM>Sony D-5>MC>DAT>CDR
EAC/SHN conversion by Brad Ingle (b_ingle@hotmail.com)
CD Wave and Shntool used to retrack and verify/correct sb's
Seeded to etree 06/02
Thanks to Paul B for the audio discs
Another installment of The Music Never Stopped Project!
Enjoy the show!
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03/30/88
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Meadowlands Arena |
WMA |
3 |
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sdb
ripped by mike lai |
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03/31/88
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Meadowlands Arena |
WMA |
2 |
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Unknown Soundboard
==
* Some minor static in bursts of less than 0.5 secs:
- Ramble On Rose 4:07
- Scarlet Begonias 6:16, 6:18, 6:19, 6:20, 6:28, 6:29, 6:43
- Fire on the Mountain 0:05, 0:07
- I Need a Miracle 1:31, 1:34, 1:39, 1:42, 1:51, 1:55
- Dear Mr. Fantasy 0:01
- Hey Jude Reprise 0:14
- Knockin' On Heaven's Door 0:08, 0:14
** Drums is cut at 0:28; The remaining 0:42 of d2t5 is a spacey intro of GDTRFB |
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04/01/88
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Meadowlands Arena |
WMA |
2 |
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Source: Ultramatrix (SBD/AUD mix)
Lineage: DAT> ?> CD> SHN
This is a very crispy Matrix, with lots of audience mixed in. Very good sound.
There is no break between I Know You Rider and Estimated Prophet, so those who want to assemble this as a three-disk show can do so seamlessly.
Tape flip between drums and space suggests a cassette generation in there somehwere; missing very little.
An early installment of The Music Never Stopped Project. Thanks to Raul for the discs. Normalized, retracked, and seeded by Peter Braverman (braverman@earthlink.net), July, 2002. |
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04/03/88
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Hartford Civic Center |
WMA |
2 |
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Source:
SBD>?>CD (Possible Matrix)
Tools:
CD audio extraction done in Secure Mode with EAC 0.93b3
WAV splitting done with CDWave 1.7
Sector boundaries verified with SHNTOOL 1.01
Seeking SHN encoding done with MKWact 0.97b1
Notes:
D2T08 - The anomaly at 7:02 is apparently the sound of Jerry's microphone hitting the
stage. (DeadBase '88)
Major domo arigato to Ankh-af-na-khonsu for the source discs!
Another installment of The Music Never Stopped Project!
PainoMan - May 2002
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04/04/88
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Hartford Civic Center |
WMA |
2 |
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Sources:
Main - SBD>DAT>CD (Possible Matrix)
Alternate - SBD>MC>DAT>CD
Notes:
D1T04 - Level fluctiations at ~2:50 repaired with alternate SBD source patch.
D1T09 - Dropout at ~3:49 repaired with alternate SBD source patch.
D2T02 - Dropouts at ~0:44 and ~7:38 repaired with alternate SBD source patch.
The Second Set is seemless across discs for future use.
Disc Two requires an 80 minute disc as tracked above.
Tools:
CD audio extracted with EAC 0.93b3 in Secure Mode
Pitch and EQ adjustments applied to Alternate SBD source with Multiquence 2.50
Main SBD source patched with Alternate SBD with Multiquence 2.50
WAV files split with with CDWave 1.7
Sector boundaries verified with SHNTOOL 1.01
Seeking SHN encoded with MKWact 0.97b1
------------
Major domo arigato to Ankh-af-na-khonsu for the source discs!
Another installment of The Music Never Stopped Project!
PainoMan - June 2002 |
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04/07/88
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The Centrum |
WMA |
3 |
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Source - Pre-FM > MR > VHS > DAT > CD > EAC > SHN (seekable)
EAC/SHN by Darryl Hinko (flyerfanatic)
any problems contact me at flyerfanatic2817@yahoo.com
EAC used to extract with proper offsets
SHNtool to join and check sector boundries
CDwav to split tracks
Thanks to Skip Jenkins for the source discs.
Some sort of distortion in a few tracks which must have been from the
Soundboard. I traded for a few versions of this show, including
a FM source, and the distortion is in the same place on each version.
Distortion found in:
Touch of Grey - 5:02 - 5:05
Scarlet Begoinias - 0:29 - 0:31 and 0:37 - 0:39
Estimated Prophet - 0:17 - 0:25 and 0:39 - 0:40
Eyes of the World - 0:37 - 0:40, 0:43 - 0:49 and 1:08
Drums - 1:58 - 2:00 and 2:04 - 2:06
All Along the Watchtower - 4:23
- A pop and light static around the 1:20 mark of Touch of Grey
- Pop at 3:36 of Big Railroad Blues
- There is a light static through Space and part of The Wheel
- Fluttering sound on Black Peter starting at the 6:35 mark for a
couple of seconds
- Box of Rain has a tick at 0:45
Not the cleanest show but it is the best I have found so far.
Enjoy! |
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04/08/88
|
The Centrum |
WMA |
2 |
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In-House FM>PCM>Dat>CD
Notes-
-I used CD Wave and Shntool to retrack and verify sb's, and CE2K for all editing.
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 02/06/03
Audio discs provided by Mike Murray
Another installment of The Music Never Stopped Project! |
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04/09/88
|
The Centrum |
WMA |
3 |
|
Source: Pre-FM broadcast
Lineage: Master Reel> VHS (PCM)> DAT> CD> SHN
Note: While a "master reel" seems unlikely for 1988 (the VHS is more likely the master tape), the frequency spectrum suggests that this is indeed a pre-broadcast reel, with content above 15K Hz.
Known issues:
There is announcer banter for the first 20 seconds, and then a nasty little cut of four seconds, in Big Boss Man. The cut suggests that somebody in the control booth punched the wrong button, but I haven't heard other FM versions of this show and could not confirm that.
Drums and space are seamless and may be reattached if, for example, you wanted disk 3 to begin with Terrapin.
Thanks to Skip Jenkins for the disks. Seeded by Peter Braverman (braverman@earthlink.net), February 2003. |
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04/13/88
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Rosemont Horizon |
WMA |
2 |
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Source: Ultramatrix (SBD/AUD mix)
Lineage: Master Cassette> ?> DAT> CD> SHN (?)
Known issues:
I applied some gentle shaping of the sound on this one as it was, to say the least, not very good. The sound is so iffy that I am quite certain the lineage I had was incorrect; I would guess at least two or three additional cassette generations ... but I haven't heard anything better yet, and this is a very good show, so here it is. The second set is in better shape than the first.
The first ten seconds of Half-Step are a mess; it improves after that point.
Don't Ease is from an unknown audience source.
Tape flip at 5:43 of space, very minor.
----------
Seeded by Peter Braverman, April 2003. |
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04/14/88
|
Rosemont Horizon |
WMA |
3 |
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Source: SBD (Matrix) > MC > C > DAT > CD > EAC > SHN
EAC/SHN by Darryl Hinko (flyerfanatic)
Any questions contact me at: flyerfanatic2817@yahoo.com
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit Pro used for all editing
MKWact for encoding to SHN
Patch source:
AUD>MC>DAT>CD
http://db.etree.org/shninfo_detail.php?shnid=15824
Notes:
- Seek Tables were not appended. For some reason I now get an error
when I try to attach them. This might force me into using FLAC.
I haven't decided yet. If anyone knows how to correct the error
I am getting from SHORTEN please contact me. I can only assume
this is from Service Pack 2 for XP Pro. That is the only thing
that changed on my computer. Sorry for any incovience.
- d1t08 Bird Song: Crossfade performed at 1000 ms from 0:07 - 0:10.
I only used 1000 ms since this was a small patch. Obviously I
could not use a 2 second fade in and out since the patch is only
3 seconds long.
Also on the AUD the beginning of Bird Song was cut. I have no way
of knowing if this is the right bar to patch in. The end is in
the right place it is the beginning of the patch in question.
I did the best I could.
- Drums: Is split because there was a space with just fans cheering.
The tracks are seemless.
- d3t02 Space: There was a tape flip at 7:04. The AUD was missing
this section as well. I cut them together as best as I could.
A big thanks goes out to Mike, Teri and Tom for helping me spread
these seeds far and wide.
And another big thanks to Richard, Michael, Mick and Vivek over at
Eurotraders.
Enjoy! |
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04/15/88
|
Rosemont Horizon |
WMA |
2 |
|
Source: S:C?-> cdr->(eac'd)wav->shn
(A note of explanation from the source: To answer your question about 4/15/88, no, it has no analog generation, with the exception that it probably came off a master cassette (as is the case with many 87-89). The source of it is GDH, but it is a pre-broadcast master GDH CD that I got from a friend at a radio station, so there is no broadcast generation. I edited out the Gans voiceover. I feel this qualifies as "pre-FM", though maybe some may disagree.)
Drums cuts into Space
Ripped by John Zei
jszei@hotmail.com
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04/30/88
|
Frost Amphitheatre |
WMA |
3 |
|
Pre-FM>Reel>Cassette>>cdr
there is a cut in black peter.
***SMOKING SHOW***(in my opinion)
Hate to sound like the boys at the undernet,
but this one screams rule #5*LOL*
Seeded to etree buy Mike Lai
stellablue.etree.org
usalai@nycap.rr.com
Thanks to Biff Blond for giving me his copy. |
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05/01/88
|
Frost Amphitheatre |
WMA |
3 |
|
DSBD->DAT Master->DAT Clone
DAT->CD->EAC->CDWave->SHN conversion and seeded by AJ - a2k@pacbell.net
seeded via cryptical.etree.org - 12/11/00 - Enjoy! |
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06/23/88
|
Alpine Valley Music Theatre |
WMA |
2 |
|
Comments:
a god ending to a very long four show run at a blistering, crowded, dusty alpine valley. Aiko was great, solid first set. 2nd set was strong also, the rare "beleive it or not made its 2nd and i beleive final appearance here. I must say, the boys pulled themselves out of a tailspin from the three previous shows with this one. blackbird was nice but kinda fucked up. I have part of this show from the gd radio hour, but i would like the whole thing for my collection.
-patman
blackbird although flubbed, was awesome they flubbed it and cant help from crackin up between themselves, as much as they were laughin it was hard to believe they continued. Messed it up and made it an enjoyable moment only like the dead could.
-craig bronk, cratanic@sbcglobal.net |
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06/26/88
|
Civic Arena |
WMA |
2 |
|
Source:
SBD/Matrix > Dat > CDR > Sonic Solutions > CDR > EAC* > CDWave > mkwACT
*range extracted/seeded by Doug Nawrocki
|
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06/28/88
|
Saratoga Performing Arts Center |
WMA |
3 |
|
source (uncertain, but pretty reliable -- see notes below):
FM (matrix)
Lineage: DAT> CD> SHN
Notes:
Drums and space do not have fades and can be reattached seamlessly if desired.
Originally these discs were listed as SBD> DAT> CD, but this was obviously an FM source, as it contained much DJ blather, including station ID as WPYX in Albany. All of that is now one big elision on the dustbin of GD history. I don't think it's a pre-FM, as the top end is slightly constricted, consistent with a 15 KHz cutoff on FM broadcasts. But I'm speculating.
As I received it, the tracking was, to say the least, a complete mess, with consecutive "tuning" tracks, tracks marked "transition," and no track that began within five seconds of the song itself. I ripped, retracked, converted AIFF to WAV, and Shortened. Here it is, a pretty darn nice show.
This seed launched January 6, 2002, by Peter Braverman . Thanks to Doug Nawrocki for pushing me to get it done.
----------
Sector boundaries corrected and SHN files reseeded May 2003. --pb |
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06/30/88
|
Silver Stadium |
WMA |
2 |
|
SBD > DAT [vault] > DAT [vault clone] > CDR
Discs kindly provided by Zeb Weber via David Gans
cd > eac > shnv3 by Ernie Dodd
This version is the same as the version currently
circulating (http://db.etree.org/shninfo_detail.php?shnid=6670).
However David had to smudge over Jerry's clear enunciation of
"Some other Fucker's crime" in Wharf rat for live airplay. This
is the uncencored version. Also, this version includes 3.5 minutes
of space that is not present in the previous version. |
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07/02/88
|
Oxford Plains Speedway |
Aud |
3 |
|
|
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07/02/88
|
Oxford Plains Speedway |
WMA |
3 |
|
Source: SBD + AUD 'Matrix Mix'
FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR +
SBD > Dat > Sonic Solutions > CDR
Known Flaws: None
I used EAC in secure mode to extract all tracks at 100%
no reported errors. Cool Edit Pro 2.0n was used to align,
synch the SBD and AUD. Both the SBD & the AUD were
knocked down -3db prior to mixdown. 50/50 SBD:AUD ratio.
- Mixed by dan@am-dig.com
- Shn conversion done by dan@am-dig.com 12/01/03
- Artwork "Phil Bomb" by dan@am-dig.com 300dpi - for best results
print at the highest resolution onto glossy photo paper
I have listened to these rather extensively but we all know
how easy it is to miss a problem on a 2.5 hour show. So
please, if you find any problems please email me at
dan@am-dig.com
|
|
07/03/88
|
Oxford Plains Speedway |
WMA |
2 |
|
SBD>DAT>Sonic Solutions>CDR>EAC>CD>EAC>SHN
Thanks to Richard Danyko for the hook up
ripped and upped by Saint Stephen
stepheneleven@altavista.com
EAC's were done secure mode with offsets
configured. Test and Copy matched
shn encoded with Mkw tool. |
|
07/15/88
|
Greek Theatre, U. Of California |
WMA |
3 |
|
Sources:
Primary Source:
Ultramatrix (SBD/AUD mix)
Lineage: DAT> ?> CD> SHN ("?" may not be a
generation, or it may be. I dunno.)
Seconday Source:
Sean Weber-Small's Aud PCM Master>Sony PCM 601ES> RME Hammerfall>
Soundforge 4.5/CD Architect>CDR>Shn The secondary source supplies a
patch in Estimated Prophet (d2t05) from 3:03 thru 3:07
Patched by Scott Clugston.
Thanks to Steve Aserkoff for the discs.
Tracked, normalized, and seeded by Peter Braverman
(braverman@earthlink.net), June 2002.
Flaws:
d1t06 - dropout at 3:09 was tighteded up but is still slightly
noticeable.
d2t05 - Dropout patched with secondary source |
|
07/16/88
|
Greek Theatre, U. Of California |
WMA |
3 |
|
Source: Ultramatrix (SBD/AUD mix)
Lineage: DAT> ?> CD> SHN ("?" may not be a generation, or it may be. I dunno.)
Nearly inaudible splice at 13:40 of drums.
Thanks to Steve Aserkoff for the discs. Tracked, normalized, and seeded by Peter Braverman (braverman@earthlink.net), June 2002. |
|
07/17/88
|
Greek Theatre, U. Of California |
WMA |
3 |
|
Source: SBD>DAT Master>CDR>EAC>WAV>SHN
Known Flaws:
d2t05 - dropout/static @ 4:34
d2t05 - droupout @ 5:06
Extraction (EAC) and SHN Encoding done by Jeff M.
email:fy1220@aol.com or Lost_Sailor1620@hotmail.com
Cdr List>> http://db.etree.org/jklm |
|
07/31/88
|
Laguna Seca Recreation Area |
Aud |
2 |
A+ |
|
|
07/31/88
|
Laguna Seca Recreation Area |
WMA |
2 |
|
Source: SBD > MR > DAT @48Khz
Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHN3 (seekable)
Transferred and Seeded by John, jcdauria@biology.lsa.umich.edu
http://sativa.etree.org
Comment: Disc 2 fits on an 80 minute disc. This is a very clean source, there is one
very small glitch in Hell In A Bucket. Space has some feedback distortion that is not
a recording error or digital artifact.
Other Artist(s): David Lindley and El Rayo-X and Los Lobos openned. * w/ David Hidalgo |
|
08/28/88
|
Autzen Stadium, University Of Oregon |
WMA |
3 |
|
Source: SBD>MC>DAT>CDR
Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
You can put D2t01 and D2t02 at the end of D1 to fit the show on 2 disks.
COMMENTS: D1t01(Mississippi Half Step)Drop outs on both channels @ 7:35 and 7:38 removed.
D1t03(Friend Of The Devil) Brief static @ 5:21 filtered. D1t05(Foolish Heart) Tiny Drop out
@ 4:29 both channels removed. 35 minutes into set 2, there was a PA dropout.
Conversion/Edit/Seeded by T. Wiley 02/09/2003.
EAC: Secure to extract all disks @ 100% quality no reported errors.
CD WAV: To Select tracks.
Cool Edit Pro: To preform edits(See comments above).
Shntool: To confirm sector boundaries.
SHN: Via mkwact(seekable)
Thanks to Paul G. for the source disks.
Another Installment Of The Music Never Stopped Project!
ENJOY!! |
|
09/03/88
|
Capital Centre |
Aud |
0 |
|
|
|
09/03/88
|
Capital Centre |
WMA |
2 |
|
Source update: Matrix SBD
SBD > MC > DAT > SOUND FORGE > CDR > EAC > MKW > SHNv3
COMMENTS:
Source discs provided by Charlie Miller, EAC > MKW > SHNv3 by DES.
SBD level adjustments during d1t1,2.
Disc 2 requires 80 Minute disc.
Sector boundaries confirmed via shntool.
Please leave any comments about this show in the shn database, found here-
http://db.etree.org/shninfo_detail.php?shnid=5913 |
|
09/08/88
|
The Spectrum |
WMA |
2 |
|
SBD>Metal Cassette Master>DAT
Tascam DA20>HHb850>CDR by tDonaldson & friends
CDR>EAC>CDR by johncva@aol.com
CDR>EAC>MKW Utility>.shn files by johncva@aol.com
This was part of the ëUncirculated Ã88 SBD TreeÃ. The track breakup is exactly the same as they are on the discs mastered by Tom
Donaldson & friends. I copied those discs using EAC and sent the originals back to him. I have not changed them in anyway, and as
far as I know, they are flawless. Please, if you hear anything questionable, ask me, and IÃll check for it on my discs. If EAC is
all itÃs cracked up to be, nothing should have been added.
Hope you enjoy. Peace,
john a |
|
09/09/88
|
The Spectrum |
WMA |
2 |
|
Source: SBD > Cass Master > DAT > CDR > CDR > EAC > SHN
The cut in "I Will Take you Home is on the master according to the
document that came with the discs.
There were a few Dropouts at the end of d1t09 Don't Ease Me In
during the audience, I removed them with Cool Edit.
EAC/SHN done by Darryl Hinko (flyerfanatic)
Thanks to Joe Masino for the source discs.
From The SHN Traders
Enjoy! |
|
09/12/88
|
The Spectrum |
WMA |
3 |
|
Source:
SBD/Matrix > MC > DAT > CDR > EAC > mkwACT
Thanks to Dan Szymanski for the source discs
EAC'd/Seeded by Doug Nawrocki
*sub-second dropout at 5:27 in Dupree's fixed with Cool Edit Pro
|
|
09/14/88
|
Madison Square Garden |
WMA |
2 |
|
SBD>MC>DAT>CDR>EAC>WAV>SHN
(shn set may have either missinf Encore, or from alternate 'unknown' source)
|
|
09/15/88
|
Madison Square Garden |
WMA |
2 |
|
SBD>MC>DAT>CDR>EAC>CDwave>SHN
Sound:A+
Performance:A++ (just ask phil...)
EAC is secure, test and copy, and offsets configured
SHN's created in mkw. Retracked with cdwave to recapture
show continuity by tacking encore back after set 2,
instead of on D1, as it was on the master vine cd.
-enjoy,
Steve Barbella
80 minute cdr required for disc 2. If you're burning
with 2 x 74, you can throw US Blues onto disc one.
|
|
09/16/88
|
Madison Square Garden |
WMA |
3 |
|
Soundboard>Master Cassette>DAT>CD
Seeded by Charlie Miller
Converted to SHN and treed by Frank Venezia
|
|
09/18/88
|
Madison Square Garden |
WMA |
3 |
|
SBD>MC>C?>DAT>CDR
Notes:
Purported lineage of this was SBD>MC>DAT>CDR. Both Jools and I agree that
There is at least one more C gen in the mix due to the slight hiss.
Nevertheless it is a very listenable SBD that has been "missing" for far
too long.
Conversion Notes:
DAE (EAC: High, Secure, Offset Corrected) all track quality 100%
All eDits performed with SF5.0.
Show recut with CDWav.
All sector boundaries verified using SHNTOOL.
SHN(seekable) using mkwACT0.97 via eD - 10/27/02
Another installment of The Music Never Stopped Project!
Thanks to Jools for the seed wavs. |
|
09/19/88
|
Madison Square Garden |
WMA |
2 |
|
Source: SBD>MC>DAT>CDR
Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
COMMENTS: It appears that this entire show has Noise Reduction applied to it before I got
it. Also every track on this entire show had tiny drop outs before the actual songs were
removed with Cool Edit before I used CD WAV. D1t01(Touch Of Gray)Pop @ 2:15 both channels
removed, Level change @ 3:55. D1t07(Let It Grow) First couple of notes are clipped. Cass.
flip between Drums and Space. D2t08(Space) Click or space? @ :20, 4:13 and 4:14 left alone.
Conversion/Edit/Seeded by T. Wiley 02/05/2003.
EAC: Secure to extract both disks @ 100% quality with no reported errors.
CD WAV: To Select tracks.
Cool Edit Pro: To preform edits(see comments above).
Shntool: To ensure sector boundaries.
SHN: Via mkwact(seekable)
Another Installment Of The Music Never Stopped Project!
Thanks to Paul G. for the source disks!!
ENJOY!!! |
|
09/20/88
|
Madison Square Garden |
WMA |
2 |
|
Source: SBD>DAT>Casette Master>DAT>Montego II>CDR>EAC>SHN
DAE(EAC)+ SHN Encoding by Jeff M.
Note: I received this show on cd directly from the dat transfer. I noticed
after extraction that eac was reading the peak levels at a maximum of 28%. I
then extracted each disc as one big .wav and normalized peak to 98%. I then
used CDWAV to remark the tracks and edit out some interminably long pauses
in between a couple of tracks. The end result sounds pretty good
IMHO.---Enjoy--Jeff M.
Known Flaws: D1t07: first 10-15 seconds of masterpiece are cut
email jeff m @ --fy1220_jeffm@snet.net or lost_sailor1620@hotmail.com
with any additional flaws, questions or comments.
Uploaded to DonBean on 1/10/00 |
|
09/22/88
|
Madison Square Garden |
WMA |
2 |
|
Soundboard>Master Cassette>DAT>CD
Seeded by Charlie Miller
Converted to SHN and treed by Frank Venezia
*slight glitch at 0:18
**slight glitch at 4:20
***slight glitch at 1:08 |
|
09/23/88
|
Madison Square Garden |
WMA |
2 |
|
Soundboard>Master Cassette>DAT>CD
Seeded by Charlie Miller
Converted to SHN and treed by Frank Venezia
|
|
10/01/88
|
Shoreline Amphitheatre |
WMA |
2 |
|
Cassette Soundboard>DAT>CDR>EAC>SHN(seekable)
EAC/SHN by Darrin (dnsacks@usanet) Seeded to etree /
Enjoy! |
|
10/02/88
|
Shoreline Amphitheatre |
WMA |
3 |
|
Cassette Soundboard>DAT>CDR>EAC>SHN(seekable)
EAC/SHN by Darrin (dnsacks@usa.net) -- Seeded to etree 1/2002
Enjoy! |
|
10/14/88
|
Miami Arena |
WMA |
2 |
|
REPITCHED VERSION (2/22/04) using Charlie Miller's original SHN's
Recording Info:
SBD -> Cassette Master (TDK SA-X90)
Transfer Info:
Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) ->
USB -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN)
Transferred By Charlie Miller
charliemiller87@earthlink.net
2/15/03
Pitch Correction Information:
SHN>WAV>ADDAWAV>Cool Edit 2000 for Pitch Correction)>CD Wave>SHN
Pitch/Speed Correction by 1.00 percent
Repitch done by
JR Fishman
fishmanj_98ATyahooDOTcom
Notes:
-- Only a few seconds were lost on the tape flip during Space.
|
|
10/18/88
|
Keifer Lakefront Arena |
WMA |
3 |
|
Source: SBD(Healy Mix)>MC>HiFi VHS>DAT>CDR
Conversion: EAC>CD WAVE>WAVE LAB>MKW>SHN
Comments:
Encores are missing
Random static throughout the show
d1t08 - small dropout @ 4:20.197
d2t03 - small dropout @ 1:56.495
d2t04 - small dropout @ 2:44.794
d3t03 - small dropout @ 6:28.198
Cheers to Paul B. for the source discs.
Converted and seeded to etree 05/07/03 by Steven Leeds
Another Installment Of The Music Never Stopped Project!!
ENJOY!!! |
|
10/21/88
|
Reunion Arena |
WMA |
2 |
|
MSC>?>DAT>CDR Dat> Cdr by Andy Lemieux
Eac > cool edit > shntool > cdwav > shnv3
eac > shnv3(secure with proper offsets) by Ernie Dodd
Brent Mydland's 36th birthday.
Happy birthday before Wang Dang doodle.
cuts at beginning and at 1:50 of space
There were numerous small dropouts in the left channel where I patched in the
right channel as well as some random minor editing. There is a slight hiss
throughout the recording. Its still a nice show. Enjoy!!!
An additional installment of the Music Never Stopped Project!!!
3/24/03 |
|
12/28/88
|
Oakland-Alameda County Coliseum |
Aud |
2 |
|
|
|
12/28/88
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
SBD: Healy Mix>PCM>DAT>EventGina>WAV>CD>EAC>SHN
Healy Mix = SBD+AKG C 424b mic.
|
|
12/29/88
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
SOURCE: Ultra-Matrix DSBD>DAT>CDR>EAC>HD>SHN
|
|
12/31/88
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
SBD: Healy Mix>PCM>DAT>DALCardDeluxe>WAV>CD>EAC>SHN
Healy Mix = SBD+AKG C 424b mic.
There were balloons popping throughout the show, especially the Second Set.
Some of the more intrusive ones were reduced in volume or removed.
# - With Clarence Clemons on saxophone.
* - With Baba Olatunji, Sikiru Adepoju and Kitaro.
|
|
02/05/89
|
Henry J Kaiser Convention Center |
WMA |
3 |
|
Source: Ultramatrix (SBD/AUD mix)
Lineage: Master Cassette> ?> DAT> CD> SHN
*First performance
----------
Known issues
This show could be burned on two CDs by moving Cold Rain & Snow to disk 1.
Drums fades out and space fades in.
----------
Thanks to Johnny Venus for the disks. Normalized and seeded by Peter Braverman (braverman@earthlink.net), February 2003. Another installment of The Music Never Stopped Project. |
|
02/07/89
|
Henry J Kaiser Convention Center |
WMA |
3 |
|
Source: SBD >MC >DAT >CDR
Conversion: EAC(secure) >CD WAV >Cool Edit Pro >SHN(seekable)
Comments: I had to amplify the entire show Dt fades out(fixed)
Dt fades in(fixed)
Conversion/Edit/Seeded to etree by Tim W //
EAC: Secure to extract all disks/tracks @ % quality no errors
CD WAV: To select tracks
Cool Edit Pro: See comments above
SHN: Via mkwact(seekable)
Another Installment Of The Music Never Stopped Project!
Enjoy!! |
|
02/10/89
|
Great Western LA Forum |
WMA |
3 |
|
Source: Master Cassette SBD>DAT(Fostex D-10 playback)>CD-R (hhb800 standalone)>EAC 0.9>SHN (via MKWACT)
Editorial Comments:
This recording has a somewhat unique stereo mix.
The mix is more muddy than other winter/spring '89 recordings due to more audience blended into the recording than the
usual matrix recordings from that period. Still this is a fine listen.
DAT Transfer to CD and SHN generation by JR Fishman, NY, NY
fishmanj_98@yahoo.com
Send all inquiries to above e-mail
upped to the crypt Aug '01 by Steve Marbella |
|
02/11/89
|
Great Western LA Forum |
WMA |
3 |
|
Source: SBD>MC>DAT>CDR
Conversion: EAC(secure)>CD WAV>SHN(seekable)
* with Airto and Diana Moreira, Flora Purim
** with Airto Moreira
Comments: D1t08 cuts off.
Conversion/Edit/Seeded to etree by Tim W. 4/1/02
EAC: Secure to extract disks 1 and 2 @ 99.9%
CD WAV: To select tracks.
SHN: Via mkwact(seekable)
Another Installment Of The Music Never Stopped Project!
ENJOY!! |
|
02/12/89
|
Great Western LA Forum |
Aud |
2 |
|
|
|
02/12/89
|
Great Western LA Forum |
WMA |
2 |
|
SBD > MC > DAT > CD > SHN
* with Spencer Davis
** with Bob Dylan (guitar,vocals on Memphis Blues, Heaven's Door; guitar only on the others)
*** with Kodo drummer |
|
03/31/89
|
Greensboro Coliseum |
WMA |
2 |
|
source: sbd>cass>dat>cd>eac>wav>shn>wav>shn
Notes:
Could be more than one Cass in the lineage. A bit hazy. Have a better lineage?
Would sure be appreciated if ya'd circ it : )
Drums> Space was one track. Recut via CDWav.
ConverSHN Notes:
DAE (EAC: High, Secure, Offset Corrected) all track quality 100%
All sector boundaries verified using SHNTOOL.
SHN(seekable) using mkwACT0.97 via eD - 04/15/03
Another installment of The Music Never Stopped Project!
Thanks to R.Hansen for the seeds.
For pb & Dean ; ) |
|
04/03/89
|
Civic Arena |
WMA |
3 |
|
Mastered by Jay Serafin, Serafin Station Studio B
LINEAGE: SBD > PCM (analog output) > D > D > CDR > EAC > SHN
Jay's comments:
any/all editing,fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96kHz data stream) at Serafin Station Studio B [this show was released in 05/00]
My comments:
Both sets (d1t01, d2t01) start rather abruptly. Most likely a few notes are lost in both cases.
There is a bit of distortion, tape flutter, or static in d1t01 from 1:11 to 1:15 and around 1:42.
Extracted with EAC in secure mode. There was a sync error on d1t9, bu copy completed.
Jay asks that the integrity and hard work of his mastering be respected: "all I ask is that the shows aren't edited in any way, such as taking out a lot of the between song lulls, etc. They're left in there because they were part of the show...". Sounds reasonable to me.
Thanks.
Bob H. |
|
04/05/89
|
Crisler Arena |
WMA |
3 |
|
Healy Ultra Mix - sbd+aud> cm> dat> cd
|
|
04/06/89
|
Crisler Arena |
WMA |
3 |
|
Source: Soundboard Cassette Master-> DAT-> CDR except encore which is from B&K 4011 source
|
|
04/08/89
|
Riverfront Arena |
WMA |
2 |
|
Recording Info:
SBD -> Cassette Master -> Dat -> CD -> EAC -> SHN
Converted to SHN By Charlie Miller
charliemiller87@earthlink.net
10/19/04
Notes:
-- Encore moved to end of Set 1 to fit show onto 2 discs.
-- Thanks to Paul Scotton, Joani Walker and Andy Lemieux for the discs.
|
|
04/09/89
|
Freedom Hall |
WMA |
2 |
|
EAC'd and SHN'd by Charlie Miller
source: SBD>CM>DAT>CD>EAC>SHN
seeded to etree 11/18/02
by: Patrick White
notfadeaway69@netscape.net |
|
04/11/89
|
Rosemont Horizon |
WMA |
3 |
|
Lineage:
SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN
Recording Info:
SBD -> Dat
Transfer Info:
Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> Cool Edit Pro v1.2 -> CDWave -> SHN
(2 Discs SHN / 3 Discs Audio)
Transfered By Charlie Miller
charliemiller87@earthlink.net
2/3/03
Editing Notes:
Samplitude was used for recording.
Cool Edit Pro was used to normalize each disc to 100% and to do fades.
CDWave was used for tracking.
Notes:
d2t06 and d3t01 are seemless when combined.
SHNTOOL OUTPUT:
length expanded size cdr WAVE probs filename
1:29.74 15873692 --- -- --- gd89-04-11d1t01.wav
13:50.69 146574332 --- -- --- gd89-04-11d1t02.wav
10:10.42 107702828 --- -- --- gd89-04-11d1t03.wav
9:39.29 102203852 --- -- --- gd89-04-11d1t04.wav
8:07.60 86047964 --- -- --- gd89-04-11d1t05.wav
5:56.37 62885468 --- -- --- gd89-04-11d1t06.wav
4:31.59 47943212 --- -- --- gd89-04-11d1t07.wav
9:25.10 99689564 --- -- --- gd89-04-11d1t08.wav
9:16.18 98120780 --- -- --- gd89-04-11d1t09.wav
3:33.39 37664972 --- -- --- gd89-04-11d2t01.wav
7:13.53 76505900 --- -- --- gd89-04-11d2t02.wav
8:03.09 85222412 --- -- --- gd89-04-11d2t03.wav
8:47.08 92981660 --- -- --- gd89-04-11d2t04.wav
12:48.44 135578732 --- -- --- gd89-04-11d2t05.wav
9:34.17 101293628 --- -- --- gd89-04-11d2t06.wav
7:02.61 74584316 --- -- --- gd89-04-11d3t01.wav
5:24.59 57292412 --- -- --- gd89-04-11d3t02.wav
6:50.28 72389900 --- -- --- gd89-04-11d3t03.wav
9:53.29 104673452 --- -- --- gd89-04-11d3t04.wav
7:23.31 78218156 --- -- --- gd89-04-11d3t05.wav
3:31.70 37385084 --- -- --- gd89-04-11d3t06.wav
5:33.14 58774172 --- -- --- gd89-04-11d3t07.wav
168:08.35 1779606488 B (totals for 22 files)
MD5:
0a7c05572c741e04c03148871baf3675 *gd89-04-11d3t07.shn
58b9b29329f5d31a6508e06fd09a88ac *gd89-04-11d1t02.shn
c8496c7a766283b16527e15842a0a3ed *gd89-04-11d1t03.shn
0f7ed9d163abb6e5659593cc798d5a32 *gd89-04-11d1t04.shn
c7576891118e9455bb26622c5cef75aa *gd89-04-11d1t05.shn
5e08ba9710720243598106ddd0f324d5 *gd89-04-11d1t06.shn
8cd700dbb7721421f381814fa38ae0e1 *gd89-04-11d1t07.shn
a0f653aca50f360f755176fb2ebf83ea *gd89-04-11d1t08.shn
41168086b702813d1b85c6c77fd236d5 *gd89-04-11d1t09.shn
2c7862fe4173aef1d7049abb22ca2a04 *gd89-04-11d2t01.shn
4c9732e249b4346107aa057bcad6e6a0 *gd89-04-11d2t02.shn
d82642e730b1490b9f5e2a80bcef8f67 *gd89-04-11d2t03.shn
ad337657f2b261ed8a207af7b53cb984 *gd89-04-11d2t04.shn
dc8284f35e3501465ff0feac8ee75e35 *gd89-04-11d2t05.shn
d7c6a74666f884a1d8fd4b537607dc50 *gd89-04-11d2t06.shn
d150f52d7a0178102d871131065d8082 *gd89-04-11d3t01.shn
0147b362c4f881e2651b8f3f583c3779 *gd89-04-11d3t02.shn
41259347b0c5b36c462a625b6dd64ef4 *gd89-04-11d3t03.shn
38e65c15fb75769ec5f6f7481cb4d3cd *gd89-04-11d3t04.shn
5517ad56c6d5b5f04d2ac14e11a13609 *gd89-04-11d3t05.shn
b7ec6f626304d3c99c81d83257f3ea01 *gd89-04-11d3t06.shn
12b07ee59ac31f618f11a5d3800f07ec *gd89-04-11d1t01.shn
626304d3c99c81d83257f3ea01 *gd89-04-11d3t06.shn
12b07ee59ac31f618f11a5d3800f07ec *gd89-04-11d1t01.shn |
|
04/12/89
|
Rosemont Horizon |
WMA |
3 |
|
Source: Ultramatrix (SBD/AUD mix)
Lineage: Master Cassette> DAT> CD> SHN
Tape flip before Cumberland; missing maybe 10-15 seconds, and the first two seconds are a little warbly.
Very slight clip at the beginning of Touch of Grey, then a one-second dropout at 0:12 after I edited out a completely foreign matter.
Tape flip between drums and space. No idea how much is missing.
The bluesy feeling of the Smokestack > Spoonful > Smokestack sandwich really whet my appetite for a Rooster > Minglewood > Walkin' Blues > Minglewood > Rooster sandwich the next night, but Weir didn't oblige. Oh, well, another missed opportunity.
Thanks to PB (l'autre) for the discs. Another installment of the MNS Project. Seeded by Peter Braverman (braverman@earthlink.net), May 2002. |
|
04/13/89
|
Rosemont Horizon |
WMA |
2 |
|
Source:
SBD > Dat > CDR > EAC* > CDWave > mkwACT
*Range Extraction/Seeding by Doug Nawrocki
Thanks to Kevin Gills for the source discs
|
|
04/15/89
|
The Mecca |
Aud |
2 |
A |
missing 1st set |
|
04/15/89
|
The Mecca |
WMA |
2 |
|
DSBD (Panasonic 3800)>CD (HHB CDR800)>EAC>SHN conversion by AJ - a2k@pacbell.net - 2/5/00
Known Flaws - 1 sec. d/o @1:52 & 5 sec. d/o @2:46-2:51 during Space (d2t6) - some clipping
on the left channel due to drums and bass being too high in the SBD mix. The master has
this flaw as well. |
|
04/28/89
|
Irvine Meadows |
WMA |
3 |
|
Master Soundboard Cassette > CDR
CD Mastering by Scott Clugston
11/22/02
|
|
04/29/89
|
Irvine Meadows |
WMA |
3 |
|
Master Soundboard Cassette > CDR
CD Mastering by Scott Clugston
11/22/02
|
|
04/30/89
|
Irvine Meadows |
WMA |
3 |
|
Master Soundboard Cassette > CDR
CD Mastering by Scott Clugston
11/22/02
|
|
05/06/89
|
Frost Amphitheatre |
Aud |
3 |
|
|
|
05/06/89
|
Frost Amphitheatre |
WMA |
3 |
|
Source: DSBD
These are shntool fixed shns of the John "Jay" Serafin seed. |
|
05/07/89
|
Frost Amphitheatre |
Aud |
2 |
|
|
|
05/07/89
|
Frost Amphitheatre |
WMA |
2 |
|
Source: DSBD > DAT
DAT > WAV > SHN: Dan Stephens (dms@well.com)
Tascam DA-20mkII > M Audio Delta Audiophile 2496 > CDWAV v1.71 >
MKW Audio Compression Tool v0.96f (no DAE)
Rex Foundation Benefit
Bill Kreutzmann's 43rd Birthday
Notes:
At least two other SHN versions of this show circulate
as of July 16, 2002. Each have their share of flaws
and digital editing/processing that in my mind make them
undesireable. This new version is a direct copy from
a DAT clone, and has undergone no digital editing or
processing of any form. Tracks may be seamlessly
reassembled when a longer disc format becomes available.
compiled by Dan Stephens
07/16/2002 |
|
05/27/89
|
Oakland-Alameda County Stadium |
WMA |
2 |
|
"In Concert Against AIDS"
Source: Dan Healy's Master Soundboard Cassette > CDR
* with Clarence Clemons
made possible thru the usual group of suspects and mental patients
CD Mastering by Scott Clugston
11/24/01
|
|
06/18/89
|
Shoreline Amphitheatre |
WMA |
3 |
|
Source: SBD>??>DAT>CDR
Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
Comments: D3t01 had silence at beginnig of track(removed). D3t06 had
a D/O @ 5:14(removed).
Conversion/Edit/Seeded to etree by Tim W. 4/24/02
EAC: Secure to extract d1 @ 100%, D2 @ 99.9%, and d3 @ 100% quality
no reported errors.
CD WAV: To select track splits.
Cool Edit Pro: See comments above.
SHN: Via mkwact(seekable)
Another Installment Of The Music Never Stopped Project!
ENJOY!! |
|
06/19/89
|
Shoreline Amphitheatre |
WMA |
3 |
|
SBD>DAT>CDR
static in right channel 0:20-0:40 - d1t02
EAC (secure mode with proper offsets)
and shn conversion by Tony G (spreaddead@bellsouth.net)
03/09/02 |
|
07/04/89
|
Rich Stadium |
WMA |
3 |
|
Source: SBD > MC > C > DAT > CD > EAC > SHN
EAC/SHN by Darryl Hinko (flyerfanatic)
Any questions contact me at: flyerfanatic2817@yahoo.com
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit used for all editing
Thanks to Caleb Miller for the source discs
Patch source:
Thanks to Joey Browning's Unknown SBD
Unknown AUD patch from Joey Brownings source for US Blues
Notes:
- Bertha has several level adjustments. The left channel was also very
low so I boosted it 3dBs for the first 4:02. The beginning of the
song is a bit rough but it gets much better.
- Cold Rain and Snow has 2 patches with an alternate SBD between
2:08 - 2:11 and 4:23 - 4:28
- Row Jimmy had some problems in the left channel I corrected this by
patching in the right channel at 2:33, 4:02, 7:00 and 7:43. Right
channel had 1 problem at 7:55 patched in with left. Also a minor
pop at 6:58.
- Masterpiece has a patch with an alternate SBD from 4:17 - 4:27
- Deal has a patch with the alternate SBD from 1:04 - 1:07
- Space has 2 pops at 0:59 and a squeek at 7:33
- Morning Dew had bad diginoise from 0:32 - 0:47 patched with
alternate SBD
- US Blues was cut AUD patch from 3:02 until end.
Also a big thanks goes out to the guys and girls at SHN Traders for
helping me spread these seeds around. Mike, Jason, Michele, Teri,
Rob, Steve, Tom, Dean and the rest.
Enjoy!
SHNtool output:
length expanded size cdr WAVE probs filename
7:18.59 77402012 --- -- --- gd1989-07-04d1t01.wav
5:15.39 55657772 --- -- --- gd1989-07-04d1t02.wav
6:45.42 71540828 --- -- --- gd1989-07-04d1t03.wav
6:54.71 73196636 --- -- --- gd1989-07-04d1t04.wav
11:28.14 121396172 --- -- --- gd1989-07-04d1t05.wav
6:58.61 73878716 --- -- --- gd1989-07-04d1t06.wav
6:07.39 64830572 --- -- --- gd1989-07-04d1t07.wav
7:10.70 76016684 --- -- --- gd1989-07-04d1t08.wav
8:00.22 84723788 --- -- --- gd1989-07-04d1t09.wav
66:00.42 698643180 B (totals for 9 files)
length expanded size cdr WAVE probs filename
6:28.68 68603180 --- -- --- gd1989-07-04d2t01.wav
8:55.35 94456364 --- -- --- gd1989-07-04d2t02.wav
8:12.27 86852348 --- -- --- gd1989-07-04d2t03.wav
3:32.43 37497980 --- -- --- gd1989-07-04d2t04.wav
12:17.37 130093868 --- -- --- gd1989-07-04d2t05.wav
8:07.02 85911548 --- -- --- gd1989-07-04d2t06.wav
8:02.65 85177724 --- -- --- gd1989-07-04d3t01.wav
3:56.74 41804492 --- -- --- gd1989-07-04d3t02.wav
5:56.51 62918396 --- -- --- gd1989-07-04d3t03.wav
11:19.38 119865020 --- -- --- gd1989-07-04d3t04.wav
12:18.20 130230284 --- -- --- gd1989-07-04d3t05.wav
5:54.68 62605580 --- -- --- gd1989-07-04d3t06.wav
95:03.03 1006016784 B (totals for 12 files)
|
|
07/07/89
|
John F. Kennedy Stadium |
Aud |
3 |
|
|
|
07/07/89
|
John F. Kennedy Stadium |
WMA |
3 |
|
Source:(Healy Mix) SBD>MC>DAT>CDR>EAC>SHN
Flaws: digital static D1t1 @ 0:17 in tunning before Bucket
Shn conversion done by Tim Wiley 2/27/02 twiley69@hotmail.com
I used EAC in secure mode to extract all tracks at 100%
no reported errors
Many thanks to Paul B. for the cds.
|
|
07/15/89
|
Deer Creek Music Center |
WMA |
3 |
|
Source:
SBD > MR > DAT > C > DAT > CDR
Transfer:
EAC > Wave Trim > Add-A-Wave > CDWave > mkwACT
I used EAC's Test and Copy. There were several post track gaps of .01 second which I removed with Wave Trim. I used Add-A-Wave to rejoin tracks for retracking with CDWave.
EAC'd.../Seeded by Doug Nawrocki
*Close Encounters Of The Third Kind theme during Space
Known Flaws:
- There's an annoying crackle from the soundboard in Greatest Story. It gets fixed at the end of the track during the tuning.
- Splice in crowd/tuning into Peggy-O, due to tape flip.
- .7 second d/o during crowd at 7:02 in Peggy-O removed.
- 1.5 second d/o at 0:40 in Drumz removed, due to tape flip. |
|
07/17/89
|
Alpine Valley Music Theatre |
WMA |
3 |
|
Source:
SBD > DAT > CDR > EAC > *Cool Edit Pro > mkwACT
*Beginning of LTGTR, We Bid You Goodnight and Johnny B. Goode patched with Matrix > MC > CDR source.
|
|
07/18/89
|
Alpine Valley Music Theatre |
WMA |
3 |
|
Source: DSBD
Transfer: D8 > Waveterminal 2496 (@44.1) > Samplitude 2496 > CDWav > mkwACT
Transfer and Seed by Jason Brantley (jason@spreadwidepanic.com)
-Fades added at start and end of Sets
-Seek Tables Appended
3/27/2003
-sector boundary error in d1t02; disc fixed with shntool
Notes:
d1t01 (Touch) diginoise at ~00:22, ~00:40, ~00:47
d1t02 (Jack Straw) diginoise at ~05:30, ~05:35* (Cut and Crossfaded)
d2t01 (Sugar Mag) diginoise from ~00:23-00:29
d2t04 (Eyes) digital signal error at ~03:17
d2t05 (Drums) small click at ~06:35* (removed)
d3t01 (Space) SBD problem at ~00:37-00:39
d3t06 (Sunshine) crowd noise was cut at ~04:59* (D.O. removed and crossfaded)
*errors repaired
If you find any unreported errors or have a copy of this show without
any of the reported errors drop me a line at jason@spreadwidepanic.com
-SBE in d1t02 fixed by William at TuneTree |
|
07/19/89
|
Alpine Valley Music Theatre |
WMA |
3 |
|
-----------------------------
Source -
-----------------------------
DSBD -> DAT -> CD -> eac -> SHN
Seeded by Walstib
|
|
08/04/89
|
Cal Expo |
WMA |
3 |
|
Source:
SBD > MC > DAT > CDR
Transfer:
EAC (Test and Copy) > Wave Trim (Remove silences) > Add-A-Wave (Rejoin) > CDWave > mkwACT
EAC'd/Seeded by Doug Nawrocki
|
|
08/05/89
|
Cal Expo |
WMA |
3 |
|
Source: SBD > MC > C > DAT > CD > EAC > SHN
EAC/SHN by Darryl Hinko (flyerfanatic)
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit used for all editing
Thanks to Caleb Miller for the source discs.
Notes:
- In One More Saturday Night there was a huge vocal spike at 0:12.
I cut this by 3dBs. It isn't perfect but it is much better. There
are also some vocal adjustments from the board at 0:13 seconds and a
slight pop at 0:14.
- We Can Run has what sounds like a balloon popping at 3:08
- Memphis Blues has a slight click at 3:17 and 4:07
- Terrapin Station has a pop at 2:03
- Drums has clicks at 2:21 and 2:24
- Cut in Space patched with FOB Schoeps MK2 (spread) > dat > cdr
Patch runs from 8:22 - 9:33
Also a big thanks goes out to the guys and girls at SHN Traders for
helping me spread these seeds around. Mike, Jason, Michele, Teri,
Rob, Steve and the rest.
Enjoy!
shntool len *.wav
length expanded size cdr WAVE probs filename
4:20.44 45967532 --- -- --- gd1989-08-05d1t01.wav
5:30.65 58364924 --- -- --- gd1989-08-05d1t02.wav
8:24.08 88924460 --- -- --- gd1989-08-05d1t03.wav
5:06.35 54060764 --- -- --- gd1989-08-05d1t04.wav
6:27.02 68271548 --- -- --- gd1989-08-05d1t05.wav
10:13.46 108241436 --- -- --- gd1989-08-05d1t06.wav
11:32.33 122146460 --- -- --- gd1989-08-05d1t07.wav
11:56.34 126382412 --- -- --- gd1989-08-05d1t08.wav
63:31.42 672359536 B (totals for 8 files)
length expanded size cdr WAVE probs filename
7:23.47 78255788 --- -- --- gd1989-08-05d2t01.wav
7:34.23 80139740 --- -- --- gd1989-08-05d2t02.wav
6:35.56 69809756 --- -- --- gd1989-08-05d2t03.wav
12:48.08 135494060 --- -- --- gd1989-08-05d2t04.wav
4:06.07 43410908 --- -- --- gd1989-08-05d2t05.wav
11:08.24 117891692 --- -- --- gd1989-08-05d3t01.wav
9:44.71 103184636 --- -- --- gd1989-08-05d3t02.wav
10:11.29 107848652 --- -- --- gd1989-08-05d3t03.wav
13:01.06 137782556 --- -- --- gd1989-08-05d3t04.wav
5:51.66 62071676 --- -- --- gd1989-08-05d3t05.wav
88:25.37 935889464 B (totals for 10 files)
|
|
08/06/89
|
Cal Expo |
WMA |
3 |
|
Source: Ultramatrix (SBD/AUD mix)
Linage: Master Cassette> DAT> CD> SHN> Peak> WAV> SHN
Edits and remaining known flaws:
Significant tracking issues fixed.
Blank spaces between tracks on D3 removed; see note on Lovelight below.
Sector boundaries repaired after retracking.
Almost two minutes of white noise removed between Ramble on Rose and Masterpiece; no music is affected.
Scarlet fades in and is missing the first few chords.
Drums and space are seamless and may be reassembled if desired.
Wharf Rat has a one-second drop-out at 1:41.
There is a slight hiccup in Lovelight at 0:02.
----------
Thanks to Scott Kolber and Diesel for the download. Retracked, normalized, and seeded by Peter Braverman, October 2002. |
|
08/17/89
|
The Greek Theatre - University of California |
WMA |
3 |
|
Source: SBD>??>DAT>CDR
Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
*Rex Foundation Benefit*
Comments: Static on D2t07 @ :01 Removed. This is a great show and
recording.
Conversion/Edit/Seeded to etree by Tim W. 4/22/02
EAC: Secure to extract all disks and tracks @ 100 % quality no errors.
CD WAV: To track songs.
Cool Edit Pro: See comments above.
SHN: Via mkwact(seekable)
Another Installment Of The Music Never Stopped Project!
ENJOY!! |
|
08/18/89
|
The Greek Theatre - University of California |
WMA |
3 |
|
lineage: Healy Matrix Digital SBD > DAT > CDR > WAV > SHNv3
source: DAT > CDR transfer via D-10 > HHb800 via fishman. DAE via neo_levo: EAC (high, secure, offset corrected, with repeated extractions yielding matching wav md5's), tracked using CDWAVE (boundaries confirmed w/ shntool) > mkwact > SHNv3. Single generation of DAE.
(1) And We Bid You Good Night was a second encore |
|
08/19/89
|
The Greek Theatre - University Of California |
Aud |
2 |
A |
|
|
08/19/89
|
The Greek Theatre - University Of California |
WMA |
2 |
|
Soundboard Cassette Master > DAT > .WAV > .SHN
(Note May 2002: This is an Ultramatrix mix.)
Not Fade Away timing includes crowd's NFA chant and encore tune-up. Faint right-channel static in Jack Straw at 1 min.,16.5 sec. Static in Foolish Heart at 8 min., 8.6 sec. Fade-ins/outs added between sets and at the beginnings and ends of the discs in WaveLab. Overlap preserved between IKYR and Playing on both discs. |
|
09/29/89
|
Shoreline Amphitheatre |
WMA |
3 |
|
Ultramatrix: Master Cassette> DAT> CD> SHN> Peak> WAV> SHN
*first since 4-26-70 (1320 shows)
** Quinn cuts at 3:25
NB: Source is not verified, but I am told it's likely and it seems reasonable. There is audible hiss, but it's low enough to be tolerable. It's not out of the question that there's an extra cassette gen in there somewhere.
Drums and space do not contain fades, and can be reassembled seamlessly if desired.
Retracking and normalizing by Peter Braverman (braverman@earthlink.net), January 2002. Thanks to Skot G for the discs.
Enjoy! |
|
09/30/89
|
Shoreline Amphitheatre |
WMA |
2 |
|
Source: SBD>MC>DAT>CDR
Conversion: EAC(secure)>CD WAV>SHN(seekable)
* CD 2 requires 80 minute Disk
You could move D2t01 and D2t02 to Disk one to fit the show on 2
74 minute disks but I don't recommend it. I preffer to keep Sets whole.
Comments: Kick ass show! Great sound for cassette in the gen. lineage.
NO edit work done on this show!
Conversion/Seeded to etree by Tim W. 4/22/02
EAC: Secure to extract both disks @ 100 % quality no errors.
CD WAV: To select track splits.
SHN: Via mkwact(seekable)
Another Installment Of The Music Never Stopped Project!
ENJOY!! |
|
10/08/89
|
Hampton Coliseum |
Aud |
2 |
|
|
|
10/08/89
|
Hampton Coliseum |
WMA |
2 |
|
SBD> Master Cass>DAT>CD>EAC>SHN
2 disks - 1x74 1x80
CDead Vine (Thanks CDead!)
Flaws in 10/8/89
D1T01 Foolish Heart 3:02 DO, maybe 1 second
D1T02 Wlakin' Blues 6:17 DO, Maybe 1 second |
|
10/09/89
|
Hampton Coliseum |
Aud |
3 |
|
|
|
10/09/89
|
Hampton Coliseum |
WMA |
3 |
|
Lineage: SBD > PCM (analog output) > D > D > D > D
Any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96 kHz data stream) at Serafin Station Studio B
Seeded to Etree by Patrick Murphy (patrick_e_murphy@yahoo.com) February 2002
Thanks to Jay Serafin for the disks and the priviledge of seeding them!
If there are any questions or problems please let me know. Enjoy!
Notes:
Billed as "Formerly The Warlocks"
"Feel Like A Stranger" appears on the commercially released "Without A Net"
Last "Dark Star": 7-13-84
Last "Attics Of My Life": 9-27-72 |
|
10/11/89
|
Meadowlands Arena |
WMA |
2 |
|
Source: Master Soundboard DAT > Cassette > DAT> CDR
this is a new transcription of the previously circulating 3 disc set.
It seems that the masters for this show are plagued by ticks/micro-pops,
mostly relegated to the left channel.Upwards of 400 of them were repaired
using Cool Edit Pro. In this transcription,there are a few remaining anomalies
that could not be "fixed" transparently, and were left alone.
2 x 80 minute dics are required
CD Re-mastering by Scott Clugston
SHN'ed by Scott Clugston
11/22/01
|
|
10/12/89
|
Meadowlands Arena |
WMA |
3 |
|
Sbd>Cas(m)>Dat>ZA2/PC>SF>CD Architect>CDRÃs
dave koehler
dkoehler@koehlerorg.com
davejk@optonline.net |
|
10/14/89
|
Meadowlands Arena |
WMA |
2 |
|
Sbd>Cas(m)>Dat>ZA2/PC>SF>CD Architect>CDRÃs
dave koehler
dkoehler@koehlerorg.com
davejk@optonline.net
|
|
10/15/89
|
Meadowlands Arena |
WMA |
2 |
|
SBD>C>DAT>CDR
Seeded on 2/9/01 by Chaser |
|
10/16/89
|
Meadowlands Arena |
WMA |
3 |
|
DSBD>DAT>WAV>CD-R
*Bob Weir's 42nd Birthday
SHNcoded by Dave Barrick
Hurtsme2@etree.org |
|
10/18/89
|
The Spectrum |
WMA |
3 |
|
Source:
Healy Ultramix > MC > DAT > CDR > EAC > *CEP 2.0 > Add-A-Wave > CDWave > mkwACT
*Cool Edit Pro patch notes at bottom
EAC'd/CEP'd/Seeded by Doug Nawrocki. Thanks to Charlie Connor for supplying the audience shns
*beginning of Shakedown, Drumz and Space patched with following source-
Digital Audience - Jill & Rob R
3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section.
The slight repeat at the beginning of Shakedown is not a patch or source error, that is actually how they played it and it seemed the easiest place to apply the patch.
Known flaws:
- splice due to tape flip in crowd noise following Peggy-O
- five second dropout of left channel in Music Never Stopped patched with right channel
- low level static at various points
- blip at 00:43 in Watchtower
- three second dropout of right channel in Bird Song patched with left channel |
|
10/19/89
|
The Spectrum |
WMA |
3 |
|
DSBD>C?>DAT>CDR>EAC>WAV>CDR
Notes:
DAE (EAC: High, Secure, Offset Corrected) all track quality > 99.8%
All sector boundaries verified using SHNTOOL
SHN(seekable) using MKWACT v0.97 via eD(efojr)- 02.08.2002 |
|
10/20/89
|
The Spectrum |
WMA |
3 |
|
Ultra-Matrix Soundboard DAT > Cassette > DAT > CDR
Audience source supplies first 0:48 of "Hey Pocky Way" (d2t01)
Alternate Sbd source supplies balance of "Hey Pocky Way" (d2t01) as well as
the first 4:46 of "Scarlet Begonias" (d2t02)
Patching / CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
10/02/02
|
|
10/22/89
|
Charlotte Coliseum |
WMA |
3 |
|
Source: SBD>?>CD>EAC>SHN (EAC)
DAE & SHN Encoding by tbrame24@yahoo.com
|
|
10/23/89
|
Charlotte Coliseum |
Aud |
3 |
|
|
|
10/23/89
|
Charlotte Coliseum |
WMA |
3 |
|
Source: SBD>DAT>Sonic Solutions>CD>FM>DAT>CDR>EAC>SHN
DAE(EAC) and SHN Encoding by Jeff M. fy1220@aol.com or lost_sailor1620@hotmail.com
|
|
10/25/89
|
Miami Arena |
WMA |
3 |
|
Source: Cassette SBD>DATs>CDRs>EAC>SHN
Thanks to Sean Cribbs for the EAC/SHN, Thanks to Peter L. for the
seed!
Seeded to etree on 10.22.00 by darrin (dnsacks@usa.net) |
|
10/26/89
|
Miami Arena |
Aud |
2 |
A+ |
|
|
10/26/89
|
Miami Arena |
WMA |
3 |
|
Lineage:
SBD -> Cm -> Dat -> CD -> EAC -> Samplitude v7.02 -> SHN
(1 Disc Audio / 1 Disc SHN)
All editing done by Charlie Miller
charliemiller87@earthlink.net
11/14/03
Notes:
-Drop outs in Foolish Heart and DEMI removed with crossfade editor
-I have already circulated the DSBD of Set Two, and a lot of folks have asked me to circulate Set One,
even though it is from the Cassette Master, so here it is.
Recording Info:
SBD -> Dat -> Sonic Solutions -> CD -> EAC -> SHN
2 Discs Audio / 1 Disc SHN
Converted By Charlie Miller
charliemiller87@earthlink.net
7/29/03 |
|
12/06/89
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Recording Info:
SBD -> Dat
(Encore is SBD>Cm>Dat with AUD Patch starting at 4:16)
Transfer Info:
Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN
(2 Discs SHN / 3 Discs Audio
Transfered and Edited By Charlie Miller
charliemiller87@earthlink.net
1/21/03
|
|
12/09/89
|
Great Western LA Forum |
WMA |
2 |
|
Source: SBD > DAT > CDR > WAV > SHNv3
DAT > CDR transfer - via C. Miller.
DAE (EAC > shntool > mkwact) via C. Ladner .
comments:
ballons popping throughout.
d1t2 1:09 - d/o removed w/ cd wave
i left the several minutes of pre-encore crowd at the end of disc 2 in case any "purists" want to burn the show in order. |
|
12/10/89
|
Great Western LA Forum |
Aud |
3 |
|
|
|
12/10/89
|
Great Western LA Forum |
WMA |
3 |
|
Source: SBD > DAT > CDR > WAV > SHNv3
comments:
(1) with Bruce Hornsby (2) with Spencer Davis on vocals * introduced with Bob's voice through an Octaver.
hornsby's accordian is prominent throughout.
thanks to Charlie Miller for DAT>CDR seeds.
DAE via Chris Ladner (EAC > CDWave > SHNTOOL > MKWACT).
FTP'd 9/2001 |
|
12/27/89
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Source: Dan Healy's Master Soundboard Cassette > CDR
* with Clarence Clemons
made possible thru the usual group of suspects and mental patients
CD Mastering by Scott Clugston
11/25/01
|
|
12/28/89
|
Oakland-Alameda County Coliseum |
Aud |
3 |
|
|
|
12/30/89
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Source: Ultramatrix (SBD/AUD mix)
Lineage: DAT> CD> SHN
I believe this is the first copy of this Matrix source on CD. I looked long and hard for a soundboard for this excellent show, and traded at least five times over two years for supposed Matrix recordings, only to find each time that set I was a Matrix and set II was an audience recording. D'oh! This is -- FINALLY! -- the real deal. Thanks to Rob Harrison for the DAT>CD transfer, and for abandoning his 8-track disco recordings to make time to supply these discs! Whoo-hoo! Let me get a whoop-whoop for my main dog Rob! (God help me.)
Known issues
Airto Moriera plays on Sugaree > West LA in set I, and I Know You Rider > One More Saturday Night on set II. He is sometimes audible and often not.
Intermittent diginoise in Jack Straw has been replaced with a patch from the Matrix (oops I mean audience) source, from 4:24 to 5:18.
Drums and space are seamless, and can be reassembled effortlessly when those DVD burners finally become popular and we're all listening to recordings by mind-travel.
----------
Seeded by Peter Braverman (braverman@earthlink.net), April 2002.
Original seed from Peter had SBE's on d1t01,t02,t03,t08,d2t01 and d3t01,t02,t05,t06. shntool used to fix SBE's and entire show re-encoded with shnv3 (with seek) by Tony G (spreaddead@bellsouth.net) 5-27-02. |
|
12/31/89
|
Oakland-Alameda County Coliseum |
WMA |
2 |
|
Bertha Remaster of the PreFM source
SBD>>PreFM>>DAT>>CDA>>WAV(EAC)>>
SHN>>DAW(Bertha)>>CDA/SHN - Sound A
Notes:
Digitally remastered using a custom built, Dual-DAW nicknamed Bertha,
by jashley@deadacated.com on May 19, 2003.
Dropouts in d2t07 and d2t09 were fixed with crossfaded patches from
the FM source.
No fades were used between discs to preserve a clean rejoining of
tracks when moving to larger media.
(1) With Bonnie Rait
(2) Verse 1
(3) Midnight Hour was second encore
Thanks to Charlie Miller for supplying the source. |
|
02/26/90
|
Oakland-Alameda County Coliseum |
Aud |
3 |
A+ |
|
|
02/26/90
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Source: SBD > DAT
Conversion: D100 > Montego II > CD > HD via EAC > SHN
Conversion by shakedown@canada.com, Shortn and upload by
shakedown@canada.com
On www.deadlists.com it states that there is only a CM>DAT of
this SBD. One listen will make it obvious that this is a
DSBD, no question about it.
Thanks to WhtPwDr & EastKoast for their equipment and the DAT!
Enjoy! |
|
02/27/90
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Source: SBD > DAT > CDR > WAV > SHNv3
Comments:
* with Michael Doucet & Beausoleil
DAE(EAC)>tracking/boundary(CDWAV/SHNTOOL)>SHN(MKWACT) > FTP via neo_levo/candyman FTP. |
|
03/14/90
|
Capital Centre |
WMA |
2 |
|
sbd>mc>dats>Soundforge 4.5>CDWAV>SHN
Comments:
*first Loose Lucy since 10/19/74 - crowd goes nuts in the background
d1 tape flip b/t Loose Lucy & Memphis Blues
d2t6-4:31 tape flip
d2t1-Crazy Fingers- 5:14 tiny blip
d2t2-Playin- 4:24-4:26 static
i am 99.420% sure ' Let It Grow' from this show appears on Without A Net - Chris L.
Seed SHN's provided by Tom E.
SBE's fixed and hosted by Chris L. at candyman.etree.org, 3/2002. |
|
03/16/90
|
Capital Centre |
WMA |
3 |
|
source: sbd > ? > cdr > eac > shn
notes:
cut/splice in BTW @2:32 and again @4:11
2 drops or cuts in Blow Away @4:27 and 4:28
BTW hung up in EAC - there was a sync error and it took over 6hrs to get this track. I'm sure it
ain't exactly perfect.
There was a bunch of clicks in Estimated from 3:45 to 3:56, I used Cool Edit Pro
to remove them. Hence the 2 versions of d2t2. Detection thresholds 13, 12, 10; rejection 11, 10, 8.
shns are from an EAC (secure mode) of audio discs received from Andrew Wigdahl |
|
03/18/90
|
Hartford Civic Center |
WMA |
3 |
|
Source: Hartford Civic Center SBD feed to HCN studios via ISDN > HCN Master Reel > DAT(Sony ES)recorded/(Tascam DA20mkII) playback>Pioneer PDR 555>CDR>WAV>SHNv3.
CDR seeds of this seldom seen complete show with AUD splices (source unknown) provided by David Huck, Matt Fuggi, & Michael Dixon (splicing and tracking).
Comments:
d1t1 @ 4:14 aud splice begins
d1t2 start/stop during dead space @ 9:24
d1t3 return to sbd @ 01:40, minor digifuzz replaced in Rt channel at 02:29.18 by copying L. channel.
d1t05 @ 5:53 aud splice begins (during crowd noisde) and continues through d1t06 0:17 (half of first verse).
d2t05 - 08:52 - minor digifuzz - left alone.
|
|
03/19/90
|
Hartford Civic Center |
WMA |
3 |
|
Updated source:
Pre-FM Soundboard Master Reel (at 15 inches per second) -> DAT -> CDRs -> EAC -> SHN
Known flaws:
Slight Diginoise at:
Deal 4.31
China Doll 0.31 & 4.22
Around 0.01
Source cds from Kirby Bell/Bob Fishman, eac>shn by Darrin -- dnsacks@usa.net. Seeded to Etree 9/19/00
|
|
03/21/90
|
Copps Coliseum |
Aud |
3 |
A+ |
Matrix |
|
03/21/90
|
Copps Coliseum |
WMA |
3 |
|
Soundboard Recording
Master Cassette > DAT > CD
DAE:EAC[secure mode] > MKW
DAE, .shn encoding, and upload by
Brian Heath bheath23@home.com |
|
03/22/90
|
Copps Coliseum |
Aud |
2 |
|
|
|
03/22/90
|
Copps Coliseum |
WMA |
2 |
|
Bertha Remaster of the Master Cassette source.
SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN - Sound A-
Notes:
Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com .
Emphasis was corrected prior to processing.
Source provided by Brian Heath. |
|
03/25/90
|
Knickerbocker Arena |
Aud |
3 |
A+ |
|
|
03/26/90
|
Knickerbocker Arena |
Aud |
2 |
A+ |
|
|
03/28/90
|
Nassau Coliseum |
Aud |
3 |
A+ |
|
|
03/28/90
|
Nassau Coliseum |
WMA |
3 |
|
SOURCE: 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR>SHN
Known Flaws
d1t06 (Loose Lucy) - dropout @ 05:56 during tuning.
d2t01 (Foolish Heart) - cut in opening notes.
d2t01 (Foolish Heart) - rise in level @ 03:06.
d2t06 (Drums) - splice @ 09:27.
Contributors: Thanks to Glenn Gillis for making these
great soundboards from the 1990 Nassau Coliseum run available.
etree seeding done by Gerald Gorinsky (elgilhooley@aol.com)
|
|
03/29/90
|
Nassau Coliseum |
WMA |
3 |
|
Source:
SBD>DAT>CDR
Thanks Andy Bear Greider
Above is the original info file. I had to work on this for a side
project. This is NOT a new source, just a fixed copy of the
original, SHNid=3389
I thought if I had to work on it I might as well put it in
the database. I will be doing this with other shows as well. If
anyone has a problem with me doing this please contact me.
EAC/SHN by Darryl Hinko (flyerfanatic)
Any questions contact me at: flyerfanatic2817@yahoo.com
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit Pro used for all editing
MKWact for encoding to SHN
Notes:
- Many pops and clicks removed throughout the show, I would estimate
about 100.
- There are still some cuts in the first set mostly in the tuning.
- I recut the show as well. There were some tracks that started just
slightly after the song started.
- d1t03 We Can Run: Light Static at 3:58 - 3:59
- d1t05 Masterpiece: Dropout removed at 0:03. Maybe half a note
is missing.
- d1t06 Bird Song: Dropout cut out at 0:02 during the tuning.
- d3t01 Space: Crossfades performed at 2000 ms from 0:00 - 0:09 and
4:19 - 4:39
- d3t06 Knockin' on Heaven's Door: Crossfade performed at 2000 ms from
0:00 - 0:07.
Enjoy!
SHNtool output:
length expanded size cdr WAVE probs filename
6:04.00 64209644 --- -- --- gd1990-03-29d1t01.wav
6:51.52 72622748 --- -- --- gd1990-03-29d1t02.wav
6:20.59 67170812 --- -- --- gd1990-03-29d1t03.wav
8:01.06 84862556 --- -- --- gd1990-03-29d1t04.wav
6:09.02 65096348 --- -- --- gd1990-03-29d1t05.wav
13:06.39 138742172 --- -- --- gd1990-03-29d1t06.wav
4:50.52 51278348 --- -- --- gd1990-03-29d1t07.wav
16:25.45 173859884 --- -- --- gd1990-03-29d2t01.wav
14:46.71 156457436 --- -- --- gd1990-03-29d2t02.wav
18:20.68 194199980 --- -- --- gd1990-03-29d2t03.wav
10:35.46 112122236 --- -- --- gd1990-03-29d2t04.wav
7:42.16 81534476 --- -- --- gd1990-03-29d3t01.wav
2:36.35 27600764 --- -- --- gd1990-03-29d3t02.wav
4:26.02 46927148 --- -- --- gd1990-03-29d3t03.wav
9:22.67 99294428 --- -- --- gd1990-03-29d3t04.wav
7:10.34 75932012 --- -- --- gd1990-03-29d3t05.wav
8:43.29 92325452 --- -- --- gd1990-03-29d3t06.wav
151:34.23 1604236444 B (totals for 17 files) |
|
03/30/90
|
Nassau Coliseum |
WMA |
3 |
|
SOURCE: 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR>SHN
Known Flaws:
d1t05 (Dire Wolf) - silence during crowd noise at end of track.
d1t08 (Picasso Moon) - momentary drop off in left channel sound level @ 00:07.
d2t06 (Drums) - some diginoise at beginning.
d2t06 (Drums) - dropout/splice @ 02:35.
d2t06 (Drums) - possible diginoise @ approx. 07:20 to end. Sounds like it
might be from the equipment.
Contributors: Thanks to Glenn Gillis for making these
great soundboards from the 1990 Nassau Coliseum run available.
etree seeding done by Gerald Gorinsky (elgilhooley@aol.com) |
|
04/01/90
|
The Omni |
WMA |
3 |
|
SOURCE: 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR>SHN
Known Flaws
d2t01 - silence during crowd noise @ 00:04.
d2t02 (I Know You Rider) - diginoise @ 04:18.
d2t03 (Ship of Fools) - tiny glitches @ 02:59, 05:15 and 06:33
d3t01 (Fantasy) - tiny glitch @ 00:21
Contributors: Thanks to Glenn Gillis for making this
great soundboard from the 1990 Omni run available.
etree seeding done by Gerald Gorinsky (elgilhooley@aol.com) |
|
04/02/90
|
The Omni |
WMA |
2 |
|
MSC>DAT>CDR
Cdr > Eac > cool edit pro > cdwav > shntool > shnv3
Discs kindly provided by Andy Lemieux
Eac > shn by Ernie Dodd
This seed is an upgrade because it is the master sbd cassette. The hiss
present on shnid=12198 is not on this seed and suggests a later generation
for that seed.There is one very minor digi spot at 3:16 in space but
otherwise flawless. Enjoy!!
An additional Installment of the Music Never Stopped Project!!
6/6/03 |
|
04/03/90
|
The Omni |
WMA |
3 |
|
Source - Soundboard Master Cassette > Sonic Solutions @ 24 bits >
CD (Sony Super Bit Mapping 2) > EAC > SHN (seekable)
EAC/SHN by Darryl Hinko (flyerfanatic)
EAC used to extract with proper offsets
SHNtool to join and to check sector boundries
CDwav used to retrack
Cool Edit used for all splicing
MKWact used to SHN
Thanks to Dave Sanders for the source discs of the SBD and AUD
Put the audience back in between songs that were cut out.
Audience spliced in between:
Sugaree and We Can Run
We Can Run and Masterpiece
Masterpiece and Row Jimmy
Row Jimmy and Picasso Moon
Not Fade Away and We Bid You Goodnight
Patch in Drums from 3:39 - 4:08 |
|
05/05/90
|
Cal State Dominguez Hills |
WMA |
2 |
|
Source: DSBD>DAT>CDR>
Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
* ENCORE is at the end of disk # 1 and is from the FM source.
COMMENTS: D1t05 (Franklin's Tower) drop out @ 3:53 removed.
Conversion/Edit/Seeded to Etree by T. Wiley 8/24/2002.
EAC: Secure to extract both disks @ 100% quality no reported errors.
CD WAV: To select tracks.
Cool Edit Pro: Used only on tracks noted above. See comments.
SHN: Via mkwact(seekable)
Another Installment Of The Music Never Stopped Project!
Thanks to Paul B. for the source disks.
ENJOY!! |
|
05/06/90
|
Cal State Dominguez Hills |
WMA |
3 |
|
Source: SBD>MC>DAT>CDR>
Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
COMMENTS: There maybe another Cassette gen. in the lineage there is a
noteable hiss. D1t02 (Mississippi Half-Step Uptown Toodleloo) static
@ :22 unremovable. D2t07 (Drums) Cass. flip @ 1:27.
Conversion/Edit/Seeded to Etree by T. Wiley 8/25/2002.
EAC: Secure to extract all disks @ 100% quality no reported errors.
CD WAV: To select tracks.
Cool Edit Pro: Preformed only on tracks noted. (See comments above)
SHN: Via mkwact(seekable)
Another Installment Of The Music Never Stopped Project!
Thanks to Paul B. for the source disks.
ENJOY!! |
|
06/08/90
|
Cal Expo |
Aud |
3 |
A+ |
|
|
06/08/90
|
Cal Expo |
WMA |
3 |
|
Source: FOB Matrix SBD > DAT > CDR > WAV > SHN.
End of Sugar Magnolia and encore: Schoeps CMC 441's > PCM > SL2000 > DAT >
Cass > SHN (Kutick/Adelman).
Comments:
*d1t01 - level changes at the beginning
cord problems just prior to start of Queen Jane
high pitched whistle? heard before start of some songs during first set -
annoying audience member?
**d3t02 - d/o removed @ 3:58 (on master DAT)
/aud splice
Thanks to C. Miller for the SBD seeds.
DAE (EAC) > tracking (cdwave) > boundary checking (shntool) > shn (mkwact)
via neo_levo.
|
|
06/09/90
|
Cal Expo |
Aud |
3 |
A+ |
|
|
06/09/90
|
Cal Expo |
WMA |
3 |
|
Source: SBD (Matrix) > DAT > CDR > WAV > SHN
comments:
* d/o removed d3t05 @ 03:32.
**very end of encore (BMR) spliced from audience recording.
Thanks to C.Miller for the seeds.
Audience recording splice for end of d3t07: Schoeps CMC441s > SonyPCM
F1>SL-2000>DAT>Cass>SHN (Ken Adelman).
DAE (EAC) > tracking (CDWAV) > boundary checking (SHNTOOL) > SHN (MKWACT)
via neo_levo.
|
|
06/10/90
|
Cal Expo |
Aud |
3 |
A+ |
|
|
06/10/90
|
Cal Expo |
WMA |
3 |
|
Source: SBD/Matrix > DAT > CDR > WAV > SHN
comments:
*d/o fixed with splice from mike lai's audience source at 1:29 - 1:30 -
(beeeeee.... bay-be) to be more specific.
Seeds via C. Miller.
EAC, SHNTOOL, and minor repair work (cdwave) via neo_levo getting by with a
little help from his friends.... |
|
06/15/90
|
Shoreline Amphitheatre |
WMA |
3 |
|
Source: SBD > DAT > CDR > WAV > SHN
* end of DAT - last 3:06 from Rob and Jill Audience recording.
(1) Jerry played for the first 4:58 of Drums.
DAE(EAC) > boundary/splice/tracking (SHNTOOL, SF5) > SHN (MKWACT) via neo_levo/candyman FTP. |
|
06/17/90
|
Shoreline Amphitheatre |
WMA |
3 |
|
Source: SBD>DAT>CDR>WAV>SHNv3
Comments:
- d1t03 - d/o removed @ 01:39 using soundforge 5.
- d2t02 - fade out of crowd at end of track, dead space edited out on master
Thanks to Paul B. for the seeds.
DAE(EAC)>d/o repair&tracking(soundforge5, cdwav)>SHN(mkwact)>FTP via neo_levo/candyman FTP.
5/02. |
|
06/23/90
|
Autzen Stadium - University of Oregon |
WMA |
3 |
|
Source: SBD>Cm>Dat>Samplitude>CD.
Comments: Extremely bodacious and full sounding recording with enough audience to make me think matrix.
*** This version does NOT have the cut in the middle of Jerry's solo in UJB as on previously circulated analog versions of this show.
- minor digi fuzz at 00:55 of Me and My Uncle
- "battle hymn" tuning right before start of Cassidy.
- lengthy noodling jam preceding Eyes
- very intense 'thunder' sounds during LLR - speaker alert.
Thanks to Charlie Miller for seeding/uploading another June '90 SBD gem.
Hosted via candyman FTP/posted to alt.binaries.gdead via neo_levo - 6/2002.
SHNTOOL LEN output:
disc 1
length expanded size cdr WAVE probs filename
9:00.69 95418332 --- -- -xx gd90-06-23d1t01.shn
10:36.47 112300988 --- -- -xx gd90-06-23d1t02.shn
2:24.27 25465148 --- -- -xx gd90-06-23d1t03.shn
6:46.55 71747804 --- -- -xx gd90-06-23d1t04.shn
6:11.40 65538524 --- -- -xx gd90-06-23d1t05.shn
9:30.70 100712684 --- -- -xx gd90-06-23d1t06.shn
7:23.09 78166412 --- -- -xx gd90-06-23d1t07.shn
8:21.03 88383500 --- -- -xx gd90-06-23d1t08.shn
4:59.72 52912988 --- -- -xx gd90-06-23d1t09.shn
65:15.17 690646380 B (totals for 9 files)
disc 2
length expanded size cdr WAVE probs filename
17:23.29 184053452 --- -- -xx gd90-06-23d2t01.shn
8:47.59 93101612 --- -- -xx gd90-06-23d2t02.shn
8:24.23 88959740 --- -- -xx gd90-06-23d2t03.shn
10:57.37 115981868 --- -- -xx gd90-06-23d2t04.shn
9:21.20 99007484 --- -- -xx gd90-06-23d2t05.shn
2:21.67 25030028 --- -- -xx gd90-06-23d2t06.shn
7:21.38 77881820 --- -- -xx gd90-06-23d2t07.shn
64:37.48 684016004 B (totals for 7 files)
disc 3
length expanded size cdr WAVE probs filename
10:19.17 109231628 --- -- -xx gd90-06-23d3t01.shn
5:52.00 62092844 --- -- -xx gd90-06-23d3t02.shn
5:25.53 57454700 --- -- -xx gd90-06-23d3t03.shn
13:59.13 148030220 --- -- -xx gd90-06-23d3t04.shn
5:09.31 54580556 --- -- -xx gd90-06-23d3t05.shn
40:45.39 431389948 B (totals for 5 files) |
|
06/24/90
|
Autzen Stadium, U. of Oregon |
Aud |
3 |
A+ |
|
|
06/24/90
|
Autzen Stadium, U. of Oregon |
WMA |
3 |
|
sbd>mc>dat>cdr
Different mix than 6/23, this one being purely soundboard. |
|
07/04/90
|
Sandstone Ampitheatre |
Aud |
3 |
A+ |
|
|
07/04/90
|
Sandstone Ampitheatre |
WMA |
3 |
|
Recording Info:
SBD -> Dat -> Cassette Master
Transfer Info:
Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD -> EAC -> SHN
(3 Discs Audio / 2 Discs SHN)
SHN Conversion By Charlie Miller
charliemiller87@earthlink.net
10/18/04
Notes:
--Thanks to David Gans, David Hollister and Andy Lemieux for the discs.
SHNTOOL OUTPUT:
length expanded size cdr WAVE probs filename
1:34.73 16753340 --- -- --- gd90-07-04d1t01.wav
6:26.60 68231564 --- -- --- gd90-07-04d1t02.wav
7:43.02 81677948 --- -- --- gd90-07-04d1t03.wav
10:03.57 106503308 --- -- --- gd90-07-04d1t04.wav
7:28.48 79140140 --- -- --- gd90-07-04d1t05.wav
9:16.28 98144300 --- -- --- gd90-07-04d1t06.wav
8:32.16 90354476 --- -- --- gd90-07-04d1t07.wav
6:57.58 73695260 --- -- --- gd90-07-04d1t08.wav
5:00.49 53035292 --- -- --- gd90-07-04d1t09.wav
1:21.72 14457788 --- -- --- gd90-07-04d2t01.wav
9:13.28 97615100 --- -- --- gd90-07-04d2t02.wav
8:12.05 86800604 --- -- --- gd90-07-04d2t03.wav
4:45.06 50288156 --- -- --- gd90-07-04d2t04.wav
10:11.33 107858060 --- -- --- gd90-07-04d2t05.wav
16:53.64 178843772 --- -- --- gd90-07-04d2t06.wav
1:28.06 15537356 --- -- --- gd90-07-04d2t07.wav
10:41.11 113098316 --- -- --- gd90-07-04d3t01.wav
6:06.05 64574204 --- -- --- gd90-07-04d3t02.wav
5:18.67 56252828 --- -- --- gd90-07-04d3t03.wav
9:09.07 96860108 --- -- --- gd90-07-04d3t04.wav
11:45.48 124474940 --- -- --- gd90-07-04d3t05.wav
6:29.37 68706668 --- -- --- gd90-07-04d3t06.wav
164:40.30 1742903528 B (totals for 22 files)
MD5:
600ec2cb1b94c36c52090f074735539d *gd90-07-04d3t06.shn
18115b5241caa73ea50eecb1f10aab2a *gd90-07-04d1t02.shn
99b6074c245cad794a10b0e0539bbc69 *gd90-07-04d1t03.shn
eab9d03fa3498e1d81ba89ab642f3eca *gd90-07-04d1t04.shn
ea4fdf39cf5726cece331954f8e91cb6 *gd90-07-04d1t05.shn
4fa67baee55648df144e97b5a7c215f5 *gd90-07-04d1t06.shn
e6585905200277dedfc4bb2f4bf05ea7 *gd90-07-04d1t07.shn
66f3efada8ea28e10edc4dd5913db99c *gd90-07-04d1t08.shn
fa0304915f93bd7e75395a8ff4d64210 *gd90-07-04d1t09.shn
880024e86f521b5482af88f6cadc6504 *gd90-07-04d2t01.shn
77aa63804901349c9984f539f29d5c79 *gd90-07-04d2t02.shn
f93ae4c11824c8ffb51b5de840c4fe23 *gd90-07-04d2t03.shn
7e6afebf573c17972ff4bc3135cbc6e8 *gd90-07-04d2t04.shn
5d67ce01b15bd15263f9c13962219f2b *gd90-07-04d2t05.shn
77a1639bca7b9f59cd853edb91dc0700 *gd90-07-04d2t06.shn
492d72c7330087787b7ccf8e2fe3b416 *gd90-07-04d2t07.shn
1f218aee28577286d2de6d6b1ed728f3 *gd90-07-04d3t01.shn
cc7dedcacc3acf92d21081e4c92c3094 *gd90-07-04d3t02.shn
6384f765019b2a87f4c6d18bf1c958d7 *gd90-07-04d3t03.shn
3d2525079a6cb2c9e75e35fc1b094113 *gd90-07-04d3t04.shn
ceee5a9b35fa93b4b43bb1c394c3e7af *gd90-07-04d3t05.shn
f27821e59bad6effb6a190e466985fae *gd90-07-04d1t01.shn
|
|
07/06/90
|
Cardinal Stadium |
WMA |
3 |
|
SBD>Dat>Sonic Solutions>CD
EAC'd and SHN'd By Charlie Miller
charliemiller87@earthlink.net
10/19/02
SHNTOOL OUTPUT:
length expanded size cdr WAVE probs filename
6:17.24 66559292 --- -- --- gd90-07-06d1t01.wav
11:27.12 121215068 --- -- --- gd90-07-06d1t02.wav
5:42.25 60387644 --- -- --- gd90-07-06d1t03.wav
7:27.21 78900236 --- -- --- gd90-07-06d1t04.wav
10:59.18 116289980 --- -- --- gd90-07-06d1t05.wav
7:07.58 75459260 --- -- --- gd90-07-06d1t06.wav
7:18.50 77380844 --- -- --- gd90-07-06d1t07.wav
8:15.54 87445052 --- -- --- gd90-07-06d1t08.wav
8:03.48 85314140 --- -- --- gd90-07-06d1t09.wav
7:00.55 74217404 --- -- --- gd90-07-06d2t01.wav
6:03.49 64148492 --- -- --- gd90-07-06d2t02.wav
7:06.72 75315788 --- -- --- gd90-07-06d2t03.wav
9:38.63 102107420 --- -- --- gd90-07-06d2t04.wav
9:41.03 102495500 --- -- --- gd90-07-06d2t05.wav
13:42.32 145076108 --- -- --- gd90-07-06d2t06.wav
2:55.46 30978236 --- -- --- gd90-07-06d3t01.wav
7:04.73 74965340 --- -- --- gd90-07-06d3t02.wav
7:27.68 79010780 --- -- --- gd90-07-06d3t03.wav
11:33.42 122344028 --- -- --- gd90-07-06d3t04.wav
7:15.38 76823420 --- -- --- gd90-07-06d3t05.wav
7:08.37 75586268 --- -- --- gd90-07-06d3t06.wav
7:52.02 83265548 --- -- --- gd90-07-06d3t07.wav
177:10.65 1875285848 B (totals for 22 files)
MD5:
8a06732f17bed400ea11edb644213ce4 *gd90-07-06d3t07.shn
914506e94a5db62b775fcf4bdc0c2641 *gd90-07-06d1t02.shn
1b9330bec0e07ccd7997f39bd45c19e8 *gd90-07-06d1t03.shn
a3ba93cd426e0f4f1fd3d5c58f241a9b *gd90-07-06d1t04.shn
5303e409794fe67e6ef09e966034b39a *gd90-07-06d1t05.shn
79d60a53ea1be6a27d403824cd4fc0cc *gd90-07-06d1t06.shn
adadcdef7bbb22289110439879b14057 *gd90-07-06d1t07.shn
81d6021ba40a1127044bbe81d8579470 *gd90-07-06d1t08.shn
4a880b596730e2154d1c7d5a73e4cc96 *gd90-07-06d1t09.shn
c38332f1d424f44b18a82cd95756283e *gd90-07-06d2t01.shn
8335c21433eebcdd9dff58a665519faa *gd90-07-06d2t02.shn
4b122dd904878788c31813d83479da40 *gd90-07-06d2t03.shn
0d65f1caed8e19fbd4ca36bae94a3823 *gd90-07-06d2t04.shn
88ccbc36d2ee56600e4565f9ba7efb9f *gd90-07-06d2t05.shn
28071fa65fa3609cb80abaafd800ee5a *gd90-07-06d2t06.shn
b00552fc6a2ccfecae3cb37a28f6dabb *gd90-07-06d3t01.shn
749b5a68b138e3a1962407d4b56a48e3 *gd90-07-06d3t02.shn
39688bf08beabc417a8d363f46054b8b *gd90-07-06d3t03.shn
a7f0d9d7e4f92541a2b54d8f46d26227 *gd90-07-06d3t04.shn
2ddf1d86a67439150b7e755badda74b8 *gd90-07-06d3t05.shn
77d1b43f73724a325c7fade7db348ceb *gd90-07-06d3t06.shn
0084571a8f7d0db73dbcb33b619fe202 *gd90-07-06d1t01.shn
|
|
07/08/90
|
Three Rivers Stadium |
WMA |
2 |
|
SBD>C(?)>CDR
Encore: Knockin' on Heaven's Door (Missing)
Thanks to Joey B. for the audio discs. SHN'ed by tbrame24@yahoo.com |
|
07/10/90
|
Carter-Finley Stadium |
WMA |
3 |
|
Source: Soundboard-> DAT-> CDR-> WAV (EAC & Sony CRX100E CDRW)-> SHN
* with Bruce Hornsby
Final We Can Run
|
|
07/12/90
|
Robert F. Kennedy Stadium |
Aud |
3 |
A+ |
|
|
07/12/90
|
Robert F. Kennedy Stadium |
WMA |
3 |
|
SOURCE:
SBD > DAT > DAT clones > my DAT > ZA-2 > wave (via Cool Edit) > CD-R master
No editing was performed other than cutting the wave into disc-size segments.
CONVERSION:
CD-R master > EAC > waves > MKW shorten > .shn
Mastering and conversion by John McAtee, johnm@coresoft.com. Seeded to etree January 2001.
NOTES:
Tracking was done the way it was at the request of a dear friend, so don't flame me
about the tuning tracks 'cause I don't usually do it that way!
Another version of these shortens circulate with an INCORRECT lineage that does
not list the EAC stage. It has different track names, but the checksums are the same.
The "noise" that appears at times is NOT noise, but the heaviest bursts of rain I've
ever seen at a show.
|
|
07/14/90
|
Foxboro Stadium |
Aud |
2 |
A+ |
|
|
07/14/90
|
Foxboro Stadium |
WMA |
3 |
|
SBD(?)>?>DAT>CD>EAC
I don't know the actual source of this show.
Could be DSBD, likely SBDmc. Could also have
a cassette gen between the source and DAT, not sure.
This is the absolute BEST recording of this show that
I have ever heard...and I've looked for constant upgrades
since that summer.
I can't see upgrading this though.
nick@nickspicks.com |
|
07/16/90
|
Rich Stadium |
WMA |
3 |
|
Source
------------------
SBD -> DAT -> CD's -> EAC -> SHN
Shn-coded and uploaded to e-tree by Randall Ward (rward13@home.com)
off a seed from Matt Knapp (boknapp@bestweb.net). |
|
07/18/90
|
Deer Creek Music Center |
Aud |
3 |
A+ |
|
|
07/18/90
|
Deer Creek Music Center |
WMA |
3 |
|
Source: 5th Gen analog cassette from SB>Sound Forge>CD>EAC>SHN
audience master*
*The primary source tape cuts off at the 2:42 mark in Drums for the tape flip
and picks up again at 6:11. The missing 3 and half minutes is spliced in from
an audience tape that I recorded at the show.
Jeff Wilson
jwilso@insight.rr.com |
|
07/19/90
|
Deer Creek Music Center |
WMA |
3 |
|
DSBRDDATCD-REACSHN
Posted to ABGD 9/29/00
Garcia420 |
|
07/21/90
|
World Music Theater |
WMA |
3 |
|
Master Soundboard DAT > CDR
EAC'ed / SHN'ed by Scott Clugston
2/20/02
|
|
07/23/90
|
World Music Theater |
WMA |
3 |
|
sbd>dat>cd>shn
COMMENTS:
The first few seconds of D1-T1 is a splice from audio source
This is Brent Mydland's last performance.
He died of a drug overdose three days later, on 07/26/90.
DAE (EAC) all track quality = 99.9% - 100%
All sector boundaries verified using SHNTOOL
SHN(seekable) using MKWACT v0.97 via eD(efojr)
02/08/2002 |
|
09/07/90
|
Richfield Coliseum |
WMA |
3 |
|
Source: SBD>Cassette
Conversion: Tascam DA-20 MK II > (via RCA analog for Emphasis removal) Tascam DA-20 >Delta Dio 2496 > Soundforge XP 4.5 > CDRWIN > EAC > SHN
Taped by ?, Converted by Rob (Odeo) Harrison (www.odeo.net).
Known problems:
//Cold Rain cut.
//Chinacat cut.
Glitch Playin'
U.S. Blues//
|
|
09/11/90
|
The Spectrum |
WMA |
3 |
|
Source A : (Healy Mix)SBD>DAT>C>DAT>CDR
Source B : FOB(Nak. 300's>D-5)>CM>??>CDR
Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
COMMENTS: Entire show is source A with the exceptions of D2t01,D2t02,
D2t03(partial) and D3t06. D1t06(Brown Eyed Women) & D1t07 (It's All
Over Now) Digital Crackling through out tracks. D1t07(It's All Over Now)
D/O @ 7:28 Removed. D2t03(I Know You Rider) Source B until :59 Source A picks up.
D3t06(Knockin' On Heaven's Door) Is from Source B. I know this show is like a Frankenstein
project, but the show is killer! I felt it was well worth the effort.
Patch work done on D2t03 by Matt Vernon.
Conversion/Edit/Seeded to Etree by T. Wiley 8/26/2002.
EAC: Secure to extract all disks with no reported errors.
CD WAV: To select tracks.
Cool Edit Pro: Preformed only on tracks noted above. (See COMMENTS)
SHN: Via mkwact(seekable)
Thanks to Paul B. for source A disks, Dan Faust for source B disks, and Matt Vernon for
patch work done on D2t03.
ENJOY!! |
|
09/14/90
|
Madison Square Garden |
WMA |
3 |
|
analog sbd>dat>cd>eac>cd
misc analog sbd cuts were patched and cleaned up.
there is still one towards the end of the terrapin station jam
sectors verified in shntool
upped to The Crypt Feb '02, by Jeff Fishman as the 3rd show
of the Big February Push. These notes accompanied the 2
garden shows from 90....
The 1st set of 9/14/90 is decent(A-/B+ quality from a 2nd gen cassette
board) but the 2nd set is much better quality(probably from a master
cassette). 9/15/90 sounds really, really nice. Really, really nice !!!!
Jeff |
|
09/15/90
|
Madison Square Garden |
WMA |
3 |
|
FOB/DC 15th Row
MAD>D>CD
Recorded by Dave Brotman with Schoeps mics (model unknown)
|
|
09/18/90
|
Madison Square Garden |
WMA |
3 |
|
Lineage:
SBD->Cm->Dat->CD->Cool Edit Pro->CD
I used cool edit pro v1.2 to remove numerous gaps and cuts.
I also normalized each disc (before tracking) to 98%
All editing done by Charlie Miller
charliemiller87@earthlink.net
|
|
09/19/90
|
Madison Square Garden |
WMA |
3 |
|
Lineage: SBD>DAT>CDR>EAC>SHN
DAE(EAC) and SHN Encoding by Jeff M.
email fy1220_jeffm@snet.net
This show is often overlooked because of the more well known and highly circulated killer show the next night(the first post space Dark Star). However this show, from Bruce Hornsby's
very first run with the Dead conatins some very interesting and inspired playing. The Help>Slip>Frank to close set one is monumental(check out Hornsby adding some grand piano sparks during a transcendental Slpiknot). The first half of set 2 is also very unique in that the Playing opener is revisited 3 times before drums and also contains a very rare second set appearance of Let it Grow. As was the custom during the 90 MSG run, the band
would break off into groups of 3 for the jam leading into drums. The trio this night is a
wonderful combination of Bob, Jerry, and Bruce with some collective improv that will knock your socks off:-) This show sounds as good today as it did from the 21st row- left section-(The Phil Zone) in the fall of '90 Enjoy-----Jeff M.
No known flaws.
Email any found flaws to Jeff M. at the above email addy. |
|
09/20/90
|
Madison Square Garden |
WMA |
3 |
|
Bertha Remaster of the digital sbd.
SBD>>Dat>>(*)>>SHN>>DAW(Bertha)>>CDA - Sound A+
Notes:
Digitally remastered using a custom built DAW, nicknamed Bertha, by jashley@deadacated.com on September 9, 2002.
The disc 2 to disc 3 change is made between Space and Dark Star with no fades to make rejoining clean and easy when moving to larger media.
(*)From Charlie's original text file:
Lineage:
-------
SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN
(2 Discs SHN / 3 Discs Audio)
Transfer Info:
-------------
Dat (Sony R500) ->
Behringer UltraMatch SRC2000 ->
M-Audio Dio 2448 ->
Compaq Presario 5452
Editing Info:
------------
Recorded with Samplitude 2496 v6.0
Edited with Cool Edit Pro v2.0 (Fades, Normalized to 98% Prior to tracking)
Tracked with CDWave v1.71
Converted to SHN with MKW v0.97 Beta1
Transfer and editing done by Charlie Miller
charliemiller87@earthlink.net
9/7/02
|
|
10/19/90
|
Internationales Congress Centrum |
WMA |
3 |
|
DSBD: Healy mix>MD>D>CD
(1) 05:03>05:11 SBD problems? fade out/in
(2) 01:43>02:00 i can not say, what is this
EAC'ed(V0.9B3)->SHN'ed(mkw0.97B1) from my AudioCDs -aug/2002
dieter ;-)
...from vienna,Austria... |
|
10/20/90
|
Internationales Congress Centrum |
WMA |
3 |
|
DSBD: Healy mix>MD>D>CD
This show was broadcast by German FM radio, and FM's do circulate.
-This is NOT the old FM-Bootleg-
(1) 06:05-06:07 ??? "heavy Drums or SBD problems"
EAC'ed(V0.9B3)->SHN'ed(mkw0.97B1) from my AudioCDs -aug/2002
dieter ;-)
...from vienna,Austria... |
|
10/22/90
|
Festhalle |
WMA |
3 |
|
SBD>DAT>C>DAT>CDR
COMMENTS (1) Victim begins with a :35 drum intro
ugly splice in Bird Song at 7:37, missing about 30 seconds.
This Is On All Circulating Copies
EAC (secure mode with proper offsets)
and shn conversion by Tony G (spreaddead@bellsouth.net)
04/07/2002
Another installment of The Music Never Stopped Project! |
|
10/24/90
|
Sportsahalle |
WMA |
3 |
|
Source: SBD>DAT>C>DAT>CDR>
Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
COMMENTS: D1t01 (Feel Like A Stranger) drop out @ 6:47 removed. D2t07
(Space) Cass. Flip @ 2:24.
Conversion/Edit/Seeded to Etree by T. Wiley 8/20/2002.
EAC: Secure to extract disk 1 and 2 @ 100% and disk 3 @ 99.9% quality
no reported errors.
CD WAV: To select tracks.
Cool Edit Pro: See comments above.
SHN: Via mkwact(seekable)
Another Installment Of The Music Never Stopped Project!
Thanks to Paul B. for the source disks.
ENJOY!!
|
|
10/27/90
|
The Zenith |
WMA |
3 |
|
Source: SBD
Lineage: DAT> CD> SHN
Notes:
A little blurble at 0:09 of Crazy Fingers, about 1/4 second.
A cut at the beginning of drums, about 1:00 in. Impossible to tell how long, but the drums segment is fairly long, so I'm guessing the cut is negligible.
Drums and space are not cut between them and may be reassembled seamlessly.
The levels in Stella Blue are pretty low. Decided not to attempt a fix for 1 or 2 dB.
An insufferably long NFA chant was left, against all of my better judgment, on the end of d3t5. That's what the "Skip" button is for.
Thanks to Tommy Danscuk for the discs. Seeded by Peter Braverman (braverman@earthlink.net), May 2002. |
|
10/28/90
|
The Zenith |
WMA |
3 |
|
Source: SB DATx3
Conversion: Sony M-1 > Midiman Optical > SPDIF SB Platinum >
CoolEdit WAV > CDWav WAV > SHN (mkw)
Shns Produced by JamPhan@nyc.rr.com
|
|
10/30/90
|
Wembley Arena |
WMA |
3 |
|
dsbd>dat>cd>shn
Piped in By Steve Barbella
October 2001 |
|
10/31/90
|
Wembley Arena |
WMA |
3 |
|
Source: SBD > DAT > CDR > WAV > SHNv3
Comment:
splice/d.o. at beginning of Werewolves.
Seed discs via Tim Symons.
DAE(EAC) > SHNTOOL > MKWACT via Chris L. .
3/2002. |
|
11/01/90
|
Wembley Arena |
WMA |
3 |
|
Souce: SBD > DAT > CDR > WAV > SHNv3
*slight fuzziness @ 2:42
seeds via Tim S., DAE(EAC)>SHNTOOL>MKWACT>FTP via neo_levo.
2/2002 |
|
12/04/90
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Source: SBD>DAT>CDR>WAV>SHN
Comments:
Uncle>Big River are from either an Excellent Aud source, or they have a different, Matrix like mix.
d3t01 originall contained overlap with d2t07 - this was precisely eliminated using soundforge, so d2t7>d3t01 is seamless.
DAE (EAC)>editing (soundforge)>tracking (cdwav)>shn (mkwact) via neo_levo/candyman ftp - 4/2002. |
|
12/08/90
|
Compton Terrace Amphitheatre |
WMA |
3 |
|
Source: S:PCM>DAT>ZA2>CD
Comments: Unfortunate diginoise during Victim (on all DATs).
|
|
12/09/90
|
Compton Terrace |
WMA |
3 |
|
source: SBD > DAT > CDR > WAV > SHNv3
DAT > CDR transfer - via C. Miller.
DAE (EAC > shntool > mkwact) via C. Ladner .
seeded 8/25/2001. |
|
12/12/90
|
McNichols Sports Arena |
WMA |
3 |
|
Source: S:D->CDR->(eac'd)SHN
Ripped by John Zei
If you find any errors please contact me.
jszei@hotmail.com |
|
12/13/90
|
McNichols Sports Arena |
WMA |
3 |
|
Source: sbd->dat->cdr
|
|
12/14/90
|
McNichols Sports Arena |
WMA |
3 |
|
DSBD>DAT>Cass>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz
A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution &
resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>
SHNv3 (MKW ACT)
Digital Conversion by Charlie Connor
Seeded to fungus and etree 11/10/02
Special thanks to Hugh McCrystal for lending me his tapes to do the a>d.
Flaws:
D3t04 Intermittent static throughtout (pretty bad towards the
final 30 seconds)
D3t05 Intermittent static through the first 40 seconds
|
|
12/28/90
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Source: (Healy Mix)SBD>??>DAT>CDR
Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
Comments: First of all I have to say this show SMOKES! Second I only
used Cool Edit Pro to connect the end of disk 2 to the
beginning of disk 3 to retrack D2t06(Drums) and D3t01(Space).
When I connected them I noticed NO cassette flip so this show
might (but not confirmed) be a DSBD! Enjoy this one!
Conversion/Edit/Seeded to etree by T. Wiley 8/14/02
EAC: Secure to extract all disks @ 100% quality no reported errors.
CD WAV: To select tracks.
Cool Edit Pro: See comments above.
SHN: Via mkwact(seekable)
Another Installment Of The Music Never Stopped Project!
ENJOY!! |
|
12/30/90
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Recording Info:
SBD -> Dat (48k)
Transfer Info:
Dat (Tascam DA20) -> Behringer UltraMatch SRC 2000 -> CD (Tascam CDRW700) ->
EAC -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN)
All Transfers and Editing By Charlie Miller
charliemiller87@earthlink.net
2/1/04
Notes:
-- Static Pops removed with Cool Edit Pro
-- I did the Dat > CD transfer back in 2000
-- Seemless transition between discs 2 and 3
-- Final Valley Road
SHNTOOL OUTPUT:
length expanded size cdr WAVE probs filename
1:39.35 17545964 --- -- --- gd90-12-30d1t01.wav
8:39.37 91638668 --- -- --- gd90-12-30d1t02.wav
10:44.67 113759228 --- -- --- gd90-12-30d1t03.wav
8:41.60 92045564 --- -- --- gd90-12-30d1t04.wav
3:22.05 35644604 --- -- --- gd90-12-30d1t05.wav
7:10.05 75863804 --- -- --- gd90-12-30d1t06.wav
9:19.19 98652332 --- -- --- gd90-12-30d1t07.wav
10:26.10 110449964 --- -- --- gd90-12-30d1t08.wav
8:34.51 90789596 --- -- --- gd90-12-30d1t09.wav
5:38.63 59771420 --- -- --- gd90-12-30d1t10.wav
1:16.44 13509932 --- -- --- gd90-12-30d2t01.wav
10:26.25 110485244 --- -- --- gd90-12-30d2t02.wav
6:55.39 73297772 --- -- --- gd90-12-30d2t03.wav
9:33.63 101225420 --- -- --- gd90-12-30d2t04.wav
19:47.43 209487980 --- -- --- gd90-12-30d2t05.wav
8:42.67 92238428 --- -- --- gd90-12-30d2t06.wav
10:32.16 111522476 --- -- --- gd90-12-30d3t01.wav
13:26.39 142270172 --- -- --- gd90-12-30d3t02.wav
9:27.41 100115276 --- -- --- gd90-12-30d3t03.wav
2:51.43 30265580 --- -- --- gd90-12-30d3t04.wav
5:42.68 60488780 --- -- --- gd90-12-30d3t05.wav
173:00.15 1831068204 B (totals for 21 files)
MD5:
e87b8ab2109a3b942b5ff05d12d31b92 *gd90-12-30d1t03.shn
fa7b0074e12e3a792b36ef2e2a69720a *gd90-12-30d1t02.shn
af019cf5f81a2534e6bab8ea9cd38f40 *gd90-12-30d1t01.shn
873c0f6c65b7bb3ac7e1d63af4d20fab *gd90-12-30d1t04.shn
72180bd8f767b2552723e81323bacca6 *gd90-12-30d1t05.shn
64dc9e22933420ec9b2b4cbe9104234f *gd90-12-30d1t06.shn
f5b5967fe44856e71078a4afadb08e52 *gd90-12-30d1t07.shn
e56d5198d6a3d881bc17acfe3d188b42 *gd90-12-30d1t08.shn
65116e5f806ef9bc4f7bcc359d8cb35e *gd90-12-30d1t09.shn
c160730c864a62d1d3f5117f85d496a0 *gd90-12-30d1t10.shn
dacd948227adc5642fd49787ed3968cc *gd90-12-30d2t01.shn
6454f213054183995639303902587188 *gd90-12-30d2t02.shn
8164f62c1b3d6743c50d2a46b4ca2f66 *gd90-12-30d2t03.shn
0c5b95d194c0f327158a4519b658e3b2 *gd90-12-30d2t04.shn
951fb98dab4470bb8469da6790d9df4a *gd90-12-30d2t05.shn
045db6e13b1680e35e42b93898d258b2 *gd90-12-30d2t06.shn
4e7f2441293f7da7c804f9a58dd32f86 *gd90-12-30d3t01.shn
f3abbb0cc6dd27dae906cc1e6e0cf8d8 *gd90-12-30d3t02.shn
ca244511581aa50d2727dff60dfb773e *gd90-12-30d3t03.shn
14ffb82614d97e023cf4b4c74065892e *gd90-12-30d3t04.shn
554e5a8b4e7a759f3f1aa45a558f0eeb *gd90-12-30d3t05.shn
023cf4b4c74065892e *gd90-12-30d3t04.shn
554e5a8b4e7a759f3f1aa45a558f0eeb *gd90-12-30d3t05.shn |
|
12/31/90
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Satellite Feed > 1/2" reel @ 15 ips > DAT >CDR
Montego II > CDWave > Sound Forge XP 4.5
.wav, .shn & .md5's created by Mike Hall (myko@well.com)
*w/ Branford Marsalis
**w/ Hamza El-Din
featuring Bill Graham as a witch doctor accompanied by fire eaters |
|
02/19/91
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Souce: SBD > DAT > Soundforge> CDR > WAV > SHN
Comments: very clean SBD. First show of a stellar year.
Thanks to C.M. for the seeds.
DAE(EAC)>SHN(MKWACT)>via neo_levo/candyman FTP
3/2002 |
|
02/21/91
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Recording Info:
SBD -> Dat
Transfer Info:
Dat (Sony D8) -> Delta DiO 2496 -> Samplitude 2496 -> SHN
3 Discs Audio / 2 Discs SHN
Re-tracked and Normalized with Samplitude v7.02 Professional
By Charlie Miller
charliemiller87@earthlink.net
2/11/04
Thanks to John (jcdauria@biology.lsa.umich.edu) for the seed.
Notes:
-- The tracking was an absolute mess on this, which is why I fixed it.
-- I also fixed the Sector Boundary Errors.
Notes:
-- Chinese New Year Show
-- *Dragon Parade
-- ** Airto Moreira on percussion
SHNTOOL OUTPUT:
length expanded size cdr WAVE probs filename
1:53.07 19949708 --- -- --- gd91-02-21d1t01.wav
4:02.47 42799388 --- -- --- gd91-02-21d1t02.wav
6:38.34 70287212 --- -- --- gd91-02-21d1t03.wav
12:09.18 128637980 --- -- --- gd91-02-21d1t04.wav
9:23.27 99376748 --- -- --- gd91-02-21d1t05.wav
10:08.23 107305340 --- -- --- gd91-02-21d1t06.wav
10:12.29 108025052 --- -- --- gd91-02-21d1t07.wav
8:00.41 84768476 --- -- --- gd91-02-21d1t08.wav
4:36.22 48738188 --- -- --- gd91-02-21d1t09.wav
15:04.17 159505628 --- -- --- gd91-02-21d2t01.wav
0:38.40 6797324 --- -- --- gd91-02-21d2t02.wav
10:37.36 112451516 --- -- --- gd91-02-21d2t03.wav
20:23.13 215767820 --- -- --- gd91-02-21d2t04.wav
13:35.01 143768396 --- -- --- gd91-02-21d2t05.wav
3:00.47 31862588 --- -- --- gd91-02-21d3t01.wav
14:19.11 151553516 --- -- --- gd91-02-21d3t02.wav
9:27.56 100150556 --- -- --- gd91-02-21d3t03.wav
8:53.30 94091804 --- -- --- gd91-02-21d3t04.wav
1:08.42 12094028 --- -- --- gd91-02-21d3t05.wav
8:40.10 91751564 --- -- --- gd91-02-21d3t06.wav
172:52.26 1829682832 B (totals for 20 files)
MD5:
e18968c059e62994184cad9c1acc1881 *gd91-02-21d2t05.shn
86a5e03f5b68978848cebd0176621396 *gd91-02-21d1t02.shn
e498238aef02c7fdf5e86b290e9a1dd6 *gd91-02-21d1t03.shn
9c5281c99fd8220d1cedc9fe81524948 *gd91-02-21d1t04.shn
44cb5ee475649a1f3be75704569bb2fb *gd91-02-21d1t05.shn
af88ebd66e46dee476b160e74be9d990 *gd91-02-21d1t06.shn
4291c0859d0013d5feb345a896f64b08 *gd91-02-21d1t07.shn
38b2bd6f85aa9ac4a8f19f484547e9df *gd91-02-21d1t08.shn
5b554e21d5d5be90c9b45eb70af29580 *gd91-02-21d1t09.shn
dbc71de825d2409be71c62910227433b *gd91-02-21d2t01.shn
1a390e4add9f2c2e00d987825e02c017 *gd91-02-21d2t02.shn
3c1e3a3b52f354c1c5efb14f298394b4 *gd91-02-21d2t03.shn
f4f048abe99b2a15d3f3e525351e0af3 *gd91-02-21d2t04.shn
aa95feb3051910a7dd132aeaaaf8a0db *gd91-02-21d1t01.shn
1c9e0344d33a0a8989bf37a094b782f6 *gd91-02-21d3t01.shn
84c16e29e98c9b88bf1f600e17db7cb1 *gd91-02-21d3t02.shn
de10494199855831b08d25df3aaa9b4c *gd91-02-21d3t03.shn
cfe330958e707b3b6de81ff4dc1c0c0a *gd91-02-21d3t04.shn
ef12932a4a8bf0077e36f5faa53ef873 *gd91-02-21d3t05.shn
48e312528882731af095d08efaa01d91 *gd91-02-21d3t06.shn
8bf0077e36f5faa53ef873 *gd91-02-21d3t05.shn
48e312528882731af095d08efaa01d91 *gd91-02-21d3t06.shn |
|
03/17/91
|
Capital Centre |
WMA |
3 |
|
SBD>MC>DAT>CDR
Notes-
-d1t06 (Ruben & Cherise) cuts in :O( I have looked around a bit and I believe this is a MC flip. The song starts during the intro and no lyrics are missing.
-Static @ 2:20 & 2:30 of d2t02 (Rider)
-MC flip @ 2:29 d2t07 (Drums). I used this as the disc break.
-I used CD Wave and Shntool to retrack and verify sb's.
-I used CE2K to remove a couple of pops, and to fix a skip in d2t01 (Chinacat)
-First Ruben & Cherise
-Second Speedway since Fillmore East (9-20-70)
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 04/09/02
Audio discs provided by Tom Eliason
Another installment of The Music Never Stopped Project!son
Another installment of The Music Never Stopped Project!t! |
|
03/20/91
|
Capital Centre |
WMA |
3 |
|
SBD>DAT>CDR
Notes:
An outstanding show full of high energy. Unfortunately the source was
littered with digi-drops, pops, fizzes & buzz.
I eDited them the best that I could with SF5 and then recut the show via CDWav.
Times noted were the ones on the source.
Anomalies:
d1t06 03:13 ~1 sec d/o - removed
d1t07 00:58 ~1 sec d/o - removed
d1t08 01:31 ~1 sec d/o - removed;
02:20 ~1 sec d/o - removed
d2t01 00:28-30, :34 static;
01:32 pop - removed;
02:03 1.5 sec d/o - removed;
02:04 1 sec d/o - removed;
02:04 static;
13:05 <1 sec d/o - removed;
15:28 <1 sec d/o - removed, static remains ;
17:23 1 sec d/o & static removed;
18:27 1 sec d/o - removed, static remains
d2t02 02:18 1 sec d/o - removed, static remains;
08:27 <1 sec d/o - removed;
09:27 1 sec d/o & static removed
d2t03 00:51 <1 sec d/o - removed, static remains;
01:10 <1 sec d/o - removed, static remains
d2t04 02:39 <1 sec d/o - removed, static remains;
08:39 <2 sec d/o - removed, static remains
d2t05 01:07 <1 sec d/o - removed;
01:44 <1 sec d/o - removed;
03:27 <1 sec d/o - removed;
05:10 <1 sec d/o - removed;
07:32 <1 sec d/o - removed
d3t01 00:43 1 sec d/o, static remains;
04:50 <1 sec d/o - removed, static remains
Conversion notes:
All eDiting via SF5.0
DAE (EAC: High, Secure, Offset Corrected) all track quality > 99.8%
All sector boundaries verified using SHNTOOL
SHN(seekable) using shortn32 via eD(efojr) - 07/27/02
Another installment of The Music Never Stopped Project!
Thanks to Paul for the seed discs. |
|
03/21/91
|
Capital Centre |
WMA |
2 |
|
Source: SBD>DAT>ZA2>SHN
There is one slight cut in D2T7 (approx T705:44)
Show was uploaded and compressed by Gary King, cerebralcortex@hushmail.com |
|
03/24/91
|
Knickerbocker Arena |
WMA |
2 |
|
Source: SBD>CM>DAT>Cx>CDR>WAV>SHN
Transfer via Ja.Buzz420 (playback on Denon DRM-540 > HHB 830 CDR).
Comments: Decent amount of hiss during quiet passages but otherwise definitely listenable. Obviously a source without the extra cassette gen would be desirable, however perusing online lists shows no one with this show in SBD, so this will do until that time ;-) Severely truncated Drums and Space. *Heavily Spoonful flavored post-He's Gone jam.
DAE(EAC0.9b4, offset corrected, secure mode)> + 2.0 dB gain (soundforge 5) > tracking (cdwav editor) > sector boundaries confirmed (shntool) > SHN (shorten 3.4) > FTP via neo_levo/candyman FTP.
Part of The Music Never Stopped Project - 5/03. |
|
03/25/91
|
Knickerbocker Arena |
WMA |
3 |
|
sbd>cass-master>dat>shn
dat>shn via Sony M1>CO2 s/pdif format converter >
Zoltrix Nightengale > CE2K for record/resample > CDWAV > MKW ACT
Notes:
d1t06 first second or two is cut.
d3t01 6:34 drop out (hard to notice after silence was deleted)
My guess is the two cuts found, both of
which are right around the 45min mark in each set,
are from a cassette flip.
Playin' reprise from 3-23-91 |
|
03/27/91
|
Nassau Veterans Memorial Coliseum |
WMA |
3 |
|
Recording Info:
SBD -> Cm (Sony D5) -> Dat
Transfer Info:
Dat (Sony R500) ->
Sound Devices USB Pre ->
Sony Vaio C1VP ->
Samplitude 6.0 ->
Cool Edit Pro v2.0 ->
SHN (2 Discs SHN / 3 Discs Audio)
Transfered and Remastered By Charlie Miller
charliemiller87@earthlink.net
12/18/02
Notes:
- Encore patched from AUD>Dat>CD source (Sorry, no mic info)
- Level changes during Hell In A Bucket
SHNTOOL OUTPUT:
length expanded size cdr WAVE probs filename
8:30.53 90088700 --- -- --- gd91-03-27d1t01.wav
7:41.31 81393356 --- -- --- gd91-03-27d1t02.wav
10:53.30 115259804 --- -- --- gd91-03-27d1t03.wav
12:35.28 133247900 --- -- --- gd91-03-27d1t04.wav
2:29.36 26368316 --- -- --- gd91-03-27d1t05.wav
6:36.37 69941468 --- -- --- gd91-03-27d1t06.wav
10:14.20 108356684 --- -- --- gd91-03-27d1t07.wav
7:01.01 74266796 --- -- --- gd91-03-27d1t08.wav
7:34.23 80139740 --- -- --- gd91-03-27d1t09.wav
10:57.48 116007740 --- -- --- gd91-03-27d2t01.wav
15:43.02 166349948 --- -- --- gd91-03-27d2t02.wav
12:49.48 135764540 --- -- --- gd91-03-27d2t03.wav
9:58.09 105508412 --- -- --- gd91-03-27d2t04.wav
3:32.73 37568540 --- -- --- gd91-03-27d2t05.wav
17:52.28 189166700 --- -- --- gd91-03-27d3t01.wav
7:23.65 78298124 --- -- --- gd91-03-27d3t02.wav
9:21.15 98995724 --- -- --- gd91-03-27d3t03.wav
9:50.67 104233628 --- -- --- gd91-03-27d3t04.wav
5:05.08 53820860 --- -- --- gd91-03-27d3t05.wav
176:11.22 1864776980 B (totals for 19 files)
MD5:
0b1bed530fa7df2ae83435f70b64f356 *gd91-03-27d1t01.shn
167c4336fa6d0d90008b4806c9d5c0f4 *gd91-03-27d1t02.shn
be86be238d206d76d38b6d63b3fe62d5 *gd91-03-27d1t03.shn
bc7b93f813da3d95341006b5da5edce7 *gd91-03-27d1t04.shn
299d00abf1998ecaaeb4e689e63569f6 *gd91-03-27d1t05.shn
f9b5be02ea5066eb7960bd9ac79f2e3a *gd91-03-27d1t06.shn
9b52d7650896ec85ef4092216d0cf9d0 *gd91-03-27d1t07.shn
e99f8a0dcfef4d1ea941c15c19eb0953 *gd91-03-27d1t08.shn
b9dd74b71b6bcf846e135c728f9b7ea1 *gd91-03-27d1t09.shn
58043ee0d2537e7280d76290847538de *gd91-03-27d2t01.shn
fde51cab730737a9431e9e2dc11270b1 *gd91-03-27d2t02.shn
f3792483348eab5b3260d12fc9dfe802 *gd91-03-27d2t03.shn
6c46543b518e7fa1b7cf497278a0042f *gd91-03-27d2t04.shn
00a1ebea86ab6956446f9a121f093bde *gd91-03-27d2t05.shn
f01895fe6bfc8c06d3647f8e67646cd0 *gd91-03-27d3t01.shn
24b01331394b54ddedc041a0c38d1051 *gd91-03-27d3t02.shn
b9b5cc49fa669da0b8d63aab5964a4ee *gd91-03-27d3t03.shn
c3c90a86d87297a3791d86d823e03483 *gd91-03-27d3t04.shn
fc6968b46de3cfb1a395d72c1a779143 *gd91-03-27d3t05.shn
86d823e03483 *gd91-03-27d3t04.shn
fc6968b46de3cfb1a395d72c1a779143 *gd91-03-27d3t05.shn
|
|
03/28/91
|
Nassau Coliseum |
WMA |
2 |
|
SBD>DAT>CDR>EAC>SHN (seekable)
Discs supplied by Cozmcchuck
EAC>SHN transfer by Steve Barbella
EAC=secure, test and copy (no errors), offsets config'd
SHN via MKW v.97, seek tables attached
Sector Boundaries confirmed via shntool
piped in Jan '02 |
|
03/29/91
|
Nassau Coliseum |
WMA |
3 |
|
Source:SBD>DAT>Cassette>DAT>Tascam DA-20 MKII>
Delta Dio 2496>Cool Edit>CDR>EAC>SHN
* PA problems durin Masterpiece forced end of first set
Known Flaws: Tape flip during drums so part of drums/jam is missing
Shn conversion by Tim Wiley 3/01/02 twiley69@hotmail.com
Eac: Secure mode to extract all tracks @ 100% qulaity
No reported errors
Thanks to Rob Harrison for the cds.
|
|
03/31/91
|
Greensboro Coliseum |
WMA |
3 |
|
-d1t05: small splice at 0:50
-d2t01: small splice at 2:10; approx 2.8 sec missing from SBD source; patched with DP17, with 1 second cross-fades on each side of the cut
-d2t05: small splice at 1:32
-d3t01: small splice at 1:46; beginning of this track is repeat of d2t05
-d3t06: small, imperceptible splice at 4:35 |
|
04/01/91
|
Greensboro Coliseum |
WMA |
2 |
|
Sources:
Primary Source
Jay Serafin's seed
SBD>D>A>D>SSSB
Secondary Source:
SBD>DAT>CDR (Musicfan's seed to abgd)
Secondary Source provides d1t01-t04; the last 5 seconds of d1t07;
the last 2:01 of d1t09
CD Remastering by Charlie Connor 5/27/02
Seeded to fungus and abgd by Charlie Connor 5/27/02
Comments:
The sector boundary errors present on Jay's seed were removed using
shntool.
d1t02 - Removed milisecond dropout between t01 & t02 However it is still
slightly noticeable.
d1t04 - Removed a slight digisnit at 2:07, Still slightly noticeable
d1t07 - Jay's seed fades at the last seconds of this track. The
Secondary source supplies the last 5 seconds which includes
the set break announcement.
d1t09 - Secondary source supplies the last 2:01. While the static
present on Jay's seed was only within the last 30 seconds
a patch at that point would have been difficult to make
transparent. This patch is completely transparent IMHO.
d2t03 - I retracked Drums>Space into two tracks.
Enjoy this beauty.
|
|
04/03/91
|
The Omni |
WMA |
3 |
|
sbd>dat>cass(2)>dat>spdif>cdr>eac>shn
Please report any flaws to Tony Gardner gdtrfb@bellsouth.net |
|
04/05/91
|
The Omni |
|
3 |
|
sbd>?>cdr>eac>shn
Please report any flaws to Tony Gardner gdtrfb@bellsouth.net
shn encoding by Jay James - uploaded to spreaddead May 28, 2001 |
|
04/07/91
|
Orlando Arena |
|
3 |
|
Source: SBD > ? > SHN
Received shn files in a trade. No further source info at this time.
neo_levo@yahoo.com
|
|
04/08/91
|
Orlando Arena |
|
3 |
|
SBD>DAT>C>DAT>CDR
EAC/SHN conversion by Brad Ingle (b_ingle@hotmail.com)
Shntool used to verify sb's
Seeded to etree 06/02
Thanks to Paul "Raoul B." Duke for the audio discs
Another installment of The Music Never Stopped Project!
Enjoy the show! |
|
04/27/91
|
Sam Boyd Silver Bowl |
|
3 |
|
Purported lineage:
SBD : MC (Phil Lesh) > DAT > CDR
CDR > EAC > mkw > SHN
Conversion to shn by mvernon54@home.com
Comments: Carlos Santana opened
Notes:
Thanks to Tim Wheaton for the disks
set list comments from www.deadlists.com
Additional Editing by Alan J. Fink using Cool Edit
w/ First Gen AUD Cassette supplied by eD(efojr)
d1t01 0:00 to 3:31 - AUD patch
d1t01 7:49 to 7:51 - Garcia vocals switch channels
d1t06 2:03 to 2:07 - AUD patch
d2t05 5:01 to 8:31 - AUD crossfaded patch
d2t05 7:51 to 7:52 - brief skip
d2t06 0:00 to 6:21 - AUD crossfaded patch
d3t05 6:17 to 6:17 - AUD patch
d3t05 6:27 to 7:36 - AUD crossfaded patch
SHNTOOL INFO
length expanded size cdr WAVE probs filename
9:38.66 102114476 --- -- -xx gd91-04-27d1t01aud_patch.shn
5:38.34 59703212 --- -- -xx gd91-04-27d1t02.shn
8:22.03 88559900 --- -- -xx gd91-04-27d1t03.shn
7:03.45 74723084 --- -- -xx gd91-04-27d1t04.shn
7:10.69 76014332 --- -- -xx gd91-04-27d1t05.shn
9:33.55 101206604 --- -- -xx gd91-04-27d1t06aud_patch.shn
7:41.32 81395708 --- -- -xx gd91-04-27d1t07.shn
6:34.50 69619244 --- -- -xx gd91-04-27d1t08.shn
5:39.36 59884316 --- -- -xx gd91-04-27d2t01.shn
10:22.46 109829036 --- -- -xx gd91-04-27d2t02.shn
15:52.28 167998700 --- -- -xx gd91-04-27d2t03.shn
9:48.47 103833788 --- -- -xx gd91-04-27d2t04.shn
8:31.70 90305084 --- -- -xx gd91-04-27d2t05aud_patch.shn
10:46.28 114020300 --- -- -xx gd91-04-27d2t06aud_patch.shn
12:05.25 127948844 --- -- -xx gd91-04-27d3t01.shn
6:37.14 70063772 --- -- -xx gd91-04-27d3t02.shn
10:58.08 116090060 --- -- -xx gd91-04-27d3t03.shn
4:50.61 51299516 --- -- -xx gd91-04-27d3t04.shn
7:36.16 80476076 --- -- -xx gd91-04-27d3t05aud_patch.shn
164:52.58 1664.24 MB (totals for 19 files)
MD5's
1b07a17bcda5c7604ff91212883639e1 *gd91-04-27d1t01aud_patch.shn
313452bdd0ce31b8ea157e3a91a7f63c *gd91-04-27d1t02.shn
13c6a668abcb3f8a41c60603fd9531c8 *gd91-04-27d1t03.shn
adc9941a3787e4563a1b6b3e0096f2d4 *gd91-04-27d1t04.shn
f53f3614f58db4ef0356a3a341ac8ee7 *gd91-04-27d1t05.shn
71c5cee6bbe962fccb1434b088a459bb *gd91-04-27d1t06aud_patch.shn
4440a328896bd2655db253d06de37623 *gd91-04-27d1t07.shn
3e7f6f4877559a796e93e6caa42cb627 *gd91-04-27d1t08.shn
57a9ca1c55220200d5afdd37dbef59c0 *gd91-04-27d2t01.shn
64aa96f521701bf36e631e7010ff797d *gd91-04-27d2t02.shn
3180b96cb8c3df00f23c40f0cbd596a9 *gd91-04-27d2t03.shn
023ed2e29ff3a31a05bdcf234578f444 *gd91-04-27d2t04.shn
7c4935ae6b9a1339e892fc4d8b0deea6 *gd91-04-27d2t05aud_patch.shn
1ade12f46c67885fbed464c341e426c6 *gd91-04-27d2t06aud_patch.shn
103399d76bdc0083091855c38931bf09 *gd91-04-27d3t01.shn
7640c4b2b64e95a3008ccf986d9847ad *gd91-04-27d3t02.shn
67999b4a313589c24ee607dfa53b7e7c *gd91-04-27d3t03.shn
e9ad87e9613a0674fe154b381bbec706 *gd91-04-27d3t04.shn
6aa6c353a75f11c35a716fcc4c3c7ae5 *gd91-04-27d3t05aud_patch.shn
Original Flaws:
D1T1 start has some gaps
D1T1 4:28 Garcia vocals switch channels
D1T6 2:03 skip
D2T4 1:42 slightly garbled
D2T5 5:03 UJB cut and Space begins
D3T1 0:25 pops
D3T1 6:07 pops
D3T5 6:17 brief skip
D3T5 6:31 The Weight cut
|
|
04/28/91
|
Sam Boyd Silver Bowl, U.N.L.V. |
WMA |
3 |
|
Purported lineage: SBD> Phil Lesh's cassette master>DAT>CDR
CDR > EAC > mkw > SHN
Conversion to shn by mvernon54@home.com
COMMENTS
Santana opened
(1) Carlos Santana sits in
(2) {shimmery intro [:26] > head & verse 1 [2:38] > extended jam [5:32] > Santana solos and more jam [6:45] > verse 2 & close [2:02]}
Notes:
Thanks to Tim Wheaton for the disks
set list comments from www.deadlists.com
Flaws:
D1T1 0:55 pop
D1T1 2:12 skip
D1T3 2:51 static
D1T7 0:53 skip
D2T1 fades in
D2T2 2:04 distortion
D2T4 distortion at loudest volumes
D2T6 lots of overload from drums
D3T3 6:33 skip
D3T6 2:35 skip
2T6 lots of overload from drums
D3T3 6:33 skip
D3T6 2:35 skip |
|
05/03/91
|
Cal Expo |
WMA |
3 |
|
Source: SBD > DAT > C > DAT > CDR > WAV > SHN
Comments: Levels pinned @ 6:35 of drums until gain reduced.
Thanks to R. Martin for the flawless CDR seeds - the second set from this show is an all out emotional rollercoaster-scorcher.
DAE(EAC)>boundary check(SHNTOOL)>SHN(MKWACT) via neo_levo/candyman FTP. |
|
05/04/91
|
Cal Expo |
WMA |
3 |
|
Source: SBD > DAT > C > DAT > CDR > WAV > SHN
Thanks to R. Martin for the CDR seeds.
DAE (EAC)>boundary check (shntool)>SHN (MKWACT) > FTP via C. Ladner/candyman FTP.
3/2002. |
|
05/05/91
|
Cal Expo |
WMA |
3 |
|
Source: DSBD > CD > EAC > SHN
Rex Foundation benefit
Bruce Hornsby was not with the band on this night.
EAC/SHN by Darryl Hinko (flyerfanatic)
Any questions contact me at: flyerfanatic2817@yahoo.com
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit Pro used for all editing
Thanks to Caleb Miller for the source discs
Patch source - http://db.etree.org/shninfo_detail.php?shnid=9367
Thanks to Torbjˆrn for putting the patch on his server
Notes:
- Some clipping occured before I recieved this show
- Patch in Eyes of the World with previous SBD from 0:59 - 1:04
- Terrapin Station has a level adjustment at 8:31, slight flutter at
13:56, also a slight static at 13:56
- Space has slight static at 6:25 and 8:13
- The Other one has a strange voice at 0:57
- Knockin on Heavens Door cuts after 1:38
- Disc 2 and 3 are seemless
Also a big thanks goes out to the guys and girls at SHN Traders for
helping me spread these seeds around. Mike, Jason, Michele, Teri,
Rob, Steve, Tom, Dean and the rest.
Enjoy!
SHNtool output:
length expanded size cdr WAVE probs filename
1:35.35 16840364 --- -- --- gd1991-05-05d1t01.wav
3:25.45 36267884 --- -- --- gd1991-05-05d1t02.wav
8:34.68 90829580 --- -- --- gd1991-05-05d1t03.wav
14:30.68 153627980 --- -- --- gd1991-05-05d1t04.wav
9:26.25 99901244 --- -- --- gd1991-05-05d1t05.wav
10:14.06 108323756 --- -- --- gd1991-05-05d1t06.wav
8:16.45 87600284 --- -- --- gd1991-05-05d1t07.wav
4:56.47 52324988 --- -- --- gd1991-05-05d1t08.wav
5:00.48 53032940 --- -- --- gd1991-05-05d1t09.wav
14:44.56 156069356 --- -- --- gd1991-05-05d2t01.wav
7:52.41 83357276 --- -- --- gd1991-05-05d2t02.wav
7:45.49 82141292 --- -- --- gd1991-05-05d2t03.wav
10:46.42 114053228 --- -- --- gd1991-05-05d2t04.wav
19:06.15 202189724 --- -- --- gd1991-05-05d2t05.wav
7:19.55 77569004 --- -- --- gd1991-05-05d2t06.wav
13:47.23 145936940 --- -- --- gd1991-05-05d3t01.wav
7:59.06 84509756 --- -- --- gd1991-05-05d3t02.wav
9:30.47 100658588 --- -- --- gd1991-05-05d3t03.wav
8:40.34 91808012 --- -- --- gd1991-05-05d3t04.wav
9:59.62 105809468 --- -- --- gd1991-05-05d3t05.wav
1:40.55 17769404 --- -- --- gd1991-05-05d3t06.wav
185:14.47 1960621068 B (totals for 21 files)
|
|
05/10/91
|
Shoreline Amphitheatre |
WMA |
3 |
|
Source: SBD > DAT > CDR > WAV > SHNv3
|
|
05/11/91
|
Shoreline Amphitheatre |
WMA |
2 |
|
SBD : DAT > C (Latvala) > DAT > CDR
From: Tom Angello
Long Version
2 track sbd dat > (Latvala's) C > A to Digi (by King Bee) on (Aoxoa's) nak dragon > DAT > CD
Dan Healy made a series of 2 track DAT tapes for Phil Lesh,
that Dick Latvala asbsconded with or appropriated, or just plain took.
He sent Cassettes (as was his way to ensure that the vault retained best copy) to Jim Wise (Aoxoa),
who using his Nak deck and with the assistance of Rob Eaton (King Bee),
turned back into Digital copies. Jim made me one of the lucky recipients of some of these shows. |
|
05/12/91
|
Shoreline Amphitheatre |
WMA |
3 |
|
Master Soundboard Cassette > CDR
made possible thru the usual group of suspects / mental patients
CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
1/17/02
|
|
06/01/91
|
Los Angeles Coliseum |
WMA |
3 |
|
DSBD>Dat>c>Dat>CD>EAC>SHN
comments:
This was seeded on 6/1/01 as the first of the
"Summer 91 10th Anniversary" vine distribution
A million thanks to John Valter for the discs
This was my one and only opportunity for a
birthday show. - sb
And a special thanks goes out to Paul Bottiglio for
replacing Disc 2 in order to make sure we could come
hear Uncle John's Band.
ripped and shn'd by steve barbella
Secure EAC copy and test with offsets calibrated.
100% track quality on entire extraction. shn'd
with mkw compression tool. |
|
06/06/91
|
Deer Creek Music Center |
WMA |
3 |
|
Source: DSBD -> 48 KHz DAT Read in by Other1:DigiI/O via SGI DAT drive -> shn file -> internet to chastewk -> unshned ->
sample rate conversion and normalization with Cooledit 96 ->
tracked w/ CD-WAV and shned for your pleasure.
Source: DSBD -> 48 KHz DAT Read in by Other1:DigiI/O via SGI DAT drive -> shn file -> internet to chastewk ->
unshned ->
sample rate conversion and normalization with Cooledit 96 ->
tracked w/ CD-WAV and shned for your pleasure.
This is a little short so I left 10 seconds
of silence at the end of the Encore to provide
a pause to separate the show from whatever you
want to add as filler. Who knows, maybe the natural
break from Disk one of the following night will come
at 41:56.......
If you move The Wheel to the end of D2 there will
be an editing break, but it shouldn't be too bad,
in case you need 46:06
chastewk |
|
06/07/91
|
Deer Creek Music Center |
WMA |
3 |
|
COMMENTS
RECORDING
CONTRIBUTERS bbrewer@europa.com (Ben Brewer) ; posting from dead-heads
and/or rec.music.gdead
Source: DSBD -> 48 KHz DAT Read in by Other1:DigiI/O via SGI DAT
drive -> shn file -> internet to chastewk -> unshned ->
sample rate conversion and normalization with Cooledit 96 ->
tracked w/ CD-WAV and shned for your pleasure.
d1t1:Mississippi Half Step 9:00
d1t2:Red Rooster 8:49
d1t3:Stagger Lee 8:30
d1t4:Me And My Uncle > Maggie's Farm 12:53
d1t5:Loser 7:52
d1t6:The Music Never Stopped 9:06
d1t7:Don't Ease Me In 3:32
Disk Total 59:42
d2t1:Scarlet > Fire On The Mountain 22:48
d2t2:Truckin > New Speedway Boogie 18:02
d2t3:Drums > 10:41
d2t4:Space 13:57
Disk Total 64:48
d3t1: Space > I Need A Miracle 8:23
d3t2: Standing On The Moon 8:46
d3t3: Sugar Magnolia 6:03
d3t4: Sunshine Daydream 4:01
d3t5: The Weight 5:32
Disk Total 32:05 |
|
06/09/91
|
Buckeye Lake Music Center |
WMA |
3 |
|
SBD>DAT>CD>SHN
|
|
06/12/91
|
Charlotte Coliseum |
WMA |
2 |
|
SBD>DAT>CDR
Notes:
Brokedown Palace missing from SBD
3 seconds of extremely quiet static at 7:37 of Touch
r/c Lite bursts of static, more like a fizz, throughout Saint>Ship
Seeding specs:
DAE (EAC: High, Secure, Offset Corrected) all track quality > 99.8%
All sector boundaries verified using SHNTOOL
SHN(seekable) using shortn32 via eD(efojr) - 05/12/02
Encore patch: Unknown AUD > ? > Cass (2?) > CDR (Tascam CD-RW700) > EAC > SHN V3 by cwier60ATyahooDOTcom 11/20/02
Another installment of The Music Never Stopped Project!
Thanks to Paul for the seed discs.
SHNtool results:
Disc 1
length expanded size cdr WAVE probs filename
9:58.68 105647180 --- -- -xx gd91-06-12d1t01.shn
6:19.09 66876812 --- -- -xx gd91-06-12d1t02.shn
7:23.42 78244028 --- -- -xx gd91-06-12d1t03.shn
8:41.21 91953836 --- -- -xx gd91-06-12d1t04.shn
10:10.14 107636972 --- -- -xx gd91-06-12d1t05.shn
7:31.30 79627004 --- -- -xx gd91-06-12d1t06.shn
6:22.50 67502444 --- -- -xx gd91-06-12d1t07.shn
3:52.38 41014220 --- -- -xx gd91-06-12d1t08.shn
8:15.63 87466220 --- -- -xx gd91-06-12d1t09.shn
68:35.35 692.34 MB (totals for 9 files)
Disc 2
length expanded size cdr WAVE probs filename
6:41.46 70844636 --- -- -xx gd91-06-12d2t01.shn
7:16.72 77079788 --- -- -xx gd91-06-12d2t02.shn
9:04.71 96128636 --- -- -xx gd91-06-12d2t03.shn
21:52.20 231483884 --- -- -xx gd91-06-12d2t04.shn
8:09.70 86424284 --- -- -xx gd91-06-12d2t05.shn
7:36.10 80461964 --- -- -xx gd91-06-12d2t06.shn
12:01.65 127337324 --- -- -xx gd91-06-12d2t07.shn
1:47.33 18952460 --- -- -xx gd91-06-12d2t08.shn
5:27.36 57767516 --- -- -xx gd91-06-12d2t09.shn
79:58.48 807.27 MB (totals for 9 files)
Total
148:34.08 1499.60 MB (totals for 18 files)
|
|
06/14/91
|
Robert F. Kennedy Stadium |
WMA |
3 |
|
Source: SBD
Lineage: DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN
Known issues:
Very clean recording. Drums and space are seamless and could be reassembled if desired. There is a possibility of a cassette generation somewhere, as the space>Stella Blue transition had overlap that I removed.
This is not sourced from the Vault video release. These disks came to me at least a year before that release, and both sets have much longer tuning segments at the beginning than the VFTV release.
----------
Seeded by Peter Braverman (braverman@earthlink.net), April 2003. |
|
06/16/91
|
Giants Stadium |
WMA |
3 |
|
Source: DSBD->DAT->Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD->
Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S
Transfer: Re-ripped on Plextor Internal SCSI Ultraplex 40 MAX using EAC (secure
mode w/accurate stream)-> mkwACT v.97-> SHN by GJF
|
|
06/17/91
|
Giants Stadium |
WMA |
3 |
|
Recording Info:
SBD -> Master Dat (44.1k) -> Dat Clone
Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN
(3 Discs Audio / 2 Discs SHN)
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
9/1/04
Notes:
-- Thanks to David Gans for lending me his Dats.
-- There is an Other One tease before and after the Dark Star Jam before drums.
-- Hornsby is teasing Dark Star in almost every song...listen closely.
-- There are other Dark Star Teases that I didn't track due to being too short.
-- Seamless transition between discs 2 and 3.
-- All Flaws in Eyes Of The world have been fixed.
SHNTOOL OUTPUT:
length expanded size cdr WAVE problems filename
0:55.51 9821996 --- -- ---- gd91-06-17d1t01.wav
15:02.13 159126956 --- -- ---- gd91-06-17d1t02.wav
7:01.34 74344412 --- -- ---- gd91-06-17d1t03.wav
6:09.71 65258636 --- -- ---- gd91-06-17d1t04.wav
1:33.63 16553420 --- -- ---- gd91-06-17d1t05.wav
6:25.18 67956380 --- -- ---- gd91-06-17d1t06.wav
9:16.19 98123132 --- -- ---- gd91-06-17d1t07.wav
7:11.54 76155452 --- -- ---- gd91-06-17d1t08.wav
6:22.69 67547132 --- -- ---- gd91-06-17d1t09.wav
3:01.41 32024876 --- -- ---- gd91-06-17d2t01.wav
7:00.63 74236220 --- -- ---- gd91-06-17d2t02.wav
8:01.30 84919004 --- -- ---- gd91-06-17d2t03.wav
1:14.39 13145372 --- -- ---- gd91-06-17d2t04.wav
6:55.11 73231916 --- -- ---- gd91-06-17d2t05.wav
10:15.00 108486044 --- -- ---- gd91-06-17d2t06.wav
13:27.72 142524188 --- -- ---- gd91-06-17d2t07.wav
5:49.21 61613036 --- -- ---- gd91-06-17d2t08.wav
12:13.34 129381212 --- -- ---- gd91-06-17d2t09.wav
8:25.28 89147900 --- -- ---- gd91-06-17d3t01.wav
5:17.03 55925900 --- -- ---- gd91-06-17d3t02.wav
4:35.64 48660572 --- -- ---- gd91-06-17d3t03.wav
10:59.49 116362892 --- -- ---- gd91-06-17d3t04.wav
0:55.42 9800828 --- -- ---- gd91-06-17d3t05.wav
6:01.37 63767468 --- -- ---- gd91-06-17d3t06.wav
164:13.26 1738114944 B (totals for 24 files)
MD5:
4113bff74506d99cd5cf20ceacad8b44 *gd91-06-17d1t01.shn
67946abc3600e415d66c2904e4c22997 *gd91-06-17d1t02.shn
fdf99f9ac7e5b7103498ecbfd29feec6 *gd91-06-17d1t03.shn
196923d6e9cc8a3ec415e1c88c2bb771 *gd91-06-17d1t04.shn
1be47a1427724944f57fb4e0220e6c7b *gd91-06-17d1t05.shn
b1194f74a2850257aad66a3a47852fe3 *gd91-06-17d1t06.shn
907113b6153a3102016249a758bce6c2 *gd91-06-17d1t07.shn
5f0403475d6175f26669c88bdc093de7 *gd91-06-17d1t08.shn
1e4131847aeacd4491854af578488cf8 *gd91-06-17d1t09.shn
0321cb7287c45f541440043b40f5d702 *gd91-06-17d2t01.shn
1f483ef81ed960443ca5c693a67262ce *gd91-06-17d2t02.shn
4415493e8a1498b89cc52ce1dffb951c *gd91-06-17d2t03.shn
74ddcef35263e0312fc846d9389f1f50 *gd91-06-17d2t04.shn
47beb757c00ccfd304fb86e324495432 *gd91-06-17d2t05.shn
5fdffbea519b083d09954a0c73df41fb *gd91-06-17d2t06.shn
c81b052932c1c5f9b0e23e5a396dabe4 *gd91-06-17d2t07.shn
a026b32f184677374c42a44e05960f13 *gd91-06-17d2t08.shn
49f7f2e53adc321306399330091002c8 *gd91-06-17d2t09.shn
354c92aa39367d8c61796671065d9ace *gd91-06-17d3t01.shn
8562d08a298d3fc005871f01470f500e *gd91-06-17d3t02.shn
27d0df106705b292e3643dfa13496b49 *gd91-06-17d3t03.shn
b2add6eefc74468e7286d3087c8e8b61 *gd91-06-17d3t04.shn
3f1cc476889d0d84d54096dfeed3143a *gd91-06-17d3t05.shn
e63ac389c3e7edd7151e4228a4b1a4cb *gd91-06-17d3t06.shn |
|
06/19/91
|
Pine Knob Music Theater |
WMA |
3 |
|
Source: AUD (unknown mics) >DAT>CDR>WAV>SHN
** Known flaws **
Splice during 'Promised Land'
Noise during 'Fire On The Mountain'
seeded to etree on January 24th, 2001 by AJ - a2k@pacbell.net |
|
06/20/91
|
Pine Knob Music Theater |
WMA |
3 |
|
Source: SBD > DAT > Cass > DAT > CD > EAC
Audience patch: Unknown DAUD > CD > EAC
All editing done with EAC, CDWave and SoundForge 4.5
Editing done by Ivan Kotch (ik1013@yahoo.com)
** Notes **
* Unknown audience source spliced in using EAC and SoundForge 4.5
(Unknown DAUD > DAT > CD > EAC > SF 4.5)
* Brief noise (from Aud splice source) just before crossfade in 'Touch Of Grey'
* A 1 second edit from stereo to mono at 1:55 of 'Touch Of Grey'.
The right channel was copied to the left to correct for some significant noise in
the audience source.
seeded to etree January 24th, 2001 by AJ - a2k@pacbell.net |
|
06/22/91
|
Soldier Field |
WMA |
3 |
|
|
|
06/24/91
|
Sandstone Ampitheatre |
WMA |
3 |
|
Source: DSBD>DAT>CDR
DAE(EAC) and SHN Encoding by Jeff M.
Email fy1220_jeffm@snet.net or Lost_Sailor1620@hotmail.com
snet.net or Lost_Sailor1620@hotmail.com |
|
06/25/91
|
Sandstone Ampitheatre |
WMA |
3 |
|
Recording Info:
SBD -> Vault Dat -> Dat -> Dat (44.1k)
Transfer Info:
Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> Samplitude v7.02 Professional ->
Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN)
All Transfers and Editing By Charlie Miller
charliemiller87@earthlink.net
10/13/04
Notes:
-- Complete show, no flaws, This is NOT from the liberated bootleg CD.
-- Seamless transition between discs 2 and 3.
-- This is an upgrade to all circulating copies.
-- Reuben & Cherise tease before Tennessee Jed.
SHNTOOL OUTPUT:
length expanded size cdr WAVE probs filename
5:52.44 62196332 --- -- --- gd91-06-25d1t01.wav
13:00.12 137620268 --- -- --- gd91-06-25d1t02.wav
7:33.22 79960988 --- -- --- gd91-06-25d1t03.wav
7:30.58 79516460 --- -- --- gd91-06-25d1t04.wav
10:44.03 113608700 --- -- --- gd91-06-25d1t05.wav
7:35.40 80356124 --- -- --- gd91-06-25d1t06.wav
8:26.56 89390156 --- -- --- gd91-06-25d1t07.wav
0:52.21 9222236 --- -- --- gd91-06-25d2t01.wav
12:20.52 130658348 --- -- --- gd91-06-25d2t02.wav
20:04.28 212451500 --- -- --- gd91-06-25d2t03.wav
6:49.05 72159404 --- -- --- gd91-06-25d2t04.wav
4:36.03 48693500 --- -- --- gd91-06-25d2t05.wav
14:53.27 157588748 --- -- --- gd91-06-25d2t06.wav
14:09.17 149803628 --- -- --- gd91-06-25d2t07.wav
13:27.02 142359548 --- -- --- gd91-06-25d3t01.wav
7:09.50 75793244 --- -- --- gd91-06-25d3t02.wav
6:14.29 66041852 --- -- --- gd91-06-25d3t03.wav
7:17.51 77206796 --- -- --- gd91-06-25d3t04.wav
2:24.64 25552172 --- -- --- gd91-06-25d3t05.wav
6:41.22 70788188 --- -- --- gd91-06-25d3t06.wav
177:43.06 1880968192 B (totals for 20 files)
MD5:
bc1717bfdfe1c7c4c81fc3e1980c6959 *gd91-06-25d3t06.shn
7c15e4091fa04c9f74268f4ed0056eac *gd91-06-25d1t02.shn
e1f2bdc51e0cf9eecef11e78dc8859b2 *gd91-06-25d1t03.shn
fa6bb9f14e845b4af559b930dce2d3d8 *gd91-06-25d1t04.shn
bed291a218ff3fda91dd920748e129c3 *gd91-06-25d1t05.shn
2d69c52e7b2c4f71c23217a848100d7f *gd91-06-25d1t06.shn
38f048e0e42ae6534e73434909aef5b1 *gd91-06-25d1t07.shn
ea8cbe2d074a99298fa6c92223206973 *gd91-06-25d2t01.shn
9e747de531426981f438dc92754932bb *gd91-06-25d2t02.shn
1ed2e8583df6b4e14acd7116df2c6421 *gd91-06-25d2t03.shn
e08b0fdc00abf8482e7d824224ad4a99 *gd91-06-25d2t04.shn
0eddb8516264fc720deaa0d6ea041c3b *gd91-06-25d2t05.shn
7873d939df744bb658f32e4f7ffccb2c *gd91-06-25d2t06.shn
9d65359a2a92ec8a211e851468239457 *gd91-06-25d2t07.shn
3d65f61f1dd64fcbaed5661a06e600c9 *gd91-06-25d3t01.shn
656e8558edffe8a7e5771aa96ac7f5b0 *gd91-06-25d3t02.shn
468aaf50ca77549832597d0ef6cc4bfc *gd91-06-25d3t03.shn
4a14bdde6bfe40eab134a494a05a6fc0 *gd91-06-25d3t04.shn
c4d14c347b019eddf13d5fdb508d1548 *gd91-06-25d3t05.shn
e26c2e6e32b547bd34ca3567382a3f15 *gd91-06-25d1t01.shn
|
|
06/28/91
|
Mile High Stadium |
WMA |
3 |
|
Lineage:
SBD>Dat>Samplitude>CD
Seed Supplied By David Gans
Transfer Info:
Sony R500>Behringer SRC2000>M-Audio Dio 2448>Compaq 5452
Transfer done by Charlie Miller
charliemiller87@earthlink.net
Recorded with Samplitude v6.0
Fades done with Cool Edit Pro v1.2
Tracked with CDWave v1.71
SHN'd with MKW v0.97 Beta1
|
|
08/13/91
|
Cal Expo |
WMA |
3 |
|
SBD>CM>DAT>CDR
Anomalies:
d1t01 - 0:25 digifizz; 0:30-0:35, 0:51, 0:56, 0:59, 1:08, 1:18 digiskips
d1t02 - l/c lower in the mix
d2t01 - 3:47, 3:51, 3:55, 4:11 digicrackles
d3t02 - the l/c is all but gone for the first 4:42
- 4:36, 4:44 - 4:47 digifizz; 4:48 cut missing ~20 seconds
A 4 second gap of silence at the cut was removed via CE2K.
Seeding Specs:
DAE (EAC: High, Secure, Offset Corrected) all track quality > 99.8%
All sector boundaries verified using SHNTOOL
SHN(seekable) using shortn32 via eD(efojr) - 06/02/02
Disc 1 recut via CDWav
Another installment of The Music Never Stopped Project!
Thanks to Paul for the seed discs.
SHNtool results:
length expanded size cdr WAVE probs filename
2:08.41 22675676 --- -- --- gd91-08-13d1t01.wav
7:47.10 82402364 --- -- --- gd91-08-13d1t02.wav
13:07.12 138855068 --- -- --- gd91-08-13d1t03.wav
6:25.21 67963436 --- -- --- gd91-08-13d1t04.wav
7:21.69 77954732 --- -- --- gd91-08-13d1t05.wav
9:00.15 95291324 --- -- --- gd91-08-13d1t06.wav
8:13.61 87108716 --- -- --- gd91-08-13d1t07.wav
13:05.40 138568124 --- -- --- gd91-08-13d1t08.wav
10:23.64 110047772 --- -- --- gd91-08-13d2t01.wav
6:46.43 71719580 --- -- --- gd91-08-13d2t02.wav
13:34.58 143726060 --- -- --- gd91-08-13d2t03.wav
16:47.72 177804188 --- -- --- gd91-08-13d2t04.wav
5:32.19 58609532 --- -- --- gd91-08-13d3t01.wav
8:02.39 85116572 --- -- --- gd91-08-13d3t02.wav
9:53.20 104652284 --- -- --- gd91-08-13d3t03.wav
11:22.13 120335420 --- -- --- gd91-08-13d3t04.wav
7:15.38 76823420 --- -- --- gd91-08-13d3t05.wav
156:48.35 1659654268 B (totals for 17 files) |
|
08/14/91
|
Cal Expo |
WMA |
3 |
|
SBD>DAT>??>DAT>CDR
Transfer: DAT > ZA2 (S/PDIF)> Wavelab3.03 > CDR
Anomalies:
d1t06 & t07 were originally tracked together
d2t01 - missing the first few seconds
- 0:37 digitick
Seeding specs:
DAE (EAC: High, Secure, Offset Corrected) all track quality > 99.8%
All sector boundaries verified using SHNTOOL
SHN(seekable) using shortn32 via eD(efojr) - 06/02/02
Disc 1 recut via CDWav
Another installment of The Music Never Stopped Project!
Thanks to Paul for the seed discs.
SHNtool results:
length expanded size cdr WAVE probs filename
9:27.35 100101164 --- -- --- gd91-08-14d1t01.wav
9:49.11 103925516 --- -- --- gd91-08-14d1t02.wav
8:58.43 95004380 --- -- --- gd91-08-14d1t03.wav
8:06.04 85739852 --- -- --- gd91-08-14d1t04.wav
10:29.69 111117932 --- -- --- gd91-08-14d1t05.wav
7:38.41 80887676 --- -- --- gd91-08-14d1t06.wav
4:18.28 45577100 --- -- --- gd91-08-14d1t07.wav
7:52.29 83329052 --- -- --- gd91-08-14d2t01.wav
5:28.56 57990956 --- -- --- gd91-08-14d2t02.wav
9:19.32 98682908 --- -- --- gd91-08-14d2t03.wav
9:19.64 98758172 --- -- --- gd91-08-14d2t04.wav
13:01.54 137895452 --- -- --- gd91-08-14d2t05.wav
2:27.24 25987292 --- -- --- gd91-08-14d2t06.wav
7:23.48 78258140 --- -- --- gd91-08-14d2t07.wav
10:30.70 111296684 --- -- --- gd91-08-14d2t08.wav
12:04.27 127777148 --- -- --- gd91-08-14d3t01.wav
8:25.00 89082044 --- -- --- gd91-08-14d3t02.wav
9:45.01 103196396 --- -- --- gd91-08-14d3t03.wav
7:52.41 83357276 --- -- --- gd91-08-14d3t04.wav
1:01.65 10913324 --- -- --- gd91-08-14d3t05.wav
7:01.56 74396156 --- -- --- gd91-08-14d3t06.wav
170:22.48 1803274620 B (totals for 21 files) |
|
08/17/91
|
Shoreline Amphitheatre |
shn |
2 |
A+ |
few glitches |
|
08/17/91
|
Shoreline Amphitheatre |
WMA |
2 |
|
Source: SBD -> DAT Master -> DAT Clone -> Tascam DA40 ->(SPDIF)-> SB Live -> SoundForge -> wav -> shn.
Comments: Original SHNs via J. Josephs. This set of files represents a SHNTOOL fixed correction of the previously circulating SHN set (http://db.etree.org/shninfo_detail.php?shnid=497).
All tracks on the previous set had sector boundary errors and also extra chunks when performing a SHNTOOL LEN check. These were fixed by:
1. Converting the SHN > WAV.
2. Performing the command 'SHNTOOL FIX *.wav' on each sets wav files (e.g. set 1: d1t01-d1t08, set 2:d1t09 > d2t09).
3. Encoding to seekable SHN using shorten 3.4. |
|
08/18/91
|
Shoreline Amphitheatre |
WMA |
3 |
|
Source:
- SB DAT 48khz low-gen clone (on 60 min/120 minute audio dats, 93?)
- Sony PCM-1 / 7 pin
- Nightengale PCI / Optical (reverse format)
- Ce Pro 2000 Record 48k
- Ce Pro 2000 Downsample to 44k / highest quality, pre-post filter
- CDWav / ShnTool / FLAC
Seed Info:
- Seeder: kung@steve-behan.com
- Date: 9/8/2003
- small glitch in Bucket 06:11
- small glitch in Stagger Lee 04:40
- small glitch in Deal 01:37
***12.27.03 Extracted wavs from flac files and patched above errors and fixed several other spots of diginoise.
Patch Source:
SBD > DAT > ZA2 > CDR > EAC
Patched, shn'd... by Doug Nawrocki
|
|
09/04/91
|
Richfield Coliseum |
WMA |
3 |
|
sbd>dat>c>dat>cdr
Thanks to Paul Bottiglio for the discs
seeded by Tony G (gdtrfb@bellsouth.net)
Enjoy! |
|
09/05/91
|
Richfield Coliseum |
WMA |
3 |
|
sbd>dat>c>dat>cdr
Thanks to Paul Bottiglio for the discs
seeded by Tony G (gdtrfb@bellsouth.net)
Enjoy! |
|
09/06/91
|
Richfield Coliseum |
WMA |
3 |
|
sbd>dat>c>dat>cdr
Thanks to Paul Bottiglio for the discs
seeded by Tony G (gdtrfb@bellsouth.net)
Enjoy! |
|
09/08/91
|
Madison Square Garden |
WMA |
3 |
|
DSBD>>DAT>>CDA - Sound A+ Show A
Notes:
Seeded by jashley@deadacated.com |
|
09/09/91
|
Madison Square Garden |
WMA |
3 |
|
DSBD>>DAT>>CDA - Sound A+ Show A
Notes:
Seeded by Charlie Miller and Uploaded by Jay Ashley |
|
09/10/91
|
Madison Square Garden |
WMA |
3 |
|
Source: DSBD>DATs>CDRs>EAC>SHN
Entire show with Branford Marsalis
Shorten encoded by dnsacks@usa.net |
|
09/12/91
|
Madison Square Garden |
WMA |
3 |
|
The pedigree for this tape is soundboard > DAT > CDR > SHN
according to Tiedrich's Tapes in Circulation page. All you alert
Beatles fans will note the "I Want to Tell You" tease
in the tune-up before Sugar Magnolia |
|
09/13/91
|
Madison Square Garden |
WMA |
3 |
|
DSBD>DAT>CD
splice in masterpiece right after "rhapsody" |
|
09/16/91
|
Madison Square Garden |
WMA |
3 |
|
DSBD>DAT>CD>EAC>SHN
note - diginoise/dropout at start of bertha is found on "all that circulate"
kowalski@waksman.rutgers.edue"
kowalski@waksman.rutgers.edu |
|
09/17/91
|
Madison Square Garden |
WMA |
3 |
|
SBD: DAT> CD> EAC> SHN
|
|
09/18/91
|
Madison Square Garden |
WMA |
3 |
|
lineage: DSBD -> DAT -> CD -> EAC -> SHN
seeded to etree January 24th 2001 by AJ - a2k@pacbell.net - Enjoy!
|
|
09/20/91
|
Boston Garden |
WMA |
3 |
|
|
|
09/21/91
|
Boston Garden |
WMA |
3 |
|
SBD->DAT->CDR->EAC->SHN
Notes:
* Hornsby is prominent |
|
09/22/91
|
Boston Garden |
WMA |
3 |
|
DSBD>DAT>CD-R>EAC>WAV>ADDAWAV>CDRWAV>SHN (via MKWACT)
No errors during EAC extraction except for d1.t01 which had 99.9 accuracy in Secure Mode
Notes:
This version is from a pure digital sbd and does not include drop-outs noted in other ETREE sources. Also, this version includes the Knockin encore. I think is an improvement on the ETREE and GDLIVE seeds. I tracked this on 3 disks for personal preference.
@ fades out before Last Time
* - with Hornsby playing "Dixie Chicken in background
#-fades out
&- fades in
Transcribed by
JR Fishman
NY, NY
fishmanj_98@yahoo.com
|
|
09/24/91
|
Boston Garden |
WMA |
3 |
|
Recording Info:
SBD -> Dat x 3
Transfer Info:
Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> Samplitude v7.02 Professional -> SHN
(3 Discs Audio / 2 Discs SHN)
All Transfers and Editing Done By Charlie Miller
charliemiller87@earthlink.net
9/22/04
SHNTOOL OUTPUT:
length expanded size cdr WAVE probs filename
1:18.25 13818044 --- -- --- gd91-09-24d1t01.wav
4:11.47 44386988 --- -- --- gd91-09-24d1t02.wav
8:30.60 90105164 --- -- --- gd91-09-24d1t03.wav
8:39.44 91655132 --- -- --- gd91-09-24d1t04.wav
8:12.24 86845292 --- -- --- gd91-09-24d1t05.wav
8:52.20 93891884 --- -- --- gd91-09-24d1t06.wav
3:07.19 33031532 --- -- --- gd91-09-24d1t07.wav
5:37.08 59465660 --- -- --- gd91-09-24d1t08.wav
13:18.57 140901308 --- -- --- gd91-09-24d1t09.wav
8:11.32 86687708 --- -- --- gd91-09-24d1t10.wav
7:27.26 78911996 --- -- --- gd91-09-24d2t01.wav
6:02.45 63962684 --- -- --- gd91-09-24d2t02.wav
8:59.25 95138444 --- -- --- gd91-09-24d2t03.wav
8:16.65 87647324 --- -- --- gd91-09-24d2t04.wav
14:40.26 155293196 --- -- --- gd91-09-24d2t05.wav
6:52.07 72693308 --- -- --- gd91-09-24d2t06.wav
9:57.33 105388460 --- -- --- gd91-09-24d3t01.wav
9:35.04 101439452 --- -- --- gd91-09-24d3t02.wav
4:07.22 43622588 --- -- --- gd91-09-24d3t03.wav
10:19.35 109273964 --- -- --- gd91-09-24d3t04.wav
7:37.26 80675996 --- -- --- gd91-09-24d3t05.wav
3:03.35 32363564 --- -- --- gd91-09-24d3t06.wav
5:36.28 59336300 --- -- --- gd91-09-24d3t07.wav
172:34.38 1826535988 B (totals for 23 files)
MD5:
9b88ac3766951d18df8c4fea57c26343 *gd91-09-24d1t09.shn
43503f6034ec6e583fba22be985e482e *gd91-09-24d1t02.shn
780c22cf879f148ddab8739fa2be8dcc *gd91-09-24d1t03.shn
57d8a01cf2d0b6ce89577f7ff269d731 *gd91-09-24d1t04.shn
2ae0d8a52dfca145f461ee95dacc512b *gd91-09-24d1t05.shn
3343538ed86f8b8a5803541365cad99a *gd91-09-24d1t06.shn
3b8674894c47f8ae02f448feae147d3a *gd91-09-24d1t07.shn
5eef75aba76f8228e0dae1457c574eab *gd91-09-24d1t08.shn
f3001ca6d0baa9f6d22ca00a2b4adc30 *gd91-09-24d1t01.shn
072a214d7d26af73cc4ea3bb261d011b *gd91-09-24d1t10.shn
d6335c8d05a178b6fe6cf026a8c5ef9d *gd91-09-24d2t01.shn
06f5e9e4a920aa158e0da4d54db0449d *gd91-09-24d2t02.shn
2ed7c0aa8d9366cf8bb5870b1bde6ff2 *gd91-09-24d2t03.shn
f6a99c264b5c8ab12e53f9fd8301d9cb *gd91-09-24d2t04.shn
d27a662f498e1a15d8ce1cc6a8bba303 *gd91-09-24d2t05.shn
4e5aebba2aab18f03252dee71f8ff0b5 *gd91-09-24d2t06.shn
3ab2138933525107fcafc593470a2193 *gd91-09-24d3t01.shn
493dfa0c917bd97e319fc97a77e4468e *gd91-09-24d3t02.shn
e5bca0a3e9013aef3259a1c41dd86fc9 *gd91-09-24d3t03.shn
0dfab2d662b6659452c9829e77e4eb72 *gd91-09-24d3t04.shn
d7fee42628fd7b3a609bd04da4c1576b *gd91-09-24d3t05.shn
fdd14a88fcb1e4b160d4eff679ca1c67 *gd91-09-24d3t06.shn
79cdb30c549cbfc1884bb0d1396d2c14 *gd91-09-24d3t07.shn
|
|
09/26/91
|
Boston Garden |
WMA |
3 |
|
SBD(1)>DAT>CD>EAC>CDWAVE>MKWACT>SHN
Source Note:
(1) - This may be a digital soundboard. There is no wow and flutter in Eyes of the World as existed in older versions of the 9/26/91 SBD. Thanks to an old friend Dougal Donaldson for providing me with the source DATS some years back.
Listener reports probably one cassette generation.
Discs 2 and 3 are seamless.
Transfers and conversions all done by
JR Fishman
fishmanj_98@yahoo.com
Somewhere in rural Westchester County (formerly of NY, NY)
December 15, 2003
|
|
10/27/91
|
Oakland-Alameda County Coliseum |
aud |
3 |
A+ |
|
|
10/27/91
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
SBD>DAT>ZA2>Soundforge 4>CD Architect>CDR>EAC>shn
With Carlos Santana and Gary Duncan
Thanks to ericv@nycheads.com for the seed.
Questions, comments or problems? Email jeff@liquid.lazylightning.org |
|
10/28/91
|
Oakland-Alameda County Coliseum |
WMA |
2 |
|
Source: SBD>DAT(n clones)>PCM>DAT
Conversion: Tascam DA-20 MK II > Delta Dio 2496 > Soundforge XP 4.5 > CDWave > SHN
Taped by ?, Converted by Rob (Odeo) Harrison (www.odeo.net) 10/21/02.
Minor diginoise fixes by mvernon54@attbi.com
notes
- Fits on two 80-minute discs.
- d1t1 drop outs ~ 5:30, 5:36
- d1t2 drop out ~ 3:18
- d1t9 minor diginoise fixed with CE2K ~ 5:30
- d1t10 minor diginoise fixed with CE2K ~ 2:56
- shntool used to place tracks on sector boundaries by set
- set 2 can be rejoined seemlessly when longer media is available |
|
10/30/91
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Source: DSBD > DAT > CD > EAC > SHN
EAC/SHN by Darryl Hinko (flyerfanatic)
Any questions contact me at: flyerfanatic2817@yahoo.com
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit Pro used for all editing
MKWact for encoding to SHN
Notes:
- d1t01 Tuning: There was a major dropout in both channels, the Left
channel was longer so I couldn't cut it completely out. I did cut
out as much as I could.
A big thanks goes out to Mike, Teri and Tom for helping me spread
these seeds far and wide.
And another big thanks to Richard, Michael, Mick and Vivek over at
Eurotraders.
Enjoy!
SHNtool output:
length expanded size cdr WAVE probs filename
5:45.74 61032092 --- -- --- gd1991-10-30d1t01.wav
7:41.39 81412172 --- -- --- gd1991-10-30d1t02.wav
10:08.33 107328860 --- -- --- gd1991-10-30d1t03.wav
3:13.69 34207532 --- -- --- gd1991-10-30d1t04.wav
8:31.17 90180428 --- -- --- gd1991-10-30d1t05.wav
6:54.44 73133132 --- -- --- gd1991-10-30d1t06.wav
7:01.39 74356172 --- -- --- gd1991-10-30d1t07.wav
8:06.12 85758668 --- -- --- gd1991-10-30d1t08.wav
7:44.20 81896684 --- -- --- gd1991-10-30d1t09.wav
1:20.00 14112044 --- -- --- gd1991-10-30d2t01.wav
14:08.40 149681324 --- -- --- gd1991-10-30d2t02.wav
10:35.25 112072844 --- -- --- gd1991-10-30d2t03.wav
16:17.50 172460444 --- -- --- gd1991-10-30d2t04.wav
13:20.28 141185900 --- -- --- gd1991-10-30d2t05.wav
9:13.26 97610396 --- -- --- gd1991-10-30d3t01.wav
7:35.06 80276156 --- -- --- gd1991-10-30d3t02.wav
9:27.68 100178780 --- -- --- gd1991-10-30d3t03.wav
10:21.04 109553852 --- -- --- gd1991-10-30d3t04.wav
4:24.39 46661372 --- -- --- gd1991-10-30d3t05.wav
161:51.33 1713098852 B (totals for 19 files)
|
|
10/31/91
|
Oakland-Alameda County Coliseum |
Aud |
3 |
|
|
|
10/31/91
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Source:
sbd > (?) > shn
seeded to etree 2/2001 by Tony Gardner (gdtrfb@bellsouth.net) |
|
12/27/91
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Source: DSBD > DAT > C > DAT > CD > EAC > SHN
EAC/SHN by Darryl Hinko (flyerfanatic)
Any questions contact me at: flyerfanatic2817@yahoo.com
EAC in secure mode with proper offsets used to extract
Shinto to join and confirm sector boundries
CDwav used to split tracks
Cool Edit Pro used for all editing
MKWact for encoding to SHN
Thanks to TOL for the patch source
AUD> DAT> CDR; Schoeps MK4's
http://db.etree.org/shninfo_detail.php?shnid=12094
Notes:
- This came to me as a DSBD, unfortunately there is a very slight
hiss and there were missing sections that look to much like
tape flips.
- Drums is split into 2 tracks because there was a 5 second stop
with just fans applauding. I thought this would be a perfect
place to split the discs.
- d2t01 Scarlet Begonias: 0:00 - 0:20 crossfaded at 2000 ms with
AUD source.
- d3t01 Drums: AUD patch from 5:43 - 6:39 no crossfade.
A big thanks goes out to Mike, Teri and Tom for helping me spread
these seeds far and wide.
And another big thanks to Richard, Michael, Mick and Vivek over at
Eurotraders.
Enjoy!
SHNtool output:
length expanded size cdr WAVE probs filename
1:00.17 10624028 --- -- --- gd1991-12-27d1t01.wav
6:57.73 73730540 --- -- --- gd1991-12-27d1t02.wav
10:21.51 109664396 --- -- --- gd1991-12-27d1t03.wav
10:05.44 106825532 --- -- --- gd1991-12-27d1t04.wav
2:48.08 29654060 --- -- --- gd1991-12-27d1t05.wav
7:32.11 79758716 --- -- --- gd1991-12-27d1t06.wav
7:54.71 83780636 --- -- --- gd1991-12-27d1t07.wav
10:29.54 111082652 --- -- --- gd1991-12-27d1t08.wav
6:25.01 67916396 --- -- --- gd1991-12-27d1t09.wav
7:37.30 80685404 --- -- --- gd1991-12-27d1t10.wav
8:15.45 87423884 --- -- --- gd1991-12-27d2t01.wav
9:09.23 96897740 --- -- --- gd1991-12-27d2t02.wav
8:56.43 94651580 --- -- --- gd1991-12-27d2t03.wav
10:38.29 112611452 --- -- --- gd1991-12-27d2t04.wav
7:34.14 80118572 --- -- --- gd1991-12-27d2t05.wav
2:24.71 25568636 --- -- --- gd1991-12-27d2t06.wav
10:38.06 112557356 --- -- --- gd1991-12-27d3t01.wav
7:04.44 74897132 --- -- --- gd1991-12-27d3t02.wav
5:47.72 61380188 --- -- --- gd1991-12-27d3t03.wav
7:33.35 79991564 --- -- --- gd1991-12-27d3t04.wav
9:12.48 97485740 --- -- --- gd1991-12-27d3t05.wav
8:50.71 93659036 --- -- --- gd1991-12-27d3t06.wav
6:30.07 68812508 --- -- --- gd1991-12-27d3t07.wav
173:49.43 1839777748 B (totals for 23 files) |
|
12/31/91
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Source: SBD > Satellite Feed > DAT> CDR > WAV > SHNv3
comments: *NYE broadcast banter starts out the second set.
d3t03 - balloon pop at beginning.
Thanks to C.Larson for seeds. DAE (EAC) > tracking (cdwave) > boundary checking (shntool) > SHNv3 (mkwact) via neo_levo@yahoo.com. |
|
02/22/92
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
SBD>MC>C>DAT>CDR
COMMENTS
missing U.S. Blues, Watchtower cuts at 3:50
static 0:34-0:36 of Bertha
two small digipops at 0:12 of Space
EAC (secure mode with proper offsets),
editing and shn conversion by Tony G (spreaddead@bellsouth.net)
06/08/2002
Another installment of The Music Never Stopped Project!
Thanks to Paul for the seed discs. |
|
03/05/92
|
Hampton Coliseum |
WMA |
3 |
|
Source: Sbd>Dat>?>Cd>Eac>Shn
KNOWN FLAWS: SMALL DROP OUT IN SO MANY ROADS AT 5:56. NOTIFY colonelpepper@hotmail.com IF ANY OTHER PROBLEMS ARE FOUND.
NOTE: THIS WAS EXTRACTED AND SHN CONVERTED BY BEN LUTON.
ED AND SHN CONVERTED BY BEN LUTON. |
|
03/08/92
|
Capital Centre |
WMA |
3 |
|
S : MC > D > CDR
COMMENTS
little hiccup at 3:32 of Drumz,
weird digital distortion from
6:44-7:14 & 7:56-8:01,8:43-end of Throwing Stones,
first few seconds, 0:35-0:49 of NFA and
1:49-2:00 & 2:48 of Quinn
fades at end of d2 and start of d3 were on source discs
EAC (secure mode with proper offsets),
editing and shn conversion by Tony G (spreaddead@bellsouth.net)
05/26/2002
Additional Editing by Alan J Fink (aj.fink@verizon.net)
using Cool Edit Pro 2.0 with AUD supplied by Tony G (spreaddead@bellsouth.net)
12/22/2002
d3t04 Throwing Stones AUD patches
6:41 - 7:15, 7:56 - 8:01, 8:43 - 8:47 (end)
8:14 click removed
d3t05 Not Fade Away AUD patches
0:00 - 0:03
0:32 - 0:47
0:55, 5:03 clicks removed
d3t06 The Mighty Quinn AUD patches
1:49 - 2:04
2:26 - 2:30
2:46 - 2:49
Another installment of The Music Never Stopped Project!
Thanks to Paul for the seed discs. |
|
03/09/92
|
Capital Centre |
WMA |
2 |
|
Source: SBD
Lineage: DAT> C> PCM> DAT> CD> SHN
There is no break between Iko and Corrina, so those who want to make three discs may do so seamlessly.
Thanks to Rob Harrison for the discs. Seeded by Peter Braverman (braverman@earthlink.net), May 2002.
Original seed from Peter had SBE's on d1t08,t09 and d2t08,t09. shntool used to fix SBE's and entire show re-encoded with shnv3 (with seek) by Tony G (spreaddead@bellsouth.net) 5-27-02. |
|
03/11/92
|
Nassau Coliseum |
WMA |
3 |
|
SBD>DAT>CDR (probable cassette gen)
EAC (secure mode with proper offsets),
editing and shn conversion by Tony G (spreaddead@bellsouth.net)
05/12/2002
Another installment of The Music Never Stopped Project!
Thanks to Paul for the seed discs. |
|
03/16/92
|
The Spectrum |
WMA |
3 |
|
|
|
03/20/92
|
Copps Coliseum |
Aud |
2 |
|
|
|
03/20/92
|
Copps Coliseum |
WMA |
2 |
|
SBD>DAT>CDR
COMMENTS
missing BE Women, Bucket is missing the opening notes, glitch at 2:04 of Mexicali, glitch at 1:09 of Promised Land, glitch in U.S. Blues at 4:40
EAC (secure mode with proper offsets),
editing and shn conversion by Tony G (spreaddead@bellsouth.net)
05/30/2002
Another installment of The Music Never Stopped Project!
Thanks to Paul for the seed discs.
|
|
03/21/92
|
Copps Coliseum |
WMA |
2 |
|
SBD DAT master > cass (suspected) > DAT > CD (mine) > EAC > SHN
Notes:
I dont know the cause, but the vocals sure sound funny, almost compressed.
These discs came to me labeled as "dsbd", but I think there is likely a cassette
generation in there somewhere. |
|
03/23/92
|
The Palace |
WMA |
2 |
|
Source: S:D->CDR->(eac'd)SHN
Ripped by John Zei
If you find any errors please contact me. |
|
03/24/92
|
The Palace |
WMA |
2 |
|
SBD>DAT>CASS>DAT>CD
dat > cd via stand alone CD-R
CDs (first gen) > EAC > SHN
notes:
this is the 2nd copy of the same discs. not sure if the md5's
will match from the ETREE db, but they were extracted from the same
discs.
d1t01, diginoise:
|
|
05/19/92
|
Cal Expo |
WMA |
2 |
|
Source A:SBD>DAT>CDR>EAC>Cool Edit>SHN
Source B:SBD>CM>CDR>EAC>Cool Edit>SHN (Starts @ D2T7 TNK @ 4:45)
* First time played
Both disks are 80 minutes
Known Flaws: D1t1 static and drops @ :07 and :22
During tunning not the song
D2t2 static @ 10:58 for 2 seconds not that bad
D2t7 Source A cuts @ 4:45 during TNK
Edit and shn conversion done by Tim Wiley 2/26/02 twiley69@hotmail.com
EAC: in secure mode to extract all tracks at 100% quality
Cool Edit: Removed D/O's D1t1 @ :07 and :22
I removed (some) of the static on D2t2 @ 10:58
I patched in source B @ D2t7 @ 4:45 to complete the show!
shn via mkwact
Thanks to Paul Bottiglio for the cds
act
Thanks to Paul Bottiglio for the cds
|
|
05/20/92
|
Cal Expo |
WMA |
2 |
|
Note: This is a fixed Copy of the original seed re-ripped from original disks.
Source:SBD>DAT>C>DAT>CDR
Conversion: EAC(secure)>Wavlab 4.0>CD WAV>Shntool>SHN(seekable)
Comments: Entire show remaster by Wavlab 4.0, the original seed had Noise Reduction applied
I really wasn't happy with it. This seed is much better. D1t06(Stagger Lee) Drop out @ 6:65
both channels removed.
Remastered/Seeded to etree: By Tim W. 3/23/02
EAC: Secure mode to extract all tracks @ 100% quality no errors
Wavlab 4.0: Remastering and all edits.
D2t7 Digital pop @ 8:42 Removed
CD WAV: To select tracks.
Shntool: To confirm all sector boundaries.
SHN: Via mkwact(seekable)
Thanks to Paul B for the source disks.
Another Installment Of The Music Never Stopped Project!
ENJOY!!
C:\SHN>shntool len *.wav
length expanded size cdr WAVE probs filename
5:57.41 63071276 --- -- --- gd92-05-20d1t01.wav
8:18.31 87920156 --- -- --- gd92-05-20d1t02.wav
7:05.68 75129980 --- -- --- gd92-05-20d1t03.wav
6:45.49 71557292 --- -- --- gd92-05-20d1t04.wav
13:25.26 142063196 --- -- --- gd92-05-20d1t05.wav
6:00.22 63555788 --- -- --- gd92-05-20d1t06.wav
7:03.04 74626652 --- -- --- gd92-05-20d1t07.wav
5:46.67 61192028 --- -- --- gd92-05-20d1t08.wav
7:39.01 80969996 --- -- --- gd92-05-20d1t09.wav
8:28.00 89611244 --- -- --- gd92-05-20d2t01.wav
7:07.51 75442796 --- -- --- gd92-05-20d2t02.wav
16:42.58 176889260 --- -- --- gd92-05-20d2t03.wav
13:24.49 141940892 --- -- --- gd92-05-20d2t04.wav
6:22.67 67542428 --- -- --- gd92-05-20d2t05.wav
9:53.57 104739308 --- -- --- gd92-05-20d2t06.wav
8:45.30 92680604 --- -- --- gd92-05-20d2t07.wav
5:47.01 61213196 --- -- --- gd92-05-20d2t08.wav
144:34.22 1530146092 B (totals for 17 files) |
|
05/21/92
|
Cal Expo |
WMA |
3 |
|
Source: Pre-FMDSBD>DAT(48kHz)
Transfer: DAT>ZA2(S/PDIF)>Samplitude2496>CD-r or shn
Tapes provided by Tom and Roger
Conversion by Chris Larson (nswboogy@easystreet.com)
http://www.easystreet.com/~nswboogy
http://www.easystreet.com/~nswboogy |
|
05/24/92
|
Shoreline Amphitheatre |
WMA |
2 |
|
Source: S: MC>D
Transfer: D>ZA2(S/PDIF)>Wavelab3.03>SHN
* Disk 2 requires 80 minute disk
Thanks to Roger and Tom for the tapes
Conversion done by Chris Larson (nswboogy@easystreet.com)
http://www.easystreet.com/~nswboogy
http://www.easystreet.com/~nswboogyy
http://www.easystreet.com/~nswboogy |
|
05/25/92
|
Shoreline Amphitheatre |
WMA |
2 |
|
Source: SBD>DAT>C>DAT>CDR
Conversion: EAC(secure)>CD WAV>WavLab4.0>Shntool>SHN(seekable)
* Encore was placed at the end of D1 to fit show on 2 disks.
PLEASE NOTE: This is an upgraded version from my original seeded copy of this one using the
same source disks. NO Noise reduction preformed which was done on the original seed.
Comments: Both Sets amplitude and pitch was off and fixed. D1t01(Let The Good Times Roll)
Drop out and Static @ :06 removed. D2t06(Jam) Cass. flip @ 6:23.487 silence removed.
SHN/Edit/Re Seeded to etree by Tim W. 4/01/2003.
EAC: Secure mode to extract both disks at 100% quality with no reported errors.
WavLab 4.0: To remaster and edit(See COMMENTS above).
CD WAV: Select track splits
Shntool: To conform all sector boundaries.
SHN: Via mkwact(seekable)
Enjoy! |
|
05/29/92
|
Sam Boyd Silver Bowl, U.N.L.V. |
WMA |
3 |
|
Source: SBD*>DAT>CDR>WAV>SHN.
*Monitor mix - see comments.
Comments: Band members make comments throughout show regarding the mix, presumably to prompt a change. * 01:27 - Bob utters the almost unforgivable - "give me less garcia" and then "now he's gone" @ 1:44. High-hat cymbals are oddly prominent in the mix at times. Strange noise at 02:34 (cymbal?) d1t01.
Thanks to J.Powell for the source CDR.
DAE(QPS QUE2410, EAC0.9b4 offset corrected, secure mode)>tracking(cdwav editor)>sector boundaries confirmed(shntool)>SHN(shorten 3.4) via C.Ladner.
another installment of TMNSP, 12/03. |
|
05/31/92
|
Sam Boyd Silver Bowl, U.N.L.V |
WMA |
3 |
|
Source: SBD > DAT > SONY D8 (S/PDIF) > HD > SHN
Uploaded to GDLive by PainoMan
**with Steve Millerrow Never Knows
**with Steve Miller |
|
06/11/92
|
Knickerbocker Arena |
WMA |
3 |
|
Source: sbd>dat>cass>dat>cdr>wav>shnv3
comments:
i'm hard pressed to hear the analog gen.
thanks to cozmic chuck for the seeds.
DAE>shntool>mkwact via neo_levo.
.
DAE>shntool>mkwact via neo_levo. |
|
06/12/92
|
Knickerbocker Arena |
WMA |
2 |
|
Source: SBD
Lineage: Master cassette> cassette> DAT> CoolEdit> CD> Peak edits> SHN
Known issues:
The sound of these disks was remarkably flat; I have cleaned them up and re-equalized, but they are still only so-so. They are significantly better than what came to me, however. I hope this teases out a better lineage for this excellent show.
The cut in drums is pretty severe; everything after the first 0:30 or so is missing. It is also uncertain how much of space is missing, but it's probably not much. (If drums were present in its entirety, this show would require three disks.)
Problems during space in the right channel, 2:52 - 4:26. It may be that nothing is going on, since there are faint echoes of the left channel during this time, or it may be that the channel is lost.
----------
Thanks to Johnny Venus for the disks. Seeded by Peter Braverman (braverman@earthlink.net), February 2003. Another installment of The Music Never Stopped Project.llment of The Music Never Stopped Project. |
|
06/14/92
|
Giants Stadium |
WMA |
2 |
|
* with Steve Miller on Guitar
notes -
diginoise
Candyman - ~3:38 & 3:50
Baba O'Riley - ~4:35
I think there is one more small patch I noticed, but now
I can't remember where. I haven't seen this circulating, but
if anyone has a copy whithout the d/n, please let me know.
Thanks
Aaron
Any questions - Aaron - kowalski@waksman.rutgers.edu - Aaron - kowalski@waksman.rutgers.edu |
|
06/20/92
|
Robert F. Kennedy Stadium |
WMA |
3 |
|
DSBD
|
|
06/23/92
|
Star Lake Amphitheatre |
WMA |
2 |
|
SBD>Dat>c>Dat>Cool Edit>cd>EAC>SHN (seekable)
Discs provided by John Valter
EAC and SHN transfer by Steve Barbella
seeded sept 28, 2001
EAC secure w/offsets, 100% track quality, all tracks.
SHN transfer via MKW V.97
tracks.
SHN transfer via MKW V.97 |
|
06/25/92
|
Soldier Field |
WMA |
3 |
|
LINEAGE: SETS I / II: SBD > RF Digital Earpiece Monitor Mix Buss
(mix was fed to Kreutzman/Hart) > Vault Archive ADAT >
24-bit/96 kHz 2-track Mixdown DAT (Marin County Source) > SSSB
LINEAGE: ENCORE ONLY: SBD > GD MASTER D > D > SSSB
AUDIO RATING: AR1
MEDIA REQUIRED: DAT: 1x180 min.
CD-R / MINI DISC: 3
RELEASED ON: 03/05/02
OFFICIAL SHOW NOTES: Steve Miller and James Cotton joined in during Set II; segue into "So Many Roads" has distinct "Watchtower" elongated "tease"; any/all editing, fades, NR, hiss elimination, phase shifting, time smear correction, digital jitter elimination, EQ, and quantization noise elimination (when down-converting audio for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B using the "code name Harpoon" editing software (beta Ver. 0.928.4 Build 88)
JAY'S PERSONAL COMMENTS:
WOW!
This about describes this show in a single word. It's an aural experience that most people will never get to personally participate in. By this, I'm talking about the audio you hear is what Mickey and Billy were hearing in their earpiece monitors. The vocals, bass, and guitars were all in the "center" of the mix, with the keyboards just panned slightly to the right for "effect"; both of the percussionists were able to hear themselves and their playing in their ear monitors exactly like it would be heard if you were physically standing in front of them, on stage.
It takes a little getting used to, when you listen to this show. And you'll hear the difference in how the show sounded to the audience once the encore, Gloria, begins (as this came from the GD master archive recording).
The first thing you'll notice is that the guitars, keyboards, and vocals seem to have less "volume" to it. And you'd be correct in picking up on that. This is because of the dynamic headroom required by the drums and other percussion instruments! You really get to hear the backbeats, the snares, the toms, and the kick bass very clearly, which is what Billy and Mickey required. When the encore comes on, you get to experience the "regular mix", where you have the compression and limiting turned on; that's because the drums, which would naturally be louder, with their quick "attack and release" characteristics.
The next thing you will notice is that during between-song tuning, or in ultra-extreme quiet passages, is an "unusually strange noise" coming from the right channel. This was determined to be RF (radio frequency) interference, affecting the monitor mixers' transmitter to the earpiece monitor receivers. Chicago is a "very noisy" RF-filled city, especially near downtown, which is not far from Soldier Field. What you're hearing is what's technically called "multipath interference", and it could have been much worse. Even though the band was using what was then the top of the line transmitters and receivers, they could not fully eliminate this interference. It won't bother your listening pleasure except during little snippets of "Space" when there's almost no audio from instruments. I've eliminated as much of this multipath noise as I could without causing aural anomalies to creep in by using a spectral NR filter designed by the editing software (the software looked and analyzed the noise, and chose the best set of NR techniques required).
I would advice anyone listening to this show to keep the volume a little lower than normal for several reasons:
1) the drum beats MAY begin to damage your speakers slightly...
2) if you have a lower power amplifier, it may not be able to have enough "reserve power" to quickly respond to the very loud drum beats, so you may hear distortion (which is NOT there) caused by your amplifier's inability to provide the circuits with enough voltage.
3) During Space, the locomotive air horns really blast loudly, and without any forewarning! I know of 2 people who have blown out speakers listening to my version of the 6/20/92 show with these same air horns!
I'm getting a little technical here, but forewarned is forearmed!
On to the show itself:
SET I:
A 9.5 minute opening Bertha sets the stage for the evening's energy. Good solid opener which goes right into Greatest Story. You can hear Jerry and Bobby both asking for more volume in their earpieces... just small "cue words" that the mixing engineer knows how to interpret. West L.A. is where Mickey begins using his MIDI snare sampler... usually his snare has the "snare grille" disabled, making it sound more like a tom drum than a snare (Billy almost always uses the natural snare sound), and it does sound a bit "phony", especially in the mix here. It has a very quick attack and fade, due to the noise gate used on the percussion instruments. This is similar to what you hear at the end of Greatest Story, when every time Billy hits one drum, you hear the audience's volume kick in and then die off. The noise gate's purpose it to keep unwanted noise from other things from getting into the channel/mike it's linked to.
Typical Me & My Uncle > Big River combo, but at the end of it, the RF transmitter on the left channel begins to fail. The engineers are "on top of things", and they simply re-route it to a different transmitter. This happens several times during the remainder of the show, but it's not as noticeable! When they think they have the original transmitter working (which doesn't ever happen this night), they still leave the replacement on, so that Billy doesn't lose his mix! Smart thinking... it almost sound "totally mono" for the short bursts of time this happens, and unless you are REALLY listening to the music, and not enjoying it, you're never going to notice it (they only try this during lulls and once during a section of Long Way To Go Home, and in a short section of Drums/Space). Nothing to take away from the musical pleasure you're getting from this show.
The remainder of Set I is unremarkable in the song choices, or how they're played. During Ramble On Rose, there's some slight RF distortion (it's not diginoise, as that looks very unique when examining the audio waveform) for about 1 minute total, but again, it's not taking much, if anything, away from the music itself. It can be slightly annoying to those who have excellent hearing and great audio equipment, as that's when you'd hear it most. On the "average" home audio system (and I tried this using the multiple types of speakers I use to check to see if shows sound okay on consumer audio speakers), it's barely noticeable. Only on very high-end speakers is it going to cause anyone any "disagreement". Nothing I could do about this, outside of editing out the sections, which makes no sense. I listened to the GD Master digital recording, and it's noticeable on there as well (again to the degree mentioned above).
SET II:
An energetic Aiko kicks off the 2nd half. Solid, good mix, everyone's got their acts together. A short break and then a 10 minute Good Morning Little Schoolgirl, which Bobby rocks on (I can just picture how much spittle he showered the audience with!). Another short break.... hmmm, is there a problem here, or was this planned? I was told it was technical in nature, not planned, as you'll soon find out. During the intermission, the techs thought they had the left channel RF transmitter fixed, and it seemed to be working correctly for the first 2 songs. They removed the backup unit from the rack, and felt that the problem had been solved.
And, JERRY SPEAKS! He actually comes forward and thanks Steve Miller and James Cotton for their work on GMLS! It's unusual to hear Jerry talk, and it was great to hear the guest players being acknowledged by "Da Man"! To me, it shows that he respects their talents, and their sitting in this evening. To have Jerry acknowledge you on stage has to be one of the greatest accolades a guest musician could have gotten.
Unfortunately, during Long Way to Go Home, the next song up, it dies again. This time, it was lengthy. I corrected the "problem" (as it was VERY disturbing to the enjoyment of the show) by cloning (using slight reverb and delay FX added so it didn't sound 100% mono) the right channel's audio onto the affected left channel (while leaving the highly decreased original left channel volume still in the mix!). I really hate to "alter" a show's audio in such a drastic measure, but it seemed "correct" to do, since the main mixer master recording didn't have this error on it. And rather than "substituting" the master mix for the problem section, which would have made it sound radically different, I simply did what I considered to be the best "least offensive" corrective action.
After that problem was corrected during the show, they left the backup transmitter in place, literally sitting on the stage floor! And Long Way continued without a hitch (and a nice version it was, too!)
The next song kind of set me back, as I wasn't ready to hear Saint Of Circumstance without the usual Lost Sailor lead-in! Unusual move, but nothing about the Dead strikes me as being "unusual" anymore. It segues VERY nicely into a 10 minute, and quite emotional, He's Gone.
Drums > Space! Ah, the love songs for people who need a bathroom break! And this was a LONG version, a little over 30 minutes. Billy and Mickey ripped off some great chops, but Mickey began his MIDI percussion session a little earlier than "normal". Billy didn't seem to mind, leaving when he felt the time was right. Some nice sequences were in this evening's show, and people who listened to all of Space weren't left unfulfilled. The only unusual part came when Mickey went to hit a certain instrument, and the volume was bit too high in it's setting. It was meant to have a snare drum type of sound base, but for the first few times it was enabled, it was distorted. The people at the SBD finally got the volume down to a better level, although it was still slightly distorted. (NOTE: This was NOT recording overload, as the waveforms were not clipped. It was just too much volume at the SBD input, causing the digital distortion).
Space ended up with a pretty good free-form jam by Weir, Garcia, and Lesh. They were all off on their tangents, and it worked nicely. Then you hear the slight "click" from Jerry's FX rack, and you know the sound is going to change soon and the next song will begin.
I really love when Jerry plays a segue into, and especially the opening notes of The Wheel. It's totally unmistakable in it's sound, with the reverb and delay, and that clean sound that Jerry does so well. Unfortunately, as it had happened a lot of times in the past, the vocal channels weren't turned on ahead of time (although during the last part of Space, you can hear Bobby talk through the monitor channels). So, part of the first verse is lost, as it had happened so many times before. I guess Jerry was pissed off at this, as he wanted this night to be a good show for the audience. Since there was the vocal channels problem with The Wheel, Jerry decided to "give the audience what they came for"! As The Wheel wound down, Weir starts up with the opening chords for Watchtower. No mistaking this opening. It was there. But Jerry wasn't going for it! He let Weir play quite a few riffs without hitting any notes himself. This kind of told Bobby "Not yet, bud"... and the rest of the band was pretty confused, as the next song to be played was NOT talked about during intermission as a possibility! (NOTE: That info comes right from my MC source, who was backstage with the band members). So we wait, and we wait, and we wait, and then...
Jerry just begins playing his opening notes to So Many Roads! Oh, this was a treat for all! Listen carefully, and you can hear the audience's delayed reaction being picked up by the stage mikes and going into the earpieces. Even though Jerry flubbed some of the words, you could close your eyes, and visualize a single spotlight shining on Garcia, standing tall and proud, singing this wonderful ballad. His vocals and playing emotions come out in this song, like he's wearing his heart on the sleeve of his tee shirt. An excellent 7+ minute version came out of the mouth and from the fingers of this great musician, and the band didn't let him down... they played a little more subtly than normal, knowing Jerry wants this song to be out there for the people to hear.
Roads winds down, and Weir "gets his wish"... Watchtower actually begins now, in earnest. Bobby, also, doesn't disappoint, and he certainly doesn't try to upstage Jerry's last song. Bob puts a lot of himself into this version. But during the opening part, when they're trying to get the levels on Steve Miller and James Cotton just right, all you hear playing in the ear monitors is Billy, Mickey, Phil, and Vince. This lasts for about 45 seconds.
Miller does a good job of getting some solo guitar time during this song, and you hear Jerry backing off to let Steve get his "guest player" time in. Jerry fills in a little here and there, but it's mainly Miller who does the lead guitar during this song.
Set II winds up with a good old-fashioned rockin' Turn On Your Love Light. James Cotton does a good job on harp, bringing back memories of Pigpen. Sure, it's not the same style they played back in the late 60's, but it's a very respectable rendition. There's a lot of energy from Cotton and Miller, and Jerry gets in his own lead licks as well. Nice 9+ minute version, full of just some great raw rock and roll from everyone involved.
I started the encore, Gloria, from it's first note, so as not to "throw people" with the difference in the before-song tuning and noodling. You will hear the big difference now between the audio of the earpiece monitors and what is in the Dead Vault for this show. The song, although it will appear to sound much louder, is actually the same basic "instrument" audio dB level, minus the percussion dynamics that were present for everything up this point. So you can see how the use of compression and limiting can really affect the dynamics of a song. The audio is still crystal clear, there's a bit more separation of instruments in the mix for the encore, but you'll see why people who are really into audio appreciate NOT having compression and limiting put into released shows... it just doesn't give you the "feeling" of what's actually loud and soft, as it would normally sound. There's is still a fair amount of dynamic headroom in Gloria, but nothing like all the music prior to this.
I hope you enjoy this show. I'm fond of Chicago shows, being a Chicago born and raised person myself (even the suburb I live in now is only a mile from part of Chicago's southern border). I've been to so many Rosemont and Soldier Field shows, that I have a great love of what the engineers could do with the horrible "tin room" acoustics of the Horizon and the swirling winds in Soldier Field which can really affect the sound. I hope you all will enjoy this unusual, and rare, version of this show. You'll find yourself picturing yourself sitting at the back of the stage, on a drum stool, looking out at the huge audience. With this recording, you'll get more than the "up close and personal" feeling some recordings give you... you're actually "in the band" with this one. It's just a shame that Gloria wasn't included in the copy my MC source sent me for this monitor mix version. But, we live with the hand dealt to us. I'm just happy I could give you this much of a unique perspective with this show.
PERSONAL RATINGS: (on a 1 to 10 scale with 10 being excellent)
Audio Mix: 8.5 (most of the instrument being solo, due to the monitor setup)
Audio Quality: 9.6 (just that little right channel RF noise)
Energy Level: 9.6
Show "Completeness": 10.0
Song Selection: Very good
Surprises: Jerry's "So Many Roads"
"Completeness": 10.0
Song Selection: Very good
Surprises: Jerry's "So Many Roads" |
|
06/28/92
|
Deer Creek Music Center |
WMA |
2 |
|
Source: SBD
Lineage: Master Cassette> DAT> CD> SHN
Editing in Peak for Macintosh
Retracked and normalized
Removed a skip at 6:25 in China Doll
Sector boundaries fixed on Shntool for Unix (via Mac OSX -- whoopee!)
Known flaws:
Smokestack Lightning fades out at the very end
China Cat is missing the first few notes
The crowd noise between I Know You Rider and Estimated Prophet is missing; the transition is abrupt but not missing any music
Tape flip at 5:40 in space
The levels in China Doll are quite low, even after normalizing. I tried boosting them, but in the end decided to leave them as is.
Thanks to Charlie Miller for providing the long-elusive first set. Seeded by Peter Braverman (braverman@earthlink.net), March 2002.man (braverman@earthlink.net), March 2002. |
|
06/29/92
|
Deer Creek Music Center |
WMA |
2 |
|
SBD>DAT>C>DAT>CDR
COMMENTS
Low level static at start of d1t01 & t02
First few seconds of Box of Rain missing
EAC (secure mode with proper offsets),
editing and shn conversion by Tony G (spreaddead@bellsouth.net)
05/11/2002
Another installment of The Music Never Stopped Project!
Thanks to Paul for the seed discs. |
|
07/01/92
|
Buckeye Lake Music Center |
WMA |
2 |
|
source: preFM SBD > CM > DAT > CDR > WAV > SHNv3
comments: no one will complain that the levels are too low on this one. clipping most notably during truckin' (peak out jam > phil bombs -oh yeah!!) and a few other spots.
*** DISC 1 REQUIRES AN 80 MIN. CDR ***
thanks to Todd C. for miracling me the CDR seeds.
DAE: EAC (high, secure, offset corrected in triplicate with matching wav md5's) > CDWave (tracking) > shntools (wav boundaries confirmed) > mkwact (SHNv3)) and FTP via Chris L .
via Chris L . |
|
12/11/92
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Source: SBD
Lineage: SBD DAT master > DAT/1 > CDR > iMac > SHN
DAT/1 to unedited CDR transfer by David Gans, hardware unknown, February 2002
Editing by Jeff Tiedrich via Sound Studio for Macintosh, 9 March 2002
Conversion by Jeff Tiedrich via Shorten for Macintosh, 23 March 2002
09 May 2002 - Sector boundary errors detected and fixed with shntool v1.01; wav md5s
generated; Fixed wavs re-encoded and new shn md5s generated with
mkwACT 0.97 beta 1 (SHN V3, seek tables appended).
--- by Nathan Scott wharfrat@bayou.com
known flaws: none
|
|
12/12/92
|
Oakland-Alameda County Coliseum |
WMA |
2 |
|
Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) >
absconded & confiscated by Dick Latvala : ^) > analog to digital by kingbee using
Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR
Thanks to Tommy Banjo & MerryPranksterTree
seeded to etree by StoneBear 10/01/2001 |
|
12/13/92
|
Oakland-Alameda County Coliseum |
WMA |
2 |
|
Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) >
absconded & confiscated by Dick Latvala : ^) > analog to digital by kingbee using
Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR
Thanks to Tommy Banjo & MerryPranksterTree
seeded to etree by StoneBear 9/27/2001ar
9/27/2001
notes:
These shns were grabbed off etree (TOL) in early Oct '01, and there were
sloppy track indexes, and an extended dead-air artifact from the original
tracking procedure.
I don't know if there is another fixed version out there, but its
been almost 2 weeks since the show was seeded, and no one's said
word about the problems yet. So don't worry kiddies, I got yer back...
This fixed version of the show was retracked in cdwave, and indexed properly.
All files were reassembled as 1 giant wave file, and then sliced back into
individual songs.
On Disc 1:
-separated MAMU and Maggie
On Disc 2:
-Drumz and Space were split from a giant combined wave file
-The end of the Other One track had over 2 min. of morning dew in it
-the original Morning Dew track started 2 minutes into the performance
and had several minutes of dead air at the end.
also, unrelated to the music, I fixed the cover art that companioned
these shns. The original cover art had incorrectly listed "maggie's farm"
as "Big River", and neglected to include "The Other One in the
set list at all. It has all been repaired to match the tracks
of this recording.
enjoy,
steve barbella |
|
12/17/92
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) >
absconded & confiscated by Dick Latvala : ^) > analog to digital by kingbee using
Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR
Thanks to Tommy Banjo & MerryPranksterTree
seeded to etree by StoneBear 9/27/2001 StoneBear
9/27/2001 |
|
01/24/93
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Source: SBD > DAT > C > DAT > CDR > TAE (overlap) > WAV > SHN
Ripped, SHNed, and seeded by Jon Seff (jon@seff.net)
Notes: Here's the info I got about the source of this tape: "Dan Healy made a series of 2 track DAT tapes for Phil Lesh, that Dick Latvala absconded with or appropriated, or just plain took. He sent Cassettes (as was his way to ensure that the vault retained best copy) to Jim Wise (Aoxoa), who using his Nak deck and with the assistance of Rob Eaton (King Bee), turned back into Digital copies."
This was my first show!
seeded 10.15.01 |
|
01/25/93
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Source: SBD>CM>DAT>CDR>WAV>SHN
Comments:
Someone took good care of the cassette.
Thanks to Rick M. for the seeds.
DAE(EAC)>boundary check(SHNTOOL)>SHN(mkwact) via neo_levo/candyman FTP.
5/02. |
|
01/26/93
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Recording Info:
SBD -> Dat -> Cassette Master -> Dat -> CD -> EAC -> SHN
(3 Discs Audio / 2 Discs SHN)
Converted To SHN By Charlie Miller
charliemiller87@earthlink.net
10/19/04
Notes:
* with Carlos Santana
SHNTOOL OUTPUT:
length expanded size cdr WAVE probs filename
8:13.25 87024044 --- -- --- gd93-01-26d1t01.wav
10:10.04 107613452 --- -- --- gd93-01-26d1t02.wav
7:58.54 84446252 --- -- --- gd93-01-26d1t03.wav
5:47.70 61375484 --- -- --- gd93-01-26d1t04.wav
10:21.69 109706732 --- -- --- gd93-01-26d1t05.wav
8:08.40 86177324 --- -- --- gd93-01-26d1t06.wav
4:42.27 49808348 --- -- --- gd93-01-26d1t07.wav
8:57.29 94795052 --- -- --- gd93-01-26d2t01.wav
12:17.61 130150316 --- -- --- gd93-01-26d2t02.wav
12:35.48 133294940 --- -- --- gd93-01-26d2t03.wav
17:29.57 185177708 --- -- --- gd93-01-26d2t04.wav
10:25.42 110348828 --- -- --- gd93-01-26d2t05.wav
20:43.26 219326396 --- -- --- gd93-01-26d3t01.wav
5:31.39 58480172 --- -- --- gd93-01-26d3t02.wav
10:50.25 114718844 --- -- --- gd93-01-26d3t03.wav
8:22.55 88682204 --- -- --- gd93-01-26d3t04.wav
8:46.27 92849948 --- -- --- gd93-01-26d3t05.wav
171:23.23 1813976044 B (totals for 17 files)
MD5:
6f4998dd66698a993047641bc221d55d *gd93-01-26d3t05.shn
9f491b6b2a8caff16eb757943808e25d *gd93-01-26d1t02.shn
2b14e87ae7748d33393d690669aca9b7 *gd93-01-26d1t03.shn
52129e549c15f9c463f5311af86b4b9e *gd93-01-26d1t04.shn
b77ad76c4c12c6cc57cf01d49189957e *gd93-01-26d1t05.shn
f707ee1823887b28afc19ee275663e3d *gd93-01-26d1t06.shn
f0c45f1baf1b8515bf4169bf04550077 *gd93-01-26d1t07.shn
73da7c3ab402e30a2c1def3859ada5be *gd93-01-26d2t01.shn
3e4197c54b8887c41c24fabfdc09c501 *gd93-01-26d2t02.shn
66a2759f0456812c0010231f231b3f26 *gd93-01-26d2t03.shn
333f49564c569b3b2f4d9675333e0db9 *gd93-01-26d2t04.shn
751d6d5ab7ad3ac34b4dfe6e6a950261 *gd93-01-26d2t05.shn
3144e33bc0334742eeff7d42271ccde4 *gd93-01-26d3t01.shn
86adf0b05c7b62b024a74edf53b7c091 *gd93-01-26d3t02.shn
e9f155596c5eb7a94bbb2afa4a32bbef *gd93-01-26d3t03.shn
ac17e2d60248e039598c9e177cd3f3bb *gd93-01-26d3t04.shn
f259564c2c63f67a4987cc357e5b5bc6 *gd93-01-26d1t01.shn |
|
02/22/93
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Source: DSBD: DAT > DAT > CD
Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN (seekable) by Matt Vernon
notes
(1) first time played.
d1t02 - one instance of brief, minor diginoise near start
d2t02 - brief drop out in St. of Circumstance
set 2 is continuous across disks 2 and 3
length expanded size cdr WAVE probs filename
2:49.02 29816348 --- -- --- gd93-02-22d1t01.wav
6:12.38 65710220 --- -- --- gd93-02-22d1t02.wav
12:13.11 129327116 --- -- --- gd93-02-22d1t03.wav
7:47.06 82392956 --- -- --- gd93-02-22d1t04.wav
9:58.24 105543692 --- -- --- gd93-02-22d1t05.wav
7:15.40 76828124 --- -- --- gd93-02-22d1t06.wav
8:13.08 86984060 --- -- --- gd93-02-22d1t07.wav
7:26.00 78674444 --- -- --- gd93-02-22d1t08.wav
3:22.00 35632844 --- -- --- gd93-02-22d1t09.wav
65:16.54 690909804 B (totals for 9 files)
length expanded size cdr WAVE probs filename
2:56.58 31182860 --- -- --- gd93-02-22d2t01.wav
7:38.49 80906492 --- -- --- gd93-02-22d2t02.wav
10:30.60 111273164 --- -- --- gd93-02-22d2t03.wav
12:55.15 136745324 --- -- --- gd93-02-22d2t04.wav
7:47.36 82463516 --- -- --- gd93-02-22d2t05.wav
12:23.72 131234588 --- -- --- gd93-02-22d2t06.wav
15:31.12 164256668 --- -- --- gd93-02-22d2t07.wav
69:44.02 738062612 B (totals for 7 files)
length expanded size cdr WAVE probs filename
10:38.29 112611452 --- -- --- gd93-02-22d3t01.wav
9:12.13 97403420 --- -- --- gd93-02-22d3t02.wav
10:45.37 113865068 --- -- --- gd93-02-22d3t03.wav
6:48.48 72084140 --- -- --- gd93-02-22d3t04.wav
37:24.52 395964080 B (totals for 4 files)
37:24.52 395964080 B (totals for 4 files) |
|
02/23/93
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
SBD > DAT > Sonic Solutions (for phase correction) > CD
.md5 and .shn created by Mike Hall (myko@well.com)
Notes:
(1) First Time Played
(2) Mardi Gras Parada with Sikiru and Delgado Coleman
(3) with Ornette Coleman and Graham Wiggins on didgeridoo
(4) with Ornette Coleman |
|
03/10/93
|
Rosemont Horizon |
WMA |
3 |
|
source: sbd > 1 cassette gen? > cdr > eac x 2 > wav > shn
comments: no known flaws - very clean, balanced sbd with a very slight bit of tape hiss.
rating: sbd, A |
|
03/11/93
|
Rosemont Horizon |
WMA |
3 |
|
Source: SBD>CAS>DAT>
Conversion: SONY 60ES>ZEFIRO ZA2>WAV>MKW SHN
Seeded By wharf_ratt@hotmail.com |
|
03/16/93
|
Capital Centre |
WMA |
3 |
|
sbd>dat>c>dat>cdr
Thanks to Paul Bottiglio for the discs
DAE and seeding by Tony G (gdtrfb@bellsouth.net)
Enjoy!
|
|
03/17/93
|
Capital Centre |
WMA |
2 |
|
source: SBD > MC > DAT > CDR > WAV > SHN
comments: //fade out @ 5:46 of ROR, fades back in with 4:33 left in eternity. this cut appears to be on all masters.
(1) first time played.
EAC: high secure mode, offsets in place.
tracking using CDwave. |
|
03/24/93
|
Dean Smith Center |
WMA |
3 |
|
Source:
SBD > D10 proII
Transfer:
DA-P1 > Audiophile 2496 > Sound Forge 6 (48 > 44.1) > CDWave > mkwACT
Transfer/SHN by Doug Nawrocki
I know a set of SHNS already exist for this but the prior SHNS had no transfer info and was only 2 audio discs with an illogical disc break between Box Of Rain and Crazyfingers.ak between Box Of Rain and Crazyfingers.
.md5's match this listing: http://db.etree.org/shninfo_detail.php?shnid=16885 |
|
03/27/93
|
Knickerbocker Arena |
WMA |
3 |
|
Source:
SBD > DAT
Thanks Dante DiProsa
Transfer:
D8 > 7 pin/digi coax > Montego II > CDWave > SHN
by Doug Nawrocki
*4/16/03 - I decompressed d2t03 and patched/crossfaded the d/o's and spot of diginoise with the AMS ST-250 source using Cool Edit Pro 2.0's Multitrack View. This is the only track that was changed. The new shn is named gd1993-03-27d2t03fixed and the same in the d2 md5...
- Doug Nawrocki
*Last Time Played |
|
03/28/93
|
Knickerbocker Arena |
WMA |
3 |
|
Source: SBD>DAT>C>DAT>CDR
Conversion: CDR>EAC>WAV>MKW>SHNv3 By Dan Carr
11/8/02
Thanks to Chris Laughlin for the discs!
d1t5 - d/o at 4:50
Notes:
Overall the analog generation is not that noticeable
However there are a some scattered artifacts and crackles.
The quality on this source is pretty good and the blemishes
are small enough that they don't detract much.
Enjoy! |
|
03/29/93
|
Knickerbocker Arena |
WMA |
3 |
|
Source: SBD>DAT>Cass>DAT
Conversion: DAT>??>SHN>WAV(mkwact)>Cool Edit Pro>ADD A WAV>CD WAV>SHN(seekable)
COMMENTS: I got this one in SHN already so the conversion from DAT>SHN is a mystery. I used
mkwact to encode the SHN's to WAV's to do the edits. D1t01 static 2:29 thru 2:33 , 3:01 thru
3:06 , @ 3:16, 3:43 thru 3:51 on both channels. I used a filter to remove some of the
static. Only where it I noted some is still present. D2t05 Cass. flip @ 12:01 the D/O
from it was removed. D2t01 and D3t01 were retracked for seemless use. Also these times for
editing were done before I used ADD A WAV so the times on the edits might not be the same as
the retracked/this version.
Edits/Seeded to etree by T. Wiley 12/4/2002.
WAV: Via mkwact
Cool Edit Pro: See Comments above.
ADD A WAV: To attach all the Wav's for retracking
CD WAV: To track the songs
SHNTOOL: To confirm sectory boundries
SHN: Via mkwact(seekable)
Thanks to Chris Larson for the original SHN's
ENJOY!! |
|
04/01/93
|
Nassau Coliseum |
WMA |
3 |
|
Source: DSBD > C > DAT > CD > EAC > SHN
* Barney the dinosaur feigning bass while Phil plays behind the rack
EAC/SHN by Darryl Hinko (flyerfanatic)
Any questions contact me at: flyerfanatic2817@yahoo.com
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit Pro used for all editing
MKWact for encoding to SHN
Released:
Thanks to David Feldstein for the source discs
Thanks to TOL for the patch source
Patch source:
B&K 4011 w/balls > HDS1@stacks front center of ts > CD
http://db.etree.org/shninfo_detail.php?shnid=17682
Notes:
- d2t02 Saint of Circumstance: 2000 ms crossfade from 3:34 - 3:42
- d2t05 Drums: Patch (no crossfade) from 11:31 - 12:34
- Drums/Space split on a natural fadeout. They can be reassembled
seamlessly.
A big thanks goes out to Mike, Teri and Tom for helping me spread these
seeds far and wide.
And another big thanks to Richard, Michael, Mick and Vivek over at
Eurotraders.
Enjoy! |
|
04/02/93
|
Nassau Coliseum |
WMA |
2 |
|
Source: SBD>DAT>C>DAT>CDR
Conversion: CDR>EAC>WAV>MKW>SHNv3
by Dan Carr 11/8/02
Notes:
*Light crackles at points
The analog gen is audible in the quiet parts,
but the sound is very good overall.
Enjoy! |
|
04/05/93
|
Nassau Coliseum |
WMA |
2 |
|
SBD>MC>DAT>CDR
EAC (secure mode with proper offsets)
and shn conversion by Tony G (spreaddead@bellsouth.net)
09/17/2002
Another installment of The Music Never Stopped Project!
Thanks to Raoul Duke for the seed discs. |
|
05/16/93
|
Sam Boyd Silver Bowl, U.N.L.V. |
WMA |
3 |
|
Source: SBD>DAT(48kHz)
Transfer: DAT>ZA2>WAV>CE>CDWAV>CDR>EAC>WAV>SHN
Transfered to CDR/SHN by Steve Herman, sherman1967@yahoo.com.
Re-shn'd to seekable by M. Walker 8-02
|
|
05/22/93
|
Shoreline Amphitheatre |
WMA |
2 |
|
SBD>DAT>??>DAT>CDR
EAC (secure mode with proper offsets),
editing and shn conversion by Tony G (spreaddead@bellsouth.net)
05/10/2002
Another installment of The Music Never Stopped Project!
Thanks to Paul for the seed discs. |
|
05/23/93
|
Shoreline Amphitheatre |
WMA |
3 |
|
Source: DSBD>DAT>CDR>EAC(secure)>SHN(seek able)
Comments: I noticed on D2t5 some odd sounds but being it is a Jam I'm
not sure. Clicking? I copied the original Wav file and viewed the
(copied)Wav file with Cool Edit. I did NOT see D/O's or anything out
of the ordinary. I use the original file for the SHN. Cool Edit was
never used on the original Wav file D2t5. NO edit work preformed by me.
SHN/Seeded to etree by Tim W 4/5/02
EAC: Secure mode to extract all tracks at 100% quality. No errors
SHN: Via mkwact(seekable)
Enjoy! |
|
05/25/93
|
Cal Expo |
WMA |
3 |
|
Source: DSBD: DAT > DAT > Sonic Solutions > CD > CD
Encoding: EAC(secure) > CDWAV > mkwact > SHN(seekable) by Matt Vernon
notes
- Rex Foundation benefit.
- seamless across disks 2 and 3
length expanded size cdr WAVE probs filename
6:56.57 73516508 --- -- --- gd93-05-25d1t01.wav
3:59.70 42324284 --- -- --- gd93-05-25d1t02.wav
4:27.65 47251724 --- -- --- gd93-05-25d1t03.wav
7:27.73 79022540 --- -- --- gd93-05-25d1t04.wav
7:26.32 78749708 --- -- --- gd93-05-25d1t05.wav
6:34.68 69661580 --- -- --- gd93-05-25d1t06.wav
6:56.57 73516508 --- -- --- gd93-05-25d1t07.wav
13:55.30 147364604 --- -- --- gd93-05-25d1t08.wav
3:15.53 34522700 --- -- --- gd93-05-25d1t09.wav
61:01.55 645930156 B (totals for 9 files)
length expanded size cdr WAVE probs filename
16:16.03 172173500 --- -- --- gd93-05-25d2t01.wav
9:15.47 98012588 --- -- --- gd93-05-25d2t02.wav
6:04.67 64367228 --- -- --- gd93-05-25d2t03.wav
9:00.08 95274860 --- -- --- gd93-05-25d2t04.wav
9:29.17 100411628 --- -- --- gd93-05-25d2t05.wav
17:29.37 185130668 --- -- --- gd93-05-25d2t06.wav
67:35.29 715370472 B (totals for 6 files)
length expanded size cdr WAVE probs filename
5:40.17 60016028 --- -- --- gd93-05-25d3t01.wav
10:27.28 110668700 --- -- --- gd93-05-25d3t02.wav
7:03.07 74633708 --- -- --- gd93-05-25d3t03.wav
4:05.53 43342700 --- -- --- gd93-05-25d3t04.wav
5:03.36 53533916 --- -- --- gd93-05-25d3t05.wav
32:19.66 342195052 B (totals for 5 files)
32:19.66 342195052 B (totals for 5 files)
|
|
05/26/93
|
Cal Expo |
WMA |
3 |
|
M:C>D>CD>SHN
Notes: Often refered to as the "playin' of the 90's".
this is a monster, dark, evil ...smooooth. |
|
06/05/93
|
Giants Stadium |
WMA |
3 |
|
Source: DSDB master>DAT Clone>?>CDR>EAC(secure)>Cool Edit Pro>
CD WAV>SHN(seekable)
^ First Time Played
* Weir on Acoustic
Flaws: Long empty silent spaces inbetween some tracks
All Track Markers were off slightly
D2t6 Fades out
D3t1 D/O @ 1:02
Comment: Don't let the flaws scare you. This show is great! It just
needed a little TLC! :)
Shn Conversion by T. Wiley 3/21/02
EAC: In secure mode to extract all tracks at 100% quality no errors
Cool Edit Pro: Deleted empty silent spaces between tracks
Normalize Fade out D2t6
Removed D/O D3t1 @ 1:02
CD WAV: To split track wavs at correct locations
SHN: Via mkwact(seekable)
Enjoy! |
|
06/06/93
|
Giants Stadium |
WMA |
3 |
|
Source: DSBD master>Dat Clone>?>CDR>EAC(secure)>Cool Edit Pro>
CD WAV>SHN(seekable)
Flaws: All track markers were off
Long spaces of silence inbetween tracks in Set 1
D1t4 D/O @ :31
D2t5 right wav level is so low barely listenable
D2t6 fades out
Shn/Edit/Seeded to etree: By T. Wiley 3/21/02
Comment: Don't let the flaws scare you. The show is great! It just
needed a little TLC :)
EAC: Secure mode to extract all tracks @ 100% quality no errors
Cool Edit Pro: Deleted all silent gaps between all tracks when needed
D1t4 D/O @ :31 removed
Normalized right wav on D2t5
Normalized D2t6 Fade out
CD WAV: Retrack the entire show for normal wav splits and markers
Shn: Via mkwact(seekable)
Enjoy! |
|
06/08/93
|
The Palace |
WMA |
2 |
|
Source: DSBD > DAT (possibly DSBD > 1C > DAT)
DAT > WAV > SHN: Dan Stephens (dms@well.com)
Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1, highest accuracy with
anti-alias filter) > CDWAV > MKW Audio Compression Tool v0.97b1 (no DAE)
* last "That Would Be Something": 09/25/91 [103 shows]
compiled by Dan Stephens
12/23/2001 |
|
06/09/93
|
The Palace |
WMA |
2 |
|
Source: DSBD > 1C > DAT
DAT > WAV > SHN: Dan Stephens (dms@well.com)
Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1, highest accuracy with
anti-alias filter) > CDWAV > MKW Audio Compression Tool v0.97b1 (no DAE)
compiled by Dan Stephens
12/31/2001 |
|
06/11/93
|
Buckeye Lake Music Center |
WMA |
3 |
|
Lineage:
Soundboard->DAT Master->
Sonic Solutions->CD->EAC->SHN
Note:
Tom Thumb->Masterpiece is one track.
Use CDWav to separate if desired.
CD seed provided by David Gans
EAC and SHN by Joe Samaritano
8/31/2003
|
|
06/15/93
|
Freedom Hall |
WMA |
3 |
|
SBD>DAT>C>DAT>CDR
COMMENTS
Fade out at end of d2 was on source disc
EAC (secure mode with proper offsets),
editing and shn conversion by Tony G (spreaddead@bellsouth.net)
06/14/2002
Another installment of The Music Never Stopped Project!
Thanks to Paul for the seed discs. |
|
06/16/93
|
Freedom Hall |
WMA |
3 |
|
SBD>DAT>C>DAT>Samplitude>CD>EAC>SHN
DAE & shntool verified by Tome
seed discs from John Valter
This can fit on 2 discs with Foolish Heart d2t01 placed on the end of disc 1. |
|
06/18/93
|
Soldier Field |
WMA |
2 |
|
Linaege:
SBD>Dat>Samplitude>Cool Edit Pro>CD
Box Of Rain and Liberty patched from unknown Digital Audience.
SHNTOOL OUTPUT:
length expanded size cdr WAVE probs filename
6:35.54 69805052 --- -- --- gd93-06-18d1t01.wav
11:16.28 119312300 --- -- --- gd93-06-18d1t02.wav
8:00.41 84768476 --- -- --- gd93-06-18d1t03.wav
8:41.45 92010284 --- -- --- gd93-06-18d1t04.wav
6:52.28 72742700 --- -- --- gd93-06-18d1t05.wav
10:14.44 108413132 --- -- --- gd93-06-18d1t06.wav
8:26.08 89277260 --- -- --- gd93-06-18d1t07.wav
5:09.60 54648764 --- -- --- gd93-06-18d1t08.wav
9:31.70 100889084 --- -- --- gd93-06-18d1t09.wav
9:50.70 104240684 --- -- --- gd93-06-18d2t01.wav
12:31.33 132554060 --- -- --- gd93-06-18d2t02.wav
12:51.46 136112636 --- -- --- gd93-06-18d2t03.wav
12:27.73 131942540 --- -- --- gd93-06-18d2t04.wav
7:46.54 82329452 --- -- --- gd93-06-18d2t05.wav
6:27.37 68353868 --- -- --- gd93-06-18d2t06.wav
6:34.38 69591020 --- -- --- gd93-06-18d2t07.wav
6:08.10 64938764 --- -- --- gd93-06-18d2t08.wav
149:27.64 1581930076 B (totals for 17 files)
MD5:
042ade77914c2caf17e6cda42406cf81 *gd93-06-18d1t01.shn
2e47ce98160ae3c5d1497bb330fb8255 *gd93-06-18d1t02.shn
33abdd1bbb32398ade82316b7b8f1f44 *gd93-06-18d1t03.shn
e42cc4e228fe1c4605a07e3c3a14c5a2 *gd93-06-18d1t04.shn
68883f945fcaebe37f67807cbd6c9f24 *gd93-06-18d1t05.shn
5c52b7d9fa9e3fc7a80d278d7bcd467f *gd93-06-18d1t06.shn
a539c59134d4e941d8f347677850c43f *gd93-06-18d1t07.shn
23677b2eb9614bc7480ed1d02e6f064c *gd93-06-18d1t08.shn
060006eb5da912083f1c73662fc0fef0 *gd93-06-18d1t09.shn
47319abd106e8ce7499a255c0366a012 *gd93-06-18d2t01.shn
204d36e8d3097b51435389203f66147a *gd93-06-18d2t02.shn
0c74a1e334587052ab6afd673718b07e *gd93-06-18d2t03.shn
35fafa9ab6075e03051af785338c101a *gd93-06-18d2t04.shn
fc096e93bac9300815f9a529ab0374e7 *gd93-06-18d2t05.shn
9de9f71d0da5bdbbf1515fab1950ddae *gd93-06-18d2t06.shn
38a9dd299f1faaed8636706d47da70fb *gd93-06-18d2t07.shn
73c8c023b77bcff9ac76c68075ee4b83 *gd93-06-18d2t08.shn
-18d2t07.shn
73c8c023b77bcff9ac76c68075ee4b83 *gd93-06-18d2t08.shn |
|
06/21/93
|
Deer Creek Music Center |
WMA |
3 |
|
Source: SBD
Lineage: DAT> CD> SHN
(There is some hiss that leads me to believe that there may be a cassette generation or two in the lineage, but this is how the disks came to me.)
Known flaws:
Jack Straw begins immediately, though there is no music missing.
Digi-sizzle in Jack Straw at 5:07, <1/4 second, left channel only, not edited.
Scarlet fades in, missing only a few seconds.
A little sizzle in Scarlet at 1:49 and 1:53, which I judged not significant enough to fix.
Serious intermittent sizzle in Scarlet 4:14 to 4:49, patched with FOB Soundfield source.
There were significant channel imbalances between left and right that varied from track to track, and at times within tracks. I have done my best to balance these.
Scarlet had serious balance problems and what sounded like radio interference for the first 6:54. Despite several attempts at balancing and eliminating the problems in the left channel, I was unable to fix this satisfactorily, and settled for duplicating the right channel. Scarlet, therefore, is in mono for the first 6:54.
A tiny crackle in Ship of Fools at 6:43.
A few bouts of static from 10:23 of Corrina to 0:06 of drums, about eight seconds total.
Very quick dropout in drums at 2:00.
The EQ on this show was terrible, and while I wouldn't ordinarily muck with the original, this one was sufficiently depressed in the higher octaves that I took liberties so that more people might enjoy the recording. If you have access to an equalizer and want to reverse my shenanigans, in the first set there is a +6 dB shelf centered at 2K Hz, declining to zero at 1K Hz and 20K Hz. In the second set, there is a +3 dB shelf at 2K (again declining to zero at 1K and 20K) -- this EQ begins with drums and continues for the remainder of the set.
All editing in Peak.
Other issues:
Ship of Fools and Corrina are not faded, so those who prefer to split the disks between drums and space may do so easily.
This is another installment of the Music Never Stopped Project. Thanks to Raoul, Duke of Bean, for the disks. Seeded by Peter Braverman (braverman@earthlink.net), just in time for the new year 2003. |
|
06/22/93
|
Deer Creek Music Center |
WMA |
3 |
|
Source: SBD
Lineage: DAT> CD> SHN
Known issues:
Digi-sizzles in Help on the Way were patched at 0:28, 0:41, and 0:55 from the FOB Soundfield source; each patch is three to five seconds long. There is a very short sizzle at 1:16, less than 1/4 second, which I did not patch. There is also a dropout of about a 1/10 second at 1:08 that remains.
Sizzle patched in Slipknot! at 2:21; light static remains at 3:52, less than 1/4 second.
Drums and space are seamless and may be reassembled if desired.
This is another installment of the Music Never Stopped Project. Thanks to Raoul, Duke of Bean, for the disks. Seeded by Peter Braverman (braverman@earthlink.net), just in time for the new year 2003. |
|
06/23/93
|
Deer Creek Music Center |
WMA |
3 |
|
Source: SBD
Lineage: DAT> CD> SHN
Known issues:
Static in Stuck Inside of Mobile from 3:18-3:35 and 3:41-3:48 patched with FOB Soundfield source.
Drums fades out on the copy of the CDs I received; I left it alone.
Hearing the tunes from Eternity through Wave to the Wind makes me want to listen to Top 40 radio for the rest of my life. (What can you say when "Samson" is a welcome relief?) This is almost -- almost -- rectified by the Terrapin, one of the most monumental of the 1990s, with a stunning jam of about 10 minutes following the tune itself.
This is another installment of the Music Never Stopped Project. Thanks to Raoul, Duke of Bean, for the disks. Seeded by Peter Braverman (braverman@earthlink.net), just in time for the new year 2003. |
|
06/25/93
|
Robert F. Kennedy Stadium |
Aud |
4 |
A |
with Sting as opener |
|
06/25/93
|
Robert F. Kennedy Stadium |
WMA |
3 |
|
Source:
Primary Source: SBD/Monitor Mix > Beta > VHS > SB Audigy Platinum > CDWave > MKWact
Patch Source: FOB AMS ST-250 (Blumlein) > Modified D10 Pro II
FOB Source provides patch in Crowd/Tuning d2t01 and from 01:00 of Corrina to end of show
SBD source provided by Matt Ziegler. Patched/SHN'd by Doug Nawrocki
|
|
06/26/93
|
Robert F. Kennedy Stadium |
WMA |
3 |
|
sbd > dat > cass > dat > cd
entire show with Bruce Hornsby on accordion
EAC in secure mode with no errors
Audio discs by Brent Peich |
|
08/21/93
|
Autzen Stadium, University of Oregon |
WMA |
2 |
|
Source:
SBD > DAT > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT
First few minutes of Here Comes Sunshine patched by Pat Volkerding with FM > DAT source
Various patching/crossfades by Doug Nawrocki with Jay Serafin liberated bootleg source
EAC'd/SHN'd by Doug Nawrocki
*w/Huey Lewis on harmonica |
|
08/22/93
|
Autzen Stadium, University Of Oregon |
WMA |
3 |
|
Source:
SBD -> DAT -> CDR
Conversion:
EAC -> Cool Edit '96 (removed digipops prior to music in beginning of d2t1 & d3t1) -> CDWAV -> Shorten32
By Doug Nawrocki
|
|
08/25/93
|
Shoreline Amphitheatre |
WMA |
3 |
|
Source: SBD>??>DAT>CDR>
Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
COMMENTS: This show could possibly have a CM in the lineage. D1t08
(The Promised Land) Left channel drop outs from 5:40-5:50 replaced with
right channel. D2t01 (Scarlet Begonias) first couple of notes are
clipped. I also spliced D2t05 (Drums) and D3t01 (Space) together before
tracking for seemless future use(no cass. flip noticeable). D3t02 (All
Along The Watchtower) static left channel from :45-:52 and 1:42-1:44
removed and replaced with right channel. D3t03 (Attics Of My Life)
digital pop @ :01 on left channel removed and replaced with right
channel. D3t04 (Sugar Magnolia) after the song was over it had about
5 minutes of silence that was removed. I know this seems like alot done
here and there might be more problems. I do have to say this show is
really good and the recording as well.
Conversion/Edit/Seeded to Etree by T. Wiley 8/27/2002.
EAC: Secure to extract all disks @ 100% quality no reported errors.
CD WAV: To select tracks.
Cool Edit Pro: Preformed only on tracks noted above. (see comments)
SHN: Via mkwact(seekable)
Thanks to Randy Perkins for the source disks.
ENJOY!! |
|
08/26/93
|
Shoreline Amphitheatre |
WMA |
2 |
|
Source: SBD>DAT>CM>DAT>DAT Clone @48k>WAV>SHN(seekable)
Conversion: Dat Clone @48k>Sony PCM R300>SB Live Platinum>
Soundforge 4.5(recording)>Cool Edit Pro(Sound Edit)>
CD WAV>SHN(seekable)
Commnets:
Bucket Cuts in
D2t4 a tiny D/O removed(Cool Edit Pro)
Sounds great for Cassette gen in the lineage.
Conversion/Edit/Seeded to etree by Marc Pujol and Tim W. 4/13/02
ENJOY!! |
|
08/27/93
|
Shoreline Amphitheatre |
WMA |
2 |
|
Source: SBD>CM>CDR
Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
* both disks requires 80 minute CDs.
Comments: D1t03(Lazy River Road) Pop @ 6:52 removed. The pop is not
during the song. D1t05(Enternity) Pop @ :01 Removed. D1t08(Iko Iko) Silence @
the begin of the track removed. D2t04(Space) Tape flip @ beginnig,
Pop @ :01 removed.
Conversion/Edit/Seeded to Etree by T. Wiley 5/10/02
EAC: Secure to extract all disks @ 99.9 % quality no errors.
CD WAV: To select tracks.
Cool Edit Pro: See comments above.
SHN: Via mkwact(seekable)
ENJOY!! |
|
09/13/93
|
The Spectrum |
WMA |
3 |
|
Source: SBD>DAT>CM>DAT>CDR>
Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
* Tubular Bells
COMMENTS: D2t01 (Scarlet Begonias) Healy's mics. for the crowd mix the levels change in
the first few seconds. After that it's fine :) D2t02 (Fire On The Mountain) Static @
10:34 thought 10:38 right channel. I deleted right channel and replaced with left channel.
D2t06 (Drums) Static @ :58 throught 1:04 right channel. I deleted right channel and replaced
with left channel. Also a cassette flip and drop out @ 8:44 removed. End of D2t06 (Drums)
and beginning of D3t01 (Jam) there is a drop out or blank space of music that was removed
for seemless future use. I also chose to keep D2 track 1 through 5 uncut to keep the jam's
together. This is one 3 disks but could be place on to 2 80 minutes disks but taking D2t01
and D2t02 onto the end of disk 1 but as you will see it would be a shame to break it up.
Shntool confirms all sector boundries.
Conversion/Edit/Seeded to Etree by T. Wiley 9/13/2002.
EAC: Secure to extract all tracks @ 100% quality no reported errors.
CD WAV: To select tracks.
Cool Edit Pro: Preformed only on tracks listed above. (see comments)
SHN: Via mkwact(seekable)
ENJOY!! |
|
09/16/93
|
Madison Square Garden |
WMA |
3 |
|
SBD DAT>C>DAT>WAV>CE>CDWAV>CDR & SHN
Some crowd/tuning from the FOB source (see below) was added for aesthetics before Rain.
Same FOB source was used to patch in the first note or so of China Cat which was missing from the SBD DAT copy.
SH Notes:
Trasferred from DAT to CDR by Steve Herman [sherman1967@yahoo.com], September 2002.
48 kHz DAT to WAV conversion made using Tascam DA-P1 > Audiophile 2496 > PC.
48 kHz to 44.1 kHz WAV file conversion made using Sound Forge XP 4.5.
Made appropriate fades where necessary at the beginning/end of disks & sets only.
Provided for an overlap between disks as necessary.
First note or two of China Cat Sunflower nipped on the SBD DAT. Patched nicely with FOB source.
Very apparent cassette flip in Space was smoothed.
FOB Source (Downloaded from the ftp server of John Witcher, johnandbecca.dyndns.org).
FOB/DFC
Sec. 2 - Row R - Seats 1 & 2
AMS St-250 run Blumlein on stand both sets > Apogee AD 500 > D-10 Pro mod (48k)
recorded by Clay Brennecke and Jamie Young
DAT > SHN via: Clone of master DAT played through Sony PCM-M1 > active 7 pin cable > Zoltrix Nightingale > recorded/downsampled on PC with Cool Edit 2000 tracked with CDWAV SHN encoding with MKW-ACT (seeking) |
|
09/18/93
|
Madison Square Garden |
WMA |
3 |
|
SBD DAT>C>DAT>WAV>CE>CDWAV>CDR & SHN
Some crowd/tuning from the FOB source (see below) was added for aesthetics and to patch the one or two opening notes of Mississippi Half Step which were missing from the SBD DAT.
Same FOB source was used to patch the entire encore of Gloria, also missing from the SBD DAT copy.
SBD DAT>C>DAT>WAV>CE>CDWAV>CDR & SHN
Some crowd/tuning from the FOB source (see below) was added for aesthetics and to patch the one or two opening notes of Mississippi Half Step which were missing from the SBD DAT.
Same FOB source was used to patch the entire encore of Gloria, also missing from the SBD DAT copy. |
|
09/20/93
|
Madison Square Garden |
WMA |
3 |
|
Source:SBD>?>CDR(Unknown Lineage)
Conversion:EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
* With Edie Brickell
Comments: D1 seems filtered? Maybe a Cassette in the Lineage? No hiss.
I amplified D1 so it doesn't seem so filtered but its still noticable.
D2t5 Fades out Fixed (signs of cassette in lineage). D3t1 Fades in
fixed. D3t1 D/O @ 1:26 removed. D3t4 about 3 minutes of silence after
the song removed.
Conversion/Edit/Seeded to etree by Tim W. 4/10/02
EAC:Secure to extract D1 and d3 @ 100 % quailty, D2 @ 99.9 % quality,
no reported errors.
CD WAV: To track song splits.
Cool Edit Pro:See comments above.
SHN:Via mkwact(seekable)
Another Installment Of The Music Never Stopped Project!
ENJOY!! |
|
09/22/93
|
Madison Square Garden |
WMA |
3 |
|
SOURCE: DSBD>DAT>CDR
Seeded by an anonymous source with DAT's provided by David Murray.
|
|
09/30/93
|
Boston Garden |
WMA |
3 |
|
Source: SBD>DAT>C>DAT>CDR
Comments:
Last show Fall '93 Tour.
d2t02 series of small d/o's @ 02:45 removed with SF5.
D2>D3 had some overlap so I restored to seamlessness using SF5.
Thanks to Paul for the seeds.
DAE(EACv0.9 beta 4)>dropout repairs(soundforge 5)>boundary correction(shntool)>SHN(mkwact)>FTP via neo_levo/candyman FTP.
Another installment of TMNSP - 6/02.
------------------------------------------
SHNTOOL LEN output
Disc 1
length expanded size cdr WAVE probs filename
6:45.00 71442044 --- -- -xx gd93-09-30d1t01.shn
6:18.69 66841532 --- -- -xx gd93-09-30d1t02.shn
6:50.58 72460460 --- -- -xx gd93-09-30d1t03.shn
6:23.16 67598876 --- -- -xx gd93-09-30d1t04.shn
6:08.14 64948172 --- -- -xx gd93-09-30d1t05.shn
6:30.66 68951276 --- -- -xx gd93-09-30d1t06.shn
6:26.17 68130428 --- -- -xx gd93-09-30d1t07.shn
3:12.51 33988796 --- -- -xx gd93-09-30d1t08.shn
48:35.66 514361584 B (totals for 8 files)
Disc 2
length expanded size cdr WAVE probs filename
4:32.01 47983196 --- -- -xx gd93-09-30d2t01.shn
7:43.63 81821420 --- -- -xx gd93-09-30d2t02.shn
8:56.39 94642172 --- -- -xx gd93-09-30d2t03.shn
12:06.33 128144060 --- -- -xx gd93-09-30d2t04.shn
10:55.18 115584380 --- -- -xx gd93-09-30d2t05.shn
11:59.28 126897500 --- -- -xx gd93-09-30d2t06.shn
11:45.73 124533740 --- -- -xx gd93-09-30d2t07.shn
67:59.30 719606468 B (totals for 7 files)
Disc 3
length expanded size cdr WAVE probs filename
4:32.01 47983196 --- -- -xx gd93-09-30d2t01.shn
7:43.63 81821420 --- -- -xx gd93-09-30d2t02.shn
8:56.39 94642172 --- -- -xx gd93-09-30d2t03.shn
12:06.33 128144060 --- -- -xx gd93-09-30d2t04.shn
10:55.18 115584380 --- -- -xx gd93-09-30d2t05.shn
11:59.28 126897500 --- -- -xx gd93-09-30d2t06.shn
11:45.73 124533740 --- -- -xx gd93-09-30d2t07.shn
67:59.30 719606468 B (totals for 7 files)hn
67:59.30 719606468 B (totals for 7 files)) |
|
12/08/93
|
Sports Arena |
WMA |
3 |
|
Source: SBD > DAT > CDR >WAV > SHNv3
Comments: very clean SBD.
Thanks to C. Larson for the seeds.
DAE(EAC0.9 beta4)>tracking (cdwav)>SHN(shorten 3.4)>FTP via neo_levo/candyman FTP - 6/02. |
|
12/09/93
|
Sports Arena |
WMA |
3 |
|
SBD > ? > DAT > CDR > EAC(secure) > Cool Edit > mkwact > shn
Conversion: mvernon54@attbi.com
CD's supplied by Ryan Varnum
COMMENTS
(1) with Airto Moreira on percussion.
(2) with Airto Moreira on percussion, Flora Purim on vocals, and Ornette Coleman.
(3) with Ornette Coleman.
Notes:
1. Probably has at least one cassette gen in the lineage
2. Cool edit used to remove some gaps and repeating segment, remerge set 2 around the disk 2->3 fade
upload to jerry's kids ~2/02 |
|
12/10/93
|
Sports Arena |
WMA |
3 |
|
DSBD>CD
+ Branford Marsalis joins for whole show (doesn't play on Corina) |
|
12/17/93
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Primary Source: SBD>DAT>C>DAT>CDR
Patch Source: shnid=7348 (KM140's FOB aud > DAT(s) > CDR; via Ryan Varum; Matt Vernon)
Mastering: EAC (secure w/correct offset)>WAV>CE2K>CDWAVE>SHNTOOL>mkwACT
Notes:
(1)Digizzle fiznizzles removed with patch 0:00-0:08
(2)Digizzle fiznizzles removed with patch 6:55-7:07
-EAC was performed on an IOMEGA CDRW9602EXT-B, Secure with C2, accurate stream, NO disable cache, Read offset correction = -147
-Primary source EQ'd: Parametric, +8dB @60Hz, Width 1Q, ConstantQ
-Primary source discs from Christopher Laughlin (thanks!).
-Patch source provided by Ken Doughty via JBGoode's ftp server (thanks!).
-Mastering by MattMan (db.etree.org/mcole). Peace. September 2003.
C:\shn>shntool len *shn
length expanded size cdr WAVE probs filename
2:56.22 31098188 --- -- -xx gd1993-12-17d1t01.shn
6:10.13 65298620 --- -- -xx gd1993-12-17d1t02.shn
5:51.24 61972892 --- -- -xx gd1993-12-17d1t03.shn
5:24.27 57217148 --- -- -xx gd1993-12-17d1t04.shn
10:49.41 114580076 --- -- -xx gd1993-12-17d1t05.shn
8:24.45 89011484 --- -- -xx gd1993-12-17d1t06.shn
5:29.20 58082684 --- -- -xx gd1993-12-17d1t07.shn
6:47.13 71825420 --- -- -xx gd1993-12-17d1t08.shn
8:29.44 89891132 --- -- -xx gd1993-12-17d1t09.shn
2:08.54 22706252 --- -- -xx gd1993-12-17d2t01.shn
4:10.24 44156492 --- -- -xx gd1993-12-17d2t02.shn
7:18.43 77364380 --- -- -xx gd1993-12-17d2t03.shn
12:18.10 130206764 --- -- -xx gd1993-12-17d2t04.shn
7:39.29 81035852 --- -- -xx gd1993-12-17d2t05.shn
8:04.71 85544636 --- -- -xx gd1993-12-17d2t06.shn
13:25.28 142067900 --- -- -xx gd1993-12-17d2t07.shn
15:31.14 164261372 --- -- -xx gd1993-12-17d3t01.shn
13:26.17 142218428 --- -- -xx gd1993-12-17d3t02.shn
6:15.55 66279404 --- -- -xx gd1993-12-17d3t03.shn
4:20.31 45936956 --- -- -xx gd1993-12-17d3t04.shn
10:19.07 109208108 --- -- -xx gd1993-12-17d3t05.shn
2:58.34 31479212 --- -- -xx gd1993-12-17d3t06.shn
168:18.66 1781443400 B (totals for 22 files, 0.5036 overall compression ratio) |
|
12/18/93
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Source: SBD>DAT>Cass.>DAT>CDR>WAV>SHN.
Comments: Dead space between some tracks has been edited out on the masters. Phil closes the show with a "Goodnight and god bless y'all".
Source discs via J.Powell.
DAE and SBE-free SHN encoding via C.Ladner.
TMSNP 10/03. |
|
12/19/93
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Source:
Set 1: SBD>DAT> Cassette> DAT> CD> SHN
Set 2: SBD>MC>DAT>ZA2>CDR>WAV>SHN
Comments:
- Jerry's got a froggy voice, but puts out the effort.
- d2t02 - during first verse some static (02:17 - 02:23), again at 02:57. sounds like a loose cord, not an extraction issue.
- FLIP? before start of estimated.
- also a loose cord during drums - static on one congo only (first 5 secs).
- d3t04 @ 08:32.43 there was a 0.4 s dropout and some fuzz which i repaired the best i could using soundforge 5.
Set I source: SBDLineage: DAT> Cassette> DAT> CD> SHN
Disc 1
1. Bertha
2. Wang Dang Doodle
3. Loose Lucy
4. Queen Jane Approximately
5. It Must Have Been the Roses
6. It's All Over Now
7. Bird Song
8. Promised Land
-----
Thanks to Charlie Miller for the disc. Ripped, equalized, Shortened, and seeded by Peter Braverman (braverman@earthlink.net), July 2002.
DAE(EACv0.9 beta 4, offset corrected, high and secure)>tracking(cdwav)>shn (mkwact)>FTP via neo_levo/candyman FTP, 6/02. |
|
02/27/94
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Source: DSBD>CM(?)>DAT
DAT > WAV > SHN: Dan Stephens (dms@well.com)
Tascam DA-20mkII > SBLive! > CDWAV > MKW Audio Compression Tool
+ = Supplication Jam during Uncle John's
* = 1 sec. dropout at track boundary of Other One
also diginoise at 00:09-00:11 and 00:17-00:19
This came to me labeled DSBD>CM>DAT, but im not sure that
is correct. This copy of this epic show has some weirdness
with cymbals throughout. I have not seen this show circulate
in any fashion, so I thought I'd transfer this and maybe inspire
someone to come forward with a better copy.
compiled by Dan Stephens
06/25/2001 |
|
03/04/94
|
Desert Sky Pavilion |
WMA |
2 |
|
Source: DSBD --> DAT --> CDR
CDR>EAC>WAV>MKW>SHN by Charlie Kidder
|
|
03/05/94
|
Desert Sky Pavilion |
WMA |
2 |
|
Source: DSBD --> DAT --> CDR
CDR>EAC>WAV>MKW>SHN by Charlie Kidder
|
|
03/06/94
|
Desert Sky Pavilion |
WMA |
2 |
|
Source: DSBD --> DAT --> CDR
CDR>EAC>WAV>MKW>SHN by Charlie Kidder
Static: Attics @ 2:51
Lazy River Road @ 4:28-4:34
Dropouts: Let It Grow @ 6:20-6:29
This was Dan Healy's last show as the Dead's soundman before he was fired and replaced by John Cutler. |
|
03/16/94
|
Rosemont Horizon |
WMA |
2 |
|
Source: SBD>Dat>Sonic Solutions>CDR>WAV>SHNv3
**** REQUIRES 2 80 MINUTE DISCS ****
Comments:
John Cutler's first show as soundman.
d1t3 - interference at 6:34, 6:52, 6:57, 7:00 on - reportedly on all sources including audience sources.
d1t4 - interference at 4:13 through 4:28 - also on audience sources - you can hear audience react when interference ceases.
This is an upgrade from the previously seeded SHN of this show w/o the digistatic in Scarlet>Fire and also a SBD of the encore.
thanks to C. Miller for another awesome seed.
DAE(EAC)>boundaries confirmed on wavs (SHNTOOL)>SHN(MKWACT) via C. Ladner.
FTP/seeded via candyman |
|
03/17/94
|
Rosemont Horizon |
WMA |
3 |
|
Source: SBD > DAT > CDR > EAC > SHNv3
Comments:
throughout show, mics/pick-up's are being turned on and turned off in the mix with variations in crowd noise noticeable between songs. these are not extraction errors or sector boundary errors. they can also be heard on 3-16-94.
d1t02 @ 00:40 - brief static. smokin' althea. the unforgivable post UJB-Jam fadeout suggests probable boot ancestry.
DAE (EAC)>boundary checking (SHNTOOL)>SHN (MKWACT) via neo_levo.
seeded via candyman, 2/2002. |
|
03/21/94
|
Richfield Coliseum |
WMA |
3 |
|
Source: SBD > DAT > CDR > SHNv3
thanks to johnathan miller for shn seed discs.
served up on candyman.etree.org 11/2001
happy birthday eD. |
|
03/27/94
|
Nassau Coliseum |
WMA |
3 |
|
Recording Info:
SBD -> Dat (Vault Master) -> Sonic Solutions -> CD -> Eac -> SHN
Patched With: Naks -> Dat -> Cassette Master -> CD -> EAC -> SHN
Patch Info:
Patch provides from :42 of d2t02 through 5:06 of d2t05
Patch was done with Samplitude v7.02 professional
Patched and SHN'd By Charlie Miller
charliemiller87@earthlink.net
12/9/03
Notes:
--The drums/Space transition is seemless
SHNTOOL OUTPUT:
length expanded size cdr WAVE probs filename
5:46.05 61046204 --- -- --- gd94-03-27d1t01.wav
5:39.35 59881964 --- -- --- gd94-03-27d1t02.wav
6:03.07 64049708 --- -- --- gd94-03-27d1t03.wav
7:17.38 77176220 --- -- --- gd94-03-27d1t04.wav
7:32.60 79873964 --- -- --- gd94-03-27d1t05.wav
7:13.17 76421228 --- -- --- gd94-03-27d1t06.wav
6:35.68 69837980 --- -- --- gd94-03-27d1t07.wav
10:35.59 112152812 --- -- --- gd94-03-27d1t08.wav
10:35.56 112145756 --- -- --- gd94-03-27d2t01.wav
8:48.38 93228620 --- -- --- gd94-03-27d2t02.wav
13:27.72 142524188 --- -- --- gd94-03-27d2t03.wav
7:58.60 84460364 --- -- --- gd94-03-27d2t04.wav
13:10.34 139436012 --- -- --- gd94-03-27d2t05.wav
15:42.63 166317020 --- -- --- gd94-03-27d2t06.wav
11:25.20 120881084 --- -- --- gd94-03-27d3t01.wav
10:25.45 110355884 --- -- --- gd94-03-27d3t02.wav
14:08.03 149594300 --- -- --- gd94-03-27d3t03.wav
4:48.34 50883212 --- -- --- gd94-03-27d3t04.wav
167:15.39 1770266520 B (totals for 18 files)
MD5:
9cdfb49d4d21b63a5c367f1dfe182999 *gd94-03-27d1t01.shn
e838415c3c46d64376cc3ae6523add27 *gd94-03-27d1t02.shn
3d85e8001792afaae448eb554dec2358 *gd94-03-27d1t03.shn
b3d8b635949e4ba9731ddfa7958d8928 *gd94-03-27d1t04.shn
3feb0c77df3b496c6189d45a6d00576a *gd94-03-27d1t05.shn
ab43901457a81b10875c0ed3418720f2 *gd94-03-27d1t06.shn
ec43aeccddbc9f34bb408f53c5538440 *gd94-03-27d1t07.shn
91c09d1e94d23c2d135967e28a3bcd4e *gd94-03-27d1t08.shn
1d6c26d7cecbe493544e147aeb553269 *gd94-03-27d2t01.shn
3c01fdd2918fe54969792afcb7340402 *gd94-03-27d2t02.shn
869cec86565873c5f799ad0c30124d5d *gd94-03-27d2t03.shn
8fb0989840d47d99f5fd0df9cd04e775 *gd94-03-27d2t04.shn
a9c8b790016b190e8a196d354faf8942 *gd94-03-27d2t05.shn
4766903e729530b827c5bfd664173bb5 *gd94-03-27d2t06.shn
266d22d1d1e29b80cf02f7951bb3c781 *gd94-03-27d3t01.shn
0ee533f0e563e21b378899cf4ef65890 *gd94-03-27d3t02.shn
65ba7579baea8fb1186143928cb75c1c *gd94-03-27d3t03.shn
20c6bb42797b997d29ee7db9ac621a42 *gd94-03-27d3t04.shn
8cb75c1c *gd94-03-27d3t03.shn
20c6bb42797b997d29ee7db9ac621a42 *gd94-03-27d3t04.shn |
|
03/30/94
|
The Omni |
Aud |
3 |
A+ |
|
|
03/30/94
|
The Omni |
WMA |
3 |
|
Recording Info:
SBD -> Dat
Transfer Info:
Dat (Sony R500) ->
Prodif Plus ->
Samplitude v6.0 ->
SHN (2 Discs SHN / 3 Discs Audio)
Transfered By Charlie Miller
charliemiller87@earthlink.net
12/1/02
Notes:
* Dark Star contains Comes A Time teases by Jerry.
SHNTOOL OUTPUT:
length expanded size cdr WAVE probs filename
1:09.07 12188108 --- -- --- gd94-03-30d1t01.wav
6:24.73 67909340 --- -- --- gd94-03-30d1t02.wav
10:55.68 115701980 --- -- --- gd94-03-30d1t03.wav
7:08.07 75515708 --- -- --- gd94-03-30d1t04.wav
9:01.28 95498300 --- -- --- gd94-03-30d1t05.wav
7:52.35 83343164 --- -- --- gd94-03-30d1t06.wav
5:30.54 58339052 --- -- --- gd94-03-30d1t07.wav
9:39.02 102140348 --- -- --- gd94-03-30d1t08.wav
5:13.29 55281452 --- -- --- gd94-03-30d1t09.wav
2:42.44 28680332 --- -- --- gd94-03-30d2t01.wav
9:54.08 104800460 --- -- --- gd94-03-30d2t02.wav
20:18.38 214944620 --- -- --- gd94-03-30d2t03.wav
9:35.18 101472380 --- -- --- gd94-03-30d2t04.wav
10:29.00 110955644 --- -- --- gd94-03-30d2t05.wav
6:02.64 64007372 --- -- --- gd94-03-30d2t06.wav
21:43.54 229976252 --- -- --- gd94-03-30d3t01.wav
5:05.10 53825564 --- -- --- gd94-03-30d3t02.wav
10:21.51 109664396 --- -- --- gd94-03-30d3t03.wav
9:03.69 95947532 --- -- --- gd94-03-30d3t04.wav
5:57.29 63043052 --- -- --- gd94-03-30d3t05.wav
174:09.13 1843235056 B (totals for 20 files) |
|
04/01/94
|
The Omni |
WMA |
3 |
|
Recording Info:
SBD -> Dat
Transfer Info:
Dat (Sony R500) ->
Prodif Plus ->
Samplitude v6.0 ->
SHN (2 Discs SHN / 3 Discs Audio)
Transfered By Charlie Miller
charliemiller87@earthlink.net
12/1/02
SHNTOOL OUTPUT:
length expanded size cdr WAVE probs filename
0:44.07 7778108 --- -- --- gd94-04-01d1t01.wav
6:56.00 73382444 --- -- --- gd94-04-01d1t02.wav
11:05.55 117435404 --- -- --- gd94-04-01d1t03.wav
8:41.19 91949132 --- -- --- gd94-04-01d1t04.wav
4:09.24 43980092 --- -- --- gd94-04-01d1t05.wav
6:53.07 72869708 --- -- --- gd94-04-01d1t06.wav
13:39.42 144570428 --- -- --- gd94-04-01d1t07.wav
1:18.05 13771004 --- -- --- gd94-04-01d2t01.wav
9:23.30 99383804 --- -- --- gd94-04-01d2t02.wav
5:20.28 56513900 --- -- --- gd94-04-01d2t03.wav
6:14.21 66023036 --- -- --- gd94-04-01d2t04.wav
13:51.44 146691932 --- -- --- gd94-04-01d2t05.wav
11:36.00 122774444 --- -- --- gd94-04-01d2t06.wav
3:14.28 34287500 --- -- --- gd94-04-01d2t07.wav
16:08.35 170837564 --- -- --- gd94-04-01d2t08.wav
15:07.20 160041884 --- -- --- gd94-04-01d3t01.wav
9:37.50 101900444 --- -- --- gd94-04-01d3t02.wav
10:02.52 106315148 --- -- --- gd94-04-01d3t03.wav
7:21.25 77851244 --- -- --- gd94-04-01d3t04.wav
4:47.14 50659772 --- -- --- gd94-04-01d3t05.wav
166:11.56 1759016992 B (totals for 20 files) |
|
04/04/94
|
Sports Arena |
WMA |
3 |
|
Source: SBD>DAT>Cassette>DAT>CDRx2>WAV>SHNv3
Thanks to Mike Ratliff, seeded by Mick McGinnis.
---------------------------------------------------------------------------------------------
Comments: show the previous night cancelled because of Billy K.'s dad getting sick :( bummer
I'm hard pressed to hear the cassette gen. Very clean show. Some minor dropouts in the tuning preceding the first track.
NOTE: These SHN's were made from extractions of audio discs (EAC 0.9 beta 4) provided by Mick McGinnis. His original SHN's for this show listed in db.etree.org are unavailable. I removed a subsecond silent gap at the beginning of disc 3 to render the d2>d3 boundary seamless.
chris L. / candyman FTP |
|
04/07/94
|
Miami Arena |
WMA |
3 |
|
Source: DSBD > CD > EAC > SHN
EAC/SHN by Darryl Hinko (flyerfanatic)
Any questions contact me at: flyerfanatic2817@yahoo.com
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit Pro used for all editing
Thanks to Caleb Miller and David Feldstein for the source discs
Thanks to Torbjˆrn for the patch source
Liberty source:
FOB-AUD(Schoeps MK4>SV250)>DAT>CDR
http://db.etree.org/shninfo_detail.php?shnid=10313
Notes:
- The Music Never Stopped has an odd double click at 4:22. I could not
remove this. Some other funny sounds in the song like at 5:59, I
compared these to the AUD and they were on there as well.
- Eyes of the World had many issues at 3:06. I got it down to a slight
crackle. There were dropouts and pops here.
- Disc 2 and 3 are seemless, the split of Drums and Space was done on
a natural fadeout.
- Disc 3 had about 70 dropouts throughout. They were all 0:00.030 in
length. They were seemless when I took them out.
- Liberty was missing FOB-AUD source used
Also a big thanks goes out to the guys and girls at SHN Traders for
helping me spread these seeds around. Mike, Jason, Teri, Rob, Steve,
Tom, Dean and the rest.
And another big thanks to Richard, Michael, Mick and Vivek over at
Eurotraders.
Enjoy!
SHNtool output:
length expanded size cdr WAVE probs filename
2:30.29 26528252 --- -- --- gd1994-04-07d1t01.wav
11:40.47 123590588 --- -- --- gd1994-04-07d1t02.wav
7:38.36 80875916 --- -- --- gd1994-04-07d1t03.wav
8:32.18 90359180 --- -- --- gd1994-04-07d1t04.wav
6:47.60 71935964 --- -- --- gd1994-04-07d1t05.wav
8:10.03 86443100 --- -- --- gd1994-04-07d1t06.wav
8:18.47 87957788 --- -- --- gd1994-04-07d1t07.wav
22:03.22 233428988 --- -- --- gd1994-04-07d2t01.wav
9:05.10 96161564 --- -- --- gd1994-04-07d2t02.wav
12:40.15 134099324 --- -- --- gd1994-04-07d2t03.wav
9:35.20 101477084 --- -- --- gd1994-04-07d2t04.wav
8:22.16 88590476 --- -- --- gd1994-04-07d2t05.wav
18:45.26 198511196 --- -- --- gd1994-04-07d3t01.wav
6:14.03 65980700 --- -- --- gd1994-04-07d3t02.wav
8:00.43 84773180 --- -- --- gd1994-04-07d3t03.wav
9:28.23 100249340 --- -- --- gd1994-04-07d3t04.wav
6:06.14 64595372 --- -- --- gd1994-04-07d3t05.wav
163:58.57 1735558012 B (totals for 17 files) |
|
06/14/94
|
Memorial Stadium |
WMA |
3 |
|
Source: S:D
Comment: *Weir on acoustic guitar
Uploaded to Tol 9/18/02 by:
Chris Larson (clarson@deadcdr.org)
http://home.attbi.com/~scarletfire |
|
06/18/94
|
Autzen Stadium, U. Of Oregon |
WMA |
3 |
|
Source: SBD>?>DAT>CDR>WAV>SHNv3
Comments:
Don't hear an analog gen, but i don't know for so sure, so >?>.
Drop outs @ 0:58 of Sugaree and at 4:44 of Days Between fixed using soundforge 5.
Minor subsecond digistatic @ 05:22 of Sugaree.
** Candyman and Easy answers were noticeably quieter than the rest of set 1 and there was an audible break between Maggie's Farm and Candyman on the master. I applied +2 db gain to both tracks using soundforge 5.
Thanks to Paul for the seeds.
DAE(EAC 0.9 beta 4, offset corrected high and secure)>soundforge 5>cdwav>shorten 3.4>FTP via C. Ladner/candyman FTP.
Another installment of TMNSP.
Enjoy the show! |
|
06/19/94
|
Autzen Stadium, U. of Oregon |
WMA |
3 |
|
Source: S:DAT>CDR
Transfer: Panasonic sv3700>ZA2>Wavelab 3.03>CDWav>shn
Transfer by Chris Larson (clarson@deadcdr.org)
http://home.attbi.com/~scarletfire/
Uploaded to Tol 9-19-02 by Chris Larson
md5's
10835f59c332a76108c7ba588026af6a *gd94-06-19d2t04.shn
e6088ddbfd15aff08ca163850bfa30dd *gd94-06-19d1t02.shn
3a1d257aa7e4dc50495937277ab6930a *gd94-06-19d1t03.shn
657cabf81cc2dd4097d0f54b54797038 *gd94-06-19d1t04.shn
215f74e5f9029ed85b338d48f5e3f3fa *gd94-06-19d1t05.shn
be4258e60fca75fbb7589cd8329721c1 *gd94-06-19d1t06.shn
2a3b3bf65f589cc125ea02ed2e51dc4f *gd94-06-19d2t01.shn
65830033127537bb6eaf591a35d6c694 *gd94-06-19d2t02.shn
b8c4e73d6b937238caa5d7769da32406 *gd94-06-19d2t03.shn
cfa786a4f24aa7d4672b93e03f1d7506 *gd94-06-19d1t01.shn
b5a61907d303187c24f9e6743c0a580a *gd94-06-19d2t05.shn
707a0ac43fb5f9b5194a473939e1be26 *gd94-06-19d2t06.shn
17c0d7eee518e012a06b141adeb8b82d *gd94-06-19d3t01.shn
1caa16750671da494a4f9546e532b23d *gd94-06-19d3t02.shn
d964dece58b835fd7dc0c2a197141c8c *gd94-06-19d3t03.shn
9cc6afc5c974f3573f0907b2dcaa6e90 *gd94-06-19d3t04.shn
a7dde70e50624f86ca59f41a5d5146b1 *gd94-06-19d3t05.shn
d524305d36c5a9e7c284b5cad7c33d6a *gd94-06-19d3t06.shn
f44243d5a4dac8b9de5893ac8c2deddd *gd94-06-19d3t07.shn |
|
06/25/94
|
Sam Boyd Silver Bowl, U.N.L.V. |
WMA |
3 |
|
Source: SBD>DAT>CDR>EAC>WAV>CDWAV>SHN
Notes:
**d2t01 is SBD>DAT from J. Seff source. My copy had horrific digistatic
d2t02 has some intermittent low level static b/t 1:29-2:30. This was present on both sources
Retracked with CDWAV, normalized, SHNTOOL confirms proper sector boundaries
Enjoy,
M. Walker |
|
06/26/94
|
Sam Boyd Silver Bowl, U.N.L.V. |
WMA |
3 |
|
Source: SBD > CASSETTE > DAT @48k
Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction)
Transferred, SHNed and seeded by Jon Seff (jon@seff.net)
[Missing E: U.S. Blues]
Notes: Disc II currently requires an 80min CD, but if you move drums to the beginning of Disc III, you can use all regular CDs. The only problem there is that Terrapin stops very abruptly, and it's more or less silent at the point between drums and space. Also, the very end of Morning Dew is cut.
seeded 04.16.01
-------------------------------------------------
update - 2/03.
note - there were sector boundary errors on all tracks from the original set of SHNs. in addition, there were noncanonical headers on all tracks from the first set (likely of no audio consequence). to correct these technical problems, the SHN's were first converted to WAV, performed the line command shntool fix *.wav on each set's worth of wavs independently, and in addition performed a "shntool strip *.wav" on the first set's wav's. the files were then recompressed to SHN in seekable format and distributed.
C.Ladner
feb 2003. |
|
07/01/94
|
Shoreline Amphitheatre |
WMA |
3 |
|
Source: SBD>DAT>CDR>WAV>SHNv3
Comments:
- miniscule glitch d1t05 @ 03:51.
- d2t03 - 3 d/o's 02:09, 02:14, 02:17
- fade out d2t06 (beginning of drums) and a fade in d3t01 (drums). these are on the master and there is no overlap with which to make a seamless splice, so i left it as is.
Thanks to p'bo for the seeds!
DAE(EAC)>tracking/dropout repair(cdwav,Sound Forge 5)>SHN(mkwact) via neo_levo/candyman FTP.
Another installment of TMNSP - seeded 5/02. |
|
07/02/94
|
Shoreline Amphitheatre |
WMA |
3 |
|
Source: DSBD > DAT
DAT > WAV > SHN: Dan Stephens (dms@well.com)
Tascam DA-20mkII > M Audio Delta Audiophile 2496 >
SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) >
CDWAV v1.71 > MKW Audio Compression Tool v0.96f (no DAE)
(48k SHN archived and available upon request)
@ Bobby acoustic
Notes:
At least one other SHN version of this show circulates
as of June 15, 2002. The previous version contains an
unknown number of digital audio extractions. This
version is a direct copy from a DAT clone. No digital
processing other than resampling has been performed.
No fades added. Tracks can be seamlessly reassembled
when a longer disc format becomes available.
compiled by Dan Stephens
06/15/2002 |
|
07/03/94
|
Shoreline Amphitheatre |
WMA |
3 |
|
Source: DSBD > DAT
DAT > WAV > SHN: Dan Stephens (dms@well.com)
Tascam DA-20mkII > M Audio Delta Audiophile 2496 >
SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) >
CDWAV v1.71 > MKW Audio Compression Tool v0.96f (no DAE)
(48k SHN archived and available upon request)
@ Bobby acoustic
* < 1 sec digi-snit at 3:25 of "Samson & Delilah"
missing "Liberty" encore
Notes:
At least one other SHN version of this show circulates
as of June 18, 2002. The previous version is from a
"liberated" bootleg. It suffers from a big cut in "Drums",
as well as a cut in "Space". This version is a direct
copy from a DAT clone. No digital processing other
than resampling has been performed. No fades added.
Tracks can be seamlessly reassembled when a longer
disc format becomes available.
compiled by Dan Stephens
06/18/2002 |
|
07/16/94
|
Robert F. Kennedy Stadium |
WMA |
3 |
|
Source:FOB AMS ST250 (ambisonic) >
Modified Sony D10 pro2 >
DAT > Tascam CDR 700
Known flaws:
-drop out in the tunning of d2t1
-brief diginoise/drop in d1t6 at 3:40 and 4:43
A nice audience recording
Shn Conversion done on 2/07/02 by Tim Wiley twiley69@hotmail.com
I used EAC in secure mode all tracks 100% quality
Via mkwact to shn
special thanks to Rob Conroy for the source and the ads |
|
07/17/94
|
Robert F. Kennedy Stadium |
WMA |
3 |
|
Source: AMS-S250Ãs(ambisonic)>Sony D-10 pro 2>CDR>WAV>SHNv3
Comments:
Below average audience recording with thin phasing sound.
- diginoise beginning at 0:58, 02:04 fixed with soundforge 5 (multiple small dropouts) & 4:16 of Bucket, a few real minor glitches in Way To Go Home.
- noisy audience member during Eyes.
I included a more extensively declicked version of track 1.
Thanks to Henry Wankleswurth for the seeds-
DAE(EAC0.9 beta 4)>glitch removal (SF5)>tracking (cdwav)>SHN(shorten 3.4)>FTP via neo_levo/candyman FTP.
Another installment of TMNSP - 6/2002. |
|
07/19/94
|
Deer Creek Music Center |
WMA |
3 |
|
Source: DSBD
Conversion: CDR>EAC>WAV>SHNv3
* Weir on acoustic guitar
Notes:
This show was EAC'd to SHN by Dan Carr on 12/9/01 as part of a series of shows that I've been to but have not been seeded to etree in SHN format. The sound quality is excellent. Enjoy! |
|
07/20/94
|
Deer Creek Music Center |
WMA |
2 |
|
SBD>DAT>WAV>CDR>WAV>SHN
I do Further and FTP trades. Anyone interested in trading, let me know and I'll email my list to you.
darkstar13311@hotmail.com |
|
07/21/94
|
Deer Creek Music Center |
WMA |
3 |
|
Source: SBD
Lineage: ?> DAT> CD> Cool Edit> CD> SHN
Known flaws:
Very minor cut right at the beginning of Touch of Grey.
Very minor cut right at the beginning of Music Never Stopped.
Tape flip (?) a few seconds into space.
Thanks to Rob Harrison for the discs. Seeded by Peter Braverman (braverman@earthlink.net), May 2002.
********** UPDATE ***********
Original SHN's had numerous sector boundary errors. To correct these, the original SHN's were converted to WAV using mkwact, and the resulting wav's were grouped into 2 folders: set 1 (containing all of disc 1) and set 2 (containing discs 2 and 3). The following line command was executed on each set of SHN: SHNTOOL FIX *.WAV. The resulting SHN's were free from SBE's and were compressed to SHN using mkwact.
chris
candyman.etree.org |
|
07/23/94
|
Soldier Field |
WMA |
3 |
|
Source: DSBD>D>CD>SHN
Encore :Knockin' On Heaven's Door (missing)
Transcription from DAT and Encoding by
JR Fishman
NY, NY
fishmanj_98@yahoo.com |
|
07/31/94
|
The Palace |
WMA |
3 |
|
DSBD>CDR>EAC>SHN
Seeded to sativa on 1/25/01 by Chaser. Please report any flaws to chaserrun@hotmail.com |
|
09/17/94
|
Shoreline Amphitheatre |
WMA |
2 |
|
Source: SBD>DAT>C>DAT>CDR>WAV>SHNv3
Comments:
*Bobby on acoustic guitar
MC flip at 1:37 of Drumz - dropout removed with SF5.
There was enough overlap between the d2 fade-out/d3 fade-in that i was able to restore the second set to seamlessness with cdwav/soundforge 5.
Originally came on 3 discs, however easily fits on 1 74 minute and 1 80 minute disc.
Overall, this is a surprising smoker of a show sounding more '91 then '94.
Thanks to Paul B. for the seeds.
DAE(EACV0.9 beta 4)>boundary check(SHNTOOL)>SHNv3(MKWACT)>FTP via neo_levo/candyman FTP.
seeded 5/02.
Another installment of The Music Never Stopped Project...
enjoy the show!
----------------------------------------------------
shntool len output:
disc 1
length expanded size cdr WAVE probs filename
5:42.56 60460556 --- -- -xx gd94-09-17d1t01.shn
6:36.37 69941468 --- -- -xx gd94-09-17d1t02.shn
6:51.21 72549836 --- -- -xx gd94-09-17d1t03.shn
6:56.49 73497692 --- -- -xx gd94-09-17d1t04.shn
6:52.72 72846188 --- -- -xx gd94-09-17d1t05.shn
9:23.72 99482588 --- -- -xx gd94-09-17d1t06.shn
8:49.55 93445004 --- -- -xx gd94-09-17d1t07.shn
3:06.42 32909228 --- -- -xx gd94-09-17d1t08.shn
9:56.25 105193244 --- -- -xx gd94-09-17d1t09.shn
9:41.58 102624860 --- -- -xx gd94-09-17d1t10.shn
73:58.37 782950664 B (totals for 10 files)
disc 2
length expanded size cdr WAVE probs filename
8:59.50 95197244 --- -- -xx gd94-09-17d2t01.shn
15:11.09 160721612 --- -- -xx gd94-09-17d2t02.shn
13:24.09 141846812 --- -- -xx gd94-09-17d2t03.shn
13:32.16 143274476 --- -- -xx gd94-09-17d2t04.shn
4:45.33 50351660 --- -- -xx gd94-09-17d2t05.shn
8:59.70 95244284 --- -- -xx gd94-09-17d2t06.shn
5:14.42 55488428 --- -- -xx gd94-09-17d2t07.shn
6:08.30 64985804 --- -- -xx gd94-09-17d2t08.shn
76:15.34 807110320 B (totals for 8 files) |
|
09/29/94
|
Boston Garden |
WMA |
3 |
|
Source: Dsbd>D>C>D>CD
Uploaded to tol 9-10,11-02 by Chris Larson
clarson@deadcdr.org |
|
10/01/94
|
Boston Garden |
WMA |
3 |
A+ |
Bertha remaster of Master DAT source.
SBD>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A+
Notes:
Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com on March 23, 2002.
Disc changes made at track markers to make transfer to larger medium easy. No editing of any kind is necessary.
(*) Bob Weir on Acoustic Guitar |
|
10/05/94
|
The Spectrum |
WMA |
2 |
|
SBD>DAT>CDR>Sonic Solutions>CDR
|
|
10/09/94
|
USAir Arena |
WMA |
3 |
|
Source: SBD
Lineage: ?> C4> CD> SHN
Known flaws:
All of Hell in a Bucket and virtually all of Bertha are missing. These are patched with the circulating AKG460 AUD source.
Some tape overload during drums.
Cassette flip between drums and space; not clear how much is missing, but given that both are pretty long, I'm guessing it's not that much. |
|
10/13/94
|
Madison Square Garden |
|
0 |
|
Source:SBD>DAT>C>DAT>CDR>EAC>Cool Edit>SHN
* Weir on acoustic. ** Last played 3/26/90
Known Flaws: small hiss (cassette in the recording)
d1t1 Drop out @ 4:53 (Touch of Gray)
Shn conversion by Tim Wiley 2/23/02 twiley69@hotmail.com
EAC: in secure mode to extract all tracks at 100% quality
Cool Edit:I removed some of the hiss at a very low level.
I removed the d/o on d1t1 @ 4:53
Note: The hiss was unremovable without ruining this recording!
Trust me this is very listenable!
shn via mkwact
Thanks to Paul Bottiglio for the cds
|
|
10/14/94
|
Madison Square Garden |
WMA |
3 |
|
This is from a different source than the currently circulating
Tony Gardner/Paul Bottiglio version on etree. Not only is the
recording level a little higher, but the bursts of digistatic
present during Scarlet and Liberty on the other source are absent
here.
As best I can determine, the lineage is:
Sbd > C > Dat > CDR > EAC > CDR > EAC > Shn
Thanks to JP Bruynes for the discs
Seeded by Chris Perkins 3/2002
*Weir on acoustic |
|
10/17/94
|
Madison Square Garden |
WMA |
3 |
|
Source: DSBD>DAT>CDR
Conversion: CDR>EAC>WAV>MKW>SHNv3 By Dan Carr
11/8/02
@ Weir on Acoustic
% w/ Bob Dylan
final "Midnight Hour"
final/last "Rainy Day Women" 07-26-87 [547]
Thanks to Chris Laughlin for the discs!
Source Notes:
Sector boundry errors fixed using shntool.
*d1t3 - static at 0:10 > 0:15 (appears on all sources)
*d2t1 - fixed noise at 4:59,5:11
*d2t4 - fixed noise at 13:03
*d2t5 - fixed noise at 2:42,3:10,6:13
*d3t1 - fixed noise at 3:50,6:09,12:02,17:42
*d3t4 - fixed noise at 0:14 |
|
12/09/94
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Lineage:
-------
SBD -> Dat -> CD
(3 Discs Audio / 2 Discs SHN)
SHNTOOL OUTPUT:
--------------
length expanded size cdr WAVE probs filename
10:34.54 111964652 --- -- --- gd94-12-09d1t01.wav
8:35.47 90956588 --- -- --- gd94-12-09d1t02.wav
7:37.38 80704220 --- -- --- gd94-12-09d1t03.wav
9:02.37 95695868 --- -- --- gd94-12-09d1t04.wav
6:27.39 68358572 --- -- --- gd94-12-09d1t05.wav
5:29.54 58162652 --- -- --- gd94-12-09d1t06.wav
10:28.48 110892140 --- -- --- gd94-12-09d1t07.wav
8:58.19 94947932 --- -- --- gd94-12-09d1t08.wav
13:18.65 140920124 --- -- --- gd94-12-09d2t01.wav
17:55.64 189780572 --- -- --- gd94-12-09d2t02.wav
6:23.73 67732940 --- -- --- gd94-12-09d2t03.wav
7:47.38 82468220 --- -- --- gd94-12-09d3t01.wav
4:39.67 49373228 --- -- --- gd94-12-09d3t02.wav
14:33.05 154009004 --- -- --- gd94-12-09d3t03.wav
19:00.49 201211292 --- -- --- gd94-12-09d3t04.wav
13:54.30 147188204 --- -- --- gd94-12-09d3t05.wav
5:28.40 57953324 --- -- --- gd94-12-09d3t06.wav
5:18.62 56241068 --- -- --- gd94-12-09d3t07.wav
175:36.04 1858560600 B (totals for 18 files)
MD5:
---
69e62b20c4418c3c3f48d2331875297a *gd94-12-09d3t07.shn
3c0fc240624e48608f1a2684cfc3024f *gd94-12-09d1t02.shn
fa658bd2076e539ef9587eed27ff0557 *gd94-12-09d1t03.shn
563de816a0e539314a3402e8201af100 *gd94-12-09d1t04.shn
48186e689f6909b87ad2032a0f620f8d *gd94-12-09d1t05.shn
33414f8d44f646dc2278eb441271df34 *gd94-12-09d1t06.shn
1a825a17538ca5c5d2ba0e9fa842f9ab *gd94-12-09d1t07.shn
d50bc1c11e9c81a7e9580aaef3d29acd *gd94-12-09d1t08.shn
0d3d83ce1816160387ad6a59c09f60e7 *gd94-12-09d2t01.shn
3daf71df76e045cc22d9097a6fae39b2 *gd94-12-09d2t02.shn
5a041f299d80d6b4973eb23c0a7a789c *gd94-12-09d2t03.shn
81b84a1bfc7f98b371630866d1a28b60 *gd94-12-09d3t01.shn
ff74c8ff374b9bf971fbc69a620a1750 *gd94-12-09d3t02.shn
70a703d367712fd909de18d943c0b117 *gd94-12-09d3t03.shn
4a06a31263837e35b1157aef59566691 *gd94-12-09d3t04.shn
c14c43e8741c1a730fab5e4e20b07206 *gd94-12-09d3t05.shn
91c37fd4eca146923cd634925ba02b13 *gd94-12-09d3t06.shn
99946ed1e9cc9d18cf591ba812f88b55 *gd94-12-09d1t01.shn |
|
12/11/94
|
Oakland-Alameda County Coliseum |
WMA |
3 |
|
Source: S:?>DAT
Transfer: DA-20mkII>Hosa S/PDIF>Delta Dio 2496>Peak>CD>Toast Audio Extractor>CD
|
|
02/20/95
|
Delta Center |
WMA |
3 |
|
Source: SBD > D > CD-R > EAC >SHN
"buzzing" in the audio was a problem with the venue's/band's sound equipment; if any minor editing, noise reduction, and/or minor EQ processes were necessary, they were performed between 80% and 100% in the digital realm at Serafin Station Studio B (http://home.flash.net/~gdtrfb95/).
Seeded to etree by walkerb@telus.net Please get in touch asap about corrections, problems or flaw information.
|
|
02/21/95
|
Delta Center |
WMA |
2 |
|
Source: DSBD > 1C > DAT
DAT > WAV > SHN: Dan Stephens (dms@well.com)
Tascam DA-20mkII > M Audio Delta Audiophile 2496 > CDWAV v1.62
> MKW Audio Compression Tool v0.96f (no DAE)
* only "Salt Lake City"
+ last "I Just Want To Make Love To You": 10/08/84 [746 shows]
& last "Visions Of Johanna": 04/22/86 [634 shows]
Notes:
At least one other SHN version of this show circulates as
of April 7, 2002. The previous version circulates with an "if
any digital editing" boilerplate. This new version is a direct
copy from a DAT clone, and has undergone no digital editing
of any form.
There are some problems with the recording at the end
of "That Would Be Something" and the beginning of "Drums".
Sounds like it could be a mic overloading. Also, during
various points of the second set, soundboard static is
audible. It is most noticeable at the end of "Foolish Heart"
and at the end of "Sugar Magnolia". These flaws are believed
to exist on all circulating copies.
compiled by Dan Stephens
04/07/2002 |
|
03/17/95
|
The Spectrum |
WMA |
3 |
|
Sources:
Primary - DSBD >?>Bootleg CD>EAC>SHN.
Secondary audience source (Schoeps MK4) used for drums > space.
Flaws: d1t01 digifuzz 00:29-00:31. Very first note of Truckin' is missing.
Comments: This source represents a composite of the two previously released sources. An audience source for drums and space has been relatively seamlessly spliced in. A droupout in Loose Lucy in the SBD source was removed using soundforge 5.
The audience source wav's were normalized to the SBD levels and splicing was done using soundforge 5. Tracking of the both sets using CDWAVE. WAV's were compressed using shorten 3.4. Another installment of TMNSP...
Enjoy the show!
Chris L.
Links to the original SHN files can be found here:
SBD: http://db.etree.org/shninfo_detail.php?shnid=5225
AUD: http://db.etree.org/shninfo_detail.php?shnid=13400 |
|
03/26/95
|
The Omni |
WMA |
3 |
|
source: SBD > MC > DAT > CDR
seed via cm.
DAE (EAC + SHNv3) by c. ladner, comments to: . |
|
03/27/95
|
The Omni |
WMA |
2 |
|
Source: SBD>DAT>CDR>EAC>SHN
Seeded by: Jon Zilles(zillejc@auburn.edu)
-This show is set up to fit on one 74 min disc and one 80 min. disc |
|
03/30/95
|
The Omni |
WMA |
3 |
|
dsbd(pre-fm)>?>cdr>eac>shn
Please report any flaws to Tony Gardner gdtrfb@bellsouth.net
Thanks to Chris Larson for the discs. |
|
04/01/95
|
Pyramid Arena |
WMA |
2 |
|
Source: Monitor Mix SBD -> DAT -> CDR-> EAC -> SHN |
|
04/02/95
|
Pyramid Arena |
Aud |
2 |
|
|
|
04/02/95
|
Pyramid Arena |
WMA |
3 |
|
Source: S:D
Transfer: D(48kHz)>ZA2(S/PDIF)>Samplitude2496>CD-r
Transfer by Chris Larson (nswboogy@easystreet.com)
http://www.easystreet.com/~nswboogy
hosted via candyman FTP/August 2002. |
|
04/05/95
|
Jefferson Civic Center Coliseum |
WMA |
3 |
|
Source: SBD > ? > Cassette > CDr with AUD patches
* Weir on acoustic
** with Willie Green
SHN'd by Darryl Hinko (flyerfanatic)
MKWact to SHN
SHNtool used to join tracks and check sector boundries
CDwav used to split tracks
Cool Edit used for all splicing
Thanks to Joey Browning for the source discs.
Patch source - AUD(Schoeps MK4's)>DAT>CDR>WAV>SHNv3
Thanks to Yossarian Hunter for getting the AUD to me.
Notes:
- Beginning of Here Comes Sunshine patched from AUD
- Light Pops in Here Comes Sunshine on the AUD. There was a very loud
one in the right channel at 1:34. I fixed this by cutting out the
right channel and pasting it with the left. There is still a light
pop but it is much better. Also in the AUD at 1:36 was a very loud
clap in the right channel again I cut out the right channel and
replaced it with the left.
- Glitch between 4:30 - 4:32 of Matilda
- Splice in Matilda from 5:03 - 5:15
- splice in Matilda from 9:04 - 9:08
- sound of Matlida seems to degrade after the first splice
- Slight Pop at 3:35 and 3:52 of Drums
- Last 2 minutes of Morning Dew spliced in from AUD starting at 8:41
- Johnny B. Goode was missing on SBD, AUD source
Drums and Space are seemless.
Enjoy! |
|
05/21/95
|
Sam Boyd Silver Bowl, U.N.L.V. |
WMA |
3 |
|
Primary source: SBD: Dat > Cass > Dat > Cass2 > Dat > CDR > SHN (http://db.etree.org/shninfo_detail.php?shnid=15077).
Secondary source: SBD>DAT>DAT>CDR>WAV>SHN from partial second set recording, indicated by *.
Comments (1) with Carter Beauford, drummer for the Dave Matthews Band.
Primary source was slightly fast, suspected on listening initially and confirmed easily by comparing to a DSBD partial source. A 3.8% reduction in speed (corresponding to a -0.65 semitone pitch shift) was applied using SF6 to the entire primary source to bring it in tune with the DSBD source. Also a +2.0 dB gain was applied to bring the level comparable to the analog-free source. Then, the complete tracks from the analog-free source were spliced in using SF6.
Thanks to M.Rodriguez for the DSBD partial second set source and the primary source SHNs.
Pitch adjustment, splicing,retracking, and sbe-free seekable SHN encoding via C.Ladner. 9/03.
length expanded size cdr WAVE probs filename
8:02.26 85085996 --- -- --- gd95-05-21d1t01.wav
9:54.59 104920412 --- -- --- gd95-05-21d1t02.wav
8:37.25 91257644 --- -- --- gd95-05-21d1t03.wav
9:04.52 96083948 --- -- --- gd95-05-21d1t04.wav
6:12.23 65674940 --- -- --- gd95-05-21d1t05.wav
10:15.03 108493100 --- -- --- gd95-05-21d1t06.wav
4:45.30 50344604 --- -- --- gd95-05-21d1t07.wav
10:56.10 115741964 --- -- --- gd95-05-21d2t01.wav
6:30.27 68859548 --- -- --- gd95-05-21d2t02.wav
12:57.19 137107532 --- -- --- gd95-05-21d2t03.wav
13:49.56 146367356 --- -- --- gd95-05-21d2t04.wav
9:41.26 102549596 --- -- --- gd95-05-21d2t05.wav
11:03.11 116979116 --- -- --- gd95-05-21d3t01.wav
2:44.61 29073116 --- -- --- gd95-05-21d3t02.wav
7:29.37 79290668 --- -- --- gd95-05-21d3t03.wav
11:32.06 122082956 --- -- --- gd95-05-21d3t04.wav
9:52.74 104602892 --- -- --- gd95-05-21d3t05.wav
6:01.60 63821564 --- -- --- gd95-05-21d3t06.wav
159:31.05 1688336952 B (totals for 18 files) |
|
05/26/95
|
Memorial Stadium |
WMA |
3 |
|
Source: SBD > DAT > Cass/1 > DAT > Montego II S/PDIF > CDWav > SHNv3
* = Bobby on acoustic guitar
"Rex Foundation benefit show"
Disc 3 is tracked for an 80min CD to preserve continuity.
DAT Provided by: Paul Gibian (morningdew@msn.com)
Ripped, Tracked & Encoded By: Evan Saxton (bunsonh@home.com) |
|
06/02/95
|
Shoreline Amphitheatre |
WMA |
2 |
|
Source: SBD > DAT > CD > Toast Audio Extractor > SHN
Extracted, SHNed, and Uploaded by: Jon Seff (jon@seff.net)
Notes: This is liberated bootleg of a very nice SBD recording. This was the second-to-last show I saw, and a great one at that. The Bird Song near the end of the first set is amazing, and the Monks chanting between drums and space made for a very unusual experience. Also a very emotional Standing on the Moon. Overall, this was an excellent show, and the whole thing fits on two 74min CDs. |
|
06/21/95
|
Knickerbocker Arena |
Aud |
3 |
|
|
|
06/22/95
|
Knickerbocker Arena |
Aud |
3 |
A |
|
|
06/25/95
|
Robert F. Kennedy Stadium |
WMA |
3 |
|
With Bruce Hornsby on piano for the entire show
Source: DSBD>DAT>CDR>EAC>shn |
|
07/08/95
|
Soldier Field |
WMA |
2 |
|
Source: SBD>DAT>C>?>DAT>CDR>WAV>SHNv3
Comments:
80 minute discs required for both.
* d1t07 (Eternity) from AUD source: FOB B&K 4006 omni's source (Marc Nutter/Bill Gardner seed). + 6 dB gain was applied using sound forge 5 to the original wav file to bring the levels in line with the sbd source.
Originally discs were tracked on two discs with break coming with a fade out in terrapin to end disc 1 - fortunately there was enough overlap to restore the disc break to seamlessness.
Lineage lists only 1 analog gen though the recording is a bit too hissy.
DAE(EAC)>tracking(cdwav)>SHNv3(mkwact)>FTP via neo_levo/candyman FTP.
Thanks to Paul B. for the seeds.
Another installment of The Music Never Stopped Project.
5/02.of The Music Never Stopped Project.
5/02.. |
|
07/09/95
|
Soldier Field |
Aud |
3 |
|
|
|
07/09/95
|
Soldier Field |
WMA |
2 |
|
Source: DSBD (pre FM) (@48kHz)
Conversion: D8 > Waveterminal 2496 (@44.1kHz - Real Time Resample) > Soundforge 5.0 > CD Wave > mkwACT
Soundforge Notes:
-Fades added at beginning and end of sets
-Patch of last three tracks applied.
**Seek Tables Appended**
Conversion by jason@spreadwidepanic.com
*w/ Bob Weir on Acoustic Guitar
Notes:
I know there are at least 3 other versions of this .shn that are currently circulating. I have not heard them all but I do know that this is superiour to the ones that have DAE in lineage and have some minor skips throughout. Also this source does not have the chunck of digi in Corrina like some do.
Disc 2 Tracks 5,6 & 7 are patched in with the following source:
dsbd (pre-fm)>dat>spdif>cdr>eac>shn (My DAT had a few errors in these tracks)
There are 3 digital tones during Box of Rain. They appear to be from the Soundboard and are present on every version I have heard.
If you find any errors that are not noted please drop me a line at jason@spreadwidepanic.com |
Diff
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AC/DC
--- Approximate Hours: 2.5
Aerosmith
--- Approximate Hours: 1.25
Allman Brothers Band
--- Approximate Hours: 12.5
Ben Harper & The Innocent Criminals
--- Approximate Hours: 2.5
Black Crowes
--- Approximate Hours: 1.25
Blue Floyd
--- Approximate Hours: 0
Blues Traveler
--- Approximate Hours: 1.25
Bob Dylan
--- Approximate Hours: 3.75
Bob Marley & The Wailers
--- Approximate Hours: 11.25
Boston
--- Approximate Hours: 1.25
Charlie Hunter
--- Approximate Hours: 0
Chicago
--- Approximate Hours: 1.25
Cracker
--- Approximate Hours: 1.25
Dave Matthews (solo)
--- Approximate Hours: 0
Drive-By Truckers
--- Approximate Hours: 3.75
G. Love & Special Sauce
--- Approximate Hours: 1.25
Garcia
--- Approximate Hours: 138.75
Gov't Mule
--- Approximate Hours: 2.5
Jimi Hendrix
--- Approximate Hours: 10
Led Zeppelin
--- Approximate Hours: 6.25
Leftover Salmon
--- Approximate Hours: 1.25
Legion of Mary
--- Approximate Hours: 3.75
Les Claypool's Fearless Flying Frog Brigade
--- Approximate Hours: 1.25
Medeski Martin & Wood
--- Approximate Hours: 1.25
moe.
--- Approximate Hours: 2.5
Neil Young
--- Approximate Hours: 3.75
The Other Ones
--- Approximate Hours: 0
Oysterhead
--- Approximate Hours: 0
Pearl Jam
--- Approximate Hours: 1.25
Phil Lesh & Friends
--- Approximate Hours: 11.25
Phish
--- Approximate Hours: 2.5
Pink Floyd
--- Approximate Hours: 2.5
Radiohead
--- Approximate Hours: 0
Red Hot Chili Peppers
--- Approximate Hours: 0
Rolling Stones
--- Approximate Hours: 8.75
Stevie Ray Vaughan
--- Approximate Hours: 5
String Cheese Incident
--- Approximate Hours: 0
Trey Anastasio
--- Approximate Hours: 2.5
Umphrey's McGee
--- Approximate Hours: 1.25
Van Halen
--- Approximate Hours: 0
The Who
--- Approximate Hours: 3.75
Yonder Mountain String Band
--- Approximate Hours: 0
