Music List for Mark Perry Last Update: Oct 3, 2009 |
||||
Diff | View Comments | Add/Update a Comment | Want List | Email Mark Perry |
Add New Show | Edit All Shows | |||
...And You Will Know Us By the Trail of Dead --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
09/16/05 | Emo's | Austin | TX | 1 | CD-R | DSM-6S>PA-6LC3>M1 |
Abecedarians --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
08/22/85 | Civic Auditorium | Santa Monica | CA | 1 | CD-R | lineage: M/1 (or at worst, second generation) |
AC/DC --- Approximate Hours: 5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
08/08/78 | Exit/In | Nashville | TN | 1 | CD-R | MASTER SBD CASSETTE > NAD > SONY DAT (48K sampling) > COOL EDIT > EQ > WAV > FLAC |
10/16/79 | Towson Center - Towson University | Towson | MD | 2 | CD-R | SBD (10/10) complete show linage: tracks 1-12: living in the hell (CD) track 13: living in the hell (double lp) |
12/09/79 | Pavillion De Paris | Paris | France | 1 | CD-R | SBD >> unknown transfer to silver CD >> lossless WAV >> FLAC |
Acid Mothers Temple --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/18/04 | First Unitarian Church | Philadelphia | PA | 1 | CD-R | akg 460+ck61->ps2->zefiro inbox->d8 pcm r500->audiophile2496@44.1khz->aiff->flac |
Adrian Belew --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
07/18/89 | Paradise Theatre | Boston | MA | 2 | CD-R | WBCN-FM Stereo Simulcast Teac X-2000R Master Reel @ 3.75ips Teac X-2000R > Sony DTC-60ES > Philips CDR-775 Master Reel > DAT > CD > EAC secure > FLAC No noise reduction, processing or EQ |
Aerosmith --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
08/29/75 | Wollman Skating Rink - Central Park | New York | NY | 1 | CD-R | SBD > ? > KBFH Master Disc > EAC > SHN |
Airto Moreira & Flora Purim --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
05/08/82 | Cotati Cabaret | Cotati | CA | 1 | CD-R | soundboard > high end desktop Sony cassette deck > master cassette (TDK MA90 metal tape recorded with Dolby B off) transfer: JVC KD-V6 (playback, with Dolby off) > coax digital cable > Sek'd Prodif Plus soundcard > Sound Forge 8 (normalize, fade in and out, track splits) > BIAS Sound Soap plugin > .wav files > FLAC level 8 encoding, align on sector boundaries |
Al Green --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/12/09 | Bonnaroo Music Festival | Manchester | TN | 1 | CD-R | Schoeps MK21(nos) > kcy > Schoeps VMS5U + Schoeps MK4(ortf) > kcy > Schoeps VMS02IB > Lifted Chris Hall interconnects > Busman Mod R4 Pro |
Aquarium Rescue Unit --- Approximate Hours: 5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
05/06/93 | The Pump House | Syracuse | NY | 2 | SHN | AUD (2 AKG 460b/ck63) > DAT (Casio DA-R100) |
03/26/94 | Ziggy's | Winston-Salem | NC | 2 | SHN | DSBD transfer: M1 > Echo MIA > SoundForge 4.5 (resampled to 44.1 @ highest setting with anti-alias on) > CDWave (for splits) > mkw 0.97b1 > shn (no DAE) |
Arlo Guthrie --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
??/??/66 | Gerde's Folk City | New York | NY | 1 | CD-R | SB MASTER > 3RD GEN CASSETTE > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC |
Art Blakey & The Jazz Messengers --- Approximate Hours: 5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/23/59 | Konserthuset | Stockholm | Sweden | 1 | CD-R | SBD |
11/28/59 | Deutsches Museum | München | Germany | 1 | CD-R | Radio broadcast. Some radio hiss but overall a real nice show. |
04/15/69 | Rutgers University | New Brunswick | NJ | 2 | CD-R | FM >reel >.wav >CDR >EAC (secure) >SoundForge 6.0 and Wavelab 5.0 >CD Wave >FLAC Frontend (level 8, SBE OK) |
B.B. King --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
04/09/78 | Paul's Mall | Boston | MA | 1 | CD-R | WBCN-FM Stereo 1993 Re-Broadcast Sony DTC-700 DAT Master Tascam DA-20 > Tascam CD-RW900 FM > DAT > CD > EAC secure > CD Wave > FLAC No noise reduction, processing or EQ |
Bad Brains --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
05/28/87 | Paradiso | Amsterdam | Netherlands | 1 | CD-R | VPRO Radio recorded the show on 24 tracks. The tapes were later mixed down to 2 -channel 16-bits PCM on videotape |
Bad Company --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
08/03/74 | City Hall | Newastle | UK | 1 | CD-R | Soundboard CDR > SoundForge > Wav > flac |
Bad Hat --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
02/23/94 | Middlebury College | Middlebury | VT | 2 | CD-R | SBD->CM->DAT->Cass(1)(3M Black Watch 4040 type IV) Transfer: (mtownshend) Plus Deck 2C -> M-Audio 1010LT -> Captured on SoundForge8 ->24/96 wav |
The Band --- Approximate Hours: 15 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
08/01/73 | Roosevelt Stadium | Jersey City | NJ | 1 | CD-R | SBD>?>SHN |
07/16/76 | Carter Baron Amphitheatre | Washington | DC | 1 | CD-R | SBD/Liberated Boot? >EAC>SHN |
08/29/76 | Music Inn | Lenox | MA | 2 | CD-R | SBD>? |
09/18/76 | The Palladium | New York | NY | 2 | CD-R | Silver CD > EAC [secure mode] > Flac |
11/25/76 | Winterland Ballroom | San Francisco | CA | 3 | SHN | AUD - COMPLETE LAST WALTZ |
07/01/83 | Mandell Hall | Chicago | IL | 1 | CD-R | FM (WXRT Sunday NIght Concert) > Audigy > Soundforge 6.0 > CD Wave > flac |
06/21/84 | Kingswood Music Theatre | Toronto | ON | 2 | CD-R | FM Broadcast >Master Cassette>Avid Editing>WAV>FLAC |
Beastie Boys --- Approximate Hours: 3.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
07/14/07 | Nuke Festival | St. Poelten | Austria | 2 | CD-R | Radio FM4 Digital Broadcast - Citycom DVB-S Receiver - PC - Audacity (for recording and cutting out of some Radio Jingles) - CD Wave Editor (for tracking) - FLAC frontend (v. 1.7.1. Etree edition, Level 8) |
06/12/09 | Bonnaroo Music Festival | Manchester | TN | 1 | CD-R | CA-11>STC-9000>Edirol R-09 @ 16/44.1 DFC on the railing in front of the SBD; mics about 7' high; about 100'(?) from the stage. SD>HDD>Winzip>MegaUpload>HDD>Winzip>Sony Soundforge>CDWAVE>Flac Frontend |
The Beatles --- Approximate Hours: 3.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
??/??/39 | "Not Guilty" | Compilation | Compilation | 1 | CD-R | Studio SBD > Reels > ? > Silver > EAC > WAV > SHN Taken from the bootleg 'Not Guilty' - Condor 1989 - CD#4 |
08/18/65 | Atlanta Fulton County Stadium | Atlanta | GA | 1 | CD-R | sbd > ?? > wave > flac |
05/??/68 | George Harrison's House | Esher, Surrey | England | 1 | CD-R | Source: George Harrison's Reel to Reel > Reels > Cass(2) > Silver > EAC > WAV > FLAC (CD 1998 BIRTHDAY RECORDS BR 029) |
Beck --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/17/06 | Bonnaroo Music Festival (What Stage) | Manchester | TN | 1 | CD-R | Source: Nakamichi Cm300(active p48 mod)/cp1 (ORTF, FOB, LoC ~4', 50' from stage, 7' high)> Edirol UA-5> Jb3 (wav @ 44.1 khz) Transfer: JB3> usb> xNJB> Audacity 1.2.4> xACT (fixed SBE's and converted to .flac) Taped and Transferred by Patrick Moore |
Ben Folds Five --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
04/28/97 | Irving Plaza | New York | NY | 2 | CD-R | sb>dat(m)>my dat (all digital transfers; I was at worst 2nd gen)>cdr(0)>eac>flac |
Ben Harper & The Innocent Criminals --- Approximate Hours: 5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
08/27/06 | Charter One Pavilion at Northerly Island | Chicago | IL | 2 | CD-R | Taper: George Wang Source: DPA 4023 > Sonosax SX-M2 > Mogami interconnect > Edirol R-09 @ 24/48 Location: 15 feet center WAV > FLAC: .wav @ 24/48 > Steinberg WaveLab v5.00a (dither with Apogee UV22HR to 16/44.1) > CD-WAV/FLAC frontend v1.7.1 > .flac |
06/16/07 | Bonnaroo Music Festival | Manchester | TN | 2 | CD-R | AKG ck61 > JKLabs ECMS-22 > Oade ACM Marantz PMD-671 (16/44.1) transfer: cf card > desktop |
Ben Kweller --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
05/05/04 | Crystal Ballroom | Portland | OR | 1 | CD-R | Superlux SMK-H8K/C -> Canare Starquad -> digimod UA-5 -> Nomad Jukebox 3 Location: DFC, 25' from stage, mics DIN @ 8' |
Benevento/Russo --- Approximate Hours: 6.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
05/13/04 | The Funk Box | Baltimore | MD | 1 | CD-R | Matrix: Schoeps MK21>KC5>CMC6> (ORTF, on stage)>Snake and SBD (stereo, separate aux mix to tape)>Metric Halo MIO 2882 4 track live mix(24/48)> D3>Nomad Jukenox 3 (.WAV, 44,1) |
07/31/05 | The Subterranean | Chicago | IL | 2 | CD-R | Bustle In Your Hedgerow "The Led Zeppelin Experience" Source: SBD + Schoeps MK4V AUD MATRIX; SBD > Apogee Mini-Me > DAT @16bit/44.1kHz + (FOB 15 feet from stage) Schoeps MK4V > KC5 > CMC6 (DFC/ORTF bar backwards @ 70 degrees) > Lunatec V3 > VX Pocket > Fujitsu LifeBook > WaveLab > @24bit/48kHz Transfer: DAT > ProTools + WaveLab > waves L2 (Dither to 16bit/44.1kHz) > CDWave > FLAC > WAV > ProTools; ProTools (EQ, compression, fades, patches) > WAV > FLAC Taped by Leif Moravy Transferred by Leif Moravy |
12/26/05 | Borgata Music Box Theatre | Atlantic City | NY | 2 | CD-R | Schoeps MK4(DIN)->KC5->CMC6->V3->->VX pocket V2->fujitsu 7010->Wave Lab 5.0 (24/48) |
Big Country --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
03/22/84 | Opera House | Austin | TX | 2 | CD-R | source : fm taper : markp |
Big Head Todd and the Monsters --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
02/14/03 | Austin Music Hall | Austin | TX | 2 | CD-R | Earthworks QTC1 & SR-77 Mics > Wendt X4 > modSBM-1 > DA-P1 QTC1 Omnis run at 3ft. Spread with SR-77 in ORTF config in middle. Conversion: Sony R300 > MOTU 2408mkII > Bias Peak > Waveburner Pro > Shorten for Mac OS X |
Billy Cobham --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
05/25/75 | Funkhaus | Hannover | Germany | 1 | CD-R | FM>fairly low gen cass?>CD>EAC>FLAC |
Black Crowes --- Approximate Hours: 15 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
01/26/95 | Sporthalle | Hamburg | Germany | 2 | FLAC | Lineage: Cable TV > Stereo VCR ~ VHS > stand alone CD Recorder ~ CD-R > EAC > FLAC (> etree ~ YOU Amoricans) |
05/13/06 | RBC Theatre @ The John Labatt Centre | London | ON | 2 | CD-R | Field: MG210 > M148 > HD-P2 @ 24/44.1, ORTF, LOC (left corner of SBD, general admission show) @ ~7.5' Transfer: HD-P2 > PC > CDWAV > SHNTOOL > FLAC Frontend (converted from .bwf, dithered and faded w/ Samplitude 6.0) |
06/10/06 | White River Amphitheatre | Auburn | WA | 2 | CD-R | Source: MBHO 603/KA200N > Busman Mod Edirol R-4 (24/96) Location: DIN, Sect 5 Row 11 Seats 13-14, 15' from stage, stand at 5', mics aimed at left stage floor stack Conversion/Editing: R4 > Soundforge 6.0 > r8brain v1.9 > CD Wave v1.94.5 > FLAC Taper: Jarod Watson |
06/13/06 | Sleep Train Amphitheatre | Marysville | CA | 2 | CD-R | Location: Section 2, Row 9, Seat 10 (DFC mic at head height = stage monitor height) Recording: DIN Neumann km140s>Oade ACM Marantz PMD660 Transfer: SoundForge 7.0 (normalize -1db)>CD Wave Editor>Flac |
08/16/07 | Pines Theatre | Florence | MA | 2 | CD-R | Schoeps ccm4 > sonosax sx -m2 > apogee mini-me > tascam hd-p2 |
05/17/09 | Brixton Academy | London | England | 2 | CD-R | SP-CMC-4 (3 wire mod) > CA-9100 > Edirol R-09 (44.1 khz, 24 bit) > Master SecureDigital card > WAV > USB > Hard drive > Har-Bal (EQ) > Cool Edit Pro 2.1(dither, resampling, normalize, fade out) > CDWave > FLAC 1.2.1 |
The Black Keys --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/17/06 | Randolph Street Festival | Chicago | IL | 1 | CD-R | Location: SB, DFC, 8' stand, Mic Config: DINA (17cm, 90∫) Source: Schoeps MK4 > Sonosax SX-M2/LS2 > R-09 Record Format: 24-bit, 48kHz Conversion: Edirol R-09 > USB > PC Final Format: 16-bit, 44.1kHz Editing: Cool Edit Pro 2.0 (resample, dither) Tracking: CD Wave |
Black Sabbath --- Approximate Hours: 10 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
03/17/72 | Swing Auditorium | San Bernardino | CA | 1 | CD-R | Complete Show, Master AUD reel-to-reel (first time in circulation) |
08/05/75 | Convention Hall | Asbury Park | NJ | 2 | CD-R | Soundboard Recording Reel To Reel (Master) > CDR(2) > EAC > WAV > FLAC(8) |
06/19/78 | Hammersmith Odeon | London | England | 2 | CD-R | AUD Master > CDR > FLAC |
10/09/80 | Mecca Arena | Milwaukee | WI | 1 | CD-R | *Two Songs*....THEN....The Destructive Riot! |
08/04/92 | Hara Arena | Dayton | OH | 2 | CD-R | Sony D-3 DATman Recorder > Realistic 33-1065 Stereo Electret Microphone > Maxell 120 DAT > Phillips CDR 200 > EAC > Flac |
Blind Faith --- Approximate Hours: 5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
03/02/69 | Morgan Studios | London | England | 2 | CD-R | Excellent mono/stereo studio recordings repitched and remastered |
06/18/69 | Konserthallen Liseberg, Liseberg Nöjespark | Göteborg | Sweden | 1 | CD-R | Excellent audience master tape remastered |
08/16/69 | Earl Warren Showgrounds | Santa Barbara | CA | 1 | CD-R | Audience recording of one of the last Blind Faith concerts |
Blind Melon --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
09/12/95 | Much Music studios | Toronto | ON | 1 | CD-R | Commonly mislabeled as 10/3/95 / SBD > Liberated Bootleg |
Blondie --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
08/03/79 | Center for the Performing Arts | New Orleans | LA | 1 | CD-R | Lineage: Master Maxell UDXL2-90 Cassette > playback on JVC TD-W 209 > JVC XL-R5010 stand alone burner > Fuji audio CDR(0) > HP CDR(1) > xACT > wav > xACT > flac |
Bob Dylan --- Approximate Hours: 21.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
??/??/60 | For Sale Or Just On The Shelf Vol. 1 | Various | Various | 2 | CD-R | |
04/01/62 | Freewheelin' Bob Dylan Sessions | New York | NY | 1 | CD-R | source: Freewheelin' Sessions outtakes-- The recordings are clear, crisp, and right off of the mix down board |
04/20/80 | Massey Hall | Toronto | ON | 2 | CD-R | Source Unknown Possibly SBD/FM Broadcast > ? > CD > EAC |
02/22/99 | Field House, Rensselaer Polytechnic Institute | Troy | NY | 2 | CD-R | DAUD Master ATM-35 Hyper Cardioid Capsules > Sony D-7 DAT Recorded by VT Taper, KC in the Straw Hat 1st row left speaker stack Transfer: Panasonic SV-3700 > Audiophile 2496 > @ 24 Bit to WaveLab > 16 Bit > CD Wave > Flac |
06/14/99 | EMU Ballroom - University of Oregon | Eugene | OR | 2 | CDR | |
04/08/02 | Forum | Copenhagen | Denmark | 2 | SHN | Crystal Cat / CC 619/20 shn'd by unclekurty@unclekurty.com from the silver discs eac>wav>mkw>shn |
04/09/02 | Alsterdorfer Sporthalle | Hamburg | Germany | 2 | SHN | Crystal Cat 621-622 shns made by unclekurty@unclekurty.com from silver discs eac>wav>mkw>shn |
06/22/07 | Borgata Hotel Casino and Spa | Atlantic City | NJ | 2 | CD-R | source: soomlos 17th row center neumann km140's > lunatec v3 > m-audio mt24/96 (24/48) audacity > r8brain > cd wave > flac (16/44.1) |
06/26/07 | Pines Theatre | Florence | MA | 2 | CD-R | Source: DPA 4021 > SD 722 (96k/24) Peak Pro 5.2 (gain boost; sample rate conversion; bit-rate reduction) > xACT |
Bob Dylan & the Grateful Dead --- Approximate Hours: 6.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
07/10/87 | John F. Kennedy Stadium | Philadelphia | PA | 1 | CD-R | Soundboard (except Queen Jane Approximately) |
07/12/87 | Giants Stadium | East Rutherford | NJ | 1 | CD-R | Soundboard (except AUD PCM>DAT 1st 3 tracks) |
07/19/87 | Autzen Stadium, U. of Oregon | Eugene | OR | 1 | CD-R | Soundboard |
07/24/87 | Oakland County Stadium | Oakland | CA | 1 | CD-R | Soundboard |
07/26/87 | Anaheim Stadium | Anaheim | CA | 1 | CD-R | Soundboard (audience starting with Ballad of a Thin Man) |
Bob Dylan & The Rolling Thunder Review --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/31/75 | War Memorial Auditorium | Plymouth | MA | 1 | CD-R | line recording, no reliable lineage unknown or unverified sources > ? > flac |
Bob Marley & The Wailers --- Approximate Hours: 23.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
05/24/73 | Paris Theatre | London | England | 1 | CD-R | SBD: Liberated Bootleg "BBC In Concert Session" |
06/16/75 | Agora Ballroom | Cleveland | OH | 1 | CD-R | sbd > gen(x) > cdr(x) > eac (secure mode) > flac (level 8) |
10/04/75 | National Stadium | Kingston | Jamaica | 1 | SHN | Comment Wailers reunion concert. Bob, Peter and Bunny got together to do one last show as a benefit for the blind along with Stevie Wonder who also performed there. |
04/26/76 | Music Hall | Boston | MA | 2 | CD-R | SBD: LIBERATED BOOTLEG |
05/26/76 | The Roxy Theatre | Los Angeles | CA | 2 | CD-R | SBD: Liberated Bootleg |
07/23/76 | The Apollo | New York | NY | 1 | CD-R | SBD: Liberated Bootleg |
07/07/78 | Ahoy Hall | Rotterdam | Netherlands | 1 | SHN | SBD |
08/05/78 | Jai Alai Frontai | Miami | FL | 1 | CD-R | SBD: Liberated Bootleg |
10/25/79 | The Apollo Theater | New York | NY | 2 | CD-R | SBD: LIBERATED BOOTLEG |
04/19/80 | Rufaro Stadium | Salisbury | Zimbabwe | 1 | CD-R | SBD: Liberated Bootleg |
06/27/80 | Stadio San Siro | Milan | Italy | 2 | CD-R | SBD > Bootleg CD > EAC > SHN |
07/12/80 | Deeside Leisure Centre | Queensferry | Wales | 2 | CD-R | SBD > CDR > WAV > FLAC |
09/23/80 | Stanley Theatre | Pittsburgh | PA | 1 | CD-R | SBD: Liberated Bootleg: "One Day of Bob Marley" |
??/??/80 | Unknown | Unknown | Gabon | 1 | CD-R | SBD: Liberated Bootleg |
Bob Schneider --- Approximate Hours: 7.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
01/22/05 | 9:30 Club | Washington | DC | 2 | CD-R | Source: SBD, FRUNK SHOW Lineage: CDR --> EAC --> MKW SHN Taped by: Bob Transfered by: Chris Hickman |
03/12/05 | Antone's | Austin | TX | 2 | CD-R | SBD --> CDR |
03/30/05 | Scholtz's Bier Garden | Austin | TX | 2 | CD-R | SBD --> CDR |
Bonnie Raitt --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
07/20/77 | Wolf Trap | Vienna | VA | 1 | CD-R | WLIR-FM BROADCAST REEL MASTER > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC |
Boston --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
09/27/76 | Agora Ballroom | Cleveland | OH | 1 | CD-R | Source: Pre-FM (Recorded and broadcast by WMMS) Lineage: Original, silver CD bootleg on the SuperSonic Lable (99003 SS) ---> EAC ---> WAV ---> FLAC (Level 8) |
Bruce Springsteen --- Approximate Hours: 5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/28/76 | The Palladium | New York | NY | 2 | CD-R | AUD>Cassette>CD-R>ME>EAC>WAV>FLAC>You |
??/??/84 | The Hit Factory & The Power Station | New York | NY | 2 | CD-R | Liberated Bootleg: Unsatisfied Heart - Remastered Born In The U.S.A. Outtakes - Studio 1982 - April 1984 |
Buddy Guy --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
08/15/95 | Pier 62/63 | Seattle | WA | 2 | CD-R | Source: SBD Transfer: CDR>EAC(secure/offset -460)>WAV>Flac Frontend>FLAC |
Burning Spear --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
09/09/00 | House of Blues | West Hollywood | CA | 2 | CDR |
Butthole Surfers --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
08/04/91 | Pine Knob Music Theatre | Clarkston | MI | 1 | CD-R | Source: sbd > ? Transfer: ? > flac Recorded by the Butthole Surfers (BHS soundman) |
The Byrds --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
02/22/69 | Boston Tea Party | Boston | MA | 2 | CD-R | Byrds Master reels (7Ω ips Ω Track) -> WBCN Station Copy (7Ω ips Ω Track) -> Maxell Reel (7Ω ips º Track Technics 1506) -> Tascam CD-RW2000 -> EAC -> CDWav -> Flac. |
Calexico --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
04/25/03 | China Theater | Stockholm | Sweden | 2 | CD-R | Recorded by P3 Live (Sweeden) Mastered by Jim Blackwood - Official Calexico Archivist SBD/AUD Matrix (Multitrack)> Master CDR(PreFM)> Mastered via SADiE w/ 24 bit Drawmer Masterflow Processing (05/03) > CDR > FLAC |
Carlos Santana & John McLaughlin --- Approximate Hours: 3.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
08/26/73 | Saratoga Performing Arts Center | Saratoga Springs | NY | 1 | CD-R | Audience (?) recording A- |
??/??/73 | Studio, Love, Devotion, Surrender Outtakes | Unknown | Unknown | 2 | CD-R | "Love, Devotion, Surrender Outtakes" |
Charles Mingus --- Approximate Hours: 5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
05/07/56 | Concerts at Newport - 1956, 1959, 1971 | Newport | RI | 1 | CD-R | VOA broadcasts > unk > CDR(2) > EAC > FLAC The Voice Of America Recordings |
08/12/72 | Jachthaven Van Dijk | Loosdrecht | Netherlands | 1 | CD-R | FM > reels [Revox A-77, 2-track, 7Ω ips] > Soundblaster AWE 64 > CDR > EAC > FLAC |
08/28/72 | Jazzhus Montmartre | Copenhagen | Denmark | 1 | CD-R | partial show -- FM > reels [Revox A-77, 2-track, 7Ω ips] > Soundblaster AWE 64 > CDR > EAC > FLAC |
07/19/75 | Ã…hus Jazz Festival | Ã…hus | Sweden | 1 | CD-R | cassette, transfered with Philips cd recorder. Very good sound quality. Stellar music quality.Very rare. |
Charlie Hunter Trio --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/06/06 | The Jewish Mother | Virginia Beach | VA | 2 | CD-R | Source: DPA 4022(ortf)>744T + Niant Studio MSH-10 Omni > UA-5(line out)>744T @ 24/48 Location: On Stage Transfer: 744T>WaveLab 6.01(fades/cyrstal resampler/uv22hr)>flac |
Charlie Parker --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/14/52 | Carnegie Hall | New York | NY | 1 | CD-R | source unknown |
The Clash --- Approximate Hours: 8.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
09/08/79 | Monterey County Fairgrounds Main Arena | Monterey | CA | 1 | CD-R | Master Cassette > 1G cassette Maxell UDXLII c-90>playback on JVC TD-W 209 > JVC XL-R5010 stand alone burner > Fuji audio CDR(0) > my Memorex CDR(1) > xACT > wav > xACT > flac |
12/27/79 | Hammersmith Odeon | London | England | 1 | CD-R | SBD > silver bootleg CD > xAct (flac) "White Men In Hammersmith Odeon" bootleg CD |
03/08/80 | Capitol Theater | Passaic | NJ | 1 | CD-R | SBD silver CD > xAct (flac) |
06/17/80 | Hammersmith Palais | London | England | 2 | CD-R | vinyl LP > xAct (flac) "Clash Songbooks" bootleg LP Seven Dwarfs label |
10/23/82 | Oakland Coliseum | Oakland | CA | 1 | CD-R | AUD analog master > CD-R > CD-R trade (gen?) > xAct (flac) |
10/29/82 | Memorial Coliseum | Los Angeles | CA | 1 | CD-R | soundboard > analog (gen?) > CD-R > xAct (flac) |
Coffee Creek (members of Uncle Tupelo & Bottle Rockets) --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/11/92 | Cicero's | St. Louis | MO | 2 | CD-R | ?>CD>WAV>FLAC |
Cream --- Approximate Hours: 5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
09/04/67 | Whiskey A Go Go | West Hollywood | CA | 2 | CD-R | Lineage: Unknown AUD > ? > Mid Valley silver CDs > EAC > FLAC |
10/15/67 | Grande Ballroom | Detroit | MI | 2 | CD-R | source: sbd>?>cdr lineage: trade cdr(x?) > wav (plextor px504-A/eac offset +66) > flac (flac frontend 1.7.1/verify/align on sb/level 6) |
Crosby, Stills, Nash & Young --- Approximate Hours: 8.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
??/??/68 | Compilation -- Five Way Street | Compilation | Compilation | 2 | CD-R | Five Way Street (The Third Eye liberated boot) Truly essential CSNY collection of 1968-70 rarities not to be missed. |
12/14/69 | Masonic Temple | Detroit | MI | 2 | CD-R | Soundboard recording |
06/04/70 | Fillmore East | New York | NY | 2 | SHN | SBD - VERY NICE SHOW |
06/05/70 | Fillmore East | New York | NY | 1 | SHN | SBD - VERY NICE SHOW |
The Cure --- Approximate Hours: 5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/30/85 | Stadionsporthalle | Hannover | Germany | 2 | CD-R | taped by pavemalk on sony wm-d6 + mics aiwa cm-30 / tape: tdk sa 90 (60) transfer nakamichi dr-1 > fostex dat d-5 > marantz cdr dr-6000 |
08/27/04 | Home Depot Center | Carson | CA | 2 | CD-R | DSM6->PACLC->PCM1 DAT DAT ->TASCAM CDRW 700->EAC->FLAC FRONTEND |
Curtis Mayfield --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
??/??/72 | "Keep On Keepin' On" | Live & Studio Rarities | Compilation | 1 | CD-R | Source:"Keep On Keepin' On" Big 'Fro Bootleg (BF-005) Lineage:SBD>CD(Original Silver)>EAC(secure mode/offset correct)>WAV>FLAC(A) |
Dave Matthews Band --- Approximate Hours: 3.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/02/06 | Verizon Wireless Music Center | Noblesville | IN | 3 | CD-R | Source: Schoeps mk4s > kc-5 > cmc-6xt > Sound Devices 722@24/96 Loc: Sec C, Row L ~12 ft. A/B Transfer: 722 > Powerbook G4 > Spark XL 2.82 (resample/dither) > xACT > flac |
David & the Dorks --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
12/20/70 | The Matrix | San Francisco | CA | 1 | SHN | SBD>Rn>DAT>CD>EAC>SHN [note: Rn = unknown number of reel generations] |
David Bowie --- Approximate Hours: 3.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
04/09/78 | The Summit | Houston | TX | 2 | CD-R | Audio tape --> digitized using Sony MR-Z35 --> converted to WAV and track splits using Creative Labs Wave Studio -- > FLAC |
09/14/90 | Alvalade Stadium | Lisbon | Portugal | 1 | CD-R | Very Good Soundboard Recording Lineage: OriginalCDR--> EAC(secure)--> Flac(level.8)--> YOU! |
David Bromberg --- Approximate Hours: 5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
04/10/76 | Nassau Community College | Garden City | NY | 2 | CD-R | SBDCM>CDR |
05/08/80 | Detroit Theatre | Port Chester | NY | 2 | CD-R | Likely source: Pre-FM SBD feed > Nak 550 > Maxell UDXL2 (no NR) via Peter Hedeman Likely transfer: MC > Nak CR7-A (azimith adjust) > SBM-1 (s/pdif) > Lynx Studio Technology One (soundcard) > SoundForge 4.5 > CD Architect 4.0f > Red Book CDR |
David Bromberg & Arlo Guthrie --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/10/85 | Temple Of Music And Art | Tucson | AZ | 2 | CD-R | Sbdmc>Cas(?)>Cdr>Eac>Goldwave>Cdwav>Flac |
David Byrne --- Approximate Hours: 8.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
05/12/01 | Theatre of Living Arts | Philadelphia | PA | 2 | CD-R | Taped by Mike Inhatt & Wklitz Source: Schoeps MK4V's>Schoeps VMS02IB>Sony SBM-1>Sony TCD-D100 Recorded from front and close to center position on drink rail at the bar. Sony TCD-D100>Marantz CDR-620>EAC>FLAC 8 |
05/21/04 | Merriam Theater | Philadelphia | PA | 2 | CD-R | Schoeps MK4V's>Sonosax SX-M2>Sony SBM-1>Sony TCD-D100 Recorded from CENTER PIT ROW C Sony PCM-R500>HHB PDR800>EAC>FLAC 8 |
06/17/04 | Navy Pier | Chicago | IL | 2 | CD-R | Lineage: Sonic Studios dsm-6s > Sony sbm-01 > Sony tcd-o8 > cd-r (master) > EAC (secure) > wav > FLAC Frontend > flac > you |
06/13/09 | Which Stage - Bonnaroo Music Festival | Manchester | TN | 1 | CD-R | Josephson c42mp (NOS) > V3 > Korg MR-1000 (24/96) Location: FOB/LOC/7.5 ft.high Transfer: MR-1000 > PC > Audio Gate > wavelab 6.0 fades/norm/dither/track > FLAC v1.2.1 (L6) as build in TLH v2.4.1 |
The Dead --- Approximate Hours: 6.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
07/04/03 | Two River Canyon Amphitheatre | Spicewood | TX | 2 | SHN | XM Radio Satellite Feed > Sony XM Digital Audio Receiver DRN-XM01MK2 > Sony PCM-R500 @ 44.1 kHz (Super Bit Mapping) DAT > WAV > SHN: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 6.0 build 132 > CDWav v1.71 > MKW Audio Compression Tool v0.96f (no DAE) |
05/16/09 | The Gorge | Quincy | WA | 3 | CD-R | Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD) |
Dead Can Dance --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
08/09/87 | Town & Country Club,Kentish Town | London | England | 1 | CD-R | Aiwa Stereo Cassette Recorder (External Mics) - TDK AD90 - Yamaha KX-393 - Adobe Audition (Adjustments) - CD Wave (Split Tracks) - Wav - Flac This is an Uncirculated Master |
Dead Kennedys --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/19/79 | Earth Tavern | Portland | OR | 1 | CD-R | Source: Pro Video with great audio. Lineage: VID(?)>CDR(?) when burned you could add a generation to keep some track VID(?)>CDR(?+1) |
11/19/79 | Earth Tavern | Portland | OR | 1 | CD-R | Soundboard recording cassette (generation unknown) > wav (Onkyo deck, Audacity and Soundforge XP) > flac (multiFrontend) |
The Decemberists --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/17/06 | Crystal Ballroom | Portland | OR | 2 | CD-R | Maxell XLIIS, Sony WM-D3 w/Core-Sound LCBs in hat > Peak 3 > flac |
Deftones --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/25/06 | The Tabernacle | Atlanta | GA | 2 | CD-R | Source: Core Sound Binaurals > Microtrack 24/96 (16bit WAV @ 44.1KHZ) Transfer: Microtrack 24/96 > USB > CDWAVE (Tracked) > FLAC Frontend (Level 8) Location: 2nd Balcony, Center, FOS Taper: Derek (toolband125) |
Devo --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/11/82 | Orpheum Theatre | Boston | MA | 1 | CD-R | SBD>???>Nakamichi Dragon>Turtle Beach Pinnacle Pro>Soundforge>WAV>FLACfrontend>maketorrent2.0 |
Dickey Betts & Great Southern --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
04/19/77 | The Bottom Line | New York | NY | 2 | CD-R | fm simulcast reel master 10.5"@7.5 ips on sony tc-755 w/teac an180 nr Taped by Jerry Moore lineage: reel master on sony tc-765>teac an-180>sbm1>dat>cdr>eac>cd wave>flac transfers by Rob Berger |
Dire Straits --- Approximate Hours: 3.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
01/31/78 | Polytechnic | Leeds | England | 1 | CD-R | SDB > CDR > EAC > WAV > FLAC |
08/17/85 | Southern Star Amphitheatre | Houston | TX | 2 | CD-R | A soundboard/fm recording Lineage : Unknown Gen CDR->EAC->Wav->Flac |
The Doors --- Approximate Hours: 8.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
03/10/67 | The Matrix Club | San Francisco | CA | 2 | CD-R | Lineage: soundboard > 2nd gen. > FLAC > TTD > FLAC (level 8) (spike at 15,7 khz) |
10/11/67 | Danbury High School Gym | Danbury | CT | 1 | CD-R | 3rd gen. P.A. recording by faculty member. |
12/14/68 | The Forum | Inglewood | CA | 1 | CD-R | (COPY OF MASTER 10" REEL |
02/25/69 | Sunset Sound Studios | Los Angeles | CA | 1 | CD-R | The uncut Soft Parade sessions--Liberated Bootleg "Missing Links" |
04/18/70 | Honolulu Convention Center | Honolulu | HI | 2 | CD-R | The recording was probably done by the Doors enginer Bruce Botnick on personal material, so it's not a soundboard recording but not really an audience one and it's quality is very good. |
Dr. Dre & Snoop Doggy Dogg --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/19/00 | San Jose Arena | San Jose | CA | 1 | CD-R | (Soundboard) Quality = 9.0, Complete Generation = DAT->CDR->SHN->CDR->EAC->FLAClv8 |
Dr. John --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/10/78 | The Cellar Door | Washington | DC | 1 | CD-R | SBD>?>CD>FLAC |
Dr. John & The Meters --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
03/05/73 | St. Bernard Civic Auditorium | Chalmette | LA | 2 | CD-R | Sbd ?gen cass. > CDwave > Flac |
The Dresden Dolls --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/18/06 | First Avenue | Minneapolis | MN | 2 | CD-R | Taper: empty - neveragain1980 Location: FOB ROC ~20ft, +13ft ^ Mic Config: DIN (cm, ∫) Source: Studio Projects C4's > bm2p+ UA-5 > iRiver h120 (optical @ 16bit 44.1kHz WAV) |
Drive-By Truckers --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
04/20/06 | Charlottesville Pavillion | Charlottesville | VA | 1 | CD-R | FOB DFC DPA(B&K)4011s->Luminous Monarchs->V2->Luminous Synchestra Signature XLRs->AD2K@ 24/96->722. SD722 -> CD Wave (tracking) -> Wavelab 5(edit/dither/resample)-> FLAC. Recorded and transfered by Mark Lynn |
Echo & the Bunnymen --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
07/18/82 | Elixir Festival 4 | Saint Pabu | France | 1 | CD-R | CDR->EAC->Wave->Trader's little helper->Flac level8 |
Electric Flag --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
05/18/68 | The Carousel Ballroom | San Francisco | CA | 2 | CD-R | SB MASTER REELS > AUDIO CD > EAC > FLAC |
Elliott Smith --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
09/28/00 | L'Olympic | Nantes | France | 1 | CD-R | Taper / Editor: Yann LD Source: Sony ECM 717 > Sony MZR 50 Location: 5/10m from the stage, near the soundboard Conversion: Sony MZR 50 > Sound Blaster Live! > Soundforge 7.0 |
05/03/03 | The Steamboat | Austin | TX | 1 | CD-R | SBD > M1 @ 44.1kHz |
Elvis Costello --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
05/20/96 | Paradise Rock Club | Boston | MA | 2 | CD-R | SBD > FM BROADCAST VIA WBOS > D (48 kHz ANALOG INPUT) > ? > D (44.1 kHz) > SSSB |
Elvis Costello & the Imposters --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/17/06 | Bonnaroo Music Festival (What Stage) | Manchester | TN | 2 | CD-R | Source: Binaurals > Sony D8-DAT Tracked using CDWave Encoded using Flac Frontend |
Elvis Presley --- Approximate Hours: 3.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
07/24/70 | RCA Studios | Hollywood | CA | 2 | CD-R | Complete rehearsal for upcoming shows in Las Vegas Sound quality: EXC Stereo SBD Lineage: Trade CD's (freq. analysis ok) > EAC (secure) > WAV > FLAC (level 8, align on sector boundaries) |
03/16/74 | Mid-South Coliseum | Memphis | TN | 1 | CD-R | Recording taken from "Hello Memphis !" CD silver released by Rock Legends in 1997 (Rock Legends CD 1005), thanks to RL ! "Hello Memphis !" > computer > edition & normalization (no equalization) Soundforge > DBpowerAMP > FLAC (level 8) > you |
Emerson, Lake & Palmer --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
02/09/78 | Nassau Coliseum | Uniondale | NY | 2 | CD-R | FM>?>CDr>EAC secure mode, offset corrected>Audacity>CD Wave>shntool>Flac Frontend level 7 align on sector boundaries>FLAC |
Eric Clapton --- Approximate Hours: 13.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
01/13/73 | Rainbow Theatre | London | England | 2 | CD-R | Bootleg title: The Rainbow Concert (Empress Valley) Source: soundboard (SB5) |
01/13/73 | Rainbow Theatre | London | England | 2 | CD-R | Bootleg title: The Rainbow Concert (Empress Valley) Source: soundboard (SB5) |
07/04/74 | St. John Arena | Columbus | OH | 2 | CD-R | Soundboard>?>cdr>EAC>Flac frontend 6 |
12/04/74 | Hammersmith Odeon | London | UK | 2 | CD-R | Soundboard>?>CD Tarantura's "LZ Was There" silvers>DAT |
08/14/75 | The Fabulous Forum | Inglewood | CA | 1 | FLAC | Soundboard Stormy Monday Blues" - Great Dane original silvers>eac>wav>flac |
02/25/91 | Royal Albert Hall | London | UK | 2 | CD-R | soundboard (sb5) lineage: original silvers > cdr(x?) > wav (plextor px504-A/eac offset +66) > flac (flac frontend 1.7.1/verify/allign on sb/level 6) Bootleg title: 24 Carat (Blues Band) (Heart Breakers HB-811-5/6) |
Eric Clapton Compilations --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/08/94 | The FIllmore - 'Nothing But The Blues" Docume | San Francisco | CA | 1 | DVD-R | Filmed by director Martin Scorcese, this documentary was broadcast once on PBS stations, but never officially released for reasons which remain unclear. DVD-R1 with Dolby Digital 2.0 Stereo audio |
The Fall --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
09/06/86 | Queensway Hall | Dunstable | UK | 1 | CD-R | NAK CR-7A > Tape > Technics SH-8055 equalizer > Audacity > CoolEditPro > CDwav > CD |
fIREHOSE --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
03/12/91 | Ancienne Belgique | Brussels | Belgium | 1 | CD-R | Source: SBD>??? Transfer: ???>CD-R>EAC V0.9b4>WAV>FLAC Frontend 1.7.1 (verify, align, level 8) |
04/19/91 | Maxwell's | Hoboken | NJ | 1 | CD-R | AUD |
Flaming Lips --- Approximate Hours: 7.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
01/22/03 | Kentish Town Forum | London | England | 2 | CD-R | FM > SB Live(analogue) > Cooledit Pro > CDWAVE > SHN |
06/10/06 | Wakarusa Music and Camping Festival | Lawrence | KS | 2 | CD-R | Source: (B+K Matched) ADK A51 TL's (cards)>Segue Dogstar XLR's>bm2p+mod UA-5>JB3(optical in @44.1 kHz) Transfer: JB3>Firewire>PC>Wavelab 4.0 (normalize, fades)>CD Wave Editor>Wav>Flac Frontend>Flac Location: FOB, DFC, mics DIN @ 9 ft Taped/Transferred/Seeded by: Sam Stratton |
11/15/06 | KCRW Studios | Santa Monica | CA | 2 | CD-R | FM> Harman Kardon AVR30> Analog Out> Harman Kardon CDR2 Recorder> Audio CDR.WAV> Pioneer DVR-RW DVD-108> EAC> CD WAVE-(Tracking)-> Flac.level-8 |
Flatt & Scruggs --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/15/58 | New River Ranch | Rising Sun | MD | 1 | FLAC | SBD>reel(unknown gen)>CDR>EAC>FLAC16(8) |
Fleetwood Mac --- Approximate Hours: 5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/09/68 | Carousel Ballroom | San Francisco | CA | 2 | CD-R | SBD > ? |
05/21/77 | Nashville Municipal Auditorium | Nashville | TN | 2 | CD-R | SBD>?>Cassette>wav>cdr>eac>wav>flac Level 6 |
Flying Burrito Brothers --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/07/70 | Fillmore East | New York | NY | 1 | CD-R | SB MASTER > CD > SONY SCREENBLAST SOUND FORGE EXTRACTION > CD WAVE EDITOR > FLAC |
Foo Fighters --- Approximate Hours: 5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/14/95 | The Brixton Academy | London | UK | 1 | CD-R | SOURCE- SILVER CD - FLAC QUALITY - EXCELLENT |
11/11/99 | STHLM | Stockholm | Sweden | 1 | CD-R | FM-Broadcast>Tape>CDR>FLAC |
08/22/06 | Wang Theatre | Boston | MA | 2 | CD-R | Taper: Q Rig: Schoeps |
Frank Sinatra --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
05/22/68 | Oakland Coliseum | Oakland | CA | 1 | CD-R | Master Reel SBD > CD |
Frank Zappa --- Approximate Hours: 12.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/24/76 | Music Hall | Boston | MA | 2 | CD-R | AUD>?>CD-R>EAC>wav>Audacity(speed correction)>wav>flac |
02/15/78 | Deutschlandhalle | Berlin | West Germany | 2 | CD-R | SBD> Very Low Gen (maybe 2nd gen) Maxell XLII 90min tapes> Kenwood KX-W8020 Cassette Deck> Sound Blaster Awe32 PC Soundcard> Recorded To WAV And Edited With Cool Edit Pro> WAV Files Split with CDWave> FLAC |
11/17/81 | The Ritz | New York | NY | 2 | CD-R | Master Cassette recorded from WLIR >NAK BX-300>WAV (SB Audigy)>CD-R>EAC>Flac Front end> Make Torrent |
07/21/84 | Palace Theatre | Los Angeles | CA | 2 | CD-R | low gen SBD > Gina20 > SF > WAV > FLAC |
08/12/84 | Blossom Music Center | Cuyahoga Falls | OH | 2 | CD-R | SB>?>cassette>wav (CEP, track splitted)>flac (frontend with SBE correction) |
Frank Zappa & the Mothers of Invention --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
09/30/67 | Konserthuset | Stockholm | Sweden | 1 | CD-R | FM>low gen cassette>wav (CEP, track splitting only)>flac |
Freddie King --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
03/31/75 | January Sound Studios | Dallas | TX | 1 | CD-R | Source: FM Broadcast KZEW 98FM / Soundboard! Transfer: cassette tape I believe > CD-R from trade > EAC > FLAC Level 8 |
Free --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/14/72 | The Sports Centre | Bracknell | UK | 1 | CD-R | sbd or pa mix - tape - cdr |
Fugazi --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
04/05/95 | Irving Plaza | New York | NY | 2 | CD-R | SBD->TCD-D7->ADB MulitWav!Pro->SoundForge 4.5->CDR-WIN->EAC->SHN |
G. Love & Special Sauce --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/16/06 | Bonnaroo | Manchester | TN | 1 | CD-R | Taped by: Kenny Endlich [nikres] Source: Binaurals > Sony D8-DAT |
Garaj Mahal --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
02/08/03 | The Pour House | Raleigh | NC | 2 | CD-R | DAUD/on-stage B&K 4022 (ORTF) > Sound Devices MP2 + SBD >Mackie 1202vlz >Apogee Mini-Me > Tascam DAP1 @ 48kHzTascam DA-20mkii > Tascam CD-RW700 > itunes > .wav > Shorten > SHNv3 |
Garcia --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
07/28/68 | Rancho Olompali | Marin County | CA | 1 | CD-R | Garcia, Casady & Hart: MS?>?>CD>EAC>FLAC, via David Gans |
10/28/69 | 2400 Fulton Street - Jefferson Airplane House | San Francisco | CA | 1 | CD-R | SBD > MR > Cass > DAT > CDR |
Garcia & Grisman --- Approximate Hours: 11.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
12/17/90 | The Sweetwater | Mill Valley | CA | 1 | CD-R | AUD:D > DAT > CD |
02/03/91 | Warfield Theatre | San Francisco | CA | 1 | CD-R | SET 2 ONLY SBD>DAT>ZA2>SHN |
08/25/91 | Goldcoast Concert Bowl | Squaw Valley | CA | 2 | CD-R | MSD>DAT>CDR>EAC>SHN |
12/08/91 | Warfield Theater | San Francisco | CA | 2 | CD-R | sbd > dat > cdr > eac > shn |
12/09/91 | Warfield Theater | San Francisco | CA | 2 | CD-R | MAD (rig, location, and taper uncertain) > DATs > Sony PCM-2600 > Egosys 2496 Waveterminal to HD > initial editing/tracking using Cool Edit 2000 > CDx1 > EAC > re-tracking using CD Wave > SHN using mkwACT |
05/??/92 | Warfield Theater (composite) | San Francisco | CA | 1 | CD-R | DSBD>DATs>CDRs>EAC>SHN |
Garcia & Kahn --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
05/05/82 | Oregon State Prison | Salem | OR | 1 | CD-R | SBD> dat> cd> wav> shn |
01/27/86 | The Ritz | New York | NY | 1 | CD-R | Master Soundboard Soundcraftsman 16x4>Sony D5>Cool Edit>CD Wave>SHN |
Garcia & Saunders --- Approximate Hours: 52.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
09/24/71 | The Lion Share | San Anselmo | CA | 1 | SHN | MR>1C>DAT>CDR>SHN |
06/30/72 | Keystone Korner | San Francisco | CA | 2 | SHN | MSR? > ? > Barry Glassberg's mono reel (obtained "ages ago" from "P.L.") > TEAC X-2000R playback > possible Nakamichi NR-200 Dolby Decoding (if the reel was a Dolby B reel) > Tascam DA-40 DAT > Tascam CDRW-700 CD > Tascam CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > CD by Mark Cohen, EAC > SHN by Joe Jupille |
12/20/72 | Keystone | Berkeley | CA | 2 | SHN | LINEAGE: 166FM[WBAI]SBD.DAT(MSR>DAT>1c>DAT)>CDR>SHN |
01/19/73 | Keystone | Berkeley | CA | 3 | CD-R | Betty Cantor's 10" master sbd reels @ 7.5ips 1/2trk > ? > CD > EAC > CDWave > TLH (FLAC level 8) |
01/24/73 | The Boarding House | San Francisco | CA | 1 | SHN | Early Show MSR -> P -> DATs -> Digi001 -> SHN |
07/05/73 | The Lion's Share | San Anselmo | CA | 3 | CD-R | MSR>DAT4x>Delta DIO 2496>Soundforge>WAV>CD Wave Editor>FLAC |
07/08/73 | The Record Plant | Sausalito | CA | 1 | SHN | Source: KSAN FM > MR > DAT > CD |
09/06/73 | Capitol Theater | Passaic | NJ | 2 | SHN | MAC (Taped by Jerry Moore, single AKG D-1000E [hand-held from left mezzanine, Row N, Seat 10A for first song, then on ledge from first row of mezzanine] > Sony TC-110 [TDK C-120SD]) > Tascam 112MK-II playback > Sony R500 {SBM} > Delta Dio 24/96 > wav > .shn (mkwACT) > wav (mkwACT) > tracking (CD Wave v1.6) > miniscule editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn (mkwACT). A > SHN by John Steinthal, tracking and minor editing by Joe Jupille |
03/09/74 | Keystone | Berkeley | CA | 2 | CD-R | SMR>DAT3x>Delta DIO 2496>Soundforge>WAV>CD Wave Editor>FLAC |
06/04/74 | The Lion's Share | San Anselmo | CA | 2 | SHN | Sndbd->Reel->PCM->DAT->CDR |
06/05/74 | The Lion's Share | San Anselmo | CA | 1 | SHN | S:R?>?>CD Extraction (EAC), slight re-tracking (WavMerge and CD Wave), sector boundary verification (shntool), and .shn encoding (mkwACT) by jupillej@mediaone.net. |
06/06/74 | Keystone | Berkeley | CA | 2 | SHN | AUDMC (Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage, one mic directly in front of Jerry's amp, the other pointed stage center to catch the rest of the band] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN |
07/02/74 | Bottom Line | New York | NY | 2 | SHN | MAC (Taped by Jerry Moore, two AKG D1000Es [from table a few feet from stage, mics on an overturned ashtray and canted upward toward the PA] > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille |
07/03/74 | Bottom Line | New York | NY | 2 | SHN | MAC (Taped by Jerry Moore, two AKG D1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > minor re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille |
07/22/74 | Keystone | Berkeley | CA | 2 | CD-R | MSR > PCM > DAT Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with L3 Multimaximizer > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by B. Koucky |
08/11/74 | Keystone | Berkeley | CA | 2 | SHN | AUDMC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage, one mic directly in front of Jerry's amp, the other pointed stage center to catch the rest of the band] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN; via Jack Warner. |
11/05/74 | Bottom Line | New York | NY | 2 | SHN | MAC (Taped by Jerry Moore, AKG D 1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Mark Cohen, D > CD by David Minches, EAC > SHN by Joe Jupille |
11/08/74 | The Dome, C.W. Post College | Greenville | NY | 2 | SHN | MAC (Taped by Jerry Moore, AKG D 1000Es [front of orchestra about ten feet in front of PA, right side of stage] > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam CD-RW700 master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > CD by Mark Cohen, EAC > SHN by Joe Jupille |
11/14/74 | Paul's Mall | Boston | MA | 1 | SHN | EARLY SHOW MAC (Taped by Jimmy Warburton, single Sony ECM-99 stereo mic [on a table, 8' from stage, left-of-center] > Sony TC-152SD [Dolby B]) > Sony TC-152SD playback > Teac A2300SD 1st gen reel [Dolby B off] > Pioneer RT-701 playback > Teac AN-180 Dolby decoder > Fostex D5 DAT (A>D only) > Turtle Beach Montego II Digital I/O > shn (mkwACT) > wav (mkwACT) > tracking (CD Wave) > .shn (mkwACT). A > SHN by Noah Weiner, tracking by Joe Jupille. |
11/16/74 | The Tower Theatre | Upper Darby | PA | 2 | SHN | 11/16/74 Early and Late Shows MAC (Taped by Jerry Moore, AKG D 1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Mark Cohen, D > CD by David Minches, EAC > SHN by Joe Jupille (jjoops AT attbi DOT com). |
11/28/74 | Great American Music Hall | San Francisco | CA | 3 | CD-R | MSR > PCM > DAT Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by B. Koucky and Seeded by Green Mountain Bros. June 2007 |
06/04/75 | Keystone | Berkeley | CA | 2 | CD-R | MOTB Release: 0046 16bit/44.1Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek McCabe. |
Genesis --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/27/83 | The Spectrum | Philadelphia | PA | 2 | CD-R | Source: Pre-FM LPs Lineage: "Official" SHNs from Genesis DC Hub Taped by: Soundboard Transfered by: ? Bootleg Title: A Phantastic Phabulous Philly |
George Porter Jr. & Friends --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
12/04/99 | Howlin Wolf | New Orleans | LA | 2 | CD-R | "Uptown Funk Down" DSBD > ? > CDR |
Giants of Jazz --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/27/72 | L'Olympia | Paris | France | 1 | CD-R | Radio, A- Dizzy Gillespie- [Trumpet], Kai Winding- [Trombone], Sonny Stitt- [Tenor Sax], Thelonious Monk- [Piano], Al McKibbon- [Bass], Art Blakey- [Drums] |
Gilberto Gil --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
07/01/95 | Estival Jazz Piazza Della Riforma | Lugano | Switzerland | 1 | CD-R | Soundboard > 1st copy > eac > wave > flac frontend (align on sector boundaries Level 8) |
Gomez --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/25/06 | Mr.Small's Theatre | Pittsburgh | PA | 2 | CD-R | Sony ECM-719 > Sony NF610 MD > Audacity > wav > flac |
Gonzalo Rubalcaba & Joao Bosco --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
07/02/04 | Montreal Jazz Festival, Theatre Maisonneuve | Montreal | QC | 1 | CD-R | fm> Sound Forge 6.0> .wav > .shn |
Grateful Dead --- Approximate Hours: 2770 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/03/65 | Golden State Studios | San Francisco | CA | 1 | SHN | SBD>MR>??>DAT>CDR |
02/25/66 | Ivar Theater | Los Angeles | CA | 1 | CD-R | MR>DATx>CD |
03/12/66 | Danish Center | Los Angeles | CA | 1 | SHN | |
03/25/66 | Trouper's Hall | Los Angeles | CA | 1 | CD-R | MR>DAT>ZA2>CD |
07/03/66 | Fillmore Auditorium | San Francisco | CA | 1 | CD-R | MR>DAT>ZA2>CD |
07/16/66 | Fillmore Auditorium | San Francisco | CA | 1 | CD-R | SBD > RTR > PCM > SSSB |
07/17/66 | Fillmore Auditorium | San Francisco | CA | 1 | CD-R | SBD > RTR @ 15 I.p.s. > PCM > D > SSSB |
07/29/66 | P.N.E. Garden Auditorium | Vancouver | BC | 1 | CD-R | MR>C>DAT>CDR>EAC>WAV>SHN |
09/16/66 | Avalon Ballroom | San Francisco | CA | 1 | SHN | SBD>MR>??>CDR |
11/19/66 | Fillmore Auditorium | San Francisco | CA | 1 | CD-R | This is a liberated bootleg that sounds pretty damn good for how old the show is |
12/01/66 | The Matrix | San Francisco | CA | 2 | SHN | SBD>Rm>Reel>Dat>CD>wav>shnv3 |
01/14/67 | Polo Field, Golden Gate Park | San Francisco | CA | 1 | SHN | SBD>MR >?>CDR |
01/27/67 | Avalon Ballroom | San Francisco | CA | 1 | SHN | AUD MR>?>CD |
03/18/67 | Winterland Arena | San Francisco | CA | 1 | SHN | SBD MR > ? > CD > EAC > Cool Edit 96 (Resampled to correct pitch) > SHN > CD |
06/18/67 | Monterey County Fairgrounds | Monterey | CA | 1 | SHN | SBD:MR>Cass>DAT>ZA2>CD |
08/04/67 | O'Keefe Center | Toronto | ON | 1 | SHN | SBD>MR>R>DAT>CDR |
08/04/67 | O'Keefe Center | Toronto | ON | 1 | SHN | SBD MR>?>2R>C>CD Only New Potato Caboose & Viola Lee Blues |
08/05/67 | O'Keefe Center | Toronto | ON | 1 | SHN | SBD>MR>R>DAT>CDR |
08/05/67 | O'Keefe Center | Toronto | ON | 1 | SHN | SBD MR>?>2R>C>CD Only Turn On Your Lovelight & Alligator |
09/03/67 | Dance Hall | Rio Nido | CA | 1 | CD-R | SBD |
09/15/67 | Hollywood Bowl | Hollywood | CA | 1 | SHN | AUD>MC>R>R>NR>DAT>CDR |
10/22/67 | Winterland Arena | San Francisco | CA | 1 | SHN | SBDmR>Cass>DAT>Sonic Solutions via D. Gans>CDR |
11/10/67 | Shrine Exposition Hall | Los Angeles | CA | 1 | SHN | MR>R>DAT>CDEAC |
11/11/67 | Shrine Exhibition Hall | Los Angeles | CA | 1 | SHN | MSR>R>R>DAT>CDR |
11/14/67 | American Studios | North Hollywood | CA | 1 | SHN | MSR>C(1)>DAT>WAV>SHN *only 2 songs* 01 Born Cross-Eyed>Feedback 02 Dark Star |
01/17/68 | Carousel Ballroom | San Francisco | CA | 1 | SHN | SBD>MR>C>D>CD>EAC>SHN |
01/22/68 | Eagles Auditorium | Seattle | WA | 1 | SHN | SBDMR > DAT > Sonic Solutions > CD > EAC > Soundforge > SHN |
01/27/68 | Eagles Auditorium | Seattle | WA | 1 | SHN | SBD:MR>DAT>PCM>DAT>CD Setlist://Spanish Jam Notes: This is all that circulates |
02/02/68 | Crystal Ballroom | Portland | OR | 1 | SHN | SBD |
02/03/68 | The Crystal Ballroom | Portland | OR | 1 | SHN | SBD:MR>DAT>Sonic Solutions>CD (I am a bit doubtful of that though) |
02/14/68 | Carousel Ballroom | San Francisco | CA | 2 | CD-R | MR>DAT>DAT>CD>EAC>SHN |
03/03/68 | Haight Street | San Francisco | CA | 1 | SHN | AUD: Uher RR>DAT>DALCardDeluxe>WAV>CDR Taped by Steve Brown with a handheld mic |
03/16/68 | Carousel Ballroom | San Francisco | CA | 1 | SHN | SBD>MR>C>DAT>CDR |
03/26/68 | Melodyland Theater | Anaheim | CA | 1 | SHN | AUD>MR>D>PCM>D>CD |
03/29/68 | Carousel Ballroom | San Francisco | CA | 1 | SHN | AUD > ?? > CDR |
03/30/68 | Carousel Ballroom | San Francisco | CA | 1 | SHN | AUD>MR>D>PCM>D>CD>EAC>SHN |
03/31/68 | Carousel Ballroom | San Francisco | CA | 1 | SHN | AUD>MR>D>PCM>D>CD>EAC>SHN 1. //Caution%--> (6:15) 2. Feedback--> (4:35) 3. We Bid You Goodnight (1:31) total time: 12:22 |
05/??/68 | Unknown | Unknown | Unknown | 1 | SHN | Vault Reel>DAT>CD>EAC>SHN |
06/14/68 | Fillmore East (Early Show) | New York | NY | 1 | SHN | Late show. . . AUD>MC>R>R>PCM>CD>EAC>SHN |
06/19/68 | Carousel Ballroom | San Francisco | CA | 1 | SHN | SBD>MC>D>CD |
08/22/68 | Fillmore West | San Francisco | CA | 1 | SHN | source 1: SBD>MR>C>D>CD>EAC>SHN (mono) source 2: SBD>MR>C>D>CD>EAC>SHN (stereo) |
08/23/68 | Shrine Exposition Hall | Los Angeles | CA | 2 | SHN | Source unknown (but crispy) |
09/02/68 | Betty Nelson's Organic Raspberry Farm | Sultan | WA | 1 | SHN | SBD>Reel>DAT>WAV via ZA2>CD>EAC>SHN |
09/20/68 | Berkeley Community Theater | Berkeley | CA | 1 | SHN | Lineage: unknown but something like SB > MR > cassette(s) > DAT(s) > CDR(s) > SHN's |
10/10/68 | The Matrix | San Francisco | CA | 3 | CD-R | SBD>Rm>Reel>CD (May Be SBD>Rm>Reel>Reel>CD) |
10/12/68 | Avalon Ballroom | San Francisco | CA | 1 | SHN | SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD |
10/13/68 | Avalon Ballroom | San Francisco | CA | 1 | SHN | http://db.etree.org/shninfo_detail.php?shnid=1027 |
11/01/68 | Armory Building, Silver Dollar Fairgrounds | Chico | CA | 1 | SHN | SBD>MSR>C>DAT>CDR |
11/06/68 | Pacific High Recording | San Mateo | CA | 1 | CD-R | Reel> PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif interconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 by Jamie Waddell |
11/22/68 | Columbus Veterans Hall | Columbus | OH | 1 | SHN | AUD>MR>C>C>C>CD>SHN |
12/21/68 | Shrine Exhibition Hall | Los Angeles | CA | 1 | SHN | Soundboard cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN |
12/24/68 | The Matrix | San Francisco | CA | 1 | SHN | SBD>MR>??>DAT>CDR Disk 1 [31:19] SET1 01. [31:19]Jam (1) |
12/29/68 | Gulfstream Park Racetrack | Hallandale | FL | 1 | SHN | SBD>MC>D>CD>EAC>SHN |
01/18/69 | Playboy Club | West Hollywood | CA | 1 | CD-R | DVD audio from U.K. Mutt's release (VHS master tape of a 1992 rebroadcast> audio processed in Soundforge 6.0, 48kHz, 1536kbps wav, mono) extracted to 44.1kHz, 1411kbps wav with DVD Audio Extractor> tracks cut with GoldWave> compressed to flac with EasyFlac level 5. No SBE's verified with shntool. No other manipulation of audio done. |
01/24/69 | Avalon Ballroom | San Francisco | CA | 1 | SHN | MSR>C>DAT>CD |
01/25/69 | Avalon Ballroom | San Francisco | CA | 1 | CD-R | MSR>C>DAT>CD |
02/02/69 | Labor Temple | Minneapolis | MN | 1 | SHN | SBD>MR>?>D>CD>EAC>SHN |
02/05/69 | Soldiers & Sailors Memorial Auditorium | Kansas City | KS | 1 | SHN | SBD>MC>C>D>CD>EAC>SHN |
02/06/69 | Kiel Auditorium | St. Louis | MO | 1 | SHN | SBD>MC>D>CD>EAC>SHN |
02/07/69 | Stanley Theater (Early, Late) | Pittsburgh | PA | 1 | SHN | Source: SBD>MC(Bear Owsley)>DAT(Rob Eaton)>(Jim Wise) HHb>CDR Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
02/11/69 | Fillmore East (Early show) | New York | NY | 2 | CD-R | SBD (Offical GDP release - not for trade) |
02/15/69 | Electric Factory | Philadelphia | PA | 2 | SHN | Source: SBD>MR>Cassette>DAT>CD>EAC>SHN |
02/21/69 | Dream Bowl | Vallejo | CA | 1 | SHN | SBD>MR>?>DAT>CDR>EAC>CDR |
02/22/69 | Dream Bowl | Vallejo | CA | 1 | SHN | SBD>MR>DAT>CDR |
02/27/69 | Fillmore West | San Francisco | CA | 1 | SHN | 16-Track Master Reel > Rough Mix DAT > DATx3 > Digital Sound Card > WAV > SHN > WAV > Cool Edit > CDWAV > SHN |
02/28/69 | Fillmore West | San Francisco | CA | 2 | SHN | 16-Track Master Reel>DAT>CD>EAC>SHN |
03/01/69 | Fillmore West | San Francisco | CA | 2 | SHN | 16-Track Master Reel > DAT > DAT > CD > EAC > SHN > MKW .WAV file conversion > Cool Edit 2000 > MKW .shn file conversion > shntool > MKW .WAV file conversion > CD |
03/02/69 | Fillmore West | San Francisco | CA | 2 | SHN | Bertha Remaster of the Multi-Track source SBD>>MTMR>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA |
03/28/69 | Student Center, Modesto Jr. College | Modesto | CA | 2 | CD-R | MSR>C>D>CD |
03/29/69 | Ice Palace | Las Vegas | NV | 1 | CD-R | Liberated bootleg: Live At The Ice Palace Source: SBD>?>BOOTCD>CDR |
04/05/69 | Avalon Ballroom | San Francisco | CA | 1 | SHN | SBD -> Rm (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat |
04/11/69 | University Auditorium, U. of Az. | Tucson | AZ | 1 | SHN | SBD>MC>C>D>CD>EAC>SHN |
04/12/69 | Student Union Ballroom, University of Utah | Salt Lake City | UT | 1 | SHN | SBD>MC>C>D>CD>EAC>SHN |
04/13/69 | Ballroom, U. of Co. | Boulder | CO | 2 | CD-R | SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller |
04/15/69 | The Music Box | Omaha | NE | 1 | SHN | SBD>MC>?>CD>EAC>SHN |
04/21/69 | The Ark | Boston | MA | 2 | SHN | Updated gen: MSR > DAT > CDR |
04/22/69 | The Ark | Boston | MA | 2 | SHN | Master Sounndboard Reel > Cassette > DAT x2 > CDR |
05/03/69 | Winterland Arena | San Francisco | CA | 1 | SHN | Reel>PCM>Dat>Tascam DA20> Audio Magic Presto>Prodif Plus>Soundforge>cdwav>shn |
05/23/69 | Seminole Indian Village | Hollywood | FL | 1 | SHN | Source 1: SBD>MR>PCM>D>CD>EAC>SHN Source 2: SBD>MC>R>C>D>EAC>SHN (?) |
05/31/69 | McArthur Court, University of Oregon | Eugene | OR | 2 | CDR | SBD>?>CDR>EAC>SHN |
06/06/69 | Fillmore West | San Francisco | CA | 1 | SHN | SBD>MC>C>D>CD>EAC>SHN |
06/27/69 | Veterans Auditorium | Santa Rosa | CA | 1 | SHN | SBD: MR>?>Cas>CDR |
07/04/69 | Electric Theater | Chicago | IL | 1 | SHN | SBD>MC>D>CD |
07/05/69 | Electric Theater | Chicago | IL | 1 | SHN | SBD>MC>D>CD |
07/07/69 | Piedmont Park | Atlanta | GA | 2 | CD-R | Master Soundboard Cassette > Cassette > DAT > CDR |
08/21/69 | Aqua Theater | Seattle | WA | 1 | SHN | SBD>MC>C>D>CD>EAC>SHN |
09/27/69 | Fillmore East (late) | New York | NY | 1 | SHN | A:?>C>CD; via Jack Warner |
10/25/69 | Winterland Arena | San Francisco | CA | 1 | SHN | SBD>MR>DAT>Sonic Solutions>CDR |
11/02/69 | Family Dog at the Great Highway | San Francisco | CA | 1 | CD-R | mr>c1>dat>turtle bch "Fiji">SHN |
11/07/69 | Fillmore Auditorium | San Francisco | CA | 2 | SHN | MR > DAT > CD > EAC > CDWAV > Cool Edit Pro Noise Filter > SHN > CDR |
12/10/69 | Thelma Theater | Los Angeles | CA | 2 | CD-R | SBD>MR>D>CD>EAC>CD (set 1) AUD>MR>R>D>CD(set 2) |
12/30/69 | Boston Tea Party | Boston | MA | 2 | SHN | SBD>MC>C>D>CD>SHN |
01/02/70 | Fillmore East early show | New York | NY | 2 | SHN | EARLY and LATE shows SBD>MR>C>D>CD>EAC>SHN patched with AUD>??>CD>EAC>SHN |
01/23/70 | Honolulu Civic Auditorium | Honolulu | HI | 2 | SHN | ASBD>DAT>PCM-WAV>SHN |
01/24/70 | Honolulu Civic Auditorium | Honolulu | HI | 1 | SHN | S:MC > cassette > DAT > CD > SHN |
02/11/70 | Fillmore East (late show) | New York | NY | 2 | SHN | MSR>DATs>CDRs>EAC>shn Early and Late shows... |
02/13/70 | Fillmore East (Late Show) | New York | NY | 2 | SHN | mostly from SBD>MR>D>CD>EAC>SHN with patches from: SBD>MR>PCM>D>CD>EAC>SHN SBD>MR>R>D>CD>EAC>SHN mastered on 7" reels @ 15ips Early and Late shows... |
02/14/70 | Fillmore East | New York | NY | 2 | SHN | mostly:SBD>MR>D>CD>EAC>SHN with portions from: SBD>MR>PCM>D>CD>EAC>SHN Early and Late shows. . . |
02/28/70 | Family Dog at the Great Highway | San Francisco | CA | 2 | CD-R | SBD>MR>C>D>CD; Missing Casey Jones and Uncle John's Band |
03/24/70 | Pirates World | Dania | FL | 2 | CD-R | SBD -> Master Reel -> Cassette -> Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC |
04/03/70 | Field House, U. of Cincinnati | Cincinnati | OH | 2 | CD-R | Unknown SBD |
05/01/70 | Alfred College | Alfred | NY | 1 | SHN | Sources: Master Soundboard Reel > DAT > Sonic Solutions > CDR supplies the Acoustic Set and the Electric Set thru the middle of "Drums" (d2t04) Master Soundboard Reel > Reel to Reel > DAT > Sonic Solutions > CDR supplies the balance of "Drums" (d2t04) thru the end of the show |
05/02/70 | Harpur College | Binghamton | NY | 3 | CD-R | Dick's Picks #8 (not for trade) |
05/06/70 | Kresge Plaza, M.I.T. | Cambridge | MA | 1 | SHN | MSR (MIT Reels) > Sonic Solutions Digital Editing (gans) > DATs > CDRs > EAC > SHN |
05/15/70 | Fillmore East (Late Show) | New York | NY | 4 | SHN | MR > DAT > ZA2 > CDR EARLY and LATE SHOWS + NRPS SETS |
05/16/70 | Temple University | Philadelphia | PA | 1 | SHN | AUDMC > ? > C > CD/0 > EAC > WAV > SHN |
05/24/70 | Newcastle-Under-Lyme | Newcastle | England | 2 | SHN | SBD MR>C>D>CD + AUD MR>C>D>CD patches |
06/06/70 | Fillmore West | San Francisco | CA | 2 | SHN | SBD>>MR>>CASS>>DAT>>CDA |
06/07/70 | Fillmore West | San Francisco | CA | 2 | SHN | S:MR>Cass>DAT>ZA2>CD>EAC>shn |
06/21/70 | Pauley Ballroom, U. of California | Berkeley | CA | 1 | SHN | AUD C/3 > CD |
06/24/70 | Capitol Theater (Late) | Port Chester | NY | 4 | CD-R | Late show + NRPS sets The original audience master cassette was recorded on a Sony TC124 with unknown Sony dynamic mics, spread approx. 25-30 ft. across the balcony, by Ken & Judy Lee,. The cassette was baked, processed and transfered via Tascam 122 MK-III > Lucid ADA1000 > Tascam CDRW 700 (CDR) by John Jay Hance. Noise Reduction by Peter G. Audio extraction via Peak 3.2.1 on a G4 Titanium Powerbook, Flac'd with xACT V 1.2 and seeded by BoldCaptain via BitTorrent 3.2.2a. |
07/14/70 | Euphoria Ballroom | San Rafael | CA | 2 | SHN | SBD>MR>C>D>CD>EAC>SHN |
08/05/70 | Golden Hall Community Concourse | San Diego | CA | 1 | SHN | MSR > Reel > PCM > DAT > CDR > EAC > SHN |
08/18/70 | Fillmore West | San Francisco | CA | 2 | SHN | Source: AUD mC>Rx2>DAT>CDR |
08/19/70 | Fillmore West | San Francisco | CA | 2 | SHN | AUD>MC>R>PCM>D>CD>EAC>SHN |
08/30/70 | KQED Studios | San Francisco | CA | 1 | SHN | FM->7inch MR->DAT->CDR->EAC->SHN V.3 |
09/18/70 | Fillmore East | New York | NY | 2 | SHN | source 1: SBD>MR>R>D>CD>EAC>SHN source 2: AUD>MC>R>C>CD>EAC>SHN source 3: AUD>MC>?>C>R>CD>EAC>SHN |
09/19/70 | Fillmore East | New York | NY | 1 | CD-R | Source: Matrix (SBD/AUD mix): SBD: (shnid=5217) - via Seth Kaplan MSR > DAT > CD or SBD> Rm> Reel> Dat> Sonic Solutions> CD> EAC> SHN AUD: (shnid=25473) - via Jack Warner Source 1: MAC (Taped by Jack Toner, Sony TC-110 with built-in microphone) > reel > cassette > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > FLAC Source 2: MAR (Taped by Marty Weinberg, AKG190E>Uher 400L) > Technics 1506 playback> Cardas audiophile cables > HHB CDR 800 master CD > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > FLAC |
09/20/70 | Fillmore East | New York | NY | 2 | SHN | Source: from the original source & documented non-vault 2?nd gen SBD 7 inch reels as noted below, originally recorded in stealth (quite a feat!!) -- Analog To Digital using a Revox A-77 Reel 2 Reel > Alesis Masterlink ML-9600 (24 bit sampled @ 96k) > 16 bit @ 44.1k downsample to CD>EAC>SHN |
10/04/70 | Winterland Arena | San Francisco | CA | 1 | CD-R | SBD FM>MR>R>?>CD>SHN |
10/11/70 | Marion Shea Aud., Paterson State Col. | Wayne | NJ | 1 | SHN | AUD>MC>?>CD>EAC>SHN |
10/23/70 | McDonough Arena, Georgetown U. | Washington | DC | 2 | CD-R | Source: AUD-MCass>DAT>DAT>CDR DAT speed-corrected by David Gans |
10/30/70 | Gym, SUNY (Late Show) | Stony Brook | NY | 2 | SHN | EARLY and LATE shows SBD>MR>PCM>D>CD>EAC>SHN |
10/31/70 | Gym, S.U.N.Y. (Late) | Stony Brook | NY | 3 | CD-R | EARLY & LATE SHOWS Rating: AR-2, Source: A-SBD, SCMS: 00, Gen: M, DOW: Sat, Time: 180 min., Lineage: SBD > RTR > PCM > D, if necessary, any and all NR and/or EQ processes were performed, using between 95% and 100% analog realm outboard equipment, at Serafin Station Studio A or B; released between 03/94 and 12/96 TRANSFER INFO: Sony PCM-R300 > Audiophile 2496 > Cool Edit Pro2 > .WAV > .FLAC |
11/05/70 | Capitol Theater | Port Chester | NY | 1 | SHN | center lodge, mics mounted on rails->Sony cassette audience master-> analog cassette XL II, no dolby->Sony TC D5M DAT->playback on Sony PCM R-700-> HDD via za2->CDR master via CD Architect->EAC->SHN |
11/06/70 | Capitol Theater | Port Chester | NY | 2 | SHN | AUD |
11/08/70 | Capitol Theater | Port Chester | NY | 2 | SHN | The various sources for this composite recording make an accurate genealogy impossible, but the bulk of the recording seems to be MAC>C>D>CD, with a couple of mystery gens in there somewhere |
11/08/70 | Capitol Theater | Port Chester | NY | 4 | CD-R | Technical Notes: The original audience master cassettes (4 Ampex C361-90) were recorded on a Sony TC124 with unknown dynamic mics, spread approx. 25-30 ft. across the balcony, by Ken & Judy Lee. The cassette tape was baked and re-shelled, then transferred via Tascam 122 MK-III > Lucid ADA1000 > Tascam DA30-II (DAT) > Tascam CDRW 700 (CDR) by John Jay Hance. Editing By Peter G. via Soundforge. No noise reduction was applied. Audio extraction and further editing via Peak 4.0, compressed to .shn with xACT 1.3, and seeded by BoldCaptain via Azureus 2.1. |
11/09/70 | Action House | Island Park | NY | 1 | SHN | AUD low gen |
11/10/70 | Action House | Island Park | NY | 1 | SHN | AUD>MR>?>CD>EAC>SHN (most of NFA from Weinberg source) AUD>?>C>CD>EAC>SHN (two other aud sources that provide the patch in NFA and all of The Other One) |
11/11/70 | 46th Street Rock Palace | Brooklyn | NY | 2 | SHN | AUD>MC>C>C>C>C>D>CD>EAC>SHN |
11/16/70 | Fillmore East | New York | NY | 1 | SHN | MR>Revox deck (model unknown): 10" ? track Reel @ 7.5ips>Revox B77 playback deck>Alesis Masterlink ML9600>CD>EAC>Cool Edit 2000>SHN |
11/21/70 | Sargent Gym, Boston University | Boston | MA | 1 | SHN | SBD C/? > CDR |
11/29/70 | Club Agora | Columbus | OH | 1 | SHN | AUD low gen |
12/27/70 | Legion Stadium | El Monte | CA | 2 | CD-R | MSR>C>D>CD |
12/28/70 | Legion Stadium | El Monte | CA | 2 | CD-R | SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN |
12/31/70 | Winterland Arena | San Francisco | CA | 2 | SHN | Disc 1 Tracks 1-6: FMS (KSAN)>??>Cass>DAT>CDR Disc 1 Tracks 7-9: SBD MR>Cass>DAT>CDR (Pre-FM GDH) Disc 2 Tracks 1-2: FMS (KSAN)>??>Cass>DAT>CDR Disc 2 Tracks 3-4: SBD MR>??>Cass>DAT>CDR |
12/31/70 | Winterland Arena (aftershow) | San Francisco | CA | 1 | SHN | sbd>?reel?>dat>cd |
??/??/70 | Pacific High Recording Studio | San Francisco | CA | 1 | CD-R | studio MR>?>C>SF>CDR Workingman's Dead Studio Outtakes |
01/24/71 | Seattle Center Arena | Seattle | WA | 2 | CD-R | SBD>MR>C>DAT>CDR |
02/18/71 | Capitol Theater | Port Chester | NY | 2 | SHN | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R |
02/19/71 | Capitol Theatre | Port Chester | NY | 3 | CD-R | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files |
02/20/71 | Capitol Theater | Port Chester | NY | 3 | CD-R | 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R |
02/21/71 | Capitol Theater | Port Chester | NY | 3 | CD-R | SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R |
02/23/71 | Capitol Theater | Port Chester | NY | 3 | CD-R | SBD>MR>DAT>SFNR>CD-R |
02/24/71 | Capitol Theater | Port Chester | NY | 3 | CD-R | via Leigh Orf; WBOTB source > distortion removed digitally |
03/03/71 | Fillmore West | San Francisco | CA | 2 | CD-R | SBD>MR>DAT>CDR |
03/14/71 | Camp Randall Field House, University of Wisconsin | Madison | WI | 1 | SHN | Source: Sbd>MR>Dat>CD Conversion: Kenwood TrueX>EAC(range/high/secure)>CDWav(split)>shn V3 |
03/18/71 | Fox Theatre | St. Louis | MO | 2 | SHN | SBD(7")MR>Cass>DAT>CD |
03/20/71 | University of Iowa | Iowa City | IA | 2 | SHN | SBD > MR > cass > dat > CD > SHN (seekable) |
03/24/71 | Winterland Arena | San Francisco | CA | 1 | SHN | SBD>MR>D>CD>EAC>SHN ***one SHN disc//one audio disc*** |
04/04/71 | Manhattan Center | New York | NY | 2 | FLAC | MSR>C>DAT3x>Delta DiO 2496>SoundForge 7.0>cdwav>Flac |
04/05/71 | Manhattan Center | New York | NY | 2 | SHN | SBD>reel>DAT>Sound Forge Noise Reduction (notch)>SHN |
04/06/71 | Manhattan Center | New York | NY | 2 | CD-R | 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz ; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi); PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4 |
04/08/71 | Music Hall | Boston | MA | 3 | CD-R | sdb |
04/10/71 | East Hall, Franklin & Marshall College | Lancaster | PA | 2 | CD-R | SBD>MR>C>DAT>CD |
04/12/71 | Civic Arena | Pittsburgh | PA | 2 | CD-R | SBD -> Reel Master -> Dat -> Sound Forge -> CD |
04/17/71 | Dillon Gym, Princeton University | Princeton | NJ | 2 | CD-R | Main: S:R?D Dub: S:RPD |
04/21/71 | Rhode Island Auditorium | Providence | RI | 2 | CD-R | MSR>R>D>CD>DAE>SHN |
04/22/71 | Bangor Municipal Auditorium | Bangor | ME | 2 | CD-R | Master Soundboard Reel > DAT > CDR |
04/25/71 | Fillmore East | New York | NY | 1 | CD-R | Partial set 2; sbd>RM>?>DAT>CD |
04/26/71 | Fillmore East | New York | NY | 2 | SHN | MR>CDR>SHN + NRPS SET |
04/27/71 | Fillmore East | New York | NY | 2 | SHN | MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R |
04/28/71 | Fillmore East | New York | NY | 2 | SHN | Disk #1 & #2 (up to splice in Bird Song): MSR >Reel >Alesis Masterlink>CD-R End of Bird Song and Disk #3 & #4: MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R |
04/29/71 | Fillmore East | New York | NY | 3 | SHN | MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R |
07/02/71 | Fillmore West | San Francisco | CA | 2 | SHN | SBD |
07/31/71 | Yale Bowl, Yale University | New Haven | CT | 2 | SHN | I: AudMR > CD > EAC > WAV > SHN II: AudMR > C > DAT > CD > EAC > WAV >SHN |
08/05/71 | Hollywood Palladium | Hollywood | CA | 2 | SHN | AUD>MR>R>D>CD>EAC>SHN |
08/06/71 | Hollywood Palladium | Hollywood | CA | 2 | SHN | Source: AKG 330->Sony 770 Reel to Reel (50 ft back from the stage)->D D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) SHN and upload by Ben Yerys |
08/21/71 | Mickey's Barn | Novato | CA | 1 | SHN | originally recorded on Sony TC-24 |
09/??/71 | Keith rehearsals | Santa Venetia | CA | 1 | CD-R | Liberated Bootleg > eac >wav >shn |
10/19/71 | Northrop Auditorium, U. of Minn. | Minneapolis | MN | 2 | SHN | PreFM Soundboard Reels > DAT > CDR |
10/21/71 | Auditorium Theatre | Chicago | IL | 2 | SHN | Bertha Remaster of (Master Reel>>Cassette) source. |
10/29/71 | Allen Theatre | Cleveland | OH | 1 | CD-R | SET 2 ONLY SBD>MR>DAT>CDR>EAC>SHN |
11/07/71 | Harding Theater | San Francisco | CA | 4 | CD-R | sdb>>MR>>D>>CD |
11/12/71 | San Antonio Civic Auditorium | San Antonio | TX | 2 | SHN | Master Soundboard Reel > Cassette > DAT > CDR |
12/02/71 | Music Hall | Boston | MA | 2 | SHN | SBD>MR>R>DAT>CDR |
12/04/71 | Felt Forum, Madison Square Garden | New York | NY | 2 | CD-R | SBD>MR>DAT>C>DAT>CDR |
12/05/71 | Felt Forum, Madison Square Garden | New York | NY | 2 | SHN | Pre-FM > MR > DAT > CD |
12/06/71 | Felt Forum, Madison Square Garden | New York | NY | 3 | CD-R | MSR>DAT>CD |
12/07/71 | Felt Forum, Madison Square Garden | New York | NY | 2 | CD-R | SBD=>MR@ 10 ? IPS=>DAT=>CD |
12/15/71 | Hill Auditorium | Ann Arbor | MI | 2 | SHN | set 1: SBD>MR>?>C>CD>EAC>SHN (multiple analog generations) set 2: SBD>MR>C(?)>D>CD>EAC>SHN |
12/31/71 | Winterland Arena | San Francisco | CA | 2 | SHN | FMS > reel > dat > cdr |
01/02/72 | Winterland Arena | San Francisco | CA | 2 | CD-R | Soundboard Master > Reel > CD > SonicSolutions Workstation > CD> SHN |
03/05/72 | Winterland Arena | San Francisco | CA | 1 | SHN | sbd>cass>cass>cass>dat>cd |
03/21/72 | Academy Of Music | New York | NY | 1 | SHN | SET II ONLY SBD>MR>DAT>CDR |
03/22/72 | Academy of Music | New York | NY | 1 | SHN | A:?>Cass>Reel>CD>EAC>SHN Only 2 songs: Disc 1:Playin'In The Band//Ca//ution |
03/23/72 | Academy of Music | New York | NY | 1 | SHN | Betty Board > Gans CD > CD > DAE > SHN |
03/25/72 | Academy of Music | New York | NY | 2 | SHN | AUD composite: set one: source A - low-gen reel > C > CDR source B - MC > C > CDR; different master than source A set two: source C - low-gen cassette > CDR source B - MC > C > CDR, patch only, inferior sound than source C |
04/07/72 | Wembley Empire Pool | London | England | 2 | SHN | AUD MR>C>CDR + M?>low-gen reel>CDR the first AUD master supplies most of this show |
04/08/72 | Wembley Empire Pool | London | England | 2 | SHN | Discs 1 and 2: MR > DAT > CD > EAC > SHN Disc 3: MR > DAT > Sonic Solutions > CD > EAC > SHN |
04/11/72 | Newcastle City Hall | Newcastle | England | 2 | SHN | SBD MC>D>CD>SoundForge>CD |
04/14/72 | Tivoli Theater | Copenhagen | Denmark | 2 | SHN | MSR>Cassette>DATs>CDRs>EAC>SHN |
04/16/72 | Stakladen, Aarhus University | Aarhus | Denmark | 3 | CD-R | Set 1: SBD>Rm>?>Cass>Sound Forge>SHN Set 2: SBD>Rm>Dat>Sonic Solutions>CD>EAC>Samplitude>SHN |
04/17/72 | Tivoli Concert Hall | Copenhagen | Denmark | 1 | SHN | SBD>??>French TV Broadcast>C>DAT>CDR |
04/17/72 | Tivoli Concert Hall | Copenhagen | Denmark | 3 | CD-R | SBD>24 track 2" MR>DAT4x>Delta Dio 2496>Soundforge>WAV>Cd Wave Editor>Flac |
04/21/72 | Beat Club | Bremen | Germany | 1 | CD-R | SBD>FM>MR>PCM>DAT>CDR > EAC(secure) > Cool Edit (minor cleanup) > mkwact |
04/24/72 | Rheinhalle | Düsseldorf | Germany | 2 | SHN | source 1: AUD>MR>C>D>CD>EAC>SHN source 2: SBD>??>D>CD>EAC>SHN |
04/26/72 | Jahrhundert Halle | Frankfurt | Germany | 2 | SHN | SBD > ? > CE2K (minor cleanup) > mkwact > SHN(seekable) Hundred Year Hall Outtakes |
04/29/72 | Musikhalle | Hamburg | Germany | 2 | SHN | MR*>cass>SB Live!>.wav>.shn>CD-R. (* believed to be Uher Reel Machine at 4.75 cm/sec) |
04/29/72 | Musikhalle | Hamburg | Germany | 1 | SHN | AUD/SBD Matrix of the Set 2 Jam SBD Source: SBD>MR>??>DAT>CDR Aud Patch Source: MR*>cass>SB Live!>.wav>.shn>CD-R. (* believed to be Uher Reel Machine at 4.75 cm/sec). |
05/03/72 | Olympia Theater | Paris | France | 2 | SHN | Soundboard->Master Reel (multi-track)->DAT x 5 >ZA2->.wav->mkw->SHN |
05/04/72 | Olympia Theater | Paris | France | 2 | SHN | SBD > reel > DAT > CDR (via Jay Serafin) |
05/07/72 | Bickershaw Festival | Wigan | England | 2 | SHN | Discs 1 & 2 are a compilation of multiple Audience sources which were used to piece together the complete 1st set and first 4 songs of the 2nd set. The various versions were all speed corrected, but there are still some speed fluctuations and "wow and flutter" here and there. Discs 3 & 4 are supplied from a Master Soundboard Reel > DAT source. The previously circulating, 2nd set partial Betty Board was used to patch "The Other One". |
05/10/72 | Concertgebouw | Amsterdam | Netherlands | 4 | CD-R | S:MR > Cassette > DAT > CDR > SHN |
05/11/72 | Rotterdam Civic Hall | Rotterdam | Netherlands | 2 | SHN | Bertha Remaster of (Master Reel) source SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>SHN |
05/13/72 | Lille Fairgrounds | Lille | France | 3 | CD-R | source: sbd > mr > cass > dat > cda > wav > shn v3 dae: eac, high secure mode, offsets in place |
05/16/72 | Theatre Hall | Luxembourg | Luxembourg | 2 | CD-R | SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN |
05/18/72 | Kongressaal Deutsches Museum | München | Germany | 2 | SHN | master reel>>sdb>>?>>dat>>cdr |
05/23/72 | Lyceum Ballroom | London | England | 1 | CD-R | Set 2 partial: Ramble On > Comes A Time MSR>C>DAT>CD; EAC>WAV>FLAC |
05/23/72 | Lyceum Ballroom | London | England | 4 | CD-R | lineage unknown, but believed to be 10" 2-track reel master>1 cassette generation>DAT> 1 cassette generation>circulation |
05/24/72 | Lyceum Ballroom | London | England | 2 | CD-R | source: aud: mono crappy Pye cassette recorder with hand-held mike > ampex R2R > cdr > eac > cep > cdwav > shn; taped by Chris Jones; transferred (untracked) to CDR by Graham Harper; Remastered by SirMick |
05/25/72 | Lyceum Ballroom | London | England | 1 | CD-R | MSBDR > 2 casstte gens > DAT > CDR > EAC > SHN |
05/26/72 | Lyceum Ballroom | London | England | 4 | CD-R | S:MR>DATx5>CD |
07/16/72 | Dillon Stadium | Hartford | CT | 4 | CD-R | source 1: SBD>MR>C>D>CD>EAC>SHN source 2: AUD>?>SHN the audience recording supplies: --all of disc 1, --on disc 2, the final portion of Me & My Uncle through to the end of Sing Me Back Home |
07/18/72 | Roosevelt Stadium | Jersey City | NJ | 2 | SHN | Lineage for SBD source: S:MR > cassette > DAT > CD > SHN Lineage for AUD patches: Master AUD cassette > ? > reel > DAT > CD (Analog > digital transfer by Noah Weiner) for D3T04 03:35 - 06:36 and D4T05 thru D4T07 Source switches to Master AUD cassette > ? > cassette > DAT > CD where the reel ends at 6:17 of GDTRFB. Not Fade Away cuts very near end. |
07/22/72 | Paramount Northwest Theater | Seattle | WA | 2 | CD-R | SBD MR>PCM>D>CD |
07/25/72 | Paramount Theater | Portland | OR | 4 | CD-R | SBD>MR>C>D>CD>EAC>SHN |
07/26/72 | Paramount Theater | Portland | OR | 4 | CD-R | Source: MR > PCM > DAT > CD > EAC > SHN Patch Source: Master Soundboard Reel > DAT > ZA2 > CDR x2 |
08/12/72 | Sacramento Memorial Auditorium | Sacramento | CA | 2 | SHN | SBD Reel master > unknown* > DAT > CDR > EAC > SHN |
08/20/72 | San Jose Civic Auditorium | San Jose | CA | 3 | CD-R | SBD -> Cassette Master -> Reel -> Dat (48k) |
08/21/72 | Berkeley Community Theater | Berkeley | CA | 2 | SHN | Sbd -> RTR -> PCM -> PCM (Set 2 Only) -> D -> SSSB -> SHN |
08/22/72 | Berkeley Community Theater | Berkeley | CA | 2 | SHN | SBD>MR>?>CD>EAC>SHN: (low gen); (set 1) SBD>MR>PCM>D>CD>EAC>SHN: (set 2) |
08/24/72 | Berkeley Community Theater | Berkeley | CA | 3 | CD-R | SBD -> Rm -> Dat (48kHz Sony 500) -> Prodif Plus -> Samplitude v6.0 -> SHN |
08/25/72 | Berkeley Community Theater | Berkeley | CA | 1 | SHN | 7" Betty Board Reel > PCM501ES analog out > Fostex D5 optical S/PDIF out (Jace's tape) > disk |
08/27/72 | Old Renaissance Faire Grounds | Veneta | OR | 2 | SHN | LINEAGE SET I / II: SBD > 4-TRACK RTR @ 7.5 i.p.s. > PCM > D > SSSB LINEAGE SET III: SBD > 4-TRACK RTR @ 7.5 i.p.s. > PCM > PCM > D > SSSB SSSB Audio Rating: AR-2 |
08/27/72 | Old Renaissance Faire Grounds | Veneta | OR | 2 | SHN | SBD>16 Track Master Reels>DAT@44.1K>DAT>DAT>WAV>SHN DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f (see error logs below) WAV was edited in Soundforge 4.0 (crossfading of reel cuts between songs, no music was disturbed except for Sugar Magnolia) WAV>SHN via CDWAV 1.53>MKW 0.97b *Dankseed Certification received 01-07-03* |
09/03/72 | Folsom Field, U of Colorado | Boulder | CO | 2 | SHN | SBD>MR>C>D>CD>EAC>SHN (provides most of sets 2 and 3) AUD>?>C>CD>EAC>SHN (provides all of set 1 plus patches in sets 2 and 3) |
09/09/72 | Hollywood Palladium | Hollywood | CA | 2 | SHN | Sbd: MR>DAT>CDR>SHN |
09/10/72 | Hollywood Palladium | Hollywood | CA | 2 | SHN | SBD > [MR > C > DAT(s) ??] > CDR(s) > EAC > SHN > SHNTOOL (fix sector boundaries by sets) > mkwact (seekable) |
09/15/72 | Music Hall | Boston | MA | 2 | SHN | Source 1: MAC > Reel > Cassette > DAT > CD Recorded by Bill Degen from balcony front row Source 2: Lower quality (hissier) aud (source unknown) MAC > ? > DAT (supplied by Dave Minor) > CD |
09/16/72 | Music Hall | Boston | MA | 2 | SHN | Source 1: AUD>MC>C>D>CD>EAC>SHN Source 2: SBD>MR>C>D>CD>EAC>SHN |
09/17/72 | Baltimore Civic Center | Baltimore | MD | 3 | CDR | SBD (Dick's Picks 23 - not for trade) |
09/19/72 | Roosevelt Stadium | Jersey City | NJ | 2 | SHN | AUD>MC>?>D>CD>EAC>SHN |
09/21/72 | The Spectrum | Philadelphia | PA | 2 | SHN | |
09/23/72 | Palace Theater | Waterbury | CT | 2 | SHN | SBD>MR>Cass>DAT>CDR>EAC>SHN |
09/24/72 | Palace Theater | Waterbury | CT | 2 | SHN | SBD>MR>CASS>DAT>CDR>EAC>SHN |
09/26/72 | Stanley Theatre | Jersey City | NJ | 2 | SHN | SBD > MR > DAT(48kHz) > za2 > CD |
09/27/72 | Stanley Theatre | Jersey City | NJ | 3 | CD-R | SBD Reel>Reel>PCM>DAT from "People's Choice tree" |
09/28/72 | Stanley Theatre | Jersey City | NJ | 2 | SHN | master reel>>pcm>>dat>>cdrSET II ONLY |
09/28/72 | Stanley Theatre | Jersey City | NJ | 3 | CD-R | SBD>>MR>>DAT>>CDA>>WAV>>SHN>>FLAC>>DAW(Bertha)>>SHN/CDA |
09/30/72 | American University | Washington | DC | 2 | SHN | SB>MR>Cassette>DAT>CD except OMSN SB>MR>cass(2)>DAT>CD |
10/02/72 | Springfield Civic Center | Springfield | MA | 2 | SHN | master reel sdb>>cassette>>dat>>cdr |
10/09/72 | Winterland Arena | San Francisco | CA | 2 | SHN | SBD > MR > C > DAT > CDR |
10/17/72 | Fox Theatre | St. Louis | MO | 2 | SHN | MSR>C>DATs>CDRs>EAC>SHN |
10/18/72 | Fox Theatre | St. Louis | MO | 2 | SHN | SBD > MR > Cass > DAT > CDR |
10/19/72 | Fox Theatre | St. Louis | MO | 2 | SHN | SBD > MR > Cass > DAT > CDR |
10/24/72 | Milwaukee Performing Arts Center | Milwaukee | WI | 1 | SHN | SBD |
10/26/72 | Cincinnati Music Hall | Cincinnati | OH | 1 | SHN | SBD -> Rm -> Cass -> Cass -> Dat -> Samplitude -> SHN |
10/27/72 | Veterans' Memorial Hall | Columbus | OH | 3 | CD-R | SBD(a) Source: MSR>R>C>DAT>WAV>SHN SBD(b) Source: MSR>Many Gens??>C>DAT>WAV>SHN AUD Source: MAR>C>D>CD>EAC>SHN |
10/28/72 | Cleveland Public Hall | Cleveland | OH | 2 | SHN | SBD>>MC>>DAT>>CDA>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN Ampex C-90 cassette master |
10/30/72 | Ford Auditorium | Detroit | MI | 2 | SHN | AUD>MR>C>C>C>D>CD>EAC>SHN |
11/13/72 | Soldiers and Sailors Memorial Hall | Kansas City | KS | 2 | SHN | master #1: AUD MR>C>D>CD recorded by Bear |
11/14/72 | Civic Center Music Hall | Oklahoma City | OK | 2 | SHN | SBD>MC>C>D>CD>EAC>SHN |
11/14/72 | Civic Center Music Hall | Oklahoma City | OK | 2 | SHN | Source One: SBD -> Master Reel -> Cassette x 3 -> Dat (d1t01 -> d2t09) Source Two: SBD -> Master Reel -> Cassette -> Dat (d2t10 -> d3t07) |
11/15/72 | Civic Center Music Hall | Oklahoma City | OK | 1 | SHN | SBD>MR>C>C>C>D>CD>EAC>SHN |
11/17/72 | Century II Convention Hall | Wichita | KS | 2 | SHN | Master Soundboard Reel > Cassette > DAT > CR > EAC > WAV > SHN with patches Master Audience Cassette > ? > Cassette > CD |
11/18/72 | Hofheinz Pavilion | Houston | TX | 1 | SHN | Set II only SBD>MC>C>D>CD>EAC>SHN |
11/19/72 | Hofheinz Pavilion | Houston | TX | 2 | SHN | SBD |
11/22/72 | Austin Municipal Auditorium | Austin | TX | 2 | SHN | SBD>MR>D>CD>SHN |
11/24/72 | Dallas Memorial Auditorium | Dallas | TX | 2 | SHN | SBD>MR>DAT>CDR>EAC>SHN |
11/26/72 | San Antonio Civic Auditorium | San Antonio | TX | 2 | SHN | 1st set: SBD>MR>?>D>CD>EAC>SHN 2nd set: SBD>MR>C>D>CD>EAC>SHN |
12/10/72 | Winterland Arena | San Francisco | CA | 3 | CD-R | SBD>MR>C>C>C>DAT>CDR |
12/11/72 | Winterland Arena | San Francisco | CA | 2 | SHN | SBD > MR > ?? > CDR |
12/12/72 | Winterland Arena | San Francisco | CA | 3 | CD-R | SBD (7 inch Master Reel @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> FLAC |
12/15/72 | Long Beach Arena | Long Beach | CA | 2 | SHN | S:MR>Cass>DAT>PCM>DAT>CD * = w/ patches from S:MR>R>R>DAT copy |
12/31/72 | Winterland Arena | San Francisco | CA | 2 | SHN | Pre-FM KSAN Reel > DAT > SHN SHN > WAV (Shntool) > SHN V3 (mkwACT) by cwier60@yahoo.com |
02/09/73 | Roscoe Maples Pavilion, Stanford University | Palo Alto | CA | 2 | SHN | MR 2 Track Reel > 7.5 IPS 1/4 tack dolby B reel > DAT > Sonic Solutions > CDR |
02/15/73 | Dane County Coliseum | Madison | WI | 2 | SHN | MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD |
02/17/73 | St. Paul Auditorium | St. Paul | MN | 2 | SHN | SBD:MR>PCM>DAT>CD |
02/19/73 | International Amphitheatre | Chicago | IL | 2 | CD-R | SBD : MC > C > DAT > SS > CDR > EAC > SHN |
02/21/73 | Assembly Hall, Univ. Of Illinois Urbana-Champaign | Urbana | IL | 4 | CD-R | complete; MR > DAT > 1 cass > DAT > CDR 3x; via G. Hamilton; see info file for misc flaws, esp d1; 4-disc set with 2/22 |
02/26/73 | Pershing Municipal Auditorium | Lincoln | NE | 3 | CD-R | S:MR > cassette > DAT > CDR > EAC > SHN; EAC/SHN by Seth Kaplan; upload by Greg Hamilton; note D3t02 (Eyes): splice @ 3:25 |
02/28/73 | Salt Palace | Salt Lake City | UT | 2 | CD-R | Noah Weiner (see info file for details). Upgrade to previous copies with complete EOTW & AWBYGN. |
03/15/73 | Nassau Veterans Memorial Coliseum | Uniondale | NY | 2 | SHN | Unknown AUD > ? cdr |
03/16/73 | Nassau Veterans Memorial Coliseum | Uniondale | NY | 3 | CD-R | Set 1: Betty MSR > PCM > DAT > CD Set 2: MSR > Reel > DAT > CD |
03/19/73 | Nassau Veterans Memorial Coliseum | Uniondale | NY | 2 | CD-R | SBD:MR>Cas>Cas>DAT>CD |
03/21/73 | Utica Memorial Auditorium | Utica | NY | 2 | SHN | SBD>MR>?>D>CD>SHN |
03/24/73 | The Spectrum | Philadelphia | PA | 2 | SHN | S:MR > cassette > cassette > DAT > CDR |
03/26/73 | Civic Center | Baltimore | MD | 2 | SHN | SBD>>MR>>DAT>>CDA - Sound A Show A+ |
03/28/73 | Springfield Civic Center | Springfield | MA | 2 | SHN | AudMC > R > DAT > WAV > SHN taper: Andy Nourse - equipment unknown |
03/31/73 | Buffalo Memorial Auditorium | Buffalo | NY | 3 | CD-R | Master Soundboard Reel > Cassette > DAT > CD-R |
04/02/73 | Boston Garden | Boston | MA | 2 | SHN | Master 7.5 ips 2 Track reel>DAT>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN |
05/20/73 | Campus Stadium, UCSB | Santa Barbara | CA | 2 | SHN | AUD -MC>R>C>DAT>HD>SHN>CD |
05/20/73 | Campus Stadium, UCSB | Santa Barbara | CA | 2 | SHN | SBD - 7" Master Reels at 7.5ips half-track > Panasonic SV-3700 DAT > Panasonic SV-3800 DAT > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
05/26/73 | Kezar Stadium | San Francisco | CA | 4 | CD-R | SBD |
06/10/73 | Robert F. Kennedy Stadium | Washington | DC | 4 | CD-R | SBD |
06/22/73 | P.N.E. Coliseum | Vancouver | BC | 2 | SHN | AUDMC > Reel > Reel > CD > DAT > WAV > SHN |
06/24/73 | Memorial Coliseum | Portland | OR | 2 | SHN | set 1: SBD>?>C>CD>EAC>SHN (unknown analog generations) set 2: SBD>MR>C>D>CD>EAC>SHN |
06/30/73 | Universal Amphitheatre | Universal City | CA | 2 | SHN | AudMR > R > DAT > WAV > SHN |
06/30/73 | Universal Amphitheatre | Universal City | CA | 2 | SHN | SBD>?>DAT>CD>EAC>SHN |
07/01/73 | Universal Amphitheatre | Universal City | CA | 3 | CD-R | daud>Sony ec M22P mics>Sony 770 MR>R1>DAT>CDR |
07/27/73 | Grand Prix Racecourse | Watkins Glen | NY | 2 | cd-r | no regular info file (circualted with covers); 2 "history txts" |
07/28/73 | Grand Prix Racecourse | Watkins Glen | NY | 4 | CD-R | no regular info file (circualted with covers); 2 "history txts" |
07/31/73 | Roosevelt Stadium | Jersey City | NJ | 3 | CD-R | AudMC > DAT > CD > EAC > SHN Recorded by Jerry Moore with AKG 1000 mic > Sony 110 deck TDK C-120SD master cassettes |
08/01/73 | Roosevelt Stadium | Jersey City | NJ | 2 | SHN | 1) SBD>MR>R>R>D>CD>EAC>SHN 2)SBD>MR>C>D>CD>EAC>SHN 3)AUD>MR>C>C>C>CD>EAC>SHN |
08/??/73 | Record Plant | Sausalito | CA | 1 | CD-R | Betty> BCM> DAT> DAT> DIO 2448> SHN |
09/07/73 | Nassau Veterans Memorial Coliseum | Uniondale | NY | 2 | SHN | Sbd, Reel M->Cass 1->Dat 0 -> DAT 1(?) -> CD, 7inch Master Reel: 7.5ips 1/2trk->Tascam 122mkIII 1st Gen Cass->DAT 1(?) |
09/08/73 | Nassau Veterans Memorial Coliseum | Uniondale | NY | 3 | CD-R | master reel->Dat->HD->CDR |
09/11/73 | College Of William & Mary Hall | Williamsburg | VA | 3 | CD-R | MSR> one cassette gen> DAT> CDR> shn |
09/12/73 | College Of William & Mary Hall | Williamsburg | VA | 2 | SHN | SBD>MR>C>DAT>CDR>EAC>MKWact |
09/15/73 | Providence Civic Center | Providence | RI | 2 | SHN | set 1: AUD>M?>C>C>D>SHN set 2: SBD>MR>D>CD>EAC>SHN |
09/17/73 | Onondaga County War Memorial | Syracuse | NY | 2 | SHN | SBD>MR>D>CD>EAC>SHN (most of show) SBD>MR>C>C>D>CD>EAC>SHN (d1t01-->d1t09) |
09/21/73 | The Spectrum | Philadelphia | PA | 3 | CD-R | SBD -> Rm -> Reel -> PCM -> Dat (Sony R500) -> Samplitude v6.0 -> Cool Edit Pro v1.2 -> CD -> EAC -> SHN |
09/26/73 | Community War Memorial Auditorium | Buffalo | NY | 2 | SHN | SBD: Rm > DAT > CD / Patched with unknown AUD > WAV > SHN |
10/21/73 | Omaha Civic Auditorium | Omaha | NE | 2 | SHN | MSR->C->D->CD |
10/23/73 | Metropolitan Sports Center | Bloomington | MN | 1 | CD-R | MSR>D>CD |
10/25/73 | Dane County Coliseum | Madison | WI | 2 | SHN | SBD Master Reel > ? > DAT > CD-R > EAC (secure) > Cool Edit(minor cleanup) > CDWAV > mkwact(seekable) |
10/27/73 | Indianapolis State Fair Coliseum | Indianapolis | IN | 3 | CD-R | MSR > R > C > D > CD patched with MAC > ? > D Conversion: CDR > EAC > CDWave > CoolEditPro > shntool > mkwACT > SHN (seekable) by Charles Wie |
10/29/73 | Kiel Auditorium | St. Louis | MO | 3 | CD-R | MSR>C>DAT>Circulation>EAC>SHN |
10/30/73 | Kiel Auditorium | St. Louis | MO | 4 | CD-R | SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC |
11/01/73 | McGaw Memorial Hall, Northwestern University | Evanston | IL | 1 | SHN | SET II ONLY MR > C1 > DAT > CD > Toast Audio Extractor (overlap) > WAV > SHN |
11/09/73 | Winterland Arena | San Francisco | CA | 2 | SHN | SBD>MR>C>DAT>CDR |
11/10/73 | Winterland Arena | San Francisco | CA | 3 | CD-R | SBD>MR>R>PCM>DAT>CDR |
11/11/73 | Winterland Arena | San Francisco | CA | 2 | SHN | Disks 1-2MSR>Cass>Cass>DATs>CDRs>EAC>SHN Disk 3 MSR>Cass>DATs>CDRs>EAC>SHN |
11/14/73 | San Diego Sports Arena | San Diego | CA | 2 | SHN | SBD > MR > DAT > CD > EAC (secure) > SHN (seekable) |
11/17/73 | Pauley Pavilion, UCLA | Los Angeles | CA | 2 | SHN | SBD>MR>C>DAT>CDR>EAC>SHN |
11/20/73 | Denver Coliseum | Denver | CO | 3 | CD-R | S:MR > DAT > CD > EAC > SHN |
11/21/73 | Denver Coliseum | Denver | CO | 2 | SHN | SBD supplemented by an AUD. A 145 minutes SBD Reel > Cassette Master with entire second set and TLEO, Here Comes Sunshine, Big River and WRS from the first set surfaced in early 1997. The rest of set one surfaced in late 1997. |
11/23/73 | County Coliseum | El Paso | TX | 4 | CD-R | SBD > Reel > Cassette > Datx2 > CDR |
11/25/73 | Feyline Field | Tempe | AZ | 2 | SHN | MSR>Cass.>DATs>CDRs>EAC>SHN |
11/30/73 | Music Hall | Boston | MA | 2 | SHN | Source: AUDMC(unknown mics) > ? > C > DAT > WAV(48Khz) Marc Pujol Encoding: WAV(48kHz) > Cool Edit > CDWav > mkwact > SHN mvernon54@attbi.com |
12/01/73 | Music Hall | Boston | MA | 4 | CD-R | Master Soundboard Reels > PCM > DAT> CDR |
12/02/73 | Music Hall | Boston | MA | 2 | SHN | Source: MAC > ? > C > DAT > CDR via "Charles" |
12/04/73 | Cincinnati Gardens | Cincinnati | OH | 2 | CD-R | SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC |
12/06/73 | Public Hall | Cleveland | OH | 2 | SHN | S:MR > cassette > DAT > CD > EAC > SHN |
12/08/73 | Cameron Indoor Stadium, Duke University | Durham | NC | 4 | CD-R | SBD:MR>C>DAT>CD |
12/12/73 | The Omni | Atlanta | GA | 2 | SHN | MR > C > DAT > CDR |
12/18/73 | Curtis Hixon Convention Hall | Tampa | FL | 3 | CD-R | SBD Reel master > cassette > DAT > CDR (unknown gens) > EAC > SHN |
12/19/73 | Curtis Hixon Convention Hall | Tampa | FL | 2 | CD-R | SBD - Dick's Picks 1 (not for trade) |
02/22/74 | Soundcheck - Winterland Arena | San Francisco | CA | 1 | CD-R | SBD > RTR @ 7.5 i.p.s. > D > SSSB |
02/22/74 | Winterland Arena | San Francisco | CA | 2 | FLAC | Main Lineage: Soundboard->Vault Master Reel->DAT 48k, transferred 1991 Gans, 1st 45 minutes (US Blues->Big River) Soundboard->Master Reel->Cassette->DAT 44.1k, transferred 2/94 Dick, Rest of show (Loose Lucy->UJB) Patch Lineage: Soundboard->Master Reel->Cassette->DAT->CD |
02/23/74 | Winterland Arena | San Francisco | CA | 2 | SHN | SBD > Reel > PCM > DAT > CD > EAC > SHN |
02/24/74 | Winterland Arena | San Francisco | CA | 4 | CD-R | SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R-> HP 8200i CDRW Drive (EAC)->SHNCD |
03/23/74 | Cow Palace | Daly City | CA | 2 | SHN | Sources: Master Soundboard Reel > DAT > CDR Master Soundboard Reel > Cassette > DAT > CDR |
05/12/74 | University Of Nevada | Reno | NV | 2 | SHN | MSR>C>DAT>CDRs>EAC>SHN |
05/14/74 | Adams Field House, University Of Montana | Missoula | MT | 3 | CD-R | MSR>cassette>DAT>CD-R>TAE>shn |
05/17/74 | P.N.E. Coliseum | Vancouver | BC | 2 | SHN | MSR>DAT>CDR>TAE>SHN |
05/19/74 | Portland Memorial Coliseum | Portland | OR | 3 | CD-R | SBDMR -> DAT DAT -> CD -> EAC -> SHN |
05/21/74 | Edmundson Pavilion, University Of Washington | Seattle | WA | 2 | SHN | |
06/08/74 | Oakland-Alameda County Coliseum | Oakland | CA | 3 | CD-R | Master Audience Reel > Reel to Reel > PCM > DAT Master Soundboard Reel > DAT supplies Playin' in the Band>Wharf Rat>Playin' in the Band, as well as Eyes of the World |
06/16/74 | Des Moines State Fair Grandstand | Des Moines | IA | 3 | SHN | SBDMR>DAT>CD>EAC>SHN |
06/18/74 | Freedom Hall | Louisville | KY | 3 | CD-R | |
06/20/74 | The Omni | Atlanta | GA | 2 | CD-R | Master 7", 2 track Soundboard Reel > Cassette > DAT > CDR |
06/22/74 | Jai-Alai Fronton | Miami | FL | 3 | CD-R | AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. |
06/23/74 | Jai-Alai Fronton | Miami | FL | 2 | SHN | SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner * AUD >?>FM>cassette>A/D: Panasonic 3700>Prodif Plus>Samp2496 (Broadcast by WHRB-FM during Grateful Dead Orgy, early 1980's.)** "Phil's Tape" SBD? >?>DAT(n) >Prodif Plus > Samp2496 |
06/26/74 | Providence Civic Center | Providence | RI | 2 | SHN | AudMC > WAV > CD > EAC > SHN |
06/30/74 | Springfield Civic Center | Springfield | MA | 3 | CD-R | SBDMR > DATx2 > CD > SHN > WAV > SHN; Soundboard: DAT > CD > SHN transfer by Dan Lynch; Final editing and AUD patching by Noah Weiner |
07/19/74 | Selland Arena | Fresno | CA | 2 | SHN | |
07/21/74 | Hollywood Bowl | Los Angeles | CA | 3 | CD-R | |
07/25/74 | International Amphitheater | Chicago | IL | 2 | CD-R | SBD -> Rm -> Dat -> Sonic Solutions -> CD |
07/29/74 | Capital Centre | Landover | MD | 2 | SHN | AudMC > DAT > WAV > SHN |
07/31/74 | Dillon Stadium | Hartford | CT | 2 | SHN | SBDMR>DATx>CD>DAT>CD>EAC>SHN |
08/04/74 | Philadelphia Civic Arena | Philadelphia | PA | 2 | SHN | AUDMC > DAT > WAV > SHN Recorded by Jerry Moore w/ 2 AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. |
08/05/74 | Philadelphia Civic Arena | Philadelphia | PA | 3 | CD-R | MSR>C>C>DATs>CDRs>EAC |
08/06/74 | Roosevelt Stadium | Jersey City | NJ | 2 | SHN | MR > DAT > CD > Sonic Solutions > CD Circulation |
09/09/74 | Alexandra Palace | London | England | 1 | SHN | SBD>MR>DAT(X2)>CDR>EAC> mkwACT |
09/10/74 | Alexandra Palace | London | England | 2 | SHN | SBD>?>CD |
09/11/74 | Alexandra Palace | London | England | 2 | SHN | Candelario Matrix MSR D CD except first 15:22 of Seastones (on Disc #2): AUD end of Sunshine Daydream and encore: AUD |
09/14/74 | Olympiahalle | Munich | Germany | 2 | SHN | AUD MR>D>CD |
09/14/74 | Olympiahalle | Munich | Germany | 2 | FLAC | SBD -> Master Reel -> Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC |
09/18/74 | Parc Des Expositions | Dijon | France | 2 | SHN | One track missing d2t6 "Eyes" SBD > pre-FM master (reel?) > DAT CD, patched with SBD > master reel > PCM > DAT > CD > SoundForge >CD |
09/20/74 | Palais Des Sports | Paris | France | 2 | SHN | SBD > master reel > reel to reel > DAT > CD > SoundForge > CD |
09/21/74 | Palais Des Sports | Paris | France | 2 | SHN | Sets II and III only SBD > master reel > reel to reel > DAT > CD > SoundForge > CD |
10/18/74 | Winterland Arena | San Francisco | CA | 2 | CD-R | SETS 2 & 3 ONLY SBDGenealogy: MR > PCM > DAT 44.1kHz > CD |
10/19/74 | Winterland Arena | San Francisco | CA | 2 | SHN | SBD multitrack > DAT > CD |
10/20/74 | Winterland Arena | San Francisco | CA | 4 | CD-R | mixed sources (see info file, and for flaws); via D. Finney, stemming from Frank's Picks tree- more info; note some material from show appears on album Steal Your Face- go buy |
03/23/75 | Kezar Stadium | San Francisco | CA | 1 | SHN | FM > ??? > WAV > SHN |
06/17/75 | Winterland Arena | San Francisco | CA | 1 | SHN | AUD CM>DAT>CD>EAC> SHN Recorded by Rob Bertrando Sony ECM-280 mics > Sony TC-152 SD cassette > playback on Nak Dragon > DAT; audience from Winterland floor, about 30-35' back, just to the left of dead center. |
08/13/75 | Great American Music Hall | San Francisco | CA | 2 | SHN | FM Source: SBD>FM>MC>DAT>WAV>SHN SBD Source: MSR>R(2)>C>DAT>WAV>SHN |
09/28/75 | Lindley Meadows, Golden Gate Park | San Francisco | CA | 1 | SHN | SBD : MR > DAT > CDR (HHb850) > EAC > SHN |
06/03/76 | Paramount Theatre | Portland | OR | 2 | SHN | MR >Reel >PCM >DAT >DAT Clone >WAV >SHN >CDR |
06/04/76 | Paramount Theatre | Portland | OR | 2 | SHN | source 1: SBD>MR>?>D>CD>EAC>SHN source 2: AUD>?>D>CD>EAC>SHN |
06/09/76 | Boston Music Hall | Boston | MA | 2 | SHN | Location: fob Source: Sony 152 cassette deck with Sony ecm 99a stereo microphone Taper: Steve Hopkins Audience Master Cassettes > DAT > DAT clone by Dave Minor DAT clone > CDR by Dave Handrich |
06/10/76 | Boston Music Hall | Boston | MA | 2 | SHN | Location: fob Source: Sony 152 cassette deck with Sony ecm 99a stereo microphone Taper: Steve Hopkins Audience Master Cassettes > DAT > DAT clone by Dave Minor DAT clone > CDR by Dave Handrich CDR > SHN conversion by mvernon54@home.com CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's |
06/11/76 | Boston Music Hall | Boston | MA | 2 | SHN | SBD |
06/12/76 | Boston Music Hall | Boston | MA | 2 | SHN | SBD> FM(WBCN)> MR(7.5ips)> Akai 4000DS MKII > Turtle Beach Tropez > CoolEdit96 > CD Wave > SHN |
06/14/76 | Beacon Theatre | New York | NY | 3 | CD-R | Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell |
06/15/76 | Beacon Theatre | New York | NY | 2 | SHN | Bertha Remaster of the Master Reel source by jashley@deadacated.com SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA - Sound A+ |
06/17/76 | Capitol Theater | Passaic | NJ | 2 | SHN | Sony TC 153 Sony ECM 99A Mikes Master Cassette > Reel > DAT shn encoding : DAT > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw |
06/18/76 | Capitol Theater | Passaic | NJ | 2 | SHN | AUD Sony ECM 99's > Sony TC-152 MC > Teac 2300 @ 3.75 ips Reel > Reel played back on Akai GX-4000D > Teac AN-80 Dolby B Noise Reduction Unit > ART DI/O A/D Convertor > Hard Drive > CD |
06/19/76 | Capitol Theater | Passaic | NJ | 2 | SHN | PRE-FM SBD master reel > DAT > CD (x2) > EAC (secure) > SHN (non seekable) |
06/21/76 | The Tower Theatre | Upper Darby | PA | 2 | SHN | Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact |
06/22/76 | The Tower Theatre | Upper Darby | PA | 2 | SHN | Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact |
06/23/76 | The Tower Theatre | Upper Darby | PA | 2 | SHN | [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable) |
06/24/76 | The Tower Theatre | Upper Darby | PA | 2 | SHN | Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact |
06/26/76 | Auditorium Theatre | Chicago | IL | 2 | SHN | Aud > ??? > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable) |
06/27/76 | Auditorium Theatre | Chicago | IL | 2 | CD-R | aud > ?? > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable) |
06/28/76 | Auditorium Theatre | Chicago | IL | 2 | SHN | Main Source: AUDMR > ? > DAT > SHN Patch Source: AUDMR > DAT > CD > EAC > SHN (Noah Weiner) |
06/29/76 | Auditorium Theatre | Chicago | IL | 2 | SHN | 7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > DAT > ZA2 > CDR > EAC > SHN |
07/12/76 | Orpheum Theatre | San Francisco | CA | 3 | CD-R | Source: Recorded by Bob Menke; Sony ECM-270s> Sony TC-152 from front of balcony Lineage: MAC>R>D>WAV>SHN DAT -> SHN Conversion: Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > sector boundary verification (shntool v1.01) > CD/SHN by David Minches |
07/14/76 | Orpheum Theatre | San Francisco | CA | 2 | SHN | SBD>MR>C>DAT>CDR |
07/16/76 | Orpheum Theatre | San Francisco | CA | 3 | CD-R | Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony; MAC > DAT > CD, except U.S. Blues encore, which is MAC > R > DAT > CD |
07/17/76 | Orpheum Theatre | San Francisco | CA | 2 | SHN | SBD: Master Reel > DAT > CD |
07/17/76 | Orpheum Theatre | San Francisco | CA | 2 | SHN | Lineage: MAC>R>D>WAV>SHN Recorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony |
07/18/76 | Orpheum Theatre | San Francisco | CA | 2 | SHN | SBD > ??? > CDR > CDR > SHN (via EAC and MKWact) |
08/02/76 | Colt Park | Hartford | CT | 3 | CD-R | K. Gatto's AUD (Sony tc-152 cassette -> DAT -> CD) |
08/04/76 | Roosevelt Stadium | Jersey City | NJ | 3 | SHN | SBD>MR>C>D>CD>EAC>SHN patched with: AUD>MC>D>CD>EAC>SHN |
09/25/76 | Capital Centre | Landover | MD | 3 | CD-R | SBDMR->CASS/1->DAT->CD->EAC->SHN |
09/30/76 | Mershon Auditorium, Ohio State University | Columbus | OH | 3 | CD-R | Complete show: Disc 1 & 3 lineage: SBD>MR>DAT>CD>EAC>SHN Disc 2 lineage: SBD>Rm>Dat>Sonic Solutions>CD>EAC>SHN (#18107) |
10/01/76 | Market Square Arena | Indianapolis | IN | 2 | SHN | AudMC > DAT > WAV > SHN |
10/03/76 | Cobo Arena | Detroit | MI | 2 | SHN | 1st set: AUD>?>CD>EAC>SHN 2md set: SBD>MR>D>CD>EAC>SHN patches in the 2nd set provided by AUD>?>CD>EAC>SHN and FMSBD>MC>D>CD>EAC>SHN |
10/09/76 | Oakland-Alameda County Coliseum | Oakland | CA | 2 | SHN | Source: Unknown aud > ? > DAT Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit(rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn |
10/14/76 | Shrine Auditorium | Los Angeles | CA | 2 | SHN | source 1: AUD>MC>R>D>?>D>CD>EAC>SHN source 2: SBD>MR>D>CD>EAC>SHN |
10/15/76 | Shrine Auditorium | Los Angeles | CA | 2 | SHN | Source: Recorded by Rob Bertrando, Sony ECM-280s>Sony TC-152 Lineage: MAC>D>CD shn encoding: cdr > eac (secure) > Cool Edit (minor pop fixes) > mkwact(seekable) > shns |
12/31/76 | Cow Palace | Daly City | CA | 2 | SHN | Lineage: PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
02/26/77 | Swing Auditorium | San Bernardino | CA | 2 | SHN | SBD > Master Reel > PCM > DAT > CD-R > Sndforge > SHN |
02/27/77 | Robertson Gym, U.C.S.B. | Santa Barbara | CA | 2 | SHN | AUD: Sony ECM-280>Sony TC-153SD ACM>R>DAT>CDR taped by Dr. Bob Bertrando |
03/18/77 | Winterland Arena | San Francisco | CA | 2 | SHN | SBDMR @ 7.5 ips>DAT>CD>EAC>SHN |
03/19/77 | Winterland Arena | San Francisco | CA | 2 | SHN | SBD>MR>DAT>DAT>Sonic Solutions>CDR |
03/20/77 | Winterland Arena | San Francisco | CA | 2 | SHN | SBD > Reel(1) > ?? > DAT > WAV > SHN Transfer done via TB Fiji (S/PDIF) by Jeff Kempka |
04/22/77 | The Spectrum | Philadelphia | PA | 2 | SHN | Source 1: AUD>MC>D>CD>EAC>SHN Source 2: SBD>MR>D>CD>EAC>SHN Source 3: SBD>MR>?>CD>EAC>SHN |
04/23/77 | Springfield Civic Center | Springfield | MA | 2 | SHN | AUD: Sony ECM99A > Sony152TC taped by Steve Hopkins |
04/23/77 | Springfield Civic Center | Springfield | MA | 3 | CD-R | SBD->MR->DAT->CD |
04/25/77 | Capitol Theater | Passaic | NJ | 3 | CD-R | SBD:MR>?>DAT>CDR |
04/26/77 | Capitol Theater | Passaic | NJ | 2 | CD-R | RECORDING AUD 150 with the beginning of Bertha clipped and minor cuts in Tennessee Jed. Source: Teddy GoodBear AUD Front Row Center |
04/26/77 | Capitol Theater | Passaic | NJ | 1 | DVD-R | Video: Pro Shot Black and White with Sndbrd feed > unknown generations vhs > Canopus ACEDVio Capture Card > Ulead Videostudio version 7 > DVD Audio: Teddy GoodBear AUD Front Row Center (see below) |
04/27/77 | Capitol Theater | Passaic | NJ | 2 | SHN | sbd(fm)>mr>dat>cd>eac>wav>shn |
04/29/77 | The Palladium | New York | NY | 3 | CD-R | Source: MAC> D> CDR> SHN Jerry Moore recording Sony ECM-33P/Sony TC-158 |
04/30/77 | The Palladium | New York | NY | 3 | CD-R | Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge A>D Conversion: Master played back on Nak Dragon > ART D I/O > HD > Cool Edit |
05/01/77 | The Palladium | New York | NY | 3 | CD-R | Aud Cass master > Reel > PCM > DAT > CD-R > EAC > .SHN: (Loge 1st row AUD center>Cm>Blake Reel (maxell ??? @ 3.75ips) > PCM R500 w/SBM > DAT @ 48 kHz > computer > DAT @ 44.1 kHz or CDRs. Originally taped by Barry Glassberg w/sony ecm 99p's > tc 152 sd deck.) |
05/05/77 | Veterans Memorial Coliseum | New Haven | CT | 2 | SHN | BettyBoard master reels > dat tascam dap1 > zefiro za2 > soundforge >cdwave > shn |
05/07/77 | Boston Garden | Boston | MA | 2 | SHN | SBD -> Betty Reels ->PCM -> DAT -> Digitally read in on SGI -> SHN |
05/08/77 | Barton Hall, Cornell University | Ithaca | NY | 2 | SHN | Betty Board Soundboard sections (all but 47 seconds of the show): WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. > Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES > PCM501ES analog out > Fostex D5 @ 48kHz>DATs>ZA2>CDRs>EAC>SHN Audience Splices --Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master)> various equalizers & editors > CD |
05/09/77 | Buffalo Memorial Auditorium | Buffalo | NY | 2 | SHN | SBD |
05/11/77 | St. Paul Civic Center | St. Paul | MN | 2 | SHN | SBD>Rm>Dat>Sonic Solutions>CD *Patched w/SBD>Rm>Dat>Cass>Dat>CD |
05/12/77 | Auditorium Theatre | Chicago | IL | 2 | CD-R | Master Audience Reel > unknown mics/deck> DAT > CDR |
05/13/77 | Auditorium Theatre | Chicago | IL | 2 | SHN | SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD (Post Drums - Fp -> Dat -> CD) |
05/15/77 | The Arena | St. Louis | MO | 3 | CD-R | Sbd MR > ? > CDR > EAC (calibrated, secure mode, test and copy) > SHN |
05/17/77 | Memorial Coliseum, University Of Alabama | Tuscaloosa | AL | 2 | SHN | SBD>MR 7" (Baked)>DAT>Cass>DAT>CD |
05/18/77 | Fox Theatre | Atlanta | GA | 2 | SHN | SBD > MR > DAT > CDR > WAV > SHNv3 |
05/19/77 | Fox Theatre | Atlanta | GA | 3 | CD-R | SBD>MR>DAT>CDR |
05/21/77 | Lakeland Civic Center | Lakeland | FL | 3 | CD-R | SBD |
05/25/77 | The Mosque | Richmond | VA | 2 | SHN | SBDMR > DAT > CDR > SHN > CDR > SHN |
05/26/77 | Baltimore Civic Center | Baltimore | MD | 2 | SHN | SBD > 2-TRACK RTR @ 7.5 i.p.s. > Marin County Source 24/96 digital multi-track > SSSB |
05/28/77 | Hartford Civic Center | Hartford | CT | 2 | SHN | SBD>MSR>DAT>CD |
06/04/77 | The Forum | Inglewood | CA | 3 | CD-R | Rob Bertrando - FOB akg D224Es > Sony TC-153 cassette > CDR? > Rich Plumb DAT > GoodBear Computer (no edit) > SHN or CDR |
06/07/77 | Winterland Arena | San Francisco | CA | 2 | SHN | Soundboard -> Vault Reels ->DAT -> David Gans' Sonic Solutions Digital Editing -> CDR -> EAC -> CDR -> EAC -> SHN |
06/08/77 | Winterland Arena | San Francisco | CA | 2 | SHN | SBDMR > PCM > DAT > CDR > EAC > SHN |
06/09/77 | Winterland Arena | San Francisco | CA | 2 | SHN | SBD |
09/03/77 | Raceway Park | Englishtown | NJ | 3 | CD-R | SBD (Dick's Picks 15 - not for trade) |
09/28/77 | Paramount Theatre | Seattle | WA | 2 | SHN | Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz>Tascam DA-20MKII (playback only)>RME Digi96/8>Steinberg's Wavelab 3.0 (resampling & editing)>CDWav beta1.6(tracking only)>SHNv3 (MKW ACT) |
09/29/77 | Paramount Theatre | Seattle | WA | 2 | SHN | SBD>MR>PCM>PCM>D>CD>EAC>SHN |
10/01/77 | Paramount Theatre | Portland | OR | 2 | SHN | Complete show-- source tape: MR>P2>D1 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES PCM501ES analog out > Fostex D5 @ 48 kHz |
10/02/77 | Paramount Theatre | Portland | OR | 2 | SHN | SBD |
10/06/77 | Activity Center, Arizona State University | Tempe | AZ | 1 | CD-R | FM > C(x2) > Marantz CDR-510 (rec at -0db) > CDR > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, checksums, and FLAC compression) > FLAC > bt.etree, May 2006 |
10/06/77 | Activity Center, Arizona State University | Tempe | AZ | 3 | CD-R | SBD>MR>C>C>DAT>CDR > EAC (secure mode, test and copy) > SHN |
10/07/77 | University Arena, University Of New Mexico | Albuquerque | NM | 1 | CD-R | Incomplete show Master Reels-> DAT-> DAT-> Sonic-> CD-> CD-> SHN SHN extracted from Grateful Dead Hour 490 From a David Gans CD |
10/07/77 | University Arena, University Of New Mexico | Albuquerque | NM | 2 | CD-R | SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC |
10/11/77 | Lloyd Noble Center, University Of Oklahoma | Norman | OK | 3 | CD-R | SBD>MR>DAT>WAV>.shn |
10/12/77 | Manor Downs | Austin | TX | 2 | SHN | |
10/14/77 | Hofheinz Pavilion | Houston | TX | 3 | CD-R | SBD>MC>R>DAT>CDR > EAC (secure mode, test and copy) > SHN |
10/15/77 | Moody Coliseum, S.M.U | Dallas | TX | 2 | SHN | SBD : MC > R > DAT > CD |
10/28/77 | Soldiers & Sailors Memorial Hall | Kansas City | KS | 3 | CD-R | Betty Board>MR>?>CD |
10/29/77 | Evans Field House, Northern Illinois University | DeKalb | IL | 2 | SHN | SBD > Reel > DAT > WAV (via TB Fiji S/PDIF) > SHN |
11/01/77 | Cobo Arena | Detroit | MI | 2 | SHN | SBD>Master(Betty Board)Reels>PCM>DAT>CDR>EAC>SHN |
11/02/77 | Field House, Seneca College | Toronto | ON | 2 | SHN | SBD>Master Cass>Reels 1x>DAT>CDR>EAC>SHN |
11/04/77 | Cotterell Gym, Colgate University | Hamilton | NY | 2 | SHN | SBD |
11/05/77 | Community War Memorial Auditorium | Rochester | NY | 2 | SHN | Master Soundboard Cassette > 1 Reel to Reel gen > DAT |
11/06/77 | Broome County Arena | Binghamton | NY | 2 | SHN | Reel -> DAT -> CDR |
12/27/77 | Winterland Arena | San Francisco | CA | 2 | SHN | MSR>>DAT>Sonic Solutions remastering>CDR |
12/29/77 | Winterland Arena | San Francisco | CA | 3 | CD-R | SBD (Dick's Picks 10 - not for trade) |
12/31/77 | Winterland Arena | San Francisco | CA | 2 | SHN | SBD > Master Reel > DAT > CDR |
01/06/78 | Swing Auditorium | San Bernardino | CA | 2 | SHN | Master Soundboard Cassette > Cassette > DAT > CDR |
01/07/78 | Golden Hall, Community Concourse | San Diego | CA | 2 | SHN | Master Soundboard Cassette > Reel to Reel > DAT> CDR |
01/08/78 | Golden Hall, Community Concourse | San Diego | CA | 2 | SHN | SBDMR > R > PCM > DAT > CD > EAC > SHN |
01/10/78 | Shrine Auditorium | Los Angeles | CA | 2 | SHN | SBD>MC>?>CD>EAC>SHN |
01/11/78 | Shrine Auditorium | Los Angeles | CA | 2 | SHN | SBD>MC>R>PCM>D>CD>EAC>SHN |
01/13/78 | Arlington Theater | Santa Barbara | CA | 2 | SHN | Source: Master Soundboard Cassette > Cassette > DAT > CDR EAC'ed / SHN'ed by Scott Clugston, 7/2/01 |
01/14/78 | Bakersfield Memorial Auditorium | Bakersfield | CA | 2 | SHN | Source: SBD>MR>C>DAT>CDR Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN(seekable) by mvernon54 |
01/15/78 | Selland Arena | Fresno | CA | 2 | SHN | 1st set: SBD>?>C>SHN 2nd set: AUD>MC>C>D>CD>EAC>SHN |
01/17/78 | Sacramento Memorial Auditorium | Sacramento | CA | 2 | SHN | SBD>MR>C>D>CD>EAC>SHN |
01/18/78 | Stockton Civic Auditorium | Stockton | CA | 2 | SHN | SBD>MR>?>D>CD>EAC>SHN patched with: AUD>MC>C>D>CD>EAC>SHN |
01/22/78 | McArthur Court, University Of Oregon | Eugene | OR | 2 | SHN | SBD>M?>C>PCM>Sound Forge>CD-R>SHN |
01/30/78 | Uptown Theatre | Chicago | IL | 2 | CD-R | Tim Powell recording (Sony ECM-99/Sony TC-152 I've also seen JVC stereo microphone listed) AUD>MC>R>DAT>CDR |
01/31/78 | Uptown Theater | Chicago | IL | 2 | CD-R | SET 2 ONLY SBDMR>Cass>DAT>CDR>EAC>SHN |
02/03/78 | Dane County Coliseum | Madison | WI | 1 | SHN | Set II only Soundboard->Master Reel->DAT->DAT->ZA2->Soundforge->.wav->mkw->SHN |
02/03/78 | Dane County Coliseum | Madison | WI | 2 | SHN | Master audience cassette (unknown equipment) > PCM > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
02/05/78 | Uni Dome, University Of Northern Iowa | Cedar Falls | IA | 2 | CD-R | SET 2 ONLY Master audience cassette (unknown equipment) > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
04/07/78 | The Sportatorium | Pembroke Pines | FL | 3 | CD-R | 7" Two Track Reel@ 7 1/2 ips>PCM501ES @44.055kHz>PCM analog out> DAT@48kHZ>Tascam DA-20MKII(playback only)>RME Digi96/8> Steinberg's Wavelab 3.0 (resampling & editing)>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT) |
04/08/78 | Veterans Memorial Coliseum | Jacksonville | FL | 2 | CD-R | SBD>Bettyboard 7" reels @ 7.5ips>PCM>DAT>CDR>SH |
04/10/78 | Fox Theater | Atlanta | GA | 2 | SHN | Recording Info: SBD -> Rm -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> EAC (Secure)-> Samplitude v6.0 -> SHN |
04/11/78 | Fox Theater | Atlanta | GA | 2 | SHN | SBD -> Rm -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> EAC (Secure)-> Samplitude v6.0 -> SHN |
04/12/78 | Cameron Indoor Stadium, Duke University | Durham | NC | 2 | SHN | SBD > GD Master 2" 8 Track RTR 15 i.p.s. (2 decks) > GD Vault 1" Mixdown Safety RTR @ 15 i.p.s. >MCS 24 bit/96 kHz ADAT > SSSB (SHNTOOL used and verified) |
04/14/78 | Cassell Coliseum, Virginia Polytechnic | Blacksburg | VA | 2 | SHN | Betty's 7 inch, 2 track, Master Soundboard Reels> PCM x2> DAT> CDR |
04/15/78 | William & Mary Hall | Williamsburg | VA | 2 | SHN | SBD |
04/16/78 | Huntington Civic Center | Huntington | WV | 2 | SHN | SBD>R2R>PCM>DAT>CDR>SHN |
04/18/78 | Civic Arena | Pittsburgh | PA | 3 | CD-R | SBD>MC(?)>?>C>CD>EAC>SHN (several analog generations) |
04/19/78 | Veterans Memorial Hall | Columbus | OH | 3 | CD-R | MSR> DAT > Sonic > CD mastered by David Gans |
04/21/78 | Rupp Arena, University Of Kentucky | Lexington | KY | 3 | CD-R | SBD>MR>C>D>CD; Patched with AUD>MC>R>D>CD; Missing US Blues & most of Dire Wolf; |
04/22/78 | Nashville Municipal Auditorium | Nashville | TN | 3 | CD-R | Sony 54P's>Nak 550--10th Row; FOB MAC>Cass>DAT>CDR shn encoding: EAC(secure) > depopper > Cool Edit(minor fixes) > CDWAV > mkwact (seekable) |
04/24/78 | Horton Field House, Illinois State University | Normal | IL | 3 | CD-R | MR>?>R>D>Digi96>Soundforge>CDWAV>SHN |
05/06/78 | Patrick Gymnasium, University Of Vermont | Burlington | VT | 2 | CD-R | 1st set: SBD>MC>?>CD 2nd set: AUD>MC>D>CD |
05/07/78 | Field House, Rensselaer Polytechnic Institute | Troy | NY | 3 | CD-R | Audience Source:MAC>DAT Audience Mics: 1 Sony ECM-33P + 1 AKG D1000e>Teac PC-10 Soundboard Source (for patch): MSC>PCM>DAT>CD>EAC(secure) |
05/10/78 | Veterans Memorial Coliseum | New Haven | CT | 2 | CD-R | SBD (Dick's Picks 25 - not for trade) |
05/11/78 | Springfield Civic Center | Springfield | MA | 2 | CD-R | SBD (Dick's Picks 25 - not for trade) |
05/16/78 | Uptown Theater | Chicago | IL | 3 | CD-R | AUDMC > R > DAT > CDWAV > SHN |
05/17/78 | Uptown Theater | Chicago | IL | 3 | CD-R | AUDMC > R > DAT > CDWAV > SHN AKG D202E mics > Sony TC-152 taper unknown |
06/04/78 | Campus Stadium, UC Santa Barbara | Goleta | CA | 2 | SHN | SBD>MC>C>D>CD>EAC>SHN patched with: AUD>MC>R>D>CD>EAC>SHN |
06/25/78 | Autzen Stadium, University Of Oregon | Eugene | OR | 2 | SHN | SBD>MC>?>D>CD>EAC>SHN |
07/01/78 | Arrowhead Stadium | Kansas City | MO | 2 | CD-R | Robert Wagner Recording: Sony 54p's>Sony TC-158, Aud>MC>Da>Cdr |
07/03/78 | St. Paul Civic Center | St. Paul | MN | 2 | CD-R | Robert Wagner Recording: Sony 54p's>Sony TC-158, Aud>MC>Dat>Cdr |
07/05/78 | Omaha Civic Auditorium | Omaha | NE | 3 | CD-R | AUD(Sony 54PÃs>Sony TC-158)>MC>C>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
07/07/78 | Red Rocks Amphitheatre | Morrison | CO | 2 | SHN | SBD> MR> ?> DAT; DAT> CD> EAC> SHN |
07/08/78 | Red Rocks Amphitheatre | Morrison | CO | 2 | SHN | SBD>DAT>CDR |
08/18/78 | Club Front | San Rafael | CA | 1 | CD-R | SBD>MR>??>DAT>CDR> |
08/30/78 | Red Rocks Amphitheatre | Morrison | CO | 2 | SHN | AUD>MC>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
08/31/78 | Red Rocks Amphitheatre | Morrison | CO | 2 | SHN | AUD>MC>DAT>CDR>EAC(secure)CD WAV>Cool Edit Pro>SHN(seekable) Also have partial set II SBD (1 SHN disc - SBD>MR>DAT>CDR) |
09/02/78 | Giants Stadium | East Rutherford | NJ | 2 | SHN | AUDMC > DAT > WAV > SHN Recorded by Steve Rolfe with two Sony EMC-33P mics > Sony TC-152 deck 50-60 feet left center from the stage |
09/13/78 | Gizah Sound and Light Theater | Cairo | Egypt | 1 | SHN | SBD>MR>??>CDR |
09/14/78 | Gizah Sound and Light Theater | Cairo | Egypt | 2 | SHN | Source: Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 |
09/15/78 | Gizah Sound and Light Theater | Cairo | Egypt | 1 | SHN | SET II ONLY SBD > 10" RTR @ 15 I.P.S. 2-track > Sony 601 PCM > Panasonic 3700 DAT > Neve "Capricorn" digital console > DB3000s sample-rate converter & noise shaper > Panasonic 4100 DAT > Panasonic 3700 DAT > SSSB |
09/16/78 | Gizah Sound and Light Theater | Cairo | Egypt | 2 | SHN | SBD Reel > DAT > Montego II Plus > CDRWAV > CD-R > SHN *Source: Disc 2-Track 7 AUD-???-""Sunrise-> CDrip from the Bootleg-CD "From Egypt with Love"" |
10/17/78 | Winterland Arena | San Francisco | CA | 2 | SHN | SBD:Master Reel>PCM>DAT>CD>(EAC)WAV>SHN |
10/18/78 | Winterland Arena | San Francisco | CA | 3 | CD-R | SBD>Master Reel>Cassette>DAT>WAV |
10/20/78 | Winterland Arena | San Francisco | CA | 3 | CD-R | SBD>Master Reel>Cassette>DAT>WAV |
10/20/78 | Winterland Arena | San Francisco | CA | 3 | CD-R | SBD>Master Reel>Cassette>DAT>WAV |
10/21/78 | Winterland Arena | San Francisco | CA | 2 | SHN | sbd>mr>dats>wave>shn |
10/22/78 | Winterland Arena | San Francisco | CA | 2 | SHN | Sbd:Reel:PCM:Dat D>CD: Tascam DA30MKII>Opcode Datport>HD(Cool Edit 2000)>Cdwav>SHN |
11/13/78 | Music Hall | Boston | MA | 2 | SHN | AUD>MC>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
11/14/78 | Music Hall | Boston | MA | 2 | SHN | AUD(Sony ECM-280?s)>MC>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
11/16/78 | Uptown Theater | Chicago | IL | 2 | SHN | AUD(Nak CM-300's>Sony TC-158)>MC>R>CoolEdit>CDR |
11/16/78 | Uptown Theater | Chicago | IL | 1 | SHN | SBD>MC>C>DAT>CDR Only 10 songs--1st/2nd set combo. |
11/17/78 | Uptown Theater | Chicago | IL | 2 | SHN | AUD>MC>??>DAT>CDR>EAC(secure)>CD WAV>SHN(seekable) |
11/17/78 | Rambler Room, Loyola College | Chicago | IL | 1 | CD-R | Soundboard->Master Cassette->DAT->Sonic Solutions->CD |
11/18/78 | Uptown Theater | Chicago | IL | 2 | SHN | AUD(Sony ECM-900's>Nak 550)>MC>R>Cool Edit>CDR |
11/18/78 | Uptown Theater | Chicago | IL | 2 | SHN | SBD>MC>C>D>CD>EAC>SHN patched with AUD>MC>R>CD>EAC>SHN |
11/20/78 | Cleveland Music Hall | Cleveland | OH | 3 | CD-R | Complete show. Set1: SBD> ??> CAS> CD> EAC> WAV; Set2: MSR> CAS> LYNXONE 24 Bit A/D Converter> CD> SHN> WAV; Set2 patches: MSC> CAS> DAT> CD-R> EAC> SHN> WAV; and MAC> R1> R2> (possibly R3>) DATs> CDRs> EAC> SHN> WAV. Set 2 derives from all three previous seeds. See info file for edits and flaws. |
11/23/78 | Capital Centre | Landover | MD | 2 | CD-R | Master Soundboard Reel > Reel to Reel > Cassette > DAT> CDR |
11/24/78 | Capitol Theatre | Passaic | NJ | 2 | SHN | FM: Reel> CD> SHN |
12/12/78 | Jai-Alai Fronton | Miami | FL | 2 | SHN | Master Soundboard Reel > Cassette > DAT > CDR |
12/13/78 | Curtis Hixon Convention Hall | Tampa | FL | 2 | SHN | Source: AUD>MC>DAT>CDR Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
12/15/78 | Boutwell Auditorium | Birmingham | AL | 2 | SHN | AUD(Sony 54P?s)>MC>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
12/16/78 | Nashville Municipal Auditorium | Nashville | TN | 2 | SHN | AUD(Nak 300?s>Sony TC-158)>MC>DAT>CDR |
12/17/78 | Fox Theater | Atlanta | GA | 3 | CD-R | ACM(Sony 54P's)>DAT>CDR |
12/19/78 | Memorial Coliseum, Mississippi State Fairgrounds | Jackson | MS | 3 | CD-R | Master AUD Cass>DAT>CD |
12/28/78 | Golden Hall, Community Concourse | San Diego | CA | 2 | SHN | Master Soundboard Reel > Cassette > CDR |
12/30/78 | Pauley Pavilion, UCLA | Los Angeles | CA | 2 | SHN | SBD>MR>PCM>DAT>CDR |
12/31/78 | Winterland Arena | San Francisco | CA | 4 | CD-R | CASBD>>MR>>PCM>>DAT>>CD |
01/10/79 | Nassau Veterans Memorial Coliseum | Uniondale | NY | 2 | SHN | Nak CM100 mics > Cass Master > DAT > CD |
01/14/79 | Utica Memorial Coliseum | Utica | NY | 2 | SHN | (FOB) Nakamichi 300/CP1 -> Cm -> Cass -> Cass -> Cass -> Dat(Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN (2 Discs SHN / 3 Discs Audio) |
01/15/79 | Springfield Civic Center | Springfield | MA | 2 | SHN | Nakamichi 300's w/Cardoid Capsules > Master Audience Cassette > Sony TC158 Played back on a Nak DR1 > Sony PCMR500 DAT with SBM ON @ 48KHz > (done by Rango Keshavan) Soundforge > CDR (done by Jim Wise) > EAC > SHN |
01/20/79 | Shea's Buffalo Theater | Buffalo | NY | 2 | SHN | (FOB) Nakamichi 700>Rm>PCM>Dat>Samplitude>Cool Edit Pro>CD>Sony R500>Prodif Plus>Samplitude 2496 v6.0>Cool Edit Pro v2.0>SHN |
02/03/79 | Market Square Arena | Indianapolis | IN | 1 | SHN | 2ND SET ONLY Master FOB Audience Cassette; Nakamichi CM700 mics > Nakamichi 550 cassette deck> DAT > CDR |
02/07/79 | SIU Arena, Southern Illinois University | Carbondale | IL | 1 | SHN | SBD>??>C>CD>EAC>SHN Partial Set 1 & 2 mix |
02/09/79 | Soldiers & Sailors Memorial Hall | Kansas City | KS | 2 | SHN | 3 Nak CM-300's>Nak 550>MC>R>CDR>EAC>SHN |
02/10/79 | Soldiers & Sailors Memorial Hall | Kansas City | KS | 2 | SHN | AUD>MC>DAT>CDR>EAC>SHN |
02/11/79 | Kiel Auditorium | St. Louis | MO | 2 | SHN | AUD(3 Nak CM-300?s>Nak 550) > MC > R > CDR > EAC(secure) > Cool Edit > CDWAV > mkwact > SHN (seekable) |
02/17/79 | Oakland-Alameda County Coliseum | Oakland | CA | 2 | SHN | SBD > Reel > DAT > TB Fiji (S/PDIF) > WAV > SHN |
04/22/79 | Spartan Stadium, San Jose State University | San Jose | CA | 3 | CD-R | Complete; Mixed sbd sources; Set 1 Source: SBD>?>C>C>WAV>SHN Set 2 Source: SBD MC>C>DAT>CDR>WAV>SHN; See info file for details; via Dave Morris, Jeffrey Smith |
05/05/79 | Baltimore Civic Center | Baltimore | MD | 3 | CD-R | SBD -> Cassette Master -> Dat (44.1k) |
05/07/79 | Allan Kirby Field House, Lafayette College | Easton | PA | 2 | SHN | Barry Glassberg's Master Audience Cassette; Nakamichi CM700 mics>Sony TC-158> DAT> CDR |
05/08/79 | Recreation Hall, Penn State University | State College | PA | 2 | SHN | Nak 700's>Sony D5>MC>DAT>CDR |
05/11/79 | Billerica Forum | Billerica | MA | 3 | CD-R | FOB Sony ECM 280's > cassette master > 48k DAT; Transfer:Â DA20 mkII > Audiowerk2 > Waveburner > Peak > Jam > Plex 8/2/20 (on-the-fly card resampling); via A. Gustin |
05/12/79 | Alumni Stadium, University Of Massachusetts | Amherst | MA | 2 | SHN | (Barry Glassberg) Nak CM700?s> MC>DAT>CD |
05/13/79 | Cumberland County Civic Center | Portland | ME | 2 | SHN | Nak CM 700 > Sony TCD-D5 > DAT > CD-r (via hhb-800 single wav) > Cool Edit Pro "Treble Boost Filter" (7.89 db) > CDR-WAV > SHN (via MKWACT .97b) |
06/28/79 | Sacramento Memorial Auditorium | Sacramento | CA | 2 | SHN | Sony ECM?>Sony-158>Cass>Reel>CD |
07/01/79 | Seattle Center Coliseum | Seattle | WA | 2 | SHN | |
08/04/79 | Oakland Auditorium Arena | Oakland | CA | 3 | CD-R | SBD>MC>C>DAT>CDR |
08/05/79 | Oakland Auditorium Arena | Oakland | CA | 2 | SHN | SBD>MC>C>DAT>CDR |
08/12/79 | Red Rocks Ampitheatre | Morrison | CO | 2 | SHN | Master Soundboard Cassette > Reel to Reel > PCM > CDR |
08/14/79 | McNichols Sports Arena | Denver | CO | 2 | SHN | FOB-AUD>MC>DAT>CDR |
09/01/79 | Holleder Memorial Stadium | Rochester | NY | 2 | SHN | AUD>MC>DAT>CDR |
09/02/79 | Augusta Civic Center | Augusta | ME | 2 | SHN | AUD>MC>DAT>CDR |
09/04/79 | Madison Square Garden | New York | NY | 2 | SHN | FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR |
09/05/79 | Madison Square Garden | New York | NY | 2 | SHN | FOB (11th row, 4 seats right of center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR |
09/06/79 | Madison Square Garden | New York | NY | 2 | SHN | FOB (14th Row, center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR |
09/06/79 | Madison Square Garden | New York | NY | 2 | FLAC | Master Soundboard Cassette > Reel to Reel > PCM > CDR |
10/24/79 | Springfield Civic Center | Springfield | MA | 2 | SHN | AUD(Senn 421's>Nak 350)> MC>DAT>CD |
10/25/79 | Veterans Memorial Coliseum | New Haven | CT | 2 | SHN | Aud:M?>?>CD (It may be either Aud:MC>Cas>DAT>CD or Aud:MC>DAT>CD) |
10/25/79 | Veterans Memorial Coliseum | New Haven | CT | 1 | SHN | Set 2 : SBD>Cassette Master>Cassette>DAT>CD (HHB 800 Pro Deck)>EAC .93b>SHN |
10/27/79 | Cape Cod Coliseum | South Yarmouth | MA | 2 | SHN | Master Soundboard Cassette > Cass > DAT > CD |
10/28/79 | Cape Cod Coliseum | South Yarmouth | MA | 2 | SHN | SBD : MC > R > DAT > CDR Beginning through Ship of Fools courtesy of Jim Wise AUD : MC ( NAK 700's > TC-158 by Steve Rolfe) > DAT > CDR Playin' through end of show |
10/31/79 | Nassau Veterans Memorial Coliseum | Uniondale | NY | 2 | SHN | Bertha Remaster of a combination of soundboard and audience sources. Set1: SBD>>MC>>REEL>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A- Set2: SBD>>MC>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A- Last 20 minutes of show: MAC(Nak 700's)>>SonyTC-158>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B |
11/01/79 | Nassau Veterans Memorial Coliseum | Uniondale | NY | 2 | SHN | Sources: Master Soundboard Cassette; Master Soundboard Cassette played back via Nakamichi DR-3> RME 96/8 PST > Harddrive > SHN Master Soundboard Cassette > Cassette > Hi-Fi VHS> CDR source supplies from 0:46 thru 7:17 of Scarlet Begonias (d2t01) Master Audience Cassette; Nakamichi CM300 mics > Nakamichi 550 > CDR source supplies first 0:46 of "Scarlet Begonias" (d2t01), the first 1:29 of "Terrapin Station" (d3t01), a patch in "Black Peter" (d3t05) from 7:17 thru 7:30, a patch in "Good Lovin'" (d3t06) from 2:35 thru 3:08, as well as the first 0:04 of "US Blues" (d3t07) |
11/02/79 | Nassau Veterans Memorial Coliseum | Uniondale | NY | 2 | SHN | SBD>MR>Dick's cassette>DAT>CD |
11/04/79 | Providence Civic Center | Providence | RI | 2 | SHN | SB>MR>Dick Latvala's cass>DAT>CD>EAC>minor editing>.shn & CD-R |
11/05/79 | The Spectrum | Philadelphia | PA | 2 | SHN | SBD : MC > C > DAT > CD and AUD : MC (Nakamichi CM300 mics > Nakamichi 550) > C2 > CDR |
11/06/79 | The Spectrum | Philadelphia | PA | 2 | SHN | Master Soundboard Cassette > Cassette > DAT > CDR |
11/08/79 | Capital Centre | Landover | MD | 2 | SHN | SDB>MR>D>CDR |
11/09/79 | Community War Memorial Auditorium | Buffalo | NY | 2 | SHN | SBD>MR>DAT>Sonic Solutions>CD |
11/23/79 | Golden Hall, Community Concourse | San Diego | CA | 2 | SHN | SBD:MC>Cas>DAT>CD, patches from 3rd generation reel source |
11/24/79 | Golden Hall, Community Concourse | San Diego | CA | 2 | SHN | Sources: Master Soundboard Cassette > ?? > DAT> CDR > EAC > Shn alternate Soundboard source (Master Soundboard Cassette> Cassette> CDR Master Audience Cassette: Nakamichi CM700 mics > Sony TC-158 > Reel to Reel > DAT > CDR |
11/25/79 | Pauley Pavilion, UCLA | Los Angeles | CA | 2 | SHN | SBD Cassmaster->PCM->DAT->CDRs->EAC->SHN |
11/29/79 | Cleveland Public Hall | Cleveland | OH | 2 | SHN | Master Soundboard Cassette > Cassette > DAT> Cassette > DAT > CDR |
11/30/79 | Stanley Theatre | Pittsburgh | PA | 2 | SHN | missing encore Master Soundboard Cassette > Cassette > DAT > CDR |
12/01/79 | Stanley Theatre | Pittsburgh | PA | 2 | SHN | Set 1: SBD>Rm>Cass>Dat>CD>EAC>SHN Set 2: SBD>Rm>Dat>CD>EAC>SHN |
12/03/79 | Uptown Theater | Chicago | IL | 2 | SHN | SBD > Cassette Master > C0 > DAT > SHN (Latvala vault leak) |
12/05/79 | Uptown Theater | Chicago | IL | 1 | SHN | 2ND SET ONLY SBD>MC>DAT>CDR>WAV>SHNv3 |
12/05/79 | Uptown Theater | Chicago | IL | 2 | SHN | MAC (Unknown equipment) > Unknown analog generations > Nakamichi RX-505 cassette > 20-bit conversion with Burr-Brown ADC, dithered to 16-bit for output > HHB CDR8930 > EAC > CoolEdit > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
12/09/79 | Kiel Auditorium | St. Louis | MO | 2 | SHN | MAC>R>D>CD Recorded with Nak CM-700s-> Sony TC-158 (3cd) transfer by Jack Warner EAC-> wav-> shn by Don Chase |
12/10/79 | Soldiers & Sailors Memorial Hall | Kansas City | KS | 2 | SHN | Set 1 SBD>Cm>Reel>Dat>CD>EAC>SHN Set 2 SBD>Cm>?>Dat>CD>EAC>SHN |
12/26/79 | Oakland Auditorium Arena | Oakland | CA | 2 | SHN | Taper: Steve Rolfe Source: nak 700's > d5 > DAT > cdr Encoding: CDR > EAC(secure) > Cool Edit > CDWAV > mkwact > shn(seekable) |
12/27/79 | Oakland Auditorium Arena | Oakland | CA | 2 | SHN | Taper: Steve Rolfe Source: nak 700's > d5 > DAT > cdr (as shown!) Encoding: CDR > EAC(secure) > Cool Edit > CDWAV > mkwact > shn(seekable) |
12/28/79 | Oakland Auditorium Arena | Oakland | CA | 2 | SHN | SBD |
12/30/79 | Oakland Auditorium Arena | Oakland | CA | 2 | SHN | |
12/31/79 | Oakland Auditorium Arena | Oakland | CA | 2 | SHN | Master Audience Cassette; Nakamichi CM700 mics > Sony TC-158 cassette deck > DAT > CDR |
03/30/80 | Capitol Theater | Passaic | NJ | 3 | CD-R | barry g nak 700 > sony tc d5m fob tascam 112 > sony pcm r-500 sony pcm r-500 > hhb cdr-850 |
03/31/80 | Capitol Theater | Passaic | NJ | 2 | CD-R | sennnheiser 421 > nak 550 fob analog mastering AND analog to digital by rob eaton. dat > cd was sony pcm r-700 > hhb cdr-800 |
04/01/80 | Capitol Theater | Passaic | NJ | 2 | SHN | SBD>Rm>Dat>Sonic Solutions>CD>EAC>SHN (Feel Like A Stranger through I Know You Rider) SBD>Rm>Cass>Dat>CD>Cool Edit Pro>CD>EAC>SHN (Estimated Prophet through Around & Around) AUD>Cm>Dat>CD>EAC>SHN (Shakedown Street) |
04/28/80 | Boutwell Auditorium | Birmingham | AL | 2 | CD-R | Audience Recording by Barry G. FOB (Nakamichi 700)> Master Cassette(Sony TC-D5) A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1> D>CD: DAT>MASTER CDR on HHB CDR 850>Duped to CD(1) on Tascam CD-D4000MKII CD>SHN: EAC in Secure Mode(see below)>Soundforge>CD WAV>SHNv3 w/seek tables appended |
04/29/80 | Fox Theater | Atlanta | GA | 3 | CD-R | Audience Recording by Barry G. FOB (Nakamichi 700)> Master Cassette(Sony TC-D5) A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1> D>CD: DAT>MASTER CDR on HHB CDR 850>Duped to CD(1) on Tascam CD-D4000MKII CD>SHN: EAC in Secure mode(see below)>Soundforge>CD WAV>SHNv3 w/seek tables appended |
05/01/80 | Greensboro Coliseum | Greensboro | NC | 2 | SHN | Source:Audience Recording by Barry G.FOB (Nakamichi 700)> Master Cassette(Sony TC-D5) A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1> D>CD: DAT>MASTER CDR on HHB CDR 850>Duped to CD(1) on Tascam CD-D4000MKII CD>SHN: EAC in Secure mode(see below)>Soundforge>CD WAV>SHNv3 w/seek tables appended |
05/06/80 | Recreation Hall, Pennsylvania State University | State College | PA | 3 | CD-R | sennnheiser 421 > nak 550 fob analog mastering AND analog to digital by rob eaton. dat > cd was sony pcm r-700 > hhb cdr-800 |
05/07/80 | Barton Hall, Cornell University | Ithaca | NY | 3 | CD-R | Master Audience Cassette; Nakamichi CM700 + Nakamichi CM300 blend> Sony TC-D5M > DAT > CDR |
05/10/80 | Hartford Civic Center | Hartford | CT | 3 | CD-R | Nak 700's > Sony D5 Master Cassette recorded by Steve Rolfe from "right beside the soundboard on the left side" AUDMC > DAT > wav(48K) > Cool Edit > CDWAV > mkwact > SHN(seekable) |
05/11/80 | Cumberland County Civic Center | Portland | ME | 3 | CD-R | SBD->C (Dick's master)->C (Dick copied for Patrick)-> DAT->CDR->EAC->SHN V.3 except for Brokedown, which is from an unknown AUD source. |
05/31/80 | Metropolitan Sports Center | Bloomington | MN | 2 | SHN | AUD>MC>DAT>CD |
06/12/80 | Portland Memorial Coliseum | Portland | OR | 3 | CD-R | AUD>MC>DAT>CDR |
06/19/80 | West High Auditorium | Anchorage | AK | 2 | CD-R | SBD>MC>??>DAT>CDR |
06/20/80 | West High Auditorium | Anchorage | AK | 2 | SHN | SBD>MC>1C>CD-R>SBLIVE>COOLEDIT2000>mkwACT>SHN |
06/21/80 | West High Auditorium | Anchorage | AK | 3 | CD-R | Recorded by Eddie Claridge at the soundboard patched from Dan Healy. AKG 414 stereo mic -> Sony TC-158 deck Lineage: MAC > [DAT?] > CDR (no intermediate cassette generations) |
08/16/80 | Southern Illinois University | Edwardsville | IL | 3 | CD-R | Joani Walker's FOB MAC w/ Sony ECM-250s>Sony TC-158>CDR |
08/17/80 | Kansas City Municipal Auditorium | Kansas City | MO | 2 | SHN | AUD>?>CD |
08/19/80 | Uptown Theater | Chicago | IL | 3 | CD-R | FOBalcony Nak 700's w/shotgun caps>Sony TC-158 MC>DAT>CD |
08/23/80 | Alpine Valley Music Theatre | East Troy | WI | 2 | SHN | Unknown equipment>Cass>CDR>EAC>HD>Minor Editing>SHN |
08/29/80 | The Spectrum | Philadelphia | PA | 2 | SHN | 1st Set & Patches Senn 421's>MC>DAT>CDR 2nd Set SBD>MC>C>DAT>CDR |
08/31/80 | Capital Centre | Landover | MD | 3 | CD-R | Master Audience Cassette > DAT > Hard disk (Sound Forge) > CD > EAC > SHN A > D transfer done with Nakamichi Dragon > Sony PCM R-700 Recorded by Jim Wise, at the soundboard with Sennheiser 421 microphones mounted on a pole, into a Sony TC-D5 cassette deck. |
09/02/80 | Community War Memorial Auditorium | Rochester | NY | 3 | CD-R | SBD |
09/03/80 | Springfield Civic Center | Springfield | MA | 3 | CD-R | MAC > ? > CD > EAC > SHNv3 |
09/06/80 | State Fairgrounds | Lewiston | ME | 2 | SHN | Nak Dragon > Sony PCM r-500 DAT > CDR |
09/06/80 | State Fairgrounds | Lewiston | ME | 3 | CD-R | FOB Nak 700s > Sony TC-D5 (Steve Rolfe?s) > Sony TC-D5 (Jim Wise?s) > MAC (Maxell XII; Dolby B encoded) > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV > CD (untracked) > EAC > WAV > CD Wave tracking > SHN or CD. |
09/25/80 | Warfield Theater | San Francisco | CA | 2 | SHN | Taper: Most probably Bob Menke Location: Balcony, Center Source: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 Conversion: CDR > EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) > mkwact > shn (seekable) |
09/26/80 | Warfield Theater | San Francisco | CA | 2 | SHN | Taper: Most probably Bob Menke Location: Balcony, Center Source: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 Conversion: CDR > EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) > mkwact > shn (seekable) |
09/27/80 | Warfield Theater | San Francisco | CA | 2 | SHN | Acoustic set: Master Soundboard Reel > PCM > DAT > CDR Electric Sets: Master Audience Cassette:(3) Nakamichi CM700 mics> Mixer>Sony D5> 1 cassette gen> DAT> CDR |
10/02/80 | Warfield Theater | San Francisco | CA | 3 | CD-R | Nak300 > Sony TC-152 > AMC > CoolEdit Pro > CD |
10/03/80 | Warfield Theater | San Francisco | CA | 3 | CD-R | Nak300 > Sony TC-152 > AMC > CoolEdit Pro > CD |
10/07/80 | Warfield Theater | San Francisco | CA | 3 | CD-R | Taper: Most probably Bob Menke Location: Balcony, Center Source: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 Conversion: CDR > EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) > mkwact > shn (seekable) |
10/09/80 | Warfield Theater | San Francisco | CA | 2 | FLAC | SBD>R>DAT>CD |
10/11/80 | Warfield Theater | San Francisco | CA | 2 | SHN | SBD:MC >? >CDR >EAC >cool edit 2000 (minor clean up,normalization) >CDWAV (tracking) >mkwact(seekable) |
10/18/80 | Saenger Performing Arts Center | New Orleans | LA | 3 | SHN | FOB Neumann km84>Cm>Dat>CD>EAC(secure) > Cool Edit(minor fixes) > CDWAV > mkwact(seekable) |
10/23/80 | Radio City Music Hall | New York | NY | 2 | SHN | AUD(Sony ECM-280?s)>MC>DAT>CDR>EAC(secure)>Cool Edit Pro>CD WAV>SHN(seekable) |
10/25/80 | Radio City Music Hall | New York | NY | 2 | SHN | AUD>MC>DAT>CDR>EAC(secure)>Cool Edit Pro>CD WAV>SHN(seekable) |
10/26/80 | Radio City Music Hall | New York | NY | 2 | SHN | AUD(Wise Sony ECM 280?s)>Sony D-5>MC>PCM>ZA2>CDR Conversion:Playback on Nak Dragon>Sony PCM-R700>Hard Drive via ZA2>CDR> EAC(secure)>Cool Edit Pro>CD WAV>SHN(seekable) |
10/29/80 | Radio City Music Hall | New York | NY | 3 | SHN | Master AUD (Wise Sony EMC-280/D-5) Cass>PCM>ZA2>CD |
10/30/80 | Radio City Music Hall | New York | NY | 2 | SHN | Source:Master AUD (Wise Sony EMC-280/D-5) Cass>PCM>ZA2>CD |
10/31/80 | Radio City Music Hall | New York | NY | 3 | SHN | Master AUD (Wise Sony EMC-280/D-5) Cass>PCM>ZA2>CD |
11/28/80 | Lakeland Civic Center | Lakeland | FL | 2 | CD-R | Source Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT Transfer: Casio DA-7 > Tascam CD-RW 700 (pass through -2 db) > Audiophile 2496 > @ 24 Bit to WaveLab > 16 Bit > CD Wave > EAC > Flac |
11/29/80 | Alligator Alley Gymnasium, University Of Florida | Gainesville | FL | 2 | SHN | FOB - Beyer M-160's>Sony TC-D5>CDR via Alesis Masterlink (Mics were on a 15'? pole at the SBD) Taped by Jim Wise |
11/30/80 | Fox Theater | Atlanta | GA | 2 | SHN | Source: MSC>Reel>DATs>CDRs>EAC>SHN (set I and Scarlet>Fire from Set II) Sony ECM280s>D5>DATs>CDRs>EAC>SHN (Remainder of show) |
12/06/80 | Mill Valley Recreation Center | Mill Valley | CA | 1 | CD-R | Source: Betty Cantor-Jackson's Master Audience Cassette > DAT > CDR |
12/13/80 | Long Beach Arena | Long Beach | CA | 2 | CD-R | SET 2 ONLY Master Audience Cassette; Sony ECM-280 mics > Sony D5> DAT > CDR |
12/13/80 | Long Beach Arena | Long Beach | CA | 2 | CD-R | (FOB) Nak 700 -> Cm -> Reel -> Dat - > CD |
12/14/80 | Long Beach Arena | Long Beach | CA | 3 | CD-R | AUD(Nak 700?s)>MC>DAT>CDR |
12/26/80 | Oakland Auditorium Arena | Oakland | CA | 3 | CD-R | Source: Nak 300's > D5 > ACM recorded by Joani Walker(1) Lineage: ACM > CDR > EAC > Cool Edit > CDWAV > SHN |
12/28/80 | Oakland Auditorium Arena | Oakland | CA | 2 | SHN | SB:>?>DAT>Tascam DA-20>EgoSys WaveTermanial 2496> CD-Wave > SHN |
12/31/80 | Oakland Auditorium Arena | Oakland | CA | 4 | CD-R | Source: SBD > Rm > Cass > Dat > Samplitude > CDR > EAC (secure mode, test and copy) > SHN Audience patches: AUD > ? > ? > CDR > EAC (secure mode, test and copy) > SHN |
02/26/81 | Uptown Theater | Chicago | IL | 2 | SHN | SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick) DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise) CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch) |
02/27/81 | Uptown Theater | Chicago | IL | 2 | SHN | SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick) DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise) CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch) |
02/28/81 | Uptown Theater | Chicago | IL | 2 | SHN | SBD > Cassette Master > DAT(0) (Reel>DAT transfer by Dick) DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > CDR Master(by Jim Wise) CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch) |
03/02/81 | Cleveland Music Hall | Cleveland | OH | 2 | CD-R | Bob Wagner Nak 700?s> TC-D5>MC>DAT>CDR |
03/03/81 | Cleveland Music Hall | Cleveland | OH | 3 | CD-R | Recorded by Bob Wagner; Nak 700s>Sony TC-D5 Lineage: AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT |
03/05/81 | Stanley Theater | Pittsburgh | PA | 3 | CD-R | Audience recording by Jim Wise (Sennhaiser 421>D5) set up loge center Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam cd-d4000mkII > EAC in secure mode(see below) > Soundforge > CD WAV > SHNv3 w/seek tables appended A>D>CD Conversion by Jim Wise, 3/2001 CD>SHN by Jamie Lutch, 4/2001 |
03/07/81 | Cole Field House, University Of Maryland | College Park | MD | 3 | CD-R | Taper: Jim Wise Source: Senn 421 mics>SonyD5>MC>CD>?>EAC>SHN |
03/09/81 | Madison Square Garden | New York | NY | 3 | CD-R | Audf:Cm>D>CD>EAC>CD>SHN 3-9-81 Barry glassberg nak cm700's > sony tc d-5m 12'th row center xl11 dolby b cassette master . analog to digital > tascam 112 mk11 cassette playback > sony pcm r-500 dat, @ 44.1 kHz , then dat > cd via hhb cdr-850 |
03/10/81 | Madison Square Garden | New York | NY | 3 | CD-R | Taper: Barry glassberg Location: 12'th row center Source: nak cm700's > sony tc d-5m xl11 dolby b cassette master Conversion: analog to digital > tascam 112 mk11 cassette playback > sony pcm r-500 dat, @ 44.1 kHz dat > cd via hhb cdr-850 Lineage: Audf:Cm>D>CD>EAC>CD>SHN |
03/12/81 | Boston Garden | Boston | MA | 3 | CD-R | AudMC > DAT > CDWAV > SHN Nak 700's > Sony D5 Master Cassette recorded by Steve Rolfe, 16th row in front of Jerry A>D by Noah Weiner (noahbw@attbi.com) January, 2002 AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only) Soundforge was used for editing. |
03/13/81 | Utica Memorial Auditorium | Utica | NY | 3 | CD-R | Audience recording by Jim Wise (Sennhaiser 421>D5) set up at SBD Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam CD-D4000mkII > EAC in secure mode(see below) > Soundforge > CD WAV > SHNv3 w/seek tables appended |
05/01/81 | Hampton Coliseum | Hampton | VA | 3 | CD-R | Jim Wise's Master FOB Audience Cassette > Sennheiser 421 mics> Sony D5 cassette deck > DAT > CDR |
05/05/81 | Glens Falls Civic Center | Glens Falls | NY | 3 | CD-R | Jim Wise's Master Audience Cassette: Sennheiser 421 mics > Sony TC-D5 > DAT> CDR |
05/06/81 | Nassau Veterans Memorial Coliseum | Uniondale | NY | 3 | CD-R | Source: NAK-700's > SONY TC-D5M Dolby On taped by Barry Glassberg FOB Lineage: AUDMC > Tascam 122MKIII > Tascam DA-40 > DAT by Mark Cohen DAT > CD by John Steinthal: Sony PCM-R500 > Dell Precision (via delta dio2496 card) > Soundforge (normalize/cross fades) > CDWAV > Prassi Primo CD plus: (layout tracks and burn) > CD CD > EAC(secure) > mkwact > SHN(seekable) |
05/09/81 | Nassau Veterans Memorial Coliseum | Uniondale | NY | 3 | CD-R | SBD -> Cassette Master -> Dat |
05/11/81 | Veterans Memorial Coliseum | New Haven | CT | 3 | CD-R | FOB Healy authorized master audience cassette > 48k dats > delta dio 2496 > cooledit2000 > wav > shn |
05/12/81 | Veterans Memorial Coliseum | New Haven | CT | 3 | CD-R | SBD>Master Cassette>Cassette>DAT>CDR |
05/13/81 | Providence Civic Center | Providence | RI | 3 | CD-R | SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Mille |
05/15/81 | Athletic Center, Rutgers University | Piscataway | NJ | 3 | CD-R | SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller |
05/16/81 | Barton Hall, Cornell University | Ithaca | NY | 3 | CD-R | FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise). |
05/17/81 | Onondaga County War Memorial | Syracuse | NY | 2 | SHN | AUD>MC>SF>CDR |
07/04/81 | Manor Downs | Austin | TX | 3 | CD-R | Master FOB Audience Cassette: Nakamichi CM700 mics > Sony D5 > DAT > CDR |
07/05/81 | Zoo Amphitheater | Oklahoma City | OK | 3 | CD-R | SBD -> Master Cassette -> Reel -> Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC |
07/10/81 | St. Paul Civic Center | St. Paul | MN | 2 | SHN | Behind (Stage) Nak 300/cp1>Cm>Cass>Dat>CD |
07/11/81 | Alpine Valley Music Theatre | East Troy | WI | 2 | SHN | Senn 441's>CM>DAT>CD |
07/13/81 | McNichols Sports Arena | Denver | CO | 2 | SHN | SBD |
07/14/81 | McNichols Sports Arena | Denver | CO | 2 | SHN | AUD>MC>DAT>CDR |
08/12/81 | Salt Palace | Salt Lake City | UT | 2 | SHN | SBD>MC>R>DAT>CDR (with unknown aud patches) |
08/14/81 | Seattle Center Coliseum | Seattle | WA | 2 | SHN | NAK 700's>Sony TC-D5M>MC>R>DAT>CDR |
08/15/81 | Portland Memorial Coliseum | Portland | OR | 2 | SHN | 3 Nak 700s>Sony D5M>MC>Reel>CDR |
08/16/81 | McArthur Court, University Of Oregon | Eugene | OR | 2 | SHN | Nak 300's>MC>DAT>CDR |
09/11/81 | Greek Theatre, University Of California | Berkeley | CA | 3 | CD-R | Sennheiser 421 mics > Sony TC D-5 |
09/12/81 | Greek Theatre, University Of California | Berkeley | CA | 3 | CD-R | FOB Senn 421s > Sony TC-D5 > MAC (Maxell XL II 90, Dolby B encoded) > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV (no processing!) > CD > EAC > WAV > SHN. Original recording, transfer and CD mastering by Jim Wise |
09/13/81 | Greek Theatre, University Of California | Berkeley | CA | 3 | CD-R | Sennheiser 421 mics > Sony TC D-5 |
09/26/81 | Community War Memorial Auditorium | Buffalo | NY | 2 | CD-R | Set 1: Nak 100's w/cardioid capsules>Uher CR-240>DAT>CDR Set 2: AKG 414's>Revox cassette deck (Cass. Master)>DAT>CDR (Recorded by Dan Healy at the sbd) |
09/27/81 | Capital Centre | Landover | MD | 2 | SHN | SBD>Cm>PCM>Dat>CD |
09/30/81 | Playhouse Theatre | Edinburgh | Scotland | 2 | SHN | SBD>?>C>C>WAV>SHN |
10/02/81 | Rainbow Theatre | London | England | 2 | SHN | sbd>reel>?>dats>wave>shn |
10/06/81 | Rainbow Theatre | London | England | 2 | SHN | Master Soundboard Cassette > Cassette > CDR > EAC > SHN |
10/10/81 | Stadthalle | Bremen | Germany | 3 | CD-R | SBD>?>C>C>WAV>SHN |
10/16/81 | Club Melk Weg | Amsterdam | Netherlands | 2 | SHN | SBD:MCASS>CASS>DAT>CDR |
10/17/81 | The Hippodrome | Paris | France | 3 | CD-R | SBD: MC > DAT > CDR |
11/30/81 | Hara Arena | Dayton | OH | 2 | CD-R | Nak 300?s>Sony D-5>MC>DAT>CD |
12/03/81 | Dane County Coliseum | Madison | WI | 3 | CD-R | 2 Nak 700 shotguns > Sony TC-D5M > Maxell XLIIS tape. Lineage: Nak ZX7 > Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC (no errors)> WinXP Pro > Disc 3 joined and retracked* > FLAC Frontend > FLAC16 |
12/09/81 | Events Center, University Of Colorado | Boulder | CO | 3 | CD-R | Master Soundboard Cassette > Reel to Reel > DAT> CDR |
12/27/81 | Oakland Auditorium Arena | Oakland | CA | 2 | CD-R | SBD -> Cassette Master (Dolby B)-> Sonic 24bit -> SBM2 -> CD -> EAC -> FLAC |
12/31/81 | Oakland Auditorium Arena | Oakland | CA | 4 | CD-R | Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB (Dolby B decoded) |
02/16/82 | Warfield Theater | San Francisco | CA | 3 | CD-R | Nak 700's > D5 not sure of the transfer from cassette |
02/17/82 | Warfield Theater | San Francisco | CA | 2 | SHN | SBD Master Cassette> DAT> CD> SHN |
02/19/82 | Golden Hall, Community Concourse | San Diego | CA | 3 | CD-R | Recorded by Rango Keshavan 6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B On |
02/20/82 | Golden Hall, Community Concourse | San Diego | CA | 3 | CD-R | AUD>MC>DAT>CD |
02/21/82 | Pauley Pavilion, UCLA | Los Angeles | CA | 2 | SHN | Sbd> cassette > dat>cdr Eac > cool edit pro > shntool > cdwav > shnv3 |
03/14/82 | Recreation Hall, UC Davis | Davis | CA | 2 | SHN | Master Soundboard Cassette > Reel to Reel > DAT > CDR |
04/02/82 | Cameron Indoor Stadium, Duke University | Durham | NC | 3 | CD-R | Master Soundboard Cassette > Cassette > DAT> CDR |
04/06/82 | The Spectrum | Philadelphia | PA | 2 | SHN | AUD/fob cm>dat>cdr>eac>shn |
04/08/82 | Onongada County War Memorial | Syracuse | NY | 2 | SHN | (FOB) Senn 421 ->Cm (sony D5/Dolby B)-> Dat -> Behringer UltraMatch SRC 2000 ->M-Audio 2448 ->CD |
04/09/82 | Community War Memorial Auditorium | Rochester | NY | 2 | SHN | FOB -- Rob Eaton Recording -- Senn 441's>Nak 550>DAT>CDRs>EAC>SHN (seekable) |
04/12/82 | Nassau Coliseum | Uniondale | NY | 2 | FLAC | SBD -> Cassette Master -> Reel -> Dat (48k)(Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC |
04/19/82 | Baltimore Civic Center | Baltimore | MD | 2 | SHN | Master Soundboard Cassette > Cassette > DAT > CDR |
05/21/82 | Greek Theatre, University Of California | Berkeley | CA | 2 | CD-R | Sbd Mcassette > DAT > CDR CDR > EAC (secure mode, test and copy) > SHN |
05/23/82 | Greek Theatre, University Of California | Berkeley | CA | 3 | CD-R | Sbd Mcassette > DAT > CDR> CDR > EAC (secure mode) > SHN; EAC, SHN |
07/28/82 | Red Rocks Amphitheatre | Morrison | CO | 3 | CD-R | Source: Soundboard of unknown lineage > ? > Cassette. Transfer: Cassettes > Sony TC-D5M > Sounblaster > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-Fix, Checksums, and FLAC Compression) > FLAC > bt.etree March 2006. |
07/31/82 | Manor Downs | Austin | TX | 3 | CD-R | SBD -> Cassette Master -> Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC |
08/01/82 | Zoo Amphitheater | Oklahoma City | OK | 2 | SHN | SBD>MC>DAT>CD |
08/03/82 | Starlight Theater | Kansas City | MO | 3 | CD-R | AUD : MC (FOB, 27th Row, by Paul Hogan, Senn 441's > Sony TC-D5) > DAT > CD |
08/06/82 | St. Paul Civic Center | St. Paul | MN | 3 | CD-R | Sony ECM 23-F's >Aud Master |
08/07/82 | Alpine Valley Music Theatre | East Troy | WI | 2 | SHN | SBD : MC > MR > DAT > CDR |
08/08/82 | Alpine Valley Music Theatre | East Troy | WI | 2 | SHN | SBD : MC > MR > DAT > CDR |
08/10/82 | University Of Iowa Fieldhouse | Iowa City | IA | 2 | FLAC | SBD -> Cm -> Dat -> Samplitude 2496 v6.0 -> CD -> EAC -> SHN |
08/28/82 | Oregon Country Fair | Veneta | OR | 2 | SHN | sdb>>cassette master>>cassette>>cdr |
09/11/82 | West Palm Beach Civic Center | West Palm Beach | FL | 3 | CD-R | Master Soundboard Cassette > Reel to Reel > DAT> CDRpatches: Master FOB Audience Cassette:Nakamichi CM300 mics > Sony D5 |
09/17/82 | Cumberland County Civic Center | Portland | ME | 2 | SHN | SBD |
09/21/82 | Madison Square Garden | New York | NY | 2 | FLAC | SBD -> Cassette Master -> Dat (Sony D8) -> CD (Tascam CDRW700) -> Samplitude Professional v7.02 -> FLAC Pitch-corrected fix of Charlie Miller's 4/3/06 seed |
10/09/82 | Frost Amphitheatre | Palo Alto | CA | 2 | CD-R | FOB senn 441's |
10/10/82 | Frost Amphitheatre | Palo Alto | CA | 2 | FLAC | Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC Recorded by Rango Keshavan |
10/17/82 | Santa Fe Downs | Santa Fe | NM | 2 | SHN | (FOB) AUD>Cm>Reel>Dat>CD>EAC>SHN (Tascam DA20>Tascam CDRW700) |
11/25/82 | Bob Marley Performing Arts Center | Montego Bay | Jamaica | 2 | SHN | Master Soundboard Cassette > Reel to Reel > DAT> CDR |
12/27/82 | Oakland Auditorium | Oakland | CA | 2 | FLAC | Matrix: SBD/AUD mix Sources: SBD: Set I (shnid=32134) SBD > MC(?) > Cx > DAT > DAT from Dr. Bruce Fried > FLAC transferred by Bill Koucky, remastered/encoded by Chris Ladner Set II (shnid-????) SBD > ? > FLAC via Bill Koucky via Scott Clugston AUD: (shnid=?????) recorded by Steve Aldeman FOB Sennheiser 441s > Sony D5 > Sony D5 (1st gen CM) > FLAC - transferred and encoded by Bill Koucky and remastered/encoded by Chris Ladner |
12/28/82 | Oakland Auditorium | Oakland | CA | 2 | FLAC | Matrix: SBD/AUD mix Sources: SBD: (shnid=31967) SBD -> Master PCM -> Dat/0 -> FLAC Transferred, edited and encoded by Charlie Miller AUD: (shnid=?????) FOB: 3 nak 100s w/ mixer > Sony D5(x2) > FLAC Recorded by Unknown taper from Berkeley CA Transferred by Bill Koucky and remastered/encoded by Chris Ladner |
12/30/82 | Oakland Auditorium | Oakland | CA | 2 | SHN | SBD>MC>PCM>DAT>CDR (likely cass gen) |
03/25/83 | Compton Terrace Amphitheatre | Tempe | AZ | 2 | CD-R | 3 Senn. 421's>MC>DAT>CD |
03/26/83 | Aladdin Theater | Las Vegas | NV | 3 | CD-R | AUD>MC>DAT>CDR KM 54?s Eac >cool edit > shntool > cdwav >shnv3 |
03/27/83 | Irvine Meadows | Irvine | CA | 3 | CD-R | AUD>MC>DAT>CDR Senn 421?s Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd |
03/29/83 | Warfield Theater | San Francisco | CA | 3 | CD-R | AUD>MC>CDR Paul Hogan, 1st row behind SBD, Senn 441?s>Sony D-6 Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd |
03/31/83 | Warfield Theater | San Francisco | CA | 2 | CD-R | SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
04/10/83 | West Virginia University Coliseum | Morgantown | WV | 2 | CD-R | Audience Recording: Sennheiser 441-->Sony D6 |
04/12/83 | Broome County Arena | Binghamton | NY | 3 | CD-R | Jim Wise recording, FOB Sennheuser 421s>Sony D5>DAT>CDRs>EAC>shn |
04/13/83 | Patrick Gymnasium, U of Vermont | Burlington | VT | 2 | SHN | MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN |
04/16/83 | Meadowlands Arena | East Rutherford | NJ | 1 | CD-R | SET 2 ONLY Recording Info: (FOB) Beyer M160 -> Sony D5 (Lead Deck) -> Cassette Master (Patched With Sony D6, Maxell XL-II) Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface -> Sony V505 -> Samplitude v7.02 Professional -> SHN (1 Disc SHN / 1 Disc Audio) |
04/17/83 | Meadowlands Arena | East Rutherford | NJ | 2 | SHN | SBD : MC > C > DAT > CDR |
04/23/83 | Veterans' Memorial Coliseum | New Haven | CT | 3 | CD-R | FOB-Sennheiser 421>Master Cass(Sony D5)>Dat>CDR>EAC>SHN |
04/26/83 | The Spectrum | Philadelphia | PA | 3 | CD-R | SBDMC>Cass>DAT>CDR>EAC>SHN |
05/14/83 | Greek Theatre, University Of California | Berkeley | CA | 2 | CD-R | Master: Beyer M201's X-Y > Sony TCD5M (Maxell MX 90, no dolby) Location: 85 feet from stage, DFC Transfer: Sony TC-RX 370 > Echo Gina 24@16/48 > BIAS PEAK VST 2.8 > Mac G-4 dual 533 > Adaptec toast > Matshita CD-RW 7573 (internal) > EAC (PC w/pentium III 700) > flac v1.7.1 etree ed. |
05/15/83 | Greek Theatre, University Of California | Berkeley | CA | 2 | CD-R | SET 2 ONLY: 2 Nak 700's > Bass Box EQ > Sony D5 > Sony D5 > Maxell MX 90's |
06/18/83 | Saratoga Performing Arts Center | Saratoga Springs | NY | 3 | CD-R | SET I: Senn 421's > Sony D-5 > CDR taped by Jim Wise SET 2: (Front Row Balcony) Sennheiser 441 -> PCM -> CD -> Dat |
06/20/83 | Merriweather Post Pavilion | Columbia | MD | 3 | CD-R | Set 1 and Set 2 up to Drums is: FOB-Sennheiser 421>MasterCass>Dat>CD Set 2 From Space to Sugar Mags is FOB-Sennheiser 441>PCM>Dat>CD |
06/27/83 | Poplar Creek Music Theatre | Hoffman Estates | IL | 2 | SHN | Aud>Cass Master>C>DAT>CDR Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd |
08/27/83 | Seattle Center Coliseum | Seattle | WA | 2 | SHN | Source: Unknown SBD |
09/02/83 | Boise State University Pavillion | Boise | ID | 2 | SHN | cassette master>DAT>CDR |
09/07/83 | Red Rocks Amphitheatre | Morrison | CO | 2 | SHN | 3 Beyer Dynamics M160> Sony TCD5m Mater Tape Recorded Half way between Board and Stage Sound Forge 5> Power Post 2K |
09/08/83 | Red Rocks Amphitheatre | Morrison | CO | 2 | SHN | AUD(Senn. 441?s)>MC>DAT>CDR Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd |
09/10/83 | Santa Fe Downs | Santa Fe | NM | 2 | CD-R | Jeff Silberman's Master Audience PCM; Sennheiser 441 mics > Technics SV100 PCM > DAT > CDR |
09/11/83 | Santa Fe Downs | Santa Fe | NM | 2 | CD-R | Source: Jeff Silberman's Master Audience PCM; Sennheiser 441 mics > Technics SV100 PCM > DAT > CDR *Missing some Set 1 songs |
10/11/83 | Madison Square Garden | New York | NY | 3 | CD-R | SBD > Cassette Master > Dat x 2 > CDR > SHN |
10/14/83 | Hartford Civic Center | Hartford | CT | 2 | SHN | 3 ATM 11 (tapers section) > d-5>cassmaster> cdr Taped and discs kindly provided by Mark Horvath Eac > cool edit pro > shntool > cdwav > shnv3 By Ernie Dodd |
10/15/83 | Hartford Civic Center | Hartford | CT | 2 | CD-R | SBD |
10/17/83 | Olympic Center | Lake Placid | NY | 2 | SHN | FOB (12th Row) > Sennheiser 421s > WM-D5 (Cassette master) > DAT > CD > (EAC/WAV) SHN |
10/20/83 | The Centrum | Worcester | MA | 2 | SHN | Master Tapes by Ficca and Brennan Source: Ficca FOB Sony TCD5M with 2 Beyer Dynamic 160's -> Sony CDRW-66>EAC>CDWave>SHN |
10/21/83 | The Centrum | Worcester | MA | 3 | CD-R | SBD > PCM > Dat X 3 > CDR > SHN |
10/21/83 | The Centrum | Worcester | MA | 3 | CD-R | Ficca FOB Sony TCD5M with 2 Beyer Dynamic 160's -> Sony CDRW-66>EAC>CDWave>SHN |
10/31/83 | Marin County Veterans Auditorium | San Rafael | CA | 2 | SHN | SBD>MC>DAT>CDR>EAC>CDWAV>SHN |
12/27/83 | San Francisco Civic Auditorium | San Francisco | CA | 3 | CD-R | Recording Info: (FOB) Senn 441>PCM>Dat Transfer Info: Dat(Sony D8)>Behringer UltraMatch SRC2000>CD(Tascam CDRW700)>EAC>Samplitude>SHN |
12/28/83 | San Francisco Civic Auditorium | San Francisco | CA | 2 | SHN | SBD>MC>C>DAT>CDR Eac >cool edit > shntool > cdwav >shnv3 |
12/31/83 | San Francisco Civic Auditorium | San Francisco | CA | 2 | SHN | SBD -> Rm -> Dat -> M-Audio 2448 -> Samplitude 2496 v6.0 -> CD (SHN) Brokedown Palace patched from Pre-FM>Cm>Cass>Dat>CD |
12/31/83 | San Francisco Civic Auditorium | San Francisco | CA | 3 | CD-R | 3 Beyer M160 FOB> Sony TCD5M Master Cassette>shn |
03/29/84 | Marin County Veterans Auditorium | San Rafael | CA | 2 | CD-R | SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
04/01/84 | Marin County Veterans Auditorium | San Rafael | CA | 3 | CD-R | SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC (3 Discs Audio / 2 Discs FLAC) |
04/16/84 | Community War Memorial Auditorium | Rochester | NY | 2 | SHN | Neumann U-87 > Sony d-6 >dat >cdr |
04/20/84 | Philadelphia Civic Center | Philadelphia | PA | 3 | CD-R | SBD -> Cassette Master -> Reel -> Dat (SV3800/48k) -> Samplitude v7.02 Professional -> FLAC |
04/24/84 | Veterans' Memorial Coliseum | New Haven | CT | 2 | CD-R | Recording Info: Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
04/30/84 | Nassau Coliseum | Uniondale | NY | 2 | CD-R | FOB/Row 11 Sennheiser 441s > Sony D5 > Maxell MX90 Type IV Cassettes (Master Audience Cassette)MAC playback on Nakamichi DR-2 cassette deck > gold RCAs > Audiophile 24/96-Pentium IV PC > recorded as 24 bit/96 KHz WAV using Wavelab 5 > mastered using Waves XNoise (learn mode) and L3 Multimaximizer, rendered to 16 bit/44.1 KHz WAV using hi-res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8) |
05/06/84 | Silva Hall, Hult Center | Eugene | OR | 2 | CD-R | Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
06/27/84 | Merriweather Post Pavilion | Columbia | MD | 3 | CD-R | SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC |
06/29/84 | Blossom Music Center | Cuyahoga Falls | OH | 2 | SHN | Jim Wise Sen 421?s>Sony TC-D5M>MC>DAT>CD |
06/29/84 | Blossom Music Center | Cuyahoga Falls | OH | 2 | CD-R | SET 2 ONLY: SBD -> Cassette Master -> Cassette -> Dat (48k) |
07/13/84 | Greek Theatre, U. Of California | Berkeley | CA | 2 | SHN | SBD > ? > CDR |
07/14/84 | Greek Theatre, U. Of California | Berkeley | CA | 2 | SHN | SBD > ? > CDR |
07/15/84 | Greek Theatre, U. Of California | Berkeley | CA | 2 | SHN | SBD > ? > CDR |
07/22/84 | Ventura County Fairgrounds | Ventura | CA | 2 | SHN | sbd>mr>dats>wave>shn w/seek |
10/05/84 | Charlotte Coliseum | Charlotte | NC | 3 | CD-R | FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT |
10/06/84 | Richmond Coliseum | Richmond | VA | 2 | SHN | FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT |
10/08/84 | The Centrum | Worcester | MA | 2 | SHN | Main Source: SBD>MC>DAT>CDR Patch Source: AUDMC>Playback Nakamichi DR-1 cassette deck>HHB 850 CDR> EAC>Cool Edit Pro>CDWave>CDRWin>SHN(previous upgraded SHN release) Aud Taper Name:Matt Rice Mic info: Nakamichi CM 100 mics w/ shotgun capsules Deck Info: Sony D5 cassette deck |
10/09/84 | The Centrum | Worcester | MA | 2 | SHN | Main Source: SBD>MC>DAT>CDR Patch Aud Source: MAC>>Sony D-5>CDR>SHN (previous upgraded SHN release) Taper: Mike Rice Mics: Nak CM 100 w/ shotgun w/ caps |
10/11/84 | Augusta Civic Center | Augusta | ME | 2 | CD-R | FOB Schoeps MK41/CMC4 > Oade M118 > Sony TC D-5 Cassette Master > PCM > DAT @44.1khz y Doug Oade |
10/12/84 | Augusta Civic Center | Augusta | ME | 3 | CD-R | Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable) |
10/14/84 | Hartford Civic Center | Hartford | CT | 3 | CD-R | FOB> Nakamichi 300's>CP4Cassette Master>DAT>CDR>Eac>SHN |
10/15/84 | Hartford Civic Center | Hartford | CT | 2 | CD-R | (FOB) Senn 421 -> Cassette Master -> Dat -> CD - >EAC -> Samplitude v7.02 Professional -> SHN |
10/20/84 | Carrier Dome, Syracuse U | Syracuse | NY | 3 | CD-R | FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M, onto Maxell UD-XLII tape, with no Dolby. Taped by Ted Carpenter. |
10/31/84 | Berkeley Community Theater | Berkeley | CA | 2 | CD-R | AUD (Sennheiser 441) > CM > CDR > WAV > SHN. |
11/03/84 | Berkeley Community Theater | Berkeley | CA | 2 | CD-R | AUD>MC>DAT>CDR |
02/20/85 | Henry J. Kaiser Convention Center | Oakland | CA | 2 | CD-R | aud>>senn 441>>cassette master>>cdr |
03/12/85 | Berkeley Community Theater | Berkeley | CA | 2 | SHN | FOB Senn421's > Master Cassette > DAT > CD |
03/13/85 | Berkeley Community Theater | Berkeley | CA | 2 | SHN | Master Soundboard Cassette > DAT > CDR |
03/22/85 | Hampton Coliseum | Hampton | VA | 3 | CD-R | Recorded by the Oade Brothers Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac |
03/25/85 | Springfield Civic Center | Springfield | MA | 2 | SHN | Nak 300 mics, Phil's side, next to board, -> Sony D5-> HHb 850 -> SHN -> Schlisseltronics -> SHN |
03/28/85 | Nassau Veterans Memorial Coliseum | Uniondale | NY | 2 | SHN | SBD> MC> DAT> CDR |
03/29/85 | Nassau Veterans Memorial Coliseum | Uniondale | NY | 3 | CD-R | Recorded by the Oade Brothers Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac |
04/01/85 | Cumberland County Civic Center | Portland | ME | 3 | CD-R | Primary Source: Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR>EAC>Shn Secondary Source: Steve Ziemba's Cassette Master Aud>Nak300>D5>CM>CDR>EAC>Shn |
04/03/85 | Providence Civic Center | Providence | RI | 3 | CD-R | Recorded by the Oade Brothers Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac |
04/04/85 | Providence Civic Center | Providence | RI | 3 | CD-R | Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac |
04/07/85 | The Spectrum | Philadelphia | PA | 2 | CD-R | Csbd>DAT>CDR>EAC>SHN |
04/13/85 | Irvine Meadows | Irvine | CA | 3 | CD-R | Source: MAC: (FOB) Sennheiser 421's* > Sony D5 > Maxell XLII-S 90(Set I) & Maxell MX 90(Set II) Mic Config: on T bar, pointed at the stacks, waist high. Location: lower orchestra, approximately 25 feet from the stage, DFC Taper: Mark McCue |
04/27/85 | Frost Amphitheatre | Palo Alto | CA | 3 | CD-R | Source: MAC: (FOB) Nak700s > Sony D5 > TDK MA 90s. Recorded by B.Koucky. Transfer: MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9 |
04/28/85 | Frost Amphitheatre | Palo Alto | CA | 3 | CD-R | MAC: (FOB) Sennheiser 421's > Sony D5 > Maxell XLII-S 90 (Set I) & TDK MA-R [aluminum core (Set II)] Mic Config: mics on T bar knee high, covered w/ a black shawl, pointed at the stacks Location: on the lawn, 20-25 feet from the stage, DFC Tapers: Adam, Justin & Monica |
06/14/85 | Greek Theatre, U. Of California | Berkeley | CA | 2 | SHN | Source: SBD > DAT > CDR/? Conversion: CDR > EAC (read offset correct) > CDWave > CoolEditPro > mkwACT > SHN (seekable) by Randy Carman |
06/15/85 | Greek Theatre, U. Of California | Berkeley | CA | 2 | SHN | SBD> ?> CD-R |
06/16/85 | Greek Theater, U. of California | Berkeley | CA | 3 | CD-R | Source: Oade PCM-AUD -- Schoeps MK41 (90 deg ORTF -- Tapers' Section) -> CMC4 ->Oade M118 prototype "b" -> Oade Modified PCM-F1 -> DAT (x1?) (44.1khz) Recorded by Doug Oade Transfer: Sony d7 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> CDWAV (no sample Rate Conversion Performed) |
06/21/85 | Alpine Valley Music Theatre | East Troy | WI | 2 | CD-R | Master Soundboard Cassette > DAT > CDR |
06/22/85 | Alpine Valley Music Theatre | East Troy | WI | 2 | CD-R | SBD > ? > PCM > DAT @ 44.1 (pre-emphasis on) Tape labelled as SBD > PCM > DAT, however first set split at ~40:00 suggests possible cassette gen Transfer: DAT clone; Sony PCM-2600 > Audioquest coax > Turtle Beach Fiji > Soundforge 4.5 > pre-emphasis removed* > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig |
06/24/85 | River Bend Music Center | Cincinnati | OH | 3 | CD-R | Source: SBD -> CM -> PCM -> DAT Transfer: D8 -> Montego II -> Cool Edit 2k |
06/25/85 | Blossom Music Center | Cuyahoga Falls | OH | 2 | CD-R | SBD>Master Cassette>DAT>CDR>EAC>SHN |
06/27/85 | Saratoga Performing Arts Center | Saratoga Springs | NY | 2 | SHN | Amy's Soundboard VHS > Cassette > DAT> CDR |
06/28/85 | Hershey Park Stadium | Hershey | PA | 3 | CD-R | Source: 2 Sennheiser 441's > Sony D5 > Master Cassettes Mic Config: pointed at the stacks Location: 10 yard line, DFC Taper: Mark McCue |
06/30/85 | Merriweather Post Pavilion | Columbia | MD | 3 | CD-R | SBDmc>DAT>CD |
08/31/85 | Manor Downs | Austin | TX | 2 | SHN | Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR>EAC(Secure mode)>Shn(MKW ACT) |
09/03/85 | Starlight Theater | Kansas City | MO | 2 | SHN | Oade Master -- 9-3-85 was 90 degree X-Y CMC441 + CMC42s (spaced 10') -> Oade mixer->Oade mod PCM-F1 first row behind board > ? (no digital processing performed) > Audio CDR from Doug Oade > EAC > SHN (seekable) |
09/07/85 | Red Rocks Amphitheatre | Morrison | CO | 3 | CD-R | Schoeps CMC42S > Oade power supply +90deg x-y Schoeps CMC441 > Oade power supply. Then both into custom Oade mixer into Oade modified PCM-F1 and digitally remastered by Doug Oade > DAT > TB Fiji digi I/O > yarec > wav2cdr > wav (CD) > EAC > SHN |
10/26/85 | Sun Dome | Tampa | FL | 2 | CD-R | Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC (2 Discs Audio / 2 Discs FLAC) |
10/28/85 | Fox Theater | Atlanta | GA | 2 | SHN | FOB Schoeps CMC3's/MK4's > PCM > DAT > CDR > EAC > CDWave > mkwACT Beginning of Sugaree and Scarlet Begonias patched with following source: Nak 300's > D5/Sony KA1ES > HHB 850 > EAC Eac'd/Patched/SHN'd by Doug Nawrocki |
10/29/85 | Fox Theater | Atlanta | GA | 3 | CD-R | SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
10/31/85 | Carolina Coliseum, University Of South Carolina | Columbia | SC | 2 | SHN | Field: Schoeps CMC441 (from TS, 17cm @ 90deg) > Oade M118 > Oade modSony PCM-F1 Transfer: master PCM > DAW (via SEKD card) > DSP* > CD (mkw) > HD > mkwACT0.97b (SHN) |
11/02/85 | Richmond Coliseum | Richmond | VA | 3 | CD-R | SoUrce: Can't remember shotgun mics > Sony D6 > Maxel MX 90s Location: As close as they'd let you get. Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN |
11/08/85 | Community War Memorial Auditorium | Rochester | NY | 2 | CD-R | Master Soundboard Cassette > Reel to Reel > DAT > CDR |
11/10/85 | Meadowlands Arena | East Rutherford | NJ | 2 | CD-R | Master Soundboard Cassette > DAT > Sonic Solutions > CD |
11/11/85 | Meadowlands Arena | East Rutherford | NJ | 2 | SHN | SBD>CM>DAT>DAT>CD>EAC>SHN>WAV>CE2K>shntool>mkwACT(seekable) |
11/16/85 | Long Beach Arena | Long Beach | CA | 2 | CD-R | Schoeps MK41?s > PCM > DAT > CDR |
11/20/85 | Henry J. Kaiser Convention Center | Oakland | CA | 2 | SHN | Source: Master Soundboard Cassette > Cassette > DAT > CDR Encoding: EAC(secure) > Cool Edit (minor fixes) > CDWAV > mkwact > SHN(seekable) |
02/08/86 | Henry J. Kaiser Convention Center | Oakland | CA | 2 | CD-R | SBD -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
02/12/86 | Henry J. Kaiser Convention Center | Oakland | CA | 2 | CD-R | SBD -> Cassette Master (TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/1 |
02/14/86 | Henry J. Kaiser Convention Center | Oakland | CA | 2 | CD-R | SBD>PCM>Dat>Samplitude>Cool Edit Pro>CD; via David Gans |
04/21/86 | Berkeley Community Theater | Berkeley | CA | 2 | CD-R | SBD>Master Cassette>DAT>CDR>EAC>SHN |
12/30/86 | Henry J. Kaiser Convention Center | Oakland | CA | 3 | CD-R | SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
12/31/86 | Henry J. Kaiser Convention Center | Oakland | CA | 3 | CD-R | Pre-FM SBD > DAT > CDR > WAV > SHNv3 |
03/01/87 | Henry J. Kaiser Convention Center | Oakland | CA | 2 | SHN | SBD>MC>DAT>SF>CDR |
03/02/87 | Henry J Kaiser Convention Center | Oakland | CA | 2 | SHN | SBD |
03/03/87 | Henry J Kaiser Convention Center | Oakland | CA | 2 | SHN | SBD > MC > DAT > CDR > WAV > SHN |
03/22/87 | Hampton Coliseum | Hampton | VA | 2 | CD-R | Set 1: SBD -> Master Cassette -> Reel -> PCM -> CD Set 2: SBD -> Master Cassette -> Dat (44.1k) |
03/30/87 | The Spectrum | Philadelphia | PA | 3 | CD-R | Master Soundboard Cassette (Ultr-Matrix Mix) > Reel to Reel > PCM > CDR |
04/11/87 | UIC Pavilion | Chicago | IL | 2 | CD-R | SBD |
05/03/87 | Frost Amphitheatre | Palo Alto | CA | 3 | CD-R | 65% DSBD PRE-FM SBD --> PCM --> DAT --> CDR 35% FOB Schoeps CMC32S --> Grace P.S. --> Sony PCM601 ES --> DAT --> CDR |
05/10/87 | Laguna Seca Recreation Area | Monterey | CA | 3 | CD-R | DSBD>PCM>DAT>zefiro2>soundforge>CDR>EAC>SHN |
06/13/87 | Ventura County Fairgrounds | Ventura | CA | 2 | SHN | Master Soundboard Cassette > PCM > DAT> CDR |
06/14/87 | Ventura County Fairgrounds | Ventura | CA | 2 | SHN | Master Soundboard Cassette > PCM > DAT> CDR |
07/06/87 | Civic Arena | Pittsburgh | PA | 2 | CD-R | (AUD) no other lineage info! CDR>EAC>cdwav>shn |
07/07/87 | Roanoke Civic Center | Roanoke | VA | 3 | CD-R | Aud > Schoeps > PCM > DAT > CD > EAC > SHN |
08/15/87 | Town Park | Telluride | CO | 2 | SHN | PreFM SBD(Healy Mix)>MC>DAT>CDR |
08/16/87 | Town Park | Telluride | CO | 2 | SHN | PreFM > Rm > DAT > CDR > EAC > SHN |
08/22/87 | Calaveras County Fairgrounds | Angels Camp | CA | 2 | CD-R | SBD>Master PCM>DAT>CDR |
08/23/87 | Calaveras County Fairgrounds | Angels Camp | CA | 3 | CD-R | SBD>MC>DAT>CDR>EAC>shn |
09/09/87 | Providence Civic Center | Providence | RI | 2 | CD-R | Nak 300's > Sony D5 Casette Master > Sound Forge (wav) > Shorten |
09/18/87 | Madison Square Garden | New York | NY | 2 | SHN | sbd PCM > Dat x3 > wav > shn |
10/04/87 | Shoreline Amphitheatre | Mountain View | CA | 2 | SHN | Bertha Remaster of Master Cassette Source. SBD>>MC>>DAT>>CDA>>WAV>>SHN>>DAW(Bertha)>>CDA |
11/07/87 | Henry J Kaiser Convention Center | Oakland | CA | 3 | CD-R | SBD > PCM > CDR |
11/08/87 | Henry J. Kaiser Convention Center | Oakland | CA | 2 | SHN | "Top of the Key" FOB, Schoeps CMC44 (110' ORTF) on stand --> Oade Power Supply --> Sony PCM-F1 Transfer: PCM Master, Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR |
12/31/87 | Oakland-Alameda County Coliseum | Oakland | CA | 3 | CD-R | Schoeps FOB->PCM->DAT->CD->CD->WAV->SHN |
03/26/88 | Hampton Coliseum | Hampton | VA | 2 | SHN | SBD Analog Cass Master-> DAT-> CDR |
03/27/88 | Hampton Coliseum | Hampton | VA | 3 | CD-R | DATSBD (Panasonic 3800)>CD (HHB CDR800)>EAC>SHN |
03/28/88 | Hampton Coliseum | Hampton | VA | 2 | CD-R | source: in house FM > unknown receiver > Sony TCD5M > Sony WM-D6C TDK MA-X master cassettes transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 |
03/30/88 | Meadowlands Arena | East Rutherford | NJ | 3 | CD-R | sdb ripped by mike lai |
04/09/88 | The Centrum | Worcester | MA | 2 | SHN | Source: Pre-FM broadcast Lineage: Master Reel> VHS (PCM)> DAT> CD> SHN |
04/15/88 | Rosemont Horizon | Rosemont | IL | 2 | SHN | Source: S:C?-> cdr->(eac'd)wav->shn |
04/24/88 | Irvine Meadows | Irvine | CA | 3 | CD-R | SBD (Matrix) > MC > DAT > CD > EAC > FLAC |
07/02/88 | Oxford Plains Speedway | Oxford | ME | 2 | SHN | SBD>Master Cassette>DAT>CDR>EAC>SHN |
07/15/88 | Greek Theatre, U. Of California | Berkeley | CA | 3 | CDR | Source: 2nd Row Behind Healy. Schoeps CMC42S (Spaced Omni 14' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters. Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR Recording and Transfer: Sean Weber-small |
07/17/88 | Greek Theatre, U. Of California | Berkeley | CA | 3 | CD-R | Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may not be a generation, or it may be. I dunno.) |
07/30/88 | Laguna Seca Recreation Area | Monterey | CA | 2 | SHN | 1st set sbd matrix>unknown cassette generations>?dat?>cdr>wav>shn; 2nd set aud(unknown taper)>unknown cassette generations>?dat?>cdr>wav>shn |
12/28/88 | Oakland-Alameda County Coliseum | Oakland | CA | 3 | CD-R | SBD: Healy Mix>PCM>DAT>EventGina>WAV>CD>EAC>SHN Healy Mix = SBD+AKG C 424b mic. |
12/29/88 | Oakland-Alameda County Coliseum | Oakland | CA | 2 | SHN | sbd>dats>wave>shn |
12/31/88 | Oakland-Alameda County Coliseum | Oakland | CA | 2 | SHN | SBD: Healy Mix>PCM>DAT>DALCardDeluxe>WAV>CD>EAC>SHN Healy Mix = SBD+AKG C 424b mic |
02/05/89 | Henry J Kaiser Convention Center | Oakland | CA | 2 | CD-R | Source: FOB-AUD(Senn. 421?s>Sony TC-D5)>MC>CDR Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
02/06/89 | Henry J Kaiser Convention Center | Oakland | CA | 2 | FLAC | SBD -> Master Cassette -> CD (Marantz CDR 500 Pro) Transfer Info: CD (Sony CDP-XE500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> FLAC |
02/07/89 | Henry J Kaiser Convention Center | Oakland | CA | 2 | FLAC | SBD -> Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
02/10/89 | Great Western LA Forum | Inglewood | CA | 2 | SHN | Master Cassette SBD>DAT(Fostex D-10 playback)>CD-R (hhb800 standalone)>EAC 0.9>SHN (via MKWACT) |
03/27/89 | The Omni | Atlanta | GA | 3 | CD-R | AUD(Schoeps CMC-441's)>DAT>CDR |
03/28/89 | The Omni | Atlanta | GA | 3 | CD-R | AUD>DAT>CDR |
04/03/89 | Civic Arena | Pittsburgh | PA | 2 | SHN | Mastered by Jay Serafin, Serafin Station Studio B LINEAGE: SBD > PCM (analog output) > D > D > CDR > EAC > SHN |
04/08/89 | Riverfront Arena | Cincinnati | OH | 3 | CD-R | Audience FOB (14th Row) |
04/09/89 | Freedom Hall | Louisville | KY | 3 | CD-R | 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. |
04/28/89 | Irvine Meadows | Irvine | CA | 2 | SHN | Master Soundboard Cassette > CDR |
04/29/89 | Irvine Meadows | Irvine | CA | 2 | SHN | Master Soundboard Cassette > CDR |
04/30/89 | Irvine Meadows | Irvine | CA | 3 | CD-R | SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
05/06/89 | Frost Amphitheatre | Palo Alto | CA | 3 | CD-R | DSBD |
05/07/89 | Frost Amphitheatre | Palo Alto | CA | 3 | CD-R | SBD>DAT>DALCardDeluxe>WAV>CD>SHN |
07/07/89 | John F. Kennedy Stadium | Philadelphia | PA | 2 | SHN | (Healy Mix) SBD>MC>DAT>CDR>EAC>SHN |
07/13/89 | Robert F. Kennedy Stadium | Washington | DC | 2 | SHN | Source: (Schoeps)AUD>PCM>DAT>CDR Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
07/15/89 | Deer Creek Music Center | Noblesville | IN | 2 | SHN | SBD > MR > DAT > C > DAT > CDR > EAC > Wave Trim > Add-A-Wave > CDWave > mkwACT |
07/17/89 | Alpine Valley Music Theatre | East Troy | WI | 2 | SHN | SBD > DAT > WAV (via S/PDIF) >CD > WAV (via EAC) > SHN |
07/18/89 | Alpine Valley Music Theatre | East Troy | WI | 2 | SHN | DSBD>DAT>CD |
07/19/89 | Alpine Valley Music Theatre | East Troy | WI | 2 | SHN | DSBD -> DAT -> CD -> eac -> SHN |
08/06/89 | Cal Expo | Sacramento | CA | 3 | CD-R | Set 1 Source: FOB Spaced 50 ft. Neumann km150's > MC > CDR > EAC > Sound Forge 4.5 > mkwACT Set 2 Source: FOB Spaced Nak 700's > MC > DAT |
08/17/89 | The Greek Theatre - University of California | Berkeley | CA | 2 | SHN | Source: SBD>??>DAT>CDR Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
08/18/89 | The Greek Theatre - University of California | Berkeley | CA | 2 | SHN | lineage: Healy Matrix Digital SBD > DAT > CDR > WAV > SHNv3 source: DAT > CDR transfer via D-10 > HHb800 via fishman. DAE via neo_levo: EAC (high, secure, offset corrected, with repeated extractions yielding matching wav md5's), tracked using CDWAVE (boundaries confirmed w/ shntool) > mkwact > SHNv3. Single generation of DAE |
08/19/89 | The Greek Theatre - University Of California | Berkeley | CA | 2 | SHN | Soundboard Cassette Master > DAT > .WAV > .SHN |
09/30/89 | Shoreline Amphitheatre | Mountain View | CA | 2 | SHN | Source: SBD>MC>DAT>CDR Conversion: EAC(secure)>CD WAV>SHN(seekable) |
10/08/89 | Hampton Coliseum | Hampton | VA | 3 | CD-R | (FOB) Schoeps CMC34's -> Panasonic SV-250 Transfer: D8 -> Montego II -> CDWAV |
10/08/89 | Hampton Coliseum | Hampton | VA | 3 | CD-R | Bertha Remaster of the Master Cassette source. SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN - Sound A |
10/09/89 | Hampton Coliseum | Hampton | VA | 3 | CD-R | SBD>CASS(x)>DAT>CDR>EAC>SHN |
10/16/89 | Meadowlands Arena | East Rutherford | NJ | 2 | CD-R | SBD (Official GDP release - not for trade) |
10/19/89 | The Spectrum | Philadelphia | PA | 3 | CD-R | Digital Audience - Jill & Rob R 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section. |
10/20/89 | The Spectrum | Philadelphia | PA | 3 | CD-R | Ultra-Matrix Soundboard DAT > Cassette > DAT > CDR |
10/23/89 | Charlotte Coliseum | Charlotte | NC | 3 | CD-R | SBD>DAT>Sonic Solutions>CD>FM>DAT>CDR>EAC>SHN |
10/26/89 | Miami Arena | Miami | FL | 3 | CD-R | SET 1: SBD -> Cm -> Dat -> CD -> EAC -> Samplitude v7.02 -> SHN SET 2: SBD -> Dat -> Sonic Solutions -> CD -> EAC -> SHN |
12/06/89 | Oakland-Alameda County Coliseum | Oakland | CA | 2 | SHN | Recording Info: SBD -> Dat (Encore is SBD>Cm>Dat with AUD Patch starting at 4:16) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN |
12/10/89 | Great Western LA Forum | Inglewood | CA | 3 | CD-R | SBD > DAT > CDR > WAV > SHNv3 |
02/25/90 | Oakland-Alameda County Coliseum | Oakland | CA | 2 | SHN | Source:SBD>DAT>CASS>DAT>CDR (Patch Source: AUD(Schoeps CMC 44?s)>DAT>CDR) Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
02/27/90 | Oakland-Alameda County Coliseum | Oakland | CA | 2 | SHN | Source: SBD > MC > DAT > CDR > WAV > SHNv3 |
03/15/90 | Capital Centre | Landover | MD | 3 | CD-R | MC>CDR Nak 300's > Sony D-5, using dolby B, onto Maxell MX cassettes. Taper's section recorded by Boyd McHugh Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks. Transfer by Dave Hanscom |
03/16/90 | Capital Centre | Landover | MD | 3 | CD-R | sbd > ? > cdr > eac > shn |
03/18/90 | Hartford Civic Center | Hartford | CT | 3 | CD-R | Hartford Civic Center SBD feed to HCN studios via ISDN > HCN Master Reel > DAT(Sony ES)recorded/(Tascam DA20mkII) playback>Pioneer PDR 555>CDR>WAV>SHNv3. |
03/21/90 | Copps Coliseum | Hamilton | ON | 3 | CD-R | Source: FOB Schoeps CMC44's > DAT > CD that's all I have... *Transfer: DVD > Optical cable > Phillips CDR870(CDDA) > EAC > CE2k > CDWAV > Shorten32 y Doug Nawrocki |
03/22/90 | Copps Coliseum | Hamilton | ON | 2 | SHN | Original Source Unknown>CD>EAC>WAV>SHN |
03/24/90 | Knickerbocker Arena | Albany | NY | 3 | CD-R | Source: AUD(Schoeps CMC 421?s)>DAT>CDR> Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
03/25/90 | Knickerbocker Arena | Albany | NY | 3 | CD-R | Recording Info: (FOB) Schoeps CMC4/MK21 -> Oade Cap Coupled Supply -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN) |
03/26/90 | Knickerbocker Arena | Albany | NY | 3 | CD-R | SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller |
03/28/90 | Nassau Coliseum | Uniondale | NY | 3 | CD-R | 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR>SHN |
03/29/90 | Nassau Coliseum | Uniondale | NY | 3 | CD-R | VCD SOURCE Video: MAC (8mm camera with dual Sony ECM 77-B mics > Sony EV-S1 8mm Recorder > Videum 1000 Capture card > Ulead Videostudio version 6 > SVCD or VCD > VCD-compliant MPEG-1 Audio: Unknown SBD downloaded from gdlive>SHN>MKWact>Cool Edit Pro>Video |
03/29/90 | Nassau Coliseum | Uniondale | NY | 2 | SHN | SBD |
03/30/90 | Nassau Coliseum | Uniondale | NY | 3 | CD-R | 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR>SHN |
04/01/90 | The Omni | Atlanta | GA | 3 | CD-R | 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR>SHN |
04/02/90 | The Omni | Atlanta | GA | 3 | CD-R | Nak 300's/cp 4's > *Marantz PMD420 > dat > cdr |
04/03/90 | The Omni | Atlanta | GA | 3 | CD-R | Soundboard Master Cassette > Sonic Solutions @ 24 bits > CD (Sony Super Bit Mapping 2) > EAC > SHN (seekable) |
05/05/90 | Cal State Dominguez Hills | Carson | CA | 2 | SHN | DSBD>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
05/06/90 | Cal State Dominguez Hills | Carson | CA | 2 | SHN | SBD>MC>DAT>CDR>AC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
06/08/90 | Cal Expo | Sacramento | CA | 3 | CD-R | FOB Matrix SBD > DAT > CDR > WAV > SHN. End of Sugar Magnolia and encore: Schoeps CMC 441's > PCM > SL2000 > DAT > Cass > SHN (Kutick/Adelman). |
06/09/90 | Cal Expo | Sacramento | CA | 3 | CD-R | Digital Ambient, FOB B&K 4011 110degrees ORTF on the "Mike Stand" 6'4" Neumann p48 phantom supply Sony TCD-D10 pro II |
06/09/90 | Cal Expo | Sacramento | CA | 3 | CD-R | SBD (Matrix) > DAT > CDR > WAV > SHN |
06/10/90 | Cal Expo | Sacramento | CA | 3 | CD-R | SBD + AUD Matrix Mix (50%-SBD/50%-AUD) Source 1: SBD: DAT > CDR > WAV > SHN Source 2: FOB: B&K 4011 (ORTF 6'4 mic Stand) > Neumann p48 phantom supply > Sony TCD-D10 pro II (48k) |
06/15/90 | Shoreline Amphitheatre | Mountain View | CA | 3 | CD-R | SBD > DAT > CDR > WAV > SHN |
06/16/90 | Shoreline Amphitheatre | Mountain View | CA | 3 | CD-R | Digital Audience - Jill & Rob R--3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. |
06/17/90 | Shoreline Amphitheatre | Mountain View | CA | 2 | SHN | SBD>DAT>CDR>WAV>SHNv3 |
06/23/90 | Autzen Stadium - University of Oregon | Eugene | OR | 3 | CD-R | Digital Audience - Jill & Rob R--3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern |
07/04/90 | Sandstone Ampitheatre | Bonner Springs | KS | 3 | CD-R | AUD (AKG 414?s) > DAT (Sony D-3) > CDR > WAV > SHNv3 |
07/06/90 | Cardinal Stadium | Louisville | KY | 3 | CD-R | SBD>Dat>Sonic Solutions>CD |
07/14/90 | Foxboro Stadium | Foxboro | MA | 3 | CD-R | 2Beyerm160 > SonyTCD5M Master Cassette> SHN |
07/18/90 | Deer Creek Music Center | Noblesville | IN | 3 | CD-R | unknown aud>?>cdr>eac>shn |
07/19/90 | Deer Creek Music Center | Noblesville | IN | 3 | CD-R | DSBRD>DAT>CD-REAC>SHN |
07/21/90 | World Music Theater | Tinley Park | IL | 3 | CD-R | SBD |
07/22/90 | World Music Theater | Tinley Park | IL | 3 | CD-R | SBD |
07/23/90 | World Music Theater | Tinley Park | IL | 3 | CD-R | SBD |
09/07/90 | Richfield Coliseum | Richfield | OH | 2 | SHN | Source: SBD>Cassette Conversion: Tascam DA-20 MK II > (via RCA analog for Emphasis removal) Tascam DA-20 >Delta Dio 2496 > Soundforge XP 4.5 > CDRWIN > EAC > SHN Taped by ?, Converted by Rob (Odeo) Harrison (www.odeo.net). |
09/08/90 | Richfield Coliseum | Richfield | OH | 2 | SHN | AUD>DAT>CDR>AC(secure)>CD WAV>SHN(seekable) |
09/10/90 | The Spectrum | Philadelphia | PA | 3 | CD-R | AUD(Nak. 300's>D-5)>CM>??>CDR |
09/11/90 | The Spectrum | Philadelphia | PA | 3 | CD-R | FOB(Nak. 300's>D-5)>CM>??>CDR |
09/14/90 | Madison Square Garden | New York | NY | 2 | SHN | Taper: Dave Brotman Location: 15th row, center Source: FOB-AUD(Scheops)>DAT>CDR> Conversion: EAC(secure)>CD WAV>SHN(seekable) |
09/15/90 | Madison Square Garden | New York | NY | 2 | SHN | DSBD Transfer: Sony SDT-9000> VDAT> WAV> CDWAV> mkwACT> SHN V.3 |
09/16/90 | Madison Square Garden | New York | NY | 3 | CD-R | SBD (Dick's Picks 9 - not for trade) |
09/18/90 | Madison Square Garden | New York | NY | 2 | SHN | SBD>DAT MASTER>DATX2>CDR>EAC>MKW>SHN |
09/19/90 | Madison Square Garden | New York | NY | 2 | SHN | Taper: Dave Brotman Location: 15th row, center. Source: FOB-AUD(Scheops)>DAT>CDR> Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
09/20/90 | Madison Square Garden | New York | NY | 2 | SHN | Taper: Dave Brotman Location: Row 15, Center. Source: FOB-AUD(Scheops)>DAT>CDR> Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
09/20/90 | Madison Square Garden | New York | NY | 3 | CD-R | SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN |
10/13/90 | Ice Stadium | Stockholm | Sweden | 2 | SHN | SBD>MC>C>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
10/17/90 | GrugaHalle | Essen | Germany | 2 | SHN | DSBD>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
10/24/90 | Sportsahalle | Hamburg | Germany | 2 | SHN | SBD>DAT>C>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
10/30/90 | Wembley Arena | London | England | 3 | CD-R | dsbd>dat>cd>shn>WAV>FLAC |
10/31/90 | Wembley Arena | London | England | 3 | CD-R | SBD |
11/01/90 | Wembley Arena | London | England | 3 | CD-R | SBD > DAT > CDR > WAV > SHNv3 |
12/03/90 | Oakland-Alameda County Coliseum | Oakland | CA | 2 | SHN | AUD(Nak mics + CP4)>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
12/04/90 | Oakland-Alameda County Coliseum | Oakland | CA | 3 | CD-R | SBD>DAT>CDR>WAV>SHN |
12/09/90 | Compton Terrace | Chandler | AZ | 2 | FLAC | SBD > DAT(x?) DAT from collection of Todd Evans - DAT > TASCAM DA-20 > M-Audio |
12/12/90 | McNichols Sports Arena | Denver | CO | 2 | SHN | S:D->CDR->(eac'd)SHN |
12/13/90 | McNichols Sports Arena | Denver | CO | 2 | SHN | sbd->dat->cdr |
12/27/90 | Oakland-Alameda County Coliseum | Oakland | CA | 3 | CD-R | Set One: AKG 460/CK8X (Front Row Taper's Section) -> Dat (Sony D3) -> PCM -> Dat (Sony R500) -> Samplitude v7.02 Professional -> SHN Set Two: SBD -> Dat -> SHN |
12/28/90 | Oakland-Alameda County Coliseum | Oakland | CA | 2 | SHN | (Healy Mix)SBD>??>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
12/30/90 | Oakland-Alameda County Coliseum | Oakland | CA | 2 | SHN | SBD>??>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable |
12/31/90 | Oakland-Alameda County Coliseum | Oakland | CA | 2 | SHN | Satellite Feed > 1/2" reel @ 15 ips > DAT >CDR Montego II > CDWave > Sound Forge XP 4.5 |
03/18/91 | Capital Centre | Landover | MD | 1 | SHN | Set II only - SBD>MC>DAT>CDR |
03/20/91 | Capital Centre | Landover | MD | 2 | SHN | SBD>DAT>CDR |
04/01/91 | Greensboro Coliseum | Greensboro | NC | 2 | SHN | Primary Source Jay Serafin's seed SBD>D>A>D>SSSB Secondary Source: SBD>DAT>CDR (Musicfan's seed to abgd) Secondary Source provides d1t01-t04; the last 5 seconds of d1t07; the last 2:01 of d1t09 |
04/28/91 | Sam Boyd Silver Bowl, U.N.L.V. | Las Vegas | NV | 3 | CD-R | Purported lineage: SBD> Phil Lesh's cassette master>DAT>CDR |
06/24/91 | Sandstone Ampitheatre | Bonner Springs | KS | 2 | FLAC | DSBD>DAT>CDR>WAV>SHN |
08/13/91 | Cal Expo | Sacramento | CA | 2 | SHN | SBD>CM>DAT>CDR |
08/14/91 | Cal Expo | Sacramento | CA | 2 | SHN | SBD>DAT>??>DAT>CDR Transfer: DAT > ZA2 (S/PDIF)> Wavelab3.03 > CDR |
09/08/91 | Madison Square Garden | New York | NY | 3 | CD-R | DSBD>>DAT>>CDA - Sound A+ Show A |
09/09/91 | Madison Square Garden | New York | NY | 3 | CD-R | DSBD>>DAT>>CDA - Sound A+ Show A |
09/10/91 | Madison Square Garden | New York | NY | 2 | SHN | DSBD>DATs>CDRs>EAC>SHN |
09/12/91 | Madison Square Garden | New York | NY | 3 | CD-R | soundboard > DAT > CDR > SHN |
09/13/91 | Madison Square Garden | New York | NY | 3 | CD-R | DSBD > DAT > CD > EAC > FLAC |
09/14/91 | Madison Square Garden | New York | NY | 3 | CD-R | SBD -> Dat -> CD -> Samplitude Professional v7.02 -> FLAC |
09/20/91 | Boston Garden | Boston | MA | 3 | CD-R | SBD > DAT > CDR > WAV > SHN |
09/21/91 | Boston Garden | Boston | MA | 3 | SHN | SBD->DAT->CDR->EAC->SHN |
09/22/91 | Boston Garden | Boston | MA | 3 | CD-R | SBD > GD MASTER DIGITAL MULTI-TRACK > MARIN COUNTY DIGITAL MIXDOWN TO DAT > SSSB |
09/24/91 | Boston Garden | Boston | MA | 3 | CD-R | SBD > GD MASTER DIGITAL MULTI-TRACK > MARIN COUNTY DIGITAL MIXDOWN TO DAT > SSSB |
10/27/91 | Oakland-Alameda County Coliseum | Oakland | CA | 3 | CD-R | SBD>DAT>ZA2>Soundforge 4>CD Architect>CDR>EAC>shn |
10/31/91 | Oakland-Alameda County Coliseum | Oakland | CA | 2 | CD-R | SET 2 ONLY (FOB) Schoeps CMC3/MK4 -> 'Tao Research" Oade -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 1 Disc SHN) |
11/03/91 | Polo Field, Golden Gate Park | San Francisco | CA | 2 | CD-R | Liberated Bootleg CD>EAC>SHN |
12/31/91 | Oakland-Alameda County Coliseum | Oakland | CA | 3 | CD-R | SBD > Satellite Feed > DAT> CDR > WAV > SHNv3 |
03/03/92 | The Omni | Atlanta | GA | 2 | SHN | AUD>DAT>CDR (Schoeps CMC 34?s) |
03/06/92 | Hampton Coliseum | Hampton | VA | 2 | SHN | AUD>DAT>CDR (Nak 700?s>Sony D-3) |
05/24/92 | Shoreline Amphitheatre | Mountain View | CA | 3 | CD-R | SBD: MC>D>ZA2(S/PDIF)>Wavelab3.03>SHN |
05/30/92 | Sam Boyd Silver Bowl, U.N.L.V. | Las Vegas | NV | 2 | SHN | SBD > DAT > Lucid PCI24 > Gina 2496 > CEP > CDR >EAC>WAV>MKW>SHN |
05/31/92 | Sam Boyd Silver Bowl, U.N.L.V | Las Vegas | NV | 3 | CD-R | SBD > DAT > SONY D8 (S/PDIF) > HD > SHN |
06/20/92 | Robert F. Kennedy Stadium | Washington | DC | 2 | SHN | DSBD |
06/25/92 | Soldier Field | Chicago | IL | 2 | SHN | Mickey & Billy's earpiece monitor mix! Very interesting! |
12/03/92 | McNichols Sports Arena | Denver | CO | 2 | CD-R | MAD FOB Digital Audience Recording - 14th Row Schoeps Mk4v Cardiod Capslue (ORTF) -> Schopes Kc5 Active Cable -> Schoeps CMC3 Mic Body -> Oade Mic Pre -> Monster M1000 Jumper Cable (12" -> Panasonic sv255 DAT Master Recorded by Todd Evans - (DFC was the aisle, this recording 1 seat from aisle) Transfer: MAD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 |
12/05/92 | Compton Terrace Amphitheatre | Tempe | AZ | 3 | CD-R | AUD(AKG-460's)>DAT>CDR> Conversion: EAC(Secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
12/06/92 | Compton Terrace Amphitheatre | Tempe | AZ | 2 | SHN | SBD>D> Delta Dio 2496 > Cool Edit >CDR>EAC>SHN |
12/06/92 | Compton Terrace Amphitheatre | Tempe | AZ | 3 | CD-R | Digital Audience Recording Taped by Todd Evans Schoeps CMC32 Split Omnis -> Monster M1000 Jumpers -> -> Oade Pre -> MonsterM1000 Cable -> 7ft Stand -> Panasonic sv255 soundforge 8.0 48kHz/44.1kHz conversion> tracked in CDWav>FLAC 8.0 Flac |
12/06/92 | Compton Terrace Amphitheatre | Tempe | AZ | 2 | DVD-R | Video Source: 2nd gen VHS>JVC SRV10U S-VHS w/ Time Base Corrector & Digital NR engaged>s-video> ATI All-in-Wonder 128>VirtualDub Sync mod w/ HuffYUV>AVIsynth 2.5.4 (w/ script to fix aspect ratio and crop video head-switching noise [bottom 16 lines], then center image). CAPTURE: NTSC D1 (720x480, 29.97fps). Audio Source: Unknown aud > ? > CDR (shnid=10381). |
12/17/92 | Oakland-Alameda County Coliseum | Oakland | CA | 3 | CD-R | Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > absconded & confiscated by Dick Latvala : ^) > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR |
03/10/93 | Rosemont Horizon | Rosemont | IL | 3 | CD-R | Sbd > DAT master > analog > DAT > CDR > EAC > SHN |
03/24/93 | Dean Smith Center | Chapel Hill | NC | 2 | SHN | SBD > D10 proII Transfer: DA-P1 > Audiophile 2496 > Sound Forge 6 (48 > 44.1) > CDWave > mkwACT Transfer/SHN by Doug Nawrocki |
05/16/93 | Sam Boyd Silver Bowl, U.N.L.V. | Las Vegas | NV | 2 | FLAC | SBD -> Master Dat -> Sonic Solutions -> CD -> EAC -> FLAC |
05/21/93 | Shoreline Amphitheatre | Mountain View | CA | 2 | SHN | AUD(Schoeps CMC 521?s)>DAT>CDR |
05/22/93 | Shoreline Amphitheatre | Mountain View | CA | 2 | SHN | SBD -> Dat -> Sonic Solutions -> CD |
05/23/93 | Shoreline Amphitheatre | Mountain View | CA | 2 | SHN | DSBD>DAT>CDR>EAC(secure)>SHN(seekable) |
05/25/93 | Cal Expo | Sacramento | CA | 2 | SHN | Source: DSBD: DAT > DAT > Sonic Solutions > CD > CD Encoding: EAC(secure) > CDWAV > mkwact > SHN(seekable) by Matt Vernon |
05/26/93 | Cal Expo | Sacramento | CA | 2 | SHN | DSBD>CASS>DAT>CDx2 > EAC in secure mode > SHN |
08/21/93 | Autzen Stadium, University of Oregon | Eugene | OR | 2 | CD-R | SBD > D > ILLEGAL BOOTLEG CD > SSSB |
08/22/93 | Autzen Stadium, University Of Oregon | Eugene | OR | 3 | CD-R | SBD> DAT> CD> EAC> Cool Edit '96 (removed digipops prior to music in beginning of d2t1 & d3t1)> CDWAV> Shorten32; via Doug Nawrocki |
08/25/93 | Shoreline Amphitheatre | Mountain View | CA | 2 | SHN | SBD>??>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) |
09/22/93 | Madison Square Garden | New York | NY | 3 | CD-R | Recorded FOB/DFC by James Young & Clay Brennecke using: Sec. 2 - Row M - Seat 1 AMS ST-250 run Blumlein on stand both sets at 6"3' > Panasonic SV 255 |
12/08/93 | Sports Arena | Los Angeles | CA | 2 | SHN | SBD > DAT > CDR >WAV > SHNv3 |
12/10/93 | Sports Arena | Los Angeles | CA | 2 | FLAC | DSBD>CD |
02/27/94 | Oakland-Alameda County Coliseum | Oakland | CA | 3 | CD-R | DSBD>CM(?)>DAT |
03/04/94 | Desert Sky Pavilion | Phoenix | AZ | 2 | SHN | DSBD --> DAT --> CDR--> Unknown gen-->EAC&MKW |
03/05/94 | Desert Sky Pavilion | Phoenix | AZ | 2 | SHN | DSBD --> DAT --> CDR--> unknown gen--> EAC/MKW |
03/06/94 | Desert Sky Pavilion | Phoenix | AZ | 2 | CD-R | DSBD Extraction: EAC Secure Mode Editing: Cakewalk Pyro 5.0.31 FLAC encoding: FLAC Frontend 1.1.0 (with Sector Boundaries aligned) |
10/01/94 | Boston Garden | Boston | MA | 3 | CD-R | SBD> Dat> CDR (Pre-Fm GDH Discs) > CDR > EAC (Secure Mode, Test and Copy) > SHN |
05/19/95 | Sam Boyd Silver Bowl, U.N.L.V. | Las Vegas | NV | 2 | SHN | Source: Audience(FOB right in front of soundboard):Schoeps MK-4's>Schoeps Pre-amp> Denon80-P>DAT(48kHz) Transfer: DAT>ZA2(S/PDIF)>Samplitude>CD-r (or shn) |
05/20/95 | Sam Boyd Silver Bowl, U.N.L.V. | Las Vegas | NV | 2 | SHN | Source: Set 1: Tapers section- A:AKG 460's>DAT Set 2: Audience(FOB directly in front of soundboard):Schoeps MK-4's>Schoeps Pre-amp>Denon80-P>DAT(48kHz) Transfer: DAT>ZA2>Samplitude>CD-r (or shn) |
05/21/95 | Sam Boyd Silver Bowl, U.N.L.V. | Las Vegas | NV | 2 | SHN | Primary source: SBD: Dat > Cass > Dat > Cass2 > Dat > CDR > SHN (http://db.etree.org/shninfo_detail.php?shnid=15077). Secondary source: SBD>DAT>DAT>CDR>WAV>SHN |
07/09/95 | Soldier Field | Chicago | IL | 2 | CD-R | dsbd(pre-FM)>dat>spdif>cdr>eac>shn |
Grateful Grass --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
04/08/06 | The Fillmore Auditorum | Denver | CO | 1 | CD-R | AKG C391's > W-Mod. UA-5 (24/48KHz) > Microtrack |
Great American String Band --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/12/74 | Keystone | Berkeley | CA | 1 | SHN | S:R>C>D>CDx1>EAC>SHN |
06/13/74 | Keystone | Berkeley | CA | 1 | SHN | S:R>C>D>CDx1>EAC>SHN |
Guns N' Roses --- Approximate Hours: 6.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
02/02/88 | The Ritz | New York | NY | 1 | CD-R | Partial show from the "Back Track" bootleg--Lineage: Silver cd > Eac wav > Flac 7 Track 1-5 Live at the Ritz, NY, 1988-02-02 Track 6-12 Studio Demo Tapes |
12/07/88 | Nakano Sunplaza Hall | Tokyo | Japan | 2 | CD-R | STEREO SOUNDBOARD RECORDING / ULTIMATE EDITION DISC.1 & DISC.2 1 - 8 RECORDED ON MIXING BOARD DISC.2 9 AUDIENCE SOURCE & SB MIX DISC.2 10 AUDIENCE SOURCE CDR-1gen. (originally released by CDR) > EAC > WAV > FLAC Frontend(LEVEL 8) |
12/05/92 | Estadio Monumental Antonio Vespucio Liberti | Buenos Aires | Argentina | 2 | CD-R | Soundboard-> Lineage = Welcome To The Rumour Jungle 2CD [Silvers] -> EAC [secure] -> WAV -> dED -> FLAC Frontend 1.7.1 [level8] Digitally Edited by LIMULUS! |
Guster --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/12/98 | Ziggy's | Winston Salem | NC | 1 | CD-R | SBD>D8 Conversion: DAT2WAV>Soundforge>CD-Wave>MKWAct by Will Foy |
Herbie Hancock & Jaco Pastorius --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
02/16/77 | Ivanhoe Theatre | Chicago | IL | 1 | CD-R | FM>Boot CD>EAC>Flac |
Herbie Hancock & the Headhunters --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/13/73 | Jazz Workshop | Boston | MA | 1 | CD-R | F.M.SBD WBCN |
Humble Pie --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
09/09/70 | Studio | London | UK | 1 | CD-R | Soundboard (some tape hiss; drop-outs in track 2) Silver CD> wav(via EAC)> shn(via mkwACT) |
Ibrahim Ferrer --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
04/02/03 | UCLA Royce Hall | Los Angeles | CA | 2 | CD-R | Source:AUDIO TECHNICA 853>SONY D8(44.1khz)>DAT>ZA-2>SOUNDFORGE>CD WAV>MASTER CD>EAC(SECURE)SHN Location: Orchcestra 2,Row U,Seat 11(2 Seats From Center Aisle) |
Iggy Pop --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
09/26/80 | Bookies Club 870 | Detroit | MI | 1 | CD-R | Lust for Life (liberated bootleg)Source: FM broadcast Lineage: Unknown> silver> EAC (secure)> flac |
Iron Maiden --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/29/82 | The Palladium | New York | NY | 2 | CD-R | Source: SBD Lineage: Original Silvers[GSCD 1082]>EAC>.WAv>FlacFrontend>FLAC Liberated bootleg: "NY Palladium" |
J.J. Cale --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
08/14/90 | Guthrie Theater | St. Paul | MN | 1 | CD-R | Liberated boot (RealLive CD 30); dsbd -> cdr -> flac |
Jack Johnson --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/14/02 | Orpheum Theatre | Boston | MA | 2 | CD-R | Source: WBCN FM broadcast > cass (0) Lineage: HK TD202 > Sony SBM-1 > M-Audio DiO 2496 > ASIO > n-track 3.1.9 > WAV @ 44.1kHz > CD Wave 1.72 > shntool 1.01 > .shn (no DAE) Taped by: Phil Romeo Transferred by: Boogie Shafer |
Jack Johnson Compilations --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
??/??/00 | Jack of All Trades | Various | Various | 2 | CD-R | The J.O.A.T compilation is an ESSENTIAL sampler of outtakes, demos and live performances. |
Jackson Browne & David Lindley --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
09/27/73 | RCA Studios | New York | NY | 1 | CD-R | pre fm>unknown transfer>cdr(x)>eac>flac |
Jaco Pastorius & Jorma Kaukonen --- Approximate Hours: 3.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
02/28/85 | Lone Star Cafe | New York | NY | 3 | CD-R | MAC>NAKCR7A>SEK'D Prodif96Pro w/Samplitude>WAV>>CDWAV>CDR |
Jaco Pastorius Word of Mouth Big Band --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
09/01/82 | Aurex Jazz Festival, Budokan | Tokyo | Japan | 2 | CD-R | Japanese FM(?) broadcast |
James Brown --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/27/87 | Klien Memorial Auditorium | Bridgeport | CT | 2 | CD-R | sbd > ?? > Flac |
James Taylor --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
01/25/71 | Fillmore East | New York | NY | 1 | CD-R | late show soundboard, generations unknown. CDR>EAC>FLAC |
Jamiroquai --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/10/01 | Sporthalle | Hamburg | Germany | 1 | CD-R | Soundboard recording Original Silver bootleg > extracted to wav with CDex > converted to FLAC Level 8 with dBpowerAMP |
Jane's Addiction --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
01/16/89 | Tipitina's | New Orleans | LA | 1 | CD-R | Liberated bootleg--Original Silver CD > CD-R > FLAC |
Janis Joplin --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
08/17/69 | Max Yasgur's Farm, Woodstock Music & Arts Fair | Bethel | NY | 1 | CD-R | Lineage:sbd >? > my silver > EAC ~ Flac (thetradersden > YOU) Title: "Janis Joplin At Woodstock" |
Janis Joplin & The Kozmic Blues Band --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
04/01/69 | Concertgebouw | Amsterdam | Netherlands | 1 | CD-R | Liberated Bootleg "Summertime" This show is amazing, and the recording is crystal clear, especially for one from 1969. |
Jazz Is Dead --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
03/04/06 | The Stone Pony | Asbury Park | NJ | 2 | CD-R | Schoeps CMC6/MK4v(A/B) > LunatecV3 > Tascam DA-P1 Transfer: Sony 2600 > Dio 2448 > CD Wave > Flac Frontend > FLAC16 > Nero 6 > Plextor PX-716A |
Jeff Beck --- Approximate Hours: 3.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/29/72 | Paris Theater | London | UK | 1 | CD-R | PRE-FM Reels>CDRW>CDWAV>masterCDR>WAV>FLAC |
08/27/95 | Riverport Amphitheater | Maryland Heights | MO | 2 | CD-R | Liberated bootleg: "Smokin St. Louis" TDR-R 631, 2001 Soundboard Recording silver cd>eac>wave>flac |
Jeff Tweedy --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
02/26/01 | Irving Plaza | New York | NY | 2 | CD-R | Source: Nakamichi 300s > Sony D8 Transfer: Tascam DA20mkII > Marantz CDR 630 standalone burner > EAC > FL |
Jefferson Airplane --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/26/68 | Fillmore West | San Francisco | CA | 1 | SHN | SBD>MR>R>DAT?>CD>EAC>SHN |
10/25/69 | Winterland Ballroom | San Francisco | CA | 1 | SHN | unknown lineage |
Jerry Garcia Acoustic Band --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/28/87 | Lunt-Fontanne Theatre | New York | NY | 1 | CD-R | Early Show - Acoustic Set Digital Soundboard -> DAT 16/48 > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 w |
Jerry Garcia Band --- Approximate Hours: 171.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/28/69 | 2400 Fulton Street (Jefferson Airplane House) | San Francisco | CA | 1 | SHN | Source: SBD > MR > Cass > DAT > CDR >
WAV > CDR; via EAC/trade from Morgan Evans |
02/06/72 | Pacific High Studios | San Francisco | CA | 1 | SHN | Pre-FM > ? >dat transfer: da-20 > rme 96/8 pst > cd wave > mkw(shn) transfer by Tim Rossi |
11/23/72 | Armadillo World Headquarters | Austin | TX | 2 | CD-R | MSC>1C>Dat>cdr |
02/09/74 | Rheem Theatre | Orinda | CA | 1 | SHN | MSR > D @ 48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > Downsampled to 44.1/Normalized to 98% > SHN (no extraction) |
10/12/75 | Keystone | Berkeley | CA | 2 | SHN | AUDMC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage, one mic directly in front of Jerry's amp, the other pointed stage center to catch the rest of the band] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN; via Jack Warner |
12/19/75 | Winterland Arena | San Francisco | CA | 1 | SHN | SBD>Rm>Reel>PCM>Dat>CD |
12/31/75 | Keystone | Berkeley | CA | 2 | SHN | Source: SBD>Analog>DAT>CD>?>SHN Remastering: SHN>WAV>CE2K>CDWAV>SHNTOOL>mkwACT |
01/25/76 | Club Front | San Rafael | CA | 2 | CD-R | MSC > DATs > Sony PCM R500 > HHB 800 CD/0 > HHB 800 CD/1 > HP 9350i extraction using EAC > .shn encoding using mkwACT. The last two songs are MSR > 1R > 1C > DATs > Sony PCM R500 > HHB 800 master CD > HHB 800 first gen CD > HP 9350i extraction using EAC > .shn encoding using mkwACT |
01/27/76 | Keystone | Berkeley | CA | 2 | SHN | MSR (2 track 7" reels @ 15ips) > cassette (TDK SA-X100) > NAK-CR-7a playback > Lucid AD9624 24-bit A/D > Fostex D5 master DAT > Sony CDR-W33 master CD > EAC > SHN (non- seekable) > patching using Sound Forge Studio 6.0 > sector boundary verification using shntool > .shn encoding (seekable) using mkwACT. A > CD by Ryan Shriver, original .shn by Kevin Tobin, patching and re-.shn by Joe Jupille (jjoops AT attbi DOT com) |
02/21/76 | La Paloma Theater | Encinitas | CA | 2 | CD-R | SBD -> 1C -> DAT |
02/28/76 | Crabshaw Corner | Sacramento | CA | 2 | SHN | MAC (unknown mics, unknown deck) > Reel > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
04/01/76 | The Palace Theater | Waterbury | CT | 3 | CD-R | Recording by Steve Rolfe: Master Audience Cassette; 2 Sony ECM 99s> Sony TC-152; Maxell UD Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC |
04/03/76 | Lisner Auditorium, G.W.U. | Washington | DC | 2 | CD-R | MAC (Taped by Scott Jones, Shure mics > Sony TC-158) > DAT > 3CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). EAC > SHN by Joe Jupille |
05/21/76 | Orpheum Theatre | San Francisco | CA | 2 | CD-R | SBD (Official GDP release - not for trade) |
07/08/76 | Keystone | Berkeley | CA | 2 | CD-R | sbd>?>dat>wav(via analog cables)>shn |
11/12/76 | Freeborn Hall (University of California) | Davis | CA | 1 | SHN | MSR > D > CD > EAC > SHN PARTIAL SHOW |
11/13/76 | Humbolt State College | Arcata | CA | 1 | SHN | MSR > DAT > CD > EAC > SHN PARTIAL SHOW |
11/15/76 | Keystone | Berkeley | CA | 1 | SHN | Master Soundboard Reel > DAT > CD |
07/03/77 | Keystone Palo Alto | Palo Alto | CA | 1 | CD-R | SET 2 ONLY: MSC > 1C > DAT > CD > EAC > SHN |
07/08/77 | Calderone Concert Hall | Hempstead | NY | 2 | SHN | Early and Late shows... MAC (Taped by Jerry Moore, spaced AKG D-200Es [front of the balcony] > Sony TC-153 [Maxell XLII]) > Nakamichi Dragon playback > ART DI/O A-D converter > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > CD by David Minches, CD > SHN by Joe Jupille (jjoops AT attbi DOT com). |
07/23/77 | Keystone | Berkeley | CA | 2 | CD-R | SBD -> Cassette Master -> Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC |
07/30/77 | Theatre 1839 | San Francisco | CA | 2 | CD-R | MAC (Taped by Bob Menke, setup not yet established at this time) > CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > minor editing (Sound Forge Studio 6.0) > sector boundary fixing (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > CD by Bob Menke, CD > SHN by Joe Jupille |
08/06/77 | Keystone | Berkeley | CA | 1 | CD-R | Set 2 (partial) MSC -> DAT -> Digi001 -> SHN |
08/07/77 | Keystone | Berkeley | CA | 1 | CD-R | SOURCE: Master Cassette SB > DAT > CD (May contain an additional analog generation) |
11/23/77 | The Palace Theater | Waterbury | CT | 2 | CD-R | MAC (Taped by Jerry Moore, Sony ECM-33Ps [ledge of the opera box, right side facing stage] > Sony TC-158) > Tascam 122MKIII playback > Tascam DA-40 master DAT > Tascam DA-30 playback > HD > Cool Edit 2000 > .shn. A > D by Mark Cohen, D > SHN by David Minches. |
11/27/77 | The Palladium | New York | NY | 2 | SHN | MAC (Taped by Barry Glassberg, Sony ECM 270s [1st row loge, 30' separation] > Sony TC-153SD [Maxell UDXLII, Dolby]) > Tascam 122 MK III playback > Tascam DA-40 master DAT (44.1) > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT). A > D by Mark Cohen, D > SHN by David Minches. |
11/30/77 | Center Theater, S.U.N.Y. | Buffalo | NY | 2 | CD-R | MAC > Reel > DAT > CDx1 > EAC > SHN. Taper, equipment, and location unknown. DAT > CD by AJL, Sony PCM R500 > HHB800. Extraction using EAC, .shn encoding using mkwACT, and sector boundary verification using shntool by Joe Jupille. |
12/02/77 | Orpheum Theater | Boston | MA | 4 | CD-R | EARLY & LATE SHOWSRecording by Steve Rolfe: Master Audience Cassette; Sony ECM-99 Stereo mic> Sony TC-152; Maxell UDs Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC |
12/08/77 | Palace Theatre | Albany | NY | 2 | CD-R | SBD -> Cm -> Apogee AD1000 -> Dat (Panasonic SV3800) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v7.02 -> SHN |
12/10/77 | Warner Theater | Washington | DC | 2 | CD-R | aud>>mics?>>master reel>>dat>>cdr late show |
12/11/77 | Rec Hall, Penn State U | State College | PA | 3 | CD-R | RTR @ 7.5 I.P.S. > VAULT PCM > UNK. # OF ANALOG GENS > D > SEED CD-R > SSSB |
12/23/77 | Keystone Palo Alto | Palo Alto | CA | 1 | CD-R | MF? (no taping information) > Richard Foster's 1st gen reels > Uher Royal DeLuxe reel to reel playback @ 7.5 ips > Tascam DA-20 DAT @ 48khz > Fostex master CD > EAC > SHN |
03/18/78 | Warner Theater (Late) | Washington | DC | 1 | SHN | ??>DATC>HD>DSP*>DataCDR>CDWave1.6>mkwACTb0.97 (July 2003) |
03/19/78 | Stanley Theatre | Pittsburgh | PA | 2 | SHN | Sndbd->Cassette->Cassette->DAT->CDR->Audio Grabber->TC Native Spectralizer->TC Native Multiband Compressor->SoundForge->TC Native Loudness Maximizer->CDR |
06/18/78 | Keystone Palo Alto | Palo Alto | CA | 2 | SHN | MAC > CD > EAC > SHN Taped by John Angus and Scott Hart (Hunt?), Sony ECM99 (first tier, center) > Sony TC-158 (Maxell UD-XLIIs) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > HP 9350i extraction using EAC > speed correction (pitch shifted up by 40 cents) using Sound Forge XP version 5 > tracking using CD Wave > .shn encoding using mkwACT |
11/16/79 | Keystone Palo Alto | Palo Alto | CA | 2 | SHN | Source: AUD(SONY ECM99's)>Sony TCD5>Roland UA-30 USB A/D > MAC G3 Powerbook>CDR>WAV>SHNv3 Taper: John Angus |
11/18/79 | Keystone | Berkeley | CA | 2 | SHN | Source: AUD(SONY ECM 99)>SONY TCD5>DAT>CDR>WAV>SHNv3 Tapers: John Angus and Scott Hart |
12/21/79 | Keystone Palo Alto | Palo Alto | CA | 2 | SHN | SBD:MR>DAT>CD>SHN |
02/23/80 | The Tower Theatre | Upper Darby | PA | 1 | CD-R | LATE SHOW ONLY MAC > DAT > CD, taper and rig unknown |
02/24/80 | Gym, S.U.N.Y. | Stony Brook | NY | 2 | CD-R | AUD : MC > DAT > CDR |
03/08/80 | The Stone | San Francisco | CA | 2 | SHN | The DAT appears to possibly be a SBD-AUD matrix mix, but I'm not for sure. Recordings: AUD (DAT: MAC>D) |
02/05/81 | Stabler Arena, Lehigh University | Bethlehem | PA | 2 | SHN | AUDMC > CDR Audience Recording by Ted Eng -- Nak 300s > Sony D5M (just behind SBD) |
02/11/81 | The Palladium | New York | NY | 3 | CD-R | Recording by Jim Wise: Master Audience Cassette; Beyer M160s> Sony D-5; 1st Balcony; direct center; Maxell UDXLII Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC |
02/22/81 | The Stone | San Francisco | CA | 1 | SHN | MAC (Taped by John Angus and Scott Hart, Technics stereo mic > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Harry Angus, CD > SHN by Joe Jupille |
09/18/81 | Keystone | Berkeley | CA | 2 | CD-R | Recording by Jim Wise: Master Audience Cassette; Senn MD-421s> Sony D-5 (Maxell UDXLI-S) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC |
11/12/81 | Symphony Hall | Springfield | MA | 2 | SHN | AUD:C (Jim Stone, front row balcony, Nak 300s > Sony D5) > DAT > CD |
11/13/81 | Orpheum Theater | Boston | MA | 2 | SHN | DAT: NAK700s>Sony D5>MAC>D>EAC>MKWact>SHN |
02/04/82 | Keystone Palo Alto | Palo Alto | CA | 2 | CD-R | MSC>D>CDRs |
03/27/82 | Keystone | Berkeley | CA | 2 | CD-R | probably MSC>dat excellent sound |
06/16/82 | Music Mountain | South Fallsburg | NY | 2 | SHN | FOB AudMC > CD > EAC > SHN via mkwACT Sennheiser 421s w/ PZM blend > NAK550 (Rob Eaton) > Sony D5 (Jim Wise) no processing of MC, transfer by Jim Wise |
06/17/82 | Veterans' Memorial Coliseum | New Haven | CT | 2 | SHN | Jim Wise Master aud:421's>d5 10th row center (hand held) > playback on Nak Dragon > sony pcm r-700 >ZA2 > wav >cd via sound forge & cd architect |
06/18/82 | Cape Cod Coliseum | South Yarmouth | MA | 2 | SHN | MSC > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > joined wavs (WavMerge v2.1) > normalization and minor editing (SF Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). EAC > SHN by Joe Jupille |
06/24/82 | Capitol Theater | Passaic | NJ | 4 | CD-R | EARLY & LATE SHOWS: Recording by Jim Wise: Master Audience Cassette; Senn MD-421s> Sony D-5 (Row Q Center; Maxell UDXLII) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC |
10/28/82 | Rissmiller's | Reseda | CA | 2 | CD-R | MAC > WAV > SHN Recorded by Rango Keshavan, front of the balcony, Sony ECM220T mics > SonyTCD5M metal cassette masters (no dolby) > playback on a Nak DR1 > Sony PCMR500 (SBM on) > Turtle Beach Montego II sound card > WAV > SHN. |
10/30/82 | Mesa Ampitheater | Mesa | AZ | 1 | CD-R | This is the complete JGB set. AUD (unknown lineage) > CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH (checksums, SBE-fix, FLAC compression) > bt.etree April 2006. |
11/03/82 | Riverboat President | New Orleans | LA | 2 | CD-R | S:C>C>D>CD |
11/10/82 | Livingston Gym, Rutgers Univ. | Piscataway | NJ | 2 | CD-R | Nak100s > D5 > MAC > 1st gen cassette > playback on cleaned/demagged Nakamichi DR-2 tape deck > Presonus Firebox (pre-amp and A-D conversion) > firewire/PC/XP > Wavelab 5, recorded as 24 bit/96 KHz WAV > digital subtraction NR using Waves XNoise, mastering with L3 Multimaxmizer and rendered to 16 bit/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recorded by Steve Adelman. 1st gen cassette provided by Bill Koucky. |
11/14/82 | Shapiro Gym, Brandeis University | Waltham | MA | 2 | CD-R | Unknown mics, unknown gens, unknown taper Cassette tapes from Leo C. Cassette (NAK) -> RME DIGI -> Samplitude 6.0 -> CD-Wav -> Mkwact -> SHN |
06/03/83 | Capitol Theater | Passaic | NJ | 2 | CD-R | Early and Late ShowsRecording by Jim Vita: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5 (Maxell UDXLII) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC |
11/25/83 | Cleveland Music Hall | Cleveland | OH | 2 | CD-R | Source: Matrix (SBD/AUD mix) SBD: SBD>? orginal seed by Mike Lai, retracked by jakemerc AUD: (FOB) Unknown Mics -> Master Cassette -> Cassette -> Cassette via Charlie Miller (edits and transfer) via Dave Lisuch (tapes): Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC/16 Matrix: Both sources were downloaded FLACs/SHNs > WAV > Vegas 5 > WAV > CD Wave > FLAC 16 (level 8) |
11/26/83 | Forum | Binghamton | NY | 2 | SHN | SBD>MC>DAT>CDR>WAV>SHNv3. Early and Late shows |
08/04/85 | The Stone | San Francisco | CA | 1 | CD-R | MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT). Analog and Digital Mastering by Charlie Connor. |
11/11/86 | The Stone | San Francisco | CA | 2 | SHN | Taper: John Corley MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center]> Sony TCD5M>CDR>EAC>CDWave (retracked)>Shn |
08/30/87 | Greek Theatre | Berkeley | CA | 2 | CD-R | FOB Audience PCM Master PCM 601 > SV-3700 > Edirol UA-1D > SoundForge 5.0 > CD Wave Editor > shn |
01/27/89 | Orpheum Theatre | San Francisco | CA | 2 | SHN | FOB Master 2nd row Sony ECM-77B. FOB Sony ECM 77-B>Sony D5>Cool Edit>CD Wave>SHN From Dan Cole's collection of JGB cassettes - he had it listed as Master FOB Sony ECM 77-B and was using a Sony D5 recorder at the time. I recorded directly from his master tape to my computer using Cool Edit, divided the tracks using CD Wave and then converted to SHN before recording my copy onto cd. |
09/02/89 | Merriweather Post Pavilion | Columbia | MD | 2 | CD-R | Schoeps CMC-44 (FOB) > Oade pre-amp > Sony PCM-F1 > Sony SL 2000 (Beta) |
09/10/89 | Great Woods Center For The Performing Arts | Mansfield | MA | 2 | CD-R | MSC > Cx > WAV > FLAC. |
04/21/91 | Warfield Theater | San Francisco | CA | 2 | SHN | Source: FOB Schoeps CMC34> Oade Power Supply > Panasonic SV-255 Tranfer: DAT clone (Sony DTC-A6) > Dio 2448 > Soundforge 4.5 > CD WAV > Shn by Bill Gardner |
08/10/91 | French's Camp on the Eel River | Piercy | CA | 2 | CD-R | Schoeps CCM4 Cardiods ORTF>Panasonic SV255 Dat>Pansonic 3700 DAT>Card Deluxe Digital I/O Card>Soundforge 6.0>Flac |
10/31/92 | Oakland-Alameda County Coliseum Arena | Oakland | CA | 2 | SHN | SBD:cass>dAT>cdr>shn |
10/31/93 | Brendan Byrne Arena | East Rutherford | NJ | 2 | SHN | Source: AUD(Nak700)>DAT(Sony D3)>CDR>WAV>SHNv3 Taper: Larry Gindoff |
11/03/93 | Knickerbocker Arena | Albany | NY | 2 | SHN | Source: AUD(Nak 700)>DAT(Sony D3)>CDR>WAV>SHNv3 Taper: Larry Gindoff |
11/04/93 | Rochester War Memorial | Rochester | NY | 2 | SHN | Source: AUD(Nak 700)>DAT(Sony D3)>CDR>WAV>SHNv3 Taper: Larry Gindoff |
Jethro Tull --- Approximate Hours: 5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
07/15/72 | Koseinenkin-Kaikan (Shinjuku) | Tokyo | Japan | 2 | FLAC | This is the standard source from the ripped silvers but with the pitch slowed down using Sound Forge to the correct speed. It sounds much better now. |
11/16/79 | Santa Monica Civic Auditorium | Santa Monica | CA | 2 | CD-R | SBD > KMET-FM > ? > CDRs > EAC(secure) > WAV > FLAC |
Jimi Hendrix --- Approximate Hours: 28.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
??/??/39 | Jimi Hendrix: Not Your Regular Bandmates | Various | Various | 3 | CD-R | SBD > Studio Reels > ? > Silvers > WAV > FLAC Volumes 1-3 taken from the Dandelion bootlegs [DL 005, 006 and 007] |
02/04/67 | Flamingo Club | London | England | 1 | CD-R | AUDIENCE MASTER > 3rd GENERATION TAPE > DAT > CDR |
05/24/67 | Stora Scenen - Grona Lund, Tivoli Garden | Stockholm | Sweden | 1 | CD-R | SBD ? |
05/10/68 | Fillmore East | New York | NY | 1 | CD-R | Audience?>CD-R>EAC>WAV>FLAC |
05/18/68 | Gulfstream Park | Hallandale | FL | 1 | CD-R | SBD > ??? > CDR > wav (EAC) > shn (mkw) |
08/16/68 | Merriweather Post Pavilion | Columbia | MD | 1 | CD-R | audio: audience recording; 46 minutes, very good quality 2nd gen tape from KdL, digital mono |
??/??/68 | Unsurpassed Masters Vol. 1-5 | Various | Various | 5 | CD-R | Various studio outtakes and sessions from 1968, 1969 and 1970 SBD > Studio Reels > ? > Silvers > EAC > WAV > SHN |
02/24/69 | Royal Albert Hall | London | England | 2 | SHN | SBD |
05/08/70 | Field House (University Of Oklahoma) | Norman | OK | 1 | CD-R | Master reel > DAT > CDR > Soundstudio > Shorten >shtn(Audience recording) |
05/30/70 | Berkeley Community Theater | Berkeley | CA | 1 | CD-R | EARLY SHOW: SBD > reel to reel > ? >CD-r > EAC > wave > FLAC (level 8) |
01/17/18 | "Black Gold" (Midnight Beat) 5CD | MB CD 058/59/60/61/62 | Compilation | 5 | CD-R | Studio SBD > ? > Silver > EAC > FLAC |
07/09/18 | Mixdown Master Tapes Volume 4 | Rattle Snake ‎– RS 11 | Compilation | 1 | CD-R | SBD > Studio Reels > ? > Silvers > WAV > FLAC Volume 4 taken from the Rattlesnake bootleg [RS 118] |
Jimi Hendrix & The Cry Of Love Band --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
07/30/70 | Haleakala Crater, Seabury Hall | Maui | HI | 2 | CD-R | Stereo Sbd & Aud Composite with Stereo Sbd & Aud Source filler: Stereo Sbd; 2nd Gen [from ATM 018-019 "Bridge To Haleakala" (Re-indexed & 2nd Show amplified) except 1st Show Intro lifted from "Rainbow Bridge 2" (ftbfs: B521)] / |
Jimi Hendrix & Traffic --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
??/??/69 | Unknown | Unknown | Unknown | 1 | CD-R | Liberated bootleg "A Session" Original Silver CD -> EAC>WAV -> mkw Audio Compression Tool>SHN |
Joe Bonamassa --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
02/03/06 | The Borderline | London | UK | 2 | CD-R | Lineage: CD > EAC > FLAC (> etree ~ YOU) Taped by: unknown audience recording |
Joe Cocker --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/27/78 | Old Waldorf | San Francisco | CA | 1 | CD-R | SBD |
05/02/81 | Rainbow Music Hall | Denver | CO | 1 | CD-R | Recorded KDFT Denver FM Radio Show Yamaha Stereo VCR -> RME DIGI Interface -> Samplitude 6.0 -> Flac |
John Coltrane --- Approximate Hours: 5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/27/60 | Jazz Gallery | New York | NY | 2 | CD-R | Source /quality : AUD (B-) CDr from Trade > eac > Flac 8 |
07/26/65 | Juan-Les-Pins Jazz Festival | Antibes | France | 1 | CD-R | A Love Supreme Live. Norma 24 bit CD Norma NOCD 5641. Private tape, radio broadcast. Liberated bootleg. |
07/27/65 | Juan-Les-Pins Jazz Festival | Antibes | France | 1 | CD-R | SBD>Reel(m)>DATC>CDR |
John Fogerty --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
05/27/89 | Oakland-Alameda Coliseum Stadium | Oakland | CA | 1 | CD-R | SBD > Cassette > Nak DR-3 > RME 96/8 PST > CDR |
John Hickey Band --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/27/04 | John & Peter's | New Hope | PA | 2 | CD-R | Schoeps CMXY-4V's > Apogee Mini-Me > Sony M1 > CD (wav files) > G5 Mac > Shorten 
Taped by: Rob Krall |
John Lee Hooker --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/23/85 | Golden Gate Park | San Francisco | CA | 1 | CD-R | Nak 300 Shotguns> SonyTC-D6 >Maxell Metal Master Cassette> Avid Editing>WAV>FLAC w/Carlos Santana |
John Zorn's Electric Masada --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/27/07 | Roma Auditorium Parco Della Musica | Unknown | Italy | 1 | CD-R | Digital Satellite Receiver>Analogue Connects>Total Recorder>WAV file>CD Wave>FLAC |
Johnny Cash --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
??/??/58 | Country Style USA/Guest Star | Compilation | Compilation | 1 | CD-R | These are vintage radio broadcast transcription discs (at times you can "hear" the vinyl, which adds flavor). |
08/25/90 | Rocky Gap Festival | Cumberland | MD | 1 | CD-R | Source: SBD > ? > Silver > CDR > WAV > FLAC Taken from the Tendolar bootleg 'Beast In Me' |
Johnny Winter --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/12/87 | Toad's Place | New Haven | CT | 1 | CD-R | source (MP3 samplers will be provided): excellent audience recording It's another recording from a Jeff James' (roryglzep, many thanks to him) original cassete tape (unknown generation). As always, I've used my Sansui Deck D-95M, Creative Live! 24 bits sound card to transfer the analog sound to digital format and Cool Edit Pro software to edit the blancs, fix some minor flaws, adjust the levels and index the tracks. |
Joy Division --- Approximate Hours: 5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
08/02/79 | Prince of Wales Conference Centre, YMCA | London | UK | 1 | CD-R | CASS (low gen) > WAV > FLAC |
09/22/79 | Nashville Rooms | London | UK | 1 | CD-R | Vinyl sourced as many Joy Division boots seems to be, with some slight surface noise as well as a serious low end thump, limited highs and an overall low digital imprint. SO I corrected each as much as possible; tweaking the low, adding some highs, slight de-noising of the surface and the final digital maximization. |
11/05/79 | Pavilion | Hemel Hempstead | UK | 1 | CD-R | AUD |
01/11/80 | Paradiso | Amsterdam | Netherlands | 1 | CD-R | from notes: (FLAC) Sound Quality is A+ This is the best quality Joy Division bootleg you will find anywhere. |
Karl Denson's Tiny Universe --- Approximate Hours: 3.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
07/02/05 | Plumas-Sierra County Fairgrounds | Quincy | CA | 3 | CD-R | neumann tlm170>apogee ad1000>d8 |
Keller Williams --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
12/26/02 | Eyeclopse Art Studio | Fredericksburg | VA | 2 | SHN | SBD > PCM-1 > Coax SPIDF> EgoSys U24 > PowerMac Dual G4 867 > PeakLE 2.62 Sets Normalized, Tracked, and Faded with PeakLE 2.62 WAV>SHN encoded with Shorten for Macintosh 1.1a4 Recording and SHN encoding by Rob Jeffers |
Led Zeppelin --- Approximate Hours: 46.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
04/24/69 | Fillmore West | San Francisco | CA | 1 | CD-R | "Dancing Avocado Supreme" (AJD / JAMESKG) 2005 Complete PCM Master Transfer Stereo Stage Recording (mics right on stage) Master Reels > PCM > DAT |
09/29/71 | Festival Hall | Osaka | Japan | 3 | CD-R | Bootleg Title: You Were There In Spirits,Empress Valley EVSD 291/292/293 Lineage:My Silvers>EAC,secure mode,test and copy>WAV>FLAC Frontend level 7 with verify>FLAC |
02/27/72 | The Showgrounds | Sydney | Australia | 2 | SHN | AUD |
05/28/73 | San Diego Sports Arena | San Diego | CA | 2 | CD-R | SBD>?>SILVER>EAC>WAV>FLAC FRONTEND>FLAC Liberated Bootleg: "Three Days Before" |
02/12/75 | Madison Square Garden | New York | NY | 3 | CD-R | SBD>SILVER>EAC>WAV>FLAC Label: Empress Valley |
03/04/75 | Memorial Auditorium | Dallas | TX | 2 | SHN | SBD |
03/14/75 | Sports Arena | San Diego | CA | 3 | CD-R | Liberated bootleg: Conspiracy Theory [Empress Valley EVSD]SOURCE: Soundboard Lineage: Original Silvers [EVSD 263/264/265]>EAC[secure Mode/Offset Correct]>.wav>FLACFrontend>FLAC |
03/19/75 | Pacific Coliseum | Vancouver | BC | 3 | CD-R | Liberated Bootleg: Bootleg Title: Snow Jobs (Empress Valley Supreme Disc) |
03/24/75 | The Forum | Inglewood | CA | 3 | CD-R | Beautiful AUD Recording Empress Valley's Deep Throat I - 3 XS EVSD-156-157-158 Silvers->CDR->EAC->WAV->MKW->SHN->WAV->FLAC level 8 |
03/27/75 | The Forum | Inglewood | CA | 3 | CD-R | Liberated bootleg: Deep Throat III Empress Valley |
05/21/77 | The Summit | Houston | TX | 3 | CD-R | Lineage: Orginal Silvers [EVSD 341/2/3]>EAC[Secure Mode Offset Corrected]>.Wav>FLACFrontend[Level 6]>Flac Soundboard Recording |
05/26/77 | Capital Centre | Landover | MD | 3 | CD-R | SBD > ? > Silvers > WAV > SHN (taken from the "Bringing The House Down" boot - Empress Valley SD 2003) Quality: A+ |
07/17/77 | The Kingdome | Seattle | WA | 3 | CD-R | Silvers > EAC > WAV > FLAC Frontend > FLAC |
08/11/79 | Knebworth Festival | Stevenage | UK | 3 | CD-R | Liberated Bootleg: "Welcome To The 1979 Knebworth Festival" Silvers > EAC > WAV > FLAC Frontend > FLAC |
Legion of Mary --- Approximate Hours: 32.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
05/05/73 | Homer's Warehouse | Palo Alto | CA | 1 | CD-R | MSR>DATs>CDRs>EAC>SHN |
08/30/74 | Freeborn Hall, University of California Davis | Davis | CA | 2 | CD-R | MSR>C>DAT>CDRs>EAC>SHN |
??/??/74 | Dick's Gift, 1974 | Various | Various | 1 | CD-R | MSR>DATs>CDRs>EAC>SHN ??/??/74 Unknown Venue, Unknown City, Unknown State |
04/04/75 | Brooklyn College | New York | NY | 2 | SHN | MSR > 1R > 2D > 1C > DATs > CDs > HP 9350i extraction and normalization to 98% using EAC > tracking using CDWave > SHN using mkwACT. Could be from the WBAI broadcast(presumably from post-cassette DATs?) referred to at the Jerry Site |
04/09/75 | The Bottom Line | New York | NY | 1 | SHN | SBD (DAT: MSR>1R>P>D>???>CD>SHN) early & late show mix |
04/11/75 | The Tower Theatre | Upper Darby | PA | 1 | SHN | MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille. |
04/11/75 | The Tower Theatre | Upper Darby | PA | 1 | SHN | 4/11/75 Late Show MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille. |
04/12/75 | Masonic Temple | Scranton | PA | 2 | CD-R | SBD (DAT: MSR>1R>P>D>ZA/2>SHN) |
04/13/75 | Kennedy Center | Washington | DC | 1 | SHN | 04/13/75b Late Show Partial MSR -> 1R -> P -> DATs -> Digi001 -> SHN |
04/18/75 | Arie Crown Theater | Chicago | IL | 1 | SHN | MSR>1R>1PCM>3DAT>CD>EAC>SHN |
04/19/75 | Oriental Theater | Milwaukee | WI | 1 | SHN | SBD (MSR>1R>P>D>ZA/2>SHN) |
05/15/75 | Great American Music Hall | San Francisco | CA | 2 | SHN | AUDMC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [upfront but not onstage] > Sony TC-152) > DATx1 > CD > EAC > SHN; via Jack Warner |
05/21/75 | Keystone | Berkeley | CA | 2 | SHN | SBD>15 ips reel>15ips reel>DAT>Sony R500>Genesis Digital Lens>Fostex CR200>CD>WAV(EAC)>SHN |
05/22/75 | Keystone | Berkeley | CA | 2 | CD-R | MOTB Release: 0044 16bit/44.1Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Jamie Waddell. |
06/21/75 | Keystone | Berkeley | CA | 2 | CD-R | MOTB Release: 0047 16/44.1; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Jamie Waddell. |
06/21/75 | Keystone | Berkeley | CA | 2 | CD-R | MOTB Release: 0047 16/44.1; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Jamie Waddell. |
06/22/75 | Keystone | Berkeley | CA | 2 | CD-R | MOTB Release: 0048 16/44.1; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek McCabe. |
Leonard Cohen --- Approximate Hours: 5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
07/06/85 | Arkadenhof | Wien | Austria | 2 | CD-R | SBD > CASSETTE-M > DAT-1 > CDR(low) > FLAC |
04/18/88 | Music Theatre | Amsterdam | Holland | 2 | CD-R | (original) FM > WAV > (unspecified sound improvements with Peak LE) > FLAC8 (with xAct) (remastering) WAV (used Magix ACL10 for de-clipping, level adjustment, retracking, editing of transitions) > FLAC8 (with TLH, after checking for SBEs) |
Les Claypool & His Fancy Band --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/10/06 | Clinton Lake State Park | Lawrence | KS | 2 | CD-R | Source: ADK A51-TL (cards/DIN)> UA-5 (bm2+ mod) > JB3 (optical in @ 44.1 khz) Location: FOB/DFC @ 8' high Conversion: JB3 > USB > cd wave > wav > FLAC Frontend 1.1.1 (Level 8) Taped/Converted/Seeded: Shawn Smith |
Les Claypool's Rat Brigade --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/24/00 | Gathering Of The Vibes | Bridgeport | CT | 1 | CD-R | Soundboard > DA-P1 Transfer: DA-302 > Turtle Beach Fiji (S/PDIF) > Sound forge 4.5 > CDwave > SHN |
Linda Ronstadt --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/18/73 | The Record Plant | Sausalito | CA | 1 | CD-R | Converted from analog FM broadcast master cassette tape using a direct tape to burner, A to D connection. The equipment used in the conversion NAD 616 cassette dubbing system to an HHb 830 BurnIT CD Burner. The Pro HHb 830 unit has a built-in 24 bit A to D converter and produces very good results. |
Little Feat --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/31/75 | Orpheum Theatre | Boston | MA | 2 | CD-R | Master FM Reels > Sony 2600(dat) Transfer: Sony 2600 > Dio 2448 > CD Wave > Flac Frontend > FLAC16 > Nero 6 > Plextor PX-716A |
Los Lobos --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
07/31/88 | Laguna Seca Recreation Area | Monterey | CA | 1 | CD-R | Master: Sonic Studios DSM6 Binaural Mics (clipped to sunglasses) > Cassette Master (Sony TCD-5M) (recorded FOB, dead center half way between stage and sbd) Transfer: Cassette Master (NAD 6050C) > SBM > DAT @44.1 kHz (Sony PCM-R500) > Coax > CDR (Tascam CD-R700) > EAC (v.0.9b3)("Copy Range" mode to recombine tracks) > Sound Forge (v. 6.0) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC |
03/25/06 | Regency Center | San Francisco | CA | 1 | CD-R | Source:(FOB/DFC/8'high) Microtech Gefell M210(DIN 90)>Lunatec V3>Microtrack@24/48 Lineage:6gb Apple Microdrive>HD>Wavelab 5.01b(48>44.1/dither UV22 HR)>CD Wave>FLAC(level 6) Taped by: Brian Lee |
Los Lonely Boys --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
01/09/04 | Horseman Night Club | Fort Worth | TX | 2 | CD-R | 2 cdrs in trade>EAC>wav>edits in EAC and CDWave>mkwACT>shn |
Lou Reed --- Approximate Hours: 3.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
03/28/77 | Vejlby-Risskov Hallen | Aarhus | Denmark | 1 | CD-R | CD-R from trade -> .aiff -> xACT flac conversion |
05/27/80 | Agora Theatre | Cleveland | OH | 2 | CD-R | Source: Soundboard Lineage: Master reels > professionally transferred (unknown process & equipment) > wav > CD > EAC > wave > wavemerge > cdwave (retracked - dead air and repeat material omitted) > TLH > flac (lvl 8) |
Louis Armstrong --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
04/24/62 | L'Olympia | Paris | France | 1 | CD-R | Radio Broadcast |
Mahavishnu Orchestra --- Approximate Hours: 3.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
08/20/72 | Montreux Pavilion | Montreux | Switzerland | 2 | CD-R | Soundboard --> reel-to-reel --> reel-to-reel (second or third generation) --> Mac --> CDR CDR > WAV (EAC) > FLAC (frontend level 8) |
04/03/73 | Ebbets Field | Denver | CO | 1 | CD-R | FM > Open Reel Tape > Silver CD > Nero > WAV > Flac 8 |
The Mars Volta --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/14/05 | Santa Barbara Bowl | Santa Barbara | CA | 2 | CD-R | Source: Mics: Matched Audio Technica AT853 Slimline Cardioid Stereo Model:SP-CMC-8 > SP-SPSB-6SL (Battery Box w/ Bass Roll Off @ 69 Hz) > Recorder(Portable Digital Hardrive):iRiver Model:iHP-140(wav @ 44.1 KHz 16 bit) |
Marvin Gaye --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/13/79 | Nippon Budokan | Tokyo | Japan | 1 | CD-R | CDR > EAC (secure) > mkw > shn |
Meat Puppets --- Approximate Hours: 6.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
01/05/85 | Gila Monster Jamboree | Mojave Desert | CA | 1 | CD-R | 1st generation cassette (1st source) and 2nd? generation (2nd source *) > Cool Edit - WAV 44100 hz, 16 bit, stereo> Normalized to 98% > FLAC frontend FLAC > Make Torrent 2.1 > You |
03/17/89 | Sun Club | Tempe | AZ | 2 | CD-R | PZMÃs>Sony D6(m)>Onkyo TA-RW344 w\ azimuth correction>Cooledit Pro 2.0>.wav>flac (level 8) |
12/31/93 | Mason Jar | Phoenix | AZ | 2 | CD-R | DSBD Master via David Holmes D3 DAT Transfered via Sony R500>spdif>Microtrack 24/96 Edits/fades in SF6, Tracked with CdWave, Flac 7 |
Medeski Martin & Wood --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
07/27/95 | Club Toast | Burlington | VT | 2 | CD-R | Source: DSBD > DAT Transfer: Sony PCM-R500 > Audiophile 2496 > Soundforge 8 > CD Wave > Flac Level 8 |
Meters (1989-1993) --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
12/07/91 | Mensa, Germany | Mensa | Germany | 2 | CD-R | SBD>MR>C>?>CD>EAC>CDWAV (re-track)>MKWACT>SHN |
Michael Franti & Spearhead --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/27/01 | Wetlands Preserve | New York | NY | 1 | SHN | SBD |
Mickey & The Hartbeats --- Approximate Hours: 6.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/10/68 | The Matrix | San Francisco | CA | 2 | SHN | SBD>Rm>Reel>CD (May Be SBD>Rm>Reel>Reel>CD) |
10/30/68 | The Matrix | San Francisco | CA | 3 | CD-R | Digitized from First Generation Reels -- Analog To Digital using a Revox A-77 Reel 2 Reel > Alesis Masterlink ML-9600 (24 bit sampled @ 96k) > 16 bit @ 44.1k downsample to CD>EAC>SHN |
Mickey Hart & Planet Drum --- Approximate Hours: 7.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
09/22/06 | Rio Theater | Santa Cruz | CA | 2 | CD-R | AUD: 5 foot stand just in front of soundboard, DFC (stand raised to 8 feet for encore as audience stood) Audio Techinca U873R hypercardiod mics (DIN) > Presonus Firebox > iBook G4 (Sound Studio 2.2.4, 24/44.1) 9.5 dB gain added to 24 bit file in Sound Studio, fades added dithered (triangle) to 16 bit with Audacity 1.2.4 tracked with Sound Studio 2.2.4 |
09/24/06 | Van Duzer Theatre | Arcata | CA | 2 | CD-R | Source: Neumann u89 > Lunatec V3 > MT 2496 (@16/44.1) Transfer: MT2496 > USB > SF 4.5 (fades/level boost) > CD wav edit (tracking) > flac |
09/29/06 | The Aladdin Theater | Portland | OR | 2 | CD-R | Source: AKG 481's > Audio Magic X-Streamz > w-mod UA-5 > VX Pocket 440 (s/pdif) > Wavelab 5.01b. ~50' back Center @ 7' Transfer: Wavelab 5.01b (gain applied, fades, resample, and dither (UV22HR)in that order) > CD Wave 1.94.2 > Flac16 (6) Taped and transferred by Chris Larson |
Mike Bloomfield --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
02/28/69 | Unknown | Unknown | Unknown | 1 | CD-R | Liberated Bootleg 1/4">Original silver CDs>EAC(secure)>Shorten v3.5.1>SHN>WAV>FLAC Quality: A++ Soundboard recording |
Mike Watt --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
05/21/02 | 31st Street Pub | Pittsburgh | PA | 1 | CD-R | Source: Microtch Gefell M300>Lunatec V2>Sony D8 by Scott Cronin |
Miles Davis --- Approximate Hours: 12.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
04/08/60 | Kongresshaus | Zürich | Switzerland | 1 | CD-R | Liberated Bootleg CD-> EAC -> CDR > ? > WAV > SHN (no seektables) |
10/08/64 | Stadthalle | Sindelfingen | West Germany | 2 | CD-R | Source: Suddeutscher Rundfunk (SDR) station reel >? >DAT Lineage: Station reel >? >DAT >.wav via S/PDIF and Midiman Dio 2448 digital soundcard at 48 kHz >CoolEdit Pro 2.0 >CD Wave >MKW >SHN >.wav (checksums verified before decoding) >CoolEdit Pro 2.0 (tracks re-sequenced) >CD Wave >Trader's Little Helper >FLAC (Level 6, ASB) |
04/07/67 | Harmon Gymnasium, University of California | Berkeley | CA | 1 | CD-R | KALX Radio broadcast -- This probably came from the bootleg cd, Losin |
07/25/69 | Festival De Juan Pins | Antibes | France | 1 | CD-R | |
04/09/70 | Fillmore West | San Francisco | CA | 1 | CD-R | FM broadcast >master reel-to-reel >TDK SA-C90 cassette tape on Nakamichi Dragon |
06/19/73 | Shinjuku Kohseinenkin Hall | Tokyo | Japan | 2 | CD-R | SBD |
11/07/73 | Dom Sindikata | Belgrade | Yugoslavia | 1 | CD-R | Unknown radio broadcast This version is a direct eac (secure) copy of the silver cd bootleg, 'Another Bitches Brew', Jazz Door, #1285. |
01/22/75 | Shinjuku Kohseinenkin Hall | Tokyo | Japan | 1 | CD-R | FM>? (probably master)>DAT>CDR>EAC>SHN>WAVE>FLAC>TORRENT>WAVE>remaster with WaveLab 5.0, using clipped peak restoration, image shuffler, phase linear MB dynamic expander, and other 32, 48 & 64 bit solution plug ins>normalisation to -0.01 db>CD Wave tracking>Flac Frontend |
Minor Threat --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
09/23/83 | Lansburgh Cultural Center | Washington | DC | 1 | CD-R | AUD tape -> ??? -> Sony UX 90-min tape -> AIFF via CD Spin Doctor -> FLAC via xACT |
Minutemen --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
03/01/85 | The Stone | San Francisco | CA | 1 | CD-R | Master Soundboard Cassette > CD-R > EAC > WAV > FLAC [level 6] |
09/21/85 | Berkeley Square | Berkeley | CA | 1 | CD-R | FM Broadcast |
Misfits --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
12/25/81 | Hitsville | Passaic | NJ | 1 | CD-R | BOOTLEG LP--RED VINYL |
Modest Mouse --- Approximate Hours: 10 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
02/02/02 | Crystal Ballroom | Portland | OR | 2 | CD-R | (Onstage,DFC,X/Y 90')MG300's(30%)>Snake>+SBD(70%)>(matrix)Behringer 602A>D8 Transfer-D8>U2a>SF5.0>CDWAV>SHN |
06/12/05 | Bonnaroo Music Festival | Manchester | TN | 2 | CD-R | Source: Rode NT4 > NJB3 Lineage: Adobe Audition > CDWAV > Easy-CD DAC (flac compression 7) |
06/17/05 | Borgata Hotel & Casino | Atlantic City | NJ | 2 | CD-R | source:neumann skm140's->lunatec v2->sony sbm1(modified)->tascam dap1 dead center sec 200 Transfered:Tascam da20 mkII->hhb cdr850...CD->eac->flac frontend |
11/05/06 | Club Avalon | Hollywood | CA | 2 | CD-R | Source: Mics- Matched Audio Technica AT853 Slimline Cardioid Stereo Model:SP-CMC-8 > SP-SPSB-6SL (batt. box module w/ Bass Roll Off set @ 69 Hz) Recorder(Portable Digital Hardrive):iRiver Model:iHP-140(wav @ 44.1 KHz 16 bit) Transfer : >USB2>Computer Hardrive>master wav was edited, tracked and cut using Soundforge 8.0>flac using Flac Frontend |
Muddy Waters --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
09/19/74 | East Stroudsburg State College | East Stroudsburg | PA | 1 | CD-R | Reel to Reel>CDR>WAVE>FLAC |
06/15/76 | Paul's Mall | Boston | MA | 1 | CD-R | WBCN-FM Stereo 1993 Re-broadcast NEC-DX5000 VHS Hi-Fi Audio Master @ EP 6 hour speed Sony SLV-N80 > Sony DTC-60ES > Philips CDR-775 VHS Hi-Fi Audio Master > DAT > CD > EAC secure > FLAC |
Murphy's Law --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
07/19/86 | CBGB's | New York | NY | 1 | CD-R | Cassette (1st generation, brand of recorder unknown) > wav using Onkyo deck, Audacity and Soundforge XP >flac using multifrontend |
My Morning Jacket --- Approximate Hours: 11.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/04/05 | 40 Watt Club | Athens | GA | 2 | CD-R | Source: Neumann ak40 > lc3 > km100 > m148 > 722 (24/96 kHz.) (~25', dfc, nos) DSP: 722 > CD Wave > WaveLab 5.0 (fades/dither/resample) > flac frontend (level 6) Recorded by : Joe Waldron |
10/10/05 | 9:30 Club | Washington | DC | 2 | CD-R | Source: Microtech Gefell M300 > Digimod UA-5 > JB3 Location: OTS, LOC, DIN Transfer: JB3 > 1394 > Wavelab 5 > SHNTool 1.3.3 Taper: Kyle Pike |
11/23/05 | The Palace Theater | Louisville | KY | 2 | CD-R | Source: Soundboard FM broadcast 91.9 WFPK LouisviLle, KY Lineage: Sony STR-K840P Receiver> Sound Studio 2.0.7> xACT> FLAC Recorded and tracked by: Kory Johnson |
06/03/06 | Continental Airlines Arena | East Rutherford | NJ | 1 | CD-R | DPA 4023 > Sonosax SX-M2 > Mogami interconnect > Edirol R1 @ 24/44.1 Location: Sec 8 Row Q Seat 11, 17th Row Center WAV > FLAC: .wav @ 24/44.1 > Steinberg WaveLab v5.00a (dither with Apogee UV22HR to 16/44.1) > CD-WAV/FLAC frontend v1.7.1 > .flac |
12/01/06 | Electric Factory | Philadelphia | PA | 2 | CD-R | FM/SBD> Sony PCM-R300 DAT (16/44.1, SBM) Lineage: Sony PCM-R300 DAT (16/44.1, SBM); Wave Lab 5 (fades, cross fades to remove station ID's)> CDWave (tracks)> FLAC16 Taped by: Craig Taraszki Transfered by: Craig Taraszki |
Neil Young --- Approximate Hours: 16.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
02/25/70 | Music Hall | Cincinnati | OH | 2 | CD-R | Liberated bootleg:Title: Winterlong Label: The Swinging Pig Cat #: TSP-CD-042-2 Source: Soundboard Lineage: Silvers > EAC > WAV > MKW > SHN > FLAC |
01/12/71 | Northern Alberta Jubilee Auditorium | Edmonton | AB | 1 | CD-R | Stereo Soundboard |
??/??/75 | Chrome Dreams | Studio | Compilation | 1 | CD-R | (Rust Edition) Source/Lineage: Remastered from the best available sources of each track. No other version of Chrome Dreams can compare to this. |
05/24/78 | The Boarding House (Early) | San Francisco | CA | 1 | CD-R | AUD Analog Master > DAT > CDR > SoundEdit16 > WAVTool > SHN > FLAC |
09/11/82 | Stadio dei Pini | Viareggio | Italy | 2 | CD-R | Unknown Gen Maxell XLII > Wavelab 3.0 > FLAC Probably AUD, but it sounds so good a case could be made that its an SBD |
12/13/89 | Ahoy Sportpaleis | Rotterdam | Holland | 2 | CD-R | unknown lineage, but great recording |
03/21/96 | Old Princeton Landing | Princeton by the Sea | CA | 2 | CD-R | Unknown--good sound |
04/14/99 | Fox Theatre | St. Louis | MO | 2 | CD-R | B&K4021 > EAAPSP-2 > Denon DTR-80 > CDR > EAC > WAV > FLAC |
New Monsoon --- Approximate Hours: 3.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
03/13/04 | Cervantes' Masterpiece Ballroom | Denver | CO | 3 | CD-R | Source: SBD->AD2k+->DA-P1 Transfer: DA-P1->Audiophile 2496->Sound Forge 5.0(convert to 44.1 and split)->mkw Taped and Transferred: David Taylor |
New Order --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
07/07/83 | Paradise Garage | New York | NY | 1 | CD-R | CASS (low gen) > WAV > FLAC |
01/25/86 | St. Francis Xavier Centre | Dublin | Ireland | 1 | CD-R | AUD - quality: ranging from good+ to very good+, mostly VG |
Nirvana --- Approximate Hours: 15 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
04/??/90 | Smart Studios | Madison | WI | 1 | CD-R | Generation = ANA(2)->DAT(1)->.shn |
05/13/90 | Duffy's Tavern | Lincoln | NE | 1 | CD-R | Quality: 9.0 (soundboard recording) Generation: ANA(1) > CDR(3) (Soundboard > Tascam 4-Track Portastudio) |
10/31/91 | Paramount Theatre | Seattle | WA | 1 | CD-R | MASTER SBD (Dogfish Mobile Truck)>Silver disc>WAV(EAC)>FLAC>You NOTES: Complete gig, never officially released. |
11/06/91 | "Wulfrun Hall" | Wolverhampton | UK | 2 | CD-R | AUD unknown -> unknown ANA(1) -> DAT(2) -> WAV [32kHz] -> WAV [44.1kHz] -> FLAC [Level 8] (2 files) -> WAV [44.1kHz] -> FLAC [Level 8] |
02/07/92 | Selina's - Coogee Bay Hotel | Sydney | Australia | 1 | CD-R | Source information: DAT audience audio (Sonic Studios DSM-3 > Sony TCD-D3 DAT), total running time is 78:08, the recording is complete Generation: DAT(4) > CDR(6) > .wav > .shn > flac (Therefore your copy will be CDR(7)) |
09/26/92 | Castaic Lake Natural Amphitheater | Valencia | CA | 1 | CD-R | SETLIST: The Money Will Roll Right In (Kurt with Mudhoney) / Where Did You Sleep Last Night (Kurt solo) GENERATION: VID(M) -> DAT(1) [48kHz] -> WAV [Resampled to 41.1kHz] -> your copy, which will be CDR(1) TRANSFER: Tascam DA-20 MKII -> Apogee 2 meter S/PDIF cable -> LynxONE digital-in -> Sound Forge 6.0 |
02/??/93 | Pachyderm Studios | Cannon Falls | MN | 1 | CD-R | Generation: Reel > DAT(x) > CDR(2) > WAV > FLAC This is usually referred to as "In Utero first week mix" |
11/09/93 | Stabler Arena, Lehigh University | Bethlehem | PA | 2 | CD-R | CD ["Nevermind The Bollocks" bootleg] -> WAV [44.1kHz] -> FLAC [Level 8] |
02/08/94 | Pabellón Del Real Madrid | Madrid | Spain | 1 | CD-R | Unknown ANA(1)>FM>ANA(2) |
02/22/94 | Palaghiaccio di Marino | Rome | Italy | 1 | CD-R | Liberated bootleg: Octopus XXII II MCMXCIV Lineage: Post FM SBD > DAT(?) > Silver > EAC > WAV > FLAC |
Norah Jones --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
04/08/02 | Crystal Ballroom | Portland | OR | 1 | CD-R | Original seeder said "Unknown Audience (Most likely : Sonic Studios DSM 6 )" |
Old & In The Way --- Approximate Hours: 10 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
03/02/73 | The Record Plant | Sausalito | CA | 1 | SHN | FM MSR>R>D>CD |
07/21/73 | The Lion Share | San Anselmo | CA | 1 | CD-R | SBD (unknown lineage) -- This was a rehearsal session in a back room at The Lion Share |
07/23/73 | The Boarding House | San Francisco | CA | 2 | CD-R | SBD (DAT: MSR>?>D>CD) |
10/??/73 | Unknown | Unknown | Unknown | 1 | SHN | MSR>R>R>D>CD |
11/04/73 | California State College Sonoma | Cotati | CA | 2 | SHN | SBD (DAT: MSR>?>D>CD) |
04/27/74 | Golden State Country Bluegrass Festival | San Rafael | CA | 1 | SHN | AUD - MA?>?>D>CD |
Ornette Coleman --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
07/18/78 | Orangerie | Ansbach | Germany | 1 | CD-R | 3 songs tv>?>vhs tape>cd wav editor>flac frontend |
Otis Redding --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
??/??/67 | A Soupçon of Soul | Birmingham | AL | 1 | CD-R | Live 1967 -tracks #1-#5 Birmingham Alabama 1967 -tracks #6-#13 various US/European radio and television broadcasts 1967 -tracks #14-#20 Koncerthuset, Stockholm, Sweden June 4, 1967 -from the release A Soupcan Of Soul on Big Fro Discs (BF-007) |
Oysterhead --- Approximate Hours: 5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
05/04/00 | Saenger Theatre | New Orleans | LA | 2 | CD-R | Soundboard>dat>rme96/8>cdwav>mkw>shn |
06/16/06 | Bonnaroo Music Festival (What Stage) | Manchester | TN | 2 | CD-R | Peluso cemc6/ck4's(75hz rolloff, DIN, 7',FOB,DFC,50'from stage)>w+mod ua-5>jb3(44.1) Transfer: jb3>creative playcenter>cdwave>flac Taped and Transferred by Jon Buffington |
Paco de Lucia --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
07/13/01 | Piazza Della Riforma | Lugano | Switzerland | 1 | CD-R | Soundboard > ReelToReel >DAT > 1st copy > eac > wave > flac frontend |
Page & Plant --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
02/26/98 | Spodek Hall | Katowice | Poland | 2 | CD-R | Excellent stereo soundboard |
Parliament --- Approximate Hours: 3.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/31/76 | the Summit | Houston | TX | 1 | CD-R | SBD>liberated bootleg "Houston, We've Got A Problem">?>CD |
11/??/76 | Ebbets Field | Denver | CO | 1 | CD-R | SBD>liberated bootleg "Rocky Mountain Shakedown">?>CD |
01/01/77 | Unknown | New York | NY | 1 | CD-R | SBD>liberated bootleg>?>CD |
Pat Metheny --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/17/79 | Hofstra Playhouse | Hempstead | NY | 2 | CD-R | SBD > pre-FM > Nakamichi 550 > cassette > Nakamichi CR7a > SBM1 > Lynx > WAV > Soundforge > WAV > SHN |
Patti Smith --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
01/30/76 | The Roxy | Los Angeles | CA | 1 | CD-R | vinyl (ZAP 7854) >cassette (Onkyo deck) > wav (Onkyo deck, Auadacity and Soundforge XP) > flac (multiFrontend) |
Paul Butterfield Blues Band --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
05/18/66 | Unicorn Coffee House | Boston | MA | 1 | CD-R | SDB>Bootleg>?>Cdr>EAC>FLAC8 |
Paul McCartney & Wings --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/??/74 | EMI Studio-Abbey Road | London | England | 2 | CD-R | Outtakes For Unreleased Video "One Hand Clapping" Liberated Bootleg (HEN 062-1/2) Lineage: Silvers > EAC (secure mode, offset corrected, test and copy) > Wav > TLH > Flac level 7 (tested and verified) |
Pavement --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
03/06/94 | Batschkapp | Frankfurt | Germany | 1 | CD-R | MATRIX #1 - SBD>DAT>CDR #2 - Sony V5000 with ECM 959 #3 - Sony Hi8 HC - Onboard mic (unknown model) Mastered in Vegas7>SoundForge(splits, resample to 44.1)>Flac'd |
05/15/99 | BBC Evening Session - Maida Vale Studios | London | England | 1 | CD-R | Liberated Boot "Anybody Can Go" Unknown Lineage Extracted with EAC. Encoded FLAC Level 8. |
Pearl Jam --- Approximate Hours: 5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
03/04/92 | Tivoli | Utrecht | Netherlands | 2 | CD-R | Pre-FM > DAT > DIO2448 > SHN |
11/24/93 | Century II | Wichita | KS | 2 | CD-R | "World Jam" Bootleg silver cd->EAC->shn |
Peter Tosh --- Approximate Hours: 5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
03/08/79 | The Bottom Line | New York | NY | 1 | SHN | Source: Unknown (Likely FM Broadcast / SBD) CD > SHN Transfer: CDR > EAC > wav > mkw > shn shn Transfer by: Rob Heros |
08/23/83 | Greek Theatre | Los Angeles | CA | 2 | SHN | SBD>???>CDr>EAC>SHN via mkwACTv0.97 |
10/23/83 | Dominion Theatre | London | UK | 1 | CD-R | FM>LP>?>SHN |
Phil Lesh & Friends --- Approximate Hours: 13.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
02/12/01 | Roseland Theatre | Portland | OR | 3 | CD-R | From the balcony, first row, 1' right of dead center Neumann km184's>Lunatech V2> Apogee AD1000>Tascam DA-P1 Harmonic Tech cables Recorded by Chris Shepherd |
02/13/01 | Roseland Theatre | Portland | OR | 3 | CD-R | Neumann KM-184's > Lunatech V2 Preamp @ 35dB > Apogee 8100 > Tascam DA-P1 > CDR > SHN Recorded dead center, 3rd row, balcony Recorded by Chris Sheperd |
02/18/01 | Maritime Hall | San Francisco | CA | 2 | SHN | Digital Soundboard Recording |
02/12/06 | Beacon Theatre | New York | NY | 3 | CD-R | THIS SOUNDBOARD IS **FREE** THANKS TO PHIL & FRIENDS (WWW.PHILLESH.NET) |
Phish --- Approximate Hours: 308.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
08/29/87 | The Ranch | South Burlington | VT | 3 | CD-R | MCS > Dat > Tascam DA-302 > HHB CDR-850 > CD > EAC > WAV > SHNTool > Flac (1.1.0) |
02/20/88 | ATO Fraternity House, St. Lawrence Univ. | Canton | NY | 2 | CD-R | SBD > Cass/0 > NAD 6300 > midiman > WAV > Soundforge NR > CDWav > SHN |
09/12/88 | Sam's Tavern | Burlington | VT | 1 | CD-R | Cass/? > CDR > EAC > FLAC16 |
04/04/90 | Colorado University | Boulder | CO | 1 | CD-R | Set I only: Source: SBD> CassX (recorded 12/96) Transfer: Dennon DRW-840> Sony r500> Audiophile 2496> Samplitude 5.5 at 44.1> WAV> FLAC on 6/11/05 by EEE |
06/17/90 | Wendell Studios | Boston | MA | 1 | CD-R | Studio SDB > ??? > CD-R > EAC > CD-R > FLAC > WAV |
10/30/90 | El Dorado Cafe | Crested Butte | CO | 3 | CD-R | Separate from Soundboard 16 track Mix > DAT @44.1kHz; Tascam DA-20mkII > Monster Coax > M-Audio Audiophile 24/96 > Soundforge 5.0e (48>44.1kHz) > CDWav > mkwACT > SHN; Mixed by Mike Grace; Transferred by Dan Marquardt; Dankseed |
11/03/90 | Boulder Theater | Boulder | CO | 3 | CD-R | Separate from Soundboard 16 track Mix > DAT@44.1kHz; Fostex D5 > Monster Optical > Sek'd Prodif Plus > Samplitude v5.5 > CDWav > mkwACT v0.97 > SHN |
03/13/91 | Boulder Theater | Boulder | CO | 2 | FLAC | SBD > 16-track mixer > DAT @44.1kHz > Event Gina > FLAC |
03/15/91 | Gothic Theater | Denver | CO | 2 | CD-R | AUD/SBD multitrack mix (mixed separately from?soundboard) >DAT (48k) > C via Event Gina SP/DIF > 44.1 (Cool Edit Pro) > CD |
03/16/91 | Ten Mile Room | Breckenridge | CO | 2 | CD-R | SBD > DAT (x3) > SHN |
03/22/91 | Inferno | Steamboat | CO | 3 | CD-R | Complete show; SBD > Cass/x; Sony TC-KA3ES > Lucid AD 9624 A/D > REBA @ 24bit/48kHz > Wavelab (24>16bit,48>44.1kHz) > SHNv3 |
03/23/91 | Inferno | Steamboat | CO | 2 | CD-R | SBD (?) > DAT; CDR > EAC > mkwACT > SHN |
03/28/91 | Catalyst | Santa Cruz | CA | 2 | CD-R | Beyer M201 (off axis, ORTF) > Sony D10 Pro; Sony D10 > Sony DTC ZE700 > Teac RWCD-22 burner > CDR > EAC > Soundforge > EZCD Creator > CDR > EAC > SHN |
04/05/91 | Starry Night | Portland | OR | 2 | CD-R | SBD > Cass/0 > DAT; DA-20mkII > Hoontech DSP24 S/PDIF > Soundforge 4.5 (48>44.1kHz) > CDWav > mkwACT >SHN |
05/11/91 | The Front | Burlington | VT | 2 | CD-R | Schoeps CMC4/MK4 (ORTF) > Oade Cap Coupled Supply > Panasonic SV255 Source Dat > Cass/0; Cass/0 > Sony TC-KA3ES (azimuth corrected) > DSP24 (24/48) > Wavelab; Taped by Todd Ahrens; Mastered by Marmar |
07/14/91 | Townshend Family Park | Townshend | VT | 2 | CD-R | Main source Source: SBD > (Master Cass >DAT or Master DAT >Cass?) Patch source Source: FOB NAK300's>SHURE M267>SONY D5 |
07/15/91 | The Academy | New York | NY | 2 | CD-R | DSBD |
07/20/91 | Arrowhead Ranch | Parksville | NY | 2 | CD-R | source:akg 451+ck8a in sbd b00th, by kevin shapiro.... |
07/21/91 | Arrowhead Ranch | Parksville | NY | 2 | CD-R | SBD > CASS/0 > DAT > CD > SHN > WAV (SoundEdit 16) > SHN |
07/23/91 | The Bayou | Washington | DC | 2 | CD-R | sbd>dat>cdr>cdwav>shn |
07/24/91 | Trax | Charlottesville | VA | 2 | CD-R | Schoeps CMC6/mk4 > Aerco > Apogee 500E |
07/26/91 | Georgia Theater | Athens | GA | 3 | CD-R | Shure 57 > Casio D7; CDR > EAC > Wavelab > FLAC Files provided by Brandon Johnston; Mastering and FLAC Conversion by Marmar |
10/19/91 | The Catalyst | Santa Cruz | CA | 2 | CD-R | DSBD > CD-R (SHN > WAV > CoolEdit 2000 > CDWAV > SHN) |
12/31/91 | Worcester Memorial Auditorium | Worcester | MA | 3 | CD-R | SBD>?>CDR>EAC>SHN |
03/06/92 | Portsmouth Music Hall | Portsmouth | NH | 2 | FLAC | Purported SBD > Cass/1 > DAT Transfer: CTD8000H-S > DAT2WAV > SHN > SF4.5c (48>44.1kHz*) > CD Wave > shntool > FLAC |
03/07/92 | Portsmouth Music Hall | Portsmouth | NH | 2 | CD-R | SET 1 Source: Unknown Aud->Sony TC-WE305->Acoustic Research AP031 RCAs->Tascam US-122->Wavelab->FLAC SET 2 Source: DSbd Transfer: Dat->???->CDR->EAC->CDWAV->Shntool->Shn |
03/26/92 | Ziggy's | Winston Salem | NC | 3 | CD-R | Nak 100 > Cass/1 > Sony TC-KA3ES > DSP24 @ 24/96 > Wavelab (24>16bit) > FLAC |
03/28/92 | Variety Playhouse | Atlanta | GA | 1 | CD-R | FOB AKG 460b/ck8 > DAT > CDR (master) > AquaCDBurn > shntool > FLAC |
03/30/92 | Mississippi Nights | St. Louis | MO | 3 | CD-R | Source: Unknown Aud (see note) > DAT(Cass?) > Cass/x(DAT?) > CD > EAC > Mastering > FLAC |
03/31/92 | The Blue Note | Columbia | MO | 3 | CD-R | Sony PV200 > Sony D5(Cass/0) > Tascam CDRW700 > CDR > EAC > CDWav > SHN |
04/03/92 | Hyatt Regency Village Hall | Beaver Creek | CO | 2 | CD-R | SBD; CDR > EAC > WAV > mkwACT > SHN > WAV (Fix track breaks) > FLAC |
04/13/92 | After the Gold Rush | Tempe | AZ | 2 | FLAC | SBD > Sony D6 > Cass/0; Cass/0 > Cass/1 > Pioneer CT-W606DR > ESS Allegro > Cool Edit Pro v1.01 > CDR; CDR > EAC > shntool > Sound Forge 7.0 > CDWav > FLAC; CDR Transfer by Ryan NeRoy; FLAC Conversion by Daniel Sha |
04/16/92 | Anaconda Theater, UCSB | Santa Barbara | CA | 3 | CD-R | SBD > Cass/1 > Tascam 103 > Event Gina @44.1kHz/32bit; Note: Patches from "bootleg" source |
04/17/92 | Warfield Theater | San Francisco | CA | 3 | CD-R | SBD > Cass/x > DAT > CDR > EAC > SHN |
04/18/92 | Wilbur Field | Palo Alto | CA | 3 | CD-R | Source: DSBD > Cass/? > DAT Transfer: D8 > Active Oade (Monster Coax) > cmi8738 spdif in > Sforge 4.5@48khz(resampled with highest settings and Anit-Alias)>CDWAV>SHNv3 |
04/19/92 | The Catalyst | Santa Cruz | CA | 2 | CD-R | FOB Nak 300 > Panasonic SV-255 @48kHz (20' from stage, DFC); PCM-R300 > Optical Cable > Zoltrix Nightengale > SoundForge 5.0b (48>44.1kHz) > CDWav > mkwACT > SHNv3; Dankseeds |
04/21/92 | Redwood Acres Fairgrounds | Eureka | CA | 3 | CD-R | SBD > Cass/1 > DAT; DAT > Zoltrix > WaveLab > CDWav > FLAC |
05/14/92 | The Capitol Theater | Port Chester | NY | 2 | FLAC | SBD > Cass/1 > DAT @48kHz; Tascam DA-20 mkII > Event Gina > Adobe Audition 1.5 (48>44.1kHz) > FLAC |
07/25/92 | Stowe Performing Arts Center | Stowe | VT | 1 | CD-R | DSBD > ? > etc, etc > SHN |
08/14/92 | Greek Theater | Los Angeles | CA | 1 | FLAC | DSBD>D Transfer: Sony PCM R500>Opcode DatPort>SF4.5>CD Wave>FLAC |
02/20/93 | Roxy Theater | Atlanta | GA | 3 | CD-R | SBD > ? > CD > EAC > SHN; EAC by Eric Stoick from CD seed via Craig Davis; |
02/22/93 | The Moon | Tallahassee | FL | 2 | CD-R | Schoeps CMC4/mk4 > Oade M148 > Oade MOD Panasonic SV-250; Sony PCM R500 > Opcode DatPort > SF4.5 > CD Wave > FLAC |
02/26/93 | Ritz Theater | Tampa | FL | 3 | CD-R | AUD > Cass/1 > Tascam 112 > Edirol M10-DX > M-Audio Delta 1010Lt > Wave Lab 5.0 > R8Brain Pro (48>44.1kHz) > FLAC |
02/27/93 | Florida Theater | Gainesville | FL | 2 | CD-R | Source: DSBD > C1 > DAT Xfer: d100 > zoltrix > WaveLab4 > CDWave > Flac/CDR |
03/12/93 | John A. Dobson Arena | Vail | CO | 3 | CD-R | SBD > DAT > Cass/x; CDR > EAC > mastering > FLAC |
03/13/93 | Field House | Boulder | CO | 3 | CD-R | Neumann; Sony PCM R500 > Opcode DatPort > SF4.5 > CD Wave > FLAC |
03/14/93 | Paul Wright Gymnasium - Western State College | Gunnison | CO | 2 | CD-R | Set 1 and soundcheck only; SBD > Cass/x; HK TD4400 > Steinberg VSL2020 > Wavelab > FLAC Set 2 and encore: Sbd>Cass>DAT DA-20 mkii->Delta Dio 2496->Soundforge 4.5 (resmapled 48->44.1 on setting 4 w/anti alias filter)->CDWAV->SHN |
03/16/93 | Celebrity Theater | Phoenix | AZ | 3 | CD-R | aud(unknown mics)cass(2)>CDR>EAC>Soundforge(normalized)>CDwave>mkw |
03/26/93 | Warfield Theater | San Francisco | CA | 3 | CD-R | Fob->Drink Rail->Nuemann km 54's->Dat(unknown model) |
03/31/93 | Roseland Theater | Portland | OR | 3 | CD-R | TOA k1's Balcony > DTR-80P > CDR > SHN (Cool Edit 2000 on 3 tracks) |
04/12/93 | Second Floor Ballroom, Student Union, U. of Iowa | Iowa City | IA | 2 | CD-R | SBD > Cass/0 > DAT; DA-20mkII > ZA2 > CDWav > FLAC; Transferred by Dan Gordon |
05/01/93 | The Tower Theatre | Upper Darby | PA | 3 | CD-R | Includes soundcheck; SBD > DAT > Cass/x; Denon DRM800a > ESI Juli@ 24bit/48kHz > Mastering > FLAC |
05/01/93 | The Tower Theatre | Upper Darby | PA | 3 | CD-R | SBD > DAT > Cass/x; Denon DRM800a > ESI Juli@ 24bit/48kHz > Mastering > FLAC |
05/05/93 | Palace Theater | Albany | NY | 2 | SHN | DSBD>DAT>CDR via Montego(optical)>CDWav |
05/29/93 | Laguna Seca Raceway | Monterey | CA | 1 | CD-R | FOB Neumann KM54 > Teac DAP-20 @44.1 kHz; Sony DTC-A6 > Dio 2448 > CDWav > SF 4.5 > mkwACT > SHN |
08/02/93 | The Ritz Theater | Tampa | FL | 2 | CD-R | FOB AKG 460/ck61 (ORTF) > Oade 48vt PS > Panasonic SV-255; Fostex D5 > WaveTerminal 2496 (48>44.1kHz) > CoolEdit 2000 > WAV > mkwACT 0.97b1 > SHN v3 |
08/07/93 | Darien Lake Performing Arts Center | Darien Center | NY | 3 | CD-R | AUD (FOB)>AKG460b/ck61>Custom Preamp>Sony D10>Sony D7 Taped on a tripod from section c, row 15, seat 128, set at 7ft height until midway through set 1, then lowered to ~6ft. Transfer: Sony DTC-670>Zoltrix Nightengale via optical cable> Samplitude v5.32(48>44.1)>CDwav v1.6>mkwACT v.97b1 (seek tables appended) *No DAE* |
12/31/93 | Worcester Centrum | Worcester | MA | 2 | FLAC | FM > DAT > CD-R > EAC > SHN > WAV(merge) > SF7.0 > CDWAV > FLAC |
04/25/94 | Knoxville Civic Auditorium | Knoxville | TN | 2 | CD-R | SBD>C0>DAT @ 48KHz (Unknown DAT generations) |
05/12/94 | Buena Vista Theater | Tucson | AZ | 2 | SHN | AUD > DAT; Tascam DA-20mkII > Monster Coax > M-Audio Audiophile 24/96 > Soundforge 7 (48>44.1kHz) > CDWav > mkwACT > SHNv3 |
05/13/94 | Hayden Square | Tempe | AZ | 2 | SHN | AKG 460 > DAT; Tascam DA-20mkII > M-Audio Audiophile 24/96 > Soundforge 7 (48>44.1kHz) > CDWav > mkwACT > SHN |
06/11/94 | Red Rocks Amphitheatre | Morrison | CO | 2 | SHN | |
06/17/94 | Eagles Auditorium | Milwaukee | WI | 2 | CD-R | Source: [DAUD/OTS] AKG 460b/ck61 > AKG B-18 Phantom Power > Sony D-10 Pro II @ 48khz taped by Jeff Jordan Transfer: Master DAT from D-10 > Sony DTC-690 > Audioquest Optilink 1 > SEK'D Prodif Plus > Samplitude v5.5 > WAV > Soundforge xp 4.5 (resample @ 4/4 with anti alias filter,fades)> Cdwav 1.71 > FLAC transfered by Chris Ace |
06/18/94 | UIC Pavilion | Chicago | IL | 3 | CD-R | Remastered Version 02/10/2002 SBD>Cass1>DAT>CD>EAC>Cool Edit 2000 (Editing)>SHN |
06/26/94 | Municipal Auditorium | Charleston | WV | 2 | SHN | "Gamehoist"; d3t7,8 low level; DAUD (FOB AKG 460s) > ZA2 (resampled from 48 to 44.1) > HD > track split w/ CD Wav > SHN |
07/08/94 | Great Woods Center for the Performing Arts | Mansfield | MA | 3 | CD-R | AKG 460B/ck61 > custom pre-amp > Teac DA-P20 (@ 48kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.95 > FLAC v1.1.2 (Level 8 |
10/26/94 | Varsity Gym | Boone | NC | 3 | CD-R | AKG 460's > DAT; Panasonic 3700 > COAX > Panasonic 3700; Technics SV 260A > COAX > WAV > CDWav > SHN; Transfer by Linda Webster |
10/31/94 | Glens Falls Civic Center | Glens Falls | NY | 4 | CD-R | complete except PA Goodnight; FOB Schoeps CMC6/mk4 > DAT > ZA2 > Soundforge 4.0 > CDWav > SHN |
11/30/94 | Campus Recreation Center | Olympia | WA | 2 | CD-R | AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48kHz); Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (fades, resample to 44.1 kHz) > CD Wave v1.94.7 > FLAC (level 8 |
12/02/94 | Recreation Hall at UC Davis | Davis | CA | 2 | CD-R | AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48kHz); Sony PCM-R500 > M-Audio MicroTrack > WaveLab 5.01b (fades, 48 to 44.1 kHz) > CD Wave v1.94.7 > FLAC (level 8) |
12/08/94 | Spreckels Theatre | San Diego | CA | 2 | CD-R | This is a MIX of two sources-- THE DSBD -- Source: DSBD > Master DAT > My first-generation DAT clone (Taped by Mr. Anonymous) Transfer: My DAT (First Gen Clone) > Fostex D5 > optical cable > HOSA ODL-276 > coax cable > Waveterminal 2496, hardware downsampling to 44.1KHz on Set I only (Set II was apparently recorded at 44.1) > CoolEdit 2000 Static removal & other fixes > CDWave 1.6 > WAV > mkwACT 0.97b1 > SHN v3 -- THE AUD -- Source: FOB AKG460 (13 Ft. pole, front row, center-right {12-7}, center-left {12-8}) > 10' XLR > PS > 3' XLRs > Technics SV260A > DAT (Taped by Linda Webster) Transfer: Technics SV260A > COAX > Cool Edit WAV (editing done here) > CDWAV > mkwACT v3 > SHN (By Linda Webster) |
12/30/94 | Madison Square Garden | New York | NY | 3 | CD-R | purported SBD/Aud matrix > cass/0 > DAT (see info file for more details) |
06/10/95 | Red Rocks Amphitheatre | Morrison | CO | 2 | CD-R | Microtech Gefell m270 (8' spread) > Oade M148 > Oade mod. Panasonic SV-250; Panasonic SV-3800 > DAW (via SEKD card) > DSP > CDR > HD > mkwACT > SHN; Taped by The Oade Brothers |
06/26/95 | Saratoga Performing Arts Center | Saratoga Springs | NY | 3 | CD-R | B+K 4011 > Neumann P/S > D-10 Pro-II; Tascam DA-20mkII > VX Pocket V2 > WaveLab 4.0 > CDWav > wav > FLAC |
11/14/95 | University of Central Florida Arena | Orlando | FL | 1 | CD-R | SET 2 JAM ONLY: SBD > DAT > pre-FM* > DAT > CD* > EAC > FLAC |
06/06/96 | Joyous Lake | Woodstock | NY | 2 | CD-R | SBD > Bootleg CDR > EAC > SHN; Note: missing Runaway Jim |
10/31/96 | The Omni | Atlanta | GA | 4 | CD-R | AKG 460b/ck61 > AKG b18 > SBM-1 > D7; DAT > CDR > EAC > CDWav > FLAC; Taped by Greg Bovell |
11/02/96 | Coral Sky Amphitheater | West Palm Beach | FL | 2 | CD-R | unknown source; via gdlive |
02/20/97 | Teatro Smeraldo | Milan | Italy | 2 | CD-R | DSBD > CD > EAC > SHN |
03/01/97 | Markthalle | Hamburg | Germany | 2 | CD-R | SBD > Pre-FM Feed > DAT > SHN v3 |
12/11/97 | War Memorial | Rochester | NY | 3 | CD-R | SBD + AUD Matrix Mix (60%-AUD/40%-SBD) SBD: DSBD > Sony MD > CD (Digi-Optical X-fer) > Peak > AIFF > Sound Converter > FLAC Transferred: February 15, 2007 Taper: Dan Haugh AUD: FOB > Schoeps Mk4 > Sonosax > SBM-1 > TCD-D8 Location: 25th row left, standing on top of penalty box (9 foot human mic stand) Mics worn as schoeps bowtie Transfer: DAT > CDRW700 > EAC > CDWAV > FLAC |
07/15/98 | Portland Meadows | Portland | OR | 2 | SHN | Set I: Schoeps CMC6/mk4 > Lunatec V2 > DA-P1; Set II: Neumann KMi84 > Sonosax > SBM-1; D7 > Coresound > Prodif Plus > Sampiltude 5.5 > CDWav > mkwACT > SHN; Transferred by Mike Fischer |
08/08/98 | Merriweather Post Pavilion | Columbia | MD | 2 | SHN | DSBD>DAT>HD>CD>EAC>SHN |
11/02/98 | E Centre | West Valley City | UT | 1 | CD-R | Schoeps source; DSOTM set only? |
12/29/98 | Madison Square Garden | New York | NY | 3 | CD-R | SBD > Cass/0 > DAT > CDR > EAC > Cool Edit Pro (fixed pitch) > CDWav > SHNv3 > pitch shift > SHN |
12/30/98 | Madison Square Garden | New York | NY | 3 | CD-R | Schoeps CMC641 > Lunatec V2 > Apogee AD1000 > DAT > DAT > SPDIF > VX Pocket > Soundforge 5.0 (trim and fade sets only) > CDWAV1.53 > MKW0.97b > SHN w/seek tables appended |
02/14/03 | Great Western Forum | Inglewood | CA | 2 | SHN | Schoeps MK4V/CMC6>Lunatec V3@16/44.1>S/PDIF> VX Pocket>.wav>.shn |
03/06/09 | Hampton Coliseum | Hampton | VA | 3 | CD-R | (FOB) Schoeps CCM4V > Lunatec V2 > Benchmark AD2K > Sound Devices 722 (24/48); Sound Devices 722 > Sound Forge 9.0 (resample/dither to 16bit/44.1kHz)> CD Wave > flac; Taped & Transferred by Z-Man |
05/31/09 | Fenway Park | Boston | MA | 3 | CD-R | Schoeps mk41 > kc5 > cmc6 > Sonosax SX-M2 > Sound Devices 722 (@ 24 bit / 48 kHz); CF card > Samplitude SE v9.1.1 (fades, splice, track splits, resample to 44.1 kHz, dither to 16 bit) > FLAC v1.2.1 (Level 8) |
06/02/09 | Nikon at Jones Beach Theater | Wantagh | NY | 3 | CD-R | Schoeps MK41's > Schoeps KCY 250/05I > Schoeps VST62ui > Lunatec V3 > Sound Devices 744t (@24/48); Soundforge 9 (Fades, Bit Rate/Sample Rate Conversion) > CD Wave > FLAC |
06/04/09 | Nikon at Jones Beach Theater | Wantagh | NY | 3 | CD-R | Neumann TLM-170 (hypercardoids) -> Sound Devices 722(@24/96); SoundForge Audio Studio 9.0c (Normalize; resample to 44.1; 24->16 bit dither) -> CD Wave - > FLAC |
06/05/09 | Nikon At Jones Beach Theater | Wantagh | NY | 3 | CD-R | TELEFUNKEN Ela m260 tubes > Lunatec V3 > Sonic AD2K+ > wav @ 24/44.1; CF > Sound Studio (fades, EQ -2.5db @ 160Hz, normalize) > xAct (flac16 level 8) |
06/06/09 | Comcast Center | Mansfield | MA | 3 | CD-R | AKG393's -> Edirol UA-5 (Oade warm mod) -> NJB3 (@ 48 Khz); NJB3 -> r8Brain (48 to 44.1 kHz) -> CD WAVE -> Flac Frontend |
06/07/09 | Susquehanna Bank Center | Camden | NJ | 3 | CD-R | (FOB) Schoeps MK4V's > Nbox > Korg MR-1000 (@1bit, 5.6mhz); Audiogate (Fades, conversion to 16bit/44.1khz) > CD Wave > FLAC |
06/09/09 | Asheville Civic Center | Asheville | NC | 3 | CD-R | (FOB) DPA 4023(ORTF)->Sonosax SX-M2->Sound Devices 744t (24/48); 744t->HDD->Wavelab 5.01b->CD Wave->Flac 16 |
06/10/09 | Thompson Boling Arena, Univ. of Tennessee | Knoxville | TN | 3 | CD-R | Peluso cemc6/ck2 (OTS-Split 25')>UA-5 Bm2p+>JB3 (16/44.1) Transfer: JB3>Creative Playcenter>CD Wave>TLH |
06/12/09 | Great Stage Park | Manchester | TN | 3 | CD-R | (FOB) [Schoeps MK21 > kcy > Schoeps VMS5U] + [Schoeps MK4 > kcy > Schoeps VMS02IB] > Busman Mod R4 Pro (@ 24/48); Edirol R4 Pro > Wavelab 5 > CD Wave > TLH > FLAC |
06/14/09 | Great Stage Park | Manchester | TN | 2 | CD-R | (FOB) Schoeps mk21 > kc5 > cmc6 > Lunatec V2 > Sound Device 702 @ 24/48; CF > Wavelab5.0 > CD Wave > xACT > Flac (16/44.1) |
06/16/09 | The Fabulous Fox Theatre | St. Louis | MO | 3 | CD-R | Neumann km150 > Sound Devices 722 (@ 24/48); 722 > CD Wave > wavelab 5.0 (resample/dither to 16/44.1)l FLAC (Level 8) |
06/19/09 | Verizon Wireless Music Center | Noblesville | IN | 3 | CD-R | Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K>; Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16) |
06/20/09 | Alpine Valley Music Theatre | East Troy | WI | 3 | CD-R | Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48); Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16) |
08/07/09 | The Gorge Amphitheatre | George | WA | 3 | CD-R | (FOB) Schoeps mk22 > KCY > Schoeps VMS02IB > Apogee Mini-Me > Sound Devices 722 (@24bit/96kHz); SD 722 > Samplitude SE 9.1.1 (resample/dither) > CD Wave > flac(16/44.1) |
08/08/09 | The Gorge Amphitheatre | George | WA | 3 | CD-R | (FOB) Schoeps mk22 > KCY > Sonosax SX-M2/LS > Apogee Mini-Me > Sound Devices 722 (@24bit/96kHz); SD 722 > Samplitude SE 9.1.1 (resample/dither) > CD Wave > flac(16/44.1) |
Pink Floyd --- Approximate Hours: 37.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
??/??/39 | Saarlandehalle | Saarbrucken | West Germany | 1 | CD-R | From "Harvested" www.harvested.org HRV CDR 008 |
09/17/69 | Concertgebouw | Amsterdam | Netherlands | 2 | CD-R | Pre-FM SBD > ? > Free Range Pigs CD-R > ? > .shn > xACT > AIFF > xACT > FLAC |
07/16/70 | Paris Cinema | London | England | 1 | CD-R | BBC Archives (HRV 007) GREAT SOUND! |
09/30/71 | Paris Cinema | London | UK | 1 | CD-R | Meddled Harvested CDR 001 |
09/30/71 | Paris Cinema | London | UK | 1 | CD-R | BBC Archives (HRV 007) GREAT SOUND! |
12/09/72 | Hallenstadion | Zürich | Switzerland | 2 | CD-R | AUD > Low gen clone of master tape > CD-R > WAV > SHN |
11/16/74 | Empire Pool | London | England | 2 | CD-R | Liberated Bootleg: "Wembley 1974 Pre FM-Master" |
04/26/75 | Sports Arena | Los Angeles | CA | 3 | CD-R | Bootleg Title: "The Late Great Millard Tapes", Highland HL644/645/646Source: Superb audience recording Lineage: Original silver CDs -> EAC (V0.95 prebeta 4) -> wav -> mkw (V0.97 beta 1) -> shn |
06/18/75 | Boston Garden | Boston | MA | 2 | CD-R | from txt file "This is the best audience recording you will ever hear of Pink Floyd. " |
06/28/75 | Ivor Wynne Stadium | Hamilton | ON | 2 | CD-R | Source: Harvested RevA SHN files (AUD) Lineage: (MD5s match, so I presume original SHNs) Taped by: ?? Transfered by: Harvested Records |
05/09/77 | Oakland Coliseum | Oakland | CA | 2 | CD-R | Animal Instincts rev B (HRV-CDR-014) the original version (the Pink Floyd mix) as it appeared on the original 8-track tapes, transferred to digital direct from an original 8-track tape. This version is different than the Goldtop version (the Snowy mix) |
??/??/79 | Britannia Row / Super Bear | London | UK | 1 | CD-R | unused early versions and rough mixes |
02/08/80 | Sports Arena | Los Angeles | CA | 2 | CD-R | Liberated Bootleg: "Kabe" Digital copy of original vinyl |
11/12/87 | Hoosier Dome | Indianapolis | IN | 2 | CD-R | Sony D-3 Pro Walkman > Realistic Stereo Electret Microphone 33-1065 > Maxell XLII-S 90 > Philips CDR-200 > CDR > EAC > Flac |
02/19/88 | Tennis Center | Melbourne | Australia | 2 | CD-R | soundboard |
06/14/94 | Hoosier Dome | Indianapolis | IN | 2 | CD-R | Sony D-7 > Realistic Stereo Electret Microphone > Maxell DM120 > Philips CDR-200 > CDR > EAC > Flac |
09/13/94 | Stadio Della Alpi | Torino | Italy | 2 | CD-R | SBD A Passage of Time Downloaded from STG torrent |
The Police --- Approximate Hours: 5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
01/30/84 | Palaeur | Rome | Italy | 2 | CD-R | Master cassette > Nakamichi > behringer ultra curve pro deq 2496 audio equalizer > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac. |
06/23/07 | Dodger Stadium | Los Angeles | CA | 2 | CD-R | AT943>SP-SPSB-8(roll-off @ 19hz)>Sony PCM-M1 |
Polvo --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/15/96 | Cat's Cradle | Carrboro | NC | 1 | CD-R | Core Sound Binaurals > bass roll-off > Sony TCD-D7 > DAT (master) > optical coax > Delta DiO 2496 > CD-R (master) > CD-R (1) > > EAC v0.95b4 (proper offset, secure) > FLAC Frontend 1.7.1 (verify, align on sector boundaries) > flac 1.1.4 (level 8) |
Porcupine Tree --- Approximate Hours: 3.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
02/12/95 | Paard | Den Haag | Netherlands | 1 | CD-R | soundboard -> DAT (48K) -> WAV |
05/27/07 | Salle Albert-Rousseau | Quebec | QC | 2 | CD-R | DPA 4061's>MZ-RH1(PCM)>SONIC STAGE>NERO>CD>My PC>FLAC Recording location : Balcony, First Row, Center. |
Porno For Pyros --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
08/14/94 | Winston Farm | Saugerties | NY | 1 | CD-R | Silverdisc>xAct>TTD1 |
Prince --- Approximate Hours: 10 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
??/??/39 | 30 Years of Unreleased Funk | Compilation | Compilation | 2 | CD-R | |
08/18/88 | Paard Van Troje | Rotterdam | Holland | 2 | CD-R | SBD - From txt notes "this is a perfect recording of a coveted aftershow" |
09/03/93 | Flugplatz | Lueneburg | Germany | 2 | CD-R | Liberated bootleg: "Rock Over Germany" Silver CD > EAC > WAV > FLAC Frontend > FLAC (lvl 6, SBE aligned) |
??/??/07 | Various | Various | Various | 1 | CD-R | Title: Ultimate live collection vol 1 Source: Various soundboards recordings |
??/??/07 | Various | Various | Various | 1 | CD-R | Trade cds > wav > FLAC level 8 |
Prince & Miles Davis --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
12/31/87 | Paisley Park Studios | Minneapolis | MN | 2 | CD-R | Soundboard: Liberated boot: "Miles 2 Nowhere" Silver CD > EAC > WAV > FLAC Frontend > FLAC (lvl 6, SBE aligned) |
Queen --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/15/75 | Empire Theatre | Liverpool | UK | 1 | CD-R | AUD > Master > cassette (x) > WAV > CDR (x) > WAV > FLAC frontend (level 8) |
The Raconteurs --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/18/06 | Wachovia Spectrum | Philadelphia | PA | 1 | CD-R | source: soomlos 14th row center neumann km140's > lunatec v3 > microtrack 24/96 (24/48) audacity > r8brain > cd wave > flac (16/44.1 |
Radiohead --- Approximate Hours: 7.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
09/16/00 | Goffertpark | Nijmegen | Netherlands | 2 | SHN | Dutch FM broadcast!! |
06/04/06 | Bank of America Pavilion | Boston | MA | 2 | CD-R | Source: Schoeps mk4>kc5>cmc6>Sonosax sx-m2>(mod)sbm1>m1 Transfer: Tascam dap-1>vx pocket>toshiba 3490ct>vegas 3.0 (16/44.1)>cdwav editor>flac |
06/20/06 | Auditorium Theatre | Chicago | IL | 2 | CD-R | Source Info: >Sony D-8 DAT recorder (44.1kHz) >Core Sound HEB (4060) >S/PDIF opical IN (PC) >Cool Edit Pro >flac>hub>flac(decode)>cd wave(track) >Cool Edit Pro(fades)>flac |
Rage Against the Machine --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
05/28/93 | Brixton Academy | London | England | 2 | CD-R | Source: Soundboard Transfer: Unk Gen CDR > EAC (Secure Mode) > .WAV > .FLAC (Level 8) |
Rahsaan Roland Kirk --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/14/67 | Jazz Jamboree | Warsaw | Poland | 1 | CD-R | FM > ? > CD-R > EAC Secure Mode > FLAC frontend level 8/ASB/Verify Sonic A- /EXC mono |
Rainbow --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
07/02/78 | International Ampitheatre | Chicago | IL | 1 | CD-R | Analog Master RB 8th row left center in front of a huge stack of speakers. Good thing I wore earplugs. Cassettes: TDK SA C-90 DECK: Technics RS-646DS MICS: Shure Ball dynamic type mic Dolby On for recording. |
Ramones --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/15/87 | Octagon Center | Sheffield | England | 1 | CD-R | CD > WAV > FLAC > you! |
Ratdog --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/24/00 | Seaside Park | Bridgeport | CT | 2 | CD-R | Soundboard > DA-P1 Show circulated as 3 discs, Rat Brigade the first, and Ratdog the second two. Bob Weir sat in with Les Claypool's Rat Brigade Les Claypool sat in with Ratdog |
Reconstruction --- Approximate Hours: 17.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
03/07/79 | Rancho Nicasio | San Rafael | CA | 2 | CD-R | MSR -> PCM -> DAT -> Digi001 -> SHN |
03/08/79 | Cabaret Cotati | Cotati | CA | 2 | SHN | SBD > master reel > DAT(s) note - this lineage is different from that known to be in circulation on Deadlists.com, which includes a PCM stage: MSR > P > D |
06/08/79 | Rheem Theater | Moraga | CA | 2 | CD-R | Source: MSR>PCM>C>C>DAT>WAV>SHN. Cassette>DAT transfer by J.Powell: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II. DAT>WAV>SHN transfer by C.Ladner: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording and editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact). No noise reduction or selective frequency augmentation was performed. |
06/22/79 | Keystone Palo Alto | Palo Alto | CA | 2 | CD-R | SBD > Master reel > PCM > DAT > CD > SHN |
07/06/79 | Keystone | Berkeley | CA | 2 | CD-R | MAC > DAT > CD > EAC > SHN. Recorded by Eldon Porray, Nakamichi CM-700 mics (front row balcony, left of soundboard) > Sony TC-D5 cassette master (Maxell XL-II no Dolby) > playback on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 (master DAT) > DATs > CDs > EAC > SHN. EAC > SHN by Joe Jupille |
07/07/79 | Keystone Palo Alto | Palo Alto | CA | 2 | SHN | MAC > D > CD > EAC > SHN Taped by Eldon Porray (patched out of Bob Menke's deck), Nakamichi CM-700 mics > Sony TC-D5 > Maxell XL-II cassette master > Nakamichi CR-3A playback (no Dolby) > Lucid AD9624 24-bit A/D converter @ 44.1 kHz > Sony R500 (master DAT) > Sony CDR-W33 (master CD) > EAC > tracking (CD Wave) > .shn (mkwACT). A > D and D > CD transfers by Ryan Shriver, WAV > SHN by Joe Jupille. Proper sector boundaries verified using shntool. |
07/08/79 | Keystone Palo Alto | Palo Alto | CA | 2 | SHN | Master Soundboard Reels (7" @ 7.5ips) > 2 PCM > DAT > CD |
Red Lorry Yellow Lorry --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
09/12/88 | The Luxor | Cologne | Germany | 1 | CD-R | Lineage: Silver CD>CD-R>EAC>FLAC(8) |
Return to Forever --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
03/24/74 | Oranjerie | Roermond | Netherlands | 1 | CD-R | FM > ?? > CDR > EAC (secure mode) > WAV > FLAC |
10/??/75 | Odyssey | unknown | unknown | 1 | CD-R | SBD Quality A- (some hiss) Chick Corea (piano and keys) Stanley Clarke (bass) Al DiMeola (guitar) Lenny White (drums) |
Rev. Gary Davis --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
07/08/67 | Friends' Center | Seattle | WA | 1 | SBD > ? > CDr > EAC > FLAC |
Rhythm Devils --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/17/06 | Sunoco Theater | Harrisburg | PA | 2 | CD-R | schoeps cmxy4v-722 (24/96) 25 feet back from billy k. (4th row) dithered in wavelab, tracked in cdwave taped/transferred by robert krall |
Robert Walter's Super Heavy Organ --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/30/06 | High Sierra Music Festival (Tulsa E. Scott Room) | Quincy | CA | 1 | CD-R | Earthworks SR 77 > Sound Devices 722 @ 24bit/48khz transfer: Sound Devices 722 > Soundforge 6.0 (resample and dither) > CD WAV (tracking) |
Rolling Stones --- Approximate Hours: 25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
??/??/62 | Rolling Stones - "Unsurpassed Masters Vol 1-6" | Various | Various | 1 | CD-R | Vol. 4 only -- Lineage: Various Silver and Vinyl bootlegs -> WAV (Remastered) -> FLAC (Level 8) |
??/??/72 | Taxile on Main St. | Various | Various | 1 | CD-R | Source: SBD Quality: A+ Silver Cd to Flac *LIBERATED BOOTLEG* |
10/17/73 | Forest Nationale (1st Show) | Brussels | Belgium | 1 | CD-R | Silver CD > EAC > WAV > mkwACT > SHN > WAV > FLAC (SHN > WAV > FLAC conversion with xACT 1.3) |
12/??/73 | Cocksucker Blues | Liberated Boot | Compilation | 1 | CD-R | Studio/live sb>unknown transfer>metal cd>eac>flac |
07/13/75 | The Forum | Inglewood | CA | 2 | CD-R | Millard Master > VHS > DAT > CDR(x) > EAC/Flac frontend > flac8 |
05/22/76 | Earl's Court Arena | London | England | 2 | CD-R | Stereo soundboard remastered by MickBoy, except for the first minute of the concert which is audience recording |
06/??/78 | "Handsome Girls" '78 Tour Compilation | Various | Various | 4 | CD-R | Pre-FM SBD > Liberated Boot > EAC (secure) > WAV > FLAC CD's 1 and 2 include the entire Forth Worth show in best possible quality (sourced from the King Biscuit archives - uncensored). CD's 3 and 4 compile almost every song broadcast from the '78 tour plus a few that weren't (including Starfucker). Sound quality is A+ |
10/17/94 | Jack Murphy Stadium | San Diego | CA | 2 | CD-R | Liberated Bootleg: KISS YOUR BABY 2CD (Dandelion DL 0085-86 ) |
08/25/06 | Hampden Park | Glasgow | Scotland | 2 | CD-R | SBD silvers - wav (eac) - flac (frontend) - torrent - you |
08/25/06 | Hampden Park | Glasgow | Scotland | 2 | CD-R | Liberated Bootleg: "No Smoking in Glasgow" |
06/10/07 | Isle Of Wight Festival, Seaclose Park | Newport, Isle Of Wight | England | 2 | CD-R | Very good Audience recording Recorder: unknown Equipment: unknown CDR -> WAV (EAC) -> FLAC (EAC) -> You |
Rush --- Approximate Hours: 7.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/23/07 | Nissan Pavilion at Stone Ridge | Bristow | VA | 3 | CD-R | Taper: TDB Location: 11th Row Pit, Left stack Source: at829cws (~6' in hat, ~90 degree split)->Custom Battery Box->iRiver h120d (rockbox) Transfer: iRiver h120d->USB->PC Processing: Normalizing (to -0.1db), fade in and fade out applied using SoundForge 8.0. Conversion: CDWav 1.93.3 for track splitting and Flac16 Conversion @ level 5 |
06/25/07 | Post Gazette Pavilion | Burgettstown | PA | 3 | CD-R | Sound Professionals SP-BMC-12 mics > Sound Professionals Low Noise Gain Stereo Preamp (Bass Rolloff 0 dB) > Archos Gmini 402 > PC > Sound Forge 9.0 > Audacity > TLH > FLAC, check SBE and create FFP and MD5 Section 2, Row F, Seat 33... 6 rows from Alex's side of the stage...approximately 35' from stage. |
Ry Cooder --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/22/74 | Record Plant | Sausalito | CA | 2 | CD-R | FM broadcast>?>D>CD |
Ryan Adams --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/02/00 | The Fez | New York | NY | 2 | CD-R | Source: SBD > Sony D8 Transfer: Tascam DA20mkII > Marantz CDR 630 standalone burner > EAC > FLAC |
Sam & Dave --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
12/07/79 | My Father's Place | Old Roslyn | NY | 1 | CD-R | LATE SHOW CASSETTE SB MASTER > AUDIO CD > SOUNDFORGE EXTRACTION > COOL EDIT > CD WAVE EDITOR > FLAC |
Santana --- Approximate Hours: 5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
08/31/69 | Texas International Pop Festival | Lewisville | TX | 1 | CD-R | SBD > ? > CD-R > WAV > flac |
09/18/74 | International Ice Palace | Las Vegas | NV | 1 | CD-R | Soundboard CD>EAC>flac |
02/10/78 | The Palladium | New York | NY | 1 | CD-R | Excellent Fm Broadcast |
07/26/81 | Denen Coliseum | Tokyo | Japan | 1 | CD-R | soundboard Recording CD>EAC>Flac |
Simon & Garfunkel --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
08/22/83 | BC Place Stadium | Vancouver | BC | 2 | CD-R | Lineage: SBD >CDR > EAC > FLAC > you Liberated Bootleg Title: Listen To The Silence |
Sleepy Hollow Hog Stompers --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/11/62 | Boar's Head Coffee House | San Carlos | CA | 1 | CD-R | Jerry Garcia - Guitar and Banjo Marshall Leicester - Banjo and Guitar Dick Arnold - Fiddle |
Smashing Pumpkins --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
02/05/00 | Berbati's Pan | Portland | OR | 2 | CD-R | CSBMod>M1>DAT-1(48k)>Fostex D5 (Optical)>m-audio DiO 2496>CDWave>FLAC |
The Smiths --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
09/25/85 | Barrowlands | Glasgow | Scotland | 1 | CD-R | EAC>WAV>DBPOWERAMP>FLAC LEVEL 8 |
The Soft Boys --- Approximate Hours: 3.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
??/??/86 | The Day They Ate Brick | Unknown | UK | 1 | CD-R | Label: Polarod POL 121 045_Length: 58 minutes Xfrd at sometime from Vinyl. CD => iTunes => xACT (v1.2) => FLAC |
10/25/02 | Maxwell's | Hoboken | NJ | 2 | CD-R | AUD/SBD MIX Soundboard recording: Unknown (MD?) -> CoolEdit rip from CD -> 16/44 PCM WAV Audience recording: Core Sound Binaural/Sony MZR30 MD -> SPDIF -> CoolEdit Pro -> 16/44 PCM WAV Mix: CoolEdit approx. 65/35 SBD/AUD -> Edited to compensate for SBD drops -> 16/44 WAV -> FLAC (8) |
Sonny Rollins --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/17/06 | Centennial Hall, University of Arizona | Tucson | AZ | 2 | CD-R | Recording Equipment: MM-MCSM-4 (cardioids)>M-Audio24/96 Microtrack (big thx to JAZ for the loan) 24 bit master archived |
The Sound Of Animals Fighting --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
08/27/06 | The House of Blues | Anaheim | CA | 1 | CD-R | Danish Pro Audio 4061 > SPSB-1 > NJB3 (Mono@ 48 kHz) Transfer: NJB3 > Firewire > PC > Vegas 6 (EQ,Paning & 48 to 44.1 kHz) > CDWav (track splits) > WAV > SHN > YOU |
Sound Tribe Sector 9 --- Approximate Hours: 3.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
12/31/04 | The Tabernacle | Atlanta | GA | 3 | CD-R | 4 mic mix: 2 AKG 483 spread + 2 AKG 483 center ortf mixed about 60/40 Source 1 (Zach's rig): AKG 483 spread about 11' L&R of sbd on 1st balcony extended out 10' from rail> Roland UA5 (Oade Mod 1)> Nomad JB3 Source 2 (Chris' rig): AKG 483 dangling in the center of the extended stands in rig 1, ortf, 10' below spread mics, 20' off floor>DAP 1>rig 1 Zach's rig rca out> Roland UA5 (Oade Mod 1)> Nomad JB3 |
Soundgarden --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/06/91 | Hollywood Palladium | Los Angeles | CA | 1 | CD-R | Sound: FM / Stereo Soundboard Lineage: 101.1 WRIF Detroit, MI > Technics ST-k50 > Cool Edit Pro > Wav > flac |
Southern Culture on the Skids --- Approximate Hours: 3.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/04/03 | Visulite Theatre | Charlotte | NC | 1 | CD-R | Source: AT825->AD20->D8 ?Lineage: DAT Master->.wav->shn / no DAE |
05/07/04 | Graceland | Seattle | WA | 2 | CD-R | MBHO 603/KA200n > V3 > DA-P1 > HHB830 > CD > EAC > MKW > SHN Just left of Center Stage, ~30ft Back, ~10 ft left of the SBD. |
Steely Dan --- Approximate Hours: 10 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
03/09/74 | Sopwith Camel | Glendale | CA | 1 | CD-R | Great sound! |
03/10/74 | University Of California | Irvine | CA | 1 | CD-R | Great sound! |
03/20/74 | The Record Plant | Los Angeles | CA | 1 | CD-R | Pre FM Master Reel (Scotch 176 1/4" 1/2 track @7.5 ips, no NR) > Ampex ATR-100 Tape Machine > Apogee A/D converters @24/96 > Adobe Audition (downsampling, tracking) > WAV > FLAC |
03/23/74 | JJ's Bar & Grill | San Diego | CA | 1 | CD-R | Source: Analog audience master with Sony ECM-22P microphones >Revox A-77 Reel to Reel Lineage: Revox A-77 Reel to Reel >PCM Beta > DAT >Sound Card Delux Digital I/O card >Soundforge 6.0 >FLAC >decoded to .wav with Trader's Little Helper >pitch adjusted -45 cents and transitions smoothed with SoundForge 6.0 >CD Wave >FLAC Frontend (level 8, SBE OK) |
05/20/74 | Rainbow Theatre | London | England | 2 | CD-R | sbd > msc (?) > wav > flac |
07/31/06 | Red Rocks Amphitheater | Morrison | CO | 2 | CD-R | Source: Disc 1 & Disc 2 tracks 1-7: taped by Scott -> DPA mics, Micro Track 2496 solid state recorder. 9th row right of center. Disc 2 Track 8: Taped by Mike -> Sonic Studios -> Sony D-7 DAT Lineage: Master recordings -> cd-r -> EAC -> wav -> Flac level 8 |
Stevie Ray Vaughan --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/26/83 | Reseda Country Club | Reseda | CA | 1 | CD-R | SBD Original silver > Audiograbber WAV > FLAC |
Stevie Ray Vaughan & Double Trouble --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
07/26/83 | The Bayou | Washington | DC | 1 | CD-R | Soundboard CD > WAV > FLAC |
Stevie Wonder --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
03/04/73 | Berkeley Community Theater | Berkelely | CA | 2 | CD-R | BGP SBD > Open reel Ampex videotape or to conventional RtR (unclear which equipment was used) |
String Cheese Incident --- Approximate Hours: 3.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/29/06 | Pine Mountain Amphitheater | Flagstaff | AZ | 3 | CD-R | AKG 483 (FOB, NOS) > R4 (24/96)> USB > .wav > Wavelab (fade, UV22HR Dither) > FLAC16 |
Styx --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
09/23/77 | Auditorium Theater | Chicago | IL | 1 | CD-R | master reel > Soundforge > wave > flac |
Sun Ra --- Approximate Hours: 6.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
03/13/78 | Horseshoe Tavern | Toronto | ON | 2 | CD-R | MAT>C>CD |
06/24/82 | Mannheim | Mannheim | Germany | 3 | CD-R | Great sound quality despite unknown lineage |
Supersuckers --- Approximate Hours: 3.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/01/04 | Bluebird Theater | Denver | CO | 2 | CD-R | Taped and Transferred by James Freeman Source: SBD > Sharp 722 minidisc Transfer: MD-722 (Analog) > SBLive > Cooledit > CDWave > FLAC |
11/12/05 | Bluebird Theatre | Denver | CO | 1 | CD-R | Taped and Transferred by SxPxDxCx Source: MBHO KA-200N > JK Labs DCV-V12 > JB3 Transfer: JB3 > USB > Cooledit > CDWave > FLAC |
T. Rex --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
??/??/79 | A Paw of Fur, an Air of Doom | Various | Various | 1 | CD-R | Source: liberated bootleg (A Paw of Fur, an Air of Doom), original silver cd > eac > flac Soundquality: studio a/a- |
Taj Mahal --- Approximate Hours: 3.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
02/13/70 | Ludlow's Garage | Cincinnati | OH | 2 | CD-R | sbd>?>cdr>eac>shn |
10/15/74 | Ultrasonic Studios | Hempstead | NY | 1 | CD-R | WLIR-FM REEL MASTER > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC |
Talking Heads --- Approximate Hours: 10 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/??/75 | CBS Studios | New York | NY | 1 | CD-R | Studio recording Trade CDR->EAC->SHN |
09/16/78 | The Boarding House | San Francisco | CA | 1 | CD-R | KSAN reels 633A, 633B, 633C Reel plybck: Revox A-77(15ips)> Panasoic SV-250 DAT(internal A/D) Plyback Panasonic 3800>Apple G4 (Peak editing, sample rate conversion)> Xact prep>upload from files |
02/27/81 | Sun Palace | Tokyo | Japan | 2 | CD-R | dat(sbd) in tascam da20mkII>rme96/8>cd wav>mkw>shn |
07/04/82 | Werchter Festival | Werchter | Belgium | 1 | CD-R | FM And SBD Info {FM Lineage: Onkyo TX-SR600E ->M-Audio 1010LT ->Adobe Audition v2.0 ->CD Wave Editor v1.94.5} {SBD Lineage: CDr>CDwave>WAVE>FlacFrontend Level 8>FLAC>TORRENT} |
08/05/83 | Saratoga Performing Arts Center | Saratoga Springs | NY | 2 | CD-R | FM > Cassette Master > Dat > CD-R > EAC > FLAC Level 8 |
01/25/84 | The Mecca | Milwaukee | WI | 1 | CD-R | "natures way" SBD bootleg>EAC>SHN |
Television --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/16/07 | Central Park | New York | NY | 2 | CD-R | mics > dat > cd > eac > sf6 > flac > td |
Thelonious Monk --- Approximate Hours: 7.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
02/23/64 | Maison De La Radio | Paris | France | 2 | CD-R | possibly from boot cd: "Live in Paris, 1964" |
02/26/64 | Volkshaus | Zürich | Switzerland | 2 | CD-R | FM |
03/08/65 | Sendesaal | Bremen | Germany | 2 | CD-R | (SBD) FM > Cass > CDR > EAC > FLAC |
Thin Lizzy --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
05/15/74 | Mausefhalle | Stuttgart | Germany | 1 | CD-R | SBD CDR> Cass> CDR> EAC (secure mode)> FLAC |
Tito Puente --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
07/03/93 | Estival Jazz Piazza Della Riforma | Lugano | Switzerland | 1 | CD-R | Soundboard > DAT > 1st copy > eac > wave > flac |
06/30/95 | Piazza Della Riforma | Lugano | Switzerland | 1 | CD-R | soundboard > 1st copy > eac > wave > mkw > Flac |
Tom Petty & The Heartbreakers --- Approximate Hours: 6.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
??/??/80 | Studio/Live | unknown | Unknown | 1 | CD-R | studio/live>unknown generation>cdr(x)>eac>flac>you |
04/11/99 | Irving Plaza | New York | NY | 2 | CD-R | 3 Source SBD + AUD Matrix Mix (60%-SBD + 20%-AUD1 + 20%-AUD2) *see txt file for more info on sources |
06/16/06 | Bonnaroo Music Festival (What Stage) | Manchester | TN | 2 | CD-R | Source: Peluso cemc6/ck4's(75hz rolloff, DIN, FOB, DFC, 50' from stage)>w+mod ua-5>jb3(44.1) Transfer: jb3>Creative Playcenter>cdwave>flac Recorded and Transferred by Jon Buffington |
Tom Verlaine --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
04/14/90 | Theatre of the Living Arts | Philadelphia | PA | 1 | CD-R | audience master lineage:sony d6c/909 mic>maxell xl2s>sony hx pro/audio source eq one>philips cdr 775> maxell cdr pro>eac v0.prebeta 3>traders little helper>dime quality quite nice/no crowd |
Tom Waits --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
05/02/79 | State Theatre | Sydney | Australia | 1 | SHN | Common Lineage:? >CDRx? >WaveLab (DAE & Digital Remastering)>SHN >WAV >FLAC v1.0.3 with sector alignment option set |
03/20/99 | Paramount Theater | Austin | TX | 1 | SHN | DSBD >DAT-M >DATx2 >Audiowerk-8 DigiCard >wav >mkwACT v0.97 b1 >shn >wav >WaveLab (Digital Remastering) >wav >mkwACT v0.97 b1 >shn >shorten v3.3 >wav >FLAC v1.0.3 (with sector alignment option set) >flac >wav >shorten v3.3 >seekable shn (no DAE) |
Too Loose To Truck --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
05/17/76 | River City | Fairfax | CA | 2 | CD-R | Possibly SBD -> Cass x 3 or 4 -> CDR -> Soundforge -> CDR |
Tool --- Approximate Hours: 3.75 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
08/15/93 | Big Melee Music Festival | Kualoa Ranch | HI | 1 | CD-R | Front-Of_House Soundboard -> Sony TCD-D8 (DAT) -> CD (2) -> Cubase SX2.0 (using Universal Audio EQ-ing, Waves linMB, and Waves L1) -> Wave (0) -> Flac (0) -> BT |
09/23/06 | Molson Amphitheatre | Toronto | ON | 2 | CD-R | source: SP-CMC-8 (AT943) > SP-MICROTRACK-MIC-POWER > MT 24/96 (24bits, 48kHz) lineage: MT 24/96 > USB2.0 > PC > Wavelab 5.0 > FLAC Frontend Level 7 taper: dru ticket: section 203, row F |
Traffic --- Approximate Hours: 6.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
12/11/67 | BBC | London | England | 1 | CD-R | FM>unknown transfer>cdr(x)>eac>flac |
02/26/68 | BBC | London | England | 1 | CD-R | FM>unknown transfer>cdr(x)>eac>flac |
06/24/68 | BBC | London | England | 1 | CD-R | FM>unknown transfer>cdr(x)>eac>flac |
11/18/70 | Fillmore East | New York | NY | 1 | CD-R | Source SBD > Master Reel > CD > EAC > WAV > FLAC |
11/23/70 | Anderson Theatre | New York | NY | 1 | CD-R | From txt notes: "The sound quality of this disc is excellent. These tapes may have been from a "Grateful Dead" soundboard of this show. At any rate well beyond typical bootleg sound! " |
Traveling Wilburys compilations --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
??/??/88 | Studio Sessions | Unknown | Unknown | 2 | CD-R | Liberated Bootleg > EAC (secure) > FLAC |
Trevor Rabin --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/29/89 | Diamond Club | Toronto | ON | 1 | CD-R | Audience recording Master cassette/Digitized with Sound Forge/WAV/FLAC |
Trey Anastasio --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
06/28/06 | Alltel Pavilion at Walnut Creek | Raleigh | NC | 2 | CD-R | Source: Nakamichi Cm300 (active mod)/cp1 (DIN)> Edirol UA-5> Jb3 (wav @ 44.1 khz) Location: FOB DFC, Section 2 Row J Seat 13 Transfer: Jb3> usb> xNJB> Audacity 1.2.4> xACT (fixed SBE's and converted to .flac level 8) Taped and Transferred by Patrick Moore |
U2 --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
02/05/85 | Teatro Tenda | Bologna | Italy | 1 | CD-R | LIBERATED BOOT: "U2 LIVE " CD TDM 05 |
05/17/86 | R.D.S. Arena | Dublin | Ireland | 1 | CD-R | Tv Broadcast/Soundboard recording |
Uncle Tupelo --- Approximate Hours: 5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/15/93 | The Vic Theatre | Chicago | IL | 2 | CD-R | SBD |
05/01/94 | Mississippi Nights | St. Louis | MO | 2 | CD-R | This is the legendary final Uncle Tupelo show. Source: SBD (lineage unknown) Quality: A |
Van Halen --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/15/77 | Pasadena Civic Auditorium | Pasadena | CA | 1 | CD-R | Liberated Boot: "The Nightmare Before Halloween" SB >1st gen cass>Kenwood KX-77CW tape deck>Creative Labs Audigy 2 24bit>WAV>Adobe Audition>WAV>FLAC Frontend>FLAC(level 6) |
05/01/80 | Capital Center | Largo | MD | 1 | CD-R | soundboard quality, but has a slight hiss throughout !. Overall it's an excellant recording. |
Van Morrison --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
04/26/70 | Fillmore West | San Francisco | CA | 1 | CD-R | From txt file: " A perfect stereo soundboard recording. This is official release quality. Van and the band are in great form,if you like VM - this is one not to miss." |
11/01/78 | The Bottom Line (Early Show) | New York | NY | 1 | CD-R | Title=KBFH original disc Source=Pre FM SBD Lineage=PLEXTOR PX-716A DVD±R/RW CD-R/RW ->KBFH original disc->EAC(secure)Wav->wshort32-Shn->you |
Velvet Underground --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/18/69 | The End of Cole Avenue | Dallas | TX | 2 | CD-R | Boot title:Live at End Of Cole Ave. Source: silver CDs (ltd. ed. #0537)->EAC (secure mode)->FLAC |
VSOP II --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
05/19/83 | NHK Hall | Shibuya | Japan | 1 | CD-R | Lineup: Wynton Marsalis (trumpet) Branford Marsalis (tenor sax, soprano sax) Herbie Hancock (piano) Ron Carter (bass) Tony Williams (drums) |
The Wailers --- Approximate Hours: 6.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
07/18/73 | Max's Kansas City | New York | NY | 3 | CD-R | Segment-1: Reel > C > DAT > CD > Plex 48A > EAC > CDWav > FFE > FLAC Segment-2: Reel > C > DAT > CD > Plex 48A > EAC > CDWav > FFE > FLAC Segment-3: Reel > C(2) > DAT > CD > Plex 48A > EAC > CDWav > FFE > FLAC |
06/20/07 | Howelson Hill | Steamboat Springs | CO | 2 | CD-R | FOB km140's>mp2>adc20>vx>wavbreaker>ssrc>flacify |
Weather Report --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
05/30/76 | Roxy | Los Angeles | CA | 1 | CD-R | Liberated Japanese Bootleg Lineage: Original Silver Disk > EAC > TLH > Flac16 (level 8) |
Ween --- Approximate Hours: 6.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
11/29/05 | Sokol | Omaha | NE | 3 | CD-R | Source: Akg480b/ck61> Tascam DA-P1 @16/48(fob-din) Lineage: Tascam DA-30mkII > Digital Coax > ECHO MiaMIDI 24/96 > Wavelab 5.0 @ 16/48 (48>44.1k) > WAV > CD Wave Editor > Flac Frontend (level 8, verify) > FLAC16 Taped by: Justin Hoogerwerf Transferred by: Justin Hoogerwerf |
12/03/05 | Fox Theater | Boulder | CO | 2 | CD-R | SOURCE: Oktava MC012 > Edirol UA5 > Coax Out > MicroTrack (24/48) LOCATION: OTS, directly behind soundboard TRANSFER: MicroTrack > USB2 > SoundForge 7 (Waves L1 Ultramaximizer+ > Waves L2 [acoustic songs only]) + Resample to 44.1k + Dither to 16 bit > CD Wave (tracking) > FLAC Frontend (level 6) |
White Stripes --- Approximate Hours: 5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
03/01/01 | Spaceland | Silverlake | CA | 2 | CD-R | Source: SBD>DAT>CDR (1 cdr) no lineage known Sound Rating: A+ |
09/20/03 | The Joint | Las Vegas | NV | 2 | CD-R | 3 LP US Vinyl Promo from V2 Records. Direct from Soundboard. SBD > Vinyl > Pioneer PL-518 direct drive turntable w/Shure M950ED cartridge & Pfhansteihl stylus (playback) > Pioneer PDR-509 CD Recorder w/Burr Brown DAC (record) > CD > Adobe Audition > WAV > Nero WAV Editor v3.7.2.1 (fades, tracksplits) > FLAC Frontend v1.7.1 (level 8) |
The Who --- Approximate Hours: 12.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
04/06/68 | Fillmore East | New York | NY | 1 | CD-R | Soundboard=>?=>Silver=>EAC (secure mode)r=>FLAC Level 8=>FLAC |
10/22/69 | Fillmore East | New York | NY | 1 | CD-R | MASTER SBD>?>SILVER DISC>WAV>FLAC>WAV>Cool Edit Pro v1.2>FLAC |
02/14/70 | Leeds University | Leeds | England | 1 | CD-R | "Live At Leeds Complete" Source: SBD |
09/21/70 | De Dochen Halle | Aarhus | Denmark | 2 | CD-R | AUD Liberated Bootleg: Shakin' All Over Demark Remastered |
05/18/74 | Charlton Athletic Football Ground | London | England | 2 | CD-R | M/SBD + AUD Cass(?) > ? > CDR > EAC (Secure Mode) > WAV > FLAC (Level 5) > WAV > Cool Edit Pro v1.2> FLAC 6 |
10/09/76 | Oakland Coliseum | Oakland | CA | 2 | SHN | AUD |
10/10/76 | Oakland Coliseum | Oakland | CA | 1 | SHN | AUD |
Widespread Panic --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
10/08/95 | Alachua Music Harvest | Gainesville | FL | 2 | FLAC | (KP) - center/FOB 2 sen ME-80's/KU-3's x 2 sen 421's > Boss BX-4 > Denon DTR-80P Wavelab 4.0 > cd wave > FLAC |
Wilco --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
03/19/06 | The Pageant | St. Louis | MO | 2 | CD-R | SOURCE: B&K 4021s (17cm aimed at outside of stacks 9' tall) > EAA-PSP2 > 722t @ 24/96 DFC FOB At first drink rail. LINEAGE: 722t > Wavelab (resample & dither to 16/44.1, fades, normalize) > CD Wave > Flac. TAPED BY: Brian Sax & Steve Brothers |
The Wildwood Boys --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
02/23/63 | The Tangent | Palo Alto | CA | 1 | CD-R | audience master reel->reel->FM->cassette->DAT->CD |
Willie Dixon --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
01/24/74 | Quiet Knight | Chicago | IL | 1 | CD-R | FM off air-Master reel rec. by Bob Craig- - 1st Gen Reel - tranferred by Pat Lee 11/2006 Revox A-77 reel> Phillips 785 CDR burner-CDR- Doc Tinker: CDR-EAC-flac |
Wire --- Approximate Hours: 5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
08/??/76 | Unknown | Unknown | Unknown | 1 | CD-R | CDR>EAC>WAV>FLACFRONTEND Level 8 |
03/??/77 | Unknown | Unknown | Unknown | 1 | CD-R | CDR>EAC>WAV>FLACFRONTEND Level 8 |
10/25/78 | Bradford University | Bradford | England | 1 | CD-R | Soundboard > ? > Cassette > wav > CDR > EAC Secure > FLAC Frontend |
11/10/78 | S036 Club | Berlin | Germany | 1 | CD-R | Soundboard > ? > Cassette > wav > CDR > EAC Secure > FLAC Frontend |
Wolfmother --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
09/09/06 | McCarren Park Pool | Brooklyn | NY | 1 | CD-R | Microtech Gefel 200 > EAA PSP3 > SBM1 > Sony D8 (DFC FOB) > HHB 800 > CDR > Plextor Premium > EAC > Trader's Little Helper > .flac (level 6, verified, aligned on sector boundaries) no editing / normalization performed |
X --- Approximate Hours: 1.25 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
07/23/82 | Clutch Cargo's | Pontiac | MI | 1 | CD-R | SBD > analog > CDR > ? > CDR (mine) > flac |
Yardbirds --- Approximate Hours: 2.5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
05/31/68 | Shrine Exposition Hall | Los Angeles | CA | 1 | CD-R | Title:"Last Rave-up in L.A." Source: Silvers>CDr>EAC>WAV>FLAC |
06/01/68 | Shrine Exposition Hall | Los Angeles | CA | 1 | CD-R | Title:"Last Rave-up in L.A." Source: Silvers>CDr>EAC>WAV>FLAC |
Yes --- Approximate Hours: 5 | ||||||
Show Date | Venue | City | State | Media Count | Media Type | Source |
12/11/74 | Boston Garden | Boston | MA | 2 | CD-R | Lineage: Master Reel (pre-FM) > Bootleg Silvers > EAC(Secure Mode)> WAV> Soundforge & Unknown Software(Remastered by Shaun Toole 06/03) > FLAC16 |
09/26/77 | Long Beach Arena | Long Beach | CA | 2 | CD-R | ineup: Anderson, Howe, Squire, Wakeman, White, Unofficial Recordings: Audio: Audience - 115 min |