Kevin Tobin Videos - Grateful Dead 10/09/89<b>flac24</b>; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller;

Grateful Dead - 10/09/89
Hampton Coliseum, Hampton, VA

Source:	(Master) Single Camera Audience w/SBD audio upgrade
Media Type:	DVD	Media Count:	2
Source Info:	flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller;
Notes:	Brokedown House Production audio upgrade of a Lazy Cow Production (Angle 2) - not seeded anywhere per Lazy Cow request
Tech Notes:	Grateful Dead (Formerly The Warlocks) October 9, 1989 Hampton Coliseum Hampton, VA Lazy Cow Production Audio Upgrade by Brokedown House Production This is Lazy Cow angle 2, which is the same angle as the Less Than Face release. A different source video tape was used. (See Lineage Below) A different audio source was used. (See Lineage Below) The missing parts of Little Red Rooster & Ramble On Rose have been patched with Lazy Cow angle 1. (See Lineage Below) Video: AUD (Tripod) > Master [Angle 2] Set 1 & 2 Master: JVC Single Tube Camera, Nak 300 Shotguns > 1 or 2 Decks > JVC Deck > VHS Master Transfer: VHS Master > Panasonic AG-7150 > Canopus ADVC-100 > iMac G4 > Final Cut Pro-3 > DVD Studio Pro 1 > DVD > TMPGEnc Smart Render 6.0 > DVD Architect Pro 6 > DVD5/9 Set 1 [Patches in Little Red Rooster & Ramble On Rose - (Lazy Cow Angle 1)] Master: JVC Single Tube Camera, Nak 300 Shotguns > 0 Decks > Panasonic AG-7400 > S-VHS Master Transfer: S-VHS Master > Panasonic AG-7400 > Panasonic AG-7400 > S-VHS 1st Gen Transfer: S-VHS 1st Gen > Panasonic AG-7150 > Canopus ADVC-100 > iMac G4 > Final Cut Pro-3 > DVD Studio Pro 1 NTSC, 4:3, 6.7/8.4 Mbs, 720x480, 29.97 fps] Audio: Ultramatrix SBD > Cassette Master (TDK MA-XG90) Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24 - (shnid=147611) All Transfers and Mastering By Charlie Miller - September 23, 2019 [LPCM, 1.5 Mbs, 16 Bit, 48 kHz] Set 1 Feel Like A Stranger Built To Last Little Red Rooster Ramble On Rose We Can Run Jack-A-Roe Memphis Blues Row Jimmy The Music Never Stopped 01:13:17 Set 2 Playing In The Band Uncle John's Band Playing In The Band (Reprise) Dark Star Jam Drums Space Death Don't Have No Mercy Dear Mr Fantasy Hey Jude Throwing Stones Good Love Attics Of My Life 01:42:19 Jerry Garcia - Guitar Bob Weir - Guitar Brent Mydland - Keys Phil Lesh - Bass Bill Kreutzman - Drums Mickey Hart - Drums
J-Card Comment:	MD5: Disc1 91d5bee92ffd5828f11923411f2a358a VIDEO_TSVIDEO_TS.BUP 91d5bee92ffd5828f11923411f2a358a VIDEO_TSVIDEO_TS.IFO df3ec3b6997f53f8c4992bf2db602c95 VIDEO_TSVIDEO_TS.VOB 9dbee9c311f46ba9bda8cd33d9f5fb1b VIDEO_TSVTS_01_0.BUP 9dbee9c311f46ba9bda8cd33d9f5fb1b VIDEO_TSVTS_01_0.IFO 5adae30c430f674f251089680a3c2998 VIDEO_TSVTS_01_0.VOB 8a8a30eb6bcb28655ab7c094bab06a04 VIDEO_TSVTS_01_1.VOB 50dd00fc764cf2541ad8e8751bca422c VIDEO_TSVTS_01_2.VOB c8e9891c0c1bcfe77681045806bbbd98 VIDEO_TSVTS_01_3.VOB 93b74fef12e15f7428ee44efff068b6e VIDEO_TSVTS_01_4.VOB 9db8bfc26a9dbbfbddfd5233de5e1b78 VIDEO_TSVTS_01_5.VOB Disc2 e4a3abb651827e7b5ab59560504ce41d VIDEO_TSVIDEO_TS.BUP e4a3abb651827e7b5ab59560504ce41d VIDEO_TSVIDEO_TS.IFO df3ec3b6997f53f8c4992bf2db602c95 VIDEO_TSVIDEO_TS.VOB 1f5dfe92d06363ef15cbfb199fc5b2a1 VIDEO_TSVTS_01_0.BUP 1f5dfe92d06363ef15cbfb199fc5b2a1 VIDEO_TSVTS_01_0.IFO 735698624f57dec58ae9751093c94dd3 VIDEO_TSVTS_01_0.VOB bae75c72cd911d3f061ab1b19b236c31 VIDEO_TSVTS_01_1.VOB 1b6d0766c0825e058543c4c17c6953ae VIDEO_TSVTS_01_2.VOB 326499fe3701f900a779c73d720125f2 VIDEO_TSVTS_01_3.VOB d4392027996505d11148b67ce699b3c8 VIDEO_TSVTS_01_4.VOB 58d2d44fdc55b41f9f649b9873a17281 VIDEO_TSVTS_01_5.VOB db38a30b63800b634113ef4da467e364 VIDEO_TSVTS_01_6.VOB c8c98acd683d8c59ac36bfa1ceefc1b7 VIDEO_TSVTS_01_7.VOB 6cc6d75aa054baef095dfac14625e44d *VIDEO_TSVTS_01_8.VOB
Trades Allowed:	Yes	Traded From:
Show Rating:	Yes	Sound Rating:
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Owned by Kevin Tobin Videos · Last Updated Oct 21, 2021

Grateful Dead 10/09/89
Hampton Coliseum, Hampton, VA

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Set I

Feel Like A Stranger *
Built To Last
Little Red Rooster
Ramble On Rose
We Can Run
Jack A Roe
Stuck Inside Of Mobile With The Memphis Blues Again
Row Jimmy
The Music Never Stopped

Set II

Playing In The Band >
Uncle John's Band >
Playing In The Band Reprise
Dark Star > #
Drums >
Space >
Death Don't Have No Mercy >
Dear Mr. Fantasy >
Hey Jude >
Throwing Stones >
Good Lovin'

Attics Of My Life $

Set III

Comment

Billed as "Formerly The Warlocks" after the Grateful Dead were banned from playing at Hampton Coliseum after several fan incidents during the March 1988 shows. To maintain a low profile, Hampton was not included as part of the regular ticket sales for the East Coast fall tour. Tickets went onsale at local outlets only 10 days prior to the shows. The Marquee for the shows read The Warlocks. The Grateful Dead did not perform at Hampton again until March 5, 1992.

This Version Appears On Without A Net *
First time played since July 13, 1984 #
First time played since October 28, 1972 $

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums

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Last Changed By OBIE

Sources

(443) View Source View Archive
Schoeps CMC421 (note change from previous mic info)> DAT > SEK'D Prodif 32 > SoundForge 4.5 (Level Increase & Resample - <48to44.1>) > CDWav> WAV > SHN; via T. Howland; note set 1 will fit all on d1 if you overburn 26 sec; listener M. Burgess reports, "first set sounds ok, maybe a little muddy, but the second sounds thin and trebley, totally different from the first set"; note Mark Ferguson renamed md5s and shns with his 8/3/00 rehosting- see his public comments, and md5s marked "ren" (for "rename")

(2276) View Source View Archive
SBD> CASS(x)> DAT> CDR> EAC> SHN; via PainoMan to gdlive.com

(7721) View Source View Archive
Lineage: SBD > PCM (analog output) > D > D > D > D; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes

(17704) View Source View Archive
FOB Schoeps CMC421> DAT> HHB standalone CD> EAC> ADDAWAV> CDWav retracking> WAV> SHN; conversions done by JR Fishman

(26235) View Source View Archive
DTS-Audio-CD 5.1 Mix; SBD: PCM (analog out) > DAT x 4 > CDR AUD; FOB: Schoeps CMC641 > DAT; mixed by dan@am-dig.com; related matrix also circulates

(26236) View Source View Archive
SBD + AUD Matrix Mix (60%-SBD/40%-AUD); SBD: PCM (analog out) > DAT x 4 > CDR; AUD FOB: Schoeps CMC641 > DAT; Mixed by dan@am-dig.com; related 5.1 mix also circulates

(31211) View Source View Archive
Recording by: Rob R 3 Nak CM300 - 2 CP4's and 1 CP3 arrianged X/Y direct to dat > ? > .shn SBEs on Set 2 repaired using shntool v.2.0.3 (10/11/2005)

(32902) View Source View Archive
flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC

(80840) View Source View Archive
flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC . This has an upgraded patch source.

(89563) View Source View Archive
flac16; AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand on the floor, near the soundboard. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.

(92005) View Source View Archive
DTS Audio 5.1 Mix; 4 Source Mix - SBD (ShnID = 80840), SBD (ShnID = 80840), AUD2 (ShnID = 17704) and AUD3 (ShnID = 443)

(92495) View Source View Archive
flac16; SBD + AUD Matrix - 4 Source Mix (60%-SBD, 10%-AUD1, 20%-AUD2, 10%-AUD3)

(92553) View Source View Archive
- 4 Source Mix - DVD-Audio 5.1 Surround (6ch x 24/48) via Dan Haugh

(99647) View Source View Archive
flac16; Source: Nakamichi cm300/cp4->Sony D-5M (Dolby B encoded)->Maxell MX90 x 2->Sony D-5M (Dolby B decoded)->Korg MR-1000 (1bit/5.5MHz)->AudioGate->(16/44.1) wav-> Soundforge 8.0->flac; Taper: Dave Barfield; Transfer and seeded by: M. Watson

(116646) View Source View Archive
flac16; Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster

(120403) View Source View Archive
flac24; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 441> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-90's; Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 Khz; Metadata Tagging With Tag&Rename

(120404) View Source View Archive
flac16; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 441> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-90's; Transfer Information:Nakamichi MR-1>No Dolby B>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Khz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

(125737) View Source View Archive
flac16/48kHz; Source: Schoeps CMC3/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe

(125738) View Source View Archive
flac16; Source: Schoeps CMC3/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe

(131003) View Source View Archive
flac16; Master Digital FOB Recording by Lance Deal using Schoeps CMC521's> Schoeps VMS 52 UB> Technics SVMD1; Transfer: Fostex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5)

(142510) View Source View Archive
flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar stand, shoulder height > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648

(147611) View Source View Archive
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller;

(147621) View Source View Archive
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1

(154041) View Source    View Archive
flac16; Matrix 2 Source Mix>/i> - SBD (shnid = 147611) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; + AUD (shnid = 116646) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - matrix mixing by Kevin Tobin
(154042) View Source    View Archive
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147611) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; + AUD (shnid = 116646) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - dts mixing by Kevin Tobin
(154043) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147611) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; + AUD (shnid = 116646) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - surround mixing by Kevin Tobin
(158308) View Source    View Archive
flac16; Matrix by Hunter Seamons using Soundtrack Pro and Final Cut Pro (FLAC > AIFF > Soundtrack and Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 80840 & 125738.

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